470 lines
26 KiB
Plaintext
470 lines
26 KiB
Plaintext
A RAY ANALYSIS INTERVIEW
|
||
|
||
conducted by
|
||
Judi Laws
|
||
|
||
An Edited Transcription
|
||
|
||
(Editor's Note: The following interview with Mary Ann Casalino was
|
||
conducted by Judi Laws. Initially, five questions of a "shotgun" nature
|
||
are asked to get some idea of which rays are present in the individual.
|
||
Following that, questions are directed at identifying the rays of the
|
||
mental, astral, physical, personality, and soul, in that order. Laws told
|
||
those in attendance that when she had finished her inquiries, they would
|
||
have an opportunity to ask additional questions of MAC. After the
|
||
questioning was completed, the audience would, collectively, attempt to
|
||
determine MAC's rays.
|
||
|
||
To maximize the usefulness of this ray analysis to readers, Laws
|
||
deleted those portions of the dialogue which she felt did not contribute to
|
||
ascertaining MAC's rays.)
|
||
|
||
|
||
Q: Mary Ann, darling, tell us about your favorite color?
|
||
A: Purple and red, I think those two summarize it.
|
||
Q: When you were in school what subject or subjects did you like most?
|
||
A: I didn't like too many subjects at all but probably religion - I
|
||
survived a Catholic education and religion was the main focus
|
||
-probably some literature - I was also attracted to poetry.
|
||
Q: Is there any particular country with which you feel a deep rapport or
|
||
have an affinity to - whether or not you have traveled there - a
|
||
country that just grabs you and you say "yes!"?
|
||
A: Yes, Paris does that.
|
||
Q: On which of the lower four planes are you most comfortable
|
||
functioning (physical, astral, mental, intuitional) - not where you
|
||
spend the most time but on which of those are you most comfortable?
|
||
A: Intuitive.
|
||
Q: Do you have any idea why you are on the planet?
|
||
A: Yes, I'm here to serve.
|
||
Q: Serve anything in particular or just to serve?
|
||
A: To serve wherever I'm most needed.
|
||
Q: Are you an analytical person?
|
||
A: No.
|
||
Q: Are you able to concentrate on mental work if it's noisy- jackhammer
|
||
outside-stereo blaring?
|
||
A: I would have a problem; especially for a long period of time - yes.
|
||
Q: Tell us how you would go about reading a non-fiction book of your
|
||
choosing?
|
||
A: I would open it up and look at the copyright page first - see who
|
||
published it, and then I would read the covers - I would probably skim
|
||
through it fast then start to read it - page by page.
|
||
Q: Do you have any trouble with mind racing - you can't turn your head
|
||
off? Mind racing - would it keep you up at night?
|
||
A: No.
|
||
Q: Do people fuss with you about not answering a question directly?
|
||
A: No.
|
||
|
||
Q: Do you usually have four or five books that you are reading at the
|
||
same time on different subjects.
|
||
A: Magazines, yes; books, no.
|
||
Q: Will you go to a lecture on virtually any subject?
|
||
A: No.
|
||
Q: Are you a calm, unflappable person?
|
||
A: Absolutely not!
|
||
Q: Have you exploded more than once in the last month?
|
||
A: Absolutely.
|
||
Q: Do you pray or meditate?
|
||
A: Both.
|
||
Q: Which form of the Diety do you address?
|
||
A: The One.
|
||
Q: Do you form emotional attachments easily.
|
||
A: I would have to say generally no.
|
||
Q: Do you dislike emotional displays in live persons, on the TV?
|
||
A: No - Do I like it? I don't like the display but I like the life in it
|
||
- I like the sign of life that it indicates.
|
||
Q: How does your skin react to the sun?
|
||
A: I tan very easily.
|
||
Q: What Color?
|
||
A: Brown - roasty toasty brown.
|
||
Q: Can you work long hard hours if necessary?
|
||
A: Absolutely.
|
||
Q: And take stress and stimuli coming from different directions?
|
||
A: Yes.
|
||
Q: And of course, weather permitting, you are an outdoorsy person - you
|
||
like being out.....
|
||
A: Oh, yes.
|
||
Q: Do you dress for a purpose - functional - comfort - aesthetics?
|
||
A: Comfort first - aesthetics second.
|
||
Q: Do you operate on the principle of brinksmanship, an eleventh hour
|
||
person? - I have some friends in the audience who say "Thank God for
|
||
the last minute because if it weren't for the last minute nothing
|
||
would ever get done!" Are you one such?
|
||
A: I prefer not to - but thank God for the last minute.
|
||
Q: Do you have a high energy level?
|
||
A: Oh, yeah!
|
||
Q: Do you find there are ample opportunities for you to express the
|
||
energy you have or is there some frustration or limitation there?
|
||
A: Most of the time I can express it.
|
||
Q: Are you someone who sits down to dinner - a nice dinner - not just a
|
||
hamburger in front of the TV?
|
||
A: I do both but I most definitely enjoy the nice dinner.
|
||
Q: In your daily life, do you strive for elegance, the art of living?
|
||
Not necessarily spending a lot of money, but quality?
|
||
A: Oh Yes, that's very important.
|
||
Q: Do people confide in you?
|
||
A: Yes, they do.
|
||
Q: Do you avoid the limelight, preferring to work behind the scenes?
|
||
A: It varies. Depends what the work is. Either one is fine.
|
||
Q: Do you work well in groups and committees?
|
||
A: Yes.
|
||
Q: Are you a list maker? Someone who makes lists of things to be done?
|
||
A: When I'm forced to do it, but that's not my natural way of working.
|
||
Q: Are you someone who has a place for everything and everything in its
|
||
place?
|
||
A: No.
|
||
Q: Do you like to plan your leisure time - your nights - weekends and get
|
||
really annoyed if plans get cancelled or changed?
|
||
A: I think I would like to have it more set than more leisurely.
|
||
Sometimes I do get annoyed if plans get changed.
|
||
Q: Are you someone who tells the truth and lets the chips fall as they
|
||
may?
|
||
A: More yes than no.
|
||
Q: You do then find there are times when tact and diplomacy don't cut it
|
||
- when you just have to use a little force?
|
||
A: 98%
|
||
Q: Are you uncomfortable if you don't have enough irons in the fire?
|
||
A: No.
|
||
Q: If you could choose the life you were to live next and program the
|
||
country, the parentage, the education, the financial circumstances, do
|
||
you have any idea what you would want to do?
|
||
A: I think I would make it a professional country - I would bring in all
|
||
the professionals and get rid of the non-professionals (the people who
|
||
get in the way) - then I would have all these people in the fields who
|
||
are the best, meet together to create a professional country; world.
|
||
Q: Define professional for me?
|
||
A: I guess people who can use what they were given, at their highest
|
||
level, and create an aura of professionalism - just to spiral up what
|
||
they have inside. The quality of a person.
|
||
Q: Not related to any disciplines or vocations?
|
||
A: No, I think everyone has their own...
|
||
Q: Have you had a lifelong fantasy of working the land being in touch
|
||
daily with mother nature?
|
||
A: I have a little 6x6 garden which I love to work.
|
||
Q: Would you characterize your major contribution to life as that of
|
||
being a mediator - someone who can effect workable compromises?
|
||
A: No.
|
||
Q: Would you say that your underlying purpose in life is to reconcile old
|
||
ideas and ways of doing things with the new ones?
|
||
A: I would like to say yes, but I don't think so.
|
||
Q: Do you feel that you are a stranger in a strange land - that there is
|
||
a thin veil separating you from others no matter how close to them you
|
||
are?
|
||
A: I sometimes feel that to be true, but generally no.
|
||
Q: Have people commented on your staying power - your ability to hold on
|
||
even if you're thwarted again, again and again?
|
||
A: I think that's somewhat true.
|
||
Q: Do you find that your deepest satisfaction lies in helping lighten
|
||
the burdens of other people?
|
||
A: Yes.
|
||
Q: Is the most important thing in your life to follow an inner vision?
|
||
A: Yes.
|
||
|
||
Q: Like Mother Teresa, Martin Luther King?
|
||
A: No. I guess it's a group vision - not necessarily my individual
|
||
vision.
|
||
|
||
(At this point, members of the audience were invited to ask questions
|
||
of Casalino.)
|
||
|
||
Q: What about the time orientation - you tend to be past, present or
|
||
future oriented?
|
||
A: Right now.
|
||
Q: If you had to name one word or phrase that sums up one the problems of
|
||
the world what would that be?
|
||
A: Insensitivity.
|
||
Q: And the solution to the problem?
|
||
A: Professionalism!
|
||
Q: Would you like to be well loved or well respected?
|
||
A: Well-respected.
|
||
Q: If you had your `druthers', what job would you like to do?
|
||
A: I'm doing it.
|
||
Q: What are your fears or insecurities?
|
||
A: I have a lot of fears, but they never get in the way.
|
||
Q: Can you tell us in just a few words how you think you think?
|
||
A: I think more intuitively, I don't think it's so much logic.
|
||
Q: I have a question about the questions - Do you ask the questions
|
||
according to the person?
|
||
J: No - everybody gets the same laundry list.
|
||
Q: The reason why I ask is - there is one question that sticks out in my
|
||
mind - the one about the sun tan ... there are some persons who are
|
||
fair skinned.....
|
||
J: I didn't ask about sun tan; the question was - How does your skin
|
||
react to the sun?
|
||
Q: What is your pet peeve?
|
||
A: Incompetence! I feel very strongly about that, about the professional,
|
||
the quality of work. Oh yes, I really dislike imcompetence.
|
||
Q: If you had your choice of being alone to do what you want to do or to
|
||
be in a room with strangers, what would your choice be?
|
||
A: I would be alone.
|
||
Q: Do you get angry when people express off the wall beliefs?
|
||
A: I'm thinking about this weekend - yes!
|
||
Q: What do you think is your greatest contribution you can make to the
|
||
world or to humanity?
|
||
A: Probably raise the quality of work that I am involved in.
|
||
Q: When you are in a crisis situation do you use your sense of humor or
|
||
lose your sense of humor?
|
||
A: I've been in quite a few and it's not been one or the other. I've done
|
||
both.
|
||
(With audience questions having been answered, Laws wrote on the
|
||
chalkboard: Physical, Astral, Mental, Personality, Soul. She asked
|
||
the group what ray Casalino's physical body was manifesting on.)
|
||
|
||
Aud: 3
|
||
Aud: I say 6
|
||
JL: Any other numbers?
|
||
Aud: I'll just throw in 7 because of the reaction to sun.
|
||
Aud: I want to say I have found no basis for the sun light theory - so
|
||
I discount that - I just want to let you know that. There is a
|
||
certain energy that she has that is very forward moving and
|
||
aggressive - it (unaudible). Three energy is more laid back in
|
||
someway - just more laid back and relaxed. Six is more out there
|
||
aggressive and moving fast. There is also a big fluctuation in energy
|
||
- real highs and then lows...depleted, exhausted, burned out, and
|
||
then way back up there, high again. It's very six, I think.
|
||
Aud: We are talking about the quality of the body (physical) and when you
|
||
start talking about ups and down and energy that may be coming
|
||
through from some other level - well of course it has to express
|
||
through the etheric but it may not be the body itself - it may be the
|
||
effect of the personality - using the body in that manner.
|
||
Aud: I think it has to be a ray three and I think its very important to
|
||
take into account that we are talking about the brain - the physical
|
||
brain and just to look at the body as it is sometimes may deceive us
|
||
when we try to attempt to ascertain the ray energy - knowing MaryAnn,
|
||
I think she has a Ray three body, and a lot of that has to do with
|
||
the brain - as well as the body type being a work horse when
|
||
necessary and able to go long hours. She's very powerful - a very
|
||
strong body type.
|
||
JL: I would also say: you know she's a hugger, and the kind of
|
||
muscular tone that she has I don't find in sixth ray bodies. In sixth
|
||
ray bodies, I find a softer kind, a pudgy, watery kind of body. But
|
||
in third ray bodies, underneath the skin is a lot of muscle.
|
||
Aud: I don't know her very well but she just strikes me as having a lot
|
||
of mental stability that I don't think sixth ray would necessarily
|
||
have - I mean in her thought processes. The third ray is capable of
|
||
dealing with a lot of stress and mental problems without falling
|
||
apart and she seems real stable.
|
||
JL: Are we ready to move on to the Astral body? We've got the three
|
||
with maybe seven, for a number of reasons. One of them is in
|
||
Telepathy and the Etheric Vehicle, page 137 where it says the
|
||
thyroid of Path people is governed by the seventh ray. With
|
||
ordinary humanity, the thyroid is governed by the third ray. I'm
|
||
finding what I call a `touch of seventh ray' in more and more third
|
||
ray physical bodies. Part of the reason is because Aquarius is
|
||
coming in. As we move up and get into the etheric body it is
|
||
ruled by the seventh ray and the Devas of the shadows, so I am not
|
||
surprised when I find what seems to be blatant third ray physical
|
||
body that does very nicely in the sun. Roasty-toasty brown and
|
||
there is a flowingness, no awkwardness. I see that in Mary Ann and
|
||
other predominately third ray physical bodies.
|
||
JL: On to the astral body.
|
||
Aud: (Many people say "Six")
|
||
JL: OK, Mental body.
|
||
Aud: 1 - 4 - 5
|
||
|
||
JL: Alright, that's what the Tibetan says. It's one of those.
|
||
Aud: I thought four. I noticed that on every mental question she was
|
||
evasive with her answer. On the one about school she said
|
||
religion, and then finally, with more questioning, she came up with
|
||
well, maybe literature. I made a note: not particularly studious.
|
||
Then you asked her: How do you think. She said intuitive and was
|
||
really clear when you asked her a few more questions. She wasn't a
|
||
list maker. She wasn't analytical. So I figured it had to be four
|
||
because it didn't seem like a two, by exclusion.
|
||
Aud: She didn't seem to have the quality of cutting right to the core of
|
||
things that I associate with the first ray mind. She looked for the
|
||
copyright and the publication date before she started the book.
|
||
I think there is a tendency, when you have these rays of aspect, for
|
||
them to take precedence over the rays of attribute. In a sense
|
||
I feel she could have a fifth ray mind because she seems to be
|
||
polarized, more focused in rays two, four, six. Consequently, rays
|
||
of attribute don't show up as strongly. I think her personality ray
|
||
is four and astral body six, associated with the soul ray (II). So
|
||
I give her a two, four, six based upon my analysis of the tendency
|
||
to flow along one or the other line. Major rays seem to flow, to
|
||
assume dominance over the lesser vehicles.
|
||
JL: Are you saying that the mental ray is five?
|
||
Aud: Yes.
|
||
JL: Other points of view?
|
||
Aud: All this stuff about professionals; maybe she threw in the words
|
||
expertise and exactitude also. It could be five in the mental body.
|
||
Looking at the covers of the book first and the copyright - very
|
||
analytical - ray five is a possibility.
|
||
Aud: I would like to say something about this professionalism. I think
|
||
that has to do with reaching the top and doing a thing as well as it
|
||
can be done - I think it's climbing to the peak, the kind of
|
||
professionalism we are talking about, not so much expertise. That's
|
||
how I perceive that one.
|
||
JL: That's how I perceive it also - quality.
|
||
Aud: I just wanted to add to that. The soul usually manifests through
|
||
one vehicle or another primarily - obviously it goes through all of
|
||
them. There is usually a primary one and her's may not be mental -
|
||
that may be a real soul urge - that reaching for the top and it may
|
||
also express it self in her personality life - how she deals with
|
||
people and what she expects from other people; but it doesn't
|
||
necessarily have to be mentally based.
|
||
Aud: I have another comment. When you asked her what she could
|
||
contribute the most as her spiritual service, it was again related
|
||
to professionalism which would indicate a soul type of urge. Again,
|
||
it's related to her efficiency and professionalism quality.
|
||
JL: As distinct from a mental or even a personality focus.
|
||
Aud: When you talk about the mental ray, you are talking about the lower
|
||
concrete mind because the intuitive is also the mental.
|
||
Aud: It doesn't matter. It matters and it doesn't matter. You've asked
|
||
her a number of questions -all of them having to do with the
|
||
concrete - she said "No. Intuitive. " So she is saying where she
|
||
likes to function mentally and it's not analytical and its not in
|
||
list making and it's not in research and it's not in statistics or
|
||
form. That already tells you what her mind is not, so that gives
|
||
you some idea of what it is.
|
||
Aud: Would you say she has a fifth ray mind because she is critical?
|
||
Aud: Absolutely not. All rays could be critical. First ray is critical.
|
||
Third ray is critical. Sixth ray is emotional and critical. So I
|
||
don't think critical faculties have to do with fifth ray.
|
||
|
||
(The group seemed to reach an impasse as to the mental ray, so Laws
|
||
suggested that they shift to the consideration of the personality
|
||
ray.)
|
||
Aud: I vote for six. She has a strong drive toward perfection which she
|
||
expresses in an idealistic way. She doesn't have an idealistic
|
||
following of a person per se, but she has this idealistic drive to
|
||
reach professionalism and express quality which is her soul ray in
|
||
the world. And she does it in that kind of goal oriented way. I
|
||
didn't see evidence of seventh ray structure and organization or any
|
||
more concrete thing like that.
|
||
Aud: I see her orientation towards professionalism as perhaps reflecting
|
||
seventh ray or at least a seventh sub ray because she thinks in
|
||
terms of the right person or right place. It could indicate
|
||
somewhat of a bureaucratic orientation. We need technical skills
|
||
here. I see it having a certain seventh ray dimension.
|
||
Aud: I feel there is some ray one in her personality. She has a will and
|
||
a drive that's coming through.
|
||
Aud: I'd like to say too that Mary Ann is a hugger. There are certain
|
||
dimensions - I don't know if the dimensions showed up here
|
||
particularly - but there are certain dimensions of warmth,
|
||
sunnyness, intimacy, huggibility, nurturance - those kinds of things
|
||
which are equally as strong as the power things.
|
||
Aud: I see Mary Ann as a goal oriented person.
|
||
Aud: I agree, I feel the first ray is coming in as a personality
|
||
expression.
|
||
Aud: I don't see too much seventh ray. I appreciate what's being said by
|
||
Steven though, in terms of wanting the right person at the right
|
||
place at the right time. But I wouldn't put it in those words for
|
||
Mary Ann. I would say you need an authoritative person who knows
|
||
how to direct - a first ray approach. I'm not sure but I think
|
||
perhaps this discussion is almost leading into Soul/Personality
|
||
combination that one/two - two/one and how that works out. I see
|
||
it more as a second ray personality.
|
||
Aud: Think about the book. She focused on the form of the book, on the
|
||
date, the publication date. That could be interpreted as a seventh
|
||
ray sense - the ideas of dates and time. There is something seventh
|
||
ray about that. It seems significant because its very unusual to
|
||
think of the date first.
|
||
JL: She's been in publishing a lot of years.
|
||
Aud: Not based on any questions but just having experienced Mary Ann I
|
||
can recall sitting there and she told me to move! There was a
|
||
certain forcefulness there that I must interpret as first ray.
|
||
Aud: It seems to me that one of the qualities of the first ray would be
|
||
to control or govern thought and feeling. If it's in the personality
|
||
you would see a lot of evidence of it where she would be regulating
|
||
with her personality her thought and feeling. But it doesn't seem
|
||
that's what she does. It seems to me that there is a strong will
|
||
quality there, but it doesn't seem the proper place to put it is in
|
||
the personality. It must be coming through someplace else.
|
||
|
||
JL: But I think she does a good job of governing her own house. I don't
|
||
mean control or repression. I think she is well disciplined and
|
||
controlled as a personality and the way she goes about her life.
|
||
Aud: Nobody has thrown in the ray four for the personality. Did you hear
|
||
what she said in terms to sitting down to dinner with beauty and
|
||
harmony?
|
||
Aud: I'm referring to the comment about Mary Ann asking you to move.
|
||
I agree the ray one is very forceful in giving orders and not caring
|
||
about the person. I agree with you that Mary Ann does give orders
|
||
but she always gives them thinking about the person - she's
|
||
considerate about the way she tells them to do something. So I get
|
||
the underlying feeling that she's not so much telling you and
|
||
forcing you; she's asking you and because she's such a powerful
|
||
person you do it.
|
||
Aud: I feel some ray one is present though I don't know where it would
|
||
be. She said earlier that she likes being alone rather than in some
|
||
unfamiliar group setting. As a ray four personality myself, I don't
|
||
see her as ray four unless the astral six is very powerful. I don't
|
||
think it is to overshadow that, to really block it out, if she is a
|
||
four. I just don't pick up a four.
|
||
Aud: I get the sense that the first ray power comes through the sixth ray
|
||
because all this force is veiled by consideration for other
|
||
people's feelings and for the astral and sentient nature of others
|
||
Aud: Nobody wants to go along with my sixth ray hypothesis, but I would
|
||
like to remind people that there is a close resemblance between the
|
||
first ray and the sixth ray in some cases. The goal pointedness and
|
||
purpose often resemble the first ray and I don't see the destructive
|
||
quality in her. I might be wrong in that....
|
||
Aud: We could be seeing the positive side of the ray one personality.
|
||
Also we could be seeing a change in the personality. I feel there
|
||
is definitely ray two in the soul coming through - expressed in the
|
||
personality through a one, perhaps changing a ray.....
|
||
Aud: I think she's a ray two personality because she has a very inclusive
|
||
quality. When she was talking, she was talking about some
|
||
criticality issues. When she comes across to me it's always been in
|
||
a very inclusive manner. I've heard her at meetings and watched her
|
||
make sure everyone is included, making sure and trying to reduce
|
||
criticality and being very inclusive in general.
|
||
Aud: Let me ask the question: What is Mary Ann's function within the
|
||
Seven Ray Institute? She's found a calling. What is her function
|
||
here? Is Mary Ann the Scholar? Is Mary Ann the Therapist? Is Mary
|
||
Ann all those things on an inner level? Of those people in the
|
||
Seven Ray Institute, what does Mary Ann do?
|
||
Aud: There is that two/one quality, I think the two is with the soul, the
|
||
sense of inclusiveness, but her way of doing it is forceful. It's
|
||
straightforward. It's very organized. She's not flaky at all.
|
||
Aud: Mary Ann's personality is ray one because she gets things done -
|
||
quick decisions, takes action. That didn't work out, forget it;
|
||
We'll try something else. I think it's ray one.
|
||
JL: When you give her a job, you know it's going to be done in
|
||
the shortest space of time and effectively.
|
||
Aud: If your personality is aligned with your soul, then it's going to
|
||
bring it down -- soul-infused personality.
|
||
|
||
JL: Hands up: How many vote for a ray one personality? (Many hands go
|
||
up) Ray two personality? (Few hands raised)
|
||
Aud: Simply put, is she the director or the teacher? She's certainly the
|
||
director in my opinion.
|
||
JL: I think the directing is done on this level, in this world -- form.
|
||
Inwardly she's "Mama Casalino".
|
||
Aud: One other question. To which word of power (and words of power are
|
||
pretty deep things) do you respond: I assert the fact or I see the
|
||
greatest light.
|
||
MAC: I've done this before and I definitly resonate to: I assert the fact.
|
||
Aud: I think she's a second ray soul and a first ray personality. The
|
||
reason why I think that is the type of group affiliation she has --
|
||
the type of group expression she's involved in and the fact that when
|
||
the soul begins to influence the personality, it does determine the
|
||
type of work you are involved in and affiliated with.
|
||
|
||
(At this point, Laws went to the chalk board, and the group achieved
|
||
a certain degree of consensus on MAC's rays, as follows:
|
||
|
||
|
||
(4
|
||
II 6/1 (6
|
||
(3
|
||
|
||
|
||
Soul - Ray Two
|
||
Personality - Ray Six/One
|
||
Mental - Ray Four
|
||
Astral - Ray Six
|
||
Physical - Ray Three
|
||
|
||
|
||
|
||
|
||
|
||
|
||
Judi Laws, Education and Training Specialist for ALMACA, and author of The
|
||
Science of Human Energetics, teaches classes and conducts research in
|
||
esoteric psychology in Washington, D.C. Judi's interview technique to
|
||
determine and place the predominant ray energies in an individual's system,
|
||
has proven to be an effective tool in consultation and counseling.
|
||
|
||
he predominant ray energies in a |