10255 lines
382 KiB
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10255 lines
382 KiB
Plaintext
=====================================================================
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||/ \||
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|| T H E ||
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|| G E N E S I S ||
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|| D I S C O G R A P H Y ||
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=====================================================================
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(c) Copyright 1992, 1993 Scott McMahan
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Under this copyright, you may posess electronic and hard copies
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for your own personal use, and may give electronic and hard copies
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to others. You may not sell this discography for any reason, you
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may not charge people for the media on which a copy of this
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discography is given, or distribute this discography in mass
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quantities.
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Edited by Scott McMahan
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Revision History:
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Oct 4, 1994 added In The Begiing 3 & 4 and Goldmine
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Jul 7, 1993 cleaned up bad writing in text passages
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Jun 11, 1993 radically better singles listing format
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May 20, 1993 added a lot of WCD tour bootlegs
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Apr 1993 many minor revisions
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Mar 4, 1993 misc. additions
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Mar 3, 1993 added Barnard info and WT 'The Block'
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Feb 26, 1993 moved compilations to misc
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Feb 23, 1993 added asstd. stuff
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Dec 28, 1992
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Dec 8, 1992
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Dec 3, 1992
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-------------------------------------------------------------------------------
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I N T R O D U C T I O N
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and
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A C K N O W L E G E M E N T S
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-------------------------------------------------------------------------------
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Introduction and acknowlegements by the editor, Scott McMahan.
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This is the most complete discography to date on Genesis, including
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not only solo members' works, videos, bootleg recordings and radio
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programs but also publications and organizations about the band.
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This document is a labor of love by Genesis fans for Genesis fans. It
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sets out to catalogue all the information about Genesis that can be
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||
catalogued, for a number of reasons. The Genesis Discography offers an
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historical record of Genesis' career, containing information that is
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||
becoming less well known (and harder to find out) as time passes, so
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||
that it will not fade away into the obscurity of the past. It also
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||
allows the fan to explore other areas of Genesis that are not common
|
||
knowlege: Brand X, unreleased tracks, and others. It allows the
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||
collector to have a very authoratative source for catalogue numbers
|
||
and release information by having information checked against more
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||
than one source (nothing in this discography can be traced to only one
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||
source). A printed version of this discography is large enough for a
|
||
doorstop or a small table, too.
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||
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||
While I edit this discography, and arranged for it to be compiled
|
||
originally, most of the sections were done by members of the
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||
Internet's Genesis mailing list. The collections of worldwide members
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||
have provided invaluable amounts of information. In particular, Bob
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||
Pietkivitch, Todd Satogata, Hugh Williams, Adrian Catchpole, and John
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Chitalia (who did the Mike Rutherford section, which the editor lost
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||
and found out John lost too, and John did it again!) have contributed
|
||
a lot of effort. Crediting individuals as having done "a section" is
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||
not easy, since once the framework of a section is in place, it gets
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augmented from many other sources.
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Information has been culled from Geoff ("Genesis Information Service")
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||
Parkyn's discography, specifically the edition which goes up to 1983
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and Three Sides Live. The Peter Gabriel section is based on the
|
||
discography in "Peter Gabriel - an authorized biography" by Spencer
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Bright, but has been extensively augmented. Armando Gallo's Genesis
|
||
book has been used quite a bit for background material, and most of
|
||
the unreleased songs appendix. Also, many (too?) many newspaper,
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||
magazine, etc articles as well as interviews with the band in both
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||
print and audio/video have been used to fill various holes. Crediting
|
||
these sources within the body is practically impossible, because of
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||
the mostly small bits included (which would make the text unwieldly to
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||
read and the bibliography larger than the text). Record Collector
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||
magazine's 1968-1977 Genesis article (in #146, 10/91, pp. 62-66) was
|
||
a big help for catalogue numbers of rare early singles.
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||
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||
It is not our intent to plagiarize any source, or to take credit for
|
||
other people's work. Instead, the concept of this discography is to
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||
take every datum about Genesis releases from every possible source and
|
||
assemble them together in one place, to have one reference volume for
|
||
information about Genesis. If anything, this is the synthesis of all
|
||
known data about Genesis presented in a way that makes it useful
|
||
information.
|
||
|
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The inconsistent format and general disorder is a product of pasting
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||
bits together a little at a time. Neither I nor anyone else sat down
|
||
and wrote this, it evolved over a long period of time by adding small
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||
bits one after the other. The original version of this document did
|
||
not even have a complete listing of all the Genesis albums. The
|
||
overwhelming size of this discography and all the new information
|
||
coming in has made revisions in the format difficult, although they
|
||
are being attempted. In one sense, the many sources are a benefit
|
||
since they provide confirmation and corrections. Any conflicting
|
||
sources are noted.
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||
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||
The occasional leftover 'I' or 'we' should be taken in the editorial
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||
sense after this introduction. (When the editor wants to refer to
|
||
himself in the first person, he tries to use "the editor" and not
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"I".)
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||
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Every attempt has been made to present months not as numbers but as
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||
three letter abbreviations. Unfortunately, older leftover dates from
|
||
the beginnings of this document are in both American MM-DD-YY format
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||
and European DD-MM-YY format. (This tends to be a problem with dates
|
||
like 03-05-73 when there's no cue about the format. It would be nice
|
||
to have the month as a 3 letter abbreviation in all cases to remove
|
||
ambiguity.) Use your imagination about ambiguous dates!
|
||
|
||
From the beginning, Genesis and the members' solo careers have
|
||
produced an overwhelming amount of material released in all different
|
||
formats all over the world. More is unearthed every day, and the band
|
||
continues being as prolific as ever. It is almost impossible to
|
||
catalogue everything that Genesis and their members have done. This
|
||
discography is probably conceptually larger than it physically is if
|
||
you consider all the things we haven't included. It never ceases to
|
||
astound me that when I think I have Genesis releases under control and
|
||
there isn't much left to add, either I meet a new collector who has
|
||
things I never dreamed of, or some new outtake or bootleg is released
|
||
that I never anticipated. This discography has attempted to go beyond
|
||
the normal brief discography listing the band's major works and to
|
||
explore every aspect of the band's recording history of interest (or
|
||
not, depending on how much you like Genesis) including songs never
|
||
released in any format. As a result, the discography is huge. An
|
||
abridged version is provided for those who don't want this level of
|
||
detail.
|
||
|
||
If you are on the Internet, Please send any additions, corrections, or
|
||
comments to:
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mcmahan@cs.unca.edu
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Otherwise send normal mail to
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Scott McMahan
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105 Bear Creek Apts. #4
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Asheville, NC 28806
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USA
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Note: hard copies are *not* available from this address. If you send a
|
||
DOS formtted diskette and a SASE with return postage I will make you a
|
||
copy of the most recent version. The reader may print out a hard copy
|
||
for personal use only. No other hard copies may be made. This
|
||
discography is NOT FOR PROFIT, and is intended to benefit all Genesis
|
||
fans. Anyone who gets a copy may share it with anyone, but no profits
|
||
may be made from this discography's existance. Posessing an
|
||
electronic or hard copy of this document implies that you agree to the
|
||
philosophy behind this document. This discography is not officially
|
||
sanctioned by Genesis -- they don't even know it exists (yet)!
|
||
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||
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||
Scott McMahan
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The University of North
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Carolina at Asheville, 1993
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BRIEF INFO ON GENESIS MEMBERS
|
||
-----------------------------
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||
Peter Brian Gabriel
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born May 13, 1950 at 16:30 in Woking, Surrey
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||
left the band in 1975, lead vocals
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||
[Note: Some sources say Peter was born in February,
|
||
including Armando Gallo, who should be the definitive
|
||
source. His exact birthdate is in question: May or Feb?]
|
||
|
||
Anthony George Banks
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||
born March 27, 1950 at 07:30 in East Hoathly, Sussex
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||
keyboards, piano
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||
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||
Michael John Cloete Crawford Rutherford
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||
born October 2, 1950 at 19:30 in Guildford, Surrey
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||
bass guitar, guitar (1978 onward)
|
||
|
||
Anthony "Ant" Phillips
|
||
born December 23, 1951 in Putney, South London
|
||
left the band 1970, guitars
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||
(yes, Ant is really his nickname)
|
||
|
||
Steve Richard(?) Hackett
|
||
born February 12, 1950 at 17:05 in London
|
||
joined the band in 1971, left in 1977, guitars
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||
|
||
Philip David Charles Collins
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||
born January 30, 1951 at 00:05 in Chiswick, a London suburb
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||
drums, lead vocal (1976 onward)
|
||
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||
Chester Cortez Thompson
|
||
born December 11, 1948 in Baltimore, Maryland (USA)
|
||
drums on tour only, starting in 1977
|
||
|
||
Daryl Mark Stuermer
|
||
born November 27, 1952 in Milwaukee, Wisconsin (USA)
|
||
guitar/bass on tour only, starting in 1978.
|
||
|
||
In addition, Genesis has had several drummers (none of whom really fit
|
||
the band's style and/or who wanted to stay) before Phil joined:
|
||
|
||
Chris Stewart: the original drummer who went to Charterhouse
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||
|
||
John Silver: played drums on From Genesis to Revelation, and later
|
||
became a television producer in Grenada, the last known
|
||
information about him.
|
||
|
||
John Mayhew: drummer for the Trespass sessions, no one knows what
|
||
happened to him.
|
||
|
||
Bill Bruford (of Yes and King Crimson fame) played drums during the
|
||
1976 tour, live only (he was never a member of the band nor ever on a
|
||
studio album, as some erroneous accounts indicate). He was friends
|
||
with Phil and was in Brand X at a very, very early stage.
|
||
|
||
Mick Barnard, a guitarist with Farm, briefly joined to play guitar
|
||
after Ant left, but he didn't work out and soon left. (According to a
|
||
Trouser Press interview in 1982, Tony says Mick did write the guitar
|
||
parts for the Musical Box. This contradicts other accounts that say it
|
||
was written when Anthony Phillips was still in the band. He never
|
||
officially contributed any songwriting and was never given credit on
|
||
an album.)
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||
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||
Alphonso Johnson was approached to play bass (and guitar) after
|
||
Hackett left, but he didn't work out. He introduced the band to Daryl.
|
||
|
||
-------------------------------------------------------------------------------
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||
TERMINOLOGY
|
||
-------------------------------------------------------------------------------
|
||
|
||
The word 'discography' is a very new word that was coined to describe
|
||
a listing or a book of musical releases, as in vinyl and CD discs.
|
||
The need for this word did not exist before published musical
|
||
recordings on mass media (and the fandom that comes with them) did. It
|
||
is similar to a bibliography, a list of books. Usually the
|
||
discography is about one band or related group of artists. This
|
||
particular Genesis discography goes into a lot more detail in a lot
|
||
more areas than most discographies do. It would be more properly
|
||
called a compendium, but the name discography seems to sound better. A
|
||
lot of background information on various things is included to help
|
||
the reader understand unfamiliar concepts and terminology that
|
||
inevitably is part of any discussion of Genesis especially in regards
|
||
to collecting Genesis. Books, publications, sheet music, videos are
|
||
all generally not in a discography but are included in this one.
|
||
|
||
Abbreviations and other terms used (there seem to be a lot of
|
||
non-English phrases creeping in):
|
||
|
||
WT: working title (In the case of a song only appearing on b-sides,
|
||
the WT and lyricist where known is listed only for the *first*
|
||
appearance of that song in the discography.)
|
||
|
||
Genesis makes up working titles to describe the feel of a song
|
||
that is not finished, in order to have some name to refer to
|
||
it. Later, once the lyrics are done and the song is completed,
|
||
they give it a real title. Working titles are not often
|
||
revealed to the general public, and the scant few we have come
|
||
from odd sources, most of the time they are mentioned in
|
||
passing by the band in interviews. The '3x3' EP (qv) is the
|
||
only (Genesis) release that has the working titles mentioned on
|
||
the release itself. Phil Collins has been more open with his
|
||
solo working titles than Genesis.
|
||
|
||
FRB: Felicity Roma Bowers, cover artist
|
||
|
||
ISBN: International Standard Book Number, very long number used to
|
||
uniquely identify books. Having an ISBN does not mean that a
|
||
book is in print, and does not mean that a book can be ordered.
|
||
|
||
KBFH: King Biscuit Flower Hour, popular American concert radio
|
||
program that often records (-ed?) Genesis
|
||
|
||
UK: United Kingdom, Britain
|
||
|
||
b/w: "backed with" normally used in a 7" single context where there
|
||
is an A side and a B side. (This usage has crept into other
|
||
singles where it refers to all the other tracks on the single
|
||
besides the namesake.)
|
||
|
||
avec: French for "with"
|
||
sans: French for "without"
|
||
|
||
sic: means the original source had what comes before the word "sic"
|
||
verbatim, the error (or questionable part) is in the original
|
||
source and is intentionally being reproduced in this
|
||
discography and is not a typo on our part.
|
||
|
||
Sic is Latin for so, thus. (For example: "dutchess [sic]" --
|
||
the source had that error, it was not made by the typist)
|
||
|
||
qv: which see (that is, whatever is in front of the qv is also in
|
||
the discography, and you can look it up for more information --
|
||
example "Cell 151, qv" means you can look up Cell 151 somewhere
|
||
and get more information on it)
|
||
|
||
caveat emptor: let the buyer beware, or there's a sucker born
|
||
every minute. In this context it means if you send large
|
||
amounts of cash to bootleg dealers and/or fan clubs and
|
||
never get anything, it's your fault and not ours. The
|
||
information is provided here for historical record and for
|
||
completeness, and what you choose to do with that
|
||
information is completely up to you.
|
||
|
||
caveat: without the 'emptor' it just means 'beware' or 'caution'.
|
||
|
||
eponymous (noun), eponymously (adjective): in a musical.
|
||
discographical context it means 'self titled'. Genesis has had one
|
||
eponymous album (in 1983).
|
||
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||
Notes on media:
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||
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7" means a seven-inch diameter, 45 rpm record.
|
||
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||
12" means a 12 inch diameter record.
|
||
|
||
Oddly enough, in the UK, a 12" single is generally 33 1/3 rpm, while
|
||
in the USA it is 45 rpm.
|
||
|
||
An LP, long playing record, is usualy 33 1/3 rpm and 12" in diameter.
|
||
|
||
An EP is an Extended Play record, originally it was a vinyl (7" or
|
||
12", they seem to come in both sizes) single with several songs on it.
|
||
Now that CD singles are very common, this term is becoming an
|
||
anachronism since every CD single seems to have 4-5 tracks on it and
|
||
could be considered "extended". There is no exact definition of an EP,
|
||
in the record industry or among collectors, but they usually have all
|
||
new material on them, nothing from an album. The Cell 151 EP (qv) is
|
||
an obvious exception to that "rule". A single has at least one album
|
||
track.
|
||
|
||
The term 'album' can mean the abstract collection of songs under one
|
||
title, or a physical LP record. Context is usually sufficient to tell
|
||
which usage is intended.
|
||
|
||
CAS generally means cassette, except it is often in Charisma records'
|
||
catalogue numbers. CAS in a catalogue number means Charisma, not
|
||
cassette. (Kind of confusing, but the catalogue numbers came before
|
||
cassettes) C60, C90, C100 etc. mean a cassette of a specific length
|
||
(in minutes). Originally cassettes came in 60, 90, 100, and 120 minute
|
||
lengths with only a few oddball times like Radio Shack's 30 minute
|
||
Realistic tapes. Since the advent of the CD, cassettes of bizarre
|
||
lengths like 46, 50, 76 minutes have appeared to accomodate the
|
||
bizarre lengths of CDs. (Caveat: tape lengths over 100 minutes
|
||
generally mean the magnetic tape itself is very thin and easy to
|
||
break.)
|
||
|
||
CD is a compact disk. CD3 is a 3" diameter compact disk, a format
|
||
introduced for singles that was not well received and has practically
|
||
disappeared. CD5 is a 5" CD, the normal variety that is common for
|
||
albums as well as singles. 5" singles are the same physical medium as
|
||
album length CDs, but only have 2-3 tracks. Ones with 3+ tracks are
|
||
often called "maxi-singles" by the record company.
|
||
|
||
CD packaging is a very diverse and confusing area (especially since
|
||
the UK and the USA call the same CD packaging different things, and
|
||
even use the same name for different things). Notes on how CDs are
|
||
packaged have been included when possible. A brief primer on the terms
|
||
used to describe them is included here.
|
||
|
||
digipak...........fold-out cardboard with a plastic tray attached
|
||
2-CD digipak......digipak with two plastic trays attached for 2 CD's
|
||
jewel (UK)........thin clear plastic case, with insert-thing
|
||
thin jewel (US)...same as jewel (UK)
|
||
normal (UK).......normal 'album' CD case, with booklet
|
||
jewel (US)........same as normal (UK)
|
||
long box..........the cardboard box the jewel box comes in, which is
|
||
going to be discontinued spring 93
|
||
2-CD normal (UK)..2-CD album case, big thick ugly thing
|
||
2-CD jewel (US)... (Seconds Out & The Lamb come in this)
|
||
thin 2-CD pack....don't know the proper name for this, same size as
|
||
normal case, but trays are thinner so two can fit in
|
||
new cases ........'Compac Plus' this is like a digipak but with a
|
||
stronger tray attached and a really awkward
|
||
'snap-open' clip
|
||
'Ecopak' is a combination plastic cardboard thing
|
||
that allows the shape of the long box in the store
|
||
and then folds down to a jewel box.
|
||
|
||
With variations on the above and experiments with different plastics!
|
||
All that is subject to change, and new ways of packaging CDs are being
|
||
created every day.
|
||
|
||
Now, a word about singles, primarily to explain the vast quantity of
|
||
post-Invisible Touch singles. This applies to the UK only, and the UK
|
||
chart system (and indirectly to the rest of the world, because these
|
||
singles are imported by other countries). For a single to count as a
|
||
single it must have less than 5 tracks and be less than 20 minutes in
|
||
length, otherwise it is considered an album. All CD singles count as a
|
||
different format of the same single, just as a cassette and a 7" both
|
||
count towards the chart position. There's a limit to how many formats
|
||
you can release though (around 5 ), and each format must (should) have
|
||
50% of the tracks the same.
|
||
|
||
Grouping note:
|
||
|
||
For the sake of sanity, radio shows and other broadcasts are lumped in
|
||
with "bootlegs" -- the term bootleg is taken to be anything not
|
||
released by the band on one of its official record companies.
|
||
(Italian bootlegs are a very grey area, since in Italy is is legal for
|
||
a venue to record a performance and sell it -- the band actually sees
|
||
revenue from this kind of record) Most radio shows of live
|
||
performances are ripped off by bootleggers anyway, and it is
|
||
practically impossible to find any of these shows for sale officially
|
||
by the people who recorded them. Trying to separate the radio shows
|
||
from the bootlegs of them would be practically impossible, and lead to
|
||
a lot of redundancies.
|
||
|
||
Bootlegs and illegal recordings are included for the sake of an ideal
|
||
comprehensive catalogue of Genesis releases. Their presence here does
|
||
not imply that we agree with bootleggers or the way they make money
|
||
off of fans' desire to hear Genesis music (it isn't Genesis that the
|
||
bootleggers are ripping off, it is the fans who want to hear their
|
||
music). Record dealers who place high pricetags on early singles and
|
||
make money off of the dedicated fan who wants to experience all the
|
||
Genesis music, even the b-sides, are hardly better than bootleggers
|
||
although they are more legal. (Genesis releasing an album of b-sides
|
||
would put a lot of these people out of business.) But, bootleggers
|
||
have preserved a lot of things that Genesis fans can not hear in any
|
||
way other than illegal means, such as Peter Gabriel's famous
|
||
in-between songs stories which never appeared on any albums. For a fan
|
||
who wasn't around in the old days, bootlegs hold the only key to
|
||
unlocking the mysteries of Genesis.
|
||
|
||
Publications include both in and out of print books. Due to the
|
||
constantly changing nature of the discography and the publishing
|
||
world, it is impossible to keep tabs on which books are in print when.
|
||
There's not much you can do to get out of print books, except be lucky
|
||
and stumble across them in newspaper/magazine/etc ads or used book
|
||
stores. Some dealers do handle books and other non-music collectibles
|
||
related to bands) The in print ones can be ordered by any reasonably
|
||
big music or book store.
|
||
|
||
SINGLES: interpreting the singles listings. It is very difficult to
|
||
find a format that will concisely list all the relevant information
|
||
about a single.
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| I N D E X |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
|
||
0. INTRODUCTION
|
||
[includes credits, acknowlegements, introduction, and index;
|
||
kind of long winded, but there's some useful information and
|
||
necessary disclaimers]
|
||
|
||
I. GENESIS
|
||
A. Albums
|
||
B. Singles
|
||
[incl. pre-1990, We Can't Dance, Atlantic Oldies]
|
||
C. Miscellaneous
|
||
[compilations of Genesis music and about Genesis, covers of
|
||
Genesis, and interview disks officially released, and anything
|
||
else that doesn't fit the other categories]
|
||
|
||
II. TONY BANKS
|
||
A. Albums
|
||
B. Singles
|
||
|
||
III. PHIL COLLINS
|
||
A. Albums
|
||
B. Singles
|
||
C. Miscellaneous [includes seriously incomplete list of session work]
|
||
|
||
IV. PETER GABRIEL
|
||
A. Albums
|
||
B. SINGLES
|
||
i. 7"
|
||
ii. 12"
|
||
iii. cassette
|
||
iv. CD
|
||
C. Miscellaneous
|
||
D. Various Artists' Albums
|
||
E. Guest Appearances/Sessions/Production
|
||
F. Cover Versions
|
||
G. (chart) Singles not on albums
|
||
|
||
V. STEVE HACKETT
|
||
A. Albums (incl. EPs and GTR)
|
||
B. Singles
|
||
|
||
VI. ANTHONY PHILLIPS
|
||
[complete list of albums, including all Private Parts & Pieces
|
||
collections]
|
||
A. Albums
|
||
B. Singles
|
||
C. Miscellaneous
|
||
|
||
VIII. MIKE RUTHERFORD
|
||
[Mike and the Mechanics are included with the Mike Rutherford
|
||
section, see also the appendix about Paul Carrak.]
|
||
A. Albums
|
||
B. Singles
|
||
|
||
IX. DARYL STUERMER AND CHESTER THOMPSON
|
||
A. Daryl Stuermer
|
||
B. Chester Thompson
|
||
|
||
X. BRAND X
|
||
[complete list of all albums and known singles, solo projects]
|
||
|
||
A. Albums
|
||
B. Solo Brand X projects
|
||
|
||
XI. BOOTLEGS
|
||
["bootleg" is defined as a non-official release or something not released
|
||
to include albums, radio shows, specials, etc.]
|
||
Preface -- introduction and notes
|
||
A. Genesis
|
||
B. Peter Gabriel
|
||
C. Phil Collins
|
||
D. Mike Rutherford (and Mechanics)
|
||
E. Appearances
|
||
F. Brand X Bootlegs
|
||
G. Steve Hackett
|
||
|
||
XII. PUBLICATIONS and ORGANIZATIONS
|
||
A. Internet Mailing Lists
|
||
[Genesis lists past & present, and Peter Gabriel's list]
|
||
B. Fan Organizations
|
||
[fan clubs and newsletters]
|
||
C. Books
|
||
[in and out of print books about Genesis or members]
|
||
D. Sheet Music
|
||
|
||
XIII. VIDEOS
|
||
[official or otherwise video releases]
|
||
A. Genesis
|
||
- promotional videos
|
||
- television appearances (Genesis or solo on a show)
|
||
- television specials (the whole show is about Genesis or solo)
|
||
- commercial/bootleg videos
|
||
B. Phil Collins
|
||
C. Peter Gabriel
|
||
D. Mike & The Mechanics
|
||
|
||
Appendix I -- Paul Carrack
|
||
Appendix II -- Genesis Songs Never Released [Stuff unavailable legally
|
||
or illegally]
|
||
Appendix III -- Name's the Same, basically a junk drawer appendix
|
||
of stuff that doesn't really fit anywhere else.
|
||
Bands and Cover Bands that have been inspired by
|
||
Genesis and taken their names from Genesis song/album
|
||
titles. Also covers of stuff written by Genesis
|
||
members by other artists.
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| G E N E S I S |||
|
||
||| Section I |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
From Genesis to Revelation
|
||
--------------------------
|
||
|
||
Released March 1969
|
||
Album: Decca SKL 4990 Stereo (UK, Europe)
|
||
Album: Decca LK 4990 Mono (UK, Europe)
|
||
Album: Decca PS643 (US)
|
||
CD (re-release): August 1990 DCC Compact Classics (Decca) dcc51
|
||
Cassette (re-release): 1990 DCC Compact Classics DZC-051
|
||
|
||
Players: Tony Banks: Keyboards, vocals
|
||
Peter Gabriel: Lead vocal, flute
|
||
Ant Phillips: Guitars, vocals
|
||
Mike Rutherford: Bass guitar, vocals
|
||
Jonathan Silver: Drums
|
||
Dave Thomas: Backup vocals
|
||
Liner: String arrangements by Arthur Greenslade
|
||
Produced by Jonathan King
|
||
Recorded at Regen Sound Studios, Denmark St., London
|
||
Tracks: 1. Where the Sour Turns To Sweet (Banks,Gabriel) (3:14)
|
||
2. In the Beginning (Phillips,Gabriel) (3:43)
|
||
3. Fireside Song (Banks, Phillips, Rutherford) (4:20)
|
||
4. The Serpent (Banks, Gabriel) (4:39)
|
||
5. Am I Very Wrong? (Gabriel, Banks) (3:30)
|
||
6. In The Wilderness (Phillips, Gabriel, Banks, Rutherford)
|
||
(3:31)
|
||
7. The Conqueror (Banks, Gabriel) (3:39)
|
||
8. In Hiding (Phillips, Gabriel) (2:41)
|
||
9. One Day (Banks, Gabriel) (3:19)
|
||
10. Window (Phillips, Rutherford) (3:34)
|
||
11. The Silent Sun (Banks, Gabriel) (2:13)
|
||
12. A Place To Call My Own (Phillips, Gabriel) (2:00)
|
||
Notes: This album has been re-packaged a million ways by Jonathan
|
||
King in nearly every country, often under the Decca label.
|
||
Originally released in March, 1969.
|
||
|
||
Re-releases of From Genesis To Revelation:
|
||
|
||
[Being the only album Decca owns the rights to publish of
|
||
Genesis, they have attempted to make as much money as possible
|
||
off of Genesis' success -- which is good for fans who want to
|
||
hear the first album, because it makes it available pretty
|
||
cheaply. This is by no means a complete list!]
|
||
|
||
"In The Beginning" UK, US & Italy 1974. Sleeve has view of
|
||
earth surrounded by a serpent. Without singles.
|
||
|
||
"Rock Roots - Genesis" UK Decca ROOTS 1 1976. Pink sleeve with
|
||
photo of Decca record player, early band photo and early pic of PG.
|
||
|
||
"Gigantes Del Pop, Vol 24" - 1981 Decca 71-95-074 - cover has
|
||
small pic of band on stage. Spanish release. Also "Idolos 1 -
|
||
From Genesis To Revelation" and "Historia De La Musica Rock - Genesis".
|
||
|
||
W.German releases - "The Silent Sun" (picture of a sun basically)
|
||
Also "From Genesis To Revelation" (picture of PG in flower outfit)
|
||
"Genesis with Peter Gabriel" (details unknown).
|
||
|
||
"Genesis" Japan. 1st 1000 pressed on yellow vinyl. Cover is photo
|
||
of PG in Moonlit Knight costume.
|
||
|
||
"Where the Sour Turns to Sweet" - black cover with
|
||
illustration by Ian Miller - zombie people with hairy arms and
|
||
a chicken?!! No band photo on cover Listed Members: PG, TB,
|
||
MR, AP, Chris Stewart, John Silver MACD4 (Castle Records?) 17
|
||
tracks
|
||
|
||
Genesis With Peter Gabriel Decca 6.24 603 1981
|
||
Includes singles.
|
||
|
||
Castle Communication CMC3024 3740-3024 AAD German import
|
||
London 820 496-2 March 1987 AAD UK? includes early history.
|
||
"And the Word Was..." 17 tracks (includes singles) 1991 release
|
||
Decca 820 496-2 (non-German release)
|
||
Cover photo pictures AP, MR, TB, PG, and Chris Stewart (?)
|
||
|
||
Castle Australasian PACD013 AAD
|
||
"The Compact Collection - From Genesis to Revelation" 1990
|
||
Same pic as above, with separate pics of PC, PG, SH, TB on cover
|
||
|
||
From Genesis to Revelation
|
||
August 1990 DCC Classics DZS-051
|
||
1990 CD re-release under original title (also on cassette),
|
||
features promo pic of band on front. (This actually has Phil
|
||
and Steve on the cover. Go figure.) This re-release features
|
||
liner notes swiped from Gallo or a similar book. Slanted to
|
||
take some of the negative opinions away from FGTR that Genesis
|
||
showed later.
|
||
|
||
Trespass
|
||
--------
|
||
|
||
Released October 1970
|
||
|
||
Album: Charisma CAS 1020 (UK)
|
||
re-release Virgin CHC 12 (UK)
|
||
ABC ABCX 816 (US)
|
||
Charisma/Phillips 6369 905 (Germany)
|
||
Charisma RJ7301 (Japan)
|
||
Virgin CHC 12
|
||
Cassette: 1970 Charisma CAS 1020 (UK)
|
||
re-release Virgin CHCMC 12 (UK)
|
||
1980 MCA 1653 (US)
|
||
CD: Virgin CASCD 1020
|
||
1993 MCA Records MCAD-1653
|
||
(US first CD release, no lyrics, ADD)
|
||
|
||
Players: Tony Banks: Organ, piano, mellotron, guitar, vocals
|
||
Peter Gabriel: Lead vocal, flute, accordion, tambourine, bass
|
||
drum, etc.
|
||
Jonathan Mayhew: Drums, percussion, vocals
|
||
Ant Phillips: Lead guitar, acoustic 12-string, dulcimer, vocals
|
||
Mike Rutherford: Bass guitar, acoustic 12-string, cello, vocals
|
||
|
||
Liner: Producer: John Anthony
|
||
Recorded at Trident Studios, London, July 1970
|
||
Tape Operator: David Hentschel
|
||
|
||
Tracks: 1. Looking For Someone
|
||
2. White Mountain
|
||
3. Visions of Angels /
|
||
4. Stagnation
|
||
5. Dusk
|
||
6. The Knife
|
||
|
||
Nursery Cryme
|
||
-------------
|
||
|
||
Album: 1972 Charisma CAS-1052 (Gatefold album with lyrics
|
||
and pictures printed on the inside cover)
|
||
re-release Virgin CHC 22 (UK)
|
||
Charisma CAS 1052 (US, distributed by Buddah Records)
|
||
Charisma 6369 916 (Germany)
|
||
Charisma RJ7302 (Japan)
|
||
Virgin CAS 1052
|
||
1971 Atlantic 80030-1 (Non-gatefold album, no lyrics)
|
||
Cassette: Atlantic 7 80030-4-B (credits inside, does not credit
|
||
Hackett)
|
||
re-release Virgin CHCMC 22 (UK)
|
||
CD: 1985 Virgin CASCD-1052 AAD (Lyrics included in booklet)
|
||
Nov. 1987 Atlantic atl80030
|
||
Atlantic 80030-2
|
||
|
||
Players: Steve Hackett: Electric Guitar, 12-String Guitar.
|
||
Peter Gabriel: Lead Voice, Flute, Bass Drum, Tambourine.
|
||
Tony Banks: Organ, Mellotron, Piano, 12-String Guitar, Voices.
|
||
Phil Collins: Drums, Voices, Percussion, Lead Vocal on (2)
|
||
Mike Rutherford: Bass, Bass Pedals, 12-String Guitar, Voices.
|
||
|
||
Tracks: 1. The Musical Box
|
||
2. For Absent Friends
|
||
3. The Return Of The Giant Hogweed /
|
||
4. Seven Stones
|
||
5. Harold The Barrel
|
||
6. Harlequin
|
||
7. The Fountain Of Salmacis
|
||
|
||
Foxtrot
|
||
-------
|
||
|
||
Released October 1972
|
||
Album: 1972 Charisma CAS-6369-922 (Gatefold album with lyrics
|
||
and pictures of the band on the inside cover)
|
||
Charisma CAS 1058 (UK)
|
||
re-release Virgin CHC 38 (Gatefold UK)
|
||
Charisma CAS 1058 (US, distributed by Buddah Records)
|
||
Charisma 6369 922 (Germany)
|
||
Charisma RJ7303 (Japan)
|
||
Cassette: 1972 Charisma
|
||
(No lyrics or pictures - cover is closeup of fox)
|
||
re-release 1985 Virgin CHCMC 38
|
||
Atlantic 7 81848-4 (credits & playing times inside)
|
||
CD: 1986 Virgin, 1985 Charisma CASCD-1058 AAD
|
||
(Lyrics included in booklet)
|
||
Jun. 1988 Atlantic atl81848
|
||
|
||
Players: Steve Hackett: Electric Guitar, 12-String Guitar,
|
||
6-String Guitar
|
||
Peter Gabriel: Lead Voice, Flute, Bass Drum, Tambourine, Oboe
|
||
Tony Banks: Organ, Mellotron, Piano, Electric Piano, 12-String
|
||
Guitar, Voices
|
||
Phil Collins: Drums, Voices, Assorted Percussion
|
||
Mike Rutherford: Bass, Bass Pedals, 12-String Guitar,
|
||
Voices, Cello
|
||
Richard MacPhail: Equipment and Stage Sound (sound friend)
|
||
|
||
Tracks: 1. Watcher Of The Skies (7:19)
|
||
2. Time Table (4:40)
|
||
3. Get 'Em Out By Friday (8:35)
|
||
4. Can-Utility And The Coastliners (5:43) /
|
||
5. Horizons (1:38)
|
||
6. Supper's Ready (22:58)
|
||
i. Lover's Leap
|
||
ii. The Guaranteed Eternal Sanctuary Man
|
||
iii. Ikhnaton and Itsacon and Their Band of Merry Men
|
||
iv. How Dare I Be So Beautiful?
|
||
v. Willow Farm
|
||
vi. Apocalypse in 9/8 (featuring the delicious
|
||
talents of Gabble Ratchet)
|
||
vii. As Sure as Eggs is Eggs (Aching Men's Feet)
|
||
|
||
Live
|
||
----
|
||
|
||
Released August 1973
|
||
Album: 1973 Charisma CLASS-1 or 9279-530 (Back of album has a short
|
||
story written by Peter Gabriel)
|
||
Charisma CAS 1666 (US)
|
||
Charisma 6499 539 (Germany)
|
||
Charisma RJ7225 (Japan)
|
||
Cassette: Charisma 'Success series' 7259 530 (splits Hogweed into
|
||
two parts)
|
||
CD: 1987 Virgin CLACD 1 (Lyrics included in booklet, but
|
||
are wrong!)
|
||
Jun. 1988 Atlantic atl81855
|
||
|
||
Players: Steve Hackett: Electric Guitar, 12-String Guitar.
|
||
Peter Gabriel: Lead Voice, Flute, Bass Drum, Tambourine.
|
||
Tony Banks: Organ, Mellotron, Piano, 12-String Guitar, Voices.
|
||
Phil Collins: Drums, Voices, Percussion.
|
||
Mike Rutherford: Bass, Bass Pedals, 12-String Guitar, Voices.
|
||
|
||
Tracks: 1. Watcher Of The Skies (8:35)
|
||
2. Get 'Em Out By Friday (9:13)
|
||
3. The Return Of The Giant Hogweed (8:17) /
|
||
4. The Musical Box (10:55)
|
||
5. The Knife (9:50)
|
||
|
||
Notes: Recorded live at the De Montfort Hall & at the Free
|
||
Trade Hall, Manchester, England, February, 1973.
|
||
|
||
This album was originally planned to be a double album, with the
|
||
second record containing a full side-long version of "Supper's Ready".
|
||
According to Record Collector No. 146, Oct. 1991, one double album
|
||
test pressing of both sets was made, a Dutch release on the Philips
|
||
record label. The number of copies in this run is not stated,
|
||
although it was probably very few. No one knows who owns any of them,
|
||
if any are even extant at this time.
|
||
|
||
There is a rare Italian limited edition of "Genesis Live", which does
|
||
NOT have the extra tracks, but came with a totally different limited
|
||
edition sleeve of Gabriel in his flower mask, surrounded by a white
|
||
border. Charisma 636 9942L is the limited edition Italian release.
|
||
|
||
Selling England By The Pound
|
||
----------------------------
|
||
|
||
Released September 1973
|
||
Album: 1973 Charisma FC-6060 (Album contains an insert with lyrics
|
||
and a picture of the band)
|
||
Charisma CAS 1074 (UK contains insert with lyrics)
|
||
Charisma 6369 944 (Europe, Germany)
|
||
Charisma RJ7304 (Japan)
|
||
1973 Atlantic SD-19277 (No lyric sheet)
|
||
Charisma CAS 1074 (has lyric sheet, no picture of
|
||
the band)
|
||
Cassette: Atlantic CS 19277 (blank inside)
|
||
CD: 1985 Virgin CASCD-1074 AAD (Lyrics included
|
||
in booklet of UK CD)
|
||
July 1987 Atlantic atl19277
|
||
|
||
Players: Steve Hackett: Electric Guitar, Nylon Guitar.
|
||
Peter Gabriel: Vocals, Flute, Percussion, Oboe.
|
||
Tony Banks: Keyboards, 12-String Guitar.
|
||
Phil Collins: Drums, Percussion, Vocal, Lead Vocals on (4)
|
||
Mike Rutherford: Bass, 12-String Guitar, Electric Sitar.
|
||
|
||
Tracks: 1. Dancing With The Moonlit Knight
|
||
2. I Know What I Like (In Your Wardrobe)
|
||
3. Firth Of Fifth
|
||
4. More Fool Me /
|
||
5. The Battle Of Epping Forest (WT: parts from 'The Block')
|
||
6. After The Ordeal
|
||
7. The Cinema Show
|
||
8. Aisle Of Plenty
|
||
|
||
The Lamb Lies Down On Broadway (Double album)
|
||
---------------------------------------------
|
||
|
||
Released November 1974
|
||
Album: Charisma CGS 101 (UK Gatefold)
|
||
Charisma 6641 226 (Europe)
|
||
Charisma SFX 10022-3 (Japan)
|
||
1974 Atco SD-2-401 (2-LP set, gatefold album with short
|
||
story written by Peter Gabriel on inside cover, album
|
||
sleeves contain lyrics.)
|
||
CD: 1986 Virgin CGSCD-1 AAD (2-CD set, booklet
|
||
contains lyrics and story)
|
||
July 1987 Atlantic atl401
|
||
ATCO 401-2
|
||
Cassette: ATCO CS 2-401 (part one & part two, two tapes)
|
||
|
||
Players: Steve Hackett: Guitars.
|
||
Peter Gabriel: Voices and Flute, with variations on the
|
||
above and experiments with foreign sounds.
|
||
Tony Banks: Keyboards.
|
||
Phil Collins: Percussion, Vibing & Voicing.
|
||
Mike Rutherford: Bass and 12-String Guitar.
|
||
Brian Eno: Enossification. [Eno did the sound effects
|
||
for the voice on things like Grand Parade]
|
||
|
||
Tracks: 1. The Lamb Lies Down On Broadway
|
||
2. Fly On A Windshield
|
||
3. Broadway Melody Of 1974
|
||
4. Cuckoo Cocoon
|
||
5. In The Cage
|
||
6. The Grand Parade Of Lifeless Packaging /
|
||
7. Back In N.Y.C.
|
||
8. Hairless Heart
|
||
9. Counting Out Time
|
||
10. Carpet Crawl
|
||
11. The Chamber Of 32 Doors /
|
||
12. Lilywhite Lilith
|
||
13. The Waiting Room
|
||
14. Anyway
|
||
15. Here Comes The Supernatural Anaesthetist
|
||
16. The Lamia
|
||
17. Silent Sorrow In Empty Boats /
|
||
18. The Colony Of Slippermen
|
||
The Arrival
|
||
A Visit to the Doktor
|
||
The Raven
|
||
19. Ravine
|
||
20. The Light Dies Down On Broadway
|
||
21. Riding The Scree
|
||
22. In The Rapids
|
||
23. It
|
||
|
||
|
||
A Trick Of The Tail
|
||
-------------------
|
||
|
||
Released February 1976
|
||
Album: 1976 Atlantic SD-36-129 (Gatefold album with lyrics
|
||
printed on inside cover, pictures of album characters
|
||
printed on inner album sleeve)
|
||
1976 Charisma CDS 4001 (UK, as Atlantic release)
|
||
Charisma 6369 974 (6106) (Cassette 7164 047) German import
|
||
"au dem Hause Phonogram" gatefold with (English)
|
||
lyrics and sleeve containing characters
|
||
Mobile Fidelity Sound Lab MFSL-1-062 (Master recording,
|
||
marketed by AtCo, pressed in Japan)
|
||
CD: 1976 (released July 1987) Atlantic 38101-2 AAD
|
||
(Booklet contains lyrics and album characters)
|
||
1983 Virgin CDSCD 4001 (UK, as Atlantic release)
|
||
Cassette: ATCO CS 38-101 (no insert)
|
||
|
||
Players: Steve Hackett: Electric Guitar, 12-String Guitars.
|
||
Tony Banks: Pianos, Synthesizers, Organ, Mellotron, 12-String
|
||
Guitar, Backing Vocals.
|
||
Phil Collins: Drums, Percussion, Lead & Backing Vocals.
|
||
Mike Rutherford: Basses, Bass Pedals, 12-String Guitar.
|
||
|
||
Tracks: 1. Dance On A Volcano (Rutherford, Banks, Hackett, Collins)
|
||
(5:53)
|
||
2. Entangled (Hackett, Banks) (6:26)
|
||
3. Squonk (Rutherford, Banks) (6:27) (WT: Indians)
|
||
4. Mad Man Moon (Banks) (7:33) /
|
||
5. Robbery, Assault, & Battery (Banks, Collins) (6:14)
|
||
6. Ripples (Rutherford, Banks) (8:04)
|
||
7. A Trick Of The Tail (Banks) (4:34)
|
||
8. Los Endos (Collins, Hackett, Rutherford, Banks) (5:45)
|
||
|
||
Wind And Wuthering
|
||
------------------
|
||
|
||
Released January 1977
|
||
Album: 1977 Atlantic ATCO SD-36-144 (Lyrics printed on inner
|
||
sleeve of album)
|
||
CD: 1977 Virgin CDSCD-4005 AAD (Lyrics included in booklet of
|
||
import CD) [Atco CDs and tapes do not contain lyrics]
|
||
July 1987 Atlantic atl38100
|
||
|
||
Players: Steve Hackett: Electric Guitars, Nylon Classical, 12-String
|
||
Guitars, Kalimba, Auto-harp.
|
||
Tony Banks: Steinway Grand Piano, ARP 2600 and Pro-Soloist
|
||
Synths, Hammond Organ, Mellotron, Roland String Synth,
|
||
Rhodes.
|
||
Phil Collins: Voices, Drums, Cymbals, Percussion.
|
||
Mike Rutherford: 4, 6, & 8 String Basses, Electric and
|
||
12-String Acoustic Guitars, Bass Pedals.
|
||
|
||
Tracks: 1. Eleventh Earl Of Mar (Banks, Hackett, Rutherford) (7:39)
|
||
2. One For The Vint(e (Banks) (9:56)
|
||
3. Your Own Special Way (Rutherford) (6:15)
|
||
4. Wot Gorilla? (Collins, Banks) (3:12) /
|
||
5. All In A Mouse's Night (Banks) (6:35)
|
||
6. Blood On The Rooftops (Hackett, Collins) (5:20)
|
||
7. 'Unquiet Slumbers For The Sleepers... (Hackett, Rutherford)
|
||
8. ...In That Quiet Earth' (Hackett, Rutherford, Banks,
|
||
Collins) (7:20 for 7/8)
|
||
9. Afterglow (Banks) (4:10)
|
||
|
||
Seconds Out
|
||
-----------
|
||
|
||
Released October 1977, recorded in Paris 1976/77.
|
||
Album: 1977 Atlantic SD-2-9002 (2-LP set, gatefold)
|
||
1977 Charisma GE 2001 (UK, as Atlantic release)
|
||
Cassette: 1977 Atlantic CS-2-9002 (2-tapes)
|
||
747 2136 (slightly different ordering of tracks, 2
|
||
volumes, and I've only seen volume 2)
|
||
CD: 1977 (released July 1987) Atlantic 9002-2 AAD (2-CD
|
||
set)
|
||
1985 Virgin GECD 2001 (2-CD set, lyrics in booklet, incorrect)
|
||
|
||
Players: Steve Hackett: Gibson Les Paul, Hodaka, 12-String Guitar.
|
||
Tony Banks: RMI Electric Piano, Hammond T. Organ, ARP Pro
|
||
soloist, Mellotron 400, Epiphone 12-String, Backing Vocals
|
||
Phil Collins: Voice, Premier and Gretsch Drums.
|
||
Mike Rutherford: Shergold Electric 12 String and Bass,
|
||
8-String Bass, Alvarez 12-String, Moog Taurus Bass
|
||
Pedals, B.Vocals.
|
||
Chester Thompson: Pearl Drums and Percussion.
|
||
Bill Bruford: Ludwig and Hayman Drums and Percussion (on
|
||
track 10 only)
|
||
|
||
Tracks: 1. Squonk
|
||
2. The Carpet Crawl
|
||
3. Robbery, Assault, & Battery
|
||
4. Afterglow /
|
||
5. Firth Of Fifth
|
||
6. I Know What I Like
|
||
7. The Lamb Lies Down On Broadway
|
||
8. The Musical Box (closing) /
|
||
9. Supper's Ready /
|
||
10. Cinema Show
|
||
11. Dance On A Volcano
|
||
12. Los Endos
|
||
|
||
|
||
...And Then There Were Three...
|
||
-------------------------------
|
||
|
||
Released April 1978
|
||
Album: Atlantic SD 19173 (Gatefold sleeve, lyrics)
|
||
Charisma CDS 4010 (UK, as Atlantic release)
|
||
CD: July 1987 Atlantic atl19173
|
||
1983 Virgin CDSCD 4010 (UK, lyrics included in booklet)
|
||
|
||
Players: Tony Banks: Keyboards
|
||
Philip Collins: Drums, Voices
|
||
Mike Rutherford: Guitars, Basses
|
||
|
||
Produced by David Hentschel and Genesis
|
||
Engineered by David Hentschel
|
||
Assisted by Pierre Geoffrey Chateau
|
||
Recorded at Relight Studios, Hilvarenbeek Holland
|
||
Mixed at Trident Studios, London
|
||
|
||
Tracks: 1. Down And Out (Collins, Banks, Rutherford) (5:25)
|
||
2. Undertow (Banks) (4:47)
|
||
3. Ballad Of Big (Collins, Banks, Rutherford) (4:47)
|
||
4. Snowbound (Rutherford) (4:30)
|
||
5. Burning Rope (Banks) (7:07)
|
||
6. Deep In The Motherlode (Rutherford) (5:14)
|
||
7. Many Too Many (Banks) (3:30)
|
||
8. Scenes From A Night's Dream (Collins, Banks) (3:30)
|
||
9. Say It's Alright Joe (Rutherford) (4:18)
|
||
10. The Lady Lies (Banks) (6:05)
|
||
11. Follow You Follow Me (Rutherford, Banks, Collins) (3:59)
|
||
|
||
|
||
Duke
|
||
----
|
||
|
||
Released March 1980
|
||
Album: Charisma CBR101 (Gatefold sleeve with lyrics and cartoons)
|
||
CD: July 1987 Atlantic atl16014
|
||
1985 Virgin CBRCD 101 (UK, with lyrics and b&w cartoons)
|
||
|
||
Players: Tony Banks: Keyboards, Backing Vocals, 12 String Guitar, Duck
|
||
Mike Rutherford: Basses, Guitars, Backing Vocals
|
||
Phil Collins: Drums, Vocals, Drum Machine, Duck
|
||
Dave Hentschel: Backing Vocals
|
||
|
||
Produced by David Hentschel and Genesis
|
||
Assisted by Dave Bascombe
|
||
Engineered by David Hentschel of Dukeslodge Enterprises Ltd.
|
||
Recorded at Polar Studios Sweden
|
||
Mixed at Maison Rouge London
|
||
Three working titles, The Duke, Bring Out Your Dead, and
|
||
Jazz are known, but not which songs they became...
|
||
|
||
Tracks: 1. Behind The Lines (Banks, Collins, Rutherford)
|
||
2. Duchess (Banks, Collins, Rutherford)
|
||
3. Guide Vocal (Banks)
|
||
4. Man Of Our Times (Rutherford)
|
||
5. Misunderstanding (Collins)
|
||
6. Heathaze (Banks)
|
||
7. Turn It On Again (Banks, Collins, Rutherford)
|
||
8. Alone Tonight (Rutherford)
|
||
9. Cul-De-Sac (Banks)
|
||
10. Please Don't Ask (Collins)
|
||
11. Duke's Travels (Banks, Collins, Rutherford)
|
||
12. Duke's End (Banks, Collins, Rutherford)
|
||
|
||
Abacab
|
||
------
|
||
|
||
Released September 1981
|
||
Album: Atlantic SD 19313 (inner sleeve has picture of band, no lyrics)
|
||
Charisma CBR 102 (UK, as Atlantic release, note there
|
||
were three different varitions of the sleeve in UK)
|
||
CD: July 1987 Atlantic atl19313
|
||
1985 Virgin CBRCD 102 (UK, b&w band pic and lyrics in booklet)
|
||
Cassette: Atlantic CS 19313 (outside flap with play list erroneously
|
||
does not credit Anthony Banks Ltd. even though the inside
|
||
does)
|
||
|
||
Players: Tony Banks: Keyboards
|
||
Phil Collins: Drums, Vocals
|
||
Mike Rutherford: Basses, Guitars
|
||
EWF Horns on No Reply At All courtesy of Earth Wind And Fire
|
||
|
||
Produced by Genesis
|
||
Engineered by Hugh Padgham
|
||
Recorded and mixed at The Farm, Surrey
|
||
Arranged by Tom Tom 84
|
||
|
||
There are actually *four* known color patterns of the
|
||
sleeve. This is a point of confusion since an ad for a
|
||
painting of the art only had three, but it is definite
|
||
four exist.
|
||
|
||
Tracks: 1. Abacab (Banks, Collins, Rutherford) (7:02)
|
||
2. No Reply At All (Banks, Collins, Rutherford) (4:41)
|
||
3. Me And Sarah Jane (Banks) (6:00)
|
||
4. Keep It Dark (Banks, Collins, Rutherford) (4:34)
|
||
5. Dodo (Banks, Collins, Rutherford) |(7:20)
|
||
Lurker (Banks, Collins, Rutherford) |
|
||
6. Who Dunnit? (Banks, Collins, Rutherford) (3:22)
|
||
7. Man On The Corner (Collins) (4:27)
|
||
8. Like It Or Not (Rutherford) (4:58)
|
||
9. Another Record (Banks, Collins, Rutherford) (4:30)
|
||
|
||
|
||
Three Sides Live
|
||
----------------
|
||
|
||
Released May 1982
|
||
Album: Atlantic ??? (Gatefold sleeve, bad pic of lights at concert)
|
||
Album: 1982 Charisma GEN 2002 (UK, Gatefold with live pic)
|
||
CD: July 1987 Atlantic atl2000
|
||
Cassette: Vertigo 7565 008 (made in Holland, credits inside)
|
||
1982 Charisma/Virgin GENC 2002 (UK)
|
||
Players: Phil Collins: Drums, Vocals
|
||
Tony Banks: Keyboards, Backing Vocals
|
||
Mike Rutherford: Guitar, Bass, Backing Vocals
|
||
Daryl Stuermer: Guitar, Bass
|
||
Chester Thompson: Drums
|
||
Tracks: 1. Turn It On Again (Banks, Collins, Rutherford) (5:01)
|
||
2. Dodo (Banks, Collins, Rutherford) (7:19)
|
||
3. Abacab (Banks, Collins, Rutherford) (8:41)
|
||
4. Behind The Lines (Banks, Collins, Rutherford) (5:25)
|
||
5. Duchess (Banks, Collins, Rutherford) (6:33)
|
||
6. Me And Sarah Jane (Banks) (5:53)
|
||
7. Follow You Follow Me (Banks, Collins, Rutherford) (4:36)
|
||
8. Misunderstanding (Collins) (3:55)
|
||
9. In The Cage (Gabriel, Hackett, Banks, Collins, Rutherford)
|
||
(7:45)
|
||
Medley: Cinema Show (Gabriel, Hackett, Banks, Collins,
|
||
Rutherford), Slippermen (Gabriel, Hackett, Banks,
|
||
Collins, Rutherford)
|
||
10. Afterglow (Banks) (8:34)
|
||
11. Paperlate (Banks, Collins, Rutherford) (3:20) *
|
||
12. You Might Recall (Banks, Collins, Rutherford) (5:31) *
|
||
(WT: Jangly)
|
||
13. Me And Virgil (Banks, Collins, Rutherford) (6:20) *
|
||
(WT: Chunky)
|
||
14. Evidence Of Autumn (Banks) (4:57) +
|
||
15. Open Door (Rutherford) (4:06) +
|
||
Notes: Produced by Genesis
|
||
* Produced by Genesis, Engineered by Hugh Padgham
|
||
+ Co-produced by Genesis and Dave Hentschel
|
||
Recorded live during the Genesis 1981 tour except
|
||
* The Farm, Surrey '81
|
||
+ Polar Studios Stockholm 1979
|
||
|
||
|
||
Three Sides Live
|
||
----------------
|
||
|
||
CD: Virgin GECD 2002
|
||
Note: Both German on Vertigo and British on Virgin so Virgin
|
||
GECD 2002 exists with both the studio tracks AND the 4th live
|
||
side. The one with the studio tracks has a pink back insert
|
||
and blue labels on the discs, and the other has a white back
|
||
insert and clear labels on the discs.
|
||
|
||
Album: Virgin GE 2002
|
||
Players: Phil Collins: Drums, Vocals
|
||
Tony Banks: Keyboards, Backing Vocals
|
||
Mike Rutherford: Guitar, Bass, Backing Vocals
|
||
Daryl Stuermer: Guitar, Bass
|
||
Chester Thompson: Drums
|
||
Bill Bruford: Drums on Track 13
|
||
Steve Hackett: Guitar on Track 13
|
||
Tracks: 1. Turn It On Again (Banks, Collins, Rutherford) (5:01)
|
||
2. Dodo (Banks, Collins, Rutherford) (7:19)
|
||
3. Abacab (Banks, Collins, Rutherford) (8:41)
|
||
4. Behind The Lines (Banks, Collins, Rutherford) (5:25)
|
||
5. Duchess (Banks, Collins, Rutherford) (6:33)
|
||
6. Me And Sarah Jane (Banks) (5:53)
|
||
7. Follow You Follow Me (Banks, Collins, Rutherford) (4:36)
|
||
8. Misunderstanding (Collins) (3:55)
|
||
9. In The Cage (Gabriel, Hackett, Banks, Collins, Rutherford)
|
||
(7:45)
|
||
Medley: Cinema Show (Gabriel, Hackett, Banks, Collins,
|
||
Rutherford), Slippermen (Gabriel, Hackett, Banks,
|
||
Collins, Rutherford)
|
||
10. Afterglow (Banks) (8:34)
|
||
11. One For The Vine (Banks) (10:36)
|
||
12. Fountain Of Salmacis (Gabriel, Hackett, Banks, Collins,
|
||
Rutherford) (8:15)
|
||
13. It/Watcher Of The Skies (Gabriel, Hackett, Banks, Collins,
|
||
Rutherford) (6:45)
|
||
Notes: Produced by Genesis
|
||
Engineered by Geoff Callingham
|
||
Tracks 11, 12 and 13 produced by Dave Hentschel
|
||
Recorded Live in Europe and America during 1981
|
||
Tracks 11 and 12 recorded in 1980
|
||
Track 13 recorded in 1976
|
||
|
||
|
||
Genesis
|
||
-------
|
||
|
||
Released October 1983
|
||
Album: Atlantic 80116-1 (inner sleeve has lyrics and photos)
|
||
Virgin GEN LP 1 (UK, as Atlantic release, LP itself has
|
||
a picture label of sorts, white with yellow shapes)
|
||
CD: July 1987 Atlantic atl80116
|
||
UK Virgin GENCD 1.
|
||
Reel-to-reel: US Atlantic 1R1 7626
|
||
Cassette: Atlantic 7 80116-4
|
||
Virgin GEN MC 1 (UK, lyrics and photos)
|
||
|
||
Players: Tony Banks: Keyboards, Backing Vocals
|
||
Mike Rutherford: Guitars, Bass, Backing Vocals
|
||
Phil Collins: Drums, Percussion, Lead Vocals
|
||
|
||
Produced By Genesis with Hugh Padgham
|
||
Engineered by Hugh Padgham
|
||
Recorded and mixed at The Farm, Surrey
|
||
All songs written by Banks, Collins, Rutherford
|
||
Note: since it is self titled, this album is also called
|
||
'Mama' and 'Shapes' to avoid confusion
|
||
|
||
|
||
Tracks: 1. Mama (6:46)
|
||
2. That's All (4:22)
|
||
3. Home By The Sea (4:46)
|
||
4. Second Home By The Sea (6:22) (WT: Heavy Simmons)
|
||
5. Illegal Alien (5:12)
|
||
6. Taking It All Too Hard (3:54)
|
||
7. Just A Job To Do (4:44)
|
||
8. Silver Rainbow (4:27)
|
||
9. It's Gonna Get Better (5:00)
|
||
|
||
|
||
Invisible Touch
|
||
---------------
|
||
|
||
Released October 1986
|
||
CD: July 1987 Atlantic atl81641
|
||
Virgin GEN CD 2 (UK, lyrics and pictures in booklet)
|
||
Virgin GEN PCD 2 (UK, picture CD is front cover, 1988)
|
||
Cassette: Atlantic 7 81641-4-E (credits inside)
|
||
Cassette: Virgin GEN MC2 (inside has pic of band and credits)
|
||
Atlantic: Atlantic A1-81641
|
||
|
||
Players: Tony Banks: Keyboards, Synth Bass
|
||
Phil Collins: Drums, Vocals, Percussion
|
||
Mike Rutherford: Guitars, Bass
|
||
|
||
Produced by Genesis and Hugh Padgham
|
||
Engineered by Hugh Padgham
|
||
Written, recorded and mixed at The Farm, Surrey
|
||
All Songs written by Banks, Collins, Rutherford
|
||
Lyricist indicated in parentheses, all music written by
|
||
Genesis
|
||
|
||
Tracks: 1. Invisible Touch (Phil) (3:26)
|
||
2. Tonight Tonight Tonight (Phil) (8:49) (WT: Monkey, Zulu)
|
||
3. Land Of Confusion (Mike) (4:45)
|
||
4. In Too Deep (Phil) (4:59)
|
||
5. Anything She Does (Tony) (4:06)
|
||
6. Domino-Part One: In The Glow Of The Night (Tony) (4:27)
|
||
Part Two: The Last Domino (Tony) (6:15)
|
||
7. Throwing It All Away (Mike) (4:41) (WT: Zephyr)
|
||
[Later in A Biography(qv), it said the WT was
|
||
'Zeppo' as in Led Zepplin, which the riff sounded
|
||
like. Spoken, telling the two apart is impossible!]
|
||
8. The Brazilian (Tony -- primary composer) (4:49)
|
||
(WT: Savage -- not confirmed, but it was mentioned
|
||
in a context that makes it *very* likely.)
|
||
|
||
|
||
We Can't Dance
|
||
--------------
|
||
|
||
Released 11th November 1991
|
||
CD: Atlantic 7 82344-2
|
||
Virgin GEN CD 3 (lyrics and pics in booklet)
|
||
UK Virgin DJGCD3 (Disc is slightly different color from
|
||
commercial release. Cardboard sleeve is light yellow
|
||
with Genesis written in purple and the man & boy in
|
||
black. It says "Instore play copy" in upper left and
|
||
"Release date Monday 11th November, World Airplay Date
|
||
Thursday 7th November" under the title.)
|
||
|
||
Album: Virgin GEN LP3 (2-LP, inner sleeves have lyrics and
|
||
pics)
|
||
|
||
Produced by Genesis and Nick Davis
|
||
Engineered by Nick Davis, Assisted by Mark Robinson
|
||
Recorded at The Farm, Surrey - March to September, 1991
|
||
Technical Assistance: Geoff Callingham and Mike Bowen
|
||
All Tracks written by Banks, Collins, Rutherford
|
||
Lyricist indicated in parentheses, where known
|
||
|
||
Tracks: 1. No Son Of Mine (Phil) (WT: Elephantus)
|
||
2. Jesus He Knows Me (Phil)
|
||
3. Driving The Last Spike (Phil) (WT: Irish)
|
||
4. I Can't Dance (Phil) (WT: Blue Jeans)
|
||
5. Never A Time (Mike) (WT: BB Hit)
|
||
6. Dreaming While You Sleep (Mike) (WT: Rolling Toms)
|
||
7. Tell Me Why (Phil) (WT: Rickenbacker)
|
||
8. Living Forever (Tony) (WT: Hip Hop Brushes)
|
||
9. Hold On My Heart (WT: Burt [Bacharach])
|
||
10. Way Of The World (Mike)
|
||
11. Since I Lost You (Phil)
|
||
12. Fading Lights (Tony) (WT: Nile)
|
||
|
||
|
||
Live: The Way We Walk Volume One - The Shorts
|
||
---------------------------------------------
|
||
|
||
Released 16th November 1992
|
||
LP: UK Virgin GENLP 4- has same insert as CD only
|
||
(announcement of THE LONGS) only bigger.
|
||
Cassette: Atlantic 7 82452 4
|
||
Cassette: Virgin GEN MC 4
|
||
CD: Atlantic 7 82452 2
|
||
CD: Virgin GEN CD 4
|
||
|
||
Produced by Nick Davis, Robert Colby & Genesis
|
||
Engineered by Nick Davis & Geoff Callingham
|
||
Assisted by Simon Metcalfe
|
||
All songs written by Tony Banks, Phil Collins, Mike Rutherford
|
||
Mostly recorded on The We Can't Dance Tour 1992
|
||
|
||
Note: The liner doesn't have where each track is recorded.
|
||
Expert testimony places 'Mama' as the Knebworth 90
|
||
performance.
|
||
|
||
Tracks: 1. Land Of Confusion
|
||
2. No Son Of Mine
|
||
3. Jesus He Knows Me
|
||
4. Throwing It All Away
|
||
5. I Can't Dance
|
||
6. Mama
|
||
7. Hold On My Heart
|
||
8. That's All
|
||
9. In Too Deep
|
||
10. Tonight, Tonight, Tonight
|
||
11. Invisible Touch
|
||
|
||
Inside, there's a black paper disc with the following text:
|
||
|
||
Genesis live - the way we walk - Volume two: the longs Cat. N. GENCD 5
|
||
SPECIAL ANNOUNCEMENT
|
||
Volume two of this Compact Disc will be available January 1993 at a
|
||
specially reduced price for a limited period only.
|
||
It will contain:
|
||
Dance on a Volcano / Lamb lies down on Broadway / The Musical Box /
|
||
Firth of Fifth / I know what I like / Driving the last spike / Domino
|
||
- Part 1 - In the glow of the night / Part 2 - The last domino /
|
||
Fading lights / Home by the sea / Drum duet
|
||
|
||
Live: The Way We Walk Volume Two - The Longs
|
||
--------------------------------------------
|
||
|
||
Released 18th January 1993
|
||
LP: UK Virgin GENLP 5- Has same tracks as CD except no
|
||
"Drum Duet".
|
||
Cassette: Virgin GEN MC 5
|
||
CD: Virgin GEN MC 5
|
||
Tracks: 1. Dance On A Volcano
|
||
2. The Lamb Lies Down On Broadway
|
||
3. The Musical Box
|
||
4. Firth of Fifth
|
||
5. I Know What I Like
|
||
6. Driving The Last Spike
|
||
7. Domino - Part 1: In The Glow Of The Night
|
||
Part 2: The Last Domino
|
||
8. Fading Lights
|
||
9. Home By The Sea
|
||
10. Drum Duet
|
||
Notes: "Available January 1993 at a specially reduced price for
|
||
a limited period only"
|
||
|
||
Special Notes on the Way We Walk series: According to Atlantic, Walk
|
||
II is to be available until April 30th and then sometime late in the
|
||
summer of 1993, the two discs are to be re-released together as a
|
||
two-disc set. These plans have apparently fallen through, since the
|
||
records have continued to be available long past the time they were
|
||
supposed to not be. A test pressing or a promo version of the 2 CD set
|
||
apparently was made, in a black & white Digipak.
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
The Silent Sun
|
||
b/w That's Me: Decca F12735 Feb 22, 1968, mono
|
||
US Parrot 45-PAR 3018, USA promo only, not released
|
||
|
||
A Winter's Tale
|
||
b/w One Eyed Hound: Decca F12775, May 10th 1969
|
||
|
||
Where the Sour Turns to Sweet
|
||
b/w In Hiding: Decca F12949 Jun 27th 1969
|
||
|
||
In The Beginning
|
||
b/w The Serpent: Italy Decca F22909 1969
|
||
|
||
Looking for Someone
|
||
b/w Visions of Angels: Charisma GSl, 1970 (Promotional single for DJs,
|
||
not released)
|
||
|
||
The Knife Part I
|
||
b/w The Knife Part II: Charisma CB152, 1971
|
||
(This is just The Knife split into two parts)
|
||
|
||
For Absent Friends
|
||
b/w The Fountain Of Salmacis / The Musical Box
|
||
Charisma CGEP, 1972 US promo-only EP with Nursery Cryme sleeve
|
||
|
||
Happy the Man
|
||
b/w Seven Stones: Charisma CB181 UK, October 1972
|
||
Philips 6073 316 Italy
|
||
|
||
Watcher of the Skies
|
||
b/w Willow Farm:
|
||
US Charisma CAR 103
|
||
Europe Charisma 6073 311, no UK release
|
||
1973 A side is a different mix
|
||
|
||
Twilight Alehouse
|
||
No catalogue number, October 1973
|
||
One-sided flexidisc issued free with Zig Zag magazine.
|
||
Free to first 1,000+ UK Genesis Information members, October 1976
|
||
|
||
I Know What I Like
|
||
b/w Twilight Alehouse.......................UK Charisma CB 224, Feb 1974
|
||
US Charisma FC-26002
|
||
FRANCE Charisma 6073 347 (PS)
|
||
ITALY Charisma 6073 347 (PS)
|
||
b/w After The Ordeal........................France Charisma 687 3174
|
||
Promo-only
|
||
b/w More Fool Me............................Portugal Charisma 607 3344, 1974
|
||
b/w More Fool Me/Dancing With The
|
||
Moonlit Knight (Brazil promo-only EP)...Charisma 622 8202, 1975
|
||
|
||
Counting Out Time
|
||
b/w Riding the Scree: Charisma CB238 November 1974
|
||
EUR Charisma 6073 357 (PS)
|
||
ITALY Charisma 6073 357 (PS)
|
||
|
||
The Lamb Lies Down on Broadway
|
||
b/w Counting Out Time: US Atco 7-013, 1974
|
||
b/w Counting Out Time/The Grand Parade Of
|
||
Lifeless Packaging/Back In NYC: Brazil
|
||
promo-only EP 622 8203, 1975
|
||
|
||
In The Beginning
|
||
b/w The Serpent: Italy, Decca F 22909, 1974
|
||
|
||
The Carpet Crawlers
|
||
b/w Evil Jam: Charisma CB251 April 1975
|
||
(Jam live version of The Waiting Room recorded at Los Angeles Forum)
|
||
b/w The Lamb Lies Down on Broadway: Italy Charisma 6073 363 (PS), 1975
|
||
|
||
A Trick of the Tail
|
||
b/w Ripples.................................UK Charisma CB 277, March 1976
|
||
b/w The Carpet Crawlers.....................Germany Charisma 607 3379
|
||
b/w Squonk..................................Portugal Charisma 607 3383
|
||
b/w A Tower Struck Down (S.Hackett).........Portugal promo-only
|
||
|
||
Entangled b/w A Trick of The Tail: France Charisma 607 3381 (PS), March 1976
|
||
|
||
Ripples
|
||
b/w It's Yourself (WT: Beloved Summer)......Italy Charisma 6073 378 (PS), 1976
|
||
b/w Entangled...............................US Atco 45-7050, 1976
|
||
|
||
Your Own Special Way
|
||
b/w ...In That Quiet Earth..................US Atco 45-7076,1977
|
||
mono/stereo promo 45-7076
|
||
b/w It's Yourself...........................UK CB 300, Feb 1977
|
||
Europe 6073393
|
||
|
||
Spot The Pigeon EP 1977
|
||
|
||
Match Of The Day (3:23) (Banks/Collins/Rutherford)
|
||
Pigeons (3:10) (Banks/Collins/Rutherford)
|
||
Inside And Out (6:42) (Banks/Collins/Rutherford/Hackett)
|
||
|
||
Sleeve: football game - lyrics on back of album
|
||
These songs were written and recorded at the time of Wind and
|
||
Wuthering.
|
||
|
||
7": Charisma GEN 001 UK May 1977 (PS)
|
||
EUR Charisma 6228 204 (white border PS)
|
||
12": Charisma 6200-032 Canada EP 1800
|
||
Atlantic EP 1800 Canada (B&W picture sleeve 12", limited edition
|
||
blue vinyl)
|
||
Atlantic EP 1800 Canada (B&W picture sleeve 12", black vinyl)
|
||
CD: Charisma CDT-40 AAD (some CD booklets contains lyrics)
|
||
Virgin CDF 40
|
||
3" UK Virgin CDT 40, 1988 AAD (CD booklet contains lyrics)
|
||
Germany 1989 (with lyrics)
|
||
|
||
Pigeons
|
||
b/w Inside And Out: France Charisma 617 3515, May 1977
|
||
|
||
Follow You Follow Me
|
||
b/w Ballad of Big: UK Charisma CB 309, March 1978
|
||
EUR Charisma 6079 461 (PS)
|
||
JAP Charisma SFL-2257 (PS plus A-side lyrics)
|
||
b/w Inside and Out: US Atlantic Records 3474 (no PS)
|
||
A-side is a different mix
|
||
|
||
Many Too Many b/w The Day the Lights Went Out (Banks)
|
||
Vancouver (Collins/Rutherford)
|
||
UK Charsima CB315, June 1978
|
||
GER Charisma 6228 205 (PS includes tour dates)
|
||
ITALY Charisma 6079 467 (PS looks like a blurry far-away stage shot)
|
||
JAP Charisma SFL-2322 (PS plus A-side lyrics)
|
||
JAP ??? has lyrics to all three songs
|
||
|
||
Go West Young Man (Deep in the Motherlode)
|
||
|
||
double A side promo
|
||
7": US Atlantic 3511 and (5:15)
|
||
12": US Atlantic PR 311 both white label promos
|
||
|
||
b/w SCENES FROM A NIGHT'S DREAM
|
||
7": US Atlantic 45-3511, Released 1978
|
||
JAP Charsima SFL-2342 (picture sleeve with A-side lyrics, album
|
||
discography)
|
||
12": US Atl ???
|
||
|
||
|
||
Turn It On Again
|
||
b/w Behind the Lines (part 2): UK Charisma CB 356, March 1980
|
||
Europe Charisma 607 9493
|
||
Japan Charisma SFL-2478 (PS plus
|
||
A-side lyrics)
|
||
SPAIN Charisma 6079 493 (PS, title in
|
||
Spanish)
|
||
b/w Turn It On Again (live): US Atlantic PR 369 (promo sleeve)
|
||
US only - 12" promo, B-side is live
|
||
recording from London Lyceum 1980
|
||
b/w Evidence of Autumn: US Atlantic 45-3751
|
||
Sleeve: Pic of Band wandering near door, portraits on back
|
||
Part 2 is an edited or demo version of Behind the Lines without the
|
||
long intro or the segue into Duchess
|
||
|
||
Duchess (edit) b/w Open Door
|
||
UK Charisma CB 363, May 1980
|
||
|
||
Misunderstanding
|
||
b/w Evidence Of Autumn..UK Charisma CB 369, August 1980
|
||
b/w Behind the Lines....US Atlantic 45-3662 (PS), 1980
|
||
b/w Duchess.............GER Charisma 6000 462 (PS)
|
||
|
||
Abacab
|
||
b/w Who Dunnit?........US Atlantic 45-3981, Dec 1981, Sleeve:
|
||
Abacab design
|
||
b/w Another Record.....UK Charisma CB 388, August 1981
|
||
GER Vertigo 6000 711 (PS)
|
||
SPAIN Vertigo 7PP-46 (6000 711) (PS plus
|
||
lyrics)
|
||
JAP Vertigo 7PP-46 (6000 711) (PS plus
|
||
lyrics)
|
||
|
||
Keep it Dark
|
||
b/w Naminanu (7")..............................UK Charisma CB 391, Oct 1981
|
||
b/w Keep It Dark /
|
||
Naminanu / Abacab (long version) (12").....Charisma CB391-12 1981
|
||
Picture sleeve - 3 brass monkeys (on both sides)
|
||
("long version" is a misnomer -- it is the album version, the short
|
||
version being the 7" single edit)
|
||
|
||
No Reply at All
|
||
b/w Naminanu: (Banks/Collins/Rutherford)
|
||
Holland Vertigo 6000 748 (picture sleeve 7")
|
||
Holland Vertigo 6400 534 (picture sleeve 12")
|
||
US, and Canada 1982
|
||
b/w Dodo: US Atlantic 45-3858, Released 1981
|
||
|
||
double A-side promo
|
||
Atlantic PR 404 short version (4.00)/standard version (4.37)
|
||
|
||
Man on the Corner (edit) b/w Submarine (Banks/Collins/Rutherford)
|
||
US Atlantic 4025 1982 PS
|
||
UK Charisma CB 393 PS, March 1982
|
||
EUR Vertigo 6000 786 (PS)
|
||
|
||
3 x 3 EP
|
||
|
||
1. Paperlate (Banks/Collins/Rutherford)
|
||
2. You Might Recall (Banks/Collins/Rutherford)
|
||
3. Me And Virgil (Banks/Collins/Rutherford)
|
||
|
||
(outtakes from Abacab sessions)
|
||
|
||
UK Charisma GEN 1 PS, May 1982
|
||
UK Charisma GEN 1 (picture disc)
|
||
|
||
I Know What I Like b/w Counting Out Time:
|
||
UK Old Gold Records OG-9263
|
||
Parkyn says released January 1983, others say 1982
|
||
|
||
Follow You Follow Me b/w A Trick Of The Tail
|
||
UK Old Gold Records OG-9264
|
||
Released January 1983
|
||
|
||
Firth Of Fifth (live)
|
||
UK Genesis Information GI-01, Released May 1983
|
||
Live flexidisc recorded in Nassau, Long Island, NY, 1981
|
||
Produced by Genesis.
|
||
Limited edition numbered sleeve.
|
||
Issued with Genesis Magazine from Genesis Information
|
||
|
||
Paperlate b/w You Might Recall
|
||
Released June 1982
|
||
US Atlantic 45-4053 (picture sleeve)
|
||
EUR Vertigo 6000 831 (picture sleeve)
|
||
JAP WEA P-1686 (picture sleeve)
|
||
|
||
The Lady Lies (live) (Banks)
|
||
One-sided flexidisc on green vinyl
|
||
free with Flexipop magazine
|
||
UK Flexipop 021/LYN 11806
|
||
Released August 1982
|
||
|
||
'Genesis Solo' Flexidisc
|
||
Free with 'Pop' magazine, W. Germany, Released 1979
|
||
GER LYN 7132
|
||
[Editor's note: I've *never* heard of this one!]
|
||
|
||
Side One: Tony Banks' 'For A While', Brand X 'Don't Make Waves'
|
||
Side Two: Interviews with Tony Banks and Phil Collins
|
||
|
||
Mama (6:07) b/w It's Gonna Get Better (5:00)
|
||
7" Atlantic 7-89770
|
||
*Cool* logo!
|
||
|
||
|\ /| /\ |\ /| /\
|
||
| \/ | / \ | \/ | / \
|
||
|____| /____\ |____| /____\
|
||
|
||
Except the letters are *solid* black, and have squiggles behind them.
|
||
(the letters look kinda like... blocks :) Grey background, peach
|
||
squiggles. This would be good for a T-shirt -- very simple. Cursive
|
||
Genesis logo on top. Very strange: above the track list it says "MAMA
|
||
1" -- does this mean there's a 2?
|
||
|
||
Mama (5:18)
|
||
double A-side promo: 7" Atlantic 7-89770
|
||
12" Atlantic PR 535. 12" (has grey label with
|
||
"Genesis" written in same script as on LP
|
||
cover, in white, on a peach area)
|
||
|
||
Mama (6:07)
|
||
b/w It's Gonna Get Better (5:07)......7" Atlantic 7-89770 PS
|
||
b/w It's Gonna Get Better.............UK Virgin MAMA 1, August 1983
|
||
b/w It's Gonna Get Better.............EUR Vertigo 814 219-7
|
||
Mama (long version)
|
||
b/w It's Gonna Get Better (long version)
|
||
12" UK Virgin MAMA 1-12, August 1983 (Cut-out sleeve, black
|
||
inner sleeve)
|
||
12" US Atlantic 0-86982 PS
|
||
CD? Vertigo 966 599-2
|
||
CD3 CDT5 Virgin, 198-?, UK
|
||
CD5 Vertigo/Phonogram, CD-MAXI 866 599-2, 1992, Slimline Jewel
|
||
German pressing. Grey cover reading GENESIS - MAMA
|
||
in block letters. No lyrics. Inside has promo bits for
|
||
Abacab, 3SL, Turn It On Again ('81-'83), and Genesis.
|
||
Has album version of Mama too.
|
||
|
||
That's All
|
||
b/w Second Home By The Sea...............Atl 7-89724, 1983
|
||
b/w Taking It All Too Hard...............UK Virgin TATA 1, November 1983
|
||
b/w Taking It All Too Hard/ Firth of Fifth (live):
|
||
12" Virgin TATA 1-12 (Firth Of Fifth recorded at The Savoy New
|
||
York 1981. Sleeve is like brown wrapping paper, flowers on
|
||
record label)
|
||
b/w Firth of Fifth live: 12" Germany Vertigo 818-096-1Q (it has a
|
||
grey sleeve with the title in white and pictures of each of the
|
||
band members on it)
|
||
b/w Taking it all Too Hard: 7" UK Virgin TATA Y-1, shaped picture
|
||
disc (looks like the 12" in its sleeve, with a corner missing).
|
||
Germany Vertigo 814-898-7 (same grey sleeve with pictures of band
|
||
members as Vertigo 818-096-1Q 12")
|
||
double A-side white label promo- US Atlantic 7-89724, no picture sleeve
|
||
b/w Home by the Sea (NOT with 2nd home): 7" France Vertigo 880 242 7
|
||
(sleeve looks like the GENESIS album cover, with shapes)
|
||
b/w Taking it all Too Hard, Keep it Dark, Turn it on Again: 12"
|
||
Japan Vertigo 814-898-1 - sleeve looks like UK issue. The sleeve
|
||
has lyrics to all four songs on the back. A-side is That's All,
|
||
Keep it Dark and Taking it all Too hard, and the B-side is the
|
||
extended live Turn it on Again.
|
||
|
||
Illegal Alien (edit 4:33)
|
||
b/w Turn It On Again (live 5:24).....Atl 7-89698 1983
|
||
b/w Illegal Alien (LP version).......Atl 7-89698 1983 blue promo
|
||
|
||
Illegal Alien
|
||
b/w 7" Turn It On Again (live edit):......UK Virgin AL 1, January 1984
|
||
...................UK Virgin ALS 1 (special shape picture disc)
|
||
|
||
b/w 12" Turn it on again (with medley).....Atlantic AL1-12
|
||
Picture sleeve, Genesis dressed as illegal aliens, like video
|
||
(Back: lyrics to illegal alien) recorded November 27, 1983 in
|
||
Philladelphia, PA (Atlantic, Charisma, or Virgin?)
|
||
b/w Home by the Sea, Second Home by the Sea: 12" US Atlantic PR 581.
|
||
This has the same grey, peach & white label as the "Mama" promo
|
||
|
||
Home by the Sea
|
||
b/w Second Home by the Sea: 7" Holland Vertigo 880 222-7
|
||
Dutch-only release. PS showing a home by the sea and lyrics on
|
||
the back.
|
||
b/w Second Home by the Sea, Illegal Alien: 12" Australasia [sic]
|
||
Vertigo 880 222-1 This sleeve looks exactly like the GENESIS LP
|
||
cover except it's blue, not yellow.
|
||
|
||
Taking it all too Hard
|
||
b/w Silver Rainbow: 7" US Atlantic 7-89656. PS shows the band is
|
||
attempting to thumb a ride. The sign behind them says "Pa 94"
|
||
with an arrow.
|
||
|
||
Invisible Touch
|
||
---------------
|
||
|
||
b/w The Last Domino
|
||
Atlantic 7-89407: 1986
|
||
Atlantic 7-89407: 1986 blue label promo
|
||
UK Virgin GENS 1: May 1986
|
||
UK Virgin GENSY 1: 7" (special limited edition fold out sleeve
|
||
including clear vinyl record)
|
||
|
||
double A-side
|
||
US Atlantic PR 897: promo12" (sleeve is white with black title
|
||
sticker) (normal version)
|
||
US Atlantic PR 924: 12"(sleeve is white with green & white title
|
||
sticker) (extended version)
|
||
|
||
(extended remix) b/w Invisible Touch/ The Last Domino:
|
||
UK Virgin GENS 1-12: 12, May 1986 Re-mix by John 'Tokes' Potoker
|
||
Sleeve has streamlined "Genesis Invisible Touch"-like bandanna
|
||
|
||
In Too Deep
|
||
-----------
|
||
|
||
(4:59) b/w I'd Rather Be You (3:54): Atlantic 7-89316, 1986
|
||
(Edit) b/w Do The Neurotic (Edit): UK Virgin GENS 2, August 1986
|
||
Sleeve: Blue print on yellow background; "Edit" is a fade
|
||
halfway through the song.
|
||
b/w Do The Neurotic: 12" UK Virgin GENS 2-12
|
||
Sleeve: Yellow print on blue background, 'Do The
|
||
Neurotic' on front (Limited edition picture disc. Disc is
|
||
blue with black & white picture of band outlined in
|
||
yellow. B-side is blue with titles of songs & credits in
|
||
yellow.)
|
||
|
||
Land of Confusion
|
||
-----------------
|
||
|
||
(4:45) b/w Feeding the Fire (5:54)
|
||
Atlantic 7-89336: 1986
|
||
UK Virgin GENS 3: November 1986
|
||
|
||
(ext. version) b/w Feeding The Fire
|
||
UK Virgin GENS 3-12: 12"
|
||
|
||
(4:43) b/w Land of Confusion (extended version) (6:55)/
|
||
Feeding the Fire (5:54)/ Do the Neurotic (7:00)
|
||
UK Virgin SNEG 3-12: CD5
|
||
|
||
Comments: Cover has black & white pic of three Spitting Image
|
||
band puppets, inside lyrics to "Land of Confusion" (12" and CD5)
|
||
and "Feeding the Fire" (CD5 only). Remix by John "Tokes" Potoker.
|
||
Feeding the Fire lyrics by Banks.
|
||
|
||
(3:55) b/w (4:45):
|
||
US Atlantic PR 984: 7", blue label promo (picture sleeve has
|
||
sticker on it that says, "Includes SPECIAL
|
||
EDITED REMIX"
|
||
|
||
(6:55) b/w (4:45)
|
||
US Atlantic PR 968: promo 12"(no special label or sleeve, just
|
||
generic red & green Atlantic)
|
||
|
||
(3:55) b/w (6:55)
|
||
US Atlantic PR 984: promo 12" (no special label or sleeve)
|
||
|
||
Tonight Tonight Tonight
|
||
-----------------------
|
||
|
||
[Due to the length of the album version of Tonight Tonight Tonight,
|
||
just about all singles and promos contained edited versions. The
|
||
instrumental section near the end was mainly what was chopped out.]
|
||
|
||
(edit 4:32) b/w In The Glow Of The Night (part 1)
|
||
US Atlantic 7-89290: 7" 1986 Sleeve: Band on stage, bright pink
|
||
varilights
|
||
|
||
(4:32) b/w (4:32)
|
||
US Atlantic 7-89290: 7" blue label promo
|
||
(same sleeve as commercial release)
|
||
|
||
(edit) b/w In The Glow Of The Night
|
||
UK Virgin GENS 4: 1987
|
||
|
||
(edit) b/w In The Glow Of The Night/ Paperlate / Tonight Tonight
|
||
Tonight (12" remix by John 'Tokes' Potoker)
|
||
Atlantic 0-86722: 12"
|
||
UK Virgin GENS 4-12: 1987
|
||
Virgin DRAW 4-12: CD5 1987
|
||
|
||
(edit) b/w In The Glow Of The Night/ Tonight Tonight Tonight (12" remix)
|
||
UK Virgin GENSG 4-12: 12" (Gatefold limited edition with live pic
|
||
& tour map) Note: Label says 'Paperlate' as for GENS 4-12 but
|
||
it's not included
|
||
|
||
(edit) b/w In The Glow Of The Night/ Invisible Touch (extended remix)/
|
||
Tonight Tonight Tonight (12" remix)
|
||
Virgin CDEP 1: CD5, 1987 (Gatefold, with band pic)
|
||
|
||
(8:49) b/w (4:32)
|
||
US Atlantic PR 1007: promo 12" (no special label or sleeve)
|
||
|
||
Throwing It All Away
|
||
--------------------
|
||
|
||
b/w Do The Neurotic (5:21 edit)
|
||
Atlantic 7-89372: 7", 1986 (sleeve: Pic of band standing up and
|
||
Invisible Touch ad)
|
||
|
||
b/w I'd Rather Be You
|
||
UK Virgin GENS 5: 7", 1987
|
||
UK Virgin GENS 5-12: 12", 1987
|
||
|
||
b/w Do the Neurotic
|
||
Japan Charisma O7VA 1051: 7" (same sleeve as US release except the
|
||
lyrics to Throwing it all Away are on the back & blue Charisma label)
|
||
|
||
double A-side promo (3:41 both sides)
|
||
Atlantic 7-89372: blue label promo 7" US
|
||
US Atlantic PR 937: promo 12"
|
||
|
||
Throwing It All Away (live) b/w I'd Rather Be You / Invisible Touch
|
||
(live)
|
||
UK Virgin GENSC 5-12: CAS Cassette single, 1987 (12" ???)
|
||
Live tracks recorded at LA Forum 1987
|
||
Sleeve: adapted "Tidyman" logo (English litter disposal
|
||
scheme), "England Recycle Drive" logo, no pics. I'd Rather Be
|
||
You lyrics: Collins
|
||
[This single is packaged in such a way that it's also been
|
||
called the I'd Rather Be You 12"]
|
||
|
||
Domino (live): Pt 1 In The Glow Of The Night/Pt 2 The Last Domino
|
||
VVDCD 358: CD3 included with initial quantities of 'Invisible
|
||
Touch Tour' video 1989
|
||
|
||
|
||
WE CAN'T DANCE SINGLES
|
||
----------------------
|
||
|
||
[Because the We Can't Dance album has spawned more singles than any
|
||
other Genesis album, probably more than all of them combined, they are
|
||
given their own section to make grouping and finding easier. Because
|
||
of changes in the record industry between Invisible Touch and the
|
||
widespread acceptance of CDs, the whole concept of a 'single' has
|
||
changed.]
|
||
|
||
|
||
The Invisible Series is a limited edition series of five Genesis CD
|
||
singles with previously unreleased live tracks. There are, for some
|
||
unknown reason, two Hold on my Heart singles.
|
||
|
||
|
||
No Son of Mine
|
||
--------------
|
||
|
||
b/w Living Forever
|
||
|
||
Atlantic ???............cassette single
|
||
Atlantic 7-87571........7"
|
||
Virgin GENS6 PS.........7"
|
||
Virgin VJDP 10179.......CD3, Japan, released 7th Nov 91
|
||
|
||
b/w Living Forever/Invisible Touch (live) (5:01)
|
||
|
||
Virgin GENS6 12.........12", gatefold sleeve, includes limited edition
|
||
water colour print
|
||
German..................12" [No more details on this one, but it
|
||
DOES exist]
|
||
Atlantic 787571-2.......CD5, Slimline Jewel, 1991, Standard PS
|
||
Virgin GENDG6...........CD5, Digipak, PM515 664719 1992
|
||
Invisible Series Vol. 1. Interior pic of
|
||
band, no insert - Cover painting by FRB.
|
||
Disc has picture of little boy on Earth
|
||
from WCD cover.
|
||
promos
|
||
|
||
US Atlantic PRCD 4296-2.CD5, jewel (b/w (edit))
|
||
US Atlantic PRCD 4277-2.CD5, jewel (only album version)
|
||
Insert looks like the commercial releases.
|
||
|
||
I Can't Dance
|
||
-------------
|
||
|
||
b/w On The Shoreline (lyrics: Banks)
|
||
Atlantic ???: cassette single
|
||
Atlantic 7-87532: 7" Lavender Atlantic label
|
||
Virgin GENS7 PS: 7"
|
||
|
||
I Can't Dance 7" mix, I can't dance Sex mix, On the shoreline
|
||
Virgin 615091: 12" GER [Note: Yes, it's a 7" mix on a 12" record]
|
||
|
||
I Can't Dance/On The Shoreline (4:46)/I Can't Dance (Sex Mix) (7:01)
|
||
Virgin GENSD7: CD5, Slimline Jewel, 1992 No inserts, pics.
|
||
|
||
Sex Mix produced/mixed by Howard & Trevor Gray. Cover is ICD
|
||
painting with "Sex Mix" on pocket.
|
||
|
||
I Can't Dance sex mix b/w I can't dance
|
||
Virgin MP-GENS12: Spain promo-only release, same front sleeve but
|
||
in B&W
|
||
|
||
I Can't Dance the other mix
|
||
Virgin G-DJ-112: UK format??? 1 sided PROMO, Probably hasn't got a
|
||
PS
|
||
|
||
b/w sex mix
|
||
Virgin VJDP 10184: CD3 Japan released 21st Feb 92
|
||
|
||
b/w On The Shoreline (4:46)
|
||
In Too Deep (live) (5:28)
|
||
That's All (live) (4:54)
|
||
I Can't Dance (Sex Mix) (7:01)
|
||
|
||
Atlantic 85906-2: 1992 CD5, Slimline Jewel, Digipak, "Maxi Single"
|
||
No inserts, pics. Cover is ICD painting with "Sex Mix" on pocket.
|
||
|
||
b/w On The Shoreline (4:46)
|
||
In Too Deep (live) (5:28)
|
||
That's All (live) (4:54)
|
||
|
||
Virgin GENDG7 PM515 665091: CD5 (Digipak), 1991
|
||
Invisible Series Vol 2. "Special Collector's Edition", 7 page
|
||
booklet and discography
|
||
|
||
Hold On My Heart
|
||
----------------
|
||
|
||
Hold On My Heart (4:38)
|
||
Atlantic PRCD 4533-2: CD5, Jewel, released 1992, picture sleeve is
|
||
illustration by FRB. Promo-only release (just one song)
|
||
|
||
b/w Way of the World
|
||
|
||
Atlantic ???: cassette single
|
||
Atlantic 7-87481: 7"
|
||
Virgin GENS8: PS 7"
|
||
Virgin VJDP 10193: CD3, Japan, released 21st May 92
|
||
|
||
b/w Way Of The World (5:36)
|
||
Home By The Sea (live) (12:18)
|
||
Your Own Special Way (7:00)
|
||
|
||
Virgin VJCP-14042: CD5, Jewel, "Maxi Single", Japan 1992 6-page
|
||
booklet with lyrics in English/Japanese (no Home By The Sea
|
||
lyrics in Japanese) - no pictures, cover painting by FRB
|
||
|
||
Virgin VJCP12 CD5: Japanese 4 track, 4 page booklet that has
|
||
lyrics in Japanese and English (no Japanese anywhere else) --
|
||
this is probably the same as the preceeding one.
|
||
|
||
b/w Way of the World (5:36)
|
||
Home By The Sea (live) (12:18)
|
||
|
||
Virgin GENSD8 PM515 665334: CD5, Digipak, 1992
|
||
Nice interior pic of band members, no insert. Cover by FRB.
|
||
Invisible Series Number 3.
|
||
|
||
b/w Way of the World (5:36)
|
||
Your Own Special Way (live) (7:00)
|
||
|
||
Virgin GENDG8: CD5, gatefold digipack, 1992, Invisible Series
|
||
Number 4. 4 colour postcards (Hold on My Heart, I Can't Dance, No
|
||
Son of Mine, Way of the World) Front sleeve with a cut out square
|
||
showing a picture of the 3 Genesis members.
|
||
|
||
Jesus He Knows Me
|
||
-----------------
|
||
|
||
Jesus He Knows Me (single mix) (4:18)
|
||
Virgin JESUS 1: CD5, Jewel, released 1992, no PS, 1 track promo-only
|
||
release to DJs
|
||
|
||
b/w ???
|
||
Virgin GENS9: 7", PS (Jesus He Knows Me and what other song(s)?)
|
||
|
||
b/w Hearts On Fire (5:15) (WT: Bass Spotty, lyrics by Collins)
|
||
I Can't Dance (The Other Mix, by Ben Liebrand) (6:01)
|
||
|
||
Virgin GENDG9 665486 PM515: CD5, Digipak, 1992, cover art by FRB.
|
||
|
||
Cat #: Virgin GENDX 9 PM515 665487
|
||
Format: CD5, digipak w/box
|
||
Date: released 1992
|
||
Notes: Fifth and last volume in Invisible Series, in box which is
|
||
claimed to be able to hold all invisible series discs.
|
||
Numbers 2 and 4 are hard to get in. Green disc - front
|
||
has pic of holy TV evangelist by FRB.
|
||
Tracks:
|
||
|
||
Jesus He Knows Me (single mix) (4:17)
|
||
Hearts on Fire (5:15)
|
||
Land of Confusion (rehearsal version) (5:00)
|
||
|
||
Driving The Last Spike
|
||
----------------------
|
||
|
||
Cat #: Atlantic PRCD 4666
|
||
Format: CD5, Jewel
|
||
Date: 1992
|
||
Notes: No PS, 1 track promo-only release to DJs
|
||
Track: Driving The Last Spike (live edit)
|
||
|
||
|
||
Never A Time
|
||
------------
|
||
|
||
Cat #: Atlantic 87411-2
|
||
Format: CD5, cardboard sleeve
|
||
Country: US
|
||
Date: 1992
|
||
Tracks:
|
||
|
||
Never A Time
|
||
Tonight, Tonight, Tonight (Live)
|
||
Invisible Touch (Live)
|
||
Note both live tracks are from The Way We Walk live album!
|
||
|
||
|
||
Cat #: Atlantic 4-87411
|
||
Format: Cassette single
|
||
Country: US
|
||
Notes: Cover has WCD Genesis font logo and a picture of the five
|
||
of them standing with outstretched arms, leaning to the
|
||
right.
|
||
Tracks:
|
||
|
||
Never A Time
|
||
Tonight, Tonight, Tonight (Live)
|
||
Invisible Touch (Live)
|
||
Note both live tracks are from The Way We Walk live album!
|
||
|
||
Cat #: Virgin GENE 11 F:PM 515, D:665 665
|
||
Format: CD5
|
||
Country: UK
|
||
Tracks:
|
||
|
||
Never A Time
|
||
Dreaming While You Sleep (live)
|
||
Turn It On Again (live)
|
||
Tonight Tonight Tonight (live, long version from 1986)
|
||
|
||
|
||
Genesis Live
|
||
------------
|
||
|
||
Cat #: Virgin GENDX10
|
||
Format: CD5
|
||
Country: UK
|
||
Date: released 9th November 1992
|
||
Notes: Genesis Live is name of the disc, numbered white box
|
||
with 8-pg booklet of live pictures from WCD tour world
|
||
wide, numbered limited edition: 50,000 copies
|
||
Tracks:
|
||
|
||
Invisible Touch (live, from The Way We Walk, bleeped, 5:18)
|
||
Abacab (live from Invisible Touch Tour 8:36)
|
||
The Brazilian (live from Invisible Touch Tour 5:27)
|
||
|
||
|
||
Tell Me Why
|
||
-----------
|
||
|
||
b/w Invisible Touch (live)
|
||
|
||
Virgin ???...............format?, Europe (not UK), released November 1992
|
||
|
||
b/w Mama (live)/The Brazilian (live)/ Invisible Touch
|
||
(live - single version)
|
||
|
||
Virgin 665 573...........CD5, jewel, Europe (not UK), November 1992
|
||
|
||
b/w Dreaming While You Sleep
|
||
|
||
Virgin GENS 11...........CD5, UK, 8 February 1993
|
||
Virgin GENSC 11..........cassette single
|
||
|
||
b/w Dreaming While You Sleep (live)/Turn It On Again (1992 live)
|
||
|
||
Virgin GENDG 11..........CD5, digipack, UK, released 8 February 1993
|
||
|
||
b/w Dreaming While You Sleep (live) /
|
||
Tonight Tonight Tonight (full version live from 86)
|
||
|
||
Virgin GENDX 11..........CD5, 'Compac Plus', UK, 15 February 1993
|
||
|
||
? Dutch two track CD5
|
||
|
||
|
||
GENESIS - Domino/Lamb Lies Down on Broadway + Interview
|
||
Promo CD. (No info available, this seen in Goldmine ad)
|
||
|
||
^
|
||
|
|
||
are these two the same?
|
||
|
|
||
v
|
||
|
||
Two Songs from the Longs
|
||
CD5 (11:00 + change)
|
||
Domino (actually, just The Last Domino)
|
||
The Lamb (both from the Longs)
|
||
with short interviews and snippets of Firth of Fifth, Driving the
|
||
Last Spike, and the drum duet.
|
||
|
||
This disc was given out as a promo by Atlantic Records, involving
|
||
Brad Lentz mailing out a pink card describing the offer to people on
|
||
his mailing list of addresses.
|
||
|
||
Re-issues of older singles, Atlantic's Oldies series
|
||
|
||
Released in 1984 (all are 7" singles):
|
||
|
||
I Know What I Like (In Your Wardrobe)
|
||
b/w The Lamb Lies Down on Broadway............US Atlantic OS 13239
|
||
Your Own Special Way
|
||
b/w Go West Young Man (In the Motherlode).....US Atlantic OS 13251
|
||
Misunderstanding b/w Turn It On Again..........US Atlantic OS 13252
|
||
No Reply At All b/w Abacab.....................US Atlantic OS 13253
|
||
Man on the Corner b/w Paperlate................US Atlantic OS 13254
|
||
|
||
Released in 1987 (all are 7" singles):
|
||
[Complete information not available, some of the 1984 batch were
|
||
also released, possibly with different catalogue numbers]
|
||
|
||
Mama b/w In Too Deep...........................US Atlantic 7-84956
|
||
Follow You Follow Me b/w Illegal Alien.........US Atlantic 7-84957
|
||
Land of Confusion b/w Tonight Tonight Tonight..US Atlantic 7-84958
|
||
Invisible Touch b/w Throwing It All Away.......US Atlantic 7-84958
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
MISCELLANEOUS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
Several compilations of little note have included Genesis and Peter
|
||
Gabriel tracks through the years. A sample are Wowie Zowie - The World
|
||
of Progressive Music, released in 1969, which includes In The
|
||
Beginning; Charisma Disturbance, released in 1973, which includes The
|
||
Return of The Giant Hogweed; The Old Grey Whistle Test - Take Two,
|
||
released in 1976, which includes Genesis Ripples; An Hour of Pop
|
||
Hits - Reels on Wheels, released in 1979, with Gabriel's Solsbury Hill;
|
||
and Hot Wax, a K-Tel album released in 1980, which includes No Self
|
||
Control. [note these are just studio tracks included on compilations]
|
||
|
||
Reflection - Rock Theatre
|
||
-------------------------
|
||
|
||
Released 1975
|
||
Album: 1972/73 Charisma (Fontana) 9299-515 (This album is
|
||
one of a set of "Rock Theatre" compilation albums)
|
||
CD: 1986 Virgin 610-468-225 AAD
|
||
(CD booklet contains the same information as on album)
|
||
Note: This is
|
||
Tracks: 1. I Know What I Like (In Your Wardrobe)
|
||
2. Harold The Barrel
|
||
3. Harlequin
|
||
4. Watcher Of The Skies (short version)
|
||
5. The Fountain Of Salmacis /
|
||
6. Supper's Ready
|
||
Notes: This album is just a compilation of the studio versions found
|
||
on the original albums.
|
||
|
||
|
||
The Best Of Genesis
|
||
-------------------
|
||
|
||
Album: 1971/72, 1976 Charisma BDS-5659-2 (2-LP set. This
|
||
album is a re-issue of Nursery Cryme and Foxtrot -
|
||
see refs on those two albums for details)
|
||
|
||
1980 The Lamb Lies Down On Broadway (compilation album)
|
||
Album: 1980? Polygram (Italian) SU-1004 (Superstar label)
|
||
Tracks: 1. The Lamb Lies Down On Broadway
|
||
2. The Musical Box
|
||
3. White Mountain /
|
||
4. Carpet Crawl
|
||
5. The Knife
|
||
6. Watcher Of The Skies
|
||
Notes: Recorded between 1970 and 1974.
|
||
|
||
|
||
1987 We Know What We Like - The Music Of Genesis
|
||
Album: 6242-1-RC
|
||
CD: RCA 6242-2-RC DDD
|
||
Players: London Symphony Orchestra, Arranged & Conducted by David Palmer
|
||
Guests: Steve Hackett: Guitar
|
||
Mo Foster: Bass
|
||
Trevor Bastow: Keyboards
|
||
Tony Hymas: Keyboards
|
||
David Palmer: Keyboards
|
||
Brett Morgan: Drums
|
||
Ian Anderson: Flute (on I Know What I Like)
|
||
Charterhouse School Choir: (on Guide Vocal, Undertow/Supper's
|
||
Ready)
|
||
Tracks: 1. Guide Vocal/Turn It On Again (5:49)
|
||
2. Mad Mad Moon (9:08)
|
||
3. Entangled (5:16)
|
||
4. Medley: Los Jigos - Duke's Travels/Fountain Of Salmacis/
|
||
The Knife/Unquiet Slumbers.../Los Jigos (3:48)
|
||
5. Follow You, Follow Me (4:12)
|
||
6. I Know What I Like (3:50)
|
||
7. Medley: Snowbound - Snowbound/Scenes From A Night's Dream/
|
||
Say It's Alright Joe (11:03)
|
||
8. Horizons (with Blood On The Rooftops middle section) (2:41)
|
||
9. Can-Utility And The Coastliners (5:48)
|
||
10. Undertow/Supper's Ready (6:13)
|
||
Notes: Genesis had nothing to do with this album, other than
|
||
Hackett's appearance
|
||
|
||
|
||
1990 Hits of Phil Collins Performed by The Royal Philharmonic Orchestra
|
||
CD: Nouveau 10132 DDD
|
||
Players: Harp: Skaila Kanga
|
||
Guitar: Mitch Dalton
|
||
Piano: Simon Chamberlain
|
||
Vocals: Lance Ellington, Mark Williamson (on "Take Me Home")
|
||
Saxophone: Christian Wilckens
|
||
Tracks: 1. In The Air Tonight (5:04)
|
||
2. Groovy Kind of Love (3:27)
|
||
3. Easy Lover (4:38)
|
||
4. Do You Remember? (3:40)
|
||
5. I Wish It Would Rain Down (5:13)
|
||
6. Against All Odds (3:32)
|
||
7. Another Day In Paradise (5:26)
|
||
8. Two Hearts (3:36)
|
||
9. One More Night (4:05)
|
||
10. Take Me Home (5:37)
|
||
Notes: Produced, Conducted, and Arranged by Louis Clark
|
||
Recorded with no affiliation with Phil Collins or any member
|
||
of his band
|
||
|
||
Trespass Boxed Set
|
||
_Genesis on Compact Disc_
|
||
C.I.D. Productions, CID 11.
|
||
|
||
It comes in a 12" by 12" blue box that says "Genesis on Compact Disc"
|
||
at the top, with a circa 1976 picture of the band on the front with
|
||
Bill Bruford. Inside is an approximately 2 1/2' by 2' poster of PHIL
|
||
COLLINS AND HIS SERIOUS BAND dressed in circus costumes, similar to
|
||
the pictures in the program from that tour as well as the standard UK
|
||
Virgin/Charisma 1885 release of Trespass CASCD 1020 (qv). [The origin
|
||
of this is not known, whether it is an legal, planned release or a
|
||
bootleg/non-official release. Either way, it is definitely strange.
|
||
Probably some sort of a half-baked marketing scheme.]
|
||
|
||
|
||
BOXED SETS of several CDs released by Virgin records
|
||
DISC SET (Virgin Records CATALOG No.)
|
||
|
||
Trespass / Nursery Cryme / Foxtrot (TPAK 1 PM 539 353 971)
|
||
Selling England By The Pound / (TPAK 17 PM 539 354 347)
|
||
The Lamb Lies Down On Broadway
|
||
Peter Gabriel's first 3 studio albums (TPAK 9 PM 439 354 027)
|
||
|
||
Nursery Cryme/Foxtrot
|
||
CA-2-2701 on Polydor/Charisma (Charisma distributed through Polydor)
|
||
2LP US re-issue of those 2 albums in a set
|
||
Released 1979; Photos of each of the 5 piece and one live photo of the
|
||
5 piece.
|
||
|
||
Text on the back of the album cover:
|
||
|
||
First, a word of explanation. This special double-record set contains
|
||
two Genesis albums originally released in 1971 ("NURSERY CRYME") and
|
||
1972 ("FOXTROT"). Due to various problems, in the past few years they
|
||
have not been available in the U.S.A. Now, at last, we are again able
|
||
to properly present these landmark recordings to the public.
|
||
Newcomers to the Genesis camp should be delighted by these early
|
||
masterworks (to this day, the band plays selections from them in their
|
||
live shows); and the stalwart supporters of the last eight years or so
|
||
will no doubt be ecstatic to have fresh copies.
|
||
|
||
Secondly, a word (or two) of description: These two albums represent
|
||
the first fully-formed statements by a band on the verge of
|
||
international stardom, a band positively unique in the history of
|
||
rock. For the recording of "NURSERY CRYME," original members Tony
|
||
Banks, Peter Gabriel & Michael Rutherford were joined by new recruits
|
||
Phil Collins & Steve Hackett. The combination produced a sound that
|
||
meant magic to those early, fiercely-devoted followers. The music was
|
||
complex, yet highly accessible, very melodic, emotional and dramatic;
|
||
the approach was orchestral yet subtle; the lyrical themes drew on
|
||
myth, legend, fantasy and satire. These two albums include such
|
||
acknowledged rock masterpieces as "WATCHER OF THE SKIES," "MUSICAL
|
||
BOX," "FOUNTAIN OF SALMACIS," and the incredible, side-long epic
|
||
"SUPPER'S READY." At the same time, their theatrical live
|
||
performances advanced the state of rock a few light years, complete
|
||
with a sophisticated use of costuming and mime (in the person of
|
||
vocalist Peter Gabriel), plus superior sound and lighting. But above
|
||
all, there was indescribable magic in the music.
|
||
|
||
Today, of course, Genesis ranks as one of the very top bands around
|
||
the world, with sell-out tours and million-selling records. Peter
|
||
Gabriel and Steve Hackett departed the group to pursue solo careers,
|
||
with Tony Banks, Phil Collins and Mike Rutherford carrying on the
|
||
Genesis torch to an ever-growing audience. To their credit, Genesis
|
||
has always been one of the most imitated bands around ... but no one
|
||
else has ever been able to duplicate their unique sonic recipe.
|
||
|
||
|
||
Turn It On Again - Best of '81 - '83
|
||
Vertigo/PolyGram Int'l CATALOG No.: 848 854-2
|
||
|
||
|
||
1) Mama [6:03]
|
||
2) Home By The Sea [4:45]
|
||
3) That's All [4:21]
|
||
4) Illegal Alien [4:33]
|
||
5) Paperlate [3:14]
|
||
6) No Reply At All [4:34]
|
||
7) Takin' It All Too Hard [3:56]
|
||
8) Man On The Corner [4:15]
|
||
9) Misunderstanding *** [3:57]
|
||
10) Follow You, Follow Me *** [4:39]
|
||
11) Abacab *** [8:35]
|
||
12) Turn It On Again *** [9:03]
|
||
13) Firth Of Fifth *** [9:22]
|
||
|
||
NOTES:
|
||
*** indicates a live track, all are the same versions from _3SL_
|
||
except for #12 & #13. #12 contains the "damn medley" recorded
|
||
at The Spectrum in Philadelphia on Daryl's b-day during the
|
||
'83 - '84 American tour. (This was a b-side to Illegal
|
||
Alien, qv) #13 is from the UK 'That's All' 12" and was recorded at
|
||
The Savoy, New York 1981.
|
||
|
||
The cover has three individual insert photos of PC, MR, and TB. It
|
||
appears to be taken from the ATTW3 or Duke period. A brief historical
|
||
review by John Tracy [London, 1991] is included. The back has a small
|
||
insert photo of the band free-falling from the sky.
|
||
|
||
This disk has an identical Australian counterpart called Genesis -
|
||
The Vertigo Years that has been discontinued.
|
||
|
||
The Story Of Genesis
|
||
Date 1978
|
||
Charisma SFX-10061 2
|
||
Previously released material
|
||
Japanese release to co-incide with tour. Cover is live pic of mirrors
|
||
and packaged with Gallo book of photos.
|
||
|
||
The Knife Supper's Ready
|
||
The Musical Box I Know What I Like
|
||
Watcher Of The Skies
|
||
|
||
Lamb Lies Down On Broadway Eleventh Ear Of Mar
|
||
Dance On A Volcano Your Own Special Way
|
||
Squonk Burning Rope
|
||
Ripples Follow You, Follow Me
|
||
|
||
Virgin VVCD3 Plastic CD3 (3 of 10 Virgin Value Samplers)
|
||
includes Peter Gabriel - Floating Dogs
|
||
|
||
Virgin VVCS4 Plastic CD3 (4 of 10 Virgin Value Samplers)
|
||
includes Mike Rutherford - Moonshine, Genesis - Ripples
|
||
|
||
Virgin VVCS7 Plastic CD3 Phil Collins (7 of 10 Virgin Collectibles)
|
||
Tracks: I Cannot Believe It's True / (other artists are China Crisis,
|
||
Donny Osmond, and The Cross)
|
||
|
||
Virgin VVCS8 Plastic CD3 Peter Gabriel (8 of 10 Virgin Collectibles)
|
||
Tracks: Solsbury Hill / (other artists are Iggy Pop, Mike Oldfield,
|
||
and Julian Lennon)
|
||
|
||
Virgin VVCS10 Plastic CD3 Genesis (10 of 10 Virgin Collectibles)
|
||
Tracks: I Know What I Like (in Your Wardrobe) / (other artists are
|
||
Japan, Can, and Orchestral Manouvres in the Dark)
|
||
|
||
The Conversation Disc Series ABCD014
|
||
62:43 - Interviews of band members, some clips from TV appearances
|
||
Limited edition of 2500, Manufactured in England, Picture Disc
|
||
[Note: this seems to be pretty official, not a bootleg interview.]
|
||
|
||
Tonight Tonight Tonight - exclusive candid interview
|
||
WARNING: this is a very pooryl edited version of the preview party
|
||
(qv in the bootleg section)
|
||
Side A-Questions & Answers (unbanded) 24:30
|
||
Side B-Answers only (banded) 19:25
|
||
Atlantic 1986 - PR965
|
||
Interview by Dan Neer
|
||
Edited by David Bailes
|
||
Executive Producers: Perry Cooper & Judy Libow
|
||
|
||
Mike ON Mike II - exclusive candid interview
|
||
(Mike + The Mechanics)
|
||
Side A-Questions & Answers (unbanded) 25:45
|
||
Side B-Answers only (banded) 20:10
|
||
Atlantic 1988 - PR2543
|
||
Interview by Dan Neer and Dewitt Nelson
|
||
Edited and Produced by David Bailes and James Fahey for Neer Prefect
|
||
Productions
|
||
Executive Producers: Judy Libow and Perry Cooper
|
||
|
||
Collins ON Collins- exclusive candid interview
|
||
Side A-Questions & Answers (unbanded) 30:03
|
||
Side B-Answers only (banded) 24:00
|
||
Atlantic 1985 - PR759
|
||
Interview by dan Neer
|
||
Edited by David Bailes
|
||
Executive Prodcers Perry Cooper & Judy Libow
|
||
|
||
The Genesis Story - The Unistar Radio Network (on 1 CD)
|
||
Airdate: July 5th, 1992 - Total Time: 1 Hour
|
||
|
||
1. Interview - Mike Rutherford
|
||
Misunderstanding
|
||
That's All
|
||
Interview - Tony Banks
|
||
Network Ads
|
||
2. Interview - Phil Collins
|
||
Invisible Touch
|
||
Throwing It All Away
|
||
Network Ads
|
||
3. Interview - Mike Rutherford
|
||
Land Of Confusion
|
||
Tonight, Tonight, Tonight
|
||
Network Ads
|
||
4. Interview - Mike Rutherford
|
||
In Too Deep
|
||
No Son Of Mine
|
||
Interview - Phil Collins
|
||
Network Ads
|
||
5. Interview - Mike Rutherford
|
||
I Can't Dance
|
||
Hold On My Heart
|
||
Interview - Tony Banks
|
||
|
||
|
||
Baktabak Interview Disc
|
||
Date? baktabak CBAK 4028
|
||
Genesis interview
|
||
Picture Disc w/ Phil
|
||
|
||
Genesis - Words About Music
|
||
1992 WAM WAM 06
|
||
Interview Picture Disc w/ Group
|
||
Limited 500 - 2 Photos: TB & PC
|
||
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| T O N Y B A N K S |||
|
||
||| Section II |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
A Curious Feeling
|
||
|
||
Released October 1979
|
||
Album: UK Charisma CAS 1148
|
||
re-release Virgin CHC 42
|
||
US Charisma CA-1-2207 (this record has lyrics on the
|
||
sleeve)
|
||
Cassette: UK Virgin CHCMC 42
|
||
CD: 1987 UK Virgin CASCD 1148
|
||
|
||
Produced by David Hentschel and Tony Banks
|
||
Engineered by Hentschel and Dave Bascombe
|
||
Recorded at Polar Music Studios, Stockholm
|
||
Mixed at Maison Rouge, London
|
||
Cover painting by Ainslie Roberts
|
||
All tracks written by Tony Banks
|
||
|
||
Players: Tony Banks: Keyboards, guitars, basses, percussion
|
||
Kim Beacon: Vocals
|
||
Chester Thompson: Drums and percussion
|
||
Tracks: 1. From the Undertow (2:45)
|
||
2. Lucky Me (4:23)
|
||
3. The Lie (4:58)
|
||
4. After The Lie (4:47)
|
||
5. A Curious Feeling (3:58)
|
||
6. Forever Morning (5:59)
|
||
7. You (6:58)
|
||
8. Somebody Else's Dream (7:45)
|
||
9. The Waters of Lethe (6:27)
|
||
10. For a While (3:32)
|
||
11. In the Dark (2:52)
|
||
|
||
The Wicked Lady Soundtrack
|
||
|
||
Released Apr 1983
|
||
Album: 1983 Atlantic 7 80073-1 (USA? Or UK?)
|
||
Atlantic U78-0073 Germany
|
||
Atlantic WE 361 France
|
||
Cassette: 1983 Atlantic 7 80073-4
|
||
|
||
Side One was played by Tony Banks, recorded at home on 8
|
||
track, Mixed at the Farm, Surrey, with help from Steven
|
||
Short and Geoff Callingham. A digital recording. Side Two
|
||
consists of orchestrated versions played by the National
|
||
Philharmonic Orchestra of London, recorded at St. Peter's Church,
|
||
Morden, London. Musical arrangements and orchestration by
|
||
Christopher Palmer
|
||
|
||
Tracks: 1. The Wicked Lady (3:40)
|
||
2. Spring (2:35)
|
||
3. The Chase (3:26)
|
||
4. Caroline (3:08)
|
||
5. Jerry Jackson (2:28)
|
||
6. Repentance (2:07)
|
||
7. Kit (3:02)
|
||
8. Barbara (4:46) /
|
||
9. Prelude to the Wicked Lady (4:03)
|
||
10. Portrait of Jerry Jackson (4:57)
|
||
11. Caroline's Theme (3:01)
|
||
12. Scherzo (2:41)
|
||
13. Pastorale (3:59)
|
||
14. The Wicked Lady (3:41)
|
||
15. Kit's Theme (3:12)
|
||
16. Finale (2:04)
|
||
|
||
The Fugitive
|
||
Released June 1983
|
||
Album: Atlantic 80071-1 (US)
|
||
Charisma TBLP 1 (UK)
|
||
Virgin CHC 43 (UK)
|
||
Cassette: Atlantic 7 80071-4 (US)
|
||
Charisma TBMC 1 (UK)
|
||
Virgin CHCMC 43 (UK)
|
||
CD: Virgin TBCD1 (UK)
|
||
|
||
Players: Banks: Vocals, keyboards, synth bass, linn drum
|
||
Daryl Stuermer: guitars
|
||
Mo Foster: bass guitar
|
||
Steve Gadd, Tony Beard, Andy Duncan: Drums
|
||
|
||
All tracks written and produced by Banks
|
||
Recorded at home on 8 track, added to and mixed at
|
||
The Farm, Surrey
|
||
Technical Assistance: Geoff Callingham
|
||
Engineering: Steven Short
|
||
(10) and (11) only on CD re-release
|
||
|
||
Tracks: 1. This is Love (5:06)
|
||
2. Man of Spells (3:43)
|
||
3. And The Wheels Keep Turning (4:45)
|
||
4. Say You'll Never Leave Me (4:31)
|
||
5. Thirty-Threes (4:39)
|
||
6. By You (4:27)
|
||
7. At The Edge of Night (6:01)
|
||
8. Charm (5:26)
|
||
9. Moving Under (6:03)
|
||
10. K2 (3:56)
|
||
11. Sometime Never (3:42)
|
||
|
||
Soundtracks (A compilation of Banks' film scores)
|
||
Released March 1986
|
||
Album: Virgin/Charisma CAS 1173 (UK)
|
||
re-release Virgin CHC 83 (UK)
|
||
Cassette: Atlantic 7 81680-4 (US)
|
||
Virgin CHCMC 83 (UK)
|
||
CD: Virgin CD1173 (UK) AAD (Splits album into 12 tracks)
|
||
Tracks: 1. Shortcut to Somewhere (Banks, Fish) (3:36)
|
||
2. Smilin' Jack Casey (3:10)
|
||
3. Quicksilver Suite (9:13)
|
||
Rebirth (2:56)
|
||
Gypsy (3:38)
|
||
Final Chase (2:45)
|
||
4. You Call This Victory? (Banks, Diamond) (5:12) /
|
||
5. Lion of Symmetry (Banks, Wilcox) (7:18)
|
||
6. Redwing Suite (16:10)
|
||
Redwing (5:37)
|
||
Lorca (3:48)
|
||
Kid and Detective Droid (2:07)
|
||
Lift Off (3:05)
|
||
Death of Abbey (1:41)
|
||
Notes: All songs written and produced by Banks except where noted.
|
||
Tracks (1-3) are from Quicksilver, tracks (4-6) are from
|
||
Lorca and the Outlaws
|
||
Fish: Vocals on (1)
|
||
Andy Jackson: Engineer on (1)
|
||
Richard James Burgess: Producer on (1)
|
||
Jim Diamond: Vocals on (4)
|
||
Chas Warkins: Engineer on (4-5)
|
||
Tony Banks and John Eden: Producers on (4-5)
|
||
Toyah Wilcox: Vocals on (5)
|
||
Some of the music from (6) was adapted to Queen of Darkness
|
||
on Bankstatement
|
||
|
||
|
||
Bankstatement
|
||
Released August 1989
|
||
Album: Virgin V 2600 (UK)
|
||
Cassette: Atlantic 7 82007-4 (US)
|
||
Virgin TCV 2600 (UK)
|
||
CD: Atlantic 7 82007-2 (US)
|
||
Virgin CDV 2600 (UK)
|
||
Players: Banks: Keyboards, synth bass, vocals on (7)
|
||
Alastair Gordon: vocals on (1,2,4,5,6,9,10)
|
||
Jayney Klimek: vocals on (3,4,8,10)
|
||
Geoff Dugmore: drums
|
||
Pino Palladino, Dick Nolan: bass guitar
|
||
Steve Hilliage: guitar
|
||
The Phantom Horns appear on (1)
|
||
Tracks: 1. Throwback (4:37)
|
||
2. I'll Be Waiting (5:56)
|
||
3. Queen of Darkness (4:25)
|
||
4. That Night (4:39)
|
||
5. Raincloud (4:39)
|
||
6. The Border (5:50)
|
||
7. Big Man (4:15)
|
||
8. A House Needs a Roof (4:06)
|
||
9. The More I Hide It (4:29)
|
||
10. Diamonds Aren't So Hard (included ONLY on CD) (5:12)
|
||
11. Thursday the Twelfth (4:51)
|
||
Notes: Produced by Steve Hilliage and Tony Banks
|
||
All songs written by Banks
|
||
Recorded at The Farm, Surrey; Technical Assistants:
|
||
Geoff Callingham, Mike Bowen; Engineered by Steve Chase
|
||
|
||
|
||
Still
|
||
Released April 1991 in UK, March 1992 in USA
|
||
Album: Virgin V 2658 (UK)
|
||
Cassette: Virgin TCV 2658 (UK)
|
||
CD: Virgin CDV 2658
|
||
(US release on a no-name label)
|
||
Players: Banks: Keyboards, bass synth, drum programming, vocals
|
||
Fish, Klimek, Andy Taylor, Nik Kershaw: vocals
|
||
Daryl Stuermer: guitars
|
||
Vinnie Colaiuta, Graham Broad: Drums
|
||
Pino Palladino, James Eller: bass
|
||
Luis Jardim: percussion
|
||
Martin Robertson: saxophone
|
||
Tracks: 1. Red Day on Blue Street (Banks, Kershaw) (5:58)
|
||
2. Angel Face (5:16)
|
||
3. The Gift (3:49)
|
||
4. Still it Takes Me By Suprise (6:25)
|
||
5. Hero for an Hour (4:52)
|
||
6. I Wanna Change The Score (Banks, Kershaw) (4:27)
|
||
7. Water Out of Wine (4:37)
|
||
8. Another Murder of A Day (Banks, Fish) (9:02)
|
||
9. Back To Back (4:30)
|
||
10. The Final Curtain (5:07)
|
||
Notes: Produced by Tony Banks and Nick Davis
|
||
Engineered by Nick Davis
|
||
Assisted by Mark Robinson' Recorded at the Farm, Surrey;
|
||
Techinical assistance: Geoff Callingham, Mark Bowen;
|
||
All songs written by Tony Banks except where indicated.
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
For a While b/w Undertow....................UK Charisma CB344 (7") 1979
|
||
For a While (edit) b/w For a While..........Canada promo Charisma CA-3503
|
||
For a While b/w For a While.................UK Charisma CA-3503 (US promo 7")
|
||
|
||
The Wicked Lady b/w Prelude To The Wicked Lady...US Atlantic (A8418?) 1982
|
||
|
||
This Is Love b/w Charm (7") Charisma BANKS 1 1983
|
||
This is Love (extended) b/w Charm (extended)
|
||
Charisma Banks 12 812382-1 1983
|
||
Picture sleeve: Tony looking through trees on front, blurry
|
||
pic of Tony on back
|
||
And The Wheels Keep Turning b/w Moving Under: Charisma BANKS 2 1983
|
||
|
||
Tony Banks EP
|
||
You Call This Victory/ Lion Of Symmetry/ Redwing: Charisma CB 415 1985
|
||
|
||
Shortcut To Somewhere
|
||
b/w Smilin' Jack Casey...........Virgin/Charisma CB 426
|
||
b/w Smilin' Jack Casey, K2.......Charisma CB426-12 1986 12"
|
||
Picture Sleeve: Fish smiling in "Abacab" tour t-shirt, with
|
||
Tony in "Marillion" cards t-shirt looking up at him. Great pic!
|
||
(K2 is a leftover track from The Fugitive)
|
||
|
||
Throwback (remix)
|
||
b/w Thursday The Twelfth: Virgin VS 1200
|
||
b/w Thursday The Twelfth/ This Is Love
|
||
12" UK Virgin VST 1200 CD3 Virgin VSCD 1200 1989
|
||
|
||
I'll Be Waiting (edit)
|
||
b/w Diamonds Aren't So Hard: Virgin VS 1208
|
||
b/w Diamonds Aren't So Hard/ And The Wheels Keep Turning:
|
||
12" UK Virgin VST 1200 CD3 Virgin VSCD 1208 1989
|
||
|
||
I Wanna Change The Score
|
||
b/w Hero For An Hour: Virgin VS 1347
|
||
b/w Hero For An Hour/ Big Man: 12" Virgin VST 1347
|
||
b/w Hero For An Hour/ Big Man/ The Waters Of Lethe: CD5 VSCDT 1347 1991
|
||
|
||
The Gift
|
||
b/w Back To Back: UK Virgin VS 1362
|
||
b/w Back To Back/ A House Needs A Roof: Virgin VST 1362
|
||
b/w I Wanna Change The Score/ A House Needs A Roof/ Redwing
|
||
CD5 VSCDT 1362 1991
|
||
|
||
Still It Takes Me By Surprise (edit)
|
||
b/w The Final Curtain: Virgin VS 1406
|
||
b/w The Final Curtain/ Still It Takes Me By Surprise:
|
||
CD5 VSCDT 1406 1992
|
||
Front photo of TB and Andy Taylor (silhouette single color)
|
||
|
||
Virgin VSCD1200 Plastic CD3 Tony Banks
|
||
Tracks: Throwback / Thursday the Twelfth / This Is Love
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| P H I L C O L L I N S |||
|
||
||| Section III |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
1969 Ark 2 -- Flaming Youth
|
||
|
||
Recorded at De Lan Lea Music, London
|
||
Engineer: Barry Ainsworth
|
||
Sleeve Concept: Barry Saich
|
||
Photography: Gered Mankowitz
|
||
Stained Glass Montage: John Constable
|
||
|
||
(In the parentheses, members of the band are listed. I assume it's
|
||
who sings the song, not who wrote it, since song #3 says instrumental.
|
||
Also, only the first names are listed on the liner.)
|
||
|
||
1. GUIDE ME, ORION (Flash)
|
||
2. EARTHGLOW (Flash-Brian)
|
||
3. WEIGHTLESS (Instrumental)
|
||
4. THE PLANETS
|
||
a) Mars - Bringer of War (Brian-Phil-Flash-Ronnie)
|
||
b) Venus - Bringer of Peace (Brian)
|
||
c) Mercury - The Winged Messenger (Brian-Phil-Flash-Ronnie)
|
||
d) Jupiter - Bringer of Jollity (Phil)
|
||
e) Saturn - Bringer of Old Age (Phil)
|
||
f) Uranus - The Magician (Brian)
|
||
g) Neptune - The Mystic (Ronnie)
|
||
5. CHANGES (Flash-Phil)
|
||
6. PULSAR (Flash-Brian)
|
||
7. SPACE CHILD (Phil)
|
||
8. IN THE LIGHT OF LOVE (Flash-Brian-Phil-Ronnie)
|
||
9. FROM NOW ON (Immortal Invisible) (Brian)
|
||
|
||
(Flash) Gordon Smith / Guitar, 12-string, Bass Guitar, Vocal.
|
||
Ronnie Caryl / Bass Guitar, 12-string Guitar, Vocal.
|
||
Brian Chatton / Organ, Piano, Vocal.
|
||
Phil Collins / Drums, Percussion, Vocal.
|
||
|
||
Face Value
|
||
Released February 1981
|
||
Album: Atlantic SD-16029 (US)
|
||
Virgin V 2185 (UK)
|
||
Cassette: Atlantic CS 16029 (US)
|
||
Virgin TCV 2185 (UK)
|
||
CD: Atlantic ATL16029 (lyrics)
|
||
Virgin CDV 2185 (UK)
|
||
|
||
1. In The Air Tonight (5:32)
|
||
2. This Must Be Love (3:55)
|
||
3. Behind The Lines (3:53)
|
||
4. The Roof Is Leaking (3:16)
|
||
5. Droned (2:55)
|
||
6. Hand in Hand (5:12)
|
||
7. I Missed Again (3:41)
|
||
8. You Know What I Mean (2:33)
|
||
9. Thunder and Lightning (4:12)
|
||
10. I'm Not Moving (2:33)
|
||
11. If Leaving Me Is Easy (4:54)
|
||
12. Tomorrow Never Knows (4:46)
|
||
|
||
Phil Collins: drums, keyboards, vocals
|
||
Daryl Stuermer: guitar, banjo on 4
|
||
except Eric Clapton guitar on 11
|
||
John Giblin: bass on 1,9,10,12
|
||
Alphonso Johnson: bass on 2,3,6,7,11
|
||
Shankav: violin
|
||
The Phenix horns arranged by Tom Tom 84
|
||
Strings arranged by Arif Mardin
|
||
|
||
Produced by Phil Collins, assisted by Hugh Padgham
|
||
Engineer: Hugh Padgham (8 track engineer, Phil Collins)
|
||
Recorded at Old Croft, Townhouse, Villiage recorder LA
|
||
Mastered at Sterling Sound, NY
|
||
|
||
The Phenix Horns [yes, it is spelled 'Phenix' on all the albums --
|
||
there isn't any official reason given for the spelling] are:
|
||
|
||
Don Myrick - saxophones
|
||
Louis "Lui Lui" Satterfield - trombone
|
||
Harry Kim - trumpet
|
||
Rhamlee Michael Davis - trumpet
|
||
|
||
Hello, I Must Be Going
|
||
Released November 1982
|
||
Album: Virgin V 2252 re-release OVED 212 (UK)
|
||
Cassette: Atlantic 7-80035-4 (US)
|
||
Virgin re-release OVEDC 212 (UK)
|
||
CD: Atlantic ATL80035 (US)
|
||
Virgin CDV 2252 (UK)
|
||
|
||
1. I Don't Care Anymore
|
||
2. I Cannot Believe It's True
|
||
3. Like China
|
||
4. Do You Know, Do You Care (WT: Oddball)
|
||
5. You Can't Hurry Love
|
||
6. It Don't Matter to Me
|
||
7. Thru These Walls
|
||
8. Don't Let Him Steal Your Heart Away
|
||
9. The West Side
|
||
10. Why Can't It Wait 'Til Morning
|
||
|
||
All songs written by Phil Collins except 5 by Holland/Dozier/Holland
|
||
|
||
Phil Collins: drums, vocals, keyboards, bass pedals on 1,9.
|
||
Daryl Stuermer: guitars
|
||
John Giblin: bass on 2,3,5,8
|
||
Mo Foster: bass on 6,7
|
||
Peter Robinson: keyboards on 5
|
||
The Phenix horns arranged by Tom Tom 84
|
||
Strings arranged by Martyn Ford, the Mountain Fjord Orchestra
|
||
|
||
Produced by Phil Collins, assisted by Hugh Padgham
|
||
Engineer: Hugh Padgham
|
||
Recorded at Old Croft on 1" 8 track
|
||
Overdubbed at the Farm and Townhouse May-June 1982
|
||
|
||
Against All Odds (OST)
|
||
Album: Virgin V 2313 (UK)
|
||
Cassette: Virgin TCV 2313 (UK)
|
||
CD: Virgin CDV 2313 (UK)
|
||
|
||
Featuring Against All Odds (Take A Look At Me Now) - Phil Collins
|
||
Walk Through The Fire - Peter Gabriel
|
||
Making A Big Mistake - Mike Rutherford
|
||
|
||
Against All Odds WT: How Can You Just Sit There, leftover demo from
|
||
Face Value modified to fit the movie.
|
||
|
||
No Jacket Required
|
||
Released March 1985
|
||
Album: Atlantic 81240-1-E (US)
|
||
Virgin V 2345 (UK)
|
||
Cassette: Atlantic 781240-4 (US)
|
||
Virgin TCV 2345 (UK)
|
||
CD: Atlantic 81240-2 (US)
|
||
Virgin CDV 2345 (UK)
|
||
|
||
1. Sussudio (4:23)
|
||
2. Only You Know and I Know (4:20)
|
||
3. Long Long Way To Go (4:20)
|
||
4. I Don't Wanna Know (4:12)
|
||
5. One More Night (4:47)
|
||
6. Don't Lose My Number (4:46)
|
||
7. Who Said I Would (4:01)
|
||
8. Doesn't Anybody Stay Together Anymore (4:18)
|
||
9. Inside Out (5:14)
|
||
10. Take Me Home (5:51)
|
||
|
||
[Note: the song We Said Hello Goodbye was included only on the CD
|
||
release]
|
||
|
||
All tracks written by Phil Collins except 2,4,and 8 by Collins/Stuermer
|
||
|
||
Phil Collins: vocals, drums, drum machines, keyboards, etc.
|
||
Daryl Stuermer: Guitars
|
||
Lee Sklar: bass
|
||
David Frank: keyboards
|
||
The Phenix Horns arranged by Tom Tom 84
|
||
Gary Barnacle: Sax solo on 7
|
||
Strings arranged by Arif Mardin
|
||
Sting: backing vocal on 3,10
|
||
Peter Gabriel, Helen Terry: backing vocal on 10
|
||
|
||
Produced by Phil Collins and Hugh Padgham
|
||
Engineered by Hugh Padgham
|
||
Assisted by Steve Chase
|
||
Recorded at the Townhouse, Surrey and Old Croft, Surrey
|
||
Mixed at the Townhouse digitally
|
||
|
||
1987 12"ers
|
||
CD: Atlantic 81847-2 (US)
|
||
Virgin CDEP 4 (UK)
|
||
Germany WEA
|
||
(This was only released on CD, re-mixes that appeared on singles)
|
||
|
||
1. Take Me Home (8:05)
|
||
2. Sussudio (6:35)
|
||
3. Who Said I Would? (5:51)
|
||
4. Only You Know and I Know (6:56)
|
||
5. Don't Lose My Number (6:36)
|
||
6. One More Night (6:24)
|
||
|
||
Remixes by John Ptoker, except One More Night by
|
||
Collins/Padgham
|
||
|
||
Buster (OST)
|
||
Released 1989
|
||
LP: Virgin V 2544 (UK)
|
||
Cassette: Virgin TCV 2544 (UK)
|
||
CD: Virgin CDV 2544 (UK)
|
||
|
||
Featuring A Groovy Kind Of Love - Phil Collins
|
||
Two Hearts - Phil Collins
|
||
Big Noise - Phil Collins
|
||
Loco In Acapulco - Four Tops (Produced/co-wrote by Phil Collins)
|
||
and a selection of sixties hits featured in the film
|
||
|
||
...But Seriously
|
||
Released November 1989
|
||
LP: Virgin V 2620 (UK) Different track order,
|
||
tracks 8 & 10 omitted
|
||
Cassette: Virgin TCV 2620 (UK)
|
||
CD: Atlantic 82050-2 (US)
|
||
Virgin CDV 2620 (UK)
|
||
|
||
1. Hang in Long Enough (4:44)
|
||
2. That's Just the Way It Is (5:20)
|
||
3. Do You Remember? (4:36) (WT: Lionel)
|
||
4. Something Happened on the Way to Heaven (4:52) (WT:
|
||
Broadway Chorus)
|
||
5. Colours (8:51) (WT: Hymn (first part) & Oh. Mr. Bota What
|
||
Can We Do? (2nd))
|
||
6. I Wish It Would Rain Down (5:28)
|
||
7. Another Day in Paradise (5:22) (WT: Homeless)
|
||
8. Heat on the Street (3:51)
|
||
9. All of My Life (5:36)
|
||
10. Saturday Night and Sunday Morning (1:26)
|
||
11. Father to Son (3:28)
|
||
12. Find a Way To My Heart (6:08)
|
||
|
||
Phil Collins: drums, percussion, keyboards, vocals
|
||
Daryl Stuermer: guitar on 1,2,3,4,8,11,12
|
||
Dominic Miller: guitar on 4,5,7,9
|
||
Nathan East: bass on 1,4
|
||
Pino Palladino: bass on 3, 6
|
||
Leland Sklar: bass on 2,5,7,8,9,10,11,12
|
||
Alex Brown, Marva King, Lynn Fiddmont: backing vocals on 1,4,8,9
|
||
The Phenix Horns arranged by Tom Tom 99
|
||
|
||
1990 Serious Hits Live
|
||
Released November 1990
|
||
LP: Virgin PCLP 1 (2-LP UK)
|
||
Cassette: Virgin PCMC 1 (UK)
|
||
PCMCX 1 - limited edition see note
|
||
CD: Atlantic ATL82157 (US)
|
||
Virgin PCCD 1 (UK)
|
||
PCCDX 1 see note
|
||
|
||
Note: Limited editions have a 24 page colour booklet with live
|
||
pictures. This was also released in 'Smart Pack' boxed
|
||
set format, with a German show on videotape, in CD (Cat
|
||
No. atl50174) and cassette (Cat No. atl???) format.
|
||
|
||
1. Something Happened on the Way to Heaven
|
||
2. Against All Odds
|
||
3. Who Said I Would
|
||
4. One More Night
|
||
5. Don't Lose My Number
|
||
6. Do You Remember?
|
||
7. Another Day in Paradise
|
||
8. Separate Lives
|
||
9. In The Air Tonight
|
||
10. You Can't Hurry Love
|
||
11. Two Hearts
|
||
12. Sussudio
|
||
13. A Groovy Kind of Love
|
||
14. Easy Lover
|
||
15. Take Me Home
|
||
|
||
Recorded during the Serious Tour 1990
|
||
Produced by Phil Collins and Robert Colby
|
||
Engineered by Paul Gomersall
|
||
Mixed by Paul Gomersall & Robert Colby
|
||
|
||
Remixed at the Townhouse London, Linford Manor Milton Keynes, Power
|
||
Station NYC, Studio 4 Philadelphia, A&M Los Angeles, and the Farm,
|
||
Surrey.
|
||
|
||
"Between Feb. and Oct. 90 we played 127 shows across the world."
|
||
Phil Collins
|
||
|
||
The Serious Band:
|
||
Phil: drums, keyboards, vocals
|
||
Chester Thompson: drums & percussion
|
||
Brad Cole: Keyboards
|
||
Daryl Stuermer: guitars
|
||
Leland Sklar: bass
|
||
Arnold McCuller, Bridgette Bryant, Fred White: vocals
|
||
Phenix Horns
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
In The Air Tonight/ The Roof Is Leaking: UK Virgin VSK 102, January 1981
|
||
|
||
I Missed Again (3:42) / I'm Not Moving (2:30)
|
||
7" Atlantic 3790
|
||
UK Virgin VS 402, March 1981
|
||
Picture sleeve, Phil split in the middle, top not aligned with rest of
|
||
body. Back is red with a white cutout outline in the shape of Phil on
|
||
the front.
|
||
|
||
If Leaving Me Is Easy/ Drawing Board: UK Virgin VS 423, May 1981
|
||
Also with poster sleeve (and different tracks?): UK Virgin VSP 423
|
||
|
||
Thunder And Lightning/ ?: France, 1981
|
||
|
||
This Must Be Love/ ?: Italy, Holland, 1981
|
||
|
||
Thru' These Walls/ Do You Know, Do You Care?: UK Virgin VS 524,
|
||
October 1982
|
||
|
||
You Can't Hurry Love (2:50)
|
||
b/w Do You Know Do You Care (4:57) 7".............Atlantic 7-89933
|
||
Blue, with face from Hello IMBG on front.
|
||
b/w I Cannot Believe It's True....................UK Virgin VS 531, Nov 1982
|
||
Picture disc: UK Virgin VSY 531, Nov 1982
|
||
b/w You Can't Hurry Love..........................Holland 1982
|
||
b/w I Cannot Believe It's True/ Oddball (Do You Know,
|
||
Do You Care? home demo) (4:32)..............12" UK Virgin VST 531
|
||
..............CD3 UK Virgin CDT 1, 1988
|
||
Sleeve is video still - three Phils on stage, back has text by Phil
|
||
|
||
I Don't Care Anymore/ ?: Holland, Canada and US, 1983
|
||
|
||
It Don't Matter To Me/ ?: Holland, 1983
|
||
|
||
Don't Let Him Steal Your Heart Away
|
||
b/w Thunder And Lightning........................UK Virgin VS 572, March 1983
|
||
b/w Thunder And Lightning / And So To F (Live)...12" UK Virgin VS 572-12
|
||
Sleeve needs 3D glasses and is pic of man and woman in restaurant!
|
||
|
||
Why Can't It Wait 'Til Morning/ Like China: UK Virgin VS 603, May 1983
|
||
|
||
Against All Odds (3:24) / I Cannot Believe It's True (5:14)
|
||
7" Atlantic 7-84994 1982 (Atlantic Oldies Series)
|
||
Sleeve is labeled with red "Atlantic Oldies Series", as is label
|
||
|
||
Against All Odds/ Making A Big Mistake (M.R.): UK Virgin VS 674, March 1984
|
||
|
||
Separate Lives (4:06) / I Don't Wanna Know (4:12)
|
||
7" Atlantic 7-89498 1985
|
||
(Sleeve details unknown)
|
||
|
||
A Groovy Kind of Love (3:28) / Big Noise (instrumental) (3:43)
|
||
7" Atlantic 7-89017 1988
|
||
Picture sleeve with close up profiles of Julie Walters & Phil.
|
||
Back has promo ad for "Buster"
|
||
|
||
Sussudio
|
||
(4:23) b/w I Like The Way (Collins, Stuermer; 4:25)
|
||
7" Atlantic 7-89560 Picture sleeve with red
|
||
face, like No Jacket's sleeve
|
||
b/w The Man With The Horn
|
||
UK Virgin VS 736, Ger WEA WE 171, Jan 1985
|
||
(Extended remix 6:53) b/w Sussudio / The Man With the Horn:
|
||
12" Atlantic 78-68950
|
||
12" UK Virgin VS 736-12
|
||
Picture sleeve, blue face (Back w/tailored jacket)
|
||
|
||
One More Night (4:25)
|
||
b/w The Man With The Horn (3:56) 7" Atlantic 7-89588
|
||
Picture sleeve, blue face (Back has tailored jacket)
|
||
b/w I Like The Way: UK Virgin VS 755, April 1985
|
||
(extended remix) b/w One More Night/ I Like The Way:
|
||
12" UK Virgin VS 755-12
|
||
Sleeve: brown video still on cream background
|
||
|
||
Don't Lose My Number (extended mix; 6:32) / Don't Lose My Number
|
||
(album version; 4:46), We Said Hello Goodbye (4:15)
|
||
12" Atlantic 0-86863 1985
|
||
12" Atlantic 78 68630 (1985) (so which is right?)
|
||
Picture sleeve, Phil standing on left of cover in suit with
|
||
hands in pockets. Photo of "Don't Lose My Number" note clipped
|
||
to record. Back has ad for "No Jacket Required".
|
||
|
||
Take Me Home
|
||
(edit; 4:37) b/w Only You Know and I Know (4:20) 7" Atlantic 7-894472
|
||
b/w We Said Hello Goodbye: UK Virgin VS 777, July 1985
|
||
(extended remix) b/w Take Me Home / We Said Hello Goodbye:
|
||
12" UK Virgin VS 777-12
|
||
(Sleeve is white instead of yellow)
|
||
|
||
Picture sleeve, Big Generator yellow cover, with a purple icon of a
|
||
guy with a suitcase, and a sack over his shoulder. Back has a good
|
||
picture of Phil on it, holding out a microphone and encouraging the
|
||
audience to sing (I guess "take me hooooome" :)). This is a very
|
||
nice sleeve.
|
||
|
||
Medley Megamix (including Sussudio ext./Don't Lose My Number/You Can't
|
||
Hurry Love)/ Take Me Home (ext. remix): Germany WEA 258 670-0D 1986
|
||
|
||
Atlantic Oldies (sic) Series 7-84965 7"
|
||
Tracks: Only You Know and I Know/ Separate Lives (Love Theme from
|
||
White Nights) (Phil Collins with Marilyn Martin)
|
||
|
||
In The Air Tonight ('88 Remix)/ I Missed Again: UK Virgin VS 102, 1988
|
||
In The Air Tonight (Extended version)/In The Air Tonight ('88 Remix)
|
||
/ I Missed Again: 12" UK Virgin VST 102 Label is Phil's face!
|
||
: CD5 UK Virgin VSCD 102
|
||
: CD3 Germany WEA 257 672-2
|
||
|
||
A Groovy Kind Of Love (3:28)
|
||
b/w Big Noise (inst.) (3:43)............Atlantic 7-89017 1988
|
||
b/w Big Noise (inst.)...................UK Virgin VS 1117, 1988
|
||
...................12" UK Virgin VST 1117 Gatefold
|
||
...................CD5 UK Virgin VSCD 1117 8-pg booklet
|
||
Picture sleeve has close up profiles of Julie Walters & Phil.
|
||
Back has promo ad for "Buster"
|
||
|
||
A Groovy Kind of Love (3:28) / same: 12" Atlantic PR2445 Promo-only - no PS
|
||
|
||
Two Hearts
|
||
b/w The Robbery (edit; by Anne Dudley)........Atlantic 7-88980, 1988
|
||
........UK Virgin VS 1141, 1988
|
||
b/w The Robbery (by Anne Dudley)..............12" UK Virgin VST 1141
|
||
..............CD3 UK Virgin VSCD 1141
|
||
Comments: the 3" CD comes inside a "heart shaped" fold out pack!
|
||
Cover photos (seven of them!) from the Two Hearts video
|
||
|
||
Two Hearts (3:23) / same: 12" Atlantic PR2544 Promo-only - no PS
|
||
|
||
Another Day In Paradise (4:48)
|
||
b/w Heat On The Street (3:59): Atlantic 7-88774 1989
|
||
(edit) b/w Heat On The Street: UK Virgin VS 1234,
|
||
Cassette single VSC 1234, October 1989
|
||
b/w Heat On The Street / Saturday Night And Sunday Morning:
|
||
12" UK Virgin VST 1234 CD3 UK Virgin VSCD 1234
|
||
Cover is b&w pic of Phil by Trevor Key
|
||
|
||
I Wish It Would Rain Down
|
||
b/w Homeless (Another Day In Paradise home demo) January 1990
|
||
UK Virgin VS 1240
|
||
Cassette single VSC 1240
|
||
b/w Homeless/ You've Been In Love (That Little Bit Too Long)
|
||
12" UK Virgin VST 1240 CD3 UK Virgin VSCD 1240
|
||
Cover is blue/greenish pic of Phil by Trevor Key
|
||
|
||
Something Happened On The Way To Heaven
|
||
b/w I Wish It Would Rain Down (demo) 1990
|
||
UK Virgin VS 1251
|
||
Cassette single VSC 1251
|
||
(One World Remix) b/w Something Happened On The Way To Heaven/ I
|
||
Wish It Would Rain Down (demo)
|
||
12" UK Virgin VST 1251
|
||
CD5 UK Virgin VSCDT 1251
|
||
Cover is b&w pic of the late Tony Hancock (British comedian)
|
||
|
||
That's Just The Way It Is
|
||
b/w Broadway Chorus (Something..Heaven home demo)
|
||
UK Virgin VS 1277
|
||
Cassette single VSC 1277, 1990
|
||
b/w Broadway Chorus/ In The Air Tonight (Extended Remix):
|
||
12" UK Virgin VST 1277 CD5 UK Virgin VSCDT 1277
|
||
Also limited edition CD5 in shaped cut-out box VSCDX 1277
|
||
Cover is pic of boy on bike riding away from fires (Northern Ireland)
|
||
|
||
Hang In Long Enough
|
||
b/w Around The World In 80 Presets: UK Virgin VS 1300, 1990
|
||
b/w Hang In Long Enough (Pettibone Dub Mix)/ Hang In Long
|
||
Enough (Pettibone 12" Mix): 12" UK Virgin VST 1300
|
||
b/w Around The World In 80 Presets/ Hang In Long Enough
|
||
(Pettibone 12" Mix): CD5 UK Virgin VSCDT 1300
|
||
b/w That's How I Feel/ Hang In Long Enough (Dub Mix)
|
||
No. Limited Edition CD5 in custom box VSCDX 1300
|
||
b/w Hang in Long Enough Club Mix (7:57)/ Pop Club Mix (7:07)/ Dub Mix (5:03)
|
||
12" Atlantic 0-8611 Remixes by Shep Pettibone
|
||
Picture sleeves all feature spray paint on brick wall
|
||
|
||
|
||
Do You Remember? (live)
|
||
b/w Against All Odds (live): UK Virgin VS 1305, 1990
|
||
b/w Against All Odds (live)/ Doesn't Anybody Stay Together Anymore?
|
||
(live)/ Inside Out (live): 12" UK Virgin VST 1305 CD5 VSCDT 1305
|
||
Comments: Nice cover pic of Phil at piano, recorded on
|
||
"Serious Tour"
|
||
b/w Doesn't Anybody Stay Together Anymore? (live)/ The Roof Is Leaking
|
||
(live): Limited edition picture CD in Galloping Horses box VSCDX 1305
|
||
|
||
Doesn't Anybody Stay Together Anymore? (live in Berlin): PCV CD 1, May 1992
|
||
1 track CD5 free with some copies of 'But Seriously...The Videos' in UK
|
||
|
||
With others:
|
||
|
||
Phillip Bailey: Easy Lover (duet with Phil Collins)/Woman
|
||
Columbia 38-04679 UK CBS A 4915 1984, Released February 1985
|
||
|
||
Adam Ant 7" Epic 34-04337 (1983)
|
||
Tracks: Strip (Phil Collins on drums)/Yours, Yours, Yours
|
||
Side A produced by Phil C. and Hugh Padgham
|
||
Single from album of same name (don't know the extent of Phil's
|
||
involvement with the rest of the album).
|
||
|
||
|
||
CD SINGLES
|
||
----------
|
||
3"
|
||
You Can't Hurry Love CD3
|
||
Format: ??? Cat No: CDT1
|
||
Label: Virgin
|
||
Tracks: 1. You Can't Hurry Love
|
||
2. I Cannot Believe It's True
|
||
3. Oddball (home demo of Do You Know, Do You Care?) (4:32)
|
||
|
||
In The Air Tonight CD3
|
||
Format: ??? Cat No: 257 672-2
|
||
Label: WEA (Germany)
|
||
Tracks: 1. In The Air Tonight (Extended version)
|
||
2. In The Air Tonight ('88 Remix)
|
||
3. I Missed Again
|
||
|
||
Another Day In Paradise CD3
|
||
Format: ??? Cat No: VSCD1234
|
||
Label: Virgin 1989
|
||
Tracks: 1. Another Day In Paradise
|
||
2. Saturday Night and Sunday Morning
|
||
3. Heat on the Street
|
||
|
||
Two Hearts CD3
|
||
Format: ??? Cat No: VSCD1141
|
||
Label: Virgin 1988
|
||
Tracks: 1. Two Hearts
|
||
2. The Robbery (not performed by Phil Collins)
|
||
Comments: the 3" CD comes inside a "heart shaped" fold out pack!
|
||
|
||
(There might exist "I Wish It Would Rain Down" on 3" CD as well)
|
||
|
||
All the discs below are JAPANESE 3" CD singles.
|
||
They come in a special 3" x 6" package and usually have lyrics
|
||
in English and Japanese of the first track. Sometimes they have
|
||
a small picture on the inside "sleeve". Front "sleeve" has
|
||
title in English and Japanese.
|
||
|
||
A Groovy Kind of Love
|
||
Big Noise
|
||
Cat. No: 10P3-6042
|
||
Label: Warner Bros.
|
||
Release date: 25th Oct. 88
|
||
|
||
Two Hearts
|
||
The Robbery (by Ann Dudley)
|
||
Cat. No: 10P3-6086
|
||
Label: Warner Bros.
|
||
Release Date: 21th Dec. 88
|
||
|
||
I wish it would rain down
|
||
Homeless (Another Day ... demo)
|
||
Cat. No: WMD5-4011
|
||
Label: WEA
|
||
Release Date: 10th Feb 90
|
||
|
||
Do You Remember?
|
||
I Wish It Would Rain Down - Demo
|
||
Cat. No: WMD5-4017
|
||
Label: WEA
|
||
Release Date: 10th May 90
|
||
Comments: front with shot of Phil
|
||
(not just his face); back with
|
||
live pic. of concert in Japan '90
|
||
|
||
Something Happened on the Way to Heaven
|
||
Lionel (Do You Remember - Demo)
|
||
Cat. No: WMD5-4029
|
||
Label: WEA
|
||
Release Date: 10th Aug. 90
|
||
Comments: greenish still of the film 'A Matter of Life
|
||
and Death'
|
||
|
||
Hang in Long Enough
|
||
Separate Lives (live, from "Serious Hits Live")
|
||
Cat. No: WMD5-4056
|
||
Label: WEA
|
||
Release Date: 25th Jan. 91
|
||
|
||
Who Said I Would (live)
|
||
Doesn't Anybody Stay Together Anymore (live)
|
||
Cat. No: WMD5-4063
|
||
Label: WEA
|
||
Release Date: 25th Apr. 91
|
||
Comments: live shot of Phil with "Gallopin Horses" on
|
||
the background
|
||
|
||
|
||
5"
|
||
Do You Remember? (live) CD5
|
||
Format: Slimline Jewel Cat No: VSCDT1305
|
||
Label: Virgin 1990
|
||
Tracks: 1. Do You Remember? (5:25)
|
||
2. Against All Odds (3:32)
|
||
3. Doesn't Anybody Stay Together Anymore? (5:32)
|
||
4. Inside Out (5:30)
|
||
Comments: Nice cover pic of Phil at piano - recorded on
|
||
"Serious Tour". All tracks are live.
|
||
|
||
Hang In Long Enough CD5
|
||
Format: Slimline Jewel Cat No: VSCDT1300
|
||
Label: Virgin 1990
|
||
Tracks: 1. Hang In Long Enough
|
||
2. Around the World in 80 Presets
|
||
3. Hang In Long Enough (Pettibone 12" mix)
|
||
Comments: Nice spray paint-like cover of "Hang In Long Enough"
|
||
|
||
-------------------------------------------------------------------------------
|
||
MISCELLANEOUS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
CREDITS (SESSIONS): This is a list of some of the albums Phil has appeared
|
||
on. Due to Phil's prolific nature, this list is not complete.
|
||
|
||
Phil Collins is credited on the following records (drums or percussion
|
||
unless otherwise noted):
|
||
|
||
BAND ALBUM YEAR
|
||
-----------------------------------------------------
|
||
Adam & The Ants Strip 83 Produced and drummed
|
||
Argent Counterpoint(s) 75
|
||
" Circus (perc. on some tracks) 75
|
||
Rod Argent Moving Home 78
|
||
Peter Banks Two Sides of Peter Banks 73
|
||
Steven Bishop Red Cab To Manhattan 80
|
||
Tommy Bolin Teaser 75
|
||
Gary Brooker Lead Me To The Water 82
|
||
Cafe Jacques Round The Back 77
|
||
" " Cafe Jacques International 78
|
||
John Cale (Guts and) Helen Of Troy 75
|
||
Brian Eno Taking Tiger Mountain 74
|
||
" " Another Green World 74
|
||
" " Before And After Science 77
|
||
" " Music For Films 77
|
||
Flaming Youth Ark 2 69 (pre-Genesis)
|
||
David Greenslade Pentateuch Of The Cosmogony 79
|
||
Rupert Hine Immunity 81
|
||
Eddie Howell Gramaphone Record 75
|
||
Jack Lancaster Marscape 76 (like Brand X)
|
||
William Lyell Solo Casting 76
|
||
John Martyn Grace And Danger 80 (also produced)
|
||
" " Glorious Fool 81 " "
|
||
Elliott Murphy Just A Story From America 77
|
||
Nova Vimana
|
||
(Percy Jones plays bass and Narada Michael Walden
|
||
plays drums. Phil does some percussion)
|
||
Mike Oldfield QE2 80
|
||
Orleans Orleans (vocals)
|
||
Robert Plant Pictures At Eleven 82
|
||
" Principle of Moments
|
||
Colin Scot Colin Scot With Friends 71
|
||
Thin Lizzy Johnny The Fox 76
|
||
Eugene Wallace Book of Fools and Dangerous ??
|
||
Wilding-Bonus Pleasure Signals 78
|
||
Tears for Fears "Woman in Chains" 89
|
||
Howard Jones "No One Is to Blame" (remix)
|
||
Phillip Bailey Chinese Wall 84 drummer(and duet)
|
||
|
||
Even more sessions:
|
||
|
||
Eric Clapton: _Behind the Sun_, _August_, and "Bad Love" from
|
||
_Journeyman_ (and sang harmony).
|
||
Camel: _I Can See Your House from Here_ (practically nil contribution). 1978?
|
||
Robert Fripp
|
||
George Harrison: All Things Must Pass (none of the tracks Phil played on
|
||
actually made it to the final album.)
|
||
David Hentschel: solo album _Startling Music_
|
||
Peter and the Wolf (various artists)
|
||
Film soundtracks: Phil played on The Squeeze, Operation Daybreak, and
|
||
Seven Nights in Japan. (Among others...)
|
||
A live performance appeared on The Secret Policeman's Other Ball
|
||
(1983, Island records)
|
||
Phil played & sang on Do They Know It's Christmas, the 1984 Ethiopia
|
||
benefit record, and has appeared on several Prince's Trust concerts --
|
||
Prince of Wales, not Prince the rock star. He made a very brief
|
||
appearance n the televised Tommy rock opera by the Who, singing one
|
||
song.
|
||
|
||
Scenario - Al DiMeola
|
||
Columbia CK38944 (Digitally recorded)
|
||
Al DiMeola - guitar
|
||
Jan Hammer - keyboards
|
||
Phil plays on Tropical Dreamer, lots of drum machine
|
||
Also Bill Bruford & Tony Levin appear on this album
|
||
|
||
Band: BOYS DON'T CRY
|
||
Title: We got the Magic (Including Phil Collins Mix!)
|
||
5" CD Single with 3 tracks
|
||
Release date: 1991
|
||
Label: PENG records
|
||
Cat. no: PE 91.103-8
|
||
Tracks:
|
||
1. We got the magic 12"
|
||
2. That kinda guy
|
||
3. We got the magic 7"
|
||
|
||
Boys don't cry are:
|
||
Nick Richards Vocals
|
||
Brian Chatton Keyboards (ex Flaming Youth)
|
||
Nico Ramsden Guitar
|
||
Mark Smith Bass
|
||
Jeff Seopardie Percussion
|
||
|
||
Guests are:
|
||
Phil Collins Drums on 1, 3
|
||
Cozy Powell Drums on 2
|
||
[Powell was briefly the P in ELP -- Emerson, Lake, and
|
||
Powell, among other drumming credits]
|
||
|
||
Various Artists
|
||
"Porky's Revenge"
|
||
Original Sountrack
|
||
Columbia JS 39983
|
||
|
||
Soundtrack to lousy movie is a great collection of tracks assembled by
|
||
Dave Edmunds. Includes "The Crawling Snakes" (Robert Plant, Paul
|
||
Martinez, Phil Collins & Dave Edmunds), and others.
|
||
|
||
This in addition to the obvious (see individual sections for more
|
||
details): Steve Hackett; Peter Gabriel; Anthony Phillips; Brand X
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| P E T E R G A B R I E L |||
|
||
||| Section IV |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
Peter Gabriel (February 1977) ["Car"]
|
||
|
||
Album: US Atco SD 36-147
|
||
UK Charisma CDS 4006
|
||
re-release Virgin CHC 39
|
||
Cassette: re-release UK Virgin CHCMC 39
|
||
CD: US Direct Disc Labs/Atco SD 16615
|
||
1987 UK Virgin PGCD 1
|
||
|
||
Produced by Bob Ezrin. Recorded and mixed at The Soundstage,
|
||
Toronto. Additional recording at Morgan Studios, Olympic
|
||
Studios, London. All songs written by Gabriel except
|
||
Excuse Me (Gabriel/Martin Hall)
|
||
|
||
1. Moribund the Burgermeister
|
||
2. Solsbury Hill
|
||
3. Modern Love
|
||
4. Excuse Me
|
||
5. Humdrum
|
||
6. Slowburn
|
||
7. Waiting for the Big One
|
||
8. Down the Dolce Vita
|
||
9. Here Comes The Flood.
|
||
|
||
Gabriel: vioces, keyboard, flute, recorder.
|
||
Allan Schwartzberg: drums.
|
||
Tony Levin: bass, tuba.
|
||
Jim Maelem: percussion.
|
||
Steve Hunter: guitars.
|
||
Fripp: electric & classical guitar, banjo.
|
||
Jozef Chirowski: keyboards.
|
||
Larry Fast: synthesizers.
|
||
Dick Wagner: backing vocals, solo guitar.
|
||
The London Symphony Orchestra arranged and conducted by
|
||
Michael Gibbs.
|
||
|
||
Peter Gabriel (June 1978) ["Slash"]
|
||
Album: US Atco SD 19181
|
||
Europe Charisma 9103 123
|
||
UK Charisma CDS 4013
|
||
re-release Virgin CHC 24
|
||
Cassette: re-release UK Virgin CHCMC 24
|
||
CD: 1987 UK Virgin PGCD 2
|
||
|
||
Produced by Robert Fripp. Recorded at Relight Studios,
|
||
Hilvarenbeek, Holland and the Hit Factory, New York City.
|
||
Mixed at the Hit Factory and Trident Studios, London.
|
||
Engineered by Steve Short, Ed Sprigg, Michael Getlin, and Steve Tayler.
|
||
All songs written by Gabriel unless noted otherwise.
|
||
|
||
1. On The Air
|
||
2. Do It Yourself
|
||
3. Mother of Violence (Peter & Jill Gabriel)
|
||
4. A Wonderful Day in a One Way World
|
||
5. White Shadow
|
||
6. Indigo
|
||
7. Animal Magic
|
||
8. Exposure (Words Gabriel, Music Fripp & Gabriel)
|
||
9. Flotsam & Jetsam
|
||
10. Perspective
|
||
11. Home Sweet Home
|
||
|
||
Peter Gabriel: vocals, piano, synthesizer, Bayete keyboards.
|
||
Roy Bittan: keyboards.
|
||
Jerry Marotta: drums.
|
||
Tony Levin: bass.
|
||
Sid McGinnis: guitars.
|
||
Robert Fripp: guitars, Frippertronics.
|
||
Larry Fast: synthesizers.
|
||
Timmy Capello: saxophone.
|
||
George Marge: recorders.
|
||
|
||
Peter Gabriel (May 1980) ["Melt"]
|
||
Album: US Mercury SRM-1-3848
|
||
UK Charisma CDS 4019
|
||
Cassette: UK Virgin CDSMC 4019 (different sleeve picture - in colour)
|
||
CD: 1987 UK Virgin PGCD 3
|
||
|
||
Produced by Steve Lillywhite.
|
||
Engineered by Hugh Padgham. Electronic production by Larry Fast.
|
||
Recorded in Bath with the Manor Mobile and at The Townhouse, London.
|
||
All tracks written by Peter Gabriel.
|
||
|
||
1. Intruder
|
||
2. No Self Control
|
||
3. The Start
|
||
4. I Don't Remember
|
||
5. Family Snapshot
|
||
6. And Through the Wire
|
||
7. Games Without Frontiers
|
||
8. Not One of Us
|
||
9. Lead a Normal Life
|
||
10. Biko
|
||
|
||
Gabriel: vocals, piano, synthesizers.
|
||
Phil Collins: Drums.
|
||
Jerry Marotta: drums, percussion.
|
||
Morris Pert: percussion.
|
||
John Giblin: bass.
|
||
Larry Fast: bass synthesizer.
|
||
Tony Levin: stick bass.
|
||
Dick Morrisey: saxophone.
|
||
David Rhodes, Paul Weller, Robert Fripp, Dave Gregory: guitars.
|
||
David Rhodes, Kate Bush: backing vocals.
|
||
|
||
Peter Gabriel (September 1982) ["?", subtitled Security for American release]
|
||
Album: UK Charisma PG 4
|
||
US Geffen Records.
|
||
Cassette: UK Virgin/Charisma PGMC 4
|
||
CD: 1987 UK Virgin PGCD 4
|
||
|
||
Produced by David Lord and Peter Gabriel.
|
||
Electronic production and processing by Larry Fast. Engineered
|
||
by David Lord, assisted by Neil Perry. Recorded at home (first
|
||
two weeks by Mobile One), mixed at Crescent Studios, Bath.
|
||
Remix of Shock the Monkey at Sarm Studios, London (engineered by
|
||
Julian Mendelsohn and Danny Heaps). Digital Editing at
|
||
Advision Studios, London, by Mike King.
|
||
|
||
1. The Rhythm of the Heat
|
||
2. San Jacinto
|
||
3. I Have the Touch
|
||
4. The Family and the Fishing Net
|
||
5. Shock the Monkey
|
||
6. Lay Your Hands on Me
|
||
7. Wallflower
|
||
8. Kiss of Life
|
||
|
||
Gabriel: vocals, CMI, Linn programming, drums, Prophet, backing
|
||
vocals, vocal noises.
|
||
Jerry Marotta: drums.
|
||
Tony Levin: bass, stick, fretless bass.
|
||
Larry Fast: Moog, Moog bass, and electronic percussion, Prophet.
|
||
David Rhodes: guitar, backing vocals.
|
||
John Ellis: guitars, backing vocals.
|
||
Roberto Laneri: treated sax.
|
||
Morris Pert: percussion.
|
||
Contributions from: Stephen Paine, David Lord, Peter Hammil,
|
||
Jill Gabriel, Ekome Dance Company.
|
||
|
||
Peter Gabriel Plays Live (June 1983)
|
||
Album: UK Charisma PGDL 1 (2-LP)
|
||
Cassette: UK Virgin/Charisma PGDMC 1
|
||
CD: UK Virgin 1985 - Highlights (tracks 1, 3, 7, 15 omitted) PGDLCD 1
|
||
UK Virgin 1988 CDPGD 100 (2-CD set)
|
||
|
||
1. The Rhythm of the Heat
|
||
2. I Have the Touch
|
||
3. Not One of Us
|
||
4. Family Snapshot
|
||
5. DIY
|
||
6. The Family and the Fishing Net
|
||
7. Intruder
|
||
8. I Go Swimming
|
||
9. San Jacinto
|
||
10. Solsbury Hill
|
||
11. No Self Control
|
||
12. I Don't Remember
|
||
13. Shock the Monkey
|
||
14. Humdrum
|
||
15. On the Air
|
||
16. Biko
|
||
|
||
|
||
Birdy - music from the film, by Peter Gabriel (March 1985)
|
||
|
||
Album: UK Virgin CAS 1167
|
||
Cassette: UK Virgin CASMC 1167
|
||
CD : UK Virgin CASCD 1167
|
||
|
||
At Night; Floating Dogs; Quiet and Alone; Close Up (from Family
|
||
Snapshot); Slow Water; Dressing the Wound; Birdys Flight (from Not
|
||
One of Us); Slow Marimbas; The Heat (from The Rhythm of the Heat);
|
||
Sketchpad with Trumpet and Voice; Under Lock and Key (from Wallflower);
|
||
Powerhouse at the Foot of the Mountain (from San Jacinto).
|
||
|
||
So (May 1986)
|
||
|
||
Album: UK Virgin PG 5
|
||
Cassette: UK Virgin PGMC 5
|
||
CD: UK Virgin PGCD 5
|
||
Pic CD: UK Virgin PGPCD 5, 1988 (picture CD is front cover)
|
||
|
||
Produced by Peter Gabriel and Daniel Lanois. Engineered by
|
||
Lanois and Kevin Killen. Original track recording by David Bascombe.
|
||
Additional engineering by David Bottill and David Stallbaumer,
|
||
assisted by Jam Crisp. Originally mastered at the Town House,
|
||
London by Ian Cooper. All songs by Gabriel except That Voice
|
||
Again by Gabriel/Rhodes. All tracks recorded and mixed at Real World
|
||
Studios, England except Mercy Street. Percussion recorded in Polygram
|
||
Studios, Rio de Janiero. New York overdubs recorded at the Power
|
||
Station. Additional arrangements ideas by David Rhodes, horn
|
||
arrangements by Wayne Jackson, Gabriel, and Lanois.
|
||
|
||
1. Red Rain
|
||
2. Sledgehammer
|
||
3. Don't Give Up
|
||
4. That Voice Again
|
||
5. In Your Eyes
|
||
6. Mercy Street (for Anne Sexton)
|
||
7. Big Time (suc cess)
|
||
8. We Do What We're Told (Milgrams 37)
|
||
[So cassette and CD include extra track This is the Picture
|
||
(Excellent Birds)]
|
||
|
||
Passion (1989)
|
||
(Music From the Last Temptation of Christ, A film by Martin Scorsese)
|
||
(AAD on CD)
|
||
|
||
Album: UK Real World/Virgin RWLP 1 (2-LP)
|
||
Cassette: UK Real World/Virgin RWMC 1
|
||
CD: UK Real World/Virgin RWCD 1
|
||
|
||
1. The Feeling Begins (4:00)
|
||
2. Gethsemane (1:23)
|
||
3. Of These, Hope (4:05)
|
||
4. Lazarus Raised (0:36)
|
||
5. Of These, Hope - Reprise (1:06)
|
||
6. In Doubt (2:07)
|
||
7. A Different Drum (6:05)
|
||
8. Zaar (4:44)
|
||
9. Troubled (2:46)
|
||
10. Open* (3:18)
|
||
11. Before Night Falls (2:16)
|
||
12. With This Love (3:36)
|
||
13. Sandstorm (2:55)
|
||
14. Stigmata** (2:24)
|
||
15. Passion (7:36)
|
||
16. With This Love - Choir (3:19)
|
||
17. Wall of Breath (2:25)
|
||
18. The Promise of Shadows (2:12)
|
||
19. Disturbed (3:07)
|
||
20. It is Accomplished (3:30)
|
||
21. Bread and Wine (2:23)
|
||
|
||
Produced by Peter Gabriel
|
||
Engineered by David Bottrill
|
||
All Compositions by Peter Gabriel, with the exception of
|
||
* Peter Gabriel and L Shankar
|
||
** Peter Gabriel and Mahmoud Tabrizi Zadeh (MTZ)
|
||
|
||
1. The feeling Begins
|
||
Octabans, Surdu, Skins Manny Elias (ME)
|
||
Finger Cymbals, Tablas, Dufs Hossam Razmy (HR)
|
||
Synthesizers, Shakers, Skins, Surdu Peter Gabriel (PG)
|
||
Drone Mix David Bottrill (DB)
|
||
Guitar David Rhodes (DR)
|
||
Double Violin L Shankar (LS)
|
||
Armernian Doudouk Vatche Housepian
|
||
Antranik Askarian
|
||
|
||
(the Doudouk is playing an Armenian melody; ' The Wind Subsides ' )
|
||
|
||
2. Gethsemane
|
||
Flute Samples, Flute, Voices PG
|
||
|
||
3. Of These, Hope
|
||
Talking Drum Massambla Dlop (MD)
|
||
Bass, Percussion, Flute, Whistle, Prophet5 PG
|
||
Double Violin LS
|
||
Guitar DR
|
||
Arghul Drone Mustafa Abdel Aziz (MAA)
|
||
|
||
4. Lazarus Raised
|
||
Kurdish Duduk and Tenbur Players Unknown
|
||
Guitars DR
|
||
Piano Akai S900 PG
|
||
|
||
(this piece incorporates a traditional melody from Kurdistan telling
|
||
of the unhappy love a young girl for Bave Seyro, a legendary warrior)
|
||
|
||
5. Of These, Hope - Reprise
|
||
same as 3, with
|
||
Vocals Baaba Maal
|
||
Additional Percussion Fatala
|
||
|
||
6. In Doubt
|
||
Audioframe, Fairlight Samples, Vocals PG
|
||
Kementche' MTZ
|
||
|
||
7. A Different Drum
|
||
Percussion Loop - Four Bars Doudou N'Daiye Rose
|
||
Percussion Loop - Three bars Fatala
|
||
Surdu, Percussion, Audioframe, Prophet5, Vox PG
|
||
Double Violin LS
|
||
Backing Vocals David Sancious (DS)
|
||
|
||
8. Zaar
|
||
Tambourines, Dufs, Tabla, Finger Cymbals, Triangle HR
|
||
Surdu, Additional Percussion, Audioframe, Piano, Voice PG
|
||
Bass Nathan East (NE)
|
||
Guitar DR
|
||
Kementche' MTZ
|
||
Double Violin LS
|
||
|
||
(this was written around a traditional Egyptian rhythm performed
|
||
to fend off evil spirits)
|
||
|
||
9. Troubled
|
||
Drums and Percussion Bill Cobham (BC)
|
||
Finger Cymbals HR
|
||
Percussion, Fairlight, Emulator, Backing Vocals PG
|
||
Backing Vocals DS
|
||
|
||
10. Open
|
||
Double Violin, Vocals LS
|
||
Prophet5, Piano Akai S900, Vocals PG
|
||
|
||
(Based on an improvisation by LS and PG)
|
||
|
||
11. Before Night Falls
|
||
Finger Cymbals, Dufs, Tabla HR
|
||
Ney Flute Kudsi Erguner
|
||
|
||
(the Ney Flute is playing a traditional Armenian melody)
|
||
|
||
12. With This Love
|
||
Oboe, Coranglis Robin Canter
|
||
Double Violin LS
|
||
Akai S900 DS
|
||
Audioframe, Fairlight, Piano, Prophet5 PG
|
||
Synthesizer Arrangement DS, PG
|
||
|
||
13. Sandstorm
|
||
Moroccan Percussions & Vocals Location Recording
|
||
Surdu, Tabla, Tambourine Dufs, Mazhar HR
|
||
Additional Percussion Manu Katche'
|
||
Kementche' MTZ
|
||
Double Violin LS
|
||
Fairlight PG
|
||
|
||
14. Stigmata
|
||
Kementche' MTZ
|
||
Prophet5, Voice PG
|
||
|
||
(based on an improvisation by MTZ and PG)
|
||
|
||
15. Passion
|
||
Brazilian Percussion Djalma Correa
|
||
Trumpet John Hassell
|
||
Prophet5, Akai S900, Fairlight, Voice PG
|
||
Qawwali Voice Nusrat Fateh Ali Khan
|
||
Double Violin LS
|
||
Voice Yassou N'Dour
|
||
Choirboy Julian Wilkins
|
||
|
||
16. With This Love - Choir
|
||
Coranglis Robin Canter
|
||
Choir Recording Richard Evans
|
||
|
||
17. Wall of Breath
|
||
Turkish Ney Flute Kudsi Erguner
|
||
Double Violin LS
|
||
Arghul Musicians Du Nil
|
||
Ebow Guitar DR
|
||
Synthesizers PG
|
||
|
||
18. The Promise of Shadows
|
||
Drum Kit BC
|
||
Lead Tambourine DB
|
||
Emulator, Prophet5, Additional Perc., Audiofr. PG
|
||
Guitar DR
|
||
|
||
19. Disturbed
|
||
Surdu, Tabla HR
|
||
Percussion Loop MAA
|
||
Said Mohammed Aly
|
||
African Percussion Fatala
|
||
Double Violin LS
|
||
Fairlight, Prophet5 PG
|
||
|
||
20. It Is Accomplished
|
||
Drums, Tambourine BC
|
||
Tambourine 2, Distorted Slide DB
|
||
Bass NE
|
||
Arghul Drone MAA
|
||
Steinberger Guitar DR
|
||
Hammond Organ DS
|
||
Doholla, Additional Perc., Roland D-50, Piano,
|
||
Prophet5, Voice PG
|
||
|
||
21. Bread and Wine
|
||
Contrabass, Prophet5, Voice PG
|
||
Ebow Guitar DR
|
||
Tin Whistle Richard Evans
|
||
Double Violin LS
|
||
|
||
|
||
Musicians from Pakistan, India, Turkey, Ivory Coast, Egypt, Bahrain,
|
||
New Guinea, Morocco, Senegal, Ghana.
|
||
|
||
Shaking The Tree - Sixteen Golden Greats (1989)
|
||
|
||
Album: UK Virgin PGTVL 6 (only twelve tracks)
|
||
Cassette: UK Virgin PGTVC 6
|
||
CD: UK Virgin PGTVD 6
|
||
|
||
1. Solsbury Hill
|
||
2. I Don't Remember (edit)
|
||
3. Sledgehammer (slight remix)
|
||
4. Family Snapshot
|
||
5. Mercy Street (edit)
|
||
6. Shaking The Tree (1990 version)
|
||
7. Don't Give Up (edit)
|
||
8. San Jacinto
|
||
9. Here Comes The Flood (1990 new recording)
|
||
10. Red Rain
|
||
11. Games Without Frontiers (edit)
|
||
12. Shock The Monkey (edit)
|
||
13. I Have The Touch ('83 remix)
|
||
14. Big Time
|
||
15. Zaar
|
||
16. Biko (edit)
|
||
|
||
Before Us: A Brief History
|
||
"PROMO CD w/rare live 9.32 In Your Eyes + 9 more"
|
||
(Other ads call it a "10 track sampler" and "USA promo only hits CD")
|
||
just a greatest hits with one live track, in your eyes.
|
||
|
||
Us (1992)
|
||
Released 21st September 1992
|
||
Album: UK Real World/Virgin PGLP 7 (2-LP)
|
||
Cassette: UK Real World/Virgin PGMC 7
|
||
CD: UK Real World/Virgin PGCD 7
|
||
|
||
1. Come Talk To Me (7:04)
|
||
2. Love To Be Loved (5:16)
|
||
3. Blood Of Eden (6:35)
|
||
4. Steam (6:02)
|
||
5. Only Us (6:30)
|
||
6. Washing Of The Water (3:50)
|
||
7. Digging In The Dirt (5:16)
|
||
8. Fourteen Black Paintings (4:36)
|
||
9. Kiss That Frog (5:27)
|
||
10. Secret World (7:01)
|
||
|
||
Produced by Daniel Lanois and Peter Gabriel
|
||
Recording and mix engineer: David Bottrill
|
||
Additional engineering: Richard Blair
|
||
Extra brainstroming: Brian Eno
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
i. SEVEN INCH
|
||
|
||
Solsbury Hill/Moribund the Burgermeister (Charisma CB301. February 1977)
|
||
|
||
A live recording of Solsbury Hill from The Bottom Line, New York City on
|
||
4 October 1978, was released as a flexidisc and given away at the
|
||
Hammersmith Odeon concerts in London between 20 and 24 December 1978.
|
||
|
||
Modern Love/Slowburn (Charisma CB302. June 1977)
|
||
|
||
D.I.Y./Perspective (Charisma CB311. May 1978)
|
||
|
||
D.I.Y./Mother of Violence; Me and My Teddy Bear
|
||
(Charisma CB319. September 1978) Gabriel re-arranged the Coots/Winters
|
||
childrens song.
|
||
|
||
Games Without Frontiers/Start; I Dont Remember
|
||
(Charisma CB354. February 1980)
|
||
|
||
No Self Control/Lead A Normal Life
|
||
(Charisma CB360. May 1980)
|
||
|
||
Biko/Shosholoza; Jetzt Kommt Die Flut
|
||
(Charisma CB370. August 1980)
|
||
33rpm 7" with full length version of Biko.
|
||
|
||
Biko/Shosholoza.
|
||
(Charisma CBD1370. August 1980) Edited version of Biko.
|
||
|
||
Shock the Monkey/Soft Dog
|
||
(Charisma Shock 12. September 1982)
|
||
Small number of copies issued with B-side instrumental version of
|
||
Shock the Monkey.
|
||
|
||
I Have the Touch/Across the River
|
||
(Charisma CB405. December 1982)
|
||
|
||
I Dont Remember/Solsbury Hill (live)
|
||
(Charisma GAB 1. July 1983)
|
||
|
||
Solsbury Hill/Games Without Frontiers
|
||
(Old Gold Series 9265. July 1983)
|
||
|
||
Walk Through The Fire/B-side The Race by Larry Carlton.
|
||
(Virgin VS689. May 1984)
|
||
|
||
Sledgehammer/Dont Break This Rhythm
|
||
(Virgin PGS 1. April 1986)
|
||
|
||
Don't Give Up [Duet with Kate Bush]/In Your Eyes
|
||
(Virgin PGS 2. October 1986)
|
||
|
||
Don't Give Up/In Your Eyes
|
||
(Virgin PGSP-2. October 1986)
|
||
Issued with limited edition video-still poster.
|
||
|
||
Geffen 28463-7 7" US
|
||
Tracks: Don't Give Up (edit version 5:52)/ Curtains
|
||
|
||
|
||
Big Time/Curtains
|
||
(Virgin PGS 3. March 1987)
|
||
|
||
Geffen 28503-7 7" US
|
||
Big Time/ We Do What We're Told (milgram's 37)
|
||
|
||
Red Rain/Ga Ga
|
||
(UK Virgin PGS 4 - US Geffen 7-28247. June 1987)
|
||
Ga Ga is an instrumental version of I Go Swimming.
|
||
|
||
Shakin' The Tree (Youssou N'Dour/Peter Gabriel)/Old Tucson
|
||
(by Yousson N'Dour UK Virgin VS 1167, 1989)
|
||
|
||
ii. TWELVE INCH
|
||
|
||
Biko/Shosholoza, Jetzt Kommt Die Flut
|
||
(Charisma CB37012. August 1980)
|
||
|
||
Shock the Monkey/Soft Dog
|
||
(Charisma Shock 12. September 1982)
|
||
|
||
Shock the Monkey/Shock the Monkey [vocal/instrumental]
|
||
(Charisma Shock 343. September 1982)
|
||
|
||
I Go Swimming/Solsbury Hill/Shock the Monkey
|
||
(Charisma REP1 420. May 1983)
|
||
Limited Edition Sampler Album for shops to promote the Plays Live album.
|
||
|
||
I Don't Remember/Solsbury Hill/Humdrum, On The Air
|
||
(Charisma RAD 10. May 1983)
|
||
Special DJ Selection From Peter Gabriel Plays Live for club and radio DJs.
|
||
|
||
I Don't Remember/Solsbury Hill; Kiss of Life
|
||
(Charisma GAB 12. July 1983)
|
||
|
||
Walk Thorugh The Fire/The Race, I Have the Touch
|
||
(Virgin VS68912. May 1984)
|
||
|
||
Out Out/Gizmo
|
||
(Geffen A12-4953. December 1984)
|
||
|
||
Sledgehammer/Don't Break This Rhythm; I Have the Touch
|
||
(Virgin PGS 112. April 1986)
|
||
|
||
Sledgehammer (dance mix); Dont Break the Rhythm/Biko; I Have the Touch
|
||
(Virgin PGS 213. April 1986)
|
||
|
||
Geffen 20456-0 12" ($4.98 printed on side)
|
||
Tracks: Sledgehammer (extended dance mix)/Sledgehammer (ext. mix)/
|
||
Don't Break This Rhythm/ I Have The Touch 85 remix
|
||
|
||
Don't Give Up/In Your Eyes (special mix); This is the Picture
|
||
(Virgin PGS 212. October 1986)
|
||
Duet with Kate Bush.
|
||
|
||
Big Time (dance mix)/Big Time; Curtains
|
||
(Virgin PGS 312. March 1987)
|
||
|
||
Red Rain/Ga Ga; Walk Through the Fire
|
||
(Virgin PGS 4. June 1987)
|
||
|
||
Geffen 20749-0 12"
|
||
Red Rain -- same tracks as on Virgin release
|
||
|
||
Geffen 20600-0 12" US ($4.98 printed on side)
|
||
Big Time (dance mix)/ In Your Eyes (special mix)/ We Do WWT(LP vers)
|
||
|
||
Biko/No More Apartheid
|
||
(Virgin PGS612. November 1987)
|
||
Only 12 inch and cassette singles issued. Live version of Biko recorded at
|
||
Blossom Music Center, Cleveland, Ohio, on 27 July 1987. Single used to
|
||
promote Cry Freedom, Sir Richard Attenboroughs film on Biko.
|
||
|
||
Shakin' The Tree (12" Remix) (Youssou N'Dour/Peter Gabriel)/Old Tucson;
|
||
Sweeping The Leaves (by Youssou N'Dour) (Virgin VST 1167, 1989)
|
||
|
||
iii. Cassette singles
|
||
|
||
Sledgehammer dance mix; Dont Break This Rhythm; Sledgehammer album
|
||
version Biko.
|
||
(Virgin PGSC112. April 1986)
|
||
Also released in limited edition of 2,000 flip top cigarette style
|
||
silver boxes.
|
||
|
||
Big Time extended version; Curtains; No Self Control live version;
|
||
Across the River.
|
||
(Virgin PGSC312. March 1987)
|
||
Also released in limited edition gold box.
|
||
|
||
Red Rain; Ga Ga; Walk Through the Fire.
|
||
(Virgin PGSC412. June 1987)
|
||
|
||
Biko; No More Apartheid.
|
||
(Virgin PGSC612. November 1987)
|
||
|
||
Digging In The Dirt; Quiet Steam.
|
||
(Virgin PGSC 7, 7th September 1992)
|
||
|
||
|
||
iv. CD
|
||
|
||
Biko (live)
|
||
No More Apartheid
|
||
I have the touch
|
||
Cat. No: VJD 12010 (JAPANESE 3" CD single)
|
||
Label: Charisma
|
||
Release Date: 21th Jun. 88
|
||
|
||
Sledgehammer 3"
|
||
Don't Break This Rhythm
|
||
I Have the Touch 85 Remix
|
||
(CDT4, Virgin 1986?, UK)
|
||
|
||
Solsbury Hill 3"
|
||
Moribund the Burgermeister
|
||
Solsbury Hill (live version) (from Plays Live)
|
||
(CDT33, Virgin 198-?, UK)
|
||
Comments: fold out cover, Same sleeve as original German 7" from 1977.
|
||
|
||
|
||
There exists a promo-only version of "Don't give up", released for
|
||
promotion in UK. I think it contains various versions of this track.
|
||
I saw it some years ago in the Record Fair in Barcelona, but I was
|
||
asked for about $90, so... I don't have it.
|
||
|
||
Big Time extended version; Curtains; No Self Control;
|
||
Across the River; Big Time seven inch version.
|
||
(Virgin GAIL312. March 1987)
|
||
|
||
Biko 5" (Biko (live)/No More Apartheid/I Have the Touch '85 Remix
|
||
(Virgin PGSCD 6-12, November 1987)
|
||
|
||
Shakin' The Tree (Youssou N'Dour/Peter Gabriel)/Old Tucson/Sweeping
|
||
The Leaves (CD3 Virgin VSCD 1167, 1989)
|
||
|
||
Solsbury Hill/Shaking The Tree (1990 edit)/Games Without Frontiers
|
||
(live - remixed from POV video) (CD5 Virgin VSCDT 1308, Jan 1990)
|
||
|
||
Sledgehammer 3" (Sledgehammer/Don't Break this Rhythm/ I Have the
|
||
Touch '85 Remix)
|
||
|
||
Digging in the Dirt single CD5, 9-9-92
|
||
PGSDG7 (no lyrics), import to Japan
|
||
|
||
1. Digging in the Dirt
|
||
2. Digging in the Dirt (instrumental)
|
||
3. Quiet Steam (non-album track)
|
||
|
||
PGSDX 7 (in light blue box, limited edition with lyrics)
|
||
|
||
1. Digging In The Dirt
|
||
2. Digging In The Dirt (instrumental)
|
||
3. Quiet Steam
|
||
4. Bashi-Bazouk
|
||
|
||
-------------------------------------------------------------------------------
|
||
MISCELLANEOUS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
Solo Albums:
|
||
|
||
Ein Deutsches Album (July 1980)
|
||
Eindringling; Keine Selbstkontrolle; Frag Mich Nicht Immer;
|
||
Schnappschuss (Ein Familienfoto); Und Durch Den Draht; Spiel Ohne
|
||
Grenzen; Du Bist Nicht Wie Wir; Ein Normales Leben; Biko.
|
||
(Charisma 6302 035)
|
||
German language version of third album.
|
||
|
||
Deutsches Album (September 1982)
|
||
Der Rhythmus Der Hitze; Das Fischernetz; Kon-takt; San Jacinto;
|
||
Schock Den Affen; Handauflegen; Nicht Die Erde Hat Dich Verschluckt;
|
||
Mundzumundbeatmung.
|
||
(Charisma 6302 221)
|
||
German language version of fourth album.
|
||
|
||
Peter Gabriel Plays Live (June 1985)
|
||
Single CD selection of 13 of the 16 Plays Live double album tracks -
|
||
I Have the Touch; Family Snapshot; D.I.Y.; The Family and the Fishing
|
||
Net; I Go Swimming; San Jacinto; Solsbury Hill; No Self Control;
|
||
I Dont Remember; Shock the Monkey; Humdrum; Biko.
|
||
In October 1987 full double CD released.
|
||
(Virgin PGDLCDl and CDPGD100 [double])
|
||
|
||
-------------------------------------------------------------------------------
|
||
VARIOUS ARTISTS ALBUMS
|
||
Part D
|
||
-------------------------------------------------------------------------------
|
||
|
||
All This and World War II, released 1977.
|
||
A film soundtrack of World War II film footage, linked to Beatles songs,
|
||
performed by various artists. Includes Strawberry Fields Forever by
|
||
Peter Gabriel. (Riva RVLP2)
|
||
|
||
The Bristol Recorder. Volume 2, released January 1981. Peter Gabriel
|
||
contributed three tracks to the Talking Magazine. Humdrum (live at
|
||
Diplomat Hotel, New York, 12 July 1980); Not One of Us (live at
|
||
De Montford Hall, Leicester, 24 February 1980); Aint That Peculiar (live
|
||
at Uptown Theatre, Chicago, 11 March 1977).
|
||
(Bristol Recorder BR002)
|
||
|
||
Music and Rhythm, released July 1982.
|
||
The WOMAD benefit album, with Gabriels contribution Across the River.
|
||
(WEA K68045)
|
||
|
||
Against All Odds, released April 1984.
|
||
Gabriels contribution to the movie soundtrack was Walk Through the Fire
|
||
(Virgin V2313).
|
||
|
||
Let the Children Play, released April 1984.
|
||
A charity double album in aid of the British Peace Camps, the most prominent
|
||
being the women of Greenham Common. Gabriel contributed Exposure.
|
||
(Panic Peace l)
|
||
|
||
Raindrops Pattering on Banana Leaves, released June 1984.
|
||
A benefit album for WOMAD that includes Lead A Normal Life - a live version
|
||
recorded in Normal, Illinois on 3 December 1982.
|
||
(WOMAD 001)
|
||
|
||
Gremlins - Original Soundtrack, released October 1984.
|
||
Gabriel contributed Out Out.
|
||
(Geffen GHSP 24044Y)
|
||
|
||
Sometimes a Great Notion, released November 1984.
|
||
A charity album for the British Deaf Association. Gabriel contributed
|
||
I Have the Touch. (EMI Topcat 1)
|
||
|
||
Greenpeace, released April 1985.
|
||
Gabriel contributed Shock the Monkey. (Towerbell EMI Fund 1)
|
||
|
||
Sun City - Artists United Against Apartheid, released November 1985.
|
||
As well as his brief vocal appearance in the Sun City theme song,
|
||
Gabriels voice was used more extensively on No More Apartheid.
|
||
(EMI Manhattan MTL 1001)
|
||
|
||
Conspiracy of Hope, released November 1986.
|
||
Commemorating the worldwide Conspiracy of Hope campaign. Gabriel contributes
|
||
the studio version of Biko. (Mercury MERH 99)
|
||
|
||
The Secret Policemans Third Ball - The Music, released September 1987.
|
||
Live recording of Amnesty benefit with Gabriel performing Biko at London
|
||
Palladium, 29 May 1987. Line-up includes Lou Reed and Youssou N'Dour.
|
||
(Virgin V2458)
|
||
|
||
-------------------------------------------------------------------------------
|
||
GUEST APPEARANCES/SESSION AND PRODUCTION WORK
|
||
Part E
|
||
-------------------------------------------------------------------------------
|
||
|
||
Cat Stevens.
|
||
Mona Bone Jackon (LP), released 1970.
|
||
Peter Gabriel plays flute.
|
||
|
||
Colin Scot.
|
||
Colin Scot (LP), released 1971.
|
||
Credits with thinly disguised names for contractual reasons include
|
||
P. Angel Gabriel, P. C. Genesis (Phil Collins) and Van der Hammill
|
||
(Peter Hammill). Album produced by John Anthony; three songs were written by
|
||
Martin Hall, later to collaborate with Gabriel; other session musicians
|
||
included Jon Anderson and Robert Fripp.
|
||
|
||
Charlie Drake.
|
||
You Never Know (7"), released November 1975.
|
||
Written by Martin Hall and Peter Gabriel, produced by Gabriel, credited on
|
||
the label as Gabriel Ear Wax.
|
||
|
||
Robert Fripp.
|
||
Exposure (LP), released April 1979.
|
||
Gabriel sings and plays on Exposure, with added scream vocals from Terre
|
||
Roche. The album includes what Gabriel calls the "quiet version" of
|
||
Here Comes The Flood. This track was digitally remixed for Network, a
|
||
Fripp compilation album released in 1985.
|
||
|
||
Johnny Warman.
|
||
Walking Into Mirrors (LP), released June 1979.
|
||
Warman was a friend of Jerry Marotta.
|
||
Gabriel contributes accompanying vocals,
|
||
chants, screaming and effects on Screaming Jets.
|
||
|
||
Jimmy Pursey.
|
||
Animals Have More Fun/SUS (7"), June 1981.
|
||
Both tracks credited Gabriel/Ellis/Pursey. Produced by Peter Gabriel.
|
||
|
||
Laurie Anderson.
|
||
Mister Heartbreak (LP), released February 1984.
|
||
Excellent Birds written by Gabriel and Anderson. He plays Synclavier,
|
||
Linn drum, vocals and co-produces with Anderson. Also backing vocals on
|
||
Langue DAmour and Gravitys Angel.
|
||
|
||
Phil Collins.
|
||
No Jacket Required (LP), released February 1985.
|
||
Backing vocals on Take Me Home, also released as 7" and 12".
|
||
|
||
The Call.
|
||
Reconciled (LP), released May 1986.
|
||
Backing vocals on Everywhere I Go, also released as a remixed single.
|
||
|
||
Nona Hendryx.
|
||
Female Trouble (LP), released June 1987.
|
||
Backing vocals on Winds of Change (Mandela to Mandela).
|
||
|
||
Robbie Robertson.
|
||
Robbie Robertson (LP), released October 1987.
|
||
The former guitarist with The Band, co-produced by Daniel Lanois. Gabriels
|
||
backing vocals on Fallen Angel, also released as a single in November 1987.
|
||
Song includes the line, "Come down Gabriel, blow your horn ." Also vocals on
|
||
Broken Arrow.
|
||
|
||
Joni Mitchell.
|
||
Chalk Marks in a Rainstorm (LP), due for release in February 1988.
|
||
Vocals on My Secret Place recorded at Ashcombe House, autumn 1986.
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
Cover Versions
|
||
Part F
|
||
-------------------------------------------------------------------------------
|
||
|
||
Alan Ross.
|
||
Are You Free On Saturday (LP), released in October 1977.
|
||
Martin Hall and Peter Gabriel wrote Get The Guns, released as single in
|
||
June 1977.
|
||
|
||
Tom Robinson Band.
|
||
TRB Two (LP), released Januar 1979.
|
||
Bully For You was co-written by Gabriel and Robinson, and was also released
|
||
as a single.
|
||
|
||
Tom Robinson.
|
||
North By Northwest (LP), released August 1982.
|
||
Gabriel and Robinson co-wrote Merrily Up On High, and Atmospherics
|
||
(Listen to the Radio).
|
||
|
||
Peter Gabriel also wrote the music for a Dans Le Creux De Ta Nuit on the
|
||
album Soleil Dans LOmbre by Catherine Ribeiro. His songs have also been
|
||
covered by two artists who could hardly be more diverse, James Last who did
|
||
a version of Games Without Frontiers on his album Magic Hits From 1980 and
|
||
put the same track on his album Hamsamania; and Robert Wyatt who covered
|
||
Biko on his 12" EP Work In Progress.
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES (NOT ON ALBUMS) compiled by Markus Boie:
|
||
Part G
|
||
-------------------------------------------------------------------------------
|
||
|
||
|
||
title (comments, questions) (source) [time]
|
||
----------------------------------------------------------------------
|
||
"Aint That Peculiar"
|
||
"Dont Give Up" edit mix (EP) [5:26]
|
||
"Ga Ga" (Red Rain 12" EP) [4:31]
|
||
"Heard it Through the Grapevine" (bootleg)
|
||
"I Go Swimming" studio version (if a complete one actually exists...)
|
||
Theres a version on the _Games Without Words_ bootleg
|
||
Maybe if it was cleaned up a little...?
|
||
"In Your Eyes" single mix [6:--]
|
||
"In Your Eyes" special mix [7:14]
|
||
"Jetzt kommt die Flut" (Biko B-side)
|
||
Does this version differ from that on the german album?
|
||
"Just Another Day in 1977" - with Kate Bush
|
||
Duet with Kate Bush from a KaTe Xmas special
|
||
Are these the same songs?
|
||
"Me and My Teddy Bear" (DIY B-side)
|
||
"Milgrams 37" instrumental
|
||
"Out Out" (Gremlins soundtrack)
|
||
"Seascape" (_Walk Through The Fire_ instrumental)
|
||
"Shosholoza" (UK 12" single) [5:19]
|
||
"Sledgehammer" extended dance remix [7:20]
|
||
"Sledgehammer" limited edition mix
|
||
Are these versions different?
|
||
"Soft Dog" (Shock The Monkey B-side) [4:10]
|
||
"Strawberry Fields Forever" (All This and World War II) [4:--]
|
||
"The Race" (Walk Through the Fire B-side)
|
||
"Walk Through the Fire" (one of the _So_ 12" singles!) [3:30]
|
||
"Whiter Shade of Pale" (bootleg)
|
||
"Why Don't We" (bootleg)
|
||
"Across the River" [7:10]
|
||
"Big Time" dance mix (Big Time EP) [6:10]
|
||
"Curtains" [3:35]
|
||
"Don't Break This Rhythm" [3:50]
|
||
"Here Comes the Flood" (Fripp album)
|
||
"I have the Touch" `85 remix
|
||
"No more Apartheid"
|
||
"Sledgehammer" extended remix [5:40]
|
||
"Walk Thru the Fire" (Against All Odds)
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| S T E V E H A C K E T T |||
|
||
||| Section V |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
Voyage Of The Acolyte
|
||
|
||
Released October 1975
|
||
Album: 1976 Chrysalis PV_41112 (Gatefold album, with cover
|
||
paintings by Kim Poor, lyrics and album notes
|
||
printed on back)
|
||
1976 Chrysalis CHR_1112 (Same as above)
|
||
1975 Charisma CAS 1111 (As above)
|
||
CD: 1989 Virgin CASCD_1111 ADD (CD booklet contains
|
||
paintings, album notes, and lyrics)
|
||
Cassette: 1982 Charisma CASMC 105 (Double tape with this and
|
||
"Please Don't Touch" - fold-out liner with track
|
||
list and credits.)
|
||
Recorded between June/July 1975
|
||
|
||
1. Ace Of Wands
|
||
2. Hands Of The Priestess Part 1
|
||
3. A Tower Struck Down
|
||
4. Hands Of The Priestess Part 2
|
||
5. The Hermit /
|
||
6. Star Of Sirius
|
||
7. The Lovers
|
||
8. Shadow Of The Hierophant
|
||
|
||
Steve Hackett: Electric and Acoustic Guitars, Mellotron,
|
||
Harmonium, Bells, Autoharp, Vocal, Effects.
|
||
John Hackett: Flute, Arp Synthesizer, Bells.
|
||
Mike Rutherford: Bass Guitar, Bass Pedals, Fuzz 12-String.
|
||
Phil Collins: Drums, Vibes, Percussion, Vocals.
|
||
John Acock: Elka Rhapsody, Mellotron, Harmonium, Piano.
|
||
Sally Oldfield: Vocal.
|
||
Robin Miller: Oboe, Cor Anglais.
|
||
Nigel Warren-Green: Solo Cello.
|
||
Percy Jones: Extra Bass on "Tower".
|
||
Johnny Gustafson: Bass on "Star".
|
||
Steve Tobin: Parrot and Cough.
|
||
|
||
Please Don't Touch
|
||
|
||
Released May 1978
|
||
Album: 1978 Chrysalis PV_41176 (Cover painting by Kim Poor,
|
||
album notes, photographs, and lyrics on inner
|
||
sleeve)
|
||
1978 Charisma CDS 4012
|
||
CD: 1988 Virgin CASCD_4012 AAD (CD booklet contains
|
||
paintings, album notes, and lyrics)
|
||
Cassette: 1982 Charisma CASMC 105 (Double tape with this and
|
||
"Voyage of the Acolyte" - fold-out liner with track
|
||
list and credits.)
|
||
Recorded between November '77 and February '78.
|
||
|
||
NOTES: The album and cassette "join" Land Of A Thousand Autumns
|
||
and Please Don't Touch while the CD places an annoying
|
||
space between these two tracks.
|
||
|
||
1. Narnia (based on the children's book - Thi Lion, The Witch, And
|
||
The Wardrobe, by C.S. Lewis) (vocal: Walsh & Hackett)
|
||
2. Carry On Up The Vicarage (a musical tribute to Agatha Christie)
|
||
(vocal: Hackett)
|
||
3. Racing In A (vocals: Walsh & Hackett)
|
||
4. Kim
|
||
5. How Can I? (vocal: Havens) /
|
||
6. Hoping Love Will Last (vocal: Randy)
|
||
7. Land Of A Thousand Autumns
|
||
8. Please Don't Touch
|
||
9. The Voice Of Necam (vocal: Hackett & Feydor)
|
||
10. Icarus Ascending (vocal: Havens)
|
||
|
||
Steve Hackett: Roland Guitar Synth, Les Paul Stratocaster, 12-String
|
||
Xematis, 12-String Hodako, Yamaha, Giffen, Yairi Nylon
|
||
(Guitars), Pedal Board, Comprising: Octave Dividers,
|
||
Phasers, Fuzz Boxes, Wah-Wah, Volume Pedal, etc.
|
||
Necam the Computer: Automata, Mechanicals. Music Box
|
||
Mellotron, Psaltery Bells, Wind Chimes, Vocal Tape
|
||
Loops, Roland Space Echo and Jazz Chorus, 150w Amps &
|
||
Speakers, Harmonizer, Lexicon, Marshal Time Modulator,
|
||
Sleigh Bells, Maraccas, Vocals, Keyboards, Pipe Organ,
|
||
Percussion, and anything else I could get my hands on
|
||
at the time!
|
||
John Hackett: Flutes, Piccolos, Bass Pedals, Keyboards.
|
||
Chester Thompson: Drums and Percussion.
|
||
Phil Ehart: Drums and Percussion.
|
||
Richie Havens: Vocals, Percussion.
|
||
John Acock: Keybaords.
|
||
Dave Lebolt: Keyboards.
|
||
Steve Walsh: Vocals.
|
||
Randy Crawford: Vocals.
|
||
Tom Fowler: Bass.
|
||
James Bradley: Percussion.
|
||
Graham Smith: Violin.
|
||
Hugh Malloy: Cello.
|
||
|
||
Spectral Mornings
|
||
|
||
Released May 1979
|
||
Album: 1979 Chrysalis CHR_1223 (Cover painting by Kim Poor,
|
||
lyrics on back of album)
|
||
1979 Chrysalis PV_41223 (Same as above)
|
||
1979 Charisma CDS 4017 (Same as above)
|
||
CD: 1989 Charisma, 1989 Virgin CASCD_4017 AAD (CD booklet
|
||
lacks musician listing, lyrics on back cover)
|
||
Recorded during 1979.
|
||
|
||
1. Every Day
|
||
2. The Virgin And The Gypsy
|
||
3. The Red Flower Of Tachai Blooms Everywhere
|
||
4. Clocks - The Angel Of Mons
|
||
5. The Ballad Of The Decomposing Man (featuring "The Office Party") /
|
||
6. Lost Time In Cordoba
|
||
7. Tigermoth
|
||
8. Spectral Mornings
|
||
|
||
Steve Hackett: Guitars, Roland Guitar Synth, Koto (Cantonese),
|
||
Harmonica, Vocals, Extras.
|
||
John Hackett: Flutes, Concert & Chinese Bamboo Models, Bass Pedals.
|
||
Nick Magnus: Keyboards, Vox String Thing, Novotron, Harpsichord,
|
||
Clavinet, RMI Piano, Fender Rhodes, Mini Moog, Roland
|
||
String Synth & SH 2000.
|
||
Dik Cadbury: Bass, Bass Pedals, Violin, Vocals.
|
||
John Shearer: Drums and Percussion.
|
||
Pete Hicks: Lead Vocals, Harmonies.
|
||
|
||
Defector
|
||
|
||
Released June 1980
|
||
Album: 1980 Charisma CL-1-3103 (Cover paintings by Kim Poor,
|
||
includes an insert with album notes, photographs of
|
||
the band, and lyrics)
|
||
Album: 1980 Charisma CDS 4018 (Insert as above, some copies with
|
||
poster)
|
||
1984 re-release Virgin CHC 15 (Album notes on back cover only)
|
||
CD: 1980 Charisma, 1989 Virgin CDSCD-4018 AAD (CD booklet
|
||
lacks lyrics and musician listing)
|
||
Recorded during 1980.
|
||
|
||
1. The Steppes
|
||
2. Time To Get Out
|
||
3. Slogans
|
||
4. Leaving
|
||
5. Two Vamps As Guests /
|
||
6. Jacuzzi
|
||
7. Hammer In The Sand
|
||
8. The Toast
|
||
9. The Show
|
||
10. Sentimental Institution
|
||
|
||
Steve Hackett: Guitar, Vocal, Optigan, Roland GR500.
|
||
John Hackett: Concert and Alto Flute.
|
||
Nick Magnus: Keyboards.
|
||
Dik Cadbury: Bass, Vocals.
|
||
John Shearer: Drums and Percussion.
|
||
Pete Hicks: Vocal.
|
||
|
||
Cured
|
||
|
||
Released August 1981
|
||
Album: 1981 Charisma ARE-37632 (Inner album sleeve contains
|
||
lyrics and photo of Steve and Kim by Armando Gallo)
|
||
1981 Charisma CDS 4021 (As above)
|
||
CD: 1989 Virgin CDSCD-4021 AAD (CD booklet lacks lyrics,
|
||
musician list, and photo, also track 5 is slightly
|
||
edited)
|
||
Recorded during 1981.
|
||
|
||
1. Hope I Don't Wake
|
||
2. Picture Postcard
|
||
3. Can't Let Go
|
||
4. The Air-Conditioned Nightmare /
|
||
5. Funny Feeling
|
||
6. A Cradle Of Swans
|
||
7. Overnight Sleeper
|
||
8. Turn Back Time
|
||
|
||
Steve Hackett: Les Paul Stratocaster, Ovaion Nylon, Yairi Nylon,
|
||
Ovation UK II, Cimar, Roland GR500 Guitar Synth, Fender
|
||
Precision Special Bass, E-Bow, Pete Cornish Pedal Board.
|
||
Nick Magnus: Prophet 5, Mini Moog, Clavinet, RMI Piano, Roland
|
||
Vocoder Plus, Korg CX3, Novatron, Fender Rhodes, Vox
|
||
String Thing, Acoustic Piano, Linn Drum Computer,
|
||
SDS5 Drum Synth, Cymbals, Claptrap.
|
||
|
||
Highly Strung
|
||
|
||
Released April 1983
|
||
Album: 1983 Charisma BFE-38515 (Cover paintings by Kim Poor,
|
||
lyrics and musician list on inner album sleeve)
|
||
Album: 1982 Hack1 811-209-1 (Contains an insert sheet with
|
||
lyrics and musician list, tracks are in different order
|
||
and Cell 151 is the short version)
|
||
Cassette: 1983 HAKMC 1 (Contains musician list, tracks as above)
|
||
CD: 1985 Charisma, 1989 Virgin HACK-CD1 AAD (CD booklet
|
||
lacks lyrics and musician listing. Track order is
|
||
the same as 2nd album but Cell 151 is the long
|
||
version)
|
||
|
||
Recorded between February and November 1982.
|
||
NOTES: Track listing is taken from CD.
|
||
|
||
1. Camino Royal
|
||
2. Cell 151 (long version)
|
||
3. Always Somewhere Else
|
||
4. Walking Through Walls /
|
||
5. Give It Away
|
||
6. Weightless
|
||
7. Group Therapy
|
||
8. India Rubber Man
|
||
9. Hackett To Pieces
|
||
|
||
Steve Hackett: Ovation UK II, Les Paul Stratocaster, Giffen,
|
||
Marshall 100w & 50w Amps, Pete Cornish Pedal Board,
|
||
Echoplex, Energy Bow, Slide, Hohner Harmonica.
|
||
Nick Magnus: Jupiter 8, Memory Moog, Steam Piano, Moog Source,
|
||
Mini Moog, Korg CX3, Vocoder Plus, Emulator, Linn LM1, Rhodes,
|
||
Harpsichord, Prophet 5.
|
||
Nigel Warren-Green: Cello.
|
||
Ian Mosley: Drums.
|
||
Chris Lawrence: Contrabass
|
||
|
||
Cell 151 EP + Bonus EP
|
||
Cell 151 EP: 1983 Charisma Cell 12 811-341-1
|
||
(Contains long version of Cell 151 plus two more tracks. Front cover
|
||
painting by Kim Poor, back photo from Steve Hackett's UK Tour
|
||
1893 with a list of concert locations)
|
||
Bonus EP: 1983 (Album sleeve is white and the album label itself
|
||
is white, with a large "1" on side one, and a large "2" on side two)
|
||
|
||
(Cell 151)
|
||
1. Cell 151 (long version)
|
||
2. Air Conditioned Nightmare (recorded live)
|
||
3. Time Lapse In Milton Keynes (acoustic guitar)
|
||
(Bonus EP)
|
||
1. Clocks (alternate version, missing drum solo)
|
||
2. Acoustic Set (containing Horizons and Kim)
|
||
3. Please Don't Touch (live)
|
||
|
||
Bay Of Kings
|
||
|
||
Released November 1983
|
||
Album: 1983 Lamborghini LMG LP-3000 (Cover painting by Kim
|
||
Poor, photo of Steve Hackett on back)
|
||
Cassette: 1983 Lamborghini ZCLMG 3000 re-release 1987 Start SMC 10
|
||
CD: 1987 Start Records SCD10 AAD (CD booklet
|
||
is the same as the album, issued on Steve Hackett's
|
||
new label)
|
||
1990 Castle Legends CLC 5003 (Germany) AAD
|
||
1992 Baillemont Productions (France)
|
||
Recorded during 1983.
|
||
|
||
1. Bay Of Kings
|
||
2. The Journey
|
||
3. Kim (re-arranged version)
|
||
4. Marigold
|
||
5. St. Elmo's Fire /
|
||
6. Petropolis
|
||
7. Second Chance (from the TV show)
|
||
8. Cast Adrift
|
||
9. Horizons (new version)
|
||
10. Black Light
|
||
11. The Barren Land
|
||
12. Calmaria
|
||
|
||
Steve Hackett: Acoustic Guitar, Keyboard Strings.
|
||
John Hackett: Flutes.
|
||
Nick Magnus: Keyboard Strings and Effects.
|
||
|
||
Till We Have Faces
|
||
|
||
Released September 1984
|
||
Album: 1984 Lamborghini Records 6.25987 (Cover painting by Kim
|
||
Poor, back of album contains lyrics)
|
||
1987 re-release Start STL 11
|
||
Cassette: 1984 Lamborghini Records ZCLMG 4000 re-release 1987 Start SMC 11
|
||
CD: 1987 Start Records SCD11 AAD (UK, CD booklet contains lyrics)
|
||
1992 Baillemont Productions (France)
|
||
Recorded during 1984 in Rio de Janeiro and London.
|
||
|
||
1. Duel (Based on the film by Steven Speilburg)
|
||
2. Matilda Smith-Willions Home For The Aged
|
||
3. Let Me Count The Ways
|
||
4. A Doll That's Made In Japan (short version) /
|
||
5. Myopia
|
||
6. What's My Name?
|
||
7. The Rio Connection
|
||
8. Taking The Easy Way Out
|
||
9. When You Wish Upon A Star (Reprise)
|
||
|
||
Steve Hackett: Guitars, Guitar Synth, Koto, Rainstick, Etruscan
|
||
Guitar, Marimba, Percussion, Harmonica, Vocals.
|
||
Nick Magnus: Keyboards, Percussion, Yamaha DX7, Jupiter 6,
|
||
Juno 60, Moog Source.
|
||
Kim Poor: Japanese voice on "Doll".
|
||
Ian Mosley: Drums, Percussion.
|
||
Rui Motta: Drums, Simmons Drums.
|
||
Serginho (Roupa Nova): Drums.
|
||
Waldemar Falcao: Flute, Percussion.
|
||
Fernand Moura: Rhodes.
|
||
Ronaldo Diamante: Bass.
|
||
Clive Stevens: Wind Synthesizer.
|
||
The Brazilian Percussionists: Sidinho Moreira, Junior, Jaburu,
|
||
Peninha, Aiainho, Baca.
|
||
|
||
1984 A Doll That's Made In Japan EP
|
||
EP: 1984 Lamborghini Records 12LMG-16 (Cover painting by Kim Poor,
|
||
Lyrics printed on back cover)
|
||
Recorded in 1984.
|
||
|
||
1. A Doll That's Made In Japan (long version)
|
||
2. Just The Bones
|
||
|
||
Momentum
|
||
|
||
Released 1988
|
||
Album: 1988 Start Records STL 15 (UK)
|
||
Cassette: 1988 Start Records SMC 15 (UK)
|
||
CD: 1988 Start Records SCD15 DDD (CD cover art by Kim Poor,
|
||
booklet contains musician list and some words of
|
||
thanks from Steve Hackett)
|
||
1992 Baillemont Productions CD 946 BPE 134 (France) DDD
|
||
Recorded during 1988.
|
||
|
||
1. Cavalcanti
|
||
2. The Sleeping Sea
|
||
3. Portrait Of A Brazilian Lady
|
||
4. When The Bell Breaks
|
||
5. A Bed, A Chair, & A Guitar
|
||
6. Concert For Munich
|
||
7. Last Rites Of Innocence
|
||
8. Troubled Spirit
|
||
9. Variation On Theme By Chopin
|
||
10. Pierrot
|
||
11. Momentum
|
||
|
||
Steve Hackett: Classical Guitar and Stepp DGI.
|
||
John Hackett:Flute.
|
||
|
||
1992 Time Lapse
|
||
(Actually the cover reads more as _Steve Hackett Live -- Time
|
||
Lapse_, and the edge of the CD reads _Steve Hackett -- Time
|
||
Lapse (Live)_, so pick your title.)
|
||
|
||
Distributed by Caroline Records.
|
||
Produced by Steve Hackett & William Budis
|
||
+70 minutes
|
||
|
||
Tracks 1-5, 13, 14 recorded Nottingham Central TV Studios,
|
||
October 1990
|
||
Tracks 6-12 recorded Savoy Theater, New York, November 1981
|
||
|
||
1. Camino Royale (8:42)
|
||
2. Please Don't Touch (4:38)
|
||
3. Everyday (7:00)
|
||
4. In That Quiet Earth (3:50)
|
||
5. Depth Charge (3:22)
|
||
6. Jacuzzi (4:28)
|
||
7. The Steppes (5:57)
|
||
8. Ace Of Wands (7:34)
|
||
9. Hope I Don't Wake (4:14)
|
||
10. The Red Flower Of Ta Chai Blooms Everywhere (2:43)
|
||
11. Tigermoth (3:22)
|
||
12. A Tower Struck Down (2:58)
|
||
13. Spectral Mornings (5:19)
|
||
14. Clocks -- The Angel Of Mons (4:55)
|
||
|
||
Personnel:
|
||
all tracks
|
||
Steve Hackett: Guitar, Vocals
|
||
John Hackett: Flute, Guitar, Bass Pedals
|
||
Nottingham
|
||
Ian Ellis: Bass, Vocals
|
||
Julian Colbeck: Keyboards, Vocals
|
||
Fudge Smith: Drums
|
||
New York
|
||
Chas Cronk: Bass, Vocals
|
||
Nick Magnus: Keyboards
|
||
Ian Mosley: Drums
|
||
|
||
The Unauthorized Biography
|
||
Released October 1992
|
||
CD Virgin Universal CDVM9014 UK
|
||
|
||
1 Narnia
|
||
2 Hackett to pieces
|
||
3 Don't Fall Away from Me*
|
||
4 Spectral Morning
|
||
5 The Steppes
|
||
6 The Virgin & The Gipsy
|
||
7 The Air-Conditional Nightmare
|
||
8 Cell 151
|
||
9 Slogans
|
||
10 Icarus Ascending
|
||
11 Prayers And Dreams*
|
||
12 Star of Sirius
|
||
13 Hammer in the Sand
|
||
14 Ace of Wands
|
||
15 Hoping Love Will Last
|
||
|
||
*:previously unreleased
|
||
|
||
Guitar Noir
|
||
|
||
CD: 17 May 1993 in UK (released on CD only!)
|
||
Cat. No.: PERM CD13
|
||
Label: Kudos by Permanent Records, distributed and marketed
|
||
by The Total Record Company via BMG (UK) Limited
|
||
|
||
1. Take These Pearls (4:12)
|
||
A song about bearing gifts
|
||
2. Dark As The Grave (4:37)
|
||
A pessimistic view of the human condition
|
||
3. Paint Your Picture (2:57)
|
||
The visualisation of a loved one through brush and canvas or...
|
||
"Here's looking at you kid!"
|
||
4. There Are Many Sides To The Night (6:55)
|
||
The story of a streetwalker and her deepest motivation
|
||
5. Like An Arrow (2:49)
|
||
From an idea as old as Eros
|
||
6. Walking Away From Rainbows (3:10)
|
||
Sometimes the afterglow isn't enough and we move on
|
||
7. Sierra Quemada (5:02)
|
||
Loosely translated means `the scorched earth'
|
||
8. Lost In Your Eyes (4:11)
|
||
The harmonica has finally come out the closet - born again
|
||
through the Blues!
|
||
9. Latin America (4:40)
|
||
American TV is a guest that has taken up permanent residence in all
|
||
our homes
|
||
10. In The Heart Of The City (4:32)
|
||
A total experience in aural claustrophobia, man!
|
||
11. Vampyre With A Healthy Appetite (5:11)
|
||
Inspired by a newspaper headline about the theft of several pints of
|
||
blood from a hospital in the French Quarter of New Orleans
|
||
12. Tristesse (3:57)
|
||
For Roger Weil - Who knows what lies behind... "that patch of
|
||
blue we prisoners call the sky" (Oscar Wilde)
|
||
|
||
Produced by Steve Hackett
|
||
All tracks written by Steve Hackett except
|
||
1,2; Hackett/Friedman
|
||
8,9; Hackett/Colbeck/Degenhardt/Ball
|
||
12; Friedman
|
||
|
||
Steve Hackett:
|
||
vocals (all except 6,7,12), guitars, harmonica (8,9,11),
|
||
Stepp (3,4,6), Rainstick (3), noises (4), backing vocals (3,9)
|
||
Aron Friedman: keyboards and programming (1,2,12), keyboards and
|
||
string arrangement (5)
|
||
Julian Colbeck: keyboards (7,8,9,10,11), backing vocals (9)
|
||
Dave `Taif' Ball: bass (7,9,10,11)
|
||
Hugo Degenhardt: drums (7,8,9,10,11), backing vocals (9)
|
||
Billy Budis: backing vocals (3)
|
||
|
||
Produced by Steve Hackett except
|
||
1,2,5,12; co-produced by Aron Friedman
|
||
3; co-produced by Billy Budis
|
||
Executive Producer: Billy Budis Artisic Director: Kim Poor
|
||
Front cover: Enamel painting on steel by Kim Poor
|
||
All tracks recorded and mixed in The Basement
|
||
Mastered by Ian Anderson at Battery
|
||
Management: Kudos Music, PO Box 71, Twickenham TW1 2PW
|
||
|
||
Billy has asked me not to give him special thanks but I will anyway
|
||
for being more than a manager.
|
||
|
||
Personal Note: If ever an album was also a love letter it's
|
||
this one, addressed to Kim for all her
|
||
inspiration, understanding and sweetness...
|
||
Keep painting the light!
|
||
|
||
GTR
|
||
|
||
1985 GTR
|
||
Album: Arista AL8-8400 (Pictures of musicians on back, sleeve
|
||
contains lyrics & credits on one side, GTR logo on the other)
|
||
CD: 1986 Arista ARCD-8400 AAD (CD booklet contains lyrics
|
||
and musician listing)
|
||
Recorded between 1985 and 1986. Produced by Geoffery Downes.
|
||
[Note: Howe is/was/sometimes is a member of Yes]
|
||
|
||
1. When The Heart Rules The Mind (Hackett/ Howe) (5:25)
|
||
2. The Hunter (Downes) (4:55)
|
||
3. Here I Wait (Hackett/ Howe) (4:54)
|
||
4. Sketches In The Sun (Howe) (2:31)
|
||
5. Jekyll And Hyde (Hackett/ Howe/ Bacon) (4:42)
|
||
6. You Can Still Get Through (Hackett/ Howe) (4:52)
|
||
7. Reach Out (Never Say No) (Hackett/ Howe/ Spalding) (4:07)
|
||
8. Toe The Line (Hackett/ Howe) (4:29)
|
||
9. Hackett To Bits (Hackett) (2:09)
|
||
10. Imagining (Hackett/ Howe/ Mover) (5:52)
|
||
|
||
Steve Hackett: Guitar, Acoustic Guitar, Synthesizers, Backing Vocals.
|
||
Steve Howe: Guitar, Bass Guitar, Synthesizers, Backing Vocals.
|
||
Max Bacon: Lead Vocals.
|
||
Phil Spaulding: Bass Guitar, Backing Vocals.
|
||
Jonathan Mover: Drums and Percussion.
|
||
|
||
GTR singles:
|
||
|
||
When the Heart Rules the Mind/Reach Out(Never Say No) 7"
|
||
|
||
USA: ARISTA AS1-9470 (Picture sleeve)
|
||
UK: ARISTA GTR1 (Picture sleeve)
|
||
Jap: CBS/SONY 07SP 954 (Picture sleeve)
|
||
|
||
When the Heart Rules the Mind (short edit)/ same (long edit) 7"
|
||
USA: Arista AS1-9470 '86 promo
|
||
|
||
When the Heart Rules the Mind/ 12"
|
||
Reach Out(Never Say No), Sketches in the Sun, Hackett to Bits
|
||
UK: ARISTA GTR121 (Picture sleeve)
|
||
|
||
The Hunter/Sketches in the Sun 7"
|
||
USA: ARISTA AS1-9512 (Picture sleeve)
|
||
JAP: CBS/SONY 07SP 974 (Picture sleeve)
|
||
|
||
ROCK AGAINST REPATRIATION:
|
||
|
||
Charity project supergroup formed by Steve to try and raise awareness/raise
|
||
money to help stop the repatriation of the 'Boat People' in Hong Kong. There
|
||
was apparently supposed to be an album but this fell through so only the
|
||
following single was released from the project:
|
||
|
||
1989 Sailing/ Sailing (instrumental): IRS Records IRS 40/ CD5 IRSCD 40
|
||
Both tracks written by Gavin Sutherland. Cover of Rod Stewart song.
|
||
Produced by Steve Hackett and William Budis.
|
||
|
||
From Anil Prasad's 1992 interview with Steve on his US tour:
|
||
" 'Sailing' was the brainchild of Steve Hackett, and featured artists
|
||
such as Brian May from Queen, Marillion (with Steve Hogarth), Fish
|
||
(not with Marillion of course), The Moody Blues, Mike Rutherford,
|
||
Godley & Creme, Paul Carrack, Phil Manzanera, Jim Diamond (one time
|
||
Tony Banks' vocalist), Tears For Fears (Curt Smith), Howard Jones,
|
||
Simon Phillips, Nick Magnus and The London Chamber Orchestra.
|
||
(All in all a progressive rock fan's wet dream of a line up.)"
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
(Singles are 7" and/or UK where not stated)
|
||
|
||
1975 Star Of Sirius b/w same: US Chrysalis acetate
|
||
|
||
1978 How Can I b/w Kim: Charisma CB 3??
|
||
|
||
Narnia (remix)/ Please Don't Touch: Charisma, 1978
|
||
|
||
1979 Every Day b/w Lost Time In Cordoba: Charisma CB 3??
|
||
|
||
Every Day (re-recorded)/ Lost Time In Cordoba: Charisma, 1979
|
||
|
||
1979 Clocks (new version)/ Acoustic Set (live)/ Tigermoth: Lay Down Your
|
||
Arms And Surrender To Mine part 1: 12" Charisma CB 341-12
|
||
NB: Acoustic set features Lost Time In Cordoba, Traditional Guitar
|
||
Exercise, Blood On The Rooftops, Horizons and Kim. Recorded live
|
||
in Paris 1979. Sleeve is pic of Steve and lots of clocks!
|
||
|
||
The Show/ Hercules Unchained: Charisma CB 357, 1980
|
||
Sleeve is blurred pic of Steve playing the guitar
|
||
|
||
Sentimental Institution/ The Toast: 1980 Charisma CB 3??
|
||
|
||
1981 Hope I Don't Wake/ Funny Feeling (?): Charisma CB 3??
|
||
Hope I Don't Wake/ Tales from The Riverbank: Charisma, 1981
|
||
Picture Postcard/ Theme From 'Second Chance': Charisma, 1981
|
||
|
||
1983 Cell 151/ Time Lapse In Milton Keynes: Charisma CELL 1
|
||
Cell 151 (long version)/ Time Lapse In Milton Keynes (acoustic)
|
||
/ The Air Conditioned Nightmare (live): 12" Charisma CELL 12
|
||
811-341-1. Front sleeve is close-up of part of Kim Poor 'Highly Strung'
|
||
painting, back is live photo with list of UK Tour 1983 tour dates.
|
||
|
||
Initial copies with free bonus 12" containing:
|
||
Clocks (alternate version, missing drum solo)/ Acoustic Set
|
||
(containing Horizons and Kim)/ Please Don't Touch (live)
|
||
Record sleeve is white and the record label itself is white, with a
|
||
large "1" on side one, and a large "2" on side two
|
||
|
||
1984 A Doll That's Made In Japan/ A Doll That's Made In Japan (inst.):
|
||
Lamborghini Records LMG 16
|
||
A Doll That's Made In Japan (long version) Just The Bones:
|
||
12" Lamborghini Records 12 LMG 16 Cover painting by Kim Poor,
|
||
Lyrics printed on back cover. Recorded in 1984.
|
||
NB: Long version is just album version joined to inst. version
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| A N T H O N Y P H I L L I P S |||
|
||
||| Section VI |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
THE GEESE AND THE GHOST
|
||
1977 - Passport (PP98020); 1990 - Virgin (CDOVD315)
|
||
|
||
1. Wind - Tales (Phillips) (1:02)
|
||
2. Which Way The Wind Blows (Phillips) (5:51)
|
||
3. Henry - Portraits From Tudor Times (Phillips-Rutherford) (12:11)
|
||
i) Fanfare 0:56
|
||
ii) Lutes' Chorus 2:00
|
||
iii) Misty Battlements 1:15
|
||
iv) Henry Goes To War 3:36
|
||
v) Death Of A Knight 2:33
|
||
vi) Triumphant Return 1:46
|
||
4. God If I Saw Her Now (Phillips) (4:09)
|
||
5. Chinese Mushroom Cloud (Phillips-Rutherford) (0:46)
|
||
6. The Geese And The Ghost (Phillips-Rutherford) (15:40)
|
||
Part i (8:01)
|
||
Part ii (7:39)
|
||
7. Collections (Phillips) (3:07)
|
||
8. Sleepfall: The Geese Fly West (Phillips) (4:33)
|
||
|
||
Anthony Phillips: Acoustic 12 string, 6 string, classical guitar, electric
|
||
6 and 12 string guitars, basses, dulcimer guitar, bazouki, Synthesizers,
|
||
mellotron, harmonium, piano, organ, celeste, pin piano, Drums,
|
||
glockenspiel, timbales, bells and chimes, gong, Vocal on "Collections"
|
||
Michael Rutherford: Acoustic 12 string, 6 string, classical
|
||
guitars, electric 6 and 12 string guitars basses, organ, Drums, timbales,
|
||
glockenspiel, cymbals, bells
|
||
Phil Collins: Vocals on "Which Way The Wind Blows" and
|
||
"God If I Saw Her Now"
|
||
Rob Phillips : Oboes (6,8)
|
||
Lazo Momulovich: Oboes, Cor Anglais (3,6)
|
||
John Hackett: Flutes (4,7,8)
|
||
Wil Sleath: Flute, Baroque Flute, Recorders, Piccolo (3)
|
||
Jack Lancaster: Flutes, Lyricon (8)
|
||
Charlie Martin: Cello (5,6)
|
||
Kirk Trevor: Cello (5,6)
|
||
Nick Hayley + friend: Violins (6)
|
||
Martin Westlake: Timpani (3,5,6)
|
||
Tom Newman: Hecklephone and bulk eraser (9)
|
||
Viv McCauliffe: Vocals on "God If I Saw Her Now"
|
||
Send Barns Orchestra and Barge Rabble conducted by Jeremy Gilbert
|
||
Ralph Bernascone: Soloist
|
||
|
||
WISE AFTER THE EVENT
|
||
1978 - Passport (PB9828)
|
||
All Titles composed by Phillips except "Greenhouse" by Gilbert-Phillips
|
||
|
||
1. We're All As We Lie (4:34)
|
||
2. Birdsong (7:30)
|
||
3. Moonshooter (5:52)
|
||
4. Wise After The Event (8:45)
|
||
5. Pulling Faces (4:32)
|
||
6. Regrets (5:15)
|
||
7. Greenhouse (3:00)
|
||
8. Now What (are they doing to my little friends?) (8:30)
|
||
|
||
Anthony Phillips: Vocals and Harmonica
|
||
Michael Giles: Drums
|
||
John G. Perry: Bass
|
||
The Vicar: Guitars, keyboards and sundries
|
||
Jeremy Gilbert: Keyboards on "Greenhouse"; Harp on "Now What"
|
||
Mel Collins: Soprano Sax on "We're All As We Lie"; Flutes on
|
||
"Birdsong" and "Tremulous"
|
||
Robin Phillips: Oboe on "Sitars and Nebulous"
|
||
Rupert Hine: Percussion, backing vocals, locks, probs, modes, and vibes
|
||
Perkin Alanbeck: Synthesizer on "Birdsong"
|
||
Humbert Ruse: Drums and bass on "Greenhouse"
|
||
Vic Stench
|
||
Rodent Rabble: Clicks, claps, and crampons
|
||
Orchestra on "Regrets" conducted by Gilbert Biberian
|
||
|
||
SIDES
|
||
1979 - Passport (PB9834)
|
||
All songs composed by Anthony Phillips except lyrics on "Holy Deadlock" by
|
||
Martin Hall
|
||
|
||
1. Um & Aargh (4:50)
|
||
2. I Want Your Love (3:54)
|
||
3. Holy Deadlock (4:05)
|
||
4. Lucy Will (3:23)
|
||
5. Side Door (3:48)
|
||
6. Sisters Of Remindum (4:29)
|
||
7. Bleak House (6:13)
|
||
8. Magdalen (7:45)
|
||
9. Nightmare (7:25)
|
||
|
||
Anthony Phillips: Guitars, keyboards, obelisk
|
||
The Vicar: Vocals (lead on "Um & Aargh", "Lucy Will" and "Holy Deadlock")
|
||
Mike Giles: Drums (Highhat, brush, sprang, onion bhajee)
|
||
John G. Perry: Bass (with the pull-off pedal pump)
|
||
Dale Newman: Vocals (lead on "Bleak House")
|
||
Dan Owen: Vocals (lead on "Side Door", "I Want Your Love")
|
||
Ray Cooper: Percussion (Tambourine, mark-tree, skulls)
|
||
Frank Ricotti: Timpani
|
||
Morris Pert: (Monotroch, congas on "Lucy Will")
|
||
Ralph Bernascone: (lead vocals on "Nightmare")
|
||
Humbert Ruse: (percussion on "Lucy Will", cor anglais on "Sisters
|
||
of Remindum")
|
||
Vic Stench: (Cellos on "Lucy Will", Bass on "Bleak House")
|
||
Hubert Rinse: (Dungeon vocals, Moravian yam)
|
||
Slim Long: (C# clampons, tuned bicycle clips)
|
||
Mel Collins: (Sax on "Side Door")
|
||
|
||
1984
|
||
1981 - Passport (PB6006) (1984 is the album title, as in Orwell)
|
||
|
||
1. Prelude '84 (4:19)
|
||
2. 1984 Part 1 (19:06)
|
||
3. 1984 Part 2 (15:28)
|
||
4. Anthem 1984 (2:29)
|
||
|
||
Anthony Phillips: Keyboards, drumbox (Roland CR78), occasional
|
||
guitar, basic percussion
|
||
Richard Scott: Basic percussion, effects, vocal ideas
|
||
Morris Pert: Percussion (timps, tambourine, gong, congas, bell-
|
||
tree, vibra-slap, marimba, vibes, etc)
|
||
|
||
|
||
PRIVATE PARTS AND PIECES - 1978 - Passport (PVC7905)
|
||
Anthony Phillips - All guitars and pianos
|
||
All compositions by Anthony Phillips
|
||
|
||
1. Beauty And The Beast (4:07)
|
||
2. Field Of Eternity (5:13)
|
||
3. Tibetan Yak-Music (6:17)
|
||
4. Lullaby - Old Father Time (1:10)
|
||
5. Harmonium In The Dust (2:32)
|
||
6. Tregenna Afternoons (8:00)
|
||
7. Reaper (7:38)
|
||
8. Autumnal (6:02)
|
||
9. Flamingo (11:08)
|
||
10. Seven Long Years (3:00)
|
||
|
||
|
||
PRIVATE PARTS AND PIECES II "BACK TO THE PAVILLION"
|
||
1980 - Passport (PVC7913)
|
||
All compositions by Anthony Phillips
|
||
|
||
1. Scottish Suite
|
||
(a collection of Scottish salmon farmer's songs and 12th
|
||
century Paraguayan tin-miner's threnodies)
|
||
i. Salmon Leap (2:46)
|
||
ii. Parting Thistle (2:26)
|
||
iii. Electric Reaper (3:03)
|
||
iv. Amorphous, Cadaverous, And Nebulous (4:53)
|
||
v. Salmon's Last Sleepwalk (2:07)
|
||
2. Lindsay (3:50)
|
||
3. K2 (8:53)
|
||
4. Postlude: End Of The Season (0:32)
|
||
5. Heavens (4:22)
|
||
6. Spring Meeting (3:52)
|
||
7. Romany's Aria (0:50)
|
||
8. Chinaman (0:41)
|
||
9. Nocturne (4:05)
|
||
10. Magic Garden (1:56)
|
||
11. Von Runkel's Yorker Music (0:41)
|
||
12. Will 'O The Wisp (3:30)
|
||
13. Tremulous (1:06)
|
||
14. I Saw You Today (4:34)
|
||
15. Back To The Pavillion (2:51)
|
||
|
||
Anthony Phillips: All instuments except:
|
||
Andy McCulloch: Drums and percussion
|
||
Mike Rutherford: Bass (1(i),1(v))
|
||
Rob Phillips: Oboe (11)
|
||
Mel Collins: Flute (13)
|
||
|
||
PRIVATE PARTS AND PIECES III "ANTIQUES"
|
||
1982 - Passport (PVC8908)
|
||
All compositions by Phillips - Berro Garcia except "Ivied Castles" and "Old
|
||
Wives Tales" (Phillips)
|
||
|
||
1. Motherforest (1:55)
|
||
2. Hurlingham Suite (11:24)
|
||
i. Ivied Castles
|
||
ii. Frosted Windows
|
||
iii. Bandido
|
||
iv. Church Bells At Sunset
|
||
3. Suite In D Minor (8:27)
|
||
i. Whirlpools
|
||
ii. Cobblestones
|
||
iii. Catacombs
|
||
4. Danse Nude (1:31)
|
||
5. Esperansa (2:02)
|
||
6. Elegy (3:28)
|
||
7. Otto's Face (4:23)
|
||
8. Sand Dunes (8:24)
|
||
9. Old Wives Tales (4:46)
|
||
|
||
Anthony Phillips: Classical, 12, 6 string guitars, Bass guitar
|
||
Enrique Berro Garcia: Classical, 12 string guitars, electric guitar
|
||
|
||
|
||
PRIVATE PARTS AND PIECES IV "A CATCH AT THE TABLES"
|
||
1984 - Passport (PVC8919)
|
||
All compositions by Anthony Phillips except "Sistine" features
|
||
other musicians.
|
||
|
||
1. Arboretum Suite
|
||
i. Set Piece (2:07)
|
||
ii. Over The Gate (2:05)
|
||
iii. Flapjack (2:26)
|
||
iv. Lights On The Hill (5:27)
|
||
2. Earth Man (4:22)
|
||
3. Dawn Over The Table (10:55)
|
||
4. Bouncer (3;05)
|
||
5. Eduardo (9:53)
|
||
6. Heart Of Darkness (3:20)
|
||
7. The Sea And The Armadillo (4:52)
|
||
8. Sistine (3:57)
|
||
|
||
Anthony Phillips: All instruments except "Sistine":
|
||
Mark Emmey: Bugle (8)
|
||
Judd Lander: Bagpipes, harmonica (8)
|
||
|
||
PRIVATE PARTS AND PIECES V "TWELVE"
|
||
1984 - Passport (PVC8926)
|
||
Anthony Phillips: 12 string Guitar (All tracks on this album are
|
||
12 string guitar solos). All compositions by Anthony Phillips
|
||
|
||
1. January (5:57)
|
||
2. February (4:38)
|
||
3. March (5:12)
|
||
4. April (4:48)
|
||
5. May (4:40)
|
||
6. June (5:30)
|
||
7. July (6:20)
|
||
8. August (5:21)
|
||
9. September (4:05)
|
||
10. October (6:18)
|
||
11. November (5:09)
|
||
12. December (6:21)
|
||
|
||
PRIVATE PARTS AND PIECES VI "IVORY MOON" - 1986 - Passport (PVC8946)
|
||
Anthony Phillips - Piano (all songs on this album are solo piano
|
||
pieces). All compositions by Anthony Phillips except "Moonfall"
|
||
by Phillips/Hine.
|
||
|
||
1. Suite: Sea-Dogs Motoring
|
||
i. Sunrise Over Sienna (3:18)
|
||
ii. Basking Shark (5:05)
|
||
iii. Sea Dogs' Air (2:31)
|
||
iv. Safe Havens (1:08)
|
||
2. Tara's Theme (from Masquerade) (3:26)
|
||
3. Winter's Thaw (9:26)
|
||
4. The Old House (5:17)
|
||
5. Moonfall (from Masquerade) (3:59)
|
||
6. Rapids (8:23)
|
||
|
||
PRIVATE PARTS AND PIECES VII "SLOW WAVES, SOFT STARS"
|
||
1987 Passport/Audion (SYNCD308)
|
||
Anthony Phillips: Classical, 8 string, 12 string guitars, synthesizers,
|
||
drum machine, Tibetan bells, chimes, zither
|
||
Enrique Berro Garcia: Classical guitar on "Beachrunner" and "End Of
|
||
The Affair"
|
||
All compositions by Anthony Phillips except "Beachrunner" and "End Of The
|
||
Affair" by Phillips/Berro Garcia
|
||
|
||
1. Ice Flight
|
||
i. Flight Of The Snow Petrel: Glacier Bay (5:18)
|
||
ii. Flight Of The Whale-Birds: Blizzard Mountain (3:39)
|
||
iii. Flight Of The Albatross: Ice Island (1:27)
|
||
iv. White Heaven (2:30)
|
||
v. Cathedral Of Ice (2:19)
|
||
2. Beachrunner (2:52)
|
||
3. End Of The Affair (2:47)
|
||
4. The Golden Pathway (1:44)
|
||
5. Behind The Waterfall (3:32)
|
||
6. Carnival (1:34)
|
||
7. i. Through The Black Hole (3:16)
|
||
ii. Pluto Garden (2:10)
|
||
8. Sospirando (3:00)
|
||
9. Elevenses (3:11)
|
||
10. Goodbye Serenade (2:29)
|
||
11. Bubble And Squeak (1:00)
|
||
12. i. Vanishing Streets (4:10)
|
||
ii. Slow Waves, Soft Stars (7:24)
|
||
|
||
|
||
|
||
SLOW DANCE
|
||
1990 - Virgin (CDV 2638)
|
||
All compositions by Anthony Phillips
|
||
|
||
1. Slow Dance (Part 1) (23:57)
|
||
2. Slow Dance (Part 2) (26:33)
|
||
|
||
Anthony Phillips: Classical, 6 string, 12 string, electric guitars,
|
||
fretless bass, synthesizers, drum machine
|
||
Martin Robertson: Clarinet
|
||
Ian Hardwick: Oboe
|
||
Michael Cox: Flute, piccolo
|
||
Tjborn Holtmark: Trumpet
|
||
Julie Allis: Harp
|
||
Ian Thomas: Drums
|
||
Frank Racotti: Percussion and off spin
|
||
|
||
|
||
1992 PRIVATE PARTS & PIECES VOL VIII - NEW ENGLAND
|
||
Released 28th September in UK
|
||
CD: (Import to Japan) 2-9-92 CDVE 913 (Ventre Label in
|
||
Virgin, Cover by Peter Cross)
|
||
|
||
1. Aubade
|
||
2. Infra Dig
|
||
3. Sanctuary
|
||
4. La Dolorasa
|
||
5. New England Suite(i)
|
||
6. New England Suite(ii)
|
||
7. New England Suite(iii)
|
||
8. Last Goodbyes
|
||
9. Sunrise and Sea Monsters
|
||
10. Iona
|
||
11. Cathedral Woods
|
||
12. If I could tell you
|
||
13. Jaunty Roads
|
||
14. Spirals
|
||
15. Pieces of Eight (i) Pressgang
|
||
16. Pieces of Eight (ii) Sargasso
|
||
17. Pieces of Eight (iii) Sea-shanty
|
||
18. In the Maze
|
||
19. Unheard Cry
|
||
20. Now They've All Gone
|
||
|
||
|
||
INVISIBLE MEN
|
||
1983 - Passport (PB6023)
|
||
|
||
1. Sally (4:09)
|
||
2. Golden Bodies (3:01)
|
||
3. Going For Broke (3:53)
|
||
4. Exocet (3:10)
|
||
5. Love In A Hot Air Balloon (3:34)
|
||
6. Traces (4:35)
|
||
7. I Want Your Heart (3:53)
|
||
8. Falling For Love (3:31)
|
||
9. Guru (4:30)
|
||
10. The Women Were Watching (4:31)
|
||
11. My Time Has Come (4:33)
|
||
|
||
Anthony Phillips: Classical, 6 string, 12 string, electric guitars,
|
||
bass, keyboards, synthesizers, vocals
|
||
Richard Scott: Vocals, synthesizers, guitar
|
||
Paul Robinson: Drums (1,3,10)
|
||
Bimbo Acock: Saxes (1,9)
|
||
Morris Pert: Percussion (1,7,9)
|
||
Joji Hirota: Percussion (2,3,5,8,11)
|
||
Martin Robertson: Saxes (2)
|
||
Jeff Dunne: Drums (4,5,8,11)
|
||
Martin Drover: Trumpet, flugelhorn (5,8,9)
|
||
Malcom Griffiths: Trombone (9)
|
||
Vic Stench: Bass (7)
|
||
The Vicar: Church organ (10)
|
||
Jonathan Snowdon: Piccolo (10)
|
||
Ralph Bernascone: Sarrusaphone (9)
|
||
The Professor: Title and harmony class (11)
|
||
|
||
|
||
CD RELEASES
|
||
|
||
1985 The Geese And The Ghost: US Passport PVCD 8905 picture CD
|
||
1987 Private Parts & Pieces VII: US Audion SYNCD 308
|
||
1988 Tarka: UK PRT PYC 18
|
||
1990 Slow Dance: UK Virgin CDV 2638 - see discography
|
||
1990 The Geese And The Ghost: UK Virgin CDOVD 315
|
||
Extra track: Master Of Time (demo 1972)
|
||
1991 Sides: UK Virgin CDOVD 316
|
||
Extra tracks: Magdalen (instrumental), Souvenir
|
||
1991 Private Parts & Pieces: UK Virgin CDOVD 317
|
||
Extra tracks: Stranger, Silver Song (demo)
|
||
1991 Private Parts & Pieces II: Back To The Pavilion; UK Virgin CDOVD 318
|
||
Extra tracks: Lucy - An Illusion, ?
|
||
1991 Private Parts & Pieces III: Antiques; UK Virgin CDOVD 319
|
||
1991 Private Parts & Pieces IV: A Catch At The Tables; UK Virgin CDOVD 320
|
||
1991 1984; UK Virgin CDOVD 321
|
||
1991 Wise After The Event; UK Virgin CDOVD 322
|
||
Extra tracks: Squirrel, Sitars and Nebulous ?
|
||
1991 Invisible Men; UK Virgin CDOVD 323
|
||
1991 Private Parts & Pieces V: Twelve; UK Virgin CDOVD 324
|
||
1991 Private Parts & Pieces VI: Ivory Moon; UK Virgin CDOVD 325
|
||
1991 Private Parts & Pieces VII: Slow Waves, Soft Stars; UK Virgin CDOVD 326
|
||
1992 Missing Links Volume One; Canada/US ?
|
||
1992 Private Parts & Pieces VIII: New England; UK Virgin CDVE 912 - see above
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
(Singles are UK, 7" where not stated)
|
||
|
||
|
||
1977 Collections/ God If I Saw Her Now: Phillips/Vertigo 6837 406
|
||
Sleeve is tracks and credits in styled text
|
||
|
||
1978 (June) We're All As We Lie/ Squirrel/ Sitars And Nebulous:
|
||
Arista ARIST 192
|
||
|
||
1979 (March) Um & Aargh/ Souvenir: Arista ARIST 252
|
||
Sleeve is 3D question/exclamation marks over landscape
|
||
|
||
1981 (July) Prelude '84/ Anthem 1984: RCA RCA 102
|
||
Picture sleeve: details unknown
|
||
|
||
1984 (February) Sally/ Exocet/ The Women Were Watching:
|
||
12" Street Tunes JJ 102-12 Picture sleeve: details unknown
|
||
|
||
1988 (November) The Anthem From Tarka/ The Rising Spring: PRT PYS 18
|
||
The Anthem From Tarka (single mix)/ The Rising Spring/ Excerpt
|
||
From Tarka (movement 1)/ Excerpt From Tarka (movement 3)
|
||
/ The Anthem From Tarka (extended version): CD PRT PYD 18
|
||
Picture sleeve: details unknown
|
||
|
||
-------------------------------------------------------------------------------
|
||
MISCELLANEOUS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
INTERGALACTIC TOURING BAND
|
||
1977 - Passport (PB9823) Anthony Phillips plays acoustic guitars
|
||
on "Reaching Out"
|
||
|
||
DOUBLE EXPOSURE a double LP which was relased in 1987 and contains a number
|
||
of progrock bands. The track called Promenade is not found on any
|
||
other lp I believe.
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| M I K E R U T H E R F O R D |||
|
||
||| Section VIII |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
1980 Smallcreep's Day
|
||
|
||
Album: 1980 Passport Records PB9843 (US)
|
||
1980 Charisma Records CAS 1149
|
||
re-release Virgin CHC 53 (UK)
|
||
Cassette: Passport Records PBC-9843
|
||
re-release UK Virgin CHCMC 53 (UK)
|
||
CD: 1989 Charisma CASCD-1149 (UK, Smallcreep's Day is split
|
||
into tracks on CD)
|
||
CD: ???? BMG Ariola 256958 (Germany)
|
||
Players: Ant Phillips - Keyboards
|
||
Noel McCalla - Vocals
|
||
Simon Phillips - Drums
|
||
Morris Pert - Percussion
|
||
Mike Rutherford - Guitars & Basses
|
||
Tracks: 1. Moonshine (6:23)
|
||
2. Time and Time Again (4:52)
|
||
3. Romani (5:25)
|
||
4. Every Road (4:13)
|
||
5. Overnight Job (5:43)
|
||
6. Smallcreep's Day
|
||
I. Between the Tick and the Tock (3:59)
|
||
II. Working in Line (3:06)
|
||
III. After Hours (1:46)
|
||
IV. Cats and Rats (In this Neighbourhood) (4:49)
|
||
V. Smallcreep Alone (1:33)
|
||
VI. Out Into The Daylight (3:49)
|
||
VII. At the End of the Day (5:36)
|
||
Notes: All songs written by Mike Rutherford
|
||
Produced & Engineered by David Hentchel
|
||
|
||
|
||
1982 Acting Very Strange
|
||
Album: 1982 Atlantic 80015-1 (US)
|
||
WEA K99249 (Europe)
|
||
Cassette: 1982 WEA K99249-4 (Europe)
|
||
CD: ???? Atlantic 7-80015-2 (US)
|
||
Players: Vocals - MR
|
||
Guitars - MR, Daryl Stuermer, John Alexander
|
||
Drums - Stewart Copeland, Pete Phipps - "The Linn"
|
||
Keyboards - Pete Robinson, Paul Fishman, MR
|
||
Bass - MR
|
||
Backing Vocals - Steve Gould, Noel McCalla, Dale Newman, MR
|
||
Saxophone - Gary Barnacle
|
||
Trumpet - Luke Tunney
|
||
Strings - Arranged & Conducted by Martyn Ford
|
||
Tracks: 1. Acting Very Strange (Rutherford) (4:58)
|
||
2. A Day to Remember (Rutherford) (5:00)
|
||
3. Maxine (Rutherford/Bellotte) (5:23)
|
||
4. Halfway There (Rutherford/Palmer) (4:11)
|
||
5. Who's Fooling Who (Rutherford/Bellotte) (4:47)
|
||
6. Couldn't Get Arrested (Rutherford/Bellotte) (3:50)
|
||
7. I Don't Wanna Know (Rutherford) (4:36)
|
||
8. Hideaway (Rutherford) (5:58)
|
||
Notes: Produced by MR
|
||
Engineer & Asst. Producer - Nick Launay
|
||
Stewart Copeland, formerly of the Police, was on Mike's polo
|
||
team, which is undoubtedly how this collaboration
|
||
came about.
|
||
|
||
M1ke + The MeChan1c5
|
||
|
||
1985 Mike + The Mechanics
|
||
Album: 1985 Atlantic 81287-1 (US)
|
||
CD: 1985 Atlantic 81287-2 (US)
|
||
CD: 1985 WEA 252496-2 (UK)
|
||
Cassette: 1985 Atlantic 81287-4
|
||
Players: MR - Guitar, Bass
|
||
Peter Van Hooke - Drums
|
||
Paul Carrack - Vocals
|
||
Adrian Lee - Keyboards
|
||
Paul Young - Vocals
|
||
Allan Murphy: Guitar
|
||
John Kirby: Vocals
|
||
Gene Stashuck: Vocals
|
||
Backing vocals: Christopher Neil,
|
||
Alan Carvel, Linda Taylor, etc.
|
||
Keyboards: Dereck Austin & Ian Wherry
|
||
Sax: John Earle & Ray Beavis
|
||
Percussion: Louis Jardin
|
||
Tracks: 1. Silent Running (6:10) *
|
||
2. All I Need is a Miracle (4:10) **
|
||
3. Par Avion (3:36) **
|
||
4. Hanging By a Thread (4:40) ***
|
||
5. I Get the Feeling (4:27) **
|
||
6. Take the Reins (4:18) ***
|
||
7. You are the One (3:41) **
|
||
8. A Call to Arms (4:38) ****
|
||
9. Taken In (4:17) **
|
||
Notes: Written by:
|
||
* - MR, B.A. Robertson
|
||
** - MR, Christopher Neil
|
||
*** - MR, B.A. Robertson, Christopher Neil
|
||
**** - Banks, Collins, Rutherford, Neil, Robertson
|
||
Produced by Christopher Neil
|
||
Engineered by Simon Hurrell
|
||
|
||
|
||
1988 Living Years
|
||
CD: 1988 Atlantic 81923-2 (US)
|
||
CD: 1988 WEA 256004-2 (UK)
|
||
Cassette: 1988 Atlantic 7 81923-4
|
||
Players: MR - Guitar, Bass
|
||
Peter Van Hooke - Drums
|
||
Paul Carrack - Vocals
|
||
Adrian Lee - Keyboards
|
||
Paul Young - Vocals
|
||
Tracks: 1. Nobody's Perfect (4:48) *
|
||
2. The Living Years (5:32) *
|
||
3. Seeing is Believing (3:13) *
|
||
4. Nobody Knows (4:24) **
|
||
5. Poor Boy Down (4:33) **
|
||
6. Blame (5:24) **
|
||
7. Don't (5:45) **
|
||
8. Black & Blue (3:27) ***
|
||
9. Beautiful Day (3:39) ****
|
||
10. Why Me? (6:26) *
|
||
Notes: Written by :
|
||
* - MR, B.A. Robertson
|
||
** - MR, Chris Neil
|
||
*** - MR, B.A. Robertson, Paul Young
|
||
**** - MR, Chris Neil, Paul Young
|
||
Produced by Christopher Neil & MR
|
||
Engineered by Nick Davis
|
||
Plus some extra studio help. Including:
|
||
Black & Blue Riff played by Phil Collins & MR
|
||
Recorded by Tony Banks at The Farm Surrey 4/18 - 8/18 1988
|
||
|
||
NOBODY'S CHILD - ROMANIAN ANGEL APPEAL album (1990): Mike & the
|
||
Mechanics (Mike, and the two vocalists) donated a performance of
|
||
"Ain't That Peculiar" with Paul Shaffer and The World's Most Dangerous
|
||
[ie Boring] Band (from Late Night with David Letterman show) to the
|
||
album.
|
||
|
||
1991 Word of Mouth
|
||
Cassette: 1991 Atlantic 82233-4 (US)
|
||
Virgin TCV 2662 (UK)
|
||
CD: 1991 Atlantic 82233-2 (US)
|
||
Virgin CDV 2662 (UK)
|
||
Players: MR - Guitar, Bass
|
||
Peter Van Hooke - Drums
|
||
Paul Carrack - Vocals
|
||
Adrian Lee - Keyboards
|
||
Paul Young - Vocals
|
||
Tracks: 1. Get Up *
|
||
2. Word of Mouth **
|
||
3. A Time and Place ***
|
||
4. Yesterday, Today, Tomorrow ***
|
||
5. The Way You Look At Me * /
|
||
6. Everybody Gets a Second Chance ***
|
||
7. Stop Baby **
|
||
8. My Crime of Passion ****
|
||
9. Let's Pretend It Didn't Happen ***
|
||
10. Before (The Next Heartache Falls) *
|
||
Notes: A Side time is (22:49), B Side time is (24:55).
|
||
Written by:
|
||
* - MR, Paul Carrack
|
||
** - MR, Chris Neil
|
||
*** - MR, B.A. Robertson
|
||
**** - MR, Paul Carrack, Adrian Lee
|
||
Produced by:
|
||
+ - Christopher Neil & MR
|
||
++ - Christopher Neil & MR and Russ Titelman
|
||
Plus some extra studio help.
|
||
|
||
-------------------------------------------------------------------------------
|
||
SINGLES
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
Waiting In Line (edit) b/w Compression: UK Charisma CB 352 1980
|
||
|
||
Time And Time Again/ At The End Of The Day: Charisma CB 365, 1980
|
||
(some copies mispressed with Overnight Job as B-side)
|
||
|
||
Moonshine (edit) b/w Waiting In Line (edit): US promo ? 1980
|
||
|
||
1982 Halfway There b/w A Day To Remember: UK WEA WS9922
|
||
|
||
Acting Very Strange
|
||
b/w Couldn't Get Arrested...........UK WEA RUTH 1 1982
|
||
(remix) b/w Couldn't Get Arrested (remix)...12" UK WEA RUTH 1-T
|
||
|
||
1982 Hideaway b/w Calypso: UK WEA WS9923
|
||
|
||
1984 Against All Odds (P.C.) b/w Making A Big Mistake: UK Virgin VS 674
|
||
|
||
Silent Running (On Dangerous Ground)
|
||
(4:10) b/w Par Avion (3:40) 7".............................Atlantic 7-89488
|
||
b/w I Get The Feeling...............................UK WEA U8908
|
||
b/w I Get The Feeling (long version)/ Too Far Gone..12" UK WEA U8908-T
|
||
|
||
All I Need Is A Miracle
|
||
(4:10) b/w You Are The One (3:42)..................7" Atlantic 7-89450
|
||
Picture sleeve, mug shot of the band
|
||
b/w You Are The One.........................UK WEA U8765
|
||
b/w You Are The One/ A Call To Arms.........12" UK WEA U8765-T
|
||
Picture sleeve, mug shot of the band
|
||
|
||
Taken In (3:55) b/w A Call To Arms (4:38)
|
||
7" Atlantic 7-89404
|
||
Picture sleeve, man and woman dancing
|
||
|
||
Nobody's Perfect
|
||
(edit, 3:01) b/w Nobody's Perfect (LP, 4:29)7"..........Atlantic 7-88990
|
||
blue label promo, picture sleeve, man with
|
||
umbrella near the seashore
|
||
b/w Nobody Knows...........................UK WEA U7789
|
||
(extended remix) b/w Nobody Knows/ All I Need Is A Miracle..UK WEA U7789-T
|
||
b/w Nobody's Perfect (extended remix)/ Nobody Knows:
|
||
CD5 UK WEA U7789-CD, Picture sleeve, man with
|
||
umbrella near the seashore
|
||
|
||
1988 The Living Years
|
||
b/w Too Many Friends: UK WEA U7717
|
||
b/w Too Many Friends/ I Get The Feeling (live):
|
||
12" UK WEA U7717-T
|
||
CD3 UK WEA U7717-CD
|
||
Picture sleeve: black, hourglass with M1ke + The MeChan1c5 logo
|
||
|
||
1988 Nobody Knows (edit)
|
||
b/w Why Me?.........................UK WEA U7602
|
||
b/w Why Me? / Nobody Knows..........12" UK WEA U????-T
|
||
..........CD3 UK WEA U????-CD
|
||
Picture sleeve: grey, dappled effect, `Nobody Knows` at a slant
|
||
|
||
1988 Seeing Is Believing/ Don't: Atlantic 7-?????
|
||
Picture sleeve: lots of spanners!
|
||
|
||
1989 Revolution (3:59)
|
||
from the "Rude Awakening" original soundtrack
|
||
Promo-only Elektra 9 60873-2 (7", 12" and CD5 ?)
|
||
|
||
1991 Word Of Mouth (single mix)
|
||
b/w Let's Pretend It Didn't Happen: UK Virgin VS 13??
|
||
Gatefold 12" VST 13??
|
||
CD5 VSCDT 13??
|
||
b/w Taken In (live)/ Let's Pretend It Didn't Happen:
|
||
numbered limited edition CD5 UK Virgin VSCDX 13??
|
||
Picture sleeve: shapes and 'Word Of Mouth' at a slant
|
||
|
||
1991 A Time And Place
|
||
b/w Yesterday, Today, Tomorrow: UK Virgin VS 13??
|
||
b/w Yesterday, Today, Tomorrow/Word of Mouth (East West mix):
|
||
UK Virgin VST 13?? CD5 VSCDT 13??
|
||
Also limited edition photo wallet, with pics of the band CD5 VSCDX 13??
|
||
Picture sleeve: b&w stretched mug shot of band
|
||
|
||
1991 Get Up/ I Think I've Got The Message/ Stop Baby/ Word of Mouth (East
|
||
West mix): Japan Virgin
|
||
|
||
1991 Stop Baby/ Get Up: UK Virgin VS ????
|
||
/ Get Up/ Before (The Next Heartache Falls): CD5 UK Virgin VSCDG 13??
|
||
(part one of two-part collectors set)
|
||
/ I Think I've Got The Message/ My Crime Of Passion (acoustic):
|
||
CD5 UK Virgin VSCDT 13?? (part two of two-part collectors set)
|
||
Picture sleeve: 'eyes' with lots of M1ke & The MeChan1c5 logos
|
||
|
||
1992 Everybody Gets a Second Chance/ The Way You Look at Me: UK Virgin VS 14??
|
||
/ The Way You Look at Me/ At the End of the Day: UK Virgin VSCDT 14??
|
||
Picture sleeve: sepia stretched mug-shot of band
|
||
|
||
|
||
mike & mech cd singles:
|
||
|
||
Nobody Knows
|
||
b/w Why Me/Nobody Knows (remix)
|
||
1988 WEA UK
|
||
|
||
Living Years
|
||
b/w Too Many Friends/I Get The feeling (live)
|
||
1988 WEA UK
|
||
|
||
Nobody's Perfect
|
||
b/w Nobody's Perfect (remix)/Nobody Knows
|
||
1988 WEA UK
|
||
|
||
Everybody Gets a Second Chance
|
||
b/w The Way You Look at Me/At the End of the Day
|
||
1992 Virgin UK
|
||
|
||
Stop Baby
|
||
b/w Get Up/Before the Next Heartache Falls
|
||
1991 Virgin UK
|
||
|
||
Stop Baby
|
||
b/w I think I've Got The Message/My Crime Of Passion (acoustic)
|
||
1991 Virgin UK
|
||
|
||
Word Of Mouth
|
||
b/w Let's Pretend It Didn't Happen
|
||
1991 Virgin UK
|
||
|
||
Word Of Mouth
|
||
b/w Taken In (live)/Let's Pretend It Didn't Happen
|
||
1991 Virgin UK
|
||
|
||
Get Up
|
||
b/w I think I've got the message/Stop Baby/Word of Mouth (east west
|
||
mix)
|
||
1991 Virgin Japan
|
||
|
||
A Time And Place
|
||
b/w Yesterday, Today & Tomorrow/Word of Mouth (east west mix)
|
||
1991 Virgin UK
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| D A R Y L S T U E R M E R |||
|
||
||| C H E S T E R T H O M P S O N |||
|
||
||| Section IX |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
DARYL STUERMER
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
1988 Steppin' Out
|
||
CD: 1988 GRP Records GRD-9573 (DDD)
|
||
Liner: Produced by Daryl Stuermer and Don Murray
|
||
All songs written and arranged by Daryl Stuermer
|
||
Intro by Phil Collins
|
||
Players: Daryl Stuermer: all guitars, bass on (8), drum machine and
|
||
keyboard sequencing
|
||
Brad Cole: Keyboard synthesizers
|
||
Leland Sklar: Bass
|
||
Mark Torroll: Drums and percussion
|
||
Gary Barnacle: Alto and tenor sax on (2)
|
||
Tracks: 1. Kyoto Rose (4:39)
|
||
2. I Don't Wanna Know (instrumental) (4:38)
|
||
3. Anthem (5:44)
|
||
4. Venturing Out (5:22)
|
||
5. Electric City (5:11)
|
||
6. Night Flyer (6:06)
|
||
7. 20th Century Lady (4:43)
|
||
8. The Highlands (4:54)
|
||
Notes: 3 pics of Daryl. Very jazzy sound - all instrumental.
|
||
|
||
Liner text by Phil Collins, in introduction of Daryl, says:
|
||
(Braces, '{}' indicate crossed out text.)
|
||
|
||
I've know {Derwent}, {Darren}, Daryl since 1978. His surname was
|
||
a little problem to me then, and on occasion, still is now. {Stue}
|
||
Steurmer! There at least I've done it.
|
||
He first came into my life when Rutherford Minor of Genesis flew
|
||
to New York, to find a guitar player who could tell him all the chords
|
||
of the Genesis songs, so we could go on tour.
|
||
Apparently, he breezed through the audition (I personally believe
|
||
money changed hands).
|
||
Soon we were roadworthy with Ruthers, Banks, Me, Chester and
|
||
{Derek} Daryl.
|
||
In 1980 Daryl worked on my first Solo Album, in no time at all his
|
||
playing had degenerated to sounding like an electric razor on 'In the
|
||
Air.' Then came the Collins Solo Tour where he has an integral
|
||
Jaccuzi and latex Hot Tub.
|
||
As well as being a superb musician (at this point more money should
|
||
change hands) he has been writing. He co-wrote a few songs on 'No
|
||
Jacket Required', a fact over-looked by many people.
|
||
So here is one, {Don} Daryl's solo album, enjoy it, I know I have!
|
||
|
||
Cheers,
|
||
|
||
Phil Collins
|
||
|
||
(P.S. Daryl: that'll be $11-75c + tax)
|
||
|
||
-------------------------------------------------------------------------------
|
||
CHESTER THOMPSON
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
A Joyful Noise
|
||
--------------
|
||
CD AAD Bluemoon Records
|
||
Jazz oriented album, Chester sings on two tracks.
|
||
|
||
1. Tropical Sunday
|
||
2. So-soka
|
||
3. Homeland length 5:00
|
||
4. Drums are Loud 1:40
|
||
5. A Joyful Noise 3:48
|
||
6. Chunky 4:48
|
||
7. Jussa Thang 5:01
|
||
8. Cool Groove 3:25
|
||
9. Raw 5:20
|
||
10. Addatude 5:20
|
||
11. Amazing Grace 4:35
|
||
|
||
Total Time 49:40
|
||
|
||
Musicians:
|
||
|
||
Chester Thompson - All Tracks
|
||
Michiko Hill - Keyboards/Piano on all but 4
|
||
Otmaro Ruiz - Keyboards on 1,2,6,11
|
||
Peewee Hill - Bass/Midi Bass on all but 4
|
||
Jay Leech - Acoustic and electric guitar on 1,2,5,8
|
||
Steve Fowler - Flute on 1, alto sax on 8
|
||
Debra Dobkin - Percussion on 1,2,4,6
|
||
Harry Kim - Trumper on 1,2,7,8
|
||
Walter Fowler - Fluegel Horn on 1, Trumpet on 2,7,8
|
||
Brandon Fields - Tenor Sax on 1,2,7,8
|
||
Bruce Fowler - Trobone on 1,2,7,8
|
||
Gerald Albright - Tenor Sax Solo on 2
|
||
Kevin Toney - Electric Keyboard on 2,7,8
|
||
Mike Rosen - Snythesiser Prog on 3
|
||
Akil Thompson - Electric Drums on 4, Vocals 5
|
||
Freddie Fox - Guitar on 7,9,10,11
|
||
George Duke - Synthesizer solo on 9
|
||
Charles Owens - Tenor Sax on 11
|
||
Many Vocalists too numerous to mention on 5.
|
||
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| B R A N D X |||
|
||
||| Section X |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
While Phil Collins was only sporadically involved with Brand X
|
||
throughout the 70s, the Genesis discography maintains a complete list
|
||
of known Brand X albums and even solo albums, since there is not
|
||
enough material to warrant a seperate Brand X discography. Thus
|
||
Masques, on which Collins didn't play, and post-Brand X (after 1982,
|
||
Brand X drifted apart, later to re-form in 1991) solo works.
|
||
|
||
Brand X was a title assigned by the recording engineer of a bunch of
|
||
session players who got togethers to make some music (jazz/fusion)
|
||
while Genesis was between tours initially. The group was initially a
|
||
project idea started by Phil Collins and Bill Bruford though Bruford
|
||
never played with the group.
|
||
|
||
As a side note, members of Brand X would also be involved with Phil
|
||
Collins, Peter Gabriel, and other Genesis members' solo projects.
|
||
|
||
-------------------------------------------------------------------------------
|
||
ALBUMS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
Unorthodox Behaviour
|
||
--------------------
|
||
|
||
Released July 1976
|
||
|
||
Album: Uk Charisma CAS 1117
|
||
US Passport ???
|
||
Cassette: Passport PBC-9819 (US)
|
||
|
||
Recorded at Trident Studios, London, Sept/Oct 1976
|
||
Produced by Brand X and Dennis MacKay
|
||
Engineered by Dennis MacKay
|
||
Mixed by MacKay and Robin Lumley
|
||
All titles composed by Collins/Goodsall/Lumley/Jones
|
||
|
||
Collins.........Drums, percussion
|
||
John Goodsall...Guitars
|
||
Percy Jones.....Basses
|
||
Robin Lumley....Keyboards
|
||
|
||
1. Nuclear Burn (6:20)
|
||
2. Euthanasia Waltz (5:39)
|
||
3. Born Ugly (8:13)
|
||
|
||
4. Smacks of Euphoric Hysteria (4:26)
|
||
5. Unorthadox Behaviour (8:25)
|
||
6. Running on Three (4:37)
|
||
7. Touch Wood (3:03)
|
||
|
||
Morrocan Roll
|
||
-------------
|
||
|
||
Released April 1977
|
||
|
||
Album: UK Charisma CAS 1126
|
||
US Passport UB 9822
|
||
|
||
Produced by Dennis MacKay and Brand X
|
||
Engineered by Steve Tayler
|
||
Recorded at Trident Studios, London Dec 1976/Jan 1977
|
||
Mixed at Morgan Studios, London Feb. 1977
|
||
|
||
Malaga Virgen is the name of Jones' favorite kind of booze
|
||
|
||
Goodsall........guitars, backing vocals
|
||
Jones...........basses, autoharp
|
||
Lumley..........keyboards, backing vocals
|
||
Collins.........drums, lead vocals, acoustic piano
|
||
Morris Pert.....Percussion.
|
||
|
||
|
||
1. Sun In The Night (Goodsall)
|
||
2. Why Should I Lend You Mine (When You've Broken Yours Off
|
||
Already) ... into Maybe I'll Lend You Mine After All (Collins)
|
||
3. Hate Zone (Goodsall)
|
||
4. Collapsar (Lumley)
|
||
|
||
5. Disco Suicide (Lumley)
|
||
6. Orbits (Jones)
|
||
7. Malaga Virgen (Jones)
|
||
8. Macrocosm (Goodsall)
|
||
|
||
|
||
Livestock (live album)
|
||
----------------------
|
||
Released November 1977
|
||
|
||
Album: UK Charisma CLASS 5
|
||
US Passport PB9824
|
||
|
||
Recorded on Manor Mobile at Ronnie Scott's Club, London, Sept. 1976
|
||
and Hammersmith Odeon, London and The Marquee Clubm London, August
|
||
1977.
|
||
Mixed at Trident Studios, London, August 1977
|
||
Produced by Brand X
|
||
|
||
Collins............drums
|
||
John Goodsall......guitars
|
||
Percy Jones........bass
|
||
Robin Lumley.......keyboards
|
||
Moris Pert.........percussion
|
||
Kenwood Dennard....drums on tracks 1,4.
|
||
|
||
1. Nightmare Patrol (Goodsall, Dennard) (7:50)
|
||
2. -ISH (Goodsall, Lumley, Jones, Pert, Collins) (8:20)
|
||
3. Euthanasia Waltz (Goodsall, Jones, Lumely, Collins) (5:30)
|
||
|
||
4. Isis Morning (10:15)
|
||
(i) (Goodsall, Jones, Lumley, Pert, Collins)
|
||
(ii) (Collins)
|
||
5. Malaga Virgen (Jones) (9:35)
|
||
|
||
Masques
|
||
-------
|
||
Released September 1978
|
||
|
||
Album: UK Charisma CAS 1138
|
||
US Passport PB 9829.
|
||
Produced by Robin Lumley
|
||
Engineered by Stephen Tayler
|
||
Recorded and mixed at Trident Studios, London, May/June 1978
|
||
|
||
Jones............bass
|
||
Goodsall.........guitars
|
||
Pert.............percussion, Fender piano (on Black Moon)
|
||
Peter Robinson...keyboards
|
||
Chuck Burgi......drums
|
||
|
||
1. The Poke (Goodsall) (5:06)
|
||
2. Masques (Jones, Robinson) (3:17)
|
||
3. Black Moon (Pert) (4:48)
|
||
4. Deadly Nightshade (Pert) (10:54)
|
||
|
||
5. Earth Dance (Pert) (6:10)
|
||
6. Access to Data (Goodsall) (8:04)
|
||
7. The Ghost of Mayfield Lodge (Jones) (10:08)
|
||
|
||
|
||
Product
|
||
-------
|
||
|
||
Released May 1980
|
||
|
||
Album: UK Charisma CAS 1147
|
||
US Passport PB 9840.
|
||
Produced by Brand X with Colin Green and Neil Kernon
|
||
Recorded at Startling Studios, Ascot, England, April 1979
|
||
Remixed at Farmyard Studios, Surrey, Trident Studios, London,
|
||
and Startling Studios June/July 1979
|
||
'Soho' and 'Wal to Wal' recorded at Old Croft, Surrey (Engineered
|
||
by Phil Collins).
|
||
|
||
Goodsall........guitars on all but 7; backing vocals
|
||
Collins.........drums, percussion on 1, 3, 4, 5, 6, 7, 9;
|
||
vocals on 1, 3.
|
||
John Giblin.....Basses on 1, 3, 4, 5, 6, 7, 9.
|
||
Lumley..........Keyboards on 1, 3, 4, 5, 6, 9.
|
||
Jones...........basses on 2, 7, 8.
|
||
Robinson........keyboards on 2, 8.
|
||
Mike Clarke.....Drums on 2, 8.
|
||
Pert............percussion on 2, 8.
|
||
|
||
1. Don't Make Waves (Goodsall) (5:08)
|
||
2. Dance of the Illegal Aliens (Jones) (6:52)
|
||
3. Soho (Goodsall, Collins) (3:47)
|
||
4. ...and so to F... (Collins) (6:34)
|
||
|
||
5. Algon (Where An Ordinary Cup of Drinking Chocolate Costs
|
||
#8,000,000,000) (Lumley) (6:07)
|
||
6. Rhesus Perplexus (Giblin) (4:06)
|
||
7. Wal to Wal (Jones, Giblin) (3:09)
|
||
8. Not Good Enough -- See Me! (Jones, Robinson) (7:27)
|
||
9. April (Giblin) (2:40)
|
||
|
||
|
||
Singles:
|
||
Soho/ Noddy Goes to Sweden/ Pool Room Blues
|
||
12" UK Charisma CB340-12 released Sept. 1979
|
||
(This contains the only known non-album Brand X track.
|
||
The other track was used on Do They Hurt? All members of Brand X
|
||
present for the Product sessions played on Pool Room Blues.)
|
||
|
||
Soho/ Dance of the Illegal Aliens
|
||
7" released Sept. 1979. Side B should have been Noddy Goes To
|
||
Sweden, but no coppies were released with that as a B side.
|
||
|
||
Do They Hurt?
|
||
-------------
|
||
|
||
Album: UK Charisma CAS 1151
|
||
US Passport 9845
|
||
Produced by Brand X and Neil Kernon
|
||
|
||
Recorded at Startling Studios and Farmyard Studios, England, at the
|
||
same time as the 'Product' album.
|
||
Liner notes by Michael Palin.
|
||
|
||
(This album is really what was left over after Product. Noddy Goes
|
||
To Sweden was used as a B-side.)
|
||
|
||
1. Noddy Goes To Sweden (Jones) (4:30)
|
||
Jones: bass, vocals
|
||
Robinson: keyboards
|
||
Clarke: drums
|
||
2. Voidarama (Goodsall) (4:25)
|
||
Goodsall: guitar
|
||
Robinson: keyboards
|
||
Giblin: bass
|
||
Collins: drums
|
||
Lumley: keyboards
|
||
3. Act of Will (Goodsall) (4:44)
|
||
Jones: bass
|
||
Robinson: keyboards
|
||
Clarke: drums
|
||
Goodsall: guitar, vocals
|
||
4. Fragile! (Jones, Robinson) (5:26)
|
||
Jones: bass
|
||
Robinson: keyboards
|
||
Clarke: drums
|
||
|
||
5. Cambodia (Goodsall) (4:30)
|
||
Jones: bass
|
||
Robinson: keyboards and tam-tam
|
||
Clarke: drums
|
||
Goodsall: guitar
|
||
6. Triumphant Limp (Goodsall, Giblin, Lumley, Collins) (7:28)
|
||
Goodsall: guitar
|
||
Giblin: bass
|
||
Robinson: synthesizers and tam-tam
|
||
Lumley: keyboards
|
||
Collins: drums
|
||
7. D. M. Z. (Jones) (8:37)
|
||
Goodsall: guitar
|
||
Jones: bass
|
||
Robinson: keyboards
|
||
Clarke: drums
|
||
|
||
|
||
Is There Anything About?
|
||
------------------------
|
||
|
||
Released 1982
|
||
Album: UK CBS CBS 85967
|
||
US Passport PBC-6016.
|
||
|
||
Produced by Robin Lumley and Stephen Short
|
||
Engineered by Short, Neil Kernon, Colin Green, Craig Milliner
|
||
Recorded incidentally
|
||
Mixed at Trident Studios, London
|
||
|
||
(This album is mainly loose ends left over from Brand X. Modern,
|
||
Noisy, & Effective, for example, is played over the backing track for
|
||
Soho -- which was engineered by Collins, whose engineering was
|
||
described as being modern, noisy, and effective in the Product liner
|
||
notes. TMIU-ATGA is an acronym for "They're Making It Up As They Go
|
||
Along"
|
||
|
||
Collins............drums, percussion
|
||
Jones..............bass
|
||
Giblin.............bass, Whitbread
|
||
Lumley.............keyboards
|
||
Robinson...........keyboards
|
||
Goodsall...........guitar
|
||
Raf Ravenscroft....saxophone
|
||
Short..............syndrums
|
||
(Musicians on each track are noted below the track)
|
||
|
||
1. Ipanaemia (Goodsall) (4:30)
|
||
Goodsall, Collins, Giblin, Lumley
|
||
2. A Longer April (Giblin) (7:00)
|
||
Goodsall, Lumley, Giblin, Collins, Ravenscroft
|
||
3. Modern, Noisy, and Effective (Goodsall, Lumley, Short) (3:56)
|
||
Goodsall, Lumley, Collins, Giblin
|
||
|
||
4. Swan Song (Collins, Lumley, Giblin, Short) (5:30)
|
||
Collins, Goodsall, Lumley, Giblin, Short
|
||
5. Is There Anything About? (Jones, Goodsall, Lumley, Collins) (7:52)
|
||
Jones, Goodsall, Lumley, Collins
|
||
6. TMIU-ATGA (Giblin, Robinson, Lumley) (5:07)
|
||
Lumley, Robinson, Giblin
|
||
|
||
Xtrax : 1986
|
||
This is a "greatest hits" album, and contains *no* previously
|
||
released material. The CD has more tracks than the LP/Cassette
|
||
|
||
Cassette: Passport PBC-6054 cassette
|
||
|
||
Don't Make Waves (5:28)
|
||
Black Moon (4:48)
|
||
Maybe I'll Lend You Mine Anyway (2:09)
|
||
Hate Zone (4:41)
|
||
Malaga Virgen (Live) (9:36)
|
||
Soho (3:47)
|
||
Nuclear Burn (6:25)
|
||
Cambodia (4:31)
|
||
Ipaneamia (4:30)
|
||
Nightmare Patrol (Live) (7:50)
|
||
|
||
CD: Passport Records PBCD 6054
|
||
Marketed by Jem Records
|
||
|
||
Don't Make Waves 5:28
|
||
And So To F 6:34
|
||
Black Moon 4:48
|
||
Maybe I'll Lend You Mine Anyway 2:09
|
||
Hate Zone 4:41
|
||
Collapsar 1:34
|
||
Malaga Virgen (live) 9:36
|
||
Soho 3:47
|
||
Nuclear Burn 6:25
|
||
Ipaneamia 4:30
|
||
Sun In The Night 4:33
|
||
Swansong 5:30
|
||
Nightmare Patrol (live) 7:50
|
||
|
||
Xcommunication
|
||
--------------
|
||
Released 1992
|
||
Ozone Records OZ-001 1992 (released only on CD)
|
||
Produced by: John Goodsall, Percy Jones
|
||
Recorded at: Grandpa Studios, NY
|
||
Executive producers: Gilad Amarillo, Doron Scharf
|
||
Engineered and mixed by: Mick Cantarella
|
||
Mastered at Eurodisk by: Jum Shelton
|
||
"Healing Dream" engineered by Franz Tusch (Engineer), Keith Lewis
|
||
(Second Engineer)
|
||
Seltzer Bottle by Frank Katz (cover photo)
|
||
|
||
Percy Jones......bass, keyboards on Strangeness
|
||
John Goodsall....guitar, MIDI guitar (all keyboards and samples
|
||
triggered by MIDI guitar except keyboards on
|
||
Strangeness)
|
||
Frank Katz.......drums
|
||
Danny Wilding....flute on Kluzinski Reprise
|
||
|
||
1) Xanax Taxi (Goodsall) (5:57)
|
||
2) Liquid Time (Goodsall) (4:39)
|
||
3) Kluzinski Period (Jones) (7:00)
|
||
4) Healing Dream (Goodsall) (3:51)
|
||
5) Mental Floss (Goodsall) (3:17)
|
||
6) Strangeness (Jones) (3:23)
|
||
7) A Duck Exploding (Goodsall/Jones) (6:47)
|
||
8) Message To You (Goodsall) (0:25)
|
||
9) Church of Hype (Jones) (5:54)
|
||
10) Kluzinski Reprise (Goodsall/Jones) (4:25)
|
||
|
||
|
||
Brand X The Plot Things - A History of Brand X
|
||
----------------------------------------------
|
||
|
||
CD Virgin CDVM9005 UK
|
||
|
||
Note: like Xtrax, this is all previously released material, released
|
||
at the time of Xcommunication
|
||
|
||
1 Nuclear Burn
|
||
2 Born Ugly
|
||
3 Why Should I Lend You Mine?
|
||
4 Disco Suicide
|
||
5 Malaga Virgen
|
||
6 Isis Mourning Part 1
|
||
7 The Poke
|
||
8 The Ghost of Mayfield Lodge
|
||
9 Dance of the Illegal Aliens
|
||
10 Algon
|
||
11 Cambodia
|
||
12 Triumphant Limp
|
||
|
||
-------------------------------------------------------------------------------
|
||
Solo Brand X Projects
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
(See also Phil Collins, and most Brand X members are session players
|
||
who have appeared on hundreds of records. John Giblin is a good
|
||
example. Little known fact: John Goodsall is listed as the
|
||
guitarist on Tony Basil's "Mickey" single from 1982, but did you
|
||
really want to know that?)
|
||
|
||
John Goodsall
|
||
Fire Merchants 1989
|
||
Instrumentals. Very hard rock, harder than anything with Brand
|
||
X. CD purportedly has an extra track not on LP.
|
||
|
||
Goodsall: guitar
|
||
Doug Lunn: bass
|
||
Chester Thompson: drums
|
||
|
||
[Track List Not Available]
|
||
|
||
Percy Jones
|
||
Cape Catastrophe (first solo album, details unavailable, label:
|
||
Hot Wire West German) Released in early 80s.
|
||
Programmed drums and keys, him playing bass, described as being
|
||
in a techno-fusion vein.
|
||
|
||
[Track List Not Available]
|
||
|
||
Hex -- Joes had a band called Hex, which has never released an
|
||
album, although a release is (was) rumored. The band is made up
|
||
of Jones, Mark Wagnon on electronics, and Frank Katz on drums.
|
||
They did do gigs, and played mostly tunes from Cape Catastrophe
|
||
as well as a number of new ones. Nothing from the Brand X days
|
||
though.
|
||
|
||
The Percy Jones Ensemble : Propeller Music (second solo album)
|
||
Catalogue Number : HOT 9004C
|
||
Label: Hot Wire Records West Germany.
|
||
Released 1984
|
||
Four vocal tracks on this album: the '+' tracks are also the four vocal
|
||
tracks
|
||
|
||
Percy Jones........bass, kybds (on '+' songs).
|
||
Jeff Llewlyn.......guitars
|
||
Shankhar...........violin
|
||
Anton Sanko........keyboards
|
||
Sterling Campbell..drums
|
||
Mike Clarke........drums (on 2 tracks marked '*')
|
||
|
||
1. $10,000 Book Shelf *
|
||
2. Heidelberg Switch
|
||
3. Barrio
|
||
4. Panic-Disorder
|
||
5. Count the Ways +
|
||
6. Turn Around +
|
||
7. Slick
|
||
8. Slack
|
||
9. All For A Better Way +
|
||
10. Looking For A Sign of New Life +
|
||
11. Razorville *
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| B O O T L E G S |||
|
||
||| Section XI |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
[NOTE: This is not a complete list by any stretch of the imagination.
|
||
It would be almost impossible to compile a *complete* list.
|
||
The term "bootleg" has been used in this context to include
|
||
anything that has not been officially released by Genesis. This
|
||
includes bootlegged albums, radio shows, outtakes.
|
||
|
||
Bootlegs are listed in chronological order by the dates of the
|
||
concerts they are taken from. Compilation bootlegs are at the end,
|
||
they're ones that take material from more than one show and can't be
|
||
easily placed in order. Every attempt has been made to get bootlegs
|
||
from the same performance (Montreal 1974, for example) together, but
|
||
there may be slip-ups.
|
||
|
||
Really significant bootlegs are listed first. These have on them
|
||
rare non-album tracks and other important songs.
|
||
|
||
Sound note: the sound quality listings are by their very nature highly
|
||
subjective. One person's excellent is another's unlistenable. Even
|
||
more difficult is the fact that different versions of the same bootleg
|
||
can sound incredibly different (the editor has heard two tapes made
|
||
from LPs of The Bedside Yellow Foam, for example, and one sounds very
|
||
good and the other is terrible). The sound guides are here to give you
|
||
some idea what the recordings sound like, so if you want to get them
|
||
you won't wind up making a $60 mistake (buying CDs). Remember: caveat
|
||
emptor, let the buyer beware. Especially for the older shows, your
|
||
best bet is always King Biscuit. They have the highest degree of
|
||
profesionalism in recording shows, and generally their sound is great.
|
||
(The bootleggers transferring a KBFH show onto vinyl may not share the
|
||
high standards, so a KBFH show is best obtained directly from a KBFH
|
||
source. These originals are unfortunately extremely rare and also
|
||
very, very expensive.)
|
||
|
||
Special Note on Radio Programs: Radio shows like the King Biscuit
|
||
Flower Hour and Rockline are distributed to radio stations via CD, or
|
||
--in earlier days, and some even today-- LP record. These are
|
||
meant not to be sold to collectors and fans. Some
|
||
pressings, however, naturally leak out to the public. These sell for
|
||
fantastic sums of money at places like record shows and Goldmine (qv
|
||
in the publications section). They are incredibly rare, especially the
|
||
vinyl pressings, because so few are available. The prices are
|
||
outrageous. Tapes of radio shows from the air are much more abundant
|
||
(and much less expensive). Very little information on the actual
|
||
pressings released to radio stations is available, because of the
|
||
rarity of seeing these. No other Genesis discography (the editor has
|
||
seen) has even attempted to compile information on radio shows.
|
||
|
||
Songwriter credits are the same as the albums.
|
||
Musicians are the same as for the albums, with these additions:
|
||
|
||
* Bill Bruford played drums on the 1976 tour.
|
||
* Chester Thompson has played drums on tour since 1977.
|
||
* Daryl Stuermer has been the guitarist on tour since Hackett left
|
||
the band.
|
||
* The Earth Wind & Fire horns played occasionally during the Abacab
|
||
tour on the songs they played on the album. This is the only time
|
||
they have played with Genesis.]
|
||
|
||
Format notes:
|
||
|
||
A "none" in the Name: field means the bootleg hasn't been released
|
||
with a name, ie it is a radio show or something. A ? or "unknown"
|
||
means there is a name, only it isn't known. Sometimes a description
|
||
has slipped into the Name: field.
|
||
|
||
A 'venue' is the city when the exact place they played is not known.
|
||
Sometimes it is even the country when the city isn't known...
|
||
|
||
Format for bootleg entries -- not all may apply to each bootleg, and
|
||
in some cases they're unknown. If it isn't listed, it was not known at
|
||
the time the entry was made. Better partial info than none at all.
|
||
|
||
[Blank template entry to cut & paste to add a new one]
|
||
|
||
Name:
|
||
Date:
|
||
Venue:
|
||
Length:
|
||
Label:
|
||
Cat No:
|
||
Format:
|
||
Source:
|
||
Sound:
|
||
Notes:
|
||
Tracks:
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
GENESIS BOOTLEGS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
Name: Genesis - In The Beginning Vol 1 & 2
|
||
Date:
|
||
Length: Both CDs are over 70 min
|
||
Label: (see below)
|
||
Cat No: EXR 005 and EXR 006 (for Vol 1 and 2, respectively)
|
||
Format: 2 CD
|
||
Source: studio outtakes
|
||
Sound: superb and in stereo
|
||
Notes: Vol 1 and 2, with possibly more to come
|
||
Tracks:
|
||
|
||
On the top is says in very tiny letters
|
||
|
||
John & Tony Smith in conjunction with CHARISMA presents
|
||
|
||
then follows a picture in the style of the Trick of the Tail drawings
|
||
which was taken from page 116 of the book 'Genesis - Turn It On Again
|
||
The Illustrated Genesis Story'.
|
||
|
||
The booklets are multi-folded with one big photograph inside and
|
||
several pages from the book mentioned above plus a few more tiny color
|
||
photographs taken at concerts in the Gabriel era.
|
||
|
||
...on the back side there's that drawing of the man with the hat
|
||
(taken from Alice In Wonderland) as a reference to Charisma Records.
|
||
On the CDs itself EXR is explained as 'Extremly Rare' which is written
|
||
on a big blue X. [Charisma is defunct, this can't be a Charisma
|
||
release. They must have pirated the logo --ed]
|
||
|
||
All songs written by Genesis except where noted
|
||
|
||
Produced by: APPAZ KNARF (read these two credits backwards)
|
||
Sleve design: EVERT
|
||
|
||
The contents (as listed on the backside):
|
||
|
||
Vol 1:
|
||
|
||
1. In The Rapids, 3 different mixes, no intro
|
||
2. Dancing With The Moonlit Knight, Part 2, 2 different mixes
|
||
3. More Fool Me, studio demo, almost identical with album version
|
||
4. Happy The Man - Released as single b/w Seven Stones '72
|
||
1 rough mix, 2 a somewhat "cleaner" mix, 3 studio demo - quality
|
||
5. studio take of unreleased Genesis song
|
||
6. Silver Song, studio take + studio demo, vox Phil
|
||
7. Only Your Love, unreleased, vox Phil
|
||
8. Back In N.Y.C., studio demo
|
||
9. The Grand Parade Of Lifeless Packaging, studio demo
|
||
10. Couning Out Time, different bassline & effects
|
||
11. Back In N.Y.C., parts of it; 2 different cuts
|
||
12. After The Ordeal, 5 different mixes
|
||
13. In The Cage, studio demo
|
||
|
||
5 in fact is 'Field Of Eternity' by Ant as released on PP&P I but at a
|
||
different mix. 6 (studio take) is very nice. You hear Phil, Mike &
|
||
Steve chating around (if I got the voices right, only heard it once by
|
||
now). Phil sings 'da da da da...' throughout the whole song. 7 is a
|
||
must-hear- it-again song, simply lovely.
|
||
|
||
Vol2:
|
||
|
||
1. Cuckoo Cocoon, 3 different versions
|
||
2. Master Of Time, Anthony Phillips version of unreleased Genesis song
|
||
3. Child Song, Anthony Phillips version of unreleased Genesis song
|
||
4. Reaper, Anthony Phillips, featured on "Back To The Pavillion"
|
||
5. The Lamia, studio demo
|
||
6. The Lamb Lies Down On Broadway, 2 different takes
|
||
7. Anyway, studio demo
|
||
8. Cuckoo Cocoon, 4th version
|
||
9. Back In N.Y.C., studio take
|
||
10. The Grand Parade Of Lifeless Packaging, 2 versions, 2nd incomplete
|
||
11. Happy The Man, demo version
|
||
12. Silver Song, studio demo, vox Phil Collins
|
||
|
||
Name: Genesis - In The Beginning Vol 3 & 4
|
||
Date: (p) 1993, Made In Germany
|
||
Length: Vol 3, 62:05; Vol 4, 76:46
|
||
Label:
|
||
Cat No: Vol 3, # EXR 13; Vol 4, # EXR 14
|
||
Format: 2 CD
|
||
Source: studio outtakes
|
||
Sound: superb and in stereo
|
||
|
||
Tracks: (this is a corrected track listing, the listing on the cover
|
||
collects several tracks under one number)
|
||
|
||
Genesis - In The Beginning Vol. 3
|
||
1. 6:06 Carpet Crawlers - Demo Take #1
|
||
2. 5:30 Carpet Crawlers - Demo Take #2
|
||
3. 5:08 Carpet Crawlers - Demo Take #3
|
||
4. 2:46 I Know What I Like - Intro
|
||
5. 3:57 The Waiting Room - Demo
|
||
6. 1:50 The Cinema Show - Studio Take #1
|
||
7. 2:25 The Cinema Show - Studio Take #2
|
||
8. 5:05 The Waiting Room - Sound Effects
|
||
9. 2:44 Lilywhite Lilith - Demo
|
||
10. 5:14 The Waiting Room - Demo
|
||
11. 3:08 Anyway - Demo
|
||
12. 2:52 The Supernatural Anaesthetist
|
||
- Demo w. Phil on vocals
|
||
13. 6:54 The Lamia - Demo
|
||
14. 4:13 Riding The Scree - Demo
|
||
15. 4:11 Silver Song, Demo w. Phil on vocals
|
||
|
||
The demos of 'The Cinema Show' and the Lamb stuff except for 'The
|
||
Waiting Room' are hard to distinguish from the official versions.
|
||
'Anyway' and 'The Lamia' probably are the same as on ITB Vol. 2. I
|
||
cannot tell, if 'The Supern. A.' really has different vocals tracks.
|
||
'Silver Song' is the same as on ITB Vol. 1. The only great tracks are
|
||
'I Know What I Like' which is the intro, but much longer, and 'The
|
||
Waiting Room', the demo is different and the 'Sound Effects' version
|
||
is really fun listening to.
|
||
|
||
Genesis - In The Beginning Vol. 4
|
||
1. 2:47 Happy The Man - Demo
|
||
2. 4:13 Silver Song (Demo w. Phil on vocals)
|
||
3. 2:58 Only Your Love (Demo w. Phil on vocals)
|
||
4. 5:59 Studio Improvisation (instrumental)
|
||
5. 0:20 Studio Improvisation
|
||
6. 2:39 The Battle Of Epping Forest
|
||
(instrumental studio take, intro + part 1)
|
||
7. 2:53 The Battle Of Epping Forest
|
||
(instrumental studio take, part 2)
|
||
8. 5:35 The Battle Of Epping Forest
|
||
(instrumental studio take, part 3)
|
||
9. 6:22 The Battle Of Epping Forest
|
||
(instrumental studio take, part 4)
|
||
10. 3:06 The Battle Of Epping Forest
|
||
(instrumental studio take)
|
||
11. 0:31 The Cinema Show (fast instrumental take)
|
||
12. 0:52 The Cinema Show (instrumental studio session)
|
||
13. 1:16 The Cinema Show (instrumental studio take)
|
||
14. 1:19 The Cinema Show (instrumental studio take)
|
||
15. 1:52 The Cinema Show (instrumental studio take)
|
||
16. 0:55 Dancing With Moonlit Knight (studio take)
|
||
17. 0:19 Dancing With The Moonlit Knight (studio take)
|
||
18. 0:35 Dancing With The Moonlit Knight (studio take)
|
||
19. 4:12 The Battle Of Epping Forest (studio take part 1 & 2)
|
||
20. 1:01 The Last Time (Jagger/Richards)
|
||
21. 0:51 You Really Got Me (Davies)
|
||
22. 0:52 The Battle Of Epping Forest
|
||
(instrumental studio take part 2 & 3)
|
||
23. 1:53 The Battle Of Epping Forest
|
||
(slow instrumental version, intro + part 1)
|
||
24. 1:05 The Battle Of Epping Forest (tryout)
|
||
25. 1:33 The Battle Of Epping Forest (tryout)
|
||
26. 1:51 The Battle Of Epping Forest (part 3 outro)
|
||
27. 0:33 The Battle Of Epping Forest (instrumental take)
|
||
28. 1:05 The Battle Of Epping Forest (instrumental take)
|
||
29. 0:55 The Battle Of Epping Forest (instrumental take)
|
||
30. 2:01 The Battle Of Epping Forest (instrumental take)
|
||
31. 1:39 The Battle Of Epping Forest (instrumental take)
|
||
32. 0:47 The Battle Of Epping Forest (instrumental take)
|
||
33. 1:11 The Battle Of Epping Forest (instrumental take)
|
||
34. 3:47 I Know What I Like (studio take, no lyrics)
|
||
35. 3:47 I Know What I Like (take 2)
|
||
36. 3:10 The Cinema Show (studio take, no lyrics)
|
||
|
||
|
||
Although 'Happy The Man' and 'Silver Song' are already on Vol. 1 and
|
||
2, the remaining tracks provide a fantastic view in the session work
|
||
of unfinished songs. On the various 'TBOEF' tracks they are rehearsing
|
||
various segments of the songs. Instead of a vocal track Peter Gabriel
|
||
often sings na-na-na to the music. On track 36 only a rhythm guitar is
|
||
played, even on the 'Take a little trip back...' section. Track 4 and
|
||
5 are improvisational pieces which I have never heard in a song
|
||
before. 'Only Your Love' is a better version than the one on ITB
|
||
Vol.1. Phil's vocals are much clearer. And not to forget 'The Last
|
||
Time' and 'You Really Got Me'. The tracks covering 'I Know What I
|
||
Like' are different from the tracks on ITB Vol. 3.
|
||
|
||
The covers and booklets of both CD are the same as for Vol. 1 and 2.
|
||
|
||
Name: From One Fan To All Others
|
||
Date: Various
|
||
Venue: Various
|
||
Length: 3 CD
|
||
Label:
|
||
Cat No:
|
||
Format:
|
||
Source:
|
||
Sound: Absolutely *no* hiss and great dynamics on non-Lamb Lives CD.
|
||
When listening with earphones one can hear kind of a phasing
|
||
noise, but that is sufficiently low. Whoever edited that CD
|
||
must have taken an enormous effort to process the source
|
||
tapes.
|
||
|
||
Notes:
|
||
The first CD is an assorted compilation including the demo
|
||
Going Out To
|
||
Tracks on the second and third CDs are exactly the same
|
||
as on The Lamb Lives (qv below), except the second begins with
|
||
Supper's Ready and More Fool Me from the Rainbow concert.
|
||
Stagnation definitely is not the same as on 'The Shepherd'.
|
||
Packaging: comes with a very nice box which contains a 24 page booklet
|
||
with beautiful color pictures of the band members and Peter's
|
||
masks and tells a bit of the story behind each mask.
|
||
|
||
Tracks:
|
||
|
||
|
||
Name: Happy The Man
|
||
Desc: studio sessions + recordings 1967 - 1974
|
||
Format: CD
|
||
|
||
Name: The Shepherd
|
||
Date: Released 1990
|
||
Venue: Tracks 1-5 are from London, 1970
|
||
tracks 6-8 are from London, 1972
|
||
track 9 is from London, 1971.
|
||
Label: Flashback 09.90.0126 (69 min)
|
||
Sound: 1970 tracks mono, rest stereo, very good sound, obviously from
|
||
soundboard. Noticable hiss, slightly forward EQ, but overall
|
||
very clean, uncompressed dynamics, better sounding than the
|
||
official release, _Genesis Live_.
|
||
Cover: No info
|
||
Tracks: The Shepherd / Pacidy / Let Us Make Love / Stagnation /
|
||
Looking for Someone / Twilight Alehouse / Watcher of the
|
||
Skies / Get 'Em Out By Friday / The Musical Box
|
||
|
||
Name: (none)
|
||
Date: 8/20/72
|
||
Venue: Piper Club Rome
|
||
Source: unknown (sounds like an audience bootleg)
|
||
Sound: incredible hiss, Good minus at best
|
||
Tracks: Watcher of the Skies/ Can-Utility and the Costliners/
|
||
Get 'Em Out By Friday/ The Musical Box
|
||
|
||
Name: The Musical Fox
|
||
Date: January 1972
|
||
Label: Wild Bird Records
|
||
Cat No: WBR CD 9016
|
||
Format: CD
|
||
Sound: Very good
|
||
Notes: Mediocre recording with occasional dropouts on the source
|
||
tape, and even some 50 Hz hum (recorded in Europe, y'know :-).
|
||
It has interesting, lengthy intros into all of the songs in a
|
||
weird French/English mixture by Peter. 6/10 overall.
|
||
Tracks:
|
||
Happy the Man (3:28)
|
||
Stagnation (9:00)
|
||
The Fountain of Salmacis (8:47)
|
||
Twilight Alehouse (8:12)
|
||
The Musical Box (10:46)
|
||
The Return of the Giant Hogweed (7:55)
|
||
|
||
Name: Watcher of the Skies
|
||
Date: 1982
|
||
|
||
Name: unknown
|
||
Venue: Marquee club in London
|
||
Date: December 1972
|
||
Format: 1 LP
|
||
Label: TAKRL
|
||
Cat No: 932
|
||
Sound: audience, with no high-end, but the performances are energetic
|
||
Notes: not much is known about this one
|
||
|
||
Partial track list: Watcher of the Skies / Can-Utility & the
|
||
Coastliners / Return of the Giant Hogweed / Musical Box / The
|
||
Knife
|
||
|
||
Name: Live In Basel, Switzerland
|
||
Date: Jan 72
|
||
Format: CD
|
||
|
||
Name: In Concert 1973
|
||
Date: 1973
|
||
Venue: New York -- it says, although it is wrong, it's Rainbow
|
||
Theatre
|
||
Label: Music Of Distinction
|
||
Cat No: MOD 1006
|
||
Length: 90 min.
|
||
Format: 2 LP
|
||
Sound: VG+
|
||
Notes: this album is allegedly the same as the Live Supper cd
|
||
|
||
1. Watcher of the Skies
|
||
2. Dancing with the Moonlit Knight
|
||
3. I Know What I Like
|
||
|
||
4. Firth of Fifth
|
||
5. Battle of Epping Forest
|
||
|
||
6. Cinema Show
|
||
7. Your Own Special Way (recorded Madison WI, Feb/9/1977)
|
||
|
||
8. Supper's Ready
|
||
|
||
|
||
1973 Rainbow Theatre ( ? tape ) aka Live Supper (CD)
|
||
|
||
Date: October 20, 1973
|
||
Venue: Rainbow Theatre
|
||
Notes: This is definitely one of the best early Genesis shows ever.
|
||
It was recorded by the King Biscuit Flower Hour and has
|
||
appeared in many different formats. In addition to these, it
|
||
has appeared on many compilation bootlegs.
|
||
|
||
A tape of the actual ~50 minute King Biscuit show exists, and
|
||
can be found at record shows, etc.
|
||
|
||
Watcher of the Skies/ Dancing with the Moonlit Knight/ I
|
||
Know What I Like/ Firth of Fifth/ More Fool Me (Phil sings)/
|
||
Supper's Ready (with story)/ The Cinema Show
|
||
|
||
Name: Live Supper the CD
|
||
Date: Oct. 20, 1973
|
||
Venue: Rainbow Theatre, London
|
||
Label: Chapter One
|
||
Cat No: CD 25111
|
||
|
||
Dancing with the Moonlit Knight (6:20)
|
||
I Know What I Like (4:45)
|
||
Firth of Fifth (8:30)
|
||
More Fool Me (3:15)
|
||
The Battle of Epping Forest (12:00)
|
||
The Cinema Show (11:30)
|
||
Supper's Ready (22:40)
|
||
|
||
I compared Dancing ... and Firth of Fifth with the ones in the "Rainbow
|
||
Theatre" bootleg, and they were exactly the same. I don't have all of
|
||
Rainbow Theatre, but as far as I know it doesn't have More Fool Me or
|
||
the Worm Story which opens Supper's Ready. This one does, and the
|
||
tape of the broadcast has the story and More Fool Me but not the Cinema
|
||
Show or the Battle. The recording is OK -- perhaps a 7/10 if
|
||
Revelatory Genesis is 10/10.
|
||
|
||
Name: The Great Lost Live Album
|
||
Format: 2 LP
|
||
Date: Oct. 20th, 1973
|
||
Venue: Rainbow Theatre
|
||
|
||
Note: Who knows why this is "The Great Lost Live Album" -- it's
|
||
just another bootleg and quite common...maybe at the time it
|
||
was lost.
|
||
|
||
Watcher of the Skies/Dancing with the Moonlit Knight/I Know
|
||
what I Like/ Firth of Fifth/More Fool Me/Battle of Epping
|
||
Forest/Supper's Ready
|
||
|
||
Name: Watchers Of The Skies
|
||
Label: Great Dane Records
|
||
Cat No: CD 9018
|
||
Sound: Ex, stereo.
|
||
Date: Says "Recorded Live at the Rainbow Theatre, London,
|
||
U.K. 1972." Wrong -- this is 1973.
|
||
|
||
1. Watcher of the Skies
|
||
2. Dancing with the Moonlit Knight
|
||
3. I Know What I Like
|
||
4. Firth of Fifth
|
||
5. More Fool Me
|
||
6. Supper's Ready
|
||
|
||
Name: Tango (CD)
|
||
Date: Brussels 1/72 (1-4) Germany 4/73 (5-6) good-very good mono
|
||
Label: Chapter One
|
||
Cat No: CO25112
|
||
Sound: G-VG mono
|
||
Source: board;
|
||
Length: 48 min.
|
||
|
||
Cover Art: Great! Gabriel floating in the air on the front, and
|
||
painted completely silver on the back with the rest of the
|
||
band. Plus a bunch of shots of the band on the inside.
|
||
|
||
From '72: Fountain of Salmacis/Twilight Alehouse/The Musical
|
||
Box/Return of the Giant Hogweed/
|
||
From '73: Watcher of the Skies/The Musical Box
|
||
|
||
Name: Live in London
|
||
Date: Winter 1972
|
||
Venue: Imperial College
|
||
Format: 1LP
|
||
Sound: Ex
|
||
Notes: Picture Disc showing the 5 piece outside the Bitter End Cafe.
|
||
Says Promo Copy Not For Sale on the other side with a picture
|
||
of the band playing in what appears to be a gynasium.
|
||
|
||
1.Watcher of the Skies
|
||
2.Musical Box
|
||
3.Get'em Out by Friday
|
||
4.Return of the Giant Hogweed
|
||
|
||
Name: A Piece of the Action--'72-'75
|
||
Venue: Shrine Auditorium, Los Angeles 3/75 (tracks 1-6)
|
||
Live 1972 (track 7)
|
||
Rainbow Theatre, London 10/20/73 (tracks 8-12)
|
||
Source: FM/audience
|
||
Format: C90
|
||
Sound: VG-E stereo, lots of hiss
|
||
Length: 90 min.
|
||
Notes: compilation from other bootlegs taped from 2LP
|
||
|
||
Watcher of the Skies / Lilywhite Lilith / The Waiting Room /
|
||
Anyway / It / The Musical Box / Get 'Em Out By Friday / Dancing
|
||
With the Moonlit Knight / I Know What I Like / Firth of Fifth /
|
||
The Battle of Epping Forest / Cinema Show
|
||
|
||
|
||
Name: A Death In Anytown
|
||
Format: LP
|
||
Sound: VG+
|
||
Length: 115min
|
||
Notes: very good stereo, noisy crowd and hardly any bottom end.
|
||
Date: 22 November, 1973
|
||
Venue: Felt Forum.
|
||
|
||
Watcher of the Skies/ Firth of Fifth/ The Musical Box/ Dancing
|
||
With the Moonlit Knight/ Cinema Show/ I know What I Like/ Supper's
|
||
Ready/ Horizons/ More Fool Me/ Battle of Epping Forest/ The Knife
|
||
|
||
|
||
Name: (unknown)
|
||
Date: 1973
|
||
Sound: O.K.
|
||
Note: well, there's a track list. Not much to go on!
|
||
|
||
Watcher of the Skies / Dancing With the Moonlit Knight / I Know
|
||
What I Like / Firth of Fifth / Battle of Epping Forest / Cinema
|
||
Show (cut) / Supper's Ready
|
||
|
||
Name: Skywatchers
|
||
Date: June 19th, 1973
|
||
Format: 2-LP
|
||
Cover: Grey slate color with small Pig logo, "Skywatchers" text
|
||
Label: Kornyfone
|
||
Venue: The Roxy, NY
|
||
Notes: Couple of stories here for SR and CS. SR is cut off just
|
||
at "666 is not alone".
|
||
|
||
Firth of Fifth / The Musical Box / Horizons / Supper's Ready
|
||
(partially cut) / Watcher of the Skies / Dancing With The Moonlit
|
||
Knight / The Cinema Show / I Know What I Like
|
||
|
||
Name: Carnegie Hall
|
||
Date: 1973
|
||
Length: 60 min.
|
||
Sound: very good mono
|
||
Cover: Watercolor pic of naked Marilyn Monroe by "Maggie"
|
||
Label: Kornyfone TAKRL 933
|
||
|
||
Watcher of the Skies/ The Musical Box/ Get 'Em Out by Friday/
|
||
Supper's Ready
|
||
|
||
Name: Live In Quebec City
|
||
Date: 1973
|
||
Venue: Quebec City
|
||
Label: WOMBAT 73
|
||
Format: 1 LP
|
||
Source: (audience?)
|
||
Sound: okay
|
||
Tracks:
|
||
|
||
Get 'em Out by Friday/Musical Box/Hogweed/Supper's Ready
|
||
|
||
Name: Live in Newcastle
|
||
Venue: Newcastle
|
||
Date: 1973
|
||
Label: TAKRL 24905
|
||
Format: 2 LPs
|
||
Sound: fair
|
||
Source: (audience?)
|
||
Tracks:
|
||
|
||
Watcher/ Dancing out with the Moonlit Knight/Cinema Show/I
|
||
Know What I Like /Firth of Fifth/Musical Box/More Fool
|
||
Me/Battle of Epping Forest/Supper's Ready
|
||
|
||
Name: unknown
|
||
Date: 1974
|
||
Venue: Canada
|
||
Sound: Outstanding (slight hiss) (huh!?)
|
||
|
||
Watcher of the Skies / Dancing With the Moonlit Knight / Cinema
|
||
Show / Battle of Epping Forest / More Fool Me / I Know What I
|
||
Like / Firth of Fifth (w/piano into) / Supper's Ready
|
||
|
||
Name: The Bedside Yellow Foam
|
||
Date: 1974
|
||
Format: LP
|
||
Sound: good mono
|
||
Label: Kornyfone TAKRL 1955
|
||
Cover: Marilyn Monroe line drawing
|
||
Notes: "Rescued recordings from the first time around",
|
||
side 1 recorded in England (Jan 1974), side 2 recorded in
|
||
Canada (Nov 1974). Aisle of plenty isn't really on this,
|
||
the Cinema Show just fades out.
|
||
|
||
Dancing Out With the Moonlit Knight (sic) (8:25) / The Cinema
|
||
Show, Aisle of Plenty (10:40) // Supper's Ready (26:20)
|
||
|
||
|
||
Name: Live At Wembley
|
||
Sound: Outstanding
|
||
Date: June 23, 1974
|
||
Format: CD
|
||
Notes: The tracks printed on the cd and the
|
||
booklet don't jibe with what's *really* on it. Here's the real
|
||
track listing: 1) In The Cage 2) Back In NYC 3) Hairless Heart/
|
||
Counting Out Time 4) Carpet Crawl 5) Evil Jam 6) Silent Sorrow/
|
||
Colony Of Slippermen (Arrival)/Ravine/The Light Dies Down/Riding
|
||
The Scree.
|
||
|
||
In The Cage 6:34
|
||
Back In Nyc 5:53
|
||
Hairless Heart 2:10
|
||
Counting Out Time 3:45
|
||
Carpet Crawlers 5:21
|
||
The Waiting Room 5:49
|
||
Silent Sorrow In Empty Boats 1:23
|
||
Intro:Colony Of Slippermen 1:50
|
||
Ravine 1:15
|
||
The Light Dies Down On Broadway 3:20
|
||
Riding The Scree 3:57
|
||
|
||
Name: Who Needs Peter Anyway?
|
||
Venue: Berlin
|
||
Date: 1974
|
||
Sound: VG- to VG+
|
||
Label: Pissing In The Sink Productions, 1983. 1149 Jackson
|
||
Blvd, Hollywood CA, USA 7/10
|
||
|
||
1. Dancing with the Moonlit Knight
|
||
2. Cinema Show
|
||
|
||
1. I Know What I Like
|
||
2. Battle of Epping Forest
|
||
3. Harold the Barrel
|
||
|
||
1. The Lamb Lies Down On Broadway
|
||
2. Broadway Melody of 1974
|
||
3. Cuckoo Cocoon
|
||
4. In the Cage
|
||
5. The Grand Parade of Lifeless Packaging
|
||
|
||
1. Back in NYC
|
||
2. Hairless Heart
|
||
3. Counting Out Time
|
||
4. Carpet Crawlers ("Fleas in the Shagpile" on the record)
|
||
|
||
|
||
Note: the show given on April 21, 1974 seems to be one of the
|
||
most bootlegged ones ever, in terms of how many different
|
||
bootlegs were released containing the show. I'm not sure if
|
||
there's one tape that each of these used, or if a lot of
|
||
people recorded the show seperately.
|
||
|
||
Name: L'Ange Gabriel
|
||
Format: LP
|
||
Date: 21 April, 1974
|
||
Length: 55 min.
|
||
Sound: excellent stereo * good mono, maybe very good at most, listener says
|
||
Venue: Montreal University Sports Centre
|
||
Label: Smilin' Ears
|
||
Source: FM
|
||
Notes: My copy is on colored vinyl. Comes from a radio broadcast.
|
||
Sound OK, strong roaring hiss, compression, FM artifacts,
|
||
sharp warp (bumping noise) in my LP. Magical performances however.
|
||
Stories in French. (L'Ange is French for The Angel)
|
||
|
||
Dancing With The Moonlit Knight/ Cinema Show/ I Know What I
|
||
Like/ Firth of Fifth/ The Musical Box
|
||
|
||
Name: Invisible Live
|
||
Venue: Montreal Sports Arena
|
||
Date: 4/21/74
|
||
Format: CD
|
||
Label: Living Legend
|
||
Cat No: LLRCD 093/094
|
||
|
||
Disk 1 50:06
|
||
1) Watcher of the Sky
|
||
2) Dancing with the Moonlit Knight
|
||
3) Cinema Show
|
||
4) I Know What I Like (11+ minutes long!)
|
||
5) Firth of Fifth
|
||
|
||
Disk 2 47:14
|
||
1) Musical Box
|
||
2) Horizon's
|
||
3) Battle of Epping Forest
|
||
4) Supper's Ready
|
||
|
||
Name: Magma
|
||
Format: CD
|
||
Venue: the University Sports Centre, Montreal, Canada
|
||
Date: 4/21/74
|
||
Label: Lobster
|
||
Cat No: CD 024/2
|
||
Notes: The cover of the cd has a photo of PG in his rubber lamia
|
||
costume and the booklet has 5 or 6 color photos of the band
|
||
from that time period, plus one with Stuermer (which is funny
|
||
cos he's not even on it!).
|
||
|
||
Disk 1:
|
||
Watcher Of The Skies
|
||
Dancing With The Moonlit Knight
|
||
The Cinema Show
|
||
I Know What I Like
|
||
Firth Of Fifth (contains the full piano intro!)
|
||
The Musical Box
|
||
|
||
Disk 2:
|
||
Horizons (this is really hard to hear against the background noise)
|
||
The Battle Of Epping Forest
|
||
Supper's Ready
|
||
Stagnation (*)
|
||
Get 'Em Out By Friday (*)
|
||
Twilight Alehouse (*)
|
||
|
||
(*) Recorded live in London during 1972 tour.
|
||
|
||
Name: Horizons
|
||
Date: 21 April 1974
|
||
Label: Golden Stars (Italy), released 1991, ADD.
|
||
Format: 2 CD
|
||
Venue: Montreal University Sports Center
|
||
|
||
CD 1:
|
||
Watcher of the Skies (8:27)
|
||
Dancing with the Moonlight Knight (10:27)
|
||
The Cinema Show (13:10)
|
||
I know what i like (6:35)
|
||
First of Fifth (11:28)
|
||
|
||
CD 2:
|
||
The Musical Box (11:07)
|
||
Horizons (4:25)
|
||
The Battle of Epping Forest (8:04)
|
||
Supper's Ready (23:40)
|
||
|
||
Name: Invisible Life
|
||
Date: April 21 1974
|
||
Venue: Montreal, same as Magma
|
||
Label: Living Legend Records
|
||
Cat No: LLRCD 093/094
|
||
Sound: Excellent Stereo, quality recording, slight dropout during
|
||
Dancing..Knight and a blip in Cinema Show.
|
||
Note: Discs say it has Horizons but it is really the instrumental
|
||
intro to Epping Forest
|
||
|
||
Disc 1
|
||
1. Watcher of the Skies
|
||
2. Dancing with the Moonlit Knight
|
||
3. Cinema Show
|
||
4. I Know What I Like
|
||
5. Firth of Fifth
|
||
|
||
Disc 2
|
||
1. Musical Box
|
||
2. Battle of Epping Forest
|
||
3. Supper's Ready
|
||
|
||
Name: Live In Montreal
|
||
Date: April 21, 1974
|
||
Format: 3 colored vinyl LPs
|
||
Label: Swingin' Pig Records
|
||
Cat No: TSP 040-3
|
||
|
||
Note: yet another Montreal 1974 bootleg!
|
||
|
||
Name: As Though Emerald City (LP)
|
||
Twilight Alehouse (CD)
|
||
Date: 3/75
|
||
Length: 50 min.
|
||
Sound: excellent stereo
|
||
Label: TAKRL 1945;
|
||
Source: FM
|
||
Venue: Shrine Auditorium, Los Angeles
|
||
non-album single (track 7)
|
||
non-album B-side (track 8)
|
||
Notes: Twilight Alehouse is the same as As Though Emerald City
|
||
album. The same guy yells 'Alright!!' at the beginning of Musical
|
||
box. One extra track on LP: Happy The Man. The sound quality
|
||
of this cd is superb. (Except the tape from which the CD was
|
||
mastered was played a slight fraction slower than normal,
|
||
causing the CD a barely perceptible slowness to it. If you
|
||
listen long enough, you'll start noticing it.)
|
||
|
||
Watcher of the Skies/ Lilywhite Lilith/ The Waiting Room/ Anyway/
|
||
It/ The Musical Box/ Happy The Man (studio)/ Twilight Alehouse
|
||
(studio)
|
||
|
||
Name: Revelation Without A Cause
|
||
Length: 45 min.
|
||
Sound: good stereo
|
||
Venue: Shrine Auditorium, Los Angeles
|
||
Date: 3/75
|
||
Label: Wizardo
|
||
Cat No: WRMB 313
|
||
Source: audiencd
|
||
Format: LP
|
||
|
||
Silent Sorrow/ Colony of Slippermen/ Ravine/ The Light Dies Down
|
||
On Broadway/ Riding The Skree/ The Waiting Room/ Anyway/ The
|
||
Supernatural Anaesthetist/ The Lamia
|
||
|
||
Name: Lamb Stew
|
||
Venue: London & L.A. 1975
|
||
|
||
Name: Awed Man Out
|
||
Date: 15 April, 1975
|
||
Length: 55 min., excellent stereo
|
||
Venue: Empire Pool, Wembley, London
|
||
Label: Kornyfone TAKRL 1975
|
||
Source: FM
|
||
Format: LP
|
||
Sound: excellent stereo
|
||
Notes: from BBC broadcast, track 10 is edited
|
||
Cover: Line drawing of big baby with universe around him
|
||
|
||
Cuckoo Cocoon (2:21) / Back in NYC (6:10) / Hairless Heart (2:20) /
|
||
The Carpet Crawlers (5:35) / Lilywhite Lilith (2:40) // The Waiting
|
||
Room, Anyway (13:03) / Ravine (4:40) / The Light Dies Down on
|
||
Broadway (3:35) / Riding the Scree (4:02)
|
||
|
||
That's what it says on the cover, the contents are a little different:
|
||
Cuckoo Cocoon/ Back in NYC/ Hairless Heart/ Counting out Time/
|
||
The Carpet Crawlers/ Lilywhite Lilith/ The Waiting Room/ Anyway/
|
||
Silent Sorrow in Empty Boats/ The Colony of Slippermen (opening
|
||
section)/ Ravine/ The Light Dies Down on Broadway/ Riding the Scree
|
||
|
||
Name: British Tour
|
||
Format: LP
|
||
Date: 1975
|
||
Cover: Peter Gabriel in Gladiator costume, pound note with Gabriel in
|
||
flower mask, text "Selling England by the Pound"
|
||
Label: Bird Brain Records RSB-002
|
||
Notes: Track list, times are exactly the same as "Awed Man
|
||
Out" Noisy recording (scratchy).
|
||
|
||
Name: The Carpet Crawlers
|
||
Format: CD
|
||
Length: 69:32
|
||
Date: April 15, 1975
|
||
Venue: Wembley, the Lamb tour
|
||
Label: Chapter One Digital Recordings
|
||
Cat No: CO25134
|
||
Notes: The sound is outstanding--it has to have come directly
|
||
from a sound board tape.
|
||
|
||
Watcher Of The Skies/Cuckoo Cucoon (or as it says, Cuckoo Cuckoo)/
|
||
Back in N.Y.C. (Back in the New York City)/Hairless Heart/
|
||
Counting Out Time/The Carpet Crawlers/Lilywhite Lilith/
|
||
The Waiting Room/Anyway/Ravine/The Light Dies Down On
|
||
Broadway/Riding The Scree/In The Cage/It
|
||
|
||
Name: Live At Wembley
|
||
Date: alleges June 23, 1974, but that can't be right
|
||
It's got to be the same show as The Carpet Crawlers.
|
||
Format: CD
|
||
Venue: Wembley
|
||
Label: Seagull Records
|
||
Cat No: SEAGULL CD 001
|
||
|
||
In The Cage / Back In NYC / Hairless Heart / Counting Out Time
|
||
The Carpet Crawler / The Waiting Room
|
||
Silent Sorrow In Empty Boats / The Light Lies Down On Broadway
|
||
Riding The Scree
|
||
|
||
Name: Swelled and Spent
|
||
Format: 2-LP
|
||
Sound: Good
|
||
Length: 105min
|
||
Source: audience
|
||
Date: 2 May, 1975, 105 min., good stereo
|
||
Venue: Birmingham Hippodrome, Birmingham, England
|
||
Label: TAKRL 2980
|
||
Notes: The Lamb Lies Down On Broadway Live (complete).
|
||
Good stereo: strong hiss, compression, bootleg vinyl quality, very
|
||
piercing sound with related distortion (side two has additional vinyl
|
||
distortion on my copy due to this also). In spite of these irritations,
|
||
however, proper EQ produces a realistic sense of being in the audience.
|
||
Couple long stories.
|
||
|
||
This is the complete Lamb Lies Down On Broadway.
|
||
|
||
The Lamb Lies Down on Broadway/ Fly on a Windshield/ Broadway Melody
|
||
of 1974/ Cuckoo Cocoon/ In the Cage/ The Grand Parade of Lifeless
|
||
Packaging/ Back in N.Y.C./ Hairless Heart/ Counting Out Time/ The
|
||
Carpet Crawlers/ The Chamber of 32 Doors/ Lilywhite Lilith/ The
|
||
Waiting Room/ Anyway/ The Supernatural Anaesthetist/ The Lamia/ Silent
|
||
Sorrow in Empty Boats/ The Colony of Slippermen (a) The Arrival
|
||
(b) A Visit to the Doktor (c) The Raven/ Ravine/ The Light Dies
|
||
Down on Broadway/ Riding the Scree/ In the Rapids/ it
|
||
|
||
Name: The Real Last Time
|
||
Venue: Torino, Palasport, Italy
|
||
Date: 24/03/75
|
||
Label: Stonehenge
|
||
Cat No: STCD 2004/2005
|
||
Note: This and Swelled and Spent are the only two known complete
|
||
Lamb recordings from one venue. It is the better of the two.
|
||
[Well, that is until 1993 when soundbaord Lambs and rumors of
|
||
soundboard Lambs started appearing.]
|
||
|
||
This set contains the complete Lamb as well as the encore.
|
||
|
||
The liner text is included in several languages. The English:
|
||
|
||
"The Lamb Lies Down on Broadway" undoubtedtly is the album in which
|
||
the two great musical achievements of the Genesis - Banks and
|
||
Hackett's romantic spirit on the one hand and Gabriel's rock soul on
|
||
the other - are best combined. Rutherford and Collins, following
|
||
harmoniously in rhythm, made the masterpiece complete, offering
|
||
uniquely original moments. 1975 was a turning point : the last stroke
|
||
of genius in a story which had started five years earlier, at a time
|
||
when rock meant, among other things, odd times, complex compositions
|
||
and ususual technical skills. Likely enough, Peter Gabriel had become
|
||
aware of the decay in the situation and tried to offer a remedy, to
|
||
provide a bridgehead to join the past and the future, but it was too
|
||
late and the band chose to stick to its solid homogeneity rather than
|
||
playing with disquieting alternatives. Nobody knows what Genesis could
|
||
have produced after the fatal year 1975. "Trick of the Tail", the 1976
|
||
album and the first one to be produced without Gabriel, cannot but be
|
||
considered as the logical sequel to "Selling England by the Pound"
|
||
rather than to the previous record. This is a tangible sign of the
|
||
extent to which Gabriel contributed to the album before he left the
|
||
band, maybe out of fear that his personality might predominate over
|
||
that of the others, or simply because he was afraid of getting old
|
||
with then. Italy being the first country to offer a shelter to the 4/4
|
||
finds its reward, especially if it is not considered as a deviation
|
||
but as something to be proud of. Apart from the first successes
|
||
obtained in provincial towns, the history of Genesis in Italy is very
|
||
much linked with one city, Turin. Although the band members admit that
|
||
their favorite town was always Reggio Emilia, they often played in
|
||
Turin, and the 1976 Italian Tour consisted of one concert only, held
|
||
at the Palasport in Parco Ruffini. The date was March 24, 1975, and it
|
||
was the fifth time the band was back in Turin, in the middle of their
|
||
European Tour. Nobody was aware of Gabriel's decision to leave after
|
||
102 concerts around the world and nobody could imagine that was to be
|
||
his very last concert with Genesis. In late March even a stern city
|
||
like Turin takes on a lively atmosphere and Genesis had always been
|
||
very successful in setting aside environmental factors : a dreamlike
|
||
performace like "The Lamb" would cancel reality and focus the
|
||
attention on the Paysage Inte'rieur of Rael. All of this was very far
|
||
removed from the first concerts in 1972 : feelings and emotions are
|
||
realised in a place which is 10 times larger and in front of 10 times
|
||
as many people, standing up and sitting down again, as if following a
|
||
script. It is the beginning of the Middle Ages in the history of rock
|
||
in Italy : news of accidents came from outside the concert hall,
|
||
stories of stolen and burned cars, but nothing could outweigh the
|
||
expectation of the audience waiting for the magic show to begin. The
|
||
concert started on time as usual, and as often happened, Banks opened
|
||
the dance with the psycho-musical plot the "The Lamb" : people stared
|
||
at each other in amazement, unable to believe that they would play all
|
||
the new album. When it had been published five months earlier, it had
|
||
struck us all with its tremendous complexity, hardly renewable on
|
||
stage. But after a few nervous, hesitant notes, millions of others
|
||
followed and the entire work was enacted again. Of course, technical
|
||
facilities had changed : many more watts were available, the stage was
|
||
as wide as a barrack room, but humility, which is very close to
|
||
genius, never changes. Gabriel's liquid look was only physically far
|
||
and made itself very clearly felt through his voice, as if he were
|
||
trying to gather us together and tell us about a dream, a timeless
|
||
story. Two cherries on the cake are "The Musical Box" and "Watcher of
|
||
the Skies" in a version which is very similar to that of the previous
|
||
tours, the only difference being Gabriel's hair, which made the bat
|
||
mask and the old man/child face visually very distinct. These are the
|
||
last images they offered us. After that concert, five years had to
|
||
elapse before Gabriel came back, and another 7 before the survivors of
|
||
the band returned to Italy. Not much of a loss, at the golden age was
|
||
about to end, and we are left with the privilege of having experienced
|
||
it and of listening to it again on this CD.
|
||
|
||
Name: The Lamb Lives
|
||
Date: early 1975
|
||
Format: 2CD
|
||
Sound: soundboard, stereo, some occasional fade outs, but nothing
|
||
critical
|
||
|
||
Note: Whereas this claims to be a soundboard, and is, the mixing is
|
||
TERRIBLE on it, and if you listen to this expecting a soundboard
|
||
bootleg on the order of the Rainbow Theatre, you'll be disappointed.
|
||
Tony's electric piano, the one he used before the Yamaha, is mixed all
|
||
the way up front, and the other instruments literally buried in the
|
||
background. Hackett's guitar is often inaudiable. This bootleg is only
|
||
good for listening to Tony's parts in the Lamb under scrutiny.
|
||
|
||
Contains the complete Lamb along with Gabriel's narration.
|
||
|
||
Disc 1:
|
||
The Lamb Lies Down On Broadway [7:03]
|
||
Fly On A Windshield [2:11]
|
||
Broadway Melody Of 1974 [3:47]
|
||
Cuckoo Cocoon [2:18]
|
||
In The Cage [8:32]
|
||
The Grand Parade Of Lifeless Packaging [3:12]
|
||
Back In NYC [7:32]
|
||
Hairless Heart [2:35]
|
||
Counting Out Time [3:56]
|
||
Carpet Crawl [5:46]
|
||
The Chamber Of 32 Doors [5:57]
|
||
------
|
||
Total Time Disc 1 [50:29]
|
||
|
||
Disc 2:
|
||
Lilywhite Lilith [3:07]
|
||
The Waiting Room [5:53]
|
||
Anyway [3:31]
|
||
Here Comes The Supernatural Anaesthetist [3:41]
|
||
The Lamia [7:21]
|
||
Silent Sorrow In Empty Boats [3:22]
|
||
The Colony Of Slippermen [8:45]
|
||
Ravine [1:54]
|
||
The Light Dies Down On Broadway [3:39]
|
||
Riding The Scree [4:36]
|
||
In The Rapids [2:26]
|
||
It [4:54]
|
||
The Musical Box [10:42]
|
||
------
|
||
Total Time Disc 2 [70:04]
|
||
|
||
|
||
Genesis - Words About Music [UK/Interview PicCD] $9.95
|
||
|
||
Name: Trick Of The Tail Outtakes
|
||
Date: Trident Studios, 1975
|
||
Label: 5020
|
||
Source: studio
|
||
Format: LP
|
||
Sound: VG stereo
|
||
Length: 50 min.
|
||
Notes: Very, very, very hissssy. Mostly instrumental versions of the Trick
|
||
Of The Tail album, plus one unreleased track called Beloved Summer.
|
||
which later became the non-album song It's Yourself.
|
||
Squonk is called "Indians" on this album and is without vocals.
|
||
|
||
Beloved Summer/ Dance On A Volcano/ Indians/ Robbery, Assault,
|
||
& Battery/ Los Endos/ A Trick of the Tail/ Ripples Part 1/
|
||
Ripples Part 2/ Mad Man Moon
|
||
|
||
There is also a CD version, Cat No: Alt91-80-80 with a few
|
||
more tracks. Time: 60:13
|
||
|
||
Beloved Summer/ Ripples/ Robbery Assault & Battery/ Los Endos/
|
||
Squonk Instrumental with Different Intro/ Mad Man Moon/
|
||
Instrumental/ ATotT/ Entangled (instrumental version1)/
|
||
Entangled (instrumental version2)/ Dance on a Volcano/ Squonk
|
||
|
||
Name: Just A Pool Of Tears
|
||
Format: 3-LP
|
||
Sound: VG+ G mono/E stereo
|
||
Length: 135min
|
||
Date: Detroit 1976 (tracks 1-14)
|
||
non-album single (track 15)
|
||
non-album B-side (track 16)
|
||
Label: Rockwell & Good TMI 1001
|
||
Source: audience
|
||
|
||
Cover:
|
||
It's got an excellent cover. It's one continuous painting; one
|
||
side shows a piano with a water fountain in it, with what looks
|
||
like the Charterhouse school behind it with people playing
|
||
croquet in front. The girl from the cover of Nursery Cryme can
|
||
be seen. The other side has a picture of an elderly man who is
|
||
unzipping his face with a large built-in zipper. Inside his
|
||
head, it's glowing bright, white light. Mountains and
|
||
volcanos can be seen behind him.
|
||
|
||
Dance on a Volcano/ The Lamb Lies Down on Broadway/ Fly on a
|
||
Windshield/ The Carpet Crawl/ Cinema Show/ Robbery, Assault &
|
||
Battery/ White Mountain/ Firth of Fifth/ Entangled/ Supper's
|
||
Ready/ Squonk/ I Know What I Like/ Los Endos/ it/Watcher of the
|
||
Skies/ Happy the Man (studio)/ Twilight Alehouse (studio)
|
||
|
||
|
||
Name: Two Down, Three Left
|
||
Date: 14 April, 1976
|
||
Length: 50 min.
|
||
Sound: very good stereo
|
||
Venue: Cleveland, USA
|
||
|
||
The Lamb Lies Down on Broadway/ Fly on a Windshield/ Carpet
|
||
Crawl/ Cinema Show/ Robbery, Assault & Battery/ I Know What I
|
||
Like/ Los Endos/ It/ Watcher of the Skies
|
||
|
||
Name: White Mountain
|
||
Venue: UK Tour England 1976
|
||
Sound: excellent stereo
|
||
Label: Dansker Fanklubbe Grammofone Kolletiv G9201
|
||
Source: FM
|
||
Format: LP
|
||
Length: 50 min.
|
||
Notes: from King Biscuit broadcast, Bruford on drums
|
||
|
||
Cinema Show/ Firth of Fifth/ Robbery, Assault & Battery/
|
||
The Lamb Lies Down on Broadway/Fly on a Windshield/
|
||
Carpet Crawl/ White Mountain/ Los Endos
|
||
|
||
Name: (none)
|
||
Venue: Syria Mosque, Pittsburgh
|
||
Date: 1976
|
||
Length: 135 mins
|
||
Source: FM
|
||
Notes: This is an unusual one, no clue as to what it is from
|
||
Tracks:
|
||
|
||
Dance on a Volcano/The Lamb-Fly on a Windshield-Carpet Crawl/Cinema
|
||
Show/Robbery, Assault & Battery/White Mt./Firth of Fifth/Entangled/
|
||
Squonk/Supper's Ready/I Know What I Like/Los Endos/
|
||
IT-Watcher of the Skies
|
||
|
||
|
||
Name: Detroit 1976 w/Bruford
|
||
Date: 1976
|
||
Venue: (unknown)
|
||
Sound: O.K. to Good
|
||
|
||
Dance On A Volcano / Medley: The Lamb-Broadway Melody of 1974-
|
||
Carpet Crawlers / Cinema Show / Robbery, Assault & Battery /
|
||
White Mountain / Firth of Fifth / Entangled / Supper's Ready /
|
||
Squonk / I Know What I Like / Los Endos / It-Watcher of the Skies
|
||
/ Happy the Man (from '72 w/Gabriel)
|
||
|
||
Name: Genesis - I Know What I Like
|
||
Date: 76-77
|
||
|
||
Notes: released in Australia, cover has a picture of Genesis
|
||
performing No Son of Mine. Recording of a Paris concert in around
|
||
1976-7. Apparently, these are from Seconds Out. It's 60 minutes long
|
||
and has 10 tracks. This is billed as an "official bootleg" and it
|
||
isn't really clear what it is or who is responsible for it.
|
||
|
||
Name: (none)
|
||
Date: ? ?, 1976
|
||
Format: Cassette
|
||
Venue: Starlight Bowl Burbank, CA.
|
||
Note: I got this as a tape at a record show, and so did one other
|
||
person, filled out with Piper Club, Rome 1972 (q.v.). There
|
||
have been no reports of it released as a bootleg record or CD.
|
||
This is the famous Starlight Bowl show mentioned in Gallo's
|
||
book (q.v. too), and is one of the best sounding audience
|
||
bootlegs ever recorded.
|
||
|
||
Dance on a Volcano/ Lamb Stew (The Lamb, Broadway Melody instrumental,
|
||
The Carpet Crawlers)/ (Cinema Show Lewd Story) The Cinema Show/
|
||
Robbery, Assault, and Battery/ White Mountain/ (introduce Bill
|
||
Bruford)/ Firth of Fifth (edited some)/ (Hackett intro) Entangled/
|
||
Squonk/ Supper's Ready/ I Know What I Like/ Los Endos/ (Encore)
|
||
It/ Watcher of the Skies (instrumental)
|
||
|
||
Name: Live At The Rainbow
|
||
Date: 2 January, 1977
|
||
Length: 45 min.
|
||
Sound: very good stereo
|
||
|
||
In That Quiet Earth/ Afterglow/ Firth of Fifth/ All
|
||
In A Mouse's Night/ One for the Vine/ The Lamb Lies Down
|
||
on Broadway/ The Musical Box
|
||
|
||
Name: A Living Story
|
||
Venue: Live 1977
|
||
Label: Big Thumb PG 1300
|
||
Source: FM
|
||
Format: LP
|
||
Sound: E stereo
|
||
Length: 40 min.
|
||
Cover: Old man telling scary story to huddled kids
|
||
|
||
Squonk/ Afterglow(on label, actually All In A Mouse's Night)/
|
||
Eleventh Earl of Mar/ One for the Vine/ I Know What I Like
|
||
|
||
Name: All We Need's A Hit
|
||
Length: 65 min.
|
||
Sound: fair mono
|
||
Venue: Earls Court, London 23 & 24 June 1977 and Manchester 11
|
||
January, 1977
|
||
|
||
Squonk/ One for the Vine/ Your Own Special Way/ Inside and
|
||
Out/ Carpet Crawl/ Afterglow/ Eleventh Earl of Mar/ I Know
|
||
What I Like/ Dance on a Volcano/ The Lamb Lies Down on Broadway/
|
||
The Musical Box
|
||
|
||
Name: Earl's Court (Living Revelations)
|
||
Date: 6-24-77
|
||
Length: 50 min.
|
||
Sound: excellent stereo
|
||
Label: KMH 2077
|
||
Source: board
|
||
Format: LP
|
||
|
||
One for the Vine/ Inside and Out/ Firth of Fifth/ Dance on a
|
||
Volcano/ Los Endos/ The Lamb Lies Down on Broadway/ The Musical
|
||
Box/ The Knife
|
||
|
||
Name: Live In Concert 1978
|
||
Venue: Knebworth
|
||
Label: SGRS
|
||
Cat No: 034
|
||
|
||
Burning Rope / Ripples / Deep In The Motherlode
|
||
The Fountain Of Salmacis / The Lady Lies / Afterglow
|
||
Follow You, Follow Me / Dance On A Volcano / Los Endos
|
||
I Know What I Like
|
||
|
||
Name: Knebworth
|
||
Date: 6/24/78
|
||
Format: LP
|
||
Venue: Knebworth Festival
|
||
|
||
Follow You Follow Me/ Dance on a Volcano/ Los Endos/ I Know What
|
||
I Like/ Ripples/ Fountain of Salmacis/ Deep in the Motherlode
|
||
|
||
Name: ...Live -- From the Mouth of the Monster...
|
||
Format: 2-LP
|
||
Venue: Uptown Theater, Chicago
|
||
Date: 10/13/78
|
||
Source: from FM radio broadcast
|
||
Label: Atlantis
|
||
Cat No: GTT 78
|
||
Sound: E stereo
|
||
Length: 95 min.
|
||
|
||
Burning Rope/ Dancing with the Moonlit Knight/The Musical Box
|
||
(closing section)/ Say It's Alright Joe/ Deep in the Motherlode/
|
||
Ripples/ The Lady Lies/ Cinema Show/ Afterglow/ Follow You
|
||
Follow Me/ Dance on a Volcano/ Los Endos/ In the Cage
|
||
|
||
Genesis - Follow You Follow Me - Same as From the Mouth of the
|
||
Monster above, except that it's on CD
|
||
Quality - Incredible - no hiss - recording level is jumpy at
|
||
times, but for a boot, this is unbelievably good. Includes 4
|
||
extra songs than Mouth as well: Eleventh Earl of Mar, One For the
|
||
Vine, Squonk, I Know What I Like
|
||
|
||
Name: (none)
|
||
Venue: Oakland, 1978
|
||
Source: recorded by an audience member
|
||
Sound: ranges from fair to good to poor
|
||
Length: 90 min
|
||
Tracks:
|
||
|
||
Fountain of Salmacis/Down and Out/11th Earl of Mar/In the
|
||
Cage/Burning Rope/Ripples/Deep in the Motherlode/Follow You,
|
||
Follow Me/Dance on a Volcano/Los Endos/I Know What I Like
|
||
|
||
Name: Live In Germany
|
||
Date: May 1978
|
||
Length: 40 min.
|
||
Note: "Incorrect Track Listing on Cover" Is this the right one?
|
||
|
||
One for the Vine Part II/ In The Cage/ Deep in the Motherlode/
|
||
Follow You Follow Me/ Burning Rope/ Ballad of Big
|
||
|
||
Name: Revelatory Genesis
|
||
Format: 2-LP
|
||
Venue: Lyceum Ballroom, London 5/7/80 (tracks 1-3, 5-12, 15)
|
||
Knebworth Festival, Knebworth 6/24/78 (tracks 4, 13-14)
|
||
Label: Steam SR 80001
|
||
Source: FM
|
||
Format: 2LP
|
||
Sound: E stereo
|
||
Length: 90 min.
|
||
Note: Says on the cover it's a promotional album for DJs. (Which
|
||
isn't true)
|
||
|
||
Deep in the Motherlode/ One for the Vine/ The Lady Lies/
|
||
Follow You Follow Me/ Behind the Lines/ Duchess/ Guide Vocal/
|
||
Turn It On Again/ Duke's Travels/ Duke's End/ Dance on a
|
||
Volcano/ Los Endos/ Burning Rope/ Fountain of Salmacis/ The Knife
|
||
|
||
Name: MUSICA
|
||
Venue: Lyceum
|
||
Date: 7 May 1980
|
||
Notes: same show as Revelatory Genesis, astounding sound quality
|
||
|
||
DISC 1
|
||
Deep In the Motherlode/Dancing With the Moonlit Knight/The Carpet
|
||
Crawlers/Squonk/One For the Vine/Behind the Lines/Duchess/Guide Vocal
|
||
Turn It On Again/Duke's Travels/Duke's End
|
||
|
||
DISC 2
|
||
Ripples/The Lady Lies/In the Cage/Afterglow/Follow You, Follow
|
||
Me/Dance on a Volcano/Los Endos/I Know What I Like/The Knife
|
||
|
||
Name: You'll Love Us Live
|
||
Date: 7 May 1980
|
||
Sound: excellent stereo - a poorly edited version from the Revelatory
|
||
Genesis show
|
||
|
||
*Turn It On Again / I Know What I Like / The Knife / *In the Cage
|
||
(medley: Slippermen) / *Afterglow / Carpet Crawers / Squonk / Behind
|
||
The Lines / Duchess / Guide Vocal
|
||
|
||
* denotes tracks that have been rudely cut in half by the
|
||
manufacturers. Bad editing. It is an excellent recording, but the
|
||
half-tracks are irritating!
|
||
|
||
Name: Live At The Theatre Royal
|
||
Date: 5/4/80
|
||
Format: 2-LP
|
||
Sound: a King Biscuit show, excellent stereo sound
|
||
Venue: Theatre Royale, Drury Lane, London 5/4/80 (tracks 1-10, 12-14)
|
||
Paris 1976 from _Seconds Out_ (track 11)
|
||
Length: 90 min.
|
||
|
||
Dancing Out With The Moonlit Knight/ Carpet Crawlers/
|
||
Behind The Lines/ Duchess/ Guide Vocal/ Squonk/ Turn It
|
||
On Again/ Ripples/ Medley: In The Cage/ Colony Of Slippermen/
|
||
Afterglow/ Follow You, Follow Me/ I Know What I Like (Stagnation)/
|
||
The Knife
|
||
|
||
Name: ?
|
||
Date: 4/17/80
|
||
Venue: Sheffield, UK
|
||
Sound: EX+ Stereo
|
||
Note: FM radio broadcast I think the concert began with track 6 and
|
||
jumps from 10 to 1.
|
||
Sound: 9.5/10
|
||
|
||
1. Duchess/Guide Vocal
|
||
2. Turn It On Again
|
||
3. Duke's Travels/Duke's End
|
||
4. Say It's Alright Joe
|
||
5. The Lady Lies
|
||
6. Deep In The Motherlode
|
||
7. Dancing With The Moonlit Knight/Carpet Crawlers
|
||
8. Squonk
|
||
9. One For The Vine
|
||
10. Behind The Lines
|
||
|
||
Name: (unknown)
|
||
Date: 1980
|
||
Venue: London Quality
|
||
Sound: Excellent
|
||
|
||
Dancing With the Moonlit Knight intro / Carpet Crawlers / Squonk
|
||
/ Behind the Lines / Duchess / Guide Vocal / Turn It On Again /
|
||
Ripples / In the Cage-Slippermen-Afterglow / Follow You Follow Me
|
||
/ I Know What I Like / The Knife
|
||
|
||
Name: File Under (As in "File Under Genesis")
|
||
Format: 45 rpm
|
||
Date: ~1980
|
||
Tracks: The Lamb Lies Down/Firth Of Fifth
|
||
Notes: A bootleg 45, The cover says Peter Gabriel and Phil Collins,
|
||
but Gabriel is not on it at all. It's a circa 1980 performance,
|
||
with only those two songs. (This is the only known 7" bootleg
|
||
release of Genesis, but there were others in the File Under
|
||
series such as Yes.)
|
||
|
||
Name: File Under (As in "File Under Genesis")
|
||
Format: 12"
|
||
Date: ~1980
|
||
Tracks: The Lamb Lies Down/Follow You Follow Me
|
||
Notes: Similar to the File Under 7" above.
|
||
|
||
It comes in a manilla folder marked "File Under: Genesis" with a green
|
||
insert that says "MASTER LP" and "GENISIS SOMEWHERE IN THE WORLD"
|
||
(spelling error is on the disc). The insert lists two songs, "The
|
||
Lamb Lies Down on Broadway (featuring Peter Garbiel" (again spelling
|
||
error on the disc) and "Follow You - Follow Me (featuring Phil
|
||
Collins). Phil, however, sings on both tracks. The disc itself is a
|
||
12", 33 rpm picture disc. The Lamb side has a picture of the band
|
||
with all five members, and the flip side has a picture of Peter
|
||
Gabriel in a really weird costume. The disc is made out of what looks
|
||
like thick white plastic with green marbling.
|
||
|
||
Name: Picture About
|
||
Date: 9/27/81
|
||
Venue: Frejus, France
|
||
Date: 27 Sept. 1981
|
||
Label: Original MRC 71GE 81-10
|
||
Source: audience
|
||
Format: 3LP
|
||
Sound: VG-E mono
|
||
Length:
|
||
Notes: Mike Rutherford: drums on track 17
|
||
|
||
(1) Behind the Lines
|
||
(2) Duchess
|
||
(3) The Lamb Lies Down on Broadway
|
||
|
||
(5) Dodo
|
||
(6) Abacab
|
||
(7) Misunderstanding
|
||
|
||
(8) Firth of Fifth
|
||
(9) No Reply at All
|
||
(10) Me and Sarah Jane [Me and Ser Yack]
|
||
|
||
(11) In the Cage (Medley -- Cinema Show, Slippermen)
|
||
(12) Afterglow
|
||
|
||
(13) Turn It On Again
|
||
(14) Dance on a Volcano
|
||
(15) Los Endos
|
||
|
||
(16) Man on the Corner
|
||
(17) Who Dunnit?
|
||
(18) I Know What I Like
|
||
|
||
I believe this is the entire show minus "Carpet Crawl", but some of
|
||
the song order is jumbled around. The sound is excellent for an
|
||
audience recording. The package comes in a box with a picture of a
|
||
doorway on the front and the song listing on back. What's listed is:
|
||
|
||
Side 1: Behind the Lines/Duchess/The Lamb Lies Down on Broadway
|
||
Side 2: Dodo/Abacab
|
||
Side 3: Misunderstanding/Firth of Fifth
|
||
Side 4: Me and Ser Yack/In the Cage
|
||
Side 5: Turn It On Again/Dance on a Volcano
|
||
Side 6: Los Endos/I Know What I Like
|
||
|
||
Name: Perilous Schizophrenia (aka ...And then There Was Nuernberg)
|
||
Venue: Nuernberg Germany
|
||
Date: 9 Oct. 1981
|
||
Label: Laughing Spoon LSR 001
|
||
Source: aud.;
|
||
Format: LP
|
||
Sound: F mono: Awful audience recording, but you can hear Phil speak
|
||
lousy German.
|
||
Length: ?
|
||
Notes: Mike Rutherford: drums on track 7
|
||
|
||
Behind the Lines/ Duchess/ The Lamb Lies Down on Broadway/ Dodo/
|
||
Abacab/ Man on the Corner/ Who Dunnit?/ The Carpet Crawl
|
||
|
||
Name: _Superstars in Concert_
|
||
Venue: Nassau Coliseum, Uniondale, NY
|
||
Date: 11/81
|
||
Source: FM
|
||
Format: 2C90
|
||
Sound: E stereo
|
||
Length: 90 min.
|
||
Notes: from Superstars in Concert broadcast, some tracks from this
|
||
show were used on _Three Sides Live_
|
||
|
||
Dodo/ Abacab/ Misunderstanding/ In the Cage (Medley --
|
||
Cinema Show, Slippermen)/ Afterglow/ Man on the Corner/ Behind
|
||
the Lines/ No Reply at All/ Follow You Follow Me/ Turn It On Again
|
||
Dance on a Volcano/ Los Endos
|
||
|
||
Name: ?
|
||
Venue: Nassau Coliseum, Uniondale, NY
|
||
Date: 11/81
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from King Biscuit broadcast some tracks from this show are on
|
||
_Three Sides Live_; track 7 is censored; track 9 is edited
|
||
|
||
Behind the Lines/ Duchess/ Abacab/ Dodo/ Me and Sarah Jane
|
||
Misunderstanding/ No Reply at All/ Man on the Corner/ Los Endos
|
||
(closing section)
|
||
|
||
Name: Three Sides Live
|
||
Venue: Nassau Coliseum, Uniondale, NY
|
||
Date: 11/81
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 60 min.
|
||
Notes: from MTV radio simulcast of edited version of _Three Sides
|
||
Live_ video; Mike Rutherford: drums on track 6
|
||
|
||
Behind the Lines/ Misunderstanding/ Dodo/ Abacab/ No Reply at All
|
||
Who Dunnit?/ In the Cage (Medley -- Cinema Show, Slippermen)/ Afterglow
|
||
Turn It On Again
|
||
|
||
Name: FIABA
|
||
Date: 1981
|
||
Venue: Nassau Coliseum, N.Y.
|
||
Note: this is the show from which Three Sides Live was taken
|
||
|
||
Behind the lines/Duchess/Dodo/Abacab/Me and Sarah Jane
|
||
Misunderstanding/No reply at all
|
||
|
||
Firth of Fifth/Man on the corner/In the cage/Cinema show
|
||
Slipperman/Afterglow/Dance on a volcano/Drum solo/Los endos
|
||
Brief dialogue (this is hillarious -- Phil, Mike, Tony meeting
|
||
record execs or someone after a show. If only it were longer!)
|
||
|
||
Name: (none)
|
||
Desc.: interviews and music 1981
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from BBC Rock Hour broadcast promoting _Abacab_
|
||
|
||
Abacab/ Another Record/ Me and Sarah Jane/ Dodo/ Keep It Dark
|
||
No Reply at All/ Like It or Not
|
||
|
||
Name: Gabacabriel
|
||
Format: 3-LP
|
||
Venue: Six of the Best, Milton Keynes Bowl, Milton Keynes
|
||
Date: 10/2/82 reunion concert bootleg.
|
||
Sound: Fair-good mono -- one of the worst bootlegs ever made,
|
||
highlighted by audience members near the mic singing along.
|
||
Label: Jessicarisma 4567
|
||
Source: aud.
|
||
Notes: from Six of the Best reunion concert, benefit for WOMAD
|
||
Peter Gabriel: drums (track 7), vocals; Steve Hackett: guitar
|
||
(track 14)
|
||
|
||
Back in NYC/ Dancing with the Moonlit Knight (opening section)/
|
||
The Carpet Crawl/ Firth of Fifth/ The Musical Box/ Solsbury
|
||
Hill/ Turn It On Again/ The Lamb Lies Down on Broadway/ Fly on
|
||
a Windshield/ Broadway Melody of 1974/ In the Cage/ Supper's
|
||
Ready/ I Know What I Like
|
||
|
||
Name: The Lamb Woke Up Again
|
||
Label: Stonehenge, number STCD 2008/2009.
|
||
Notes: It's got 12 tracks from the WOMAD concert and 4 from
|
||
the January 28, 1983 Steve Hackett concert at Guildford
|
||
(with Peter and Mike joining him). It appears to be an Italian
|
||
import, with Italian and English in the booklet, but the front
|
||
and back cover are completely in English.
|
||
|
||
Disc 1:
|
||
|
||
Back in New York City (8:23)
|
||
Carpet Crawlers (5:50)
|
||
Firth of Fifth (10:50)
|
||
The Musical Box (12:02)
|
||
Solsbury Hill (5:14)
|
||
Turn It on Again (6:50)
|
||
The Lamb Lies Down on Broadway (8:00)
|
||
Fly on a Windshield (4:45)
|
||
In the Cage (8:01)
|
||
|
||
Disc 2:
|
||
|
||
Supper's Ready (28:37)
|
||
I Know What I Like [In Your Wardrobe] (11:00)
|
||
The Knife (4:06)
|
||
Here Comes the Flood (4:31)
|
||
Solsbury Hill (5:24)
|
||
Reach Out [I'll be there] (4:09)
|
||
I Know What I Like [In Your Wardrobe] (5:51)
|
||
|
||
Name: Genesis, Live in Concert called "Genesis Live" on cover.
|
||
Format: 2-LP
|
||
Venue: Recorded Live during Italian tour.
|
||
Date: Sept 6-8 1982.
|
||
Notes: (from cover) Mixed and remixed at Five Stars studios, NYC.
|
||
Engineering and mastered at the Electric Lady Rec. studios inc. NYC.
|
||
by Robert and mr. Brush -- Tour manager: David Zard
|
||
Artwork, composition and cover photos: the forelock man gnuvo'
|
||
Edited and produced by Alternative Recording Company Itd.
|
||
Only for promotional use. NOT for sale. Limited edition to 700 copies.
|
||
|
||
Side A: Dance on a Volcano/ Behind the Lines/ Dodo/
|
||
Side B: Man on the Corner/ Whodunnit/ Turn it on again/ Los Endos
|
||
Side C: Suppers Ready
|
||
Side D: The lamb lies down on broadway/ Watcher of the skies/
|
||
I know what I like
|
||
|
||
I swear this next one was an entry in the discog for real -- I didn't
|
||
make it up!, one of the original ones:
|
||
|
||
1982 Abacab Tour (90 minute tape)
|
||
It's not a bad recording.
|
||
|
||
(The silly part is the editor actually has a copy of it and knows what
|
||
this entry means!!! It's an Abacab radio show, who knows from where.)
|
||
|
||
Speaking of silly:
|
||
|
||
Name: Perpetual Soundwave
|
||
Date: 1982 recording, 1991 copyright
|
||
Venue: USA Tour 1982
|
||
Length: 74:03
|
||
Label: Oh Boy
|
||
Cat #: OH BOY 1-9098
|
||
Format: CD
|
||
Source: (radio programme?)
|
||
Sound: excellent
|
||
Tracks: [Listed EXACTLY as printed, hillarious!]
|
||
|
||
1. Do Do (7:23)
|
||
2. Abacab (8:39)
|
||
3. Misunderstanding (3:55)
|
||
4. I Got Sunshine (0:51)
|
||
5. In The Cage (11:13)
|
||
6. Afterglow (4:07)
|
||
7. Man On The Corner (3:55)
|
||
8. Behind The Lines (5:35)
|
||
9. No Reply At All (4:41)
|
||
10. Follow You, Follow Me (4:34)
|
||
11. Turn It On Again (4:59)
|
||
12. Vulcano/Los Endos (12:56)
|
||
|
||
Name: (none)
|
||
Venue: LA Forum
|
||
Date: 1982
|
||
Length: 90 minutes minus commercials.
|
||
Notes: Taken from a radio show, excellent FM stereo quality.
|
||
Keyboard driven versions of Dance on a Volcano are really
|
||
spectacular. You can hear how they edited Duchess out.
|
||
|
||
Dodo/ Abacab/ Misunderstanding/ In The Cage/ Cinema Show/
|
||
Raven/ Afterglow/ Man on the Corner/ Behind the Lines/ No
|
||
Reply At All/ Follow You Follow Me/ Turn It On Again/ Dance
|
||
on a Volcano/ Drums/ Los Endos
|
||
|
||
Name: ?
|
||
Date: 1982
|
||
Venue: London
|
||
Sound: Good
|
||
|
||
Dance On A Volcano / Behind the Lines / Follow You Follow Me /
|
||
Dodo/Lurker / Supper's Ready / In the Cage-Cinema Show-Slipper-
|
||
men-Afterglow / Turn It On Again / Drum Duet / Los Endos / The
|
||
Lamb Lies Down On Broadway-Watcher of the Skies / I Know What I
|
||
Like
|
||
|
||
Name: After Glow
|
||
Venue: Recorded on Mama Tour
|
||
Format: 2LP
|
||
Label: Toasted Records LTD., Manufactured by Finestkind Records and
|
||
Tapes LTD, Sydney, New South Wales, Australia
|
||
Cat No: TRW 1929
|
||
Sound: Good sound but drop outs occur in the master. Kind of
|
||
annoying. 7.5/10 because of the poor editing.
|
||
|
||
Illegal Alien
|
||
Home by the Sea/Second Home by the Sea
|
||
Abacab
|
||
Mama
|
||
Keep It Dark/It's Gonna Get Better
|
||
In The Cage/Afterglow
|
||
Turn It On (avec the medley)
|
||
|
||
Name: (none)
|
||
Venue: The Spectrum, Philadelphia
|
||
Date: 11/83
|
||
Source: FM
|
||
Format: 2C90
|
||
Sound: E stereo
|
||
Length: 100 min.
|
||
Notes: from two-part King Biscuit broadcast; track 12 is edited
|
||
|
||
Dodo/ Abacab/ That's All/ Mama/ Illegal Alien/ Home by the Sea
|
||
Second Home by the Sea/ In the Cage (Medley -- Cinema Show,
|
||
...in that quiet earth', Slippermen)/ Afterglow/ Keep It Dark
|
||
It's Gonna Get Better/ Los Endos/ Misunderstanding/ Turn It On Again
|
||
|
||
Name: No Reply At All
|
||
Date: 1984?
|
||
Format: CD
|
||
Venue: Philadelphia
|
||
Length: 50 minutes
|
||
Sound: excellent
|
||
|
||
Dodo,Lurker/Misunderstanding/Turn It On Again Medley/Abacab
|
||
Keep It Dark /No Reply At All/Drum Duet/Los Endos
|
||
|
||
Name: (none)
|
||
Source: Mama Tour Radio Broadcast (FM)
|
||
Venue: The Forum, Los Angeles
|
||
Date: 1/28/84
|
||
Sound: E stereo
|
||
Length: 75 min.
|
||
Notes: from Superstars in Concert broadcast
|
||
|
||
Abacab/ That's All/ Mama/ Home by the Sea/ Second Home by the Sea
|
||
Keep It Dark/ It's Gonna Get Better/ In the Cage (Medley -- Cinema
|
||
Show, ...in that quiet earth', Slippermen)/ Afterglow/ Los Endos
|
||
|
||
Name: ?
|
||
Venue: Oakland Coliseum Arena, Oakland
|
||
Date: 2/19/84
|
||
Source: aud.
|
||
Format: C90
|
||
Sound: VG stereo
|
||
Length: 90 min.
|
||
|
||
Dodo/ Abacab/ That's All/ Mama/ Eleventh Earl of Mar (opening section)
|
||
The Lamb Lies Down on Broadway/ Firth of Fifth (middle section)
|
||
The Musical Box (closing section)/ Illegal Alien/ Home by the Sea
|
||
Second Home by the Sea/ Keep It Dark/ It's Gonna Get Better/
|
||
Follow You Follow Me
|
||
|
||
Name: Mama Tour
|
||
Venue: Birmingham, England 1984
|
||
Source: VHS
|
||
Format: C90;
|
||
Sound: E mono
|
||
Length: 55 min.
|
||
Notes: from Cinemax broadcast of edited version of _Mama Tour_ video
|
||
|
||
Mama/ That's All/ Home by the Sea/ Second Home by the Sea
|
||
In the Cage (Medley -- Cinema Show, ...in that quiet earth',
|
||
Slippermen)/ Afterglow/ Turn It On Again
|
||
|
||
Name: The Legend of Genesis
|
||
Desc.: interviews and music 1985
|
||
Source: FM
|
||
Format: 2C90
|
||
Sound: E mono
|
||
Length: 100 min.
|
||
Notes: from The Legends of Rock broadcast detailing band history
|
||
|
||
Abacab/ I Know What I Like (In Your Wardrobe)/ The Lamb Lies Down on
|
||
Broadway/ A Trick of the Tail/ Sqonk/ Afterglow/ No Reply at All/
|
||
Follow You Follow Me/ Paperlate/ Misunderstanding/ Behind the Lines
|
||
Turn It On Again/ Against All Odds (Take a Look at Me Now)
|
||
[Phil Collins]/ One More Night [Phil Collins]/ Illegal Alien/ Mama/
|
||
That's All
|
||
|
||
Name: Invisible Touch Album Party
|
||
Radio show, aired Oct. 1985 to premire the Invisible Touch
|
||
album. (versions of songs are from the album, and topics of
|
||
conversation are listed)
|
||
|
||
Montage intro
|
||
Recent solo works
|
||
Comments on Anything She Does
|
||
1. Anything She Does
|
||
Comments on Domino
|
||
2. Domino I & II
|
||
Comments on Land of Confusion
|
||
3. Land of Confusion
|
||
Solo and Group Work
|
||
Working with Phil
|
||
4. Turn it on Again (from Three Sides Live)
|
||
Comments on Tonight Tonight Tonight
|
||
5. Tonight Tonight Tonight
|
||
Priorities, Breakup
|
||
Work & Home Life
|
||
Sounding Like solo Phil
|
||
Comments on Zephyr
|
||
[Zeppo!?!]
|
||
6. Throwing it All Away
|
||
Ex-members' success
|
||
7. Invisible Touch
|
||
Comments on Invisible Touch Video
|
||
Comemnts on In Too Deep, Mona Lisa
|
||
8. In Too Deep
|
||
Tour: dates, places, and members
|
||
Living in England
|
||
9. The Brazilian (close)
|
||
|
||
Name: The Genesis Special-Radio (aka The Genesis Event)
|
||
Venue: The Forum, Los Angeles 10/86 (tracks 1, 9-10, 18-32)
|
||
Empire Pool, Wembley, London 4/15/75 (tracks 2-3)
|
||
England 1976 (tracks 4-5)
|
||
Nassau Coliseum, Uniondale, NY 11/81 (tracks 6-7)
|
||
The Spectrum, Philadelphia 11/83 (track 8)
|
||
The Bottom Line, New York 1978 [Peter Gabriel] (tracks 11-12)
|
||
Tower Theater, Philadelphia 1982 [Phil Collins] (tracks 13-14)
|
||
Wiltern Theater, Los Angeles 5/86 [GTR] (track 15)
|
||
Tower Theater, Philadelphia 6/19/86 [Mike + the Mechanics]
|
||
(tracks 16-17)
|
||
Source: FM
|
||
Format: 3C90
|
||
Sound: E stereo
|
||
Length: 3 hours 30 min.
|
||
Notes: from four-part King Biscuit broadcast first half: interviews
|
||
and music from other King Biscuit broadcasts
|
||
second half: LA 10/86
|
||
tracks 2, 3, 5, 9, 10, 17, 32 are edited
|
||
Robert Fripp: guitar on track 12
|
||
|
||
1. Land of Confusion
|
||
2. Watcher of the Skies
|
||
3. The Carpet Crawlers
|
||
4. The Lamb Lies Down on Broadway
|
||
5. Squonk
|
||
6. Misunderstanding
|
||
7. No Reply at All
|
||
8. Illegal Alien
|
||
|
||
9. Invisible Touch
|
||
10. Throwing It All Away
|
||
11. D.I.Y. [Peter Gabriel]
|
||
12. Solsbury Hill [Peter Gabriel]
|
||
13. I Don't Care Anymore [Phil Collins]
|
||
14. In the Air Tonight [Phil Collins]
|
||
15. I Know What I Like [GTR]
|
||
|
||
16. Silent Running [Mike + the Mechanics]
|
||
17. All I Need Is a Miracle [Mike + the Mechanics]
|
||
18. In Too Deep
|
||
19. Mama
|
||
20. Abacab
|
||
21. Land of Confusion
|
||
|
||
22. Domino
|
||
23. In Too Deep
|
||
24. Follow You Follow Me
|
||
25. That's All
|
||
|
||
26. Tonight, Tonight, Tonight
|
||
27. Throwing It All Away
|
||
28. In the Cage
|
||
29. ...in that quiet earth'
|
||
30. Supper's Ready (parts 6 and 7)
|
||
31. Invisible Touch
|
||
32. Turn It On Again
|
||
|
||
Name: Genesis - Los Angeles '86
|
||
Venue: LA Forum
|
||
Date: 1986 (see Genesis Event)
|
||
Format: CD [ADD]
|
||
ISBN: (huh? isbn on a record?) 4013971120086
|
||
Label: Arriba (label?)
|
||
Cat No: ARR 92.008
|
||
|
||
Tracks:
|
||
|
||
Mama 7:16
|
||
Abacab 8:58
|
||
Land of Confusion 4:52
|
||
Domino 11:02
|
||
In Too Deep 5:18
|
||
Follow You Follow Me 4:37
|
||
Invisible Touch 4:43
|
||
|
||
|
||
Name: And Then Here Are Three
|
||
Venue: Invisible Tour in Japan
|
||
Label: Big Time Records
|
||
Cat No: gev21
|
||
Sound: editing problems, VG+ to EX- sound
|
||
|
||
Mama
|
||
Abacab
|
||
Domino
|
||
|
||
In The Cage/ In That Quiet Earth/ Afterglow
|
||
Land of Confusion
|
||
Throwing It All Away
|
||
|
||
Home by the Sea/Second Home by the Sea
|
||
Invisible Touch
|
||
|
||
Drum Duet/Los Endos
|
||
Turn It On Again (avec the medley)
|
||
|
||
Name: Invisible Tour (Side says "GENESIS DOMINO 87 88 01")
|
||
Venue: Germany on the Invisibe Touch Tour
|
||
Label: Great Sound
|
||
Sound: EX sound 9.5/10
|
||
Format: 2LP
|
||
Note: Outside of the KBFH shows, this is the best I've heard from
|
||
the ITour.
|
||
|
||
Mama
|
||
Abacab
|
||
Domino
|
||
|
||
That's All
|
||
The Brazilian
|
||
Land of Confusion
|
||
Tonight Tonight Tonight
|
||
|
||
Throwing It All Away
|
||
Home by the Sea/Second Home by the Sea
|
||
Invisible Touch
|
||
|
||
Drum Duet/Los Endos
|
||
Turn It On Again (avec the medley)
|
||
|
||
Name: Afterglowing
|
||
Date: 1986
|
||
Venue: LA Forum
|
||
Notes: Same as the KBFH shows. 2 CD but weak stereo. EX+ sound but
|
||
fades in and out to keep the announcer off the CDs. Someone
|
||
really ripped Westwood One with this one.
|
||
Sound: 9/10 for the poor stereo expansion and editing but otherwise it
|
||
is a near perfect disc
|
||
Label: Main Event Records
|
||
Cat No: ME - CD - 010
|
||
|
||
Disc 1
|
||
Mama
|
||
Abacab
|
||
Land of Confusion
|
||
Domino
|
||
In Too Deep
|
||
Follow You Follow Me
|
||
|
||
Disc 2
|
||
That's All
|
||
Tonight Tonight Tonight
|
||
Throwing It All Away
|
||
In the Cage/In That Quiet Earth/Supper's Ready
|
||
Invisible Touch
|
||
|
||
Name: The Invisible Cage
|
||
Date: 1987 & 1988, also reported as "Various Locations '86"
|
||
Label: Kiss The Stone
|
||
Cat No: KTS 042/43
|
||
|
||
Mama/Abacab/Domino/That's all/The Brazilian/Instrumental Intro
|
||
In the cage/Afterglow
|
||
|
||
Land of confusion/Throwing it all away/Home by the Sea 1 & 2/Drum Duet
|
||
Los endos/Turn it on
|
||
|
||
Name: Invisible Life
|
||
Venue: Mannheim 1987
|
||
Label: SACEM GEN-A 1462/2
|
||
Source: FM
|
||
Format: 2LP
|
||
Sound: E stereo
|
||
Length: 120 min.
|
||
|
||
Mama/ Abacab/ Domino/ That's All/ The Brazilian/ In the Cage
|
||
...in that quiet Earth'/ Afterglow/ Land of Confusion/ Throwing
|
||
It All Away/ Home by the Sea/ Second Home by the Sea/ Invisible Touch
|
||
Los Endos/ Turn It On Again
|
||
|
||
Name: Radio Special
|
||
Date: 1988
|
||
Sound: Near-CD
|
||
|
||
The Lamb Lies Down on Broadway (Gabriel) / Behind the Lines /
|
||
Dance On A Volcano / Drum Duet / Los Endos / Abacab / Tonight,
|
||
Tonight, Tonight
|
||
|
||
Name: Genesis: Up Close
|
||
Desc.: interviews and music 1988
|
||
Source: FM
|
||
Format: 2C90
|
||
Sound: E stereo
|
||
Length: 105 min.
|
||
Notes: from Up Close broadcast detailing band history
|
||
|
||
Invisible Touch/ Land of Confusion/ The Lamb Lies Down on Broadway
|
||
Squonk/ Your Own Special Way/ Follow You Follow Me/ Misunderstanding
|
||
Behind the Lines/ Turn It On Again/ No Reply at All/ Abacab/ That's All
|
||
Illegal Alien/ In Too Deep/ In the Air Tonight [Phil Collins]
|
||
You Can't Hurry Love [Phil Collins]/ All I Need Is a Miracle
|
||
[Mike + the Mechanics]/ Throwing It All Away/ Paperlate
|
||
|
||
Name: Knebworth 1990
|
||
Date: Knebworth 6/30/90, 14 July 1990 broadcast on MTV
|
||
Venue: Knebworth 1990,
|
||
Source: FM; Format: 5C90; Sound: E stereo; Length: 425 min.
|
||
Notes: from Westwood One broadcast and MTV live
|
||
"Sussudio" was not broadcast, and is only available on
|
||
the Knebworth 90 double album. (This album also has an edited
|
||
Turn It On Again and Mama. The original broadcast TIOA was not
|
||
edited)
|
||
|
||
Collins: Sussudio
|
||
Genesis: Mama/ That's All/ Turn It On Again - Medley/
|
||
Throwing it all Away
|
||
|
||
Name: World Premiere of _We Can't Dance_
|
||
Desc.: interviews and music 11/7/91
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 75 min.
|
||
Notes: from radio broadcast promoting _We Can't Dance_
|
||
(Conversation topics are indicated in parentheses)
|
||
|
||
(Intro, History Lesson)
|
||
(Solo Efforts)
|
||
1. No Son of Mine
|
||
(Comments on No Son of Mine)
|
||
(Comments on Driving and Navvies)
|
||
2. Driving the Last Spike
|
||
(Comments on Dreaming While You Sleep)
|
||
(Gene Wilder's socks)
|
||
3. Dreaming While You Sleep
|
||
(Solo Careers, shelf life)
|
||
4. Tell Me Why
|
||
(Rickenbacker sound)
|
||
(Homeless people)
|
||
(Since I Lost You, Clapton's Son)
|
||
5. Since I Lost You
|
||
(We Can't Dance title)
|
||
6. Way of the World
|
||
(Way of the World Lyrics, Songwriting)
|
||
(Phil's vocal range, Song keys)
|
||
7. I Can't Dance
|
||
(Sparseness)
|
||
(Long vs. Short Songs)
|
||
(Future projects)
|
||
(TV Evangelists)
|
||
8. Jesus He Knows Me
|
||
(close)
|
||
|
||
Name: Rockline 1991
|
||
Desc.: call-in interviews and music
|
||
Date: 11/25/91
|
||
Source: FM
|
||
Format: C100
|
||
Sound: E stereo
|
||
Length: 100 min.
|
||
Notes: from Rockline broadcast track 3 is non-album B-side from the
|
||
No Son of Mine single (qv)
|
||
|
||
No Son of Mine/ I Can't Dance/ Invisible Touch (Live)/ Driving
|
||
the Last Spike/ Jesus He Knows Me/ Dance on a Volcano/ Fading Lights
|
||
Living Forever
|
||
|
||
Name: Astrodome
|
||
Date: 1992
|
||
Venue: Huston
|
||
Note: This recording SUCKS! Avoid it at all costs.
|
||
|
||
CD #1 : 70 minutes
|
||
|
||
Land of Confusion
|
||
No son of Mine
|
||
Driving the last spike
|
||
Medley
|
||
Dance on a volcano
|
||
The lamb lies down on B.
|
||
The musical box
|
||
Firth of Fifth
|
||
I know what I like
|
||
That's all
|
||
Follow you follow me
|
||
Dreaming while you sleep
|
||
Fading lights
|
||
Jesus he knows me
|
||
|
||
CD #2 : 60 minutes
|
||
|
||
Home by the sea, 1 & 2
|
||
Hold on my heart
|
||
Mama
|
||
Domino
|
||
I can't dance
|
||
Tonight tonight tonight
|
||
Invisible touch
|
||
Throwing it all away
|
||
Turn it on again
|
||
|
||
Name: "Sincerely Yours"
|
||
Format: 2 CD
|
||
|
||
Name: Three Rivers Stadium
|
||
Date: 5/26/92
|
||
Venue: Three Rivers Staduim Pittsburgh, PA
|
||
|
||
complete 140 minute show, taped 20 yds. in front of main
|
||
speakers, crystal clear soundboard quality (he says)
|
||
This is a very good audience bootleg, one of the best.
|
||
|
||
Name: (none)
|
||
Venue: Giants Staduim, NH (2 tapes) EX+
|
||
|
||
Knebworth 1992
|
||
broadcast on British version of Pay-per-view
|
||
|
||
Royal Albert Hall 1992
|
||
Capitol Radio broadcast
|
||
|
||
Name: Live In The Big Apple
|
||
Venue: New Jersey
|
||
Date: 6/92
|
||
Format: 2 CD
|
||
Label: Red Phantom
|
||
|
||
Name: Summer Nights
|
||
Venue: Knebworth 1992
|
||
Format: 2 CD
|
||
Label: KTS
|
||
|
||
Name: Sincerely Yours
|
||
Venue: We Can't Dance 1992 World Tour
|
||
Format: 2 CD
|
||
|
||
Name: We
|
||
Compilation: U.S. 1992, 1974, 1984
|
||
Format: CD
|
||
|
||
Name: 18 Million Dollars To Dance
|
||
Venue: U.S. 1992
|
||
Format: CD
|
||
|
||
Name: I Can't Dance Live
|
||
Venue: U.S.
|
||
Date: 1992
|
||
Format: CD
|
||
|
||
|
||
COMPILATIONS
|
||
|
||
These bootlegs are compilations of several shows
|
||
|
||
Name: There is Still Time to Wash Away the Past
|
||
Length: 45 mins
|
||
Sound: C
|
||
Tracks:
|
||
|
||
Stagnation/Fountain of Salmacis/Harold the Barrel/I Know What I Like/
|
||
Get 'Em Out by Friday/The Lamia
|
||
|
||
Genesis in Concert (2-LP)
|
||
This one is a combination of sorts. It has 2 BBC Archive studio tracks
|
||
(Musical Box & Twilight Alehouse), a live Steve Hackett Group track (I
|
||
Know What I Like), a couple of live Gabriel tracks (one of which is
|
||
Milgram's 37), and a couple of live Genesis tracks (Man On A Corner
|
||
and You're Own Special Way) from the Abacab tour. It also has some
|
||
Led Zeppelin rudely thrown in between a few of the tracks (called
|
||
The Mask). I think the bootleggers were just trying to fuck us over
|
||
on that one. It's still worthwhile though.
|
||
|
||
Name: Some Old, Some New
|
||
Note: Triple boxed set, very good stereo
|
||
|
||
ONE: John Peel Session 1972 - Get 'Em Out By Friday/ Twilight
|
||
Alehouse/ Watcher of the Skies
|
||
TWO: Toronto 1977 - Supper's Ready
|
||
THREE: Toronto 1977 - Squonk/ One For The Vine/ Robbery, Assault
|
||
& Battery
|
||
FOUR: Toronto 1977 - Your Own Special Way/ Firth of Fifth/
|
||
Carpet Crawl
|
||
FIVE: Toronto 1977 - In That Quiet Earth/ Afterglow/ I Know
|
||
What I Like
|
||
SIX: Peter Gabriel, 4 Oct. 1978, Radio - On The Air/ White
|
||
Shadow/ Solsbury Hill/ Here Comes the Flood/ The Lamb
|
||
Lies Down on Broadway
|
||
|
||
Name: Three Nights in Philly
|
||
Format: 2 CD
|
||
Sound: stereo
|
||
Venue: CD says "Recorded live at the Spectrum, Philadelphia,
|
||
Pennsylvania, USA 1981" This can't be true. It is most likely
|
||
a compilation of several shows.
|
||
Label: BUC 051/2, S.I.A.E, MADE IN ITALY, by Phonocomp (P) 4/92 (I
|
||
assume this is a print date) Buccanneer Records
|
||
|
||
CD 1 CD 2
|
||
1. Dodo / Lurker (7:12) 1. In The Cage (7:43)
|
||
2. Abacab (8:55) 2. Cinema Show (3:14)
|
||
3. That's All (4:46) 3. Slipperman (3:33)
|
||
4. Mama (8:47) 4. Afterglow (4:52)
|
||
5. Illegal Alien (6:08) 5. Keep It Dark (4:53)
|
||
6. Home By The Sea (5:43) 6. It's Gonna Get Better (7:52)
|
||
7. Second Home By The Sea (6:57) 7. Los Endos (2:52)
|
||
8. Behind The Lines (5:36) 8. Dance On A Volcano (3:35)
|
||
9. Misunderstandings (3:58)
|
||
10. Turn It On Again (9:09)
|
||
11. No Reply At All (4:57)
|
||
|
||
{CREDITS GIVEN}
|
||
|
||
Comments: The CDs themselves are black with white lettering. A
|
||
small booket is included with 2 pictures of a concert. The
|
||
quality is good. It is not an "audience" recording. The tracks
|
||
seem to be pieced together from different shows(the name does
|
||
imply that it came from 3 different shows). Unfortunatly, the
|
||
editing was poorly done, changes from one show to the next are
|
||
obvious. The transition from Behind The Lines to In The Cage
|
||
is ackward because they are seperated across discs. Applause
|
||
is added at the end of Behind The Lines that doesn't sound
|
||
like it belongs at all. The end of Turn It On Again includes a
|
||
short medley of EVERYBODY NEEDS SOMEBODY TO LOVE and a few
|
||
other non-genesis songs.
|
||
|
||
Name: Superstars in Concert
|
||
Venue: Empire Pool, Wembley, London 4/15/75 (tracks 1-11)
|
||
Nassau Coliseum, Uniondale, NY 11/81 (tracks 12-16)
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 80 min.
|
||
Notes: from Superstars in Concert broadcast track 8 is edited; some
|
||
of tracks 12-16 were used on _Three Sides Live_
|
||
|
||
In the Cage/ Back in N.Y.C./ Hairless Heart/ Counting Out Time
|
||
The Carpet Crawlers/ Evil Jam/ Silent Sorrow in Empty Boats
|
||
The Colony of Slippermen (opening section)/ Ravine/ The Light Dies
|
||
Down on Broadway/ Riding the Scree/ Dodo/ Abacab/ Misunderstanding
|
||
No Reply at All/ Turn It On Again
|
||
|
||
|
||
Name: Illegal Alien
|
||
Label: Beech-Marten
|
||
Cat No: BM005
|
||
|
||
London 1977
|
||
1) The Lamb Lies Down On Broadway
|
||
Nassau Colliseum 1981
|
||
2) Behind The Lines
|
||
3) Dance On A Volcano
|
||
4) Los Endos
|
||
5) Abacab
|
||
LA Forum 86 (looks like this is another from KBFH)
|
||
6) Tonight Tonight Tonight
|
||
7) Turn It On Again
|
||
8) That's all
|
||
9) Mama
|
||
|
||
Name: The Rarest--Live--Vol. 1
|
||
Name: The Rarest--Live--Vol. 2
|
||
(details forthcoming, they do exist)
|
||
|
||
Name: The Rarest--Live--Vol. 3
|
||
Desc.: Rainbow Theatre, London 10/20/73 (track 1)
|
||
unreleased demo [Phil Collins] (track 2)
|
||
non-album single (track 3)
|
||
Watford Town Hall, Watford 6/28/72 (tracks 4-6)
|
||
non-album B-sides (tracks 7-8)
|
||
Earl's Court, London 6/24/77 (track 9)
|
||
BBC 1971 (track 10)
|
||
Label: Stemra SABAM 50013
|
||
Source: various
|
||
Format: LP
|
||
Sound: VG-E stereo
|
||
|
||
1. More Fool Me [More For Me]
|
||
2. Tomorrow Never Knows [Tomorrow Never Knows--T.N.K., Phil Collins]
|
||
3. Happy the Man
|
||
4. Happy the Man
|
||
5. Drum Solo
|
||
6. Harlequin
|
||
|
||
7. The Day the Light Went Out
|
||
8. Vancouver
|
||
9. Inside and Out
|
||
10. Return of the Giant Hogweed
|
||
|
||
Name: King Biscuit Compilation
|
||
Venue: England 1976 (track 1)
|
||
Nassau Coliseum, Uniondale, NY 11/81 (tracks 2-4)
|
||
The Spectrum, Philadelphia 11/83 (track 5)
|
||
The Forum, Los Angeles 10/86 (tracks 6-7)
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: compilation from previous King Biscuit broadcasts
|
||
track 7 is edited
|
||
|
||
The Lamb Lies Down on Broadway/ Behind the Lines/ Dance on a Volcano
|
||
Los Endos/ Abacab/ Tonight, Tonight, Tonight/ Turn It On Again
|
||
|
||
Name: The Unreleased Live Collection
|
||
Label: Never End
|
||
Cat No: NE*8.22.1/2
|
||
Note: This album is a rehash of bootlegs -- everything on it has
|
||
already been released, on other bootlegs, and by all reports
|
||
the original bootlegs sound better.
|
||
|
||
Disc 1 (Running time: 76:20)
|
||
Picture of Gabriel playing Flute
|
||
|
||
01 - Let Us Now Make Love (5:56)
|
||
02 - The Shepherd (3:49)
|
||
03 - Pacidity My Love (5:31)
|
||
04 - Stagnation (8:00)
|
||
05 - Looking For Someone (7:06)
|
||
06 - Twilight Alehouse (7:50)
|
||
07 - The Musical Box (10:45)
|
||
08 - Get 'Em Out By Friday (8:43)
|
||
09 - Firth of Fifth (8:01)
|
||
10 - The Knife (9:13)
|
||
|
||
Disc 2 (Running time: 73:18)
|
||
Picture of Gabriel in Flower Headdress
|
||
|
||
01 - Watcher Of The Sky (7:25)
|
||
02 - Broadway's Genesi (6:05)
|
||
03 - Cuckoo Cocoon (2:19)
|
||
04 - In The Cage (6:33)
|
||
05 - Back In New York City (6:02)
|
||
06 - Hairless Heart (6:00)
|
||
07 - Carpet Crawl (5:24)
|
||
08 - Lilywhite Lilith (2:35)
|
||
09 - The Waiting Room (8:50)
|
||
10 - Anyway (3:27)
|
||
11 - The Ravine (4:28)
|
||
12 - The Light Dies Down On Broadway (7:58)
|
||
13 - Riding The Scree (3:57)
|
||
|
||
Insert text:
|
||
|
||
The double CompactDisc we offer you here is a truly complete live
|
||
anthology of the first Genesis units, those of Peter Gabriel himself.
|
||
The first three tunes, all previously unreleased, are from the Group's
|
||
first period, immediately following the Decca release of "From Genesis
|
||
To Revelation." Besides their importance as collector's items, these
|
||
tracks can also be appreciated for their beautiful freshness. "Let Us
|
||
Now Make Love" would have, in our opinion, been an excellent addition
|
||
to "Trespass," the Band's first album release on Charisma, the newly
|
||
created independent label. We include here live versions of the three
|
||
most beautiful tracks from this album: "Stagnation," "Looking For
|
||
Someone," "The Knife." The Group's real success and popularity
|
||
arrive, "Nursery Cryme," represented here by the "The Musical Box"
|
||
and, even though only released as a single by Charisma, "Twilight
|
||
Alehouse." With the tunes "Get 'Em Out By Friday" and "Watcher Of The
|
||
Sky" we have arrived at the next period, that of the album "Foxtrot,"
|
||
while "Firth Of Fifth" is from "Selling England By The Pound." Except
|
||
for the stupendous track "Watcher Of The Sky," the second CompactDisc
|
||
is entirely dedicated to the work "The Lamb Lies Down On Broadway,"
|
||
which we consider as Gabriel's swan song with Genesis. "Broadway's
|
||
Genesi" is a very interesting long introductory jam session that was
|
||
performed only in live concert, and has never before been released.
|
||
|
||
[Editor's note: that's what they want us to think, anyway. All
|
||
this stuff *has* been released on other bootlegs, and by most
|
||
accounts the quality on those others is better than this one.]
|
||
|
||
-------------------------------------------------------------------------------
|
||
PETER GABRIEL BOOTLEGS
|
||
Part B
|
||
-------------------------------------------------------------------------------
|
||
|
||
Name: Live USA
|
||
Date: 4/9/77
|
||
Label: imtrat 900.014
|
||
Time: 64:59
|
||
Venue: the Roxy LA,
|
||
Notes: featuring Robert Fripp
|
||
|
||
Here Comes the Flood/ On the Air/ Moribund the Burgermeister/
|
||
A Song Without Words (early version of Indigo)/ Excuse Me/ Solsbury
|
||
Hill/ Ain't That Peculiar/ Humdrum/ Slowburn/ All Day and All Night/
|
||
Here Comes the Flood (again,different)/ Modern Love/ Down the Dolce
|
||
Vita/ Back in NYC
|
||
|
||
Sound Quality: 8/10
|
||
|
||
Cover Art: Totally cheezy K-Tel like stuff (no interesting pictures)
|
||
|
||
Quality: Good (with hiss)
|
||
Here Comes the Flood (piano) / On the Air / Moribund the Burger-
|
||
meister / Waiting For the Big One / Indigo / Excuse Me / Solsbury
|
||
Hill / Ain't That Peculiar / Humdrum / Slowburn / All Day and All
|
||
of the Night / Here Comes the Flood (electric) / Modern Love /
|
||
Down the Dolce Vita / Back in New York City
|
||
|
||
Name: Waiting for the Big One
|
||
aka _Ain't That Peculiar?_
|
||
Venue: Cleveland 1977
|
||
Label: -9011
|
||
Source: audience
|
||
Format: LP
|
||
Sound: G stereo
|
||
|
||
Ain't That Peculiar/ A Song Without Words/ Waiting for the Big One
|
||
Excuse Me/ Slowburn/All Day and All of the Night/ Why Don't We?
|
||
|
||
Name: On The Air
|
||
Date: Sept 15, 1978
|
||
Length: 57:15
|
||
Venue: Essen
|
||
Label: MUSICHIEN, sarl, Luxemborg
|
||
Note: Disc Itself reads "THE LIVE"
|
||
|
||
1 On the air 4:48
|
||
2 Moribund the Burgermeister 5:43
|
||
3 Perspective 4:27
|
||
4 Here Comes the Flood 4:00
|
||
5 White Shadow 5:12
|
||
6 Waiting for the Big One 8:08
|
||
7 Humdrum 4:13
|
||
8 I Don't Remember 5:22
|
||
9 Solsbury Hill 5:21
|
||
10 Modern Love 4:32
|
||
11 The Lamb Lies Down On Broadway 5:32
|
||
|
||
Name: Seascape
|
||
Desc.: unfinished tracks and demos from 1980 sessions
|
||
Label: TAKRL 1407
|
||
Source: studio
|
||
Format: LP
|
||
Sound: VG stereo
|
||
Length: ?
|
||
|
||
I Don't Remember/ Games Without Frontiers [Games...Without Words]
|
||
Walk Through the Fire [Instrumental]/ And Through the Wire/
|
||
I Go Swimming/ Bully for You [Seascape]/ Intruder
|
||
|
||
Name: Games...Without Words
|
||
Desc.: demos for the 3rd album, a little different. I think it's also from
|
||
Label: TARKL (?)
|
||
|
||
They're all instrumental except "Intruder" and a weird intro to "And
|
||
Thru the Wire".
|
||
|
||
I Don't Remember Inst. / Games...Without Words (Games w/o
|
||
Frontiers) / Inst. No. 1 (Milgram's 37) / Intro (Start) / And
|
||
Thru the Wire Inst. / Intruder/ I Go Swimming / Seascape (Walk
|
||
Through the Fire) / Inst. No. 2
|
||
|
||
1980 Peter Gabriel - Chromedome - Cardiff 1980
|
||
Quality - Good
|
||
|
||
Intruder / I Don't Remember / Solsbury Hill / Family Snapshot /
|
||
Games Without Frontiers / And Through the Wire / I Go Swimming /
|
||
Biko
|
||
|
||
Name: State of Mind
|
||
Date: November 11, 1986
|
||
Venue: Capital Center, Largo, Maryland
|
||
Sound: Yuk! (muffled city--crowd noise, etc.)
|
||
|
||
Red Rain / Shock the Monkey / No Self Control / Mercy Street /
|
||
This Is the Picture / The Family & the Fishing Net / Don't Give
|
||
Up / Big Time / Lay Your Hands On Me / Sledgehammer / Here Comes
|
||
the Flood / In Your Eyes / Biko
|
||
|
||
Name: Peter Gabriel Retrospective
|
||
Sound: ex stereo
|
||
Note: this is a King Biscuit special about Peter's career.
|
||
|
||
London 1975 with Genesis:
|
||
Watcher of the Skies
|
||
The Carpet Crawlers
|
||
In the Cage
|
||
Bottom Line, 1977, with Robert Fripp:
|
||
On the Air
|
||
D.I.Y.
|
||
Solsbury Hill
|
||
The Lamb Lies Down On Broadway
|
||
Prince's Trust concert, 1988:
|
||
Sledgehammer
|
||
|
||
Name: Compilation
|
||
Venue: Empire Pool, Wembley, London 4/15/75 [Genesis] (tracks 1-3)
|
||
The Bottom Line, New York 1978 (tracks 4-7)
|
||
Prince's Trust Concert 1988, Royal Albert Hall, London 1988 (track 8)
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from King Biscuit broadcast
|
||
compilation from previous King Biscuit broadcasts
|
||
Robert Fripp: guitar on track 6
|
||
|
||
Watcher of the Skies [Genesis]/ The Carpet Crawlers [Genesis]/
|
||
In the Cage [Genesis]/ On the Air/ D.I.Y./ Solsbury Hill/ The Lamb
|
||
Lies Down on Broadway/ Sledgehammer
|
||
|
||
C Book Of Memories (unreleased 1977-1988) 2 CD
|
||
C From Genesis To... (various live 1975-1989)
|
||
|
||
Name: Union
|
||
Venue: 1993 Secret World ("Us") Tour, European leg
|
||
*Saturday Night Live
|
||
Cat No: Red Phantom CD #RPCD2129/30
|
||
Source: Audience
|
||
Sound: Excellent stereo
|
||
Length: 60:56 (CD1)/70:18 (CD2)
|
||
Format: CD
|
||
Notes: Pretty decent sound for an audience recording. Audience
|
||
clapping and chatter can be occasionally annoying.
|
||
Tracks:
|
||
|
||
[CD1] Come Talk To Me/Steam/Games Without Frontiers/Across The
|
||
River/Shaking The Tree [not listed]/San Jacinto/Blood Of Eden/
|
||
Lovetown [not listed]
|
||
|
||
[CD2] Kiss That Frog/Washing Of The Water/Solsbury Hill/Digging
|
||
In The Dirt/Sledgehammer/Secret World/In Your Eyes/Biko/
|
||
*Steam [SNL]/*In Your Eyes [SNL]
|
||
|
||
-------------------------------------------------------------------------------
|
||
PHIL COLLINS BOOTLEGS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
Name: (none)
|
||
Venue: Tower Theater, Philadelphia 1982
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 50 min.
|
||
Notes: from King Biscuit broadcast
|
||
|
||
I Missed Again/ Behind the Lines/ I Cannot Believe It's True/
|
||
This Must Be Love/ I Don't Care Anymore/ Don't Let Him Steal Your
|
||
Heart Away/ In the Air Tonight/ Like China/ You Can't Hurry Love
|
||
It Don't Matter to Me
|
||
|
||
Name: Captured Live
|
||
Venue: Warner Theatre, Washington, DC
|
||
Date: 1983
|
||
Source: Radio broadcast
|
||
Sound: FM stereo, excelent
|
||
Note: this is a radio show, circulating as a bootleg tape
|
||
|
||
Collins, Daryl Stuermer, Chester Thompson, Peter Robinson, Mo Foster,
|
||
Phenix Horns.
|
||
|
||
I Don't Care Anymore/ I Cannot Believe It's True/ Like China/ You
|
||
Can't Hurry Love/ It Don't Matter To Me/ In The Air Tonight/ Hand
|
||
in Hand/ ...and so to F...
|
||
|
||
Name: Behind The Lines
|
||
Format: CD
|
||
Notes: Recorded on the Hello I Must Be Going tour. Good selection of
|
||
songs.
|
||
|
||
Name: No Ticket Required
|
||
Venue: Reunion Arena, Dallas 1985
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 60 min.
|
||
Notes: from HBO radio simulcast of edited version of _No Ticket
|
||
Required_ video, KFOG
|
||
|
||
Only You Know and I Know/ Against All Odds/ Sussudio/ Behind the Lines
|
||
One More Night/ In the Air Tonight/ You Can't Hurry Love/ It Don't
|
||
Matter to Me/ Hand in Hand/ Take Me Home/ It's All Right
|
||
|
||
Name: (none)
|
||
Venue: Madison Square Garden, New York 10/2/90
|
||
Source: FM
|
||
Format: 2C90
|
||
Sound: E stereo
|
||
Length: 2 hours 40 min.
|
||
Notes: from Westwood One broadcast/HBO radio simulcast, KRQR
|
||
This is the last show in the But Seriously Tour. (And later
|
||
appeared as the Serious Hits live video, qv)
|
||
|
||
Hand in Hand/ Hang In Long Enough/ Against All Odds/ Don't Lose My
|
||
Number/ Inside Out/ Do You Remember?/ Who Said I Would/ Another Day
|
||
in Paradise/ Separate Lives/ Saturday Night and Sunday Morning/
|
||
The West Side/ That's Just the Way It Is/ Something Happened on the
|
||
Way to Heaven/ One More Night/ Colours/ In the Air Tonight/ You Can't
|
||
Hurry Love/ Two Hearts/ Sussudio/ [Encore:] Groovy Kind of Love/ Easy
|
||
Lover/ Always/ Take Me Home
|
||
|
||
-------------------------------------------------------------------------------
|
||
MIKE RUTHERFORD BOOTLEGS
|
||
Part D
|
||
-------------------------------------------------------------------------------
|
||
|
||
Name: King Biscuit
|
||
Venue: Tower Theater, Philadelphia
|
||
Date: 6/19/86
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from King Biscuit broadcast
|
||
|
||
Hanging by a Thread/ Silent Running/ Maxine/ Taken In/ A Call to Arms
|
||
Tempted/ I Get the Feeling/ All I Need Is a Miracle
|
||
|
||
Name: King Biscuit
|
||
Venue: Tower Theater, Philadelphia 1989
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from King Biscuit Broadcast
|
||
|
||
Seeing Is Believing/ Silent Running/ Don't/ Poor Boy Down/ The
|
||
Living Years/ I Get the Feeling/ Take the Reigns/ All I Need Is
|
||
a Miracle
|
||
|
||
Name: Rockline
|
||
Desc.: call-in interviews and music
|
||
Date: 4/29/91
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 75 min.
|
||
Notes: from Rockline broadcast
|
||
|
||
Get Up/ Word of Mouth/ Silent Running/ Yesterday, Today, Tomorrow/
|
||
Hey You [Roger Waters]/ The Living Years/ My Crime of Passion
|
||
|
||
-------------------------------------------------------------------------------
|
||
APPEARANCES
|
||
Part E
|
||
-------------------------------------------------------------------------------
|
||
|
||
Artist: Eric Clapton
|
||
Title: Eric Clapton and Friends
|
||
Venue: Birmingham, England 1986
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 60 min.
|
||
Notes: from MTV broadcast of edited version of _Eric Clapton and
|
||
Friends_ video
|
||
Phil: drums
|
||
|
||
Crossroads/ White Room/ Run/ Miss You/ Tearing Us Apart/ Holy Mother
|
||
In the Air Tonight/ Layla/ Sunshine of Your Love
|
||
|
||
Name: Prince's Trust Concert
|
||
Venue: Royal Albert Hall, London 1987
|
||
Source: FM
|
||
Format: C90
|
||
Sound: E stereo
|
||
Length: 55 min.
|
||
Notes: from King Biscuit broadcast (the Prince here is the Prince of
|
||
Wales)
|
||
|
||
Phil Collins
|
||
I Missed Again/ You Can't Hurry Love
|
||
|
||
-------------------------------------------------------------------------------
|
||
BRAND X BOOTLEGS
|
||
Part F
|
||
-------------------------------------------------------------------------------
|
||
[While there are a lot of Brand X live recordings, these are extremely
|
||
hard to come by. Few of the bootlegs are 'in print' so to speak,
|
||
easily obtainable.]
|
||
|
||
|
||
Name: none
|
||
Date: 8/2/76
|
||
Venue: Top Gear (or is this the programme it was on?)
|
||
Length: 10 min
|
||
|
||
Name: Rated X
|
||
Date: October 31, 1978
|
||
Venue: The Bottom Line, New York, NY
|
||
Length: 73 min
|
||
Label: Microphone Records
|
||
Cat No: MPH 015
|
||
Format: 1 CD
|
||
Source: Soundboard
|
||
Sound: Excellent
|
||
Cover: an X rated picture
|
||
Band:
|
||
Percy Jones (bass)
|
||
Morris Pert (perc, piano)
|
||
Peter Robinson (kybd)
|
||
Mike Miller (gtr)
|
||
Michael Clarke (drums)
|
||
|
||
Tracks:
|
||
|
||
The Ghost of Mayfield Lodge / Earth Dance / Black Moon /
|
||
Nuclear Burn / Deadly Nightshade
|
||
|
||
Name: Brand X Squared
|
||
Label: Mirror Image Pressings
|
||
Half Speed Mastered Teldec master Vinyl Space-EX
|
||
Cat No: MIP 1004.
|
||
|
||
There are no credits whatsoever on the sleeve.
|
||
address for the bootleggers: Mirror Image Pressings:
|
||
23757 Canozonet St., Woodland Hills, CA. 91367 (C) + (P) 1982.
|
||
|
||
-------------------------------------------------------------------------------
|
||
Steve Hackett Bootlegs
|
||
Part G
|
||
-------------------------------------------------------------------------------
|
||
|
||
Name: Spectral Horizon
|
||
Date: October 17, 1980
|
||
Venue: The Old Waldorf, San Francisco, CA
|
||
Length: 70 min
|
||
Label: Nightmare Digital Audio Laboratory
|
||
Cat No: NDAL 1003
|
||
Format: 1 CD
|
||
Source: Soundboard
|
||
Sound: Excellent
|
||
Notes: mastered from vinyl (the clicks and pops are barely
|
||
noticeable), some tape speed problems in "Slogans"
|
||
(too slowed down) and "Jacuzzi" (too sped up)
|
||
Intros by Hackett are almost inaudible
|
||
Acoustic set is from the Clocks 12" (qv)
|
||
"It's Now or Never" is a cover
|
||
|
||
Tracks:
|
||
|
||
Slogans / Every Day / The Red Flower of Tachai Blooms Everywhere /
|
||
Tigermoth / Time to Get Out / The Steppes / Acoustic Set / Narnia /
|
||
Jacuzzi / Sentimental Institution / Spectral Mornings / The Show /
|
||
It's Now or Never / Please Don't Touch
|
||
|
||
Name: none
|
||
Venue: The Strand, Los Angeles, CA
|
||
Date: Sep 8, 1992
|
||
Sound: An audience recording, but in a small venue, so the overall
|
||
sound is very listenable.
|
||
Notes: At the time, most of these were unreleased tracks that were
|
||
being performed for the first time ever on tour.
|
||
|
||
Medley: (Myopia/ Los Endos/ Imagining (from GTR)/ Ace of Wands /
|
||
Hackett to Bits) / Camino Royale / Vampire with a Healthy Appetite /
|
||
Flight of the Condor Take These Pearls / Always Somewhere Else / In
|
||
the Heart of the City Walking Away from Rainbows/Many Sides to the
|
||
Night / '...In That Quiet Earth' / Dark is the Grave Wherein My Friend
|
||
is Laid / Etruscan Serenade / Depth charge / Every Day / Acoustic
|
||
Medley: Black Light / Horizons
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| P U B L I C A T I O N S |||
|
||
||| and |||
|
||
||| O R G A N I Z A T I O N S |||
|
||
||| Section XII |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
-------------------------------------------------------------------------------
|
||
INTERNET MAILING LISTS
|
||
Part A
|
||
-------------------------------------------------------------------------------
|
||
|
||
The original mailing list for Genesis on the internet was
|
||
the_lamb@caen.engin.umich.edu, run by John Macilwaine who had the
|
||
following unforgettable signature:
|
||
|
||
____________________________________________________________________________
|
||
| ___ _ |
|
||
| /_ /_ |\ | /_ /_ | /_ \\ | |_| /_ | /_\ |\/| |_\ // |
|
||
| \/ \ | \| \ / | / | | | \ |__ / \ | | |_/ |
|
||
| Genesis/Gabriel Mailing List -> jmacilwa@caen.engin.umich.edu |
|
||
| " I know that I am solid, and I am my own bad luck ... " |
|
||
|___________________________________________________________________________|
|
||
|
||
Originally mailed out in a digest format, the first issue of
|
||
the_lamb@caen.engin.umich.edu was mailed in June 1990, beginning a new
|
||
era in the history of Genesis' fans. The first issue contained, among
|
||
other things, information about a new Peter Gabriel album (showing how
|
||
the world can be instantly informed of such developments) and an
|
||
interview with Genesis about Supper's Ready. The list at
|
||
the_lamb@caen.engin.umich.edu ended, however, in 1991, on the first of
|
||
July, after providing a forum of interesting discussion about Genesis.
|
||
During the last month, the list was plagued with annoying problems
|
||
like duplicated mail and error messages. John has returned to the new
|
||
list, and has worked at Real World Studios, Gabriel's studio.
|
||
|
||
For a brief period, it looked doubtful that the list would continue,
|
||
but the computer science department at the University of North
|
||
Carolina at Asheville allowed Scott McMahan to start a mailing on the
|
||
computer science department's computers. (Which at the time consisted
|
||
of a Sun and two MicroVAXen, which has now expanded to a lab of
|
||
DECstations as well as a powerful file server, ivy.cs.unca.edu, where
|
||
this list is based.) Now the Genesis mailing list resides at
|
||
genesis@cs.unca.edu for the near future. A direct corollary of the new
|
||
list genesis@cs.unca.edu is an archive collection of all the lyrics to
|
||
the Genesis albums, and a lot of solo lyrics. The FTP archives have
|
||
been augmented by a mail server, to allow greater access to them.
|
||
Extensive additions have also been made, including GIF format
|
||
puictures, interviews, and this discography you're reading.
|
||
|
||
The only solo member of Genesis to have an internet mailing list is
|
||
Peter Gabriel. (All other discussion of solo projects takes place on
|
||
the Genesis list, including a little overlap about Gabriel.) It has
|
||
the following internet mailing address: GABRIEL@casbah.acns.nwu.edu.
|
||
It began circulation in November of 1990.
|
||
|
||
The Gabriel list is run by Joe Germuska, who has this signature:
|
||
|
||
|----Joe Germuska | germuska@casbah.acns.nwu.edu | ---- (708) 864-5939 ---|
|
||
|-Join the Peter Gabriel Mailing List:gabriel-request@casbah.acns.nwu.edu-|
|
||
|"Old men sing about their dreams, women laugh and |"How can we be in when|
|
||
|children scream, and the band keeps playin' on..."|there is no outside?"-|
|
||
|
||
Lyrics to Gabriel albums, the Genesis albums on which Gabriel
|
||
appeared, and miscellaneous other texts are available from
|
||
casbah.acns.nwu.edu by anonymous FTP. (Note that this material has
|
||
also been put in the Genesis archives and is available by mail server
|
||
for those without FTP access.)
|
||
|
||
Both lists have co-existed autonomously since there are a great many
|
||
Peter Gabriel fans who don't necessarily have any interest in Genesis.
|
||
|
||
-------------------------------------------------------------------------------
|
||
PUBLICATIONS
|
||
(Fanzines and newsletters around the world)
|
||
ORGANIZATIONS
|
||
(Fan organizations)
|
||
-------------------------------------------------------------------------------
|
||
|
||
[This material is not necessarily valid currently, but these
|
||
have existed in the past. The addresses and information listed are
|
||
the last known accounts of these organizations. This discography
|
||
does not endorse or even vouch for any of these -- caveat emptor!
|
||
These organizations are listed for completeness, even defunct ones.]
|
||
|
||
NOTE: As of 1993, Genesis' position is that they recognize NO FAN
|
||
ORGANIZATION AS BEING OFFICIAL. Fan organizations are only
|
||
unofficial. Any organization claiming to be official is being
|
||
intentionally misleading. Genesis has mandated this unofficial-only
|
||
status because of past bad experiences with those given official
|
||
status.
|
||
|
||
Genesis has asked the various record companies to remove the names
|
||
of Brad Lentz and Geoff Parkyn from further pressings of the albums.
|
||
DO NOT SEND ANYTHING TO GEOFF PARKYN OR BRAD LENTZ as they are not
|
||
acting in any official capacity representing either the band or the
|
||
fans any longer. The addresses provided below are for historical
|
||
record only and are not intended to be used.
|
||
|
||
Genesis albums since Invisible Touch, including Collins' But
|
||
Seriously, have address to write to for more information. The
|
||
addresses are listed in We Can't Dance as:
|
||
|
||
Genesis Information former addresses.
|
||
USA: Brad Lentz, PO Box 12250, Overland Park, Kansas 66282
|
||
England: Geoff Parkin, PO Box 107, London, N6 5RU
|
||
|
||
The Genesis Information Society, which does not exist
|
||
any longer, was a fan club and had a newsletter. It was
|
||
run by Geoff Parkyn, who also compiled a very complete
|
||
discography in 1983. This discography has been used extensively
|
||
in creating this one. Parkyn (or Parkin, it has been spelled both
|
||
ways) was also at one point selling merchandising at greatly
|
||
inflated prices.
|
||
|
||
The Waiting Room covers all things Genesis related, with news,
|
||
comment and articles from all eras of the band's history.
|
||
1 pound a single copy or 4 pounds for a year from Peter Morton,
|
||
83 Oldfield Rd, Sheffield S6 6DU England. This is apparently run by
|
||
Alan Hewitt (see The Pavillion Magazine below) as of 1993.
|
||
|
||
'Ripples' is the Australian Genesis mag and also appears quarterly.
|
||
No idea of subs rates on this, so write for more info (with IRC) to
|
||
David Birtwell, 1 Mackinnon Ct, Keysborough, Vic 3173, Australia.
|
||
|
||
There's also two Italian Gabriel mags for all you completists, both in
|
||
Italian I'm afraid! The first is called Contact. Info from Monica
|
||
Tessarin, Via Ragazzie del '99 N8, 3102 Mogliano V.To (TV), Italy. The
|
||
second is called The Intruder and can be had from Thomasso Ridolfi, Via
|
||
Bordolano 6A, 20097 S.Donato Milanese, Italy.
|
||
|
||
Peter Gabriel fanzine entitled 'White Shadow'
|
||
by Fred Tomsett c/o White Shadow
|
||
96a Cowlishaw Road, Hunters Bar
|
||
Sheffield S11 8XH England
|
||
|
||
The "Supper's Ready" Genesis Fan Club
|
||
Attn: R. S. Baxter
|
||
Box 562
|
||
May's Landing, NJ 08330
|
||
($15 per year dues as of March 1993)
|
||
This one was in a Goldmine article on fan clubs.
|
||
|
||
Genesis Fan Club
|
||
Attn: Richard Savala
|
||
37 Westbrook Drive
|
||
Hampton, VA 23666
|
||
(send SASE for more information)
|
||
This one was in a Goldmine article on fan clubs.
|
||
|
||
The Pavillion Magazine
|
||
Alan Hewitt
|
||
174 Salisbury Road
|
||
Everton, Liverpool, L5 6RQ, England
|
||
|
||
The COLLINS CONNECTION
|
||
Lee D'Maria, c/o
|
||
P.O. Box 660832
|
||
Miami Springs, Florida 33266
|
||
|
||
The Collins Connection is now DEFUNCT. It was at one time a
|
||
moderately official fan club. 1986-1992, RIP.
|
||
|
||
EDITORIAL NOTE: Also note that Goldmine, while having nothing in
|
||
particular to do with Genesis per se, is a great source for 'last
|
||
resort' buying. The dealers who advertise here charge a lot, often
|
||
more than non-advertising ones. The odds of getting ripped off are
|
||
high, especially with ads that looks like they were prepared by
|
||
amateurs. Stick to computer-printed typeset ads for the best
|
||
reliability. Caveat emptor can't be stressed enough. This information
|
||
is provided for your own use, mainly to answer the frequently asked
|
||
questions of "what is Goldmine" and "how do I get it". The information
|
||
is up to date as of 1993, but is subject to change at any time.
|
||
|
||
In terms of Genesis material, mostly every issue has some ads from
|
||
dealers carrying Genesis records, bootlegs, videos, tour programs,
|
||
and so forth. Record shows and local stores will probably give you
|
||
better deals than Goldmine, but their selection is often severely
|
||
limited.
|
||
|
||
What is Goldmine? It is a bi-weekly newsprint magazine which mostly
|
||
consists of advertisments for sale or auction of "collectable"
|
||
records, CDs and sometimes items like books, tour programs, and
|
||
posters. There is some reading material, often good career
|
||
retrospectives, discographies, interviews or collections of articles
|
||
on one theme, but this usually consitutes maybe 10% of the pages. It
|
||
is primarily a vehicle for advertisements. The newspaper itself can be
|
||
found at larger newsstands, book stores that carry a large secection
|
||
of magazines, used record stores, some new record stores, or of course
|
||
as a subscription.
|
||
|
||
Subscriptions:
|
||
|
||
Goldmine Goldmine
|
||
Circulation Dept Sample Copy Department
|
||
700 E. State St. 700 E. State Street
|
||
Iola WI 54990-0001 Iola, WI 54990
|
||
|
||
Write to this address and they'll send you a
|
||
$35/year, 26 issues sample issue.
|
||
$22/year, 13 issues
|
||
|
||
|
||
-------------------------------------------------------------------------------
|
||
BOOKS
|
||
Part C
|
||
-------------------------------------------------------------------------------
|
||
|
||
[These are not necessarily in print. Genesis books are few and far
|
||
between, and never seem to have very large print runs. With Genesis'
|
||
popularity, the lack of books is pretty amazing.]
|
||
|
||
GENESIS - THE ILLUSTRATED DISCOGRAPHY
|
||
By Geoff Parkyn
|
||
Omnibus Press, London, 1983.
|
||
ISBN 0.7119.0163.5
|
||
OP 42092
|
||
|
||
Very nice discography, used quite a bit in filling out this
|
||
discography. Lots of photos: not only rare albums and singles, but
|
||
also some ads from different periods in the band's history. (These
|
||
photos are in incredibly grainy black and white.) This book covers
|
||
up to Three Sides Live.
|
||
|
||
Very small, paperback size book. The cover is based on Abacab's
|
||
album cover (the current Genesis release at the time).
|
||
|
||
GENESIS - TURN IT ON AGAIN
|
||
By Geoff Parkyn
|
||
|
||
Reprinted version of THE ILLUSTRATED DISCOGRAPHY in 1984 as 'Turn It
|
||
On Again'. This is updated to include the Mama album and solo
|
||
projects at the time.
|
||
|
||
GENESIS - I KNOW WHAT I LIKE
|
||
by Armando Gallo
|
||
|
||
Written in 1977. Published in England by Sidgwick and Jackson of
|
||
London in 1978. Released only in England by Sidgwick and Jackson under
|
||
the title "Genesis: The Evolution of a Rock Band", had three reprints
|
||
at least. Not issued in the USA at all. Summer 1979, Gallo decided to
|
||
publish it himself. Updated to right before Duke was recorded and
|
||
re-issued in 1980, re-written, re-designed, and new pictures by the
|
||
author. Published in the USA by DIY Books in 1980. Also a Limited
|
||
Edition of 1000 copies hand bound in leather, boxed, numbered, and
|
||
signed by the author. There was another printing circa 1986, but it
|
||
was not updated.
|
||
|
||
This is the definitive Genesis book. Gallo traveled and talked with
|
||
the band for years. The band has testified to the veracity of the book.
|
||
Introduction by Mike Rutherford. Curiously, the 1980 printing does
|
||
not have an ISBN number listed anywhere.
|
||
|
||
GENESIS - PETER GABRIEL, PHIL COLLINS AND BEYOND
|
||
by Philip Kamin and Peter Goddard. Introduction by Phil Collins
|
||
(115 pages - 1984. Beaufort Books. ISBN 0-8253-0243-9)
|
||
|
||
THE BOOK OF GENESIS
|
||
by Hugh Fielder.
|
||
(128 pages - 1984. St. Martin's Press. ISBN 0-312-08880-9)
|
||
|
||
Fielder interviewed the band, and transcribed the interviews
|
||
verbatim, with no editing. (Quite a feat, considering how little
|
||
sense the band makes in interviews.) This is an accurate book,
|
||
since it is the band in their own words. A good insight into
|
||
personal feelings, and less hard facts than Gallo. Section of color
|
||
photos, and a lot of black and white photos. Good source of non-Gallo
|
||
photographs.
|
||
|
||
GENESIS
|
||
by Janis Schacht
|
||
(124 pages - 1984. Proteus. ISBN 0-86276-257-x)
|
||
|
||
Schacht was involved vaguely with Genesis in the early days, seeing
|
||
shows and reviewing them. He borrows a lot from his predecessors in
|
||
terms of the book's content. A lot of good photographs. History of
|
||
the band, sections for each member talking about solo projects, as
|
||
well as a terse discography (sans catalogue numbers). He does cover
|
||
up to the filming of Illegal Alien, and has some editorial
|
||
opinions. Many too many of his items are 'borrowed' from other
|
||
published sources which appeared before his book did. There's not
|
||
much bibliographical credit given. An article that appeared in
|
||
Circus Magazine, 1982 contains most of what he has written about
|
||
the recording of Abacab. Whether he intentionally plagarized these
|
||
articles or got permission but did not include it in the credits is
|
||
unclear.
|
||
|
||
GENESIS - FROM ONE FAN TO ANOTHER
|
||
by Armando Gallo.
|
||
(144 pages - 1984. Omnibus Press. ISBN 0-7119-0515-0)
|
||
|
||
Book of Gallo's photographs, less exposition than his other book.
|
||
|
||
PETER GABRIEL
|
||
by Armando Gallo.
|
||
(96 pages - 1986. Omnibus Press. ISBN 0-7119-0783-8)
|
||
|
||
PETER GABRIEL - AN AUTHORIZED BIOGRAPHY
|
||
by Spencer Bright.
|
||
(232 pages - 1988. Sidgwick & Jackson. ISBN 0-283-99498-3)
|
||
|
||
GENESIS: A BIOGRAPHY
|
||
by Dave Bowler and Brian Dray
|
||
Published by Sidgwick & Jackson, London (I think)
|
||
ISBN: 0-283-06132-4
|
||
released in UK 11-92
|
||
|
||
Contains discography , 8-10 black & white pictures in the middle.
|
||
|
||
Front cover: Glossy black with same picture of band as used on Hold
|
||
On My Heart singles inset in colour
|
||
Back cover: Glossy black with colour band picture from about 1974/5 inset
|
||
|
||
Inside cover says that Dave Bowler and Brian Dray played in major part
|
||
in researching the 'Genesis: A History' video and have been Genesis
|
||
fans/collectors for many years.
|
||
|
||
The text looks very good, and basically goes through in chronological
|
||
order detailing the history of the band and solo members careers to
|
||
the present day. A full UK discography is included in the back
|
||
including all albums, singles, videos and books released by Genesis
|
||
and solo members, but no catalogue numbers are included.
|
||
|
||
-------------------------------------------------------------------------------
|
||
SHEET MUSIC
|
||
Part D
|
||
-------------------------------------------------------------------------------
|
||
|
||
No sheet music to any album earlier than Trick was released. The sheet
|
||
music listed here is as complete as can be. Very little is actually in
|
||
print any longer. The Anthologies and the recent Genesis albums are in
|
||
print.
|
||
|
||
Trick of the Tail/Wind & Wuthering
|
||
ISBN: 0.86001.696.X
|
||
1980 Wise publications
|
||
Songs: all the songs from the 2 albums
|
||
Note: this is considered a very accurate book by musically inclined
|
||
people who expressed an opinion
|
||
|
||
Seconds Out
|
||
ISBN: 0-8256-6026-2
|
||
(Does not cover the whole album, for "copyright reasons". This is
|
||
possibly the rarest Genesis sheet music, and the most sought after
|
||
due to the old songs transcribed.)
|
||
|
||
Songs:
|
||
|
||
Squonk
|
||
The Carpet Crawl [sic]
|
||
Robbery, Assault, and Battery
|
||
Afterglow
|
||
Firth of Fifth [sans intro]
|
||
I Know What I Like
|
||
The Lamb [sans a lot of the intro arpeggios]
|
||
Supper's Ready [entire thing]
|
||
The Musical Box [the whole thing, not just an excerpt]
|
||
Cinema Show [sans solos at end]
|
||
|
||
And Then There Were Three
|
||
ISBN: 0-8256-6032-7
|
||
Originally published by Wise Publications, London, in 1978.
|
||
Published by Music Sales Ltd (ISBN is from this edition)
|
||
Songs arranged by Frank Booth
|
||
Has three pics, one of each member.
|
||
|
||
Duke (contains pic of Genesis)
|
||
US: Warner Bros. Publications VF0796
|
||
|
||
Abacab (1982)
|
||
US: Warner Bros. Publications VF0923 and Pun Music (ASCAP)
|
||
UK: Hit & Run Music (Publishing) Ltd.
|
||
|
||
Three Sides Live
|
||
Chappell and Co. Ltd.
|
||
Released in England, only
|
||
Order Ref # 7659
|
||
|
||
Music to the double album, plus colour photos and article on the band.
|
||
These are not full piano scores. It is just combined molody line and
|
||
guitar chords.
|
||
|
||
Songs:
|
||
|
||
Abacab
|
||
Turn It on Again
|
||
Dodo
|
||
Behind the Lines
|
||
Duchess
|
||
Me and Sarah Jane
|
||
Follow You Follow Me
|
||
In the Cage
|
||
Misunderstanding
|
||
Cinema Show
|
||
Slipperman
|
||
Afterglow
|
||
One for the Vine
|
||
Fountain of Salmacis
|
||
It/Watcher of The Skies
|
||
|
||
The Best of Genesis (1983)
|
||
US: Warner Bros. Publications VF1053
|
||
|
||
Genesis (Mama) (1984)
|
||
US: Warner Bros. Publications VF1098 and Pun Music (ASCAP)
|
||
|
||
Invisible Touch (1986)
|
||
(contains three great portraits of the band)
|
||
US: Warner Bros. Publications VF1326
|
||
UK: Wise Publications
|
||
UK ISBN 0.7119.1043.X Order # AM 64536
|
||
|
||
The Genesis Anthology
|
||
US: Warner Bros. Publications VF1113
|
||
|
||
(Contains music to Paperlate, the only song not available anywhere
|
||
else. The arrangements are apparently different from the other sheet
|
||
music books. By most reports the transcriptions here aren't great.)
|
||
|
||
Songs:
|
||
|
||
Abacab
|
||
Behind the Lines
|
||
Dance on a Volcano
|
||
Duchess
|
||
Follow You Follow Me
|
||
Heathaze
|
||
I Know What I Like
|
||
Illegal Alien
|
||
Keep It Dark
|
||
The Lamb Lies Down on Broadway
|
||
Mad Man Moon
|
||
Mama
|
||
Man on the Corner
|
||
Many Too Many
|
||
Misunderstanding
|
||
No Reply at All
|
||
One for the Vine
|
||
Paperlate
|
||
Taking It All Too Hard
|
||
That's All
|
||
Turn It on Again
|
||
A Trick of the Tail
|
||
Your Own Special Way
|
||
|
||
|
||
We Can't Dance (1992)
|
||
(Very cheap packaging, no pics or anything. Just music and FRB
|
||
cover.)
|
||
US: Warner Bros. Publications VF1795
|
||
ISBN: not listed on book
|
||
Warner Brothers Publications
|
||
Songs: the whole album
|
||
Genesis - We Can't Dance
|
||
|
||
The Way We Walk
|
||
info unavailable
|
||
|
||
Band score, GENESIS
|
||
|
||
March '92, Ritto Music, Japan
|
||
127 pages
|
||
Notes: fairly accurate music scores for all the parts
|
||
(vocal, guitar, bass, drums, keyboards and others)
|
||
with brief playing advice written in Japanese
|
||
|
||
Songs:
|
||
1. The Knife
|
||
2. Watcher of the Skies
|
||
3. Firth of Fifth
|
||
4. Mad Man Moon
|
||
5. One for the Vine
|
||
6. Follow You Follow Me
|
||
7. Invisible Touch
|
||
(with discography of albums, UK singles,
|
||
and solo materials)
|
||
|
||
|
||
[Note: some individual songs have been released separately, singles
|
||
that had sheet music released at the time the single was released.
|
||
These are extremely hard to obtain information about, since they are
|
||
available in small quantities for a very short period of time.]
|
||
|
||
Banks:
|
||
Only one known Banks transcription...
|
||
|
||
Quicksilver (motion picture soundtrack)
|
||
Songs: includes Shortcut to Somewhere and the suite Banks
|
||
wrote for the film
|
||
|
||
Collins:
|
||
|
||
[I think there's a No Jacket book, who knows?]
|
||
|
||
Anthology
|
||
ISBN (UK) 0-7119-0775-7
|
||
Wise Publications 1985
|
||
Warner Brothers
|
||
Songs: includes all songs from first three albums, as well as
|
||
Against All Odds and Easy Lover
|
||
Note: at least in the editor's edition, One More
|
||
Night is in the key of Ab, not Bb as the music
|
||
indicates.
|
||
|
||
Serious Hits Live
|
||
ISBN not listed on the book
|
||
|
||
Songs:
|
||
|
||
Something...Heaven
|
||
Against All Odds
|
||
Who Said I Would
|
||
One More Night
|
||
Don't Lose My Number
|
||
Do You Remember
|
||
Another..Paradise
|
||
Separate Lives
|
||
In The Air Tonight
|
||
You Can't Hurry Love
|
||
Two Hearts
|
||
Sussudio
|
||
Groovy..Love
|
||
Easy Lover
|
||
Take Me Home
|
||
|
||
Rutherford:
|
||
|
||
The Living Years
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| V I D E O S |||
|
||
||| Section XIII |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
A. Genesis
|
||
|
||
Promotional videos
|
||
------------------
|
||
|
||
The kind you use to promote a song on MTV, etc.
|
||
|
||
I Know What I Like
|
||
[Gallo book says promo for Top Of The Pops, never shown...they were
|
||
not happy with the film.]
|
||
Robbery, Assault, and Battery
|
||
Band dresses up and enacts story line
|
||
Ripples
|
||
Band on stage; not much happens
|
||
A Trick of the Tail
|
||
Band in room mixed with tiny band running around on piano
|
||
Many Too Many I
|
||
Band on stage, virtually identical to "Abacab" video
|
||
Many Too Many II
|
||
[Alternative promo - UK version? Genesis: A History has it...]
|
||
Misunderstanding
|
||
[Hillarious trek through the streets of somewhere, piano in back of
|
||
truck, Phil with beard.]
|
||
Duchess
|
||
Abacab
|
||
Band on stage; Phil drums and sings
|
||
No Reply at All
|
||
Band in room; Phil drums and sings; Genesis dresses up as horn
|
||
players
|
||
Keep It Dark
|
||
Various shots of band walking around London
|
||
Man on the Corner
|
||
Live performance (an actual live performance, not clips shown as
|
||
studio version plays)
|
||
Mama
|
||
That's All
|
||
Band dressed up as homeless people
|
||
Home by the Sea
|
||
Video is live performance, audio is studio; includes "Second Home by the Sea"
|
||
Illegal Alien
|
||
Band wears wigs and look like illegal aliens; Mike flips up
|
||
cigarettes and tries to catch them in his mouth
|
||
Turn It On Again I
|
||
Phil in a Hawaiian type shirt singing and drumming, but not at the
|
||
same time (they were two different shots); it starts off with a
|
||
close-up of Mike's guitar strumming, then of his foot doing the bass
|
||
pedal
|
||
Turn It On Again II
|
||
live performance from Three Sides Live mixed with tour footage
|
||
Invisible Touch
|
||
three band members in a warehouse clowing around on stage
|
||
Tonight Tonight Tonight
|
||
sort of dark and gloomy video; Phil had throat problems during the
|
||
filming and cancelled a tour date, it's all lip-synch; lots of back
|
||
lighting
|
||
Land of Confusion
|
||
played more times than all the other Genesis videos put together; has
|
||
the puppets; nominated for a Grammy -- the only video in which
|
||
Genesis didn't appear..
|
||
In Too Deep
|
||
Band on cabaret-style stage, Phil walks around singing; not much happens
|
||
Throwing It All Away
|
||
hodge-podge of all sort of clips from the Inv. Touch Tour; lots with
|
||
Tony eating for some reason
|
||
Anything She Does
|
||
The last video from Inv. Touch, very rarely played on MTV other than
|
||
a little when it first came out; the band is performing the song in
|
||
the dressing room, Phil uses a hanging lamp for the cymbals; as the
|
||
band goes on stage groupies try to sneak into dressing room
|
||
No Son of Mine
|
||
Shows boy returning to abusive home; Genesis playing instruments; at
|
||
end it reveals scene takes place in snow orb
|
||
I Can't Dance
|
||
satire of jeans commercials; note "Hit and Run" brand label on Phil's
|
||
jeans; satire of Michael Jackson' Dangerous rampage at end by Phil
|
||
(often edited out when shown on TV)
|
||
Hold on my Heart
|
||
Band in a club after closing; people cleaning the club; not much
|
||
happens
|
||
Jesus He Knows Me
|
||
funny and satirical look; like Illegal Alien they dress up, except as
|
||
TV preachers
|
||
Tell Me Why
|
||
Similar to Another Day In Paradise, b&w
|
||
|
||
Gabriel
|
||
Modern Love (Peter w/shag haircut, wearing fencing mask,
|
||
riding escalator, knocking multiple cardboat cutouts of a blonde
|
||
upside the head [sic on the whole description, the editor has
|
||
never seen this and probably won't believe it til he has!])
|
||
Games without Frontiers (Peter with searchlight, kids
|
||
around dinner table dressed as adults, Peter on all fours
|
||
marching with a group of dolls)
|
||
I Don't Remember (live version for Plays Live, nightmare
|
||
sequence with Kabuki (??) players)
|
||
Shock the Monkey
|
||
Red Rain (Peter in red rain)
|
||
Sledgehammer (animation/clay/etc)
|
||
Big Time (more animation/clay/etc)
|
||
Don't Give Up I (collage of depression-era scenes, head shot
|
||
of Kate for her portion of verses)
|
||
Don't Give Up II (Peter & Kate hugging)
|
||
Mercy Street (boring and gloomy like the song, scenes of a
|
||
stormy seaside)
|
||
Biko (promo for the movie Cry Freedom, movie clips
|
||
interspersed with live footage of Gabriel performing the
|
||
song)
|
||
In Your Eyes live (promo for Amnesty, Peter and thousands of
|
||
musicians on stage)
|
||
Digging in the Dirt (still more animation/clay/etc, slimy
|
||
animals)
|
||
|
||
Collins
|
||
In The Air Tonight
|
||
Missed Again (Phil standing around singing)
|
||
Don't Care Anymore (Phil and band on mock stage, guy plays the
|
||
bass pedals with his hands)
|
||
Can't Hurry Love (3 Phils)
|
||
Through These Walls (Phil and his perverted self)
|
||
I Cannot Believe It's True (I Missed Again-ish)
|
||
Against All Odds (Movie clips, RGB triangle, mask)
|
||
Easy Lover (video of Phil and Phillip Bailey filming a video
|
||
for the song)
|
||
Sussudio (Phil and band in bar)
|
||
One More Night (Phil in bar with sax player)
|
||
Don't Loose My Number (Phil and co. evaluate video ideas,
|
||
mostly ones done by other artists already)
|
||
Take Me Home (Phil in shots from different locales on tour)
|
||
Seperate Lives (Phil & the woman singing, scenes from the
|
||
movie)
|
||
Groovy Kind of Love (Phil smokes and watches clips from
|
||
'Buster')
|
||
Two Hearts (Phil plays all instruments in 50s band)
|
||
Another..Paradise (Phil and homeless)
|
||
Rain Down (Phil as 'Bill Collins' makes it big, Eric Clapton)
|
||
Do You Remember (Some solo piano in the intro and outro, Phil
|
||
has a flashback to him as a young boy moving out of the
|
||
neighborhood and leaving his first love)
|
||
Heaven (Phil and band rehearse, features cute little dog)
|
||
Hang in Long Enuff (Phil and band play on Titanic, sinking it)
|
||
|
||
Mike & The Mechanics
|
||
Halfway There (solo Mike, no details)
|
||
Silent Running (some band, some from movie)
|
||
All I Need Is A Miracle (band plays, manager tries to get
|
||
money)
|
||
Taken In (Same manager as Miracle, this time they rent a house
|
||
to rehearse it is occupied. They perform song in living
|
||
room.)
|
||
Living Years (Mike & son walking around)
|
||
Word of Mouth (really U2-ish)
|
||
whatever single after WoM, not much happens
|
||
|
||
Tony Banks
|
||
|
||
[Note: it is hard to say certainly what videos Tony has done,
|
||
since they are never played. Mostly you see obligatory clips
|
||
on band history shows.]
|
||
|
||
This is Love
|
||
rain, strange imagery
|
||
Throwback (is shown in the History video, qv -- I don't think
|
||
it was ever shown on MTV or VH1)
|
||
I Wanna Change The Score (Banks plays piano, Kershaw stands
|
||
out in front singing. Again, never played on MTV, but has
|
||
been seen on closed-circuit store video channels and on
|
||
various documentary shows.)
|
||
|
||
Television Appearances
|
||
----------------------
|
||
|
||
Genesis:
|
||
|
||
Atlantic 40th Anniversary HBO(?) unedited: ?? ??, 1988
|
||
ABC edited: ?? ??, 1988
|
||
Medley of solo and Genesis songs (the only time ever Genesis
|
||
has performed solo members' material) within Turn it On
|
||
Again.
|
||
|
||
Grammy Music Awards 1990(? -- 1991?)
|
||
Phil and David Crosby performed Another Day in paradise, Phil
|
||
on piano.
|
||
|
||
Billboard Music Awards 1991
|
||
Genesis performed No Son of Mine
|
||
|
||
Billboard Music Awards 1992
|
||
Phil Collins hosted it, Genesis opened the show with I Can't
|
||
Dance. (They won an award for most money raked in at one
|
||
venue at one show)
|
||
|
||
Television Specials
|
||
-------------------
|
||
|
||
Genesis:
|
||
|
||
Wembley March 12, 1992
|
||
Pay per view broadcast of the Invisible Touch Tour video
|
||
(qv), exactly as is except it omitted Volcano and Los Endos.
|
||
This may be a repeat broadcast?
|
||
|
||
No Access March 22, 1992
|
||
Disney Channel special -- the first time ever that cameras
|
||
capture Genesis writing an album. They show a little jamming,
|
||
a little mixing, and Phil recording Never a Time. Bits about
|
||
the members, and they answer questions.
|
||
|
||
The Story So Far May 21, 1992
|
||
ABC television special covering history of Genesis from "let
|
||
there be light" to 1986. This is most likely a repeat.
|
||
Original when?
|
||
|
||
Opening Night June 13, 1992
|
||
ABC television special giving a look at the preparations for
|
||
the We Can't Dance tour: song selection, jumbo-trons, etc up
|
||
until the opening night. (very little complete-song
|
||
performance footage)
|
||
|
||
Knebworth 1992 ?? ??, 1992
|
||
UK pay-per-view only, no USA broadcast. Bootleg CD of this
|
||
show appeared 5 minutes before it ended. Last stadium date of
|
||
the We Can't Dance tour. Entire show.
|
||
|
||
Phil:
|
||
Television Special ?? ??, 1990
|
||
People advise Phil on what to do a TV show on, he wants to do
|
||
live performances. Very little music, very insipid,
|
||
disappointing.
|
||
Pay-Per-View Oct 2, 1990
|
||
Live, entire concert, last date oSerious Tour
|
||
Later released in Serious Hits Live (qv) boxed set.
|
||
|
||
Commercial/Bootleg videos
|
||
-------------------------
|
||
|
||
NOTE: there is a video of a Belgian TV appearance which many sources
|
||
claim is from 1971, but (intentionally or not) they lie. There is no
|
||
way it could have been from 1971. The first non-England tour dates
|
||
Genesis ever played were in Belgium 1972. The video is from 1972.
|
||
(For more information, see Gallo's book.)
|
||
|
||
Genesis Live At Oxford College 1974
|
||
Genesis in Italy performing "Stagnation" 1972
|
||
Genesis on the midnight special 1973
|
||
|
||
Genesis - In Concert 1976
|
||
Genesis - In Concert 1977
|
||
Genesis - In Concert 1978
|
||
|
||
Documentary (the Polygram one)
|
||
|
||
A History of Genesis Volume I (video collection)
|
||
A History of Genesis Volume II (video collection)
|
||
|
||
The Mama Tour (1986)
|
||
|
||
The Invisible Touch Tour (1989)
|
||
|
||
[Both the Mama and Invisible Touch Tour have been released on
|
||
Laser Disc in Japan, no details available]
|
||
|
||
Three Sides Live (1982, re-released since then)
|
||
|
||
Visible Touch -- tape of Invisible Touch videos (1987)
|
||
|
||
Genesis Videos, vol. 1 and 2 --
|
||
lots of promotional videos in one collection (1988)
|
||
|
||
VOLUME I:
|
||
|
||
Mama
|
||
No Reply At All
|
||
Land of Confusion
|
||
That's All
|
||
Tonight^3
|
||
Duchess
|
||
Anything she Does
|
||
Robbery Assault & Battery
|
||
In Too Deep
|
||
Abacab
|
||
Follow You, Follow Me
|
||
|
||
VOLUME II:
|
||
|
||
Illegal Alien
|
||
Throwing it All Away
|
||
Misunderstanding
|
||
Ripples
|
||
Keep It Dark
|
||
A Trick of the Tail
|
||
Home by the Sea/Second Home by the Sea
|
||
Man on the corner
|
||
Turn it on again
|
||
Many To Many
|
||
Invisible Touch
|
||
|
||
ABC In Concert Special (aired 5/92)
|
||
|
||
Genesis - Giants Stadium.
|
||
6/2/92 - screen/stage EX/EX-
|
||
6/3/92 - stage only (closer)
|
||
|
||
|
||
GENESIS, "A HISTORY OF GENESIS"
|
||
1991 Polygram Records
|
||
PolyGram Music Video 082 769-3
|
||
90mins VHS NTSC
|
||
|
||
GENESIS THREE SIDES LIVE
|
||
1991 BMG Video 80002-3
|
||
A Wienerworld Presentation
|
||
84 mins VHS NTSC
|
||
|
||
Behind the Lines/Duchess/Misunderstading/DoDo/Abacab/No Reply at
|
||
All/Who Dunnit/In the Cage-slipperman-cinema-show/Afterglow/Me and
|
||
Sarah Jane/Man on the Corner/Turn it on Again
|
||
Along with selected clips from an interview
|
||
|
||
GENESIS INVISIBLE TOUCH TOUR
|
||
1988 Virgen Music Video 3-50139
|
||
VHS NTSC
|
||
|
||
Mama/Abacab/Domino/That's All/Brazilian/Land of
|
||
Confusion/Tonight/Throwing it All Away/Home by the Sea/Invisible
|
||
Touch/Drum Duet/Turn it On Again (Medley)
|
||
Do the Neurotic (over closing credits, not live)
|
||
|
||
Notes: Earl's court, indoors, editing performed off-line from master
|
||
tapes from all the cameras, so the cuts and shots really match the
|
||
music, introduction of the band walking in front of the white
|
||
background from the ICD video, over one of the ICD remixes, finishes
|
||
with an instrumental version of Way of The World, video-tape, not
|
||
film, Drum Duet is present, not listed.
|
||
|
||
B. Phil Collins
|
||
|
||
Perkins Palace (83 tour)
|
||
|
||
No Jacket Required - The Video EP
|
||
|
||
No Ticket Required (NJR Tour Live - Complete Concert)
|
||
Only You Know And I Know/Against All Odds
|
||
Who Said I Would?/Sussudio/Behind The Lines
|
||
Westside [sic]/One More Night/In The Air Tonight
|
||
Like China/You Can't Hurry Love/It Doesn't Matter To Me
|
||
Hand In Hand/Take Me Home/It's Alright/Droned
|
||
|
||
Serious Tour Live
|
||
|
||
Phil Collins (8")
|
||
|
||
Video Collection
|
||
|
||
Laserdiscs:
|
||
|
||
No Ticket Required - AtlanticVision 50313-6 1985 89:16
|
||
Only You Know and I Know / Against All Odds / Who Said I Would? /
|
||
Sussudio / Behind the Lines / Westside / One More Night / In the
|
||
Air Tonight / Like China / You Can't Hurry Love / It Doesn't Matter
|
||
to Me / Hand in Hand / It's Alright / Droned
|
||
|
||
The Singles Collection - Pioneer Artists PA90-005 1990 79 min
|
||
Don't Lose My Number / I Missed Again / A Groovy Kind of Love /
|
||
Who Said I Would (live) / You Can't Hurry Love / Thru These Walls /
|
||
Sussudio / One More Night / Two Hearts / In the Air Tonight / Easy
|
||
Lover / Against All Odds (live) / Another Day in Paradise / I Wish
|
||
It Would Rain Down / Take Me Home
|
||
|
||
...But Seriously, The Videos - Atlantic Vision 50322-6 1990 77 min
|
||
|
||
Hang In Long Enough / Another Day In Paradise / Do You Remember? /
|
||
Colours / Something Happened on the Way to Heaven / All Of My Life /
|
||
I Wish It Would Rain Down / Heat on the Street / That's Just the Way
|
||
It Is / Saturday Night and Sunday Morning / Father to Son / Find a
|
||
Way to My Heart / Around the World in 80 Presets (audio only)
|
||
|
||
|
||
C. Peter Gabriel
|
||
Point of View (POV)
|
||
|
||
|
||
D. Mike And The Mechanics
|
||
A Closer Look
|
||
|
||
E. Steve Hackett
|
||
|
||
Steve Hackett Live (Laser Disc)
|
||
|
||
Total 63 min.
|
||
Vplr-70200(vap video)
|
||
92/8/5 Released.
|
||
|
||
1. Camino Royale
|
||
2. Please Don't Touch
|
||
3. Everyday
|
||
4. In That Quiet Earth
|
||
5. Depth Charge
|
||
6. Wonder Patch
|
||
7. In The Heart Of The City
|
||
8. Black Light
|
||
9. Horizons
|
||
10. Jacuzzi
|
||
11. Theatre Of Sleep
|
||
12. Jazz Jam
|
||
13. Spectral Mornings
|
||
14. Clocks
|
||
|
||
|
||
Steve Hachett(vocals,guitar)
|
||
Ian Ellis(bass,vocals)
|
||
Julian Colbeck(keyboards,vocals)
|
||
John Hackett(guitar,flute)
|
||
Fudge Smith(drums)
|
||
|
||
Videotaped At Central Studios Nottingham.
|
||
|
||
F. Peter Gabriel
|
||
'Cv' [sic, I guess that's the name]
|
||
Germany (at least, maybe the world) 1987 Real World production
|
||
|
||
1- Big Time
|
||
2- Don't Give Up 2
|
||
3- Shock The Monkey
|
||
4- Mercy Street
|
||
5- Sledgehammer
|
||
6- I Don't Remember
|
||
7- Red Rain
|
||
8- Don't Give Up 1
|
||
|
||
G. Video Catalog from Progressive Rarities - bootleg videos
|
||
Grading scheme is Q:1 (best) to Q:5 (worst)
|
||
AUD = Audience recording OGWT = Old Grey Whistle Test (Brit TV)
|
||
BBC = British Broadcasting Corp TOTP = Top of the Pots (British TV)
|
||
|
||
G2: Genesis
|
||
Venue: Belgian TV '71 [They lie -- this is '72]
|
||
Midnight Special '73
|
||
Oxford '73
|
||
Recording: 100 min Q:1.5
|
||
Notes: Excellent costumes and pre-costume era Gabriel!
|
||
|
||
Fountain of Salmacis / Twilight Alehouse / Musical Box / Return of the
|
||
Giant Hogweed / Watcher of the Skies / Musical Box / Dancing with the
|
||
Moonlit Knight / I Know What I Like / Musical Box / Supper's Ready
|
||
|
||
G4: Peter Gabriel
|
||
Houston '86
|
||
AUD 120 min Q:3.5
|
||
Notes: Bouncy camera.
|
||
|
||
San Jacinto / Red Rain / Shock the Monkey / Family Snapshot / Family
|
||
and the Fishing Net / Self Control / Mercy Street / Intros / This is
|
||
the Picture / Big Time / Don't Give Up / Solsbury Hill / Lay Your
|
||
Hands on Me / Sledgehammer / Here Comes The Flood / In Your Eyes /
|
||
Biko
|
||
|
||
G5: Peter Gabriel
|
||
Promos
|
||
Japan Aid '87
|
||
Amnesty
|
||
NJ '86 120 min Q:1.5
|
||
|
||
Big Time / Don't Give Up / Shock the Monkey / Mercy Street /
|
||
Sledgehammer / I Don't Remember / Red Rain / Don't Give Up / Red Rain
|
||
/ San Jacinto / Sledgehammer / Biko / Intro / In Your Eyes / Red Rain
|
||
/ Shock the Monkey / Family Snapshot / Sledgehammer / San Jacinto /
|
||
Biko
|
||
|
||
G6: Peter Gabriel
|
||
Detroit 11/17/86
|
||
AUD 120 min Q:2
|
||
|
||
Same songs as G4 with I Have The Touch replacing Solsbury Hill
|
||
|
||
G7: Peter Gabriel
|
||
Rockpalast '78
|
||
German TV '80
|
||
Profile '82
|
||
120 min Q:2
|
||
|
||
On The Air / Moribund / Perspective / Here Comes the Flood / White
|
||
Shadow / Waiting for the Big One / Humdrum / I Don't Remember /
|
||
Solsbury Hill / Modern Love / The Lamb / German Interview / Family
|
||
Snapshot (German) Documentary on making of Security includes working
|
||
versions of the songs and interviews with Gabriel, Fast, Levin,
|
||
Marotta, Lord
|
||
|
||
G8: Genesis
|
||
In Concert '76
|
||
Tokyo '78
|
||
Liverpool '80
|
||
110 min Q:2
|
||
|
||
I Know What I Like / Fly On A Windshield / Carpet Crawlers / Cinema
|
||
Show / Entangled / Supper's Ready / Los Endos / Eleventh Earl Of Mar /
|
||
Dance On A Volcano / Drum Duet / Los Endos / I Know What I Like
|
||
Liverpool documentary includes band interviews as well as live
|
||
performances
|
||
|
||
G9: Steve Hackett
|
||
Holland '88
|
||
AUD 90 min Q:2
|
||
Notes: All acoustic solo set!
|
||
|
||
Horizons / Bay Of Kings / A Bed, A Chair and A Guitar / Timelapse at
|
||
Milton Keynes / Portrait of a Brazilian Lady / Still Life / Harmonics
|
||
/ Notre Dame De Fleur / Momentum / Genesis Medley / Silver / Troubled
|
||
Spirit / The Vigil / Peace / Guitar as Cello / Horizons / Medley
|
||
|
||
G10: Genesis
|
||
Montreal '74
|
||
Lamb Tour
|
||
California '74 85 min Q:2
|
||
Notes: 3 great shows from costume era Genesis!
|
||
|
||
Watcher of the Skies/ Dancing with the Moonlit Knight / The Cinema
|
||
Show / I Know What I Like / Firth of Fifth / Musical Box / Battle of
|
||
Epping Forest / Supper's Ready / (Lamb Tour Clips - some are silent,
|
||
some have dubbed sound - these clips are truly amazing and rare -
|
||
Gabriel in Slipperman costume - Includes Lamia section) / Dancing with
|
||
the Moonlit Knight / The Cinema Show / I Know What I Like / Firth of
|
||
Fifth / Musical Box / Supper's Ready
|
||
|
||
G11: Peter Gabriel
|
||
Kansas City '82
|
||
AUD 120 min Q:4
|
||
Notes: Stationary camera, dark fuzzy picture. Last 3 songs from
|
||
Germany?
|
||
|
||
Rhythm of the Heat / I Have The Touch / Not One of Us / Family and the
|
||
Fishing Net / Shock the Monkey / Milgram's 37 / Family Snapshot /
|
||
Intruder / I Go Swimming / Lay Your Hands On Me / Solsbury Hill / I
|
||
Don't Remember / San Jacinto / On The Air / Rhythm of the Heat /
|
||
Family and the Fishing Net / Shock the Monkey
|
||
|
||
|
||
G12: Steve Hackett
|
||
Rochester, NY 10/30/81
|
||
90 min Q:1.5
|
||
Notes: Great close-ups! Ian Moseley on drums pre-Marillion!
|
||
|
||
Air Conditioned Nightmare / Jacuzzi / Funny Feeling / Ace of Wands /
|
||
Picture Postcard / Everyday / Red Flower... / A Tower Struck Down and
|
||
more!
|
||
|
||
Plus about 30 more that I'll get to typing sometime...
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| Paul Carrack |||
|
||
||| Appendix I |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
In addition to being Mike and the Mechanics' singer, he was in the
|
||
bands Ace and Squeeze.
|
||
|
||
Solo albums:
|
||
|
||
1982 Suburban Voodoo
|
||
(some pretty decent songs, lots of keyboards with a 70's feel to
|
||
it.)
|
||
|
||
1987 One Good Reason
|
||
(includes "One Good Reason", "Don't Shed A Tear", "Give Me A
|
||
Chance", etc)
|
||
|
||
1989 Groove Approved
|
||
(includes "I Live By The Groove","Tip Of My Tongue",
|
||
"Only My Heart Can Tell")
|
||
|
||
Greatest hits:
|
||
|
||
The Carrack Collection (US)
|
||
(includes"Tempted", "How Long","Silent Running","Do Me Lover",etc)
|
||
Carrackter Reference (UK)
|
||
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| Unreleased Genesis Material |||
|
||
||| Appendix II |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
[Genesis has released mostly all of their outtakes and b-sides, and
|
||
what hasn't been officially released has oftentimes been illegally
|
||
released or played on radio programs and then bootlegged. Still, in
|
||
spite of this, some tracks have never been on any record or anything.
|
||
Some released tracks have been included to establish context. Rumor
|
||
says Tony has all the old tapes, demos (for example Gallo claims to
|
||
have heard them!)... The editor has chosen to include a few items
|
||
which have appeared on radio programs and have been bootlegged in
|
||
order to fill in a few gaps, mainly because these items were not
|
||
intended for release and the fact that they've been recorded and not
|
||
been lost forever is a miracle.]
|
||
|
||
The first demo tape for King, Easter 1967 Chiswick, London, consisted
|
||
of:
|
||
|
||
She's Beautiful
|
||
self-described best of the songs on this tape, first Tony/Peter
|
||
collaboration, later given different lyrics and used
|
||
as The Serpent on FGTR
|
||
Try A Little Sadness
|
||
That's Me (Ant/Mike)
|
||
Listen On Five
|
||
Don't Wash Your Back
|
||
Patricia
|
||
Instrumental, given lyrics as In Hiding on FGTR
|
||
|
||
The second demo tape for King in summer 1967 had:
|
||
When the Sour Turns to Sweet
|
||
The Image Blown Out
|
||
She's Beautiful (new version)
|
||
Try A Little Sadness (new version)
|
||
|
||
A third demo tape of 8 or more songs was made in 1968, none ever
|
||
recorded, with more complexity -- playing, mood changes...(I
|
||
personally suspect Let Us Make Love and the Shepherd were part of
|
||
this, because they seem to fit here well.) Including tracks called:
|
||
Barnaby's Adventure
|
||
Fourteen Years Too Long
|
||
|
||
A fourth demo tape in 1968 (no info on how many songs)
|
||
Everywhere Is Here
|
||
|
||
(first and second singles released)
|
||
|
||
After FGTR
|
||
King really lost interest in Genesis at this point. Tony at a
|
||
university wrote part of Supper (Eternal Sanct.) and 2 other songs
|
||
without words that eventually showed up on Trick.
|
||
|
||
The Movement
|
||
45 minutes, bits used for Get Em Out By Friday, Stagnation
|
||
|
||
Demos for Trespass
|
||
Dusk -- then called Family
|
||
White Mountain
|
||
Going Out To Get You
|
||
Pacidy
|
||
|
||
Music for a BBC documentary soundtrack
|
||
Part of Looking for Someone
|
||
acoustic Musical Box
|
||
Anyway (Eventually used in the Lamb)
|
||
Peace
|
||
|
||
Live in 1973 was originally planned as a double album, with a full
|
||
version of Supper's Ready on the second LP. The double album was
|
||
scrapped in favor of a really cheap single LP for department stores in
|
||
order to broaden Genesis' potential listeners. There were some test
|
||
pressings of the double album, though, which are true collector's
|
||
items. (Armando Gallo really glosses over this album, and barely
|
||
mentions it!) (See also the main discography entry on Live)
|
||
|
||
The Shout (Banks, Rutherford)-- Tony and Mike collaborated for the
|
||
soundtrack of this film in 1979, but it was never released. Rumor says
|
||
that Tony's 'From the Undertow' on A Curious Feeling has the main
|
||
theme from this soundtrack. (No one who has seen the movie has ever
|
||
commented on the veracity of this, if in fact anyone has ever seen the
|
||
movie.)
|
||
|
||
Silver Song -- an Anthony Phillips track on which Phil and Mike
|
||
appeared. Phil sang. The plan was for a release in 7", which finally
|
||
was cancelled and never released, but was once played on some kind of
|
||
radio program, and bootlegged. More recently Ant wanted to put this
|
||
song onto one of his albums that was going to be re-released on CD.
|
||
Phil didn't give his permission to use the vocals, so Ant re-recorded
|
||
it and sang it himself. (Note that some people maintain that Silver
|
||
Song was Phil's first solo release -- this is not true, it was an
|
||
Anthony Phillips song.)
|
||
|
||
Phil Demos: Both Please Don't Ask and Tomorrow Never Knows have had
|
||
their demo versions played on radio shows, and then bootlegged. These
|
||
demos were not released.
|
||
|
||
Rat Race (Phil Collins) -- this is a song used on one episode of Miami
|
||
Vice, the song is the music from (the non-album) The Man With the
|
||
Horn, and different lyrics. It was never released on a Miami Vice
|
||
soundtrack or in any other form.
|
||
|
||
The Border (Tony Banks) -- in a Keyboard magazine interview, Tony said
|
||
that The Border originally was much longer (12 minutes) and had a
|
||
serene middle section which was mostly instrumental. He claims the
|
||
middle could stand on its own, but has never said if he used it in
|
||
another song or not. The full-length version was never released.
|
||
|
||
There is a wild rumor -- and that's all -- of a Brand X studio album
|
||
from after Do They Hurt which was never released.
|
||
|
||
Also, three songs were written but not recorded for We Can't Dance.
|
||
Demos must exist somewhere in Genesis' studio.
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| Name's the Same |||
|
||
||| (Bands and Cover Bands) |||
|
||
||| (and covers by other artists) |||
|
||
||| Appendix III |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
Some bands have been so inspired by Genesis they've named themselves
|
||
after Genesis songs. This leads to no end of confusion and puzzlement.
|
||
Not to mention the original USA Genesis which came before our Genesis,
|
||
who also released an album. (Most of these are INCREDIBLY hard to find
|
||
in the first place.) Some information about these bands is presented
|
||
for completeness, to clue in the Genesis fan about their existance and
|
||
what their music was like. The testimonials are from a Progressive
|
||
Rock Survey and have been edited to be as subjective as possible.
|
||
|
||
Genesis
|
||
-------
|
||
The "other" Genesis in the USA that caused a name conflict with our
|
||
Genesis when From Genesis To Revelation was going to be released in
|
||
the USA also released an album. (Watch out for this in the Genesis
|
||
bins at record stores/shows, especially being passed off as a real
|
||
Genesis album.)
|
||
|
||
'Genesis - In the Beginning'
|
||
Mercury Stereo SR 61175, 1968
|
||
|
||
there is a song called 'Mary, Mary', which is different from the one
|
||
on the Happy The Man bootleg (qv). [The editor, never having heard
|
||
either, can't confirm nor deny that.]
|
||
|
||
Happy the Man
|
||
-------------
|
||
HTM produced some stirring, complex, melodic, and MUSICAL works,
|
||
although they are rather rare, they are certainly very accessible.
|
||
The band claims to be influenced by Genesis, Yes, and Gentle Giant
|
||
although they really do not sound anything like any of those bands.
|
||
The compositions tend to be rather complex and challenging, but they
|
||
cleverly avoid falling into that dissonant trap that so many bands
|
||
fall in to when they try to write something complex (e.g., the
|
||
mid-sect- ion of Yes's 'Ritual'). HTM maintains a melodic approach to
|
||
everything they write.
|
||
|
||
[The editor has heard only one HTM song and can't comment on the band.
|
||
But everything the editor has heard about HTM has been good.]
|
||
|
||
Throughout their existance as a functioning band (from 1974-1978) they
|
||
recorded three marvelous lp's. The following musicians appear on each
|
||
one of these:
|
||
|
||
1. Frank Wyatt - piano, el. piano, organ, flute, sax
|
||
2. Stanley Whitaker - guitars
|
||
3. Rick Kennell - bass
|
||
4. Kit Watkins - synths, piano, el. piano, organ, flute
|
||
|
||
Each album had a different drummer. The discography below shows the
|
||
albums and who played drums on them:
|
||
|
||
1. Happy The Man (1977) - drums: Mike Beck
|
||
produced by Ken Scott, of David Bowie and Supertramp fame.
|
||
This album defines the band's sound very well, one that endured
|
||
throughout their career.
|
||
2. Crafty Hands (1978) - drums: Ron Riddle
|
||
3. Happy The Man 3rd: Better Late.... - drums: Coco Roussel
|
||
|
||
a. Retrospective (a CD compilation of most of first and second lp, with
|
||
some stuff from 3rd)
|
||
b. Beginnings (features material recorded live in 2-track studio in
|
||
1974-75. Features a singer called Cliff Fortney who left the band
|
||
before being signed to Arista)
|
||
|
||
For Absent Friends
|
||
------------------
|
||
???
|
||
|
||
Foxtrot
|
||
-------
|
||
This band hails from Norway, and has only one release entitled " A
|
||
Shadow of the Past". Despite their name, they remind one much more of
|
||
later Camel (ala Stationary Traveler) than old Genesis. Their music is
|
||
very melodic and pleasing to the ear, with excellent vocals and
|
||
instrumentation.
|
||
|
||
Trespass
|
||
--------
|
||
???
|
||
|
||
Over The Garden Wall
|
||
--------------------
|
||
|
||
...is *the* Genesis cover band. They play Genesis
|
||
material from all phases of the band's career, with perhaps a
|
||
little more emphasis on the older material. They stay for the
|
||
most part in the northeast USA and Canada, and are based in
|
||
Montreal. They are outstanding musicians and do a great job
|
||
with the material. The singer sounds like both Collins and
|
||
Gabriel without really sounding like either. Genesis
|
||
officially knows what they do and approves of it. They do not
|
||
have any albums or recording available, since Genesis doesn't
|
||
really want them selling albums of them doing Genesis
|
||
material. (This isn't to say, however, that they haven't been
|
||
bootlegged.) Original material is in the works...
|
||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
||| Music Publishers |||
|
||
||| Appendix IV |||
|
||
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
||
(this appendix is under construction)
|
||
|
||
UK GENESIS
|
||
When released: Present day:
|
||
|
||
1968/9 Jonjo Music (Jonathan King) Same (?)
|
||
1970-2 Stratsong/Carlin Music (?) Same
|
||
1973-5 Genesis Music Ltd (?) Genesis Music/Hit & Run Music (Publ)
|
||
1976/7 Fuse Music Ltd AB Ltd/PC Ltd/MR Ltd/SH Ltd/Hit & Run
|
||
1978-9 Hit & Run Music (Publishing) Ltd AB Ltd/PC Ltd/MR Ltd/Hit & Run Music
|
||
1980-2 Crosssound Ltd/Spreadsound Ltd/Effectsound Ltd/H & R (same as above?)
|
||
1983-93 Anthony Banks Ltd/Phil Collins Ltd/Mike Rutherford Ltd/Hit & Run Music
|