2636 lines
88 KiB
Plaintext
2636 lines
88 KiB
Plaintext
247
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The Illuminati University Alma Mater 11-16-90
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by John M. Ford
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Okay, fellow Illuminates, here it is:
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THE ILLUMINATI UNIVERSITY THEME SONG
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(to the tune of the Tiny Toon Adventures theme)
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We deal in
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Illusion
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Hypnosis and confusion
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And this institution has its eye on all below
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A liberal college
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Of weird forbidden knowledge
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Our classes cover everything Man Wasn't Meant to Know
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Behold the ancient buildings where our scholars work and dwell
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They move when no one's looking and they all connect to Hell
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Through these eldritch portals
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We don't get many mortals
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And everything considered, guess it's just as well
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Illuminated attitudes pervade our faculty
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From Evil Stevie's Library to Arcane R & D
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Here man and cetacean
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Serve up an education
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In Space and Time Dilation
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And Paradoxes too
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Experimentation
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With genes and radiation
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Makes each graduation
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A triumph for the few
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(repeat tune of last verse)
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The Archdean is an angel and the Art Curator's mad
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And here you need a parachute to go through Drop and Add
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There's placement and pretest
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In Science Weird and Weirdest
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Our annual Samhainfest
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And Necronomicomp
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Take Ethics for Tyrants
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Or Laboratory Violence
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Call Military Science
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The Ogre's on the stomp
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We're deep and
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We're dotty
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At dear Illuminati
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The Higher Mystic Institute for one and all
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(Admissions down the hall.)
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Quit, List, or number to read :241
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From: Edward Goldstein [643]
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Date: 22:54 09/07/90
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Land of Cold Fusion (to Land of Confusion)
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Copyright 1989 by Edward Goldstein; reproduced by permission
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I must have ran a thousand tests
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Been bothered by a million pests
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But I can feel we're nearing our goal
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We soon won't be using coal.
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Now did you hear the news today?
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They say that fusion's on its way
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But I can see the gas still alight
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They're burning it, into the night
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CHORUS1
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There's too many labs
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Too many people
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Making too many projects
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And not enough funds to go around
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Can't you see we're trying to achieve cold fusion!
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CHORUS2
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Well this is the lab we work in... oh
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And these are the funds we're given... oh
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Use them and let's start trying... oh
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To make it a cheaper/cleaner energy source (alternate the 2)
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Oh MIT where are you now
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Everything seems to go wrong somehow
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The men of science dream of fusion power
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And losing grants by the hour
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This is the time
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This is the place
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For the energy of the future
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But there's not enough money to go around
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Can't you see we're trying to achieve cold fusion!
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CHORUS2
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I remember long ago...
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When the turbines were whinning
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Fossil fuels burning all through the night
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And it gave us all our power
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Until the EPA put up a fight...
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So long ago....
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I won't be coming home tonight
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Have to work on those equations all night
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Congress better not be making promises
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It knows it'll never keep
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CHORUS1
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Well this is the lab we work in... oh
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And these are the funds we're given... oh
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Use them and let's start trying... oh
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To make it a power worth working towards.
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Well this is the lab we work in
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And these are the funds we're given
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Stand up and let's start asking
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Just where our money is going too....
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Quit, List, or number to read :344
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ILLUMINATI
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(to the tune of "Eleanor Rigby") updated 11-07-88
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Steve Jackson, Joe Vail, Creede Lambard
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Illuminati . . .
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They put a thing made of tinfoil on top of my door . . .
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What is it for?
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Illuminati . . .
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Shooting a ray at my cornflakes to make them turn green . . .
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What does it mean?
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The Illuminati . . . They're watching me, I know.
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The Illuminati . . . They're everywhere I go.
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Illuminati . . .
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Doing unspeakable things in the night to a cow . . .
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Where are they now?
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Illuminati . . .
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Sent an impostor in place of the Popsicle man . . .
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What is their plan?
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The Illuminati . . . They're watching me, I know.
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The Illuminati . . . They're everywhere I go.
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Illuminati . . .
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They cancelled Star Trek, The Fonz, and My Mother, the Car . . .
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Are they bizarre?
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You can't escape them;
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Even if you take a plane to Nepal or Peru . . .
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They'll be there, too . . .
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The Illuminati . . . They're watching me, I know.
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The Illuminati . . . They're everywhere I go.
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I know that they know all about me . . .
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They know that I know all about them . . .
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Illuminati . . .
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Hide their assassins' instructions in newspaper text . . .
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Who will be next?
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They're all around us . . .
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Underline every third word in the Times and you'll see . . .
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How can it be?
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The Illuminati . . . They're watching me, I know.
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The Illuminati . . . They're everywhere I go.
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They're in the attic and the cellar . . .
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Bigger than Hunt or Rockefeller . . .
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Illuminati . . .
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Go through my garbage and count all the pop bottles there . . .
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Why do they care?
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They're out to get me . . .
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They're fluoridating my water from their UFO . . .
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What do they know?
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The Illuminati . . . They're everywhere, I see.
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The Illuminati . . . And no one knows but me.
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Quit, List, or number to read :
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JUST SAY NOLACON (tune: Pop Goes The Weasel)
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by Steve Jackson updated 12-10-89
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Sunday's readings happened today
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Gaming's in the Green Room.
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Niven's in three places at once
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Pop goes the schedule.
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The hotel took the film room away
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to give it to the Baptists.
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Their con liaison gave up and quit.
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Pop goes the schedule.
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Everything we printed is wrong
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We'll have to do an update.
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Just as they are handing it out
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Pop goes the schedule.
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Fifty screaming fans at the door
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all want information.
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That department doesn't exist.
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Pop goes the schedule.
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Heinlein's got a panel at 3
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I wonder if he'll make it?
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Just as Glyer's getting to sleep
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Pop goes the schedule.
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Quit, List, or number to read :
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OLD TIME RELIGION
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verses collected by Steve Jackson updated 12-10-89
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(those marked with an * are original, or at least wholly reworked)
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At the temple of ASTARTE, all they ever do is party
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Fill your cup and drink up hearty, and it's good enough for me.*
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We will visit APHRODITE, though she's mighty wild and flighty
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She will greet us in her nightie, and she's good enough for me.
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Well, they also call her VENUS, she's the cutest but the meanest
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'Cause she bit me on the . . . elbow, which is good enough for me.*
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Oh, we all sang out Hosanna, and we took off for NIRVANA
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We got hijacked to Havana, which was good enough for me.*
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It was good for old JEHOVAH, had a son who was a nova
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Hey there Mithras, move on over, cause he's good enough for me.
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I hear VALKYRIES a coming, in the air their song is thrumming
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They forgot the words-they're humming-but they're good enough for me.
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There are people into VOODOO, there are people who do hoodoo
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I know I do - I hope you do, and it's good enough for me.
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I was singing HARE RAMA, with my friend the Dalai Lama
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Till they threw us in the slammer, which was good enough for me.*
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ASMODEUS will excite us, to an orgy he'll invite us
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If the high priest doesn't bite us, then it's good enough for me.*
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We will all give praise to HORUS, in an old Egyptian chorus
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If there's something in it for us, then it's good enough for me.*
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Do the rites of old CTHULHU, you and me and Mr. Sulu
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Howling like a drunken Zulu, but it's good enough for me.*
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We will sing to RONNIE GHU un-til he asks us what we're doin'
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Cause it's good enough for you, and babe, it's good enough for me.*
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We will sacrifice to KALI, though embracing her is folly
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She'd be quite an armful - golly - but she's good enough for me.
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We give praise to old OSIRIS, as we sit and smoke papyrus
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We will prob'ly catch a virus, but it's good enough for me.
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SUN MOON'S kids are kind of funny, but they stick to him like honey
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He just wants their souls and money, and it's good enough for him.
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It was good enough for MAUI, and for his communion chow he
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Served up poi and long pig - Wowee! - and it's good enough for me.
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It was good enough for DAGON, that conservative old pagan
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He still votes for Ronald Reagan, but he's good enough for me.
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If the FORCE makes you a hater, big and mean just like Darth Vader
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You may get recalled by Nader, but you're good enough for me.
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If you've got the itchy squirmies, you had better pray to HERMES
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He will rid you of your germies, which is good enough for me.*
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If you want to save your soul, ac-cording to the priests of MOLOCH
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You must sacrifice a Polack, which is good enough for him.*
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Well, PAN's pipes got clogged last summer, and it really was a bummer
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Finally had to call a plumber, but it's good enough for me.*
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It was good for DIONYSUS, till his temple faced a crisis
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From increasing tavern prices, which was not so good for him!
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If you think RELIGION'S awful, and you've really had your craw full
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Just make sure your acts are lawful, or they'll all be after thee.
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The EPISCOPALS are saved, in the Lamb's blood they are bathed
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While I'm totally depraved, but it's good enough for me.
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NECRONOMICON's still leading, all the others it's exceeding
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But don`t move your lips while reading, cause it isn't good for you!
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Oh, the ancient goddess NERTHUS from herself, the earth, did birth us
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Were her sins so bad they're worth us? Still, she's good enough for me
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For we are the knights of JEDI, and in us the Force is ready
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Grab your sabers, throw confetti, for you're good enough for me.
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We will sing to YAMA-DHARMA, at our revels on the farm-a
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Though it messes up our karma, it's still good enough for me.
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Well, I prayed to mighty ISIS, to relieve romantic crisis
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Now I've got satyr-i-isis, which is good enough for me.*
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There's the blacksmith god, HEPHAESTUS, who's ahead of all the rest o'us
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Cause his balls are pure asbestos, which is hot enough for me.
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It was good for THOR and ODIN, grab an axe and get your woad on
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Grab some mead and get a load on, and it's good enough for me.
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If your rising sign is Aries, you'll be taken by the FAIRIES
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Meet the Buddha in Benares, where he'll hit you with a pie.
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There will be a lot of lovin', when we're gathered in our COVEN
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Quit your pushin' and your shovin', so there's room enough for me.
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There are followers of CONAN, and their swords they're always honin'
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They're all followers of Onan, but they're good enough for me.
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It's the opera written for us, we will all join in the chorus
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It's the opera about BORIS, which is GUDENOV for me.
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Just like CARLOS CASTANEDA, if to forces strange you cater
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They will get you sooner or later, and it's good enough for me.
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There are some who practice SHINTO, in the back seat of a Pinto
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While tuned in to Doc Demento, but they're good enough for me.*
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We will read from the KABBALA, in a whisper and a holler
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It won't get us to Valhalla, but it's good enough for me.
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If thou'rt PENNSYLVANIA AMISH, thou'rt permitted to play Squamish
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While invoking great GILGAMESH, which is good enough for thee.*
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If you never pray to LOKI, and say THOR's a little hokey
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Then you'll wind up in the pokey, `cause they're good enough for me.*
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I will be a modern DRUID, I will drink transmission fluid
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I'll do anything that you would, `cause it's good enough for me.*
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We will sacrifice to SHIVA, thirty chickens and a beaver
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If you are a true believer, then it's good enough for you.*
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Oh, this verse is for ERIS, who is the Goddess of Chaos
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Which is why it doesn't rhyme or scan, but it's good enough for me.*
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You can venerate BUBASTES, if you get a little practice
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If you need help you can ask us, and it's good enough for me.
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If you want an atom bo-omb, you can always pray to CROM
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Better hide it from your Mom, but it's good enough for me.*
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Well, I programmed my computer to be just as wise as BUDDHA
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Day by day it's getting lewder, which is good enough for me.*
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Some folks worship baby JESUS, every Sunday on their kneeses
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Then they does just what they pleases, for the rest of every week.*
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Better pray a little louder, to the god who makes gunpowder
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STYPHON detonates a doubter, and that's good enough for me.*
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In the middle of creation, AZATHOTH makes ululation
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He's a gross abomination, but he's good enough for me.*
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The malign ILLUMINATI watch you while you're on the potty;
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Though their plots are slightly dotty, they're still good enough 4 me*
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Oh, the REVEREND JERRY FALWELL doesn't seem to be at all well
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For he doesn't use his call well - he's not good enough for me.
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You will get a psychic booster if you follow ZARATHUSTRA
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It might not be what you're used ter, but it's good enough for me.
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It was good enough for ODIN, though that croaking was forebodin',
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Till at last the Giants rode in, but it's good enough for me.
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SCIENTOLOGY professes to clean up my psychic messes
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And a remedy that's less is just not good enough for me.
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If you follow ZOROASTER and you seek a Perfect Master
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You will get to heaven faster, and it's good enough for me.
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APEP shall return as my god, crocodilian green bipod,
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He was good enough for Izod, and he's good enough for me!
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Well, the CHRISTIANS are a-hummin, cause they say their God is comin',
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Our God's come now two times runnin', and the Goddess at least three!
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Let's sing praise to QUETZALCOATL, find a virgin we can throttle,
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Put her heart into a bottle, and it's good enough for me!
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I thought I saw QUETZALCOATL, in the bottom of my bottle,
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It was just an axolotl, but it's good enough for me.
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Be the GREAT SPIRIT's devotee, on the mesa smoke peyote,
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Till you think you're a coyote, and you're good enough for me.
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AZATHOTH is in his Chaos, and that really should dismay us,
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But if he came here, he'd slay us, so that's good enough for me!
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Oh, dey call me TORQUEMADA; I burn Lutherans in Granada,
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It's all for da Holy Fadda, and it's good enough for me.
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Let us worship like EGYPTIANS, pyramids to put our crypts in,
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Fill the subways with inscriptions, and it's good enough for me.
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We will reverence TUONI, cause we know he's not a phony,
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Being dead is rather homey, and it's good enough for me.
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Now we all should reverence TYR, who the Fenris Wolf did fear,
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Though limp-wristed, he's not queer, and he's good enough for me.
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We'll sing praises to APOLLO, where the sun-god leads we'll follow,
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Though his head's a little hollow, he's still good enough for me.
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Don't neglect that shrine of ZEUS's, though he's lost his vital juices,
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Still the old boy has his uses, and he's good enough for me.
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Let us worship chaste DIANA, she's been chaste since she began-a,
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Chased from Rome to Texarkana, and she's good enough for me.
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We will reverence to RA, cause we don't have to go fa,
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We just stand there and say A-ah, and it's good enough for me.
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Here is one thing that I do know - Zeus's favorite is JUNO,
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Cuase she's awfully good at - you know, and she's good enough for me.
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Mjandirism's not forgotten; we will toast to Horliadon;
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Keep it up until we're sodden, which is good enough for me.
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KALI's vengeance is a brewing, against all the evil-doing,
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It was she shot J. R. Ewing, and that's good enough for me.
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We will jump the old bonfire, though the flames are soaring higher;
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If you miss you join the pyre, and that's good enough for me.
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We will raise our cups to BRAGGI, and we'll drink until we're groggy,
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And the pretzels all get soggy, but it's good enough for me.
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If you pray to old URANUS, then your crime is truly heinous;
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You can stick it in your songbook, cause it's good enough for me.
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We will praise the god TOUTATIS, when the pagan frenzy's got us;
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Though it strains the epiglottis, still it's good enough for me.
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Let us go and worship MIN, though they tell us it's a sin;
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New morality is in, and it's good enough for me.
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We will prase HUEHUETEOTL, sit around and chew peyotl,
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Till we're absolutely totalled, which is good enough for me.
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We will all bow down to ALLAH, for he gave his loyal follow-
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Ers the mighty petro-dollar, which is good enough for me.
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We will go and worship BUDDHA, of the gods there are none cuter;
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Comes in silver, brass, and pewter, which is choice enough for me.
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We will visit the INFERNO, just to watch those sinners burn-o,
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Dante must have been on Sterno, but he's good enough for me.*
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We will even worship YODA, though he's small as an iota;
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He fulfills his Jedi quota, which is good enough for me.
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We will gather on the LAMMAS, it is writ in Nostradamus;
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Then we'll take off our pajamas, which is good enough for me.
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We will worship ZARATHUSTRA, we will worship like we use'ta;
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I'm a Zarathustra boosta, cause he's good enough for me.
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We'll pay homage to GODZILLA; in the Oriental thriller,
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He did in the big gorilla, and he's good enough for me.
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Oh, at Troy no one was meaner than the goddess, great ATHENA;
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Mopped them up with Ajax cleaner, which is good enough for me.
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Oh, the Welsh gods you announce 'em, ask me my gods to renounce 'em,
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But your gods, I can't pronounce 'em - they're not good enough for me.
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We will ask a boon of MIMIR, as the northern lights they glimmer;
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I would not mind being slimmer, which is good enough for me.
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We went off to worship VENUS, and by gosh, you should have seen us;
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Now the clinic has to screen us, which is good enough for me.
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We will read the KAMA SUTRA; the positions are quite outra,
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But as long as you're not neutra, then it's good enough for me.
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When I first became a PAGAN, it was daring and outragin';
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Now my circle's started agin', but it's good enough for me.
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PORCELAIN RALPH'S the Navy's patron, accepts anything you put in;
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Comforts sailors on the ocean, and he's good enough for me.
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Quit, List, or number to read :348
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TROLLSHADOW (To Cat Stevens' "Moonshadow")
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Copyright (c) 1984 by Bob Schroeck updated 5-20-89
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Chorus: Oh, I'm being followed by a trollshadow,
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Trollshadow, trollshadow.
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A creeping, stalking little trollshadow.
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Trollshadow, trollshadow.
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And if I ever lose my knife,
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Lose my will to take a life,
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Oh, if I ever lose my knife,
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Awa-a-ay...
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I won't have to slice no more.
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And if I ever lose my sword,
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I may not fight, but I won't be bored.
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Oh, if I ever lose my sword,
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Awa-a-ay...
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I won't have to hack no more.
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(Repeat chorus)
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And if I ever lose my axe,
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Lose the chance to make attacks,
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Oh, if I ever lose my axe,
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Awa-a-ay...
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I won't have to chop no more.
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And if I ever lose my mail,
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If my armor starts to fail,
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Oh, if I ever lose my mail,
|
|
Awa-a-ay...
|
|
I won't have to live...
|
|
|
|
Bridge: Did it take long to find me?
|
|
I ask the loathsome thing.
|
|
Oh did it take long to find me,
|
|
I say, then start to sing:
|
|
|
|
(Repeat chorus)
|
|
|
|
Trollshadow, trollshadow,
|
|
Trollshadow, trollshadow.
|
|
|
|
|
|
Quit, List, or number to read :I know so LITTLE Latin that I can translate it. ("Oh no! Not again!")
|
|
|
|
LE> In taberna quando sumus,
|
|
LE> non curamus, quid sit humus,
|
|
LE> sed ad ludum properamus,
|
|
LE> cui semper insudamus.
|
|
LE> Quid agatur in taberna,
|
|
LE> ubi summus est pincerna,
|
|
LE> hoc est opus ut quaeratur;
|
|
LE> sic quid loquar, audiatur.
|
|
|
|
In a tavern while adding [the bill],
|
|
still sick, from a pound of chickpea dip,
|
|
he said "Advertise lewdly for a proper moose,
|
|
or a guy with a temper, in a moose suit."
|
|
A pound of agate in the tavern,
|
|
the total [of what] was pinched,
|
|
the pawnbroker penguin asked;
|
|
"I'm tired of booze by the pound, hear?".
|
|
|
|
LE> Quidam ludunt, quidam bibunt,
|
|
LE> quidam indiscrete vivunt;
|
|
LE> sed in ludo qui morantur,
|
|
LE> ex his quidam denudantur,
|
|
LE> quidam ibi vestiuntur,
|
|
LE> quidam saccis induuntur:
|
|
LE> ibi nullus timet mortem,
|
|
LE> sed pro Bacchus mittunt sortem.
|
|
|
|
The lady was lewd, the lady wore overalls,
|
|
the lady was indiscreet about her private parts;
|
|
she said "in lewdness is the key to more on tour,
|
|
my first husband's new wife is a stripper",
|
|
the lady dressed her waterbird,
|
|
the lady fired her bondservant:
|
|
the waterbird didn't have any time to kill,
|
|
said the millionaire as he put his gloves in order.
|
|
|
|
LE> Primo pro nummata vini;
|
|
LE> ex hac bibunt libertini:
|
|
LE> semel bibunt pro captivis,
|
|
LE> post haec bibunt ter pro vivis,
|
|
LE> quater pro Christianis cunctis,
|
|
LE> quinquies pro fidelibus defunctis,
|
|
LE> sexies pro sororibus vanis,
|
|
LE> septies pro militibus silvanis,
|
|
LE> octies pro fratribus perversis,
|
|
LE> novies pro monachis dispersis,
|
|
LE> decies pro navigantibus,
|
|
LE> undecies pro discordantibus,
|
|
LE> duodecies pro paenitentibus,
|
|
LE> tredecies pro iter agentibus,
|
|
LE> tam pro papa quam pro rege.
|
|
|
|
Primed for that numbskull Vinnie;
|
|
the former cabbie got overalls free:
|
|
half overalls for prisoners,
|
|
letter carrier overalls ripped for Vivian,
|
|
two bits for a nun's privates,
|
|
kinky for the faithful but dysfunctional,
|
|
sexy for vain sorority sisters,
|
|
septic tanks for the silvered military,
|
|
octopusses for frat party perversions,
|
|
navies for "dispersed" kings,
|
|
VAXen for navigators,
|
|
IBMs for Erisians,
|
|
two VAXen for prisons,
|
|
three VAXen for its agents,
|
|
Mrs. Bakker for daddy who doesn't like Reggie Jackson.
|
|
|
|
LE> Bibit hera, bibit herus,
|
|
LE> bibit miles, bibit clerus,
|
|
LE> bibit ille, bibit illa,
|
|
LE> bibit servus cum ancilla,
|
|
LE> bibit velox, bibit piger,
|
|
LE> bibit albus, bibit niger,
|
|
LE> bibit constans, bibit vagus,
|
|
LE> bibit rudis, bibit magus.
|
|
|
|
Mrs. Zeus is a frog, here is a frog,
|
|
miles of frogs, frog priest,
|
|
frog illin', Frog Island,
|
|
frogs serve us with anchovies,
|
|
fast frog, frog pig,
|
|
frog record, black frog,
|
|
#define FROG 1, frogess privates,
|
|
rude frog, magic frog.
|
|
|
|
LE> Bibit pauper et aegrotus,
|
|
LE> bibit exul et ignotus,
|
|
LE> bibit puer, bibit canus,
|
|
LE> bibit praesul et decanus,
|
|
LE> bibit soror, bibit frater,
|
|
LE> bibit anus, bibit mater,
|
|
LE> bibit iste, bibit ille,
|
|
LE> bibit centum, bibit mille.
|
|
|
|
Poor farmer frog,
|
|
exiled uneducated frog,
|
|
pure frog, dog frog,
|
|
Elvis frog without a walking stick,
|
|
sore frog, fractured frog,
|
|
asshole frog, mofo frog,
|
|
frog that exists, frog illin',
|
|
frog on vitamins, the First Dog is a frog.
|
|
|
|
LE> Parum sescentae nummatae
|
|
LE> durant, cum immoderate
|
|
LE> bibunt omnes sine meta,
|
|
LE> quamvis bibant mente laeta.
|
|
LE> Sic nos rodunt omnes gentes,
|
|
LE> et sic erimus egentes.
|
|
LE> Qui nos rodunt, confundantur
|
|
LE> "et cum iustis non scribantur".
|
|
|
|
Two seasick numbskulls
|
|
with big noses, ejaculating big wads
|
|
into overall knees and signing some matter,
|
|
don't like overalls with mint milk.
|
|
The mouse on the gent's knee has a cold,
|
|
ad the gent has an earache.
|
|
The key to the mouse's nose, confound it is
|
|
"blow the judge and I won't write down what you said".
|
|
|
|
|
|
SOME NEO-PAGAN YULE SONGS
|
|
from Ellen Reed
|
|
|
|
SHARE THE LIGHT
|
|
(The First Noel)
|
|
.
|
|
CHORUS:
|
|
Share the light, share the light!
|
|
Share the light, share the Light!
|
|
All paths are one on this holy night!
|
|
.
|
|
On this Winter holiday, let us stop and recall
|
|
That this season is holy to one and to all.
|
|
Unto some a Son is born, unto us comes a Sun,
|
|
And we know, if they don't that all paths are one.
|
|
.
|
|
CHORUS
|
|
.
|
|
Be it Chanukah or Yule,
|
|
Christmas time or Solstice night,
|
|
All celebrate the eternal light.
|
|
Lighted tree or burning log,
|
|
Or eight candle flames.
|
|
All gods are one god, whatever their names.
|
|
.
|
|
CHORUS
|
|
|
|
|
|
|
|
MOON OF SILVER
|
|
(We Three Kings)
|
|
.
|
|
CHORUS:
|
|
Oh, Moon of Silver, Sun of Gold,
|
|
Gentle Lady, Lord so bold!
|
|
Guide us ever, failing never,
|
|
Lead us in ways of old.
|
|
.
|
|
Maiden, Mother, Ancient Crone,
|
|
Queen of Heaven on your throne,
|
|
Praise we sing Thee, Love we bring Thee,
|
|
For all that you have shown.
|
|
CHORUS
|
|
.
|
|
Lord of Darkness, Lord of Light,
|
|
Gentle Brother, King of Might,
|
|
Praise we sing thee, Love we bring Thee
|
|
On this Solstice night.
|
|
CHORUS
|
|
|
|
|
|
|
|
SILENT NIGHT
|
|
.
|
|
Silent night, winter night,
|
|
All is calm, all is right.
|
|
Nature slumbers in forest and glen
|
|
Till in Springtime She wakens again,
|
|
Sleeping spirits grow strong.
|
|
Sleeping spirits grow strong.
|
|
.
|
|
Silent night, solstice night,
|
|
Silver moon, shining bright.
|
|
Snowfall blankets the slumbering Earth.
|
|
Yule fires welcome the Sun's rebirth.
|
|
Hark! Our Lord is reborn!
|
|
Hark! Our Lord is reborn!
|
|
.
|
|
Silent night, winter night.
|
|
Quiet rest, 'till the light.
|
|
Turning ever, the rolling wheel
|
|
Brings the winter to comfort and heal.
|
|
Rest your spirit in peace.
|
|
Rest your spirit in peace.
|
|
|
|
|
|
|
|
JOY TO THE WORLD
|
|
(Note: The first verse was perfect, just as it was!)
|
|
.
|
|
Joy to the world! The Lord is come!
|
|
Let Earth receive her king!
|
|
Let every heart prepare him room
|
|
And Heaven and Nature sing, etc.
|
|
.
|
|
Welcome our King who brings us life.
|
|
Our Lady gives him birth!
|
|
His living light returneth to warm the seeds within us
|
|
And wake the sleeping earth, etc.
|
|
.
|
|
Light we the fires to greet our Lord,
|
|
Our Light! Our Life! Our King!
|
|
Let every voice be lifted to sing his holy praises,
|
|
As Heaven and Nature sing, etc.
|
|
|
|
|
|
|
|
YE CHILDREN ALL
|
|
(It came upon a midnight clear)
|
|
.
|
|
Ye children all of Mother Earth
|
|
Join hands and we'll circle around
|
|
To celebrate this Solistice night
|
|
When our lost Lord is found.
|
|
Rejoice! The year has begun again.
|
|
The Sun blesses skies up above.
|
|
So share this season together now
|
|
In everlasting love.
|
|
|
|
|
|
BROTHERS, SISTERS, COME AND SING
|
|
(Hark, the Herald Angels Sing)
|
|
.
|
|
Brothers, sisters, come and sing
|
|
Glory to the Newborn King.
|
|
Gardens peaceful, forests wild,
|
|
Celebrate the Holy Child.
|
|
Now the time of growing starts.
|
|
Joyful voices; joyful hearts,
|
|
Cheer the Yule log as it burns,
|
|
For, once again, the Sun returns.
|
|
Brothers, sisters, come and sing
|
|
Glory to the Newborn King.
|
|
|
|
|
|
|
|
CHRISTMAS TIME IS PAGAN!
|
|
(Gloria in Excelsius Deo)
|
|
.
|
|
CHORUS:
|
|
Glorious!
|
|
Christmas time is pagan!
|
|
Glorious!
|
|
Christmas time is pagan!
|
|
.
|
|
Christmas time is here again,
|
|
Decorations everywhere.
|
|
Christmas carols ringing out,
|
|
Gentle pagans, we don't care.
|
|
CHORUS
|
|
.
|
|
Modern folks all celebrate
|
|
What they learned in Sunday School.
|
|
In December, they don't know
|
|
They are celebrating Yule!
|
|
CHORUS
|
|
.
|
|
Let them have their Christmas trees,
|
|
Decked in red and green and blue.
|
|
We rejoice at every one!
|
|
Christmas trees are pagan, too.
|
|
CHORUS
|
|
.
|
|
Bowls of bubbly Christmas cheer,
|
|
Fill your cup and quench your thirst.
|
|
They think the tradition's theirs.
|
|
Wassail bowls were pagan, first.
|
|
CHORUS
|
|
.
|
|
Every door and window bears
|
|
Wreaths of holly, wreaths of pine.
|
|
Circles represent the Sun.
|
|
Every wreath is yours and mine.
|
|
CHORUS
|
|
|
|
(more)
|
|
|
|
|
|
|
|
Hopeless Warren
|
|
-or-
|
|
Spaceship Down
|
|
by Harry Smothers (c) 1992
|
|
|
|
[A few millenia later, Mankind had almost wiped animal life off the face
|
|
of the Earth. There was still no definitive sign of life in the Outer
|
|
Reaches. We seemed doomed to poverty and war - and vegetables.
|
|
Then the ship landed. The first true sign of life. Giant rabbits
|
|
emerged from the ship; mankind's eyes lit up as a whole. After learning
|
|
how to communicate with the big bunnies, they determined that the
|
|
nearest ship (to the best of the rabbits' knowledge) was light-centuries
|
|
away, and that it had taken themselves many generations to reach Earth.
|
|
Mankind now had a purpose in life; To Hunt!]
|
|
|
|
Fires grow old, and meat gets cold,
|
|
And bugs, we never can kill!
|
|
Time's cold wind hissing up our backs
|
|
Reminds us each to make fast tracks
|
|
And head straightaway for the grill!
|
|
|
|
For the Rabbits have landed,
|
|
Tell your children well
|
|
Thyme and mint might do to cover the smell
|
|
|
|
Spits do turn while the far stars burn
|
|
And people and jerky strips age!
|
|
Shiny ship land, they offer peace --
|
|
They have no backup! Let's start the feast!
|
|
And grind a ton of Sage!
|
|
|
|
We know well what cooks can tell --
|
|
If you would not roast Rabbit, make stew!
|
|
And today their fragile flesh and steel
|
|
Have made my children a wondrous meal --
|
|
No meat in a year or two...
|
|
|
|
[Alternative:
|
|
And today our wonderful coats and belts
|
|
Are made now from space rabbits' pelts
|
|
Our slippers and gloves are, too!]
|
|
|
|
But we who are reaching out for the stars
|
|
Are learning to read Rabbit script
|
|
And hope for tomorrow, and raise our eyes
|
|
Past that puny Moon to the opened skies
|
|
In our brand-new Warrentied ship!
|
|
|
|
For all who've tried out of history's tide,
|
|
Salute for the Husbandry team!
|
|
And the old hag smiles at her children's seed
|
|
That didn't get carried away with greed
|
|
And kept Coney Island green!
|
|
|
|
[We'd better hope the Eagles don't land anytime soon!]
|
|
|
|
{All those years of not being able to finish anything... Well, I'm not saying
|
|
it's great, but it's DONE.}
|
|
|
|
|
|
The Ballad of Harry Smothers
|
|
Harry Smothers (c) 1992
|
|
|
|
|
|
My name is Harry Smothers and my age is (mumblety-mumble)
|
|
Another body in the filk that's going on till Kingdom come
|
|
And I have two brand-new filksongs, and I do the best I can
|
|
Now they say the filksing's over, but I think it's just begun
|
|
|
|
And I remember I was 28 on the day I met Benefiche
|
|
In the MileHiCon Con Suite we played Paxton, Ochs and Fish
|
|
And I only knew some old folksongs, and he could write so well
|
|
He's the first one that I filked with, and the first I aim to kill
|
|
|
|
So it's next another MileHiCon, then we had four good years
|
|
Then I moved to Colorado Springs, and we parted without tears
|
|
Then it's 3 years since I left the town, and my paycheck disappears
|
|
It was in a trade for Marty Burke, completed just last year.
|
|
|
|
And now every week I get a check from my employer in Detroit
|
|
And it's every week I cash the thing, and each month I come up short
|
|
Do you think that makes it all right, that I'm short by 3 percent?
|
|
Well, I guess I'll just keep working here; it sure helps to pay the rent.
|
|
|
|
And I never cared for Classical, Country I don't understand
|
|
And I'd never take Top 40, whether AM or FM
|
|
But now there's fifty thousand filks in this unhappy land
|
|
And fifty thousand Rock'n'Rolls being played by just one band
|
|
|
|
Well, my name is Harry Smothers and I've just gone (mumblety-mumble)
|
|
A new body in the filk that's going on till Kingdom come
|
|
Though I seldom write a new filk, I pray God I have new songs!
|
|
Now they say the filk is over, but I think it's just begun.
|
|
|
|
|
|
|
|
|
|
A recent song I wrote about a friend of mine. Some of it is true.
|
|
|
|
Well this is the tale of a wanderin' young man,
|
|
A Shindar called Freyfax by some,
|
|
He was making his way through our wicked world,
|
|
Just trying to have him some fun.
|
|
|
|
He walked into London with only his clothes,
|
|
And a lass whispered into his ear,
|
|
He was shocked for a moment and then shook his hea
|
|
And said in a voice loud and clear:
|
|
|
|
"I'll never forget the advice of my mom,
|
|
Who warned me 'bout women like you,
|
|
She said never drink beer and keep you sword clean,
|
|
No matter what else you might do."
|
|
|
|
He walked in a bar for to get in the shade,
|
|
A wench came to him with some beer,
|
|
He sent her away with a wave of his hand,
|
|
His words echoing in her ears:
|
|
|
|
"I'll never forget the advice of my mom,
|
|
Who warned me 'bout women like you,
|
|
She said never drink beer and keep your sword clean,
|
|
No matter what else you might do."
|
|
|
|
One night, just for fun, his friends spiked his drink,
|
|
And he liked it and had him some more,
|
|
And when he came to he was somewhere in Wales,
|
|
In the arms of a second-class whore.
|
|
|
|
But he never forgot the advice of his mome,
|
|
For more than a weekend or two,
|
|
He always drank whiskey and kept his sword sheathed,
|
|
No matter what else he might do.
|
|
|
|
There's no particular tune to this, so feel free to be inventive if you
|
|
want to sing it. And if you do come up with a good tune for it I'd
|
|
appreciate a copy of the music (being pretty tone-deaf myself [or Monotone
|
|
Abled for the PC amongst you]).
|
|
|
|
|
|
Words and music (C) Copyright by Leslie Fish
|
|
|
|
Worlds grow old and suns grow cold
|
|
And death we never can doubt.
|
|
TIme~s cold wind wailing down the past,
|
|
Reminds us that all flesh is grass
|
|
And history~s lamps blow out.
|
|
But the Eagle has landed; tell your children when.
|
|
Time won~t drive us down to dust again.
|
|
|
|
Cycles turn while the far stars burn,
|
|
And people and planets age.
|
|
Life~s crown passes to younger lands,
|
|
Time brushes dust of hope from his hands
|
|
And turns another page.
|
|
But the Eagle has landed; tell your children when.
|
|
Time won~t drive us down to dust again.
|
|
|
|
But we who feel the weight of the wheel
|
|
When winter falls over our world
|
|
Can hope for tomorrow and raise our eyes
|
|
To a silver moon in the opened skies
|
|
And a single flag unfurled.
|
|
But the Eagle has landed; tell your children when.
|
|
Time won~t drive us down to dust again.
|
|
|
|
We know well what Life can tell:
|
|
If you would not perish, then grow.
|
|
And today our fragile flesh and steel
|
|
Have laid their hands on a vaster wheel
|
|
With all of the stars to know
|
|
That the Eagle has landed; tell your children when.
|
|
Time won~t drive us down to dust again.
|
|
|
|
From all who tried out of history~s tide,
|
|
Salute for the team that won.
|
|
And the old Earth smiles at her children~s reach,
|
|
The wave that carried us up the beach
|
|
To reach for the shining sun.
|
|
For the Eagle has landed; tell your children when.
|
|
Time won~t drive us down to dust again.
|
|
|
|
|
|
|
|
|
|
Lyrics and Tune Copyright 1983 Suzette Haden Elgin
|
|
|
|
Song at the Ready
|
|
|
|
The Filksing was crowded and lusty when I wandered in just before five<
|
|
But off in a corner, all rumpled and dusty, sat a youth about two-thirds
|
|
alive.
|
|
It twisted my heart just to see him; he was shaking and hungry and pale.
|
|
When I patted his knee, he smiled waekly at me, and said, "just let me tell
|
|
you my tale!
|
|
|
|
"Oh,here I sit with my song at the ready and nobody letting me sing
|
|
here I sit with my song at the ready; I even bought new strings!
|
|
Oh, here I sit, but I don't give up easy, I don't give up with out a
|
|
fight.
|
|
For I've been here with my song at the ready since day before yesterday
|
|
night.
|
|
|
|
|
|
Every tine that another song ended, he would hoist his guitat toward his
|
|
chin;
|
|
He'd say, "I have a song! You can all sing along!" and then somebody else
|
|
would begin.
|
|
And he'd sigh, andd he'd sag toward his capo, too tired and discouraged to
|
|
speak.
|
|
It was clear he'd get no song in edgewise, if he sat there the rest of the
|
|
week.
|
|
Singing, Chorus
|
|
|
|
Well' the rules said that I couldn't tell him; but I did what I had to do.
|
|
I told him what happens to filk-hogs that never let others play through.
|
|
They don't go directly to Heaven, they first must make a punitive stop,
|
|
Where they sit on hard chairs, and for Seventeen years, they listen to
|
|
Mundanes sing pop!
|
|
|
|
Chorus.
|
|
|
|
|
|
Thank you David Weingart for the new version of the persistant spider
|
|
song. Another nursery rhyme that's been around for aeons is
|
|
|
|
THREE RODENTS WITH OPTICAL DEFICIENCIES
|
|
(CREDIT OR BLAME TO UNA K OWEN AND ANN ONYMOUS)
|
|
|
|
Three rodents with optical deficiencies
|
|
Three rodents with optical deficiencies
|
|
See how they perambulate
|
|
See how they perambulate
|
|
They all perambulated after the agriculturists spouse
|
|
Who amputated their cocxycal appendage with a carving utensil
|
|
Have you ever observed such an occurence in your sphere
|
|
As three rodents with optical deficiencies.
|
|
|
|
Also:
|
|
Row row row your boat
|
|
Underneath the stream
|
|
ha ha fooled you
|
|
I'm a submarine.
|
|
|
|
From "Singout"
|
|
McDonalds is your kind of place
|
|
Hamburgers in your face
|
|
French fries up your nose
|
|
Pickles between your toes
|
|
Ketchup running down your back
|
|
I want my money back
|
|
Before I have a heartattack.
|
|
(This was in a column by the really great male folksinger who was in a
|
|
car accident a number of years back, and came back to full function
|
|
after many many years.)
|
|
|
|
|
|
Another One From The Venerable Raoul Ignatius Benefiche:
|
|
|
|
Totally Marred
|
|
by Raoul I. Benefiche (c) 1992
|
|
Tune: Calm Down, It's Only Ones and Zeros
|
|
... and a few other Kathy Mar tunes
|
|
|
|
The parodists are everywhere, and Kathy can't escape
|
|
We number in the thousands and we buy up all her tapes.
|
|
Our tact is nonexistent, and our meter is much worse
|
|
In our rush to make a sow's ear out of Kathy's poor filk purse
|
|
|
|
Tense up, I think it's Bob Kanefsky.
|
|
Tense up, that isn't Kathy's song.
|
|
Tense up, it's only Raoul Benefiche.
|
|
Please realize that something here is very, very wrong.
|
|
|
|
I dreamed I went to Heaven Con and dined with Kathy Mar.
|
|
|
|
Kanef was busy feeding her the strings of her guitar.
|
|
Dessert was liquid parody; she couldn't keep it down.
|
|
She was drinking up the river, and was just about to drown. (Cho.)
|
|
|
|
I was listening to Velveteen, when everything turned blue.
|
|
Frank Booth was seated next to me, and eating rabbit stew.
|
|
The words began to scramble, and my brain went into gear.
|
|
Soon the song was a commercial for Pabst Blue Ribbon Beer. (Cho.)
|
|
|
|
Now, Kathy wrote Shai Hulud, and she wrote it very well;
|
|
Kanef turned it to Just Say No and blew it all to hell.
|
|
It might work with Cthulhu, and to write that one I crave,
|
|
But it might make Kathy was to put some flowers on my grave...
|
|
|
|
Shut up! I think it's Kathy singing.
|
|
Be quiet! She's written a new song.
|
|
Tape it, and write down all the lyrics!
|
|
If someone writes a parody, could that be really wrong?
|
|
We'll put our songs to this tune 'til another comes along
|
|
The words we write will fit the tunes of most of Kathy's songs
|
|
Uh-oh!
|
|
|
|
|
|
This song is intended as a tribute to Kathy uipon the occasion of her
|
|
being Guest of Honor at the 1992 OVFF. The second verse is inspired, in
|
|
part, by a parody written by Sourdough Jackson. Frank Booth is a
|
|
character in Blue Velvet(een?), directed by David Lynch. ... As usual,
|
|
I'm being cheesy and not giving away the chores, but the first one's
|
|
probably a D, depending on the singer's vocal range. If you don't
|
|
have a range, it starts with D.
|
|
|
|
|
|
JB> MOON OF SILVER (We Three Kings)
|
|
|
|
Which reminds me:
|
|
|
|
We three kings of Orient are
|
|
Bearing gifts-a lighted cigar
|
|
It was loaded
|
|
It exploded
|
|
BANG!
|
|
|
|
We two kings of Orient are
|
|
Bearing gifts-a lighted cigar
|
|
It was loaded
|
|
It exploded
|
|
BANG!
|
|
|
|
We one king of Orient are
|
|
Bearing gifts-a lighted cigar
|
|
It was loaded
|
|
It exploded
|
|
BANG!
|
|
|
|
God rest ye merry gentlemen, may nothing you dismay...
|
|
|
|
|
|
I was thinking of:
|
|
|
|
Scintillate, scintillate, globial vivid.
|
|
How shall I fathom thy natural specific?
|
|
Lofily poised in ether capacious,
|
|
Strongly resembling a gem carbonaceous.
|
|
|
|
(In case anyone has problems, it's "Twinkle, twinkle little star" <g>).
|
|
|
|
Or "Show me the way to go home":
|
|
|
|
Indicate the route to my abode,
|
|
I'm fatigued and I wish to retire
|
|
I partook some light refreshment sixty minutes ago
|
|
And it's travelled to my cerebellum
|
|
Wherever I may perambulate
|
|
Over land or sea or atmospheric vapur
|
|
You will always hear me chanting this melody -
|
|
"Indicate the route to my abode"
|
|
|
|
Neither are original with me - the first was a favourite of my father,
|
|
and my mother introduced me to the second...
|
|
|
|
|
|
HOPE EYRIE (c)1976 by Leslie Fish
|
|
|
|
Worlds grow old and suns grow cold
|
|
And death we never can doubt.
|
|
Time's cold wind, wailing down the past,
|
|
Reminds us that all flesh is grass
|
|
And history's lamps blow out.
|
|
(Chorus) But the Eagle has landed; tell your children when.
|
|
Time won't drive us down to dust again.
|
|
Cycles turn while the far stars burn,
|
|
And people and planets age.
|
|
Life's crown passes to younger lands,
|
|
Time brushes dust of hope from his hands
|
|
And turns another page.
|
|
(Chorus)
|
|
But we who feel the weight of the wheel
|
|
When winter falls over our world
|
|
Can hope for tomorrow and raise our eyes
|
|
To a silver moon in the open skies
|
|
and a single flag unfurled.
|
|
(Chorus)
|
|
We know well what Life can tell:
|
|
If you would not perish, then grow.
|
|
And today our fragile flesh and steel
|
|
Have laid their hands on a vaster wheel
|
|
With all of the stars to know
|
|
(Chorus) That the...
|
|
From all who tried out of history's tide,
|
|
Salute for the team that won.
|
|
And the old Earth smiles at her children's reach,
|
|
The wave that carried us up the beach
|
|
To reach for the shining sun.
|
|
(Chorus) For the...
|
|
|
|
Anyway, the anthem story (according to my rusty memory of how she told
|
|
it at our filk two years ago) was that "Hope Eyrie" somehow got to
|
|
Poland, where the eagle is the national symbol; a Polish translation
|
|
became one of the inspirational songs of Solidarnosc, the underground
|
|
union.
|
|
And yes, you can transcribe the story; it'll save me from the typing!
|
|
8-)
|
|
|
|
If you've seen this before, um, well, I'm
|
|
not sure any of my posts are going
|
|
out, so this is a substantive test.
|
|
|
|
Lords of the Dance
|
|
(to the tune of "Lord of the Dance")
|
|
|
|
We dance with the murders and we dance with the wars.
|
|
We dance with tragedy, famine, drought, and more.
|
|
We dance without honor and we dance without shame
|
|
and we dance, above all, for the ratings game.
|
|
|
|
(Chorus)
|
|
Dance, dance, wherever you may be
|
|
for we are the media of the Dance, that's we.
|
|
We tell you what to think and we show you what to see.
|
|
And we pray that you don't turn off your t.v.
|
|
|
|
We'll dance with your daughters and we'll dance with your sons
|
|
and we'll dance if and when Armageddon has begun.
|
|
We'll dance with empathy and dance with delight
|
|
and we'll pray that our viewers never see the light.
|
|
|
|
|
|
FFFFF I L K K fffff i l eeeee
|
|
F I L K K f i l e
|
|
FFFF I L KK ffff i l eeee
|
|
F I L K K f i l e
|
|
F I LLLLLL K K f i llllll eeeee
|
|
|
|
ONE
|
|
----------------------------------------------------------------
|
|
The first compilation of filksongs collected from the FILK Echo
|
|
and provided for download via the auspices of Kay Shapero, moder-
|
|
ator of same. Publication date, May 1990. All copyrights belong
|
|
to the writers.
|
|
|
|
FILKfile will appear at irregular intervals of a month or more,
|
|
depending on how many songs appear on the echo.
|
|
|
|
I'm doing this first one in vanilla ascii with the bare minimum
|
|
of formatting so as not to create problems for anyone reading it
|
|
directly off the system. If folks would like me to provide
|
|
margins and form feeds between pages, please let me know.
|
|
----------------------------------------------------------------
|
|
|
|
A CHRISTMAS CAROL
|
|
by Charlie Kellner
|
|
(to the tune of "Rudolph the Red Nosed Reindeer")
|
|
|
|
There's Nemorth and Selgrith and Lamanth and Wirenth,
|
|
Caylith and Prideth and Ludeth and Ralenth,
|
|
But do you recall... the most famous dragon of all?
|
|
|
|
Ramoth the golden dragon had a very shiny tail,
|
|
And if you ever saw it, you would love each golden scale.
|
|
None of the other dragons ever let her play their games,
|
|
They didn't want poor Ramoth chasing thread and breathing flames.
|
|
|
|
Then one fateful Threadfall eve, Lessa came to say,
|
|
"Ramoth with your tail so bright, won't you guide the weyrs in
|
|
flight?"
|
|
|
|
Then how the dragons loved her, as they shouted out in glee,
|
|
"Ramoth the golden dragon, you went back in history!"
|
|
|
|
Words copyright Charlie Kellner, Dec 1981
|
|
|
|
*****
|
|
|
|
A FILKER'S NIGHTMARE
|
|
by Rich Kabakjian
|
|
(tune: "That Old Time Religion")
|
|
|
|
Gimme that old "Banned From Argo"
|
|
Gimme that old "Banned From Argo"
|
|
Gimme that old "Banned From Argo"
|
|
It's long enough for me.
|
|
|
|
We will sing of "Caves of Steel"
|
|
Even though we think it's real-
|
|
ly long and has no mass appeal
|
|
But it's good enough for me.
|
|
|
|
We will sing "Horsetamer's Daughter"
|
|
'Though we think we really oughter
|
|
pick a filk that is much shorter
|
|
But it's good enough for me.
|
|
|
|
If you'd like to pass the Tully,
|
|
can we sing of "Young Man Mulli-
|
|
gan"? It makes the senses dull-y
|
|
But it's good enough for me.
|
|
|
|
Words copyright Rich Kabakjian, 1989
|
|
|
|
*****
|
|
|
|
A SONG FOR GROSSED OUT FILKFEN
|
|
by Kay Shapero
|
|
(tune: "When Johnny Comes Marching Home")
|
|
|
|
(Doom, doom, doom, doom.....
|
|
Doom, doom, doom, doom.....)
|
|
|
|
The filksing's getting ose again (Oh dread! Oh dread!)
|
|
The filksing's getting ose again (Oh dread! Oh dread!)
|
|
The piles of bodies have stained the floor
|
|
With thirty-nine separate shades of gore
|
|
And the fans are running out of the room to urp....
|
|
|
|
(Yuck, yuck, yuck, yuck...) <fade out over running feet, urping
|
|
fen, whatever...)
|
|
|
|
Words copyright Kay Shapero, 1988
|
|
|
|
*****
|
|
|
|
ALARUMS & EXCURSIONS
|
|
by Dr Pepper
|
|
(tune: Cover of the Rolling Stone)
|
|
|
|
Well we're big D&Ders, We don't know what Fear is,
|
|
And we're loved everywhere we roam
|
|
We rid the world of evil and we rid the world of pain
|
|
And we take a lot of tresure back home
|
|
We drink all kinds of potions and get all kinds of notions
|
|
But those notions are no more than diversions
|
|
From the notion that'll gitcher, when you gitchour picture
|
|
On the cover of Alarums and Excursions
|
|
|
|
Chorus:
|
|
|
|
Alarums and Excursions! Gonna see my picture on the cover
|
|
Alarums and Excursions! run off extra copies for my mother
|
|
Gonna see my smiling face,
|
|
On the cover of Alarums and Excursions
|
|
|
|
I got a crazy old witch name of Mandrake Mitch,
|
|
Who weaves mystic runes in my cloak
|
|
I got a hoary old greyhaired druid
|
|
Growing me a sacred oak
|
|
Now let's all decide, to tell our tale
|
|
But your never gonna tell a better version
|
|
Than the version that'll fitcher when you gitchour picture
|
|
On the cover of Alarums and Excursions
|
|
|
|
(Chorus)
|
|
|
|
We gota lot of little ugly, charmed chaotics,
|
|
Who'll do anything we say
|
|
We got a genuine ring of 3 wishes,
|
|
We're saving for a rainy day
|
|
We got all the cures, that money can buy,
|
|
So we'll never have to go to any surgeons
|
|
And we keep getting richer, but can't get our picture,
|
|
On the cover of Alarums and Excursions
|
|
|
|
(extended Chorus)
|
|
|
|
Words copyright Dr Pepper, 1975
|
|
|
|
*****
|
|
|
|
An Oar!
|
|
by Charlie Kellner
|
|
|
|
Ah, broken is the toilet bowl! The water flows forever!
|
|
Now uncontrolled, a ghastly toll builds on the water meter;
|
|
And, janitor, hast thou no cure? - come now or never more!
|
|
And if thou canst not fix it now, then wouldst thou bring an oar?
|
|
Come! Let the tenant's rights be read - the landlord's phone be
|
|
rung!
|
|
-
|
|
An answer, please, before my dog requires an Aqualung -
|
|
There is a limit to the times a towel can be wrung.
|
|
|
|
- with apologies to Edgar Allan Poe
|
|
*****
|
|
|
|
CYBERSAGA
|
|
by Kay Shapero
|
|
(tune:"Black Denim Trousers", with acknowledgements to Ted John-
|
|
stone's "Corduroy Trousers"...)
|
|
|
|
|
|
CHORUS: He had pointed green eartips, a socket in his head,
|
|
And a black leather jacket with "Deck 'em" on the back.
|
|
He had a pair of mirror shades that flashed like the
|
|
midday sun
|
|
That elf was the terror of every shadowrun.
|
|
|
|
He streaked his face with red and he streaked his hair with green
|
|
He had rows of ruby rhinestones on the ridges of his eyes.
|
|
On the back of his right arm was a Moebius-type tattoo
|
|
That told the time in Tokyo in shades of red and blue.
|
|
|
|
Oh he had a cybermodem and it was a marvel rare
|
|
But tech will only do the things that tech can do
|
|
He cracked a wizard's data base and searched until he found
|
|
Ways magic could be used to get around...
|
|
|
|
chorus
|
|
|
|
The other hackers warned him not to play with magic spells.
|
|
They said "These things could send you to a dozen diff'rent
|
|
hells."
|
|
He didn't hear, he didn't care, his mind was in a spin
|
|
At the worlds that now existed and the worlds that might have
|
|
been.
|
|
|
|
He started searching like a madman, green fire shining in his
|
|
eyes.
|
|
He vowed he'd plunder all the worlds for high tech gear and
|
|
spells.
|
|
But he found a Disney dreamworld; and something that he met
|
|
Derezzed his body right into the Net...
|
|
|
|
No more pointed green eartips, no socket in the head,
|
|
And no black leather jacket with "Deck 'em" on the back.
|
|
The mirror shades are broken that flashed like the midday
|
|
sun
|
|
But he still is the terror of every shadowrun!
|
|
|
|
words copyright Kay Shapero, 1990
|
|
|
|
*****
|
|
|
|
FRODO'S THEME
|
|
by Cheryl Mathison
|
|
|
|
Frodo Baggins small and fair
|
|
With Elven mist about his aire
|
|
Set out upon adventure lain
|
|
To end the curse of Isldur's Bane.
|
|
|
|
With Elves and Dwarves, the Hobbits set;
|
|
With Men and Wizard, numbers met.
|
|
The Nine set out from Rivendell
|
|
To fool the Nine Black Riders from Hell.
|
|
|
|
The Nine: They walked through Khazad-dum.
|
|
They lost poor Gandalf in a room.
|
|
They met a Balrog: Durin's Bane
|
|
Where Balin died and now is lain.
|
|
|
|
Next Boromir and then the rest
|
|
Were cast astray or laid to rest,
|
|
So Sam and Frodo left them there
|
|
To finish the Task or die in dispair.
|
|
|
|
It led them through the Morgul Vale
|
|
With Gollum in hot pursuit on their trail.
|
|
They took him to join them so he wouldn't kill
|
|
Poor Frodo, who's Ring was the source of his will.
|
|
|
|
There, in Mount Doom, inside of a cave
|
|
They could not cast the Ring away.
|
|
But Gollum took it and fell off the wing
|
|
Of the ledge to his death and the end of the Ring.
|
|
|
|
words and music (c) Copyright 1975 by Cheryl Mathison
|
|
|
|
*****
|
|
|
|
FURRY
|
|
by Kay Shapero
|
|
(tune: Richter Scale)
|
|
|
|
Hadn't had a date in months and I was getting nervous
|
|
So decided I would try the local dating service
|
|
Paid their fee, filled out their form and things were going fine
|
|
Until they saw what I'd put on the "favorite hobbies" line...
|
|
|
|
I am a
|
|
Feline, canine, vulpine, feathered, winged and taloned furry
|
|
Every time I'm at a con I draw crowds in a hurry
|
|
My artwork is erotic
|
|
Though it isn't quite obscene
|
|
I'm having lots of fun with this, as odd as it might seem.
|
|
|
|
This reply appeared to cause the sales rep consternation
|
|
Back she came to ask me for some kind of explanation
|
|
When I said she'd read it right it threw her for a loss
|
|
She said she couldn't enter it, then brought me to her boss.
|
|
|
|
"So you're the
|
|
Feline, canine, vulpine, feathered, winged and taloned furry
|
|
At SF cons you specialize in mob scenes in a hurry
|
|
This doesn't fit our data forms
|
|
Some changes must be made
|
|
You'll have to see my boss to deal with this one I'm afraid."
|
|
|
|
So it went on up the line "Are you sure this is legal?"
|
|
"Something like a Moose, or Elk, or F and O of Eagle?"
|
|
Everything they put in the computer came back out
|
|
I had to fly to Omaha to find someone with clout.
|
|
|
|
"Yes, I'm the
|
|
Feline, canine, vulpine, feathered, winged and taloned furry
|
|
I'm sorry if this seems to set you all in such a flurry
|
|
I've heard a lot about your club
|
|
I'm told it's simply great
|
|
But all I want to know is can you folks find me a date?"
|
|
|
|
At the top, the president just smiled and said "Don't worry,
|
|
I think we can solve this little problem in a hurry.
|
|
Bypass the computer;
|
|
And discuss it one on one.."
|
|
We're at an SF con right now and say we're having fun
|
|
|
|
'Cause he's a
|
|
Dragon, merman, centaur, griffin, unicornish high elf
|
|
Couldn't be a better match if I'd dreamed him up myself
|
|
Together we're the strangest pair
|
|
That folks have ever seen
|
|
Come to the Furry Party room and you'll see what I mean!
|
|
|
|
Words copyright Kay Shapero, 1989
|
|
|
|
*****
|
|
|
|
LOCKED OUT
|
|
by Kay Shapero
|
|
(tune: Londonderry Air)
|
|
|
|
I took a walk outside the mound to clear my head,
|
|
For wine and song had surely got to me.
|
|
The night is cold; I'd like to come inside again,
|
|
But it appears I've left behind the key.
|
|
So open up, and let me in the hill again,
|
|
Or I must stand out here and sing some more,
|
|
And all the songs I'll sing are ose as they can be,
|
|
So hurry up in there and open up the door!
|
|
|
|
Words copyright Kay Shapero, 1989
|
|
|
|
(the above written chiefly to prove you can, too, write a humor-
|
|
ous song to the Londonderry Air...)
|
|
|
|
*****
|
|
|
|
MORETA
|
|
by Kay Shapero
|
|
(tune: Rudolph the Red Nosed Reindeer... see "Rudolph's Ride")
|
|
|
|
You know Torene and Lessa and Brekke and F'Nor
|
|
Jaxom and F'lar and a good many more
|
|
But do you perhaps recall
|
|
The most famous rider of all....
|
|
|
|
Moreta, Pern Weyrwoman
|
|
Rode a lovely golden queen
|
|
Charmed all the folk who saw them
|
|
Gliding through the air serene
|
|
|
|
All of the other dragons
|
|
Understood the things she said
|
|
Helping to keep the weyrfolk
|
|
Organized while fighting Thread.
|
|
|
|
Then one plaguey springtime eve
|
|
Healers came to say
|
|
"Lady with your queen so grand,
|
|
Take the serum through the land."
|
|
|
|
Oh how the people loved her
|
|
Harpers sang about her fame
|
|
"Though you were lost in transit,
|
|
We will e'er recall your name.."
|
|
|
|
Words copyright Kay Shapero, 1989
|
|
|
|
*****
|
|
|
|
ON DRAGONS
|
|
by Charlie Kellner
|
|
|
|
On Dragons...
|
|
|
|
Myriad the human mind
|
|
And so diverse the Dragonkind
|
|
In wing or claw, tooth or beak
|
|
Every dragon stands unique
|
|
|
|
There are those wyrms who men would say
|
|
Live only to devour and slay
|
|
I understand thy fear of these
|
|
But I am not as ye believe
|
|
|
|
True dragons are philosophers
|
|
And speak to men in cryptic verse
|
|
We are not often understood
|
|
When we write in fire and blood
|
|
|
|
The dragon is a subtile beast
|
|
Beware, ere on his breath ye feast
|
|
For those who duel must ever learn
|
|
The truth has oft been known to burn.
|
|
|
|
- Charlie Kellner, June 1981
|
|
|
|
Dragon Summer
|
|
|
|
A younger dragon seeks his fame
|
|
With fiery deeds to mark his name
|
|
As he matures he comes to know
|
|
The victory that does not show
|
|
|
|
Our race will only be as strong
|
|
As the care we give our young
|
|
So it was said in days of old
|
|
So it will be when stars grow cold
|
|
|
|
We have no wings and yet we fly
|
|
We know the space beyond the sky
|
|
We travel through the endless night
|
|
With tongues of flame to mark our flight
|
|
|
|
We come from where all life began
|
|
Our quest is to enlighten Man
|
|
And we shall taste ere we are done
|
|
The golden apples of the sun
|
|
|
|
- Charlie Kellner, June 1981
|
|
|
|
Dragon's Breath
|
|
|
|
A dragon's fire is in his breath
|
|
His strength is in his scales
|
|
His subtlety is in his spine
|
|
And thereby hangs the tale
|
|
|
|
So many seek to conquer him
|
|
By armored might alone
|
|
But dragons simply cannot die
|
|
Until their truth is known
|
|
|
|
You must not hold him prisoner
|
|
He will not be controlled
|
|
To beat him, look into his eyes
|
|
And see into his soul
|
|
|
|
For he who would prevail must learn
|
|
What every wise man knows
|
|
Who holds a dragon by the tail
|
|
Goes where the dragon goes
|
|
|
|
- Charlie Kellner, Jan 1982
|
|
|
|
Dragon Winter
|
|
|
|
The fire has faded from the clouds
|
|
The dragon stands alone
|
|
|
|
The sun has taken with it all
|
|
That he had ever known
|
|
|
|
On winter's wings the summer birds
|
|
Ascend into the sky
|
|
|
|
He watches, and remembers
|
|
That once he too could fly
|
|
|
|
|
|
- Charlie Kellner, May 1982
|
|
|
|
And So New Life Begins
|
|
|
|
While you wake
|
|
the dragon sleeps
|
|
|
|
In your dreams
|
|
the dragon speaks
|
|
|
|
As you reach
|
|
for what you yearn
|
|
|
|
So you find
|
|
the truth
|
|
that burns
|
|
|
|
|
|
- Charlie Kellner, Jan 1982
|
|
for Anne
|
|
|
|
poems copyright Charlie Kellner, 1981, 1982
|
|
|
|
*****
|
|
|
|
RUDOLPH'S RIDE
|
|
by Kay Shapero
|
|
(tune: "Moreta" by Anne Harlan Prather, as sung on the "Rat
|
|
Mastersongs" tape.)
|
|
|
|
It's Christmas Eve and Santa is late;
|
|
He's never done this before.
|
|
It's Christmas Eve and Santa is late;
|
|
Just what is he waiting for?
|
|
|
|
A fog has crept over all the North Pole;
|
|
The reindeer can't see to fly.
|
|
The children are waiting for Santa to come;
|
|
We can't let the children cry.
|
|
|
|
So fly, reindeer, and pull your load of cheer,
|
|
And fly, great Santa as well
|
|
To every child, in every home, over hill and over dale,
|
|
Carry the presents without fail.
|
|
|
|
The weather elves from miles around
|
|
All gathered at Santa's hall
|
|
To see how far the fog could be found
|
|
And if they could stop it at all.
|
|
|
|
The Head Elf said to Santa Claus;
|
|
"We can't stop this fog, it is true.
|
|
We can tell you that it is going to get worse,
|
|
But that's all that we can do."
|
|
|
|
So fly, reindeer, and pull your load of cheer,
|
|
And fly, great Santa as well
|
|
To every child, in every home, over hill and over dale,
|
|
Carry the presents without fail.
|
|
|
|
Then Santa said to all of his crew;
|
|
"We dare not wait any longer.
|
|
We must fly out and deliver the gifts
|
|
Before this fog gets stronger."
|
|
|
|
One deer, brighter-nosed than all the rest,
|
|
Was chosen to lead the way.
|
|
His glowing nose gave the light to their flight
|
|
And saved that Christmas day.
|
|
|
|
He flew, reindeer, and pulled his load of cheer
|
|
He pulled great Santa as well
|
|
To every child, in every home, through the sky with nose aflame
|
|
'Til to every child a present came
|
|
And the pages of history sing his name...
|
|
|
|
Rudolph...
|
|
Rudolph...
|
|
Rudolph...
|
|
|
|
Words copyright Kay Shapero, 1989
|
|
|
|
*****
|
|
|
|
SNAKES ALIVE
|
|
(by Kay Shapero)
|
|
(tune: MacNamara's Band - chorus to either verse tune or "You
|
|
Can Build A Mainframe From The Things You Find At Home")
|
|
|
|
Conventions are my hobby and I go whene'er I can
|
|
Of art shows, filks and masquerades I am the biggest fan
|
|
Though living, breathing SF is the most fun that it gets
|
|
I like it even better when I bring along my pets
|
|
|
|
CHORUS:
|
|
Yes madam, I'm aware that there's a snake around my neck
|
|
It won't stay in my hair and so I figured what the heck?
|
|
The lizards on my shoulders really do not seem to care
|
|
They get along just fine with all the reptiles that I wear.
|
|
|
|
I went to see the art show and I'd say it's really fine
|
|
Although the dragon sculpture isn't quite as good as mine.
|
|
Alas, the time I entered mine the concom disapproved.
|
|
When someone taped the bid sheet on the consarned beastie moved!
|
|
|
|
CHORUS
|
|
|
|
The dealer's room sells books and tapes and also other things
|
|
Like posters, costumes, weapons, belts and sundry magic rings.
|
|
One dealer said his garter (jeweled) was something I should see
|
|
I told him that my garter (snake) was quite enough for me!
|
|
|
|
CHORUS
|
|
|
|
I love to go to filksings and arrive, guitar in hand
|
|
To sing of space and Kinnison's (though not that other) Band.
|
|
Although they cannot sing, my snakes come with me if they wish.
|
|
I use one for a capo on those songs by Leslie Fish.
|
|
|
|
CHORUS
|
|
|
|
The Masquerade and dance both hold a marvelous appeal
|
|
But I must go and supervise my anaconda's meal.
|
|
The python ate the chairman and it didn't seem to mind
|
|
But anacondas might get sick from dinners of that kind!
|
|
|
|
CHORUS
|
|
|
|
(The above dedicated to Momcat Myers' snake, Ace, who always
|
|
stayed quite nicely in my hair, thank you!)
|
|
|
|
Words copyright Kay Shapero, 1989
|
|
|
|
*****
|
|
|
|
TWAS THE NIGHT BEFORE THREADFALL
|
|
by Charlie Kellner
|
|
|
|
'Twas the night before Threadfall, when all through the weyr,
|
|
Not a creature was stirring, except the watch-wher.
|
|
The firesacks were hung by the weyrlings with care
|
|
In hopes that a dragon would someday be theirs.
|
|
The dragons were nestled all snug in their caves
|
|
While dreaming of silver thread falling in waves.
|
|
And Lessa in her kerchief and F'lar in his cap
|
|
Had just settled down for a long preflight nap
|
|
When out in the bowl there arose such a clatter
|
|
I sprang from my bed to see what was the matter.
|
|
I raced down the tunnel and woke up F'lar,
|
|
Climbed up to the Eye Rock and sighted the Star;
|
|
When what to my wondering eyes should appear
|
|
But a small clump of thread and eight tiny watch-whers!
|
|
But it danced and it darted, so lively and quick,
|
|
I thought for a moment it might be St. N'ick.
|
|
More rapid than wherries F'lars dragons they came,
|
|
And he whistled, and shouted and called them by name:
|
|
"Now, Mnementh! now, Tuenth! now, Munth and Piyanth,
|
|
On, Lioth! on, Valenth! on, Tagath and Canth!
|
|
To the top of the ledge! to the top of the wall!
|
|
Now, dash away, dash away, dash away all!"
|
|
|
|
As fire lizards before the wild wherries will fly,
|
|
Then vanish Between in the wink of an eye,
|
|
So, down to the ledges the dragons they flew,
|
|
With the watch-whers behind - and the clump of thread, too!
|
|
And then in a twinkling, I heard on the wall
|
|
The prancing and pawing of each little claw.
|
|
Fearing the worst, I took flight down the stair,
|
|
And to my surprise, found St. N'ick standing there!
|
|
He was dressed in wher-hide from his head to his foot,
|
|
And his clothes were all tarnished with thread-dust and soot.
|
|
Behind him, I saw a most marvelous sled
|
|
Of silvery metal which glistened like thread.
|
|
He reached 'round and picked up a great leather sack,
|
|
And giving a nod, flung it straight on his back.
|
|
He spoke not a word, but went right to his work,
|
|
And filled all the firesacks, then turned with a jerk.
|
|
He sprang to his sled, to his team gave a whistle,
|
|
And away they all flew like the down of a thistle,
|
|
But I heard him exclaim as he drove out of sight,
|
|
"A short Threadfall to all, and to all a good flight!"
|
|
|
|
- Charlie Kellner, Dec 1981
|
|
|
|
*****
|
|
|
|
UNFINISHED DRINKING SONG
|
|
by Charlie Kellner
|
|
(tune: Three Flies in a Bottle)
|
|
|
|
Ohhhhhh...
|
|
|
|
Daddy was a centaur, I'm just a quarter horse
|
|
Mommy was a mermaid, cause dad loved water sports
|
|
My girl friend is an otter, a'swimmin in the sea
|
|
And if the kids take after her... (pause)
|
|
They'll get the best of me
|
|
|
|
Three flies in a bottle, my ale is all drunk up
|
|
Let's have another round for me, and one more for my pup
|
|
|
|
Oh, I want to be a jedi, just like my dear old man
|
|
I want to leia princess, and blow up Alderaan
|
|
When daddy met the princess, she hated him of course
|
|
She wanted to fly solo... (pause)
|
|
But daddy used the force
|
|
|
|
[chorus -- substitute a different beverage for "ale" each time]
|
|
|
|
Words copyright Charlie Kellner, 1990
|
|
|
|
*****
|
|
|
|
WHO LU?
|
|
(words Kay Shapero)
|
|
(tune - Camptown Races)
|
|
|
|
Who's the Elder Ghod we fear?
|
|
Cthulhu, Cthulhu!
|
|
Who sleeps on from year to year?
|
|
Cthulhu is his name.
|
|
Going to pray all night
|
|
Going to chant all day
|
|
'Til he rises from the ocean floor
|
|
Then we will run away!
|
|
|
|
Words copyright Kay Shapero 1990
|
|
|
|
|
|
That's all for this issue, folks! See ya next time!
|
|
|
|
End of list.
|
|
|
|
<B>rowse, <R>epeat, or <Q>uit?
|
|
|
|
FFFFF I L K K fffff i l eeeee
|
|
F I L K K f i l e
|
|
FFFF I L KK ffff i l eeee
|
|
F I L K K f i l e
|
|
F I LLLLLL K K f i llllll eeeee
|
|
|
|
TWO
|
|
----------------------------------------------------------------
|
|
What, already??? The second compilation of filksongs collected
|
|
from the FILK Echo and provided for download via the auspices of
|
|
Kay Shapero, moderator of same. Publication date, June 1990.
|
|
All copyrights belong to the writers.
|
|
|
|
FILKfile appears at irregular intervals of a month or more,
|
|
depending on how many songs appear on the echo.
|
|
----------------------------------------------------------------
|
|
|
|
BANNED FROM ARGO -- THE NEXT GENERATION
|
|
lyrics by Bob and Brenda Daverin
|
|
(tune: "Banned From Argo")
|
|
|
|
After 74 long years the Argo people changed their minds,
|
|
And said they'd let us visit their fair planet one more time.
|
|
They figured we're a brand new crew, so how could it go wrong.
|
|
But something did, and that is why we're singing you this song.
|
|
|
|
And we're banned from Argo for all time,
|
|
Banned from Argo, though our visit was sublime.
|
|
We had a lovely shore leave there for just a week or four,
|
|
But they won't let us dock there anymore.
|
|
|
|
Our gallant, Gallic captain with his head so mirror-clean,
|
|
Stepped in an Argo bar just to observe the local scene.
|
|
A drunk Ferengi used the captain's head to check his looks,
|
|
And woke up in the hospital, his hands replaced with hooks.
|
|
|
|
Our handsome, suave First Officer likes anything in skirts,
|
|
And when he's playing poker, his opponents lose their shirts.
|
|
He founds himself at table with a highlander from Earth,
|
|
And now he swears he knows how women feel when giving birth.
|
|
|
|
Our sensitive Ship's Counselor walked by the Argo Jail,
|
|
And was hit by the emotions held by each and every male.
|
|
The warden called us up and said, "You've got to beam her out!
|
|
She's taking on my convicts, and she's wearing each one out!"
|
|
|
|
Our lovely, widowed doctor found herself a big surprise,
|
|
A man just like her husband, only doubled in one size.
|
|
She introduced him to her son, and then was shocked to find
|
|
That having sex with Mama was no longer on his mind.
|
|
|
|
Our blind Chief Engineer's experience was rather slim.
|
|
Not knowing what girls looked like was a sticking point with him.
|
|
He fixed his VISOR so that he could see their proper shape,
|
|
And ended up in court, arraigned on 30 counts of rape.
|
|
|
|
Our green-skinned android helmsman felt the need to build a mate,
|
|
So when a ship leave came about, he'd always have a date.
|
|
They found a cheap motel that had sex movies as the fare,
|
|
And when the rescue crews arrived, the hotel wasn't there.
|
|
|
|
Our good chief of security's a Klingon with some class,
|
|
He led a pack of Romulans in a Klingon Catholic Mass,
|
|
Or so he told the shore patrol when they came to claim the dead.
|
|
He said they'd moved a bit too slow when told to bow their heads.
|
|
|
|
Our youthful acting ensign fended off his mother's friend,
|
|
And sought to give his shore leave a far more auspicious end.
|
|
He made a human daisy chain like some had never seen,
|
|
It took two turns through hyperspace and generated steam.
|
|
|
|
The hostess of Ten-Forward lounge has been a mystery,
|
|
Like how she met the Captain, also just how old is she.
|
|
She found a dear old friend who called himself the Wandering Jew,
|
|
And they reminisced about the time they spent in Kathmandu.
|
|
|
|
*****
|
|
|
|
COMPUTERWOCKY
|
|
|
|
by David Dyer-Bennet
|
|
|
|
Twas Digital, and the binary bits
|
|
Did shift and rotate in the core.
|
|
So flimsy were the circuit boards
|
|
That the mainframe out-wore.
|
|
|
|
Beware the swapping disk, my son.
|
|
The seconds lost! The systems crashed!
|
|
Beware the 12-bit word, and shun
|
|
Remotely entered batch.
|
|
|
|
He took the joystick in his hand,
|
|
Long time the flashing circle sought.
|
|
Then rested he by the PDP
|
|
And programmed it -- he thought!
|
|
|
|
And as in uffish thought he stood,
|
|
The swapping disk, with blinking lights,
|
|
Came whiffling through the I/O queue,
|
|
And complemented bytes!
|
|
|
|
01, 10! 01, 10! And through and through!
|
|
His flashing line went forth and back.
|
|
He left it dead, its dump unread,
|
|
And thought to hit the sack.
|
|
|
|
And hast thou bombed the swapping disk?
|
|
Oh, come to my arms, my beamish boy!
|
|
Oh frabjous day! I overlay!
|
|
He chortled in his joy.
|
|
|
|
Twas Digital, and the binary bits
|
|
Did shift and rotate in the core.
|
|
So flimsy were the circuit boards
|
|
That the mainframe out-wore.
|
|
|
|
[The "flashing circle", "joystick", and "flashing line" refer-
|
|
ences refer to a primitive computer game we ran on the PDP-8/L
|
|
systems at Carleton in the very early 70's. It's the only case I
|
|
know of a graphics-based game designed for a storage-tube dis-
|
|
play.]
|
|
|
|
*****
|
|
|
|
DRAGON'S BREATH II
|
|
by Charlie Kellner
|
|
|
|
The dragon sleeps within the earth
|
|
His dreams will never die
|
|
They seek to trap him in his cave
|
|
His soul is in the sky
|
|
With shields upraised the armored knights
|
|
Advance into his lair
|
|
A breath is drawn; a sword descends
|
|
The dragon is not there
|
|
|
|
copyright Charlie Kellner, 1990
|
|
|
|
*****
|
|
|
|
I LEFT BY BART
|
|
by Charlie Kellner
|
|
(tune: I Left My Heart in San Francisco)
|
|
|
|
I left by Bart in San Francisco
|
|
Beneath the bay it calls to me
|
|
To be where little cable cars
|
|
Lay waiting for repairs
|
|
The morning smog may clog the air
|
|
They don't care
|
|
They cry "Unfair!" in San Francisco
|
|
About the pay they can't agree
|
|
If I return to you, San Francisco
|
|
I'll drive my car and ride for free
|
|
|
|
words copyright Charlie Kellner, 1990
|
|
|
|
*****
|
|
|
|
ONE FOR THE 'PUTERS
|
|
words by Susie Lee
|
|
tune: The Old Lady Who Swallowed a Fly"
|
|
|
|
Poor old lady
|
|
she swallowed a pi
|
|
(I don't know why she swallowed a pi,
|
|
poor old lady, I think she'll die)
|
|
|
|
Poor old lady
|
|
she swallowed a mouse
|
|
and the wire is still hanging out of her mouth.
|
|
(it makes her jump and grump and grouse)
|
|
she swallowed the mouse to catch the pi,
|
|
..poor old lady, I think she'll die.
|
|
|
|
Poor old lady
|
|
she swallowed the rest
|
|
of the WHOLE computer!
|
|
(wow, what a test! you can hear the hard drive in her chest)
|
|
She swallowed the 'puter to catch the mouse,
|
|
she swallowed the mouse to catch the pi,
|
|
poor old lady, I think she'll die.
|
|
|
|
Poor old lady
|
|
she swallowed a SysOp
|
|
(a nice young man who made her hiccough)
|
|
He used to be a computer repairman
|
|
and now they two have made it to heaven.
|
|
|
|
words copyright Susie Lee, 1990
|
|
|
|
*****
|
|
|
|
RENFESTIE
|
|
words by Jane Rogge Fredericksen.
|
|
(tune: Wild Rover)
|
|
|
|
I've been a RenFestie for many a year
|
|
And I've spent all my time pulling hay from my beer
|
|
But now I'm returning for still more abuse
|
|
With my boots far too tight, and my tights far too loose
|
|
|
|
(chorus)
|
|
And it's no, nay, never
|
|
No, nay, never, no more
|
|
Will I ever be normal?
|
|
No, never, no more
|
|
|
|
I went to auditions to show them my stuff
|
|
And was told the artistic director was tough
|
|
I asked for a contract - He answered me, "Nay!
|
|
We've got junior high kids who will work for no pay!"
|
|
|
|
chorus....
|
|
|
|
So I pulled from my pocket my tinwhistle bright
|
|
And I loudly played "Greensleeves" 'til he cried with fright
|
|
"All right, you'll have staging. Just please let me be!
|
|
Play off by the privies in area C."
|
|
|
|
chorus....
|
|
|
|
So now I'm a Festie, confessin' I lack
|
|
Complete understanding of why I go back
|
|
With the drunks and the mashers and whackos who do....
|
|
And the audience even gets kinda wierd too!
|
|
|
|
end with chorus....
|
|
|
|
words copyright Jane Rogge Fredericksen, 1990
|
|
|
|
This makes a good singalong. If you are one of the variant bunches that
|
|
sings Wild Rover with four sharp claps after the first line of the chorus, you
|
|
may choose to add the (traditional Minnesota Renaissance Festival) phrase
|
|
"Right up your kilt!" in place of the clapping, varying it with "We want a
|
|
raise!" if the song is being sung ON site.
|
|
|
|
*****
|
|
|
|
SUPER-FRAGILE...
|
|
words by Susie Lee
|
|
tune: "Supercalifragilisticexpialadocious" from the movie, "Mary
|
|
Poppins"
|
|
|
|
Super-fragile-calculistic-extra-expeditious!
|
|
It's the science of which (has to have been)
|
|
quite fictitious
|
|
If you write a tome of this
|
|
you might be held suspicious!
|
|
Super-fragile-calculistic-extra-expiditious!
|
|
don't power it with D.C. comics,
|
|
only A.C. Clarke..
|
|
and dashes of some Bradbury and Simak
|
|
(for a lark!)
|
|
you pour it down an Aldiss-ian abyss just for me,
|
|
while I go into retrogression, jabb'ring in my tree!
|
|
(OH! lum di-deedle-eedle, lum deedle,la!)
|
|
((do that again if you really want TA!))
|
|
Super-fragile-calculistic-extra-expiditious!
|
|
this described a fellow who
|
|
a lady thought delicious
|
|
but then after she ate him,she
|
|
was sick into her dishes!
|
|
Super-fragile-calculistic-extra-expiditious!
|
|
|
|
Now Stephen King and Edward Bloch, they
|
|
might have been amused.
|
|
For Bram Stoker and Annie Rice
|
|
our lady had perused,
|
|
SO never did she cook her meat
|
|
but ate him fully raw,
|
|
and by the time she had got sick
|
|
she'd made it to his ____ (Awww!)
|
|
(Oh, lum di, deedle-eedle, lum deedle,la!)
|
|
((take it from here if ya want any maw!))
|
|
(((Oh, wellll)))...Super-fragile-calculistic's really a
|
|
comp-u-ter
|
|
And when it gets too fractious we would really like to
|
|
shoot 'er.
|
|
But it would cost us much too much to get ourselves a-noth-er
|
|
So whenever we're mad at it, we just call it "..a mother!"
|
|
|
|
Now Super-fisted calisthenic
|
|
is a swartzennegger,
|
|
and super-ma-te-ri-a-lis-tics,
|
|
of their husbands, beggar
|
|
but super stainless-steel-rats,
|
|
they'll never worry 'bout it
|
|
cause whether there's a law or not,
|
|
they'll all be sure to flout it!
|
|
|
|
words copyright Susie Lee, 1990
|
|
|
|
*****
|
|
|
|
SWINGING ON STARS
|
|
words by Beth Friedman, Sharon Kahn, Elise Krueger and Cally
|
|
Soukup
|
|
|
|
Chorus: Would you like to swing on a star,
|
|
Carry moonbeams home in a jar,
|
|
And be better off than you are,
|
|
Or would you rather be a ...
|
|
|
|
... Fan?
|
|
|
|
A Fan in an animal with books in its lair,
|
|
It won't wash its face or comb its hair.
|
|
It knows every story Heinlein ever wrote,
|
|
From his laundry lists to his grocery notes,
|
|
So if you think that you really are a slan
|
|
Then you are probably a Fan.
|
|
|
|
CHORUS: ...Pro?
|
|
|
|
A Pro is an animal who likes to tell tales
|
|
About his advances and his sales.
|
|
He goes to conventions like the others do,
|
|
And every now and then he writes a book or two.
|
|
So if you think you can do without the dough,
|
|
You could grow up to be a Pro.
|
|
|
|
CHORUS: ...Agent?
|
|
|
|
An Agent is an animal who gets ten percent,
|
|
Barely enough to pay the rent.
|
|
She'll hold your hand in all those contract fights,
|
|
Then lose your residuals and foreign rights.
|
|
So if you think you've got the stamina to shlep
|
|
You could become an author's rep.
|
|
|
|
CHORUS: ...Editor?
|
|
|
|
An Editor is an animal who feeds on your prose,
|
|
Anything you like, she says, "It goes."
|
|
She cuts four chapters as a last resort,
|
|
And then gets angry 'cause the book's too short.
|
|
So if you like making others' stories beditor
|
|
You could grow up to be an Editor.
|
|
|
|
CHORUS: ...Artist?
|
|
|
|
An Artist is an animal who won't read the book,
|
|
But knows just exactly how it looks!
|
|
He draws the cutest unicorns you ever saw,
|
|
And puts your hero in a chainmail bra.
|
|
So if you're one of those disgusting dragon lovers
|
|
You could grow up to do the covers.
|
|
|
|
|
|
|
|
CHORUS: ...Critic?
|
|
|
|
A Critic is an animal.
|
|
|
|
CHORUS: Reader?
|
|
|
|
A Reader is an animal who isn't a Fan,
|
|
But reads all the Skiffy that he can.
|
|
He buys his books from the major chains,
|
|
And reads L. Ron Hubbard 'til it rots his brains.
|
|
So if you're just an esthetic bottom-feeder
|
|
You might grow up to be a Reader.
|
|
|
|
CHORUS: So would you like to swing on a star,
|
|
Carry moonbeams home in a jar,
|
|
And be better off than you are?
|
|
You could be swinging on a star!
|
|
|
|
words copyright Beth Friedman, Sharon Kahn, Elise Krueger and
|
|
Cally Soukup, 1990
|
|
|
|
A New Chorus
|
|
words by David Emerson
|
|
|
|
So to heck with dragons and elves
|
|
All the fiction's not on the shelves
|
|
You can make life up for yourselves
|
|
You could be better than you are
|
|
You could be swingin' on a star!
|
|
|
|
words copyright David Emerson, 1990
|
|
|
|
And More Verses
|
|
words by Elise Krueger
|
|
|
|
A zinefan is an animal who's crazy for zines
|
|
And antiquated mimeo machines
|
|
She still does ditto, and you needn't laugh:
|
|
Her last perzine was on a hectograph!
|
|
And so if zinefandom's really what you wish,
|
|
I guess you'd better pub your ish!
|
|
|
|
A drobe is an animal who isn't afraid
|
|
To show us the stuff of which she's* made
|
|
She's got a costume that's unique and new:
|
|
Three large sequins and some Elmer's glue....
|
|
So if you like going out without a robe
|
|
You might grow up to be a drobe!
|
|
|
|
words copyright Elise Krueger, 1990
|
|
|
|
*two notes are in order here. First, I don't intend to offend
|
|
anyone. Certainly I don't intend to offend costume fans; I re-
|
|
vived the Masquerade at Minicon in the face of much opposition,
|
|
and have worked hard to allow costume fans the opportunity to
|
|
display and enjoy their craft. The song is designed to lovingly
|
|
insult everyone; if your group is left out, we can fix that!
|
|
Second, I'm looking for a masculine gender verse variant here.
|
|
Any ideas? I like to be able to sing both.
|
|
|
|
****
|
|
|
|
THE MAVEN
|
|
by Charlie Kellner
|
|
|
|
Once upon a weekend weary, while I pondered, beat and bleary,
|
|
|
|
Over many a faintly printed hexadecimal dump of core -
|
|
While I nodded, nearly napping, suddenly there came a tapping,
|
|
As of some Source user chatting, chatting of some Mavenlore.
|
|
"Just a power glitch," I muttered, "printing out an underscore -
|
|
Just a glitch and nothing more."
|
|
|
|
Ah, distinctly I remember that old Teletype ASR,
|
|
And the paper tape dispenser left its chad upon the floor.
|
|
Eagerly I thought, "Tomorrow, maybe I will go and borrow
|
|
From my friend an Apple micro - micro with a monitor -
|
|
So that I can chat at leisure, and then throw away my paper -
|
|
Lying all across the floor."
|
|
|
|
And the repetitious tapping which had nearly caught me napping
|
|
Woke me - and convinced me that it could not be an underscore;
|
|
Appearances can be deceiving, so I sat there, still believing:
|
|
"My terminal must be receiving more express mail from the Source
|
|
-
|
|
That's it - my terminal's receiving new express mail from the
|
|
Source;
|
|
Posted mail and nothing more."
|
|
|
|
But my curiosity grew stronger; hesitating then no longer,
|
|
I stood up and crossed the room to see what waited there in
|
|
store.
|
|
Sticking from the terminal were three inches or so of paper;
|
|
Carefully my trembling hand tore off the scrap, and then I swore
|
|
-
|
|
"What is this?" I cried in anger - here I threw it to the floor;
|
|
Blankness there and nothing more.
|
|
|
|
Deep into its workings peering, long I stood there wondering,
|
|
fearing,
|
|
What could cause the thing to stutter, dropping twenty lines or
|
|
more?
|
|
But the ribbon was unbroken, and the "HERE IS" gave no token,
|
|
I thought the Teletype was broken, so I typed the number "4"!
|
|
This I typed, and then the modem echoed back the number "4" -
|
|
Merely this and nothing more.
|
|
|
|
Back then to my work returning, with my temper slowly burning,
|
|
Soon again I heard a tapping something louder than before.
|
|
"Surely," said I, "surely that is just another RESET message;
|
|
With my luck, there's probably expensive data to restore!" -
|
|
As it chattered, still I sat there, trying to complete my chore.
|
|
"'Tis the Source and nothing
|
|
more."
|
|
|
|
Such a simple program, really - just to fill one K of memory
|
|
With the Fibonacci series, but when it reached 144,
|
|
It had failed to set the high bit - Suddenly I thought I had it!
|
|
But just as I found the bug, my train of thought derailed once
|
|
more
|
|
As the Teletype's loud bell rang, then it sat just like before -
|
|
Rang, and sat, and nothing more.
|
|
|
|
Suddenly I couldn't stand it - Just as if someone had planned it,
|
|
Now the paper, like a bandit, rolled its way across the floor!
|
|
As I put it back, I spied two words: "CHAT TCX122" -
|
|
Which I knew must be the Maven, chatting from the Eastern shore.
|
|
Presently the terminal received and printed one word more -
|
|
Quoth the Maven, "#4?"
|
|
|
|
Such a message I was having difficulty understanding,
|
|
For his letters little meaning - little relevancy bore;
|
|
Though I must admit believing that no living human being
|
|
|
|
Ever could remember seeing evidence of Mavenlore -
|
|
Tell me now, what kind of Maven of the saintly days of yore
|
|
Could have written "#4?"
|
|
|
|
But the Maven, waiting for me to reply, transmitted only
|
|
That one word, as if his soul in that one word he did outpour.
|
|
Nothing farther then he ventured; silently the Teletype purred -
|
|
Till I scarcely more than murmured: "Stars and garters, what a
|
|
bore!"
|
|
Whereupon the terminal abruptly started with a roar;
|
|
Then it typed out "#4?!"
|
|
|
|
Startled at the stillness broken by reply so tersely spoken,
|
|
"Doubtless," said I, "what we have here could not be a line
|
|
error.
|
|
Failure to communicate, perhaps - it's late and getting later -
|
|
But I've never seen a greater unsolved mystery to explore."
|
|
Then I knew I'd never rest until I solved his semaphore...
|
|
"Who am I, the Prisoner?"
|
|
|
|
But the Maven didn't answer; no more data did he transfer,
|
|
So I wheeled my Herman Miller office chairair across the floor;
|
|
Then, upon the plastic sinking, I betook myself to linking
|
|
Logic unto logic, thinking what this ominous bard of yore -
|
|
What this unknown, unseen, unsung, unrepentant bard of yore
|
|
Meant in typing "#4?!"
|
|
|
|
This I sat engaged in guessing, but no syllable expressing
|
|
To the dour and cryptic Maven now whose words I puzzled o'er;
|
|
This and more I sat divining, with my head at ease reclining
|
|
On the seat back's plastic lining that the lamp light flouresced
|
|
o'er,
|
|
But whose flattened plastic lining with the lamp flourescing o'er
|
|
Shall compress, ah, little more!
|
|
|
|
All at once my thoughts grew clearer - as if looking in a mirror,
|
|
Now at last I understood where I had sent the number 4!
|
|
"Look," I typed, "I was just testing - did you think that I was
|
|
jesting?
|
|
Why was it so interesting that I typed the number 4?
|
|
Did you think that you were chatting with some foolish
|
|
sophomore?"
|
|
Quoth the Maven, "...#4?"
|
|
|
|
"Maven!" said I, "Great defender! Venerable comprehender!
|
|
Whether you began this chat, or were a victim of error,
|
|
Mystified, and yet undaunted, by this quandary confronted -"
|
|
(Could my terminal be haunted?) "Tell me truly, I implore -
|
|
Can you understand my message? - tell me, tell me, I implore!"
|
|
Quoth the Maven, "#4!"
|
|
|
|
"Maven!" said I, "Great pretender! Ancient Jewish moneylender!
|
|
By the Source that now connects us - by the holy Oath you swore -
|
|
Tell me in your obscure wisdom if, within your distant modem,
|
|
You receive my words unbroken by backspace or underscore -
|
|
Tell me why my Teletype prints nothing but the number 4!"
|
|
Quoth the Maven, "#4?"
|
|
|
|
"Be that word our sign of parting, bard or fiend!" I typed,
|
|
upstarting
|
|
"Get back to your aimless chatter and obnoxious Mavenlore!
|
|
Leave no token of your intent - send no message that you repent!
|
|
Leave my terminal quiescent! Quit the chat hereinbefore!
|
|
Type control-P (or escape), and quit this chat forevermore!"
|
|
Quote the Maven, "#4..."
|
|
|
|
And the Maven, notwithstanding, still is chatting, still is
|
|
chatting
|
|
Over my misunderstanding of his cryptic "#4?";
|
|
And I calmly pull the cover and remove a certain lever
|
|
From the 33ASR, which I never shall restore;
|
|
And a certain ASCII number that lies broken on the floor
|
|
Shall be printed - nevermore!
|
|
|
|
|
|
(with a nod and a smile to Edgar Allan Poe)
|
|
copyright Charlie Kellner, 1990
|
|
|
|
*****
|
|
|
|
THE NEW WAVE
|
|
by Charlie Kellner
|
|
|
|
The guru sits
|
|
high atop a hill
|
|
and says to the world
|
|
"Here comes the new wave!"
|
|
The businessman sits
|
|
sipping his martini
|
|
contemplating stock futures
|
|
and beach front property
|
|
The old-timer sits
|
|
secure in his mansion
|
|
and refuses to move
|
|
And here we are
|
|
in our outrageous T-shirts
|
|
and sandals
|
|
surfing
|
|
|
|
copyright Charlie Kellner, 1990
|
|
|
|
*****
|
|
|
|
THE PHOENIX CYCLE
|
|
by Charlie Kellner
|
|
|
|
Born of light in a darker age
|
|
When men howled at the moon in fear
|
|
Nourished by a spark of hope
|
|
In the ashes of despair
|
|
|
|
You awoke as the sun's last ray
|
|
Shattered the egg that protected you
|
|
Rising high on a plume of smoke
|
|
You spread your wings and flew
|
|
|
|
Fly, Phoenix!
|
|
Into the dark of night
|
|
The world has need of your magic
|
|
Wonderful and bright
|
|
|
|
----
|
|
|
|
As you grew in your power
|
|
Took to the sky like a shooting star
|
|
You lighted the path men walked on
|
|
They saw the glow from afar
|
|
|
|
Then they looked up in wonder
|
|
Fear of the night for a moment gone
|
|
They thought you might be a dragon
|
|
Until they heard your song
|
|
|
|
Fly, Phoenix!
|
|
Borne on the winds of change
|
|
The world has need of your magic
|
|
Wonderful and strange
|
|
|
|
----
|
|
|
|
As the dawning sun rose high
|
|
You sang with a passion they never knew
|
|
The light that had been gone for so long
|
|
Cast its love on you
|
|
|
|
Rising into the clear blue sky
|
|
Seeking the light that gave you birth
|
|
You touched the fire of the heavens
|
|
And brought it back to Earth
|
|
|
|
Fly, Phoenix!
|
|
Where no one else would dare
|
|
The world has need of your magic
|
|
Wonderful and rare
|
|
|
|
----
|
|
|
|
Men didn't know what you gave them
|
|
Some day you knew they would use it well
|
|
And tales would be told of the fire bird
|
|
That touched the sky and fell
|
|
|
|
With the last rays of evening
|
|
You knew that your work on Earth was done
|
|
You followed those last rays skyward
|
|
To the greater light beyond
|
|
|
|
Fly, Phoenix!
|
|
Into the endless night
|
|
All worlds have need of your magic
|
|
Beautiful and bright
|
|
|
|
copyright Charlie Kellner, June 6 1990
|
|
|
|
*****
|
|
|
|
THE WAYWARD WORD
|
|
by Charlie Kellner
|
|
(tune: "The Way We Were")
|
|
|
|
Memories... in the Lo-res screen I find
|
|
Missing 16-color memories of the wayward word
|
|
Scattered pixels of the files we left behind
|
|
Files we saved with Apple Writer of the wayward word
|
|
Could it be that it was all in ASCII then
|
|
Or has DOS rewritten every line?
|
|
If we had the file to edit all again
|
|
Tell me - would we... could we?
|
|
Memories... can be powered up and yet
|
|
What's refreshing to remember, they simply lose, then forget
|
|
So it's the hardware we'll try to repair
|
|
Whenever we encounter the wayward word
|
|
The wayward word
|
|
|
|
(apologies to Barbra Streisand and Marvin Hammlisch)
|
|
|
|
words copyright Charlie Kellner, Oct 1981
|
|
|
|
*****
|
|
|
|
WELL, ALMOST NO ROOM...
|
|
verses by Kay Shapero
|
|
choruses by Lee Gold
|
|
(tune: either "Temperance Union" or "Banks of Sicily")
|
|
|
|
Dad cycled the airlock, and Mom pulled it to,
|
|
Then looked at her hand which was covered with goo.
|
|
So that's where my chewing gum disappeared to!
|
|
We're off to the Moon for the weekend.
|
|
|
|
While making a sandwich my brother has found
|
|
That untethered honey jars wander around.
|
|
The galley is now a nice warm sticky brown...
|
|
We're off to the Moon for the weekend.
|
|
|
|
My sister revised the computer and we
|
|
Do not seem to be where they want us to be.
|
|
Two shuttles just missed us. Whoops, no make that three!
|
|
We're off to the Moon for the weekend.
|
|
|
|
To add to the noise, Baby's started to cry.
|
|
I don't like the look Mommy has in her eye.
|
|
And Daddy is swearing that next time they'll buy
|
|
A Spaceship with No Room for Children!
|
|
|
|
Choruses:
|
|
for "Banks of Sicily"
|
|
|
|
So fare you well, green grass and gravity,
|
|
We won't be back til Sunday night.
|
|
We left kitty home, 'cause there's no room to swing her
|
|
We're off to the Moon for the weekend.
|
|
|
|
for "Temperance Union"
|
|
|
|
Hurray, hurray for Zero-G
|
|
For Zero-G, for Zero-G
|
|
Hurray, hurray for Zero-G
|
|
We're off to the Moon for the weekend!
|
|
|
|
Verse copyright Kay Shapero, 1987
|
|
Choruses copyright Lee Gold, 1987
|
|
|
|
This was sort of as a comment on "A Spaceship Has No Room for
|
|
Children", originally intended to be to the same tune, but it was
|
|
SO ose I couldn't stand to listen to it often enough to learn
|
|
same...
|
|
|
|
I usually sing this to a modified version of Banks of Sicily.
|
|
|
|
------end of file----------
|
|
|
|
End of list.
|
|
|
|
<B>rowse, <R>epeat, or <Q>uit?
|
|
PLANETFALL
|
|
|
|
(Song lyric, copyright David Van Allen)
|
|
|
|
|
|
Accelerate to escape velocity
|
|
Break loose the chains of gravity
|
|
Bisecting the orbit of Mars
|
|
On through into the realm of the stars
|
|
Seeking a suitable system
|
|
A place to colonize
|
|
A habitable world with perhaps two moons in its skies
|
|
The crew is FROZEN
|
|
I am ALONE
|
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Guiding the ship to our new home
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There to release them from the cold
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They will be YOUNG
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I will be OLD
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I've had a vision
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I've seen it all
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I'll be a Hero
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Come PLANETFALL
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Erect a statue
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Engrave MY name
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With a map to show how far we came
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I'll be RESPECTED
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I'll be REVERED
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By every interstellar pioneer
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Answering children's questions with the wisdom of a sage
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I'll be a living legend with no friends of my own age
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I will accept this
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I won't get weird
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'Cause after all
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I VOLUNTEERED
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I've had a vision
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I've seen it all
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I'll be a HERO
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Come PLANETFALL
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There's more stuff I've written in a similar vein, ie. adapting
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classic science fiction themes to rock 'n' roll contexts,
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popculture feeding on itself. e-mail at D.VANALLEN2.
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*S
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Download complete. Turn off Capture File.
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<B>rowse, <R>epeat, or <Q>uit? |