655 lines
23 KiB
Plaintext
655 lines
23 KiB
Plaintext
|
||
FFFFF I L K K fffff i l eeeee
|
||
F I L K K f i l e
|
||
FFFF I L KK ffff i l eeee
|
||
F I L K K f i l e
|
||
F I LLLLLL K K f i llllll eeeee
|
||
|
||
FIVE
|
||
----------------------------------------------------------------
|
||
The fifth compilation of filksongs collected from the FILK Echo
|
||
and provided for download via the auspices of Kay Shapero, moder-
|
||
ator of same. Publication date, September 1990. All copyrights
|
||
belong to the writers.
|
||
|
||
FILKfile appears at irregular intervals of a month or more,
|
||
depending on how many songs appear on the echo.
|
||
----------------------------------------------------------------
|
||
AND HERE'S ANOTHER ASCII ANNOTATION SCHEME, a bit more visual
|
||
than mine, but also bulkier. (For mine, see FILKfile 4)
|
||
|
||
===
|
||
|
||
ASCII MUSICAL NOTATION
|
||
developed by Leigh Ann Hussey
|
||
with help from Shadowthought and Josh Gordon
|
||
|
||
Each line of the music consists of 4 lines of music. The time
|
||
signature(s), the lines between bars, and each note take up one
|
||
column, with modifiers such as sharps, flats, and dots extending
|
||
a note up to three columns. The time signature is written at the
|
||
beginning in the obvious way. Three vertical bars (lines 2 to 4)
|
||
mark the divisions between measures. Lines 1 to 3 indicate note
|
||
durations, as follows:
|
||
|
||
1/16 1/8 1/4 1/2 dotted-1/2 1/8 1/4
|
||
note note note note note rest rest
|
||
= _
|
||
| | | | | ' %
|
||
| | | o o.
|
||
|
||
Line 4 indicates the pitch. The numbers 1 to 8 mark the octave
|
||
including middle C (A through F); 1' to 8', one octave above
|
||
middle C; 1" to 8", two octaves above middle C; '1 to '8, the
|
||
octave below middle C. A number followed by a # is a sharp; a
|
||
number followed by a lower-case b is a flat; a number followed by
|
||
a = is natural. Underscores connecting a note to the next note
|
||
indicate a slur. Consider the following examples:
|
||
|
||
HOOF AND HORN
|
||
|
||
|
|
||
4 | | | | | | |
|
||
- | | o | | | o
|
||
4 1 7b 1 | 1 7b 1
|
||
Hoof and horn, hoof and horn,
|
||
Corn and grain, corn and grain
|
||
|
||
| | ||
|
||
| | | | | | | | | ||
|
||
| | | | | | | | o ||
|
||
| 1 3b 2 7b | 7b 2 1 ||
|
||
All that dies shall be re-born.
|
||
, All that falls shall rise a- gain.
|
||
|
||
GOD/GODDESS CHANTS
|
||
|
||
____ | _____ | | _____ _____
|
||
| | | | | | | | | | | | | | |
|
||
| | | | | | | | | | | | | | |
|
||
1 1 1 | 1 1 1 |'7 '7 | 1 1 1 1
|
||
I-sis,A- star-te, Di- a- na, He- ca-te, De-
|
||
O-din,Cer-nun- nos, Merd-dyn,Man-na-nan,He-
|
||
|
||
| | | _ | ||
|
||
| | | | | | | ' | | | | ||
|
||
| | | | | | | | | | o ||
|
||
| 1 1 | 1 1 | '7 '7 | 1 ||
|
||
- me-ter,Ka- li, In-na- na.
|
||
- li-os, Shi-va, Horned One.
|
||
|
||
(excuse the folding - I want to keep this to 60 characters
|
||
across. Feel free to unfold when processing this file!)
|
||
|
||
****
|
||
|
||
BORED OF THE DANCE
|
||
-The Kipper Family
|
||
recorded on "The Kipper Family-Fresh Yesterday"
|
||
|
||
(Written by George Kipper, who is Mr. Kipper's uncle, as
|
||
far as we know......)
|
||
|
||
As I walked down to the village hall
|
||
I met Charlie leanin' on the wall
|
||
"Why are you standin' out here, Char-lee?"
|
||
"Cause I am bored of the dance!" said he!
|
||
|
||
CHORUS: Dance! Dance! What -ever- do they see?
|
||
In prancin' round all the time, said he
|
||
I'll leave them all to do it without me
|
||
For I am bored of the dance, said he!
|
||
|
||
I come to the dance with my girl, he said
|
||
I told her that I'd rather go to bed,
|
||
Oh yes I'm sure you would, said she,
|
||
But first you'll come and dance with me!
|
||
|
||
She said, You'll come and dance right now!
|
||
But I weren't list'nin' when the caller told us how
|
||
They "cast left," but "right" I went
|
||
They danced on, but I ended in the "Gents'!"
|
||
|
||
I drank with the Morris-men, James and John,
|
||
They drank with me as the dance went on,
|
||
We drank and we drank till it all went black.
|
||
It's hard to dance when you're lyin' on your back!
|
||
|
||
Oh, how she danced on the night they were wed
|
||
She danced, he drank, and then they went to bed
|
||
There's no more story to be told
|
||
She was too hot, and he was out cold!
|
||
|
||
(uploaded by Joe Bethancourt. Copyright? Who knows!)
|
||
|
||
|
||
****
|
||
|
||
DECHANCIE KIDNAPPED
|
||
words by Kay Shapero
|
||
tune: Swing Low Sweet Chariot
|
||
|
||
Go 'way, blue turtleoid
|
||
comin' for to carry me off
|
||
Go 'way, blue turtleoid
|
||
comin' for to carry me off.
|
||
|
||
I checked over echoes of S and F ilk
|
||
(comin' for to carry me off)
|
||
And there I saw a scary one called FILK
|
||
(comin' for to carry me off)
|
||
|
||
Go 'way, blue turtleoid
|
||
comin' for to carry me off
|
||
Go 'way, blue turtleoid
|
||
comin' for to carry me off.
|
||
|
||
The songs they are singing don't give me a fright
|
||
(comin' for to carry me off)
|
||
Its just that I need to have SOME time to write!
|
||
(comin' for to carry me off)
|
||
|
||
Go 'way, blue turtl... HELP!........(trailing off into the
|
||
distance. There is the sound of clomping feet...)
|
||
|
||
****
|
||
|
||
DETERIORATA PT. 2
|
||
(The Dark Horde version!)
|
||
|
||
Go nastily amid the Peace and Tranquility, and remember what
|
||
satisfaction there may be in Genocide. As far as possible, with-
|
||
out surrender, move into other people's space. Lie often, and
|
||
loudly, and listen to the lies of others, even the slow and
|
||
incompetent - examples can be made of them later. * Seek out meek
|
||
and inoffensive persons: they are annoying, but fun to kill. Do
|
||
not bother comparing yourself to others: Those greater than you
|
||
will eventually be eliminated, and those lesser then you are dead
|
||
already. Fart in Grand Processionals. * Keep your swords and
|
||
knives sharp, for all around you are cha'gua, and looking for an
|
||
excuse to kill you. * Rape first, then pillage, and then burn. *
|
||
Exercize caution around Vikings and Celts. They are crazier than
|
||
we are: a Celtic Mongol is an awesome thing indeed. Make him or
|
||
her your Friend. * But let Life not blind you to the happier
|
||
side of things: many Hats are swaggering, tinplated dictators
|
||
with delusions of adequacy, and everywhere Life is full of Incom-
|
||
petence. Advance yourself. Especially do not feign meanness,
|
||
neither be cynical about Hate: you are not likely to run out of
|
||
either. * Take kindly the counsel of the years, gracefully
|
||
surrendering the joys of defenestration and evisceration for more
|
||
mature pleasures. Nurture a deep-seated suspicion of chag'ua
|
||
women with big boobs: you never can tell. File your teeth regu-
|
||
larly. Discipline is important: practice holding it in between
|
||
events. * You are a Scourge of the World, no less than Atilla or
|
||
the Great Ghengis Himself: you have a right to be here. And
|
||
whether or not it is clear to you, no doubt the Known Worlde is
|
||
going to pieces in a most laudable manner. * Therefore, do your
|
||
utmost to annoy the Powers-that Be,however you may conceive of
|
||
Them: BoD, King, or the People's Will; and,whatever your plans of
|
||
conquest, as you wade thru the morasses of Peace with fire and
|
||
sword, annoy your Soul. * With all it's Truth, High Resolve, and
|
||
Courage, the Known World still has it's Ugly Spots and Fubba-
|
||
Wubbas. Be thoughtless. Strive to be miserable.
|
||
|
||
-found carved into the back of a MidRealm fighter at Pennsic,
|
||
AS 23. No damn Copyright. Post no Bills. This means YOU!
|
||
Courtesy of Ardjukk Afraid-of-His-Cats and the Western Irgun
|
||
of the Great Dark Horde.
|
||
|
||
****
|
||
|
||
(WARNING! Bawdy alert!)
|
||
LONDON DERRIERE
|
||
-W.J. Bethancourt III
|
||
(c) copyright 1990 W.J.Bethancourt III
|
||
|
||
I watch you walk upon the streets of London
|
||
Your mini-skirt stretched tight, and looking sweet
|
||
I watch you walk, and walk into a lampost
|
||
I didn't see, upon the London street.
|
||
So turn your back, and wiggle softly from me!
|
||
With mini-skirt, (perhaps, no underwear!)
|
||
Your legs are great! But, by the Gods above me!
|
||
I watch your wondrous London derriere!
|
||
|
||
The Paris girls are wonders full of beauty,
|
||
And California grows the Long-stemmed L.A. rose,
|
||
Berlin nights are full of life, and lovely,
|
||
But London girls don't wear no panty-hose!
|
||
So turn your back, and wiggle softly from me!
|
||
And let me watch, and dream a dream so rare:
|
||
In my hotel, you naked there above me
|
||
Sit on my face with your London derriere!
|
||
|
||
****
|
||
|
||
MORE REAL OLD TIME RELIGION VERSES
|
||
|
||
I was singing Hari Rama
|
||
With my friend the Dalai Lama
|
||
'Til they dumped us in the slammer
|
||
But that's good enough for me
|
||
|
||
One-eyed Odin we will follow
|
||
And in fighting we will wallow
|
||
Till we wind up in Valhallow
|
||
Which is good enough for me!
|
||
|
||
Hare Krishna gets a laugh on
|
||
When he sees me dressed in saffron
|
||
With my hair that's only half on
|
||
But that's good enough for me!
|
||
|
||
We will pray with those Egyptians
|
||
Build pyramids to put our crypts in
|
||
Cover subways with inscriptions,
|
||
which is good enough for me.....!
|
||
|
||
We will pray to Zarathustra
|
||
And we'll pray just like we usta
|
||
I'm a Zarathustra boosta!
|
||
And that's good enough for me!
|
||
|
||
I'll arise at early mornin'
|
||
When the Sun gives me the warnin'
|
||
That the Solar Age is dawnin'
|
||
And that's good enough for me!
|
||
|
||
We will venerate Bubastis
|
||
'Cause my cat walked up and ast us
|
||
(Now the cat box is DISASTROUS!)
|
||
But it's good enough for me!
|
||
|
||
Call Him God, or call him Allah
|
||
The priest will take your dollah
|
||
Easy living from -your- follah-
|
||
-wers, but sorry, -not- from me!
|
||
|
||
I'll sing some songs to Lilith,
|
||
Not so young, and not so girlish,
|
||
and She's always PMS-ish,
|
||
but She's good enough for me!
|
||
|
||
And what about this Baccus,
|
||
Who lives just to raise a ruckus?
|
||
Loosens women so they'll **** us,
|
||
Well, that's good enough for me!
|
||
|
||
Now Danae was sweet as flowers,
|
||
She was into golden showers;
|
||
And that showed her Zeus' power
|
||
And that's good enough for me!
|
||
|
||
Lilith wears a lacy nightie
|
||
And She is a little flighty
|
||
She will get you all excite-y
|
||
She's wet-dream enough for me!
|
||
|
||
Diana is a little spikey
|
||
And she is a little dyke-ey
|
||
You don't have to be a Psych-e
|
||
To know that's right for me!
|
||
|
||
It's the opera written for us
|
||
We will all join in the chorus
|
||
It's the opera about Boris
|
||
Which is Godunov for me!
|
||
|
||
More verses are always welcome to this collection. Send them to:
|
||
|
||
Joe Bethancourt
|
||
PO Box 35190
|
||
Phoenix AZ 85069
|
||
|
||
FIDO Net: 1:114/29 (602) 439-8070
|
||
Internet: Joe.Bethancourt@f29.n114.z1.fidonet.org
|
||
|
||
****
|
||
|
||
TEST MESSAGE
|
||
Words by Kay Shapero
|
||
(tune: The Ways of Man)
|
||
|
||
This is a test the sysop said
|
||
Please tell me was this message read
|
||
I'm checking how the echo's fed
|
||
For I do want to receive it...
|
||
|
||
Oh the bits, oh the bytes
|
||
As the boards swap data, nights
|
||
The echoes promise great delights
|
||
And I've sworn that I will read them....
|
||
|
||
****
|
||
|
||
THE CHIVALRY WENT FOR PIZZA
|
||
-Cerian Cantwr
|
||
|
||
CHORUS: And the chivalry went for pizza,
|
||
They would not be denied.
|
||
Yes, the chivalry went for pizza,
|
||
With those pies they'd be supplied.
|
||
The chivalry went for pizza,
|
||
And they did cause quite a fuss,
|
||
But the chivalry got the pizza,
|
||
And they brought it back to us.
|
||
|
||
It was Sunday after Pennsic
|
||
The war was at an end.
|
||
We got to feeling hungry
|
||
For the mundane world again.
|
||
We thought to order pizza,
|
||
And thus we sealed our fate.
|
||
For the pizza man, he told us,
|
||
We would have two hours' wait.
|
||
|
||
Two hours came and went,
|
||
But no pizza did appear.
|
||
That's when we got to wondering
|
||
Just what did go on here.
|
||
A phone call to the restaurant
|
||
Assured us all was well,
|
||
But 'twould be another half hour
|
||
Ere the pizza we would smell.
|
||
|
||
The time it did pass slowly,
|
||
Irritation, it did grow.
|
||
Our stomachs fell to grumbling,
|
||
For our dinner did not show.
|
||
When the time had all expired,
|
||
Our thoughts, they did grow ill.
|
||
Especially when we heard
|
||
Another thirty minutes still.
|
||
|
||
The time dragged on and on and on
|
||
And still no pizza showed.
|
||
I tell to you most heartily,
|
||
We were getting quite POed.
|
||
A last call to the restaurant
|
||
Said, pizza on your plate?
|
||
Take it easy, there's no problem,
|
||
Just another hour's wait.
|
||
|
||
Well folks, that finally did it,
|
||
The knights stood up to a man.
|
||
They decided to go into town
|
||
Their weapons well in hand.
|
||
The pizza shop they'd ransack,
|
||
And the blood would freely flow.
|
||
Well they retrieved our dinner,
|
||
But just how, I do not know.
|
||
|
||
Now gentles listen closely,
|
||
And I shall tell you right.
|
||
If Pennsic Sunday you want pizza,
|
||
You will have a hungry knight.
|
||
The war, it may be over,
|
||
But you should not forget,
|
||
If you go and order pizza,
|
||
You'll have one more battle yet.
|
||
|
||
(c) copyright Charles Grab 1990
|
||
|
||
****
|
||
|
||
THE SEVEN DEADLY SINS
|
||
-The Kipper Family
|
||
|
||
Well, as I come home on Monday night
|
||
I'd had nothin' at all t'drink
|
||
I saw a horse behind the door....
|
||
Well, that made me stop and think!
|
||
A coat, some boots, a pipe I spied,
|
||
And then upstairs I ran.
|
||
And there in bed, beside my wife,
|
||
Was a great big hairy man!
|
||
Oh you come bargin' in, she cried,
|
||
You've put him off his thrust,
|
||
For me and the village smith, she cried,
|
||
are practicin' our Lust!
|
||
|
||
CHORUS: As I come home each night
|
||
Me troubles all begin
|
||
For there's the Missus practicin'
|
||
The Seven Deadly Sins!
|
||
|
||
Well, as I came home on Tuesday night
|
||
As sober as a Judge
|
||
I saw no tea upon my plate
|
||
Where my old tea should lodge
|
||
So I called my wife and I said to her
|
||
Well, here's a rum old do!
|
||
I got no tea upon my plate
|
||
Is it somethin' to do with you?
|
||
Well, sin of sin of sins, she said
|
||
There's nothin' for your tea
|
||
For I have been a-practicin'
|
||
The Sin of Gluttony!
|
||
|
||
Well, as I come home on Wednesday night
|
||
As dry as any old bone
|
||
I saw the cat upon the stairs
|
||
Where that should not have gone
|
||
So I called my wife and I said to her
|
||
Well, what's all this here, then?
|
||
Why is the cat all on the stairs
|
||
Where that should never have been?
|
||
I'm upstairs practicin' Pride, she said
|
||
In my best Sunday hat
|
||
Pride comes before a fall, says I,
|
||
Then I fell over the cat!
|
||
|
||
Well, as I come home on Thursday night
|
||
Me tongue all hangin' out
|
||
I saw no books upon the shelf;
|
||
They was all strewed about.
|
||
So I called my wife and I says to her
|
||
Don't tell me, let me guess:
|
||
You've found another Deadly Sin
|
||
That's called Untidyness!
|
||
She said I'm a-tryin' to find out
|
||
What Covetousness means
|
||
I wish we owned that Diction'ry
|
||
We saw round at the Dean's!
|
||
|
||
Well, as I come home on Friday night
|
||
A-gaspin' for a wet
|
||
I saw no spouse upon the chair
|
||
Where my ol' spouse do set
|
||
So I called my wife and I says to her
|
||
Well, what's a-goin' on?
|
||
I left my spouse upon this chair
|
||
Wherever has she gone?
|
||
Look up! Look up! You silly old fool!
|
||
I'm hangin' from the light
|
||
For I am practicin' Sloth, she said,
|
||
And I'll be here half the night!
|
||
|
||
Copyright Joe Bethancourt, I think... Joe? Did you do this?
|
||
|
||
****
|
||
|
||
TOO LATE TO PRAY
|
||
-Traditional
|
||
|
||
Oh, things are gettin better so the politicians say
|
||
Oh sure they're gettin better as they take our money away!
|
||
Oh they tax us here and they tax us there, then they call for tax
|
||
relief
|
||
We send a bum to prison and elect ourselves a thief
|
||
|
||
Too late to pray when the devil comes
|
||
Too late once you're there
|
||
Say buddy I think I see some horns
|
||
Comin up thru your hair!
|
||
|
||
Now the country runs on gasoline, its' veins are filled with oil
|
||
But the man that's goin to bleed to death is the man that works
|
||
and toils
|
||
With prices gettin higher, and wages stayin low
|
||
You'll find the poor old workin man at the bottom of the totem
|
||
pole!
|
||
|
||
We believe the Constitution so the politicians say
|
||
And now ol' DeConcini wants to take our guns away
|
||
They say it's for our own good they say it's for the best
|
||
They believe in what they want to, and disregard the rest
|
||
|
||
Now the leaders of this country just doin as they please
|
||
And I hope the time is not too late just to get down on my knees
|
||
Cause the devil's in the back room, the devil's in the hall
|
||
The devil's been in Washington, havin himself a ball!
|
||
|
||
****
|
||
|
||
TORCH SONG
|
||
(for a Mad Scientist)
|
||
Words: Georgie Schnobrich
|
||
Music: "Back Home Again" by John Denver
|
||
|
||
E E7 A
|
||
There's a swarm across the valley, crowds are movin' in,
|
||
B7 E
|
||
Though Igor bagged a dozen.. with a boulder...
|
||
E7 A
|
||
The village clods are angry at my last experiment,
|
||
B7 E
|
||
And they mean to have our heads ere we're much older.
|
||
|
||
A B7 E E7
|
||
CHORUS: Guess it's time to move our lab again, (oooh no!)
|
||
A B7 E A
|
||
Sometimes all I gain seems hardly worth the pain, but -
|
||
B7 E
|
||
On we'll flee to move the lab again.
|
||
|
||
To pursue forbidden knowledge is the sweetest thing I know.
|
||
It's the little things that make a cell a lab...
|
||
Like electrodes sparking brightly, plasma in the fridge,
|
||
And a Something squirming softly on the slab.
|
||
|
||
CHORUS:
|
||
|
||
A B7 E A
|
||
Oh that I could lay this tired old body down!
|
||
F#m B7 E E7
|
||
But we need spare parts of him for later. -
|
||
A B7 E A
|
||
Bodysnatching's hard in cold and dark graveyards
|
||
F#m A B7
|
||
When corpses all turn out to be vampires!
|
||
|
||
If it isn't fools with torches, it's rivals, priests and ghouls,
|
||
And heroes.. who insist on being.. brave;
|
||
Or electric storms off-schedule, or - little peasant girls!
|
||
It's apparent that the situation's ... grave.
|
||
|
||
CHORUS:
|
||
|
||
They've got Igor in a tizzy, the glassware's gone to smash,
|
||
And a castle's ... not an easy thing to find...
|
||
So I may apply for funding as a "Genetic Engineer"
|
||
And do all this.. through DNA.. recombined.
|
||
|
||
FINAL CHORUS:Yes, it's time to move the lab again, ahh yes!
|
||
Next time all I gain won't need a stolen brain, and
|
||
Yes, it's time to move the lab again.
|
||
|
||
****
|
||
|
||
WHAT TUNE IS THIS?
|
||
words by Bettie Dendekker and Bruce Holloway
|
||
tune: Greensleeves (what else?)
|
||
|
||
Which tune is it that's sung to death
|
||
And never lets you take a breath?
|
||
That's used for Filk and Christmas Carol,
|
||
or when a songsmith is o'er a barrel?
|
||
|
||
And wants a tune with easy rhymes,
|
||
that reminds you of those earlier times
|
||
when old King Henry conceived a plot
|
||
for reedy music to... overglot?
|
||
|
||
Alas, this aire has done no wrong,
|
||
to be used quite this discourteously,
|
||
We have all sung it late and long
|
||
And who but my lay, de Greensleeves?
|
||
|
||
- Bruce
|
||
|
||
copyright 1990 Bettie Dendekker and Bruce Holloway
|
||
|
||
****
|
||
|
||
(Not a song, but useful anyway)
|
||
The following songfiles are available from DEUS EX MACHINA BBS
|
||
114/29, 602-439-8070
|
||
|
||
TITLEPG.TXT 24147 Index to SONGS*.TXT and POEMS*.TXT
|
||
(09/10/90)
|
||
SONGS1.TXT 48995 General SCA songs FINISHED FILE! [09/10/90]
|
||
SONGS2.TXT 34314 Songs by Ioseph of Locksley UPDATED 09/10/90
|
||
SONGS3.TXT 47018 Trad. and Period Songs UPDATED 09/10/90
|
||
SONGS4.TXT 57854 (More) General SCA Songs FINISHED FILE!
|
||
[09/10/90]
|
||
SONGS5.TXT 38668 Irish and Scots Songs Part 1 UPDATED
|
||
09/10/90
|
||
SONGS6.TXT 27374 "Imperium Compound" UPDATED 09/10/90
|
||
SONGS7.TXT 32707 Irish and Scots Songs Part 2 UPDATED
|
||
09/10/90
|
||
SONGS8.TXT 7192 "Imperium Compound" (Atenveldt verses only)
|
||
SONGS9.TXT 13609 Even more yet SCA Songs UPDATED 09/10/90
|
||
SONGS10.TXT 13335 Real Old Time Religion UPDATED 09/10/90
|
||
BARDIC.ZIP 135733 The files SONGS*.* in one ZIP file 09/10/90
|
||
BARDIC2.ARC 33920 Vol.2 Black Book Of Locksley (FINISHED FILE)
|
||
SONGS-X.TXT 41435 Rowdy SCA Songs (UPDATED 09/10/90)
|
||
SONGS-X2.TXT 33763 "Ball of Ballyknure" UPDATED 09/10/90
|
||
SONGS-X3.TXT 251 Even more rowdy SCA songs (restricted file)
|
||
SONGS-X4.TXT 21978 "Waltz Me Around Again Hrothgar" (09\10\90)
|
||
SONGS-X5.TXT 16294 "Songs Not Suitable For Anybody" (09\10\90)
|
||
BAWDY.ZIP 40431 The files SONGS-X*.TXT in one ZIP file
|
||
(09/10/90)
|
||
TRUDE.ZIP 36188 Mistress Sir Trude Lacklandia's Songbook (Pt
|
||
A)
|
||
TRUDE1.TXT 49815 Part 1 of TRUDE.ZIP (Trude Lacklandia)
|
||
TRUDE2.TXT 48362 Part 2 of TRUDE.ZIP (Trude Lacklandia)
|
||
TRUDE3.TXT 14338 Part 3 of TRUDE.ZIP (Trude Lacklandia)
|
||
CIORSTN1.TXT 11776 Songs from Ciorstan: Good Stuff!
|
||
CIORSTN2.TXT 11136 More favorite songs, as promised!
|
||
CIORSTAN.CMP 189184 Even More from Ciorstan! (word perfect
|
||
file)
|
||
SONGS.JON 61056 Songbook of Janos Throngcleaver, Troubador
|
||
SONG.WAR 4608 Text of song War Of The Roses by Janos
|
||
Throngcleaver
|
||
SONGS-DH.TXT 18422 Songs of the Dark Horde
|
||
SONGS-JG.TXT 13345 Songs of Jean Guy (VERY strange!)
|
||
FFILE1.TXT 20787 Vol. 1
|
||
FFILE1.ZIP 9366 Above file in .ZIP format
|
||
FFILE2.TXT 24832 Vol. 2
|
||
FFILE2.ZIP 11058 Above file in .ZIP format
|
||
FFILE3.TXT 35192 Vol. 3
|
||
FFILE3.ZIP 13906 Above file in .ZIP format
|
||
FFILE4.TXT 26743 Vol. 4
|
||
FFILE4.ZIP 11563 Above file in .ZIP format
|
||
PYTHSONG.TXT 3712 Some songs from Monty Python!
|
||
BRITSIDE.TXT 1536 Song: "Always Look On the Bright Side of
|
||
Life!"
|
||
BOUND.TXT 1629 Song: "Bound for Pennsic"
|
||
CAM2CAID.TXT 735 Song: "Salting the Slug"
|
||
DUBLIN.TXT 2772 Song: "Rocky Road To Dublin"
|
||
GUITAR.TXT 33460 Article on period fretted instruments
|
||
MNGLROOF.TXT 858 Song: "A Mongol On The Roof!"
|
||
MAKEMAP.TXT 724 Funny song about events with wrong maps
|
||
ONREVELS.TXT 3776 Answer written to "Weapons At The Door."
|
||
SCRIBE.TXT 3672 Song: about scribes
|
||
STRMATEN.TXT 582 Song: "Streamlined Atenveldt"
|
||
TEMPUSAD.TXT 2147 Song: A spring carole
|
||
TOMORROW.TXT 1478 Song: "Tomorrow Belongs To Me!"
|
||
WARPOINT.TXT 2712 Song: about archery
|
||
WH101.TXT 2155 Song: "Welsh History 101"
|
||
|
||
The above from Joe Bethancourt (who else?)
|
||
|
||
--end file--
|
||
|