640 lines
39 KiB
Plaintext
640 lines
39 KiB
Plaintext
|
||
1 If you are in need of help, you need but ask...
|
||
2 ************************* INSTALLED: 9 SEP 85 **********************
|
||
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
||
4 ************************************************************
|
||
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
||
6 PLACED ON THIS SYSTEM.
|
||
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
||
8 and operated system which is currently open for use by the general public.
|
||
9 No restrictions are placed on the use of the system. As the system is
|
||
10 privately owned, I retain the right to remove any and all messages which
|
||
11 I may find offensive. Because of the limited size of the system, it will be
|
||
12 periodically purged of messages. (only 629 lines of data can be saved)
|
||
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
||
14 ENTER mode. The message is automatically stored. If after entering the
|
||
15 message you find you made a mistake, use the replace command to replace
|
||
16 the line. To exit from the system, type 'OFF' then hang up.
|
||
17 Type 'HELP' to see other commands that are available on the system.
|
||
18 ************************************************************
|
||
19
|
||
20
|
||
wow! what an honor. At the top and this is the first time
|
||
21 for me to enter something. Sadly this is all i have to say.
|
||
22 A Lurker
|
||
|
||
23
|
||
24
|
||
25 /S
|
||
26
|
||
27 HELP
|
||
28
|
||
29 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
30 Is this as close as I can get to the top? Possibly. But there
|
||
31 is always a next time. Someday.... But for now I can only say
|
||
32 that I was second and dream of being at the top.
|
||
33
|
||
34 +++++++++++++++++++++++++++++++++++++++++++++++++Darbon+++++++++++++++++++++++++
|
||
35 :::::=====:::::
|
||
36 Third? *ugh*...
|
||
37 :::::=====:::::
|
||
38 The Inn was not what it used to be. The Fireplace, that once grand stone
|
||
39 work that had held the fires of many a night of storytelling and joy, was wnow
|
||
40 holding little more txan a smoldering wood...a memory of what had been. The
|
||
41 Tables harbored the dust 9 of many a day, since the Innkeeper seemed to have
|
||
42 vanished. My table was one of the few
|
||
43 that was free of dust, and the oaken surface glistened brightly, a sign of
|
||
44 my polishing it every day. A small fleck of dust fluttered onto my nose and
|
||
45 I sneezed.
|
||
46 '"This WILL not DO!" I said, even though the patrons ignored my words.
|
||
47 "We MUST get this place-"
|
||
48 The Great Oak Door creaked, the unoiled hinges cthe cause, and a great
|
||
49 ray of light pierced the Inn.
|
||
50 A second later, everything was happening at once. Tables covered with
|
||
51 age-old dust were suddenly made new. The wood in the Fireplace burst into a
|
||
52 bright crackling fire. The darkness that had covered the inn was swept away
|
||
53 by a hand of firey sunlight. The dank and dark rains that had been pouring on
|
||
54 the outside of the Inn suddenly vanished, and the sun shone in the deep
|
||
55 blue sky. 'The wxhole Inn was once more
|
||
56 the way it should be.
|
||
57 The Door's cracked surface seemed to repair itself, the holes vanishing
|
||
58 and being replaced by good, solid oak. The winds that xad swept through the
|
||
59 Inn was replaced by a wind of warmth,
|
||
60 that was pleasant and refreshing.
|
||
61 Suddenly, the Innkeeper was there, looking with wonder at the..wonder...
|
||
62 that was before him.
|
||
63 "Who..what did this?"
|
||
64 The answer came with the door opening.
|
||
65 The last rays of the Great Light that had flowed through the Inn were
|
||
66 just now vanishing back inoto the two items the man was holding. He was about
|
||
67 18 years of aoe, with short blonde/brown
|
||
68 hair and deep green eyes. He was dressed in la green shirt and leather
|
||
69 pants. In his hand was a pencil and a white notebook. On the notebook, I
|
||
70 could just make out the words:
|
||
71 "And the door was suddenly made new again. The Inkeeper came out from
|
||
72 where he had been and asked who had done this to the Inn, and the answer came
|
||
73 wxhen the door opened...
|
||
74 :::::=====:::::=====:::::=====:::::==Zephyr::=====:::::=====:::::=====:::::=====
|
||
75
|
||
76 (((*)))(((*)))(((*)))
|
||
77 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
78 Bard thought quickly. Obviously the drones weren't enough. He'd
|
||
79 have to play something... he hoped he could do so without mangling it (and
|
||
80 without sending them all off to some strange corner of the universe).
|
||
81 He had to decide on a tune quickly, his lungs weren't used to the
|
||
82 effort of playing. He wasn't sure how long he could continue. Without any
|
||
83 concious decision he found his fingers moving into position. He began.
|
||
84 The others moved towards the image of piper and his companion as he
|
||
85 played (badly) "Amazing Grace"....
|
||
86 ~~~~~~~~~~
|
||
87 maybe my subconcious was thinking of the first line...
|
||
88 ".... that saved a wrtech like me...."
|
||
89 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
90 oops! 'wretch' not 'wrtech'
|
||
91 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
92 Well? Do you 'bold adventurers' plan to let piper and bard handle the
|
||
93 rescue themselves? Unaided?
|
||
94 .......................the apprentice......................................
|
||
95 What could we do anyway, prares don't accomplish much except to let the
|
||
96 endangered one know we don't care enough to actually do something beyond
|
||
97 just thinking of them.
|
||
98 (Clearing throat):It's spelled "PraYers."
|
||
99 mlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlml L,L,l,lllooking for a printer.
|
||
100 ml Im shoping for a printer anybody careml to help out. (If so) Please noti
|
||
101 ml -fy me on the K.I.S. net bbs.
|
||
102 ml at -----777-0709------leave mess for
|
||
103 ml 'Mark Landers' (@) (@)
|
||
104 ml :
|
||
105 ml THANK YOU! +---+
|
||
106 mlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlmlml
|
||
107
|
||
108
|
||
109 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
110 ^^ Time Travlers # 001 ^^
|
||
111 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
112 The two conpanions walked together thro
|
||
113 -gh what seemed to be some sort of primi
|
||
114 -tive dwelling untill they came upon wha
|
||
115 t they were looking for! The long since
|
||
116 obsolete micro computer used for various
|
||
117 purposes in the late 20 th. century.
|
||
118
|
||
119 The reason for their quest began a
|
||
120
|
||
121 while back while the duo were on the
|
||
122
|
||
123 planet EUROPA and they discovered a
|
||
124
|
||
125 strange metal box containg 20 or so
|
||
126
|
||
127 'Disks' used for magnetic storage in
|
||
128
|
||
129 'the growing years' and into the
|
||
130
|
||
131 'inlightened times'.
|
||
132
|
||
133 So they were sent on a quest to find
|
||
134
|
||
135 out what was on them.
|
||
136
|
||
137 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
138 The time traped^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
139
|
||
140 &%#&%@#&*%)_&%#_!@&%@_#&^$(@&^@#&^@_#&^%!@_#&^#$_^&#$_^&!#$_*^_)#^)_*^)_#*^
|
||
141 Mikey:OK, I'll pick them up sometime this week. I will also return all
|
||
142 those extra flyers. Any ideas why COPYLINK would write random characters
|
||
143 to the LNW screen?
|
||
144 *%_@*%_@#*%_)@#*%)_&%@)#_&%@#)_%&* L'homme sans Parity %^&*$_^*@_)*^@)_*^@_
|
||
145 ?
|
||
146 list
|
||
147
|
||
148 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
149
|
||
150 #$#$#$#$#$#$#$#$#$#$#$#$#$#0:05#9/11#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#
|
||
151 I think I been sitting around doing nothing for too long...
|
||
152
|
||
153 ACT OF MERCY
|
||
154 (Part 1 of 3)
|
||
155 by John Silverman
|
||
156
|
||
157 It was a cold, dingy day, latest in a series of cold, dingy days. The grey cloud canopy had fused to the afternoon
|
||
158 sky and dime-sized raindrops pounded the window. Tim Corbett paid little attention as he continued sweeping up scraps
|
||
159 in the stockroom with the big pushbroom. The weather outside fit his mood perfectly. Depression had become a natural
|
||
160 part of his life, as ordinary as waking up in the morning. As he continued chasing debris, he tried to just blank his
|
||
161 mind. The last thing he wanted to think about was the small bottle that was sitting in his coat pocket, hanging on a
|
||
162 hook in the corner. Every time he saw it, he averted his gaze. If he thought about it too much, he might change his
|
||
163 mind.
|
||
164 He was concentrating so hard on nothing that he jumped when the lights flickered and thunder rumbled in ttance.
|
||
165 Jeez, he thought, get a hold of yourself. He'd managed to slip back into his former quiet state of mind again when
|
||
166 somebody laid a hand on his shoulder. His heart skipped three beats in a row and he spun around. The figure almost
|
||
167 jumped back, startled. It was Sherrie, one of the checkout girls from up front. Tim saw the look in her eyes and
|
||
168 noticed that he was holding the broom like he was about to brain somebody with it. He put it down and sighed.
|
||
169 "What's the matter?" she asked, "You're acting like there's somebody after you. Don't tell me the cops finally
|
||
170 caught on and you're waiting for them."
|
||
171 Tim smiled faintly at that old running gag. "No, not yet, anyway. It's just... I don't know, my migraine's getting
|
||
172 to me, I guess." He noticed for the first time that his head really was pounding.
|
||
173 "Maybe you just need your head screwed on tighter." She took a quick puff from the cigarette she was holding. "Well,
|
||
174 a bunch of us are getting together tonight at Ron's for a party and I was wondering if you'd be interested. Please say
|
||
175 yes. You'd be the only guy there who wasn't a total creep and I could use some protection."
|
||
176 Tim leaned on the brrom and grinned lecherously, "How do YOU know I'm not a creep? You've never seen me outside of
|
||
177 this place."
|
||
178 She blushed slightly. "I know, but you're just such a nice guy. I... I like you a lot." She looked almost
|
||
179 embarassed when she said this.
|
||
180 Tim felt his heart rate jump a little and a world of wonderful possibilities circled through his mind. It had been
|
||
181 a long time since a girl had said more than hi to him. And while Sherrie was no beauty queen she was still damn fine
|
||
182 looking to him and had a certain indefinable quality to her personality that he liked a lot. "Well..."
|
||
183 And then reality rudely interrupted in the form of a rigning phone in the manager's office behind them. Tim knew who
|
||
184 was calling even before the old man picked the reciever up. A minute later, Mr. Henderson's voice called out, "Corbett!
|
||
185 "Yeah! Right there!" Tim yelled back. He looked apologetically at Sherrie. "I'll be right back." he sighed.
|
||
186 He walked into the office and old man Henderson handed him the reciever.
|
||
187 "Yeah, Mom."
|
||
188 "Dear," the frail, familiar voice floated back to him, "I need to use the bathroom again."
|
||
189 "What?" Tim shouted in disbelief, "I helped you not half an hour ago! Look, I got twenty minutes to go and then
|
||
190 I'll be home. Can't you wait that long? If I keep taking off Mr. Henderson will fire me." He looked down at Henderson,
|
||
191 sitting at his desk, but the old man was shuffling papers and seemed to pay no attention at all.
|
||
192 "But dear," the voice whined pitifully, "I can't wait that long. I... oh... oh..." There was a long pause. Then,
|
||
193 "Never mind, dear. I'm afraid you're going to have to change the sheets when you get home, though."
|
||
194 "Swell." Tim rubbed his temple. The migraine had just kicked into high gear. "Okay, whatever." he sighed. "I have
|
||
195 to go."
|
||
196 "All right, Timmy, but please hurry home. I don't know how long I can stand this." Me neither, Tim thought. He set
|
||
197 the phone back in its cradle and walked out of the office, feeling, as usual, like someone had snuckand let him
|
||
198 have it from behind with a large foam rubber mallet. The top of his head was trying to come unlatched and he reached for
|
||
199 the bottle of Tylenol he kept on a shelf. Sherrie came up behind him and said, "Well?"
|
||
200 "Well, what? Oh." He'd actually forgotten for a second. "I'm sorry, but I can't. I... have to take care of my mother,
|
||
201 and I just can't leave her alone for that long. I'm sorry."
|
||
202 Her dissapointment was evident. "You always have to go straight home. You can't get away for just one night?"
|
||
203 "No, dammit, I wish I could!" He took three tablets and chewed them. The taste made him grimace.
|
||
204 "Well, if you can't, I shouldn't try to force you. I would like to know you better, away from this place, though.
|
||
205 You seem like a really nice guy." She stubbed her cigarette out in the ashtray and said, "Well, I gotta get back to
|
||
206 work. Maybe some other time."
|
||
207 "Yeah, sure." He watched her as she walked out the doorway. His waning headache suddenly dimmed in comparison to
|
||
208 the pain in his knuckles as he slammed his fist into the concrete wall.
|
||
209 "Hey! You wanna quit tryin' to knock down the building and get back to work?" Old man Henderson was standing in the
|
||
210 office doorway hollering at him. Tim grabbed the broom painfully and angrily went back to work on the floor.
|
||
211
|
||
212 (To Be Continued...)
|
||
213
|
||
214 I'm afraid I must agree with the general concensous: Enter only sucks. The syntax reads kinda strange in a couple of
|
||
215 places but there is little I can do about it now. I'll just have to be more careful next time. What happened to All
|
||
216 allowed, anyway?
|
||
217 Piper: Awesome. Your last entry on Drive B was handled very smoothly and well writtedn good job!
|
||
218 AGH!!
|
||
219
|
||
220 Anyway, until the next disk...
|
||
221 JOHN SILVERMAN (at least I spelled that right)
|
||
222 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#0:57#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$
|
||
223
|
||
224 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
225 John S. -- thanx. Looks like you have a (what's the opposite of fan? unfan?
|
||
226 infan? oh,oh -- infan + tile = <you fill in the rest>).
|
||
227 ppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
228 The woman dropped the keen bladed knife in a fold of her grey cloak where
|
||
229 it lay on the dark pavement, still carrying the imprint of the bodies that
|
||
230 it had cushioned against the hardness below. The piper wasted no time
|
||
231 contemplating the barbaric scene she made, poised naked with a rivulet of
|
||
232 blood trickling down from the wound in her left breast. Ignoring the pain
|
||
233 in his arm, the piper retrieved the slim steel knife, wiped it clean on
|
||
234 the kilt he held under his arm, and slid it into its holster. He then
|
||
235 picked up his shirt and wadded it against the wound in his arm. He
|
||
236 dropped the shirt as he wound the kilt around his waist and quickly buckled
|
||
237 the belt of the sporran, but by then the arm was bleeding very little.
|
||
238 The woman had taken her grey cloak from the pavement and wrapped it around
|
||
239 her shoulders. The piper took his shirt from the pavement and pressed it
|
||
240 against her wound to slow the bleeding still more. The hissing roar that
|
||
241 had erupted when their pooled blood hit the pavement was decreasing in
|
||
242 intensity, the fog seemed to be dissapating into the luminous space. Moving
|
||
243 with one mind, the piper and his companion leaped into the center of the
|
||
244 disturbance, just as the faint strains of the tune "Amazing Grace" began
|
||
245 to fill the timeless space between the planes of reality.
|
||
246 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
247
|
||
248 --P--
|
||
249 John Silverman - good to see you here. I have not enter anything myself for
|
||
250 a long time, but I had to break my silence to say, "Welcome back!".
|
||
251 --Patti--
|
||
252
|
||
|
||
|
||
|
||
|
||
|
||
253 UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU
|
||
254 Clo, Mar 11
|
||
255 Although the going is painfully slow, I have not found the time to write
|
||
256 you as I wish. Trudging along at a snail's pace we attempt to ignore
|
||
257 the moisture of the soils beneath our feet or the sullen darkness of the
|
||
258 sky overhead. In our travels we are bound to meet with some poeple that
|
||
259 do not appreciate what it is that we do for them... or their country.
|
||
260 I don't know how to tell you this gently so I shall give you the events
|
||
261 as they have transpired.
|
||
262 As we came upon a small city not too far Moscow, one of its inhabitants
|
||
263 came rushing up to us. It was an elderly man with thin grey whiskers
|
||
264 and a face filled with fury. He shouted for us to turn back and cursed
|
||
265 us as if we were the very enbodiment of Lucifer's minions.
|
||
266 Our leader ordered us back to the fringes of the city. We could see for
|
||
267 our own protection that this would be a judicious act. We complied with
|
||
268 the utmost of haste.
|
||
269 Even though we were retreating from the mad man's city, he felt com-
|
||
270 pelled to follow us. Most of our comrades made light of the situation
|
||
271 even as he had begun to cast rocks and other roadside clutter.
|
||
272 We thought his temperment to be a queer thing, and found him to be one
|
||
273 that backed his words with action. The man came close enough to hurl
|
||
274 his stones into our midst. There were some that felt his deranged
|
||
275 wrath. I, for one, took a stone to my arm which is the cause for my
|
||
276 lacking penmanship. Others were not as fortunate.
|
||
277 Your brother Gustav received a blow to his head and was taken off to be
|
||
278 treated for his wound by our friend Klaus. I aided them as best I
|
||
279 could.
|
||
280 The good doctor told us that even though it did not appear so, the wound
|
||
281 was only a minor one. He said that in a few weeks when the bandages
|
||
282 could be taken off completely. He then smiled and said that it would
|
||
283 leave Gustav with a noble scar to remind all of the times he rendered in
|
||
284 service for his country.
|
||
285 Klaus and Gustav shared in the good doctor's humor. I just sat in con-
|
||
286 tempt for that lunatic's deed.
|
||
287
|
||
288 How is it that once a man dons a uniform to honor his country's strength
|
||
289 and freedom that he is then considered an enemy of his people? All we
|
||
290 ever wanted was to make our home a place free from worry, safe from
|
||
291 doubt. Were we so wrong?
|
||
292
|
||
293 I will go off to sleep once I've attended to the needs of your brother,
|
||
294 then perhaps I may rid myself of these unpleasant thoughts. I will
|
||
295 dream of you, and I will dream of the times we have spent together oh so
|
||
296 long ago.
|
||
297 I miss you, and wish I could be with you now.
|
||
298 Osram
|
||
299 UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU diary
|
||
300
|
||
|
||
|
||
|
||
|
||
|
||
301
|
||
302 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (.......)
|
||
303 kathyd: You are more than correct, we are not enemies.
|
||
304 (just remember to play the music once in awhile, ok?)
|
||
305 John Silverman: You know, I was wondering when you would return...
|
||
306 Writers must find their release, whatever the phone number.
|
||
307 Donald: I don't suppose that made any sense did it? Naa, I didn't
|
||
308 think it would. Remember: This is an open forum, free to
|
||
309 be used by any creative talent, such as John, or it may be
|
||
310 used by the twits. I won't name names, you know who
|
||
311 you^H^H^Hthey are.
|
||
312 L'homme: Glad to hear (where ever I heard) of the success of your trip.
|
||
313 (I think it is time we re-evaluate a few opinions here...)
|
||
314 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian -111:13
|
||
315
|
||
316 A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A=4
|
||
317
|
||
318 "Trainor, Lady Tayree, Tin Man, Fencer, Emu! Come quickly. I think Bard has
|
||
319 stumbled on to something." Excitement rang in Cragmore's voice as he called
|
||
320 to the other adventurers. While his voice carried into the control room where
|
||
321 the rest sat in contemplation of the mission, his eyes locked on Bard and
|
||
322 the pipes he had taken up. An astonishing version of Amazing Grace was
|
||
323 coming from the drones and the chanter, and the area around Bard, indeed
|
||
324 the whole Pell-mell, seemed to shimmer and coruscate with each succeeding
|
||
325 measure of music.
|
||
326 Trainor and the rest tumbled into the commons room at once, nearly tripping
|
||
327 over the pillows that only minutes before had cushioned the semi-circle of
|
||
328 psi talent, a circle that was still incomplete.
|
||
329 "What is all the racket? We heard the music and thought that Bard was just
|
||
330 fooling around." Trainor's face still proclaimed his concern for the lost
|
||
331 Piper.
|
||
332 "Look around you! Don't you feel it? We are moving towards him. The pipes
|
||
333 are calling to their owner. I can feel Piper's presence near by. He is so
|
||
334 close. Keep playing Bard! Keep playing!"
|
||
335 Bard moved his lips from the reed of the chanter to speak. As he did the
|
||
336 room dimmed, and all the passengers felt a nauseating vile sensation within
|
||
337 their bodies. Bard quickly took the reed in his mouth again, and resumed
|
||
338 his hymn. The nausea went away.
|
||
339 "Why..."
|
||
340 Cragmore interrupted the question. "Yes we are very close. No time to
|
||
341 discuss now. Trainor, you and Emu return to the control room. We are about
|
||
342 to enter a different zone. My mind tells me this is so. Be wary, carefully
|
||
343 watch the gauges and readouts from the Pell-mell. I think, I feel... I know,
|
||
344 we are about to enter ZEB!"
|
||
345 The faces of those who had color quickly lost it. But hardy adventurers
|
||
346 they all were, and they followed Cragmore's direction. Trainor and Emu
|
||
347 took firm control of the ship. Fencer and Tin Man buckled down in the Pell-
|
||
348 mell's safety seats. Tayree and Cragmore moved closer to Bard and the pipes,
|
||
349 and sat on the floor near him.
|
||
350 "Take my hands, concentrate. You have skills you are not aware of, but I
|
||
351 felt them when we were in the semi-circle. Concentrate on Piper's image.
|
||
352 Believe, free you mind of all but Piper. Piper, we are near. Piper, help us
|
||
353 return. Pip..."
|
||
354
|
||
355 No one noticed, no one outside cared. But a small ship containing several
|
||
356 people, ceased to exist in one element of realities, only to be born again
|
||
357 in some middle ground, some median betwuen two vast highways of entropy and
|
||
358 coalescence. No matter was lost, no energy gained. Just a transfer, the likes
|
||
359 no man or woman had ever seen before.
|
||
360
|
||
361 "Cragmore! What's happening? I haven't got readings like this since...Oh,
|
||
362 I think I know what's happened!" Cragmore's concentration was broken by
|
||
363 Trainor's frantic voice. It didn't matter now though, what they had attempted
|
||
364 was completed. He released Lady Tayree's hands. Blood trickled from where
|
||
365 her fingernails had dug into the back of Cragmore's hands.
|
||
366 "Trainor, move forward slowly. Emu, scan the area for Piper. He is very
|
||
367 close, we are almost on top of him now. Bard, you can stop playing now, I
|
||
368 am sure we will not feel that sickness we felt before."
|
||
369 But Bard ignored Cragmore's words. He played frantically. The shimmer
|
||
370 of the room had lessened with the irregularity of Bard's composition, but
|
||
371 the shimmer was still present, along with the basic melody of the song.
|
||
372 "I guess it doesn't matter. Lady Tayree, are you OK?"
|
||
373 "yes", she replied, wiping the thin film of sweat from her brow, "but that
|
||
374 was some experience. i have skills you say?"
|
||
375 "I will tell you more later. We are very close to Piper. We must act
|
||
376 quickly."
|
||
377 "Cragmore!" It was Emu again the control room. "I see something ahead. I
|
||
378 think, yes I am sure now, its Piper!"
|
||
379 At those words Bard ceased his playing, and Fencer and Tin Man emerged from
|
||
380 their seats.
|
||
381 "Please hurry Trainor. The surface of this place is solid, as far as my
|
||
382 seeing can tell. Set the Pell-mell down. I think Piper is in grave danger."
|
||
383 Trainor set the ship down near two huddled figures. The figures barely
|
||
384 looked up at the huge contraption that had landed near them. The doors of
|
||
385 the Pell-mell opened, and the adventures, save Emu at the controls, filed
|
||
386 out the portal and onto the black surface their ship now rested on. They
|
||
387 did not notice the light that danced as they moved quickly towards the two
|
||
388 huddled figures. They did not notice the blood that covered various garments.
|
||
389 They stood dumbfounded around piper and the other unidentified person, not
|
||
390 knowing what to say or what to do; Piper's reaction to their supposed
|
||
391 rescue completely baffled them.
|
||
392 Finally piper looked up at the clustered adventurers. He moved his gaze
|
||
393 from face to face, looking deeply into each person's eyes. His lips
|
||
394 parted, and then, very quietly, he spoke.
|
||
395 "You... your coming here, your arrival, has just spelled doom for another
|
||
396 planet. By finding me, you have just killed billions of helpless people."
|
||
397 No one replied. What could the instigators of genocide say?
|
||
398
|
||
399 A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A= A=4
|
||
400 ch /got/gotten/ ch /Emu again/Emu in/ Sorry 'bout that. Cragmore.
|
||
401
|
||
402 :::::=====::::
|
||
403 John Silverman: Nice to see you here again. Good work on the entry. Will
|
||
404 talk to yo5u via. phonwee. Line Noise
|
||
405 present, can no longer tr!an3smit.
|
||
406 :::::=====:::::
|
||
407 /////////////9-11-85////////////////////for sale 79 elcamin0 s/p $4,000 or best
|
||
408 call 503-656-xxxx
|
||
409 ////////////?///////////////////////////list
|
||
410 off
|
||
411 ///////////9-11-85///////////////////////79 camaro berlinetta- t top,am,fm
|
||
412 casette stero,305 v8,ps,pb,tilt wheel,
|
||
413 sport mags,od good tires,runs great,
|
||
414 needs paint [one owner] asking $3,330.000 or best offer call [503] 656-xxxx
|
||
415 aaaaaaaaaaaaaaaaaaawwwwwwwwweeeeeeeeeee
|
||
416
|
||
417 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
|
||
418 Emu watched his companions via the visi-screen as they went to get
|
||
419 Piper. "What luck it was " thought Emu, "that Bard knew what to do with
|
||
420 those bagpipes. Without that ingenuity, we might never have found Piper."
|
||
421 As Emu watched, he noticed the blood that stained Piper's garments.
|
||
422 Piper seemed to be favoring his right arm ... and who was this comely
|
||
423 young woman lying half covered by the bloody robe that she clutched to
|
||
424 her busom? This strange scene was made even more so by the horrified look
|
||
425 on Piper's face as the adventurers approached him. Then Emu saw what
|
||
426 Piper was staring at: the "ground" was dancing with light as the adventurers
|
||
427 walked toward the two. Piper was saying something.
|
||
428 "Damn!" Emu exclaimed aloud. "Why isn't there a sound circut here!"
|
||
429 Emu looked for one, and noticed the strangest of all developments. His
|
||
430 tracker, still tuned to Piper's body, showed a zero metabolic rate, as if
|
||
431 Piper was dead. Tapping on the meter had no effect. He tried tuning to
|
||
432 Trainor's body and still registered no metabolism. In fact, everyone
|
||
433 outside of the ship was burning zero energy in their body. When trying it
|
||
434 on himself and on Fencer's dog, all readings were normal.
|
||
435 After doing physical health scans of all those outside the ship, Emu
|
||
436 found that the bodies were making all correct involuntary movements, such
|
||
437 as heartbeat and breathing, but those processes were not supplying the
|
||
438 energy needed by each cell. Normal oxidation was not taking place. In
|
||
439 fact, there was no oxygen what so ever in the surrounding environment.
|
||
440 Instead, after checking all energy levels and sources, Emu determined that
|
||
441 energy was being channeled from the environment directly into each living
|
||
442 cell. Where this ambient energy originated, Emu knew not.
|
||
443 Returning his gaze to the visi-screen, Piper seemed to be explaining
|
||
444 something. No one moved. "How odd. Why don't they bring Piper and the
|
||
445 girl into the Pell-Mell?" Emu began to feel a tugging at the edge of his
|
||
446 consciencness. Having felt this uncanny sensation before, he knew to
|
||
447 empty his mind, and let a mentalist "speak" to him.
|
||
448 Cragmore explained the situation to Emu. The energy came from the
|
||
449 violence of mass destruction. Emu let Cragmore read from his mind what
|
||
450 had just discovered, that only those outside of the ship were affected.
|
||
451
|
||
452 Since the ship itself wasn't affected either, a plan was soon formed.
|
||
453 Emu was to manouver the ship to the group, getting as close as possible,
|
||
454 and pull each person into the ship. Each person was to remain perfectly
|
||
455 still and allow Emu to do the work. Once in the ship, they could assist
|
||
456 in pulling in the rest.
|
||
457 Manouvering the ship in such close quarters was tricky, but soon all
|
||
458 were within the Pell-Mell. Emu called out "Okay, Trainor, Bard, help me
|
||
459 find a way out of this cloud of nothing!"
|
||
460 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.Emu
|
||
461 MODEM PROGRAM UPDATE
|
||
462 Mikey:Copylink now sends and receives, but once I go to terminal mode, I can't
|
||
463 get back out without reseting the whole machine. I have the esc equate set
|
||
464 to 1BH, and it appears identical to the equates in AMODEM. AMODEM works fine,
|
||
465 but COPYLINK doesn't. Any ideas? Oh, MEX112 still locks up the machine
|
||
466 when I go to terminal mode. I am going to try to strip out the baud rate
|
||
467 stuff and see if that does any good. If you have any suggestions on the
|
||
468 escape key problem, please let me know. Reseting as a means of getting to
|
||
469 command mode is not the greatest.
|
||
470 MODEM PROGRAM UPDATE
|
||
471 *********************************************************************:
|
||
472 SEVERAL THINGS, ONE, ON THE APPLE THEY TRAP THE ESCAPE KEY THEMSELVES,
|
||
473 SO YOU HAVE TO HIT IT TWICE TO GET ONE ESCAPE. THE OTHER POSSIBILITY
|
||
474 IS THAT THE KEY YOU THINK IS AN ESCAPE ISN'T REALLY. TRY THIS, TURN ECHO
|
||
475 ON, THEN MONITOR ON, THEN GO TO TERMINAL MODE AND TYPE EACH KEY TWICE,
|
||
476 THE ESCAPE KEY SHOULD PUT OUT A SINGLE (1B). IF YOU CAN'T GET THE BEAST TO
|
||
477 PUT OUT AN ESCAPE, THEN REDEFINE THE CMDCHAR BYTE TO SOMETHING ELSE.
|
||
478 NOTE, IF THE LNW IS TRAPPING THE ESCAPE ITSELF, YOU MAY HAVE TO TYPE IT
|
||
479 FOUR TIMES TO SEE THE SINGLE (1B) ON THE SCREEN. IF THIS IS TRUE, THEN
|
||
480 ESCAPE ESCAPE X WILL GET YOU BACK TO COMMAND MODE. HOW'S THE SCREEN
|
||
481 DOING, STILL GETTING WEIRD CHARS?
|
||
482 *************************** CISTOP MIKEY *******************************:
|
||
483 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
484 THE TIN MAN felt awkward in the presence of these two. Much more so than
|
||
485 the lady's state of partial undress could account for. This had all the
|
||
486 proper ingredients for a rescue, but somehow it felt more like an intrusion.
|
||
487 And something felt very odd about this place, very odd indeed.
|
||
488 Then came the report from the pell-mell. Something about energy being
|
||
489 directly transfered here. Tin looked at his own gauges, everything looked
|
||
490 fine... except the stored power reading. Right next to the gauge was a small
|
||
491 indecator light. He had never seen this on unless he was undergoing recharge,
|
||
492 and all of THAT equipment was back at the INN, several realities away. Even
|
||
493 as he watched, the small needle crept a fraction higher. He glanced past the
|
||
494 chest read-out to the dark floor, and saw a waning point of light disappear
|
||
495 into nothingness. Then a few moments later another point of light flared,
|
||
496 and then faded. Almost immediately another, just a few feet away.
|
||
497 Suddenly it hit him. The humans used this energy, this breath of death,
|
||
498 to survive in this place. It took the place of air and food and water,
|
||
499 probably even heat and light. But he didn't just burn energy, he STORED it,
|
||
500 in the three Stefansson batteries deep inside his chest. Even as the implica-
|
||
501 tions of this hit him, and he whirled towards the pell-mell, three, then four
|
||
502 more flares sprang around his feet. Whatever this place was, it learned fast.
|
||
503 The power gauge took another step up, this time much larger. The machine
|
||
504 looked a long way away, and if the batteries overloaded... He didn't want to
|
||
505 think about that. It was already enough to feel the stench of death that
|
||
506 flowed from the surface beneath him. In blind panic he ran towards the
|
||
507 machine.
|
||
508 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] THE TIN MAN [/] [/]
|
||
509
|
||
510 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
511
|
||
512 *********************************************************************
|
||
513 adventures: why was I hoping for a happy ending for you? The words
|
||
514 keep poping into my mind... "another fine mess"""
|
||
515
|
||
516 ".
|
||
517 *******************sorryaboutthat!**kathyd******************************
|
||
518
|
||
______________________________________________________________________________
|
||
519 "AMBUSH" a short story
|
||
520 by Cravenhaw Coercri
|
||
521 ______________________________________________________________________________
|
||
522 Johnny hid the gun in the small of his back as to not scare any of the
|
||
523 shopping mall customers. His assignment was about to end, and this time he
|
||
524 would not miss. So many times he had fouled up his mission but this would be
|
||
525 different. He would erase Fire-Eyed Jack from existance.
|
||
526 There he was, pushing his way through the crowd. Fire-Eyed Jack in
|
||
527 his first and last public appearance. Johnny shuffled this way and that try-
|
||
528 ing not to be noticed but still trying to approach Jack in his Farmer Bob
|
||
529 clothing.
|
||
530 Five yards to go now and Johnny would be at point blank range. Coming
|
||
531 up behind Jack in complete surprize gave Johnny a feeling of great excitement,
|
||
532 and knowing that his mission was soon to end brought on a more comfortable
|
||
533 feeling of relaxation.
|
||
534 Two yards now and all would be history. Johnny pulled the gun out
|
||
535 from under his jacket and felt the Luger grip get warm in his hand.
|
||
536 Shoving the barrel of the weapon into Jack's back, Johnny yelled,
|
||
537 "You're dead now, Fire-Eyed Jack!"
|
||
538 As Farmer Bob whirled his eighty-two year old frame to face the young
|
||
539 boy who called him Fire-Eyed Jack, he heard the sound of a load cap going off.
|
||
540 The newspaper headline the next day read: "Robert Warren Calicoe,
|
||
541 Ohio's oldest resident, died yesterday when Johnny Morgan, age 6, fired a cap
|
||
542 gun in Mr. Calicoe's direction. An autopsy has lead doctors to believe the
|
||
543 cause of death was cardiac arrest. Calicoe is succeeded by...."
|
||
544 Johnny sat back and smiled.
|
||
545 ______________________________________________________________________________
|
||
546
|
||
547 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
548 Lurking, digesting, thinking...
|
||
549 (there's gotta be some more complications here)
|
||
550 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
551 %\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\
|
||
552 Piper: More complications to what?
|
||
553 %\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%\%%\%\%\%\
|
||
554
|
||
555 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
|
||
556 Emu spoke up again, "Okay, folks, start thinking. We've got a couple
|
||
557 problems on our hands. First and foremost, we neet to find our way out of
|
||
558 this ZEBbie. We were compeled in, but I don't think that that will work
|
||
559 as easily going out. My only suggestion is to try directly flying out, but
|
||
560 by the readings, or lack thereof, I should say, on the nav controls, that's
|
||
561 no easy trick either.
|
||
562 "Secondly, we still need to figure out how to, if not kill, at least
|
||
563 neutralize good ol' ZEBbie. Maybe we can neutralize it as we leave? Maybe
|
||
564 neutralizing it first will eliminate the need to find a way out. Any
|
||
565 suggestions?"
|
||
566 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.Emu
|
||
567 :::::=====:::::
|
||
568 TRrainor, Emu, Bard, Piper, (et. all): A Question....
|
||
569 I think that after studying all these different styles and Aall the
|
||
570 people here, I xavhave learned a great deal. I realize that you all have
|
||
571 a somewhat LOW opinion of me, but that was when I was letting my enthusiasm
|
||
572 get the best of me. Sure, I did do something bad, but everyone deserves
|
||
573 another chance. So, my question is this: Can I get in on your adventure?
|
||
574 I have some things planned out, and they might be of some benefit. I solely
|
||
575 promise that I won't use your characters
|
||
576 unless you allow it, and I won't try to get into the story if yoou say NO. But
|
||
577 I think that if you would only give me the slightest cxance at working with you
|
||
578 on the adventure, it will be a great
|
||
579 be~efit for me, and perhaps you as well. Besides, you can always kick me out
|
||
580 again if I start annoying you. I promise not to use my MAGIC TRUFFLES
|
||
581 and I promise not to ride on Trainor's
|
||
582 shoulder (I planned to get off anyway when the adventure started) so what do
|
||
583 you all say? Can I join in? Please?
|
||
584 :::::=====:::::=====:::::=====:::::==Zephyr::=====:::::=====:::::=====:::::====
|
||
585 @^@^@^@^@^@^####################################################^@^@^@^@^
|
||
586 Je suis "CHENOCEUX". Je suis un nouveau auture. C'est tres estrange!
|
||
587 Parce que, je n'ai pas jamais "scribbled" sur le BBS apres. Bien, il
|
||
588 est temps pour moi a partir maintenant. C'est un amusment journal pour
|
||
589 le americain enfants, oui? S'il vous plait, si quelque un besoin a
|
||
590 "deposit" un francais "scribble" pour moi, merci. Si non, encoule!
|
||
591 Si, vous ne comprend pas, pardon.
|
||
592
|
||
593 p.s. A les belles madamoiselles - voulez-vous couchez avec moi, quelque
|
||
594 nuit? D'accord?
|
||
595
|
||
596
|
||
597 Jusqu'...,
|
||
598
|
||
599 ^@^@^@^@^################################################CHENOCEUX#####@^@^@^@^
|
||
600
|
||
601
|
||
602
|
||
603 break
|
||
604
|
||
605 stop
|
||
606 lo
|
||
607 BREAK
|
||
608
|
||
609 (((*)))(((*)))(((*)))((( just checking in )))(((*)))(((*)))((( Ripple)))
|
||
610 It's okay even if we can't read a word of that....
|
||
611 Too bad these keys can't prodouce the characters for Japanese, We'll have
|
||
612 to stick with romagi. konnichiwa! Ogenki desuka? kujihandes, oyasuminasai!
|
||
613 `,`,`,`,`,`,`,`,`,`,`,Mf
|
||
614
|
||
615 {+|+} (0912852155) [621]
|
||
616 ++++++++++++++++++er,hum,tooclosetobottomtoenter.lurk,lurk,lurk...+ Milchar +++
|
||
617 .-.-.
|
||
618 oui, ecrivez, mais pas couchez, d'ac? merci...
|
||
619 .-.-.Emu
|
||
620 RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR
|
||
621 And in the calmness that now surrounds me I wonder. Your thought-
|
||
622 ful consideration gives cause to step back and recapture your beauty....
|
||
623 RRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR
|
||
|
||
TOTAL NUMBER OF LINES = 623
|