593 lines
38 KiB
Plaintext
593 lines
38 KiB
Plaintext
|
||
1 If you are in need of help, you need but ask...
|
||
2 ************************ INSTALLED: 27 JAN 85 ***************************
|
||
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
||
4 *************************************************************************
|
||
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
||
6 PLACED ON THIS SYSTEM.
|
||
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
||
8 and operated system which is currently open for use by the general public.
|
||
9 No restrictions are placed on the use of the system. As the system is
|
||
10 privately owned, I retain the right to remove any and all messages which
|
||
11 I may find offensive. Because of the limited size of the system, it will be
|
||
12 periodically purged of messages. (only 629 lines of data can be saved)
|
||
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
||
14 ENTER mode. The message is automatically stored. If after entering the
|
||
15 message you find you made a mistake, use the replace command to replace
|
||
16 the line. To exit from the system, type 'OFF' then hang up.
|
||
17 Type 'HELP' to see other commands that are available on the system.
|
||
18 ************************************************************
|
||
19
|
||
20 *#_)%*@_%*!_@)%*_)*%_)*%_)!*^%_*^_!*^+!*^_#$^_#+*^!#)^*#$+)^*$%)_&$%)_^&)_^*#$)_^#$_)^&_)*^#_$!)&^_)#$&^_)#$&^_#$&^
|
||
21 As I said on the previous disk, the shape of things to come. Not once, but twice now, I have had the unprecedented honor
|
||
22 of getting to say, "AT THE TOP!" Now this is getting quite old, so no more will such hoopla be made.
|
||
23 %)_@#*%)_@#*%_@
|
||
24 Piper:I'll try again. The last time I called your home # I think I was routed through Zanzibar, and at last ended up
|
||
25 talking to a night-time operator at Tek.
|
||
26 To 'female' L. Ryan : Your personal appearance was as unfathomable as we have now come to expect. One would think the
|
||
27 underground, that trod-upon organization of sodbusters could afford better people. But I guess this is a case of beggers
|
||
28 not affording to be choosers.
|
||
29 ()()()() : It has been stated before, but I'll add a bit anyway. You have missed much of the groundwork that has been
|
||
30 laid by these characters. This groundwork has been met with less than enthusiastic response. Joshua and I used to have long
|
||
31 talks about our motivations and goals, but people in our own organization and the enemie's complained there wasn't enough
|
||
32 action, it didn't further the story along enough, no violence, espionage, or sex, etc. Disheartening at best, wouldn't you
|
||
33 agree? The crowd at the Inn at that time had a short attention span, and a need for continuous open stimulation. Maybe
|
||
34 things have migrated enough now to attempt such personal revelations again. Let's see what happens.
|
||
35 _*)^*$#@)_^@#_)^&#_)^&
|
||
36 "This way", L'homme motioned Farley into the foyer of Ione Plaza. A strange mix of elderly patrons and younger
|
||
37 trendies made up the current occupants of the Plaza. #Strange place.#, Farley thought. #I don't know whether to hum
|
||
38 Duke Elington or Devo.# The trio stepped into the nearest elevator, that had conviently arrived the moment when L'homme
|
||
39 pressed the button by the door. "Inside, and be quick about it". Fellows pressed the CLOSE DOOR button on a panel, that
|
||
40 was surprisingly lacking any floor buttons. "One destination only, if that's what you were thinking." A sudden surge put
|
||
41 the three's collective stomachs in the three's collective throats. "High speed elevators...Another NET innovation", Fellows
|
||
42 gasped. A few moments later, the doors slid apart, revealing a normal looking office beyond. #I can't remember if we went up
|
||
43 or down! I'll have to ask them about that later# Farley mused. A plain looking receptionist pointed towards an inner office,
|
||
44 and a door, seemingly without help, opened by itself. "This is it" L'homme told Farley. "You are about to meet the head
|
||
45 of our little organization. Our guiding light, and our inspiration. You are about to meet Ian MacHinery!" The men went in,
|
||
46 and again, the door closed by itself, with a resounding 'thud.'
|
||
47 *%)_#@*%_@)%*_@!)%*_!@*%_!)@*%_!)%*!_)@%*!_@)%* L'homme sans Parity )_#@*%_@#)*%_)%*_)!@#$*%_)!*%_!)%*_#)%*!_%)!*%^_)^*
|
||
48 ________________Melissa--------------------------------Melissa________________
|
||
49 M A G E N (cont.-8)
|
||
50
|
||
51 (Magen & Raza are still on the beach...the first rays of the warm tropical
|
||
52 sunset are reaching toward that long line separating sea and sky, soon
|
||
53 they will grab the edge of the world and pull the sun over the horizon.)
|
||
54
|
||
55 "Magen, the power plant is perfectly harmless. This stuff about it causing
|
||
56 changes inside peoples' heads is nonsense. Look at the good things we have
|
||
57 because of it. The whole town is lit up at night, just like in the day. It
|
||
58 gives people twice as much time to do things."
|
||
59 "Do what kind of things? Sit on a quiet beach and look at the stars?"
|
||
60 "Of course not. You can't see the stars with the lights on. I'm talking
|
||
61 about the shops staying open. There's even a Disco opening tonight. How
|
||
62 about television? Over three hundred people have one now; there's even a
|
||
63 cable all the way up to the top of the hill up there."
|
||
64 "I know."
|
||
65 "What's that supposed to mean?"
|
||
66 "I sat out here on the beach the other night, looking at the stars for a
|
||
67 long time. Then I looked at the hill. There were the houses up there with all
|
||
68 the people inside. I could see an occasional silhouette moving around in the
|
||
69 flickering glow of the television; like the shadow people we used to make on
|
||
70 the sand in the moonlight. All of a sudden I thought..."
|
||
71 "Well go on."
|
||
72 "I thought of the beauty of the night sky. Its velvet black covered with
|
||
73 thousands of stars. I knew that if this lovely spectacle only happened once
|
||
74 in a lifetime, or once in hundreds of years, the beach would be crowded with
|
||
75 people trying to get a glimpse of it. Because it happens every night there
|
||
76 are some people who will never see it."
|
||
77 ----------------------________________
|
||
78 |_|_|_|_| & Mark---Thank you again for your support. I'm happy to say most
|
||
79 of the people I've met out here (in person and via computer) have been kind
|
||
80 and pleasant. I decided to take the advice of that philosopher who said:
|
||
81 `Tis infinitely more pleasurable to embrace friendship
|
||
82 than to wrestle adversity.' -Mir Kala-
|
||
83 ----------------Melissa________________________________Melissa----------------
|
||
84 |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|
|
||
85 MELISSA: I hate grudges, glad you returned.
|
||
86 BRUTUS: I will explain my view, perhaps it is unnecassary now that Melissa has
|
||
87 returned, perhaps I will regret doing it later... for now...
|
||
88 My borders, |_|_|_|, are the bars of my cage. I am caged because I can not
|
||
89 write. I can only enjoy the stories of others. I am a writer; I am caged.
|
||
90 I try to complement the stories of the new writer's because I enjoy them
|
||
91 and because I feel they need support. However, I, myself, am new. I only know
|
||
92 the other new comers if they tell me. I enjoy ALL the stories at the Inn (ex-
|
||
93 cluding Policeman's). I do not compliment them all, but I enjoy them all...
|
||
94 I attacked you harshly because I thought you to be an assassin, out to destroy
|
||
95 writers. I was afraid you hurt Melissa. My name is Tanya. A person by the name
|
||
96 of Jay Anderson was harsh in critical words, consequently I do little writing.
|
||
97 (Yes, I am beginning to regret this, so much for enter only). Jay's attack
|
||
98 hurt me, I did not defend myself, I quit writing. It pained me to think that
|
||
99 you had done this uncarring thing to another. (I can not express this pain).
|
||
100 When I attacked you, I thought you to be an assassin. I thought you how I view
|
||
101 Jay, uncarring: attack and kill. I was scared that Melissa would be effected
|
||
102 like I am.
|
||
103 I can not tell through your anger, if I have cut you deeply. I hope not.
|
||
104 I thought you to be an assassin. I did not think that you had feelings like the
|
||
105 assassin's victim. Under a different identity, I expressed how I felt, in
|
||
106 defence of another. I am sorry if I have caused you any pain. Shamefully, I bow
|
||
107 my head and ask for your forgivence. enjaulado en sombras. -Tanya
|
||
108 |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|
|
||
109
|
||
110 words fail me... none of them are proper... at this moment anyway... a silioquy for a departed
|
||
111 grandmother... a lesson in ettiquette and thoughtfulness... all of these are why i am gaining as
|
||
112 much maturity from Backwater as i am now... amazing... let it continue...
|
||
113
|
||
114 ttttttttttttttttttttttttttttttttttttttttttttttttttttt
|
||
115 **************************************************************************
|
||
116 I wrestle with the stars and the moon and wonder.... With my better
|
||
117 half exposed will others still be willing to accompany me on journeys?
|
||
118 **************************************kathy****dougherty******************
|
||
119
|
||
120 **********************************************************
|
||
121 PAM: What can I say? A very moving and loving epitaph.
|
||
122 I know it may seem trite, but I know how you feel, it
|
||
123 was only a year ago that my grandmother passed on. How
|
||
124 can one express depth of love and sorrow when someone
|
||
125 so close has gone. I'm truly sorry to hear of your loss.
|
||
126 **************** CISTOP MIKEY ****************************
|
||
127 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
128 From Prometheus; Normalitous
|
||
129 Although many people do not make it a point to complement everything they read, most enjoy the writing anyway.
|
||
130 It is possible that someone did not like your writing and did not respond, but at the same time, it is possible someone did
|
||
131 liked it and did not respond.
|
||
132 In any case, I think it is very good of you to open yourself to the patrons, a first step in friendship is usually what is
|
||
133 called for lack of a better phrase, an 'opening line'.
|
||
134
|
||
135 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
136
|
||
137
|
||
138
|
||
139 PAM,
|
||
140 I HAVE ONLY BEEN AN OBSERVER HERE
|
||
141 EVER SINCE I DISCOVERED THE INN, BUT
|
||
142 OF ALL THE STORYS I HAVE EVER READ
|
||
143 YOUR PIECE OF REALITY WAS THE BEST,
|
||
144 AND THE MOST TOUCHING. MAY YOU HAVE
|
||
145 SOME PEACE IN YOUR TIME OF SORROW.
|
||
146
|
||
147 BILL
|
||
148 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ETC.^^^^^^^^^^^^
|
||
149 Pam
|
||
150 You have touched a lot of people. I cannot even find the words that fit.
|
||
151 Thank you. May the ones you care for care as deeply for you.
|
||
152 |_|_|_|T|a|n|y|a|_|_|_|
|
||
153 May the bars of your cage weaken and crumble. Do not listen to the small
|
||
154 voices. Write. Tear down the wall.
|
||
155 Adrian
|
||
156 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ETC.^^^^^^^^^^^
|
||
157
|
||
158 {c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}
|
||
159 Pam, I liked your story very much, it made me feel good inside and also
|
||
160 very sad. It was a very moving story. I feel like I just lost my own
|
||
161 grandmother.
|
||
162 Tanya, I too would like to see a story from you.
|
||
163 {c}{c}{c}{c}{c}{c}{c}{c}{tammy}{c}{c}{c}{c}{c}{c}
|
||
164
|
||
165 yes marvin
|
||
166 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
167 Here's a toast to all who are here,
|
||
168 No matter where you're from;
|
||
169 May the best day you have seen
|
||
170 Be worse than your worst to come.
|
||
171 A toast
|
||
172 from the Tin Man
|
||
173 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
174 Tanya>
|
||
175 A thousand welcomes you will find here before you,
|
||
176 And the oftener you come here the more I'll adore
|
||
177 you.
|
||
178 An Irish toast
|
||
179 from the Tin Man
|
||
180 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
181 Pam>
|
||
182 May the road rise to meet you.
|
||
183 May the wind be always at your back,
|
||
184 the sun shine warm on your face,
|
||
185 the rain fall soft on your fields,
|
||
186 and until we meet again
|
||
187 may God hold you in the hollow of His hand.
|
||
188 A toast
|
||
189 from the Tin Man
|
||
190 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
191 The INN>
|
||
192 May the roof above us never fall in, and may the friends
|
||
193 gathered below never fall out.
|
||
194 A toast
|
||
195 from the Tin Man
|
||
196 [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/] [/]
|
||
197 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
198 PAM: My condolence. I lost my paternal grandmother this December.
|
||
199 You must remember thou "That life MUST continue on." I know
|
||
200 that my grandmother would have wanted me to do just that.
|
||
201 May you always remember your grandmother with happy thoughts and
|
||
202 fond memories.
|
||
203 Tilean: Maturity is like experiences. You store them up and then draw
|
||
204 upon them at a later date. May your experiences be full and
|
||
205 rewarding to you. And like life, they will continue as long
|
||
206 as you continue to look upon life with an open mind and a
|
||
207 open heart. amazing... let it continue...
|
||
208 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ PaPa Smurf 1-28-85 0122
|
||
209
|
||
210 Sorrell dropped the bulky frame of the flame throwerr, barely avoiding getting caught in the framework of the tanks.
|
||
211 Drawing his pistol, Sorrell edged slowly backward, firing for cover as he and the others retreated cautiously.
|
||
212
|
||
213 Sorrell listened to his head set and masked out the outside noise using his Net training. Still, after losing most of the
|
||
214 words to the noise, a few keywords became noticable.
|
||
215 "Police en route here, clean it all up" With intermittant crackles "Transmitter area data loaded on the copter. Outa there,
|
||
216 we have what we want!"
|
||
217
|
||
218 Sorrell looked over to Omega, and caught his shining panic stricken eyes. Omega had listened too, and they both knew what
|
||
219 ought to be done.
|
||
220 Omega quickly rolled for cover under an overturned piano, which immediately peirced with automatic fire.
|
||
221
|
||
222 Sorrell nodded and they both split off, each leaping for a seperate stairway, hoping to confuse the enemy agents as much as
|
||
223 possible for an instant.
|
||
224 Sorrell felt the nick of a bullet on hhis heel, no wounding though, it was only a niick.
|
||
225
|
||
226 Omega was bounding down his set of stairs, leaping four at a time. As he landed on the last flight he turned to see an enemy
|
||
227 agent bearing down on him.
|
||
228 Omega used his forward momentum to continue his leap through another archway and into another room. Where he landed hard,
|
||
229 and on the cold cement.
|
||
230
|
||
231 Omega strugled to his feet, sickened at the slowness of his abused muscles. He dodged through another archway in time to
|
||
232 avoid another set of bullets.
|
||
233
|
||
234 Omega saw Sorrell appear at the opposite end of the corridor stacked to one side with communications equipment. Several
|
||
235 green enemy were in their line of fire, and seemed confused with the prospect of nothing to seek cover under.
|
||
236
|
||
237 Omega jerked hard at the hesitant cold of his trigger. Saw several people bend at the joints where the most weight resided.
|
||
238 Sorrell saw this too and regretted half heartedly his decision not to fire. Omega was aiming his weapon at him.
|
||
239
|
||
240 Omega glared at Sorrell, not realizing it was all over now. In the instant he might have fired, Omega thought about the face
|
||
241 and in trying to identify it with enemy agents he knew, the name Sorrell appeared in his mind. And for a second, Omega thought
|
||
242 him a traitor. Then Omega realized where he was and who he was.
|
||
243
|
||
244 Sorrell still glared at Omega as he stepped to one side of the door and peeked over the side, looking for trouble.
|
||
245 Sorrell perceived two Net agents walking down the hall, obviously as shocked as Omega.
|
||
246
|
||
247 Omega retreived his hand from inside the locked bin, and shouted aloud "They got the code book!" which was picked up and was
|
||
248 cried in turn by five voices.
|
||
249
|
||
250 00000000000000000000000NULL SET 0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
|
||
251
|
||
252 EXCERPTED FROM A NET BREIFING DOCUMENT DATED JANUARY 26, 1985 AT 0425 PM
|
||
253 "It was later discovered that the Code Book had been spirited away by agent L'Homme and was later returned to the new safe
|
||
254 house organized eight hours later in a North Portland house boat at an unspecified address."
|
||
255 "It was also later discovered that the Information stolen by the follower fanatics of Bhagwan Sri Dangerfield was instead
|
||
256 the transcript tapes of all out going communications in the last three months, which were not destroyed in time to prevent
|
||
257 their capture."
|
||
258
|
||
259 "It is for this reason that I suggest the phased replacement of all the old codes in favor of their new ciphers."
|
||
260 "When that many of our communications are intercepted at one time, it is most dangerous to forget the pssibility that our
|
||
261 computers may have been in error when they deemed them at the highest difficulty of deciphering of all known agencies."
|
||
262
|
||
263 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (continue or fade from memory...)
|
||
264 There really are not too many places where one can sit down to get a roast
|
||
265 sirloin of beef between two and three o'clock in the morning, but I knw of one.
|
||
266 It doesn't take much to make yourself eat when you are about to arrive on the
|
||
267 brink of exhaustion, it just comes naturally; chew, chew, chew, chew... Exhaus-
|
||
268 tion for some comes from having done a great deal, for others it is caused by
|
||
269 having to wait for a tsak to be performed. When it comes to the latter, the
|
||
270 former has a way of sneaking in all of a sudden.
|
||
271 Example: Gee, it sure isn't very busy right now... (pause)
|
||
272 (pause) Damn, it sure is busy right now! (pant, pant)
|
||
273 Besides, making time for such a diversion gave me a little more time to
|
||
274 consider the possible directions that my pencil and keyboard will soon venture.
|
||
275 And if nothing else, it ensures that I will be able to walk into this INN with
|
||
276 less dificulty at this wee hour in the mornin'. There was only one problem,
|
||
277 the considerations I had made did not come to any definite conclusions.
|
||
278 I have, though, decided to give way wit at least partial entries to get me
|
||
279 back on the proper tracks. I do not include this as one, for it is only a minor
|
||
280 disertaion and not an attachment to one of my storylines. (which is just too
|
||
281 bad, 'cause it's saying just what I want it to say... minus errors/typos)
|
||
282 As I take the last bite of meat, I then think of those I have met recently
|
||
283 and of my habit of considering others Friends before they tend to feel likewise.
|
||
284 These Friends will not leave my mind, and I do not let it distract for one
|
||
285 single bit- it adds 'flavor' to my meal.
|
||
286 With the meal at an end and the cost counted, I now trek home with the
|
||
287 clouds of my breate as a fading marker of where it is that I have been. If I do
|
||
288 not now make use of the thoughts in my mind, they will be as the clouds left
|
||
289 behind me- gone forever, never seen nor rememeberd.
|
||
290 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
291 kathy: ? Always.
|
||
292 PAM: The grief I have felt three times before swells in my throat as I come
|
||
293 to the end of the shared rememberance. It is not pity that I feel for you,
|
||
294 it is respect for your willingness to share such a tender moment.
|
||
295 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the conscience of the Guardian 28:04
|
||
296 p.s. the entries will have to wait- not yet faded from memory...
|
||
297
|
||
298 `'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'
|
||
299 The practitioner looked at the document that marked the passing of the
|
||
300 year and noticed that the second of the divisions called months was about to
|
||
301 begin very soon. Why this is the month of 'hearts and flowers' he thought to
|
||
302 himself. Addressing the assembled throng he said:
|
||
303 Friends of the Inn, I have a proposal for a interesting experiment in
|
||
304 human interaction and communication. Why don't we proclaim the next month as
|
||
305 the month of the "FRIENDLY ENCOUNTER". You might well ask what that means.
|
||
306 The proposal is that everyone try to make all their communication in a
|
||
307 friendly manner. Be creative. Try to avoid the confrontational mode of
|
||
308 interaction. Limit disagreement to 'damn them with faint praise' types of
|
||
309 statements. It might even stimulate new ideas of how to express certain kinds
|
||
310 of feelings.
|
||
311 What better way to celebrate the month?
|
||
312 HAPPY VALENTINE! to all of you. (early)
|
||
313 `'`'`'`' -alchemist- `'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'
|
||
314 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
315 I, for one, would like to second the alcheemist's motion! The last disk
|
||
316 and the first part of this one will remain in memory for a long, long time.
|
||
317 L'Homme -- please try again. I come and go at work... try at random, as
|
||
318 my schedule is pseudo-random.
|
||
319 Melissa -- Welcome back. I missed your story while you were gone. One of
|
||
320 the things I have noticed over several years both in lurk and active voice,
|
||
321 the general tenor of the entries changes with the expression of the preferencees
|
||
322 of the rest of the contributers. If you don't like something, say it, but
|
||
323 pleasee be sepecific about what you don't like. We all seem to have rather
|
||
324 thin skins when it comes to our writing -- after all these constructions of
|
||
325 ideas and words are our mental children!
|
||
326 Pam -- Thank you.
|
||
327 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
328 ________________Melissa--------------------------------Melissa________________
|
||
329 Tanya---It was your kind and gentle hand that helped me to return and continue
|
||
330 writing. Please do me the honor of accepting my hand in the same kind of
|
||
331 friendship. I can tell by the way you express yourself that indeed there is
|
||
332 a writer inside you that wants out. Actually that writer has already escaped
|
||
333 from the cage. Give your heart wings and let the stories roll off your
|
||
334 finger tips. When a person is sensitive and open brutal words do hurt. You
|
||
335 helped me to set aside the pain and continue with my story. Please, let me
|
||
336 encourage you to do likewise. You can write! Let us share it!
|
||
337 ----------------Melissa________________________________Melissa----------------
|
||
338 TO LADY (?) BEHIND |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_| judge not yet be judged ..... jay a. >>>>>>><<<<<<<<
|
||
339 To: ppppppppppppppppppppppppppppppppppppp=pp.......
|
||
340 I've told you a million times not to exaggerate!
|
||
341 ou seemed to have done an encore, "repeating the same." (Line 250)
|
||
342 How else under the milky way can you repeat?
|
||
343 Also, "redundancy" is already "excess"ive.
|
||
344 If you will not mend your ways: I'm going to recommend an award to you from
|
||
345 the Oregon chapter of the Unicorn Hunter.
|
||
346 Fine tooth comber
|
||
347 xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
|
||
348 Heh...
|
||
349 LXSDS TCPDC DNRA^ AJDNR AC^AJ DEAAD UXGDC PDJFE ODYUA
|
||
350
|
||
351 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP<
|
||
352 We are back to give you more of what your mind craves, what your body
|
||
353 deserves, and what your senses demand. This is only are second entry and is
|
||
354 considered by us to be worst than are last; so don't expect much...
|
||
355
|
||
356 hassan i sahba
|
||
357
|
||
358 hashish hashin
|
||
359 black september
|
||
360 black september
|
||
361 hashish hashin
|
||
362
|
||
363 death unto all indidels in oil.
|
||
364 guide us o genie of the smoke.
|
||
365 lend us to a thousand and one nights.
|
||
366 in the perfumed garden of delights.
|
||
367 petro dollar
|
||
368 petro d'allah
|
||
369 it is written
|
||
370 in the soul of the desert
|
||
371 it is written
|
||
372 mans truth is a mirage
|
||
373 it is written
|
||
374 in the snads of the hour-glass
|
||
375 it is written
|
||
376 in the eye of the falcon
|
||
377 it is written
|
||
378 in the shade of the scorpion
|
||
379 it is written
|
||
380 mans truth is a mirage
|
||
381 it is written
|
||
382 that death's an oasis
|
||
383 it is written
|
||
384 for all unbelievere
|
||
385 IT IS WRITTEN it is written
|
||
386
|
||
387 We hope you like our entrys as they seem to envelope quite "THE SPACE"
|
||
388 thankx for the use of the system, as we can now express ourselves freely,
|
||
389 without being afraid to show our TRUE inerselves... thankx also for all the
|
||
390 believers that read our second entry.....
|
||
391 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP<
|
||
392 ps. We hope that all of you other peoples haven't gone out and bought
|
||
393 yourselves and 400 d'allah screws lately.... of course I also saw a great
|
||
394 buy on government washers and hammers lately, if your interested.... Well
|
||
395 we've,(no not Beve!!!!); got to perambulate as of this moment so ..........
|
||
396 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP< 8ACICFP<
|
||
397 ******************************************************************************************************************************
|
||
398 PAM: I lost my grandma early this January. I felt lucky that I had the chance to get to know her again. I have not yet
|
||
399 totaly mentaly matured, but I knew that it was coming. Your passage really touched my heart.
|
||
400 *************************************:jody:***********************************************************************************
|
||
401
|
||
402 |_|_|_|_|_|_|_|_|_|_|_|_|_\ |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|
|
||
403 One called Brutus- I wait for your response. Please reply, no matter what the
|
||
404 content. Give me some sign of recognition, at least. Please...
|
||
405 Lurkers- don't don't don't don't don't don't don't don't don't don't please
|
||
406 All- Thank you. As I read the messages writtien here, to me and to others, I am
|
||
407 overcome with a sence of happiness, a feeling I like the words for, I can only
|
||
408 (that "like" above is "lack") call it something beyond the range of "good",
|
||
409 it tips somewhere, without any direction near "bad". I look apon the patrons at
|
||
410 the Inn and I doubt I will regret stepping from these torturing bars, and
|
||
411 pushing back the hood of my cloak. Thank you. Amor, Tanya
|
||
412 |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_| __|_|_|_|_|_|_|
|
||
413 From Tanya:
|
||
414 Below I shall write a poem. Before I do, I must explain something about the
|
||
415 poem. It is written on two levels. The first is an attack, in which the poem
|
||
416 attacks what it parellels. The second level can only be found, beyond the first
|
||
417 it is deeper and more personal, I think. Often times, poems are written with
|
||
418 many levels, however, even the first is frequently unnoticed. Normally, I
|
||
419 would not explain such things, but I found need to. A few have expressed their
|
||
420 dislike for poems, perhaps this is because they do not see these levels.
|
||
421 Perhaps not. The poem goes unnamed. If you wish to, name it.
|
||
422
|
||
423 the rain falls softly on the lake
|
||
424 one droplet progresses outward in a ring
|
||
425 it surfaces across the water
|
||
426 to human eye, it fades and becomes a part of the lake
|
||
427 continously, the ripples extend to the entire pool
|
||
428 the carcass of a fish lies corroding along the bank
|
||
429 its unprotective armor does not glisten in the light
|
||
430 moss and algae grow toward the center of the lake
|
||
431 they blanket the water, in after-thought of death
|
||
432 lifeless, falls this peace of world, peice of foundation
|
||
433 no bird sings of this collapsed ecosystem
|
||
434 the song of winged is lost in the demise
|
||
435 the atmosphere covers the quiteness
|
||
436 one sound can be heard through the silence
|
||
437 it is the gently falling rain
|
||
438 . . . . . . . . . . . . -Tanya . . . . .
|
||
439 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
||
440 Ian blanked the display and looked up as the trio entered. "So
|
||
441 you are the 'Farley', I
|
||
442 A've been hearing so much about..."
|
||
443 Thus began Farley's "de-briefing".
|
||
444 ..... some time later....
|
||
445 The terminal beeped. Ian glanced at the display. "Well, I think
|
||
446 that about takes care of things here. They've located 'Fred', he was
|
||
447 blocked-in by a fire engine. He appears to be alright, at least judging
|
||
448 from the ruckus he kicked up when the pick-up crew loaded him into the
|
||
449 trailer."
|
||
450 "Your FIRST assignment is to go down to the lab's garage and
|
||
451 calm him down! We are going to want to examine him VERY carefully. We
|
||
452 try to keep up with everyone's progress in AI, but he's the only sample
|
||
453 of anything that advanced to come our way. Other than our OWN, of
|
||
454 course."
|
||
455 At Farley's panic-striken look, he added, "Don't worry, we aren't
|
||
456 going to hurt him. But SOMEBODY has to be able to do maintenance on him,
|
||
457 and I doubt that the people you got him from would welcome you back."
|
||
458 "After that, Fellows will take you down to 'Personnel'. I think
|
||
459 we can trust you with a level 3 clearance. Once that's out of the way
|
||
460 you 'll be assigned to help Fellows and Parity look for another missing
|
||
461 agent."
|
||
462 "Fellows, be sure the's issued bankcards and a phone credit card.
|
||
463 Give him the SHORT breifing on using them to make emergency reports. He
|
||
464 is going to have to wait for a proper briefing til things slow down a
|
||
465 little."
|
||
466 "Well? why are you still standing there?! I've got work to do!
|
||
467 AND SO DO YOU!!"
|
||
468 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
||
469 just in case it wasn't clear: Fred was loaded onto a CLOSED trailer (as
|
||
470 in SEMI-).
|
||
471 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
||
472 <)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(
|
||
473 Tanya - I liked that poem, I think I saw many different meanings
|
||
474 within it, but I'm not sure. Please write some more, you are off to a
|
||
475 really good start. But what was that message to lurkers? Anyway, please
|
||
476 continue, you are off to a really great start.
|
||
477 Good week - A great idea! Was it a week or a month? It should be a
|
||
478 whole year it's such a good idea.
|
||
479 Pam - I can feel your loss, it must hurt. But as another Inn
|
||
480 member said, she would want you to live a happy life. It's hard to
|
||
481 forget the past, use it for yourself and not against you. I'm not making
|
||
482 much sence here, I hope you understand what I'm trying to say. I feel,
|
||
483 it's hard to forget the past, but don't forget the present.
|
||
484 Enter only - ARGHH!
|
||
485 <)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(<)>(Mark)>(<)>(<)>(<)>(<)>(<)>(<
|
||
486
|
||
487 Omega stepped over the cord railing, afraid of falling into the black waters, but even more afraid to let anyone notice.
|
||
488 Sorrell was walking the long way around all the walkways, and was giggling to himself at the odd way Omega was twisting in
|
||
489 order to aviod the ropes and the water.
|
||
490
|
||
491 Sorrell stepped under the doorway, which was little low, even for his height. Omega had to fully bend to avoid the cieling.
|
||
492 Omega followed him, simulatig his movements exactly. And followed him to the marked door.
|
||
493
|
||
494 Sorrell turned the knob and pulled wide the door, after letting his eyes get used to the low lihting and the blinking of odd
|
||
495 lights in weird places, he dicked under the doorway.
|
||
496 Omega entered withot letting his eyes adjust, and would be sorry for that later.
|
||
497
|
||
498 000000000000000000000000null set0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
|
||
499
|
||
500 Alright fellas, laugh it up, but remember that it is enter only and I couldn't get to it.
|
||
501
|
||
502 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
503 Here we are at home in a information
|
||
504 mode accessing a convenient B.B,s
|
||
505 and venting expressions on the
|
||
506 nature of the antidisestablishment
|
||
507 like communication,and we are all
|
||
508 going to die........ on a tropical
|
||
509 island as happy as clams in heat.
|
||
510 So what do you think about that?
|
||
511 Mot much I assume.
|
||
512
|
||
513
|
||
514
|
||
515 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++allen++++++++++++++++++
|
||
516
|
||
517 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
518 Now to remind everyone of MY F*A*V*O*R*I*T*E subject. The above
|
||
519 entry wins the Smurf award for space waste.
|
||
520 You walked into the Inn without ever checking for traps? Ok, that's
|
||
521 it. Put your dice away, THAT's IT. It's over.
|
||
522 ~~~~~~~~~~~~~~~~ nicer note
|
||
523 ALL NEWCOMERS: I am the space waste watcher of the INN (one of them), and
|
||
524 we would like to remind you that before you get into anything to far
|
||
525 and do not know how to get out, you are in trouble. This is very true
|
||
526 with LIFE in general. If you get yourself tofar into trouble without
|
||
527 even thinking of 'How I am going to get out of this mess' then you are
|
||
528 going to wind up in deep *#%$ someday. Now if only I knew Mikeys
|
||
529 phone number, ENTER ONLY, oh, well. But at this hour you say? Forget
|
||
530 it, he would probably just unplug us all until morning. What time
|
||
531 is it anyway? Just say 2 o'clock, its 1:58 really. Ok.
|
||
532 ~~~~~~~~~~~~~~~~
|
||
533 PAM: sure hope that you have made it back to the Inn to see the
|
||
534 bulletin board full of sympathy notes. I think mark was refering to
|
||
535 me, what a nice thought, to be mentioned by a passing .... oh, never mind.
|
||
536 (Swish)....................(PoP) a stirring passage though
|
||
537 ~~~~~~~~~~~~~~~~
|
||
538 Well PaPa is going after some ice-cream he hears scremming for his
|
||
539 attention in the kitchen "I'LL BE RIGHT THERE MY SWEET", so it
|
||
540 must be time for me to be out of here. To all, MERRY CHRISTMAS
|
||
541 drat ENTER ONLY ... your time of year Pops. Oh well, I think it
|
||
542 is past PaPas bedtime anyway.
|
||
543 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ A tired PaPa Smurf
|
||
544 Command relenquished... Command accepted, sir. Thank you...
|
||
545 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ("always opinions..." C.C.)
|
||
546 It is rather hilarious to keep The Smurf off his guard by doing the unexpected... Such as reciting items from an old AD&D
|
||
547 game ("...that's it. put away the dice...") and by carrying my infamous Bag of Holding. This Bag of Holding has only been
|
||
548 seen by a score of people or so, but the ammount of its contents may at times be likened to the ability of a woman to stuff
|
||
549 her purse to the seams with nothing but the non-essentials. Such is my Bag. Although filled with the non-essentials, it is
|
||
550 really amazing that I get away with carrying around as I have (:: 60 lbs?). But why do I find it neccessary to carry around
|
||
551 fifteen minutes of film with me? Or a towel... never mind, I just remembered why
|
||
552 it is so important to carry my towel. But 120 feet of rope and gear? I must be a tad loony... (No- tad not Tad...)
|
||
553 I guess that I'm just babbling on. Does it make any sense? Will it end? Should it end? And why do I call myself
|
||
554 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian 29:02
|
||
555 Relenquishing command, sir...
|
||
556
|
||
557 ******************************************************************************
|
||
558 The Inn is in a very interresting state right now. plenty of new writers
|
||
559 and idea's. Let's wait and see what transpires in the next couple of weeks.
|
||
560
|
||
561 The car pulled in the drive marked "emergency" and Marci helped the
|
||
562 attendants with Jack. He had regained his senses and had started to babble
|
||
563 about the Sea First Accounts when Tony quickly covered his mouth. A big
|
||
564 mistake on Tony's part as Jack firmly planted his teeth into Tony's palm.
|
||
565 IEEEE the attendants removed Jacks grip and helped Tony to wash a bandage
|
||
566 his hand. <yuk>
|
||
567 Tina and Marci were taking care of Jacks admittance and were trying
|
||
568 to come up with a good reason for a bullet hole.
|
||
569 ****************************************kathyd********************************
|
||
570 """""""""""""""""""""""""""""""""""""""""""""""HERE I AM"""""""""""""""""""""""
|
||
571 """""""""""""""""""""""""""""""""""""""""""""""AT THE BOTTOM""""""""PERRY""""""
|
||
572 ***************************************************************************
|
||
573 *** Hi dDenise! I know your out there,and I'm gonna find ya! Just kidding.
|
||
574
|
||
575 ** I really enjoyed our chat last night,evn though I don't understand you**
|
||
576 ** at all! I sure hope that we can talk again sometime! But I have this **
|
||
577 ** feeling that you don't want to talk to me again. Bye-bye........ **
|
||
578 ** Randy Van Moody **
|
||
579 ** Your local Compu-nut* **
|
||
580 **********n*******************************************************************
|
||
581
|
||
582 99999((
|
||
583 to P
|
||
584 _______
|
||
585 [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[
|
||
586 TO MASTER CHANGER: I AGREE. ARYANS ARE REALLT DISGRACE TO WASP.
|
||
587 JUST PAY ATTENTION TO ARYAN NATION VARIOUS CHAPTERS IN ALL STATE
|
||
588 AND FEDERAL PENITENCIARIES. THEY"RE ANIMALS IN DIFFERENT CLOTHING.
|
||
589 [[[[[[[[[[[[[[[[[[[[[[[[[[
|
||
|
||
TOTAL NUMBER OF LINES = 589
|