630 lines
34 KiB
Plaintext
630 lines
34 KiB
Plaintext
|
||
FILE ON
|
||
MARGIN IS 76
|
||
STATUS: ALL ALLOWED
|
||
NUMBER OF LINES: 629
|
||
1 If you are in need of help, you need but ask....
|
||
2 ********************* REMOVED: 28 JAN 84 *******************
|
||
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
||
4 ************************************************************
|
||
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
||
6 PLACED ON THIS SYSTEM.
|
||
7 BWMS was created as an electronic bill board. BWMS is a privatly owned
|
||
8 and operated system which is currently open for use by the general public.
|
||
9 No restrictions are placed on the use of the system. As the system is
|
||
10 privatly owned, I retain the right to remove any and all messages which
|
||
11 I may find offensive. Because of the limited size of the system, it will be
|
||
12 periodically purged of older messages. (only 629 lines of data can be saved)
|
||
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
||
14 ENTER mode. The message is automatically stored. If after entering the
|
||
15 message you find you made a mistake, use the replace command to replace
|
||
16 the line. To exit from the system, type 'OFF' then hang up.
|
||
17 Type 'HELP' to see other commands that are available on the system.
|
||
18 ************************************************************
|
||
19
|
||
20 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< *.* >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
|
||
21 <<<T.P.W.E.B. cont.>>>>
|
||
22 ... the story teller paused and looked around the Inn. He should at
|
||
23 least say hello to the Lady 'C'. (even though her friends here
|
||
24 know her by a different calling--certainly he'd not give the game
|
||
25 away) After all it was she who gave him the worn chart showing
|
||
26 cove near the Inn, where good anchorage was to be found. Oh! Well,
|
||
27 he'd go on with the story... perhaps later or much later
|
||
28
|
||
|
||
|
||
Nila's own garden was a very special place, with special
|
||
29 treats all about; things to see and hear and touch and
|
||
30 smell and taste and think about. It was full of flowers
|
||
31 with names like Perfume Delight and Fragrant Hour. It was
|
||
32 the most pleasant of places and Nila spent many happy
|
||
33 hours there, throughout her whole life both before and
|
||
34 after the adventure we are now telling.
|
||
35
|
||
36 Nila was idly following the sound of bees, when she
|
||
37 suddenly realized that she was hearing music instead.
|
||
38 The barely heard music of the finest of strings. As she
|
||
39 rounded a hedge, Nila suddenly caught sight of the
|
||
40 musician. He was a kindly looking man from the hills
|
||
41 dressed in a patched cloak and he was sitting cross-legged
|
||
42 under a great Banyan tree, facing south, playing a little
|
||
43 stringed instrument that he held in his lap. His eyes
|
||
44 were closed and Nila thought that he must be absorbed in
|
||
45 the fragile humming sound he played. Though he looked a
|
||
46 little rough and unconventional Nila had no fear, even at
|
||
47 finding him in her private garden, for she knew that you
|
||
48 could hear a man's soul in the music he played and his
|
||
49 music was gentle and fine. In fact, remembering the
|
||
50 story of the prophesy, Nila had a pretty good idea of
|
||
51 who this ragged man might be. Discarding her normal
|
||
52 impulse to be polite Nila walked straight up to him and
|
||
53 sat down facing him. He neither opened his eyes nor
|
||
54 stopped his fingers moving on the strings, which Nila
|
||
55 thought a little rude. "Sir", she said politely, "do you
|
||
56 know Truth?" The ragged musician opened his eyes and
|
||
57 looked at Nila. For a moment Nila thought he had mistaken
|
||
58 her for someone else because he looked at her with all the
|
||
59 love of a father for a daughter.
|
||
60
|
||
61 The strings shimmered beneath his fingers. "Yes", he said.
|
||
62 "Can you tell it to me, please?"
|
||
63 "No."
|
||
64 The singing bees continued unbroken as though the
|
||
65 conversation were of no import whatever. As Nila pondered
|
||
66 she suddenly thought of the line to the song that said,
|
||
67 "The answers' in the question, ho!
|
||
68 She didn't know quite what that meant but she said, "Sir,
|
||
69 am I asking the right questions to learn what I wish to
|
||
70 know?"
|
||
71 "No.", said the musician and his instrument hummed, "but
|
||
72 now your knowing has begun for you know it requires a
|
||
73 proper question to get a proper answer." For a moment
|
||
74 Nila felt a little flash of pride that her knowing had
|
||
75 begun. But as she reflected she realized that she was no
|
||
76 closer than before to knowing what a proper question was.
|
||
77 The more she thought about it the more her mind spun
|
||
78 around and around with all the thousands of questions
|
||
79 she could think of to ask. Finally, in the natural
|
||
80 course of events she ran out of thinking and said with
|
||
81 all her heart, "Please sir, I have thought and thought
|
||
82 and thought and I don't know what a proper question
|
||
83 might be. Will you help me please?"
|
||
84
|
||
85 "That is the proper question.", the musician said.
|
||
86 Though his fingers ceased to move on the strings, it
|
||
87 seemed that his music continued. "Princess", he went on,
|
||
88 "You are beautiful beyond your beauty and wise beyond
|
||
89 your intelligence, indeed your wisdom surpasses that of
|
||
90 scholars for you now know that the answer you get is
|
||
91 contained in the question you ask. I cannot tell you
|
||
92 Truth because Truth cannot be told, it can only be
|
||
93 experienced."
|
||
94
|
||
95 "I see, I think.", said Nila. Her head felt a little
|
||
96 strange. "The rule is you only answer the question I ask,
|
||
97 so if the question is wrong the answer is wrong too."
|
||
98 "Not I alone.", said the musician, "It is the whole
|
||
99 world that answers thus. There is a more secret meaning
|
||
100 to this as well, which you will realize in the natural
|
||
101 course of events."
|
||
102
|
||
103 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< ... >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
|
||
104
|
||
105 Since that one group in the corner seems intent on discussing who should be
|
||
106 chosen as the new leader (I assume that is what "president" means) I think I
|
||
107 shall sing a song that speaks of kingship's responsibility...
|
||
108
|
||
109 Burden of the Crown (words & music: Derek Foster)
|
||
110
|
||
111 The battlefield is silent, the shadows growing long.
|
||
112 Though I may view the sunset, I'll not live to see the dawn.
|
||
113 The trees have ceased to rustle, the birds no longer sing.
|
||
114 All nature seems to wonder at the passing of a King.
|
||
115
|
||
116 And now you stand before me, your father's flesh and blood,
|
||
117 Begotten of my sinews on the woman that I loved.
|
||
118 So difficult the birthing, thy mother died that day,
|
||
119 And now you stand before me, to bear my crown away.
|
||
120
|
||
121 The hour is fast approaching when you come into your own,
|
||
122 When you take the ring and sceptre and sit upon the throne.
|
||
123 Before that fatal hour, when we each must meet our fate,
|
||
124 Pray, gaze upon the royal crown, and marvel at its weight.
|
||
125
|
||
126 This cap of burnished metal is the symbol of a land,
|
||
127 Supporting all we cherish, the dreams for which we stand.
|
||
128 The weight, you'll find, is nothing, if you hold it your hand.
|
||
129 The burden of the Crown begins the day you put it on.
|
||
130
|
||
131 See how the jewels sparkle, as you gaze on it again.
|
||
132 Each facet is a subject, whose rights you must defend.
|
||
133 Every point of light a burden you must shoulder with your own.
|
||
134 And mighty is the burden of the man upon the throne.
|
||
135
|
||
136 The day is nearly ended, my limbs are growing cold.
|
||
137 I feel the angels waiting to recieve my passing soul.
|
||
138 Keep well for me my kingdom when my memory is dead,
|
||
139 And forgive me for the burden I place upon your head.
|
||
140 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
141 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
142 ::::::::::::::::::::::::::::::<>::::::::::::::::::::::::::::::::
|
||
143 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
144 HERE WE ARE. A WORLD OF ILLUSION. ONE KNOWS ONLY A LIE AS LIE CONTRADICTS
|
||
145 TRUTH AS WE SPEAK NOW. HAST THE SPOKEN OF "I KID YOU NOT"? WHEN IN ACUTALITY WE
|
||
146 KID ONLY OURSELVES. WE ARE BOUND TO THE ILLUSION OF REALITY AS LONG AS WE
|
||
147 CANNOT SEE PAST THE BIG GULP. ONCE YOU VENTURE PAST THE STRAW,
|
||
148 YOU WILL SEE A NEW PERSPECTIVE ON WHAT IS REFERED TO AS YOUR REALITY. AS
|
||
149 WE ARE ALL FINGERS ON THE HAND, AND TIME IS NON EXISTANT... TRY AND BE
|
||
150 OPEN MINDED. AND NOT UNDERSTAND WHAT I SAY, BUT ACCEPT WHAT SAY AS THE TRUTH.
|
||
151 OR THE NON-TRUTH AS IT IS EQUAL IN MEANING.
|
||
152
|
||
153 MERDDIN EMRYS
|
||
154 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
||
155 :::::::::::::::::::::::::::::<>:::::::::::::::::::::::::::::::::
|
||
156 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
||
157 This system is becoming ever harder to get on to. Many may
|
||
158 complain about the content of this board, but the length
|
||
159 of time it takes to access it is proof (to me, at least) that
|
||
160 the stories are becoming more and more popular. I only
|
||
161 wish that Breden and d would write more often.
|
||
162 Bo
|
||
163 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
||
164 ================================================================
|
||
165 I HAVE ONE QUESTION. I WOULD LIKE TO KNOW WHO DECIDED
|
||
166 THE FREQUENCY FOR THE DIAL TONE ON MY PHONE.
|
||
167 IT SEEMS TO BE PITCH AT ABOUT A LOW D WITH A DIMINISHED 7TH
|
||
168 AND A HINT OF AN INVERTED Bb. WHO'S IDEA WAS THIS. I COULD THINK
|
||
169 OF MUCH MORE PLEASANT CHORDS. DOES THE PHONE COMPANY USE THEIR
|
||
170 DIAL TONE IN MUSIC AT THE OFFICE? I WOULD LIKE TO KNOW.
|
||
171
|
||
172 +
|
||
173 Andy Rooney.
|
||
174
|
||
175 ==================================================================
|
||
176
|
||
177 YES, BUT WHAT DO YOU DO WITH ALL THOSE CAN OPENERS
|
||
178 THAT DON'T WORK ANY MORE?
|
||
179 << VERY OLD INSIDE JOKE TO YOU NEW USES >>
|
||
180 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
181 YeS, BuT tHeN tHeY aLwAyS wErE a ShIfTy LoT!
|
||
182 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
183
|
||
184 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
185 The morning light streams thru the windows of the Inn. There
|
||
186 is little activity as the Innkeeper busies himself cleaning
|
||
187 tables. Worry on his face for best employee Pam had made mention
|
||
188 of leaving for a long trip the night previously. Looking across
|
||
189 the room he spies Tarn still sleeping at the table quite worn
|
||
190 from the nights activities, and finds himself a little envious
|
||
191 for the happiness Tarn appears to have found. As he is watching
|
||
192 Tarn stirs, then is up. Rubbing his neck, for a crick had
|
||
193 developed for sleeping in such an odd position through the night,
|
||
194 Tarn looks around a bit dazed at first, then searching as if
|
||
195 looking for someone. He sees the Innkeeper looking at him, and
|
||
196 returns a questioning look in return, but the Innkeeper just
|
||
197 shakes his head no and moves on about his work. Though
|
||
198 momentarily saddened, the smile quickly returned.
|
||
199 Folding his cloak over his arm for there was no need for it
|
||
200 on such a beautiful day as this! Tarn strides from the Inn with
|
||
201 a livly stride. As the Innkeeper watched him go, he could have
|
||
202 sworn he saw Tarn click his heals together in pure joy as he
|
||
203 left. Yes, he was definatly envious of Tarn.
|
||
204 Leaving the Inn, Tarn notices a new addition outside the
|
||
205 Inns doors, a Rowan tree had recently been planted by someone.
|
||
206 Odd he thinks "I am reminded of something by that, but cannot
|
||
207 think what." Then not knowing why he did so, he breaks a small
|
||
208 twig from the tree and puts it through the button hole in his
|
||
209 lapel, and moves on down the road in a light stride that was
|
||
210 almost a dancing of his feet.
|
||
211 The sun was shining, and the birds singing in time to his
|
||
212 light steps. A beautiful spring day in the heart of winter.
|
||
213 Yes, it was indeed a glorious day!
|
||
214 * Tarn *
|
||
215 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
216 -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
||
217 *Three cheers to the one who can get a debate going on this
|
||
218 system. It appears to be impossible.
|
||
219 (hey! let's debate on how to get th conversation going!)
|
||
220 -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
||
221 ============================================================
|
||
222
|
||
223 COULD SOMEONE PLEASE EXPLIAN WHAT IS GOING ON WITH THE STORIES.
|
||
224 SOME OF THIS WRITING IS FAIRLY GOOD. I HAVE ONLY LOGGED ON A FEW TIMES A
|
||
225 FAIRLY LONG TIME AGO, BEFORE THE STORIES BEGAN. I READ BOTH DISKS
|
||
226 AND FOUND REFERENCES TO 'MULTI AUTHOR' AND SUCH AND WONDERED HOW THIS WORKED
|
||
227
|
||
228 IS THERE ANY WAY TO GET THE BEGINNINGS OF THESE STORIES?
|
||
229
|
||
230 KEEP WRITING ANYWAY
|
||
231 EVAN
|
||
232
|
||
233 ============================================================
|
||
234
|
||
235 B I G B R O T H E R
|
||
236 I S
|
||
237 W A T C H I N G
|
||
238 Y O U ! !
|
||
239 ===================
|
||
240 Citizens...do the jig!
|
||
241 Is it not enough to have some 19 odd BBS's trying to impress people with
|
||
242 their importance by carrying on learned discussions about ingrown toenails
|
||
243 and the like ? Why should this board cater to a clientel that has no other
|
||
244 idea of a good time than to quibble amongst themselves. I for one enjoy the
|
||
245 unique atmosphere of this system, and it is indeed a welcome relief from the
|
||
246 clone bulletin boards that some seem to perfer over the originalkity of the
|
||
247 multi author stories we are able to experience here. Yes folks - you could
|
||
248 almost call this art, and that is something some people just cannot relate
|
||
249 too. (there I go... now I'm starting to quibble)
|
||
250 HI EVERYONE, THIS JEFF BLACK (SYSOP) OF THE NEW WEST SIDE NETWORKS.
|
||
251 PLEASE GIVE ME A CALL AT 649-xxxx 300 BAUD/24 HRS.
|
||
252
|
||
253 THANX
|
||
254 EXIT
|
||
255 ******************************************************************************
|
||
256 You awake with a start, to just the beating of your heart,
|
||
257 Is your consience at rest when put to the test?
|
||
258 You shout in your sleep, perhaps the price is just too steep.
|
||
259 You set sail across the sea, past thoughts and memories,
|
||
260 childhoods end your fanticies, who are you and who am I?
|
||
261 all thing condiment and so this all must end,
|
||
262
|
||
263 All proud men turn to dust
|
||
264 <><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><\
|
||
265 A drunken stranger at the back of the crowded common room lurched
|
||
266 to his feet and somehow managed to stand on the table.
|
||
267 "Someone get him down from there before he starts to..."
|
||
268 "I shall now recite from my uncollected works!" The inebriated
|
||
269 newcomer's voice somehow carried to every corner of the Inn.
|
||
270 "Oh, no!" came a moaned reply from the crowd, as he began to speak:
|
||
271 "Thy face is fair to human eye
|
||
272 Thy form is song, thy movements light,Thy spirit paen thrown on high
|
||
273 The Lord and Angels to delight.
|
||
274 Thy voice the murmur of the earth
|
||
275 Is, thrilling to the soul of man.
|
||
276 Praise heaven for thy day of birth;
|
||
277 Such grace could be but by some plan
|
||
278 To echo in the earth below
|
||
279 The delights that are above
|
||
280 That all who thee percieve should know
|
||
281 That there walks one who God does love.
|
||
282 and nothing lovely do I see,
|
||
283 But being so, reminds of thee."
|
||
284 As he finished, the room remained silent for several seconds, until
|
||
285 the moment was broken by a ripe tomato striking the poet in the
|
||
286 forehead. "Everyone's a critic," he muttered, and sat down to
|
||
287 finish his ale.
|
||
288 ||||||||||||||||||| The Mad Actor | |||||||||||||||||||||||||||||||||||||
|
||
289 ((((((((((((((((((( But aren't we all?)))))))))))))))))))))))))))))))))
|
||
290 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
291 The piper looked at the bearded journeyman a long moment. "Yngvi?? Now
|
||
292 that name has a familiar ring to it. It seems that one of that name (obviously
|
||
293 not you, you are of a more savory mein) was fed his own toenails on an adventure
|
||
294 by Heinlien -- Glory Road?? -- and somewhere before that-------------
|
||
295
|
||
296 Pardon me, but I will not write any disrespectful words on the slate. I have
|
||
297 grown older and wish not to change this reality too greatly. Yngvi, you may
|
||
298 have been a louse, but I never dislliked you."
|
||
299
|
||
300 Turning away from the stranger the piper pressed the bag flat. He had collected
|
||
301 more moisture in it that was good for the reeds. The evening had grown ripe,
|
||
302 to night, then overripe with the brightning towards dawn. As he passed the
|
||
303 apprentice --conjuring demons?-- he called
|
||
304 "Gently pleas!e! James Clerk Maxwell was a Scot and due certain protections
|
||
305 --- his demon has been strained by overuse these past 50 years!"
|
||
306
|
||
307 ppppppppppppppppppppppppppppppppppppppp the piper pppppppppppppppppppppppppppppp
|
||
308 The apprentice thought for a while, but still could not bring the reference to
|
||
309 mind. He had definitely heard the name before, perhaps in one of the tales of
|
||
310 storm giants? Ah well, no matter.
|
||
311 "Milord piper, I fear that you have Yngvi confused with Igli. Though I must
|
||
312 admit that I do recall something about an Yngvi being a louse..."
|
||
313 He paused, and attempted to look both innocent and hurt. "And as for this talk
|
||
314 of 'Maxwell's demon', I fear that I have no idea what thou art referring to."
|
||
315 At the piper's raised eyebrow he continued in a much lower voice, "Besides,
|
||
316 milord, I merely used his name in the invocation. I did not summon that creature
|
||
317 thou hast spoken of."
|
||
318 Louder, "Farewell, piper"
|
||
319 ......................................the apprentice............................
|
||
320 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
321 The Inspector had just a moment to see that sword raised for the
|
||
322 final stroke when the sound of a gunshot and broken glass pierced the
|
||
323 room. For a moment, he could not comprehend what was happening, when
|
||
324 the ninja slowly crumbled into a heap on the floor, as if all of the
|
||
325 air had been let out suddenly. Salizar lay on the floor, panting and
|
||
326 regaining his wits for a moment, and then managed to sit up against the
|
||
327 sofa. The tall stranger was sitting up, having pulled the daggers out
|
||
328 of his arms, and was trying to examine Serena, the blood flowing
|
||
329 unstaunched from his woulds. The sound of rapid footsteps from the hall
|
||
330 produced a dwarf, carrying a rifle.
|
||
331 The man's ministrations seemed to have an effect, as Serena opened
|
||
332 her eyes. The dwarf stepped over her in the entranceway and went to
|
||
333 examine the ninja. "Sergei?" She whispered. "How..."
|
||
334 "I escaped from McKane in Argentina two days ago, and have been
|
||
335 searching for you ever since, dear Serena. I killed four of the
|
||
336 dogs, but McKane has again escaped me. It is clear I have arrived nono
|
||
337 too early."
|
||
338 Serena sat up, rubbing her head. "I was struck from behind. Verry
|
||
339 clumsy of me." and then she saw Salizar. "Inspector! What's happened?
|
||
340 Who is..."
|
||
341 Phillipe interjected "It's the Ninja. Valerius sent me to watch over
|
||
342 the Inspector, and I had the room in my rifle scope from across the
|
||
343 street. Look!" As he pulled what was obviously the shift lever from
|
||
344 a Chevy from the figure's bag iof implements.
|
||
345 The inspector, finally roused from action, said "Give me that! So
|
||
346 we know who killed Natasha, but why?"
|
||
347 Sergei rolled the figure over with the toe of his boot, the dull
|
||
348 lifeless eyes of the ninja stared at the ceiling. "We may never know..."
|
||
349 The sound of sirens approaching galvanized them into action. The
|
||
350 dwarf dropped the rifle, and Serena helped Sergei out of the room.
|
||
351 Only the Inspector was left, holding the shift lever gently in his
|
||
352 hands, left to ponder what had happened. The case may be closed, but
|
||
353 for the Inspector, it could never be over.
|
||
354 ************************
|
||
**********************Contremon Valerius
|
||
355
|
||
356 TO EVAN and others involved in the McKane saga:
|
||
357 It seemed time to tie up some loose ends. Evan: A multi-
|
||
358 author story is just that. Read what has come before, and think
|
||
359 up some CONSISTANT continuation to the plot and have at it. It
|
||
360 helps to leave some piece of possibly related data around for others
|
||
361 to pick up on. It is also almost a necessity to log in every day,
|
||
362 no matter how hard it is, or you get passed by, or killed as in
|
||
363 the case of our poor Ninja, of whom we have not heard fror some time.
|
||
364 You may be able to pick up on more at the Inncounter. CV
|
||
365 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
366 SYSTOP MIKEY: HOW MANY SSSD 8" DISKS WOULD IT TAKE TO HOLD
|
||
367 EVERYTHING FROM SAY, 1 JANUARY? WOULD YOU BE WILLING TO MAKE
|
||
368 ME COPIES IF I SUPPLIED THE DISKS? I THOUGHT IT MIGHT BE
|
||
369 ENTERTAINING TO HAVE IT ALL ON LINE AT THE INNCOUNTER. CV
|
||
370 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
371 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
372 I hope I'm not too late, but would it be possible to
|
||
373 get the # to RSVP the inncounter? Sorry for
|
||
374 being so absent minded.
|
||
375 Bo
|
||
376 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
377 ***************************************************************
|
||
378 GENERAL MACAIBO:
|
||
379 "Organizing, funding, and completing a lunar mining station"
|
||
380 sounds like a practical endeavor to me. It's a big project, I
|
||
381 must admit, but one I would think could be broken into
|
||
382 managable parts.
|
||
383
|
||
384 Given enough time, determination, and savvy I figure you'll
|
||
385 probably pull it off. Though probably not in the way you
|
||
386 originally intended.
|
||
387
|
||
388 By the way. What is the "best education" for the person
|
||
389 preparing for lunar construction? Organizing, funding, and
|
||
390 building represent three separate career skills. Are you
|
||
391 preparing yourself in all three areas?
|
||
392
|
||
393 Is a college education a help or hindrance in such a
|
||
394 pioneering career choice?
|
||
395
|
||
396 No doubt about it. I think your lunar mining camp is a good
|
||
397 idea. I'm curious about your specific strategy for pulling
|
||
398 it off.
|
||
399 ==================
|
||
400 Leonard:
|
||
401 You hit it on the head with Rule #1. I'd only add that I'd
|
||
402 include everyone...not just kids.
|
||
403
|
||
404 I find I get better result from people if I treat them with
|
||
405 respect. It's usually better to talk across to someone than
|
||
406 down to them.
|
||
407
|
||
408 That was my secret for getting the mentally ill people to
|
||
409 produce the television series. I treated them with respect.
|
||
410 I treated them as equals. They responded to it and produced
|
||
411 something the "experts" would have believed impossible.
|
||
412
|
||
413 Yes, I think you've hit on a sound principle there. One that
|
||
414 usually works.
|
||
415
|
||
416 I'm not as excited by your idea that children become
|
||
417 logical because their parents confuse them...though I admit
|
||
418 my parents certainly confused me.
|
||
419
|
||
420 I think there's a biological reason for children to become
|
||
421 less logical. Young children have to be logical because the
|
||
422 part of their brain that understands abstractions isn't mature
|
||
423 yet. Once able to understand abstractions their thinking
|
||
424 appears confused because logic no longer always works.
|
||
425
|
||
426 That works out, though, because it's a confusing world and
|
||
427 being confused is probably the right thing to do anyway. At
|
||
428 least it's always worked for me.
|
||
429 GARY
|
||
430 **********************************************************
|
||
431 Hi Herb, Glenn, Bob, and etc.
|
||
432 Art
|
||
433 .........................................................
|
||
434 **********************************************************
|
||
435 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
436 Hi!
|
||
437 This is the Ninja. It shure doesn't feel good to be dead
|
||
438 Anyway, I would like to say that my friend is willing to buy
|
||
439 some of the resources from the little lunar mining operation.
|
||
440 You see, we are going to get lots of aluminium and drop it on
|
||
441 Venus. When this reacts with the hydrochloric acid to form
|
||
442 hydrogen, we will try to find some oxygen (from asteroids?)
|
||
443 and torch it. This will solve the hydrochloric acid problem
|
||
444 and form life giving water.
|
||
445 The Ninja
|
||
446 --------------------------------------------------------------
|
||
447 LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL
|
||
448
|
||
449 DROP IN FOR A VISIT!!! 760-xxxx
|
||
450
|
||
451 OPEN FROM 7 TO 11!
|
||
452
|
||
453 LYLE DIXSON'S BBS
|
||
454 760-xxxx
|
||
455
|
||
456 LLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLLL
|
||
457 *******************************************************
|
||
458 CV: BACKUPS FOR JAN ARE NOT YET AVAILABLE BACKUPS ARE
|
||
459 MADE APROX ONCE PER MONTH, THE LAST BACKUP AVAIL CURRENTLY
|
||
460 IS 16 DEC 83 - 31 DEC 83. THE 8" SSSD CPM FORMAT DISKS ARE
|
||
461 AVAILABLE FROM U.S. DIGITAL AT $5.00 PER DISK. IF YOU CAN'T
|
||
462 READ 8" DISKS, IT IS ALSO AVAILABLE ON PAPER FOR $5.00 PER
|
||
463 DISK LISTING. EACH 8" DISK CONTAINS APROX 5 TO 6 BW DISKS.
|
||
464 FOR A LIST OF AVAILABLE DISKS SEND A SSAE TO:
|
||
465 U.S. DIGITAL,
|
||
466 MILWAUKIE, OR 97222
|
||
467 ************ CISTOP MIKEY ****************************************
|
||
468 I WONDER WHAT HAS HAPPENED TO PAM? SHE SEEMS TO BE NOTICIBLY
|
||
469 MISSING OF LATE. ODD..
|
||
470
|
||
471 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
472 Apprentice: I think your're right, it was Igli. My memory seems to be getting
|
||
473 worse by the moment.
|
||
474 Bard: Since no one has jumped on it, I suspect that Backwater is physically
|
||
475 located in Oregon City.
|
||
476 Which SCA country is that?
|
||
477 Cistop Mikey: Am I right about location?
|
||
478
|
||
479 The piper felt exhaustion weighting him down. The quantities of ale he had
|
||
480 drunk were nearly sloshing in his stomach -- not uncumfortably so, just letting
|
||
481 him know that it was there.
|
||
482
|
||
483 Somehow the long evening seemed over. With a wave and smile of thanks, the
|
||
484 piper slung his pipes under his arm and made his way out of the inn's common
|
||
485 room. Feeling his way down a dimly lit hallway, he went into a small room
|
||
486 and sank down uncouncious on a hard bed.
|
||
487 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
488 To whom it may concern: The SCA "units" in the area are as follows (more info
|
||
489 avialable on request)
|
||
490 Barony of Adiantum Eugene, Oregon
|
||
491 Shire of Aqua Terra Everett, Washington
|
||
492 Shire of Blatha An Oir Tacoma, Pierce County Washington
|
||
493 Shire of Coeur du Val Corvallis, Oregon
|
||
494 Shire of Dragon's Laire Bremerton, Washington
|
||
495 Shire of Dragon's Mist Washington County, Oregon
|
||
496 Shire of Evercleare Olympia, Tumwater Washington
|
||
497 College of Gryphonsward Reed College
|
||
498 Barony of Madrone Seattle, Washington
|
||
499 Shire of Nether Edge Polk, Marion & S. Yamhill counties, Oregon
|
||
500 Canton of Perilous Guard Walla Walla, Washington
|
||
501 Shire of River's Bend Longview, Washington
|
||
502 Shire of Rosemont Packwood, Washington
|
||
503 College of St. Bunstable U. of W., Seattle, Washington
|
||
504 Shire of Shittemwoode Bellingham, Washington
|
||
505 Shire of Stromgard Vancouver, Washington
|
||
506 Canton of Terra Pomarium Silverton, Oregon
|
||
507 Barony of Three Mountains Portland, Oregon
|
||
508 ......all of the above are part of the Kingdom of An Tir, which covers:
|
||
509 Washington, Oregon, Idaho, British Columbia, Alberta, & portions of Montana &
|
||
510 Sasketachewan.
|
||
511 ----------------------------------------------------------------
|
||
512 :*************************************************************:
|
||
514 Merddin Emrys:
|
||
515
|
||
516 Well it's about time somebody wrote something that made some
|
||
517 sense. Good job.
|
||
518
|
||
519 Of course we are "bound to illusion of reality as long as we
|
||
520 can not see past the big gulp". That's the whole point. It's
|
||
521 the gulp that makes primal belch therapy the means to liberate
|
||
522 mankind from existential phenomenalism.
|
||
523
|
||
524 Scientists have discovered that spiritual malady is caused by
|
||
525 gasses within the body seeking to excape.
|
||
526
|
||
527 Primal belch therapy is a technique for liberating those
|
||
528 fumes. The primal belch, in releasing pent up negative Ion
|
||
529 gasses, catapults the patient into a free form existential
|
||
530 spiritual experience.
|
||
531
|
||
532 The procedure is also good for acne.
|
||
533
|
||
534 If you'd like to know more about this scientific break-through
|
||
535 please send me eight hundred thousand dollars in small bills.
|
||
536 Place your payment in brown paper bags and deliver them to
|
||
537 Lt. Salazar. He'll know what to do with the money.
|
||
538
|
||
539 If we are all merely fingers on the hand of life, then I, I
|
||
540 imagine, am the thumb.
|
||
542 LeRoy McKane
|
||
544 ======================
|
||
546 Andy Rooney:
|
||
548 Military scientists working for the phone company made a
|
||
549 remarkable discovery. They found that a computer enhanced
|
||
550 low D tone made people unusually suseptible to post hypnotic
|
||
551 suggestion.
|
||
552
|
||
553 The tone you hear on you phone is transmitting a message to
|
||
554 your subconscience telling it to believe what it is about to
|
||
555 hear. The inverted Bd is the propoganda material being
|
||
556 programmed, subconsiously of course, into your brain.
|
||
557
|
||
558 You doubt this?
|
||
560 Remember last Thursday when you almost got run over by that
|
||
561 M-60 tank in the Safeway parking lot? During that whole
|
||
562 episode did it ever occur to you that a tank in the Safeway
|
||
563 parking lot was at all unusual? I didn't think so.
|
||
564
|
||
565 In future phone encounters I recommend placing a bed mattress
|
||
566 (preferably King size) between your head and the receiver. If
|
||
567 this fails try having wax surgically emplanted in your left
|
||
568 ear.
|
||
571 Grand D
|
||
573 :***********************************************************:
|
||
574 *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
|
||
575 My dearest Mohammed:
|
||
576 You will be pleased to know that the Ninja finally bit the big one.
|
||
577 Salazar is safe but thoroughly baffled. I'll be taking a few days off
|
||
578 with Sergei, Philippe, and a platypus named Herman. I think I deserve the
|
||
579 rest, don't you? The trip to Venice will have to be put on hold for a
|
||
580 while(I hate canals anyway). Leroy is into something called primal belch
|
||
581 therapy, I think all this cloak and dagger stuff has affected his brain
|
||
582 (or stomach). Take care big fellow.
|
||
583 -Serena-
|
||
584 *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
|
||
585
|
||
586 B E L C H !
|
||
587
|
||
588 -------------------------------------------------------------------------
|
||
589 My friend Tarn has been in such good spirits of late that it is
|
||
590 hard for me to remember that he can suddenly turn morose and cynical.
|
||
591 From the window of my rented room at the Inn, I can see the road which
|
||
592 passes over a small footbridge and extends about a mile before making a
|
||
593 sharp bend and dissapearing from view in the almost primevil forest
|
||
594 that carpets the land, and I am reminded that Tarn is much like that
|
||
595 forest. There is much beauty, if only one cares to look, but it is
|
||
596 untamed and wild. On days like today, when the air is cold and the sky
|
||
597 is blanketed with gray, the forest appears to brood. I hope that Tarn
|
||
598 does not emulate the forest in that manner also, for I enjoy his
|
||
599 presence much when he is jolly, but I am disturbed when he is deep in
|
||
600 the pool of his own memories.
|
||
601 Walking downstairs, I am once again surprised to see that the
|
||
602 Innkeeper is alone at his tasks, with help nowhere to be found. Where
|
||
603 is his barmaid? He seems unconcerned, though, so it isn't my place to
|
||
604 question. Ah well, I'll break my fast, and wait to see if Tarn will be
|
||
605 in today.
|
||
606 - Emer -
|
||
607 -------------------------------------------------------------------------
|
||
608
|
||
609
|
||
610 To Emer(above) You have the worst text formatter I have ever seen. Is it
|
||
611 from Atari?
|
||
612 **************************************
|
||
613 GOLLY, DRIVE A IS ALL FULL AND THERE IS STILL ROOM
|
||
614 ON DRIVE B! YOU PEOPLE SURE ARE SLOW! I HAD HEARD
|
||
615 THAT SOMEONE CALL PAM USUALLY CLEANED OFF THIS
|
||
616 TABLE, BUT I DON'T SEE IT BEING CLEANED, AND WITH
|
||
617 TABLES HERE IN THE INN BEING IN SUCH SHORT SUPPLY
|
||
618 I FIND THAT I HAVE TO CLEAN IT UP MYSELF IF I WANT
|
||
619 TO USE IT. WHERE IS THE INN KEEPER? WHERE IS MY
|
||
620 DIRNK?! COME ON I WANT SOME SERVICE HERE! WHAT KIND
|
||
621 OF A SLOP HOUSE ARE YOU RUNNING HERE ANYWAY?!
|
||
622 EIIEEEE... * CRASH * < TINKLE > - THUD - "DAMN!!"
|
||
623 I GUESS I SHOULDN'T HAVE STOOD ON THE TABLE. (OF
|
||
624 COURSE THE JUMPING UP AND DOWN PROBABLY DIDN'T
|
||
625 HELP A LOT EITHER.) I WONDER IF MIKEY WILL MAKE
|
||
626 ME PAY FOR THE DAMAGES. MAYBE I CAN SUE HIM FOR
|
||
627 THE MONEY TO PAY 'EM. "WIPLASH!!!"
|
||
628 I. S.
|
||
629 ***********************************************
|
||
|
||
> |