1628 lines
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1628 lines
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Plaintext
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WHIRLWIND
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An electronic literary magazine striving for the very best in
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contemporary fiction, poetry, and essays.
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Editor: Sung J. Woo (sw17@cornell.edu)
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VOLUME I NUMBER 2 MAY 1994
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Table of Contents
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The Second Issue........................................................xx
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_Fiction_
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"The Epistemological Uncle," by Charles Deemer..........................xx
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Two stories by Jennifer Viner: "September Summer" and "Baby"............xx
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"A Say in the Matter," by Garret F. Grajek..............................xx
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"It was a dimly lit..." by David S. Dadekian............................xx
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_Poetry_
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"Automatic Winter," by Stephanie Kay Buffman............................xx
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"Cloud-Perfect," by L. Amos.............................................xx
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"Insomniatic Conclusions," by Trista Mentz..............................xx
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"Heels," by L. Amos.....................................................xx
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"Free Thinker, Free Hearts, and Other Nasty Stuff," by Chris Laskey.....xx
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Whirlwind cannot continue without submissions from established and amateur
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writers on the net. If you or anyone you know is looking to publish
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contemporary fiction, poetry, or essays, please don't hesistate to get a
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copy of the work to us. Mail submissions to: djw5@cornell.edu.
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Whirlwind Vol. 1, No. 2. Whirlwind is published electronically on a
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bi-monthly basis. Reproduction of this magazine is permitted as long as
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the magazine is not sold and the entire text of the issue remains intact.
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Copyright (c) 1994, authors. All further rights to stories belong to the
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authors. Whirlwind is produced using Aldus Pagemaker 5.0, T/Maker
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WriteNow 2.2, and Applescanner software on Apple Macintosh computers and is
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converted into PostScript format for distribution. PostScript is a registered
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trademark of Adobe Systems, Inc. For back issue and other information, see our
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back page. Please send any questions/comments to djw5@cornell.edu.
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Thank you for reading the second issue of Whirlwind. I
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apologize for not making the deadline of May 1. As a graduating senior,
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I found many other things (such as my life) to distract me from getting
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the magazine out on time.
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Because I will be leaving Cornell at the end of this academic
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year, there will be a change in my e-mail address. Unfortunately, I
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have no idea what that would be. Next year, I will be in South Korea
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teaching conversational English, so I have yet to establish an Internet
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account. Once I do so, I will let all of you know.
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After July 15, please mail all correspondence and submissions to
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my Assistant Editor, David J. Witkowski, who can be reached at
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<djw5@cornell.edu>.
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Because of my transition, the next issue of Whirlwind will be
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published on September 1994. As usual, we are looking for submissions
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from all of you.
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I would like to offer much thanks to Amy Moskovitz, who helped
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me proofread, edit, and put this second issue together.
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Enjoy the issue -- there is much good stuff here.
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Sung J. Woo
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Editor
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FICTION
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THE EPISTEMOLOGICAL UNCLE
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BY CHARLES DEEMER
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In the carefree idyll of my youth, when Appletons twenty strong
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gathered at my grandparents' house each Thanksgiving Day, Uncle Buck
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always drank too much and never failed to do something that would
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embarrass Aunt Betty. He would return from the bathroom with his fly
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open, or belch during grace, or tell a very dirty story, or dribble
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giblet gravy on the tie he wore only on holidays, before grumbling, "I
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knew the goddamn thing was good for something. Kept the shirt clean,
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didn't it?"
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Aunt Betty, who was my mother's sister, would begin the process
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of coaxing him home then, and she usually succeeded before the pumpkin
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and mincemeat and apple and pecan pies were passed around the table.
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A bit later, after grandfather began to fidget prior to
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suggesting that the men retire to the basement, where whiskey and cigars
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awaited them, the loud backfiring of Uncle Buck's ancient pickup could
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be heard outside and soon thereafter, the slamming of the pickup door in
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the driveway and then the idiosyncratic howling that was my uncle's
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habit whenever he had too much to drink, which was often:
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"Do you really knoooooooooow?" he howled.
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Everyone knew that Uncle Buck was back.
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After shooting a stern glance at me and my cousins, daring us to
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laugh out loud (though cousin Judy, Buck's daughter, always looked close
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to tears), grandfather would ask grandmother if there were clean sheets
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in the guest room, knowing full well that she never let anyone in the
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front door unless there were fresh sheets in all the bedrooms and fresh
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towels in all the bathrooms.
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As Uncle Buck continued to howl outside, grandfather would make
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the habitual suggestion to retire, and so the men would rise in unison
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to head for the stairs to the basement, where they would let Uncle Buck
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in through the outside entrance.
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Before long Uncle Buck wouldn't be the only intoxicated relative
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in the house, nor the only one howling.
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This routine was so attached to Thanksgiving that I looked
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forward to it and was disappointed to learn, the holiday of my freshman
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year in high school, that Uncle Buck had stopped drinking.
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Sober, he proved to be as quiet as a zombie. Although he didn't
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do anything to embarrass Aunt Betty, he also failed to entertain me and
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my cousins, who didn't realize how much we enjoyed Uncle Buck's antics
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until we were deprived of them. As far as we were concerned, he had
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been the life of the holiday.
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Cousin Judy was the exception to our disappointment: her
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father's new silence seemed to give her a feminine radiance I'd never
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noticed before. She was, I decided, the most beautiful relative I had.
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Four years passed before Uncle Buck started howling again. It
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was near the end of summer, and I was getting nervous about going off to
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college.
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One afternoon, cousin Judy phoned and told me, "Dad's drinking
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and being crazy again. Can you come over? He's howling in the back
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yard right now."
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Judy and I were the same age but had ignored one another until
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high school. About the time I discovered she was beautiful, we
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discovered together that we could be good friends. Soon we were calling
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ourselves Mutually Adopted Siblings, since neither of us had one still
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at home. We delighted in the fact that most of our classmates didn't
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know what we were talking about, "sibling" being no part of standard
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teenage vocabulary in the small farming town of Adam in the Idaho
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Palousse.
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I told her I was on my way.
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Judy was outside waiting for me and quickly led me to the
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backyard. In the distance was the barn, which had seen better days, and
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acres of grainland stretched around us to every horizon.
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Uncle Buck was clearly drunk, staggering around and groping at a
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pile of canvas that, in steadier hands, would easily have risen to form
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a tent. With every yank, he had a bigger mess and harder task than
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ever, which frustrated him into loud swearing at the universe in
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general. Empty beer cans were scattered across the lawn, and a pint
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whiskey bottle stuck out of the back pocket of his coveralls.
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"Mom said she wouldn't stay in the house as long as he's
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drinking," Judy explained. "She went to spend the night with Aunt
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Milly, and Dad came out here. He says if she doesn't want him in the
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house, he'll just spend the rest of his life in a tent."
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"Not by the looks of it," I said. "Should we help him?"
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"I don't know what to do. He started drinking this morning, Mom
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said."
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I touched Judy's arm and gave her a squeeze, then moved across
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the lawn.
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"You want some help, Uncle Buck?" I called on my way.
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He swore without turning around, another obscene remark for the
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universe at large.
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I reached him as he was pulling the bottle from his pocket.
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"I wish you wouldn't drink any more," I said.
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I reached him and stopped. Uncle Buck took a swig without
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acknowledging my presence.
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"What are you going to accomplish by drinking?" I asked.
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When he turned my way, I held out my hand for the bottle. He
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glared at me before before saying gruffly, "Accomplish! What the hell
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do you think you're accomplishing by minding other people's business,
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Mr. Wise Ass?"
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Uncle Buck took a step backward, almost falling over. Then he
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cocked his head to the sky and bellowed, "Do you really knoooooooooow?"
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Finally losing his balance from the exertion, he fell flat on his back.
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Judy screamed and came racing across the lawn. I was already on
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my knees beside him when she arrived.
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"Is he all right?"
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"He's breathing," I said. "I think he passed out."
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"We can't leave him out here."
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Uncle Buck was a big man, and I wasn't sure we could handle him
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ourselves. Judy had the same notion.
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"He's too heavy for the two of us," she said. "Would your dad
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help us?"
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"Maybe it'd be good for him if he woke up out here," I
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suggested.
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I spotted a wheel barrow near the fence that defined where lawn
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ended and farmland began. Without saying a word, I moved off toward it.
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"Why did he have to start drinking again?," Judy asked, catching
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up with me.
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I hesitated before replying, "I don't know." I'd come close to
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saying, "Do you really knoooooooooow?"
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It took some effort for the two of us to get Uncle Buck into the
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wheelbarrow. He was as heavy as a sack of potatoes and just as awkward
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to handle. We wheeled him to the back door before realizing that our
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problems were just beginning.
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"Mom would have a cow if we tracked up the carpet," said Judy.
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"How about making a bed for him on the patio?"
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Patio was an exaggeration: a small square of concrete, just big
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enough for the gas barbecue set, stood alongside the house like an
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ambitious project long abandoned.
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"I think we should put him in the tent," said Judy. "He was
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going to sleep outside anyway."
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We left Uncle Buck sprawled awkwardly in and on top of the
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wheelbarrow while we set up the tent. Then we wheeled him back across
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the lawn, dumping him, as gently as possible, inside before folding down
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the canvas door flap.
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Moving to return to the house, we both turned into one another,
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brushing slightly together, chest to chest. I could smell her perfume
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and felt a sudden urge to kiss her, which she must have realized, maybe
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even feeling a similar urge herself, because she blushed blood red.
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I could hear myself breathing heavily and wondered if Judy
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could. I knew I had an erection, which made me feel conspicuous and
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embarrassed.
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"I wish we weren't cousins," she said softly.
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I swallowed and said, "So do I."
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The silence was unbearable. Finally she said, "You'd better go.
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I mean, I have some chores to do and everything."
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"Right. I think he'll be okay out here."
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"He was going to sleep in the tent anyway."
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"Right. Spend the rest of his life out here."
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"Why did he have to start again?" she asked.
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"I don't think anybody knows." I grinned and said, "Do you
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really knoooooooooow?"
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Her transformation was so sudden, at first I thought she was
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playacting: she glared at me and said, "I hate it when you do that."
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"That's the problem," she went on, "people like you always
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laughed at him when he was drinking. You just inspired him to keep
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acting crazy. You don't know what it was really like to be around him."
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But before I could find out, Judy was running into the house,
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crying. I had no idea what had just transpired, what I had done to
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upset her so suddenly and so strongly. I gave up the thought of
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following her inside and went home
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I only saw Judy one other time before I left for college.
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Although I telephoned her that same night, and a few times after that,
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Aunt Betty always answered the phone to tell me Judy wasn't home, and
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she never returned my calls. My aunt also told me that Uncle Buck was
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"in treatment now."
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"What exactly is treatment?" I asked Dad at dinner.
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He gave the question some thought before saying, "If you're
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referring to Buck, ask your mother."
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"It means he's in the hospital to get well," Mom quickly said.
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"What's the matter with him?"
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"He can't drink," she said.
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I wasn't sure what she was getting at. After all, Dad drank and
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I'd heard him howling in the basement on more than one Thanksgiving. I
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knew Uncle Buck drank too much but I didn't think he was an alcoholic,
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like the bums I'd seen in Lewiston. But I also knew the matter was put
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to rest because my parents were staring down at their plates, so I
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looked down at mine as well.
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One afternoon I came outside to find Judy standing in front of
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my house. I couldn't be sure, but she appeared to have been crying.
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She would look at me, then away, as I walked toward her.
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"Are you all right?" I asked.
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"I came by to see if you want to come with me to visit Dad. I
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guess you already were going someplace."
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"Just to the store. Where's he at?"
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"Serenity Villa. He checked in the day after we put him in the
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tent."
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"It's a long walk," I said. She hadn't brought the family car.
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"I was hoping you could get the car."
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"I can." I reached into a pocket and brought out my own set of
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keys to Mom's Toyota, dangling them proudly. "You want to go right
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now?"
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"Sure."
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We were awkwardly silent during the drive to Serenity Villa,
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which was near the hospital some thirty miles away. Neither of us
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mentioned that it had been almost a month since we'd talked, which was a
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very long silence for us. I didn't know how to broach the subject of
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our falling out since I still wasn't sure what had happened. I vaguely
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hoped she would apologize for being unreasonable, and everything could
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go back to the way it had been between us, cousins, good friends and
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Mutually Adopted Siblings. But we remained silent during the drive
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through golden fields almost ready to harvest, which made the ride
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intolerably long. By the time we were there, I was sorry I had come.
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Although I'd seen television ads for Serenity Villa, I knew
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nothing about it. It looked more like a resort than a hospital, and its
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sprawling size surprised me. I didn't know there were that many
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alcoholics in Idaho, but the full parking lot gave the impression that
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they were doing a thriving business.
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Judy led the way and knew where she was going. I followed her in
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the front entrance, down a long hallway, and out onto a patio graced
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with shade trees and flower beds. From out of one of the trees came
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recorded "easy listening" music.
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Uncle Buck sat at a picnic table, waiting for us. After he and
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Judy embraced, he offered his hand to me, grinning broadly. He looked
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good, amazingly good, maybe ten or fifteen pounds lighter than I
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remembered him. But the eyes were the real difference, they looked at
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me with such clarity, in such attentive focus, that it made me wonder if
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Uncle Buck had ever really looked at me before.
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"How you doing, Bobby boy?" he said. "About ready to head out
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on the great adventure, aren't you?"
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"I leave next week."
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"Glad I got to see you before you go."
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"Me, too."
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There were other families on the large patio, all speaking in
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hushed voices, trying to maintain a sense of privacy. Although Uncle
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Buck was in pajamas and a robe, he was in the minority, and at most of
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the picnic tables across the large patio it was impossible to tell the
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patients from the visitors. No one looked like an alcoholic to me - not
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even Uncle Buck. Alcoholics looked like bums living on skid row.
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Only when Judy excused herself to use the bathroom did Uncle
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Buck reveal a bit of his old self: suddenly he grabbled my arm, leaned
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over the table and said, softly but ominously, "Do you really
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knoooooooooow?"
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He was grinning and staring at me so intensely I had to look
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away.
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"You know the best thing about this place?" he asked out of
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nowhere. I shook my head. "I learned I can be crazy and sober at the
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same time."
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Then again: "Do you really knoooooooooow?"
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He slapped the wooden table and said, "So maybe I don't know,
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huh? But I think I do. I feel like I do. But you can never be too
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sure about these things, huh? What do you know that you know, Bobby
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boy?"
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I laughed, more out of nervousness than anything else. I felt
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like I was being tricked into going along with some kind of practical
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joke in which I would prove to be the butt.
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"Life is very, very, very short," Uncle Buck said. Again, the
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remark seemed to come out of nowhere. "I know it's hard to tell that to
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a young hotshot like yourself. I think I know that. Pretty sure,
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anyway. You're going to do what you're going to do. But I hope you
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keep away from the booze, Bobby boy, though I know you'll have your
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keggers or whatever the hell it is you call them today. I had a year of
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college myself, you know. Bet you didn't know that, did you?"
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"No," I said, my voice involuntarily cracking. One of the
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family stories repeated ad nauseum was how Uncle Buck became a
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successful farmer despite having only a sixth grade education. I
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noticed the story was always forgotten when one of my cousins wanted to
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drop out of school.
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"Didn't think so," said Uncle Buck.
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I coughed and smiled, trying to hide how on edge I felt, still
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wondering where all this was heading.
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"Drank my way through one of the best freshman curriculums in
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the country. Make that curricula. The University in Moscow. Wasn't
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always a farmer, no siree. Actually fancied myself an engineer way back
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in the Middle Ages. But I liked my toddy, and that cost money, and to a
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youngster, working always looks better than an education. You're
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different, I suspect. You got a good head on your shoulders. Probably
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become a teacher or something. Know what you want to be, Bobby boy?"
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"I've been thinking of teaching," I admitted.
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"Honorable career. Just keep your options open. Now tell me
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about Judy."
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The last remark landed like a grenade from left field.
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"What about her?" I asked.
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"I see how you two look at each other. Too bad you're first
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cousins, right? Or does it matter any more? I mean, we're in the Age
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of Condoms, you get them right there in the high school nurse's office,
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don't you?"
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I could feel myself blushing.
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"I think I said the wrong thing," said Uncle Buck. "I talk too
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much, don't I? The thing is, I never realized I could talk sober
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before. Been a very long time since I did that. So I sort of indulge
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myself. The point I was trying to make is, don't let life pass you by,
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Bobby boy. You've got to make your own mistakes, I realize that, but
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maybe when you look at an old codger like me, drinking most of his life
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away, probably end up with more drunk days than sober days even if I
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live to be eighty, which I doubt - look at yourself in the mirror real
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hard, boy, and always try to do what you really want, what's really in
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your gut. And if that means pretending Judy isn't your cousin - well,
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talk to a doctor, I don't know all that much about it, maybe they got
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pills to take now so you don't end up with mongoloid kids or whatever
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happens, I'm not sure what the exact problem is with cousins marrying,
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I've just heard the kids don't come out right, but I also know it's real
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important to find the right kind of better half in this life, the right
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kind of partner of the opposite sex, and you and Judy sure do seem to
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get along good. I think I know that. Of course, one can never be sure.
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Do you really knoooooooooow?"
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And then he suddenly asked, "Bobby boy, are you still a virgin?"
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I stood up quickly, as if I'd just sat on a pin. I saw Judy
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heading back from the bathroom and, mumbling my departure, I headed her
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way.
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"He's acting really weird," I said. "Can we go soon?"
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"Weird how?"
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"I'll explain later."
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I continued on to the bathroom.
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Judy was alone at the patio table when I returned.
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"What happened?" she said right off.
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"Where is he?"
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"He said it was time for his nap. He seemed upset about
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something. What happened between you two?"
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"He did all the talking."
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"What did he say?"
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"Nothing that made much sense. You ready to go?"
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She stood up.
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"I want to know what happened."
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I tried to tell her indirectly, both on the drive back and then
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in her kitchen, where she made us iced tea. A note on the refrigerator
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announced that Aunt Betty was away until dinner time, giving us a couple
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hours alone. But no matter how closely I circumvented the truth, Judy
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didn't catch my meaning. Finally, out of frustration from her
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persistence, I spat out, "He wanted to know if we were sleeping
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together."
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As soon as I saw the look on her face, I regretted saying it.
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She looked stunned, as if this was the last thing in the world she
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expected to hear.
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Finally she said, "In just so many words or what?"
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"No, more round about."
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"Damn it, what did he say!" She took a deep breath and said,
|
||
"I'm sorry. I just want to know what he said. As close as you can
|
||
remember."
|
||
"He said we made a neat couple."
|
||
"About us sleeping together."
|
||
"He asked if I was a virgin."
|
||
She gave me an odd look, as if trying to figure out if I was
|
||
serious.
|
||
She said, "You said he asked if we were sleeping together."
|
||
"That was the meaning I got. I mean, he didn't ask in so many
|
||
words, but he went on and on about how good we were together, and how
|
||
important it was for a guy to find the right girl and all, and then he
|
||
wanted to know if I was a virgin and if you could get rubbers at school.
|
||
It all added up to the same thing. I didn't mean to upset you."
|
||
Judy took another deep breath and asked, "Are you?"
|
||
"What?"
|
||
"Are you a virgin?"
|
||
"Jesus, Judy, what a thing to ask."
|
||
"I'm not," she said.
|
||
"What? I don't believe you."
|
||
She stood up and at first I thought she was going to refill our
|
||
glasses. But she only moved a few steps from the table and stopped.
|
||
Her back was to me as she cocked her head up and howled, but softly,
|
||
strangely, like a lyric in a dream, "Do you really knoooooooooow?"
|
||
She laughed and howled softly again. I didn't know what was
|
||
going on. If this was a joke, I didn't like it. This was a side of
|
||
Judy I had never seen before. She kept up the eerie howling while
|
||
turning slowly around to face me.
|
||
Her gaze seemed to cut right through to my very core, forcing me
|
||
to look away, forcing me to look at the naked breasts that dropped
|
||
between the edges of her unbuttoned blouse. Then, as if moving despite
|
||
myself, despite fear, despite any sense of what was the right or wrong
|
||
thing to do, I rose to my feet and moved to her, and so we were in one
|
||
another's arms, kissing passionately, and then going upstairs, and then
|
||
undressing to lay naked together - though within the hour I was being
|
||
told I'd better leave, and then was hearing the click of the front door
|
||
behind me as I hurried to my mother's car, still scrambling to finish
|
||
dressing, all the while wondering what the hell had just happened.
|
||
|
||
Judy did not come to see me off at the train station. If she
|
||
phoned me, she hung up before anyone answered - as I had done numerous
|
||
times.
|
||
And so - as the train pulled away past the encouraging and
|
||
energetic waving of my parents, leaving Judy and the carefree idyll of
|
||
my youth somewhere behind in the vast stretch of harvest-ripe golden
|
||
grainland, and moved forward into the wind to begin the long journey to
|
||
college - I settled into my seat, closed my eyes and for the first time
|
||
began to realize how little I knew and how uncertain would be the
|
||
knowing yet to come; so that by the time the train announced its
|
||
departure from Adam, sounding like the howling of my Uncle Buck, "Do you
|
||
really knoooooooooow?" I knew I didn't know what had really happened
|
||
between Judy and me, or why Uncle Buck drank, or what was waiting for me
|
||
at
|
||
college.
|
||
I didn't know much of anything, though I didn't yet know that
|
||
this itself was knowing.
|
||
|
||
____________________________________________
|
||
Charles Deemer's <cdeemer@teleport.com> short fiction has appeared in
|
||
The Literary Review, Prism International, Mississippi Review, The
|
||
Colorado Quarterly, Northwest Review and other literary magazines.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
TWO STORIES BY JENNIFER VINER
|
||
|
||
SEPTEMBER SUMMER
|
||
BY JENNIFER VINER
|
||
|
||
Mom asked my sisters, Sarah and Molly, and me to drive down to
|
||
our Aunt Mary's house and pick up a few things Aunt Mary would want with
|
||
her at the hospital. Aunt Mary had cancer and was going in for surgery.
|
||
Mom said she couldn't go to the house herself because she needed to stay
|
||
available should anything happen with Mary over the weekend, but I think
|
||
she just didn't want to go. I wasn't exactly thrilled about the trip and
|
||
I was going to miss play rehearsal Saturday, but since Aunt Mary's house
|
||
was in Cape May, and the weather was supposed to be nice, I decided it
|
||
would be alright. Not that I was exactly thrilled about spending the
|
||
weekend with my sisters. Sarah complained about it the most. She had
|
||
planned to go to the lake with her boyfriend. She'd dragged me with her
|
||
to Victoria's Secret to buy something sexy to wear for him. She was so
|
||
dumb about that kind of stuff. When we found out about Aunt Mary, Sarah
|
||
cried a lot. So did Mom. Molly just went to her room, sat on the window
|
||
sill and watched the cars go by on the street below. I guess the whole
|
||
thing didn't hit me until later on.
|
||
My sisters made me sit in the back on the way down to Cape May.
|
||
They boasted about seniority. I told them that as long as they played
|
||
the radio loud enough to drown out their stupid conversation that the
|
||
back was fine with me. I think Molly went through a whole pack of
|
||
cigarettes on the way and none of us really talked much. I laid down in
|
||
the back and watched the tops of the trees flash past the window. There
|
||
were mostly only pine trees on the New Jersey Turnpike. It was dark by
|
||
the time we got to the ocean and the trees had turned grey and blended
|
||
into the starless sky.
|
||
Molly was the first out of the car. "Oh, God, the air feels so
|
||
good here," she called down to us over the porch railing, while Sarah
|
||
and I gathered our things from the trunk. "Let's not go back. Let's the
|
||
three of us just stay here."
|
||
"Don't be a fool, Molly," Sarah called to her.
|
||
"Oh, I want to be a fool, Sarah. Let me be for just a while."
|
||
Aunt Mary's house was an old Victorian. Better Homes had shown
|
||
it a few years before when Uncle Jack was still around. The living room
|
||
and dining room were filled with antiques and upholstered in chintz and
|
||
silk. It wasn't much like a summer house since she lived there all year
|
||
round, but we only knew it in the summer when we came down to spend a
|
||
few sunny weeks with her every year.
|
||
We'd been coming since we were little. It was always the same.
|
||
Uncle Jack and Dad would play golf or go fishing while the ladies went
|
||
to the beach. At night, the three of us, crammed into a double bed,
|
||
would listen to the four of them laughing and getting drunk and telling
|
||
old stories. We had heard some good ones. Then, when Aunt Mary was
|
||
divorced and alone, the three of us would stay up and listen to her and
|
||
Mom talk and cry. Sometimes they were up all night. Dad didn't come on
|
||
those later trips. He said he didn't know how to handle Mary after the
|
||
split. She always seemed about the same to me though. She would only cry
|
||
to Mom. Now it was strange being in the house without her. It was
|
||
strange to be there in September. Everything was all dusty.
|
||
Molly found some Cokes in the fridge and we talked Sarah into
|
||
going to the store for some Doritos. After she was gone, Molly and I sat
|
||
on the porch and she let me smoke one of her cigarettes. Molly giggled
|
||
as she lit it for me.
|
||
"You're okay, Hope." She leaned back on the couch and rested her
|
||
feet on my chair. "Thank God my little sister turned out okay since my
|
||
big one's such a tight-ass." She nudged my shoulder with her foot and I
|
||
coughed. We sat there, quiet, for a bit.
|
||
"Are we going to the beach tomorrow?" I asked even though I knew
|
||
we would.
|
||
"I guess," she answered and then we were quiet again until Sarah
|
||
got back.
|
||
Then Molly went inside to call Tom. Sarah told her to call
|
||
collect.
|
||
"Were you smoking with her?" Sarah asked.
|
||
"Yeah, so?"
|
||
"Do you think she's alright?"
|
||
"Molly? Sure." I thought so too, but I didn't feel like having
|
||
that conversation again.
|
||
"I should have gone away to school this semester," Sarah said.
|
||
"So why didn't you?"
|
||
"I guess so I could stay with Michael."
|
||
I nodded, but I knew she hadn't gone because she was scared.
|
||
"Well, you'll go in January," I said.
|
||
Molly was back out. "Are you talking about college?"
|
||
I shot her a 'be careful' look but she ignored it.
|
||
"Face it Sar', you're chicken," Molly said.
|
||
"Hey," I broke in, "Toss me a smoke."
|
||
She threw the pack at my face.
|
||
"Hope, honey, please don't," Sarah said.
|
||
"Get off her back, bitch. She can do whatever she wants." Molly
|
||
had all the answers.
|
||
The night air was soft and in the distance I could hear a
|
||
whisper of waves crashing. There were only a few other lights on in the
|
||
windows up and down the street. The town was empty except for the three
|
||
of us, sitting there, on the porch, wishing we were somewhere else. I
|
||
took a long drag on my cigarette.
|
||
An old man walked past the house, below, on the sidewalk. He
|
||
didn't notice us. He walked with his head down in white tennis shoes and
|
||
a red slicker. I thought he should at least have a dog to walk. When he
|
||
turned the corner at the end of the block I squashed out my cigarette
|
||
and flicked it into the bushes. Molly went back inside to try Tom again.
|
||
"Are you thinking about Aunt Mary, Hope?"
|
||
"I think she'll be fine. She has a good chance at recovery."
|
||
"Mom's real upset about it," Sarah said.
|
||
"Is she?" I guess it was a stupid question but I hadn't really
|
||
thought about it.
|
||
"Well Mary's her only sister."
|
||
"I don't think she'll die," I said.
|
||
"I don't know what I would do if anything ever happened to
|
||
either of you guys."
|
||
"She'll be fine."
|
||
Sarah stood up and leaned against the railing. "Do you ever
|
||
think about dying?" she asked.
|
||
I laughed. "I'm only fifteen."
|
||
"I wish I was fifteen again," Sarah said. "I liked fifteen. I
|
||
didn't have anything to worry about then. Life was so simple."
|
||
"Oh, really, Sarah, shut up."
|
||
Molly threw open the screen door with a theatrical sweep. "Tom
|
||
invited me to go to the Bahamas with him next weekend," she squealed and
|
||
clapped her hands like an idiot.
|
||
She'd been sleeping with this guy Tom Parker for a couple of
|
||
months. He was 25, hot, and drove a Mercedes. Sarah and I thought he
|
||
sold drugs. Sarah was convinced that Molly had come home high the other
|
||
night because she had heard her cleaning her room and falling down a lot
|
||
and the next morning had found her passed out in a pile of socks which
|
||
she'd been refolding. But Molly never said anything about it.
|
||
"You're not going to go, are you?" Sarah narrowed her eyes in
|
||
disapproval.
|
||
"Say, bitch, why don't you relax," and then she did something
|
||
weird. She rolled her head back and closed her eyes. She pressed both
|
||
her palms, one on top of the other, to her chest. Maybe it was just
|
||
heartburn, but it looked like she was praying. I watched her until she
|
||
opened her eyes. She smiled at me before turning back to Sarah.
|
||
"Pete started calling her again," she said, pointing at me.
|
||
"Oh, really, I guess he didn't have any luck with what's-her-
|
||
name," Sarah said.
|
||
"Becky," I answered.
|
||
"I'll bet he had lots of luck with Becky," Molly put in.
|
||
"Make him sweat it, little sis, don't give in."
|
||
I told them I was going to bed.
|
||
"Oh, Hopester, sit down, we'll shut up."
|
||
I didn't feel like it anymore though. I was tired, tired from
|
||
the drive, the talk and the sea air. I carried my bags upstairs, into
|
||
Aunt Mary's room. I didn't turn on the light because I knew if I did,
|
||
the room would feel too unnatural. Instead I drew back the curtains and
|
||
opened the window wide. A trickle of light came in with the balmy air
|
||
and I could hear my sisters' hushed voices floating up. Hearing them
|
||
made me feel better. I got into bed and thought about Pete.
|
||
Pete could be a real jerk. Being in the play with him was kind
|
||
of fun though because he could also be really great. The first time he
|
||
met me he told me I had nice legs, which was funny because I was wearing
|
||
old sweat pants and he couldn't see my legs at all. He was big on the
|
||
lacrosse team which was good. He was also a senior which was really
|
||
good.
|
||
The first time he took me out I was super nervous. Molly had to
|
||
do my buttons for me because my hands were too shakey. Then she told me
|
||
this story about how Pete threw up on their seventh grade picnic because
|
||
the leftovers his mom packed were too old. After that I wasn't nervous
|
||
anymore. We went downtown and walked around South Street. We saw a girl
|
||
with pink hair and joked around about getting tattoos. He bought me a
|
||
rose on a street corner. He held my hand on the car ride home.
|
||
That was the beginning of the summer. Until August, when we came
|
||
to Cape May for vacation and Pete had sex with Becky, we spent all our
|
||
time together, taking walks, playing frisbee, going to movies and
|
||
parties and dances. Pete was the first boy I kissed, the first to call
|
||
me pretty, the first to lie next to me in my back yard, on an itchy wool
|
||
blanket and name all the constellations in the summer sky.
|
||
I eventually fell asleep thinking about him and how I didn't
|
||
care what happened between us.
|
||
When I woke up the next morning, Sarah and Molly weren't
|
||
speaking. I went for a walk on the beach. I walked straight down to the
|
||
water to get my feet wet. The water was cold and tingly and goosebumps
|
||
prickled up my legs. I stood there looking out to where the sky and
|
||
ocean met while little waves lapped at my feet and my toes squished into
|
||
the sand. The sun was warm on my cheeks and I was alone on the beach
|
||
except for a few swooping seagulls. I thought about a passage in The
|
||
Awakening, which I'd read for English, the part right before Edna drowns
|
||
herself. She had turned her back on the world, her family. My English
|
||
teacher, Miss Bright, had called her a cowardly heroine but I kept
|
||
wondering what her kids would do without anyone to take care of them. Or
|
||
what if everyone died and I was the only one left. A heroine shouldn't
|
||
kill herself, I thought.
|
||
Sometimes I got the feeling like the world was going on without
|
||
me or that I was watching it all happen on a big screen, seeing it but
|
||
not feeling it. It was all just nothing. And if I'd questioned the whole
|
||
thing, if I'd asked myself why I felt darker on sunny days and more at
|
||
ease on rainy ones - or why I was just as content to watch the changing
|
||
stoplight out my window as I was to count the flowers on my wallpaper -
|
||
if I asked I might have realized that it had nothing to do with Sarah's
|
||
perpetual apprehension or Molly's recklessness or Pete's jerkiness or
|
||
Aunt Mary's cancer. It was that all those things were mixed up together
|
||
inside of me and there wasn't anything I could do. But I didn't realize
|
||
it then.
|
||
Molly walked up behind me. I wanted to ignore her but she was
|
||
singing, "I used to love her but I had to kill her," and changing the
|
||
rest of the words to stuff like, "her butt was too big and her ankles so
|
||
fat" and adding la-la's in the spaces.
|
||
"What do you say - should we lock her in a closet until tomorrow
|
||
so we can actually have a good time or should we just ditch her and go
|
||
home."
|
||
"What happened?" I asked.
|
||
"What happened was she wasn't given up for adoption at birth.
|
||
She's on her superiority trip, lecturing me like she's the expert on
|
||
life. Maybe if she ever did anything other than paint her nails and
|
||
dream about marrying Michael. God."
|
||
"Molly, do you think if I go back with Pete things'll be
|
||
better?"
|
||
"As long as you remember that you can only depend on yourself,
|
||
and not to expect much of people, then whatever you do will turn out
|
||
okay," Molly said.
|
||
I bent down to pick up a thick clam shell. I chucked it as far
|
||
as I could. "I'm hungry." We headed towards the street. "Before we lock
|
||
Sarah up lets get her to cook us breakfast," I said.
|
||
We left after breakfast. I guess we all felt the beach would be
|
||
no fun without screaming kids and lifeguards.
|
||
I made it back in time for play rehearsal. Pete gave me a ride
|
||
home and asked me if I wanted to go see Pet Semetery and since I was in
|
||
the mood for a good horror movie I said yes.
|
||
The next weekend Sarah was with Michael at the lake and Molly
|
||
was in the Bahamas. Pete drove me to the hospital to bring Aunt Mary
|
||
flowers. They said the surgery had gone well. When I walked into the
|
||
room she was asleep, wheezing a little when she breathed. She was pale
|
||
and I realized that I'd never seen her before without lipstick on. I
|
||
stood there watching her for a little while, like I knew my mother had
|
||
watched me as a sleeping baby. Then I set down the flowers by the window
|
||
and left knowing I'd be back to see her the next day with my sisters.
|
||
Pete and I didn't talk on the way home, but he held my hand. I
|
||
watched the other cars on the expressway slip by. Some of the trees
|
||
along the drive were starting to turn.
|
||
|
||
* * *
|
||
|
||
BABY
|
||
BY JENNIFER VINER
|
||
|
||
Tom sort of came out of nowhere. He was tall, dark eyed, and
|
||
real slick.
|
||
Of course he turned out to be a real asshole.
|
||
Karen introduced me to him at one of her parties. I'd known
|
||
Karen for a couple months at that point. She was in my summer art
|
||
course, a painting class. During our breaks we always went to the diner
|
||
on the corner. She'd tell me about whichever guy she was dating that
|
||
week, the bartender at the A Joint or the photography professor or some
|
||
guy she'd met on the train who had a nose ring and wore all black. She'd
|
||
say, "I have to introduce you to so and so, he's to die for." "To die
|
||
for," she always said that. She'd take me out with her, sneak me into
|
||
bars, let me borrow her clothes. She had great clothes. She was also
|
||
really skinny. I asked her how she did it. So she taught me how to roll
|
||
a dollar bill real tight. She giggled and said, "I can't believe you've
|
||
never tried it?" I was a little nervous the first time, but it turned
|
||
out to be easy and pretty soon I fit into her jeans, size four and then
|
||
she said, "Honey, you look gorgeous, simply to die for."
|
||
At that party, the night I met Tom, Karen was in one of her
|
||
moods, all giggly and flirtatious with just about every man that walked
|
||
by. Tom walked over to her, on the other side of the room. I was
|
||
listening to a real bore, well not really listening to him. I noticed
|
||
that Karen was waving me over to where she and Tom were talking.
|
||
"Molly, meet Tom," Karen said, tilting her chin towards him.
|
||
I raised an eyebrow and said hi. He looked like he must have
|
||
been about thirty. "Looks like your glass is empty. Let me do something
|
||
about that."
|
||
Karen blew a kiss to his back as he walked into the kitchen.
|
||
"What do you think?"
|
||
"He's okay, I guess."
|
||
"I think he's hot. Nice ass."
|
||
"What does he do?"
|
||
"Oh, he'll probably tell you he's in sales or something."
|
||
"Did you tell him how old I am?"
|
||
"Don't be a fool. Anyway, he won't ask."
|
||
He was coming back and Karen disappeared into the crowd. He
|
||
smiled as he came up to me and handed me my drink. "Do you want to get
|
||
out of here?"
|
||
"Yeah, okay."
|
||
He took my hand and led me out the door. "You have beautiful
|
||
hair," he said and when we got to his car he backed me up against the
|
||
door, grabbing the hair at the nape of my neck, and kissed me. Then he
|
||
moved his head down and kissed my neck, behind my ear and slid his hand
|
||
down the front of my blouse. A kid on a bike rode by and whistled. Tom
|
||
stopped and opened the door for me.
|
||
I took in a deep breath. "I think I should go find Karen," I
|
||
said quietly.
|
||
"Shh, Baby. Karen's a big girl. She can take care of herself.
|
||
Come on. I'll drive you home."
|
||
I remember my heart was beating so fast as we flew down Delaware
|
||
Avenue, under the bridge, bouncing over potholes and swerving around
|
||
orange cones. He reached over and took my hand. The whole scene struck
|
||
me as being like some cheap romance movie, so going with the flow, I
|
||
smiled at him out of the corner of my mouth, movie star-like and winked.
|
||
"Don't take me home," I whispered.
|
||
Back at his place, while he was rooting around his kitchen for
|
||
something to drink, I asked if I could use the phone. I dialed my own
|
||
number. Hope picked up.
|
||
"Were you asleep?"
|
||
She yawned. "It's so late. Where are you?"
|
||
"Are Mom and Dad sleeping?"
|
||
"It's almost two."
|
||
"I'm staying at Karen's for the night."
|
||
Tom sat down on the couch next to me. "It's Bourbon. Is that
|
||
alright?" "Sure, great." I slid down on the couch so that my head was
|
||
leaning against the arm rest. He took off my shoes and began to rub my
|
||
feet. I took little sips from my glass. It was good heavy crystal. "You
|
||
have a nice place, fireplace too."
|
||
He moved up closer to me and started unbuttoning my blouse.
|
||
"Karen tells me you're in sales."
|
||
"Is that what she said?" He laughed, grabbed his drink off the
|
||
coffee table and tilted back his head taking it all down at once. "How
|
||
old are you anyway?"
|
||
"How old do you think?"
|
||
"About sixteen?"
|
||
"Would you bring a sixteen year old back to your apartment like
|
||
this?"
|
||
"No."
|
||
"How old are you?" I asked.
|
||
"How old do you think?"
|
||
"Forty, fifty?"
|
||
He laughed. "You're pretty smart for a sixteen year old." He
|
||
unhooked my bra and kissed me, kissed me down to my belly button. "Does
|
||
you're Daddy know where you are?"
|
||
"He can probably figure it out - he's pretty smart himself."
|
||
He stood up and looked at me.
|
||
"What?" I asked.
|
||
"Come on." He put his hand out to me and led me into the
|
||
bedroom. He lay me down on his bed in the dark and touched my face,
|
||
pushing the hair off my forehead. Then he walked out and closed the door
|
||
behind him without saying anything else.
|
||
|
||
I spent all my time with him for the rest of the summer. When
|
||
school started he would pick me up after classes and take me back to his
|
||
apartment. We'd smoke pot in bed and have sex. Sometimes I called my
|
||
parents and told them I was spending the night at Karen's, other times
|
||
he drove me home and we'd fool around in the driveway until the car had
|
||
been running for so long we knew my mother wouldn't buy that we were
|
||
just talking and I'd fix my hair and run inside. Sometimes we went away
|
||
on the weekends. He took me to the Bahamas once and we stayed in this
|
||
tacky hotel with mirrors all over the walls. We stayed up all night
|
||
doing lines and slept it off on the beach. I told Mom I was going
|
||
camping on a class trip. That weekend Tom told me he loved me, loved to
|
||
be with me. I told him I loved his body.
|
||
I told myself I didn't believe him.
|
||
|
||
At 10:30 the phone rang.
|
||
"Babe, sorry I'm late. You ready?"
|
||
"I've been ready for two hours."
|
||
"I had some business."
|
||
Downstairs my parents were sitting in the living room. My mother
|
||
was at one end of the sofa, under a floor lamp, making her way through
|
||
her stack of medical journals. My father snored in front of the
|
||
television. Mom looked up as I came in.
|
||
"Molly, do you know that in this study women who's caffeine
|
||
intake over the last 20 years was under, well that's about a can of
|
||
Pepsi, I suppose, anyway their response in this study to radiation
|
||
treatment..."
|
||
"Mom?"
|
||
"Are you going out now, sweetheart?"
|
||
"Yeah, Tom's picking me up," I said.
|
||
"You're going to a late show again?"
|
||
"Yeah, something like that."
|
||
Her eyes swept over me. "You look very nice and very grown-up,
|
||
doesn't she, honey?" The rise in her voice woke my father and he nodded
|
||
sleepily, in agreement.
|
||
"I want you to be in at a decent hour tonight. You haven't been
|
||
getting enough sleep and don't you tell me to mind my own business about
|
||
this. You know I have enough to worry about with my sister back in the
|
||
hospital. You look awful, those circles under your eyes." She smiled up
|
||
at me.
|
||
"Right, Mom." I smiled back at her.
|
||
She looked over to my father. "I think I want you to stay in
|
||
tonight," he said all of a sudden.
|
||
"Dad, what are you talking about. Anyway he's on his way over
|
||
now."
|
||
"Honey, are you having sex with this man?" Mom had her eyes back
|
||
in her journal.
|
||
"Mom."
|
||
"Well, I watch the news. I know what is going on out there.
|
||
Don't think I don't."
|
||
"Mom, honestly, what do you think I am. We're just going to see
|
||
a movie. You really need to relax."
|
||
"Molly," Dad spoke up, "don't worry your mother."
|
||
"She tells me to relax when she could be coming home pregnant?"
|
||
My father said, "Patrice, don't be an idiot."
|
||
Outside a horn blew. I said good night to my father and ran to
|
||
the door. Hope was standing on the landing. She turned her back to me
|
||
when I saw her and walked slowly back upstairs.
|
||
|
||
Like I said, Tom sort of came out of nowhere. He was tall, dark
|
||
eyed, and real slick. He drove a Mercedes and called me Baby. Sometimes
|
||
I woke up with him in the morning and felt lost. I'd get up and wander
|
||
around his room while he was still asleep and I'd look through his
|
||
drawers, the papers on his desk, the receipts in his wallet. I never
|
||
found anything though. When he woke up he'd say, "C'mere, Baby." I'd
|
||
climb back into his bed to let him kiss me on the forehead and rub his
|
||
soft fingertips up and down my arm.
|
||
The time I had with him changed me. I can't say it was for the
|
||
worst, though I could have lived without the whole thing. I think all
|
||
girls go through it though. It's the kind of thing that punches all the
|
||
naivete out of you and gives you that hard edge. The only really bad
|
||
thing about it was that, after he disappeared, I still missed him. I
|
||
didn't want to, but I missed him in the morning, when I woke up alone,
|
||
in my bed with Mom downstairs frying bacon. I missed him when I passed
|
||
the playground where he'd taken me that night or when I listened to Van
|
||
Morrison. But mostly I missed him at night.
|
||
For a time afterwards I guess I sort of fell apart. No one could
|
||
really tell, I don't think. I looked the same on the outside. But I
|
||
could see it, when I looked at myself in the mirror before I stepped
|
||
into the shower. It was there, all over me, inside of me and the soap
|
||
and hot water wouldn't wash it away. The only thing that helped was
|
||
feeling high.
|
||
I'd skip school or come home early saying I was sick. No one was
|
||
around at home during the day. Just in case, I would go upstairs to the
|
||
bathroom. I locked the door and sat down, cutting lines on the back of
|
||
the toilet.
|
||
It was my little sister, Hope, who finally caught me, knocking
|
||
softly and opening the bathroom door one night when she'd come home
|
||
early from a date. She didn't say anything. She just stood there in the
|
||
doorway, staring at me. I wiped my nose and waited until she walked
|
||
away.
|
||
I found her in her room, lying on her bed, concentrating her
|
||
gaze on the ceiling. She wouldn't look at me when I came in.
|
||
"Don't tell Mom, okay?"
|
||
She didn't answer.
|
||
"There's no reason to tell anyone, Hope. It'll only get them
|
||
worried over nothing and I don't want them on my case right now."
|
||
She stood up and walked to the window.
|
||
I didn't know what else to say to her.
|
||
"How can you do it, Molly? How can you even come in here?"
|
||
"Don't you get all high and mighty with me, Miss Perfect. You
|
||
never screw up do you, Hope. No, you can just sit back and tell me what
|
||
to do and you're always right, aren't you? You, don't tell me what to
|
||
do."
|
||
Finally she whispered, "I won't tell anyone." She turned around
|
||
to face me and her eyes were teary. She said to me with a kind of
|
||
hopelessness in her voice, "I'm sorry."
|
||
I slammed her door and in the hallway, threw my fist against the
|
||
wall. I heard her start to cry. I kicked her door and told her to shut
|
||
up.
|
||
Then she screamed out to me, "You're the one who's supposed to
|
||
show me what to do, Molly. And you're so stupid. You go out with some
|
||
scummy drug dealer, some old man, and I have to watch you and keep my
|
||
mouth shut and you come home wasted and I have to cover for you. Your
|
||
doing a fucking good job teaching me to be a good liar. Thanks a fucking
|
||
lot. If Tom dumped you it's your own stupid fault so don't you take it
|
||
out on me."
|
||
I got out of there. I drove over to Karen's. I'd been going over
|
||
to her place in the afternoon, while she was still at work. She gave me
|
||
a key so I could let myself in. I folded her clean laundry and did her
|
||
dishes and stuff. I thought about Tom. I couldn't seem to get him out of
|
||
my head. I hadn't told my parents that he was gone. Going to Karen's was
|
||
a good way out of that. I couldn't be home in the afternoons anymore,
|
||
not after I'd gotten so used to not being there.
|
||
So I didn't talk to Hope for a while. To be honest I didn't want
|
||
to have to. I was up in my room, lying on my bed and listening to music
|
||
when Hope came in and sat down next to me.
|
||
"Hopester, what's going on?"
|
||
"Mom's on to you," she said flatly.
|
||
"Are you happy then?"
|
||
She went on. "At dinner tonight she asked me if I knew where you
|
||
were spending all your time. She knows you're never home. She knows that
|
||
Tom's history."
|
||
"What did you tell her?"
|
||
"That you go over to Karen's a lot."
|
||
"So?"
|
||
"She says Karen's a floozy."
|
||
I laughed. "What are you trying to tell me, Hope?"
|
||
"Are you still doing that stuff?"
|
||
I rolled over onto my stomach, turned my head away from her and
|
||
told her no.
|
||
"Will you tell me what happened with Tom?"
|
||
I didn't answer.
|
||
"Please, Molly, tell me what happened. I saw..."
|
||
"Get out of my room," I said.
|
||
|
||
That weekend, Karen and I went to a concert down at the Strand.
|
||
She was drunk and kept telling me about some guy she'd fallen in love
|
||
with. The music was loud and it was hot. People kept bumping into me.
|
||
Someone spilled a drink down my back. Karen was high and oblivious,
|
||
giggling in her own little world. Then I saw Tom. He was on the other
|
||
side of the theater. I thought he saw me. My throat tightened as he put
|
||
his arm around the blonde standing next to him, still looking my way. He
|
||
kissed her.
|
||
"Karen," I shouted to her over the guitar and drums, "let's get
|
||
out of here."
|
||
"Oh, come on Mol'," she yelled back.
|
||
"It's Tom."
|
||
"Tom? Where? I want to say 'hi.' I think he just got some."
|
||
"Karen." I was starting to really lose it. "Karen I have to get
|
||
out of here."
|
||
"Suit yourself, Hon'." She kept dancing.
|
||
I stood there and stared at her. She stopped and put her had on
|
||
her hip. "Look," she said, "if you're going to play with the big boys,
|
||
you can't let this shit get to you. You've had enough time to get over
|
||
this already."
|
||
I told her to fuck off. I had to take a cab home. Of course I
|
||
cried the whole way and the cabbie wouldn't let me smoke, so after he
|
||
dropped me off I sat on the curb and chained three or four. I thought
|
||
Karen was right, in a way. Why was I letting him get to me? I wasn't the
|
||
kind of girl who got hurt. I wasn't the kind of girl who cried. Its
|
||
funny - the thoughts that come to you in that time, when the tracks of
|
||
salt are still burning your cheeks. A peace comes in, like it's all up
|
||
from here and you start taking some deep breaths and smile to yourself.
|
||
I think I read once that crying releases endorphins, that natural high
|
||
bullshit. I walked up the flagstones, counting them automatically, still
|
||
seventeen. The house was dark and quiet. I locked the front door behind
|
||
me and for the first time since I could remember it felt good to be at
|
||
home.
|
||
I went into the bathroom and washed my face with cold water. And
|
||
then, standing in front of the mirror I began to get undressed. I stood
|
||
and looked at myself. Didn't I know Tom was just handing me a line when
|
||
he told me I was beautiful.
|
||
As I stood there looking, the bruises, which had been scattered
|
||
across my breasts and on my arms where he had held me down at the
|
||
playground, on the sliding board, reappeared. They were there, just like
|
||
they had been on the last morning I saw him. I sucked in my breath.
|
||
There was a little knock at the door and when it opened, Hope
|
||
popped her head in.
|
||
"You okay?"
|
||
I was standing red-eyed and naked in the florescent light of the
|
||
bathroom at two in the morning. "I saw Tom tonight."
|
||
She waited.
|
||
"He saw me and kissed the slut he was with right in my face."
|
||
She came in and put her arms around me, "I know he hurt you. I
|
||
saw the bruises too." She stood back and looked with me at the mirror.
|
||
"But, you see, they're gone now. They've been gone for a while. He's
|
||
gone now too."
|
||
I put my T-shirt and shorts back on and sat down on the edge of
|
||
the tub. I felt so tired.
|
||
"Are you going to be alright?"
|
||
"I guess."
|
||
|
||
____________________________________________
|
||
Jennifer Viner is currently an English major concentrating in
|
||
contemporary literature. She hopes to go on for an MFA in creative
|
||
writing and a teaching certificate.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
A SAY IN THE MATTER
|
||
BY GARRET F. GRAJEK
|
||
|
||
I was stewing my thoughts while discussing a mundane case with
|
||
my old friend, Lawrence Hamilton. Lawrence was a likable fellow, though
|
||
his appearance was a bit morose. Too tall and lanky to be deemed
|
||
handsome, his shirt cuffs had the habit of hanging from his thin wrists
|
||
like worn dog collars.
|
||
We were seated at the bar in Tony's, a downtown jazz club. It
|
||
was our law firm's regular Friday happy-hour spot. Lawrence had brought
|
||
the luscious Ms. Kristie Lowell, our firm's new secretary, to the bar.
|
||
Kristie had been dating Lawrence for the last few weeks. Milking the
|
||
bloke, I should say. Lawrence was the VISA account responsible for
|
||
everything Kristie sported this evening, from her snug black mini-dress,
|
||
to her oversized Yves St. Laurent purse to the gold necklace she teased
|
||
with her painted lips.
|
||
But now Kristie was making her moves on our office's ex-football
|
||
jock, Mark Thames. And none too discretely - for she was perched upon a
|
||
barstool next to myself, merrily running one of her polished nails
|
||
across Mark's puffed-out chest.
|
||
Though he refused to admit it, Kristie had no more need for
|
||
Lawrence than my old sailboat needed anti-lock brakes.
|
||
My mate was out of his league. He eyed his flirtatious date and
|
||
shrugged his shoulders in defeat.
|
||
"Well, Ned, how's Lisa?" he finally asked me.
|
||
"Fine, just fine," I sighed. I had enough on my mind without
|
||
lecturing Lawrence on women. Besides, I am not exactly the beacon for
|
||
male sovereignty. "Still in school," I continued.
|
||
My wife was studying in England for a summer when I met her a
|
||
decade ago. She was still studying now. Silently I reviewed the
|
||
regatta of her previous scholastic pursuits: drama, speech therapy,
|
||
elementary education, and now interior design.
|
||
"Lisa's great," Lawrence said and then added with a whisper,
|
||
"straightforward, not the manipulative type."
|
||
I felt obliged to raise my beer in agreement. Though I thought
|
||
to myself, Poor Lawrence, only a few years younger than me and still so
|
||
clueless.
|
||
"Mark, you really do have a naughty mind!" Kristie said louder
|
||
than I think Mark wanted her to. "Just like me!"
|
||
I turned toward the two. Kristie's firm bottom was practically
|
||
in my face. She had twisted her torso on the barstool, stretching the
|
||
dickens out of her black knit dress.
|
||
Embarrassed by Kristie's flaunting, Lawrence squeezed between
|
||
his contorted date and myself.
|
||
"Kristie, would you care for another chablis?" Lawrence asked
|
||
feebly.
|
||
Maintaining her cat-like pose, she said to Lawrence, "I think
|
||
I'm ready for something stronger." She then picked up a peanut and
|
||
playfully lobbed it into Mark's face.
|
||
Mark shrugged at Lawrence with a cheese-eating grin. I surmised
|
||
that Mark was not feeling the restraints of his decade-old friendship
|
||
with Lawrence.
|
||
"I think I'll have a Velvet Hammer, Sweetie," Kristie said,
|
||
whipping her radiant black hair across her well-exposed chest as she
|
||
turned on the barstool. Once facing Lawrence and me, she tilted her
|
||
head and encouraged a dagger of her hair to slide into her cleavage.
|
||
I couldn't help but stare, as I have been since Kristie joined
|
||
our firm last month.
|
||
"Like what you see?" she said to me.
|
||
"Lawrence," I fumbled for my wallet, attempting to look
|
||
unflustered, "could you get me a St. Paulie's while you're at it?"
|
||
"Ned, we're running a tab, remember?" Mark and Kristie giggled
|
||
in unison. They knew that Kristie had unnerved me once again.
|
||
As odd as it sounds, I couldn't help but curse Lisa, my wife.
|
||
If she weren't so busy attending every obscure design class and
|
||
coordinating upholstery patterns, she might have some time to worry
|
||
about being a bit more sexy. And I wouldn't be so
|
||
easily foiled by
|
||
young vixens like Kristie. Is it too much for a bloke to ask his wife
|
||
to be appealing, even after seven years of marriage?
|
||
To regain my composure, I inquired where Rick Dawson, my old
|
||
officemate had gone.
|
||
Lawrence replied, "Don't know. Last I saw him he was by the
|
||
phone, talking to that redhead in the black leather skirt." Lawrence
|
||
was looking down at the bar, pulling off a long section of his St.
|
||
Paulie's beer label.
|
||
"Should never let a good-looking redhead go to waste!" Rick said
|
||
as he sprouted from behind some tables. In his tweed sportscoat,
|
||
pleated khakis and white business shirt, Rick was the epitome of male
|
||
confidence without the bravado.
|
||
He slapped Lawrence on the back, "I see you're having a big
|
||
night of label shredding." Rick was Lawrence's buddy, almost his
|
||
mentor, but he certainly was not above some healthy ribbing.
|
||
Rick made eye contact with the bartender.
|
||
"I'll take a beer."
|
||
"St. Paulie's?" the bartender asked.
|
||
"Nah, make that a Bud and..." Rick paused to look at me.
|
||
"The same," I responded.
|
||
"Two Buds then."
|
||
"What took you so long?" I asked. I was hoping Rick would say
|
||
something about the redhead - she reminded me of the Irish girl I dated
|
||
back in England.
|
||
"Oh...I met a buddy on the way to the washroom and he asked me
|
||
to go sailing with him tomorrow. So I called Marie and checked if she
|
||
wanted to go."
|
||
By the tip that Rick stuffed in the bartender's jar, I figured
|
||
Marie had said yes. But of course, when didn't they?
|
||
"You know Ned," Rick continued, "that could be us out on the
|
||
lake - on the new Sheffield."
|
||
I replied with silence. The new Sheffield. Rick knew how to
|
||
get to me.
|
||
Rick had been trying to get me to go halves on a sailboat. He
|
||
found a J-22, a racing craft designed for small lakes and light winds,
|
||
for what I agreed was a excellent price. He wanted to learn to sail,
|
||
and knew that I used to own one.
|
||
I thought of the argument I had with Lisa yesterday, when I
|
||
picked her up at the university. It was about the boat.
|
||
Lisa said we couldn't afford it - which was not really true.
|
||
Sure, the down payment on our four-bedroom house in posh west Austin had
|
||
cleaned out our savings. But that was two years ago. With the extra
|
||
projects I had been working, my bonuses had replenished our reserves.
|
||
Lisa wanted to use the extra cash for a new set of drapes. At
|
||
$500 a throw.
|
||
"You knew we would have to make sacrifices to build our dream
|
||
house," Lisa sighed, stroking my hair as I drove. I said nothing.
|
||
Sacrifices. Like the Sheffield, my J-22 racing sailboat that I
|
||
had restored from a state of complete neglect. Buying and restoring the
|
||
Sheffield was the first thing I did when I came to the States. The
|
||
labor kept me from going insane from my trans-Atlantic move and in the
|
||
process, I met some good blokes at the marina.
|
||
Sold! We sold the Sheffield for a down payment on the
|
||
house! The fact that the house was Lisa's dream and not mine escaped my
|
||
wife.
|
||
|
||
"Ned, feel this," Kristie said hopping off her barstool and
|
||
plunging her right arm into my lap. Though she was talking to me, her
|
||
curves and voluptuous chest were pointed toward Rick. Being married, I
|
||
guess I was a neutral zone that allowed Kristie to entice her new
|
||
victim.
|
||
Kristie grabbed my right arm and rolled it across her exposed
|
||
bicep. I loathed Lisa. When was the last time I touched such a toned
|
||
female muscle?
|
||
"You feel that, Ned? Isn't it weird?" She squeezed my fingers
|
||
around what felt like a bunch of matchsticks beneath her skin. "It's my
|
||
implant."
|
||
"Is that for quitting smoking?" Lawrence said gawking over
|
||
Kristie with his Abraham Lincoln body.
|
||
"No, silly, it's for birth control," she smirked.
|
||
"Thank God she's not a guy, Ned," Rick said from behind Kristie.
|
||
"Otherwise we'd have to look at her condom collection."
|
||
She spun around.
|
||
"That was very rude, Rick."
|
||
"How do you know my name?" Rick asked as he stepped around
|
||
Kristie to get a handful of peanuts off the bar. Rick had left the firm
|
||
before she was hired. Lawrence had invited Rick to this happy hour.
|
||
Sadly, I think Lawrence wanted to impress his buddy with his new date.
|
||
"Don't you remember me? I'm Kristie. I was at your party," she
|
||
said as she languidly caressed her arm.
|
||
"Which one?" Rick asked.
|
||
"The one where you were rude."
|
||
"That hardly helps, but I think you mean the party where me and
|
||
Lawrence stoked up the yellow fins we caught on our fishing trip."
|
||
I recalled that Rick had asked if I wanted to go with them to
|
||
Port Aransas. Of course I said yes. Previously I had only gone to the
|
||
Texas coast once, and that was not much of a vacation. It was a quick
|
||
trip to Galveston for a wedding of one of my wife's sorority sisters.
|
||
So I was naturally excited about Rick's fishing excursion. But
|
||
two days before the trip, Lisa came down with one of her many colds.
|
||
"Don't miss your trip on account of me, Honey," Lisa said with
|
||
puffy eyes and a puppy dog face.
|
||
But I stayed home anyway. It just wasn't worth the guilt I
|
||
would have had to endure. Besides, the last time I chose to go camping
|
||
with Rick instead of staying home to nurse one of Lisa's flus, it wound
|
||
up costing me a month's wages in flowers and chocolates.
|
||
"Well, you were very rude to me that night," Kristie pouted
|
||
before pursing her lips around her cocktail straw. Her back was erect
|
||
and she was looking him directly in the eye.
|
||
The way Kristie looked at Rick I couldn't help but think of a
|
||
similar scene in a Sheffield pub called Chilham's, nine years ago. I
|
||
was bellying up to the bar to get a round for my mates.
|
||
"You're in my drama class, aren't you?" a sweet voice asked, one
|
||
of those southern-belle American voices I had heard in the pictures.
|
||
I turned to my right and eyed a petite blonde. I had pointed
|
||
the girl out to my mates before going up the bar. In her Texas sun
|
||
dress, only the queen herself would have stuck out more in that smokey
|
||
brown pub.
|
||
With a smile, she asked why I was so shy and did not come over
|
||
to say hello. "Didn't you recognize me?"
|
||
I said that I wanted to say hello but it just wasn't the English
|
||
way. Which, of course, was a cop-out. I just never had it in me to
|
||
approach a girl - certainly not one as attractive as Lisa. Besides,
|
||
there was my redheaded, Irish girlfriend.
|
||
But my girlfriend was not with me that night. Nor was she there
|
||
when Lisa and I went on our first date. We went sailing in my old
|
||
Flying Junior around Humber Bay, just north of Sheffield. And of course
|
||
my ex-girlfriend did not see me off when I left with Lisa to live in the
|
||
States.
|
||
|
||
"Oh, I don't remember being rude," Rick replied indifferently.
|
||
"I think I only said a few words to you."
|
||
"That's my point," Kristie said.
|
||
"Which is?"
|
||
"You were the host, you should've conversed with everyone."
|
||
"Well, Kristie, tell you what," Rick leaned over me and put his
|
||
empty Bud on the bar, "you can throw a party and get back at me by not
|
||
saying a word to me all night."
|
||
I felt like cheering for Rick.
|
||
He then took a step toward Lawrence.
|
||
"Too bad your were busy last night, ol' buddy. I met some old
|
||
friends, stewardesses, at Ricardo's." Rick took a sip of his beer,
|
||
"Trust me, Larry, you should've been there."
|
||
"Sorry I missed it," Lawrence said, smirking at his "date."
|
||
Last night, he had taken Kristie out to dinner instead.
|
||
Our young secretary sighed with disgust. She then twirled on
|
||
her seat and reached for her Yves St. Laurent purse on the bar. She
|
||
could have grabbed it easily had she stood up, but instead she laid
|
||
across me, as if perfecting her yoga form. Her youthful odor was
|
||
enticing and mocking at the same time.
|
||
Finally, after confirming that Rick had seen her sprawled over
|
||
me, Kristie said, "Mark, honey, I just can't seem to reach my purse.
|
||
Could you hand it to me? I have something I want to show you."
|
||
Lawrence had halted his conversation with Rick to observe
|
||
Kristie.
|
||
I saw Lawrence whisper something to him. Rick laughed and then
|
||
said out loud, "It is her better half."
|
||
I marveled at Rick's nonchalance at Kristie's flirtations. I
|
||
toasted him silently as I took a healthy swig of my beer. I even
|
||
thought it was beginning to rub off on Lawrence.
|
||
But I was quickly disappointed. For it was Lawrence who fetched
|
||
Kristie's purse.
|
||
I heard Rick mumble, "What a gentleman," before taking a drink
|
||
from his longneck.
|
||
"Thank you Hon, you're so sweet," she gave Lawrence a peck on
|
||
the cheek and then snapped in Rick's direction, "unlike some people."
|
||
"Who?" Rick asked.
|
||
"People who are bad hosts."
|
||
"Oh, for a while I thought I was going to have to defend my
|
||
buddy, Ned. Him being a married guy and all, he's forgotten how to
|
||
stick up for himself against women."
|
||
"He has a point," I said, toasting my beer to Rick. "Lisa has
|
||
made me into a silent booster for the male cause."
|
||
"Don't you care at all what I think of you?" Kristie pouted as
|
||
she bent down to rummage through her purse. Her new pose was more than
|
||
slightly revealing in her low-cut dress.
|
||
"Do I care what you think of me? Well actually," Rick held a
|
||
peanut in his hand as if he was going to toss it down her dress, "that's
|
||
really a foolish question, don't you think?"
|
||
"You really are as rude as people say."
|
||
"And you have lived up to what I've heard about you."
|
||
"Well to hell with you," Kristie snapped, popping up from her
|
||
kneeling position. "I'm not going to let you see my calendar."
|
||
Lawrence seemed unnerved by the last statement and touched her
|
||
bare shoulder. "You didn't bring it, did you?"
|
||
I wanted to revoke Lawrence's license to call himself a man.
|
||
"Yes, I did!" she flashed a smile to us guys. "If y'all didn't
|
||
know, I had a naked calendar made of myself."
|
||
"How exquisite," Rick said as he signaled the barkeep for
|
||
another beer. "Does it show your tattoo?"
|
||
Kristie looked like she was trying to blush.
|
||
"But of course."
|
||
She let a manicured finger slide down the rear of her left
|
||
thigh, as if to indicate placement.
|
||
I looked at Rick with a how-did-you-know? look.
|
||
"Lucky guess," Rick shrugged.
|
||
Since I was the only one still sitting, she tossed her purse in
|
||
my lap.
|
||
"Of course I want to know what y'all think of my modeling.
|
||
Artistically, that is."
|
||
The guys fell silent as Kristie slowly ferreted through her
|
||
purse. She kept one eye aimed at Rick. He refused to play along.
|
||
Instead, he stepped around her to order another Budweiser. Regardless,
|
||
she tried to play up the suspense for all it was worth, even pausing to
|
||
pull out a golden tube of lipstick to polish her already well-accented
|
||
lips.
|
||
Eventually Kristie abandon her search with a heavy sigh.
|
||
"Well I guess I didn't bring it after all. Y'all will just have
|
||
to drop by my place sometime to get your own copy. I'll promise to sign
|
||
it."
|
||
"Makes a great anniversary present for your wife," Rick said
|
||
across the bar. He then picked up his beer, walked over to me and
|
||
whispered something about Kristie. I knew he intentionally accented her
|
||
name to peak her curiosity. Rick then rapped me on the shoulder and
|
||
walked off to another table where he was being beckoned.
|
||
Kristie continued babbling about her calendar, choosing to feign
|
||
indifference to Rick's departure.
|
||
"So what on earth possessed you to make a calendar?" Mark asked
|
||
pumping back his shoulders for the umpteenth time. With Rick gone he
|
||
was ready to reclaim the pole position in the race for Kristie's
|
||
attention.
|
||
"It was really a lot of fun." She ran her fingers through her
|
||
hair until her arms were spread above her shoulders. She held the pose.
|
||
"Erotica is very natural for me."
|
||
As she started to go through her calendar poses, I thought about
|
||
what Rick had said before exiting.
|
||
Her teeth really were too large for her head. The proportions
|
||
just did not work. The highlighted flaw gave me an odd sense of power
|
||
over her. I sat there for a moment, oblivious to Kristie's movements.
|
||
Then, in the midst of her poses, I placed her purse on the floor
|
||
and walked over to Rick. It was almost time for me to pick up Lisa and
|
||
I had just decided something.
|
||
"Hey Rick, I think we should move on the sailboat," I said.
|
||
"Sounds great," Rick said surprised. I had interrupted his
|
||
conversation but he wasn't annoyed.
|
||
"What changed your mind, old boy?" he said, turning in his seat
|
||
to face me.
|
||
I just shrugged and said something about rechecking my finances.
|
||
"Well I look forward to learning the ropes from an old hand
|
||
like you."
|
||
"Likewise," I said before departing.
|
||
|
||
____________________________________________
|
||
Garret Grajek <garret@garret.austin.ibm.com> is a 29 year old male, a
|
||
self-employed computer contractor and a non-Pez Dispenser collector.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
IT WAS A DIMLY LIT..
|
||
BY DAVID S. DADEKIAN
|
||
|
||
It was a dimly lit, intimate room. John was sitting at a table.
|
||
He was relaxed in a pair of jeans and a dark button-down shirt. There
|
||
was some silverware on the table next to his hand. Bob entered and sat
|
||
down across from John. Bob didn't appear very relaxed in his shirt and
|
||
tie.
|
||
"Hello, John," Bob began.
|
||
"Hi, Bob, I'm glad you could make it," John replied, "would you
|
||
like to order anything?"
|
||
"No, thanks," Bob said with a little sarcasm in his voice. "You
|
||
look good."
|
||
"Thanks, I should be better soon. How are you? It's been a
|
||
while."
|
||
"Yeah, it has been a while since I've seen you."
|
||
"Well, you know you could visit anytime you want. It's not like
|
||
I'm able to get to you much."
|
||
"Yeah, I know I could afford to visit you more, John. It's just
|
||
hard without Susan around. I have to take care of Mom and the kids by
|
||
myself now."
|
||
"Yeah, well, I'm sorry about Susan. I wish I could have made it
|
||
to the funeral."
|
||
A disgusted look crossed Bob's face, "Look, I know you weren't
|
||
well...let's not talk about it. This is going to be my last time seeing
|
||
you."
|
||
"Yeah," John laughed, "it's going to be a long time before I get
|
||
to see you again."
|
||
A man entered from behind John and unceremoniously placed a
|
||
plate of food and a glass of soda in front of John. The man turned and
|
||
exited.
|
||
"Hey, see if you get a tip from me," John shouted at the man.
|
||
He picked up his fork and started eating. "You sure you don't want
|
||
anything, Bob? I'm buying."
|
||
Bob shook his head no, "I'm sure, thanks, John."
|
||
"Hey, always the best for my older brother. So, how's Mom
|
||
doing, haven't seen her in a long, long time. Probably not since I last
|
||
saw Susan."
|
||
"John, I said I didn't want to talk about Susan," Bob paused,
|
||
"Mom's doing well, as well as could be expected. She has a hard time
|
||
with the crutches, I think I'm going to get her a wheelchair."
|
||
"Well, you know I'll pitch in half."
|
||
Bob let out a little laugh, "Yeah, thanks, John."
|
||
There was a long pause while John ate. Bob sat quietly.
|
||
"Come on big brother," John said, "talk to me, you said
|
||
yourself, this is it." He took another bite of his steak. "So how are
|
||
my two favorite nephews?"
|
||
"Well, little Billy's okay. J.J. isn't doing too good," Bob
|
||
answered.
|
||
"J.J.? My namesake is calling himself J.J.?" John sounded
|
||
stunned.
|
||
"Yeah, well his therapist thought it was a good idea."
|
||
"Therapist? My godson's going to a shrink? Jesus, Bob, what's
|
||
going on?"
|
||
Bob got slightly angry, "You know what's going on, John, at
|
||
least you should."
|
||
"Yeah, well, I guess so. So how's he doing in therapy?"
|
||
"Okay, he's going to stop when he turns sixteen in a couple of
|
||
months."
|
||
"Oh, he's turning sixteen?" John became sarcastic again. "Damn,
|
||
I wish I could say he'd get a card from me, but you know how things
|
||
are."
|
||
"Sometimes I wonder how things are with you, John," Bob laughed
|
||
sardonically, "but, yeah, I understand why he wouldn't get a card from
|
||
you."
|
||
"Hey, it's not like I don't care about family, you know I do."
|
||
"Yeah," Bob was angry now, "I know how you feel about family."
|
||
"You know you'll miss me, right, Bob?"
|
||
There was a long pause as John finished eating. He looked up at
|
||
Bob and then looked at his bare wrist. "Would you look at the
|
||
time...I've got to get going."
|
||
John wiped his mouth on his sleeve and stood to go. Bob got up,
|
||
too. A guard walked over to the table and stood back a little. John
|
||
stuck out his hand to shake with Bob. Bob hesitated, but shook his
|
||
brother's hand. The guard approached John.
|
||
"Well, I'll be seeing you, Bob," John said smiling. He turned
|
||
to exit and the guard turned with him.
|
||
"Excuse me," Bob said softly to the guard, "When exactly does my
|
||
brother get, uh..."
|
||
"He goes to the chair at five-thirty in the morning," the guard
|
||
replied.
|
||
John turned back to Bob, "Hey, Bob, tell the kids I'm sorry
|
||
about what I did to Susan," he smiled and waved. "Bye, Bobby."
|
||
John and the guard exited. Bob just stood there, fingering his
|
||
wedding band.
|
||
|
||
____________________________________________
|
||
David S. Dadekian <dadekiad@vader.egr.uri.edu> is a writer/musician from
|
||
Providence, RI.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
POETRY
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
AUTOMATIC WINTER
|
||
BY STEPHANIE KAY BUFFMAN
|
||
|
||
My best friend and I once laughed,
|
||
outside a practically empty Clark station, learning how to use the
|
||
self-serve pump.
|
||
|
||
Breath colliding smokey in mid-bitter air, we ignored the indifferent
|
||
cashier
|
||
ignoring us from underneath the orange-pink glow of convenience store
|
||
lights.
|
||
|
||
Instead we chatted of nothings and
|
||
no ones as the forgotten nozzle
|
||
reeked life into my Cougar.
|
||
|
||
Through the spider-webbed back window,
|
||
the cackling hoard mouthed hilarities
|
||
and threw back oblivious heads.
|
||
|
||
We leaned to examine the progress and,
|
||
concealed momentarily by fogged up windows and a back quarter panel,
|
||
hesitated
|
||
|
||
just long enough to brush indecisive lips before the fragile simplicity
|
||
of one
|
||
impulsive moment was left to quake
|
||
in the leering hi-beams of a sudden Toyota.
|
||
|
||
____________________________________________
|
||
Stephanie Kay Buffman <chiquita@camelot.bradley.edu> is a junior English
|
||
major from Bentley, Michigan attending Bradley University in Peoria,
|
||
Illinois.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
CLOUD-PERFECT
|
||
BY L. AMOS
|
||
|
||
Today
|
||
the weather is cloud-prefect.
|
||
It is the recognizable kind of day when
|
||
my mother and I stay outside and tell stories.
|
||
The best day to smile and sit on the moist happy grass.
|
||
|
||
Happy grass
|
||
with its blades shiny, fresh and tall
|
||
never having felt the whirling blades of a mower even once.
|
||
|
||
The sun
|
||
warm and the breeze is cool and in my face.
|
||
|
||
Today
|
||
I could not tell you the real name,
|
||
what the scientific name is for these clouds -
|
||
whether stratus, cirrus, cumulonimbus or such -
|
||
but Mom keeps telling me to remember that they are perfect.
|
||
|
||
Each one
|
||
hangs in the air long enough for us to figure out
|
||
what creature or character hides behind the cream whiteness.
|
||
|
||
She
|
||
sees my dragons, all of them
|
||
and I see her laughing faces, each creased cheek.
|
||
|
||
And then,
|
||
before you or I can look away
|
||
it changes and is deformed by its own breeze
|
||
in the upper levels where it lives and which we will never know.
|
||
|
||
There
|
||
are no colors to worry about -
|
||
like white chalk on a blue-slate board -
|
||
just shapes in this one world's fluffy heights
|
||
much more than we could ever draw, except in the sky.
|
||
|
||
Today is cloud-perfect.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
INSOMNIATIC CONCLUSIONS
|
||
BY TRISTA MENTZ
|
||
|
||
I can't find the switch
|
||
that will stop whatever
|
||
it is
|
||
that is
|
||
projecting images
|
||
on the screen.
|
||
dead time
|
||
dead grass
|
||
|
||
dead babies
|
||
I can't find the
|
||
|
||
stop analyzing trivial
|
||
occurrences button.
|
||
possible fires
|
||
possible words
|
||
possible assignations
|
||
I can't justify the reasons
|
||
|
||
why I think that it only
|
||
snows while I am asleep.
|
||
I will walk through slush in
|
||
|
||
black penny loafers until they
|
||
|
||
don't make black penny loafers
|
||
anymore. Then
|
||
I will go barefoot.
|
||
|
||
____________________________________________
|
||
Trista Mentz <mentzt@alleg.EDU> is a freshman at Allegheny College in
|
||
Meadville, Pennsylvania.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
HEELS
|
||
BY L. AMOS
|
||
|
||
Inch upon inch,
|
||
you add to my height
|
||
Squish my feet forward, forming
|
||
Elegance, but not quite.
|
||
|
||
Forced to dance on my toes
|
||
and sink in the wet grass
|
||
Where can I stand tall
|
||
without feeling like an ass?
|
||
|
||
No matter the style or
|
||
color, they're no Keds.
|
||
They'll never be comfortable,
|
||
so get it through your head.
|
||
I can't run very fast
|
||
with my calves all tight,
|
||
but I can take them off
|
||
and put up a fight.
|
||
|
||
Who made these shoes?
|
||
I'd like to ask
|
||
If he had to wear them, now
|
||
that would be a task.
|
||
|
||
Make it illegal to
|
||
sell even one pair.
|
||
Design new ones, you say?
|
||
No, you wouldn't dare!
|
||
|
||
____________________________________________
|
||
L. Amos has just finished her undergraduate work at Cornell University,
|
||
majoring in Education. She will be working for the YMCA for the summer
|
||
before entering graduate school in the fall to get her Masters in
|
||
Elementary Education.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
FREE THINKERS, FREE HEARTS, AND OTHER NASTY STUFF
|
||
BY CHRIS LASKEY
|
||
|
||
The biggest problem with being a free thinker is that the whole room
|
||
looks at you pretty hungrily whenever they light-up their switches.
|
||
|
||
The biggest problem with being a free heart is that the whole room looks
|
||
away when you enter.
|
||
|
||
The biggest problem with being both
|
||
is that you live in a state of grace...
|
||
|
||
deliciouly, invisible.
|
||
|
||
____________________________________________
|
||
Christopher Alison Laskey <laskey@server.uwindsor.ca>, usually refered
|
||
to as "that Laskey kid" is a 4th year Communications Studies student at
|
||
the University of Windsor. The combination of small town Canadian life
|
||
and lack of sex has driven him completely insane. This is normall
|
||
percieved as some form of handicap, but is totally acceptable, and even
|
||
encouraged in his choosen field of specialization ... the mass media.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
OTHER MAGAZINES ON THE NET
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
InterText, a bi-monthly magazine publishing fiction of all types,
|
||
edited by Jason Snell. Back issues are available at network.ucsd.edu,
|
||
under the /intertext directory.
|
||
___
|
||
|
||
Quanta, a science fiction magazine. Each issue contains fiction by
|
||
amateur authors and is published in ASCII and PostScript formats. Back
|
||
issues of Quanta are available from export.acs.cmu.edu in the
|
||
pub/quanta directory.
|
||
___
|
||
|
||
The Sixth Dragon, an independent literary magazine devoted to publishing
|
||
original poetry, short fiction, drama and commentary, in all genres. In
|
||
addition to 3,000 paper copies, The Sixth Dragon will publish ASCII and
|
||
PostScript editions. For more information, e-mail
|
||
martind@student.msu.edu.
|
||
___
|
||
|
||
Unit Circle, an underground paper and electronic 'zine of new music,
|
||
radical politics and rage in the 1990's. On the net, it is available in
|
||
PostScript only. If you're interested in reading either the paper or
|
||
PostScript version of the 'zine, send mail to kmg@esd.sgi.com.
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
BACK ISSUES
|
||
|
||
Back issues are available in several anonymous Gopher/FTP sites:
|
||
|
||
gopher.cic.net
|
||
etext.archive.umich.edu
|
||
src.doc.ic.ac.uk
|
||
info.anu.edu.au
|
||
|
||
You can also get them through out address at djw5@cornell.edu, but it is
|
||
strongly recommended that you use the FTP sites.
|
||
|
||
|
||
SUBSCRIPTION
|
||
|
||
If you wish to be on the Whirlwind mailing list, all you need to do is
|
||
send a message to djw5@cornell.edu with the subject of the message
|
||
"SUBSCRIBE WHIRLWIND" and nothing else in the body of the message.
|
||
|
||
|
||
FURTHER QUESTIONS
|
||
|
||
If you have any more questions, you can reach us at djw5@cornell.edu.
|
||
|
||
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
|
||
|
||
That's it! Thank you for reading. The next issue of Whirlwind:
|
||
|
||
SEPTEMBER 1994 |