2118 lines
97 KiB
Plaintext
2118 lines
97 KiB
Plaintext
This is the e-zine version of Red Dye Number Five #2. Feel free to
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print, re-print, and distribute at your own free will, taking into respect
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the author and not editing or altering the story/stories in any form
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whatsoever. They are indeed Copywritten. No, really.
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December 1995- The print version usually precedes the e-zine version, but I've had
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way too much shit to deal with to get it together lately. Anyone who has sent
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money for subscriptions will get a copy as soon as It's released.
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email:
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t3@escape.com
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t3@aosi.com - [submissions only]
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Red Dye Number Five #2-
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Red Dye Number Five is a so-called "literary" zine catered to
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the growing masses of people that seem to lack attention spans.
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The stories, rants, complaints, and other various scribblings in
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this zine are not written with the intent to blow minds, assert
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literary quality, or do anything special except for one thing:
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please the reader.
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Some of you have been wondering where the name Red Dye Number Five
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came from. Red #5 was a FDA approved colorant that was taken out
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of products after there was a supposed scare that it caused cancer.
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This was ultimately found out to be hype that (apparently) a
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disgruntled employee concocted.
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I'm not sure about that, but Red M&M's used to use it so if you
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develop any odd cists or lesions I would target all lawsuits
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towards Mars Inc.
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Our poor attentions are a result of one piece of junk that every
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family has. It has a cathode box and it waters eyes and ruins
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young minds. I leave you with a quote from Fred Allen, a genius
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radio personality of the forties:
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"Television: A device that permits people who haven't anything to
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do to watch people who can't do anything."
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RDNF is available for free through the Net by emailing
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<t3@escape.com> or by:
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ftp -- ftp.etext.org/pub/Zines/WhateverRamblings
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gopher -- gopher.etext.org/Zines/WhateverRamblings
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web -- http://gn2.getnet.com/~rdnf
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I have raised the newsstand cost of RDNF to $2.00. This is the
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first time in six years I have charged more than $1.00 for a zine
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of mine. Single issues cost $3.00 PPD, mail to:
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Red Dye Number Five
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5 Greenview Avenue
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Princeton, NJ 08540
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Submissions or inquiries: t3@aosi.com
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Hatemail and/or blatant criticism: t3@escape.com
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The contributors to this issue were:
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Mike Kelly - (#18) Birdfood
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Andrew Ian Feinberg - (#20) Testicular Trauma: Thoughs of Designer
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Imposter Body Spray <afeinber@panix.com>
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"If you don't like it, then make your own."
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Red Dye Number Five, September 1995. Everything in this zine is
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legally Copywritten (C) 1995 by their respective authors. Like you
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were going to steal it in the first place...
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Index
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-----
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1] The Red Dye Spills
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2] The Dance of the Princes
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3] Existential Contradictions
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4] My Paradise (Part One)
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5] Zoom
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6] Cramped
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7] Going Down
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8] Metropolis
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9] Virginal
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10] Vibrating Ants
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11] The Pressure of It
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12] The Truth about Rainbows
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13] Prate
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14] A Peasants Vantage
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15] Chris and Me (Part One)
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16] Presently in the Past
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17] An Angels Wings
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18] Birdfood
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19] Turn the Ringer off next time.
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20] Testicular Trauma: Thoughts of Designer Imposter Body Spray
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1] "...The Red Dye Spills..."
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--------------------------
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Pretty tired of reading about clueless teens shooting up heroin in
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the village and getting various virgins pregnant in the backroom of
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the Limelight as magazines converge upon these new-breeds with
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urgency. Sure its a generational thing where any and everyone that
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does or does not have legitimate complaint to walk around head down
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kicking 40 oz bottles down the street and contemplate plans for
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takeover. A true slag would not have a paragraph of writings that
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would be tolerable in the least. All of those types are rotting in
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front of televisions subconsciously absorbing commercials into
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their numb brains and exercising finger dexterity by rapidly
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changing channels from one infomercial to another. How tasteful
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that is upon the palate of the terminally lost.
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I find myself being guilty of things like this, and on frequent
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occasion. When you stumble home from a local dive at two a.m.
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dripping with summer humidity you lay rest on the closest
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comfortable spot and look for entertainment, scratching your lonely
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sack in reflex. Peeling sticky clothes off bleached white skin and
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watching commercialism take you to a new desensitized world of pure
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unarguable bullshit. The cat sits on my chest and gets comfortable
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shedding hair that never goes away, such as from a fresh haircut.
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It faces me purring in content, occasionally nodding off into a
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tabby dream which must certainly be beautiful. I squirm as the
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room spins, only lit by that glowing box of disease square in front
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of me.
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You get this shit out of your system because harvesting it in your
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mind is self-destructive. So you take from your supply of
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righteousness and deliver it to the masses any way you can,
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preferably in a zine or something similiar which is not caught up
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in monetary gain or social advancement.
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Bukowski talks about elder blondes with platinum wigs that he's had
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and I see older Italian women on an invisible chain being held by
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their husband, being dragged across the street lacking equilibrium
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from those high heels that were discounted from their unevenness.
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I crossed their path on the way back from the cafe just as the cold
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burn of iced espresso hit my belly. That long dark brown hair of
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this particular thirty-something was stunning and her legs were
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just that of Bukowski's definition. Those full luscious lips were
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crying to be touched by mine, if only for my own satisfation but
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hey she's been treated like shit for so long she'd hopefully fall
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to the ground in a youthful faint. I'm one of those few that find
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women and cigarettes a sexy combination any way you slice it and
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she took a sensual drag of her non-filter which shaped her lips in
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such a way that I couldn't help but get excited.
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In such a small and desperate town one must certainly open their
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eyes wide with surpise when they see someone new from a far place
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wandering the streets in relaxation. As I took my daily jaunt from
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the cafe to the typing machine I ran into Jessica of whom I had a
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brief passing with some years back and she's as beautiful as ever
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but I recall something. She was a hanger-on type that somehow met
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me through my writings which such situations terrify me because I
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am treated like a boost for her image more than a living breathing
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person. Sure I can play this game but to what conclusion? She
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bought me coffee and wanted to discuss ME which made me feel
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interrogated and eventually bored. The various cafe junkies
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obviously live in the place and any infraction of their environment
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is as obvious as a mouth full of diseased teeth. Not a cafe in the
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country is different. The die-hards most likely with some sort of
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psychological disorder drink straight hot espresso by the gallon
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and stare blankly into their palms as they shake uncontrollably
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from the poison. The two of us talk in the very far corner of the
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cafe, me sitting purposely in the absolute corner so I can see
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everything and miss nothing. Its a bland conversation really going
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nowwhere and I forsake her words after twenty minutes and
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concentrated on her beauty, the curves of her breasts, and the lips
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which I concentrate on always and on all women. Lips tell all,
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especially those full ones that meet mine so perfectly.
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Summer storms are more exciting to me than any other natural
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unplanned occurrence. A perfect romance for me is sitting in the
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middle of an open field having glorious humid sex as a tornado
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swirls above us creating a steady howling wind, air-raid sirens
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screaming from the urban outskirts. Hitching with Chris on the 101
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we argued that one because he insisted that sex on an abondoned
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ferry submerged in the toxic waters of the Newark marshes would win
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the race. He was kidding but in general sex anywhere but on a
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twin-sized bed is just as romantic and memorable.
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6am in the summer morning is odd for the unemployed because I watch
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scores of business types speeding quickly to a job they would quit
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if given the option. If society isn't alienating enough, jobless
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people are even more likely to watch a baseball game from the other
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side of the stadium. I ride the clunker bike which succeeds me by
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ten years all through town, re-exploring places I use to roam five
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years ago. The fire in the sky is viewable and pleasant through
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all the morning haze, telling all that today I will make you hotter
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than you can possibly imagine. I ride a mile downtown watching
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bread and newspaper trucks dominate the streets careening around
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corners so fast that I always expect them to flip. The cops switch
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shifts and speed up and down the streets like new kids with
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training wheels. I end up at the only store open down in the
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Eastern side of town. I walk in with my battered sleepless look
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and the girl at the counter awes at the silver change as it pours
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all over the counter. Nickels and dimes and the dimes being the
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highest denomination. I ask for cigarettes and she grabs for them,
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a look of true boredom on her smooth young face. She counts the
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change as regulars pile in line behind me, quietly and internally
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cursing me for existing. All these types are blue-collar fellows
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that always tend to have mean tempers and resent people like me
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that look seemingly unconcerned with haste or anything for that
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matter. I engage the man behind me asking, "You love this don't
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you?" in mock coy and he doesn't even respond, I guess because he's
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thinking about his long and painful day of work ahead which he
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undoubtedly denies as "fun". The girl gets my drift somehow and
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tells me I look like Jim Carroll. I tell her that I hated that
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book and she looks at me for a few seconds as if the tape had been
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paused. I push through the two sets of double doors and inhale
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pure dew as now the sun is working its way down the trees. I
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secure the iced tea to the front of the bike and pedal as fast as
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I can up the big hill parallel to the university. The buildings
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have so much character and seniority to them that I can't help but
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imagine what, if anything, was different a hundred years ago. My
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mind intermittently blanks in and out of thought and when I wonder
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"why am I not thinking?" I begin a perpetual catch-22 where I can't
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muster up a thought about anything until I stop asking myself such
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obsessive questions.
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I long for fantasy mostly because although I'm living over here in
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reality, I tend to only react positively to fictional or surreal
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events. Surreality is when you're 22 years old and you can fill up
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all ten fingers with names of friends that are now married.
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Surreality is when you can walk down the street and assume that
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nobody is thinking about, looking at, or even feeling the wind of
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your passing figure. I took a pair of partially rusted scissors
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and chopped my hair off as linearally as possible although I
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haven't quite gotten down operating anything in mirror image. The
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cat fiddled with my fallen hair and sneezed as if allergic to me.
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Threw on a Princeton cap and went through town as if doing my own
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cute little sociology experiment. I blended into the masses and
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felt comfort in my new stealthy look.
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Finally after the sun beats your skin into cancer you grow
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lethargic and lay in your bed nodding on and off into dreamland
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having disturbing visions, incorporating the whirr of the boxfan
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into your fantasies. The night comes around, the students screech
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around corners you hear the clinking and clanking of cheap beer
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cans blowing down the street. You wake up as if to a new day and
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remove your head from the icebox or take a cold shower that
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palpitates your heart. Eric and I walked casually into town
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sidestepping all known tourist paths and got yet more rounds of
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caffeine at another cafe downtown, this one known as a place only
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for tourists to frequent for it has the cute quaint look and that
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inviting environment. This place in particular some offshoot of
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New Jersey's biggest dairy that offers ice cream and watery coffee
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drinks. Obviously a tax writeoff for certainly one of the richest
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families in Jersey or possibly a front for the IRA or maybe some
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other organization that ironically bombs pubs in Europe. The
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evening is beautiful with a thin layer of haze covering a crescent
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moon. High school and college students alike wander down the tree-
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lined streets smoking cigarettes and oggle at each other in spring
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sexuality. I am entirely too oversexed and forsake social
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conditioning or any sort of correctness and stare with uncontrolled
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perversion at girls whose rich parents would have me in jail by
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midnight if I even dared. Ageism when it comes to good hot and
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humid sex would be a deadly sin for me but only during the spring
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when hormones are so present that you can see them dancing in the
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air.
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The wee hours of the night are the only hours worth taking full
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advantage of and the concept of a 40-hour work week almost seems
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fictional. If one has a choice I propose sleeping during the day
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and making the night your time to get things done. I left the
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house ready to get a lot of exploring done, walking a few blocks
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towards the university. The cops and school security so familiar
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with my presence at 3am that I can't help wonder if they'll
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eventually set up surveillence to see where i'm planting those
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explosives. I ducked into the religion building and climbed four
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flights of stairs to a belfry with a small window leading to the
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roof. No need to worry for god is protecting me from the man.
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Acuity is obtained quickly by surveying your surroundings from high
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vantages. I'm standing on top of a church easily eight stories
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high fighting off remnants of childhood acrophobia. I light a
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cigarette and sentimentalize on traces of memories from years ago.
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The roof angled sharply covered with slippery corrugated sheet
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metal that rises to a peak about thirty feet, comes to a point, and
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leads back down in mirror image. This is the secret of the city
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and scant few locals even know of the place. Not the sort of place
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you'll find discarded condoms and bottles of cheap malt liquor,
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although if given the chance the town folk would live up here and
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smoke their first joints. University proctors scan the city
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looking for Townies and Trenton hoodlums invading Ivy-League
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territory. The cityscape is actually a beautiful site and seldom
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few truly have any grasp of the city from above. Blinking red
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radio towers, low-flying prop planes and various saucers from far
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away galaxies soar in the sky. The last view from Boston was
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infinitely better what with the intermittent blinking of the
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bulblight YMCA sign, however this is certainly better than Oakland
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which all you see is low flying pig choppers with their 20,000 watt
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bulbs illuminating black fellows drinking forties.
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The cemetary continues to idle across the street. A no-frills
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Friday morning begins and the Gatekeepers son steers carefully
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around the dead with his John Deere. The cat cries for food, I cry
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for food and I drink cheap warm cola from a 2-liter bottle. "Just
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another day" I mumble subconsciously and eventually turn off the
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computer to get get some more coffee.
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2] The Dance of the Princes - Alex Swain
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-------------------------------------
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"Ack!" he moaned smiling grinning like a sweating tabby from a
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round of kitten deliveries. He heft up himself up onto the dining
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room table, stomping bread and cow tongue in front of the entire
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French Parliment screaming, "Thats how ya like it, motherfuckers!"
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He hopped down like an age-old rabbit tipping a crystal vase of
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wine onto a three piece Gucci suite so white that the albino boy
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down the table looked tan in comparison. Wait.
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A roar ensued and the whole room broke out into a waft of smoke as
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combustion took the man and now we only have two hours left until
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sundown. Fritz Lang looked weary sitting in the corner threading
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the projector, digging his crusted pale-veined feet into the
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shagpile. Aforementioned table dancer Kale whom incidentally is
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quite directly related to Mr. Selenium continued to hop around the
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room like a white grasshopper to the cognac where he refreshed his
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drink and looked sentimentally out the window at the Ver Sailles
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grounds exploring ancient art and oddly carved bushes the shape of
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Coke cans or possibly a nuclear pink bottle of Pepto; can't tell.
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The sun burned like acid but that doesn't stop Marcio Colopolilia
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from peeling her dress like a banana and exposing her "bits" in
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front of such dignitaries as ones that coin terms like, "Close
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cover before striking." A chuckle comes from a lopsided parrot the
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extreme result of a hammer and a young disturbed Fritz but truly
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thats a different story. She meowed and mewed in heat like she
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truly hadn't experienced even a long projectile inside her
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regardless if its alive in quite some time. She was starved like
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an elder into diaper-wearing elite boys from the Upper West.
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The humidity caked dew on the absolute unarguable palacial walls
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covered with Rembrandts and Degas' and a few various other
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unmentionables like that damn splatterfuck Pollock. Drip drip drip
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and before long we're all in a psychedelic paint shop splattering
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our pale bodies with spectral designs and running small laps around
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the hanger-sized room.
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Nobody but nobody can be stifled from such a world where trapeze
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artists casually inject H into their muscular veins and old fat
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ladies have several sets of genetalia and have beards beyond the
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unshaven hippy anywhere in Berkeley. Hey, you can take your pick.
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"Travesty, injustice!" Fritz cleared his throat instinctively
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swinging his ball-peen around as if for therapautic purposes. But
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what is this injustice the prince speaks of?
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"Refrain from such swinging of said ball-peen." Marcio proposes but
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it was truly more of a threat and like the gong of a bell...
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"BONG!" The clock strikes ten but wait its only 9:45 so that must
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explain why Marcio has a hole in that wincing head of his and body
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on the ground and that odd jitter to her warm brown legs that never
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seems to ever end but now....You can see them end for she looks as
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if her insides are one 5 foot 8 long vibrator shaking like milk and
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projecting vast amounts of mellow red to the victorian floor.
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Fritz really has to cut that out for the whole family will die at
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the end of that cylindrical metal meanie. Who really knows but
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Kale and Fritz leave the room heading for the kitchen where elder
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black fellows dispense soup and crackers in less than satisfying
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portions, sweating profusely and singing songs from the day, none
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of which these two boys could possibly understand. The sound is
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the dew in the night. The boys run down the delapidated old
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service stairs into the concrete basement complete with grinning
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corpses and vampire bats, but they're looking for the poison and
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the crunch crunch crunch of various rodent and human bones reminds
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me alot of the inaudibility of hearing a goddamn fucking word when
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you're eating a bowl of fresh cereal, yet I digress.
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The chamber went on for hundreds of feet, yet neither of them
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phased from the jaunt for both at the ripe age of 17 were
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essentially already accomplished cognac abusers and tobacco
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smokers, leaning on each other down the narrowing passages where
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ancient relics lay on the floor like peel-top orange crush cans and
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the like. The mustiness was enough to make a grown man sick but
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these particular juvenile's were strong and ambitious and literally
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they came upon a light at the end of the tunnel.
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The light was as saveur for it was a barrel room full of every
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imaginable swill all corked aging into the next millennium if their
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ancestors had it their way but quite obviously this booze will be
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nearly gone before they turn 21 what with all the country boys
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wanting to get wasted and take out a few barnyard animals, sexually
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or with the sword of excalibur, thats truly their own decision.
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As it was written "A pop and a waft of whiskey pervaded the musty
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environment bringing smiles to all known living culture..." It was
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time to celebrate and neither of them truly knew the quality of
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this premature brown concoction but didn't care. It glug, glug,
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glugged as Fritz lay back down facing this oak barrel pouring its
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contents into his aristocratic belly.
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"Ahhhh.." He moaned which caught the resonance of the room and
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reverberated quite cold and bitterly considering. Kale implored
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him yet to hold the barrel, however shakey Fritz was from nearly
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two gallons of poison in an hour, he was quite steady and the glug,
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glug, glug was again to be heard as Kale and his handsome blonde
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hair was covered with a viscious brown coat of whiskey and proposed
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, "Awwww yeah...." With a truly comfortable "Yeah..." ..
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Falling over in absolute anti-sobriety the boys (brothers) lay
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together several hundred feet below insane civilization and toasted
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||
their futures and ignited tobacco in cheery celebration, never
|
||
looking back except to wipe the past from their soiled trousers.
|
||
|
||
|
||
Everything is in accumulation and nothing ever slags in regression,
|
||
and if it does it still seems its moving forward. Storms beat my
|
||
city into timid submission but I still sit comfortable in my
|
||
leather chair, illuminated by a mere dark green of the sky. My
|
||
palate rich with garlic and cholesterol-bloated butter, and sliding
|
||
care-free into my bowels.
|
||
|
||
She smiles at me from below drenched to the bone; wet. "Have I
|
||
seen you somewhere before?" I mutter silently, however loud enough
|
||
to attract the voracious tabby darting from room to room in
|
||
thunderstruck terror. Hops on my lap and stares in jealousy at the
|
||
soaked beautiful flirt. Gives a meowing sigh of disapproval and
|
||
sets itself on me coating my chest with his special trademarked
|
||
scent, possibly foiling my plans. She yells up as if signaling
|
||
for life, "Hellllo up theeeerre?" she waves her hands in SOS-like
|
||
patterns and I acknowledge her with the flame of my cigarette
|
||
lighter, "My dear, you'll catch cold." I state passively, yet
|
||
enforcing of her to come inside to me, to ME.
|
||
|
||
The squeak of the rusty spring brings a chill to me as the screen
|
||
door slams behind her. She climbs the stairs slowly, the sloshing
|
||
of waterlogged sneakers, the slap of her long hair against her
|
||
shirt, the slippery squeak of her hands on the wooden railing.
|
||
|
||
Slowly the music shifts to an anticipative mood, her slick figure
|
||
slowly working down the hall. I can feel my pressure rise and she
|
||
enters the room drenched and sexier then ever a woman. I realize
|
||
my sheer nudity and arrange my boxers hiding my sexy parts, sit up
|
||
from my slouching position, and unstick my sweaty back from the
|
||
unrelenting leather of the chair.
|
||
|
||
"Hi" I say.
|
||
|
||
|
||
|
||
|
||
3] Existential Contradictions
|
||
|
||
"A Non-Story"
|
||
--------------------------
|
||
Lay stable on that gurney as the operator calmly relays, "In forty-
|
||
four seconds you will be no longer." She's a sparkling beautiful
|
||
girl from lucid porno dreams, cropped short hair, smooth face, long
|
||
figure strapped loosely to the leather straps.
|
||
|
||
That total haze of awareness wets your palate and burns your vision
|
||
in a stinky unhygienic sleep of early June. She remains attached
|
||
and somehow you understand it all, although perturbed at the loss
|
||
of your sensual pornographic beauty, who is yet still about to die
|
||
by injection in roughly twenty-eight seconds.
|
||
|
||
I can feel my own heart pace slowly with hers, feeling the lethargy
|
||
of a body full of poison, so painful, so direct, that almost is
|
||
pain one cannot feel.
|
||
|
||
The doctor conveniently begins the operation on my leg with what I
|
||
apparently assume is a local. However the anesthetic ends up being
|
||
more painful that the operation itself. Unknown exactly to me WHAT
|
||
the operation is, I am lost in a trance watching her fall into
|
||
death.
|
||
|
||
The sound of a thousand ringing telephones aurally swirled into a
|
||
great mammoth blender created a stereophonic wail that relaxed my
|
||
muscles and softened my bones as if dipped into novocaine. This
|
||
conjured the real possibility of impending death as I casually
|
||
floated down a long tunnel with a cliche-ridden light at the end.
|
||
|
||
Awoken to the mellow whirr of the boxfan I lay a bit shocked
|
||
staring into the great grey yonder through the seaweed green maple
|
||
trees. The waking swallow goes down raw and bladder calls which
|
||
always is the excuse to wake up in these fucked-up days.
|
||
|
||
|
||
|
||
4] My Paradise - I
|
||
---------------
|
||
|
||
Her name was Pilo Carpine, an eccentric beauty from the east that
|
||
smelled erotically of motor oil and motor homes. She kept a rancid
|
||
keep in Deeth Nevada sweating always, dark and tan from the
|
||
unrelenting bastard known as the sun. Cigarette poised graciously
|
||
she pulls the cord and vroom vroom of the generator reverberates
|
||
the desert sands which tickle the feet of scavenging buzzards ugly
|
||
with bad symbolism.
|
||
|
||
That certain definition of long, tired legs rested flat on
|
||
hard-plastic chairs placed on the makeshift back porch covered with
|
||
an overhead thickle of dehydrated ivy and bleached sparrow bones.
|
||
As if oddity weren't this mans breath, she sipped from a salty mug
|
||
of warm water, sun attacking pores and implying cancer, scaring
|
||
smoking scorpions from their firery world and cracking dust into
|
||
myopic jigsaw.
|
||
|
||
The breasts are still young and firm, although neglected. Her body
|
||
unattacked by 9-month disease she otherwise is a perfect date to
|
||
the drive-in.
|
||
The hills haze at the lower elevations, dust tornadoes spawn in the
|
||
foreground, grabbing snake bones and various marrow and swirling it
|
||
about into a soup, landing nowhere significant which apparently is
|
||
a given for such a dead world.
|
||
|
||
She pushed back her, ahem, naturally bleached hair and smiles in
|
||
bemused content. She lightly strokes her long-haired tabby
|
||
uncomfortably writhing and contorting to the heartbeat of sun spots
|
||
and spewing flares.
|
||
|
||
Palm trees sizzle like ice cream in a microwave, cacti bloat and
|
||
pop like an inflated tummy, as implying a particularily warm day in
|
||
Deeth Nevada.
|
||
|
||
She cried salty tears in lonliness and listened to the crackly
|
||
distort of the transistor radio. Corrugated sheet-metal encasing
|
||
her home, her reflection pure and ethereal fantasy in the mind of
|
||
the heat-stroked demented. She shines on her own but metal helps.
|
||
|
||
Once inside I help myself to a hot bloated can of Milwaukee's worst
|
||
and make concerted effort to extract the water as my cause. Bugs
|
||
and rodents converge upon me possibly forming a overthrough of this
|
||
man filled greedily with a millions colonies water for a year.
|
||
Could be delusional but you never can tell.
|
||
|
||
I removed my shirt, sticking as if lined with flypaper, and threw
|
||
it to a corner. I heard the cavalry call of four-thousand desert
|
||
species of pest and set outside to sit with the Pilo. I removed my
|
||
shorts considerably lightening the load and allowing quick access
|
||
to an irritated scrotum. Pilo nodded in a sweaty daze and we
|
||
began.
|
||
|
||
|
||
5] Zoom
|
||
----
|
||
|
||
The small car goes zoom zoom down the road cousins bitch and yell
|
||
about pure bullshit and I fly down backroads going
|
||
UP....DOWN....UP...DOWN...all over the bebop just blaring
|
||
through those big speakers, however strong the wind wins and I hear
|
||
a steady blowing, like that of a humid hairdryer in my ears. I
|
||
turn every few blocks, determining where I go....Its truly
|
||
unknown..I just go and I don't think about anything current. The
|
||
houses blurr by I look around and feel myself in a film once again.
|
||
|
||
I look around, I look in the sideview, the rearview, my hair
|
||
blowing wildly from the wind its just so fantismical.
|
||
|
||
Grandmother's house goes by at lightspeed. I think, if for a
|
||
second of the memories I had there for so many years. Straight,
|
||
concise, vivid memories. The stop signs go by with little
|
||
mention, breaking my concentration if only to humor this social
|
||
condition around us. I tap on the breaks in respect, and blow
|
||
through the sign like it was a mirage. It screams by, the
|
||
motor revves, I shift gears, the car takes off, faster, faster..
|
||
The controls lit only by small dash lights and ambience from the
|
||
dusk, late coming at 9pm. Small rodents dart under the
|
||
car and magically enter from the rear; shaken but not stirred.
|
||
|
||
Its just a perfect dream of mine, things like this happen every ten
|
||
full moons so I snatched it up. People drive by, at half my speed,
|
||
they stare in awe, in dream, in jealousy. They're all
|
||
looking at ME. Attention is evil for me I propose more speed.
|
||
Eventually I will be only a wisp, a trail, a fume of steam darting
|
||
by their very eyes.
|
||
|
||
|
||
|
||
6] Cramped
|
||
----------
|
||
|
||
|
||
Scores of desperate airline folk pack deeply in the grease of a
|
||
thousand mechanics smirking and moving uncomfortably in their
|
||
compartmentalized seats, of course making sure to ignore passers-by
|
||
with bronze faces and caked makeup.
|
||
|
||
The ethereality of height is undescribable at times. The world is
|
||
down there killing and playing bullshit social games, you glide by
|
||
assuringly eating peanuts, gaping at the sectional land and clouds
|
||
that sail by.
|
||
|
||
Sometimes you can excuse futility and triviality and relax, locking
|
||
anxiety in the basement of your assumed home, chaining the door
|
||
shut and beating your lazy fucking feet to Newark. Don't look back
|
||
unless you're using it as a method to check your future.
|
||
|
||
Examinez Vos Environs. Smile at inviting eyes that draw you like
|
||
a magnet. Feel free to decline and dip that wet spaghetti spine of
|
||
yours into cognac. Who gives a damn fuck. Currently, to be bitter
|
||
is to be logical.
|
||
|
||
Pull the pin and sink to the world fire in the sky, hell we're all
|
||
going to die sooner or later; perhaps sooner.
|
||
|
||
|
||
7] Going Down
|
||
-------------
|
||
|
||
Smile at her, touch her, flirt with her, she comes to you in
|
||
passion touching lips shedding pants, underwear exposing tall,
|
||
thin, long curved figure, lush giving lips speaking only in a
|
||
whisper, "I love you."
|
||
|
||
The bed thumps and cracks the paint of the wall dancing on its own
|
||
across the hardwood floors.
|
||
|
||
8] Metropolis
|
||
----------
|
||
|
||
|
||
"If you don't like it, then go start your own world or something."
|
||
Tattooed and the Aqua Velva green coating him he conjectured many
|
||
things feeling insidiously Celtic covered with lace and design.
|
||
"The bird will die, the bird will die!" she yelled, rounded boobes
|
||
always at the forefront of everyones imagination 'cept a few who
|
||
actually SAW it and are happily content with knowing. Heat
|
||
provoking nipples and shapely figure for the whole school to feast
|
||
eyes upon, regardless of gender.
|
||
|
||
The black chill always goes down like no other in this heatwave
|
||
that shortens breath. He used to run miles upon miles around the
|
||
track dead of day after music lessons, finishing with a cigarette
|
||
and a few odd mannerisms that made him so unique. She floated from
|
||
here to there feathers dancing in stale exhaust or the like,
|
||
flirting and speaking foreign tongues to strangers all around. It
|
||
was hot and confusing and heads spun all around attached by metal
|
||
hanging wire to the outsides of merry-go-rounds. In otherwords
|
||
shooting blanks into the lake where white bats fly freely and
|
||
contrivation is not a regulation but a law punishable.
|
||
|
||
Not only myself per se lost beyond all belief in thick forest but
|
||
deep in a patterned city of reflex and moral. Most of us follow on
|
||
the sidewalks some walk backwards naked or run awry at twelve noon
|
||
with a spear yelling foreign tribal chants and exposing appendage
|
||
and ass alike.
|
||
|
||
Young men dispose of immense amounts of paint or furniture or
|
||
whatever they can get their pink hands on if only to watch things
|
||
become destroyed. Tempers flare humid nights are times to explore
|
||
sections of this vast metropolis and walk around casually with
|
||
chilled vodka slowly pushing the borders of sobriety. Yeah the
|
||
sentiment is there what with genius crazy girls with beautiful
|
||
minds and bodies caressing my dick or playing Go on rooftops.
|
||
|
||
All ethereality should be reserved as a mystical device good for
|
||
attaching sentiment or recollection. Sparks fly in all directions
|
||
all the time mutated frogs float upside down in polluted Beantown
|
||
waters their last stare a puft of machine-made cloud unnaturally
|
||
swimming by in the citylit sky.
|
||
|
||
The soothing mellow comfort of knowing it is there with that
|
||
sexually romantic feeling of company cools hot heads and makes one
|
||
content and alive. Mostly roamers such as destitute musicians and
|
||
ones posessing prodigal qualities cling like electricity and travel
|
||
in communities like fish knowing all too well that the point is to
|
||
swim upstream if anything, at all, to prove a point.
|
||
|
||
All so psychotic high on rooftops peering at manmade stadium light
|
||
from trendy mafia-encouraged bars. The youngfolk merely remain to
|
||
appease the pre-determined kegs of light yellow ale waiting to be
|
||
breathed like through the gills. All here for a young man to
|
||
snatch up and fuck or a young woman or some sort of beef or it all
|
||
might as well just be something to ring on at the deli we just
|
||
butcher it all up anyway. The thump thump is entrancing to all
|
||
tanned specimens sealing their fate with tumors and black cists or
|
||
what have you, she is but my only savour as all for contentment is
|
||
an understatement, contentment is the solve for living.
|
||
|
||
Click click of the credit machine passing pink livers into bloated
|
||
hunks of abuse, they just swim in it. Dark and enigmatic
|
||
everything glitters in the twilight, bottles of poison tobacco
|
||
cocaine ecstasy its all here taste test it like it and eventually
|
||
live it but call me when you get back let me know how the trip was.
|
||
"Hey thats real gold in there.." "Look at her oh my god.." Soft
|
||
and cushy like a womb we sit grouped not alphabetically but
|
||
stereotypically all yelling all screaming all ranting, raving,
|
||
whatevering. She remains caring of everything but nothing, or
|
||
something like that prancing like a gypsy vixen examining
|
||
penetration or breaking prodigal wrists on broken bicycle stolen
|
||
seat oh how the envy can burn you up inside.
|
||
|
||
Little broken clocks or signs from the future put people in front
|
||
of our little abode for twelve weeks this guy slumped in nirvana
|
||
beyond all of us nodding on Beam or Rye or Cossack or quite
|
||
possibly throat syrup or something, point is all the self-
|
||
extinction, taking place on my own private channel looping
|
||
repeatedly no apparent evidence of deviation its pretty scary if
|
||
you take some time to think about it.
|
||
|
||
"If you're wondering what I'm thinking.......Its nothing." Blue
|
||
nods truly over influenced starry skies swimming electric green
|
||
eels slithering through the trees haunting angels showing the face
|
||
of devils posessive spirits deities poltergeists he's pushing
|
||
whatever it is he experiences.
|
||
|
||
The fuel is boiling in everyone's fucking libido just screaming
|
||
FUCK ME or who knows something more a bit more eloquent, the method
|
||
is all the same ask any priest or lost celibate loner. She still
|
||
sways to the influence of the potion stumble down the tree-lined
|
||
paths sweating sexual scents poking humor, poking bellies licking
|
||
lips tongues rubbing hands along pale soft flesh caressing grabbing
|
||
idling casually meandering tugging at my cock bells ring and angels
|
||
gets their wings orgasm approaches I think of her who cannot be
|
||
named oh the irony this must be a sign but I do digress.
|
||
|
||
The thump thump produces ringing ears 2am time to stumble back lit
|
||
on coke or thc through the busy avenues dodging drunkards cruising
|
||
for a kill, the talk is all stale slobbery scattered but it all
|
||
clicks together like a Lego somehow. The moisture just too much
|
||
the two of us "hah hah hah life is perfect.." etcetra duck down to
|
||
a little hideaway off the main drag take a good look around for
|
||
convening homosexuals in the dark shadows...Sit down grab the bag
|
||
dish out stimulants nostrils flare tempers tend to stay mellow, a
|
||
bit anxious of course.
|
||
|
||
You just have to wonder whats more lethal: A remarkable woman or an
|
||
endless supply of whisky.
|
||
|
||
|
||
9] Virginal
|
||
-----------
|
||
|
||
I fly on contraptions fashioned for those that want to sail, above
|
||
and beyond clouds - attached to a large kite-like device taking me
|
||
up up and away - The only virginity left is up here, clouds of
|
||
puffed cotton and dreams ethereal and surreal. The poison travels
|
||
to and fron neglecting humanity but I got an edge...
|
||
I take people with me show them the stars the cool calmness of
|
||
untouchable dimensions...The twinkling of pinball lights and pastel
|
||
constellations the silver linings of every cloud and wandering
|
||
soul.
|
||
|
||
I say, "Dream what you will" and I do, and they do, and I move on
|
||
stopping on a cumulus for a smoke.
|
||
|
||
|
||
|
||
|
||
|
||
10] Vibrating Ants
|
||
-----------------
|
||
|
||
I smile, I look down in wonder dancing ants going to and fro small
|
||
but detailed pieces of life going by their own business to the
|
||
store, to the park, to work on a humid midwestern day. Yet all I
|
||
hear is the whirr of the jets and the vibration of the chassis.
|
||
|
||
I hear that faint garbled voice of the passenger in the background,
|
||
talking without letup about sports and Marines and things yet i'm
|
||
so out of tune that nothing will get through to me now, nothing.
|
||
|
||
There's this odd propulsion coming from somewhere. Possibly under
|
||
the seat, purely contrived, shaking my libido, making me consider
|
||
taking one of these bronze statuettes into the cramped
|
||
bathroom..I'll sit on the aluminum toilet while she glides along
|
||
slippery sensation, me fearing "oh man my whole ass is going to get
|
||
sucked into outer space." It certainly may not happen but it would
|
||
be something to write about if it did.
|
||
|
||
I may not know her, and she may not know me, but I can see her
|
||
23,000 feet below in that aqua-blue pool of hers oh that figure oh
|
||
those small yet elegant breasts...
|
||
|
||
What state am I in anyway?
|
||
|
||
A couple squares of land zoom by without hesistance come crop
|
||
circles actually ovals or ellipses some deserted dusty fields of
|
||
failed farmers grow mold and tumbleweeds that look like shadows
|
||
from the scattered clouds. Every now and then a comparitively
|
||
interesting city will roll by and i'll see old ladies cooking in
|
||
the sun at nursing homes or mobil homes possibly looking up at me
|
||
in awe wondering: can anyone see them from such a height? The
|
||
answer is yes.
|
||
|
||
All I really want as I stare spaced out the bubbled window is a
|
||
sweetheart whispering sweet something dripping with honey screaming
|
||
louder than the whole town of Auschwitz bloody "OH GOD FUCK ME."
|
||
Which although less than assumedly romantic, i'd rent a movie like
|
||
that anytime. I'd promise to make idle committments to her even
|
||
COME and bring up a beautiful airline baby with golden wings
|
||
tattooed on his fat belly with an insatiable craving for honey
|
||
roasted peanuts.
|
||
|
||
Oddly enough the biggest downer of reality is when you see it up
|
||
close. Pressure, like dimensions, breaks my concentration reaking
|
||
evil on my eardrums and general equilibrium. Random procedures and
|
||
checked and re-checked I hastily clasp the seatbelt, restore all
|
||
comfort to its normal upright position, and rattle wearily back
|
||
down to Earth.
|
||
|
||
|
||
|
||
11] The pressure of It.
|
||
-----------------------
|
||
|
||
She repeated over and over again, no she didn't want to provoke me.
|
||
|
||
But deep down I knew her whole existence with me was about
|
||
provocation. She filled my stomach with butterflies everytime she
|
||
walked into the room. Her very hand on the twisting doorknob
|
||
brought me to submission. She would hint, imply, beat around the
|
||
bush, but never say It. It was truly some fantismical imagination
|
||
of mine dreamt up in books of Voltaire and those cheap Harlequin
|
||
Romance books I would read at the bookstore I worked at. I had
|
||
seen it all before, not in substance, but typed out in Palatino on
|
||
sheets of paper. It was the anticipatory hardness of my dick or
|
||
the warm feeling of sensuality much the same as the initial shot of
|
||
whisky. What It was, my control of this sensation was that of no
|
||
control. And you see this is what I mean by provocation...Her
|
||
movements, her emotions, her eyes were all the poison like arsenic
|
||
or the bottle. But I kept on, like all suckered men grasping that
|
||
sweet lollipop with the tongue, sucking and absorbing the flavor,
|
||
carefully making sure not to hastily wear the surface; leaving you
|
||
wanting more.
|
||
|
||
She came to me not in a dream but in person, stopping a scant few
|
||
inches from my lips, staring into my eyes I feel the impression of
|
||
her breasts on my chest. A clouded romantic dream I can taste her,
|
||
I smell her, I felt It pleading for more, she places her hands on
|
||
my narrow waist and rubs slowly, forward to back, inching her hands
|
||
under my shirt; exploring me.
|
||
Snapshots of erotica flash into my imagination like that of a
|
||
strobelight brothel, the mind racing the pulse beating hard like a
|
||
drum. An enchantment under the sea slow-dancing under the crystal
|
||
ball, watered makeout music reverberating throughout the hardwood
|
||
gym. The slow even stride of a romantic step with a sweetheart, I
|
||
feel the punch spiked blurring the hanging mermaids, the three-
|
||
piece principal on the sidelines, the etchings from years gone on
|
||
the bleachers. Yet she's still there, caught in a fifties mirage
|
||
or in my cramped space in 1995, her lips are poised querying mine.
|
||
Now I can feel her smooth lips touch me, the steam fogging my
|
||
senses, numb.
|
||
|
||
The dark room rings only in my ears, a pervasive chirp in the dead
|
||
of night. The only sound that of It, or, possibly the air
|
||
conditioner, chirping locusts on the dew-covered leaves, the hum of
|
||
the amber streetlight. I feel the intention there, of provocation
|
||
if not through a misfired or faulty libido but of true sensuality
|
||
with her.
|
||
|
||
All is quiet and calm save a steady breathing and the movement of
|
||
skin on skin. She sits atop me upright hair reaching down to her
|
||
narrow waist, lightly brushing her thin belly. They stare at me
|
||
her captivating eyes I feel the pressure of her sliding slowly,
|
||
slippery engulfing me deep into her heat, her passion. A figure of
|
||
art rests on me soothing the pain ironing out the anxiety sending
|
||
my mind traveling into nirvana, into a hot resting place of sexual
|
||
vibration. Small, timed cries come from her, quivering
|
||
occasionally wincing or shaking in lust.
|
||
|
||
I feel the exhilaration that of only a dream or a fantasy about
|
||
another woman, unable to compare or imagine anything quite as
|
||
realistic as this. I fall into a sweaty summer daze, eyes closed
|
||
her sweaty arms pushing roughly against my chest. Telephones ring
|
||
answering machines click and whirr, cats cry and scratch on doors,
|
||
junebugs buzz around the light of the city, all these occurrences
|
||
happen without incident on-time in perfect sync, like the pulsing
|
||
and pushing of bodies one late Tuesday night.
|
||
|
||
|
||
12] The truth about rainbows
|
||
------------------------
|
||
|
||
|
||
Perversion come perversion. Come one to the circus of the socially
|
||
insane misplaced cretins of America feasting their beaded glassy
|
||
eyes on juveniles and pre-pubescents alike. Agree you all must on
|
||
the deviance the digust the cruel lack of respect for humanity and
|
||
animal behavior.
|
||
|
||
Who is one blinding with this rhetorical bullshit that manifests
|
||
itself in this ugly domain of conformity. This lethal lifesaving
|
||
charade makes me uneasy with nauseous contempt watching crowds of
|
||
swaying drunks yelling "JUMP!" to the disillusioned one on the
|
||
ledge. I propose let the man flee at his own leisure, not at the
|
||
expense of one media's whim or by pure unified coercion. Let them
|
||
have their footage, their thrills, their temporary view of
|
||
scattered fragments of a recluse, but please, let the lottery
|
||
cards fall where they will.
|
||
|
||
Caught up in fear of a rotten world of a rotten dungeon where dead
|
||
children lay idle for eternity, one only escapes to another plateau
|
||
of so-called life. A needle in the arm, a home beneath the stairs,
|
||
a compulsive inclination to masturbation of god's creatures or
|
||
propped open a copy of a coroner's report. Some are raised by the
|
||
hand that feeds which is himself, kicking cans down the gutter
|
||
counting tiles on the crooked sidewalk, sucking pollution like a
|
||
nutrient looking for escape around every corner. One's deviation
|
||
a product of bad environment, a bad hand, an unlucky deal. Taste
|
||
this and feel it like a polar opposite of your lifeblood, this is
|
||
your nemesis, the one cleaning your sparkling windows with filthy
|
||
spit and the business section. One pukes this portion of displaced
|
||
diseased humanity directly into the shiny blue water of the toilet,
|
||
flushing it to be purged at a more convenient, important time.
|
||
|
||
So he may jump, to a cheer of you all, half disgusted, half
|
||
gleaming with vibrance as if sucking the soul right out of the
|
||
spine. Sure, another one down no biggy happens everyday, and yes,
|
||
it does. The collection of them preserved in miniscule print
|
||
obituaries only a passing glance, if that. Long gone good riddance
|
||
those creationists once alive with broken minds struggling to free
|
||
the demons, caught up in a psychosis of unspeakable depravity.
|
||
Thrown padded coats and barbituates of the rainbow, for if one
|
||
can't put the fire out the next best thing? Soothe the burn.
|
||
|
||
Lock them down, hide the key in the Ming vase, they're coming to
|
||
town cruising for a kill. One dimension is what we see these
|
||
brutarians as dismemberers eviscerators and sodomizers, all shock
|
||
words and connotations this is all a part of our world. Sympathy
|
||
for the insane is an admirable emotion. Attention cravers want
|
||
their fifteen minutes somehow. If we don't provide it they'll
|
||
achieve it on their own.
|
||
|
||
You see crying eyes propped up on bank walls pleading for a prayer,
|
||
the same type locked down in asylums tasting that same rainbow.
|
||
The ripped veins of a clouded mind, just want help or recovery or
|
||
a way out of this hell. I am not a purveyor of realism trying to
|
||
correct a dying breed, I am a self-proclaimed informer of the poor
|
||
condition. And one may pity such a destitute, spit on them, scoff,
|
||
ridicule or dehumanize, but you must ponder this one fact:
|
||
|
||
It is you whom is playing the game, not them.
|
||
|
||
|
||
13] Prate
|
||
---------
|
||
Repression: always a good excuse for violence. After bidding
|
||
farewell to his brother, soon to die at the hands of bad guys or
|
||
maybe slipping when scrubbing the deck of the carrier. The former
|
||
will get you eternal recognition but the latter will note your
|
||
death with a chuckle from the belly.
|
||
He's hard as a rock worked at the steelyard his entire life comes
|
||
home from a long day wants an ale and a twenty minute suckjob from
|
||
that lady over there knitting those sweaters. You could call her
|
||
his wife but only cause they'll end up dying together. He exists
|
||
to be irate, to massage those worn hands, to sit in the aqua blue
|
||
plastic-covered recliner reading various catalogs from the coffee
|
||
table.
|
||
|
||
Here she comes more like a worn out record than a beautiful woman;
|
||
in his eyes. She greets him he sighs and looks at her, a woman
|
||
aged thirty-five considerably more youthful than his half-century
|
||
mark. Words are nothing but fluff or fleeing thoughts. She's
|
||
sporting the style of the day, a 1930's dress configuration which
|
||
leaves everything for the imagination. Something stale and
|
||
uncomfortable resembling quite the housewife.
|
||
|
||
Minutes later his anxiety releases as she mounts his penis in daily
|
||
ritual. Back in this day the slow, steady motion was of preference
|
||
to the hurry and bustle of today's oral satisfaction. She feels it
|
||
her duty, a shame today but in the B&W day of July 24, 1937 its a
|
||
stiff sentence at county and a guaranteed desocialization maneuver.
|
||
|
||
Meaning nothing to her engulfing this sweaty appendage the
|
||
sexuality is at low tide, tears fall from her eyes in abandoned
|
||
hope. She finishes up with haste catching the come, fixing her
|
||
permed hair, wiping her quivering lips and retreating back to the
|
||
kitchen, making sure to turn the pork chops for fear of an enraged
|
||
husband.
|
||
|
||
The meal is set and my storytelling succeeds this. I decide to
|
||
join them for dinner, pork chops always being my favorite. The
|
||
table is of light green formica, the chairs shiny steel upholstered
|
||
with the same but in red. I help myself to the chops, the corn,
|
||
the peas and run quickly to the liquor cabinet and hastily grab a
|
||
bottle of whisky. I make a sloppy whisky and lemonade and run back
|
||
to the table hoping not to miss any conversation between the two.
|
||
What a shame it would be the let a story escape the hands of an
|
||
author just because he needed a whisky. But what a letdown this
|
||
turns out to be, he just sits there in his tanktop and his muscles
|
||
shoveling food in, not even I know what he's thinking. My dear she
|
||
stares into her flowered plate toying with the mashed potatoes
|
||
periodically shifting her beautiful blues to his dismal browns.
|
||
Her eyes so glassy, so gone.
|
||
|
||
At the expense of emotion I resemble much this man, of whom is
|
||
unnamed and unnameable. I have never tasted food so full, so
|
||
fattening, so damn good. I end up finishing my meal and grant
|
||
myself a cigarette from his pack. I lean back and prop my feet up
|
||
on the edge of the table, they don't appear to notice. So now I
|
||
sit here, looking at these two, haven't said a word haven't even
|
||
coughed or sneezed in over an hour. My boredom succeeds this yarn
|
||
and I leave them to their own fate, of which has already been
|
||
sealed.
|
||
|
||
14] A Peasants Vantage
|
||
-----------------------
|
||
|
||
|
||
I spent considerable time babysitting on the eve of July 27th for
|
||
a family umistakingly wealthy. This hot and steamed evening was so
|
||
far untolerable for an adult such as myself, so I found myself
|
||
sitting on the porch watching a gang of kids playing street hockey
|
||
at dusk. It was a combination of many things, but I fell into a
|
||
purely sentimental movielike daze almost feeling as if watching
|
||
myself only ten or twelve years ago. The rules of the game pre-
|
||
determined by the oldest and most senior of the lot, the teams were
|
||
the three brothers that I was babysitting against several other
|
||
children filtered-in from local mansions and tax-brackets of same.
|
||
It wasn't at all like playing stickball in Brooklyn in 1952, but it
|
||
still maintained that air of vibrancy and juvenilism that makes me
|
||
time and time again wish I was a kid once more.
|
||
|
||
The house was of only the best of my dreams, large and with
|
||
definite character. The "era" house the way I see it, for every
|
||
room I entered I felt mysteriously transformed into a period of
|
||
royal dignification. The type of rooms you enter with a WHOOSH
|
||
like traveling through time, examining all the pieces of victorian
|
||
furniture, the sandalwood coffee table with copies of the New
|
||
Yorker, Architectural Digest, L.L. Bean catalogs, etc. Everything
|
||
appears so placed that you wonder if this place shouldn't just be
|
||
roped off entirely. Its all for show and never has an ass sat on
|
||
these two-hundred year old chairs or never has a hand but that of
|
||
the keeper switched circulation of the coffee-table literature that
|
||
always appears up to date but never appears to have been read. Its
|
||
an eerie sort of thing but you can't argue it provides a mysterious
|
||
character.
|
||
|
||
The character being a result only of my excessive drinking for the
|
||
last three hours, the time now checking in at around 9:30pm. The
|
||
boys have calmed to a slow as I purposely got them to eat as much
|
||
as possible for dinner, hopefully facilitating a lethargic
|
||
digestion process. It worked relatively well and with what little
|
||
comanditive power I wanted to exercise over these lads, I posed a
|
||
house rule of staying upstairs for the duration of the evening. I
|
||
maintained myself in the kitchen fighting off two pure-bred dogs
|
||
incessantly licking my ankles and teething on my sneakers. I
|
||
brought a book and a notebook, hoping to get some work done, but my
|
||
anxiety level was too high to focus. So instead I sat myself down
|
||
in front of the Steinway Grand and played the same songs I always
|
||
play when in front of a piano. Either songs from my stint at
|
||
Berklee or improvised versions of Swan Lake, which at last
|
||
comparison was twenty times easier to play than Chopsticks.
|
||
The locusts rattle in waves, the lightning bugs blink and mate, the
|
||
crickets chirp, the heavy foliage of elder trees sink low to the
|
||
grass from the moisture of the evening. I sat on one white-painted
|
||
metal chair of victorian design, part of a set of four, a fashioned
|
||
table of same in the middle. The whole setup reminds me exactly of
|
||
my fantasies of middle 19th century relaxation of royal families.
|
||
Its so damn hot out here my thoughts are stunned, entering and
|
||
leaving without a trace of memory. I can't seem to put my finger
|
||
on anything of substance so I fall into this sweaty trance, where
|
||
again everything is picturelike, painted into a Van Gogh or a
|
||
blurred pastel Monet. The immense backyard transforms itself into
|
||
an English garden landscape from the day, complete with pacing
|
||
mistresses and mademoiselles walking submersed in summer romance
|
||
and sexual scents. Careful not to disturb, the deer walk
|
||
confidently throughout the elaborate scene, directly past a couple
|
||
on a marble-white bench facing the recently constructed depiction
|
||
of the Bathing Nymphs of Diana. The two court each other,
|
||
silently, elegantly. Her long white summer dress being held from
|
||
behind by her equally stunning maid of nineteen. I can faintly
|
||
hear them speak in overtones but cannot make out their flirtations.
|
||
They will soon make their walk back to the chateau and retire to
|
||
their own chambers, later rendez-vous'ing in a secretive chamber
|
||
reserved for linen and various beddings. Respectfully I leave the
|
||
rest to the readers imagination.
|
||
|
||
But no, I'm sitting here dragging on a cigarette sipping on a sweet
|
||
lambic sweating and swatting at the bugs. The three boys are in
|
||
their room jumping up and down on their bunkbeds yelling minor
|
||
profanities and arguing about "who is the best" in any given sport.
|
||
|
||
Its all small and trivial to us adults, but all of these are what
|
||
dreams are made of. We can dream and fantasize, but never will we
|
||
feel the excitement and vibrancy of youth at play. Our fantasies
|
||
are broken by our everyday existence being forced to live almost
|
||
entirely in a world structured and real, these kids know no
|
||
limitations other than parental which tend not to encroach so much
|
||
on freedom of imagination but freedom of decision.
|
||
|
||
And during these exact thoughts, the authority figures make their
|
||
entrance from an elegant escapist dinner with candles, wine, and
|
||
Benny Goodman covers from a youthful big band, back to their abode,
|
||
their mansion, their indoor wonderland. I casually sigh, belch a
|
||
fermented strawberry taste, wave back to the flirting couple in my
|
||
sweated fantasies, and lollygag home with my hundred new bucks.
|
||
|
||
|
||
15] Chris and Me
|
||
----------------
|
||
|
||
I looked at Chris as he pulled out his Swiss Army Knife and broke
|
||
the crank into sniffable lines. I sat in the three-legged chair
|
||
quite shaken from a few locked-up days of amphetemines in Oakland.
|
||
It was a particularly hot week on Aileen and San Pablo and neither
|
||
of us felt the inclination to do anything but get juiced on zoom
|
||
and drink cheap coffee I stole from work.
|
||
|
||
Both of us were rail-thin prior to our experimentation which only
|
||
managed to narrow our waists and stomachs more, making our joints
|
||
and our limbs numb and crackly, almost incapable of handling our
|
||
combined 250 pounds. He stood six foot three and had that
|
||
characteristic swaying motion of really skinny types. I myself
|
||
wasn't that bad, still hanging on to a little bit of baby fat and
|
||
a naturally puffy face. We had been lit on speed for three days
|
||
now and I was quickly approaching a level of complete hysteria.
|
||
Things weren't happening in this place we called The Hole, littered
|
||
with various transients crashing on our floors, in our bathrooms,
|
||
under our one dead avocado tree. The Hole was dark and dimly lit
|
||
from makeshift soundproofing and had a natural lack of windows due
|
||
to its basement status.
|
||
|
||
Both of us were jobless for a long time, maybe three months without
|
||
work. I had picked up a job on Telegraph down by 40th st. being
|
||
the drive-in "clerk" at Jack in the Box, California's greasiest,
|
||
most expensive, and most poisonous burger dive. I took it as my
|
||
last ditch opportunity after me and Terry were turned away from a
|
||
McDonalds at the Alameda Air Force Base for being "overqualified"
|
||
as the red stamp said on the application. The job paid $4.50 an
|
||
hour to wear a headset and stand up for eight hours at a time
|
||
repeating "Thank You" atleast two hundred times a day. I was
|
||
"lucky" though said the Manager, noting, "Alex you are the first
|
||
white person I have hired. These mexicans can't speak English to
|
||
save their asses so i'm putting you on Drive-Thru. And Alex, I'm
|
||
starting you at $4.50 an hour because you can speak English, you
|
||
should feel lucky." I had a hard time believing I was lucky and
|
||
after four days I would leave that job.
|
||
|
||
Chris got the exact same job in Emeryville at Burger King which
|
||
lasted for a good two or three months, coming home all dressed in
|
||
pointless tacky garb noting to the ten or fifteen slackers smoking
|
||
cigarettes, "Every day I leave that fucking place I want to go
|
||
straight to the pawn shop and by a nice CZ-75 and kill every
|
||
fucking wetback that gets in my face." He'd say, "working fast
|
||
food as a white person isn't trying in itself, its working with all
|
||
the minorities that hate your very existence and blame you for
|
||
being the reason their lives suck." My particular situation was
|
||
more like alienation for out of the ten people that worked there at
|
||
a time, only two of them could I converse with. A big and tall
|
||
black guy named Sylvester that operated the fryers, and my boss,
|
||
ironically a Mexican herself that spoke broken English. And now we
|
||
were both sitting here in my room with the sniffles, teary-eyed and
|
||
dangerously malnourished. Chris was taking the knife to his arm
|
||
making manic incisions, the two transient girls were in the living
|
||
room making necklaces out of 9mm casings, and I was ready to check
|
||
myself into the hospital. There had to be a way out..
|
||
|
||
[To be Continued..]
|
||
|
||
16] Presently in the Past
|
||
-------------------------
|
||
|
||
Now August second, and the first thing that comes to my mind every
|
||
year is, "Where has the summer gone?" Has it disappeared from lack
|
||
of respect for the days over, has it escaped my mind or my concept
|
||
of time because of denial or overwork? I doubt its the latter but
|
||
I do wonder if this world infact is sabotaged by littler people,
|
||
hidden in the shadows of the trees, in the dampness of the
|
||
basement, plotting methodically small things that end up driving an
|
||
otherwise sane person nuts. Maybe these midgets set ahead my watch
|
||
thirty seconds a day starting in April, slowly losing time. Not
|
||
enough to question the mechanics of the timepiece, but just enough
|
||
to ask in all honesty, "Where has the time gone?"
|
||
|
||
Perhaps my hunches are true. Maybe there is a drug injected in
|
||
this generic iced tea that softens my membranes, specifically my
|
||
brain, perhaps it numbs any concrete image or memory. This
|
||
explains alot of things, and these cigarettes as well may be
|
||
contributing to this whole ordeal, I suck in the cancers that cling
|
||
to my soul, excreting more than just a puff or a ring, but my very
|
||
essence of comparison, lucidity, sanity. And this food i'm eating,
|
||
although not poisoned with arsenic or some silly delusion, but
|
||
maybe little ants, small organized ants are filling my bowels like
|
||
parasites, eating all this sustinence up for their greedy selves,
|
||
excreting their wastes into my poor poor intestines.
|
||
|
||
But alas it would be ridiculous to think perhaps this pillow, this
|
||
very pillow I rest my weary head on every night, proportionally
|
||
pushes timed amounts of transdermal mind wasters, like sand from
|
||
him or maybe the novocaine from the once hidden tooth. And this
|
||
wine that I drink before sleep, the sulfates are an education in
|
||
sentimentality, YES, thats it, and I am medicinally being
|
||
encouraged to live in the past. And just like a severe drug
|
||
reaction, I see things, or places, or what have you as things
|
||
already occurred. I further state that this explains the artifical
|
||
sentimentality when this red wine touches my palate and slides
|
||
comfortably down my esophagus, its all a medicinal delusion. What
|
||
a relief..
|
||
|
||
You, reader, stare upon the letters and words, punctuation, of a
|
||
crazed man, stuck now in the present, but a shame for I, your
|
||
author, seem to be assuming that everything has already happened.
|
||
So from my lovely vantage, lovely as only a mental of the asylum,
|
||
I have no present. As well, odd as it may sound, but logical all
|
||
the same, my capacity for the future is struck with a bolt of the
|
||
most awkward lightning. Don't pity me, your author, for some of us
|
||
just get an unlucky deal. But now, as we both should concur,
|
||
understand quite plainly the question:
|
||
|
||
"Where has the summer gone?"
|
||
|
||
|
||
|
||
|
||
17] An Angels Wings
|
||
-------------------
|
||
|
||
"I'm not sure if I would say I am a youth without a.." he paused,
|
||
scratching his goatee. "Without maybe a, clue, or per se....I
|
||
don't know, I have angst, I am pissed, I feel ungrounded, all that
|
||
shit." Not necessarily what I was getting at, I pryed him more
|
||
asking, "No, I mean...Like perversion and shit, like perversions,
|
||
everyday perversions..." I tapped my finger on the rectangular
|
||
diner table, in a fifties style, you know, with the formica surface
|
||
and those spaced out wack colors like ultra-light blue. Kale
|
||
stared at me, yeah he was thinking about something but was he going
|
||
to fucking say it or let it hang in limbo like all those other
|
||
professional evasionists. My doubt was there, our existence, mine,
|
||
yours, everyones is trivial, even negligible if you can't come to
|
||
terms with your perversions. Yeah, sure, you may not have to throw
|
||
it up out of your subconscious, ralph it all over the proverbial
|
||
diner table, but you can slowly burp it up, coax it out.
|
||
|
||
And I was the one to squeeze him like a ketchup bottle. His words
|
||
captured onto my microcassette and later transcribed, looking alot
|
||
like this, if not exactly:
|
||
|
||
....But man I would look at them like they were real estate,
|
||
something to fuck, something to buy up and consume, even build land
|
||
in..shit, you know, like a baby, building a house in this girls
|
||
womb, like fourteen or something innocent these virgin girls, well
|
||
you know...whatever...point is, its a depraved way of seeing women,
|
||
as land or property, but sometimes by perversions they...they lend
|
||
themselves to such fantasies. I've had..oh man, wait, last week I
|
||
dreamt about this super chick/girl/man whatever, I don't know, she
|
||
had a dick and a cunt and nice tits, you know, like Kale kind of
|
||
tits, and she had this ass, not even a damn ounce of fat anywhere,
|
||
strong legs, but all the same feminine. ..[laughs] Psychanalysis
|
||
would never be the same if the quacks got ahold of that, [laughs]
|
||
and she had this dick, you know what man? [Pause] It was MY dick
|
||
on this girl, I mean, exactly mine, I think I visualized it on her,
|
||
shit, uncircumcised dicks on chicks... thats something more
|
||
subjective, right? [laughs]....
|
||
|
||
.....Its when they get up in the morning, maybe the first time
|
||
you've seen her in the light, you can see her whole body right
|
||
there, which sometimes is bad, all those minor imperfections are a
|
||
nuisance man..but some girl, I don't remember, fucked her in
|
||
Boston, uh [Pause] can't remember but whatever, she had these lips,
|
||
crazy as shit, the top one was really thin, the bottom one was
|
||
really fat, y'know, like both of mine...But she would sit there and
|
||
beg for it, I mean she was truly craving cock [Laughs] like a
|
||
finicky cat meowing for that shit going, "Gimme DICK gimme DICK!"
|
||
like some prehistoric Planet of the Apes shit. You see she could
|
||
make my dick hard by complimenting it [Laughs] not this "wut a cute
|
||
wittle dickie wickie" shit but by staring at it like a crystal dick
|
||
seeing her future or something, my damn dick captivated her.
|
||
Anyway I remember she lived by Fenway in some digs her parents paid
|
||
for, amazing place, three bedrooms, that kind of really rich shit.
|
||
Went to some really traditional school, or famed for virgins like
|
||
Emerson or something and here she was buying Bushmills for me and
|
||
feeding me and sucking my dick, talking to it, jerking it, and
|
||
otherwise worshipping it and i'm [Catches breath] laying there
|
||
sipping whisky out of a real whisky glass, you know, all angular
|
||
and bumpy on the bottom so you don't need a coaster or
|
||
anything...She used to do this thing, she'd slowly go up and down
|
||
only like, an inch on the top, sucking the head, but more like
|
||
kissing it, she'd spit a ton of saliva all over the top and it felt
|
||
just like fucking...Then the saliva would drip down and she'd
|
||
slowly go all the way down sucking it up... fuck it was amazing.
|
||
But she had these light green eyes and the perfect smile, she'd
|
||
look up at me, her lips all glistening and look directly at
|
||
me....[Pauses, contemplates].....You know those cum-shot pornos?
|
||
[Yes] Like two hours of girls just totally being exploited, and man
|
||
I sometimes wonder where things like, like how much come these
|
||
girls drink a day, must be something outrageous. Must have been
|
||
raped or abused or something, thats the only way you could be a
|
||
porn star, if you're already sexually dysfunctional. The kind of
|
||
fathers that when asked, "Why is the sky blue daddy?" he replies,
|
||
"Because you've been bad honey." [Laughs]
|
||
|
||
...[lighting cigarette] Shit, I don't know, my libido feels like
|
||
its been injected with coke. [looks out window into parking lot]
|
||
well...[Pauses] There was this other girl, took her back to the
|
||
dorms from some club on Landsdowne St. She was some raver chick,
|
||
god damn must have been eighteen and we were stumbling back down,
|
||
um, I think behind Fenway park...it was really late and Desi, you
|
||
know Desi? [Yes] he wanted to fuck me, wearing all that drag shit
|
||
talking all feminine and all that shit...anyway he had that private
|
||
party, "elite only" shit with an open bar...whatever, the point is
|
||
that I was so fucked up, this girl must have thought me a total
|
||
lush or whatever...I remember she's trying to talk to me and I'm
|
||
hearing all this weird aural shit, sounded like locusts everywhere
|
||
being crushed or fucking or something, but over that I can hear her
|
||
voice, this really nasal Jewish sounding whiny type voice and I
|
||
kept thinking, "Shut the fuck up will you..." I'm begging her to
|
||
shut up and she keeps saying, well it sounded like, "Kale ale ale
|
||
ale are our ew ew you oh oh kay kay?" Man I thought SHE was going
|
||
to make me puke alone...I knew I wasn't [pauses]...Oh, you know
|
||
what? She was so cute, so sexy, I just wanted to fuck her right
|
||
there on the street, yeah and.. okay I remember, I had to sit down,
|
||
I was so lit so wasted I just felt like walking death and I looked
|
||
at her face, all swirling around, exactly like those cartoon
|
||
symbols of birds after someone gets whacked on the head, right?
|
||
Know what I mean? [Yeah] She's got this short bleached blonde
|
||
hair, real pale complexion, really innocent looking...Something
|
||
about innocence, makes you want to bring them to reality and
|
||
corrupt them. Whats wrong with that...Shit it'll happen sooner or
|
||
later..i'm not the devil, shit if you're going to live you might as
|
||
well taste the poison, you will anyway, right? Anyway, this raver
|
||
shit, these chicks wear real tight shirts, no bras, you know, like
|
||
a combination of the sixties burn your bra revelation and the
|
||
ninties "I want you to look at my tits" intellect, which only
|
||
pisses me off when chicks can't handle a cat call or a prolonged
|
||
stare from every guy aged eighteen to eighty...They tell the cops
|
||
when they're filling out that fucking rape report that they "wear
|
||
what they wear for themselves" which is indisputable bullshit man,
|
||
completely. So we're sitting there and she's kissing my neck and
|
||
with what little energy I have, probably from that coke from Rusty
|
||
or that other guy...I take her shirt off and she's on top of me,
|
||
legs on either side of me, a short black skirt, really nice legs,
|
||
you know, a completely innocent Beacon St. chick looking to live a
|
||
crazy life. You know, [Pauses, contemplates] with me and alcohol
|
||
its a catch-22. I always meet the most amazing chicks when i'm
|
||
fucked up, don't know if its because i'm more forward, you know, my
|
||
morals or otherwise sexual hangups just disappear. But when it
|
||
comes to actually fucking this girl, i'm too drunk to take a leak
|
||
much less get my dick hard. Its a real effort and so the point
|
||
here is...The point is that I wanted to fuck her right there and
|
||
then and she's already turned me on, I can feel this warmness in my
|
||
lower stomach, like right above my crotch, and my entire nervous
|
||
system becomes acutely sensitive, right? Here she is, on top of
|
||
me, i'm looking beyond her at this huge stadium, you know, its all
|
||
deserted and armageddeon looking over there, and I can't get my
|
||
damn dick hard...[sighs, obviously disturbed]. And you know that
|
||
chick thing, that thing where they grind up and down on your dick?
|
||
[Yeah] Some of them are excellent at this, like a-1 amazing what
|
||
they can do with their clothes on, but see my dick wasn't hard and
|
||
she kept trying to position herself, all the while i'm sucking on
|
||
her tongue like a dick, don't ask, and she appears a bit
|
||
troubled...She says to me, but not in that nasal sounding voice,
|
||
she starts kissing my ear and whispers, so silently, "you're a
|
||
fuck, you retard." I swear thats what it sounded like what with
|
||
all these weird locust sounds and shit chirping and
|
||
whatever...[Pauses] Man I was really fucked up...But a few seconds
|
||
later I figure it out, and she really said, "Are you too drunk to
|
||
get hard?" Which I heard subconsciously but who the fuck knows
|
||
what I was thinking...So I said "I dunno" and she giggles that
|
||
little girl giggle, the kind you hear at sandboxes or at pre-
|
||
pubescent slumber parties or something, it was so juvenile
|
||
sounding. Okay, she pulls my jeans right off along with my boxers,
|
||
in one big swoop and I can feel my ass on the cold concrete, all
|
||
boney, the shit hurt. And there's my dick, softer than a baby's
|
||
skin, just idling, drunk, stoned, and hornier than could possibly
|
||
be.... [Pause]
|
||
|
||
I quietly listen, smoke cigarette after cigarette and stare out
|
||
into the parking lot where these two girls, both about seventeen,
|
||
cute and innocent like Kale's women, are staring at us in the
|
||
window, batting their eyelashes, all that pre-foreplay drivel. I
|
||
find the irony warm and comforting, almost filmlike, casted girls
|
||
paid to watch us talk, strategically setting themselves into my
|
||
imagination as a perfect tale of kids fucking in uburbia..
|
||
|
||
...[Pause, catches breath]..And I know she wants to fuck me right
|
||
there, I saw it in her eyes, her lips, all smeared with spit, her
|
||
eyes glazed over, she was shaking like she was having anticipatory
|
||
orgasms or something. I rub my hands up and down her legs, smooth,
|
||
lightly tanned, long. I love the curves from the upper leg to the
|
||
waist, that crease that leads to her space..you know..And my hand
|
||
is under her skirt, it feels numb like shot with novocain, and
|
||
she's soaking wet, her juices spilling onto her legs. I remember
|
||
thinking, looking at my poor dick, "If you're going to get hard it
|
||
will be now." or else never, because my mind was in nirvana, I
|
||
could feel myself inside her, that initial heat followed by total
|
||
encompassment, complete bonding..[Pauses] The slow, even stride of
|
||
two forces working as one....Shit.. [Frustrated] So she sits up and
|
||
pulls her skirt up right above her waist so she can bend over more,
|
||
and I feel it, man, this intense heat, like a sauna on fire and I
|
||
couldn't figure it out, not at all...But I felt it, and I knew it
|
||
was sex, and she gasped, just like that other girl with the great
|
||
lips, her mouth opened up wide and she pulled her head back, like
|
||
a chain reaction, and she swallowed difficultly and was making this
|
||
sound, this woah sound, starting low going high in waves. That was
|
||
the weirdest fucking sound but it drove me crazy. You know that
|
||
thing you were talking about...
|
||
|
||
"What thing..."
|
||
|
||
"That thing about the film, like that feeling that you're in a
|
||
film, that everything is so fantismical that it feels like it was
|
||
scripted or something?"
|
||
|
||
"Oh yeah, like whatever you're doing is happening naturally, but
|
||
you feel detached from it, like a director?"
|
||
|
||
"Yeah man..Yeah.." Enthusiastically
|
||
|
||
...Well so it felt like I was floating above her, like on one of
|
||
those camera cranes, striving for the best shot, the best view,
|
||
getting everything to look the way I wanted it. Crazy man...
|
||
And it was so damn hot out, you know that night? [Yeah] Fucking hot
|
||
as hell and she was dripping with sweat, all down her neck making
|
||
her chest shine from the streetlight, it was so damn sexy...I fell
|
||
into this director thing again and I was holding her waist, she was
|
||
slowly, I mean REALLY slowly going up and down, like no urgency,
|
||
which made me think she wasn't just in it for a quick fix or
|
||
something...And I sat there, I couldn't raise my head so I bowed it
|
||
down and I was watching my dick slip in and out of her and I didn't
|
||
even realize until the next day that it must have been hard, but I
|
||
swear it wasn't..Man [Confused] who knows...I held her legs and
|
||
they were visibly shaking, she was freaking out, having a ball...I
|
||
remember saying, "Oh fuck, oh god" over and over again, everytime
|
||
I entered her all the way, like a skipping record....And about ten
|
||
minutes later, I heard this ring, sounded like those hearing tests
|
||
you get in grade school, starts low, goes higher and higher until
|
||
you can't hear it anymore...But it kept on, [Pauses] starting over
|
||
and over again, and this big flash of heat came over me, like heat
|
||
from a nuclear blast, this windy rumbling sound, and these little
|
||
dots, tiny sparkly dots appeared in my sight, right in front of
|
||
her, covering parts of her body...Right then I felt this extreme
|
||
liquid heat on my crotch and I couldn't explain it, and when she
|
||
raised herself high my dick came out and she had just came, all
|
||
over my legs, my crotch, the curb...That was the dramatic climax to
|
||
this perceived film, you know, and quickly my periphereal vision
|
||
started going black and started closing in and I suddenly felt sick
|
||
and weak and the last thing I remember...[Pauses] The last thing I
|
||
remember was this bell, like a bell at a front desk of a hotel,
|
||
"Ding" and thats all I remember...Wait, [pauses] Oh yeah, man, this
|
||
is crazy [Excited] I woke up, an hour later and I'm laying there
|
||
staring at the Citgo sign, that huge bright sign and there's puke
|
||
all over me and man, I can't explain how bad I felt, it was
|
||
terrible. As I looked up at the sign I remember thinking, and just
|
||
thinking of one phrase, "When you hear a bell ring an angels gets
|
||
her wings."
|
||
|
||
|
||
18] Birdfood
|
||
------------
|
||
|
||
I was stuck to my tomato. I chewed its savory flesh and sipped the
|
||
sticky juice. All this food was going to make me a nice healthy
|
||
slug, for sure.
|
||
|
||
Sitting atop another tomato which was a little below mine I noticed
|
||
a pretty girl slug. She was yellow and spotted and glistened in
|
||
the early light. She was staring intently at something over the
|
||
edge. I lifted myself up a bit, for I was a curious little snail,
|
||
and followed her gaze to the shady ground. She was watching a
|
||
large and hairy worm, which I had once observed feeding on bean
|
||
leaves. He had black and orange stripes and bright, shiny black
|
||
eyes, and whistled gaily as he inched his way through the garden.
|
||
|
||
"Hello there!" I called down to him.
|
||
|
||
The strange worm stopped whistling, and glanced up to see who had
|
||
spoken. He spotted my fat, gray body attached to the underside of
|
||
my tomato. "Good morning!" he called back in high-pitched voice,
|
||
and continued merrily on his way.
|
||
|
||
I glanced over at the girl, who had turned towards me, and I
|
||
introduced myself.
|
||
|
||
"Hi. My name's Bernie," I said. "What's yours?"
|
||
|
||
"Claire," she said.
|
||
|
||
"Not that it's any of my business, Claire, but don<6F>t you think it's
|
||
dangerous to sit out in the open like that? Especially a pretty
|
||
yellow snail like you. A bird is likely to see you there."
|
||
|
||
"So what," she said. "Let them see me all they want."
|
||
|
||
"But you'll be eaten. Surely you don't want to become a tender
|
||
morsel for a dirty crow."
|
||
|
||
She closed her eyes and lightly sighed, and stretched her lovely,
|
||
slimy body out so that all the birds could see her better on top of
|
||
the tomato.
|
||
"You must be insane," I said.
|
||
|
||
"Yes," she said. "And you must be that fool everyone's been
|
||
talking about." Then she turned away and looked back down at the
|
||
hairy worm, and for the rest of the day, despite my attempts at the
|
||
usual pleasantries, she would not speak to me.
|
||
|
||
|
||
The next day it rained. The girl slug was hidden from view. I
|
||
assumed she was stuck to the bottom side of her tomato, away from
|
||
the stinging raindrops. I ate my tomato juice but didn't really
|
||
enjoy it. Afterwards, I took a nap, for there was nothing else for
|
||
me to do.
|
||
|
||
In my sleep, I had a dream. It was about a girl to whom I had once
|
||
been engaged. Her name was Amelia. I thought she was the most
|
||
beautiful, most wonderful snail a guy could ever ask for.
|
||
|
||
It was a dream in which I was subjected to a horrible memory. In
|
||
the dream, I watched helplessly from under a mushroom as a cruel
|
||
boy sprinkled table salt on my love. Salt is a slug's worst enemy.
|
||
|
||
It burns the skin and draws the slime out of our soft bodies, until
|
||
nothing is left but a gruesome pellet floating in a puddle of
|
||
frothy goo. Slugs are quiet, meek creatures by nature. Amelia did
|
||
not make any sound as she curled up and disappeared before my eyes.
|
||
|
||
When I woke up from my dream, I saw the clouds had scuttled away to
|
||
rain, perhaps, upon other gardens, and the sun was shining anew.
|
||
|
||
Claire was down on her tomato. She was looking up at me, sideways.
|
||
|
||
"Hello," she said, licking her lips.
|
||
|
||
"Hi," I said.
|
||
|
||
"I'm so terribly bored," she said. "I wish I had something to do
|
||
other than sit here on a tomato."
|
||
|
||
"Then why don't you come visit me?" I said. "There's plenty of
|
||
room on my tomato. Why, just look at it. I must live on the
|
||
largest, ripest tomato in the whole garden."
|
||
|
||
"What's the difference if I'm on this tomato or over on that
|
||
tomato? I can hear you just the same."
|
||
|
||
"For one, we wouldn't have to shout," I said, picturing our two
|
||
slimy bodies intertwined. "I'm a poet, you know. I could share
|
||
some of my poems with you."
|
||
She didn't know what a poem was, so I explained it to her: "A poem
|
||
is a composition of carefully chosen words designed to convey a
|
||
vivid and imaginative sense of experience."
|
||
|
||
She snorted and gave me a dirty look. "Experience? What
|
||
experience? You're just a slug."
|
||
|
||
"Perhaps," I said. "But at least I try. I've been all over this
|
||
garden, met all the other insects and crustaceans and spiders,
|
||
sampled cucumbers and mushrooms and zucchinni, even hitched a ride
|
||
on the back of a turtle. All you do is sit around and lament the
|
||
fact you're part of the food chain. How pathetic!"
|
||
|
||
She crawled back under her tomato.
|
||
|
||
"Bitch," I whispered hotly, and went back to eating.
|
||
|
||
A week passed, and Claire reappeared on her tomato.
|
||
"I'd like to hear some of your poems," she said. "You may visit me
|
||
this evening, if you'd like."
|
||
|
||
And then she disappeared under her tomato again.
|
||
|
||
I thought about it for a while. When the sun began to set I walked
|
||
down the vine to her tomato. It was covered with trails of her
|
||
shimmering, tantalizing liquid. I went over to where she sat, in
|
||
full view of the birds. She was staring down over the side, as
|
||
usual, probably looking at the hairy worm.
|
||
|
||
I gazed about the clear empty sky, nervously. "Nice view," I
|
||
mumbled. "Do you think it's safe?"
|
||
|
||
She let out a snort. "I hope a bird will swoop down and gobble me
|
||
up."
|
||
|
||
I was horrified. "Now why would you wish for something like that?"
|
||
|
||
"Because I can't stand being a slug any longer. I was meant to be
|
||
something else." Her voice dropped to a whisper, as if to keep the
|
||
vines from hearing her dark secret. "I was meant to be that hairy
|
||
worm which passes through the garden."
|
||
|
||
"Oh, that's silly," I said. "Why would you want to be that?"
|
||
|
||
"I don't know why." She lowered her eyes, and spoke in a soft,
|
||
quivering voice. "I've had dreams about it, ever since I was a
|
||
little girl. At first, I didn't know what I was inside my dream.
|
||
I would only look down at my body, and see it was covered with fur,
|
||
and not know what I was. And when I walked around the garden, I
|
||
was filled with joy, because I knew some day I would be able to
|
||
leave. Then I saw him one day, and I knew what creature I was in
|
||
my dream."
|
||
|
||
|
||
I shrugged, which is difficult to do when one has no shoulders.
|
||
"Perhaps it was a coincidence," I said, rather lamely.
|
||
"There's more," she said. She shut her eyes. "About a week ago,
|
||
I dreamt that instead of slime, a silk thread squirted out of my
|
||
body, and I wove myself a warm cocoon. I crawled inside, and felt
|
||
safe and content. It was such a beautiful feeling." A sour look
|
||
crossed her face, and she opened her eyes, keeping them fixed hard
|
||
upon the tomato's skin. "Then I woke up, and discovered I was
|
||
still a slug."
|
||
|
||
"What a strange dream," I laughed. "What an odd imagination you
|
||
have!"
|
||
|
||
"Not really," she said. "Look."
|
||
|
||
She called my attention to the bean patch. The worm was hanging
|
||
from the tip of a string bean. Sure enough, a slender thread of
|
||
gossomer was squirting out his body, and he was slowly fashioning
|
||
a little basket around himself.
|
||
|
||
I was puzzled, and would have rubbed my chin thoughtfully if I had
|
||
one. "Now, why would he do something like that?" "I don't know,"
|
||
she said, sadly.
|
||
|
||
She then gazed about the tomato sickly, and sighed, and told me to
|
||
go away.
|
||
|
||
|
||
A few days passed, and I didn't see Claire the whole time. She
|
||
remained out of view. Then one evening, just as the sun was
|
||
setting, I saw her, gazing up at me with her pretty dark eyes.
|
||
|
||
"Hello," she said.
|
||
|
||
"Hi," I said.
|
||
|
||
"How have you been?" she asked.
|
||
|
||
"Okay," I said. "And you?"
|
||
|
||
She fell silent. For a long time, she simply sat there, saying
|
||
nothing. Then she said, "Why don't you tell me one of your poems?
|
||
I mean, there doesn't seem to be anything better to do."
|
||
|
||
I thought for a while, trying to remember a good one. Then I
|
||
cleared my throat, and closed my eyes, and slowly began:
|
||
|
||
Once I found the day unwelcome
|
||
Cursed the time when I'd been birthed
|
||
Wish'd to die, to crawl no more
|
||
Upon this gloomy earth.
|
||
|
||
If I could, I'd move to France
|
||
Where snails are considered yummy
|
||
I<EFBFBD>d serve myself upon a dish
|
||
And see a Frenchman's tummy.
|
||
Then I met a twinkling beauty
|
||
How splendid was this lucky find
|
||
We made love inside a mushroom's shade
|
||
A snaily, sweaty kind.
|
||
|
||
Our speckled, plump and snaily bellies
|
||
Press'd and glued in snaily kiss
|
||
There my love revealed to me
|
||
Dreams of snaily bliss.
|
||
|
||
Upon a sunlit bean she placed
|
||
A necklace shining pale and pearly
|
||
Tonight I shall sing to the Snail in the Moon
|
||
And go to sleep a little early
|
||
|
||
Now the world ain't so gloomy
|
||
No more shall I live in sorrow
|
||
Though she's gone, she'll still live on
|
||
In my heart tomorrow
|
||
See the garden all a-glitter
|
||
The dew lays thick about the ground
|
||
Under the sun they shall sip the tears
|
||
Shed by God, the biggest snail around.
|
||
|
||
|
||
I opened my eyes. Claire looked more sullen than ever.
|
||
"Did you like it?" I said.
|
||
|
||
"It was okay, I guess." She didn't sound very impressed.
|
||
|
||
"What do you mean? Was there something wrong with it?"
|
||
|
||
"Well... I think you used that word too much."
|
||
|
||
"What word?"
|
||
|
||
"You know," she said. Her lips curled back in disgust as she said
|
||
it: "Snaily."
|
||
|
||
I bit my tongue. "Well, I don't think it's so bad, especially for
|
||
a mollusk which has a just a simple bundle of nerves for a brain.
|
||
Besides, what better adjective could there possibly be?"
|
||
|
||
Her mind was elsewhere. "The sun's going down," she whispered,
|
||
flatly. "I think I want to go to sleep."
|
||
|
||
Then she closed her eyes, and went into sleep, and soon I joined
|
||
her.
|
||
|
||
|
||
When I awoke the next morning, I looked down at the other tomato,
|
||
and saw that Claire had changed into a small, gruesome pellet,
|
||
floating atop a puddle of frothy goo. It was true. She had cried
|
||
salty tears when she was asleep, cried all over herself. A slug
|
||
shouldn't do that. I never knew slugs could cry. I hadn't even
|
||
cried when that fat little bastard sprinkled salt on my lovely
|
||
Amelia.
|
||
|
||
I wondered what she had dreamt.
|
||
|
||
As I crawled miserably to the edge, thinking about how tragic life
|
||
was, I took note of the hairy worm's basket, hanging from the
|
||
string bean. The sunlight had just touched it with a glowing
|
||
finger, and almost imperceptibly, I saw it quiver.
|
||
|
||
I watched as the insect tore from inside, struggling to break free.
|
||
|
||
I looked closer, and saw it had changed. After several minutes, it
|
||
squeezed out through the hole, emerged trembling in the sunlight,
|
||
and unfurled a delicate pair of orange and black wings. A light
|
||
wind blew through the vegetable garden and whisked the creature
|
||
into the air, away into the bright summer sky and disappeared from
|
||
view.
|
||
|
||
"Oh, Claire," I whispered, sadly.
|
||
|
||
A shadow passed over my tomato. The bird had spotted me. It was
|
||
too late now, I was all stretched out.
|
||
|
||
But I knew I wasn't going out like her, not like that.
|
||
|
||
I was going to make that damn bird very happy.
|
||
|
||
|
||
|
||
19] Turn the Ringer off next time.
|
||
----------------------------------
|
||
|
||
"Vulgarity is a style, stupidity is inexcusable."
|
||
|
||
"Who said that?"
|
||
|
||
I checked my watch, keeping my eye on Angela, she took a cigarette
|
||
from its pack and rolled it between her thumb and middle finger.
|
||
|
||
"It was Cocteau, came from a book of quotes..."
|
||
|
||
"Ever read Les Enfants Terribles?"
|
||
|
||
Lit the cigarette, she exhaled, "Yeah thats a pitiful book."
|
||
|
||
"You mean pitiful as in saddening or as in you didn't like it?"
|
||
|
||
"Well both, I guess. Cocteau is the poster child for cynicism.
|
||
Just about everything that comes out of his mouth is about how lame
|
||
things are..."
|
||
"They just turned it into a film, playing at the Grand...I think
|
||
its alot better than the book.."
|
||
|
||
Angela leaned onto the small circular table, arms draped on the
|
||
sides, "Cocteau is shit. You can't convince me of his abilities,
|
||
for he has none."
|
||
|
||
I know this game, she's always playing devil's advocate, provoking
|
||
me for unknown reasons. I sit back, distancing myself from her
|
||
intimidations. I take a quick glance at her pure body, her pale
|
||
complexion, and switch my thoughts to those more sexual.
|
||
|
||
"You turn me on when you insult me, it humbles me enough to feel
|
||
like your slave.."
|
||
|
||
She grimaced, appeared taken aback, and placed her cigarette on the
|
||
ashtray.
|
||
|
||
"You know Seb, your problem is quite obvious: you need to get laid
|
||
and you think I'm going to let you fuck me."
|
||
|
||
I smiled, knowing that eventually she'd succumb, if anything to get
|
||
me to shut up about it.
|
||
|
||
I attempt to sweet-talk her, mock a French accent, coming out more
|
||
broken English or Spanish, "Mademoiselle, my dear, I will romance
|
||
you, I will caress you, seduce you." Paused, grabbed her hands
|
||
suddenly and intertwined her fingers with mine, "The years have
|
||
passed, all I dream is of you, all the warmth I achieve from cold
|
||
days is yours, you must be with me. Come with me, on the next full
|
||
moon we will meet at the Chateau, we will dine like lovers and..."
|
||
|
||
She interrupts, smiling at me not so much in happiness but absolute
|
||
fear of my rants, a sort of coverup for a face wanting to express
|
||
terror.
|
||
|
||
"What logic is that? Using that Cocteau shit with me? Trying to
|
||
seduce me with a character of a person that I hate?"
|
||
|
||
There's a certain calmness to this conversation. Everything is in
|
||
high-humor, this discussion, and I know nothing I say will mean or
|
||
imply anything but our capacity for eccentricity. She wears this
|
||
look of seduction on her face everywhere she walks. To the
|
||
convenience store or the cafe or to the liquor shop, she seduces
|
||
everyone....Activating mens libidos and bringing women wet with
|
||
sensuality. A true mistress of the streets, licking her lips at
|
||
the precise moment eyes fall across her, pushing out her breasts
|
||
just when she brushes against a person. She's got it refined, like
|
||
pure sugar, but with the sweetness miraculously extracted.
|
||
|
||
"And besides..." She wears a look of improbability, "Its taboo for
|
||
us to do anything, ever...We've known each other too long, talked
|
||
too much about sex and romance and love in a distanced way...A way
|
||
that makes the actual act of it something too bizarre."
|
||
I've heard this sort of angle many times, usually at a bent of
|
||
"Can't we just be friends?" But the sensation is all the same, and
|
||
I know, forsaking all male cliche in this regard, that she wants me
|
||
and truly, its only a matter of time before she lets me have her.
|
||
|
||
Her voice lightens, this voice, I know, is a voice of Angela
|
||
fantasizing.
|
||
|
||
"Seb you know..Through all the people I've been with since I've
|
||
known you, I always wondered why I never let you get through to
|
||
me..."
|
||
|
||
"Get through?" I question.
|
||
|
||
"Well remember at Mark's a few years back? When you came late and
|
||
I was with.." She pauses, unable to remember whoeever he was. I
|
||
take no offense, atleast not visible, knowing well her past
|
||
tendencies to sleep with any and everyone.
|
||
|
||
"Who? Mike Ronson?" I interject.
|
||
|
||
"Yeah him. Well, you walk in the door and i'm on the couch on top
|
||
of him."
|
||
|
||
"Don't remember that.." I state, although the image of her with
|
||
this guy is one of few that I can recall with perfect lucidity. I
|
||
lie for pride if not to perpetuate this everlasting Game.
|
||
|
||
She goes on, "Well this guy was nobody, I mean nobody. He meant
|
||
nothing to me, not even as a friend, and there I was kissing him,
|
||
rubbing up and down on his dick, totally innate behaviour;
|
||
completely. And there you are with, with..Amber?"
|
||
|
||
"Yeah.."
|
||
|
||
"And I remember looking over at the two of you, just talking about
|
||
things, chatting, talking about...Gulliver's Travels.."
|
||
|
||
Her memory was finite, accurate, exact. I knew that this evening
|
||
had been to her what it was to me, unforgettable. Her acuity in
|
||
recalling exact events was that of mine, warming my body leaving a
|
||
mellow buzz.
|
||
|
||
"The two of you just standing there, it made me jealous Seb. There
|
||
I was kissing and groping this guy thinking that this is what I
|
||
should be doing, but at the same time wishing I were that girl
|
||
talking to you."
|
||
|
||
If our friendship had been taboo for all these years, it was now
|
||
taking a sharp turn from the norm. She positioned herself upright,
|
||
and leaned back away from the table. My perversions controlling
|
||
me, I watched as her nipples appeared, impressed upon her t-shirt.
|
||
I knew now, like never have I guessed in the past, that she loved
|
||
me.
|
||
I clear my throat and unknowingly pull a cigarette from her pack,
|
||
lighting it. I pause, not trying create a uncomfortable situation,
|
||
but so I could find the words to respond.
|
||
|
||
"So you're on top of this guy, and you're thinking..." I pause,
|
||
hoping for a perfectly timed interruption..It comes..
|
||
|
||
"I'm thinking I want to be on top of you."
|
||
|
||
The dice had been rolled, landing on snake-eyes or the like,
|
||
something rare, and now the turn is mine. I take this literally,
|
||
now, my mind racing to analyze and pick apart the very essence and
|
||
meaning of this remark. The very future of our friendship has been
|
||
compromised, dissected, and edited to such an effect that the words
|
||
we have said in five minutes will change things forever.
|
||
|
||
She leans forward again, inching herself to the edge of the chair.
|
||
I pass a bleak smile, one of terrifying confusion, and look deeply
|
||
into her soft blue eyes. Now I can feel the heat of her breath,
|
||
the taste of nicotine in the air. I inhale it, taste it, absorb it
|
||
as if in a dream, a dream I have had many times. Although
|
||
admittedly a bit more sexual, she was still in it, part of it.
|
||
|
||
"Seb I DO love you, and I want to have a relationship with you" She
|
||
whispers, our lips touching the moment after "you", shaping her
|
||
mouth in a perfect kiss.
|
||
|
||
The book falls to the floor, a book of quotes.
|
||
|
||
My eyes open to the ringing of a phone.
|
||
|
||
I answer it half-asleep.
|
||
|
||
"Hello.." flatly
|
||
|
||
|
||
"Seb do you remember that party at Mark's house?"
|
||
|
||
It was Angela.
|
||
|
||
|
||
20] Designer Imposter Body Spray
|
||
--------------------------------
|
||
|
||
|
||
I can remember the first time I saw the commercial vividly, for I
|
||
was scarred eternally, not unlike the first time I had a woman look
|
||
me square in the eye, force a smile, and mumble "Don't worry, I
|
||
heard it happens to a LOT of guys." While channel surfing a few
|
||
months ago, I found myself landing on MTV. It was The Real World
|
||
Two that was on, and I couldn't change the channel because it was
|
||
my favorite one, where Tammi purposely wired her mouth shut to lose
|
||
weight. I was thinking about taking up a collection to keep it
|
||
wired shut forever, but alas, I digress.
|
||
A commercial interlude began with a Mentos commercial, and I was
|
||
appalled to find myself mouthing along "Mentos, the freshmaker!"
|
||
with my television. That was bad enough, but when I realized I was
|
||
actually holding my remote triumphantly, not unlike the girl
|
||
holding up her mighty Mentos, I knew I must turn off the television
|
||
and get some fresh air. I reached for the "off" button on the
|
||
remote, but found myself unable to hit it. Instead, I my eyes were
|
||
glazed as I heard my RCA beckon: "The following demonstration has
|
||
been made suitable for television." It piqued my interest, I
|
||
figured I'd watch the commercial. Big mistake.
|
||
|
||
It was a naked woman prancing around the screen with a spray can,
|
||
covered only by two blue bars that followed her around covering her
|
||
breasts, and her holiest of holies. Now, seeing an attractive
|
||
naked woman bopping around on a television screen, this is not what
|
||
scarred me. Don't you worry. In fact, it made me laugh
|
||
hysterically. A voice-over was explaining "First, spray Designer
|
||
Imposter Spray on your arms, and then spray some on your (beeped
|
||
out the breasts), and the same time the woman was spraying it on
|
||
the described areas. It went on to describe all the different
|
||
places one could spray it, while the woman, seemingly in
|
||
ecstasy, followed suit. It was truly a ridiculous image, the
|
||
quasi-orgasmic quality of spraying some cheap-assed imitation
|
||
perfume all over herself. She wound up spraying every part of her
|
||
body really, as the voice-over told me that spraying this poisonous
|
||
smelling fluid all over feels so good "you could spray them
|
||
everywhere". But this of course, is not true. She missed a spot.
|
||
If she was to spray the faux- spray in one particular place, shall
|
||
we say, below the equator, this would not produce the ecstatic
|
||
result as it provided elsewhere. I believe the correct word
|
||
to describe the result would be "agony". But, thankfully, she
|
||
missed that spot, so the commercial, which I thought was over wound
|
||
up being just silly, not traumatic. Little did I know that in just
|
||
ten seconds, I would be huddled in the corner of the room, rocking
|
||
in the fetal position, hand immersed in my pants, a la Al Bundy.
|
||
|
||
It seemed as though the commercial was over, as they showed a
|
||
bottle of the stuff on the screen. But then it happened. Like all
|
||
horrible things in my life, I saw it in slow motion, like when
|
||
Marsellus Wallace in Pulp Fiction had Zed give him a proctologic
|
||
exam without the courtesy of a sigmoidoscope. A nude man appeared
|
||
on the screen, bottle in hand, blue bar on crotch. The voice-over
|
||
triumphantly announced, "Available for men too!" The man, with a
|
||
smug as hell grin, SPRAYS HIS CROTCH AND CHUCKLES! He laughs with
|
||
this smirk on his face, as if it were the most euphoric and
|
||
wonderful experience he had ever experienced. .And the commercial
|
||
was over. It was an overload for my brain, I believe that was when
|
||
I went into shock. In my trauma induced state, my entire life
|
||
passed before my eyes. Well, okay, not my WHOLE life, but an
|
||
incident in particular that involved myself, and my cajones.
|
||
|
||
I flashed back to seventh grade, I must have been around twelve or
|
||
thirteen years old. I remember being twelve quite well, it was
|
||
when I was a tiny 5'4 boy, and knew that someday I would grow and
|
||
grow and finally be able to conquer that freaking sign that said
|
||
"YOU MUST BE THIS TALL TO GO ON THIS RIDE". Now I'm twenty-five.
|
||
Hey, it's not that I'm still not allowed to go on certain rides, I
|
||
just CHOOSE not to okay?? I could go on any ride I want, I just
|
||
don't like waiting in line! Wait, I'm mixing up my traumas. Let's
|
||
go back to my being twelvish.
|
||
|
||
My dream girl, Penelope Horowitz, had asked me whether I wanted to
|
||
go over her house on Sunday and study with her for an algebra exam.
|
||
I could hardly sleep that night, knowing what would happen when I
|
||
was alone with her, perusing the subtle nuances of algebra. I knew
|
||
in my heart of hearts, that in the midst of studying, we would look
|
||
up from the book, stare into each others eyes, admit our undying
|
||
love, have a torrid affair, get married, have children, and happily
|
||
grow old together. I just had to make sure everything was right.
|
||
Sunday morning, I spent two hours getting myself absolutely perfect
|
||
for the big study date. When I felt I was ready, I started to
|
||
leave the house, but ran back into the bathroom. As I was singing
|
||
along to "Islands in the Stream" on my radio, I realized I had
|
||
forgotten the key to getting a woman to think of me as real man.
|
||
Cologne. So I covered myself with my dad's English Leather, not
|
||
thoroughly unlike the naked woman in the Designer Imposter
|
||
commercial. But what if Penelope begged me to have sex with her?
|
||
This was a real possibility. The prospect of her finding me "not
|
||
so fresh" was strictly unacceptable. So in the middle of singing
|
||
the Dolly Parton part of the chorus, I pulled out the waistband of
|
||
my underwear, and did my final spray. "Islands in the
|
||
stream...that is what we AREEEEEEEEEEEEGHHHHHHH!"
|
||
|
||
I had never experienced such excruciating pain in my entire life.
|
||
|
||
I had to cancel the date. I spent the remainder of the day holding
|
||
my wounded huevos and cursing the day I had tried to spray myself
|
||
"there". Penelope went on to date and marry my best friend. Oh
|
||
Penelope, I miss you so...if you're reading this give me a call, I
|
||
know I can make you so happy...
|
||
|
||
Back to the story at hand. the man in the commercial had made the
|
||
same mistake I had made, yet suffered no ill consequences. It was
|
||
the most unreal and unjust act I had seen since Marisa Tomei had
|
||
won the Oscar for Best Supporting Actress. But like the Tomei
|
||
tragedy, this wrong could be righted, I knew it. I knew then why
|
||
I had been put on this earth. It was to get that commercial
|
||
modified. I wrote letters. I made urgent phone calls. I boycotted
|
||
using the product. Okay, I hadn't really used it in the first
|
||
place, but hey, manufacturers didn't know that. Yet every day
|
||
that blasted commercial would come on time and time again.
|
||
Hundreds of times, I saw that smug bastard spray his crotch. Was
|
||
there no justice in the world? The horror, the horror. But just
|
||
as I began to give up hope, it happened. The commercial began the
|
||
same, bimbo dancing around in her Imposter glory. Same guy, blue
|
||
bar on privates. But this time, he sprayed his CHEST, smirking and
|
||
chuckling. Glory, hallelujah! Can I get an amen? There's no need
|
||
to thank me. Just knowing that I might have saved one pubescent
|
||
boy from making the same mistakes I made is enough. All I ask for
|
||
is a page in the history books documenting my selfless effort to
|
||
make the world a better place to live. Or maybe a statue.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
I COULD WASTE MY WHOLE FUCKING LIFE TELLING CHICKS SHIT THEY DON'T
|
||
KNOW.
|
||
|