650 lines
32 KiB
Plaintext
650 lines
32 KiB
Plaintext
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Underground eXperts United
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Presents...
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[ Viv's House ] [ By Eric Chaet ]
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____________________________________________________________________
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____________________________________________________________________
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VIV'S HOUSE
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by Eric Chaet
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BEAN POLE - Viv's name for the tall young man with dirty, long, brown hair
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and black-framed glasses, whom she had noticed quarreling with the staff -
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was doing a little sideways dance, just to attract her attention - in the
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dining hall - checking out of the corners of his eyes, to see if she was
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noticing, lifting his eye-brows comically, when their eyes met.
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That's sweet, she thought, and realized she was feeling pleasure. She
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could not remember the last time she had felt anything.
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He was pretending to be secretive and cunning. But there he was, right in
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front of her - and of anyone else who cared to look - dancing his silly
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little sideways shuffle - his face a mask that gave away nothing - except
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for those mischievous eyes giving it all away.
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Viv laughed. Her own laughter felt so good in the belly - which, she
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realized, had been cut off - as tho lines were down after a storm....
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He approached and Viv willingly listened, while he told her that he did
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not think he was crazy. In fact, he was sure he was sane, and just as sure
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that everyone ELSE was crazy. A common view-point here. It was easy to see
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why others might think Spike - "Bean Pole" no longer - belonged in Old
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Stayquo, Viv's name for the Steuben-Kraft Mental Health Facility on the
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pine-forested shore of Lake Lakota.
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Viv's husband, Joe, painter of realistic landscapes a century after
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realism had gone out of fashion in art circles, and in a part of the country
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where only sentimental pictures of ducks, deer, barns, and cows were in
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demand - unwilling - or unable? - to struggle to do what those who could
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have helped him get them displayed required - whose suicide had triggered
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Viv's depression and voluntary entry into Steuben-Kraft - used to say of
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people with regular jobs, homes, and respectability, that they had "found
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their niche in Old Stayquo."
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Joe had exhausted Viv - and himself. Tho she had to agree with most of
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what he said - over and over, unfortunately - until she had begun to number
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the most frequent sayings. Viv knew why Joe kept saying them: it was because
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they were true, and no one else was saying them, or would acknowledge their
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truth when he said them. No one would say "Amen".
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In fact, everyone else made it a point to say and do things that made it
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seem that what Joe said - and what was so - was not so. They acted calm and
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confident. The basis of their getting along together was agreement that what
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was so was not so. That was the gist of the seventh of Joe's speeches.
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SPIKE TOLD VIV THAT HE HAD BEEN VISITED by beings from another world, from a
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vessel far out in space. The Principals - or maybe it was the Principles? -
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were called P, Q, and R. There were others too, that Spike had not heard
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from, also called by letters of the alphabet. Our alphabet was left from
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someone's previous encounter with them, long ago, Spike said gushing with
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delighted certainty. When Spike would hear from them, their voices were very
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small, he said, excited, using his hands to help her see and hear what he
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was imagining, again, as he told her. Very small - and running toward him,
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from very far away.
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It would have been such a charming parable, Viv thought - if Spike had
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not insisted that it was fact.
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His visitors' means of communication were imperfect, and they were
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communicating to him from very far away. Tho seen from such a distance that
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they looked tiny, they were gigantic, relative to humans, they told him.
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They said that the people of our world were destroying it.
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Who could argue with that?
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Spike said he was to lead a small group to a temporary sanctuary, then
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build a kind of Noah's Ark space vessel.
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Viv thought Spike's story was crazy. But no crazier than the story almost
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every man and most women - including those in charge here, of tending to the
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crazy people - distributing meds, deciding who was cured and who required
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further attention and incarceration - told themselves about themselves.
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Spike said he was to use each of the metallic elements - some very rare.
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Juxtaposed, they would chemically generate an electrical charge that would
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repel the planet's gravity and the Sun's - so that Spike and those with him
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could travel thru the Solar System, and beyond it.
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Space was not empty, cold, and inhospitable - as people, in their
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upside down and backwards way, had been brain-washed to 'think'. Space was
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not dark - it was all light. The 'stars' were merely light seen thru
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pin-pricks in a shell built around this planet we were on - or IN - which
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was actually Mars, not Earth. The Martians, who had captured and ruled
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humanity, had purposely filled us with false ideas.
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That it was Martians, Viv doubted. That people were filled with false
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ideas, and ruled by those who did the filling, rang true.
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Spike, of course, had no doubt. Had he not been told it, by creatures who
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had recognized him as humanity's leader? There were 26 Martians, he said,
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one for each letter of the alphabet, one to match each of the Principals or
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Principles, three of whom were Spike's allies. The Martians controlled the
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great fortunes of our world. They were not the famous people you read or
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heard about. They were so powerful, that they were able to keep people from
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knowing their names. In the few cases that they WERE famous - members of
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royal families - people did not realize that they were among the most
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powerful beings on the planet. They appeared in self-deprecating roles. If
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they were queens, they were queens in democracies. They had cover stories.
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Viv could see sense in all this - also that Spike had no respect for the
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truth - that he was unscrupulous in creating an alternative reality for
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himself. But she doubted he could get her into WORSE trouble - and SOME use
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of mind - just about ANY kind of use of mind - was so refreshing, after -
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absent Joe - such complete lack of original thinking - and a consensus of
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white-coated hopelessness.
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Viv's own notion - that there were some few thoroughly ruthless people -
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and a larger group of lucky people willing not to challenge, eagerly serving
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those ruthless people and one another - protected by the law and by superior
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force - and the rest telling one another and themselves the lie that what
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they were doing, struggling for what was left, was what they CHOSE to do -
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left her without energy. And she could not disbelieve it, or find a notion
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that she could believe, that would energize her.
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SPIKE WANTED TO BE OUT of Old Stayquo, but was not allowed. He owned some
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land not far away - bought with money from his dry-cleaning business in
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Chicago, which he sold when his wife divorced him - how much of THAT was
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true? Viv wondered - with an old house on it, an old car, furniture, many
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tools, books, canned goods - assuming THIS part of what he said was true -
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which assumption Viv decided - sensing an opportunity - to risk.
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Maybe she had become sufficiently used to the drug she was given daily, so
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that it no longer overwhelmed her... And maybe - maybe, maybe, maybe! - she
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did not even have confidence that she understood how WHAT SHE WAS worked
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- maybe there was enough in her experience in its entirety - which now had
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managed to get around Joe's death, as an amoeba encompasses a particle,
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nutritious or otherwise - enough in her experience and how she had so far
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processed it, that had forward momentum, that was more encouraging than
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discouraging - like a baby, learning to walk, getting up after a fall...
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Maybe!
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Since she had voluntarily entered Old Stayquo, she could leave when she
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wanted, notwithstanding a doctor's recommendation - which she learned about
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when she inquired of a white-jacketed aide shortly after arriving and
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finding that no one was going to help her become more capable of coping -
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that she be held indefinitely.
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But Spike had had words with police, and had responded to roughness with
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roughness - he had used his hands and pathetic muscles, resisting - he
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could not leave without someone deciding that he was rehabilitated.
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Viv began to use the tiny hospital library - barely more than a closet,
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with shelves of books around a small table with one folding chair. For hours
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at a time - while neither fellow patients nor staff paid any attention to
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her - she studied the psychological literature upon which the staff were
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basing their 'understanding' of the patients.
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Then she worked with Spike on his story, until he was able to talk in
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such a way that he would seem harmless, to the staff. He had a real talent
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for saying what he did not believe was so - for acting, for the time, as tho
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he believed it. Viv mentioned this to him. He smiled - lifting his chin to a
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noble angle - pleased with himself. Viv coached him to say nothing that
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conflicted with the views of the staff, and to use the buzzwords of their
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theories, in such a way that they would 'realize' that he had transformed
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under their 'care' for the better.
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After a month of their working together, Spike was released, with a
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useful disability subsidy - more than $300 a month - from the State of
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Minnesota. At the same time, Viv left Old Stayquo.
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THE LITTLE FAR SPIKE OWNED was half-way between the Twin Cities and Frozen
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Fish - where Viv had been raised, and where she had been visiting when Joe
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had slit his wrists at a relative's cabin in the woods near the Canadian
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line.
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Viv never knew whether the details that came out of Spike were true, or
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just utterly apt bits of the dark, wonderful parable that he was always
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elaborating. Now Spike, Viv, and Elaine went to Spike's land, Spike -
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chain-smoking cigarettes - driving them in a ridiculously long old car,
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telling about his father, who, Spike said, kept books for Mafia-owned
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restaurants - fronts - in Chicago, and who always put down Spike's ideas -
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Spike had wanted to be a concert pianist - and insisted that he get a
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conventional man's job and life and wife, 'succeed'.
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Little Elaine - tho it seemed to Viv that she had grown an inch or two,
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and her blond hair was darkening - all eyes, looking thru the car windows at
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the country thru which they were passing, and ears for what Spike was saying
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- was Viv's and Joe's child. Viv felt terrible about deserting Elaine -
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after Joe's suicide, when Elaine most needed support. (Their life together
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had not been easy anyway - just getting enough food.) But Viv had left
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Elaine with HER mother, Fran - feeling incapable of even taking care of
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herself - and Viv's younger brothers, whom Viv had seen Elaine shy from,
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when Viv had come for Elaine in Frozen Fish. Elaine had always continuously
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chirped delighted observations, Viv thought - noticing that, now, Elaine was
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careful, uncomplaining, but serious, wary - keeping her own counsel.
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SPIKE UNROLLED HUNDREDS OF YARDS of copper wire, cut it into two inch long
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pieces, bent the pieces into spirals, and glued them to walls, to utensils,
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and under each cup and dish - none of which were part of a set. He was
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converting a small trailer (lined with copper) - attached to his old car -
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into the space vehicle. Car batteries powered strings of little red, green,
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blue, and yellow Christmas-tree lights, inside. On the ceiling was a large
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map of the constellations - with spirals of copper wire glued to it here and
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there, apparently randomly.
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And Spike attached copper spirals to every shirt and pair of pants he
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owned, to the soles of his shoes, and Viv's and Elaine's, and underneath the
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drawers of dressers, and to the tops of cabinets...
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Copper would disrupt electronic surveillance by the government or by the
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Catholic Church. The steeple of every church was a receiving and
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broadcasting station, he said. And surveillance by extra-terrestrials other
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than his aliens - by the 26 Martians and those, so many aggressively normal
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people, in their employ.
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While Viv was sewing, and repairing shelves and cabinets and tables and
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chairs, and washing surfaces long abandoned to mice and the remnants of
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occasional human gatherings - and attempting to calm Elaine and to
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re-establish a relationship of trust and hope - Spike was scouting for
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talent, extraordinary young people, mainly students at the community college
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where Viv had now begun to take classes - a "busy little student," as Spike
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put it, sneering.
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"You're not going to learn anything that will do any good", he would say.
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"You have the qualities I need, to be one of the 12 whose energies,
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juxtaposed, will make our escape from the planet possible. You're Viv, V,
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the Valve."
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Most people Spike approached quickly backed away. But some found him
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educational or amusing, if dangerous, and visited the farm once or twice -
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using it as a getaway from the mundane routines of family, school, town,
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jobs - and completely unsatisfactory expectations - in the years in which
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the war in Indochina went on and on despite continual losses by U.S. and
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South Vietnamese troops, and bigger and bigger student protests in the U.S.,
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then the shooting of student protesters at Kent State by state army
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reservists, and the immediate, and unending, totally sober silence that
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followed.
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Some were so desperate that, like Viv, they spent time learning Spike's
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ideas, half-investing themselves in his plans - but leaving themselves an
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out - so that Spike came to think of them as spies and enemies.
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But, at first, when he seemed to have landed a live one, he would say,
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"You're an Ion, not an Ian."
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"What does that mean?" asked quiet James Pollard, a serious student -
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dark, spectacled son of the president of the Frozen Fish National Bank,
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always roaming around town on his bicycle, briefly visiting each of the
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brightest young people, then, uncommitted, restlessly pedaling on - today a
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highly respected, if eccentric, surgeon and chain smoker, at Dade County
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Presbyterian in Miami.
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"Look at all the words that end in i-o-n or i-a-n", Spike said. "Those
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endings MEAN something. There are no accidents. Ians are controlled. Ions
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INITIATE."
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SPIKE GREW MORE AND MORE DESPERATE, as others would not drop what they were
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doing with their lives, to join him and Viv and Elaine on the farm - tho
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they would drive in, share a meal, walk in the woods, smoke a joint. Spike
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knew what they were doing, tho they tried to hide it from him. He hated all
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drugs, especially the lithium he had been dosed with at Old Stayquo - he
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had joyfully adopted Viv's nickname for the place - which had shut down the
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voices, and numbed him.
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Spike had planted rows of saplings and built a tower from old windmill
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parts - he wanted to power the place using static electricity from the
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atmosphere, as Tesla had suggested, but the power barons had thwarted him,
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there being no profit in it for them, he told Viv - who listened with dread
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to his recitation - an epic with episodes apparently without limit - of the
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defeat of the initiatives of promethean reason.
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He erected a well-coppered sign at the gate, which said 'THE I'LL OF MAN'
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and painted a series of wonderful drawings of spiral galaxies, which he
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insisted were NOT art, in three big hard-bound sketch-books, and on the
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walls of the basement of the main building, where he spent a great deal of
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time performing chemical experiments, using commonly available cleansers,
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dyes, inks, foods.
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Teens from neighboring farms drove by honking their horns and yelling,
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"Hey, Spaceman!" in the middle of the night.
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Viv had schoolwork to do, and Elaine - who oscillated between bright,
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joyful serenity and sobbing panics - to care for. Viv struggled to extract
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herself from Spike's ravings - he drank coffee and smoked cigarettes and
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talked most nights. Viv wanted time to simplify and organize her own
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thoughts and emotions that occasionally broke thru with a force that would
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have thrown her into panics like Elaine's, but which she could not - because
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of Elaine - allow herself.
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She was beginning to dream, FORWARD, of a little house she could control
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- she had have to own it, she supposed - she knew nothing of the mechanics
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of loans and mortgages, yet - for herself and Elaine - and maybe,
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eventually, for other serious people who wanted a brief refuge, to think
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thru THEIR own serious purposes, without anyone insisting they compete, or
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act up-beat, or subordinate themselves to crazy dead norms, or to something
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with manic energy equally crazy.
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She wanted to get some sleep before morning - when she had to coordinate
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her activities with others, to attend classes, earn credits, earn money.
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She had taken a part-time job selling men's clothing from behind a glass
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counter at The Crystal Store, on Main Street, in Frozen Fish.
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None of which meant anything to Spike.
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There was a lot to be accomplished and not much time; besides, it was
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such a RELIEF, articulating his story.
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"P, Q, and R show them to me," he said of the pictures of the spiral
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galaxies. "I'm just the camera. They're the galaxies we'll pass. See how
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each has three legs curling out like nines from the center of the spiral?
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This is the beginning of our road map. It's coming in - in bits and pieces.
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The communication process is so imperfect."
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Spike bought a shot gun, and in the middle of one night when the neighbor
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kids were driving around in the driveway hooting "spaceman!" and honking, he
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fired - over their heads, he told Viv, after they had sped away.
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VIV TOOK ELAINE TO FROZEN FISH, and rented an apartment above an old house
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near the community college. She was determined now to study to become a
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nurse, to earn her living - and some control over her life - helping people
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in the world the way it was.
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Viv's mother, Fran, still raising the youngest of her ten children, was
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willing to care for Elaine, too, while Viv was in classes, or working at The
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Crystal. Viv had only recently been in rebellion against Fran - always in
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the home cleaning and cooking and picking up after the children - but now
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saw that her mother's kindness was not accidental, not mere docility - but a
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manifestation of decision and will.
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At the Crystal, Viv's boss, Al Zatori, had put Viv in charge of selling
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men's clothing. He invited her to come with the others who were in charge of
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departments, on a buying trip. Al at the wheel, Viv the only woman, the
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other buyers in back - all young men, either awkward or bold, flirting with
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her - they went in Al's van, to Chicago.
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Red-haired, middle-aged, chubby, and relaxed - Al - who was dating Viv's
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co-worker, Annie - sang songs from the musical "Oklahoma!" as he drove them
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thru the dark, which was punctuated by the lights of other cars and of
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windows of houses in the small towns thru which they passed, then into the
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dawn: snow flurries blew across fields with hay bales, silos, and small
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herds of black and white Holstein cows keeping close together.
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Just north of downtown Chicago, Al put them up in an elegant little
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hotel not far from Lake Michigan.
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After a walking tour of the Near North district, and a fancy meal - on Al
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- Viv admired the elegant furnishings in her room - and the lobby, people in
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sharply-creased suits, the sparkling city at night, lit-up windows of tall
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buildings, vibrant signs demanding attention for all kinds of competing
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merchandise and entertainment, and the sky-line. Viv and Al admired it all
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from where the Lake slapped a cement pier, and hundreds of small, anchored
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sail-boats bobbed - sails down, masts bare.
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At the fine restaurant where they met for several meals, Al paid for
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everything. He insisted that Viv not be shy about getting exactly what she
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wanted from the waiter, who was inclined to be cavalier with her.
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She had begun to blush, when Al broke in with a loud "Whoa!" - directing
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the waiter to slow down, behave politely, and wait - and Viv to gather
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herself, and remember that she was the customer and in charge, and that Al
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would not let her get away with anything but doing it right.
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In the morning, they crossed the Chicago River - tall buildings on
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either side. Viv saw a dozen bridges - half to her left, half to her right
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- opening from the middle, allowing deep-honking boats to go thru. An
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elevated train roared past, and around the corner of a big brick building.
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They went into the enormous Merchandise Mart, where eager men and women
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in elegant showrooms showed her the clothing they hoped she would choose to
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take back to Frozen Fish. It was up to her! Choices!
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But they made most of their purchases, finally, in the shabbiest of the
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showrooms - even if it had windows thru which the river flashed in sunlight
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- with a weasely fellow Al seemed to know from way back, who was selling
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clothes that were made in Asia, with labels less well known than the far
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more expensive things, mostly British, they'd seen til then - but which were
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made just as well, of the same sort and quality of material - Viv handled it
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with pleasure - and from patterns that might have been the same.
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VIV HEARD THAT SPIKE WAS BACK in Old Stayquo, then that he was out. He
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showed up at The Crystal, to tell her that he had rented an apartment in
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town, that he had agreed to take medication which he had no intention of
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taking, that he had been given a bigger allowance from the State of
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Minnesota.
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"You can't visit me here!" Viv said. "I'll lose my job. Don't you have
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any sense of what's appropriate?"
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"Appropriate..." he scoffed.
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"I have a daughter to provide for. I have to earn a living."
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"They've got you."
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"No one's got me. I have to make a living. That's the way it is. You're
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doing us harm. Leave us alone. Leave me alone!"
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Spike left. But he kept calling on the phone. He would wake Viv out of a
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precious dream - in which Viv was building a house, nailing planks to the
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frame, under a starry sky, while Elaine slept on the floor of a 'room' whose
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walls were still bare frame - to rant about the Catholic Church and the
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Martians and how she needed copper wire between her and the rays coming out
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of the gold cross atop Saint Rita's steeple...
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Viv kept hanging up on him.
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ELAINE - SWEET, SINGING, and PLAYING ELAINE - had begun to hang around,
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smoking cigarettes, with a bunch of girls whose self-destructive
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rebelliousness disturbed Viv. At school, Elaine complained, kids called her
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Hoser.
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"Hoosier?" Viv asked.
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"Hoser! Aren't you listening?"
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Viv gathered that boys Elaine was trying to please led her on, then
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discarded her, when she would not go 'all the way'. Elaine had begun to
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crawl thru the window, and disappear, sometimes all night. Viv did not think
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that Elaine was going to school.
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Viv remembered her mother, Fran, when Viv had snuck out of the house to
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hang around with her 'friends' - boys and girls her own age, looking for
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action - when Viv was a young teen (but Elaine was not even a teen yet!)
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telling her: "Some day you'll have a daughter, and you'll know what what
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you're doing feels like to me. You'll see."
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"Time's on your side, Elaine", Viv told her now. "Don't make what could
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be nice dirty. Don't do anything until you're sure you want to."
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"I can't do ANYTHING", Elaine said. "Get a life yourself. I'm sick of
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trying. The teachers don't care. The boys are all junk. You're screwed up,
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and don't care..."
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"Elaine - if you fail, will that hurt the boys, or you? Will it hurt the
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teachers, or will it hurt you? I care - but you're right, I DO have a lot on
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my mind."
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|
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"Oh, a lot on your MI-I-I-IND!"
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|
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"You think I don't know how bad it is? I do know. It's even worse than
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|
you think it is. But that's why you have to struggle to DO something. What's
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|
happening automatically is going to waste you. You have to go AGAINST what's
|
|
happening. You have to DO SOMETHING - on purpose."
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"You mean, stuff myself with ice-cream, and fall asleep in front of the
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television?" said Elaine and stormed out.
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A POLICEMAN CAME TO THE DOOR of the apartment. Viv's hair was in curlers;
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she was half-asleep. 'Oh, Elaine!' Viv thought, her heart racing. 'What have
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I done?'
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Viv had fallen asleep. The television was humming, the screen a gray and
|
|
staticky storm. 'What time is it?' ('What year is it?' asked a mocking
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|
voice.) She'd been waiting for Elaine to come home. Elaine had not come h
|
|
ome.
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I'm fat, Viv thought - whose looks had so recently been so exciting to
|
|
so many boys, then young men - suddenly, imagining herself thru the eyes of
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the policeman, who was waiting for her to understand that he was asking her
|
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if she knew Spike - and I'M A FOOL. I'M NOT YOUNG. I'M NOWHERE - and NOBODY
|
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CAN HELP ME GET ANYWHERE.
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"Yes", she said carefully. "I know him." (Did this have anything to do
|
|
with Elaine, or not?) "He keeps bothering me."
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"Well, he won't be bothering you any more, Ma'am. He drove in front of
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a truck. He's dead."
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"You're kidding," Viv said, recognizing as she said it, a phrase from
|
|
her childhood. "ANOTHER DAMN DODGE!" she accused herself, indignantly.
|
|
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|
"We don't kid, Ma'am. We found your name and address on a piece of paper
|
|
in his pocket." He showed it to her: 'Viv, V, Valve, 1406 Elm, 946-8881' it
|
|
said among some spirals. "He didn't have a wallet. Are you a relative? Or do
|
|
you know who we should contact to identify the body?"
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WE DON'T KID, MA'AM. WE DON'T KID, MA'AM. WE DON'T KID, MA'AM.
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|
Viv remembered these words, as you occasionally remember the words to a
|
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pop song, when...
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|
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|
When it seemed that Elaine was determined to throw herself away, yelling
|
|
at Viv, mutilating herself - she cut her wrists with a razor blade, only not
|
|
fatally, as Joe had done - allowing worthless boys to use her, in fury at
|
|
the dead-ends presented to her to adjust to, so blandly and universally.
|
|
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|
When Viv did not think she could go on - upbeat for customers - hurrying
|
|
to and from evening classes - shopping, cleaning, trying to keep track of
|
|
Elaine, eating the cheapest foods, studying half the night.
|
|
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|
When Frank came into Viv's life - she helped him, when he came into The
|
|
Crystal, saying he needed "a goddamn jacket and tie for a job interview" -
|
|
and it felt like Viv would live happily ever after - until she began to
|
|
understand HIS torment.
|
|
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|
Should not life be like a straight line, or smooth curve? Viv wondered -
|
|
a development? - the making of a fortune, the invention of an engine, the
|
|
creation of a statue or a nation - or a complete coming-apart, a revolution,
|
|
wiping-out what is wrong, a fresh start? How did it keep being a series of
|
|
complications, unsatisfactory, without resolution, and apparently without
|
|
SENSE?
|
|
|
|
When Viv managed to get thru college. She was living with Frank, and
|
|
Frank was working as a designer at a box factory - his consulting business,
|
|
environmentally sustainable production, having failed - and was kind to her,
|
|
and concerned about Elaine. He tried, several times, to talk to Elaine about
|
|
her future - but Elaine took every opportunity to disrespect him, and was
|
|
missing, more than accounted for. Then Viv began to work as a nurse, and
|
|
discovered how competent she was, and how she was able to cheer up suffering
|
|
people with her caring inquiries, and by applying a few principles and
|
|
procedures - and that she could help the less well organized nurses also
|
|
help patients; Viv became a leader.
|
|
|
|
When Frank cut the cord of Elaine's stereo - Elaine had reduced Viv to
|
|
tears with insults, when Viv and Frank showed up at the house unexpectedly -
|
|
and told Elaine - in front of her astounded, insolent girl friends, who had
|
|
filled the house the cigarette smoke, and who had not meant to be discovered
|
|
- their game was always to be where parents were not - that she was no
|
|
better than the people she and her friends were so clever at putting down,
|
|
and would certainly amount to LESS than Viv had already made of herself -
|
|
and to SHAPE UP - and Viv nearly threw him out - so intense was her instinct
|
|
to defend Elaine - but did not.
|
|
|
|
When a good job (or so it seemed to Viv) that Frank had applied for -
|
|
assistant to the president of a competing box factory - finally came thru -
|
|
and their finances were picking up, so that Viv bought an old, house,
|
|
idiosyncratically-built by the previous owner - tho, for some reason, Frank
|
|
was against it, maintaining, stoutly, that the income was temporary, that he
|
|
intended, soon, to start doing something - equivalent to her schooling -
|
|
more likely to be a drain than a contribution. When Elaine graduated from
|
|
high school, got married, got a job she liked, selling electronics at the
|
|
mall, and seemed to become a cheerful conventional young wife - her
|
|
negativity gone as suddenly as it had appeared - and began taking college
|
|
courses at night, then full-time, working at the electronics store only
|
|
part-time. When Frank quit his job - over Viv's fearful and tearful
|
|
objections - and started a business installing computers in people's homes
|
|
- saying that this, too, was only temporary.
|
|
|
|
When Elaine's marriage turned rocky, then her husband left her, and
|
|
Elaine, now fat, in her mid-twenties, moved back in with Viv and Frank - she
|
|
had only a semester left to go of college... but now she thought that
|
|
everything she had done so far had come to nothing, and Frank re-assured
|
|
her, and Viv re-assured her.
|
|
|
|
When Elaine lost forty pounds, became girlish and happy again, was dating
|
|
a polite young man, Sal, who had a house-moving business.
|
|
|
|
When Viv's mother, Fran, was rushed to the Mayo Clinic in Rochester for
|
|
quadruple heart surgery - and Viv drove all night thru a blizzard to be with
|
|
her - and stayed a week, til Fran was out of danger.
|
|
|
|
It wasn't the life Viv had hoped for or imagined - or as bad as what she
|
|
had feared. It was beyond her control.
|
|
|
|
WE DON'T KID, MA'AM.
|
|
|
|
Viv tore up floors and walls, and re-did them - Elaine's Sal was a big
|
|
help. There was wiring and plumbing and painting to do. As Viv watched, thru
|
|
the living room picture window, an eagle coasting above the beautful, but
|
|
PCB-polluted river that ran by, right in front of the house - she and Frank
|
|
had taken out a quarter of a million dollar mortgage ($86,000 the bank, and
|
|
everyone except Frank, called it - the principle, that is, without the
|
|
interest) for the privilege of living in and fixing up - she wondered if
|
|
this could be the house she had dreamed of, and if her life, and Frank's,
|
|
and Elaine's could somehow become... satisfactory.
|
|
|
|
Frank turned fifty, sold his business, and started learning everything he
|
|
could about solar energy. "Great!" Viv said. He muttered that others would
|
|
make things a lot worse than he could improve them.
|
|
|
|
"We'll miss you," Frank said, when Elaine moved out, to get her own
|
|
apartment.
|
|
|
|
"Sal is a good person", Viv told Elaine.
|
|
|
|
"So is Frank", Elaine told Sal.
|
|
|
|
"We're a couple of saps", Frank told Viv. "You patch people up who are
|
|
going to do what they have been doing, and I'll help them do it more
|
|
efficiently. And the people who thrive at everyone else's expense make out
|
|
like bandits, and just when everybody is about to be bad enough off to see
|
|
it and learn to do what it takes to change it, about ten million more people
|
|
suddenly find a new technology to get rich off, out of a billion people
|
|
competing for the riches, and everything goes merrily along."
|
|
|
|
Viv cried. Then they hugged and kissed, watching sun go down over river.
|
|
Viv dreamed about the house to which people with serious purposes would come
|
|
to re-group and re-dedicate themselves.
|
|
|
|
Frank could not sleep, and could not concentrate on solar energy, or on
|
|
how to organize his new business. The damn taxes, accounting for everything,
|
|
to pay the damn taxes, he was thinking. The destroyers so well organized -
|
|
the others... the innocent deluded, the righteous isolated...
|
|
|
|
He paced - trying to keep quiet, so Viv could sleep.
|
|
|
|
How? he was wondering.
|
|
|
|
How?
|
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---------------------------------------------------------------------------
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uXu #534 Underground eXperts United 2000 uXu #534
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http://www.uXu.org/ - info@uxu.org
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