1809 lines
113 KiB
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1809 lines
113 KiB
Groff
= TWILIGHT WORLD - Volume 3 Issue 3 (May 20th 1995) =========================
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You can do anything with this magazine as long as it remains intact. All
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stories in it are fiction. No actual persons are designated by name or
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character and similarity is coincidental.
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This magazine is for free. Get it as cheaply as possible!
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Please refer to the end of this file for further information.
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= LIST OF CONTENTS ==========================================================
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EDITORIAL
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by Richard Karsmakers
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MASTER AND SLAVE
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by Roy Stead
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LOST IN A WORLD OF DREAMS
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by Stefan Posthuma
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OH YEAH - THE SEQUEL
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by Stefan Posthuma and Richard Karsmakers
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RODNEY'S RAYGUN REVENGE
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by David Henniker
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THE MAO-KAO HOLY WARS
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by Roy Stead
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SPEEDBALL II
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by Richard Karsmakers
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= EDITORIAL =================================================================
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by Richard Karsmakers
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Another jam-packed issue of "Twilight World" is ready and willing to be read
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by you, dear reader. Some absurdity is prevalent in this particular issue,
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but I'd advise you all to hold your hopes high for it looks like the next
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issue will be a lot better even.
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Enough of this worthless ego-boosting. As per usual, I hope you'll like
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reading it. Remember to spread the word - and the file! And...er...I do hope
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more people will write in the near future. As it is, I am running out of
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"ready to use" material somewhere within the next year...
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Richard Karsmakers
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(Editor)
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P.S. If you no longer want to receive "Twilight World", *please*
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unsubscribe; don't let me wait for the messages to bounce instead,
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totally flooding my email box! This especially goes for people on
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AOL, about 1 out of every 5 direct subscribers.
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P.P.S. This wasn't much of an editorial, was it? Well...all the more reason
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to continue with the real stuff then.
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= MASTER AND SLAVE ==========================================================
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by Roy Stead
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The day was drawing to a close and the light was failing. As the glow of the
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night lamp receded, Jenny was filled with a terrible sense of dread as she
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realised that it would return to plague her again that night, attacking her
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with its awful visions once more as it attempted to swamp her senses and
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confuse her mind long enough to take it over as it had all those years
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before, when she was eight years old.
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That time, she had only the words of other people to tell her what had
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happened, the three days being blanked from her own memory. Apparently, her
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younger body had killed two people. Two ordinary, innocent people had died
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because Jenny had been unable to resist the advances of the thing which, she
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now knew without any doubt, was to return to plague her this night.
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Jenny's parents were dead. It had killed them, using her body as its weapon.
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She had no idea what it was, or where it had come from, but she somehow had
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the knowledge that it wanted to kill again, this time making use of her older
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form for its purposes. Jenny began to sweat.
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Three hours later, it struck. Jenny was reaching across to her bedside table
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for another mug of coffee to help her remain awake, when she felt its
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presence. The five senses heard, saw, felt, tasted and smelt nothing, but
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some more primitive ability *knew* that it had arrived. The coffee. piping
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hot and still in its flask, wafted its scent to her nose, but that sense was
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ignored for the moment. She turned her head slowly to the left, away from the
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flask, and it was there that she saw it.
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The room had faded, not into blackness but into non-existence. Her blind
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spot had expanded to fill her entire field of view. To find your own blind
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spot, put two dots close together on a blank sheet of paper and hold it at
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arms length. Focus on one dot, then move the paper slowly toward your eyes
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and, at one point, the other dot will seem to vanish. This is your blind
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spot. Now try to imagine that blind spot growing until it is all you can see
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- or, rather, not see.
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Jenny stared at it. Not because she wanted to, but because she could see
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nothing else. Her mind simply refused to see anything outside of the
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creature's form. If she moved her head, it still filled her entire view.
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Either its form was very distorted, or the blind spot was simply absorbing
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her vision and stretching what little she could see - the creature - to fill
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in the blanks which her mind refused to see. In either case, what Jenny saw
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was an oddly proportioned cat. The Cheshire Cat's grin would have been
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positively comforting beside that face.
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"Hello again," it grinned, "Are you ready to play again?" The words were not
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spoken. Neither did they echo in her mind. Rather, the grin somehow conveyed
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*something* to her. The thing did not bother with speech, or even telepathy.
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It seemed to think that such activities were beneath it, preferring to rely
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on this more direct form of communication instead.
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"No." The force behind this single syllable astonished Jenny at first,
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shocking her that her hatred of the cat-like form before her could be so
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vehemently and graphically expressed in a single word.
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The thing (Jenny could not bring herself to call it anything else - to give
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it a name would be to accept its existence, and she wanted nothing more than
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for it not to *be*) grinned at her. No message this time, it simply grinned.
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I hate to abuse an old cliche, but this grin *was* Evil. With a capital 'E.'
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It seemed to be unsurprised at the woman's defiance. Perhaps it had known
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that she was expecting it, and ready and willing to fight. That grin
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disquieted Jenny: it seemed to know the future, and burned into her mind as a
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hot poker into net curtain. The message spread like wildfire in Jenny's
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brain: "Give up. You cannot win."
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Jenny stared at it - not that she had a choice - and glared defiance at its
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mind with all her power. Did it flinch? It seemed to. Though perhaps it was
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her imagination. There - that was no imagination. The thing recoiled from
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her, as though stung by her mind. Quickly rallying, however, it attempted to
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leap toward her. Not toward her bed, which she could not feel or see, nor
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toward her body. But, rather, toward the very *her* of her. That part of her
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which religious people might call her 'soul'.
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Jenny's mind stayed, unflinching, against the onslaught. The last thing she
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saw before unconsciousness claimed her was its grin fading into disbelief,
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then the entire cat vanishing with a surprised expression on its face...
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"Yes, but does it *work*?"
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"We can't be sure, nurse, but it certainly appears to. Not a single patient
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given this treatment has showed any symptoms of mental disorder again. You
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are familiar with the theory?" A nod from the nurse, but an encouraging nod -
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perhaps he would ask if she was doing anything that night. "Well, we
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hypnotise the patient, and encourage him or her to personify their disorder.
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Then, there is a showdown between the conscious mind and the - in this case,
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paranoid - mentality. The conscious wins, and expels the illness. Simple, but
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effective. The patient sleeps for a day or two, then returns to society
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cured."
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"But, doctor, what happens if the illness *wins*?"
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"I can't win. The conscious mind always has more power." A puzzled frown,
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creeping across his forehead, the doctor turned to the one-way mirror to look
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at the sleeping Jenny. "It *can't* win," he repeated, as if to reassure
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himself, "Yet, there *was* something odd about this one..."
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Jenny woke up, screaming. Darkness lay about her, and - somewhere Out There
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- she could sense the thing, gloating. Its grinning visage swam into view,
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filling her heart with dread. The grin was saying, "Now who is master and who
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is slave?"
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Written April 18th 1990.
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= LOST IN A WORLD OF DREAMS =================================================
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by Stefan Posthuma
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A story inspired by the heavy fog that surrounded my flat one lost Autumn
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weekend. Also, the legendary kingdom of Avalon comes to mind...
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That morning the strange light coming through my bedroom drapes revealed to
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me the fact that the fog had come at night. I opened the curtains and beheld
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the sight that I love so much; the fog lying over the land like a thick
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blanket, lazily swirling in the soft breeze. It was powerful that day, lying
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in thick layers, shutting out the sun that was already bleak in late Autumn.
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Yes, Autumn. It was already fading into Winter and the trees had shed all
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but a few leaves, forming thick layers of dead leaves on the ground,
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preparing it for the coming spring to provide nutrition for life that was to
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spawn from it after Winter has gone. The dazzling colours were muted by the
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mists, like a faded painting of old. Some of the leaves that still clung to
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the branches stirred in the breeze, and one by one they would submit and fall
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to the ground, disappearing into the haze, swallowed by the fog.
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I kept the torch next to my door on all day, its light casting a hazy glow
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on the trees outside my window, making them look like gnarled giants, looming
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shadows in a world of mystery.
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During that day, I would sometimes stand in front of the window and gaze
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into the mists, wondering what lay beyond the veil of shadows and whispering
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sounds that were carried from far through the fogs. I went through the day
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dreaming, the furnace alive with burning logs so I felt warm and secure
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inside my house while the fog rested upon it.
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In the afternoon I felt it for the first time. I looked up from the book of
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magick I was reading and walked over to the window, the smoke of incense
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swirling around my form. I stared out the window and into the woods that lay
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beyond, shrouded by the mists. The feeling was strange and eerie, like there
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was something inside the woods, concealed by the trees and the heavy mists,
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that was beckoning me to come, almost to join it in its unspoken purpose. For
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a long time I stood there, motionless, staring, waiting. The cloaked and
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huddled forms of travellers passed in the distance, mere shadows on the trail
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that wound itself past my little cottage, hurrying towards their
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destinations, eager to free themselves from the grip that the fog seemed to
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have on them.
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The day passed unnoticed, like time slipped away noiselessly into the fog,
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and in the evening it became even darker. The air that was laden with
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moisture all day finally became satiated and a slow, lazy drizzle began to
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fall. Soon the windows were streaked with water, blurring the visions from
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the outside. I was preparing a beef and vegetable stew when I felt it again,
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stronger this time. I dropped the wooden spoon in the pot and quickly walked
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over to the window and looked out, expectantly, eager to see what was so
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tempting, to discover the source of these strange beckonings. But nothing was
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revealed to me; the trees were the same, black forms standing there in silent
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resignation. The little clearing in front of my house was empty, the
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torchlight glistening off the small table I used to sit at during the warmer
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times of summer. But I felt it still and I wheeled around, went for the door
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and ran outside, stopping in the middle of the clearing, looking around.
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Then I saw it, a faint movement just beyond the line of the trees, a hint of
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long, black hair that blended into the darkness, seemed to float in the
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mists. It was there only for a split second, and then it was gone. I started
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after it, but I was already beginning to get cold and I could feel the
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dampness starting to creep into my clothes. So I turned around and went back
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in the house, feeling foolish, as if I had missed something important.
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Back inside the house I sat down in the large stuffed chair next to the fire
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and picked up my book again. But the words meant nothing to me. I could only
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think of the apparition I just saw, a presence in the woods around my house.
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Curiosity haunted my mind; what could it be that lived in these mists? Why
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had it come to me and what was I to do with it? The magick had long gone from
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the lands and I quickly dismissed the strange thoughts that welled up in me.
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It was probably nothing - visions induced by the fascination and perhaps even
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silent fears I had for this fog. I should give it a rest, and divert my
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attention to the things that mattered.
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I had devoted my live to the study of the history of the lands, a task that
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was both huge and troublesome as much had happened in the past. I would often
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travel to one of the large cities and spend time in the libraries there,
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reading the books of old, the chronicles of the ancient kings, I wanted to
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know how the land turned out to be what it was today. Sometimes my questions
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were left unanswered and I had to go out by myself to find them. I had
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travelled a lot, and my knowledge was respected amongst the wise that ruled
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the courts of the kings. Sometimes they would come to me and ask my advise,
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to ask my opinion on things that were not well known amongst them.
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Some months ago I stumbled upon a small collection of books hidden in the
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Shadow Moors a few days south of here. Local legends and stories told of them
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and I finally decided to seek them out and succeeded. The quest was not easy
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since the moors were hardly ever travelled. There was only one guide
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available and I had to be extremely persuasive to get him to lead me across
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the swamps and desolate plains that form the Shadow Moors.
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The books were books of magick, whose purpose was not yet known to me. I
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always took great care when it came to this kind of thing, because I knew
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there was a lot of dormant magick hidden in these lands. True, only very few
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people possessed magick and they used it with great care. They dwelled in the
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old lands far beyond the borders known to most people because they knew they
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didn't fit in here. I had visited one of them a long time ago and she taught
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me how to read books of magick, how to interpret their meaning and how to
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reveal their purpose. But she also warned me that magick was nothing to play
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with, it was not there to be used by those that were ignorant and unworthy,
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for the powers of magick were almost unlimited, enough to destroy any mortal
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man if not used correctly.
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The food and wine I had with my dinner made me drowsy, and soon I felt
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myself slipping away, thoughts scattering, sleep taking over my mind. But I
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wanted to finish a particularly interesting part of the the book, so I did
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not go to bed yet, and I defied the sleep that was trying so hard to claim
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me.
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Then, suddenly, I found myself standing at the window, staring outside
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again. The torch had almost died, its remains faintly glowing, casting a soft
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red haze in the mists that coiled endlessly around the house. I felt it
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again, this time the urge to go outside was uncontrollable and I quickly
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fetched my thick winter cloak and a lantern from the cupboard in the little
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hallway of my house.
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Wrapped in my cloak I went outside, and started down the trail that led
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towards a larger path that wound itself south through the Barren Hills, and
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into the Shadow Moors. A few moments passed and already I found myself
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completely surrounded by the peristent fog. My lantern wasn't of much use.
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Its light, normally enough to light most of the trail before me and the trees
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around, now barely enabled me to see the ground. The light coming from it
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seemed to be absorbed by the white veil that was draped over the land. When I
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passed the tree line, my disorientation became complete, and I concentrated
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on following the path. Where I was going I did not know, nor did I know why I
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was doing it. But I walked with a silent determination; something or somebody
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was guiding me towards my obscure goal.
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Sometimes as I glanced around and saw the ghastly shadows of trees, I could
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hear the dripping sounds all around me. The mists condensated on the leaves
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and droplets of water fell down, pattering on other leaves or the ground
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below. A steady downpour streamed down on my cloaked figure and I was glad I
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was wearing my cloak that the smith at the village had made waterproof just a
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couple of days ago, using animal fats. The sound was almost hypnotising, and
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combined with the eldritch glow of the lantern on the wet branches that
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loomed out of the mists in front of me, it completed the illusion of
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wandering through a world of dreams, a shadow-filled reign of haunting
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shadows and twisted images of leaveless trees frozen in the endless fog.
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Then I saw it, a huddled form a bit further down the path, probably a man,
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standing there, watching me. I froze and strained my eyes trying to make out
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what it was exactly. Cautiously, I approached and a faint smile formed on my
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lips when I discovered that it was but a gnarled tree stump, its surface
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slick with green mosses. It was rotten to its core, and a large piece came
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right off as I as I tentatively pulled at it. My mind, tired by the constant
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stream of hazy images thrown at it, was getting confused and I started seeing
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things. I squatted down next to the stump and rested a while, trying to
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straighten out my thoughts.
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I nearly dozed off when I was startled by the distant cry of a forest
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animal, a cry sounding muffled and twisted by the fog. I straightened myself
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and continued down the trail.
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I don't know how long I walked there, following the trail that coiled
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through the woods. The familiar trail that I had travelled so much, I knew
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every landmark from the Kings Oak (legends have it that one of the old Kings
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was slain there and in the same spot, a mighty oak had sprouted from the
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earth, it had been there as long as people could remember) to the Silver
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Spring Falls. But none of these I had noticed yet, I realized with a start. I
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stopped and squatted again, this time to examine the trail I had been
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following for the last hour or so. It was still there, but nothing more than
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a faint mark on the forest ground. The trail I knew was broader than this,
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and a silent fear crept into my heart. A lot of smaller trails branched off
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the main trail, some of them leading to the secluded houses of wood workers,
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some to the various springs and wells to be found in these woods, and some
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disappeared into the woods, leading to unknown destinations. I knew I had
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wandered off onto one of these and that I would have to be very, very careful
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not to get lost now. These tiny trails were hard to follow at daytime, and
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hardly possible to keep to under these circumstances.
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For a while I considered going back, trying to find the main trail and head
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back home, to the warmth of my house, to find shelter under the soft blankets
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of my bed. But the feeling was still there, more a premonition of things to
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happen, a whisper in my mind that I was still on the right track so I
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continued. The trees around me became more dense, and more often I stumbled
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into low branches, their wooden fingers grappling at my face, scratching it.
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I drew my cloak tight around me, my hair wet with the air's dampness, but it
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was thick and warm enough to ward off the chill of that cold, wet night.
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After a while I heard the soft sound of water lapping against a shore, and I
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stopped. I had to be a lake of some kind, or maybe one of the many pools to
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be found around here. I continued towards the source of the sounds, and soon
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I found myself standing at the shore of a lake. There was no way to tell how
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large it was, since the shores at all sides quickly disappeared into the
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haze, but the curve of the shore around me told me that it had to be quite
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large.
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I searched my mind for any lakes in the vicinity, I tried to recollect
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images of the maps that I had collected for so long. But I failed to find any
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reference to this lake; the nearest waters of this size were to be found deep
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in the Shadow Moors. I stood there for a while, trying to think of what to do
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next. The trail ended here. I searched the area around me, but it seemed to
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run off right into the lake. I glanced into the lantern; the stout candle in
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it was burned down halfway, indicating that I had been walking for some three
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hours. So what next? Turn back and go home? I failed to see the purpose of
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all this. Worse still, the feeling was gone. I no longer felt anything, and a
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despair came over me. I sat down heavily and drew my knees up to my chest and
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laid back against a tree. The soft sound of the waters calmed me down a
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little and the everlasting fog closed around me, cushioning my thoughts,
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penetrating my mind. I breathed deeply the cold, crisp air and watched my
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breath blend into the haze as I exhaled. The waters rippled subtlely in the
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soft breeze and the everlasting drizzle softly tapped on the hood of my
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cloak. Sitting there in the soft grass I felt completely at peace, utterly
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isolated in the deep woods, next to this mysterious lake. I felt good about
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coming here, yet the its purpose still puzzled me. What did the strange
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feeling mean and why was it gone now? It had guided me all along the strange
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trail and now... I must have reached my destination! Somehow, this lake was
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the place where I had been guided to! But what was to happen here? I stood
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up, feeling excited. Something was definitely going to happen but what and
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when? I sat down again, extinguished the candle of the lantern and decided to
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wait.
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I awoke with a start, the echoes of a strange sound sounding in my head. I
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listened intently for a few moments, and heard it again. A soft, barely
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audible creaking of wood somewhere around me. The fog made it hard to
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pinpoint the source of the sound and I wondered how a noise this faint had
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managed to wake me up. I heard it again and this time I was sure where it
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came from - the lake. I stood up, quickly lit the lantern again and peered
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into the mists curling above the lake. I was prepared but startled anyway
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when the dark shape appeared out of the mists. For the first time I felt
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frightened since I wandered out into the ethereal fog, and I wished I had
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brought some kind of weapon to defend myself against what was coming out of
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the mists. It came steadily closer and I was amazed to see an empty boat
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glide towards the shore, out of the mists. It drifted towards the shore at a
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slow but steady pace and came to a halt when it slided up the shore. Slowly,
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I started towards it and had a closer look. It was an ordinary boat, made out
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of wood and painted pitch black. It had no oars or other means of moving it
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yet I had seen it move across the silent waters. It was obvious what I had to
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do, enter the boat and try to get to wherever it came from. Maybe there I
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would find the answers to the questions that haunted my mind. Determined now,
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I entered the boat, fastened the lantern to its stern and pushed myself from
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the shore.
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Immediately, I felt a force tugging at the boat, like an invisible hand,
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pushing it towards its destination. I should have been alarmed by what was
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happening, but I just laid back and stared out into the mists, trying to see
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beyond the circle of light cast by the lantern. But I saw nothing but dark
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waters looming from the mists. The shore had long since disappeared when I
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could heard the faint tolling of bells, carried across the surface of the
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lake. But these sounds faded and after a while land appeared out of the fog
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in front of me, and I knew that I was close to where I was meant to go.
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Moments later, the boat hit the shore and I got off, glancing around me while
|
|
I unfastened the lantern. The fog seemed even more intense here and I felt
|
|
strange, like I had entered a place forbidden, trod on holy grounds.
|
|
The ground sloped softly upwards, and after a while I reached the top of
|
|
what seemed to be a small hill. I peered into the mists, but saw nothing of
|
|
the lands that lay beyond. They were obscured from sight by the mists, and I
|
|
wondered what to do next. I did not know these lands and I was afraid to get
|
|
lost, separated from the boat, the only link between the world I knew and
|
|
this strange, eerie place. So I sat down again, placing the lantern in front
|
|
of me and decided to wait once more, to let whoever brought me here reveal
|
|
their purpose.
|
|
The darkness and quiet around me soon affected me and I started drifting off
|
|
once more. Strange feelings haunted my mind, my thoughts becoming a frenzy of
|
|
images, excerpts of things I experienced before, faces of people I knew. I
|
|
closed my eyes and drifted off into a world beyond this one, the realm of
|
|
dreamers. I could feel my spirit detach itself from my body and I slowly
|
|
drifted upwards, the air crystal clear, no sign of the mists. I stared at my
|
|
crouched body in wonder when, quite suddenly, I saw her.
|
|
I awoke, scrambling back at what I saw in front of me. A shape suspended in
|
|
the air just above me. It was a girl, dressed in long flowing robes that were
|
|
raven black, fading into the mists like whisps of smoke. Her hair was thick,
|
|
black and streaming around her head, blending into the fog. Her face was
|
|
stunningly beautiful, pale white like the full moon on a cloudless night,
|
|
delicately formed. She looked at me with deep, dark eyes that seemed to glow
|
|
in the night. I sat there, spellbound and gasping for breath as I beheld the
|
|
frail form of this wondrous girl sway softly before me in the air. The
|
|
expression on her face was kind and loving; I felt no fear for her, just
|
|
curiosity and a strange fascination for this beautiful creature. I started to
|
|
speak but she brought a finger to her lips before I could utter my questions.
|
|
She beckoned me to follow her and I stood up, following her as she moved away
|
|
from me, into the mists.
|
|
I do not know for how long I hurried after her fleeting form, across a
|
|
landscape that was completely unknown to me, like I was venturing into a maze
|
|
I never was able to get out of. Trees appeared suddenly from the haze and I
|
|
had to be careful not to stumble over the many rocks and boulders that lay
|
|
cluttered on the hills I crossed.
|
|
Then I realized she was gone and I stopped, exhausted, confused. What to do
|
|
now? I was hopelessly lost, shadows all around me, the world a place I felt
|
|
alien in, like I was never meant to tread on these grounds. I walked around
|
|
aimlessly, not knowing what to do next, desperate. Where had she gone? Why
|
|
was I alone in these mists that numbed the very meaning of my existence?
|
|
A sense of relief came over me when I discovered the entrance to the temple
|
|
that lay partially hidden behind the long streaming branches of gnarled
|
|
willows. I prudently ventured through the portal, awed by the ambience that
|
|
enveloped me. I approached the altar that was in the middle of the small
|
|
confinement of the temple, partially lit by the eerie moonlight filtering
|
|
through the mists and the cracks in the ceiling of the small structure.
|
|
When I saw her again, the recollection of sweet memories of times I once had
|
|
was almost too strong to handle. Why I hadn't recognized her earlier I did
|
|
not know, but she was there now, solid, present, the girl I had known so
|
|
well, loved all these years.
|
|
I had many questions to ask but I could not speak as I gazed into her eyes
|
|
that told me the stories of long ago, and also told me of what befell her
|
|
after our parting. The loss, the longing, the loneliness. The pain I felt
|
|
that moment was agonizing, my eyes grew hot with tears when I remembered the
|
|
nights alone, longing for her presence, the soft breathing beside me, the
|
|
pain relieved.
|
|
Then I realized what I had to do.
|
|
A soft glimmer of metal caught my attention and I looked up, our eyes met
|
|
one more time and it looked like she beckoned me. I took the dagger in my
|
|
hand and all the fear I had once had for Death was taken away from me. With
|
|
one swift stroke I sliced my left wrist, the blade changed hands and I cut my
|
|
right wrist also.
|
|
I staggered, sank to my knees and looked up into her brilliant smile. I
|
|
realised then I had done the right thing.
|
|
Blood spilled on the floor and I closed my eyes to the onrushing darkness; I
|
|
knew we would be together again, forever...
|
|
|
|
Written somewhere in autumn 1990, most probably. Ever so slightly rehashed
|
|
May 1995.
|
|
|
|
|
|
= OH YEAH - THE SEQUEL ======================================================
|
|
by Stefan Posthuma and Richard Karsmakers
|
|
|
|
With thanks to Craig Shaw-Gardner and, of course, *Gard*, for a lot of
|
|
inspiration.
|
|
|
|
|
|
Cronos Warchild stood at the edge of the cliff and looked down. What he saw
|
|
was depth. The kind of depth that could make your head spin, the kind of
|
|
depth that seemed to call at you, building up an urge to hurl down little
|
|
stones and count the seconds that would pass until they would hit the ground
|
|
below with a soft, barely audible 'thud'.
|
|
For a moment the sheer depth of the whole thing baffled him. Of course, not
|
|
much was needed to baffle the mercenary annex hired gun. Only earlier that
|
|
day, for example, he had been rather baffled at the changing of the colours
|
|
of a traffic light.
|
|
His mind was filled with a name; the name that represented everything
|
|
beautiful, all the flowers in the world, gorgeous red roses fragrant with
|
|
love, dew-covered spring mornings, the soft scent of green grass below her
|
|
dancing feet. That name, of course, was Klarine.
|
|
The name brought an instant feeling of a thousand megaleeches sucking their
|
|
way through his abdomen. He sighed a profoundly deep sigh.
|
|
Her name had been written in delicate handwriting on the name tag that he
|
|
had managed to glance at in the fraction of a millisecond he had seen her. It
|
|
had been located strategically on top of her left breast, and for two seconds
|
|
afterwards it had utterly taken his breath away.
|
|
Of course, like with so many true loves, he had never seen her again. All he
|
|
had seen of her was a tiniest glimpse when her oncoming space craft had
|
|
flashed by his at half the speed of light.
|
|
At that instant he had forgotten all about Loucynda and the rusty lock
|
|
between her legs with which she still roamed somewhere in the universe. He
|
|
had even forgotten all about Penelope Sunflower, the one woman who had gotten
|
|
him engaged in something else than the obliteration of sentient life forms.
|
|
Klarine Appledoor had been her full name. Her eyes had been blue, her hair
|
|
long and blonde, the movement of her hands resting on the steering wheel
|
|
exciting and utterly on-turning. Her lips had been cherry-coloured, her ears
|
|
had had the perfect shapes for nibbling and sucking.
|
|
All this had been seen by his highly trained senses within that utterly
|
|
small bit of a fraction of time.
|
|
Once again, Cronos had found himself deeply and wholeheartedly in love,
|
|
something he had previously considered a no longer attainable state of mind.
|
|
Now the depth of the abyss gaped at him, luring, inviting, as if its bottom
|
|
was filled with luscious nymphs beckoning for him to join in an orgy even
|
|
Hugh Heffner would never even have dared dream of.
|
|
His life had no further cause without her, without the woman he had but seen
|
|
for a figment of a nanosecond, without the woman he knew would be the True
|
|
One for him for the rest of his current life. During that short but
|
|
meaningful pseudo-encounter, he seemed to recall, she could conveivably have
|
|
winked her eye at him, or blowed him a fleeting kiss. He firmly believed
|
|
this. He believed that she loved him, too. Passionately - just like he needed
|
|
it. Women had never as much as *looked* at him, let alone bother blinking
|
|
their eyes when passing him by a half the speed of light.
|
|
This was true love; love at first peek.
|
|
He looked down the chasm again, not quite knowing whether or not he could
|
|
actually muster the courage to step forward and *do* it. Life had no contents
|
|
for him any more, that was obvious. But why did he find it so difficult to
|
|
*do* so?
|
|
|
|
So he took one hesitant step towards the egde, causing a few small stones
|
|
and some dirt to plummet towards the ground below. Then a small movement
|
|
besides his ear caught his attention. He swung his head to the left and was
|
|
baffled once more by a small version of himself sitting on his shoulder. It
|
|
was dressed in a small white robe, with tiny sandals on its feet. It was idly
|
|
plucking the strings of a minute harp and its feathered wings quivered
|
|
slightly in the breeze.
|
|
"Hi", it exclaimed when it noticed the gaze that was cast upon it, "I am thy
|
|
guardian angel and I am here to stop thee from making a serious mistake."
|
|
"Huh?", Cronos said.
|
|
"I know what thou art up to, thou wants to end it all, right? I mean thou
|
|
art planning to jump into this fissure in order to end thy life or am I
|
|
wrong?"
|
|
"Errr...", Cronos muttered, displaying more than usual his eloquence.
|
|
"Yes, admit it, thy wert actually intending to commit an act of suicide!",
|
|
the little angel smirked.
|
|
"So what?", Cronos said, "what's it to you?"
|
|
"Well, I am supposed to make sure thou dost not die or anything. I've been
|
|
pretty busy lately, I can tell. Anyways, I strongly suggest abandoning these
|
|
silly girl-thoughts and get back to normal, wouldst thou?"
|
|
"Err...but Klarine is my true love, and I will never see her again and
|
|
that's why I want to die. Life has no meaning without her presence, I mean I
|
|
haven't even ever made foot-love to her! I love her, she is everything, I
|
|
love her, I love her...I..."
|
|
"Now, now, if thou startst crying I will have to take some drastic measures.
|
|
Please think about this. Thou hast only caught a glimpse of this child. What
|
|
makes thee think that thou art in love with her? And why art thou so sure
|
|
that she is in love with thee? This is madness!"
|
|
Cronos swallowed and thought about what the angel just said. True, he had
|
|
only seen her for a very, very short while. He wasn't even really sure that
|
|
she had seen him. But her face, her eyes...
|
|
"Yes, what about her face, and what about her eyes?", the angel yelled, "I
|
|
dare say that they were very, very ordinary and that you have no reason
|
|
whatsoever to be so hung up on this female."
|
|
Cronos was confused. Now it is not difficult to confuse good ol' Cronos, we
|
|
all know that, but now he was confused quite astoundingly.
|
|
The angel did have a point, Klarine's face wasn't *that* special and he
|
|
really didn't know her at all. She might have silicon breasts or she might
|
|
even be a 92 year-old transvestite with an equal number of face-lifts and the
|
|
breath of a hung-over desert-lizard. Hell, she might even be a reincarnation
|
|
of Betty Ford.
|
|
Cronos' mind started to clear.
|
|
Suddenly, the abyss seemed threatening. He took a step back, gasping for
|
|
breath, swaying his arms, trying to regain his balance.
|
|
"What in the name of the armpits of Miss Fragilia Franatica, the second
|
|
Princess of the Zantogian Empire, am I doing here?", he asked himself, "What
|
|
is this strange obsession I have gotten so hung up with? What strange female
|
|
can make me this hysterical about things?"
|
|
A puff of smoke arose next to his right ear.
|
|
"Yo...hey, hold it right there, just wait a minute here. What's all this
|
|
jive about not taking the big plunge?"
|
|
Cronos looked at his other shoulder and there was yet another version of
|
|
himself. This time it was wearing a shiny nylon jogging suit with enormous
|
|
white Nike Airs on its feet. On top of its red, horned head it had a Public
|
|
Enemy cap and it had an enormous gold chain around its neck, to which a
|
|
chronometer was attached.
|
|
"Yo Warpchild my main honcho, what's up my brother?", it inquired.
|
|
Cronos was totally unable to speak due to severe bafflement. Then again, it
|
|
didn't take that much to baffle our dear anti-hero as we know by now.
|
|
"So I hear you've gotten stuck on some bitch you saw while you was cruisin'
|
|
thru space."
|
|
"Er...yeah, I saw this really nice girl. Her name is Klarine."
|
|
"Cool. So you love the sister right?"
|
|
"Erm..."
|
|
The *good* angel on Cronos' other shoulder was getting noticeably upset.
|
|
"Say, my dear man," it interrupted, "I am in the middle of a heatly
|
|
discussion with my protege here. Wouldst thou mind removing thyself from the
|
|
scene? Get back to the dark realms of thy wicked master, the Dark One. I
|
|
repell thee, foul spirit!"
|
|
"Yo, get real dude," the little evil thing retorted, "what's with the mumbo-
|
|
jumbo here? You tripping or sumthin'? Popped a few pills or *what*?"
|
|
"Cronos, please do not pay attention to this rude gentleman. He is nothing
|
|
but a nuisance. Now about Klarine...."
|
|
"Hey Warchasm. Tell me about the bitch. She got good tits?"
|
|
The most delicate of curves drifted back into the somewhat limited space of
|
|
Cronos' brain. Slowly, the camera panned up, to her more than lucious lips
|
|
that were moist and red like the most voluptuous cherries growing on the soft
|
|
sloping hills of sun-clad California.
|
|
"Cronos? Cronos! Get a hold on thyself my dear man!"
|
|
"Shut up, yer white-assed shithead. I'm talking to the dude now. Why don't
|
|
you take a hike, huh?", the devil interjected. Addressing Warchild, it
|
|
continued, "Think about it man. She was the finest. Think of her face, think
|
|
of the body below it. Wouldn't you like to share a hot tub with *that*?"
|
|
Cronos slowly relapsed into a state of love-sickness that made him take a
|
|
step forward towards the gaping chasm that appeared to form the sole answer
|
|
to all his troubles. Protruding spikes of rock at the bottom seemed to call
|
|
him, offering salvation and a soothing cradle of comfort in which he could
|
|
mend the frayed ends of his sanity that had endured so many ruptures after
|
|
that fateful encounter with the Lady Klarine.
|
|
The little angel seemed to get really agitated now.
|
|
"CRONOS!", it yelled with all the force it could muster in its fragile
|
|
throat that normally only uttered soft prayers and muttered hails to the One
|
|
Above, his True Master. Cronos, however, did not harken the small figure on
|
|
his left shoulder. He could only gaze down, towards the bottom of the plummet
|
|
that seemed to lead to the very core of Lucifer's dwelling place itself.
|
|
"Yeah right. Face it man, you lost. Now scram before I kick a mudhole in
|
|
your venerable ass," the little devil advised the angel.
|
|
"OK, I can recognise defeat when I see it," the angel mused, beaten, "Well,
|
|
I have other souls to salvage. Better be off then. Cheerio. Amen."
|
|
A small puff of heavenly smoke signalled the departure of the pious angel.
|
|
"Right", the little devil chuckled, lovingly stroking his own barbed tail.
|
|
"Let's get down to some serious business here."
|
|
Cronos had ignored all of this for he was totally occupied with staring at
|
|
the shimmering apparition of his true love that seemed to be draped across a
|
|
large boulder at the very end of the drop.
|
|
"Yo, Charwild my man, how would you like to meet the ol' reaper himself? I
|
|
heard he is quite a wild dude, bound to get you some action. Just do it man,
|
|
step across the razor egde and feel what it's like to be in *my* hood. You
|
|
will get to meet all the people you greased in this life - they're all down
|
|
there waiting to party with you man. Do it man, forget about that silly
|
|
bitch, she ain't worth shit."
|
|
Cronos made up his mind. No more of this. He would end it right here and
|
|
now. No more hesitation.
|
|
He jumped, faintly hearing the evil angel mentioning something about them
|
|
all floating down there...
|
|
|
|
The feeling of the air rushing past his body as he plummeted downward made
|
|
him feel giddy for a moment. The freshness cooled him down. He felt young
|
|
again, and virile. He was willing to accept death.
|
|
The bottom closed in on him. It looked strangely beautiful; soil with a
|
|
faint picture of his greatest of loves projected across it.
|
|
"Yo!" he yelled, his powerful voice echoing off the crevice.
|
|
He fainted before he hit the ground with a 'thud' that made someone else,
|
|
far away, look up with a befuddled expression on his face. This particular
|
|
someone adjusted a cap with a ridiculously erect thingy on top of it, lifted
|
|
off the ground the loaf of bread that he had dropped, and plodded on.
|
|
|
|
Everything turned around Warchild. Colours he had never known existed came
|
|
at him, as did scents he had never hoped ever to smell. Unrecognizable
|
|
figures reached out at him, offering drinks and food. Music drifted through
|
|
the air, but it did not have the power to please him. Beats shuddered his
|
|
being.
|
|
And then everything he saw was her, HER.
|
|
This was not what he had wanted. He had wanted to die and disappear. He had
|
|
not wanted to go to some place where her vision would be burned on the back
|
|
of his eyes perpetually, haunting him like a rabid tax collector. He did not
|
|
want to be where he was. He gazed into the image of her eyes, drowning in
|
|
their depths like he had drowned in the depth of the chasm but moments
|
|
before.
|
|
Or had they been minutes? Or hours? This was all getting really crazy and he
|
|
wanted to get out. He cried for help but his voice produced no sound. He
|
|
tried to swim away, or fly away, or whatever. He succeeded in neither. He
|
|
wanted to turn around - but whatever he did the world seemed to turn with
|
|
him. All he could see was the portrait of Klarine, and it was getting bigger.
|
|
Bigger and immensely more beautiful. Lovely. Sensual. Just, well...*Klarine*.
|
|
This obsession had to stop. He already felt little crawly things ascending
|
|
his legs. Ants. He smelled something familiar. A large glass thing, a jar or
|
|
something, was taking up the place of his Great Love's portrait. He had
|
|
thought it would make him feel better when it happen. But now it happened and
|
|
it didn't make him feel better at all. It made him feel miserable, lonely,
|
|
battered.
|
|
Then he disappeared completely into a thick, yellow, sticky fluid together
|
|
with about five hundred ants that, oddly, all considered it necessary to say
|
|
"eep".
|
|
|
|
"Gross!"
|
|
The voice that had uttered these words echoed through his brain. He opened
|
|
his eyes and saw nothing but yellow. He rubbed his eyes, succeeding in
|
|
removing most of it. As soon as he looked again, he decided he had probably
|
|
been better off with the goo still in his eyes.
|
|
He looked into two terrifically huge facet eyes that must have belonged to
|
|
an insect the size of a somewhat sizable freighter. They did *not* radiate
|
|
hospitality. Cronos' brain cell instantly knew this mean beastie was not one
|
|
that would like to be friends.
|
|
"There's a human in my meal!" the gigantic ant thundered.
|
|
Indeed, it did not take long for Warchild to realise that the human the
|
|
large ant talked about with disgust was, as a matter of fact, himself. This
|
|
thought discomforted him somewhat.
|
|
An enormous, extremely hairy paw stretched out to him. The end of the paw
|
|
was occupied by things that looked like toilet plungers. They connected
|
|
themselves to his head and chest, lifting him out of the swampy, yellow stuff
|
|
rather inconsiderately.
|
|
"Would you mind getting rid of this, woman," the large ant thundered,
|
|
apparantly addressing another of his kind, "and give me another bowl of
|
|
honey?"
|
|
Next thing he knew, Warchild was being submitted to gravity above a large
|
|
cylindre that was filled with trash. It could very well be a trashcan.
|
|
As our friend was paid to fight instead of to think, he did not see the two
|
|
red eyes that gazed at him from aside the large cylinder - nor did he see the
|
|
several dozen of shiny white, pointed fangs that surrounded its black depth.
|
|
For a fraction of a split of a picosecond he saw a female smiling at him
|
|
from the depth - or at least he thought he did. Was that a wink of an eye?
|
|
The vision, however, ceased almost as quickly as it had manifested itself,
|
|
much to Cronos' sorrow.
|
|
All he now saw was a terrifyingly huge uvula that was dangling in what prey
|
|
generally considers to be quite a threatening way. The fangs radiated white
|
|
light, the pulsating red tongue licked in what its owner probably considered
|
|
to be an inviting fashion.
|
|
With a bit of a gulp, the mercenary annex hired gun disappeared down a long
|
|
and winding tunnel that was quite slippery to the touch. He didn't *want* to
|
|
touch it but the thing seemed to want to touch *him*. Powerful peristaltic
|
|
muscles squeezed him further and further down to a place of which the foul
|
|
stench was incomprehensible to any mortal being - even to Cronos himself, who
|
|
had once been the toilet cleaner of the Ambulor Eight Thai Boxing school!
|
|
Distinctly, it made him think of the many hangovers he had had, that had
|
|
resulted in laughing at carpets a lot.
|
|
With a splash, he suddenly lay still in a shallow pool of *some* sort of
|
|
repulsive liquid. Some hard bits ran into him as if directed by an invisible
|
|
force.
|
|
Then everything was utterly silent once more, though not for long.
|
|
Green light started to be emitted from the wall of the cavity he was in.
|
|
Large green drops of some substance were being excreted and started
|
|
submitting themselves to Newton's will.
|
|
Some of them attached themselves to Cronos' body. They clung to it and
|
|
seemed to start eating inwards. His skin started burning all over. He was
|
|
getting slightly aggravated now. His heart started to beat slightly quicker,
|
|
pumping blood to the muscles that needed it most. He did not like being
|
|
submitted to the decaying powers of gastric acids. He started to pound the
|
|
wall. It budged with each bang of his fist, but just retracted to its initial
|
|
position as soon as he would hit another spot. He started kicking as well.
|
|
His Industry Quality Army boots started to corrode whenever they came into
|
|
contact with the foul fluid.
|
|
He would not survive long if he didn't resort to some drastic measures.
|
|
However, he hadn't any killer gadgets on him and his killer fingernail had
|
|
been broken somewhere when the plungers had come into the story.
|
|
Damn! There was something touching him without prior written permission!
|
|
He looked around instinctively, seeing a bony hand resting on his schoulder.
|
|
He followed the bony hand and saw that it was connected to a corpse that
|
|
looked at him balefully. The lipless mouth seemed to form words mutely,
|
|
crying in agony about an untimely death.
|
|
He felt himself being drawn towards the skull. Some way or another he felt a
|
|
strange obsession for the left eye socket. It was oddly dark and inviting,
|
|
like an abyss.
|
|
For a moment he saw her again in the darkness of the socket. He forgot the
|
|
general severeness of the situation he was in and studied her face, the
|
|
cherry lips, the beautiful eyes, the long blonde hair that fell graciously
|
|
around her milky white face.
|
|
Then the light went out.
|
|
The green fluid seemed to disappear to somewhere and the walls of the cavity
|
|
he was in stopped pulsating for a moment. The next moment, havoc struck.
|
|
Warchild, the corpse and assorted other hard bits were being sucked down
|
|
rapidly, disappearing in what probably was the monster's gut. Darkness
|
|
enveloped him, now truly something palpable. He could *feel* the gut cover
|
|
crawl around him, pulsating, *probing*.
|
|
He landed in an enormous load of thin stuff that smelled quite awfully. He
|
|
had smelt that smell several times before, years ago, and it was this
|
|
particular smell that had caused him to resign at the aforementioned job at
|
|
the Thai Boxing school.
|
|
He was trapped inside the digestive system of a giant Mutant Maxi Mega
|
|
Monster of Multifizzic Omega!
|
|
He felt tugging at his legs. He was being pulled down even more, and
|
|
simultaneously the muscles above him started pushing. The monster's guts were
|
|
trying to get rid of him. He passed through various layers of foodstuff
|
|
untill finally he thought he could see light in the distance. There was a
|
|
small round thing there, like the diafragma of a camera. It was getting
|
|
closer quite quickly. He was sent towards it head first.
|
|
"Pop".
|
|
Fresh air enveloped his head.
|
|
|
|
Once upon a time there was a rather stupid mercenary annex hired gun who had
|
|
the misfortune of having landed in the feeding bowl of a giant ant, which
|
|
resulted in him consequently being fed to the ant's pet that turned out to be
|
|
a monster notorious for the intensity of the foul smells arising from its
|
|
anal excreta.
|
|
His name, of course, was Cronos Warchild. He knew that himself. What he
|
|
didn't know, however, was that he had ended up in the Eastern Forest and was
|
|
now the subject to the ruthless will of Mother Duck, real-time fairy tale
|
|
concoctress extraordinaire.
|
|
He found himself walking down towards a river. The river could not be waded
|
|
through, but someone had obviously found out about this fact and had decided
|
|
it wise to erect a bridge across it. That same someone had probably also
|
|
realised that people who wanted to stroll across that bridge might not
|
|
totally be against paying a modest fee.
|
|
That particular bridge erector had selected a somewhat broad looking warrior
|
|
to enforce the paying of said fee.
|
|
"Doom," the somewhat broad warrior intoned as Cronos drew closer.
|
|
The warrior was really awfully huge. Cronos was quite big, but he found the
|
|
toll enforcer towering above him as if he was but an infant held by the pope
|
|
himself, being frowned upon by said Holy Father after having farted during
|
|
baptism.
|
|
To add to the general threat of the whole situation, the huge warrior
|
|
carried an enchanted warclub. An idea leapt at Cronos' head that conveyed to
|
|
him that this was the dreaded Headbasher, reaper of memories. It bounced off.
|
|
"Doom," the warrior droned in a flat voice.
|
|
At that very moment a purple demon in chequered pants arrived on the scene,
|
|
momentarily surrounded by the proverbial puff of smoke.
|
|
"Doom," the warrior said, apparently surprised. He started moving the
|
|
dreaded Headbasher with a hint of nervousness, suspiciously eyeing the purple
|
|
demon.
|
|
"Might I interest you in a used weapon?" the purple salesdemon asked Cronos.
|
|
Our lovely anti-hero looked at him befuddled. Not much was needed to befuddle
|
|
Cronos, we know that. That very morning, as a matter of fact, he had been
|
|
zealously befuddled when a traffic light...but you know that already.
|
|
The salesdemon, trained to recognise hopeless cases of doing business
|
|
averted his attention to the toll enforcer now.
|
|
"Doom," the toll enforcer interjected.
|
|
Obviously, neither of the two potential customers were interested in
|
|
anything he had to offer. The purple salesdemon in the ridiculously chequered
|
|
outfit disappeared in another one of those proverbial puffs of smoke.
|
|
When the smoke had lifted, both people present were somewhat amazed at
|
|
beholding a large shoe that muttered "Indeed". Behind the large shoe stood a
|
|
girl with long hair who constantly attempted to kiss another fellow who stood
|
|
next to her. Behind them, a green being completely surrounded by robes seemed
|
|
to discuss something with a tiny person in brown clothes.
|
|
Cronos was losing control over the situation. Never before had his senses
|
|
been overkilled this much.
|
|
"I wish I was out of here," he sighed, more to himself than to someone else
|
|
in particular.
|
|
"Granted!" a little voice coming from the small person in brown piped.
|
|
Just before he completely disappeared from the scene, he thought he saw a
|
|
huge, green, ugly, dancing dragon with a top hat.
|
|
|
|
Next thing he knew, Cronos has a somewhat large microphone shoved under his
|
|
nose.
|
|
"Soooo... Mr. Warchild. What do you think of our new and improved 'Bubl'?
|
|
Did it manage to remove the stains that other detergents didn't get out of
|
|
your underwear at only 40 degrees?"
|
|
"And what do you think of our new formulae, ozone friendly and with
|
|
biologically decomposable thingies?"
|
|
Cronos, a bit unsteady on his feet, glared at the smooth, well-dressed
|
|
interviewer. He wondered how someone could look so silly.
|
|
"Now we all know you traded mark X against our brilliant product, just for
|
|
you to try for a week," the ad man continued, "please tell us all about the
|
|
results you have undoubtedly achieved. Tell me about the pizza stains on your
|
|
children's shirts that have so miraculously disappeared."
|
|
Cronos was once again totally baffled - and stupefied too, by the way. He
|
|
had fleeting visions of clowns dressed in bright colours, people floating
|
|
around in hot air balloons and little children spilling insane amounts of hot
|
|
cocoa and strawberry jam on their ludicrously white garments. He had smashing
|
|
figments of nature-loving phosphates.
|
|
Cronos, remembering all the times he had been very pissed off with his TV,
|
|
usually causing utter annihilation of the aforementioned household appliance,
|
|
sighed deeply and stared at his broken fingernail with sad eyes.
|
|
"Geez, I wish this guy would drop dead," he muttered.
|
|
"Granted!!!" squeaked a tiny voice from somewhere.
|
|
The air crackled in a sizzling way and a bolt of lightning struck the
|
|
interviewer in a rather non too subtle fashion, leaving only two smoking
|
|
shoes with bits of bone protruding from them.
|
|
"Holy shit," Cronos enthused.
|
|
This time the bafflement became too much for our poor, blundering hero. His
|
|
minute brain gave up reasoning and he fainted rather dramatically.
|
|
|
|
He had dreams of pillows, of the soft sloping hills of Wales, and of a
|
|
certain pizza-covered planet.
|
|
The next thing he knew he had an erect nipple thrust in his face.
|
|
"I like deep conversations with intelligent men," a female sighed down his
|
|
ear, "In fact, I have a degree in literature and have won several prestigious
|
|
literary prizes. I also play blind chess against several people at once when
|
|
I feel like it."
|
|
The girl removed another piece of cloth that seemed to cling to her
|
|
voluptous body.
|
|
She was posed on a couch, wearing very tiny pieces of clothing, squirming in
|
|
a way that seemed to him like she was in intense agony - or as if she was
|
|
being mind-fusioned by the Sagratean Zen-Dude of Phalletica VI of course.
|
|
Cronos, still being totally dumbfounded, stared at the writhing female, not
|
|
knowing he had materialized in the middle of a Playhouse photo-session of the
|
|
utmost erotic meaning.
|
|
A tall, thin man armed with an enormous photo camera was dancing around the
|
|
couch, making suggestive comments to the girl, uttering the odd little cry
|
|
now and then.
|
|
Cronos did not know what to think of this. The pinkness of the girl aroused
|
|
certain hormones in his body that he didn't really know of, he felt like an
|
|
American tourist in the Amsterdam red light district, seeing so many things
|
|
he hadn't even dreamt of in those dreams that made his sheets quite
|
|
uncomfortably moist.
|
|
Believe it or not, but in the highlight of his ecstasy, the girl assumed a
|
|
rather metallish color and slowly transformed herself into a blob of mercury-
|
|
like stuff that oozed off the couch like a T-1000 would squirm itself trough
|
|
a shotgun-blast-sized hole in an elevator ceiling.
|
|
The substance moved itself across the floor, clearly exciting the
|
|
photographer who dropped to his knees, wielding the camera like it was the
|
|
one item keeping his soul together. It moved towards Cronos, and when it
|
|
arrived at his feet, slowly started to upheave itself, assuming humanoid
|
|
shape. When it reached full height, it formed a rather eerie face and stared
|
|
at him in a sort of silent lucididty that Queensryche would be jealous of.
|
|
Cronos sighed deeply and considered the stupefaction that had taken over his
|
|
reasoning at that point. The urge to faint crossed his battered consiousness,
|
|
but he quickly set aside the idea as being a way of letting the authors
|
|
getting away with things too easily. The photographer had fainted already,
|
|
and the way this guy lay prostrate across the floor made Cronos feverishly
|
|
reject the idea of any fainting or whatever.
|
|
As his mind had no power over his body whatsoever, however, he fainted
|
|
anyway. Whatever.
|
|
|
|
After the usual twirling colors and strange sounds and smells and all other
|
|
sensations that accompany inter-dream travel, he suddenly materialised in
|
|
mid-air.
|
|
Normally, materialising in mid-air would mean the start of a very painful
|
|
sequence of events leading to a 'thud' of varying intensity, and painful
|
|
feelings directly proportional to the intensity of the aforementioned sound.
|
|
This time, it didn't and he was once more slightly baffled (...).
|
|
Then he noticed the fact that all his limbs were gone, and he felt not
|
|
entirely like he used to feel whenever he wasn't suspended in mid-air. He
|
|
then felt a slight tugging sensation just above his head, as if he was
|
|
dangling from something short and thin.
|
|
He looked around himself and noticed the large amount of enormous tree
|
|
leaves surrounding him. He also noticed the beautiful blue air, the soft
|
|
smells that usually permeate the air of scenic orchards, the gentle breeze
|
|
and his own, lovely, reddish color.
|
|
He also felt that his time had come. He felt like he was old enough for the
|
|
big fall, old enough to spread the seeds so to speak. Why he felt like this,
|
|
he couldn't explain. It wasn't a thought humans were supposed to have.
|
|
"Snap".
|
|
Also, he had severe trouble coping with the fact that he no longer seemed to
|
|
be suspended in air, but was actually travelling downwards at an ever
|
|
increasing and highly alarming speed.
|
|
He looked down at the rapidly approaching earth and saw a head of a young
|
|
man that had nice, curly hair covering it. He also found that this head was
|
|
approaching him at what he suddenly considered to be lethal speed.
|
|
"Thud."
|
|
To his surprise, he bounced off the head and landed in the grass at the
|
|
man's feet. A bit bruised in places, but still quite alive.
|
|
"Ouch!" a voice yelled.
|
|
"How most unpleasant, apples falling on your head like that", the voice
|
|
continued.
|
|
Cronos saw a very, very large young man rub the top of his head, looking
|
|
thoughtfully as if pondering over something very...er...serious.
|
|
The young man assumed various facial expressions indicating a complex train
|
|
of thoughts making its way through his conciousness.
|
|
Suddenly, this man jumped to his feet and looked very aroused, as if he had
|
|
just found the answer to all his problems.
|
|
"YES!" he exclaimed.
|
|
"YES! YES! YES!" he added.
|
|
"E=MC square," he completed.
|
|
The young man sat down again with a very content expression on his face.
|
|
A puff of smoke next to the young man failed to baffle Cronos this time for
|
|
he was already in such a state of befuddlement that any extra impulses of
|
|
confusion did not matter much.
|
|
A rather bewildered young man now appeared; he had unkempt gray hair, and a
|
|
rather intelligent look about him.
|
|
"Say, dear chap. I am afraid that you have discovered the wrong formulae.
|
|
The Relativity Theory will be invented by me - you are supposed to find out
|
|
about gravity."
|
|
The first young man looked at the second one just like Cronos would stare at
|
|
a traffic light that had just changed colour.
|
|
"I just thought it appropriate to point this out to you," the apparition of
|
|
the second young man added, "I mean it would severely upset the course of
|
|
science to come. So remember about gravity, it's very important."
|
|
Then it disappeared again in another puff of smoke, the likes of which we
|
|
know so well.
|
|
"Right", the young man said to himself, "gravity it is then."
|
|
After this, he reached for Cronos and studied him a bit.
|
|
"Hhhm.., looks OK to me," the young man mused, licking his lips, "I quite
|
|
fancy a refreshing apple, just from the tree."
|
|
Before Cronos had time to process these words, he was unceremoniously rubbed
|
|
against a sleeve of rather rough material. He was getting a bit worried now.
|
|
This wasn't supposed to happen.
|
|
Then he felt a distinct motion again, and when he looked up he came to the
|
|
conclusion that he was about to be eaten by the young man.
|
|
The mouth opened, revealing a row of healthy, shiny white teeth that would
|
|
undoubtedly chew off a nice piece of his body. He was almost inside the mouth
|
|
now, and the sight of the glistening, saliva-covered tongue once again almost
|
|
succeeded in making our unfortunate hero panic.
|
|
Then the pain came. It was excruciating, as if someone was tearing him apart
|
|
with blunt equipment. The pain concentrated around his rear area. "Most
|
|
famous scientist eats rear end of mercenary annex hired gun in one fell
|
|
swoop." Now *that* would look odd on the young man's track record.
|
|
Cronos considered the time appropriate to give in to his brain cell, that
|
|
gently advised him to lose consciousness.
|
|
|
|
"KRAA!"
|
|
For a while, the uttering of this sound within the immediate proximity of
|
|
his right ear caused his entire aural apparatus to malfunction, resulting in
|
|
the sending of assorted pulses of white noise to his brain for some seconds
|
|
in sequence.
|
|
When he succeeded in turning around his head to face the source of the
|
|
temporal cacophonic mayhem, he found a male double-eyed fig-parrot
|
|
(Psittaculirostris diophthalma) sitting on his shoulder. Of course, he was
|
|
not aware of this precisely, and just reckoned it was a disgruntled
|
|
blackbird.
|
|
"KRAA!"
|
|
He had to do something about his reflexes. He had seen the bird opening its
|
|
bill but had neglected to avert his ear or cover it with something. This lack
|
|
of prophilactic measures resulted in assorted impulses of random noise being
|
|
sent to his brain for a prolonged time.
|
|
The bird looked around, as if gloating. It nodded its head up and down like
|
|
birds generally tend to do often.
|
|
|
|
Note:
|
|
|
|
The reason behind birds doing this has been cause for pangalactic scientific
|
|
debate. It is still quite unresolved, but there have been some interesting
|
|
theories. The one documented by Charles Loaca, himself a bird/lion halfling
|
|
residing at the second planet from the left in the Dinophthalma Milky Way, is
|
|
now commonly believed to be true - though not because of its logic but
|
|
because of Mr. Loaca's descent which gives him some authority.
|
|
His theory is based upon birds trying to listen to longwave radio
|
|
broadcasts, which requires them to bob their head up and down with the waves.
|
|
It is believed that this is the way birds learn to sing. Pigeons are even
|
|
thought to tune in to their favourite radio station to find the way home.
|
|
Most non-hibernating birds are believed to listen to Radio Free South Africa
|
|
on the way.
|
|
|
|
End of note (in case you wanted to know).
|
|
|
|
"Don't you *ever* do that again," he warned the parrot. He wielded his index
|
|
finger threateningly in front of the animal.
|
|
"Snap."
|
|
It took a while before Cronos had discovered the sudden absense of the
|
|
double-eyed bird from his shoulder. For a moment he was relieved. The animal
|
|
was gone from the zone near his ear. He listened to the random noise in his
|
|
ears gently wearing off. Finally.
|
|
When he tried to poke in his nose, which resulted in a bird being inserted
|
|
in it, he had second thoughts about relief and other sensations along that
|
|
line.
|
|
Now Warchild's nostrils are quite big. As a matter of fact, his wide flaring
|
|
nostrils with the odd black hair sprouting forth from them had quite often
|
|
effectively reduced potential soulmates to get an interest in him.
|
|
The parrot, however, was large enough not quite to fit comfortably. It
|
|
started to try and get out. This resulted in most of our hero's senses being
|
|
switched off in favour for full priority to one particular nerve that ran
|
|
from his right nostril to a lesser brain cell labelled "sneezing, farting,
|
|
crapping, sweating, urinating, ejaculating, spitting, bleeding, coughing,
|
|
burping, crying, drooling and vomiting (i.e. excreting)".
|
|
Through an intricate process of ions and assorted little things that make
|
|
sure synapses work, a number of pulses from the right nasal cavity ended up
|
|
in the lesser brain cell. It started screaming hell and blood, not quite
|
|
being used to such signal intensity. It gathered all power its host's
|
|
metabolism would care to supply and used it to block the signals out.
|
|
It was a battle to which, on a synapsic scale, there had never been an equal
|
|
to - nor would there ever be. Minute particles with positive and negative
|
|
loads crashed into each other like a true clash of the Titans. Tissue was
|
|
torn, nerves were severed, and generally a lot went on that was quite
|
|
irregular.
|
|
Then the anti-particles started winning. They gradually began to gain
|
|
ground, pushing back the itch ions.
|
|
Warchild was relieved for a moment again, when not sensing anything in his
|
|
nose. Had the bird disappeared?
|
|
Then the anti-particles *really* started to gain ground. They coarsed
|
|
through the nerve, all but flying off at corners. With a speed close to the
|
|
speed of light, they ran and flew and scrambled, aimed directly at a powerful
|
|
muscle somewhere in the mercenary annex hired gun's body.
|
|
The muscle had been having a relaxed week. It was sitting in the sun,
|
|
smoking a cigarette and drinking Jack Daniels. It was about to have another
|
|
nicely soothing swig when it heard a bit of turmoil around the corner of the
|
|
left lung. It had heard this before, but couldn't quite recall when it had
|
|
been or what it had been for.
|
|
It quickly recalled when, for but a moment, it saw the rabid expression in
|
|
the glowing red eyes and the wrinkled mouths of the ions. They spelled horror
|
|
and death, for they spelled A.C.T.I.V.I.T.Y.
|
|
Before he could put down his Jack Daniels he had to contract. It was a
|
|
contraction any muscle would have been proud of; a contraction that Arnold
|
|
would have wanted to buy the licence to, a contraction that tore ligaments
|
|
and had the label "world record" attached to it.
|
|
Cronos felt the sensation of feeling returning to his nose, but it was
|
|
entirely different now. As a matter of fact, it seemed to move to his chest
|
|
at a speed that was, even to Warchild, close to frightening.
|
|
He breathed in.
|
|
It was a breath that would have made any pair of lungs proud; a breath that
|
|
would have caused them to get a ludicrously lucrative contract with the
|
|
makers of tropical cyclones, a breath that could split ribs.
|
|
For a moment an enormous amount of wind churled in his longs, rotating,
|
|
growing; the kind of wind that would have swept leaves, bent trees, moved
|
|
mountains and shipped continents if only any of these would have the
|
|
displeasure of being present in a certain mercenary annex hired gun's
|
|
breathing apparatus.
|
|
Then all muscles connected to his breathing-out mechanism started to work
|
|
overtime, red lights flashing, sirenes wailing, Civil Defence committees
|
|
gathering. Draining every milli-unit of nourishment, from the tips of fingers
|
|
to the utmost extremeties of toes, they contracted.
|
|
It was the kind of contraction that would cause all other contractions'
|
|
licences to be revoked; a contraction that could tear asunder the most
|
|
powerful bones, a contraction that could practically be certain of getting a
|
|
Nobel Prize and getting invited to Dame Edna's.
|
|
Air started flowing out of Cronos' wind pipe, exponentially gathering power
|
|
within a time that would have made the Super-Inter-Galactic Ferrari Sub-Etha
|
|
Turbo-Booster built in the below-the-nanosecond-across-the-universe-car-of-
|
|
the-future designers jealous.
|
|
Some lesser muscles opened Warchild mouth. There was no stopping it now. The
|
|
terrifying amount of compressed air could no longer be thwarted from
|
|
fulfilling its vile goal.
|
|
Cronos sneezed the Mother of all Sneezes.
|
|
His entire poor body was hurled back until it collided with the first
|
|
mountain it encountered, dozens of miles in the opposite direction. The
|
|
parrot, that happened to have been the last male of its kind, miraculously
|
|
survived but was deafened and consequently turned impotent for the arousing
|
|
mating calls of the females - resulting in the extinction of the species.
|
|
A hole 986.54 square miles in size appeared, barren eternally. The drifting
|
|
of the continents on this particular planet was set in motion. The dust that
|
|
arose from this whole thing sufficed to block out the sun for a decennium,
|
|
causing the global extinction of the dinosaur race.
|
|
Somewhere between the third and fourth mountain between which Cronos was
|
|
bounced, he once more gave in to his rather distressed main brain cell.
|
|
|
|
When he opened his eyes again he found a nurse making rhythmic movements on
|
|
top of him.
|
|
"Oh, er....." the nurse stuttered when noticing she was discovered, quickly
|
|
hopping off him and pulling up her panties, "er...excuse me, sir...er...I
|
|
though you was being unconscious or something. You know, coma and all. Not
|
|
waking up any more, vegetable, that sort of thing."
|
|
Cronos had a distinctly odd feeling around his lower abdomen.
|
|
"If you don't mind, sir," she added, uncomfortably, "I will go and attend to
|
|
another patient. Thank you."
|
|
She disappeared through the door that she closed carefully so as not to
|
|
discomfort the patient.
|
|
|
|
Nine months later, nurse Laverne Todd of the Ambulor Eight Hospital for the
|
|
Very Very Splattered was granted maternity leave. She gave birth to a healthy
|
|
son, whom she called Garp.
|
|
|
|
Original written February 8th-9th 1992. Slightly rehashed and frowned upon
|
|
May 12th 1995.
|
|
|
|
|
|
= RODNEY'S RAYGUN REVENGE ===================================================
|
|
A Technological Tale by David Henniker
|
|
|
|
|
|
It was over a month since Rodney had started his new job on the outskirts of
|
|
town. For years he'd worked as a Technical Salesman, driving anything up to
|
|
200 miles a day as he travelled from town to town. His employer was a
|
|
manufacturer of medical electronics equipment and Rodney had had a fairly
|
|
cushy number - as his company was virtually the only supplier to the various
|
|
Health Boards.
|
|
Over the years Rodney had made quite a few business friends but it was
|
|
unlikely he'd see them again. The job had become increasingly difficult due
|
|
to competition from the far east. 'Why is everything made in Taiwan?' he had
|
|
often wondered. His boss put more and more pressure on him to sell the
|
|
equipment, but although Rodney was a Technical Salesman he wasn't really very
|
|
technical. Also he was too honest to be a very good travelling salesman.
|
|
When the firm announced it wanted redundancy volunteers, Rodney decided he'd
|
|
had enough and put his name forward.
|
|
|
|
His new job was at an out-of-town garden centre, one of those 'mega'
|
|
complexes where they have everything from a kiddies' play area to a
|
|
computerised Landscape Design Centre. It was here that Rodney worked, mostly
|
|
behind a counter, selling expensive garden machinery such as lawnmowers that
|
|
you sit on and drive. He also operated the Apple Mac and Roland Plotter to
|
|
try and sell 'Complete Landscape Solutions' to the wealthier customers.
|
|
He didn't miss the driving at all, really. Once in a while he was allowed to
|
|
demonstrate the 'ride-on' lawnmowers. His new job paid less and no company
|
|
car was provided. He didn't mind as he was very contented here - and lucky to
|
|
find employment in his late thirties. He no longer had the hassle of
|
|
searching for a parking space near his flat in town. These days he got the
|
|
bus to work and now he'd had a week or two to get used to public transport,
|
|
it was OK, mostly. After an embarrassing first morning when he offered the
|
|
bus driver a ten pound note, holding up other passengers (and the following
|
|
traffic), he bought himself a season ticket. He caught the same bus every
|
|
morning and after a while began to recognise quite a few of his fellow
|
|
passengers.
|
|
The bus he got on was always mobbed with hordes of schoolkids. 'Precocious
|
|
young brats' Rodney would think to himself as they chatted loudly and
|
|
squirmed about in their seats. Thankfully they all got off two stops after
|
|
the one Rodney got on at. Rodney had reached that time in his life where he
|
|
felt threatened and insecure near young people, particularly adolescents.
|
|
He observed that all the schoolkids had designer-label clothes, bags and
|
|
trainers. 'Must cost their parents a fortune...' he mused. 'Probably all made
|
|
in Taiwan anyway...'
|
|
He never spoke to the other regulars on the bus, but he observed them slyly.
|
|
There was the businessman who always read the Telegraph and opened the paper
|
|
out wide, presumably to discourage fellow passengers from sitting next to
|
|
him. There were some rather attractive female office workers of different
|
|
ages, but they never sat next to Rodney, even if the bus was crowded. People
|
|
mostly kept themselves to themselves, looking glum and preoccupied.
|
|
Occasionally he was disturbed by someone with an 'impersonal stereo' as he
|
|
called them.
|
|
|
|
This morning, as Rodney's bus approached the stop where the schoolkids got
|
|
off, Darren was waiting to board the bus. Darren, like Rodney, had a job on
|
|
the edge of town. He was 19 years old, wore a black leather jacket with a
|
|
crudely painted logo across the back, and had one of those aggressively
|
|
short haircuts which Rodney used to associate with old cloth-capped men - the
|
|
'short back and sides' look as imposed by Rodney's parents when he was young.
|
|
Darren sported a personal stereo and played it at a level which blotted out
|
|
any risk of having to communicate with his fellow human beings.
|
|
As Darren came upstairs on the bus Rodney heard the dischordant 'TSSSH,
|
|
TSSSH' noise and glared pointedly at the perpetrator. Darren seemed oblivious
|
|
to the accusing stare and sat down two or three rows in front of Rodney. A
|
|
few stops further on, the bus became quite crowded but amazingly nobody
|
|
complained about the insistent 'TSSSH, TSSSH, TSSSSH!' emanating from the
|
|
earphones plugged into Darren's ears. The business types stared blankly ahead
|
|
into space and one or two others halfheartedly rubbed at the condensation on
|
|
the windows. 'How the hell can people put up with this?' Rodney asked
|
|
himself. He'd had rather a late night the previous night and wasn't feeling
|
|
very tolerant. He wished he was a more physically threatening figure, or knew
|
|
martial arts. He lacked the confidence to tap Darren on the shoulder and say
|
|
something like 'I say, would you mind awfully turning down your personal
|
|
stereo...?', or perhaps just plain 'Shut the fuck up!'.
|
|
By the time Rodney got to his stop, he was seething with rage but feeling
|
|
helpless. His journey to work had been ruined by this cretin. 'Noise
|
|
pollution is the worst form of pollution...' he muttered to himself as he got
|
|
off the bus at Q & B's Mega Garden World. 'You can shut your eyes or look
|
|
away, but you can't shut your ears!' He said out loud as he crossed the
|
|
footbridge over the bypass. By the time he'd had his second cup of coffee he
|
|
felt better. In the mail there was a letter of acceptance from Major
|
|
Ponsonby-Smythe with regard to the computerised landscape design tendered by
|
|
Rodney. Rodney stood to receive 1% commission on the sale - which meant !300
|
|
bonus on his next salary cheque.
|
|
Rodney smiled peacefully as he lunched in the staff canteen. The muzak which
|
|
played softly in the background actually soothed him as he ate. He had no
|
|
dessert but had a cup of tea, declining the alleged coffee and Diet Pepsi.
|
|
The muzak changed to Herb Alpert And His Tijuana Brass. Rodney hated the
|
|
tinny trumpet noise, made worse by the fact that the sound was distorted. It
|
|
was at times like this he wished he hadn't given up smoking. He couldn't half
|
|
do with a fag. He gulped his tea, burning his tongue in the process, and
|
|
left.
|
|
The afternoon at work was very quiet and Rodney had plenty of time to
|
|
daydream. He was fascinated by technical things but didn't have more than a
|
|
passing interest in how they worked. What they could achieve was much more
|
|
interesting. He liked to impress the customers with the Apple Mac and Roland
|
|
Plotter. For a while he'd bought electronics magazines and tried to build one
|
|
or two gadgets. After the incident with the soldering iron and the Persian
|
|
carpet he lost interest. He began to wonder if it would be possible to design
|
|
a 'personal stereo zapper'.
|
|
|
|
In the evening, after his meal, he dragged a cardboard box out from the back
|
|
of a cupboard and looked through the old electronics magazines he'd never
|
|
been able to bring himself to throw out. He paused briefly at an article in
|
|
Elektor which gave constructional details of an anti-parking ticket device.
|
|
This involved fitting magnetic sensors to the hinges of the windscreen
|
|
wipers. The idea was that when a traffic warden lifted a wiper blade to
|
|
attach a parking ticket, the sensor would detect this and trigger a circuit
|
|
to switch on the wipers at maximum speed in an attempt to frustrate the
|
|
forces of Law And Order.
|
|
Rodney then found a copy of Alternative Electronics, a USA publication
|
|
which had been banned for giving circuit designs for stun guns. These gave a
|
|
severe electric shock to the victim, powerful enough to paralyse the poor
|
|
unfortunate for minutes. He flipped over a page and found an article about
|
|
Kirlian photography whereby, it was claimed, it was possible to photograph
|
|
the 'aura' or electrostatic field round a person. He turned a few more pages
|
|
over and found an article entitled 'Focussed Electro-Magnetic Pulse - CIA
|
|
Secret Experiments (part two)'. He read on with interest. There had been
|
|
various magazine articles about 'EMP' a few years ago, Rodney remembered
|
|
vaguely. According to this it was possible to induce sound (undetectably) in
|
|
a loudspeaker from a distance of up to five yards, without any wiring
|
|
whatsoever, if you had the right equipment. 'Hmmm..' he pondered, 'maybe I
|
|
could zap personal stereos with this!'
|
|
Unfortunately Rodney didn't have part one of the two-part article. He was
|
|
rather sceptical of the reference to the power source for the gadget.
|
|
Dilithium crystals were, as far as Rodney knew, mere fiction. 'Trekkies', or
|
|
Star Trek freaks might think differently. Part two of the article did however
|
|
give details of a suggested circuit. A 200 watt car stereo booster amplifier
|
|
was 'utilized' (sic) for the driver for the output device. The left and right
|
|
channels were connected in a bridge configuration to double the strength of
|
|
the focussed magnetic pulse sent out. Rodney didn't really understand all
|
|
this but continued reading anyway. He poured himself another glass of
|
|
Southern Comfort and settled back in his easy chair.
|
|
|
|
The 200 Watt amplifier was greedy on electricity and a car battery was
|
|
obviously not portable. The amp was no problem, he had one spare, now that he
|
|
no longer drove a car. He found it in a cupboard and noticed it was made in
|
|
Taiwan. The magazine article referred quite seriously to dilithium crystals
|
|
but further information was in part one - and unavailable. Rodney put down
|
|
the magazine and looked on a bookshelf for scientific reference books. He sat
|
|
down, poured himself another Southern Comfort (it was his day off tomorrow,
|
|
after all) and thumbed over pages looking for mention of dilithium crystals.
|
|
His search was in vain; all he found was plain old lithium. 'Lithium - a
|
|
silvery white metal. Lightest of all metals.' was all it said.
|
|
He decided it was a waste of time pursuing this idea and instead browsed at
|
|
a copy of Computer Shopper he'd bought that morning. Amongst the ads for
|
|
peripherals and accessories he kept noticing ads for lithium batteries. Then
|
|
he remembered that his broken digital watch had a 7 year lithium battery.
|
|
Actually, the watch still worked but the black rubber strap had split apart
|
|
soon after he'd bought it. Rodney poured another drink and recalled that his
|
|
old Amstrad computer had a lithium battery in it, too. He robbed the computer
|
|
of its battery and sat down again, turning the battery over in one hand, as
|
|
he sipped his drink with the other.
|
|
Rodney was rather drunk by now and not thinking very clearly. He was
|
|
convinced there was a way of turning lithium into dilithium crystals, but he
|
|
had no idea how. He wandered unsteadily into the kitchen and wondered what
|
|
would happen if he put the lithium battery into the electric coffee grinder.
|
|
He dismissed such a notion as dangerous (he wasn't stupid, after all) and
|
|
instead put it in the microwave cooker. Not wearing his glasses, he misread
|
|
the digital display and set the timer to 11 minutes, rather than the minute
|
|
he'd intended. He pressed the 'cook' button and the microwave thumped into
|
|
life. The battery pirhouetted slowly as the turntable revolved and the
|
|
fluorescent display counted down.
|
|
Rodney suddenly realised that he'd been dying on a pee for ages and stormed
|
|
off to the bathroom. 'Aah, the relief!' He was zipping his fly when suddenly
|
|
a very loud bang rattled the bathroom door. 'HOLY SHIT!' he exclaimed when he
|
|
saw the shattered remains of the kitchen. The microwave had been completely
|
|
blown apart and shards of ragged metal hung over the worktop. Bits of metal
|
|
and plastic had embedded themselves in the walls and broken dishes lay
|
|
scattered on the floor. He decided he'd clear up the mess in the morning and
|
|
switched off the light. Then he noticed an unfamiliar green glow coming from
|
|
the centre of the former microwave cooker. What's more, the green glow was
|
|
pulsing slowly, getting bright and dim, bright and dim.
|
|
It was the remains of the lithium battery. The rush of adrenalin had sobered
|
|
Rodney up somewhat and he had the presence of mind to use a pair of tongs to
|
|
pick it up with. He put it on a saucer and carried it (somewhat shakily)
|
|
through to the living room. He filled up his glass, dimmed the lights and sat
|
|
staring at the eerie green glow, pulsing rhythmically. After about an hour,
|
|
when the bottle of Southern Comfort was empty, he finally went to bed.
|
|
Tomorrow he would go and visit his old chum Jack, the technical whizzkid.
|
|
|
|
Jack was a self-employed electronics engineer Rodney had known for years.
|
|
His workshop was a shed attached to his house, a sort of home extension.
|
|
'What's all this nonsense about dilithium crystals?' said Jack as Rodney sat
|
|
down on top of an enormous TV set.
|
|
'Here, take a look at this then!' replied Rodney as he handed him an old
|
|
tobacco tin.
|
|
Jack pulled off the lid and looked inside. Sure enough, the eerie green glow
|
|
continued to pulse and throb. Jack went to pour out two mugs of tea and
|
|
Rodney's gaze wandered round the interior of the workshop. There were TV's,
|
|
video recorders and audio components everywhere. Rodney was puzzled by a
|
|
home-made looking gadget with multi-coloured LED's. Jack came back and put
|
|
the hot mugs of tea on the Pacman arcade machine which served as a table.
|
|
'What's that?' asked Rodney, pointing at the home-made gadget.
|
|
'That's a dry joint simulator.' answered Jack.
|
|
'What's it for?' queried Rodney.
|
|
'It's for testing dry joint testers.' said Jack.
|
|
'Oh..., I see' said Rodney.
|
|
Jack studied the dilithium crystal closely, not touching it. He noticed that
|
|
the crystal was slightly different shades of green at opposite ends. He
|
|
reached over for his new Fluke digital multimeter, switched it to voltage and
|
|
carefully applied its probes to either end of the crystal. 'Hmmm, thirteen
|
|
point eight volts exactly...' he muttered. 'That's the same as you get from a
|
|
car battery. I wonder how much current this baby can deliver...' He dug
|
|
around and found an old car headlamp and wired it up to the crystal which
|
|
he'd fitted in a battery holder. The headlamp shone brightly. Impressed by
|
|
this, Jack got an old starter motor which still had its heavy cables
|
|
attached. The motor turned briskly. 'Good God!' gasped Jack, 'These things
|
|
take hundreds of amps!'
|
|
Rodney handed Jack the tattered copy of Alternative Electronics and said
|
|
'Could you make one of these ...?', pointing to the article. 'I want to be
|
|
able to zap those impersonal stereos on the bus.'
|
|
Jack said he'd give it a try and Rodney left. A week later he returned to
|
|
see if Jack had made any progress.
|
|
|
|
'It works.' Jack confirmed. 'I used the enamelled wire from this old
|
|
degaussing coil, and these S-correction capacitors to tune it to the right
|
|
frequency. See that loudspeaker over there; no wires connected. Now listen...
|
|
I'll just turn the power up slightly.'
|
|
Jack clicked the trigger switch and the speaker emitted a short sharp high-
|
|
pitched pulse of sound. 'That's a sine wave at about ten kilohertz' Jack
|
|
informed Rodney. Jack fitted the device into the body of an old Weller
|
|
soldering gun and presented it to Rodney. 'Just pull the trigger to activate
|
|
it, keep this knob turned well to the left. You won't need much power just to
|
|
make someone think their personal stereo is knackered.' advised Jack.
|
|
'Didn't you need the booster amp then?' asked Rodney.
|
|
'Just the output chips' said Jack. 'You don't want to carry a big box
|
|
around, do you? The crystal is in the handle. There's no need for heatsinks
|
|
as the power cuts off after a hundred milliseconds.'
|
|
Rodney was very impressed and grateful and promised to buy a secondhand
|
|
microwave from Jack as soon as he got the bonus he was expecting. He caught
|
|
the bus home but there were no passengers with personal stereos.
|
|
|
|
Back in his flat he had a closer look at his new gadget. It felt and looked
|
|
rather like a ray gun. It was satisfyingly heavy and Rodney felt strangely
|
|
powerful holding it. He kept the power turned low and clicked the trigger. A
|
|
short piercing blast of noise came from the transistor radio at the other
|
|
side of the room. He increased the power and tried it again. The speaker made
|
|
the same noise but louder. He tried it on the TV set and somehow managed to
|
|
make a purple blob in the corner of the screen. It was later that day that
|
|
he found that his databank calculator's LCD display had turned black all
|
|
over. He thought he'd save the lithium batteries and when he turned it over
|
|
he saw a tiny label saying 'Made in Taiwan'. The next time he tried to
|
|
withdraw cash he would find that he had also erased the magnetic strip on his
|
|
Cashline card.
|
|
|
|
When Rodney got ready for work next day he put the gun in his coat pocket.
|
|
He left for work at the usual time but had to run for the bus as it was
|
|
early, probably because it was a school holiday. He went upstairs and chose a
|
|
seat near the back of the bus on the left. As the bus approached the next bus
|
|
stop, Rodney could see Darren getting on, wearing his personal stereo. 'TSSHH
|
|
- TSSHH - TSSSHHH!' it went as Darren sat down several rows in front of
|
|
Rodney.
|
|
Rodney looked around at the other passengers and found that they were all
|
|
apparently preoccupied. Confident that nobody would know what he was up to,
|
|
he pulled the zapper out of his pocket, aimed it it the back of Darren's head
|
|
and squeezed the trigger. Sure enough, Rodney plainly heard a short pulse of
|
|
high frequency sound. Simultaneously, Darren gasped and yanked the earphones
|
|
out of his ears. Rodney slid the zapper back into his coat pocket and tried
|
|
not to smirk as he stared down at his knees.
|
|
Darren was puzzled. He unplugged the earphone jack and plugged it in again.
|
|
He whacked the personal stereo violently then shook it. He re-inserted the
|
|
earphones in his ears but with the volume turned much lower. He blamed
|
|
'feedback' for the painful blast of noise; he'd heard feedback before with
|
|
rock groups.
|
|
Rodney was satisfied. He had punished the reprobate who had invaded his
|
|
privacy and was no longer disturbed by the noise of 'thrash metal' or
|
|
whatever that so-called music was.
|
|
|
|
Several days passed and Rodney's journeys to and from work remained
|
|
undisturbed. Meanwhile Darren was looking for a new personal stereo. His old
|
|
one still worked but he'd been talking to his mate Drew who had a much
|
|
fancier personal stereo. This one had light-action touch buttons, a radio
|
|
with a tuning memory and a very impressive LCD display. Darren looked through
|
|
his mother's new Argos catalogue and saw the one he wanted. It had all the
|
|
features of Drew's one but also had 'Mega Bass' and even a remote control
|
|
built into the earphone cord. It was made in Taiwan.
|
|
|
|
The following Monday Rodney observed Darren boarding the bus. 'TSSZZ! -
|
|
TSSZZ! - TSSZZ!' went the earphones as Darren sat down only two rows in front
|
|
of Rodney. Darren admired the LCD display. When the machine was switched on,
|
|
a flickery scrolling message appeared saying 'Conglations on owning this
|
|
Minimedia! Pelsonar Sterio'. He played with the sliders on the tiny remote
|
|
control and watched the bargraph display. Rodney noticed one of his fellow
|
|
commuters grimace in discomfort at the invasive noise.
|
|
'Right, here goes' thought Rodney. He slipped the zapper out of his coat
|
|
pocket and rested its business end on the back of the seat in front of him.
|
|
Failing to notice that the power control knob had somehow got turned right up
|
|
to maximum, he aimed at Darren and squeezed the trigger. A particularly loud
|
|
pulse of high frequency noise, followed instantly by a loud 'POP!'
|
|
reverberated round the upper deck of the bus. Darren wrenched the earphones
|
|
from his ears and smoke was plainly visible, curling out of his earringed
|
|
ears. He was in considerable pain and was furious to find that the LCD
|
|
display on his pride and joy had turned totally black. Furthermore, the
|
|
earphones had melted as their speech-coils had burned out.
|
|
He whipped around in his seat and noticed that one of the passengers was
|
|
smiling and looking across at Rodney. Darren turned further round in his seat
|
|
and saw a rather frightened-looking Rodney gazing unconvincingly out of the
|
|
window. Darren stared at Rodney for a moment then turned round again, facing
|
|
the front of the bus. Rodney's heart stopped pounding after a while and he
|
|
prayed that Darren didn't suspect him. When the bus approached Q & B's Mega
|
|
Garden World, Rodney didn't notice Darren getting off the bus behind him.
|
|
He was half way across the footbridge over the bypass when he felt a hand on
|
|
his shoulder. He was turned violently around to find himself face to face
|
|
with Darren. Rodney looked in vain for help from other pedestrians. There
|
|
was no-one else on the footbridge, and not likely to be until the next bus
|
|
came.
|
|
'You done that!' shouted Darren as he thrust the damaged stereo under
|
|
Rodney's nose, 'Didn't ya!'
|
|
'I beg your pardon...' responded Rodney.
|
|
'You fucked my Walkman, you yuppy bastard' rasped Darren.
|
|
'No I didn't' replied Rodney.
|
|
'You fucking-well did!' shouted Darren, simultaneously smashing Rodney in
|
|
the face with the Walkman and kneeing him in the groin. Rodney fell down
|
|
amongst the broken glass and litter on the footbridge, doubled up in pain.
|
|
Then he blacked out. He was only very vaguely aware that he was being bodily
|
|
lifted into the air. He thought it was a bad dream. When he felt weightless
|
|
he knew it was a bad dream; he'd had the same dream before - falling off a
|
|
cliff or a building and he knew he'd wake up, just before he hit the ground.
|
|
Only he never did hit the ground.
|
|
Darren had heaved Rodney's semi-conscious body over the bridge parapet,
|
|
seemingly intent on murder. By sheer chance one of Q & B's pickup trucks was
|
|
passing under the bridge and Rodney landed on it, cushioned to some extent by
|
|
the bags of peat on board. The driver turned into the garden centre unaware
|
|
of what had happened. Darren ran back along the bridge and disappeared.
|
|
|
|
Later that morning the pickup driver found Rodney's body lying comatose on
|
|
the peat bags in his truck. The ambulance driver confirmed he was still alive
|
|
(just) and raced off to the hospital, blue lights flashing and sirens
|
|
wailing. Rodney was wheeled into Intensive Care and put on a life support
|
|
machine. He was in a deep coma. Consultants and nurses came and went but
|
|
Rodney was unaware of all this.
|
|
|
|
Days passed and finally he began to approach consciousness. The
|
|
electroencephalograph indicated increased brain activity, and the heart
|
|
monitor showed a faster pulse. He felt awful as he awoke and very cautiously
|
|
opened his eyes a little. 'God, what a weird dream...' he thought. He thought
|
|
he must have dreamt about dilithium crystals and the exploding microwave. He
|
|
sat up a little and rubbed his eyes. He focussed blearily on the life support
|
|
machine, which he recognised as the type he once sold. Loss of memory had
|
|
made him forget that he no longer sold medical equipment. He was startled to
|
|
find that this particular machine was connected to his body by wires and
|
|
plastic tubes. Had he woken up yet? He wasn't sure... He had experienced this
|
|
feeling once before, dreams within dreams, when he'd been ill with gastric
|
|
flu. He flopped back onto his pillow and fell asleep again.
|
|
His activity had been enough to trigger an alarm, however. A nurse came into
|
|
his room, made a brief phone call and a consultant arrived. The nurse gave
|
|
him an injection and he woke up to see friendly concerned faces.
|
|
'How are you, Rodney?' asked the nurse.
|
|
'What happened?' asked Rodney.
|
|
'You had an accident' said the consultant.
|
|
'My microwave blew up' confirmed Rodney.
|
|
'Your microwave blew up?' said the nurse and consultant in unison.
|
|
'I was making dilithium crystals' explained Rodney. 'I sell these for a
|
|
living' he added, pointing to the life support machine.
|
|
The nurse and consultant withdrew to the corner of the room and conferred
|
|
before returning to Rodney's bedside.
|
|
'Actually, old chap' said the consultant, 'you were found in the back of one
|
|
of Q & B's pickup trucks. That's who you work for. The police think you were
|
|
thrown from the footbridge over the bypass.'
|
|
Rodney remembered none of this.
|
|
'OK, you'd better go back to sleep now' said the nurse and gave Rodney
|
|
another injection.
|
|
'Better keep him hooked up to the hardware' advised the consultant to the
|
|
nurse. 'He's not a well man.'
|
|
|
|
Rodney was alone when he woke up again. He felt confused but physically
|
|
stronger. He sat up on the edge of his bed, taking care not to disturb the
|
|
tubes and cables attaching him to the machine. Rodney had an amazing memory
|
|
for numbers and recognised the model number of the life support machine. He
|
|
pulled one end of the trolley supporting it and had a peek round the back of
|
|
the machine. He was slightly surprised to find that he had sold this actual
|
|
machine. He actually remembered the serial number - but still couldn't
|
|
remember much else, though.
|
|
He pressed a buzzer and the nurse returned with the consultant.
|
|
'We found this in your coat pocket' said the consultant.
|
|
'What is it? It looks like a soldering gun that's been modified.'
|
|
Rodney remembered. 'It's a personal stereo zapper' he replied.
|
|
'Really?' said the consultant. 'How does it work?'
|
|
'You just point it and pull the trigger' Rodney answered.
|
|
'Like this?' said the consultant, not really believing Rodney and pointing
|
|
it at the life support machine.
|
|
'No - Don't!' said Rodney, but it was too late. He saw sparks coming from
|
|
the life support machine, followed by a cloud of smoke and that was all he
|
|
saw. He passed out into a deep coma and dreamt more dreams within dreams.
|
|
Eventually he awoke again to see a shiny new life support machine. He didn't
|
|
recognise this one; it was a type he'd never seen before. In one corner he
|
|
saw a label. It said 'Made in Taiwan ROC'.
|
|
|
|
|
|
= THE MAO-KAO HOLY WARS =====================================================
|
|
by Roy Stead
|
|
|
|
|
|
The war raged on for many centuries, a tide of desolation engulfing the
|
|
ravaged plains of the Taims's home planet.
|
|
No single Taim was *quite* sure how the War had started, nor precisely *why*
|
|
the two religious factions - Mao and Kao - had found themselves locked into a
|
|
life-or-death struggle with each other. Each faction, after all, was equally
|
|
as holy as the other, and their religious and social beliefs were identical -
|
|
each revering the near-legendary Mother of their races, known only to them as
|
|
Homet, the Holy Mother.
|
|
But fight they did, and a bloody fight it was.
|
|
Our tale begins as the Mao sect all but faces extinction at the hands of the
|
|
Holy Kaos, and prepares for one last attempt to save their threatened race -
|
|
the leaders of the Mao are trying to contact their worshipful Mother, Homet.
|
|
"And *I* say that Mother Homet is best reached using the Rite of The Unborn
|
|
Calf!" shrieks the leader of the Taimish Mao sect, "So let us attempt the
|
|
ceremony."
|
|
Unconvinced, but with no better ideas, the Maoish priests gather into a huge
|
|
circle, better to perform the Rite of The Unborn Calf. The incantations
|
|
begin, a low chanting providing the backdrop to the bizarre actions performed
|
|
within the circle. Slowly, a blurred window appears in the circle, and a
|
|
wizened face comes into sharp focus within that window. The Holy Mother!
|
|
"Please, oh Mother of Our Race, come to aid us in our need," requests the
|
|
High Priest. All fall silent as the revered Mother speaks.
|
|
"This is Mother Homet. I'm afraid that I'm not in just now, but if you would
|
|
care to leave a message after the burst of heavenly music...*CLICK* Sorry
|
|
about that - Hello? This is Mother Homet, I'm afraid that I cannot be seen to
|
|
show any preferential treatment towards any of my children. However, if you
|
|
would care to visit me, then maybe we can work something out. Sorry - must
|
|
dash, I've left the iron on...*CLICK*"
|
|
The window disappears, the chanting ceases, all is quiet. The priests and
|
|
congregation turn to face their leader: "What are we to do?"
|
|
"Well," says the leader, "If Ma Homet won't come to the Mao Taims, then the
|
|
Mao Taims must go to Ma Homet..."
|
|
|
|
-----------------------------------------------------------------------------
|
|
|
|
Roy Stead is a major force in fourth world metaphysics research, holding -
|
|
as he does - a masters degree in Pan-dimensional psycho-dynamics. There is,
|
|
unfortunately, some debate as to whether such a degree exists, but - in the
|
|
words of a small, pink pussycat which Mr Stead encountered one day,
|
|
"Miaaaoooow..."
|
|
|
|
Mr Stead's solicitors have asked me to add that the small, pink pussycat,
|
|
mentioned above, could - no doubt - have written the story attributed to Mr
|
|
Stead, had the feline not had other, more pressing engagements.
|
|
|
|
|
|
= SPEEDBALL II ==============================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
His wet footsteps echoed slowly through the darkness of the night as if
|
|
subconsciously trying to fence off invisible threats. Slow and deliberate his
|
|
steps sounded, as if he was heading for somewhere specific where no person in
|
|
the world could talk him out of.
|
|
Little pairs of lights gleamed in various corners of the alley. Red ones,
|
|
green ones, purple ones, eyeing Warchild with attention as if waiting for the
|
|
grim certainty in the wet thuds to disappear, waiting for a moment of
|
|
hesitation so their owners could strike with lethal accuracy.
|
|
A sudden flash, like some large metal thing catching the light of a great
|
|
sun for a moment, blinded the mercenary annex hired gun for a couple of
|
|
dangerous seconds. He rubbed his eyes in mute frustration. Damn! His built-in
|
|
reflexes were slowing down. His head ached. He must be getting old. Tired.
|
|
Battered. In other words, he was more likely to die. The little lights, the
|
|
gleaming eyes, gained on him.
|
|
Then followed the sound of thunder.
|
|
Warchild staggered, nearly fell. He took hold of his ears, trying to shut
|
|
them off from the rolling sound that seemed to echoe through his very body -
|
|
but too late.
|
|
He was sent reeling, staggering against a wet wall, slipping, falling. This
|
|
was what the eyes had been waiting for. They closed in on their prey.
|
|
|
|
It is believed that the future will see weather control.
|
|
Hardly so.
|
|
For years meteorologists from all over the world have tried to gain control
|
|
over rain and sun, clouds and winds. Apart from developing new ways of moving
|
|
their hands when forecasting the weather on TV they have not made much
|
|
progress.
|
|
|
|
When Warchild woke up he felt wet throughout. A sad, miserable drizzle
|
|
descended upon his head and the rest of his body. The rain echoed through the
|
|
streets, dripped off walls, fell in ever deepening puddles, made clogged
|
|
sewers burst.
|
|
When Cronos had stopped discovering the wetness that seemed to envelop his
|
|
body like a cold blanket, he started to notice that he was entirely (and
|
|
quite offensively) nude. He was starting to make a bad habit of getting
|
|
mugged all the time. This particular time it had reached an all-time high (or
|
|
low) by leaving him without any of his clothes - let alone his killer gadgets
|
|
and, indeed, his American Express Traveller's Cheques. The dark alley seemed
|
|
even darker than before. If its wet, dark walls could have laughed at the
|
|
ridiculity of the mercenary annex hired gun's situation at present, they
|
|
would no doubt have done so quite enthusiastically.
|
|
When Warchild stopped noticing his rather disgraceful nudity he saw a man
|
|
standing before him.
|
|
The man was eyeing him suspiciously, the expression in his face showing
|
|
doubt as to whether perhaps this offensive piece of human wastage he was
|
|
eyeing should be accordingly dealt with or perhaps not. The rather resolute
|
|
way in which this man eventually took a pair of handcuffs showed that he had
|
|
made up his mind. Cronos, who was desperately trying to hide some of the more
|
|
private parts of his anatomy, was roughly pulled off into a van that had blue
|
|
flashing lights strategically positioned on its roof.
|
|
|
|
The only good thing about the cell he found himself in after a rough half
|
|
hour of being transported and manhandled was the fact that it was dry. Fungi
|
|
stained the wall in colours he had never considered his eyes capable of ever
|
|
seeing. Assorted smells arising from an improvised chemical toilet invoked a
|
|
likewise experience on his nostrils. The rain pelted viciously against a
|
|
barred window.
|
|
He vouched to subject himself to another commando training when - if - he
|
|
would get out of this mess. Thank God one of the police officers had had the
|
|
decency to hand him an improvised set of clothes. Although he hated stripes,
|
|
it beat hell out of the sortof-pink-with-tufts-of-hair-here-'n'-there look.
|
|
Before he could start thinking further about his present situation, he heard
|
|
booted footsteps closing in through the corridor outside. The person halted
|
|
before Cronos' cell door. There was a short sound of keys and a couple of
|
|
clicks. The door was being opened and in stepped an officer with a pencil and
|
|
a piece of paper.
|
|
"Warchild? Cronos Jehannum Warchild?"
|
|
The mercenary annex hired gun considered it decent to nod, which he did.
|
|
"Come with me," the man said, "you have been selected." The voice seemed to
|
|
carry with it a tone of sympathy.
|
|
|
|
An eerie sense of deja vu struck him when he was handed a metallic uniform
|
|
and a helmet the likes of which he vaguely recalled having seen on some US
|
|
television network back on earth. He seemed constantly to get mugged, and
|
|
equally constantly he seemed to end up in some kind of underground game that
|
|
involved lots of aggression. Would he get out of this new ordeal unscathed?
|
|
After he had put on the padded uniform and helmet, a sturdy looking officer
|
|
led him into a van. In the van sat several people whom he first mistook for
|
|
himself. They were all fairly rugged looking, wearing that typical metallic
|
|
uniform and, indeed, the helmet that was obviously designed to supply the
|
|
face with some rudimentary protection against things the wearer of said
|
|
helmet would rather not think of.
|
|
He was the last one to get in the van. The door through which he had entered
|
|
was closed and locked. The van set itself into motion.
|
|
As soon as the van left the building in which Warchild had been held
|
|
prisoner, the clamour of a busy city surrounded him and the other convicts.
|
|
He peeked outside through the barred windows and saw sushi parlours, people
|
|
huddled in raincoats, cars flying to and fro through the air, huge Coca Cola
|
|
adverts illuminating entire office blocks. The rain did not seem to affect
|
|
dayly life of whatever city he was in - it seemed *part* of the city,
|
|
something without which it and its inhabitants would cease to be.
|
|
After about half an hour's drive, the van turned onto a long lane that
|
|
looked like the driveway to a huge, almost ill-matching arena as though
|
|
teleported directly from ancient Rome. Warchild saw the building's huge shape
|
|
at the horizon getting more immense as the van closed in on the structure
|
|
that lay silently, almost as if lurking, grotesque amongst its surroundings.
|
|
"That's it," one of his fellows in distress muttered, his voice carrying
|
|
awe, "the arena."
|
|
"Speedball," another man said, his voice shivering with fear.
|
|
"Death," yet another spoke solemnly.
|
|
There was a dramatic silence that lasted long seconds that crept by like
|
|
extremely ordinary and not very heroic turtles with a nourishment deficiency.
|
|
Cronos felt a most peculiar sensation. He felt as if he was waking up from a
|
|
long, detestingly boring sleep. Now he was enveloped by reality - reality of
|
|
life and death.
|
|
"*Certain* death," the man next to Cronos said, swallowing something.
|
|
"Horrible death. Slow and agonising. Excruciatingly painful," the man
|
|
closest to the locked door whispered, "a way to die I would not wish upon my
|
|
worst enemy."
|
|
"Sounds like heaps of fun," Cronos said, causing the others to look at him
|
|
in surprise, "as a matter of fact I believe this might very well be the best
|
|
day in my life ever since...since..."
|
|
The others were listening intently. What horrendous things had this obvious
|
|
barbarian been through, in heaven's name? This poor man should be pitied!
|
|
Another couple of seconds crept by, like dead tortoises.
|
|
"Well, I dunno, really," Cronos said finally. He had never been good at
|
|
memorising events. He *did* have a fleeting sensation of a crushing pain in
|
|
his groin for a moment. Luckily, it quickly disappeared like breath in the
|
|
wind.
|
|
When the van finally stopped at the arena's back entrance, about a dozen men
|
|
stepped out of it. All of them looked beaten, ill, sad, as if they expected
|
|
the scythe of death to take them there and then. All of them, that is, except
|
|
for one that strode proudly, his senses aware of everything around him,
|
|
adrenalin leaping through his veins. An almost insane smile lay frozen on his
|
|
lips.
|
|
In his mind he read next day's headlines.
|
|
|
|
Original written April and May 1992. Rehashes so little that you can't
|
|
really call it a rehash at all, May 12th 1995.
|
|
|
|
|
|
= SOON COMING ===============================================================
|
|
|
|
|
|
The next issue of "Twilight World", Volume 3 Issue 4, is to be released mid
|
|
July 1995. Please refer to the 'subscription' section, below, for details on
|
|
getting it automatically, in case you're interested.
|
|
Please refer to the section on 'submissions', below, for more details on
|
|
submitting your own material.
|
|
The next issue will probably contain the following items...
|
|
|
|
CRONOS WARCHILD VERSUS FAM
|
|
by Martijn Wiedijk
|
|
|
|
CRONOS IN WONDERLAND
|
|
by Richard Karsmakers (a story that will burst the seams of "Twilight World"
|
|
a bit)
|
|
|
|
AND MORE
|
|
|
|
|
|
= SOME GENERAL REMARKS ======================================================
|
|
|
|
|
|
DESCRIPTION
|
|
|
|
"Twilight World" is an on-line magazine aimed at everybody who is interested
|
|
in any sort of fiction - although it usually tends to concentrate on fantasy-
|
|
and science-fiction, often with a bit of humour thrown in.
|
|
Its main source is an Atari ST/TT/Falcon disk magazine by the name of "ST
|
|
NEWS" which publishes computer-related articles as well as fiction. "Twilight
|
|
World" mostly consists of fiction featured in "ST NEWS" so far, with added
|
|
stories submitted by "Twilight World" readers.
|
|
|
|
SUBMISSIONS
|
|
|
|
If you've written some good fiction and you wouldn't mind it being published
|
|
world-wide, you can mail it to me either electronically or by standard mail.
|
|
At all times do I reserve the right not to publish submissions. Do note that
|
|
submissions on disk will have to use the MS-DOS or Atari ST/TT/Falcon disk
|
|
format on 3.5" Double-or High-Density floppy disk. Provided sufficient IRCs
|
|
are supplied (see below), you will get your disk back with the issue of
|
|
"Twilight World" on it that features your fiction. Electronic submittees will
|
|
get an electronic subscription if so requested.
|
|
At all times, please submit straight ASCII texts without any special control
|
|
codes whatsoever, nor right justify or ASCII characters above 128. Please use
|
|
*asterisks* to emphasise text if needed, start each paragraph with one space,
|
|
don't include empty lines between each paragraph and use "-" instead of "--".
|
|
Also remember the difference between possessives and contractions, only use
|
|
multiple question marks when absolutely necessary (!!) and never use other
|
|
than one (.) or three (...) periods in sequence.
|
|
|
|
COPYRIGHT
|
|
|
|
Unless specified along with the individual stories, all "Twilight World"
|
|
stories are copyrighted by the individual authors but may be spread wholly or
|
|
separately to any place - and indeed into any other magazine - provided
|
|
credit is given both to the original author and "Twilight World".
|
|
|
|
CORRESPONDENCE ADDRESS
|
|
|
|
I prefer electronic correspondence, but regular stuff (such as postcards!)
|
|
can be sent to my regular address. If you expect a reply please supply one
|
|
International Reply Coupon (available at your post office), *two* if you live
|
|
outside Europe. If you want your disk(s) returned, add 2 International Reply
|
|
Coupons per disk (and one extra if you live outside Europe). Correspondence
|
|
failing these guidelines will be read (and perused) but not replied to.
|
|
The address:
|
|
|
|
Richard Karsmakers
|
|
P.O. Box 67
|
|
NL-3500 AB Utrecht
|
|
The Netherlands
|
|
|
|
Email r.c.karsmakers@stud.let.ruu.nl
|
|
(This should be valid up to the summer of 1996)
|
|
|
|
SUBSCRIPTIONS
|
|
|
|
Subscriptions (electronic ones only!) can be requested by sending email to
|
|
the address mentioned above. "Twilight World" is only available as ASCII.
|
|
Subscription terminations should be directed to the same address.
|
|
About one week prior to each current issue being sent out you will get a
|
|
message to check if your email address is still valid. If a message bounces,
|
|
your subscription terminates.
|
|
Back issues of "Twilight World" may be FTP'd from atari.archive.umich.edu
|
|
and etext.archive.umich.edu. It is also posted to rec.arts.prose, alt.zines
|
|
and alt.prose and is on Gopher somewhere as well. Thanks to Gard for all
|
|
this!
|
|
|
|
PHILANTROPY
|
|
|
|
If you like "Twilight World", a spontaneous burst of philantropy aimed at
|
|
the postal address mentioned above would be very much appreciated! Please
|
|
send cash only; any regular currency will do. Apart from keeping "Twilight
|
|
World" happily afloat, it will also help me to keep my head above water as a
|
|
student of English at Utrecht University. If donations reach sufficient
|
|
height they will secure the existence of "Twilight World" after my studies
|
|
have been concluded. If not...then all I can do is hope for the best.
|
|
Thanks!
|
|
|
|
DISCLAIMER
|
|
|
|
All authors are responsible for the views they express. Also, The individual
|
|
authors are the ones you should sue in case of copyright infringements!
|
|
|
|
OTHER ON-LINE MAGAZINES
|
|
|
|
INTERTEXT is an electronically-distributed fiction magazine which reaches
|
|
over a thousand readers on five continents. It publishes fiction from all
|
|
genres, from "mainstream" to Science Fiction, and everywhere in between.
|
|
It is published in both ASCII and PostScript (laser printer) formats. To
|
|
subscribe, send mail to jsnell@ocf.berkeley.edu. Back issues are available
|
|
via anonymous FTP at network.ucsd.edu.
|
|
|
|
CYBERSPACE VANGUARD: News and Views of the SciFi and Fantasy Universe is an
|
|
approximately bimonthly magazine of news, articles and interviews from
|
|
science fiction, fantasy, comics and animation (you get the idea).
|
|
Subscriptions are available from cn577@cleveland.freenet.edu.
|
|
Writers contact xx133@cleveland.freenet.edu. Back issues are availabe by FTP
|
|
from etext.archive.umich.edu.
|
|
|
|
THE UNIT CIRCLE is an original on-line and paper magazine of new art, music,
|
|
literature and alternative commentary. On-line issues are available via the
|
|
Unit Circle WWW home page: ftp://ftp.netcom.com/pub/unitcirc/unit_circle.html
|
|
You can also contact the Unit Circle via e-mail at zine@unitcircle.org.
|
|
|
|
Fantasy fans might want to read the first chapter of "FOOLS ERRANT", a
|
|
satirical picaresque -- a little like Gulliver meets Nasruddin, as related by
|
|
P.G. Wodehouse. Only available in Canada as yet. It's located at URL
|
|
http://www.ark.com/mhughes/fools_errant.html.
|
|
|
|
YOU WANT YOUR MAGAZINE BLURB HERE? Mail me a short description, no longer
|
|
than 6 lines with a length of 77 characters maximum. No logos please. In
|
|
exchange, please contain in your mag a "Twilight World" blurb (like the first
|
|
paragraph of "DESCRIPTION", above). Hail!
|
|
|
|
EOF
|
|
|