1623 lines
95 KiB
Groff
1623 lines
95 KiB
Groff
From lets2780@stud.let.ruu.nl Fri Apr 8 11:42:15 1994
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Date: Jan 01, 1970 at 12:00
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From: Twilight World <lets2780@stud.let.ruu.nl>
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To: Subscriber <pauls@fir.cic.net>
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Subject: Twilight World Volume 2 Issue 1
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T W I L I G H T W O R L D
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(previously TWILIGHT ZONE)
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Volume 2 Issue 1
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January 15th 1994
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"Now you're stepping into the Twilight Zone..."
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This magazine may be archived, reproduced and/or distributed provided that no
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additions or changes are made to it. All stories in this magazine are fiction.
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No actual persons are designated by name or character. Any similarity is
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purely coincidental.
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If you bought this magazine through an expensive PD library, be sure to get
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it cheaper somewhere else next time, as it's FOR FREE and I didn't intend it
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to be for free just so that someone else could make lots of dosh with it!
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Please refer to the end of this text file for information regarding
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submissions, subscriptions, copyright and all that.
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= LIST OF CONTENTS ===========================================================
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EDITORIAL
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THE FAIRY FELLOWS MASTER STROKE
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The third Tale from the Tavern at the Edge of Nowhere
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by Bryan H. Joyce
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THE LAST NINJA
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Whele Hang Foy Soozooki and his Loyal Selvant ale Intloduced
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by Lichald Kalsmakels
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POPULOUS
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Where Cronos Warchild joins Odd Folk
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by Richard Karsmakers
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RICK DANGEROUS II
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Where Fate plays once more with Sir Richard 'Rick' Dangerous
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by Richard Karsmakers
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= EDITORIAL ==================================================================
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by Richard Karsmakers
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Some time ago, Jason Snell (editor of the excellent "InterText" online
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magazine) told me that the previous name of the magazine you're reading now,
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"Twilight Zone", might have some serious implications where trademark use was
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concerned. As it happens, the creators of the TV series and films of this name
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have also done (or are perhaps still doing) a *magazine*, making it sortof
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naughty for me to actually use it, too. They haven't taken legal steps yet (I
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am even quite sure they have never heard of my "Twilight Zone", and probably
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never will), but I don't want to take any chances. That's why mid November
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last year saw a small reader survey with regard to a possible name change. For
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a while I dabbled with names such as "Dusk" and "In Communicado" and the like,
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but in the end it was Dereck Safarian (cheers!) who came up with the
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brilliantly straightforward "Twilight World".
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So "Twilight World" is the new name with which this magazine enters a new
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year, a year that I hope will be its definitive breakthrough in terms of its
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readers circle. Between this and the previous issue the number of subscribers
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has more than doubled, so I'm satisfied to say the least. The number of
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readers should increase even more dramatically in the future as I'm at the
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moment setting up an automatic server and all that stuff - to make everything
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even easier.
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Last but not least (although I know it's a bit late and proper etiquette
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wouldn't have it), I would like to wish all of you a profoundly happy and
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successful new year. May it keep your computer virus-free and may it find
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necessary the invention of new ways of giga-mathematics to allow for the
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calculation of your annual income.
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And, of course, I hope you'll like reading this issue.
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Richard Karsmakers
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(Editor)
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= THE FAIRY FELLOWS MASTER STROKE ============================================
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by Bryan H. Joyce
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A Tale From The Tavern At The Edge Of Nowhere
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An older version of this tale was previously published in "STUNN" and appears
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here by permission of its author, our good friend Bryan "James" Joyce.
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Hi! I'm Tony Wheelbough. At the moment, I'm a barman at a very unusual bar
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called the Tavern. It is part of a complex known as The Edge Of Nowhere. This
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name is misleading. It's actually situated on a planet near the core of the
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galaxy we Earthlings call the Milky Way. The planet doesn't have an official
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name, but most visitors call it the Edge. This is probably because of the
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hundred foot high hologram of a flashing neon sign saying "The Edge Of
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Nowhere" that is usually the second thing that the startled traveller sees.
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What's the first thing? I'll tell you later. The Earth time, at the moment, is
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about 1955. Due to the turbulence in the space/time continuum created by the
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core stars, space/time travellers are washed up here all the time. I've heard
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that there is a similar effect at the centre of most galaxies. The Milky Way
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is the only known place where this effect disgorges the flotsam and jetsam
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onto a specific place on the surface of a planet. It seemed a worthwhile place
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to build a hotel and leisure complex. I had nothing to do with the
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construction; I just work here.
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Sounds all very interesting doesn't it? Bet I know what you're thinking right
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now. How did I come by such an ordinary job in such extra ordinary
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surroundings? Admit it. That's what you're thinking. Right? You're not the
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first to have asked such a question. Customers often ask me how I ended up
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here. This is my story. Like many aspects of my life, it starts in an unusual
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manner.
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In any life, there are an infinite amount of points where it can change
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drastically and suddenly by pure circumstance. Millions of seemingly unrelated
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events led to my current state. If they had worked out differently, I would
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not have ended up at the Tavern at The Edge Of Nowhere. The most significant
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event was the "seemingly" coincidental intervention of the fairy fellow. This
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is also his story.
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*****
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To start with, the fairy fellow was unconscious. If he had not been, this
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story would probably never have happened. It seems incredible now when I think
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about it, but even I don't know where I found him. I was lost.
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I'm digressing already. Perhaps it would be better if I threw in a bit of my
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own history first.
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I was living in England when I was made redundant from my job at the Berwick-
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upon-Tweed Matrix shop. I decided to take a long holiday. Other matters had
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been preying on my mind for some time. I was very depressed, but I would not
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have admitted to being suicidal. What was needed was a sabbatical of sorts.
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I've always been fond of backpacking. Without pausing for minor details, such
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as planning the route, I was off to Scotland.
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The flying bus took me to Glasgow. From there, I got a mono-rail to a small
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village called Dalwhinnie. After a food binge at the Ben Alder tea rooms I set
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off into the grey drizzle that lined the edges of Loch Ericht (not a very good
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route). The path ran out after about 10 miles, from there I was walking on wet
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peat and boulders on what was, in places, almost a cliff edge. Indeed, every
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now and then, I had to negotiate large places where the mountainside had slid
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into the loch. At one such place sat a small frog. Strange? The loch was a
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sheer drop of about 80 feet and there was no other water for miles. I knelt
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down and talked to the frog for a while.
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"Gribbit. Gribbit!" I said. The frog just turned its back on me and huddled
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down as if it wanted to go to sleep. "Charming," I said and continued on my
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way.
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I wonder how all these boulders got here? Answer - they had fallen off of the
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tops of the mountains. You don't believe me? Then push aside a boulder and see
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beneath the bodies of passing idiots like me.
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For the first few days, I used the map to walk between places of potential
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interest. The first night I spent in the haunted bothy at the foot of Ben
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Alder. Luckily, I never saw anything ghostly hanging from the back of the door
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in the middle of the night. The story is that a shepherd hung himself there.
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Many people have seen his ghost. I hate the supernatural. When I was about 13,
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I saw something that made my hair go white, but that - as they say - is
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another story...
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The next night was spent in the tent in the middle of Rannoch moor. Next day,
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I wandered off at random not really caring where I went. Rather stupid really!
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I don't know where I pitched the tent that night. I didn't bother to work it
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out on the map. My mind was numb with depression, but lacked specific focus.
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Like the previous nights, I slept like a dead man. The following day I didn't
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go anywhere at all. I spent the day in the tent reading "All Fall Down," by
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Enid Jackson. A fictionalization of the real life story of a woman who was a
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plague carrier. I had been meaning to read it for years. It turned out to be
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totally bland plot wise, but really great for its historical accuracy. I threw
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it away.
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That night in the tent disturbed me greatly. All the bad things that had been
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hiding in my mind during the day came bubbling to the surface in 3-D
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technicolour. My mind was a cinema projecting the same movie again and again.
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Each time the interpretation was minutely different, but the plot remained the
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same. In the soft silent blackness, I brooded about the death of my beloved
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Sarah Brown so many months ago.
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We were staying in Stockport Maine in the good old US of A. I was drunk on
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the night of the accident. We all were. I was driving, my brother Joey and his
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wife Mary were in the back seat. They had come up from New York especially for
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my 21st birthday. The party we had just left had been out in the countryside.
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I can't remember the name of the village, but it should have been called
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"Hicksville". Everybody was related to everybody. The four of us stuck out
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like a sore thumb. Nevertheless, it had ended up a very pleasant evening.
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Sarah was at my left hand side in the passenger seat. We had been dancing all
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night. Not only was it my birthday, but when we were at the party I asked
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Sarah to marry me. She said that she would think about it. Swine!
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It was 2 a.m and I was tired, but happy. Sarah was asleep. Joey and Mary
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chatted quietly. It was raining, very windy and I was driving too fast. The
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moon was bright and full.
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At the side of the road was one of the strangest figures I could have
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expected to see at this time of the morning, or indeed, any time of day. A
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tall stocky man dressed in green tights, short green jacket and a woolly green
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hat pulled well down. At first he reminded me of a stereotyped Robin Hood.
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When the automobile got closer, I spotted his short silvery beard. All in all,
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he was dressed like an actor I had once seen playing the part of Oberon, King
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of the Fairies, in a Shakespeare play. He waved furiously and jumped about a
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lot. I did not know why, but there was something familiar about him that made
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me feel uneasy. He might have been shouting. It looked like it, but I couldn't
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hear anything above the noise of the engine and the wild weather.
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"Bloody loony hitchhiker! No way baby!"
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Almost knocking him down, we roared by spraying him with water from a
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unfortunately placed puddle. Seconds later, at the crest of a blind hill
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darkened by overhanging trees, the automobile struck a large dark shape in the
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middle of the road.
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Something screamed. Human screams followed as the windscreen shattered when
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Sarah was thrown through it. The world spun as the automobile turned over onto
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its top, righted its self again, rammed a tree and skidded down a grassy
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embankment. Sometime during all this, something hit me on the face. Why hadn't
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the crash balloons gone off? The seat belt was breaking my ribs...blackness!
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I don't know how long I was out. Don't think it could have been long. When I
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came to, someone had pulled me out of the automobile. Near by, the fairy
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fellow was bending over Sarah. A glowing band was about her head. It was
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connected by a thin cable to what looked like a large portable computer.
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Distantly, I was aware of the twisted body of a steer lying near by. It must
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have been standing in the middle of the road when the automobile had hit it.
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Jesus wept! Had the citizens of Hicksville county never heard of fencing?
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Trying to protect her from the loony, I tried to stand. A million volts of
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pain surged through my left side. The whiteness of bone glistened in the
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moonlight and the blackness of marrow protruded from the skin of my left fore
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arm. I blacked out again.
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Much later, I found out that I also had two broken ribs on the left side and
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whiplash. Joey's head was badly cut and he had three broken fingers and
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whiplash. Mary had a broken leg and a fractured collar bone.
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I was lucky. If I had not been wearing my seat belt, the steering wheel
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column would have impaled my chest. It was an old automobile; made before
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crushable steering wheel columns became standard.
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Sarah was not so lucky. On her way through the windscreen, hit the dashboard
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hard enough to break her collar bone and all but one of her ribs. Jagged bone
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tore her heart apart. She was dead in seconds - I hope. Never again would I be
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irritated by the way in which she treated all strangers as if they were long
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lost friends. Never again would I run my fingers through her long black hair
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or gaze into those sad grey eyes. Never again would I have to stoop to kiss
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her. The loveliness was gone. The greatness that was Sarah Brown did not exist
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outside of memory. She was wonderful. She was the best. She was dead.
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The memory of her broken body lying on the grass beside the road with the
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stranger bending over it will haunt me till my dying day. Who the hell was he?
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What on Earth was he doing? These questions remained unanswered. You would
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have thought someone so distinctively dressed would have been found quickly,
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wouldn't you? He was never traced.
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Although the accident was over a year ago, I never drank again. She had died
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because of alcohol. Not so deep down, I knew that if I ever took a drink again
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then someone else would die. It would be me.
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As I lay in my tent that night unable to sleep, death the purifier seemed
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like an increasingly good fellow to meet. No job. No kids. No Sarah. No
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future? Yes, it WAS a bloody good idea! How to do it?
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At nearly quarter to four that morning, I left my tent and started to climb a
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nearby hill. It was cold, wet and dark. I left my coat and waterproofs behind.
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I would not need them again.
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Twenty minutes later, I reached the summit of the steep hill. Coincidence had
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provided me with just what I was looking for. The other side of the hill was a
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sheer cliff. Carefully, I approached the edge and looked down into the dark
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beckoning woods below. It would be so easy - so inviting - to take a last step
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forwards into oblivion. A few seconds of freezing flight then silence.
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Forever.
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Obviously, I didn't take that step - so, I'm a coward, big deal! Instead, I
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sat down. Drunk with fatigue, I was in a dreamlike state. I cried for a while
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and then sat in a trance for a long time. Why me?
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Suddenly I jerked to awareness. The sun was up and the view was quite lovely.
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I was cold. I shivered in the cutting wind. My clothes were damp with the rain
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and nervous sweat, but I did not care. For some unknown reason, I felt
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euphoric. I was aware of a warmth - a hope - inside. Everything happens for a
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reason. Sure, life had hit a few too many curve balls recently, but all times
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- even bad ones - change. I think it was George Orwell who said something
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along the lines of, when you're lying on the bottom of the world the only way
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is up. Think I know what he meant.
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I had decided to stand up when I sneezed. Suicide by Pneumonia. I waited a
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few moments for the next sneeze. It is my experience that sneezes are plural
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never singular. The second sneeze never came. Wrong again Tony. I stood up and
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began the weary climb back down the hillside.
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I was thirsty so I stopped and drank deeply from a spring.
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"Oh, God! I need a drink!" I whispered out loud. All at once, with a vice
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like grip, the hand of depression re-clutched my brain.
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By the time I got back to the tent, it was far too bright to try and sleep. I
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got out my stove and heated up a tin of Irish Stew. After only two spoonfuls,
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I felt suddenly sick. I swallowed two caffeine tablets with cold sweet tea and
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reluctantly decided to force the rest of the stew down.
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After some more cold tea - God really knew what he was doing when he invented
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tea and sugar - I folded the tent away and went down to the stream to wash the
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remains of the stew from the pot. I changed my mind and violently threw the
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pot into the white water. The world stinks!
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"And then, one day, all the shit died! So ad bloody infinitum!" I shouted -
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no, I don't understand it either - and went back to the campsite.
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When everything was packed I set off. I didn't plan to go anywhere in
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particular. I didn't even look at the map. It didn't matter. It was the
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walking that mattered. When you walk for a long time, even the best scenery
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eventually gets dull. Your mind seems to switch off. Your body is on
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autopilot. The rhythmic swing of your legs hypnotises you. The hours can go by
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very quickly - if you let them.
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Many hours later, I came to a largish village. Where it was, I don't know.
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There was a licensed grocers and it was open. I bought a bottle of whisky and
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a half bottle of cheap wine.
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I walked for a quarter of an hour until I was sure I would not be seen. My
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water flask hung on the crystalline graphite frame of my rucksack - so it's
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old fashioned, but it still does the job. I opened it, drank half a pint of
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water and poured the rest onto the road. We wouldn't like to end up dehydrated
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- would we?
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I opened the bottle of whisky and poured most of it into the water flask.
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About a quarter was left in the bottle. I held it up to my face and stared at
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the beautiful golden liquid. Oh, such delights it would bring! It sparkled
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magically as it caught the sunlight. I sniffed at the mouth of the bottle. The
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smell made my stomach heave whilst my mouth watered with desire...
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Nostalgia had been triggered. A memory popped up out of the twilight
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zone. Me, aged four, tasting whisky for the first time. It was the
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morning after some sort of party. I had discovered what looked like a
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half full bottle of soft drink. I couldn't read, but recognised the
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bottle as being cream soda. Why was the liquid a sort of brown colour?
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Who cares! I tilted back the bottle allowing the unknown into my young
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mouth and went into an extreme panic at what I tasted. It was fire! I
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spat it out and got a towel to dry my tongue with. The stuff made the
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towel go a funny colour. Who would put such horrible stuff in a cream
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soda bottle? Was that what they called alcohol? If that's what the grown-
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ups call "drinking", they must be mad! Why on Earth would anyone want to
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drink stuff like that? It hurts! I'm never ever going to drink that sort
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of stuff when I grow up!
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...I took a sip. It made me cough. I drained the remainder in one prolonged
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gulp. It burned like hell; yet contained a welcomed comfort reminiscent of a
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long lost friend. "Hello. I'm back! Long time no see," it said happily. I held
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my breath for a while so that I wouldn't cough and threw the empty bottle
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away.
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After my abstinence, the fatigue and my depression, one mouthful of that
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hellish brew would have been enough to make me high. The amount I had just
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gulped down was just plain stupid! Ten minutes later it hit me. My last clear
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thoughts were pathetic.
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"If I wait till I'm starting to sober up, I can sip the rest and stay drunk
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all day."
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It must have worked; for the rest of that day I walked in a trance. The night
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passed like a long shadow. The next day was a hazy dream. The effects of the
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drink could not have lasted that long. I must have bought more, but I don't
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remember.
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When I sort of came to my senses - I don't know how much time had passed - it
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was four in the afternoon. Which afternoon, I did not know. I was overcome
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with exhaustion. I had to get some sleep. It was raining again and I didn't
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have a clue as to my whereabouts. I was walking along a country road. To my
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left was a lake or loch. To my right was a pine forest. I set off into the
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forest looking for a campsite.
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Soon, I came to a large clearing and stopped suddenly. Very suddenly. In
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fact, I fell over.
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Not wanting to get up again, I wriggled out of my rucksack straps and managed
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to open it. I had enough awareness left to find my survival kit. I took out
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the survival bag and, with much difficulty, pulled the toggle which allowed
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the memory metal struts to unfold it. I put my sleeping bag inside, crawled in
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and blacked out.
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Odd people have odd dreams.
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There was a room with no windows. Perhaps a cellar? A stairway seemed to be
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the only way out. I went up the stairs. Dead end. A deep growling laugh that
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sounded strangely familiar. I turned to look.
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At the bottom of the stairs was a terrible apparition. It was a naked sexless
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person. Instead of a head, it had a slimy white skull. Bleeding eyes in sharp
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edged sockets swivelled my way. The thing waited for me. "Come here. I want to
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talk to you," the skull said with a flapping tongue that looked suspiciously
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like a slice of raw liver. Again, laughter. The stairs folded and became a
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smooth slope. I started to slide towards the monster. No! More laughter.
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Terrified, I clawed at the slope until my fingers bled. First time I've ever
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felt pain in a dream! It was so real that I felt my fingernails peel back and
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break. Splinters of wood from the stairs embedded themselves into the open
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weeping flesh. It's only a dream! It's only a dream! Then why does it hurt so
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much? The thing reached out with a massive hand and engulfed my face. Wet.
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Cold. Dark. I can't breath! Laughing! It hurts! When you die in a dream, do
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you die for real?
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And then I woke up. I still couldn't breath. Something was on my face. I
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pulled it away and gulped in air. What had been on my face? It was the plastic
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of the survival bag. The damp morning dew had made it stick to my face.
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Reluctantly, I opened my eyes. My head throbbed and I felt sick. I moved
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slightly and became aware of an urgent need to empty my bladder. It was either
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getting dark or getting light. I pressed the button of my watch.
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"Five p.m." It informed me.
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For Scotland, it was surprising that it was not already dark at this time of
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year. I must have been asleep for over 12 hours. I crawled out of the survival
|
|
bag and gently vomited bile onto the grass. The steam from the mess was vivid,
|
|
white, thick and unreal. I stood up, unzipped my fly and washed the ugliness
|
|
away with a snaking flow of the darkest urine I had ever seen.
|
|
"Thank God, no one can see the state I'm in!"
|
|
I turned around and got the biggest shock of my life. A few feet away, lying
|
|
on the ground, was a bearded man dressed in green tights and jacket. The fairy
|
|
fellow! He was lying face down with one arm outstretched, presumably,
|
|
unconscious. A woolly hat was lying on the ground beside him. His hair was
|
|
white - just like mine.
|
|
My hangover forgotten, I checked him for broken bones and bruises. Nothing! I
|
|
ran my fingers quickly through his hair. If there was a lump there I missed
|
|
it. He was breathing okay and his pulse was strong, so I didn't bother putting
|
|
him into the recovery position. Where could he have come from? Who was he? Why
|
|
was he still so familiar? Could this really be the same person that I had seen
|
|
by the roadside so long ago on that terrible night?
|
|
I stood up and began to look for an automobile or something. Why I assumed
|
|
there would be a vehicle, I don't know - I just did. I didn't find an
|
|
automobile. I found a something. It was roughly the same shape as a two man
|
|
hovercraft, but the controls on the open dashboard were of an unfamiliar sort.
|
|
There was three large digital clock displays. There was no steering wheel,
|
|
foot pedals or wheels. A five foot flywheel was mounted behind the sofa type
|
|
seat. A sort of safety rail ran right around its perimeter. There were no
|
|
doors, but the rail would have to be climbed over to get in.
|
|
Obviously, it was not a hovercraft. It must be capable of moving in some
|
|
other manner. After all, this was the middle of a forest in the Scottish
|
|
highlands. How else could it have got here? Was it some weird ground effect
|
|
machine?
|
|
I climbed in. There was a button labelled EMERGENCY RETURN. I was about to
|
|
press it when a thought struck me. If this ridiculous machine was indeed
|
|
capable of motion; pressing the button might set it off on a journey. Maybe I
|
|
would have trouble switching it off again?
|
|
I climbed out again and carried the Fairy fellow into the vehicle. I settled
|
|
down into the seat beside him and pressed the button marked EMERGENCY RETURN.
|
|
With a hum the fly wheel started spinning. The world began to shake slightly.
|
|
The hum increased in pitch and everything outside of the craft went grey. Look
|
|
again! There was no outside of the craft any more. Just the greyness. I felt
|
|
like a character in one of those cartoons where the hero is running so fast
|
|
that he leaves the cartoon altogether and stands on an empty canvas.
|
|
I felt panic surge over me and I insanely decided to jump over board into the
|
|
nothingness, when the Fairy fellow woke up.
|
|
"Don't," he called.
|
|
I had one leg over the side already. I would have jumped out, but I couldn't
|
|
feel the ground. When the fairy fellow had spoke I felt a giddy sense of
|
|
disorientation. So strong was this feeling that for a moment I thought that it
|
|
was myself who had spoken.
|
|
"Don't do it. I don't know what will happen, but it might be rather nasty,"
|
|
he said.
|
|
For a second or so I thought about diving off over the side and then changed
|
|
my mind. Instead, I withdrew my leg and dropped back onto the seat beside him.
|
|
"What's going on? Who are you?" I was too frightened to be able to say
|
|
anything else.
|
|
"Er, I can't remember, but my head hurts. Who are you?" he ran a heavy
|
|
scarred hand through his white hair and gave a groan. I don't know why, but I
|
|
got the impression that he was lying and that he knew perfectly well who I
|
|
was.
|
|
"Tony Wheelbough," I said.
|
|
"I know!" he said laughing.
|
|
"Know what?" I said.
|
|
"I remember what's happening now. Well, sort of! You shouldn't be here with
|
|
me. As to what the hell is happening, things are still a bit hazy. Are you
|
|
flying this thing?"
|
|
"No. I hit the emergency return button."
|
|
"I don't think that I remembered to set it, so we'll end up in the right
|
|
place probably at the wrong time."
|
|
"What?" I said again.
|
|
"Oh wise up Tony! Haven't you worked it out yet? This is a time machine."
|
|
"Like the TARDIS?" Given my current position, you would think that it would
|
|
have been difficult to mock the fairy fellow. Still I tried.
|
|
"Not quite. More like the one in that antique film."
|
|
"Back To The Future?"
|
|
"No!" he said in annoyance. "That's not old enough to be an antique. I'm
|
|
talking about that film about a time machine that was called er, The Time
|
|
Machine. It's your favourite film."
|
|
"How would you know?"
|
|
The greyness changed. In its place was a reddish sky and grass so dark that
|
|
it was almost black. In front of the time machine were two extraordinary
|
|
things. The first was the skeleton of a whale. It was instantly recognisable
|
|
as a whale simply because it could not have been anything else. It looked as
|
|
if the bones had been polished and was quite beautiful in an odd sort of way.
|
|
The second extraordinary thing was a gigantic flashing neon sign which floated
|
|
unsupported in the air above what looked like an old Edwardian manor house. It
|
|
said;
|
|
|
|
T H E E D G E O F N O W H E R E
|
|
|
|
"We've arrived," said the fairy fellow.
|
|
"Please tell me what is going on?" I whimpered.
|
|
"Sorry no time. Must be off. Go to the help booths over there." My eyes
|
|
followed as he gestured towards a row of what looked like cash dispensers set
|
|
into the side of a wall standing in front of the manor house.
|
|
"But...but?"
|
|
"Hurry up. I shouldn't be here at all. Causality violations and all that
|
|
stuff. Savvy?" He vaulted over the safety rail, ran round to my side of the
|
|
machine and roughly pulled me out onto the dark grass. Next he lifted up the
|
|
seat of the craft to expose a storage area which was filled with several
|
|
bits'n'pieces. He removed what might have been a large portable computer. A
|
|
familiar glowing band was attached to it by a single thick cable. He carried
|
|
them over to a second, identical, looking time machine parked near by. Opened
|
|
the seat locker, dumped his cargo in, slammed the seat shut again and climbed
|
|
inside.
|
|
"Be seeing you," he grinned.
|
|
"Wait!" I shouted.
|
|
"The help booths. Go to the help booths!" he pointed again.
|
|
Then he and the time machine were gone. It was as simple as that. One second
|
|
he was there sitting in the machine smiling and the next he was gone. There
|
|
was no fading involved. No bang of air rushing in to fill a vacuum. Just a
|
|
sharp crack like a large piece of elastic snapping and I was alone on the dark
|
|
grass beside the skeleton of an extinct sea mammal.
|
|
Not for long though!
|
|
There was another sharp crack to my left. I looked and saw, perhaps 50 feet
|
|
away, a large object where nothing had been seconds ago. It looked like a
|
|
miniature version of the part of an oil rig that shows above the waves. I
|
|
guess its height must have been around the 30 foot mark. As I watched, a door
|
|
opened, a ramp extruded and three people got out. I say people only because
|
|
the creatures were humanoid and walked on hind legs. Instead of clothes they
|
|
were covered in tidy green feathers and had several belts hung about
|
|
themselves. One of them looked in my direction and gave a wave and a whistle.
|
|
"Hi!" it said when I didn't answer its whistle.
|
|
Its face was much like I imagined a human being's would look if it was
|
|
covered in feathers. To my surprise there was no beak on the face nor was
|
|
there any sign of wings on the body. It turned back to its companions and they
|
|
walked off towards the building. "Some people!" one of them muttered quietly.
|
|
What I needed at that moment was a book entitled, How To Stay Calm. As no
|
|
such publication was available, I decided to follow the bird-men at a discreet
|
|
distance. Nearer the building, I could see the words, "Edge Of Nowhere"
|
|
carved in the stone above the main doors. To the right and left were smaller
|
|
sets of double doors. Over one set of doors a small black and gold sign said,
|
|
"The Last Restaurant". Under the sign was a painting of a cobbler's anvil with
|
|
a ballet slipper in the background. Very funny I don't think! LAST, huh! Over
|
|
the other set of doors a sign said "The Tavern". There was no painting beside
|
|
this sign. It was through the latter that the bird-men went. I tried to
|
|
follow, but could not. It felt as if something was pushing me back. At first
|
|
it was as if I was walking into a strong wind that slowly increased the nearer
|
|
I got to the building. When I was about 15 feet from the front door the force
|
|
was so strong that my progress was halted. What now?
|
|
I turned, intending going over to the so-called help booths and was pushed
|
|
over by the invisible force and dragged a few feet back the way that I had
|
|
came. Oh, why can't I have piece and quiet to enjoy my hangover?
|
|
The nearby help booths looked a bit like cash dispensers except for a dark
|
|
hole where the money would come out and a much larger landscape screen
|
|
containing many lines of text. The first line of text was English. The second
|
|
looked like Russian. The next might have been Mandarin. The next 30 or more
|
|
lines were a mystery to me. I later found out that some were other Earth
|
|
languages an others Alien dialects. Here is what the English text said,
|
|
IF YOU CAN READ THIS, TOUCH IT.
|
|
I did as I was told.
|
|
ARE YOU FROM EARTH?
|
|
A full sized drawing of a keyboard appeared in the screen. Slowly, I typed in
|
|
my answer.
|
|
"Yes."
|
|
WHAT TIME?
|
|
"2040."
|
|
IS THAT A.D?
|
|
"Yes."
|
|
WHAT UNIVERSE?
|
|
"Don't understand."
|
|
WHAT IS YOUR NAME?
|
|
"Tony Wheelbough."
|
|
PLEASE WAIT THERE IS CONFUSION!
|
|
More than a minute goes by.
|
|
DO YOU UNDERSTAND ANYTHING THAT HAS HAPPENED TO YOU TONY?
|
|
"Not much."
|
|
DO YOU WANT TO?
|
|
What a dumb question! It was tempting to give a negative answer, but it was a
|
|
machine and wouldn't catch the irony. It would probably would just say
|
|
goodbye. Instead, I answered in the positive.
|
|
The help booth went on to tell me lots of things about the Edge Of Nowhere.
|
|
Like the nature of the invisible barrier that prevented my progress earlier.
|
|
It was nothing more than a fancy type of force field nicknamed a friction
|
|
field - true friction fields don't exist. The nearer you got to it the harder
|
|
it became. Fine, I had already guessed as much. What's it for? This was pretty
|
|
obvious when you thought about it. To keep out undesirables.
|
|
Time travellers don't always arrive by time machine and are not necessarily
|
|
friendly or even sentient. It's not unusual for a tiger or something equally
|
|
vicious to get caught up in a naturally occurring time warp and be thrown out
|
|
near the Edge Of Nowhere. When the planet was discovered there were all sorts
|
|
of skeletons - even a few human - and other junk lying about in and around the
|
|
arrival zone. There is no surface water on this planet and nearly all the
|
|
vegetation is poisonous (to Earth creatures anyway), thus the skeletons. This
|
|
zone is roughly triangular with sides slightly less than 10 miles long. Right
|
|
in the middle is a safe zone where nothing is ever washed up by the currents
|
|
of time. This is where the complex was built. For extra security, the force
|
|
field was added. All the junk was cleared away to make room for arriving
|
|
space/time craft - actually, nearly all of the visitors are space, not time,
|
|
travellers. Travelling any distance through space involves a certain amount of
|
|
mucking about with time. The only piece of junk that was allowed to remain was
|
|
the skeleton of a blue whale. It was moved nearer to the force field, covered
|
|
with preservative and polished.
|
|
This was all very interesting stuff, but how do I get in?
|
|
YOUR KIRLIAN FIELD MAY BE ADJUSTED.
|
|
May be adjusted? I knew what a Kirlian field is. It's a sort of electrical
|
|
force that surrounds everything. Some people call it an Aura. Even as early as
|
|
the twentieth century it had been photographed by a special process. According
|
|
to the help booth, by the twenty-third century it was almost universally
|
|
accepted that the Kirlian field is actually the soul. Inanimate objects have
|
|
'pretend' souls. Animals have partial souls that will grow into the full thing
|
|
if self-awareness occurs. The friction field that protects the Edge Of Nowhere
|
|
is triggered by the lack of a key patch in the person's Kirlian field. The
|
|
patch is attached to the individuals Aura by the help booth if it is satisfied
|
|
that the person is not dangerous. Unfortunately, Kirlian technology is an
|
|
inexact science. One in every ten thousand people has a naturally occurring
|
|
patch similar enough to a key so that the force field ignores them. According
|
|
to the help booth, the chances that one of these people would turn out to be a
|
|
threat to the Edge Of Nowhere is so low as to be negligible. I'm not so sure.
|
|
Life is full of impossibilities. Well, mine is!
|
|
My Kirlian field was, indeed, adjusted. After it had answered my questions,
|
|
the help booth asked me all sorts of questions. Some of them were quite odd.
|
|
For example,
|
|
ARE YOUR MOTHER AND FATHER ALIVE?
|
|
"No."
|
|
WILL ANYONE MISS YOU?
|
|
"Doubt it."
|
|
DO YOU LIKE COMMUNICATING WITH STRANGERS?
|
|
"If you mean gossiping, then yes."
|
|
And so on, and on and on...
|
|
At the end of it all, I was thanked for being so helpful and was told to put
|
|
one of my arms into the dark hole to the left of the screen.
|
|
BE CAREFUL NOT TO TOUCH THE SIDES OF THE HOLE OR YOU WILL GET A PAINFUL
|
|
ELECTRICAL SHOCK.
|
|
I was careful and did not receive a shock. My soul was marked and I was free
|
|
to enter the Edge of Nowhere. There was one last question for me.
|
|
THE ANSWERS YOU HAVE GIVEN AND THE SIGNS IN YOUR KIRLIAN FIELD SHOW THAT YOU
|
|
WOULD MAKE A GOOD BARMAN. SUCH A POSITION EXISTS HERE. ARE YOU INTERESTED?
|
|
"No."
|
|
YOU ARE LYING.
|
|
"No, I'm not."
|
|
THEN YOU HAVE NOT PROPERLY CONSIDERED THE MATTER.
|
|
"I do not want a job as a barman."
|
|
YES YOU DO.
|
|
"I do not!"
|
|
THIS UNIT IS INCAPABLE OF LYING. IT HAS BEEN IN CONTACT WITH A PARTY OR
|
|
PARTIES FROM ITS OWN FUTURE. APART FROM SHEILA STEVENS, TONY WHEELBOUGH IS THE
|
|
NAME OF THE MOST WELL KNOWN BARMAN THAT WILL EVER WORK IN THE 'TAVERN'.
|
|
"I don't care."
|
|
I AM PERMITTED TO TELL YOU THAT AS A DIRECT RESULT OF TONY WHEELBOUGH
|
|
BECOMING A BARMAN IN THE TAVERN, THE INDIVIDUAL KNOWN AS SARAH BROWN WILL BE
|
|
BROUGHT BACK FROM THE DEAD IN A FEW MONTHS TIME. THIS INFORMATION IS ACCURATE,
|
|
BUT CANNOT BE PROVED AT THIS TIME.
|
|
Oh, my God! How could this machine know about Sarah Brown? Fumbling, I
|
|
hurriedly typed in a question.
|
|
"Explain?"
|
|
THIS INFORMATION HAS BEEN SECURITY-PROTECTED. IT WILL NOT BE REPEATED.
|
|
FURTHER INFORMATION IS NOT AVAILABLE. THIS UNIT WILL DENY ALL KNOWLEDGE OF
|
|
EVENTS ALREADY GIVEN.
|
|
The information was indeed security protected. I questioned it for a while,
|
|
but it acted dumb and denied saying anything about Sarah Brown. There was
|
|
nothing else I could do. This was blackmail! Reluctantly, although intrigued,
|
|
I turned away, walked a few tens of feet - unmolested by the force field - and
|
|
entered the Tavern for the first time. My life was changed for ever.
|
|
Approximately 100 days later.
|
|
It would be fair to say that I settled in quickly. As is often the way with a
|
|
new job, at first, I was slow and made a lot of mistakes. No one seemed to
|
|
mind too much. I was rather scared of aliens for a while. The bird-men turned
|
|
out to be okay - although rather vain. They were the only aliens who actually
|
|
came from somewhere I'd heard of. They came from a planet that circled
|
|
Arctaurus. Luckily, the customers were mostly human.
|
|
I don't think that there is much point in going into lengthy about my duties
|
|
or the bar itself. Bar work is the same the Universe over; serving drinks,
|
|
dealing with drunks, working odd hours and cleaning up vomit. And that's just
|
|
the good things!
|
|
This bar room is not particularly different from any other bar room. It is
|
|
about eighty feet wide and perhaps three hundred long - rather larger than
|
|
most. The three hundred feet of mirror which lines the back of the actual bar
|
|
is interrupted every twenty or so feet by doors that lead into the back stores
|
|
and kitchens etc,. The back eighty or so feet - looking from the main door -
|
|
is partitioned into booths that can hold eight people at a squeeze; more if
|
|
the tables are folded. Lighting is very subdued here. Just the place for
|
|
lovers to hide and stare into each other's eyes. Pity we rarely get them in
|
|
here. Finally, at the very back are the sleeping booths. These are
|
|
affectionately known as "Coffins" by the regulars. They are over seven feet
|
|
long and about three wide and high. Although the bar room has a high ceiling,
|
|
the sleeping booths are stacked three high. From a distance, the wall behind
|
|
the partitioned tables looks like a mausoleum wall. Instead of brass plaques,
|
|
the doors had windows with blinds.
|
|
Tonight is fancy dress night in the Tavern. The bar is more crowded than
|
|
usual. I'm dressed as Robin Hood. I've got on green tights, a green jacket and
|
|
I'm excited. Very excited. I've just realized how I can save the life of my
|
|
beloved Sarah. I can do it without braking the laws of time - not that there
|
|
are very many.
|
|
Earlier this evening I was in conversation with a rather drunk woman from the
|
|
twenty-fifth century. I cannot remember her name. She was plain-looking with
|
|
the most astounding legs I've ever seen. The subject of the conversation was
|
|
Kirlian fields and the way in which the soul stays with the body throughout
|
|
all eventualities.
|
|
"To start with," the woman with the incredible legs sai (she was dressed as a
|
|
black and white cat), "The Kirlian field isn't the soul. It's just an effect
|
|
caused by the presence of a soul. No one can detect a soul yet. Give me
|
|
another Traffic Lights."
|
|
I mixed her drink badly and the colours blended together into a yucky mess.
|
|
She didn't mind. Just shrugged, sipped at it and continued her tale.
|
|
"We all have a longer life than we think. The soul can jump between
|
|
realities. Let's say that your anti-grav failed..."
|
|
"Your anti-grav failed," I irritated - I'm good at that. "...but you
|
|
survived the drop only to be rushed into intensive care. Somewhere about then,
|
|
reality branches into two or more paths. In one path you die from your
|
|
injuries. In another you manage to survive. Your soul will follow whichever
|
|
reality is the more probable. In this case, your death is the most probable so
|
|
your soul follows that path until you die. If conditions are right, the soul
|
|
goes on to some other place."
|
|
"You mean Heaven or Hell?" I said.
|
|
"Who knows? If the conditions aren't right the soul jumps into the next
|
|
probable reality line and attaches itself to your body in the reality where
|
|
you didn't die," she smiled and lit up a synthi-joint. "Good huh?"
|
|
Her smile did something to me. It was every bit as appealing as her legs.
|
|
Suddenly, I felt very sad and in need of a cuddle. Even although the Tavern
|
|
was pretty busy, I felt very alone and insignificant.
|
|
"What if there is no other reality for the soul to go to and the conditions
|
|
aren't right for it to go on?" I said.
|
|
"It becomes a ghost, of course," she sneered as if I was very stupid.
|
|
"If we only have one soul, what about all the other time lines. There is
|
|
bound to be other alternate time lines about with copies of both of us in
|
|
them. Do they have souls or do we have them?"
|
|
"You're being daft now. You told me that you already know about pretend souls
|
|
and partials. When the time lines split, the soul travels on the most probable
|
|
time line whilst a pretend soul goes on any others. If the alternate time line
|
|
is a strong one, the pretend soul will eventually become a partial which
|
|
probably will develop into the full blown thing at a later date. See?"
|
|
"Right," I said.
|
|
"When you arrived here at the Edge, you probably only had a pretend soul
|
|
cause something pretty dramatic must have happened otherwise you'd never ever
|
|
have ended up here. You with me?"
|
|
"Still," I said.
|
|
"By now it's grown into a full one again or been replaced by the original
|
|
from your dead copy in the alternate time line. Maybe am wrong! Maybe it was
|
|
inevitable that you'd end up here no matter what happened! Am I making any
|
|
sense or am I just drunk again? Does anyone care anyway? More importantly, are
|
|
there any pretzels?"
|
|
I fumbled about under the bar and got a bag of Unicorn Horn shaped pretzels,
|
|
poured them into a dish and gave them to Miss lovely legs.
|
|
"Thanks," she said and licked at the tip of a pretzel in an uncomfortably
|
|
suggestive manner. Actually, it was not really all that suggestive. It was
|
|
just wishful thinking on my part. At the back of my mind all I could see was
|
|
her legs. Legs which I had only glimpsed for a few seconds as she entered the
|
|
room and crossed to the bar. Oh, hurry up and go to the powder room so that I
|
|
can look at them again!
|
|
"It all sounds very convenient. Don't get me wrong, I'm not calling you a
|
|
liar, but it all sounds a bit fishy to me. How did you come by this
|
|
information?"
|
|
"It's a matter of history. You can check it out. This scientist guy built an
|
|
artificial soul..."
|
|
"If no one has detected a soul yet," I interrupted, "let alone seen one, how
|
|
could he build one?"
|
|
"I'm not the bloody scientist! You want to hear this or not?" she said
|
|
indignantly, blowing smoke into my face.
|
|
"Okay! Okay! Sorry. Please continue. I didn't mean to offend." "You better
|
|
not have. Right then, er...what was I saying?" She was beginning to slur her
|
|
words.
|
|
"A matter of history," I said.
|
|
"Oh, right! This artificial soul was made for an artificial intelligence that
|
|
existed inside a computer matrix. It was a copy of the scientist's own brain
|
|
pattern with artificial thoughts added. It was set up so that the thought
|
|
patterns were not conscious. Like it was living, but in a coma. Follow?"
|
|
"Why?" I said.
|
|
"Patience my dear. We're getting there. It was a question of morals. If the
|
|
copy of his own brain stored in the computer was given an artificial soul that
|
|
later developed into a real one, then it would be alive. It was not moral to
|
|
kill a perfectly good mind just for the experiment. See what I mean?"
|
|
"Yup," I agreed.
|
|
"When the artificial soul developed to a real one - and it did - the
|
|
intelligence was copied to a second computer matrix. The soul stayed in the
|
|
first matrix until it was shut down. Effectively, the artificial intelligence
|
|
was dead. The soul left the first matrix and locked on to the second matrix
|
|
which was a copy of the mind that had been killed."
|
|
"Hold on there! Have I got this right? You're saying that in your century, a
|
|
human mind can be copied into a computer matrix and it continues to live? That
|
|
the soul moves to the matrix on the person's death?"
|
|
"Well, er yeah? That sounds about right. Provided that the copy in the
|
|
computer matrix hadn't had enough time to develop its own soul."
|
|
"How'd cloning technology work out? Could a body with an empty mind be grown
|
|
and the computer copy of the mind moved into it?" I was suddenly very excited.
|
|
Something was beginning to form at the back of my mind. The traditional light
|
|
bulb was waiting to pop.
|
|
"I see what you're getting at. Yes. It's been done plenty of times. You'd
|
|
have to record the person's brain patterns before or at the moment of death."
|
|
Pop!
|
|
The master stroke!
|
|
"Thank you!" I leant across the bar and planted a big wet one right on her
|
|
kisser and hurriedly left the bar.
|
|
"Wait! Any chance of a large bloody Mary?" she called after me, but I was
|
|
gone. Solid gone.
|
|
Working fast, I called in a few favours. Within the hour, I was climbing out
|
|
of the Tavern's time hopper carrying a large portable computer. I still wore
|
|
my Robin hood outfit, but had also put on a white artificial beard so that a
|
|
certain person would not recognise me. I left the computer in the field beside
|
|
the hopper. Both were water-proofed so there was no danger of the rain causing
|
|
short circuits.
|
|
I hurried to the roadside to check the lie of the land. Oh no! I had arrived
|
|
later than I thought! Not too far away was a speeding automobile. Without
|
|
thinking, I panicked and jumped up and down shouting "Stop!"
|
|
The car sped through a large puddle drenching me. Without pausing to watch
|
|
for the inevitable, I ran back to the time hopper, collected the portable
|
|
computer and ran for the top of the hill. I did not see the crash, but I heard
|
|
it. It was not very nice. I shuddered at the deja vu.
|
|
I ignored the dead steer lying half on the road half on the grassy field and
|
|
went straight for the still figure nearby. It took me a great deal of courage
|
|
not to look at the dying body of Sarah Brown. I put the sensor band on her
|
|
head and started the memory dumping process.
|
|
There was a strong smell of gasoline in the air. I knew that the automobile
|
|
would not explode, but the fumes from the gas could be harmful. Just to be on
|
|
the safe side, I pulled the other three from the wreck.
|
|
I did not feel at all strange when I pulled Tony from the wreck. I was too
|
|
worried about Sarah to be unnerved by the oddness of the situation. I dragged
|
|
them all away from the wreck and went back to check on Sarah.
|
|
The computer had finished recording her memories. I cut a lock of her hair
|
|
off with a pair of small folding scissors which I'd brought with me
|
|
specifically for that purpose. There were no romantic reasons for this action.
|
|
I needed a sample of her DNA. A sound made me look away. It was Tony. He was
|
|
trying to sit up. For a few seconds he looked at the bone sticking out of his
|
|
flesh and fainted again.
|
|
Sarah Brown's body was definitely dead by now. I carried her mind back to the
|
|
time hopper. If the conversation I had heard earlier had been correct, the
|
|
real Sarah Brown was now in the computer. It was not just a copy. When she had
|
|
died, her soul had either went on to the eternal place - unlikely - or was now
|
|
in the computer with her memories. I lifted the time hoppers seat and placed
|
|
the computer into the space beneath. Elated, I lowered the seat, got back in
|
|
and turned the machine on and...but wait! What had I forgotten? This had all
|
|
happened months ago by my way of thinking. I felt confused. I think that I was
|
|
supposed to jump forwards, just over a year, to Scotland, but why?
|
|
I couldn't remember why. Nevertheless, I guessed at the co- ordinates and
|
|
pulled out into the time lanes. Oh, yuk! I hate this grey cocoon that
|
|
surrounds the time hopper. It makes me travel sick. Wasn't there a way to make
|
|
the field transparent so that I could see where I was going? Yes there was. I
|
|
had read the handbook a few weeks ago. Ah, yes! I know what to press.
|
|
Obviously, I pressed the wrong buttons. The time engines cut out and the
|
|
craft hung powerless several feet above a clearing in a forest. Perhaps it was
|
|
a side effect of the decaying time field, the time hopper bucked like a wild
|
|
thing and threw me right over the safety rail. I was lucky because the ground
|
|
broke my fall. That's not as stupid as it sounds. If I hadn't been interphased
|
|
with reality properly, I would have fallen through the ground and kept on
|
|
going. Not that I'd be alive for long -the air out there would have been
|
|
intangible too. I think my hat came off when I hit the ground. Then I blacked
|
|
out.
|
|
When I came to, I was back in the time hopper. I could tell that we were
|
|
moving because of the greyness. A familiar figure beside me looked as if he
|
|
was going to jump overboard.
|
|
"Don't," I called, "Don't do it. I don't know what will happen, but it might
|
|
be rather nasty,"
|
|
After a few uncertain seconds, he withdrew his leg and dropped onto the seat
|
|
beside me.
|
|
"What's going on? Who are you?" he mumbled, obviously very frightened. I was
|
|
a bit worried myself, but at least I knew what was going on. Well, sort of!
|
|
Perhaps I should lie to him? I don't remember much about this bit the first
|
|
time round?
|
|
"Er, I can't remember, but my head hurts. Who are you?" I groaned.
|
|
"Tony Wheelbough," he said.
|
|
"I know!" For some reason the whole situation struck me as suddenly very
|
|
funny. The rest of what happened you already know. It was exactly as the
|
|
first time only the vantage point was different. We arrived at the Edge Of
|
|
Nowhere. I transferred to the other time hopper taking the computer with me.
|
|
Tony was looking rather confused so I told him to go to the help booths.
|
|
Moments later and I was back at the Edge of Nowhere. This time in my own time
|
|
line. I gave the memories of Sarah Brown and her lock of hair to the
|
|
appropriate person - Doctor Mary Cope - who returned to her own time to where
|
|
the new body had been cloned three years ago. She sent the lock of hair back
|
|
in time to her self so that the cloning could take place and began the
|
|
transfer of the memories into the three year old result of that cloning. The
|
|
computer memories were erased and the soul jumped to the new body.
|
|
Sarah settled into her new body okay, came back from the future to the Edge
|
|
Of Nowhere, fell in love with me all over again, married me and lived happily
|
|
ever after - except that that was not quite the way in which it happened. It
|
|
might have worked out that way in the movies, but this was real life.
|
|
To start with, her new body looked only about 15 years old - pretty good
|
|
since it only took three years to grow it. Call me old fashioned, but I felt
|
|
extremely uncomfortable touching it. The Sarah that I'd know was a woman. This
|
|
was the body of a child. She too was also uncomfortable with her new body,
|
|
though not in the same way as me. It was the way in which she moved that
|
|
bothered her. Everything, even a human body, needs to be run in. Her new body
|
|
just didn't "feel" right. Her legs felt wrong and the balance was off. On top
|
|
of that, she had a bad case of "future shock". Months passed before she could
|
|
except what had happened and learn to enjoy life again. Trouble was, there was
|
|
far too much to enjoy for my liking. How could our relationship grow if there
|
|
was that many new things and people in her life that I never occupied her
|
|
thoughts any more?
|
|
Eventually, I couldn't handle things any more and had to talk about it. The
|
|
talk lasted quite a long time. There was no argument. It was quite tender
|
|
really. Quite sad. In the end we decided to split - she decided to split. I
|
|
couldn't decide anything. Perhaps it really was for the best? She got a job in
|
|
the Last Restaurant and works there still. Sometimes we meet and talk.
|
|
"We can still be good friends," she said.
|
|
"Yeah, course we can," I lied.
|
|
She may be able to be friends, but I could never be. Not now. She had taken
|
|
my heart and broken it into tiny pieces. Fragments of love scattered through
|
|
time. Very bloody appropriate! What was I to do now?
|
|
What indeed?
|
|
When the current of love batters you, sometimes you just got to lean into it,
|
|
other times you got to go with the flow and see what else turns up.
|
|
|
|
*****
|
|
|
|
So that's my story. Another story of love and death. I suppose it's pointless
|
|
in the end to anyone but me, but you had to ask and the telling has helped me
|
|
to understand my life a bit more.
|
|
"But, what was the master stroke?" Do I hear you ask? Back when I started
|
|
this memoir, I would have been tempted to say something dull like, "It all
|
|
was!" but now I know what it was.
|
|
I never leant into it. I went with the flow. That was the real master stroke.
|
|
|
|
(C) Bryan H.Joyce - 27/Feb/92
|
|
Final version 27/Aug/92
|
|
|
|
|
|
= THE LAST NINJA =============================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Hang Foy Soozooki held his hands above his eyes, peering at a cloud of dust
|
|
gathering at the horizon. It warned him that something was coming, something
|
|
potentially dangerous. He had been trained for many years, perhaps too many
|
|
actually. His instincts he trusted unreservedly. He signalled his loyal
|
|
servant, Sjau Long, to take cover.
|
|
"But don't folget," Hang Foy added, sounding important, "to tly and look at
|
|
what I might do. You will lealn flom it!"
|
|
Hang Foy Soozooki, last of the true Ninjas of the Ancient Pagoda of Tjang Kai
|
|
Tjec, put his gear down beside him. He carefully laid on the ground his
|
|
sheathed Samurai sword, took from his pockets his razor-sharp Shurigen and
|
|
removed from his shoulder his Sanyo PLT-1001 Turbo Injection Ghettoblaster. He
|
|
knelt down to the ground, putting his ear to the soft dry soil.
|
|
"Hmmm..." he murmured. In his mind he raced through the countless
|
|
possibilities he had been taught at the pagoda. Sure-footed deer? Post-
|
|
Korean Half-track vehicle? Anyone seeing Master Soozooki on the ground like
|
|
that would have been baffled at the concentrated execution of what is known by
|
|
the Samurai of old as The Play Of Elephant And Mouse Stamping Together.
|
|
"Hmmm..." he murmured again. It was more difficult than he had dared to
|
|
anticipate. Through the arid soil the resonance sounded like a herd of Eastern
|
|
Mongolian Groundhogs one moment and like a Transylvanian Butterfly landing on
|
|
a common Forget-Me-Not the other. Master Soozooki, however, wasn't just any
|
|
other Learned Samurai. Carefully weighing the possibilities, taking into
|
|
consideration multiple geographical and ecological factors, his eyes lit up
|
|
with knowledge.
|
|
"No doubt," he proudly exclaimed to himself, "this must be an Alabian
|
|
tholoughbled, callying a pelson weighing apploximately seventy-six kilos,
|
|
wielding an 18th Centuly rifle at his left hip, and..."
|
|
His servant interrupted from the bushes. "May youl evel-so-humble and
|
|
plobably nonwolthy selvant, speck of illitating dust in youl eyes, know how
|
|
much that is in pounds?" Obviously, Sjau Long had had an English education.
|
|
Which says it all, really.
|
|
"El..." Hang Foy said, distracted. From a pocket he took a small device and
|
|
pressed a few buttons. "Onehundledandsixtyseven point fiftyfive," he replied,
|
|
"Now whele was I?"
|
|
He was about to kneel down for another session of The Play when he heard a
|
|
polite cough. Stifling his rapidest of killing reflexes, he slowly turned
|
|
around to behold a man on a horse, accompanied by a man of rather smaller
|
|
stature who sat on a mule. The man on horseback, one of slender build and long
|
|
moustache, carried a flag with a white windmill with wooden wings embroidered
|
|
on it. They appeared to have been standing there for a while already, watching
|
|
the Ninja during most of his Play. There was wonder in their eyes.
|
|
"Please, sir," the man of small stature said, "my master and myself appear to
|
|
have gotten lost. Might you be able to tell us the way to Portugal, or inform
|
|
us as to our current whereabouts? We have windmills to fight, you see."
|
|
Hang Foy Soozooki was speechless. There was no other way to be, for the small
|
|
man had spoken some obscure Iberic language that appeared not to have been
|
|
taught at the Pagoda. Ancient Sumerian, post-modern Serbo-Croatic, any of the
|
|
hundreds of Indian dialects, Master Soozooki mastered them like the most
|
|
fluent of natives. Somehow he seemed to have missed the lectures needed for
|
|
the proper understanding of what was being said now. He would have to resort
|
|
to The Art Of The Prime Directive: "If All Else Faileth, Look Nonplussed."
|
|
He did. The strangers were not impressed.
|
|
From the safety of the bushes, Sjau Long cast a careful glance at the scene.
|
|
Was that the man carrying an 18th Century rifle at his left hip, astride an
|
|
Arabian thoroughbred? He was, somehow, beginning to have second thoughts about
|
|
Master Soozooki's supposedly infinite Ninja capabilities. He ducked quickly as
|
|
he noticed the man on horseback scanning the surroundings.
|
|
Master Soozooki had to regain control over the situation. There was only one
|
|
way. He had perhaps never actually been top notch at some of The Plays and
|
|
The Arts, but he had never come across an equal when it came to deftly
|
|
handling a Samurai sword. He took from the floor the sheathed sword, then
|
|
bowed slowly to the strangers.
|
|
Suddenly he assumed a defiant position, spreading his legs somewhat, and
|
|
within a fragment of a moment a gleaming Samurai sword was frantically
|
|
attempting to cut air molecules in two.
|
|
"Hakkitakki Wegballezakki!" he yelled, his voice resonating with excitement
|
|
and Ancient Pride, "Banzai! Carpe Diem!"
|
|
Dust rose around the quickly moving form of the Last of the Ninjas. Flashing
|
|
metal could be discerned at various instances, and miscellaneous other cries
|
|
erupted from his being. A horse whinnied. A flag, still erect from within the
|
|
cloud of dust and debris, shook. When Master Hang Foy Soozooki had finished
|
|
looking like, let's be frank, an utter fool, he bowed once more to where he
|
|
assumed the various parts of the strangers would be lying now. Sjau Long had
|
|
tried to follow what had been going on, but the dust had been impenetrable for
|
|
his untrained sight.
|
|
When the dust had settled, Sjau Long saw a Ninja with two hoof imprints on
|
|
his posterior, bowing to an empty patch of road where lay a Ghettoblaster hewn
|
|
meticulously in two. Sjau Long, deeming the moment opportune, revealed himself
|
|
from the bushes. He examined the Ghettoblaster - *his* Ghettoblaster - and
|
|
peeled from it a Metallica tape. He was disappointed to note it was hewn in
|
|
two, too.
|
|
"Kakki!" he said.
|
|
|
|
A long man of rather slender build stopped his horse before passing out of
|
|
sight beyond the crest of a hill. His servant, somewhat less slender and not
|
|
as long either, sighed deeply.
|
|
"Come on Sancho," the man said.
|
|
"I think I see a windmill," the servant remarked, matter-of-fact.
|
|
"Where?" the man peered.
|
|
"There, just beyond the far horizon."
|
|
"Let's go then."
|
|
Several moments later, their flag also disappeared from sight.
|
|
|
|
That evening, around sunset, Sjau Long had recovered from the loss. Master
|
|
Hang Foy Soozooki was still bragging about his ability to totally obliterate
|
|
two men as well as the animals they had presented themselves on. He admitted
|
|
to regret the fact that he seemed to have destroyed the flag too - he would
|
|
have liked to retain a souvenir. They hadn't run into any trouble for the
|
|
remainder of the afternoon, though the sudden apparition of a Japanese
|
|
Emperor's Ghost had unsettled them for a few moments. It had disappeared as
|
|
quickly as it had come, though. Master Soozooki had used the occasion to show
|
|
off some more of his flashing sword technique - known at the Pagoda as Lotus
|
|
Decapitation. Although he had nearly made himself the Lotus, it had
|
|
effectively scared off the apparition.
|
|
It was already getting pretty dark. Master Soozooki decided they would have
|
|
to find a place to stay and make a fire for the night.
|
|
"Sjau Long," he ordered, "please use youl humble talents to conceive a file."
|
|
The Master's servant took a lump of wood and a bottle of Stroh Rum, after
|
|
which he went away for about a minute. It was one of the few tricks that
|
|
Master Soozooki had taught him. The Act Of The Dragon, he believed it was
|
|
called. Several instants later a loud "AAALLGGGAALGL!" rolled and bounced
|
|
through the evening silence, after which a viciously besweated servant came
|
|
back from the bushes carring a half-empty bottle of particularly strong liquor
|
|
in one hand and a burning lump of wood in the other.
|
|
They had barely warmed their hands at the fire and Master Soozooki had not
|
|
yet started the usual recitation of the past heroic events of himself and his
|
|
forefathers when a high buzzing became audible.
|
|
If there was one thing Ninja Master Hang Foy Soozooki hated most fervently,
|
|
it was gnats whizzing around his head. His narrowed eyes followed the small
|
|
arthropod without moving his head as much as a fraction of an inch. Not losing
|
|
sight of the nasty buzzing insect, he fumbled for his Samurai sword. After
|
|
stifling a cry and retreating a burned hand from the fire, he located his
|
|
sword and slowly unsheathed it. He had never moved that slowly. After about
|
|
fifteen minutes, the gnat had still not decided to fly away, the sword,
|
|
gleaming eerily in the flickering flames, was positioned vertically before the
|
|
Ninja. Again his mind raced. Would he employ Dragon Defenestration? Or perhaps
|
|
the obscure and barely legal Panda Battering? No. He had a better idea. His
|
|
eyes had the familiar pre-eruption gleam of knowledge.
|
|
"Banzai! Coito Ergo Sum!" he cried with a voice loud enough to wake the
|
|
ghosts of dynasties worth of ancestors.
|
|
The gnat was temporarily distracted. It forgot to fly. It kindof floated, not
|
|
quite aware that it should be falling, right before the crossed eyes of a now
|
|
sore-throated Samurai.
|
|
Before gravity had regained its power over the gnat, however, a shiny and
|
|
utterly sharp blade slashed through the darkness viciously and mercilessly.
|
|
Within the same movement, smooth and highly trained such as only True Samurai
|
|
are able to execute, it disappeared soundlessly within its sheath. For once.
|
|
The gnat, which at that instant seemed to realise that it had forgotten to
|
|
beat its wings rather too long, decided it was time to go. If it had walked it
|
|
would have looked much like trundling. Only it was flying. But if there's an
|
|
airborne version of trundling this was it.
|
|
The last of the true Ninjas seemed ultimately pleased with himself. It
|
|
manifested itself through a broad smile and a mesmerizing look in his eyes.
|
|
"Might I be so immodest as to point out to you the fact that you have missed
|
|
the gnat, mastel?" his servant remarked, carefully so as not to induce the
|
|
Ninja's wrath.
|
|
Master Soozooki didn't find it necessary to move anything but his lips as he
|
|
exclaimed with repressed triumph, cleaning a tiniest of red blots from his
|
|
sword: "I may seem to have missed that althlopod, but that gnat will NEVEL
|
|
have sex again!"
|
|
|
|
Original version written March 1989. Rewritten January 1994.
|
|
|
|
|
|
= POPULOUS ===================================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
Once upon a time there was a world. A world where everybody lived happily and
|
|
where there was no war; indeed, a world where people just lived, hunted,
|
|
harvested, ate, slept, and multiplied.
|
|
In this world it was that a man called Zantar lived. He was ruler of a tribe
|
|
some hundred people in size, and a very thriving tribe it was indeed. Among
|
|
them were some excellent huntsmen, and they even had some primitive means of
|
|
using the power of running water to help them with various tasks they would
|
|
otherwise have had to perform by manual labour.
|
|
|
|
Zantar lived on an island. Sometimes, he used to go out at sunset to wonder
|
|
what might be beyond the sea. Where did the sun set? Was there perhaps another
|
|
island and, if there was one, would there also be people there? Zantar was
|
|
very eager to learn about other people's technology - if their were other
|
|
people that is - and teach them his own knowledge in return. Yet he had no
|
|
means of finding out whether there actually *was* something there. If his folk
|
|
were to build ships to explore, only The Divine Ynnor would know what would
|
|
happen: They might even fall off the flat earths.
|
|
It might be noteworthy to mention that these people had a scientist called
|
|
Sendatsuh, who believed the earth was a rather intricate complex of six flat
|
|
discs, each a copy of the other, after he had once seen himself gazing back at
|
|
his own image in the water of the sea - looking rather dumbfounded!
|
|
|
|
On this sunny mid-spring day, he had had to call together the Council of the
|
|
Elders as something inexplicable had happened: When taking his usual morning
|
|
stroll through the hills, he had discovered a large Ankh, partly hidden by
|
|
some burned bushes. Next to the Ankh lay an enormous Skull hewn out of stone.
|
|
Its eyes gleamed with a red light that intensified as the sun shone its
|
|
morning rays on them.
|
|
He found it rather unsettling to say the least, especially because the
|
|
surroundings of the objects had been totally blackened for about 900 square
|
|
teefs (1 teef = 1/3rd yard = approx. 1/3 metre).
|
|
The elders sat silent in Zantar's wooden hut. They looked at each other,
|
|
trying to read from the various expressions the various thoughts. There were
|
|
six in total: Sendatsuh the Scientific One, Nroejbrot the Ancient One, Nafets
|
|
the Earnest One, Sacul the Extensive One, Seec the Fortuitous One and, last,
|
|
Zantar the Wise One.
|
|
"Blackened is the end," quoted Nafets, "thus soundeth the Prophecy."
|
|
"Winter it will send," Zantar added, "yes, Earnest One, hard times are bound
|
|
to be nigh."
|
|
"Throwing all you see," said Sacul, as if adding yet another quote to the
|
|
words just spoken, "into Obscurity!" With the last words, he heaved his hands
|
|
to the sky.
|
|
"Woe! Woe!" Nroejbrot and Sendatsuh chanted, "the end is nigh!"
|
|
"Quiet, fools!" Zantar cried, "as of yet, Ynnor the Divine One has shown us
|
|
nothing that would point to it, and..."
|
|
|
|
At that very instant, a crack split open the sky, and a deafening thunder
|
|
followed within a second after it.
|
|
"Woe! Woe!" everybody now cried in unison, "Reficul the Evil One is upon us!"
|
|
Only Zantar was still silent, seeming to be deep in thought.
|
|
The others now began to lament a song of Old, not ever sung before and
|
|
seemingly reserved for the Most Evil of occasions:
|
|
|
|
"Fire
|
|
To begin whipping dance of the dead
|
|
Blackened is the end
|
|
To begin whipping dance of the dead
|
|
Colour our world blackened
|
|
Blackened!"
|
|
|
|
As if to emphasize the moment, a desperate knocking could suddenly be heard
|
|
on the heavy wooden door of Zantar's abode.
|
|
"Come in!" the leader yelled hoarsely. A boy came in, dressed in a tattered
|
|
O'Neil jacket.
|
|
"The horizon has changed, Mr. Wise One! There is now land! And it's coming
|
|
towards our shores even as I speak!"
|
|
Zantar looked as if he had a sudden vision: A vision, strange and unconnected
|
|
though it may seem, of an enormous ship filled with a thick black fluid
|
|
crashing into the shores of a distant land covered with hard water. He saw
|
|
dying Sea Otters, dying Sea Birds, dying Seals, all covered with the thick
|
|
black fluid. He saw mankind not doing anything at all about it; just a few
|
|
volunteers helped the animals, tears in their eyes. He saw the whole world
|
|
perish eventually.
|
|
He discarded the vision as a ridiculous one; surely, mankind would never be
|
|
able to build such enormous ships? And, if they could, mankind would surely
|
|
not sit and watch nature decay in case of such a disaster?
|
|
"Ridiculous," he said, reacting to both his vision and the boy's statement,
|
|
but he hurried outside to follow the lad that dashed back to the coast.
|
|
|
|
Along the coastline, about thirty men stood gazing at what was happening on
|
|
the horizon. Indeed, it seemed that another coastline had been created there,
|
|
and it seemed to draw near at quite an astounding speed.
|
|
The Scientific One, still panting from running after Zantar, gazed with
|
|
profound wonder.
|
|
"This can't be," he exclaimed, "I have been working on a General Relativity
|
|
Theory with regard to quarks and interplanetary bonds, but I was sure of the
|
|
fact that our (flat) worlds are expanding rather than diminishing in size.
|
|
Must make a mental note to work that one out some day."
|
|
After having said that, he continued gazing at what his Relativity Theory
|
|
considered to be quite impossible.
|
|
"Nothing is impossible," said the boy wearing the tattered O'Neil jacket. He
|
|
had a striking resemblance to someone that would later be known as Einstein
|
|
(in his younger years), but of course these people didn't know that nor did
|
|
they know of the things this Einstein fellow would turn out to do some day,
|
|
and therefore they didn't heed this remark, nor some others the boy brought up
|
|
(some quite interesting ones pertaining anti-quarks, the space-time continuum
|
|
in conjunction with the fourth dimension, light speed, the relative Doppler
|
|
effect, H-Bombs, etc.).
|
|
"Hack off!" was all that Zantar the Wise One found necessary to interject.
|
|
Would he have had a tail, the boy would have had it between his legs as he
|
|
slunk off.
|
|
|
|
"Just imagine," Zantar philosophized to Sendatsuh, "just imagine that there
|
|
is an entire new civilisation there, a civilization that we can learn from and
|
|
that we can teach our knowledge..."
|
|
He sighed as he said it. The Scientific One just nodded approvingly.
|
|
"For one," he said, "they either know how to reverse my Relativity Theory, or
|
|
they know how to harvest land from the sea."
|
|
In spite of the fact that Sendatsuh clearly acted as if he had thought long
|
|
on how to put that which he just said in the appropriate words, the Wise One
|
|
didn't react. Obviously, Zantar didn't realise what severe consequences it
|
|
could have to the world if either of these two statements turned out to be
|
|
true.
|
|
When a reaction turned out not be coming within the next couple of seconds,
|
|
the Scientific One added: "Somehow, I think the latter is highly unlikely."
|
|
Zantar nodded. Sendatsuh began thinking aloud about adding a conditional
|
|
minus sign to his Theory.
|
|
|
|
By noon, there were only a hundred yards between their shores and those of
|
|
the land that was coming towards them. They now saw that pieces of land were
|
|
just pulled from the sea, instantaneously transforming from a wet sea bottom
|
|
to dry earth soil. At times, a seemingly random process of lowering a part
|
|
back into the vast ocean could be witnessed.
|
|
"Impossible!" Zantar could hear the Scientific One mumble at times next to
|
|
him.
|
|
"Hack off!" the Wise One would each time whisper. Obviously, he was preparing
|
|
some kind of speech in case a representative of the other civilisation (if
|
|
there was one) might enter his domain.
|
|
After another quarter of an hour or so, it happened. The shores touched, and
|
|
the process stopped at the very moment.
|
|
|
|
From behind the hills, someone emerged. The someone was wearing a red jacket
|
|
with leopard design. Other people emerged from behind the hills as well. They
|
|
all wore the same clothes, yet the one that had appeared first wore a cap with
|
|
a badge knitted on it.
|
|
The badge portrayed a small skull; a skull with small red eyes, that glowed
|
|
in the noon sun.
|
|
Zantar beamed with pride as he realised how many representatives there were
|
|
to hear his speech. Finally, his thoughts turned out to be true: Indeed
|
|
there was a civilisation beyond the sea, and they had sought to visit his
|
|
tribe! They had even brought their hunting tools with them!
|
|
Hunting tools?
|
|
Every single one of the people emerging from behind the hills was wielding a
|
|
blunt object in his hand, some of formidable dimensions and no doubt equally
|
|
formidable weights. Come to think of it, the impact of one of those objects
|
|
upon any animal's head would probably be quite formidable, too.
|
|
There were now at least fifty of them, standing on the highest hills. They
|
|
left a certain menacing impression by their posture and the look in their
|
|
eyes.
|
|
|
|
The leader held his hands to his mouth and cried something to his followers
|
|
in a tongue not even Sacul the Intensive One could interpret. He could only
|
|
shake his head when Zantar looked at him, raising his Wise Eyebrows
|
|
inquiringly.
|
|
Next, the leader turned to Zantar's folk. By now, all members of the tribe
|
|
were gathered; women, children and men. Even Nroejbrot the Ancient One by now
|
|
had succeeded in catching up with the rest, and was leaning heavily on his
|
|
staff, panting. A tawse was hanging on his belt.
|
|
"What's up?" he puffed.
|
|
"Just hack off!" Zantar replied. He felt he was repeating himself, but anyone
|
|
who mentioned it would just have to hack...right.
|
|
The Ancient One looked irritated to the rabble on the new piece of land. His
|
|
free hand gently caressed his tawse.
|
|
The leader now began to speak.
|
|
"My name is Noruas!" he cried, "Woe me! Woe me!"
|
|
He waited a couple of moments to see what his spectator's reactions were.
|
|
Which were none; that is, if you don't count the look in their eyes that they
|
|
usually gave to naughty little children. Nroejbrot caressed his tawse with
|
|
some more enthusiasm now. A specific look settled in his eyes; a look that had
|
|
not been there since he had last chastised Zantar when he'd been naughty once
|
|
more. That had been quite a while ago.
|
|
Noruas, who was slightly set back by this utter lack of proper response,
|
|
considered the time ripe to pull open all registers. He breathed in deeply,
|
|
then started to chant loudly in a low voice:
|
|
|
|
"Blackened is the End
|
|
Winter it will send
|
|
Throwing all you see
|
|
Into obscurity!"
|
|
|
|
The reaction to this chanting was reversely proportional to the one after he
|
|
had called out his name. The sudden panic was epic (at least in its
|
|
proportions): Just about all of the hundred tribe members gathered on the
|
|
beach dashed in about a hundred different directions, yelling a hundred
|
|
assorted yells of panic (though mostly "Woe! Woe!", "The Prophecy has come to
|
|
pass!" or "Ynnor help us!").
|
|
Noruas' tribe now marched forward as well, with even more menacing looks in
|
|
their eyes. They wielded their truncheons as if desperately wanting to find
|
|
out what would happen if one'd smash it on a living skull.
|
|
A satisfied look settled itself upon the face of Noruas, the Evil One. He
|
|
laughed a laugh that would later inspire a bit of Michael Jackson's "Thriller"
|
|
- though of course he didn't realise that then, nor did Michael.
|
|
|
|
Since Zantar's people had only lived in the most serene peace thinkable, they
|
|
didn't know what to do against such a threat other than just running for their
|
|
lives. It was the only defensive technique they knew, and even that they
|
|
didn't know well.
|
|
From their hiding places they looked and saw the Noruasians take over their
|
|
land. They saw how their women were hunted down and raped, how their houses
|
|
were burnt and how their children and people of old age were slaughtered.
|
|
Nroejbrot was one of the first to fall. He tried to slap the naughty boys with
|
|
his tawse but to little avail. His blood stained the beach red, as did the
|
|
life fluid of many others; Zantar was agile enough to run faster and hide
|
|
better to avoid getting murdered. Though it killed him inside when he saw his
|
|
people raped and butchered.
|
|
The Noruasians ceased their violence when they reached the giant stone Skull
|
|
with the large red, glowing eyes. It was as if they had known its exact
|
|
location all the time. They knelt and started praying and chanting towards the
|
|
object, no longer heeding the Zantarians in their suffering. It seemed as
|
|
though they had reached an aim.
|
|
|
|
Another flash of lightning split open the sky, followed by a truly roaring
|
|
sound of thunder. The Noruasians looked at the sky, and for the first time
|
|
fear could be seen in their eyes.
|
|
And yet another flash.
|
|
And yet another (not quite so delicate) sound of thunder.
|
|
Now Noruas' people seemed to be panicing. In epic proportions, even.
|
|
Right under their startled feet, a swamp seemed to emerge from the soil. It
|
|
was as if someone, maybe a Divine being, had but pressed a simple button, or
|
|
clicked a mousepointer on some icon or another. The swamp just emerged.
|
|
Every Noruasian drowned.
|
|
Never had a chance.
|
|
|
|
"You have defeated the powers of Darkness," I read aloud from the screen,
|
|
"the power of Light has prevailed. You have won the first level of the game
|
|
'Populous'. You may now proceed to the next if you feel like you want to
|
|
continue being a God."
|
|
I take the mousepointer off the 'Swamp' Divine Interaction icon, and prepare
|
|
myself for conquering the next map. I take a large swig of Coke, and put a
|
|
handful of potato crisps in my mouth.
|
|
"This time," I think, "I prefer being the baddie!"
|
|
|
|
Original version early 1989 (just after the Exxon Valdez had swamped the
|
|
Alaska coast with oil). Rehashed January 1994.
|
|
|
|
|
|
= RICK DANGEROUS II ==========================================================
|
|
by Richard Karsmakers
|
|
|
|
|
|
The story so far: After a great many adventures, our mutant ninj...er...
|
|
heroic explorer ventures deep into an old cave that's apparantly of Aztec
|
|
origin. It turns out to be more lethal than he reckoned, but eventually he
|
|
makes it to another door, really deep down in the cave complex where the light
|
|
of day hasn't been seen for quite a lot of centuries.
|
|
So there we pick up the storyline. It is quite dark except for a small flame
|
|
in the distance. The camera pans in, and we see a small figure holding a
|
|
torch, standing before a door that looks immensely solid and impenetrable.
|
|
|
|
Sir Richard 'Rick' Jones had felt uncomfortable in a very awkward way when he
|
|
had gone deeper and deeper into this dangerous, uncharted Aztec cave. On top
|
|
of that, his torch was also on the verge of dying.
|
|
That had made him feel *really* uncomfortable.
|
|
What was he to do once the fire decided to abandon him? He had to open this
|
|
enormous door, no matter what or how. If he didn't succeed, the light would go
|
|
out, he would never find the exit again and he would die of starvation,
|
|
endlessly listening to the fading echoes of his own cries for help.
|
|
If he would succeed in opening the door, however, something or other would
|
|
probably get him killed, too. But this way at least he had some kind of a
|
|
chance.
|
|
"Like Confucius said," Rick thought aloud, "If you're in a large pile of warm
|
|
damp shit, try to get out of it even if you may end up in another one."
|
|
It might not have been Confucius, on second thought.
|
|
|
|
Rick carefully probed the door much in a way that would have caused it to
|
|
slap his face vigorously if it had been a female.
|
|
Frantically, he tried to decypher the ancient writings on the ancient door
|
|
and the archway that supported its iron hinges. It was of no avail, however.
|
|
Apart from the odd post-Aztec insult, he could read none.
|
|
"Oh no. Shit," he said, kicking the door much in a way that would cripple a
|
|
couple of toes if the kicker wasn't wearing army boots (unfortunately for Sir
|
|
Richard 'Rick' Jones, it did for he wasn't).
|
|
He was too much occupied with his own toes for a couple of seconds to see the
|
|
door opening slowly, which did not even make the slightest hint at the tiniest
|
|
of sounds in spite of its rusty-looking hinges.
|
|
Neither did he notice that, in the split second before the door started to
|
|
open, a maggot muttered "Hey pal, that's my text!", after which its momentary
|
|
distraction caused it to fly soundlessly into the solid stone of the old door,
|
|
ceasing to exist.
|
|
|
|
As Rick looked up from his sore toes, he suddenly gazed to where there used
|
|
to be a door. Instead of that door, there was now a lot of air which had the
|
|
tendency to be totally transparent and thus totally failing to conceil from
|
|
sight a bright red British Telecom telephone booth.
|
|
It stood in the middle of nothing, or at least it seemed to. There were no
|
|
cave walls nor anything else. There was just a bit of floor. A bit of floor
|
|
with the aforementioned telephone booth on it.
|
|
Limping slightly, Rick ventured nearer. An eerie kind of light was emitted
|
|
from the telephone booth, and it seemed to draw him nearer to it most
|
|
incessantly.
|
|
When he stood before it, gazing up and down, Sir Jones felt a strong desire
|
|
to open it.
|
|
He did.
|
|
When he looked into the phone booth he didn't see anything except darkness
|
|
most profound. This caused a strong desire to enter it.
|
|
He did.
|
|
|
|
At once the telephone booth door closed in a way it usually does once you've
|
|
entered it. Also, just like British Telecom telephone booth doors usually do
|
|
when you're trying to get out, it got stuck.
|
|
When beating and kicking the door didn't seem to help, Rick got to terms with
|
|
the thought of not being able to get out (you'll know the feeling if you've
|
|
ever used a phone booth in Britain).
|
|
The inside, however, was now no longer revealed in sheer darkness. Instead,
|
|
Rick saw what he guessed was radio equipment of the fairly advanced kind.
|
|
He fumbled around with a couple of switches and sliders.
|
|
|
|
Suddenly, much in a way a British Telecom telephone booth door would after
|
|
approximately half an hour (but about two seconds before the firemen, police
|
|
and national guard finally arrive), it opened in a rather mysterious way.
|
|
Rick gazed out into a world he could quite definitely recall never having
|
|
laid eyes on before.
|
|
He was standing knee-deep in a swamp. At the far horizon, there was a volcano
|
|
that smoked in an attempt to tell the world it wasn't exactly asleep. There
|
|
were palm trees and several huge ferns all around him and the little red phone
|
|
booth.
|
|
Rick remembered scenes like this from books about Natural History. He seemed
|
|
to have discovered some kind of timetravel-booth and his fumbling around
|
|
seemed to have resulted in getting set back in time millions of years.
|
|
"Oh no. Shit." he mumbled as the true impact of this thought caught up with
|
|
him.
|
|
|
|
A giant Tyrannosaurus rex, that happened to have been hidden from sight by a
|
|
couple of huge palm trees before, considered this the opportune moment to
|
|
reveal itself.
|
|
It *did* seem very strange to a Tyrannosaurus, but it felt as if it had been
|
|
robbed of something it had wanted to say, and it could have sworn to know that
|
|
little human from somewhere (be it from his past, present or future).
|
|
In had but one proper reaction for this peculiar feeling that it had never
|
|
felt before (and probably never would again). It growled in a menacing way and
|
|
started to prowl towards the ridiculous red box and the accompanying little
|
|
human that had the nerve to invade his swamp.
|
|
|
|
Rick did just about the most stupid thing one could possibly do in such a
|
|
situation: He tried to get back into the telephone booth. Its door, as could
|
|
have been expected, had found ways of slamming shut and consequently getting
|
|
jammed, though - much in a way ordinary British Telecom telephone booth doors
|
|
would when sensing that someone wants to make an urgent phone call or, in
|
|
general, whenever it's raining outside.
|
|
Rick froze. He closed his eyes, opening them quickly again after finding out
|
|
that it merely (and unwantedly) resulted in appearances of the Grim Reaper
|
|
beckoning towards him from the inside of his eyelids.
|
|
The time that had elapsed during Rick having his eyes closed, however, had
|
|
sufficed for someone else to be introduced into the scene.
|
|
Yelling "Matcha! Matcha! Matcha!" and wielding some kind of barge pole,
|
|
something that could not be described to be anything else rather than a
|
|
caveman distracted the attention of the huge dinosaur.
|
|
It turned around its huge head and growled even more menacingly than it had
|
|
growled before. It went for the caveman.
|
|
A cavewoman now also appeared on the scene, much to the surprise of Sir
|
|
Jones. She had long black hair and wielded a small burning torch, yelling
|
|
"Hureka! Hureka! Hureka!" and pointing at it.
|
|
The caveman beckoned the cavewoman to throw the torch, yelling "Tonga hureka!
|
|
Tonga hureka!"
|
|
The cavewoman threw the torch towards the caveman, who caught it clumsily.
|
|
The giant Tyrannosaurus was now getting pretty close to the caveman, yet
|
|
slowed down as it seemed to be frightened by the fire. Its utterly limited
|
|
brain capabilities lead it to getting exceedingly confused. It lost interest
|
|
in what was going on in quite a complete fashion. It trudged off in search for
|
|
prey that would tax his brain less vigorously, preferably without red boxes of
|
|
flickering torches.
|
|
The cavewoman ran towards the caveman, jumping in his arms.
|
|
They both growled and did something that looked very much like kissing. Then,
|
|
the caveman whispered: "Tonga aluna Lana."
|
|
The cavewoman whispered: "Lana aluna Tonga."
|
|
The caveman now looked up and asked: "Zak-zak?"
|
|
The cavewoman, turning red, nodded.
|
|
They both trudged off to where they had come from.
|
|
|
|
A sound as if a jar of beans had just been unscrewed brought the spontaneous
|
|
opening of the red telephone booth's door to Rick's attention.
|
|
He went inside again.
|
|
After the door locked itself, he probed it much in the fashion someone would
|
|
when getting locked in a British Telecom telephone booth for the fourteenth
|
|
time.
|
|
It was jammed again.
|
|
Outside, some heavy thumping sounds indicated that the Tyrannosaurus had,
|
|
some way or another, regained knowledge of what it had set out to have for
|
|
lunch in the first place.
|
|
Rick quickly fumbled a bit more with the manifold buttons and sliders, trying
|
|
to get them back into the same positions in which he had found them when
|
|
discovering it.
|
|
The heavy thumping sound ceased quite suddenly.
|
|
Carefully, much in the way someone would after having been locked in a
|
|
British Telecom telephone booth for the fourteenth time, he opened the door.
|
|
|
|
"Hey! What the f@*k are you doing in *my* time machine?!"
|
|
Rick looked straight into the agitated face of a middle-aged man with grey
|
|
curly hair and a long travel-worn scarf around his neck.
|
|
"Who are you?" Sir Jones ventured.
|
|
"Who?" the man cried, "Who!"
|
|
He kicked Rick out of the booth.
|
|
Totally confused, Sir Jones walked off, directly in front of a car
|
|
approaching him at a slightly unhealthy speed. In it, someone sat with a broad
|
|
grin on his face, muttering something about 'industrious retaliation'.
|
|
The car collided with the jungle explorer annex time traveller, causing him
|
|
to get flung against a wall and getting lethally injured in the process.
|
|
Just before dying, Rick muttered: "Oh no. Shit."
|
|
He then sighed his last sigh without uttering as much as a...well...a sigh,
|
|
really.
|
|
|
|
The car drove for its driver to get shot by a passing cop who had
|
|
accidentally witnessed the hit'n'run. This was the start of a new vendetta
|
|
that was to continue for aeons throughout the continuum of time and space,
|
|
breaking miscellaneous laws of life and death.
|
|
But that, as you'll be happy to know, is another story altogether.
|
|
|
|
Original written November 1990. Rehashed January 1994.
|
|
|
|
|
|
= SOON COMING ================================================================
|
|
|
|
|
|
The next issue of "Twilight World", Volume 2 Issue 2, is to be released mid
|
|
March this year. Please refer to the 'subscription' section, below, for
|
|
details about automatically getting it in case you're interested.
|
|
Please refer to the section on 'submitting', below, for more detail on
|
|
submitting your own material.
|
|
The next issue will probably contain the following items.
|
|
|
|
PARTICULARLY NASTY ARTHROPODS
|
|
by Richard Karsmakers
|
|
The ultimate of itch-invoking nausea
|
|
|
|
MASTERS OF WAR
|
|
by Bryan H. Joyce
|
|
Another mesmerizing tale told in the Tavern at the Edge of Nowhere.
|
|
|
|
RAMBO III
|
|
by Richard Karsmakers
|
|
Where Cronos Warchild enters the nightmares of a Police Officer.
|
|
|
|
A REALLY BAD DAY
|
|
by Bryan Kennerley
|
|
Some days nothing happens the way you want it. But it's never quite like a
|
|
REALLY bad day.
|
|
|
|
AIRBORNE RANGER
|
|
by Richard Karsmakers
|
|
Mokheiny beware! Death is heading your way...
|
|
|
|
THE SCHOOL OF LIFE!
|
|
by Kai Holst
|
|
A story of the two L's: Love and Life.
|
|
|
|
DOGS OF WAR
|
|
by Richard Karsmakers
|
|
No brain. Or at least not much of it. Give it a flamethrower and see what
|
|
happens.
|
|
|
|
AND MORE
|
|
|
|
|
|
= SOME GENERAL REMARKS =======================================================
|
|
|
|
|
|
DESCRIPTION
|
|
|
|
"Twilight World" is an all-format on-line magazine aimed at everybody who is
|
|
interested in any sort of fiction - although it usually tends to concentrate
|
|
on fantasy-and science-fiction.
|
|
One of its sources is an Atari ST/TT/Falcon disk magazine by the name of "ST
|
|
NEWS" which publishes computer-related articles as well as fiction. "Twilight
|
|
World" principally consists of the best fiction featured in "ST NEWS" so far,
|
|
with additions submitted by dedicated "Twilight World" readers.
|
|
|
|
AIM
|
|
|
|
It has no particular aim, but "Twilight World" would like to be a fresh
|
|
breath to all you people out there that don't mind a magazine that tries not
|
|
to conform to too many preset rules, which might indeed cause some of our
|
|
stuff to be considered 'rude' or perhaps totally disgusting (or worse, plain
|
|
boring).
|
|
|
|
SUBMITTING ARTICLES
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If you've written some good fiction and you wouldn't mind it being published
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world-wide, you can mail it to me either electronically or by standard mail.
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At all times I reserve the right not to publish submissions. Do note that
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submissions on disk will have to use the MS-DOS/Atari ST/TT/Falcon disk format
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on 3.5" Double-or High-Density floppy disk. Provided sufficient IRCs are
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supplied (see below), you will get your disk back with the issue of "Twilight
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World" on it that features your fiction. Electronic submittees will get an
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electronic electronic subscription automatically.
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At all times, please submit straight ASCII texts without any special control
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codes whatsoever, nor right justify or ASCII characters above 128. Please use
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*asterisks* to emphasise text if needed.
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COPYRIGHT
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Unless specified along with the individual stories, all bits in "Twilight
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World" are copyrighted by the individual authors but may be spread wholly or
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separately to any place - and indeed into any other magazine - provided credit
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is given both to the original author and "Twilight World" and/or "ST NEWS".
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CORRESPONDENCE ADDRESS
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All correspondence and submissions should be sent to the address below. If
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you need a reply, supply one International Reply Coupon (available at your
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post office), or two if you live outside Europe. If you want your disk(s)
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returned, add 2 International Reply Coupons per disk (and one extra if you
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live outside Europe). Correspondence failing these guidelines will be read
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(and perused) but not replied to.
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The address (valid at least up to summer 1995):
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Richard Karsmakers
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Looplantsoen 50
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NL-3523 GV Utrecht
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The Netherlands
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Email R.C.Karsmakers@stud.let.ruu.nl
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SUBSCRIPTIONS
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Subscriptions (only electronic subscriptions available!) can be requested by
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sending me some email (at the address mentioned above). "Twilight World" is
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only available in an ASCII version. Subscription terminations should also be
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directed to the mentioned email address.
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About one to two weeks prior to each current issue being sent out you will
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get a message to check if your email address is still valid. If not, your
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subscription is automatically terminated.
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Back issues of "Twilight World" may be FTP'd from atari.archive.umich.edu and
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etext.archive.umich.edu. It will also be posted to alt.zines, alt.prose and
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rec.arts.prose. Thanks to Gard for this!
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PHILANTROPY
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If you like "Twilight World", a spontaneous burst of philantropy aimed at the
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postal address mentioned above would be very much appreciated! Please send
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cash only; any regular currency will do. Apart from keeping "Twilight World"
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happily afloat, it will also help me to keep my head above water as a student
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of English at Utrecht University. If donations reach sufficient height they
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will secure the existence of "Twilight World" after my studies have been
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concluded.
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Thanks!
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DISCLAIMER
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All authors are responsible for the views they express. The individual
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authors are also the ones you should sue when copyright infringements have
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occurred!
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ST NEWS
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In case you have an Atari ST/TT/Falcon, you might check out "ST NEWS", the
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"Twilight World" mother magazine. The most recent issue can be obtained by
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sending one disk plus two International Reply Coupons (three if you live
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outside Europe) to the snailmail correspondence address mentioned above. "ST
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NEWS" will *not* be officially available electronically.
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"ST NEWS" should run on any TOS version, needs a double-sided disk drive and
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prefers at least 1 Mb of memory (though half a meg should be supported too).
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OTHER ON-LINE MAGAZINES
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INTERTEXT is an electronically-distributed fiction magazine which reaches
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over a thousand readers on five continents. It publishes fiction from all
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genres, from "mainstream" to Science Fiction, and everywhere in between.
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It is published in both ASCII and PostScript (laser printer) formats. To
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subscribe, send mail to jsnell@ocf.berkeley.edu. Back issues are available via
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anonymous FTP at network.ucsd.edu.
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CYBERSPACE VANGUARD: News and Views of the SciFi and Fantasy Universe is an
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approximately bimonthly magazine of news, articles and interviews from science
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fiction, fantasy, comics, animation (you get the idea) genres. Subscriptions
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are available from cn577@cleveland.freenet.edu.
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Writers contact xx133@cleveland.freenet.edu. Back issues are availabe by FTP
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from etext.archive.umich.edu.
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YOU WANT YOUR MAGAZINE MENTIONED HERE: Mail me a short description, no longer
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than six lines with a maximum length of 78 characters. No logos please.
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EOF
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