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* T A Y L O R O L O G Y *
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* A Continuing Exploration of the Life and Death of William Desmond Taylor *
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* *
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* Issue 96 -- December 2000 Editor: Bruce Long bruce@asu.edu *
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* TAYLOROLOGY may be freely distributed *
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CONTENTS OF THIS ISSUE:
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Alvarado Court: The 1920 Census
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Taylor's Activities in the Week Prior to his Death
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Interview with George Lasher
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A Visit to the Favorite Players Studio
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Itinerary of the Fanny Davenport Troupe during the Taylor Years
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E-Mail Bouquets from Taylorology Readers
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What is TAYLOROLOGY?
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TAYLOROLOGY is a newsletter focusing on the life and death of William Desmond
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Taylor, a top Paramount film director in early Hollywood who was shot to
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death on February 1, 1922. His unsolved murder was one of Hollywood's major
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scandals. This newsletter will deal with: (a) The facts of Taylor's life;
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(b) The facts and rumors of Taylor's murder; (c) The impact of the Taylor
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murder on Hollywood and the nation; (d) Taylor's associates and the Hollywood
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silent film industry in which Taylor worked. Primary emphasis will be given
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toward reprinting, referencing and analyzing source material, and sifting it
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for accuracy.
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An extract from the 1914 film "The Kiss", starring William Desmond Taylor and
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Margaret Gibson, is at http://www.silent-movies.com/Taylorology/wdt.mov
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The file is in Quicktime format, very large, and runs about 45 seconds.
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Thanks to David Pearson for making this clip available.
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*****************************************************************************
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NOTE: This is the final monthly issue of TAYLOROLOGY. It is possible that
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the future may bring additional special issues, but for now our efforts in
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this arena are exhausted. Many thanks to all our readers: past, present and
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future.
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Alvarado Court: The 1920 Census
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The following are the residents of Alvarado Court at the time of the
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1920 Census. Some names are partly illegible or misspelled. Thanks to
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Charles Higham for providing a copy of the census document.
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South Alvarado
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400-A: E. C. Jessuruian
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Olive "
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Estelle "
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400-B: Louis Sinesterstein
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Doris "
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Ruth "
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402-A: Edna Purviance
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402-B: McNeal Swosey
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Irene "
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404-A: Wm. Stephenson
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Eula M. "
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404-B: W. D. Taylor
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E. F. Sands
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406-A: Douglas McLean
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Faith McLean
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406-B: Caroline Gary
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Avag "
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408-A: Fred Fichback
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Ethel "
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Lindsey "
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410-A: Harriet Woodruff
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Elinor "
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410-B: [no entry]
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412-A: Elsie Joy
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Melvin "
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412-B: Albert Fisher
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Martha "
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Rose "
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414-A: Henry Cox
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Irene "
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414-B: A. L. Granger
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Muriel Valentino
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Bertha Purresley
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Taylor's Activities in the Week Prior to his Death
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Wednesday, Jan. 25, 1922 -- Played golf with Antonio Moreno at San Gabriel
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Country Club, from noon until dark. Met Asa Keyes there. Bought a dozen
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golf balls, gloves, rubber tee. Ate at cafe in San Gabriel Country Club.
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From florist: 2 dozen roses and ferns, carnations and greens.
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Thursday, Jan. 26 -- In the evening, went to the Ambassador Hotel with Claire
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Windsor to see the dance team of Maurice and Hughes. While there, they also
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visited the studio of artist Gene Ross, in the Ambassador Hotel.
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Friday, Jan. 27 -- In the evening, with Arthur Hoyt attended the play "The
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Passion Flower" at the Mason Theatre, starring Nance O'Neill.
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Saturday, Jan. 28 -- In the evening, was in Antonio Moreno's room at the
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L. A. Athletic Club, with Capt. Robertson and Arthur Hoyt. Taylor, Hoyt and
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Robertson then went to Cedar Grove, near Pasadena, and from there to the
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Annadale Country Club. From florist: plant.
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Sunday, Jan.29
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Monday, Jan.30 -- Antonio Moreno met Taylor at 10:00 a.m. at the Lasky
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studios. They went to the Vitagraph Studios, waiting until 12:30 p.m., but
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were unable to see the people they wanted.
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Tuesday, Jan. 31 -- During the day, Taylor was at Mt. Lowe, checking out
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locations for "The Ordeal." Visited by Mabel Normand in the evening. From
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florist: 2 dozen roses.
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Wednesday, Feb. 1 -- [See TAYLOROLOGY 21.]
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Interview with George Lasher
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In 1923, actress Margaret Gibson was accused of criminal activity
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against George Lasher (see TAYLOROLOGY 85). The following interview with
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Lasher unfortunately had some illegible portions in the newspaper microfilm.
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Thanks to Richard Rosenberg for providing this clipping.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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November 5, 1923
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Ted LeBerthon
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LOS ANGELES RECORD
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"Sure I Fell for Her"
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"Badger" Victim Talks
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"Did I fall for Patricia Palmer?" George Lasher, tall, rawboned
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proprietor of the Burbank Electric shop, whom the pretty actress is charged
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with blackmailing to the extent of $1155, grinned squintingly and of good-
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humored pale blue eyes, then scratched his sandy red thatched cerebellum
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ruminatively.
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Glancing with humorous shiftiness at his pretty little dark-haired
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wife, who was blushing furiously as she hovered uncomfortably near, Lasher
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spurted into impetuous frankness:
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"This Patricia Palmer--or Margaret Gibson--'ud make a smarter guy tham
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I am fall. Why, sure I fell. You know what a feller's after when a dame
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with eyes like that"--Lasher rolled his own--"hooks him."
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He elucidated upon the fact that he didn't mind being trimmed, that
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he'd a-never "squawked"--even though she had separated him from over a
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thousand "iron men."
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"I'd a-taken my medicine," he nodded stoically, "and I didn't say
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anything about the girl until the government agents had made their
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investigation--which I didn't have anything to do with.
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"Mrs. Gibson--the girl's ma--knew I was a married man--and she smiled
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her consent to her girl and I stepping out in their auto.
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"But me for my little wife here from now on--she's my boss now and I
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won't do anything again to hurt her--yeah, we're sittin' pretty, now, and
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we're goin' to be happy, ain't we?"
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Mrs. Lasher forced a febrile smile.
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"Every guy lets his foot slip once or twice," Lasher rambled on, "but
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there's no use being a glutton for punishment.
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"When a pretty gal gets sweet on ye, an' you're married, make up your
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mind that she's got your bankrool covered with her good eye.
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"She took me like Grant took Richmond--for eight hundred, for two
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hundred and eighty and for seventy-five. That's eleven hundred and fifty-
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five hard-earned ducats.
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"But down in Tijuana I got wised-up to her. I begin to figure a couple
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o' guys was in on the game with her. You know the fellers I mean," he
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laughed shakily. "So I said to myself, 'George, get ready to duck out.'
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"How did I come to after they slipped the knockout drops in my drink?
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Well, I never exactly passed out. I felt myself slipping. They already had
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my check for a thousand following Miss Palmer, Patricia, Margaret, y'
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understand, winning the bet that that she could drink me under..."[illegible
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gap]
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...whole affair because he was questioned by Department of Justice
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Agents Mechan and Connelly, who were investigating a giant blackmail ring.
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Miss Palmer, alias Gibson, was arrested at the home of her mother,
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Mrs. Ella Gibson, 2324 North Beechwood Drive, and later released on $2500
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bail, with a hearing set for November 8.
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Lasher was introduced to the girl by Don Osborn, who recently pleaded
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guilty in Cincinnati, Ohio, along with Ruth Putnam, to charges growing out of
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an alleged attempt to blackmail John L. Bushnell, banker, of Springfield,
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Ohio.
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Osborn, according to the federal investigators, had purchased a home
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from Patricia Palmer at 2575 Beechwood Drive.
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From certain sources it was learned that four members of a blackmailing
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ring were slated for arrest in Los Angeles and San Francisco Monday, with
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other arrests to follow in other cities of the Unitied States. It is said
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that in most cases the ring has preyed on wealthy married men through clever
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and pretty women, trips to Tijuana and threats, finally, of Mann act
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prosecutions.
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*****************************************************************************
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[Taylor directed two films at Favorite Players in late 1914 and early 1915.
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The following article describes the studio at that time. Of particular
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interest is the brief mention of Bebe Daniels, indicating that she may
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possibly have played a small role in a film Taylor directed there.]
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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March 1915
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Dick Melbourne [Richard Willis]
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MOVIE PICTORIAL
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A Visit to the Favorite Players Studio
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"I have got to have room," said Carlyle Blackwell, as I remarked upon
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the fact that he had two dressing rooms made into one. "I hate to be
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cramped," and as I sat by his oil stove, for it was very early in the morning
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and the rains had left the atmosphere damp, I surveyed the rows of clothes
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neatly hung behind canvas curtains, hats galore and shoes a plenty. Carlyle
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Blackwell is a proverbial, good and careful dresser and just what his tailor
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bills come to per month, he would not tell me.--"I do not keep count," he
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argued, "when I want a new suit I go and get one and I aim to dress all my
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parts correctly. I am a strong advocate for good clothes on the screen and
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when anyone tells you that cheap suits register as well as tailored clothes,
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you can tell him emphatically he is incorrect in his surmise."
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It is care with details and conscientiousness in his acting and
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dressing which have made Carlyle Blackwell the undoubted favorite he is
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today, and false economy either in dress, or in the mounting of a picture has
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stopped many an actor's career or a concern's progress at a certain unwise
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point.
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The director, William D. Taylor, was preparing for an interior scene in
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the production of "The High Hand," and I noted that he superintended
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everything to the smallest detail, himself. They form a sharp contrast,
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Taylor and Blackwell, the latter slim, alert, dark eyed and black haired, the
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former strong of face with the "Irish" showing in the keen eyes and the long
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upper lip, big boned and built for strength and tenacity. Taylor was
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formerly one of the finest actors on the legitimate stage and on the screen
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and created quite a sensation with his "Captain Alvarez," the six reeler put
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on by the Vitagraph Company. They make a splendid alliance, and during their
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pleasant association, Carlyle Blackwell has done better work than ever
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before, and Taylor has never done anything so good as his direction of "The
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High Hand," and "The Last Chapter."
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"Daddy" Springer has surpassed himself in the furnishings of the
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beautiful set and Daddy deserves a word to himself for he is quite a
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character. He is devoted to Blackwell, and when the latter went East with
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the Famous Players to act in "The Spitfire," Springer worked for another
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firm, but he told Carlyle that the moment he heard he was coming back, he
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would quit, and he did. He was waiting for his late boss at the station and
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there was never any question in his mind that he would do anything else but
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work for the newly formed Favorite Players Company, and he is part and parcel
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of it. Springer has a persuasive way with him and can coax anything from a
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broom handle to a sarcophagus from a peasant or a millionaire, a barn or a
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museum. They know he will always return what he borrows in good condition
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and woe betide the property man or artist who puts so much as a scratch on
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any article he brings into the studio.
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The scene being ready, Blackwell and the others appearing in it, were
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duly called. Douglas Gerrard was one of them and Douglas is another Irishman
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with the tell-tale lip and black curly hair, and oh, the ready tongue of him,
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he has an answer ready for one all the time, and he can argue the leg off an
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iron pot. With it all, he is a brilliant actor and an excellent foil to
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Blackwell, and he is always scrupulously dressed and is terribly worried if
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he finds a hair on his coat or a crease out of place. Gerrard did good work
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for the Kalem and Majestic Companies, and was well known on the legitimate
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stage before he essayed picture acting. Johnny Sheehan was ready for his
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part. ANOTHER Irishman and another witty one too. Johnny has a curious
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drawl and tells so many funny stories that he has to be admonished and
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subdued at times--subdued for about two minutes. He is a character actor and
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an artist of make-up and a valuable member of the company. Bill Brunton is
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another stand-by, and if William had only been born with a few more inches
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atop of him, he would be a big figure on the pantomimic stage, and he is
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regarded as one of the best screen actors, as it is.
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There was but one girl, and a little one at that. Neva Gerber is so
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small and so pretty that she looks almost out of place with all the men, and
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she has the only woman's part of consequence in the present photoplay. Neva
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has worked with Carlyle before, during the time he was a member of the Kalem
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Company, with whom he made such a name for himself, and Neva was also with
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Edwin August and acted opposite her present director when he was acting and
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producing for the Balboa Company at Long Beach.
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To get away from the Irish element somewhat, the company have a clever
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little Englishman to turn the crank of the camera, for Homer Scott has earned
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his place by his truly wonderful photography and his past record. Scott was
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imprisoned in Mexico for some time and only escaped death by a miracle.
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He is fond of adventure and would risk it all again, only there is a
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Mrs. Scott who objects and thinks that her hubby takes risks enough with the
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ordinary motion picture concern, so Scott lives in an apartment house and
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works faithfully and well and gets much credit for his camera ingenuity.
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Then there is Henry Kernan, who assists his director and who also takes
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papas and merchants and parts which he does with due dignity and aplomb.
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Harry is a useful man, having been architect in days gone by.
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The work at the Favorite Players studio goes along very smoothly.
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Taylor knows just what he wants and has the ability to get it without too
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much effort; he has experienced artists who do not need too much directing,
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and in Carlyle Blackwell he has about the easiest acting star in the game.
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Blackwell is highly intelligent and grasps any situation readily, and is
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never above helping a less resourceful actor who plays with him. The company
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is just a happy family. To those who think that this acting is mere play,
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I would say that every member of the cast ate breakfast before seven o'clock
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in order to be made up and ready for work at eight-thirty, and that after a
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brief luncheon they worked until six o'clock and then met in the city later
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on to take a night scene, finally getting home at eleven o'clock with a call
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for the morrow at eight-thirty again. Of course, the work is not always so
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prolonged, but these good people work long hours and are not guided by the
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time clock and aim to take advantage of every little bit of sun there is,
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especially at this time of year (February) when the rains come along to
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interfere with picture taking.
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A visit to the Favorite Players studio is not complete without calling
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in on Mrs. Daniels, who manages the office and most of the company for that
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matter. She is a "dear"; she is the mother of the whole lot of them and
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hears all their trials and their joys, and she is not an ancient person at
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that--she is just one of those charming ladies who readily bear others
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burdens and who help to make light of troubles. She has a big little
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daughter Bebe, who is going to make a fine actress--she is seen in the
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Favorite Players films occasionally.
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The Favorite Players Company is bound to make good pictures where such
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excellent spirit prevails, they MAKE their work play by force of good will,
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and the fun they have with each other, and Carlyle Blackwell is as big a
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"kid" as any of them and bigger than most of them. I doubt whether he will
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ever be an old-man, and Sheehan and Gerrard will be as youthful as he when
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they meet in after years to talk over all the good times they had when they
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were acting for the screen.
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Itinerary of the Fanny Davenport Troupe during the Taylor Years
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The location and dates were taken from the NEW YORK CLIPPER. "Gismonda" was
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the first play, opening in New York on December 11, 1894; Fanny Davenport's
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husband, Melbourne MacDowell, stated in an interview after Taylor's death
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that an old theater program shows Taylor (as "Cunningham Deane") in a minor
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role in "Gismonda" in New York at that time.
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LOCATION DATE
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New York City December 11, 1894 - January 23, 1895
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Boston February 26 - March 23, 1895
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Philadelphia April 1 - 6, 1895
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Baltimore April 8 - 13, 1895
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Washington D.C. April 15 - 20, 1895
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Cleveland April 22 - 27, 1895
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Cincinnati April 29 - May 11, 1895
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Chicago May 14 - 31, 1895
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Williamsburg NY June 3 - 8, 1895
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(Summer break. Theaters were closed during the summer because there was no
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air conditioning back then, and the theaters were too warm.)
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Brooklyn October 28 - November 9, 1895
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New York City November 11 - 23, 1895
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Albany November 25 - 6, 1895
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Scranton PA November 28 - 30, 1895
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Providence December 2 - 7, 1895
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Philadelphia December 9 - 21, 1895
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Rochester NY December 23 - 25, 1895
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Buffalo December 26 - 28, 1895
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Detroit December 30, 1895 - January 4, 1896
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Chicago January 6 - 11, 1896
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Kansas City January 13 - 18, 1896
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Milwaukee January 20 - 25, 1896
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Cincinnati January 27 - February 1, 1896
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Columbus February 3 - 8, 1896
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Nashville February 12 - 15, 1896
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New Orleans February 16 - 29, 1896
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Boston March 24 - April 18, 1896
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(Summer break)
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Boston November 2 - 7, 1896
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Worchester MA November 12 - 14, 1896
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Providence November 16 - 21, 1896
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New Haven CT November 25 - 26, 1896
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Hartford November 30 - December 2, 1896
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Trenton NJ December 3 - 5, 1896
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New York City December 7 - 19, 1896
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Brooklyn December 21 - 26, 1896 and January 2, 1897
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Philadelphia January 4 - 9, 1897
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Baltimore January 11 - 16, 1897
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Pittsburgh January 18 - 23, 1897
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Cleveland January 25 - 30, 1897
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St. Louis February 1 - 6, 1897
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Chicago February 8 - 13, 1897
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Denver February 22 - 27, 1897
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Salt Lake City March 1 - 6, 1897
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San Francisco March 8 - 20, 1897
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Oakland March 29 - April 3, 1897
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Los Angeles April 5 - 10, 1897
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San Diego April 12 - 13, 1897
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Portland April 19 - 24, 1897
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Spokane April 26 - 27, 1897
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Butte April 29 - May 1, 1897
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St. Paul May 3 - 5, 1897
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Minneapolis May 6 - 8, 1897
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Boston May 17 - 22, 1897
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(Summer break)
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Boston October 20 - November 6, 1897
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Montreal November 15 - 20, 1897
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Toronto November 22 - 27, 1897
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Brooklyn November 29 - December 4, 1897
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Providence December 6 - 11, 1897
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Lowell, MA December 23 - 24, 1897
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Washington D.C. December 27, 1897 - January 1, 1898
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Philadelphia January 3 - 22, 1898
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New York City January 24 - February 5, 1898
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St. Louis February 7 - 12, 1898
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Louisville KY February 14 - 19, 1898
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Indianapolis February 21 - 23, 1898
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Detroit February 24 - 26, 1898
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Indianapolis February 21 - 23, 1898
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Cleveland February 28 - March 5, 1898
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Cincinnati March 7 - 12, 1898
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Toledo March 17 - 19, 1898
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Chicago March 21 - 26, 1898
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The next scheduled appearance was to be at Des Moines, Iowa on March 31. The
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appearance was cancelled due to her illness. She died on September 26, 1898.
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*****************************************************************************
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*****************************************************************************
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E-Mail Bouquets from Taylorology Readers
|
|
|
|
[During the past eight years we have received many complimentary e-mail
|
|
messages regarding TAYLOROLOGY. It has been gratifying to know that our
|
|
efforts are appreciated and that others have found our research useful and
|
|
interesting. These comments were partly responsible for TAYLOROLOGY's long
|
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life. The following are extracts from some of those messages, presented in
|
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the order they were received.]
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I'd like to express my appreciation to you ... It is because I wanted so
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desperately to read your Taylorology newsletter that I got connected to the
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Internet.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Just want to say how much I admire all the work you've put into this
|
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fascinating if rather esoteric subject...Taylorology is a real treat.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Taylorology is great! I stumbled onto your Taylorology server on the net
|
|
yesterday...I've been reading thru them with great interest. Its the first
|
|
time I've found something of value on the net concerning Mabel Normand or the
|
|
Taylor murder.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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|
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I really enjoyed reading through your newsletters on the W.D.T. case.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Hi...just wanted to let you know how much I am enjoying Taylorology. I have
|
|
been fascinated by the Taylor case since 1986, when I bought "A Cast of
|
|
Killers". Say what you will about that book, it certainly sparked my
|
|
interest! I have been trying to get on the Internet for quite a while...
|
|
I finally found a local provider that I like, and one of the first things I
|
|
did was to locate the Taylorology back issues, and have been downloading
|
|
them one or two at a time...They're absolutely splendid...you do a terrific
|
|
job.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I really enjoy your Taylorology newsletter and anxiously await each new
|
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issue.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I came across Taylorology recently and am quite captivated by it. Every
|
|
since reading A Cast Of Killers the mystery caught my fancy. I am,
|
|
however, quite impressed at the depth of reporting in each of your
|
|
issues...It is amazing to see everything from Movie Weekly to just about any
|
|
publication that reported the case and the "characters."
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|
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have just discovered "Taylorology", and can't wait to finish reading the
|
|
back issues.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I've long (no pun intended) been a fan of Taylorology, and I'm sure you must
|
|
be proud both of the high quality of the material you put out and the fact
|
|
that you are one of the pioneers of the world wide web! Your page was out
|
|
there before most people even had the notion of accessing www information...
|
|
Please keep up the great work on Taylorology.
|
|
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
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I'd like to thank you for "Taylorology." I discovered it about a year ago,
|
|
and I have been fascinated and completely engaged by the story since then.
|
|
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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This is a truly marvelous thing you are doing, making so much material
|
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available on the Internet.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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I just wanted to write and tell you how much I'm enjoying the back issues of
|
|
Taylorology. I find this case to be one of the more fascinating in the
|
|
annals of American true crime history.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just downloaded Taylorology 40, and am enjoying all the interviews with the
|
|
stars. Also wanted to let you know how much I enjoyed the two issues about
|
|
Wallace Reid. I have wanted to read more about him, and was going to ask if
|
|
you "take requests", and there he was!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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What a wonderful site you have. I find old Hollywood a fascinating subject.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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I recently downloaded a whack of Arbuckle material from your Taylorology
|
|
site: Issue 28, April 1995. What a fantastic collection!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just wanted to let you know how much I enjoy 'Taylorology'.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
They call the internet the information highway, but who would have
|
|
thought you could find information on a murdered director most people have
|
|
never heard of? I saw a show on CBS about the murder about 12 years ago
|
|
which prompted me to write a college research paper on this man. Finding any
|
|
information on him at all was difficult. Over the years since, I have been
|
|
intrigued with any talk about his works or murder...I am looking forward to
|
|
going through each Taylorology and thank you for your hard work for this
|
|
site.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
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I am newly Cyberized, and one of my delights has been finding
|
|
Taylorology on the www. I'm a great admirer of your William Desmond
|
|
Taylor book compilation and commentary, and I know I'm going to enjoy
|
|
exploring all the individual issues.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I've been meaning to thank you for your wonderful work on Taylorology --
|
|
I just don't know how you do it!!...keep up the good work!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I downloaded your latest edition of TAYLOROLOGY with the Chaplin material and
|
|
read it and was truly impressed...--I was amazed to encounter so many Chaplin
|
|
articles in TAYLOROLOGY which I haven't seen before (including many of the
|
|
secondary book sources)
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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Do you do all this by myself or do you have help?...I can't believe all this
|
|
stuff is free!!!
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
What an impressive collection this is. I came across Taylorology while
|
|
researching Fatty Arbuckle. Nice job.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I'm just stunned that you've been able to churn out some 1,700 pages on one
|
|
scandal and show no signs of running out of material!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I just wanted to drop you a line and let you know how much I enjoy
|
|
Taylorology.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Was delighted to stumble across your wonderful newsletter. I have been
|
|
fascinated with the Taylor case since I first read about it in Hollywood
|
|
Babylon...keep up the good work.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I looked around your Taylor web site and you certainly have an abundance of
|
|
spectacular research there.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I just wanted to thank you for all the info on William Desmond Taylor--
|
|
I had no idea that such a thing as "Taylorology" was out there, until I
|
|
searched the 'Net yesterday. The WDT murder has always interested me.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Thank you for compiling Taylorology. You've done an incredible job.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Great Work!!!! I thought I was the only person in this world obsessed with
|
|
the Taylor murder of 1922. This subject, and more particularly, the result
|
|
Taylor's murder had on two silent movies most underrated actresses (Minter
|
|
and Normand) have intrigued me since I first learned of the murder seventeen
|
|
years ago.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I enjoy the context and historic perspective created by the non-Taylor
|
|
related issues as much as the issues concerning the murder.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I stumbled across Taylorology during my Internet search on Mary Miles
|
|
Minter...please accept my gratitude and appreciation for a job well done!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I am a Mabel Normand fan and have been intrigued with the William Desmond
|
|
Taylor case for years, as well. I just wanted to say how impressed I am with
|
|
your newsletter--what an awesome resource!!..."Taylorology" was one of the
|
|
first sites I found on the web (I've only been on line about a month), and
|
|
was totally blown away by it... I really admire the fact that you have made
|
|
this material available online. It was certainly a magnanimous gesture and is
|
|
most appreciated. Thanks.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I am currently doing research for a screenwriter who is fashioning a
|
|
screenplay concerning the Taylor murder....Let me compliment you on your
|
|
superb site and its administration. I have been able to get more information
|
|
here in several hours than I have gleaned from the various halls of records
|
|
and newspaper archives in the last few months.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I have been enjoying reading Taylorology on the Internet. What a great
|
|
undertaking! I hope you enjoy it as much as your readers do.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Congratulations on your "Taylorogy" but, pray tell, where and when did you do
|
|
all the research?... Where DID you get all this material?...Congratulations
|
|
again. It is great!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I stumbled on your web site today through AMC. It's wonderful! Ever
|
|
since "A Cast of Killers" came out, I've been a closet fanatic of the
|
|
silent Hollywood era...I really appreciate the length of the newsletter and
|
|
its completeness. So many times you'll read 'excerpts' but not an entire
|
|
document....Just wanted to say hello and thanks for the great reading!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Your Taylorology list is the best I've seen anywhere.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I just finished reading Juanita Hansen's own story of her drug addiction. It
|
|
was one of the most emotional stories I have ever read. Our drug problem
|
|
hasn't changed in 75 years! I'm a huge silent film fan and your web site is
|
|
fantastic and much appreciated.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Love your site & pages!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I have very much enjoyed the reprints in Taylorology and find it one
|
|
of the most informative film history sites on the Internet.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I enjoyed very much the web site info on Olive Thomas, of particular interest
|
|
to me for several years.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just wanted to tell you that I enjoy Taylorology a great deal. I just
|
|
discovered it last week, and it is not only educational but a lot of fun.
|
|
I love the Chaplin references and interviews especially.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I would just like to compliment you on your zine Taylorology; as a silent
|
|
movie buff I am fascinated with some of the old interviews you have dragged
|
|
up from the archives--keep up the good work.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
You don't know me, but I just wanted to write a gushing fan letter because
|
|
I've just started reading Taylorology and am completely sucked in. I print
|
|
off two issues every lunch hour (don't tell my boss!) and read it as soon as
|
|
possible.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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Great site!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I find the information you have been researching extremely amazing.
|
|
Congratulations!!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
|
I have enjoyed Taylorology immensely.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
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"Taylorology" is a fantastic resource and was an invaluable help to me.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Keep up the good work, it's great to know I am not the only person fascinated
|
|
with this.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I am very impressed by your work on William Desmond Taylor.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I have been fascinated by Taylorology for days now, it's a great read.
|
|
Congratulations.
|
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|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I thought I was the only one facinated with the murder of Mr. Taylor...Thank
|
|
you for creating this wonderful site and for your hard work and effort.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I just wanted to drop you a line to say thank you for all of the wonderful
|
|
information in Taylorology. I am absolutely hooked, starting off with "A Cast
|
|
of Killers" and now reading so much more. Thank you, it is addicting and
|
|
fascinating.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I really look forward to each issue of Taylorology. I don't know what
|
|
I'll do if you ever run out of things to write.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just found your Taylorology Web Page -- Wow! All you ever wanted to know
|
|
about Hollywood's most fascinating scandal and then some.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I have recently discovered "Taylorology" and find them fascinating.
|
|
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I am a regular reader of your newsletter, "Taylorology" which has been a
|
|
constant source of interesting information. In particular, I was
|
|
impressed with the issue devoted to the "Life and Death of Olive Thomas."
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I just wanted to tell you how much I enjoy reading your TAYLOROLGY
|
|
magazines. About one month ago, I went on-line at work and looked up
|
|
William Desmond Taylor, not expecting to find much of anything.
|
|
Imagine my delight when I clicked onto your web site. I have had an
|
|
un-ending fascination for WDT for over 20 years. (Yes, I bought both
|
|
A CAST OF KILLERS and A DEED OF DEATH as soon as they were available.)
|
|
I have downloaded and printed out each edition of your magazine (they
|
|
take up 5 1.5" loose-leaf notebooks) and am jumping back and forth
|
|
between editions...I look forward to reading future editions.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
You have a truly great site.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Thanks for all your issues of "Taylorology." I truly enjoy reading them,
|
|
and appreciate all the research you've done. The Taylor murder is a
|
|
fascinating study of Hollywood, politics, and social issues.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Hello! I recently discovered Taylorology. Believe it or not, I was trying
|
|
to find something on WDT and had no idea that such a thing existed. What a
|
|
great find...Just wanted to let you know how much I am enjoying your efforts.
|
|
Thanks!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I talked with a friend today and expressed my awe for what you are doing with
|
|
Taylorology -- given that the curtain has probably fallen on any revelation
|
|
knowledge connected with the drama of Taylor's death. I find myself feeling
|
|
sad that it is so, but I read on with determination and enjoyment. I read
|
|
somewhere that we never see things as they really are, but, rather, we
|
|
see things as we really are. I have found a new spirit of the romance that
|
|
flourished in the 1900 - 1930 era and it has changed me. Slightly,
|
|
imperceptibly, but as I really am. Thank you for what is obviously a labor
|
|
of love.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Hi. I just discovered your web site and spent five hours reading some of
|
|
your back issues. Thank you for presenting the incredible information, most
|
|
of it not available anywhere else.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Thank you for having set up such an interesting site!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I had to write and tell you how THRILLED I was to see YOU on "Mysteries &
|
|
Scandals", Monday night!!... Keep up the magnificent work on Taylorology,
|
|
I always look so forward to each month's entry!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just thought I would let you know that I really enjoy the Taylorology site.
|
|
It is such an interesting story. You have done yeoman work, congratulations
|
|
...I look forward to each new issue.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
It's a pleasure to take a moment to say hello and to compliment you on the
|
|
work you've done with "Taylorology." The new issue's another winner!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I enjoy reading Taylorology for its research into the mystery of Taylor's
|
|
death and also the for many other subjects and players from the silent era
|
|
that it covers.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
What a great web site! I thought I was one of the few people who were
|
|
actually interested in Hollywood in the 20s -- thank you for all the
|
|
information!
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Just wanted to compliment you on your ezine -- It was a delight to find
|
|
SOMETHING on the web about Wallace Reid, one of my long-time "heart-throbs".
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
I found your news letter fascinating. I remember reading of the Taylor
|
|
murder in my mother's copy of HOLLYWOOD BABYLON as a child.
|
|
|
|
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
|
|
|
Have been reading away and enjoying myself with TAYLOROLOGY; what a labor for
|
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you, but what an interesting spectrum of information about Hollywood in the
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era. Many thanks from providing such interesting material.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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As a student of history and a former resident of "Filmland," I have spent
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many months fascinated by your research on the murder of William Desmond
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Taylor. Well done!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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It's another great issue!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I read your issues of Taylorology all the time. They are incomparable.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I ran across your Taylorology and think its really great.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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"Taylorology" is a fantastic site! I am amazed that you are able to come up
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with so much previously unpublished and very rare information every month.
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It's a goldmine for anyone interested in Taylor or in general information
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about Hollywood in the 20s. I was especially delighted to see the rare Buster
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Keaton interviews.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Just wanted to let you know what a great job you are doing with the
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Taylorology site.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have thoroughly enjoyed your site and think it is a tremendously well
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researched and entertaining contribution to this fascinating subject.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Bravo, I thought that I was the only one who cared about the Taylor Murder,
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but when I found your zine on the net through a search I was so happy. You
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have dedicated a large part of your life to William D. Taylor, you are to be
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commended and praised. Bless you for the fine work so far.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I enjoyed discovering your Taylorology. What a great site, and so much
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primary-source information.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I stumbled across Taylorology some time ago and found a wealth of information
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there. It's really a great resource!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I've spent yet another afternoon scanning issues of "Taylorology" and wanted
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to drop you a line to say THANKS for compiling such a wealth of information.
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Whenever I stop by your site, it seems I can never leave until a couple of
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hours have ticked by!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I've just revived a passing interest in the Taylor case, thanks to your
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wonderful work.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Thanks again and again for your great contributions to film history and the
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wonderful depth and breadth of your work on Taylor in particular.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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What a fascinating web site!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I just wanted to let you know that I found "Taylorology" fascinating...
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Keep up the good work and I will certainly bookmark the site and return to
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it often.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Let me first begin with how happy I was to find Taylorology on the Net!..
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I have been absorbed in Taylor's death since 1994...No one else I have
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mentioned this to has the intensity towards this subject as I have. I think
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we must be a special breed!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I had no idea you had a website! I bought your book on the Taylor case years
|
|
ago and am digging around in your online goldmine....Thank you for taking the
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time to research a case so important to our societal perception of the world
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surrounding silent films.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I thought I would drop you an informal note to thank you for all your amazing
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research on William Desmond Taylor.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have fortuitously stumbled across Taylorology, and I think it is absolutely
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wonderful! I am amazed at the wealth of information you have gathered on the
|
|
subject; it must have taken years. You certianly have cleared up a lot of
|
|
the errors I had previously accepted as fact (having read "A Cast of
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|
Killers", and other material). There is so much to read; I am limiting
|
|
myself to two issues a night so as to prolong the pleasure! My hat is off to
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you, sir.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Recently, I stumbled across your Taylorology website, and I must say that the
|
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issues are most informative and so compelling....Thank you for providing such
|
|
a comprehensive look into the mystique and wonder that was old Hollywood.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Taylorology is, in my opinion, one of the finest ongoing publications on the
|
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web.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I want to thank you for the creation and upkeep of your website for
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TAYLOROLOGY. I am a huge cinaste and history buff with a special interest in
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this case.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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You have the most extraordinary resource of the silent film era that I have
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ever seen.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I just discovered your site. It is great! I am looking forward to many
|
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hours of interest reading your compilations. Thanks for your obvious hard
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work!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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While growing up in the Sixties my friends were into the Beatles, I preferred
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|
the Silent Screen stars, needless to say, I was alone in my pursuit of the
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|
long ago era. I have pursued my interest all these years, reading every
|
|
book, watching all available silent film and now with the internet a vast
|
|
source of information with Taylorology being one of my favorite sites...
|
|
I have just spent my New Year reading the introduction of Gibson/Palmer to
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|
the Taylor murder case, I felt compelled to write you and thank you for the
|
|
continuation and insights into this fascinating story.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have read each and every issue of Taylorology -- with increasing awe. Not
|
|
only because of the discussion of the murder itself, but also due to the
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|
amount of original material presented, covering the careers of nearly
|
|
everyone involved. This is film history at its absolute best.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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It seemed the perfect time to let you know how much and how useful I find
|
|
Taylorology. I also hope I appreciate how much time and work must go into
|
|
maintaining and updating such a large project. So... a heartfelt thanks for
|
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providing such a wonderful site.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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I just "stumbled" onto your website today and must tell you that I am in awe
|
|
of the incredible amount of research you have done on this case...Keep up the
|
|
good work. I am still dazed by this website.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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Your newsletter is fabulous. We have learned a lot form each edition.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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...I found the Taylorology site fascinating, reading the interviews with my
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great grand mother were fascinating, especially where my grandmother was
|
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mentioned!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I saw the specials on "City Confidential" and "Perfect Crimes" regarding
|
|
William Desmond Taylor. Kudos to you! They were both very enjoyable. Thank
|
|
you for including another "Capt. Billy's Whiz Bang" article in the latest
|
|
issue. If you can scrounge up any more, please publish them.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Been following your excellent website for a long, long time now. Great stuff!
|
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More, more, more. Keep it coming!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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I've been visiting your site literally for years, and have obtained tons of
|
|
information that I've used in my research...I love your site.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Hi. I just discovered your web site/newsletter and I love it! Your
|
|
dedication and comprehensiveness are amazing.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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|
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I spent quite some time last night at the Taylorology site...unsolved
|
|
mysteries about interesting people are something of an obsession of mine --
|
|
so I understand and applaud yours!
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Amazing site. I am really impressed.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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You have a wonderful and informative website. I'll refer to it often.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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|
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My interest in the Taylor case, and in the life of Mary Miles Minter in
|
|
particular, began recently after seeing the A&E "City Confidential" episode
|
|
detailing the Taylor murder. This prompted me to do a search online for items
|
|
of interest pertaining to the case, which led me to your Taylorology site and
|
|
e-magazine. I have read with considerable interest each issue you've
|
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posted...
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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I want to commend you for this wonderful site and congratulate you on
|
|
offering an outstanding collection of historical information of the era of
|
|
Mr. Taylor. I find myself returning to your web site from time to time to
|
|
browse the many aspects of the mystery.
|
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|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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I just came across your website on WDT. Good work. I have been a fan of the
|
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case since I first read about it in this book called "Fallen Angels". A few
|
|
years later I read Kirkpatrick's "A Cast of Killers". I was really
|
|
enthralled. As the years passed I forgot about the case, until today. The
|
|
History Channel ran a segment on it this afternoon and it rekindled that old
|
|
interest from many years ago. I decided to look WDT on the www and I came
|
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across your site. It will take me weeks to go through all of it but from
|
|
what I have seen I like it already. Keep up the good work.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I wanted to inform you that I have read through most of Taylorology and
|
|
cannot praise you enough for the time and effort that went into each issue.
|
|
The depth of your knowledge and resources is staggering. I thought I know
|
|
enough of the case (having read "A Cast of Killers" and being familiar with
|
|
famous murder cases); now I see I was completely misled. Again, my thanks
|
|
for such an entertaining and information website.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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William Taylor's murder has been a curiosity to me ever since I cataloged a
|
|
book on it about 10 years ago. Yesterday I found your website Taylorology and
|
|
have started reading the articles...Thank you for such an informative
|
|
website.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I love Taylorology,...I have fallen in love I think with Mary Miles Minter
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:)
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have to express my great gratitude for all your work on Taylorogy...
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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|
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Great work on your documents. Lots of work putting all that information
|
|
together. How did you do it all? ...Thanks for all the info.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I have just seen your web site and I think it's outstanding.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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Taylorology is a wonderful mirror on a fascinating time in American history.
|
|
Thanks for all of the work. Do you have any idea how many readers you have
|
|
lured into this addiction? ...Your work on Taylorology and your research
|
|
into the morals and mores of the era is a goldmine.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Your site is excellent. What a wonderful idea of yours.
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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I've been interested in the Taylor case for a while and I think your research
|
|
is superb.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
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I don't want to take up too much of your time, but I just wanted to thank you
|
|
for all of your efforts with "Taylorology". I am so enjoying reading the
|
|
wealth of material, not just on Taylor, but on some of the other people that
|
|
you feature. I just finished reading about Olive Thomas, and now I am off for
|
|
more reading. Television is being turned on less and less. Thanks again.
|
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|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
|
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|
|
Congratulations on your fine e-zine (if that's the right word). I just
|
|
discovered it a few days ago, quite by accident. I have been interested in
|
|
the Taylor mystery snce about 1983, and have read just about everything I
|
|
could find on the subject.
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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Your work on Taylor murder is bravo! bravo!
|
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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
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I want to thank you for your fantastic dedication, and for making so many
|
|
fugitive sources available to all. Please keep up your valuable work.
|
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|
*****************************************************************************
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|
*****************************************************************************
|
|
Thanks again to all you readers of TAYLOROLOGY over these years. So long!
|
|
--Bruce Long
|
|
*****************************************************************************
|
|
*****************************************************************************
|
|
Back issues of Taylorology are available on the Web at any of the following:
|
|
http://www.angelfire.com/az/Taylorology/
|
|
http://www.etext.org/Zines/ASCII/Taylorology/
|
|
http://www.silent-movies.com/Taylorology/
|
|
Full text searches of back issues can be done at http://www.etext.org/Zines/
|
|
or at http://www.silent-movies.com/search.html. For more information about
|
|
Taylor, see
|
|
WILLIAM DESMOND TAYLOR: A DOSSIER (Scarecrow Press, 1991)
|
|
*****************************************************************************
|
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|
|
The End for now.
|
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