435 lines
19 KiB
Plaintext
435 lines
19 KiB
Plaintext
Date: Wed, 5 May 93 19:34:20 PDT
|
|
Reply-To: <surfpunk@osc.versant.com>
|
|
Return-Path: <cocot@osc.versant.com>
|
|
Message-ID: <surfpunk-0085@SURFPUNK.Technical.Journal>
|
|
Mime-Version: 1.0
|
|
Content-Type: text/plain
|
|
From: surfpunk@osc.versant.com (whfg ubcvat gb svaq gur gvzr)
|
|
To: surfpunk@osc.versant.com (SURFPUNK Technical Journal)
|
|
Subject: [surfpunk-0085] XANALOGY: SURFPUNK backissues available via WWW
|
|
|
|
| From: germuska@antioch.acns.nwu.edu (Joe Germuska)
|
|
| Subject: vat is dees, xanalogical access?
|
|
| To: surfpunk-request@osc.versant.com
|
|
| Date: Fri, 30 Apr 1993 12:21:11 -0500 (CDT)
|
|
|
|
|
| Hey Strick: I've been playing a lot with XMosaic
|
|
| and the WWW, and have a hypertext server running
|
|
| here on Antioch -- are you working yet on
|
|
| xanalogy, or just hoping to find the time? I'd
|
|
| be glad to at least array back surfpunks, and
|
|
| maybe I could even figure out some clever ways to
|
|
| hyperlink them... interested? Joe
|
|
|
|
1. just hoping to find time.
|
|
2. yeah, interested.
|
|
|
|
3. we done it. thanks for the boost, joe!
|
|
|
|
If you have a WorldWideWeb browser, plug it into
|
|
|
|
http://antioch.acns.nwu.edu/surfpunk/
|
|
|
|
You might try these two commands:
|
|
|
|
www http://antioch.acns.nwu.edu/surfpunk/
|
|
xmosaic http://antioch.acns.nwu.edu/surfpunk/
|
|
|
|
If you need www sources, look on info.cern.ch, or ask archie.
|
|
|
|
So get your SURFPUNK backissues now ... strick
|
|
________________________________________________________________________
|
|
________________________________________________________________________
|
|
|
|
Subject: BLINK electronic magazine - The Cure for What Ails Ya
|
|
From: germuska@antioch.acns.nwu.edu (Joe Germuska)
|
|
To: surfpunk@osc.versant.com, future-request@nyx.cs.du.edu,
|
|
extropians@gnu.ai.mit.edu, ejournal@albanyvms.bitnet
|
|
Date: Sun, 2 May 1993 18:38:19 -0500 (CDT)
|
|
Cc: mondo2k@well.sf.ca.us, editor@wired.com
|
|
|
|
!ATTENTION CHANNELHEADS!
|
|
|
|
Get connected to BLINK magazine, the all-electronic journal of
|
|
the information age. BLINK is dedicated to addressing the
|
|
changes and culture of cyberdelic society -- both on and off the
|
|
net.
|
|
|
|
BLINK wants to present a straightforward look at the
|
|
implications of technology use in our globally connected, info-
|
|
sodden world. Come taste our mindcandy: Essays, non-fiction
|
|
articles, satire, fiction and poetry.
|
|
|
|
BLINK is offered at no cost. We'll set you up with a free e-
|
|
mail subscription, just send mail to:
|
|
listserv@merle.acns.nwu.edu.
|
|
Type a message body of:
|
|
subscribe blink [your name]
|
|
If you support a MIME compliant mail reader, type:
|
|
subscribe blink-mime [your name]
|
|
You should get an ASCII or MIME document in your mailbox
|
|
sometime during the second week in May.
|
|
|
|
For those who can't wait, here's a peek at our upcoming issue:
|
|
|
|
ROMANCIN' THE NET. Users can find romantic bliss,
|
|
erotic satisfaction or sexual humiliation in many
|
|
specialized network neighborhoods. BLINK looks at the
|
|
users behind the screen who have been bitten by the
|
|
digital love bug.
|
|
|
|
SCHANK SPEAKS. AI guru Roger Schank discusses the social
|
|
implications of educational technology. BLINK's Joe
|
|
Germuska administers his own version of the Turing Test to
|
|
Schank in an exclusive interview.
|
|
|
|
DENKMAL, INC. Fiction by T.J. Park. "The surgeon thought
|
|
with pride of his conversion of the captured dissidents
|
|
Denkmal had sent his way over the years. There had been a
|
|
total of sixty-three -- fifty-six of whom had been easily
|
|
converted. The remaining dissidents had been dispatched
|
|
quickly and quietly -- aortas severed by laser, their
|
|
corpses joined the decaying bodies of the thousands of
|
|
dead malcontents on display in L.A.'s corporate square."
|
|
|
|
AND MUCH MORE! Including a complimentary text browser
|
|
provided to every ASCII BLINK subscriber.
|
|
|
|
So subscribe now to BLINK and dive into cyberdelia. Or if you
|
|
have any questions, drop us a line at:
|
|
|
|
|
|
blink@merle.acns.nwu.edu
|
|
|
|
|
|
--
|
|
joe germuska | j-germuska@nwu.edu | Network Response Center
|
|
ACNS-Distributed Systems Services, Northwestern University
|
|
"The only thing that speaks the truth is the eloquence of
|
|
passing time; the spoken word is a jacket too tight..."
|
|
|
|
________________________________________________________________________
|
|
|
|
Date: Fri, 30 Apr 93 9:28:30 CDT
|
|
From: matthew john baggott <bagg@midway.uchicago.edu>
|
|
To: <surfpunk@osc.versant.com>
|
|
|
|
There is a new pirate radio station broadcasting out of Berekely on
|
|
Sunday nights at 9:00 pm. 88.1 FM.
|
|
|
|
--M@
|
|
|
|
________________________________________________________________________
|
|
|
|
|
|
Sender: gt7950b@prism.gatech.edu
|
|
|
|
From: abfhb@stdvax.DNET.NASA.GOV (unknown)
|
|
|
|
SB SAREX @ AMSAT $STS-55.016
|
|
SAREX Packet Ops
|
|
|
|
May 1, 1993 @ 02:00
|
|
To all radio amateurs:
|
|
|
|
The SAREX Operations team at the Johnson Space Center have recently
|
|
drafted
|
|
a flight note to the STS-55 crew asking them to turn on the SAREX packet
|
|
robot. This has been approved by the Shuttle flight operations team and
|
|
has been uplinked to the crew. While the SAREX Working Group cannot
|
|
guarantee that the packet robot will be turned on, we anticipate that it
|
|
will be operating over the next few days.
|
|
|
|
SAREX packet operations are conducted on the following frequencies:
|
|
|
|
Downlink: 145.55 MHz
|
|
Uplink: 144.49 MHz
|
|
|
|
Please listen on the downlink frequency for Shuttle packet activity
|
|
BEFORE
|
|
sending uplink packets.
|
|
|
|
Station Callsign: W5RRR-1
|
|
|
|
Those of you who have been listening to the Shuttle downlink from NASA
|
|
select and WA3NAN are well aware that NASA has made a concerted effort
|
|
over
|
|
the past few days to conserve power on the Shuttle. This was being
|
|
performed in an attempt to extend the mission an additional day. SAREX
|
|
packet activity has been also curtailed over the past few days as part of
|
|
this power conservation effort. Although this power conservation
|
|
activity is
|
|
still in progress, the crew was given the go ahead to turn on the packet
|
|
robot.
|
|
|
|
Good luck and 73,
|
|
|
|
Frank H. Bauer, KA3HDO for the SAREX working group
|
|
|
|
|
|
________________________________________________________________________
|
|
|
|
|
|
From: Mike Mitten <gnome@noel.pd.org>
|
|
Subject: On Virtual Reality
|
|
To: surfpunk@osc.versant.com, ...
|
|
Date: Tue, 4 May 1993 10:21:11 -0400 (EDT)
|
|
|
|
Greetings,
|
|
|
|
The following text is from the Spring 1993 issue (#36) of
|
|
_Anarchy:_A_Journal_of_Desire_Armed_. The text is complete to the
|
|
best of my ability. Words and phrases in italics in the original
|
|
are surrounded by /slashes/. All transcription errors are mine.
|
|
_Anarchy_ is available from C.A.L. Press, POB 1446, Columbia, MO.
|
|
65205-1446, U.S.A. This text is distributed without permission.
|
|
|
|
-Mike
|
|
|
|
Mike Mitten - gnome@pd.org - AMA#675197 - DoD#522 Straight but not narrow.
|
|
'90 Bianchi Backstreet '82 Suzuki GS850GL Irony is the spice of life.
|
|
"The revolution will not be televised."
|
|
|
|
On Virtual Reality
|
|
Commentary by Bob Brubaker
|
|
|
|
The following commentary is excerpted from a personal letter in which
|
|
Bob Brubaker evaluated articles published in /Sect 7: Notes from the
|
|
Tokyo Underground/ by Jonathan Seidenfeld and Andy Frith. The articles
|
|
included "State of the cyberpunk nation" in issue #1 and "Passive media,
|
|
interactive media" & "Severin's dekapitation korner" from issue #2, and
|
|
may still be available from /Sect 7/ (Nagareya, Masukopo-Takadanobaba
|
|
1-D, Takadanobaba 1-25-5, Shinjuku-ku, Tokyo, Japan; /or/ 640 Polk St.
|
|
#302, San Francisco, CA. 94102, USA)
|
|
|
|
|
|
Frith's and Seidenfelds's pieces on computers, media, and "virtual
|
|
reality" were simply revolting. These aren't critical analyses in any
|
|
sense of the term - they're /advertisements/, promo pieces for the
|
|
information age. This isn't the place to go into all my objections to
|
|
their technophilia; suffice it to say that Frith takes for granted one
|
|
of the biggest intellectual frauds to be foisted upon the public since
|
|
the advent of behaviorism: the crude reductionist notion that the mind
|
|
is at bottom simply a highly sophisticated "information processor," or
|
|
in the words of computer scientist Marvin Minsky of MIT, "a computer
|
|
made of meat." Frith reduces complex societal developments to a single
|
|
factor, /information/, and simply assumes in a caricature of abundance,
|
|
"the more information the better." As he puts it: "The human eye is
|
|
capable of scanning gigabytes of information every second, but by
|
|
relying heavily on the written word as our major information source we
|
|
are restricting ourselves to the kilobyte range. If a picture is worth
|
|
a thousand words, then a 3-D representation of the picture is worth a
|
|
million, and a 3-D spatial environment that I can move around and
|
|
interact with is worth a billion."
|
|
|
|
Frith's words may make glib advertising copy, but they will scarcely
|
|
serve as an analysis of the relationship of humans to information. If
|
|
the human brain really /were/ merely an information processor, then
|
|
Frith would be right. Why operate an information processor at less than
|
|
full capacity? But as the above quote demonstrates, Frith merely
|
|
/assumes/ that humans should be 'scanning' as much information as
|
|
possible. But why? Just because we are 'capable' of it?
|
|
|
|
Herein lies the danger of the reductionist metaphor of the brain as an
|
|
information processor: by abstracting from concrete human experience,
|
|
this metaphor recasts humanity in the image of a machine. What is lost
|
|
sight of here is that the human mind exists not only to take in
|
|
'information' but to /think/. And as Theodore Roszak persuasively
|
|
argues in his book /The Cult of Information: The Folklore of Computers
|
|
and the True Art of Thinking/ (a book Frith and Seidenfeld would do well
|
|
to read, that is if they don't mind 'restricting' themselves to the
|
|
kilobyte range for a few hours), "/the mind thinks with ideas, not with
|
|
information/." (Roszak's emphasis). Indeed, some of the mind's richest
|
|
and most fruitful ideas - what Roszak calls "master ideas," "the great
|
|
moral, religious, and metaphysical teachings which are the foundation of
|
|
culture" - take shape in a context in which the importance of
|
|
information and its means - computer data banks, CD-ROM disks, mass
|
|
media - dwindle to insignificance. Roszak spends considerable time
|
|
discussing these ideas because "they bear a peculiarly revealing
|
|
relationship to information.../Master ideas are based on no information
|
|
whatever/ (Roszak's emphasis). I will be using them, therefore, to
|
|
emphasize the radical difference between ideas and data which the cult
|
|
of information has done so much to obscure."
|
|
|
|
Roszak points out that /ideas/, not information, are at the center of
|
|
every culture; in fact a culture "survives by the power, plasticity,
|
|
and fertility of its ideas. Ideas come first, because ideas define,
|
|
contain, and eventually produce information. The principal task of
|
|
education, therefore, is to teach young minds how to deal with ideas:
|
|
how to evaluate them, extend them, adapt them to new uses. This can be
|
|
done with the use of very little information, perhaps none at all. It
|
|
certainly does not require data processing machinery of any kind. An
|
|
excess of information may actually crowd out ideas, leaving the mind
|
|
(young minds especially) distracted by sterile, disconnect facts, lost
|
|
among shapeless heaps of data."
|
|
|
|
Frith asserts that "only the modern generation of TV children brought up
|
|
on a diet of fast-cut commercials, rapid-fire news and increasingly
|
|
larger amounts of compressed information can relate to this information
|
|
overload." But is it really true that the post-1970-born
|
|
"technologically literate" are more able to "keep up" with the
|
|
information explosion than their parents and grandparents? I would
|
|
guess that the situation is precisely the opposite. Consider the
|
|
example of information overload which Frith cites: "one CD-ROM disk
|
|
made by /Encyclopedia Britannica/ [which] contains a 26-volume
|
|
encyclopedia with over 32,000 articles, thousands of color pictures,
|
|
animated subjects, including a world atlas, 60 minutes of famous
|
|
speeches, music and sounds, a complete dictionary and a scientific
|
|
glossary that pronounces words." So who is most able to "keep up" with
|
|
this facet of the information explosion, the modern generation of "TV
|
|
children" or their "technologically illiterate" parents and
|
|
grandparents? Considering the relevant evidence, from falling S.A.T.
|
|
scores to rising rates of illiteracy among the young, it seems obvious
|
|
that it is the allegedly "technologically literate" TV children who are
|
|
failing to "keep up."
|
|
|
|
Indeed, many youth have dropped out of the race altogether, and for the
|
|
very reason Roszak mentions: Lost among shapeless heaps of information,
|
|
unable to make sense of the welter of data, factoids, images, and sound-
|
|
bytes with which they are bombarded every day, many young people are
|
|
simply /overwhelmed/, to the point of exhaustion, numbness, and finally
|
|
indifference. Frith simply ignores this "falling rate of intelligence,"
|
|
as it has been called, in his inappropriate euphoria over the
|
|
information explosion. In fact, he and his accomplice Seidenfeld wish
|
|
to bypass the mind altogether, to propel us directly into the world of
|
|
"virtual reality," a world of total simulation in which the mind, normal
|
|
perception, thinking, and the written word are supplanted by a
|
|
programmed total information environment. In the VR world of
|
|
'cyberspace', as Seidenfeld names it, information is literally injected
|
|
into the brain via various types of VR hardware so that "the user feels
|
|
as if he or she is actually walking around inside a three dimensional
|
|
computer graphics display." According to Seidenfeld, cyberspace is the
|
|
ultimate experience, "Mysterious faces, people with no past, a bizarre
|
|
fantasy for some, an adventure escape for others, and always a constant
|
|
parade of the outrageous, the bizarre. Visitors are linked by modem
|
|
from their offices and work stations all over the world."
|
|
|
|
Actually, Seidenfeld's futuristic euphoria notwithstanding, VR is little
|
|
more than the latest designer drug, a banal escapism, a cybernetic
|
|
Disneyland, for jaded yuppies and computer geeks. (The motto of
|
|
cyberspace, to be posted at every portal and entranceway, should read:
|
|
"Abandon Thought, All Ye Who Enter Here.") It's no accident that
|
|
Seidenfeld describes his envisioned "cybertropolis" as "a marketplace of
|
|
goods and services" where "hotshot programmers [show] off their latest
|
|
creations" and "everything is payable by electronic bank transfer or by
|
|
credit card." VR is /capital's/ world, and the corporate elite who
|
|
manufacture the hardware and software aren't going to let you forget
|
|
that fact for a second.
|
|
|
|
VR is capital's wold in another, more sinister sense, too. Capital
|
|
would like nothing more than for people to turn their back on the real
|
|
world and its problems - the world of social misery and ecological
|
|
destruction, the world of political and social struggles and their
|
|
repression by the forces of power, the wold of critical thought and
|
|
utopian dreams - for the VR world, a world of escape, fantasy, and
|
|
simulated 'solutions'. In this respect, 'cybertropolis' is quite
|
|
similar to the futuristic world depicted in the movie /Bladerunner/: a
|
|
city of pure artifice, of technological perfection, controlled and
|
|
policed by giant multinational corporations and off-limits to the poor
|
|
and working masses, an elite world built upon the burnt-out, polluted,
|
|
rotting carcass of old Los Angeles. For Frith and Seidenfeld, VR may
|
|
portend "the future," but for most of us VR is no future at all, just
|
|
another form of escape, accessible only to those who can afford it,
|
|
while those who cannot watch as the real world quietly goes to hell.
|
|
|
|
Thanks to Richard Evanoff for permission to publish this letter.
|
|
|
|
________________________________________________________________________
|
|
|
|
|
|
Date: Tue, 4 May 93 16:14 GMT
|
|
From: Don Webb <0004200716@mcimail.com>
|
|
To: surfpunk <surfpunk@osc.versant.com>, ...
|
|
Subject: Acts of Rebellion
|
|
|
|
Dear Folk,
|
|
|
|
An acquaintance of mine is collecting a book on Acts of
|
|
rebellion. If you're interested in sharing your rebellions with
|
|
others (Text submissions only!). Send an SASE for details to:
|
|
|
|
Acts of Rebellion
|
|
Ashley Parker Owens
|
|
PO Box 597996
|
|
Chicago, IL 60659
|
|
|
|
I figure if you write your reebellion -- you may help get
|
|
freedoms for other people too.
|
|
|
|
0004200716@mcimail.com
|
|
Don Webb
|
|
The Secret of magic is to transform the magician.
|
|
|
|
________________________________________________________________________
|
|
________________________________________________________________________
|
|
|
|
The SURFPUNK Technical Journal is a dangerous multinational hacker zine
|
|
originating near BARRNET in the fashionable western arm of the northern
|
|
California matrix. Quantum Californians appear in one of two states,
|
|
spin surf or spin punk. Undetected, we are both, or might be neither.
|
|
________________________________________________________________________
|
|
|
|
Send postings to <surfpunk@osc.versant.com>, subscription requests
|
|
to <surfpunk-request@osc.versant.com>. MIME encouraged.
|
|
Xanalogical archive access soon. This is for tax reasons.
|
|
________________________________________________________________________
|
|
________________________________________________________________________
|
|
|
|
|
|
|
|
|
|
|
|
"Bob" has no known fixed address. This is for tax
|
|
reasons. However, "Bob" lives whenever and
|
|
wherever he wants, and he visits all clenches at
|
|
least once, sometimes often, sometimes several
|
|
times at once, sometimes several clenches at a
|
|
time. "Bob" always "leaves too soon". "Bob"
|
|
always "wears out his welcome". Your brain is
|
|
"Bob"'s brain. Very correct. Your dollars go
|
|
directly to me. Miasma is pStench- and more-
|
|
miasma is stench. "Every OberMan and OverWoman a
|
|
church". You carry your clench with you. To put
|
|
it very crudely, a clench is a subgeniis church.
|
|
"Bob" could have any pipe he choose to, but not
|
|
all pipes are "Bob"s. Only the ONE TRUE PIPE is
|
|
the ONE TRUE PIPE, at any given time. "Bob"'s
|
|
pipes are WHITE AROUND THE HOLE. The great salty
|
|
fermented BEAN is ONE, but there are infinitely
|
|
many of it. At least, more than anyone would care
|
|
to count. the BEAN has been et countless times. I
|
|
personally have consumed the BEAN, and the BEAN,
|
|
me. The BEAN cares not how often it is eaten.
|
|
There is always the BEAN. Do not beat a dead
|
|
horse unless it is in your SLACK to do so. If it
|
|
is in your SLACK to do so, dont stop beating that
|
|
dead horse until it is not in your SLACK to do
|
|
so. As for me, I've done it. I recomend it.
|
|
ALWAYS SHOUT BACK IF YOU DISAGREE, unless its not
|
|
in your SLACK to do so. Buy wheatgerm and
|
|
spraypaint. DER BLeNDER- chop wring spittle
|
|
wretch. SLACK. The true joys of slack. sLack.
|
|
slAck. slaCk. slacK. SLACK! What is slack? What
|
|
is a slack awareness? Oh, to fill you with an
|
|
apreciation of the ways of slack! Better I dont.
|
|
its way out: consider two lasers- green lasers-
|
|
mounted with the most absolute precision such
|
|
that from here to the end of the universe the
|
|
beams are exactly parallel, ignoring the
|
|
influences of the existence of matter, etc. cross
|
|
the beams, then uncross them. the process takes
|
|
you a moment. the point of intercection goes from
|
|
HERE to beyond infinity durring that moment,
|
|
moving much much faster then the speed of light.
|
|
the tortise reaches the wall. How far away was it
|
|
that the beams finally uncrossed? SLACK was here,
|
|
and it got there first. its about how far off
|
|
from conveying a true slack awareness i am. A
|
|
slack awareness must either be awakened, or it
|
|
can be brought in Dobbstown.
|
|
|
|
|
|
-- "Joshua D. Glasser"
|
|
<glasserj@sun.mcs.clarkson.edu>
|
|
|