242 lines
14 KiB
Plaintext
242 lines
14 KiB
Plaintext
SHORT TALK BULLETIN - Vol.X June, 1932 No.6
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THE APRON
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by: Unknown
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“An emblem of innocence and the badge of a mason; more ancient than
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the Golden Fleece or Roman Eagle, more honorable that the Star and
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Garter, or any other order that can be conferred upon you at this or
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any future period, by any King, Prince, Potentate, or any other
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person, except he be a Mason.”
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In these few words Freemasonry expresses the honor she pays to this
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symbol of the Ancient Craft.
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The Order of the Golden Fleece was founded by Philip, Duke of
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Burgundy, in 1429.
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The Roman Eagle was Rome’s symbol and ensign of power and might a
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hundred years before Christ.
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The Order of the Star was created by John II of France in the middle
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of the Fourteenth Century.
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The Order of the Garter was founded by Edward III of England in 1349
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for himself and twenty-five Knights of the Garter.
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That the Masonic Apron is more ancient than these is a provable fact.
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In averring that it is more honorable, the premise “when worthily
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worn” is understood. The Apron is “more honorable than the Star and
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Garter” when all that it teaches is exemplified in the life of the
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wearer.
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Essentially the Masonic Apron is the badge of honorable labor. The
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right to wear it is given only to tried and tested men. Much has
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been written on these meanings of the symbol, but more has been
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devoted to trying to read into its modern shape and size - wholly
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fortuitous and an accident of convenience - a so-called “higher
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symbolism” which no matter how beautiful it may be, has no real
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connection with its “Masonic” significance.
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So many well-intentioned brethren read into the Masonic Apron
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meanings invented out of whole cloth, that any attempt to put in a
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few words the essential facts about this familiar symbol of the
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Fraternity, either by what is said or left unsaid, is certain to meet
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with some opposition!
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It is not possible to “prove” that George Washington did “not” throw
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a silver coin across the Rappahannock, or that he did “not “ cut down
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a cherry tree with his little hatchet. Yet historians believe both
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stories apocryphal.
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It is not possible to “prove” that no intentional symbolism was
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intended when the present square or oblong shape of the Masonic Apron
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was adopted (within the last hundred and fifty years), nor that the
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conventionalized triangular flap in “not” an allusion to the Forty-
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seventh Problem and the earliest symbol of Deity (triangle), nor that
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the combination of the four and three corners does not refer to the
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Pythagorean “perfect number” seven. But hard-headed historians, who
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accept nothing without evidence and think more of evidence than of
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inspirational discourses, do not believe our ancient brethren had in
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mind any such symbolism as many scientific writers have stated.
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The view-point of the Masonic student is that enough real and ancient
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symbolism is in the apron, enough sanctity in its age, enough mystery
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in its descent, to make unnecessary any recourse to geometrical
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astronomical, astrological or other explanations for shape and angles
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which old gravings and documents plainly show to be a wholly modern
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conventionalizing of what in the builder’s art was a wholly
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utilitarian garget.
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As Freemasons use it the apron is more than a mere descendant of a
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protecting garment of other clothing, just as Freemasons are more
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than descendants of the builders of the late Middle Ages. If we
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accept the Comancine theory (and no one has disproved it) we have a
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right to consider ourselves at least collaterally descended from the
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“Collegia” of ancient Rome. If we accept the evidence of sign and
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symbol, truth and doctrine, arcane and hidden mystery; Freemasonry is
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the modern repository of a hundred remains of as many ancient
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mysteries, religions and philosophies.
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As the apron of all sorts, sizes and colors was an article of sacred
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investure in many of these, so is it in ours. What is truly
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important is the apron itself; what is less important is its size and
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shape, its method of wearing. Material and color are symbolic, but a
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Freemasons may be - and has been many - “properly clothed” with a
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handkerchief tucked about his middle, and it is common practice to
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make presentation aprons, most elaborately designed and embellished,
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without using leather at all, let alone lambskin.
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Mackey believed color and material to be of paramount importance, and
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inveighed as vigorously as his gentle spirit would permit against
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decorations, tassels, paintings, embroideries, etc. Most Grand
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Lodges follow the great authority as far as the Craft is concerned,
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but relax strict requirements as to size, shape, color and material
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for lodge officers and Grand Lodge officers. Even so meticulous a
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Grand Lodge as New Jersey, for instance, which prescribe size and
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shape and absence of decoration, does admit the deep purple edge for
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Grand Lodge officers.
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It is a far cry from the “lambskin or white leather apron” of the
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Entered Apprentice, to such an eye-filling garget as is worn by the
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grand Master of Masons in Massachusetts - an apron so heavily
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encrusted with gold leaf, gold lace, gold thread, etc., that the
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garment must be worn on a belt, carried flat in a case, weighs about
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ten pounds, and can be made successfully only by one firm and that
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abroad!
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At least as many particular lodges cloth their officers in
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embroidered and decorated aprons, as those which do not. The Past
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Master’s apron bearing a pair of compasses on the arc of a quadrant,
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may be found at all prices in any Masonic regalia catalogue. So if,
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as Mackey contended, only the plain white leather apron is truly
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correct, those who go contrary to his dictum have at least the
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respectability of numbers and long custom.
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Universal Masonic experience proves the apron to be among the most
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important of those symbols which teach the Masonic doctrine. The
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Apprentice receives it through the Rite of Investure during his
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first degree, when he is taught to wear it in a special manner. The
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brother appearing for his Fellowcraft Degree is clothed with it worn
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as an Apprentice; later he learns a new way to wear it. Finally, as
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a Master Mason, he learns how such Craftsmen should wear the “badge
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of a Mason.”
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That various Jurisdictions are at odds on what is here correct is
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less important than it seems. Many teach that the Master Mason
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should wear his apron with corner tucked up, as a symbol that he is
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the “Master,” and does not need to use the tools of a Fellowcraft,
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but instead, directs the work. As many more teach that the
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Fellowcraft wears his apron with corner up, as a symbol that he is
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not yet a “Master,” and therefore does not have a right to wear the
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apron full spread, as a Master Mason should! Into what is “really”
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correct this paper cannot go; Jeremy Cross, in earlier editions of
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his “True Masonic Chart” shows a picture of a Master Mason wearing
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his apron with the corner tucked up.
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What is universal, and important, is that all three - Entered
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Apprentice, Fellowcraft and Master Mason - do wear their aprons in
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different ways. All are Masons, hence wear the badge of a Mason; one
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has progressed further than another, and therefore wears his apron
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differently as a sign that he has learned more.
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Incidentally, it may be noted that aprons seldom are, but always
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should be, worn on the outside of the coat, not hidden beneath it.
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Alas, comfort and convenience - and, in urban lodges, the evening
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dress of officers and some members - have led to the careless habit
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of wearing the apron not in full view, as a badge of honor and of
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service, but concealed, as if it were a matter of small moment.
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The use of the apron is very old - far older than as a garment to
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protect the clothing of the operative craftsmen, or to provide him
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with a convenient receptacle in which to keep his tools.
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Girdles. or aprons, were part of the clothing of the Priests of
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Israel. Candidates for the mysteries of Mithras in Persia were
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invested with aprons. The ancient Japanese used aprons in religious
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worship. Oliver, noted Masonic scholar of the last century, no
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longer followed as a historian but venerated for his research and his
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Masonic industry, says of the apron:
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“The apron appears to have been, in ancient times, an honorary badge
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of distinction. In the Jewish economy, none but the superior orders
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of the priesthood were permitted to adorn themselves with ornamented
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girdles, which were made of blue, purple and crimson; decorated with
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gold upon a ground of fine white linen; while the inferior priests
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wore only white. The Indian, the Persian, the Jewish, the Ethiopian
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and the Egyptian aprons, though equally superb, all bore a character
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distinct from each other. Some were plain white, others striped with
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blue, purple and crimson; some were of wrought gold, others adorned
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and decorated with superb tassels and fringes.
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“In a word, though the “principal honor” of the apron may consist in
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its reference to innocence of conduct and purity of heart, yet it
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certainly appears through all ages to have been a most exalted badge
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of distinction. In primitive times it was rather an ecclesiastical
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than a civil decoration, although in some cases the pron was elevated
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to great superiority as a national trophy. The Royal Standard of
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Persia was originally “an apron” in form and dimensions. At this
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day, it is connected with ecclesiastical honors; for the chief
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dignitaries of the Christian church, wherever a legitimate
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establishment, with the necessary degrees of rank and subordination,
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is formed, are invested with aprons as a peculiar badge of
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distinction; which is a collateral proof of the fact that Freemasonry
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was originally incorporated with the various systems of Divine
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Worship used by every people in the ancient world. Freemasonry
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retains the symbol or shadow; it cannot have renounced the reality or
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substance.”
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Mackey’s dictum about the color and the material of the Masonic
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apron, if as often honored in the breach as in the observance, bears
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rereading. The great Masonic scholar said:
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The color of a Freemason’s apron should be pure unspotted white.
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This color has, in all ages and countries, been esteemed an emblem of
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innocence and purity. It was with this reference that a portion of
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the vestments of the Jewish priesthood was directed to be white. In
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the Ancient Mysteries the candidate was always clothed in white.
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“The priests of the Romans,” says Festus, “were accustomed to wear
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white garments when they sacrificed.” In the Scandinavian Rites it
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has been seen that the shield presented to the candidate was white.
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The Druids changed the color of the garment presented to their
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initiates with each degree; white, however, was the color appropriate
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to the last, or degree of perfection. And it was, according to their
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ritual, intended to teach the aspirant that none were admitted to the
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honor but such as were cleansed from all impurities both of body and
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mind.
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“In the early ages of the Christian church a white garment was always
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placed upon the catechumen who had been newly baptized, to denote
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that he had been cleansed from his former sins, and was henceforth to
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lead a life of purity. Hence, it was presented to him with
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this solemn charge:
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“Receive the white and undefiled garment, and produce it unspotted
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before the tribunal of
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our Lord, Jesus Christ,that you may obtain eternal life.”
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“From these instances we learn that white apparel was anciently used
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as an emblem of purity, and for this reason the color has been
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preserved in the apron of the Freemason.
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“A Freemason’s apron must be made of Lambskin. No other substance,
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such as linen, silk or satin could be substituted without entirely
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destroying the emblematical character of the apron, for the material
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of the Freemason’s apron constitutes one of the most important
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symbols of his profession. The lamb has always been considered as an
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appropriate emblem of innocence. Hence, we are taught, in the ritual
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of the First Degree, that “by the lambskin, the Mason is reminded of
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the purity of life and rectitude of conduct which is so essentially
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necessary to his gaining admission into the Celestial Lodge above,
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where the Supreme Architect of the Universe forever presides.”
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Words grow and change in meaning with the years; a familiar example
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is the word “profane” which Masons use in its ancient sense, meaning
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“one not initiated” or “one outside the Temple.” In common usage,
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profane means blasphemous. So has the word “innocence” changed in
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meaning. Originally it connoted “to do no hurt.” Now it means lack
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of knowledge of evil - as an innocent child; the presence of
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virginity - as an innocent girl; also, the state of being free from
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guilt of any act contrary to law, human or Divine.
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“An Emblem of Innocence” is not, Masonically, “an emblem of
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ignorance.” Rather do we use the original meaning of the word, and
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make of the apron an emblem of one who does no injury to others.
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This symbolism is carried out both by the color and material; white
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has always been the color of purity, and the lamb has always been a
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symbol of harmlessness and gentleness. Haywood says:
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“The innocence of a Mason is his gentleness, chivalrous determination
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to do no moral evil to any person, man or woman, or babe; his patient
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forbearance of the crudeness and ignorance of men, his charitable
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forgiveness of his brethren when they willfully or unconsciously do
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him evil; his dedication to a spiritual knighthood in behalf of the
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value and virtues of humanity by which alone man rises above the
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brutes and the world is carried forward on the upward way.”
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The lambskin apron presented to the initiate during his entered
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Apprentice Degree should be for all his life a very precious
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possession; the outward and visible symbol of an inward and spiritual
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tie. Many, perhaps most, Masons leave their original aprons safely
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at home, and wear the cotton drill substitutes provided by many
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lodges for their members. But here again the outward and evident
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drill apron is but the symbol of the presentation lambskin symbol;
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the symbol kept safely against the day when, at long last, the
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members of a lodge can do no more for their brother but lay him away
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under its protecting and comforting folds.
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Truly he has been a real Mason, in the best sense of that great word,
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who has worn his lambskin apron during his manhood “with pleasure to
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himself, and honor to the Fraternity.”
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