2025 lines
100 KiB
Plaintext
2025 lines
100 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what THiRTY-FOUR tahw ro woh gniwonk
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to think. You are in 02/27/97 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDITOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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LETTER, ON SOLiTUDE Nemo est Sanctus
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AN ALTERNATiVE PARABLE OF EXiLE FROM PARADiSE John Forrest-Bamberger
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PAGE FROM A DiARY Crux Ansata
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POiNTERS TOWARD iLLUMiNATiON THROUGH MiND-CHANGE I Wish My Name Were Nathan
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i DON'T MiND OTHER GUYS DANCiNG WiTH MY GiRL Clockwork
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ON THE GENERATiON OF FiCTiON, or
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THE POWER OF FORREST GUMP, PART 3 I Wish My Name Were Nathan
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[=- POETASTRiE -=]
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CLiPPiNGS OF THE WHOLE The Super Realist
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SPANiSH POEM Acid Queen
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HEADLiGHTS OF THE WORLD The Super Realist
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PRiMAL RELUCTANCE Zadig
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TEMPLE John Forrest-Bamberger
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AGE OLD QUESTiON OF MADNESS The Super Realist
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[=- FiCTiON -=]
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AGENT X John Forrest-Bamberger
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RECONNAITRE I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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I thought I'd start this issue off with one of the strangest things I
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happened to overhear this month:
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"The crustaceans on Bora Bora are crazy. When we were there, they
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didn't have paved roads. I'd say there were about cars on the island,
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and we were renting one of them. You couldn't drive anywhere without
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killing crabs. They would scramble into the middle of the road, see the
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spinning tires, and raise their claws in the air in defiance. Most damn
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aggressive crabs I've ever seen. A few seconds later, they were
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roadkill.
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"And no one ever believes me when I tell 'em about the lobster that
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jumped down on me from a coconut tree. The most fucked up thing I saw,
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though, was when I was snorkeling. I watched this school of kingfish
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chase an octopus. No shit. Those fish were messed up."
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Sometimes I wonder why life can get really messed up. This is the third
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February in a row where someone my friends or I have known that has run away.
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They're always minors, and they always leave in February. I don't know why
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they pick this month to do it, but I'd like to be able to go through a
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February and not wonder where the hell somebody is. I don't like expecting
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things like this to happen in February. This time isn't so bad for me, seeing
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as how it's a friend of a friend, but it still sucks.
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But hey, it's nothing new. Thank goodness February is the shortest month
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of the year.
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--SoB--
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Some interesting details are developing in the case of Clockwork's recent
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travels. While not much can be said at the present time, I have felt it in
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the best interest of the zine to release Clockwork's last letter to myself,
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albeit slightly edited. We'll keep you informed on what may turn out to be a
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very eventful discovery. The letter can be found in the "Letters to the
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Editor" section.
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--SoB--
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I've got a real bad case of writers' block. Sucks. 'Nuff said bout
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that topic. Feh.
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--SoB--
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As for the rest of the zine, it just keeps getting better and better.
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We've got new writers and a bunch of new subscribers. We hope both of these
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trends continue. Keep those submissions coming, and we'll see you in March.
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Hope you survive Spring Break, and remember what the infamous Schwa head in the Apocalypse
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Culture Production offices proudly proclaims: "Everything not strictly
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forbidden is now mandatory."
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDITOR
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From: The Almighty Elvis
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To: kilgore@sage.net
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Subject: please add me to your nice mailing list please
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Illuminati because I wanted to do my persuasive research paper for honors
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english on the existence of it (I believe, of course) and it gave me this list
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of ftp-ed files for www.io.com which was, of course, Illuminati Online, and I
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clicked on something and it turned out to be some pretty damn good writing and
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even had stuff about Kurt Vonnegut, my favorite author. So could you please
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add me to your nice mailing list so I can further bask in the warm fuzzy glow
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of the State of UnBeing Electronic Zine? Please?
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e
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P.S. Because the Illuminati has evaded the public eye so, I had to change my
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topic to the probability of the existence of extra- terrestrial life. Ah,
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well. C'est la vie. So it goes. As if you care.
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[apparently we're radioactive. or maybe it's more akin to something from "the
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colour out of space" by lovecraft. no matter. basking in the glow of the
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state of unbeing e-zine has been determined by the surgeon general to be
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harmful to normal though processes. proceed at your own risk. i believe the
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SoB faq mentions something about me being part of the illuminati. it would
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be news to me, but i wouldn't be surprised if it was true. who better to
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lead a secret organization than one who doesn't know he is the head?]
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--SoB--
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From: Sylpheria
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To: Kilgore@sage.net
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Subject: distribution list
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Kilgore,
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I'd like to request joining of the distribution list. I regret I
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have nothing worth while to say in order to get this published as some
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of the other distribution request letters have. Reading the SoB has
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become the high point in my life at this time. Don't think me pathetic.
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I'm 13, and live in a small town, I haven't discovered anything better
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to live for, (love, sex...) I'm not depressed either, I'd be conceited
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to say I'm depressed.
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At some point in my life I hope to submit something to this. Not
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now, I've yet to accomplish enough intellectuality or weirdness to
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qualify for your submission attention.
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- Sylpheria
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--SoB--
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From: Duane
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To: kilgore@sage.net
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Subject: Hello
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Hello Kilgore,
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I have read a few SoB's and would like to be on the list. Don't be fooled by
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the little @aol.com you see above, It's your imagination (maybe you should
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cut back on the coffee?) Oh yeah, and about the "New spiffy graphics" that
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your web page can have, I say "Fuck it." Putting in a bunch of pretty
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pictures would be nothing but reduction. The raw black and white ascii is
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the pure essence of the zine.
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Thanks
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-Duane
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[heh. the joke around the apocalypse culture offices here is that if we
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ever decide to include graphics with the zine, they'll be uuencoded.]
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--SoB--
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From: Expiring Velvet
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To: kilgore@sage.net
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Subject: put me on a list (and check it twice)
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Hey Mister Trout,
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I'd like you to put me on your mailing list for this bitchin zine. I have
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seen many e-zines in my time and none heve brought me more joy as to read
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yours. Though most of the time i don't agree with the fictional (or maybe
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they're not...hmmm...) characters ideas of the way the ought to be, i
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certainly understand the point the writer is trying to make about how the
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world actually is. It is for this reason that i ask to be put on the mailing
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list, and also i was tired of setting my browser up to the 'perfect'
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width....oh well...
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You and the writers may expect to hear from me often as i will no doubt have
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many comments to make about the articles and stories put in, and may decide
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to submit some of my own, as i see fit.
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Well, thanks for the many hours of enjoyed reading and intrigued thought, and
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best wishes to the succesfulness of your magizone as you wish it to be.
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Love and consideration,
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Expiring Velvet
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[please, call me kilgore. no need to be so formal. we welcome any and all
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comments from you or anyone else. as for the successfulness of our magazine,
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the best thing you can do is rig the lottery. we promise we'll put out
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really nice editions on paper even. failing that, just get all of your
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friends to read it. works for me.]
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--SoB--
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From: Ezikiel Rage
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To: kilgore@sage.net
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Subject: Intereted in the mailing list.
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I am interested in becomming part of SoB mailing list because it contains
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much great literature and stirrs ones mind into a mush with the truths and
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the depth of writing. I damn well enjoy reading this stuff, and i want
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MORE.
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Be well,
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Ezikiel Rage
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--,--'--,--'--,--@
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[glad to be able to give you a mushy head. we used to do that with rocks and
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blunt objects, but that is a) really messy, and b) people are more willing to
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read a zine than let me and my cronies bean them across the head with pipes
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and planks of wood.]
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--SoB--
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From: Omin Channing
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To: kilgore@sage.net
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Subject: Umm ... ?
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Hullo, ...
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I've been reading SOB off and on for about 6 months and have been meaning
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to give you submissions but I am among the elite of procrastinators ...
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Well, anyway I'd like to be added to the distribution list. Umm ... until
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later.. or I think of something worth typing, ... wich of course would have
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to be later... hmmmm.
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Bye,
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Omin Channing,
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Everything I do is purely coincidental...
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[welcome to the club. we here at the zine like to procrastinate dreadfully,
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and even as i type this response, i am waiting on a last minute submission
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that should be coming ANY MiNUTE NOW. wow. it just popped thru. what a
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coincidence. hmmm. synchronicity or something should be mentioned here, but
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i'm rambling.]
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--SoB--
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From: Ryan Lyle
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To: kilgore@sage.net
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Subject: wow
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Kilgore,
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I found your 25th issue quite by accident when I was doing a search for
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(of all things) "rubber chickens." Now I'm glad I checked it out. I
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would like to know a couple of things though.... Is this the
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web-version of a campus newspaper, or just an internet thing? Can
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anyone submit a piece? (and lastly) How long have you been putting this
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thing out?
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Before I go I must say that the piece called "ME" by Morrigan was really
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impressive.
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If you have a mailing list, I'd donate a kindey to be on it.
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Ryan "going to be reading the next few issues" Lyle
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[rubber chickens. that's a first. i don't even want to know why you're
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searching the net for rubber chickens, but i'm sure you'll use some lame
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excuse about a "comedy routine." this is not a campus-publication of
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anykind, although many people who are students do read and write for it.
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right now it's still just an internet and BBS thing. if you wanna submit
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something, send it right in. and for your last question, we are now in our
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fourth year of publication.
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as for your kidney, make sure the people that remove it leave you in an
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ice-filled bathtub in las vegas with a message saying "call 911 now"
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scribbled in lipstick on the mirror. it'd be kinda cool to see that urban
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legend come true.
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kilgore "gonna be editing the next few issues" trout]
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--SoB--
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[this last letter, which i had to transcribe, was sent via snail mail,
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postmarked from germany. the letter looked like it had been opened and
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resealed a few times. we had been discussing the trip for a few months, but
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i was unable to acquire the needed cash to accompany him. we'll keep you
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informed as closely as possible on clockwork's journey.]
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Kilgore,
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I write to you sitting atop a mountaintop somewhere in Germany.
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Somewhat strange, since I live in the United States, don't speak
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German at all, and have no financial means to travel overseas.
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Although I do have German descendents, or perhaps decadents, or maybe
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even gents.
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Alas, I fear I may have inadvertantly wandered into a minefield of
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woes and death and fear, with great ghastly figures lurking all about
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me every moment of my existence. I, of course, had visions of such
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things occurring, as I told you before my travels.
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The assumption of the left wing socialists and anarchists in Bavaria
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forming their Soviet Republic and then quickly getting shattered
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within weeks. Remnants of this organization -- if you could call it
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that -- formed the Order of Teutons a few years later, which included
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Theodor Fritsch, Philipp Stauff, and Herman Pohl. Based loosely along
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the lines of the Free Masons or Rosicrusians, applying their aryan
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beliefs into their rites.
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I've also discovered information pulling me towards one General Karl
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Haushofer, a university professor and director at the Munich Institute
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of Geopolitics. Apparently he has been long studied in Zen-Buddhism
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and has been through many initiations at the hands of the Tibetan
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Lamas. Haushofer had been the pupil of the Russian sorcerer and
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metaphysician Gregor Ivanovich Gurdyev, supposedly maintaining contact
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with the Tibetan lodges who had the secret of the "Superman."
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[part of text of letter snipped by editor.]
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In the next week or so I shall perhaps jourey towards Wewelsburg
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Castle in Westphalia for one reason for another. Perhaps to gain some
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sort of feeling or spirit since lost. Who knows.
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For now, I drink my plasma-like concoction of peyote and other various
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items to perhaps sweeten the bitterness. Perhaps I'll dream of Spears
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of Destiny and fragments of the Grail, stowed far beneath me somewhere
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in a cache of occult relics and records long since lost. Or maybe I
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shall just ingest pounds of peyote, vomit, and smile.
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[various personal tidbits snipped by editor.]
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clockwork
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2/05/97
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Acid Queen
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Clockwork
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Crux Ansata
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I Wish My Name Were Nathan
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John Forrest-Bamberger
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Nemo est Sanctus
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The Super Realist
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Zadig
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GUESSED STARS
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Duane
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Expiring Velvet
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Ezikiel Rage
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Omin Channing
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Ryan Lyle
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Sylpheria
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The Almighty Elvis
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTER, ON SOLiTUDE
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by Nemo est Sanctus
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[The following is a letter of direction written by Frater
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Nemo est Sanctus to a young woman recently moved to New
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York City to study acting. The issue is solitude, as she
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has recently left family and almost all friends, and had
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been considering leaving her hometown and "never looking
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back." It appears almost exactly as sent.]
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4 - 26 January 1997
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Dear A.,
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I'm still smarting about missing you those last few days. I tried to get
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in contact with you, since you too were invited to the New Year's Eve party.
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It would have been better with you. It seems I hardly got to see you this
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vacation.
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I really like the compact disc you gave me for Christmas. It does indeed
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have the lyrics in English -- and in Latin, too. Also, an article about the
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life of Verdi and about the piece itself. I've been listening to it quite a
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lot these past couple of weeks.
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I don't really know what to start writing to you about. I haven't
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started classes yet for the new semester, and I don't think you have, either.
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I have been spending my time as usual, reading and working on the computer.
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I suppose I could tell you one thing. It is a story I knew when you were
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down here, but didn't happen to bring it up. You do remember that I said B.
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didn't seem all there upstairs? It probably sounded pretty cruel, but I think
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it is true. S. reached the same conclusion independently. She told me one
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story, about when B. got her report card back from school. She had failed her
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English class, with a sixty-nine. She made some obscene comment, and told S.
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it is her lucky number, and her favorite position. S. started talking about
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how that must make her feel, if she failed with her lucky number, and whether
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it can really be counted as "lucky" under the circumstances, and all that.
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Completely left B. behind. After a few minutes, S. stopped talking, and B.
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muttered something about how, "it is a great position, though."
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That was S.'s example of how B. is not all there upstairs. Like me, I
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think she thinks B. melted away her short term memory with pot. S. kind of
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acts like it sometimes, too. I was over at S.'s house the other day, talking
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about religion and watching television, and she was scraping her parent's
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water pipe for ashes, to smoke in her own pipe. She advised me not to even
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try marijuana, because I'd end up like that. She said she doesn't even get
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high very much anymore, she just needs the THC. I have read there is no such
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thing as a physical addiction to marijuana, but she thinks differently. She
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thinks she is physically addicted to it.
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I think kids' lives today are very much about waiting. They wait for
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school to get out. On vacation, they wait for school to get back in. They
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wait to drive, and to drink, and to graduate, and I think they use the drugs
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just to stop waiting, to escape from time. I can understand the feeling, of
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not belonging to the world. "In the world, but not of the world." To them,
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though, I think it all seems purposeless. S. tells me she wants to "feast on
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|
the pleasures of life." She used the same phrase more than once, and that
|
|
tends to be a sure sign of self-programming. I pointed out to her how very
|
|
empty that is, without a transcendent purpose. She said I shouldn't think
|
|
about that, and just get high.
|
|
|
|
I am fortunate enough to have spent time with religion and philosophy,
|
|
and I have the sense to look for the real purpose, rather than distract myself
|
|
with fake purposes invented just to give myself something to do. To an
|
|
extent, I'm afraid to tell that to the kids, because I know it makes this life
|
|
less "pleasurable," but in another way I want to, since this life isn't
|
|
pleasure at all.
|
|
|
|
That brings me to what I really mean to write about. I have been
|
|
thinking about our conversations while you were down here, about solitude. It
|
|
has me very disturbed. You know I consider solitude something valuable, but
|
|
you also know I understand the dangers. Not all of us have the will of an
|
|
Anthony of the Desert. Most of us need the support of those who care for us.
|
|
|
|
I'm going to try to make sense here, and cover a lot of ground, and I
|
|
know I will be saying a lot of things that you already know. I'm just trying
|
|
to be thorough, for myself as much as anything else. I'm going to try to
|
|
cover the whole concept of solitude in this letter.
|
|
|
|
Solitude is at the center of the Christian faith, but not solitude for
|
|
the sake of solitude. We do not choose to make ourselves exiles; we are
|
|
exiles because we choose to follow Christ. The solitude only reaches its
|
|
fulfillment in the Body of Christ, the Church.
|
|
|
|
i. The need for solitude
|
|
|
|
The ancient Romans disdained and despised the Christians for their
|
|
"anti-social" behavior. To our ears, we think of criminals, of people wrapped
|
|
up in themselves, seeking only their own pleasure. We think of deviants,
|
|
nihilists. The early Christians were none of these.
|
|
|
|
Christians were not criminals. They followed just laws. It is only when
|
|
the law contradicts the Law -- that is, the will of God -- that a Christian is
|
|
compelled to refuse it. In the days of the early Church, this meant that the
|
|
Christians refused to offer sacrifice to the gods, refused to attend obscene
|
|
plays or bloody gladitorial games, and refused the immorality and sexual
|
|
promiscuity of their fellow citizens. The Christians were not persecuted for
|
|
being more criminal, but less criminal. The Romans saw signs of anti-social
|
|
behavior in withdrawal from evil forms of behavior, sharing one's wealth with
|
|
the poor, caring more for eternal life than temporal life, and especially for
|
|
the willingness to die for what they believed in. (Some things never change.)
|
|
The Christians were not "anti-social" in the sense of being misanthropic.
|
|
There is nothing "anti-social" in communal living, or in giving to the poor.
|
|
What they were, rather, was opposed to the society in which they lived, not
|
|
society as a concept.
|
|
|
|
Today, we have many of the same social evils, and again Christians begin
|
|
to seem "anti-social", in the sense of being opposed to our society. This
|
|
opposition to society, though, is not unique of Christians. Indeed, it is
|
|
nearly universal, in Christians and followers of other religions, and even in
|
|
those of no faith. Noting the disease is only one step. Christians are the
|
|
only ones with the Physician Who can heal us.
|
|
|
|
More than the evil in our world, many people note the pointlessness of
|
|
it. They know the need for something higher, but do not see what is there.
|
|
These turn to alcohol, drugs, sex. These things help them to forget, and at
|
|
the root of these is the loss of the self. When you are watching a film and
|
|
suddenly are surprised to remember yourself sitting in a theater; when you go
|
|
dancing, and forget yourself. No one action here is evil; what is evil is the
|
|
loss of self. Whether you lose yourself in dance or in drugs, in sex or in
|
|
conversation, when you lose yourself you endanger your very soul. The
|
|
Christian does not empty himself to empty himself; he empties himself to open
|
|
himself up to Christ. As Jesus said [Luke 11:24-26]:
|
|
|
|
When an unclean spirit has gone out of a man, it wanders
|
|
through arid wastes searching for a resting place; failing
|
|
to find one, it says, "I will go back to where I came
|
|
from." It then returns, to find the house swept and
|
|
tidied. Next it goes out and returns with seven other
|
|
spirits far worse than itself, who enter in and dwell
|
|
there. The result is that the last state of the man is
|
|
worse than the first.
|
|
|
|
The Lord was speaking particularly about incomplete exorcisms, but also
|
|
demonstrates the dangers of an empty "house".
|
|
|
|
This multilateral attempt to escape the world does show us one thing,
|
|
though. No matter what the faith, it is universally agreed that we live in a
|
|
world of pain. For a "good time", to "feel good", people seek to "lose
|
|
themselves", "forget themselves". If you have forgotten yourself, or lost
|
|
yourself, if you are no longer self-aware, who is feeling good? Truly, for
|
|
those who do not have God, there can be no pleasure, and they seek relief from
|
|
their pain through forgetting themselves in what they see as pleasures, but
|
|
that are obviously only fleeting things.
|
|
|
|
There are those, too, who do not seek to "forget" or "lose" themselves in
|
|
the despair of the hedonists, but to "subvert" themselves, to give themselves
|
|
over entirely to something. The agony of being unable to make the world
|
|
perfect, for example, drives people to forget their individual humanity and
|
|
turn to politics that denies the individual, either in theory -- like Marxism,
|
|
or indeed any materialist philosophy -- or in practice -- such as terrorism.
|
|
Each denies the individual to try to effect change as an unindividuated mass.
|
|
They despair of finding the true good of justice, which cannot be found
|
|
outside of God, and their desire for good leads them to evil means. Others,
|
|
despairing of finding the good of beauty, which only exists in its perfect
|
|
state in God, set themselves above morality in their practice of art, either
|
|
in attempts to create beauty whatever the cost to the soul -- to creator and
|
|
viewer --, or in their attempts to despise beauty as something that cannot be
|
|
had. Still others, despairing of finding spiritual truth, turn to the denial
|
|
of the individual -- as the Pantheists and Panentheists -- or simply the
|
|
denial of the soul -- as the atheists; Satanists; Buddhists; and, in practice,
|
|
many self-proclaimed agnostics. They cannot escape the pain, so they seek to
|
|
deny its reality or its control over them. This is like denying that one is
|
|
sick, rather than going to the Physician Who could cure you.
|
|
|
|
These are the two main purposes of teaching Christian individualism: not
|
|
to be conformed to an evil world [cf. Romans 12:2], and not to allow oneself
|
|
to deny one's responsibility as an individual. Be in the world, but not of
|
|
the world [cf. John 17:16, 18]. Both clauses must be carefully adhered to.
|
|
|
|
ii. Dangers of individualism.
|
|
|
|
It is not enough, though, to separate oneself if by separation one exalts
|
|
oneself. We separate not to be self-absorbed, but to be servants [cf. John
|
|
13:14-15] -- and how can one be a servant when one is alone? Cloistered monks
|
|
and nuns are not alone, the hermits in the desert were not alone, because they
|
|
had constantly with them the communion of saints, and they had God. As you
|
|
will read in Saint Augustine's Confessions [Book 5, Chapter 2]:
|
|
|
|
But where was I when I looked for you? You were there
|
|
before my eyes, but I had deserted even my own self. I
|
|
could not find myself, much less find you.
|
|
|
|
There are two ways to be individuated. One may be individual, or one may
|
|
be insular. It is good to recognize one's individuality, both in the gifts
|
|
one has been given, and in the responsibilities [cf. Luke 19:11-27]. It is
|
|
not good, however, to be insular, to be self-absorbed.
|
|
|
|
So, in individuation, there appears to be two dangers -- viz., exalting
|
|
oneself above others or caring about oneself and forgetting others -- but they
|
|
are both the same danger, the danger of believing the self to have intrinsic
|
|
value.
|
|
|
|
All individuals, all human beings, have value. They do not have
|
|
*intrinsic* value. Jesus did not say the most important rule was "love your
|
|
neighbor as yourself" [cf. Matthew 22:39]. Not at all. He said this was
|
|
"like" the most important commandment: "You shall love the Lord your God with
|
|
your whole heart, with your whole soul, and with all your mind" [Matthew
|
|
22:37; cf. Deuteronomy 6:5]. As Christians, we do not love our neighbor
|
|
because he has intrinsic merit. We love him because God loves him, and
|
|
because he is in the image of He who made him. Every human has value as an
|
|
individual, because God so wills it.
|
|
|
|
iii. The sign of the Cross.
|
|
|
|
Every Catholic prayer begins and ends with the sign of the Cross. Every
|
|
Catholic Church has a crucifix prominently displayed, as is the case in most
|
|
Catholic homes. Every rosary has a crucifix, on which the whole sequence
|
|
begins.
|
|
|
|
There are many reasons for this. Historically, of course, it reminds us
|
|
of the life, death, and resurrection of the Lord, the very center of our
|
|
faith. "Christ has died, Christ is risen, Christ will come again" [Memorial
|
|
Acclamation]. It reminds us of the sacrifice of Christ and the martyrs and
|
|
saints and all who have suffered and striven for Christ and His Church. Apart
|
|
from that, though, the Cross demonstrates the whole Christian cosmology. The
|
|
Cross is a picture of our universe.
|
|
|
|
Christ told all His followers to take up their crosses and follow Him
|
|
[cf. Mark 9:34]. This speaks of accepting suffering and of not fearing death.
|
|
It also explains the place of the Christian in the cosmos. I speak mystically
|
|
here.
|
|
|
|
Every Christian is on their cross. In a manner of speaking, every
|
|
Christian is a cross. Alone, we face God. When we lift up our eyes to
|
|
heaven, we stand before God alone. The upright of the Cross typifies this.
|
|
It stretches from heaven down to us. We are painfully supported on it, but it
|
|
saves us from falling into Hell. Christ had to ascend His Cross alone, and so
|
|
do we. On the vertical, we are alone.
|
|
|
|
There is another bar, though. Stretch out your arms, as did Christ, for
|
|
every Christian's cross has also a crossbar. This is the world, the people
|
|
around you, who suffer with you. Christ stretched out His arms, and embraced
|
|
the world. We must come to His Cross, but when we do there is space
|
|
sufficient for us. It is the same way with the Christian. We do not suffer
|
|
alone, and we shouldn't think as if we do. We are not the most important
|
|
things in the universe. God is. Our personal cross is not a stake around
|
|
which the world revolves, but a junction at which our souls -- through God's
|
|
grace -- struggle up, while we are bound to the joys and the sufferings of our
|
|
fellows.
|
|
|
|
As Christians, we live in two worlds. It is fitting that we make the
|
|
Cross the center of our lives.
|
|
|
|
iv. The dangers of isolation.
|
|
|
|
But you don't need to hear all this mysticism, and neither do I write to
|
|
tell it to you. As I stated, all this writing is precipitated by your
|
|
statements and our conversations on your intention to seek solitude. Solitude
|
|
-- the solitude I spoke of as harboring wisdom -- is the knowledge of the self
|
|
as individual. I have spoken already on how too much or too little focus on
|
|
the individuality of a person can be dangerous. It still remains to be said
|
|
how one goes about it. Before speaking of that, I will note some dangers
|
|
inherent in the process, dangers less of over-individuation than of solitude.
|
|
|
|
The first question, though, is: How much solitude can you expect? If
|
|
you could separate yourself from the evils of the world and live alone or with
|
|
others striving for perfection, then you would have an advantage. I doubt,
|
|
though, that you could. For the first, you have to deal with a great many
|
|
people simply because of your position in life. In my life, in my field of
|
|
study, if I so chose I could, without seeming rude, exchange no more than a
|
|
dozen or so words -- if that -- in a day. Were you to try this secular
|
|
solitude, you would have working against you, first, the fact that so many of
|
|
your friends expect so much sociability from you, and second, that you are in
|
|
a fundamentally extroverted career field. You are forced to deal with people,
|
|
and, at this point, not permitted too much control over who your work with.
|
|
(This, of course, is not so for friends outside of school, for whom you should
|
|
only take those who will do you good. Do not accept friendships
|
|
indiscriminately because you feel they cannot harm you -- you know they can --
|
|
nor because you feel you can pull people up. When God tells you it is time,
|
|
it will be time. Before that, why imperil both your souls?)
|
|
|
|
The second thing working against you in this secular solitude is your
|
|
naturally extroverted personality. You attract people to you, and you like to
|
|
interact with people. Of course, it would do you good to balance that, cut
|
|
back on time spent "relaxing" or just "hanging out" with people, and devote
|
|
time to study and prayer. It would be a great strain for you, though, to try
|
|
to cut all that out entirely, and then you risk relapse and guilt feelings.
|
|
|
|
What seems to me the most important consideration, though, is that you
|
|
seem to me to perceive a need for human interaction. If you cut off
|
|
interaction with those who have been important to you, if you make an effort
|
|
to cut yourself off from others, you will create a vacuum in your feelings.
|
|
Into that will come psychic leeches. You have seen yourself how you attract
|
|
users and unscrupulous people. Manipulators. You are a very open person, and
|
|
a very likable one. As such, you attract people like that. Cutting yourself
|
|
off from those who are good for you will merely increase the vacuum, and make
|
|
you more prey for that type.
|
|
|
|
Both for active reasons and defensive ones, you need to carefully select
|
|
your friends and associates, but not cut them out completely.
|
|
|
|
But, presuming you could isolate yourself completely for a while, going
|
|
into the wilderness like Moses or Christ. If you go into the wilderness with
|
|
friends, it will do you no good, and probably harm. If you can manage to go
|
|
alone, perhaps something more may come of it.
|
|
|
|
Saint Anthony of the Desert said: "Anyone who lives in solitude and
|
|
quiet is saved from three kinds of warfare -- against hearing, talking, and
|
|
seeing. All he still has to fight against is his heart" [Golden Legend,
|
|
chapter 21]. The battle against the heart is the hardest. No one pretends
|
|
Anthony had an easy time in the desert. The other distractions cause one to
|
|
forget the battle, and dissipate energies that could be used for fighting.
|
|
Friends and entertainments make us waste time, and care about trivial things,
|
|
and make us think of immoralities we naturally would not be tempted by.
|
|
Whether in city or country, though, one's heart is the chief accuser. If you
|
|
separate yourself in the hopes of having no battles, read what Christ said at
|
|
Luke 11:24-26, as I quoted above. If you hope to have time to think about
|
|
yourself, or your own pleasures, or to give in to the demons, you will do
|
|
yourself more harm than good. Only if you go out consciously and with
|
|
planning to fight yourself will you stand to gain.
|
|
|
|
vi. Finding self and finding God.
|
|
|
|
So, then, what is to be done? Individuation is for two reasons: to find
|
|
yourself, and to find God. As Saint Augustine advises [On the True Religion
|
|
39.72]:
|
|
|
|
Go back into yourself; the truth dwells in the inner man;
|
|
and if you discover that your nature is mutable, transcend
|
|
yourself also.
|
|
|
|
It is good to understand the self. If you do not, how can you defeat
|
|
her? But that is not enough. That will lead to self-absorption. In place of
|
|
Augustine's "if" I would place a "when". And what happens then? Augustine
|
|
tells that, too. You can read that yourself; it is in book seven, chapter ten
|
|
of his Confessions:
|
|
|
|
Under your guidance I entered the depths of my soul, and
|
|
this I was able to do because your aid befriended me. I
|
|
entered, and with the eye of my soul, such as it was, I
|
|
saw the Light that never changes casting its rays over the
|
|
same eye of my soul, over my mind. It was not the common
|
|
light of day that is seen by the eye of every living thing
|
|
of flesh and blood, nor was it some more spacious light of
|
|
the same sort, as if the light of day were to shine far,
|
|
far brighter than it does and fill all space with a vast
|
|
brilliance. What I saw was something quite, quite
|
|
different from any light we know on earth. It shone above
|
|
my mind, but not in the way that oil floats above water or
|
|
the sky hangs over the earth. It was above me because it
|
|
was itself the Light that made me, and I was below because
|
|
I was made by it. All who know the truth know this Light,
|
|
and all who know this Light know eternity. It is the
|
|
Light that charity knows.
|
|
|
|
"Charity", of course, means love. The pure, Christian love, from the
|
|
Latin /caritas/, not the carnal, physical love.
|
|
|
|
I'm afraid I have lapsed into mysticism again, and told you less what you
|
|
should try to do than what you should hope to achieve, but words will no doubt
|
|
fail me. What should be done is so simple, but sounds so hard: Learn the
|
|
self, and love God. Study is important, but learning is useless if you don't
|
|
have wisdom, and that wisdom comes from studying the self, and studying God.
|
|
|
|
You will have to find time for that study, but I know you can find it if
|
|
you choose to. Not all your time will be able to be spent in introspection,
|
|
and neither should it. No time should be wasted, though. When you study
|
|
yourself, study yourself for God. When you work for school, work for God.
|
|
When you eat, eat for God, and when you sleep, sleep for God. Nothing is
|
|
yours, and Christian solitude is less about taking time for oneself, than
|
|
taking responsibility for oneself.
|
|
|
|
And, above all, pray. You have said that you sometimes pray before bed
|
|
and before meals, and that is good. Pray often, and keep a rapport with God.
|
|
Repeating the words is good, and having a conversation is good -- attending
|
|
Church would be very good --, but the most important thing is to be aware you
|
|
are praying for God.
|
|
|
|
Paul said to pray without ceasing [First Thessalonians 5:17]. This
|
|
doesn't need to mean repeating the same formula prayer, although that can be
|
|
good, too. Rather, it means like I said above, making everything you do for
|
|
God. Make it all a prayer. It also helps to repeat a short prayer, such as
|
|
the one associated with the Purgatory of Saint Patrick -- Jesus Christ, Son of
|
|
the living God, have mercy on me, a sinner -- or, as some do, simply repeating
|
|
the name "Jesus" constantly. My own favorite prayer comes straight from
|
|
Scripture, Luke 22:42: "Not my will, but Thine be done."
|
|
|
|
In the most cold way, constant prayer conditions the mind to think about
|
|
God. Its effectiveness is not doubted, and though it must be worked on like
|
|
any other skill, it is one well worth the effort.
|
|
|
|
Remember Christ's words, when He described the place of the Christian in
|
|
the world [John 17:14-19]:
|
|
|
|
I gave them your word
|
|
and the world has hated them for it;
|
|
they do not belong to the world
|
|
any more than I belong to the world.
|
|
I do not ask you to take them out of the world,
|
|
but to guard them from the evil one.
|
|
They are not of the world,
|
|
any more than I belong to the world.
|
|
Consecrate them by means of truth --
|
|
'Your word is truth.'
|
|
As you have sent me into the world,
|
|
so I have sent them into the world;
|
|
I consecrate myself for their sakes now,
|
|
that they may be consecrated in truth.
|
|
|
|
* * * * *
|
|
|
|
Now I expect I have bored you enough with those theological ramblings.
|
|
Before I quit them, though, when I was reading up on Saint Augustine and
|
|
working on this letter I came across a passage from Pope John Paul II's letter
|
|
on Saint Augustine, about the latter's opinion on beauty.
|
|
|
|
It is not only the beauty of bodies, which could make one
|
|
forget the beauty of the spirit, nor only the beauty of
|
|
art, but the interior beauty of virtue and especially the
|
|
eternal beauty of God, from which is derived the beauties
|
|
of bodies, of art and of virtue. Augustine calls God "the
|
|
beauty of all beauties," "in whom and from whom and
|
|
through whom exist as good and beautiful everything that
|
|
is good and beautiful."
|
|
|
|
God is, of course, the ultimate attractive. All beauty comes from Him,
|
|
for He is all beauty. I have been toying with studying theology, and if I
|
|
ever do, I have been telling people I would like to write my thesis on the
|
|
morality of art.
|
|
|
|
But I promised I would lay off the theology for a moment, and so I do.
|
|
It has been a long time since I started this letter, so I can talk about more
|
|
recent things, now. This letter has been slowly developing for an amazing
|
|
amount of time, and now today I received your letter of the twentieth, which
|
|
has finally shamed me into finishing, in one last, late night push.
|
|
|
|
For one thing, I have by now started classes. They look pretty good, if
|
|
I can keep up with the reading. I won't have much writing or test taking
|
|
ahead of me, but I will have to read hundreds of pages. I have been in class
|
|
maybe two weeks, and I have already read three Platonic dialogues, one novel,
|
|
one essay, two prefaces, two chapters in my French grammar, and some
|
|
selections from my French reader, and I haven't even begun work on one of my
|
|
classes. I did begin trying to change majors, finally, though. I went to one
|
|
office, and spoke to a counselor, and he gave me two more offices to go to
|
|
next.
|
|
|
|
Other than school and the odd book I manage to read for fun, I haven't
|
|
been up to a whole lot. Arguing theology on the local BBSs, hanging out with
|
|
B., S., and their friends, not really anything exciting. Did I mention
|
|
Hagbard is in my French class, and that Harlequin called me once? M. called
|
|
me twice, too. But I think I told you that on the phone.
|
|
|
|
Tuesday the release party for the new *Analecta* literary magazine will
|
|
happen. I still have not heard back from them abut the thing I submitted this
|
|
semester, so it is not impossible they published it. I am not getting my
|
|
hopes up, though. Marie is of the opinion I could get stuff published. I am
|
|
of the opinion that may be wishful thinking. Time will tell.
|
|
|
|
But anyway, this letter has now run very long, and I have likely used up
|
|
too much of your time, anyway. I hope to hear from you soon, and I still miss
|
|
you.
|
|
|
|
All my love,
|
|
Nemo est Sanctus
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"My own personal seminal influence for the fantasy that is the basis of
|
|
all great speculative fiction is the Bible. (Let us all pause for a
|
|
microsecond in prayer that God does not strike me with a bolt of
|
|
lightening on my spleen."
|
|
--Harlan Ellison
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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AN ALTERNATiVE PARABLE OF EXiLE FROM PARADiSE
|
|
by John Forrest-Bamberger
|
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|
|
He and She strolled through the Garden of Paradise holding hands. They
|
|
were utterly ecstatic and happy. Each moment was pure joy.
|
|
|
|
A lion came into their presence. She stroked its luscious fur,
|
|
delighting in the vibrations of its purr. He got upon it and rode, while She
|
|
led the way.
|
|
|
|
They reached a bower of flowers by a stream where the birds sang
|
|
beautiful symphonic masterpieces. They lay upon the grass in the warm sun and
|
|
gave one another pleasure all the day long. For dinner, they had delicious
|
|
mushrooms and fruits which they picked right off the trees. Because it was
|
|
temperate, they had no need for shelter or clothes. Because their minds were
|
|
one, they had no need for language to communicate.
|
|
|
|
This was all made possible by the Maker. They were utterly grateful to
|
|
the Maker for giving them so much joy and awe. Everything was so perfect and
|
|
beautiful. The Maker saw to it that they had all they needed. The Maker
|
|
created them because the Maker was so delighted in their happiness.
|
|
|
|
However, the Maker imprinted into their minds that they were not to eat
|
|
of a particular fruit from a particular tree. This was the only rule, the
|
|
only limitation in a realm that was otherwise free. The Maker stressed that
|
|
should they eat this fruit, they would become very unhappy with the knowledge
|
|
it brought.
|
|
|
|
One day they were taking a walk and saw this particular tree. The leaves
|
|
were oddly shaped, like five-pointed stars, and the fruit which grew from its
|
|
flowers had a peculiar multichromatic glow to them. The fruits were shaped
|
|
like oblong hexagons and gave off a rather attractive odor.
|
|
|
|
She walked towards the Tree, pulling He along. She pointed to the fruit,
|
|
and they delighted in the beauty, for they had never seen anything quite like
|
|
it. On an impulse, She grabbed the fruit, while He held She back, gesturing
|
|
frantically upwards, their sign for the Maker. Then She kissed He, darting
|
|
her tongue within his mouth. Covertly, She had bitten of the fruit, then
|
|
inserted it within He's mouth.
|
|
|
|
How utterly sweet this fruit tasted! They had never tasted anything so
|
|
delicious in their existence. A wondrous tingling went through their bodies,
|
|
and they felt as if in permanent orgasm. They ate more and more of the fruit,
|
|
it was irresistible.
|
|
|
|
Their heads became larger and their vision became more acute. Suddenly
|
|
they knew things they did not know before. They became curious about the
|
|
Maker and wondered if there even was a Maker. They wondered where they came
|
|
from.
|
|
|
|
They made sounds with their mouths and discovered they could speak their
|
|
thoughts to one another which was much quicker than gesturing. They were able
|
|
to name things with these sounds and this gave them further power to pick out
|
|
more details. Whereas before they saw the world as one whole, now they were
|
|
able to see the world as consisting of many different pieces. And they
|
|
wondered how all the pieces went together.
|
|
|
|
Suddenly She said: "I am naked! I need to cover my body with something.
|
|
If we cover our bodies, this would distinguish us from the other creatures
|
|
here."
|
|
|
|
He said: "You are right. We are certainly superior to these other
|
|
creatures. And you know what? I think I should wear different coverings from
|
|
you, because I have this rod between my legs and you don't. That makes us
|
|
different from one another. Perhaps the Maker intended me to be superior to
|
|
you."
|
|
|
|
She said: "Maybe it is not right for us to come into union so much.
|
|
Perhaps the Maker intends this to be a special act and we must have special
|
|
rituals for it."
|
|
|
|
"This is very strange," said He. "Before we had no sense that one action
|
|
was right and another action was wrong, but now this fruit has enlightened us.
|
|
Now we know better, don't we?"
|
|
|
|
And suddenly they saw the other creatures in the garden as their enemies
|
|
rather than their friends. He discovered that by picking up a rock, he could
|
|
made them still. And thus they discovered Death.
|
|
|
|
"This is horrible!" said She. "If these mere animals can become still,
|
|
never to arise again, perhaps this is what is going to happen to us! Perhaps
|
|
we should appease the Maker!"
|
|
|
|
"Yes," said He. "I have an idea. I will kill more of these animals and
|
|
then the Maker will see how superior we are and make a special place for us
|
|
after we become still." And He discovered better ways to kill the animals,
|
|
which in turn, became afraid of them and ferocious towards them.
|
|
|
|
"Our life is so short!" said She. "We had better have rules about what
|
|
is right and what is wrong in order to appease the Maker so we'll have a place
|
|
in Paradise in the afterlife."
|
|
|
|
"Yes," said He, "but they better be my rules, because I am taller than
|
|
you and have this rod between my legs, which obviously makes me as superior to
|
|
you as we are to the animals."
|
|
|
|
"I do not agree," said She. "Can you not see I have the power of life
|
|
and can bear babies?"
|
|
|
|
"Yes," said He, "but I have the power to plant the seeds for those babies
|
|
and have the power to take you as I please!"
|
|
|
|
"You bastard!" said She, as He raped her then and there.
|
|
|
|
And they bore others of their kind and spread across the face of the
|
|
planet. They killed one another because of differing ideas of what was right
|
|
and what was wrong. They destroyed the very world which sustains them. And
|
|
they lived in constant fear of Insecurity and Death.
|
|
|
|
And thus He and She had partaken of the Fruit of the Tree of the
|
|
Knowledge of Good and Evil. And this Knowledge brought them much pain, just
|
|
as the Maker tried to tell them. Although they were in Paradise all along,
|
|
they ceased to believe this and began to think it was somewhere in the future,
|
|
a future they would never find as long as they were addicted to this Fruit.
|
|
|
|
Ironic, isn't it?
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"Human beings, who are almost unique in having the ability to learn from
|
|
the experience of others, are also remarkable for their apparent
|
|
disinclination to do so."
|
|
--Douglas Adams, _Last Chance to See_
|
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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PAGE FROM A DiARY
|
|
by Crux Ansata
|
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|
|
0150 110496
|
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|
|
It is rather disturbing how rapidly one can go from the intellectual
|
|
state of knowledge, savoir, "Humans are worthless and should not be deceived
|
|
into believing otherwise," to a very personal, very immediate (unmediated),
|
|
visceral state of knowledge, connaitre, gnosis, "I am worthless and cannot be
|
|
deceived into believing otherwise." Even without a real desperation, but
|
|
simply a pure, crystallized knowledge. Sometimes, one comes to the belief,
|
|
the faith, and the only answer to the wise man's question, "What is truth?" is
|
|
simply, "There is no truth." I know, as my religion says, that there is a
|
|
Truth, and that this truth is the Torah Sophia Logos, but it is sometimes hard
|
|
to know this with one's mind and soul simultaneously. I cannot die, as
|
|
tempting as that may be, because I have not done what I am supposed to do.
|
|
God will not let me off that easily. There is the desire, though, to make
|
|
one's truth when the truth runs out. The desire to fall into someone's arms,
|
|
to rape, or to torture, to take the validation of self if one cannot get it
|
|
any other way. This is damned to be an empty victory, though. If you rape
|
|
someone, they will accept that you exist, in a manner of speaking, but how do
|
|
you know they do? How do you know they accept your existence? What does it
|
|
matter that they realize your existence?
|
|
|
|
"What does it matter?"
|
|
|
|
That is a more painful question even then, "What is truth?" Truth is
|
|
fleeting. We can make our own truth, and we can make our own meaning, like
|
|
the Existentialists teach, but we cannot make ourselves true, and so from
|
|
where can our artificial truth inherit validity?
|
|
|
|
If God does not exist, there can be no truth. If God does not exist, man
|
|
would have had to invent Him to keep sane, to keep moving so one does not die
|
|
of exposure on this bridge of life. We have to have a reason, however futile,
|
|
to just keep putting one foot doggedly in front of another. There is a very
|
|
good reason to create a God; there is no good reason to disbelieve.
|
|
|
|
Once one realizes there is no truth on the horizontal, no truth that can
|
|
be found, proven, known by the mind or by the body, one is left with only
|
|
three choices. One can die, cease to exist, simply lose any faith in oneself,
|
|
go mad, somehow resign from the game of life. One can hypocritically turn
|
|
away from the questions of reality, and pretend one has never seen it, like
|
|
one does to beggars on the streets or disturbing commercials on television
|
|
about starving children. One can, lastly, pursue truth on the vertical,
|
|
turning to Torah Sophia Logos.
|
|
|
|
Option one is useless. If there is something of value, the first is a
|
|
simply reneging of the obligation to find it. It does not even stand up to
|
|
what little logic and experience we can con ourselves into believing.
|
|
|
|
Option two is tempting. Satan tempted Christ as Jesus with it in the
|
|
wilderness. Turn away from God and take material goods. Turn away from God
|
|
and take earthly power. Turn away from God, and force Him to accept you
|
|
anyway. This is the path most seem to take. It is a poison, and will eat one
|
|
up inside. Separate the subtle from the gross, but only to purify and
|
|
recombine them.
|
|
|
|
Option three is all that is left. If we ignore the fact that logic
|
|
cannot prove anything, we must choose the vertical Truth, the Cross.
|
|
|
|
I try, but it is hard. There are few answers forthcoming, and I am left
|
|
emotionally prostrate, gibbering like an idiot any time I think I find someone
|
|
who might have a clue, who might understand me, who might have insight into a
|
|
piece of the puzzle I missed. All I can do is study the Fathers and cry
|
|
"maranatha" with every fiber of my being.
|
|
|
|
I wish for the end, not just of me, but of everything. Only then, I
|
|
feel, will I understand. Heaven would be the reintegration of all, and the
|
|
dissolution of all.
|
|
|
|
And the rest is silence.
|
|
|
|
0205 110496
|
|
|
|
0303 110496
|
|
|
|
This is: Yod Heh Vau Heh.
|
|
|
|
This is truth: Christ has died; Christ is risen; Christ will come again.
|
|
The story of the universe is the story of the death of a girl. Every woman is
|
|
a perpetual virgin, Joe, if only you had the eyes to see.
|
|
|
|
I believe in God, the Father Almighty, Creator of Heaven and earth, of
|
|
all that is seen and unseen, and in Jesus Christ, His only Son, our Lord, Who
|
|
was conceived of the Holy Spirit, born of the Virgin Mary, crucified under
|
|
Pontius Pilate, suffered, died and was buried. On the third day He rose
|
|
again, in fulfillment of the Scriptures. He ascended into Heaven, and is
|
|
seated at the right hand of the Father. He will come again to judge the
|
|
living and the dead, and His Kingdom will have no end. I believe in the Holy
|
|
Spirit, the Lord, the Giver of Life, who proceeds from the Father and the Son.
|
|
With the Father and the Son, He is worshiped and glorified. He has spoken
|
|
through the prophets. I believe in one holy, Catholic, and apostolic Church,
|
|
one baptism for the forgiveness of sins, the resurrection of the body, and
|
|
life everlasting. Amen.
|
|
|
|
I do not, however, understand it all. Faith does not mean understanding,
|
|
for if we had proof, what need would there be of faith?
|
|
|
|
0309 110496
|
|
|
|
0359 110496
|
|
|
|
There is an old Sufi parable, that goes something like this. Once upon
|
|
a time, there was a wise Sufi. He lived out in the desert, by himself, but
|
|
over time he got a reputation for wisdom. Finally, one individual went to
|
|
listen to this Sufi. After a while, he said, "You have a real reputation for
|
|
wisdom, and having sat here and listened to you, I see that it is justified.
|
|
Why don't you return to the city and teach, and help other people to see some
|
|
of the wisdom you have." The Sufi replied: "I do not because I want to be a
|
|
teacher. Someday, I will no longer want to be a teacher, and then I can
|
|
choose to be a teacher."
|
|
|
|
I am afraid I want to be a teacher, or a writer, or a priest, or
|
|
something. I want the recognition, and the people to look upon me as someone
|
|
who knows something. Only when I can overcome that pride, I suppose, will I
|
|
be able to see what I am supposed to do, apart from what I simply want to do.
|
|
|
|
In any case, I don't have much to add to what I have said today. This
|
|
has been a quite unusual day, in relation to the diary. In any case, other
|
|
than that I continued reading the Psalms of Solomon, and some stuff on the
|
|
computer, and did a lot of thinking and walking in the biting wind, wondering
|
|
where I am, where I am going, why I dream of girls in buildings that do not
|
|
even exist, whether my desire to be with girls -- even the emotional, aside
|
|
from the sexual, drive; if I can so separate them -- is from God or from me or
|
|
from Satan.
|
|
|
|
In any case, I really have no more to say.
|
|
|
|
0404 110496
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
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|
|
|
|
"Don't be afraid; just believe."
|
|
--Jesus, Luke 8:50
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
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|
|
POiNTERS TOWARD iLLUMiNATiON THROUGH MiND-CHANGE
|
|
by I Wish My Name Were Nathan
|
|
|
|
I was delighted at a recent issue of Time magazine, which presented an
|
|
article illuminating the newest discoveries in the biological construction of
|
|
the human brain. I can use this to partially unite my two previous pieces
|
|
"The All-American Brain" (#32) and "Digging Toward the Roots" (#33).
|
|
|
|
I presented a model of the brain based on a static network of neurons,
|
|
which expressed learning by the adjustment of connection strengths between
|
|
axons and dendrites. The article in Time, however, reveals that scientists
|
|
have recently discovered that this network is not static at all. Indeed, in
|
|
the early ages, dendrites and formed and connected en masse -- but only those
|
|
most used live, while others atrophy. Rather than simply providing a static
|
|
network of varying connection strengths, the human brain also completely
|
|
severs connections, thereby filtering out useless information. (The
|
|
relationship between ELEPHANTS and GASOLINE is nil, so let's throw it out. (Of
|
|
course, each of us now has a tenuous connection between those two concepts in
|
|
our minds. Ha ha! Mindfuck!))
|
|
|
|
While this gradual weeding-out seems to threaten to lock the youngster's
|
|
mind in dogmatic stasis, a regrowth of dendrites occurs around age ten.
|
|
Consider -- the brain is created with infinite possibility (early after
|
|
conception; when born, excepting structural defects caused by trauma or
|
|
malnutrition, most babies' brains have infinite *human* possibility), and for
|
|
ten years, the structure of reality as dictated through culture and language
|
|
is imprinted on it. Then, the chaff is sown, and what remains is a relatively
|
|
clear conception of whatever the brain has happened to learn. The regrowth of
|
|
new connections then allows this structure to be supplemented with details
|
|
aiding it in life. This explains the difficulty of learning language after
|
|
age ten: the mind's concept of language, at least in America, centers around
|
|
only one.
|
|
|
|
Obviously, the brain is not in stasis here, either. The new array of
|
|
neural interconnections is constantly tweaked to account for new knowledge,
|
|
although in the context of its first ten years of learning. Around age
|
|
eighteen atrophy of unused connections again occurs. The article said nothing
|
|
about further atrophy, however.
|
|
|
|
* * * * *
|
|
|
|
Consider the implications of this. This brings to light important
|
|
philosophical questions about the nature of knowledge. Believing, as I do,
|
|
that gnosis or enlightenment or satori or illumination are all the realization
|
|
of reality beyond the brain's *interpretation* of reality, we can see why
|
|
there has not yet emerged one clear way to reach this realization. The
|
|
essentially static structure of neurons in the brain of an adult prevents many
|
|
philosophies from even making sense; the Western and Eastern mindsets can be
|
|
seen as antipodes of a continuum of means for structuring reality.
|
|
|
|
I do not claim that it is impossible for someone to shift mindsets;
|
|
however, it is much more difficult for a Western technological wizard to learn
|
|
the essence of the Tao than it is for him to master the operation of a new
|
|
electronic device. Techniques of brainwashing, meditation, psychoactive drug
|
|
use, magick, and Tantric ritual are all means of performing radical shifts in
|
|
neural circuitry.
|
|
|
|
Brainwashing and psychoactive drug use are dangerous, however.
|
|
Brainwashing involves intense psychological torture, far outweighing the
|
|
benefits of forgetting unpopular beliefs. Psychoactive drug use is not as
|
|
much dangerous as unpredictable. In amplifying neural connections, it allows
|
|
us to see how we think -- revealing repressed patterns of thought,
|
|
demonstrating the hidden relationships we perceive between things, which may
|
|
be innocuous or shocking -- and this can be frightening and disorienting to
|
|
the casual user. Of course, the opposite reaction may occur -- we may realize
|
|
that we know exactly what we believe (not necessarily a truism) -- and propel
|
|
us into the realms of ecstasy and gnosis right out of the remaining weak ties
|
|
that bind us. In any case, the possibilities of psychoactive drug use are to
|
|
be studied and understood before use; the simplicity of dropping acid points
|
|
toward the tendency not to study it up, leading toward the former "bad trips."
|
|
This is why meditation, achieving the same results in the end, is attempted
|
|
and mastered by so few.
|
|
|
|
* * * * *
|
|
|
|
Future systems of rebellious philosophy (freedom from, not freedom to)
|
|
must understand the neural structure of the mind and its capacity for change.
|
|
We have long since passed the age of considering members of a culture to be
|
|
cookie cutouts in a rigid typology, but we must now enter the age of ultimate
|
|
relativism -- that while other cultures have different interpretations of
|
|
reality, so does every person within a culture. The deepest sense of this
|
|
relativism is in the random construction of knowledge through the brain's
|
|
ever-changing neural connections. If someone wants to liberate his mind, then
|
|
he must be TOLD what is keeping it back. In some degree, an understanding of
|
|
the culture that has imposed these restrictions can liberate the mind a great
|
|
deal, but the rest can only be known personally. And this is the structure of
|
|
reality encoded in his brain, which for the average adult has been strongly
|
|
reinforced out twice in his life.
|
|
|
|
Nothing can be learned without a quality of understanding existing
|
|
between student and teacher. This involves a similarity of mind between the
|
|
two, allowing ideas to pass freely from one to the other. Finding a person
|
|
with such a similarity may be a learning experience in itself. Trying to
|
|
teach oneself can be treacherous if the seeker of knowledge and the
|
|
interpreter of knowledge don't think alike.
|
|
|
|
In learning philosophy, abstractions are the basis, and every mind
|
|
inculcated in a human culture understands abstractions and is built upon them.
|
|
For this reason, one is said to only learn what one knows. Even in learning
|
|
specifics, any school of thought builds upon abstractions one already knows.
|
|
|
|
But for those of us blindered by the monotonous culture that has
|
|
structured our brains, we must be introduced to the very structures we cannot
|
|
see as they are so integrated in our every thought. It is this lack of
|
|
self-understanding that makes many human lives seem so futile, struggling to
|
|
thrive without any idea how to do so. The elucidation of the ways in which we
|
|
think can only be achieved by (1) learning how we think in the first place
|
|
(patterns of thought, construction of knowledge), (2) interpreting our own
|
|
minds in these terms, and (3) discarding barriers to free living -- or
|
|
forgetting. To learn is to forget.
|
|
|
|
To learn is to forget. That very sentence may help someone toward
|
|
achieving his goal, but for a more general approach I present:
|
|
|
|
Algorithm v0.1b for achieving illumination.
|
|
|
|
1) Have a reason for becoming illuminated. Concerns about humanity,
|
|
one's own destiny, the nature of reality, the import of the discoveries of
|
|
science, the implications of technology, the soul-stretching adventures of
|
|
romantic love, history, millennialism, and paranoia are all good reasons.
|
|
|
|
2) Learn as much about your brain as possible. First and foremost,
|
|
study psychology and sociology, politics and religion, history and psychic
|
|
predictions -- whatever is appropriate, whatever you feel you know least about
|
|
-- and compare your own beliefs to theories of how you attained them. Through
|
|
this you will be able to find and eliminate your prejudices.
|
|
|
|
3) Find a philosophical or religious or athletic or sexual system that
|
|
suits your tastes. If you have eliminated your prejudices, then your tastes
|
|
represent hints of deeper truths. Through the system, you can get to the
|
|
basis of these truths. Devote yourself to the system and become one with it.
|
|
You may choose a system absolutely appalling to your tastes as well; be warned
|
|
that this makes learning that much harder, but the learning is that much more
|
|
fruitful as well. Becoming one with the system will allow you to forget your
|
|
ego, the concerns of which cause the majority of human suffering.
|
|
|
|
4) If your system is rigorous enough, you will have a brand-new
|
|
tried-and-true means of interpreting reality. Do not be surprised if the
|
|
world seems to be mere details cloaking deeper abstractions. With this
|
|
mindset, you will be able to interpret and categorize systems you never
|
|
considered thinking about before. Having picked a system that most meshes
|
|
with your beliefs, you will now be free to discard that system and head toward
|
|
different concerns. From here, go to step (1).
|
|
|
|
5) If you got here, then you are illuminated. You broke free from an
|
|
infinite loop, or merely didn't read closely enough. Life and death are the
|
|
same; language is a silly code to be used and abused; motion, physical matter,
|
|
and time are but perspectives on reality; and you can stop living to learn and
|
|
can learn to live.
|
|
|
|
(Or, to repeat it simply: LEARN HOW TO FORGET.)
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"I tell you how I fell but you don't care
|
|
I say tell me the truth but you don't dare
|
|
you say love is a hell you can not bear
|
|
and I say give me my back and then go there for all I care."
|
|
-- Fiona Apple
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
i DON'T MiND OTHER GUYS DANCiNG WiTH MY GiRL
|
|
by Clockwork
|
|
|
|
Have you ever worshiped from afar? Slipped back into the corner of a
|
|
room and watch beauty glide softly across the other side. No direct
|
|
interaction, no unbelievably idiotic pick-up lines putting in the class of
|
|
Those kind of people. Just a following of your eyes that was unconsciously
|
|
drawn to a person who just casually walked in. Not too take in the size of
|
|
breasts or the tightness of an ass, but to admire the entire beauty as a
|
|
whole, including the spirit and mind, sensed but not known.
|
|
|
|
The eyes grasp you first, tear breath from your lungs, forcing you to
|
|
consciously remember how to breather. You get captured and entranced in their
|
|
mystifying world, dancing in the world of the soul, realizing the old saying
|
|
of the eyes being the windows to the soul is incredibly accurate.
|
|
|
|
A smooth, soft, caring face with no makeup to mask the natural beauty, as
|
|
it should be. A smile to someone or about something and your left with that
|
|
cloud-like feeling - propels you towards Olympus understanding how the Gods
|
|
may feel. And she walks, flows across the room, casts her aura of purity,
|
|
kindness, and eroticism about her. It is hard to convince others these
|
|
occurrences are not merely lustful occasions. You understand there is
|
|
something above that, something above the physical that beckons your spirit
|
|
towards hers.
|
|
|
|
You make brief eye contact once - the most amazing event of all - and
|
|
lives, prisons, loves and pains are all transferred in an instant. She knows
|
|
you and you know her for that one moment and you are bathed completely in her
|
|
beauty, cleansed in a sense.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"meet me there in the blue
|
|
here words are not and feeling
|
|
remains. sincerity
|
|
trust me to throw myself into your door"
|
|
-- enigk/hoerner
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
ON THE GENERATiON OF FiCTiON, or
|
|
THE POWER OF FORREST GUMP, PART 3
|
|
by I Wish My Name Were Nathan
|
|
|
|
I don't think people understand me when I say that I've written most of
|
|
my stories on the computer. "Well, sure," they think they agree, "you use a
|
|
word processor, right?" NO! No, not at all. I might as well explain.
|
|
|
|
Ever since January 1996, I've given up fiction writing. I hate fiction.
|
|
Fiction is boring, drab, lame. The best use of fiction to me is to waste time
|
|
and lie to yourself. Fiction is low art. But, the stories I've written on
|
|
the computer, they are high art. A totally new form.
|
|
|
|
What I did during 1995 during part of a dry spell was to write a program
|
|
that could generate stories. It's fairly easy, you know. First of all, I
|
|
entered in the basic plotlines I like to use. Effectively, there are only
|
|
two. You figure them out. From there, I entered in the patterns representing
|
|
the paragraph sequences and sentence structures I use most. Such as, a lot of
|
|
sentences beginning with appositives, and overuse of 'then' and 'suddenly' and
|
|
'well'. After that, I entered in a simple formal English grammar, and entered
|
|
all the mosts I'm most likely to use.
|
|
|
|
Operation of the program is easy. I select a plot, name the characters,
|
|
and let the program work. But, it's a little more complex than that. It
|
|
always works by selecting random scenes and times, starting off 'at the
|
|
beginning' and working forward from there. All the stories it generates are
|
|
linear in time. Only occasionally have I manually switched the order of
|
|
paragraphs to use flashback.
|
|
|
|
I admit, the program is a little buggy. It tends to produce stories that
|
|
start out with tons of exposition and then degenerate into conversation. That
|
|
damned program loves conversation. It's so easy. It doesn't have to make
|
|
sense at all, and can ramble, and can also repeat the same things over and
|
|
over again. Also, the stories end much too abruptly. Something about a
|
|
critical overdamping I need to study up on. Well, such is 'my style.'
|
|
|
|
I also apologize for anyone who really thought I was purposefully writing
|
|
a series of interrelated stories. Apparently my program generated several
|
|
stories about a loser named 'Ethan' and a couple with a fag named 'Jeremy'.
|
|
All I can say is, whoops! More repetitious redundancy I should have detected.
|
|
I also should apologize to Kilgore for letting the program write 100k stories.
|
|
I certainly wouldn't want to read them.
|
|
|
|
"But I thought you really came up with these stories and wrote them!"
|
|
|
|
No, I didn't. I hate writing. Articles are my only love. It was fun to
|
|
write the program that wrote the fiction though. It likes to use fractals.
|
|
*Oooh, fractals! I've got to write an article about those sometime,* I think.
|
|
|
|
"But you have to admit, the stories sound a lot like your life!"
|
|
|
|
Yes, I agree. It's because I entered in some events from my life. But
|
|
the details are lies. Too many of the stories center around suicide and
|
|
homosexuality. I guess I should have entered some other themes like
|
|
"happiness" and "science fiction" and "Irish-loving bastardry." In reality
|
|
most of my waking thoughts center around making money fast.
|
|
|
|
"Lies?"
|
|
|
|
"It's fiction!" I protest. "How can you let yourself be deluded into
|
|
thinking that everything I appear to write is true? It's only a myth that
|
|
'You can only write what you know.' What bullshit."
|
|
|
|
"Ah, fiction! It's just lies?"
|
|
|
|
"Lies, yes, fiction is lies!"
|
|
|
|
"Lies, lies, lies," it said.
|
|
|
|
"Lies." And as he watched, a graceful bird dropped dead in flight and
|
|
spiraled to the ground.
|
|
|
|
"A computer program, eh? Doesn't *it* only write what it knows about,
|
|
like Forrest Gump?"
|
|
|
|
Ethan knew better. He just laughed and laughed and laughed, and then
|
|
suddenly walked away toward Juncture without saying a word.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
"The poets? They stink. They write badly. They're idiots you see, because
|
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
|
The good people do the serious jobs."
|
|
--Charles Bukowski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
CLiPPiNGS OF THE WHOLE
|
|
by The Super Realist
|
|
|
|
Open ceiling closed up black sparkled by white candles of lightyears and
|
|
unreachable birthday cakes. Feet fall asleep under open ceiling, white
|
|
socks blanket bomb ant and bedbug lairs. Grey carpet turned teal eel in
|
|
turn carpet bomb the feet alternatively oxymoronic. Culturally
|
|
illiterate broad minded broad shouldered Jane Eyre Jordan in socks of
|
|
pounding death sit in silence contemplating less than simple parts of
|
|
mechanical failure of Society. It's a shame when the parts fit but the
|
|
machine doesn't work. Dressed in dreams and white socks contemplating
|
|
unions of states of minds of eyes and no's. Ears hear her, eyes see her,
|
|
mouth breathes her, skin feels her, nose turned up in distasteful
|
|
scrutiny mutiny of apartment
|
|
compartment complexity. Bed bugs don't mind her, why should she? Witty
|
|
Aphrodite, bedroom sparkling around her in white candles of lightyears.
|
|
Scintillating, manipulating, contemplating all the contemplations of the
|
|
past and Rimbaud in reversal of gender role. Pulling her closer, she
|
|
firmly pushes herself off the stigmatic and social precipice and
|
|
prerequisites of dressing up of blessed unions of states of minds of
|
|
eyes and nays. Taboos are tattooed into her psyche and removal leaves
|
|
behind scars. There's more to joining than just the physical, and even
|
|
this obstacle can (and must) be overcome. Without the spiritual joining
|
|
and emotional joining, she can be left clinging to threads like
|
|
Burroughs reciting a cut-up. Sure it's all there in one form or another,
|
|
but does it flow? Does it comprehend? Does it flower and multiply
|
|
without continual religious and dogmatic pruning? Even Burroughs had to
|
|
use three complete stories to pull his cut-up off. Even Monet had to
|
|
attach all the dots to pull it off. Even Beethoven had to hear it all in
|
|
his head before he could pull it off. She opens her heart to her and
|
|
herself, exposing ribs and endoskeleton and lungs and spleen as well as
|
|
heart. Sometimes the inside is messy, but without it we'd all be
|
|
shallow, hollow, empty shells. pick one, two or three; one has the pearl
|
|
under it, only cost ya ten dollars to play. Don't you wish live and love
|
|
was that simple? As simple as a game? As simple as children? As simple
|
|
as unreachable birthday cakes?
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Nothing resists the will of man, when he knows the truth, and wills the
|
|
good."
|
|
--Eliphas Levi
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
SPANiSH POEM
|
|
by Acid Queen
|
|
|
|
no one understood the perfume of the dark magnolia of your womb;
|
|
no one knew how you tortured a hummingbird of love between your teeth--
|
|
a thousand persian ponies lay in the moonlit plaza of your forehead while i,
|
|
for four nights, embraced your waist: enemy of the snow--
|
|
between plaster and jasmines, your glance was a pale branch of seeds;
|
|
i sought, in my heart, to give you the ivory letters that spell ALWAYS-
|
|
always, always: garden of my agony, your body elusive always
|
|
the blood of your veins in my mouth, your mouth already darkened
|
|
for my death
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"The spirit is the master, imagination the tool, and the body the plastic
|
|
material."
|
|
--Paracelsus
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
HEADLIGHTS OF THE WORLD
|
|
by The Super Realist
|
|
|
|
Silence silence silence
|
|
Russle
|
|
leaves clatter dead and not falling, no orange red yellow in inky
|
|
shrouded
|
|
pillow stuffed night.
|
|
Hands arms eyes folding unfolding appearing on opposite sides of the
|
|
dale
|
|
twisting and turn completely
|
|
BLACKOUT
|
|
circling circling circling
|
|
elm vultures cry clatter russle not dead
|
|
clearing
|
|
nibble nibble
|
|
beat boom boom
|
|
boom boom
|
|
boom boom
|
|
slot machine rolling orange apple yellow
|
|
nothing
|
|
shuffle
|
|
nibble nibble
|
|
ears cocked to side
|
|
working through drudgery pulling arm ache with knee jerk sincerity
|
|
hamstrings cut by viscious fangs of underlings but deer can't bite!
|
|
Groping flash flash orange red yellow clatter of leaves not falling dead
|
|
Underlings rising over for the final kill boom boom
|
|
boom boom
|
|
boom boom
|
|
heart tearing out paranoia of underlings
|
|
deer with teeth but not pretty
|
|
blood on grass briefs thrown into the air
|
|
clatter clatter with dead leaves, blowing reckless without heed to deer
|
|
thoughts or boss or paranoia
|
|
It's the job that gets done, cycling circle circle circle
|
|
silence silence silence
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Why don't you pass the time by playing a little solitaire?"
|
|
--various characters in _The Manchurian Candidate
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
PRiMAL RELUCTANCE
|
|
by Zadig
|
|
|
|
Sitting, head down--
|
|
truncated virility--
|
|
ever vigilant, but cravenly so.
|
|
Self-loathing, scorn ever dull
|
|
the stripped screw,
|
|
blunted by fiery chastisement.
|
|
Boot straps so low,
|
|
slick with apathy.
|
|
Driven forward blindly--
|
|
lacking justification for less or more--
|
|
Success without risk is
|
|
elevation along smooth walls.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Life may have no meaning. Or even worse, it may have a meaning of which
|
|
I disapprove."
|
|
--Ashleigh Brilliant
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
TEMPLE
|
|
by John Forrest-Bamberger
|
|
|
|
ENTER, IF YOU DARE, THE TEMPLE OF YOUR INNERMOST MIND!
|
|
HAVE COURAGE, FOR THE SLIGHTEST THOUGHTS WILL BECOME DEMONS WHO
|
|
WILL ATTACK YOU OR ANGELS WHO WILL CARRY YOU TO THE BLISS OF HEAVEN!
|
|
ABANDON YOUR PERSONA! YOUR USUAL DEFENSE MECHANISMS WILL NOT
|
|
PROTECT YOU HERE! NO MASK WILL HELP YOU; IT IS IMPOSSIBLE TO LIE
|
|
HERE!
|
|
PLUNGE INTO THE VOID! FALL THROUGH INFINITY INTO ENDLESS
|
|
SPACELESSNESS!
|
|
BECOME LOST IN ENDLESS LABYRINTHS OF COUNTLESS DREAMS!
|
|
YOUR FOOTSTEPS ECHO THROUGH A MAZE OF MIRRORS ALL REFLECTING WHO
|
|
YOU ARE IN YOUR DEEPEST ESSENCE!
|
|
STOP! LISTEN TO THE VOICE OF SILENCE!
|
|
VERILY, THIS IS THE HOUSE OF MANY MANSIONS!
|
|
READ THE EQUATIONS ON THE WALLS, SCRAWLED IN ANCIENT HIEROGLYPHICS:
|
|
|
|
MATTER IS TRANSFORMABLE INTO ENERGY...
|
|
ENERGY IS TRANSFORMABLE INTO MIND...
|
|
MIND IS TRANSFORMABLE INTO CONSCIOUSNESS...
|
|
CONSCIOUSNESS IS TRANSFORMABLE INTO NO-THING...
|
|
NO-THING IS TRANSFORMABLE INTO EVERYTHING!
|
|
|
|
THIS IS THE KEY WHICH WILL UNLOCK THE DOORS OF THE UNIVERSE!
|
|
THIS IS THE THREAD WHICH WILL HELP YOU FIND YOUR WAY OUT OF THE
|
|
MAZE!
|
|
|
|
GLADLY PARTICIPATE IN THE GREAT CYCLE!
|
|
THIS IS THE CYCLE OF ENDLESS DESTRUCTION!
|
|
THIS IS THE CYCLE OF ENDLESS CREATION!
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Never is he more active than when he does nothing, never is he less
|
|
alone than when he is by himself."
|
|
--Cato
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
AGE OLD QUESTiON OF MADNESS
|
|
by The Super Realist
|
|
|
|
I saw my first crazy person on the bus today
|
|
Silver hair with same anniversary
|
|
Ring of sweat streaked clothes and coffee mug
|
|
held tight in hand held baby inner vision
|
|
|
|
I asked to help her to her seat and got wild
|
|
eyed contemplation of fathomless kings
|
|
and queens and dragons and lizards and deserts and
|
|
Santa Fe'd Bob Dylan extracted vocals
|
|
|
|
Charmed 50's pillbox Mrs. First Lady Kennedy
|
|
smile with same attire bought in the 50's
|
|
but too bad it's the 90's but she's in
|
|
fashion now, too bad she's not young
|
|
|
|
I asked her if she liked the weather and she
|
|
spoke with travel stained and nicotine
|
|
weary breath that she liked it much better
|
|
now than where she was a minute ago
|
|
|
|
Diatribed to nothing save herself and her
|
|
wonderful little recipe for liver boiled egg
|
|
Benedict Arnold is how I felt invading her
|
|
privacy by listening in to open book
|
|
|
|
I smiled and offered a false sense of security
|
|
to her worn and dusty clothed rag doll frame
|
|
but she just smiled back, sadly and said it was
|
|
my own generation to offer security to
|
|
|
|
Both of us pondering the insurmountable odds
|
|
overpowering the conscious, the bus rolled
|
|
to her stop and she left so fast and waved good
|
|
bye, I still wonder who is mad.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
AGENT X
|
|
by John Forrest-Bamberger
|
|
|
|
The mysterious stranger was forcibly guided into the doctor's office by
|
|
two strong-armed attendants in white uniforms. He was deposited (dumped might
|
|
be a better word) into a huge leather arm chair in front of the desk. He had
|
|
an odd steady gaze that seemed to look right through the doctor.
|
|
|
|
The doctor furtively looked at his notes about this particular case. The
|
|
stranger apparently gave no name and he had no identification on him. He was
|
|
found wandering in the streets by the city police doing nothing. He was
|
|
arrested for loitering. Then, his extreme silence and occasional enigmatic
|
|
comments made them come to the conclusion that he was mentally ill. Thus, he
|
|
was transferred here.
|
|
|
|
Nevertheless, the doctor attempted: "You were found in the streets with
|
|
no identification. Would you mind telling me your name?"
|
|
|
|
The stranger grinned weirdly at him and replied: "I have no name. But
|
|
if it would make you feel better, you may refer to me as Agent X."
|
|
|
|
"Hmmm, Agent X, eh? And who are you an agent for?"
|
|
|
|
"I am here to transform the evolution of your species."
|
|
|
|
This one is definitely strange, thought the doctor. "And why do you want
|
|
to transform our species? And what species do you represent, if I may
|
|
inquire?"
|
|
|
|
"Well, let us put it this way. I am a mutant. I do not perceive the
|
|
world quite like you do and my thinking processes are radically different. We
|
|
are born into your world from time to time. Many of us become artists,
|
|
musicians, or writers. Many of us are scientists or inventors. Not a few of
|
|
us become mystics or spiritual teachers. In more primitive cultures, we may
|
|
have been the shamans or witch doctors.
|
|
|
|
"The one thing that sets us apart is we have the ability to think or
|
|
invent in highly original ways. Such ways are not often understood during the
|
|
duration of our lifetimes. Then, ironically, we become revered after our
|
|
deaths."
|
|
|
|
"Ah, you seem to be a rather intelligent man. If you are what you say
|
|
you are, then why are you not doing one of these things you say you might be
|
|
doing?"
|
|
|
|
"I see I can at least confide in you, even though it is obvious you are
|
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trained to perceive me and my kind as insane," said the man..
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"You see, sir, there is a downside to our existence. Not a few times, we
|
|
will be so original that we are regarded as heretics, then tortured or killed.
|
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Or we will be completely disregarded, a rather painful ordeal. Finally, we
|
|
will be considered demon-possessed in more ancient times or insane in your own
|
|
time, locked up 'for our own good'."
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"I wonder, Agent X, if you could give me a demonstration of these
|
|
marvelous thinking powers of yours."
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"Very well, good doctor, even though I realize you will be taking avid
|
|
notes towards the aim of diagnosing me in one of your mythic categories of
|
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madness. I know you have your sacred book of categories on your shelf behind
|
|
you which you and your fellow doctors consider it heresy to contradict for
|
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fear of losing your rather lucrative position. Here goes:
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(The unknown stranger got up and put his hand on the doctor's desk, an
|
|
action which made the doctor rather uncomfortable and begin reaching for the
|
|
phone to call in the attendants.)
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|
"Do not worry, poor stressed man, I have no intentions to hurt you or put
|
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you out of your misery. My kind has transcended such primitive behavior,
|
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unlike your own...
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"Do you see this object I have my hand on. What do you call this?"
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|
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(The doctor, streams of sweat coming down his face): "Why we refer to
|
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this as a desk, do we not?"
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|
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(The stranger, grinning enigmatically): "I suppose that is what your
|
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kind speaking your particular language would call it. That makes it so
|
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simple, does it not, to limit the totality of this object to just a mere
|
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'desk'.
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"But consider this, dear doctor, this supposedly complete object you
|
|
call a 'desk' is so much more if you could examine it with an electron
|
|
microscope. You would then perceive a vast array of writhing electrons and
|
|
atomic nuclei. If you could squint further, you would perceive quarks and
|
|
stranger matter than you could imagine in your wildest dreams. You would see
|
|
entire universes in the microcosm. You would be unable to perceive where the
|
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desk ends and where the surrounding air and various objects on it begin."
|
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|
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"Agent X," the doctor interrupted impatiently. "This is fine in
|
|
imagination. You simply quote the knowledge of physicists of our time. I do
|
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not see anything original about your line of thinking at all. I still say
|
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it's a desk."
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"Doctor," the stranger grinned as though he'd won a grand sweepstakes.
|
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"I do not imagine this that I have told you. I see it!"
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|
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(The doctor's actual thought was, "Aww, give me a break!" as he
|
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professionally replied:) "You have quite vivid perception."
|
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|
|
"Yes, I do. And furthermore, I see how everything is interconnected with
|
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everything else. I can see into the interior of things and perceive what we
|
|
might call a Primal Substance, which mystics of Western persuasions have
|
|
called 'God' and mystics of Eastern persuasions have called 'Void'."
|
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|
|
"I believe you. But, Agent X, I do not see how you can possibly function
|
|
this way. If you cannot perceive the separability of things, how can you
|
|
manipulate things in a reasonable way?"
|
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|
|
"That is the difference between you and me. I have no interest at all in
|
|
what you call 'functioning', a mode which you regard as sacred as primitives
|
|
worshiping their demonic totems. Do you want to know my own word for
|
|
'functioning': automatic conditioned behavior. You and your kind are
|
|
basically automatons. You relate to one another in a highly automatic way and
|
|
you manipulate your world in an automatic way. You rarely, if ever, have any
|
|
real consciousness of what you do. You and your fellow men are sleepwalkers.
|
|
To me, to 'function' is to be deep asleep. Snore away, doctor, and do your
|
|
repetitious behavior.
|
|
|
|
"Tell me something, doctor, why are you in this line of work anyway?"
|
|
|
|
(The doctor was beginning to really look forward to his vacation. Maybe
|
|
it's time for a sabattical to write that book about behavior modification.)
|
|
|
|
"Well, let's see, at first I wanted to figure myself out, then I chose to
|
|
figure out why it is that others become what they do."
|
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|
|
"And have you ever figured out the answers to those questions?"
|
|
|
|
"No, not really, the human mind is still quite a mystery to us. But we
|
|
have faith that we can know someone with enough analysis."
|
|
|
|
"Maybe you do what you do because it is more comfortable to simply do
|
|
what others around you do and imitate their thoughts and actions. Have you
|
|
ever noticed how when there is an open voting in a meeting, everyone looks
|
|
around at what their fellows are doing before they all raise their hands or
|
|
say 'aye' together. Or people automaticlly imitate the same fashion. I have
|
|
constantly been amused at observing this kind of behavior.
|
|
|
|
"Let me tell you something doctor. What you see before you is a
|
|
forerunner to what the next human species will be. Mutants such as us are to
|
|
you as Neanderthal man was to Australopithecus man. Initially, we were killed
|
|
off, but just enough of us survived, and with greater brain power, we became
|
|
the new race.
|
|
|
|
"Now, I am becoming rather bored with talking with idiots such as you. I
|
|
know you will try to control me by your silly psychotherapeutic methods, but
|
|
you see, you won't succeed. You will merely alter my outward appearance.
|
|
However, you cannot touch my spirit, another level you are too obtuse to
|
|
perceive. That will be reborn in another form. You see, we are at a stage
|
|
where we can consciously affect our own evolution rather than wait for random
|
|
mutations as was the procedure in the past."
|
|
|
|
"We will do all we can for you, Agent X," said the doctor as he buzzed
|
|
the attendants in to take him away to his solitary room.
|
|
|
|
When he was gone, the doctor quickly grabbed his well-thumbed DSM-IV off
|
|
his shelf and studied it for a few moments. On a piece of paper he wrote:
|
|
|
|
"Strong manic schizoid tendencies. Clear delusions of grandeur. Give
|
|
forced doses of phenothiazines, possibly antidepressents. Behavior
|
|
modification definitely indicated. Consider for shock treatments and
|
|
neurosurgery if none of above work."
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"I wrote a song, but I can't read music so I don't know what it is.
|
|
Every once in a while I'll be listening to the radio and I say, 'I think
|
|
I might have written that.'"
|
|
-- Steve Wright
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
RECONNAITRE
|
|
by I Wish My Name Were Nathan
|
|
|
|
One of those summer nights, when the sun has gone down far enough in the
|
|
sky to leave a warm, mellow air, I stopped by the Three Table bar and met
|
|
Paco all over again.
|
|
|
|
"What the fuck! How's it goin', Paco?" I cried out, seeing him across
|
|
the bar in a booth by himself.
|
|
|
|
"Really smooth," he said back with a grin.
|
|
|
|
"God damn!" I replied, marching over to the booth and sitting down.
|
|
"Where've you been, guy?"
|
|
|
|
"Around," he said. "Right here in Bon Porte, specifically. Doing the
|
|
same ol'."
|
|
|
|
"I sure as hell hope so! Wow! You want a refill on that beer?"
|
|
|
|
"Sure, what the hey."
|
|
|
|
"I'll be right back," I said.
|
|
|
|
Paco, he's the man. Most fucking awesome musician I've ever had the
|
|
luck to run into. He and I went to the same college, and I found out about
|
|
him when I checked in to listen to him play at the local coffee house. He
|
|
had nothing more special than a twelve-string guitar and his voice, but I was
|
|
hooked instantly. Imagine my surprise when I saw him play again, but this
|
|
time with a synthesizer and a saxophone. Right then it would have been silly
|
|
to imagine he could play anything, but not with Paco.
|
|
|
|
I started hanging out at all his shows, becoming a veritable groupie. I
|
|
told my friends about him, and some of them came for a few shows, but left
|
|
upon finding no consistent 'style.' Those assholes were too blind to see
|
|
style right in front of their eyes! I have to admit that he was a little too
|
|
free-wheeling for most people, but I totally got off in attending a show
|
|
pleasantly drunk and letting his music carry me away.
|
|
|
|
Only regret I've ever had is watching him graduate two years ahead of me
|
|
and not taking any steps to communicate with him. Most I did was talk to him
|
|
after shows and gush and make a schoolgirlish ass of myself, but he didn't
|
|
mind in the slightest, and I knew that all along.
|
|
|
|
I came back from the bar with two beers, totally ignorant of Paco's
|
|
original brand. Of course, he wouldn't care. Nothing ever turned him off.
|
|
I sat down and pushed a mug over to him.
|
|
|
|
"Still hangin' local, eh?" I asked. "Any specifics?"
|
|
|
|
"Nothing much," he said pleasantly. "Pretty much playing for myself
|
|
lately."
|
|
|
|
"No shit! Why are you cooping yourself up? People have to hear you!"
|
|
|
|
"Aaah, I'm experimenting with new stuff now. Don't want to unleash
|
|
anything unfinished on an unsuspecting world. These aren't all college kids."
|
|
|
|
"Spare me," I said. "You've got no excuse not to perform, and they've
|
|
got no excuse to complain. Have you played at any of the clubs?"
|
|
|
|
"No, actually," he said, smirking strangely while sipping his beer. "May
|
|
'95 was my last public performance."
|
|
|
|
I gawked at him. "Why?!"
|
|
|
|
"My audience is gone. The kids from school are spread far and wide by
|
|
now."
|
|
|
|
"Find a new audience, Paco! Hello!"
|
|
|
|
"I dunno, man, I think you people at school were the most receptive
|
|
group I could have, and all in one place too. I don't think I can find
|
|
anything like that again."
|
|
|
|
"What about putting out some CDs? Can't you do that?"
|
|
|
|
"I don't have much money, man."
|
|
|
|
"What kinda job you have?" I asked, taking a chug.
|
|
|
|
He grinned, looking at his fingernails. "Livin'."
|
|
|
|
"No, seriously."
|
|
|
|
"That's it, man."
|
|
|
|
"With anyone?"
|
|
|
|
"Not usually, no."
|
|
|
|
"No money?"
|
|
|
|
"No more than I need. I've got my tunes."
|
|
|
|
I rested my head in my hands and stared at him in awe. "Same ol' Paco."
|
|
|
|
He smiled and laughed quietly. Both of us sat back and sipped the rest
|
|
of the beers in silence. When we finished, I said, "I'll pick up the tab,
|
|
'kay?"
|
|
|
|
"Sure, thanks, man."
|
|
|
|
"Well, I was just dropping by," I said, standing up. "I guess I'll see
|
|
you around."
|
|
|
|
Paco waved his hand. "Not so fast. I want to play something for you."
|
|
|
|
"Really?" I asked happily.
|
|
|
|
Paco got out of the booth and headed outside while I paid. I followed
|
|
him out and we started walking down the street in the dusk summer air,
|
|
kicking leaves up and moving sedately through the night. He led me down near
|
|
the lake and turned toward a collection of run-down shacks, making me wonder
|
|
if he was joking, and then he stepped into one of them.
|
|
|
|
"Es la casa," he announced.
|
|
|
|
"You like this?" I asked incredulously, remembering the veritable
|
|
middle-classness he came from.
|
|
|
|
"No rent, no worries. Happy homestead. Now sit down over there."
|
|
|
|
I carefully found a spot on the floor and leaned back carefully against
|
|
a flimsy wall. The surroundings were upsetting me a little and I hoped I
|
|
could enjoy the music. I obviously would, I realized when I saw Paco
|
|
gracefully pull a guitar out a case near his mattress, handling it with the
|
|
same sure-handed delicacy he put into his life.
|
|
|
|
He put one leg on a chair and sat on the back, one long leg against the
|
|
floor, and he started to play. The chords jumped out at me in the silence
|
|
and made me gasp. Immediately I shut my eyes and started to concentrate,
|
|
shutting out the world around me, all my experience stemming from the
|
|
strumming strings. Paco led me through an utterly novel melody, with no
|
|
repeating bars but with an underlying pattern my mind couldn't interpret but
|
|
only vicariously enjoy. Faster, slower tempos, undulating arpeggios bouncing
|
|
throughout the song, nothing to be listened to but only experienced. His
|
|
fingers hammered the frets effortlessly, pulled off with mind-numbing rings,
|
|
slid up and down the scales, making me doubt he wasn't using three hands.
|
|
The song went on and on and ended just when I expected, no surprises or
|
|
disappointments. I hoped he would never duplicate it.
|
|
|
|
I opened my eyes and the shack appeared momentarily ethereal, as if it
|
|
had only been an illusion. The physical conditions were utterly detached
|
|
from the spirit that Paco exuded into the room. What little worries I had
|
|
about the place vanished, and what little worries I had about Paco withering
|
|
away without an audience disappeared with them. I knew I would come to
|
|
understand him again, as I always have.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
State of unBeing is copyrighted (c) 1997 by Kilgore Trout and
|
|
Apocalypse Culture Publications. All rights are reserved to cover, format,
|
|
editorials, and all incidental material. All individual items are
|
|
copyrighted (c) 1997 by the individual author, unless otherwise stated. This
|
|
file may be disseminated without restriction for nonprofit purposes so long
|
|
as it is preserved complete and unmodified. Quotes and ideas not already
|
|
in the public domain may be freely used so long as due recognition is
|
|
provided. State of unBeing is available at the following places:
|
|
|
|
CYBERVERSE 512.255.5728 14.4
|
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
|
THAT STUPID PLACE 215.985.0462 14.4
|
|
ftp to ftp.io.com /pub/SoB
|
|
World Wide Web http://www.io.com/~hagbard/sob.html
|
|
|
|
Submissions may also be sent to Kilgore Trout at <kilgore@sage.net>. The SoB
|
|
distribution list may also be joined by sending email to Kilgore Trout.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|