2741 lines
131 KiB
Plaintext
2741 lines
131 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
|
|
of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
|
|
does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
|
|
does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
|
|
idea is not there. STatEst ofoFOFo .ereht ton si aedi
|
|
Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
|
|
where movements TATeSTa foFofoF stnemevom erehw
|
|
are impossible fOFoFOf elbissopmi era
|
|
in all forms, UsOFofO ,smrof lla ni
|
|
physical and nbEifof dna lacisyhp
|
|
or mental - uNBeInO - latnem ro
|
|
your mind is UNbeinG si dnim rouy
|
|
focusing on a unBEING a no gnisucof
|
|
lone thing, or NBeINgu ro ,gniht enol
|
|
a lone nothing. bEinGUn .gnihton enol a
|
|
You are numb and EiNguNB dna bmun era ouY
|
|
unaware to events stneve ot erawanu
|
|
taking place - not -iSSuE- ton - ecalp gnikat
|
|
knowing how or what TWENTY-TWO tahw ro woh gniwonk
|
|
to think. You are in 01/30/96 ni era uoY .kniht ot
|
|
a state of unbeing.... ....gniebnu fo etats a
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
CONTENTS OF THiS iSSUE
|
|
=----------------------=
|
|
|
|
EDiTORiAL Kilgore Trout
|
|
|
|
LETTERS TO THE EDITOR
|
|
|
|
STAFF LiSTiNGS
|
|
|
|
|
|
[=- ARTiCLES -=]
|
|
|
|
|
|
PiSS ON AUSTiN I Wish My Name Were Nathan
|
|
|
|
HERE'S WHAT THE HUMAN RACE CAN DO I Wish My Name Were Nathan
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
|
|
AND iT NEVER GOES AWAY Sloth
|
|
|
|
HEART SONNET Silverpoint
|
|
|
|
60 WATT BULB Sloth
|
|
|
|
THAT HOPEFUL EVE OF DAWN (AN EPiC POEM) Ivy Carson
|
|
|
|
DEFENSE I Wish My Name Were Nathan
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
THE STORY OF SiR RHiSiART Dark Crystal Sphere Floating Between Two Universes
|
|
|
|
GREY MATTER CHAMPiON Kilgore Trout
|
|
|
|
LiTHAN, PART 2 "WHAT NOW, LiTHAN?" Adidas
|
|
|
|
ETHAN TAKES A TRiP I Wish My Name Were Nathan
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
EDiTORiAL
|
|
by Kilgore Trout
|
|
|
|
Yeah, year number three. Who woulda thought? Not me.
|
|
|
|
Frankly, it makes me feel old. I started this thing in my last
|
|
semester of high school. Ouch. I'm twenty now. My writing, thankfully,
|
|
has improved immensely. And the zine has definitely come a long way.
|
|
|
|
We aren't gonna go anywhere. We've been down and come back. The SS
|
|
and even Lilo the Duck couldn't stop us. So why don't you come be a part of
|
|
this fine tradition?
|
|
|
|
<gets into request for submissions mode>
|
|
|
|
It's not that I don't get enough submissions. I'd just like to see
|
|
some new faces every now and then, which we do have in this issue. Don't
|
|
know whether we'll take it? Have you seen some of the stuff we've printed
|
|
in the past? Yeah, that's what I thought. Send it in.
|
|
|
|
Wanna torture me? Send in huge pieces that are REALLY good so I'll
|
|
have to put them in, and then you can cackle with delight as I try to make a
|
|
4000 line document in my wimpy text editor on my 386SX... yeah, I make a
|
|
sandwich everytime I load in one of IWMNWN's stories.
|
|
|
|
<submission request mode off>
|
|
|
|
Whatever. It's late, I need to get this thing outta here, and this
|
|
issue is so good I don't need to say anything about it. So there. Nyah.
|
|
|
|
Welcome to 1996. It'll be the last 1996 you'll ever have.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
LETTERS TO THE EDITOR
|
|
|
|
[this issue we had a few more letters than usual, and they were quite
|
|
unusual, to say the least. well, okay. maybe a couple were just plain
|
|
stupid, but hey... i thought they were funny. --kt]
|
|
|
|
--SoB--
|
|
|
|
From: Daniel Holt <HOLTD@lib.pvhs.wash.k12.ut.us>
|
|
Organization: Pine View High School
|
|
|
|
WHERE ARE THE PICTURES OF MARINA SIRTIS
|
|
|
|
[actual letter i received. he wins the SoB horny geek of the month. as for
|
|
the pictures, i'm sure they're lodged in many a young trekkie's head. all
|
|
you gotta do is pry it open.]
|
|
|
|
--SoB--
|
|
|
|
From: "Jorge A. Benitez" <fcm17494@bahia.ens.uabc.mx>
|
|
Organization: U.C.S.D.
|
|
|
|
I'm looking for images of Marina Sirtis.
|
|
|
|
My e-mail is:
|
|
|
|
fcm17494@bahia.ens.uabc.mx
|
|
Sincerely
|
|
|
|
Jorge Benitez
|
|
|
|
[apparently we've become a hot spot for people looking for marina sirtis.
|
|
well, she ain't here. jorge wins the dubious honor of being the SoB horny
|
|
geek of the month runner-up, only because he sent his message later. maybe
|
|
jorge and daniel should get together. that way one can tighten the vice on
|
|
the head while the other readys the drill...]
|
|
|
|
--SoB--
|
|
|
|
[this one is self-explanatory. see if you can guess they're rating
|
|
criteria. god, form letters really show how much people care.]
|
|
|
|
From: McKinley Review <review@mckinley.mckinley.com>
|
|
To: hagbard@io.com
|
|
Subject: Your site awarded 4 stars by Magellan
|
|
|
|
Congratulations! Your Internet site
|
|
|
|
State of unBeing
|
|
http://io.com/~hagbard/sob.html
|
|
|
|
has been selected by The McKinley Group's professional editorial team as a
|
|
"4-Star" site. This is the highest rating an Internet site can achieve in
|
|
Magellan, McKinley's comprehensive Internet directory of over 1.5 million
|
|
sites and 40,000 reviews. As a Magellan 4-Star site, you are being awarded
|
|
a special logo to recognize the hard work that has gone into establishing
|
|
and maintaining your site.
|
|
|
|
[various HTML codes cut out]
|
|
|
|
Here at The McKinley Group, we pride ourselves on our ability to recognize
|
|
the best resources on the Net. Your site has excelled in our rigorous
|
|
review process, in which we consider three primary factors: depth of
|
|
content, ease of exploration, and Net appeal.
|
|
|
|
[various HTML codes cut out again]
|
|
|
|
Congratulations again on your 4-Star award! We at The McKinley Group wish
|
|
you continued success in all of your Internet endeavors.
|
|
|
|
Sincerely,
|
|
|
|
The McKinley Group, Inc.
|
|
http://www.mckinley.com
|
|
review@mckinley.com
|
|
|
|
--SoB--
|
|
|
|
[hey, free stickers and info. besides, sooner or later, SOMEONE has to be
|
|
right about the aliens...]
|
|
|
|
Dear Editors
|
|
|
|
I believe that the acknowledgement of ourselves as
|
|
citizens of the earth is a concept in direct conflict with the 20th century
|
|
western "philosophy" of egotistical self-importance, which to a large
|
|
degree precludes compassion for others. I think this same premise inhibits
|
|
our ability to look beyond the familiar boundaries of reality to which we
|
|
cling so desparately. By even considering the reported accounts of
|
|
human-alien interaction as possible, I find they eerily mirror man's own
|
|
treatment of other members of the world's community, as well as the planet
|
|
itself. I believe the alien phenomena to be yet another wake up call to
|
|
our own humanity.
|
|
|
|
". . . To me that's why puzzles like UFO's are interesting. I don't have
|
|
a personal theory to "explain" them, but I see them as an opportunity to
|
|
pose new questions. If it's true that information resides in the questions
|
|
we ask, coming up with novel problems may be more important than having
|
|
answers, at this stage of our very limited understanding of the universe."
|
|
Jacques Vallee (computer scientist, author, and UFO researcher)
|
|
|
|
Thanks for your consideration, K2.
|
|
|
|
|
|
ADVOCATE DISCERNMENT
|
|
REPRESENT TRUTH
|
|
|
|
Say NO to deceptive alien entities.
|
|
For FREE stickers and info send self-addressed stamped envelope to:
|
|
V2, Box 911, Stanwood, WA 98292
|
|
Fear Not.
|
|
Spread the Word.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
STAFF LiSTiNG
|
|
|
|
EDiTOR
|
|
Kilgore Trout
|
|
|
|
CONTRiBUTORS
|
|
Adidas
|
|
Dark Crystal Sphere Floating Between Two Universe
|
|
I Wish My Name Were Nathan
|
|
Ivy Carson
|
|
Silverpoint
|
|
Sloth
|
|
|
|
SoB HORNY GEEK OF THE MONTH
|
|
Daniel Holt
|
|
|
|
SoB HORNY GEEK RUNNER-UP
|
|
Jorge Benitez
|
|
|
|
MOViES SiTTiNG ON MY SHELF (iN ALPHABETiCAL ORDER)
|
|
_Ben-Hur_
|
|
_Blade Runner_ (Director's Cut)
|
|
_Excalibur_
|
|
_The Godfather_
|
|
_The Godfather Part II_
|
|
_The Godfather Part III_
|
|
_JFK_ (Director's Cut)
|
|
_Mad Max_
|
|
_Plan 9 from Outer Space_
|
|
_Scarface_ (Tape 1 of 2)
|
|
_Scarface_ (Tape 2 of 2)
|
|
_Taxi Driver_
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- ARTiCLES -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
PiSS ON AUSTiN
|
|
by I Wish My Name Were Nathan
|
|
|
|
The benevolent city of Austin has officially passed and enacted a camping
|
|
ban, which is an ordinance meant solely to take away the homeless person's
|
|
right to sleep where he can be seen. No matter that the city claims to
|
|
achieve a "high quality of life", they have again taken a contradictory and
|
|
dehumanizing step to criminalize homelessness and poverty.
|
|
|
|
When a person sleeps in a public place, such as a street, a park, and the
|
|
common areas of hospitals, schools, and bus stops, he will be fined up to
|
|
$500. Community service is an alternative to the fine, but doing neither
|
|
lands him in jail.
|
|
|
|
Pure justice. Making an obviously poor person pay an exorbitant fine or
|
|
do community service for the crime of sleeping.
|
|
|
|
Does this ordinance in any way agree with the promise of a "high quality
|
|
of life"? No.
|
|
|
|
The city has passed other laws in the past to wipe the streets, namely a
|
|
smaller camping ban along the Drag, and an ordinance against public urination.
|
|
|
|
The urination ordinance is pure justice as well, disallowing a person to
|
|
perform natural bodily functions. Of course, the numerous businesses in
|
|
Austin have bathrooms, right? Yes, but I doubt they allow "non-paying
|
|
customers" to freely use their facilities.
|
|
|
|
You see, the businesses promoted both ordinances. Businesses exist
|
|
solely to make money. And what greater detriment is it to business than to
|
|
see a homeless person dying outside?
|
|
|
|
Let's discuss the homeless person. Contrary to popular opinion, many do
|
|
have jobs. But they're shitty jobs, the kind of jobs that most Americans will
|
|
not accept, because it takes away their dignity. Fast-food drones.
|
|
Sanitation engineers. Stockboys. Telemarketers. Yet the homeless person
|
|
takes the job, and loses even more dignity in not making enough to pay for an
|
|
apartment, which are at least $350 a month. His boss is a businessman,
|
|
someone who wants to keep as much money as possible. He will not give the
|
|
homeless person a wage higher than the federal minimum wage.
|
|
|
|
Let's discuss this person as a biological entity. This is an animal who
|
|
has nowhere to sleep, besides the oft-full occasional church or shelter with
|
|
restrictive rules. The animal's body and brain are not allowed to rest and
|
|
recuperate until it can find somewhere to lie down. A large patch of earth is
|
|
completely covered with roads and businesses and jealously-guarded homes. By
|
|
the ordinance, this animal should not be allowed to sleep anywhere on this
|
|
patch of land.
|
|
|
|
However, thirty miles in some direction is bare land. This bare land may
|
|
fall outside the definition of "public area", but this bare land is the
|
|
property of someone, and is fenced off. Being caught on this bare land
|
|
entitles the owner of the property to aim a gun at the sleeping animal, and
|
|
use his own best judgement to fire it if he feels threatened.
|
|
|
|
Police are entitled to arrest the animal and throw it into a jail, which
|
|
is a place where other animals live who very much dislike their situation, and
|
|
will not linger to take their aggression out on any new animal who enters.
|
|
And, sleeping in the jail puts the animal on a blacklist, which makes it more
|
|
difficult for the animal to find a job in the future, which will prevent it
|
|
from purchasing land to sleep on, which will simply get him arrested again.
|
|
|
|
This entire dilemma is caused by only one thing: greed. The
|
|
businesspeople pushed for the ordinances to be passed, for one reason so that
|
|
they can make more money, and for another that they don't have to be reminded
|
|
of their own greed.
|
|
|
|
Actual people with money should be just as offended as the impoverished
|
|
homeless. Businesses only want your money. By pressing for the ordinances,
|
|
they demonstrate their hopes that you will not be discouraged to spend your
|
|
money due to the sight of someone without any. They even demonstrate their
|
|
utter lack of compassion about those people's quality of life, although they
|
|
claim to be very much concerned about the quality of life in Austin --
|
|
|
|
Their own.
|
|
|
|
I can't hope to convince you to overthrow the capitalist economic system.
|
|
You are greedy and care about your own life too much, as well. But, I hope I
|
|
can convince you to look at the lives of people every day being trampled
|
|
further under your feet by lack of compassion.
|
|
|
|
Let's have a piss-off.
|
|
|
|
The plan is simple. Gather up all your friends and neighbors, anyone who
|
|
is in any way connected with the economic system, and go to downtown Austin
|
|
and pee on the businesses. This is to protest their support of the two
|
|
ordinances I described above.
|
|
|
|
Be sure to tell them why you're peeing on their storefronts, sidewalks,
|
|
and windows. Tell them you're no longer willing to subsidize the suppression
|
|
of the poor. Tell them that businesses have the same responsibility to the
|
|
city that everyone else does, which is to enhance the quality of life, not
|
|
only in Austin, but everywhere else; not only for moneyed people, but for
|
|
everyone who is alive. Tell them that you won't stop peeing until the
|
|
businesspeople agree to allow anyone to use their restrooms and to push for
|
|
the repeal of the camping ban. And pee on City Council until they repeal the
|
|
ordinances.
|
|
|
|
And hold your nose.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Murder is a crime. Describing murder is not. Sex is not a crime.
|
|
Describing sex is."
|
|
--Gershon Legman, 1949
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
HERE'S WHAT THE HUMAN RACE CAN DO
|
|
by I Wish My Name Were Nathan
|
|
|
|
Oh, to know so much and to be able to do so little.
|
|
|
|
Really, what can I do here? My current field of expertise is being a
|
|
computer science/math student in college, and writing fiction and essays for
|
|
State of unBeing. The former occupation is a clear waste of my time,
|
|
especially considering the themes and subjects of anything I have ever written
|
|
in my life. It is simply mind-candy for me, nothing more. But what about my
|
|
writing? What purpose does it serve?
|
|
|
|
To illustrate the point, let's consider all writers. There are several
|
|
types of writers, and I choose to divide them into three categories:
|
|
entertainers, moralists, and formalists.
|
|
|
|
The first category includes well-known and sometimes respected writers of
|
|
fiction and non-fiction, whose purpose is no more than to tell an interesting
|
|
tale. I hold no outward prejudice against them, as they have a wide audience
|
|
and therefore a purpose, only allowing myself to occasionally grumble "hack
|
|
writers" under my breath. I respect the work they do, especially those
|
|
writers of lawyer stories and murder mysteries and pointless horror stories,
|
|
since I don't get out often enough to rubberneck at real-life car accidents.
|
|
|
|
The last category consists of educated people who write about specific
|
|
areas of subject matter. For scientists and mathematicians, such areas
|
|
include the discrepancies in Paleolithic and Mesozoic subterranean plant life,
|
|
finding the integrals of erratic n-dimensional functions, and other subjects I
|
|
could make up. These writers are extremely valuable in chronicling the
|
|
exponential rise of concrete and abstract human knowledge. Other writers,
|
|
such as lawyers and government officials, can bite my bag.
|
|
|
|
So where does this leave me, the neurotic college student? Right in the
|
|
middle -- I'm a moralist. Mainly. Moralists are writers of fiction and non-
|
|
fiction who go to great lengths to devise tales (or arrange facts) in such a
|
|
way as to make very important points about humanity. Often it is through
|
|
examples of extreme but common cases of immoral behavior -- greed, lust,
|
|
murder, symbolic or actual. Symbolic greed can be jealousy. Symbolic murder
|
|
can be the rape-murder of the child's mind through condescending disrespect by
|
|
those who hate carefree innocence. Moralists know that humanity is tainted by
|
|
clear, omnipresent faults, and cannot stand to watch how the world suffers by
|
|
them.
|
|
|
|
In a tipped-over fishbowl, the moralist is the fish, writhing and
|
|
flopping about, who screams out (through fish telepathy) how horrible it is to
|
|
lack the ability to breathe air, and how horrible it is to die, and how
|
|
horrible it is that something tipped over the fishbowl and everyone is doomed.
|
|
The other fish are non-moralists, who choose to ignore the moralist while
|
|
writhing and flopping about, who die knowing how horrible it all was, but who
|
|
don't bother to share their experiences with anyone else, not giving a shit
|
|
because they know everyone else is going through the same thing.
|
|
|
|
By the way, such a convoluted example is the clear mark of a moralist.
|
|
|
|
I respect moralists for their work in bringing out the obvious truths
|
|
that surround us and making them seem much more important than they are. It
|
|
at least makes people think. Too many people are content to live believing
|
|
that whatever happens around them is bound to happen, and that there are
|
|
victims, and that there are winners, and that nothing can be changed. Living
|
|
lives of quiet desperation, as Thoreau said. It's comforting to realize that
|
|
others share the same problems you do. Yes, others have been screwed over by
|
|
money. Yes, others have seen power ruthlessly amassed and corrupted. Yes,
|
|
others feel how you feel.
|
|
|
|
Moralists raise people's hopes unnecessarily, because they make you
|
|
believe that things can be changed. But, unfortunately, it's true -- nothing
|
|
|
|
can be changed. Five-and-a-half billion people have millions of strands of
|
|
DNA that say this, and this only:
|
|
|
|
Win.
|
|
|
|
Now, surely this doesn't apply to you. But you know _some_ people...
|
|
|
|
It's you. And your mom. "Win."
|
|
|
|
Oh, damn, how could I have forgotten? "Win" is in the DNA of every
|
|
single living creature. The uniquely human part of the DNA occurs in the form
|
|
of two nucleotides along the fourteenth chromosome that differ from our most
|
|
recently deceased predecessor, Homo erectus. The two nucleotides are of
|
|
adenine and thymine, which is inconsequential, but their message, as
|
|
transmitted through the brain due to the altered electronegativities of the
|
|
proteins they produce, is this:
|
|
|
|
Lie.
|
|
|
|
Now, _that's_ you. That's me. That's my mom. None of us will admit it,
|
|
but we know it's true.
|
|
Win and lie.
|
|
|
|
So modern humans were born! Homo erectus never had a chance.
|
|
|
|
* * * * *
|
|
|
|
Alas, you can see that I'm a cynic as well as a moralist. Whether
|
|
writing or not, an uncynical moralist is best known as a bleeding heart. This
|
|
type of person spouts off about troubles all over the world, and has the nerve
|
|
to push for changes that will hopefully solve the problems. Being optimistic,
|
|
he or she will not try hard enough, and will not go to the right places to
|
|
institute the changes. Bleeding hearts who write can be found in the
|
|
editorial sections of newspapers under headlines crying, "This must be
|
|
changed!". Those who don't write, vote. It's a fulfilling cyclic life to
|
|
lead, and it doesn't greatly upset the day-to-day workings of anyone.
|
|
|
|
Cynical moralists come up with much more grandiose ideas. Cynicism and
|
|
morality is a deeply dangerous combination: we realize that nothing will
|
|
change without the help of a widespread upheaval of effort; changes which may
|
|
cause vast, long-lasting human suffering. But we don't care: everyone's
|
|
already suffering enough.
|
|
|
|
Unfortunately, cynicism breeds a fuckuva lot of apathy. How long have
|
|
people been making huge changes, again? At least ten thousand years, through
|
|
revolutions, wars, exploration, colonization, education, genocide, birth
|
|
control.... And it's still the same. People still adhere to these tenets:
|
|
|
|
Win and lie.
|
|
|
|
The prospects of changing humanity for the better? It's a damned bleak
|
|
thing to think about.
|
|
|
|
* * * * *
|
|
|
|
I have a serious mental flaw. Although I'm a cynical moralist, I have
|
|
occasional spastic impulses to be optimistic. These impulses haunt me. I
|
|
never know when one will hit me. When it does, my entire viewpoint on life
|
|
changes. I start to sweat. My stomach flutters. My arms twitch. I so much
|
|
want to rid myself of this mind-wrenching anomaly, but I can't. Optimism
|
|
breeds optimism. I fear it will never end.
|
|
|
|
Right here, I take a big screaming 180-degree turn.
|
|
|
|
* yow! *
|
|
|
|
I believe humankind can be made less of a menace on the earth. I believe
|
|
humankind can be made less of a menace to itself. The proper pathway to
|
|
achieve this goal requires natural selection.
|
|
|
|
As you may know, natural selection is the process by which animals and
|
|
plants in nature live and die. It's where no one at all comes to the help of
|
|
a sick animal -- as no one except a human even knows what's happening, no one
|
|
except a human even cares. Animals live day-to-day, trying to survive. Their
|
|
peers don't look back when one falls over.
|
|
|
|
Humans, through our use of techology, have conquered the problem of
|
|
survival (except, of course, where money interests cause an entire nation of
|
|
homeless people to struggle about under our shoes, but that's another topic).
|
|
And humans greedily want to conquer death, through medicine. Certainly, in
|
|
our modern world, this seems well and good; there's no reason to change it,
|
|
right?
|
|
|
|
There is. We must give up our war against death.
|
|
|
|
But you don't want to. The reason is:
|
|
Win and lie.
|
|
|
|
You see, the current widespread patriotic belief is: "Everyone on this
|
|
earth should have the fullest right to the best medical care."
|
|
|
|
You lying bastards. The American health care plan fell flat for your
|
|
lies. You don't care about everyone on this earth. You only care about your
|
|
loved ones, and maybe yourself. When natural selection -- leaving an injured
|
|
person to die -- came into the discussion, you probably thought, "What if that
|
|
happened to my mother/father/kid/fuckmate/ME...?!"
|
|
|
|
"Win": you want to live. "Lie": you act like you want everyone else to
|
|
live, too.
|
|
|
|
Medicine has done an extreme disservice to the people of the planet. No
|
|
one dies anymore, except by accident, crime, or old age (and war falls under
|
|
crime). But we still reproduce like rabbits. Look around you. The earth is
|
|
serving five-and-a-half billion people now, which is twice as many as in 1950,
|
|
and which is fifteen times as many as a thousand years ago.
|
|
|
|
I'm not going to throw around scare tactics about the lack of food or
|
|
living space, because they're not true. But I'm going to ask you to look
|
|
around:
|
|
|
|
Look at the animals. Look at the plants.
|
|
|
|
Did you see any?
|
|
|
|
Did you?
|
|
|
|
Okay, you saw your dog and some grass and a tree. But look at your
|
|
floor. There used to be plants and animals living right there. Look at the
|
|
roads that crisscross the world, that are being widened every day, that
|
|
smother miles and miles of vegetation. None of these things in itself is
|
|
evidence of supreme natural destruction -- there's still patches of exposed
|
|
land around -- but consider the fact that a road whizzing through open country
|
|
fucks up the patterns of all the animals around. Noise and flashing lights
|
|
are scary. Wild animals will not hang around a road. The exhaust from the
|
|
cars undoubtedly has an effect on the plants. Look at the skyline of your
|
|
favorite big city.
|
|
|
|
Is the world shot? No. Environmentalists will have you believe we're
|
|
destroying the earth. It is absolutely true that humans, with their big
|
|
brains and intricate hands, have completely changed the face of the earth.
|
|
We've built homes and factories and skyscrapers on it, we've mined it for
|
|
minerals, we've paved it over, we've dropped all sorts of explosives on it,
|
|
and we've dumped chemicals toxic to every sort of life on it. But some
|
|
animals and some plants are still around.
|
|
|
|
But, we're changing their environments too quickly. Those animals and
|
|
plants were here before us, living in evolutionary time. Now they're being
|
|
forced to adapt to human time, which is millions of times faster and more
|
|
destructive. Humankind is a whirling tornado on the earth.
|
|
|
|
The only way to save the earth is to cut down on humans and human
|
|
developments.
|
|
|
|
Back before technology, humankind was essentially animal in nature. We
|
|
died like animals. Although there was always someone around to care for us in
|
|
times of need, to provide water and natural remedies, people died more often
|
|
than not. Things called "plagues" swamped entire countries, because people
|
|
were defenseless and uneducated about the spread of microscopic organisms.
|
|
There were no quarantines, no emergency rooms, no powerful antibiotics. There
|
|
was only what nature provided and the added placebo of human love.
|
|
|
|
The one thing we have over animals in the wild is that we can make
|
|
ourselves free of natural predators, through the use of tools and weapons.
|
|
Perhaps we should let our guard down and let disease and fate once again
|
|
control us, as they used to do.
|
|
|
|
* * * * *
|
|
|
|
Since technology is what allows humankind to live so grandly (both in
|
|
quantity and quality), the destruction of technology is the most obvious way
|
|
to cut down on the human population. But it would be impossible for the
|
|
people of today to survive through such a violent change in lifestyle. The
|
|
changes must be gradual and voluntary. The "voluntary" part necessarily
|
|
requires the changing of recently-acquired and greedily maintained beliefs.
|
|
|
|
|
|
I
|
|
|
|
First. Money sucks. Get rid of it. Our modern world is one where our
|
|
survival instincts have been replaced by the desire to make as much money as
|
|
possible, in a sort of analogy to life. Unfortunately, it's not directly
|
|
analogous. Whereas an animal can only be healthy, sick, or dead; with money,
|
|
a person can be healthy, sick, dead, or very healthy, or way way healthy, or
|
|
much too healthy -- stealing health from others. Nature wasn't made that way.
|
|
The term "social Darwinism" has a lot to do with money. But it has nothing to
|
|
do with natural selection: nothing in natural selection is grossly unfair.
|
|
|
|
I could fill pages with talk about money. I already have, in fact, in
|
|
the chronicles of a guy named Ethan. They're in the fiction section, but the
|
|
problems considered therein are very real.
|
|
|
|
Just take this as fact -- money is a curse worse than "Win and Lie".
|
|
|
|
|
|
II
|
|
|
|
Second, people in medicine must voluntarily give up their technology.
|
|
This would be an extension of eugenics, which is, as you may know, the
|
|
practice of letting people with terminal diseases die as they will. As you
|
|
see, today the only hope for ending terminal diseases is technology. My
|
|
proposal, however, called "natural eugenics", would include any and all
|
|
disease. No one would even consider putting someone in a hospital, not even
|
|
for pneumonia.
|
|
|
|
People must realize that death is natural. Today, people in modern
|
|
nations everywhere fight death, afraid of it. The existence of medicine has
|
|
only added to the fear of death, since it can now be avoided. Some people are
|
|
even ludicrous enough to hope for immortality. Medicine must end in order to
|
|
put humans back on a level with nature.
|
|
|
|
This is not to say that people with the common cold should die. Nature
|
|
provides medicines in plants and herbs. How effective they are is what will
|
|
decide people's fates. It was like this for tens of thousands of years.
|
|
Humans survived.
|
|
|
|
|
|
III
|
|
|
|
Third, we must adopt strict birth control practices. I propose no sort
|
|
of societal constraints against sexual intercourse, which is a violation of
|
|
people's natural liberty. On the other hand, at-birth sterilization and, in
|
|
rarer cases, infanticide must be used when necessary.
|
|
|
|
Without technology, we certainly won't be able to tell if the fetus has
|
|
any deformities, but birth will soon show. We certainly shouldn't follow the
|
|
pragmatic rituals of Mongol nomads, which decreed that deformed or weak
|
|
babies, or "dead weight", should be murdered (exactly the same kind of playing
|
|
God that medicine does today, in extending the life of such people); however,
|
|
we should let such people live as they will, but without any assistance
|
|
whatsoever. It is the mutation of genetic material which pushes evolution
|
|
along. To murder a baby with deformed feet is ludicrous, when it may well be
|
|
a feature that could prevail in the future.
|
|
|
|
However, a baby born with obvious defects, such as severe mental
|
|
retardation or no brain or a hole in the back, should either be sterilized or
|
|
put to sleep, if you will, since such defects will never conceivably do the
|
|
human race any good.
|
|
|
|
Trying to let people with extreme defects survive in nature would simply
|
|
be cruel, because even if they didn't die, their lives would be painful. The
|
|
cruelest thing medicine does today is trying to force such people to live
|
|
their entire lives in hospitals and in bubbles, not enjoying life, but only
|
|
being kept alive to sedate parents who cannot accept death.
|
|
|
|
|
|
IV
|
|
|
|
Fourth, adults should reconsider their opinions about suicide, and accept
|
|
it shamelessly. Not only people with physical ailments, but also mental ones,
|
|
should not be persuaded to keep on living simply to save others grief. But,
|
|
rather than some societies have done in the past, suicide cannot be a decision
|
|
made by society; only the person himself should be allowed to make the
|
|
decision.
|
|
|
|
Consider the effect of current anti-suicide opinions on a severely
|
|
depressed person, the kind who often thinks about suicide, who has very good
|
|
reasons, who has considered the topic in-depth, but never does it. Why does
|
|
this person decide to keep living?
|
|
|
|
Emotional pressure: the fear of death, the concern for those left
|
|
behind, hope for the future. I discussed the fear of death above.
|
|
|
|
The concern for "those left behind" is certainly human, but look at "he
|
|
who stays". If he's truly suicidal, he will always be suicidal, the intensity
|
|
of the impulses changing over time. Emotional pressure will convince him to
|
|
stick with it, for the good of others, while still feeling suicidal and
|
|
depressed.
|
|
|
|
Concern for those left behind? What about himself?!
|
|
|
|
Alas, hope for the future -- that's my fatal flaw. This is the belief
|
|
that maybe later, something will change and things will be better. It's
|
|
probably one hundred percent true that things will be better. But you'll have
|
|
to wait, and live with your suicidal mind until they do.
|
|
|
|
Look at the whole issue of suicide from the biological point of view,
|
|
without the warping prism of human emotion. Suicidal thoughts are when an
|
|
animal's brain is telling it to kill itself. Does this sound normal to you?
|
|
Sounds like natural selection in a very clear way.
|
|
|
|
I think that depression and self-destructive thoughts were an unfortunate
|
|
genetic mutation somewhere way back. The emotional pressures mentioned above,
|
|
however, kept a great number of its victims alive and reproducing, much to the
|
|
detriment of themselves and living people today.
|
|
|
|
Persuading people with extreme suicidal disorders to survive is simply
|
|
cruel, because if they don't commit suicide, their lives are painful. The
|
|
cruelest thing society does today is trying to force such people to live their
|
|
entire lives in denial and false happiness, not enjoying life, but only being
|
|
kept alive to sedate people who cannot accept death.
|
|
|
|
|
|
V
|
|
Finally, there's the concept of voluntary sterilization. Even if we
|
|
follow the three concepts above, five-and-a-half billion people will still be
|
|
around. Besides massacring innocent people, we ought to halt the rabbit-like
|
|
production of new ones. Sterilization, unlike contraception, is a rock-solid
|
|
promise that changing human moods can't circumvent.
|
|
|
|
Although this idea exists today, it still carries a taboo. We men,
|
|
especially, ought to lose our egos and do the deed for the good of the world.
|
|
Especially men arrogant enough to say, "I wanna pass these genes on, dammit,"
|
|
ought to be immediately seized and castrated. The world needs more docile,
|
|
modest people.
|
|
|
|
Masturbation should be acknowledged and accepted. It's becoming more
|
|
tolerated as the years go on. This might actually be a goal we can
|
|
accomplish. I work hard every week at it.
|
|
|
|
When viewed biologically, these ideas ought to make sense. If your mind
|
|
ever seriously considers the idea of slowing population growth by not
|
|
reproducing, you ought to do it. Your brain knows best.
|
|
|
|
For suicidal persons, this may be an alternative. Outrightly encouraging
|
|
people to commit suicide is heartless; after all, the suicidal thoughts might
|
|
simply be a mood swing. Those who can't decide, or who are too manic-
|
|
depressive to hold a train of thought long enough to, should consider not
|
|
reproducing, to prevent having children who might live such tortured lives.
|
|
|
|
I know I will. Snip-snip, bye-bye, neurotic suicidal children.
|
|
|
|
* * * * *
|
|
|
|
Now, back to being a cynical moralist writer. The plan above is simply a
|
|
piece of writing, persuasively trying to get people to consider looking at
|
|
life and death in a (most likely) new perspective.
|
|
|
|
My moral throughout the piece is that people should stop trying to ignore
|
|
the fact that they come from and are products of nature, and not demi-gods who
|
|
should be allowed to unnaturally extend their lives. People should consider
|
|
acknowledging their roots, a twenty-five-thousand year-old species which
|
|
started its life-line like every other being on the earth -- living in nature,
|
|
actually fending for survival. The fact that we've been able to extend our
|
|
lives and overpopulate the earth is incredible, something to be amazed about.
|
|
But we should be nostalgic about it, and not live in it. Look at the animals
|
|
and plants we misplace, and the damage we do to ourselves in overcrowded
|
|
cities. It's simply inhumane to live this way.
|
|
|
|
* * * * *
|
|
|
|
Yay, applause. A nice attention-keeping conclusion paragraph just
|
|
passed. But I'm not impressed. My cynicism has taken hold again, and I don't
|
|
believe anyone will take the essay seriously. Some men might say to a friend
|
|
after reading it, "You know, I'm gonna do it. I'm gonna get my testicle(s)
|
|
cut off from my reproductive system, maybe even removed, for the good of the
|
|
world." Then they'll conveniently forget. Some others are probably nauseated
|
|
at the juxtaposition of the words "voluntary" and "sterilization", soothing
|
|
themselves with words like, "I'm going to have six kids and be a good father,
|
|
by golly." Some women might eagerly consider the idea, but their mothering
|
|
instincts will make them reject the idea, after "one or two" children.
|
|
|
|
Win and lie.
|
|
|
|
And that's all it is. That's people.
|
|
|
|
That's the cynicist in me acting bleak.
|
|
|
|
No, seriously, for the good of the world, consider these ideas. All you
|
|
gotta do is act natural.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETASTRiE -=]
|
|
|
|
"The poets? They stink. They write badly. They're idiots you see, because
|
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
|
The good people do the serious jobs."
|
|
--Charles Bukowski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
AND iT NEVER GOES AWAY
|
|
by Sloth
|
|
|
|
your head explodes
|
|
and you clip the nails
|
|
from your toes
|
|
but the sickening stench
|
|
of your fucking
|
|
insanely crippling lies
|
|
rape the cleanliness of the air
|
|
and make me sick as i breathe
|
|
a croquet ball would look beautiful
|
|
if it were stuffed deep
|
|
deep
|
|
down your throat
|
|
and you wouldn't choke
|
|
oh hell no
|
|
you would close your bright eyes
|
|
and lie your way out of death
|
|
and the reaper would laugh
|
|
very contently
|
|
because he wouldn't want to deliver
|
|
such a sickening excuse
|
|
for a life
|
|
(of lack of one)
|
|
to his hell
|
|
so he drifts back in his self-made fog
|
|
and coughs as sickle gleams
|
|
by the nighttime sky
|
|
that reflects beautiful colors
|
|
upon your brains
|
|
that i have so painstakingly placed
|
|
upon a table
|
|
in the corner of your apartment
|
|
and the reaper keels over
|
|
still hacking like he has swallowed
|
|
a gigantic sewer rat
|
|
and he hurries away
|
|
because the stench of your lies fills the room
|
|
and it never goes away
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"If you don't make mistakes, you aren't really trying."
|
|
--Coleman Hawking
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
HEART SONNET
|
|
by Silverpoint
|
|
|
|
The heart relates its story wrapped in black---
|
|
In darkness love and friendship both do dwell.
|
|
And there they bind each other without slack
|
|
in layerings of words, that wound or heal.
|
|
With words I try to wrap the spirit lace
|
|
And fail, the cording disappears from sight.
|
|
Now silence sneaks along,and takes its place
|
|
Enshrouding me in wordless, breathless night.
|
|
I now surrender, bound, I cannot stir;
|
|
Nor can I speak, when silence speaks its mind---
|
|
Expounding loud what I cannot infer:
|
|
How words, enlaced in silence, breathe entwined.
|
|
For who can know what windings, ties or ends
|
|
Enwrap the hearts of strangers, or of friends?
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Authority has every reason to fear the skeptic, for authority can
|
|
rarely survive in the face of doubt."
|
|
--Robert Lindner
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
60 WATT BULB
|
|
by Sloth
|
|
|
|
A 60 watt bulb
|
|
Goes crashin' to the floor
|
|
Sparks fly for an instant
|
|
Cause the damn thing
|
|
Defies laws of magic
|
|
And somehow remains lit
|
|
Pieces of metal
|
|
Followed by shards of glass
|
|
That go 'crunch' when
|
|
Stepped on
|
|
Yet slice like a ginsu knife
|
|
And as the room falls dark
|
|
Roaches are free to roam
|
|
Cause the drunk bastard
|
|
That broke the 60 watt bulb
|
|
With his sweaty
|
|
Piggish
|
|
Drunken forehead
|
|
Is sitting in the floor
|
|
Bleeding
|
|
Because he broke
|
|
The 60 watt bulb
|
|
Bleeding in the floor
|
|
For a 60 watt bulb
|
|
Roaches walkin' on his leg
|
|
Crawling across the blood
|
|
Caused by the pissed off
|
|
And dead
|
|
60 watt bulb
|
|
The drunken bastard
|
|
Feels the roaches on his legs
|
|
He grows paranoid
|
|
In the dark
|
|
As he bleeds
|
|
He grows afraid
|
|
He screams and has a heart attack
|
|
He dies alone
|
|
In the dark
|
|
All for a 60 watt bulb
|
|
Bleeding and dead
|
|
For a 60 watt bulb
|
|
The roach crawls away
|
|
Fearing he may be
|
|
The next victim
|
|
Of the 60 watt bulb
|
|
A murdering 60 watt bulb
|
|
A 60 watt bulb.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"A man has to murder a series of wives in a new way to become known to
|
|
millions of people who have never heard of Homer."
|
|
--Robert Lynd
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THAT HOPEFUL EVE OF DAWN (AN EPiC POEM)
|
|
by Ivy Carson
|
|
|
|
Artemis gazed down with woeful eyes upon nightly passions.
|
|
Bright silver streams of sparkling tears slipped from her shining throne.
|
|
With keening lips and a keen perception, she spied the bastions
|
|
placed solidly on many a human heart. Oh! She did moan
|
|
for the tragedy of mankind as she looked upon the city.
|
|
Dangerously deft darkness swept through and left virtue at bay,
|
|
for New York City contains much pain and not enough pity.
|
|
Stagnus,lord of life without change, placed chains from which few could stray.
|
|
|
|
Yet through murky marshes of manipulation and strife
|
|
ruled by apathy and tinged with hatred where Stagnus did sit,
|
|
one single moonbeam mingled with tears sliced through filth like a knife.
|
|
It cut through a building window in dull lines of light. Then, it
|
|
crept across crumpled sheets on a fowl mattress, an ill-used bed.
|
|
Two enormous eyes filled with tears matched the brightness of the moon
|
|
and lamented with Artemis while their owner was far spread
|
|
across vile sheets in that sick room where yet another buffoon
|
|
would use her! Why must the poor girl exist in such misery?
|
|
Her tears stained the soiled pillow and her vehement sobs reached far
|
|
to the heavens where they lingered for a moment to blend in eerie harmony
|
|
with melancholy cries of Artemis that no man could mar.
|
|
In heavy vibrations, malicious laughter shattered the air.
|
|
Stagnus, enslaver of mankind, watched the girl's torment with greed
|
|
fully aware that in her helpless state she would never dare
|
|
to rebel against his tyranny. On her fears he did feed.
|
|
|
|
The young prostitute, now alone, dropped her bare feet to the floor.
|
|
Her fingers clutched her head as dark curled cascades fell through her hands.
|
|
Cecilia was her name, a noble name that all should adore.
|
|
It once belonged to the chaste saint of the blind; for good it stands.
|
|
The wonder of Cecilia was astoundingly clear in that
|
|
lonely solitude. She was too innocent to be striking,
|
|
too jaded to be pretty. Still, beauty clung close as she sat
|
|
smoking cigarettes. Her head spun due to thought's rapid piking.
|
|
|
|
She clothed her tired body and was soon outside on the dark street.
|
|
She let herself weep for the first time in years, no longer apt
|
|
to suppress the swimming questions normally locked up, discreet.
|
|
With a raspy voice she cried, "Why the hell can I not adapt?
|
|
How did I get to this God damned place?! Why? Why am I still here?
|
|
Where is my prince I waited for when I was a stupid kid?"
|
|
Bittersweet childhood memories (inappropriately near
|
|
prurient pornography shops she passed) left a box she hid.
|
|
"Oh God, how can I change when all I've known is pain? How the hell
|
|
can I scrape this life away, scrape away this fucking label
|
|
of a whore?!" Cecilia was caged under Stagnus' cruel spell.
|
|
She thoughtfully walked to the subway where she would be able
|
|
to go to the corner where she ritually met her peers.
|
|
Before it was reached, the thick odor of the station was smelled.
|
|
Her hand slid down the sticky railing and she wiped away her tears.
|
|
A decision had to be made, she knew, and fear dwelled
|
|
in her heart. The subway token trickled through grimy metal.
|
|
Stagnus awaited her arrival, eager for his herd
|
|
to have no strays, not a single girl like little lost Gretal.
|
|
When the subway came to a screeching stop, she stepped on, assured
|
|
that she must go, whether it be to her past or to a new
|
|
place. The wretched Stagnus cunningly closed in around the girl.
|
|
He tugged on her chains making them heavy and chances few.
|
|
Soon, halting floors, walls, windows clink-clanked in an abrasive world.
|
|
|
|
There stood Cecilia facing the open door to her downtown
|
|
corner, a very familiar passage to her shameful past.
|
|
Stagnus moved to her, a shrewd shadow with the grin of a clown,
|
|
white teeth flashing under blood-red lips -- his wits terribly fast.
|
|
"I beckon you, Cecilia, go through the door. Do not cause pain.
|
|
Do not feign a fate that was not made for you. You can't go
|
|
where you are not wanted. Do you honestly think you can gain
|
|
from parting with all that you've known? Am I to be made a foe
|
|
for doting upon you so fondly, for being the sole rock
|
|
to which you could cling? My precious Cecilia don't be a fool.
|
|
You belong to me. Oh, it does hurt to see my child block
|
|
me in this way. I am not a monster. I am not a ghoul."
|
|
|
|
"Please just leave me alone! I cannot take anymore. I ought
|
|
to resist, but can I face the world with a past black as coal?"
|
|
She turned and said with courage for once in her life, "Yes. You sought
|
|
and conquered my body, but I will die before you have my soul!"
|
|
|
|
The subway doors slammed shut and shackles fell from her heavy limbs.
|
|
Laughter tickled her senses. Her head reared toward the ceiling.
|
|
Small spurts of music escaped from her mouth in capricious whims.
|
|
She laughed with her arms spread beautifully above her, feeling
|
|
freedom, eloquence, and sheer glory swell and throb within her breast.
|
|
Stagnus was left behind staggering from her surprising blow.
|
|
He was soundly defeated. Raging, he fled to his base nest
|
|
to cultivate more followers whom he would seek and know
|
|
that they would never leave him, never want more than stagnant lives.
|
|
Let no hope be lost from the continuation of his work.
|
|
For despite Stagnus' power, some will take courageous dives
|
|
and leap bravely out of the dull darkness where Stagnus does lurk.
|
|
|
|
After numerous stops, Cecilia stepped on to steady ground.
|
|
Behind, the roaring snake slithered on through its cavity of black.
|
|
She ascended the subway stairs and viewed the world all around
|
|
her with destiny unknown and no regrets, no looking back.
|
|
Cecilia knew not where she was or to where she was headed,
|
|
but the first step of redemption for her was over and gone.
|
|
Above, Artemis's throne hung low in the sky. Embedded
|
|
in her pale lips was a faint smile on that hopeful eve of dawn.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Education is when you learn something that you didn't even KNOW that
|
|
you didn't know."
|
|
--Daniel Boorstin
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
DEFENSE
|
|
by I Wish My Name Were Nathan
|
|
|
|
Me, you, them;
|
|
we're all different
|
|
we see differently.
|
|
|
|
Eyes in muted sunlight
|
|
glowing greenly in their gaze
|
|
blink, return,
|
|
penetrating.
|
|
|
|
Me, I, eye;
|
|
staring hard
|
|
losing balance, judgment, time.
|
|
|
|
Lips at rest,
|
|
lips curve outward
|
|
from the punctuating nose
|
|
resting on the shining face.
|
|
|
|
Seventeen, sixteen, fifteen,
|
|
where does it all end,
|
|
and why so?
|
|
|
|
The green discs dart away --
|
|
I am lost --
|
|
The sunlight blinds me --
|
|
|
|
Where does it all end?
|
|
We see so differently.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
THE STORY OF SiR RHiSiART;
|
|
or, OF THE POiSONED GLEN, AND OF THE EVENTS THAT TRANSPiRED THEREiN
|
|
As told to the Scribe, Ciaran, by Squire Iwan of Llandaf
|
|
Translated by Sir M. Ambrose Dewart, late of the British Museum
|
|
Edited and put into more modern English by Dark Crystal Sphere Floating
|
|
Between Two Universes
|
|
(From Ms. 352 of the Connolly-Pearse Collection of the British Museum)
|
|
|
|
After ye feast at which the Holy Grail of His Most High Jesus Christ was
|
|
displayed at the Court of King Arthur, in the Realm of Camelot, the Knights of
|
|
ye Table Round asked leave of Their Lord King to go in search of It, each
|
|
believing God would show It to the Most Righteous among them. And Sir Rhis-
|
|
iart asked leave to be among those to go on Quest for this Relic, granted that
|
|
he may go for one day and one year, and upon that time had the Krater not been
|
|
found to return to Camelot, and not to search after that time. And this wish
|
|
was granted by the King, and provisions were made, and each Knight took with
|
|
him one Squire, and they did depart the Court of Camelot. And after their
|
|
leaving, Arthur did ask Myrddin of the success of this Quest; upon which
|
|
Myrddin did say that the Table would never again be seen compleat and in its
|
|
full glory, and the King did despair.
|
|
|
|
And Squire Iwan did go with Sir Rhisiart to the West in search of the
|
|
Holy Grail of Christ, yet no success did they come to until ye two and fifty
|
|
days of ye Quest, at which time they came upon the village Beddrod. At this
|
|
village they heard of a Wise Woman named Mair versed in the Magickal Arts and
|
|
known of Divination who knew much of that Unseen; and who liv'd in an abode on
|
|
the borders of the Grey Woods where none did wish to go. And so the Knight
|
|
and the Squire left this village and went to the abode of the Wytch.
|
|
|
|
This Wytch did have a Mirror possessed of the Power to see that which is
|
|
Unseen, and upon the arrival of Rhisiart and Iwan she did use this Mirror of
|
|
Black Obsidian to see the whereabouts of the Krater of the Lord thy God. In
|
|
this Mirror was seen a Krater wreathed in Fire, which was seen in a Cave of
|
|
Crystal in a glen in these Grey Woods, from which a river did flow, which was
|
|
under the Watch of a Guardian, whose face was not to be seen by sane men, save
|
|
in the deepest dreams of childhood. And the Wytch did bid them take Amulets
|
|
of the Fire-Stone, which were carved in the sign of ye Elder Ones, at which
|
|
the Knight scoffed, saying he would not trust in the advice of one such as
|
|
she. And so ye Knight known as Rhisiart and the Squire Iwan did leave the
|
|
abode of the Witch and did proceed into the Grey Forest toward the Cave of the
|
|
Grail.
|
|
|
|
The Pair did go forth through this Forest at great peril, for in this
|
|
Forest did live the Ogres of Holthar, who were known to eat those who would
|
|
try to pass through these Woods. In this Quest they did face many dangers
|
|
which shalt not be recorded here, save that they did fight many a Fiend which
|
|
would put and end to them.
|
|
|
|
Upon the seventy and fourth day of their Quest they did come upon the
|
|
Cave in the Grey Woods. From the roof of this Cave did hang Spears of Crys-
|
|
tal, as well as Crystal Spears upon the floor did lay. The recess of the
|
|
Cave were not to be seen from its mouth, so into the Cave did the party go.
|
|
Far down did they go, walking alongside of the River which from this Cave did
|
|
flow, until they came upon a Sea deep within the Bowels of the Earth, in which
|
|
blind fish and other creatures did swim. Upon the shores of this Sea did they
|
|
walk long, until they saw an Altar hewn of Black Stone by the Hands of Think-
|
|
ing Beings upon which lay a Krater which did emit Light like that of Fire.
|
|
|
|
And upon their arrival at this Place a cry was heard such as could not
|
|
have been made by a man of this Realm or any other Earthly One, not even in
|
|
the wilds of the Dark Lands to the South, nor in the strange Lands of Riches
|
|
and Spice to the East, nor in any other land, civilised or wild, and a Cloaked
|
|
Figure holding a Staff of Crystal did appear from the Caverns unseen behind
|
|
the Altar. And the Figure did ask for the Amulets of the Elder Ones, at which
|
|
Sir Rhisiart did say that This he did not have. Upon hearing this the Being
|
|
did Strike the ground thrice with his Staff of Crystal, upon which the Earth
|
|
began to quake, and strange murmurs and chaunts rose from the bowels of the
|
|
Earth, and Daemons strange and wild and of all sorts did come forth from the
|
|
Earth and did carry away Sir Rhisiart to Some Place Beyond the Altar of the
|
|
Black Stone.
|
|
|
|
Upon seeing this Squire Iwan did run from this Place of Evils out of the
|
|
Cave, the Figure still screaming indistinguishable words in an unknown tongue
|
|
after him. Once he ran out of the Cave the Staff of Crystal was heard the
|
|
strange Figure striking the Cave Floor thrice again, and the roof did then
|
|
collapse, sealing the entrance of the Cave. And from that Time the River
|
|
which did run from the Cave was turned to a Black colour, and was poisoned by
|
|
some unknown means. And this Poisoned River did kill the life in the Glen,
|
|
which is now barren and shunned.
|
|
|
|
After these events transpired the Squire did wander the countryside until
|
|
he was returned to Camelot, for a small ransom, by Gypsies travelling through
|
|
the Western Kingdom, and the babbling Squire did tell of these things to the
|
|
King, who did grieve for the passing of the knight in this terrible way, and
|
|
bid the Squire's tale be writ down by me, Scribe to the High King. And these
|
|
are the things which did happen as told by Squire Iwan of Llandaf to me,
|
|
Ciaran, Son of Owain, Son of Dewi, Scribe to the High King Arthur at the Court
|
|
of Camelot.
|
|
|
|
(For those wishing to learn more about this Manuscript and its history, and of
|
|
the Connolly-Pearse collection in general, please refer to Sir M. Ambrose
|
|
Dewart's _The Connolly-Pearse Collection, and Other Mediaeval and Ancient
|
|
Celtic Documents in the Collection of the British Museum._ London: British
|
|
Museum Press, 1986 reprint of the 1879 original, ISBN 7-856-86153-5.)
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"And I shaved every place where you been
|
|
I shaved every place where you been"
|
|
-- Tori Amos, "Blood Roses"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
GREY MATTER CHAMPiON
|
|
by Kilgore Trout
|
|
|
|
[12 jan 1996]
|
|
|
|
Gruesome, he thought.
|
|
|
|
She came at him with the knife, slashing blindly. He dodged to the
|
|
left and struck out with his fist. Bone cracked. A scream. He whirled
|
|
around, panting. Crimson flowed out of her mangled nose, and she cried in
|
|
pain. The man bent down and felt the wrist of the small boy. No pulse.
|
|
There was a large gash in the boy's neck.
|
|
|
|
"Why?" he asked, facing the woman.
|
|
|
|
"You made me like this," she sobbed. "I never had a chance."
|
|
|
|
He smiled weakly. "You always had a choice. You just chose never to
|
|
exercise it."
|
|
|
|
"Fucking liar. You promised me. You promised!"
|
|
|
|
She leapt up at him, the knife raised above her head. He moved too
|
|
late, and she buried the knife in his left shoulder. He punched her in the
|
|
face again, causing her to fall down. The woman passed out.
|
|
|
|
"Where did I go wrong? I taught you how to live, how to be in
|
|
control. Why didn't you understand? Now you've made such a mess, and I'm
|
|
the one who has to clean it up. Goddammit, you can be such a cunt."
|
|
|
|
He grabbed the knife with his right hand and yanked upwards.
|
|
|
|
* * * * *
|
|
|
|
[8 sept 1995]
|
|
|
|
Cheetah and Mickey were sitting on the sidewalk when Donald approached
|
|
them. They were old buddies of his from a warehouse job he had once held
|
|
for about six months. Both men were now homeless, spending their days
|
|
panhandling and dumpster diving to survive.
|
|
|
|
"Hey, guys," Donald greeted. "How's life treating ya?"
|
|
|
|
Cheetah laughed. "Not too good, unless you really think we like living
|
|
like this." Mickey nodded in agreement.
|
|
|
|
Donald pulled two twenties out of his pocket and gave one to each of
|
|
the men. "I need a little favor from you guys," he said. "It's nothing
|
|
hard, and it's not illegal. Just keep your eye out for this woman." He
|
|
handed Mickey a picture.
|
|
The photograph showed a woman in her early twenties, brown-haired,
|
|
green-eyed. Her skin looked pale, and she had a nose ring.
|
|
|
|
"Who is she?" Cheetah asked.
|
|
|
|
"A girl named Mary. She's supposedly been staying around here, and I
|
|
need to find her. If you guys could help me out, I'd appreciate it."
|
|
|
|
Mickey studied the photograph and nodded again.
|
|
|
|
"Thanks," said Donald. "You can reach me at this number twenty-four
|
|
seven." He offered a piece of paper to Cheetah, who took it. "I'll be
|
|
waiting."
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
The man tied the strip of cloth ripped from his shirt around the
|
|
wound. It was slog going, as he could barely move his left arm.
|
|
|
|
Gruesome, he thought.
|
|
|
|
He surveyed the scene around him. The room was small, dimly lit by a
|
|
single kerosene lamp in the corner. There were a few holes in one of the
|
|
walls, and the only window was boarded over.
|
|
|
|
The blood around the boy's head had already begun to dry in the
|
|
carpet. He stared at the lifeless body for a long time, thinking about his
|
|
senseless death. The child was never meant to be a part of this, but she
|
|
had wanted him so much that the man had no choice but to give in. It was
|
|
both for her pleasure and her safety.
|
|
|
|
"Too bad it failed," he said aloud. "Too fucking bad."
|
|
|
|
The woman began to come around. She pushed herself up onto her elbows
|
|
and looked at the man.
|
|
|
|
"Help me," she pleaded.
|
|
|
|
The man stumbled over to her and sat down. He stroked her brown hair
|
|
and wiped away some of the blood off her cheeks.
|
|
|
|
"Please do something," she said.
|
|
|
|
"I've done enough already. You can't be helped anymore."
|
|
|
|
"But I love you--"
|
|
|
|
"No," he said sharply. "You loved the boy. You hated me."
|
|
|
|
She looked away. "I know. But I can't go on anymore, not without...
|
|
him."
|
|
|
|
"That's your own fault. You did it to yourself."
|
|
|
|
"You made me this way. Your hands are not clean."
|
|
|
|
"True, but you were the one who wanted him."
|
|
|
|
Her eyes closed. "Tell me the story again."
|
|
|
|
The man sighed. It was going to be a long night."
|
|
|
|
* * * * *
|
|
[17 sept 1995]
|
|
|
|
The phone rang while Donald was reading. He set down a tattered copy
|
|
of _The Stranger_ and pressed the speakerphone button.
|
|
|
|
"Yes?"
|
|
|
|
"Donald? This is Cheetah. I've got good news for you."
|
|
|
|
"You found her?"
|
|
|
|
"Yup. She's staying in the old Millbrook Hotel on 41st. That place is
|
|
spooky, man. I hear lots of bad things about that place."
|
|
|
|
"Don't worry about it. Next time I see you, I'll give you something
|
|
for your trouble."
|
|
|
|
"Thanks, Donald. If you need anything else, we'll be around."
|
|
|
|
Donald hit the off button and grabbed his car keys.
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
The man began. "Once there was a young girl who lived in the forest.
|
|
All day long she played and danced and sang, and at night she slept under
|
|
the stars. She would swim nude in a small pond every morning, enjoying the
|
|
cool, clean water.
|
|
|
|
"One day a small boy came to the pond and sat at the edge, watching the
|
|
girl. She did not notice him and continued to swim until he jumped into the
|
|
pond. They swam for hours, and she was happy to have a playmate.
|
|
|
|
"They fell in love and lived together in the forest, playing and
|
|
dancing and singing. Life was good. Then one day an old man came to the
|
|
pond. He had a long white beard and walked with a cane. He told the
|
|
children of a part of the forest where other children played. The girl and
|
|
the boy were happy to hear this, because they could finally make new
|
|
friends. So they followed the old man."
|
|
|
|
He stopped and looked at the woman. She was smiling. He continued.
|
|
|
|
"The old man led them to a cave in the side of a mountain. He told
|
|
them it was a secret passage to the other side of the forest. They went
|
|
inside, but instead of going to the forest, it ended at a large pit. The
|
|
old man pushed them into the pit, where they starved to death."
|
|
|
|
"You changed it," the woman complained. "They were supposed to live
|
|
happily with all the other children."
|
|
|
|
The man frowned. "Things change. Things change."
|
|
|
|
* * * * *
|
|
|
|
[18 sept 1995]
|
|
|
|
Mary wasn't at the hotel the first night, but the second night, he
|
|
found her. She was sitting on a mattress, staring blankly at the walls.
|
|
Donald closed the door behind him.
|
|
|
|
"Hello, Mary," he said. "You've been gone a long time."
|
|
|
|
She didn't move. He sat down beside her.
|
|
|
|
"I know what they did to you, what I did to you, was wrong, but I'm
|
|
here to make everything alright again. No more pain, no more suffering --
|
|
you'll be like you were before. You'll be happy again."
|
|
|
|
Mary opened her mouth and closed it. She put a hand on her chin and
|
|
pulled down. Her mouth opened. She pushed up. Her mouth shut. Donald took
|
|
her hand and held it tightly.
|
|
|
|
"It's going to be okay," he soothed. "I'll take care of you. I
|
|
promise."
|
|
|
|
The sound of shattering glass and a scream came from the hallway.
|
|
Donald pulled Mary to him and held her.
|
|
|
|
"I'll find you someone new. I will, I will, I will."
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
"What now?" the woman asked. "What is going to happen to me?"
|
|
|
|
"I don't know," the man replied. "Everything is so confusing right
|
|
now. I have to think."
|
|
|
|
"But you are supposed to know what to do. I depend on you. I didn't
|
|
know what to do tonight, and look what happened."
|
|
|
|
The man leaned forward. "Why did you kill him?"
|
|
|
|
"I don't know."
|
|
|
|
"Yes, you do. Tell me."
|
|
|
|
"He wanted to leave. He said I wasn't nice anymore. He said I was a
|
|
freak. He made me feel bad. I got angry."
|
|
|
|
"So you killed him for that?"
|
|
|
|
"It was the only thing I could do. I couldn't let him go. I needed
|
|
him."
|
|
|
|
"Even if he was dead?"
|
|
|
|
"Yes."
|
|
|
|
"You were wrong."
|
|
|
|
"Yes."
|
|
|
|
"You weren't being nice. You know that."
|
|
|
|
"Yes."
|
|
|
|
The man coughed and swallowed the phlegm.
|
|
|
|
"Are you going to punish me?" she asked.
|
|
|
|
"Sometimes you just have to let go. People have the right to do what
|
|
they please. You can't make slaves out of them."
|
|
|
|
"He shouldn't have tried to leave. None of this would have happened if
|
|
he stayed."
|
|
|
|
"You'll never understand, will you?"
|
|
|
|
"I do understand. I'm just the old man, aren't I?"
|
|
|
|
"Not yet. There's still a chance."
|
|
|
|
"There never was," she moaned.
|
|
|
|
* * * * *
|
|
|
|
[30 oct 1995]
|
|
|
|
Mary was silent for the first month. Donald had moved her into his
|
|
one-bedroom. She stayed in the bedroom. He slept on the couch.
|
|
|
|
During that month Donald left the apartment only to buy necessities.
|
|
He was with her constantly, reading to her and talking to her. She ate on
|
|
her own and used the restroom when she needed, but she would not speak.
|
|
|
|
Each morning, the same routine occurred. Donald would get up, fix
|
|
breakfast, and he and Mary would eat. Then he would bathe and dress her,
|
|
and they would sit on the couch where Donald would try to cajole any sound
|
|
from Mary's mouth.
|
|
|
|
At first he read her children's books: _Grimm's Fairy Tales_, Dr.
|
|
Seuss, Beverly Cleary. He read the daily paper, Roman mythology, and
|
|
finally anything he had lying around. Donald finished _The Stranger_ that way.
|
|
|
|
Whether or not this was helping, he didn't know. Donald hadn't been one
|
|
of the main members of the experiment, and he was definitely not a trained
|
|
psychologist. But he blamed himself, and he was determined to get her back
|
|
to normal.
|
|
|
|
He had one-sided conversations with her about the weather, sports and
|
|
politics. He told stories about himself numerous times and began making up
|
|
stories to overcome his boredom. Donald feared she would remain this way
|
|
forever, and the thought of having to take care of her like this frightened
|
|
him.
|
|
|
|
Still, he continued.
|
|
|
|
And then, one morning, on his way back from the supermarket, he found a
|
|
young boy asleep outside his building. He was wearing tattered jeans and a
|
|
t-shirt and looked like he hadn't eaten for a week. Donald shook him and
|
|
asked if he would like something to eat. The boy said yes. Donald led him
|
|
upstairs, planning to feed him and call a social worker he knew.
|
|
|
|
When Donald ushered the boy through the front door, Mary was sitting on
|
|
the couch. Her eyes widened, and she smiled.
|
|
|
|
"Hi. I'm Mary," she said. "Can I be your friend?"
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
The man stood up, pulled a Kleenex out of his pocket, and blew his
|
|
nose. He crumpled the tissue up and dropped it on the ground.
|
|
|
|
This is not going to be easy, he thought. I'm not supposed to let it
|
|
drag on forever. Something needs to end this, but what?
|
|
|
|
"Are you leaving?" the woman asked.
|
|
|
|
"I have to," he explained. "I've been here too long, and you are the
|
|
only one who can help yourself now."
|
|
|
|
She got on her knees. "Tell me why you made me like this. I just want
|
|
to know."
|
|
|
|
He paused for a second. Should he tell her? Surely she deserved the
|
|
truth after all this time, but would it be too much? The man didn't think
|
|
it would be right to not explain his actions, but he didn't want to throw
|
|
months of rehabilitation away.
|
|
|
|
"I don't think you'll like what you'll hear," he said.
|
|
|
|
"That doesn't matter. I deserve the truth."
|
|
|
|
"When the doctors found me, I was sleeping on the streets. I was a
|
|
mess, drinking away any cash I got and barely surviving. They took me in,
|
|
gave me a job, and helped me in every way. So when they asked if I could
|
|
help them, I thought nothing of it.
|
|
|
|
"Did you know what you were getting into?"
|
|
|
|
"No. Honestly, I didn't. They lied to me just like they lied to you.
|
|
Point being, I thought we were doing you a favor."
|
|
|
|
"How could you think that?"
|
|
|
|
"I'm not sure. I guess I deluded myself, and it was quite pleasurable
|
|
in a sick way." He turned away. "I don't ask for your forgiveness.
|
|
Nothing can make this situation any better, and that boy's face will be in
|
|
my dreams until I die. You have the consolation of knowing you'll haunt me
|
|
forever as well."
|
|
|
|
"I don't want solace. I want to know why. You still haven't given me
|
|
a straight answer."
|
|
|
|
The man turned back and knelt beside her. He put his hand on her
|
|
shoulder. "The real reason? I wanted your affection."
|
|
|
|
"And you thought you could get it that way?"
|
|
|
|
"No. But I did it anyway."
|
|
|
|
* * * * *
|
|
|
|
[30 dec 1995]
|
|
|
|
Mary and the boy played constantly. Donald never called child
|
|
services, deciding instead to house the boy for Mary's sake. It seemed to
|
|
be the right decision. The boy's name was Ricky, and he had been living on
|
|
the street for six months after he ran away from home. He was twelve.
|
|
|
|
Donald bought them toys, and Mary showed considerable improvement. She
|
|
talked almost nonstop now, sometimes to Donald's irritation. But he never
|
|
said anything, as he was happy to see her getting better.
|
|
|
|
A few times Ricky broke down and cried, saying how much he missed his
|
|
parents but couldn't go back. During these times, Mary played the role of a
|
|
mother, holding and comforting him. Donald thought it was beautiful, for he
|
|
could never have done that. He also thought it was a sure sign of her
|
|
recovery.
|
|
|
|
The bond between the two grew. They slept together in the bed, and
|
|
sometimes Donald would stand in the doorway, watching their bodies slowly
|
|
rise and fall. He felt he had done some good for once and was well on his
|
|
way to rectify the situation he had helped create.
|
|
|
|
And then when he came back one morning from the grocery store, they
|
|
were gone. Nothing was missing except for Mary and Ricky. Donald
|
|
panicked. He drove down to the Millbrook Hotel, but they weren't in Mary's
|
|
old room, and no one he talked to had seen anybody matching their
|
|
descriptions.
|
|
|
|
Donald tracked down Cheetah and gave him some cash. They and they
|
|
scoured the downtown area looking for them. They searched old tenement
|
|
buildings, back alleys and shelters. No one had seen them.
|
|
|
|
Two weeks later Cheetah called Donald. He had found them. Experience
|
|
extreme deja vu, Donald left his apartment to see them.
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
"Now it's my turn," he said. "Why did you leave?"
|
|
|
|
Mary frowned. "I thought I was better, and he wasn't happy there."
|
|
She pointed to the body. "I needed to get out, to show to myself that I was
|
|
okay. It didn't work out too well, did it?"
|
|
|
|
"No. I wanted to help. You should have told me. I would have done
|
|
anything to help you."
|
|
|
|
"You kept us trapped like prisoners. You were no better than the
|
|
doctors."
|
|
|
|
"Then why didn't you say anything?" he asked angrily.
|
|
|
|
"I was afraid. Afraid of you."
|
|
|
|
"You had no reason to be."
|
|
|
|
The woman touched her nose and grimaced. "You've made me look how I
|
|
feel. Ugly."
|
|
|
|
"You were never ugly."
|
|
|
|
"Fuck you. Just go away. Get out. Leave me alone."
|
|
|
|
The man got up, looking hurt. This wasn't the way he wanted to end
|
|
this. He needed closure, an amiable ending with her.
|
|
|
|
"Can't we talk about this?"
|
|
|
|
"No," she said, motioning towards the door. "We're through here. I
|
|
can't be near you anymore. It hurts too much."
|
|
|
|
"What will you do?"
|
|
|
|
"It doesn't matter. Go."
|
|
|
|
"Fine. If that's what you want."
|
|
|
|
"It is."
|
|
|
|
The man got up and went over to the boy. He lifted him awkwardly and
|
|
put him on his good shoulder. The boy was light. He opened the door and
|
|
stopped.
|
|
|
|
"You know," he said, "you'll always be beautiful to me."
|
|
|
|
Silence closed the door behind him.
|
|
|
|
* * * * *
|
|
|
|
[5 may 1993]
|
|
Donald felt the warm sunlight caressing his skin as he sat on the park
|
|
bench. An old man sat beside him, puffing on hand-rolled cigarettes.
|
|
|
|
"Nice weather today, ain't it?" asked the old man.
|
|
|
|
Donald nodded absentmindedly.
|
|
|
|
"Did you know that in Paris in the late 1800's, it was illegal for
|
|
women to wear pants? My grandmother told me that when I was younger. Don't
|
|
you find that amazing?"
|
|
|
|
"What, that women had no rights back then?" Donald asked hurriedly. He
|
|
didn't want to talk. He had come here to relax. "They can wear pants now.
|
|
I'd call that progress."
|
|
|
|
The old man chuckled. "Yes, getting women the right to wear pants is
|
|
such an important step in human evolution."
|
|
|
|
"But don't you think it would be dumb to not let them wear pants?"
|
|
|
|
"Of course. Yet shouldn't we be more concerned about bigger issues?"
|
|
|
|
"You're the one who brought it up, man. I'm just telling you what I
|
|
think."
|
|
|
|
The old man took a drag from the cigarette. "Yes, you are, and I thank
|
|
you, because most people would never indulge in conversation with an old
|
|
codger like me. Let me ask you this. Have women's rights come a long way
|
|
in the past 100 years?"
|
|
|
|
"Definitely," said Donald. "They can vote, hold jobs, and do anything
|
|
a man can."
|
|
|
|
"So they're equal in every way?"
|
|
|
|
"Yes."
|
|
|
|
"Then I guess the question to be posed next is how far men's rights
|
|
have progressed."
|
|
|
|
Donald get off the bench. "Why are you asking me this? I came down
|
|
here to rest, and you're berating me with all this philosophical
|
|
mumbo-jumbo. I don't need that."
|
|
|
|
"Yes, you do. Everyone needs it."
|
|
|
|
"Look, old man, the human race is a lot nicer than it was a century
|
|
ago. We have--"
|
|
|
|
"Nicer?" the old man laughed. "One hundred years makes us nicer?"
|
|
|
|
Donald looked frustrated. "You know what I mean."
|
|
|
|
"Son, let me tell you something," the old man said, flicking his
|
|
cigarette into some nearby bushes. "I've been around for the better part of
|
|
the century, and nothing's changed. Oh, sure, we've got all these fancy
|
|
technological gizmos to make our lives easier and we're supposed to be able
|
|
to do whatever we want. But you fall out of the party line and they'll lock
|
|
you up in a second. We only think we're free."
|
|
|
|
"You are one paranoid guy."
|
|
|
|
"Am I? You probably believe in free will too. Only a few ever attain
|
|
that great American Dream. Everyone else is left to hang."
|
|
|
|
"Isn't that chance of making it enough? I sure as hell make my own
|
|
decisions."
|
|
|
|
"Hope keeps the suicide rate down. But hope doesn't get you anywhere."
|
|
|
|
"You're wrong there," Donald countered. "It's the only thing we have
|
|
that keeps us going."
|
|
|
|
The old man laughed again. "Sounds pretty delusional to me. Hoping
|
|
for a better tomorrow while today is shit. People are too complacent to
|
|
change. They want security, not freedom. You impose on other's rights
|
|
every day. The ones who do have freedom are the one's looked down upon by
|
|
society: the poor, the homeless. They're free because they have no ties to
|
|
anything, no socially-imposed obligations."
|
|
|
|
"I've been homeless before, and it sucks."
|
|
|
|
"Who said freedom was easy? I sure didn't."
|
|
|
|
"So why didn't you try to change anything?" Donald asked. "You seem to
|
|
have all the answers."
|
|
|
|
"I never wanted to change people. All I wanted them to understand is
|
|
that they are being deceived. Are you being deceived?"
|
|
|
|
"Certainly not.
|
|
|
|
The old man smiled and clapped his hands.
|
|
|
|
"I'll take that as a 'yes.'"
|
|
|
|
* * * * *
|
|
|
|
[12 jan 1996]
|
|
|
|
The man left the building with the boy on his shoulder. He walked a
|
|
little while until he came to an alley. Setting the boy down on the ground,
|
|
he went over to a dumpster and opened the lid. The foul stench of rotting
|
|
food pervaded his senses.
|
|
|
|
He dragged the boy over to the dumpster and managed to get him over the
|
|
top. It wasn't a good grave, but it would have to do. The man had found
|
|
the boy on the streets, and he would leave him there.
|
|
|
|
Tonight had gone badly, but at least it was finally over. Walking back
|
|
to his car, he resolved to never get involved in something like this again.
|
|
But could he? Would the temptation be too great? He paused by the side of
|
|
the car and then walked around to the trunk, opening it and pulling out a
|
|
can of gasoline. Not too smart to be driving around with, but it had saved
|
|
him a few times when he had run out of gas.
|
|
|
|
He made the trek back to the alley and dumped the contents of the can
|
|
on the boy. He lit a match and dropped it inside.
|
|
|
|
Did she really have a choice in the matter? The man had asked himself
|
|
this a thousand times since the beginning. His answer had always been a
|
|
resounding "yes," but now he wasn't so sure. Yes, they had coerced her, and
|
|
yes, they had been monsters. But hadn't she always been willing? It had
|
|
been so clear before.
|
|
|
|
Flames erupted from the dumpster. The heat on his face was intense,
|
|
and the man took a few steps back. The fire was beautiful, lighting up the
|
|
alley. It was the only beautiful thing he had seen in a long time, except
|
|
for her.
|
|
|
|
What would she do now? The man didn't know. He didn't even know where
|
|
to go himself and realized he was just as lost as she was. Maybe their
|
|
paths would cross in the future, but he doubted it. Still, he knew he would
|
|
take her in again. He couldn't help it.
|
|
|
|
The man stood silently, revering the fire, until he heard the wail of
|
|
fire trucks. He walked out of the alley, not looking back.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"And you were so beautiful then
|
|
You were so very special
|
|
I wish I was with you now
|
|
I wish I could save you somehow"
|
|
--Psychic TV, "Godstar"
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
LiTHAN PART 2 "WHAT NOW, LiTHAN?"
|
|
by Adidas
|
|
|
|
"He's coming," said the man in the shadows.
|
|
|
|
"I'm getting nervous, Hiolo. I don't like this," said another man.
|
|
|
|
"Quiet! It's too late to back out now!" Hiolo, the man in the shadows
|
|
said.
|
|
|
|
Lithan was coming fast and the men were hiding down by the small hill.
|
|
Lithan couldn't see them. Just as he was coming close to the nearby bridge
|
|
he began to slow down. That's when they made the ambush.
|
|
|
|
"AHHHHH!" screamed Hiolo as he came dashing out of the shadows with the
|
|
others at his back.
|
|
|
|
Lithan wasn't ready. He turned in time to see Hiolo's face as he came
|
|
smashing into his horse.
|
|
|
|
"Hiolo!" Lithan yelled, "It wasn't my fault!"
|
|
|
|
"Wasn't your fault? YOU KILLED MY BROTHER!" Hiolo screamed.
|
|
|
|
"You don't understand!" Lithan said as he was backing off of his horse
|
|
slowly. The men were surrounding him.
|
|
|
|
"I understand fine. You killed my brother. You're going to kill us
|
|
all!" Hiolo said as his sword came into the air gripped by both hands. It
|
|
flew down with strength and power along with other swords of those around
|
|
him straight into the flesh of a man named Lithan.
|
|
|
|
* * * * *
|
|
|
|
"This can't be!" screamed a giant of a man in a white room to three
|
|
other creatures who were laughing.
|
|
|
|
The other creatures looked somewhat like men, but with odd features.
|
|
Some had antlers, others had pink skin, while one had no nose.
|
|
|
|
The men continued laughing as the big giant of a man came crashing
|
|
towards them with a drawn sword. They stopped laughing.
|
|
|
|
"We didn't talk about this! THIS IS UNFAIR!" he screamed as his sword
|
|
came quickly slicing through the first creature's body.
|
|
|
|
"Stop! You can't do this to us. We weren't laughing! You can have
|
|
our money!" said the third thing as the giant crushed his sword into his
|
|
skull.
|
|
|
|
* * * * *
|
|
|
|
A scream came from the fields. It came from the plowing boy as he fell
|
|
to the ground grasping his head. He fell down hard as his last fall.
|
|
|
|
* * * * *
|
|
|
|
Lithan looked at himself and at the ground. He was somewhere in a
|
|
desert someplace. He looked at his own skin which was light, but becoming
|
|
red as the burning yellow sun beat down upon him. He ran his fingers
|
|
through his dark hair and sighed as he looked back at the sand. He heard a
|
|
cry from afar and his hand flew to the hilt of his sword. He looked up and
|
|
saw a vulture crackling, as if mocking him. He cursed the creature and
|
|
continued on his voyage, trying to find some way out of the damned desert.
|
|
|
|
* * * * *
|
|
|
|
"Where is he? It can't be! I don't sense his presence! Is he dead at
|
|
last? Is he gone? Could it be? Hah! Beaten by yourself, Lithan? She's
|
|
mine now, all mine! You're a fool!" said a man, who was leaning against a
|
|
tree just before being startled.
|
|
|
|
He laughed and cursed Lithan and praised some God for his good luck. A
|
|
smile came to his parched lips. He threw back his head and his long blonde
|
|
hair fell behind him as he cackled.
|
|
|
|
Rath, the man who was laughing, then reached to the ground and brought
|
|
up a sword. He slung it over his shoulder and sighed.
|
|
|
|
"Now I go to take my treasure from that bastard. Let him stop me. I
|
|
gain our freedom!" Rath yelled aloud.
|
|
|
|
He then proceeded to mount a nearby horse and laugh as he rode towards
|
|
the nearest city.
|
|
|
|
* * * * *
|
|
|
|
"Lithan's troubles were many, as Rath was free in the world of Ilirii. He
|
|
had been warped out of that world by the man Hiolo, who was avenging his
|
|
brother. Lithan was trapped on a foreign, desert world. And how can he get
|
|
back? What now Lithan? Figured out who I am yet? Doubtful. It shall come
|
|
apparent soon enough. I shall spin this spider-web of a tale into more of a
|
|
web, you see."
|
|
|
|
* * * * *
|
|
|
|
"What now, Lithan?", asked a small man beside Lithan.
|
|
|
|
The small man was a burly one. He had longish, stringy red hair like
|
|
the fires of hell. He was also somewhat portly but quite strong. His eyes
|
|
were a shade of deep, dark green. He looked up to Lithan, who stood
|
|
motionless facing the wind.
|
|
|
|
"Now we find a way for me to get back to Ilirii. You know a way to
|
|
teleport me there? If you do, direct me there now," Lithan said quickly as
|
|
his gaze flew towards the small man.
|
|
|
|
"If there is any man who can magic you out of this world, it would be
|
|
Burgandey," the small man said as he shook his head slowly.
|
|
|
|
"Then take me to Burgandey!" Lithan replied.
|
|
|
|
"Well, I shall, but we must turn around. For he lives in the desert
|
|
from which we just exited," the man said with a slight sigh.
|
|
|
|
A frown came to Lithan's face and he then looked back down at the man
|
|
and said, "We leave now. Take me to this man, this Burgandey."
|
|
|
|
* * * * *
|
|
"Our hero has left us, and with us he has left the shining lady. Rath
|
|
is not gone. We are in danger. We cannot stop Rath. There is only one who
|
|
can do such a thing. His magic is too powerful. The only counter we have,
|
|
is the man Lithan," a man at the head of a giant oaken table said as he
|
|
repeatedly smashed his hand into the strong table.
|
|
|
|
At either side of the table were men and women of much importance in
|
|
the world of Ilirii. Kings, Queens, Monarchs, and various lesser people.
|
|
|
|
"Then we wait. We wait for Lithan, or we wait for our doom," said a
|
|
man at the far end of the table.
|
|
|
|
"Let us all pray for the Distant's help," said another man with his
|
|
head down.
|
|
|
|
* * * * *
|
|
|
|
"So why can't I just `kill` you and send you to another world?" asked
|
|
the small man, named Hishi.
|
|
|
|
"Well, you could. But that would only ruin others lives. And who
|
|
knows where I would end up? It would take way too long to get to one
|
|
planet. It's completely random," Lithan replied.
|
|
|
|
|
|
* * * * *
|
|
|
|
Rath, with blood dripping from his lips, stared into the eyes of a man
|
|
who was on his knees, whimpering and shivering.
|
|
|
|
"I don't know where she is!" the man screamed.
|
|
|
|
"You are the keeper! You know! You show me!" Rath yelled back.
|
|
|
|
"I...I..." the man started.
|
|
|
|
"Won't tell me," said Rath as he shook his head. He reached to his
|
|
side and pulled out his sword. He shoved the sword deep into the man's heart.
|
|
|
|
"I can't stop. I won't stop. Until I figure out...the truth!" Rath
|
|
screamed in the darkness towards the sky, at *ME*.
|
|
|
|
* * * * *
|
|
|
|
The two men, Lithan and Hishi, continued walking through the desert.
|
|
|
|
"Do you believe in the distants, Lithan?" asked Hishi.
|
|
|
|
"No. I don't," Lithan replied.
|
|
|
|
"Why not?" asked Hishi.
|
|
|
|
"Well. I suppose I *BELIEVE* in them. I know they exist. I've seen
|
|
one before. But do I believe they are supreme beings, no. They are more
|
|
mortal than you. They just sit up on their throne making games out of your
|
|
lives, and probably mine own too," said Lithan as he paused a second.
|
|
|
|
"Humm," Hishi murmured. "Well. We are not far from his home. He
|
|
should help us."
|
|
|
|
"Why does such a man live so far away from civilization?" asked Lithan.
|
|
|
|
Hishi shrugged. "He's a thinker. He believes we're controlled by some
|
|
distant spirit or some weird thing. He was outcast from almost every city
|
|
for his opposing the Distants and his weird demands on history books and
|
|
such. I really don't know why he choose out here, but many magicians of the
|
|
world visit him for items or such things. Ah, here we are. This is his
|
|
house. It's a bit primitive and a bit odd but he should be able to help us."
|
|
|
|
They looked at the old house. It stood still even with the strong
|
|
winds blowing hard at it's foundation. The brown paint on the wood wasn't
|
|
chipping or changing colors under the sun. A small well stood outside the
|
|
house and next to it was a few wood buckets.
|
|
|
|
They came to the door and Lithan knocked on it several times. The
|
|
strong wood hurt his knuckles and as he started to massage them the door
|
|
opened as a small old man looked up at them. He looked the age of 100 but
|
|
in him was a determination that was so strong is was shown on the outside.
|
|
His eyes a dark blue and his hair gone white long ago dangled around him.
|
|
He squinted with his left eye to see and limped on his left foot. But he
|
|
held strongly onto his cane and it hit so hard on the floor that Lithan
|
|
winced.
|
|
|
|
"What?" he cackled in his old cracking voice.
|
|
|
|
"We need your help. This here, is Lithan." Hishi said in such a manner
|
|
that even if one didn't know who Lithan was, they would recognize him as
|
|
someone with power.
|
|
|
|
"Lithan whooo?" he asked with his final word carrying out.
|
|
|
|
"The hero Lithan. He needs your help to get back to a different
|
|
world. Do you think you could help us? Maybe somehow warp him back to
|
|
Ilirii so he can stop the evil Rath." Hishi replied.
|
|
|
|
"Yes. I shall help you two, I sense, for all your ignorance, an air
|
|
that you will help my cause." the man said as he led Lithan deep into the
|
|
dark laboratory.
|
|
|
|
* * * * *
|
|
|
|
Lithan charged at Rath, who was stunned at Lithan's sudden appearance
|
|
out of thin air.
|
|
|
|
Rath held out his hand and held up his other in some manner of
|
|
surrender. Lithan paused.
|
|
|
|
"It's not me. It's not you. We've just been playing his game. Today
|
|
it ends. Listen to me, Lithan. She's the secret, not the power! He's
|
|
tricked me! He's tricked you! We just didn't listen!", Rath screamed.
|
|
|
|
[TO BE CONTINUED]
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Don't do drugs because if you do drugs you'll go to prison, and drugs
|
|
are really expensive in prison."
|
|
--John Hardwick
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
ETHAN TAKES A TRiP
|
|
by I Wish My Name Were Nathan
|
|
|
|
June 1996
|
|
nowhere?
|
|
|
|
So, diary, we meet again after a long time. It's been a whole week
|
|
that I've lived out in the middle of things, right smack in the middle of
|
|
nature, and I'm doing just fine. I have no idea where exactly I am, except
|
|
that I got here by heading off into the woods from a road connecting
|
|
Juncture and Austin. All I can see for miles around is forest. Of course,
|
|
there was a fence. There's always a fence. Thoreau had it so easy. Some
|
|
bloke let him rent a patch of land right next to a lake where hardly anyone
|
|
would bother him. He had connections. Nowadays you don't know anyone but
|
|
your closest friends. And none of them have a patch of land for me to
|
|
rent. Not that I haven't spoken to them in a year or that I have any money
|
|
anyway. The only money I have on me is one quarter, and that's to make a
|
|
call if I ever lose hope.
|
|
|
|
But I won't lose hope. This is great out here. I swear, I don't
|
|
remember hearing birds in the morning at home. I really guess I wouldn't,
|
|
unless the pigeons and grackles had decided to circle around in the air next
|
|
to my fifth-story window and put on a Disney show for me. Well, they always
|
|
found time to shit on the windowsill. That part always threw me.
|
|
|
|
No, the birds out here are, well, nicer. It seems like they sing all
|
|
day, except when it rains. They have tons of food in all directions, so
|
|
there's no problem with them surviving the night. They're so resourceful.
|
|
|
|
Me, on the other hand, ha ha ha. No, I can always find something. I
|
|
just have to know where to look. But, frankly, I don't know that either. I
|
|
went on those two sleeves of crackers for the first few days. Then I tried
|
|
this strange-looking blueberry thing a few days back. Just one of them. It
|
|
didn't make me sick at all, so I ate a whole bunch for dinner last night.
|
|
I'm still here, so I can rely on those for a while.
|
|
|
|
Geez, it was actually easier when I was homeless. I was around stores
|
|
and fast-food places all day long. Of course, there was a nice barrier
|
|
called money between me and the entrances, but even that wasn't so important
|
|
when I was really wanting. There are actually a lot of nice people out
|
|
there who'll throw change at you if you bug them enough. I hate thinking
|
|
about that part though. It feels so scummy. I'm sure my fellow
|
|
"out-of-luck" were glaring at me. Lately I can't get that feeling out of my
|
|
head, although it doesn't make any sense at all. Hell, they were probably
|
|
happy for me. But they probably needed it more, too. At the time though, I
|
|
really didn't give a shit. Funny how things change. At least out here,
|
|
everything's free and there's no such thing as poor, until you get caught.
|
|
|
|
I'm really lucky it's summer because I don't have to worry about
|
|
building a fire. I guess I could learn early so I could cook some food,
|
|
like some little animals or something. The thought always makes me feel a
|
|
little creepy, but put it in perspective -- people lived off this stuff for
|
|
thousands of years. Maybe they had bigger food to trap back then, but I'm
|
|
just one guy. I don't need that much. Besides, bigger stuff would rot. I
|
|
don't want wolves or foxes to come sniffing around here either. Maybe a
|
|
squirrel or a bird or something? We'll just see.
|
|
|
|
"We." Sheesh. I've got to stop using that phrase. There's absolutely
|
|
no one around here but me and some little scurrying future pieces of food.
|
|
No, but really, I enjoy it a lot. After the first few days, I lost my fear
|
|
of the unknown -- mainly the prospect of other people hanging around.
|
|
There's no one here. I checked it out one day. It's great. It's great to
|
|
know I'm alone and have total privacy. It's the kind of feeling only this
|
|
type of place can give.
|
|
|
|
I remember when I was like thirteen and me and a friend of mine named
|
|
Nick were camping in a local woods. As far as I knew, I thought we were out
|
|
in the middle of nowhere, but a few hours into the night, when Nick and I
|
|
had started telling creepy murder stories, out comes this fucking hick
|
|
wandering around looking for a hat he lost while hunting. I mean, at the
|
|
time, it just scared the hell out of me, due to the intensity of Nick's
|
|
story at the time. But thinking back on it now, it really ruined the only
|
|
possibility for a good cool night out in nature for me as a kid. Because
|
|
that was the only time I went. The outside never held any reverence for me
|
|
as a kid. It's just where I went to be away from home and to, well, get in
|
|
trouble. Now I find nature very important.
|
|
|
|
Sometimes I'm awaken in the early morning by the sounds of a distant
|
|
train carrying freight. They don't carry passengers around here anymore.
|
|
This is strictly a car part of the country. The trains' wheels send intense
|
|
low-pitched rumblings through the ground that shake your body and your
|
|
mind. Somehow, though, I find it comforting. One of the first nights I
|
|
camped out here, I was scared a bit by the trains. I felt sure I had found
|
|
a spot deep enough into the wilderness to be away from other people. But as
|
|
it turned out, the train's roars just carry everywhere. The one I heard ran
|
|
on a track about two miles away, I later found out. After that first day,
|
|
the trains were comforting because they remind me that I'm never completely
|
|
alone, no matter how much I try to fool myself.
|
|
|
|
Yeah, I was thinking for a while that it was a mistake to have come so
|
|
far into the woods. Like, what if I want to go into town suddenly? Well, I
|
|
did that the first day I was here. I was a little scared to even leave the
|
|
road, so I marked my way in. And a few hours later, I followed the marks
|
|
back to the road. Whether it was good planning or a good memory, I found my
|
|
way out, and it took about an hour, just because it was so far. But I did
|
|
it. I decided to come back here, feeling silly at doubting myself, and I
|
|
haven't gone back since. Besides, it's a damned straight line from here to
|
|
the road, and that airplane radar tower near the road is the easiest
|
|
landmark to follow along the way.
|
|
|
|
Sleeping is excellent out here. When I was scouting out the place on
|
|
my first day here, I found this huge rock, shaped the way those wacky desert
|
|
rocks in the Roadrunner cartoons are. I was able to make out the remnants
|
|
of a stream next to it, which probably accounts for the erosion. I could
|
|
have been seeing things. But anyway, whatever made it like that, there's
|
|
room under the edge of the rock to sleep. I mean, two people could fit
|
|
under there. There's a bed of leaves there, and it's really soft, except if
|
|
I sit up suddenly, ha ha ha. I don't know much about how it would help me
|
|
keep warm in winter, but it certainly keeps the rain off.
|
|
|
|
That was actually my biggest worry, finding somewhere to sleep. I'm a
|
|
really big fan of sleep, you know. But I won't just sleep anytime. It has
|
|
to be dark. I guess I'm really conventional that way. I don't much like
|
|
napping during the day because my sense of time gets fucked up. But during
|
|
the night, it's excellent.
|
|
|
|
It goes back a long way. When I was a little kid, darkness never
|
|
scared me. I actually liked it when my parents turned the lights out,
|
|
because there was less to see. I don't go for the whole ghosts and
|
|
monsters-under-the-bed thing, because it doesn't make sense. Whenever the
|
|
lights go out, the darkness envelops me, and it's comfortable. What I can't
|
|
see doesn't bother me. All that exists in the dark is me and my bed,
|
|
because I know I exist, and I can feel the bed. Later on, digital clocks
|
|
and those little lights on the stereo also existed, but I blocked them out.
|
|
|
|
I always liked to imagine that in the dark, I was the only person who
|
|
existed on the earth. Not having brothers or sisters or noisy parents made
|
|
that pretty easy. I always hated having to close my eyes to get the image
|
|
right, due to the onset of night vision, but I tolerated it. When the air
|
|
conditioning would come on, I'd imagine that I had suddenly been transported
|
|
to somewhere near a rushing river. When cars would go by outside, I
|
|
imagined it was a change in the wind. Yeah, I guess I was always living
|
|
outside, in a way.
|
|
|
|
Now, when it gets dark, I actually sit up on the rock and open my eyes
|
|
wide. The forest turns completely different at night. Most of the day
|
|
animals go to sleep, and the night animals wake up. Mostly all they do is
|
|
scurry, foraging for food. Very rarely there's a fight. But it seems like
|
|
the animals do nothing but eat and sleep. What a life. When you think of
|
|
the differences between people and animals -- consciousness -- and how it
|
|
distorts our lives so much, it's almost sad to be a person.
|
|
|
|
We could have life so simple if we just lived in nature and didn't try
|
|
to fill up our lives with such crap like technology and jobs and
|
|
television. Animals don't give a shit about what time it is, except for the
|
|
change in seasons, because it's important to their survival. Myself, still I
|
|
feel compelled to do something when I'm out here, not because I'm
|
|
necessarily bored, but because I feel guilty for wasting time. I mean, I've
|
|
completely cut myself off from society, and have no more responsibilities,
|
|
except I guess to not get caught, and I'm worrying about wasting time.
|
|
Except for impending boredom, I could really spend my whole life out here.
|
|
I just wish I'd thought of it earlier before I wasted my whole life. But
|
|
that's just the way it goes. Can't change the past, no matter how much you
|
|
wish you could, blah, blah, etc., etc....
|
|
|
|
Urrgh. I guess there's no use ignoring it. The past. Why the hell
|
|
I'm here anyway. I've been thinking about it for months now. Should my mind
|
|
choose to repress the memories, I'll write 'em out.
|
|
|
|
It was a few weeks before I went to college, and my mind was a mess.
|
|
Dad had thrown me out of the house, probably with good reason, so I took to
|
|
wandering around homeless in Austin, deciding to make the worst of a bad
|
|
situation. I was enjoying it for a while, just a naive kid looking to get
|
|
away from it all. It was certainly more exciting than hanging around
|
|
Juncture and masturbating away my free time. Yeah, then things got really
|
|
exciting with being arrested, sucking yuppie cock, and trying to avoid the
|
|
pervs. My mind was blown away from getting arrested for being homeless.
|
|
|
|
I know, it was only a day, but good lord, what kind of a fucking
|
|
country makes you a criminal for being poor? Hundreds of other countries
|
|
are made up entirely of poor populations, and they're damned happy to be
|
|
that way, I bet. Or at least they're united in misery. Here, it's a twisted
|
|
game of survival, where money is life (because you have to have it to ingest
|
|
the food that grows from the ground) and you're humiliated for losing the
|
|
game, though in any other part of the world, you'd be a winner simply for
|
|
being happy.
|
|
|
|
I can see why kids live at home for so many years. At least society
|
|
sees that kids can't play the game until they've been lambasted with twenty
|
|
years of propaganda and fear. At least society sees that far. But society
|
|
gets damned annoyed when you try to start out earlier than they want,
|
|
because they know you'll lose and they don't want to think about it and they
|
|
don't want to worry about kids on the streets. Our fucking society will go
|
|
all out to murder an adult who in any way harms a kid, but if a kid shows up
|
|
in Austin without a home or money, the police are more than happy to throw
|
|
him in jail. I mean, why not? God forbid you help us *now*. Might as well
|
|
go out and get raped for some positive attention in this town.
|
|
|
|
Oh dammit I know that's twisted logic but you can only write about what
|
|
you know, right, asshole? Yeah, I coulda gotten thrown in a juvenile
|
|
shelter or a foster home or some shit like that. It was damned smart of me
|
|
to lie and say I was 18 instead of 17. But it's all the same really, it's
|
|
still prison. At least that's what me, dumb kid, hears about it, and that's
|
|
what me, dumb kid, believes.
|
|
|
|
Anyway, there was nothing else to do so I followed the rules and went
|
|
back home. And lo and behold, I find out I'm about to be a college boy.
|
|
Mom had forged my application for me and I got in. I never planned to go to
|
|
college, of course. I hadn't even started my senior year at high school.
|
|
Apparently when I was away, I graduated from high school twentieth in my
|
|
class, and even skipped a grade to do so. Mom was a good forger.
|
|
That blew my mind away too. Who ever thought she cared? I guess I
|
|
hadn't been home enough to notice. Her spoken reason for signing me up
|
|
was, "We won't have a shiftless son." Maybe it was some sort of intricate
|
|
reverse-psychology punishment meant to make everything all better. Well,
|
|
sorry, Mom.
|
|
|
|
And Dad, he hadn't said a word to me since I got back. He probably
|
|
wanted me to stay away. But with all of Mom's sudden goodwill, I was so
|
|
overwhelmed that I went into the mode of repentant sinner, and I lied to
|
|
make it easier for them to swallow. I told them that I'd been at a friend's
|
|
house the whole time, thinking about what I did. With the condition of my
|
|
clothing, I don't know how they chose to believe it, or even if they did.
|
|
Yeah, mom, my friend's place is a pigsty. No food, nowhere to sleep.
|
|
Didn't even have a toilet for me to legally piss in.
|
|
|
|
I told an outright lie to make everything all right, but I also wanted
|
|
to tell them what had happened to me. None of it had been good at all, when
|
|
taken event by event. I mean, really, when you think about it, what fucking
|
|
kind of a God would... augh, screw it. There's no God.
|
|
|
|
But all together, I had to count it as experience. My mind changed.
|
|
So much of the gingerbread ideas I had about the world turned up lies. Yes,
|
|
usually they were simplifications or omissions, but what the hell kind of a
|
|
deal is it to bring up a kid on thought-candy that has nothing to do with
|
|
reality?
|
|
|
|
Again, I had stepped off the normal road to adulthood. I found out
|
|
stuff early, and it was grisly stuff. It's not meant to be that way. Even
|
|
normal adults have to learn these lessons eventually. How do they maintain
|
|
their sanity? How? Many of them don't, I suspect. Either that or they've
|
|
been happily brainwashed by their childhood lessons and can choose to ignore
|
|
everything that conflicts with their sense of reality. They can choose to
|
|
say, so-and-so doesn't make sense, so I'll ignore it. For me, nothing made
|
|
sense. Ignoring it all would have killed me.
|
|
|
|
So for a week I was back at the tiny imitation home five stories in the
|
|
sky adjusting to my good-boy ritual. I sat around with my parents all day
|
|
watching buttloads of television. I felt compelled to, both to regain their
|
|
trust and to regain a sense of comfort. It was a hell of a lot of guilt
|
|
too. I get in so much trouble that they throw me out. Then I stay away,
|
|
completely out of contact for a month, and then come back claiming I was
|
|
just fine doing so. What the fuck! I couldn't possibly have convinced them
|
|
of that, but I didn't even want to tell them the truth. They must have been
|
|
terrified for my life, because they knew what the outside was really like.
|
|
But they seemed to conceal it well. Only once did Dad get drunk and yell at
|
|
me, but he apologized afterward, though he didn't seem to mean it. Yeah,
|
|
really, they should have been prepared for it. Hell, I'd stayed away for
|
|
days at a time. They probably figured, let's throw him out, get him a little
|
|
scared, and watch him come back in three days. I did better.
|
|
|
|
But that week readjusting was no good. I felt emasculated. I couldn't
|
|
talk to my friends, as if I would have dared call them up. They'd helped me
|
|
out a lot in terms of getting thrown out. And I wasn't learning anything
|
|
new sitting at home. Shit, my parents don't even subscribe to magazines.
|
|
It was all TV, TV which didn't teach me shit but gingerbread. Even the
|
|
crime dramas were sterilized. They were all the same, all stylized and
|
|
clean-cut and predictable. Even the plot twists were predictable. Nothing
|
|
in life made sense like on TV.
|
|
|
|
But eventually I had something to do to fill my time, getting prepared
|
|
to go off to college. My mom, and I guess my dad, had gone all out to sent
|
|
me to this expensive place out-of-state. I didn't want to debate their
|
|
logic for sending their troubled kid far away for a "real- world" education,
|
|
but I was happy to be able to get away from home. I a fews days packing,
|
|
and a few more simply reading the brochures for the place I was going.
|
|
Luckily, nothing seemed strange about it, like, it wasn't an all-male school
|
|
or a military school or a church school. Otherwise I wouldn't have gone.
|
|
|
|
So I went off to school. The place was called Trumpet, after the name
|
|
of the guy who built it. The students were really big on the name, though,
|
|
making jokes like "Feeling horn-y? Trumpet has a 50-50 male- female
|
|
ratio!" That particular joke was in one of the brochures. My mother must
|
|
have been insane to miss it.
|
|
|
|
I found the school to be pretty small. There weren't many more people
|
|
there than there were at my high school. I felt very happy about that. At
|
|
that time in my life I was really looking for some companionship, whether it
|
|
was in the form of a friend or a girl. My summer had totally screwed me
|
|
over and I was left feeling alone and lost. College at a faraway school was
|
|
an excellent remedy because I could start over, just start everything over,
|
|
and not have to explain my past to anyone. Hell, that was how it was with
|
|
everyone there.
|
|
|
|
but
|
|
|
|
But it didn't turn out that way. I had quite deluded myself before
|
|
arriving there. For some reason I assumed most people, if not all, would be
|
|
like me. Shoulda been a year older. During registration I looked around
|
|
and saw no one I liked. The guy in front of me was going into detail with a
|
|
new acquaintance in front of him about how he'd sculpt his degree plan to
|
|
get out in three and a half years so he could get a high-paying job. One of
|
|
the girls behind me fretted constantly about what the condition of the dorms
|
|
would be like, namely, the telephones and the vending machines. A guy
|
|
behind her was looking forward to getting drunk a lot. There were some shy
|
|
people too, but I didn't want to invade their worlds and talk to them. So I
|
|
talked to no one. That became habit.
|
|
|
|
I guess I tried to justify it by claiming I was trying to get myself
|
|
into the mindset of the students around me so that I could more comfortably
|
|
fit in. After all, I shoulda still been in high school whacking off to the
|
|
cheerleaders. But I couldn't understand anyone around me. Apparently no
|
|
one I heard had ever stepped as far out of society's lines as I had. They
|
|
were all pretty rich; they hadn't had to. The most daring person I heard of
|
|
was a guy who "borrowed" his brother's car for a two-day ride around the
|
|
state. It was a small state. He got some community service time for it. I
|
|
was the only person not impressed. I wanted to ask who around me had stayed
|
|
voluntarily homeless for a month but I didn't want to appear like I was
|
|
looking for attention, because I wasn't. I don't want attention. I've
|
|
found more often than not that attention just leads to trouble.
|
|
|
|
Yes, that's it. That was the mindset I had at college. I decided to
|
|
clam up and live unto myself. I devoted all my time to my schoolwork.
|
|
Didn't want to let my parents down. Didn't have an immature desire to rub
|
|
their unwanted gift in their face by utterly flunking out. So I studied. I
|
|
didn't study hard by any means, because I had so much free time. I studied
|
|
lightly during all of it. The amount of free time I had also astounded me.
|
|
I could have sworn that during high school time was always the big crunch.
|
|
I was always looking for a few rare minutes to do my homework wrong. But
|
|
here I had so much time that I often wondered if I was forgetting to do
|
|
something important. Well, obviously that thing was meeting people. The
|
|
only person I had met was my roommate, John. He was utterly boring. I
|
|
think my studying set him off from me, because he stayed out a lot. I
|
|
became used to having a room all to myself, except at night. I had become
|
|
used to being a loner way too easily to ever work myself out of it.
|
|
|
|
For a few weeks after that, I had an urge to make some friends. After
|
|
all, your own mind gets damned boring after a while. So I wandered around
|
|
campus a bit for a start. I found the architecture very interesting, the
|
|
layout of the campus very well-planned, and the students very groupey.
|
|
(Yes, that's a word because I say it is.) All the people I saw were in
|
|
groups. I don't think it was a safety concern. It just seemed like everyone
|
|
had instantly found a close-knit group of friends in the few months I'd been
|
|
there. I suddenly felt very lonely. I should have stayed in my room and
|
|
studied, I told myself. At least then I wouldn't have had to discover that
|
|
fact.
|
|
|
|
After that failure, I started attending campus events. There was this
|
|
karaoke thing one night. I went to that and participated in a quartet I had
|
|
been randomly picked to be in, and also embarrassed myself in a duet with my
|
|
roommate. That didn't get my face in the paper. And there was also a
|
|
coffeehouse dealie, where a whole bunch of students get together to read
|
|
their shitty poetry and get some much-needed applause they'd never receive
|
|
anywhere else. Yeah, I read a shitty poem too. I was about being deaf and
|
|
dumb and trapped in a box. I think it was symbolic. I got token applause
|
|
but everyone's eyes looked distracted. After that, I decided I was probably
|
|
having a better time in my room.
|
|
|
|
* * * * *
|
|
|
|
That's about when it happened, on good old October 20, 1995, my
|
|
eighteenth birthday. I was still sticking to the random-wandering-
|
|
about-campus habit, and when I stopped to tie my shoe, I heard a voice
|
|
beyond the wall. It was one of the students from my world history class
|
|
named Sean. He beckoned me to come over to him. I had completely forgotten
|
|
my bad experiences with guys trying to pick me up, and was amazed that Sean
|
|
would want to talk to me. So I talked to him and I realized he was trying
|
|
to sell me some drugs. I'd smoked and drunk before, but never anything
|
|
more. I guess I just didn't have the right friends. Sean seemed to have
|
|
some of everything. I told him that I was still nervous about drugs, which,
|
|
I explained, was only due to lack of knowledge. He sympathized with me and
|
|
said LSD would be the safest thing to try. I was sort of disillusioned with
|
|
life anyway, so I figured it would at least be some experience.
|
|
|
|
I gave him five dollars and he handed me the smallest fucking piece of
|
|
paper I'd ever seen. I was wondering if he'd ripped me off. He told me to
|
|
put it on my tongue and let it sit there for a while, and then swallow it if
|
|
necessary. It would take around an hour to take effect. In my nervousness I
|
|
didn't really get a clear idea of what its effects were. But I felt
|
|
childishly proud and put it on my tongue right there behind the wall. Sean
|
|
grinned and said, "You better move on now. Tell me how it was." Sure
|
|
thing, I nodded, and headed to my room.
|
|
|
|
I was in there for forty-five minutes when things started changing. I
|
|
guess my heart had been beating pretty fast. My sight became very clear and
|
|
intense. Everything I looked at suddenly seemed to become very important.
|
|
I found it hard to simply scan the room because my eyes stopped on every odd
|
|
thing, like the bedpost, the papers on my desk, John's nudie calendar, the
|
|
lamp, little bits of garbage on the rug, oh, just anything and everything.
|
|
It was very interesting. I went into the bathroom and ran the water and
|
|
just watched it. I looked at myself in the mirror and saw my pupils were
|
|
huge. I figured that accounted for the lucid sight. I wandered around the
|
|
room for hours simply looking at things. I noticed the wall was wavering,
|
|
as if a gentle wind were blowing it around. That was amusing so I laughed.
|
|
My laugh seemed to be the perfect expression of my experiences. I found
|
|
myself laughing a lot, although no one was in the room to hear.
|
|
|
|
I also found myself lacking in concentration. When I'd look at
|
|
something and try to figure it out, seeing something out of my peripheral
|
|
vision would distract me. I'd be forming thoughts in my mind, and they'd be
|
|
dashed away by the amusing sight of the blinking colon on the digital
|
|
clock. I felt absent-minded, but it was funny, so I just laughed about it.
|
|
|
|
I suddenly remembered an anecdote I'd heard about some kid who dropped
|
|
acid, went to class, was asked to read aloud, and found the letters melting
|
|
off the page. I decided to read a book too. I laughed at the thought of
|
|
it. I had picked out an economics textbook. I opened it up and started
|
|
reading. The letters were distinct and luminous on the edges. The paper
|
|
seemed much too bright. I noticed when I was reading that the words and
|
|
sentences seemed very important to me. I quickly got bored with much of the
|
|
subject matter due to my lack of concentration, until I came to a page
|
|
describing the way the government calculated the poverty level, and how many
|
|
people were under it.
|
|
|
|
"Just look on the streets!" I exclaimed bitterly. "It's so easy to
|
|
do!" It was a natural response. I had felt the need to express all my
|
|
thoughts that night out loud, but I knew no one would hear. But the problem
|
|
with what I had said was, I had heard it. Things changed.
|
|
|
|
I hadn't thought deeply about the experiences of that summer for quite
|
|
a while. My words brought back a flood of memories to my mind, and the
|
|
thing about acid is, it makes you think. I had read the wrong thing. I was
|
|
thinking about a summer full of horrible demoralizing experiences, and with
|
|
the acid, they seemed much too important. The only problem was, I couldn't
|
|
distract myself anymore. I closed the book and tossed it on the bed. I saw
|
|
how it landed on the bed and it reminded me of the homeless man I had seen
|
|
someone throw out of a store onto the street. Even the bounce was the
|
|
same. The appearance of the book amongst the mussed-up covers even looked
|
|
like the man. I saw a corner of the book, the man's head, turn around in
|
|
amazement, over and over again. I forced myself to look away. Before my
|
|
mind could make out the funny dark area between the bed and the wall, I saw
|
|
a filthy garbage can sitting in the corner, the one I had forced myself to
|
|
eat out of that one day. I couldn't look at anything in the room without
|
|
seeing something unpleasant. I became utterly demoralized, as the ideas
|
|
circulating around my head were all I could think of, and they completely
|
|
defined my world-view as I sat shaking on the bed trying not to see.
|
|
|
|
I decided I'd have to sleep it off, so I turned off the light and found
|
|
myself on the street at three A.M. looking for somewhere to lie down. The
|
|
light seeping in through the little gaps on the edge of the blinds looked
|
|
just like windows in a tall apartment building a thousand feet away. I
|
|
headed toward it, found myself approaching at an extremely fast rate, and
|
|
realized where I was again. I forced myself to concentrate on lying down.
|
|
When I got in my bed I had a fleeting idea that someone might have already
|
|
taken it, and the book I had thrown down there fooled me for a second. I
|
|
tossed the book to the ground and lay down.
|
|
|
|
I realized I wasn't going to sleep any time soon. My heart was
|
|
beating, my mind was racing, and my stomach felt hot and tight. I'd only
|
|
realize a few hours later that my stomach was telling me it was hungry. I
|
|
didn't know acid gave you the munchies. So I lay in bed trying to
|
|
concentrate on sleeping, and I couldn't stop thinking of that night that I
|
|
wandered around for two hours, exhausted and looking for sleep on my first
|
|
night in Austin, a deluded little kid who thought it would be nice and easy
|
|
to live alone on the streets. To this day I still wonder why I hadn't
|
|
considered doing what animals do, which is to go away from the concrete
|
|
grass and the metal trees, and to live where it was comfortable. I guess I
|
|
had just seen more of this life on TV, so that's what I assumed was normal.
|
|
|
|
Then my mind rocked when I realized just how senseless TV was. It
|
|
didn't make any sense whatsoever. I'd always had a sort of resentment
|
|
against it, but now it was clear in my mind, that it simply didn't make
|
|
sense. I tried to think back to favorite shows of mine, but I couldn't make
|
|
any senseful connections. This was obviously due to my wandering acid mind,
|
|
but at the time it profoundly affected me and made me feel disoriented. How
|
|
could I have been living my life by this medium which has never made sense?
|
|
I started to wonder if it was simply my lack of ability to comprehend it.
|
|
Was my mind that weak? Millions of people love TV, but not me. What's
|
|
wrong with me? Maybe the same thing that made me seek out an utterly unfit
|
|
place to live, maybe the same thing that makes me so alone...
|
|
|
|
I started to cry. It was dirty raindrops sliding down my face,
|
|
raindrops coming from an angry sky that hated me more than I hated myself.
|
|
I was pouring tears and gasping for air and my mind was ricocheting inside
|
|
my head with the realization of basic facts that I had still been shielding
|
|
myself from, things such as I had no place on the earth, that I had no
|
|
future, and that I didn't want one. I was tearing myself apart with the
|
|
simple anxieties that drive functioning members of society. I felt
|
|
absolutely helpless and alone. I cried harder, gulping for air, squeezing
|
|
my fists, buckling and shaking with convulsions.
|
|
|
|
The bed was rocking and I was suddenly in the back of a pickup truck
|
|
driving through the country. When was this? Was this something I'd
|
|
repressed from the summer? No, it wasn't. It was a simple thrill I'd had
|
|
when I was eight and I begged my dad to let me ride in the back of the truck
|
|
he had borrowed from a friend. I'd never ridden in the back of a truck
|
|
before and haven't since. It was wonderful to lie flat on my back and look
|
|
up at the sky and the passing trees and power and phone lines and have no
|
|
idea where I was going. There was a time when I liked not having plans,
|
|
when it didn't make me feel guilty, when it didn't scare me. I decided to
|
|
grasp onto that idea again. What was life, really? Beyond the simple
|
|
structure given to it by society and television, life was totally free,
|
|
given the restrictions of law.
|
|
|
|
But what was law? It's not meant for everybody individually. Laws are
|
|
made to prevent circumstances from occurring that could harm other people.
|
|
Yes, I reminded myself, I can live outside the law as long as I harm no
|
|
one. That's the definition of liberty, isn't it? I'd had random
|
|
associations with that definition as a teenager, sometimes feeling
|
|
unnecessarily restricted by circumstances of society... but hell! I should
|
|
have allowed myself to transcend those circumstances, because they were
|
|
impinging on my liberty. I had tried to wipe those ideas from my mind,
|
|
however undeveloped they were, when I came back home and prepared for
|
|
college life. The guilt I was feeling, it was guilt about deluding myself!
|
|
I had it right to begin with!
|
|
|
|
A wellspring of positive emotion suddenly opened in my mind and it
|
|
forced me to sit up in bed. Life was fair: I had to make it fair -- and
|
|
this country wanted me to do so! That was the secret of life -- making it
|
|
fair for yourself, while not making it uncomfortable for others. It became
|
|
crystal-clear in my mind. I jumped up from the bed and flipped on the
|
|
light. I was in a completely different world from the dark, but also a
|
|
completely different world from the day I had become used to. I laughed
|
|
maniacally at having figured out the secret of life. I suddenly felt a
|
|
freedom I had never allowed myself to feel before. It had always been
|
|
inside me; I just had to let myself acknowledge it. Nothing could wipe the
|
|
smile off my face.
|
|
|
|
I daringly opened the door and left my room. I figured that, besides
|
|
the crying jags, I was in control of myself and could trust myself to go
|
|
out. I wanted to look at things some more. Merely walking down the hall
|
|
took on new importance. I found myself imagining I was someone very
|
|
important on his way to do something very important. To take on new
|
|
experiences, that's what my mission was. Right now, I'd look at stuff.
|
|
That's all I was obligated to do.
|
|
|
|
I was about to head down the stairs but I wanted to have fun so I took
|
|
the elevator. Acid gave me the strangest variation on the experience that I
|
|
had ever had. I felt like I was floating as the elevator moved down. In
|
|
normal experience I often tickled myself with the notion that I was
|
|
floating, but my rational mind disintegrated the idea. Now, the rational
|
|
mind was quelled and I floated down to the first floor. When the bell rang
|
|
it seemed like a heavenly bell, like an angel getting its wings. Maybe it
|
|
was my angel, I wondered. The euphoria of finally having an angel made me
|
|
laugh out loud. I quickly realized where I was but I didn't see anyone else
|
|
around. That was lucky.
|
|
|
|
I glanced up at the clock and saw it was four A.M. I was astounded.
|
|
It was only nine when I took the stuff. I guess that was one of the effects
|
|
of the acid too, the loss of time. I was enthralled with that notion,
|
|
because I'd never liked to worry about time, although I'd been programmed to
|
|
do so. I'm trying to regain that feeling now as I write this, but I was
|
|
actually doing better when I wasn't thinking about time at all. Oh well.
|
|
|
|
Then I headed outside. I figured everyone else was already asleep,
|
|
though that didn't account for John's absence. Oh well, it was a Friday
|
|
(er, Saturday), so that made sense. As I headed for the exit, I realized
|
|
someone was sitting there. I became very talkative.
|
|
|
|
"Why, hello!" I said. "How are you doing tonight?"
|
|
|
|
"Just fine. Are you heading out?" he asked.
|
|
|
|
"Yes, I was planning to do that, and look around. It's a nice night,
|
|
and there's lots of -- Oooh ooh! The trees! They must look really cool
|
|
right now, with those lights, and those wacky limbs... And the fountain! I
|
|
have to peer into the fountain! All that water! Oooh!" I babbled, eyes wide.
|
|
|
|
"Uh... okay, then. Be careful," the guy said.
|
|
|
|
"Thanks a lot!" I exclaimed, heading out. The door felt weightless
|
|
with the force of my push. Walking out into the slightly chilly air, I
|
|
realized I had just talked to the dorm guard, a senior. I wondered if I
|
|
appeared drunk, and felt slightly guilty, until I rationalized the incident
|
|
with the fact that I had done him no harm, and was well within my limits of
|
|
liberty. Now, I realize the guard knew I was tripping. God bless him.
|
|
|
|
So, I did go to look at the trees. On campus they had these wacky
|
|
floodlights in the trees. Saved money on lightpoles. They looked
|
|
especially interesting late at night. (But of course the sun would rise
|
|
only an hour later.) They appeared to sway back and forth in what I assumed
|
|
was the wind, but realized was only my eyes. I lost interest in them
|
|
quickly upon realizing the prospects of the fountain.
|
|
|
|
I ran across campus, feeling exhilarated and floating, and came upon
|
|
it. Like all year round, the fountain was shooting water high into the
|
|
sky. There actually was a breeze and mists of water floated along to
|
|
sprinkle on the lawn. It looked so magical. And to think how often I'd
|
|
looked at the fountain and just thought how wet I'd get if I walked too
|
|
close. I let myself get too close and the water sprinkled upon my face. If
|
|
I had been more religious, I'd consider it to be a spiritual baptism
|
|
celebrating my rebirth. It was way too easy to read into things that
|
|
night. Everything was blown out of proportion in whatever direction your
|
|
mind was heading at the time. In that segment of the night, everything was
|
|
exceedingly good.
|
|
|
|
After standing there for a while and letting myself be drenched, I
|
|
realized just how hungry and thirsty I was. I was surprised that I had
|
|
brought my wallet along. I guess I had never taken it out. When I left my
|
|
room, it was on a pure whim. Anyway, my wallet contained sufficient funds
|
|
to feed the vending machines with. I floated across campus to a wall of
|
|
machines. I bought a Dr. Pepper and a bag of animal crackers. I could feel
|
|
the Dr. Pepper making its way down my throat and into my stomach. It was
|
|
amazing. I was more concerned with my hunger, so I gulped the impromptu
|
|
meal down in three minutes. This I can verify, because I glanced at a clock
|
|
before and shortly afterwards. Feeling the time taken to eat didn't amount
|
|
to much, I bought some more and ate them. My stomach finally conceded to
|
|
the food and stopped aching.
|
|
|
|
I wandered around campus some more and decided I needed to sleep. The
|
|
acid seemed to still be going full-force, but I had to sleep or else I'd be
|
|
exhausted the whole weekend. Coming up to the light of the dorm shining out
|
|
of the door, I was astonished at its beauty and told the guard all about
|
|
it. He grinned and let me go on.
|
|
|
|
When I came back to my room, the clock read five-thirty. Again I was
|
|
astonished. What the hell was time anyway? I noticed John was finally
|
|
back. He must have been amazed that I was actually out of the room, I
|
|
thought.
|
|
|
|
With that thought, I lost it again. It was so sudden that I reeled and
|
|
just stared into space. Why hadn't I been out more? Because I was a
|
|
recluse. Who the hell was I to think that I knew the answer to life? I had
|
|
come to this college three months ago and hadn't said anything meaningful to
|
|
but one person so far. Knowing the answer to life? I didn't even know how
|
|
to talk to people. I didn't know anyone there.
|
|
|
|
I was a crawling basket of delusions, tonight imagining with the help
|
|
of a mind-altering drug that I'd conquered the world with my thoughts
|
|
alone. What the hell! My new little philosophy had nothing in common with
|
|
the real world. There was no liberty. Everything everyone did in some way
|
|
fucked someone else over, and that was the way they liked it. You couldn't
|
|
champion the cause of liberty but to yourself. And I was too weak to let
|
|
that reassure me. That philosophy blew away into the air.
|
|
|
|
Geez, I'd even tried to solve my inferiority complex with illogical
|
|
rationalizations. What I'd done tonight hadn't changed me at all. I was
|
|
still the same lonely guy who studied all day long. I'd still be the same
|
|
lonely guy when I woke up tomorrow. I still didn't have a place on the
|
|
earth I wanted. Even though my mind was full of new thoughts, I couldn't
|
|
apply them to shit. I was still bound to my schoolwork and the implied
|
|
promise of renewed perfection to my parents. What kind of liberty is it to
|
|
not be allowed to change? I was stuck right where I was. The trip hadn't
|
|
done anything for me but to open my eyes. But what I saw, I realized I
|
|
couldn't even have.
|
|
|
|
I headed to bed crying uncontrollably again. When I was about to lie
|
|
down, I was a few feet away from the bed and realizing it wasn't there made
|
|
it feel as if it had melted away from me. Suddenly the whole room seemed to
|
|
melt away from me as my eyes strained to become adjusted to the darkness. I
|
|
cried out, terrified, and fell down, hitting the edge of the bed before
|
|
falling on the floor. I suddenly became utterly frightened and helpless
|
|
again. My mind was a jumble. I told myself it was my fault for trying to
|
|
delude myself into a feeling of happiness and self-importance which I didn't
|
|
deserve. I decided to lie on the floor and live like I deserved. I
|
|
shivered all night.
|
|
|
|
When I woke up, I prayed that the trip was over. I looked around me
|
|
and nothing wavered or appeared especially important. Everything seemed
|
|
normal, except... good lord, the mindfuck I had worked on myself had
|
|
actually set in place. I felt completely disembodied. I didn't know what
|
|
to do. I felt utterly useless to everybody and everything. It seemed that
|
|
the world was getting along fine without me. I lay there on the ground for
|
|
thirty minutes before I finally got up. I was getting bored with doing
|
|
nothing, but I knew that as a sole human on the earth, I didn't matter
|
|
anyway. I contemplated suicide with a completely open mind but decided
|
|
against it. I somehow knew that there was a heaven, and my immortal soul
|
|
would live on forever, and that was a fate worse than life.
|
|
|
|
As long as I was on earth, I thought, I should at least act busy. So I
|
|
accepted my humdrum studying life with a sigh and lived like that until the
|
|
end of the school year. You could say nothing much happened in the
|
|
meantime, because nothing did.
|
|
|
|
The only strange thing that happened was that day when I was coming
|
|
back from dinner. I came across Sean heading the opposite direction, so I
|
|
waved at him, not wanting to discuss anything with him, although he had
|
|
wanted me to tell him about it. He seemed okay with it. When I was back in
|
|
my room, I lay down, shut my eyes, and heard him distinctly say, "Oh my God,
|
|
man, you're gone." No one else was in the room. I never figured it out.
|
|
|
|
* * * * *
|
|
After the trip, I found my mind remained permanently open to new ideas,
|
|
even if it was only open a crack because of my utter demoralization. I of
|
|
course tried to ignore the openmindedness -- look what happened to me when I
|
|
openly accepted it. I found solace in my schoolwork. During the spring
|
|
semester I had an American Literature class. We got to read parts of Walden
|
|
in that class. I, however, read the entire book on my own time (and there
|
|
was plenty of it). The ideas in that book worked their way into my mind. I
|
|
eventually reaccepted the idea that I had liberty and that I should be
|
|
allowed to do as I please. It was difficult to do, but the effect of time
|
|
helped greatly to erase my mindfuck.
|
|
|
|
When the year finally ended, I found myself with a perfect 4.0 average
|
|
(something I'll never tell my friends about). My parents were relieved, to
|
|
be sure. I hadn't even come home for Christmas. But everything was still
|
|
the same. I was still guilt-boy. A few weeks after I got back from school,
|
|
I'd fallen again into the pattern of staying home and watching TV, even
|
|
though I knew it didn't make sense. I was about to go mad. I wanted to end
|
|
the cycle but I didn't want to disappoint my parents. They felt they had a
|
|
good grasp on me. So I did the only thing I could do. I left a nice note
|
|
telling them I was committing suicide, and I came here. And I'm staying.
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
State of unBeing is copyrighted (c) 1996 by Kilgore Trout and Apocalypse
|
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
|
and all incidental material. All individual items are copyrighted (c) 1996 by
|
|
the individual author, unless otherwise stated. This file may be disseminated
|
|
without restriction for nonprofit purposes so long as it is preserved complete
|
|
and unmodified. Quotes and ideas not already in the public domain may be
|
|
freely used so long as due recognition is provided. State of unBeing is
|
|
available at the following places:
|
|
|
|
iSiS UNVEiLED 512.TMP.DOWN 14.4 (Home of SoB)
|
|
CYBERVERSE 512.255.5728 14.4
|
|
THE LiONS' DEN 512.259.9546 24oo
|
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
|
THAT STUPID PLACE 215.985.0462 14.4
|
|
ftp to ftp.io.com /pub/SoB
|
|
World Wide Web http://www.io.com/~hagbard/sob.html
|
|
|
|
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|