1444 lines
76 KiB
Plaintext
1444 lines
76 KiB
Plaintext
Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what TWENTY-ONE tahw ro woh gniwonk
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to think. You are in 12/29/95 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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LETTERS TO THE EDITOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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THE SOAPBOX Hagbard
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GOODBYE I Wish My Name Were Nathan
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[=- POETRiE -=]
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PiLLBUG Griphon
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[=- FiCTiON -=]
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iNTERViEW WiTH A SERiAL KiLLER Adidas
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FEAST OF THE iNNOCENT I Wish My Name Were Nathan
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TWO MEN Griphon
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LiTHAN, PART 1: "QUESTiONS OF ALL KiNDS" Adidas
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ETHAN WALKS ON BY I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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Christmas is over, and the New Year is almost upon it. 1996. Four more
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years until we enter a new millennium. I'm just waiting to see what kooks
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are gonna pop up proclaiming this and that. I find loonies extremely
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entertaining.
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But that is still four years away. Next month marks the two year
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anniversary of this wonderful little publication, and we're celebrating a tad
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bit early so we can have one big blowout party instead of two. It saves time,
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and I'm not so sure I'm going to survive this weekend anyway. We here at SoB
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would like to thank all of our faithful readers, and you can expect a more
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heartfelt, lovey-duvey editorial next issue.
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Now, though, it seems like the holidays have gotten people writing
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fiction left and right. We've got stories by Griphon, Adidas, and I Wish My
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Name Were Nathan, plus a poem and an interesting new series proposed by
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Hagbard that I hope takes off. (On a side note, when I mentioned to a few
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people that he had written something for this issue, they were amazed it
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didn't have to do with space migration. Just for the record, Hagbard's head
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isn't always in the stars. Most of the time, yeah, but not all the time.)
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I'm keeping this short and sweet because I wanna get this zine put
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together before my boss discovers I'm not doing the work he wants me to. And
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remember, only two more issues away until the great smorgasbord of conspiracy,
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hollow earth theories and everything kooky under the sun. Send in your
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submissions as fast as you can say, "Nazi base in the North Pole."
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Have a good new year and break all your resolutions. It makes the year
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a helluva lot better.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDITOR
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From: Brad Walker <103124.2426@compuserve.com>
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Subject: Submision
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Only a fucked up ass hole like you're self would spend the time and
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money to put up a page like this. Unless of cource he has great big
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huge head like the kind you find in TEXAs. I worked with a big head from
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TEXAS once and his was so big that it exploded when we told him he
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was
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gay!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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[Well, thank you, Brad. We do have big egos down here in Texas. Yee haw. We
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also ride cows to school (with our robes on, natch) and all chew tobacco.
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See, when you're born in Texas, you get your very own spitoon. Ain't that
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dandy? But hey, that's okay. We like being "fucked up ass holes" and
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spontaneously combusting from time to time. Boy, if we gave out awards, I'm
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sure you'd get one. What it would be, I don't know. --kt]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Kilgore Trout
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CONTRiBUTORS
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Adidas
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Griphon
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Hagbard
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I Wish My Name Were Nathan
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SPECiAL GUESSED STAR
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Brad Walker
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MUSiC LiSTENED TO WHiLE PUTTiNG THE ZiNE TOGETHER
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_Life Think It Over_, Count Basic
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_Concentration_, Machines of Loving Grace
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_Big Time_, Tom Waits
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_Blue Valentine_, Tom Waits
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_Zipless_, Vanessa Daou
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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THE SOAPBOX
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Editor: Hagbard
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Questionairre
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Version 1.0
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Created: 12-16-1995
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What is THE SOAPBOX? THE SOAPBOX, hereafter referred to simply as TS will
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be a featured series of State of unBeing. TS is a forum for providing people
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a place to rant about their favorite crusade, topic, or pet peeve.
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This questionnaire is our solicitation for entries for the new feature.
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This will be present at the end of every installment to assure future entries.
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To be considered simply answer these questions and return them to the address
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below. There is no restriction on topic, but entries will be weighed on
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several variables by the editors. Not all entries will be considered for a TS
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installment. Entries that are excepted will be notified of their publication.
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The format is simple. You provide a minimum 120-line essay covering your
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position on a given topic. You will then be asked some questions about your
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position by our editors. It will be the policy of the editors to attempt to
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remove as much bias from their questions as possible. Some questions may
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openly show disagreement -- this will be the editors playing the role of
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Devil's Advocate; they may or may not be in true disagreement.
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Your essay, along with the question and answer session, will be published
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in State of unBeing. The editors reserve the right to edit material for
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spelling, grammer, or format but we will not modify for content or meaning.
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As per the SoB disclaimer, all articles are copyrighted by their respective
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authors.
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Entries may be submitted more than once if topics vary.
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1) Who are you (name or handle)?
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2) What is your topic?
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3) What is your soapbox (your position on the topic)?
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4) Briefly describe (a paragraph or so) why your topic
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is important to you?
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5) Briefly describe (a paragraph or so) why your topic
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is important or should be important to others?
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6) Do you think you could convince the average person
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you are right? Why or why not?
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7) Finally, make sure we know how to contact you easily.
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Just send the answers to these questions to hagbard@io.com. If you do
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not have Internet access, GET IT. In the meantime, entries may be mailed to
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Hagbard #123 on Ringworm's Lair (512-255-6832), or to Hagbard on the Lions'
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Den (512-259-9546).
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"Those who welcome death have only tried it from the ears up."
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-- Wilson Mizner
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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GOODBYE
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by I Wish My Name Were Nathan
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This looks like a changing point in my life after all. For the longest
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time I saw it coming but doubted and dreaded the truth. But now I accept. I
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am dying. The cold sweats and the bloody coughs are becoming daily routine
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now. Hallucinations and forgotten memories plague me. I can't function
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anymore. I'm having a friend transcribe this and I hope he puts two spaces
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after the periods.
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I guess it all started about a month ago. Not the sickness, but the
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inevitable cause. I was on a Friday-night drive with several friends of mine.
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On the way, we stopped by at a Hardee's. It's one of our favorite places to
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eat. I dunno what my friends ordered, but I ordered a bacon cheeseburger
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dealie. I always order that. I'm a stickler for comfort, you know? It's
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like, I always get the same thing at every restaurant -- bacon cheeseburger --
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because I know it's something I like. I've never deviated from that norm,
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except at places where they don't have bacon cheeseburgers, whereupon I order
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something at random. You see, the comfort factor is already gone, so I just
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get whatever and grumble all the way home.
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Anyway, it was a Hardee's, so they had a bacon cheeseburger there. And I
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ordered it. It was already made. My order was completed very quickly. This
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should have set off the warning bells. Usually it takes a while and all of us
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have to stand around like penguins, walking in friendly-looking circles while
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other people order their food. Well, everyone else's stuff took a little
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longer, so I picked a place and sat down. I sat down where we always sit
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whenever we go to any Hardee's. It's the comfort factor again. And it's also
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that much easier because Hardee'ses all have the same floor plan. It's that
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seat that's next to the entrance but behind the decorative barrier with the
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cactus on it. Hardee's is good with the comfort factor. Anyway, if you ever
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go to a Hardee's around here, look for me. While I'm still alive that is.
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I opened up the bacon cheeseburger and started eating it. It tasted
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damned good. As usual. And the fries were fresh too. This should have
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tipped me off that something was wrong. The bacon was even sort of resilient
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and solid rather than squishy and greasy. But I ate, thinking I was having a
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swell old meal.
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My friends came by with their meals and sat down and started eating too.
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And since no one likes to eat all at once, we started talking. We had a fun
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conversation. It was one of those "intelligent conversations" that only smart
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guys in the age range 18-21 have. Like, philosophy and stuff? We were
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discussing aspects of animal life that mirrored human activities in
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frighteningly ironic ways. Like raccoons who forage in garbage for food. You
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see, that's like homeless humans. Only raccoons all have homes, and they
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don't get arrested for it. Yeah, you see, we're a group of people who have
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all these liberal beliefs about humans and money, but our age group doesn't
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permit us any flexibility to do anything about it but talk. And in a few
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years we'll be out of college taking hard jobs and then our minds will warp
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and permit us the luxury to yell at homeless people and kick them. "I had to
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work for five hard months to get my wife that five-pound diamond, and you
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fuckers want change?!"
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Anyway, I was getting so into the conversation that I wasn't watching
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what I was eating. I only realized what had happened when I felt this weird
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feeling in my gut, like the reverse of someone pulling from it a piece of
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stuck string. It was a really frightening way to learn about the nerves that
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exist in the intestinal canal. It was like a zipper closed. I can't really
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explain it well because I was panicking at the time. I looked at my burger
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and saw nothing exciting at all. As a matter of fact, I ate the rest of the
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burger, and the fries, not wanting to create a disturbance. To this day I
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link the feeling and its later ramifications to that Hardee's meal though.
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Don't like avoid the place though. They have good fries.
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For the rest of the night, I tried not to think about that odd feeling in
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my intestine. But the denial started a nervous fear in me, and it sent all
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the wrong chemicals to work in my abdomen. I started to feel really bad, like
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there was a solid ball of something forming there. Typical stomach symptoms,
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but it's really uncomfortable when you're away from home. Of course it's also
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really uncomfortable when you are at home, but the hominess of home doesn't
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magically cure you. But I didn't know that would happen. I was holding my
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stomach all night begging to go home. My friends just told me to throw up,
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but I didn't want to. I'd had bad experiences with trying to throw up.
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Mainly that it never worked. I only got as far as getting some bile to go up
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my throat, and no more, and I'd be tasting it the whole day.
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So my friends took me home, mildly pissed that they couldn't stay in
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Hardee's a few more hours and bitch about economics. Thoughts of heated
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discussion made me feel nauseated, though usually I enjoyed it. So I went in
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the house and beelined for the toilet. I sat on it for a few hours twiddling
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my thumbs. I remembered several times in the past when intestinal pain
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actually implied a monster dump but it wasn't this time. The feeling in my
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stomach reminded me of some bad chicken I'd had. Sliced chicken, it
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was, and it had sat in our fridge for a few weeks before I opened it up and
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ate some. Hey, it didn't smell bad. It didn't smell like anything at all.
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More warning signs I miss. I really suck at self-preservation. Anyway with
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the current stomach bug I had, I couldn't remember anything that would have
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triggered it, so the Hardee's meal singled itself out as the culprit. I had
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to blame something. Seriously, though, the Bacon Cheeseburger Combo -- medium
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-- it's $4.19 and it's great when you're half-hungry at midnight. Oh well.
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That night was horrible. I couldn't sleep at all. I tossed and turned
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for a few hours before my eyes fell closed. Then from pure exhaustion I lost
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consciousness in a cheap imitation of sleep. After five minutes or so, I woke
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up and eyed the clock. The surprise at having thought I'd slept longer
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shocked me awake. It took about thirty-six minutes before I lost
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consciousness again. I took to beating on my stomach with my fist in hopes of
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both causing some movement of the painful ball and of creating a rhythm that
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would lull me into sleepyland. But sleepyland was hell. I eventually did
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reach a sleep state, but now I was plagued with nightmares. And I'm too old
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for scary nightmares. These nightmares hit the base of my consciousness and
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insulted my intelligence. It was the most mundane thing in the world -- a
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whisk, like used to "whisk eggs" and "whisk melted margarine" -- that I
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concentrated on all night. It was a theme dream. This one whisk. In the
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dream the whisk would be floating, as an idea, in front of my eyes, and
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suggestions would float into my mind about how to make it prettier. Using
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mathematics. I had taken an abstract algebra final the day before. Over and
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over again, these suggestions would repeat themselves redundantly and
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pointlessly. My mind was too numb to change the subject, but my consciousness
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noticed what was going on. It was strange and hellish. And the absolute
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worst part was that I would fitfully wake up, eye the clock, and remind myself
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to dream about something else, but I wouldn't. It would be the same sequence
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of repeating and inane suggestions over and over again. It was not a very
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relaxing sleep. Not to mention my stomach ached.
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I decided to wake up at 7:00 AM on a Saturday morning just so I could
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stop having the annoying dream. My stomach felt looser so I headed for the
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toilet. Again, nothing happened. Sitting there with my elbows on my legs and
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my chin in my hands I waited and waited. After half an hour, un-nausea struck
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me. I call it un-nausea because I felt nauseated, but I couldn't throw up.
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That's what it had been the night before. I pounded my stomach with my fist
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to inspire some movement. Still none. I was getting a headache from
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concentrating so hard.
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After the un-BM I wandered around the house trying to remember what I had
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dreamed about. I couldn't place it. The dream had happened four hundred
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times but I couldn't remember it exactly. I guess it was my mind's way of
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preserving some sanity. (I remember it now vividly however and feel doomed to
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dream it again.) I didn't feel like doing anything; not writing, not
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listening to music, not watching television. Masturbation turned out to be a
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huge disappointment too. I wandered around the house wishing I were dead. I
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optimistically took some Tums and noticed immediately afterward that they made
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me feel worse. The water I drank afterward enhanced the chalk-like taste and
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didn't reassure me at all.
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I went back to bed and lay down and looked at the ceiling. It wasn't
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interesting. Although as a kid when I was sick I could at least induce some
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interesting imaginations by looking at the ceiling, this time is was
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completely mind-numbing. I wished I was into drugs, because they might have
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helped me become unconscious for a while. I pulled the covers over my eyes
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and tried to sleep. Maybe I did sleep. I don't remember.
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I got up again, still feeling horrible, and thought about calling up some
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of my friends and seeing if they were sick too. Share the misery, you see.
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But the thought of lifting the receiver and hearing the dial tone tore me
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apart. I just knew that it would make me bleed internally. I didn't try it
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out to see. I also didn't feel like talking to anyone. So I lay back down
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again.
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The sickness stuck with me for the whole day and I wasn't able to
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convince myself that it would go away. I wished I had achieved my personal
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goal of utter tranquility so that this incident wouldn't bug me so much. But
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I had given up the goal long ago because of minor irritations. Now I lay in
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bed moaning and thinking redundant thoughts that repeated angry messages to my
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stomach area where the ball of throbbing pain remained. I was successful in
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convincing myself that the repetition wasn't bad unless it was in a dream.
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But I still knew it would drive me mad.
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Two more days passed in much the same manner. They were easy to forget,
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anecdotally. If I wanted to torture myself I could remember each minute
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clearly and relive it again. But I won't. Something worse came along soon.
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Upon the eventual quieting of the pain in my stomach I came down with the
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flu on an outing with my friends. I didn't know it that night, so I had a
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nice sleep. But the next day I woke up with a sore throat and a fever. And
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the quieted stomach bug came back in full fury. But I still couldn't throw
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up. I could only cough and weakly swallow the phlegm. I didn't want to sit
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up far enough in bed to spit it out. The error of my ways became clear when I
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could feel the sum total of the coughed-up phlegm collecting in my intestines.
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I could feel my digestive fluids trying to make sense of it. I knew I had
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done wrong. But I still couldn't throw up.
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I sat on the toilet for hours with my hands in my hair, sweating.
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Nothing happened. My legs and arms started to shiver. I felt cold. To my
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miniscule relief, it actually was cold in the house. I didn't want to turn on
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the heat though because I already had a fever. I took some aspirin, which
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tasted more awful than they ever should have. I weakly tried to spit them out
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after swallowing them. It didn't work.
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I got back in bed and hid under the covers and shivered. The sheets
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warmed me up too quickly, so I'd shove them off my head. And then the cold of
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the house would blow uncomfortably on my face, and I'd pull the covers back
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on. The design on the covers, big green diamonds, also entered my mind in the
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form of irritatingly repetitive thoughts. I couldn't think about anything
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except for the big green diamonds. Sometimes I'd open my eyes and a diamond
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would be obscuring my entire range of vision and I'd think it was one of the
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long green stripes that appeared on the other side of the comforter. My mind
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toyed endlessly with these minor insane amusements. I coughed a lot.
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I was sick like this for three more days. I suffered recoveries. I say
|
|
"suffered" because I was foolishly led to believe that the lapses in coughing
|
|
fits and fever were the end of the bouts of illness. No, they always came
|
|
back, and doubletime. And then my nose started running and I had to stuff
|
|
kleenex in my nostrils to avoid wasting energy blowing them over and over
|
|
again. The ball of hateful pain in my stomach now seemed to send searing
|
|
columns of heat up into my throat where it was raw and tasted of coppery
|
|
blood. My adam's apple became swollen and it was hard to breathe. I still
|
|
couldn't throw up. It was a cruel state of suspense waiting for my intestines
|
|
to rebel and let me puke. The nausea simply remained in place, seeming to
|
|
feed whatever was there.
|
|
|
|
After those three days I decided to go out with my friends again to at
|
|
least get some fresh air. The excitement of social interaction and fresh new
|
|
ideas bolstered me for a few hours of fun. I was even able to forget my
|
|
stomach for a while. But after those few hours, it all came back. We were
|
|
sitting in a Taco Bell where I had finished several soft tacos and I suddenly
|
|
started to sweat profusely. I felt it first in my hair since it's thick. The
|
|
cool sensation of sweat trickled slowly down my temples and behind my ears and
|
|
down the back of my neck. My armpits became moist all at once. My crotch
|
|
became warm and wet. And all over my body the little hairs stood up and all
|
|
the little nerves near them turned on. My entire body was super-sensitive to
|
|
touch. Movement made me feel nauseated, but I still couldn't throw up. My
|
|
entire abdomen ached and throbbed. I tried to be scared but all my resources
|
|
were pouring into sweat and hurting.
|
|
|
|
My friends nervously watched my progression into delirium. I tried to
|
|
explain what was going on, and they got the first part all right, but then my
|
|
mouth started talking endlessly about green diamonds and heavy bedcovers and
|
|
the alarm clock next to my bed with the strange-looking seven. I looked down
|
|
and saw my jeans were soaked through with sweat. I wanted to stand up and
|
|
walk out but my head simply lolled and my tongue hung out. My legs wouldn't
|
|
move. My friends carried me out into the car and they drove me home. I
|
|
remember finding myself looking at my bed and falling down on it, but nothing
|
|
of the trip home.
|
|
|
|
For the entire next week, I lay in bed sweating and hurting. My brother
|
|
brought me water to help me sweat some more. I took a lot of aspirin but it
|
|
didn't help. I wasn't urinating at all. Everything left me as sweat. The
|
|
ball of pain in my stomach stopped hurting, but it was still there. It felt
|
|
like dead weight. As I lay in bed it felt like the ball was resting against
|
|
my spine. I shifted uncomfortably to reduce the friction. As I moved I
|
|
noticed the mattress was squishy under my weight. I had sweated through it.
|
|
The mattress was demolished. But no one would change it until I got better.
|
|
|
|
But I never got better. Shortly thereafter, I started having
|
|
hallucinations. They weren't hallucinations of anything I had ever seen
|
|
before, nor of anything I would have ever seen in the future. They were
|
|
swirls of colors and sounds and sometimes feelings and they taunted me. I
|
|
closed my eyes to make them disappear, and when I reopened my eyes they would
|
|
be gone. Then they would fly back from somewhere and start dancing again.
|
|
They weren't dancing repetitively, that might sound good, but they were
|
|
aggravating because they would shift just as my mind became used to them.
|
|
Complete dream helplessness overtook me. I couldn't control my own
|
|
hallucinations. I guess you're really not supposed to. But in my state of
|
|
mind I thought you were. When I would cough, the swirls of senses would jolt
|
|
in an entertaining way, and I felt impelled to cough just to see something
|
|
predictable. But I just tore up my throat and coughed up blood. The trashcan
|
|
next to my bed was full of bloody kleenex and bloody phlegm and
|
|
hallucinations.
|
|
|
|
I stopped watching TV a week ago. It is pure shit. We have like sixty
|
|
channels of cable but every single channel at every single hour of the day is
|
|
playing irrelevant garbage. Irrelevant trash-TV lowest-common-denominator
|
|
overfunded special-effects hallucination garbage. The sound quality is bad.
|
|
And it interferes with my hallucinations.
|
|
|
|
It is up to this day that I've been in this state. I'm in a talkable
|
|
mood now, which is how this can all come out and make some sense. But I never
|
|
regained self-consciousness. I'm pretty sure I'm going to die, and happy.
|
|
Even if I did get better after this, I'd still have memories of it, and that
|
|
would be a fate worse than a painful death.
|
|
|
|
Yes, a painful death. Death itself is okay. It's great, in fact. It's
|
|
an end to pain. That's what I believe. I don't have any religion, and that
|
|
makes me dangerous, because I think death will be good. When I was a child, I
|
|
was still influenced by the Christian view of death, with your having
|
|
basically a fifty-fifty chance of going to heaven or hell, and it scared me a
|
|
lot. I know it did scare me into being a straight-edge brownnoser but I was
|
|
only one of the few. The heaven-hell dichotomy doesn't work for everyone.
|
|
Some people see death coming and simply run around panicking in chaos. They
|
|
try last-minute fixups to make themselves look good, like kids around
|
|
Christmas who act good in hopes of fooling Santa. Really, what difference is
|
|
there between Santa and God? Just the ages. And adults still believe in God.
|
|
|
|
My view of death is biological. You just die. No afterlife, no
|
|
reincarnation, no nothing. Just putrefaction and decomposition. I'm not a
|
|
soulless man, though. I can find analogues to the soul; namely, a person's
|
|
personality, his radiance, his gloominess. And reincarnation. There are only
|
|
a small number of distinct personalities. Sure, some baby born in Argentina
|
|
after I die may be gloomy and neurotic with outbursts of impossible humor,
|
|
sure, but it's not me. The baby is just a mix of DNA-induced proteins.
|
|
Sorry, guys, I ain't coming back.
|
|
|
|
I remember a time when I was younger and alone at a lake. I had one of
|
|
those inflatable rafts, and I went out to the water with it and lay on it and
|
|
looked at the sky. The sun was behind my head and I didn't have to squint.
|
|
From that raft I couldn't see anything around me, no trees, no people, no
|
|
buildings, no signs of human interference on the earth. I could only see the
|
|
wispy white clouds plastered on the sphere of the sky, daubed about in a
|
|
random but infinitely serene pattern. There was a low breeze brushing over my
|
|
body and sometimes it brought the sound of lazy summer birds to my ears. I
|
|
just lay there on that raft watching the clouds for what seemed like hours.
|
|
No one interrupted my rest. I lay there looking up without a thought of
|
|
someone calling my name. It was beautiful.
|
|
|
|
After a long time had passed, my curiosity got the best of me and I
|
|
wanted to see where I had turned up. I tilted my head up and looked ahead. I
|
|
was nearly on the edge of an unfamiliar shoreline. I had no idea where I was.
|
|
I looked behind me and saw the huge lake and the shoreline on the other side.
|
|
I was sure I had drifted across the lake. I panicked. The water was much
|
|
deeper on this side, and my best experience was with a raft. I almost started
|
|
paddling across the lake when I took another look at the near shoreline. I
|
|
realized I had only drifted fifty feet downshore. Nature hadn't screwed me
|
|
over. But I, in my panic, almost did so to myself. That's the thing about
|
|
life. You have to keep your bearings about you; it's easy to be fooled. The
|
|
world is rational, and it makes sense. When it looks like everything has gone
|
|
to hell, maybe it's time to look within and straighten yourself out first.
|
|
|
|
I thought that philosophy would apply to me now, but I can't be so sure.
|
|
Nothing about the coughing and the visions makes sense. I am swimming in my
|
|
own sweat, having fallen off the raft of rational beliefs that now floats
|
|
behind me, capsized. I see my philosophy had holes in it. Some things just
|
|
don't make sense, I guess. But I can't guess that. I can't let go that
|
|
easily. In the physical sciences unexplained results often happen. I and the
|
|
scientists believe that it is simply the result of uncalculable factors,
|
|
unseen influences, unchecked data. The random happenings that make up life
|
|
are perhaps simply the human lack of complete understanding over the world.
|
|
If we knew more, perhaps we'd see how it all clicks together. We'd predict
|
|
catastrophes, and miracles, and lulls. We'd rest assured in our knowledge
|
|
that we understand. But maybe that's too much to ask. Maybe the irrational
|
|
must exist. Maybe it just has to. I cough up some phlegm and see a bullseye
|
|
appear in the blood. Maybe.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- POETRiE -=]
|
|
|
|
"The poets? They stink. They write badly. They're idiots you see, because
|
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
|
The good people do the serious jobs."
|
|
--Charles Bukowski
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
PiLLBUG
|
|
by Griphon
|
|
|
|
I see the sky bluer than it was yesterday.
|
|
It almost makes me forget
|
|
twisted metal and people, rusted
|
|
at the bottom of the tracks
|
|
and under the Fifth Street Bridge
|
|
where a homeless woman wept over a dead crow.
|
|
|
|
And now the lights flicker and hum.
|
|
Yellow, nice and yellow
|
|
With an urban feel to them.
|
|
Safety in the childhood memories
|
|
of apartments and drunks yelling at 3am
|
|
while Mother washed clothes
|
|
and left the monsters in the closets to torture me.
|
|
|
|
I never thought the noise, the chaos, would be as beautiful
|
|
as the rain hitting the windows
|
|
in the old house.
|
|
|
|
But I lie here,
|
|
helpless,
|
|
drifting in and out of God knows what.
|
|
Reality maybe.
|
|
|
|
I dreamt about two children,
|
|
one was dying, gaping wounds.
|
|
The other was morose and bitter,
|
|
pulling the hair out of her doll's head.
|
|
|
|
The path I came upon is gone.
|
|
And the precipice into that void
|
|
alone and melancholy
|
|
seems much more reassuring
|
|
and permanent
|
|
than the Goddamned phone company.
|
|
|
|
"The only way to cross..."
|
|
it said.
|
|
One of those motherfucking monsters my mother never killed for me.
|
|
I tried to cross.
|
|
Dammit, I tried to cross.
|
|
|
|
And now I lie here.
|
|
Strapped down into this...
|
|
this chaos.
|
|
|
|
I don't think I'm half so desperate
|
|
as that woman
|
|
lamenting the crow.
|
|
But then again, I have another cigarette.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
[=- FiCTiON -=]
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
iNTERViEW WiTH A SERiAL KiLLER
|
|
by Adidas
|
|
|
|
NR: Now, Mister, let's start out with the basics. What's your name?
|
|
|
|
SK: I'd prefer to do this anonymously.
|
|
|
|
NR: OK, and you live at a regular house with a family?
|
|
|
|
SK: You bet. I got a great wife, two kids and a dog named Spot.
|
|
|
|
NR: So, Mr. Average Joe, what job do you have?
|
|
|
|
SK: I'm an Official Life Exterminating Machine Manager.
|
|
|
|
NR: So, what's that a fancy title for?
|
|
|
|
SK: Well, some people call me a "Serial Killer"
|
|
|
|
NR: Ahh. That makes much more sense to me.
|
|
|
|
SK: Yeah. It's a living. It may be kind of sick, but it puts food on
|
|
the table.
|
|
|
|
NR: So what type of Serial Killer are you? Assassin?
|
|
|
|
SK: I prefer Official Life Exterminating Machine Manager, because of my
|
|
preference of guns over other more primitive exterminating weapons.
|
|
As for my type, I'm a mere cut-thief. I go in, kill the target, and
|
|
take the money. No assassination of world leaders, etc.
|
|
|
|
NR: Ahh. So you go for the more easy type things?
|
|
|
|
SK: Yes. I'm lazier than those big heavy-hard core Serial Killers. I
|
|
stick with just plain middle-class citizens.
|
|
|
|
NR: Makes sense. Most hardly even lock their doors.
|
|
|
|
SK: Yeah. But sometimes it's harder than that and you have to pick up
|
|
a rock to smash a window.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Death is a very dull, dreary affair, and my advice to you is to have
|
|
nothing whatever to do with it."
|
|
-- W. Somerset Maugham
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
FEAST OF THE iNNOCENT
|
|
by I Wish My Name Were Nathan
|
|
|
|
William awoke out of a disconcerting dream to the sound of a crowd
|
|
yelling. It seemed to come from a distance, he could tell that much, but
|
|
the flavor of the yell didn't at all ease his mind. He had often awaken to
|
|
the proud parents' yell of a soccer game, and waking this morning he mistook
|
|
what he heard for that innocuous contagious American sound. But this wasn't
|
|
it.
|
|
|
|
Dreamily shoving his bedsheets aside, he realized he was still dressed,
|
|
though for what reason he couldn't immediately remember. A quick pass by a
|
|
mirror reminded him. That out-of-hand get-together the night before.
|
|
Someone had spiked the liquor with something William's body wasn't used to
|
|
yet, and Laura found him in the backyard, looking like a lump of carelessly
|
|
tossed-off clothes. He must have been driven home and put straight to bed.
|
|
|
|
His grin of guilty realization vanished when the distant yelling
|
|
started up again. His eyes squinted as he tried to fathom what could be
|
|
going on. It was a chilly December morning -- who would be making such a
|
|
ruckus? Who would be standing outside for any length of time? He took a
|
|
faulty step, almost tripped, and headed outside, picking up his coat lying
|
|
on the kitchen table.
|
|
|
|
When he opened the door, he was struck with the lack of winter that
|
|
greeted him. William quite expected a sharp heavy wind to smother him,
|
|
since that was what he thought he had heard while waking. Nor was the air
|
|
particularly cold. Was it winter anymore? He thought to himself that the
|
|
odd shift in weather might easily account for the crowd, but this didn't
|
|
reassure him. Instead it caused him to hesitate just outside the door and
|
|
listen.
|
|
|
|
He waited for another swell of excited voices. It didn't immediately
|
|
come. A subdued murmur greeted his ear, and he strained to listen.
|
|
Suddenly a figure came into view running down the street. The murmur was
|
|
the shoes. The runner did not look happy. The runner did not look angry.
|
|
The runner seemed to be mindlessly following his feet down the road. It
|
|
gave William a clue.
|
|
|
|
He glanced at the rows of houses along the street and sensed that they
|
|
were empty. He remembered the phone call. He realized what was going on.
|
|
He grinned and stepped out into the street. The cold suddenly revealed
|
|
itself with an impressive display of windpower. He shoved his hands in his
|
|
pockets and walked toward the crowd.
|
|
|
|
William could see the crowd of people down at the end of the street.
|
|
As he approached, he noticed that there were about ten people in the group.
|
|
They were transfixed, standing in a circle around a figure, who was standing
|
|
on some sort of pedestal above them. The figure appeared to speak, and the
|
|
crowd let out a hearty crazed cry. Children stood in yards nearby, but the
|
|
crowd was composed entirely of adults. There were only two females present;
|
|
they seemed to cry the loudest. Everyone fidgeted in expectation.
|
|
|
|
The figure in the center was an eighteen-year-old boy, William realized
|
|
as he joined the crowd. An atmosphere of musky electricity enveloped him.
|
|
The people's lips twitched in anticipation of the boy's next words. The boy
|
|
was standing in a robe, looking confidently down at his admirers. He
|
|
scanned the crowd benevolently, turning in a tight circle to meet all the
|
|
faces. The winter sky cast a hazy glow upon the boy's light-brown hair,
|
|
making him seem all the more affectionate. The people anxiously eyed the
|
|
robe.
|
|
|
|
"This is my time," the boy said to his people. "This is my glory." The
|
|
crowd threw up its hands and cried out in ecstasy. The boy cast aside his
|
|
robe, revealing his perfect naked body. The crowd fell silent, gazing upon
|
|
his arms, his chest, his legs, his feet, all dully shined with anxious sweat
|
|
in the hazy wintry air, all emanating an appealing subdued scent.
|
|
|
|
He again turned around in a tight circle, smiling kindly at his people,
|
|
letting them all see his form. A surge of blood engorged his penis. "I am
|
|
yours," he said with outraised arms. The crowd burst forth with eager
|
|
greedy shrieks of excitement and tore the boy limb from limb.
|
|
|
|
William stood back a little distance and watched the bloodbath. This
|
|
was not his favorite part; he hoped foremost that boy's neck was broken
|
|
first. No matter how calm the boy had been, William wished him the easiest
|
|
death, with no pain. The others often forgot about that in their desperate
|
|
lunge toward the prized genitalia. In the chaos of excited screaming and
|
|
grunting, the boy's cries, if any, were lost.
|
|
|
|
Within minutes, the boy's arms and legs had been torn from him and
|
|
themselves ripped in two. His head had been gingerly removed by a man with
|
|
a pocketknife. Since there was always a fight about the torso, this time in
|
|
the interest of proceeding smoothly, it was left in one piece, for later
|
|
dissection. A man handed out plastic bags and each limb was placed in one
|
|
of them. Another man came by with a hose and washed the blood off the
|
|
street.
|
|
|
|
In time, all the members of the crowd, William included, gathered into
|
|
a large Suburban. It was a tight squeeze. Each of the eleven people held
|
|
tight to their claim. There was much laughter and comeraderie on the trip,
|
|
and no hard feelings, as was the custom. This time, luckily, no one had
|
|
been seriously injured. A small mouselike man sitting in the back seat was
|
|
massaging his strained finger against the boy's left thigh, which he
|
|
caressed in his arms.
|
|
|
|
The atmosphere of light joking and congratulations turned strictly
|
|
serious when the Suburban reached the restaurant. The group of people
|
|
exited the vehicle with a very precise schedule on their minds, and idle
|
|
chatter was strictly disallowed. The long frying vats were ready and
|
|
boiling with cooking oil, and an array of warming ovens were waiting. After
|
|
being carefully waxed of hairs, one of each of the arm and leg sections were
|
|
taken from their bags and dropped with excited hissing into the vats. The
|
|
other half were placed in ovens. On a large table in the other half of the
|
|
kitchen, three chefs carefully removed the boy's organs and washed them out.
|
|
His breast and abdominal plate were cut out and placed in another vat. A
|
|
woman ran a surgical saw around the circumference of the boy's head and
|
|
removed the brain and placed it in a pot. The other woman scraped out the
|
|
bowl of the skull, in which the boy's penis, testicles, eyes, tongue, nose,
|
|
fingers, toes, palms, and heels would be presented.
|
|
|
|
Everyone worked at a feverish pace. William had shower duty, handing
|
|
out towels and prepicked dining wear to his gracious guests, who cleaned
|
|
themselves of gore before the feast would begin.
|
|
|
|
In the dining area of the restaurant, a long table was being decked out
|
|
with plates, silverware, salt, pepper, and glasses of wine. In some
|
|
circumstances, the boy's blood would be drunk by the patrons, but only in
|
|
cases of natural death, when the life juice wouldn't be so heavily
|
|
overpowered with the bitter taste of adrenalin. Blood-letting was also a
|
|
much more intricate chore, meant for people willing to wait days for a
|
|
superb meal.
|
|
|
|
The dining area was lit with bright, happy yellow lamps, designed
|
|
exactly for the purpose of counteracting the dulled slate winter sky
|
|
outside. The wooden floor, wooden table, and curtained windows conveyed an
|
|
instant sense of comfort and ease. Food preparers who had completed their
|
|
jobs early relaxed in small groups around small tables in the corners,
|
|
while, as tradition had it, no one sat at the main table until everyone was
|
|
done and washed.
|
|
|
|
In time, the delectable aroma of meat wafted into the dining area, and
|
|
the patron-cooks became fidgety and anxious to eat. Gradually all but a
|
|
couple of the cooks were done with their jobs and gathered to sit down at
|
|
the table. Those two cooks, the proprietors of the restaurant, were not
|
|
members of the party, so William's job was through. Before witnessing a job
|
|
well done, the men and women, neighbors and friends, laughed and talked
|
|
warmly.
|
|
|
|
"So, who's up for next week?" a loud man named Hughes boomed out with
|
|
raucous laughter. It was a common quip. A boy never reveals his intentions
|
|
until the morning or day before his eighteenth birthday, when he proudly
|
|
tells his parents his wish to give himself to his neighborhood.
|
|
|
|
The first step, after the excited parents calm down, is the
|
|
distribution of the boy's property, which could be by a list he provides, or
|
|
by simply telling his parents to do with it as they please. Then, the boy
|
|
and his family go door-to-door revealing the news to the neighbors. Only a
|
|
select few neighbors can come, as each guest must have enough to eat.
|
|
Finally, the invited guests gather around the boy in the street, and the
|
|
ceremony begins. The boy's job is to give a speech about his duty to his
|
|
neighborhood and his parents, and the honor to give himself to them. With
|
|
the final words, "I am yours", the crowd proceeds to dismember the boy and
|
|
take him off to be cooked.
|
|
|
|
This ceremony is only followed for boys just turning eighteen. Females
|
|
and anyone nineteen or older do not receive such a warm reception. They
|
|
will usually visit one of the restaurants and ask to be accepted, upon which
|
|
they will be humanely killed, their pictures run in the paper, and served
|
|
for general consumption. Only adults can be eaten, since children are
|
|
required by law to enjoy eighteen full years of life. Also, only adults are
|
|
allowed to eat them, since there is still a stigma and health concerns with
|
|
the possibility of eating someone who's eaten someone else.
|
|
|
|
(Suicide is strictly illegal and a black mark against a neighborhood.)
|
|
|
|
Riding on the laughter of Hughes' joke, a man named Capris spoke up.
|
|
"It looks like my son Jeremy is taking up track this spring," he said.
|
|
William sat bolt upright at the news, thinking about Jeremy, who was already
|
|
very athletic-looking.
|
|
|
|
"Let's home he does the honorable thing," he said. The crowd laughed
|
|
loud and long, only interrupted by the arrival of the feast.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"There's no point in being grown up if you can't be childish sometimes."
|
|
-- Dr. Who
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
TWO MEN
|
|
by Griphon
|
|
|
|
The bell sounded, sending a herd of children out into the grassy wastes
|
|
of the playground, each one finding a microcosm of fun to have. Randy
|
|
wandered over to the monkey bars, hoping to find a rousing game of "Lava
|
|
Monster" to drown his worries of fifth grade math. No such luck. Suzy Bones
|
|
was sitting on the top of the monkey bars, telling her friends, Kim and Stacy,
|
|
all about a new ribbon she bought for her hair at the mall last week, and how
|
|
she went to see the newest mindless comedy in the theatre all by herself.
|
|
|
|
Randy, somewhat upset by the lack of male presence and chaos, threw a
|
|
rock at the base of the monkey bars, finding little satisfaction in the loud
|
|
<<Ting>> it made. He contemplated suicide for a few moments, but was
|
|
interrupted during the part where his math teacher died a lonely, bankrupt
|
|
and guilt-ridden man by Suzy's blaring squeal.
|
|
|
|
"I'm telling on you, Randy Allison!" she screeched, swinging her small
|
|
body around to stare Randy directly in the face with her white hose-clad
|
|
knees.
|
|
|
|
"Huh?" Randy said. Adrenaline rushed immediately to his central nervous
|
|
system, the fear of the principal and of being ratted out setting off all
|
|
types of bodily alarms.
|
|
|
|
"You threw a rock at us and tried to make us fall."
|
|
|
|
Randy's mind sharpened, the entire realization of what was going on
|
|
finally congealing like brown gravy in front of him.
|
|
|
|
"No I didn't. I threw a rock at the pole." His defense was simple,
|
|
clear, and utterly weak. Suzy had long ruled the girls on the playground,
|
|
and could tell when faced with a fresh victim of the opposite sex, full of
|
|
fear.
|
|
|
|
"Now you're lying," she pressed, her face contorting into, what Randy
|
|
believed, a hellish representation of God at the Final Judgement. "And
|
|
besides, you're not supposed to throw rocks at all. I'm going to tell Ms.
|
|
Krenshaw on you, and I'm going to tell Bobby McDermick."
|
|
|
|
Randy froze, panic sending his heart into double time. Bobby McDermick
|
|
was Suzy's boyfriend, the second biggest kid in the class. Richard was the
|
|
biggest, but he was mentally retarded, and was six years older than all the
|
|
other fifth graders.
|
|
|
|
"Don't Suzy. Don't tell. I'm sorry." Randy touched Suzy's leg, hoping
|
|
to find some compassion before the sentence was carried out.
|
|
|
|
Suzy screamed, kicking Randy squarely in the face.
|
|
|
|
"Owwww! Help! Randy Allison is trying to molest me!"
|
|
|
|
Immediately a crowd formed, each one of the kids staring at Randy
|
|
intently, hoping to see something naughty. Randy froze for a second time, his
|
|
eyes watering from the pain of being kicked by Suzy and from the instantaneous
|
|
humiliation he felt by being put in the middle of everyone's universe.
|
|
|
|
All of a sudden, the crowd parted, a clear path opening from the monkey
|
|
bars straight to the gymnasium, the site of next period's class. Randy began
|
|
to run toward this means of salvation, but stopped dead in his tracks when he
|
|
realized that the Moses who parted the sea of fifth graders was also the Angel
|
|
of Death. Bobby.
|
|
|
|
"Get him Bobby, he tried to sexually me," Suzy cried, her mastery of the
|
|
English language splintering into a thousand pieces under the weight of her
|
|
desire to see blood.
|
|
|
|
Bobby walked slowly toward Randy, his massive 100 pound frame driving the
|
|
rocks hard into the ground with satisfying <<crunch>> sounds, and his shadow
|
|
spilling across the ground like an ugly scar.
|
|
|
|
"Bobby, this is crazy," Randy sputtered, reaching for every pacifistic
|
|
word and sentiment in his body. "I didn't do anything. This isn't fair."
|
|
|
|
Bobby snarled, his inertia unencumbered by Randy's pleads.
|
|
|
|
"Life ain't fair," he growled.
|
|
|
|
Somewhere Randy pondered where Bobby might have heard such profound
|
|
wisdom, and wondered what kind of satisfaction it gave him to use, no doubt
|
|
clearing himself from any wrongdoing that might have caused the exact phrase
|
|
to be used on him earlier in his life. Perhaps because his mother didn't buy
|
|
him the newest line of Air <Insert Professional Basketball Player's Name
|
|
Here>, instead opting for a pair of reasonable, yet totally unremarkable
|
|
tennis shoes from Crazy Shoe Barn.
|
|
|
|
Bobby smirked, sizing up what he knew to be an easy kill. All he had to
|
|
do was probably push him down, maybe wrestle with him for a few seconds before
|
|
Randy burst into the tears he was on the verge of showing. He did not expect
|
|
Randy to dive at him, delivering a torpedo of a punch to his testicles before
|
|
landing at his feet, eyes clenched shut against the terrible fate he knew
|
|
would befall him should his aim be off.
|
|
|
|
Bobby gasped for air as his greatest weapon, early puberty, turned to
|
|
become the deadliest foe he had ever faced in his six years as school bully.
|
|
The giant toppled backwards. His hands went to soothe his pounding fledgling
|
|
manhood. Tears welled in his eyes, and Bobby's stomach churned with the
|
|
feeling every man dreads, the loss of a testes.
|
|
|
|
Randy got up, amazed at what he had done. Bobby writhed at his feet, and
|
|
the entire fifth grade had been there to see his victory. Especially Suzy.
|
|
Randy turned to face the inciter of all this evil. Suzy glared at him, her
|
|
face a mask of rage and contempt. Stealthily she dropped off the monkey bars,
|
|
smoothing her skirt down over her tiny legs. She bent down, picked up a large
|
|
rock, and hurled it at Randy, striking him directly in the forehead and
|
|
sprawling him out next to his recently-defeated foe.
|
|
|
|
Kids began to scream, the scene becoming not unlike the first time an
|
|
early hominid opted for throwing something at his prey, rather than trying to
|
|
strangle the life out of it with his bare hands. Pure evolutionary genius.
|
|
|
|
Randy's sight began to dim, the pain in his head began to take focus,
|
|
and a trickle of blood ran from a small gash in his unblemished skin to get
|
|
into his eyes and cause him to cry.
|
|
|
|
"Oh my God," a girl from the crowd yelled. "You made him bleed!"
|
|
|
|
Suddenly the crowd turned against Suzy -- the one rule of the playground,
|
|
no blood, was violated. Secretly they all worshipped the earliest of the next
|
|
generation of Queen Bitches, but they were scared, and had to ostracize before
|
|
they, too, began to cry.
|
|
|
|
Suzy ran off, seeking shelter in a restroom that would be the spot where
|
|
she lost her virginity and overdosed on a bottle of valium two weeks after
|
|
high school graduation, her illustrious career over. The weaker children,
|
|
those that bowed in to the oppressiveness of totalitarian grade-school
|
|
government, summoned a teacher to stop the madness. Ms. Krenshaw came, along
|
|
with Nurse Rodriguez, and they escorted the two boys to the nurse's office,
|
|
where some antiseptic and a phone call to the proper authorities (parents and
|
|
principal) waited. The rest of the children dispersed. Some to seek shelter
|
|
underneath the slide to talk about the battle they had just witnessed, others
|
|
to continue playing, as if undisturbed, and little Russell Eisenstein went to
|
|
the boys' bathroom to masturbate.
|
|
|
|
The rivalry would continue for several months, but no one would remember
|
|
the exact details of what happened when the daily game of "Lava Monster" was
|
|
not played, and when two men were beaten down by the guiles of a fifth grade
|
|
girl.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"It is better to know some of the questions than all of the answers."
|
|
-- James Thurber
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
LiTHAN, PART 1: "QUESTiONS OF ALL KiNDS"
|
|
by Adidas
|
|
|
|
"One man comes in the name of justice, one man comes in the name of
|
|
death. It ends as all have ended. It doesn't end. It comes again. And
|
|
again. He is here always, even if he has never been here. Legend speaks of
|
|
them both in every world. They fight a never ending battle. Whose will is it
|
|
to fight, no one knows, perhaps they control it, perhaps they don't. Who will
|
|
ever know? We shall see what happens in this game. What about me? Oh, I'm
|
|
nobody real special. You'll have to figure that one out, for yourself. Just
|
|
think. Well I'll end this beginning and begin my story. I think you'll like
|
|
it."
|
|
|
|
* * * * *
|
|
|
|
"It's Lithan," he whispered.
|
|
|
|
"It can't be," argued the other man.
|
|
|
|
"It is. We're dead. We can't do a thing," said the second man.
|
|
|
|
His blue eyes grew wider. His nostrils flared. He was nervous, and
|
|
it showed. He stood 5'11, not extremely tall, but tall nonetheless. He
|
|
smiled, welcoming Lithan. He knew why Lithan was coming, even though his
|
|
companion didn't. He looked at his companion; Sima was his name. Sima was
|
|
the type of man who was always worried about something. He was annoying at
|
|
some times, but at others he could be helpful suggesting the bad points of
|
|
situations.
|
|
|
|
"What makes you think he wants us, I mean, what did we do?", asked
|
|
Sima.
|
|
|
|
"He doesn't want you. He wants me," replied the other man quickly.
|
|
|
|
"You?!?", Sima yelled surprised.
|
|
|
|
The other man began to draw his sword. He had done this thousands of
|
|
times, no, millions of times. Drawn his sword to fight Lithan. Sometimes he
|
|
had won, sometimes he had lost. He motioned his companion away.
|
|
|
|
Sima got ready to run, but before he left he spoke. "I have known you
|
|
a month. You've not told me much, but please tell me why he wants you!", Sima
|
|
said angrily. He had never asked questions about his past before, but this
|
|
one he demanded.
|
|
|
|
"I refuse to speak of it," said the other man quickly.
|
|
|
|
Sima began to get scared. Something was strange, he figured. Best to
|
|
get out of here, and quickly at that, he thought. Sima turned around and
|
|
began to run away, but before he could get but 5 steps away from his
|
|
companion, the other man spun, and shoved his sword into his back. Sima
|
|
yelled a deathly scream, as his last. Without any regrets or guilt, the man
|
|
spun back around ready to face the oncoming opponent.
|
|
|
|
* * * * *
|
|
|
|
He rode hard, he could see him. He knew he was there. He would
|
|
never run. This battle had been played out several times, in several worlds,
|
|
with several different endings. Lithan to attack the other. Sometimes one
|
|
won, sometimes the other.
|
|
|
|
"I see you!" Lithan yelled.
|
|
|
|
"And I you," replied Lithan's opponent.
|
|
|
|
Lithan rode up and swung out his sword. He spun it around, and as
|
|
he reached the man, slung it at his face. His opponent ducked, and quickly
|
|
spun with an attack, but Lithan was expecting this and had already began to
|
|
jump off the horse onto the opposite side of the other man. The man's sword
|
|
whistled through the air, he realized he was left vulnerable and as the horse
|
|
started to run off, Lithan lunged with his sword at the other man. Metal
|
|
hit flesh, and a scream was let loose.
|
|
|
|
The dying man smiled, for he knew he wouldn't truly die, as did the
|
|
man, Lithan, who had just mercilessly slaughtered him, but to them, it was
|
|
all part of the game.
|
|
|
|
Both disappeared, which to any man who had seen this battle would
|
|
have been a surprise to end the surprises. For it seemed like both knew what
|
|
they were doing when the began to fought, and to any person watching on, it
|
|
would have seemed like a pointless battle. But it wasn't.
|
|
|
|
* * * * *
|
|
|
|
"I hate you, dad..." mumbled a young plowing farmer.
|
|
|
|
He looked around at the fields and sighed. He had much more work to
|
|
do. Much, much more work he thought to himself. He hated farming, and he
|
|
really didn't want to be a farmer. He believed he could be much more. He
|
|
wasn't really paying attention, but it seemed that somewhere farther down in
|
|
the fields, that someone had just...appeared. Just out of nowhere. The man
|
|
was coming his way, he was growing nervous as the man approached, and he soon
|
|
realized that he was sweating heavily.
|
|
|
|
"Where am I?!" demanded the man.
|
|
|
|
The boy looked at him puzzled, what kind of a question was that?
|
|
|
|
"Kirstine of course," replied the boy with an odd look on his face.
|
|
|
|
"What planet?!?" yelled the man.
|
|
|
|
"What planet?!?" repeated the amazed boy, "Ilirii of course, where
|
|
else could we be?"
|
|
|
|
Without replying, he began to walk off.
|
|
|
|
The boy shook his head and sighed. Then to himself he said a word he
|
|
learned but a few days ago, Lunatic.
|
|
|
|
* * * * *
|
|
|
|
"He's here. I know it," spoke a man in the shadows to another
|
|
who was nearby.
|
|
|
|
"How do you know he's here?" replied the second man.
|
|
|
|
"He knows." said a third.
|
|
|
|
"We'll get him," replied the first.
|
|
|
|
"Why are we doing this again?" asked one of the men.
|
|
|
|
"To rid ourselves of that man. He doesn't help us, some hero he has
|
|
turned out to be. He's hurt our worlds more than he has helped them, always
|
|
trying to find a man named 'Rath'. He's obsessed with finding him, and since
|
|
he is so blind, he destroys our villages and towns. And kills us all," said
|
|
the first.
|
|
|
|
"He has helped us, rid us of criminals," said another.
|
|
|
|
The first man didn't respond. He knew this was true, but how could
|
|
he explain what had happened to his brother, and could happen to any of them?
|
|
He knew he was good, but he also knew he always was looking for a 'Rath',
|
|
whoever that is, for what this man thought was his own personal gain.
|
|
|
|
One of the men broke the silence. "How do we know where he is?" he
|
|
inquired.
|
|
|
|
"I know," said the first.
|
|
|
|
He did know. But it wasn't easy how he found out. He had used a
|
|
force that was awed by most, but also feared and distrusted by most, Magic.
|
|
|
|
"I don't like Magic," said one of the men.
|
|
|
|
"Nor I," added another.
|
|
|
|
"But it is the only way to rid ourselves of Lithan."
|
|
|
|
* * * * *
|
|
|
|
"Finally, I have found where Rath is. Know I must get him off this
|
|
world before he does harm. I wish I could destroy Rath, but there is no way.
|
|
I must keep removing him from every world I can", Lithan said with a sigh.
|
|
|
|
* * * * *
|
|
|
|
She slept as usual. Her beautiful body lay in a quiet peace. Her
|
|
long beautiful blonde hair lay under her head and neck in curls. Her lovely
|
|
blue dress was tied with a golden rope. The dress barely overlapped her long
|
|
lovely white legs. Her lips were a slight passionate red and her eyes were a
|
|
deep blue. She had high set cheekbones. She slept. Her curvacious chest
|
|
moved up and down in a rhythmic motion.
|
|
|
|
"A lovely sight is she," any onlooker would say honestly.
|
|
|
|
* * * * *
|
|
|
|
He walked into the nearest town, and stopped at the Stable.
|
|
|
|
"I'll take your finest horse," the man stated.
|
|
|
|
A boy brought up a giant black mare, and with a grin said, "This is our
|
|
best horse. He's a lotta gold tho'."
|
|
|
|
"I'll pay," replied the man, as he reached for his sack. He pulled
|
|
out more than enough money, and set it into the boy's outstretched hand.
|
|
|
|
The boy looked down at the money with wide eyes, then back up to the
|
|
man as he cried out, "Who are you?!"
|
|
|
|
"I'm Lithan," said the man in the shadows as he began to mount his
|
|
new horse, which hadn't a saddle on yet.
|
|
|
|
The boy went pale and nearly dropped all the gold he had just received
|
|
as he ran into the back.
|
|
|
|
Lithan laughed, and kicked his horse with a slight word to it. The
|
|
horse began to run out of the stable and Lithan left laughing.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
|
|
"Most people are other people. Their thoughts are someone else's
|
|
opinions, their lives a mimicry, their passions a quotation."
|
|
-- Oscar Wilde
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
|
|
|
ETHAN WALKS ON BY
|
|
by I Wish My Name Were Nathan
|
|
|
|
I pride myself on being able to read people. Sometimes I sit around
|
|
after my U.S. History class on the steps outside the student building and
|
|
watch people as they enter the building. The professors are easy to read.
|
|
They've usually just finished a lecture, and their expressions clearly reveal
|
|
their pleasure or disappointment, their masks of politeness tossed away after
|
|
the last student leaves the room. Dr. Stanford, for example, nearly always
|
|
seems pleased; intent eyes and a bemused grin comfortably mold his expression.
|
|
I hear that as a side order to his full load of advanced mathematics courses,
|
|
he teaches a painting class; this is probably the one he is returning from
|
|
when I see him. Dr. Shell is always of a stern countenance. He appears
|
|
eternally angry, although his real mood is up for grabs. He teaches
|
|
economics. He never tells jokes or anecdotes in class and speaks in a
|
|
monotone. All this is from hearsay, of course; I'd never take a class from
|
|
such a person. Apparently several students do, though, and they're probably
|
|
the ones trudging up the steps with agitated looks on their faces.
|
|
|
|
I sometimes think about professors and what they do when they're not
|
|
teaching. I know Dr. Woods is a skilled surfer and often see her instructing
|
|
local kids out on the lake when the weather is good. She teaches orchestra.
|
|
She and Dr. Stanford are the kind of archetype that I hope to see in
|
|
professors; people who devote their lives to teaching others. I
|
|
idealistically assume, or hope, that all professors are like them. Dr. Shell
|
|
belies my assumptions, though. He's probably very boring. I try not to let
|
|
quandaries like him shake my faith in the human spirit.
|
|
|
|
Well, now that I think of it, it's easy to ignore Dr. Shell as a spurious
|
|
oddity in my world view. At any rate, I devote most of my time to the
|
|
students, seeing as there are more of them, and that I can much easier
|
|
understand and empathize with them.
|
|
|
|
There's this one guy Keith who's in some of my classes. He doesn't hide
|
|
his emotions well, which I guess is sorta fatal for a guy. He moans openly
|
|
when reading over mistakes he's made on tests, often laughs maniacally at
|
|
silly jokes, but luckily isn't physically violent, because his short temper
|
|
combined with his excessive emotions could lead to something ugly. Although
|
|
he's got a wide variety of unsuppressed human emotions, he always walks the
|
|
same way, in a speed walk, treating other students as mere obstacles in the
|
|
way and often walking across the grass to avoid unnecessary delays. I guess
|
|
I've painted a pretty unflattering portrait of him here, but he's not really a
|
|
jerk. His expression is usually emotionless when he's walking, staring
|
|
straight ahead, as if in his mind he were flying in an airplane. Strange
|
|
case.
|
|
|
|
Then there's Jarred, who's absolutely emotionless at all times. He's
|
|
what you'd call extremely mellow. Nothing seems to faze him. The expression
|
|
I see on his face as scales the steps into the student building is the same
|
|
one he'd have when taking a difficult exam or holding a conversation or waking
|
|
up to see his house on fire. I once suspected him of chronic drug abuse, but
|
|
he's apparently clean, as well as possessing acute mental powers. I don't
|
|
know about the possibility of a frontal lobotomy yet. Sometimes, though, he
|
|
can have a mood swing, meaning having an actual mood. The incident that
|
|
stands out in my mind is when he came across a free pencil in his sack of
|
|
textbooks from the bookstore. Apparently he didn't know about the store's
|
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policy of stashing freebies in every sack, and when he found it, he was
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euphoric for hours. You see, he'd come to school without any pencil
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whatsoever and had also forgotten to buy one in the bookstore. Whenever
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someone reminded him about the incident, the mood swing happened again and he
|
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pepped up again; it was good for laughs. He probably considered it some sort
|
|
of miracle from heaven, although I doubt he'd describe it in those terms.
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What really worries me when I'm watching people is when I see someone I
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|
can't figure out. I admit that before meeting Jarred and Keith I wouldn't
|
|
have been able to understand what they were all about, and even now some
|
|
people escape my grasp. But usually, the next time I see them I can complete
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the image in my mind, if only a stereotypical one.
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|
The most elusive puzzle I've come up against so far is Ethan. I first
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|
saw him on the second day of class this year, when I was walking across
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campus, not even trying to analyze people. But when I noticed him on the
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sidewalk heading my direction, he caught my eye, although I'm sure I didn't
|
|
catch his, because his eyes were blank. They were missing something, that
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spark that supposedly all live people possess. I turned to watch him pass and
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he simply walked by, not noticing me. I could tell he wasn't blind; his eyes
|
|
could see out but I couldn't see in. Disconcerted by this, I wrote it off at
|
|
first as an artifact of the exhausting impact of the first days of class.
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|
Maybe he was a freshman and completely overwhelmed by the enormity of the
|
|
school and the sudden change in lifestyle. Maybe it was the heat. Two months
|
|
later, though, I must declare those hypotheses dead.
|
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|
A week ago I broke my unwritten vow not to get involved with the people I
|
|
observe. I don't particularly enjoy social interaction. Whenever I watch
|
|
people while sitting on the stairs, I have on a pair of sunglasses and prop up
|
|
a heavy calculus book in front of me and pretend to be studying. Like the
|
|
imaginary electron microscope that can observe a photon without changing its
|
|
speed, I hope to observe people without affecting them.
|
|
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|
Ethan's expression started to get to me. Since I hadn't seen him on the
|
|
steps for a few weeks, I was beginning to forget about him. But a dream, a
|
|
nightmare really, awoke me one night. It was simply an image of Ethan walking
|
|
along an unending sidewalk with that blank expression, never stopping, never
|
|
flinching. My mind threw all sorts of things in his path to upset him, even
|
|
free pencils, but nothing moved him at all. I hate nightmares like that. It
|
|
wasn't even inherently scary, like running away from a pursuing attacker or
|
|
finding my body covered in parasitic insects or something, but it was still a
|
|
fearful dream, a fear of the unknown, the kind of fear that really got to me
|
|
that night and fucked me up for a few hours before I decided to just stay
|
|
awake.
|
|
|
|
I started to form some hypotheses about the mysterious Ethan. My first,
|
|
fleeting idea was that he was simply a mellow type like Jarred. Certainly I
|
|
hadn't even seen enough of Ethan to get a wider angle on him, right? I
|
|
dismissed this quickly, though. Looking at Ethan, I don't get the idea of
|
|
mellowness or muted emotion. I just get depressed. It's a sort of cold
|
|
blanket that washes over me, making me shiver. But it's hard to look away.
|
|
The mind attempts over and over to make some sort of human connection but the
|
|
circuit just doesn't close behind the eyes.
|
|
|
|
It was hard to look away and I soon found it hard to keep away as well.
|
|
I decided one day when I was feeling adventurous and a bit sneaky to follow
|
|
Ethan a little bit, if I saw him going by anywhere. I was perched on the
|
|
steps, intent on analyzing the occasional passerby so as not to completely
|
|
waste my time if I didn't see Ethan. I wasn't trying very hard, I guess,
|
|
because my calculus book was at my side and I was obviously scanning the
|
|
crowds. After several minutes, I glanced down and that cold-blanket feeling
|
|
washed over me. Astonished, I looked up and spotted Ethan walking along in
|
|
the distance. It was a damned ominous thing to happen, but I figured that if
|
|
I didn't get up and follow him, I'd just be left to sit there and think about
|
|
it until it completely freaked me out. So I shoved the unopened calculus book
|
|
in my backpack and headed across the campus.
|
|
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|
I tried to head on a trajectory aimed so that I'd meet him at an
|
|
intersection in the sidewalks. Although I had my sunglasses on, I still felt
|
|
guilty glancing at him, because I guess I was spying on him. I just had to
|
|
figure him out, though.
|
|
|
|
At the intersection, he turned toward the library, so I followed him in.
|
|
He held the door open for me, which was a good sign, I guess, because it
|
|
indicated he's somewhat aware of other people. In following him around the
|
|
library, I noticed that he walked slower than I did, although not in an exhausted, trudging manner, or even in a mellow taking-it-easy manner. Our
|
|
builds seemed similar, and he wasn't short by any large amount. I decided not
|
|
to read much into it, noting my lack of training in the physics of walking. I
|
|
just noticed because I was trying to keep a constant distance from him and
|
|
constantly found myself having to slow down, usually looking foolish in the
|
|
process, concentrating too hard on Ethan.
|
|
|
|
He, on the other hand, appeared to have his walking down pat. He seemed
|
|
to take the most efficient route around the obstacles in the way, never
|
|
looking confused about where he was going. His mind was apparently working
|
|
normally in that respect. I guess the slow walking was just a false sign. I
|
|
admit I was racking my brain for clues to his character.
|
|
|
|
He finally sat down in the magazine section of the library. I sat in a
|
|
chair not too far away so I could watch him. I expected that I'd find out
|
|
quickly what sort of person he was by the magazines he read. He rifled
|
|
through the magazines lying on the table and picked out "Current Biographies".
|
|
If I were Keith, I would've moaned aloud. Each issue contains about ten or
|
|
twenty biographies of random well-known people. That's all. No social bent,
|
|
no political statement, no entertainment angle, no nothing. I grabbed a worn-
|
|
out issue of "Rolling Stone" and pretended to read it. I decided to take off
|
|
my sunglasses so as not to draw attention to myself.
|
|
|
|
After a few minutes, Ethan placed the magazine on the table and got up
|
|
and left. I waited a while before following him, knowing he'd be walking slow
|
|
enough to catch up to. When I left the magazine room, I headed off where he
|
|
had gone and nearly passed him buying some stuff from the vending machines in
|
|
the student lounge. I pretended to look at a dictionary while I waited for
|
|
Ethan to continue on. I read that "mellifluous" means sweetly flowing, as if
|
|
like honey, and then I promptly forgot. He was walking by.
|
|
|
|
I tried to eye what he had bought. It looked like a Dr. Pepper and a bag
|
|
of animal crackers. That would just fill him up. I guess he was hungry. I
|
|
wondered if he was poor for a second, but then realizing his alternative was
|
|
the commons, I decided not to jump to conclusions. His blank eyes certainly
|
|
didn't offer me any clues. I followed him back outside.
|
|
|
|
The fact that he had racked up a total of three minutes in the library
|
|
told me that he was fidgety and anxious. He couldn't decide what to do with
|
|
all his free time. He probably didn't have any friends on campus and hadn't
|
|
figured out what to do with all his free time. I looked at myself and decided
|
|
I was probably biased.
|
|
|
|
Ethan walked all the way around the library to the side facing the
|
|
street. Then he crossed into the lawn and headed for the bench sitting under
|
|
a tree, halfway to the street. I had to stop because there was no cover. I
|
|
stood behind the corner of the library and peeked out from time to time at
|
|
him. Ethan sat down on the bench. He didn't have any books with him, just
|
|
his Dr. Pepper and animal crackers. He sat up on the bench and looked
|
|
forward. There were other trees in his line of sight. I could only assume
|
|
that he was looking at the trees or at nothing at all.
|
|
|
|
I found it difficult to figure out just what. My eyesight isn't totally
|
|
perfect, and from the distance I was watching him, I couldn't see his
|
|
expression. But somehow I could tell his eyes were still dead.
|
|
|
|
After a while he popped open his Dr. Pepper and animal crackers and
|
|
started eating. He ate slowly and methodically, as if not to spill a crumb.
|
|
Of course I really couldn't tell. It's just that he ate each cracker by
|
|
nibbling away at it until it was gone. Then, as if on a whim, he'd take a sip
|
|
of his drink. I know I'd much rather have preferred to shove a few in my
|
|
mouth and crunch them up and then chug some Dr. Pepper to wash them down. I
|
|
guess you could say Ethan was acting pretty peaceful.
|
|
|
|
I watched him eat for about fifteen minutes. After he finally finished
|
|
his meal of sorts, he folded up the animal cracker bag and put it in his
|
|
pocket. Then he continued to take conservative sips from his drink, always
|
|
looking ahead blankly. It unnerved me. I didn't want to watch after a while
|
|
because I felt like I was intruding on his privacy. But it was just watching.
|
|
There's no harm in that. Except possibly an acute case of boredom.
|
|
|
|
I wanted to leave, but my memories of that nightmare wouldn't let me. I
|
|
had to have closure. I needed to find out what made Ethan tick. What I had
|
|
seen so far was utterly useless. Maybe if I could get him to talk. Words can
|
|
paint a thousand pictures. I just needed one.
|
|
|
|
As I sat deliberating, Ethan stood up and started walking back. He was
|
|
heading my way. I didn't have a plan. I decided to simply say "hello" as he
|
|
passed. So I leaned against the corner of the library as if I had been born
|
|
there and listened to the footsteps approach. They were slow and meticulous.
|
|
I glanced over to Ethan. His eyes were blank. He wasn't smiling or frowning.
|
|
He looked dutifully straight ahead.
|
|
|
|
"Hello," I said.
|
|
|
|
He only blinked and continued walking. I stayed behind for ten minutes
|
|
and then went home and wept.
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
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|
|
|
|
State of unBeing is copyrighted (c) 1995 by Kilgore Trout and Apocalypse
|
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
|
and all incidental material. All individual items are copyrighted (c) 1995 by
|
|
the individual author, unless otherwise stated. This file may be disseminated
|
|
without restriction for nonprofit purposes so long as it is preserved complete
|
|
and unmodified. Quotes and ideas not already in the public domain may be
|
|
freely used so long as due recognition is provided. State of unBeing is
|
|
available at the following places:
|
|
|
|
iSiS UNVEiLED 512.TMP.DOWN 14.4 (Home of SoB)
|
|
CYBERVERSE 512.255.5728 14.4
|
|
THE LiONS' DEN 512.259.9546 24oo
|
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
|
GOAT BLOWERS ANONYMOUS 215.750.0392 14.4
|
|
ftp to ftp.io.com /pub/SoB
|
|
World Wide Web http://www.io.com/~hagbard/sob.html
|
|
|
|
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
|
|
|
|
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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