1990 lines
96 KiB
Plaintext
1990 lines
96 KiB
Plaintext
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Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what 4/27/95 tahw ro woh gniwonk
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to think. You are in SiXTEEN ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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STAFF LiSTiNGS
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ERRATA
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[=- ARTiCLES -=]
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AN iNTERViEW WiTH KiLGORE TROUT Mogel
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LIES, LIES, LAYS I Wish My Name Were Nathan
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POLITICS, FREEDOM, AND THE HUMAN SPIRIT I Wish My Name Were Nathan
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A SECOND LETTER NEVER SENT or
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ALL i'D SAY iF i BUT HAD THE WORDS Crux Ansata
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A CONJECTURAL DiSCOURSE ON HAPPiNESS,
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ESPECiALLY AS iT RELATES TO THE ViRTUES
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OF APATHY AND iGNORANCE KidKnee
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BLOOD ON THE STREETS: EVERYMAN'S
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GUiDE TO GUERRiLLA WARFARE (Part III) Captain Moonlight
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[=- POETRiE -=]
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3 COMMENTARY HAiKUS FOR H.P.B.'s "VOiCE OF THE SiLENCE" Tejas
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CRUCiFiXiON Nemo est Sanctus
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1 Tejas
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[=- FiCTiON -=]
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THE BEAST WiTHiN Howler in the Shadows
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GRAVEYARD Crux Ansata
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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Sometimes it's actually worth the hassle of being a zine editor. This
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issue is an example of why I wanted to do this in the first place. When you
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put an issue together of this caliber, all of those other things that trouble
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you go away. Disappearing writers, writers who want to extend deadlines,
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finding the time to put the whole thing together AND still writing your own
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pieces fade into the background when the realization of what you hold in your
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hands is an excellent piece of work. (BTW, all three of those things above
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happened this time around, which is the reason we're later than usual).
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Some zine editors can only hope to publish stuff like this. I'm lucky
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that I am. All the credit goes to my writers. I'm just the bastard that puts
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everything together. But enough about my feelings, as they'll probably descend
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into the abyss again once I realize I never got a chance to finish my other
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story due to many problems in my life, none of which you really need to hear
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about. If you wanna know more about me, read the interview. As for the
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conclusion to my story, it'll be in the next issue. As for this issue, well,
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they'll definitely label us "high-brow" from now on. I don't think I've ever
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seen any published work in which an author wrote something and then refuted
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it in the very same issue. Ansat provides some more gut-wrentching tales of
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love gone bad, and KidKnee writes about happiness, but it isn't exactly a
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happy article. As I promised, Captain Moonlight is back with his guerrilla
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warfare series, and, as usual, we've got cool poetrie and more fiction.
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A few people have remarked to me in passing just what our stances are on
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certain issues. The questions probably arose due to the Oklahoma bombing a
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week ago and our coverage of certain militant groups and tactics. Frankly,
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State of unBeing does not take a position on anything. Each of the views
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represents that of the author and the author alone, although some of us may
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agree with whatever they say. We want to provide equal coverage for ALL sides
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of any story, and positioning the zine on one side or the other would be
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detrimental to that cause. The only thing I want to publish is the truth.
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And I believe that we've tried pretty hard to do just that and not mislead
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anyone. If you don't agree with something, write us. We want to know if
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something is wrong. All we ask is that you make sure you're information can
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be backed up. If you have questions for the authors, pass them along to me
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and I'll get them in contact with you. But don't just sit idly around
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complaining about those "weird-ass boys down at SoB". Do something about it.
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As for the Oklahoma bombing, I grieve for the families and friends of
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those who were lost. It was a terrible tragedy, and one that should have been
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avoided. I'd like to make it clear that here in these pages of State of
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unBeing, we do not advocate violence as a means to the end if there are other
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courses available, and there certainly were in this case. The thing that
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scares me the most about this bombing is that Clinton's anti-terrorism bill
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will most likely pass without a hitch, and with its ability to deport
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*suspected*, not proven terrorists and arrest people who fund overseas
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terrorist organizations (such as subscribing to the _Irish People_, the
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magazine of the IRA), I fear for our liberties. I also fear BBSs like mine
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which carry information on explosives, terrorist organizations and every
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other area of the political spectrum under the premise of free speech will be
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endangered.
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We can only wait and see. Right now is a time for mourning, regrouping
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and rebuilding. But let us not allow rage and vengeance become our primary
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motivators, or it will lead to our downfall.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDITOR
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Kilgore Trout
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CONTRIBUTORS
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Captain Moonlight
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Crux Ansata
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Howler in the Shadows
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I Wish My Name Were Nathan
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KidKnee
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Mogel
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Nemo est Sanctus
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Tejas
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MUSiC LiSTENED TO WHiLE PUTTiNG THiS ZiNE TOGETHER
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Elastica, ELASTiCA
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Psychic TV, HEX SEX and GODSTAR
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William S. Burroughs, DEAD CiTY RADiO
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Einst<73>rzende Neubauten, STRATEGiES AGAiNST ARCHiTECTURE II
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|
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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ERRATA
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In issue #15 of SoB I (adidas) sent in the submission about Patrick
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Henry. I had footnote marks, but the footnotes were, in fact, missing.
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Sorry for the inconvenience, but here they are.
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FootNote 1
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----------
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Stamp Act - The Stamp Act was one of the several taxes Britian had placed on
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the Americas to help pay of the French and Indian War Debts. The Stamp Act
|
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was passed in 1765 by the British Parliament. It required that revenue stamps
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by attached to all official documents and printed matter in the American
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Colonies. This included Cards, Dice, Marriage Licenses, and several other
|
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things.
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FootNote 2
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----------
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Continental Army - The Continental Army was the army that congress had
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appointed George Washington as the General of. The Continental Army was the
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army fighting for America in the American Revolution. Desertions were high,
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the army had fewer men than the British, the different states men didn't get
|
||
along very well, and they had many other problems, but they managed to pull
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through, and win America its independence.
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[Editor's Note: We won't let it happen again. We promise. We'll be perfect
|
||
from now on. But if it did, hypothetically speaking, we will admit we were
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mistaken. Unless you don't catch us. ;)]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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||
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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AN iNTERViEW WiTH KiLGORE TROUT
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by Mogel
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[Editor's note: This interview appeared in the zine Hogs of Entropy #70. I
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have lifted it without Mogel's permission, but I figured you guys who don't
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read HoE might like it. Enjoy, learn all about your favorite <ahem> editor,
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and then shower me with gifts and prostrate yourself before my awesome
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presence. Or you could give me a submission. Your choice.]
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1] How the poop did you ever originally get such a spiffy god-damned handle?
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Well, I always felt that my writing career would be just like Kilgore
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Trout's in various Kurt Vonnegut books. His stories were always published in
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porno mags even though they had nothing to do with pornography, and he had
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only one fan. But that one fan thought he was the greatest writer in the
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world. That's why I picked it. I wanted to name myself after a writer who
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could only get stories put between pictures of the "Beaver Sisters" and have
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only one fan. Or something like that.
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2] How old were you and what was it that got you into this whole shin-dig?
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I came out of the womb with a Pilot Precise Rolling Ball (Extra Fine)
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pen in my hand (that *is* a plug... simply the finest pens made today).
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Anyway, I've always written, as have most of my close friends, and we decided
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to do a paper zine. Naturally, this was in high school so we passed it around
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the school, most of us got suspended and so some of us decided that we'd try
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it again, only doing it electronically. And viola, State of unBeing was born.
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3] Why do you continue doing such socially IMPORTANT work?
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If I don't, who will? This work means so much to me, it's as if
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everytime I see that someone has downloaded a copy, I break out in tears and
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weep profusely (that's just the type of guy I am). It makes me feel good to
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know that people out there can escape into the fantasies of Dr. Graves, and
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more importantly, get out real quick. It makes chills run down my spine to
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know that there are people out there who are learning from things that we
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publish. I also have an extremely big ego that needs to be fulfilled. ;)
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4] Do you have a life? If so, what are some real world interests of yours?
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Of course I have a life. Why do you think the zine barely makes it
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out on time? I'm basically your average college student, doing all the things
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average college students do (such as play guitar, drink lots of coffee, and
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discuss the mimickry devices utilized in the classic _Plan 9 from Outer Space_)
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except for the fact that I practice Western Ceremonial Magick. Most people
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think I'm a crackpot, but that's okay. I'd rather be crazy--it's a lot more
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fun.
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5] What person in the world is the /<-RaDDeZT eleet guy dat makes you happy?
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I'd have to take a split here. Aleister Crowley and Robert Anton
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Wilson have provided me with many moments of pure elation and joy. RAW gave
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me synchronicity, the number 23, and severely uprooted my belief system; Crowley
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taught me about True Will and magick. Seems pretty good to me.
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6] Who is the most ANNOYING person you have ever known? oh, and WHY...
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Probably George Herbert Walker Bush. If you wanna know why, read
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SoB #13 and Clockwork's article (yeah, it's a plug... I'm shameless).
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7] What direction do you see your zine heading in? (this one begs for jokes)
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Right now the zine seems to be taking a more political viewpoint in
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many of it's articles. That's fine with me, but I still plan on keeping the
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literary and poetrie beefed up as well. If that doesn't work, I guess we
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could always publish death threats or something. Can you get in trouble for
|
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that?
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8] Toilet Paper - Folded or Crumpled?
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I'm not sure, but I can probably link that to Kevin Bacon.
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9] If you were to die tomorrow and wanted to leave one quote that everyone
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would remember you by, what would that be? <evil grin action>
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<Nixon routine here> "I am not a child molester."
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10] What would be the first thing that came to your mind when I say "zine"?
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My path to fortune, fame, and a .45 slug in my skull.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"Sentiment without action is the ruin of the soul."
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--Ed Abbey
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LIES, LIES, LAYS
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by I Wish My Name Were Nathan
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[ this article should go before my "Politics, Freedom, and the Human
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SpIrIt" article, lest the reader gets the wrong idea too early.
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this is not a note to the editor.
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do not delete this notice lest retribution reign upon them. ]
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I fear a grave misjustice has happened in SoB. In this very issue a
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completely FAKE, FALSE, and SCANDALANDEROUS article by "I Wish My Name Were
|
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Nathan the Demagogue" appears. This article was not written by me. Recently.
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Here goes. That article claims to solve all the mysteries of life,
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politics, and humanity that you've all been in such glorious suspense to find
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out. Well, I've decided I don't want you to know. So don't believe it.
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Please, do _read_ that article but disbelieve everything you read that has the
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slightest bit of meaning or significance to you, because it's all a patent lie.
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In the course of the past few hours I've realized the real meaning of
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life, as was presented to me as I was grazing in the androgynous chocolate
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fields.
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I
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Real life is all in the imagination.
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IX
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Scream! Dream! Weam! Leam! Feem the grooping deems out of the toilet
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of love!
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XI
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Real life is all in the imagination. Everything that is presented to me
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as history or current events is simply fiction; unless I've experienced it, in
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which case it was something I did.
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IV
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I am the only real person in the entire universe. Everyone else is
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fiction or a figment of my fig tree imagination. Figs taste good because I
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want them to.
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XIII
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NONE of this philosophy applies to ALL of you. I am only clueing you in
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on the world I inhabit and control. I feel it is interesting that I'm telling
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you this as it ought to destroy the fabric of my very reality.
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Reality is a blooming fig tree.
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Reality is a blooming fig tree.
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The rest of this refutation essay will prove nothing.
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VIII
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Four years ago I took place in a slightly illegal magic trick at the Hotel
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Hilton in Dallas, Texas. There I was the center of attention after having been
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hypnotized into behaving like a manic-depressive wannabe homopederast and being
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let loose on the audience. The really amusing part about the trick is that
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they only thought they had hypnotized me. You see, the hypnotist and the
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audience were a figment of my imagination. I wanted to act hypnotized, so I
|
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did, and I wanted to rub into people in socially unacceptable ways, so I did.
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All the things I did in that ten-minute period of maniacal release were assumed
|
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by the audience to be a result of my hypnosis. How they were fooled!
|
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VII
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This entire essay is a figment of my imagination, because I did not write
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it. A ghost writer stepped in and wrote it while I thought I was writing a
|
||
nice story about some overly intelligent fifth-graders overcoming common
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political problems in middle school.
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VI
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Kilgore Trout likes to chain-smoke when the luscious mist of the SU
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fountain sprays ever-so-gently in the air on a warm humid night when only the
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drunken cries of four-wheel-drive-driven trucks' passengers pierce the moodless
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silence of the southern sky.
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X
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When they interviewed me to be the local demagogue for SoB, I came in
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wearing nothing but sandals and some bottomless pajamas. I indeed felt
|
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comfortable and I didn't get the usual jittery teeth that interviews usually
|
||
give me.
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I indeed wrote fourteen articles for SoB #8, none of which were lost in
|
||
the Secret Service raid. Each and every one of them consisted of these seven
|
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words: "There are eight words in this sentence." It was going to probe the
|
||
depths of reality, you see. Kilgore thought it was a little too early to
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unleash such banal truths on the world and told me to wait.
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XII
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It is lost forever.
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It is lost forever.
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It is lost forever.
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III
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Just a second. My mother has lost her green glass. I am trying to
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explain to her that she simply put the green glass back into her mind. Alas,
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it is lost forever.
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II
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Tragedies and horror stories, and even good news, does not faze me. It is
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all fake. Nothing I see really happens until I have personally witnessed it.
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Everything I see on TV and hear over the radio is an accident of nature. For
|
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sure, no one is out there broadcasting that garbage.
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V
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Again:
|
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Screw! Drew! Whew! Lew! Few the grooping dews out of the toilet of
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love!
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XIV
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Just wanted to write "xiv" a few times. I fear it is my namesake.
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Remember, you're all in my imagination. Cya later, dudes!
|
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
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|
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"What good will it be for a man if he gains the whole world, yet forfeits his
|
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soul?"
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--Jesus, Matthew 16:26a (NIV)
|
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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POLITICS, FREEDOM, AND THE HUMAN SPIRIT
|
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by I Wish My Name Were Nathan the Demagogue
|
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Instructions: read forward from sections I to XIX and then stop.
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I
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Fear has crept into our hearts and paralyzed our will.
|
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II
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Ugliness is a virtue! Shitty haircuts rule! Welcomely accept the taboo
|
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and vehemently reject the accepted and the standard! Common sense is banal,
|
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anal, nil, and ill!
|
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III
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Our minds are not steel traps, but sponges. Our bodies are the means by
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which our mind absorbs information. Our hands, eyes, and ears are the tools
|
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for obtaining information to absorb. Most of us waste these tools, lie
|
||
stagnant, and the forces about us -- television, politics, religion, and
|
||
advertising -- spoon-feed us, flood our minds, wash away the independent ideas
|
||
therein. We must be reminded of free will.
|
||
|
||
|
||
IV
|
||
|
||
How does thought operate in a capitalistic democracy?
|
||
|
||
Perversely.
|
||
|
||
|
||
V
|
||
|
||
Good American citizen: go to school, learn about the real world, get a
|
||
job, marry your lover, contribute to society, die happy. This is the tenet of
|
||
our country: Schooling gives you the tools, the critical thought, the
|
||
experience to become a world citizen. A job develops the work ethic, provides
|
||
for you and your family, eliminates the boredom and sloth of spare time. A
|
||
full life is enjoyed, your death is paid for.
|
||
|
||
Bullshit.
|
||
|
||
A perverse crime against humanity was committed upon wedding the ideas of
|
||
democracy and capitalism. Democracy: the institution by which the people rule
|
||
themselves; the purest, most idealistic form of human existence. Capitalism:
|
||
the institution by which money rules people; the neurotic, paranoid quest for
|
||
money as happiness; the fettering away of a life for the goal of working to
|
||
live rather than living to work; the destroyer of philosophy; the ill-
|
||
conceived mother of spare time.
|
||
|
||
|
||
VI
|
||
|
||
Anarchy is a pipe dream. Disillusioned citizens look to a world without
|
||
freedom-killing laws, mind-numbing standards, and soul-crushing conformity.
|
||
That world contains no politics, no judges, no restriction. That world is a
|
||
simple conception, born to fruition with the mere act of opening people's
|
||
eyes. That world, unfortunately, cannot exist by human nature.
|
||
|
||
Philosopher A says that humans are inherently evil, and without the
|
||
restriction of society, would tear off around the world in a rampage of
|
||
selfish, destructive acts. Philosopher B believes that humans are good and
|
||
well-meaning, and that the restrictions of society itself influence humans to
|
||
do wrong. Philosopher C takes the stand that humans are born tabulas rasas --
|
||
blank slates -- and are entirely influenced by the society around them.
|
||
|
||
Philosophers are humans, living in societies. They are prejudiced by
|
||
their own minds.
|
||
|
||
|
||
VII
|
||
|
||
Take a trip into the animal kingdom. Before the invention of zoos,
|
||
animals lived exactly as current supporters of anarchy wish to. Animals roam
|
||
free, living off of nature, apparently enjoying life to the fullest. Why
|
||
can't humans live like this?
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
That sentence was repeated twice. You noticed it. I noticed it.
|
||
Notice, as well, that you are reading dots of light shining through a piece of
|
||
glass. We take for granted the distinctly human attributes we have. Most
|
||
notably, intelligence.
|
||
|
||
But intelligence is not merely human.
|
||
|
||
All animals have brains and memories, and can conduct rational thought by
|
||
synthesizing memory and instinct. Exactly how these memories and instincts
|
||
are formed, no one knows. A squirrel will run across a highway in terror when
|
||
a rumbling growling speeding car approaches; the squirrel heads for a tree,
|
||
runs to a nice spot, and stops. This is an intelligent act.
|
||
|
||
An unintelligent being, such as a robot which has precise audio circuits,
|
||
mechanical limbs, touch sensors, and a video camera, could be created by adept
|
||
human engineers. This robot, however, would run off the end of a high tree
|
||
branch to its demise -- actually, it would run into the base of the tree --
|
||
realistically, it would sit in the middle of the road and be run over -- all
|
||
without an artificially intelligent brain.
|
||
|
||
Animals, insects, sea creatures, all have intelligence, and in varying
|
||
amounts, to be sure. Humans themselves only use 10%-15% of the brain for
|
||
active thought. Perhaps the same percentages exist in other beings. The
|
||
human's larger brain is only useful for more refined instinct, behavior, and
|
||
communication; and a more comprehensive memory. As well:
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
The remaining portion of the human brain is a center of consciousness.
|
||
We are aware that we exist. For this sole reason, we are human.
|
||
|
||
|
||
VIII
|
||
|
||
Why do humans have language? Why do these 256,000 pixels shining on a
|
||
VGA monitor make you think, scan your eyes from left to right and top to
|
||
bottom? Humans have no more radical a language than animals. A cat's meows
|
||
and cries convey curiosity, greeting, and fear. Why do we not simply utter
|
||
grunts to convey philosophy and economics?
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
Humans realize, through conscious thought, that separate sounds can
|
||
convey separate ideas. A cat only meows because it is not aware that it is
|
||
being so vague.
|
||
|
||
From the womb of a primitive hominid, the first human emerged with a non-
|
||
spectacular genetic mutation which gave it consciousness. This human,
|
||
however, did not know a thing about passive participles or oblique cases of
|
||
pronouns. Language evolved slowly over thousands of years.
|
||
|
||
A newborn baby does not know a thing about passive participles or oblique
|
||
cases of pronouns. Language evolves slowly over several years. The
|
||
difference lies in the fact that the baby's parents consciously decide to
|
||
teach it everything they know, in hopes of providing a necessary advantage
|
||
over the animals.
|
||
|
||
|
||
IX
|
||
|
||
The human mind acts much as Freud describes, with the three levels of the
|
||
id, the ego, and the superego. The id is simply inherited from the animal
|
||
kingdom, providing the instinct to survive. The ego and the superego are
|
||
shaped by consciousness, providing respectively the drives for personal and
|
||
selfish desires, and moral and communal needs.
|
||
|
||
Animals have subsets of the human ego and superego, such as in the
|
||
concept of marking territory and following the herd, respectively.
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
How, how, how are we so cursed? Consciousness gives us the ability to
|
||
actively learn, invent, and synthesize. Without consciousness, we wouldn't
|
||
have the selfish or communal need to do such things. Why is this a curse?
|
||
|
||
The human is torn between the ego and the superego. These otherwise
|
||
primitive facets of the mind are blown up into opposing and continuously
|
||
compromising forces by the means of consciousness, which suddenly makes them
|
||
very important.
|
||
|
||
|
||
X
|
||
|
||
An idealistic anarchy is impossible due to the superego. Anarchy is an
|
||
all-ego condition, where everyone is independent, free-thinking, selfish, and
|
||
loving it. The superego is what forces people to form governments, organize
|
||
themselves, maintain order.
|
||
|
||
A true communism is impossible due to the ego. This government is an
|
||
all-superego condition, where people live together and provide for each other,
|
||
no one has power, and everyone loves it. The ego is what causes leaders to
|
||
see themselves as individuals, and independent, powerful ones at that, and
|
||
which leads to corruption. As well, the ego causes subjects to react against
|
||
their superconformist society and rebel.
|
||
|
||
The basic power struggle is the result of the war between the ego and the
|
||
superego. If an anarchy were established, someone would want to control
|
||
someone else. If a true communism were established, someone would want
|
||
independence, and would want to control someone else.
|
||
|
||
Our current government, a republican representative democracy, provides
|
||
the means for a well-nourished ego and superego. The ego is appeased by
|
||
freedom, and the superego is contented with fair law and the right to vote.
|
||
But...
|
||
|
||
|
||
XI
|
||
|
||
Capitalism fucks us over.
|
||
|
||
Money fucks us over.
|
||
|
||
Our current American political system provides us with two major parties,
|
||
Republican and Democratic. No matter how these parties were created, they are
|
||
now mainly the representatives of money. Main planks of the parties'
|
||
platforms, such as abortion, national defense, civil rights, are actually, in
|
||
a large part, money issues.
|
||
|
||
Abortion is most often a way to prevent the high costs of raising a
|
||
child. The sheer idiocy of having a cost of living itself is a direct result
|
||
of money.
|
||
|
||
National defense is unnecessary, but the Defense continues. The United
|
||
States has not been directly attacked as a means of takeover in nearly two
|
||
hundred years. Defense spending is an excuse both to protect our financial
|
||
interests in other nations, and to give people jobs to enhance the technology
|
||
which allows us to do so.
|
||
|
||
Civil rights on the surface is purely social. Groups of oppressed people
|
||
seek dignity and self-worth. But people are guaranteed these things, as well
|
||
as freedom and legal power, by the Constitution. Only a money-based society
|
||
forces civil rights to exist. Affirmative action is the current topic of
|
||
debate. This is clearly related to money. There is a need for civil rights
|
||
legislation only for discrimination leading to financial complications.
|
||
Otherwise, as mentioned before, we're inherently guaranteed civil rights by
|
||
the Constitution. Of course, an ideal vision and real life often clash.
|
||
|
||
In America, where slavery and dictatorship are illegal, the basic human
|
||
struggle for power is satisfied by the Dollar. Economic class provides a
|
||
gauge of power over one's fellow citizens. Rising to the top of the money
|
||
ladder, whether it be through entrepreneurship or pure crime, is the power
|
||
goal.
|
||
|
||
Intellectual power and conscious thought are useless to an American.
|
||
|
||
Intellectual power and conscious thought are useless to an American.
|
||
|
||
Unless these tools can be used to make money flow.
|
||
|
||
|
||
XII
|
||
|
||
An aside before moving on:
|
||
|
||
Stuff caused by money:
|
||
|
||
o education, giving the tools to make money (20th century bent)
|
||
o much crime
|
||
o materialism
|
||
o greed
|
||
o social stratification
|
||
o taxes
|
||
o gambling
|
||
o social security
|
||
o corruption
|
||
|
||
Stuff fucked over by money:
|
||
|
||
o obtaining an education
|
||
o fashion
|
||
o art
|
||
o law
|
||
o health
|
||
o living o happiness
|
||
|
||
|
||
XIII
|
||
|
||
A thinking person will often ponder the eternal question: "What is the
|
||
purpose of life?" The purpose of life is to make money. Money is power.
|
||
Money is happiness.
|
||
|
||
This is the capitalist form of happiness.
|
||
|
||
There are alternatives.
|
||
|
||
|
||
XIV
|
||
|
||
Humans are cursed with consciousness. Consciousness brought us politics,
|
||
prejudice, lust for power.
|
||
|
||
Be idealistic, though. Imagine a society without any of the bad things
|
||
associated with current and past world governments. No politics. No kings or
|
||
queens. No power struggle. No corruption. No ingrained spoonfed
|
||
philosophies about life's purpose, death, creation, or the bell curve. What
|
||
is there left?
|
||
|
||
Certainly we'll see human equality if all this hierarchy were destroyed.
|
||
|
||
Right?
|
||
|
||
No.
|
||
|
||
Humans are animals.
|
||
|
||
The male is stronger than the female. Females bear children, limiting
|
||
their productivity for nine months at a time, in the name of life. The male
|
||
is free to run about and impregnate females, with only a fifteen-minute period
|
||
of down time between conceptions. There you have it: males and females
|
||
cannot be equal on a physical or gender basis.
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
People have various levels of intelligence. Smarter people come up with
|
||
new ideas. These ideas serve the community. People are grateful. The
|
||
smarter people are elevated to a position of power. There you have it:
|
||
humans cannot be equal on an intellectual basis.
|
||
|
||
Humans are animals.
|
||
|
||
Concentrated groups of humans evolved over time in different areas around
|
||
the world. In these groups of people, skin color, physical ability, and
|
||
mental ability evolved in different ways. Groups of people who sense some
|
||
difference in themselves will take advantage of these differences. There you
|
||
have it: different races cannot be equal on an intellectual or physical
|
||
basis.
|
||
|
||
Humans are cursed with consciousness.
|
||
|
||
If I were to continue like this forever, I would eventually demonstrate a
|
||
simple fact: everyone is completely different and inherently unequal. The
|
||
categories mentioned above are by far the most obvious, and therefore take on
|
||
the most importance.
|
||
|
||
People can pretend to treat everyone color-blindly, gender-blindly,
|
||
brains-blindly. But people notice differences. Ignoring them is only a game.
|
||
It is a complex game consisting of extensive compromise. No human institution
|
||
can play the game perfectly.
|
||
|
||
|
||
XV
|
||
|
||
In America, we have numerous cultural groups, differentiated by the
|
||
groups' native homelands, economic status, race, gender, religion, and
|
||
beliefs: New Orleans jazz musicians, inner-city gangs, golf-playing
|
||
richbitches, struggling fiction writers, Congressional fatcats, God-fearing
|
||
Christians. One often finds that once a person has found his group, he tends
|
||
to substitute his group's self-image for his own. Amidst wildly-varying
|
||
diversity, there is rank conformity.
|
||
|
||
Most people today attempt to individualize themselves, certainly.
|
||
Unfortunately, their steps away from conformity are small, insignificant, and
|
||
bland. Picking from a small variety of popular music, selecting a favorite
|
||
hack writer, picking out a unique wardrobe from a Sears catalog, making
|
||
oneself look like a glamorous movie star, watching a personal combination of
|
||
prime-time networked shows -- this is the American's idea of nonconformity.
|
||
Oh, and hobbies as well -- maintaining the fastest and most expensive personal
|
||
computer setup in the neighborhood, collecting low-priced stamps, reading
|
||
romance novels, buying new fast sports cars, masturbating to the latest
|
||
pornography -- are an American's attempt to individualize himself from his
|
||
peers.
|
||
|
||
These steps toward individuality conform to the popular standards of
|
||
acceptable nonconformist deviations.
|
||
|
||
In a free society, we are afraid to truly be free. We are too self-
|
||
conscious of our actions. We are embarrassed by _other people's_ actions. We
|
||
wholeheartedly condone individuality, but deride or condemn actions which are
|
||
truly individual.
|
||
|
||
In schools, where children are taught the virtues of the American way of
|
||
life, dress codes are enforced, long hair is disallowed, earrings for males
|
||
are still taboo, and free speech is a joke. Standardized tests and routine
|
||
multiple-choice tests numb students' minds into blind subservience. Schools
|
||
attempt to destroy the very basis for a happy, individualistic life.
|
||
|
||
After a decade or two of schooling, where conformity is promoted, the
|
||
American citizen is usually left in one of two states. One, as a happily
|
||
brainwashed follower. After schooling he looks around him for his direction
|
||
in life, leeching off the leeched-off lives of others. Or two, as a
|
||
disillusioned angry individualist. This person either keeps his rage to
|
||
himself, going insane, numbly becoming conformist, or expressing his rage and
|
||
finding a quick trip to jail or Congress.
|
||
|
||
To find a happy individualist is rare. It also makes you nervous and
|
||
embarrassed to be around him.
|
||
|
||
This is sick. It's got to stop.
|
||
|
||
|
||
XVI
|
||
|
||
Once again: What is the meaning of life? What is our purpose? For the
|
||
modern American, life is usually spent working for a living instead of living
|
||
to work, hating politicians and not voting them out of office, watching
|
||
television continuously with a vague sense of resentment, and wishing it all
|
||
weren't so.
|
||
|
||
Most likely, the general course of life will follow as such for most
|
||
citizens of this era, who will spend it waiting for Jesus to come back, for
|
||
another war to spice things up, for a comet to smash into earth, for a
|
||
revolution, or for sweet death.
|
||
|
||
I am doubtful that anything much will change for a while. Don't be
|
||
depressed by this. I'm simply telling you the facts as I see them.
|
||
|
||
So, WHAT is the meaning of life, once all these restrictions are
|
||
considered and accepted?
|
||
|
||
The purpose of life is to be as individual as possible, while you can
|
||
muster up the energy, strength, courage, and humor to do so. One person
|
||
cannot change the world -- but one person can change himself
|
||
|
||
|
||
XVII
|
||
|
||
Life is not a drudge. Life is not an inevitable sequence of
|
||
disappointments. Life is not written in stone. You have the power and the
|
||
freedom in most cases to live as you want.
|
||
|
||
In order to see this, briefly detach yourself from your immediate world.
|
||
Forget your family, your friends, your obligations, your money, your hatred of
|
||
politics. What is life? It's about eighty years. What is life? It's about
|
||
you.
|
||
|
||
|
||
XVIII
|
||
|
||
Again:
|
||
|
||
Ugliness is a virtue! Shitty haircuts rule! Welcomely accept the taboo
|
||
and vehemently reject the accepted and the standard! Common sense is banal,
|
||
anal, nil, and ill!
|
||
|
||
|
||
XIX
|
||
|
||
Our will has not been paralyzed. We have simply forgotten that it
|
||
exists.
|
||
|
||
|
||
--
|
||
This essay commissioned and financed by the benevolent Exxon Corporation.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"If we can't be friends we can at least be lovers."
|
||
-- Black 47
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
A SECOND LETTER NEVER SENT or ALL i'D SAY iF i BUT HAD THE WORDS
|
||
by Crux Ansata
|
||
|
||
Dear A--,
|
||
|
||
You asked me if we could still talk; if I would talk if you called me.
|
||
By the end we weren't even talking when we were going together. I don't
|
||
really see as we will ever again have much of anything to say to each other.
|
||
But now there are a few things I should say:
|
||
|
||
First, I forgive you. Or, at least, I am trying as hard as I can. I
|
||
forgive you for concealing the truth from me. I forgive you for permitting
|
||
the spread of rumors. I forgive you for using me, for telling me that you
|
||
still loved me, so that I wouldn't catch on until you had decided I was second
|
||
best. I forgive you for looking for and finding a replacement for me. I
|
||
forgive you for things better left unsaid, and even for those things better
|
||
left unknown that I know have hurt me but that I am afraid to confess even to
|
||
myself. I realize you have no need nor care for my forgiveness, but I have
|
||
need to give it to you.
|
||
|
||
You have killed me in ways you can not even begin to know, but I accepted
|
||
this and all with joy because I really thought we were something special. I
|
||
think I loved you -- I know that whatever I felt I feel it now as much as ever
|
||
-- but I know now, seventeen months later, that you never loved me. If you
|
||
had, you could never have ended it the way you did.
|
||
|
||
Now that it is over, and I am forced to admit it was never perfect, I
|
||
have to wonder whether I could have loved you, too. All I can say for certain
|
||
is: if I have ever felt love, you were its object.
|
||
|
||
I despise myself for not being good enough to make you happy. The last
|
||
time I was this close to suicide was a fortnight before we met, and a knife to
|
||
the belly was never so appealing as in a hari kari in recognition of my
|
||
failure. Through the time we were together we had our ups and we had our
|
||
downs -- towards the ends it was more of the latter -- but the whole time I
|
||
had a purpose: to please you. I have failed, and there is no other purpose
|
||
to compare. I despise myself for being unable to fulfill the one task that
|
||
was truly important to me. I despise myself for hurting you, and I despise
|
||
myself for forcing you to hurt me. I no longer bear any animosity towards
|
||
you, for I know you are not at fault. My miasma is eternal. If I can now
|
||
make you even a little more happy by disappearing from your life forever,
|
||
perhaps my existence has not been entirely wasted.
|
||
|
||
I hope M-- pleases your grandmother more than I ever could. I know I
|
||
have never brought anything but pain to you and your family. I hope that your
|
||
new love can repair the damage I have done to your family and friends.
|
||
|
||
I'm sorry we cannot ever "just be friends", but I could never be "just
|
||
friends" with someone I love so much. Would you want to be friends with
|
||
someone who was shooting you in the face? someone who was kicking you in the
|
||
stomach? Why then should it be different with someone who has destroyed my
|
||
heart? ("You'll be killing my heart when you go away.") No, the pain and the
|
||
guilt will never go away, and it will be no small amount of time before I
|
||
could ever be around you in any way that would not simply be too painful. I
|
||
am truly sorry, and I truly believe I love you.
|
||
|
||
May M-- bring you less tears than I,
|
||
Crux Ansata
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"I'll rave and I'll ramble; I'll do everything but make you stay.
|
||
But you'll be killing my heart when you go away."
|
||
-- The Waterboys
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
A CONJECTURAL DiSCOURSE ON HAPPiNESS, ESPECiALLY AS iT RELATES TO THE
|
||
ViRTUES OF APATHY AND iGNORANCE
|
||
by Lord Low KidKnee, fifth male daughter of Eris,
|
||
seeker of stuff, pillar of the universe, ILSCY
|
||
member, SSOPWXOTH founder, title inventor.
|
||
|
||
In my estimation, there are but 2 ways to achieve happiness. The first
|
||
of these is ignorance. The second is apathy. I furthermore conjecture that
|
||
a majority of the world systematically passes from the former state to the
|
||
latter. Those unable to make this transition become disillusioned youth, the
|
||
mainstay, rank and file members of Generation X.
|
||
|
||
1. Happiness through ignorance.
|
||
|
||
If you don't know of anything that is wrong, everything seems right.
|
||
This simple axiom is the basis for happiness through ignorance. Take the
|
||
people who invented the principles that made the nuclear bomb possible. When
|
||
they though they had invented a source of nearly inexhaustible power and were
|
||
ignorant of the destructive capabilities therein contained, they were very
|
||
happy. Only when they _learned_ that nuclear power was bad did they become
|
||
unhappy. The same phenomenon is repeated in childhood. Children are generally
|
||
very happy people. Children are also inherently ignorant. By the same token,
|
||
when a child is unhappy, it usually takes very little to make them happy
|
||
(although the exact nature of what it takes is often elusive). Cancer (and
|
||
AIDS) patients are further examples. As long as one is ignorant of one's
|
||
imminent death, it doesn't trouble the mind. It is when somebody knows that
|
||
they have a severely limited lifespan that the experience becomes traumatic.
|
||
In short, what you don't know can hurt you, but you can't worry about what you
|
||
know about. From there it becomes a question of which is more important,
|
||
survival or happiness.
|
||
|
||
2. Happiness through apathy.
|
||
|
||
Most of us have lost our ignorance, but still desire happiness. This is
|
||
the purpose of apathy. Extending the example of terminal illness, after one
|
||
knows of their imminent demise, they tend to either let ruin their lives,
|
||
driving them into despair, or go on with their lives in a mostly normal state.
|
||
'Yes, I'm going to die, but i don't care.' This is the joy of apathy. This
|
||
principle can also be applied to any source of impending doom. Nuclear war,
|
||
environmental destruction, slime-monsters from outer space (there could be,
|
||
we have no proof there isn't). We simply say, 'So what if there are slime-
|
||
monsters, there could be, but until I see one, I don't really care.' Apathy
|
||
is especially effective when applied to the past. This is mostly because the
|
||
past is inherently unchangable, and as such deserves little concern.
|
||
|
||
3. The Worldwide Transition.
|
||
|
||
Everyone is born a child. Everyone is born ignorant. Everybody learns
|
||
and loses some of that ignorance. I believe that apathy is the most commonly
|
||
used defence to ensure happiness. 'I love you ____, you make everything else
|
||
go away.' 'Everything just seems right when I'm with you.' Love is a means
|
||
to achieve apathy, and therein happiness. Drugs and alcohol are similarly a
|
||
means to more directly achieve apathy. Here lies why you CANNOT ban alcohol,
|
||
those who don't have love depend on it for their shot of happiness. Families
|
||
are also vehicles of apathy. 'Bad times may come, but I am secure in that my
|
||
family can work it out' Self-confidence is also very similar. 'Bad times
|
||
may come, but I am secure in that I can work it out, whatever it is.' Further
|
||
examples can be made as necessary.
|
||
|
||
And this is my conjectural discourse on happiness.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
" . . . if one man has not enough to eat three times a day and another man has
|
||
$25 million, that last man has something that belongs to the first."
|
||
-- Mary E. Lease
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
BLOOD ON THE STREETS: EVERYMAN'S GUiDE TO GUERRiLLA WARFARE (Part III)
|
||
by Captain Moonlight
|
||
|
||
I would like to take this time to join with the majority of the Constitu-
|
||
tional Militia leaders in the United States and decry the Oklahoma City bomb-
|
||
ing of April 1995 and to mourn its victims. Among its victims can be found
|
||
Freedom, as well as support for the Revolutionary Movement. I realize that
|
||
many reading this article will disagree with me (in fact I imagine that there
|
||
will be articles to be shortly published praising the bombing; articles which
|
||
I look forward to reading), but disagreement is a good thing: It leads to the
|
||
evolution of the Movement. I can understand why the bombers would wish to
|
||
bomb a government building, but these were no mere attention getters: These
|
||
bombers were looking for the maximum number of casualties, and went against
|
||
the rules of honorable warfare by not identifying their targets. Even guer-
|
||
rillas should identify their targets -- from Castro to the Zapatistas to the
|
||
IRA the targets have been identified and, in the case of bombings, warning was
|
||
often given. Even the extremist Red Army Fraction of Germany has begun non-
|
||
fatal bombings, as have the Revolutionary Workers in Japan. The killing of
|
||
the children could have been accidental; but had there been a better casing
|
||
job it was avoidable. This bombing will only act as a catalyst to pass the
|
||
Omnibus Counter-Terrorism Bill and other bills to end all resistance to the
|
||
government, both political and military. Military solutions are last-ditch
|
||
efforts to end repression; simple shoot-'em-up tactics will not work in a
|
||
society which does not relish violence. These issues will be discussed in
|
||
more detail in future issues of this serialization, namely the chapters on
|
||
tactics and the forthcoming chapter "The Case for Non-Violence."
|
||
-- Captain Moonlight
|
||
_______________________________________________________________________________
|
||
|
||
CHAPTER III: LATER ORGANiZATiON OF THE GUERRiLLA BAND
|
||
|
||
"I have sworn upon the altar of God, eternal hostility against every form of
|
||
tyranny over the mind of man."
|
||
-- Thomas Jefferson
|
||
|
||
As the cells begin to consolidate, organization becomes more important.
|
||
The earliest traces of a guerrilla army in the bands will be loose alliances
|
||
between bands who will fight together in order to maximize their efficiency.
|
||
This will eventually evolve into a Liberation Front, which will here mean a
|
||
united confederation which, though each group remains autonomous, band togeth-
|
||
er to fight the common oppressor. These Liberation Fronts are by far one of
|
||
the most common form of resistance before a single government form has been
|
||
decided. The Liberation Front is probably one of the most useful forms of
|
||
resistance as well. This, however, is not to say that the members of the
|
||
guerrilla bands have no political focus; indeed, they must me all the more
|
||
focused to avoid being absorbed into other groups.
|
||
|
||
Using the Liberation Front form, a Council would be made which would
|
||
decide the actions of the guerrilla army, based somewhat on a parliamentary
|
||
system. This Council would have within it both a Political Branch, which for
|
||
the sake of simplicity would contain the Legislative and Judicial Branches,
|
||
and a Military Branch. (See Figure 1.) The Council would be formed of offi-
|
||
cials elected from the guerrilla bands by the warriors themselves, based on
|
||
the size of the band. Each guerrilla band would be allied with a political
|
||
group, and each would elect a representative to the Council. The Political
|
||
Branch of the Council would act as a provisional government until an elected
|
||
government could be instated. This provisional government would pass laws
|
||
which would be enforced by the guerrilla bands and (preferably) citizens'
|
||
police forces, and judged, whenever possible, by a Judicial Branch of the
|
||
Political Branch, in the liberated zones. Needless to say, many times the
|
||
guerrilla bands must act on their best judgment on the revolutionary laws
|
||
while on the field.
|
||
|
||
+---------------------------------------------------------------------------+
|
||
| FiGURE 1: COMPOSiTiON OF THE REVOLUTiONARY COUNCiL |
|
||
| |
|
||
| Revolutionary Council |
|
||
| | |
|
||
| +---------------+----------------------+ |
|
||
| | | |
|
||
| Military Branch Political Branch |
|
||
| | | |
|
||
| +------+------+ +-----+-----+ |
|
||
| | | | | |
|
||
| Guerrilla Guerrilla Legislative Judicial |
|
||
| Band Band Branch Branch |
|
||
| | |
|
||
| +-----+-------+----------------+ |
|
||
| | | | |
|
||
| Column Column Column |
|
||
| | (approx. |
|
||
| +---------+---------+ 3-4 Tricells) |
|
||
| | | | |
|
||
| Tricell Tricell Tricell |
|
||
| Group Group Group |
|
||
| | |
|
||
| +-----+-----+ |
|
||
| | | | |
|
||
| Cell Cell Cell |
|
||
| |
|
||
+---------------------------------------------------------------------------+
|
||
|
||
During the Black and Tan War, the Irish War for Independence, Sinn Fein
|
||
set up a provisional government to take the place of the British government.
|
||
A Judicial Branch was formed which, while on the run from the British Govern-
|
||
ment and unable to detain people for any period of time, offered various
|
||
sentences, such as those of deportation. During this time the Republican
|
||
police arrested three men who robbed a bank of 20,000 British pounds. All the
|
||
money was recovered, and the men were sentenced to deportation. By replacing
|
||
the defeated government with the provisional government, the people are still
|
||
protected despite the warfare. For this reason the guerrilla army must have a
|
||
stable Political Branch, for without the political leadership, the interests
|
||
of the people will be forgotten, and anyone can take control -- including
|
||
parties even more against the people than the overthrown government.
|
||
|
||
As Michigan Militia Commander Norman Olson said, "Brutality will breed
|
||
more brutality if justice is left out of the equation." The guerrilla bands,
|
||
the citizens' police forces, and the provisional government and laws *must be
|
||
just*, for if they are unjust, or do not apply themselves to the needs of the
|
||
people, the people will go to the former government to relieve them. The
|
||
average person will go to security over freedom, and so the provisional gov-
|
||
ernment must offer both.
|
||
|
||
The Military Branch of the Council would plan the major operations of the
|
||
guerrilla bands. Like the Political Council, this group would consist of
|
||
members of the various guerrilla bands selected by the bands for their strate-
|
||
gic and martial abilities. This Branch of the Council would ensure that the
|
||
groups did not work against each other, and that the actions worked with the
|
||
aims of the guerrilla bands, both political and martial, and will work with
|
||
the Political Branch to make sure that the bands do not break with the needs
|
||
of the people. This Branch of the Council will plan out the assaults and
|
||
assign the bands their parts in such an assault, and they can take the plans
|
||
back to their cells.
|
||
|
||
Each Council member will know only the people in his band and on the
|
||
Council so that, if he is captured, he cannot reveal the identities of other
|
||
members of the bands. However, each cell should know the immediate successor
|
||
to their leader, as well as where to contact the rest of their band so that,
|
||
in the case of their Council-seat's death or disappearance, the cell will not
|
||
be cut off from the Council.
|
||
|
||
The Council will consist of a number of guerrilla bands. Each guerrilla
|
||
band is a group of cells which, having the same political views, have banded
|
||
together to form their own group in the army. The bands each have their
|
||
faction of the Political Branch which they support, and have representation on
|
||
the Council based on the number of cells within their band.
|
||
|
||
When a guerrilla band begins to get too unwieldy, it is best to divide
|
||
that band into columns. An example of column structure, taken from Che Gueva-
|
||
ra's book on _Guerrilla Warfare_ is given in Figure 2. Che uses the term
|
||
'squad' where I have used 'cell', but this is merely a matter of personal
|
||
preference, as are the title of the ranks used. Using this structure the
|
||
Column Commander would have a special seat on the Military Council along with
|
||
the representatives from each cell. The Column Commander will also be respon-
|
||
sible for instating successors to the cell leaders when a cell leader is
|
||
captured or killed. Also, when faster decisions are needed that do not re-
|
||
quire all the cell leaders, Column Commanders can call a meeting to decide
|
||
such issues.
|
||
|
||
Each Column will be divided into several Tricell Groups, each Tricell
|
||
Group having one seat on the council. When a guerrilla band has an uneven
|
||
number of cells, or circumstances require division into larger groups, each
|
||
Tricell group may contain more than three cells -- the Tricell is merely a
|
||
model. Each guerrilla band will contain any number of Tricells, depending on
|
||
the number of people following that political ideology.
|
||
|
||
+----------------------------------------------------------------------------+
|
||
| FiGURE 2: COLUMN STRUCTURE iN FAVORABLE GROUND ACCORDiNG TO GUEVARA |
|
||
| (Based on Ernesto "Che" Guevara's _Guerrilla Warfare_, section three: |
|
||
| "Organization a Guerrilla Band.") |
|
||
| |
|
||
| Column |
|
||
| Commander |
|
||
| (100-150 men) |
|
||
| | |
|
||
| +----------------+-------+-------+---------------+ |
|
||
| | | | | |
|
||
| Captain Captain Captain Captain |
|
||
| (30-40 men) (30-40 men) (30-40 men) (30-40 men) |
|
||
| | |
|
||
| +-----------+-----------+ |
|
||
| | | | |
|
||
| Squad Squad Squad |
|
||
| Lieutenant Lieutenant Lieutenant |
|
||
| (8-12 men) (8-12 men) (8-12 men) |
|
||
| |
|
||
+----------------------------------------------------------------------------+
|
||
|
||
The cell is the basic unit of the guerrilla band, each cell being as-
|
||
signed a certain task, sometimes to join with other cells, during the assault.
|
||
If the cell sees that the guerrilla band is working against the good of the
|
||
people it is its duty to break off and form its own band or join another band
|
||
which has its ideology. Likewise, if the Council works against the good of
|
||
the people or the ideologies of the guerrilla band, it is the duty of the
|
||
guerrilla band to break away and form its own army and Council. The army is
|
||
then made up of several guerrilla bands, each with slightly different politi-
|
||
cal views. However, it cannot wait until after the revolution to solve all
|
||
ideological differences. All members of the guerrilla army must have the
|
||
basic will to help the people. The Council should not allow a band to join
|
||
which is working at counter-purposes to join the guerrilla army lest the band
|
||
take over the entire guerrilla army, or defeat the guerrilla army after the
|
||
fall of the oppressive government. Guerrilla bands which work against the
|
||
good of the people should be considered just as much an enemy as the oppres-
|
||
sive government. In order to keep these regressive elements from the guerril-
|
||
la army it is best to require a two-thirds majority vote from the Council
|
||
before the band is permitted entrance into the army. A two-thirds ratifica-
|
||
tion by the individual cells should follow this vote. Then any bands who
|
||
disagree with the new band and are unable to resolve their disagreements can
|
||
break off and form new armies.
|
||
|
||
Each cell contains a different make-up depending on the area which is
|
||
being fought in. When in favorable ground, ground which is largely in a
|
||
remote area and almost inaccessible to the enemy army, each cell can be as
|
||
large as twelve men, marching with their column. However, the guerrillas must
|
||
often go into more unfavorable ground in order to combat the enemy army, and
|
||
in these unfavorable grounds the numbers in the cells should be reduced so as
|
||
to add to the elements upon which the guerrilla fighters must rely: surprise
|
||
and speed. In urban areas, where there is often a large enemy population and
|
||
police response is quick, the cell should range from about four to five men in
|
||
size, the number which can fit in an automobile with the least amount of
|
||
notice possible. As members of a cell are killed, wounded, or captured,
|
||
members of other cells can be transferred into other cells within their guer-
|
||
rilla band. New cells, and eventually new columns, are formed with new re-
|
||
cruits. In the end, the size of the cell is left to the discretion of those
|
||
fighting in it based on the speed needed. Cells may band together, or may be
|
||
divided, based on the difficulty of a mission and the need for secrecy and
|
||
speed.
|
||
|
||
The guerrilla bands must each contain a small number of suicide cells.
|
||
These cells are those with the highest honor in the guerrilla army: They are
|
||
the vanguard force which takes on the hardest tasks of the guerrilla army,
|
||
which often prove fatal. Membership in the suicide cells must rely on volun-
|
||
teer basis, just as should membership in any other cell. It must always be
|
||
remembered that conscription into any cell leads only to security leaks and
|
||
shoddy military actions; each man must fully want to be a member of his cell
|
||
and must feel a comradeship with the other members of his cell.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
[=- POETRiE -=]
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
3 COMMENTARY HAiKUS FOR H.P.B.'s "VOiCE OF THE SiLENCE"
|
||
by Tejas
|
||
|
||
1
|
||
Inner Quietude
|
||
The Eloquence of Silence
|
||
Listen, so you may hear
|
||
The Urge to Be Still
|
||
|
||
2
|
||
Words casting ripples
|
||
Thoughts travelling out in waves
|
||
To the shores of This Pond
|
||
Then to return to the Source
|
||
|
||
3
|
||
Shhhh...The Void calls,
|
||
Calling out for an answer
|
||
Calling out for an answer
|
||
What can the Question Be?
|
||
|
||
[Editor's note: H.P.B. refers to Helena Petrovna Blavatsky, founder of the
|
||
Theosophical Society in 1875, the first time where the study of occultism
|
||
became serious and organized. She published two huge works in the late
|
||
1800's, _Isis Unveiled_ and _The Secret Doctrine_, two classics on occultism.
|
||
They are very interesting and useful sources, but take heed of the words of
|
||
Aleister Crowley:
|
||
|
||
"The best of the serious attempts to systematise the results
|
||
of comparative religion is made by Blavatsky, but though she
|
||
had an immense genius for acquiring facts, she had none what-
|
||
ever for sorting and selecting essentials."
|
||
|
||
Both of these can be found at your local bookstore, and aside from Crowley's
|
||
remarks, which I agree with, they are both a great read, albeit very dense.
|
||
I recommend them highly.]
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"There is no religion higher than the truth."
|
||
--motto of the Theosophical Society
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
CRUCiFiXiON
|
||
by Nemo est Sanctus
|
||
|
||
If I seen him bearing down on me now under whitespread
|
||
wings like he'd come from Arkangels, I sink I'd die down
|
||
over his feet, humbly dumbly, only to washup.
|
||
-- James Joyce
|
||
|
||
I dreamed I was watching the climax of Jesus Christ Superstar -- "The
|
||
Crucifixion." The stage was completely black as the nails were hammered in,
|
||
and then a harsh, blood red light came up and a cross dropped down, suspended
|
||
on chains. Christ was jarred against his bonds as the cross danced against
|
||
the chains with the sound of the laughter of a child of seven days. The
|
||
Savior glowed like an Adonis.
|
||
|
||
"God forgive them; they don't know what they are doing," He prayed as an
|
||
immense rose rose from the stage below him, blossoming below the cross. The
|
||
rose was ivory; the blood red light made a right red rose.
|
||
|
||
I thought I saw a flicker of orange flame dance across the rose as He
|
||
descended towards it, bearing His cross and calling for His mother,
|
||
|
||
and when the cross crucified the rose, a woman's voice cried out.
|
||
|
||
The theater echoed with a woman's cries, and a woman moaned, and then I
|
||
noticed the orange flames were there. They reflected on the white rose, but
|
||
then engulfed the Magdalene, kneeling at the foot of the cross frozen in a
|
||
rhapsody of amber light.
|
||
|
||
Coming in under the radar, at first only in my mind but gradually in
|
||
reality, I could hear an undercurrent of voices, male and female, chanting
|
||
"Eloi, Eloi." One woman cried and moaned in ecstasy at the cross, and the
|
||
voices chanted "Eloi, Eloi." One woman gasped and panted, gloria in ekstasis,
|
||
and the voices chanted "Eloi, Eloi."
|
||
|
||
And the voices chanted "Eloi, Eloi," and the Christ descended. On His
|
||
cross, He sank towards the rose. From Golgotha He passed to Hell, and the
|
||
Magdalene's flames licked Him as He broke her from her chains.
|
||
|
||
And the voices chanted "Eloi, Eloi," and the Christ descended. From
|
||
Golgotha He came, cross body and Christ soul. He cried for thirst as the
|
||
flames licked His feet. "O God, I'm thirsty."
|
||
|
||
And the voices chanted "Eloi, Eloi," and the Christ descended. He passed
|
||
through the purifying flames, and the blood of Christ mingled with nothing but
|
||
our own red blood; we, the body of Christ. "Into your hands I commend my
|
||
spirit," and into the rose I saw descend the Logos. His final "Not My will
|
||
but Thine be done" echoed as the cross touched the rose; I could see before I
|
||
could hear His last "You have murdered Me."
|
||
|
||
And the voices cried out with Christ "Eloi, Eloi" -- "My God, My God" --
|
||
and the Christ descended into the rose, tensed, and cried out "lama
|
||
sabacthani?" -- "Why hast thou forsaken me?" -- as the veil was rent and
|
||
Christ gave up His spirit.
|
||
|
||
And there was a scream. The Magdalene fell down as dead, though only to
|
||
rise up.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"There's always a conspiracy somewhere, the only problem lies in finding it."
|
||
--Anonymous
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
1
|
||
by Tejas
|
||
|
||
from something
|
||
to nothing
|
||
in anything flat
|
||
as these buddha faces
|
||
fill the void
|
||
that grips us on this planet
|
||
but there are other buddha faces
|
||
friendly bubbha spaces
|
||
places to share our pain
|
||
when existential malaise seeks us out
|
||
so this is nothing
|
||
but a something
|
||
in anything flat
|
||
to share the void in my soul
|
||
with someone else with a hole
|
||
where humanity should dwell
|
||
to rise up from that hell
|
||
to aetherial spaces
|
||
where buddha faces
|
||
fill the void
|
||
where i was once annoyed
|
||
|
||
|
||
(to share is the essence of being human)
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
[=- FiCTiON -=]
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE BEAST WiTHiN
|
||
by Howler in the Shadows
|
||
|
||
He sat on his roof staring at the sky. It was a hot, humid, cloudless
|
||
night. His eyes were drawn to the moon, full and swollen in the starless sky.
|
||
His thoughts drifted back over the past three hours and he shuddered. The
|
||
police were probably already on their way, David's mom had recognized him, he
|
||
was sure of it.
|
||
|
||
He should leave, run away, the last thing he wanted was to be arrested.
|
||
His mind recoiled from his earlier actions. Then it was back. It. That
|
||
shadowy haze that hovered over his mind sometimes. He could feel it watching.
|
||
What had he become? How could he have....? He shuddered again.
|
||
|
||
It was not a part of him. It. The shadow thing. He had lived with it
|
||
for ten of his seventeen years, long enough for him to *know*.
|
||
|
||
Always before it had been contained, leashed, by his morals, his fear,
|
||
his strength of will. Always before he had held it at bay, suffered its
|
||
malicious laughter, but no more. Something had changed. He controlled it no
|
||
more.
|
||
|
||
He silently cursed himself, for being so weak.
|
||
|
||
Cursed the shadow thing for its evil.
|
||
|
||
Cursed God for allowing this to happen.
|
||
|
||
It made him remember. It feasted upon his anger and his grief. The
|
||
shadow thing rejoiced.
|
||
|
||
* * * * *
|
||
|
||
The day had begun normal enough. He went to school, talked to his
|
||
friends, publicly announced that algebra was the work of the devil; an average
|
||
day. He arrived home, watched t.v. for a couple of hours, and began his home-
|
||
work.
|
||
|
||
The trouble began just after seven. He was the only one home. His
|
||
parents were working late.... again. The phone began to ring while he was in
|
||
the shower. At the seventh ring he became anxious. By the tenth he was
|
||
scared. He bolted out of the bathroom to the living room and snatched up the
|
||
phone.
|
||
|
||
"Hello?" he asked.
|
||
|
||
There was only sobbing on the other end.
|
||
|
||
"Hello?" he asked again.
|
||
|
||
"Alex..." began a wavering voice.
|
||
|
||
He recognized that voice, Jessica, his neighbor and best friend since the
|
||
second grade. She hadn't been in school that day.
|
||
|
||
"Jesse? What's the matter?"
|
||
|
||
"Alex, I need to talk... my parents... can I come over?"
|
||
|
||
"Sure, Jesse..."
|
||
|
||
The phone clicked.
|
||
|
||
Alex walked back to the bathroom and began toweling off. There was a
|
||
knock on the door. He wrapped the towel around his waist and answered the
|
||
door. Jessica was standing outside. She was a petite brunette with short,
|
||
curly hair. Always pretty, but never beautiful. He noticed that she was
|
||
wearing the same clothes she had yesterday, they looked slept in and cried on.
|
||
She wandered in past him and collapsed onto the couch. She stared out the
|
||
window for a moment before bursting into tears. He was immediately by her
|
||
side.
|
||
|
||
"Jesse, tell me what's wrong."
|
||
|
||
She hesitated a moment before latching onto his shoulder and bursting
|
||
into tears again. They sat like that for several minutes before she began.
|
||
|
||
"Last night, me and David went on a date." Alex nodded. "We went to his
|
||
house, to watch that movie that was on t.v. You know, the one with Harrison
|
||
Ford? His mother wasn't home and he had been drinking. I shouldn't have been
|
||
there.... I knew it was a mistake... It's my fault...
|
||
|
||
"We were making out when he began to get rough..." Alex's stomach began
|
||
to knot up. He could foresee what she was going to say next, and he dreaded
|
||
it. The shadow thing crept near, hovering at the edge of consciousness. She
|
||
composed herself before continuing.
|
||
|
||
"He pushed me down.... I tried to stop him... I couldn't..."
|
||
|
||
The shadow thing howled with joy. Its leash stretched. Between sobs she
|
||
forced out, "I couldn't stop him..." Something inside him shattered. The
|
||
walls of the shadow thing's pen crumbled, falling to dust in the confines of
|
||
his mind. Its laughter filled his skull.
|
||
|
||
"Why come to me? Why not your parents?"
|
||
|
||
"Go to my father? He thinks that I'm a slut as it is! He would just
|
||
slap me and call me a worthless bitch!" She sobbed again. "What should I do,
|
||
Alex?"
|
||
|
||
"Don't worry," he soothed her, "I'll take care of it. You just need to
|
||
get some rest."
|
||
|
||
He led her back to his parent's bedroom and sat her down on his parent's
|
||
bed.
|
||
|
||
"Take these," he said, pushing two sleeping pills into her hand. His mom
|
||
used those pills when she had nightmares. Nightmares of the night Alex's
|
||
brother died in that fire. The night the shadow thing had been born.
|
||
|
||
He wandered back into the living room and sat down. He had to think.
|
||
|
||
What should he do?
|
||
|
||
He knew David, he liked him, was David really capable....?
|
||
|
||
Yes, he was.
|
||
|
||
How could he....
|
||
|
||
HOW DARE HE TOUCH HER!
|
||
|
||
That was not his thought. That was the shadow thing, now running loose
|
||
in his brain.
|
||
|
||
HE MUST PAY!
|
||
|
||
But how?
|
||
|
||
HE MUST DIE!
|
||
|
||
No, he would not kill anyone. Alex stopped moving. His hands dropped
|
||
from his head to his lap. His lips twitched. Cold hatred flooded him. It
|
||
overloaded his system.
|
||
|
||
Yes that is what must happen he thought.
|
||
|
||
The will of God...
|
||
|
||
The will of the shadow thing.
|
||
|
||
Thy will be done...
|
||
|
||
The world must be purged of his presence.
|
||
|
||
He must be punished.
|
||
|
||
Alex silently got up, dressed and left. Jessica slept soundly. David
|
||
lived on the other side of the neighborhood. A short walk. He and his mother
|
||
lived in a two story brick house, one of the nicest in the area. Alex stood
|
||
at the end of the street, watching. The lights were on. Someone was moving
|
||
in the living room. The mother. He advanced to the door. Nothing existed
|
||
but that door, and what was behind it.
|
||
|
||
He paused on the doorstep, fighting the shadow thing, but he had little
|
||
strength left. His vision flooded crimson as new powerful rage flooded his
|
||
system. He kicked the door open and rushed in. David's mother whirled round
|
||
and recognition filled her eyes. Alex caught her with a vicious back hand to
|
||
the temple. She spun half round before collapsing on the floor, unconscious.
|
||
Alex held no malice towards her. He moved around the inert body and headed
|
||
upstairs.
|
||
|
||
Down the hall, up the stairs, third door to the right. He'd been here
|
||
many times. 'Always before as a friend...' His own thought or that of the
|
||
shadow thing? It was getting harder to tell. He paused before the door. It
|
||
was hard. Something fighting him. Or was he fighting the shadow thing? It
|
||
was the final step, a line, a barrier.
|
||
|
||
OPEN THE DOOR, YOU SPINELESS PIECE OF SHIT!
|
||
|
||
He found himself academically puzzled. This was the first time It had
|
||
actually addressed him. He watched his hand move toward the knob. It was
|
||
locked. He smiled, somehow it was better if he was resisted. His adrenaline
|
||
was pumping. This was the most fun he had had in a long time. It was better
|
||
than... better than life itself. He paused, savoring the moment, inhaled and
|
||
kicked the door open. David had been on his bed watching t.v., he was on his
|
||
feet now. Alex's rage doubled at the sight of David. It was almost impossi-
|
||
ble to tell the shadow thing from Alex's own thoughts.
|
||
|
||
There was understanding in David's eyes, and fear. David was much larger
|
||
than Alex. Tall, muscular, a football player, all the things Alex was not.
|
||
None of that would matter, Alex knew that. Perhaps David did too.
|
||
|
||
The fight itself was a haze of blood and breaking bones. He remembered
|
||
beating David with his fists with psychotic fury. He remembered ripping
|
||
David's throat out with his teeth. He remembered the pure joy he felt kicking
|
||
David's skull in.
|
||
|
||
David's mother was stirring as he left. He ignored her. He was still
|
||
numb when he reached home. The shadow thing was quiet now. Satisfied with
|
||
the bloodshed it seemed. He crept into the house, his parents were still not
|
||
home. He entered the bedroom where Jessica was sleeping and watched her for a
|
||
few minutes. He left her a note on the dresser where she would find it:
|
||
|
||
Dear Jesse,
|
||
I'm afraid that I've done something horrible. I would ask for
|
||
your forgiveness, but I know that it is unforgivable. I sincerely
|
||
apologize for any pain that I have caused you.
|
||
|
||
* * * * *
|
||
|
||
He could hear the sirens now. Getting closer. He would not run. He
|
||
should be punished for what he had done. He was a monster.
|
||
|
||
The shadow thing laughed.
|
||
|
||
He must be punished.
|
||
|
||
The shadow thing was closer than it had ever been. He could feel it
|
||
creeping in. It embedded itself into his mind. It saw through his eyes, felt
|
||
through his hands. His blood pumped through it, becoming its blood. Its
|
||
thoughts pumped through him, becoming his thoughts.
|
||
|
||
He must die. It would die with him, he was sure of it.
|
||
|
||
The shadow thing laughed.
|
||
|
||
He laughed.
|
||
|
||
The police would be here soon. He would wait for them. It had him now.
|
||
He despaired. What had he done to deserve this? He pleaded to God, but God
|
||
was not there. He would wait for the police.
|
||
|
||
He must be punished.
|
||
|
||
He must Die.
|
||
|
||
Alex was gone long before the police arrived.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
"There is no art form in the world which is not outweighed by a pinprick, a
|
||
beggar's lamenting cry, a drop of blood from a suckling child's little finger,
|
||
no art form in the world, and the least of all ours!"
|
||
-- Sven Delblanc
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
GRAVEYARD
|
||
by Crux Ansata
|
||
|
||
[Kind readers, strange readers, the story you are about to
|
||
read is true. Only the facts have been changed to protect
|
||
the innocent. Yes, I have taken liberties with the facts,
|
||
but the truth remains untouched. This is a tale of
|
||
justice served. As an imperfect pot is cast aside by the
|
||
potter, so is the imperfect here cast aside. But this
|
||
hollow vessel has a voice. It asks merely that it be
|
||
heard out, though its fate is predestined.]
|
||
|
||
Reflecting despite the agony, I can say I am glad of one thing: that she
|
||
told me to fuck off to my face. Those six words -- "I think we should break
|
||
up" -- may have caused me more pain than anything else in my life, but I would
|
||
rather take the blow from her then have it blunted by phone or mail or --
|
||
worst of all -- proxy.
|
||
|
||
With the pain so acute I had but two options available. I could absent
|
||
myself, or I could lash out with the hopes of hurting her back, though knowing
|
||
I could never cut so deep as she just had. Over the course of our nearly
|
||
seventeen month relationship I have learned that the first option the girl
|
||
interprets as coldness or disinterest. Nothing could be farther from the
|
||
truth. I absent myself not because I do not care, but rather because I care
|
||
only too much. She may have found someone better, but I have never found
|
||
anyone to compare to her. Despite the pain, and even if my apparent coldness
|
||
seems to hurt her, I could not make an effort to cause her pain, and if I had
|
||
stayed I would have said something we both would have regretted.
|
||
|
||
My answer to her six word barrage: Fine, then let's leave. I walked in
|
||
apparent disinterest to my car, and with squealing tires absented myself.
|
||
|
||
* * * * *
|
||
|
||
There could be only one destination. Nowhere was as appropriate for my
|
||
retreat -- strategic withdrawal -- as the graveyard. Our graveyard. It was
|
||
in the graveyard that we spent our first date, her body and mine amid the
|
||
headstones, and it is in the graveyard that many of my fondest memories of our
|
||
relationship are set. I remember grabbing a half hour before her rehearsals
|
||
to sit in the graveyard and gaze into each others' eyes. I remember
|
||
"kidnaping" her in the middle of the night and spiriting her away to the
|
||
graveyard to lie on our backs and gaze at the stars, making the angels
|
||
themselves jealous of the flames of our passions. "We made love like mad
|
||
angels," and those in heaven were left to wonder whether those in hell had
|
||
broken free before Armageddon; such was the intensity of our passion.
|
||
|
||
As I walked amidst the graves in the Saturday dark, I should have been
|
||
expected to feel alone. I didn't. Rather, I felt like a half-person. I had
|
||
been gutted; I could not feel alone. There was -- is -- not enough of me left
|
||
to even call it "being".
|
||
|
||
The force of my sobs frightened me.
|
||
|
||
* * * * *
|
||
|
||
I sat and made a list. She had talked about staying in touch. Again I
|
||
probably sounded cold, but I was simply being honest. I do not think we would
|
||
have anything to say to each other. I had made similar agreements to stay in
|
||
touch with every other girl I've dated, and with every one it has lasted less
|
||
than a month, and that on the outside. With her though there is an added
|
||
element. One can only dance so close to the flame. Moths can go so far as to
|
||
destroy themselves in the fires, but a candle has never openly spurned a moth.
|
||
For the rest of us, we are doomed to be put in the oven, and taken out, and
|
||
put in...
|
||
|
||
But could we have managed it? We shall never know.
|
||
|
||
Anyway, my list, in part, runs as follows:
|
||
|
||
How long were you seeing him before you told me?
|
||
How long were your claims of love lies, that I would not suspect?
|
||
Is he good in bed?
|
||
("... take your songs and your Stratocaster," as the poet has said.
|
||
"See if they're half as good in bed as me".)
|
||
How did I fail?
|
||
Did you ever love me?
|
||
How could I have changed myself so it wouldn't have had to end
|
||
this way?
|
||
Would it help if I killed him?
|
||
|
||
Reflecting on the list, it is quite clear what my mind was thinking. It
|
||
was trapped in a Manichaean war between my child-soul -- hurt and wanting to
|
||
hurt back -- and my adult soul -- mature enough to recognize my failures and
|
||
to know the only question worth asking is "why?" As well as mature enough to
|
||
realize that this is the one question even the most well meaning can never
|
||
answer.
|
||
|
||
* * * * *
|
||
|
||
The next day (after a church service where I cried publicly, if as non-
|
||
obviously as possible) I set about cleaning. I took down many things I'd had
|
||
on my walls, including a gift or two from her. "All the things she gave me,"
|
||
as the song goes, although I didn't put them in a big brown box. I could
|
||
never cast away the things she'd given me; they are like a saint's relics.
|
||
Having touched the ineffable they retain an almost tangible holiness, as
|
||
ineffaceable as my miasma.
|
||
|
||
When one lies in a graveyard as much as I, one learns to respect the
|
||
bodies of the dead. The gifts are the corpse of our relationship. I stored
|
||
them carefully in my wardrobe beside her photographs and every letter, card,
|
||
and scrap of paper she had ever given me. "All the things she gave me."
|
||
|
||
All except one.
|
||
|
||
Over Spring Break she was out of town. This is true of both Spring
|
||
Breaks we were together; it seems that we had very few vacations together and
|
||
she undoubtedly vacationed more with other guys than with the one she was
|
||
theoretically dating. She sent me a card that read, simply, "I love you."
|
||
(The torturer in my psyche never tires of asking me whether she was lying or
|
||
mistaken. The speed of events indicates that it is more than likely she'd
|
||
considered leaving me before she even wrote the card, and I have worshiped at
|
||
the idols of the Romantics so long that if love can end I have difficulty
|
||
believing it was ever there.) The card came with a little pin with a
|
||
reproduction of the painting on the card impressed upon it and a letter
|
||
indicating that I'd likely never wear the pin. She was right; she cast me off
|
||
before I'd worn it around her. She never discovered -- nor inquired -- what
|
||
became of it.
|
||
|
||
I'd put it in my shrine.
|
||
|
||
Beside my bed I have a small shrine with the icons and jewelry too
|
||
valuable for casual wear. The card -- the last time she wrote "I love you";
|
||
to me, at least -- and the pin stand beside my St. Patrick icon, my Sts.
|
||
Patrick and Christopher medals, and my golden and wooden crosses, beneath my
|
||
crucifix and rosaries. When I packaged away her other gifts I left this out.
|
||
|
||
The other gifts represented her favor, in which I no longer am. This
|
||
represents my devotion, and she will ever be my goddess.
|
||
|
||
* * * * *
|
||
|
||
Looking back -- and that is all I can do, as she took whatever future I
|
||
may have looked forward to -- I think I may have been mistaken in forcing the
|
||
decision. Still, it feels better to pull the blade from one's breast, even if
|
||
it does disturb the wound. With a wound such as this I would rather die empty
|
||
than violated.
|
||
|
||
But to whom can I plead my case? She has found a better man. Had I
|
||
simply fallen from out her favor than I would cast myself at her feet like a
|
||
troubadour to a noblewoman whom he knows he does not deserve any attention
|
||
from but whom he petitions because even the notice of her casting him away is
|
||
better than the oblivion of never having been acknowledged at all. The
|
||
opposite of love is not hate. The opposite of love is indifference. But I
|
||
will not interfere with her relationship, as I have already been replaced.
|
||
Indeed, I had been replaced before I'd even been cast off. I'll not try to
|
||
take her from him, and I'll certainly not interfere if she believes she can
|
||
derive more joy from him than from me. My happiness is nothing compared to
|
||
hers.
|
||
|
||
With this testament, then, I plead my case to the ladies and gentlemen of
|
||
a jury of my peers -- the dead.
|
||
|
||
The day before, she had graced me with a kiss much too intimate for its
|
||
antecedent. ("Judas, must you betray me with a kiss?" A cry not of surprise,
|
||
not of anger, but of a loathing for one who is so deserving of betrayal that
|
||
even His most intimates recognized it -- and were forced to oblige.) At the
|
||
time it was the brush of Ishtar on my lips. (Astarte was in no wise the
|
||
primary divinity in this touch.) In retrospect it was a slap on the very face
|
||
that bent to accept it with all the childlike pleasure -- and dogged trust --
|
||
that I accepted everything she ever saw fit to cast down to me. "All the
|
||
things she gave me...."
|
||
|
||
Our lips had barely parted, our breaths still mingled, and she breathed:
|
||
I have a crush on someone; I think I like him as more than a friend.
|
||
|
||
(God, how I hate that pattern of half truths. "I have a crush on..." as
|
||
if she were some jittery junior high girl. My jading is deep. I
|
||
subconsciously interpret such a phrase as "I want him to fuck me." It may not
|
||
be as dainty, it may not even be true. At least, however, it means something,
|
||
and has the courage to let its true meaning be known, stains and all. "More
|
||
than a friend." A totally meaningless statement. Would she come up to me and
|
||
tell me he is her comrade? I think not, but that at least would mean what
|
||
she said. One's lover is not "more than a friend". "If we can't be friends,
|
||
we can at least be lovers.")
|
||
|
||
A few inquiries revealed that she and he were already "a thing" (another
|
||
damn nicety that the Nemo est Sanctus in me translates as "fucking", though
|
||
even the Nemo dares not believe it where I can see him; even in my own mind I
|
||
care more for her honor than for my own happiness) and more than one person
|
||
suspected that I had been given a false time to arrive at her competition that
|
||
day so I would miss it and not interfere with their affair. I watched her
|
||
that day from a distance and, true to form, they were beside each other almost
|
||
the whole time I was watching.
|
||
|
||
But whether she had given me disinformation or I had misunderstood: such
|
||
questions may never be answerable. I do not know -- God knows.
|
||
|
||
* * * * *
|
||
|
||
I have a great uncle who fought with the French Resistance during the
|
||
Second World War. His life was saved once because a bullet hit his religious
|
||
medal. His chest was black and blue and he was flung across the room
|
||
unconscious, but it saved his life.
|
||
|
||
If I'd lived to see the Revolution, I'd hoped to wear the pin she gave me
|
||
over my heart as my own charm. But I no longer have any life worth saving.
|
||
|
||
* * * * *
|
||
|
||
[The following appears to be a fragment from a letter
|
||
attempted by the author transcribed into his testament.
|
||
We can only assume it was never sent.]
|
||
|
||
How could you and he have been "a thing", how could "everyone [have seen]
|
||
it coming" if this situation does not have to do with him? You say yourself,
|
||
though, "I would never give up our relationship for someone less perfect than
|
||
you." What can that mean but that he is more perfect?
|
||
|
||
Indeed, positive though you may be, this undoubtedly did have to do with
|
||
him. How can I be so certain? Because he was the reason I forced the
|
||
question. You want him, he wants you, and everyone and their pet goat knew.
|
||
I could not stand by and be ridiculed like that. I can accept you and him if
|
||
it makes you happy -- I can be with Joyce in the largest fraternal
|
||
organization in the civilized world: the cuckolds -- but I will not be
|
||
ridiculed. I had planned to say you had to either lose him, me, or the
|
||
rumors. You had a different decision in mind, and I deferred to your wishes
|
||
as it was that important to you that I be cast off. As you say, you "had no
|
||
choice."
|
||
|
||
But I leave you now, and if you choose to ignore this letter, perhaps you
|
||
will finally be rid of me; I perhaps will have been cast off. I go back to my
|
||
tears of blood, as I did Saturday, that flow from my burst heart.
|
||
|
||
* * * * *
|
||
|
||
But, ladies and gentlemen of the jury, I deceive you. Or, rather, I
|
||
deceive myself. The facts have been changed to protect the indecent. Nothing
|
||
hurts so much as the truth. I fear this makes no sense, though, as I care not
|
||
what an impartial jury may think of me. The State need make no case: I am
|
||
guilty. I plead innocent only that I may get my proverbial day in court. I
|
||
am judge and I am executioner. As for a jury, I wanted someone who would
|
||
listen impartially. Ironically, only the jury will not judge me, but only
|
||
judge my actions.
|
||
|
||
It was different with her, though. The truth hurts. It is the little
|
||
lies that keep a relationship together. Each one of us trusts the other most
|
||
of all not to try to see behind the masks until midnight, when all will be
|
||
revealed. A relationship that was not based on deception could never be
|
||
happy. At times I could not bring myself to tell her the truth when there was
|
||
a problem. I was aware it was my fault, and I would not burden her with it:
|
||
I have no apologies for that. But then I would not confess my failings to
|
||
her, and for that I have no excuse. Why could I not tell her the times I was
|
||
dissatisfied? Why could I not tell her I, too, could feel the pain of the
|
||
distance that had grown between us? Why could I not tell her that a factor in
|
||
this distance was the minor stimulants -- caffeine, ginseng, etc. -- that I
|
||
would take in major doses? Why could I not confess that when I saw her pain
|
||
at this distance I was afraid to admit the pattern and instead took greater
|
||
doses and greater potions so I would deaden myself and feel less of
|
||
everything, including her pain? Why? The one question even the most well
|
||
meaning cannot answer. Mea culpa.
|
||
|
||
Why could I not confess that, at times, I would say something I don't
|
||
believe, not just to make the person I'm talking to think, but sometimes so I
|
||
could hear my doubts proven wrong; so I could hear someone else confirm that
|
||
my pessimistic worldview is wrong? Why could I not confess that my idea of
|
||
conversation is often not far from argument, and the conflict I dwell on is
|
||
sometimes hard to tell from hatefulness? How often our conversations dried up
|
||
not because I had nothing to say but rather because I could not see how you
|
||
could take an interest in my thoughts. And then you, thinking I didn't care,
|
||
then stopped speaking yourself.
|
||
|
||
Why could I not confess that I, too, seem to need stability in a
|
||
relationship? But that is simple. Stability is too frightening.
|
||
|
||
And with me it is something different. I lie to myself to keep the dwarf
|
||
in check, the Nemo. I lie to myself because sometimes I cannot face the
|
||
truth. Sometimes the truth entails too much pain, even for I who am used to
|
||
being hurt.
|
||
|
||
Ladies and gentlemen of the jury: She did not leave me for another man.
|
||
This is a lie I and the State have been perpetuating. Is it aesthetically
|
||
pleasing to claim she did, or do I deceive myself (protect myself) again? Is
|
||
the real reason I make this claim that I really have only two options: to
|
||
believe she found someone better or to believe I, alone, was entirely
|
||
unsatisfying? When one is left for another man, one may make the case that
|
||
one can improve or that one may have pleased the girl once upon a time.
|
||
|
||
When one is left on one's own "merits", what solace is there to be had?
|
||
|
||
So, ladies and gentlemen of the jury, boys and girls, I confess. I
|
||
deliver my mea culpas now, on the record, as I will never have another chance.
|
||
|
||
She left me. I, alone, failed her.
|
||
|
||
* * * * *
|
||
|
||
I was thinking this morning of a very different Saturday night, long,
|
||
long ago. Almost yesterday. When we'd first been going out.
|
||
|
||
We were on the way to the graveyard, on a kind of double date, and had
|
||
stopped under a streetlight to wait for more people to join us.
|
||
|
||
The next day my friend, who'd been with us, told me I'd scared him. He'd
|
||
never seen me running and horseplaying like that. In short, he'd never seen
|
||
me as happy as I obviously was with her.
|
||
|
||
What happened, Bananas? Sometimes I miss you so much.
|
||
|
||
* * * * *
|
||
|
||
And now I lie here once again, for the last time. This manuscript can
|
||
act as a note; as adequate an answer to "Why?" as possible. I lie here with
|
||
paper and pencil as tomorrow's dew is just beginning to condense on the blades
|
||
of grass, and with the blade Harlequin gave me for Christmas; the black dagger
|
||
that thirsts for blood.
|
||
|
||
A smile steals across my lips at another memory of this graveyard, that
|
||
of when the police caught us in a compromising position -- when the girl is
|
||
under seventeen as she was anything is compromising after dark, even I am sure
|
||
the most chaste of caresses -- and in the course of searching my car found
|
||
this blade on the dashboard. Felony possession of an illegal weapon.
|
||
|
||
I'm glad he didn't show up until after I'd removed it from my boot.
|
||
|
||
And now, O Lord, I harbor no hopes of salvation, but before I am damned I
|
||
ask that you answer my last prayer: If I have not the strength to stab myself
|
||
twice, may my blade land home the first time, and may I be dead before anyone
|
||
misses me.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
State of unBeing is copyrighted (c) 1995 by Kilgore Trout and Apocalypse
|
||
Culture Publications. All rights are reserved to cover, format, editorials,
|
||
and all incidental material. All individual items are copyrighted (c) 1995 by
|
||
the individual author, unless otherwise stated. This file may be disseminated
|
||
without restriction for nonprofit purposes so long as it is preserved complete
|
||
and unmodified. Quotes and ideas not already in the public domain may be
|
||
freely used so long as due recognition is provided. State of unBeing is
|
||
available at the following places:
|
||
|
||
iSiS UNVEiLED 512.930.5259 14.4 (Home of SoB)
|
||
THE LiONS' DEN 512.259.9546 24oo
|
||
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
||
MOGEL-LAND 215-732-3413 14.4
|
||
ftp to io.com /pub/SoB
|
||
World Wide Web http://io.com/~hagbard/sob.html
|
||
|
||
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|