1623 lines
79 KiB
Plaintext
1623 lines
79 KiB
Plaintext
From illuminati.io.com!news.tac.org!tachyon Thu Aug 25 12:15:58 1994
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Path: illuminati.io.com!news.tac.org!tachyon
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From: tachyon@news.tac.org (TACHYON)
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Newsgroups: alt.world.news,alt.illuminati,news.answers,alt.answers
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Subject: State of unBeing #8 Seizure
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Followup-To: alt.world.news
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Date: 25 Aug 1994 12:52 CDT
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Organization: The Astronomy Consortium NewsWire- Austin, TX, USA
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Lines: 160
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Snder: tachyon@news.tac.org (TACHYON)
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Approved: news-answers-request@MIT.Edu
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Distribution: world
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Expires Mon, 29 August 1994 00:00:0 GMT
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Message-ID: <29AUG19941252823@news.tac.org>
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ReplyTo: tachyon@news.tac.org
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NNTP-Posing-Host: news.tac.org
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Summary: This is a news article covering the seizure of SoB #8
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by the US Government.
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Keywords: Paranoia news worldevents thingstocome dangers
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News-Software: VAX/VMS VNEWS 1.50
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Xref:illuminati.io.com alt.world.news:84651 alt.illuminati:1027
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news.answers:23138 alt.aswr:3106
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State of unBeing #8 SEiZED BY UNiTED STATES SECRET SERVICE!!!!!
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by Tachyon
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The Astronomy Consortium NewsWire Service Wed Aug 24 1994
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AUSTIN,TX-On Monday, August 22 1994, just prior to the release
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of SoB #8 on the next day by editor Kilgore Trout, the United
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States Secret Service entered the home of said editor and
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immediately seized his computer system. They then proceeded
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on-site examination of the files therein, whereupon they
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copied any and all files related to SoB #8 and promptly wiped
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them from the system.
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After much persuading, Kilgore Trout finally agreed to
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comment on the matter. Kilgore informed us that no one really
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knows what is going on out there. He was told by the SS that
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he must tell no one of this incident, and in fact to maintain
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his earlier story that no material was received for SoB #8 and
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that is why it would not be released. "I had previously told
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people that so that I could get out what I think was our best
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(and most lucrative) issue yet. I didn't want the Fedz to get
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word of it, but somehow they did."
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Several of the writers who actually had submitted
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articles for issue #8 were also visited by the Secret Service,
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whereupon their copies of their articles were also copied and
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wiped. No charges have yet been filed by the Secret Service.
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We visited one of the writers in his home, and this is what
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Hagbard had to say:
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"I have never been raided by the SS, I have always been too
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careful... so it was a real surprise to me when they showed up
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wanting to take my stuff. The purpose of SoB was to distribute
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valuable information, AS WELL as literary trash. I guess I can
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see why the SS got so fired up though. My article was
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entitled "Miscellaneous Government Secrets I Have Uncovered".
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It had most of the files on the UFO cover-ups, detailed plans
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for neutrino bombs, biochemical warfare data, missile command
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access codes, and Milnet dial-ins. In fact, they were not
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completely successful in wiping my info... would you like to
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see what I have left?"
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We most certainly replied in the affirmative, and so
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here is an excerpt from the issue most coveted by the US
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Government:
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<EFBFBD>il<EFBFBD>net<EFBFBD>Dia2-in: <20>512)950<35>1288J6Login: uest<73><74>PwKeg<65>es<0C><><EFBFBD><EFBFBD>
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he<68>Sou-<2D>w+ster<1F>ivis@onjfKNORAD#<23>s䰩cated under the East
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0all[<5B>t
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Lt<EFBFBD>sAcess<73>rodesfo<66>entra<72>cea<>e<EFBFBD>931<33>3#65-#34231705
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<EFBFBD><EFBFBD>
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bhereDexi<EFBFBD>tsa6und7rg<72>ounpcit7<74>in sou<6F>he(n<>Nevaa<>buiQtduring
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<EFBFBD>he Col<6F>u<EFBFBD>ar whach i< stifl<66>in op<6F>rat
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We won't interpret it for you, but there is still some
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information locked in there somewhere.
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The real question is what will come of this? Will the
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writers be forgotten? Silenced? Terminated? Will these secrets
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and others ever be printed again? Time will only tell. To get
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a feel on exactly what was going on here, we decided to
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contact the Secret Service themselves and ask them if the data
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will ever be returned.
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Tachyon: Hi, this is Tachyon from The Astronomy Consortium
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NewsWire and I am calling in reference to a recent incident in
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the Austin district where SS agents seized an electronic
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magazine. Could I get some info on that?
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Secret Service: Hold on, let me transfer you to that
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department... what was your name again?
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T: Tachyon.
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SS: Ok... one moment.
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[Several minutes of bad hold music.]
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SS: Hello this is Agent Timothy Roberts, how can I help you?
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T: Yes, I was wondering if I could ask some questions about
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the electronic magazine State of unBeing which was recently
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seized by the Secret Service.
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AR: Ok.
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T: Why was it seized?
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AR: It was a document which published information
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electronically which was illegal.
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T: How is electronic publishing illegal?
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AR: Well, it isn't, but the information was.
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T: And how was it illegal?
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AR: It was a threat to the National Security of the United
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States.
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T: Oh really. In what way?
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AR: No comment.
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T: How does the SS get jurisdiction over matters of National
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Security?
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AR: Well, we don't... not directly... but we do handle
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computer crime.
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T: Yes, but you said it was a matter of National Security, not
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computer fraud. Under whose authority where you operating?
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AR: I am not at liberty to say.
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T: Was it the Office of the Director of the National Security
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Agency?
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AR: No comment.
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T: Well can you transfer me to someone who can comment?
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[Long pause]
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AR: Er.. hold on for a second...
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[Whispering in the background]
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AR: Ok.. hold on...
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[Dead silence for a minute then periodic clicking and beeps]
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Unknown: The articles prepared for State of unBeing issue #8
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were an obvious threat to the National Security of the United
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States. The data will not be returned and no record of any
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incidents involving said issue will be maintained or
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acknowledged. Thank you and good day.
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[Hang up]
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The Astronomy Consortium Security Division traced the
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call as far as Panama. When we asked our sources in Panama
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about the incident or who it might be, the merely replied that
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they knew of no such agency. Maybe there are some witnesses or
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informants out there who will speak up, but until then we have
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hit a brick wall.
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If you have any information on this event, or you have
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Top Secret Government Information you wish to see published,
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send it to State of unBeing. DO NOT send it to The Astronomy
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Consortium NewsWire. Our sources in Washington have informed
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us that a shut down of our net is imminent and termination of
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our organization is in the works. Keep up the fight.
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Tachyon
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Sri Lanka Aug 1994
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Copyright (C) The Astronomy Consortium NewsWire 1994 All Rights Reserved
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NewsWire is a Registered Trademark of The Astronomy Consortium
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===============================================================================
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Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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||
does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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||
idea is not there. STatEst ofoFOFo .ereht ton si aedi
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||
Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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||
where movements TATeSTa foFofoF stnemevom erehw
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||
are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what 9/24/94 tahw ro woh gniwonk
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to think. You are in N-i-N-E ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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STAFF LiSTiNG
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[=- ARTiCLES -=]
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GENESiS, CHAPTER 2.3 The Reverand Toad
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BABBLiNGS OF AN iNSOMNiAC I Wish My Name Were Nathan
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REMEMBER THE UNiTED STEELWORKERS MARTYRS! Captain Moonlight
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[=- POETRiE -=]
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THE DARK MiSTRESS Dark Crystal Spheres Floating Between Two Universes
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THE HOUSE OF LONG AGO Midnite Scholar
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CANCEROUS LiFE Kilgore Trout
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DONA NOBiS PACEM Captain Moonlight
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SPiT: PART II Azagoth
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THE iNEViTABLE Dark Crystal Sphere Floating Between Two Universes
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TORN Midnite Scholar
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[=- FiCTiON -=]
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SEVEN TALES OF SPAM, VOLUME II: FRUiTS OF A FEATHER Flying Rat's Nostril
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NOTES FROM THE UNDERGROUND Crux Ansata
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THE TWiST compiled by Gore BrainRot
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THE GRAVE-SiDE POOL Dark Crystal Sphere Floating Between Two Universes
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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We're back, folks. Yup. Just when you thought it was safe to go back
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into the world of e-zines. So what's been going on in the month during which
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our publication was absent? Oh, not much, just getting raided by the Secret
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Service and having a hellish time dealing with it. As most of you know from
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the newswire feed, the SS confiscated all copies of the e-zine. Luckily,
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Griphon moved off to an undisclosed location in this country (for his own
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safety, naturally) and had most of the articles with him. So, in the next
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couple of months we'll be reconstructing articles and try to get out SoB #8
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sometime around Christmas.
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As for this issue, we've returned to our normal diet of, as Hagbard would
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put it, "valuable information AND literary trash." Some very interesting
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articles, good poetry, and some unique fiction, I must say. I think you'll
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enjoy it, especially after two months without a new issue (oh, how could you
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survive? <G>).
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A few technical notes before I finish up. In issue #7, we stated that
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"Times Like These" was a poem by Harlequin. Due to a transfer error, it was
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actually a Joy Division song that was put on there by mistake, and I mistook
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it for one of Harlequin's things. Also, on io.com, the submissions directory
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||
has now been fixed, so you can actually put stuff for submissions in there now.
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Well, I guess I'll let you get on with your reading. Remember folks,
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today is a State of unBeing, where knowledge empowers us and absurdity keeps
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us human.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDITOR
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Kilgore Trout
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CONTRIBUTORS
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Azagoth
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Captain Moonlight
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Crux Ansata
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Dark Crystal Spheres Floating Between Two Universes
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Flying Rat's Nostril
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Gore BrainRot
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I Wish My Name Were Nathan
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Midnite Scholar
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The Reverand Toad
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Tachyon
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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||
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||
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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GENESiS, CHAPTER 2.3
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by The Reverand Toad
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1. When God created the heavens, and the earth, and all that is beneath the
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earth, He saw fit to grant unto each of the beasts in the heavens, and the
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earth, and beneath the earth, one gift, that they may better live, and
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tell each other apart without a name tag.
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2. For name tags are expensive, yea verily, and hard to keep track of.
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3. So too did he see fit to grant a gift to all the birds of the air, and
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fish of the sea, and politicians of the sewers.
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4. So did the skunk get its smell.
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5. And so did the slug get its slime.
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6. And so did the airhead get that hair that stands up so tall.
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7. And so did the lion get its claws.
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8. And so did the zebra get its stripes.
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9. And so did the tiger get its claws _and_ stripes.
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10. (Package deal, saith the Lord.)
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11. And when all the gifts save one had been distributed, the Lord calleth the
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man, and asketh the man, What gift do you desire?
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12. And the man looketh on all the denizens of the Garden sharpening their new
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claws.
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13. And quaketh he him.
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14. And saith the man, God, some body armor would be groovy.
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15. Tough, saith the Lord, yea, even and, shit.
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16. And the Lord, in His wisdom, gave the man an opposable thumb.
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17. And the Lord, in his mercy, gave the man a ten minute head start.
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18. And the Lord crieth, Good luck, even as He ascended to drink martinis by
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His cosmic pool.
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19. And muttereth He, even under His breath, Punk.
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20. And as the man went, even out to find stuff with which to smite the Lions,
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and Tigers, and Bears, and Ghosts, and Oliphants, and Hyenas, and Stag
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Beetles, and Cockroaches, and Herons, and other beasts, moveth he a
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boulder.
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21. And there, even where the boulder had once been, hid the Paranoid.
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22. Oh! crieth the Paranoid.
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23. And, Shit! addeth he him.
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24. And the man, pleased even for this brief diversion, crieth out, Lord, You
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forgot one.
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25. Dammit, muttereth the Lord.
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26. And the Paranoid, even with the accusation forming on his lips, crieth,
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No! I know you are all going to conspire and curse me.
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27. Dammit, repeateth the Lord.
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28. And, Dammit, elaborateth the Lord.
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29. And, Give peace a chance, sangeth Johnny, yea even Johnny Lennon.
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30. And the animals, even in their confusion, thought only of finding the man.
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31. And devouring they him.
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32. And rending they him even unto little bitty strips of jerky.
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33. And crieth they, Can we get this over with?
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34. The Lord lamented, and moaned, and crieth, Dammit, several more times.
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35. And muttereth He, But I'm out of blessings.
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36. Smiteth the Unicorn, cried the monkeys, who always were a bit bastardly,
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And giveth the Paranoid a big horn.
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37. Shut up, crieth the Lord, And let me think.
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38. (And this is why monkeys, even to this day, cannot speak, for their
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cruelty to the unicorns.)
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39. Nay, muttereth the Lord, We need the Unicorn.
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40. Yea, reflecteth the Lord, We may yet have virgins, as America, the TV,
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and Materialism have yet to be created.
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41. Well, mentioneth the Blue Koala, timidly.
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42. For Blue Koalas are wont to be thus.
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43. (Have you ever seen one? interjecteth the Scribe.)
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44. Why don't you, continueth the Blue Koala, Curse him, nicely.
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45. There, crieth the Paranoid, I knew you were working together to curse me.
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46. Cutteth it out, yea, even like now, screameth the Lord.
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47. And the Lord gathered up Holy Anger, and pointeth He, yea, even with His
|
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pointer finger, at the Paranoid.
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48. Eeek, crieth the Paranoid.
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49. May you, crieth the Lord, Get on everyone else's nerves as much as you get
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on mine.
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50. And, Dammit, added He a few timed, yea verily and even for good measure.
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51. And to this day, the Paranoid irritates everyone, and everything, and all
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and sundry giveth him wide berth.
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52. And both are quite content.
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||
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
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|
||
I myself did not want to sleep because I had been living for a long time with
|
||
the knowledge that if I ever shut my eyes in the dark and let myself go, my
|
||
soul would go out of my body.
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||
-- Hemingway, "Now I Lay Me"
|
||
|
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|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
||
BABBLiNGS OF AN iNSOMNiAC
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||
by I Wish My Name Were Nathan
|
||
|
||
Ya know, people hardly ever talk about what they do when they can't get
|
||
to sleep. Yeah, yeah, there's the old "I got three hours of sleep because I
|
||
tossed and turned all night" line, but people who do that have relatively
|
||
little imagination. I'm sure a great percentage of people simply lie in bed
|
||
and, in the nearly-frantically-rested state of mind, explore the taboo.
|
||
|
||
Taboo? Yeah. Stuff we know we all think about but no one admits (unless
|
||
ya ask 'em, I suppose). In a country like ours where "regularity" and douches
|
||
are common T.V. commercial fare, it's strange that people don't talk about
|
||
their going-to-sleep worlds.
|
||
|
||
For instance, most of the stuff I think about is really self-centered and
|
||
perverse, but that's what makes it interesting. Sometimes, when I'm in a nice
|
||
suicidal mood, I wonder what my friends and family would think if I actually
|
||
did it. Since I know I prolly never will, it's a safe train of thought.
|
||
Like, how'd I do it? Get the hunting knife my brother gave me out of my
|
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trunk, maybe. It's real sharp. I never used it for anything, because it
|
||
smells sharp steelish. My brother used a sharpening thing on it for weeks.
|
||
He was crazy about that knife. He got another one and gave me his. The knife
|
||
looks like it'd be good for skinning something. Hell, maybe me! But, I
|
||
despise pain. I really don't even know what it's like to bleed profusely, but
|
||
I think I could stand a nice open gash somewhere like my leg. Skinning myself
|
||
alive would take more effort than I care to conceive.
|
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|
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Anyway, I -- like? -- nah, fantasize about what my parents would do when
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||
they came in the next day (after I "didn't wake up", hee hee). Prolly scream
|
||
and shit. I actually don't like thinking about that part too much. I do
|
||
sorta care for them. Still, they'd get over the way mourningous grief after a
|
||
few weeks or so. Then, when my friends'd call up asking for me, my folks'd
|
||
have to say, "He can't come to the phone right now, he's dead." I bet they
|
||
wouldn't be that creative. And now that most of my friends are out of town
|
||
for college, I suppose they wouldn't even get the chance to make such a witty
|
||
remark. Oh well.
|
||
|
||
What's stranger to me is to imagine my friends offing themselves. The
|
||
strangest part being that most of 'em I don't think'd have a reason to do it.
|
||
I guess that's good in a way; it makes me feel content that I'm one of few
|
||
people living in hell on earth. (But that's a different story altogether.) As
|
||
I imagine possible reasons, though, I realize I don't know them all very
|
||
well. I wonder if that's normal. I have concrete (well, sorta) images of
|
||
them in my mind, but only in the specific contexts in which I'd known them.
|
||
All this just serves to make me more progressively neurotic about how I'd have
|
||
to react if they did off themselves. Confusion? Crying? Maybe sarcastic
|
||
laughter? I can think of people who'd fit in all those categories. It's all
|
||
very sick.
|
||
|
||
Oh, but the thing I think about a lot, which I know everyone thinks
|
||
about, is killing someone you don't like. You know, I wonder if this tendency
|
||
says anything about the nature of the human race. Hmmm, prolly not. Anyway,
|
||
I'd get out the hunting knife, all sharpened and stuff, and go somewhere
|
||
isolated. Like this one place, under a bridge near the suburbs. That'd be
|
||
great. I'd be sitting there, admiring the nature abounding around me,
|
||
watching the river go by, and then some dumb fuck with spraypaint would walk
|
||
in and be about to start adding some exceedingly witty retort to the
|
||
conversation going on on the concrete wall behind me: "Kickers suck! /
|
||
Preppies suck! / Life sucks! / <- that guy sucks, hard! / Kill the fags! /
|
||
Kill the preachers! / Kill the fucking fag-kicker-preppie-preacher bigots! /
|
||
Floaters rule! / ...", etc, etc, etc. So, the guy, upon seeing me there, may
|
||
actually find his conscience slowly creaking into action: "Duh, paint=fun.
|
||
Paint=wrong? Person=witness. *grind grind grind* Let person help me; blame
|
||
him? *flip-flop on the negatory* Act innocent and leave? *boing!*" So, it'd
|
||
be necessary to take decisive action to lull the person into victim stage:
|
||
|
||
"Hey, fuck-o! You do this stuff?" I'd ask, pointing at the wall.
|
||
|
||
"Uh, yeah, man... See there? I did that," he'd say, gesturing toward
|
||
the wall with his spraypaint can. "'Preppies suck!' 'Kill the fags!' 'Etc,
|
||
etc, etc!' Cool, huh?"
|
||
|
||
Of course, it would turn out that this'd be the one to kill. "Yeah! Way
|
||
cool. C'mon, put something else up there. I wanna be a witness to your
|
||
mastery."
|
||
|
||
"Huh, gee, thanks. Lemme see. Uh, whooda you hate?"
|
||
|
||
"Dumb fucks!" I'd cry out gleefully.
|
||
|
||
"Gawd, you know it. Dumb fucks are just so... er, dumb. Huh-huh!" Then
|
||
he'd reach his hand up to scrawl the letters amidst the garbledygook of
|
||
dumbfuck graffiti artists long since past. He's only a relative newcomer.
|
||
His words are much too large and faint; one needs to stand in the river to
|
||
admire his artistry. I'd wonder if it's really fair to kill him.
|
||
|
||
He misspells "fuck". I grab the can from his hand. "Hey, lemme put
|
||
something up there," I moan plaintively, so eager to deface the cement wall of
|
||
a bridge no one can see. Then, I'd grab the can upside-down, aim the nozzle
|
||
upwards and towards the guy's face, and smash him with it. In my dreamlike
|
||
imagination, the nozzle would puncture his lower lip, and paint would spray up
|
||
his nose and in his mouth and eyes.
|
||
|
||
"Hey, watch it," he'd say.
|
||
|
||
Then I'd whack him upside the head with the can. *bong!* He'd fall to
|
||
the ground. Then, it's knife time.
|
||
|
||
The details of that last part are much too varied and complicated to be
|
||
repeated here, but I'll let you know the end result -- 206 bones smashed with
|
||
rocks and a tasty protein-filled meal. Cool, huh?
|
||
|
||
After all this thinking is done, I'm usually really really tired. When I
|
||
glance at the clock, of course it's like 4:15am, and then I'm finally ready to
|
||
go to sleep. Man! Three hours of sleep! Can you believe it?!
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
I sit on a man's back, choking him and making him carry me, and yet assure
|
||
myself and others that I am very sorry for him and wish to ease his lot by all
|
||
possible means -- except by getting off his back.
|
||
--Leo Tolstoy, _What Then Must We Do?_
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
REMEMBER THE UNiTED STEELWORKERS MARTYRS!
|
||
by Captain Moonlight
|
||
|
||
Remember the United Steelworkers Martyrs! Try crying that at the next
|
||
rally you attend; most likely the cry will soon be picked up by many of those
|
||
around you -- people who most likely don't know who the United Steelworkers
|
||
Martyrs might be, and, chances are, don't care. These people are the kind of
|
||
people who, if they claimed to be on the other side of the fence, would be the
|
||
ones to sing loudest the "Star Spangled Banner," and then run off and dodge
|
||
the draft. They merely do the Revolution lip-service, they do not really feel
|
||
for what they proclaim. They wish for the Revolution because of what it may
|
||
do for them, rather than how it would help the masses. These are the true
|
||
enemies; not the extreme Right, but the hypocrites, those who, in the words of
|
||
Ambrose Bierce, "professing virtues that he does not respect, secures the
|
||
advantage of seeming to be what he despises." If you truly feel for a cause,
|
||
go after it! If not, do not lie and bring your own misdeeds down on our heads.
|
||
|
||
September Seventh marks the one year anniversary of the murders of the
|
||
United Steelworkers Martyrs, who were killed while on strike outside a Nation-
|
||
al Standard plant in Columbiana, Alabama in 1993. Keith Cain, 22, an employee
|
||
at the plant for five years, and Walter Fleming, 53, a plant worker for 24
|
||
years, were killed by scab Larry Gray, Jr., when the latter ran through their
|
||
picket-line with his eighteen-wheeler after making a delivery at the strike-
|
||
stricken plant. According to Ray Wood, President of United Steelworker Local
|
||
15015, the Union leading the 186-person strike, claimed that Gray "stopped and
|
||
told a security guard that when he went out, he was going wide open and [would
|
||
get] anything and anybody in his way." After passing the security gate, the
|
||
truck accelerated and went about twelve feet wide. Three or four people ran
|
||
to get out of the way. Fleming was hit while running, while Cain never had a
|
||
chance: he was sitting with his back to the truck and didn't see it coming
|
||
until it was too late. Police had repeatedly ignored complaints that scab
|
||
drivers were running over tables and chairs at the sight and brushing people
|
||
with their trucks. So, what should the people do when the system fights them?
|
||
The people should fight the system!
|
||
|
||
This tragedy of a year since could have been averted had the police set
|
||
up a protection cordon, or had the security guard on duty held Gray and re-
|
||
ported the incident. Unfortunately, authority shall not protect those who
|
||
wish to change authority; those working within the system cannot change the
|
||
system for the very reason that the system was set up so as not to change.
|
||
When those who are supposed to "Serve and Protect" fail in their jobs, and
|
||
instead Intimidate and Threaten, they must be done away with and replaced.
|
||
|
||
In Ireland of 1913 conditions were very much like America of 1993 and
|
||
1994. But in Ireland, brave men and women rose to the aid of the weary and
|
||
the oppressed. What is needed in America today is very much like that which
|
||
was created in Dublin eighty years since. 1913 Dublin was beset by the Great
|
||
Lock-Out, caused by labour disputes between the Irish Transport and General
|
||
Workers' Union and the bosses led by William Martin Murphy. During this time,
|
||
due to sympathetic strikes, strikes where members of businesses owned by the
|
||
same people would strike to support those in another line of business. This
|
||
led to a general lock-out by the bosses of all workers who belonged to Unions.
|
||
Places left by the Union workers were filled by scabs and soldiers. During
|
||
the period which ensued, the police, who were under the control of the bosses
|
||
(some things never change), clubbed peaceful demonstrations. These baton-
|
||
charges claimed the lives of two men, with another dying from ill-treatment in
|
||
prison, and the life of a woman shot to death by a "free-worker" or scab hired
|
||
to replace the Union-workers. However, when the police and the bosses turned
|
||
to violence to put down the strikes, the people did not lie down as they do
|
||
today. When the bosses bit the hand that fed them, the hand that fed them hit
|
||
back. 1913 saw the birth of the Irish Citizen Army, raised from the oppressed
|
||
and led by Jim Larkin, President of the ITGWU, the Countess Constance Markie-
|
||
vicz, the British Protestant noblewoman recently converted to Socialism, and
|
||
the Mighty James Connolly, just arrived from Belfast.
|
||
|
||
The Irish Citizen Army did not lay down and take whatever the bosses
|
||
decided to dish out. Instead, they fought for the workers throughout their
|
||
existence until their merger with the Irish Republican Army in 1916. The
|
||
Irish Citizen Army, while underarmed, fought against the British soldiers and
|
||
police, not with the Nationalism of the Irish Volunteers, but with the Social-
|
||
ist International ideal and the general love of Freedom of those who lived in
|
||
the land. It is to this ideal which we must strive.
|
||
|
||
Were a militia of the Citizen Army calibre in existence in the United
|
||
States today, such tragedies as the United Steelworkers killings and the
|
||
invasions by American police into low-income homes such as is currently going
|
||
on in Chicago would be avoided. Where are the people's protectors? Every
|
||
group of protectors of the people, from the Black Panthers to the Weathermen,
|
||
have risen from the oppressed people, from those who truly feel for their
|
||
cause. Blind patriotism has never won a war, and surface-deep support for the
|
||
Cause will not move the Cause forward. The best way to remember the memory of
|
||
the Martyrs is to see that no more Innocents die, and that no more widows must
|
||
grieve at grave-sides rather than rejoice at new-found Freedom. If there are
|
||
to be more Martyrs, let us go down fighting for our beliefs and protecting
|
||
those to whom we have sworn our allegiance, rather than profaning the memories
|
||
of the dead with catchy slogans which mean nothing. The only way we shall
|
||
ever win the fight is with men and women devoted body and soul to the ideal of
|
||
Universal Brotherhood, not with those who merely go with whatever wind blows
|
||
strongest. Remember the Martyrs, for their life's-blood is the milk which
|
||
feeds the new-born Babe of Freedom.
|
||
|
||
For more information on the National Steelworkers Martyrs, please see Les
|
||
Bayless' article "Picket Line Deaths Spur S-55 Fight" in the Saturday, Septem-
|
||
ber 18, 1993 edition of the _People's Weekly World_ (Vol. 8, No. 16; pp. 1,
|
||
11), which is, incidentally, where I got my information from. If you cannot
|
||
find a copy of this, and can contact me, post me and I will relay a copy to you.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
[=- POETRiE -=]
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE DARK MiSTRESS
|
||
by Dark Crystal Spheres Floating Between Two Universes
|
||
|
||
From her lips come promises unfulfilled.
|
||
From her eyes spring tears of a thousand miseries.
|
||
She wears a mantle of things come and things gone and things yet to be.
|
||
She kills men and civilizations.
|
||
She is a giver and a taker, a builder and a destroyer.
|
||
She is a killer of loves and hates.
|
||
She is the Death of all things.
|
||
And Time is her name.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
When I gave food to the poor, they called me a saint. When I asked why the
|
||
poor were hungry, they called me a communist.
|
||
|
||
--Dom Helder Camara, Brazilian Bishop & Nobel Peace Prize Nominee
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE HOUSE OF LONG AGO
|
||
by Midnite Scholar
|
||
|
||
the dying lawn
|
||
the rotting trees
|
||
the dusty path
|
||
the bleached, peeling paint
|
||
the creaking, cracking steps
|
||
the steps from plank to plank
|
||
the caution of a stalking cat
|
||
the heavy, solid door
|
||
the rusted knob
|
||
the scream of
|
||
the rusted hinge
|
||
the stench
|
||
the cold draft on
|
||
the cheek
|
||
the stagnant time
|
||
the ancient dust
|
||
the stone hearth
|
||
the eternity
|
||
the morbid beauty
|
||
the broken wing
|
||
the dying, porcelain angel
|
||
the clouded mirror
|
||
the murky reflection
|
||
the stranger
|
||
the child long forgotten
|
||
the cold, dead breeze
|
||
the house of long ago
|
||
dusty path
|
||
the bleached, peeling paint
|
||
the creaking, cracking
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
The Solar System has no anxiety about its reputation.
|
||
--Ralph Waldo Emerson
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
CANCEROUS LiFE
|
||
by Kilgore Trout
|
||
|
||
scribbled pain on a lying face,
|
||
he sits beneath a sycamore tree
|
||
oblivious to the demons that surround him.
|
||
|
||
the grass underneath the boy lies soft and flat,
|
||
cushioning his hardened heart. the sky,
|
||
clear and periwinkle, darkens as the day
|
||
draws nearer. what will he become?
|
||
|
||
still sprawled out under the sycamore tree,
|
||
thirty-one yellow teeth rest by his feet.
|
||
the squirrels now have new playthings.
|
||
|
||
a small, insignificant creature among
|
||
billions of others. he is beautiful,
|
||
yet unimportant in the scheme of things.
|
||
a rotting society awakens his fears.
|
||
|
||
bleeding gums gnaw at tree bark,
|
||
searching for some small amount of
|
||
nourishment. he starves and dies.
|
||
|
||
soon his memory will be nothing more
|
||
than a picture in a chest in an attic.
|
||
lost and decadent were his actions--
|
||
a strangled voice in a sea of imbeciles.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
The warriors arose together, together they met, together they attacked, with
|
||
single purpose; short were their lives, long the mourning left to their kins-
|
||
men... in the fight they made women widows, and many a mother with tears at
|
||
her eyelids...
|
||
--From the Gododdin (Seventh-Century Welsh text) attributed to Aneirin
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
DONA NOBiS PACEM
|
||
by Captain Moonlight
|
||
|
||
I pick my way among the corpses, blood trickling into my footsteps as I
|
||
pass by. Here and there a scream, a moan, a cry for help, a cry for Mother, a
|
||
prayer for Life, a prayer for Death. The Book of Dead Names grows thicker
|
||
today. I pause, contemplating the body lying at my feet. A large hole, from
|
||
which the man's life-blood now flows in scarlet streams, shows in his back.
|
||
Pale flesh shows through tears in the soiled uniform, chestnut-brown hair is
|
||
seen protruding from beneath the tortoise-shell of a helmet. The young man's
|
||
right hand is frozen grasping his rifle, his finger still on the trigger as if
|
||
fighting off the Demons left behind after the fight, the common enemy against
|
||
which all the Legions of the Dead must fight. My gaze drifts down his left
|
||
arm, stretched in front of him, which boasts a great scarlet gash from elbow
|
||
to hand. I watch as a slight sticky trickle of the now-coagulating blood
|
||
oozes down his hand and splashes the golden ring around his long pale finger,
|
||
and I think of the wife whom he would never again hold (a blonde? a brunette?
|
||
a red-head?), as tears escape my eyes. Was her name on his lips as he died,
|
||
his last words floating away like a Dove to the Heavens as his Soul was car-
|
||
ried away by the Valkyries to the great hall of Valhalla (or as it slipped
|
||
into the dark recesses of Oblivion) or, more likely, was his dying cry for his
|
||
Momma, thinking of her loving embrace and his infant protection? The sick
|
||
sensation and pain I have been feeling grows more intense, and I vomit upon
|
||
this hapless corpse as I think of my own part to this great name-writing for
|
||
the Book of Dead Names before some Divine Audience. My hand flies to the
|
||
wound in my stomach, not as superficial as I thought, as I stumble to the
|
||
ground and fall upon the man's body. Our blood mixes in some strange marriage
|
||
and, as my Earthly eyes fail I can hear Divine Hosts, crying, or laughing, at
|
||
Man's folly.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
My youngest son came home today
|
||
His friends marched with him all the way
|
||
The pipe and drum beat out the time
|
||
While in his box of polished pine
|
||
Like dead meat on a butcher's tray
|
||
My youngest son came home today
|
||
And this time he's here to stay
|
||
|
||
--Eric Bogle, from "My Youngest Son Came Home Today"
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
SPiT: PART II
|
||
by Azagoth
|
||
|
||
Milk white skin caresses book of pulp.
|
||
Breach of closure revealing mechanically-crafted falsehoods.
|
||
Bow-ing, squint-ing
|
||
concentration finds not its salvation!
|
||
|
||
Desperation permeates
|
||
from skin sunken.
|
||
Bone defined structure
|
||
gropes book ashen.
|
||
|
||
Fish-hook glance - evil in disguise
|
||
Shun the oversized sword, centered in disgust
|
||
Darken nimbus stains not the inherently impure air.
|
||
|
||
Tearing tranquility, the crackle of brittle shell.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
There are many animals in the world which are in human form.
|
||
--The Gospel of Philip
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE iNEViTABLE
|
||
by Dark Crystal Sphere Floating Between Two Universes
|
||
|
||
Standing on the shore
|
||
Staring at the sea
|
||
Watching Them come in
|
||
They appear at the horizon
|
||
Oh, when the Angels are gone
|
||
The Demons play
|
||
The Old Ones shamble to shore
|
||
Humanity must not live
|
||
Does not deserve to live
|
||
So I, their agent, calmly stare
|
||
And as the Gulfs Between the Spheres Beckon
|
||
I Answer
|
||
|
||
The Things come in Human form
|
||
Unnoticeable to Their prey
|
||
Until, too late, they see the gleam in Their eyes
|
||
The Ancient Intelligence
|
||
The Incomprehensible
|
||
The Unnameable
|
||
|
||
The Angels have all run away
|
||
And left us with the Beast
|
||
Which reaches out Its tentacles
|
||
And takes part in the feast
|
||
The brave are the first to go
|
||
The cowards soon behind
|
||
The fools! They thought Man had a chance
|
||
To out-run the Divine
|
||
Lost, in the Darkness of Time
|
||
Man stumbles, falls, and dies
|
||
Mourned not even by the wind
|
||
Forgotten to all but Oblivion
|
||
And Humanity was arrogant enough to think it could win!
|
||
The Beast licks Its lips and laughs
|
||
And falls prey to the Other
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
It was kind of all wrinkled up like beef jerky.
|
||
--John Webber, on a human hand found in a
|
||
car at the auto-repair shop he manages
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
TORN
|
||
by Midnite Scholar
|
||
|
||
life
|
||
and
|
||
death
|
||
fight for my soul
|
||
love
|
||
and
|
||
hate
|
||
both try for my heart
|
||
light
|
||
and
|
||
dark
|
||
each want my mind
|
||
life and death
|
||
love and hate
|
||
light and dark
|
||
want control of my being
|
||
torn
|
||
i walk with Pain
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
[=- FiCTiON -=]
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
SEVEN TALES OF SPAM, VOLUME II: FRUiTS OF A FEATHER
|
||
by Flying Rat's Nostril
|
||
|
||
Author's note: If you are by chance wondering what happened to volume one, do
|
||
not be alarmed. Volume one does indeedly-doodly exist. It was, however,
|
||
printed under a different name, that being "Mindsweepings." If you don't know
|
||
what I'm talking about, _Do_Not_Panic_. Not having read the first story will
|
||
in no way effect your understanding of the present one.
|
||
|
||
|
||
PROLOGUE
|
||
or
|
||
"The Part Before the Actual Story Begins"
|
||
|
||
Long, long ago -- but not quite as long as the first story -- there were
|
||
two cavemen. Their names were Coconut and Banana; why they were called that
|
||
is a total mystery seeing that neither the Coconut nor the Banana had been
|
||
invented yet. Neither cavemen were bothered by this fact, however, for they
|
||
had both participated in many debates at P.N.A.U.F.A. (People Named After
|
||
Uninvented Fruit Anonymous) meetings, finally coming to the conclusion that
|
||
blue-tongued yaks tasted better than green-tongued yaks. Except, of course,
|
||
with white wine or Vaseline. That, however, is a story for another time.
|
||
|
||
Suffice it to say that their names were Coconut and Banana and that they
|
||
were satisfied.
|
||
|
||
This tale takes place shortly, to a God, after the first one. A mere
|
||
thousand years had past, Prometheus had just given man fire, and Hormel, who
|
||
turned out to be Prometheus' younger, transvestite sister, had just given man
|
||
Spam.
|
||
|
||
|
||
CHAPTER ONE
|
||
"The Nitty-Gritty of Cake Baking
|
||
or
|
||
Twelve Steps to Better Ice Fishing"
|
||
|
||
There was a steady, driving, cold, wet, chunky, loud, foul-smelling rain
|
||
outside the cave. It had come on suddenly, one moment it was clouded over,
|
||
but dry, the next minute it started to sprinkle, and within an hour it was as
|
||
if Lorg himself had flushed his toilet. Coconut sat sorrowfully by the door,
|
||
"Ung-blok-luf-doof-quasilegal-lok-Spam," he said sadly. Which would mean:
|
||
"Hissssss-Rattle-hiss-sss!" if translated into the language of the Highly-
|
||
intelligent-if-badly-adapted-Rattle-snake-people of the planet
|
||
Zxy!?*@PQMANZ157Quang-lek-neeth-Spam3. I have just been informed by Ali-
|
||
Jamima Jr. speaker of the 3 1/2 sacred tongues of Spam that many people do not
|
||
speak English, which coincidentally is the language of the Highly-intelli-
|
||
gent-if-poorly-adapted-Rattle-snake-people. For those poor, uneducated,
|
||
mortals who don't speak English, I will henceforth translate all conversation
|
||
into an English understandable to "those who eat Spam." That being the name
|
||
that the Highly-intelligent-if-poorly-adapted-Rattle-snake people have con-
|
||
veyed upon us. Now, beginning again:
|
||
|
||
"By Spam! but I hate the rain," he said sadly.
|
||
|
||
Banana looked up from his whittling, "It can't rain all the time!" he
|
||
said, laughing at his own joke. He returned to his carving, missing coconut's
|
||
baleful stare. And so the day past, Banana mutilating a block of particle
|
||
board, and Coconut cursing the rain with such common caveman phrases as: "By
|
||
the Bloody Spork," and "Blessed Jamima, Aunt of the sacred brothers."
|
||
|
||
The next day was much the same, the rain was there -- still; Coconut was
|
||
cursing at the before mentioned rain -- still; and Banana was still hacking on
|
||
his piece of wood.
|
||
|
||
Several things had changed: first, a shape -- a vaguely curved cylinder
|
||
with tapered ends -- was emerging from Banana's carving; and fifth, Coconut
|
||
was now busy losing a game of chess to a pet rock.
|
||
|
||
Now, you might be in the mind set that it would be quite impossible to
|
||
lose a game of chess to a pet rock, or that it would be testimony of a per-
|
||
son's stupidity. This is a common misconception, but as the name misconcep-
|
||
tion implies, it is false.
|
||
|
||
In that Era long past, pet rocks were not just small, painted stones that
|
||
some guy named Joe pasted googly eyes onto. Oh no! In fact, although they
|
||
tended to look like small, painted stones that some guy named Francine pasted
|
||
googly eyes onto, they actually belonged to an ancient and enlightened society
|
||
that had previously discovered the meaning of life, but had forgotten to write
|
||
it down.
|
||
|
||
After the fall of their vast and powerful empire, called "The Vast and
|
||
Powerful Empire of the Paete Qwress" (pronounced pet rocks), they spent most
|
||
of their time playing chess, and had gotten quite good at it. The Paete
|
||
Qwress moved a piece (as to how he did this without the use of arms is, quite
|
||
frankly, none of your business) and uttered a noise not unlike the sound a 1.4
|
||
pound piece of pumice would make if it were dropped approximately two feet
|
||
onto the head of an old man who had dozed off at the diner table.
|
||
|
||
The Paete Qwress' comment does not translate into anything English, but
|
||
we will just pretend that it meant, "Check and mate, you Spam-eating fool!"
|
||
|
||
Coconut knew he had lost the game, and although he did not know what his
|
||
opponent had said, he did not like the gloating quality in the rock's voice,
|
||
so he drop-kicked it onto a dusty, and unused shelf. By pure coincidence, the
|
||
Paete Qwress had been trying to get onto that shelf for several years, and was
|
||
very happy by this turn of events. Coconut would never know, however, and so
|
||
was very pleased with himself. The Paete Qwress made a sound not unlike that
|
||
made by a heavy piece of granite laced with marble falling a great distance
|
||
and landing on a cat. Similar to: "Meow? . . . Thump!" but not quite. The
|
||
pet rock's statement, if translated directly, means: "A dancing chicken never
|
||
wears lingerie in the rain." That, however, makes absolutely no sense at all,
|
||
so we will ignore its meaning and just pretend that he said, "Ha! you stupid
|
||
little man! you have made me happy!"
|
||
|
||
On the other side of the cave, Banana was still working furiously on his
|
||
particle board. He began to sing softly as he worked. He began on a low,
|
||
off-key note, "Duhhh." His voice raised and octave, "Duhhh." He raised one
|
||
more octave, "Duhhh Duhhh-Duhhh!" He dropped down low again, "Bum-Bum, Bum-
|
||
Bum, Bum-Bum!"
|
||
|
||
Coconut stumped over unhappily. "My Lorg, will the rain never stop!?"
|
||
|
||
As if on cue the rain stopped. Coconut cried out happily, ran outside,
|
||
and began to dance a jig. Just as he was finishing the dance, the clouds
|
||
burst, sending a torrent of rain down on top of him. Suddenly, a peal of
|
||
laughter came floating down the hill.
|
||
|
||
"Damn you to a Spamless hell!" Coconut screamed at the tribal rain danc-
|
||
er, "Lorg will punish you for that!"
|
||
|
||
Just then, a Paete Qwress came flying over the hill, striking the rain
|
||
dancer dead moments before the dancer came up with an ingenuously creative
|
||
comeback which would have saved the world from Glooth (don't worry, I'll
|
||
explain in a later story).
|
||
|
||
The rock in question had just beaten the chief of the tribe at chess and
|
||
said something that sounded like gloating. That particular rock later met
|
||
another rock who had always wondered what it would be like to kill a rain
|
||
dancer. In response the rock made a sound surprisingly similar to the one he
|
||
made striking the rain dancer. Something almost, but not quite like: "Oh
|
||
yeah! well, . . . Thump!"
|
||
|
||
In the language known to the Paete Qwress as cheese, this meant: "My
|
||
cat's breath smells like pu-pu."
|
||
|
||
That makes perfect sense if you think about it. Which is what the ques-
|
||
tioning Paete Qwress did, and walked away happy.
|
||
|
||
|
||
CHAPTER TWO
|
||
"The Immortal Frog Dancers"
|
||
|
||
The rain continued for the remainder of the week, which in those days was
|
||
twelve days instead of seven. Approximately ten years after this tale took
|
||
place, the population of the world went on strike, that is, they held their
|
||
breath, until Lorg gave in and shortened the week.
|
||
|
||
It is a well known fact that withholding oxygen from your brain can cause
|
||
brain damage and eventually death.
|
||
|
||
This fact was first discovered during the fight for a shorter week, in
|
||
which many protesters either died or committed unwitting self-lobotomies. This
|
||
does, however, explain the condition of many T.V. sports broadcasters.
|
||
|
||
On the dawn of the third day after the rain stopped, Coconut and Banana
|
||
were still asleep. By noon, however, they were both awake and contemplating
|
||
the age old question 'Why does a zebu walk at midnight?'
|
||
|
||
They never had a chance to determine the true answer, which happens to be
|
||
Spam cubed, on account of an ear splitting scream from outside the cave.
|
||
|
||
Both cavemen snapped back to reality, or a close facsimile of it anyway,
|
||
and ran like Hippies out of an FFA meeting to the source of the scream.
|
||
|
||
Outside, a treewoman -- women tended to believe that caves were dark and
|
||
smelly, which they were, and so they preferred to live in trees -- sat cring-
|
||
ing on the ground, surrounded by three imposing figures.
|
||
|
||
Without warning, the three men yelled "Uno . . . dos . . . tres!" and
|
||
dropped their crushed-bug-purple colored robes.
|
||
|
||
What they revealed was indeed a terrifying sight. Well, to some at
|
||
least, and for those of you who like that kind of thing, please keep silent.
|
||
All three men were naked, totaly, completely, disgustingly naked. Every inch
|
||
of their bodies, except their heads and a four inch square box that was
|
||
marked 'for office use only' (I'll let you guess where), was covered with
|
||
tattoos of small, pink bunnies. These were actually a species of bloodsucking
|
||
bunnies which were notorious for taking small children and leaving a quantity
|
||
of multi-colored eggs in their place.
|
||
|
||
The tattooed men began to dance lop-sidedly around the women, shaking
|
||
rattles made from human skulls filled with Spam. As to why it made a rattling
|
||
noise is a long lost secret. The woman screamed and bolted between the danc-
|
||
ers, disappearing over a ridge.
|
||
|
||
Banana and Coconut were not the only ones there, in fact most of the
|
||
village was there, staring with a kind of fearful awe.
|
||
|
||
Except, of course, for Coconut. Oh, he was there, as you would know if
|
||
you were paying attention, but he stared with more of an interested awe than a
|
||
fearful one.
|
||
|
||
This irked the Frog dancers to no end. They could not abide anyone not
|
||
being afraid of them.
|
||
|
||
They immediately stopped dancing and closed in on Coconut.
|
||
|
||
Everyone backed away from Coconut, even Banana. The last person who had
|
||
interrupted an Immortal Frog dance had been Seemore Butts (ha, ha, you per-
|
||
verts). He ended up being Spammed, drowned in distilled Spam juice, for the
|
||
crime of celibacy. This was just a coincidence, but we hope you will drink
|
||
"OK" Soda anyway.
|
||
|
||
One of the Frog dancers was about to clobber Coconut with a zucchini,
|
||
when the Spam in his rattle suddenly gained a malicious intelligence and
|
||
devoured him. The others were not phased by this, things like that might not
|
||
happen every day, but something can happen quite often without happening every
|
||
day.
|
||
|
||
The remaining two Frog dancers had started toward Coconut, when one of
|
||
them suddenly exploded. This was quite shocking, for while that particular
|
||
had been known for his particularly strong flatulence, nothing like this had
|
||
happened to him before.
|
||
|
||
The last remaining Frog dancer dropped to his knees and yelled, "Oh,
|
||
please spare me great lord!"
|
||
|
||
This confused Coconut for he had nothing to do with what happened, but he
|
||
did know an opportunity when it kicked him in the butt, shaved his head, and
|
||
doused him in gasoline.
|
||
|
||
He looked down on the Immortal Frog dancer, summoned up all of his digni-
|
||
ty (which wasn't much) and said, "I will spare you on one condition!"
|
||
|
||
"Oh yes, great lord! anything!" exclaimed the Frog dancer, jumping to his
|
||
feet.
|
||
|
||
Coconut cleared his voice, "Why are you people called Immortal Frog
|
||
dancers if you've got tattoos of pink bunnies all over you?"
|
||
|
||
The Frog dancer jumped to his feet, outraged, "I cannot tell you that! It
|
||
is the sacred trust of we Immortal Frog dancers!"
|
||
|
||
In that subtle and crafty method that people you owe money to often use,
|
||
Coconut called the frog dancer's attention back to the reason he was in debt.
|
||
|
||
The Frog dancer glanced over to where the now maliciously intelligent
|
||
Spam had built a rocket out of tinker-toys and was beginning the count down
|
||
sequence. Sweat popped out on his forehead. He looked at his other companion
|
||
whose bowels were still burning with a foul, green, putrid, stinking, green
|
||
(oh wit, I mentioned that already) fire.
|
||
|
||
He made a small whimpering sound, and finally turned back to Coconut.
|
||
"All right, all right! I killed him! And I _enjoyed_ it!"
|
||
|
||
"What?!" asked Coconut perplexed.
|
||
|
||
"Oh! I mean, All right, all right! I never passed the final exam! I
|
||
don't know the answer!"
|
||
|
||
"How did you become an Immortal Frog dancer then?!" demanded Coconut
|
||
enraged. (Actually he was faking the anger, and pulling it off nicely.)
|
||
|
||
"Well . . . " said the Frog dancer meekly, whose name was Phill by the
|
||
way, "I bribed them."
|
||
|
||
"Really?" asked Coconut, "how much did that cost?"
|
||
|
||
"Well I got a great deal, it was $122.95 but I got it marked down to
|
||
$99.95."
|
||
|
||
"I guess I'll never know, will I?" Coconut asked glumly.
|
||
|
||
"Well actually," said the Frog dancer, "I can tell you how you can find
|
||
out.
|
||
|
||
"You must fix a can of Spam onto your head and run east," he said, point-
|
||
ing to the setting sun.
|
||
|
||
"If you come upon a turtle, you must tell it, 'I am a squid!' before
|
||
continuing on you way.
|
||
|
||
"After five days, you should come upon a forest. Go to the tallest tree
|
||
you can find and offer it a herring.
|
||
|
||
"After you have done this, a three foot tall man, who is a spitting image
|
||
of Fabio will appear. Ask him what two plus two is and he will say five, but
|
||
in a way that will make you understand."
|
||
|
||
"That's a lot of trouble just to find out why you people call yourselves
|
||
the Immortal Frog dancers," Coconut said worridly.
|
||
|
||
"Well, OK," the Frog dancer admitted, "there is another way. You must
|
||
think on this question until you know the answer. 'What would you rather
|
||
have, two tons of latex or two tons of squid legs?'"
|
||
|
||
|
||
EPiLOGUE
|
||
|
||
It is said that after many years, Coconut did know the answer, and became
|
||
the tribal medicine man. He was killed at age 32 1/2 when a giant were-
|
||
chicken attacked the zebu herd. This caused a stampede in which a butterfly
|
||
was crushed to death.
|
||
|
||
If the insect had lived, Coconut could have pulled off its wings and
|
||
boiled them to make an antidote for Spampox. A dreaded disease that he got
|
||
through a mail-order catalogue. Many historians believe that if he had lived,
|
||
he could have prevented the horrible fate of Glooth.
|
||
|
||
|
||
Author's note: It has occurred to me that not all of my readers know what a
|
||
zebu is. Well, if you care . . . look it up, any dictionary worth its Spam
|
||
will have it.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
The coffee's too hot out there.
|
||
--Richard Anglada, one of the Jurors who awarded $2.9 million to an
|
||
81-year-old given third degree burns by a cup of McDonald's coffee
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
NOTES FROM THE UNDERGROUND
|
||
by Crux Ansata
|
||
|
||
Hello. My name is Ansat. No, I'm a Weather_Person_, a member of the
|
||
Weather Underground. We aren't 'Weathermen' anymore. Some idiot up the line
|
||
decided that to allow any women messed up enough to want to die beneath the
|
||
Pig's clubs alongside us was preferable to having the negative publicity of
|
||
being "sexist." We weren't "sexist;" let me tell you from experience, seeing
|
||
a sister crushed or bleeding in the street hurts a hell of a lot more than
|
||
seeing the same happen to a brother. But I digress.
|
||
|
||
I've come to speak here to dispel something. I've seen the Weather
|
||
Underground attacked by Left and Right alike as violent warmongers. Yes, it's
|
||
true we've gone to protests with clubs and chains. Yes, it's true we've been
|
||
known to provoke cops with such literary greats as "ONE TWO THREE FOUR WE
|
||
DON'T WANT YOUR FUCKING WAR" or "PIGS EAT SHIT." Perhaps I should start with
|
||
myself.
|
||
|
||
I didn't join the Weathers because I like to hurt cops. I don't. Every
|
||
blow I land hurts, but it needs to get laid. They're humans too, man! Pris-
|
||
oners of the same system. I didn't join due to the ideology. I know people
|
||
who joined because they are willing to die for what they believe. In my own
|
||
way, I respect that. I just don't do it myself. I joined because of Bobbi.
|
||
|
||
Bobbi was perfect. I don't just mean her angel's face, or her body, or
|
||
how she was in bed. I don't just mean her personality, either, although there
|
||
was something to that. She was always the one helping whoever needed it. No,
|
||
the important part is her ideology. When her friends were reading Marx, she
|
||
was reading Gandhi, and really grokking it.
|
||
|
||
She was a pacifist. She opposed the war. She really loved people -- all
|
||
people. She was active opposing the war in the community and all, but when
|
||
she heard about Chicago, she thought they were on to something. She seemed
|
||
truly to think that if the world could be told what was wrong, they would stop
|
||
'Nam.
|
||
|
||
I don't know how she scraped together enough to make the trip. Hell, I
|
||
don't know how I pulled it off, and I had more Materialistic Kipple to liqui-
|
||
date. I'd never had any of those delusions about poverty being good. Anyway,
|
||
we got it together and went up. She was going to meet up with other pacifists
|
||
and they were going to set all right with the world. They would overcome. I
|
||
just wanted to be with her. No one expected Daley's welcoming party.
|
||
|
||
She met up with her group, and they started chanting. Most of them were
|
||
TMers, and the others were giving it a go. I guess they figured with the Phil
|
||
Ochs music and Yippies screwing in the woods there were enough good vibes to
|
||
meet Nirvana. Then they let the Pigs loose.
|
||
|
||
It's all chaos after that. There was a lot of running and screaming, and
|
||
the chanters were all across the park. Bobbi and most of here group just
|
||
stayed. Then the tear gas began. Protesters of all types were running past
|
||
by then, and the yellow cloud was chasing them like something out of a nuclear
|
||
apocalypse flick. The protesters went around the pacifists. The tear gas
|
||
went right into them. By this point half the group had fled. I was thinking
|
||
that wasn't so bad an idea, but I wasn't going to desert Bobbi.
|
||
|
||
'Bout that time I spotted that Concerned Clergymen group. They were
|
||
singing and praying and handing out water soaked napkins, some sort of low
|
||
cost chemical warfare defensive gear. I started taking some over to her group.
|
||
|
||
Needless to say, those napkins didn't work for long, and I was a one man
|
||
bucket brigade bridging the gap between the groups. That was the only reason
|
||
I didn't get there in time. I was on about the third or fourth returning
|
||
trip, about sixty feet from her, when the Pigs hit. And hit. And hit.
|
||
|
||
It's hard to be forewarned when you can't see for the gas and the tears
|
||
and you can't hear for the bullhorns and the screams of, and for, fallen
|
||
comrades. That, and she was in front. She said she wasn't afraid. She
|
||
couldn't see the cops going after people who were just chanting. The Yippies
|
||
or the SDS sure, she could see the police arresting a few of them, the leaders
|
||
and the agitators. But she was doing no wrong. But she was wrong.
|
||
|
||
Then, though, no one saw Chicago coming. America became a lot less
|
||
innocent then. The police and Mayor Daley took the Left's Virginity, and laid
|
||
us waste.
|
||
|
||
All that aside, though, it still seems in my fuddled memory almost as if
|
||
they purposely aimed for her. She was without a doubt one of the first to go
|
||
down. Most of the others were scrambling away, and most of the handful that
|
||
stayed I'm sure would have fled had they not been felled.
|
||
|
||
And you know what? No one was protecting them. The girl I loved was
|
||
lying bloody beneath Chicago's finest, and no one cared. Except the Weather-
|
||
men. I don't know why the pacifists just deserted her. I suppose if a thug
|
||
kills you you get good Karma and aren't resurrected as a cockroach or a pre-
|
||
cious Mao button to be distributed to the poor in the Region of Thud. Either
|
||
way, they let her go down. Then a Weather unit showed up.
|
||
|
||
This was before we were so armed. Or I should say "they"; I wasn't one
|
||
yet. They came out of the mists and put their bodies between the pigs and the
|
||
wounded, and they pushed back while the Concerned Clergymen dragged off the
|
||
bodies. I didn't care about their politics, only their actions. They were
|
||
fighting for the oppressed, against losing odds. They were doing right.
|
||
|
||
I know I should have stayed with her. I know I should have cradled her
|
||
head while she died. But I couldn't just kiss her goodbye, just watch her
|
||
bleed. I was up with the Weathermen, pushing back. We held them back long
|
||
enough that it took forever to find out where those priests had spirited her
|
||
off to. After we withdrew, one of the Underground helped me to find her.
|
||
|
||
So that's why I'm a Weather Person. I do not want to see another boy-
|
||
friend have to identify a bloody carcass that once was the most beautiful girl
|
||
to ever float across the ground in a makeshift morgue in an elementary school.
|
||
I don't want another person to have to notify distraught parents that their
|
||
Government had clubbed their little girl to death in a defense of their free-
|
||
dom to be drafted, their freedom to see their babies shipped halfway across
|
||
the world to kill another family's babies.
|
||
|
||
Think of that next time the news shows angry protesters battling the
|
||
police. If we are fighting the Pigs, its just because we hope to protect
|
||
someone who needs it. If we're chanting against the Kops, its so that they
|
||
beat us and not the pacifists. Not the priests. Not the angels.
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE TWiST
|
||
compiled by Gore BrainRot
|
||
|
||
[Editor's note: This document has been left in its original format, since it
|
||
was originally a grouping of posts on a BBS to keep its raw feel.]
|
||
|
||
|
||
|
||
CHAPTER ONE
|
||
|
||
Unexpectedly the typewriter at Watson's right hand turned into a huge
|
||
roach with a talking anus for a mouth. "HOLMES!! The owls are not what they
|
||
seem" hissed the typewriter.
|
||
|
||
Watson started mooing likea bull in heat and ripped off a whore's face
|
||
and to everyone's surprise she was really Franz Kafka. William S. Bourroughs
|
||
walked into the room with a hand gun and proceeded to put a golden apple on
|
||
Holmes's head.
|
||
|
||
BLAM! Watson came out of his drug induced hallucination and realized that
|
||
two things, one was that when Holmes lights that special incense of his
|
||
strange things happened and secondly that Kafka was really Dr. Moriaty in
|
||
disguise. His first shot had missed Holmes because Moriaty had a bad crack
|
||
habit and was in need of a fix and thus his hands were shaking. Holmes still
|
||
thinking that Moriaty was Kafka says, "Interzone, Internet, Interfuck."
|
||
Watson stabs Moriaty in the heart with one of Holmes' empty syringes. The air
|
||
bubble in his heart killed him instantly. Suddenly there is a loud whirring
|
||
noise from outside the small English residence and the room began filling with
|
||
Cybermen.
|
||
|
||
Watson turns to jump out of the only window in the room but comes face to
|
||
face with Aeon flux standing there gun in hand, but its all right she is
|
||
already dead in this episode. She was impaled on a coat hook. Watson flies
|
||
through the side door onto the street and gets into his 1990 jaguar and drives
|
||
away. He then realizes that cars have not been invented and he is having an
|
||
opium flashback, and the entire time he thought he was driving away he was
|
||
standing in the living room making car sounds and hacking the hookers head off.
|
||
|
||
He then put the bloody axe in Sherlock's dead hands and said, "Solve this
|
||
one mother fucker!"
|
||
|
||
Immpossibly, just as those words left his mouth, Holmes jumped up and
|
||
raped Watson. Holmes screamed into Watson's ear, "SQUEAL LIKE A PIG! BOY,
|
||
SQUEAL LIKE UH PIG!"
|
||
|
||
Then Odorous awakens!
|
||
|
||
Odorous Urungus then came to and realized that dream was the strangest
|
||
jack off fantasy he had ever had! He felt so ashamed that he cut his penis
|
||
off, strange thing though, his girlfriend never noticed!
|
||
|
||
Virgo cried all night when Odorous told her the problem... She didn't cry
|
||
because he cut his dick off... but she cried because he never told her the
|
||
truth... and because this was one of the few times a year that he comes
|
||
over... Then Virgo recovered quickly and decided to seek out this strange
|
||
Sherlock Holmes that Odorous kept babbling about.
|
||
|
||
She put on her standard floppy hat, patchwork jacket and bell bottoms
|
||
headed out for the main street. The rain was cold and blew hard against her
|
||
shaking body and she trudged through garbage and mud puddles, her glasses were
|
||
useless and the rain filled them with droplets of blindness.
|
||
|
||
At once she saw a light.
|
||
|
||
Silacious Crumb and Peter Pendragon in the Awful Green Rice Rocket.
|
||
Having been to another raucous party and quite drunk, the two intrepid
|
||
adventures traveled down the road towards the lonely Virgo. As they rounded
|
||
the bend, there stood poor unfortunate Virgo, frozen stiff in the light like a
|
||
stunned opossum.
|
||
|
||
And then the drunken Peter Pendragon said, "Where the hell are we?"
|
||
|
||
With a confident smile Silacious turned him and said, "You wanna see
|
||
something scary?" As the two raced down the road at break neck speeds, our
|
||
heroin stands in the road stunned and contemplating.
|
||
|
||
Quickly she exclaims "Where's my compass? I need my compass!" North,
|
||
East, South, West. N)ever E)at S)hredded W)heat
|
||
|
||
She remembered the proper way of remembering directions, as taught by
|
||
JENNEr, just as Aeon flux pushes Virgo out of the way of the Awful Green Rice
|
||
Rocket at the last instant. But, much to her dismay, Aeon is smashed flat by
|
||
the Awful Green Rice Rocket. Her automatic resurrection device activates and
|
||
revives here there on the spot, but as soon as she stands up, a large Little
|
||
Debbie Snack Cakes van hits her from behind. The van ended up smashing her
|
||
flatter than before. She gets up again fully healed ( what would she do
|
||
without her resurrection device?) Little did she know, she had staggered next
|
||
to the railroad crossing. She was still slightly dazed from the double-
|
||
resurrection when a train ran off its tracks flies thorough the air, hurtling
|
||
directly through here upper abdominal area (a record Aeon Flux has died three
|
||
times in one episode.) And then the screen fades black and a picture of a
|
||
golden apple fills the screen and a hollow metallic voice says "Enter
|
||
Universal Access Number now!"
|
||
|
||
"Enter Universal access number now!" A hollow metallic voice repeated.
|
||
Virgo, in a frequent but small bout of mental incapacity, screamed into the
|
||
fog "Is JOHN LENNON THERE?"
|
||
|
||
By the time she thought about what she had said, and what made her
|
||
decide to say it, it was too late. Another metallic voice came to here from
|
||
the nothingness of her mind and said, calmly, but somehow unsure of itself,
|
||
"The Walrus was Paul"
|
||
|
||
By that time her small but frequent bout of mental incapacity (usually
|
||
called a brain fart) ended and she reentered into the faux- reality that was
|
||
her life.
|
||
|
||
She decided to ignore (as she always does) her mindless babbling and
|
||
continue on the search of this Holmes or Watson or Bobbitt guy, whoever had
|
||
removed (at least what Mr. U calls it) Won Eyed Willy the Wonder Worm (HEY
|
||
ROCKY! yes Bullwinkle? You wanna see me pull a one eyed purple headed worm
|
||
out of my pants? NOT AGAIN!), A.K.A. the Paynissssss of Odorous Urungus (NOT
|
||
THE GWAR GUY, that's the Cuttlefish of Cthulhu).
|
||
|
||
She crossed the thin line between the not-so-nice-side-of-town and the
|
||
not-quite-as-nice-as-the-not-so-nice-side-of-town and knew, where she was,
|
||
there was only one or two other places not-quite-as-nice as where she is so
|
||
she was relieved that she was not completely at the bottom.
|
||
|
||
Off in the distance she spots another light through the dark tunnel of
|
||
buildings and fog. She approaches it (for unlike certain Awful Green Rice
|
||
Rockets, this light was not hurtling towards her at warp speed) and she
|
||
discovered (much to her non-dismay) it was Theopholus's Milk Bar/Laundromat/
|
||
Convenience Store/Penis Relocation Detective Agency.
|
||
|
||
She cautiously opens the door and walks into a typical cinderblock
|
||
building that most junior food stores, cheap bars and crack houses are
|
||
constructed to resemble (all to the masters plan.) She politely walks up to
|
||
the girl behind the counter in her best Lisa Loeb walk, or shall I say glide,
|
||
and says "I am looking for a penis." in slightly confused manner.
|
||
|
||
The girl straightens the paper cap on her head on says, "Aren't we all
|
||
honey, but I think I know what you mean."
|
||
|
||
She gestures to the back room. She walks up to a large wooden door
|
||
marked private. Sauntering enter the room, her expression changed to the best
|
||
I have lost a penis and want to find it expression, to match her walk. She
|
||
sees a large room brightly lit with banks of computers and penis detection
|
||
equipment lining the walls. A well dressed man sitting behind a large antique
|
||
desk acknowledges her presence with a almost nonexistent nod. She notices the
|
||
autographed picture of Lorena Bobbit on the desk and a copy of 'Penis Finders
|
||
Today' on the desk open to page 25.
|
||
|
||
In an almost trance like state she says, "I am looking for a penis" She
|
||
decides that the man sitting behind the resembles "mother" form the avengers.
|
||
|
||
He says "How can I help you young lady?" Apparently not hearing her
|
||
previous statement.
|
||
|
||
Suddenly she feels her face flush and her temperature raise about 10
|
||
degrees. "The wall, the walls are...they are stretching and groaning and
|
||
bending and warping," she thinks outloud to "Mother" behind the desk," and
|
||
moving in towards me." Her voice was getting higher as she spoke.
|
||
|
||
She tries to focus on the man in front of her only to see his face is
|
||
also warping and distorting as if she is in a huge oven.
|
||
|
||
His warping face manages to make the words float to her, "Dontcha just
|
||
hate it when this happens! I always have to get my desk revarnished after
|
||
things like this!"
|
||
|
||
The woman who showed her in abruptly grabs the back of the chair and
|
||
Virgo realizes she is in a wheel chair. She is wheeled down a dark hall,
|
||
voices whisper to her out of the darkness. She hears a hysterical laugh
|
||
somewhere in the distance, and is comforted by these somehow familiar
|
||
surroundings.
|
||
|
||
Instantly all is black. She wakes up in a white room in a white bed very
|
||
peacefully, though feeling as if a train wreck had taken place in her head.
|
||
|
||
She starts to get up and leave when the covers fall back and reveal that
|
||
she is now the proud owner of Odorous......
|
||
|
||
Virgo for an instant slips into a parallel universe. Well it seemed like
|
||
an instant to the people from where she left but to her it was a lot longer.
|
||
How much longer she knows not, just that the events that happened there
|
||
changed her life and her perceptions of it for ever. She was in a room, a
|
||
bedroom with a four poster bed. The floor and bed was lined with silk, sheets
|
||
on the bed, pillows on the floor. Then Aeon Flux enters the room with a risk
|
||
game and they play for hours.
|
||
|
||
---
|
||
|
||
[Compiler's Note: All Copyrighted names appear without permission and are not
|
||
intended to mislead the reader that these names are licensed for use in the
|
||
story.
|
||
|
||
This story is made up of posts from the National Midget Resistance
|
||
(205)478-5152 and compiled by Gore BrainRot (sysop of the Erisian Liberation
|
||
Front (205)343-8335) @4120 WWIVnet
|
||
|
||
I would like to thank the following for allowing this story to be submitted:
|
||
Bacchus, JENNEr, S'pange, Baphomet (sysop NMR), Virgo, Silacious Crumb,
|
||
Gore Brainrot (me), Aeon Flux, Hardo, Yellow Pocket Change, >UNKNOWN<
|
||
|
||
Thanks to one and all.]
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
If a God has made this world, I should hate to be that God, for the misery of
|
||
the world would break my heart.
|
||
--Arthur Schopenhauer
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
THE GRAVE-SiDE POOL
|
||
by Dark Crystal Sphere Floating Between Two Universes
|
||
|
||
Sunday is gloomy, my hours are slumberless,
|
||
Dearest, the shadows I live with are numberless;
|
||
Little white flowers will never awaken you,
|
||
Not where the black coach of sorrow has taken you,
|
||
Angels have no thought of ever returning you.
|
||
Would they be angry if I thought of joining you,
|
||
Gloomy Sunday!
|
||
--From "Gloomy Sunday", by Laszlo Javor, Sam M. Lewis, and Rezso Seress
|
||
|
||
Catherine had just turned eighteen when Robert was killed. A "freak
|
||
accident" they called it, an "act of God", but were it an act of God it was an
|
||
act of a very cruel God indeed, for they were to have been married not a
|
||
fortnight after Robert died; now, instead of the Bride's white she would be
|
||
wearing the black of deep mourning, a colour reserved for those thrice her
|
||
age; instead of tossing a bouquet to her laughing friends she would be tossing
|
||
one on her fiancee's coffin.
|
||
|
||
For days after he was interred Catherine was hardly seen but in the
|
||
cemetery, either praying beside his grave or walking the path which runs the
|
||
dark pool in the grave-yard's centre, near-blinded by her tears. This pond
|
||
was an ancient one, fed by cold-water springs somewhere deep below the still
|
||
surface, existing even in Pagan times when this was rumoured to be a sacrifi-
|
||
cial spot, re-consecrated for more holy uses by the Christian missions who
|
||
founded the cemetery. Indeed, a child is said to have found a stone with
|
||
strange carvings etched by primitive hands while playing along the water's
|
||
edge, a stone which, when seen by the village Deacon while strolling in the
|
||
market square, was snatched and ground underfoot with such force so as to
|
||
frighten the child into fleeing from the kindly man for fear of life and Soul.
|
||
However, such strange legends and stranger facts are, so as to retain sanity,
|
||
usually ignored by the villagers in these parts; they who prefer to live the
|
||
guarded and sane lives lived by their ancestors before them.
|
||
|
||
On the Sunday after Robert's interring, as Catherine walked her path
|
||
along the pool's edge, Catherine stopped to gaze into the pool's depths, and
|
||
suddenly the still waters were disturbed by new-fallen tears for there, ges-
|
||
turing towards her, was Robert, imprisoned beneath the glass-like surface.
|
||
Upset by the hallucination, Catherine pressed her hands to her eyes until
|
||
sharp needles of pain went through them and yet, upon opening, there was
|
||
Robert, still just out of reach beneath the pools surface, crying out to her.
|
||
His wails, though urgent and insisting, fell silent on her ears, for upon
|
||
death ties of communication had been severed between them and, despite the
|
||
love between them, despite her longing to understand, nothing could make this
|
||
denizen of the Living understand the speech of the Dead.
|
||
|
||
Day after day she returned to the pool, where she stayed, pining with
|
||
grief, until it was too dark to see the Shade and his desperate pleading any-
|
||
more, and day after day she went home her face tear-streaked, her eyes red-
|
||
dened. As the days drew on, with the couple's futile attempts to communicate,
|
||
the villagers discussed among themselves the dilemma of Catherine's insanity
|
||
("Ever since that man o' her's died she's been over at that there pond acryin'
|
||
away -- 'tain't healthy"), and they mutually decided that, for her own safety,
|
||
she must be detained. So, on the Friday following Robert's first appearance,
|
||
Catherine's grieving parents arranged for a twenty-four hour watch on her
|
||
door. Thus Catherine was left to weep in her room and ponder the tearful
|
||
spectre's message.
|
||
|
||
At about one or two o'clock in the morning the Sunday following Robert's
|
||
appearance, Catherine entered into a purple shrouded dream, sent as if in
|
||
answer to her tearful ponderings. She dreamt that, as she walked along the
|
||
side of the pool peering into the depths, Robert suddenly joined her and,
|
||
*whispering into her ear that which she must do to be able to interpret that
|
||
which in all her vigils she could not and, upon awakening, she determined to
|
||
carry out that which she now knew she must do. Sneaking past the sleeping
|
||
guard, she hurried out to the cemetery where, upon making sure there were no
|
||
observers and no worry of "saving", she cast herself amid the waters of the
|
||
ancient pool, and never again saw the light of this World.
|
||
|
||
The following Sunday her bloated body was found by the sexton floating
|
||
gently upon the surface of the pool as he skimmed Autumnal leaves from the
|
||
dark surface. She was buried shortly thereafter in the plot beside Robert in
|
||
the old cemetery, her burial shortly being succeeded by that of the negligent
|
||
guard who awoke several nights after the finding of the body to the insistent
|
||
knockings of a masked mob upon his door, a mob carrying a stout hemp rope
|
||
which would be the last thing he would feel.
|
||
|
||
They are together now, living in a World of which waking men know noth-
|
||
ing, speaking in that language known only to Dreamers, Mystics, and Necromanc-
|
||
ers, as they are bound by ties which are stronger than marriage, which last
|
||
longer than "till death do us part."
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
||
|
||
State of unBeing is copyrighted (c) 1994 by Kilgore Trout and Apocalypse
|
||
Culture Publications. All rights are reserved to cover, format, editorials,
|
||
and all incidental material. All individual items are copyrighted (c) 1994 by
|
||
the individual author, unless otherwise stated. This file may be disseminated
|
||
without restriction for nonprofit purposes so long as it is preserved complete
|
||
and unmodified. Quotes and ideas not already in the public domain may be
|
||
freely used so long as due recognition is provided. State of unBeing is
|
||
available at the following places:
|
||
|
||
iSiS UNVEiLED 512.930.5259 14.4 (Home of SoB)
|
||
THE LiONS' DEN 512.259.9546 24oo
|
||
ftp to io.com /pub/SoB
|
||
|
||
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
||
|
||
|
||
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|