131 lines
6.5 KiB
Plaintext
131 lines
6.5 KiB
Plaintext
|
|
|
|
___________________________________________________________________________
|
|
* April 21 Phucked Phreak Productions Vol 17 *
|
|
* Proudly Presents.... *
|
|
* *
|
|
* \ / \ *
|
|
* / / \ \/ *
|
|
* \ \ / \\ . *
|
|
* \ \ / \ ____________________________ *
|
|
* \ / \ ||||||| Blackout Technique | *
|
|
* \ \ |||||||____________________________| *
|
|
* ' / *
|
|
* *
|
|
* WARNING: The Attorney General has determined that these files may *
|
|
* be as dangerous to your dogma as that cigarette is to your *
|
|
* Health! *
|
|
*__________________________________________________________________________*
|
|
|
|
Originally by Frater Apfelman
|
|
of the Chaos Box bbs
|
|
Edited slightly
|
|
by
|
|
John Constantine
|
|
|
|
|
|
|
|
The blackout or as it is commonly referred to, the death posture, is
|
|
the technique that the late Austin Osman Spare refined for his own
|
|
magical use and which has been adopted by chaoists, solo and group,
|
|
world wide as its popularity has been increased by the works of the
|
|
IOT over the last decade or so.
|
|
|
|
The normal procedure, as many will undoubtedly be familiar with,
|
|
(and this is only one of its uses) is that a sigil/glyph of desire
|
|
is held in the mind`s eye whilst in what we all refer to as the
|
|
death posture e.g., stood on tiptoe, arms locked behind the head,
|
|
body stretched to its limit, deep spasmodic breathing, until total
|
|
exhaustion and the inevitable black out. The sigil is then lost to
|
|
the mind of the operator and laughter is used to banish the sigil.
|
|
|
|
Anyone who has used this technique for the above said purpose, will
|
|
have at sometime or another experienced, even if just slightly,
|
|
difficulty in holding the posture long enough for the desired gnosis
|
|
to take effect sufficiently for blackout. And due to this
|
|
difficulty, a well planned ritual can be a well planned waste of
|
|
time if the desired result is not implanted properly.
|
|
|
|
A technique that has been repeatedly employed by myself on such
|
|
occasions is based upon the same principles as the death posture but
|
|
as I have found, a little easier and without the pitfalls that one
|
|
can experience with A.O. Spare`s technique.
|
|
|
|
This technique is a strange mixture of inhibitory and excitatory
|
|
gnosis, forced overbreathing, dancing or spinning, and of course
|
|
exhaustion. The end result is of necessity for this process the
|
|
blackout, which is as we know, of the inhibitory gnosis. I will now
|
|
explain how this technique is employed by one for the insertion of
|
|
sigils for whatever purpose one feels the need.
|
|
|
|
First one has to sigilise the desire in any form that one may wish,
|
|
but in all cases and especially this one, it must be very easy to
|
|
visualise. Once that has been achieved, one may then begin to design
|
|
the ritual for that particular purpose in mind. Banishings and
|
|
invocations may be employed, if so wished, this is, however, not a
|
|
necessity for the successful outcome of this process. At the
|
|
culmination of the rite the individual starts the overbreathing,
|
|
panting deeply and spasmodically and at the same time visualising
|
|
the sigil as vividly as you possibly can, bright, intense and very
|
|
clear as the overbreathing continues. Then when you feel that the
|
|
time is right, start your spinning round and round, still
|
|
overbreathing and still holding your visualised sigil in your mind`s
|
|
eye. Music can be played for a background to the dancing, tom toms
|
|
or any other drum is rather excellent background sound for this
|
|
purpose. When the individual has reached a state of sheer
|
|
exhaustion, very dizzy, sweating and ready to drop, he or she then,
|
|
still spinning and overbreathing and of course holding the visulised
|
|
sigil in mind, works their way to the centre of the circle or
|
|
working area.
|
|
|
|
There a partner, either active or passive to the rite, (in other
|
|
words, if a solo worker, try to get someone to help you with this
|
|
part) stops you spinning and grabs you in a bear hug lifting you off
|
|
the ground and squeezing you about the solar plexus, where a large
|
|
network of nerves lie. At this precise moment the music, if any has
|
|
been employed, is stopped, and death-like silence is kept. The
|
|
practitioner holds his or her breath whilst being squeezed and the
|
|
sigil is visualised as if burning with bright, white heat as its
|
|
image is burnt into your mind. Within seconds the blackout will
|
|
occur and the sigil is lost to the mind. At this point it is
|
|
important that your partner lets you drop to the floor, unless that
|
|
is you wish to return to primal chaos! (death).
|
|
|
|
On coming round, in most cases, you should evoke laughter to banish
|
|
the sigil and all thoughts thereof, your laughter breaks that
|
|
silence and the rite is finished in whatever manner wished.
|
|
|
|
With fractalic greetings and laughter * Fra.: Apfelmann *
|
|
|
|
Origin --- Chaos Box bbs
|
|
|
|
********************************************************************
|
|
|
|
Overbreathing is essentially the same as hyperventilation and this
|
|
procedure is undoubtedly familiar to most readers in the form of
|
|
the popular high school age game of 'passing someone out'.
|
|
|
|
The dancing etc. is familiar to the rites of invocation used by
|
|
Voodoists, etc. and other primitive and modern religions.
|
|
|
|
This can also be a very interesting experience even w/o the use
|
|
of a sigil. Just eliminate the visualization instructions and
|
|
go on with the motion, music, etc. You WILL blackout if this
|
|
is done properly. Thats a proven fact.
|
|
|
|
If you do it alone make sure you have a padded surface to fall down
|
|
on!
|
|
|
|
**********************************************************************
|
|
|
|
Call these bbs.....
|
|
|
|
The Cage (ppp headquarters) --- 708-945-3665
|
|
Ripco ------------------------- 708-528-5020
|
|
|
|
**********************************************************************
|
|
|
|
Peace!
|
|
|
|
|
|
????????????????????????????????????????????????????????????????????????????????????????????????? |