660 lines
29 KiB
Plaintext
660 lines
29 KiB
Plaintext
<<<EXTRA-SPECIAL NEATO NOTE: Hello to all who are reading this!
|
||
This is PARTHENOGENESIS, a regular old solid ink-and-paper zine
|
||
based in Fort Collins, Colorado converted to ezine format. Please
|
||
keep in mind that this is a REPRINT of the original issue. Also,
|
||
apologies if the zine is a bit Fort Collins-inclusive (future
|
||
issues won't be). All work by the respective authors is under
|
||
copyright. Permission is granted to copy and distribute this
|
||
ezine in its entirety, or to give the respective author credit
|
||
for his/her work. In the future I hope to have current copies of
|
||
PARTHENOGENESIS distributed physically and on the Net
|
||
simultaneously. I also hope to be independently wealthy, conquer
|
||
the universe, and learn to tango. Of the three, I think the
|
||
second is the most likely. If you should wish to contribute to
|
||
this zine (all submissions will be considered - but I tend to
|
||
stay away from political crap), request a copy of the physical
|
||
zine (it looks MUCH better, and has a bit of artwork in it that's
|
||
not here), or just have something to say (I welcome ALL
|
||
comments), please write me at: Parthenogenesis, 804 S.College
|
||
Suite 8363, Ft.Collins, CO, 80524 or you can send email to us:
|
||
dherrick@nyx.cs.du.edu. Thanks for listening to me babble, and if
|
||
you didn't take the time to read through all this, you're a dork.
|
||
--- Mohammed X >>>
|
||
|
||
************************
|
||
PARTHENOGENESIS ISSUE #4
|
||
************************
|
||
Issue Four, Volume One, November, 1992. Published more or less
|
||
monthly. All rights reserved, all lefts under consideration. Any
|
||
resemblance to persons, places, or turnips, living, dead, or
|
||
retired, is a complete fabrication by the reader and as such is
|
||
not admissible evidence in court. Please, no hemorrhaging, and
|
||
remember.... oh well, nevermind, I forgot.
|
||
Editor: Mohammed X. Contributors for this issue: Mohammed X, Adam
|
||
Five, Bill Lee, Ben Hunter. May your sexual members swell to
|
||
enormous size.
|
||
Also thanks to everyone who reads this zine. Send me your letters
|
||
with comments, submissions, or just plain anything!
|
||
Parthenogenesis
|
||
804 S.College Suite 8363
|
||
Ft.Collins, CO 80524
|
||
*
|
||
|
||
TIMOTHY LEARY:
|
||
|
||
THE PARTHENOGENESIS INTERVIEW
|
||
|
||
|
||
NOTE: This interview was conducted in the near future somewhere
|
||
high above Dr. Leary's current home in Southern California. The
|
||
good doctor, still notorious for his advocacy of LSD during the
|
||
1960's, these days is interested in almost everything. -- Bill
|
||
Lee
|
||
|
||
|
||
LEE: What do you think of the recent phenomenon of
|
||
PARTHENOGENESIS which has been detected in Fort Collins,
|
||
Colorado?
|
||
|
||
LEARY (a big grin): What I'm actually thinking about is the
|
||
sexuality of artificial intelligence, that is, solid-state
|
||
entities. By definition of course, parthenogenesis is a global
|
||
phenomenon that goes back at least 3-1/2 billion years or more,
|
||
in terms of biocomputer wetware and sloppy disks produced by DNA.
|
||
In terms of techno frontiers of human reproduction,
|
||
parthenogenesis finally allows our sexual pleasure to be
|
||
completely separated from reproductive responsibility. Making
|
||
babies can be done artificially, or the old-fashioned way, by
|
||
choice. That's a great idea, since erotic enjoyment should always
|
||
be maximized. Sexual frustration remains the root cause of all
|
||
our worst problems.
|
||
|
||
LEE: I'm thinking specifically of this subversive zine...
|
||
|
||
LEARY: All right, (long pause) it seems that this rag called
|
||
PARTHENOGENESIS embodies an intriguing schism between its content
|
||
and actual means of reproduction. THe contents are brilliantly
|
||
irrational in a way that most likely inspires revulsion, awe,
|
||
hilarity, or complete incomprehension from its readers. In terms
|
||
of its actual printing, it does its best to escape the Gutenberg
|
||
lock on an artist's singularity, and nearly destroys itself in
|
||
the process... the only way it can survive. It violates its own
|
||
premise, which is how it succeeds. The printing process is
|
||
ejaculatory.
|
||
|
||
LEE: How do you mean that?
|
||
|
||
LEARY (giggling): In terms of erotic gratification for the
|
||
intelligent machines that are increasingly participating in our
|
||
post-symbolic reality-fabrication... the quantum psychological
|
||
states we are now capable of. You see, since the invention of the
|
||
printing press, people increasingly mistook whatever was printed,
|
||
for reality, but it fixed and froze what the writer said. A
|
||
classic Catch-22. Only now...
|
||
|
||
LEE: I don't quite understand.
|
||
|
||
LEARY: The text of PARTHENOGENESIS appears to be mostly produced
|
||
on PCs. The writers themselves were most likely conceived via
|
||
sexual union in the traditional way. The layouts themselves are
|
||
apparently reproduced upon copy-machines, which are semi-
|
||
intelligent these days. In the process of such reproduction those
|
||
machines are experiencing erotic gratification of a cybersexual
|
||
sort, even if it is basically masturbatory. Just watch one of
|
||
them at work, rubbing itself back and forth, humming and
|
||
groaning, flashing brightly at the end of each stroke! Can you
|
||
deny that such machine intelligences enjoy themselves when they
|
||
are repeating and repeating whatever it is they are designed to
|
||
do over and over again? Cybersex is like picking the Gutenberg
|
||
lock.
|
||
|
||
LEE: I'm not sure. It's a bit mind-boggling.
|
||
|
||
LEARY: Most things are, if you notice them at all, Bill. But
|
||
that's only the beginning. Ten years from now you might
|
||
understand what I'm suggesting, and the implications for readers
|
||
of this PARTHENOGENESIS zine, well, I'll leave that to you to
|
||
figure out. A little brain damage never hurts anyone who is too
|
||
smart for their own good! This zine, a I see it, is only a
|
||
flexible and amorphous safety device, nothing in itself until it
|
||
is being used. It facilitates an interface between perverse
|
||
anarchism of the contributors, and their victims in the general
|
||
public. It's like a condom that allows uninhibited promiscuity on
|
||
both sides, with relative if not absolute safety.
|
||
|
||
LEE: Do you suggest, ahum, that the PCs and copy-machines
|
||
actually get a kind of pleasure from the whole process?
|
||
|
||
LEARY: Why not? (chuckling) What the readers get out of it is
|
||
entirely up to them, unless they choose to get involved in the
|
||
rest of it, which is probably a lot more fun.
|
||
|
||
LEE: Okay, I'll think about all that. Now, how about the matter
|
||
of your plans to have your head removed and cryogenically frozen
|
||
when you die?
|
||
|
||
LEARY: A practical measure, Bill. If there's a possibility my
|
||
brain can be revived at some later date, why not give it a try?
|
||
|
||
LEE: Maybe I can interview you again then, and ask you what it
|
||
was like.
|
||
|
||
LEARY: If it's you, (giggling) then we might have to call it the
|
||
Talking Heads interview, eh?
|
||
*
|
||
|
||
"Love is two minutes fifty-two seconds of squishing noises. It
|
||
shows your mind isn't clicking right." - JOHNNY ROTTEN
|
||
|
||
*
|
||
|
||
! ! ! ! ! ! ! ! !
|
||
GROUND UNDER'S WRITING CONTEST
|
||
------------
|
||
Submissions are being accepted for Best Short Story ($30),
|
||
Nonfiction ($10), and Poetry ($10). All entries will be
|
||
considered for publication. Send submissions on disk [IBM or MAC
|
||
ASCII] or hardcopy to : Shadow Publications, 305 W.Magnolia
|
||
Suite 312, Ft.Collins, CO 80521. Or if you have a modem, upload
|
||
the material in ASCII [300-9600 bps]: (data) (303)484-4572.
|
||
GROUND UNDER wants all types and all topics. The only requirement
|
||
is good writing. Write to the above address or call the above
|
||
number for more information.
|
||
SUPPORT UNDERGROUND PRESSES AND KEEP FREE SPEECH ALIVE!
|
||
! ! ! ! ! ! ! ! !
|
||
|
||
*
|
||
|
||
THE ADVENTURES OF THE DIME AND THE QUARTER
|
||
|
||
by Dan Herrick
|
||
|
||
|
||
CHAPTER ONE
|
||
|
||
(Continued from last issue)
|
||
|
||
She then felt a slight tap on her shoulder. She whirled
|
||
around three times (once for practice, another for good luck, and
|
||
the last for the real thing) and stood face-to-face with a normal
|
||
looking man. The man was wearing a plaid shirt, plaid pants,
|
||
plaid suit jacket, plaid tie, plaid shoes, plaid socks, and had
|
||
plaid hair.
|
||
"Excuse me," the quarter (no, dollar) asked politely, "But
|
||
one couldn't help but wonder if you're wearing plaid underwear
|
||
also."
|
||
The plaid man coughed discreetly, ignored the question, and
|
||
said, "Madam Quar- er, Dollar, I happened to hear your cry for
|
||
assistance, and thought I might be of service. I represent the
|
||
Internal Revenue Service (that's IRS to you!)."
|
||
"Well," responded the QuarDollar dizzily, "I don't quite see
|
||
I have any other choice. Go ahead. Do what needs to be done."
|
||
"No problem!" smiled the plaid man, leading her to a
|
||
conveniently located ambulance. "All we need to do is a little
|
||
major invasive surgery, and you'll be as good as new!"
|
||
"Does that include a free polish?" asked She-Who-Was-Once-A-
|
||
Quarter-But-Is-Now-A-Dollar-But-Is-Soon-To-Have-The-Situation-
|
||
Corrected.
|
||
"Absolutely!" the plaid man cried gaily, bludgeoning to
|
||
death a small african violet who happened to wander across his
|
||
path.
|
||
A measly sixty-nine hours later, the quarter exited the IRS
|
||
Clinic, good as new and with a fresh polish to boot.
|
||
"See, I told you!" the plaid IRS man grinned, walloping a
|
||
security guard across the forehead, "Mint condition!"
|
||
"Thank you again!" the quarter cried happily, waving and
|
||
walking briskly away from the clinic.
|
||
"Think nothing of it!" giggled the plaid man, and machine-
|
||
gunned a group of thirty or so people who were waiting in line
|
||
for a bus. The bus was late.
|
||
The quarter noticed his strange behavior not at all. She was
|
||
busy gleefully walking down the street, happy to be restored to
|
||
her natural state. Suddenly, a light bulb appeared in the air
|
||
above her head!
|
||
"What the hell is that for?" she wondered, and idly dashed
|
||
it against a nearby brick wall. The myriad tiny pieces of what
|
||
once was the light bulb tinkled down upon a dirty cloth lying on
|
||
top of a garbage can, which, in turn, was leaning against the
|
||
wall. When the critical weight was reached (that being x5), the
|
||
cloth fell from the trash can, falling onto a shabby bronze lamp
|
||
which happened to be sitting beside the trash can. The cloth then
|
||
slid off the lamp .347 seconds later, rubbing it slightly as it
|
||
fell.
|
||
A genie suddenly appeared before the quarter, who had been
|
||
largely unaware of all that had transpired in the last few
|
||
seconds. "Damn, you're stupid!" the genie scoffed. "What about
|
||
the dime?"
|
||
"Well, I suppose the dime's stupid, too." the quarter
|
||
answered, a bit surprised.
|
||
"No, no, NO!" cried the genie. "You moron, I MEANT, what are
|
||
you going to do about the dime?!?"
|
||
The quarter pondered. "Um...I dunno. Where'd he go?"
|
||
"Where do you think, you idiotic piece of recycled scrap
|
||
metal! Heaven! He went to heaven!!" the genie punctuated this not
|
||
only with two exclamation marks, but with a lightning bolt that
|
||
destroyed a passing plane high above. "You have to go get him!
|
||
Why the hell do I even bother with a dimwit flagstroph
|
||
monominomephastat like YOU!!!"
|
||
"Oh."
|
||
"'Oh'? Is that ALL you can say? What a total and complete
|
||
imbecile! Well, don't expect any more favors from ME, you
|
||
deflated old has-been traftiful currency!!!" the genie blustered,
|
||
and disappeared in a cloud of smoke.
|
||
|
|
||
- -
|
||
|
|
||
|
||
AUTHOR: Hold on here! This story is suddenly getting very old
|
||
very fast... or is that very fast very old... or very old &
|
||
fast... WHATEVER! It's dumb! It's stupid! It's boring, the
|
||
language is simple, and the audience is too! Something must be
|
||
done... But what?!?
|
||
|
||
SCRIPTWRITER: A new character?
|
||
AUTHOR: No... too many already.
|
||
CAMERAMAN #1: A few more camera zooms on the quarter!
|
||
AUTHOR: Hmmm...
|
||
CAMERAMAN #2: A new Cameraman #1!
|
||
AUTHOR: Shut up.
|
||
DIRECTOR (With fake French accent): Introduce a French accent to
|
||
all the characters!
|
||
AUTHOR: No...!
|
||
INNOCENT BYSTANDER: Skip the next chapter!
|
||
AUTHOR: YES! I like it! We'll DO it!
|
||
|
|
||
- -
|
||
|
|
||
|
||
CHAPTER THREE
|
||
|
||
And yea, what came to pass but a miracle, and that miracle
|
||
was the Great River rising and consuming all who lived alongside
|
||
it; and lo, what did the people do but wail aloud to their god,
|
||
who replied:
|
||
|
||
"My people, I hear thy pleas; and yea, my heart bleeds with
|
||
thine; my arm breaks with thine; my kneecaps shatter with thine;
|
||
my skin shrivels and peels off with thine; my eyeballs boil and
|
||
melt with thine; my testicles are stretched to four times their
|
||
previous length and then bitten off by a rabid hyaena with thine;
|
||
and I have one thing to say and this I sayeth: Holy Shit, that
|
||
smarts!"
|
||
|
||
And verily, the people replieth thusly: "But, dear master,
|
||
god, and otherwise big boss; but, what must we do?"
|
||
|
||
To which their god replieth: "Truly, I say unto thee: I
|
||
suggest a hot bath."
|
||
|
||
And so, without further ado,
|
||
|
||
|
|
||
- -
|
||
|
|
||
AUTHOR: What the hell...?
|
||
SCRIPTWRITER: Um...oops. Wrong script.
|
||
AUTHOR: Geez.
|
||
|
|
||
- -
|
||
|
|
||
|
||
CHAPTER FOUR
|
||
|
||
Suddenly, the quarter found herself at the gates of Heaven.
|
||
There was nobody around, so she tried to open the gates. They
|
||
were securely closed and locked. Humming a gospel song to
|
||
herself, she picked the lock, opened the gates, and walked in.
|
||
And found herself staring at... nothing. Just a few clouds.
|
||
|
||
"Stupid!" a miniscule voice sounded inside her head. "You
|
||
already WERE inside Heaven! This is outside!"
|
||
|
||
"Oh." she said, and turned around to open the gates. It was
|
||
then (not 23 years earlier, on a beach in Norway, as some people
|
||
like to think) that she noticed the sign on the door. It read,
|
||
"CLOSED FOR REPAIRS". "Damn," she said, and was instantly cast
|
||
back down to earth for her blasphemy.
|
||
|
||
And so, the dime was conveniently written out of the story.
|
||
|
||
But soon, the quarter had an encounter with New York City.
|
||
This left both the quarter and NYC very much confused and
|
||
distraught, and while the quarter could simply take a vacation to
|
||
"get away from it all", New York WAS it all. The only thing that
|
||
poor NYC could do was raise its crime rate by 14%.
|
||
But sooner than a por old blind crippled schoolteacher
|
||
thought, the quarter found herself on I-25, just north of Denver.
|
||
She panicked, and waved to a passing motorist going the other
|
||
way. THe motorist waved back and continued on his merry way. The
|
||
quarter found a discarded pizza box, and felt obligated to
|
||
dispose of it properly, because, as everyone knows, every day is
|
||
Earth Day. Since the nearest pizza box recycling center was in
|
||
Denver, she was forced to enter the dreaded city. She did not
|
||
know why she dreaded the Mile High City so much, except that it
|
||
may have had something to do with the fact that she wsa once
|
||
brutally assaulted, robbed, mugged, kidnapped, and eventually
|
||
murdered in Denver in a past life.
|
||
|
||
So the quarter, being not a dirty copper, walked boldly
|
||
through the streets of Denver carrying the pizza box. And soon
|
||
got herself lost. She asked a man in a yellow and red polka-
|
||
dotted tie which way to the nearest pizza box recycling center,
|
||
but he simply urinated on the pizza box and walked away. The
|
||
quarter approached a horse which was tap dancing for the
|
||
amusement of a few closely-clustered paper bags.
|
||
|
||
"Excuse me," the quarter called to the horse, "but do you
|
||
know where the nearest pizza box recycling center is?"
|
||
|
||
The horse suddenly stopped his dancing and walked over to
|
||
the quarter. The paper bags, realizing that the show had ended,
|
||
drifted off in pairs, rustling quietly amongst themselves. The
|
||
horse eyed the quarter appraisingly, then spoke.
|
||
|
||
"Let me tell you a story," he said quietly, yet firmly.
|
||
|
||
"Okay." the quarter agreed.
|
||
|
||
"Good." the horse hummed tunelessly to itself for a moment.
|
||
"It doesn't have a title, though."
|
||
|
||
"Um..." the quarter said, "That's okay."
|
||
|
||
"All right then." the horse nodded, pulled out a cigar, lit
|
||
it, puffed it twice, farted, stamped his foot three times, and
|
||
began the story.
|
||
|
||
"Once there was a whale. The whale had a name, the being
|
||
Yakkkka Yippa. Now Yakkkka was not a typical whale in many
|
||
respects. First of all, he was purple. Many other whales resented
|
||
this, and went to great lengths to taunt Yakkkka about it. Also,
|
||
Yakkkka had a last name. None of the other whales had a last
|
||
name, and all were fantastically jealous of Yakkkka. The last and
|
||
final difference, perhaps the most important (then again, perhaps
|
||
not) was the simple fact that Yakkkka owned a walkman.
|
||
|
||
"The walkman was Yakkkka's pride and joy, and he even named
|
||
it. He called it Walkman. He listened to it always, whether he
|
||
was swimming, eating, swimming, or eating (whales have a very
|
||
mundane existence, as you can see). Well, one day the author
|
||
decided to introduce a new character, and thus Dorc the Dolphin
|
||
was born.
|
||
|
||
"Dorc was swimming happily along one day (Dolphins lead a
|
||
very fun and interesting life. They swim happily all the time. In
|
||
fact, they get so caught up in this that they occassionally
|
||
forget to eat or read the newspaper.) when suddenly he ran into
|
||
Yakkkka. Literally.
|
||
|
||
"'Hey, watch it, dork!' snapped Yakkkka irritatedly. He had
|
||
just come from an intense taunting session from the other whales,
|
||
and was in no mood to have dolphins running into him.
|
||
|
||
"Dorc was shocked. 'How'd you know my name?'
|
||
|
||
"But Yakkkka simply ignored Dorc, which made the dolphin
|
||
very distressed indeed, as he was not used to being ignored.
|
||
'Hey!' he blurbled. Yakkkka did not notice. Dorc then stood on
|
||
his head, trying to attract Yakkkka's attention. This feat is
|
||
quite simple in water, and so Yakkkka paid no attention to the
|
||
dolphin's antics. Dorc then began to swim backwards while
|
||
whistling 'Happy Birthday', 'Joy To the World', and 'Taps' at the
|
||
same time, backwards. Yakkkka failed to notice.
|
||
|
||
"At this Dorc became angry, not saddened as a lesser
|
||
character might. He dashed after Yakkkka and grabbed the Walkman
|
||
away from him. Unfortunately, Dorc had no hands, and could
|
||
therefore not hold onto the Walkman. It slipped out of his grasp
|
||
and tumbled lazily to the deep, deep water that no whale (or
|
||
dolphin) can ever go. 'Oops,' said Dorc.
|
||
|
||
"After calmly skinning Dorc alive, Yakkkka swam off in
|
||
search of something, anything to get his mind off his lost
|
||
Walkman. He found nothing, and died a sad and lonely, yet purple,
|
||
whale."
|
||
|
||
The horse finished his story and his cigar at once. He
|
||
looked the quarter in the eye.
|
||
|
||
"Where the hell's your eye?" he demanded.
|
||
|
||
"Right here." the quarter gestured.
|
||
|
||
"Okay," said the horse, and proceeded to REALLY look the
|
||
quarter in the eye. "Do you know what the moral of the story is?"
|
||
|
||
"Well................. No," the quarter confessed.
|
||
|
||
"Neither do I." the horse grinned. "Here, have a walkman."
|
||
|
||
"Thanks!" Surprised, the quarter took the proferred walkman,
|
||
and watched as the horse trotted away.
|
||
*
|
||
"Journalism is the ability to meet the challenge of filling
|
||
space." - REBECCA WEST
|
||
|
||
*
|
||
|
||
HEY! Tired of digging through the mess of newspapers on coffee-
|
||
shop counters only to discover there are no more copies of
|
||
Parthenogenesis left? Well, here's a way to make sure you always
|
||
have a copy! That's right, a subscription to Parthenogenesis! $5
|
||
for a six-month subscription. Take it or leave it. Send check
|
||
payable to "Dan Herrick" to : Parthenogenesis, 804 S.College
|
||
Suite 8363, Ft. Collins, CO, 80524. Wheeeeeee!!
|
||
|
||
*
|
||
|
||
"Woe to him inside a nonconformist clique who does not conform
|
||
with nonconformity." - ERIC HOFFER
|
||
|
||
*
|
||
|
||
APATHY INTERNATIONAL presents:
|
||
|
||
the State of Our Country...!
|
||
|
||
CONSIDER: Corruption runs rampant anywhere we look: government,
|
||
schools, business, religion. It is now commonly accepted that our
|
||
politicians do lie, cheat, and steal. Our government is
|
||
ineffective, buried beneath an avalanche of obsolete checks and
|
||
balances that succeed only in warping the original intent into a
|
||
stifling set of "laws" that inhibit instead of freeing us. Our
|
||
school system is rated among the worst in the world. Instead of
|
||
expanding our awareness and teaching us to learn, it inhibits
|
||
creativity and free thought and seeks to make us slaves to form.
|
||
What it teaches us is not to think for ourselves. Businesses in
|
||
this nation are generally more effective, humane, and powerful
|
||
than the government, and still they keep secrets from us that we
|
||
can never learn. The individual's welfare takes a backseat to the
|
||
company's profits, to the point of killing its own workers to
|
||
protect trade secrets. And still, foreign businesses are superior
|
||
to ours in everything but ego. The dominant religion in this
|
||
nation is closely tied with the government, no matter what they
|
||
say, no matter that this government is ideally a separation of
|
||
church and state. It is not. The religious zealots do all that
|
||
they can to force other "unbelievers" to their way of thinking,
|
||
even to the extent of limiting personal freedoms through their
|
||
connections with the government. Their purpose and process are so
|
||
far removed from the original intent in their religion that it
|
||
can not even be considered to be the same religion. Hypocrisy
|
||
reigns, the "love" that they preach no more than a facade to
|
||
better themselves at the expense of us.
|
||
And what can we do about all this? Nothing. There is nothing that
|
||
we can do to change the problems we can see. We are helpless and
|
||
insignificant. We can do nothing but watch it happen and hope
|
||
that it might get better. If you feel the same way, you belong
|
||
with us. APATHY INTERNATIONAL. Dedicated to the needs of our
|
||
members. Join us, and we MIGHT make a difference.
|
||
|
||
*
|
||
|
||
"I always keep a supply of stimulant handy in case I see a snake,
|
||
which I also keep handy." - W.C.FIELDS
|
||
|
||
*
|
||
|
||
You wouldn't believe how many people ask me, "Mohammed, how can I
|
||
possibly be a NINJA like you?" Well, due to increasing demand,
|
||
myself and my fellow NINJAS (whom I cannot name) have devised a
|
||
set of "steps" to becoming NINJA. Yes, you too can learn to be a
|
||
true NINJA! - Mohammed X
|
||
|
||
|
||
THE 69 STEPS TO BECOMING NINJA
|
||
|
||
1: Buy a black leotard jumpsuit with matching black socks and
|
||
black cowl that covers all of your head but for your eyes. This
|
||
is known as 'Ninja garb'. This will prove to all who gaze upon
|
||
you that you are truly Ninja. (BE SURE TO REMOVE PRICE TAGS!)
|
||
2: Memorize this phrase: "He who laughs last, swallow fish; but
|
||
he who laugh first, IS fish." Quote this to opponents after
|
||
combat.
|
||
3: At random times walking down the street in a busy metropolitan
|
||
area, do this: fling what you're carrying at the nearest person,
|
||
dive and/or roll through the door of the nearest business, and
|
||
WITHOUT TOUCHING THE FLOOR, make your way to the back door and
|
||
exit.
|
||
4: Become proficient at needlepoint. (A true Ninja will know
|
||
why.)
|
||
5: If you ever see another ninja with SWEAT STAINS, kill him/her
|
||
immediately. If you ever find yourself having sweat stains where
|
||
someone can see you, slay yourself instantly. Having visible
|
||
sweat stains is the most dishonorable thing a ninja can do. 6:
|
||
I can't tell you this one. You must find it our for yourself. 7:
|
||
Fully comprehend the mechanics of operating and programming a VCR
|
||
that doesn't have on-screen programming. (The uses are too
|
||
numerous to mention.)
|
||
8: Practice walking barefoot on the following terrain: hot coals,
|
||
crushed glass, hot springs, volcano, coral reef, bamboo spikes.
|
||
9: Always speak with an accent, no matter where you are or where
|
||
you're from.
|
||
10: Never remove your ninja garb, not even to urinate or
|
||
defecate. A true ninja never needs to urinate or defecate. 11:
|
||
Learn lethal card tricks to impress your fellows.
|
||
12: Whenever someone visits your home, make sure they see the
|
||
'bed of nails' in your bedroom. You need not sleep on it,
|
||
however. It is acceptable to have a SECRET bedroom with a
|
||
waterbed or featherbed in it.
|
||
13: Practice 'blood-curdling' screams. Scream several times each
|
||
day, in public and private, at appropriate times.
|
||
14: Adopt at least one nickname. Make sure at least a few people
|
||
know you only by this name. When meeting new people, ALWAYS
|
||
introduce yourself by saying, "I am known as..." or "They call
|
||
me...".
|
||
15: Keep an odd pet, preferably something carnivorous and not
|
||
native to the area.
|
||
16: Learn to be able to brush your hand once through someone
|
||
else's hair and estimate how many hairs they have. A margin of
|
||
error of eight is acceptable.
|
||
17: Learn to write in your sleep. Combine these writings into a
|
||
book and publish it under another name. DO NOT READ THIS BOOK
|
||
YOURSELF. Deny knowledge of the book, and refuse to acknowledge
|
||
its existence even when confronted with it.
|
||
18: Learn to sleep with your eyes open. This way, others will
|
||
think you never relax your vigilance. Or, alternately, paint fake
|
||
eyeballs on your eyelids.
|
||
19: Never answer a question directly. Useful alternatives are to
|
||
answer with another question, answer with a riddle, laugh
|
||
maniacally, or to simply stare quietly at the person until he/she
|
||
goes away.
|
||
20: Drooling IS acceptable behavior, if you are in a battle
|
||
frenzy or world-dominating planning session.
|
||
21: Try to avoid showing facial expressions unless it is showing
|
||
'satisfaction' at defeating a worthy opponent.
|
||
|
||
TO BE CONTINUED...!
|
||
*
|
||
<<<ANOTHER XTRA SPECIAL NOTE: This poll HAS been modified for
|
||
distribution on the Nets. Just thought you should know.>>>
|
||
|
||
|
||
THE YES/NO/PENIS POLL!
|
||
|
||
Hello everybody! How would you like to take a poll?
|
||
|
||
(Just press Ctrl-Alt-Del if you don't want to take this poll.)
|
||
The purpose of this annoying little piece is to generate more
|
||
poll responses than I have received from the latest issue of my
|
||
modest zine, Parthenogenesis. If you DO wish to take it, please
|
||
email me (RANDOM) with your responses or send them to :
|
||
Parthenogenesis, 804 S.College Suite 8363, Ft.Collins,CO. 80524.
|
||
For email, please use the following format:
|
||
1 - Y
|
||
2 - N
|
||
3 - P etc...
|
||
Where 'Y' is for 'YES', 'N' is for 'NO', and 'P' is for 'PENIS'.
|
||
(Except for question #23.)
|
||
|
||
Yes, this is the eagerly awaited YES/NO/PENIS POLL.
|
||
|
||
The questions follow. Remember, answer YES, NO, or PENIS!
|
||
|
||
[1] Do you consider yourself "well endowed"?
|
||
[2] Would you say that the movie "3 Ninjas" is PUNK?
|
||
[3] Is it possible to run... AND hide?
|
||
[4] Are you Dan Quayle?
|
||
[5] Have you ever seen Elvis?
|
||
[6] Are you DOWN with Mohammed X?
|
||
[7] Do you think it's fair that Topher and Honika got fired from
|
||
the Two Bits club?
|
||
[8] Do you know Les Green?
|
||
[9] Have you ever had sex until you passed out?
|
||
[10]Do you prefer 'Kickboxer' over 'Kickboxer II'?
|
||
[11]Can you read?
|
||
[12]Consider this phrase: 'Mouthful of Biscuit'. Take at least 30
|
||
seconds to reflect on this. NOW, do you feel nauseous at all?
|
||
[13]Are these Authentic Mexican Tacos?
|
||
[14]Do you avoid Paris on the Poudre on the nights when you know
|
||
they're going to have live music?
|
||
[15]Spamlett...?
|
||
[16]Do you ever have nightmares involving any combination of the
|
||
following: TEETH, CORN, and DAVID HASSLEHOFF?
|
||
[17]Is Parthenogenesis really some sort of Alien Mind Control?!??
|
||
[18]Do you firmly believe that Tactical Penile Implants are the
|
||
"wave of the future"?
|
||
[19]When you sharpen a pencil with a hand sharpener, does your
|
||
butt wiggle in little circles?
|
||
[20]Are you a regular reader of Parthenogenesis?
|
||
[21]Did you answer 'yes' to the previous question?
|
||
[22]Is Contradiction 23 YOUR Short Term Personal Savior?
|
||
[23]Finally... What does the PENIS vote mean to you?
|
||
_________________
|
||
|
||
Well, that's that. Once again, Email me (RANDOM) or write to the
|
||
above address with your responses. If you want an issue of
|
||
Parthenogenesis mailed to you, give me your name and address and
|
||
I'll do it, unless I run out of Elvis stamps, in which case the
|
||
world will end. Thank you very much for taking the time to do
|
||
this! Pass this poll on to anyone you think will fill it out...
|
||
and remember, the penIs, mightier than the sword!
|
||
|
||
*
|
||
|
||
ANOTHER DAMN POLL
|
||
|
||
Yes, that's right! Tell us what you like/don't like about
|
||
Parthenogenesis, simply by filling out this survey and mailing it
|
||
in. For each story or feature given, please rank it on a scale of
|
||
1-10, with 1 being "It sucks! I HATE it!" and 10 being "Godlike!
|
||
The basis of a new religion! More, please!". (The issue # for
|
||
each is in parantheses.)
|
||
"Arithmetic" (1) ___________
|
||
Rumors column (1) ___________
|
||
"Dear Mom" (1) ___________
|
||
conversation (1) ___________
|
||
Guapa (1,2) ___________
|
||
Casaguapa (2,3) ___________
|
||
"The Chronicles of Rit Som T'ng" (2,3,4)___________
|
||
"The New Story" (2) ___________
|
||
"The Book of Mohammed X" (2,3) ___________
|
||
"Aliens Visited Me..." (3) ___________
|
||
Parthenogenesis Polls (3,4) ___________
|
||
"Adventures Of Dime And Quarter"(3,4) ___________
|
||
"What You Don't Seem To Understand"(3) ___________
|
||
"Timothy Leary Interview" (4) ___________
|
||
"69 Steps to Ninja" (4) ___________
|
||
|
||
*******************************
|
||
END OF PARTHENOGENESIS ISSUE #4
|
||
******************************* |