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From: <editors@morpo.com>
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+--------------------------------------------------------------------------+
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T M M OOOOO RRRRR PPPPP OOOOO RRRRR EEEEE V V IIIII EEEEE W W
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MM MM O O R R P P O O R R E V V I E W W
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H M M M O O RRRR PPPP O O RRRR EEE V V I EEE W W W
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M M O O R R P O O R R E V V I E WW WW
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E M M OOOOO R R P OOOOO R R EEEEE V IIIII EEEEE W W
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+--------------------------------------------------------------------------+
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Volume #6 June 1st, 1999 Issue #2
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Established January, 1994 http://morpo.com/
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+--------------------------------------------------------------------------+
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CONTENTS FOR VOLUME 6, ISSUE 2
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Editor's Notes . . . . . . . . . . . . . . . . . . . . Amy Krobot
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Under Ledge . . . . . . . . . . . . . . . . . . . . Michael Largo
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Catfishing . . . . . . . . . . . . . . . . . . Michael Fitzgerald
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Coffee Bean Philosophy, Too . . . . . . . Frank S. Palmisano, III
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A Good Name . . . . . . . . . . . . . . . . . . . . Lisa Klassen
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Advantages . . . . . . . . . . . . . . . . . . . . . Maryann Hazen
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When All Is Said . . . . . . . . . . . . . . . . . . Michael Largo
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Big Jim, the Mormon, and Hitler's Grandson . . Quincey Burkhalter
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About the Authors . . . . . . . . . . . . . . . . . . The Authors
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In Their Own Words . . . . . . . . . . . . . . . . . . The Authors
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+--------------------------------------------------------------------------+
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+--------------------------------------------------------------------------+
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Editor + Poetry Editor
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Robert Fulkerson The Morpo Staff Kris Kalil Fulkerson
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rfulk@morpo.com + kalil@morpo.com
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Submissions Editor Fiction Editor
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Amy Krobot J.D. Rummel
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amyk@morpo.com rummel@morpo.com
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+--------------------------------------------------------------------------+
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+--------------------------------------------------------------------------+
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_The Morpo Review_. Volume 6, Issue 2. _The Morpo Review_ is published
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electronically on a quarterly basis. Reproduction of this magazine is
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permitted as long as the magazine is not sold and the entire text of the
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issue remains intact. Copyright 1999, The Morpo Review. _The Morpo
|
||
Review_ is published in ASCII and World Wide Web formats.
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All literary and artistic works are Copyright 1998 by their respective
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authors and artists.
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+--------------------------------------------------------------------------+
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+--------------------------------------------------------------------------+
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Editor's Notes
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Amy Krobot
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Submissions Editor
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I feel like a cheat every time I admit that walking is my sport of
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choice. I get a "workout" doing the very activity that also gets me to
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places like Krispy Kreme, my living room couch, and bed. Three to five
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||
times a week, I just put my feet one in front of the other for at
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least 45 minutes without stopping, and, because of a vigorous swinging
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||
of arms, I get to call it exercise. It seems cheap . . . ineffective .
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||
. . impossible! But in truth, it works like a charm.
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||
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Even more exciting than the fact that this simple activity controls
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||
weight while taking little toll on wallet or knees, is the fact that
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||
walking as I do it - regularly and in the same neighborhood - delivers
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||
a greater sense of membership than any expensive gym card every could.
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||
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I walk in a small neighborhood near central Omaha - a little pocket of
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||
quiet and big hills and huge old trees. It's a place my fianc<6E> and I
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||
will at least look for a home someday, but for now, I'm happy to drive
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||
there, park, stretch, and go.
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||
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||
As an outdoor walker, the one on the move in a stationary
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||
neighborhood, it was easy to feel transitory at first. When I started
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||
my walks in old Ralston, one house blurred into another and another as
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||
I enjoyed the scenery and fresh air. Once my walk was over, I simply
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||
extracted myself from the setting and went home with a "thanks for the
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||
use of your hills."
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||
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||
But of course, it wasn't long before I started to notice things. Who
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||
cares for their home and who doesn't. Who cares for their kids and who
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||
doesn't. Who has a new truck, a new mower, or no desire to cook
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||
(there's always a pizza delivery car idling in someone's driveway
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||
along my route). There's a father who plays catch with his young
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||
daughter nearly every night. She has an erratic arm, and every time
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||
her throw misses him and ricochets off the house he yells from across
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||
the yard, "Do I LOOK like I'm standing in the living room??" There's a
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||
little arthritic, visually impaired dog who hears me coming and never
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||
fails to snarl and "chase" me down the street in a rather
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||
non-threatening, wandering figure-eight pattern (I always tells him
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that he scares me, though, because I really admire his effort).
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There's what I call the "Bob Villa house" . . . something's always
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||
being ripped apart and renovated. This year their backyard has been
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||
dumped in their front yard as they prepare for what looks to be a new
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deck and pool. And of course there are the practicers . . . piano,
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voice, drums, twirling, and flute . . . every night until someone
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||
yells "Dinner!".
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||
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||
And in an unexpected twist, I have not been the only one becoming
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||
aware of - and attached to - my "workout neighborhood." They - the
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||
permanent residents - have become attached to me as well, it seems. It
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||
took awhile for it to happen, but I have become a neighbor in this
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||
community, even though all its residents ever see me do is walk
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||
through it. At first, I was greeted by those who were outdoors,
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||
working in their gardens or on their cars. Now, people wave at me from
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||
their kitchen tables and their recliners. A little girl once yelled,
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||
"Hey Mom, it's the walking lady!" People stop mowers and move
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||
sprinklers for me. They ask my advice. To date, I've been questioned
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||
about my opinions on the new color a house was being painted, the
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||
placement of a tree that was being planted, and the weather ("What do
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YOU think . . . are we gonna get rain like they're sayin'?"). I
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||
receive kind offers - one woman tries to give me cucumbers and
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tomatoes from her overgrown garden; an older gentleman always tells me
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that I should feel free to drink from the spigot on the side of his
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house whenever I'm walking on a really hot day - and I have been
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||
called upon to mediate fights. One mother turned to me rather
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||
frantically one evening, and said, pointing to her son, "YOU tell him
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||
how important it is that he wear a damn helmet when he rides that damn
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bicycle!" And just recently, a couple piled out of a car in their
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||
driveway with her shouting, "Because it's a pain in my ass, that's
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||
why!" Seeing me, they stopped arguing for a second, and then the woman
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||
reiterated while gesturing toward me, "IT-IS-A-PAIN-IN-MY-ASS, and
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||
she'd agree with me!" I have no idea what they were fighting about,
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||
but in that moment, I was the familiar face she needed on her side.
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||
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Of all the benefits I've gleaned from my walking, this "membership" is
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by far the most prized. Without evening living there, I've become part
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||
of a community I've always loved . . . just by walking around in it.
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||
To the residents of old Ralston, my "home" is the patch of sidewalk in
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front of each of theirs. I may only pass by, but I do it often.
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||
Last weekend, I was striding along, when a couple of kids yelled,
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"Hey, can you come over and play?" I was home.
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+--------------------------------------------------------------------------+
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Under Ledge
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by Michael Largo
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Dogs have been tied to a post
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||
by six strands of chain.
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||
They were bought as watch dogs 5
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||
years ago
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||
but now they are like invalids
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||
that will not die.
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||
When they catch a patch of
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||
sun they will sit upright,
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||
ears back like dazed children
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||
hypnotized.
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||
It is not known who feeds them.
|
||
A bone wrapped in dirt lies
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||
near a dog curled close to cinder blocks.
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||
There are cut barrels they sleep in
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||
during snow.
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||
No footprints though.
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||
Nothing going in or
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||
leaving.
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||
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+--------------------------------------------------------------------------+
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Catfishing
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||
by Frank S. Palmisano III
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||
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||
Her grandfather allowed Sara to open the truck window so that she
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||
could rest her arm on the door and let her hand jerk up and down in
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||
the rushing air. Occasionally she stuck her head out for a few seconds
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||
until her eyes watered. When she pulled her head back in, he kidded
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||
her about being sad because a boyfriend had gone off to war or maybe
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||
the moon.
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||
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||
When they got to Watkins Glenn, he pulled into a gas station. He
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||
bought himself a twelve pack. He bought Sara a bottle of grape soda
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||
which she made last for three or four hours by sticking a fishing hook
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||
in the top and sucking it drop by drop from the pierced cap.
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||
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||
Eventually, they arrived at the deserted boat landing down past the
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Speedway. Sometimes when they came here, they could hear the dim roar
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||
of racecars and the crowd going nuts. Sara would imagine that these
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people were cheering for her to catch fish. But today there were no
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races and the absence of noise made her feel like they were
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||
trespassing.
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||
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||
A cool, moist air covered the still lake. In the short walk from the
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truck to the dock, the temperature the dropped 10 or 15 degrees. He
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||
made her put on his sweatshirt. It was warm like a towel just from the
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||
dryer, but reeked of paint thinner and the sleeves hung past her
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||
hands. Her whole body tingled from the colliding temperatures. The sun
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||
in her face. The chilly lake-air slipping under the sweatshirt, around
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||
her knees. The splintery, hot planks of the dock.
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||
|
||
At first, they just caught little pan fish--bluegills, sunnies, what
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||
have you- but toward the end of the day she caught a huge catfish.
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||
Almost two feet long. And fat, like a football. And ugly, an outer
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||
space ugly, a grisly awkward thing.
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||
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||
She cried. Get it away. Please get it off. She begged him to throw it
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back. Promise we don't have to eat it.
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||
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||
He promised they wouldn't have to eat it, but didn't throw it back. He
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||
batted its head with the Billy club, emptied the four remaining beers
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||
from the cooler and threw it in. For the following hour or so, the
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||
cooler emitted and occasional thump-thump.
|
||
|
||
Around 3:30, a few cumulus clouds began to inch in front of the sun,
|
||
and he decided they should get going.
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||
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||
Her pole broke when he tossed it in the back of the truck. He said
|
||
that it was about time they got her a new one anyway if she were going
|
||
to keep pulling in such trophies. This seemed reasonable to Sara. It
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||
seemed like a good thing he broke her pole.
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||
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||
They had been up since dawn so she slept most of the way home. The
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||
sunburn and warm air from the truck and the lush earthy scent of a day
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||
at the lake left her in a black-out slumber.
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||
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||
Casa de Grampa, he said as he nestled the truck into the driveway.
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||
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||
She pulled her face from the hot black vinyl. She wiped the drool from
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||
her chin. She was unsure for a few seconds if the day had happened.
|
||
She sat and gazed around, taking in the world. The algae climbing over
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||
the edge of the bird bath. The half-painted garage door. Grandpa
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||
tucking the empty beer cans into his canvas bag. The heat sneaking off
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||
the pitch-covered driveway in snaky little wisps.
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||
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||
Then her grandmother was at the truck. She pulled Sara's hair from her
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||
face. She bemoaned the fact that her little honey was so dirty and
|
||
sunburned. The girl's mouth was still purple from the soda, and she
|
||
smelled like fish. A grayish slime covered her hands and fingers.
|
||
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||
Oh my little baby. What has he done to you? Who got you so dirty?
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||
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||
She caught a whopper, he said. Bigger than that fucking mutant I
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||
caught in April. She pulled it in all by herself.
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||
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||
Sara blushed. But her head was beginning to hurt from the sun and the
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||
stink. Her grandmother could feel the little girl's sticky
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||
uncomfortableness.
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||
Go in and shower, honey. I'll take care of your grandpa.
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||
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||
After the shower, she put her sundress on, and sandals. She felt
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||
pretty and grown-up and presentable as she stood, looking at herself
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||
in the mirror. And the catfish seemed a universe away until he came
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||
around the corner with it.
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||
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||
Sara, open up, he begged as he stumbled around after her. Dinner Sara.
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||
Yum! Yum!
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||
|
||
She could feel her insides shake from the shrills coming out. He
|
||
wasn't looking in her eyes while he laughed. He looked at the top of
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||
her head or at her little feet. He was ashamed, but , in his
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||
drunkenness, having a fairly good time.
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||
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Yummy! Fish Sara. A yummy catfish fish. Meow. Meow.
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Blood and fish spew splattered around the room. The cold drops hit her
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face and arms, sending terrifying wet stings through her body. Finally
|
||
she wedged herself between the arm of the sofa and the wall. She
|
||
pulled herself into a ball. He dangled the fish over her head, letting
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it drip into her just-cleaned hair. Yummy, Sara. Catfish. Yum! Yum!
|
||
Meow.
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Sara was screaming uncontrollable, nearly hyperventilating when her
|
||
grandmother came in and shooed him away. She's only a little girl
|
||
George. Leave her alone. You monster. And she looked at Sara. Honey,
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I'm so sorry. Are you OK? Grandpa didn't mean anything. Grandpa isn't
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well. I'm so sorry.
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||
It was a joke. Just a joke. Can't we have a little fun around here.
|
||
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||
Then her unwell grandpa shuffled out onto the porch and fed the
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catfish to their dog, Charlotte, who dragged the carcass into the
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garage and wrestled with it for the rest of the day.
|
||
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Later, he apologized. He said sometimes grandpa does bad things. He
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forgets who he loves. He shouldn't drink. Grandpa shouldn't drink.
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He's so sorry. He loves you very much.
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I never meant to scare you, honey.
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He was such a bigger person to her from that point on. So much more to
|
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him in such a wild mysterious way. She never let herself be alone with
|
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him again, but his name, or even the thoughts of him, lifted her. She
|
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hoped that she'd once be a monster, be unwell, be courageous enough to
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act on the honest, overwhelming rush, that guttural spasm that tells
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||
you to scare little girls, tell operators to fuck off, speak dirty in
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||
confessionals, on second dates. On top of the drinking, he ended up
|
||
losing what little mind he had and then dying after a slip on the
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early November ice when she was fifteen. At that age everything was a
|
||
pain in the ass. She huffed and whined about having to attend the
|
||
funeral, despite having liked him more than everyone other than the
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rough man she's with now. The way he walks out of the house at night,
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it's like a conductor deserting his orchestra.
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+--------------------------------------------------------------------------+
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Coffee Bean Philosophy, Too
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||
by Frank S. Palmisano III
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||
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I listen to ambition resonate
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||
|
||
through the hallowed halls of
|
||
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||
trendy bookstore coffee shops,
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||
|
||
where its source, confined behind
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||
a fortified counter, makes game
|
||
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||
of the presidential scandal erupting
|
||
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||
in Washington.
|
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The probationary arrangement,
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||
calls forth an amusing discourse -
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||
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||
coffee flavors, cakes and pies
|
||
|
||
with misleading titles, serves the
|
||
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||
imagination more than the palate.
|
||
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They converse on facts, and
|
||
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||
create them when necessary
|
||
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||
And each new patron symbolizes
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||
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||
inconvenience, a disfigured
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|
||
gremlin that interrupts their
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||
microcosmic world.
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||
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When he asks for service, they grope
|
||
|
||
with facial contortions, and language
|
||
|
||
distortions they serve up the flavor
|
||
|
||
of the day, insisting that the taste is
|
||
|
||
unique. "Mud flavored with a hint
|
||
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||
of cedar wood," I think.
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||
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||
Their valediction is ingratitude.
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||
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||
Their comments - pitiless.
|
||
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||
A premeditated retort emerges
|
||
|
||
through their stale teeth, stained
|
||
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||
with beaned delight,
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||
|
||
from a land where
|
||
|
||
indigent farmers scour
|
||
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||
the crops for survival,
|
||
|
||
suspending their
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|
||
judgment in patience.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
|
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A Good Name
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||
by Lisa Klassen
|
||
|
||
|
||
The warm, reddish sunlight of late afternoon thrusts through the
|
||
windows and pools on the immaculate, stone tiled floor. It is a marked
|
||
contrast to the cool blue tones, the gleaming steel and the faint odor
|
||
of antiseptic that hangs in the kitchen. The woman paces back and
|
||
forth through the puddle of sunlight, an agitated look in her eyes.
|
||
She stops, leaning against the counter, and taps manicured nails on
|
||
the marble surface while she thinks. The prettiness she possessed in
|
||
her youth has been replaced by the well-groomed look of a spoiled pet.
|
||
Her hair is masterfully cut in the latest style; her flawless makeup
|
||
masks the heavy frown lines forming in the corners of her mouth. Her
|
||
expensive clothes are perfectly tailored to hide the places on her
|
||
body where fat is starting to intrude. She pushes herself off the
|
||
counter, and throws open a cupboard opposite her. There are a few
|
||
dusty bottles of wine inside, nothing else. A bitter laugh escapes her
|
||
reddened lips. She rolls swearwords silently over her tongue, afraid
|
||
her husband may overhear. He does not approve of women swearing, he
|
||
says it is unladylike. She is having a dilemma. Over the past year
|
||
they have spent every second and fourth weekend in this damned place,
|
||
and this is a first. They have no food. Hours spent running all over
|
||
town for the gourmet goodies she would need to feed her picky husband,
|
||
all in vain. The two bags of groceries are probably still sitting in
|
||
their garage, the pate spoiling and the hand made ice cream melting.
|
||
Before they left the city, her husband had grunted assent when asked
|
||
if the groceries were in the trunk. He wasn't paying attention to her,
|
||
as usual. Now she doesn't know what to do. Her husband demands that
|
||
the household is a smoothly run one, and this would not go over well.
|
||
Though this mess is entirely his fault, she can hardly lay the blame
|
||
on his shoulders. Not out loud, anyway. The verbal blows and stabs
|
||
that would befall her don't make it worthwhile to say anything. He
|
||
doesn't like to hear about mistakes he has made. She wallows in
|
||
helpless anger for a time, before settling on a scapegoat. The kitchen
|
||
staff should have noticed the bags of groceries, those lazy slackers.
|
||
They're probably stuffing themselves full of her food and wine right
|
||
now. Well, actually her husbands' food and wine. Anyway, she will put
|
||
an end to their merriment very quickly. She considers phoning home,
|
||
then decides to save this small pleasure until she can do it in
|
||
person. An ugly grin smears itself across her face as she savors the
|
||
only power she possesses, the power to punish her staff. She relishes
|
||
the chance to berate the help for the feeling of control it affords
|
||
her, and keeps a sharp eye peeled for any mistakes. If her husband
|
||
takes out a particularly bad mood on her, she makes up something to
|
||
yell at them for. When they were first married, she just couldn't
|
||
rebuke the staff, no matter how he raged at her. It wasn't in her
|
||
nature. At least, it wasn't until her husband said the employees all
|
||
laughed at her for being so weak. She still remembers how terribly
|
||
hurt and angry she was. She tore furiously into them after that. The
|
||
original help have long since been replaced, so no one except her
|
||
husband remembers what she used to be like. Now the help are more
|
||
afraid of her than of her husband. She often suspects that what he
|
||
told her was a lie, the betrayed looks on their faces when she yelled
|
||
at them that first time haunt her. But she will not give up her petty
|
||
power now, she has become too dependent on it. And this little mishap,
|
||
though hardly the fault of the kitchen staffs, gives her another
|
||
opening. She rehearses what she will say, and whom she will select for
|
||
punishment. She has the feeling she will need this small release after
|
||
the weekend is over. They are paid so well, it should be a job
|
||
requirement to take what she dishes out, or so she tries to tell
|
||
herself.
|
||
|
||
She roots through the pantry in search of salvation, knowing it's in
|
||
vain. They don't keep much of a personal nature at their island home,
|
||
much less food. What keeps for two weeks that her finicky husband
|
||
would actually eat? He is so snobby in everything, including his taste
|
||
in food. Take these twice-monthly visits to this place. Why do they do
|
||
it? Because, according to her husband, wealthy people ALWAYS own a
|
||
country home. Each member of her husband's family have what they call
|
||
"cottages", although they are usually two or three floors, and almost
|
||
as ostentatious as the city abodes. So do all their friends. Where
|
||
would they possibly be in the scheme of things if he didn't own a
|
||
second home in the country? So they bought this extravagantly priced
|
||
"cottage" and use it twice a month. Her husband is excited, because
|
||
this Christmas it is his turn to have his family over. Early every
|
||
December, his family wages battle over whose cottage they would all
|
||
spend the holidays in. This year, he won. Another year with no chance
|
||
of her going home to spend Christmas with her family. She knows they
|
||
don't buy the feeble excuses she serves up each year. There is nothing
|
||
she can do, her husband requires her presence at these family
|
||
gatherings of his. He says the same thing every year when she asks to
|
||
go home for Christmas. He accuses her of trying to make him look bad
|
||
in front of his family, and tells her maybe next year. Every year she
|
||
hopes it is time, but it never is. She sighs, and closes the pantry
|
||
door.
|
||
|
||
She glances at the refrigerator hopefully. Maybe they left something
|
||
edible last time they were here. She pulls the fridge door open, her
|
||
fingers crossed. Ah, the horn of plenty overflows. Three measly items
|
||
to choose from. There is a container of cream cheese, some kiwis that
|
||
have gone bad, and...a squeeze bottle of French's Mustard? She didn't
|
||
buy this, did she? Her husband would sooner swallow bleach then put
|
||
the cheap yellow liquid on anything. He would be absolutely mortified
|
||
to find such a low class substance in his fridge, so it certainly
|
||
wasn't his purchase. Whole grain mustard, maybe. So how did this get
|
||
here? Still wondering, she walks over to the sink, unscrews the lurid
|
||
yellow top, and begins emptying it into the drain. The tangy aroma of
|
||
mustard wafts up from the sink. The smell brings flashes of younger
|
||
days, and she allows herself to be carried upon the wave of memories.
|
||
|
||
She and her friends used to scrape together their allowances to buy
|
||
hotdogs from the street vendors. There was nothing tastier to her when
|
||
she was younger. She would drench her hotdog in mustard, and pile it
|
||
as high as she could with the onions, cheese and hot peppers offered
|
||
as toppings. They would take their hotdogs to the park, sprawling
|
||
lazily in the grass. Hours passed as she lay there, letting the sun
|
||
beat mercilessly against her face while they talked about everything
|
||
and nothing. She wasn't worried about wrinkles, lines or skin cancer
|
||
back then. She would pull off shoes and socks, and clutch the grass
|
||
between her naked toes, crushing it to inhale its sweet fragrance. On
|
||
a day like that she could pretend that September would never come,
|
||
summer would just stretch away endlessly until Christmas. Lying on her
|
||
back, watching the clouds roll by, she had believed that anything was
|
||
possible. Anything. Belief is a sort of magic, transforming whoever is
|
||
lucky enough to possess it. That belief had vanished for her somewhere
|
||
along the way, and she had ended up in a place unimaginable to her
|
||
when she had it. She has tried drugs, alcohol, ski trips in Aspen, and
|
||
hour long massages at her spa. None of it gives her that easy feeling
|
||
of well being she once had. It is beyond her, now, except in memories.
|
||
|
||
She breathes in one last whiff of the container. Angry with herself
|
||
for indulging in such a weak, sentimental moment, she hurls the
|
||
container into the garbage. She doesn't want her husband to see it,
|
||
anyway. She has no idea how it got there, but she isn't about to get
|
||
blamed for the mistake. It would irritate him, as other people's
|
||
mistakes always did. And he seemed especially testy on these
|
||
"downsized weekends", as her husband likes to call them. That is part
|
||
of the reason she doesn't like them. To be honest, she downright
|
||
loathes them. He spends most of his time shut in the study with the
|
||
newspapers and the t.v. on, only coming out at meal times. This
|
||
invariably means she tries to pass time by reading a book or wandering
|
||
about the house, bored, trying to be quiet and having nowhere to go if
|
||
he emerges from hiding in a bad mood. They don't know anyone on the
|
||
island and he doesn't allow her to bring the cook, or any of the other
|
||
household help. He says they impair his ability to relax. At home, the
|
||
hired help make the decisions and take the responsibility off her
|
||
shoulders. Out here she is on her own. This means menial tasks fall to
|
||
her, as well as the cooking of meals. God, she just dreads the meals.
|
||
It isn't that she minds cooking, in fact she used to love cooking for
|
||
friends and family, as well as for herself when she was single. She
|
||
comes from a very middle class family, though. Her price range for
|
||
recipes was always limited to the under twenty dollars category. The
|
||
most gourmet dinner she knew how to make was beef stroganoff. So when
|
||
her husband informed her that she would be cooking their meals while
|
||
on the island, she hadn't thought much about it. Figuring that he
|
||
would want something simple for a change, she fell back upon her old
|
||
favorites. That first weekend out here had been absolute hell. Dinner
|
||
is a dangerous time, anyway, since they are forced to be in each
|
||
other's company. Everything she cooked, her husband completely hated,
|
||
and he spared no effort to make her aware of the fact. After meals she
|
||
could hear him stalking about his den, muttering. Since then she has
|
||
made sure to be prepared. She subscribes to every gourmet-cooking
|
||
magazine and raids the finest stores for supplies before these country
|
||
weekends. Mindful that these meals are the weakest point in her
|
||
defense, so to speak, she feels her stomach tense and her breath begin
|
||
to shorten when he picks up his fork for that first bite. Of course,
|
||
if he has had a rough week, he'll start in on her no matter how good
|
||
the food is. There is no winning in these instances. If she says he
|
||
enjoyed the recipe last time she made it, he will say she must have
|
||
screwed it up this time. And how can she argue? Even if she knows he
|
||
likes it, she can't prove it. It's a losing situation, and one that is
|
||
a continual stress to her.
|
||
|
||
She slams every cupboard and drawer in the kitchen out of frustration,
|
||
albeit quietly. There really isn't a damn thing to eat in this house.
|
||
Shoulders slumping, she realizes she must go into the town and pick up
|
||
some supplies that her husband will approve of. She has never been in
|
||
town before, although they have been on the island many times. Her
|
||
stomach sinks as she remembers jeering at the local supermarkets' tiny
|
||
size as they drove by from the ferry. Her husband made some local
|
||
yokel joke, and they both laughed. She winces at the thought of going
|
||
there to shop. Her doubts on the stores' contents aside, they will
|
||
know she is a stranger, and a city person besides. She is conscious of
|
||
the looks their brand new truck gets as they drive through the town.
|
||
She has heard the curses hurled after them as her husband drives by a
|
||
hitchhiker in the pouring rain on an island where hitchhiking is the
|
||
public transit. She quails at the thought of walking among them
|
||
without her husband's protective presence, her body laid bare to their
|
||
curious glances. And she is painfully aware that people just don't
|
||
like her anymore. Years of living under her husband's sharp tongue
|
||
have corroded her self-confidence. Anything she says now is echoed
|
||
back inside her head in his mocking tones, making it sound moronic to
|
||
her. This is ruining her social skills. She has a tendency to aim
|
||
suspicious stares at whomever she is speaking with, trying to figure
|
||
out if they are laughing at her. While speaking, she is braced for a
|
||
putdown, giving her voice a defensive, angry whine. Her conversations
|
||
now have a brittle, sharp feel to them. Talking to her is like lightly
|
||
touching broken glass. Press down just a little, and you will walk
|
||
away cut. The other day she screamed at the barista in the caf<61> she
|
||
frequents because he asked her if she wanted her latte lowfat,
|
||
surreptitiously peeking at her stomach. Now she is ashamed to go in
|
||
there, and slinks by every time she passes that way. Social contact
|
||
with strangers has become loathsome to her, and she tends to spend
|
||
most of her time inside. She never used to be this way, and it
|
||
frightens her. When she was younger she always had plenty of friends,
|
||
she was very easygoing with people. She has been avoided all
|
||
encounters for weeks, and she is not prepared for one now. She must,
|
||
though. There is no way her husband will go. The way he always scoffs
|
||
at the locals makes her think he might actually be scared of them as
|
||
well. If she asks him to go, he will just be angry, and she will end
|
||
up having to go, anyway. Resigned, she plays with the key rack, trying
|
||
to decide which car to take. She is definitely not taking the Durango.
|
||
The shining newness of the truck bespeaks wealth playacting at being a
|
||
regular joe. She is embarrassed for her husband every time he gets
|
||
into it. The truck just doesn't suit him. She grabs the keys to the
|
||
Mercedes. She has decided to play rich bitch. She puts on her fur
|
||
coat, and girds herself for battle. A feeling of superiority settles
|
||
around her like a well-worn suit of armor. Although this does not work
|
||
with her husband, she generally feels more secure around other people
|
||
when she assumes her high and mighty attitude. May as well try to
|
||
impress people if she has to deal with them. She will use her platinum
|
||
card and nice clothes as weapons. The door swings gently shut behind
|
||
her.
|
||
|
||
The ordeal is nearly over, and without incident so far. The selection
|
||
wasn't as bad as she had feared, she has her groceries, now she just
|
||
wants to get the hell out of here. Waiting impatiently in the checkout
|
||
line, she taps her fingers against the steel rail, and looks
|
||
disgruntled. There is only one teenage cashier working, and she is
|
||
busy chatting to a customer buying cigarettes. Christ. Some sort of
|
||
gabble about a hockey team, which she has no interest in. She checks
|
||
her watch three times in a row, sighing audibly between each glance.
|
||
This at least gets the cashier's attention, who proceeds to ring her
|
||
groceries through while continuing the conversation with the local
|
||
clodhopper. He eventually wanders off, and the cashier gives her the
|
||
total. Presenting her credit card with a flourish, she watches the
|
||
cashier's face to see if she looks impressed. The cashier (with a hint
|
||
of condensation?) asks her for I.D, as she isn't a "regular". Right.
|
||
This is small town nosiness or small town distrust, one of the two.
|
||
Anyway, just what she had expected. Out to give her a hard time,
|
||
punishment for not being local. She snorts and rolls her eyes, hoping
|
||
the cashier notices. She scrambles to think up some indignant retorts
|
||
as the cashier looks searchingly at her.
|
||
|
||
"Hey, are you any relation to the Bergers that live here? Natalie and
|
||
John?"
|
||
|
||
Taken aback, she giggles at this unexpected turn in the conversation.
|
||
Another couple on this tiny island with the same name as her husband?
|
||
He would HAVE to find this amusing. Unexpectedly, she is happy. She
|
||
has a story to break the tension of dinner. Okay, but she must play
|
||
this out in full, so she can have a good tale to tell.
|
||
|
||
"Why yes, I am related. John is my husband's brother."
|
||
|
||
"I knew it," the cashier bubbles happily. "I didn't think you and
|
||
Natalie were related, you look a fair bit older than she is. She and
|
||
John are a very happy couple, and such good people, don't you think?"
|
||
|
||
"Sure," she replies, rather roughly. Just as suddenly as her good mood
|
||
washed over her, it is wiped away. She's highly sensitive about her
|
||
apparent age. Only thirty-four, new acquaintances often mistake her
|
||
for a women in her forties, much to their mutual chagrin. Spending
|
||
life under the kind of stress she lives with will age a person
|
||
immeasurably. To rub salt in her wounds, her husband doesn't look a
|
||
day older than when they were first married. She doesn't like being
|
||
reminded of her vanished looks, especially by some dumb hick. The
|
||
cashier babbles on about the wonderful deeds of the alternate Bergers,
|
||
blissfully unaware of the sudden mood change.
|
||
|
||
She wonders when this torture will end. Who are these hicks, anyhow?
|
||
She used to volunteer her time constantly, and no one sung her
|
||
praises. Of course, she hasn't done anything since she married; her
|
||
husband disapproves. He never donates money for any other reason than
|
||
a tax deduction. He thinks all that stuff about the homeless and needy
|
||
is drivel, a scam to get money out of suckers. As far as he's
|
||
concerned, anyone who gets fooled by that bit is soft and weak minded.
|
||
She didn't want to give him a chance to heap that same scorn upon her
|
||
head, so she gave it up. But she misses helping people, she misses it
|
||
terribly. This is when she actually hates her husband. Not for the
|
||
choices he forced her to make, but for the choices she made
|
||
voluntarily, to protect herself. She has given up a career, children
|
||
and various little things, like the chance to do community work, and
|
||
for what? She's miserable. Ugh, why does she even waste energy
|
||
thinking like this? She has made her bed, etc. Now she just has to
|
||
live her life, such that it is, and stop thinking so much. She is
|
||
furious with the cashier for her part in this ordeal, and with the
|
||
stupid Berger's as well. She reaches for her groceries, determined to
|
||
flee, when something the cashier says catches her attention.
|
||
|
||
"Of course, if you are picking up these groceries for the Bergers, you
|
||
may as well put it on their tab sheet, instead of ringing up your
|
||
credit card. It would be easier."
|
||
|
||
Her eyes flash wickedly at the chance for a little retribution.
|
||
Indirectly these people have been responsible for her misery, and she
|
||
wants them to pay for it. As a bonus, it would be a pleasing ending to
|
||
the story, her husband would heartily approve. She would, of course,
|
||
leave out the age comment.
|
||
|
||
"I am picking up some things for them, actually. They must have
|
||
forgotten to tell me to put it on their tab."
|
||
|
||
"No problem, ma'am. Say hi to them for me, will you?"
|
||
|
||
"I'll make a point of it, don't you worry." She scurries out of the
|
||
store, sniggering to herself. This little piece of revenge has made
|
||
her feel a heap better. The alternate Bergers are no match for her.
|
||
She wonders how she could have let these idiots worry her. Look how
|
||
easy simple it is to fool them. Easy marks, her husband would say. She
|
||
just wishes she could be around next time they check their tab. Maybe
|
||
the cashier would get in trouble too, for authorizing the transaction.
|
||
She throws her ill-gotten gains into the passenger seat of the
|
||
Mercedes, and speeds away.
|
||
|
||
She relates her story over the dinner table, but her husband isn't in
|
||
the mood for her excited chatter. He merely looks at her before
|
||
shrugging indifferently and returning attention to his plate of food.
|
||
He gets up and leaves without a word as soon as dinner is finished.
|
||
Her excitement deflates, and lies limp inside her. Damn those pathetic
|
||
goody goodies. Not only did they ruin her afternoon, but they don't
|
||
even make good story material. She vows to go back to the store
|
||
tomorrow and put the most expensive items she can find on their tab.
|
||
Even better, she'll throw it all away as soon as she's out the door.
|
||
Feeling miserable, she kicks a cupboard while walking through the
|
||
kitchen. It flies open, striking her in the leg. She falls, and stays
|
||
sitting on the floor, clutching her leg and weeping tears of
|
||
self-pity. Her watering eyes alight on a flash of red at the back of
|
||
the open cupboard. It is a glass vase full of dried roses, something
|
||
her husband has never given her. The beautiful flowers taunt her, as
|
||
her mind follows the only logical thought to its conclusion. Her
|
||
husband is having an affair, damn him. She feels half as attractive as
|
||
she did thirty seconds ago, which isn't saying much. He may be
|
||
dallying with his mistress here during the week. She grinds the
|
||
fragile flowers beneath her heel, and feels a little better. She has
|
||
been expecting something of the sort for a while, but expecting and
|
||
knowing are two different things. What the hell is she going to do?
|
||
Any women's magazine would tell her to confront him, but she feels
|
||
physically nauseous at the thought. Her head swimming, she isn't sure
|
||
she's strong enough. She wonders what the mistress looks like, how
|
||
young and thin she is. Bitch. She runs her hands over her body. The
|
||
flesh that was once lean feels soft and doughy under her probing
|
||
fingers. She swears she will go to the gym more often, and lose at
|
||
least ten pounds. God, with her body looking like this, it's no wonder
|
||
he has a mistress. Is confronting him about this worth the quiet war
|
||
it would start in her home? After all, how does it really affect her?
|
||
They are not exactly...affectionate. Sex? He hasn't touched her in
|
||
years, and she tells herself no loss. She decides to explore the house
|
||
tomorrow to try to gather more evidence. She is rationalizing, and
|
||
hates herself for it.
|
||
|
||
She ascends the stairs to the only place that she loves in this house.
|
||
Her bedroom. She designed it herself, with the help of a decorator.
|
||
It's warm colors, comfy furniture, and beautiful art are a marked
|
||
contrast to the icy blues and stern browns of her husband's bedroom.
|
||
It is always cool in there, even in the middle of summer, and the
|
||
furniture is so heavy, so dark, and so immovable. The room makes her
|
||
uncomfortable. Her bedroom makes her feel safe. It is the room of a
|
||
happy little girl, or a lover's cozy nest. It is entirely hers. He
|
||
never sets foot in this room, and she never thinks about him here,
|
||
unless she hears him. The room softens her, she is a better person
|
||
while she is inside. She often wishes she could bring people here to
|
||
talk, she would get along with them so much easier.
|
||
|
||
She kicks off her shoes, and crosses the deep plush carpet in her bare
|
||
feet. She picks a book from out of her bookshelf, and hunkers down in
|
||
front of her dresser. She opens the bottom drawer, searching for a
|
||
comfy nightgown to wear to bed. One catches her eye, particularly soft
|
||
and lacy. She doesn't remember buying it, but her husband paid someone
|
||
to stock the house with everything they would need, so she doesn't
|
||
find this unusual. She wishes he had let her do it, she had wanted to.
|
||
Not just because she was bored, but she found this house such an
|
||
impersonal place to live. She would have liked to breathe a little
|
||
life into it. She draws out the gown, and runs her fingers over it,
|
||
enjoying the feel of the soft fabric. Something crackles under her
|
||
fingers. It is a piece of folded thick paper in one of the pockets.
|
||
She pulls it out. On the outside half there is a drawing of a bed,
|
||
with a naked girl perched on it, knees tucked modestly up under her
|
||
chin, covering her. With a creeping sense of unease, she realizes the
|
||
bed looks exactly like hers. She opens the paper, and reads the words
|
||
printed on the inside.
|
||
|
||
"I love you with all my heart, my sweetest girl. When I breathe, I
|
||
smell your hair, when I close my eyes, your image burns there. Your
|
||
voice in my ears is the night cries of sleeping birds. Every night I
|
||
pray we will be together, forever. Your Love."
|
||
|
||
The air whooshes out of her in a sharp exhale; she sits on the bed
|
||
with a heavy thump. Her jaw clenches as she crushes the card between
|
||
bunched fists. Enraged, she isn't sure by which fact the most.
|
||
|
||
Her husband actually being in love with the little thing, or that they
|
||
have violated her room, the only thing that is still hers, that she
|
||
cares about. Damn him, why in here? He hasn't even seen the inside of
|
||
her room before, why would he bring his mistress in here. Furious
|
||
tears stream down her face and fall into the folds of the nightgown.
|
||
She tears the lacy cloth into pieces, then reads the card again.
|
||
Betrayal by sex she could handle. If he hasn't dallied with some sexy
|
||
young thing before now, it's only because he's been too busy to
|
||
bother. But the passion this card is infused with flays open her
|
||
heart, and delivers a mortal blow to her self-esteem. The only way she
|
||
has managed to keep herself intact all these years, the only comfort
|
||
she had is the knowledge that her husband is incapable of being any
|
||
other way. She has put up with his jibes, knowing he would do the same
|
||
thing to any other woman he was married to. A man of granite, his
|
||
personality so hardened it would dash her to pieces if she challenged
|
||
herself against it. This card proves her wrong. Now to find out that
|
||
it IS her, that another woman is capable of eliciting this kind of
|
||
sweet emotion from him, is a bigger blow than anything he has ever
|
||
said to her. She smoothes out the crumpled card, and reads it again,
|
||
trying to find where she failed in the lovely lines. Her brow wrinkles
|
||
in thought and it hits her. This isn't written by her husband. He has
|
||
absolutely no gift of expression. His sentences fall on the ears like
|
||
a boy dropping rocks off a bridge. Chunk. There is one sentence.
|
||
Thunk. There goes another. The verses in the card are light and
|
||
flowing. And she knows he doesn't draw. This card is sketched with
|
||
great love and a skilled hand. She doubts somehow that her husband has
|
||
the capacity to produce something like this, even when madly in love.
|
||
So he isn't the creator of the card. The cement blocks tied to the
|
||
feet of her selfworth are lifted as unexpectedly as they were put
|
||
there. The inevitable question arose. Whose handiwork was it then? Did
|
||
the mistress have a young lover? Was her doublecrossing husband being
|
||
doublecrossed? All these unanswered question gnaw at her. She hates
|
||
this stupid island. She wants to go home, where at least she has some
|
||
friends to mull this situation over with. Although it may not be worth
|
||
it to tell them, they will probably make fun of her behind her back.
|
||
They are all wives of her husband's friends, and not her first choice
|
||
of people to spend time with. To tell the truth, she wouldn't put it
|
||
past them to already know about the affair, and not to have told her.
|
||
Some friends. She lies down on her bed, exhausted by the rollercoaster
|
||
ride she has been thrust on. Sleep doesn't come easily, though. She
|
||
needs some answers, she needs at least to know if her husband has
|
||
desecrated her room. She has already sullied it with thought of him,
|
||
and her sense of safety here has vanished for now. She stares at the
|
||
ceiling late into the night before finally dropping into an uneasy
|
||
rest.
|
||
|
||
The sound of a car driving away wakes her. Great. This will free her
|
||
to search the house for some answers, and she won't have to face him
|
||
with the question in her eyes. She's left with the difficult task of
|
||
discerning what's amiss in a house decorated by strangers that she
|
||
spends two weekends a month in. She hasn't paid too much attention to
|
||
the rest of the house, anyway. Most of her time is spent in the
|
||
kitchen or her bedroom. The house is too new; full of glass and white
|
||
rooms with little to break the monotony of the walls. The stiff
|
||
furniture is uncomfortable to sit on, and the ceilings are so high
|
||
that it gives the house a chilled feel. She enters room after room,
|
||
certain that something is different, but unable to put her finger on
|
||
what. She stops in front of an object, unsure if it is new, or she
|
||
simply never noticed it before. She thinks she can sense the faint
|
||
echo of another personality, but she has nothing to substantiate it.
|
||
Nothing that would stand up in court, as her husband would say.
|
||
Frustrated, she puts a hold on the search in favor of breakfast.
|
||
|
||
She stands at the kitchen counter, watching the coffee water boil. She
|
||
assembles her breakfast of grapefruit and unbuttered toast, the repast
|
||
of suffering dieters everywhere. Seating herself in the breakfast
|
||
nook, she closes her eyes and lets the sunlight play over her face.
|
||
While enjoying the warmth, she lets her mind wander. An unforeseen
|
||
revelation takes her by surprise. She isn't putting herself on a diet
|
||
for her husband's sake, but for her own. In fact, she doesn't care
|
||
what her husband thinks of her looks, or what he has been up to.
|
||
Sometime in the night it ceased to matter.
|
||
|
||
"Let him do whatever it is he does," she thinks. "Maybe it will keep
|
||
him out of my hair for awhile!"
|
||
|
||
She laughs at how brave she sounds, at least in her head. The
|
||
discovery does wonders, making her stronger in places she desperately
|
||
needs strength. She decides she is even going to tell him to stay out
|
||
of her room, no matter what he says to her. After all, the are just
|
||
words. She is the one who gives them the power to wound, and she isn't
|
||
going to give them that power anymore. She smiles, a peaceful, easy
|
||
smile. It is the first she has shown in a long, long time. The smile
|
||
transforms her. She is achingly lovely is the warm sun, and she
|
||
doesn't even realize it. No one is around to gaze upon her in her
|
||
fleeting moment of beauty. With the ring of the doorbell it is gone,
|
||
as so many beautiful things are, unwitnessed. Her usual expression
|
||
sets in, that unattractive blend of bitterness and petulance.
|
||
Frowning, she gets up to answer it, carrying her untouched cup of
|
||
coffee with her.
|
||
|
||
An older woman, graying hair pulled down her back in a long French
|
||
braid, stands on her doorstep.
|
||
|
||
"Uh, hi there. Are you a relative of the Bergers?"
|
||
|
||
Irritation floods her body. These people are going to ruin her day
|
||
again, why won't they just leave her alone? She is getting damn sick
|
||
of this question. Trapped by the fear that this woman has spoken to
|
||
the cashier in the supermarket (she knows how these small towns work)
|
||
she is forced to renew a lie begun to impress her indifferent husband.
|
||
Feeling guilty, she replies rather tersely, "Yes. Why?"
|
||
|
||
"Well, I was hoping to speak with Natalie or John. Are either of them
|
||
here?"
|
||
|
||
She is being drawn into lying in detail. She is growing more and more
|
||
uncomfortable. "No, they are not. Can I help you?" she reluctantly
|
||
asks.
|
||
|
||
"Sure, just give them this envelope, will you? It's the notes on last
|
||
weeks town meeting."
|
||
|
||
Of course it is. The annoying do good Bergers. It will be her pleasure
|
||
to give this envelope to the garbage, after she has pilfered its
|
||
contents.
|
||
|
||
"It would be my pleasure," she smirks.
|
||
|
||
As she reaches out for the envelope, her mug of coffee slips from her
|
||
fingers, splashing the pristine white rug in front of the door. She
|
||
screams numerous blasphemies into the unsuspecting face of the woman
|
||
before running to get a cloth. If her husband sees that spill, she
|
||
will hear about it for the rest of eternity. Embarrassed by her
|
||
outburst, she avoids the other woman's eyes when she returns to the
|
||
doorway, cloth in hand.
|
||
|
||
"Sorry about that, I just didn't want the rug to be stained," she says
|
||
as she kneels on the carpet.
|
||
|
||
The older woman smiles kindly down at her. "Here, let me help." She
|
||
takes a section of cloth and begins scrubbing. "No need to apologize,
|
||
this isn't Natalie's house, so I can see why you are getting frantic."
|
||
|
||
Not Natalie's house? Of course this wasn't Natalie's house. She peers
|
||
suspiciously at the woman, searching for signs of senility. Maybe she
|
||
wandered from house to house, plaguing the inhabitants. All the locals
|
||
know her, so they don't answer the door. Caught by in her own
|
||
ignorance. The old woman looks pretty together, though.
|
||
|
||
"The one time Natalie and John had me over, they were absolutely
|
||
fanatical about the use of coasters, and they kept eyeing my wineglass
|
||
every time I walked over the Persian rug. They are usually so
|
||
easygoing, I was surprised they were actually making me feel
|
||
uncomfortable. They told me how they housesit for this rich couple,
|
||
and they wouldn't want anything irresponsible to happen to the house.
|
||
I admire the respect they show for another person's property. Anyway,
|
||
I'm sure you have seen that gorgeous teal blue and cream Persian rug
|
||
in the living room. I wouldn't want anything to happen to that,
|
||
whether it was mine or not."
|
||
|
||
Her jaw drops at the older woman's statement. They have a teal blue
|
||
and cream Persian rug in their living room.
|
||
|
||
"Well, I'd better go. When they get home, tell them I'm sorry I missed
|
||
them. If you can't get that stain out, I'm sure Natalie has something
|
||
lying around the house to get it out. Nice meeting you."
|
||
|
||
The woman strides off down the driveway. She stands in the doorway,
|
||
mouth still open. With a flash of insight, she runs to the garage and
|
||
checks the Durango's cab. Sand. From the sandbags during the flood.
|
||
With an almost audible click, the pieces all fall together. There was
|
||
no other woman. There are only other Bergers. They live here. They
|
||
LIVE here. She is astounded at the risk these Bergers have run. They
|
||
must stay here during the week, knowing that their counterparts only
|
||
came in every second weekend. As an off thought, she wonders where
|
||
they were right this second. They must camp out somewhere and wait.
|
||
Unbelievable. They must have watched the house for weeks to make sure
|
||
that it was safe. A deep blush begins to spread across her cheeks. How
|
||
routine their life must have looked to the hidden watchers. She feels
|
||
humiliated by the fact that they had decided breaking and entering was
|
||
a safe risk. Her shock erodes into anger. How dare they? House sitting
|
||
for a rich couple. They haven't just subverted the car and house,
|
||
either. Some girl has taken her name, taken her identity and lived it
|
||
better than she could. They have fulfilling, helpful lives, while she
|
||
has nothing. Her little piece of revenge at the grocery store doesn't
|
||
seem like much to charge for use of her life. Well, she will put a
|
||
stop to it right now. Furious, she storms into the house and begins
|
||
searching for a phone book. The police will handle this. Her husband
|
||
will be enraged and mortified, he will prosecute the "Bergers" to the
|
||
fullest extent. He will make sure they spend a long time in jail, she
|
||
doubts they will be "together forever" now. The sweet words in the
|
||
love letter spring to her mind, and she feels a pang of pity for the
|
||
young imposters. Anyone that much in love will find jail a waking
|
||
nightmare. Now, if she is going to be truthful with herself, the only
|
||
reason why she is so incensed is because she is jealous of the young
|
||
couple, and the love they have. She actually admires the gutsiness of
|
||
the stunt these two have pulled for so many months, and the fact that
|
||
they have become upstanding members of a small community without
|
||
anybody ever suspecting. They must have studied their counterparts
|
||
very carefully to know that she and her husband have no interaction
|
||
with the other islanders. They have certainly taken care of their
|
||
home, she has never suspected a thing until this weekend, and her
|
||
husband still doesn't. The humor of the situation strikes her, and she
|
||
begins chuckling. As a matter of fact, she would love to meet these
|
||
young ruffians. Her face falls as she realizes the circumstances she
|
||
will probably meet them under. Her husband will not see the humor in
|
||
this, nor will he recognize that there was no harm done. As far as he
|
||
goes, the "Bergers" picked the worst home possible to pull this stunt
|
||
in. Speak of the devil, she hears his car pulling in. Those poor kids.
|
||
|
||
All their leftover groceries are loaded into the car. It is the end of
|
||
the second weekend of the month. She fusses around the counters,
|
||
postponing the moment of departure. Her husband glares restlessly
|
||
about him.
|
||
|
||
"Move it, let's get going," he snaps at her.
|
||
|
||
She levels a long, hard look at him, saying nothing. He tries to meet
|
||
her stare, fidgeting. Finally he looks down, and walks out of the
|
||
house, grumbling. He slams the door shut behind him. She takes a last
|
||
look around, then puts an envelope on the kitchen table. She shuts off
|
||
the lights, and closes the door gently behind her. The envelope lies
|
||
gleaming on the table, caught by the afternoon sunlight. The front of
|
||
the envelope is marked with a looping, childish hand. It says "The
|
||
Bergers." It is the envelope the older woman left behind. On the back
|
||
is written, in the same childish hand, "Thanks for the good name. I
|
||
hope to see you soon. Regards, Laura Berger."
|
||
|
||
The car churns up dust as it speeds down the country road. Carried
|
||
away inside it, she grins. It seems like such a waste to have
|
||
something so expensive only used twice a month. Her husband won't
|
||
catch on, he never notices anything. Besides, she they are the first
|
||
people she has wanted to be friends with in a very long time. Laura
|
||
Berger takes a deep breath, and begins to sing.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
|
||
Advantages
|
||
by Maryann Hazen
|
||
|
||
|
||
I relax so intensely, my skin snaps.
|
||
This badgering rationality is enough
|
||
to steam my eyelids. I practice
|
||
knuckle-cracking, chain smoking,
|
||
coffee drinking, pill-popping ways
|
||
to take it easy. I idle so high, I can't come
|
||
to a full stop. I could never stay
|
||
between the lines. I'm the root of all evil,
|
||
yet I pump the gas. I never intended
|
||
to evolve into this jaw-clenching, nail biting,
|
||
heart breaking, ulcer-burning son-of-a-bitch.
|
||
I'm totally percolated
|
||
and the pressure's gonna kill me
|
||
if you're lucky.
|
||
I bake the bread of woe and lick
|
||
my fingers clean but I pay the tip, don't I?
|
||
Don't I? I'm a back stabbing, nit-picking,
|
||
road-raging bully boy and I dare you,
|
||
I double-dog-dare you, to love me enough
|
||
before I explode
|
||
or very simply fall to pieces.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
|
||
When All Is Said
|
||
by Michael Largo
|
||
|
||
|
||
This house is a crow
|
||
that picks at something in the grass.
|
||
We are inside, in its stomach.
|
||
We climb its ribs with a candle
|
||
that gets blown out when we
|
||
reach the lungs.
|
||
Sent tumbling
|
||
backwards.
|
||
The sound of tractors
|
||
coughing up the morning dampness
|
||
into the sky which is a clean
|
||
white handkerchief.
|
||
Buckets with rusted bottoms
|
||
pitchfork and shovels lean against
|
||
the corner
|
||
smoking thin splinters.
|
||
You tell me you like living here.
|
||
I look at my hands.
|
||
I have nothing to say.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
|
||
Big Jim, the Mormon and Hitler's Grandson
|
||
by Quincey Burkhalter
|
||
|
||
|
||
"Hitler's Grandson is Alive and Living in Denver." That was the
|
||
headline on the latest edition of the tabloid I stole after spending
|
||
my last dollar and eighty-five cents in change on cigarettes. I didn't
|
||
believe it either. I just put the magazine inside my coat so I would
|
||
have something to read while I was taking a shit. I had no idea at the
|
||
time that what I read in the bathroom would soon be parallel to my
|
||
life. But it's all true.
|
||
|
||
Pressure was coming from every direction at the time. My mother would
|
||
call me at night and leave messages during the day. My batty
|
||
girlfriend would threaten to leave me. They both asked the same damn
|
||
thing every time. `Have you found a job yet?' Then pressure came in
|
||
from the other side. I had just spent my last dollar and eighty five
|
||
cents in change and this was my last pack of cigarettes.
|
||
|
||
So, I sat there, sat in the crapper smoking away on the sweetest
|
||
Marlboros I had ever tasted and thought about my options. I had
|
||
avoided this from the beginning. This would tie me to home. My parents
|
||
wouldn't give me anymore money. I'm just their loser son. So, why go
|
||
back to a family that didn't care for their son? I forced the last
|
||
option I had out of my mind.
|
||
|
||
I pulled the tabloid out from underneath my jacket. "Hitler's Grandson
|
||
is Alive and Living in Denver," it said. I sucked in hard on the third
|
||
cigarette from the pack. I wasn't really counting, but I figure it was
|
||
the third, because I had only wiped once. There was a picture of a
|
||
young man with his arm around a pretty girl. I couldn't tell if the
|
||
man was Hitler. It looked kind of like him, but he didn't have the
|
||
distinctive little dictator grin; he didn't look evil. He looked sort
|
||
of happy. Under the picture it said, "Hitler and his `Secret Lover.'
|
||
She was Jewish! (1923)." Hitler had a secret Jewish lover prior to his
|
||
dictatorship of Germany. His lover had been Jewish. Ah-Ha! I guess
|
||
that gives a simple explanation as to why Hitler hated Jews. She
|
||
dumped him like he was rancid meat.
|
||
|
||
And hey guess what? The plot thickens. Hitler's lover was pregnant.
|
||
And Hitler didn't even suspect. The child was a boy and whether Hitler
|
||
knew about him or not Hitler's lover and his love child escaped the
|
||
persecution of World War II. The kid grew up and even snagged some
|
||
unsuspecting wife. It's no wonder, his wife was American. They moved
|
||
to Denver. Anyway, Hitler's son and his wife were killed in a car
|
||
accident ten years ago. And this is where it gets good. Their child
|
||
survived and is "Alive and living in Denver."
|
||
|
||
Hitler's grandson was going to the university. So, was I. He had been
|
||
sighted going to criminal justice classes. That seemed right. I had
|
||
always thought cops and dictators were only a step removed. And that's
|
||
what Hitler's grandson planned to do. He planned on persecuting people
|
||
who broke the speed limit. Especially if their last names were
|
||
Lowenstein or Seinfeld or Rosencrantz like mine. Actually, I'm not
|
||
even sure if Rosencrantz is a Jewish name, but my parents are Jewish.
|
||
I looked at the baby picture of Hitler's grandson. The caption read,
|
||
"Now an employee of Big Jim's convenience stores."
|
||
|
||
And it just so happens that Big Jim's just happened to be my last
|
||
option. My sister-in-law worked for the main office and had promised
|
||
me a job if I ever wanted one. I was down to my last pack of
|
||
cigarettes, so I took it. There were more than a few Big Jim's in
|
||
town. So when I got the job, I didn't expect I would be working with
|
||
you know who. I didn't even believe that this person really existed.
|
||
I'd read about him in a goddamn tabloid.
|
||
|
||
Who believes anything they read in a tabloid?
|
||
_______________________
|
||
|
||
The guy that gave me the tour of Big Jim's was a guy I like to call
|
||
the Mormon. He was a burly, older, bald man with glasses. He had to
|
||
have been my father's age, so I instantly thought, What's this guy
|
||
doing working here? I soon found out.
|
||
|
||
"Don't get me wrong, Ken," he said. "It ain't like I like working at
|
||
this place. This is the back room. What ya' think, Kurt? Great hall of
|
||
beer, huh." I looked around. There were posters of Big Jim, the owner,
|
||
everywhere.
|
||
|
||
"Yeah," I said staring at the posters that lined the wall. It was like
|
||
Big Jim was some sort of legendary rock star and this was his first
|
||
ever live performance. "Arriving July eleventh, at a Big Jim's near
|
||
you," each identical poster said.
|
||
|
||
"Had two wives once," the Mormon said breaking me out of my trance.
|
||
|
||
"Married twice?"
|
||
|
||
"At the same time. Married to both at the same time. Grab that dolly.
|
||
On my fourth marriage now. Got fourteen kids, that I'm counting, you
|
||
know what I mean."
|
||
|
||
I started to look at the posters again. Big Jim looked like a
|
||
caricature, a clay version of a real man.
|
||
|
||
"Two at the same time?" I said.
|
||
|
||
"Yup. Thought the first one was dead. So, I got married again. Then
|
||
hidey-ho, wouldn't you know it. First one shows up at my door."
|
||
|
||
"What happened?" I said, intrigued by his soap operatic life.
|
||
|
||
"Well, number one was better in the sack. So, I kept number two and
|
||
screwed number one on the side. On number four now. I told you that.
|
||
Grab the twelves of Red, White, and Blue. Don't drink `em, just grab
|
||
`em. I don't drink no more. Quit."
|
||
|
||
When we finished the tour we returned to the cash registers up front.
|
||
A new shift had come on. That's when I saw him. You know what I mean
|
||
by him don't you? I mean him, Hitler's Goddamn grandson. I didn't
|
||
trust him the moment I saw him. There was something about this average
|
||
looking, mustached young guy that made my insides feel slimy, like
|
||
warm mayonnaise. An almost poison tasting metal tinge came up on the
|
||
back of my throat.
|
||
|
||
"Hi," he said. "Name's Craig."
|
||
|
||
"I'm Kevin R-. . . Just Kevin." My voice shook. It never shook. What
|
||
the hell's wrong with me, I thought. This guy made me feel uneasy,
|
||
unsteady, like my ankles had been replaced with roller bearings. That
|
||
never happened to me.
|
||
|
||
"O.K. Kevin, just Kevin, you know how to work a register?"
|
||
|
||
I said nothing. I stood there frozen. I could feel the Mormon
|
||
retreating behind me.
|
||
|
||
I couldn't believe it. The Mormon had come in for the fifteen minute
|
||
tour and now he was leaving me with this guy. He left me with this
|
||
guy, this Craig guy, this guy that reminded me of a used car salesman
|
||
and Momar Kadafi in the same breath. The Mormon was leaving and there
|
||
was nothing I could do about it. I saw Craig wave. I turned to see the
|
||
Mormon wave back as he was getting into the car with his wife. This
|
||
guy, this Craig guy, just stood there with this smile on his face. I
|
||
saw the Mormon's car leaving the lot. The smile disappeared. I managed
|
||
to speak.
|
||
|
||
"I know how to work the register," I said with a tongue that felt
|
||
almost numb.
|
||
|
||
"Well, too fucking bad," he said. "You're on beer duty tonight. It's
|
||
behind the cooler. And stock the single cans of soda too."
|
||
|
||
"I haven't been back there," I said.
|
||
|
||
"I've been on the fucking tour. I know you've been back there. Big
|
||
Jim's gonna be here in a week. Do it and I'll check it when you're
|
||
done."
|
||
|
||
He was right I had been back there and the Mormon had told me what I
|
||
was supposed to do, but I hadn't really been listening. I was more
|
||
interested in the story about him being married to two women at once.
|
||
Besides, the Mormon told me I would be on the register the first
|
||
night. The Mormon managed the goddamn store, but this freak of nature
|
||
assumed the position of God the minute he was alone with me. There was
|
||
nothing I could do.
|
||
|
||
"Get started," he said. "They're gonna start comin' in sooner than you
|
||
think."
|
||
|
||
"I was supposed to. . ."
|
||
|
||
"I don't fucking care what you were supposed to do. It's Saturday,
|
||
it's July the fucking third, and we don't sell liquor on Sundays. If
|
||
you think I'm gonna stock beer tonight you're fuckin' crazier than my
|
||
grandpa. Now get your ass to the back."
|
||
|
||
The hair stood up on the back of my neck. I could feel my ears (What'd
|
||
he mean crazier than his Grandfather) get hot a and my jaw clench. I
|
||
stood there looking at him. I knew it had worked on people a lot
|
||
tougher than Craig; so, I stared. I'd never had to be very big to be
|
||
intimidating. I just had to prefect this stare. I didn't move. He rang
|
||
up three customers. I stood there. All three of the customers were
|
||
college girls, only one of them good looking. He didn't stand a chance
|
||
with even the ugly ones. He said the same damn thing every time.
|
||
|
||
"Lookin' hot tonight. Someone's gonna get their fireworks early."
|
||
|
||
All three of the girls giggled and looked his way. I stood with my
|
||
frozen glare fixed right at him until the third girl left.
|
||
|
||
This Craig guy turned around as the door shut. The third girl turned
|
||
around to look at, I'm sure it wasn't him, it had to be me. She looked
|
||
right at me. I looked at Craig. Craig looked at me. My eyes watered
|
||
and went blurry with anger.
|
||
|
||
"Did you see what they bought?" he asked.
|
||
|
||
I said nothing.
|
||
|
||
"They bought beer." He stopped to see if I would react. I stared.
|
||
"Stock the fucking freezer," he said.
|
||
|
||
I felt myself backing off as another customer came through the door.
|
||
|
||
"Lookin' hot tonight. Someone's gonna get their fireworks early." I
|
||
would have thrown up if I had to hear him say it one more time. The
|
||
girl turned around.
|
||
|
||
"You're kinda cute," she said as her dress threatened to get even
|
||
smaller. She was staring right at me. She thought it was me who had
|
||
used that terrible line. I stayed there, just hoping that this girl
|
||
who looked like a cross between Rosanne Barr and Elvira wasn't
|
||
actually talking to me. She stared. She looked me up and down. She
|
||
smiled with teeth the color of unhealthy urine. I went to the back to
|
||
stock beer.
|
||
|
||
I jerked the cooler door open with what felt like anger, but was
|
||
probably frustration. I slammed it behind me with the same emotion.
|
||
There was a note on the inside of the door, over one of Big Jim's
|
||
posters.
|
||
|
||
1st Crew,
|
||
Don't stock the beer. We got new blood coming in tonight.
|
||
Craig
|
||
|
||
I turned around. The cooler was empty. I hadn't noticed it before. I'd
|
||
been listening to the Mormon tell his story. The Mormon must have seen
|
||
the note, I thought. He must have noticed the cooler was empty. The
|
||
other six pack cans were in the back room; so, I went back there.
|
||
|
||
I hadn't noticed before, but this whole back room was filled with
|
||
alcohol. Cases upon cases were stacked at least twelve feet high. Who
|
||
in their right mind would stack them this high, I thought. I would
|
||
need a ladder or some rope to get to the first case.
|
||
|
||
Before attempting this miraculous feat. I decided to take a look
|
||
around, get myself familiar with this back room. I might as well be
|
||
familiar with it, I thought. I'm going to be back here all night and
|
||
into the early morning. I walked slowly down the corridor, slowly down
|
||
the Great Hall of Beer. God, I needed a drink.
|
||
|
||
I checked around for cameras. To my surprise there were none. But
|
||
posters of Big Jim stared at me from every direction. He looked
|
||
unreal, distorted, but his eyes followed me everywhere. There was not
|
||
a place where he couldn't see me. I looked closely at one of the
|
||
posters trying to stare him down. He looked like a muppet, like one of
|
||
the designs Jim Henson had thrown away. His mustache was a thick
|
||
graying handlebar over a mouth that stood open in a hapless, Kermit
|
||
the frog grin. His eyes stood out of there sockets like he had no
|
||
lower eyelids. Hair sat on his head as if it was waiting for someone
|
||
better to come along so it could escape. I checked again for cameras.
|
||
Big Jim seemed to unreal to even exist, little alone to be watching
|
||
me; so, I tore into a box that had Jim Beam written on the side in big
|
||
red letters.
|
||
|
||
"Did you see that, Jim," I said.
|
||
|
||
I couldn't believe it. There must have been twenty flasks in the box
|
||
and there were three more boxes. I held one flask in my hand and put
|
||
another one in my inside coat pocket behind a tabloid I had stolen a
|
||
few days before. I had forgotten the tabloid was there.
|
||
|
||
I pulled it out as I took my first healthy drink of Jim. I felt warm
|
||
as it hit my empty stomach. "Hitler's grandson," I said laughing to
|
||
myself and opening the magazine. I skimmed over a couple of articles,
|
||
one about an alien abduction and the other about a werewolf that had
|
||
killed two kids in Vermont. Then, I got to the Hitler article again.
|
||
"I'll be damned," I said out loud to myself. "His name is Craig." I
|
||
thought about the dipshit, asshole up front and turned the page. It
|
||
was him. It was Craig. There was no doubt about it, Craig's photo was
|
||
staring back at me. It was a computer generated photo of what Hitler's
|
||
grandson would look like at twenty two, the age he was now, taken from
|
||
a picture of him when he was five. I dropped the bottle of Jim Beam as
|
||
I was trying to take another drink. It shattered into a million pieces
|
||
as it hit the floor. I held the picture in front of me.
|
||
|
||
"Hey!" I jumped forward nearly slipping on the alcohol I had spilt.
|
||
"Hey asshole. We're out of Milwaukee's Best. Get your ass in gear." I
|
||
turned around to face the voice. It was Craig standing right in front
|
||
of me. I looked from Craig to the picture, the picture to Craig. I
|
||
couldn't move. "I gotta get back up front," he said. "Get your ass in
|
||
gear." I stood immobile for quite some time, thinking of how he had
|
||
probably seen my name on the time sheets. I'm not sure if my name's
|
||
Jewish or not. I couldn't speak.
|
||
|
||
I didn't see Craig the rest of the night. I worked like a mad man
|
||
throwing twelve packs of Milwaukee's Best and Red, White, and Blue
|
||
beer to the front of the cooler. The twelve packs disappeared before I
|
||
could turn around. I got the motion down. Up, down, pull out the
|
||
twelves, and slide. Up, down, pull out the twelves, and slide. After
|
||
awhile it got easier, but it never slowed down. By the time midnight
|
||
rolled around I had worked for twelve hours straight. I hated this
|
||
Craig guy with a unholy vengeance. I prayed a silent prayer. I don't
|
||
believe in God but I prayed silently. I prayed that this Craig guy was
|
||
Hitler's grandson and that I could prove it and sell that bastard down
|
||
the river.
|
||
_______________________
|
||
|
||
Three days later I had gotten used to the cooler and started to like
|
||
the hard work and free Jim Beam. I worked every night with Craig. When
|
||
I did, it was me in the cooler and him up front using the same damn
|
||
line on every girl that came in. I tried to talk to Craig when I
|
||
could, tried to get a clue, some sort of incriminating evidence. I
|
||
asked him how old he was. He wouldn't tell me. I asked where his last
|
||
name, Brown, came from. He said, `Charlie Brown.' I asked what he'd
|
||
meant by `meaner than my grandfather.' He said he didn't have a
|
||
grandfather. No question phased him. He was made of stone.
|
||
|
||
Finally one night he just said it without me even prompting.
|
||
|
||
"Hey, Rosencrantz," he said. "Is that name Jewish?"
|
||
|
||
I turned around. The hair on the back of my neck stood up. I could
|
||
feel my head bob involuntarily up and down. "What's your point?" I
|
||
said trying to appear confident.
|
||
|
||
"I was just wondering," he said. "Do you have a girlfriend?"
|
||
|
||
"I've been dating someone for awhile, off and on," I said nothing
|
||
knowing it had been a little more serious than that. "What's your
|
||
fucking point?" I said.
|
||
|
||
His face looked puzzled, but I knew it was fake. "Just trying to make
|
||
polite conversation," he said. This guy hadn't had polite conversation
|
||
once in his lifetime. I just know that his first word as a baby wasn't
|
||
Mama or Dada. It was probably. . . I don't know. Maybe it was stab or
|
||
shoot. Gas, gas was his first word. It had to be gas. Stabbing and
|
||
shooting were just too humane. I gathered my composure.
|
||
|
||
"I'm going to the cooler," I said. I knew it was completely stocked,
|
||
because no one had been in the store in over three hours.
|
||
|
||
"No you're not," he said without raising his voice. The hair on the
|
||
back of my neck stood up again. "You know how to use a microwave?" he
|
||
asked.
|
||
|
||
"What the hell do you mean by that?" I said thinking of the ovens at
|
||
Auschwitz and of the pictures of my grandfather after he had come home
|
||
from there, frail and brittle with sunken cheeks.
|
||
|
||
"I mean," Craig said with an obviously misleading tone. "I mean, I
|
||
brought us dinner. If you'll run to the break room and zap it in the
|
||
microwave, you can have half."
|
||
|
||
"I'll zap it," I said, "but I don't want any. I mean, who the hell do
|
||
you think you're dealing with anyway?" I may have been half lit up on
|
||
Jim Beam at the time, but I wasn't stupid.
|
||
|
||
"You're fucked in head," he said as I took his four burritos to the
|
||
microwave.
|
||
|
||
The food smelled good. It was supposed to. If it didn't smell good,
|
||
then I wouldn't be tempted to eat it. Don't get me wrong I didn't
|
||
think he was trying to poison me or anything stupid like that. Craig
|
||
was to damn smart to try that trick. He needed me. He needed an army.
|
||
His idea was that I would get hungry and sit down to eat with him. A
|
||
comradary would form and we would become friends. He'd ask me things
|
||
about my life. I'd tell him. He'd use my childhood memories to
|
||
manipulate me, like Hannibal Lector in Silence of the Lambs. He'd
|
||
drill ideas into my head, brainwash me. After awhile I would think
|
||
like him. I'd walk like him. I'd talk his lingo, "Hey baby, lookin'
|
||
hot. Somebody's gonna get their fireworks early," Most of all, I would
|
||
hate myself for what I am, a Jew. I would believe that what his
|
||
grandfather did was right. I would believe that my relatives suffered,
|
||
some even died, for a cause that was just. I wasn't going to eat his
|
||
damn burritos no matter how good it smelled.
|
||
|
||
In my mind, those damn burritos were proof enough. This guy, this
|
||
Craig guy, was spawn of the devil, spawn of the Antichrist, Hitler's
|
||
Goddamn grandson. My scalp burned with a heat that came from inside. I
|
||
say, it was the heat of knowledge. I held my hands in front of my face
|
||
and saw them shake. I forcibly calmed myself down by looking at the
|
||
poster's of Big Jim that covered the wall. I took a long drink of the
|
||
bottle that hid in my inside coat pocket and breathed deeply. "I can't
|
||
let him know that I know," I said out loud to myself. Besides, I knew
|
||
that if I wanted to prove anything I needed evidence. Nobody had been
|
||
here when he gave me the burrito's. They wouldn't believe it. Finally
|
||
I felt my face get warm and numb from the alcohol. I was calm. I
|
||
walked out with the burrito's. They smelled damn good.
|
||
_______________________
|
||
|
||
The next day I came into store an hour and thirty minutes late. That
|
||
was the day I found out why they called the street I worked on Canal
|
||
Street. There was a canal along the street, a canal that I soon was to
|
||
become very intimate with.
|
||
|
||
I had ridden my bike clear across town to my girlfriend's house. She
|
||
lived just off of Canal Street about ten miles down from Big Jim's. I
|
||
gave myself plenty of time to get to work. It usually took me about
|
||
thirty minutes to get to there this way so I left an hour early. It
|
||
was unusually hot for Denver and humid beyond belief. I enjoyed this
|
||
type of weather. This was probably the only reason I loved working at
|
||
Big Jim's. I could show up to work drenched in sweat with my lucky
|
||
bandana wrapped around my head and no one would care.
|
||
|
||
I had been riding along congested Canal street weaving in and out of
|
||
traffic. I ran lights. Cars honked. I gave them the bird. "Hit me," I
|
||
yelled, "I'll sue your ass." I didn't really give a damn what the
|
||
people in the cars thought. None of them could do what I was doing.
|
||
They weren't in the shape. They sat in their cars eating donuts one
|
||
after another, putting on their Goddamn makeup, and singing badly
|
||
along with their five thousand dollar stereo systems. I passed right
|
||
by them on a beat up old ten speed I had bought from some guy who used
|
||
to run triathalons. I was stronger than any of them. Smarter than any
|
||
of them. And on Canal street, I was faster than any on them.
|
||
|
||
Of course it couldn't always be that way. Some asshole always had to
|
||
prove me wrong. This time it was a guy in a `79 Bronco. The Bronco was
|
||
high off the ground, raised up so the guy in it would feel superior to
|
||
the rest of the human race. It was exactly the kind of testosterone
|
||
machine I could see Craig driving. The first time I noticed this guy
|
||
behind me he was trying to push a red Geo out of the way. He managed
|
||
to do it with a few revvings of the engine and a slight push from
|
||
behind. The car moved over to the shoulder. I looked back to see the
|
||
Geo driver, it was a girl, flip him off. That was exactly what I would
|
||
have done.
|
||
|
||
Then he got behind two seventies gas guzzlers. These guys weren't
|
||
going to let him through no matter how much he pushed. So, Mister
|
||
Ejaculation On Wheels started swerving wildly back and forth. I could
|
||
hear his wheels squealing, smell the rubber burning on the pavement.
|
||
The Bronco wasn't going to get past the LTD and the New Yorker, they
|
||
wouldn't let him. And I wasn't going to move. I owned the fucking
|
||
road.
|
||
|
||
Then the old man in the hat that was driving the LTD made a right
|
||
turn. I never have trusted old men in hats. That was just enough
|
||
opportunity for Mr. my engine's louder than your so get the fuck outta
|
||
my way to get around.
|
||
|
||
That was when I noticed. I looked back to see his face. I could see
|
||
the fire of hate burning in him, a vein pulsing wildly on his
|
||
forehead. His black hair was neatly combed to the left and plastered
|
||
to his head. Blue eyes glared madly from underneath savagely
|
||
distraught eyebrows. That evil dictator grin flashed brilliantly under
|
||
a square patch of hair. His eyes burned with rage.
|
||
|
||
I started quickly for the left lane since he was in the right and
|
||
there wasn't much of a shoulder. That was a big mistake. I felt like
|
||
my feet were going to fly off the pedals even with the toe clips on.
|
||
He came closer. I could see the fury in his eyes. A human life was of
|
||
no consequence to him. I could tell he knew I was Jewish and hated me
|
||
for it, just like he had hated my grandfather. It felt like my tires
|
||
weren't even touching the pavement. I looked back again.
|
||
|
||
The evil he possessed was strong. His lips were pursed tightly
|
||
together. He ground his teeth in fury. But above all he seemed to be
|
||
enjoying himself.
|
||
|
||
The Bronco roared and pulled up close. I could see the grill, bugs
|
||
smashed in the radiator, the chrome bumper reflecting the image of my
|
||
back tire. My legs were on fire. I turned to see a curb. Without
|
||
thinking I managed to pull my front wheel high enough to get over the
|
||
curb. I felt a hard jolt and heard my back tire pop. I could see the
|
||
canal coming toward me. I jumped off of the bike and landed in a crazy
|
||
forward momentum on the gravel of the street. The bike landed in the
|
||
canal
|
||
|
||
Dazed and angry, I looked up for the Bronco. The street was empty.
|
||
There wasn't a person or a car sight.
|
||
_______________________
|
||
|
||
I was bloody, sore, and soaked to the bone. I had wrecked my bike on
|
||
the way to work and in the process of trying to save the bike, fallen
|
||
in the canal. I had walked three miles and come very near to
|
||
hypothermia. I walked in the front door of Big Jim's Gas and More. The
|
||
Mormon was behind the register.
|
||
|
||
"Calvin, you're here," he said. "Clock in and get on the register.
|
||
Craig's in the cooler."
|
||
|
||
I wanted to say, I'm bleeding. I'm soaked to the bone. I was almost
|
||
killed by some asshole in a `79 Bronco. I can barely walk. Look at my
|
||
ankle. It's swollen. Instead, I limped behind the counter,
|
||
dumbfounded, and put my smock on. When I walked up to the register the
|
||
Mormon calmly stepped aside.
|
||
|
||
There was a line of people all the way to the back of the store. The
|
||
Mormon moved to the other register. I stood there looking down at this
|
||
conglomeration of keys and slowly started punching them. I asked for
|
||
an I.D. from the guy behind the counter and slowly punched some more
|
||
keys. "Is that all?" I said. The guy said it was. "Fifteen forty-two,"
|
||
I said. That's when the shit hit the fan. The customer said I had over
|
||
charged him. I explained that this was a convenience store and things
|
||
cost a little more here. He started yelling for the manager.
|
||
|
||
"Can I help you, sir?" the Mormon calmly said.
|
||
|
||
"This jerk doesn't know how to work a fucking register! It took him
|
||
two days to ring up my order. Then, he over charged me."
|
||
|
||
The Mormon calmly looked over the ticket and rerang it. Craig walked
|
||
behind us and started to ring out the customers on the other register.
|
||
The guy was satisfied with what the Mormon came up with and left.
|
||
|
||
"Craig, hold down the fort," the Mormon said. "Calvin, can I talk to
|
||
you." I followed him to the break room. "Clint," he said. "We need to
|
||
talk about how you run the register."
|
||
|
||
I wanted to say, that was my first time. You just witnessed my first
|
||
time. But I had been employed here nearly a month. The Mormon wouldn't
|
||
believe me if I said I had never worked the register. I told him when
|
||
he hired me that I had worked a register just like this at my last
|
||
job. My last job was as a janitor.
|
||
|
||
"You've come up short three times so far on your shift."
|
||
|
||
"It was Hit-. . . It was Craig," I said knowing I couldn't reveal the
|
||
truth yet. I wanted to say, I've been in the cooler. Craig hasn't let
|
||
me work up front. Instead, I said, "I'm dyslexic."
|
||
|
||
"You are? Hey, that's a relief. Why didn't you tell us before?"
|
||
|
||
I hadn't needed the excuse until now,
|
||
I thought. "I hoped it wouldn't get in the way," I said.
|
||
|
||
"Tell you what," he said. "Why don't you work the cooler tonight and
|
||
let Craig watch the front for a change. I'll help you." He told Craig
|
||
what was going on and we walked to the back. I kept up with the Mormon
|
||
who was always in fast-forward mode. Then I remembered my ankle. I
|
||
started limping.
|
||
|
||
"Ain't got long you know," the Mormon said as he opened the door to
|
||
the cooler.
|
||
|
||
"`Til what?" I said.
|
||
|
||
"The big guy," he said. "Gotta hidey-ho, buster."
|
||
|
||
"What?"
|
||
|
||
"The big guy, you know, Big Joe."
|
||
|
||
"The owner?"
|
||
|
||
"Yup, you got it, the owner, the big cheese. So, gotta hidey-ho. No
|
||
questions. That's why I brought you back here, Kyle."
|
||
|
||
"Kevin."
|
||
|
||
"Huh?"
|
||
|
||
"Nothing."
|
||
|
||
"You see Chris."
|
||
|
||
"Kevin."
|
||
|
||
"What?"
|
||
|
||
"Nothing."
|
||
|
||
"O.K., the big banana's gonna be here. Gotta hidey-ho. Cooler's not
|
||
gonna get up to specks on it's own. That's why I brought you back
|
||
here. You're a hard worker, Curtis."
|
||
|
||
The only thing I can figure, is that The Mormon got to close to the
|
||
Agent Orange when he was in Nam. He started to do the thing I had
|
||
learned the first day. Up, down, pull out the twelves, and slide. Up,
|
||
down, pull out the twelves, and slide. I followed suit. There was
|
||
absolutely no reason to be going at this crazy pace the cooler was
|
||
about half filled. It was Wednesday and the only reason it was down to
|
||
half was that the first shift had not touched the cooler since last
|
||
night. I could tell. I had put tape on the top of the Red, White, and
|
||
Blue beer all the way to the bottom. They would have had to cut the
|
||
tape to move any of the twelve packs. The tape was intact. All of this
|
||
would take a couple of hours to fill, even with customers coming in.
|
||
With the Mormon back here with me we would be finished in less than
|
||
thirty minutes and I would have to go back up front with you know who.
|
||
|
||
"Two days," he said. "Yup, gotta hidey-ho. Big Joe's gonna be here in
|
||
two days."
|
||
|
||
"Jim."
|
||
|
||
"Huh."
|
||
|
||
"Big Jim."
|
||
|
||
"Yeah, what about him?"
|
||
|
||
"His name's Big Jim."
|
||
|
||
"I know. What's your point?"
|
||
|
||
"Never mind."
|
||
|
||
"You know Calvin I feel sorry for you."
|
||
|
||
"Why's that?" I said.
|
||
|
||
"That Craig guy," said the Mormon. "He's not the easiest guy to get
|
||
along with."
|
||
|
||
I was quiet. Maybe the Mormon knows, I thought. I doubt it. He can't
|
||
even remember my name.
|
||
_______________________
|
||
|
||
And it was two days right on the button when Big Jim showed up. It
|
||
wasn't unannounced in the least bit. There were little black and white
|
||
posters of him everywhere. I couldn't even find an empty space on any
|
||
wall and I looked.
|
||
|
||
For a week we had worked our ass of for this man on the poster. None
|
||
of us had ever even met him. We weren't even sure if he had a last
|
||
name. We worked like none of us had ever done before. We labeled. We
|
||
straightened. We dusted. We cleaned. We stocked liquor. I hadn't
|
||
worked harder in my life, but it felt good as long as I was in the
|
||
sanctity of the cooler.
|
||
|
||
On the day Big Jim arrived I was still trying to make order of the
|
||
strange way the Mormon had organized the cooler.
|
||
|
||
Big Jim came in with no pomp and circumstance, no trumpets blaring,
|
||
not even riding a big white horse. The poster's had all been taken
|
||
down before his arrival and it seemed as if no one cared. He came in
|
||
unnoticed. At least I assume he was unnoticed.
|
||
|
||
"Hey son!" he said in a voice that nearly knocked me over. I jumped,
|
||
nearly dropping a twenty ounce Red, White, and Blue.
|
||
|
||
"Sorry, son. Didn't mean to scare you. Big Jim here," he said. I could
|
||
see his hair trying to escape.
|
||
|
||
I wanted to say, How are you sir. Nice to meet you. I'm Kevin
|
||
Rosencrantz. Instead, I said, "Where's the Mormon?"
|
||
|
||
"What, son?"
|
||
|
||
"The m-m-manager."
|
||
|
||
"Ooooh, him. Skipped him, didn't bother. Store's making a profit. Why
|
||
should I bother the manager?" He looked around. I remembered the fresh
|
||
bottle of Jim Beam I had just stolen and started to zip my jacket.
|
||
"Tight ship you run here," he said. I tried to keep from screaming as
|
||
the zipper on my jacket was stuck. The whole reason I was back here
|
||
was so I wouldn't have to meet him. "How you keep from goin' batty
|
||
back here," he said. I reached in my pocket trying to shove the bottle
|
||
back further so he wouldn't see it. "Oh, I see," he said looking
|
||
directly at my hand. I knew I was caught for sure. "Can I have a
|
||
swig?" he asked.
|
||
|
||
I pulled it out, still unsure of what he was doing. "Here," I said
|
||
handing it to him.
|
||
|
||
"Used to do the same damn thing," Big Jim said as he took a long
|
||
drink. "Had one of them just about every couple of days. Only way to
|
||
keep sane, when your working with a potential dictator."
|
||
|
||
I had heard it, but couldn't believe my ears. "Potential dictator?" I
|
||
said as if I knew nothing about it.
|
||
|
||
"Yeah boy," he said laughing and patting back his escaping hair. "You
|
||
probably don't read those stinking rags. This tabloid keeps on
|
||
printing these articles about how Hitler's grandson has been workin'
|
||
in my store."
|
||
|
||
"Really sir. That's fascinating."
|
||
|
||
He laughed again, this time harder. "Yup. And I'll be damned if that
|
||
boy up front don't look just like the Goddamn picture."
|
||
|
||
My hair stood on end. The beer bottles were breathing. I can't tell
|
||
him, I thought. He doesn't really believe. Then the words came out of
|
||
my mouth. "You gonna give my Jim Beam back sir."
|
||
|
||
"Oh yeah," he said and handed me back the bottle after he had
|
||
carefully screwed the lid back on.
|
||
|
||
As Big Jim left the store I watched the guys up front, the Mormon and
|
||
Hitler's grandson, stare at the counter. "Have a good day," they said
|
||
in unison as the bell rang announcing Big Jim's departure.
|
||
|
||
I pulled the tabloid out of my jacket pocket and looked again at the
|
||
picture. I stared through the beer bottles at Craig standing up front.
|
||
He looked mean and strangely pathetic. Big Jim had not really believed
|
||
Craig was `you know who's' grandson. I looked down at the picture. I
|
||
felt strangely hot and more than a little stupid. A girl came in the
|
||
front door.
|
||
|
||
"Lookin' hot," Craig said. "I'll have a burger and fries with that
|
||
shake."
|
||
|
||
I took a slow drink of Jim and thought about some way I could possibly
|
||
get out of this job. Craig could stay here and plot to take over the
|
||
world or maybe he would just stay here and insult women. I guessed he
|
||
would do the latter. Craig and the Mormon looked funny. They seemed
|
||
almost cartoonish through the brown glass of the beer bottles.
|
||
|
||
"Gotta hidey-ho," the Mormon said, sounding like Deputy Dog. "Big
|
||
Jake's gonna be here any second. Look busy."
|
||
|
||
"Sounds good," said Craig in a completely nondictorial way. He quickly
|
||
grabbed a mop and bucket and headed for the floor. "Gonna mop first,"
|
||
he said, "then I'll take out the trash."
|
||
|
||
"Do it quick," the Mormon said. "No time to doddle."
|
||
|
||
Craig looked oddly human, oddly normal. "Hidey-ho," he said. I looked
|
||
away from the front of the store and down to the tabloid. "Hitler's
|
||
Grandson is Alive and Living in Denver," it said. I slowly tore the
|
||
tabloid into small pieces and threw it into the trash can, into the
|
||
trash can on top of at least a hundred posters of Big Jim.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
+--------------------------------------------------------------------------+
|
||
|
||
about the authors
|
||
|
||
|
||
** Quincey Burkhalter ( qburkhalter@compuserve.com )
|
||
|
||
Quincey Burkhalter is a graduate of New Mexico State University in Las
|
||
Cruces, NM. He has a degree in broadcast journalism, but just recently
|
||
quit his job as a reporter to work as a law assistant. He is 29,
|
||
married and has a ten month old daughter.
|
||
|
||
|
||
|
||
** Michael FitzGerald ( mfitzgerald@montana.com,
|
||
http://www.clutchmasters.com/ or http://www.umt.edu/cutbank/ )
|
||
|
||
Michael presently lives in Missoula, MT with his smart, sexy fianc<6E>e
|
||
Catherine Jones. He is a candidate for an MFA in Fiction at the U of
|
||
MT.
|
||
|
||
|
||
|
||
** Maryann Hazen ( faerhart2@aol.com )
|
||
|
||
Maryann Hazen is a mom and wife living happily in NYS. Writing poetry
|
||
has been a life-long passion of mine. She has enjoyed the good fortune
|
||
to see hundreds of poems published and has won several awards and
|
||
contests. She loves going to Renaissance Faires and making
|
||
birdhouses. Other hobbies include needlepoint and flower gardening.
|
||
She has an awesome tin collection and avoids the kitchen as much as
|
||
possible.
|
||
|
||
|
||
|
||
** Michael Largo ( MLargo123@aol.com )
|
||
|
||
Michael Largo has published a book of poems, Nail in Soft Wood
|
||
(Pikadilly Press), and two novels, Southern Comfort (New Earth Books)
|
||
and Lies Within (Tropical Press).
|
||
|
||
|
||
|
||
** Frank S. Palmisano ( frankp7@prodigy.net,
|
||
http://www.recursiveangel.com/ or http://www.poetrymagazine.com/ )
|
||
|
||
Frank S. Palmisano III is a resident of Baltimore, MD and is currently
|
||
pursuing a Master's Degree in Theology at St. Mary's Seminary/
|
||
Ecumenical Institute of Theology. He is an avid reader with a wide
|
||
range of interests. In particular, he has explored the idea of
|
||
language as it appears in Heidegger, Nietzsche, and Foucault. He is
|
||
also interested in resurrecting a dialogue between the
|
||
biographical/occasional poem and the intellectual community.His most
|
||
recent poetic feasts can be digested through Recursive Angel, Gravity:
|
||
A Journal of Online Writing, The Dead Mule, and Mediphors: A Literary
|
||
Journal of the Health Professions.
|
||
|
||
+--------------------------------------------------------------------------+
|
||
|
||
in their own words
|
||
|
||
|
||
** Catfishing by Michael FitzGerald
|
||
|
||
"It's about fishing and grandfathers."
|
||
|
||
|
||
|
||
** Coffee Bean Philosophy, Too by Frank S. Palmisano III
|
||
|
||
"This poem was inspired as a result of a conversation I overheard at a
|
||
coffee house adjoining a nationwide bookstore. The discussion was so
|
||
immersive that the participants seemed to ignore the terms of their
|
||
job description, opting to review national issues and other
|
||
tendentious considerations rather than be harassed by the frequent
|
||
appeal of customer service. The discussion was not only uninformed but
|
||
reminiscent of the dillanteism that appears so symptomatic of the
|
||
collective ego that has infiltrated American culture. Two issues
|
||
became immediately obvious. Man subdues the social environment through
|
||
personal opinion to reinforce his sense of participation and existence
|
||
in it. And people love to here themselves speak; the exercise of
|
||
speaking is more fascinating than the events assigned to it."
|
||
|
||
|
||
|
||
** Advantages by Maryann Hazen
|
||
|
||
"This is what I imagine it feels like to be "The Bad Guy"; the one who
|
||
would use every advantage to dominate or acheive the upper hand in any
|
||
event or scenerio ... yet even he must require love and acceptance ...
|
||
don't you think?
|
||
|
||
+--------------------------------------------------------------------------+
|
||
+--------------------------------------------------------------------------+
|
||
|
||
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|
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|
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+----------------------------------------------------------------------------+
|
||
|
||
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|
||
|
||
rfulk@morpo.com . . . . . . . . . . . . . . . . . Robert Fulkerson, Editor
|
||
kalil@morpo.com . . . . . . . . . . . Kris Kalil Fulkerson, Poetry Editor
|
||
rummel@morpo.com . . . . . . . . . . . . . . J.D. Rummel, Fiction Editor
|
||
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|
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|
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|
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|
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+----------------------------------------------------------------------------+
|
||
Our next issue will be published September 1st, 1999.
|
||
+----------------------------------------------------------------------------+
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