1256 lines
59 KiB
Plaintext
1256 lines
59 KiB
Plaintext
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------------------------------------------------------------------------------
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Welcome to the first issue of The Misfits.
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The Misfits: Predat0r - The Duke - Evil - Sinister X
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Release Information:
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Title : The Misfits
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Issue : 001
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||
Date : 04 July 1992
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Time : 15:30:00
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Topics : Cyberpunk Stories
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Format : IBM Ascii Text
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Size : 1255 Lines 60687 Bytes
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-----------------------------------------------------------------------------
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Introductions
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The Misfits were formed as a direct result of boredom. Yes we were tired
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of reading the same old stuff from the same old group. Those into text files
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know that this group is known for writing about this and that group writes
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about that. Not many groups have diversity in their format. We are not
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knocking anyones group, we just want to bring something new and different to
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the people. We don't want to have to conform to some format and talk about it
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until it becomes dead and the group dies from lack of information. The theme
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of each Misfit release will be the same but each release will be different
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from the last. Then again maybe we will have a smorgasbord of stimulating
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reading with no connection whatsoever.. basically just enjoy! We will also
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take any type of article, story or newsbit you might want to submit.
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Predat0r
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-----------------------------------------------------------------------------
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A large shadow fell over the table. A very large shadow.
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"Is that depleted uranium in your pocket, or are you just hot to see
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me?"
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"Am I to assume from that question that you got the imaging working on
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||
the rad detectors?" the suit asked icily. She was all sharp corners
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and biz.
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|
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"Here it is," Brick said, tossing her the datacube. "Only a few
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degrees resolution, but that's all you can expect from a serendipitous
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capability like this." He seated himself opposite the prim, tiny
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lady.
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Her hands trembled slightly as she caught the cube. She raised it
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towards her, eyes aglow with need, and then caught herself. She
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suddenly lowered the cube to the table and pushed it away. "I will
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audit the code shortly, but I have something else for you first.
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Payment and a new Request For Proposal." She was expressionless
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||
again.
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||
She handed a credstick to Brick. "This is a payment for the new
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||
capability, and the contractual bonus for your directed ablation
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||
modification. The upgrade achieved 93% market penetration among
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current owners."
|
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"No surprise," Brick said, "your customers are the types of paranoids
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who will buy every protection they can get. Is the depleted uranium
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part of the RFP, or was that just a test?"
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|
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"That is correct," she said, drawing an ammo clip out of her pocket.
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"This is the next product to be introduced by the portable armaments
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||
sector of our offensive capabilities division. Hypervelocity
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||
armor-piercers. Fin-stabilized, discarding sabot. Mach 7 from a
|
||
reinforced 250 mm-long barrel. The anti-armor capability it provides
|
||
in a sidearm is comparable to that of the Alliance Systems Super-Viper
|
||
Aerial Assault Weapon."
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||
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"Great, now you can take out a heavy-tank with a Sunday night
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||
special." Brick slipped one of the 'bullets' out of the clip and
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||
examined it.
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||
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"I would prefer tungsten myself," he said, "especially after everybody
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||
gets my upgrade. Refractory and no gamma signature. When you're in a
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||
gunship, even the 500 round magazine the assviper carries doesn't have
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||
much affect on your detectibility, but a handweapon has different
|
||
requirements."
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|
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"Marketing has determined that d.u. is the optimum projectile
|
||
composition for introduction at this time. This is due to the cachet
|
||
factor, in combination with its pyrophoric properties and the
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||
opportunity for further product cycles."
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|
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Brick smiled at that. "I assume that last point is the real reason.
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When do you turn these beasties loose on the unsuspecting world."
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|
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"These FSDSHAP rounds will be announced next week. The advertising
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||
campaign will ensure 98% name recognition among our defensive systems
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||
clients within ten days. We anticipate that the optimal market window
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for the introduction of countermeasures will be four to six weeks
|
||
later."
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|
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"I assume you want a solution that is ineffective against tungsten."
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||
|
||
"That requirement is merely implied by the RFP." She handed him a
|
||
datacube. "We anticipate that similar RFPs in future product cycles
|
||
will alter that requirement, consistent with our parent company's
|
||
symbiotic development process."
|
||
|
||
"Have you got the sims and specs for these shells?"
|
||
|
||
"They are included in the RFP." She indicated the cube.
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||
|
||
"I'll have a quote for you tomorrow. It will be high."
|
||
|
||
"That has been anticipated."
|
||
|
||
"Did you want to look at the imaging code?"
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|
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"I shall do a preliminary audit now," she said. The slight tremble to
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her hands was back.
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"Go for it," Brick said.
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She slotted the cube at her occipital and drained it. She folded her
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||
hands on the table and maintained her posture as she closed her eyes.
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|
||
Five minutes later she collapsed back in her chair. She slid out of
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||
her coat to air her sweat-drenched blouse. Her fingers had a little
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||
trouble loosing her hair and spreading it out to dry. She futily tried
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||
to wipe the sheen off her face with a small silk handkerchief, then
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||
accepted the sorbwipe Brick offered. "Damn that's good. That's good.
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Twelve years and I still can't believe it. You'll always be the best,
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||
dear. Damn. The algorithms. Oh my god."
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||
|
||
"I love to watch you read it," Brick said. "You are a rare and
|
||
wonderful person, a true connoisseur. There aren't very many people
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||
who appreciate such things any more."
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"Oh, that's better than Knuth. I did some last night. You're better."
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||
|
||
"Tut, tut," Brick chastised gently, "ladies don't speak comparisons."
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||
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||
"You're better. I've done them all. You're the best. I've done
|
||
everything by all the old masters. I took the bright spots from every
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||
punk in Hungary. When Gates was thawed I had him direct. I spend all
|
||
my time cracking the tightest code from the hottest wizes, and nobody
|
||
compares to you. Every time I get something from you, it's like the
|
||
first time you showed me the FFT."
|
||
|
||
"Settle down."
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||
|
||
"This is one of the best things you've ever done. I thought your sonic
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||
holo system was great but this is better. It's even better than your
|
||
eight-line four-color proof."
|
||
|
||
"You're just saying that because you want to get into head with me."
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||
He knew it was a mistake as soon as he said it, and cursed himself.
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||
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||
"I want to, but you're still the best. Why can't we?" Desperation in
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||
her eyes.
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||
"You know very well why."
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||
"We can have med teams standing by, we can do it in the operating
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||
theater..."
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||
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"Grace..."
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||
"They can even open up my skull ahead of time so they can get in fast,
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just in case."
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"You know it's not going to happen, there's too much risk."
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||
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||
"I'll take that risk."
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||
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||
"I won't. The last time I did it, I swore that it would never happen
|
||
again. I can still feel her."
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||
|
||
"Open loop, you won't be able to feel me then."
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||
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||
"I'll know when it happens, and that will be the same."
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||
|
||
She was silent.
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||
|
||
"This is as close as we're ever going to come." Brick held up the
|
||
datacube. "I'm sorry, that's just the way it is."
|
||
|
||
There was silence for a minute. Two minutes. "I guess I'll have to
|
||
settle for that then." She stood sadly and picked up her coat. She
|
||
straightened suddenly.
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||
|
||
"I hate you."
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||
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||
She walked out the door. All sharp corners and biz.
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||
|
||
----------------------------------------------
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||
Copyright 1991 by David Palmer
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||
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||
Characters may be used with prior permission.
|
||
FSDSHAP rounds will not be generally available to the public until
|
||
after the countermeasure Brick develops are available.
|
||
They will cost far too much to carry around as your standard
|
||
loads, unless you know that you're going against something
|
||
that will require them. The company in question doesn't really
|
||
want to sell any, they just want to sell Brick's upgrade. (Allowing
|
||
people wearing their armor to be killed would be bad for the rep,
|
||
even if they do sell the projectiles that do it.)
|
||
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||
--
|
||
David Palmer
|
||
palmer@gap.cco.caltech.edu
|
||
...rutgers!cit-vax!gap.cco.caltech.edu!palmer
|
||
"Operator, get me the number for 911" --Homer Simpson
|
||
|
||
|
||
|
||
|
||
|
||
|
||
The Unnamed Storyline continues to skulk around in my head, but the next
|
||
part or so aren't finished. However...
|
||
|
||
--------
|
||
|
||
Rita slipped off from the Wormhole early that night, feeling unusually
|
||
tired, her senses wrapped in a mild gauze of fatigue toxins. And all the
|
||
raging thoughts that swirled around her like confused bumblebees in the dark
|
||
interior of the Grinder club just gave her a headache.
|
||
Routine trip home, ghouls glistening eyes sliding in recessed sockets to
|
||
follow her movements. Their minds were fetid little bits of failed schemes and
|
||
plans that slammed them into the lowest Sprawl social level. She almost felt
|
||
sorry for some of them, but it was more like a wish that she *could* feel
|
||
sorry.
|
||
Once home, a small but nice apartment in one of the few security apartment
|
||
buildings in the Sprawl, exhaustion began batting at her in a playful manner,
|
||
leading her to the bed with a night-jump on, in case of a mission call from
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||
the Mechanics center. She didn't expect one, though, since Bonnie was still
|
||
out in Mexico and techincally, Rita was supposed to be "supervising". Of
|
||
course the rules were sometimes lax about *where* she supervised from...
|
||
Fading into a less comprehensive thought mode, Rita ticked off to sleep,
|
||
her mental images fitifully breaking apart into their components and letting
|
||
her sub-conscious into the foreground.
|
||
She dreamed about Bonnie.
|
||
|
||
|
||
The oil fields of Mexico stretch wide and empty. During the Attrocities,
|
||
millions of barrels of black, heavy oil had been spilled onto the sands,
|
||
thirstily absorbed by the dry desert. Once white, soft yellow became tinged
|
||
black and gray. Nothing grew from the abandoned fields, the wells rusting and
|
||
corroding away alone. Sand glued with the rich crude re-enacted a process of
|
||
fossilization older than man. Jagged skeletons of brackish silicon eventually
|
||
outlined where the wells had once been.
|
||
Then the fires came.
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||
|
||
Bonnie was silent as the tribe led her out of the stuffy, dank abodes into
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||
the forge of the day. The pain in her body felt wrinkled and wire-wrapped.
|
||
Elcetic scars danced across her abused flesh. Held between two whipish boys,
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||
she kept her head hung low, waiting for them to take her life away.
|
||
"Knowledge," the Father Of Death said, the gravel in his throat rattling.
|
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He looked at Bonnie, squinting against the brilliant sunlight. "You know us
|
||
now, child. We are the children of Lucifer, we reign in his light." Bonnie's
|
||
head remained low, but she could see in her mind the man's wrinkled, brown
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skin, like badly cured leather. The dull glint of steel along his fingers, on
|
||
his face. His rheumy red eyes with bitter hatred embedded in them.
|
||
"Blood... We have built great arcanic structures of our blood, our enemies
|
||
blood, the blood of the desert." A faint cry whispered across their bodies as
|
||
the wind rushed by. "And they have made us strong, in the name of Belial."
|
||
Bonnie shivered, the kind of shiver that she knew meant she would soon
|
||
lose
|
||
control. She would go hysterical. She would try to escape. They would kill her
|
||
and boil her into soup for their bastard children.
|
||
"Water. Can you imagine water, child?" He sounded truely curious.
|
||
A dry, moistless word escaped from her scarred lips. "... yes..."
|
||
The Father Of Death shifted his weight. "God tried drowning us in water,
|
||
once. Like we were rats instead of men, people in his own image." There was a
|
||
growing hostility in his rough-hewn voice. "But we are *made* of water. It
|
||
pumps through our bodies, it saturates our brains. And Leviathan lives deep
|
||
inside the oceans of our selves."
|
||
Bonnie was trembling, but weakly. She realized she didn't even have the
|
||
energy to collapse into ranting, raving hysterics. Only to stand here, gently
|
||
supported by two naked youths.
|
||
"Fire." It was said with almost awe, or worship. And with pride. "Fire
|
||
burns away, leaving nothing but ash. The all consuming one that heats the
|
||
universe. Our Father, Satan."
|
||
After that, they were silent as they led her through the forge. To the
|
||
fields of fire.
|
||
|
||
|
||
Waking suddenly, trembling, sweating, feeling queasy in her stomach like
|
||
she might throw up, Rita was disoriented by the cool, simple darkness of her
|
||
little bedroom. Soft colored lights glowed where the clock rested on her
|
||
dresser. It had been hours since she fell asleep. She thought.
|
||
Rita wasn't quite sure what had woken her up. Something flickered through
|
||
her memories, something about sand. But it was just tissue-paper, flitting by
|
||
in a little dust-devil. She had a sense of depression, of something that she
|
||
should be worried and upset about.
|
||
But she couldn't remember *what*.
|
||
|
||
|
||
--------
|
||
|
||
(C) 1991 by Drifter... (author) - All rights reserved
|
||
|
||
|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|
|
||
| Drifter... Homo Postmortemus |
|
||
| ObLyric: He always said that men don't cry, but burns and bruises seldom |
|
||
| lie. Dad learned Grandpa's lesson well, spitting image of a man in hell. |
|
||
| ObQuote: "The advocate will refrain from making her opponent dissapear." |
|
||
| Internet: snarler%oak.decnet@pine.circa.ufl or 7%arms.uucp@ufl.edu |
|
||
|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|==|
|
||
|
||
|
||
|
||
-----------------------------------------------------------------------------
|
||
|
||
What has gone before:
|
||
|
||
Dartboard is being "psychologically examined" by Dr. Shapiro,
|
||
in the middle of a golf course. Snipers, helicopter gunships,
|
||
and mine fields ring the area. Why? Because Langley is afraid
|
||
Dartboard is still an "Undirected Psionic Hazard" and they intend
|
||
to kill him off if he is still psionically dangerous. While
|
||
Shapiro plays Senator McCarthy attempting to anger Dartboard,
|
||
Dartboard keeps his wits and begins to turn the tables.
|
||
|
||
|
||
"Let's consider your behavior when you took the anti-psi syrup. Did you
|
||
or did you not arm your tactical nuclear weapons and proceed to
|
||
a privately owned site?"
|
||
|
||
"Yes, I did."
|
||
|
||
"Did you consider that you were endangering perhaps thousands of civilians?"
|
||
|
||
"I am authorized to endanger civilians if necessary."
|
||
|
||
"Do you consider the risk worthwhile?"
|
||
|
||
"Yes. I might add that Colonel Timothy and the NSC concurred."
|
||
|
||
"But weren't six nuclear weapons excessive? Wouldn't one have been more
|
||
than enough?"
|
||
|
||
"Undecideable. However, if by carrying six warheads I can avoid using any
|
||
warheads, then six warheads are the right number to carry. There is a
|
||
psychological warfare issue here."
|
||
|
||
"But wouldn't conventional weapons, or even tailored gas have been
|
||
adequate?"
|
||
|
||
"You miss the point. Am-243 warheads show up very distinctively on
|
||
any sort of radiological instrument- sensing Americium in those quantities
|
||
strongly implies presence of a tactical nuclear warhead. Neither
|
||
conventional weapons nor chemical weapons propagate as distinctive a
|
||
signature as the Am-243 radiation. Consider the radiation spectra as
|
||
a warning coloration that I was armed."
|
||
|
||
"Colonel Mendoza, this is getting nowhere. Let me try another method."
|
||
|
||
Shapiro snaps open her briefcase, and pulls a .45 service automatic and
|
||
a thin scrapbook. She slides the scrapbook across the card table to
|
||
Dartboard.
|
||
|
||
"Please open the book, Colonel, and describe to me in detail what you see
|
||
on each page."
|
||
|
||
Dartboard opens the unmarked olive-drab scrapbook, and notes the format-
|
||
a single large photograph, under thin plastic, on each right-hand page,
|
||
while the left-hand pages are blank.
|
||
|
||
"Nazi extermination camp- Treblinka, I believe. Probably taken within
|
||
a few hours of liberation. Two unclothed, severely emaciated young adult
|
||
male subjects shown. Time and subjects unidentified."
|
||
|
||
"Soviet gulag prisoner cell. No subjects visible. Date and time
|
||
unknown."
|
||
|
||
"South vietnamese 'tiger cage' torture cell. Time around noon.
|
||
Subject is a young female oriental, about twelve. Date probably
|
||
late 1969 or early 1970. Cell has been freshly limed"
|
||
|
||
Dartboard turns page after page of atrocity, giving a cold and precise
|
||
description of each scene of brutality. He arrives at the last page.
|
||
|
||
"Nicteau prisoner torture site, Guatemalian jungle. Taken August 17,
|
||
2041, probably sometime in mid-morning, probably by Major David Cosworth
|
||
or troops under his command. Subject is then-Captain John Mendoza, suffering
|
||
from multiple septic puncture wounds to all bodily surfaces, eyes, and
|
||
genitalia from Nicteau torturers, as well as starvation and severe
|
||
dehydration."
|
||
|
||
"Is that all?"
|
||
|
||
"Captain Mendoza survived the incident." Dartboard stares at Shapiro,
|
||
right in the eyes, and cracks the slightest smile. Shapiro shakes
|
||
off the stare, notices the smile, and recoils.
|
||
|
||
"But that's YOU tied to the wall! It's YOU with the darts in your
|
||
eyeballs and the running sores! Don't you FEEL anything? Aren't you
|
||
even HUMAN? "
|
||
|
||
"Business is business." Dartboard turns with a start to stare into
|
||
space directly behind Shapiro. He shouts "Hello, GENERAL".
|
||
|
||
Shapiro snaps to attention- eyes ahead, back ramrod-straight. Dartboard
|
||
remains seated.
|
||
|
||
"Sit down, Corporal Shapiro of Special Talents and Psionics. You've
|
||
been, as they say, 'made'."
|
||
|
||
Shapiro turns around, sees no general approaching. She stares
|
||
at Dartboard. "How did you know?" Shapiro begins to stammer.
|
||
|
||
"You're not a psychiatrist- first, the questions you asked were right out
|
||
of the psychological interrogation manual, not standard psych questions,
|
||
even for a 'rough interrogation'."
|
||
|
||
"You've memorized the book?"
|
||
|
||
"I wrote that book."
|
||
|
||
Shapiro slumps into the chair.
|
||
|
||
"Second, you allowed yourself to become rattled. No Intellegence-trained
|
||
officer would allow that- they're trained against it. Psi group is
|
||
trained to attempt rapport with their subjects- which gave away that
|
||
you were attached to S.T. and P."
|
||
|
||
"Third, you fell for the 'Hello, General' routine. This implies you are
|
||
definitely enlisted, probably no higher than corporal, definitely not
|
||
commissioned officer- which all MDs and PhD's in the service are."
|
||
|
||
"Fourth, consider the mission- if I were still active as an undirected
|
||
and uncontrolled psionic hazard, you would be dead, and soon thereafter
|
||
so would I; at least that's the plan. Therefore, you are almost certainly
|
||
a volunteer, someone with a low but nonzero psionic potential, someone
|
||
expendable, Your mission was to try to get me to kill you. Fortunately,
|
||
you failed."
|
||
|
||
Shapiro stares at the card table. "So what do I do now, Colonel?
|
||
Report that I blew it, that you saw through me?"
|
||
|
||
"Yes. First of all, it's the truth. Second, I think that Colonel
|
||
Timothy was expecting something like this to happen- and he would be
|
||
curious to know what _did_ happen if he doesn't get a report saying
|
||
what he expects."
|
||
|
||
"Colonel, you were almost wrong on one point. I'm defending my thesis
|
||
in thirteen days, then I _will_ be a PhD, with an automatic promotion to
|
||
warrant officer, and a gauranteed shot at commissioned officer candidate
|
||
school."
|
||
|
||
"Congratulations! Can I come to your thesis defense and ask questions?"
|
||
|
||
"No! God, no! You'd shred me!"
|
||
|
||
"Trust me, I'm well behaved in civilized situations."
|
||
|
||
"You must have forgotten what academia is like, Colonel. It may be a lot
|
||
of things, but it sure isn't civilized."
|
||
|
||
-----
|
||
|
||
Sorry for the delay in this update to Dartboard- but little things like
|
||
work situation and a downright broken love-life intruded.
|
||
|
||
Please don't use Dartboard, Sabenski, Shapiro, Timothy, etc. without my
|
||
permission.
|
||
|
||
-----
|
||
|
||
My nomination for "Best Recent Alt.Cyberpunk.Chatsubo Posting" - the
|
||
last installment of Nekoko crashing the helicopter into Puget sound!
|
||
Having some familiarity with such beasts, I can only say BRAVO! You
|
||
have done your homework well! I could almost smell the bearings
|
||
cooking and the sprag clutch screaming! And it's a GOOD READ, TOO!
|
||
|
||
-Bill
|
||
|
||
Copyright 1991 William S. Yerazunis (aka Crah the Merciless)
|
||
All rights reserved, no responsibility taken.
|
||
|
||
"Turpentine, acetone, benzine..."
|
||
|
||
|
||
|
||
...
|
||
|
||
Joy and the Art of Motorcycle Maintenance
|
||
...
|
||
|
||
Wasp looked at his watch. God, it was hard to imagine that he owned something
|
||
so... expensive. He stared at the dull silver luster for a time, imagining
|
||
that it was all a dream. He completely forgot to check what time it was.
|
||
|
||
The car's voice spoke in soothing tones. "We are cleared for liftoff, Mister
|
||
Rednix." The turbines hummed steadily under the chassis. Wasp pressed gently
|
||
on the throttle... and flew.
|
||
|
||
The navigation screen advised him of the course to take, the height to fly at,
|
||
and even once warned him of possible collision with a small flock of sparrows.
|
||
If anything was sucked into the turbine intake, he would fall some five hundred
|
||
meters to his death. The watch, he thought with a laugh, would probably be
|
||
fine.
|
||
|
||
He landed, carefully, on the top of a low parking garage. He was seven stories
|
||
above the ground and feet from the closest building. The experience of flight
|
||
left him giddy, but glad it was over.
|
||
|
||
His contact was standing there next to a long, sleek sportscar which looked
|
||
like a Porshe to Wasp, but so did most sports cars to him. Porsches were
|
||
almost everywhere the rich were.
|
||
|
||
"A fad," he muttered to himself.
|
||
|
||
Another man was with his contact. Tall and thick, he had to be hired muscle.
|
||
Typical, but understandable considering the unusual request for the meeting.
|
||
|
||
Wasp stepped out of the car and stood straight. Some six meters separated him
|
||
and his contact.
|
||
|
||
"Nice night, isn't it?" Wasp called out.
|
||
|
||
The man frowned. "Yes," he said. Wasp thought he sounded disappointed. "It
|
||
is a shame about Major Rednix." Simply a statement, that.
|
||
|
||
Wasp nodded, trying to look solemn. "It is. He was... a man of our times." A
|
||
line he once heard in a movie.
|
||
|
||
"And trying times they are, that we have to meet in secret. Rednix did explain
|
||
to you our agreement?"
|
||
|
||
A question. Wasp froze. The meet was called by the contact, Wasp was playing
|
||
blind. A dangerous game, like poker with armed players. "An Uzi beats four
|
||
aces," he muttered.
|
||
|
||
"Somewhat," Wasp then said aloud. "There are secrets that even I did not
|
||
know." Many, he failed to add. Most. Wasp was bluffing a flush, and didn't
|
||
want to boast four aces. He couldn't afford it since he came unarmed.
|
||
|
||
"What do you know?"
|
||
|
||
"Enough."
|
||
|
||
There was a pause. Wasp felt his own fear in that pause.
|
||
|
||
"Then..." the contact said, painfully drawing out the sentence, "we need...
|
||
fresh kill. Tonight."
|
||
|
||
The words stuck in Wasp's mind. 'Fresh kill.' Flashes of women with bloody
|
||
dresses and torn throats edged into his thoughts. Or did the man mean animal?
|
||
Wasp had to remind himself to breath as the rest of his mind tried not to go
|
||
into shock.
|
||
|
||
"That..." Wasp stuttered as he thought, "might prove... difficult. The night
|
||
is pretty late for something proper." He couldn't believe he was suggesting
|
||
what he was.
|
||
|
||
"We understand your situation, but our own situation draws us to this need. We
|
||
will pay full, though you are inexperienced, because of the time limit we have
|
||
placed upon you."
|
||
|
||
Wasp eyed the bodyguard carefully for a moment, guessing his armament. "Bet
|
||
he has a submachine or better," he muttered.
|
||
|
||
"I'm afraid that's out of the question," he called out to them. "I am
|
||
inexperienced and it would be rather foolish if I took on such an expedition
|
||
without more time."
|
||
|
||
The contact seemed to clench his teeth. "Then make the time."
|
||
|
||
"I'd love to, but I can't. Have to run." Wasp slipped into the car at the
|
||
same moment his contact raised a hand. He didn't know whether it was to signal
|
||
Wasp or the contact's bodyguard. He didn't wait to find out.
|
||
|
||
The contact didn't drop his hand. There was no gunfire. Wasp left quickly and
|
||
quietly with the bad, bad feeling he would be hearing from that man again.
|
||
...
|
||
|
||
"Fresh kill," Wasp muttered as he typed the words into the small computer. The
|
||
computer was once Father Jim's, like almost everything Wasp was surrounded with
|
||
recently. The car, the computer, the watch, the business. All thanks to a
|
||
mysterious woman named J.J. Faust.
|
||
|
||
J.J. was an enigma to Wasp. A woman who was clearly psychotic and yet
|
||
completely content with herself, a trait of sanity. Wasp knew insanity from
|
||
his years on the streets and underground, dealing with people who lived the
|
||
edge between the two.
|
||
|
||
J.J. killed Father Jim. She killed one of New York's underground contacts.
|
||
She killed Wasp's boss. And she went back to her life like nothing had
|
||
happened, working a nine-to-five job at a well-to-do jewelry store. Just like
|
||
that. Not even Wasp's old girlfriends were that over the edge.
|
||
|
||
She killed five other people, besides, but they meant nothing to him. All
|
||
horrible throat injuries, all rich women, but he never stopped to think about
|
||
them. First she killed Father Jim.
|
||
|
||
Wasp closed the directory he devoted to her and went back to the main
|
||
directory.
|
||
|
||
Password:_
|
||
|
||
Father Jim's information, all his tricks and all his blacklisting was under
|
||
that password. And all his little secrets.
|
||
|
||
The words "fresh kill" kept coming to mind.
|
||
...
|
||
|
||
|
||
|
||
-----------------------------------------------------------------------------
|
||
CyberStory: Judy
|
||
|
||
|
||
"Coder's special, please," the man said.
|
||
|
||
The waitress looked up, "What's a coder's special?"
|
||
|
||
"You're new here, aren't you?"
|
||
|
||
"Yes, this is my first day. I'm Judy," she replied, a bit nervously.
|
||
It was cumulative stress built up over the past three hours, rather
|
||
than sudden fear. Her current patron looked a lot less homicidal than
|
||
most of the clientele she had been serving, without incident so far.
|
||
|
||
It said a lot about the Chatsubo that the man she considered a
|
||
sub-median threat was 223 cm tall and was wearing seventy kilos of
|
||
reactive body armor.
|
||
|
||
"I could tell. I'm Brick," he smiled. "A coder's special is a large
|
||
pepperoni pizza and couple of liters of Jolt Classic."
|
||
|
||
She brought him the order.
|
||
|
||
"Oh, could I get the Jolt in a drinking container?" Brick asked
|
||
politely, "it's for washing down the pizza."
|
||
|
||
She emptied the IV bag into a bottle, re-evaluating her opinion of his
|
||
sanity.
|
||
|
||
"May I ask you a question, Mr. Brick?" she asked.
|
||
|
||
"Just Brick," he said, "and sure, go ahead. As long as you don't pick
|
||
the wrong people or the wrong questions, there's no harm in asking."
|
||
|
||
"Am I safe working here? I mean all these people look dangerous."
|
||
|
||
"You don't really have to worry about the dangerous looking ones.
|
||
That's all flash, and they're more likely to do themselves in--either
|
||
by losing control of their toys or by annoying the wrong people. The
|
||
really lethal people don't show much more than attitude, and they don't
|
||
do much collateral damage when they strike."
|
||
|
||
"Collateral damage?" Judy asked. The answer wasn't very comforting.
|
||
|
||
"Taking out innocent bystanders. It's just professional courtesy to
|
||
use finite range weapons and be aware of your backgrounds. Still, it's
|
||
best to keep your head down and get behind something when things heat
|
||
up, just in case."
|
||
|
||
Brick pointed his arm at the pizza. There was a brief ruby flash, and
|
||
a grease fire started to spread across the surface. Nobody looked up
|
||
except Judy, who followed the black cloud of smoke to the ceiling.
|
||
|
||
"Don't worry," Brick reassured her, "the smoke detectors are disabled.
|
||
They kept going off from propellant smoke and laser burns. Ratz got
|
||
tired of having to get rid of the bodies before the firemen came each
|
||
time."
|
||
|
||
Brick drew a Victorinox-Ginzu combat dagger from its sheath and
|
||
attacked the pizza. The serrated CVD-diamond edge penetrated the crust
|
||
and drove through the aluminum pan and into the table. He let go of
|
||
the trademarked red handle and pulled the pizza apart with a faint
|
||
servo whine in his armor. The cheese eventually peeled from the Teflon
|
||
VII coating on the blade.
|
||
|
||
"Excellent, my compliments to the chef," he said after tasting it. He
|
||
noticed that Judy looked a little pale, almost Caucasian. "Is
|
||
something wrong?"
|
||
|
||
"Tell me, what happened to the girl I'm replacing?"
|
||
|
||
"Nekoko? Probably out getting shot at. The people who Ratz hires
|
||
don't seem to last very long." Brick took a long drink of Jolt Classic
|
||
and suppressed a shudder. "But then again, who does?
|
||
|
||
"Oh, by the way, here comes the type of person I was talking about."
|
||
He indicated a nondescript gray man coming towards the table. "His
|
||
name's Viadd, communications expert. Looks harmless enough, but he can
|
||
talk people to death."
|
||
|
||
Judy gave a nervous little laugh. "You mean he really is harmless?"
|
||
|
||
"No," Brick said slowly, "I mean he can talk people to death.
|
||
Reference Iago; Context Shakespeare for the general idea."
|
||
|
||
Viadd sat down across from Brick, "Milk+ choco, please" he told Judy.
|
||
|
||
Judy left, sidling away nervously, and almost stepped into a weapons
|
||
demonstration.
|
||
|
||
"Is she new?"
|
||
|
||
"First day here, Ratz really needs to do something about his personnel
|
||
situation. In a week she'll probably have seniority."
|
||
|
||
"Yeah, I keep telling him, you can't keep decent employees nowadays
|
||
unless you've got good medical and dental coverage."
|
||
|
||
"Here she comes with your drink. She seems a bit nervous--first day
|
||
jitters and all--so try not to say anything to scare her."
|
||
|
||
Judy set the mug in front of Viadd and kept on walking out the door.
|
||
Ratz behind the bar just shrugged philosophically.
|
||
|
||
"Pretty brave though, going out on the streets without an escort.
|
||
Foolish too, it's just not safe."
|
||
|
||
Viadd nodded and sipped his drink.
|
||
|
||
"How did the goniometer hack go?" Brick asked.
|
||
|
||
"Pretty well, I think," Viadd replied, and tossed a credstick on the
|
||
table.
|
||
|
||
Brick did not touch it. "I'll tell you what," he said, "I'll rebate
|
||
the second half of the payment if you tell me how you used it."
|
||
|
||
"It's on account, so your offer doesn't touch me. Are you curious, or
|
||
do you just want to sell it the same way?"
|
||
|
||
"Curious, mostly," Brick said.
|
||
|
||
"I'll tell you for nothing, but only if you keep it secret for a
|
||
two-year moratorium."
|
||
|
||
Brick considered briefly. "O.K., I can live with that." He picked up
|
||
the credstick and sat back to listen to Viadd.
|
||
|
||
"The target," Viadd began, "was the senior V.P. of a certain Japanese
|
||
firm. Call him Hideo. My client is the second V.P. of the company.
|
||
The president, 'Takashi', is getting along in years and my client feels
|
||
an urgent need to change the order of succession.
|
||
|
||
"Takashi does not think that a new president will be needed for some
|
||
years, and is, understandably, a bit paranoid about people trying to
|
||
hasten the process.
|
||
|
||
Viadd took another drink and smiled as the theobromides hit.
|
||
|
||
"I took the obvious route and started engineering a coup on behalf of
|
||
my target. Rather baldly planned, and he apparently didn't cover his
|
||
tracks very well. Memo numbers out of sequence, calls misrouted, that
|
||
sort of thing. The takeover apparatus was eventually thoroughly
|
||
penetrated by Takashi's moles."
|
||
|
||
"Unfortunately, Takashi admired Hideo's apparent initiative, although
|
||
he was appalled by his crudeness, and merely eliminated everything
|
||
I had set up.
|
||
|
||
"My target got a lecture on the importance of subtlety, and was told
|
||
that his ambition, whatever it did to the executive structure, must
|
||
never jeopardize the stature of the company itself. Hideo managed to
|
||
cover his mystification with a few nervous 'hai's and retained his
|
||
position.
|
||
|
||
"Naturally, such a situation was not what I had contracted with my
|
||
client to achieve. My next step was somewhat simpler, though, thanks
|
||
to you.
|
||
|
||
"I floated a few rumors that Takashi was not long for power, and that
|
||
Hideo would soon be running the company. The president dismissed these
|
||
as the distant echoes of the aborted coup, at least for a while. The
|
||
persistence of the rumors, however, did make him a little nervous.
|
||
|
||
"The firm was just about to seal an important contract to supply some
|
||
cutting-edge tech to an American firm. Negotiations had been rocky
|
||
from the start, and the deal was just barely hanging together. About
|
||
the only reason they were still in contact was because the American
|
||
company's president, 'Fred', was so cultured and civilized, it was
|
||
almost possible to forget he was gaijan.
|
||
|
||
"Fred had worked very hard at that. He had been intensively trained by
|
||
geisha and members of a cadet branch of The Emperor's family. Most of
|
||
his staff were conservative Japanese. He had had cosmetic surgery to
|
||
make himself look older. And guess what else?"
|
||
|
||
"He had a goniometer in his spine to calibrate his bow angles," Brick
|
||
guessed.
|
||
|
||
"Exactly. That's why I got that backdoor code from you."
|
||
|
||
"So, how did you run it?"
|
||
|
||
"Takashi and Hideo flew in from Tokyo to sign the contract. The
|
||
American met them as they came out of the jet and greeted them with
|
||
formal bows.
|
||
|
||
"Takashi stood stunned for a few seconds, then turned around and
|
||
marched himself and his V.P. back into the plane and they flew back to
|
||
Japan. Only the president reached Tokyo though. My client was very
|
||
happy."
|
||
|
||
Viadd drained his mug.
|
||
|
||
"I had hacked Fred's goniometer so that his bow to the president was
|
||
three degrees too shallow, and his bow to the vice-president was five
|
||
degrees too deep. The implication that Hideo was of higher status than
|
||
Takashi was just too blatant an insult to allow, especially coming from
|
||
someone who was cultured enough to know what he was saying."
|
||
|
||
Viadd looked around for a waitress and, finding none, signalled to Ratz
|
||
to bring him another choco.
|
||
|
||
"The American will probably never figure out what happened. The
|
||
Japanese president would never tell him. I won't tell him, and you
|
||
won't either."
|
||
|
||
"If it doesn't break client privilege, what was the American company?"
|
||
Brick asked.
|
||
|
||
Viadd waited as Ratz had brought him another mug, glared at Brick, and
|
||
left.
|
||
|
||
"No reason I can't tell you, still under moratorium. ARES has
|
||
been giving us all trouble recently, so I choose their Caedemus
|
||
division as second bird. It was the most suitable candidate, but it's
|
||
still good biz to exact a load toll for karma burden."
|
||
|
||
"In that case, you may be interested in this. It came down from a
|
||
mediasat about an hour ago." He tossed a pad to Viadd.
|
||
|
||
"Property records track it through a set of dummies to belong to
|
||
Caedemus," Brick said as Viadd watched the flames engulf the property.
|
||
"Elite forces, tech and mage, penetration/extraction strike, by my
|
||
analysis. The showy part is just to take out the security forces."
|
||
|
||
"Hmm, I didn't expect Takashi would go this far to respond to the
|
||
insult. Maybe Hideo gave Caedemus some pre-production prototyping
|
||
samples and the president wanted them back. Who knows?
|
||
|
||
"Anyway, it's just another example of the power of a subtle approach."
|
||
|
||
|
||
-------------------------------------------------
|
||
|
||
Copyright 1991 David Palmer.
|
||
Brick, Viadd and Judy Copyright 1990-1991 David Palmer
|
||
Action figures and body armor sold separately. Fusion powerpacks not included.
|
||
|
||
Brick and Viadd may be used with prior approval.
|
||
Judy made it safely home by authorial fiat. Unable to find another job
|
||
as a waitress, she was forced to work as an actress. She later won the
|
||
Academy Award for her portrayal of Othellia.
|
||
|
||
|
||
|
||
Copyright JM Shields & HG Bartels 1991 All Rights Reserved
|
||
|
||
----------------------------------------------------------------------------
|
||
|
||
A soft intake of breath. "Shimatta..."
|
||
Nekoko looked around the worn, dusty, and threadbare interior of
|
||
the ARES Wvyern. The instrument panels had had its corners rubbed smooth.
|
||
The co-pilot's seat showed signs of heavy wear. The warning decals overhead
|
||
had faded and discolored. As the helicopter flew, panels gave off creaking
|
||
and groaning noises, the cockpit door rattled against its frame, the turbines
|
||
whined overhead. Everything about the ARES Wyvern gave witness to long, hard
|
||
years of uncaring use.
|
||
Nekoko dropped her head and scanned the instruments again. Half the
|
||
indicators pointed into the yellow. The hydraulic pressure continued to drop
|
||
slowly. The main generator was misbehaving; the amps indicator rose and fell
|
||
in short bursts. The clock ticked off the seconds since she dropped off the
|
||
others at the ARES site.
|
||
And the weather was turning against her again. Great grey clouds
|
||
swept up from the south, at times hiding the land below her. The wind picked
|
||
up and blew steadily from the south. Now and then, Nekoko would fly
|
||
through another rain shower.
|
||
From the east, the early morning light filled the sky with a pale
|
||
color. To the west, the sky was still a midnight blue. Below Nekoko's
|
||
helicopter, the early light painted the forest in dark greens, grey
|
||
highlights, and long shadows.
|
||
|
||
Medicine Hawk's signal flashed on the heads-up display. Time to
|
||
go back into hell again. Nekoko made a slow, sweeping turn and oriented
|
||
herself to fly in from the south with the wind. She scrubbed off altitude
|
||
- it would be better to come in low and fast.
|
||
At treetop level, the helicopter seemed to fly even faster than
|
||
she could react. Nekoko jerked the control stick from side to side. Left,
|
||
then right, the dark green forest rushed past. Birds would wheel up beside
|
||
her, startled by the helicopter's sudden appearance. Then there would be a
|
||
little clearing in the woods and Nekoko could catch her breath again. The
|
||
helicopter would flash through the clearing and immediately have to dance
|
||
around treetops again. To her right, the morning sun turned clouds red and
|
||
yellow; she could see a glimmer of light through the cloudcover.
|
||
Ahead, a thick dark column of smoke marked the site of the ARES
|
||
research lab. It blew to the north, away from her approach. Nekoko began
|
||
to search below her for a pick up site.
|
||
As she got closer, she began to slow the helicopter. The Wyvern
|
||
cleared the outside fence, bright with arc lights and steel. Now, below her
|
||
was an open space, short grass and small trees. As Nekoko watched, small
|
||
figures appeared in the open space. The early morning light gave them long
|
||
strange shadows on the grass. The figures were running from one of the
|
||
buildings. At times, one of them would turn and fire at the people coming
|
||
from the buildings. Another one of the figures seemed to be carrying
|
||
something over its shoulder. Nekoko began to drop down on top of them.
|
||
As the Wyvern got closer, the figures looked up through the
|
||
downwash of the helicopter rotors. One of them lifted a gun up at the
|
||
helicopter; another figure pushed it away. Behind them, the people coming
|
||
out of the buildings stopped and seemed to be cheering.
|
||
Now Nekoko's helicopter was within a few feet of the ground. One
|
||
of the figures began to run, hunched over, towards her. Nekoko pushed
|
||
the helicopter closer to the others. The turbines screamed their displeasure
|
||
at hovering.
|
||
Nekoko turned the helicopter so that the Wyvern's armor lay between
|
||
her friends and the ARES people. As she glanced over at the lab buildings,
|
||
she notice that the ARES staff had stopped cheering; some of them seemed
|
||
to aiming their guns at her, others began to run towards the helicopter.
|
||
The Wyvern thumped onto the ground. A bang from behind her told Nekoko that
|
||
someone had opened the cabin door. Now the other figures approached; Medicine
|
||
Hawk, with the limp, ragdoll shape of Li over his shoulder, Ylse, pale and
|
||
shaken, Running Wolf, grim-faced, turning back to empty his submachine gun
|
||
at the running ARES security guards. They looked tired and drawn. Something
|
||
had scared them badly. Another bang told Nekoko that the cabin door was
|
||
closed again. The cabin intercom buzzed.
|
||
Nekoko looked up at the sound of hail on the sides of the cockpit. It
|
||
took a moment to realize that the sound was slugs bouncing off the Wyvern's
|
||
armor. That shook her. One of the windows facing the ARES people suddenly
|
||
cracked. She yelled a warning, pulled full torque on the collective, and
|
||
began to take off. As they rose in the air, almost all the indicators flipped
|
||
into the red zones. More gunfire, more hail on the armor. Another window
|
||
cracked. The helicopter shook unevenly; Nekoko guessed that one of ARES's
|
||
heavier shells had struck the Wyvern's armor.
|
||
She reached down, flipped up the safety cover, and pressed the
|
||
fire button on the twin Vulcans. The computer buzzed and said, 'Sorry. All
|
||
20 mm magazines are empty. Please reload.' But from the front of the Wyvern
|
||
came the rumble of the two barrels spinning up to speed.
|
||
Nekoko pedal turned the helicopter so that the muzzles of the
|
||
Vulcans would face the oncoming ARES guards. Now the cockpit faced north, at
|
||
the guns of the security guards. Nekoko pushed the cyclic control forward.
|
||
The Wvyern picked up speed and rushed across the ground.
|
||
Nekoko laughed. As the ARES people saw the rotating barrels, they
|
||
dropped their guns and dived for cover. She swept past them, lifted the
|
||
helicopter over their lab building and disappeared into the smoke.
|
||
|
||
Deep black smoke seeped inside the cockpit through the vent ducts
|
||
and the cracks in the windows. But it kept them hidden from the ARES guards.
|
||
Nekoko pushed the helicopter as fast as the turbines would allow for as
|
||
long as she could. When she could no longer stand the tension, when she
|
||
guessed the helicopter might start coming apart in the next moment, she
|
||
slowed up. Some of the indicators began to fall into the yellow or green
|
||
zones again.
|
||
A noise from behind her startled her; Nekoko had already forgotten
|
||
that the others were on board again. Medicine Hawk appeared in the
|
||
cockpit doorway, smelling of cordite, smoke, blood, and sweat. Nekoko
|
||
watched him set himself in the co-pilot's seat.
|
||
"Medicine Hawk. Li-sama ga, daijoubu ka?" Nekoko saw his confusion,
|
||
then repeated herself in English. "Is Li going to be alright?"
|
||
"Probably. We won't know until we get her seen to. At the safe
|
||
house." He leaned back, sighed, and was silent.
|
||
"Better strap yourself in. It's not over yet."
|
||
Medicine Hawk reached below the seat and buckled himself in. Then
|
||
he turned towards Nekoko. "Better tell the others in back as well."
|
||
"Hai." Nekoko nodded, then picked up the cabin intercom. "Oi! We're
|
||
still not safe, so you better buckle up. And make sure that Li is tied
|
||
up as well. This might be a rough ride." As she spoke, the helicopter
|
||
gave another series of shakes. She turned back to Medicine Hawk. "Was it
|
||
bad? I mean, back there?"
|
||
Medicine Hawk did not speak. Nekoko decided not to say anymore. The
|
||
helicopter was still flying north. The comlinks were quiet - apparently,
|
||
Leadfoot had done his job well. Outside of the shaking, the helicopter seemed
|
||
to be flying well. Nekoko checked all the instruments, then turned back
|
||
to Medicine Hawk. "Where do I go now? Where is the safe house?"
|
||
Medicine Hawk turned his chrome glasses onto Nekoko. They were
|
||
dirty, begrimed and scratched. "I'll direct you. Fly north for another
|
||
twenty minutes, then turn towards the east. From there, I'll direct you."
|
||
He turned his head away again; his breathing slowed. Nekoko relaxed. The ARES
|
||
Wyvern was still flying. None of the dials showed any problems for the moment.
|
||
For the first time that morning, she felt she might survive this trip.
|
||
|
||
************************
|
||
|
||
Twenty minutes after Belladonna briefed her crew the alarm bells rang.
|
||
Bella ran to the com room. When she arrived, breathless, MecLan and Vint
|
||
were studying a 2 meter square display screen showing the overall layout of
|
||
the estate and safehouse. It was mounted on a wall - smaller screens with
|
||
views of various sections surrounded main screen. They both looked up when
|
||
Bella entered the room.
|
||
"A chopper has penetrated the first security shell," MecLan informed
|
||
her.
|
||
"Is it them?" Bella glared painfully up at a speaker, "Gregor, we get
|
||
the picture - turn that thing off - I can hardly hear myself think!" The
|
||
alarm suddenly stopped in mid scream. "Thanks."
|
||
"You are welcome, Bella."
|
||
Bella ignored the deep reply. "Have you got an ID on it?"
|
||
"No code yet. It looks like an ARES chopper," Vint touched a few
|
||
panels, "It'll be in visual soon. The flight paths a bit erratic - looks
|
||
like it's in trouble."
|
||
"Shit!" Bella slammed her palm into the wall, "Peace, I hope it's
|
||
them. How long until the second security shell?"
|
||
"Ah, twelve seconds - eleven - ten - nine - eight - seven..."
|
||
|
||
***********************************
|
||
|
||
Nekoko felt a hand on her arm.
|
||
"Gotta call in now."
|
||
Nekoko looked over her shoulder. Running Wolf was reaching for the
|
||
radio with a small signalling device. She watched him tap in a frequency
|
||
then open the channel and key the signalling device at the microphone. He
|
||
smiled at her. The radio beeped back at Running Wolf's device.
|
||
"Gotta let the Mechanics know we're friends," he said to Nekoko's
|
||
puzzled look. "We should be in visual in a minute. I'll get Li ready for
|
||
the landing." He disappeared aft behind Nekoko's seat.
|
||
|
||
***********************************
|
||
|
||
" - wait a second, I'm getting a code." Seconds ticked. "It's
|
||
them - proper code for the safehouse and their ID tag."
|
||
Bella breathed out slowly, "Good. What's their status?"
|
||
"Chopper is definitely damaged," MecLan scanned a readout on a
|
||
smaller display screen.
|
||
"How bad? Weapons?" Bella moved to his side and glanced at the
|
||
readout.
|
||
"There's some weapons damage but this is mostly internal stuff." He
|
||
shrugged his shoulders. "Maybe they lifted one that was due for repairs.
|
||
From the scan this looks like relatively old damage."
|
||
"Shit! Why the hell couldn't they have stolen one that worked?"
|
||
"ETA for the chopper is five minutes, Bella," Vint interrupted.
|
||
"Call Kenner, tell her to meet me at the topside elevators with her
|
||
med kits in three minutes. Also get Bachtav..." her voice died off. Bella
|
||
cleared her throat, "Meclan, could you..."
|
||
He nodded - a hard sad smile crossed his lips. "Let's go."
|
||
|
||
***************************
|
||
|
||
Nekoko studied the grey walls of clouds in front of her. Only the
|
||
headup display in front of her made sense of the formless world outside the
|
||
cockpit windows. On the display, a readout in a corner counted down the
|
||
seconds to the destination. Behind Nekoko, Running Wolf and Ylse seemed
|
||
to be talking; it was hard to make out the words over the throbbing of
|
||
the rotors and the whine of the turbines.
|
||
Medicine Hawk seemed to be asleep. Nekoko reached over and gave
|
||
him a gentle shove to wake him. They had almost arrived.
|
||
Nekoko came out of a cloud bank and there it sat, a brick monster on
|
||
a wide open lawn, sunning itself in the morning sunlight. The safe house was
|
||
one of the Victorian monsters that were popular around the turn of the
|
||
previous century, all towers and tall ceilings, nocks and corners. A long
|
||
driveway bordered by stately old willows led up to the front entrance. Medicine
|
||
Hawk made a downwards stabbing motion with his hand, as if to say, land here.
|
||
|
||
******************************
|
||
|
||
The elevators doors opened into a backroom - clean and barren. Bella,
|
||
Kenner, and MecLan hauled the emergency stretcher and kits out into the
|
||
main hallway to the front door. They waited just inside the house until
|
||
they saw the chopper approach. The chopper swung and hesitated - Bella was
|
||
certain it was about to fall apart.
|
||
|
||
************************
|
||
|
||
Nekoko lifted the nose of the Wyvern, slowed up and flared to a
|
||
landing within thirty paces of the house. Then she dropped the helicopter
|
||
to the ground. It was a bit of a drop; there was cursing from behind the
|
||
cabin door. She kept the turbines running; she did not know if she would
|
||
be able to restart them again. From the house came three people; Bella and
|
||
two others Nekoko did not recognize. They were carrying a stretcher.
|
||
Medicine Hawk stood up, rubbed his eyes under his chrome sunglasses,
|
||
and began to leave. As he stepped through the doorway, he asked, "Are you
|
||
coming too? You're welcome to stay here."
|
||
Nekoko looked at the forbidding mass of the house nearby. "Ah. I'd
|
||
better see to the Wyvern first. I'll come back with the motorcycle later."
|
||
"Good idea."
|
||
"I'll just drop it at one of the grass airfields on the other side
|
||
of Puget Sound. That'll draw off the pursuit."
|
||
"Good idea."
|
||
"So then..."
|
||
"Take care, Cat-girl." He disappeared through the doorway into the
|
||
cabin aft.
|
||
************************
|
||
|
||
"Where is she? How bad?" Bella shouted to Running Wolf as he stepped
|
||
onto the ground.
|
||
He pressed his mouth to her ear, "In back on a makeshift stretcher.
|
||
Had to shoot her - not much blood lost! Stuck a handful of tranks on her -
|
||
don't know how long they'll last! It is as though she were crazy!"
|
||
Bella turned to Kenner and explained the situation with a series of
|
||
quick hand signals. Kenner nodded and climbed into the back of the
|
||
chopper. Bella followed her.
|
||
Inside the cabin, Bella turned back to help with Li. She lay there as
|
||
if dead - her sallow skin blending into the dull grey beneath her. She
|
||
looked very much like a child until a frown creased her face. Kenner had
|
||
pulled the trank patches from her skin - there'd be a few second delay
|
||
before the direct feed she'd wrapped around Li's wrist could begin. Li's
|
||
eyes fluttered open - Bella caught a glimpse of glassy metal before they
|
||
closed once more.
|
||
Kenner handed Bella a curved piece of plastic. She fitted it around
|
||
Li's neck and shoulders - bending it to rest snug against her. She took a
|
||
metal canister from the medkit and pointed the nozzle into a small opening
|
||
on top. It hissed for a few seconds then stopped - Bella snapped the
|
||
canister from its nozzle and tossed it back into the kit. She tapped the
|
||
plastic a few times, bending low over it and straining to hear an echo.
|
||
Satisfied she nodded to Kenner. Kenner finished buckling the straps that
|
||
held the hard plastic sheet she'd slid under Li's body. A few seconds
|
||
later both mechanics were out of the chopper and sliding Li out behind
|
||
them. MecLan had the stretcher up and ready for her. Running Wolf and
|
||
Medicine Man each grasped an end - lifting her up and onto the bed of the
|
||
stretcher. MecLan and the other woman, Ylse, each grabbed a free end and
|
||
with Kenner running along side with the instruments they headed for the
|
||
house.
|
||
Bella watched them disappear under the eaves of the mansion before
|
||
walking forward to the pilot's door. As she walked, she noted how the
|
||
Wyvern's armor had been gouged and scarred by the fire from the ARES forces.
|
||
At the pilot's door, she tapped twice to get Nekoko's attention. No response.
|
||
Bella made a fist and really began pounding on the cockpit door.
|
||
|
||
*********************
|
||
|
||
While Nekoko was running another quick check of the instrumentation,
|
||
she heard a pounding on the cockpit door. Nekoko leaned over and pushed it
|
||
partially open. Now the throbbing of the rotors was much louder, the downwash
|
||
blew into the cockpit and stirred the dust. Standing outside, hunched over
|
||
in protection from the noise of the rotors stood Bella. As the door opened,
|
||
Bella raised her eyes to look at Nekoko. Nekoko blinked. Bella had her
|
||
Mechanic's armor on, a dusty black blue. A black stripe ran over her cheekbones
|
||
and across her nose. It gave the woman a odd tribal look.
|
||
"Can you shut this piece of shit down for a couple of minutes?"
|
||
Bella screamed at Nekoko.
|
||
Nekoko shook her head. "No. I don't think it'll start again. Got to
|
||
keep moving. Can't leave it here..."
|
||
"Whatcha got in mind?" Bella shouted over the whine of the turbines.
|
||
"Fly it to the other side of the Sound. Hide it on someone's meadow.
|
||
Use my motorcycle to get away."
|
||
"And then?"
|
||
"Not sure. Probably come back here..."
|
||
Bella reached into her toolbag and pulled out what looked like a wide
|
||
silver wristband. With her other hand, she reached up into the cockpit and
|
||
pulled on one of Nekoko's arms. She clamped the wristband on Nekoko's wrist
|
||
and flicked a panel. "Look into this opening!"
|
||
Nekoko's cat eyes narrowed with suspicion and her cat ears flickered back.
|
||
"It's a homing device! I want to key it to your retina print! Do it!"
|
||
Bella scowled impatiently as Nekoko put the opening up to her eye. "Good!
|
||
It'll direct you back here and will broadcast the proper codes once you start
|
||
hitting the security shields! Don't take it off under any circumstances -
|
||
no matter what! Ok?"
|
||
Nekoko nodded slowly. "Ryokai!"
|
||
"Great! Be careful."
|
||
Bella slammed the cockpit door shut. Nekoko watched her scuttle
|
||
from underneath the circle of the rotors and run towards the house. The
|
||
impact of slamming the door shifted the life raft mounted on the cockpit door,
|
||
making it fold over onto her foot. Nekoko put down a hand and stuffed it back
|
||
into the holder. The helicopter was falling apart as she sat. She hoped it
|
||
would hold together just a few moments longer.
|
||
|
||
**************************
|
||
|
||
"Stay alive, Nekoko, stay alive," Bella whispered to herself. The whine
|
||
of the turbines rose to a shriek as Nekoko brought up the power. Dirty black
|
||
smoke blurred the air behind the turbines' exhaust. The rotor's throbbing
|
||
got louder, sharper. The Wyvern's running lights came on, flashing red and
|
||
white. Bella wiped her eyes; the propwash from the rotors had made them water.
|
||
She put her hands over her ears and watched as the helicopter rose into the
|
||
air and climbed into the clouds. Then, with a final look at the cloud in
|
||
which Nekoko had disappeared, Bella turned and walked into the house.
|
||
|
||
***************************
|
||
|
||
It had been a slow, careful liftoff this time. Nekoko knew that a wrecked
|
||
helicopter would definitely draw unwanted attention to this neighborhood.
|
||
Above her, the clouds thickened. She grabbed altitude until she was
|
||
bumping into the bottom of the clouds, then she turned west towards the
|
||
ocean. Behind her, the sun disappeared behind a thick cold layer of clouds.
|
||
Five minutes later, the main generator faded away. Half of the
|
||
indicators dropped onto their pegs, useless. "Kuso!" Nekoko swore as
|
||
she started the auxilary generator. The main computers rebooted, the
|
||
systems returned to life. Just a little further, just a little further,
|
||
Nekoko prayed.
|
||
The clouds thickened, and now she was flying through the stuff.
|
||
Her computers showed her flying west by southwest, still on her planned
|
||
course. Hydraulic pressure was now minimal; Nekoko could feel the stick
|
||
becoming sluggish in its response.
|
||
The Air Traffic Control chose this moment to come online again.
|
||
"Attention, unidentified flight. Your flight plans have not been found
|
||
on any ARES systems. Your transponder codes match that of a aircraft
|
||
reported stolen from ARES today. Land immediately for accurate identification."
|
||
Nekoko swore again. Only another three minutes and she could leave
|
||
this flying wreck.
|
||
"Unidentified flight. Your silence has been noted and logged as
|
||
a violation of UCAS airspace. An interception has been ordered. If you
|
||
do not respond to our demands, we will use force." The message was
|
||
then repeated in Japanese. As the message was being repeated in Russian,
|
||
Nekoko powered off the radio. A quick check of the defense systems
|
||
showed that the radar could not see anything within a few miles of her.
|
||
Then the left turbine blew up. Nekoko was thrown against the
|
||
side of her seat as the helicopter shook. The life raft bounced out
|
||
onto the cockpit floor. Her ears rang with the sound. The indicators
|
||
in front of her jumped around, then froze. The lights went dark as the
|
||
auxilary generator failed.
|
||
The sticks were useless. The hydraulic pressure was completely
|
||
gone. The rotors slowed. Nekoko's stomach lurched as the helicopter
|
||
began to drop.
|
||
Around her, the clouds were grey and shapeless. She knew she
|
||
was falling, but her eyes told her that she was hanging in space. Her
|
||
butt felt real heavy, heavy, as if some great weight was being put on it.
|
||
Her stomach seemed to want to drop through her hips. But above her,
|
||
the rotors were spinning again.
|
||
Auto-rotation, Nekoko thought. She had been high enough for the
|
||
blades to autorotate. Then she might not die after all. But she was still
|
||
falling fast. A stray seagull dropped in front of her cockpit window,
|
||
keeping pace with her as the helicopter dropped.
|
||
The clouds parted, disappeared. Below her, the sea stretched. Small
|
||
waves and white foam. Still falling fast, too fast...
|
||
|
||
The helicopter struck the water, front end first. A wave spread
|
||
out from the wreck, to be lost in myriad other waves. Then there
|
||
was silence. Smaller waves crashed against the body of the Wyvern, each
|
||
time, striking it higher and higher. Bubbles and froth, oil and debris
|
||
washed away from the wreck. A few seagulls dove at the debris, seeing if
|
||
anything was edible.
|
||
Now, another small crash, and the helicopter leaned over. Water
|
||
spilled over, poured inside. More bubbles, more oil. The seagulls called out.
|
||
The cockpit disappeared beneath the waves. Waves swept over the
|
||
starred windows, the turbine intakes, the rotor blades, and then, finally,
|
||
the tail structure. A moment later, only an oil patch in water, calmer then
|
||
the surrounding waters, marked the site of the crash. The seagulls rose
|
||
and circled around again.
|
||
And then there was only waves, wind and the sound of the seagulls.
|
||
|
||
-----------------------------------------------------------------------------
|
||
|
||
ÖÄÒÄ· Ò . . Ö Ò Ò
|
||
º ÇÄ· Ò ÖÄÄ Ò ÖÄÄ Ä×Ä ÇÄ· ÖÄ· ÖÄ· ·Ä· ÖĶ
|
||
Ð ½ ½ ½ ÄĽ ½ ÄĽ Ð ½ ½ ÓÄÄ ÓÄÄ ½ ½ ÓÄÐ o o o
|