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INTERTEXT - Volume 1, Number 2 - July-August 1991
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INSIDE THIS ISSUE
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FirstText / JASON SNELL
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Dragon Financing / KENNETH A. KOUSEN
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Regression / DAVE SAVLIN
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The American Dream / ROBERT HURVITZ
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The Ambiguity Factor / PETE REPPERT
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Haircuts $20 / JASON SNELL
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New Orleans Wins the War / GREG KNAUSS
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The Explosion That Killed Ben Lippencott / GREG KNAUSS
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Editor: Jason Snell (jsnell@ucsd.edu)
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Assistant Editor: Geoff Duncan (sgd4589@ocvaxa.cc.oberlin.edu)
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InterText Vol. 1, No. 2. Intertext is published electronically on a bi-
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monthly basis, and distributed via electronic mail over the Internet,
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BITNET, and UUCP. Reproduction of this magazine is permitted as long as
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the magazine is not sold and the content of the magazine is not changed
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in any way. Copyright (C) 1991, Jason Snell. All stories (C) 1991 by
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their respective authors. All further rights to stories belong to the
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authors. The ASCII InterText is exported from Pagemaker 4.0 files into
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Microsoft Word 4.0. Worldwide subscribers: 1062. Our next issue is
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scheduled for Sept. 1, 1991. A PostScript version of this magazine is
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available from the same sources, and looks a whole lot nicer, if you
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have access to laser printers.
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For subscription requests, email: jsnell@ucsd.edu
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->Back issues available via FTP at: network.ucsd.edu<-
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FirstText / JASON SNELL
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Do you remember the television series The Incredible Hulk, starring
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Bruce Bixby as David Banner -- man cursed with becoming a monster
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whenever his pulse (or was it his blood pressure?) reached a certain
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height?
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"Don't make me angry," Bixby's character would say. "You wouldn't
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like me when I'm angry."
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I'm not the pushover I appear to be, he was saying. I'm not like
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anything you've seen before. So watch out.
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InterText isn't like any magazine you've read before. I'm not
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bragging by any means -- in fact, I'm not talking about the quality of
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InterText at all. I'm talking about the fact that, unlike professionally
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edited and distributed magazines, this is one magazine that relies on
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all of you.
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You see, all of you don't just make up the reader base of InterText
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-- you're also the writers, editors, publishers, advertisers, corporate
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executives -- just about everything.
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So what the hell is this guy talking about?, you're asking
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yourself.
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One of the problems with a magazine like InterText (and its
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predecessor, Athene) is that it is absolutely dependent on the efforts
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of those who submit stories to it and those who put it together. What
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this means is that, with InterText, the work of about six people is read
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by over a thousand.
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Distributing a magazine via computer network is a new idea, one
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that's only been around for a handful of years. But for all the applause
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we give to this new mode of communication, the fact is that it all still
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boils down to a small group of authors sending editors stuff now and
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again. I edit this magazine, Dan Appelquist edits Quanta. My stories
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appear there. His appear here. Phil Nolte appears both places. The snake
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eats its own tail.
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And everybody else is left on the outside. The names blur -- if
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they pay attention to the names at all.
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Last issue, I mentioned the potential of computer networks to
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assist in communication. It was a positive picture, an optimistic (a
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rarity for me, I can assure you) view that these networks can create a
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"global village."
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That's what they said about television, too. It didn't happen.
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Instead, television fulfilled another, less honorable, aspect of its
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potential.
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The other potential of a medium such as this is that it degrades
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into just another clique -- you've got the haves and have nots, the
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writers/editors, and the readers. And then we're no different from any
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professional magazine, at least in the barriers that we've erected
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between readers and writers.
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This magazine is not just for me -- I do this in my "spare time"
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(whatever that is; now that it's summer, I've got a little more
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breathing room), and I'm certainly not getting paid for it. But I like
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being an editor, I like publishing, and I saw a need for something to
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fill Athene's space.
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But I can't do it alone, and neither can the other names you see on
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issues of InterText, Quanta, and such publications.
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If you have something you'd like to have over a thousand people
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read, submit it to us. I don't want netnews-style posts here, but if you
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write something in magazine style, I'd love to run it.
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If you've written a story, submit it. Take an old one, dust it off,
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re-work it to your satisfaction, and send it in. Non-fiction stuff,
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personal narratives, anything about computer fiction, or about computer
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networks.
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This is a plea for submissions, true, but it's more than that. It's
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also my way of telling you that this is not just my magazine, it's your
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magazine. In newspapers, readers' comments are left to one section: the
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letters to the editor. Here, the whole thing is open to you. I encourage
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you to take advantage of it.
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I think I'll stop here, if for no other reason than to slow down my
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quickly-beating editor's heart. >Calm yourself, Jason old boy, calm
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yourself. Don't make the readers angry -- you wouldn't like them when
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they're angry.<
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This magazine isn't like other magazines. And you aren't like other
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readers.
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And on that note, I wish you all well. See you next time.
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--------------------------------------------------------------------
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Dragon Financing / KENNETH A. KOUSEN
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The day dawned bright and clear as King Teradoc and I rode off with
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our honor guard to challenge Pfotor the Dragon. It was the first fresh
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day of spring after a frustratingly long winter, and I was eager for the
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hunt.
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The winter had been spent pouring over scholarly texts written by
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ancient masters, and learning from my tutor. Old and stodgy, he forced
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me to spend more time than I would have liked learning and reciting.
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Still, however interminably, the winter had passed and I was free again.
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The Chancellor informed me that the King wished me to accompany him on
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his quest to suppress Pfotor, and I eagerly accepted the challenge.
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Adventure filled the air. I took out my sword and watched the sun
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glint from its blade.
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"Prince Dorn," my father said, surprising me from my reverie, "are
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you so eager to fight a dragon? Pfotor is a wild beast, and a worthy
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foe."
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"Of course, father," I mumbled, abashed. I noticed a twinkle in his
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eyes, though, which belied his stern words. He too must have been
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feeling the sweetness of our quest.
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As we neared the town, signs of Pfotor's attacks became evident.
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Instead of containing fresh plantings, the lands around the town were
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blackened and deserted. We rode past the charred frames of several
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farmhouses, but saw no one. At length, we reached a fork in the road. To
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the right lay the town, to the left lay the route to Pfotor.
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"Go to the town and secure lodging for us there," my father said to
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the guards, dismissing them. "Prince Dorn and I will go confront
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Pfotor."
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I gulped. "Alone?" I asked.
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"Yes, my son. Against a dragon, a few guards will not make any
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difference." He led his horse to the left.
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Mystified, I followed. I felt excitement and fear in equal
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proportions. To face Pfotor alone, virtually unarmed, seemed the height
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of folly, yet also the pinnacle of bravery.
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Eventually we reached the black mouth of an enormous cave at the
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base of Mt. Fire. Without a word, my father dismounted, lit torches for
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us, and led the way inside. I followed warily.
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The torches provided a dim illumination as we proceeded. The stench
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of dragon was overpowering, and grew worse as we neared Pfotor. My eyes
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began to water, making it difficult to see.
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At the end of the passage was an immense cavern filled with jewels
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of every type and description, piled in heaps. To one side golden items
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were strewn haphazardly. I could identify lyres, goblets, various coins,
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and scepters of different lengths. These objects surrounded an old,
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golden throne. In the distance, the cavern vanished into blackness, from
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whence came a great rumbling.
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"Who dares enter the domain of Pfotor the Invincible?" boomed a
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powerful voice.
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I am forced to admit that I immediately froze. My father, however,
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did not. In a loud voice of his own, he replied, "It is I, King Teradoc,
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ruler of all the peoples of Bailia. I command you to approach and be
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recognized."
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A low roar filled the cavern in response, and the terrifying green
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bulk of Pfotor entered the light. He moved to the center of the
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treasure, extended his wings, and belched fire upward toward the roof of
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the cave.
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"No one commands the mighty Pfotor!" he bellowed. "Do you dare to
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challenge me?"
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"No, I do not," my father replied, his voice returning to its
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customary low volume. "I have come to talk."
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The laughter of the dragon filled the cavern. "Talk? The great
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Pfotor has no need for talk. His strength speaks for itself."
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My father did not reply, and a silenced stretched on as he and the
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dragon studied each other. The king looked strangely calm, as though he
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were in no danger. Pfotor seemed puzzled by this. I, on the other hand,
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was still staring wide-eyed at the dragon. His long, scaly tail swayed
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back and forth, knocking treasures to each side. At long last, he
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settled his huge mass onto the ground and broke the silence.
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"Pfotor has no need for talk," he said, "but he is curious. Why
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have you come here to disturb him? Speak."
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"Pfotor," the King said, "there has been peace between humans and
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dragons for generations. Why do you choose to break it now?"
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"I did not break it!" Pfotor roared. "You foolish humans did! You
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breed like rabbits and move into our lands! Three hundred years ago,
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your puny kingdom did not even exist, yet now you are everywhere." The
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dragon shook his head. "At first we welcomed you and the treasures you
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brought, but now there are too many of you, and too few treasures."
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The King ran his eyes around the cavern. "If this is too few
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treasures for you, you are going to be sorely disappointed with Bailia."
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"Then you will have to get more," Pfotor demanded. "Bring them from
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other lands, or I will destroy you! I must have more!"
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The King moved to the throne, brushed away the valuables covering
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it, and sat down. To my astonishment, he winked at me.
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"Pfotor, old boy," he said, "there may be a way out of our
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dilemma." He paused as Pfotor snorted, then continued. "Have you ever
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considered letting some of your wealth work for you?"
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Pfotor raised his eyebrows, which on a dragon is quite an
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impressive sight. "Work for me?" he asked.
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"Yes. Look, you've got an enormous amount of money sitting around
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here doing nothing. You are also surrounded by ambitious, hard-working
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people who lack the funds to begin any of the building they'd love to
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do. I'll tell you what. We'll help you exchange some of your valuables
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for coinage, which you can lend to the people for their own uses. They
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then will pay back their loans with interest."
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My father's enthusiasm was infectious, and I could see Pfotor
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considering the plan. My father continued. "By pumping money into the
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local economy, everybody wins. The townspeople get the capital they need
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in order to improve their standard of living, and your wealth will
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increase as they repay their loans."
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"And you," Pfotor said, "get a thriving kingdom with peaceful
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borders. But suppose some of your subjects refuse to pay?"
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The King gave him a dour look. "It would be a brave man who would
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default on a loan to a dragon. Besides, we would set up a group to
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handle such problems ourselves, wouldn't we, my son?"
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The last was directed at me, and I almost jumped. "Yes, sire," I
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said. Suddenly I realized that my hours spent studying this winter had
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been neither by accident nor in vain. My father was giving me a chance
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to take part in a great expansion of his kingdom. "I would be honored to
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help organize such a project."
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He smiled at me. "There you have it, Pfotor. The royal seal of
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approval. Prince Dorn will act as a liaison between you and the local
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populace, and will help set up the guilds necessary to acquire, use, and
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repay the money. What do you say?"
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Pfotor leaned back on his haunches, folded his wings, and cocked
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his head thoughtfully in a manner I would soon come to know well.
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"I agree," he said.
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The next several years passed quickly. I sold the idea to the town
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and collected applications for loans. These went to Pfotor, who selected
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the necessary valuables which were then exchanged for currency at the
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hastily established Royal Mint. The funds were then distributed to the
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people. New houses sprang into being almost overnight. Schools, public
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meeting houses, and even a great cathedral soon followed.
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Pfotor turned out to be a pretty good fellow, once you got to know
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him. Interestingly, he had the same opinion about humans. He really
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hadn't wanted a conflict at all, but when we started encroaching on his
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territory he became a laughing stock among the other dragons. Now he was
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envied. When I discovered this, I started communications aimed at
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establishing a series of Dragon Banks throughout Bailia, each near a
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dragon hoard.
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During one of my reports to my father in his private council
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chambers, I told him about the methods we were using.
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"One of the beautiful things about the entire system," I said, "is
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that we never have to spend anything on security. There's no place in
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the world safer for all that gold than in a dragon's lair."
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"Indeed, and not just for the gold," my father replied, the old
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twinkle in his eye returning. "Can you think of a better guardian for
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the heir to the throne?"
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--------------------------------------------------------------------
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Regression / DAVE SAVLIN
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Marc stepped out and pulled his towel off the hook. The vacant spot
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in the four-stall shower room was immediately filled by another
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disheveled boy, tired and sweaty with a few cuts healing on his lithe
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body. Most of Marc's dormitory hall had just returned from a great game
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of rugby, and the race to the showers may as well have been a
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continuation of the game. Sterling and Kris, two of Marc's closest
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friends, had slammed into each other outside the door, giving Sterling a
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bloody nose and blacking Kris's eye -- much to every one else's
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amusement.
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"Hey! You should have pulled that head-knockin' move earlier, Kris!
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You woulda taken that other butthead's nuts off!" was yelled several
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times -- Kris had tripped and sent his head between an opponent's legs.
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Half an inch higher ... well, enough of that.
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"Not MY fault he wasn't wearing a shield!" was the quick retort.
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"He wasn't even using an old cup!"
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This day and age, most college sports, a typical college
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experience, are played with a small shield generator in the waistband,
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which protected the abdominal area from injury, but even in a University
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as upper class as the one Marc was in, a few people could only afford
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plastic cups. More than one occasion had seen a broken cup, however.
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This was not a nice sight.
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Marc was remembering this as he closed the door to his room, a
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shoebox (but still a Single), and examined his cup. The crack was still
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there, but it hadn't broken all the way across. He disliked playing with
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it, but didn't have any cash credits to spend to get a new one. He could
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use his loan cards, but the interest rate was too high. "*Sigh* oh well.
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I'll just have to keep getting lucky," he told himself.
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"No, you're wrong! The integral of e to the minus j two pi f not t
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is not negative. It's positive," said the TA, a slight man with thin
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hair and faintly Polish looks. Not surprising, considering his last name
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is Slawecky. "Besides, that's a moot point. You are still not going to
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pass this exam by collecting measly single points on signs. Now, if this
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were a borderline C or B or something, I'd maybe give you a point for
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the hell of it more than for correcting my grading, but there's no way
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in hell that's going to happen now. Your score might as well be confused
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with a golf score or something!"
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Ouch. That hurt. This TA was a real asshole, telling me this in
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front of the rest of my class. Like I need my academic status announced
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as though it were another of those homework assignments. Why am I an
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engineer? I can't be an engineer. I'm not good enough to make the
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grades.
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"Marc!" came the fierce whisper. Sterling pushed a note my way. 'I
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just got this great book on regression. I talked with someone at home
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about it who does this type of stuff for a living, and she said it's
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genuine. It's putting you in a trance' ... I know that already, and
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nodded my head in Sterling's direction. 'Anyway, it's kinda simple, and
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I want to try it. Just on Kris, but with you, Kenny and I to watch, we
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can take turns. Want to?'
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This looked kind of fun. I'd heard about regressions, the way
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people hear about some sort of new magic forces coming about that
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science can't explain. I snorted (bringing a glare from Slawgeeki the
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Tweaking Assistant) and wrote down 'Yeah right you can perform that.
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Count me in...' (I seriously doubt he can do it, but it'd be fun to toy
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around with anyway.)
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'I gotta go to the sporting goods store and get a new cup or a
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shield or something though before tomorrow's game, Okay?' was the next
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thing written down. I passed it back and concentrated on the bizarre
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formulas that were slowly transmuting themselves across the blackboard.
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Why they haven't put in a glowboard in here I have no idea; the dust
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from the blackboard makes me sneeze, and you can't see the writing when
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the sun reflects off the board.
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I signed onto the computer and connected with the sporting good's
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store terminal. It took awhile to set up the connection, as I didn't
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have a nice machine like all the other rich pigs on campus. Punching in
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"jock shield" produced a description and a cost of 220 cash credits. I
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wouldn't be able to buy that one textbook required for my antigrav
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fields course... well, I can probably live off of Sterlings' book. I
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would be able to appreciate a real shield more than I would
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(. . . appreciate the water I need to stay healthy for the next few
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days. Besides, I can ...)
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Huh? Water? Why was I thinking of buying corn seeds for 220 dollars
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instead of water? ... I shook it off and punched in the order for the
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shield.
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"SCRKEEEK! SCRKEEEK!" jeezus but the phone system here is weird. It
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has different rings depending on whether or not you are using the
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Panasonic optical box for data. I picked it up. "Marc! Get down here! We
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gotta do the regression! On the Double! <snick>" I smiled. Sterling has
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this annoying habit of ordering people around, but I find it funny. I'm
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the only person here who's met his father, and his father was a general
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in the Province Wars. He jokes around with his younger kids like that,
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and they laugh -- well, so does his older son. On my way out the door I
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snagged an ID card and my loan card (First National Loan Bank's own
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MasterCard) and headed out, planning on stopping off at the sports store
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at the bottom of the campus to pick my new toy up. This toy would
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provide nearly
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(two hundred ears of corn, from which from which I can harvest
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kernels and sow even more)
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...what? I stopped and looked around. At the other end of the hall
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was someone chewing a camph, but that's it. Nobody around me here trying
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to shake me up by whispering something over my shoulder. Bad enough that
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I have to wear a hearing aid due to a birth defect, almost unheard of in
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this day. Pun intended.
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The door opened right when I was about to swing into it, and I
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stepped on Kris. "There you are. Why don't you get yer ass in here,
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already!"
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"I gotta go down to get something from the store. I just bought
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some corn."
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"What?"
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"I said, I gotta go pick up a jock shield. I just put the order
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through over the computer."
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"That's not what you said. You said you bought some corn," said
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Kenny. The only oriental in the group, he was fairly heavyset and quick.
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He never missed anything. I stared at him suspiciously, wondering if he
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was somehow putting these corn things in my head. I was getting confused
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and annoyed; and a bit scared, although I wasn't about to show them
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that.
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"Must be thinking of corn then, I had some for dinner. I meant a
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shield." I saved myself. "Let's go. What's involved with regression
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anyway? Who's going first?"
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"I don't really want to go first. I would feel more comfortable if
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someone else went first so I can see what happens," said Kris. Carcernus
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Polapas, commonly known as Kris, an American with an incredibly Greek
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set of parents (he was adopted) had a kind of worried twist to his
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nervous, rugged face.
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If it weren't for the fact that I'm a guy, I'd say he was downright
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handsome. Funny how he never seems to get...
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(. . . the girls seem to love him, aside from the fact that one of
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the three females left is adding to the community's population and
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longevity courtesy of Kris. . .)
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...any girls, even with all the looks he gets from the rare girl on
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campus.
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What?
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You know, these weird subliminal thoughts that keep popping up are
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getting really annoying... agh, never mind.
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"I'll go then. What the hell, the store is gonna be open for
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another hour anyway." I decided to go ahead and be the guinea pig.
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"OK, Marc. Close your eyes. Wait, no, don't use the couch, use the
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floor. Maybe if you move around when you're regressed you won't fall
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off." I climbed down to the floor, thinly carpeted with a burnt red
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carpet that was noticeably worn in front of the threedy box in front of
|
|
the room. There was a burnt-in impression on the ceiling where
|
|
somebody'd taken a huge magnifying lens and focused the threedy's beam
|
|
onto the ceiling.
|
|
"Close your eyes, and feel the muscles in your eyelids relax. They
|
|
seem to naturally gravitate closed. You're not even using that section
|
|
of your body. Now the midsection and arms. They are slowly relaxing, the
|
|
muscles turning into putty, letting your arms slide to the ground. Now,
|
|
the legs ..." I began to relax, letting my mind envision a completely
|
|
limp Marc on the ground, with three other guys sitting on chairs and the
|
|
sofa-thing around me, one glancing at a book and saying things. The room
|
|
is full of detail, the wood frames of the furniture, the two tone paint
|
|
on the walls, a few windows...
|
|
Then the scene was suddenly different. It didn't change right off
|
|
the bat, to use an ancient cliche, but slowly seemed to swirl in, as if
|
|
certain parts of my thoughts disappeared, the visions that didn't really
|
|
matter, such as the color of the walls or what furniture was in the
|
|
room. Suddenly I noticed a new thought, a new sight, and that led me to
|
|
realize that I was in an entirely new surrounding. I was fully aware,
|
|
just like that, and saw that I was in a sort of barren earth, with the
|
|
opposite side of the long, shallow valley a few miles down the way. I
|
|
could barely see that side, though, under the sick grey clouds with
|
|
sparse breaks in it, letting the sun shine though onto dirty brown and
|
|
grey earth.
|
|
There were a few pinpoints of murky green vegetation -- even this
|
|
was limp and sick looking -- scattered around the valley, next to a lot
|
|
of what looked like sod-house cellar stairs leading right into the
|
|
earth, like the pioneers of the American Plains all those decades ago.
|
|
This was nothing like the world I had envisioned I would see in a
|
|
former life. I expected to come back as some guy in the 1800s or
|
|
something, getting ready to go into town and shoot some guy in the
|
|
street like those old westerns or something. I'd walk into the bar --
|
|
and then it hit me that there were no buildings out here. From the looks
|
|
of it, there were dwellings underneath the soil... then I realized where
|
|
I was standing. I was leaning against a tree, one that had to have been
|
|
here longer than any other tree in sight, judging from the fact that it
|
|
was supporting my heavyset body... no, a thin, sickly, starved body.
|
|
What happened? I used to be strong, able to knock down any Rugby
|
|
player... I seemed to have lingering thoughts of a voice talking to me
|
|
inside my head but I can't place it anymore. I was wearing what looked
|
|
like old T-shirt material wrapped around my waist, in my "relaxation"
|
|
clothes. Or what my fuzzed mind was insisting I was wearing. The cloth
|
|
did not provide very adequate coverage, and I found myself blushing,
|
|
when I realized that nearly half the people (and all the children) in
|
|
sight wore no clothes at all.
|
|
It seemed then that cloth was a rare item, and I seemed to have two
|
|
outfits; this thing that scantily covered me and a full work outfit that
|
|
included denim and some form of leather. This placed me in some kind of
|
|
prestige position, but why? I turned, and saw that there was a grove of
|
|
perhaps twenty trees behind me, the largest being the one that supported
|
|
me.
|
|
Suddenly it hit me, the full truth of it all, the full reality of
|
|
the world I was in: I was a survivor of World War III, started when PISC
|
|
cut way back on production. PISC stands for Producers Internacionalle de
|
|
Solar Cells, a basic equivalent to the oil exporting countries'
|
|
coalition of the late 1900s. Wasn't that OPAC or something? A war began;
|
|
Argentina launched nuclear missiles at the United States, and several
|
|
other countries simultaneously began tossing missiles at each other, all
|
|
of which were supposedly part of a "permanently dismantled nuclear
|
|
armament". I had been one of those lucky few to have a fully stocked
|
|
shelter underground, apparently, and had saplings frozen in state to
|
|
later grow trees with. These saplings were fast growing softwood and
|
|
slow growing hardwood; I was a tree producer, able to supply other
|
|
survivors with construction materials and easily producible tools (easy
|
|
to carve wood into tools and building materials). I was a success in my
|
|
day, but what a sad day it was. A world so bleak ... three colors on
|
|
this world: gray, brown, and dark green -- there were no flowers, no
|
|
red, blue, or mixes of green. How destroyed this world is...
|
|
|
|
"Marc, you have to go." spoke a voice behind my left shoulder.
|
|
"What?" I couldn't place the voice, but it was naggingly familiar.
|
|
"You have to come back. You need to go to the store."
|
|
"Oh, right, I have to get the corn." CORN? No wonder I was having
|
|
those premonitions earlier... uh... what premonitions? I don't remember
|
|
where I came from. No, I do remember; I came from right here. But what
|
|
was that hauntingly familiar voice in my head coming from?
|
|
"Marc..."
|
|
I whirled around, eyes wide.
|
|
"You have to...
|
|
"You must return to us, Marc...
|
|
"You don't have to buy any corn, Marc...
|
|
"Marc...
|
|
"Mah...
|
|
"M...
|
|
...
|
|
|
|
"THREE!" I jolted up, a strange buzzing sensation in my head. I looked
|
|
around, seeing the familiarity of the study lounge where my hall mates
|
|
and I began a regression. A number came to mind, and I immediately said
|
|
it, lest I forget it; at this point anything I remembered might be neat
|
|
to examine. 2138. It is a year. The year that I regressed to. Then all
|
|
visions of my vision disappeared, and I was left with a shocking memory
|
|
of what happened...
|
|
Or rather, what was to happen. This year, the year here at school,
|
|
is 2132. Sterling said that every time he'd asked a question when I was
|
|
in the trance, I shook my head and had said "Later". I told Sterling
|
|
what had happened, what I remembered of it (most of it, anyway). He
|
|
grimaced and looked aghast... more so than the others, who looked just
|
|
shocked. Then Sterling explained.
|
|
"Every so often, according to my friend back home and this book, a
|
|
person 'regresses' into a former state ... sometimes of their present
|
|
day. And thus they see their current state. Which is in the future.
|
|
Every time this has happened, it has been true... they are usually only
|
|
a few hours or days in advance and the visions are always, always true.
|
|
I was regressed by my friend and went to the future too -- I saw myself
|
|
in California somewhere watching my car's rear windshield wiper get
|
|
ripped off. Two weeks later, we cruised down there and it happened.
|
|
Exactly. To the letter. So what you basically saw is that the world is
|
|
going to end in six years." He looked aghast.
|
|
"Hell no, I refuse to believe that. I can't accept that in six
|
|
years the world is going to be politically unstable enough to warrant a
|
|
war," said Kris. I didn't respond, but Sterling slumped back into his
|
|
chair. Kris was being stubborn; relations between the US and the
|
|
Argentinian government, the major producer of solar cells, had recently
|
|
broken down again.
|
|
"Um. I want to think about this, guys." I got up unsteadily, and
|
|
left quietly, to pick up my shield. The world may end in six years but I
|
|
was going to at least protect my manhood until then. Besides which, I
|
|
may actually use it to further the continuity of the community. I did
|
|
have fading thoughts of being married and having two children with a
|
|
third on the way. Picking up my shield was at least a real-life thing to
|
|
do right now; it wasn't a vision. I needed something to do to keep my
|
|
sanity.
|
|
If this world I had "reverse regressed" into was real, then it
|
|
showed I was to preserve myself and, I don't know, build an underground
|
|
shelter. This pleases me. But... what if I do this and it's for nothing?
|
|
What if I don't and the regression is real, and a nuclear war is
|
|
started? Who can I tell about this regression? Or rather, who would
|
|
believe me? A small handful of psychics, who are routinely thrashed by
|
|
the free press? My small group of close friends believe me, because they
|
|
knew about the "power" of regression to begin with. We had all seen the
|
|
results of it at one time or another. Nobody would believe me; with
|
|
relations with PISC having gone downhill for the last two years, it's
|
|
not that hard to think that there's a war in the future, but who would
|
|
believe that? People are too busy enjoying their current life to worry
|
|
about world situations. I think that solution is definitely a "not
|
|
quite" situation.
|
|
Oh hell. I don't know what to think.
|
|
Life sure was simpler when all I had to do was play rugby, one of
|
|
the most typical college experiences there are. College sports.
|
|
I'll just pick up my ... corn ... and get ready to ... plant some
|
|
more rugby players in the field tomorrow. Final day of the tournament.
|
|
If I can just stop treating the others like vegetables.
|
|
Ignorant, nonbelieving vegetables.
|
|
Typical college experience.
|
|
|
|
--
|
|
DAVE SAVLIN (dhs1@ns.cc.lehigh.edu) is attempting to study Electrical
|
|
Engineering at Lehigh University, where he dreams of one day having his
|
|
own private room. In between attempts at accomplishing a writing minor,
|
|
his tired hands scribble meaningless chatter, like the previous few
|
|
paragraphs -- which can be intepreted any number of ways.
|
|
--------------------------------------------------------------------
|
|
|
|
The American Dream / ROBERT HURVITZ
|
|
|
|
John Griffiths was sitting on a bench in the little park
|
|
conveniently located a couple blocks from his house. It was a sunny and
|
|
warm Sunday afternoon, and he couldn't stay inside. So there he was, in
|
|
the park, feet crossed and hands clasped behind his head, squinting
|
|
across the small stretch of grass at four small boys -- no older than
|
|
six, he guessed -- who had just arrived at the basketball court there.
|
|
John sighed and tried to remember when he last played basketball.
|
|
He shook his head. It had been a long time.
|
|
The boys started playing, dribbling and passing and stealing the
|
|
basketball. Rarely did they take a shot, and when they did, they
|
|
invariably missed; the hoop was much too high for them. John smiled as
|
|
he watched them.
|
|
Birds were singing in the oak trees that lined the park, and a cool
|
|
breeze whispered by, playing with a few strands of hair that hung down
|
|
over John's forehead.
|
|
The sudden stench of urine and filth made John Griffiths flinch. He
|
|
quickly looked around in alarm and to his right saw a homeless man
|
|
shuffling towards him. John recoiled at the sight of him: unkempt hair,
|
|
deep-lined face smeared with dirt, soiled and tattered army fatigues,
|
|
and dragging a rusty shopping cart filled with junk.
|
|
The vagrant stopped about a dozen feet from John and stared. "Spare
|
|
some change?" he asked hoarsely.
|
|
John felt paralyzed. He didn't know what to do. It was usually he
|
|
who was walking and the homeless man who was sitting down, and so John
|
|
would always shrug and sometimes quicken his pace. But now the tables
|
|
were turned; John was trapped.
|
|
"Uh," John muttered, "yeah." He dug into his pocket and pulled out
|
|
a five dollar bill, which he then nervously held out.
|
|
Smiling, the panhandler stepped closer, and John gingerly placed
|
|
the money on the outstretched hand so as to not risk the chance of
|
|
getting his fingers dirty in any way. The five dollars quickly
|
|
disappeared into a well- patched pocket.
|
|
"God bless you, sir," the homeless man said. He returned to his
|
|
shopping cart, grabbed hold, and started back on his way. As he passed
|
|
in front and then to the left of John Griffiths, his odor began to
|
|
dissipate, much to John's relief. "Yes sir," the transient was saying,
|
|
mostly to the asphalt path he was on, "God bless you. Have a nice day,
|
|
sir. You're a real humanitarian, you are. Yes sir."
|
|
"Actually," John Griffiths said, "I'm a lawyer."
|
|
The homeless man stopped and turned. "Eh?"
|
|
"You called me a humanitarian," John explained. The homeless man
|
|
nodded, a quizzical look on his face. "And I said, 'Actually, I'm a
|
|
lawyer.'"
|
|
The homeless man nodded again, then smiled dumbly. "Well, maybe you
|
|
can be my lawyer next time I get arrested."
|
|
John laughed out loud. "Yeah, right."
|
|
He watched the vagrant lose interest and turn back to his shopping
|
|
cart. "I drive a Porsche," John called out.
|
|
The homeless man stopped again and looked at John.
|
|
"I'm married to a beautiful woman," John added. "We live in a four-
|
|
bedroom house, right near here."
|
|
The homeless man blinked, and several seconds ticked by before he
|
|
did anything. Then his hands suddenly clenched into fists. "Who the fuck
|
|
do you think you are?" he yelled. "I act nice after you gave me money,
|
|
and you start hollerin' at me how successful you are, how wonderful your
|
|
fucking life is!" He pointed at John now, and trembled. "Well I don't
|
|
give a shit! You hear? Fuck you! Fuck your wife! Fuck your car! Fuck
|
|
your whole fucking life!" He spun back around and stalked away, the
|
|
shopping cart clattering as he pulled it along behind him.
|
|
Stunned, John Griffiths stared at him as he made his way down the
|
|
path, reached the end of the park, and crossed the street, disappearing
|
|
behind some trees. His gaze lingered for some time afterwards.
|
|
Fuck my wife, he thought. Fuck my car.
|
|
He slowly faced forward, looking straight ahead, at the boys still
|
|
playing basketball. They hadn't noticed a thing.
|
|
Fuck my whole fucking life, he thought.
|
|
Before he realized what he was doing, John Griffiths had stood up
|
|
and was walking to the basketball court. The boys stopped their game and
|
|
looked at him suspiciously as he approached them. He smiled and held out
|
|
his hands as if to catch a pass. The boys smiled back, laughed, and
|
|
threw him the ball. John caught it, dribbled down the court, leapt, and
|
|
rammed the basketball through the hoop. The boys cheered.
|
|
The next day, John Griffiths quit his job, bought a small house in
|
|
an undistinguished neighborhood, filed for divorce, sold his Porsche and
|
|
picked up a used Honda Civic, purchased a Nintendo Home Entertainment
|
|
System, and lived happily ever after.
|
|
|
|
--
|
|
ROBERT HURVITZ (hurvitz@cory.Berkeley.edu) is a computer science major
|
|
at UC Berkeley and plans on graduating one of these years. His only
|
|
other published work appeared in the Dec. 1990 issue of Quanta. He's
|
|
currently working on a weird and depressing story.
|
|
--------------------------------------------------------------------
|
|
|
|
The Ambiguity Factor / PETE REPPERT
|
|
|
|
The green blur passing beneath the transparent hull of Peter Lyod's
|
|
solar powered hovercraft disguised the hundreds of houses spaced evenly
|
|
throughout the leafy canopy. No telephone wires could be seen.
|
|
In fact, the only evidence that anyone lived in the forest was the
|
|
evenly-spaced clearing for hovercraft like his own. The clearing had
|
|
smatterings of the latest fashion in landscaping: fuchsia trees.
|
|
"God I hate the suburbs," he thought, as he popped a disc labelled
|
|
"Red Planet Surprise -- Goop!" into the stereo. As the crisp, very non-
|
|
suburban sounds of Goop! came on, Peter pushed a button marked with a
|
|
down arrow to let in some air. A red vehicle sped past.
|
|
As the wind brushed his hair, Peter thought about the meeting he
|
|
had just left. He had read and mostly comprehended the ground-breaking
|
|
paper on Time Distortion Around Massive Objects as soon as it was made
|
|
available on FreeNet, several years ago. The paper had generated wild-
|
|
eyed speculation about time travel, which quickly abated when people
|
|
realized the nearest object massive enough to do the job, a particular
|
|
galaxy, was mind-bogglingly far away. Even a near-lightspeed ship would
|
|
take thousands of years to get there. Now it had been discovered that
|
|
the effect was present around objects of any mass, and the world's first
|
|
"temporal quanta amplifier" had been built.
|
|
Peter's job, along with that of several hundred other media people,
|
|
was to describe what the marvel of time amps could mean to the rest of
|
|
the world. It meant that in the year 4491 the human race could
|
|
contemplate travelling to other galaxies. It meant freedom from the
|
|
prison of Cartesian three-space (he could think of a few people who had
|
|
already left Cartesian three-space, but that was another story) and the
|
|
resolution of some paradoxes in Physics that had been plaguing
|
|
scientists for hundreds of years. There was a renewed interest in Grand
|
|
Unified Theories (Lyod's first reaction to this last bit of news was,
|
|
"maybe there'll be a renewed interest in circle-squaring as well!").
|
|
Peter's hovercraft came to a smooth landing on the 30th floor
|
|
platform of his building in Sioux Falls. His friend Anola had left a
|
|
message on the videowall: "Honey, I missed you -- hope the meeting went
|
|
well. I'll be back from class at 6:00 and here's a free demo of what's
|
|
in store for you."
|
|
She undid her top two buttons, blew a him a kiss, tossed her
|
|
dreadlocks and headed for the door. As soon as the message ended, the
|
|
videowall turned pale purple.
|
|
Peter grabbed an organically grown peach from the fridge and sat on
|
|
the balcony to gather his thoughts for the news story he would produce.
|
|
We could now go anywhere anywhen. There was one nagging exception: the
|
|
past. Backward time travel was thought to break several of the laws of
|
|
thermodynamics, in particular the fifth and seventh, but the new results
|
|
showed it to be technically feasible. In addition to the strong argument
|
|
that there were now so many more interesting destinations to choose
|
|
from, the World Council had already agreed not to send anyone backward
|
|
in time to a point before the invention of the time machine out of fear
|
|
that ancient time paradoxes could come true. He felt intuitively that
|
|
there must be some way around the "Back To The Future" problem, as they
|
|
called it.
|
|
The videowall displayed some FreeNet artwork by Padma Sanchez --
|
|
dinosaurs romping across a wasteland in an infinite loop, running
|
|
forward but never getting closer. The image was overlapped with time-
|
|
lapsed footage of fabricated crystalline flowers blossoming, covering
|
|
the screen then shattering to reveal the dinosaurs again. The soundtrack
|
|
was like an underwater duel between a tuba and a trombone. He wasn't
|
|
sure what it meant, but he liked it.
|
|
To be able to travel back to the days of dinosaurs. Or to his
|
|
favorite time in history, the mid- to late- twentieth century. What a
|
|
blast! His friends didn't understand why he was so fascinated with that
|
|
time period. "They were so absurdly uncivilized with respect to their
|
|
technology. Probably the goofiest period in all of history. A television
|
|
commercial model was President of the United States at the same time
|
|
they had the biggest nuclear arsenal ever! They got electricity from
|
|
fission-generated steam! And think of what it would be like to see New
|
|
York or London or any of the other great port cities before the seismic
|
|
wave broke up the ice cap in 1993. Right when the greenhouse effect was
|
|
about to go nonlinear thanks to automobile emissions! How did we ever
|
|
make it out of that dismal time?"
|
|
Just then Anola walked in, put down her computer and stepped out on
|
|
the balcony. "Peace."
|
|
"Peace your own self!"
|
|
Then over each other, "How are you?" and "I missed you." After a
|
|
warm hug Anola said, "Time to meditate."
|
|
"Aw Ma', do we have to?"
|
|
"Now come along with Auntie Anola and take your shoes off like a
|
|
good little boy," she replied while lighting some incense.
|
|
Actually, Peter loved his daily meditation. Hundreds of years of
|
|
history had proven its value. It was gradually revealed that Peace was
|
|
not achievable through the manipulation of tanks, guns, soldiers, or
|
|
exchanges of tariffs, bank loans, or donations of food and hardware.
|
|
World Peace did not require supercomputers or artificial intelligence or
|
|
some great discovery. The hypersaturation of the senses brought on by
|
|
five-D info transfer required people to go into deep sensory deprivation
|
|
for an hour a day, and as more people took up the practice, other
|
|
benefits soon became apparent. People felt full of energy yet relaxed.
|
|
Outward comparisons and jealousies were erased by inner harmony.
|
|
Acceptance of the present replaced dissatisfied yearnings for an
|
|
infinitely regressing future. The limitless conspicuous consumption made
|
|
possible by the exploitation of the Martian colonies tapered off. The
|
|
advertising industry went bankrupt.
|
|
Above all, competition with the limits of one's self replaced
|
|
competition with others. When they realized there hadn't been a war in
|
|
half a century, they called it the Silent Revolution. World Peace began
|
|
with individuals becoming peaceful one at a time. The economy went
|
|
through several "severe fluctuations", but had reached a stable state
|
|
satisfactory to Martians and the Earth-dwellers alike. All needs were
|
|
provided for, but luxuries cost money. It was often said that the wise
|
|
forsook luxuries in exchange for freedom. All possessions require
|
|
maintenance -- things demand the acquisition of more things. Before you
|
|
know it, all of your time is spent shopping. It was also said that these
|
|
same people were merely lazy.
|
|
It was going on 8:00 and they had been working up an appetite.
|
|
Peter rolled out of bed and heated up some leftover Thai food. Anola
|
|
slipped into a white one-piece self-cleaning jumpsuit that looked and
|
|
felt like a second skin. "If you can't go back in time, why not send a
|
|
'message from the future'?" From the eating area he shouted back,
|
|
"Thought of that -- if we tell them how time travel works, our present
|
|
won't be the same. Might screw things so royally that you and I'd never
|
|
meet. Never be born."
|
|
"Wouldn't it be O.K. just to let them know what the future could be
|
|
like? Couldn't you just tell them that time travel is possible without
|
|
saying how? Then they could figure out the details themselves."
|
|
"But Anola, how would I do that?"
|
|
Just then the videowall flashed "YOU HAVE A CALLER". It was D-Jing
|
|
Six, a downstairs neighbor who wanted them to come over to hear his
|
|
latest acquisition: a 1920's orchestron which he had just restored. D-
|
|
Jing was a musician who repaired antiques on the side. Ancient keyboard
|
|
instruments were a specialty and this was a rare find indeed. They flew
|
|
down to D-Jing's and were ushered into a living room strewn with techno
|
|
junk. They pulled up some antique plastic crates and watched as D-Jing
|
|
installed a metal roll into a recess of the orchestron. The sound that
|
|
poured out of the huge wooden automaton was remarkable. There was a full
|
|
drum set with cymbals, a wind section whose air came from a cam-driven
|
|
bellows, and an assortment of chimes and other plucked or struck
|
|
instruments. D-Jing played along with the roll, stopping every now and
|
|
then to make some adjustments. It looked like he'd used some of the junk
|
|
to add a few sounds of his own.
|
|
"Where did you find it?"
|
|
"Oh, I just beamed back in time and stole it."
|
|
"WHAT??"
|
|
"Just kiddin'."
|
|
D-Jing Six was one of the people who had left Cartesian three-space
|
|
quite a while ago: one could never tell when he was joking.
|
|
Anola's semisweet chocolate skin and white jumpsuit were reflecting
|
|
blue light from some strange boxes in the corner.
|
|
"What are these?"
|
|
"That one's a 1950's era oscilloscope and you'll never guess what
|
|
that other thing is."
|
|
"It looks like something out of an ancient sci-fi movie." "Doesn't
|
|
it? It's a computer terminal circa 1970." "Woa-AH!" exclaimed Anola and
|
|
Peter in unison. "Look at it. It looks so funny!" They all giggled at
|
|
the absurdly overbuilt box. As D-Jing kicked over a jar full of nuts and
|
|
bolts, he said, "You'd be surprised what they could do with these old
|
|
clunkers. You know, they had a global computer network using satellites
|
|
and telephone lines. Quite sophisticated, really." "Another weird
|
|
juxtaposition of technology -- Alexander Graham Bell meets the Space
|
|
Age." "Yes," replied D-Jing, "they even had these funny little keyboards
|
|
before we Chinese improved 'em."
|
|
"Oh yes, by adding twenty thousand new keys." The trio laughed at
|
|
the old joke, but the Chinese data input system permanently changed the
|
|
slowest part of information transfer -- telling the computer what you
|
|
wanted it to do.
|
|
On the way back to the apartment, Anola said "What a junk bin!"
|
|
"Yes, but he has some amazing stuff."
|
|
"No denying that."
|
|
"Woa-AH, man."
|
|
"Listen, Peter, I think I know how you can tell the twentieth
|
|
century about this future."
|
|
"How?"
|
|
"To create enough ambiguity, disguise the message as a science
|
|
fiction story. Have D-Jing hook his 1970's terminal up to the time amp,
|
|
and you've got it. the primitive network was connected to all other
|
|
media outlets, so there you have it."
|
|
"Anola, that's brilliant!"
|
|
Peter stepped out onto the balcony and began working furiously on
|
|
his story. As the twilight faded, Anola gently placed a candle on the
|
|
table.
|
|
"You're working as if your life depended on that story."
|
|
He looked her dead in the eye and said, "It does."
|
|
--------------------------------------------------------------------
|
|
|
|
Haircuts $20 / JASON SNELL
|
|
|
|
The old riddle goes like this:
|
|
You're in a small town, one with only two barbers. One of the
|
|
barbers has a terrible haircut-- there are long strands of hair in some
|
|
places and bald patches in others. His competitor, on the other hand,
|
|
looks great. Not one hair is out of place.
|
|
Which barber do you choose?
|
|
The correct answer is that you choose the barber that looks
|
|
terrible, because if there are only two barbers in the whole town, they
|
|
must end up cutting each other's hair. The barber with the bald patches
|
|
is the one who gave the other barber the great haircut.
|
|
It's a dumb riddle.
|
|
|
|
Joe, my old barber, was just like the guy with the nasty hair in
|
|
the riddle. He looked awful, but his haircuts were cheap and looked
|
|
sharp. My father and I had been going to Joe since my family moved here
|
|
15 years ago. Dad was almost completely bald by the time I was 10, but
|
|
he still went to Joe every month.
|
|
Joe told dirty jokes while he cut hair, and discussed whatever
|
|
sport happened to be in season at the time. He also loved the kind of
|
|
food that doctors warn you not to eat. And that's why Joe keeled over
|
|
mid-haircut one day and dropped face-first onto a floor strewn with
|
|
little piles of wet hair.
|
|
With Joe gone, the only other place in town that I could go was the
|
|
salon that my mother visits twice weekly to get her hair bleached. The
|
|
alternative to the salon was putting a bowl over my head and trying to
|
|
cut it myself.
|
|
|
|
The moment I walked into the place, I could tell that it was
|
|
nothing like Joe's barber shop. Joe's smelled faintly of beer and Old
|
|
Spice, while the salon smelled of wet hair, hairspray, shampoo, mousse,
|
|
and nail polish. It was a disgusting combination. I wondered about the
|
|
people who worked there -- what kind of condition were their noses in?
|
|
Had the stench completely ruined all sense of smell? Maybe they just
|
|
walked into a salon one day, took a big whiff, and declared, "Ah,
|
|
haircutting, that's the job for me."
|
|
In addition to wishing I had a clothespin stuck on my nose, I felt
|
|
extremely out of place in the salon. There were women sitting under
|
|
hairdryers, women getting their nails painted, and a few women with
|
|
plastic bags and cotton wrapped all around their heads. And I was there,
|
|
some kid with his hair a bit too long, wearing a faded T-shirt and old
|
|
jeans that probably needed to be thrown away.
|
|
Then I saw the person walking toward me from out of the back of the
|
|
salon. She was six feet tall if you measured her from the bottoms of her
|
|
black spiked heels to the top of her wild blonde hair. She was wearing a
|
|
spandex jumpsuit, with a little red sash tied around her waist. I guess
|
|
the sash was supposed to make her outfit look more like fashion and less
|
|
like a wet suit. It didn't help.
|
|
"I'm Robin. You must be my three o'clock appointment," the woman
|
|
said. Her hair was fluffed up several inches above her head all the way
|
|
around, and I could see dark roots showing underneath it all. She wore
|
|
four pairs of earrings.
|
|
I nodded and smiled. She led me into the back of the shop, and I
|
|
began to think of what I was going to tell her about my haircut. All I
|
|
wanted was something simple -- shorter hair. Nothing fancy, just the
|
|
same style as I was wearing, only shorter. I didn't want to wear a
|
|
plastic bag on my head, and I didn't want to get my hair cut in some
|
|
cool new style. I just wanted my hair to look like it always had.
|
|
There were sinks in the back of the shop. I sat down in a chair
|
|
next to one, and she began washing my hair. This was something else that
|
|
Joe had never done before. It was almost like I had my own personal
|
|
servant. Clean my shoes, feed the dogs, and while you're at it, wash my
|
|
hair.
|
|
Robin was quite unlike Joe in another way, too. When she leaned
|
|
forward to begin washing my hair, her chest moved right in front of my
|
|
face. I was leaning back in a chair, water spraying into my hair, and
|
|
the only place I could look was straight up. Right into Robin's
|
|
cleavage.
|
|
"So, you're Janice's son, right?" she asked me.
|
|
"Yeah," I said to the spandex.
|
|
"Are you going to the Junior College now?" Her fingernails were
|
|
massaging my scalp. It felt great.
|
|
"No, just to high school."
|
|
"Is this your senior year, then?"
|
|
"Hmm?" I was too busy focusing my attention on her right nipple.
|
|
"Is this your senior year?"
|
|
"Uh... yeah."
|
|
"What are you going to do after you graduate?"
|
|
"I'm not sure."
|
|
She leaned back. Suddenly I could see the ceiling again.
|
|
"Okay, let's go back out to the chair," she said, and wrapped a
|
|
towel around my head.
|
|
Robin led me out to a high-backed chair, and I sat in it. She
|
|
covered me with a plastic sheet, and unwrapped the towel from my wet
|
|
head.
|
|
"How would you like your hair cut?"
|
|
I paused for a moment. I hated it when people asked me this
|
|
question. Did I look like a recent graduate of the Ace School of Beauty?
|
|
I had no idea about how I wanted my hair cut.
|
|
"I don't know. Pretty much the way it was before. Not too short, or
|
|
it'll stick up all over. A little longer in the back."
|
|
"Okay." She began cutting.
|
|
She had no problems with my conservative hair style, I guess.
|
|
Sometimes I wish someone would tell me "change your hair!" It might
|
|
actually get me to do it. As it is, my hair has looked the same since I
|
|
was ten years old.
|
|
Once I almost did something to change that. I held my head over a
|
|
sink filled with peroxide for twenty minutes, like a suicidal person
|
|
holding a loaded gun to their temple. In the end, I chickened out and
|
|
drained the sink.
|
|
"I guess this is the first time you've had your hair done here,"
|
|
she said.
|
|
"Hmm?" I wasn't paying attention to what she was saying. Instead, I
|
|
had been drifting. That's one of the things that always seems to happen
|
|
to me when I get my hair cut -- I drift, and begin to fall asleep. I
|
|
don't know what causes it.
|
|
"I asked you if this was the first time you've had your hair done
|
|
here."
|
|
"Yeah. My barber died."
|
|
"Joe?"
|
|
How many barbers around town had died in the past few months?
|
|
"Yeah."
|
|
"It's too bad about him. He was a great guy. It's kind of scary
|
|
that people can die, just like that."
|
|
"Isn't it, though?"
|
|
That was the end of our conversation, which is just as well. It
|
|
wasn't exactly material you'd expect to turn up on Nightline.
|
|
After Robin had finished cutting and blow-drying my hair, I
|
|
realized that she had cut it too short. Hair was sticking up all over.
|
|
She had also cut the sides much shorter than the top. There were no
|
|
initials carved into my head -- believe me, I checked.
|
|
"That'll be 20 dollars," she said.
|
|
I handed her the $20 bill that mom had given me. I guess she knew
|
|
exactly how much a haircut cost here -- about $12 more than Joe charged.
|
|
"It was nice having you here. Come back soon."
|
|
"Thanks."
|
|
"Oh -- one more thing."
|
|
I turned back around, noticing that there were little black hairs
|
|
all over my faded T-shirt.
|
|
"You should think about getting an earring. In the right ear. It'd
|
|
look really cute."
|
|
I nodded, smiled, and walked out of the salon. Next door to the
|
|
salon was a jewelry store, one that pierces ears. I knew that fact only
|
|
because my mother had taken me with her when she had her ears re-pierced
|
|
when I was seven.
|
|
An earring?
|
|
I stood outside the jewelry store for a minute or so. Then,
|
|
scratching my neck, I turned away.
|
|
I tried to pat down all the hairs sticking straight up out of my
|
|
head as I walked back to my car.
|
|
|
|
I've made up a riddle. It goes like this:
|
|
You're in a small town, one with only two hairdressers. One of the
|
|
hairdressers has fluffy pink hair and a nose ring. The other has the
|
|
sides of her head shaved, while the back of her hair goes halfway to the
|
|
floor.
|
|
Which hairdresser do you choose?
|
|
I'm not sure.
|
|
It's a dumb riddle.
|
|
|
|
--
|
|
JASON SNELL (jsnell@ucsd.edu) is a senior at the University of
|
|
California, San Diego, majoring in Communication and minoring in
|
|
Literature/Writing. He is the editor of this publication, the editor in
|
|
chief of the UCSD Guardian newspaper, and an intern at KUSI-TV Channel
|
|
51 News in San Diego.
|
|
--------------------------------------------------------------------
|
|
|
|
New Orleans Wins the War / GREG KNAUSS
|
|
|
|
In 1948 my Daddy came to the city
|
|
Told the people that they'd won the war
|
|
Maybe they'd heard it, maybe not
|
|
Probably they heard it, just forgot
|
|
'Cause they built him a platform there in Jackson Square
|
|
And people came to hear him from everywhere
|
|
They started to party and they partied some more
|
|
'Cause New Orleans had won the war
|
|
We knew we'd do it, we done whipped the Yankees!
|
|
--Randy Newman
|
|
|
|
In 1868, the American Civil War ended when a battle-weary United
|
|
States population voted the Democratic candidate for president, William
|
|
Blakely, into office. The republicans, throughout the course of
|
|
Lincoln's second term, had received the majority of the blame for both
|
|
allowing the Southern states to "slip away," and then not be regained.
|
|
Blakely ran on a platform of peace with the Confederate States and won a
|
|
resounding victory.
|
|
Though relations between the United States and the Confederate
|
|
States remained chilly over the next decade -- abolitionists and
|
|
unionists still held powerful minorities in the U.S. Congress -- the
|
|
situation began to smooth as first Blakely and then his Democratic
|
|
successor, Thomas Howell, courted the Confederacy, eyeing its powerful,
|
|
and growing agricultural wealth.
|
|
The former Southern states, for their part, changed little
|
|
politically over the course of those ten years, yet the economic
|
|
differences where dramatic. After the war ended, there was a drive to
|
|
adopt a new state-rights constitution, and a document very similar to
|
|
the original U.S. Articles of Confederation was drafted and finally
|
|
signed by all the "rebel states" in 1871; the capital of the new country
|
|
moved from Richmond to New Orleans. Soon after the war, the Confederacy
|
|
again emerged as the world's leading supplier of agricultural staples --
|
|
tobacco, cotton, corn and sugar -- and its first president under the
|
|
new constitution, R. E. Lee, used this power to win concessions from the
|
|
United States' president, Blakely, then in his second term.
|
|
Lee's strategy was to bring the import of industrialism to the
|
|
overwhelmingly agricultural South. Slave labor, used throughout the
|
|
Confederacy and explicitly sanctioned by the Document of Confederation
|
|
was perfectly suited to the harsh rigors of quick industrialization, and
|
|
Lee used this to his advantage. The Confederate States, by 1900, were as
|
|
much an industrial powerhouse as the U.S., with the addition of heavy
|
|
agriculturalism as well. The United States was forced into importing a
|
|
large amount of food from the South because of delays in their expansion
|
|
of the trans-Appalachian railroad.
|
|
Both countries attempted to gain territory by annexation between
|
|
the end of the Civil War and the beginning of the twentieth century.
|
|
Though the Mason-Dixon line was formally rejected by the Confederate
|
|
Congress, the Confederacy only half-heartedly pursued new lands,
|
|
eventually adding only the New Mexico Territory and the unorganized
|
|
Indian Reservation north of Texas. The United States, however, spread
|
|
westward, over the rest of the continent.
|
|
When World War I began in Europe, the Confederate States and their
|
|
president, Thurmond Byron, immediately sent troops, sensing the
|
|
opportunity to increase their international power and prestige. Though
|
|
England, with whom the Confederacy had allied itself, disapproved of
|
|
institutionalized slavery, it needed the men, machinery and food that
|
|
the South could provide and welcomed the assistance. When the United
|
|
States joined the fight against Germany in 1917, the war was all but
|
|
over and the Confederacy was now a powerful force in Europe as well as
|
|
North America.
|
|
Over the next ten years, between 1920 and 1930, the United States
|
|
became the only World War I victor to withdraw from the European theater
|
|
and become isolationist. The Confederacy stayed involved in European
|
|
politics and formally allied itself with the German Republic when Adolf
|
|
Hitler was elected German Premier in 1933. By the next year, the
|
|
Confederate States remained Germany's only major ally after the burning
|
|
of the Reichstag and the dissolution of the Republic, and was the sole
|
|
voice of democratic international support when Poland was invaded in
|
|
1939.
|
|
As World War II began, all ties between the so-called "Allied
|
|
Forces" -- England, France and the United States -- and the "Axis
|
|
Powers" -- Germany, Italy, Japan and the Confederate States --
|
|
collapsed. In 1941, caught off-guard and unprepared, the United States
|
|
was invaded by the Confederacy, with heavy German U-boat support.
|
|
Washington, D.C., the capital, was taken within two months and the
|
|
Confederate army slowly marched up the eastern seaboard of the United
|
|
States.
|
|
In Europe, France had fallen to the Nazis by the time of the
|
|
Confederate invasion and England was slowly losing the "Battle of
|
|
Britain." In 1944, London was finally occupied, and without a western
|
|
front to contend with, Hitler undertook his long-delayed invasion of the
|
|
Soviet Union. Japan began its landing on both the west coast of the
|
|
United States and east coast of China during the same summer that Hitler
|
|
exploded the world's first atomic weapon over Moscow, in 1946.
|
|
By 1948, Italy controlled all of Africa, Germany dominated Europe
|
|
and Russia, Japan held China and western North America, and the
|
|
Confederacy occupied the United States from the Great Plains east. On
|
|
October 19, 1948, the United States president, Franklin Roosevelt,
|
|
surrendered to the Confederate forces in Boston, Massachusetts.
|
|
The Confederate States annexed the territory of the United States
|
|
over the course of the next five years. Each state, to be admitted to
|
|
the Confederacy, redrafted its constitution in the style of the Document
|
|
of Confederation and instituted legal slavery. Germany, Italy and Japan,
|
|
by 1955, followed Confederate examples and began to use slaves both
|
|
inside their borders and in conquered territories. Certain regions of
|
|
Africa and China were entirely depopulated by the early 1960s and about
|
|
the same time, Germany, operating chiefly with the support of the
|
|
Confederacy, eliminated the last followers of Judaism.
|
|
The world economy surged during the 1960s, '70s and '80s, driven
|
|
mostly by the availability of cheap labor. Trade between the three major
|
|
world powers (Italy had slipped in dominance and was hardly more than a
|
|
German puppet by 1965) ranged from wheat to consumer electronics to
|
|
medical equipment. Though occasional protests against slavery and the
|
|
treatment of the Jews erupted, especially in western Europe and the
|
|
northern Confederate States, they petered out as the first generation
|
|
born with slavery as a world-wide institution grew to adulthood.
|
|
Today, in 1991, the world is at peace.
|
|
|
|
--------------------------------------------------------------------
|
|
|
|
The Explosion That Killed Ben Lippencott / GREG KNAUSS
|
|
|
|
There are few things less pleasant than being pelted with the
|
|
remains of another human being.
|
|
Lippencott was hunched over a few vials of something or other
|
|
before the explosion. He was a deeply serious man and did not enjoy
|
|
frivolity or even companionship in the lab. "Lipp's Corner" was in the
|
|
far section of the biology floor, and it took weaving around several
|
|
long tables to get to. One day many years ago, I was approaching him
|
|
from behind and was about to ask him if he would join the rest of us for
|
|
lunch when his head bolted up from its hunched position.
|
|
"Uh!" he said, and there was a tremendous explosion.
|
|
Lipp quite literally unraveled. Though they did find his legs still
|
|
attached to his pelvis and his arms were almost unscathed in themselves,
|
|
his head and torso were, well, untraceable.
|
|
They found pieces. All over. But the majority of the matter that
|
|
made up the upper half of Benjamin Lippencott just wasn't accounted for.
|
|
Quite a bit of the pieces they did find ended up on me and one of
|
|
the things that is less pleasant than being pelted with remains of
|
|
another human being is having to wipe those remains out of your eyes. I
|
|
am thankful that my mouth was closed.
|
|
There were questions later on, of course, as to what Lipp was
|
|
cooking up in those vials of his. Though glass all over the lab was
|
|
broken, the feds spent quite a bit of money attempting to reconstruct
|
|
each broken beaker, test tube and vial. They're meticulous people,
|
|
federal investigators, and eventually they decided that there was only
|
|
one piece of glassware that couldn't be accounted for. Their report made
|
|
a big deal about the fact that it was the one Lipp was using. Analyses
|
|
of blood and other tissues taken off my person gave no spectacular or
|
|
unusual results.
|
|
I, of course, underwent therapy. Though the cases where a man has
|
|
been smeared all over another man are rare, there were a few precedents.
|
|
There was even a therapist who specialized in the area, in a manner of
|
|
speaking. He had made a career of counseling veterans who had seen
|
|
friends killed, usually messily, before their eyes.
|
|
|
|
What we found was this: I was upset by the incident. I had nightmares
|
|
for two or three weeks. Though Lipp wasn't what I would have called a
|
|
friend, I had known him for over five years, and, yes, I was sorry he
|
|
was dead. But we also found out that I have a highly analytic mind and
|
|
that I'm able to take such things as the random probability of life. We
|
|
found I was mentally healthy, considering the circumstances. We both
|
|
thought it noted a humorous mention that I now favored glasses over
|
|
contacts.
|
|
I last saw the psychiatrist about three months after the accident,
|
|
and I only mention him at all because I quickly had a nagging suspicion
|
|
I should have stayed with him longer. This little voice kept telling me
|
|
I shouldn't bother going back, but I didn't know whether to listen to
|
|
it. It, surprisingly enough, was Lipp's voice.
|
|
Lipp was never a man to waste words. He would often arrive in the
|
|
morning, forgo coffee or a donut, and slouch over to his corner to begin
|
|
work. We might exchange a few words as we passed in the halls or when he
|
|
would turn down my invitations to lunch, and I knew his voice as well as
|
|
I knew those of the rest of the guys. It was a low, growly voice, never
|
|
happy to be called into service.
|
|
It was my first week back at the lab, and I was doing some virus
|
|
isolation experiments, using dyes to trace various substances through
|
|
the bloodstream. It's simpleminded, easy-to-goof work, and I was
|
|
reaching for a small vial of dye when, over my shoulder, I heard someone
|
|
say, "No, that one's fat soluble. You'll lose it."
|
|
I started and turned around, somehow almost sure I wouldn't find
|
|
anybody there. That type of voice isn't common, and there was only one
|
|
person I knew -- had known -- with it. It was Lipp's voice, giving me
|
|
instructions, apparently from beyond the grave.
|
|
It was a little unsettling.
|
|
It was also a little frustrating. Hearing voices is a common
|
|
psychiatric complaint, and many people spend their entire lives
|
|
listening to these ethereal spirits. Socrates claimed to have a voice in
|
|
his head, but he apparently had no trouble communicating with it. I,
|
|
however, tried everything I could think of, with very little initial
|
|
success.
|
|
At first I ignored it, hoping it was just a phantom memory of the
|
|
explosion, but it corrected another three mistakes that day and I
|
|
decided it was something that I was going to have to deal with.
|
|
Just figuring out how to attempt communication with a disembodied
|
|
voice is a serious exercise. At first, I just tried thinking at it.
|
|
"Hellooo," I thought. "Lipp?" He hated being called Lipp and I
|
|
thought that if anything was going to bring out some sort of
|
|
schizophrenia, it would be anger.
|
|
Nothing.
|
|
I excused myself to the bathroom and, Lord help me, tried speaking
|
|
out loud. It sounds ridiculously corny in retrospect, something out of a
|
|
really bad TV movie.
|
|
"Hello," I said again. "Lippencott? You there?"
|
|
After fifteen minutes of talking to myself in the bathroom, I
|
|
decided that an appointment with my ex-therapist might be a good thing
|
|
to consider. That brought the voice back.
|
|
"Don't do that," it said.
|
|
I sighed. Not only did I have enough of a psychiatric problem that
|
|
the voice of a dead co-worker was in my head, but that voice didn't want
|
|
me to get it taken care of. I wondered if a mental disease could be
|
|
self-defensive.
|
|
Normally, I would have finished out the day, gone home, made an
|
|
appointment with the therapist for the next day, and gone to sleep. This
|
|
is pretty straight thinking, but it didn't work out that way at all.
|
|
I was home, making dinner, when Lipp again reared what I suppose
|
|
you could call his head.
|
|
"Get a pencil and paper," he commanded. "Quickly."
|
|
I sighed again. I wasn't too worried about Lipp's voice, or the
|
|
fact that it was in my head. I had a certain degree of faith in the
|
|
psychiatric profession and I had recently been through a traumatic
|
|
experience; it was to be expected that I would have some sort of delayed
|
|
reaction. My therapist would just comfort me through this and I would
|
|
soon be better. A mental disturbance is nothing to worry about if you
|
|
have confidence in your sanity.
|
|
"Quickly!" the voice hissed at me.
|
|
"Yeah, yeah," I said. "Gimme a sec." Apparently, my delayed
|
|
traumatic reaction was a pushy one.
|
|
I moved the pot I was boiling spaghetti in to a cool burner and sat
|
|
down at the table with a pencil and a piece of paper.
|
|
"Listen to what I say," said Lipp. "Don't ask questions."
|
|
He began talking, in that low, gruff voice of his, and I slowly
|
|
transcribed what he said. He corrected my chemistry errors and once
|
|
reminded me where the apostrophe goes in a possessive.
|
|
I have to admit, in the end I'm glad that I never made my
|
|
appointment with my therapist. Lipp had an incredible mind and most of
|
|
his time in the lab had been spent working on unofficial pet projects.
|
|
The only reason he took the job at the lab at all was because he didn't
|
|
have the equipment he needed at home.
|
|
|
|
Maybe some day we'll try to work out how smearing the majority of
|
|
his brain on my face transferred his quiet, sulky consciousness into my
|
|
head, but for now, we're ankle deep in other ideas.
|
|
Lipp was working on what he called a "friendly virus" to fight
|
|
cancer when he died. It seems that he wasn't boiling the two components
|
|
before mixing them, and that caused the explosion. It was a simple
|
|
mistake, but it allowed me to be up on stage with him when we got the
|
|
Nobel Prize for medicine. He, of course, wrote the speech.
|
|
Right now, we're working on a friendly virus to fight AIDS and it
|
|
looks promising. I guess I'm now considered the foremost biochemist in
|
|
the world, and that's why they allow me my eccentricities.
|
|
Lipp and I thought it would be a good idea to have someone stand
|
|
behind me while we work.
|
|
|
|
--
|
|
GREG KNAUSS was a senior at the University of California, San Diego,
|
|
majoring in Political Theory, when work began on this issue. Now he's a
|
|
gruaduate with nothing to do. He recently mailed off a "Star Trek: The
|
|
Next Generation" script submission, proving again that he is indeed as
|
|
loopy as a loon... whatever that means.
|
|
--------------------------------------------------------------------
|
|
|
|
THE FOLLOWING ARE ADVERTISEMENTS. INTERTEXT IS NOT
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RESPONSIBLE FOR THE VERACITY OF THE ABOVE ADS.
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|
|
|
Quanta (ISSN 1053-8496) is the electronically distributed journal of
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|
Science Fiction and Fantasy. As such, each issue contains fiction by
|
|
amateur authors as well as articles, reviews, etc...
|
|
Quanta is published in two formats, ASCII and PostScript(TM) (for
|
|
PostScript compatible laser-printers). Submissions should be sent to
|
|
quanta@andrew.cmu.edu. Requests to be added to the distribution list
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should be sent to one of the following depending on which version of the
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magazine you'd like to receive.
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quanta+requests-ascii@andrew.cmu.edu
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or
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quanta+requests-ascii@andrew.BITNET
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Send mail only -- no interactive messages or files please. The main
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Host: export.acs.cmu.edu
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IP: 128.2.35.66
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Directory: /pub/quanta
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--
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|
DargonZine is an electronic magazine printing stories written for the
|
|
Dargon Project, a shared-world anthology similar to (and inspired by)
|
|
Robert Aspirin's Thieves' World anthologies, created by David "Orny"
|
|
Liscomb in his now-retired magazine, FSFNet. The Dargon Project centers
|
|
around a medieval-style duchy called Dargon in the far reaches of the
|
|
Kingdom of Baranur on the world named Makdiar, and as such contains
|
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stories with a fantasy fiction/sword and sorcery flavor.
|
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DargonZine is (at this time) only available in flat-file, text-only
|
|
format. For a subscription, please send a request to the editor, Dafydd,
|
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at white@duvm.BITNET. This request should contain your full user id, as
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well as your full name. Internet subscribers will receive their issues
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in mail format.
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|
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--
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|
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The Guildsman is an electronic magazine devoted to role-playing games
|
|
and amateur fantasy/SF fiction. At this time, the Guildsman is available
|
|
in LATEX source and PostScript formats via both email and anonymous ftp
|
|
without charge to the reader. Printed copies are also available for a
|
|
nominal charge which covers printing and postal costs. For more
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information, email jimv@ucrmath.ucr.edu (internet) or ucsd!ucrmath!jimv
|
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(uucp).
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--
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Spectre Publications, Inc. is a relatively young corporation dedicated
|
|
to publishing talented young authors of fiction. The company is
|
|
preparing a biannual anthology of unpublished college manuscripts. The
|
|
books will be entitled FUSION, representing the amalgamation of three
|
|
genres (Science Fiction, Fantasy and Horror Fiction) beneath one cover.
|
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These collections of short stories and novellas will be released in two
|
|
volumes per year and will average four hundred pages in length. The
|
|
first book will appear in September, 1991 and the second in December,
|
|
1991.
|
|
Manuscripts appearing in FUSION will reflect the best works submitted
|
|
by college students from across the country. In addition, if a
|
|
manuscript is not accepted, a brief letter explaining why the piece was
|
|
rejected will be attached to the returned manuscript. The letter of
|
|
explanation will also contain suggestions for improving the story and,
|
|
in some cases, a request for resubmission at a later date.
|
|
For more information on submission guidelines, contact Spectre
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|
Publications at:
|
|
P.O. Box 159 Paramus, NJ 07653-0159
|
|
Tel: 201-265-5541 Fax: 201-265-5542
|
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or via email care of geduncan@vaxsar.vassar.edu
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or geduncan@vaxsar.BITNET
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--
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CONTRIBUTE TO INTERTEXT!
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It's easy and fun, and it's a chance for you to get your work read by
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nearly a thousand people all over the world! We accept new fiction or
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--
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|
Thanks for coming. Next time you're in town, pick up a fresh box of
|
|
Monkey Brittle. Mmm-mmm.
|
|
|
|
--------------------------------------------------------------------
|
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|