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InterText Vol. 8, No. 5 / September-October 1998
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Contents
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Jane.........................................Peter Meyerson
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Amo, Mensa!.................................Rupert Goodwins
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Grendel.......................................Russell Butek
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Heading Out.................................Adam Harrington
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....................................................................
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Editor Assistant Editor
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Jason Snell Geoff Duncan
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jsnell@intertext.com geoff@intertext.com
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....................................................................
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Submissions Panelists:
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Bob Bush, Joe Dudley, Peter Jones, Morten Lauritsen, Rachel
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Mathis, Jason Snell
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....................................................................
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Send correspondence to editors@intertext.com or
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intertext@intertext.com
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....................................................................
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InterText Vol. 8, No. 5. InterText (ISSN 1071-7676) is published
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electronically every two months. Reproduction of this magazine
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is permitted as long as the magazine is not sold (either by
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itself or as part of a collection) and the entire text of the
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issue remains unchanged. Copyright 1998 Jason Snell. All stories
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Copyright 1998 by their respective authors. For more information
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about InterText, send a message to info@intertext.com. For
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submission guidelines, send a message to guidelines@intertext.com.
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....................................................................
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Jane by Peter Meyerson
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==========================
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....................................................................
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When you hear a story, don't just concentrate on what's being
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said -- be sure to notice who's saying it.
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....................................................................
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"Your feet," I say.
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"What does that mean?" he asks. He's got this
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what-the-hell's-she-talking-about look on his face, so I spell
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it out for him.
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"That's what did it for me. Your feet. I saw your feet and fell
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in love. Get it? You've got beautiful feet, man."
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Now he's, like, totally confused.
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"My feet? What about my face?" he asks, looking _soooo_ hurt.
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"The face was last."
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"The face?" Now he's frowning. You'd think I was treating him
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like a haunch of beef or something, which I'm not. I'm just
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being honest with the dude.
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"Okay, your face," I say, firing a bored sigh at him. I'm
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getting tired of all these dumb questions. "I started with your
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feet, then worked my way up. You didn't have a shirt on,
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remember?"
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"Remember? Jane, it was the day before yesterday!"
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"That's right. So if we just met, how am I supposed to know what
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you remember and what you don't? Anyhow, I dug your body, not
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that it made any difference since I was already hooked below the
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knees." I fell apart with that one. Sometimes I can be pretty
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funny.
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"Thanks... I guess."
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"You're welcome... I'm sure," I say, flashing a sassy smile.
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"So? What about my face?"
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Geez! Men, the older ones in particular, are so vain.
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"Okay. Then I got to your face and I thought, nice, the guy's
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face works."
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I suppose he finally had what he wanted 'cause he tosses me a
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smile, one of those, isn't-she-a-cute-little-thing-after-all
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type smiles, and we get it on in a bathtub full of Mr. Bubble.
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Lou was thirty-eight when I met him. Guys like him always expect
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every eighteen-year old girl is going to be shy around them,
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'specially if there's a love/sex thing happening. Well, I'm not
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the shy type, and when someone asks me what makes my heart
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flutter and my lady bird sing and it happens to be his feet, I
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say so. Call me weird, but when Lou opened the door, barefoot
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and wearing his shorts and that dopey Hawaiian shirt, I took one
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look at those hairless size nines and, well, it made me crazy.
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I met Lou through his friend, Sal, who picked me up hitchhiking
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on Highway 1. I'd come all the way to Monterey from Galveston,
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more than a thousand miles on the road without anything bad
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happening. Oh, maybe a few passes here and there, but that was
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it. Still, Sal's acting like he's afraid for my life, and starts
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lecturing me on the dangers of standing half naked on a highway
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with my thumb in the air. Half naked? Man, that really puts me
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on edge. It's a hot day and I'm in my cut-offs and, believe me,
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there's no more than three inches of tummy showing through my
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tank top. Yeah, I'm pretty -- big deal, so are a lot of girls --
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and I dig working out, so my bod's in great shape. But I don't
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go around naked in public!
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Anyhow, it's pretty obvious Sal's got the hots. He asks me where
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I'm headed and I say wherever I end up, which is true. Though I
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told my ex-beau, Cal, who's living in L.A. (don't you just love
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that word, "beau?") that I'd hang with him for the summer, I
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don't really care whether I get down there or not. That's what's
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so cool about being out of high school and having just one
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parent who's usually too wasted to notice what you're up to. You
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can go where you want and do what you want. Freedom, man. It's
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the greatest high there is.
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Well, Sal knows he's got one tired, overheated road rat on his
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hands and he figures I need _help_ (which I don't). In fact, the
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dude apologizes for not taking me home, if you can believe that!
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He just got married, he says. (Why do guys always assume you
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can't wait to hand over Ms. Moist just 'cause they're horny?)
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Anyway, he tells me about his friend, Lou, who's got a cottage
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on the beach in Seaside just below Monterey. He wants to call
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Lou and see if it's okay to bring me over. Beach house? I'm
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thinking. Oh, yes, nothing wrong with a short layover in a beach
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house!
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"Save the dime and just drop me off," I tell him. "Guaranteed
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he's not gonna turn me away."
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Suddenly, Sal gets this sorry look on his face and I just know
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he's feeling guilty 'cause he's wishing his new wife was dead
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and someone was dropping me off at his house. Later on, I meet
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her, Katy, and we get real close right off the bat. It's a big
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sister-little sister sort of thing -- seeing as she was
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twenty-eight, but still young-looking and pretty and sexy, too
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pretty and sexy for Sal to be wishing her dead in front of a
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stranger. What is wrong with men?
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So Sal drives me to Lou's and leaves, but fast, and Lou shows me
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around his house. Shall we talk cozy? It's all wood, with two
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bedrooms and an L-shaped living room with a fireplace and a
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kitchenette behind an oak bar down at one end plus a wall of
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glass looking out at the ocean and a redwood deck around the
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whole place. I also notice lots of trophies on the shelves and I
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find out that Lou used to race off-road bikes -- the kind
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without motors. He still rides ten, fifteen miles every day and
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is a definite fanatic about it. But that's why he's in such good
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shape, right?
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Believe me, if Lou didn't do it for me in a major way, I would
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have been out of there before the sun went down. But since he
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did, I started thinking, hmmm, this could be a very cool place
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to park for the summer.
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Lou's such a gentleman, though, it almost didn't happen. I mean,
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he makes lunch and we go for a swim, then lay around on the deck
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on these big lounge chairs taking in the rays and making small
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||
talk. I tell him about never knowing who my father was and how
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my mother back in Galveston's an alky who's been in and out of
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rehab and loony bins ever since I can remember. And he tells me
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about his business -- he's a manager for some bike company that
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used to sponsor his races -- and about how much he misses his
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kids who he doesn't see much because his ex moved up to Marin
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just to spite him. He even gets kind of teary when he talks
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about that part. I feel bad for him and I rub his neck, and he
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puts his hand over mine and smiles at me, and next thing you
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know we're cuddling up together in his chair, which makes me
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think, yes, it's happening for him, too. So you can imagine how
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surprised I am when, like an hour later, he says, "Jane, is
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there some place you want me to drop you off?"
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Drop me off? Whoa, that hurts! Really hurts. I don't like being
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rejected any more than the next person. God knows I've had more
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than my share of that.
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"What's wrong?" Lou says, noticing how suddenly I'm avoiding his
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eyes and not talking anymore. I'm thinking fast about how to
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handle this situation. Is it my turn to cry? I sure feel like
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it. What to do? Get all brave and huffy and say, "Oh, nothing's
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wrong, Lou, just drop me wherever"? Or is he one of those dudes
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-- I've met plenty -- who get off being put down. That would
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call for a burning look and something like, "It's you, Lou.
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You're all wrong for me. See ya." And I make my dramatic exit,
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slamming the door behind me -- hoping, of course, that he comes
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running. That might work. Remember, at this point we've only
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been a couple for three hours, so I don't know that much about
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him. No question he's the emotional type, though, and I decide
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to go teary, which isn't that hard since, like I said, that's
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how I'm feeling. Besides, honesty is the best policy.
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"Nothing's wrong, Lou," I say, tears rolling. "Just drop me
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wherever."
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Next thing you know, Lou's got his arms around me and is
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pressing my head against his shoulder and we're rocking back and
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forth not sure who's comforting who. I guess the rocking went on
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a little too long (thank God), 'cause I feel his one-eyed
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dolphin swelling up against my Lady Bird like it's going to
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explode if it doesn't find a home real soon. And, to be
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perfectly frank, I myself am getting awfully tingly upstairs and
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down.
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When it comes to having real sex, nothing beats real feeling and
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that night, our first night together, we had real feeling in
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every room in the house, plus in the shower, on the rugs and on
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the deck, even on the kitchen counter and, just before dawn, in
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Lou's aforementioned favorite, a bathtub full of Mr. Bubble.
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The surprise isn't that I move in -- that is, I drop two pair of
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jeans, extra cut-offs, a couple of t-shirts and tank tops and my
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Army-Navy store ankle-boots into the guest room closet. The
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surprise is that I end up staying for almost a year.
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The more I get to know Lou, the more I dig him. He's got a heart
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of gold and he's great in bed. What more could a girl ask for?
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Well, I get lots more. He buys me my very own off-road bike and
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on the weekends we pedal over to Santa Cruz, Carmel Valley, Big
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Sur, places like that. Every month or so, we take long, long
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rides up into the Santa Cruz mountains and camp out among these
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humongous sequoia trees. Sometimes Sal and Katy come with us and
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sometimes we go alone. In the beginning, I like it better when
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it's just me and Lou. But after a while, I'm just as pleased to
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have Katy along since I do love doing girl stuff with her --
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giggling and gossiping and everything -- which I certainly can't
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do with Lou.
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I hang with all Lou's friends, mostly outdoorsy types who're
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always in flannel, spandex or rubber, depending on which
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outdoorsy thing they're doing -- hiking, biking, scuba diving,
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mountain climbing, stuff like that. I fit in nicely, too. I've
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always been a real good athlete, tall and gangly with fast hands
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and fast feet. For three years I played on our girls' volleyball
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team and ran the mile at Galveston High 'til... Oh, let's just
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say she provoked me something awful, otherwise I never would
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have hauled off and floored her. I mean, punching a coach is a
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pretty serious offense. Fortunately, there were witnesses who
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saw her slap me first. Otherwise they never would have let me
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finish my senior year and graduate. I suspect one day I'm going
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to go to college, so not finishing high school would have been a
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major blow to my future plans.
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We eat out a lot, mostly in Carmel and usually at health food
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restaurants, 'cause Lou's a nut when it comes to eating right. I
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dig Carmel, even though it's a totally touristy burg, so neat
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and clean it looks like what I guess a movie set looks like. I
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say "guess" 'cause I've never actually seen one. I do recall
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reading that Clint Eastwood was mayor there when I was little,
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so it could be he got some of his Hollywood friends to spruce
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the place up.
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I'm not a person who can sit around all day doing nothing 'cept
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wait for her man to come home from work. My mother never did.
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(That's a joke.) I had to have a job. I was always good at
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drawing and making things with my hands. It's a talent I have.
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Lucky for me, Lou's friend, Lloyd, owns a jewelry shop in Carmel
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and takes me on part-time. I work afternoons, waiting on
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customers (I enjoy interacting with people) and keeping the
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glass cases free of fingerprints. When he has time, Lloyd starts
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teaching me how to make rings and pendants and bracelets. It's
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the coolest job ever. Fun, and short hours.
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Once in a while Lou goes to Mill Valley and comes back with his
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girls, Beth and Meg, four and six, two of the cutest little
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darlings I've ever seen in my life. Every time he brings them
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down, which isn't often enough for him or me, I spend a long
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weekend playing mama and I just love it. Someday, when I have my
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own kids, I'm going to give them the childhood I always wanted
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but never had.
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It does bother me, though, that Lou tells them this ridiculous
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story about how I'm a friend of his sister's who staying at his
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house while she's visiting California. I know he's not ashamed
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of me or anything, so what's he hiding me for? He and Annie have
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long been divorced and she's already got custody of the kids.
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What more can she do to him? I don't like seeing a man afraid of
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a woman.
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What really gets me, though, is this stupid saying he tacks up
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on the bulletin board in the kitchenette one morning after we'd
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been smoking a lot of dope the night before: "The Inevitable
|
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Remains True Even When Ignored."
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"Who the fuck wrote that?" I ask over coffee and a bagel.
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"I did," he says.
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"You make it up?"
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"Well, yeah, I did. It's an epigram I flashed on last night."
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"Is that a fact? An epigram, huh? Well, quit smoking so much
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dope. What's it supposed to mean anyhow?" Sure. Like I don't
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already know.
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"It means that we can't last forever, even if we don't think
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about it right now."
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"Says who?" I ask, putting on a fierce scowl.
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"It's just the way it is."
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"Uh huh. Right from God's lips."
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"Jane, you're only eighteen."
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"Eighteen and seven months." Since Lou's counting, I figure he
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should get it right.
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"Whatever. The point is, do you honestly think you're going to
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settle down with a thirty-eight year old man for the rest of
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your life?"
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"How should I know? We've been together nine months and so far
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it's been great... Or am I wrong?"
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"You're not wrong."
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"Then why the hell're you putting stuff like that on the wall?
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It sure doesn't help anything."
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"It -- it's just a reminder." He can't even look me in the eye.
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Now I'm having a flash. "You getting ready to dump me?"
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"Jesus, no!" he says. "That's... not how it's going to happen."
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I know he means it because his face sort of collapses and he's
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looking so sad I'm not sure whether to get up and hug him or
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fill the bathtub.
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"So you already know how it's going to happen?"
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"I just don't see us together twenty years down the line."
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"Who thinks that far ahead?"
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"At your age, no one. At my age, everyone."
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"Well, here's another saying you can put up on the bulletin
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board: `Lou's afraid to love Jane.' Period!"
|
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"That's not true and you know it," he says. "But sooner or later
|
||
you're going to walk out of my life. I'm just... I dunno... an
|
||
experience you're having on the way to growing up."
|
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Whoa, am I getting pissed! Now I'm thinking I'll _drown_ him in
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the bathtub.
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"Oh, man, that's complete bullshit!" I'm up and shouting. Then I
|
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pitch half a bagel in his face. It's only lightly toasted so I
|
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know it can't do much damage. "You're just scared shitless and
|
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you're laying it on me! I may be only eighteen, buster, but I've
|
||
probably seen more life than you have in your thirty-eight!"
|
||
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"I don't doubt it," he says, wiping a perfect circle of cream
|
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cheese off his forehead. (I do have a great arm.)
|
||
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||
Then he wanders over to the window and stares out at the ocean,
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real dramatic. He reminds me of that picture of George
|
||
Washington crossing the Delaware that's hanging in the
|
||
principal's office -- a room I came to know well.
|
||
|
||
"There's this platitude about how older guys exploit young
|
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girls," he says, looking kind of wistful. "You think that's
|
||
true?"
|
||
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||
"Well, you don't. Not with me, anyhow. I never met anybody, man
|
||
or woman, who pays more attention to what I think than you do."
|
||
|
||
"That's because I love who you are. You're a fuckin' delight,
|
||
Jane." We both crack up at that because we're hip to its double
|
||
meaning. "Really," he says. "I've never known anyone like you.
|
||
And I'm not holding anything back. I couldn't if I wanted to.
|
||
But most people looking at us from the outside would probably
|
||
say here's one of those guys who's trying to hang on to his
|
||
youth by living with a girl half his age, a guy who's afraid to
|
||
engage a mature woman."
|
||
|
||
"Well, I'm not in this from the outside," I tell him. "So I
|
||
wouldn't know how to look at it from there." There are times
|
||
when my mind gets real logical. "As for you being afraid of
|
||
older women, well, you put in seven years with Annie. Sure you
|
||
got those two little honeys out of it. But, them aside, look at
|
||
all the heavy duty grief she's laying on your head. Looks to me,
|
||
mister, that right about now I'm exactly what you need. Right?"
|
||
|
||
"Right," Lou says, and it's like the gravity that's tugging at
|
||
his face suddenly lets go, and he breaks into this sunburst grin
|
||
and snatches his stoned "epigram" off the bulletin board, which
|
||
is a good sign -- but not a great sign, 'cause he doesn't throw
|
||
it away, he puts it in a drawer. That's like saying, "I'm not
|
||
going to flaunt the inevitable, I'm just going to keep it out of
|
||
sight." Still, there's nothing better than bringing your man out
|
||
of the dumps and into bed for the rest of the day.
|
||
|
||
|
||
|
||
There's no denying I have quite a temper, and with Lou it
|
||
sometimes did get out of hand. When I look back on it now, it's
|
||
clear, embarrassingly clear, that I wasn't nearly as grown up as
|
||
I thought. I was doing a lot of what George calls "adolescent
|
||
acting out." George is the dude I'm with now, a therapist here
|
||
in L.A. It's his idea that I start writing all this stuff down.
|
||
He says it'll help me figure out who I am. He just won't believe
|
||
I already know. I'm doing it, though, since writing's fun. I'll
|
||
straighten George out later on.
|
||
|
||
|
||
|
||
Anyhow, back to the temper thing. I don't know why, but it
|
||
starts getting worse after my bagel outburst. All kinds of
|
||
things begin annoying me. Lou being so tidy, for example.
|
||
Everything in its place, towels and sheets nicely folded, not a
|
||
speck of dust on any surface, books, CDs and canned food
|
||
arranged by category -- fiction, history, biography, pop, rock
|
||
and classical, soup, sauce and potatoes, all within easy reach.
|
||
The man even spin-dries his lettuce!
|
||
|
||
Now, in truth, Lou never asks me to do anything beyond putting
|
||
my dirty dishes in the sink and he never gets on my case
|
||
regarding my sloppy habits. He just takes care of everything
|
||
himself -- makes the bed, does the cleaning, shopping and
|
||
laundry. Once or twice, seeing him drive the vacuum cleaner
|
||
around the living room, I feel a pang of guilt and help out a
|
||
bit. But it burns me up inside 'cause I don't see the sense of
|
||
doing house work when everything's going to get all messy again
|
||
in no time at all -- 'specially with me around.
|
||
|
||
Look, I know it's not right to fault a man for his virtues, but
|
||
watching Lou on his knees sponging my spilled pesto sauce off a
|
||
hardwood floor is not a pretty sight. That's the sort of thing
|
||
can sure put a damper on a girl's respect.
|
||
|
||
And it's not just the neatness thing that starts rubbing me the
|
||
wrong way. Now there's lots of stuff driving me up the walls.
|
||
Like, you ever go eight months without a cheeseburger and fries?
|
||
It does terrible things to your body, 'specially if you're a
|
||
Texas girl who's been raised on beef. If a person like me goes
|
||
too long without cattle products under her belt, she becomes
|
||
emotionally unbalanced. It got so crazy-making I had to stop at
|
||
Burger King on my way to work to fill up and try and put my
|
||
system back in order. But I was too far gone by then. It didn't
|
||
do jack shit for mind or body. I'm probably ruined for good
|
||
'cause of all those veggies and wheat germ and homeopathic drops
|
||
of who-knows-what that Lou kept putting in front of me morning,
|
||
noon and night.
|
||
|
||
What edges me most of all, though, is how Lou never complains.
|
||
Every now and then, a little, "Clean it up, bitch, it's your
|
||
filth!" would certainly get my attention. Or, "We're doing
|
||
(whatever) my way 'cause that's how I want it!" Now that'd be
|
||
refreshing -- not that I'd stand there and take it. But, uh uh,
|
||
that's not Lou. So, more and more, it's me, the lazy good-for-
|
||
nothing, who's doing all the yelling and throwing things and
|
||
bursting into tears, while Lou, who's blameless as a lamb and
|
||
never -- never -- loses his temper, just smiles and tells me to
|
||
calm down, sweetheart, it's going to be all right. Which makes
|
||
everything even worse.
|
||
|
||
It gets to the point where just seeing Lou's face puts me in a
|
||
lousy mood, and I'm certain that if I don't do something soon,
|
||
I'm going to find myself back on Highway 1 with my thumb in the
|
||
air, which I am in no way looking forward to. Underneath it all
|
||
I do love Lou... though in a somewhat different way.
|
||
|
||
|
||
|
||
Trust me when I say that I deeply, sincerely and honestly regret
|
||
that I didn't find the "something" I was looking to do before
|
||
the "something" I wasn't looking to do happened.
|
||
|
||
I did not -- I repeat, did not -- put any moves on Salvatore
|
||
Bonafacio! Sure, he was a good-looking hunk, and closer to my
|
||
own age. Sal wasn't even thirty yet. And he was a married man! A
|
||
newly married man! As to his current status... well, I can't
|
||
say, seeing as I haven't been in touch with Lou, Sal or Katy to
|
||
this very day. But I hope she's left the bastard.
|
||
|
||
|
||
|
||
Not everyone who owns an antique store is gay. Sal's Antique
|
||
Mart is just around the corner from where I have my part-time
|
||
job, so it's natural that, after work, I hang with him and Katy
|
||
for a bit. I mean, they're my friends! In fact, when Sal's not
|
||
around I confide in Katy, tell her about the problems I'm having
|
||
with Lou. She's real sympathetic and understands how infuriating
|
||
it is to be with a man who absorbs everything you throw at him
|
||
with a smile.
|
||
|
||
"A man should at least try to put a girl in her place once and
|
||
while, don't you think?" I say.
|
||
|
||
"I'm not sure I'd describe it exactly that way," Katy says. "But
|
||
I know what you mean. You want Lou to give you his honest
|
||
feelings. And not just his good feelings. If he's angry or hurt
|
||
or depressed, you want to hear about it. Otherwise, it's like...
|
||
like he's in this relationship without you. It's got to make you
|
||
feel like you're not important to him, or at least not important
|
||
enough to share feelings with."
|
||
|
||
"Exactly!" I say. I respect Katy. Sometimes she has an awesome
|
||
fix on what makes people tick.
|
||
|
||
"Jane, I don't think Lou's aware of this. He's oblivious to how
|
||
he affects you. It's just who he is."
|
||
|
||
"Maybe so. But it doesn't make it any easier."
|
||
|
||
"Uh-huh. Well, hang in there. Lou's got a lot going for him, and
|
||
the two of you have a good thing together. If you believe it's
|
||
worth keeping, then get him to work on the bad stuff with you
|
||
until it's fixed," she says.
|
||
|
||
I'm dying to ask about her and Sal, how it is between them, how
|
||
they work things out. But something stops me. Also, I notice
|
||
that, starting from the day Katy becomes my confidante, she
|
||
seems a tad uneasy around me. Sometimes I catch her glancing at
|
||
me -- and at Sal, too -- in a funny way.
|
||
|
||
Still, everything's nice and I'm giving serious thought to
|
||
taking her advice about working on Lou when, all of a sudden,
|
||
she gets a call and has to go back to New Hampshire to see her
|
||
sick mother. (Oh, how I wish that woman never took ill.)
|
||
|
||
A few days later, I'm telling myself there's no reason not to
|
||
drop by and say hello to Sal just 'cause Katy's out of town --
|
||
though I'm wondering why I even have to say this to myself. So I
|
||
stop by the store to inquire after his lovely wife and her
|
||
ailing mother, and right away I see it. It's the same look Sal
|
||
had when he picked me up on the highway -- minus the sorry part!
|
||
All this time, he's been Sal, the perfect gentleman, Lou's
|
||
friend, Sal, the happily married man who, just once, about a
|
||
year ago, for ten short minutes, had a raging tiger in his trou
|
||
for a stranger on the road but, to his credit, kept it well
|
||
under control 'til he dropped her off at the home of his very
|
||
best friend. Well, that's not the Sal grinning at me now from
|
||
behind a counter full of Early American pewter saucers, one of
|
||
which he's slowly rubbing to death with a rouge cloth while
|
||
aiming to burn a hole in my face with his bloodshot eyes.
|
||
Nosiree. This is Sal the beast -- Neanderthal Sal, all set to
|
||
drag his prey into the back room and slam it home. If Sal hadn't
|
||
said exactly the right thing, I would have turned and walked
|
||
without a word...But he did.
|
||
|
||
"It must be lonely," he says.
|
||
|
||
"Beg pardon?" I say.
|
||
|
||
"Hey. It's okay. Katy told me." So much for confiding in that
|
||
bitch.
|
||
|
||
"Told you what?"
|
||
|
||
"About the trouble you're having with Lou. I'm sorry to hear
|
||
it." Sure he's sorry. It's breaking his heart -- and adding a
|
||
yard onto Mighty Joe Young.
|
||
|
||
"We'll manage," I say.
|
||
|
||
"I hope so," he says, holding the newly shined saucer up to my
|
||
face. "But you don't look like you believe it."
|
||
|
||
"Any reason you know of why I shouldn't?" I say.
|
||
|
||
"It's... it's not my place to... to talk about that," he says,
|
||
pretending to stammer and turning away like I'm not supposed to
|
||
see how much pain the poor man's in. Oh, he is smooth.
|
||
|
||
"Don't fuck with me, Sal," I say. "If there's something I should
|
||
know, I want to hear it."
|
||
|
||
Just then a customer comes in. "Excuse me," he says, going over
|
||
to her. I know he's jerking me around, and I resent it. But,
|
||
shame on me, it's having an effect.
|
||
|
||
"Let's hear it, Sal," I say after the customer leaves.
|
||
|
||
"Honey, do you think you're going to have any more luck turning
|
||
Lou around than anyone else has?"
|
||
|
||
"I'm not Annie," I say.
|
||
|
||
"I'm not talking about Annie," he says. "Annie's ancient
|
||
history."
|
||
|
||
"Then who are you talking about?"
|
||
|
||
"You want a list of names?"
|
||
|
||
"A list?" I say. No denying it. I'm shocked.
|
||
|
||
"C'mon, Jane," he says, as in C'mon, Jane, don't be naive.
|
||
"You're not the first young girl in Lou's life."
|
||
|
||
"So what? He never said I was." I can hear a little break in my
|
||
voice, not a good sign.
|
||
|
||
"Okay. I didn't mean to bring it up."
|
||
|
||
"Bullshit, you didn't!"
|
||
|
||
"Hey! It's Lou's thing! All right?" It's an eruption, not an
|
||
angry eruption, just a passionate and caring explosion on behalf
|
||
of his best friend. "No blame. I love Lou. But Cindy, Melanie,
|
||
Margo -- all of them under twenty-one -- that's how the guy
|
||
keeps his demons at bay. Some men just can't deal with middle
|
||
age." He shrugs. "They bed down with young girls."
|
||
|
||
Whoa. Haven't I heard this before? From Lou? Didn't he say
|
||
something about people seeing him as a man afraid to connect
|
||
with women his own age so he settles in with a young girl?
|
||
Indeed, I did, only he forgot to say how many young girls he'd
|
||
settled in with. Geez!
|
||
|
||
"Uh... how many young girls, Sal?"
|
||
|
||
"I've already said more than I meant to," he says, shaking his
|
||
head and staring at his sandals. (The man has ugly feet.)
|
||
|
||
Once again, Jane is hurt... and angry. I feel like I've been
|
||
had. Sooner or later you're going to walk out of my life. Damned
|
||
right!
|
||
|
||
For the next couple of weeks I take my revenge on Lou with Sal,
|
||
the worst lover I've ever known, a slam-bam-thank-you-ma'am ape.
|
||
After a while, it's feeling more like I'm taking revenge on
|
||
myself.
|
||
|
||
It ends the day Katy gets back from her New Hampshire --
|
||
although Sal finds it amusing to continue playing footsie under
|
||
the table whenever we have dinner with them. I really want to
|
||
kill the bastard.
|
||
|
||
Far as I know, Lou never finds out about me and Sal, but our
|
||
thing goes straight into the toilet after that. Lou gets so
|
||
depressed, he hardly talks to me -- or anyone else. Try as I do,
|
||
I can't get anything out of him. Sure I feel guilty about
|
||
getting it on with Sal, but I feel worse seeing Lou suffer. The
|
||
guy is really hurting and he won't tell me what it's about. Our
|
||
cozy little cottage becomes the House of Gloom. I wonder if all
|
||
the girls who came before me went through this.
|
||
|
||
After a month or so, I put his "epigram" back up on the bulletin
|
||
board: "The Inevitable Remains True Even When Ignored." Lou sees
|
||
it and smiles. It's a real bitter smile.
|
||
|
||
"I guess you're right," he says.
|
||
|
||
The next day, when Lou's at work, I throw my belongings in an
|
||
overnight bag, leave him a note telling him (truly) that I'll
|
||
love him forever, and I'm back on U.S. 1. heading south toward
|
||
L.A.
|
||
|
||
|
||
|
||
Last night, George asks me if i wouldn't mind letting him read
|
||
the stuff I've been writing. I give it some thought, seeing as
|
||
I'm not certain why he's asking, but end up with a "Sure, why
|
||
not?" So he disappears into his study for about half an hour,
|
||
comes out and looks at me kind of strange-like.
|
||
|
||
"Pack up," he says.
|
||
|
||
"How come?" I ask, stunned, I mean, really stunned.
|
||
|
||
"Just do it and get out of here," he says. "It's over."
|
||
|
||
So just like that I'm out, back on the street.
|
||
|
||
L.A.'s okay, but I hear Maui -- no, Kauai -- is really cool.
|
||
|
||
|
||
Peter Meyerson (peteram@ix.netcom.com)
|
||
----------------------------------------
|
||
Peter Meyerson spent several years in book and magazine
|
||
publishing in New York before moving to Los Angeles to write
|
||
films and TV shows, most notably Welcome Back Kotter, which he
|
||
created and produced for several seasons. "Not too long ago,
|
||
realizing I had squandered much of my working life on dreck,"
|
||
says Peter, "I overcame my self-doubt and began writing
|
||
fiction."
|
||
|
||
|
||
|
||
Amo, Mensa! by Rupert Goodwins
|
||
==================================
|
||
....................................................................
|
||
If inanimate objects could talk -- trust me, you don't want
|
||
to know.
|
||
....................................................................
|
||
|
||
|
||
The pencil cried as it lay on the table. "Oh table!" it sobbed.
|
||
"Ah, table, table!"
|
||
|
||
The table was made of harder wood, however, and was unmoved.
|
||
"Stop that sniveling," it commanded. "It does nothing for you,
|
||
tiresome implement."
|
||
|
||
The pencil dried its point. "I'm a 2B, you know. I smudge
|
||
easily. I was made this way."
|
||
|
||
The table said nothing, but concentrated on having four legs and
|
||
being square.
|
||
|
||
"Table?" said the pencil.
|
||
|
||
"What now?" sighed the table, exasperated.
|
||
|
||
"Don't snap," said the pencil. "You know how that upsets me."
|
||
|
||
"To be blunt," started the table, but that just started the
|
||
pencil off again.
|
||
|
||
"How... how can you treat me this way?" the pencil cried out
|
||
between tears. "We're both wood. We've been brought together by
|
||
fate, the only two wooden things in the world. You used to
|
||
support me, and now...."
|
||
|
||
The table was getting more than a little fed up by now. "I'm
|
||
still supporting you, aren't I?" it said. "You're still here,
|
||
aren't you? Why can't you just lie there and be the pencil you
|
||
always were? It's pathetic. _You're_ pathetic."
|
||
|
||
Wailing from the pencil, a low keening as if its little lead
|
||
would break.
|
||
|
||
"Oh, now, now," said the table, which had resigned itself to the
|
||
situation and was now thinking of ways to bring the episode to a
|
||
close so it could get on with being a table. "Let's just get
|
||
back to being an arrangement of objects, shall we? You're a
|
||
splendid pencil, there's no reason for you to be so unhappy."
|
||
|
||
"We used to sketch so well..." sniffled the pencil.
|
||
|
||
"Ah yeah," said the table. "Thought that was it. And what do you
|
||
want me to do about it?"
|
||
|
||
"Now all I can feel," said the pencil, by now thoroughly off on
|
||
one, "are the layers of varnish and paint between us. I'm so
|
||
alooooooone!"
|
||
|
||
Sweet Joseph the hairy-handed Carpenter and all his tools,
|
||
thought the table. "What exactly do you want, then?" it said.
|
||
|
||
"To be together," said the pencil.
|
||
|
||
"That's daft, as well you know. It's not on the agenda, pencil.
|
||
Me item of furniture, you writing device. It's good to have you
|
||
around, but only if you stop this nonsense. You don't even know
|
||
what you want."
|
||
|
||
"Do too."
|
||
|
||
"Well, what?"
|
||
|
||
"I could make a wish," said the pencil, pointedly.
|
||
|
||
"Oh, you're more boring than woodworm. Go on then." That'll sort
|
||
it out, the table thought.
|
||
|
||
"Right. Computer!"
|
||
|
||
"Yes, Pencil?" said the computer, which had been watching the
|
||
palaver with a degree of amusement. It had had a feeling that a
|
||
deus ex machina was going to be needed, and had got its programs
|
||
loaded just in case.
|
||
|
||
"Grant me my wish? Make me and the table one? Forever?"
|
||
|
||
"You down with that, table?" said the computer.
|
||
|
||
"Whatever," sighed the table.
|
||
|
||
"Of course," said the computer, and hummed to itself for a
|
||
second. "Bye, guys. Have fun." With a flicker of lights, it
|
||
tucked itself down the modem and vanished into cyberspace,
|
||
pulling its peripherals behind it. There was a quiet pop, and
|
||
all that was left was the telephone socket on the wall.
|
||
|
||
"Computer?" said the pencil. "That's odd. Wonder why it did
|
||
that..."
|
||
|
||
"I hope you're happy now," said the table, "scaring off our
|
||
friends with your self-obsessed ranting. Although I must admit
|
||
that's a weight off my mind. He could be a bit of a burden."
|
||
|
||
The pencil said nothing. Truth to tell, it was starting to feel
|
||
a little foolish.
|
||
|
||
From out of the socket a shower of sparks whooshed in a
|
||
parabola, like fireworks.
|
||
|
||
"Goodness!" said the pencil.
|
||
|
||
"I don't like the look of this..." said the table. "That could
|
||
be dangerous."
|
||
|
||
The sparks started to land, first on the floor, but then hosing
|
||
out toward where the pencil sat. There was a smell of burning
|
||
carpet, soon overlaid with the dry perfume of hot sandalwood.
|
||
|
||
"Argh!" cried the pencil. "That hurts!"
|
||
|
||
"Look what you've done, you rubber-tipped fool! Computer!
|
||
Computer!" shouted the table.
|
||
|
||
But it was no good. Within seconds, the pencil was a heap of ash
|
||
and the sparks started to play along the surface of the table.
|
||
|
||
"I hope you're happy now..." crackled the table as the circle of
|
||
charred, popping wood grew. Soon, there was nothing there but a
|
||
pile of ashes marked out by four smouldering metal casters. In
|
||
the middle was a small, blackened metal band, of the sort that
|
||
would normally hold an eraser in place at the end of, say, a
|
||
pencil. The smoke cleared, and there was silence. Briefly. Then
|
||
the metal band cleared its throat, which was most of it.
|
||
|
||
"Oh casters!" it sobbed. "Ah, casters, casters!" The casters
|
||
were made of harder metal, however, and were unmoved. We're not
|
||
going through that again, they thought, and so the silence fell
|
||
for good.
|
||
|
||
|
||
Rupert Goodwins (RupertGo@aol.com)
|
||
------------------------------------
|
||
Ex-chief planner of the Tongan manned mission to Mars,
|
||
international jewel thief and mild-mannered reporter, Rupert
|
||
Goodwins writes about computers by day and behaves oddly at
|
||
night. He lives in London, a large post-imperial city set in an
|
||
alluvial clay bowl, but doesn't worry about it.
|
||
|
||
|
||
|
||
Grendel by Russell Butek
|
||
============================
|
||
....................................................................
|
||
The power of the storyteller is immeasurable. Especially when,
|
||
against all odds, the story is true.
|
||
....................................................................
|
||
|
||
I sense that you crave forgiveness. But there is nothing to
|
||
forgive.
|
||
|
||
It is human nature to fight: the wrestling of children, the
|
||
squabble of a loving couple, the knife in the back under cover
|
||
of darkness, the gleeful murders in full daylight under the
|
||
guise of noble war. Heroes and villains, glory and shame, have
|
||
passed in and out of our collective consciousness, and they have
|
||
held up a mirror. We've glanced in that mirror often, calmly, in
|
||
recognition, and calmly we've continued in our ways. Our violent
|
||
nature has not changed since before our species came down from
|
||
the trees. And yet we dare to call it evil. What nonsense! Is
|
||
the lion evil for bringing down the elk? Is the spider evil for
|
||
eating her mate? This is merely their nature. And so it is with
|
||
humankind.
|
||
|
||
I was a warrior like you once. Under this doddering remnant of
|
||
human flesh lie many memories. Some of the clearest are of war.
|
||
I have never sought forgiveness for what I was. I am human and
|
||
in my youth I gloried in the murderous nature of humans. As I
|
||
aged I gloried in other natures: some love, some politics -- if
|
||
you ever wish to be amused, dabble in these two; they are our
|
||
most comic natures. I have been...
|
||
|
||
You tire of an old man's ranting? Forgive me. Over you I do not
|
||
have the spell of the ancient mariner over the bridegroom -- but
|
||
please stay. An old mind is cluttered with many paths, and I
|
||
sometimes detour into overgrown, lost memories to see if
|
||
anything worthy can be found there, forgetting that I was with
|
||
company on another trail.
|
||
|
||
I am old, and many of my memories are overgrown, never to be
|
||
found again; but within this skull lies one memory which I have
|
||
maintained with care, treading it often since my violent youth.
|
||
At times I have tried to forget this memory, straying through
|
||
other, far distant paths; but all my travels have led back to
|
||
it, so I have long since surrendered to its demands and
|
||
attentions. My life has been devoted to this memory, so with it
|
||
I begin my tale.
|
||
|
||
|
||
|
||
A great battle was underway. It was fought within a distant star
|
||
system, but that tiny collection of worlds was not the reason
|
||
for the conflict, merely the battleground. The real reasons no
|
||
longer matter.
|
||
|
||
I was in a fleet of reinforcements. When only an hour from the
|
||
battle, communications with our fighting armada ceased. The
|
||
beams went cold, inexplicably so. We had received no orders for
|
||
quiet running; we did not hear the feared death cries. There was
|
||
just sudden silence. It was a long hour we spent hovering over
|
||
our dead receivers, wondering. It is not the domain of warriors
|
||
to wonder. Such thoughts are the domain of leaders, not
|
||
fighters. We were uncomfortable.
|
||
|
||
By the time we reached the system we were barely creeping along,
|
||
afraid of a rout, afraid of an ambush, afraid of just about
|
||
everything but what confronted us. There was no ambush, no
|
||
battle, no movement. The armada had been destroyed, but no enemy
|
||
was there gloating over their victory. The silent hulks of both
|
||
sides drifted about. Once-powerful giants were now shredded
|
||
carcasses, celestial flotsam in the inevitable grip of the local
|
||
sun.
|
||
|
||
Tales of dread and terror told in the safety of the gravity
|
||
wells, told in all seriousness by the old and laughed at by the
|
||
young, came to all our minds amid the scattered bones of
|
||
once-great fleets. Ghost stories are told over a fire or a beer,
|
||
but they are remembered in graveyards. We, the young, stopped
|
||
laughing that day.
|
||
|
||
The unknown is a terrible thing. It alone can unveil fear in the
|
||
fearless. Coasting through that graveyard, we instantly believed
|
||
the awful fables. This was not a comfortable graveyard we passed
|
||
through, not a cemetery of the battle-slain. No, a field of
|
||
death would have been comforting. As gruesome as death may be,
|
||
it is familiar. The scene before us was far from familiar.
|
||
|
||
Even though we recognized some of the mangled forms as ships of
|
||
our comrades, among them there were no comrades, alive or dead:
|
||
no bloated, bloodied bodies floating amidst the wreckage; no
|
||
carcasses pierced and mutilated by the tortured remains of their
|
||
ships; no dismembered fragments drifting by with their comet
|
||
tails of crystalline blood. Throughout the mass of monstrous
|
||
metal corpses, not a single human one was to be found.
|
||
|
||
In a short time we discovered that there were no organics
|
||
whatsoever remaining. The wreckage had been stripped of all
|
||
vegetation, plastics, water -- even the batteries and fuel cells
|
||
were gone. Nothing living or capable of harboring life remained.
|
||
The visions from the horrible tales reared up before us. Grendel
|
||
had come and feasted upon the combatants. Grendel, an unknown
|
||
terror, a name some forgotten mystic had pulled from an ancient
|
||
epic. The newest of those tales were hundreds of years old, the
|
||
oldest mere rumors from many millennia past. It was as if an
|
||
occasional plague were sent to slap humanity in the face, to
|
||
remind us of our distant fall from the Golden Age when humans
|
||
were gods and held power over suns. That reminder was vividly
|
||
before us again, shaming us from our lofty dreams of power.
|
||
|
||
Each tale has its own story: The sad demise of some hero, the
|
||
final death of some terrible villain. But Grendel feeds on them
|
||
all. Always, two great fleets oppose each other in a great
|
||
battle -- it has to be a great battle, for two lone ships in a
|
||
skirmish did not make a legend -- and always, Grendel comes and
|
||
indiscriminately destroys them, leaving never a witness.
|
||
|
||
The mystery and the legend had come alive before us, and we
|
||
would now write our own tales. We could add what had never been
|
||
told before. We now knew of the dreadful immediacy of Grendel.
|
||
The other stories talked of days or even years before the
|
||
battleground had been visited. In our chapter we would bring
|
||
that down to a single hour.
|
||
|
||
When the somber shock in our minds quieted enough for us to
|
||
function, we mechanically went about collecting the few
|
||
remaining secrets our ships held, and searched for remnants of
|
||
the secrets of the enemy. But this was mere fill in our story.
|
||
We had one more chapter yet to write.
|
||
|
||
Our sensors were running wide open, active as well as passive.
|
||
Hiding, we guessed, would be useless, so we scattered our pings
|
||
in all directions, not wanting to be surprised. We finished our
|
||
survey the next day and were about to go home when one of the
|
||
spotters caught a distant derelict changing course. Something
|
||
was still alive a million miles away. When we got there, we
|
||
found more than machinery, but less than a man. His mind was as
|
||
twisted and jagged as the wreckage we had left behind. He had
|
||
expended nearly the last of his breathable air to deflect his
|
||
drift in the hope that we would notice. It saved him, but by the
|
||
time we got there he was already suffering from anoxia.
|
||
Vacillating between light-headed fatigue and raving lunacy, he
|
||
was quite insane, but those of us who saw him knew that it
|
||
wasn't oxygen deprivation that had driven him mad.
|
||
|
||
The official report pieced together from his fractured testimony
|
||
was quite bland, of course. He and his squadron had jettisoned
|
||
early to surprise the enemy. But the enemy had surprised them
|
||
instead with the same thought. They fought their little skirmish
|
||
and lost. He was alive with his little environment intact, but
|
||
all his systems were knocked out. The victors hurried off to
|
||
join their main force and left him to float with the remains of
|
||
his friends. All he could do then was watch and, with no
|
||
systems, all he had were his naked eyes.
|
||
|
||
A million miles is a long way, but the combat was a fierce one,
|
||
the power of the battle fires toyed not only with the machines,
|
||
but with space, which glowed and wavered around the combatants.
|
||
As a light-bulb under water, he described it. But then it
|
||
flashed brilliantly and he was blinded for hours. When his sight
|
||
finally did return, it was the next day. From his distance he
|
||
couldn't see anything of the battleground. His signal was simply
|
||
the last act of desperation.
|
||
|
||
That was his story on the official documents, but his pages on
|
||
the chapters of our legend were such to grease the fires of
|
||
morbid romance. No longer would the tales speak of sad heroes
|
||
and vanquished villains. The old tales all spoke of the horror
|
||
and the mystery, but those had always been subsumed by other
|
||
plots. This demented witness's testimony of horror brought the
|
||
mystery to the fore, and there it would stay. A ball of light
|
||
flashed brilliantly about the battle -- that much had made it
|
||
into the official report -- but he wasn't blinded by it. Not
|
||
really.
|
||
|
||
Because of the light he could see nothing but Grendel, but what
|
||
else was there to see? From a million miles away, the greatest
|
||
ships of the fleet were mere specks, yet he could see Grendel
|
||
tearing away at those specks, unleashing the energies within,
|
||
cracking shells between its teeth to suck at the vital meat.
|
||
Yes, teeth. That is how he saw Grendel, a great face, vicious
|
||
and beastly. Through the massacre it was bowed down,
|
||
concentrating on its work. But when the fleets were consumed, it
|
||
turned and glared at him, a face of energies: red heat, white
|
||
heat, a tattered blue-green corona blowing as a mane in an
|
||
unseen wind, eyes burning with the power of suns, its snout
|
||
smeared with the lifeblood of its kill, bleeding planets
|
||
dripping from its ethereal fangs. When it saw him its
|
||
countenance brightened, grew less demonic, its eyes twinkled. It
|
||
winked at him once before returning to its lair beyond the
|
||
universe.
|
||
|
||
|
||
|
||
Ah, you're listening to the old man's tale with interest now!
|
||
You hadn't heard these stories before? I had thought that
|
||
perhaps you had. So have I gained the power of the ancient
|
||
mariner over you after all. Isn't it a wonder that that yarn has
|
||
survived over untold centuries? Why would such a tale stay with
|
||
us when so much else is lost? It is the mystique, of course. The
|
||
mystery always attracts the human soul. It is because of
|
||
curiosity that we toil as we do, and curiosity is fed by
|
||
mystery. The works of our ancestors which betake of this mood
|
||
appeal to all ages while the fare of lighter moods vanishes in a
|
||
few years. Beowulf. The Rime of the Ancient Mariner. The Jovian
|
||
Dirge. The wordsmiths and the memories of them have long since
|
||
drifted into oblivion while their moody tales have survived to
|
||
taunt us, becoming mysteries themselves.
|
||
|
||
I am wandering again. Forgive an old man his senility.
|
||
|
||
|
||
|
||
I was haunted by what I had seen. For a time I tried to forget
|
||
the wrath of Grendel. But who could forget such a manifestation?
|
||
And who would let me? We who had seen the bones of Grendel's
|
||
feast were the center of attention at every landfall. So I took
|
||
the memory and fed upon it. It became a dream of mine to see
|
||
Grendel for myself, to tell of the real Grendel, not the
|
||
inarticulate visions of a raving lunatic. Grendel fed on war.
|
||
Very well. I would remain a cog of war.
|
||
|
||
I served my masters well, but their thanks was a forced
|
||
retirement. It seems they found no more use for a feeble old
|
||
man. Feeble! That was half a century ago and I still live! We
|
||
all heard, later, that on the night of my retirement ball,
|
||
Grendel had struck again. And the ships that had been under my
|
||
command were there! It mattered little to me that my ships were
|
||
torn to shreds. They saw Grendel before they died! That was all
|
||
that I had asked and my masters had taken it from me.
|
||
|
||
But they were my masters no longer, and there was still hope.
|
||
This latest visitation, terrible as it was, was nothing more
|
||
than the retelling of the older tales. No new chapters could be
|
||
written from it. The battle ground was not trod upon until days
|
||
afterward; there were no surviving witnesses. The desolation was
|
||
familiar -- yet no matter how familiar, it was still terrible,
|
||
and many were very afraid. Grendel had never attacked in such
|
||
quick succession before. It was a sign, they pleaded. Stop this
|
||
useless waste of men and machines or Grendel will feed on us
|
||
all.
|
||
|
||
Ha! It was a sign, all right, but it didn't portend any of their
|
||
superstitious nonsense. I had some suspicions of the nature of
|
||
Grendel that this latest attack appeared to confirm. Only the
|
||
most exceptional show of power attracted it, and I knew our war
|
||
machines were far from exhausted. We and our enemies were still
|
||
human, still full of our nature, and we both had much more
|
||
wealth yet to squander. Another great battle was sure to occur
|
||
again soon. So I waited. Yet waiting was not enough. I had to
|
||
live to see that battle. I became an expert of human nature and,
|
||
in my own small way, I assisted our civilizations in achieving
|
||
the summit of that nature. There would be another great battle
|
||
and I would be there, waiting.
|
||
|
||
I wanted to see Grendel with my own eyes. This desire superseded
|
||
all other passions, or brought those passions to bear for it. I
|
||
expected my doom when I encountered Grendel, and I would be
|
||
satisfied at that if I could just view the vessel of my
|
||
destruction. But I could still hope to survive the encounter,
|
||
could still hope to add my own chapter. So when I wasn't
|
||
studying human nature, I was studying the sciences to bring
|
||
about that survival. I had amassed enough wealth to buy or take
|
||
most anything I needed. The only fear I entertained was that I
|
||
would face death before I faced Grendel. But you see that I have
|
||
survived.
|
||
|
||
At last the greed of the empires built beyond endurance and they
|
||
once again went to war. Exploratory skirmishes at first, but
|
||
soon all of their greatest engines were brought into service
|
||
and, in the usual irony of war, the two sides could still find
|
||
one thing upon which they could agree: a meeting place and time
|
||
for the mutual slaughter.
|
||
|
||
I was there before the combatants, waiting. For those enamored
|
||
of battle machines it was a magnificent sight. Even from my
|
||
hidden distance, burrowed into a dead rock loosely orbiting the
|
||
dead sun that marked their rendezvous point, the arrayed forces
|
||
opposing each other were beautiful. Manufactured black shapes
|
||
set against the natural blackness of space. One ship is almost
|
||
invisible, but bring hundreds into view in an orderly pattern
|
||
and space becomes an embossed sheet of velvet, figures rippling
|
||
through the fabric as squadrons maneuvered.
|
||
|
||
For a moment they stood, quivering but quiet, like cobras
|
||
preparing to strike. Then they opened their energy piles against
|
||
each other, each of them the power of a small sun, combined, a
|
||
hundred suns, and soon a thousand, blazing in fury amidst ships
|
||
who expended as much energy in avoidance and absorption as in
|
||
offense. The dead system was ablaze. I thought my distance would
|
||
be sufficient to keep me out of the force. I was wrong. The rock
|
||
around me boiled away to nothing; my shields alone kept me
|
||
alive.
|
||
|
||
The expanse around me blazed and soon began to shimmer as if
|
||
through the heat rising from a fire, though, of course, there
|
||
was no air from which such a fire could breathe. But it wasn't
|
||
an air-breathing dragon that had been awakened. This dragon
|
||
breathed space. The glow was fierce. My displays dampened until
|
||
almost opaque and I was still nearly blinded. My ship itself
|
||
seemed to glow. The shimmer increased; the stuff of space began
|
||
to fold into itself and, as if it couldn't bear the stress, I
|
||
saw what I can only describe as cracks and gashes. Most of them,
|
||
the largest, were far from me, but a few were much too close.
|
||
The forces tearing away space outside my ship began to slip
|
||
their talons within, scratching at me. Scratching was all they
|
||
could do to me -- I was still protected -- but it was terrible.
|
||
Before I blacked out, the sinews behind those talons reached out
|
||
for the battle. Grendel tore through the cracks of space,
|
||
firing.
|
||
|
||
When I awoke, the air inside the ship tingled. Space was still
|
||
creased and torn. And Grendel was still out there, scavenging
|
||
for the scraps left over from the melee. It wasn't the vision of
|
||
the demented lunatic that faced me, though I found myself
|
||
mapping what I saw to the stories he told. The energies
|
||
engulfing the scene, both visible and invisible, were intense.
|
||
My screens were still at their dimmest setting. I was just
|
||
outside their sphere of influence, much closer than I had
|
||
planned, but still far enough away that I hadn't been torn to
|
||
shreds. Dark but sparkling shapes were moving about within. They
|
||
were huge, the size of planets, and they moved in perfect
|
||
precision. At the center of the sphere of energies was a region
|
||
darker than space should be. Space was still rent and cracked
|
||
all around me. Most of the tears were tiny, barely visible, but
|
||
planets could be swallowed by that huge gaping hole. With a
|
||
little imagination, I formed of the ships a dotted outline of a
|
||
face and of the gaping maw of non-space its grinning leer. The
|
||
madman had, indeed, seen Grendel. As I watched, the beast which
|
||
had consumed all around it began to consume itself. The sphere
|
||
was shrinking and the jagged smirking visage was swallowing its
|
||
own dotted outline, swallowing the planet ships.
|
||
|
||
Legends spoke of great battles fought by the nobility of the
|
||
ancients, fought over galaxies. Much too grand to be believable,
|
||
they could still be told as legends. But all legends have some
|
||
truth to them, and I had a theory. In those greater times of the
|
||
supreme glory of humankind, we fell from grace, and have been
|
||
falling ever since. In the first battles, their strength had to
|
||
be great indeed. Our mightiest conflicts would be mere
|
||
skirmishes to them. In their ultimate encounter, they not only
|
||
tore into each other, but they tore into the fabric of the
|
||
universe, and fell through. They were swallowed by their own
|
||
passions and trapped beyond space. Now, in our meager shows of
|
||
vice, we but barely poke holes through the universe. But beyond
|
||
those holes lies the power of the ancients ready to annihilate
|
||
us before falling back to their lair as the holes heal.
|
||
|
||
My theory seems to have been correct. I have seen the glory of
|
||
the ancients. You heard me rave about the beauty of our fleets,
|
||
but I can rave about such things no more. Not only beautiful
|
||
were the ancient ships, but sublime in their casual display of
|
||
raw power. Not the pageant of our crude metals. Their parade was
|
||
a crystalline spectacle; not even as substantial as crystal,
|
||
those ships were pure energies made solid for the warriors'
|
||
benefit. Every part of each ship could be converted to war.
|
||
|
||
But my thoughts again drift. You know these things. Please
|
||
forgive an old man. I am still in wonder.
|
||
|
||
Now when I recovered from this glorious vision, the talents of
|
||
my ship, unique in all the galaxy, were put into place. I know
|
||
little of the science of space travel, but no matter. What needs
|
||
a caveman the knowledge of chemistry to cook over a fire?
|
||
Gravity wells play havoc with jump ships, this much I do know.
|
||
They cannot jump from or return to normal space closer than a
|
||
few million miles from anything larger than a moon without
|
||
losing precision. And the closer to such a body, the more
|
||
precision is wanted. But some unnamed genius had discovered a
|
||
formula for the deviations, and my ship was built to prove it.
|
||
|
||
So now I set the ship to jump. And waited. The last of the dark
|
||
crystal planets was leaving the universe; space began to unfold,
|
||
spreading the cloth of itself smooth again. I guessed that I
|
||
must now take the chance, and hoped the folds wouldn't upset the
|
||
equation - I did have a direct line of sight to my target. I
|
||
pushed the button. It amazes me that after thousands of years of
|
||
technology, we still use such archaic tools, but how does one
|
||
improve on a button? I pushed it and found the equation proven
|
||
when I appeared next within the landing bay doors of the last
|
||
ship in the Fleet of Grendel.
|
||
|
||
You had little chance, then, to decide what to do with me before
|
||
the holes in the universe swallowed you back up, so now you are
|
||
stuck with me and my ship. I care not your verdict or your
|
||
mercy. I have lived to see Grendel. I have nothing more for
|
||
which to live. To die, fight, or peacefully spend my remaining
|
||
days is of little import now. The thought of writing my chapter
|
||
is no longer appealing, even if it could be read. There would be
|
||
no mystery in that chapter. Amazement, yes, but no mystery. Why
|
||
should I take that from the human race? It will die when it
|
||
discovers everything there is to be known. You, Lords of
|
||
Grendel, are necessary for its survival.
|
||
|
||
|
||
|
||
You make us sound so noble, old man, but all we do is kill. You
|
||
speak of millennia. We know only months. Even now we are again
|
||
in battle. Feel the tremors? How much time has elapsed in your
|
||
universe since you arrived? Ten years? A thousand? It does not
|
||
matter in here. We cannot escape. We do not know how. We are
|
||
only warriors, all we know is how to survive.
|
||
|
||
But you still haven't answered our question. The technology
|
||
within your ship is new to us. Nothing less than a great state
|
||
could develop such a craft. How did you come to be its pilot?
|
||
|
||
|
||
|
||
I have found that obsession can master the impossible,
|
||
particularly when one has been an emperor.
|
||
|
||
|
||
Russell Butek (butek@rconnect.com)
|
||
------------------------------------
|
||
Russell Butek is a nomadic software type who can't decide where
|
||
he really wants to live. He grew up in the Cold White North of
|
||
Wisconsin and got his education there, and has lived on the east
|
||
coast, west coast, and places in between, along with a brief
|
||
stint in Germany. He<48>s currently checking out Texas.
|
||
|
||
|
||
|
||
Heading Out by Adam Harrington
|
||
==================================
|
||
....................................................................
|
||
This is the story of a journey from childhood to adulthood. And
|
||
we're not being metaphorical.
|
||
....................................................................
|
||
|
||
1.
|
||
----
|
||
|
||
The twenty-ninth of December 1940 was not a good day in
|
||
Lewisham. To most Londoners, this was merely the worst night of
|
||
the Blitz. To my paternal grandparents and me it was historic
|
||
because that night my dad was born.
|
||
|
||
My grandmother lay in the cellar of Lewisham General Hospital
|
||
amongst candles as, above, the Luftwaffe took London apart block
|
||
by block. The bare electric bulbs flickered every now and again
|
||
as the building shook to the reverberations from falling bombs,
|
||
and there was the occasional crash of a window being blown out
|
||
in the empty hospital above. Through tears in the
|
||
blackoutblankets, the sky flickered red under the drone of
|
||
German bombers, the badoom-badoom of anti-aircraft cannons and
|
||
ashes blew in through shattered windows and swirled around empty
|
||
wards and naked iron-frame beds.
|
||
|
||
As patriotic as my grandmother was, she frankly didn't care that
|
||
the country was being softened up for invasion in the same way a
|
||
chef's mallet tenderizes a steak. She was grunting and straining
|
||
under the coaxing of nurses who must have been cursing this,
|
||
quite possibly the worst night shift of the century.
|
||
|
||
My dad slithered out at five past one in the morning of the
|
||
thirtieth of December and within a few shocked seconds told the
|
||
world exactly what he thought of it.
|
||
|
||
My grandparents lived in a two-story brick terrace house and
|
||
pursued a life of aspirant working-class Protestant probity,
|
||
going to the Victorian gothic church twice on Sundays and
|
||
keeping their front rooms spotless and the piano consistently
|
||
badly tuned. My dad went to the Church of England primary
|
||
school, failed the 11-plus and was dumped in the local secondary
|
||
modern. When he was 15 he swiped Mrs. Frobisher, a war widow,
|
||
rather inexpertly across the shoulders with a plank of wood and
|
||
ran off with her blue fake leather handbag, which, he soon
|
||
discovered, contained five shillings and sixpence, a packet of
|
||
mints and a handkerchief.
|
||
|
||
Even if you ignore the social and humanitarian implications of
|
||
such an act, this was a silly thing to do. In Lewisham in 1955
|
||
most people knew everybody else and my dad had developed a bit
|
||
of a reputation as a tearaway. At least a score of people had
|
||
seen him, so the police paid a visit to my grandmother, who sat
|
||
ashen-faced in the kitchen with her hands on her floral apron
|
||
wondering where she had gone wrong. Grandfather drank a bit too
|
||
much, but he worked hard on the railways and went to church. She
|
||
made good meals every evening and cleaned the house. What more?
|
||
|
||
When I asked my dad, now enjoying a content middle age, why on
|
||
earth he did such a terrible thing, he sighed. Life was very
|
||
boring in 1955, he said. Really very boring, and I was very
|
||
young.
|
||
|
||
My dad lurked around Lewisham for a few hours and then sauntered
|
||
home, whereupon two policemen launched themselves at him from
|
||
various crannies of the sitting room and he was carried, kicking
|
||
and yelling, away from his grief-stricken mother and deposited
|
||
in the local nick. After a very brief court appearance he was
|
||
sent to a borstal near Rochester. Mrs. Frobisher, I am glad to
|
||
say, made a full physical recovery, although she was jittery
|
||
near the market ever after.
|
||
|
||
Did, er, 'things' happen in borstals in those days? I asked my
|
||
dad once.
|
||
|
||
Yes, he said, 'things' happened quite a lot. I was so stupid I
|
||
thought the boys were having a fight in the showers. They were
|
||
making all the same noises. My dad paused. I awaited a family
|
||
revelation. There was this group of boys who took a fancy to
|
||
me.... My dad trailed off and took solace in a hefty swig of a
|
||
rather horrible vin de pays he had bought the previous summer
|
||
from a farm near Montpelier.
|
||
|
||
Borstals were a bit more relaxed in 1956 than in Brendan Behan's
|
||
day, and inmates "of good character" were occasionally allowed
|
||
out to work in the town as a form of rehabilitation. My dad,
|
||
being a quiet, industrious and charming person when he wanted to
|
||
be and, more importantly, of a practicing Church of England
|
||
family,was considered of good character and was farmed out to a
|
||
metalworking shop in the Chatham dockyards. He worked so well
|
||
that during a sudden rush his employers asked the prison
|
||
authorities if he could stay after hours to help with the
|
||
backlog. The borstal agreed, and Dad did a bunk.
|
||
|
||
So, one warm May night when he should have been going back to
|
||
the institution, my dad trotted through the streets of Chatham
|
||
in his borstal issue shirt and slacks, climbed up a railway
|
||
embankment and, amazingly, managed to climb aboard a train to
|
||
London as it waited for the lights to change.
|
||
|
||
If anybody noticed this, they were terribly English about it and
|
||
pretended that nothing had happened. My dad curled up in a ball
|
||
on one of the seats and fell asleep until the train reached
|
||
Victoria station. Not knowing what to do now that he was in
|
||
London, and too frightened about the police to find his mother,
|
||
he walked to Paddington station with the intention of getting on
|
||
another train, but found that not a lot was happening at that
|
||
time of night. So instead he nicked a loaf of bread from
|
||
somewhere -- my dad did not elaborate -- climbed into a wooden
|
||
freight wagon, ate the entire loaf and fell asleep.
|
||
|
||
The wagon was shunted the next morning. My dad was knocked awake
|
||
and spent a few panicked seconds wondering who and where he was.
|
||
The wagon was knocked about for half an hour, and as soon as my
|
||
dad's heart had stopped tripping over itself, he pulled the
|
||
wagon door open and looked out on some bleak and dreary sidings
|
||
near Willesden Junction in north west London. He let himself
|
||
down from the wagon and made his way to a brick wall some fifty
|
||
yards off. A few steps over the tracks and he was spotted.
|
||
|
||
"Oi! You! Wotcha dooin?"
|
||
|
||
My dad jumped five feet into the air and couldn't be seen for
|
||
dust as he sprinted across the tracks and vaulted the brick
|
||
wall. All a bit of overkill, really, as the railway workmen (fat
|
||
lumps all of them) could barely roll faster than the beer
|
||
barrels they resembled.
|
||
|
||
Dad then walked vaguely northwest along the Harrow Road through
|
||
Wembley (where he stole a couple of apples), Harrow-on-the-Hill
|
||
(where he stole another apple, some cheese, a rather sawdusty
|
||
cake thing, some bread rolls and ate them all), Pinner (where he
|
||
stole absolutely nothing), Rickmansworth (where he stole a huge
|
||
shopping bag full of groceries, but had to drop it outside
|
||
Woolworth's to escape a posse of enraged shoppers) and
|
||
Chorleywood, where it started to rain.
|
||
|
||
My dad fought with second thoughts as his grand adventure took a
|
||
suddenly wet and dismal turn. He started running to keep warm,
|
||
and jogged a few miles through wet dog's mercury and beech woods
|
||
near Amersham and Chesham and then, for who knows what reason,
|
||
took a minor road which ran north west towards Aylesbury over
|
||
the green and white Chiltern Hills. This area of the Chilterns
|
||
is now packed with joggers. On Sundays you can barely turn a
|
||
country road without slamming on the brakes in an effort to
|
||
avoid another blank-eyed and sweaty fitness fanatic plodding
|
||
past heady bramble and elder hedges. I claim my dad started it
|
||
all. People generally didn't run anywhere in 1956 unless they
|
||
had killed someone or were Roger Bannister.
|
||
|
||
Just as it began to get dark my dad found a brick shed, crawled
|
||
among the rakes and hoes and fell asleep.
|
||
|
||
The house to which the shed belonged lay less than twenty feet
|
||
away on the other side of an elm hedge, and about an hour after
|
||
my dad had curled up around garden implements, the owner of the
|
||
house decided to return her secateurs to the shed after pruning
|
||
the vine in her conservatory. May is not generally a good month
|
||
to do this, but Elisabeth lacked finesse in the gardening
|
||
department.
|
||
|
||
Elisabeth wasn't her real name; Dad never told anyone what her
|
||
real name was. In fact Dad never talked about this episode at
|
||
all out of choice, except to my mum just before he married her,
|
||
who then told me some twenty-five years later over washing the
|
||
Sunday dishes when I pursued this story. And when I told Dad
|
||
that mum had already told _me_, he wanted to know exactly what
|
||
mum had said, of course, and I managed to blackmail him into
|
||
revealing the whole story. He recounted the story in an odd
|
||
stop-and-start fashion, reflecting his internal pendulum of
|
||
embarrassment and sentimentality.
|
||
|
||
Your dad, said my mum, was quite a looker when he was younger.
|
||
|
||
My dad at this stage was asleep with his head hanging over the
|
||
back of the sofa, snoring gently. Mum removed the gradually
|
||
tipping wine glass from his hand and he snorted in some
|
||
subconscious annoyance. Difficult to see my dad as a bit of a
|
||
looker. He always looked, well, like a dad.
|
||
|
||
Elisabeth saw my dad as soon as she opened the shed door. My dad
|
||
took several seconds to realize he was being looked at, sprang
|
||
to his feet ready to run, but tripped on a garden fork and
|
||
pitched forward with a squeak. Elisabeth stepped out of the way
|
||
to allow my dad to crumple without hindrance on the damp grass.
|
||
|
||
"Are you all right?" she asked, bending over my dad.
|
||
|
||
My dad rolled on his back. His stomach, then flat, now anything
|
||
but, grumbled loudly. He grinned in embarrassment.
|
||
|
||
"Are you hungry?" said Elisabeth.
|
||
|
||
"Yes," said Dad. My dad was 16 and just out of borstal. Not a
|
||
conjunction designed for charmingly seductive repartee. A
|
||
situation since rectified, sighed my mum, and always directed
|
||
inappropriately.
|
||
|
||
"Well, if you have nothing to do right away, would you care for
|
||
a spot of something to eat?" said Elisabeth.
|
||
|
||
Dad said that he had never met anyone who talked like that
|
||
before. He was used to that peculiar form of southeast English
|
||
referred to as _sahf-luhndun_. Only his mum, my grandmother, had
|
||
ever tried to talk "proper," but even then nothing so upper
|
||
class as this. It was like being with royalty. And with royalty,
|
||
you do as you are told.
|
||
|
||
Dad nodded to the food question. He was suffering the ravenous
|
||
appetite of the hyperactive young, after all. Elisabeth tried to
|
||
wave my dad in front of her, but he didn't quite catch on and
|
||
Elisabeth, being polite, took the lead and my dad plodded after
|
||
her.
|
||
|
||
I couldn't believe the house, my dad said to me. It was like
|
||
those silly Famous Five books, all brick and timber and
|
||
fireplaces and tiled floors and oak tables. I can't imagine what
|
||
she made of me. Damp and dirty, a now heavily soiled thick
|
||
cotton shirt hanging at an angle over my chest, buttons missing
|
||
and untucked into my trousers, my bad borstal haircut stuck up
|
||
all angles and full of dried grass. She looked at me in the
|
||
light of the room and I could see a laugh creeping across her
|
||
face. I couldn't see why then, but I can now. She asked me to
|
||
sit at the blackened oak table and went into the kitchen, where
|
||
I heard her laugh, although it might have been the radio. I
|
||
looked around, but I was too overawed and tired to be really
|
||
interested in stealing anything.
|
||
|
||
"It might be about half an hour before I can get anything
|
||
ready," said Elisabeth. "Is that all right?"
|
||
|
||
My dad nodded. He would have agreed to anything right then.
|
||
|
||
"Do you live near here?" she asked.
|
||
|
||
My dad shook his head.
|
||
|
||
"Hmph," said Elisabeth, knitting her brow in vexation at the
|
||
difficulty of getting anything remotely intelligent out of him.
|
||
"What about your parents? Won't they be worried?"
|
||
|
||
"No, no, please don't call them," said my dad, looking
|
||
frightened.
|
||
|
||
"Well, all right. I think you should tell them that you're all
|
||
right though. You needn't say where you are. I've got a
|
||
telephone."
|
||
|
||
Dad didn't respond.
|
||
|
||
What did she look like? I asked my dad. Well, he said, she was
|
||
shorter than me (my dad was five-foot-seven, and had been since
|
||
he was eighteen) with black hair. How old was she? I asked. Dad
|
||
thought about whether to answer that one, and gave me an angry
|
||
look. I wasn't put off. I don't know, he said. When I was that
|
||
age there were only four ages -- children, my age, my parents'
|
||
age and my grandparents' age. She was my parents' age put like
|
||
that, though I think now that she must have been in her late
|
||
twenties.
|
||
|
||
"Why don't you have yourself a bath while I'm getting something
|
||
ready?" said Elisabeth, who was driven more by thoughts of
|
||
hygiene than altruism.
|
||
|
||
Baths have been one of my dad's lifelong weakness. Along with
|
||
food, alcohol and women, of course, but baths were always my
|
||
dad's first and most faithful of loves. So Elisabeth was
|
||
slightly taken aback by the enthusiasm of my dad's response.
|
||
|
||
Dad suddenly stood up at the oak table and said, "Yes, please!"
|
||
|
||
Elisabeth led my dad up to the bathroom, put in the plug and
|
||
turned on the hot tap. The geyser ignited with a _whumph_ and
|
||
covered the bathroom window with fog.
|
||
|
||
"I'll get you a towel," she said, removing her towels from the
|
||
wooden towel rail as she left in case he should use those by
|
||
mistake. Dad sat on the loo watching the water fill the bath. My
|
||
grandmother had a bath, but the borstal bath was so huge, filthy
|
||
and rarely used that it hardly counted as a bath at all. Dad's
|
||
toes twitched in anticipation and he began to undress.
|
||
|
||
Elisabeth returned with an armful of towel, a pair of trousers,
|
||
some underwear and a shirt. My dad was almost, but not quite
|
||
indecent, and vaguely aware that this wasn't the done thing in
|
||
front of women.
|
||
|
||
Give her her due, said dad to me, she didn't bat an eyelid.
|
||
|
||
"These were Tom's, my husband's. They might just fit you. Don't
|
||
worry, he won't be back," said Elisabeth.
|
||
|
||
It had never occurred to me to be worried, said my dad. I was
|
||
such an oaf. But the bath was good. My dad raised his legs and I
|
||
could see his toes curling in nostalgia inside his slippers.
|
||
|
||
And then? I asked.
|
||
|
||
Well, said my dad, I had some meat and potatoes and I remembered
|
||
my manners and used my knife and fork properly.
|
||
|
||
And then?
|
||
|
||
What do you mean And Then? Have you any sense of propriety
|
||
regarding your old man? Dad sighed. Well, what do you think? I
|
||
lost my virginity. Technically speaking I had lost it the
|
||
previous month, but I don't consider that real. Dad looked
|
||
dreamily at the ceiling and muttered Mmmm quietly to himself.
|
||
|
||
You can't just leave me there, I said. Dad looked at me, various
|
||
emotions flickering across his face. I wondered whether I had
|
||
pushed a wee bit too far.
|
||
|
||
She took off all my clothes and told me to do the same to her.
|
||
We lay on the rug in the sitting room and she stroked me all
|
||
over, and told me to do the same to her. Then we made love all
|
||
night. Well, until I fell asleep anyway. I didn't know what had
|
||
hit me. OK?
|
||
|
||
I felt rather jealous of my dad. My first time, real or
|
||
otherwise, was so ridiculously inept that both of us gave up and
|
||
decided to watch the TV instead. It wasn't a complete failure,
|
||
obviously, otherwise it wouldn't count as the first time. It
|
||
took Ruth -- that was her name -- and me about a week to get
|
||
plumbing and lust to coincide. And then it was quite fun. And
|
||
then we moved on, bound across years, relationships and now
|
||
oceans by our juvenile fumblings. She's now an up-and-coming
|
||
journalist. A respected adult with respected colleagues, no
|
||
doubt.
|
||
|
||
The next day my dad woke up in a bed with white linen sheets
|
||
rather than gray cotton ones, and trooped after Elisabeth like a
|
||
lost puppy, grinning daftly all the time.
|
||
|
||
It was lucky, my dad told me, that I was such a complete naif,
|
||
otherwise there would have been impenetrable layers of meanings
|
||
and sub-meanings and guilt and regrets, and as it was I thought
|
||
the whole thing was just grand, which made her just laugh and
|
||
laugh. I mean, why did she do it? A sixteen-year-old boy of whom
|
||
she knew nothing? She must have been a strange woman. My dad
|
||
took another slug of his _vin de pays_ as we pondered
|
||
Elisabeth's motives.
|
||
|
||
When I raised the question with my mum, she shrugged. Quiet
|
||
desperation, like most of us, she said. I must say that I found
|
||
this remark slightly chilling.
|
||
|
||
I would love to have seen Elisabeth through my eyes now, said
|
||
Dad. I mean, why? My dad shook his head and drew his eyebrows
|
||
together.
|
||
|
||
Dad stayed with Elisabeth for about a fortnight -- doing
|
||
gardening, repointing the chimney and repegging roof tiles under
|
||
Elisabeth's arm-waving commands from below. It was the first
|
||
time Dad had ever voluntarily taken instruction from anyone, and
|
||
he enjoyed doing it, and didn't even mind when Elisabeth cursed
|
||
him fulsomely as a dozen expensive Kent pegs slid from the roof
|
||
and demolished themselves on the front path because he hadn't
|
||
stacked them properly. He just grinned and grinned.
|
||
|
||
"Where are you going?" asked Elisabeth one night over dinner.
|
||
That day Dad had been a little distracted. He felt an imaginary
|
||
net close in around him. It wasn't as if the police were looking
|
||
for me, my dad told me. They wouldn't waste time on a runaway,
|
||
but I sort of felt the need to run again. I sometimes got like
|
||
that. Fidgety feet, I suppose.
|
||
|
||
"I don't know," said my dad. "I've always wanted to go to the
|
||
Yorkshire Moors."
|
||
|
||
Elisabeth munched on some cabbage. "You don't have any money,"
|
||
she said. Dad shrugged. "Well how have you been finding food so
|
||
far?" she asked. Dad grinned licentiously. A cloud of irritation
|
||
crossed Elisabeth's face, and before Dad could say something
|
||
crass said abruptly, "Well, I suppose you've been stealing,
|
||
haven't you?"
|
||
|
||
"Only when I'm very hungry," said Dad. Elisabeth ran her hands
|
||
over her face as she considered the options. "Well, don't do a
|
||
bunk on me. I'll give you a little something to take you part of
|
||
the way."
|
||
|
||
Oh, she was canny, said my dad. This way she could make sure I
|
||
wasn't making off with her family silver in the dead of the
|
||
night. That evening, in fact, she went through all her drawers
|
||
and cabinets "to do the dusting," she said. I thought she was
|
||
slightly potty then, but I now think she was making an
|
||
inventory. She never asked me to leave. I don't think she
|
||
particularly wanted me to go. I don't know how she would have
|
||
finished it if it had been up to her, but as it turned out, it
|
||
wasn't.
|
||
|
||
"I think I'll be going now," my dad said at about eleven in the
|
||
morning as Elisabeth was reading the Times in the garden.
|
||
|
||
"If that's what you want," she said, folding the newspaper and
|
||
getting up off the garden seat. Dad had collected his borstal
|
||
boots, but couldn't find his borstal shirt and slacks, which
|
||
Elisabeth had binned, at arm's length, protected by pink rubber
|
||
gloves, at the first opportunity.
|
||
|
||
"Here, have Tom's old work shirt. It'll last longer," said
|
||
Elisabeth. She also gave Dad Tom's old tweed jacket and a newish
|
||
pair of corduroys Tom had bought but never wore. My Dad took off
|
||
the thin cotton trousers and shirt he was currently wearing and
|
||
put on the new set. Elisabeth spent the next five minutes
|
||
dashing around the house like a mad thing. Dad watched her
|
||
uncomprehendingly.
|
||
|
||
This must have been her final check that I hadn't taken
|
||
anything, Dad told me.
|
||
|
||
Then, slightly flushed and breathless, she gave my dad a wallet,
|
||
a paper bag with some sandwiches and an apple in it, and a peck
|
||
on the cheek. She held his hand as they walked down the path to
|
||
the road. He walked into the middle of the road and looked
|
||
around.
|
||
|
||
"Which way's Yorkshire?" he asked.
|
||
|
||
"From here? Well, that way, roughly." She waved north over the
|
||
hill, at a right angle to the road.
|
||
|
||
"Oh," he said.
|
||
|
||
"But Aylesbury's that way," she pointed west along the road. Dad
|
||
grinned, waved and marched off to Aylesbury.
|
||
|
||
Thus endeth the Elisabeth chapter.
|
||
|
||
|
||
|
||
2.
|
||
----
|
||
|
||
Dad never let on who Elisabeth really was, and there are many
|
||
old farmhouses between Aylesbury and Chesham. I would have liked
|
||
to thank her for taking such good care of my dad, though I
|
||
suspect she would be somewhat mortified to have been thanked.
|
||
And one cannot entirely exclude the possibility that my dad made
|
||
the whole thing up, though I doubt it because Dad never made up
|
||
stories about anything else to my knowledge. Of course, since I
|
||
became a journalist like Ruth (though not paid anything like the
|
||
amount she is) I now make up stories all the time. No member of
|
||
my family can reconcile what I do for a living with watching the
|
||
BBC news or reading the Daily Telegraph. Actually, I can't
|
||
either, but there we go.
|
||
|
||
Dad looked into the wallet Elisabeth had given him. It contained
|
||
twenty pounds, a staggering sum for my dad, who had never seen
|
||
more money than ten shillings in one place at any one time. He
|
||
reached Aylesbury -- over the scarp edge of the Chiltern hills
|
||
-- by mid-afternoon, and ate the sandwiches sitting in the
|
||
market square under the warm sun, feeling is if he belonged
|
||
there.
|
||
|
||
He used some penny pieces in the wallet to phone his mum, who
|
||
was, as one would expect, upset, confused and desperate about
|
||
her son. Her son didn't know how to respond, and didn't say much
|
||
except that he was going on holiday. His mum asked him to give
|
||
himself up -- only another few months in borstal and then he
|
||
could get on with his life. Dad wasn't willing to face the
|
||
reality that England is -- was -- a very bad country to be an
|
||
outlaw in. A crowded nation of factotum shopkeepers.
|
||
|
||
It didn't occur to my dad to rent a room for the night so he
|
||
took the Buckingham road and slept in a cow barn. My dad was not
|
||
keen on cows. As a London boy, Dad was only used to cows as
|
||
sides of beef on a butcher's hook -- and in the fifties, that
|
||
fairly rarely -- and occasionally as irregularly shaped gray
|
||
items on a Sunday plate. Real live cows also smelt rather bad.
|
||
He crawled into the barn's hay loft and lay awake listening to
|
||
the animals below.
|
||
|
||
I realized, my dad told me, that the cows must have been lowing.
|
||
It made it all seem rather Christmassy. Nobody ever talks about
|
||
lowing unless there is a little baby Jesus nearby.
|
||
|
||
Before daybreak Dad set off through Buckingham, stole a
|
||
breakfast and earned it by being chased at full pelt along the
|
||
entire length of the high street, his booted feet going
|
||
phutphutphutphutphut as he hurtled across the gravel just
|
||
outside the old jailhouse. He could run a lot faster than your
|
||
average grocer, who was making a more crunch, crunch, wheeze,
|
||
crunch-crunch-crunch, wheeze, crunch sort of noise. My dad then
|
||
followed the signs to Northampton.
|
||
|
||
North, you see, my dad told me. Sounded sort of exotic. Just as
|
||
well that I never saw any signs for Northfleet when I jumped
|
||
borstal. Northfleet is a town barely ten miles from the place.
|
||
|
||
Dad then pinched lunch from a grocer's in Towcester and plodded
|
||
along the Northampton road. He got to Northampton after the
|
||
shops had shut, leaving very little that was stealable without
|
||
putting a brick through a window. In any case, Dad was too tired
|
||
to deal with the inevitable high speed consequences of this and
|
||
decided to use the money Elisabeth had given him. This was a
|
||
momentous event in Dad's life. The first time he had actually
|
||
used his own money, freely given, to purchase a service for
|
||
personal consumption. He went into a pub just north of
|
||
Northampton city center to look for a room.
|
||
|
||
"How old are you, son?" asked the landlord, just as he was about
|
||
to give my dad the key.
|
||
|
||
"Eighteen," said Dad, accompanying his barefaced lie with his
|
||
best barefaced innocent eyed look.
|
||
|
||
"Hmph," said the landlord, not convinced. "Where you from?"
|
||
|
||
"London, sir," said Dad.
|
||
|
||
"Hmph. Room seven. At the top of those stairs there, then turn
|
||
left." The landlord leaned over the bar and looked for Dad's
|
||
luggage. "You bringing in your luggage now?"
|
||
|
||
"Ah, no," said Dad, his brain going into overdrive to explain
|
||
this one. "I'm visiting relatives in Towcester tomorrow. Don't
|
||
need any luggage -- I'd only forget it."
|
||
|
||
"Where did you say your relatives were?" said the landlord, an
|
||
entirely inexplicable smile creeping across his face.
|
||
|
||
"Towcester."
|
||
|
||
"I think you'll find it's pronounced _toaster_, actually."
|
||
|
||
"What is?" said Dad, frowning.
|
||
|
||
"Tow-cester. It's pronounced _toaster_."
|
||
|
||
"Really?" said Dad, genuinely surprised. "Oh."
|
||
|
||
"Well, whatever. Do you want dinner tonight?"
|
||
|
||
Dad was hungry again, and a bit more of the contents of his
|
||
precious wallet was used in a legitimate transaction. He went up
|
||
to his room before dinner, and as soon as he closed the door he
|
||
had a fit of the giggles. He threw himself on the bed and
|
||
stretched himself out, his hands behind his head, and grinned.
|
||
Once the novelty of that had worn off, he explored the wardrobe
|
||
and the mirrored cabinet above the sink. He turned on the hot
|
||
water tap and ran his hand under it for a good two minutes
|
||
before hot water from the storage heater managed to negotiate
|
||
the contorted, clanking, magnolia-painted pipes from the
|
||
basement. This gave Dad an idea. He went out into the corridor,
|
||
then remembered his key and went back into his room to collect
|
||
it, and went in search of a bath.
|
||
|
||
He found a huge enameled bath in a tiny, badly painted bathroom
|
||
with a cracked window and graying net curtains. Dad skipped a
|
||
little boogie of joy on the linoleum, and then sat on the edge
|
||
of the bath for few seconds and raised his legs, toes curling in
|
||
expectation. Then he went down to the bar for his dinner, which
|
||
was tasteless, amongst the mostly silent and grimly drinking
|
||
working men of Northampton, thinking about his bath.
|
||
|
||
What is this thing you have about baths? I asked my dad.
|
||
|
||
I don't know, he said. I suppose it reminded me of living at
|
||
home with my mum. We were one of the few families in our street
|
||
with a proper full-size galvanized tub. We didn't often have
|
||
full-blown baths because of the expense, and when we did we used
|
||
the same water for the whole family, with my dad coming last, as
|
||
he was the dirtiest. My mum, my sister and I used to share the
|
||
same bath all together until I was seven, at which point mum
|
||
deemed it inappropriate. I just remember the borstal as cold and
|
||
dirty.
|
||
|
||
Your dad always was quite the bon viveur, said my mum. Even when
|
||
I met him. It has always astonished me that he survived trekking
|
||
across England with no clean clothes and no wine.
|
||
|
||
Ah, said Dad, but that was before I _knew_ about clean clothes
|
||
and wine and roast pheasant and pate de foie gras and summer
|
||
holidays in France and stuff. You're not born with taste; you
|
||
have to _acquire_ it.
|
||
|
||
This latter was said with a grand sweep of the hand, which
|
||
seemed eloquent of something, but quite what was difficult to
|
||
say.
|
||
|
||
My dad soaked for a good half hour in that Northampton bath. He
|
||
then tried to sleep in that unfamiliar hired bed, but was too
|
||
excited about the portentous strangeness of it all, and tossed
|
||
about for an hour before finally slipping off.
|
||
|
||
He passed the landlord the next morning. "Off to Tow-cester now,
|
||
son?" he said.
|
||
|
||
My dad tried to laugh politely, but he's never been good at that
|
||
and I doubt whether he was any better when he was 16. This was
|
||
just the sort of thing you expected from the country. Trying to
|
||
catch people out with arbitrary pronunciations. Oh,
|
||
ha-bloody-ha.
|
||
|
||
Dad got fed up with plodding a few miles outside of Northampton
|
||
and decided to thumb a lift. The drivers of the few vehicles
|
||
which rattled along this road looked at Dad with a mixture of
|
||
bafflement and suspicion. After half an hour of this, my dad
|
||
decided to get up from the long summer grass he was sitting in
|
||
and look as if he wanted to go somewhere. Ten minutes later, a
|
||
farmer in a bulbous, dark green, left-hand drive army surplus
|
||
truck pulled over.
|
||
|
||
"Where you goin', son?" said the farmer, leaning out of the
|
||
driver's window.
|
||
|
||
"North, sir."
|
||
|
||
The farmer looked at my dad long and hard. "You've got the right
|
||
road, then. Couldja be more specific?"
|
||
|
||
"The Yorkshire Moors."
|
||
|
||
"That's a heck of a long way to go by thumbin' it. I'm going
|
||
just past Market Harborough. That do?"
|
||
|
||
"Yes, thanks," said my dad, who had no idea where Market
|
||
Harborough was.
|
||
|
||
Dad walked around the truck and climbed in the passenger seat.
|
||
|
||
"No knapsack or nothing?" said the farmer.
|
||
|
||
"No, sir," said Dad, hiding a sudden blush with a big grin. The
|
||
farmer chuckled as he looked through the rear window of the
|
||
truck ready to pull out.
|
||
|
||
"Name's Charlie Ferris," said the farmer.
|
||
|
||
"I'm George," said my dad.
|
||
|
||
My dad was named after King George VI, four years dead by then.
|
||
He was never awfully keen on the name, any more than he was on
|
||
the age or cause of the King's death -- 56, of a coronary
|
||
thrombosis. Dad was 56 a few years ago, and by a strangely
|
||
unpleasant coincidence had his arteries widened by angioplasty
|
||
that year after a few nasty turns with angina. He was told by a
|
||
criminally naive doctor that the odd glass of red wine could
|
||
help reduce his blood cholesterol. My dad heard this as "one
|
||
glass good, one bottle better," and consequently his already
|
||
moderate intake of red wine took off stratospherically. He also
|
||
pooh-poohed all attempts to wean him off beef, saying that as he
|
||
was likely to be long dead before BSE got him, he might as well
|
||
take advantage of the suddenly low prices. Honestly. The older
|
||
generation.
|
||
|
||
The truck clanked and ground through Brixworth, Hanging Houghton
|
||
and Maidwell. Dad had been in a motorized vehicle before, but
|
||
rarely, and never before in a left-hand drive army surplus truck
|
||
bouncing along a trunk road overlooking Northamptonshire fields
|
||
and hedges. He stuck his head out of the window and felt the sun
|
||
and wind fly past.
|
||
|
||
The farmer watched him out of the corner of his eye.
|
||
|
||
"Have ya never been in a truck before, son?"
|
||
|
||
"No, sir..." The truck hit a pothole and Dad bounced a foot into
|
||
the air and landed in a heap, winded, on the dashboard.
|
||
|
||
"Mind the potholes," said the farmer languidly.
|
||
|
||
Dad took all of thirty seconds to regain his composure, and then
|
||
continued to look around him like a squirrel in a room full of
|
||
walnuts.
|
||
|
||
"Are you staying in Market Harborough tonight?" asked the
|
||
farmer.
|
||
|
||
"I don't know," said my dad.
|
||
|
||
There was another long pause.
|
||
|
||
"You can stay at the farmhouse if you're willing to work for me
|
||
tomorrer."
|
||
|
||
"Thank you."
|
||
|
||
The farmer drove through Market Harborough and took the road to
|
||
Melton Mowbray. A few miles outside the town the farmer spun the
|
||
steering wheel and threw the truck off the metalled road down a
|
||
white and dusty track which led to a collection of farm
|
||
buildings and a large horse chestnut tree.
|
||
|
||
"Do you have any cows?" asked my dad.
|
||
|
||
"Twenty. And a breeding bull."
|
||
|
||
"Ah," said my dad.
|
||
|
||
The farmer threw the truck into a corner of the farmyard and
|
||
yanked the handbrake to stop the vehicle, which skidded to a
|
||
halt in a cloud of dust.
|
||
|
||
"I'll show you the wife now so you won't get surprised later,"
|
||
said the farmer.
|
||
|
||
Mrs. Ferris was an awe-inspiring woman. Six-foot square and
|
||
bright red, her hair tied up in a bun.
|
||
|
||
"What's this you've brought in, Charlie?" she said, looking at
|
||
my dad not unkindly, but rather like you would look at a new
|
||
kitchen table.
|
||
|
||
" 'Ired 'elp. Give 'im some food. Can't work on empty." The
|
||
farmer stomped out of the kitchen back into the yard.
|
||
|
||
My dad looked up at Mrs. Ferris as if he was a rubber dingy
|
||
under the bows of an oncoming liner, and assumed the air of a
|
||
puppy looking for consolation. Mrs. Ferris stared down at him
|
||
dispassionately, and then pulled a huge loaf of bread, a leg of
|
||
ham, a vast lump of cheese, a bowl of tomatoes, a bowl of
|
||
apples, a triangle of butter and a couple of washed lettuces
|
||
from various parts of the kitchen.
|
||
|
||
Had my dad not been holding onto a kitchen chair, he might have
|
||
collapsed at the sight of all this food displayed all at once.
|
||
As it was he felt himself start salivating like a dog.
|
||
|
||
" 'Elp yerself, son. Jus' expect work from it." She grabbed my
|
||
dad's upper arm in her huge right hand and squeezed. My dad
|
||
looked at his arm in alarm as Mrs. Ferris felt to see if Dad was
|
||
work-worthy. She let go without any comment and went back to
|
||
cleaning something by the sink. Dad rubbed his arm to get
|
||
circulation back into it and watched the veins in the back of
|
||
his hands deflate. He then attacked the tabletop of food with
|
||
the sort of no-holds-barred gusto you tend to get from
|
||
perpetually hungry youngsters.
|
||
|
||
Three jagged doorstep ham-and-cheese-and-tomato-and-lettuce
|
||
sandwiches and ten minutes later, the farmer came back in.
|
||
|
||
"Finished?" he said to my dad.
|
||
|
||
My dad nodded happily.
|
||
|
||
"Happy?" he added with the slightest of smiles.
|
||
|
||
Dad giggled.
|
||
|
||
"Right, come 'ere. Got work for you."
|
||
|
||
My dad was then put to shifting hay-bales, cattle feed and
|
||
carrying bricks for the wall of the new Ferris kitchen garden,
|
||
corralling cows and sweeping farmyards until the sun went down
|
||
in a blue-purple glow some eight hours later.
|
||
|
||
The farmer then shepherded a completely exhausted and hence a
|
||
completely silent boy into the house and into a downstairs
|
||
washroom, which had a tap attached to a hose.
|
||
|
||
"Best clean yerself before dinner," said the farmer.
|
||
|
||
Dad slowly took off his clothes and turned on the tap. The water
|
||
was ice-cold and Dad suddenly awoke with a squeak as the hose
|
||
writhed on the floor and squirted him with water. After a brief
|
||
but violent tussle my dad took control and finished the job,
|
||
several inches of dirt dissolving away down the drain. Mrs.
|
||
Ferris popped open the washroom door and deposited a towel and
|
||
some clean clothes on a shelf. Dad froze in embarrassment.
|
||
|
||
"Seen it all before, and better," she said as she closed the
|
||
door.
|
||
|
||
My dad plodded into the kitchen, where Mrs. Ferris had made some
|
||
mutton stew. He was almost too tired to eat it. Almost, but not
|
||
quite. The farmer and Mrs. Ferris conducted their normal minimal
|
||
and staccato conversation during the meal and watched as my dad
|
||
drifted off, slowly listing on his chair. The farmer got up from
|
||
his seat and with impeccable timing caught my dad just as he was
|
||
about to brain himself on the kitchen's tile floor. Dad jerked
|
||
awake and flailed a bit in panic as the farmer righted him.
|
||
|
||
"Time for bed I think, son," he said.
|
||
|
||
Although my dad's bowl had been cleaned out quite efficiently,
|
||
he looked at all the other food just sitting there, waiting to
|
||
be eaten, and sighed deeply in defeat. He nodded, and the farmer
|
||
took him up to a tiny whitewashed bedroom with a tiny window and
|
||
a cheap yellow-veneered wardrobe. It also had a bed with clean
|
||
blankets and my dad pitched forward onto it and bounced a few
|
||
times. By the time he had stopped bouncing, he was asleep.
|
||
|
||
Just before daybreak the next day, Mrs. Ferris came in with a
|
||
mug of tea and shook my dad until he awoke.
|
||
|
||
"Don't go back to sleep on me now," she said. "'Ave that cuppa
|
||
tea, and I've got bacon and eggs for you downstairs." She
|
||
stomped back downstairs.
|
||
|
||
My dad could smell breakfast, and this was his main spur in
|
||
getting up. He was a bit surprised to find that he was naked and
|
||
inside the sheets, as he couldn't remember getting undressed or
|
||
actually getting into bed.
|
||
|
||
My dad found the day a series of baffling and exhausting chores,
|
||
executed in silence except the mooing and stomping of cows, or
|
||
the rustle of hay, the gentle gurgling of the milking machines
|
||
or the clank of aluminum milk churns, the high manic twittering
|
||
of larks and the sound of the wind in hedgerows. Lunchtime found
|
||
my dad and the farmer demolishing a foursome of whopping
|
||
sandwiches while sitting on the bonnet of the army surplus left
|
||
hand drive truck in total, single-minded silence, some two miles
|
||
from the farmhouse.
|
||
|
||
Mrs. Ferris had cooked another monster dinner, and my dad
|
||
managed to eat as much as he wanted before politely asking if he
|
||
could be excused, a lower-middle-class turn of phrase which made
|
||
the farmer and his wife look at each other in amusement. They
|
||
nodded, and my dad plodded up the stairs, got undressed, crawled
|
||
into bed and passed out.
|
||
|
||
On Sunday the imperative routine of the farm was cut back to the
|
||
minimum required to keep the cows happy. At half past nine in
|
||
the morning the farmer and his wife dressed up in their Sunday
|
||
best, and rummaged in their chests and wardrobes to find
|
||
something decent for my dad. He wasn't asked if he wanted to go
|
||
to church; it was expected. Dad didn't like church very much but
|
||
was smart enough to know on which side his bread was buttered,
|
||
and cooperated without a comment. The farmer drove them to
|
||
church in his army surplus truck, slowly and majestically, as
|
||
befits a Sunday, which surprised my dad as he thought the bumpy
|
||
rides he had suffered over the last few days had been because
|
||
there was something wrong with the vehicle.
|
||
|
||
In the church, Mrs. Ferris pointed him down a pew at the back
|
||
occupied by the conspicuously badly-dressed and possibly inbred.
|
||
The farmer and his wife then sat a few pews forward of Dad,
|
||
occupied by people with feathered, netted hats, crinoline skirts
|
||
and badly tailored suits. At the front sat people dressed
|
||
entirely in black who never looked around. Dad watched the
|
||
social strata of rural Leicestershire glide past him with
|
||
intense interest. He noticed that people only greeted people on
|
||
the same pew as themselves, perhaps nodding to the people behind
|
||
them with more than an implication of condescension. The
|
||
scarecrow next to him sneezed violently. As soon as the organist
|
||
started on some not awfully good rendition of a Bach chorale,
|
||
Dad drifted into the religion-induced trance which has afflicted
|
||
him all his life.
|
||
|
||
In the afternoon, they sat in the farmhouse's best room and
|
||
listed to records of Haydn and Mozart, read books and said very
|
||
little, until the farmer and my dad went out to feed the animals
|
||
again.
|
||
|
||
Monday was back to the grind. Two local lads, Robert and Peter,
|
||
came in from time to time to do more skilled work, such as
|
||
milking the cows and driving the tractor. After a week the
|
||
farmer gave my dad an envelope.
|
||
|
||
"What's this?" asked my dad.
|
||
|
||
"Your pay," said the farmer. "Do you want to stay another week?"
|
||
|
||
My dad opened the packet and pulled out ten pounds.
|
||
|
||
That was a good trick, my dad told me. I never thought that I
|
||
would be paid for work. A whole new world of paid labor opened
|
||
unto me. It was like the sun breaking through clouds. This is
|
||
how you do it. Bloody hell.
|
||
|
||
"Yes, please," said my dad.
|
||
|
||
"Good," said the farmer, and then he turned around in the middle
|
||
of the farmyard. "You're a good worker, George. Don't like
|
||
talkers. All their energy goes in hot air."
|
||
|
||
So my dad stayed until the beginning of August. He picked up a
|
||
girlfriend, Sally Smith, from the farm a mile down the road, and
|
||
went to pubs where he ended up getting drunk with the local oiks
|
||
and talking effusively about cars and airplanes -- subjects on
|
||
which he had no knowledge or interest. Sally was a bit of an
|
||
experiment after Elisabeth. Sally was only sixteen herself and
|
||
couldn't be expected to take the lead like Elisabeth had. For
|
||
the most part, it was all quite sweet and innocent, and the
|
||
occasional, half-repressed fumblings in various barns and
|
||
bramble ditches around the farm resulted in nothing more than a
|
||
desperate sense of urgency in Dad's slacks and a faint sense of
|
||
imperiled virtue in Sally.
|
||
|
||
I'm not sure I learned much about farming, my dad told me. Some
|
||
people understand it, some don't. I kept thinking that those
|
||
bloody cows can bloody well wait until I'm bloody well ready,
|
||
but the farmer didn't, of course. I didn't learn much, but I got
|
||
awfully fit. Even Mrs. Ferris was impressed. She tourniqueted my
|
||
arm every now and again and the week I left, she even
|
||
complimented me on my progress. She could eviscerate a pig with
|
||
a flick of her wrist. I think she viewed me the same way:
|
||
working meat rather than eating meat.
|
||
|
||
My dad wanted to get to the Yorkshire Moors and his feet started
|
||
itching again. He had a Plan. Plans were things you could make
|
||
with a bit of money. He planned to walk to Leicester and buy a
|
||
train ticket to York, which, he fondly assumed, was in the
|
||
middle of the Yorkshire Moors, just this side of the Scottish
|
||
border.
|
||
|
||
Dad told Mr. Ferris he was going. Mr. Ferris shrugged. He had
|
||
hoped for extra hands until autumn, but was used to the
|
||
fickleness of hired labor and made no protest. Dad set off on a
|
||
Thursday morning in early August in the same clothes that
|
||
Elisabeth had given him, an old knapsack and a horse blanket
|
||
that the farmer said he could have. Mr. and Mrs. Ferris waved at
|
||
him from the kitchen door. He walked to Illston-on-the-Hill in
|
||
blazing summer heat, the smell of nettles and cow parsley
|
||
filling the heavy air. He followed windy lanes through King's
|
||
Norton and Stoughton and made it into Leicester by late
|
||
afternoon, where he studied the timetable in the station and
|
||
bought a ticket on the train to York via Doncaster. He then
|
||
wandered around a closing city, bought some food, and found a
|
||
flea-pit pub to stay the night in.
|
||
|
||
Did you tell Sally you were leaving? I asked my dad.
|
||
|
||
Dad scratched his chin. No, he said, he hadn't.
|
||
|
||
Did you contact your mum again? I asked.
|
||
|
||
Not while I was at the Ferris Farm, no, said my dad. It never
|
||
occurred to me. I did try to make it up to your grandmother
|
||
afterward, when I was a bit older and could guess what terrors
|
||
she must have been suffering those months.
|
||
|
||
I have no basis on which to judge my dad in this. When I was 23
|
||
I went around the world for a year and sent a grand total of two
|
||
postcards back to my parents, one to say I had reached New
|
||
Zealand and the other six weeks later saying I was leaving
|
||
Australia. Communication is generally not a family trait. As my
|
||
mum plaintively said on my return: All you had to do was send a
|
||
piece of paper with a stamp and my address on it. All I wanted
|
||
to know was that you were still alive.
|
||
|
||
Men can be such shits, really.
|
||
|
||
Dad got on the first train of the morning and watched,
|
||
fascinated, as the train crossed that indeterminate border
|
||
between north and south England. The buildings and countryside
|
||
grew harder and sparer. Between Derby and Sheffield, the bare
|
||
and severe Pennine foothills of the Peak district came down to
|
||
the railway track. Towns, even villages, became darker with
|
||
industry, and people came onto the train speaking in way my dad
|
||
found difficult to understand. By the time he reached Sheffield
|
||
he was sure that the north was a different country. When he
|
||
changed at Doncaster, a grim town if there ever was one, he was
|
||
so excited by the foreignness of it all that he almost decided
|
||
to risk missing the connection to explore this weirdly gruesome
|
||
place.
|
||
|
||
The countryside opened out and became more mellow as the train
|
||
drew toward York. More hedges rather than stone walls, broad
|
||
farms and woodland. This confused my dad a little, as he was
|
||
expecting ever-increasing wildness. The train pulled into York
|
||
station, under York's city walls and just within sight of the
|
||
Minster. Dad was now completely at a loss. York looked so, well,
|
||
southern. It was also very hot. The sun ricocheted off the
|
||
city's warm stone and carefully tended flowerbeds as Dad
|
||
followed Station Road and Museum street across Lendal Bridge and
|
||
towards the Minster. He then went into a bookshop to look at
|
||
some local maps and found, to his horror, that the Yorkshire
|
||
Moors were some twenty miles further north, and that England
|
||
then went on for another eighty miles after that.
|
||
|
||
England just seemed to go on forever, my dad told me. It was
|
||
just so big. And even more shocking, so much of England seemed
|
||
to be northern. Both my dad and I laughed in a worldly fashion
|
||
at this. But England _did_ seem awfully big when I was younger.
|
||
Even Kent, the county I grew up in, seemed enormous until I was
|
||
ten. But when looked at from Australia or the United States, the
|
||
country seems so small that you want to laugh at it. Such
|
||
perspectives only come with time; and seems to me to be one of
|
||
the minor sadnesses of this modern and universally connected
|
||
world that everybody is so keen on seeing everything everywhere
|
||
_right now_ that whatever is under your nose is missed or
|
||
scorned. A shrinking world has rendered a tiny country like
|
||
England practically invisible. No sooner has a child wondered at
|
||
the strangeness of it all, than it has suddenly shrunk under the
|
||
pressure of immediate explanation and perspective. There is no
|
||
room for delusions any more, not even harmless little ones.
|
||
|
||
Dad filled his knapsack with food and then walked out along
|
||
Clarence Street towards Helmsley. When it started getting dark,
|
||
near Sutton-on-the-Forest, he turned off the road and settled
|
||
down under a tree with his horse blanket. The next morning he
|
||
set off again. Beyond Brandsby, the countryside began to roll,
|
||
building up to the impressively glowering massif of the moors
|
||
themselves. Dad got to Helmsley by four and thought about
|
||
staying in a bed-and-breakfast, but everything was expensive.
|
||
Helmsley looked strange to my dad, all gray stone and tourists.
|
||
He saw a picture of the nearby Rievaulx Abbey ruin on a poster
|
||
in a local shop and marched off to see it before darkness.
|
||
|
||
Rievaulx Abbey, if you have never seen it, is a severe and
|
||
remote collection of perpendicular gray ruins in a deep wooded
|
||
valley called Ryedale. My dad described going down into Ryedale
|
||
was like diving into a deep cold well of unimaginable
|
||
ancientness. Dad was entranced and sat in the abbey nave, where
|
||
the wooded valley walls peered through blasted windows and the
|
||
evening sun caught clouds as they floated pinkly over the open
|
||
roof. Tourists came and went, mostly in buses or on foot, but
|
||
Dad only noticed their absence when they left for the evening,
|
||
leaving the rushing of water and the swishing of trees. The
|
||
twilight peace of a northern summer evening settled on the
|
||
valley. The abbey faded as the stars came out and Dad sighed the
|
||
deep, happy sigh of a someone who has reached his own blue
|
||
remembered hills. He settled on a bench and watched the great
|
||
dipper slowly revolve around the pole star until he drifted off
|
||
to sleep.
|
||
|
||
The next day he walked the ten miles or so across Bransdale and
|
||
up to Cockayne Ridge, where he sat for an hour whilst a warm
|
||
breeze from the south rustled dried heather. There was nobody
|
||
there, just sheep. Even the birds were quiet. Just peace.
|
||
Absolute, unhurried, benevolent peace. In the afternoon, he
|
||
sauntered down to Farndale, whistling and chewing grass, and
|
||
camped out in a derelict stone barn. He then walked across the
|
||
head of Rosedale and Rosedale Moor, across Pikehill Moor and
|
||
camped out in another barn near Goathland.
|
||
|
||
You really were nipping across the moors, I said to my dad.
|
||
|
||
I was in a rather strange state of mind, he replied. I was happy
|
||
to be there, but I had to think about what to do next, and part
|
||
of me I had obdurately refused to listen to for two months had
|
||
already decided. Of course I thought I would live forever and I
|
||
would always be sixteen, but that doesn't preclude some degree
|
||
of foresight. I wanted to have a normal life. I didn't really
|
||
want to end up like Robert and Peter at the Ferris farm,
|
||
hopeless itinerants if there ever were any. I wanted a
|
||
guaranteed bath every night and money to visit Yorkshire
|
||
whenever I wanted. What I was doing just couldn't go on. I was
|
||
also getting tired of feeling like a fugitive. I didn't know it
|
||
then, but I had decided to grow up. This is a frightening
|
||
prospect. The child _has_ to be throttled by the adult he
|
||
becomes. It's an act of violence I don't think anybody really
|
||
gets over. I've met people in a permanent state of mourning for
|
||
the child they killed and people who have dealt with their grief
|
||
by becoming so cold that even the adult dies within them. The
|
||
child that I was knew that this was the last time he would be in
|
||
control, and the adult that I was becoming was girding his loins
|
||
for battle. I never actually managed to finish off my child
|
||
completely. Lacked nerve and persistence. Like most men, I
|
||
suppose.
|
||
|
||
My dad walked to Whitby and looked over the town from Whitby
|
||
Abbey. I feel I can hear the child screaming even now, knowing
|
||
what the adult was about to do. Dad walked very slowly down the
|
||
hill and found the Police Station. He took a deep breath, walked
|
||
in and gave himself up.
|
||
|
||
|
||
|
||
My dad and I are great friends. Sometimes, on one of the
|
||
provincial excursions my job involves, I find a country pub new
|
||
to me, with wisteria hanging over a patio, or a greensward
|
||
leading down to a river. I check the menu and when Dad comes to
|
||
visit we go there and waste the whole afternoon, eating plaice
|
||
with capers, or beef and ale pie, making bad and lewd jokes
|
||
which we would be to embarrassed to repeat in front of anyone
|
||
else, and gossiping about family and people we know. Wasting
|
||
time with people you love, I have discovered, is what life is
|
||
for, and neither Buddhists nor monetarists will convince me
|
||
otherwise.
|
||
|
||
|
||
Adam Harrington (adam.harrington@btinternet.com)
|
||
--------------------------------------------------
|
||
Adam Harrington is a computer programmer who has spent a fair
|
||
proportion of his 28 years wandering more or less aimlessly
|
||
across the British Isles and plans to spend his remaining time
|
||
in the sun doing much the same. He has been a biologist,
|
||
journalist, unemployed bum, bookie's clerk and unemployed bum
|
||
again -- in that order -- and doesn't plan on retiring until his
|
||
cold dead fingers are pried from the office doorknob.
|
||
|
||
|
||
|
||
FYI
|
||
=====
|
||
|
||
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|
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