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2964 lines
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** *******
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* * * *
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* ** * ******* ***** **** * ***** ** ** *******
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* ** * * * * * * * * * * * * * *
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* * * * * * * * * * * * *
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* * * * * * * * * * * *
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* * * * * *** **** * *** * *
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* * ** * * * * * * * * *
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* * * * * * * * * * * *
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* * * * **** * * * **** * * *
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=======================================
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InterText Vol. 6, No. 3 / May-June 1996
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=======================================
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Contents
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FirstText: Do You Have What It Takes?.............Jason Snell
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Short Fiction
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Making Movies.....................................Ceri Jordan
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Autoerotic...................................Christopher Hunt
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Eire..........................................Joseph W. Flood
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Cyberwhiskers................................Nick J. Vincelli
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Selections From the New World..................Marcus Eubanks
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....................................................................
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Editor Assistant Editor
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Jason Snell Geoff Duncan
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jsnell@intertext.com geoff@intertext.com
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....................................................................
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Assistant Editor Send correspondence to
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Susan Grossman editors@intertext.com
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susan@intertext.com or intertext@intertext.com
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....................................................................
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InterText Vol. 6, No. 3. InterText (ISSN 1071-7676) is published
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electronically on a bi-monthly basis. Reproduction of this
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magazine is permitted as long as the magazine is not sold
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(either by itself or as part of a collection) and the entire
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text of the issue remains intact. Copyright 1996, Jason Snell.
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Individual stories Copyright 1996 their original authors.
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For more information about InterText, send a message to
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intertext@intertext.com with the word "info" in the subject
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line. For writers' guidelines, place the word "guidelines" in
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the subject line.
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....................................................................
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FirstText: Do You Have What It Takes? by Jason Snell
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========================================================
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I'm frequently asked why I edit InterText, even though it takes
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up a big chunk of my life and I don't see one red cent from it.
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It's a good question. And while I've got a stock answer, you can
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judge for yourself if that answer is a good one.
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I do InterText -- and it may be true of all of us, though I can
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speak only for myself -- because online publishing is something
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I believe in, and because online publishing allows me an outlet
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I otherwise wouldn't have.
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When we started InterText, I was splitting my time between a
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college newspaper, where I was writing and editing hard news
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stories, and college classes, where I was writing long and dull
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papers about dull subjects. InterText was an opportunity to do
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something different, something more creative. It was an
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opportunity to read short stories, pick the best of the bunch,
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and put them together in a publication that would provide good
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reading to people all over the world.
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It's all worked out pretty well, I think. Though I'm of course
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interested in what takes up most of my time these days -- my
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"day job" as associate editor/online at MacUser magazine --
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InterText is still a release. InterText is the place where I get
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to read about future doctors struggling in a world rife with
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infection, cat detectives troubled by dogged (and dog-faced)
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police officers, the intrigue of an interactive movie-making
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industry that doesn't _quite_ exist yet, a prostitute-turned-spy
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who lives in an orbital outpost above a barely recognizable
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planet, or even a man's encounter with a beautiful Irish woman
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on St. Patrick's day. And that's just in _this_ issue.
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However, that's not all I get to read. I also read the dozens of
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stories we receive every month, most of which we can't accept
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(even though we like some of them very much). I also spend some
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time maintaining our four-headed mailing list -- if anyone tells
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you software automates the job of running a mailing list, laugh
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at them. Long and hard. Do it for me.
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So InterText is fun, but it's also a lot of work. Not just for
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me, but also for the other folks who bring this magazine to you
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every two months: Geoff Duncan and Susan Grossman, both of whom
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have enough "day jobs" to make them crazy without even thinking
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about another issue of InterText. And there's Jeff Quan, who
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continues to stretch his wings as an artist with every issue,
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even as he moves from his job at the _Oakland Tribune_ to his
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new job in online publishing at c|net.
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If you think that I'm asking for your sympathy, well, rest easy.
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You pay your money, you take your chances -- we signed up for
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this, and if we didn't want to do it anymore, we'd stop doing
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it.
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What I _am_ asking for is your contribution. If you're happy as
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an InterText reader, just keep reading, and spread the word
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about InterText to your friends. If you're a writer (and I know
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many of you are), keep us in mind when it comes time for you to
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submit one of your short stories.
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And if you're someone with editing or copy editing expertise
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(especially if it includes experience working with fiction), we
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can always use skilled hands and eyes in those areas. Be warned:
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this ain't an easy job, and we're committed to the long haul.
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InterText has been around for five years, and it's not to
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anyone's advantage for InterText to have inconsistent or
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constantly-shifting editorial practices. We aren't looking for
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people who are intimidated by a couple issues of insanity.
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So, if you're interested in becoming part of the InterText team,
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don't be a stranger. Although some of what we do can't be done
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by other folks, we're not a closed group -- Susan Grossman
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joined InterText after we'd already been at this for three
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years. And we're a virtual organization -- Susan and Geoff both
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live in Seattle, but they don't (can't) see each other very
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often, and I live 600 miles away in northern California -- so
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distance shouldn't be a big problem.
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As times goes on and our lives get busier, it gets a little
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harder to set time aside for InterText. We're still committed to
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publishing good fiction every two months. If you can help, let
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us know -- send us e-mail at <editors@intertext.com>. And if you
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_can't_ help, don't sweat it, and don't feel guilty about it.
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This is a tough job, a weird job, and it's not for everyone. If
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a handful of you think that it's for you, let us know.
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Making Movies by Ceri Jordan
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================================
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...................................................................
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We're used to movies carried by plot twists, but are we ready
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for movies that are part of a plot?
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...................................................................
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The police -- actually the Technological Information Misuse
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Division, which is very much the same thing -- arrived in
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mid-afternoon.
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Two officers, one male, one female. When I answered the door,
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their guns were still in their holsters, which was a promising
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sign. I offered them cinnamon tea, which they refused, and then
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the woman produced the tape and asked me to identify it as my
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work. I thought I understood.
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"It was a legal contract," I heard myself say, hands
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automatically moving over the video player keys, watching the
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screen pale and flicker. "I never expected any of this to
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happen. I would have withdrawn it, but EmpressaCorp insisted on
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holding me to the contract -- "
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"We do appreciate that," she said, glancing around the room as
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if expecting to find vital clues among the half-assembled
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hardware and discarded takeaway cartons. "You are not suspected
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of committing any offense with regard to this matter. We'd
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simply like you to confirm that this is a copy of the feelie you
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recorded on the date already mentioned..."
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White noise, screen flicker.
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Simple 2-D playback, faded and slightly out of focus. To get the
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detail, I'd have to plug in, get the full output, _feel_ it, and
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I couldn't do it. Not that day. Not again.
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But they didn't seem to want me to. I should be able to identify
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it easily from this. Just the visuals. Like a video recording.
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My life from the outside.
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Screen flicker.
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Union Square. A bright day, wind flapping the flags, the whole
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staff of the development department drawn up in a neat line,
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shiny shoes and immaculate hairdos. The President makes her way
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along the line. Shakes my hand. I bob a curtsey. I smile. A few
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polite words, and she moves to shake Jason's hand --
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"It's wrong."
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Not turning, I feel them exchange glances.
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This isn't how it happened.
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It's a good mock-up, sure. A film set or something. The
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President, one of these professional lookalikes. But Jason's
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shirt is the wrong color -- he was wearing the one I bought him,
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the deep red -- and I never wear high heels, and she's pausing
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with Jason far too long. He'd hardly even taken her hand when --
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The bullet.
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I watch him spin under the impact, slow motion. The President
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ducks, her bodyguards press in close; and yes, I was on the
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floor beside Jason by this point, but I was holding his head
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steady until the medics could reach us, trying to minimize the
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damage to his skull, and no, my God _no,_ I wasn't screaming --
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It took me a moment to realize that they'd switched the tape
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off.
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"That isn't the recording I made." I said, feeling along the arm
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of the chair, guiding myself down into the seat before my legs
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failed completely. "If this is a film, I'll sue them blind, I
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swear it. Where did you get this?"
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The sleek tanned man touched the eject button and jerked the
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tape free.
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"Who made this recording? Where did you get it?"
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The locks on his briefcase clicked open in succession, and then
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closed.
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The woman smiled. "You've been very helpful, Ms. DuMaris. Thank
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you so much."
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I kept up the protests until they were halfway down the
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stairwell, ignoring the neurotically twitching curtains at
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frosted glass doors all along the corridor. Then I stormed back
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inside, slamming the door dramatically, for good measure, and
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went back to the video player.
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The recording chip was embedded inside the supposedly
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non-removable plastic casing, and I was pretty confident that
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they hadn't noticed it. And once I'd eased open their
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encryptions, my new piece of evidence played back just fine.
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Again.
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And again.
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Watching the bullet, the fall, the blood. Letting the memories
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flay me raw. Letting the memories push me through tears, through
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despair, into fury --
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The apartment door.
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Jason, back from rehab early, bored with smiling nurses and
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exercise machines, squinting over my shoulder at the screen.
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"Nice picture, Kay, but what the hell happened to my shirt?"
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I tried to laugh, but all that came out was a strangled sob, and
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he lowered himself gingerly onto the rug beside me, the joints
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of the exosupports on his legs creaking faintly. His hair was
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wet. Must've started raining. I hadn't noticed.
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"Info Misuse came calling," I said, remembering to hit pause a
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split second before the shot rang out, leaving Jason's thin
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nervous smile frozen on screen as he takes the President's hand.
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I made myself look away. "Wanted me to identify this as my
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feelie."
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"It isn't, though. Is it?"
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"No. That's what I told them. They expected me to. Just wanting
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confirmation. I copied the tape. Because I want these bastards,
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whoever they... Oh, Jesus."
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His hand closed over mine, thin brittle lines of fiber-muscle
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hard against my skin, but he said nothing; just waited for me to
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sort the implications out in my head and explain.
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"So a feelie relies on the person with the recording implant --
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this woman pretending to be me -- _believing_ everything that's
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happening is real. Just acting out the emotions won't work,
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because actors always know they're acting, and when the punter
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plays the tape back, that knowledge that it's false will come
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through. So this woman must have believed she was me, meeting
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the real President, and that her lover had just genuinely been
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shot..."
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Jason nodded slowly. "Which probably means..."
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"That he genuinely was."
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The wind shifted, and rain drummed lightly against the window
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panes. After a moment, Jason reached across to prise the remote
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out of my hand, and hit the PLAY stud. Knew I'd stopped the tape
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there deliberately, not wanting him to see. Had to prove he
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could take it. Silly bastard.
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I watched his face: nostrils flaring slightly, mouth hardening.
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When my doppelganger started screaming, he hit PAUSE again and
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said thoughtfully, "Did it really make that much mess?"
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I should never have accepted the contract.
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Thing was, the Corporation thought it would be good publicity.
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Kay DuMaris, famous hardware designer and high-profile new
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signing to their development department, making a popular feelie
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giving all the world's no-hopers the chance to genuinely feel
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what it was like to meet the President. I was supposed to give
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her a guided tour round the labs after the line-up. It never
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happened. She was hurried away in a limo built like a tank, and
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I was crying in a corridor as they wheeled Jason into surgery.
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We'd only been together a month.
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And all that time, the eavesdropper in my head, lapping up every
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burst of pain and hope and despair, recording everything.
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They kept it running till Jason came out of the OR and the
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doctor told me he was going to need extensive exocybernetics to
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walk again, but he'd be all right. It worked out well: the
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punters like happy endings.
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I understand it was a bestseller for a while. Then a guy they'd
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wired up to bed streetwalkers in interesting ways got carved to
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ribbons by a crazy posing as an underage tart, and my more
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modest agonies slid quietly down the sales charts into oblivion.
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Jason woke me in the middle of the night, and dragged me
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protesting into the dark living room. The gray flicker of the
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video screen, a discarded blanket and cold coffee cup. He'd been
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out here quite some time, then. Watching.
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"Look." He jabbed one finger at one figure among the frozen
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panorama of faces. "Recognize him?"
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I blinked at the image. "Yeah. It's Uncle. Runs a pirate tape
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operation in the Piata. Fancies himself an actor."
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Jason grinned, a flash of white teeth in the dark. "And does
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crowd scene work for cheap movies."
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"Good. Clever boy. So we know where to start. Now," I brushed my
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lips across his, teasing, "turn it off and come back to bed."
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Poor bastard never really knew what hit him.
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Uncle's shop is a two-compartment tent on the edge of the Piata,
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out among the factory-reject stalls and the cocktailers.
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Officially, it sells nicotine products: needle, pill, or
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slow-release tab, pick your poison. The tapes are stashed in the
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rear compartment. Safe enough. The police never venture into the
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Piata. Not without a full platoon of infantry and helicopter
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back-up, anyway.
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I went in the front, packing what appeared to be a colored
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plastic water pistol. Uncle looked up from his stock-check, slow
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rheumy eyes narrowing, and grinned derision.
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"Neat shooter yo' packing, Kay. Where's the party?"
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I fired a couple of cyanide darts into the countertop, and let
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him watch them dissolve into the bare wood, and by then Jason
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had slashed the back of the tent open and come in behind him,
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grinding the empty revolver into the base of his spine, and his
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smile had turned thin and brittle.
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"Party's here." I told him. "Unless you got some info for us."
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"'Bout what?"
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"About that fake feelie you did crowd work for."
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He squinted at me in the gray-filtered light. Gears grinding in
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a junk-fuddled head. Not everyone down here who knows my name
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knows exactly who I am, which is just as well, and the girl in
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the fake may not have looked much like me. The punter never sees
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the viewpoint character from the outside, so what does it
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matter?
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Jason shifted position, sliding the revolver muzzle round to
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settle against Uncle's kidney, standing just to his right now,
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stony. "May not remember her, Uncle. But I think you'll remember
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me."
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The guy in the fake had been a pretty good double, which was
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what had fooled me for a few seconds. Tall, with that beautiful
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blue-black skin, pure African, and built like a professional
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fighter, solid muscle. Yeah, Jason is a pretty distinctive
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looking guy. Particularly now.
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Uncle's eyes traveled slowly across his face, shot through with
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the pale yellow marbling of artificial nerves, down to the
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fiber-musculature of his bare right arm and hand, the pitted
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scar tissue of his shoulder, the occasional glitter of metal.
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I've seen kids run screaming after seeing Jason from across the
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street.
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"I'm talking," Uncle rasped, "but it ain't no crime to make
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movies."
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"It is when you kill people."
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"You guys never heard of special effects?"
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I snapped the safety catch off, and watched him jump. "Let's
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talk about who hired you."
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"Don't remember. You'd need to ask my agent."
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"Name and address, Uncle. Or you're going to star in a cute
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little snuff movie. No cameras, no editing, but the most
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convincing death scene you'll ever play."
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Jason winced. He never did like my extended metaphors.
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But we got the address.
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"Fine." Jason said. Halfway across the Piata now, jostled by
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tourists and junk-heads, stretching lazily and sauntering in the
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sunlight like ordinary market-cruisers hunting a bargain, the
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guns tucked safely in my kit-bag. "Now what? We just march up
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and demand they turn themselves in? We've got no evidence -- "
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"No." I agreed. "And I wouldn't want to blow the place up
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without hard evidence. So we jump one of the chief executives,
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give him a chance to explain the whole situation, and _then_ we
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blow the place up."
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"Hmm. Subtle."
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"As always." I touched my middle finger and thumb together,
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Piata slang for _seeking information._ "First we need someone to
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crack their security system, find out what schedules their execs
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keep. And, if we can, who was responsible for this... travesty."
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I like to keep my vengeance specific and precise, where
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possible.
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Jason shrugged, feigning interest in the contents of a scrap
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hardware stall, all rusted contacts and outmoded disk drives.
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"Pascal?"
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"He's the best. But he won't do it. Not for our price range.
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Garrad, however -- "
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Snorting, Jason let a fader panel clatter back to the tabletop,
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earning a thin growl of displeasure from the ever-watchful
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stallholder. "Garrad, yeah."
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Never quite worked out why Jason dislikes Garrad so much.
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Doesn't dispute his professional brilliance. And it certainly
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isn't jealousy. Garrad's shacked up with a Jap boy called
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Kirohita. They moved here together. Some kind of, ah, legal
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difficulties in Europe. No danger there.
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But Garrad has some nasty facial scars himself -- acid gun, my
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guess, though he never talks about it -- and I wonder if they
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make each other uncomfortable; if for each of them, looking at
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the other is like looking in a mirror, being reminded.
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Never claimed to _understand_ men, did I?
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So I went over to their apartment on my own, and Garrad, who has
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a weakness for revenge attacks, grinned that nasty grin and
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jacked in, and Kiro and I sat on the terrace drinking toso and
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maliciously exaggerating the latest underworld gossip.
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"Bad enemies you're making for yourself," he said, as I was
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leaving, with the file tucked in a hidden pocket. "Better have
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your passports ready and your seats booked."
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PanChuenCorp. Big, bad bastards. Owned 90 percent of the
|
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external entertainment industries: film, music, everything apart
|
|
from feelies and other VR spinoffs. Rumor had it that they left
|
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the other 10 percent independent just for the fun of poaching
|
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talent from it.
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|
|
But they'd never touched feelies.
|
|
|
|
Alarm bells rang in my head all the way home, but Jason was
|
|
stripping down the revolver on the kitchen table, quick
|
|
metal-sheened fingers glittering under the anglepoise lamp
|
|
glare, and there was no way to back down now, nowhere to go.
|
|
|
|
"His name's Bursal. Head of distribution. Looks like they
|
|
finally let him loose on a film of his own. Got his own car --
|
|
serious money. Parks in a public multistory across the square
|
|
from PanChuenCorp. Every day."
|
|
|
|
Jason nodded. "Tomorrow?"
|
|
|
|
"Tomorrow."
|
|
|
|
|
|
|
|
Should have known it was all wrong when we got into the
|
|
multistory so easy.
|
|
|
|
We went armed with security disruptors and lockpicks and you
|
|
name it, and the idiots had left the rear fire door open. Should
|
|
have realized straight away, but no, I was so hyped up and
|
|
scared and busy worrying how Jason was going to deal with this.
|
|
Calm, sensible Jason.
|
|
|
|
Bursal came out exactly half an hour after most of the work
|
|
force, as he always did. Unlocked the driver's door, slid
|
|
inside, briefcase on the passenger seat, reaching for the safety
|
|
harness --
|
|
|
|
The revolver, loaded now, touched the back of his neck, cold as
|
|
ice.
|
|
|
|
"Mr. Bursal," I murmured into his ear, watching his pale
|
|
frightened eyes follow me in the rear view mirror. "My name is
|
|
Kay DuMaris, and we really do need to talk."
|
|
|
|
And then Jason was kicking the rear door open, jack-knifing out
|
|
into the sodium light glimmer, wrenching the front passenger
|
|
door open and flinging the briefcase out to clatter on the
|
|
concrete --
|
|
|
|
"Right, you bastard," he was saying as his synthetically
|
|
reinforced hand closed around Bursal's throat. "You think what
|
|
happened to me was so damn entertaining? Wait'll you see what
|
|
I've got in store for you, murdering little..."
|
|
|
|
In the rearview mirror I saw Bursal's left eye gradually irising
|
|
down, like a zoom lens closing, closing, and suddenly I
|
|
understood who was directing this movie.
|
|
|
|
"It's a trap, Jason. Let him go."
|
|
|
|
Dark eyes met mine, just for an instant: then he glanced away
|
|
again, the switchblade flicking silently open in the car's
|
|
interior light. Bursal squealed like a kid.
|
|
|
|
I leant forward and jabbed stiffened fingers into the pressure
|
|
point I'd found by accident during a fumbled amorous encounter
|
|
in the shower; just below the right armpit, hollow space between
|
|
bones, the shock jolting the central processor into virtual
|
|
immobility.
|
|
|
|
Reduced to the numb inadequacies of his own damaged nervous
|
|
system, right arm limp across his lap, Jason managed somehow to
|
|
turn his head towards me and spit a curse.
|
|
|
|
"Who are you recording for, Bursal?"
|
|
|
|
"Empressa. They said they wanted a feelie about making
|
|
documentary movies. I didn't think you... It wasn't meant to end
|
|
like this."
|
|
|
|
"Oh, but it was. It was supposed to end with us thinking your
|
|
"documentary" was some kind of faked-up snuff feelie and
|
|
butchering you in a filthy car park. Or your office, or your
|
|
apartment. The setting doesn't matter. All they're interested in
|
|
are those clear death-sensations, because death sells movies,
|
|
and the more the audience feels, the better."
|
|
|
|
He stank of piss and stale sweat, and I was beginning to feel
|
|
sick.
|
|
|
|
"Let's move, Jason." I kicked the rear door open, keeping the
|
|
revolver pointed in Bursal's general direction. "And you,
|
|
Bursal, I suggest you contact the police and explain this whole
|
|
sordid little escapade to them. They may just be able to protect
|
|
from EmpressaCorp's assassins. Though I wouldn't bet on it."
|
|
|
|
Jason got out of the car without help -- his legs are pretty
|
|
good, and his left arm was virtually undamaged -- and kept pace
|
|
with me until we were out of the multistory and way down into
|
|
pedestrian territory, the backalleys of the artisan district.
|
|
|
|
"Empressa's going to fry our asses for this," he said, when the
|
|
numbness wore off enough for him to speak clearly again.
|
|
|
|
"S'all right. My ass is too big anyway." I pulled him into the
|
|
shadow of a mock-medieval tannery and pressed the boarding pass
|
|
into his hand. "Pier twelve. You'll need this if we get
|
|
separated. The ship doesn't leave for another thirty minutes. I
|
|
wanted to leave time to mop the whole thing up, but... Oh. And
|
|
I'm sorry I hit you."
|
|
|
|
Numb muscles kicking back in, stiff and pale artificial yellow
|
|
with the effort, Jason smiled.
|
|
|
|
"Tough business, making movies."
|
|
|
|
|
|
|
|
Ceri Jordan (dbm@aber.ac.uk)
|
|
------------------------------
|
|
Ceri Jordan is a writer, theater practicioner, and general rogue
|
|
and vagabond. She lives in Wales and has had work published in
|
|
several small-press magazines. Her short story "Handlers"
|
|
appeared in Vol. 5, No. 6 of InterText.
|
|
|
|
|
|
|
|
Autoerotic by Christopher Hunt
|
|
==================================
|
|
...................................................................
|
|
Just because times change, people don't. Sex is still sex.
|
|
Secrets are still secrets. And spying is a two-edged sword.
|
|
...................................................................
|
|
|
|
One.
|
|
------
|
|
|
|
She stared at the john's face. Hovering above her like a small,
|
|
pinched moon, it was pale and luminescent in the fractured
|
|
darkness. Eyes clenched, mouth a gaping crater, it was as much
|
|
the face of a squalling baby as the face of a man in the
|
|
paroxysms of love. Poking out behind his earlobes she could see
|
|
the protruding nodes of the Sensation jacks, plugged into
|
|
temporary digital ultrasound terminals attached to the base of
|
|
his skull, feeding him dreams, ecstasy, heaven. A salty spray of
|
|
perspiration splashed on her face as he shook his head.
|
|
|
|
His sweat stung her eyes, made her blink. His ass was heaving up
|
|
and down rapidly now. Stars clustered thickly on his back,
|
|
swirling galaxies flowed across his face, dust clouds collected
|
|
behind his knees, a supernova flashed between his toes. She
|
|
wondered if he was experiencing this in the Sensation ecstasy.
|
|
Or if he was in some other place altogether.
|
|
|
|
Perhaps he was. His hands had fallen away from her buttocks, and
|
|
he was starting to drift away from her. His penis slipped out,
|
|
bumped her thigh, flapping wildly in the star-crusted darkness
|
|
like a baton. He seemed unaware, his face still rapt, his
|
|
buttocks still pumping as he floated away. She was almost
|
|
tempted to let him go, to let him spurt his ecstasy into the
|
|
empty vacuum of the simulated galaxy he was tumbling through.
|
|
|
|
Instead, she reached for him, wrapping the fingers of one hand
|
|
around his penis, placing the other on his left cheek, bringing
|
|
him back down, guiding him back in. She knotted her legs around
|
|
his back, her arms around his neck, moving her body to the
|
|
rhythm of his thrusts, twisting her hips in a slow, languid
|
|
rotation.
|
|
|
|
The movement shifted their center of gravity and they started to
|
|
spin. He was becoming frenzied, his stomach smacking wetly
|
|
against hers in a sticky staccato.
|
|
|
|
Now they were upside down, though it felt no different. His
|
|
clothes hovered in a carefully folded pile nearby. His shoes
|
|
hung suspended above the clothes, the toes pointed together to
|
|
form a V -- "So I can find my clothes afterward," he had said,
|
|
laughing. His one attempt to break the ice, like the obligatory
|
|
joke before a business meeting.
|
|
|
|
He wasn't so bad, she supposed. Not like the older ones with
|
|
their sour breath and nicotine-brown teeth who kneaded her
|
|
breasts callously with rough, dry fingers, commenting on their
|
|
firmness and bounce as if they were loaves of bread or rolls of
|
|
toilet paper, men who had long since passed the point where they
|
|
needed or cared to give pleasure to a woman, men whose power
|
|
Earthside could be measured by how low their balls dangled in
|
|
their gravity-stretched sacks.
|
|
|
|
This one -- Fukuda was his name, a hotshot young biosoft
|
|
engineer up here on a prepaid company bonus plan -- was a real
|
|
high-flier. Literally. Anybody who came up here was on the
|
|
inside track, if they weren't already at the top. That's why all
|
|
the boys and girls who worked the zero-g chambers at Serenity
|
|
Station had to submit to a thorough debriefing after each
|
|
contact. Hypnotherapy, lie-detector tests, and drugs were all
|
|
part of the routine. Selective memory wipes were frequent.
|
|
|
|
At least it was all clean, safe, sterile. Not like some of the
|
|
privately run stations. At Serenity, you didn't _have_ to gather
|
|
information from the clients. Your job didn't depend on the
|
|
quantity of valuable data you processed. When you were used up,
|
|
you weren't wiped, wired, and dumped Earthside with your brain
|
|
full of black holes and shattered synapses, your mouth snapping
|
|
out garbled messages that no one -- least of all you -- could
|
|
understand. Messages that had to be incomprehensible because if
|
|
somebody ever did understand, then you were dead.
|
|
|
|
The private stations were for losers. Dead-end street kids with
|
|
no smarts. Kids who thought a gig on a station -- any station --
|
|
was the ultimate score. Kids who were going to soon die one way
|
|
or another anyway.
|
|
|
|
Serenity was a MITI operation. And as a gateway to the good
|
|
life, it ranked on a par with Tokyo University. Unlike the
|
|
private stations, it didn't deal in black market data. MITI, the
|
|
far-thinking government department that had guided Japan's
|
|
industrious corporations to their current economic dominance,
|
|
simply liked to keep tabs on its corporate partners -- like a
|
|
mother reading her children's diaries. And that meant Serenity
|
|
had to be a clean operation. The kids who worked the zero-g
|
|
chambers were clean, smart, beautiful, all with the rough, raw
|
|
street edge that would make them ideal special ops executives.
|
|
Serenity was a kind of training center whose graduates often
|
|
went on to top-paying positions in the intelligence and security
|
|
departments of the big _zaibatsu_.
|
|
|
|
For a kid on the outside looking for a way in, Serenity was a
|
|
golden opportunity. It was a place to make contacts.
|
|
|
|
Like this slicker. Young, moving up fast. Shy, nervous, kind of
|
|
embarrassed about the whole business. But eager. Treat him right
|
|
and in a few years he'd come looking for you. They always
|
|
remembered the first time.
|
|
|
|
He was grunting loudly in her ear. And wheezing. A harsh,
|
|
whistling sound, abrupt and irregular. She held tight, digging
|
|
black-lacquered nails into his back, deliberately raking them
|
|
across the skin to leave him with the scars that were proof of
|
|
his victory, of his sexual power. He would come soon. The
|
|
chemicals he had taken to delay ejaculation would be wearing off
|
|
now.
|
|
|
|
She felt him swelling inside her, the bony protrusions of his
|
|
hips scraping against her own, rubbing her raw. He had slowed
|
|
now to a final grinding push, pushing as far inside her as he
|
|
could, fingers jammed in the cleft of her buttocks, pulling her
|
|
toward him as if trying to dissolve the fragile boundaries of
|
|
skin, bone, and electrons that separated them, to merge them
|
|
into a single ecstatic entity. She shivered as he ground against
|
|
her clitoris, tiny flutters of pleasure rippling through her.
|
|
When he came, it was explosive. The convulsion shuddered against
|
|
the walls of her vagina, teasing her with half-hearted promises
|
|
of indeterminate pleasure -- a pleasure she doubted existed
|
|
anywhere outside the minds of men. The feeling wasn't unpleasant
|
|
-- it was warm, comfortable, like a cup of tea on a cold
|
|
afternoon. But it wasn't an orgasm. In fact, only one person
|
|
other than herself had ever given her an orgasm, and it hadn't
|
|
been a man.
|
|
|
|
She felt vaguely relieved that it was over. And with that relief
|
|
came tenderness -- a feeling she experienced even less often
|
|
than pleasure, and a feeling for which she had little use. She
|
|
had for so long cultivated the image of the hard woman, the
|
|
ice-woman -- tough, cold, and glamorous, a woman whose
|
|
popularity with her clients increased in direct proportion to
|
|
how small and worthless and despicable she made them feel --
|
|
that when she fell prey to emotions such as tenderness,
|
|
sympathy, and sadness, she became confused and angry. They
|
|
melted the impermeable shell she had molded around herself,
|
|
leaving her vulnerable and open to attack.
|
|
|
|
Even now, as she cradled the john's head against her breast,
|
|
running her fingers through his damp hair, feeling the pounding
|
|
of his heart against her stomach, she wanted to take that
|
|
trusting skull and crush it, to switch on the gravity and let
|
|
him plummet to the floor.
|
|
|
|
He looked up at her and smiled.
|
|
|
|
"Thank you, Zazu-san," he said.
|
|
|
|
The Sensation input was programmed to terminate following
|
|
orgasm. He was back in the real world now. She wondered how much
|
|
of his pleasure she had been responsible for. It was difficult
|
|
to tell. Her own previous Sensation experiences had always been
|
|
shared with the client; the sensory data and imagery flowing
|
|
into their minds were shaped by the physical activities of their
|
|
bodies and directed by the fantasies of their subconscious
|
|
minds. Her own conscious fantasies were always quelled, if
|
|
indeed she even had any. It was part of the training. The client
|
|
was paying. It was his trip. She was just along for the ride.
|
|
|
|
Some trips were pretty smooth. Soft-focus holoflick passion
|
|
brought to life, fast-cutting from one sexual position to
|
|
another. Others were rollercoaster rides into a nightmare of
|
|
sexual deviance and fetishism. And sometimes -- as in this case
|
|
-- the client didn't want you along.
|
|
|
|
Those were the strangest clients. What were they doing in there?
|
|
|
|
She smiled at him, still stroking his hair, letting the long,
|
|
coarse ponytail fall through her splayed fingers. He nestled
|
|
against her like a cat. She was tempted to be cruel. She hated
|
|
it when they didn't take her on the Sensation ride. It
|
|
underscored the fact that she was just a vehicle for their
|
|
pleasure, not an active participant.
|
|
|
|
More than that, she wanted to know why they didn't take her.
|
|
Sure, the fantasies were always intercut with flash fragments
|
|
that had nothing to do with sex -- wives, husbands, children,
|
|
marketing strategies, research projects -- but the images were
|
|
blurred, disconnected, out of context. The station monitors
|
|
analyzed them, tried to piece them together, but they were
|
|
seldom able to come up with anything coherent. More information
|
|
was gained from inadvertent comments, bragging, and things left
|
|
unsaid than from the distorted reflections of the subconscious
|
|
conjured up by the Sensation experience.
|
|
|
|
So why?
|
|
|
|
"It's in my contract," he said, smiling wanly.
|
|
|
|
"What is?" she asked, wondering if there were some new little
|
|
game he wanted to play, something he'd signed on for but that
|
|
they'd forgotten to tell her about in the briefing.
|
|
|
|
"That I don't share the Sensation experience," he said, tapping
|
|
his temple with his index finger. "Too much classified data."
|
|
|
|
"You a mind-reader?" she said.
|
|
|
|
He shrugged. "I can see it in your face."
|
|
|
|
They spoke English. Though she was fluent in Japanese, had grown
|
|
up speaking it, he didn't know that and there was no need to
|
|
tell him. The less the client knew, the better. These days,
|
|
English was _de rigueur_ for Japanese businessmen, its legacy of
|
|
dominance lingering in the business world much as French had
|
|
remained the language of diplomacy long after that country had
|
|
slipped from the center of the world stage.
|
|
|
|
"Some champagne?" he said.
|
|
|
|
"Sure."
|
|
|
|
He propelled himself rather awkwardly toward the bar.
|
|
|
|
"Let me get it," she said, pushing herself smoothly past him.
|
|
"I'm more familiar with the routine."
|
|
|
|
He caressed her flank as she glided by. She felt his eyes
|
|
lingering on her body. The sensation was not as distasteful as
|
|
she expected.
|
|
|
|
She paused at the bar. "Would you prefer to switch on the
|
|
gravity?" she asked. "It's much more elegant that way."
|
|
|
|
He smiled thankfully. "That would be wonderful."
|
|
|
|
He kept coming back. Sometimes as often as twice a month.
|
|
Whatever he was doing Earthside, he must have been doing well.
|
|
And he always asked for her, always brought her gifts. At first,
|
|
just duty-free goods picked up on the shuttle -- perfume,
|
|
scarves, liquor, stamped cubes of Lebanese or Moroccan hash
|
|
wrapped in gold foil, expensive rejuvenating creams and lotions.
|
|
Then, later, diamonds, Chanel dresses, Comme des Garcons suits,
|
|
sculptures, paintings -- he was more lavish with his gifts than
|
|
a corporate president.
|
|
|
|
She wondered how he could afford it all. According to his job
|
|
description, he was only a team leader in Matsushita's biosoft
|
|
R&D department -- a respectable position, to be sure, but not
|
|
one that merited such an apparently limitless expense account.
|
|
|
|
She enjoyed the gifts, the flattery, but refused to lower the
|
|
barrier that separated them. It was part of her mystique, after
|
|
all. Showing him love or affection, whether false or not, was
|
|
not part of the deal. If he preferred her, it was because of her
|
|
cool reserve and not in spite of it.
|
|
|
|
She took the gifts as her due, made love to him as was her duty,
|
|
and ignored him as was her custom.
|
|
|
|
And still he refused to share the Sensation experience with her.
|
|
|
|
|
|
|
|
Two.
|
|
------
|
|
|
|
She wasn't surprised when Tan Katsumura called her in after his
|
|
last visit. She was surprised only that it hadn't happened
|
|
sooner.
|
|
|
|
Tan was Serenity's chief monitor. Suave, elegant, with a manner
|
|
sweet as roses and an attitude tough as nails, she was typical
|
|
of Japan's first generation of female executives. And at 87, she
|
|
had no time for unnecessary pleasantries.
|
|
|
|
Tan's sharp brown eyes watched her expressionlessly from behind
|
|
a pair of old-style horn-rimmed glasses, her remodeled face
|
|
smooth and businesslike beneath a carefully-applied veneer of
|
|
foundation and artful strokes of blush.
|
|
|
|
Rumor had it that Tan had been one of the last geishas.
|
|
|
|
Tan tapped the stack of printouts on her black Formica desk, her
|
|
voice clipped, deceptively frail. "Nearly three hours of
|
|
conversation, 18 hours of body analysis, 18 hours of Sensation
|
|
probes, and not one single byte of hard data."
|
|
|
|
Zazu shrugged. "I'm not paid to gather data," she said, her
|
|
voice inevitably surly, provocative in its insolence, knowing
|
|
her high, wide cheekbones were thrown into stark relief by her
|
|
downturned mouth. "I'm paid to provide pleasure."
|
|
|
|
Tan glared at her. "Don't take that tone with me, Zazu-chan."
|
|
She bit off the affectionate address form as if the word burned
|
|
her tongue. "You know our primary function as well as I do. We
|
|
do not demand that you obtain data from the clients. But we
|
|
expect something." She slapped the pile of printouts again. "We
|
|
expect more than this."
|
|
|
|
Zazu stared at the cold black Formica, familiar feelings of
|
|
anger welling up inside her. The trainers had left her temper
|
|
intact, regarding it as a potential asset not only in her work
|
|
as a prostitute, but for any possible future assignment
|
|
Earthside. Special ops executives needed a streak of meanness,
|
|
though they also needed to know how to control it -- a
|
|
discipline that, in Zazu's case, the trainers had overlooked.
|
|
Gritting her teeth, she muttered, "I've followed all the
|
|
procedures. The man is well trained. He reveals nothing. If
|
|
you're looking for some insight that you haven't uncovered in
|
|
your analysis, I can't give it to you. I'm as puzzled as you
|
|
are."
|
|
|
|
Tan sighed. "I am aware of that. As you should be aware that
|
|
special circumstances call for special measures. This man
|
|
worries us. He is too young, he is too wealthy. His personal
|
|
data does not equate. Matsushita acknowledges him, but nothing
|
|
in his official status indicates that he is in a position to
|
|
lavish gifts upon you as he does. Nor, for that matter, is there
|
|
anything to indicate why he is able to visit us so frequently."
|
|
|
|
"So?"
|
|
|
|
"So!" Tan's carefully-modulated voice slipped for a moment, a
|
|
granny's high-pitched squeal. "So, he is an anomaly. Whatever he
|
|
does for Matsushita, it is not what they say he does. Our
|
|
inability to learn his secret discredits us with MITI. This
|
|
worries us. More importantly, it worries MITI. For more than a
|
|
century, MITI has been privy to the secrets of the _zaibatsu_ --
|
|
if not officially, then unofficially. The fact that Japan's
|
|
largest electronics manufacturer is going to such lengths to
|
|
keep something from MITI is unprecedented. And that is why we
|
|
must find out what is going on."
|
|
|
|
"I'll tell you what's even stranger," said Zazu, leaning back in
|
|
her chair, lighting one of the Gauloises he had brought her on
|
|
his last visit. "They go to all this trouble to keep us from
|
|
finding out their secret; meanwhile they make it obvious as hell
|
|
that something weird's going on. Why send him up here in the
|
|
first place? If he's such a classified piece of goods, why don't
|
|
they keep him locked up tight in a max-security R&D center
|
|
Earthside? Why tease us?"
|
|
|
|
Tan's hard brown eyes blinked, her smooth face cracking with
|
|
distaste, as a waft of dark French tobacco smoke drifted across
|
|
the desk. She switched on a directional air filter. "Yes." She
|
|
nodded. "A good question. Perhaps, with a little more effort on
|
|
your part, we might find the answer."
|
|
|
|
Zazu leaned forward, glaring at Tan across the desk, hazel eyes
|
|
unblinking, the hot rush of anger burning her skin. "Fuck you,
|
|
Tan. You may be chief monitor, but I don't have to answer to
|
|
you. I'm a free agent. I do my job, and I do it better than
|
|
anyone here. The credits I bring up must account for half the
|
|
fucking budget. Don't tell me about effort. You think it's easy
|
|
to screw just any slack-gut that flies in and slaps a few
|
|
credits on the table? You think it doesn't take any effort to
|
|
float around in that goddam zero-g chamber while some
|
|
mealy-mouthed corporate shit is pushing and poking at my body
|
|
like I'm some kind of fucking toy? Who the fuck do you think you
|
|
are, telling me to make more of an effort?"
|
|
|
|
Tan leaned back in her heavy padded chair as if trying to
|
|
distance herself from this sloppy display of emotion. But her
|
|
face remained composed, its smoothness marred only by the barely
|
|
perceptible clenching of her jaw, by the slight tremor in the
|
|
muscles around her mouth. "And who do you think _you_ are?" she
|
|
hissed, the words, corrosive as acid, at odds with the
|
|
expressionless face. "You were nothing before Serenity. Just a
|
|
skinny, mean Kabuki-cho street tramp giving head to any Yakuza
|
|
errand boy who was willing to slip you enough credits to buy a
|
|
few grams of bootleg Filipino ice. You were trash. A bundle of
|
|
wired nerve-endings with a nice ass and a lot of potential on
|
|
the fast track to nowhere. Whatever you are, _we_ made you. So
|
|
what gives you the right to act as if you owe us nothing but
|
|
your body? There are plenty of bodies out there, Zazu. What
|
|
makes yours so special?"
|
|
|
|
"You tell me, mama-san."
|
|
|
|
"Do you think we selected you because of your body? Is that how
|
|
you view your work here -- an overpaid hooker in a
|
|
government-subsidized brothel?"
|
|
|
|
Zazu shrugged, inhaling deeply on her cigarette. "Sounds like a
|
|
fair enough description to me."
|
|
|
|
"If it were your body we were interested in, we could have found
|
|
a much better one at half the price and with none of the
|
|
aggravation." She paused, folding her arms across her chest,
|
|
eyes straying to the stack of printouts on the desk. "Why are
|
|
_you_ here, Zazu?"
|
|
|
|
"It's a good gig."
|
|
|
|
Tan sighed. "Don't play games with me, Zazu. You're here because
|
|
you wanted to get off the streets, because you wanted to stop
|
|
selling your body for the drugs that made selling it bearable.
|
|
You're here because this is the only chance that someone like
|
|
you will ever get to break into the system."
|
|
|
|
Zazu stubbed her cigarette in the heavy glass ashtray that
|
|
squatted like a tortoise on the edge of Tan's desk. "Fuck the
|
|
system," she said.
|
|
|
|
Tan rolled her eyes. "If you wish to follow the accepted career
|
|
track for Serenity staff, you will play by the rules. Thus far,
|
|
the indiscretions of your clients have made it easy for you. Now
|
|
that that is no longer the case, you will have to work a little
|
|
harder. Just a little, Zazu." She leaned forward, carefully
|
|
spitting out each syllable as if it were an olive pit. " Just...
|
|
a... lit... tle... har... der."
|
|
|
|
Zazu was silent. Memories of the streets reverberated in her
|
|
brain with the abrasive persistence of a German metalbeat band:
|
|
the sour taste of cheap Japanese whisky in the back of her
|
|
mouth; stale sperm gluing her ass to plastic sheets; the
|
|
piss-taste of unwashed cocks in the neon glare; calloused hands
|
|
dark with city grit groping her awkwardly on thin, damp futons
|
|
in cramped capsule hotels, the cool, electric rush of low-grade
|
|
ice cut with codeine; and the awful, mind-numbing grip of the
|
|
speed-jitters that kept her constantly searching for another
|
|
hit.
|
|
|
|
"Fine," said Zazu finally, lighting another cigarette, wondering
|
|
for the first time if life on the inside was really all that
|
|
much better than life on the outside. Cleaner, maybe. Safer.
|
|
More comfortable. But better? She'd always felt trapped on the
|
|
streets, at the mercy of forces she couldn't control, forced to
|
|
sell her soul for a patch of stick-on ice and the dreams of
|
|
freedom it gave her. She'd thought Serenity was her ticket to
|
|
real freedom. Now it was starting to look more like an upscale
|
|
version of the same prison.
|
|
|
|
"Fine," she repeated, her voice thin and empty as the universe
|
|
outside. "What do you want me to do?"
|
|
|
|
Behind Tan's owlish head, the moon drifted across the viewport,
|
|
fat and white as a melon. It passed by quickly, though it would
|
|
return soon. In order to achieve the degree of centrifugal force
|
|
required to maintain a comfortable level of gravity, Serenity
|
|
rotated on its axis every 43 minutes. Even so, the gravity was
|
|
not nearly as strong as Earth's, and those kids brought in while
|
|
they were still growing developed a long-legged lissomeness that
|
|
many of the Earthbound company men found especially attractive.
|
|
An unfortunate side effect of this low-grav limb-stretching was
|
|
that bones lost their resilience, becoming too frail to cope
|
|
with the oppressive weight of Earth's gravity. As a result, many
|
|
of the kids had to have their bones reinforced with lightweight
|
|
metal composites before discharge. In the worst cases, they
|
|
required a complete non-removable exoskeleton. This gave them an
|
|
illusory aura of cyborg invulnerability, increasing their
|
|
attractiveness as special ops executives.
|
|
|
|
"Make him share the Sensation experience with you."
|
|
|
|
"Oh, sure. No problem. Seven times he's been here and every time
|
|
he's insisted that he do it alone. What am I supposed to do?
|
|
Bargain with him? No Sensation for me. No fuck for you." She
|
|
shook her head. "He'll just ask for someone else."
|
|
|
|
"Zazu, you disappoint me. You know how easy it is to manipulate
|
|
clients -- especially the men. And this man clearly has more
|
|
than a passing interest in you. Find out what it is he likes
|
|
about you, and use it. It's really quite simple. I'm sure he'll
|
|
do anything you ask." She smiled, thin lips pressed together, a
|
|
smile as tight and humorless as a zipper.
|
|
|
|
Zazu flashed a marionette grin back at her. "Sure, Tan. Sure he
|
|
will."
|
|
|
|
Tan nodded. "Good. See to it." She paused, staring at Zazu over
|
|
the printouts. "There's something else."
|
|
|
|
Zazu waited, staring back. "What?"
|
|
|
|
"He's been mapping you."
|
|
|
|
|
|
|
|
Three.
|
|
--------
|
|
|
|
Tan certainly had a sense of drama, she had to give her that
|
|
much. But she hadn't explained it very well. Like most clients,
|
|
Fukuda ran his own customized Sensation program on Zazu's board,
|
|
slipping the tiny ROM crystal disc into her external drive
|
|
before each session. Nothing unusual in that. In an effort to
|
|
keep the outflow of data to a minimum, Sensation users built as
|
|
many failsafes as possible into their programs, lock-out macros
|
|
that automatically edited out classified imagery. Still, even
|
|
the cleverest programmer couldn't predict all the possibilities,
|
|
and a few isolated fragments always slipped through. Enough of
|
|
those fragments, together with data gained from body and
|
|
conversation analyses, created a pertinent database of
|
|
classified corporate and private material sufficient to keep
|
|
Serenity in business.
|
|
|
|
In Fukuda's case, however, not only was nothing coming out, but
|
|
data was going in. Somehow he had penetrated the various
|
|
passcodes that allowed access to the station's security and
|
|
analysis systems, pulling in the station's own data on Zazu,
|
|
mapping her sensory and motor responses, charting her brain
|
|
patterns, sampling the electrical and chemical discharges of her
|
|
neurons. Strict privacy regulations and the usual delays between
|
|
visits and analysis had ensured that this serious lapse in
|
|
security went undetected for over a month. When Tan discovered
|
|
it, she had kept it to herself, unsure of its veracity and
|
|
disturbed by its implications. Finally, on receiving a
|
|
communication from MITI concerning Fukuda, she decided that
|
|
Serenity -- and Zazu in particular -- would have to pull out all
|
|
the stops and find out what was going on.
|
|
|
|
Tan had been strangely reticent regarding the possible political
|
|
and technological implications. She hinted at Matsushita's
|
|
growing resentment of the Sony-Philips group's increasing
|
|
influence on MITI policy, and, more particularly, its anger at
|
|
Sony-Philips' refusal to license its patent on the Sensation
|
|
interface. What she didn't say, but what seemed clear enough to
|
|
Zazu, was that with a program able to exploit the Sensation
|
|
interface as a gateway to classified databases, Matsushita was
|
|
aiming at a technological coup and the destruction of MITI's
|
|
credibility. The Japanese powerhouse had been straining at the
|
|
leash for years and now, with governments around the world
|
|
becoming increasingly subservient to corporate masters, it
|
|
seemed natural that Matsushita would attempt to seize the power
|
|
it thought it deserved.
|
|
|
|
But something nagged at Zazu, scratching at the back of her
|
|
brain like an electrode ghost. Something was wrong. Why would he
|
|
be interested in Serenity's data on her physical, mental, and
|
|
emotional states? Why not download the thousands of files packed
|
|
with classified data on rival corporations? The whole scenario
|
|
seemed oddly out of joint, overlaid with subtle incongruities,
|
|
illusions within illusions, like a computer-generated simulation
|
|
of the fourth dimension.
|
|
|
|
She stretched on the low-slung body-contour couch, curling one
|
|
silk-sheathed leg against her chest, watching him, eyes wide and
|
|
glowing in the starlight like a cat's.
|
|
|
|
He was attaching the Sensation terminals to prepared implant
|
|
pads at the base of his skull. The terminals were flat, square
|
|
pieces of aerated ceramic about the size of an old-fashioned
|
|
postage stamp. Each was fitted with 256 micropins that
|
|
penetrated the thin epidermal layer to rest gently on the bone.
|
|
Each pin transmitted a specific signal frequency to the brain
|
|
stem and thence to the medusa oblongata, cerebellum, or
|
|
cerebrum, depending on the frequency. Circular ultrasound
|
|
transceivers protruded from the outside face of the terminals.
|
|
These extended about twenty millimeters, and their configuration
|
|
and angle gave the wearer an eerie resemblance to the
|
|
Frankensteins who staggered maniacally through some of the
|
|
ancient monochrome horror vids. Built-in digital processors and
|
|
decoders sampled the sensory and mental data from the brain
|
|
using 36-bit quantization and compressed it into packet form for
|
|
transmission to the computer. There the data was run through the
|
|
Sensation program and transmitted back to the user. It was a
|
|
tight closed loop, one that performed something on the order of
|
|
one million simultaneous logic operations per second. As far as
|
|
the user was concerned, it was a fantasy come to life.
|
|
|
|
Hallucinogens could do much the same thing, of course. And there
|
|
were plenty of drugs on the market specifically designed to
|
|
intensify the sexual experience. But none could provide anything
|
|
like the sophistication, the coherence, the reliability, and,
|
|
above all, the safety of the Sensation experience. In any case,
|
|
drugs were often used in conjunction with the Sensation program,
|
|
creating an extraordinary ripple effect that defied comparison.
|
|
|
|
He had removed all his clothes and stood now beside the board,
|
|
his pale, hairless body glowing like old ivory in the cool blue
|
|
starlight, cascading shadows filling the hollows of his
|
|
rib-cage, pooling beneath his cheekbones. Between his thumb and
|
|
forefinger, the Sensation disc glittered like a broken star.
|
|
|
|
She knew there was no point in trying to trick him into sharing
|
|
the Sensation experience. He must know by now that they were on
|
|
to him.
|
|
|
|
He slid the Sensation disc into its slot, tapped a touch key,
|
|
sleepy, downturned eyes brightening almost immediately. The
|
|
program was running.
|
|
|
|
For now, its effect was minimal -- electrifying the senses,
|
|
heightening perception. Responding to the body's physical
|
|
changes, the program increased in intensity as the user became
|
|
more and more aroused.
|
|
|
|
He could still communicate in a normal manner.
|
|
|
|
She raised herself from the couch, propelling herself forward in
|
|
a languid glide, arched toes skimming the floor. He watched her,
|
|
body trembling perceptibly, penis starting to thicken and
|
|
distend.
|
|
|
|
She went to him, ran soft fingers across his smooth, hard chest,
|
|
tickling the sparse hair around his nipples, burying her mouth
|
|
in the soft flesh at the base of his throat, nuzzling him with
|
|
wet, gentle kisses.
|
|
|
|
Still kissing him, she reached behind him and switched off the
|
|
board.
|
|
|
|
His body tensed, the light in his eyes blinking out.
|
|
|
|
She pressed harder against him, felt his cool skin grow clammy,
|
|
his tumescent penis shrinking and softening against her belly.
|
|
|
|
"What are you doing?" he whispered, voice cracking.
|
|
|
|
"Don't you know?" She traced circles around his cold nipples,
|
|
felt them stiffen beneath her touch. He seemed unnaturally
|
|
disturbed, frightened even. Surely he must have known that he
|
|
would be found out sooner or later. She had expected him to act
|
|
more nonchalant, to be more prepared.
|
|
|
|
"No," he said, pulling her hands away from his chest, holding
|
|
her out at arm's length. He looked awkward, plainly embarrassed
|
|
now by his nakedness, fumbling with the Sensation terminals,
|
|
frightened eyes flitting about the chamber, searching for his
|
|
clothes.
|
|
|
|
She turned away, moving through spinning galaxies, a shimmering,
|
|
dark-hued goddess, lean, muscular legs spanning a thousand light
|
|
years in a single stride. Reached the bar. Poured herself a
|
|
Lemon Sour. Lit a cigarette.
|
|
|
|
She heard his voice behind her. Weak. Plaintive. "Zazu-san?"
|
|
|
|
She turned, regarding him coolly through lazy curls of tobacco
|
|
smoke. "Mmmm?" she said, sipping the tart shochu.
|
|
|
|
"What is wrong?"
|
|
|
|
He seemed so bewildered, so truly distressed. Maybe he really
|
|
didn't know what was going on. Maybe he was just a patsy.
|
|
|
|
"Your specs don't correlate, Fukuda-san," she said, watching him
|
|
over the rim of her glass. He had put on his trousers, was
|
|
shrugging into his shirt, a pale, half-naked ghost floating in
|
|
the vast emptiness of the holo-projected universe. "You seem to
|
|
be getting all the perks that go with being a chief executive,
|
|
yet you're only a junior staffer."
|
|
|
|
"Oh," he said, sounding vaguely relieved. "I'm too young to be a
|
|
chief executive. There are certain... er, proprieties to be
|
|
observed." He looked down at his chest, shaky fingers fumbling
|
|
with the buttons on his shirt. "At the same time," he continued,
|
|
speaking to the floor, "the company feels I should be rewarded
|
|
for my services. And this is one of the few perks -- as you put
|
|
it -- that can be awarded with some assurance of discretion."
|
|
|
|
She decided to be blunt. "That doesn't explain why you won't
|
|
share the Sensation experience or why you've been stealing data
|
|
from our banks."
|
|
|
|
His head jerked up, dark eyes blinking rapidly. "Stealing data?"
|
|
|
|
"Don't play games, Fukuda-san. You must have known we would find
|
|
out. Stealing data is a crime. If it wasn't so damaging to our
|
|
credibility, we would probably have you charged."
|
|
|
|
He shook his head, flicking a stray tendril of limp, black hair
|
|
across his face.
|
|
|
|
She snapped open the control panel on the bar, flicking on the
|
|
main light. The stars faded in a burst of halogen as the dark
|
|
universe exploded into light. He stood shivering in the
|
|
brightness, pathetic and small, like an animal trapped in the
|
|
paralyzing glare of a car headlamp.
|
|
|
|
She felt sorry for him. A pawn sacrificed in some devious
|
|
corporate chess game.
|
|
|
|
Like her.
|
|
|
|
Finally, he spoke, his voice apologetic. "It was only meant as a
|
|
demonstration. To show that the Sensation interface can be
|
|
penetrated and embarrass Sony-Philips into releasing its
|
|
patent."
|
|
|
|
He was still looking at the floor, hands clasped in front of him
|
|
like a chastised schoolboy. "The data," he went on, "the data
|
|
was not important." He glanced at her furtively from beneath his
|
|
downturned brow, gauging her reaction.
|
|
|
|
She took a long drag on her cigarette, staring at him through
|
|
slit eyes. She had expected to feel anger. But she felt nothing.
|
|
Only emptiness. A cold chill emanated from her stomach,
|
|
spreading through her body, freezing her heart. She had never
|
|
been raped before.
|
|
|
|
"Get out," she said, her voice brittle.
|
|
|
|
A few weeks later, Sony-Philips announced that, in the spirit of
|
|
good will and cooperation, it would license its Sensation
|
|
interface for manufacture by competing companies -- including
|
|
Matsushita.
|
|
|
|
Almost immediately, Matsushita dropped its own bombshell. The
|
|
Matsushita version of the Sensation program not only offered
|
|
users the standard benefits of the Sensation-enhanced sexual
|
|
experience, it offered them the opportunity to enjoy the full
|
|
experience alone.
|
|
|
|
Matsushita had developed a program that contained all the data
|
|
necessary to provide the user with a fully tangible partner.
|
|
Special add-on external pads delivered the same kind of physical
|
|
stimulation that a real partner would. Mental and emotional data
|
|
supplied through the program would interact with the user's own
|
|
thoughts and sensations to ensure a complete, fully satisfying,
|
|
and thoroughly realistic sexual experience. Because the
|
|
programmed partner had been so thoroughly mapped, the experience
|
|
would not only be different for each user, it would be different
|
|
each time. Currently, Matsushita had only programmed a
|
|
heterosexual female partner. A heterosexual male partner would
|
|
be forthcoming, to be followed by homosexuals of both sexes. The
|
|
company promised to respond promptly to market feedback and
|
|
anticipated the creation of a variety of partners to meet any
|
|
sexual need - no matter how unique.
|
|
|
|
As an added bonus, Matsushita had given the program the ability
|
|
to simulate a variety of specific environments -- including an
|
|
orbital zero-g chamber.
|
|
|
|
She looked at the face in the mirror, at its thick, sensuous
|
|
lips, smooth skin the color of sandalwood stretched tight over
|
|
sharp-angled bones, smoky brown eyes fading into their sockets,
|
|
a face as harsh and precise as a Balinese mask, a face no longer
|
|
her own. A face owned by millions, leered at daily. A face that
|
|
in a few short weeks had come to know the kisses of more men
|
|
than any other face in history.
|
|
|
|
And she wasn't even receiving residuals.
|
|
|
|
She wondered again if he had known. Obviously the real reason
|
|
that he hadn't shared the Sensation experience with her was
|
|
because it would have distorted her responses, preventing an
|
|
accurate mapping. Had he known what he was doing, what he was
|
|
doing to her?
|
|
|
|
She stared for a moment longer, curling her lips in a fierce
|
|
sneer, then picked up a heavy jar of rejuvenating creme from her
|
|
vanity and hurled it at the mirror. The heavy, unbreakable glass
|
|
shivered as a thousand threadlike cracks spread across it like a
|
|
spiderweb. So thin, so imperceptible were the cracks that it
|
|
seemed almost as if the glass had been designed that way, the
|
|
spider-web pattern delicately etched by an unknown robot
|
|
craftsman.
|
|
|
|
She looked at her face now, fragmented into a thousand discrete
|
|
pieces, all of them a part of her but none of them belonging to
|
|
her. Tears and mascara streaked across the broken planes of her
|
|
features like viscous oil flowing over the cracked mud-flats of
|
|
an ancient seabed. Vacant eyes stared out at her, dark and
|
|
hollow like extinct volcanoes, like the eyes of her mother, a
|
|
soya-brown Eritrean with stiff-kinked hair who had come to Japan
|
|
as a domestic, was compromised by the man of the house, then
|
|
thrown out on the streets, pregnant and creditless. "Time is
|
|
your enemy," she had told the young Zazu, sad, thin face cracked
|
|
by abuse and nicotine. "You must defeat it while you are young
|
|
or remain its prisoner forever."
|
|
|
|
She had learned fast. When the Serenity scouts found her, her
|
|
wire-thin elasticity twisted their bodies in knots, her
|
|
laser-sharp tongue perforated their bloated egos. Impressed,
|
|
they signed her up. She was seventeen. She had beaten Time.
|
|
|
|
She sipped from a half-empty tumbler of scotch, savoring the
|
|
fire in her chest, the warm liquid embrace that for a moment
|
|
filled the cold hollows in her gut, somehow sensing that this
|
|
was all that was left of her, a cold, empty vessel waiting to be
|
|
filled. Lulled by dreams of power, she had allowed herself to be
|
|
conquered. No longer could she define herself by her ability to
|
|
command desire, by her dual role as both victim and victor in
|
|
the tawdry, ongoing war between the sexes.
|
|
|
|
She had been robbed. Stripped, violated, and vivisected. Her
|
|
spirit had been drained by a digitized vampire, leaving her with
|
|
only a physical shell, a dry, empty husk that drifted in orbit
|
|
like a discarded spacesuit.
|
|
|
|
She sat quietly, eyes fixed on her shattered image, the sound of
|
|
her breathing the roar of a cockleshell ocean in her ears. The
|
|
slick velveteen flesh that lined her empty body tingled as the
|
|
liquor spread its fiery tentacles outwards from her stomach,
|
|
high-octane molecules searing raw nerve-endings like a
|
|
cauterizing laser, leaving her numb and senseless, a hot,
|
|
scotch-soaked cunt spread wide for all.
|
|
|
|
Darkness fell across her face like a low-budget video fade as
|
|
Serenity drifted out of the blaze of filtered sunlight and
|
|
passed quietly into Earth's shadow. She heard the faint hum of
|
|
the nuclear generator as it kicked in, switching on night-power.
|
|
The lights came on.
|
|
|
|
She glanced at the Earth monitor. Thousands of kilometers below,
|
|
the night-shrouded Korean peninsula jabbed at Japan like an
|
|
accusing finger.
|
|
|
|
She counted the seconds on her fingers. Waiting.
|
|
|
|
Since the release of Matsushita's upgraded Sensation program,
|
|
business had slowed to a trickle. A few grim-faced Sony-Philips
|
|
executives occasionally stalked the near-empty chambers,
|
|
recouping lost pride in joyless orgies of pain, muttering about
|
|
psychosexual side effects and personality disorders.
|
|
|
|
None of her regular clients had made the trip and no new ones
|
|
had been assigned to her.
|
|
|
|
Talk in the staff lounge had been downbeat but cautiously
|
|
optimistic. Once the novelty had worn off, it would be business
|
|
as usual. Nothing could ever beat the real thing, even if the
|
|
perceived benefits of the real thing were more psychological
|
|
than real. The Matsushita program was just a hightech sex toy, a
|
|
surrogate partner for losers and perverts. A few of the more
|
|
cynical kids had speculated the novelty would not wear off.
|
|
Instead, prostitutes would be recruited into providing the raw
|
|
data for multiple versions of the program, a possibility all
|
|
agreed beat the hell out of having live sex with
|
|
not-always-attractive strangers. None of them knew Zazu had
|
|
already provided the raw material for the first version.
|
|
|
|
Zazu didn't care one way or the other. She floated lazily in a
|
|
tranquilized haze, discreetly applying stick-on epidermal
|
|
downers whose active ingredients blended quickly with the
|
|
alcohol in her bloodstream, washing through her body like liquid
|
|
sleep.
|
|
|
|
She watched herself in the mirror, watched the broken fragments
|
|
of her soul swirling across the mirror's silvery surface,
|
|
scattering like ashes on the dark waters of the Pacific.
|
|
|
|
|
|
|
|
Four.
|
|
-------
|
|
|
|
The man in the wraparound mirrorshades offered her a cigarette.
|
|
"You must understand, " he was saying, thin-lipped face blank
|
|
and subtly menacing behind the reflecting glasses, "that
|
|
Matsushita was not aware of the source of the data used in the
|
|
Sensation Plus program. We were under the impression that the
|
|
data was gained from a volunteer at the research center
|
|
involved."
|
|
|
|
Zazu spoke slowly, her jaw heavy and sticky as clay, squeezing
|
|
words from her mouth like soft candied cherries. "He said it
|
|
didn't matter... the data, it didn't matter." She fumbled with
|
|
the cigarette, flipping it through stiff, nerveless fingers.
|
|
|
|
Tan was hunched at her desk, hands folded tightly in front of
|
|
her. "Inoue-san, Matsushita authorized the penetration of our
|
|
data banks. You have already admitted as much. Surely you are
|
|
aware that the only data removed was that pertaining to Miss
|
|
Zazu?"
|
|
|
|
"No data at all should have been removed. Our intention was
|
|
merely to demonstrate our ability to exploit the Sensation
|
|
interface, not to commit a felony." He sucked on his Mild Seven,
|
|
turning his silvered gaze on Zazu, capturing and absorbing her
|
|
reflection like the mirror in her quarters.
|
|
|
|
Zazu barely listened to them. Their whitewashed exchange of
|
|
political doubletalk crackled like satellite static in the upper
|
|
stratosphere of her mind. One of Matsushita's top special ops
|
|
sharps, he had come here to arrange compensation for Zazu, and
|
|
for Serenity; to atone, he said, for Fukuda's unforgivable error
|
|
in judgment. In his expensive charcoal-gray London-tailored
|
|
suit, he was as smooth, and as believable, as a video
|
|
real-estate shark.
|
|
|
|
She knew why he was here. He hadn't come here to make amends for
|
|
the violation of her spirit. He had come here to buy her off.
|
|
Matsushita was in trouble. Sensation Plus had a bug in it. After
|
|
only three weeks on the market, there were already hints of
|
|
serious problems with the program. One man had developed a split
|
|
personality. Another had killed himself. Reports of less extreme
|
|
personality disorders were piling up. It seemed that the
|
|
computer-facilitated interaction of two personalities in a
|
|
single mind seriously disrupted the host mind's sense of self.
|
|
Frequent users of the program -- and there were many -- soon
|
|
found their simulated sex partner was taking up permanent
|
|
residence in their subconscious and, on occasion, making forays
|
|
into the conscious mind.
|
|
|
|
She puffed obsessively on the Mild Seven he had given her, the
|
|
constant stream of smoke stinging her eyes. She stared at him
|
|
through narrow, tear-misted slits. As part of the deal, he
|
|
wanted her to come down to Tokyo with him, to allow Matsushita's
|
|
scientists to access her mind and body directly, to search for a
|
|
key in her neural data that would allow them to lock her
|
|
troublesome silicone clones into the program.
|
|
|
|
"A permanent salaried position with Matsushita's Special
|
|
Operations Department plus six percent of the gross profits on
|
|
the debugged Sensation program." He had spread several sheets of
|
|
hard copy on Tan's desk, was pointing out specific clauses in
|
|
the agreement.
|
|
|
|
She glanced at her watch. 19:45. There was a shuttle leaving for
|
|
Seattle in fifteen minutes.
|
|
|
|
Tan and Inoue were absorbed with the contract. Behind them, the
|
|
Earth hung in the viewport, its blue-white bulk filling the
|
|
meteorite-proof plastic like a huge mural.
|
|
|
|
She stood up silently, slow and quiet as a slow-motion replay,
|
|
feeling invisible, an ephemeral computer ghost drifting
|
|
unnoticed through the space station's hollow shell. She left her
|
|
cigarette, still burning, on the arm of the chair, and walked
|
|
unhurriedly to the automatic door.
|
|
|
|
She'd make them pay, all right.
|
|
|
|
|
|
Christopher Hunt (chrish@wimsey.com)
|
|
--------------------------------------
|
|
|
|
Christopher Hunt is a Vancouver-based freelance writer and
|
|
library junkie who wonders why he has to work so hard to make a
|
|
living. When he has time, he edits the Web 'zine Circuit Traces.
|
|
<http://vanbc.wimsey.com/%7Echrish/>
|
|
|
|
|
|
|
|
Eire by Joseph W. Flood
|
|
===========================
|
|
...................................................................
|
|
One might be able to depend upon the kindness of strangers, but
|
|
it's altogether different to depend upon their devotion.
|
|
...................................................................
|
|
|
|
|
|
Mom got me the ticket. It was one of those discount fares they
|
|
advertise in the newspaper. She surprised me with it on my
|
|
birthday. I opened the envelope and saw the destination: New
|
|
York. And the date: March 17th. St. Patrick's Day.
|
|
|
|
"Use it to visit your Irish girlfriend," Mom saidbrightly.
|
|
|
|
"Mom, she's not my girlfriend."
|
|
|
|
"There's nothing like being in New York for St. Patty's Day,
|
|
especially among the Irish."
|
|
|
|
Mom considered herself Irish. In the kitchen hung a tapestry
|
|
depicting the four provinces of Ireland. When I was young, she
|
|
would point out the county where our family originated.
|
|
Westmeath, she would say, that is where the O'Banions are known.
|
|
Her finger rested on a black speck on orange yarn. I would eat
|
|
Fruit Loops while she talked about my grandfather who emigrated
|
|
from Ireland and died shortly after I was born.
|
|
|
|
Mom loved the idea of my being in love with an Irish girl. She
|
|
couldn't wait to meet Maggie. I had invited her out to Chicago,
|
|
but she had never been able to make it. Something always came
|
|
up. I had met her the summer I was interning in New York, before
|
|
I graduated from NYU. The accent was too much; it was too
|
|
charming. I got to talking to her in a club and just fell for
|
|
her. We stood near the dance floor and laughed and drank while
|
|
her friends flittered about. She was good company, and I made
|
|
sure I got her number before I left the club.
|
|
|
|
I met her a week before I left, so we never had a chance to go
|
|
out. After I moved back home, I called Maggie every few weeks
|
|
and we talked about this and that.
|
|
|
|
|
|
|
|
On the way to O'Hare, Mom tried to teach me several phrases in
|
|
Gaelic. "For Maggie," she said. I repeated the words as we edged
|
|
through traffic.
|
|
|
|
"Ma, what was that last one?"
|
|
|
|
"I love you."
|
|
|
|
|
|
|
|
Maggie and I had arranged to meet in a midtown bar after the
|
|
parade. I flew in, dropped my things at the hotel, and went to
|
|
Broadway.
|
|
|
|
The parade went on for hours. Maggie and her friends were
|
|
actually in it, marching with the members of some social club. I
|
|
knew it was a group whose primary purpose was to party. I
|
|
couldn't make out the name of the club on the banner -- the wind
|
|
was blowing and the words were in Gaelic. I didn't see Maggie
|
|
marching past, though she could have been hidden in the
|
|
boisterous throng.
|
|
|
|
People were drunk, even at ten in the morning. I decided to go
|
|
to the bar after a few hours. We hadn't set a precise time to
|
|
meet. Maggie didn't know exactly when the parade would end. She
|
|
said that her group would end up at Mulvaney's, an Irish bar on
|
|
a side street.
|
|
|
|
The cover to get into Mulvaney's was five dollars. I was anxious
|
|
and my heart was beating. I felt happier than I had in months.
|
|
|
|
I stepped into a wall of wet heat created by all the bodies
|
|
packed into the place. I squeezed between people, trying to
|
|
reach the bar. Beer spilled from a plastic cup onto my jacket. I
|
|
reached the bar and somehow ordered a Guinness. The bartender
|
|
was taking the orders of his favorites, so it took a while. I
|
|
shuffled through the crowd into a back room.
|
|
|
|
"Maggie!" I exclaimed, spotting her. She was with two of her
|
|
friends, Patricia and Mary. The three of them clustered around a
|
|
table covered with empty pint glasses. Their faces were red,
|
|
either from heat or from drink.
|
|
|
|
"Hello," Maggie said smoothly, her eyes twinkling. "Did you see
|
|
me in the parade?"
|
|
|
|
"I looked for you but didn't see you."
|
|
|
|
"Didn't see me?"
|
|
|
|
"No, too many people," I shouted. A band was playing somewhere
|
|
in the crowded bar.
|
|
|
|
"Brian, I thought you'd keep a closer eye on me," Maggie said,
|
|
teasing.
|
|
|
|
I flushed red and felt my face growing warm. I took a sip of
|
|
Guinness, trying to conceal it. The beer was warm, and rich.
|
|
"I'll have to watch you more closely."
|
|
|
|
"I can't believe you came all this way just for me."
|
|
|
|
"You know she's not worth it," Patricia said with a laugh.
|
|
|
|
"Patty! He came all this way from Iowa just for me!"
|
|
|
|
"Illinois, actually."
|
|
|
|
"Illinois then it is."
|
|
|
|
I was still standing next to their table. No chairs were
|
|
available. Maggie and I talked about the parade, the weather,
|
|
how I missed living in New York. Patricia chimed in with the
|
|
occasional wry remark. Mary merely watched the men in the bar
|
|
and pointed out to Maggie and Patricia the ones she considered
|
|
good-looking.
|
|
|
|
"That one. He's a handsome man."
|
|
|
|
"Him? Bit short, don't you think?"
|
|
|
|
"I don't mind."
|
|
|
|
"You'll take anything then?" Patricia asked.
|
|
|
|
"Patty, be quiet for a change."
|
|
|
|
"You're one to talk. Hey, what about that one..."
|
|
|
|
I turned to Maggie. She was looking across the crowded bar to
|
|
where Mary was pointing. Maggie has very blue eyes, especially
|
|
at times when the light strikes them just so. This wasn't one of
|
|
those times.
|
|
|
|
"You think you'll stay in New York?" I asked.
|
|
|
|
"Oh, you mean with my life? I don't know. We'll see."
|
|
|
|
Patricia got up. Mary had dared her to talk to a man at a table
|
|
across from ours. I took her seat. Patricia slowly made her way
|
|
through the crowd, smiling and tapping on shoulders to get
|
|
through. Mary was giggling and Maggie watched her progress. I
|
|
smiled and drained my beer.
|
|
|
|
Patricia leaned down to say something to the man, brushing her
|
|
blonde hair behind her ears. All the men at the table were
|
|
wearing Irish soccer jerseys. They watched her as she smiled and
|
|
talked. Then she came rushing back.
|
|
|
|
"She's a bold one," Mary said with a laugh.
|
|
|
|
"Quite," Maggie added.
|
|
|
|
Patricia returned with a story to tell. They were just visiting
|
|
the States but had a friend at Sullivan's who could get them in
|
|
and give them free drinks.
|
|
|
|
"They wanted to know if we wanted to go!"
|
|
|
|
"They are cute," Mary said. "And Sullivan's is a lot of fun."
|
|
|
|
I must have appeared skeptical because Patricia began assuring
|
|
me that Sullivan's would be a good time. Mary and Patricia began
|
|
gathering up their things. Maggie gave me a nudge.
|
|
|
|
"You don't mind, then?"
|
|
|
|
"No, why not?"
|
|
|
|
We all spilled out onto the street. The sun had slipped behind
|
|
the tall buildings and the shadows were cold. We walked up
|
|
Second Avenue, our hosts ahead of us. Nobody had bothered to
|
|
introduce me. The men were talking among themselves in thick
|
|
Belfast accents. I wasn't drunk at all.
|
|
|
|
The line to get into Sullivan's stretched halfway down the
|
|
block. We walked past everyone to the bouncer at the door. The
|
|
fellows from the North mentioned the name of their friend and
|
|
the bouncer waved us past, scowling at the number of us. Inside,
|
|
it was just like Mulvaney's, a melange of people, beer, and
|
|
smoke. I somehow lost contact with my group as we inched forward
|
|
through the crowd. I looked around and everyone was gone. I saw
|
|
just the backs and heads of strangers.
|
|
|
|
I was pushed to the bar by the press of people behind me. I took
|
|
out a five and waited. There were only two bartenders, and they
|
|
were rushing from one end of the bar to another. I couldn't seem
|
|
to get their attention. At last I caught one.
|
|
|
|
"What can I get you?"
|
|
|
|
"Guinness."
|
|
|
|
I tried to turn around but couldn't get through. Behind me was a
|
|
sea of outstretched arms, trying to reach the bar. Dripping
|
|
pints of beer were ferried over me, exchanged for the wrinkled
|
|
bills that were passed forward. I figured Maggie and company
|
|
would end up at the bar eventually. I waited and waited, but
|
|
then my bladder gave out. "Bathroom," I yelled, in order to get
|
|
the crowd to part.
|
|
|
|
After I finished, I searched the bar for Maggie. I looked
|
|
everywhere and didn't see her. I couldn't get back to the bar --
|
|
there were too many people. I chose a spot along the wall,
|
|
trying to stay out of the way. Someone thrust a beer into my
|
|
hands, slapping me on the back. I was standing under a mirror
|
|
shaped like a harp.
|
|
|
|
"There you are," Maggie said. "We're back here." She took me by
|
|
the hand and led me to a section I had missed. It was a smaller
|
|
room, and less crowded.
|
|
|
|
"Look what I found."
|
|
|
|
Everyone was just sitting around drinking. Maggie and I talked.
|
|
Mostly, she told me gossip about Mary and Patricia. She didn't
|
|
ask me many questions. I felt drained by the heat and noise of
|
|
the place.
|
|
|
|
"Do you want to go get something to eat?"
|
|
|
|
"I don't want to leave Mary and Patricia alone. No telling what
|
|
trouble they could get in."
|
|
|
|
The two girls looked like they were about to pass out under the
|
|
table.
|
|
|
|
"Could you get me a drink?"
|
|
|
|
Once the table discovered I was going for a drink, everyone
|
|
wanted one.
|
|
|
|
"I can only carry so much," I protested.
|
|
|
|
"Ask for Danny," one of guys from the North said. "He'll take
|
|
care of you."
|
|
|
|
I reached the bar and tried to get the attention of one the
|
|
bartenders.
|
|
|
|
"Are you Danny?"
|
|
|
|
"No," he said, scowling. "He's at the other end. So what can I
|
|
get you?"
|
|
|
|
When the beers were set on the sticky counter, I asked if I
|
|
could pay with a credit card. The bartender looked at me as if I
|
|
was insane. I paid cash.
|
|
|
|
Patricia lifted her head off the table when I returned. "Good
|
|
job, Bill," she said.
|
|
|
|
"It's Brian."
|
|
|
|
Maggie had switched seats and was talking with the Irish from
|
|
the North. I sipped my beer and looked at the decorations on the
|
|
walls. Harps and four-leaf clovers and maps of Ireland and
|
|
pictures of Joyce and advertisements for Guinness.
|
|
|
|
Maggie was still talking to the other guys. I sat there drinking
|
|
my beer for a very long time, and then she returned.
|
|
|
|
"I'm staying just a few blocks from here."
|
|
|
|
"Is your hotel nice?"
|
|
|
|
"It's convenient. If you want, instead of going all the way back
|
|
to Yonkers, you could crash at my place."
|
|
|
|
"Can I bring my girls?"
|
|
|
|
"You can bring anyone you want."
|
|
|
|
"We'll see."
|
|
|
|
Patricia wanted to go somewhere else. "I'm falling asleep in
|
|
here."
|
|
|
|
"Did you have a good nap, Patty?"
|
|
|
|
"I have my second wind. Mary, wake up."
|
|
|
|
As we threaded our way through the crowd, I again mentioned to
|
|
Maggie how close my hotel was. Outside, people mingled in the
|
|
street. A cold wind had blown all the clouds away, revealing a
|
|
vast sky dotted with stars. At the corner, the wind blew hard,
|
|
funneled between office buildings. I turned up the collar of my
|
|
coat. Maggie was shivering as she walked, so I squeezed myself
|
|
against her.
|
|
|
|
"Is this body heat then?"
|
|
|
|
"You looked cold."
|
|
|
|
"It is cold, Brian."
|
|
|
|
Maggie and I walked down the street together. Mary and Patricia
|
|
were way ahead of us, with the guys from the North. Maggie was
|
|
walking very quickly. I tried telling Maggie in Gaelic that I
|
|
loved her. All the words came out wrong. They jumbled and hung
|
|
in the air.
|
|
|
|
"What's that?"
|
|
|
|
I tried again, enunciating as carefully as possible. I tried to
|
|
remember Mom saying the line in the car. _I love you._
|
|
|
|
"Oh, Brian," she said with an uneasy laugh.
|
|
|
|
The office buildings were checkerboards against a night sky. The
|
|
wind suddenly gusted over us. The wind poured over my collar,
|
|
down my neck, cold air settling on my chest.
|
|
|
|
"Girls!" Maggie shouted. "Wait for me!"
|
|
|
|
Maggie walked quickly ahead. We darted across an intersection,
|
|
appearing briefly in the headlights of oncoming traffic.
|
|
|
|
A door was pulled open. This was the next bar. Inside was
|
|
warmth, music, the smell of people. We found a table. Patricia
|
|
had taken us to a sports bar. A waitress brought us menus. They
|
|
served hamburgers, ribs, wings, barbecued chicken. The TV over
|
|
the bar was playing an NBA game. Knicks versus the Magic. Shaq
|
|
slammed one home, and the crowd in Orlando went wild. I could
|
|
barely hear Marv Albert. The TV was a bright hole in the dark
|
|
bar. The Knicks came roaring back. _Yes!_ The Knicks ran and
|
|
passed and shot and missed and Shaq got fouled coming up the
|
|
lane. All the billboards cycled over. Nike. Coke. American
|
|
Express. Tan girls in Lycra danced as the sweat was mopped up.
|
|
Giant black American millionaires ran and jumped while I sat
|
|
with Irish women.
|
|
|
|
We waited for the waitress to return. Patricia and Mary had gone
|
|
back to their game of checking out men.
|
|
|
|
"Yes," Patricia said. "That is a handsome man. Built. Muscular."
|
|
|
|
The guys from the North seemed to have disappeared. The waitress
|
|
had just left us sipping our water. We waited for a very long
|
|
time. The basketball game was still going on, fast shooting and
|
|
fast passing.
|
|
|
|
"That's a nice one, too," Maggie said, her accent lilting.
|
|
|
|
The game was in its final seconds. Shaq went inside and jumped
|
|
toward the basket. The crowd roared and Marv Albert had to yell
|
|
over the noise.
|
|
|
|
Maggie looked away from me, toward someone else.
|
|
|
|
|
|
|
|
I flew back Monday afternoon. New York disappeared under a layer
|
|
of gray smog. We rose into the sky. When I looked down again,
|
|
there was just mile after mile of farm country, squares of green
|
|
under the sun.
|
|
|
|
On the way home from the airport, Mom was desperately curious
|
|
but I had little to say. I told her about the parade. I told her
|
|
how cold it was in New York.
|
|
|
|
"It was cold here, too."
|
|
|
|
Once we were home, Mom made coffee. I stood by the counter and
|
|
poured myself a cup while Mom went on about an aunt's trip back
|
|
home to Eire.
|
|
|
|
"Friendliest people in the world," she said.
|
|
|
|
She caught me staring at the tapestry of Ireland. The four
|
|
provinces. The twenty-six counties. One island, divided.
|
|
|
|
"Which county is your girlfriend from, dear?"
|
|
|
|
Mom smiled, sweet. Both of us were looking up at the ratty old
|
|
wall hanging, its patchwork of colors faded with age. I picked
|
|
up my coffee and quietly left the room.
|
|
|
|
|
|
|
|
Joseph W. Flood (JoeFlood@aol.com)
|
|
------------------------------------
|
|
Joseph W. Flood is a writer who lives in Washington, D.C. He
|
|
just quit his job to write fiction for as long as his savings
|
|
permit. Stories of his have been published on the Internet and
|
|
on old-fashioned paper. His home page on the Web is at
|
|
<http://users.aol.com/joeflood/joeflood.html>.
|
|
|
|
|
|
|
|
Cyberwhiskers by Nick Vincelli
|
|
==================================
|
|
...................................................................
|
|
Some people find the future intimidating, with threats from
|
|
disease, technology, war, and societal disintegration. For
|
|
others... well, it's a dog's life.
|
|
...................................................................
|
|
|
|
|
|
While I was in the middle of a deeply spiritual experience, the
|
|
Home Management System warned me of unexpected guests.
|
|
|
|
"Alert! Possible intruder!" it exclaimed, reacting to
|
|
information gathered through its infrared sensors. "Take
|
|
precautions to secure your unit immediately!" The timing, of
|
|
course, couldn't have been more offensive. I was conferring with
|
|
my Creator, Leo the Lion.
|
|
|
|
I had purred in supplication to His Great Wisdom. "What do you
|
|
want, my kitten?" the Great Lion roared majestically during our
|
|
session. He nearly filled the room and emanated a fiery red
|
|
celestial aura.
|
|
|
|
"I'm suffering from post-apocalyptic nihilism," I meowed.
|
|
|
|
"The wise cat does not worry himself with human concepts," my
|
|
Creator sagely counseled. "He simply concerns himself with
|
|
eating, sleeping, and burying his wastes."
|
|
|
|
Such wisdom! I had programmed Him well. But the Home Management
|
|
System shattered the religious experience.
|
|
|
|
"Alert! Possible intruder. Take precautions to secure your unit
|
|
immediately!" it reiterated. Hissing, I aimed my paw at a button
|
|
on the wallscreen. The holographic image of Leo the Lion
|
|
vanished, leaving void in its place. I activated the Home
|
|
Security Subsystem to identify the source of the unwelcome
|
|
encroachment.
|
|
|
|
I had expected to find a submarginal or, worse yet, a
|
|
pre-adolescent human wielding a Micronuker, but the microcams
|
|
deployed outside the door revealed two former members of
|
|
Portland's Finest clad in PacificRim Security uniforms. I
|
|
recognized them as Chuck and Bob, who once served on the
|
|
Portland Bureau of the Police K-9 unit. An insipid pit bull,
|
|
Chuck mindlessly barked and pawed at the door as if his chaotic
|
|
gestures would intimidate it into opening. Bob, a somewhat more
|
|
cerebral German shepherd who wore glasses and sported a bow tie,
|
|
remained aloof, wisely conserving his energy for a future
|
|
altercation.
|
|
|
|
The now-defunct Portland Bureau of Police had supposedly
|
|
extended their officers' neurological capabilities with genetic
|
|
engineering and nanotech neuroimplants, but I had my doubts.
|
|
I've always believed if a mammal is born dumb, no amount of
|
|
high-tech retrofitting will raise its intelligence -- and if the
|
|
species itself is suffering from cognitive deficits, no amount
|
|
of genetic tinkering will improve its members. Portland Police
|
|
could have saved a lot of time and money if they had admitted
|
|
the veracity of these unpleasant facts.
|
|
|
|
With a jab of my left paw, I initiated a vidphone connection.
|
|
Both Bob and Chuck had portable Micronukers strapped to their
|
|
backs. I expected trouble.
|
|
|
|
"What are you devolved wolves doing?" I asked.
|
|
|
|
"Don't mew at me like that!" growled Chuck, "I can decapitate
|
|
your head in a nanosecond and spit out your marble eyes!"
|
|
|
|
"Easy, Chuck," cautioned Bob. "We just wanted to say hello,
|
|
Tony."
|
|
|
|
"I doubt your intentions are that innocuous," I hissed.
|
|
|
|
"I'm warning you, whiskerface -- "
|
|
|
|
"We thought you might reconsider your decision," Bob barked,
|
|
overriding Chuck's hostile outburst.
|
|
|
|
"To resign from Portland Police? They don't even exist anymore."
|
|
|
|
"That's not exactly true. We just got a new owner, that's all."
|
|
|
|
"PacificRim Security," I reminded them pedantically, "no longer
|
|
uses mammalian law enforcement. They've completely converted
|
|
over to VLE."
|
|
|
|
The Portland Bureau of Police had, in fact, begun to experiment
|
|
with VLE -- Virtal Law Enforcement -- before PacificRim Security
|
|
was contracted by Ecotopia. With better funding and
|
|
organization, PacificRim Security further developed VLE. Now a
|
|
911 NetAlert dispatched a team of robots, remotely controlled by
|
|
datasuited law-enforcement technicians in the Kingdom of Hawaii.
|
|
PacificRim was also experimenting with intelligent
|
|
law-enforcement robots so that human interface could be
|
|
dispensed with altogether.
|
|
|
|
I now understood the motive behind Bob and Chuck's visit: they
|
|
wanted to snatch the VLE equipment I had permanently borrowed
|
|
from Portland Police before I told them to take their job and
|
|
lick it.
|
|
|
|
"But," whimpered Bob with lowered head, "we still need your
|
|
abilities, Tony. We know you're the best feline detective in the
|
|
business. We're fighting the war on terrorism addiction and we
|
|
need your talent."
|
|
|
|
"Thank you, but the answer is still no. I prefer
|
|
self-employment."
|
|
|
|
"I bet he just spends his time chasing rats and cockroaches!"
|
|
Chuck interjected.
|
|
|
|
"I'm in business for myself. I'm an Animal Companion Tracker," I
|
|
wearily explained.
|
|
|
|
Chuck burst into canine laughter. "Bark, bark, bark,
|
|
barrrrrrr...!" Saliva dripped off the idiot's limp tongue. "So
|
|
you catch lost pets!"
|
|
|
|
"If you gentledogs will excuse me, I have some work to do," I
|
|
meowed.
|
|
|
|
"Well, I didn't think you were going to make this easy for us,
|
|
so we'll have to do this the hard way," Bob growled.
|
|
|
|
"We got a warrant for your arrest," Chuck triumphantly
|
|
announced. "You can access it on EctopNet."
|
|
|
|
"What is the charge?!"
|
|
|
|
"There are several," explained Bob. "Theft of a VLE system and
|
|
abandonment of duty."
|
|
|
|
"I dispute both charges, since my former employer no longer
|
|
exists. I suggest you access my legal representation program --
|
|
"
|
|
|
|
"You've got five seconds to open this door, puss, or we're
|
|
nuking it!"
|
|
|
|
Lifting his right leg as if he was going to relieve himself,
|
|
Chuck activated and armed the Micronuker strapped to his back.
|
|
My back began to arch as my ears flattened.
|
|
|
|
"Okay, pooches, you win. I'll let you in," I meowed.
|
|
|
|
"That's the smartest thing you mewed all day, kitty," Chuck
|
|
barked.
|
|
|
|
I commanded the Home Management System to unlock and open the
|
|
door. The two canine centurions swaggered in, their tongues
|
|
dangling out of their obscenely ugly mouths.
|
|
|
|
Leo the Lion suddenly materialized, filling the room. He
|
|
unleashed a wrathful roar. "I shall rip your extremities off and
|
|
bury you in a toxic waste dump!" He growled. Bolts of fire shot
|
|
from His mouth.
|
|
|
|
Terrified, Bob and Chuck hypertailed out of my sub.
|
|
|
|
"Thank you, My Father," I mewed, deactivating the hologram.
|
|
Stupid dogs -- proves my point about retrofitting dumb mammals.
|
|
|
|
Exhausted, I gave myself a thorough licking, followed by a long
|
|
catnap. I dreamed I tore the head off a bird.
|
|
|
|
|
|
|
|
When I awoke, I treated myself to the holovised version of
|
|
EcoNewsNet to keep up with current events. I always find human
|
|
news entertaining.
|
|
|
|
"Welcome to EcoNewsNet." A virtual human female appeared. Since
|
|
I hadn't selected gender or race, it would toggle between male
|
|
and female, Euro, African, and Asian, by default. But no cats!
|
|
The designers of EcoNewsNet were speciesist. I planned to ask
|
|
the Non-Human Civil Liberties Union to file a suit against them.
|
|
|
|
"The ceasefire between the Republic of Islam-Amerika and the
|
|
Confederacy of Christian States ended this morning when robotic
|
|
tanks of both sides exchanged tactical nuclear weapons along the
|
|
Maryland-Virginia border."
|
|
|
|
"Thousands of Ecotopians celebrated the birthday of Captain
|
|
James T. Kirk," an ersatz male African-Ecotopian reported.
|
|
Footage scrolled by: thousands of silly _homo non-sapiens_ in
|
|
silver robes, fixed in lotus postures and staring at holovised
|
|
icons.
|
|
|
|
"In Seattle," a computer-generated South Asian woman with green
|
|
hair chimed in, "two preadults were responsible for the fly-by
|
|
micronuking of a four-story apartment complex. The complex's
|
|
defensive systems apparently failed to stop the attack, which
|
|
killed fourteen occupants and wounded thirty. The preadults were
|
|
later issued online citations by PacificRim Security for random
|
|
euthanasia and unauthorized use of a remote stealth fighter.
|
|
They had been previously treated for terrorism and virtual
|
|
reality addiction but apparently suffered a relapse."
|
|
|
|
"And now for Gaia's mood," a Euro-Ecotopian man declared,
|
|
introducing an African-Ecotopian female with a pulsating halo
|
|
hat around her tatooed head.
|
|
|
|
"Showers expected today west of the Cascades as another front
|
|
comes in from the Pacific. High temperatures in Portland today
|
|
will reach 58, the low tonight will be 41. Winds from the north
|
|
at 14 miles per hour. Radiation levels are moderate -- "
|
|
|
|
The broadcast was interrupted by the Home Management System.
|
|
"Mr. Clawrunner," it smarmily announced, "incoming priority
|
|
e-mail. Do you wish to read now?"
|
|
|
|
"Yes." Priority mail was business, which I badly needed.
|
|
|
|
RE: Missing animal companion
|
|
|
|
Dear Mr. Clawrunner:
|
|
|
|
Please help me! Suzy, a beautiful four-year-old Siamese,
|
|
disappeared three days ago. I'm not sure if she just decided to
|
|
run away or if she was abducted by Romulans. Data warned us in a
|
|
vision that the Romulans were planning to attack Ecotopia by
|
|
implanting neural nanotech in thousands of animal companions and
|
|
programming them to infect EcoNet with viruses. Can you help?
|
|
Please, I hope you can. What are your fees? You can access
|
|
Suzy's photo by touching her name.
|
|
|
|
-- Luna, OldTech Shaman Goddess
|
|
|
|
Oh, Leo. Luna, my prospective client, was apparently an
|
|
OldTechie _and_ a Trekkie -- a disturbing combination. Suzy
|
|
probably just got tired of hanging around this lunatic and
|
|
decided to take her chances on the streets of Portland. I almost
|
|
rejected the case, but the photo of the lost Siamese changed my
|
|
mind. Just the sight of her was enough to put me in mounting
|
|
mode.
|
|
|
|
So, with some trepidation, I emailed back that my fees were 98
|
|
ecocredits if I succeeded in returning the lost animal
|
|
companion, Suzy the Siamese. I also requested more specific
|
|
data. Several hours later, Luna gave me her residential address.
|
|
She lived in Powellhurst, on the eastern outskirts of Portland.
|
|
|
|
Time to dust off the Virtual Law Enforcement tech and go to
|
|
work. I wasn't going to dirty my beautiful fur coat stalking
|
|
around the bombed-out streets of Portland looking for this
|
|
displaced female feline -- only a dog would do something as
|
|
stupid as that. I would conduct the entire investigation from
|
|
the comfort of my subterranean living space. Via cyberspace, I
|
|
would send a robotic tiger into the damp streets of the Pacific
|
|
Northwest to scout for Suzy.
|
|
|
|
I climbed into my datasuit -- specially modified for the feline
|
|
body -- and, ensconced in a sensor-laden latex outfit with a
|
|
helmet with visors, activated a Portland Police tigeroid inertly
|
|
sprawled on the sofa. Via remote control, I became the robotic
|
|
tiger's consciousness, and soon I became the tigeroid. I
|
|
accessed the Home Management System through the datasuit,
|
|
unlocked and opened the door, then stealthily darted to the
|
|
elevator and stood up to press the elevator button. Sharing the
|
|
elevator with a male human dressed like a Vulcan, I languidly
|
|
made my way to the surface, from -7 to ground level. The
|
|
elevator stopped at -2. Charlie, the automated subcomplex
|
|
manager, quickly explained the delay over the speakers.
|
|
|
|
"Alert! The anti-missile defense shield is activated. Please
|
|
remain inside until the alert is over. Thank you and have a nice
|
|
nanosecond."
|
|
|
|
Suddenly, the lights blinked as the entire complex shook
|
|
violently. That one was close. The pseudo-Vulcan in the elevator
|
|
cocked an eyebrow. "Fascinating."
|
|
|
|
Charlie cheerfully returned. "The alert is now over. A
|
|
microcruise fired by a portable stealth fighter was intercepted
|
|
by our X-ray laser. There has been minimal structural damage and
|
|
no apparent casualties. Please proceed with caution, and wear
|
|
your environmental suits if you leave the complex as radiation
|
|
levels are now high. PacificRim Security has been notified.
|
|
Thank you for your cooperation."
|
|
|
|
The elevator continued up the shaft, and soon I was out on the
|
|
street. I scanned the subcomplex with the tigeroid's electronic
|
|
eyes. The giant, baroquely-designed, fortified,
|
|
densely-populated crater that housed hundreds of mammals seemed
|
|
intact. I was grateful I lived in a sub and not in an elevated
|
|
apartment.
|
|
|
|
Another day in Ecotopia. As usual, it was gray and drizzling --
|
|
typical spring weather. I live in Portland Heights, near
|
|
Washington Park, where I get a nice view of downtown. Many of
|
|
the humans' skyscrapers had been destroyed, but some still
|
|
defiantly stood and others were being reconstructed by
|
|
microbots. Many of the tall ferns that had died were now being
|
|
replaced by rapidly growing, genetically-engineered evergreens
|
|
resistant to the insults of _homo non-sapien_ technology. All in
|
|
all, Portland was still pretty nice compared to other cities in
|
|
North America.
|
|
|
|
A bright flash of light appeared over the Willamette River as
|
|
another Micronuker was discharged. Poor Suzy... lacking the
|
|
nanotech neural implants that gave me the edge, she was
|
|
especially vulnerable and probably wouldn't survive long in this
|
|
urban war zone. I felt compelled to rescue her, but I also
|
|
needed to pay the rent, so this was a case where altruism
|
|
dovetailed with self-interest.
|
|
|
|
First, I needed to arrange transportation. Children of God, a
|
|
group funded by the Confederacy of Christian States, destroyed
|
|
most of the Max surface light-rail last year when they
|
|
discovered Ecotopia was selling particle-beam weapons to
|
|
Islam-Amerika, and the city had never completed the underground
|
|
maglev system. On all fours, my tigeroid proxy would take nearly
|
|
an hour to reach Powellhurst. But an alternative presented
|
|
itself.
|
|
|
|
PacificRim Security had dispatched a red-and-white egg-shaped
|
|
security vehicle in reaction to the attack on my subcomplex. Two
|
|
androids in uniform climbed out, both designed to resemble human
|
|
actors of the last century. (PacificRim Security felt its
|
|
machines would get more respect if they resembled past mass
|
|
entertainment icons.) Controlled by law-enforcement techies in
|
|
Hawaii, they entered the subcomplex to download Charlie's data
|
|
on the attack. I seized the opportunity and climbed in. I was
|
|
briefly dazzled by the graphic displays inside, but I soon found
|
|
the autopilot program and touched it. An interactive map of the
|
|
Portland area appeared, and I manipulated my virtual tiger paw
|
|
to narrow the scale until I could touch the exact address of the
|
|
building I wanted to reach. The security vehicle sped off. I
|
|
activated the emergency systems and the vehicle began to
|
|
accelerate, its siren wailing. Other computerized surface
|
|
vehicles obediently got out of the way as I rushed through the
|
|
drizzle, heading east. I hoped to arrive at Luna's place before
|
|
the security robots realized their car had been commandeered by
|
|
an artificial tiger (controlled by a not-so-artificial tabby).
|
|
|
|
Amazingly, Luna lived in an actual surface structure. In the old
|
|
days, the humans called this a _house_. She must have had a good
|
|
anti-terrorist defensive system. I instructed the vehicle to
|
|
open its wing doors so I could jump out, then to drive slowly
|
|
out of the neighborhood on its own. PacificRim Security would be
|
|
searching for its lost toy, and I didn't want to be near it when
|
|
they found it. They'd probably turn me into dog food.
|
|
|
|
I approached the house, hoping to get inside and catch a sniff
|
|
of Suzy's scent. Even though I wasn't physically present, the
|
|
electronic nose of the tigeroid was able to identify various
|
|
chemicals, so I would be able to trace her unique feline
|
|
signature. I pawed at the door to get Luna's attention. If she
|
|
didn't open it, or if she wasn't home, I would have to access my
|
|
Home Management System and hope it could break into Luna's Home
|
|
Management System, which might take hours. A cat can shed a lot
|
|
of fur in that time!
|
|
|
|
The door electronically opened. I felt my back start to arch as
|
|
I cautiously walked in. From the first time I examined Luna's
|
|
request for help, my whiskers had sensed something offline --
|
|
and now my dread intensified. Was PacificRim Security trying to
|
|
lure me into a trap so they could recapture my equipment and
|
|
reprogram me for their own nefarious plans? It was rumored the
|
|
Confederacy of Christian States was preparing to assault
|
|
Ecotopia for its surreptitious support of the Republic of
|
|
Islam-Amerika, and PacificRim Security would assume a more
|
|
military role. Maybe I'd get drafted.
|
|
|
|
I sniffed around and engaged the infrared feature of my eyes,
|
|
casually observing the ambient walls change colors and patterns.
|
|
Then a beautiful Siamese appeared from under a table and greeted
|
|
me.
|
|
|
|
"Good afternoon, Mr. Clawrunner. My name is Suzy," she meowed.
|
|
|
|
I almost disgorged a hairball in my data suit.
|
|
|
|
"Suzy?" I meowed through the tigeroid, "did you just return?
|
|
Your partner Luna told me you ran away -- that's why I'm here.
|
|
I'm an Animal Companion Tracker."
|
|
|
|
"Correction, Tony," Suzy growled, coyly sniffing the body of my
|
|
electronic surrogate, "you are a whore for the _homo
|
|
non-sapiens_. You sell out your own kind for profit!"
|
|
|
|
"What kind of dogpiss is this? I came all the way here to find
|
|
you, and now I get this patronizing, feline-correct lecture.
|
|
Where's Luna? I'm entitled to compensation for my efforts!"
|
|
|
|
"I _am_ Luna, you fool! Like you, I was enhanced by the human
|
|
power structure. Like you, I escaped. Luna is my human alter
|
|
ego."
|
|
|
|
Damn Siameses are all crazy!
|
|
|
|
"Okay, Suzy, your cleverness makes me knead my paws. Now what do
|
|
you want from me?"
|
|
|
|
Suzy walked back and forth in front of me. "I want you to help
|
|
the Movement."
|
|
|
|
"What movement?"
|
|
|
|
"The Feline Liberation Army. It's time we regained control of
|
|
our world. With human technology, we can run this sick planet --
|
|
we can turn it into Planet of the Cats!" she purred.
|
|
|
|
I made the tigroid take a few steps back and sit down. "Suzy, I
|
|
think you're deluding yourself. Besides, the humans are
|
|
devolving -- they probably won't be around much longer. When
|
|
they go, the insects will take over."
|
|
|
|
"Listen, Clawrunner, you're contradicting the wisdom of the Book
|
|
of Leo. It was prophesied that Leo would soon return to liberate
|
|
His kittens -- "
|
|
|
|
"You silly Siamese! The Book of Leo was a computer program
|
|
written by a human in California."
|
|
|
|
Before she could react to my outburst of heresy, a blinding
|
|
flash overwhelmed my visor display and my sensors went
|
|
ballistic. Intense heat and radiation assaulted the house, and
|
|
the tigeroid was thrown across the room. Suzy was dazed,
|
|
temporarily blinded, and she ran for cover under the couch. My
|
|
robotic self had been damaged by the blast and had only limited
|
|
mobility.
|
|
|
|
Two dogs burst in from the giant hole blown out of the door.
|
|
Chuck and Bob! The malodorous mutts!
|
|
|
|
"PacificRim Security!" Chuck the pitbull barked with fascist
|
|
glee. "You're under arrest! Bob, read them the Steps."
|
|
|
|
"Step One," Bob calmly barked, "we admitted we were powerless
|
|
over our addiction and our lives had become unmanageable -- "
|
|
|
|
"Wait a Leodamnned nanosecond," I protested. "What's the
|
|
charge?"
|
|
|
|
"You're charged with theft of a PacificRim Security vehicle, and
|
|
she's charged with terrorism addiction."
|
|
|
|
"What terrorism?" I meowed, interrupting Bob's litany of
|
|
accusations.
|
|
|
|
"Your Siamese friend belongs to the Feline Liberation Army, a
|
|
group of renegade neuro-enhanced pusses planning to overthrow
|
|
PacificRim Security!" Chuck interjected with a homicidal growl.
|
|
|
|
"We are not obedient slaves like you dogs!" hissed Suzy, her
|
|
back arched.
|
|
|
|
"And we ain't psycho-pusses who always lick ourselves and throw
|
|
up furballs!" Chuck retorted.
|
|
|
|
"I believe we can better resolve this in a PacificRim Security
|
|
facility," Bob suggested.
|
|
|
|
Reinforcements arrived. Two PacificRim Security robots -- again
|
|
resembling human actors -- appeared at the blown-out door, armed
|
|
with laser rifles and Micronukers.
|
|
|
|
I had nothing to lose -- except some expensive equipment. I
|
|
lunged for one of the robotic officers. The virtual cop tried to
|
|
arm his laser rifle, but my limping tigeroid managed to bite his
|
|
leg and release sulfuric acid before the cop could react. The
|
|
acid flowing from my fangs began to dissolve some of his
|
|
circuits and processors.
|
|
|
|
The other robot officer fired his laser rifle into my head. My
|
|
sensors indicated trauma to my power supply.
|
|
|
|
"Run, Suzy!" I yelled. Suzy was already dashing through the
|
|
smoldering hole in the door. Then Chuck was on top of me, trying
|
|
to rip my head off. I got a final bite in before my connection
|
|
crashed. A nice parting shot.
|
|
|
|
|
|
|
|
I suffered from ontological shock as I realized my virtual self
|
|
was now permanently disabled and I was once again Tony
|
|
Clawrunner, a seven-year-old gray tabby trying to pay the rent
|
|
by finding lost pets.
|
|
|
|
How the hell did I get into this litter box?
|
|
|
|
I was out of business unless I could appropriate another virtual
|
|
self. Or perhaps I could dirty my paws and run around the
|
|
streets of Portland myself. I didn't like that idea at all. And
|
|
what would happen to Suzy? She was genetically engineered and
|
|
neurally enhanced, so she would probably survive. But what would
|
|
she do now?
|
|
|
|
I got out of the data suit, licked myself, and instructed the
|
|
the Home Robot to serve me some food. The three-foot-tall drone
|
|
dutifully opened a can and put its contents in my bowl on the
|
|
living-room table. After dinner, a little catnip, some
|
|
stress-reducing string chasing, and a long nap, I arranged
|
|
another session with my Creator, Leo the Lion.
|
|
|
|
The majestic Lion filled the room, His Holy Tail making elegant
|
|
swishing movements.
|
|
|
|
"I'm having a crisis," I opined.
|
|
|
|
"Tell me, my kitten."
|
|
|
|
"My virtual tiger assistant was destroyed this afternoon by
|
|
PacificRim Security. I'm out of business until I can get another
|
|
one, but in order to get another one I'll have to leave the sub.
|
|
I'm wondering if it's worth it. Maybe I should go into another
|
|
line of work."
|
|
|
|
A brilliant cognition surfaced in my high-tech brain.
|
|
|
|
"I've got it, Father -- I'll become a cat priest! I could sell
|
|
interactive sessions with Your Holy Tailness over EcotopNet --
|
|
the humans would probably upload lots of ecocredits into my
|
|
account for my channeled wisdom. How does that smell, Father?"
|
|
|
|
Before Leo could give his regal purr of approval, the Home
|
|
Management System once again rudely interrupted my session.
|
|
|
|
"Alert! Possible intruder!" it blared, sensing someone near the
|
|
door. "Take precautions to secure your unit immediately!"
|
|
|
|
Fearing a PacificRim Security raid, I turned on the vidphone and
|
|
observed a forlorn Suzy rubbing against the door. I let her in.
|
|
She rolled on her back in gratitude.
|
|
|
|
"Thanks, Tony -- it's so wet out there! I had nowhere else to
|
|
go."
|
|
|
|
"Well, I guess I have room for another feline."
|
|
|
|
I was preparing to mount her. She was definitely in heat.
|
|
|
|
"You know," she murmured, "maybe you're right -- maybe I've been
|
|
deluding myself. Maybe I should accept human domination and just
|
|
try to be comfortable. I used to believe in Leo's spirit and in
|
|
the emancipation of all cats, but I'm not sure anymore."
|
|
|
|
"Actually," I said with a wily purr, "I just had a
|
|
revelation..."
|
|
|
|
|
|
|
|
Nick Vincelli (vincelli@gslis.utexas.edu)
|
|
-------------------------------------------
|
|
Nick Vincelli is a resident of Austin, Texas, and has recently
|
|
earned a Master's degree in Library/Information Science at the
|
|
University of Texas. He has contributed articles and a short
|
|
story to various periodicals in the Austin area. His home page
|
|
on the Web is at <http://fiat.gslis.utexas.edu/~vincelli/index.html>.
|
|
|
|
|
|
|
|
Selections from the New World by Marcus Eubanks
|
|
===================================================
|
|
...................................................................
|
|
Human history is scarred by battles with tiny enemies.
|
|
Penicillin and its cousins brought the war to a standstill.
|
|
We thought the war was won. We were dead wrong.
|
|
...................................................................
|
|
|
|
|
|
The recurrent thought, looping over and over again like a
|
|
mantra: Of all the stupid ways to die.
|
|
|
|
I come back to myself when it dawns on me I'm clutching shards
|
|
of blood-slick glass in my hand. It seems I managed to forget
|
|
the beer I was holding until the slender pilsner flute collapsed
|
|
under my grip.
|
|
|
|
"Fuck!" Oblivious to the neighbors, I eloquently express my
|
|
discontent as the pain hits me. I've cleverly cut myself to
|
|
ribbons -- though some remote part of me notes clinically
|
|
there's nothing deep enough to merit sutures. For the life of
|
|
me, I can't tell if I'm irritated more because I've wasted
|
|
several ounces of excellent beer (which in my mind represents
|
|
flagrant alcohol abuse) or because I've opened my hand to the
|
|
possibility of infection. The fact that the glass was fine
|
|
lead-crystal is irrelevant.
|
|
|
|
Not that it matters. I wipe my bleeding hand on my Levi's and
|
|
laugh. It doesn't matter either way.
|
|
|
|
I kick the broken pieces into a corner of my third floor balcony
|
|
and grab the bottle, which is still roughly half full. After
|
|
three long swallows I toss it over with the shattered glass.
|
|
|
|
I blot my hand again on my jeans as I walk into the house to
|
|
grab a six-pack to restock the outside fridge. I pry the cap off
|
|
one with an elegant opener that Vicram gave me a while back --
|
|
one of the first to be made from one of those insanely strong
|
|
ceramics they started coming out with a few years ago. He had
|
|
thought it hysterically funny that a technology which could spin
|
|
bridges from thin silken strands was being used to make trinkets
|
|
to open beer-bottles.
|
|
|
|
Back on the balcony, reclining in the bristling wet summer heat
|
|
on a teak deck-chair, I thumb the system's remote so music from
|
|
inside washes over me. I'm imagining my friends here, leaning
|
|
against the rail to torment passers-by or maybe to seduce them
|
|
into joining us: "Hey you -- yeah, you. Wanna beer? No no, you
|
|
gotta come up and talk to us while you drink it. No drink and
|
|
run here, no sir!" -- or just milling about in endless
|
|
conversation.
|
|
|
|
There, squatting by the railing, should be Francois, messing
|
|
with one of the candles. Frankie of the dry dangerous wit, fresh
|
|
out of a prestigious fellowship in cardiothoracic surgery. In
|
|
spite of the unpredictable schedule of transplant work, he
|
|
always managed to find enough time to make the Fearsome Foursome
|
|
complete at least a couple of times a month.
|
|
|
|
Dean would be sitting in one of the chairs, or sprawled out on
|
|
the decking with his back to the three-story drop, doling out
|
|
beers from the weathered little fridge he rested his feet on. He
|
|
was a master of the absurd, helping all of us to avoid the grim
|
|
pitfall of taking ourselves too seriously.
|
|
|
|
Finally, there was Vicram, laughing and harsh. He would be
|
|
needling one of us about something, leaning up against the
|
|
building's exterior wall with his legs stretched out along the
|
|
wide rail on which he perched. Vic always pushed his assault
|
|
right up to the line, but only rarely beyond. Paradoxically, he
|
|
was strangely astute and gentle when any of us was upset about
|
|
something important, like women or work.
|
|
|
|
|
|
|
|
Francois bit the big one because of some obscure strain of strep
|
|
that one of his patients, who happened to be a smack addict, had
|
|
growing on the valves of his heart.
|
|
|
|
I remember Frankie joining us that night down on South Side,
|
|
observing in numb shock that the resident working under him that
|
|
day had slipped spectacularly with a needle while they were
|
|
closing a chest after a valve-replacement. He had managed to
|
|
breach the wonderfully thin but resilient gloves that the
|
|
surgeons were using back then, reinforced densely with strands
|
|
of kevlar. Later that night he'd joked about it, showing us the
|
|
line of sutures marking the deep laceration the cutting edge of
|
|
the heavy needle had opened in the web of his thumb.
|
|
|
|
"I'm probably going to come down with that new strain of
|
|
Hepatitis G -- you know, the one they couldn't isolate well
|
|
enough to cover in the vaccine," Frankie had said, looking at
|
|
Dean. "And one of you goddamned internal medicine _fleas_ is
|
|
gonna end up filling me with gunk up to my yellow eyes so my
|
|
liver doesn't fry my brain."
|
|
|
|
It's drizzling now, rain dropping on the roof of my carefully
|
|
restored townhouse on Pittsburgh's north side and falling into
|
|
the alleyway. That was what, '04? We barely had a fucking clue,
|
|
even then. _Viruses?_ Ebola had been a name to conjure with,
|
|
especially after the fiasco in Cairo, and bible-thumping
|
|
assholes were agitating to set up quarantined ghettoes for
|
|
victims of HIV. Prions were nasty to be sure, but turned out to
|
|
be almost impossible to transmit unless you were eating infected
|
|
meat. Still, we remained blindly panicked about the so-called
|
|
scourge of immunology even then. We were idiots, all of us, even
|
|
those of us who knew.
|
|
|
|
Frankie was just fine until he developed the vicious
|
|
streptococcal heart disease the same time he came down with
|
|
intractable pneumonia. Strep -- the very same bug kids
|
|
everywhere had been getting penicillin or amox for at first sign
|
|
of a scratchy throat for the past forty years. Apparently the
|
|
bug had been sitting semi-comatose, probably on one of the
|
|
valves of his heart, for the three months since the
|
|
needle-stick. It had waited patiently for his immune system to
|
|
sag for a moment, and then it seeded his lungs.
|
|
|
|
After that, Frankie DuBois started dying aggressively of a grim
|
|
combination of pneumonia and heart failure, which even ten years
|
|
before could have been cured with a course of antibiotics. Hell,
|
|
the cardiac part wouldn't have happened at all, or at least not
|
|
that soon, but the bug had somehow found a way to make itself
|
|
look even more like heart tissue to the body's own defenses. As
|
|
a result, his own immune system chewed up his heart in the
|
|
process of trying to beat the infection.
|
|
|
|
So at the tender age of thirty-four Frankie had been hacking up
|
|
bloody gobbets of lung, rattling obscenely with every breath. We
|
|
smuggled beer into his bay in the intensive care unit daily in
|
|
an attempt at forced good cheer until the morning the unit team
|
|
decided that he needed a tracheostomy tube so he could be placed
|
|
on a ventilator.
|
|
|
|
The next afternoon Frankie had mimed for pen and paper and
|
|
scribbled in tortured letters "KCl, 40 mEq IV push." He looked
|
|
up at us in naked feverish pain, begging. Two and a half hours
|
|
later he suffered cardiac arrest when a tragically mislabeled
|
|
vial of potassium chloride was pushed into his circulation. We
|
|
looked on dispassionately, three visiting attending physicians,
|
|
as the residents and students on the unit team tried futilely to
|
|
revive him.
|
|
|
|
|
|
|
|
We spent the rest of the day back here on my balcony, profoundly
|
|
drunk. It turned into one of those startlingly mild late October
|
|
evenings, and my candles finally remained unmolested. Dean had
|
|
gone on a tirade about the _laissez-faire_ street economy which
|
|
made antibiotics available indiscriminately.
|
|
|
|
"They are taking away everything I have, dammit!" he said with
|
|
the precise diction of the thoroughly impaired. "War on drugs?
|
|
Jesus!" He stopped and turned such an ugly glare toward us that
|
|
I had to remind myself forcibly that this was one of my best
|
|
friends; that it wasn't meant for us. "If they're so hell-bent
|
|
on keeping us from killing ourselves with drugs, then why the
|
|
_fuck_ don't they interdict the dangerous shit, like keflex and
|
|
biaxin?" He lapsed into silence, staring morosely at his beer.
|
|
|
|
It was an old complaint. As far back as the early '80s it was
|
|
known the unrestricted use of antibiotics in Asia, Africa, and
|
|
Central America was selecting out some frighteningly vicious
|
|
strains of common bugs like strep and TB. It was also happening
|
|
in our own inner cities, but no one wanted to think that we
|
|
might somehow share the blame. It had proven impossible, of
|
|
course, to get people in positions of power to take any notice
|
|
of it. When the nets reported that a small hospital in Sioux
|
|
Falls had isolated a strain of vancomycin-resistant staph from a
|
|
patient's wound back in '98, surgeons and infectious disease
|
|
people all across the country collectively soiled themselves.
|
|
The world as they knew it was over, their last line of defense
|
|
against this ubiquitous organism was blown to hell in the time
|
|
it took to read one preliminary journal abstract.
|
|
|
|
Even then, the Fed turned a blind eye, busy as they were with
|
|
isolationist economic policy and internal power struggles.
|
|
Besides, it was all taking place in shitty third-world countries
|
|
and American inner cities. Their unspoken policy was along the
|
|
lines of, "whatever _those_ people get is their own fault
|
|
anyway, right?"
|
|
|
|
We used to joke about it in school. Dean observed one evening a
|
|
lot of it was _our_ doing as well: "I figure North Philly is
|
|
like my own private petri-dish. I'm doing an experiment --
|
|
figure I'll create a nice resistant strain of, oh I dunno,
|
|
gonorrhea or uh, pneumococcus. 'Cause I'm a humanitarian. Yeah,
|
|
that's it, I adore the human race. Yeah. So here's some pink
|
|
stuff for you, some biaxin for you, and for this lucky dog over
|
|
here, unasyn. Big guns, kiddies. You can have the biggest,
|
|
nastiest antibiotic I've got, even though you don't need it.
|
|
Heh. Enjoy."
|
|
|
|
|
|
|
|
Eighteen months after we buried Frankie, Dean responded to the
|
|
Deep South's desperate call for docs to manage the epidemic of
|
|
Blackwater Shakes. He steadfastly refused to let Jan go along,
|
|
finally resorting to dumping her cruelly so she wouldn't try to
|
|
follow him. Dean had picked up a masters in Public Health during
|
|
his residency and had studied quite a bit of epidemiology. He
|
|
knew exactly what he was getting into, and damned sure didn't
|
|
want to subject anyone he loved to it, even of their own free
|
|
will.
|
|
|
|
Three days after he left, I took a leave of absence and followed
|
|
him down, figuring I could finally put my mostly theoretical
|
|
training in disaster medicine to some practical use. The flight
|
|
into New Orleans was unremarkable until I woke with a start,
|
|
realizing how unusual it was to be able to stretch out across
|
|
three seats to sleep on a morning flight into that city. As the
|
|
cab from the airport approached the Claiborne Avenue exit, it
|
|
edged over to the shoulder and stopped.
|
|
|
|
"This is as close to the city as I get, brother."
|
|
|
|
I paid him then, and climbed out shaking my head in disgust.
|
|
Idiot. He probably would have been better off in the city, with
|
|
the mosquito foggers going day and night.
|
|
|
|
I hiked three miles to the Garden District, where Dean was
|
|
staying. Not one of the passing cars even slowed down to look at
|
|
my outstretched thumb.
|
|
|
|
Blackwater Shakes, or Mekong Flu as some of the media was
|
|
calling it, was a strain of _P. falciparum_ malaria the
|
|
microbiologists labeled Burma IV. So many names for such an old
|
|
disease. This particular variety had been bred out of the
|
|
jungles of North Thailand, Laos, and Burma, and was resistant to
|
|
every anti-malarial drug known. Therapy was mainly supportive,
|
|
in the hopes that victims would survive initial bouts to
|
|
gradually bolster their own immunity over the course of several
|
|
years. That the disease was transmitted by mosquito rather than
|
|
by casual contact with other people was ignored by the greater
|
|
fraction of the populace in their panic, as marked by the black
|
|
X's I saw spray-painted on the entries of several houses.
|
|
|
|
"We might as well be back in 1907 for all the good we're doing,"
|
|
Dean said one evening as we sat in a French Quarter courtyard
|
|
bar. The Quarter was strangely quiet, robbed of the tourist
|
|
traffic that kept it alive. We had worked all afternoon and most
|
|
of the evening in a vast tent that had been set up in Charity
|
|
Hospital's parking lot to handle to the added volume of
|
|
patients. "We're going to run out of packed red cells for anemic
|
|
crises sometime tonight, and that military fluorocarbon shit
|
|
isn't going to cut it for more than a couple of days."
|
|
|
|
All I could do was nod. I'd been at the same morning meeting as
|
|
Dean, called so officials from the Red Cross, the CDC, and the
|
|
city government could meet with some nervous-looking
|
|
representatives from the Federal government. It seemed the Fed
|
|
wanted to know what needed to happen so the situation could be
|
|
brought under control in the next few weeks. Me, Dean, and the
|
|
dude from the CDC looked at each other in astonishment. The CDC
|
|
guy was working desperately to stifle a laugh
|
|
|
|
"Have you listened to a single word we've said?" Dean asked.
|
|
|
|
It was too much of a straight line to ignore. "No man, he's an
|
|
_administrator,_" I said. "You know better than that. They
|
|
specialize in _talking._"
|
|
|
|
Dean ignored me while the poor bastard from the CDC tried to
|
|
keep from falling out of his chair in hysterics. He hadn't had
|
|
any sleep in days. "Let me try to make it simple," Dean
|
|
continued. "This is going to take years, and that's just to
|
|
control it locally. The foggers are going non-stop and we
|
|
already have some of the best water control in the world, but
|
|
the mosquitoes just don't drop like they used to. This place
|
|
will never be safe for people who haven't been through it
|
|
already." The Federal rep tried to interrupt him, but Dean
|
|
plowed on relentlessly. "There is no medicine now in existence
|
|
that will kill this parasite. _None_. Do you understand me now?"
|
|
|
|
|
|
|
|
Six weeks later, I figured they had as much of a system in place
|
|
as they ever would, and took off back north. Dean remained
|
|
behind, proclaiming his sick joy in being back in New Orleans,
|
|
crippled though it was.
|
|
|
|
He had done okay actually, surviving his initial infection and
|
|
several relapses. He lived to see all the Interstate highways
|
|
leading out of Florida and Southeast Louisiana blockaded by
|
|
National Guard reserves and then regular Army troops. The Coast
|
|
Guard had set up off the Gulf Coast and around the Florida
|
|
peninsula with air and sea support from the Navy. It was idiocy,
|
|
of course: the species of mosquito that harbored the parasite
|
|
couldn't survive outside the affected areas anyhow. The good
|
|
people of the United States had taken notice, however, prodded
|
|
by the horror show broadcast daily out of Miami and New Orleans.
|
|
They demanded the government do something, and damned well do it
|
|
immediately.
|
|
|
|
Gibbering politicians, in defiance of every recommendation from
|
|
the CDC and other groups, responded to the mandate of the people
|
|
by laying down the largest and most effective quarantine the
|
|
world had ever seen.
|
|
|
|
Dean was killed in the New Orleans riots.
|
|
|
|
|
|
|
|
My hand has more or less stopped bleeding, but it smarts like
|
|
hell. The music changer stutters once, and strains of Dvorak's
|
|
_New World_ symphony pour out into the damp heat.
|
|
|
|
It doesn't really strike me at first, but suddenly I start
|
|
laughing and find myself utterly incapable of stopping. Doubled
|
|
over in hysterical giggles, I reach into the little fridge and
|
|
grab another beer. I struggle for sips of air, finally managing
|
|
to stop so I can take a hit from the bottle that leaves it less
|
|
than half-full.
|
|
|
|
New World. Christ, that's sick.
|
|
|
|
I start laughing again.
|
|
|
|
|
|
|
|
With Vicram it was almost anticlimactic, lost as he was in the
|
|
local media hype that surrounded the whole affair. Mucormycosis
|
|
had somehow found its way into the ventilation system of the
|
|
hospital he was working in. It used to be one of those fungi
|
|
that normally only infected people who were pretty badly
|
|
immunosupressed, like AIDS patients and folks getting chemo for
|
|
cancer or transplants. But like so many other opportunistic
|
|
pathogens, it had inadvertently been bred for aggressive
|
|
resistance to antibiotics for nearly half a century. Candidiasis
|
|
was bad, but people can live with a recurrent yeast infection on
|
|
their skin and, ah, other moist places, as long as its not
|
|
injected into their bloodstream. Mucormycosis, on the other
|
|
hand, was invasive as hell.
|
|
|
|
Aggressive as it was, however, investigators later came to the
|
|
very public conclusion that few if any of the 372 patients and
|
|
hospital employees who died would have been susceptible had they
|
|
not been subjected to huge innoculums of airborne spores for
|
|
weeks at a time. The fact that the same problem was cropping up
|
|
in other places on a smaller scale didn't seem to sway their
|
|
judgment in the slightest.
|
|
|
|
I went to see him in isolation at Pittsburgh General. Vic was
|
|
dark to begin with, but now he was sunburned from the UV lights
|
|
they had pouring down on him day and night -- PGH's
|
|
administration was taking no chances on a repeat of the disaster
|
|
that had taken out their competition across town.
|
|
|
|
Vicram looked up from a tissue that held a macabre mess of
|
|
clotted blood and dark fungal hyphae. "What's the matter,
|
|
triage-boy, you scared of hanging with sick folks?" he asked,
|
|
laughing. I guess I'd gone pale when I saw what came out of his
|
|
head. "The Foursome is looking pretty fucking anemic these days,
|
|
eh?" He turned serious. "This shit's gonna cross out of my
|
|
sinuses and into my brain in two days max. Listen bro, I don't
|
|
want you to take this the wrong way, but how about you don't
|
|
come back upstairs to visit me any more after this, all right?"
|
|
|
|
As it turned out, he became septicemic that night and died the
|
|
next day while I was working a shift in the e/r.
|
|
|
|
|
|
|
|
The rain is over. I lean back in my chair and look down at the
|
|
remote.
|
|
|
|
Program finished, it says. Select another or # for random play.
|
|
|
|
I toss it over my shoulder so it lands on the carpet inside. I
|
|
guess it hits hard enough to push a key, because a blues piece
|
|
with a funky Hammond organ starts playing from the depths of my
|
|
library.
|
|
|
|
The pain from my hand has calmed down enough that I notice the
|
|
angry welt on my forearm once again. The TB test has been sort
|
|
of a ritual for me: every six months on the solstice I get a
|
|
nurse or a medical student to hit me with the subcutaneous PPD
|
|
injection. Up 'til now, it has always been negative.
|
|
|
|
It itches, but I resist the urge to scratch. I cough, and wonder
|
|
if it's the cigarettes or the first manifestation of the
|
|
infection sure to blossom in my lungs.
|
|
|
|
Tomorrow, of course, I'll start the standard six-drug regimen.
|
|
Ain't gonna help much, though. Multi-drug resistant TB, probably
|
|
brought here on a bus from Manhattan, made it to Pittsburgh
|
|
about a year ago. It's been at least three months since any of
|
|
the hospitals in town have treated a case that was even slightly
|
|
responsive.
|
|
|
|
I drop the bottle to the balcony floor. It rolls on its side,
|
|
beer slowly spilling away.
|
|
|
|
Aw hell. What an incredibly stupid fucking way to die.
|
|
|
|
|
|
|
|
Marcus Eubanks (eubanks@dns.city-net.com)
|
|
-------------------------------------------
|
|
Marcus Eubanks is an intern at a Big Hospital in Pittsburgh.
|
|
When he's not working or sleeping, he likes to hang out with
|
|
friends and drink good beer. Sometimes the group of them lures
|
|
random passers-by off the street to join the conversation...
|
|
|
|
|
|
|
|
FYI
|
|
=====
|
|
|
|
...................................................................
|
|
InterText's next issue will be released July 15, 1996.
|
|
...................................................................
|
|
|
|
|
|
Back Issues of InterText
|
|
--------------------------
|
|
|
|
Back issues of InterText can be found via anonymous FTP at:
|
|
|
|
> ftp://ftp.etext.org/pub/Zines/InterText/
|
|
|
|
[ftp.etext.org is at IP address 192.131.22.8]
|
|
|
|
and
|
|
|
|
> ftp://network.ucsd.edu/intertext/
|
|
|
|
You may request back issues from us directly, but we must handle
|
|
such requests manually, a time-consuming process.
|
|
|
|
On the World-Wide Web, point your WWW browser to:
|
|
|
|
> http://www.etext.org/Zines/InterText/
|
|
|
|
|
|
Submissions to InterText
|
|
--------------------------
|
|
|
|
InterText's stories are made up _entirely_ of electronic
|
|
submissions. Send submissions to <submissions@intertext.com>.
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|
For a copy of our writers' guidelines, send e-mail to
|
|
<intertext@intertext.com> with the word "guidelines" as your
|
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subject.
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Subscribe to InterText
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To subscribe to InterText, send a message to
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<subscriptions@intertext.com> with a subject of one of the
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For more information about these four options, mail
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....................................................................
|
|
|
|
Yeah? Well, _my_ dad can make a spaceship with a protractor and
|
|
some batteries!
|
|
..
|
|
|
|
This issue is wrapped as a setext. For more information send
|
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e-mail to <setext@tidbits.com>, or contact the InterText staff
|
|
directly at <editors@intertext.com>.
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$$
|