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3282 lines
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** *******
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* ** * ******* ***** **** * ***** ** ** *******
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* * * * * *** **** * *** * *
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* * * * **** * * * **** * * *
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================================================
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InterText Vol. 4, No. 5 / September-October 1994
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================================================
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Contents
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FirstText: The Road More Traveled.................Jason Snell
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SecondText: Here Comes the Flood.................Geoff Duncan
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Short Fiction
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Sometimes a Man_.................................Steve Conger_
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The Gardener_.......................................Jim Cowan_
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The Monkey Trap_.................................Kyle Cassidy_
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Serial Access_...............................E. Jay O'Connell_
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The Thieves_.......................................Levi Asher_
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Underground, Overground_.........................Simon Nugent_
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Fallen Star, Live-In God_....................Rachel R. Walker_
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....................................................................
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Editor Assistant Editor
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Jason Snell Geoff Duncan
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jsnell@etext.org gaduncan@halcyon.com
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....................................................................
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Assistant Editor Send subscription requests, story
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Susan Grossman submissions, and correspondence
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c/o intertext@etext.org to intertext@etext.org
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....................................................................
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InterText Vol. 4, No. 5. InterText (ISSN 1071-7676) is published
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electronically on a bi-monthly basis. Reproduction of this
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magazine is permitted as long as the magazine is not sold
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(either by itself or as part of a collection) and the entire
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text of the issue remains intact. Copyright 1994, Jason Snell.
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Individual stories Copyright 1994 their original authors.
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....................................................................
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FirstText: The Road More Traveled by Jason Snell
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====================================================
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Welcome to Tortured Metaphors 101. Today, class, we'll be
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discussing the tortured metaphor of The Road. But first, let me
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give you an example:
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The Road to InterText has been an interesting one. Though it's
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now getting toward the end of 1994 and I'm editing a
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electronically distributed fiction magazine that's read by
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thousand of people on six continents, I was on The Road long
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before InterText first appeared in early 1991.
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Now, my first experience with Internet publishing was Quanta,
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when it first appeared in 1989. This story goes back further.
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In 1985 I was a high school student armed only with an Apple IIe
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computer, a 300 baud modem, and a lot of spare time. So what did
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I do? I ended up as the operator of the only computer bulletin
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board system in Tuolumne County, California.
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At the time, most of the Apple II bulletin boards I knew were
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involved in only two sorts of business: software piracy and
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adolescent chats about what your favorite pirated game was. And
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so, for a while, that was what my bulletin board, Starbase 209,
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focused on. Pirated software and inane conversation, all on an
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Apple II with about 128K of RAM and 800K of disk space. It was a
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cozy place, to say the least.
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I lost interest in piracy pretty quickly. Instead, I was drawn
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to another section of my system--a "library" of plain text
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files, usually filled with information about piracy or how to
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build letter bombs. Classy stuff.
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What did I do with that area? I turned it into an on-line
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fiction area, featuring stories that my friends and I had
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written. Looking back on that time (and on those files--I still
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have most of them), I wince at just how horrible my writing was.
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The quality of the fiction I wrote in the mid-'80s isn't really
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the issue, however. The key is that I had been drawn to creating
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works of fiction, editing them, formatting them for the
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limitations of the on-line format, and putting them out for
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people to read. They became the most popular section of the
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system, especially when a friend of mine and I began writing a
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monthly adventure serial--always featuring a cliffhanger ending,
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of course.
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Though the audience was sorely limited and the quality of the
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material was questionable at best, those stories were the dirt
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road that became the paved thoroughfare that is InterText. I
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shut down Starbase 209, went off to college, and began exploring
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the Internet. On one Usenet newsgroup (probably
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rec.arts.startrek, I read an announcement from a student at
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Carnegie Mellon University saying that an on-line science
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fiction magazine was starting up. I sent in one of those stories
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that appeared on the bulletin board ("Into Gray"), and it
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appeared in the first issue of Daniel K. Appelquist's Quanta.
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In Quanta I read about another on-line magazine, Jim McCabe's
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Athene, and subscribed to it. And when Jim McCabe announced he
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no longer had the time to produce Athene, I decided that I'd
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create something to replace Athene. On The Road again.
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My rationale for starting InterText was that since Quanta was a
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science fiction magazine, if Athene went away there'd be no
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place on the Net for writers of non-genre fiction to go. And at
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the time, it may have been true.
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Of course, since then the size of the Internet has grown
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radically and any number of on-line publications have sprung up.
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More appear each day, and while some fade away quickly, others
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seem to be in it for the long haul.
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I'll bet some of the editors of those publications got their
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start someplace like where I got mine--some bulletin board in an
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out-of-the-way place. But now it's nearly ten years later, and
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we don't have to toil in isolation anymore. We're all out here
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on the Net together.
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It couldn't have happened at a better time. Heck, if it happened
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ten years ago, people worldwide would've seen the awful stories
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I wrote at the age of 14. Instead, it's just people in my home
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town. I can live with that.
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I can see from my watch that we're all out of time for today.
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But we're not done with The Road yet, class. Your homework: work
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50 different permutations of the phrase "Information
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Superhighway" into a two-page essay. My suggestion? Write a news
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story about the Internet. It'll be _easy._
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SecondText: Here Comes the Flood by Geoff Duncan
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====================================================
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I don't know if you've noticed, but the Internet is growing.
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Sure, there's been plenty of off-line hype in the papers and on
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the talk shows. Newsweek--that bastion of politics and
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info-graphics--has a new page called "Cyberscope" in which they
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profile on-line issues. CNN has developed a tendency to pounce
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on stories about the Net and its culture, particularly when it
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might involve something scandalous. And there's Wired, the
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self-anointed travelogue for digital hipsters, preaching its own
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revolution, flashing fluorescent colors, and declaring NCSA
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Mosaic the greatest thing since the Last Supper. The New York
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Times and the Wall Street Journal alternately declare the
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Internet a ripe, fast growing market, then say its size is
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overestimated. Whatever. It's clear The Establishment is
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starting to plug in and get on-line.
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Of course, the hype hasn't been limited to traditional media.
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Commercial on-line services are engaged in a shoving match to
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see who's More-Internet-Than-Thou. Delphi was the first to offer
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significant Internet access as part of its package, but it
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wasn't until America Online released torrents of "uncouth"
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newbies into Usenet newsgroups that we started to see a culture
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clash between long-time Internet geeks and people who thought <A
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alt.cyberpunk was just another Billy Idol discussion group. And
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it wasn't just casual users--businesses with AOL accounts
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started to post rampantly to newsgroups, trying to tap into that
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vast, untapped market in cyberspace. And now even the venerable
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Compuserve is promising high-speed, full Internet access to its
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customers within a matter of months.
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And let's not forget that software companies are beginning to
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strike poses. Apple's latest operating system includes with the
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software Macs need to connect directly to the Internet; OS/2 and
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the next version of Microsoft Windows aim to do one better by
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bundling plug-and-play applications that put users directly
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on-line (for a modest fee). All this will increase the number of
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people and businesses looking to get on-line.
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It's been happening for a while. Think of the fast-growing
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commercial use of the Internet, with companies setting up
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services to advertise products and take orders on-line. It's now
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possible to shop for books, clothing, software and pizza via the
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Internet--activities that would have been inconceivable as
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little as three years ago. And there have been the first serious
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abuses of the Net by commercial interests, such as the "green
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card" fiasco brought on by the Canter & Siegel law firm and
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the resulting backlash from the network community. And how many
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direct messages for products and services have you received by
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email? Admittedly, I'm a little more visible than the normal
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network user, but I receive at least one unbidden advertisement
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per week, for everything from X Windows software to mail-order
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catalogs.
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Is this what we really want? Is the on-line community doomed to
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a deluge of infomercials and direct mailings, just like we are
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in real life?
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My feeling is that commercial users will eventually figure out
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how things work on-line, if for no other reason than that it
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makes financial sense for them to figure it out. No company is
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going to want to go on the Net and make a fool of itself, thus
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alienating a fast-moving and highly vocal market. But someone
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has got to set an example for how to do it right.
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That's where we come in. History has shown that commercial
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interests have to respond to the demands of their customers. As
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"the target market," the on-line user community can control the
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direction of commercial activity on the Net by how we respond to
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it. If you don't like the way a company is promoting a
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product--by, say, sending you mail about it every Tuesday--tell
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them why. If you think a particular commercial posting to a
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newsgroup is inappropriate, don't let it pass by: _say_
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something about it. One message is sufficient; there's no need
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to start (or contribute to) a flame war. But let them know.
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There are examples out there of how to be on-line effectively;
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however, one person's example of ideal on-line marketing is for
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another person a portent for the end of the world. The important
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point is that, if you're on the Net to take advantage of it
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resources and participate in what the future will bring, take
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the time to support on-line efforts that reflect _your_ idea of
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what that future should be. Similarly, take the time to point
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out inappropriate activities and tactics, because if no one
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speaks up, the people behind those activities will just get
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better at being inappropriate.
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For years the Internet has been managed by a kind of consensus
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of its users--don't let commercial activity on the Net suddenly
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make you feel you don't have a voice in the way things are done.
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Sometimes a Man by Steve Conger
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===================================
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...................................................................
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* Getting close to the natural world is a goal every weekend
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camper can understand. But there's a big difference between
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viewing nature from the outside and seeing it from within. *
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...................................................................
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I am five mice in a wheat field. From the distance, the great
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thunder of a combine. Dust billows and swirls. Scurrying over
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the shuddering earth to a clump of grass by an old fence. Watch
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without blinking ten eyes.
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Yesterday a magpie, black-winged, tipped with white, trailing a
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long spear of a tail, hopping along the roadside picking at the
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pulped remains of squirrels.
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Sometimes a man.
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Began perhaps as a man. Born with two hands and feet, mouth open
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crying for air, squeezing it into reluctant lungs. Sponged off,
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carefully wiping the blood and amniotic fluid from the corners
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of the mouth, from between the small fingers, wrapped in a
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blanket and left alone in a crib beneath a burning light.
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Once a bear--a lot like a man. Stood erect in a huckleberry
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patch, ripping leaf and berry from the branch, swatting at
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yellow jackets, rubbing my back against the crumbling bark of an
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old snag. Ambled through the darkness, sniffing at the slight
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breeze. Sometimes ripped a rotting log open and licked up the
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ants as they boiled loose. In winter, curled up in a hollow
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beneath a log, snorted and snored, and occasionally woke up
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listening, startled out of a dream like a man.
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When a man, dreams came often. Sometimes sleepless for fear of
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dreams. Read late nights or watched TV or wandered alone to a
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bar and nursed a beer until it became as bitter and tepid as
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those nights. No memory of what the dreams were about--only that
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they opened on a great emptiness, like a winter sea at twilight,
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the endless gray swells fading into the grayer curve of the sky.
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Squalls, veils of black rain and a lone seabird poised silent in
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the dim light. Awake arms would curve around a hollow, a cold
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depression in the sheets, as if a form carved out of snow had
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lain there and then had blown away.
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When a coyote, loped along the edges of snow-swept fields, stiff
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blond grasses poking through troughs of wind-crusted snow. Drank
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from the trickle of small streams beside red bramble brittle
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with ice, under the trunks of huge cottonwoods, their last few
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leaves rattling in a cold breeze. At the sound of cars on the
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road, slid into shadow and watch as they passed, testing the
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scents on the wind, filled with a strange disquiet.
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Her words returned sometimes in the rattle of cattails by the
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pond in the long dead grass at summer's end. All things forming,
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reforming every instant. Leaf falls to ground, mold, bacteria,
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insects convert it to soil, roots reabsorb it, mix it with
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light, buds flower, swell into fruit, fruit eaten, seeds shit on
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the ground, new plants sprout.
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Atoms dance--gnats in a shaft of sunlight. Her voice dancing.
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We are all star stuff, cinders belched from the sour bellies of
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dying suns. Matter is a self-renewing matrix, a spider's web
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woven to catch passing energies and suck some use from them
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before they pass through. The initiated can change the matrix,
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respin the web, become other.
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Easier, however, to change than to return. Home is the intuition
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of a pattern, a structure through which atoms pass and become
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you for an instant or less. The ego is not enough--made of words
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more than of cells and tissue, a pleasant or unpleasant fiction
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we narrate to connect across gaps of lost time. The intuition is
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deeper than I. Without it--
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Her eyes were an odd shade of green, and in her left eye was a
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disturbing fleck of gold. Sometimes, making love, her pupils
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would widen and it would seem as if the whole world were lost in
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them--but then she would close them and hold tight and it
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wouldn't matter if the world were lost or if it were ever found
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again.
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Don't remember the first meeting. Sense of a river bank, slow
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curling waters, sunlight and the shadow of aspen leaves. A
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flutter behind, as if a bird had landed, and she was there. Talk
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came easily and something about her smile began to thaw the
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winter loneliness.
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She followed back to the apartment, curled catlike on the couch,
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and stayed. Never questioned it, never looked for a motive,
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afraid that if looked at too closely the magic would evaporate.
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Alone again in the cold morning, heating water to make a cup of
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instant coffee, listening to the radio for company. When she was
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there the dull rooms breathed an air of excitement, scents of
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warm fur and wild winds, feather, pine, huckleberry, wild rose.
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Once, when an owl sitting on a dark branch that sighed and
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creaked in the night wind, looked into a window steamed with the
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moist evaporation of the breaths and teas within and sensed that
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air. A form moving behind the misted glass like the moon behind
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a thin cloud, shifting, dancing. Wind rustled the feathers on
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the head and back. Sat and did not move.
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Dreams pursued, as always when a man, but with her coming the
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dreams changed. Nights were filled with the presence of animals,
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the pad of a cat's feet, the whir of a wing, the pant of a dog,
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the gleaming eyes of a raccoon sorting through a glittering
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jewelry box, the rustle of mice on the closet floor. But always
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when the dreams grew so strong that sleep broke, there would be
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nothing but her, sitting on the bed, looking out the window at
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the stars shining through the branches of the tree. _Don't you
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ever sleep?_ She would just look gently and then turn again to
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stare into the night.
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When it happened.... Awoke one night, cold. The window was open
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as she preferred it, but she was not there. The bed was still
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warm beside. She must be in the bathroom or getting a drink of
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water. Closed the window. But awake, listening, heard nothing,
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no bare feet on the floor, no sound of water running. The low
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electric hum of the alarm by the bed.
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Ten, 20, 30 minutes and she did not return. Sleepless, not
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daring to think, to open the gates, to let the night flood
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in--afraid she may have left as silently as she had come, afraid
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of infinite spaces, afraid of nameless things.
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Driven out of bed by the ache of fear. Pacing the room, staring
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out the window at the dark branches of the tree. The sidewalks
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washed chalk white beneath the streetlamps. The empty streets.
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The blank windows of the other houses. Tried to read but the
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words swam on the page. Went down to the kitchen, walked through
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the dark living room and then came back upstairs to the bedroom.
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Pacing, empty, listless, finally settled into a chair neither
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asleep nor awake.
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In the half-light before dawn a scratching sound at the window.
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Roused to look and saw two green eyes, a cat, balanced on a
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branch, tapping at the window with its paw. Feeling a cold
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deeper than the morning's, opened the window.
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When a Canadian goose, would whirl up off the water in the
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pre-dawn when the sky was pale and empty of stars except for the
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morning star, before the sun flashed through the cattails and
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the day began. Others would honk beside and would bank into the
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wind and take a turn over the town and the houses outside of
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town. Searching the rooftops, smoke smearing from chimneys,
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hoping for a signature of something almost forgotten. Studying
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the layout of the streets trying to read the labyrinth, to trace
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the path that leads to some center. But then the sun would
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explode onto the water and light all the windows on fire. Swirl,
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bank, away.
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"Teach me. Show me."
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Desperately she--No. You want it too much. You should neither
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want it nor not want it. You are too eager. Change should be a
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fact uncolored by emotion, an inevitability, part of the
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process, to be other, to be elsewhere.
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Door closed, the cracks sealed with clothing, plastic taped
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over, the windows shut, locked, the furnace vents closed, taped.
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She awakens. _What are you doing? You cannot force me to--_ A
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moth fluttering against the window, soft tap of its wings, an
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ant slipping down the plastic sealing the doorjamb, a beetle
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scuttling across the vents, a wolf pacing in the corner of the
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room, a bear on its hind legs, a lion crouched, an eagle
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screeching and falling talons-forward but stopping short of
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scratching. Hours. A kaleidoscope of forms, but did not move,
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unmoved, stonefaced, stone hearted. At last in the dawn she
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came, herself, and sat at the end of the bed, hair wet and
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curled on her shoulders. _You want too much._
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"Help me."
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"If I help you I lose you."
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"Help me."
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"You don't know what you ask."
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"I won't let you go until you show me."
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"Here," she sighed.
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When a fish, would hide in the comfort of the bank's shadow,
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moving just enough to hold against the current, waiting to see
|
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what the stream would bring--a fly, a worm swept loose from the
|
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shore wiggling red, eggs, larvae. Quick to react to the play of
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light and shadow. Rising to a dimple in the surface tension, a
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tiny pattern of ripples. Once rising, startled by the image of a
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face broken on the facets of the water. Eyes that drew, but a
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flick of the tail, darting away.
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Her eyes green, pupils not quite round. Flecks of
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phosphorescence, the one brown flaw.
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"Why did you come to me if I am so unstable, If you believe my
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self is so unformed?"
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"You were so lonely."
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A stone falling down a long well into cold water. "Don't worry
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about me. I can do this. I'll be back. We'll travel this world
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together."
|
|
|
|
"I hope that's true."
|
|
|
|
"Let's do it."
|
|
|
|
She sighed sadly. Unweave, weave, the new web, the hairs on your
|
|
arms are feathers, your bones are light and hollow, your lips
|
|
are hard beak curved to tear at prey. Your eyes tiny, sharp
|
|
enough to see a mouse stirring the grass 150 feet below. Toes
|
|
curled into talons. _Fly, eagle, but don't fly from me. I don't
|
|
think I'll be able to find you again, if I lose you now._
|
|
|
|
But to wings that have never felt the wind, the lift of air
|
|
warmed by stone, the world so wide--
|
|
|
|
|
|
A deer on the edge of the wheat field. Five mice scurry by
|
|
hooves. Looking up in terror at the combine billowing chaff and
|
|
dust. Nostrils flare. The scent of diesel, the scent of man.
|
|
Hesitant before running.
|
|
|
|
Sometimes a man.
|
|
|
|
|
|
Steve Conger (sconge@seaccd.ctc.edu)
|
|
--------------------------------------
|
|
|
|
Steve Conger is a poet and a computer instructor with a great
|
|
interest in languages from Homeric Greek to Visual BASIC. He
|
|
currently lives in Seattle, Washington and teaches at Seattle
|
|
Central Community College.
|
|
|
|
|
|
The Gardener by Jim Cowan
|
|
=============================
|
|
...................................................................
|
|
* In the tradition of Cardinal Bellarmine and Pierre Teilhard de
|
|
Chardin, here is a tale of a priest caught between doctrine and
|
|
his relentless pursuit of truth. *
|
|
...................................................................
|
|
|
|
Kyrie
|
|
-------
|
|
|
|
You, an emissary from the Holy Father himself, have come to
|
|
question me? I am sure you understand my surprise. I am an old
|
|
Jesuit sitting in the sun, dreaming away the afternoon in this
|
|
quiet seminary garden. What could I know that is of such
|
|
interest to Rome? Perhaps of interest to the entire world, you
|
|
say? Surely you know that my order has suppressed my thoughts
|
|
for 40 years. What has happened to arouse the Holy Father's
|
|
sudden interest?
|
|
|
|
Say nothing--I know why you have sought me out. I will tell you
|
|
the story you have come to hear and answer the question you have
|
|
come to ask. Indulge me. I am an old man and I may seem to
|
|
ramble, but I am no fool. I am a Jesuit and an ordained priest,
|
|
and I am a graduate of the Sorbonne's school of
|
|
xeno-technoarcheology, right here in Paris. You would do well to
|
|
pay attention.
|
|
|
|
You want me to tell you the story of how the quantum engineer
|
|
Angstrom and I went to the planet Paschal II. You want me to
|
|
tell you about Paschal's alien technology. I must warn you that
|
|
my story will answer the Holy Father's question, but I doubt
|
|
that the Holy Father will like my answer.
|
|
|
|
Isn't this garden beautiful? Let's take this path that winds
|
|
between these irises and lilies. Charming. Here we will sit in
|
|
this small, secluded arbor. I'll sit where the sun will shine on
|
|
my back and you may sit there, on that wooden bench, in the
|
|
shade, so the brightness will not shine into your eyes.
|
|
|
|
My story begins 20 years and three popes ago. I was 50 (I must
|
|
add that I was fit and muscular) when a signal was received from
|
|
an interstellar probe that had been silent for years and given
|
|
up for lost. The probe was one of our Catholic probes, one of
|
|
many such automatons sent out to seek the heathen.
|
|
|
|
Seeking the heathen. All that happened before you were born,
|
|
when ruins abandoned by an alien race were found in several
|
|
local systems. Your teachers probably did not teach you about
|
|
the period of theological anguish caused by these discoveries.
|
|
Non-human intelligence was seen as a mortal threat to man's
|
|
central role in God's vision of the unfolding universe. No, they
|
|
wouldn't teach you all the anguish. Instead they taught Rome's
|
|
charitable compromise: intelligent aliens became an untapped
|
|
source of heathen, making conversion the Church's obvious
|
|
interstellar task. Thus the Church, and through the Church all
|
|
mankind, was restored to its rightful place at the center of
|
|
God's plan.
|
|
|
|
These interesting ideas are worth examination. One must first
|
|
assume that heathen alien have real souls to save, which gives
|
|
rise to some absorbing theological disputes. One must also
|
|
assume that any converting to be done would be done by us, not
|
|
by the aliens. But I said I would not ramble. In the abandoned
|
|
ruins those first explorers found alien technology that was
|
|
functional yet quite inscrutable. These machines (the word
|
|
machine is misleading but there is no other word) manipulated a
|
|
mysterious relationship between thought and thing. Alien
|
|
technology is like the scent of honeysuckle on a calm, moonless
|
|
night. The scent reveals the presence of the flower, but not the
|
|
flower itself.
|
|
|
|
Is it true that Rome has aborted these futile attempts to find
|
|
the alien race? Does Rome finally believe they have not set foot
|
|
on their abandoned planets for a hundred thousand years? Perhaps
|
|
our young new pope has been convinced by a hundred years of
|
|
evidence. After all, he is trained as a scientist. Are you
|
|
surprised that a biologist could be elected pope? If I didn't
|
|
know better I would think I had been dreaming.
|
|
|
|
No matter. The aliens vanished who knows where, leaving behind
|
|
their dormant technology, and we xeno-technoarcheologists fumble
|
|
with its mysterious blend of material physics and spiritual
|
|
metaphysics.
|
|
|
|
Are you comfortable on that bench? Good. I like to rest here in
|
|
the afternoons. The drone of insects masks the hum of the
|
|
traffic outside the wall. Outside the _garden_ wall. That phrase
|
|
is important. To speak of alien ideas is very difficult and best
|
|
done through metaphor. In my forbidden writings I have said that
|
|
metaphor is the poetry of reason.
|
|
|
|
See there, beyond the linden tree--do you see the hule patiently
|
|
weeding amongst the flowers? A young official like yourself who
|
|
works inside the Vatican probably has no experience with hules.
|
|
They are manufactured creatures, wordless, two-legged things,
|
|
cobbled together in vats from assorted mammalian genes, slaves
|
|
bred for lives of toil. We took three hules to Paschal II. They
|
|
are part simian--see how he holds his hoe with his thumbs?--and
|
|
part canine. They have the eagerness of a dog and the
|
|
intelligence of a higher ape, which is why the path we took is
|
|
so well-swept. Although their hairy faces lack expression, one
|
|
can see from their gait that they wear their coveralls with
|
|
pride. They think they are more than animals.
|
|
|
|
But back to my tale. The probe had wandered light-years off its
|
|
programmed course. I will offer an explanation for this later.
|
|
Fifty light-years from here it had found an Earthlike planet
|
|
with a single alien ruin. From low orbit around this blue-white
|
|
globe the probe--which was equipped with a whimsical database of
|
|
minor figures from the history of Catholicism--named the planet
|
|
Paschal II. Even though we religious have time on our hands and
|
|
can learn many unimportant things, you may not know that Paschal
|
|
II was Pope from 1099 to 1118, anno Domini.
|
|
|
|
The orbiting probe reported on its survey of Paschal II. There
|
|
were cloud-streaked oceans and snow-capped mountains sweeping
|
|
down to gloomy forests. Lush jungles hid the bulk of the biomass
|
|
and dry savannas teemed with animals. On a clifftop beside a
|
|
broad estuary stood a white building, a massive dome resting on
|
|
slender pillars. This was the only sign of ancient alien
|
|
visitation. The temple, as we came to call it, stood at the
|
|
center of a wide terrace that looked over the eastern ocean.
|
|
|
|
The probe launched several pods of scientific instruments into
|
|
Paschal's atmosphere. They all failed during their descent,
|
|
reporting in their last seconds temperatures approaching
|
|
absolute zero. If that were true, Paschal II should have been a
|
|
wasteland of frozen gas. Right away the small community of
|
|
Catholic xeno-technoarcheologists suspected that the entire
|
|
planet was protected by an AMF--an anti-machine field. A few
|
|
other AMF's, small ones, were known at that time, but experience
|
|
with them was very limited.
|
|
|
|
Have you read my report of our expedition? Did you blow the dust
|
|
from its cover and read it in some corner of the Vatican
|
|
Library? Then you already know how Angstrom and I made the
|
|
descent from orbit, even though in an AMF all machines freeze
|
|
and fail when, and only when, you try to use them. Intent to use
|
|
is the mark of the alien technology.
|
|
|
|
What I admire most about alien tech is its elegance. There is no
|
|
structure, no obvious device, no clever machine--only an elegant
|
|
location where an effect is triggered by a certain state of
|
|
mind. My first encounter with alien tech was as a graduate
|
|
student on the planet Passion. The tech was a simple staircase.
|
|
Some people, some of the time they climbed it, arrived at the
|
|
top with memories of things that never could have happened. They
|
|
would talk as if their new memories were real, even write them
|
|
down, but if they walked down the stairs they forgot those
|
|
memories. We never understood what triggered these effects, or
|
|
discovered the purpose of this machine, if I can use that word.
|
|
We've never understood the workings of any alien tech.
|
|
|
|
AMF's are a rare form of alien tech. Only a few have been found,
|
|
and only on three or four planets. Each protects a small area of
|
|
space and--since on two occasions AMF's have appeared and later
|
|
disappeared--perhaps they protect small areas of time as well.
|
|
|
|
Did you know that it was I who discovered the Tower of Echo? No?
|
|
You haven't heard of the Tower of Echo? Well, I'm not surprised.
|
|
It promised to be truly dangerous... to Rome, I mean. But the
|
|
Tower is another story, and I promised not to ramble.
|
|
|
|
Paschal II is still the only planet completely protected by an
|
|
AMF, making it something of an instant Holy Grail.
|
|
|
|
Humor an old man for a moment. When you were in the library,
|
|
reading my report, did you see my proscribed essays gathering
|
|
dust in some corner alcove? Did you glance at any of my work?
|
|
No? Perhaps you didn't know my writing was the reason I went to
|
|
Paschal.
|
|
|
|
As a young man I would express my thoughts in small essays which
|
|
I would show to my friends. My ideas were well-received by a
|
|
widening circle of thoughtful readers and took on a life of
|
|
their own--electronic samizdat. In time, my essays came to the
|
|
attention of the Office of the Congregation of the Faith. What a
|
|
benign name--_The Office of the Congregation of the Faith_--for
|
|
what was once called the Inquisition. If I were not a Jesuit, I
|
|
would say with some pride that I believe my work was read by the
|
|
Holy Father himself.
|
|
|
|
Over 20 years I had several interviews with Curial officials.
|
|
Each interview followed months or even years of preparatory
|
|
examination of documents while I waited, mutely, for approval of
|
|
perhaps a single essay. My only rewards were long lists of
|
|
required revisions that might, in the future, make my work
|
|
acceptable for official publication.
|
|
|
|
During this time I continued my work as a xeno-
|
|
technoarcheologist. My scientific writing was of no interest to
|
|
the Church, but, unknown to Rome (and even to myself at first)
|
|
my scientific work slowly merged with my religious beliefs. In
|
|
my mid-forties I collected my ideas in a book that was to
|
|
encompass all my beliefs: _The Spiritual Evolution of Matter:_
|
|
_Dust, Man and Beyond._
|
|
|
|
A few weeks after my manuscript arrived in Rome, the
|
|
Congregation of the Faith leveled the specific and serious
|
|
charge of Unsound Doctrine. _The Spiritual Evolution of Matter_
|
|
contradicted fundamental Catholic dogma first set forth by
|
|
Aquinas over a thousand years ago. Saint Thomas said that matter
|
|
was merely matter and doomed to pass away, while spirit was
|
|
eternal spirit. Unlike mass and energy--which are
|
|
equivalent--ephemeral matter can never become eternal spirit.
|
|
You do have some scientific training, enough to know that matter
|
|
can be transformed into energy? Good.
|
|
|
|
This time there were no difficult passages, no suggested
|
|
sections for revision, no authority was assigned me to help me
|
|
clarify my thoughts. They simply told me that _The Spiritual_
|
|
_Evolution of Matter: Dust, Man and Beyond_ was profoundly
|
|
heretical and could never be published.
|
|
|
|
If I may digress for a moment, you might be interested to know
|
|
that I find heresy intriguing. It is a state of grace to which
|
|
one is summoned. Once appointed a heretic, one's unauthorized
|
|
thoughts are formally authorized. Unauthorized Thoughts. It is a
|
|
validation, and like garden weeds, they can never be completely
|
|
eradicated.
|
|
|
|
I believe that metaphor is the poetry of reason. Did I mention
|
|
that before? Well, the human mind is a garden of thought. There
|
|
are the flowers of human thought: the annuals of art and
|
|
science, and the perennials of faith. There are weeds, too. But
|
|
what lies outside the garden wall? Is there only desert,
|
|
stretching to a hazy horizon, or are there other gardens, alien
|
|
gardens of thought where we might wander if we only we could
|
|
find the narrow gate in the wall of our small garden? Perhaps
|
|
weeds in our garden might be flowers in other, alien gardens?
|
|
But, in our human garden, my heretical weeds were intolerable
|
|
and Rome said I must not write.
|
|
|
|
I am a Jesuit who is sworn to a life of obedience. We who have
|
|
sworn to obey know that, while God frowns on those who use
|
|
authority irrationally, He smiles on those of us who
|
|
irrationally obey. I felt He was smiling on me when, two years
|
|
later, Rome's lost probe discovered Paschal II.
|
|
|
|
There was nothing for me here on Earth. I asked to be sent to
|
|
the new planet. I knew there must be a great secret on a planet
|
|
protected by an AMF. Unlike other XTA's I had nothing to lose by
|
|
going to Paschal II. Even if I did not return I would be serving
|
|
God. If I did discover how to defeat the AMF then I could not
|
|
only return to Earth, but return in triumph.
|
|
|
|
And my friend Angstrom, why did he go with me? In my report I
|
|
don't think I mentioned that Angstrom was the son of a Paris
|
|
chef. Angstrom had inherited his father's love of food. Through
|
|
all the years I worked with him he never weighed less than 150
|
|
kilos. Arcs of sweat stained the armpits of his shirts and those
|
|
who worked beside him always breathed the faint smell of stale
|
|
sweat.
|
|
|
|
Although his professional peers were disgusted by his obesity
|
|
they were forced to respect his intellect. At the end of his
|
|
career his hunger for truth, not food, led to his professional
|
|
disgrace and ostracism. But more of that later. All you need to
|
|
know about Angstrom at this time is that he was a kind man and
|
|
that the chance of an uncertain quest on Paschal II offered him
|
|
more than the miserable certainty of his lonely life on Earth.
|
|
|
|
And what was the purpose of our trip? I think you understand
|
|
that it was to turn off the AMF and discover the secret that was
|
|
hidden on Paschal II.
|
|
|
|
|
|
Gloria
|
|
--------
|
|
|
|
I have never enjoyed space travel. Like many things that seem
|
|
exciting, space travel is quite boring.
|
|
|
|
We journeyed to Paschal II on a ship I renamed the
|
|
_Teilhard de Chardin,_ after a predecessor of mine. She was an
|
|
ancient, unsafe faster-than-light freighter owned by one of the
|
|
Vatican's labyrinthine holding companies. Rome said we could use
|
|
her because the _Chardin_ was on her way to the scrap yard. Do
|
|
you understand why an unspaceworthy ship was ideal? You don't?
|
|
Surely you see that I was a certified heretic, forbidden to
|
|
speak but still capable of thought. I was a constant threat here
|
|
on Earth. My unfortunate death in space would be a tragic loss
|
|
that would be quickly forgotten. And if the _Chardin_ did not
|
|
break up in hyperspace, Rome would be pleased to see me marooned
|
|
on Paschal II behind the impenetrable veil of the AMF. Ah, I can
|
|
see from the slight inclination of your head that you are no
|
|
neophyte in the ways of the Vatican. Perhaps you know that the
|
|
planning for the second, fully-equipped expedition--the one that
|
|
would be sent when ours unfortunately disappeared--was already
|
|
underway.
|
|
|
|
Before we left Earth we had our universal antibody boosters, so
|
|
that we could drink the water on Paschal II, so to speak. Like
|
|
us, the three hules had their antibody booster together with a
|
|
shot of a long-acting anti-gonadotropin to continue the
|
|
suppression of their self-replicating behavior. When breeding
|
|
mammalian intelligence in a vat there are some behaviors that
|
|
apparently cannot be eliminated. In lieu of pharmaceuticals I
|
|
had my vow of chastity and for Angstrom, well, as far as I know
|
|
he was functionally asexual.
|
|
|
|
Why did we take the hules? The hules would be our porters, our
|
|
bearers. Without machines we would be forced to explore Paschal
|
|
like 17th century adventurers from Europe's Age of
|
|
Discovery--those glorious days when scarcely a cape was rounded
|
|
or a river explored without a Jesuit on board.
|
|
|
|
For two days we coasted away from Earth's gravitational field.
|
|
To pass the time I took out the battered brass reflecting
|
|
telescope given to me by one of my teachers when I was a young
|
|
man. The stars shown as they do only when seen from space, a
|
|
myriad suns wheeling through the void. In time each sun would
|
|
die in a brief nova or rarer supernova, spewing forth gassy
|
|
clouds of star stuff. Eons later this dust would cool and
|
|
condense into new suns and planets. On a tiny fraction of these
|
|
planets liquid water would be squeezed from rock and the long
|
|
procession of life would begin. Half-alive slime at first, then
|
|
bacteria refining their cell walls and nuclei for a billion
|
|
years, then another billion years of microscopic multicellular
|
|
beings whose progeny, in another billion years or so, would be
|
|
fish and birds and mammals and creatures like men, with souls.
|
|
|
|
Be careful. You are listening to dangerous ideas, my young
|
|
friend.
|
|
|
|
Did I mention that the three hules were Rome's gift to our
|
|
expedition? Another example of Rome's threadbare generosity.
|
|
They were spare agricultural hules from this seminary. Spare
|
|
hules are a problem: junking them is a difficult moral question.
|
|
Industry quietly euthanizes them, but the Church is more
|
|
principled--or more squeamish--and assigns its surplus hules,
|
|
like aging nuns, to ever lighter duties. These three hules,
|
|
however, were assigned to our mission to live or die, as God saw
|
|
fit, marooned with me and Angstrom.
|
|
|
|
Sedated, the three slept through our five-day journey across the
|
|
light-years. Sometimes I would check on them as they lay in the
|
|
narrow bunks on the cargo bay. M. Jules was strong and willing
|
|
while Mlle. Marie was a delicate creature often found in the
|
|
company of M. Jules. M. Alain had a truculent air as if he
|
|
blamed all men not only for being a manufactured mutation but
|
|
also for being born a slave. Although they had no souls we
|
|
always addressed them as Monsieur or Mademoiselle. They were
|
|
more than animals and these honorifics eased the quiet
|
|
discomfort we felt in their presence.
|
|
|
|
Asleep in the _Chardin's_ cargo bay their shaggy faces were
|
|
impassive. There was no flicker under their eyelids, no
|
|
twitching, no soft moaning while they slept. Minutes before our
|
|
trip through hyperspace Angstrom, hunched over a subunit of the
|
|
quantum drive in the _Chardin's_ engine-room, churlishly snapped
|
|
at me, "Hules are like other animals; they only seem to dream."
|
|
|
|
Did I describe Paschal II? I think I told you that this planet
|
|
was more Earthlike than others found at the time. Like Earth,
|
|
Paschal even had a single airless moon. From orbit we looked
|
|
down on the estuary and the clifftop temple. The river's source
|
|
seemed to lie in lush upland forests which stretched to the edge
|
|
of a long escarpment. The river plunged over this scarp into
|
|
lowland jungles where it was a broad brown thing that wound for
|
|
miles and miles until it reached the sea.
|
|
|
|
Our descent to the surface was frightful. Angstrom, figuring
|
|
that a passive airfoil would not trigger the AMF, had built a
|
|
glider--a mono-wing without moving control surfaces or other
|
|
mechanical devices--that was designed to swoop erratically, like
|
|
a leaf falling from orbit, never flying faster than 200
|
|
kilometers per hour.
|
|
|
|
"No turning back. Let's hope we can turn the damned thing off
|
|
when we get there," he said. He meant the AMF of course, not the
|
|
glider. He pulled the red switch to fire the explosive bolts
|
|
that held us beneath the _Chardin._ There was a muffled thud and
|
|
we dropped down below the ship. Above us we saw the _Chardin's_
|
|
shuttlecraft hanging in its bay.
|
|
|
|
Strapped in, we sat in the darkness, listening to the rush of
|
|
air and the creaking of the prestressed airframe, feeling
|
|
nothing but nausea and fear. We were waiting for the sudden cold
|
|
of the AMF or the crack of a fractured strut, followed by the
|
|
rush of air as we fell from the shattered glider and plunged to
|
|
our deaths. Behind us the hules, whom we had wakened earlier so
|
|
they could stumble to their seats inside the glider, were
|
|
whining piteously. A sudden stench of vomit told us that one of
|
|
them had thrown up. For hours we lived with the sound of their
|
|
retching and with our own fear and swooping vertigo.
|
|
|
|
It was night when we hit the ground a few miles west of the
|
|
temple. As Angstrom had planned, the force of the crash tore
|
|
open the fuselage. A hatch would have been useless. Hinges and
|
|
latches would freeze the moment we tried to use them in the
|
|
anti-machine field. The glider skidded and tumbled to a halt.
|
|
Clouds of dust swirled through the torn fuselage and settled on
|
|
our lips and in our noses. The dust tasted dry and somehow
|
|
clean.
|
|
|
|
I clambered out and my boots crunched on sand and gravel. We
|
|
were on high ground, although alarmingly close to a ravine. I
|
|
could see the moonlit temple far to the east, beside the dark
|
|
ocean. A black lake filled a crater down the slope below me;
|
|
ill-formed mountains rose behind us. The whole landscape was
|
|
elusively evocative. I breathed in the cool night air and
|
|
remembered my boyhood in the Auvergne. Perhaps Paschal's
|
|
spectral landscape reminded me of those gaunt hills where my
|
|
father took me to hear country folk tell tales of mystical
|
|
quests in which the hero returned with his Holy Grail. When I
|
|
was older I realized that the hero was always subtly wounded by
|
|
his quest.
|
|
|
|
The cooling glider ticked and creaked. Angstrom squeezed his
|
|
bulk through the hole in the fuselage. He was wearing his old
|
|
safari jacket with its many pockets for tools and gadgets. I
|
|
wondered what he planned to put in his pockets here on Paschal.
|
|
Always the scientist, he walked around the glider examining its
|
|
mono-wing to see how his design had withstood its single
|
|
swooping flight. He touched the wing's leading edge but quickly
|
|
drew back his finger and sucked its tip.
|
|
|
|
He grabbed a crowbar from the darkness inside the fuselage and
|
|
jammed one end underneath a rock. Putting his shoulder to the
|
|
crowbar he heaved for a second. The bar snapped abruptly and
|
|
Angstrom staggered into the rock. At his feet the two halves of
|
|
the bar were already covered with hoar frost and the metal
|
|
crumbled to an icy dust.
|
|
|
|
"So much for the lever," he said. He pulled a threaded bolt from
|
|
his pocket. "Let's try the screw." He spun a nut onto the bolt
|
|
but after a turn or two the nut froze to the bolt and he dropped
|
|
the combination onto the sand and sucked the ice from his
|
|
fingertips. "Screw's out. That means the inclined plane and the
|
|
wedge won't work. This AMF's the same as all the others. Even
|
|
Archimedes' simple machines malfunction, let alone anything more
|
|
complicated."
|
|
|
|
Our own bodies were full of mechanical devices, muscles, tendon,
|
|
joints but alien tech was not triggered by the device itself.
|
|
The tech was triggered by the mind's intent to move inanimate
|
|
matter and use it as a tool. A tool, you see, is a marriage of
|
|
matter and spirit--the motion of the material substance of the
|
|
tool and the mind's purposeful intent.
|
|
|
|
We clambered back inside the pungent darkness of the fuselage to
|
|
help the hules stagger onto the sand. They mewled and chittered
|
|
to one another. Were they afraid, or surprised? Who could tell?
|
|
They were restless, sniffing the air and peering at their
|
|
strange new surroundings. I said that as long as they were
|
|
occupied they would be fine.
|
|
|
|
When our food and other supplies--clothing, ropes, my Bible and
|
|
other priestly apparatus--had been stuffed into the packs, I
|
|
showed the hules how to adjust the friction buckles on the
|
|
shoulder-straps. I mention the buckles to show you how we had
|
|
planned our expedition. Experience had shown that other AMF's
|
|
had no effect on static friction. We rejected the usual buckles
|
|
with its little tongue poking through a hole in the strap and
|
|
chose only buckles with no moving parts.
|
|
|
|
The hules staggered off into the gray half-light. Angstrom led
|
|
them and M. Jules followed. The other two shambled along behind
|
|
in single file. Their shapeless coveralls made them look
|
|
aimless.
|
|
|
|
I went over to the broken glider and checked to see that the
|
|
remote control that would bring the shuttlecraft down from orbit
|
|
was still stuffed in its pocket on the cockpit bulkhead.
|
|
Satisfied, I followed the others towards the temple. By the time
|
|
I caught up with them the sun was rising over the eastern ocean.
|
|
|
|
In mid-morning we were crossing a broad savanna. Herds of winged
|
|
para-deer were grazing on the dry grass. (XTA's aren't
|
|
interested in naming species--we just add the prefix _para-_ to
|
|
the name of whatever Earth animal fits best.) Once, in the
|
|
distance, we saw a horned, striped predator bring down a
|
|
bounding herbivore and tear its belly open. The hules sniffed
|
|
anxiously. I suppose the scent of blood was borne to them on the
|
|
wind. Angstrom stopped to watch. "Do you think we count as prey?
|
|
|
|
I picked up a stone and hefted it in my hand, thinking about the
|
|
hules and how to defend them if a para-tiger should attack. The
|
|
rock suddenly became as cold as ice--no, much colder--in my
|
|
hand. I dropped it before my skin froze and said, "Not much we
|
|
can do about if we are."
|
|
|
|
We approached the temple in mid-afternoon and faced a long climb
|
|
up a curving stairway to the clifftop terrace. The height and
|
|
width of each step was different, typical of alien architecture.
|
|
Some scholars said the aliens valued diversity above all else
|
|
but, I asked myself, how could anyone know what the aliens
|
|
valued? Even the concept of value might be too human.
|
|
|
|
Cautiously Angstrom put his foot on the first step. He waited
|
|
and the sweat soaked slowly through the back of his safari
|
|
jacket. Nothing else seemed to happen. We pressed on and reached
|
|
the top, panting, 15 minutes later. Once again we waited on the
|
|
last step, monitoring ourselves for change. A worn balustrade
|
|
which marked the edge of the terrace curved away in the distance
|
|
at the very edge of the cliff. The wind that ruffled our hair
|
|
smelled of ozone and tasted slightly salty.
|
|
|
|
We stepped onto the terrace. The first few white flagstones were
|
|
tilted, cracked and worn with age, but after a few more steps
|
|
the stones under our feet met perfectly. This was as we had
|
|
expected; the temple was protected by a preservation field.
|
|
These fields, using some mysterious stored energy, collapsed
|
|
slowly--a few inches every century--and peripheral decay like
|
|
this was found at many otherwise perfectly-preserved alien
|
|
sites.
|
|
|
|
We headed toward the temple. The white dome shone in the
|
|
sunshine, its ellipsoidal surface resting on columns that had
|
|
the thin strength of wineglass stems. Most alien structures are
|
|
based on this pseudo-conic geometry--ellipsoidal or parabolic
|
|
surfaces, often with negative curvature--that defy conventional
|
|
mathematical analysis. Angstrom and I approached slowly. The
|
|
hules lagged behind, sniffing the sea breeze.
|
|
|
|
Inside the temple there was a shimmering translucent sphere,
|
|
perhaps 20 meters in diameter floating two meters off the
|
|
ground. The surface of the sphere trembled in the breeze as if
|
|
it were alive.
|
|
|
|
We circled the sphere once but learned nothing. Angstrom put his
|
|
finger out and touched it. He pulled his finger back, looked at
|
|
me, and said "Try it."
|
|
|
|
I touched the sphere. The surface was cool--but there was no
|
|
surface! My finger sank into the substance of the sphere and was
|
|
surrounded by coolness. Ripples spread across the curvature
|
|
above my head. I pulled my finger out. My finger was unharmed.
|
|
|
|
"Amazing," said Angstrom. "If only we knew... if only we knew
|
|
what it was for, how it floats, had even a glimpse of how it
|
|
works." But another hour spent in the temple taught us nothing.
|
|
It was another alien enigma, wonderful, yet completely
|
|
frustrating. We withdrew to think about what we had seen. At
|
|
least we had not triggered any untoward effects.
|
|
|
|
The hules had wandered away to the balustrade looking over the
|
|
ocean. I called to them. At the western edge of the terrace,
|
|
away from the ocean, we found shelter from the sea breeze in a
|
|
clump of trees.
|
|
|
|
Living in the Vatican, you have probably never realized that you
|
|
must have tools to start a fire. In the AMF there would be no
|
|
camp fires to cook our food or warm us in the night. I was not
|
|
looking forward to eating our rations cold and sleeping, wrapped
|
|
in our blankets, in the open, but to my surprise Angstrom
|
|
gathered dry grass, leaves and twigs and piled them in a small
|
|
pyramid.
|
|
|
|
"An experiment," he said. From the pocket of his safari jacket
|
|
he pulled a magnifying glass. There was still some warmth in the
|
|
sunlight and in two minutes he had created a tiny flame that
|
|
licked at the tendrils of dry vegetation. "Passive, like the
|
|
drop of dew that focuses the morning sun to start a forest
|
|
fire," he said. The hules eyed the fire from a distance. They
|
|
were wary, uneasy. In their secluded lives in the seminary
|
|
garden I don't think they had ever seen a naked flame.
|
|
|
|
I brought water from the river for us to drink. We men ate with
|
|
our hands while the hules set their bowls on the ground and
|
|
lapped noisily. They seemed more comfortable with their dining
|
|
arrangements than Angstrom or I.
|
|
|
|
The moon had risen and we settled down for sleep, the hules
|
|
huddling close to us like dogs at a hunters' camp. I was tired
|
|
after the exertion of the day and was already half-asleep when I
|
|
heard one of the hules get up. It was M. Jules. He padded down
|
|
to the edge of the river, to drink I thought. The moon was
|
|
shining across the smooth water. He looked up at the moon and
|
|
threw his head back so that the tendons in his neck stood out in
|
|
taut relief. He howled. It was a mournful, lonely sound that
|
|
faded away across the water, rising through the air towards the
|
|
moon. There was no answer.
|
|
|
|
I had never heard a hule make a noise like this before. Picking
|
|
their way quietly across the grass and rocks, Mlle. Marie and M.
|
|
Alain joined him at the water's edge. Mlle. Marie threw back her
|
|
head and howled with him. Their bestial song was a poignant
|
|
duet, raw yet beautiful. M. Alain added his bass. The cool night
|
|
wind carried their bestial fugue across the water. Were they
|
|
homesick? Did they know that their quiet seminary garden was 50
|
|
light-years away, orbiting a faint star in the night sky
|
|
overhead? When they had spent their crude emotions they shambled
|
|
back to camp and lay down again.
|
|
|
|
Unsettled, I felt a need for solitude and prayer. I walked to
|
|
the eastern edge of the terrace and leaned over the balustrade
|
|
to look down on the estuary and the dark ocean. Waves crashed
|
|
against the foot of the cliff and once again I tasted the salty
|
|
ocean spray.
|
|
|
|
I stood there for a long time while Paschal's unfamiliar
|
|
constellations rose from the eastern ocean and climbed into the
|
|
sky. Filled with a sense of peace I turned to look back at the
|
|
temple where the rising stars were reflected on the surface of
|
|
the sphere. I was surprised to discover that I simply knew,
|
|
without the slow steps of reason, that the sphere was a lens and
|
|
the temple was a lighthouse that swept its invisible beam across
|
|
the miles of ocean and the light-years of the starry void
|
|
beyond. Thrilled, I understood that this beam had found and
|
|
lured Rome's missing probe to Paschal.
|
|
|
|
Do you remember? I told you I would tell you how the probe found
|
|
Paschal. Are you still comfortable? Good. Look down there on the
|
|
flagstones at our feet--do you see how the sun shines through
|
|
what hair I have, making a halo of light around the shadow of my
|
|
head. Did you now that the word "halo" comes from the Greek?
|
|
Halo means threshing floor, where the wheat is garnered and the
|
|
chaff rejected. Strange, how we religious acquire useless
|
|
knowledge. The evening air is not too chill? Good.
|
|
|
|
Suddenly and without any effort on my part, I knew that the
|
|
temple lens was made of water because, on Paschal II, the alien
|
|
tech was in the water of the world, hidden in the rivers and the
|
|
rains and the salty ocean spray that caked my lips.
|
|
|
|
The next morning Angstrom asked, "If the sphere is a lighthouse,
|
|
does it mark a safe harbor for travelers across the light-years
|
|
or does it mark a hidden danger that will destroy us all?"
|
|
|
|
"It marks the river," I said. "Safe or dangerous, the end of our
|
|
quest lies at the source of the river."
|
|
|
|
The river was wide, brown and slow. A few miles upstream we
|
|
entered a densely canopied climax forest. Raucous creatures with
|
|
bulbous eyes and more than four legs shrieked at us from the
|
|
treetops. Thick suckers descended from the canopy and, where
|
|
they touched the ground, grew roots and bark until they were
|
|
indistinguishable from upthrusting trunks. The light that
|
|
reached us was filtered through many translucent leafy layers 50
|
|
meters above our heads. When the gentle winds of Paschal II
|
|
tousled the treetops the dappled shadows ebbed and flowed at our
|
|
feet. Walking through these green shadows was like walking
|
|
underwater and we walked for many days like this, with the brown
|
|
river on our right and the green jungle on our left.
|
|
|
|
Building a boat was always an idea but proved impossible without
|
|
tools. Even a raft of logs lashed together with the rope from
|
|
our packs was beyond us. We had no way to cut down trees or trim
|
|
them to size. Besides, the AMF would have destroyed the oars or
|
|
poles we would need to navigate.
|
|
|
|
One morning I found the hules eating fruit from the trees. I was
|
|
too late to stop them. I watched them anxiously for the rest of
|
|
the day. If they sickened we could not continue upriver because
|
|
Angstrom and I could carry only enough food for a few days. As
|
|
the day wore on it seemed that the fruit had done them no harm.
|
|
|
|
Each day we rose at dawn, walked until mid-afternoon, and
|
|
camped. On a good day we walked 20 kilometers. After a month our
|
|
clothes were torn and ragged, our hair shaggy and our beards
|
|
unkempt, but we were tanned and fit and Angstrom had lost
|
|
perhaps 20 kilograms.
|
|
|
|
The insects, of which there were innumerable species, were more
|
|
like flying reptiles than chitinous beetles. They did not bother
|
|
us, nor did the larger animals that stalked their prey in that
|
|
jungle. At night we sometimes heard some victim scream.
|
|
|
|
"It's as if we are invisible," said Angstrom as we lay by the
|
|
fire one evening.
|
|
|
|
"We are. But is Paschal protecting or ignoring us?" I wondered.
|
|
|
|
Did I mention earlier that metaphor is the poetry of reason? I
|
|
did? Good. Well, I told Angstrom a story from the life of a
|
|
Jesuit priest whose biography I had read. He was a missionary in
|
|
21st century Africa who spent his life at the intersection of
|
|
Christianity, Islam, and Animism. Ministering to the wounded
|
|
during one of the cruel and petty wars of those times, he
|
|
witnessed a young woman leading a ragtag army dressed in
|
|
tattered fatigues. They were following her down a dirt road
|
|
toward the enemy. The woman was naked and walked backward. She
|
|
held a mirror before her face to look over her shoulder and
|
|
study the road as she walked.
|
|
|
|
A young mercenary, toying with the safety catch of his automatic
|
|
weapon, told the priest, "Because she is naked and does not look
|
|
at the enemy with her own eyes, they cannot see her. She is
|
|
invisible." The woman stepped on a land mine and there was
|
|
nothing left but bloodstains in the dust.
|
|
|
|
We religious see things few others see.
|
|
|
|
For example, I have seen the Tower of Echo, a windy tower in the
|
|
wall of an alien city. At the top of the tower, accessible only
|
|
by a winding stair, is an open space looking over the ruined
|
|
city and the lonely desert that surrounds it. There was an
|
|
inconsistent echo in that windy openness where there should have
|
|
been no echo.
|
|
|
|
Inconsistent? Yes. The strength of the echo varied with... well,
|
|
it varied with the truth of what was said. Mathematical theorems
|
|
echoed well, but some better than others, which is strange.
|
|
Echoes of Mozart's music were very strong while Brahms' echoes
|
|
were much quieter--I discovered that myself. Deliberate
|
|
misstatement--two and two are three--would generate no returning
|
|
sound at all.
|
|
|
|
We were very careful. Alien tech is dangerous. We assume that a
|
|
mistake by one of the XTA's investigating Pius III collapsed the
|
|
whole asteroid into a pinhole-sized black hole. The entire team
|
|
was lost. For all we knew, the wrong statement in the windy
|
|
Tower of Echo might turn off the tech, or worse. As always,
|
|
everything we did received prior clearance from the Vatican.
|
|
|
|
I suggested to my superior that we might ask some more complex
|
|
statements including some which Rome felt were untrue. I
|
|
suggested, for example, that we say, "Matter slowly evolves into
|
|
spirit." Unfortunately, further investigation was suspended,
|
|
perhaps on orders from the Holy Father himself, and we were
|
|
ordered home because, "We do not understand the workings of
|
|
alien tech and have no assurance that the tower is a machine for
|
|
determining the truth. Its purpose is unknown and may be only to
|
|
deceive."
|
|
|
|
The night before we left I wondered if I should go back to the
|
|
tower one last time and make statements from my own work, and
|
|
perhaps other statements such as, "God made man in his own
|
|
image." I also thought about saying, "Jesus Christ was the Son
|
|
of God," just to see what happened.
|
|
|
|
The Tower of Echo--a machine that knew beauty and material
|
|
truth, and perhaps spiritual truth as well--is the best example
|
|
of how alien tech blends the principles of physics and
|
|
metaphysics, bringing together the worlds of matter and of
|
|
spirit. I must admit I was very tempted to test the dogma of
|
|
Aquinas.
|
|
|
|
We walked upstream six days a week and rested on Sundays when I
|
|
said Mass for Angstrom, opening the little sack of communion
|
|
wafers I had brought from Earth. For wine I blessed water from
|
|
the river. Canon Law requires at least one worshipper at Mass.
|
|
You might wonder if Canon Law applies 50 light-years away from
|
|
Earth, but the answer to that is simple. Canon Law applies
|
|
wherever there are Catholics. The hules watched us idly,
|
|
scratching and sniffing at one another while we prayed. Their
|
|
animal behavior distracted me. Dogs sniffing at each other would
|
|
not have offended me but I realized that I wanted the hules to
|
|
pay attention. I found it hard to believe that matter would ever
|
|
evolve into spirit when the hules licked their genitals while I
|
|
was saying mass. I told Angstrom while I was putting away the
|
|
wafers, "I know this is wrong, but sometimes the hules disgust
|
|
me."
|
|
|
|
"Perhaps you should teach them to pray," he replied. I don't
|
|
think he was serious.
|
|
|
|
They started sleeping on the other side of the fire from
|
|
Angstrom and me. I wondered if they had understood my remark,
|
|
but that was impossible.
|
|
|
|
The hules did start to give us more serious trouble. M. Alain
|
|
developed a nasty habit of loosening the buckles on the straps
|
|
of his pack. I never caught him at it but several times a day
|
|
his pack would fall from his shoulders. I was sure he was trying
|
|
to quietly lose his burden so I tied the straps in place.
|
|
Somehow he learned to untie the knots and would let the pack
|
|
fall from his shoulders when I was least expecting it. Angrily,
|
|
I would retie the straps and, with luck, he would leave them
|
|
alone for a few more hours.
|
|
|
|
One evening I caught the hules eating the communion wafers from
|
|
my pack. M. Alain had the sack in his hands and was munching the
|
|
last wafer. The other two had crumbs on their shaggy faces. I
|
|
snatched the empty bag from his hands. "Get out of here," I
|
|
yelled, shaking the bag at them as if I were exorcising devils.
|
|
They slunk away like chastised dogs. After a few moments I felt
|
|
calmer. I had remembered that hules could be guilty of an
|
|
action, but were always innocent of motive.
|
|
|
|
|
|
Credo
|
|
-------
|
|
|
|
What was the journey like? What did we feel? Did I miss Earth,
|
|
my Jesuit brethren and my scholarly friends? Yes, I did miss
|
|
their companionship. Did I worry that we might not find the
|
|
source of the AMF, or be unable to extinguish the field? Yes,
|
|
but strangely, I did not worry much. For the most part I was
|
|
simply content.
|
|
|
|
Angstrom was good company. At the end of the day's journey he
|
|
would light our fire with his magnifying glass and when darkness
|
|
fell we would talk by the fire, lying under the strange stars of
|
|
that alien sky.
|
|
|
|
"What is your thesis?" he asked me one night. "By thesis, I mean
|
|
what is the central idea from which all your thought stems?"
|
|
|
|
Thoughtfully, I replied, "When I was five I sat by the fire the
|
|
first time my mother cut my hair. She cut off a lock and threw
|
|
it into the flames. It curled and burned and was gone. I saw how
|
|
fragile I was and how easily the stuff of my body could
|
|
disappear. The next day I buried a heavy old key in the garden,
|
|
seeking to prove to myself that at least some things were
|
|
permanent. Later I dug and I dug but I could never find it.
|
|
These two events bothered me greatly and, in some sense, helped
|
|
me decide to become a priest. I desperately wanted to enter the
|
|
world of the spirit, you see, for the tenuous insubstantial
|
|
world of the spirit is the world that endures."
|
|
|
|
"And your journey to Paschal?" asked Angstrom.
|
|
|
|
"We humans explore the material world using reason as our tool,"
|
|
I said. "We observe, experiment, question, hypothesize, refute
|
|
and refine our ideas. But in the spiritual world our tool is
|
|
faith. Experimentation is expressly forbidden and, by
|
|
definition, dogma cannot be refuted by reason. In defiance of
|
|
this separation, my thesis is that the material world of reason
|
|
and the spiritual world of faith are frail human interpretations
|
|
of a single deep reality."
|
|
|
|
Trained in theology, you know that this dichotomy between reason
|
|
and faith pervades our Christian thought, and all our science
|
|
too. But the aliens did not think in terms of reason or faith.
|
|
Their machines used both physics and metaphysics. Did I mention
|
|
the Tower of Echo? Yes, I remember that I did. But I can see you
|
|
look shocked. I told you I was a heretic, sometimes subtle, but
|
|
sometimes more brash. Sit back on your bench while I finish my
|
|
story. You can always say your prayers later, when I am done.
|
|
|
|
As for Angstrom, he had his own thesis. He said, "Like you, I
|
|
came to Paschal to answer a question. Like you, I work with an
|
|
impossible dichotomy, but mine is one of waves and particles,
|
|
momentum and position, the EPR paradox. Yet this quantum
|
|
dichotomy works. Quantum gravitational engines lifted the
|
|
battered _Chardin_ across 50 light-years but quantum theory
|
|
makes no sense. Behind the impossibilities must be a better,
|
|
more complete, truth. Perhaps alien minds have different logics
|
|
that resolve these problems."
|
|
|
|
"A truth you will find here on Paschal?" I asked.
|
|
|
|
"I hope I will. Alien machines manipulate time and space in
|
|
clever ways. Human minds scarcely know what is happening, let
|
|
alone how it happens."
|
|
|
|
Much of Angstrom's career was spent in advancing his thesis of
|
|
alternate logics which was, of course, ridiculed by his peers. I
|
|
remember Angstrom standing at the podium before an audience of
|
|
five hundred skeptics at a meeting of the American Academy of
|
|
Xeno-Technoarcheology in New York. The lights were bright for
|
|
the video cameras and the sweat shone on his bald head. After he
|
|
had finished his presentation, the first question from the
|
|
audience was, "Are you really proposing the existence of a logic
|
|
which is illogical to human minds, yet logical to other minds,
|
|
and though illogical, yields conclusions that are correct?" The
|
|
questioner was a confident young man who smelled blood and was
|
|
eager to impress his professors. He was from what they call in
|
|
America an Ivy League school. There was some laughter which the
|
|
questioner allowed the audience time to enjoy before he added,
|
|
"Perhaps you used this new logic to write your paper. That would
|
|
explain a great deal."
|
|
|
|
Angstrom seized the edges of the podium in his gigantic hands
|
|
and started to reply but his words were lost on the scientists
|
|
all jostling for the exits.
|
|
|
|
After this, the sweating, malodorous, iconoclastic Angstrom
|
|
became as welcome at scientific gatherings as Martin Luther at
|
|
the Vatican. His papers, unwanted in the editorial offices of
|
|
the journals of our field, were sent to his harshest critics for
|
|
peer review.
|
|
|
|
When my book was rejected by the Curia, Angstrom still had his
|
|
tenured position--in Quebec, I think it was. But by the time of
|
|
the discovery of Paschal II his whole department had been
|
|
eliminated. A purely financial decision, he was told, and
|
|
nothing to do with the fact that this was the only way to fire a
|
|
tenured full professor. At 50 years of age, with no family,
|
|
friends or professional future, Paschal II was as good a
|
|
destination for Angstrom as it was for me.
|
|
|
|
"Is professional vindication so important? I asked.
|
|
|
|
"No, but truth is," he said, and rolled over to sleep. The way
|
|
he pulled his blanket over his shoulder made me think he was
|
|
comforted by the discovery that we were following paths more
|
|
similar than we had thought.
|
|
|
|
I was less certain. I lay in the dark, thinking of the Tower of
|
|
Echo. The Roman poet Virgil wrote that bees were killed by
|
|
echoes. (Those of us with time on our hands acquire arcane
|
|
information. It is an occupational hazard of the priesthood.)
|
|
Eighteen hundred years later Gilbert White, an English curate
|
|
who was well-versed in Virgil and an excellent diarist, wrote
|
|
that he spent a summer afternoon bending over his hives,
|
|
shouting into a speaking trumpet to see if his bees would die.
|
|
|
|
Have I have already mentioned my love of metaphor?
|
|
|
|
|
|
Sanctus
|
|
---------
|
|
|
|
The next day we came to the falls. The river poured over the
|
|
escarpment, which was a steep, rocky cliff 200 meters high. We
|
|
chose to climb close to the edge of the falls where winter
|
|
floods had torn slabs of rock from the wall, affording an array
|
|
of ledges and handholds. I said a brief prayer and started to
|
|
climb. I planned to throw down a rope for the hules to climb.
|
|
Angstrom would come last. Although he had lost weight steadily
|
|
on Paschal, I thought I might have to use the hules to pull him
|
|
up the cliff.
|
|
|
|
The rock was wet with spray and slippery with the green slime of
|
|
algal life. I climbed for an hour, soaked, with my hair
|
|
plastered to my head. I resting every few minutes by jamming my
|
|
boots with their serrated soles onto some narrow ledge.
|
|
Irritatingly, my laces became untied while I was climbing and no
|
|
sooner had I retied one than the other came loose. When I looked
|
|
down--which out of fear I did not do very often--I could see the
|
|
four figures growing smaller far below, until they were tiny
|
|
foreshortened dolls standing beside the churning whiteness at
|
|
the bottom of the falls. The roar of the water drowned my
|
|
shouted attempts to reassure them. My arms and shoulders, thighs
|
|
and calves began to tremble until I scrambled over the top,
|
|
dropped my pack to the ground and flopped down on the wet rocks
|
|
like a landed fish.
|
|
|
|
When I got my breath I carefully knotted two lengths of rope
|
|
together, tied one end to a tree that was firmly rooted between
|
|
the flat rocks beside the river, and threw the other end over
|
|
the edge. It was a black thing, snaking as it fell through the
|
|
mist. Angstrom ran to it and I felt his tug. He handed the rope
|
|
to one of the hules.
|
|
|
|
The hule climbed slowly, sensing the great danger. After 50
|
|
meters or so the hule's pack came loose. The pack swung by one
|
|
strap. "Lord," I muttered. "Why didn't Angstrom check the
|
|
knots?"
|
|
|
|
The pack swung away from the hule's shoulder, the second strap
|
|
came loose and the pack fell away, tumbling through the spray
|
|
down into the surging foam. Angstrom waved his arms at me as if
|
|
to warn me.
|
|
|
|
The hule continued to climb. I watched his swinging movement,
|
|
arm-over-arm, very ape-like, and when he was almost halfway up
|
|
the cliff, just below the knot, I saw that the hule was M.
|
|
Alain. As he reached for the knot, he fell.
|
|
|
|
At first I thought the rope had broken but then I realized that
|
|
my elaborate knot had come undone. M. Alain fell away from the
|
|
cliff with the loose rope twisting through the air around him
|
|
like a black snake falling with him into the whiteness. He
|
|
tumbled into the heart of the maelstrom at the bottom of the
|
|
falls. I saw his head briefly bobbing in the surge and he was
|
|
gone.
|
|
|
|
Angstrom and the other two hules waited for a long time,
|
|
searching for M. Alain's body along the bank. In the late
|
|
afternoon they all climbed up the falls, the hules following
|
|
what was left of my scent on the wet rocks while Angstrom, who
|
|
turned out to be an agile climber, urged them on from behind. It
|
|
was evening when they reached the top and the sun was too low to
|
|
light a fire. M. Jules kept looking down over the falls. Mlle.
|
|
Marie crawled under a bush and curled up like a fetus.
|
|
|
|
"Maybe you should say a short requiem for him," said Angstrom.
|
|
|
|
"I can't do that for a hule. He had no soul."
|
|
|
|
"The other two might feel better if you did. Who's going to
|
|
know? It's 50 light years from here to Rome."
|
|
|
|
But Canon Law applies wherever there are Catholics so I read
|
|
some comforting words in a ceremonial way, a pseudo-service of
|
|
no deeper significance.
|
|
|
|
We ate cold rations and settled down for a miserable night in
|
|
the woods, shivering in our damp clothing.
|
|
|
|
I will always be grateful to Angstrom for saying nothing that
|
|
night about my carelessness with the knot. I walked away from
|
|
our camp to pray for forgiveness for my carelessness. Only those
|
|
familiar with the confessional will understand the anguish this
|
|
burden caused because I had no confessor.
|
|
|
|
I woke early and lay quietly in that stillness that comes at the
|
|
end of the night. Here above the falls the forest canopy was
|
|
lower and less dense and there were scattered grassy clearings.
|
|
The raucous monkey birds were absent, but there were many new
|
|
varieties of flying creatures, para-butterflies flapping their
|
|
iridescent blue-green wings, warbling songs that were pleasing
|
|
to my ears.
|
|
|
|
I dressed quietly but my laces would not stay tied. After the
|
|
third attempt Angstrom, who was lying on his side watching me
|
|
through half-closed eyes, said, "I think you're wasting your
|
|
time. Above the falls we are closer to the AMF's source. We must
|
|
have entered a region where mechanical friction is neutralized.
|
|
Your lace relies on friction. Above the falls, knots are
|
|
machines."
|
|
|
|
He was right. For days, M. Alain's truculent mind must have been
|
|
more sensitive to the AMF. I was still responsible for his
|
|
death, not through carelessness, but through blind stupidity,
|
|
which was worse.
|
|
|
|
I set my boots aside. The friction buckles on our packs were
|
|
useless and we could not tie the straps in place. The buttons on
|
|
our torn clothes were also useless. We were forced to leave our
|
|
packs behind, with all our supplies and food. I wrapped my books
|
|
carefully, hoping to recover them on the return journey.
|
|
|
|
Our pace was slow because our soles were sensitive. A mile or
|
|
two later, while we were climbing over some boulders, Angstrom's
|
|
magnifying glass fell from his pocket and was smashed to pieces
|
|
on a rock. The bottom seam of his pocket had unraveled.
|
|
|
|
"Sewing, weaving--they both rely on friction."
|
|
|
|
As we walked upstream all our seams were unraveling. The hules'
|
|
coveralls hung in tatters and by lunchtime our clothing had
|
|
literally fallen off our backs. Angstrom's white flesh wobbled
|
|
on his body but the hules moved with a certain muscular grace I
|
|
hadn't noticed before. Without the magnifying glass we could not
|
|
light a fire that night and so we slept on beds of dry leaves
|
|
that were still warm from the afternoon sun.
|
|
|
|
In this manner, naked, we wandered for days through this idyllic
|
|
landscape, always staying close to the river. We ate fruits from
|
|
the trees and I could see the fat was shrinking on Angstrom's
|
|
flaccid body. At first I felt a certain shame about our
|
|
nakedness. After all, I was a celibate priest. But as time
|
|
passed I became comfortable with our situation.
|
|
|
|
At one time we walked for several days through grassy glades
|
|
filled with wildflowers. Sometimes the stream (for that was what
|
|
the river had become) widened and we would bathe our brown
|
|
bodies in a warm pool. On other days the rain would wash the
|
|
sweat and the dirt from our skins.
|
|
|
|
M. Jules and Mlle. Marie would wander off for hours and when
|
|
they returned there was a certain glow about them. You might
|
|
think they were sneaking off, but that is not the case. They
|
|
just wandered off as if, like animals, they could do exactly as
|
|
they pleased. Of course, now that we had no packs, there was no
|
|
work for them to do. We were still their masters but we had no
|
|
commands to give them. They spent more and more time by
|
|
themselves. I suppose when they wanted to come back to us they
|
|
could track us by our scent.
|
|
|
|
Angstrom and I, naked, with our hair uncombed and beards long,
|
|
looked much like the hules. We wandered together through the
|
|
dappled woods, eating when we were hungry, and resting when we
|
|
were tired. We walked quietly, each with our own thoughts. Like
|
|
the hules, we no longer had any tasks.
|
|
|
|
Above the falls our thought was clearer. "You are looking for a
|
|
single truth that lies behind the dichotomy of careful reason
|
|
and dogmatic faith," said Angstrom. "I am looking for a single
|
|
truth that lies behind the dichotomy of quantum mechanics. The
|
|
single truths we seek might be the same truth."
|
|
|
|
He was right. As soon as he spoke the idea seemed quite obvious.
|
|
"Alien tech blends physics and metaphysics, spirit and matter,"
|
|
I said. "Behind the apparent dual nature of matter, behind the
|
|
apparent dual nature of thought, there is a single fundamental
|
|
truth. Alien tech is built on that truth. That truth is the
|
|
secret the aliens hid here on Paschal and why they set their
|
|
beacon to mark the hiding place."
|
|
|
|
The river had become much narrower. Inexplicably, the hules
|
|
began to make fewer forays into the woods. One afternoon we came
|
|
to the source of the river. A spring flowed from the base of a
|
|
large rock into a pool. The water was quite clear and there was
|
|
nothing at the bottom but a jumble of stones.
|
|
|
|
I knelt at the edge and dipped my hands into the water. Ripples
|
|
spread across its still surface. I cupped my hands and lifted
|
|
them. The water ran between my fingers and splashed and tinkled
|
|
back into the pool.
|
|
|
|
The hules were watching carefully, waiting to see what we would
|
|
do.
|
|
|
|
"You drink first," said Angstrom.
|
|
|
|
Once again I dipped my cupped hands into the pool and this time
|
|
I lifted the water to my lips. The water was cold and
|
|
refreshing.
|
|
|
|
I felt unchanged, at first.
|
|
|
|
Angstrom was looking at me, taut with curiosity.
|
|
|
|
"Drink," I said. "See for yourself."
|
|
|
|
He knelt beside me, bowed his head to the surface of the water
|
|
and lapped at the water like an animal. When he straightened up
|
|
he did not wipe the water from his lips and chin and it fell to
|
|
the ground in shining droplets.
|
|
|
|
"Yes," he said, slowly. "I see."
|
|
|
|
Like me, he did not say what it was he saw. But I think he saw
|
|
logics that were not human, ways of reasoning that were
|
|
surprising and completely alien, hinting at larger truths than
|
|
we had known before.
|
|
|
|
We sat in the shade of a small copse close to the pool.
|
|
|
|
"The temple is a library," I said.
|
|
|
|
We sat in silence for several minutes, inspecting the contents
|
|
of our minds. Do not think we had experienced a transformation.
|
|
Nothing was that simple. The best I can do is to tell you that
|
|
we had been granted the potential for transforming ourselves,
|
|
but the complete task assigned to us would require great effort
|
|
and take many years.
|
|
|
|
The idea of transformation captivates me. I have come to realize
|
|
that a man who truly transforms himself acquires the mysterious
|
|
ability to help others transform themselves. Would you agree? I
|
|
think any student of religion must.
|
|
|
|
We did know some new things that suddenly seemed quite obvious.
|
|
"We can turn off the AMF any time we want," said Angstrom.
|
|
|
|
"I know."
|
|
|
|
Like all alien tech, the trigger was intent. To turn it off, all
|
|
we had to do was _not_ to want to turn it off. I thought about
|
|
this for a moment and rose to my feet, picked up a dead tree
|
|
limb lying on the ground, put one end under a rock and levered
|
|
the boulder from its resting place. Dozens of dull black insects
|
|
scuttled away in the sudden sunlight, leaving behind hundreds of
|
|
glistening eggs. I examined the stick. There was no frost on the
|
|
branch, no brittle cracking of the gnarled wood, and my hands
|
|
were still warm. I looked back at Angstrom and saw, behind him,
|
|
the hules kneeling side by side and drinking from the pool,
|
|
lapping noisily.
|
|
|
|
They raised their heads and looked back at us. The water was
|
|
running from their snouts and their faces were impassive. They
|
|
turned back to the water and drank again. M. Jules stood up and
|
|
stared at us boldly, curiously. Mlle. Marie dipped her finger in
|
|
the pool, walked to me and stood before me, her hand held before
|
|
me, finger pointing down. A shining droplet hung from the end of
|
|
her finger.
|
|
|
|
"Kneel down. Open your mouth," said Angstrom, hoarsely.
|
|
|
|
I opened my mouth. She held her wet fingertip over my waiting
|
|
tongue. A single drop fell into my mouth. I swallowed.
|
|
|
|
The hules turned away and walked into the darkening woods. In a
|
|
moment they had vanished between the trees.
|
|
|
|
|
|
Agnus Dei
|
|
-----------
|
|
|
|
The next morning Angstrom and I began our journey downstream to
|
|
the falls.
|
|
|
|
The time after a climactic event is like the period of slack
|
|
water after a high tide; all the work is done, there is no place
|
|
for purposeful motion. During the days we traveled back to the
|
|
falls Angstrom and I found it was thought, not motion, that was
|
|
redundant.
|
|
|
|
At the top of the falls I untied the rope from the tree and
|
|
wrapped it around my shoulder. After we climbed down beside the
|
|
torrent we built a raft of driftwood bound with rope and we
|
|
floated away on the slow-moving current.
|
|
|
|
On one of the many evenings that we lay on our backs, drifting
|
|
downstream under the stars, Angstrom said, "If the aliens had a
|
|
purpose, then what is the purpose of Paschal?"
|
|
|
|
"It is a beacon," I said.
|
|
|
|
"Marking a vast store of knowledge?"
|
|
|
|
"Yes, a font of knowledge. But there is more. Paschal is an
|
|
evolutionary incubator, a machine for arresting the material
|
|
evolution of matter and accelerating its evolution into spirit.
|
|
What we have seen is the evolution of evolution."
|
|
|
|
"But why the AMF?"
|
|
|
|
"To strip away the objects and the thoughts that we have made
|
|
that make us what we are. Only when we have shed our
|
|
manufactured burdens may we pass through the single narrow gate
|
|
in our own garden wall and wander into other gardens."
|
|
|
|
Angstrom stayed behind at the temple where the knowledge of an
|
|
ancient race was stored in a drop of water. He was eager to
|
|
squeeze his frame through the narrow gate.
|
|
|
|
On my way back to the glider's crash site I thought of a Van
|
|
Gogh painting called _The Drinkers._ A copy hangs on the wall of
|
|
my whitewashed room. By the way, Van Gogh was said to be mad,
|
|
but I doubt that. Four figures, a child, a youth, a middle-aged
|
|
man and an old man, stand around a table and drink from a single
|
|
pitcher. The child drinks milk, the youth water, the middle-aged
|
|
man coffee and the old man wine, all from that single magical
|
|
pitcher. Van Gogh's figures crackle with energy in their
|
|
desperate attempts to slake their various thirsts. As I said, I
|
|
doubt that Van Gogh was mad.
|
|
|
|
I returned to the crash site of the glider, slid the remote
|
|
control from its pocket in the bulkhead and summoned the
|
|
shuttlecraft down from the belly of the empty _Chardin._ Rome
|
|
was surprised at my return. After all, the arrival in Earth
|
|
orbit of a naked priest, bearded, long-haired, tanned and
|
|
seemingly incoherent, is not a common event.
|
|
|
|
No one believed my story, of course. I half hoped they might see
|
|
me as a prophet coming out of the wilderness, but they sent me
|
|
back to this seminary and gave me easy work to do, as if I were
|
|
an old nun. Obediently, I have done as my order wished. I have
|
|
kept my peace and worked here quietly, thinking, making dreams.
|
|
Twenty summers and three popes have come and gone and I am still
|
|
working on the tasks assigned to me. All of them.
|
|
|
|
But the evening grows chill around us, the wooden bench you sit
|
|
on is quite hard, and we must conclude our business. You have
|
|
listened to my story and now I must answer your question.
|
|
|
|
Ah, do not speak yet. Did I not tell you I know what you came to
|
|
ask?
|
|
|
|
There can be only one reason that the Holy Father has sent you
|
|
here to question me in this peaceful garden. Something has
|
|
happened, something quite unexpected. The Holy Father has
|
|
received a message and he thinks it came from Paschal II.
|
|
|
|
Perhaps a passing freighter picked up a signal and relayed it to
|
|
Rome, or perhaps a subspace message from the planet was received
|
|
directly by a Vatican antenna at Castel Gandolfo, high in the
|
|
Apennines. Not so. I know the message came in a dream. Yes, the
|
|
Holy Father dreamed so vividly that he could not ignore his
|
|
dream.
|
|
|
|
What is so surprising about the idea of the pope receiving a
|
|
dream? After all, the Bible says that God spoke to many men
|
|
through their dreams.
|
|
|
|
Have you ever noticed that dreams are much more powerful at the
|
|
turning of the seasons? We religious have time to take note of
|
|
subtle things like that.
|
|
|
|
So who sent the message? You probably think it was sent by the
|
|
hules, or by their children who must have developed in
|
|
unimaginable ways while they were growing up on Paschal? Or was
|
|
the message from Angstrom, offering alien truth in place of
|
|
human knowledge? Let me assure you that neither Angstrom, nor
|
|
the hules--nor the aliens, if that is what you are
|
|
wondering--have any interest in talking to the Holy Father.
|
|
|
|
He does not know who sent the message.
|
|
|
|
But I do, even though the dream he received was an unsigned
|
|
invitation. The Holy Father has been asked to visit Paschal II.
|
|
He feels he has been summoned. He wonders if he should think of
|
|
the journey as a pilgrimage. He worries that the message may not
|
|
be an invitation, but a false temptation sent by Satan.
|
|
|
|
The Holy Father wants to know if he should go. He is young and
|
|
accustomed to dealing with facts, not dreams. After all, he is a
|
|
scientist, a biologist of some renown, I hear. Weren't you
|
|
surprised that a scientist, a biologist, a student of evolution,
|
|
should be elected pope?
|
|
|
|
I wonder how _that _happened.
|
|
|
|
No matter. Here is my answer to his question: When he makes this
|
|
pilgrimage he must remember the folk stories of the Auvergne.
|
|
|
|
You think that is no answer? I would have thought that you, a
|
|
clever official of the Vatican, would have enjoyed my indirect
|
|
response! Allow me to elaborate.
|
|
|
|
Like a folk hero of the Auvergne, when the Holy Father returns
|
|
from Paschal he will be changed, and subtly wounded. Now do you
|
|
understand?
|
|
|
|
What will this do to the world? Well, I have good reason to be
|
|
certain that Aquinas was completely wrong. (You are right in
|
|
your suspicion--before my trip to Paschal my obedience was not
|
|
always perfect.) The Holy Father will return from Paschal with a
|
|
radiant union of faith and reason which will wound the world.
|
|
|
|
Now do you understand?
|
|
|
|
Good. Why don't you sit here in the quiet darkness, in this
|
|
arbor at the very end of this path of worn gray stones, and
|
|
think about what I have said?
|
|
|
|
I must excuse myself and go to bed. Today was the last day of
|
|
the summer and in the morning I must rise early to my work. In
|
|
the new season I will be very busy pruning, cutting away dead
|
|
growth, and tearing out old unwanted vegetation by the roots.
|
|
Later I will be planting deep in the earth so that new flowers
|
|
will flourish in the spring. After all, this is a big garden and
|
|
the Holy Father might like to know that, quite recently, I have
|
|
become the gardener.
|
|
|
|
|
|
Jim Cowan (jimcowan@delphi.com)
|
|
---------------------------------
|
|
|
|
Jim Cowan has been an electrical engineer, high-school physics
|
|
teacher, physician and health-care executive and is convinced
|
|
that the right job for him is out there somewhere. He is amazed
|
|
and delighted that many wonderful things in the world can be
|
|
completely described by mathematics and he is equally amazed and
|
|
delighted that many wonderful things, including mathematics,
|
|
cannot. While struggling with this paradox he lives in
|
|
Bethlehem, Pennsylvania.
|
|
|
|
|
|
The Monkey Trap by Kyle Cassidy
|
|
===================================
|
|
...................................................................
|
|
* A cage is still a cage, even if you can't see the bars. *
|
|
...................................................................
|
|
|
|
Crazy people. There's crazy people and dying mice in the zoo
|
|
today. I see the crazy people milling about outside, preparing
|
|
for the big race which starts in the zoo, continues down Zoo
|
|
Avenue and ends somewhere in L'Harris Park. These people are
|
|
wearing black and pink spandex. Their wives or husbands are
|
|
holding the cellular phones, beepers, and laptops. They huddle
|
|
in the cold along the sidelines.
|
|
|
|
I see the mouse when I go into the monkey house and close the
|
|
door behind me. Michelle is already in there, wiping marmoset
|
|
footprints from the glass with a squeegee--an operation of
|
|
pointless repetition. The mouse, in misery with broken legs,
|
|
seems prophetic. It lies in the crack of the windowsill, trying
|
|
to hide itself behind the packet of roach poision, dragging its
|
|
hind legs. One of our vicious little primates has bitten through
|
|
its spine.
|
|
|
|
The monkeys pound at the glass, furious over its escape. The
|
|
tiny faces of the golden lion-headed tamarins are vestibules of
|
|
rage. Their open, screaming mouths are filled with tiny
|
|
needle-fangs; their voices are piercing squeaks. I point the
|
|
mouse out to Michelle and she tosses it into the trash can like
|
|
an orange rind. I frown and wonder if it hurts to be flung onto
|
|
a pile of straw and monkey shit when you have a broken spine.
|
|
|
|
"If you can't stand death," she says, climbing into the marmoset
|
|
exhibit, "get out of the zoo." She throws the squeegee into a
|
|
bucket and bangs a pan of Purina Monkey Chow and cut fruit into
|
|
the cage before closing the door. The primates chatter and
|
|
gibber.
|
|
|
|
"How's your life?" I ask. Michelle's got a new boyfriend in
|
|
Baltimore.
|
|
|
|
"Boring as hell," she says, ignoring the animals leaping around
|
|
behind her. "When you turn 28, your life gets boring." She opens
|
|
another cage and I sit down on the floor against the wall.
|
|
|
|
The tamarins won't touch the apple that she has hung in their
|
|
cage from a string.
|
|
|
|
"They think it's a trap," she says. "The last time they saw food
|
|
on a string they were in the jungle."
|
|
|
|
The marmosets swarm over their apple, taking tiny wedges out of
|
|
it like a school of piranhas. But the tamarins stare at theirs
|
|
like cave men looking at an automobile engine. They rush it,
|
|
yammer loudly, and run away.
|
|
|
|
"You either eat the apple, or you don't," she says to the
|
|
tamarins. "It's not a trap."
|
|
|
|
"Anymore," I say.
|
|
|
|
"What?"
|
|
|
|
"It's too late for them to realize that it's a trap or it's not
|
|
a trap. It doesn't matter anymore. They can't get any more
|
|
trapped, but they can't get back either. It doesn't matter."
|
|
|
|
"They have these monkey traps," says Michelle, looking into the
|
|
exhibit. "It's like some food in a jar attached to a tree, and
|
|
the dumb bastards'll stick their hand in the jar and grab the
|
|
food, but when they make a fist, they can't get their hand out
|
|
of the jar. They're stuck as long as they're holding onto the
|
|
food, and they're too stupid to let go of it. You can catch them
|
|
like that." She throws a handful of grapes through the partially
|
|
opened window, closes it, and locks it.
|
|
|
|
"Stupid, aren't you?" she says to the tamarins. They hang back
|
|
at the top of their cage.
|
|
|
|
Michelle puts the squeegee and bucket away. She hoses down the
|
|
floor, which is awash in dead and dying crickets. The crickets
|
|
are escaped monkey treats that have eaten the roach poision. I
|
|
wonder how many poisoned roaches the monkeys eat.
|
|
|
|
We shall always be the victors. The ones we don't want, we kill.
|
|
The ones we do want, we put in a cage.They will be the
|
|
representative sample of the ones that we kill.
|
|
|
|
Michelle and I walk outside. The race has started, and the
|
|
stampede of DuPont-employed, health-minded yuppie Delawarians
|
|
are running down Monkey Hill in the DuPont-Wilmington 5K Run For
|
|
Charity.
|
|
|
|
They run past the background of their parked BMW's. The
|
|
sprinters come first, down the cobblestones, following the cop
|
|
on his loud black-and-white Harley Davidson. Then come the
|
|
runners, lean and old and taunt. Then the joggers: the careless
|
|
men in round glasses pushing flourescent, aerodynamic
|
|
three-wheeled baby carriages with hydraulic shock absorbers, the
|
|
women in need of sports bras, carrying their walkmen, listening
|
|
to Paul Simon or George Michael. Then, finally, there are the
|
|
stragglers: the old men who came for the free beer running in
|
|
polka-dotted boxer shorts, the 70-year-old woman, out of place,
|
|
with an aged Bette Davis face coated with makeup, garish red
|
|
lips, huge dangling earrings, hair jutting out in twin,
|
|
carrot-colored pigtails.
|
|
|
|
Michelle is standing next to me, watching. She takes off her
|
|
gloves.
|
|
|
|
"This is what I have to look forward to," she says. "This is
|
|
middle age in Wilmington."
|
|
|
|
"No," I say. "Not for you, it isn't."
|
|
|
|
|
|
Kyle Cassidy (cassidy@saturn.rowan.edu)
|
|
-----------------------------------------
|
|
|
|
Kyle Cassidy is 27 years old and pays the rent by writing
|
|
Internet manuals and lecturing. His latest book, Stickman's
|
|
Way-Cool Guide to Network Wizardry (RCNJ Academic Computing
|
|
Press) will be published this month. He lives in New Jersey with
|
|
his wife, Linda, who looks a lot like the Little Mermaid--but
|
|
with legs. The marmosets adore her.
|
|
|
|
|
|
Serial Access by E. Jay O'Connell
|
|
=====================================
|
|
...................................................................
|
|
* There's something for nearly everyone on-line--no
|
|
matter where one's interests lie.*
|
|
...................................................................
|
|
|
|
************************CONGRATULATIONS**********************
|
|
|
|
You have reached the Serial Access BBS! This phone number will
|
|
be good for one week, and one week only. Next week's number can
|
|
be obtained in the NEW ACCESS NUMBER area by VALIDATED users
|
|
only. We've found it necessary to move around a lot. Lurkers are
|
|
welcome--even crybabies. In fact, we *like* crybabies. Cry, cry,
|
|
cry!
|
|
|
|
But remember, babies, by the time you try to find us, we'll be
|
|
gone. It takes a while to subpoena a dozen different anonymous
|
|
servers. In a dozen different countries! If you would like to
|
|
join us, please fill out the validation form that follows. The
|
|
first question goes without saying--but we'll ask it anyway! To
|
|
the best of your recollection, exactly how many people have you
|
|
killed?
|
|
|
|
|
|
Dear Strangehack,
|
|
|
|
Thank you for your completed validation survey. We've noticed,
|
|
sadly, that nothing you've said on-line really *proves*
|
|
anything, one way or the other. You must realize that we
|
|
maintain an electronic newsclipping service. All your info feels
|
|
more than a little... canned? Confess. It's from the newswire,
|
|
isn't it? This number expires in just 48 hours. Still time for a
|
|
Fed-Ex'd validation. We're very sorry to have to be so strict,
|
|
but surely you can understand our position.
|
|
|
|
ACCOUNT *STRANGEHACK* SUSPENDED PENDING VALIDATION
|
|
GO KILL SOMEBODY AND HAVE A NICE DAY
|
|
|
|
|
|
Congratulations Strangehack!
|
|
|
|
The Ziploc received at this week's post office box scores you
|
|
next week's number. To whom did (does?) this belong? You see,
|
|
the part contained isn't (strictly speaking) essential. It may
|
|
very well be your own. You know, Van Gogh, and all that. Anyway,
|
|
while it shows some spirit, it doesn't rule out the mortuary
|
|
trade. It could be the product of simple self-mutilation. It
|
|
doesn't count unless you did it to someone *else.* We're not
|
|
impressed by masochists.
|
|
|
|
Please send us something a little more... essential. We're
|
|
giving you another week. We would like a newsclipping to
|
|
accompany it--so don't procrastinate. We will forward said part
|
|
to the proper authorities, with due credit, of course.
|
|
|
|
Remember the tree falling in the empty forest. People die all
|
|
the time, sometimes quite suddenly, sometimes messily. If you
|
|
don't take credit, the act is worthless. Meaningless. At any
|
|
rate, you've been admitted into the file downloading areas.
|
|
|
|
I'd look at the '80s CIA interrogation manuals at the very
|
|
least. They're not hard to find. A little dry, I know, but
|
|
crammed with information. We'll not see their like again, alas.
|
|
Not from the wimps currently in power. But I'm getting
|
|
political--I hate politics, really, but feel free to participate
|
|
in the on-line discussion of socialized medicine. I know, it's
|
|
everywhere! It's been going great guns since we started over a
|
|
year ago. Would you believe that, even here, there are
|
|
whimpering tit-suckers who defend it?
|
|
|
|
|
|
Strangehack,
|
|
|
|
Congratulations! I must say, your latest package really cuts to
|
|
the heart of the issue, eh? :-) I know, I know! I'm sorry.
|
|
Couldn't resist.
|
|
|
|
It's a small one, isn't it? And the newsclipping. So poignant.
|
|
The mother too--and first, of course. Yet... she was "homeless"
|
|
(how I *hate* that word!), wasn't she? Again, not to get
|
|
political, but there are those of us who find such victims...
|
|
easy? Again, whom do you wish to frighten? This may be a purely
|
|
personal thing, but really, in a certain light you're doing
|
|
society a favor. Nobody wants all these "people" underfoot,
|
|
decreasing property values, catching tuberculosis, creating
|
|
excuses for National Health, etc.
|
|
|
|
Doing them is like killing whores. A public service. Bottom
|
|
line, it's *banal.*
|
|
|
|
But it'll get you into the real-time chat areas. These are our
|
|
most sensitive feeds. A certain type of Very Technical Person
|
|
*might* be able to trace some of calls back to their original
|
|
sources. If you weren't the right kind of person, that would be
|
|
very, very bad.
|
|
|
|
You're in, Strangehack. You're in. Welcome to the club.
|
|
|
|
|
|
Strangehack,
|
|
|
|
We're sorry to have to interrupt your service, but even by our
|
|
standards, you seem quite insane. There is, quite simply,
|
|
nothing to your threats. You cannot `crawl down the wires and
|
|
suck the eyes from our skulls like pamentoes [sic] from olives.'
|
|
You cannot trace us. I have friends in this industry--good
|
|
friends--and they've informed me that the technobabble you're
|
|
spewing is gibberish. We're terminating your account.
|
|
|
|
Still, congratulations of a sort are in order. You have taken
|
|
the lead. Over 20 in less that 2 months! Aren't we the busy one?
|
|
And to think I leaked your first message to the press! It is
|
|
really quite sad, to kick you off. But you're making an ass of
|
|
yourself. We can't tolerate this kind of rudeness.
|
|
|
|
Psychosis is forgivable. Incoherence is not. Your spelling and
|
|
grammar are abominable. It is common courtesy in this community
|
|
to use a spellcheck. Never mind. You're history.
|
|
|
|
|
|
Strangehack,
|
|
|
|
Touche. You seem to have more than one account on this system.
|
|
I've hired a consultant to come in and thoroughly clean this
|
|
machine. His English is poor. And he is being paid very, very
|
|
well. So don't even think of trying to talk to him.
|
|
|
|
Good-bye. We won't be speaking anymore, away. Oh, and one more
|
|
thing.
|
|
|
|
Eat shit and die! You're stupid, and you take very poor candid
|
|
photos. Murky as hell. Your GIFs are among the worst I've ever
|
|
seen. Get a flash, buddy! And try using JPEG! <grin>
|
|
|
|
|
|
Strangehack,
|
|
|
|
I've begun to wonder about you. You've found us again and
|
|
created your own account. I showed some of your technobabble
|
|
around again. This time, the verdict's a little more... gray.
|
|
Yes. Well, the system will be down for about a week around
|
|
Christmas. Such a busy season!
|
|
|
|
We'll be rid of you in the new year, I expect. I've forwarded
|
|
all your calling data to the authorities--all your bragging,
|
|
threatening, misspelling, everything. Our phone number changes
|
|
as of now, and you won't find it again. I imagine they'll catch
|
|
you soon. Someone with as poor a grip on the language as you
|
|
can't possibly be all that smart, computer monkey tricks aside.
|
|
|
|
I've been watching the television psychologists. One of them
|
|
suggested that you may have had your itty bitty little penis
|
|
cooked off in a botched circumcision (it happens!). It wouldn't
|
|
surprise me in the slightest.
|
|
|
|
|
|
Strangehack,
|
|
|
|
You win. You've found us again. Well. It's time for a short,
|
|
shameful confession. I've never killed anyone. I run this board,
|
|
but I've never hurt a fly. Not that I wouldn't love to. Not that
|
|
I don't dream of it. I think I will, someday. I started this to
|
|
get going myself, you see, but somehow--well, I admit, I've been
|
|
living vicariously through you. A few of the old-timers gave me
|
|
a few credits, left my calling card. I'm a fraud, Strangehack.
|
|
But you said that all along, didn't you?
|
|
|
|
I've been studying you all for so long. I found a few of you in
|
|
various places on the net, filtered through a million poseurs to
|
|
collect *you*--the real McCoy. Flattery will get one everywhere,
|
|
eh? So I invited you into my home. And you were charming,
|
|
strange, witty, fascinating, banal, obsessed. Fun.
|
|
|
|
But it's gone too far, and I'm shutting this system down. I must
|
|
say, I'm fascinated by you, Strangehack. I would like to meet
|
|
you. Would you really do all those things to me? But I'm not
|
|
afraid of you. Not afraid in the slightest.
|
|
|
|
What would it be like, do you think, to be one of them? The
|
|
victims? What goes through their minds as you strip the life
|
|
from them?
|
|
|
|
A stupid thought. None of you ever seems to think it, I've
|
|
noticed. But I guess I'm just a poseur, when it comes right down
|
|
to it.
|
|
|
|
Good-bye, Strangehack. It's been interesting knowing you.
|
|
|
|
[The following message was posted anonymously to the USENET
|
|
newsgroup _alt.murder.phun_]
|
|
|
|
|
|
Strangehack,
|
|
|
|
Because of you I have abandoned my life--my clothes, my books,
|
|
my computers, (almost) all of my souvenirs. A liberating
|
|
experience. I was watching TV in a bar across town, when I saw
|
|
them going through my apartment. I thought Dan Rather was going
|
|
to cry! Oh, the humanity! I'd say it was luck, that I saw it on
|
|
television and escaped, but there is no such thing as luck, is
|
|
there? Only destiny, and the Will of God. Not to get religious
|
|
or anything. I'm posting this because I simply must talk about
|
|
what it was like, meeting you.
|
|
|
|
As per your instructions, I went to the little booth in the back
|
|
of that loathsome Vietnamese place. The grinning slant served me
|
|
something that looked like a pile of sticks and slugs, and I had
|
|
to pretend to eat it. I sat on the right side, facing the
|
|
mirrored wall, like you said, and waited.
|
|
|
|
It took me over an hour to realize that you were already there.
|
|
|
|
I saw you, and oh, the chills up and down my spine! Pity about
|
|
the ear. The tiny black hole winked at me from the still-pink
|
|
ring of scar tissue. I guessed right, eh? Still, it got your
|
|
nerve up, didn't it, to know you could do it? That you could
|
|
ignore the rather incredible pain, and slice through human
|
|
flesh, you, who had been squeamish about deboning chicken
|
|
breasts. That you could slice through living flesh, even if it
|
|
was only your own.
|
|
|
|
You're a dangerous fellow, aren't you? All the papers agree. All
|
|
the newscasters. You must be stopped. You're a brilliant
|
|
programmer. A brilliant murderer. A brilliant sociopath. A
|
|
brilliant victim of multiple personality disorder.
|
|
|
|
I saw you in the smudged mirror, and the bright surge of fear,
|
|
the sweet shock of recognition nearly made me come in my pants.
|
|
Psychologists are pinheads. Our penis works fine and is the
|
|
statistical average, size-wise.
|
|
|
|
Good-bye, Strangehack, and good luck. You will always have the
|
|
heart of a small child. In a jar, in your briefcase. Yes, I
|
|
know, I stole that from Robert Bloch. Such a small thing, the
|
|
heart--such a big thing. She was so beautiful, so tender. She
|
|
screamed so sweetly. I can hear it still. (Of course, I've got
|
|
it on tape! We posted the .snd file, as I recall.)
|
|
Virginity--such a wonderful thing. But we all lose it, and
|
|
there's no going back.
|
|
|
|
Looking forward to reading about you in the funny papers.
|
|
They'll never catch you, will they? I appreciate all your
|
|
efforts. And for the ones still to come, well, as they say
|
|
on-line--
|
|
|
|
Thanks in advance. :-)
|
|
|
|
|
|
E. Jay O'Connell (ejo@world.std.com)
|
|
--------------------------------------
|
|
|
|
E. Jay O'Connell lives and writes in Cambridge, Massachusetts
|
|
with his wife and the obligatory cat or two. A graduate of the
|
|
1994 Clarion West Writers Workshop, his work has appeared in
|
|
_Aboriginal SF_ and other publications.
|
|
|
|
|
|
The Thieves by Levi Asher
|
|
=============================
|
|
...................................................................
|
|
* In an insane world, what's impossible may be the only answer
|
|
that makes sense. *
|
|
...................................................................
|
|
|
|
When I was 25 years old I worked as a minimum-wage data-entry
|
|
clerk for an information-services firm in a small Connecticut
|
|
town. There were ten of us there, and our place of work was a
|
|
converted warehouse in a decrepit industrial park near the shore
|
|
of the Long Island Sound.
|
|
|
|
We sat at white formica benches and typed into huge greenish
|
|
bubble-shaped terminals that looked like futuristic TV sets from
|
|
the '40s. It was depressing and pointless work. Our terminals
|
|
were covered with a strange algae-like grime that we only
|
|
discovered after Judy spilled coffee all over hers, exposing a
|
|
pea-soup colored streak of plastic underneath. We weren't even
|
|
sure if we were allowed to clean our terminals, and we never
|
|
did; our collective sense of self was so low that we thought
|
|
ourselves less important than the grime.
|
|
|
|
To work there, you had to have been a failure at something else.
|
|
I had been trained as a cellist since early childhood and
|
|
graduated from a top conservatory in New England, but then I
|
|
went through a strange period that ended with my sudden and
|
|
inexplicable decision to enter law school.
|
|
|
|
I suppose I was trying to affirm my complete freedom in the
|
|
universe. In retrospect this was the stupidest thing I'd ever
|
|
done, although the move did successfully confuse my friends and
|
|
family.
|
|
|
|
But there was one problem, one thing I forgot to consider: law
|
|
school was _hard_. I'd had no idea. I guess I thought my
|
|
professors would allow me to pass through their classes just on
|
|
the basis of my profound sense of irony. They would see that I
|
|
was really a musician, that I posed no risk of ever taking work
|
|
away from real lawyers. My professors didn't see it that way.
|
|
For a while they found me useful as somebody they could count on
|
|
not to know an answer in class, but they soon stopped even
|
|
asking me questions. Picking on me was so easy it made them look
|
|
bad.
|
|
|
|
I dropped out after two semesters, and one of my professors told
|
|
me that he was hiring data-entry clerks for a small side venture
|
|
he was involved in. He had apparently admired the deft typing
|
|
I'd displayed in my term papers, although he'd given me a D in
|
|
his class. I was flattered that he considered me employable,
|
|
although I grew less flattered as I gradually discovered that
|
|
his small side venture was making him a fortune. He'd drive up
|
|
to the warehouse in a Jaguar to check on us occasionally, and
|
|
the employees who'd been there a while called him all kinds of
|
|
names behind his back.
|
|
|
|
My coworkers were around my age, but we didn't form close
|
|
friendships. Being there was kind of like sitting in a waiting
|
|
room at a psychiatrist's office: you're embarrassed to be seen
|
|
there yourself and don't exactly feel like getting to know
|
|
anybody else either. But we needed to break the monotony, so we
|
|
would drive into town together for pizza sometimes, or gather
|
|
around the coffee maker or the candy machine and talk about
|
|
anything we could think of. Roger, Susan, and I would spend ten
|
|
minutes discussing health insurance, a subject none of us were
|
|
especially interested in or knowledgable about, and then Roger
|
|
would go to the men's room and Michael would wander by and the
|
|
three of us would talk about football or the ozone layer or the
|
|
shape of Coca-Cola bottles, and then I'd leave Michael and Susan
|
|
to continue the conversation without me, and two hours later I'd
|
|
get into a rubber-band fight with Michael and Judy and Sean. But
|
|
there were no real relationships. The associations we formed
|
|
were like fractals: they grew according to random rules, they
|
|
were of random size, and they lasted for a random period of
|
|
time. And, ultimately, they meant nothing.
|
|
|
|
|
|
I was in a coffee-break conversation fractal with Harold and
|
|
Rachel and Sean one morning, and Harold was saying that he'd
|
|
been shopping for a new home computer. It struck me at the time
|
|
that I would very much dislike having a computer at home when I
|
|
spent all day on one at work. The fact that Harold wanted to buy
|
|
a computer was a new addition to the list of things I disliked
|
|
about him. The first thing was that he, alone of the ten of us
|
|
who worked there, did not seem to realize this was a horrible
|
|
job. The second was that he assumed that everybody watched the
|
|
same TV shows he watched and would come in to work trying to
|
|
discuss last night's _Charles In Charge_ as if no American would
|
|
do anything but watch _Charles In Charge_ on a Wednesday night.
|
|
Finally, he chewed loudly when he ate, and he'd stuff greasy
|
|
tuna sandwiches into his mouth and lick his fingers with
|
|
sickening aplomb. It was only because of the rules of fractal
|
|
formation that I was drinking coffee with him now.
|
|
|
|
Several days after Harold bought his computer, he started
|
|
worrying about his check. He'd put a certified check for $2,700
|
|
plus tax in the mail to Computers Unlimited in New Jersey. He'd
|
|
called them every afternoon since then and they hadn't recieved
|
|
it. We started hearing about this every time we were in a
|
|
fractal with Harold, and in fact some of us started avoiding
|
|
being in a fractal with Harold because we were sick of hearing
|
|
about his lost check. Still, Harold kept reciting his saga, and
|
|
it began to seep into our brains. Driving to work one morning, I
|
|
suddenly realized that I'd been sitting there thinking about
|
|
Harold's check, wondering what news of the lost piece of mail
|
|
this day would bring.
|
|
|
|
That was on a Thursday morning, and the check didn't arrive that
|
|
day or the next. The next day, Saturday, I was in a drugstore on
|
|
Main Street buying some allergy medicine. I was opening the
|
|
heavy glass door to leave the shop when the door was almost
|
|
pushed closed on me by a small group of young men. They seemed
|
|
like the kind a newspaper might refer to as 'a gang of young
|
|
toughs,' and they looked almost too much the part to be real.
|
|
The tallest one, who seemed to be leading the pack, was wearing
|
|
a long-sleeved striped shirt and tattered pants. A slingshot
|
|
stuck out of his back pocket. They all had shaggy, uncombed hair
|
|
and nasty smirks, and before they shoved their way into the
|
|
drugstore they'd been running down the street kicking lampposts
|
|
and scaring dogs and yelling to each other. The strange thing
|
|
was, I was sure that at the moment they pushed the drugstore
|
|
door back at me I heard one of them say "Harold's check." I
|
|
didn't entertain the thought that this guy could have actually
|
|
said it, of course, but I found it strange that I should have so
|
|
distinctly imagined I'd heard it. I stood on the sidewalk after
|
|
I left the drugstore and watched as they clamored out of the
|
|
store and ran into the distance, and I was surprised to hear it
|
|
again, this time in another one's voice: "Yeah! Harold's check!
|
|
All right!"
|
|
|
|
|
|
Harold lived in Old Fairfield, another small town about 20
|
|
minutes away. There would have been no reason for the letter to
|
|
come anywhere near the town where I lived.
|
|
|
|
But only a day after that, while I was driving home from work
|
|
along Main Street, I spotted the guys again, and they were
|
|
coming out of an appliance store carrying a cardboard box
|
|
containing a brand-new color TV. Shocked, I steered my car into
|
|
a parking space to watch them. There were four of them, the same
|
|
ones I'd seen over the weekend, and they were carrying the box
|
|
carefully and slowly, with one person at each corner, as if it
|
|
now belonged to them all together. It was a 25-inch set,
|
|
according to the box. I expected to see them put it into a car,
|
|
but they continued to carry it down the sidewalk, and since Main
|
|
was a one-way street I could not turn my car around to follow
|
|
them.
|
|
|
|
Where were they taking the box? And who were they? They seemed
|
|
to be in their late teens, so if there was a college nearby I
|
|
might have guessed that they were students. But there was no
|
|
college within miles. They could have been sharing an apartment
|
|
in the area anyway--although they could not have been around
|
|
long, because I was sure I would have noticed them before. They
|
|
really were an unusual-looking bunch. They seemed born for
|
|
delinquency. They looked uncontrollable, as if their hair could
|
|
never have been combed, as if no mother could have ever held
|
|
them.
|
|
|
|
And yet at the same time they seemed somehow benevolent,
|
|
although I could not figure out why. Perhaps it was because they
|
|
seemed to belong to a different era. Their striped shirts,
|
|
crown-shaped caps and brown leather shoes with sagging argyle
|
|
socks made them look like a cartoonist's drawing of a gang of
|
|
street toughs. Outdated as they seemed though, they were as
|
|
integrated (one of the four was black, and one Chinese) as a
|
|
birthday party on _The Brady Bunch._ I tried to memorize as much
|
|
as I could about them as they walked down the street. Before
|
|
long they'd walked so far down Main Street I could not see them.
|
|
|
|
A week later--and during this week Harold's check still did not
|
|
arrive--I was driving in a different part of town on an empty
|
|
strip of highway, when I was suddenly cut off by a screeching,
|
|
speeding car that careened in front of me with no warning at all
|
|
from a parking lot on the street. It was the four guys again,
|
|
now driving in one of the worst cars I'd ever seen. The jalopy
|
|
was huge and noisy and must have been 30 years old at least.
|
|
They hadn't had a car last week, so I was surprised to see them
|
|
in one now. I could see them clearly, because the convertible
|
|
top seemed to be stuck half open. They could have just bought
|
|
it, I realized, although I could not imagine anyone either
|
|
selling or buying a car like this one.
|
|
|
|
The four of them were speeding recklessly down the street,
|
|
ignoring the lanes, yelling and whooping and standing in their
|
|
seats calling out nasty remarks to ladies on the sidewalk. I
|
|
followed closely behind them, and when they swerved dangerously
|
|
into a 7-11 parking lot I followed them, parked, and waited. Two
|
|
of them ran in holding a fistful of rolled bills and came
|
|
running out with two six-packs of root beer. They jumped into
|
|
the car and tore out of the parking lot, screeching their tires,
|
|
yelling and waving their bottles of root beer happily.
|
|
|
|
Their car was as weak as it was noisy, though, and I didn't have
|
|
much trouble staying with them. They seemed to be going nowhere,
|
|
just driving all over town--speeding up between traffic lights,
|
|
braking hard to make their tires screech at each stop, and then
|
|
revving their puttering engine to sound menacing while they
|
|
waited for the light to turn green. At one red light I pulled up
|
|
right next to them. At that moment the one in the front
|
|
passenger's seat reached forward and took an opened envelope out
|
|
of the car's glove compartment. He removed from the envelope
|
|
what seemed to be some kind of bank slip, such as a reciept for
|
|
a cashed check. As I watched, stunned, this scruffy young man
|
|
gazed at the slip and suddenly kissed it, and then waved it in
|
|
the air and yelled something as the light turned green and the
|
|
driver stepped on the gas.
|
|
|
|
The next day at work I asked Harold what he'd heard recently
|
|
about the check. Not wanting to seem completely insane, I had no
|
|
intention of trying to explain to him what I'd seen, but I asked
|
|
him, "How do you know somebody didn't steal your check? What
|
|
else could have happened to it, anyway?"
|
|
|
|
"It wasn't stolen," he said. "I stuck it in a post office
|
|
mailbox. You can't steal a letter from a post office mailbox.
|
|
It's just lost. And anyway, even if somebody did steal it, they
|
|
wouldn't be able to do anything with the check. It's made out to
|
|
the computer store."
|
|
|
|
"They could forge a signature or something."
|
|
|
|
"Forge what signature? A guy's gonna walk into a bank and say,
|
|
'Yeah, uh, I'm from the computer store, can you put this money
|
|
into my personal account?' You think they'd believe him? You
|
|
don't just need a signature with a certified check. You need
|
|
identification, and a rubber stamp, and a company number, and
|
|
even then all you're allowed to do is deposit the money into the
|
|
company account. If you tried to cash it they'd get suspicious."
|
|
|
|
"Still, you don't know for sure," I said. "You should stop the
|
|
check."
|
|
|
|
"It was a certified check," Harold said. "It's the biggest pain
|
|
in the world stopping a certified check. I already called the
|
|
bank, and they said if I want to stop it I have to go down to
|
|
the main office and fill out a bunch of forms, and then I have
|
|
to get a voucher from the computer store signed by a notary
|
|
public. Look, I know the letter's gonna turn up. It'll get there
|
|
next week."
|
|
|
|
Everything he said made sense, but I still wasn't sure. I
|
|
realized, though, that if what I'd seen meant that his check had
|
|
been stolen and cashed, then stopping it would do no good
|
|
anyway. Also, as we were having this conversation a couple of
|
|
other people wandered into the hallway and joined the fractal
|
|
and the next thing I knew I had five people all yelling at me
|
|
that there was no way anybody could have obtained cash from that
|
|
check. I hate it when an entire fractal agrees on something that
|
|
I don't agree with and everybody starts yelling at me all at the
|
|
same time. I didn't know anything about how banks worked and I
|
|
didn't understand the subtle differences among bank checks and
|
|
certified checks and cashier's checks, and I didn't know why
|
|
everybody at work was suddenly so intensely caught up with the
|
|
subject, and I didn't particularly care either. I got out of the
|
|
fractal and drank my coffee alone at my desk that day.
|
|
|
|
That weekend I went for a walk in Burnside Park near my
|
|
apartment. Burnside Park was on an inlet that flowed out to the
|
|
sound, and it had a free ramp that people could use to get their
|
|
boats into the water. It was a nice day and there were a few
|
|
boaters lined up waiting to use the ramp. As I walked past I
|
|
heard some familiar voices yelling, and I was surprised to see
|
|
the same four guys again, this time in bathing trunks. They were
|
|
at the front of the line pushing a small powerboat off a trailer
|
|
onto the ramp. I looked at them and they looked at me and the
|
|
boat made a loud splash as it slid off the trailer and hit the
|
|
water. It was a new boat, not large or fancy but nice enough,
|
|
and the four guys were misbehaving as usual. One was spitting on
|
|
the ramp and shouting obscenities at the other boaters waiting
|
|
in line; another was standing in the boat and almost tipping it
|
|
over; and yet another chomped on a candy and tossed the wrapper
|
|
into the water. As the two who were pushing the boat jumped in
|
|
and started the motor, I was stunned to see that the name of the
|
|
boat, freshly painted in large black capital letters, was
|
|
HAROLD.
|
|
|
|
|
|
By the end of the following week, Harold had begun the
|
|
procedures necessary to stop his certified check. He had the
|
|
post office put a tracer on the lost piece of mail, which
|
|
apparently required several hours' worth of filling out and
|
|
delivering forms. Now his bank was sending him a form for a
|
|
voucher to stop the check, and he was going to have to mail the
|
|
form to the computer store in New Jersey, have the store mail it
|
|
back, go to a notary public, have the notary public verify his
|
|
signature, and mail the form back to the bank. Only then would
|
|
the bank allow Harold to begin the proceedings for acquiring a
|
|
new check. So Harold was pretty grouchy about the whole thing by
|
|
this time.
|
|
|
|
But one morning, a week or so later, he walked in to work with a
|
|
sunny expression. The post office had located the piece of mail,
|
|
he said, and was now sending it along to the computer store. We
|
|
all wanted an explanation of how it could have been lost for so
|
|
many weeks, but Harold said he'd been unable to get one. The
|
|
check had definitely been located, though he'd notified the
|
|
computer store and the bank and the post office--I wondered why
|
|
he'd neglected the local newspapers--and now everything was back
|
|
on track.
|
|
|
|
The way I saw it, now he was really in trouble. Somehow the post
|
|
office had mistaken some other piece of mail for this piece of
|
|
mail, and now Harold had thrown away his voucher and cancelled
|
|
his appointment with the notary public, and soon he was going to
|
|
realize that the check was still lost after all. The next
|
|
afternoon at work, though, he hung up his phone and said
|
|
proudly, "Well, they got it. They're delivering the computer
|
|
tonight."
|
|
|
|
Everybody congratulated him. As for me, I was somewhat
|
|
surprised. But I knew for sure that something was not what it
|
|
seemed to be. Maybe the post office had been lying and now the
|
|
computer store was lying. Or maybe Harold was lying. I said to
|
|
him, "So, you think now maybe the delivery guys will lose it and
|
|
it'll be another month?"
|
|
|
|
Harold wasn't amused. "I seriously doubt it," he said.
|
|
|
|
I was so sure that no computer would arrive at Harold's home
|
|
that I felt perversely excited in anticipation of the story
|
|
Harold would tell in the morning, after the computer failed to
|
|
show up. But that night as I sat in my apartment, I suddenly had
|
|
the crushing feeling that the computer really was going to be
|
|
delivered. This would make no sense at all--who had those guys
|
|
been, and where had they gotten all their money, and where had
|
|
Harold's check been all this time? Why had the boat been called
|
|
_Harold_? And I hadn't seen the four guys around town in the
|
|
past few days. Suddenly the fact that Harold's computer would be
|
|
delivered that night seemed certain. It couldn't be--and yet,
|
|
the moment it occurred to me that it might be, it suddenly
|
|
seemed obvious that it would be.
|
|
|
|
And it happened just that way. Not only did the computer arrive,
|
|
but Harold was blase about it in the morning and too busy with
|
|
his work to talk. All I felt was a terrible disappointment. Now
|
|
things were back to their normal state: Nothing made sense.
|
|
There was no secret pattern in anything, and I felt as if
|
|
something brilliant and beautiful had been snatched from my
|
|
hands.
|
|
|
|
|
|
Levi Asher (brooklyn@netcom.com)
|
|
----------------------------------
|
|
|
|
Levi Asher is a client-server consultant on Wall Street. He is
|
|
the creator of _Literary Kicks_, a World Wide Web site
|
|
(file://ftp.netcom.com/pub/brooklyn/WWW/LitKicks.html) devoted
|
|
to Jack Kerouac, Allen Ginsberg and the Beat Generation.
|
|
|
|
|
|
Underground, Overground by Simon Nugent
|
|
===========================================
|
|
...................................................................
|
|
* "One can't believe impossible things." "I daresay you
|
|
haven't had much practice," said the Queen.
|
|
--Lewis Carroll (1832-98) *
|
|
...................................................................
|
|
|
|
Enter the Ghost. He steps calmly up to the AutoDoc as the fat,
|
|
sweating woman leaves clutching a vial of green liquid. He
|
|
inserts the credit card lifted from the person behind him in
|
|
line.
|
|
|
|
"Welcome, Mr. Newell," the machine modulates. "What is the
|
|
matter with you?" A barely noticeable whir. "I hope it is not a
|
|
recurrence of those migraines."
|
|
|
|
The man behind the Ghost thinks to himself that it is quite a
|
|
coincidence this man has the same name and also suffers from
|
|
migraines.
|
|
|
|
"I'm worried."
|
|
|
|
"What are you worried about?"
|
|
|
|
"Vampires."
|
|
|
|
"I beg your pardon?"
|
|
|
|
"Vampires. I'm worried about vampires." The real Mr. Newell
|
|
tries to pretend he's not hearing the conversation. He looks
|
|
furtively about for something else to observe.
|
|
|
|
"What is it about vampires that worries you?"
|
|
|
|
"I'm worried that they enter my room at night and suck blood
|
|
from my neck."
|
|
|
|
There is a noticeable pause before the machine answers. "Perhaps
|
|
you should see Dr. Mueller, the AutoAnalyst up the road. She is
|
|
fitted with an upgraded version of a very efficient
|
|
psychoanalytic application and is situated in a soundproof booth
|
|
for complete confidentiality."
|
|
|
|
"I can show you marks."
|
|
|
|
At this point it is customary for the people in line--who of
|
|
course haven't been listening--to turn away. Thus the real Mr.
|
|
Newell automatically turns and is, in fact, glad that he does
|
|
not have to witness the bizarre scene taking place behind him.
|
|
He is discomfited by such a display of unreason. Were it not for
|
|
the fact that the AutoDoc will surely have done so already, Mr.
|
|
Newell would feel compelled to report the man who bears the same
|
|
name as himself.
|
|
|
|
The Ghost peels off his shirt. The machine runs a wave of
|
|
ultrasound over his body, mapping out the contours. Two
|
|
penetration marks appear on the AutoDoc's four-dimensional
|
|
analysis. It runs through terabytes of data trying to find a
|
|
condition the symptoms of which correspond to those it sees in
|
|
the scan. It takes a saliva sample from around the wounds. Blood
|
|
type AB-negative, as opposed to Mr. Newell's O-positive. Enzyme
|
|
analysis shows proteins foreign to the human body.
|
|
|
|
"I am afraid, Mr. Newell, that I do not have the information to
|
|
deal with your ailment. Perhaps you are the victim of a
|
|
dangerously off-centered person. I suggest you call the
|
|
Equilibrators who will find this unfortunate and attempt to
|
|
restore his or her intrapsychic harmony."
|
|
|
|
"You don't think it's vampires."
|
|
|
|
"No. You know that no such creature exists. Watch your balance."
|
|
|
|
"Even though all the evidence suggests that I am being attacked
|
|
by vampires."
|
|
|
|
"Your hypothesis rests on the assumption that these creatures
|
|
exist. There is no mention of any such creatures in the medical
|
|
data, therefore your argument is flawed and unhealthy."
|
|
|
|
"But it is possible that vampires do exist, only for some reason
|
|
knowledge of their existence has been withheld from you. I
|
|
suggest you request additional information on vampires to the
|
|
central committee."
|
|
|
|
"The witholding of such information is possible only if you
|
|
attribute a large level of disequilibrium to the Equilibrators
|
|
who programmed me. Of course that would be a fallacy. Good-bye,
|
|
Mr. Newell. I hope your symptoms improve."
|
|
|
|
The real Mr. Newell, muttering a stabilizing mantra to rid
|
|
himself of the insidious idea that the Equilibrators might be
|
|
hiding something from the public, nearly cries out as a hand is
|
|
placed on his neck.
|
|
|
|
"Your turn now."
|
|
|
|
Exit the Ghost.
|
|
|
|
|
|
Mr. Newell arrives home before his current Social Partner, as is
|
|
usual. By the time she arrives he has begun preparing the second
|
|
of the two meals suggested by their meal planner. Over dinner he
|
|
relates to her the incident at the AutoDoc. How is it possible,
|
|
they ask each other, that people still believe in such things?
|
|
Yet going to bed that night Mr. Newell, after taking two of the
|
|
sleeping tablets prescribed by the AutoDoc, shuts the bedroom
|
|
window on the temperature-controlled night outside and locks the
|
|
bedroom door.
|
|
|
|
In spite of his medication, Mr. Newell spends a restless night.
|
|
He has no real dreams. Rather, images keep recurring like
|
|
obsessive thoughts. On a speeding train, a man with two
|
|
different-colored eyes watches an intense, awkward young man
|
|
with poor eyesight trying to maintain a conversation with a
|
|
prim, old-fashioned-looking girl who assumes an air of
|
|
superiority both of them know is a facade.
|
|
|
|
Mr. Newell wakes up to find the odd man watching him from a
|
|
chair in the corner of the room. Then he disappears, or Mr.
|
|
Newell just wakes up properly. It is a long time before he gets
|
|
back to sleep. Another young boy is following a beautiful girl
|
|
along finger of black rock surrounded by a stormy sea. The girl
|
|
walks off the rock and hovers in mid-air while the boy steps off
|
|
the rock, seems to touch the floating vision for an instant and
|
|
then plunges into the foaming water.
|
|
|
|
This time Mr. Newell is awake instantly, moaning loudly and
|
|
covered in sweat. In the morning his Social Partner berates him
|
|
for being such a turbulent bedmate. He is annoyed by her lack of
|
|
sympathy and goes off to work without kissing her.
|
|
|
|
This irritation stays with him throughout the morning. His mind
|
|
is also troubled by his encounter with the deluded "vampire
|
|
victim." He keeps repeating to himself that such creatures don't
|
|
exist, but the insidious thought comes back with equal
|
|
insistence: what if--_what if?_--they really do? It would mean
|
|
the universe Mr. Newell believes he has inhabited for 44 years
|
|
is unreal. It would mean there exists a level of creatures,
|
|
actions and forces of which he (and presumably the rest of the
|
|
population with few exceptions) are completely unaware. Were
|
|
bloodless corpses found with lacerated necks? Certainly there
|
|
was no mention of it in the news, but perhaps the Equilibrators
|
|
choose to keep such stories secret in order not to upset the
|
|
people.
|
|
|
|
Such thinking is dangerous and Mr. Newell knows it, but he
|
|
cannot help wondering if he might be prey to dark forces. He
|
|
decides to keep his eyes open for any signs which might suggest
|
|
a supernatural underworld.
|
|
|
|
Unfortunately, once he begins to look, Mr. Newell realizes that
|
|
there are many pieces of evidence pointing to the sinister
|
|
scenario he fears. Pre-classic literature is littered with such
|
|
signs. Of course, everybody knows the creatures in those poems
|
|
and books are fictitious--but suppose that the images came from
|
|
a subconscious realization that similar beings _did _indeed
|
|
exist? Perhaps, Mr. Newell worries, it is possible our forebears
|
|
were closer to the truth.
|
|
|
|
Of the many examples that spring to mind, the oft-quoted line
|
|
from _Hamlet_--"There are more things in heaven and earth,
|
|
Horatio, than are dreamt of in your philosophy"--seems to best
|
|
sum up the danger.
|
|
|
|
And Mr. Newell's Social Partner, arriving home from work, does
|
|
nothing to allay his fears when she tells him how she heard from
|
|
a friend in the Central Committee that AutoDoc machines all over
|
|
the metropolis have begun to put in requests for information on
|
|
fantastic creatures. An outbreak of werewolf bites on the north
|
|
side. Incubi and succubi tormenting by night. Listening to her,
|
|
shivers run up Mr. Newell's spine. His fears are being
|
|
confirmed. He makes a note to include a clove of garlic with
|
|
their usual morning purchases. Again, despite the tablets, he
|
|
sleeps badly.
|
|
|
|
|
|
Days pass. Mr. Newell begins to wonder if in fact there is some
|
|
kind of plot. He never witnesses another example of what has
|
|
become known as "indecent irrationality," but stories filter in
|
|
of RoBusses filing requests for the location of El Dorado,
|
|
Gotham City, and The Sprawl. There is mention of Leisure Agents
|
|
turning away people looking for holidays in Avalon and Atlantis,
|
|
Ur and Ys.
|
|
|
|
Sitting in his place on the RoBus, on his way to work, Mr.
|
|
Newell worries. What if, he thinks, there are rival factions of
|
|
Equilibrators vying for control? But that is absurd. Had some
|
|
experimental scientist found a way of tapping into one of the
|
|
imaginary dimensions tangential to our own? Was this possible?
|
|
Mr. Newell didn't know.
|
|
|
|
Slotting his portable MediaMan into the interface in the arm of
|
|
his seat, he opts for "current affairs" and scrolls his way
|
|
through the morning news. His attention is caught by the
|
|
headline "Robot Genius in Death Dive." Apparently the
|
|
departments of Cognition, Bioengineering and Computer Science at
|
|
the University of Utah have been cooperating on a huge
|
|
government-funded project to develop an artificially intelligent
|
|
machine. The project (Brains Or Bytes) had been declared a
|
|
success last week when it was revealed that a robot had been
|
|
built who consistently scored 150 points in both Performance and
|
|
Verbal IQ tests.
|
|
|
|
This morning one of the team leaders had gone to fetch BOB for
|
|
his morning session with the Turing-Testers, whose job it was to
|
|
prove that BOB wasn't really intelligent. On entering the room
|
|
he found a piece of paper and a broken window pane. BOB had
|
|
written a suicide note before hurling himself out the window and
|
|
smashing himself to expensive pieces on the campus below.
|
|
|
|
The accompanying holograph showed pieces of metal and shards of
|
|
glass strewn over the section of concrete that had been the
|
|
point of BOB's impact. Neon police markers cordoned the area
|
|
off. Some smart-ass students had placed a sign against one of
|
|
the cones which read "CAUTION. ZERO CROSSING."
|
|
|
|
A collective gasp in the RoBus causes Mr. Newell to look up. On
|
|
the wall of a plastic laser factory something--surely not
|
|
somebody--had aerosoled in Day-Glo pink: "BEWARE THE
|
|
JABBERWOCK." The man opposite Mr. Newell, who had rarely said a
|
|
word to him even though they sit in these places twice each day,
|
|
leans over and whispers, "What do you make of that?" Somehow
|
|
this strikes Mr. Newell as an inappropriate thing to say.
|
|
|
|
|
|
"I am on my way to work on the RoBus as usual," writes Mr.
|
|
Newell, "when I realize that the man opposite me is not the man
|
|
who should be there. His face is familiar, though I cannot
|
|
remember from where. He stares at me for a while and then begins
|
|
to mutter something. I cannot hear what he is saying and lean
|
|
closer to him. I realize he is reciting a poem or rhyme of some
|
|
kind. I can remember the words clearly: _Yesterday upon the
|
|
stair, I met a man who wasn't there. He wasn't there again
|
|
today; I wish that man would go away._
|
|
|
|
"As I take in the words, I hear banging on the window of the
|
|
RoBus. Looking out I am horrified to see vile monsters of all
|
|
kinds pressing up against the plastex. I shrink back in fear but
|
|
the other man, who I now see to be myself, shouts out "And with
|
|
my vorpal blade in hand!" and leaps out through the window into
|
|
the throng of fiends who, instead of tearing him--me--to shreds,
|
|
assume a rather ridiculous mien and trot off like a motley gang
|
|
of stuffed toys."
|
|
|
|
Mr. Newell appends his password and sends this dream data to the
|
|
analysis computers of the Equilibrators as he does every
|
|
morning. This morning, he thinks, they will not appreciate my
|
|
dream.
|
|
|
|
Sure enough, a message comes blinking back on his monitor
|
|
telling him to recite certain stabilizing mantras, practice
|
|
certain ego-strengthening exercises and, surprisingly, to take
|
|
the day off work. It concludes "We will monitor the latent
|
|
content of your dreams tomorrow and if a sufficient resolution
|
|
has not occurred you will be required to report to the Central
|
|
Laboratories for further adjustment. Watch your balance."
|
|
|
|
Mr. Newell decides to go to a local exhibition of full color,
|
|
three-dimensional holographic plottings of partial complex
|
|
numbers on a Gottlieb hypersphere. He is particularly interested
|
|
in discovering how the artist has managed to depict the 2-D
|
|
numbers on a theoretical 4-D structure and reduce it to a 3-D
|
|
hologram. It proves not to be effective, and Mr. Newell is
|
|
forced to leave after a brief period. He keeps seeing dragons
|
|
and mermaids coming out of the holographic mountains and valleys
|
|
towards him.
|
|
|
|
|
|
At the AutoDoc, Mr. Newell waits to get something for the
|
|
migraine that has come on since leaving the gallery. He has been
|
|
in line some time and has heard--not listened to--a young girl
|
|
requesting contraceptives, an older man complaining about his
|
|
gradual loss of subcortical white matter and a woman whose rods
|
|
are being burnt out by continual use of a panoramic pleasure
|
|
simulator. Finally, it is Mr. Newell's turn.
|
|
|
|
His head bursting, dizzy, crowded, he inserts his card and is
|
|
greeted by the machine.
|
|
|
|
"Doctor, I have another migraine. But it's more than that. I
|
|
feel--haunted."
|
|
|
|
"Haunted? Can you expand on that?"
|
|
|
|
"I think I'm being haunted by, well, vampires."
|
|
|
|
"I know that."
|
|
|
|
"You do?"
|
|
|
|
"Yes, you told me a few weeks ago."
|
|
|
|
"Oh! But not just vampires. Werewolves and... goblins." He
|
|
pauses, something only just striking him, "By a man who isn't
|
|
here." His mind races. "By phantom cities--by Gotham City!" He
|
|
begins to grin. "By places that never existed."
|
|
|
|
Much to the dismay of the people behind him, who aren't
|
|
listening, he begins to laugh out loud. "I'm being hunted with a
|
|
vorpal sword, courted by mermaids, swooped on by dragons!"
|
|
|
|
He is now having difficulty speaking he is laughing so hard.
|
|
"And I'm being pursued by a... by a _jabberwock!"_ He shouts the
|
|
last word out and collapses against the wall, howling in mirth.
|
|
|
|
"Mr. Newell," puts in the AutoDoc quickly, "are you all right?
|
|
Take hold of yourself. Watch your balance."
|
|
|
|
"Peristalsis," chuckles Mr. Newell, _"Paracelsus_, even." Wiping
|
|
tears from his eyes he removes his card from the machine, turns
|
|
to indicate that he has finished and realizes that everybody has
|
|
fled.
|
|
|
|
He stands panting, still dissolving into giggles at some
|
|
thought, a ring of recently evacuated space around him. His lips
|
|
form a string of words whose relationship, if any, he alone
|
|
knows.
|
|
|
|
Vampire. Peristalsis. Catafalque. Jabberwock. Herbert. AutoDoc.
|
|
|
|
|
|
Simon Nugent (simon@helpdsys.demon.co.uk)
|
|
-------------------------------------------
|
|
|
|
Simon Nugent earns his crust in the computer industry and writes
|
|
cyberspoof after hours as therapy. He is currently working on a
|
|
follow-up to "Underground, Overground" that has lots of sex in
|
|
it. He doesn't read the blurbs on backs of books and is going
|
|
into hiding when the revolution comes.
|
|
|
|
|
|
Fallen Star, Live-In God by Rachel R. Walker
|
|
================================================
|
|
...................................................................
|
|
* People are attracted to the famous. But that attraction
|
|
works both ways--and not always for the best. *
|
|
...................................................................
|
|
|
|
All I hear is Jenny's breathing, now slow and steady. All I feel
|
|
is the cool twisted sheet coiled about my ankles.
|
|
|
|
Peace.
|
|
|
|
|
|
I never used to mind that Jenny didn't keep newspapers or
|
|
magazines around. After a while you get sick of reading about
|
|
yourself. Same with her apparent lack of a television. You don't
|
|
have to see _those_ tabloids, either.
|
|
|
|
And I didn't care that we never left her apartment. At first I
|
|
didn't even want to leave her bedroom. But now I'm starting to
|
|
wonder.
|
|
|
|
|
|
"Jake, this way!"
|
|
|
|
"Jake, let's see that smile!"
|
|
|
|
"Jake, is it true what they say about you and Hope Shelley?"
|
|
|
|
|
|
Everybody thinks I lost my virginity at 19, when I starred with
|
|
Hope Shelley in _Walking Away._ Hope believes it, too. But Jenny
|
|
found me at 16.
|
|
|
|
|
|
"Jake, over here!"
|
|
|
|
"C'mon, give us those teeth!"
|
|
|
|
"Jake, how do ya feel?"
|
|
|
|
|
|
I grew up in Dundee, Illinois, near Chicago. When I was 14, my
|
|
oldest sister Maggie got me a part in a college play she was in.
|
|
I tell interviewers that I felt something special the second my
|
|
foot touched the stage boards. It's a good line, but I've used
|
|
it so often I can't remember if it's true.
|
|
|
|
I remember the audience cheering. Thunder filled the theater and
|
|
echoed between my ears.
|
|
|
|
Chicago isn't New York, thank god, but it's true that you can do
|
|
enough theater in Chicago to make even Hollywood take notice.
|
|
|
|
At 16 I landed my first big role. _City of Lights_ wasn't
|
|
supposed to be my picture, but after opening night everybody was
|
|
talking about Jake Dooley, an astonishingly brilliant presence
|
|
as flash addict Mickey Randall. And after the premiere party at
|
|
Spago, there was Jenny, a surfer chick exalted by a teenager's
|
|
imagination into a goddess. Goddesses probably don't wear Cal
|
|
Tech T-shirts, though. And they sure don't lean close to
|
|
sixteen-year-old boys and whisper, "How would you like me to
|
|
make you howl?"
|
|
|
|
|
|
"_Jake!_ Jake, I _love_ you! I _love_ you, _Jake!"_
|
|
|
|
"Jake _please_ look this way Jake _please_ c'mon _pleeeez!"_
|
|
|
|
"_Jake!_ Omi_gawd_! Didja _see_? He _looked_ at me!"
|
|
|
|
|
|
Why _does_ she keep the second bedroom locked?
|
|
|
|
|
|
After _City of Lights,_ and after Jenny's apartment, I didn't
|
|
see her until _A Name For Baby_--the second flick of my first
|
|
three-film contract. The critics were kind to me. "A finer actor
|
|
than this movie deserves." "With a better script, Dooley
|
|
would've shone again." Dressed in flowing gray, Jenny found me
|
|
at Roxwell's after the first week figures came out. Once more
|
|
she ushered me into her Nissan and blindfolded me--and I didn't
|
|
care. I felt I deserved a firing squad. Instead, when the
|
|
blindfold was removed, I blinked the dust away and squinted in
|
|
the candlelight that set Jenny's heavy-curtained bedroom aglow.
|
|
"You deserve something special tonight," she whispered, pulling
|
|
me to the yet-untangled sheets, guiding my hands to her. "Let me
|
|
hear you howl."
|
|
|
|
|
|
"And the nominees for Best Actor are... Jake Dooley, for
|
|
_Silent Drums_..."
|
|
|
|
|
|
My next-oldest sister Eileen used to give herself screaming
|
|
nightmares from reading scary bedtime stories. Mom finally had
|
|
to throw out the book with the Bluebeard stories. Didn't help.
|
|
Eileen kept opening all the doors to make sure there weren't any
|
|
cast-off wives shut away in our creaky house.
|
|
|
|
What does Jenny keep behind her locked door?
|
|
|
|
|
|
A _father._
|
|
|
|
"It's me, Sean. Remember your ol' dad?"
|
|
|
|
A _son._
|
|
|
|
"Very pleased to meet you, sir. Sorry you have to leave so soon.
|
|
I guess old habits are hard to break."
|
|
|
|
The open _road._
|
|
|
|
"You force me to go on this crazy trip and _you didn't bring a map?_
|
|
You learn to drive the same way you learned to be a father?"
|
|
|
|
Together, maybe, they'll find... _Points To View_. Starring
|
|
Robert Harrigan. And Jake Dooley. Coming soon to a theater near
|
|
you. Rated PG-13.
|
|
|
|
|
|
I never liked The Bough: too noisy, with service worse than the
|
|
music. Roxwell's is where I usually take my meetings, but the
|
|
Roxwell's staff would pay too much attention to me. The Bough
|
|
people see so many celebrities that I was almost anonymous.
|
|
Exactly what I wanted for this meeting.
|
|
|
|
Lucas tossed his pale hair out of his bleary eyes. "Ya sure
|
|
y'want this?" He glanced nervously about The Bough. Everybody
|
|
was watching Hope Shelley (a brunette this season) dancing with
|
|
her latest. "I mean, y'don't even drink." His hands were shaking
|
|
worse than when we made _Louisiana Air_; their rhythm clashed
|
|
with the pulse from the speakers. "Whatcha want with TZ? Not
|
|
even a stellar trip. Just knock ya' assward. Gimme couple more
|
|
days--I'm a great shopper." He snickered, then put on an
|
|
ill-fitting sober expression. We still looked like brothers
|
|
around the eyes, but his were now shadowed and gaunt. "Meet me
|
|
here again Tuesday, and I'll have guaranteed DEA-pure anything.
|
|
No extra charge." A wavering craftiness lit the silvered blue
|
|
depths. "Maybe you could talk to Deni 'bout takin' me back. I
|
|
c'n still work. Whaddya say? F'get the TZ. Lemme getcha
|
|
somethin' better."
|
|
|
|
"I'm buying it for a friend."
|
|
|
|
|
|
"And the winner is... Jake Dooley, for _Dixie Wailing_!"
|
|
|
|
|
|
I knew she'd be looking for me. I stayed alert until I spotted
|
|
her glittering in silver and blue, tall and blonde, as graceful
|
|
and supple as when I was 16 and Hollywood was my new playground.
|
|
Maybe I'd get her surgeon's name for future use.
|
|
|
|
It wasn't easy to cut through the worshipping surf of the crowd.
|
|
If each touch had been a drop, I'd have been soaked by the time
|
|
I reached Jenny. But she never minded waiting. I slid a hand
|
|
through her silky hair and pulled her ear close to my mouth:
|
|
"How would you like me to make you howl?"
|
|
|
|
All I hear is Jenny's breathing, now slow and steady. All I feel
|
|
is the cool twisted sheet coiled about my ankles.
|
|
|
|
Slowly I slide off the mattress to the carpet, careful not to
|
|
knock the two empty tumblers off the bedside table. Pants,
|
|
Rolex--gotta watch the time. Her keys. I take the glasses and
|
|
rinse them out in the kitchen sink, just like Ari did when he
|
|
played crooked client to my idealistic defense attorney in _On
|
|
Closer Inspection_. Though this isn't a murder story; no one
|
|
will care about what made Jenny sleep.
|
|
|
|
8PM HBO MOVIE (CC)-Drama 2:15
|
|
"Blood and Oil" (R) Young intelligence agent (Jake Dooley)
|
|
clashes with commanding officer (Ron Cliffords) in this
|
|
absorbing look at the Gulf War.
|
|
|
|
|
|
Jenny must have bought this lock herself; it doesn't match the
|
|
other doorknobs in her apartment. The fourth key I try clicks. I
|
|
step inside and flip on the lights.
|
|
|
|
Three of the walls are covered with posters.
|
|
|
|
_City of Lights_. _Walking Away_. _Louisiana Air_.
|
|
_Silent Drums_. _Dixie Wailing._
|
|
|
|
And more: Below the posters sit two low bookcases, each with two
|
|
shelves apiece. One filled with paperbacks, the other with
|
|
scrapbooks.
|
|
|
|
The fourth wall is covered by a giant screen TV, almost as big
|
|
as the one I have at home. A VCR or laserdisc player underneath,
|
|
and a tall cabinet on each side of the screen. Next to the
|
|
right-hand cabinet, under a _Mad/Ave_ poster, is a stereo and a
|
|
filled CD rack. My bare feet are cold as I cross the
|
|
well-varnished floor to check the titles. All soundtracks. My
|
|
mouth twitches when I see the _'Blading_ album. If only the
|
|
movie had done as well. Maybe I _should_ have done my own
|
|
stunts.
|
|
|
|
Now the cabinet next to the TV. I pull open the doors and tilt
|
|
my head to read the videotape spines, the titles on the shelf
|
|
matching the posters on the walls. All here--even _Smoke Test_
|
|
and _A Name For Baby_, and _Dixie Wailing--_
|
|
|
|
I snatch the tape, frowning as I check the back. The studio seal
|
|
gleams beside the copyright infringement warning. Not a bootleg.
|
|
I check the picture on the front: There's me and Whit with our
|
|
saxophones in the New Orleans cemetery, a smaller version of the
|
|
poster hanging to my left. Gold letters celebrate my win from
|
|
earlier tonight.
|
|
|
|
This isn't out yet.
|
|
|
|
My agent would know. She always gets me a piece of the back end.
|
|
|
|
I slide the tape back onto the shelf, not slamming the door for
|
|
fear of waking Jenny, TZ or no. I investigate the other cabinet.
|
|
These shelves are filled with home videotape dubs, carefully
|
|
labeled in Jenny's tight compact script. My TV guest shots.
|
|
Interviews and profiles, organized by show and date. I close the
|
|
door, a niggling thought tickling the back corner of my mind. I
|
|
cross to the bookshelf with the paperbacks. Top shelf: movie
|
|
novelizations, complete with full color photos from the major
|
|
motion picture starring Jake Dooley. All clearly read many
|
|
times, a few held together by green rubber bands. I don't
|
|
recognize the stuff on the bottom shelf.
|
|
|
|
I cross to the bookcase under the _Louisiana Air_ poster with
|
|
its cypress swamp and air-brushed faces. I give Lucas and my
|
|
twenty-year-old self a sardonic grin, the one I used as the
|
|
rowdy younger brother who had to be steadied by Lucas'
|
|
character. Ha.
|
|
|
|
I pull out the first scrapbook. Newspaper clippings, sealed
|
|
behind plastic, from my Chicago theater days. Even a review of
|
|
that first University play.
|
|
|
|
She _is_ dedicated.
|
|
|
|
Chronological order? Probably--
|
|
|
|
_Dixie Wailing_ in the tape cabinet. The niggling thought leaps
|
|
from the wings to center stage. The dates on the interview dubs.
|
|
|
|
Chronological order.
|
|
|
|
My hands are trembling worse than Lucas'. I take the scrapbook
|
|
from the far right end of the shelf and flip through the plastic
|
|
pages. Ticket stubs. Reviews. Glossy eight-by-tens. Profiles
|
|
from fan magazines. Familiar headlines capturing slices of my
|
|
life flick past, until I reach the biggest, blackest one of all:
|
|
|
|
OSCAR WINNER JAKE DOOLEY MURDERED
|
|
Film Star Shot to Death Outside Roxwell's
|
|
Police Hunt For Mystery Assailant
|
|
|
|
|
|
There's a three-column photo of a sidewalk chalk outline next to
|
|
a studio portrait of me. My _Dixie Wailing_ character. I look at
|
|
the date above the headline.
|
|
|
|
|
|
Welcome to the Jake Dooley fan discussion group. This file will
|
|
serve to answer some questions users frequently ask in this
|
|
area.
|
|
|
|
Among the topics covered in this file:
|
|
|
|
* Conspiracy Theories
|
|
* Dooley Disciples
|
|
* Fantasies
|
|
* Favorite Flicks
|
|
* Jake Sightings
|
|
|
|
|
|
Back to the other bookcase and the bottom shelf. I have to
|
|
remove each book to see the titles--the spines are cracked white
|
|
with over-reading.
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|
|
|
_The Jake Dooley Story_. _Fallen Star_.
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|
_The Comet Life of Jake Dooley_. _God of His Generation_.
|
|
_Where Were You?: Remembering Jake Dooley_.
|
|
_Death Comes Unexpectedly: Losing Hollywood's Brightest._
|
|
Even a novel: not a novelization, but something unfamiliar with
|
|
the strange title of _Jake Dooley's Doing Fine on Callisto._
|
|
|
|
The copyright dates.
|
|
|
|
My hands are shaking. I check my watch; Jenny should stay under
|
|
for another 15 minutes or so, if Lucas can be trusted. I
|
|
carefully put the books back in place and leave the room,
|
|
locking the door behind me. In the living room another bookcase
|
|
stands near her desk. "Just stuff from school," Jenny had told
|
|
me once on the way to her bedroom. "Nothing interesting."
|
|
|
|
Nothing interesting _then_. But I'm not 16 anymore. Time to see
|
|
what Jenny's been studying at Cal Tech.
|
|
|
|
_Space, Time and Gravitation_, by Arthur Eddington.
|
|
_A Quantum Mechanics Primer_, by Daniel Gillespie.
|
|
_A Most Ingenious Paradox_, by Chandrapal Sarasvati Kumar.
|
|
Other authors: Stephen Hawking. Rudy Rucker. Poul Anderson.
|
|
Fritz Leiber. H. G. Wells.
|
|
|
|
I sink to her couch, ignoring the lumps and springs. The date
|
|
above the headline. The dates on the books and the tapes. I'd
|
|
believed Jenny to be about my current age. But if she's in her
|
|
mid-twenties, and I'm _here,_ I'm really old enough to be her
|
|
father.
|
|
|
|
_No._
|
|
|
|
The plot can change. I've demanded rewrites before--and I always
|
|
wanted to direct.
|
|
|
|
I won't let the screen fade to black on me. All I have to do is
|
|
wait for Jenny to take me back. She's built a _shrine_ in there.
|
|
She's worked hard for this opportunity--I'll take the offered
|
|
chance. I settle back against the lumpy couch and laugh. Every
|
|
good actor controls his exit.
|
|
|
|
|
|
OSCAR WINNER JAKE DOOLEY MURDERED
|
|
Film Star Shot to Death Outside The Bough
|
|
Suspect in Killing to be Arraigned Today
|
|
|
|
|
|
BIRTHS
|
|
|
|
Caitlin Marie Anscom, girl, to Harper and Paula Anscom.
|
|
|
|
Avery Kirby Dewey-Ingraham, girl, to William and Diana
|
|
Dewey-Ingraham.
|
|
|
|
Jacob Dooley Townsend, boy, to Jennifer Townsend.
|
|
|
|
|
|
Rachel R. Walker (rwalker@awod.com)
|
|
-------------------------------------
|
|
|
|
Rachel R. Walker was a lifelong Midwesterner until she moved to
|
|
Charleston, South Carolina, where she lives and works. Her short
|
|
fiction has been published in _Vision SF_ and
|
|
_Alternate Hilarities_. She has also published non-fiction
|
|
articles on such varied subjects as the Native American tribes
|
|
of the Southeast, carpal tunnel syndrome, and architecture.
|
|
|
|
|
|
FYI
|
|
=====
|
|
|
|
...................................................................
|
|
InterText's next issue will be released November 15, 1994.
|
|
...................................................................
|
|
|
|
|
|
Back Issues of InterText
|
|
--------------------------
|
|
|
|
Back issues of InterText can be found via anonymous FTP at:
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|
|
|
> ftp://ftp.etext.org/pub/Zines/InterText/
|
|
|
|
and
|
|
|
|
> ftp://network.ucsd.edu/intertext/
|
|
|
|
You may request back issues from us directly, but we must handle
|
|
such requests manually, a time-consuming process.
|
|
|
|
On the World-Wide Web, point your WWW browser to:
|
|
> http://www.etext.org/Zines/InterText/
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|
|
|
If you have CompuServe, you can read InterText in the Electronic
|
|
Frontier Foundation Forum, accessible by typing GO EFFSIG. We're
|
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located in the "Zines from the Net" section of the EFFSIG forum.
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On GEnie, we're located in the file area of SFRT3, the Science
|
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Fiction and Fantasy Roundtable.
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On America Online, issues are available in Keyword: PDA, in
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Palmtop Paperbacks/Electronic Articles & Newsletters.
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Gopher Users: find our issues at
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> ftp.etext.org in /pub/Zines/InterText
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....................................................................
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If you take advice from strangers, be sure to put it back when
|
|
you're done.
|
|
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..
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This issue is wrapped as a setext. For more information send
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email with the single word "setext" (no quotes) in the Subject:
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line to <fileserver@tidbits.com>, or contact the InterText staff
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