415 lines
15 KiB
Plaintext
415 lines
15 KiB
Plaintext
"come and get some of this"
|
||
|
||
.- /\__/\ -------------------------------- /\__/\ -.
|
||
| ( Oo ) i don't care if you read this #5 ( Oo ) |
|
||
`-- |..| ---------------------------------- |..| --'
|
||
~~ ~~
|
||
this is just a short film that i wrote. have fun.
|
||
|
||
.- /\__/\ ---------------------------.
|
||
| ( Oo ) way wicked cool brotherman |
|
||
`-- |..| ----------------------------'
|
||
~~
|
||
|
||
TITLE - Adventures of Kiltedman Part XIV
|
||
|
||
[a large sign with this movie's title is being held up by my very own
|
||
little brother... in his usual punk way, he looks around to make sure
|
||
no one's looking, then tears up the sign, stomps on it, then spits on
|
||
it and leaves... FADE OUT]
|
||
|
||
[opening scene]
|
||
|
||
[music playing - wagner's ride of the valkaries]
|
||
[music plays for about 5 seconds on an empty field and enter mike from
|
||
the right wearing a kilt and the letter 'k' embossed on his chest in a
|
||
mockery of superman's seal. he starts to dance in random styles, such
|
||
as the beavis & butthead dance, ballet, tango, mosh, and others. after
|
||
about two minutes of this nick and duncan enter (wearing, of couse, the
|
||
vintage wwii headgear) taking mike down. they hold up a sign that says
|
||
'and now for the real introduction'.]
|
||
|
||
[cut to a view of route 37 speeding by at about 40 mph... ride of the
|
||
valkaries starts playing from the begenning as we see nick's car slowly
|
||
speed by, with mike in the back seat pounding on the back window. he's
|
||
mouthing something like 'help me'. -fade out- ]
|
||
|
||
[seaside boardwalk]
|
||
[walking down the boardwalk with duncan (out of sight) giving a
|
||
monologue about the up and coming story.]
|
||
|
||
duncan: hi, this is my movie, therefore i have complete control over
|
||
what goes on... i am power extreme. this is a short film called
|
||
'the adventures of the royal canadian kilted yaksman'...
|
||
|
||
mike: you dumbass, it's been done.
|
||
|
||
duncan: oh... it has... well, this is going to be called... hmmm... i
|
||
guess 'the adventures of the mighty kiltedman', starring my
|
||
bestest of bestest friends, michael dillon.
|
||
|
||
mike (pops in front of the camera) : hi mom.
|
||
|
||
duncan (hitting him) : cut that out!
|
||
|
||
duncan: in this film, kiltedman must vanquish buffetman, who has sadly
|
||
enough, gone insane from his insatable hunger. wait! look!
|
||
there's buffetman now!
|
||
|
||
[zoom in on kevin eating at three brother's pizza. he hears our
|
||
approach and takes off... mike chases after.]
|
||
|
||
mike: (as he's running towards kevin) come back here, eater of tasty foods!
|
||
|
||
[camera chases after, then kevin turns on him]
|
||
|
||
kevin: you will never take me, feel the wrath of a thousand tacos!
|
||
|
||
[kevin lets out a single note that cripples mike, who falls to the
|
||
ground holding his ears. kevin leaves.]
|
||
|
||
[camera rushes to mike]
|
||
|
||
mike (wounded): he's far too strong to take by any conventional means...
|
||
i will have to attack him when he's at his weakest. i
|
||
can only think of one place that he could be going, and
|
||
this clue confirms it. we must act fast, there's no
|
||
telling what he could be doing.
|
||
|
||
[focus on a plastic lid from a fast food cup]
|
||
[ -fade out- ]
|
||
|
||
[beethoven's symphony number 9 (choral) starts to play as we fade in to
|
||
kevin eating in a taco bell and a sign in front of him saying
|
||
'intermission'. once he is done, we fade out, then back in to mike,
|
||
nick, duncan, and (driver of o<>her car) all hovering over a roadmap...]
|
||
|
||
mike: let's see... (scratches his head)... it should be somewhere right
|
||
along here... in pasadina... wait... pasadina? this is a
|
||
california roadmap! duncan, what's the meaning of this?
|
||
|
||
duncan: just seeing how long it would take you to realize it... here you
|
||
go... roadmap of new jersey... chill...
|
||
|
||
mike: tell me to chill one more time foo'... c'mon! tell me one more
|
||
time to 'chill', and i'll put a mother ...ing cap in yo' ass...
|
||
what you say about that, you .... eatin' honkey? how'z about
|
||
right now? i do the world a favor and put a ...ing cap in yo'
|
||
louzy ...ing ass... bitch.
|
||
|
||
duncan: sorry brotherman...
|
||
|
||
mike: you best be sorry... punk.
|
||
|
||
[mike looks at the map]
|
||
|
||
mike: yeah... i knew it... right here... taco bell, and while he's
|
||
eating there is no WAY he can harm me with his voice. i shall
|
||
call upon the services of my trusty-sidekick... hyperactive boy...
|
||
come here hyperactive boy...
|
||
|
||
nick: i'm here sir, and ready for duty... wheeeeow@!#
|
||
|
||
mike: settle down young one... you will have your chance... let's go to
|
||
the land of a thousand bells and tacos, where i am certain that
|
||
buffetman is located...
|
||
|
||
nick: yeah... yeah... yeah yeah yeah yeah... rock! fire fire fire!
|
||
|
||
[fade out, fade back in to kevin and paul at a taco bell]
|
||
|
||
paul: wait... shhh... (grunts) did you hear that?
|
||
|
||
kevin: no, what happened.
|
||
|
||
paul (smugly): i farted. can you smell it?
|
||
|
||
kevin: yes, i can. you are a very silly person and i'm sure it's some
|
||
sort of glandular problem. but i think i can use you... how
|
||
would you like to cause general mayhem and chaos alongside of me?
|
||
|
||
paul: that's cool... i don't have to work today...
|
||
|
||
kevin: most excillent... i shall deem you... intestinal difficulties
|
||
boy! side by side we shall fight the opressive forces of what is
|
||
right.
|
||
|
||
paul: alright... where do we start?
|
||
|
||
[kevin starts whispering to him... as we fade]
|
||
|
||
[fade back into nick's car... as they pull in, a van takes off with the
|
||
words 'save a plant, eat a cow' written on the side. they instantly
|
||
realize that it's buffetman and his newly found sidekick... they chase
|
||
after them. after a highspeed chase done to the tune of 'flight of the
|
||
bumblebee', buffetman looses them. they elect to go back to the box of
|
||
silitude to decide what they are to do.]
|
||
|
||
mike: i'm not so sure we can all fit in there... i have trouble just
|
||
fitting myself into it. let's at least try...
|
||
|
||
[fade out, then fade into us coming down the stairs to mike's basement.]
|
||
|
||
nick: wow, it's alot more spacious than it appears to be from the
|
||
outside, kilted man. where are your special instruments? where's
|
||
your spy stuff? where's the phone that is only used to call the
|
||
commish? where's all your nifty stuff?
|
||
|
||
[mike holds up a pair of binoculars]
|
||
|
||
mike: what is this?
|
||
|
||
nick: a pair of binoculars.
|
||
|
||
mike: you are more observant than i first thought. you truely are
|
||
destined for greatness.
|
||
|
||
nick: are they 'secret' binoculars? i mean... are they... lasers?
|
||
|
||
mike: no, nothing fancy... just binoculars. what we are going to have
|
||
to use to capture is just common sense. as you can plainly see,
|
||
he has followed a path right down to... (pointing) here!
|
||
|
||
nick: mc donalds?
|
||
|
||
[cut to intestinal difficulties boy]
|
||
|
||
paul: mc donalds??? are you serious?
|
||
|
||
kevin: as serious as gas cramps. but i'm sure that kiltedman will be
|
||
waiting for us, or at least suspect what we're up to. i think we
|
||
should venture forth, incognito. quick! to the fatcave!
|
||
|
||
[they enter the fatmobile and take off to the fat cave. we join them
|
||
inside. the fat cave looks suspiciously like mike's basement, only
|
||
shot from another angle. buffetman holds up pieces of clothing.]
|
||
|
||
kevin: we shall wear these, they won't realize who we are.
|
||
|
||
paul: but won't we look stupid?
|
||
|
||
kevin: bah! who gives a rat's ass if we look stupid, our getting caught
|
||
is what matters most right now! we must be off!
|
||
|
||
[they take off in the fatmobile in search of mc donalds. rt 37 east mc
|
||
donald's or the bayville... decide later.]
|
||
|
||
shawn: welcome to mcdonalds, may i take your order?
|
||
|
||
[kevin heands him a note]
|
||
|
||
shawn reads it aloud: give me fifty supersized extra value meals number
|
||
one, or i'll be forced to blow this building sky
|
||
high... oh yeah, give us some mcnugets too, with
|
||
bar-b-que sauce... (looks up) now listen mister, i
|
||
don't care WHO you are, or WHAT you are planning
|
||
to do. but you have messed with the wrong guy.
|
||
(he gives him the shawn evil eye) now i suggest
|
||
that you take yourself and turn around, leave, and
|
||
never come back. go!
|
||
|
||
kevin: (backing down) you can't do this forever, i'll be back! and when
|
||
i return, you'll wish that you had given me what i demanded, oh
|
||
yes... you will regret this dearly.
|
||
|
||
[kevin leaves with paul behind... paul steals a straw.]
|
||
|
||
shawn: hey! i saw that... put it back.
|
||
|
||
[paul puts it back]
|
||
|
||
shawn: now git!
|
||
|
||
[paul runs off like a wounded pup]
|
||
|
||
shawn: lousy ingrates...
|
||
|
||
[cut to the parking lot, as kevin and paul approach the fatmobile,
|
||
kiltedman and crew enter]
|
||
|
||
mike: finally! i have chased you down through these many fast food
|
||
restaraunts, and now i have you. feel the might of my heritage!
|
||
(liu kang bicycle kick yell)
|
||
|
||
kevin: good gravy! you are more powerful than i first thought, taste
|
||
the pain of a thousand philly cheese steaks!
|
||
(sing or belch... which ever he can do)
|
||
|
||
paul: (to everyone) hey guys, i think that we should get pretty far away
|
||
from the action... this looks like it will be getting rather,
|
||
ugly as it were.
|
||
|
||
[they take cover, and you can hear mike yell in pain. kevin comes flying
|
||
around the corner, yells something at paul and they take off in the fatmobile
|
||
en route to the fatcave. the camera and others rush to mike's aid, and it's
|
||
obvious that he's dying and about to make a hammed up death speach.]
|
||
|
||
mike: hyperactive boy, come here. i have something that i need to tell
|
||
you. i
|
||
beg of you, please come close.
|
||
|
||
[nick comes closer]
|
||
|
||
mike: closer still.
|
||
|
||
[nick comes closer]
|
||
|
||
mike: please, closer.
|
||
|
||
[nick comes closer]
|
||
|
||
mike: YOU FLAMING MORON! WHERE WERE YOU WHEN I NEEDED YOUR HELP TO VANQUISH
|
||
BUFFETMAN?!? I HOPE THAT YOUR FURTHUR ADVENTURES DON'T EVEN MAKE
|
||
IT TO
|
||
SYNDACATION!
|
||
|
||
[with that, he dies in nick's arms. nick does some heavily faked crying.]
|
||
|
||
nick: (to camera) i will have my revenge... do you hear me?!? I WILL MAKE
|
||
BUFFETMAN PAY FOR THIS!
|
||
|
||
[cut to buffetman, the back of kevin's head is to us, paul is facing kevin.]
|
||
|
||
kevin: how bad is it? do you think i'll heal?
|
||
|
||
paul: it's pretty bad... but i know a doctor that can help us. i'll give
|
||
him a
|
||
call right now.
|
||
|
||
[zoom into a clock, suddenly it starts to rotate and stops about thirty
|
||
minutes
|
||
from where it started. go over to doorway, duncan enters.]
|
||
|
||
duncan: ok, mister fixit is on the job. what seems to be the problem?
|
||
|
||
paul: buffetman is hurt pretty badly... his face is scarred something awful.
|
||
|
||
duncan: i can see that, i have a pair of eyes you know, i'm not fucking
|
||
blind. i'm sure as shit not hellen fucking keller. stevie goddamn
|
||
wonder can kiss my lily white ass, my fucking eyes function. don't
|
||
fucking patronize me. christ, now i feel like quentin fucking
|
||
terrintino, mother fucker. playing bit parts in his movies
|
||
cursing his
|
||
head off about some stupid shit, like coffe. wait, i got another one
|
||
coming... ray fucking charles couldn't tell jack shit about this
|
||
motherfucker's face, but i can goddamn fucking see.
|
||
|
||
paul: well what do you want me to do?
|
||
|
||
duncan: nothing, you do nothing. that's what you can do to help. i'll start
|
||
work on this poor son of a bitch's face.
|
||
|
||
[fade out with duncan coming in on the camera, as if it was kevin's
|
||
sight, he's
|
||
holding a pair of sissors.]
|
||
|
||
[fade back in, we still can't see kevin. duncan stands back from him.]
|
||
|
||
duncan: ready? (kevin nods) ok, here we go.
|
||
|
||
[duncan unravels the bandages that enwrap kevin's face. duncan looks at his
|
||
work with a statisfied smile.]
|
||
|
||
duncan: that medical board can go straight to hell for all i care.
|
||
revoke my
|
||
license, heh. see what good it does them. malpractice my ass.
|
||
|
||
kevin: let me see... LET ME SEE!!
|
||
|
||
[duncan hands him a mirror, kevin moans, his moan turns to a scream]
|
||
|
||
kevin: n... n... no... no... no no no NO NO NO!
|
||
|
||
duncan: i... i thought that you would be happy with the results... what's
|
||
wrong? you don't like it? do you want me to change anything?
|
||
|
||
kevin: no, you changed enough (pulls a cap gun out). and for that you must
|
||
pay.
|
||
|
||
duncan: great, i die in this one like terrintino dies in resivoir dogs.
|
||
|
||
[kevin shoots him.]
|
||
|
||
kevin: i'm too horribly scarred, i need something to cover it up... wait,
|
||
this
|
||
will do (picks up phantom of the opera mask)... i shall be the phantom
|
||
of the salad bar!
|
||
|
||
paul: cool...
|
||
|
||
[fade out]
|
||
|
||
[fade back into seaside walk]
|
||
|
||
duncan: wow. phantom of the salad bar. sequel material. hyperactive boy's
|
||
natural desire to avenge kilted man's death, buffetman driven to new
|
||
levels of insanity and becomes the phantom of the salad bar, and
|
||
i have
|
||
christmas break to film the second part of this movie. not to
|
||
mention
|
||
just writing it. thank you for your time.
|
||
|
||
[credits]
|
||
|
||
characters (in order of appearance)
|
||
|
||
michael dillon - kitledman
|
||
|
||
duncan brown - himself & mr. fixit
|
||
|
||
nick levay - hyperactive boy
|
||
|
||
kevin mccormack - buffetman & the phantom of the salad bar
|
||
|
||
adolf hitler - himself
|
||
|
||
driver - him/herself
|
||
|
||
paul oser - intestinal difficulties boy
|
||
|
||
shawn reig - himself
|
||
|
||
you can buy the soundtrack to THE ADVENTURES OF KILTEDMAN XIV on dead puppy
|
||
records, usa.
|
||
|
||
this film is rated S for stupidity by the national motion picture commity.
|
||
|
||
editing facilities were provided by my mother, a most gracious woman.
|
||
|
||
special thanks go out to the dover township police for dropping the vehicular
|
||
manslaughter charges levied against us during the filming of this movie. the
|
||
stupid kid should have watched where we were going as it is.
|
||
|
||
this screenplay was loosely based on duncan's imagination. VERY
|
||
loosely. you
|
||
can't get a firm grip on it these days.
|
||
|
||
have you been taking your vitamins? how come you don't call? you can even
|
||
just write me once a month and i'll be happy. haV<61> you found someone
|
||
yet? i
|
||
know of this wonderful girl that i met at the supermarket the other day that
|
||
would be ABSOLUTELY perfect for you. she's a very nice girl.
|
||
|
||
suggested reading: the funhouse by dean koontz. swan song by robert r.
|
||
mccammon. unix in a nutshell by o'reilly and associates.
|
||
|
||
are you still reading this? what's your problem? do you not have a life or
|
||
something? stop the tape already! get out of the house! you put up
|
||
with this
|
||
flimsy plot for far too long, about 30 minutes or so...
|
||
|
||
.- /\__/\ ----------------------------------.
|
||
| ( oO ) you're still not a complete woman |
|
||
`-- |..| -----------------------------------'
|
||
~~
|
||
i don't care if you read this number five was written by pip the angry youth
|
||
|
||
mail: pip@cybercom.com
|
||
krad@nj5.injersey.com
|
||
cyclone@nj5.injersey.com
|
||
|
||
mailing list: disorder@netcom.com
|
||
|
||
-eof-
|
||
|