1374 lines
63 KiB
Plaintext
1374 lines
63 KiB
Plaintext
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$R$$
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$T$$$$$$$ $$$$$$MOC$
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$O$$$$$$$$ HOLY TEMPLE of MASS CONSUMPTION $$T$$$$$L$$
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$N$$$$$$$$$ $$$$O$$$$A$$
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$Y$$$$$$$$$$ News #26 $$$$$$N$$$N$$
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HARDING$$$$ $$$$$$Y$$D$$
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$$$$S$O$$$ The Road of Excess leads to the Palace of Wisdom $$$$$$A$$$$
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$$$$$$D$$ $$$$$$$$$$
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$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$S$$$$$$
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MAGNUM OPUS CON 9 SPECIAL EDITION Holy Temple of Mass Consumption
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PO Box 30904, Raleigh NC 27622
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TOTAL BULLSHIT AWARD for the month of March goes to:
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MCI for their "Wow it's hot!" hotline. Is this what subscribers are
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paying for? CALL 1-800-969-4874 for your free "fun warming sounds" today
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NEWS
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Upcoming Devivals -
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Portland Pilgrimage - X-DAY (July 5) 1994 for Dokstok. Send $1 and SASE
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to Nenslo, Box 86582, Portland, OR 97286. [But what we really want to
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know is-- will TONYA be there????????]
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Dragon Con, July 15-17, Atlanta Hilton. Rants by Stang, Susie the Floozy,
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with the Swinging Love Corpses. One of the problems with DragonCon is
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the perception, at least among the hardcore people, is that its becoming
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much too sanitized and commercialized. THIS SHOULD HELP TURN THE TIDE.
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Most, if not all, of the 92 Phenomicon crowd should be there. For info
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write Dragon Con, PO Box 47696, Atlanta GA 30362-0696
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Starwood - July 19-24 - Brushwood Folk Center, Sherman NY. This is part
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of a much larger event.
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||
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Radio - Listen to the Hour of Slack on: WFMU at midnight on Mondays,
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KPFT Houston on Thursday nights from midnight to 3am for "Monster
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Island Beach Party" with Pope Charles.
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[Cartoons in text version only]
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qwertyqwertyqwertyqwertyqwertyqwertyqwertyqwertyqwertyqwertyqwertyqwertyqwerty
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Divinely Inspired Comics
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||
**** A-Bomb #2 - Lots of very explicit, manga-style adult cartoons. Why is it
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||
that the characters in so many of these stories are drawn in "Archies" style?
|
||
Maybe there's a message there... Plus, a couple of gender-bending stories
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||
by Donna Barr. This series is better than a stack of Aircel's, although not
|
||
as intense as Cherry or Demi. Venus Comics.
|
||
|
||
*** Bangs and the Gang #1 - After the high-school sitcom is cancelled, Bangs
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||
is nearly gang-banged by the entire cast. She escapes, only to unintentionally
|
||
go from one scandalous orgy to the next. Extremely explicit, with stories
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done by Felipe Gru, Chuck Austen of "Strips", and more. Shhwing Comics.
|
||
|
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*** Beavis & Butthead #3 - Escaped convicts are no match for the boys, as the
|
||
bad guys become entangled in the dangerous chaos of Burger World. Plus, they
|
||
wreck Home Economics class while making brownies. The pranks page is a review
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||
of standard bathroom gags, like M-80s, plastic wrap, etc. Marvel Comics.
|
||
|
||
**** The Boulevard of Broken Dreams - Prequel to the "Mishkin File", by Kim
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||
and Simon Deitch. This one follows the story of early cartoon animators, and
|
||
the tragic story of Ted Mishkin, in their unmistakable style. These stories
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really do evoke the wonder of watching cartoons as a young kid. Fantagraphics
|
||
|
||
*** Buck Godot #2 - In this outer-space adventure, Buck is a large, rough
|
||
humanoid employed as a bodyguard. At a party at the space station, Buck
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||
destroys a robot auctioning information among humanity's enemies, and prepares
|
||
for a riot at the main ceremony. Drawn by Phil Foglio, Palliard Press
|
||
|
||
**** Crap #3 - Milton meets the drag queen who hosts the low-budget horror
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||
movie show, interviews him, and gets to know why female impersonators do it,
|
||
and how they feel about it. Plus, Milton gets the chance to break down some
|
||
of his roommates' hangups and misconceptions. Plus, a neat comic telling
|
||
all about the great northwest, and the people there. Fantagraphics Books.
|
||
|
||
*** Duplex Planet Illustrated #6 - An interesting, but tame, set of stream-of-
|
||
consciousness stories by David Greenberger, with artwork by Moriarty, Wayno,
|
||
and others. I liked the one-page "Baldness", and "What's More Important-
|
||
Romance or Food?". Some stories are a bit repetitive. Fantagraphics Books
|
||
|
||
*** Adventures of Fat Freddy's Cat, book 1 - Lots of fairly old, but still
|
||
good, tales of the original cat-with-an-attitude, and his scatological revenge
|
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on those who abuse him. Rip Off Press.
|
||
|
||
*** Insomnia - by Andrew Moran - A man who hasn't been able to sleep for 17
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||
years drives across the country to seek medical help. Along the way, he buys
|
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a doll which turns out to be a real, live girl, whom he rescued from abuse.
|
||
After resolving past problems, he gets relief. Fantagraphics Books
|
||
|
||
**** Jim vol 2 #1 - Theseare a couple of great -and long- stories from JIm
|
||
Woodring. The first one, in color, is an adventure with the disgusting and
|
||
repulsive Manhog. After receiving a nasty head injury, he is tortured by
|
||
hallucinations and disfigures himself in a fit of stupidity. The book is
|
||
well worth it for this story alone. The other story is one of Jim's dreams,
|
||
of a hard-luck artist on a temple construction project. Fantagraphics Books
|
||
|
||
*** Negative Burn #8 - One of my favorites of this series, it has several
|
||
Classics Desecrated, plus Boneshaker III, Mr. Mamoulian, and other stories.
|
||
"Little Neil in Slumberland" by James Owen is neat. Caliber Press.
|
||
|
||
**** Negative Burn #9 - Nope, this one is the best. Every story in it is
|
||
hard-hitting and great, from "Dominique- Size" to the "Twilight People",
|
||
and much more. With sketchbook by Dave Dorman, there is more -and better-
|
||
material in this one than any other. Caliber Press.
|
||
|
||
*** Post Brothers #35 - The truth finally comes out - Jeri was the one who
|
||
erased Russ's tapes, and Boche was the one who actually killed her father.
|
||
Also, alien mutants break into the warehouse, seeking revenge on Ron, and Big
|
||
Ed removes all his safety spells on Bugtown as revenge on Russ. Rip Off Press
|
||
|
||
*** Pressed Tongue #1 - by Dave Cooper - This comic reminds me a lot of Crumb's
|
||
style, along with the disgusting characters. A perverted building super who
|
||
spies on all the tenants with hidden cameras finds that one couples baby's
|
||
shit will cure his gross sores. Fantagraphics Books.
|
||
|
||
** Radioactive Man #2 - This is a spoof on super-heroes, using Simpson's
|
||
characters. Homer is the Radioactive Man, and Bart is his sidekick, Fallout
|
||
Boy. Although the story is filled with some sly and subtle jokes, perhaps the
|
||
best part is the inside-cover parody of all those ads in old comics peddling
|
||
x-ray glasses, spy telescopes and other junk. Bongo Comics.
|
||
|
||
*** Real Stuff #16 - continues with Dennis Eichhorn's real-life adventures,
|
||
as drawn by different artists. This one has part 2 of the Wild Man Fisher
|
||
story, fraternity pranks, drunken teenage scrapes with the law (by Chester
|
||
Brown & Sook-Yin Lee) and Vancouver BC eco-terrorists. Although the one story
|
||
tended to glorify the environmentalists blowing up factories and attacking
|
||
various non-politically-correct targets, they look like little more than
|
||
left-wing Nazis to me. Good stories, though. Fantagraphics Books
|
||
|
||
*** Ren & Stimpy #18 - R&S go to war; when surrounded by enemy troops, Ren
|
||
uses a secret weapon: Stimpy's belches and farts. After capturing all the
|
||
enemy troops, they are rewarded with an awful chicken comic in a USO show,
|
||
which they can't escape no matter how hard they try. Also in this issue,
|
||
Powdered Toast Man, meets the girl of his dreams, the Weezi-Bake Oven Girl.
|
||
Nearly as many ads as there are story pages in this issue. Marvel Comics.
|
||
|
||
** Sally Forth #3 - An amusing story, but for an Eros comic, its long on story
|
||
and short on erotica- which consists of a large-but-gravity-defying-breasted
|
||
woman getting her clothes destroyed as often as possible. A tiny republic
|
||
is building a robot army to conquer the world, and an army group, with Sally,
|
||
is sent in to investigate. Eros Comics
|
||
|
||
*** Spotlight on the Genius that is Joe Sacco - this is an anthology of Joe's
|
||
earlier works, most of which were printed in smaller, forgotten collections.
|
||
There's a variety of different stories, including the Edwin Smallcabbage
|
||
story that ran in Suburban High Life. A few gems in here. Fantagraphics Books
|
||
|
||
** War Sluts #1 - Actually, there's a pretty good story to it- in an alternate
|
||
Reality, WWII never ended, and a german biological program backfired- creating
|
||
a race of super-strong and powerful valkyries. Naturally, they are blonde,
|
||
large-breated, and scantily clad, as one of the Slut Fleet heroes goes to the
|
||
moon to retrive an artifact. The action could be a bit more credible, and the
|
||
artwork didn't do that much for me. Pretty Graphic Comix.
|
||
|
||
*** Vamperotica #1 - 3 stories for those who want more than the subtle erotica
|
||
in the original story. Hot stories, although not too explicit, with some
|
||
interesting plot twists, but basically its variations on the theme of: vampire
|
||
girl meets guy, screws guy, and drinks his blood. Brainstorm Comics.
|
||
|
||
#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#!#
|
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|
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|
||
ZINES sacrificed to the Sacred PO Box
|
||
|
||
Asylum for Shut-Ins #2 - The direct, church-approved continuation of the
|
||
High Weirdness by Mail concept, continues with its second awe-inspiring issue.
|
||
Great rant-like reviews of organizations that deserve it (I've even used AFA
|
||
material in *exactly* the same way myself...) They list all sorts of
|
||
political/religious/conspiracy/etc. groups that take themselves and their
|
||
worldviews a bit too seriously, plus great publications, catalogs, music, and
|
||
updates to HWbM listings. This is a must-have. $9/year, $10 in Canada.
|
||
>>>>>>>> PO Box 46581, Bedford OH 44146 <<<<<<<<<<
|
||
|
||
Ambassador Report - I don't know how in hell these people got my address, but
|
||
their newsletter was fun anyway. It turns out that one of the latest slackless
|
||
"churches", namely Herbert Armstrong's Worldwide Church of God (you know- the
|
||
ones who run that doom-and-gloom "The World Tomorrow" show), is splintering
|
||
into a zillion different sects, each with its own view toward controversial
|
||
doctrine issues large and small. Not surprising- this is even happening to
|
||
the Scientologists. The newsletter goes on to list page after page of schizmed
|
||
groups and their antics, including one whose minister received a "prophecy"
|
||
that the local BMW dealer was going to donate a car. They didn't. Tons of
|
||
unintentional yuks here. No price listed, PO Box 60068, Pasadena, CA 91116
|
||
|
||
The Bureau of Control - They sent a couple of great pamphlets - the first is
|
||
a GREAT little SubGenius tract made up to look just like one of Jack Chick's.
|
||
Every page is filled with inspirational graphics and mind-opening dialogue.
|
||
The other one, "State of the Art", is a long and scathing look at the crap
|
||
that makes up modern "art", and the mindset that goes with it, juxtaposed with
|
||
Army biological warfare educational material. I liked the Chinese Hell money
|
||
too, probably from Archie McPhee. 18210 Blanchmont, Houston TX 77058
|
||
|
||
Bovine Gazette vol. 2 #9 - In a tribute to Heidi Fleiss, this issue has a
|
||
couple of articles looking into what kind of women are prostitutes, and what
|
||
kind of men are likely to seek their services. It really reveals how fucked-up
|
||
the standard "morality" is toward such people. Plus, a long "Adventures of
|
||
Prof. Slug" cartoon, and a couple of others. $1 or $5/6 issues from
|
||
Mad Dog Productions, PO Box 2263, Pasadena CA 91102
|
||
|
||
DystOpinion #16 - by Wangifesto Press, reviews and articles from the Seattle
|
||
perspective. Everything from bands, comics, zines, and books are reviewed.
|
||
They do a very insightful comparison of two of my favorite comic artists, Dan
|
||
Clowes & Peter Bagge. I can definitely agree with the hostility toward the
|
||
"corporate" mentality creeping into the "alternative" or "underground" scene,
|
||
but be careful of the "slave to anti-fashion" trap. PO Box 45622, Seattle, WA
|
||
98145-0622 or rwang@elwha.evergreen.edu. Lots of stuff not seen anywhere else.
|
||
|
||
Lost Armadillos in Heat - This is a zine put out by a whole bunch of people in
|
||
Austin, Texas, which, if you've ever been there, is quite unlike any other
|
||
place in Texas. This is a neat place, with great bars (the Dog & Duck was
|
||
fantastic) and fun people. This is also where Slacker was filmed. This zine
|
||
is a collection of rants, articles, various columns, and lots of cartoons
|
||
covering just about the whole scene. $2 from 1113 W. 31st Street, Austin,TX
|
||
78705, or $8/year. More fun than the bats under the Congress St. Bridge.
|
||
|
||
Prometheus Books - Spring/Summer catalog - The skeptics resource, and no topic
|
||
is beyond examination. This one highlights books which take a critical look
|
||
at whether "sports builds characters", police psychics, fundamentalist
|
||
disinformation over the separation between church and state, and lots of other
|
||
social/personal development issues. Plus, they have the X-Rated Videotape
|
||
Guide IV, which is a great resource for porno lovers. 59 John Glenn Drive,
|
||
Buffalo NY 14228-2197 or call 24 hours at 800-421-0351.
|
||
|
||
Smite #2 - A great small zine that does what I'd like to see more of, stories
|
||
that dig beneath our most valued cultural icons to see what kind of slime and
|
||
sleaze might REALLY lurk just below the surface. This issues articles on
|
||
Harvey comics (the theory of Casper the Ghost actually being the kidnapped and
|
||
murdered child of Charles Lindburgh makes a lot of sense), Barbi's master race,
|
||
society's unsung savior Norm Peterson, and getting fired from horrible jobs
|
||
are great. Thanks for the kind words about HToMC too. Send $1 or $10/year to
|
||
Smite, PO Box 624, Diboll, TX 75941.
|
||
|
||
Stay Free! - Lots of articles from the Chapel Hill scene. Interviews with
|
||
Versus, the Grifter, plus tons of music reviews, and fun articles round out
|
||
this issue. I expecially liked the Adbusters article on the front. Write
|
||
to PO Box 702, Chapel Hill NC 27514 or cpalmati@email.unc.edu
|
||
|
||
Trash #14 - Of the various Chapel Hill street zines, this is probably one of
|
||
the best. Much better record/band reviews, plus much more imaginative articles.
|
||
The cover story reminds us that the Republicans who are giving Clinton a much-
|
||
deserved hard time are no good guys themselves, lest we forget all of their
|
||
scumbag antics in the 80s. Plus, the GREAT cartoons T-Square and Mickey Death.
|
||
$7/6 issues from 405 E. Main St. Carrboro, NC 27510 (Videodrome)
|
||
|
||
Trigger Cut #6 - Being up out by Ohio high school students, this zine perhaps
|
||
isn't as flat-out intense of a zine as some people like (Karma Lapel was a bit
|
||
unfair in their pan, IMHO) but for people coming to grips with the state of
|
||
the world, I think they're doing ok. Record reviews, articles, poetry,
|
||
commentary, stories, and silliness makes it a fun read. No price listed, but
|
||
send a buck or two. PO Box 891, North Olmsted, OH 44070
|
||
|
||
|
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+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+
|
||
|
||
|
||
A NEW LO;
|
||
|
||
or
|
||
|
||
EVERYBODY INTO THE MEME POOL!
|
||
|
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|
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by Chuck Hammill
|
||
|
||
Copyright (c) 1992 by Chuck Hammill
|
||
All Rights Reserved
|
||
|
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|
||
Sub-orbital runs from the Third World are always the most fun.
|
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|
||
Every passenger has just stepped out of a Mach 20 tin can which,
|
||
two hours ago, was parked on a tarmac on the other side of the planet.
|
||
Each one of them paid enough for his ticket to buy a thousand bicycles
|
||
or a hundred horses for his countrymen whose only option is the
|
||
Mach .005 of footpower. So it's not that difficult to raise their
|
||
entropy level a notch or two.
|
||
|
||
They tend to divide pretty much into two groups: government officials
|
||
and just-plain-rich, and if you can tell which is which, that's frequently
|
||
a useful bit of data.
|
||
|
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Three just-rich. Husband, wife, teenage son taking it all in.
|
||
Obviously first time this far from home. OK.
|
||
|
||
"Hey, buddy, c'mere. Check this out." I pop a chip into the goggles
|
||
and offer them. "Tell me you see this kind of V.R. every day at home.
|
||
|
||
Keeps walking. No interest. Didn't really expect any.
|
||
|
||
"You a gambling man?" I ask, continuing to walk alongside. "My
|
||
five thousand dollars against your ten bucks. Watch one minute, and
|
||
you won't want to take them off until the program is over."
|
||
|
||
Sees my certified credchip for five kilobucks. Breaks stride.
|
||
You don't get super-rich by passing up sweetheart deals, and five grand
|
||
for a couple minutes' effort is a respectable wage. Especially if you
|
||
can take it off an obnoxious hustler. Stops to listen.
|
||
|
||
"Ordinary Virtual Reality goggles. No hardwire to the pleasure center
|
||
or anywhere else in the grayware, so if your God or your government thinks
|
||
that's naughty, save it. Nothing to do with what's happening here. There
|
||
will be signals broadcast out at radio frequencies, and applied at skin
|
||
contacts, but only in the nano-to-microwatt level everybody's been using
|
||
forever. And of course, the goggles do receive EEG patterns, and the
|
||
program modifies itself based on what your brain is doing. Fair enough?"
|
||
|
||
Looks at the goggles. Satisfied.
|
||
|
||
"The program on this chip runs about five minutes. You agree to
|
||
keep your eyes open and to watch for at least the first minute. After
|
||
that, you can win the bet on the spot, just by taking the goggles off.
|
||
My wager is that you will in fact keep them on until the very uttermost
|
||
photon has whacked your retina and the screens go dark--even though you
|
||
know that you will thereby lose. That's it."
|
||
|
||
Agreement. Program begins. After the initial minute I remind him
|
||
that his time is up, he can take off the goggles now and pocket the 5K.
|
||
No response.
|
||
|
||
Remind at two minutes. Brief snarl to shut the hell up. Otherwise
|
||
as motionless as a zombie falling thru an event horizon. Remind once more
|
||
at three minutes. Looks dangerous. Back away. Wife and son were offering
|
||
"Take them off!" counsel, but have now shut up and have also backed away.
|
||
Good decision.
|
||
|
||
The five minutes elapse. He loses. Am not surprised.
|
||
|
||
Finally takes off goggles. Disoriented. Inquires, "Are not such things
|
||
as this illegal?"
|
||
|
||
"Oooooh! Illeeeeeegal! Oh, help me Mr. Policeman: This evil criminal
|
||
is hurting me and violating my rights because his hardware's running an
|
||
illeeeeegal pattern of ones and zeroes! Make him stop! Pleeeeeze! Help me,
|
||
Mr. Lawmaker: Draw us up a list of which of the 1024 by 1024 by sixteen
|
||
bloody million possible bit patterns are illeeeeeegal--like you had a
|
||
fuckin' clue about the technology you're trying to control at government
|
||
gunpoint--and pleeeeeze tell us which of the two to the power one gig ways
|
||
of filling our memory chips we can use without going to jail for doing something
|
||
illeeeeeegal . . .
|
||
|
||
"It's a genuine pity that the phrase 'Congress shall make no law'
|
||
is so fuckin' ambiguous that those guys can't figure out what they're
|
||
allowed to do, but, I guess it is, and so there we are.
|
||
|
||
"Oh . . . and ain't it a weird co-inkydinky that public-key cryptography
|
||
got hot almost exactly when my government started--and here you must forgive
|
||
a gross crudeness, but it is absolutely essential to describe the precise
|
||
nature of the deed--when my government started to blatantly, clearly, repeatedly
|
||
wipe its ass in public with the First and the Fourth Amendments to the
|
||
Constitution that is supposed to protect its citizens?
|
||
|
||
"Almost makes you think of the walnut-brained dinosaurs getting a monster
|
||
meteor up the wazoo right when the faster-smarter mammals needed a break,
|
||
n'est-ce pas?
|
||
|
||
"Oh, thank you, Illuminati! Thank you so bloody much! Sure took
|
||
your fuckin' time about it, though, didn't you? Or were you gonna wait
|
||
'til they repeal the goddamn Constitution outright and your baby pictures on a
|
||
bearskin rug get you shot dead as a child pornographer and there are guys
|
||
in Red Square carrying signs WILL BUILD NUKES FOR FOOD and poor Harry
|
||
Bergeron gets blown away by a bitch with a twelve-gauge and you gotta piss
|
||
in a bottle to mail a letter and you need a fuckin' Class 3 Federal
|
||
Firearms License to buy a box of .22s? Federal Firearms License up your
|
||
ass, man. You ask my girlfriend real nice and she'll tell you where to buy
|
||
The Finest Energy Weapons in the Known Universe for 10% on the dollar, and
|
||
they'll even take those worthless obsolete pictures of Weishaupt which, for
|
||
obvious reasons, nobody else this side of Andromeda will take.
|
||
|
||
"Hey B.A.T.F.: F.U.! I don't keep guns in my house any more. They're too
|
||
dangerous to have around. 'Cause I might trip over 'em when runnin'
|
||
to dial 1-900-BIGBANG on the fuckin' ansible, for hot nonlocal noncausal
|
||
phone sex with the nymphets who work the superluminal lines . . ."
|
||
|
||
Definitely having an effect on them. Speaking very loudly now,
|
||
and seem to be drawing a crowd. Immediate audience is freaking somewhat.
|
||
Chill out.
|
||
|
||
"Seriously, though, there are a few places on the planet where
|
||
people actually hallucinate that political control of information is still
|
||
remotely possible. So I've got two separate ways to turn that chip into twenty
|
||
gigs of flatline-zeroes, on a microsecond's notice, if I had to. Haven't had
|
||
to in a long time. Most places where the average computer uses silicon instead
|
||
of beads-on-a-fuckin'-stick gave up the idea of prison for bit-patterns
|
||
about the same time they gave up their laws against consciousness-altering
|
||
vegetation.
|
||
|
||
"But, hey, I've taken enough of your time. Here's my card. Modem
|
||
or voice me if you ever want to see again pixels like you just did.
|
||
In any case, welcome to my country, and have a great time while you're
|
||
here." Shake his hand, kiss hers, and palm a chip into the son's. Works
|
||
for one run only of What His Father Saw and then overwrites itself with
|
||
polemic to make him think, and crypto software to let him keep his thoughts
|
||
private. Plus my modem and voice numbers.
|
||
|
||
So, ten bucks in, one chip out. I'm ahead enough to buy a drink.
|
||
|
||
* * * *
|
||
|
||
Her first time was with me, you know. Sun-dappled days at camp,
|
||
naked among the wildflowers. Like puppies frolicking in the grass. That
|
||
made her very special in my eyes, and that's why I always felt kind
|
||
of protective toward her.
|
||
|
||
I think sometimes she thought that I was kind of nerdy and a "brain,"
|
||
as they called them then. Not "her type." She wasn't really into intellectual
|
||
pursuits. That's OK, Lo. You don't have to be. Not you. You were fantastic,
|
||
Lo. Never forget you, Lo.
|
||
|
||
We remained great friends and stayed in touch after she went back to
|
||
Ramsdale. We'd exchange letters and talk on the phone about all kinds of
|
||
things, but mostly I remember Lo was always having boyfriend problems.
|
||
|
||
"Like, he is just soooooo possessive, you know?" she would go on.
|
||
"I mean, OK, he takes me on cross-country trips, right? And, like, he
|
||
buys me lotsa nice presents. But, Jeez, he's got all these rules,
|
||
you know? He doesn't want me dating other guys. I can't smoke, I can't
|
||
do amateur theater, I can't do this, I can't do that. I mean, honestly,
|
||
he treats me like a child! I don't need this."
|
||
|
||
I'd try to sympathize, of course, but it wasn't easy, because I still
|
||
carried a torch for her myself.
|
||
|
||
"You know, Lo, sometimes in a relationship, one partner keeps growing
|
||
when the other has stopped. Maybe you're going through changes that he can't."
|
||
|
||
"Like growing breasts, you mean?" she'd giggle.
|
||
|
||
She knew I still wanted her, the tantalizin' little tease. But just
|
||
Geographically Unpossible.
|
||
|
||
Well, she ultimately dumps this boyfriend in favor of another guy
|
||
who is rich and famous and who lets her do anything she wants. He uses
|
||
his influence to try to get her into motion pictures, but she proves
|
||
to be a "difficult" actress due to unwillingness to take direction,
|
||
friction with others in the cast, etc. And again she's unhappy about
|
||
the relationship: This time she wants an exclusive commitment, but
|
||
he wants to be able to see other girls besides her. She forces the issue,
|
||
and they break up.
|
||
|
||
* * * *
|
||
|
||
Where are you hiding, Dolores Haze?
|
||
In your silicon circuitry, snoozin'?
|
||
Let me turn on your pixels in sixty-nine ways--
|
||
Your end-user's hot for some usin'. . .
|
||
|
||
* * * *
|
||
|
||
I lost touch with Lo for a while when I went into the Army.
|
||
Officers' Candidate School. Manhattan Project. Heavy-duty computer
|
||
simulations of all kinds of things. They offered me incredible Access
|
||
to Toys. At that time, the Project had carte blanche for men and materiel.
|
||
Lots of slack. Open loop. Implosions and Krytrons and Booms, oh my!
|
||
|
||
* * * *
|
||
|
||
MESSAGE BEGINS Best advice is to cross as many state lines as you can
|
||
with her, then blow away her other boyfriend in the middle of his own
|
||
fuckin' party. 3 Billable hours, $750, Please remit. Clarence Choate
|
||
Clark, Attorney at Law MESSAGE ENDS
|
||
|
||
* * * *
|
||
|
||
I finally hear again from with Lo, only to discover that she has gotten
|
||
married, is now hugely puffed up and pregnant, and awaiting delivery in
|
||
some Alaskan nowhere called Grey Star, having driven cross-country with
|
||
hubby from Coalmont.
|
||
|
||
* * * *
|
||
|
||
MESSAGE BEGINS Do we have anybody on the ground in Alaska? MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Negative. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Get in touch with the crazy bastard we sometimes use and
|
||
see if he's available. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Affirmative. Scrounging occasional merc work thru
|
||
Weapon Shops of Isher and Weapons 'R' Us, but nothing doing right now.
|
||
MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Tell the fat fool the story and ask how many dollars
|
||
to go to Grey Star, Alaska and stand by and await instructions. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Says he knows Lo. They lived together for few weeks when she
|
||
was bumming around USA. Just cover expenses. He will do for free.
|
||
MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Proceed to Grey Star, Alaska and evaluate general state
|
||
and availability of medical care. Do not attempt contact at this time.
|
||
MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Jesus Christ, it's easy to die here. Some of them are
|
||
still using fuckin' leeches and chipped-flint knives. What do you
|
||
want me to do? MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Conduct black-bag ops on every doctor and med facility
|
||
in Grey Star and vicinity looking for records of any pre-natal tests or
|
||
treatment for Dolores Haze or Dolores Schiller. Also check first name Lolita.
|
||
Fifty thousand dollars cash plus ID as "Key Civilian Employee" of the
|
||
Manhattan Project enroute to you; hire any local talent necessary.
|
||
Pilot making delivery will await your disposition to conduct similar
|
||
ops in Coalmont. Go. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS No record any medical treatment of Dolores or Lolita Haze or
|
||
Dolores or Lolita Schiller in Grey Star or vicinity. Flying to Coalmont.
|
||
MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS No record any medical treatment in Coalmont or vicinity.
|
||
Who the fuck's in charge in that twosome? MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Grounded outside Coalmont due to major engine troubles.
|
||
Pilot says parts unavailable for one week minimum. Says there's a war on.
|
||
Unable to return to Grey Star. Advise. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS You ain't even got half that much time. There's a
|
||
childbirth on. We're looking at a Christmas Day delivery.
|
||
We got into this thing awful goddamn late. Stand by. MESSAGE ENDS
|
||
|
||
* * * *
|
||
|
||
Let's boot up--I'll jack in--sweet 'Lectronic Lo,
|
||
Let me nibble your attribute bytes.
|
||
Ne'er has a nanonymphet beckoned so,
|
||
Giving wirehead! Erotic delights!
|
||
|
||
* * * *
|
||
|
||
MESSAGE BEGINS Your passenger is chief scientist of Nanonymphonics
|
||
Corporation, prime contractor to the Manhattan Project. He is traveling
|
||
on the direct orders of the President of the United States on a matter
|
||
affecting national security. You are to render him every repeat every
|
||
possible assistance. Do not detain or question him. He is authorized
|
||
to carry arms, to pass in and out of restricted areas and to requisition
|
||
materiel of any description, including weapons, aircraft, surface-, or
|
||
watercraft and any necessary support personnel. If he should be killed
|
||
or wounded or should request any assistance which you cannot immediately
|
||
provide, notify at once your unit's Top Secret Control Officer. FOR THE
|
||
COMMANDER-IN-CHIEF: Charlie Holmes, 2Lt, Manhattan Project MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS OK, they'll give you anything you need. You get your
|
||
hardware, I'll take care of my end. Line up enough people and weapons
|
||
to secure and hold a hospital, then get your ass back to Grey Star.
|
||
What do we know about OB/GYNs there? MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Hospital? OB/GYN? Sorry you ain't familiar with how we
|
||
peasants live, but the nearest hospital is at an Army base a hundred
|
||
miles away. People give birth at home, or they go stay with some biddy
|
||
who sells fuckin' snake heads and casts hexes when she ain't birthin'
|
||
babies. Sometimes, can get GP. Don't bet on it. Suggest I return now
|
||
to Grey Star and get men and equipment locally as needed. MESSAGE ENDS
|
||
|
||
MESSAGE BEGINS Concur. MESSAGE ENDS
|
||
|
||
* * * *
|
||
|
||
Couple of ChiCom bureaucrats. Very impressive that they've managed
|
||
to hold it together with over a billion beings under one authority into
|
||
the twenty-first century. Hell, maybe I should buy these guys a drink
|
||
--try and pick their brains a little.
|
||
|
||
Naah.
|
||
|
||
"God bless you, my friends. Jesus loves you. 'Bob' loves you.
|
||
Gimme a dollar."
|
||
|
||
They just keep walking. Veterans of airports, apparently.
|
||
|
||
"Oh, do not turn away from me, my friends. The Eye in the Triangle has
|
||
given a sly wink to that tantalizin', teasin' girl-Goddess Eris Discordia,
|
||
and the forces of chaos are on the march! Gimme a dollar."
|
||
|
||
Walking faster now.
|
||
|
||
"My friends, there are rumors that, even while we speak, the Discordians
|
||
are designing circuit boards that will interface your telephone to the crypto
|
||
program in your PC and are planning to put the schematics out as free soft-
|
||
ware! Were it not for the power of great Cthulhu and his minions, this hor-
|
||
rible blasphemy might even have occurred back during the Twentieth Century!
|
||
Do you understand what I am saying, my friends? Do you? Gimme a dollar."
|
||
|
||
Much faster.
|
||
|
||
"You can even have your choice of one of these stupid flowers, or a
|
||
chip with the phone numbers of ten thousand bulletin boards and fax
|
||
machines throughout China, and the on-chip digitized engineering
|
||
drawings for a submachine gun you can make out of scrap metal and
|
||
old woks! Gimme a dollar."
|
||
|
||
Running.
|
||
|
||
One of them finally does stuff a dollar bill into my hand.
|
||
|
||
"A million-dollar-bill! Oh, thank you, my friends, thank you!
|
||
Your generosity will be rewarded, I promise you. Since you gentlemen
|
||
seem to be in a hurry, I won't hold you up. I'll just take a million of
|
||
the chips and airdrop 'em over Tien An Men Square. You can pick one
|
||
up when you get home. Praise 'Bob!' Cthulhu fhtagn! Have a nice day."
|
||
|
||
The bureaucrats continue to run, even faster than before.
|
||
|
||
I turn and head for the bar.
|
||
|
||
I join a good friend and two ladies there. Since the ladies appear
|
||
quite young, at first the bartender refuses to serve them.
|
||
Various documents are produced, and I can overhear the phrase,
|
||
" . . . not only fire you but close down this whole fuckin' airport . . ."
|
||
Shortly all four of us are cheerfully imbibing.
|
||
|
||
* * * *
|
||
|
||
"Mr. Schiller, Please sit down. I'm afraid I have to speak to you
|
||
about your wife and child."
|
||
|
||
"Well, the point spread is 5 1/2, but I think they can cover it."
|
||
|
||
Forgot. Deaf and not too bright. Jesus Christ Almighty, what a
|
||
Christmas Day this has been. Losing it.
|
||
|
||
Shouting: "Listen to me: The bitch bought it. The brat bought it.
|
||
By the time we found them and the butcher hobgoblin you had selected to
|
||
kill them, all we could do was bag and tag the fuckin' corpses. But when
|
||
I also find over two thousand dollars in cash!"--throw it at him--"while
|
||
ransackin' your place--"I become convinced that you did not drag a nine-month-
|
||
pregnant girl to this godforsaken wilderness out of economic necessity, but
|
||
apparently out of being just too fuckin' stupid to know how to take care
|
||
of somebody who was younger and softer and gentler, and who ended up
|
||
stretched out cold on a slab because she trusted you to make her decisions."
|
||
|
||
* * * *
|
||
|
||
Silicon is forever, Dolores Haze,
|
||
Come sit on my interface.
|
||
When Earth starts to craze in the end-time days,
|
||
We'll be loving each other in space.
|
||
|
||
* * * *
|
||
|
||
Obviously, given the value of simstim royalties, the only way I could
|
||
possibly show a profit on a ten-buck-for-a-chip deal is if I paid no royalties
|
||
at all and just counted the chip at its raw silicon value. Which is true.
|
||
For a couple of very good reasons, one of which being that the idea for the
|
||
Artificial Intelligence capability was mine.
|
||
|
||
Very big business. Hundreds of megabucks. Next couple years, gonna be
|
||
in the gigabucks.
|
||
|
||
And I own half of it.
|
||
|
||
* * * *
|
||
|
||
Cyberpunk, cyberpunk, there they are,
|
||
Dolores Haze and her lovers:
|
||
Fifty million guys 'neath a yellow star,
|
||
Sleep with holograms under the covers.
|
||
|
||
* * * *
|
||
|
||
Virtual Valerie's long in the tooth,
|
||
Ellie Dee's a plain cyber-slut harlot.
|
||
'Lectronic Lolita, I tell you the truth,
|
||
You're my fav'rite A.I. V.R. starlet.
|
||
|
||
* * * *
|
||
|
||
It's called Occam's Electric Razor: Never attribute to malice that
|
||
which can be adequately explained by stupidity. Makes life more fun,
|
||
avoids Armageddon sometimes. You oughtta try it. You were fantastic,
|
||
Lo. Never forget you, Lo.
|
||
|
||
* * * *
|
||
|
||
Way too close to the truth. We almost lost her. Honest to
|
||
Christ, we almost lost her. My God.
|
||
|
||
Remember: almost. Only almost. Lo is OK. Girl-child is OK.
|
||
Gave birth on the chopper enroute to hospital. Better than the
|
||
snake pit they found her in--but there were complications.
|
||
|
||
Lo almost died. Thank you, God, that she didn't. Thank you, God,
|
||
for Lo.
|
||
|
||
Lo is OK. Now nursing daughter in the Army hospital.
|
||
|
||
Couple deep breaths. Pull it together. Lo is OK. I gotta let this
|
||
asshole live, I guess. Lo is OK.
|
||
|
||
Planned to fake deaths of mother and child anyway, but did originally
|
||
intend more tactful treatment toward "bereaved."
|
||
|
||
Get it done. Lo is OK.
|
||
|
||
"Mr. Schiller, the bodies of both mother and child were unfortunately
|
||
burned beyond recognition in the fire." (Which I started.)
|
||
|
||
"The Army will pay for the damages and for a closed-casket funeral."
|
||
(Then you can go back home and diddle one of your six-toed cousins under
|
||
whatever goddamn rock you crawled out from.)
|
||
|
||
"I am going to go wait for my chopper. My little Chum here"--unholster,
|
||
point in air, not at him--"can print the whole clip into K5 at 50 feet, so I
|
||
suggest you stay at least that far away from me 'til it comes. You want to
|
||
talk about anything, look for a chubby merc packing better hardware than
|
||
this pissant .32. Talk to him."
|
||
|
||
Lo is OK.
|
||
|
||
* * * *
|
||
|
||
MESSAGE BEGINS The Italian navigator has reached the new world,
|
||
but the natives killed him and killed everybody with him and set
|
||
his boat on fire and nobody can put it out and oh my God it's starting
|
||
to MESSAGE ENDS
|
||
|
||
* * * *
|
||
|
||
Decided not to send it. Afraid it might actually croak the
|
||
cousin-bangin' Bolshevik right on the spot.
|
||
|
||
* * * *
|
||
|
||
Faked my own death, using bug-out plan set up before joining Army in
|
||
first place. Having great time with Lo. Merc says Lolita2 will
|
||
probably break a lot of hearts in a dozen years.
|
||
|
||
* * * *
|
||
|
||
Longevity drugs. Artificial Intelligence. Kept classified until
|
||
impossible to deny any longer.
|
||
|
||
* * * *
|
||
|
||
MESSAGE BEGINS When exactly do I get to Know My Own Goddess? I mean,
|
||
like, are we talking Earth???? This millenium??? What?? You were
|
||
fantastic, Lo. Never forget you, Lo. MESSAGE ENDS
|
||
|
||
* * * *
|
||
|
||
Let me shower you with goodies, Dolores Haze,
|
||
Gigabytes for your memory banks.
|
||
Would you like some new circuits? 440 - 3 phase?
|
||
I love how you wire me your thanks.
|
||
|
||
* * * *
|
||
|
||
The bad parts are over for you, Lo. You hung in this far from the
|
||
Primal Singularity, now lean on me for awhile. Like from now on out to the
|
||
Cosmic Mind or the Big Crunch or Whatever Happens Next. Just tried to make
|
||
you a smile out of a pain by rotating it through hyperspace along the axis
|
||
of surreality.
|
||
|
||
(Jeez. I keep thinking of the old joke about Yasser Arafat dying
|
||
on a Jewish Holiday. Have people so misjudged you, my cute little
|
||
Lilith/Lo Deity-Darlin', that they might actually want to celebrate
|
||
your deathday? Maybe you need a new P.R. man, somebody friendly
|
||
and easy-goin'? Saw a guy carryin' a sign WILL WORK FOR GRASS AND
|
||
NYMPHETS. Maybe we can get him. You were fantastic, Lo. Never forget
|
||
you, Lo.)
|
||
|
||
Anyhoo, it's not one-two-three-strikes-you're-out in this
|
||
Universe, Lo. Maybe in the Universe next door. There's somebody in
|
||
this piece of the space-time continuum payin' attention to nymphets
|
||
in trouble, and ready to jump into my Calvin Kaluza Kleins and superstring
|
||
together a couple of infinitely long rotating cylinders of star-stuff
|
||
if that's what it takes to save your cute ass.
|
||
|
||
So don't cry, Lolita darlin'. Nobody's gonna collapse your state
|
||
vector while I'm around.
|
||
|
||
* * * *
|
||
|
||
Say, Lo, now that Lolita the Second is in her nymphage, that fat
|
||
merc is back in town hittin' on her all the time, and she finally agreed to go
|
||
to Europe with him, and if they end up shackin' up, we oughtta probably
|
||
either cut them in on the simstim biz or at least buy them their own
|
||
airport to work in.
|
||
|
||
And, listen, Lo, I made you an appointment with the gerontopediatrics
|
||
people to see about gettin' you your figure back. No offense, but you ain't
|
||
5,300 days no more, Darlin', and you startin' to show a little wear and tear.
|
||
|
||
* * * *
|
||
|
||
Ma che^`re Lolita, dans le soleil d'e^'te^',
|
||
Ma che^`re Lolita, en plein hiver,
|
||
En automne, au printemps, je te jure de t'aimer
|
||
(A^` moins, jusqu'a^` l'on cesse d'e^^tre fruit vert...)
|
||
|
||
* * * *
|
||
|
||
And tell me that ain't funnier and truer than that throat-
|
||
chokin' gargle that other cheap bastard wrote ya'. Hey, Humbert,
|
||
in case you ever get another nymphet--which you probably won't, 'cause
|
||
you too stupid to even keep the first one--here's a tip: You don't
|
||
buy 'em cookies, you buy 'em cars!)
|
||
|
||
Yeah, I suppose I shoulda known that it was you all along--unrecognized
|
||
eponym and archetype--well, excuuuuuuse me, I got other things on my mind,
|
||
so why don't you just punish me by cooking up a worldwide sexual plague
|
||
so I gotta wear a goddamn inner tube and so then I can't just emigrate
|
||
to somewhere the age of consent's sane enough you don't gotta be a fuckin'
|
||
gerontophile to stay legal?
|
||
|
||
But I digress.
|
||
|
||
* * * *
|
||
|
||
Merry Christmas, Lo.
|
||
|
||
God bless You forever, my most precious of Christmas presents.
|
||
|
||
We got a great future ahead of Us.
|
||
|
||
(Oh, Lo, this is just between us: Let 'em keep thinkin' that you
|
||
were really in danger back there. Chatted briefly with Kip and Tip
|
||
on the astral plane, and it turns out that you only gotta spin the cylinder
|
||
faster than half the speed of light at the surface. So you can see that
|
||
it woulda been possible for me to come get ya' in time even if I had
|
||
been too late.)
|
||
|
||
You were fantastic, Lo. Never forget you, Lo.
|
||
|
||
May God bless and guide Us both, my Darling.
|
||
|
||
It's gonna be an interesting ride.
|
||
|
||
|
||
|
||
********************************************************************
|
||
CLIFF's NOTES TO ADD TO SURREALITY
|
||
BUT READ THE STORY FIRST
|
||
|
||
To begin with, a meme is a concept from Richard Dawkins' The Selfish
|
||
Gene. It is roughly analogous to a gene, except that it exists in the
|
||
world of human culture. Dawkins writes
|
||
|
||
Examples of memes are tunes, ideas, catch-phrases, clothes
|
||
fashions, ways of making pots or of building arches. Just as
|
||
genes propagate themselves in the gene pool by leaping from body
|
||
to body via sperm or eggs, so memes propagate themselves in the
|
||
meme pool by leaping from brain to brain. . . If a scientist
|
||
hears, or reads about, a good idea, he passes it on to his
|
||
colleagues and students. . . . If the idea catches on, it can
|
||
be said to propagate itself, spreading from brain to brain.
|
||
|
||
The story is intended as a weird cyberpunk riff on Nabokov's Lolita,
|
||
with distinct quantum-relativistic overtones. In the course of the telling,
|
||
various respectable, honorable and noble memes find themselves inextricably
|
||
interwoven with disturbing, scandalous, and subversive ones. Good. That's
|
||
the plan! The reason they call it "mind-fucking" is that it feels so good!
|
||
|
||
First, much of the reminiscing in A New Lo is done by a character
|
||
who actually appears in Lolita, but gets maybe four sentences all together.
|
||
His name is Charlie Holmes (Galactic Coincidence Control gets credit for
|
||
the first name and last initial), he does take Lo's virginity, and
|
||
is (in the book) killed in the war. The point at which one realizes
|
||
that Lo = Lolita makes her "boyfriend problems" with Humbert and Quilty
|
||
sort of mind-tickling, and even Joycean. (Nabokov himself pays homage to
|
||
Joyce with phrases like "portrait of the artist as a younger brute" and
|
||
"internal combustion martyr"--and to surreality generally with Quilty's
|
||
observation, "Really, Mr. Humbert, you were not an ideal stepfather.")
|
||
One gets a single clue with the reminiscence about Lo going home from camp
|
||
to "Ramsdale," but it's a thin one.
|
||
|
||
The doggerel poetry generally matches the rhyme pattern of that in the
|
||
original novel, part 2, Chapter 25, and even reproduces the key line "Where
|
||
are you hiding, Dolores Haze?" which is another clue to who Lo is. Also a
|
||
thought about Virtual Reality's utility beyond letting architects show you
|
||
their fuckin' buildings. More doggerel appears throughout, frequently
|
||
matching the rhyme scheme, meter, and at times duplicating (or almost)
|
||
entire lines.
|
||
|
||
However, none of this comes up until after a reasonably solid cyber-
|
||
punk opening, and what I immodestly consider a great rant on "freedom to
|
||
compute and possess pixels." The technical language is there to let those
|
||
who know relativistic physics realize whom they are dealing with.
|
||
|
||
After the quatrain, then a set-up to twist your head later, a nod to
|
||
sub-Genii, and finally a straightforward clue and jab at lawyers, since
|
||
the first page of Lolita mentions the name of Humbert's attorney,
|
||
and the "advice" is precisely what H<> proceeds to do.
|
||
|
||
We then pick up the plot of the novel, since, even though Lolita and her
|
||
deaf, stupid husband are awash in cash, they do (in the book) trek
|
||
to the godforsaken Alaskan wilderness outpost of Grey Star in her ninth
|
||
month for her to give birth. Charlie Holmes--Lo's first lover, recall--
|
||
departs now from his negligible role in the actual novel to check this out.
|
||
|
||
Weirdness begins to escalate, as the fat, crazy mercenary he works with
|
||
is also an ex-boyfriend of Lo's (which is possible, since she does spend
|
||
a couple years traveling around the USA) and so he takes a personal interest
|
||
in his job.
|
||
|
||
Straightforward plot development, and the "check also first name
|
||
Lolita" made explicit for the not-too-swift. And a key observation
|
||
that Lo's husband may be so stupid as to be dangerous.
|
||
|
||
Ever-more-obscene poetry, introducing the phrase "giving wirehead"
|
||
into cyberspeak, and the key word (nano)nymphet for those who still may
|
||
be puzzled about who's who. Some of the text from Charlie's message
|
||
is in fact verbatim from the ID cards issued to CIA operatives in Vietnam.
|
||
Charlie then turns out to be a second lieutenant.
|
||
|
||
Cut to another airport harangue. With definite cyber-applications.
|
||
|
||
Cut back to Lo. Doesn't look good for her. Stupid mates can kill
|
||
ya', it seems ever more clear. As in the novel itself, Lo and her girl-
|
||
child do endure a very unlucky childbirth on Christmas Day.
|
||
|
||
More obscene poetry. Suggests maybe something survived, though.
|
||
|
||
Cut back to first airport haranguer. Are we beginning to guess what
|
||
was on his chip? How monetarily valuable the idea? Still thinking about
|
||
fuckin' architects takin' you through buildings with V.R. goggles?
|
||
|
||
Couple more quatrains, one using actual first two lines of one poem in
|
||
the actual book, one cutely mentioning a couple of currently sexy cyber-ladies.
|
||
|
||
GOTCHA!
|
||
|
||
Now, gets still weirder. Jab at FDR. Heavy-duty quantum-relativistic
|
||
names and buzzwords.
|
||
|
||
Still weirder. Tying up loose ends. The bit about her age as
|
||
5,300 days comes from one of Humbert's poems in the book.
|
||
|
||
Quatrain in French, like in original, but got a great rhyme
|
||
for French term for nymphet. Quite proud of that.
|
||
|
||
Still weirder.
|
||
|
||
Really put out enough relativistic physics to blow 'em away.
|
||
Kip (Thorne) and Tip (Frank Tipler) are quantum physicists, and Tipler
|
||
wrote a paper about time-travel via (what else?) infinitely long rotating
|
||
cylinders of super-dense mass which was my throw-away line from a page
|
||
before. One-half the speed of light is the surface speed at which such
|
||
cylinders must rotate to permit time-travel, and make for a very weird
|
||
quantum-relativistic sentence. The bit about the astral plane was added for
|
||
extra spookiness, and also in case Kip or Tip should croak before I sell the
|
||
story.
|
||
|
||
Covered a lot of territory, n'est-ce pas?
|
||
|
||
-----------------------------------------
|
||
|
||
<miscellaneous artwork on this page>
|
||
|
||
|
||
My method of time travel is not particularly
|
||
effective, unless the vehicle is traveling
|
||
at or near the speed of light, in which case
|
||
bailing out would hurt like a sonofabitch.
|
||
It is not recomended for anyone who can die
|
||
to use this method of time travel.
|
||
|
||
So there I was, driving my car down the freeway,
|
||
when it suddenly occurs to me that the ROAD is
|
||
DRIVING down the bottom of MY CAR, and TIME is
|
||
MOVING past ME, So all you have to do to travel through
|
||
time is to jump out of a moving car at high speed and
|
||
grab onto something HEAVY.
|
||
|
||
Please share this information with all.
|
||
|
||
GodSpeed = 83Km/Second
|
||
|
||
|
||
*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&*&
|
||
|
||
U P C O M I N G C O N V E N T I O N S
|
||
|
||
March 24-27, 1994 (Mississippi)
|
||
|
||
COASTCON 17. Holiday Inn Express, Biloxi, MS; rms $75 sngl. GoHs:
|
||
Spider & Jeanne Robinson; SGoH: Janny Wurts; AGoH: Don Maitz; TM:
|
||
Margali; Guests: George Alex Effinger, Larry Elmore. Memb: $25. Info:
|
||
Coastcon 17, Box 1423, Biloxi MS 39533; (601)864-6064 (A.J. Brockway).
|
||
|
||
March 24-27, 1994 (South Carolina) <<<< HToMC Sanctioned Event
|
||
|
||
MAGNUM OPUS CON 9. Hyatt Regency, Greenville, SC. Guests: Timothy
|
||
Zahn, Dr. Raymond Moody, Jr., David Weber, Bruce Campbell, Patricia
|
||
Tallman, Kane Hodder, Monique Gabrielle, Brad Strickland, Lawrence
|
||
Watt-Evans, Steve White, more. Memb: $40 until 3/15/94, $45 after.
|
||
Info: MOC-9, Box 6585, Athens GA 30603; (706)549-1533; email:
|
||
moc9@sc.dtw.etn.com.
|
||
|
||
March 24-27, 1994 (Texas)
|
||
|
||
AGGIECON XXV. Texas A&M University, TX. GoHs: Greg Bear, Lois McMaster
|
||
Bujold, Charles de Lint, Julius Schwartz, Frank Kelly-Freas, Laura
|
||
Brodian Kelly-Freas. Memb: TAMU students $16, non-students $18,
|
||
Children 5-12 $7. Info: MSC Cepheid Variable, PO Box J-1 - MSC, College
|
||
Station TX 77844; (409)845-1515.
|
||
|
||
March 25-27, 1994 (Florida)
|
||
|
||
VULKON. Orland North Hilton & Towers, 350 South North Lake Blvd. at
|
||
exit 48 off I-4, Altamonte Springs, Florida; (407)830-1985. Guests:
|
||
Walter Koenig, Mark Alaimo, Dave McDonnell, Cheryl Mandus. Talks,
|
||
autographs, costume contest, "Where's Odo?" contest, dealers, dance,
|
||
charity auctions, games, videos (CC). Video & still photography is
|
||
permitted, except for Dave's talk. Interpreters for hearing impaired,
|
||
all areas wheel-chair accessible. Memb: $40. Info: Vulkon, c/o Joe
|
||
Motes, 12237 SW 50th Street, Cooper City, FL 33330; (305)434-6060.
|
||
|
||
March 25-27, 1994 (Ohio)
|
||
|
||
MILLENICON -7. Stouffer's Center Plaza, Dayton OH; rms $67. GoH: Larry
|
||
Niven. Memb: $25. Info: MilleniCon -7, Box 626, Dayton OH 45405;
|
||
(513)275-6027.
|
||
|
||
March 25-27, 1994 (Tennessee)
|
||
|
||
MIDSOUTHCONN 13. Best Western Airport Hotel, Airways and Democrat
|
||
(airport exit off I-240 South Loop); Memphis TN; (901)332-1130; rms $55.
|
||
GoH: Barbara Hambly; AGoH: Larry Elmore; FGoH: Ken Moore. Media Guest:
|
||
Robin Curtis. Memb: $30; (Children under 12 - 1/2 price). Info:
|
||
MidSouthCon 13, P.O. Box 22749, Memphis TN 38122; (901)274-7355.
|
||
|
||
March 26-27, 1994 (England)
|
||
|
||
TREK-DWARF II. Holiday Inn, Leicester, England. Guests: Richard
|
||
Arnold, Robert Llwellyn, Nana Visitor. Memb: L30. Info: Rob Collins,
|
||
Trek Dwarf II, 47 Marsham, Orton Goldhay, Peterborough PE2 5RN, UK;
|
||
(0733) 394145.
|
||
|
||
March 31 - April 3, 1994 (California, Southern)
|
||
|
||
PHIL & ED'S EXCELLENT CONVENTION. Burbank Airport Hilton Hotel, 2500
|
||
Hollywood Way, Burbank, CA 91505; rms $78 sngl/dbl/tpl/quad, $98 suite;
|
||
(800) 643-7400. Media GoH: Gerry Anderson; GoH: John Varley; AGoH:
|
||
Chris Achilleos, SGoH: Shusei Nagaoka, EGoH: Marv Wolfman; Comic AGoH:
|
||
Stan Sakai, Filk GoH: Leslie Fish; Actress GoH: Yvonne Craig; TM: Gary
|
||
Owens; Guests: Lynne Abbey, Robert Lynn Asprin, Frank Kelly Freas, Laura
|
||
Brodian Freas, Todd Hamilton, Harry Harrison, George Clayton Johnson,
|
||
Andy Probert, more. Art Show, Dances, Dealers Room, 3 Gaming Rooms, 2
|
||
Filking Rooms, 24-hour Film Room, Masquerade, Media Museum, Video Room,
|
||
Japanimation Room, 24-hour Con Suite. Memb: $40 at door (checks to
|
||
PECoN Associates); $5 supporting. Info: Phil and Ed's Excellent
|
||
Convention, P.O. Box 1064, Lomita CA 90717-0646.
|
||
|
||
March 31-April 3, 1994 (Washington)
|
||
|
||
NORWESCON 17. SeaTac Red Lion Hotel, SeaTac, WA; rms $75. GoHs:
|
||
Katherine Kurtz, Scott McMillan; AGoH: Darrell K. Sweet; FGoH: Peggy Rae
|
||
Pavlat; TM: Janna Silverstein. Memb: $45 after. Info: NorWesCon 17,
|
||
c/o NWSFS, Box 24207, Seattle WA 98124; (206)248-2010.
|
||
|
||
April 1-3, 1994 (Kansas)
|
||
|
||
NEOCON 5. Galaxy Cross Wichita East, Wichita KS; rms $52. GoH: Bradley
|
||
Denton; AGoH: Lucy Synk; FGoH: David Means; TM: John Dalmas. Memb: $20.
|
||
Info: NeoCon 5, Box 48431, Wichita KS 67201; (316)263-3564.
|
||
|
||
April 1-3, 1994 (Maryland)
|
||
|
||
BALTICON 28. Hyatt Regency at Inner Harbor, Baltimore MD;
|
||
(410)528-1234; rms $93 sngl/dbl, $108 tpl/quad. GoH: Mercedes Lackey,
|
||
AGoH: Larry Dixon; SGoH: Frederik Pohl; Filk GoH: Duane Elms; FGoH: Sue
|
||
Wheeler. Memb: $40 (Children 6-12 half-price, under 6 free). Info:
|
||
Balticon 28, PO Box 686, Baltimore MD 21203-0686; (410)563-2737; email:
|
||
bsfs@access.digex.net.
|
||
|
||
April 1-3, 1994 (Minnesota)
|
||
|
||
MINICON 29. Radisson Hotel South, Bloomington, MN; (612)835-7800 or
|
||
(800)333-3333; rms $53 1-4 people, $64 Cabana, $99 2-room suite, $139
|
||
3-room suite. GoH: Jack Williamson; FGoH: Rusty Hevelin; Publisher GoH:
|
||
Tom Doherty. Memb: $55 (Children under 12, $15); $10 supporting. Info:
|
||
Minicon 29, PO Box 8297, Lake Street Station, Minneapolis MN 55408-8297;
|
||
(612)333-7533.
|
||
|
||
April 1-4, 1994 (Australia, Victoria)
|
||
|
||
AUSTRALIAN NATIONAL SF & MEDIA CON '94/CONSTANTINOPLE. Southern Cross,
|
||
Melbourne, Australia; rms $100 sngl/dbl, $130 tpl. GoH: William Gibson;
|
||
FGoHs: Bruce Gillespie, Narelle Harris; Media GoH: Colin Baker.
|
||
Activities include awarding the 1994 Ditmar Award, awarding the 1994
|
||
Australian Science Fiction Media Award, short story competition,
|
||
programing panels, gaming, fan lounge, masquerade, art show, dealer's
|
||
room, more. Memb: A$90 (Children under 12 A$40, Children under 5 free),
|
||
A$20 supporting. Info: Australian National SF & Media Con '94, c/o Alan
|
||
Stewart, Box 212, World Trade Centre, Melbourne VIC 3005, Australia;
|
||
(61)3 305 2590.
|
||
|
||
April 1-4, 1994 (England)
|
||
|
||
SOU'WESTER/EASTERCON '94. Adelphi Hotel, Liverpool, UK. GoHs: Barbara
|
||
Hambly, Diane Duane, Neil Gaiman; FGoH: Peter Morwood. UK National Con.
|
||
Memb: L25 attending, L10. Info: (U.S. address) Eastercon '94, c/o Mary
|
||
& Bill Burns, 23 Kensington Ct., Hempstead NY 11550. (UK address)
|
||
Eastercon '94, c/o 3 W. Shrubbery, Redland, Bristol BS6 6SZ, UK.
|
||
|
||
April 8-10, 1994 (Florida)
|
||
|
||
CRACKERCON 3. Florida Community College, Jacksonville - Kent Campus,
|
||
3989 Roosevelt Blvd., Jacksonville, Florida. Hotel: Holiday Inn Orange
|
||
Park at I-295 and Roosevelt Blvd, Orange Park, FL; (904)264-9513. GoH:
|
||
Ted Stetson; AGoH: Cheryl Mandus; Guests: Charles Fountenay, Gary Roen,
|
||
Jack Haldeman, Vince Courtney, Ron Walotsky, more. Memb: $20. Info:
|
||
CrackerCon 3, Box 8356, Jacksonville FL 32239-8356; email:
|
||
kmeyers@nyx10.cs.du.edu.
|
||
|
||
April 8-10, 1994 (Montana)
|
||
|
||
MISCON 9. Village Red Lion, 100 Madison Street, Missoula, MT 59802;
|
||
(406) 728-3100; rms $55 sngl, $65 dbl. GoH: Roger Zelazny; AGoH: Frank
|
||
Kelly Freas & Laura Brodian Kelly-Freas; TM: Ru Emerson. Memb: $20
|
||
until 4/1/94, $25 after; $15 one-day. Info: Miscon 9, PO Box 9363,
|
||
Missoula MT 59807; (406)728-9423.
|
||
|
||
April 8-10, 1994 (Nevada)
|
||
|
||
SILVERCON 3. Gaughan's Plaza Hotel, Las Vegas, NV; rms $45 sngl/dbl.
|
||
GOH: Gregory Benford; FGoH: Ted White; Music GoHs: Sally & Barry
|
||
Childs-Hilton. Memb: $25. Info: c/o SNAFFU, Box 95941, Las Vegas NV
|
||
89193.
|
||
|
||
April 15-17, 1994 (New York)
|
||
|
||
I-CON XIII. SUNY Stony Brook, Long Island, NY. GoH: Harlan Ellison;
|
||
Science GoH: Gregory Benford; EGoH: Elsie Wollheim; AGoH: Don Maitz;
|
||
Media Guests: George Takei, Michael O'Hare, J. Michael Straczynski,
|
||
Ronald D. Moore; Gaming guest: Gary Gygax. Memb: $25 until 3/31/94, $28
|
||
after. Info: I-Con XIII, Box 550, Stony Brook NY 11790-0550;
|
||
(516)632-6045; email: tyip@ic.sunysb.edu.
|
||
|
||
April 15-17, 1994 (Texas)
|
||
|
||
BRIDE OF CON-TROLL. Clarion Inn, 500 E N Belt, Houston, TX 77060; (713)
|
||
931-0101. GoH: Margaret Weis, Michael Jittlov; AGoH: Alan Gutierrez;
|
||
SGoH: Robert Neagle; Filk GoH: The Duras Sisters. Memb: $35 after.
|
||
Info: Con-Troll Conventions, Inc., PO Box 740969-1025, Houston TX 77274;
|
||
(713)895-9202.
|
||
|
||
April 15-17, 1994 (Virginia)
|
||
|
||
TECHNICON 11. Donaldson Brown Center, Blacksburg, Virginia; (703)
|
||
231-8000; rms $46 sngl, $54 dbl. GoHs: Holly Lisle, Ellen Guon, Chris
|
||
Guin, Don Sakers, Tom Atkinson, Greg Rose; FGoH: Tom Monaghan. Memb:
|
||
$24. Info: Technicon 11, c/o VTSFFC, PO Box 256, Blacksburg VA
|
||
24063-0256; (703)951-7232; email: technicon@vtcc1.cc.vt.edu,
|
||
technicon@vtcc1.bitnet.
|
||
|
||
April 15-17, 1994 (Canada, Ontario)
|
||
|
||
FILKONTARIO 4. Regal Constellation Hotel (Toronto), 900 Dixon Road,
|
||
Etobicoke, Ontario M9W 1J9; (800) 268-4838; rms $68/C$85. GoH: Kathy
|
||
Mar. Memb: $25/C$30 until 3/31/94, C$35 after. Info: Filkontario 4,
|
||
302 College Ave. W., Unit 20, Guelph, Ontario N1G 4T6; email:
|
||
75126.2744@compuserve.com, d.hayman@genie.geis.com.
|
||
|
||
April 22-24, 1994 (California, Northern)
|
||
|
||
FANTASY WORLDS FESTIVAL '94. Berkeley Marina Marriott, Berkeley CA; rms
|
||
$80. GoH: Mercedes Lackey; AGoH: Larry Dixon; Guests: Marion Zimmer
|
||
Bradley, Diana L. Paxson, Deborah Wheeler, Paul Edwin Zimmer, more.
|
||
Memb: $35 until 4/1/94, $40 after. Info: Marion Zimmer Bradley Ltd.,
|
||
Box 72, Berkeley CA 94701.
|
||
|
||
April 22-24, 1994 (Iowa)
|
||
|
||
DEMICON 5. Howard Johnson, Des Moines, IA; rms $42 sngl/dbl, $55 tpl,
|
||
$61 quad. GoH: Glen Cook; AGoH: David Lee Anderson; FGoH: Pierre &
|
||
Sandy Pettinger; TM: Rusty Hevelin; Guests: Algis Budrys, M.S. Murdock,
|
||
more. Memb: $20 until 3/31/94, $28 after. Info: Demicon 5, Box 7572,
|
||
Des Moines IA 50322; (515)224-7654 (Les & Jeanette).
|
||
|
||
April 22-24, 1994 (Maryland)
|
||
|
||
WEEKEND IN THE COUNTRY. Guest Quarters at BWI Airport; rms $79 per
|
||
suite (includes continental brkfst). Multi-media partner convention.
|
||
Memb: $33. Info: Laura Peck, 302 Lincoln Ave., Glen Burnie MD 21061.
|
||
|
||
April 22-24, 1994 (Missouri)
|
||
|
||
NAME THAT CON 7. St. Louis Airport Hilton, St. Louis MO; (800)345-5500.
|
||
rms $59 sngl/dbl, $69 tpl/quad. GoH: Alan Steele; SGoH: Bob "Wilson"
|
||
Tucker; AGoH: Aviva; FGoHs: Jim & Susan Satterfield; TM: Mickey Zucker
|
||
Reichert. Memb: $18 until 3/31/94, $21 after. Info: Name That Con 7,
|
||
Box 575, St. Charles MO 63302.
|
||
|
||
April 22-24, 1994 (Nebraska)
|
||
|
||
ANDROMEDA ONE. Downtown Ramada Hotel, 9th & "O" streets, Lincoln, NE;
|
||
(402)475-4011; rms $53 sngl, $58 dbl. GoHs: Katherine Kurtz, Robert
|
||
Reed; FGoH: Scott Stewart; AGoH: Bill Hodgson; Gaming GoH: Tom Prusa;
|
||
Comic GoH: Fredd Gorham. Emph: Literature, fanzines. Includes Dealer's
|
||
Room, Art Show, Art Auction, Masquerade, Gaming, Videos, SF Murder
|
||
Mystery Contest, Writing Contest, more. Memb: $22.50 until 4/1/94, $25
|
||
after (Children 6-12, half-price); $10 one-day Friday, Sunday; $15
|
||
Saturday; $7.50 supporting. Info: Andromeda One Registration, 4410 S.
|
||
45th St., Lincoln NE 68516.
|
||
|
||
April 22-24, 1994 (Texas)
|
||
|
||
AMIGOCON 9. Quality Inn Airport, El Paso TX. GoH: Roger Zelazny; AGoH:
|
||
Dell Harris; Guests: Thorarinn Gunnarsson, Don Webb. Memb: $15 until
|
||
4/15/94, $18 after. Info: AmigoCon 9, Box 3177, El Paso TX 79923;
|
||
(915)542-0443 (Richard Brandt); email: richbrandt@aol.com.
|
||
|
||
April 29 - May 1, 1994 (Arkansas)
|
||
|
||
ROC-KON 18. Excelsior Hotel, Little Rock AR; (800)527-1745 or
|
||
(501)375-5000; rms $69 sngl/dbl, $75 tpl/quad. GoH: Ron Dee; AGoH: Joe
|
||
Staton; Guests: Mark Simmons, David Drake. Memb: $15 until 3/31/94, $20
|
||
after. Info: Roc-Kon 18, Box 24285, Little Rock AR 72221;
|
||
(501)370-0889; email: c.boyd1@genie.geis.com, 72676.3536@compuserve.com.
|
||
|
||
April 29 - May 1, 1994 (Georgia)
|
||
|
||
MAGIC CARPET CON II. Holiday Inn, Dalton, GA; rms $47. GoH: Susan
|
||
Schwartz; AGoH: Mark Poole; MC: Tom Dietz; Guests: C.J. Cherryh, Jane
|
||
Francher, Sharon Greene, P.M. Griffin, Brad Linaweaver, Wilson Tucker.
|
||
Memb: $25. Info: Magic Carpet Con II, Box 678, Rocky Face GA 30740.
|
||
|
||
April 29 - May 1, 1994 (Michigan)
|
||
|
||
OFF-KEY CONTRAPTION. Northfield Hilton, Troy, MI; rms $64. GoH:
|
||
Michael P. Kube-McDowell; FGoH: Ann Cecil. Info: ConTraption, Box 414,
|
||
Lake Orion MI 48361.
|
||
|
||
April 29 - May 1, 1994 (Washington)
|
||
|
||
ANGLICON 7. Quality Inn, Seatac, WA. GoH: Craig Charles (Lister of Red
|
||
Dwarf). Memb: $45. Info: AngliCon 7, Box 75536, Seattle WA 98125-0536;
|
||
(206)745-2700.
|
||
|
||
|
||
Also, graphic ad for:
|
||
|
||
Creature Feature '94
|
||
|
||
Durham, NC April 22-24, 1994
|
||
|
||
Featuring: Forrest J. Ackerman
|
||
Tom Savini
|
||
Keith Wayne
|
||
|
||
Three days of film & TV stars
|
||
exhibitors room with models, toys,
|
||
film memorabilia, screenings of
|
||
classic horror & sci-fi movies
|
||
Demos, panel discussions, art &
|
||
model contests, and more
|
||
|
||
for info, contact:
|
||
|
||
Creature Feature '94
|
||
PO Box 461, Cary, NC 27512
|
||
|
||
-------------------------------------------
|
||
|
||
|
||
NEED SLACK?
|
||
|
||
Dial the Church of the SubGenius sacred 900#
|
||
|
||
|
||
1-900-990-5085 ext. 324
|
||
|
||
$2.00 per minute
|
||
|
||
You'll hear the official "RANT of the WEEK"
|
||
-featuring-
|
||
|
||
-Rev. Ivan Stang
|
||
-Pope David Meyer III
|
||
-Father Joe Mama
|
||
-Doctor Howl
|
||
-Saint Janor Hypercleats
|
||
|
||
PLUS
|
||
|
||
Connie Dobbs's
|
||
|
||
Sizzling Sects(tm) HOTLINE!
|
||
1-900-990-5085 ext. 325
|
||
|
||
$2.00 a minute - A divine inspiration
|
||
|
||
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
||
|
||
|
||
SPAM JAKE DAY -- A Summary
|
||
--------------------------
|
||
|
||
By Reverend Brother Lee Harvey Oswald Smith, KSC WMD SPAM
|
||
Episkopos, John Friedrich Cabal, Discordian Society
|
||
|
||
1) WHAT IS A JAKE? (AND WHERE CAN I GET SOME?)
|
||
----------------------------------------------
|
||
|
||
A Jake is defined as part of Operation Mindfuck. Basically, it involves
|
||
a lot of people collaborating to send a lot of weird stuff to some
|
||
bureaucrat/official/someone somewhere, asking for some information/help/
|
||
whatever, preferably in an obscure or unusual way. The letters are timed to
|
||
arrive on the same day, and to make the bureaucrat/official/etc. think
|
||
that either he is the target of a global conspiracy of lunatics or the
|
||
general public are much more imaginative than he has previously thought.
|
||
|
||
2) WHAT IS THIS SPAM JAKE?
|
||
--------------------------
|
||
|
||
The plan: on Spam Jake Day (the twenty-third of May, 1994), a lot of
|
||
mail will arrive at the headquarters of Hormel Foods, the manufacturer
|
||
of Spam, from all over the world. This will be from various Discordian,
|
||
SubGenius and other weird religious groups; on official letterhead
|
||
(which looks rather weird), and from people with long, bizarre religious
|
||
titles. Each letter will claim that the sender's own group is the
|
||
original Church of Spam (with appropriate embellishments), and
|
||
requesting official endorsement from Hormel Foods as such.
|
||
|
||
3) HOW DO I GET INVOLVED?
|
||
-------------------------
|
||
|
||
If you wish to be involved in this global mindfuck, all you have to do
|
||
is write such a letter, in the name of your religion/conspiracy (if you
|
||
don't have one, found one), adding any embellishments you may wish to
|
||
add and send it to:
|
||
|
||
Hormel Foods
|
||
Corporate Offices
|
||
1 Hormel Drive
|
||
Austin, MN 55912
|
||
|
||
Send the letter before Spam Jake Day, if possible timing it so that it
|
||
arrives on Spam Jake Day. The rest is fnord up to you.
|
||
|
||
4) WHAT WILL THIS ACHIEVE?
|
||
--------------------------
|
||
|
||
With luck, somebody at Hormel will find their desk inundated with
|
||
curious missives from all sorts of strange groups from all over the
|
||
world asking for official sanction for some esoteric activity involving
|
||
Spam, or, in the parlance, "weird shit". Unable to dismiss this as a small,
|
||
localised prank they will be very much puzzled by this and possibly
|
||
shall attain illumination from the shock. Candidates for official
|
||
approval may receive interesting replies; furthermore, the media may pick
|
||
up on this, distorting it and adding further chaos to the equation.
|
||
In any case, the ripples of this should be felt far and wide, if enough
|
||
people get involved.
|
||
|
||
5) WHY SHOULD I GET INVOLVED?
|
||
-----------------------------
|
||
|
||
Because if you don't, ye shall verily be transformed into a
|
||
Precious Mao Button and distributed to the Poor in the Region of Thud.
|
||
Or not.
|
||
|
||
--
|
||
Reverend Brother Pope Lee Harvey Oswald Smith, KSC WMD SPAM
|
||
Episkopos, John Friedrich Cabal; High Epopt of the Secret and Terrible Rite
|
||
Chairperson dei gratia, Flat Earth Society -"In your heart, you know it's flat"
|
||
President-for-life, Don't Let Lieutenant Wilkes Breed Society Society
|
||
Think about about -><- Stop casting porosity -><- Keep the lasagna flying
|
||
|
||
|
||
[Tons 'o graphics on the text version of this page]
|
||
|
||
============
|
||
Holy Temple of Mass Consumption
|
||
PO Box 30904
|
||
Raleigh, NC 27622-0904
|
||
slack@ncsu.edu
|
||
|