3339 lines
160 KiB
Plaintext
3339 lines
160 KiB
Plaintext
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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- $#%::::::::: BEAT YOUR FISTS THROUGH THE STATIC & THE NOISE ::::::::%#$ -
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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_/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/
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\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\
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/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__
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/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/
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\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\
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__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/
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\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_
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/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\_
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_/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\
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_/\/\_/\/\/\__/\/\_/\/\/\_/\__/\__/\/\_/\/\/\_/\__/\_/\/\_/\/\/\__/\/\_/\/\
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OINK, MOTHERFUCKER! _/\_ I AM A GODDAMN PIG. _/\_ OINK, MOTHERFUCKER!
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: ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :
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/\/\/\ /\/\/\ /\/\/\ /\/\/\ /\/\/\ /\/\/\ /\/\/\ /\/\/\
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<*BEEP*> <*BEEP*> <*BEEP*> <*BEEP*> <*BEEP*> <*BEEP*> <*BEEP*> <*BEEP*>
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\/\/\/ \/\/\/ \/\/\/ \/\/\/ \/\/\/ \/\/\/ \/\/\/ \/\/\/
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IT'S ___ .--------------------. IT'S
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TOO /o O\ \ / | Gosh, what's wrong | TOO
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MUCH | ^_ | o|| | with my computer?! | GOOD
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FOR /\___/\// `--.-----------------' FOR
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YOU //| hoe!! | -' YOU
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| `\>\_____/ |
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`---:: _// \\_ ::---'
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: :
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: ~~~\.--------------------------------./~~~ :
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- $#%::::::::::::::: | HOE #1000: THE RETURN OF WAREZ | :::::::::::::::%#$ -
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___/`--------------------------------'\___
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{((( HELLO AND WELCOME! )))}
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I {((( THE TEXT FILE YOU ARE CURRENTLY RECEIVING )))} Are
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am {((( HAS BEEN SPECIALLY ENCODED WITH THE FUNKY )))} you
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alive {((( FINGERS OF DOZENS OF E-ZINE WRITERS. IT'S )))} alive
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! {((( ENTIRELY POSSIBLE AFTER SOME ANALYSIS, AN )))} ?
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{((( ALERT READER WILL BE ABLE TO FIND SEVERAL )))}
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{((( SUBLIMINAL IDEAS, CONTRADICTIONS AND EVEN )))}
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No. {((( A LITTLE TOUCH OF CRAP. DO NOT BE AFRAID. )))} Yes.
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: ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :
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: :
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: ~~~\.-----------------------./~~~ :
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- $#%:::::::::::::| Freaks Flock Together |:::::::::::::%#$ -
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: ___/`-----------------------'\___ :
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s$ $s : .d"$$"b. :
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$$ $$ .d""b. .d""b. $$ $$ $$ .d""b. $$ s$ .d""$$
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: ::::::: $$""$$ $$ $$ $$ $$ : $$ $$ $$ $$ $$ .ass$$ $$ $$ ::::::: :
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$$ $$ $$ $$ $$ss$$ $$ $$ $$ $$ss$$ $$ $$ $$ "" $$
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FZZZZZZZZ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ $$ .d""$$ ZZZZZZZZT
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$$ $$ $$ $$ $$ $$ $$ "" $$ $$ $$ $$ $$ $$ $$ $$
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: ::::::: $$ $$ $$ $$ $$ $$ : $$ $$ $$ $$ $$ $$ $$ $$ $$ ::::::: :
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$$ $$ "TssT" "TssT" $$ $$ "TssT" "Tss$$ $$ "Tss$$ (tm)
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: : ""
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: " What does it all mean?!#@^ " :
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. .
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: :::::::::::::::::::::::::::: \\//////// :::::::::::::::::::::::::::: :
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| OiNK |
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0 0
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Rockin' Ya Brain \ / Blurrin' Tha Line
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(O O)
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~~~~\
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: :::::::::::::::::::::: Bringin' It ALL Together :::::::::::::::::::::: :
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<<<< HOE E'ZINE: LEADER OF THE NEW SCHOOL >>>
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<<<< The Real ASCII Underground >>>>
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((( *NOW IN STEREO!* )))
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............................................................................
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:::::::::::: WORK YOUR FINGERS TO THE BONE SITTING ON YOUR ASS :::::::::::::
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""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
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Aww yeah! IT IS TIME. Aww yeah!
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\ " / _3_ \ " /
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: :: --- (*) --- --- (*) --- :: :
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/ // \ _2_ / \\ \
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\\ //
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no no NO no no NO no! // _1_ \\ no no NO no no NO no!
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_______________________\\_________________________//________________________
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AWW SHIT YEAH %$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$% YA THINK YOU
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IT'S DA HOE1K %$$| .. |$$% CAN FUCK WIT
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DONTCHA YA BE %$$| .uef^" oe < .z@8"` |$$% HOE??? BOYEE
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STEPPIN' UPTA %$$| :d88E .@88 !@88E |$$% DONTCHA KNOW
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THIS MEGADOPE %$$| `888E ==*88888 '888E u |$$% DAT WE AIN'T
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PHATTY ROCKIN %$$| 888E .z8k 88888 888E u@8NL |$$% NO CHEAP OL'
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T-FILE CUS YA %$$| 888E~?888L 88888 888E`"88*" |$$% IMITATION NO
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KNOW WHEN THA %$$| 888E 888E 88888 888E .dN. |$$% WE'RE AT THE
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SMOKE CLEARZZ %$$| 888E 888E 88888 888E~8888 |$$% NEXT LEVEL
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THE SUCKAZZ N %$$| 888E 888E 88888 888E '888& |$$% SO HERES THA
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FEARZ OF DA 2 %$$| 888E 888E 88888 888E 9888. |$$% TIME 4 YOU 2
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TRUE HARDCORE %$$| m888N= 888> 88888 '"888*" 4888" |$$% REVEL IN DIS
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RAWNESS N SHT %$$| `Y" 888 '**%%%%%%** "" "" |$$% LEETNESS LYK
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WHICH ONLY WE %$$| J88" ____________________________|$$% IT WUZZ EVEN
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CAN SERVE YOU %$$| @% |$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$% YA BIZNIZZZZ
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WITH DA STYLE %$$| :" |$$%.---------------------------' BUT, REALLY,
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DATS MAKIN DA %$$|____________|$$%| YA JUST CAME 2 WITNEZZ DA ADVANCEMENT IN
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HOMIES SMILE! %$$$$$$$$$$$$$$$$$$%| A MUTHAFUCKIN TEXTUAL ENTRACEMENT, SUCKA
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$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
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""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
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From: Tanya Heaps
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To: hoe@hoe.nu
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Subject: Your web thing
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Your web site (http://www.hoe.nu) is really quite bizarre. It's
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as if five maniacal, ritalin-laden children got together and had a
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writing orgy that never ended. Well, I like it, but I can't actually
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read it. That's not an insult, but why do guys put together such
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sophisticated satire right next to dumb stories about POOP. Maybe I'm
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missing something?
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-----
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From: DukerDoozie
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To: hoe@hoe.nu
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Subject: wow
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you guys totally rule. i've been reading hoe off and on since
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1995 when somebody uploaded it to my local bbs here in CA. it's cool to
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see that you guys are still producing text files, even with the
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web domination of everything. for the life of me, i can't figure out why
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you even bother, but you know. text is raw.
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-----
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From: Oscar Meyer Wilde III
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To: mogel@hoe.nu
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Subject: My final text file
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God gave me large breasts, so I've got a licence to bitch.
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Whatever you want to tell me, I probably know already. I'm tired of
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going to sleep at night and waking up and remembering that I have a
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sexual identity, and I probably know how to count because that's what
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we're supposed to have learned. I'd like to unlearn, shift lock!@#$%^&*(),
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and be a brand new text file writer each and every day.
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I've got absolutely no problems with the French. People say,
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like, "hey, the French are pretty snobby"--but I don't see it. I don't
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have any idea what they're talking about. They make good food, movies,
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and bizarre phrases that pepper our incestuous minds. I like that.
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Real art fags use caps lock--structuralist dipshits. The best
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writers use numbers to communicate. The patterns always change.
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-----
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From: gnn@uxu.org
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To: Mogel <mogel@hoe.nu>
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Subject: Gloat
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The uXu officially congratulates the zine HOE, which belongs to
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the proud--but last--recognizable generation of full-time, life-time
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digital writers dedicated to the ingenious American Standard Code for
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Information Interchange.
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Greetings from Sweden,
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The GNN/Underground eXperts United
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-----
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From: Sedative
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To: hoe@hoe.nu
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Subject: Greetings from the semi-distant past
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Howdy. This is Sed, of HOE infamy (aah the fame of being a
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teenage t-file writer). I came across the HOE webpage today & thought I
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would send my greetings. It's weird looking at all these stories I
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wrote years ago. Nowadays I'm struggling to make a living as a
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"professional" (heh-heh) writer, so it's quite a trip looking at all
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those things that showed up on my BBS screen way back when. I can't
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decide if I'm supposed to feel nostalgic and cheery about those old
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writings of mine, or feel incredibly embarassed. Probably both.
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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A Special Message From The Editor
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HIYA, GANG. Over-whelming would be an under-statement--if for only
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one moment, everyone in the world would hop online simultaneously and
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share the incredible joy that I have for each and every one of you. My
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insatiable LOVE resides over this here computer network. Take a look at
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your CPU for a minute, you. See it? It's got Mogel's LOVE coursing
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through it's circuits, guys! I hope that makes you FEEL.
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You're easily impressed, and HOE E'zine is there for you. We are
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wonderfully clever. We are incredibly stupid. This is the 1000th issue
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and I just CAN'T STOP the RIVETING FEELINGS from TRICKLING out of my
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FINGERS. I would try to stop THE EMOTIONAL BLITZ from SWALLOWING YOU
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WHOLE but I CAN'T.
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We are a movement. A bowel. A very profound one. It all comes
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down to one insurmountable phrase: "I'm Eating Your Fart". Don't bother
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trying to stifle the giggle. I know it's there. Can you believe I
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just said fart? I am completely off the hook! Just like the time the
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teacher said blah blah blah, does it really matter what I type as an
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anecdote here? You'll read it anyway!
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Who am I trying to kid? All I really want is congratulations for
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being the most prolifically insane person in the computer underground.
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But words are never enough. Gosh, I want to impress you. Man, like a
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boxer, I can just keep re-assembling words in different sequences,
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swinging punch after punch, until I finally get a phrase that you guys
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will really be HIT in the FACE by and THEN I will have SUCCEEDED.
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AHH HOLY FUCK I'M WITTY. I'M PIERCING YOUR BRAIN WITH ASCII
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WORDS!!!! CAN YOU POSSIBLY READ ALL 8.6 MEGS OF HOE???? AHAHAHAH THIS
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IS A 164k ASSAULT ON YOUR SENSES!!!! THIS IS A TEXT OVERLOAD!!! WOOOOO!!!
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I AM SHITTING DIRECTLY INTO YOUR EYEBALL!!!!
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Somewhere in this issue appears the result of me ejaculating
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onto this keyboard. Is that too over the top? I'm here for your
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enjoyment. I'll do anything for you. When you're alone, think of me.
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YO DUDES I JUST SMOKED UP A SWEET PHATTY "J" BEFORE WRITING THIS!
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FUCK!!!! AHAHAHA!! PEOPLE ASK ME "HEY MOGEL, AFTER RUNNING HOE FOR SO
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LONG, DO YOU EVER HAVE A PROBLEM TELLING THE DIFFERENCE BETWEEN WHAT'S
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GOOD AND WHAT'S COMPLETE CRAP?" AND, YO!! I TELL THEM "HAHA, NO I CAN
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NOT, AND YOU KNOW WHAT? I HAVE NEVER FELT SO FREE!!!!" SO FUCK THAT!!!!
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YO AHAHAH WE'RE BLURRIN THE SHIT BETWEEN GENIUS SHIT AND STUPIDITY AND
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SHIT AHAHAH!!! SHIT FUCK MAN!!!
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Do you think HOE got here too soon? Was our arrival pre-mature?
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<ehehehe, sorry honey, it's been a while, ehehehe!>
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I've said too much.
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-Mogel/HOE E-ZINE GRANDE EDITOR SUPERIOR MAKIN' DA BITCHES CRY 'TIL I DIE
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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The Obloid Sphere 192 of 222
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By: Trilobyte Replies: 7
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To: All
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Subj: The World of Philosophy
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i think that philosophy's main purpose is to create a description
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of the world so that philosophers can talk about it in the way that they
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want to. they can't explain our world in its own terms, so they have to
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develop their own world with its own terms. they then use those terms a
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lot and build up philosophies about their little world, but really, it
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has very little application in the world in which we live.
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if they were going to be talking about things that really applied,
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they would be talking about convenience stores and coffee and how the two
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connect, and how when you go to a convenience store and buy a cup of
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coffee, you're having a certain mental and spiritual interaction with the
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employee...
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but there i go being all philosophical also. maybe there is no
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spiritual world. maybe that's just another creation developed to hide
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the fact that we can't explain our world using its own terms.
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the world expresses itself using its terms, and we can't
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understand them. who is it that created this world's terms? it wasn't
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us. why do the terms exist? why do trees grow the way they do, why is
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cement of that certain consistency? someone can provide answers to these
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questions, but they will involve atoms and mathematical equations.
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oh, so mathematics is the language of nature. mathematics are our
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representation of the terminology of this world. then let's develop
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pictures for the plus signs, images for the symbols. stories for the
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problems.
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oh wait, they've done that too. that's how they taught math to us
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in grade school, that's how they taught us to apply math to the real
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world. and since math is the language of the real world, the connection
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shouldn't have been that hard to make.
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it's too bad i understand language better than math.
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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DRIVEN by AnonGirl
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Jake Trent lived in Cleveland, Ohio, and liked to drive his car.
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He didn't have a fancy car with a thousand functions, just a plain old
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car. One day, after a long day at the office, Jake got into his car and
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drove home. His eyes were burning from the fluorescent lights. Before
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he got home, though, he had to run a few errands.
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The first errand was to stop off at the Drive-Thru ATM, so that he
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could get some cash for the rest of his errands. He liked the
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convenience of not having to get out of his car and still be able to get
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money from the bank. It was comforting to him.
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For the second errand, he had to go to the Drive-Thru post office,
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to mail a package to his friend Marcy, in Oregon. He liked the fact that
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he didn't have to wait in line while reading Most Wanted posters amongst
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hostile citizens, who were also waiting in line. It gave him peace of
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mind.
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The next errand was to stop at the Drive-Thru liquor commission,
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to pick up some alcohol for the office Christmas party. He bought wine,
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vodka, and tequila. He liked the idea of not having to go into the
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liquor store at this time of year, because of the crowds and robberies.
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He felt safer using the Drive- Thru. Wouldn't you?
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Jake remembered the night before, and how a burglar tried to break
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into his house. Since he didn't have an alarm system, he decided that it
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would be best to purchase a gun, to protect himself. He made a quick
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stop at the Drive-Thru Gun and Ammunition store, and picked up a 99 STO
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Autococker, along with some ammo, for a reasonable price. He knew no
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burglar would mess with him, now.
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After his trip to the gun shop, Jake was famished. He stopped at
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the Drive-Thru McDonald's, and ordered a number two, which was a Quarter
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Pounder with cheese, fries, and a drink. He noticed that they were
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selling Teenie Beanie Babies, and asked for a Nip the Cat. The girl
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said, "I'm sorry, sir, but we're all out of Nip the Cat. Would you like
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Seymour the Seal, instead?" However, Jake didn't want Seymour the Seal.
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He politely declined the nice lady's offer, and went on his way. He felt
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like living on the edge tonight, so when he was through with his Sprite,
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he knocked back almost the entire bottle of vodka. He thought it'd be fun!
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On the way home, Jake was driving through the 'hood, and decided
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that now was a great time to try out his new weapon. He saw a group of
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chillin' homeboys standing on the corner, and opened fire on the bunch,
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killing each homey. He'd never been involved in any Drive-Bys before,
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only Drive-Thrus. He kind of liked it; it made him feel new and different.
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Soon after, he was stopped by the police, who drove him down Death
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Road, to the local penitentiary. He was sentenced to death, where he
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would awaiting execution on Death Row. His last request was to obtain
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his lethal injection via Drive-Thru.
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His request was denied, so he settled for an ice cream cone and a
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cigarette.
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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From: Blue Daemon
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To: hoe@hoe.nu
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Subject: learnin the internet
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hehehe i like the one about the fucked girl cos its so true
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l8r
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- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
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Your Call Is Not Important To Me!
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(A Response to HOE #975!)
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by Clyde
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each morning when i get in to work at the b.a.c. corporation,
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there are already hundreds of callers waiting to talk to me! i don't
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even put my telephone headset on for about twenty minutes, because i have
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to drink my coffee! if i don't drink my coffee, i will bite people's
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heads off! the other suckers who decided to show up for work on time
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this morning can deal with the work load, while i deal with the more
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important subject of drinking coffee!
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when i take the first call, all they can say to me is how long
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they've been waiting, and how irritated they are with our service! if i
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walked out the door without breakfast on that morning, as i've been doing
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for months, i usually hang up at that time! then the next caller says
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the same thing!
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by about the ninth call, i get the same guy i hung up on in the
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first call! and this time he is steaming pissed! i can just feel the
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steam coming through the phone! and i'm sweating like hell! how come my
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company doesn't hire someone to keep my coffee mug full! need more
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coffee!
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n e e d m o r e c o f f e e ! ! ! ! ! !
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so it's the tenth caller! by this time, my genitals are getting a
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bit soggy! they are reminding me what kind of stress i am dealing with
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and how badly i need to relieve myself of all this coffee i am drinking!
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and the customers are still pissed off! "four ninety five to answer my
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calls faster! you sons of bitches!" what can i tell them! i have
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programmed to tell them nothing but our standard answer block, which is,
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"sir/ma'am, the priority call answering service is a way for you to get
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your needs addressed in a more timely fashion! due to the high demand
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for our products and services, our phone center employees typically
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handle up to ninety calls per day! we can bill your visa, mastercard, or
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american express card! what is the number on your credit card!"
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i wrote that!
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we get a bonus for each priority call answering service we sell!
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but really! have these fucking customers looked at our catalog
|
|
recently! the women in the ads are the same women we used six years ago!
|
|
and frankly, these women haven't aged so well! once our dot-com web play
|
|
takes off, these old ladies are out the door! i'm going to show my boss
|
|
how to recruit hot-shit models over the internet!
|
|
|
|
n e e d m o r e c o f f e e ! ! ! ! ! !
|
|
|
|
ok, this is caller number forty! a true milestone! this asshole
|
|
wants saturday delivery! "sorry sir, but that shipping option is only
|
|
available on our web site, unless you are subscribed to our priority call
|
|
answering service! we can bill your visa, mastercard, or american
|
|
express card! what is the number on your credit card please!"
|
|
|
|
he hung up!
|
|
|
|
i take my headset off, and run to the bathroom down the hall!
|
|
after pissing, i towel off my genitals with some paper towels! i also
|
|
stuff a bunch of tissues in my back pockets! believe it or not, this
|
|
makes sitting down for a long time much more comfortable!
|
|
|
|
next caller! hey, this will be caller number fifty-five! i think
|
|
it will be my last one for today! screw quotas, i'm going to a movie
|
|
tonight so i have to leave early!
|
|
|
|
"yes, ma'am, we are an internet company! just open your web
|
|
browser and type in double-you double-you double-you dot ..."
|
|
|
|
"are you going public soon?"
|
|
|
|
"huh!"
|
|
|
|
"are you going public? i want to buy stock in an internet
|
|
company! when are you going public? er, can i talk to your PEE ARE
|
|
person, or someone in INVESTOR RELATIONS?"
|
|
|
|
"how can i help you!"
|
|
|
|
"listen baby, ALL I WANT IS TO STRIKE IT RICH ON THE INTERNET. i
|
|
DONT WANT your FUCKING products! the ONLY GOD-DAMN REASON i sat on hold
|
|
for so long is to find out about INVESTING in your company! listen! i
|
|
have been investing for just TWO MONTHS and i HAVE to find the HOTTEST
|
|
new trend in the industry! i want to invest in a company that will FLY
|
|
OFF THE CHARTS and put NETSCAPE to shame! i just opened my E*TRADE
|
|
account and i want to BEAT THE STREET! beat the street, baby! that's
|
|
what it's all about! but listen, you little snot-nosed [INAUDIBLE], i'm
|
|
done talking to you, i just want to talk to your INVE..."
|
|
|
|
n e e d m o r e c o f f e e ! ! ! ! ! ! !
|
|
|
|
"ma'am! this company is six years old! we sell some of the most
|
|
boring stuff on the planet! our average customer hold time is in the
|
|
20-minute range! our management is asleep at the wheel! some high
|
|
school kid did our web site! i only got this job to get out of prison
|
|
early! our turnover rate is nineteen percent! the average employee age
|
|
is only twenty three! half our accounting staff is away on maternity
|
|
leave! and just between us, the other half of them are lesbians!
|
|
listen! do you think this company could possibly be a successful company
|
|
in the stock market! i don't care so much about what you want! the
|
|
thing i do is get money from people who call me! that's it! see, if i
|
|
transfer you, i haven't made any money on the call! my manager will see
|
|
this and get pissed! he might fire me too! so can't you find it in your
|
|
heart to just buy a..."
|
|
|
|
"i'm gonna be rich! i'm gonna be rich!"
|
|
|
|
"listen ma'am! have you heard about our new product line launched
|
|
this week! it is an attractive set of..."
|
|
|
|
"investor relations department, please! i'm gonna be rich!"
|
|
|
|
"...and for as little as twelve dollars extra, you can upgrade to
|
|
overnight shipping!"
|
|
|
|
"transfer me please! investor relations!" [woman starts pressing
|
|
buttons on her phone]
|
|
|
|
"sorry, ma'am, but only members of our priority call answering
|
|
service may speak with our investor relations department! i can bill
|
|
your visa, mastercard, or american express card! what is the number on
|
|
your credit card please!"
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
The Pubic Hair Shaving FAQ
|
|
|
|
Maintained by Styx <styx@rebel-alliance.net>
|
|
v0.5 - January 09, 2000
|
|
|
|
FAQ questions
|
|
|
|
a. Why would anybody shave their pubic hair?
|
|
b. Should I shave my pubic hair?
|
|
c. What should I know before shaving my pubic hair?
|
|
d. Is it true that my cock and balls will itch after I shave them?
|
|
e. Is it true that shaving my pubic hair will make my penis look bigger?
|
|
f. Anything else?
|
|
|
|
**************************************************************************
|
|
|
|
a. Why would anybody shave their pubic hair?
|
|
|
|
Good question, and it beats the fuck out of me. Some guys claim that
|
|
shaving them adds sensitivity to the genital area, especially during
|
|
sexual intercourse or walking down the street. While this may be
|
|
true, you will find that this is most often said by guys who are TOO
|
|
CHICKENSHIT TO SHAVE THEIR DICK. What they are NOT TELLING YOU is
|
|
that the added sensitivity is actually due to the BLEEDING AND
|
|
BURNING YOU EXPERIENCE AFTER DOING SUCH A RIDICULOUS THING.
|
|
|
|
b. Should I shave my pubic hair?
|
|
|
|
ONLY IF YOU ENJOY WAKING UP AND WISHING YOU WERE DEAD EVERY MORNING.
|
|
|
|
c. What should I know before shaving my pubic hair?
|
|
|
|
First and foremost - there is NO graceful way to go about it. You
|
|
will hurt yourself and your loved ones. You will bleed. Your hands
|
|
will shake. You'll be in pain. Read dick shaving tips all you want
|
|
by the experts. They're full of shit because they have web sites.
|
|
I have a web site, too, but there is no content and I've no reason to
|
|
lie to any of you.
|
|
|
|
Secondly, if you're going to do it, ASK YOUR GIRLFRIEND IF SHE'D MIND
|
|
BEFOREHAND. This is KEY.
|
|
|
|
d. Is it true that my cock and balls will itch after I shave them?
|
|
|
|
YES.
|
|
|
|
e. Is it true that shaving my pubic hair will make my penis look bigger?
|
|
|
|
Actually, yes. But that doesn't make up for the AGONY AND TERROR.
|
|
|
|
f. Anything else?
|
|
|
|
Yes. You will get pimples all over the place and you won't be able to
|
|
stop scratching them, embarassing you and your friends in the process.
|
|
Carry around a bottle of baby powder and pray that it will end soon.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
You are now trapped in Aethelwulf's Utopia WWIV BBS Voting Menu!
|
|
|
|
[Voting]: V
|
|
|
|
QUESTION #44: "What's your problem, asshole?"
|
|
|
|
- Hey, I don't appreciate being called asshole on this BBS.
|
|
PHANTOM #294
|
|
- FUCK YOU
|
|
ERISE #14
|
|
HROTHGAR #368
|
|
KHELDAR #264
|
|
- I was born without a heart.
|
|
THE MARTYR _TO_ AETHELWULF #308
|
|
- I love teddy bears!!
|
|
SPIRIT: THE ALLIES #5
|
|
- My problem is that I still can't get ANSI to work in Windows.
|
|
- Then don't use HyperTerminal, duh.
|
|
QUAREX #1
|
|
- Zmodem is my friend! Zmodem makes me do weird things.
|
|
DISPOSABLE HERO #57
|
|
- Cozumel, my homeland! Return me to your glory!
|
|
GHORT #3
|
|
- 18 AND LIFE to GOoOOOoooOoOO!
|
|
ELROND #6
|
|
MURMUR SIBELIUS #313
|
|
- Scott Jacobs
|
|
CAPTAIN RAT #423
|
|
CRANK #354
|
|
SWISS POPE #20
|
|
- Red Glowing
|
|
DR. ONE #426
|
|
NAME IN TURMOIL, CALL LATER #314
|
|
SATAN'S FAVORITE SON MEMEME!!! #68
|
|
SCARY EVIL WITCHBOY #470
|
|
- She Blinded me with Science.
|
|
HATE-BALL #430
|
|
OGRE DE LATOYA: FAKE ACCOUNT #2
|
|
|
|
QUESTION #45: "What would you do if you were President?"
|
|
|
|
- Raise military spending
|
|
- Raise NASA funding
|
|
PHANTOM #294
|
|
- Get the Beavis & Butthead movie put on permanent hiatus
|
|
- Hire Mr. T as a bodyguard to bring him out of his depression
|
|
KHELDAR #264
|
|
SPIRIT: THE ALLIES #5
|
|
VANIR #150
|
|
- Dress all in black and conduct rituals in the oval office
|
|
CAPTAIN RAT #423
|
|
CRANK #354
|
|
ERISE #14
|
|
HROTHGAR #368
|
|
SATAN'S FAVORITE SON MEMEME!!! #68
|
|
SCARY EVIL WITCHBOY #470
|
|
- Re-enact "ID4" with Puppets
|
|
DR. ONE #426
|
|
HATE-BALL #430
|
|
THE MARTYR _TO_ AETHELWULF #308
|
|
- Become a Boy Scout Leader
|
|
- Play Quake all day, fuck the country
|
|
GHORT #3
|
|
- Fuck the country THEN play Quake all day.
|
|
DISPOSABLE HERO #57
|
|
NAME IN TURMOIL, CALL LATER #314
|
|
- Force MTV2 to be shown in PLACE of MTV on Telecable.
|
|
HITCHCOCK #326
|
|
OGRE DE LATOYA: FAKE ACCOUNT #2
|
|
- You want babes? Take a look around you!
|
|
SWISS POPE #20
|
|
- I am not an atomic playboy.
|
|
ELROND #6
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
LUKE RIDES WITH THE WIND
|
|
by Kreid
|
|
|
|
Yeah, I rode that motorcycle. It was my soul, that bike was. I
|
|
lived for that motorcycle, and the feeling it gave me as the desert wind
|
|
blew threw my hair. I was a motorcycle enthusiast... a BIKER.
|
|
|
|
I rode with the wind!
|
|
|
|
Name's Luke, by the way. Luke Cool. That's my name, yeah, that's
|
|
what they call me. Know why?
|
|
|
|
Because I keep it cool. Always cool, with the wind in my hair and
|
|
the road under my wheels, and my ass-lips gripping the sides of that
|
|
sweat-slicked motorcycle seat. I was a rider, a rider with no pants and
|
|
no fear in this world.
|
|
|
|
Yeah, I rumbled a few times. I rode with gangs. I kicked some ass,
|
|
but that's not me. I'm Luke Cool, I keep it cool. That's why they call
|
|
me Luke Cool.
|
|
|
|
But, my friend, I can tell you no more about the ways of Luke Cool.
|
|
The wind is calling, and I must ride, ride away.
|
|
|
|
Ride on... ride with the wind...
|
|
|
|
ride.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
Aren't you FEELIN' it? Why so sad and blue? Why's it so hard?
|
|
Why do you feel so inadequate? HOE E'Zine wants to know what's a-goin'
|
|
on in that silly ol' noggin!
|
|
|
|
From: Vien Luong
|
|
To: hoe@hoe.nu
|
|
Subject: HOE
|
|
|
|
I'm not one of you. I tried to write for HOE once. I wrote
|
|
Something Stupid. Yes, I'm "iNSaNe_GuRL", you may remember me.
|
|
|
|
Sometimes when I'm bored I read all the HOE files. Sometimes I
|
|
just sit and laugh and laugh, 'cause i find it all just that little bit
|
|
amusing. Most of the times I'm intimidated by the "in-jokes" and
|
|
esotericisms that seem to, you know, characterize some files around here.
|
|
Sometimes I read and think "Gee, is this good? Or is it just me?"
|
|
'Cause not everything on here can be like genius stuff, can it? I think
|
|
even the stupid files have some kind of hidden smartness. I've told
|
|
people that before.
|
|
|
|
Anyway, I don't fit in here. And I read your stuff all the
|
|
time, and I think "Gee, these people would hate me 'cause I'm a fake."
|
|
Coz these people are easily offended types. Coz they have reason to be
|
|
better than everyone else, and they'll think I'm lame.
|
|
|
|
And I'm one of those people, who go on those huge chat channels on
|
|
DalNet and have one of those nicks with AlTeRnaTiNG Caps and sometimes I
|
|
EVEN feel compelled to shorten my words into that annoying kind of
|
|
net/bimbo/flirting/shallow chatting-language because that's what everyone
|
|
else does.
|
|
|
|
I feel mediocre.
|
|
|
|
I wish I had a free-flowing, real, tangible, touchable, edible,
|
|
ooozing, flooding talent... at anything, even if it was something like,
|
|
uh, I don't know, licking cane toads, or beating myself with a stick.
|
|
It's not fair. I write and I pretend I'm a tortured genius type, with
|
|
the world's jaded expectations lying heavy on my shoulders, the whole
|
|
misconceived notions of success and talent and materialism and conformity
|
|
and corruption--they all stop me from freedom, from being me, you know.
|
|
Oh yeah, I'm sure I'd be talented if I weren't so stifled! The truth is
|
|
I have no talent at all.
|
|
|
|
I read peoples work and wonder where it comes from--if they have
|
|
to try as hard as i do to write the way they do. I hope they do, because
|
|
it's hard to compete with talented people. It's even hard to compete
|
|
with people who think they're talented but are just mediocre like me but
|
|
who are confident enough to pull it off. There are plenty of those.
|
|
|
|
Anyway, don't think that I'm writing this as some kind of pathetic
|
|
attempt to enter your world. I wouldn't dream of it (well, maybe a
|
|
little sometimes). I have nothing more to say.
|
|
|
|
-----
|
|
|
|
DON'T CRY, DRY YOUR EYE. We can't all be Mogel, lil' Vien!
|
|
If you're tired of feeling so lowly in the presence of the clearly
|
|
enlightened HOE staff, you are not alone. DO NOT BE WORRIED.
|
|
DO NOT GIVE IN TO THOSE FEELINGS OF LAMENESS!
|
|
|
|
You are unique, and you speak! Blink if you understand this.
|
|
|
|
-----
|
|
|
|
MENTAL C by Bellum
|
|
|
|
Do you see what you do?
|
|
Do you see how you play games, and the habits in which you encode?
|
|
We're all great artists, but what do we paint?
|
|
Do we paint a rhyme, or a fat line of bullshit?
|
|
Look into yourself, and into your "consciense"--
|
|
What do you paint? How do you code things?
|
|
Do you code everything yourself?
|
|
Is your mental card-cataloge self-made?
|
|
Do you accept what you see?
|
|
How many classes do you divide people into?
|
|
When you meet someone, do you always search that mental
|
|
card-cataloge for a class?
|
|
"Individuality is ignored when identity is asserted."
|
|
How'd ya like THAT peice of code, fucker?
|
|
|
|
"Or, to put it more charitable, we are all
|
|
better artists than we realize" -- Nietzsche
|
|
|
|
HOE E'zine Will Make You Clean.
|
|
Tough Love From Above.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
INTO A DARK WOOD
|
|
by Oregano
|
|
|
|
Hansel and Gretel walked into the dark woods looking to have an
|
|
adventure. Now we know that we should not go off alone and Hansel and
|
|
Gretel knew better than that, they could get lost and they could get
|
|
attacked by a bear or a wolf, but they went anyway and you'll see why
|
|
that was a bad idea.
|
|
At least they had some sense, at least they were paying a little
|
|
attention and not just spaced out on video games and loud music. Can't
|
|
they turn down their stereos while I am talking to them? Why don't you
|
|
kids listen? I have lived far longer through this life and I know what I
|
|
am talking about, I don't just talk to hear myself talk, I tell you what
|
|
I know so you don't have to go through the same crap I went through.
|
|
Anyway, Hansel and Gretel knew that it was easy to get lost in the
|
|
woods, they at least listened to that part, they thought they were so
|
|
freaking smart.
|
|
"Don't go into the woods, it is too dangerous," I tell them. And
|
|
they answer, "Why? What is so dangerous?" and I tell them how they can
|
|
get lost and turned around and never find their way home and in a
|
|
weakened state from sleeping out in the rain and cold a coyote will jump
|
|
on their back and sink its fang into their neck till they bleed
|
|
ferociously and once they give up the struggle the coyote will eat their
|
|
arms and legs and probably eat into their belly all while they are still
|
|
alive and unable to scream.
|
|
So the kids figured, "We'll take along some bread crumbs and that
|
|
will mark where we have been and then we can find our way back and we
|
|
won't get lost and oregano is an idiot since his scare tactics have a
|
|
simple solution. We won't get tired, thus we can fight off a coyote as
|
|
long as we don't get worn down by rain and cold. And we won't because we
|
|
are so clever with these bread crumbs." And they went off into the
|
|
woods. Now had they asked me about their bread crumb plan I would have
|
|
said, "you dumb flubs, birds like to eat bread, what were you thinking?"
|
|
They'd have a smart aleck answer and then think of something else just as
|
|
stupid but I could have wore them down and they'd have seen how stupid
|
|
they were and then they would have listened to my first advice which is
|
|
stay the freak out of the freaking forest! Just because I don't tell you
|
|
all the dangers does not mean that there are none. I know--so listen
|
|
to me.
|
|
Hansel and Gretel went out in the woods to explore. They dropped
|
|
bread crumbs to mark their path home and they had a delightful time
|
|
mincing and prancing in the woods, all smug and sure of themselves.
|
|
They got a fair way into the forest and they saw a house in the
|
|
middle of the trees. Now for a normal person reason applies and we know
|
|
that if someone wants to live alone in the middle of a forest, far from
|
|
neighbors or grocery shopping, then they are wacko and dangerously
|
|
unstable. But Hansel and Gretel did not think. They didn't even pay
|
|
attention to my talk about not speaking with strangers. They'd probably
|
|
say, "well you always talk to the women ahead of you in line in the
|
|
supermarket. They are strangers." Stupid kids always with the smart
|
|
remark, I try to tell them how that is different since I am looking for
|
|
poontang. But they don't listen to words, and they don't even listen to
|
|
actions, they see grownups talking to strangers and they think all
|
|
grownups are approachable. So they went up to the house and knocked on
|
|
the door.
|
|
The thing with kids is that they won't take the jug of V8 juice to
|
|
Mrs. Morley since she has a strange rasp to her voice which frightens the
|
|
children. The same Mrs. Morley who lets them sled on her back lawn after
|
|
it snows, the same Mrs. Morley who never forgets their birthday, the same
|
|
Mrs Morley whose son died 20 years ago and still loves to be around kids,
|
|
still needs to hear their laughter. The kids won't go to her house, even
|
|
to deliver some juice when she is ill, to talk to a woman who just wants
|
|
to remember, but they will knock on the door of a strange coot way out in
|
|
the forest.
|
|
Hansel and Gretel knocked and the door opened to reveal a woman I
|
|
would later be able to identify as crazed. But she had a strange laugh
|
|
that the kids took for delight. She laughed while she forced a smile
|
|
after giving a momentary weary look of scorn. But kids don't pick up on
|
|
the fact that the first expression is the real one, it gets covered up by
|
|
the false one. They thought they found a friend.
|
|
I'll call her a witch, the police called her a confused old lady.
|
|
I doubt she dabbled in spells, but close enough. The witch welcomed the
|
|
children inside and offered them something to eat. The kids being hungry
|
|
from a long walk wandering the woods ate up. They know to be wary of
|
|
food from strangers, that I have to inspect their candy at halloween, for
|
|
example, and yet they ate up the food at the crazy witch's house. The
|
|
witch fired up the oven. The kids did finally have a warning light go
|
|
off on their proverbial dash board. Why is she lighting the oven? "Maybe
|
|
you can take a look inside," the witch asked to Hansel and when he looked
|
|
in the oven the witch kicked him in the butt and closed the door, ready
|
|
to cook him up. Thank goodness the two kids had a little assertiveness
|
|
training and Gretel opened the oven and the two children, together, with
|
|
their tricky little minds, shoved the witch into the oven and wedged the
|
|
door shut with a broom stick.
|
|
This is at least what the kids told us, and the police, for all we
|
|
know they just snapped and went out into the woods and killed a helpless
|
|
old lady. But that seems unlikely, the kids are not quite that smart.
|
|
And this woman's house really smelled. Not just the charred flesh, but
|
|
it smelled, eww, just bad. And in her photos I could see that crazy look
|
|
in her eyes.
|
|
Hansel and Gretel got out of the house and found that there were
|
|
no bread crumbs left. And now they remembered the bad things I warned
|
|
them about and they froze in panic and stood near the house trying to
|
|
figure out how to get out of there.
|
|
Gretel told Hansel about a TV show she watched where moss grows on
|
|
the north side of trees and that they could use that info to go north.
|
|
Now here is the thing about TV...it lies! Moss does not grow on just one
|
|
part of a tree, it grows where ever the freak it can, but kids believe
|
|
what they see on Matlock, or whatever stupid shows they watch. At least
|
|
it got the kids moving and they found their way out of the forest before
|
|
dark and I had to go pick them up a few miles southwest of our house and
|
|
after they babbled enough about a crazy woman, and they convinced me
|
|
something was up in the woods, I called the police and we all went out
|
|
and found the house and the dead witch and boy did the trouble start
|
|
then.
|
|
So anyway, I want to tell you that story tonight so you know that
|
|
you gotta pay attention to what I say, don't go off on half knowledge and
|
|
when I say to stay out of the woods, you gotta trust me to know what is
|
|
best for you. Okay, sleep well. And have nice dreams.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
MIDNIGHT CONVERSATION IN ELECTRIC
|
|
by Mutter
|
|
|
|
IF YOU'RE LOVED, THAT'S GREAT. IF YOU'RE HATED, THAT'S JUST AS GOOD.
|
|
It's when people are indifferent to you that you have a problem!!
|
|
|
|
Are you mocking me?
|
|
In what sense?
|
|
In dollars and sense
|
|
Strom Thurmond thinks so.
|
|
|
|
EVERY DAY HAS A DIFFERENT SMELL.
|
|
It's when every day smells the same that you have a problem!!
|
|
|
|
You're getting stupid--claiming "nobody" saw that movie.
|
|
Fuck you. Nobody was me, and that movie was my life.
|
|
Where did the 8 million in revenue come from?
|
|
Cuba
|
|
Fuckin' Commie!
|
|
Nicaragua, actually
|
|
Uhhh, Leftist pinko?
|
|
|
|
I have a problem. I had a dream last night. You were in it.
|
|
I was in an empty house with you and some kid I didn't know.
|
|
|
|
OKAY, HERE GOES! You said you had to go to work for two hours but would
|
|
be back in time for the party. When you left, I asked the kid where he
|
|
lived. He said "Florida". I told him I wasn't driving to "Florida".
|
|
He told me then he had TO GO and HE LEFT. I locked my front door after
|
|
him! I peeked through the window to see a little girl approaching my
|
|
house! This scared me for some reason, and I tried to find my keys in a
|
|
bag but when I turned it UPSIDE DOWN all that fell out was LOOSE CHANGE
|
|
and A BRA. Well, I ate the bra for some reason and I found my keys for
|
|
some reason and a song began playing outside, and I couldn't! help! but!
|
|
sing! along! and open the door. As soon as I opened the door I had a gun
|
|
in my face, "Gimme THE KEYS to the truck!" I gave him the keys, even
|
|
though I don't own a truck. Then I chased after him with my own guns.
|
|
Someone was waiting in a car with a shotgun and the three of us had a
|
|
bizarre gun fight, ending with everyone being shot and still walking
|
|
around and the kid saying he got the gun from my house. No kidding.
|
|
|
|
You're a satanist, aren't you? Kinda?
|
|
Yeah, I can tell. Satanists have no creativity.
|
|
Most extremists lack imagination. I'll prove it.
|
|
Fill in the blanks: "I like to rub _________ on my __________!"
|
|
|
|
Are you on drugs?
|
|
|
|
That doesn't fit the blanks. Try again.
|
|
|
|
Are you a pervert?
|
|
|
|
I went to a doctor with a case of boredom;
|
|
he laughed in my face and sent me home.
|
|
I went to a dealer with a case of boredom;
|
|
he prescribed a drug to make life fun.
|
|
|
|
OKAY, WELL, the only drug I'm high on is LIFE!
|
|
(The breakfast cereal! Hehehe!)
|
|
|
|
Fucking addict.
|
|
|
|
Yes, no, I am a pervert. Is this beside the point?
|
|
You're the one that lacks imagination.
|
|
For instance:
|
|
What would you do for a KLONDIKE BAR, you FUCKING PIECE OF SHIT?
|
|
|
|
At least i'm not an addicted pervert.
|
|
|
|
No, I'm a perverted addict. There's a difference.
|
|
You're very judgmental for a satanist. Kinda?
|
|
|
|
It's easy to be a good driver in the passenger seat.
|
|
|
|
Well, it was nice talking to you. And by "nice" of course I
|
|
mean "painfully boring." Would you please take my keys out of your
|
|
vagina?
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
_Dog Humped My Dog & Mine Is Tied_
|
|
by Styx
|
|
|
|
The Poconos are a small string of mountains in Mid-to-Eastern
|
|
Pennsylvania and there are a bunch of little podunk towns smattered around
|
|
in them and mostly they all suck, but sometimes they don't. The towns
|
|
usually have minimal security due to there being NOTHING TO ENFORCE.
|
|
|
|
Yesterday I got my hands on the 1999 Annual Security Report of a
|
|
policeman from one of these villages. It encompasses everything he did
|
|
as a policeman for the entire year. I guarantee you it is authentic, but
|
|
I will not give any names for fear that some moustached mullet-head with
|
|
four teeth will find out I raided his shit and will enact revenge on me
|
|
by dumping a keg of Coors Light on my cat who I love very much.
|
|
|
|
Bad spelling and the original form remains intact, as always.
|
|
|
|
----------------------------------------------------------------
|
|
|
|
SECURITY REPORT 1999
|
|
|
|
25 Open fire during burn ban
|
|
24 Dogs barking
|
|
22 Dogs running loose
|
|
21 Speeding
|
|
13 Illegal dumping
|
|
10 Assist to Township Police
|
|
10 Running stop sign
|
|
9 Cats at dump
|
|
8 Kids on bike w/no helmets
|
|
6 Tree across road
|
|
5 Deer w/rope around its neck
|
|
5 Message relay
|
|
5 Atv's w/no insurance
|
|
5 Tresspassing
|
|
5 White dogs running loose
|
|
5 Atv's speeding
|
|
4 Pair of sheppards running loose
|
|
4 Assist to State Police
|
|
4 Assist to Game Commission
|
|
3 Fast & reckless driving
|
|
3 No Power
|
|
3 Teenager disputes
|
|
3 Assist to ambulance
|
|
3 Spinning tires
|
|
3 Loud Stereo
|
|
3 Suspicious red car in woods on Ute
|
|
3 Feeding cats at dump
|
|
2 Harassment
|
|
2 Shooting
|
|
2 Disorderly conduct
|
|
2 Light on in trailer
|
|
2 Snowmobile w/no insurance
|
|
2 Weather report
|
|
2 Kids riding in back of pick up
|
|
2 Cat in dumpster
|
|
2 Lost dog
|
|
Blue pickup dropped garbage & didn't pick up
|
|
Terroristic threat
|
|
Abandoned fawn
|
|
Gasoline siphoned
|
|
Lost keys at mailbox
|
|
Dog on my porch at midnight
|
|
Skirting pulled out
|
|
Office building egged
|
|
Dog humped my dog & mine is tied
|
|
Low heat light on
|
|
Brush in my driveway from tree crew
|
|
Woman on Pawnee feeding cats at dump
|
|
Kids sledding on Geronimo
|
|
Items at dump returned to property owner
|
|
Dog w/no food or shelter
|
|
Assist to State Constable
|
|
Assist to Repo man
|
|
Assist to Sheriff's Dept
|
|
Fireworks
|
|
Attempted Breakin
|
|
Tree across wires
|
|
Wires across road
|
|
Wires down
|
|
Bear under trailer
|
|
Trailer door open
|
|
Hill needs cinders
|
|
theft
|
|
Domestic dispute
|
|
Renter running stop sign
|
|
Warning given
|
|
Raccoon out in daytime
|
|
Gas stove wont light
|
|
Low water pressure
|
|
Fight at bus stop
|
|
Spotlighting
|
|
BB gun damage to my garage
|
|
Animal in my roof
|
|
Dead deer on my lot
|
|
Kids playing at dump station
|
|
Girls in woods during school
|
|
Passing school bus
|
|
Stop sign down
|
|
Dog held jogger at bay
|
|
Shots fired at 1:30 a.m.
|
|
Bell cable down
|
|
Guy taking pictures of us driving golf cart
|
|
Two guys dragging a buck
|
|
Dog attacked me
|
|
Atv in pavilion
|
|
White caddy on property
|
|
Cut phone line
|
|
Pulled knife on me
|
|
Vandalism at phone booth
|
|
Dead deer in road
|
|
Fight at bus stop
|
|
Skunk out in daytime
|
|
Kids cutting through my property
|
|
No toilet paper
|
|
Kids locked men room & went out window
|
|
Snow pushed in road
|
|
Car stuck on hill 15 min after it started snowing
|
|
Golf cart at 1 a.m.
|
|
Rottie attacked me while walking
|
|
Car slid off hill
|
|
Newspaper people taking salt
|
|
Kid on mini bike w/no helmet
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
PICTURE THIS
|
|
by Caitlin
|
|
|
|
Picture this, a familiar scene in #ezines on EFnet once upon a
|
|
time... you've got your typical asshole criticizing the new comers about
|
|
their angsty teen rants, a few lazy fat-asses talking about their
|
|
favorite book by Vonnegut, or their favorite pop song, and then there's a
|
|
few pseudo-intellectuals discussing philosophy or politics. Of course,
|
|
you can't forget the few unwittingly ignorant people that frequent the
|
|
channel as well. They're talking about their breasts, or clothing, or
|
|
maybe their GED test, or drugs.
|
|
|
|
BIGGIE BIGGIE BIGGIE CAN'T YOU SEE?
|
|
|
|
"Flowering like a.... flower... with children's tear drops
|
|
poisoning the leaves, salt infiltrating the dirt like it was running away
|
|
from the IRS," she read aloud in class.
|
|
|
|
Silence from the students.
|
|
|
|
"Picture this," she began, "There's a girl on the corner of
|
|
Michigan Avenue selling flowers for mothers day for five dollars extra,
|
|
and we're going to go to the grocery store to buy the $1.99 bouquet on
|
|
the way home from school so we can give them to our mothers in a rush,
|
|
and a quick kiss on the cheek."
|
|
|
|
Silence.
|
|
|
|
Okay, picture this: there's a girl in my choir class that makes
|
|
me want to cut my face off. Beyond the boundaries of cliques and fascist
|
|
fingernails tapping on the books they don't open, she is definitively
|
|
annoying. Need more to work with? "LIKE, OH MY GOD, YOU TOTALLY HAVE NO
|
|
MAKEUP ON TODAY!@#@#$!?!@!"
|
|
|
|
Hahahaha, she almost cried.
|
|
|
|
Detour--picture this: caring about someone so incredibly, you
|
|
would work ten times harder then usual just to make a future with them
|
|
possible. Once upon a time, there was a girl who could get perfect grades
|
|
if she had the motivation. Then after love's arrival, she strikes a 4.0,
|
|
with a recommendation into advanced placement courses. Last year she was
|
|
sweeping hallways for grades. Who are we talking about?
|
|
|
|
TH-TH-THIS DANCE IS MINE
|
|
|
|
Pictures aren't enough to keep her going, you know. Skipping
|
|
class, even for the doctor is discouraging.
|
|
|
|
<dumbgirl> HAHAH I GET LOTS OF DATES BECAUSE MY TITTIES ARE REALLY BIG!!!!
|
|
<asshole> hah
|
|
<smartguy> Buddhism of course takes its roots in Hindu, from India. the
|
|
ancient Hindi texts pre-date anywhere from 1500 B.C. or
|
|
earlier--they were the old teachings, called "vedas". a lot
|
|
of this vedic scripture was based on the culture, and there's
|
|
many Hindu stereotypes. I'm obviously not very concerned with
|
|
Hindu, although it's important to bring up since not only does
|
|
Buddhism take its roots there, but it is still a present
|
|
religion in the world and has some interesting philosophical
|
|
ideas of its own.
|
|
<smartgirl> I just read The Dharma Bums. I hate Buddhism from now on,
|
|
okay?
|
|
<girl> I got drunk with a cute boy.
|
|
<fatass> I am so fat, yo. I like to eat. I also like Marilyn Manson
|
|
and Korn. Sometimes I listen to FATboy Slim. hahahaha, THIS IS
|
|
BECAUSE I AM FAT!!!
|
|
<fatass2> Whoa, I am fat, too. I eat, too! I hate pokemon! I hate
|
|
lots of stuff. Oh, yeah, I like food.
|
|
<null> I have a cat! Her name is Anna! She drools!!
|
|
<acoustyxx> I like beer. My girlfriend is hot, hahhahaha, fuck you all!
|
|
<STD> HAHAHAHA QUINN THE ESKIMO!! HAHAHAHAHAHHAHA FUCKING SHIT
|
|
(subtext: I am in love. I am better then you all, hahahaha.)
|
|
<somegirl> haha, yer cute, hahaha. Why aren't you here?
|
|
<smartguy> Well, you know, "Buddha" comes from an ancient language of
|
|
writing called "Sanskrit". Reference is made to this, of
|
|
course, because it's a language that doesn't exist anymore,
|
|
but many Buddhist texts are originally written in. Buddha,
|
|
which originally comes from the word "Budji" (meaning
|
|
"Perfected mind"), was a term to come after Sidhartha died,
|
|
however, in a sense. Anyway, I'll be referring to Sidhartha
|
|
as "Buddha" every now and then, but it's important to note
|
|
that the word is also qualitative, as something can be
|
|
"Buddhist"--and it was furthermore made clear that the
|
|
"Buddha nature" existed within everyone.
|
|
<asshole> shut up
|
|
<asshole> i am better then you all
|
|
<someguy> fucking drugs.. legalize it alllllll...
|
|
<somegirl2> i hate laundry! you all think i am stupid, but i'm really
|
|
a smart person. see.. i have this problem where i graduated
|
|
stupid, i appear stupid, but i'm really not stupid. see.. I
|
|
have a cat... she's not stupid either.
|
|
<dumbgirl> i went to the store yesterday, and all the guys were staring
|
|
at my titties.
|
|
<asshole> hah
|
|
<STD> YOU FUCKING JERSEY TRASH
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
How to Bring About a Socialist Revolution by Slacking Off!
|
|
by Uberfizzgig
|
|
|
|
For the most part, when we're kids and growing up, we live with
|
|
our parents. They pay for everything we need to survive and have fun.
|
|
Then, after we graduate from High School or College, we go out and get
|
|
any job we can and start complaining about it. Well, we should just stop
|
|
doing that. Not complaining, but stop taking a job that really isn't the
|
|
best that can possibly be. All kids, when they grow up and are about to
|
|
move out and get a job, should just hold off on that until they find one
|
|
that offers total benefits, 6 weeks paid vacation, and democratic control
|
|
of the company itself by its employees. If the next generation of young
|
|
educated laborers did this, companies would soon be faced with a drastic
|
|
labor shortage. They would have to begin offering greater and greater
|
|
pay and benefits to attract workers. Most companies are not in a
|
|
position to move overseas, or hire foreign labor, and foreign labor in
|
|
places where labor is cheap is also not highly educated, so all these
|
|
people staying at home would be for the most part enhancing jobs that
|
|
only they are really able to get. If this continued, companies would
|
|
eventually discover that by offering benefits, pay and working conditions
|
|
of extraordinary magnitude, they could get these people to leave their
|
|
homes and come to work. Other companies follow suit and perhaps even
|
|
offer greater things because of the competition for labor. But in
|
|
general, we'd end up with a socialist work place out of this.
|
|
There may be some difficulties with this hypothesis due to my
|
|
liberal application of demand-side economics. However, a bunch of kids
|
|
that just slacked off at home and didn't get jobs and wouldn't get jobs
|
|
until they were the best possible jobs there could possibly be because
|
|
that what these kids believed they deserved might currently be though of
|
|
as lazy, arrogant assholes, but in reality they are the impetus of social
|
|
change and rising standards of living, they are soldiers in the class
|
|
struggle, the driving engine of history, the spirit of the proletariat!
|
|
So for the sake of humanity, don't get a job. Don't move out.
|
|
If you've already got a job, quit and move back in with your parents. I
|
|
for one already have my bags packed. Just doing my part to save the
|
|
world.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
I LIKE TO KILL PEOPLE by Kreid
|
|
|
|
Yes indeedy, I like to kill people. There's nothing quite more
|
|
satisfying to me than watching the life expire from a pleading and
|
|
innocent pair of human eyes.
|
|
|
|
I AM A TOOL OF GOD'S WRATH.
|
|
|
|
Except love, maybe. Ah, love. That is what we are all searching
|
|
for in this world, isn't it? I sure think so. Then again, I'm no
|
|
expert. I've never known love, or at least not the love of another
|
|
living person. But I would really like to. I'm curious.
|
|
|
|
DEMONS TREMBLE AT MY AWESOME POWER.
|
|
|
|
Is it any reason not to love a person just because that person
|
|
kills people? I just don't understand people. Maybe that's why I kill
|
|
them.
|
|
|
|
ANGELS SCREAM OUT MY NAME IN PRAISE. I AM KNOWN ACROSS THE
|
|
HEAVENS.
|
|
|
|
Speaking of which, I'm almost sure that there's a question on the
|
|
minds of my readers: why do I kill people? Let me answer that question
|
|
with a question. Why don't you shut the fuck up, asshole?
|
|
|
|
I AM TEN TIMES MORE FEARED THAN GOD HIMSELF.
|
|
|
|
Fucking asshole. It's not that I have a short temper. I know for
|
|
a fact that I have a very long temper. People have told me so. Of
|
|
course, they usually tell me so before I explode with murderous rage.
|
|
|
|
GOD'S BATTERED MOTHER SUCKS MY DICK EVERY NIGHT AND SWALLOWS MY CUM.
|
|
|
|
Now ask yourself a question, asshole. I'm curious. What's worse,
|
|
jail or death? My guess is that you're a slender little piece of ass.
|
|
Would you rather have that ass fucked (somewhat) continuously for a
|
|
period determined by the state, or would you rather just have your life
|
|
taken away from you? Either way, your suffering is the result of a man
|
|
doing what he loves to do. It seems to me that the most dangerous people
|
|
out there are those who still rely on simple pleasures.
|
|
|
|
SPEAKING OF DICKS: I'VE GOT A HUGE PECKER.
|
|
|
|
When I was a kid, it was okay to rely on simple pleasures. But
|
|
then, my arms got bigger, my eyes got bigger, my appetite got bigger, et
|
|
cetera. Now I kill people. C'est la vie!
|
|
|
|
HA HA HA HA HA. MOTHERFUCKER.
|
|
|
|
To be honest at last, I know that I am inferior in almost every
|
|
way to almost everyone I murder. But then, they're all dead! Hah.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
LETTERS TO SANTA
|
|
Taken From Bloomingon-Normal's
|
|
"Twin City Community News" Holiday Supplement
|
|
Transcribed by Quarex
|
|
|
|
Things like these children's letters to Santa are far funnier than
|
|
almost anything most people could come up with.
|
|
|
|
So, in conclusion, eat shit.
|
|
|
|
Dear Santa,
|
|
I really want something special. I want another baby brother. I
|
|
want a cat. I want a dog. I want a fish. I like all of these.
|
|
Love,
|
|
Brooke H., Grade 2
|
|
|
|
Dear Santa,
|
|
There are many things I want for Christmas. First, I want a remote
|
|
control car. Next, I want a water and food bowl. Then, I want a Pokemon
|
|
sleeping bag. Last, I want some new golbery shoes, six 4.
|
|
Love,
|
|
Anthony, Grade 2
|
|
|
|
Dear Santa,
|
|
Can you pleas give me a truck thet two people can sit in? Can you
|
|
give me an E-Z bake oven? Thank you Santa. have a nice Christmas.
|
|
Your Friend,
|
|
Amoda Lacour, age 7
|
|
|
|
Dear Santa,
|
|
I have been a good girl. I hope. I have always' have been whining
|
|
about this dog that when you pull the sock it grows and his name is
|
|
Tiger. I have been whining about those Scoobeydoo slippers and the are
|
|
verey comfey to my feet. I want my own butterfly lamp. I want some new
|
|
sheets for my bed and they better be scoobydoo.
|
|
Thank you Santa,
|
|
Megan Fallot, age 8
|
|
|
|
Dear Santa,
|
|
I have been a good girl. What I want the most for Christmas is a
|
|
little computer. I will with it a lot. I want the one with a mouse and a
|
|
C.D. It looks fun and playful. It has a math game on it. I love math. It
|
|
has a reading game on it. Thank you Santa.
|
|
Love,
|
|
Kristina Mlincsek, age 7
|
|
|
|
Dear Santy,
|
|
I will give you 8 carrots, and a glass of milk, and cookies! This is
|
|
what I want. Hocky equipemt and Pokemon cards! Can you get my brothers a
|
|
presant and my brothers a presant and my baby? I Love you Santy!
|
|
Your pal,
|
|
Kevin Rudolph, age 8
|
|
|
|
Dear Santa,
|
|
I was s a good boy. I tried not ot get in a fight with my sister and
|
|
lets get down to business. I would like a beast wars togs. I want chetor
|
|
and you probably know I want the rest of the maximal and transmedal
|
|
pradecon.
|
|
From,
|
|
Joe Wemlinger, age 8
|
|
|
|
Dear Santa,
|
|
I tried to be a good boy. I want a tv. It would be the best and that
|
|
was one fo my wishes. That is the thing I want for Christmas and that is
|
|
what I want for Christmas.
|
|
Your friend
|
|
Culler Kennel, age 7
|
|
|
|
Dear Santa,
|
|
I have tried to be a boy this year I hope I deserve this. I want a
|
|
lavalamp, Nintndo 64 games for game boy, and hot wheels Items. Thankyou
|
|
for buying some of these gifts for me.
|
|
Siserly,
|
|
Tanner Frey
|
|
|
|
Dear Santa,
|
|
My name is Thomas. I'm 7 years old. My favorite thing is
|
|
$1,000,000,000,000 or a toy.
|
|
Your friend,
|
|
Thomas, Grade 2
|
|
|
|
Dear Santa,
|
|
I want many presents for Christmas. I want a Nintendo 64. I want a
|
|
skateboard. I want roller blades and a Gameboy Color. I want a remote
|
|
control motorcycle. I want my brother to heal. I want him to play again.
|
|
I want him to walk again. I want his shoulder to heal.
|
|
Love,
|
|
Matthew, Grade 2
|
|
|
|
Dear Santa,
|
|
For Christmas I would like a X-Blade roller Blades, and biggest,
|
|
coolest remote control car. I want the coolest dirt bike ever and a
|
|
X-Blade snowboard. I wish my dad came back. I like Christmas.
|
|
Love
|
|
Douglas, Grade 2
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
A LAMENT ON THE FAILURE OF PHREAKING
|
|
by Uberfizzgig
|
|
|
|
Back in the day, back before I even knew what a modem was, there
|
|
were hackers. And these hackers would often get long distance calls for
|
|
free. In fact, getting free calls was a big important part of hacking
|
|
because calling all over could get quite expensive. Now, however,
|
|
there's stuff like dialpad.com which lets you call phones with your
|
|
computer over the internet, and that means free long distance. So now
|
|
one of the original skills any 31337 hax0r could not be without, has now
|
|
been co-opted by the corporation. Free calls is not a part of it
|
|
anymore. Perhaps this is the accomplishment of a goal within the whole
|
|
enterprise, a fulfillment of the undertaking, or perhaps it is the
|
|
washed-out main-streaming of the underground. In truth, however, I have
|
|
no idea what I'm talking about. I wasn't there. But one thing's for
|
|
sure, I've got a new long distance carrier.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
_The Drizzt Trilogy; An Introduction_
|
|
by Styx
|
|
|
|
This is going to be weird to explain. Here we go.
|
|
|
|
If you're already familiar with AD&D, particularly Forgotten Realms,
|
|
feel free to skip this introduction/explanation.
|
|
|
|
Drizzt Do'Urden is a character in the AD&D Forgotten Realms multiverse
|
|
and has several different novels based on his story. He is what is known as
|
|
a Drow Elf, which basically means that he has dark skin and lives
|
|
underground. I hate him for two very specific reasons;
|
|
|
|
1) His character is invincible. He never dies. He's boring. It's the
|
|
time-tested formula of bad-guy-turned-good-guy, who fights for what's right,
|
|
but still has a dark side that he continually has to battle with, etc, etc.
|
|
Boring as hell. And he just never dies. Sometimes his death is teased, but
|
|
he always manages to crawl out of the rubble and annoy me more.
|
|
|
|
2) Even more importantly, the guy who messed up my very first
|
|
relationship with a girl went by the nickname "Drizzt Do'Urden" online,
|
|
which made me hate the character all that much more.
|
|
|
|
I no longer do. I'm pretty indifferent. I wrote the following trilogy
|
|
over a span of a few months back in the winter of 1997/1998. I hadn't
|
|
intended on using the Poetboy Chronicles formula that you can find in the
|
|
I Bleed For This? e'zine. It just happened that way, and it was pretty
|
|
effective for me. Just clearing my ass while I have the chance.
|
|
|
|
If you don't know much about AD&D, some of this stuff will definitely
|
|
go over your head. Likewise with The Care Bears, Winnie the Pooh, and the
|
|
Teletubbies, all of which fuck Drizzt Do'Urden up pretty bad.
|
|
|
|
So here we go.
|
|
|
|
NOTE: I posted these on the AD&D newsgroup once. They wanted to lynch
|
|
me but I made my saving throw and now they still suck.
|
|
|
|
-----------------------------------------------------------------
|
|
|
|
_The Drizzt Trilogy; Part 1 - Drizzt vs. the Care Bears_
|
|
|
|
One day, Drizzt was lazing by the side of a creek, mentally
|
|
masturbating over how cool he was and counting his artifacts, when the
|
|
Care Bears came along and gang raped him. HappyBear took control of
|
|
his tight elven rectum while LoveBear filled Drizzt's mouth with his
|
|
hard, fuzzy LoveMeat +3 +5 vs. boring characters that never smile.
|
|
JoyBear made a new hole in Drizzt's cranium with a big rock and took
|
|
advantage of the orifice with reckless abandon. GleeBear had a very
|
|
small appendage and was able to slide easily into Drizzt's urethra,
|
|
and SappyBear did very odd things to the drow's nostrils.
|
|
|
|
When the Care Bears were finished and satisfied, they gang raped
|
|
him again. Then they drowned him in the creek. Then they shot him.
|
|
Then they gang raped him and shot him again, and then they drowned him.
|
|
Then they shot him and pissed on his head and drowned him some more.
|
|
When they were done, they shot him again and drowned him. Then they
|
|
shit all over him, took pictures, and sent the images to
|
|
webmaster@aol.com.
|
|
|
|
Then they shot him a little more.
|
|
|
|
The end.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
From: Jarett Kobek
|
|
To: Carlin Reed
|
|
Cc: Darwin's Friend List
|
|
Subject: Re: How do I talk to a girl? I am twelve.
|
|
|
|
> I would HEARTILY disagree with that. I vote for going over in person,
|
|
> even though it takes more huevos. If she digs you in the first place,
|
|
> this is a good thing to show her that you are interested enough to
|
|
> follow through on this... If she looks at you kind of funny for
|
|
> 'tracking her down' to her new location... then fuck it, cause it
|
|
> weren't goin' nowhere nohow.
|
|
|
|
Hi Carlin. I have to also HEARTILY disagree, but this time with you!!@!
|
|
|
|
I believe that if she gives Darwin the 'tracked me down to East Britania'
|
|
look, he needs to KEEP pursuing her. Yes, he needs to pursue her until
|
|
he can manage to get her into a situation with that ol' key to
|
|
interpersonal relationships:
|
|
____
|
|
| ----
|
|
| ---- (ALCOHOL!!!)
|
|
----
|
|
\\ | |
|
|
\\ (.)=(.)
|
|
\\ \0/ --- "GIMME SUM LOVE, STUD!"
|
|
\\ | |
|
|
--- ---
|
|
(.) (.) \
|
|
\ / \\
|
|
\/ \\
|
|
( )
|
|
[]
|
|
/ \
|
|
/ \
|
|
/ \
|
|
|
|
(DRUNK ASS SLUT. NOTICE BEER GOGGLES.)
|
|
|
|
Yes, you see, 98% of all interpersonal and sexual relationships start,
|
|
for adults, with the help of their old friend alcohol. It's like an
|
|
instant aphrodisiac! Something happens once you get out of high school,
|
|
something strange and silly, and your ability to randomly hookup with
|
|
people without fear of social opprobrium falls away. You've got to be
|
|
drunk now, in the real world. And if you don't, the person you're trying
|
|
to score does. In fact, their sexual drives only turn on when the booze
|
|
is free flowing.
|
|
|
|
Yes, Carlin, there is a Santa Claus, but he changed his name to
|
|
Jim Bean or Jack Daniels, and on weekends he moonlights as the good space
|
|
pirate Captain Morgan. He doesn't live in the North Pole anymore, no,
|
|
now he lives in the black mining hills of easy sipping Tennessee.
|
|
|
|
Seek electricity.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
I Thoroughly Enjoy Limp Bizkit's First Album
|
|
A Review by RottenZ
|
|
|
|
Let's call a spade a spade; I thoroughly enjoy Limp Bizkit's
|
|
first album, "Three Dolla Bill Y'all". I'm not embarrassed to admit it,
|
|
despite what you may think. We've exploded from the post modern age to
|
|
the post-ironic age, and in its wake, I feel no remorse in sharing this
|
|
tidbit with you. Oh, sure, it was no classic, by any standards, and
|
|
there are certainly weak portions, but I believe the "Counterfeit-Stuck"
|
|
one two punch of tracks 3 and 4 alone are enough to cement it in my
|
|
"like" category. Why, just today, I was driving down the highway on a
|
|
sunny, chilly day, listening to Limp Bizkit's first recording, "rocking
|
|
out", if you will, and I did not feel one bit guilty. It was quite the
|
|
good time.
|
|
Significant Other still sucks, though. Enough of that god damned
|
|
"Nookie". Enough!
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
AN IMPORTANT REMINDER by Mogel
|
|
|
|
Expression is progression. Please remember that. Expression is
|
|
your ability to interact with a THING and have something HAPPEN. You
|
|
will find, that it's particularly pleasing when the producer and the
|
|
produced are the same thing. Being yourself doesn't mean you can't be
|
|
someone else, too. You are not yourself, you are someone else--you.
|
|
Get it?
|
|
Expression is art, entertainment, media, thought, writing, ideas,
|
|
sounds, images, uniqueness, listing things, self-awareness--living. And
|
|
if you're not living your life, you're living the life someone else
|
|
handed you on a plate, smeared with some shit you can't identify and
|
|
wouldn't want to, even if you could.
|
|
And why are you doing that? Does it make you feel you have power?
|
|
Does it make you forget how empty your life can be? Does it give you a
|
|
BONER?
|
|
What do those things really mean? Sorry to be so off-base and
|
|
confusing. Can we pretend sincerity is "OK" if it's self-aware?
|
|
I'm talkin' about bein' real, of course.
|
|
I'm talkin' beyond the hedonistic urge of "WOW!". Toutin' that
|
|
"it's just entertainment!" ethos, where tasteless sucksters pretend that
|
|
thought pulls the punch--but real punches do damage, no matter *how* you
|
|
look at them. I'm talkin' beyond the pretentious, the art fags--sittin'
|
|
in their delusionary "cool lunch table", jerking off to a fancy camera
|
|
angle. I'm definitely talkin' way beyond the people that hide behind
|
|
"cultural relativism" as a means to justify something fully intended to
|
|
give Rico Suave a throbing erection.
|
|
|
|
What I'm suggesting is this: it's good to think about it.
|
|
|
|
Here it is, real simple: men with money make the media. They
|
|
demographically study you. They decide what everyone likes in common.
|
|
Those things are simple things (I LIKE DA BOOM BOOM BOOBIES). They use
|
|
their accrued money, money that you've flooded them with, and they
|
|
produce the same time-tested, lowest-common-denominator bullshit over and
|
|
over again. Why shouldn't they? It works! You've proved it, by
|
|
throwing your money at them over and over again.
|
|
|
|
They're banking on your bad taste. They are us. We all hear a
|
|
lot of really shitty things getting praise. In reality, it's because we
|
|
don't know any better. Chronic crap, Pavlov-style.
|
|
|
|
I am not dissing you because you like crap, I'm dissing you because
|
|
I expect more. I'm only anti-establishment if the establishment just
|
|
SUCKS.
|
|
|
|
How many of you jackasses talk about the PeRFeCt SoURCe CoDe--so
|
|
down on Microsoft, aren't you, but you still cried when you saw Liv
|
|
Tyler's stunning performance in ARMAGEDDON, didn't you? How many cliches
|
|
do you NEED?
|
|
|
|
One Man, One Gun, One Mission
|
|
It Was A Clean Wound, The Poor Bastard Probably Never Saw It Coming
|
|
The Killer Was A Pretty Scary Killer
|
|
Isn't It Funny How Tragedy Brings A Family Together?
|
|
Armed With A Wet T-Shirt, She Ran For Her Life
|
|
High School Sucked Quite A Bit
|
|
A Natural Disaster Can Certainly Be A Bad Thing
|
|
Adorable Child Gets Murdered, Everyone Cries
|
|
A Number of Bullets Are Being Fired, People Are Dying As A Result
|
|
Misunderstood And Loving It
|
|
Pretty People Who Do Zany Things And Shit Blows Up
|
|
|
|
Originality is difficult, but if we keep apathetically embracing
|
|
crap, we're like autistic retards, talkin' the same bullshit year after
|
|
year. Is that really what you want to be like?
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
BOGGLE AS A SOCIO-PSYCHOLOGICAL FORCE IN CENTRAL ILLINOIS
|
|
BECAUSE THERE IS LITTLE ELSE TO DO
|
|
by Quarex
|
|
|
|
This file warrants a very brief introduction to inundate those of
|
|
you who are not familiar with the Aethelwulf's Utopia-Bloomington/Normal
|
|
tradition of making sayings on the boggle board in my basement, which has
|
|
been missing one single block since time immemorial. Thus, three
|
|
four-letter words and one three-letter word must be made. MUST. There
|
|
was no room for variation in this sacred ritual.
|
|
|
|
Well, with a few minor exceptions. Invariably, as you all no
|
|
doubt know, Boggle boards get knocked over, and then further pieces go
|
|
missing. On such occasions as yet more pieces were unavailable, leniance
|
|
was allowed on sayings being spelled out.
|
|
|
|
I would try to list who made each saying next to it, but that
|
|
would probably end up with somebody being pissed off at me for giving
|
|
myself credit for a brilliant saying that someone else came up with.
|
|
|
|
I guess I will still try, though. I will list names next to the
|
|
ones I know for sure. And, moreover, I am a fucking retard.
|
|
|
|
Here it is. A list of all the boggle sayings EVER MADE. Well, at
|
|
least all the ones we remember.
|
|
|
|
THIS BURN GOTO
|
|
AINT SHIT HOTH
|
|
NO D RIP FOR
|
|
ISCO (Quarex) RIDE (Quarex) SEX (Ghort)
|
|
|
|
IVAN JOE DREW
|
|
THE AIN'T WILL
|
|
SAND WRTH DIE
|
|
KING (Spirit) SHIT SOON
|
|
|
|
ONLY YOU TOY
|
|
HOES AINT SALE
|
|
USE NEIL ENDS
|
|
PINE (Ghort) YUNG (Quarex) SUNE (Ogre)
|
|
|
|
HATE WERD HENS
|
|
HATE THAT ROAM
|
|
HATE I AM THE
|
|
YOU (Quarex) DEAD CITY (Murmur)
|
|
|
|
NUNS BOYS PELE
|
|
ROAM FOR AINT
|
|
THE SALE GOT
|
|
CITY (Quarex) HERE SHIT
|
|
|
|
KURT GIRL LOVE
|
|
HAS DONT IS A
|
|
LICE LIKE SHIT
|
|
DOOD ME RUG (Quarex)
|
|
|
|
FEED PLOW AINT
|
|
THE HIM NOH
|
|
MULE LONG LEFT
|
|
CZAR (Spirit) TIME TURN
|
|
|
|
TRY GIVE TAKE
|
|
DIET THE TRIG
|
|
JACK DORK SO I
|
|
MOVE (Ghort) SALT HATE
|
|
|
|
HEAT OSCI RUN
|
|
UP A LATE FROM
|
|
TARD THEN THAT
|
|
QUICH (QUs single letter!) DIE (We don't spellcheck) TART
|
|
|
|
TEST NOW MAKE
|
|
YOR WITH DREW
|
|
PING REAL MORE
|
|
TIME PAIN (Mogel) GAY (Pixy)
|
|
|
|
ERIK MINE SEAN
|
|
HAS PEAS PENN
|
|
TERI BE D IS A
|
|
TITS SHIT DUCK
|
|
|
|
DREW JAKE MADE
|
|
LIES CANT IN A
|
|
TO A SELL SHIT
|
|
JURY (Ogre) LYE HEAP
|
|
|
|
RAPE BLUD ERIK
|
|
DAT MAKE IS A
|
|
OGRE CAT TARD
|
|
HARD GROW LORD
|
|
|
|
TEEN ST L THIS
|
|
GAYS OUIS IS A
|
|
IN D ARCH DUMB
|
|
HAUS FAGS PLAN
|
|
|
|
YOUZ BRET DREW (Courtney)
|
|
GOT SMOX LIKE (Who's she?)
|
|
JAKE MUY BAM (I dunno!)
|
|
HAIR DOPE QUEER
|
|
|
|
CORT DOOM QUICK
|
|
NEY FORR SHIT
|
|
SUCK SIR ON A
|
|
THIS (Quarex) OGRE VEST
|
|
|
|
MOFO JON RICH
|
|
SAYS KISS DONT
|
|
RUIN DEAD LAY
|
|
HER GUYS SARA (Cap'n Rat)
|
|
|
|
GUNS RAGE NUT
|
|
MAKE ON O INYA
|
|
OGRE DETH UNDA
|
|
DIE MULE WEAR
|
|
|
|
ERIK JONS RETC
|
|
A UP LAST HING
|
|
YOUR DAY UP A
|
|
BUTT (Shadow Tao) EVER LUNG
|
|
|
|
CAN DREW KILL
|
|
TITO IS A ALL
|
|
HAVE SELL YOUR
|
|
SOME OUTT APES
|
|
|
|
ERIK EREC LOVE
|
|
IS TION IS A
|
|
LION FEEL QUEER
|
|
DUNG GUD (Ogre) TURN
|
|
|
|
QUICK COLD THAT
|
|
THE DARK RAT
|
|
BOYS HAM EATS
|
|
DEAD (SwissPope) LEGS (Spirit) SINS (Quarex)
|
|
|
|
MORE GRAP POLY
|
|
THAN HING NOMI
|
|
JUST MAD ALS
|
|
SEX (Glynis) DOTS (Ogre) RULE (Ogre)
|
|
|
|
I bet you are all glad you read those.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
RED EYES by Effy
|
|
|
|
All the doors closed. Five candles burning. Four cones of patchouli
|
|
incense. Smoke from the pipe.
|
|
|
|
Hey, you know, he couldn't help it because it looked so good. The
|
|
dealer had a bud the size and shape of a BANANA man, how can you turn
|
|
down such an herbal heaven? Of course, he didn't get the actually banana
|
|
bud. That was just $100 he didn't have.
|
|
|
|
How fucking amazing, man. Damn, it's hard to breathe.
|
|
|
|
Stumbling into the bathroom, he squinted painfully as his eyes
|
|
watered from the smoke. It was like his eyeballs were inflated and
|
|
burning out the side of his skull. Frantically, he rubbed his eyes, only
|
|
worsening them with his resinated, smoke-covered fingertips. He clawed
|
|
at his eyes in agony and fright. He grabbed a cloth, and ran it under
|
|
some cold water, then slapped it on his face, letting the cool water
|
|
relieve his burning sockets.
|
|
|
|
He gasped, as his heart beat a thousand times per minute, leaping
|
|
out of his pulsating chest. Stepping out of the bathroom, his body
|
|
suddenly jolted sideways and he slammed his shoulder into the wall.
|
|
Waves of apathetic giggles slipped out the corners of his smiling mouth.
|
|
|
|
Oh, dude!@!!
|
|
|
|
It didn't seem as bad once he sat back down. But it was only a
|
|
matter of maybe half a minute before he fell to his knees, unable to see
|
|
as he tried to stumble out of his chair to escape the smokey fumes that
|
|
had cumulated in the room. How could he have been so stupid? You don't
|
|
fucking burn all that shit in an enclosed place in a matter of an hour
|
|
and expect it not to make you blind and make your nose stuffier than a
|
|
motherfuckin' turkey.
|
|
|
|
Man. If it weren't for this gay smoke, this high would be way
|
|
cooler.
|
|
|
|
He clawed at the window and forced it open. The cold winter
|
|
breeze rushed in. His eyes drank in the air hungrily, savoring a sweet
|
|
recovery. He smoked the rest of his pipe. The shit was fucking
|
|
amazing. Floral. Fruity. He ate a bagel. It was the greatest fucking
|
|
bagel he had ever tasted.
|
|
|
|
The room slowly became more bearable after a couple more less
|
|
intense fiery optical attacks.
|
|
|
|
SWEET. Like CANDY.
|
|
|
|
Your stomach is the voice in your head.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
_The Drizzt Trilogy; Part 2 - Drizzt vs. Winnie the Pooh_
|
|
by Styx
|
|
|
|
Drizzt was lazing by the side of the creek, oozing Care Bear
|
|
semen from every hole in his body, feeling victimized and disoriented,
|
|
when Winnie the Pooh came traipsing along.
|
|
|
|
"Oh bother," said Pooh, glancing down at his honey pot. "I'm
|
|
almost out." Then he glanced up from his honey pot (which was almost
|
|
empty, you know) and saw Drizzt lazing by the side of the creek,
|
|
oozing Care Bear semen from every hole in his body, feeling victimized
|
|
and disoriented.
|
|
|
|
"Hello!" exclaimed Pooh. "What's this?"
|
|
|
|
Pooh poked, pushed, and nudged Drizzt with his sticky paw until
|
|
the drow regained full consciousness.
|
|
|
|
"What is that leaking out of your nostrils, ears, mouth, and
|
|
anus?" asked Pooh.
|
|
|
|
"The Care Bears raped me," explained Drizzt. "I'm an innocent PC
|
|
gen-x Bush-listenin' brainwashed TV addict, but I'm an American, so
|
|
it's alright."
|
|
|
|
"It's not honey, then?" questioned Pooh.
|
|
|
|
"No," Drizzt replied. "The Care Bears raped me and their musky
|
|
fluids are dripping out of all the holes in my body. They shot me and
|
|
drowned me a lot, too, but somehow I still live!"
|
|
|
|
"So you've no honey?" Pooh asked.
|
|
|
|
"No," said Drizzt, rubbing his temples. "Just a bunch of Care
|
|
Bear cum."
|
|
|
|
"You're a god-damned prick," Pooh said, and proceeded to shove
|
|
his soft, yellow, yet erect penis right into one of Drizzt's gunshot
|
|
wounds. He pumped furiously, fueled by the frustration that he had no
|
|
honey left. Drizzt moaned, groaned, protested, and even requested
|
|
that Pooh use a condom, but Pooh was so engrossed in the task at hand
|
|
that all he could think about was shooting Drizzt's spleen full of his
|
|
100-Acre-Wood seed.
|
|
|
|
"Please," begged Drizzt. "At least put on a condom! I saw it on
|
|
MTV!"
|
|
|
|
But it was too late. With a final, shuddering sigh, Pooh let
|
|
loose a blast of AIDS-infected semen straight into Drizzt's digestive
|
|
system.
|
|
|
|
"Eat my diseased spunk!" rasped Pooh, and began walking away.
|
|
|
|
"Pooh," whined Drizzt. "Pooh, please.. please help me. I hurt
|
|
so bad. All of my holes are raw and bloody and now I've got AIDS.
|
|
Not only am I banned from my subterranean home, but I'm going to
|
|
emaciate into a pathetic excuse of a drow. Imagine what it will do
|
|
to my reputation! Find Elminster, please. He's in Shadowdale
|
|
planting a garden! He can help!"
|
|
|
|
Alas, Pooh was already beyond earshot. "Tut tut, it looks like
|
|
rain," observed Pooh. "I must find a smackeral of honey. I'm
|
|
terribly hungry!"
|
|
|
|
And Drizzt lay there beside the creek, oozing and choking on his
|
|
own vomit, taken advantage of by a bear of Very Little Brain, shitting
|
|
out semen and convulsing.
|
|
|
|
Then he became a god, memorized some spells, and passed out in a
|
|
pool of his own urine.
|
|
|
|
The end.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
FAT FRANNIE
|
|
by Kreid
|
|
|
|
fat, fat frannie sat around eating her fries. she liked to eat
|
|
fries because they made her fatter and also because they covered her face
|
|
with a layer of delicious grease.
|
|
|
|
"GAAMMM GHAHHAJJAJAJAJAJBJAHL," said fat frannie.
|
|
|
|
"uh-oh," said old man skinnybones. old man skinnybones was fat
|
|
frannie's husband, best friend, and lover. old man skinnybones loved fat
|
|
frannie with all his skinny heart, which could be seen beating weakly
|
|
through his thin, pale, translucent flesh.
|
|
|
|
"uh-oh," said old man skinnybones, "sounds like fat frannie wants
|
|
some more fries!" old man skinnybones liked to think that he knew what
|
|
fat frannie's groans meant, since he loved her so much.
|
|
|
|
but the truth was, old man skinnybones couldn't tell a "GAAMMM
|
|
GHAHHAJJAJAJAJAJBJAHL" from a "PHHHHHHBRBBTHHHEEEEEEEEEEEEEEEEEEFFPF ARF
|
|
ARF ARF ARF MEOW," which, by the way, meant "i need some more fucking
|
|
fries right now!"
|
|
|
|
old man skinnybones flipped through some of fat frannie's
|
|
flesh-folds, searching for his car keys so that he could go get his lover
|
|
some more fries. he flipped through those flesh-folds just like always,
|
|
flap flap flap until he smelled shit, then go back one. there, old man
|
|
skinnybones found his wife's beautiful love cavern honeypot, in which his
|
|
heart and his car keys remained when he wasn't using them.
|
|
|
|
"your pussy smells so beautiful, my lardy lover," said old man
|
|
skinnybones. "just spread your thighs a little more if you can so i can
|
|
get the car keys, okay, lover?"
|
|
|
|
"GAAMMM GHAHHAJJAJAJAJAJBJAHL," replied fat frannie, as she
|
|
grabbed old man skinnybones by the loose flesh on the back of his bald
|
|
head and shoved it directly into her soft, stinking cooter. "GAAMMM
|
|
GHAHHAJJAJAJAJAJBJAHL" was the phrase fat frannie used when she wanted to
|
|
be pleasured orally.
|
|
|
|
old man skinnybones happily began licking and sucking at his
|
|
lover's vagina, which became progressively more wet with foul-smelling
|
|
greasy fluid. when his wife reached orgasm, as always, old man
|
|
skinnybones's head was crushed inside a 400-pound vice of thigh-meat.
|
|
when he came to, he had shit himself.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
OH HOLY SHIT IT'S AN INTERVIEW WITH MOGEL
|
|
by CHRISTOPHER CROWE
|
|
|
|
Crowe: Let's dispense with some questions!
|
|
|
|
Mogel: Interviews should be more interactive. Everything should be
|
|
more interactive. I wish people had buttons. I don't mean
|
|
that. Who cares what Ted Koppel really thinks?
|
|
|
|
Crowe: For those who don't know you, give us a general "who you are"
|
|
kinda run down.
|
|
|
|
Mogel: Well, I don't know who I am. I like to think of myself,
|
|
ideally, as just some weird guy that sits in the corner and
|
|
bellows awkward social commentary every few minutes. But, you
|
|
probably don't mean that.
|
|
|
|
Crowe: I think everyone already knew that much.
|
|
|
|
Mogel: I think that I've been online since 1990. I've been involved
|
|
in various "online communities" over the years. I'm generally
|
|
known for being a "text file guy". E-zines, more specifically.
|
|
Although, "E-zine" is such a vague term, isn't it? There's a
|
|
whole slew of stuff included in there. I'm generally associated
|
|
with a community of folks that make up the 1990s version of
|
|
"text files" and "underground digital zines". I use the word
|
|
"E-zine" by default, but I'm generally associated with those.
|
|
I don't know who I am. Who am I? You tell me.
|
|
|
|
Crowe: I'd venture to say that's your niche. You've done quite a bit
|
|
of work in those areas--although a lot of it seems to be humor,
|
|
socially-related, and satire. What would you say is your
|
|
favorite?
|
|
|
|
Mogel: My personal favorite "area" of e-zines? Uhh, Probably the honest
|
|
stuff. That sounds vague. You know, E'zines have been around
|
|
since the '80s. They started as these little ASCII text files
|
|
that were traded around. The original idea was this:
|
|
|
|
Anybody anywhere could write a message and have it, in theory,
|
|
be spread far and wide. It was a strange sense of new-found power,
|
|
really. I mean, before the modem, a kid couldn't do that. He'd
|
|
write something, or say something to his friends. It couldn't be
|
|
spread in a medium where just some random stranger could
|
|
download, read it, and, hopefully, say "WOW!" or (even better)
|
|
"YEAH! ME TOO!". That "me too!" effect, although a common
|
|
expression used be AOLers on UseNet, is a critical direction to
|
|
making good text files. And "being honest" doesn't always mean
|
|
write-in-a-direct-to-the-reader style--it means, addressing
|
|
things in a manner that's going to actually mean something to
|
|
them. So, uhm, that's why I love the honesty. There's a
|
|
certain "trashy" look that e-zines are always going to have.
|
|
It's not a professional thing, and it rarely pretends to be.
|
|
That aesthetic is something that TV could have capitalized on,
|
|
you know, if they weren't so overly-focused on money.
|
|
E-zines are more about the message.
|
|
|
|
Crowe: How did you come into these things?
|
|
|
|
Mogel: The first e-zines I stumbled upon were the more self-glorified
|
|
cDc, and the much more trashy BLaH. cDc totally inspired me.
|
|
Some of the files in there were totally hilarious and brilliant.
|
|
Of course, a lot of it was total crap, too. This was early 1993
|
|
and a lot of your average computer guys were STILL on BBSes, and
|
|
the mass-move to the internet had not quite happened yet.
|
|
Regardless, in 1994, I decided to do what 40% of the local-BBS
|
|
world was doing: "START MY OWN TEXT FILE GROUP". Since then,
|
|
I've written for quite a few. The most pride probably came from
|
|
the earliest issues of DTO.
|
|
|
|
Crowe: Deserved or not, you've pretty much regarded as being at the
|
|
front of the 'zine movement. Probably one of the most well
|
|
known "zine guys" on the net. In your experience, how has the
|
|
text file scene evolved? How has the "web" changed it versus
|
|
the old BBS or even telnet/gopher?
|
|
|
|
Mogel: It's definitely not deserved. In the bigger scheme of text
|
|
files, I'm definitely still new. I jokingly refer to 3 periods
|
|
in e-zine history. These terms are only in-jokes with me and my
|
|
pals, though. There's the "oldschool", which is roughly
|
|
1980-1987. This is basically all the original and founding
|
|
e-zines. Some people would say that everything that has been
|
|
done with text files was done in those years. This was totally
|
|
back when BBS-centered e-zines were what was up. The move to
|
|
the internet slowly happened during the next phase. And, in a
|
|
way, this was the true "pioneering" days. Things like PHRACK
|
|
were going to court for publishing stuff. cDc and The Neon
|
|
Knights were quite popular.
|
|
|
|
The "middle school" is basically all the e-zines that things
|
|
like cDc inspired. Things like BLaH, FUCK, UXU, IBFT, and so
|
|
on. There was a HUGE slew of these. Sometime around 1993, when
|
|
the internet really took off, these was a real down time for
|
|
this stuff. Some people say that it's never quite recovered.
|
|
It's kind of silly, because, in theory, the internet provides
|
|
*more* fuel for the original idea of an e-zine. Don't get me
|
|
wrong, there has been a resurgence. In 1994, I tend to call
|
|
that "the new school". It's basically when everyone on the BBS
|
|
world, like rats from a sinking ship, hopped to the internet.
|
|
|
|
The difference? Well, there's not really a "community" anymore,
|
|
I think. BBS's were full of groups of kids, wanting to be
|
|
subversive, and they'd call up and download these funny-ass text
|
|
files about blowing up mailboxes, or fucking the dead, or
|
|
whatever. With the internet came a new idea that "ANYONE" could
|
|
view these files, and it kind of killed the magic for some
|
|
people. I'm not bitching, though. I mean, to some degree, you
|
|
have to make community happen. You can't just expect random
|
|
people to bump into each other. People who just sit around and
|
|
whine about no community are generally the same types of people
|
|
who nobody would want to be in a community with anyway. (How's
|
|
that for a mean generalization?)
|
|
|
|
Crowe: There is a tendency for the new zines to be "angst", "teen
|
|
angst", or "social commentary". Where do you see this heading?
|
|
Where do you see the text file scene heading towards in general?
|
|
|
|
Mogel: The angst is typical. DTO had a lot of angst. Basically, uhm,
|
|
I think "angst" is just an emotion, like any. Emotions are
|
|
tasty. But you have to swallow, digest, and shit them out. You
|
|
can't just stick them in your mouth and let them sit there.
|
|
God, that's a terrible analogy.
|
|
|
|
But what I mean is... if you use angst as a tool to do something
|
|
cool, that's great. I think it's also common because a lot of
|
|
young people that would be into e-zines are probably going
|
|
through "big changes" in life. Youth is generally a time for
|
|
misdirected anger. Your PAL Y-WiNDoZE wrote a pretty on-point
|
|
article about this topic that's in HOE #90.
|
|
|
|
As for "The Scene" (where is that, anyway?)--I have no idea.
|
|
Text files are absurd. I've been half-heartedly trying to
|
|
flagship a sort of neo-new school e-zine movement (yes, I say
|
|
that sarcastically) with the resurgence of HOE. I have no idea
|
|
if it will work or not. Probably not, but it can't hurt to have
|
|
a little fun and try, ya know?
|
|
|
|
Crowe: If your not having fun, why do it?
|
|
|
|
Mogel: Because you're on a mission from GOD. There *are* e-zines out
|
|
there, but for most of them I rarely pick up something special
|
|
out of them. I feel like, if they were gone tomorrow, I
|
|
wouldn't give a shit. I totally agree, which is eventually why
|
|
I painfully *forced* DTO to die.
|
|
|
|
You know, now that I think about it, I think entropy will win
|
|
out. Like, the world would be totally chaotic and pointless.
|
|
My room is messy--I have to *do something* to make it clean.
|
|
So, I have low expectations for the scene's future (people have
|
|
been generally passive), but I'd like it to be a good one,
|
|
somehow.
|
|
|
|
Don't get me wrong, there's just so much you can care about a
|
|
group of people who are willing to publish a text file describing
|
|
the TRUE nature of poop.
|
|
|
|
Crowe: What about other types of Literature, especially net-based
|
|
stuff. Fiction, Fan Fiction, etc? Other 'zines?
|
|
|
|
Mogel: You know, like, "what the hell is the point of text files?
|
|
Well, write for the heart. Write crap. Write totally fucking
|
|
weird shit. There has to be meaning in there *somewhere*."
|
|
Man, I'm so down on 'realist' fiction right now. I see no
|
|
point. It's like a completely accurate painting. What
|
|
function does it serve, other than to impress people with how
|
|
'hard' it was to paint? Expressing things isn't supposed to be
|
|
a complicated exercise, it's supposed to be about expressing
|
|
things.
|
|
|
|
I'm not about tooting my horn, although I'm sure some people
|
|
would argue with that. But, still, there's a billion 'stories'
|
|
out there. What's the point in trying to represent reality
|
|
*exactly* as it is? Firstly, that's impossible... and
|
|
even if it weren't, how boring. So, it's up to us to use
|
|
innovative and experimental-style juices. There's not nearly
|
|
enough of that. The problem is that people tend to throw that
|
|
label around so much. "I don't understand this... It must be...
|
|
EXPERIMENTAL!", so basically anything that's inarticulate and
|
|
incomprehensible gets that label. "Lit" on the net. Hmm. You
|
|
know, I've always loved The Onion (www.theonion.com). They've
|
|
basically patented every use of "sarcasm" ever. UXU still
|
|
publishes, although far from regularly (www.uxu.org). That's
|
|
all that rolls off the top of my head, unfortunately. I read
|
|
Film Threat, which is a weekly indie-film e-zine mailed out.
|
|
|
|
Crowe: Tell more about HOE, and do you have any other projects coming
|
|
that we might find interesting?
|
|
|
|
Mogel: HOE changes. In its most recent incarnation, HOE is basically
|
|
my attempt at pissing all over everything I've ever done. But,
|
|
at the same time, embracing what e-zines are *really* about, to
|
|
some kind of gross, logical extreme. But it's also fun. The
|
|
idea is this: You write something, we publish it. No matter how
|
|
ridiculous, weird, stupid, crazy, silly, etc, it is. "How
|
|
awful," most people would say, "No quality control!" Somehow,
|
|
however, HOE has managed to become pretty fun to work with.
|
|
Our "reject ALMOST nothing" policy has brought us a ton of
|
|
*totally* diverse writers, numbering over 45, and we've been
|
|
gathering a real community of folks. In a lot of ways, it's
|
|
more of a community than ever before. For me, anyway. And by
|
|
writer I mean regular writer. Someone who writes at least every
|
|
other month.
|
|
|
|
The idea, again, is this: who the fuck cares? E-zines have
|
|
*always* been trashy. Why pretend that they're not? Instead,
|
|
let's have fun with it. Let's totally run with stupidity.
|
|
Let's get naked and dance on main street. In fact, this has
|
|
made some people find new, incredibly creative ways to be
|
|
post-modern and stupid. And at the same time, it's attracted a
|
|
few people who don't "get it". People who submit to HOE as if
|
|
it were any regular style e-zine... and that's always good for a
|
|
few cheap laughs.
|
|
|
|
Crowe: You just gotta respect that sort of lackluster policy on
|
|
content. What, if any, is the future of your website, DTO.NET?
|
|
Any direction on that front?
|
|
|
|
Mogel: Actually, Jamesy now runs DTO.NET, and Murmur is somehow
|
|
releasing issues... although very slowly. But it's a total
|
|
dinosaur. Like a monster. There was something really noble
|
|
about DTO: wanting to make an e-zine that aspired to have
|
|
*actual* quality and style and diversity.
|
|
|
|
Crowe: I used to visit dto.net weekly. It was an inspiration, along
|
|
with DTO itself for a lot of my early zine work. It would be a
|
|
blast to see it back!
|
|
|
|
Mogel: well, DTO was monthly for our first 2 years. The problem
|
|
was we were total dreamers. I was probably the least dreamy of
|
|
everyone, and that was a problem. I'm totally into doing
|
|
creative stuff and having fun. I don't care about being "BIG".
|
|
But the rest of the people highly involved really had big ideas.
|
|
We went to this rolling, weekly format. At least 4 new articles
|
|
every week. For a while it was nice, but it began to feel very
|
|
*forced*. I wasn't having fun anymore. I dragged my heels. We
|
|
ended up just bitching all the time. Basically, it was a text
|
|
book case for "too many cooks spoil the dinner". But I am glad
|
|
I did it. It's satisfying to pull something creative together
|
|
with a bunch of friends. And I think that should be anyone's
|
|
goal when doing a community-oriented literary production. Which
|
|
most e-zines are.
|
|
|
|
Crowe: Like you, I like the community of the whole "scene". I would
|
|
like to see it support itself, and especially each other.
|
|
That's basically my site's (www.lit.org) goal. I like doing
|
|
collaborating work with people, I find it rewarding. I like
|
|
sharing my ideas and seeing what other creative people are up
|
|
to.
|
|
|
|
Mogel: I think that's pretty noble. I'm a big fan of idea-exchange
|
|
and communication. We're in a medium of pseudo-"art", but
|
|
that's no reason to pretend we're not also in the business of
|
|
communication. In some ways, we have more liberty than anyone
|
|
else anywhere in expressing whatever we want.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
THE PLAY by RottenZ
|
|
|
|
Scene 1.
|
|
|
|
PAUL - Fuck.
|
|
STACY - What's the problem?
|
|
PAUL - Have you seen my mother fucking lighter anywhere?
|
|
STACY - Paul... I don't think this is working...
|
|
PAUL - Where's my goddamn lighter?
|
|
STACY - Paul, I think you and I should just be... friends... you know...
|
|
PAUL - Ah, Here it is. Christ, just about gave me a god damn heart attack.
|
|
STACY - You aren't even listening to me!
|
|
PAUL - I heard you the first time, bitch.
|
|
|
|
(RAPE)
|
|
|
|
SCENE 2.
|
|
|
|
STEVEN - So, Paul, I found your lighter.
|
|
PAUL - Thanks.
|
|
|
|
(RAPE)
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
A Lesson From The Chronicler
|
|
by Anodyne
|
|
|
|
You are not reading these words. You are touching me.
|
|
In fact, you have your left hand on my right shoulder.
|
|
Go ahead, put your other hand on my other shoulder. It's okay.
|
|
We're friends. Now I want to know if I can kiss you.
|
|
Is it okay? Good.
|
|
|
|
<smooch>
|
|
|
|
Now that wasn't so bad, was it? I'm going to ask you to open your
|
|
mouth wide now. Feel the tendons pulling at the back of your jaw,
|
|
holding it apart, apart, and release. Good.
|
|
|
|
Now I am going to rotate my head once counter-clockwise.
|
|
|
|
<spin>
|
|
|
|
I feel one 'pop' exactly one-hundred seventy-three degrees through
|
|
the circle. Now I am shaking my left leg lightly, bending the knee
|
|
slowly through the full range of motion. Okay, now you can release my
|
|
shoulders.
|
|
|
|
I am putting my right index finger on the center of your bottom
|
|
lip. Don't move. Slowly extend your tongue so I can just see the tip.
|
|
Good. I am removing my finger. Retract your tongue.
|
|
|
|
Now that you are warmed up, please remove your pants. Don't
|
|
worry, we're alone. Now isn't that much more comfortable? What's that
|
|
you say? You're used to reading text files without pants? That's why I
|
|
picked you, my dear--I knew you'd be able to help.
|
|
|
|
I am placing my left thumb at the entrance of your vagina, one
|
|
millimeter from the outer labia. Don't move. I am going to penetrate
|
|
you. Is that okay? Good.
|
|
|
|
<slut>
|
|
|
|
The genital stimulation you are receiving should be pleasurable.
|
|
It is? Good. I am sliding my knuckle against your pubococcygeal muscle,
|
|
resulting in a significant pull on the clitoral hood. From the noise you
|
|
make I gather that this is an exceedingly exquisite sensation. You lose
|
|
track of time.
|
|
|
|
I am removing my thumb.
|
|
|
|
Please put your pants back on and allow your breathing to return
|
|
to normal. This isn't that kind of text file, after all. You knew that
|
|
when you started. You came here looking for insight. Of course, you've
|
|
already been given the insight. Still don't understand? I'll show you
|
|
once more because I have all the time in the world, if you'll excuse the
|
|
pun.
|
|
|
|
I am looking into your eyes now. I can see your pupils dilate
|
|
slightly. My face is intensity, tinged with compassion. You consider me
|
|
attractive but not overly so. Then it changes. I Know You. I show you
|
|
that I Know You. You are spirited away by Hermes. You are in awe. You
|
|
lose track of time.
|
|
|
|
Don't worry, I was keeping track. It's my job, after all. It was
|
|
ten seconds. In those ten seconds you didn't /know/ the meaning of
|
|
life--you /were/ the meaning of life. You see, human beings are the only
|
|
creatures on the planet so acutely aware of Time. I have just taught you
|
|
that time, not death, is the opposite of life. Time encompasses Death;
|
|
without Time there is no death.
|
|
|
|
I am breaking the hands off your clock.
|
|
|
|
Now go live. Go lose track of time. I love you too much to bear
|
|
having you visit me again.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
STUPID FUCKING IRC QUOTEZZZZZZZZZZZZZZZZZZZZZZZ
|
|
|
|
<AIDS> ahahhahaha Teletype why are you so fat?
|
|
|
|
<kreid> the only reason your shit smells is because you eat shit all day
|
|
<kreid> you go to mcdonalds and eat your rancid shit-burger and then you
|
|
go home and dump your filth into the toilet. and every time the
|
|
shit goes through another body it smells worse.
|
|
<kreid> in twenty years, the stench of your shit will have grown
|
|
exponentially and you'll just sit there in your house smelling
|
|
your own shit from your bathroom. and then when you get hungry
|
|
again you'll get in your shit car and go down to taco bell and
|
|
eat some more shit.
|
|
<kreid> and what's worse, it's mexican shit, and it passes through your
|
|
system and you just sit around and fart and shit all fucking day.
|
|
and you'll keep eating more because you're only passing shit
|
|
through your filthy intestines and leaving your stomach unfed
|
|
and your whole life will be SHIT SHIT SHIT and you will complain
|
|
and EAT MORE SHIT
|
|
|
|
<moogle> this pizza is so good that its cheese is more powerful than I am
|
|
<moogle> this cheese stands a good chance of defeating me once and for all
|
|
|
|
<v0nTripS> im not cool im just v0ntrips
|
|
|
|
*niteeboy* fuck you ya dumb ass fat shit dick computer ass fucking phreak
|
|
wanna be cunt hole shit box nigga without a fuckin tan you
|
|
ball of ugly fat butter, crisco fuck head...fuck off!!!
|
|
|
|
<Khyron> I just rode my bike up the street to buy cigs.. on the way back
|
|
a fuckin goose started chasing me.. some fast motherfuckers
|
|
|
|
<swisspope> cooking on the web would be dumb it would be like "click on
|
|
the ingredients, now drop it to the pot" and then a new
|
|
browser would launch and display a random piece of furniture
|
|
and say "oh no! you messed up and accidentally cooked up a
|
|
KITCHEN SINK! ha ha!"
|
|
|
|
<sna> I know you're too stupid to take this personally, but it really is
|
|
painful to me to think there are more than 2 or 3 people who
|
|
would care if you died
|
|
|
|
<Quarex> I would rather exterminate the human race than kick my cat.
|
|
|
|
<styx> i've had a big-head-complex for 20 years but after seeing quarex
|
|
i feel better
|
|
|
|
<pixymisa> pointers are like the ultimate mortal kombat cheat code
|
|
<pixymisa> up-up-down-down-kick-punch YES!@$ int becomes float!@$
|
|
|
|
<tao> everson's constant: "for every subject X, there is 3 geocities
|
|
pages saying "X is Cool", 2 saying "X suX", and at least 1 "X ate
|
|
my balls."
|
|
|
|
<dennisc> all the HOE girls need dick.
|
|
|
|
<kreid> i defecate maybe once a week and it smells fucking great.
|
|
<kreid> you could probably eat my shit and it would have more nutrients
|
|
left in it than that mexican shit down at taco bell.
|
|
|
|
<Uberfizz> If you were suddenly face to face with God, what question
|
|
would you ask?
|
|
<tortoise> "should i install freeBSD?"
|
|
<mogel> "Are you ready?"
|
|
<Nybar> "how can i successfully elongate my penis without visible stretch
|
|
marks, or surgery?"
|
|
<SwissPope> "Is heaven as lame as Care-a-lot?"
|
|
|
|
<seaya> how can you worship the goddess without munching a rug
|
|
|
|
<tao> what if eggdrops had a limited intelligence and a collective
|
|
consciousness?
|
|
<tao> what if they got actual pleasure from having ops.
|
|
<tao> what if they started taking channels to seek that pleasure?
|
|
<tao> what if they offered people warez in return for shells to
|
|
operate from?
|
|
<tao> i think i'm going to try to give life to a species of bot.
|
|
<tao> a bot that tries to survive and emulate people.
|
|
<tao> we're talking about a way for it to procreate and survive.
|
|
|
|
<skinhorse> isn't it amazing how conversations that would take five
|
|
minutes on the phone take two hours on irc?
|
|
|
|
<AIDS> ahahah It must be pretty hard being so fucking ugly, Unrelated
|
|
|
|
<SwissPope> you know, i should list the top "paranormal" topics i hate
|
|
hearing about
|
|
<SwissPope> #1 is FAITH HEALING
|
|
<SwissPope> like, who gives a fuck
|
|
<SwissPope> #2 is PSYCHIC SURGERY
|
|
<SwissPope> like, who gives a fuck to this as well
|
|
<SwissPope> #3 is NEAR DEATH EXPERIENCES
|
|
<SwissPope> because you can easily recreate them with nitrous oxide
|
|
<SwissPope> #4 is ALIEN ABDUCTION
|
|
<SwissPope> because it's LAME
|
|
<SwissPope> #5 is MIRALCES
|
|
<SwissPope> because i'm not Catholic so i don't understand the virgin
|
|
Mary fascination
|
|
<SwissPope> #6 is BIGFOOT or LOCH NESS MONSTER sighitings
|
|
<SwissPope> because there isn't enough substantial evidence to seriously
|
|
be creepy
|
|
<SwissPope> let's put UFO sightings in that group as well
|
|
<SwissPope> #7 is SPONTANEOUS COMBUSTION
|
|
<SwissPope> because there are only a few documented cases and the
|
|
"authority" on the subject is always some crotchety old fire
|
|
chief on some local fire dept
|
|
<SwissPope> who is like "It may be possible.. we just don't know!"
|
|
|
|
<hardcore> why do you think all i talk about is sex!
|
|
|
|
<Nybar> whenever anyone comes into my room, I get a cat on my lap, turn
|
|
the chair around and say "Ahhhhh, I've been expecting youuuu"
|
|
|
|
<SwissPope> i'm trying to get banned from #u2 right now
|
|
<SwissPope> #rabbi is full
|
|
|
|
<HeLrAiSeR> boreing... this second my life is boreing!
|
|
* HeLrAiSeR look's at a linux book to his left.
|
|
<HeLrAiSeR> hummm if i read it will i be more bored or less...
|
|
* HeLrAiSeR ponders.
|
|
<HeLrAiSeR> well i read all the windowz books.. and i got my self a mcse.
|
|
so i got linux left or Bo Os.
|
|
<mogel> HeLrAiSeR, how can i be happy?
|
|
<HeLrAiSeR> mogle follow what i say to the letter.
|
|
<HeLrAiSeR> get 1.5 grams of weed roll it up .. smoke a couple of piners.
|
|
buy 40oz of beer "one bottle or two depending on your
|
|
tolerance. and u be a very happy man. :) it works all the
|
|
time. or get a girlfriend with a high libito ,and have
|
|
responsibilites..... and u'll be happy with all the sex if ur
|
|
into that. :)
|
|
* HeLrAiSeR gone to praise the rain god in his shower! a.k.a taken a shower.
|
|
|
|
<beaner> the only thing anyone ever talks about in #ezines is oral sex &
|
|
cats
|
|
<kreid> i don't think #ezines serves any purpose other than something to
|
|
do while drinking alone
|
|
|
|
<ingy> i think i may kill myself.
|
|
<ingy> i'm so serious.
|
|
<ingy> I was dumped AGAIN.
|
|
|
|
*sna* i'm going to pack your ass with moldy bread and ship you fourth
|
|
class to madagascar
|
|
|
|
<anjee> you've got to screw me before i'm legal.
|
|
|
|
<tao> now, if i had a coat the could make me look like the pope,
|
|
<tao> i would be a severe pain in the ass of the catholic church.
|
|
<tao> because i would like, run in a church, fart loudly, and then throw
|
|
a bunch of choco-rats on the people from my bag of Bubonic Rats.
|
|
<tao> "augh!@$ the pope gave me the plague!@"
|
|
<tao> "what a stinky fart, your holiness!"
|
|
<tao> either that, or i'd perform "wacky baptisms"
|
|
|
|
<Mogel> I've got a black dragon of poop!
|
|
|
|
<Nybar> well, I just felt I exuded the aura of incompetence, but off
|
|
that, here's a raw, irrelevant question which I must ask: why
|
|
didn't you let me stick it in?
|
|
|
|
<tao> don't put your thing in the bad hole.
|
|
|
|
*ingy* No one appreciates me for who I am.
|
|
|
|
<SwissPope> i wish i had the source code to australia
|
|
|
|
<aster> hahah
|
|
<aster> hohoohoh
|
|
<aster> heheheh
|
|
<aster> heheheh
|
|
<aster> ahahha
|
|
<aster> hohooh
|
|
<aster> hehehehe
|
|
<aster> heheheh
|
|
<aster> hehhehehehe
|
|
<aster> hehehehehheheheheh
|
|
<aster> ahhahahahhahhahahahah
|
|
<aster> hohohohohoohohohohohooh
|
|
<aster> it all makes sense!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
FREEDOM: AN EPILOGUE
|
|
by Basehead
|
|
|
|
Well I don't know where I'm headed. A freight train and a blanket of
|
|
mud and a'watchin' the scenery go by. I'd die a hobo death, I would, and
|
|
I'd sink like a stone. Enter my mind on a golden yarn, take back just
|
|
what you've brought. And don't tell me no lies... Yeah lies, about that
|
|
old great big blue sea that can't be crossed, that can't be climbed. If
|
|
this were a beautiful country to get lost in then brother I'm already
|
|
lost and when you're lost you're in the dark and the dark isn't a kind of
|
|
less light, it's more like a want of light. The heady among y'all will
|
|
see that.
|
|
|
|
Well I'm a funny bird that never lands, and the rock you skip that
|
|
never returns. I was the boomerang my mother threw, and she was dead
|
|
when I came back. Tears aren't much even when they fill a cup but I've
|
|
had my fill. When bones is brittle bones is thin, well. I never felt I
|
|
could see with my bones so well. Down to the (proverb'ul) well, and I
|
|
looked in, and among the grime and stone I shone. Much to a reflection,
|
|
in the sense that it's lived in. I've lived in. They say, some say, I'm
|
|
a saddlebag with eyes. Leathery-er than the hide itself. Mighty kind, I
|
|
say, and tip my hat, and I don't know who wants to talk to a nigger
|
|
anyway. A barber's son shows me round back roundabout, and there's the
|
|
branches of LIFE, well they're blooming and who would guess (as little
|
|
Jakey scamp'red away) them was the branches of DEATH. Well you have to
|
|
go back aways, so I did, and I saw myself in as much as a man sees his
|
|
reflection in a tree. That could've been me, but the barber's son saw no
|
|
one but me, and it's a shame. Two eyes and two teeth and that's all on
|
|
one side, no redemption, and it's a shame Jakey doesn't know history.
|
|
And I mean his story.
|
|
|
|
Been a long time coming, a state of mind. Kinda like an old log, that
|
|
lays awhile before it falls apart. Bloody bruises aren't much for show,
|
|
but who can tell. Kinda like an old dog, that lays awhile before those
|
|
big bloodshot eyes close for their last.. Lockin' old secrets like a
|
|
safe deposit box in them big banks, like in Savannah.. on Bank Street.
|
|
When you dig yourself a hole and that's work and the day is through then
|
|
don't you wish there was somethin' to show? Spit on the ground, make a
|
|
spot for yuhself and sit down. Life yuh ever knew looked back and didn't
|
|
blink, but jes maybe it needed specs, then it would see these achin'
|
|
limbs and say LORD give him light. Give him love, christ, give him
|
|
SOMETHIN'. Just give him somethin'.
|
|
|
|
Got a brother around Memphis, looking down at the bottom of the bottle
|
|
and he's ALL bottled up. I'm not wishin' he'd get off the bottle much as
|
|
I'm wishin' he'd see where it's got him. And I say Freedom ain't all
|
|
you'd think it was, when it wasn't. Maybe jes saying there's Freedom
|
|
isn't bein' free, and even though I sit on the stoop and that's a stoop
|
|
made for sitting, I got to thinking.
|
|
|
|
Kinda as if you were hearing a story and you had one bum ear. And you
|
|
can't quite make't out. Well. thats what it sounded like to ol' me. I
|
|
say i'm not much for livin now, when I look around. Hold a candle to the
|
|
walls, in a way you see what's been scrawled there. Hands not made for
|
|
work and slicing them apart until it's rawer than any meat you did see
|
|
before its been cooked. They made for creatin'. Maybe, what's a nigger
|
|
know about creatin'! yuh say and you shut them doors before they was
|
|
open. And the keys you fumble for ain't much good in the dark in a room
|
|
with no doors. There's lessons bein learned, got no doubt. Not taken to
|
|
heart maybe, taken to mind. I got lost and I ain't found my way home, I
|
|
feel like the one that got through, slippin through fingers like some ol'
|
|
strainer and I'm what got by. Yeah, that big open country that would be
|
|
my playground. A fine place of my own, a noble place to set a spell. A
|
|
place for a nigger like me. With a patch'uh stubble like moss a bit on
|
|
that log that sits, and my own soil for plantin'. I guess that jes
|
|
should be enough, but this life seemin all too familiar to these eyes.
|
|
Yuh change names and faces, and the wheels and gears that hold this
|
|
little heaven up? Well they're still the same as ever, and I reckon no
|
|
man nigger or white can say somethin' different.
|
|
|
|
It's a defeat for the heart. Walkin' through a dandelion field, well
|
|
I feel maybe fer a moment, that pride. Like a fleeting smiling sun.
|
|
Passing through two dark clouds but he's smiling down on me anyway, and
|
|
I'd like tuh think that's God's face shinin' down. Between them clouds.
|
|
I'd spin a golden yard out of this old mind, keep it in a safe place.
|
|
Find my youngest son up in yankee country, hopin' he made it like I hope
|
|
for my next breath. Pass on this golden yarn and maybe that piece uh me
|
|
will go on, maybe they'll remember when I'm gone.
|
|
|
|
The ol' white men and their lovely wives, I do say lovely and mean it
|
|
too because they was and I'd lie if I said so somethin' else. They were
|
|
lovely and they made a show of it. When me and my gang clanged away down
|
|
the side of some muddied up hill, outta sight. Hear the train comin' and
|
|
well you felt a bit of pride from yuh work. That train and those men and
|
|
they wives will stay lovely, and quicker get to the next city too. Maybe
|
|
cuzza me. Cuz of me and my gang. Well, that's somethin'. Jes wishin'
|
|
they could see me there, I'd smile an' wave an'.. well, that's somethin'.
|
|
|
|
Late night sometime i felt a sting in the heart. Woke up yellin' and
|
|
sweatin' all cold, them nightmares.. the hounds uh hell chasin' me over
|
|
one of them muddied hills down through swamp and old dirt roads and I
|
|
swear they was on to me but I always woke up then. I'm an old dreamer,
|
|
who ain't got no dreams no more, 'cept dreams of death and I'd say I'd
|
|
rather have no dreams than these. Sometimes I felt a sting in the
|
|
heart.. yeah. A sting. My mother, a sting.. and my brother, a sting..
|
|
and my eldes' son. Well, my eldes' son, I know he done wrong but he ain't
|
|
never done that wrong. And a man gets to thinkin about birds that never
|
|
land cuz they just fly too high, and a son that sank like a stone in a
|
|
river south of Mobile. The crow and the pebble. These battered old
|
|
wings cant fly too far.. what good then, keep a crow all caged until he
|
|
gives up his fight and then jes open the door a speck. Well if that's
|
|
what I'm s'pposta be on my knees for then these old knees'll stay clean.
|
|
A boy ain't a boy th'out his father, and a father ain't a father th'out
|
|
his boy, and my boy, he's nothin' at all.
|
|
|
|
Funny how you never know other lives you had in yuh. Saw a man once
|
|
out Montgomery-way, seemed to take a likin' to me. Said I had a mind for
|
|
a deck uh cards, coulda made a nice sum if'n only they allowed niggers.
|
|
I thought that was a nice thing tuh say, but not much to console me, no.
|
|
Guess you look old destiny in the face after every few seasons and he
|
|
seems a bit closer and he looks'a bit more knowin' every time. Old man
|
|
destiny and old man fate was good friends and I'd say both pretty smug to
|
|
these eyes. Saw 'um in my daydreams, back when I had some dreams of
|
|
fancy years ago. Said I thought someday there'd be place fer me and my
|
|
son up where folks didn't take 'vantage and they just laughed all hearty
|
|
and took me in and said some words I think says a lot, and i'm tellin' it
|
|
how i remember it.. they said to me: folks bred for this life ain't the
|
|
same as other folks. said I was livin' on like I should, cuz that's who
|
|
I am, that's what i'll be. I suppose it made sense, inn'a way. Don't
|
|
know what I'd do left tuh my own devices. That's what I thought then,
|
|
and now I don't know where I'm headed, what I done at the last town, feel
|
|
like a stone skipped from place to place but never findin' one place
|
|
home.
|
|
|
|
Heard stories bout heritage, but I don't know if that's my kind.
|
|
Africa on the other side'th world. Well that ain't me. It is me and it
|
|
ain't. Guess it's hard to understand, most folks. Wish I felt like I
|
|
been stripped uh somethin', maybe they did back in them days in the
|
|
beginning. Crazy tribal warriors or somethin', I can't say, gettin' on
|
|
that big boat. Well that ain't me, only I wish it were. Maybe these old
|
|
bones would feel some fightin' in them, if'n I had that fire in here.. in
|
|
the heart. Beatin' like the heart of a tribal drum drummin', wish I felt
|
|
blood beatin' these veins behind m'eyes. Wishin'. But when that's all
|
|
it is, a wish, that's not heritage, that's jes hurt.
|
|
|
|
Well I feel my last legs comin' on, and I can't stand much longer, on
|
|
this good earth. I won't die a noble death on my patch of land.. I'll
|
|
die searchin' for my other boy, at the end 'these endless rusty tracks.
|
|
Tracks I had a hand in, must say. Maybe my boy's at the end and he's
|
|
done up nice, and he's waitin' for his father, and he's got himself a
|
|
good job and a good life. Well. Thas all I need to see 'fore I die.
|
|
That smilin' face. Guess that's the last dream for this dreamer, come to
|
|
think. Guess when your hopes for your own lose meanin', there's nothin'
|
|
left. Yeah, they took a lot from me and not just me 'course. But they
|
|
can't never take it all. Maybe jes sayin' there's Freedom isn't bein'
|
|
free, like ah said. I guess I know where I'm headed aft'all. Yeah, my
|
|
boy.. Good lord, my boy. I'll spin the grandest gold yarn you or he
|
|
ever did see. I'm hopin I find 'im. I'll pass on this presh'ess yarn,
|
|
cuz it's all I've got. Maybe that piece 'uh me will go on. Maybe
|
|
someone'll remember when I'm gone.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
HEY BASEHEAD, I WANT IT IN MY BUTT
|
|
by CannibalB
|
|
|
|
When your mentality breaks down and tries hitchhiking home, will
|
|
somebody pick it up? My lips have pills in the glovebox that decrease the
|
|
ringing in my ears and my head has a handgun under the seat. Tie me up
|
|
with twine and string me from house to house. I want the world to see that
|
|
I am the universal princess.
|
|
|
|
Baby, I am the garment that chafes your skin- the blaze across
|
|
your spine. You're my match and I'm the kerosene. Electric juices sprint
|
|
across the telephone line and melting in your mouth. Savor my flavor
|
|
because baby, I have two left feet and a wand of black art. I'll start
|
|
with your eyes and open your thoughts. You're my lucky charm, so pass the
|
|
milk. Baby, I have no buttons to sew when my threads come undone. Pick the
|
|
fruit I bare and spoil your appetite.
|
|
|
|
t h i s i s t h e s o u n d o f m y t r u e c o l o r s u n c o i l i n g
|
|
|
|
I'm beautiful when your tongue is flickering inside of me.
|
|
Embracing my womanhood for one night and then permanently deleting me from
|
|
your data bank. Just tell me I'm your number one rank. Was it as good for
|
|
you as it was for me? You loved me for 20 minutes and I'm still feeling
|
|
wet. The void inside of me is filled with your sweat. These holes have
|
|
made me more absorbent than a sponge. Before carving the notch on your
|
|
bedpost, will you hold me until I fall asleep?
|
|
|
|
Laying on the chilling bathroom floor with legs wide open, she
|
|
screams for comfort. Scissors are her doctor, the girl cuts and flushes.
|
|
Tossed in a garbage bag and over a shoulder, another queen dies. Thrown
|
|
in a dumpster with haunting cries, her maternal instincts still dont kick
|
|
in. Bitches will pay on judgement day.
|
|
Another thread comes undone.
|
|
|
|
I'm a ballerina, spinning in my own web of lies. Gouging myself
|
|
with goodies and treats. Crying for help in my sleep. Fingers are my
|
|
only friend, saliva running down my hand. Again, I flush and feel
|
|
cleansed of my evils. Bending down, I see my own reflection in the water
|
|
and apologize. My body is the piano, I'm a conductor of natural disasters.
|
|
|
|
I've got the blues. Today treated me like I didn't exist. Now it's time
|
|
to be beaten with my own fist. Letting the anger out of its cage, hit after
|
|
hit, I'm afraid of this rage. I'm at peace without Jesus, but I still
|
|
want more. Without this, I'm mentally poor. Now, I've got the black to
|
|
go with my blues.
|
|
Another thread comes undone.
|
|
|
|
I keep herbal love with botanic ways in a shoebox beneath my bed.
|
|
I'm a daysleeper, posing nude for Mr. SandMan. I'm not a drama queen, I
|
|
just pretend to be real. Sweet heart, this _is_ how I feel. I'm the girl
|
|
who gives you knots in your stomach. I'm the girl you wish you could be.
|
|
Just dont pull back my sheets, the real me has a tendency to occupy its
|
|
time there. Me love you long time.
|
|
|
|
I'm a porcelain doll, upright in my stand. Stuffed with
|
|
artificial materials and sold across the land. My skin is dry clean only
|
|
and stained with filthy prints. Burned to the stake and called a shifty
|
|
witch. I'm living for free while my pride pays the fee. Fitting their
|
|
careers in my purse, I swear things couldnt be worse. I've got this
|
|
feeling that I cant seem to shake. My personality is nothing but fake. I
|
|
want a ticket to anywhere. Floating down the river and they're paddling
|
|
for me.
|
|
|
|
My personal chef will cut you a piece of my pie and top it with
|
|
whipped cream for a share of your maincourse. I am the world's Yoko Ono,
|
|
PUSSY HOT HOT HOT.
|
|
|
|
Oh yeah, this file was supposed to be about anal sex.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
_The Drizzt Trilogy; Part 3 - Drizzt vs. The Teletubbies_
|
|
by Styx
|
|
|
|
Drizzt was lazing by the side of the creek, slowly regaining painful
|
|
consciousness after two terrible ordeals in which seemingly harmless
|
|
wood-dwelling creatures took advantage of him in stomach-nauseating, profane
|
|
ways.
|
|
|
|
He had become a god, yes, but it took such a horrible toll on his body
|
|
that not even the cosmic powers he had acquired could assist him in sitting
|
|
up. He stared at the immaculate blue sky for quite some time, gritting his
|
|
teeth at his humility. He tried to make out the shapes of the clouds. "An
|
|
erect penis," he muttered. "A cat." He took a deep breath.
|
|
|
|
The urine between his thighs and the semen that coated most of his body
|
|
and the blood that covered even more of him had dried and, due to
|
|
sun-exposure, had festered into a permeating stench. Drizzt fought hard,
|
|
hard, even harder to hold down his bile, but to no avail. With a
|
|
soul-wrenching shudder, it shot up his esophagus and spewed out of his
|
|
mouth like a fountain of liquid agony. He turned his head and coughed the
|
|
rest up, careful not to drown in his fluids.
|
|
|
|
"Woe is me," he wailed. "Woe is me for happening upon such sordid
|
|
circumstances! Salvatore! Greenwood! Ao! Where are you now?"
|
|
|
|
There was movement to his left, then, but so exhausted was he that he
|
|
could do nothing but listen.
|
|
|
|
"Eh-oh!" a quiet voice whispered. "Eh-oh!" several voices echoed.
|
|
|
|
He heard the pitter-patter of several pairs of feet approaching him.
|
|
Could it be the Care Bears again, he wondered? Winnie the Pooh and his
|
|
gangster cohorts? He got his answer immediately.
|
|
|
|
Four faces appeared above him. Green, red, yellow, and blue they were,
|
|
and quite cute. "Lawful Good for sure!" he exclaimed. Blood bubbled from
|
|
his stomach wounds when he spoke, but he did not have a care!
|
|
|
|
"Po!" said the red one, and stood on a funny scooter!
|
|
|
|
"Laa Laa!" said the yellow one, and carried a bouncy ball!
|
|
|
|
"Dipsy!" said the green one, and wore a fuzzy hat!
|
|
|
|
"Tinky Winky!" said the blue one, and dangled a silly handbag!
|
|
|
|
"The Teletubbies!" they said in unison!
|
|
|
|
"Hello, Teletubbies! I am Drizzt Do'Urden, and I am a powerful drow
|
|
god. I have been raped verily! If you could fetch me some water and
|
|
bandages, I shall reward you with many fun toys to play with for eternity!"
|
|
|
|
The Teletubbies looked at each other and blinked in confusion.
|
|
|
|
"Raped drow!" whispered Dipsy.
|
|
|
|
"Raped drow!" they others whispered in unison.
|
|
|
|
"Drow toy?" Tinky Winky questioned.
|
|
|
|
"Drow toy!" the others confirmed in unison.
|
|
|
|
They rolled him up and down the grassy hills, they bounced him like
|
|
Laa Laa's ball, they tried to fit him in Tinky Winky's handbag, they rode on
|
|
his back like he was Po's scooter. Dipsy even tried to wear him on his
|
|
head!
|
|
|
|
"Drow hat?" Dipsy asked, holding a limp, bloody Drizzt on his head.
|
|
|
|
"Drow hat!" the others shouted in glee, giggling!
|
|
|
|
Drizzt was screaming, screaming in pain. Screaming at the gods.
|
|
Screaming at Toril. Screaming at the authors, screaming at the novels, and
|
|
screaming because Po had bent him over a wooden stump like a bitch and was
|
|
pounding furiously, laughing merrily.
|
|
|
|
"Sodomy!" exclaimed Po.
|
|
|
|
"SODOMY!" the rest shouted happily, and they all took part in the game.
|
|
|
|
It was then that Drizzt's eyes rolled into the back of his head and
|
|
his saliva stopped frothing at the mouth. It was then that his testicles
|
|
retreated into his pelvic cavern. It was then that the drow's big, heroic
|
|
heart gave way and it pumped its last dose of life, for it could take no
|
|
more. He slumped with a sigh and his hot skin began the long, slow chill of
|
|
god-death.
|
|
|
|
"What 'dat?" asked Po, pointing at the drow.
|
|
|
|
"Broken toy!" the Teletubbies exclaimed!
|
|
|
|
"Again! Again!" they whispered in unison.
|
|
|
|
And they did it again, reveling in the necrophilia they had unwittingly
|
|
stumbled upon. They took turns back and forth, back and forth, until they
|
|
were very tired.
|
|
|
|
"Messy toy!" they whispered, watching their goo seep out of his anus.
|
|
|
|
And their friend Noo-Noo the Hoover sidled around, lowering his vacuum
|
|
hose down onto Drizzt's penis, and sucked the drow's entire carcass up
|
|
quickly into his insides.
|
|
|
|
"Yay Noo-Noo!" the Teletubbies giggled! And they danced a happy dance!
|
|
And the baby sun smiled down at them, and laughed, and gave them a wink! It
|
|
was an eventful day in Teletubby Land!
|
|
|
|
Then, without warning, a microphone arose from the green meadow rolls,
|
|
and a loud voice came hither.
|
|
|
|
"Time for Tubby Bye-Bye! Time for Tubby Bye-Bye!" it demanded.
|
|
|
|
"Eh-oh!" they whispered in unison, and pitter-pattered to their
|
|
spaceship to sleep a wonderful, Teletubby sleep and have wonderful,
|
|
Teletubby dreams.
|
|
|
|
And as they slept, Noo-Noo lurked in the shadows of the ship, heavy
|
|
with a compartment full of dead drow in his metal stomach. He grinned,
|
|
waved his hose around, and darted his eyes from right to left, then right to
|
|
left again.
|
|
|
|
"Drow taste good," Noo-Noo mumbled. "Real good."
|
|
|
|
The end.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
To: Quarex
|
|
From: PoTo
|
|
Subject: my story
|
|
|
|
the girl sat at her desk, repeatedly slapping the bracelet against her
|
|
wrist. each slap was punctuated by the sound of her voice, which kept
|
|
saying "ow" over and over and over again. she had removed the pretty
|
|
holographic wrapping from the bracelet, and was awaiting it to cut her
|
|
wrists, as so many news reports had claimed those bracelets did. "come
|
|
on, damn it, you were banned for a reason..." she complained. yet after
|
|
the continual slapping did no good, she finally picked up a no. 2 pencil
|
|
that was minus the eraser, and killed herself using the metal edge.
|
|
|
|
moral of the story: they weren't banned for any GOOD reason.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
"What I Need"
|
|
by Rhea
|
|
|
|
Love without a half-life, that's what I need. I need something to
|
|
counter-balance this constant decay of my fingernails. Oh, the way the
|
|
smog lies so heavy on my shoulders is so
|
|
smug.
|
|
ugh.
|
|
|
|
With a sigh, and a fly, in my eye, I cry, just like the pilgrims.
|
|
|
|
"Slaves to democracy?" I heard once--a little bird told me--a
|
|
bird in a guilded cage, of course, and I thought--"maybe!" But still I
|
|
say, "Ring-a-ding-ding! Freedom of thee, I sing!" beneath the shackles
|
|
of everything I am that isn't what I ought to be that isn't what I could
|
|
be that isn't what a human should be that isn't what the world should
|
|
be--there shouldn't be this smog, it hurts my eyes--and I believe in the
|
|
Declaration of Independence because at least it's something and I'd
|
|
believe in love because it's something if progress hadn't discovered the
|
|
carbon atom, which is nothing. (It was gone as soon as we knew it could
|
|
be--like innocence--oh, the poor pilgrims!)
|
|
(But freedom works the other way, doesn't it?)
|
|
|
|
How cruel.
|
|
|
|
And now the world hums with life and yet and yet and yet I wonder
|
|
what life was before there was such deep rooted hypocrisy where even
|
|
_liberty_ chains me down and where a=b and b=c but a does not equal c and
|
|
where the humming was just my computer all along. A mile-long smile
|
|
while all the while it was just a senile crocodile.
|
|
|
|
One thing I regret is that I chew and swallow my food without
|
|
savoring the taste, without feeling the texture, without noticing how the
|
|
different flavors melt together, and so the only way flavor gets across
|
|
to me is when it's exaggerated to the point of crass, unthinking
|
|
vulgarity just like everything else in my sweet land of liberty. I take
|
|
eating for granted. I take my cereal and my yogurt and my soda and my
|
|
chicken for granted and I shovel it in mindlessly. Shouldn't eating be
|
|
an art? Shouldn't breathing be an art?
|
|
|
|
Decay's okay, they say, if you play all day, and by the way don't
|
|
forget you're clay (but only on Sunday) and by the way on Friday don't
|
|
forget your pay, it helps you play
|
|
but I disagree, you see.
|
|
|
|
And so I'm free.
|
|
Yeah, I'm free. (Free from uncomfort, free from belief.)
|
|
Free from love.
|
|
|
|
I have so many chains in such a tangle, I can't even distinguish them
|
|
anymore. Sweet liberty! If I could only taste you--really taste you!
|
|
I don't know how yet. But I know what I need.
|
|
|
|
Love without a half-life, that's what I need.
|
|
And all the while, the smug smog smiles.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
A TREK TO THE LAND OF THE ELUSIVE SIMILE
|
|
by Phairgirl
|
|
|
|
Like a rusty fork in your eye,
|
|
like a molten lava Christmas pie,
|
|
like a scabbed and blistered Buddhist monk,
|
|
like a processed chicken chunk.
|
|
|
|
Like a forward-reeling stabbed black man,
|
|
like a backhand bitchslap frying pan,
|
|
like a jewish chocolate Christmas gift,
|
|
like a fallen broken lift.
|
|
|
|
Like a child's ceremonial knife,
|
|
like a german shepherd fucks your wife,
|
|
like a stained and disemboweled hog,
|
|
like a Christmas catalog.
|
|
|
|
Like a skin graft covering gaping holes,
|
|
like a vegan eating deep-fried moles,
|
|
These are the ways that I love you,
|
|
Moo moo moo moo moo moo moo.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
POLISHING AL ROKER'S HEAD by Kreid
|
|
|
|
A lot of people have told me, "Dave, I don't know how you do it.
|
|
Every time I try to polish Al Roker's head, it comes out all wrong. And
|
|
yet, every time you polish Al Roker's head, it is with grace and
|
|
precision, and the effects are mesmerizing." Now, technically, that's
|
|
not really a question; in fact, I've never actually been asked about my
|
|
head-polishing technique. Perhaps it the subject intimidates ordinary
|
|
people; or perhaps these confrontations have all been out of feigned
|
|
interest. Regardless of these things, I have chosen this night to
|
|
finally reveal the secrets of my success. So without further ado, I
|
|
present to you _The Definitive Guide to Polishing Al Roker's Head_.
|
|
|
|
The first thing you need to do to prepare for the head-polishing
|
|
is to get yourself a good pair of elbow-length gloves. I usually prefer
|
|
rubber, but canvas or studded vinyl should also work fine. After putting
|
|
the gloves on, I like to have a session of meditation or heavy
|
|
crack-smoking to get myself relaxed and focused for the task to come.
|
|
Within three hours, I am ready for Mr. Roker's call.
|
|
|
|
Now, this call can come at around noontime, or it can come as late
|
|
as 4 in the afternoon. Mr. Roker is extremely dedicated to his routine
|
|
of eating three boxes of donuts every morning, and I've noticed that this
|
|
process has been taking longer and longer ever since he picked up that
|
|
heavy smack addiction while vacationing in Bali with the Dali Lama. The
|
|
important thing for you to remember as the head-polisher is that you must
|
|
be prepared when the time comes. So no matter what you do while you're
|
|
waiting, you must maintain your focus!
|
|
|
|
Be forewarned that activities such as television and sex can
|
|
cripple your focus in mere moments. Do whatever you can to keep a clear
|
|
mind. Despite the constant pleading sounds I hear when I walk through
|
|
the company harem down at the TV station, I must reject all sexual thoughts.
|
|
Alcohol, tobacco, and caffeine should be avoided like the plague. And,
|
|
let me tell you, if you're going to smoke crack, have enough so that you
|
|
won't start fiending while you're in the middle of a head-polishing
|
|
session, and whatever you do, keep the crack away from Mr. Roker! If he
|
|
knows you are on crack, he will demand that you share some with him,
|
|
which means less for you, and also means that you're going to have to
|
|
polish a head that won't sit still. In the event that he knows I'm on
|
|
crack and insists on smoking a pipe with me, I keep some crushed up
|
|
motion sickness pills with me. After Roker smokes that stuff, he stops
|
|
moving for at least 4 or 5 hours--this is a perfect play for an
|
|
experienced head-polisher.
|
|
|
|
After you get the call, the next logical step is to drive down to
|
|
the TV studio. I don't think I need to remind anyone that Al Roker is
|
|
not a patient man; so no matter how far you live from the studio, you
|
|
have to haul ass or Roker will be pissed when you get there. And
|
|
remember: you are employed by a major television studio and therefore
|
|
have a great deal of immunity as far as the law is concerned. So if
|
|
you're like me and you don't have a car, I recommend stealing the first
|
|
police car you can find; that way you won't look quite as suspicious when
|
|
you're cutting through Central Park at 110 MPH.
|
|
|
|
If all goes well, you should be walking into Mr. Roker's office
|
|
around the same time that his head is hitting the floor from his
|
|
pre-head-polishing shot. Don't bother knocking on his door, just walk
|
|
in--he sometimes acknowledges your presence with a crooked smile, but not
|
|
always. Personally, I try not to look at his face when he's high; I get
|
|
menacing flashbacks when I see overweight black junkies.
|
|
|
|
Anyway, the first thing you need to do at that point is get the
|
|
needle out of his arm; he will almost always leave it in there, and that
|
|
can leave some nasty track-marks, which a celebrity like Al Roker cannot
|
|
afford to have, especially when he insists on wearing short sleeves as
|
|
much as he does. After the needle is out, put it somewhere out of his
|
|
arm's reach, but somewhere he can still find it the next time he wants to
|
|
get high. After that, you'll probably need to clean up his mess, usually
|
|
he leaves some cooked gear spilling out of a spoon onto his office floor,
|
|
so clean that up. And I know what you're thinking--don't try to snort
|
|
that stuff! Heroin and head-polishing are just not compatible with each
|
|
other! Just try to clean up enough to not leave too many brown stains on
|
|
the floor and put out his candles so as not to have to clean wax off the
|
|
floor later.
|
|
|
|
Here comes the hardest part: lifting Roker into his chair...
|
|
that's gotta be at least a metric ton of dead weight, and if you'll
|
|
believe it, the heroin hasn't taken off a single pound. Some
|
|
head-polishers in the past have brought pulleys and wheelbarrows to work
|
|
in the past, but I like to do it the old-fashioned way. A little bit of
|
|
butter smeared in the right places can get a fat man sliding into pretty
|
|
much any position.
|
|
|
|
Now, if you've followed all the instructions, you should have the
|
|
focus and the energy you'll need to do the actual head-polishing. But as
|
|
head-polishing is a complex and beautiful dance, I can only give a few
|
|
pieces of advice to the unexperienced. Remember to spit directly on the
|
|
head--it is the key to a bright, yet non-shiny polishing. Also, don't
|
|
try touching the bumpy hairy things on his neck or your hands will be
|
|
covered with them in a matter of hours. Beside that, just remember to
|
|
concentrate! Be the polish. Make love to the head. Make the head your
|
|
bitch; it begs for your love, but you give nothing to it, you only take!
|
|
Take, take, take! Do you like it, bitch? Of course you do!
|
|
|
|
I acknowledge that this is a minimalist approach to
|
|
head-polishing. Of course my technique defies most conventions of modern
|
|
head-polishing, but still, I consistently eclipse the head-polishing
|
|
industry with the quality of my work! In my view, it is a mad art,
|
|
devoid of logic, overflowing with catastrophe, and should not be
|
|
attempted by the feint of heart. If you do not master it, it will master
|
|
you. Need I mention the fatality rate of head-polishers these days? It
|
|
sickens my heart to know how many have died, only aspiring to be like me,
|
|
a common working man... a zen master... a head-polisher.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
BABY ROCK ME by Tasha
|
|
|
|
"Okay, now take a different marker and highlight the beginning of
|
|
every sentence in your paper."
|
|
|
|
"What about quotes in our papers, ma'am?"
|
|
|
|
"Quotes are a whole other world, Natasha."
|
|
|
|
"Wow, my paper begins with a whole other world."
|
|
|
|
"Did you expect anything less?"
|
|
|
|
"I would have settled for Africa, though it does have an insanely
|
|
high fertility rate."
|
|
|
|
It's really remarkable the types of things that can reflect so
|
|
much on one's character and impressions on others. Usage of quotes and
|
|
such. My teacher loved me after that and compares me to comic strip
|
|
characters. She thinks she has me figured and once claimed to realize
|
|
the way I think and understand me. I don't know. I don't understand
|
|
myself.
|
|
|
|
I sometimes wonder if the way I read words that are juxtaposed
|
|
together in something such as a jpeg title is any metaphorical and
|
|
symbolical indication of my view of humanity. Maybe my wanting to create
|
|
the names of people and places into clever and witty phrases really
|
|
expresses my inherent hope for humanity to be something better than it
|
|
really is. My refusal to, while knowing the truth of human behavioral
|
|
tendencies, really accept and come to terms with the fact that humans
|
|
simply don't live up to their inherent potential.
|
|
|
|
Snow is a good way to really judge a person's character. It
|
|
splits the population up nicely. The people who talk endlessly about its
|
|
beauty and the people who complain endlessly about how impractical it is.
|
|
These people could be classified as optimists or pessimists or
|
|
transcendentalists and what have you. Then, of course, there is me, who
|
|
feigns transcendentalism by briefly remarking on the white beauty before
|
|
screaming about time and time and time and I'mgoingtobelategoddamnit.
|
|
Pseudo-intellectualism.
|
|
|
|
In a long hallway which smells of burning sulfur from high school
|
|
chemistry experiments, the children linger by the coffin-shaped windows
|
|
and stare at the ground three floors below them. They make faces with
|
|
their breath and hurry to class as a loud bell rings down the hall,
|
|
shaking everything, shaking the windows. A high school chemistry student
|
|
smiles at me with a mouth full of teeth. Most people have a mouth full
|
|
of teeth, and I usually don't notice them, but I notice his.
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|
|
I'm writing this filled with worry, because as I read through
|
|
previous sentences, trying to decide what may go next, I notice that they
|
|
slightly resemble sentences I've read before. Resemble sentences of
|
|
70-year-old males writing about junksickness which is slang for heroin
|
|
withdrawal or heroin high and 30-year-old males writing about infantile
|
|
saints and their lingering Oedipus complex and search for a father.
|
|
|
|
The candles are red and bleeding, expressing the death of the
|
|
flowers which don't have blood of their own and wilt due to their
|
|
inferiority. Inferior because they don't have blood and humans are the
|
|
only organisms that count; animals don't have blood, they have juice to
|
|
flavor and moisten their meat.
|
|
|
|
During puberty, a girl grows fatty deposits on her hips which aid
|
|
during the third trimester of pregnancy and males have an innate desire
|
|
for females with a 0.7 waist to hip ratio. I don't have a 0.7 waist to
|
|
hip ratio. I'm not built for childbearing and my ovaries are
|
|
dysfunctional. When I was born, my heart was dysfunctional. When I was
|
|
four, my ears became dysfunctional and my tonsils became a problem. When
|
|
I was six, my lungs became dysfunctional. I don't think Darwin would
|
|
like me very much, as I am certainly not the fittest. My mother has very
|
|
large hips and is built for childbearing. She's pregnant.
|
|
|
|
A strange boy with an unusual way of talking fancied asking me
|
|
what my idea of utopia is, because utopia is a relative term, and I
|
|
wasn't quite sure how to answer him. I've never really pondered my idea
|
|
of utopia before, other than the automatically silly answers of, "24 hour
|
|
Golden Girls channel!!!". UtopiaUtopianUtopianism.
|
|
|
|
utopia (yu-toe-pe-ah), noun:
|
|
|
|
1. a. Often Utopia. An ideally perfect place, especially in its social,
|
|
political, and moral aspects.
|
|
b. A work of fiction describing a utopia.
|
|
2. An impractical, idealistic scheme for social and political reform.
|
|
|
|
Wooo, holy mother of Jesus, I just inserted a dictionary
|
|
definition. I am post-modern. I define post-modern. I just defined
|
|
utopia. I guess I could safely say that my personal idea of utopia is a
|
|
noun with two definitions, the first of which having two sub-categories,
|
|
'a' and 'b'. That would be a very safe definition, I could never go
|
|
wrong, and I would have evidence to back up my statement. Though, I'd
|
|
like to have a personal connotation that wasn't automatically silly and
|
|
I'd like to have a personal definition for utopia that, though people
|
|
could question it, I would feel safe in replying with. I want to have a
|
|
fantasy world that I could recall in times of boredom or when I'm
|
|
disillusioned and disheartened with the scheme of things. I want to have
|
|
a place I can think of and smile at the thought of, because that seems
|
|
like a good niche for utopia in the human mind.
|
|
|
|
I want to have a place where the air has a smell every time you
|
|
wake up and every second you're inhaling it. I don't want to be
|
|
constantly growing accustom to things. I don't want to have to worry
|
|
about changing my environment and traveling and traveling endlessly to be
|
|
re-amused with life and with nature. I want to have a place that's fresh
|
|
and new all the time. I don't want to grow accustom to experiencing
|
|
things that are fresh and new. My utopia is being unaccustom. With
|
|
everything. With anything. With sights and smells and tastes and
|
|
sounds. With textures and grains and fabrics.
|
|
|
|
But I didn't think of any of this when the strange boy with an
|
|
unusual way of talking fancied asking me what my idea of utopia is.
|
|
Instead, I thought briefly, and didn't want to be laughed at or rejected
|
|
or reacted to in any sort of shocked manner. I thought briefly. I
|
|
replied briefly. I replied that I didn't know, because I didn't want him
|
|
to know. I replied that I hadn't thought of anything, because, you know,
|
|
the second definition of utopia is an impractical, idealistic scheme for
|
|
social and political reform, and I didn't want the strange boy with an
|
|
unusual way of talking to ever think that I thought of things that are
|
|
impractical or idealistic. With the strange boy with an unusual way of
|
|
talking, I fancied being practical and unidealistic and brutally
|
|
realistic so that I only contemplated and thought of things as they are
|
|
now and only formed opinions of the current, rather than forming ideas
|
|
for the could be or the future. Unfortunately, the strange boy with an
|
|
unusual way of talking has been enlightened to the ways of my poetry, and
|
|
though he likes them, I must fight hard to overcome this minor setback in
|
|
my formation of other's ideas of who I am. I absolutely cannot be one
|
|
who has written poetry, just like I cannot be one who has contemplated
|
|
their personal idea of utopia. At least not to the strange boy with an
|
|
unusual way of talking. I'm not sure if this qualifies as shame, it
|
|
could, but I don't feel quite shameful. I don't feel I need to repent
|
|
for these sins of poetry and abstract thinking.
|
|
|
|
My psychology teacher announced today that during puberty and
|
|
adolescence, one grows the ability to think abstractly. One grows the
|
|
ability to contemplate things such as nuclear war and consciously realize
|
|
how these thinks affect him or her. My psychology teacher said this is a
|
|
sign of maturity. My psychology teacher said a mature person who had
|
|
gained the ability to think abstractly would have implemented this
|
|
ability upon discovering that the leader of Russia had resigned and given
|
|
the presidency over to his vice-president. My psychology teacher said a
|
|
mature person who had gained the ability to think abstractly would have
|
|
been worried a bit about the thoughts and ideas of this new leader due to
|
|
his control over Russian nuclear weapons. I hadn't thought about this,
|
|
though my mother told me the Russian president had resigned. My mother,
|
|
of course, has gone through puberty. She has childbearing hips. I think
|
|
about snow and consciously realize how it affects me and everyone else.
|
|
I think about snow and I stare down and my breasts and lack of hips and
|
|
think I could be halfway through puberty and nuclear war will come later,
|
|
possibly when Africa's fertility rates are lower.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
"The Social Construction of Truth and Existance"
|
|
by Uberfizzgig
|
|
|
|
The population of the United States is 270 Million. Out of that
|
|
many people, how many could actually have seen the President? Not on TV,
|
|
but I mean seen the President physically in person? I took a poll and
|
|
found that about 3-4% of the US population had actually seen the
|
|
President in real life. Now, what percentage of the US population claims
|
|
to have actually seen a ghost? Not on TV, but physically in person? The
|
|
answer is 10%. Now, if 10 percent of the population has seen a ghost in
|
|
real life, but only 3-4 percent of the population has ever seen the
|
|
president in real life, why do we believe that the President is real, but
|
|
ghosts are not? Heh, heh, heh! Heh!
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
MONDAY MOURNING NEVER FELT SO GOOD
|
|
(I FUCKED HER ASS WITH A PIECE OF FROZEN SHIT OH YOU KNOW I WOULD)
|
|
by AIDS
|
|
|
|
burn jeaaneee burnnnnnn
|
|
|
|
PLEASE FORGIVE THEM THEY DON'T KNOW WHAT THEY DU WHEN THEY HURT
|
|
SOMEONE, SOMEONE LIKE YU I SEE ALL THE FACES NONE OF THEM REMIND ME OF
|
|
YUuU OUR HEARTS alfdslfs THE SAME WE DOn'T HAVE TO TRY SO HARD SIT BACK
|
|
RELAX SIT BACK RELAX BLACK BETTY HAD A BABY I WANT TO TELL YOU SOMETHING
|
|
GOOD SIT BACK RELAX DAMN THING WENT CRAZY I WANT TO TELL YOU SOMETHING
|
|
SAID IT WEREN'T NONE OF MINE NO IT WEREN'T NONE OF MINE BAMBALAM LITTE
|
|
THING WENT BLIND BAMAMALAM WHAT ARE YOU GUYS DOING DOWN THERE AT FOUR O
|
|
CLOCK IN THE MOURNING?
|
|
record
|
|
ing
|
|
"yeah, really."
|
|
|
|
|
|
buttwhore added to the notification list but I CAN'T NOTIFY ANYONE
|
|
IF I've assumed a new identity as the master of the ocean the
|
|
conquistador of the seas. REMEMBER WHEN ARTAUD WANTED TO PERFORM THE
|
|
CONQUEST OF MEXICO AS A THEATER OF CRUELTY PLAY? AND REMEMBER WHEN HIS
|
|
ALFRED JARRY THEATER FAILED? AND REMEMBER WHEN JODOROWSKI PUT THE FROG
|
|
VERSION OF THE CONQUEST OF MEXICO IN THE FIRST 30 MINUTES OF THE HOLY
|
|
MOUNTAIN?
|
|
Well, you might not remember, but I'm sure Mogel does.
|
|
|
|
There's a good time for film and there's a bad
|
|
time for film and then there are those people who won't ever see a movie
|
|
with you, and You transmogrify your intent into decisive need and blast
|
|
the little girls you met into children that were not women but were blood
|
|
stained and I make all the lesbians scream Oh yeah I could quote lyrics
|
|
from albums that are so far in the future you won't ever hear them, but
|
|
why the hell would I waste my powers on that?
|
|
|
|
THE MESSENGER: IN WHICH IT IS PROVED THAT ALL YOUR
|
|
ATTEMPTS TO ELEVATE YOURSELF & CHARLES DARWIN AWAY FROM THE APES CAN'T
|
|
SAVE YOU NOTHING, AND YOU STILL GET YOUR J. SHERIDAN LeFANU GREEN TEA
|
|
HARDON WHEN YOU SEE THAT ol' UKRANIAN MAID
|
|
|
|
*** buttwhore added to the notification list
|
|
*ingy* HELLO.
|
|
*ingy* HOW ARE YOU?
|
|
-> *ingy* good
|
|
-> *ingy* and yourself?
|
|
-> *ingy* I saw the MESSENGER
|
|
*ingy* Oo.
|
|
*ingy* Was it any good?
|
|
-> *ingy* I loved it.
|
|
-> *ingy* I think everyone else who has seen it hates it.
|
|
*ingy* I want to see it.
|
|
|
|
INVERSION INVERSION INVOLUTION OCEAN
|
|
sit back, relax
|
|
|
|
REMEMBER WHAT MARK E SMITH ALWAYS SAID
|
|
|
|
well, once,
|
|
|
|
EXPERIMENTAL IS NOW CONVENTIONAL
|
|
CONVENTIONAL IS NOW EXPERIMENTAL
|
|
and is no way noble
|
|
|
|
Also: "YOU THOUGHT IT WOULD BE GREAT YOU THOUGHT IT WOULD BE GREAT
|
|
BUT A GOOD MIND IS NOT A GOOD FUCK MATE"
|
|
|
|
but we all know which applies when and now we're dealing
|
|
with our own inadequacies not those of the ones we fuck fuck fuck fuck
|
|
fuck. Yes, fuck. AH, don't you see? When GUILLIAME wrote ZONE he removed
|
|
all the punctuation. It's cubist! It's futurist! It's Dada! It's
|
|
Surrealism! It's Kobek!
|
|
|
|
WHAT WHAT EAT MY NUT
|
|
|
|
BAMBALAM
|
|
|
|
WELL I'M JARETT KOBEK AND I'M A ONE MAN BAND. YOU CAN'T HEAR THE RANGE OF
|
|
BASS ON MY STEREO BECAUSE I LACK THE SUBWOOFER. SMOKING CRACK LIKE OTHER
|
|
RAPPERS SMOKE COCK, SMOKING CESS LIKE OTHER RAPISTS SMOKE COCK, YES YES,
|
|
I KNOW MY NAME IS STEVEN SODDENBURG...
|
|
|
|
Old, old, I've been feeling old lately. As I look back and peruse all the
|
|
HOE in all of the world, all of the hoes, those lovely ladies whose flesh
|
|
is the electronic word, who are stained with electric blood, I see them
|
|
and I realize my connection to them is thin and tapering. Like a fucking
|
|
tape worm. like a tanea, like a shitworm. THIN and long and tapering off
|
|
into OLD AGE? Am I gradually fading away into that other world rather
|
|
than bursting into with passion? It's entirely possible, it's entirely
|
|
so, but you know, guys, you just don't seem particularly /happy/. I mean,
|
|
you're all so god damned sad and so morose, and it's always "WHiNE WHINE
|
|
WHINE WHINE WHEN I LOVED YOU, FRANKIE, WHEN I LOVED YOU AND THEN YOU
|
|
DUMPED MY STUPID ASS AND THEN I CRIED AND SOMETIMES I CRY AND I CRY AND I
|
|
CRY AND I HAVE NO MORE HOPE DUE TO ALL THE JAPANESE NOVELS I'VE READ",
|
|
and I mean, I don't propound to be the happiest person alive, nor do I
|
|
even want to be happy, having in fact placed my unsheathed sword dick
|
|
inside the living flesh incarnation of that particular hilt, but Jesus
|
|
Christ, I just couldn't maintain the energy and effort it must take to
|
|
be so miserable so constantly. Hell, I couldn't maintain it for more than
|
|
a hour last night, and that was after I went on the Boston Death Trip to
|
|
see a movie I knew was going to be sold out and that I had no interest in
|
|
seeing, and I left 30 minutes late. And in the end, my Milla Jovovich
|
|
fascinating was fulfilled, more or less, and in the end I saw the movie I
|
|
wanted to see. But it's like, you know, you guys, you don't even /know/
|
|
what movie you want to see. It's like you don't even want to see a movie,
|
|
it's like you're stuck in the lobby and you don't have the $8 price of
|
|
admission, and you don't even care to beat 11 year olds at Tekken 3. I
|
|
mean, you're riding in Ed Gein's death car and you don't even have a
|
|
destination. You just don't seem particularly happy or really
|
|
particularly interesting, so I can't really do it anymore. So I've been
|
|
forced to splinter my sphincter into a million different realities,
|
|
converging TCP/IP packets as embodied by a 70 mile an hour drive around
|
|
Thurber's Avenue Curb on 95 south, and let them all smash and collide
|
|
into one another in the hopes that the juice which flows from the crushed
|
|
bodies will be the sweetest possible nectar. You're wasting all this
|
|
energy maintaining a sickening veneer of disreputable emotional
|
|
decrepitude and you aren't even /going anywhere/ with it. The theater is
|
|
closed and the lights are off, no one is applauding, and the film will
|
|
never be projected. The best you can hope for is a circle-jerk mirror
|
|
image of yourself whining as loudly as you. Like the Zombie Laura Croft
|
|
in Tomb Raider. Your ultimate goal is the consumption of self into
|
|
something that consumes the self. It sounds very zen, but it isn't. I
|
|
know, I listen to Bush. I went to los angeles and I found a guy who
|
|
basically is my asshole brother. He went on a pseudo-date with Pezmonkey.
|
|
Apparently he's not a very happy person either, but at least he pretends
|
|
when I'm around.
|
|
|
|
Speaking of Alejandro Jodorowsky, I saw a post in alt.cult.movies which
|
|
claims that the big A.J. is going to be direct Marilyn Manson's
|
|
screenplay HOLYWEIRD. I wish Marilyn Manson would hurry up and stop
|
|
biting my style. It's /so/ 1997, don't you think? Anyway, at the very
|
|
least I'm happy to have my suspicions confirmed that uh the video for uh
|
|
that song was basically just a rip off of THE HOLY MOUNTAIN interspersed
|
|
with Billy Zane cruising for gay cock. "Hey dad, this is the guy I just
|
|
sucked off on stage." You know?
|
|
|
|
Oh speaking of queer ass faggots biting my old school styles: Unrelated,
|
|
when are you going to stop using those NIN ultimate break beats and shit?
|
|
Niggas keep recycling the same break beats for a million years. That shit
|
|
is tired, and so are you. please stop writing text files. I'm sorry I
|
|
ever made you a member of HOE.
|
|
|
|
If I was ever going to write a file full of self-pity, the vast majority
|
|
of the context would be me feeling bad for myself that I was stupid
|
|
enough to allow Unrelated to become a full fledged member.
|
|
|
|
I heard he's on a hitchhiking tour of all 48 continental states.
|
|
|
|
Please shoot him on sight.
|
|
|
|
Gosh guys, don't you think, you know, instead of sitting around feeling
|
|
bad for yourselves, you could actually go out and DO SOMETHING? Like, I
|
|
don't know... read about General Robert E. Lee's famous horse TRAVELER?
|
|
Can't you go see the light of day? It's bright and penetrating and might
|
|
shrivel your harpy heart, but at least uh, you'll have seen it once...
|
|
Like fucking BRAD PITT watching SUPER MAN.
|
|
|
|
I guess a lot of you like FIGHT CLUB.
|
|
|
|
I guess a lot of you have bad taste.
|
|
|
|
Remember, there's a whole world out there, and I wrote it all together
|
|
with meaningless words, the women are all stained with blood, Tasha got
|
|
some oral sEXXor, I longed for some oral sexxor, Dean wondered for the
|
|
Nth time what happened to his genitalia, Bob Log clapped some tits, and
|
|
the whole world came crashing down around us as the dreaded J2K bug
|
|
kicked your fucking assholes.
|
|
|
|
Yes, J2K... Jarett 2 Kobek, it's my latest project. yes, it's a Boyz 2
|
|
Men cover group. Starring robots. hell yes. Robots that look like Harvey
|
|
Keitel and make his Bad Lutentinadnanent Dan seal noise.
|
|
|
|
AARE YOU A COCK SUCKER DO YOU LIKE TO SUCK COCK LET ME SEE YOUR ASS LET
|
|
ME SEE HOW YOU WOULD SUCK COCK OH YEAH SUCK THAT COCK LET ME SEE YOUR ASS
|
|
THIS ISN'T THE NC-17 VERSION SO MY COCK ISN'T HERE BUT LET ME SEE YOU
|
|
SUCK THE AIR COCK WHILE I WANK OH YES THERE IS YOUR FRIEND'S ASS THAT'S
|
|
A KEEPER OH YES OH GOD YES GOD YES OH GOD YES OH OH GOD OOO
|
|
|
|
DEEP SEA EXPLORING I SEE MANY NEW THINGS BUT I NEVER SAW AN ASS
|
|
|
|
the things I could tell you about her ass.
|
|
|
|
THE THINGS I COULD TELL YOU ABOUT /HER/ ASS.
|
|
|
|
THE THINGS i COULD TELL you ABOUT HER ASS.
|
|
|
|
the things I could tell you about her ass.
|
|
|
|
Limitless world.
|
|
|
|
- $#%:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::%#$ -
|
|
|
|
Presenting joy and cleverness through understood bullshit.
|
|
|
|
The E-ziner's E-zine, Where Piggies Frolic
|
|
______
|
|
6/ ^..^ Be sincere. Persevere.
|
|
@ @ @ @ @ \ ___ (oo) @ @ @ @ @ @ @ @
|
|
\|/ \|/ \|/ \|/ \|/ WW WW \|/ \|/ \|/ \|/ \|/ \|/ \|/ \|/
|
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|
(c) HOE E'ZINE -- http://www.hoe.nu, contact: hoe@hoe.nu -> 1/9/00.
|