3225 lines
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Plaintext
3225 lines
145 KiB
Plaintext
,...
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$$$$ $$$$$$ T$$$$ $$$$P T$$$$
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$$$"""""" " """" $$$$$$ "T&$bxxd$&P" "T&$bxx$$$$$' " """"""$$$
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""" """""" """
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ggg "Re-Writing HOE Rejects" ggg
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$$$ by Various Artists $$$
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$$$ $$$
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$$$ [ HOE E-Zine #940 -- 12/05/99 -- http://www.hoe.nu ] .,$$$
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`"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""'
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INTRODUCTION
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============
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Occasionally HOE gets a few files that are so utterly terrible
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that we are forced to laugh until we cry and we can't even publish them
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in our wonderful e'zine. That is, until now.
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Because our staff is obviously composed of some of the most gifted
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literary creators ever before dispensed upon the world, we decided that
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for once, we would lend a helping hand in these rejected submissions.
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Therefore, I sent out various rejected files to various HOE staff members
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(and a few "wanna-be HOE writers", as ridiculous as that premise may
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sound) and asked these affiliates to either take the "original ideas" of
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the file and re-write the entire file into a better piece, OR to write a
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critique of the original. The following is the results of this little
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experiment.
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TABLE OF CONTENTS
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=================
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## Reject's Title Original Author HOE Re-Writer
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-- -------------- --------------- -------------
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01 => "Snap. Crackle. Die." Fake Scorpion Nybar
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02 => "The Wigger" Korrupt Nyarlathotep
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03 => "Nigger, Nigger..." Edicius Effy
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04 => "HOE SUBMISSION" G.T. LilNilHil
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05 => "Why TV Sucks" SubZero Oregano
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06 => "A Poem" Racket Trilobyte
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07 => "What's in a handle?" Dae'raezdus Que
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08 => "Back In The Day..." Lucky Aster
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09 => "Morbid" Vyrus Tasha
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10 => "Gun Control" JrzDevil Quarex
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11 => "Dear Melissa" Kojak Caitlin
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12 => "Moe's Diner" Mr. Sandman Anjee
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13 => "Tricks To Play..." Chris Cox Nyarlathotep
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14 => "The Zoo" King Krazy CannibalButterfly
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15 => "A Day of a Programmer" Fatslayer Cstone
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16 => "Commies" Mercuri Aster
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17 => "Presidential Elections" Unrelated AIDS
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18 => "The Diary of Manis Goodof" Gilgame Tan Adept
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19 => "Your Kettle Korn Sucks!" Kernel Bob Nybar
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[-----------------------------------------------------------------------]
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REJECTED FILE #1
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================
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"Snap. Crackle. Die."
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by Fake Scorpion
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it was basically a good day, for the most part.
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at about 8:00pm, i headed over to my dad's office. i had been
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working as janitor there for at least three years. i exited my car and
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walked up to the door. a noise in the street behind me made me turn
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around. cause ; a noise, effect ; i turned around. there was an el camino
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that had stopped in the middle of the street. the driver of the car was
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gazing at me, and i feared he would attempt something. i quickly entered
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the office and turned the deadbolt, which was unusual for me to do.
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three steps into the office, i felt like something wasn't right. i
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KNEW something was wrong. it was more like a feeling ; a sixth sense.
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"something bad is about to happen," it seemed to tell me. my eyes
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reaffirmed the feeling when i noticed a lamp was missing and a chair was
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flipped over.
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another three steps into the office, a black male popped out from
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behind the receptionist desk.
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"what the hell!@!," i inanely muttered.
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"guh," he yelled. he dashed towards the back door of the office and
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spent twenty seconds trying to unlock the door. he finally opened it and
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ran.
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of course, i promptly shot a load in my pants. i dialed 911 and
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then inspected the place. he hadn't gotten away with much, only a pack of
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female hormones. anyone that takes twenty seconds to open a door is a
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dumbass, in my humble opinion, and the fact that he had stolen a pack of
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hormones reaffirmed that idea.
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he had broken in by throwing a brick through the window (which
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landed on a computer, forever fucking it up).
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what is there to learn from this?
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probably nothing. it was just a good recap of what happened last
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night.
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[----------]
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RE-WRITE OF REJECT #1, by Nybar
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===============================
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it was basically a good day, for the most part.
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yeah. whatever. i had been floating through time and space,
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waiting for the call, when i heard it. the call was not in the form i
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expected--the phone was ringing. upon picking it up, i was transported to
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another place--the street.
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okay. listen up. i've been drinking a whole lot of coffee. i'm
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going to tell you something about the history of the english novel. at
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first, authors didn't really know what to do...the concept of the _novel_
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didn't really exist. so, long tales were told in the form of letters,
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back and forth, right? like dracula. haha, but then, the _novel_ started
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to develop, and we had the english realists. but, the thing is, they were
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not highly focused people. before jane austen showed headz how to do it,
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niggas would--uh--go off on diatribes having nothing to do with the
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narrative for pages on end. sort of like this.
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hmm, so, i opened my eyes, and landed on the street. there, a car
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was parked.
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listen, i'm going to tell you something else. there was a very
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interesting chess match which happened in Brussels, in 1923. okay? the
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chess match was between these two italian masters, and so it wasn't _so_
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influenced by hyper-modernism, which was sweeping the world at the time
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(much like the witch's broom). okay, so anyway, they play this guiccio
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piano game, right (how typical of italians), and have this really
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interesting tactical game...it's finally won by a tactical shot, where
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dewd gets mate in 7, alright? but, you see, from this point (of
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resignation), mate in _2_ existed on the board. now, i'm going to tell
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you something else. in stanley kubrick's movie, "2001", the chess game
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shown was this one, right, at the point where mate in 7 is
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announced...and Hal announces mate in seven, not mate in two! and yet HAL
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said he was infallible...this is human infallibility--going for the nifty
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human solution and not the cold, mechanical one! HAL is my NIGGA, yo.
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and in the car, there was a very scary man. he wore a black fedora
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and had a lemur in his lap. he grinned at me, exposing completely gold
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teeth, and made for his door. i ran as fast as my fat legs could carry me
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to my office door, not wishing to irk such a prodigious (for who is more
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prodigious than the weirdo) gentle-man. sadly, as i tumbled up the
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stairs, it seemed to me that each new level was a different state of
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consciousness...i was once again floating in time and space, but the lemur
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was following me, vicious as a new york yip-dog and faster than a snail
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on cocaine...following me through time and space...following me from
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place to place; from the island of Delaware to the straits of
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despair...oh, from sea to sea, how the lemur did follow me! finally, I
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arrived at the DOOR to my OFFICE, and jumped in the WINDOW
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(shattered...why?)
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listen, uh, there's a fine line between Henry James and James
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Ellroy. so don't even go there, girl friend.
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i had escaped the wrath of the lemur, for it was to short to make
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the leap of faith...
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listen, isn't MAN too short in SOUL to make the leap of faith to
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GOD? NOW, listen, I've got a WIFE, but you give up your LIFE, to malice
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and STRIFE, if you don't give TITHE...POU CREW PRODUCTIONS, THE NEW
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DYNASTY...
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oh, and it nipped and clawed at the door, like a wiener dog exiled
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from its native France. ahh, inside the evil apartment, i saw a sack of
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skin of the _brown_ persuasion...stealing female hormones! haha, but i
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didn't understand why, because i like to spin narratives and give no
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explanation. _for example_, i will not explain why there were female
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hormones to steal...-rather-, i will pontificate upon the subject of his
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stupidity in the stealing, HENCE:
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"man! what an idiot! why are you stealing female hormones, anyway?
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uh, we keep all the valuable stuff, like FETUSES, in the other drawer!
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GORF!"
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"excuse me, good sir, are you addressing me? we live in a logical
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world, my friend, and surely this can be solved by dialectic!"
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"oh--of course..."
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"the dialectic my GLOCK and your FUCKING MOUTH HAVE!"
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WACK MCs, dUCK DOWN...
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and that's the end of my story. but let me tell you something
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about stories...
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[-----------------------------------------------------------------------]
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REJECTED FILE #2
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================
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"The Wigger"
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by Korrupt
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It all happened, a long long time ago in a place far far away. The
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place was Los Angeles. The hero of our story is named Charlie. If the
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dictionary had the definition of white honky, it would have a picture of
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Charlie.
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<Day one, Charlie's room, decorated sparsely with posters of his
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idols, Barry Manilow and Rush.>
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Charlie was sitting in his room listening to some of his favorite
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jams on the radio. There was a dance coming up at school and he had to be
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prepared. After years of being a boy-scout, Charlie repeated to himself
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"Be prepared" Charlie was a bright student, but never very popular with
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the ladies. Often he fell in love and obsessed over many at first sight,
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then had his heart broken. "This shall never happen again!" Vowed Charlie,
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silently under his breath. Charlie danced his way over to his boom-box and
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flipped it on.
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"Yo, Homie, <BEEP> dont you know me, im the mother<beep> G" blared
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out of the radio. Charlie flipped. He was astonished at the vulgarity and
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profane use of words! How did this "garbage" as he labled it, come to play
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on his radio? He opened the tape deck to make sure his gospel tape was
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still there. "whew" Charlie blew, in a sigh of relief. "The station must
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have gotten changed on accident" With that behind, Charlie went on his way
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to bed. That night his dreams were filled with sights of gun shots, and
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naked booties dancing around. People drinking 40s and cussing were all
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about. In a sweaty sweat, Charlie leaped out of bed. These vulgar thoughts
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had cosumed him. They controlled him. He was commanded by an unseen force
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to go turn on his radio. Without hesitation, the radio was on again, and
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the song was all too familier.
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"Rolling up the road, <Beep> all my ho's"followed by a heavy beat.
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Charlie loved it. He realized then, that that would be the key to get the
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popularity and women he so desired. He could hardly wait for the dance
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tommarow.
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<Fade in, day two, late at night, a school dance, get the picture?>
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The doors to the dance flew open. The music practically stopped
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playing. Everybodys heads were turned toward the enterance. There,
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standing in the doorway was Charlie. No longer did he hang his head between
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his legs when he walked. Even that funny limp seemed to be gone. And that
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greasy hair was no longer. This was not the Charlie everybody expected.
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Charlie walked up to the nearest group of girls, and with a smooth
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casual grin, he blurted "Yo yo yo, whats up baby-doll". Everbody just
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giggled at first. But Charlie was not through. He slided across the dance
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floor in his new XXXX large Cross-Colours, (Bright green by the way) and
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approached another girl. (This time he was prepared) In one smooth
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motion, Charlie pulled out his "Black Like Me" Dictionary. It was filled
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with phrases that would make the impression he wanted. He flipped past
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the definitions for Homie, G, and Phunky, until he came across the word he
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was looking for, he had to try it out.
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"Yo baby, you are crazy PHAT!" blurted Charlie. Again, he was
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greeted with inconsistant giggles. Ashamed he headed home, his baggy
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cross-colours trailing far behind.
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"Why did it not work??! I'm fly!, Well they shall see!"
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Still determinted to prove his so called downess, Charlie headed
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toward the local hang out for the other color folks in the town. He knew
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this was dangerous, but he had to learn. Charlie strolled into a cafe,
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greeted by unfriendly stares. He took a seat, right behind a few of the
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"brothers". Charlie took out his pen and paper and jotted down all they
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said. He had to learn.
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This went on for many weeks. Charlie followed any of the "brothers"
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he could find, and listened to how they talk and act. He even got the walk
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down. Charlie strided with his head in the air, listening to only music he
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could seem to hear. He thought he was truely the man. Now he had to prove
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it.
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<Fade in Day three. The mall.>
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Heading for the mall since it was a weekend, Charlie had his hopes
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high for a piece of the action. "If white people wont accept me, then they
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arnt worth it! Ill get me a few real homies"Charlies dreams were soon
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coming to reality. With his new dope walk, he strided over to the first
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group of blacks he could find. Pretending like he cared not, Charlie
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stated in general "Yo homie, whats up G" and continued to walk on. He did
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not get very far before a muscular hand grabbed at him. Turning around,
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Charlie was face to face with the biggest, ugliest, and smelliest black
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person he ever saw. "What the fuck did you call me honky" was his only
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greeting. Still eager to prove his newfound "blackness" Charlie tried
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again "Yo homie, why you sweatin me G, we all brothers here" Endless
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laughter surrounded Charlie. His ears were flooded with mindless laughter.
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His head begin to spin. Out of all the words and punches thrown at him in
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those few seconds he could stay concious, one word stuck clearly in his
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mind. "Fucking Wigger!"
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<Who knows how many days later he woke up. Fade in Trash-Can.>
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Waking up in a trash can, Charlies head hurt. His clothes were
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ripped and his wallet gone. What will happen to poor Charlie? Will he
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ever proove his downness? Will he EVER get laid? It doesnt look like it,
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infact chances are his life gets worse, probably even killed.
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Charlie went to school the next day and he was not greeted very
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warmly. You could say the hospitality was less than generous. Charlie got
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jumped by a bunch of kids at school. The whites hated him because he
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disgrased them. The blacks jumped him because, well, they jump anybody
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white. He got bashed until he died. Thus ended life adventures of a
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Wigger. But there are still thousands, no millions of them out there, so
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do not feel bad if this is a sucky ending. You can go to your school and
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find your very own wigger and beat the shit out of him! Just like
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everybody did to Charlie!
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[----------]
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A CRITIQUE OF REJECT #2, by Nyarlathotep
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========================================
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I don't have any particular problem with the concept of this story
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itself... the idea is at least passable. The problem that I have is more
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in the execution. I don't really care at all for the plights of Charlie.
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And since I don't care about his plights, the whole purpose of reading
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the story is negated. One thing which I would do is provide a bit more of
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history on Charlie. Perhaps if the reader was shown some of his past
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life, we would sympathize more with his desire for change. Summing his
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entire life up in one half of a paragraph doesn't really seem to do the
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character justice.
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On top of the fact of poor character development, there are
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inconsistencies in the story that distracted me. One of note is right
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near the beginning, when Charlie is listening to some of his "favorite
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jams" on the radio, but then he flips on his boom-box to hear the rap
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music? What sense does that make? And who would call gospel music "jams?"
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Maybe I am being a little too picky, but minor details like that can
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spoil the entire reading activity.
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So now that I've picked through the very beginning of the story, I
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should go on to the middle. The middle of the story is actually the best
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part of the story. It is far from perfect, but it did do an ok to pick up
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my interest from what started out at a very low level. I think that, by
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and large, the dialogue in this story is rather distracting. I understand
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the effect that the author was trying to convey... that of a clueless
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suburbanite trying to speak the language of the street... but that
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doesn't change the fact that it is distracting. But at least the story
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moves on fairly.
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And now on to the end of the story. Again, the author uses cheap
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gimmicks that end up being distracting. I don't think that asking
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questions of the audience is called for in this case. Particularly when
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the conclusion of the story is rushed in the next paragraph. And once the
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end of Charlie is mentioned in passing, the so called message of the
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story is reiterated in black and white, in case the reader didn't
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understand it from the story itself. Of course I don't really agree with
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the message of the story, but thats not a reason in and of itself to find
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fault with the story. But it does add to my disliking of it.
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So to sum it up, if the story had more character development, less
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gimmicks, and a more exciting ending it would have at least been a
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nominally written, mediocre story. As it stands, it is a poorly written,
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mediocre story.
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[-----------------------------------------------------------------------]
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REJECTED FILE #3
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================
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"Nigger, Nigger, Go Home..."
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by Edicius
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"I can't believe we fucking lost to a school full of niggers!", Lou
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says in disgust.
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"I know. Did you see the fucking running back? He looked like he
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just got off the boat from Africa. He grandfather was probably a slave",
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Frank says laughingly.
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"God. We lost to niggers. I think we better show these kids what
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happens when they mess with us, ya know?"
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"Good call Lou. Hm, you know how the buses leave through the
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Elementary School's exit? We can stand over by the edge of the school, and
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yeah and throw shit at them when they leave. Then make a clear getaway
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through the woods."
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"Sounds cool. Heh. This will show them nigs."
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With this, Lou and Frank slip through a hole in the fence, and cut
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across a parking lot without being seen. They slip into place while
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watching the buses load up with kids from the nearby rival school.
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Football players, cheerleaders, and fans. They get in one by one.
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"C'mon assholes. We're waiting," Lou says with a snicker, as he
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takes out a can of jolt which he bought prior to leaving the game at the
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concession stand.
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"Jolt! Yeah! Hmm. I think i do. Yes! I do. I have spray paint and
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toilet paper in my backpack. We were going to use them on Simpson's house,
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but fuck it. We'll use it on them!"
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"Right on. Wait, I think they're coming. Yep. The three buses are
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loaded. Hm, ok, here's what we do. We're gonna want to hit the last bus,
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cause if we hit the first, the other two can stop. Give me the spray paint.
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I'll throw it at them, lets see if i can break a window. Dont forget to
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shout out 'nigger' really loud. Hehehe. This'll rock."
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In the dark woods behind them, a slight rumble and crackle of twigs
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can be heard. Emerging from a trail are a group of three teenagers, maybe
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17 or 18 years old. They spot the 15 year olds standing at the corner of
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the building.
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"Cool, here they come!" Lou whispers in sudden joy. The first bus
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goes by, and they remain hidden. The second bus pulls out going only a few
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miles per hour, and then the third bus appears. "Lets get them!"
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"FUCKING NIGGERS GET OUT OF HERE," Frank shouts, and throws the
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toliet paper at the front of the bus. It appears that it spread out and
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made a mess on the hood of the bus. He starts to turn around to make his
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getaway.
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"Holdon, my turn. NIGGER! NIGGERS! NIGGERS!@$#" The spray paint
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and soda can be seen thrown through the air, the soda breaking open and
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making a big spill on the roof of the bus, and the spraypaint seems to
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break a window, but in the darkness, Lou can't see well. "C'mon, run
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Frank."
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They start running, and dont notice the group of kids standing,
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blocking the entrance of the trail that leads to the deep woods. One of
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the kids, an 18 year old black kid, is spotted by Lou. "Oh shit Frank, i
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think we are in trouble."
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"Now, you boys wouldn't be the ones that just shouted stuff at that
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bus and threw stuff at it, right? Nah. Good white kids like you wouldn't
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think of calling anyone a nigger, right? And if you were to do something
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like that to an unsuspecting busful of kids, you would also do that to
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any black person you meet, like myself, right?"
|
|
"Umm. Well.. You see.. Well.. The bus.." Lou mutters, trying to
|
|
get a complete sentence, or at least, a complete phrase out.
|
|
"Fuck you. Listen boy. We saw what you did, and now we are going
|
|
to show you something else," says the one who looks to be the 'leader' of
|
|
the group as he pulls a butterfly knife out of his coat. "Some of my
|
|
friends were on that bus. I don't think you would call them a nigger if
|
|
you met them on the street, now would you?"
|
|
"I don't know.. But i do know I'm going now..", Frank says as he
|
|
makes a run for the opposite side of the parking lot.
|
|
"I don't think so whitey! You're coming with me!"
|
|
"No! No! Let go of me! Ahhh! I'm sorry, I didn't mean it! No!" Lou
|
|
screams in agony as a knife it placed into his back. Blood squirts out
|
|
and slowly he drops to the pink stained asphalt below him. Frank keeps
|
|
running.
|
|
"No! You fucking niggers! You can't do that to him!" Frank shouts
|
|
as he runs, but he doesn't run fast enough. The other two teenagers grab
|
|
him, throw him onto the ground, and kick him without mercy. They spot a
|
|
large rock nearby on the ground and throw it at his head.
|
|
Suddenly, at the other side of the parking lot, a police officer who
|
|
was called by the bus company to investigate objects being thrown at their
|
|
bus, sees the melee.
|
|
"Stop it! Get off of them!"
|
|
"Oh shit, Danny, run, pigs!"
|
|
The three let go of Frank, but not before they knock him
|
|
unconscious. They start to make off through the woods.
|
|
The aging, slow cop cannot keep up with the speed of the young boys,
|
|
and stops the chase without even starting it. He cannot get a good
|
|
description of the three, and he just calls the paramedics for the Lou and
|
|
Frank.
|
|
Lou, who by this time is dead, starts to slip into his purgatory.
|
|
He is long removed from the asphalt filled jungle that we call Earth, and
|
|
is now is a trance. He looks down, and can see the paramedics putting him
|
|
into a body bag. He also sees the paramedics working furiously trying to
|
|
bring his dear friend back to life.
|
|
Frank didn't make it back. He died too. The three boys were never
|
|
identified, so they were never caught. One of them went on to be arrested
|
|
for drug possession 2 years later, and is on probation now. Another one is
|
|
a pre-med student at Columbia, and the last one, the so called 'leader' of
|
|
the group, went on to be a successful politician.
|
|
Frank and Lou's life ended tragicly that day. But sometimes a
|
|
tragic end is the only way to end the oppression.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE OF REJECT #3, by Effy
|
|
==============================
|
|
|
|
Somewhere in the southern states, Lou and Frank stand outside
|
|
after a high school football game.
|
|
They are a couple of 16-year-old southern Baptist bastards who
|
|
possess the intelligence, wit, and potential of a paint chip; and have
|
|
minds as open as an Arab virgin's legs.
|
|
"I can't buh-LIEVE we lost dih football game tuh a school fulla
|
|
niggas!" Lou says in disgust as he tugs at his shit-covered overalls.
|
|
"I know dis. Didja see dih running back? He look like he jist
|
|
got off dih boat from Africa. He so black he woulda left finguh prints
|
|
on coal," Frank drawls with a loud, southern guffaw.
|
|
"Dear Lowd, I hope dey rot in Hell. We lost tuh niggas. I think
|
|
we betta show deez blackies what happens when dey mess wit us, ya know?"
|
|
"Yeehaw, Lou. Hmm, ya know how dih buses leave through dih
|
|
Elementary School's exit? We can stand over by dih edge of dih school,
|
|
and throw stuff at 'em when dey leave. Den we can make a clear getaway
|
|
through dih woods."
|
|
"Dis'll show dem nigs."
|
|
Lou and Frank gather some loot to throw from Frank's rusty old
|
|
Chevy pick-up truck, and sneak over by the buses in front of the woods.
|
|
They wait a few minutes, chewing on some straw they find in the pocket of
|
|
Lou's plaid flannel. At their feet lie three dead chickens, a bible, a
|
|
pitchfork, a wooden cross, and an empty bottle of mash whiskey.
|
|
Behind them, a group of several older, bigger black teenagers
|
|
appear silently. They notice the white boys hiding by the buses, and
|
|
their lips curl in anger and resentment.
|
|
Lou and Frank hee and haw in delight as the buses begin to pull
|
|
out. They run out flailing their arms. Lou flings the dead chickens at
|
|
one of the buses and feathers go flying everywhere as blood splatters on
|
|
the windows of the bus. He then lights the cross on fire and sticks it
|
|
in the wheel of the bus, while Frank throws the whiskey bottle through a
|
|
bus window while reading verses from the bible as a black boy on the bus
|
|
bleeds profusely from a shard of glass in his skull. "NIGGUH, NIGGUH,
|
|
NIGGUH!" screams Frank, throwing the bible through the broken window.
|
|
"C'mon Frank!" Lou yells, grabbing the pitchfork and tugging
|
|
Frank's arm. They dart towards the woods as the burning cross catches
|
|
the tire on fire and the entire bus explodes. Screams of fear and agony
|
|
are heard.
|
|
Frank guffaws. "Dih nigs are burnin' up like crispy critters!"
|
|
They stop dead in their tracks at the sight of the huge black
|
|
teenagers in front of the woods who are glaring at them with murderous
|
|
vengeance.
|
|
"Dear Lowdy Lowd," whispers Lou, trembling. "I think we in
|
|
trouble." He looks over at Frank, who is shaking like an old man on
|
|
crack.
|
|
The black boys grab Lou and Frank by the backs of their overalls
|
|
and sneer in their faces. One of them speaks.
|
|
"You racist fuckers, you just made a BIG fucking mistake!"
|
|
There is no need for the boys to say more. Lou and Frank whimper
|
|
for mercy until the black boys knock their few rotting teeth out of their
|
|
mouths with their large fists. They take the pitchfork from Lou and stab
|
|
Lou and Frank repeatedly in the back, and finally slit their throats,
|
|
leaving them to die in a large pool of blood.
|
|
Suddenly, footsteps approach, and a voice can be heard. "Freeze,
|
|
nigguhs!" yells the cop, who appears to be very old, very slow, and very
|
|
Baptist.
|
|
"Pig!" screams one of the boys, and they dart off into the woods,
|
|
easily escaping the police officer.
|
|
The old cop huffs and puffs, but the perpetrators are too fast for
|
|
him. He calls for an ambulance, but it is already too late. Lou and
|
|
Frank are deader than dinosaur dung. He sighs sadly as their bodies are
|
|
taken away and calms himself with a bear claw.
|
|
All of the football players and cheerleaders on the bus have
|
|
ceased to live also, dying a painful, fiery death. The scene is quiet,
|
|
but the onlooking southern white Baptists secretly rejoice under their
|
|
solemn facade. Later, they mourn the loss of the white boys, and angrily
|
|
declare vengeance on the unidentified black boys who had so vengefully
|
|
taken their lives. Hypocrisy and intolerance flourishes in the small
|
|
town, and yet another instance of the asinine practice of southern
|
|
Baptism is evident.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #4
|
|
================
|
|
|
|
"HOE SUBMISSION"
|
|
By G.T.
|
|
|
|
When you enter the everlasting realm of cardboard box textured
|
|
couches, you can feel the cinnamon in the air, even with your heavy
|
|
winter gloves. So i stepped outside which I thought was inside because
|
|
the carpet had just been vacuumed, but there was a car parked just
|
|
outside, the chandelier swayed accordingly to the strength of the wind.
|
|
I felt the soothing bass of the fish jumping in and out of the bowl
|
|
mumbling.."wingy wingy, why am i wingy?" We painted the seran wrap
|
|
covered fridge and used it as bait for my robotic brother, he fell for it
|
|
and we laughed at him. So to conclude, my work is always frosted with
|
|
the bionic essence of imperial chocoledutwah.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #4, by LilNilHil
|
|
====================================
|
|
|
|
When you enter the everlasting realm of cardboard box textured
|
|
couches, (ok. okay.) you can feel the cinnamon in the air, even with your
|
|
heavy winter gloves. (yes. more.) So i stepped outside which I thought
|
|
was inside because the carpet had just been vacuumed, but there was a car
|
|
parked just outside, the chandelier swayed accordingly to the strength of
|
|
the wind. I felt the soothing bass of the fish jumping in and out of the
|
|
bowl mumbling.."wingy wingy, why am i wingy?" (haaaa.) We painted the
|
|
seran wrap covered fridge and used it as bait for my robotic brother, he
|
|
fell for it and we laughed at him. (heh.) So to conclude, my work is
|
|
always frosted with the bionic essence of imperial chocoledutwah.
|
|
|
|
chocoledutwah. a bullet in your face.
|
|
|
|
Gregory sat in his small room reeking of ammonia and the humid
|
|
stink of menthol tobacco. he wiped off his face and read his note.
|
|
|
|
(you are gregory.)
|
|
|
|
(go to bank and work today.)
|
|
|
|
(come home.)
|
|
|
|
so gregory went to work.
|
|
|
|
he worked at 7-11, the night shift.
|
|
|
|
yes, every week-night, from 9pm to 5 in the morning, you could
|
|
find gregory thinking this:
|
|
|
|
I think that i say and use too many sentences that start with the
|
|
word "I". I mean, it's as if all i ever do is talk about myself, i don't
|
|
mean to..
|
|
|
|
"..23 cents your change.."
|
|
|
|
it's not like 'Clerks'.. where everybody just asks for a pack of
|
|
cigarettes.. we have to have 300 fucking brands. and 20 different
|
|
preferences of each. marlboro lights, they go on the left shelf. we sell
|
|
more marlboro's lights than gas.
|
|
|
|
"..45 cents your change. thanks."
|
|
|
|
i guess i should find a real job. i suppose working for 'southland
|
|
corp' isn't a very good career decision. but i get free beer..so.
|
|
|
|
maybe i shouldn't have broken up with her.. just cuz i didn't love
|
|
her. but that's some stupid shit after awhile.. gets tricky when they say
|
|
'i love you', 6 times a day and then move in with that little 5 second
|
|
pause, that evil fucking vortex of shame before breaking eye contact.
|
|
|
|
and then nick walks in. the gambler.
|
|
|
|
he only smokes black n' milds, and walks around with no shirt on
|
|
and a quart in his hand at 3 am. ..comes in every night.
|
|
|
|
"hey dawg."
|
|
|
|
i grin. "hi man."
|
|
|
|
"yo you got any dice man.."
|
|
|
|
no dude
|
|
|
|
"well alright.. guess what.. i'm gonna throw this lighter in the
|
|
air. and guess which side it's gonna land on.. you got a dollar?"
|
|
|
|
um.. wait.. what?
|
|
|
|
"we'll see if it lands on the sticker side or the blank side,
|
|
we'll bet a dollar."
|
|
|
|
but, why?
|
|
|
|
"i dunno dude i just like to gamble. haaa"
|
|
|
|
oh ok. here
|
|
|
|
and nick loses a dollar.
|
|
|
|
"double or nothin'!"
|
|
|
|
and nick loses two dollars.
|
|
|
|
"double or nothin' comon."
|
|
|
|
and nick gets himself out of it.
|
|
|
|
"well dawg. sweet. is it too late for beer?"
|
|
|
|
yeah sorry.
|
|
|
|
"aw.. well i got a riddle man. check it"
|
|
|
|
wha..
|
|
|
|
"there be three words in english speakin' that end in the letters
|
|
gee, are, why. g.r.y. check it? there's hungry angry, and one more.. what
|
|
is it dawg?"
|
|
|
|
um.. i dunno.
|
|
|
|
"alright man peace out.."
|
|
|
|
wait, what the..
|
|
|
|
g.r.y. so i'm off work. took a cab home.. cost me ten, spent ten
|
|
on food while workin.. means i made 15 bucks in 8 hours. right on.
|
|
|
|
Morning. 5pm. the next day.
|
|
|
|
I've started wondering about things.. this riddle. I checked the
|
|
dictionary. There's hungry, angry, malgry, algry, even gry itself is a
|
|
word. so what is it? i think it's too easy.. hungry and angry are
|
|
commonly used words.. but whoever heard of 'ogry'? it's old english...
|
|
not common word. for weeks the riddle bothers me. it seems to be all i
|
|
can really think about at times. my entire mindset has sortof changed
|
|
because this little flaw.. one unanswered question, is always there. so i
|
|
read into the riddle more.
|
|
|
|
i discovered this, that the gry riddle.. began sometime ago.. and
|
|
was stated as follows..
|
|
|
|
"There are 3 words in the english language that end in the letters
|
|
"gry", there's hungry, angry, and what else?" i found out that the answer
|
|
was "language". and then in history it sometimes was answered as "what".
|
|
a riddle based on wordplay.. it was stupidity from the start. but it had
|
|
an effect. i searched right into the riddle because it bothered me. does
|
|
the fact that i took it so seriously show that i'm too stubborn.. how i
|
|
seek a solution that's out of hand? did this have anything to do with
|
|
anything at all?
|
|
|
|
At work again. the entire population thinks a different way, acts
|
|
a different way. they flaw their own idea's in such a fashion that they
|
|
make no sense, their questions are unanswerable. nothing ever gets done.
|
|
each individual is only responsible for his or her fuckups. the less
|
|
fuckups you maintain, the better you are perceived as. i am a fuck up.
|
|
this is a energy compounded into small vibrations. we are all this
|
|
energy. it's maintains all things. nothing is real, there is no death,
|
|
or life, there is only the mind. the soul is a fog. i am different. i
|
|
show it. show me your enemies. a manic blue. mumbling i painted in the
|
|
bionic essense of a manic blue. the chi, the force, the anarchists and
|
|
taoists.. objectivism. mass cohesion. the wriggle of an insect climbing
|
|
down your throat. the chocoledutwah.
|
|
|
|
Gregory was found in the vault of the 7-11, dead with a gun in his
|
|
hand and a bullet in his face. his body temperature was 30 degree's.
|
|
there were traces of lsd in his blood. Nick was found jammed inside the
|
|
electronic doors leading into the store. with 5 bullets in his chest and
|
|
a box of black and milds shoved into his right eye socket. the
|
|
chocoledutwah.
|
|
|
|
our fuckup is an awesome fuck up.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #5
|
|
================
|
|
|
|
"Why TV Sucks"
|
|
by SubZero
|
|
|
|
Television. I never have liked TV, it's boring, and much of it
|
|
makes no sense. So i'm sitting here trying to think if something to write
|
|
my first HoE file and I look over at the television. Well, there's nothing
|
|
else to do and I can't get any ideas for this file so I guess i'll turn it
|
|
on. So, I turn on my TV and i'm greeted by a Pay-Per-Veiw add for "The
|
|
Fight Zone", wow, big sweaty men grabbing and touching each other. I think
|
|
i'll pass. Next channel I come across PBS, do people actually watch this?
|
|
Ahh, MTV, why the hell do they call it Music Television when there is only
|
|
two hours a day of videos on? The rest of the time is filled with crappy
|
|
reject shows from other stations. How pitiful, My So Called Life. How can
|
|
they play this show every day for over three months when this show didn't
|
|
last more than a week on a ABC. The Catoon Network, this looks good
|
|
Scooby Doo meets The Harlem Globetrotters. Hmph. It's the same damn plot
|
|
everytime. Scooby and the gang goto some weird place and find there is a
|
|
ghost. Eventually Scooby and Shaggy accidentally foil the ghosts and the
|
|
guy with the blonde hair takes of their masks and it's the gardener and the
|
|
maid. Gilligan's Island! This show is so great! The scenary is so real
|
|
and The Skipper is so cool! Actually, no. This show is so fake it makes
|
|
no sense and does anyone really think they'll get off the island? The
|
|
Rabbit will get his Trix before the "seven stranded cast-aways" get of the
|
|
island. Now onto Hogan's Heros. Another quality show. Well, I've had
|
|
enough of the moronity that the media is feeding us. I made a top ten list
|
|
of my best and worst shows. You probaly don't care about it but check it
|
|
out anyway.
|
|
|
|
*Best*
|
|
|
|
10. TV sucks read a t-file
|
|
9. TV sucks read a t-file
|
|
8. TV sucks read a t-file
|
|
7. TV sucks read a t-file
|
|
6. TV sucks read a t-file
|
|
5. TV sucks read a t-file
|
|
4. TV sucks read a t-file
|
|
3. TV sucks read a t-file
|
|
2. TV sucks read a t-file
|
|
1. Late Show with David Letterman
|
|
|
|
*Worst*
|
|
|
|
10. Any news show
|
|
9. Any game show
|
|
8. Tonight Show with Jay Leno
|
|
7. Hogan's Heros
|
|
6. Gilligan's Island
|
|
5. Three's Company
|
|
4. The Jon Stewart Show
|
|
3. Any show on PBS
|
|
2. Any thing with OJ in it
|
|
1. Any Nick at Nite show
|
|
|
|
[----------]
|
|
|
|
RE-WRITE TO REJECT #5, by Oregano
|
|
=================================
|
|
|
|
I used to be a big fan of television, while growing up it pretty much
|
|
occupied all my life. I can't tell you exactly when it changed, I still
|
|
am not sure why, but sometime in my college life I curtailed my TV input
|
|
greatly. This was not some scheme of mine to improve my life, it just
|
|
occurred. And over the years I have watched less and less TV to the point
|
|
where there is only one show I regularly watch each week. Sure, I will
|
|
turn on the TV if people tell me that I have to watch some specific show.
|
|
But even when I watch a recommended show, I get bored and end up flipping
|
|
channels, then turning the box off.
|
|
One reservation I have about talking about my boredom with TV is that
|
|
I do not claim to be some higher intelligence who is too smart for the
|
|
programming. I am one of the few who think that television programming
|
|
is at its best ever. There are tons of shows now which eclipse by far
|
|
the crap I watched with delight in the '70s. I do not see TV as a vast
|
|
wasteland; but there are recurring themes which grow tiresome. Watch
|
|
enough TV and you know how everything ends, no need to see the whole
|
|
show.
|
|
Lets take a typical night of TV. I see that Pay-per-view has "The
|
|
Fight Zone." I like wrestling as much as the next guy, but there is a
|
|
pay-per-view every month, there is nothing special about it anymore.
|
|
Wrestlemania used to mean something. I suppose that pay-per-view is a
|
|
good reason to get together with a few of your friends to defray costs
|
|
and spend a nice Sunday night together. I on the other hand prefer to be
|
|
locked in my bunker on Sunday thinking of all the horrible things I did
|
|
or said on Saturday night, a self-imposed confinement.
|
|
At my office there is a youngster who watches MTV. She tells me all
|
|
the great stuff that is happening on MTV's The Real World, enough to make
|
|
it seem interesting, but when I tune in I find it too much about people
|
|
whining about their emotions. The only two MTV shows I enjoy are Tom
|
|
Green and TRL. Total Request Live is the '90s version of Dick Clark's
|
|
American bandstand. Teens listening to marginal music, lots of yelling,
|
|
bad band interviews and all the songs getting mangled in the editing
|
|
room, half each song getting lopped off in the interest of time. I enjoy
|
|
this. Not sure why. Perhaps I like that the music is a commodity and
|
|
not a piece of art, somehow treating this music with the proper disdain
|
|
this music deserves. Tonight MTV is...commercials. I cannot sit through
|
|
the commercials, I don't know what the program is, but the commercials
|
|
are numerous enough for me to list that as the programming.
|
|
The Cartoon Network seems like a good idea. I like to laugh like a
|
|
moron at Scooby's speech impediment, and Shaggy stoned all the time
|
|
looking for something to eat. But the stories are always the same. The
|
|
culprit, who had supernatural powers in the first 10 minutes of the show
|
|
now turns out to be the maid or the gardener. There is too much cheating
|
|
in this cartoon universe. There needs to be consistency. This is why I
|
|
hate giant-monster movies. A monster is in one scene as big as a hotel
|
|
and in another just a little larger than a bus.
|
|
My fault with the Cartoon Network is that they show the worst of the
|
|
'70s animation. I much prefer the newer cartoons like Animaniacs or
|
|
Rugrats. The newer cartoons have better writing and animation. The few
|
|
decent cartoons on Cartoon Network are Space Ghost, Powerpuff Girls and
|
|
JetCat.
|
|
The haze of boredom is pressing on my shoulders and this TV watching
|
|
cannot go much further. I see Hogan's Heroes and Gilligan's Island, each
|
|
of which needs no insight from me.
|
|
To answer the question I somewhat raised earlier, the only show I
|
|
watch regularly is Saturday Night Live. There are many people who spend
|
|
their entire lives bashing this show, how can I justify taking special
|
|
pleasure in watching it every week (even the reruns)?
|
|
To me the show is a special event, perhaps it stems from the grand
|
|
celebration around its first few seasons when I had to sneak out to the
|
|
family room to watch it, well past my bedtime. I have liked the show in
|
|
the good years and the bad and in many ways my sense of humor comes from
|
|
there and is nourished in its bath of constant renewal. Currently
|
|
Horatio Sans makes me laugh in every sketch he is in; for moments of joy
|
|
like these I continue to watch.
|
|
That said, I do not give up on TV, I am sure that in my old age I
|
|
will see it again as an old friend to take away the loneliness when my
|
|
family abandons me to the cattlepen known as a nursing home. Rather than
|
|
spend my last hours crying for a life wasted, I will turn to Comedy
|
|
Central and laugh again at seeing Tom Hanks in Big for one last time.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #6
|
|
================
|
|
|
|
"A Poem"
|
|
by Racket
|
|
|
|
Here comes one pissed off cop,
|
|
He's sees me take just one drop.
|
|
I say to him it's only lsd,
|
|
Then he says sure that's what I thought it'd be.
|
|
Then he get's mad cause i'm smoking grass
|
|
So I tell him to just shove it up his ass
|
|
He said, Drop and spread 'em
|
|
And I told myself not to let him
|
|
So he shoves his nightstick up my back
|
|
Just as if I was possessing crack
|
|
I took his arm and threw him on a car
|
|
He let out a yell that could be heard near and far
|
|
My supplier told me that wonderful trick!
|
|
Then since he was so nice to me,
|
|
I decided to give him one good kick
|
|
What's this? Yet another scream
|
|
This time it was really extreme
|
|
It's not as if I kicked him in the rear
|
|
Well, not quite there, but it was near!
|
|
I took out his cuffs, and slapped 'em on his wrist
|
|
This time he got really pissed
|
|
I told the nice officer, "How ever will you drive?"
|
|
And he said, "I don't need your fuckin' street jive"
|
|
I thought I heard enough outta this squealer
|
|
So I thought I'd bring him to my dealer
|
|
When we got there, my dealer was busy with two other guys
|
|
But when he was done business, I turned the pig in for a surprise
|
|
I went back to the streets, and heard screams of pain
|
|
But I just carried on, sniffing my free cocaine.
|
|
I noticed the screaming was coming from my dealer's spot,
|
|
I thought it was just another guy getting shot.
|
|
|
|
Just to make sure....this isn't my best poems, i just did it when
|
|
there was nothing else to do.... i will be coming out with an anarchy
|
|
article, that i'm 1/4 completed, and a list of the hottest women [I WILL
|
|
include Winona, Mogel!] I thought you might like these other poems, that i
|
|
didn't make, but they are cool poems we sing at school, and the sort. I
|
|
also have to give credit to Wonko, and Ascii Express, even though they
|
|
aren't the coolest or most liked or most heard of people.... but i have to
|
|
give credit..[Wonko isn't VERY cool as most of you know, but he wrote
|
|
it... and that's enough of that.]
|
|
|
|
Roll roll roll your joint,
|
|
Twist it at the end,
|
|
Take a puff,
|
|
now that's enough,
|
|
and pass it to a friend.
|
|
(Sung to Row, Row, Row Your Boat)
|
|
|
|
Marijuana, Marijuana...LSD!, LSD!
|
|
College kids are making it,
|
|
High school kids are taking it,
|
|
Why can't we?, Why can't we?
|
|
(Sung to Frere Jacques)
|
|
|
|
[----------]
|
|
|
|
RE-WRITE TO REJECT #6, by Trilobyte
|
|
===================================
|
|
|
|
Ah, Immaturity
|
|
:: or ::
|
|
The Raping of Racket
|
|
|
|
by Trilobyte
|
|
|
|
everyone loves drugs, because drugs are cool. or, at least,
|
|
that's the assumption made by 'racket'. there is a drug called marijuana
|
|
-- in case you didn't know -- and it makes people mellow, often enticing
|
|
them to sit still for hours. some people think a lot about interesting
|
|
things while they sit still, and others just think about nothing.
|
|
they're effectively passed out. though they might be doing the 'cool'
|
|
thing by 'smoking pot', in no way are they cooperating with or enhancing
|
|
society.
|
|
|
|
this 'racket' fellow might be deeply immersed in the 'drug scene'.
|
|
he might 'smoke pot' and then 'pass out' for hours. when he's not
|
|
'smoking pot' or indulging in other drugs, he might think about how he
|
|
could be, what might happen if he were, or what situation led to the fact
|
|
that he currently isn't.
|
|
|
|
this might lead racket to chant songs about drugs, or write poetry
|
|
about drugs and drug-related scenarios.
|
|
|
|
but i also wish to point out that there's a good chance mister
|
|
'racket' hardly does drugs at all, and hasn't ever left his parents'
|
|
house. when he sits alone in his room, which likely has posters for
|
|
bands like Korn and Marilyn Manson, he frets over how uncool he is.
|
|
but, being one who works to improve himself, he thinks of ways that he
|
|
could become cooler. he wonders, "what do the cool people do?" and then
|
|
thinks to the writings of ezine demigods like mogel and cDc. "they're
|
|
cool!" he tells himself. "and they talk about drugs! drugs are great!
|
|
all i have to do is get drugs!"
|
|
|
|
poor racket decides to improve himself through drug use. but, as
|
|
he does not want to go to 'bad ghetto neighborhoods', which are the best
|
|
places to find drugs, and since he doesn't leave his house or know anyone
|
|
at all, he just sits in his room and draws marijuana leaves on
|
|
college-rule notebook paper.
|
|
|
|
his mother gets done fucking a chair, comes in to 'racket's room,
|
|
and asks if he wants anything.
|
|
|
|
"can i have some weed, or some uhh cocaine or crack or something?"
|
|
he asks.
|
|
|
|
"i knew it!", she shrieks.
|
|
|
|
later that night his mother and father decide to send him to drug
|
|
rehab, where he eventually meets a number of great new friends who tell
|
|
him all sorts of drug experiences. one guy, jamal, has been to the rehab
|
|
place twelve times. he likes the high from the injections they give him.
|
|
|
|
when 'racket' and jamal get out of rehab, they hook up, and
|
|
'racket' eventually becomes addicted to heroin, after ingesting numerous
|
|
other drugs.
|
|
|
|
here's one of the poems he wrote in the rehab clinic.
|
|
|
|
oh, i mentioned that 'racket' is a white suburban boy -- but did i
|
|
mention that he has no rhythm? and that he writes about trite subjects?
|
|
and that he has a poor grasp of grammar? and that he's a retard?
|
|
|
|
lines beginning with Mo-Money symbols ($) are the poem's contents.
|
|
|
|
numbers in the metal clink [1] [2] [3] link to footnotes at the
|
|
end of the poem.
|
|
|
|
to start the poem off, let me describe one widely-used technique
|
|
of the mindless drug loser authors.
|
|
|
|
as with poetry by other authors with dormant brains, 'racket'
|
|
obviously has used the literary technique of 'understood
|
|
walking-down-the-street'. this technique nullifies the author's need to
|
|
waste time setting a scene for his/her story, by allowing the reader to
|
|
ASSUME that the speaker is simply walking down the street. this technique
|
|
has the same effect as including an opening line with the following
|
|
contents:
|
|
|
|
"So I's was walkin down the street and"
|
|
|
|
now, to the poem.
|
|
|
|
$ "A Poem" by Racket [12/22/94]
|
|
|
|
notice the inaccuracy of the title. this isn't a poem.
|
|
|
|
$ Here comes one pissed off cop,
|
|
$ He's sees me take just one drop.
|
|
|
|
notice the vivid imagery, and brilliant description of the mood of
|
|
the police officer being spoken of. slang language makes the poem more
|
|
'cool', which appeals to drug users (the people 'racket' wants to
|
|
impress.)
|
|
|
|
$ I say to him it's only lsd, [2]
|
|
$ Then he says sure that's what I thought it'd be.
|
|
$ Then he get's mad cause i'm smoking grass [4]
|
|
$ So I tell him to just shove it up his ass [13]
|
|
$ He said, Drop and spread 'em
|
|
|
|
the police officer, being confused, thought racket had asked to
|
|
shove it up HIS OWN ass. he was wrong, though, because that's not what
|
|
racket said.
|
|
|
|
$ And I told myself not to let him
|
|
$ So he shoves his nightstick up my back [3]
|
|
$ Just as if I was possessing crack [1]
|
|
$ I took his arm and threw him on a car [5]
|
|
$ He let out a yell that could be heard near and far
|
|
$ My supplier told me that wonderful trick!
|
|
$ Then since he was so nice to me,
|
|
$ I decided to give him one good kick
|
|
|
|
Despite his improper use of pronouns, Racket is _obviously_ not
|
|
talking about kicking his dealer, because YOU DON'T FUCK WITH YOUR
|
|
DEALER.
|
|
|
|
$ What's this? Yet another scream
|
|
$ This time it was really extreme [6]
|
|
$ It's not as if I kicked him in the rear
|
|
$ Well, not quite there, but it was near! [7]
|
|
$ I took out his cuffs, and slapped 'em on his wrist [8]
|
|
$ This time he got really pissed
|
|
$ I told the nice officer, "How ever will you drive?"
|
|
|
|
the officer has wild mood swings, sometimes being 'nice', and
|
|
other times being 'pissed'. FYI, racket is a victorian-age lord of an
|
|
English province.
|
|
|
|
$ And he said, "I don't need your fuckin' street jive"
|
|
|
|
but the police officer does not understand racket's victorian use
|
|
of 'how ever' in a sentence, since only classic poets speak like that,
|
|
and believes it to be a sort of drug user language [9].
|
|
|
|
$ I thought I heard enough outta this squealer
|
|
$ So I thought I'd bring him to my dealer
|
|
|
|
A dealer is a person who sells drugs.
|
|
|
|
$ When we got there, my dealer was busy with two other guys
|
|
|
|
And rapes those who can't pay him.
|
|
|
|
$ But when he was done business, I turned the pig in for a surprise
|
|
|
|
one way to keep rhythm in a poem is to drop words. here, racket
|
|
keeps a steady rhythm by leaving out some word near 'done'. one
|
|
side-effect of this technique is that sometimes a word is important to
|
|
the meaning of the line, and dropping it makes the line unintelligible.
|
|
[10]
|
|
|
|
$ I went back to the streets [11], and heard screams of pain
|
|
$ But I just carried on, sniffing my free cocaine.
|
|
$ I noticed the screaming was coming from my dealer's spot,
|
|
$ I thought it was just another guy getting shot. [12]
|
|
|
|
[1] 'Crack' is a drug used in tenements by poor African-Americans.
|
|
|
|
[2] LSD is a hallucinogenic drug, which sometimes comes in liquid form.
|
|
Drug users use the term 'drop' to describe taking LSD.
|
|
|
|
[3] LSD eventually ends up in the spines of its users. A way for police
|
|
officers to test for LSD is to stick their magic nightstick up
|
|
peoples' shirts. It then telepathically tells the officer if it
|
|
senses any LSD. Racket's mention of crack possession is due to
|
|
ignorance. He didn't have any, and that's not what the cop was
|
|
looking for.
|
|
|
|
[4] racket is ambidextrous.
|
|
|
|
[5] racket is a square dancer.
|
|
|
|
[6] 'scream' and 'extreme' rhyme.
|
|
|
|
[7] areas surrounding the 'rear', or 'ass', include:
|
|
|
|
* thigh
|
|
* lower back
|
|
* crotch
|
|
* upper leg
|
|
|
|
[8] One side-effect of serious heroin abuse is a constant drive to slap
|
|
arms. Using handcuffs to slap arms induces a 'bad trip'.
|
|
|
|
[9] Hey dude, man, like, you know.
|
|
|
|
[10] Sometimes poems are already unintelligible and dropping words does
|
|
not change that.
|
|
|
|
[11] the "Understood Walking-Down-The-Street" technique is backed up.
|
|
|
|
[13] Racket again shows his ignorance by referring to 'grass' as a
|
|
suppository. Grass, aka 'Opium', is NOT used by shoving it into the
|
|
anus.
|
|
|
|
racket then continues on, to introduce his next pieces of
|
|
literature he wishes to share, with the following paragraph. it tells us
|
|
who is cool, and who we know.
|
|
|
|
$ Just to make sure....this isn't my best poems, i just did it when
|
|
$ there was nothing else to do.... i will be coming out with an anarchy
|
|
$ article, that i'm 1/4 completed, and a list of the hottest women [I WILL
|
|
$ include Winona, Mogel!] I thought you might like these other poems, that
|
|
$ i didn't make, but they are cool poems we sing at school, and the sort. I
|
|
$ also have to give credit to Wonko, and Ascii Express, even though they
|
|
$ aren't the coolest or most liked or most heard of people.... but i have
|
|
$ to give credit..[Wonko isn't VERY cool as most of you know, but he
|
|
$ wrote it... and that's enough of that.]
|
|
|
|
These are songs that Racket sings at school with his other buddies
|
|
who like Korn and Marilyn Manson. These buddies of his only hang around
|
|
with him because they think he might be able to score them some pot
|
|
sometime. Otherwise they'd leave him alone because he smells pretty bad.
|
|
|
|
$ Roll roll roll your joint,
|
|
$ Twist it at the end,
|
|
$ Take a puff,
|
|
$ now that's enough,
|
|
$ and pass it to a friend.
|
|
$ (Sung to Row, Row, Row Your Boat)
|
|
|
|
I knew this next one in 5th grade because I read it in Matt
|
|
Groening's _Big Book of Hell_. I assume it's been around for a very long
|
|
time. By my freshman year of high school, it seemed at least half the
|
|
student population knew the song.
|
|
|
|
But Racket would like to share it with us, because it's about
|
|
drugs and drugs are cool.
|
|
|
|
$ Marijuana, Marijuana...LSD!, LSD!
|
|
$ College kids are making it,
|
|
$ High school kids are taking it,
|
|
$ Why can't we?, Why can't we?
|
|
$ (Sung to Frere Jacques)
|
|
|
|
In conclusion, I'd like to thank Racket, for thinking that HOE's
|
|
staff was cool enough to share his drug poetry with, and I'd like to
|
|
thank Mogel, and the other head editors of HOE, for not releasing
|
|
Racket's file.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #7
|
|
================
|
|
|
|
"What's in a handle?"
|
|
by Dae'raezdus
|
|
|
|
Those of us that bbs are aware of the fact that when a BBS we've
|
|
just logged onto asks us for what we'd like as our alias or handle, we
|
|
should type something besides our real name. Those newbies that don't are
|
|
subject to be the butt of jokes for not picking a good handle. (I swear,
|
|
I'm innocent on that!) But really? What is the point of picking a handle
|
|
that will please yourself and others? Perhaps before attempting to answer
|
|
that all important question of bbsing, it'd be best to take a good look at
|
|
some instances of the past (read my more interesting moments online).
|
|
|
|
I hear lots of things about my handles. All twenty one of them.
|
|
People can spot a new handle of mine the moment they see it. Okay, so I
|
|
make it easy, using things like Dae'raezdus, Raec'via, Pstrykna,
|
|
Arylaenscia, Aryaelae', and so on (I still can't believe i spelled
|
|
Aryaelae' wrong.. sigh..) and oddly enough it seems that I began to
|
|
identify with the handle I use the most: Dae'raezdus. I think a friend of
|
|
mine said it best when he was commenting on why he was having an old handle
|
|
deleted from all boards:
|
|
|
|
"It's just not me anymore. It's a character I can't play."
|
|
Think about it for a moment. Is everyone exactly like they are online as
|
|
when they are offline? I should sure as hell hope not! Read through a few
|
|
bios and regs and you'll find out (and if you don't have one type /go
|
|
registry and then y, and answer the damn questions already!@) that we are
|
|
all but shells of an unreality. Although if anyone must ask, yes, I am
|
|
really a demon.
|
|
|
|
Now that I've gotten the moral of the story out of the way, I can
|
|
have some fun. Keeping in mind the above rule, let's have some phun and
|
|
go through rules for picking a handle!@
|
|
|
|
1) First of all, pick something people can pronounce for god's sake!
|
|
|
|
Okay, I admit it, I have a very hard time following this rule. My
|
|
regular handle is Dae'raezdus. The first gt I went to, I introduced myself
|
|
as such, only to receive puzzled looks from everybody present. At first,
|
|
I thought that was okay because I was under the impression that I was not
|
|
well-liked online... But that's another story altogether. Later on, before
|
|
I left I somehow ended up spelling my handle before everyone... shhh,
|
|
Listen!
|
|
|
|
Me: Um... My handle?
|
|
Them: Yeah! How do you spell it??
|
|
Me: Uh... D - A - E - apostraphe -
|
|
Them: Oooooh! That guy! Hey you're cool!
|
|
Me <muttering>: Fucking idiots...
|
|
|
|
Unfortunately some of my friends, to this day, still cannot
|
|
pronounce that handle. I've had it, what, close to a year? And when I
|
|
try to call someone voice for the first time, confusion is often resultant.
|
|
So trust me when I tell you that a pronounceable handle is important. And
|
|
never trust someone that says, "Trust me!".
|
|
|
|
2) Pick something decent fuckface.
|
|
|
|
It never ceases to amaze me when some cyberidiot decides that a
|
|
repulsive handle is in order. I find it rather amusing when said cyberjerk
|
|
picks that handle while the sysop is online. Some beauties I've seen go
|
|
along the lines of "Kreamy_Spurtz", "Jizz_N-Cumm", and so on. I shit you
|
|
not. (And yes, the sysop was on.) Accounts with such handles have a life
|
|
expectancy of no greater than 60 minutes, and that's if one is extremely
|
|
lucky. Accounts not expected to last more than 5 minutes go along the
|
|
lines of "Sysop_is_an_asshole" and yes, I've seen that one too.
|
|
|
|
Some 'cleaner' handles get some interesting responses, so unless
|
|
you're the attention-getting type, I suggest you stay away from such things
|
|
as Bunghole, and Priapism. The first one, thanks to a particular music
|
|
network comedy (I find the use of that word for that show questionable)
|
|
show, has an interesting meaning when really it's just a hole for a cork.
|
|
The second you can look up yourself, but that's been mocked many a time.
|
|
|
|
Then there are handles like one I had, which have no meaning
|
|
whatsoever, but people just think they sound disgusting. "Scrawla." I
|
|
have no clue what it means, I just put the letters together, but my MBBS of
|
|
choice had insisted that it was an STD. Whatever, guys.
|
|
|
|
3) Pick something original.
|
|
|
|
From Syphilitic Death: H1 gU>-5!@#
|
|
From Rixna: another goddamn death handle.. cant you people think of
|
|
anything worth typing?
|
|
From Dragon Whore'd: I don't see anything wrong with it.
|
|
From Lady Dump: Yeah. What's wrong with death handles?
|
|
:/j rixna
|
|
|
|
Ah... The irritations of having to type /black t: or /dragonl: in
|
|
order to whisper to someone. You can only see so many Black this and
|
|
Dragon that before it gets sickening. The only things I can stand seeing
|
|
repeatedly are my cat, The Wall, and certain attractive females. I will
|
|
admit, however, that it is quite amusing to watch two assholes duke it out
|
|
over the modem about who thought of the handle first. "You stole my
|
|
handle!@" has rung in my ears more than once, and I can only sit back and
|
|
laugh because no one has ever had a handle like mine.
|
|
|
|
(Well, once my friend made the handle Dae'raezdus Raec'via. just to
|
|
irritate the hell out of me. Needless to say, it worked. I suggest you
|
|
try it with someone with a long handle on a free board. Just don't expect
|
|
any whispers.) I won't start naming original handles that I've seen... but
|
|
you'll know one when you see one. And the bonus part is: Sometimes people
|
|
actually compliment original handles! Well I've only gotten one compliment
|
|
but I get lots of questions like "What's your handle mean?" and shit, so it
|
|
makes a good ice-breaker. Sort of like Sharon Stone with an icepick.
|
|
|
|
4) Pick something that fits you. (Better yet, don't, and I'll come
|
|
pester you)
|
|
|
|
Don't pick something like "Lookingforhotsex" if you aren't out for
|
|
it. Some dolt is bound to come along and ask you if he or she fits your
|
|
criteria. In much more indiscrete terms no doubt.
|
|
|
|
(Honestly, one guy was typing in main, "I want to fuck you hard,"
|
|
to some females online. In front of the cosysop. We told him to whisper
|
|
and this is what he typed: I want to fuck you hard /Poorfemale. His
|
|
response to us was: You guys are idiots. /Someguy ... But I digress)
|
|
|
|
Handles are You online, so of course if you pick a handle like
|
|
"Smart Demoness Bitch", then of course somebody like me would immediately
|
|
start talking to you about the beauty of hell and such. Nothing is more
|
|
irritating to find someone with a handle that didn't match them, so to
|
|
avoid potentially pissy people, pick 'ppropriate pseudonyms. (Shit, it
|
|
almost worked...)
|
|
|
|
5) And a few other tidbits of information...
|
|
|
|
Of course, I've managed to pick up some interesting stories...
|
|
Well, not interesting exactly but... Well... Oh hell, I'll just tell them.
|
|
I have an account on one board called "Metria", which as some of you may
|
|
know, is the name of a demoness in a popular fantasy series. No sooner do
|
|
I step into Teleconference then do I see from another male user: "Come on
|
|
in here baby!", where upon I explain to him the purpose of the M underneath
|
|
sex on the user scan. Poor him.
|
|
|
|
Odd letter combinations throw people off. One of my handles is
|
|
"Khisanth", yet another book character, also female. People have this
|
|
problem with spelling that out, as I've seen everything from Krisanth to
|
|
Kitanth and so on. When will people learn?
|
|
|
|
Yet another handle of mine was "The Foxophile". I advise people not
|
|
to use the suffix "-phile" in their handles. If you don't know what that
|
|
means, get a dictionary. I had to tell the sysop, "No, I don't have sex
|
|
with animals." Animals don't seem to like me either <cough cough>
|
|
|
|
I think you've had enough by now. That is, if you're still
|
|
reading...
|
|
|
|
Hello?
|
|
Hello???
|
|
|
|
Damn... I knew I should have saved the moral for last... That always
|
|
shakes 'em when they see it first...
|
|
|
|
A final tidbit of advice. Twenty one handles is a bit much. I hear
|
|
most people keep it to less than five. Then again, I'm not most people ;)
|
|
(you know who you are :) )
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #7, by Que
|
|
==============================
|
|
|
|
Nicknames. What are they? Where do they come from? What do you need
|
|
to obtain one? Why am I asking questions to you when you cannot respond?
|
|
|
|
I will hope to shed new light on this nickname epidemic by showing
|
|
you a film from the school archives called; "Your Nickname and you." I
|
|
hope you enjoy.
|
|
|
|
______________________________
|
|
| |
|
|
| Your Nickname and you. |
|
|
| |
|
|
| (start sound now) |
|
|
|______________________________|
|
|
|
|
*bleep*
|
|
|
|
Nicknames.... Have been used for several purposes over the years
|
|
including changing your identity after a crime, and for easy referance.
|
|
|
|
(Picture of a man holding a bag with a dollar sign on it)
|
|
|
|
*bleep*
|
|
|
|
But what should you do when choosing a nickname? This is little
|
|
Robert Smith. Robert do you have a nickname?
|
|
|
|
(Picture of a blond boy holding an ice cream cone)
|
|
|
|
*bleep*
|
|
|
|
"My Nickname is Bobby."
|
|
|
|
(Picture of a blond boy smiling with mouth open)
|
|
|
|
*bleep*
|
|
|
|
Even little Bobby here knows that having a nickname can be fun.
|
|
|
|
(Picture of Bobby riding a bicycle)
|
|
|
|
*bleep*
|
|
|
|
What are common things you should think of when creating a
|
|
nickname?
|
|
|
|
(Picture of a large green question mark)
|
|
|
|
*bleep*
|
|
|
|
The ability to pronounce the nickname.
|
|
|
|
(Picture of the words "The ability to pronounce the nickname.")
|
|
|
|
*bleep*
|
|
|
|
Does the nickname reflect you?
|
|
|
|
(Picture of the words "Does the nickname reflect you?")
|
|
|
|
*bl@&^$*&OY@EO*&^Y#EY@&OYO$E&H@&HSDOK*H@?*
|
|
|
|
(Picture of blank white screen)
|
|
|
|
Well... It looks like the film broke. I guess we will have to
|
|
conclude this tomorrow. Just remember, Nicknames are not only your
|
|
handle.... they are also your friends.. take care, and remember, call
|
|
your mom.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #8
|
|
================
|
|
|
|
"Back In The Day..."
|
|
by Lucky
|
|
|
|
i'm 17 and i'm regular i talk about regular stuff - i'm from the
|
|
regular days. back when your momma had your living room furniture covered
|
|
with that hard-ass plastic. you sit down and it's poking you in your thigh
|
|
snagging those polyester bell bottoms. back in the days shag carpet was
|
|
about three-feet-tall and you'd have to step over it. back in the days of
|
|
pattent leather loafers and knitted arm rests. crushed velvet cutains.
|
|
back in the days when when your momma had a dinning room table that weighed
|
|
about 5000 goddamn pounds and she was determined nobody was gonna scratch
|
|
it. she had it covered up with eight or nine plastic covers, four or five
|
|
table clothes, and that country-ass lace cover on the top of that. you
|
|
could try to blow that off, but that big-ass punch bowl was holding it
|
|
down, surrounded with about two hundred of those little-ass cups. back in
|
|
the days when you had carpet on the walls, big wooden fork and spoon - i
|
|
thought we had it goin' on i didn't know we was poor.
|
|
|
|
momma camoflaged? hell, i thought it was artwork hanging all over
|
|
the house. i was grown before i realized it was some souvenire plates.
|
|
momma went to flea markets and bought some plates other people didn't want,
|
|
still had writing on it "see spain, see italy". we aint been outside the
|
|
state line! had a china closet like middle class folks but couldn't ever
|
|
afford no china, china closet just full of stolen salt and pepper shakers.
|
|
wherever we happened to go momma would steel a salt and pepper shaker. she
|
|
would just drop em' in her purse. they would still have little names on em'
|
|
"the waffle house" "the pancake house" "mastedonia baptist church"! she
|
|
didn't give a damn. the jones familly reunion, our name is curtis. here's
|
|
the thing that matters. these raggedy ass cars on the highway. oh you can't
|
|
hardly go no where on the highway now ever been on the highway here come a
|
|
raggedy car behind you, one headlight you think it's a motorcycle untill it
|
|
pulls up next to you. be runnin' about a 100 miles per hour the car shaking
|
|
he trembling blowing out smoke like he's selling bar-b-q.
|
|
|
|
he pull up in front of you then slow down! %oh i just like to set
|
|
his ass on fire!% usualy a cadilac about a 68, 69 model. he'll be leaning
|
|
one way the car be leaning the other way. be photo cadilac with three
|
|
tinted windows, three hubcaps .. missing. a rear back tire on the back of
|
|
the trunk with a hubcap on it. windsheild wipers just screaching like hell
|
|
cause they don't have any rubber on them. acoat hanger on the hole where
|
|
the antena ought to damn be. big dirty baby shoes just dangling from the
|
|
mirror big furry blue dice glued to the dashboard. raggedy ass vinyl top
|
|
hanging off just waving to you. be a pair of underwear in the gas tank
|
|
where the gas cap ought to be! then have a cardboard sign in the back
|
|
saying 'stolen plates' RIGHT, you know nobody stole nothing off thise
|
|
piece of shit! if they did, they just stole it back. every time i go
|
|
through the drive through i get behind that raggedy car, they'll be about
|
|
three or four cars in front of him so he turns his car off to save gas.
|
|
ten seconds later the line moves and he can't start his car! horns behind
|
|
me blowing i can't damn move he'll ask me if i can give him a jump. he'll
|
|
ask me if i got jumper cables you got the raggedy ass car jump between
|
|
these two cars so i can smash your silly ass!
|
|
|
|
[----------]
|
|
|
|
RE-WRITE TO REJECT #8, by Aster
|
|
===============================
|
|
|
|
once apon a time there lived a little boy. he had many things in
|
|
his room. he had lost of toys and gadgets and gizmos and everything else
|
|
entirely. most of all, he had three big orange posters with words ont
|
|
hem. he did not know how to read so he scribbled all over them. he drew
|
|
pretty pictures of flowers and trees and a man getting killed with a tic
|
|
tac and a little pen named ronald.
|
|
|
|
ronald, the little pen in his picture was made of plastic and more
|
|
plastic and wrote quite blue indeed. blue is, of course, an evil color
|
|
and ronald always hated himself for it. after he was put into prison for
|
|
killing the man and the tic tac, he learned a great wonderful game called
|
|
red or blue or yellow or green. this game was very fun. in it, each
|
|
person (or pen) picked a different color. and then they all scribbled the
|
|
sky purples with little black teeth. she also wore a cape and had bright
|
|
red eyes. sometimes she scared little children with toes, but not always,
|
|
just sometimes. anyway, when the bicycle left the market it traded places
|
|
and earned a great deal of cookies int he process. soon, the family of
|
|
four was quite rich.
|
|
|
|
the end.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #9
|
|
================
|
|
|
|
"Morbid"
|
|
by Vyrus
|
|
|
|
The howl from the bathroom signaled something was wrong.
|
|
|
|
Brad raced in to find Shiela screaming endlessly, clutching her
|
|
face.
|
|
|
|
The skin was literally melting off her face, dripping and running
|
|
like a think milk shake. She screamed louder as her eyeball oozed gently
|
|
from the socket, landing with a soft thump in her palm.
|
|
|
|
Even then, her fleshy hands began to squish and run together,
|
|
exposing pale bones and the pins put in her wrist when she was eight.
|
|
The unblinking eyeball stared mercilessly at her as she felt other parts
|
|
of her body stream away in goopy strands, like melted bubble gum this
|
|
time.
|
|
|
|
The flesh between her fingers finally let loose, and the bones in
|
|
her hand separated, letting the eye thunk to the floor, rolling over with
|
|
bits of fuzz and tile chunks embedded in the iris and scalera.
|
|
|
|
Her screams became half gargles as her throat melted away, yet her
|
|
mouth still moved, dripping pus and blood and dead skin.
|
|
|
|
She turned away from the mirror, looking at Brad with a helpless
|
|
expression locked on her decaying form. Brad winced at backed away from
|
|
her clawing and bare fingers.
|
|
|
|
She curled them inwards, looking at them, and shaking her head
|
|
violently, drop of a no-longer-identifiable material gushed in spurts from
|
|
her forehead, flying out like a crushed fruit. A few drops splattered on
|
|
Brad, sizzling like acid.
|
|
|
|
She continued to melt away, screaming soundlessly. As her last
|
|
remains pooled into a lump on her bathrobe, her stained skull grinning
|
|
evilly at him, Brad reached down and picked out the locket he had given
|
|
her. He opened it, looked inside, and screamed as loud as he could...
|
|
|
|
Until the flesh in his throat began to run.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #9, by Tasha
|
|
================================
|
|
|
|
Jarett heard a howl coming from the bathroom and figured something
|
|
could be wrong.
|
|
|
|
He hopped off the tiny daybed and into the bathroom, which was,
|
|
conveniently, left unlocked. Jarett found Caitlin sitting on the toilet,
|
|
clutching her face, with the guitar she had previously been playing
|
|
dropped next to the toilet. Ordinarily, Jarett would have thought
|
|
nothing of this. Caitlin often played guitar while relieving herself, it
|
|
made everything come out better, she claimed. Today, however, Caitlin
|
|
had her hands clutched over her face and was whimpering like a sick
|
|
puppy.
|
|
|
|
The skin was literally melting off her thin face, revealing the
|
|
cheek bones that she was proud of as a young girl. The skin dropped in
|
|
thick globs onto the floor and onto her guitar, mixing with the kitty
|
|
litter and such strewn about the bathroom floor. Jarett closed his eyes,
|
|
hoping to blink away the scene, but opened them to see one of Caitlin's
|
|
hazel eyes dropping into her hands, which she was now holding out in
|
|
dismay.
|
|
|
|
The flesh of her hands began to run off into the stream of melted
|
|
skin that was collecting on the floor. It revealed pale bones and red
|
|
muscle.
|
|
|
|
As the flesh between her fingers began to drip off, her hands fell
|
|
apart, and the eye fell from them
|
|
|
|
The screams became gargled as the skin on her throat oozed away and
|
|
her mouth foamed with puss and blood.
|
|
|
|
Caitlin reached her arms toward Jarett, and he backed off, wincing
|
|
and rubbing his greasy head.
|
|
|
|
She began to shake violently, as unidentifiable objects flew from
|
|
her head. Droplets of Caitlin's skin splattered across Jarett's stubbly
|
|
beard and he, too, began to wimper.
|
|
|
|
As the last bits of Caitlin melted away, Jarett leaned down and
|
|
dug out the used tampon he had been playing with the previous night. He
|
|
screamed as the blood burned into his palm.
|
|
|
|
Screamed, that is, until the flesh of his throat began to drip
|
|
away...
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #10
|
|
=================
|
|
|
|
"Gun Control"
|
|
by JrzDevil
|
|
|
|
It was a Thursday morning. It had snowed heavily the night before,
|
|
so school had been canceled. Bobby and his sister Mary Lou were at home.
|
|
They were watching The Flintstone Kids. The Flintstone Kids ended. Bobby
|
|
got up and changed the channel. Mary did not like this.
|
|
|
|
"Hey Bobby, I want to watch Gummi Bears."
|
|
|
|
"Mom put ME in charge, so we watch what I want. And we're watching
|
|
Superman!
|
|
|
|
"Please...."
|
|
|
|
"Stop bothering meeeee! Go play with your little dolly!"
|
|
|
|
"I'll get you back, Bobby!"
|
|
|
|
Mary Lou ran to her room. Crying. Suddenly, a thought came to mind.
|
|
The night before, she had stayed up late with Daddy watching TV. And there
|
|
was an argument. But not over Gummi Bears. The two men were arguing over
|
|
Coke. She couldn't understand why their Cokes were a pile of white stuff.
|
|
But she then remembered what one man did....
|
|
|
|
Mary Lou stepped into her parents' room. She saw a magazine on the
|
|
bed. It had pictures. Pictures she couldn't understand. There were women
|
|
with no clothes on, with their mouths around a man's private parts. How
|
|
icky! But "Beach Blanket Blowjobs" was not what she wanted. In the
|
|
closet, Mary Lou found what she wanted. A fully automatic 9mm Uzi
|
|
sub-machine gun. She had watched enough episodes of GI Joe with Bobby,
|
|
to know that it was loaded. Daddy had always said that, "A loaded gun is
|
|
needed to protect the house from foreign invaders." Like Space Invaders?
|
|
She stomped into the TV room.
|
|
|
|
Bobby saw the reflection of Mary Lou with the Uzi on the TV screen.
|
|
|
|
"What are you doing, Mary Lou?"
|
|
|
|
"I want Gummi Bears not Stupidman!"
|
|
|
|
Mary Lou pulled the trigger. The recoil threw her back against the
|
|
wall, and she shot most of the 25 rounds into the ceiling. But the first
|
|
few bullets had slammed into poor Bobby's young body, turning him into
|
|
Spaghetti-O's. A family's life forever changed.
|
|
|
|
The moral to this story is this: It's not about what are kids watch
|
|
or what video games they play, it's about what the parents do. Had the
|
|
parents actually locked up there gun or talked to their children about guns
|
|
and violence, maybe Bobby would still be around to catch another episode of
|
|
"Stupidman." So talk to your kids about these issues, and just maybe, we
|
|
could put an end to sad stories like these.
|
|
|
|
[---------]
|
|
|
|
RE-WRITE FOR REJECT #10, by Quarex
|
|
==================================
|
|
|
|
Now, first of all, let me say a few words about this article.
|
|
Gun control is a very serious subject, and Jersey Devil has an excellent
|
|
point in this article about a little girl accidentally getting a gun.
|
|
|
|
OH WAIT, NO, THAT IS ALL A BUNCH OF SHIT. Sure, maybe there are
|
|
too many households with guns easily accessible to children. However, I,
|
|
for one, could give a fuck less, as could 99% of Americans, as the
|
|
American mentality is, quite simply, if it does not happen to me or
|
|
anyone I care about, it does not fucking matter. And for better or for
|
|
worse, that is the way it is always going to be, and I like it just fine.
|
|
|
|
So, now, about this crap he wrote. . . :
|
|
|
|
[JURZEYDEVUUUUL]
|
|
|
|
It was a Thursday morning. It had snowed heavily the night before,
|
|
so school had been canceled. Bobby and his sister Mary Lou were at
|
|
home. They were watching The Flintstone Kids. The Flintstone Kids
|
|
ended. Bobby got up and changed the channel. Mary did not like this.
|
|
|
|
"Hey Bobby, I want to watch Gummi Bears."
|
|
|
|
"Mom put ME in charge, so we watch what I want. And we're watching
|
|
Superman!"
|
|
|
|
"Please...."
|
|
|
|
"Stop bothering meeeee! Go play with your little dolly!"
|
|
|
|
"I'll get you back, Bobby!"
|
|
|
|
. . . [/JERZEYDEVAEL]
|
|
|
|
[QUAREX]
|
|
|
|
Okay, now, think about it this way. First, did this dialogue
|
|
serve any purpose whatsoever? Well, come to think of it, no! How about,
|
|
instead of this fucking lame-ass unrealistic dialogue (No kid ever would
|
|
say "Go play with your little dolly," he would say "go away you stupid
|
|
idiot" or something along those lines--little dolly is a term reserved
|
|
for college-age homosexual men), he summarized this entire scene with
|
|
something like,
|
|
|
|
"Bobby and Mary Lou (besides being fucking horrible names) had a
|
|
brief discourse in the TV room about which programme to watch. After a
|
|
momentary verbal scuffle, Mary left the room, vowing revenge."
|
|
|
|
NOW LOOK AT HOW MUCH FUCKING BETTER THAT IS.
|
|
|
|
[/QUAREX]
|
|
|
|
[JORZEYDAVIL]
|
|
Mary Lou ran to her room. Crying. Suddenly, a thought came to mind.
|
|
The night before, she had stayed up late with Daddy watching TV.
|
|
And there was an argument. But not over Gummi Bears. The two men were
|
|
arguing over Coke. She couldn't understand why their Cokes were a pile
|
|
of white stuff. But she then remembered what one man did....
|
|
[/JIRSYDAFUL]
|
|
|
|
[QUAREX]
|
|
|
|
AHAHAHAHHAHAHAH
|
|
|
|
AHAHAHAHAHA
|
|
|
|
NO! YOU GODDAMN IDIOT! THIS IS TERRIBLE! Do you honestly expect
|
|
the reader to believe that there is a show, anywhere, in which two men
|
|
are arguing over a pile of white stuff, in a manner like your previous
|
|
conversation?
|
|
|
|
"D'angelo, I want the coke."
|
|
"You can't have the coke, R. Kelly."
|
|
*uzi*
|
|
|
|
[/QUAREX]
|
|
|
|
[JURZYDEVOL]
|
|
|
|
Mary Lou stepped into her parents' room. She saw a magazine on the
|
|
bed. It had pictures. Pictures she couldn't understand. There
|
|
were women with no clothes on, with their mouths around a man's private
|
|
parts. How icky! But "Beach Blanket Blowjobs" was not what she wanted.
|
|
In the closet, Mary Lou found what she wanted. A fully automatic 9mm Uzi
|
|
submachine gun. She had watched enough episodes of GI Joe with Bobby, to
|
|
know that it was loaded. Daddy had always said that, "A loaded gun is
|
|
needed to protect the house from foreign invaders." Like Space Invaders?
|
|
She stomped into the TV room.
|
|
|
|
[/JIRCIDEFFIL]
|
|
|
|
[QUAREX]
|
|
|
|
Okay, you mother fucker, use your goddamn brain, seriously. You
|
|
are a fucking idiot. If she DID NOT UNDERSTAND THE PICTURES--WHICH SHE
|
|
WOULD NOT, BEING A TINY GIRL--then HOW did she understand that the MOUTHS
|
|
were around the PRIVATE PARTS? When I was 10, watching some random
|
|
terrible softcore porn movie on Cinemax, I honestly had *no* idea what
|
|
was going on. NONE AT ALL. NEITHER WOULD THIS GIRL. SHE WOULD NOT
|
|
THINK IT WAS ICKY--SHE WOULD NOT FUCKING HAVE ANY IDEA WHAT IT WAS. YOU
|
|
CONTRADICTED YOURSELF.
|
|
|
|
And JESUS CHRIST, "Like Space Invaders?" HAVE YOU LIVED IN A HOME
|
|
FOR MENTALLY RETARDED CHILDREN YOUR ENTIRE LIFE? NO LITTLE GIRL WOULD
|
|
EVEN KNOW THE FUCKING *TERM* SPACE INVADERS ANYMORE! [/QUAREX]
|
|
|
|
[JZD]
|
|
|
|
Bobby saw the reflection of Mary Lou with the Uzi on the TV screen.
|
|
|
|
"What are you doing, Mary Lou?"
|
|
|
|
"I want Gummi Bears not Stupidman!"
|
|
|
|
Mary Lou pulled the trigger. The recoil threw her back against the
|
|
wall, and she shot most of the 25 rounds into the ceiling. But the
|
|
first few bullets had slammed into poor Bobby's young body, turning him
|
|
into Spaghetti-O's. A family's life forever changed.
|
|
|
|
[/DZJKLKLREAJ]
|
|
|
|
[QUAREX]
|
|
|
|
DERR DERR DERR!!!!!!!! DERRRRRRRRRRRRRR!#&*$!#$ DERR DERR DERR
|
|
DERRRRRRRRR!!!!!! SPAGHETTI-O'S!!!!!! HEHEHEHEHEEEHEEHHEEHEHE
|
|
|
|
[/QUAREX]
|
|
|
|
[BENJAMINFRANKLINCALIBERBRILLIANCE]
|
|
|
|
The moral to this story is this: It's not about what are kids
|
|
watch or what video games they play, it's about what the parents do. Had
|
|
the parents actually locked up there gun or talked to their children
|
|
about guns and violence, maybe Bobby would still be around to catch
|
|
another episode of "Stupidman." So talk to your kids about these issues,
|
|
and just maybe, we could put an end to sad stories like these.
|
|
|
|
[/WITANDWISDOMOFNELLCARTER]
|
|
|
|
[QUAREX]
|
|
|
|
The moral of the story is this: It is not acceptable to have
|
|
children, because children might grow up to be Jersey Devil. Basically,
|
|
it all really comes down to the simple fact that talking to a 4 year old
|
|
girl about uzis being bad is not going to accomplish anything. If
|
|
anything, it would make the girl wonder what was so special about the uzi
|
|
that made it off-limits.
|
|
|
|
If you want to actually fix this problem, if you really consider
|
|
it a problem, which you do not, because none of us know Bobby or Mary
|
|
Dickhole, you will just not buy a gun to begin with. In the immortal
|
|
words of Henry Rollins, "Guns are tools of the weak." He is so fucking
|
|
right. If you want to stop a criminal, buy a fucking axe or something
|
|
AWESOME with which you can slay your enemy with the might of a thousand
|
|
years of Viking Ancestry.
|
|
|
|
Granted, that mostly works for people who are my size and are
|
|
convinced they are immortal, but that is another text file all together.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #11
|
|
=================
|
|
|
|
"Dear Melissa"
|
|
by Kojak
|
|
|
|
dear melissa,
|
|
for such a long time, i've loved you so. i've watched you grow,
|
|
i've shared experiences with you, i've - at times - become you. we were
|
|
together for over three years, and leaving you was perhaps the hardest
|
|
thing i've had to do in my life.
|
|
since i left, i've grown .. i've changed. i've moved on with my
|
|
life, although i've missed you incredibly. hardly a day goes by when i
|
|
don't back to the lazy afternoons spent in the hammock in your backyard,
|
|
nestled underneath those two pine trees. we'd slowly rock back and forth,
|
|
pushed by the wind, passing the afternoon by with hardly a spoken word.
|
|
there are so many sweet and innocent childhood memories i have of
|
|
you, melissa. the day i asked you out - at a 6th grade roller skating
|
|
party, our first date, our first kiss; they're all moments i will forever
|
|
treasure. that's what made last night so hard.
|
|
mark - you know mark, right? my best friend? - called me at midnight
|
|
and said that he thought something was wrong with you. he said you hadn't
|
|
been seen around school lately, and that you were getting lower grades. i
|
|
thought nothing of it, at first, and then i put two and two together.
|
|
something was wrong. danny told me to call you, that i would know what to
|
|
say, and i did.
|
|
when i called, i first had to laugh at the sound of your accent - i
|
|
forgot that i've been away from you, on the opposite side of the country,
|
|
for well over a year. i caught traces of fear in your voice, little cracks
|
|
that made appearances in conversation, and i began to worry. you told me
|
|
how things were, and it seemed like superficial talk. i stopped you
|
|
mid-sentence and asked what was *really* going on.
|
|
knowing that i have always and will always be there for you, you let
|
|
out a collected sigh - something that had building up for months. taking
|
|
in a quick breath, you told me horrific stories of being alienated by
|
|
friends, being pressured into trying drugs, almost being raped by some guy
|
|
you met at a party - all the evil things that had happened to you came out
|
|
in one cleansing breath.
|
|
reminding you that we had plenty of time, you began to recount all
|
|
the things that had happened. things too horrible to tell anyone else. i
|
|
was shocked, hearing all of the stories you had to tell, and for once; i
|
|
didn't' know how to respond.
|
|
i've always been one to help others.. i find myself attracted to
|
|
people with problems like a moth is drawn to light. i want to cleanse
|
|
everyone's life, to make them happy again - hopefully so they can see what
|
|
i see. i consider myself a happy person, melissa, and i hope that you can
|
|
be that way as well. i want to life your problems off your shoulders and
|
|
bear them as my own. that might sound like i want to be christ, but i only
|
|
want to help. i want to see the smile that forever brought sunlight to my
|
|
days.
|
|
for three years, we were the two happiest kids that could be found.
|
|
my, how the times have changed.
|
|
we talked for four hours that night. you told me everything, and we
|
|
evaluated each situation. i got you to agree to go to a counselor at
|
|
school about help with your newfound liking of drugs. i got you to finally
|
|
admit the fact that what happened with that stranger at the party was *not*
|
|
your fault.. that there is no way you 'asked' for anything. we decided,
|
|
together, that you could indeed put a little more effort into your
|
|
school work. at the same time that we made all this progress, i tried my
|
|
hardest to remind you of the good times.
|
|
if i was still living near you, melissa, we'd be engaged by now. i
|
|
know it. although childhood innocence blinded us to many things, i'm sure
|
|
we could've faced any problem - hand in hand. that's the way we did things
|
|
back then, as a team. talking to you that night made me realize how lonely
|
|
my life here has been... and just how much i've really missed you.
|
|
needless to say, when i got the letter and picture you sent me a
|
|
week later, i cried for hours. a letter simply comprised of 'thank you for
|
|
saving my life, i love you.' and a polaroid (i remember buying us that
|
|
camera) of you talking on the phone with a razor blade in your hands - it
|
|
shook me. i didn't know how to react. i sat on the floor of my room for
|
|
quite some time, thinking about things. i was infinitely happy that you
|
|
finally confronted your problems, and that you're now working on fixing
|
|
them; yet at the same time, i wondered just how our lives could've taken
|
|
such opposite paths. we were inseparable at one time, and yet simple
|
|
geography has taken us so far apart.
|
|
being young has its disadvantages, and now i see them. no longer
|
|
can i simply call you up on the phone and talk to you about pointless
|
|
things - i don't have that kind of money. no longer can i ride my bike
|
|
for 10 minutes and be at your front door - now, that trip would take weeks.
|
|
no longer can i wait for you outside of mrs. curry's math class after 3rd
|
|
period - mrs. curry is nothing but a shadow in my mind now.
|
|
all of these things have been brought on by seemingly cold and
|
|
unfeeling parents. how could they move? how could they take me away from
|
|
you? they had no clue what we shared, nor will they ever. i only hope,
|
|
melissa, that you cling on to those memories, those photos, those
|
|
late-night phone calls, those afternoons in your hammock, and those poorly
|
|
cooked dinners. we were pretty mature for fourteen, but looking back now,
|
|
i see that we could've taken things so much further. not in a sexual
|
|
sense, because we both agreed that we would wait until we married, but in
|
|
an emotional sense. quite obviously, you've come to grips with your
|
|
emotions, and i've come to terms with mine. if only we could've done so
|
|
together.
|
|
if only.
|
|
i took the letter and picture you sent me outside just now, melissa.
|
|
i took it out to the driveway and sat down on the cold, hard cement. the
|
|
moon was out, and that was all the light i needed, although somewhere
|
|
behind me a light was on. i took a lighter and carefully touched the tip
|
|
of the flame to the corner of your letter, and watched it burn slowly,
|
|
twisting in the wind. i set it down on the ground and carefully dropped
|
|
the picture on top of the burning letter. everything we had ever done
|
|
together came whirling back through my mind just then, and i smiled at the
|
|
same time i choked back tears.
|
|
after burning the picture, melissa, i just sat there. the weather
|
|
was nice, and i laid back on the driveway and stretched out like a cat in
|
|
a patch of sunlight. i didn't want to remember you the way you were on the
|
|
phone last week, and i blocked those thoughts from my mind. i kept
|
|
returning to the hammock, those two pine trees, and all the lazy summer
|
|
afternoons we shared together. melissa, i love you."
|
|
|
|
with that, the young man stood up and got an envelope. he
|
|
addressed it to melissa, first name only, and put a stamp on it. he
|
|
returned to the spot on the driveway where he had been sitting just
|
|
an hour before, and carefully laid the envelope on top of the black
|
|
spot where he had previously burned her letter. he dropped a match
|
|
on top of the envelope and sighed, realizing he finally said what
|
|
he had to say. he could finally move on.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE TO REJECT #11, by Caitlin
|
|
==================================
|
|
|
|
Dear Melissa,
|
|
|
|
The day we met was the day that changed my life. I remember it all
|
|
too well.. you smiling at me from across the lunch room - I was in the
|
|
lunch line, and dropped my milk on the ground, the tray following..
|
|
clattering like the rain on the metal trailers in our trailer park. I had
|
|
seen you before, but I was too busy making mud pies to really notice.
|
|
|
|
The day I left was the worst day of my life. Although, I have
|
|
moved on, I still think about you at least 10 times every hour or so.
|
|
|
|
There are so many memories. Perhaps the fondest was when I called
|
|
you at your Aunt Lisa's house and she told me you were watching Alice in
|
|
Wonderland with your cousin Judy, and you heard and ran to the phone to
|
|
talk invidiously about how much fun Judy was, and how you wished I was as
|
|
cool as her. You told me about how my best friend, Mark, was your new
|
|
dreamboy. After we got off the phone, I hid in my mother's room and
|
|
masturbated, thinking of mark rubbing your girl parts through your pink,
|
|
flowered skirt.
|
|
|
|
Anyway, Mark called me last night at midnight and informed me that
|
|
he thought you were going crazy. He told me about all the parties.. where
|
|
you were used and abused by the Varsity football team. I told him it
|
|
couldn't be true. He said you even started listening to Third Eye Blind.
|
|
|
|
I decided to call you to see what the hell was going on. At first,
|
|
I made fun of your accent. It was trashy and too midwest for my liking. I
|
|
caught traces of fear in your voice and just decided to be blunt...
|
|
|
|
"What the hell is this gang bang business, Melissa?"
|
|
|
|
At first you screamed at me, "WHAT THE HELL ARE YOU TALKING
|
|
ABOUT?!!"
|
|
|
|
I told you I had heard everything, about the heroin, and the
|
|
lesbianism, and about the bad grades. I could tell you were purporting
|
|
the self-confidence in your voice.
|
|
|
|
"You trippin'... i be getting the dick and pussy like a fountain
|
|
of gold, baby."
|
|
|
|
|
|
I have this problem where I only like to date girls who are crazy,
|
|
Melissa. Although, I want to take their burden off of them, in a perverse
|
|
imitation of Jesus Christ. I wanted to make you feel like you could trust
|
|
me. Then I would come to Ohio to see you again, and comfort you.
|
|
|
|
We talked for four hours that night, and I made plans to fly out
|
|
there and "help you with your problems." I couldn't stop thinking about
|
|
your tight, pink pussy, Melissa, and how much I wanted to fuck it til you
|
|
bled.
|
|
|
|
Talking to you that night, made me realize how lonely I've been
|
|
for a good fuck. I keep imaging all those guys abusing you, slapping you,
|
|
calling you horrible names.. and the pre-cum drips down my leg. If I were
|
|
living near you right now, I'd definitely be hitting that shit everyday.
|
|
You wouldn't need those football players. You wouldn't need those
|
|
syphillis strippers to eat your pussy right.
|
|
|
|
Needless to say, when you sent me that letter a week later with
|
|
the picture of us enclosed, I couldn't help but feel sort of guilty. The
|
|
guilt was quickly supplanted with desire though, my cock filling out to
|
|
all 8 inches. I sat on the floor, thinking. I was happy that you told me
|
|
what was going on in your life, but I was vaguely confused as to why you
|
|
would tell me all of this in the first place.
|
|
|
|
Why did my parents decide to move back in 9th grade? None of the
|
|
other girls could satisfy me the way that you did. They didn't even know
|
|
how to give head. I only hope, Melissa, that you remember me. I hope you
|
|
remember the first time we fucked, and the first time I took you in your
|
|
grandmothers bedroom and fucked your tight ass.
|
|
|
|
I took the letter and the picture outside just now, Melissa. I
|
|
burned them both and remembered the good times that we did have. I
|
|
couldn't believe I would be seeing you in less then a month, and I became
|
|
incredibly aroused again. The moon was out, and I began to touch myself
|
|
through my jeans. After the letter and picture smoldered to ashes, I
|
|
whipped out my cock and rubbed it in the ash.
|
|
|
|
I decided not to think about you fucking those other people. I
|
|
knew that you wanted me, and couldn't find the pleasure we had together
|
|
in anyone's touch, but my own. I'll see you soon, my dear Melissa, and we
|
|
will know ecstasy once again!
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #12
|
|
=================
|
|
|
|
"Moe's Diner"
|
|
by Mr Sandman
|
|
|
|
Moe's Diner was not the kind of place one willingly chose to eat in.
|
|
Unfortunately, Moe's Diner was the only restaurant open at three in the
|
|
morning off of Route 80. When one had been driving a truck for hours
|
|
non-stop, and just wanted to grab a cup of coffee, even Moe's was
|
|
acceptable.
|
|
From the outside, Moe's looked like every other diner. It had a
|
|
tacky neon sign with one of the letters out and a large quantity of small
|
|
windows across the front. It appeared to be fairly harmless at first
|
|
glance. However, once one walked inside, it no longer had an appealing
|
|
quality.
|
|
Every person that ever walked into Moe's was first greeted by an icy
|
|
cold stare of a toothless woman. It was easy to tell she was toothless
|
|
because she used to leave her dentures on the counter next to the cash
|
|
register. Not once did this woman ever say a word. She simply stared at
|
|
people like she wanted to kill them. If someone asked her if they had to
|
|
wait to be seated, she'd merely point to a table somewhere. But never has
|
|
any customer heard her voice.
|
|
Once one takes a seat in dining area, they begin to notice other odd
|
|
qualities of the diner which provide a very unsettling atmosphere. For
|
|
example, at every booth, there are radios which play middle eastern music.
|
|
It does not take long for the customers to get annoyed and try to turn the
|
|
radios off. However, the customer soon discovers that there is no volume
|
|
control on the radios and it is impossible to turn them off. On one
|
|
occasion, the radios drove a drunken teenager to stand up and kick the
|
|
speakers until they broke.
|
|
Another discomforting aspect of Moe's is the wall of dirty pots and
|
|
pans that have been piled up behind the counter. They have always been
|
|
there and only seem to get dirtier. Legend has it that the toothless woman
|
|
has hidden her husband's dead body under all of those pots and pans.
|
|
Though this has never been confirmed, it would certainly explain the
|
|
putrid smell that is always present. Most customers are never able to get
|
|
the small fear out of their head that the food they are about to order may
|
|
have been cooked in the same pots.
|
|
The bathroom is another area of disgust in this restaurant.
|
|
Unfortunately, there is only one and it is never cleaned. Numerous drunk
|
|
patrons have relieved themselves on the toilet seat so many times that some
|
|
customers, if desperate enough, have chosen to sit on the basin instead.
|
|
Eventually, Bell, the only waitress that works at the establishment,
|
|
will acknowledge a customer's existence after about a half hour. Bell is
|
|
normally the test as to whether or not the customer is going to stay or
|
|
leave. Bell's outfit is covered with multiple different stains which one
|
|
can see before she arrives at their table. Once Bell does arrive at their
|
|
table, her odor registers with the customer. It becomes quite clear that
|
|
not only doesn't Bell wash her uniform, but she doesn't bathe either. Most
|
|
people, either from a feeling of depression or disgust, lose their appetite
|
|
after encountering Bell.
|
|
The experience which most people have at Moe's is normally enough to
|
|
scare them away from diners for the rest of their lives. However, there
|
|
are a select few who are not bothered by the odors, Bell, cockroaches, etc.
|
|
They can feel right at home in the filth. Then again, there are just some
|
|
people who drive long distances and are willing to put up with anything for
|
|
a cup of coffee at three in the morning.
|
|
|
|
CRITIQUE FOR REJECT #12, by Anjee
|
|
=================================
|
|
|
|
WHAT IS WRONG WITH THIS FILE IS THAT IT SUCKS ASS. THE AUTHOR
|
|
OBVIOUSLY WAS TRYING TO BE COOL AND WITTY AND GREAT, BUT IN VAIN. THIS
|
|
TEXT GOES BELOW EVEN _MY_ CRAPPY FILES, AND THAT'S PRETTY LOW. THERE IS
|
|
NO POINT, AND SANDMAN SUCKS. WHEN I FIRST READ "MOE'S DINER," AFTER
|
|
REGURGITATING ON MYSELF SEVERAL TIMES, MY HEAD STARTED SPINNING FROM THE
|
|
NONSENSE THAT JUST STRETCHED ON FOR THE ENTIRE LENGTH OF THE STORY. I
|
|
DON'T GIVE A RAT'S ASS ABOUT MOE'S DIRTY WRETCHED DINER AND THE FACT THAT
|
|
YOU WROTE IT JUST MAKES YOU AS LAME AS BIG DADDY BILL FOR WRITING ABOUT
|
|
T-SHIRTS. ALSO, TAKING HOW THE AUTHOR INSISTS ON HOW DIRTY
|
|
EVERYTHING/ONE IS INTO CONSIDERATION REFLECTS ON HOW HE IS A 9 YEAR OLD
|
|
PIMPLE-FACED DYSLEXIC JERK WHO HASN'T YET DISCOVERED THE CONCEPT OF
|
|
HYGIENE. IN CONCLUSION -- THIS FILE HAS BEEN THE WORSE STREAM OF
|
|
CONSTANT AND POINTLESS BABBLE I HAVE EVER HAD THE MISFORTUNE TO READ.
|
|
|
|
THANK YOU.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #13
|
|
=================
|
|
|
|
"Tricks To Play On Your Not-So-Friendly Friends"
|
|
by Chris Cox
|
|
|
|
Get a paper bag. Get some dog shit. Fill le bag with le dog shit...
|
|
Go to this person's house at a reasonable hour. (say, 11 or 12 pm/am)...
|
|
Light the bag of dog shit on fire. Get it going pretty well. Ring the bell.
|
|
Run.
|
|
|
|
Effect: Person (or person's parents) come out and stomp on the bag
|
|
to get the fire out, causing dogshit to go everywhere, including on
|
|
themselves.
|
|
|
|
At school...find some kid's locker that you absolutely do not
|
|
like...get a padlock (it'll cost maybe 3 bucks..or nothing if you use the
|
|
popular five finger discount method)..and stick it on his locker.
|
|
|
|
Effect: Kid will come from his class to his locker to get his
|
|
books...find that there is an impenatrable lock on there, be forced to call
|
|
the janitor to severe the lock off...causing the kid to be A:late for class
|
|
B:laughed at a lot and C: just feel plain old STUPID
|
|
|
|
Lighter fluid, what a great tool. Want someone to get the message
|
|
really quick? Welp, gather a few bottles of the shit.....really late at
|
|
night (during the summer when it's dry)..go to his/her house...draw your
|
|
favorite design or anarchy symbol (or both) in his lawn with the lighter
|
|
fluid. Light. Run. Watch. Laugh.
|
|
|
|
Effect: Well duh..what the fuck do you think will happen?
|
|
|
|
Welp, that is my first writing of total anarchy. More to come.
|
|
|
|
[---------]
|
|
|
|
RE-WRITE TO REJECT #13, by Nyarlathotep
|
|
=======================================
|
|
|
|
What follows are 3 simple recipes for revenge. Or for a good
|
|
time... whichever floats your boat.
|
|
|
|
I. Fun with Feces
|
|
|
|
The ingredients to this recipe are simple:
|
|
|
|
1 pile of dog turds
|
|
1 paper sack
|
|
1 lighter or match
|
|
|
|
Place the dog turds inside of the paper sack. Carry this to the
|
|
front step of your intended victim. Light the bag with the match or
|
|
lighter. Ring the doorbell and run away.
|
|
|
|
The resident of the house will come out, and seeing the fire will
|
|
attempt to stamp it out. Unwittingly they will step in the dog crap and
|
|
make a big mess.
|
|
|
|
II. Fun with the Yale Lock Company
|
|
|
|
Ingredients:
|
|
|
|
1 padlock
|
|
1 enemy's locker
|
|
|
|
Place the lock on your enemy's locker. This will prevent
|
|
them from getting to their own stuff. They will be forced to go to the
|
|
janitor to have it cut off from the locker. This will quite likely make
|
|
them be late for class, and will also make them feel very dumb.
|
|
|
|
Note: It is possible that there will be no way to attach
|
|
the lock to the enemy's locker because they already have their own lock
|
|
on it. The solution to this is simple: use crazy glue to seal up their
|
|
own lock, causing the same results as above.
|
|
|
|
III. Fun with Flammables.
|
|
|
|
Ingredients:
|
|
|
|
1 or more bottles of lighter fluid
|
|
1 dry lawn
|
|
1 lighter or match
|
|
|
|
Really late at night go up to the lawn and draw a message
|
|
or symbol on the lawn using the lighter fluid. Using the lighter or
|
|
match, ignite the fluid. Run and watch the amazing light show. Note that
|
|
it is quite likely that the fire will spread from the designated pattern
|
|
on to the rest of the lawn, and possibly on to a neighbor's lawn. Use
|
|
this recipe with extreme caution.
|
|
|
|
I hope you enjoyed these delicious recipes.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #14
|
|
=================
|
|
|
|
The Zoo
|
|
by King Krazy
|
|
|
|
Go to the zoo, its fun. The zoo is great fun. You get to see all
|
|
the different animals, how exciting! The zoo is even more fun when you
|
|
bring friends with you. I think, in my own personal opinion, that the zoo
|
|
is the best place on earth. The zoo is like going to the circus but you get
|
|
to run the show.
|
|
|
|
When you go to the zoo you get to see all the animals. You get to
|
|
see animals from all parts of the globe. What a fine place, where we get
|
|
to see all the animals. The animals are the best part about the zoo; all of
|
|
them cramped into little buildings. Most forced into certain living
|
|
conditions, who could ask for more. I also like the food at the zoo. Zoo
|
|
food is the best. Nothing I like more than eating right next to the animal
|
|
cages. Those signs that say, "Don't feed the animals!", They are so funny.
|
|
I never listen to those signs, I just go about my business and feed them
|
|
all the food I want. Everybody there at the zoo loves feeding the animals
|
|
food that they are not supposed to eat. The grizzly bears love sub
|
|
sandwiches. Watching those bears eat the sandwiches light up my day.
|
|
|
|
Yet every time I go to the zoo I still wonder how they took all the
|
|
animals to the zoo. I guess they just shoot them with some tranquilizer
|
|
and then ship them in boxes to the zoo. I wonder how it feels to be locked
|
|
in a box and taken out of your natural environment; then forced to live
|
|
somewhere you don't understand, or comprehend, and have to live by the
|
|
rules of man. I don't think I will ever have to experience that; at least
|
|
I hope not.
|
|
|
|
Still even though you might think that is cruel, it is really not.
|
|
The animals live in clean cages and get an adequate food supply. They can
|
|
do really whatever they want in the confines of their cage. I also think
|
|
the zoo keepers take very good care of the animals, always petting them
|
|
and treating them nice. I love it when I see the animals get treated nice,
|
|
all animals.
|
|
|
|
Yet the animals just keep on living, even without a slight degree
|
|
of freedom. Though they are confined to their cage, they seem to be
|
|
happily bored. I think if I was stuck in a cage, away from all I really
|
|
knew, I would be happily bored, too. I don't know what happens to the
|
|
animals at night though. I wonder, do they actually sleep at night. Some
|
|
of the animals don't sleep during the night time hours. They sleep during
|
|
the day. I wonder how the animals are treated at night, with the zoo
|
|
keepers gone and all the people not around to watch them. Do you think
|
|
they are still bored?
|
|
|
|
The zoo is a nice place, a fine place to visit. I like to visit as
|
|
much as I can, on free days of course. The zoo is quaint and simple;
|
|
simple as the animal instinct of survival and tolerance. Those two go hand
|
|
in hand like humor and death. The zoo is a place to run your own show, not
|
|
to let the others run it for you. Control is your enemy.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #14, by CannibalButterfly
|
|
=============================================
|
|
|
|
"The zoo is a nice place, a fine place to visit. I like to visit
|
|
as much as I can, on free days of course."
|
|
|
|
Uhm, why wasnt this man visiting his own kind at the zoo instead
|
|
of writing this piece of trash on an obvious "free day"?
|
|
|
|
Don't go to the zoo, it's sickening. If I wanted to see some wild
|
|
boars behind bars squealing I would visit the local police department
|
|
wearing nothing but a night stick. Even worse, the zoo becomes less fun
|
|
when you bring friends because they have the need to stay 3 hours too
|
|
long and always manage to forget their cash when it's time to visit the
|
|
gift shop. Of course, you turn into an ATM.
|
|
|
|
Then, you mope around the zoo and see the Vet. school rejects
|
|
kicking them dazey dukes. You even get a sneak peek at hairy women from
|
|
all parts of the globe. It's silly how they spend the whole day looking
|
|
back and forth from their own arm pit hair to the monkey cage. They
|
|
always have one of those huge cartoon question marks dangling over their
|
|
heads. What's that all about?
|
|
|
|
The food at the zoo is sadly the best thing about it.
|
|
Nothing anyone likes more than eating right next to the very exciting
|
|
petting zoo. The smell is glorious! I mean, nothing gets my appetite
|
|
going better than the fresh aroma of giraffe shit. I surely don't mind
|
|
spending $5.67 for a small order of fries just to end up feeding them to
|
|
nagging birds! YEAH!!
|
|
|
|
With that said, those signs that say, "Don't feed the animals!" are
|
|
a hoot. No one ever listens to them. I just go about my business
|
|
and feed them all the rat poison I want. The grizzly bears love used
|
|
tampons! Watching those bears eat such a nutritious treat lights up my
|
|
day. :)
|
|
|
|
Like myself, I'm sure you all wonder how they transport the
|
|
animals to the zoo. Well, I uncovered that best kept secret! They just
|
|
shoot them up with DXM and ship them in crates on Noah's Ark. I wonder
|
|
how it feels to be locked in a box and taken out of your natural
|
|
environment? Maybe I should send in for a Guatemalan mail-order bride
|
|
and ask them.
|
|
|
|
Once they arrive at the zoo they are treated like prisoners. Thrown
|
|
in their new 'homes' and poked at by millions. At least they can do
|
|
whatever they wish in the confinement of their own cages. Of course, it
|
|
cant require actual movement. I also think the zoo keepers take excellent
|
|
care of the animals, always jamming sticks up their rectum. I love seeing
|
|
animals being treated with some tender loving care, but I especially love
|
|
it when I see them get anally raped!#!@#!!
|
|
|
|
Strangely, this file is putting me in the mood for some wild and
|
|
crazy fun! Hmm, the Jacksonville Zoo is having 2 for 1 admission this
|
|
weekend.
|
|
|
|
Hi ho! Hi ho! Off to the zoo I gooooo!
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #15
|
|
=================
|
|
|
|
"A Day In The Life of A Programmer"
|
|
by Fatslayer
|
|
|
|
on timer(1) gosub checkvitals
|
|
|
|
morning:
|
|
eat "breakfast"
|
|
batheandclean "fat slayer"
|
|
if not summer then
|
|
activate "crt"
|
|
programandstuff
|
|
irc
|
|
ftp
|
|
webbrowse
|
|
else
|
|
schoolstuff
|
|
end if
|
|
|
|
afternoon:
|
|
lunch
|
|
cartoon="animainiacs"
|
|
tv "on"
|
|
tvchannel lookup(cartoon)
|
|
watchtv
|
|
|
|
vening:
|
|
dinner
|
|
programandstuff
|
|
programmore
|
|
irc
|
|
programmore
|
|
|
|
night:
|
|
do
|
|
programandstuff
|
|
loop until sun=up
|
|
goto morning
|
|
|
|
checkvitals:
|
|
if haftashit then shit
|
|
if haftapiss then piss
|
|
if hungry then eat
|
|
if thirsty then drink
|
|
if extremelytired then sleep
|
|
if bored then program
|
|
if angry then punch "keyboard"
|
|
if keyboardbroken then purchase "keyboard"
|
|
if suicidal then if int(rnd*100)=69 then kill "fat slayer"
|
|
if havehomework then if int(rnd*100)<5 then dohomework
|
|
return
|
|
|
|
that's my basic day :)... i really punned that one away. the point
|
|
of this? programmers are wierd. everyone likes a nice demo that has a
|
|
nice effect in it, no??? that requires being creative,
|
|
and setbiosmode proc near uses ax, mode:byte
|
|
mov ah, 0
|
|
mov al, mode
|
|
int 10h
|
|
ret
|
|
setbiosmode endp hence it is art! what about a nice optimized piece of
|
|
assembler, or a really elegant routine to do something that no one cares
|
|
about, art!
|
|
|
|
tell me now that this isn't art:
|
|
|
|
putchar proc near uses ax bx cx dx si di ds, char:byte, x:word, y:word,
|
|
clr:byte
|
|
; point es:di to the screen location
|
|
mov es, virtscr
|
|
xor di, di
|
|
mov ax, y
|
|
;mov bx, 320
|
|
;mul bx
|
|
mov bx, y
|
|
shl bx, 6
|
|
shl ax, 8
|
|
|
|
add di, ax
|
|
add di, bx
|
|
add di, x
|
|
|
|
; point ds:si to the font
|
|
lds si, fontptr
|
|
|
|
; point to proper character in font
|
|
xor ah, ah
|
|
mov al, char
|
|
shl ax, 4 ; * 16
|
|
add si, ax
|
|
|
|
mov dx, 16
|
|
mov ah, clr
|
|
@@loop1:
|
|
mov bh, byte ptr ds:[si]
|
|
mov cx, 8
|
|
@@loop2:
|
|
shl bh, 1
|
|
jnc @@putzero
|
|
mov byte ptr es:[di], ah
|
|
jmp @@skip1
|
|
@@putzero:
|
|
;mov byte ptr es:[di], 0
|
|
@@skip1:
|
|
inc di
|
|
loop @@loop2
|
|
inc si
|
|
add di, 320-8
|
|
dec dx
|
|
jnz @@loop1
|
|
ret
|
|
putchar endp
|
|
|
|
that's as beautiful as any doodleboy art i've ever seen, yes sir!
|
|
and what about:
|
|
|
|
cli
|
|
hlt
|
|
|
|
or:
|
|
|
|
nop
|
|
|
|
those are the three most beautiful lines of source i know of :)
|
|
|
|
and the most artful source of all:
|
|
|
|
xchg ax, bx
|
|
xchg cx, dx
|
|
xchg bx, cx
|
|
xchg ax, dx
|
|
xchg cx, ax
|
|
xchg dx, bx
|
|
|
|
it's a brain teaser :)
|
|
|
|
and always remember, no matter where you go, there you are.
|
|
|
|
[----------]
|
|
|
|
CRITIQUE FOR REJECT #15, by Cstone
|
|
==================================
|
|
|
|
abrasiveness=on
|
|
|
|
hey, if you're going to write boring pseudocode, the least you
|
|
could do is make it lexically consistent. instead of fixing it, i will
|
|
insert the missing elements of the life of this type of programmer, and i
|
|
will do it in a similarly inane style.
|
|
|
|
> on timer(1) gosub checkvitals
|
|
>
|
|
> morning:
|
|
read "slashdot"
|
|
> eat "breakfast"
|
|
> batheandclean "fat slayer"
|
|
read "slashdot"
|
|
wear pretentious-geek-shirt
|
|
findporn
|
|
masturbate
|
|
|
|
drive high-paying-boring-sellout-job
|
|
|
|
> if not summer then
|
|
read "slashdot"
|
|
read "slashdot"
|
|
> activate "crt"
|
|
> programandstuff
|
|
read "slashdot"
|
|
> irc
|
|
> ftp
|
|
read "slashdot"
|
|
> webbrowse
|
|
pretend-to-work
|
|
> else
|
|
> schoolstuff
|
|
> end if
|
|
read "slashdot"
|
|
>
|
|
> afternoon:
|
|
pretend-to-work
|
|
if boss-is-coming then open "_learning_perl_"
|
|
drive home
|
|
> lunch
|
|
read "slashdot"
|
|
> cartoon="animainiacs"
|
|
> tv "on"
|
|
read "slashdot"
|
|
> tvchannel lookup(cartoon)
|
|
> watchtv
|
|
>
|
|
read "slashdot"
|
|
> vening:
|
|
> dinner
|
|
findporn
|
|
masturbate
|
|
> programandstuff
|
|
> programmore
|
|
read "slashdot"
|
|
> irc
|
|
> programmore
|
|
read "slashdot"
|
|
>
|
|
> night:
|
|
> do
|
|
> programandstuff
|
|
read "slashdot"
|
|
> loop until sun=up
|
|
> goto morning
|
|
>
|
|
> checkvitals:
|
|
read "slashdot"
|
|
> if haftashit then shit
|
|
> if haftapiss then piss
|
|
> if hungry then eat
|
|
> if thirsty then drink
|
|
> if extremelytired then sleep
|
|
> if bored then program
|
|
> if angry then punch "keyboard"
|
|
> if keyboardbroken then purchase "keyboard"
|
|
read "slashdot"
|
|
> if suicidal then if int(rnd*100)=69 then kill "fat slayer"
|
|
read "slashdot"
|
|
> if havehomework then if int(rnd*100)<5 then dohomework
|
|
> return
|
|
|
|
program:
|
|
programmore:
|
|
programandstuff:
|
|
play "quake"
|
|
reinvent "wheel"
|
|
play "quake"
|
|
return
|
|
|
|
>
|
|
> that's my basic day :)... i really punned that one away. the point
|
|
> of this? programmers are wierd. everyone likes a nice demo that has a
|
|
> nice effect in it, no??? that requires being creative,
|
|
|
|
this is far from a demo.
|
|
|
|
you forgot the 25 lines of greets, group affiliations, and bbs
|
|
ads, sir.
|
|
|
|
oh, yay, intel assembly syntax. for DOS, no less. hi, we're
|
|
intel. we're fucking myopic and we can barely read. so, we have solved
|
|
this problem by creating a new inane way of addressing memory. we're
|
|
thinking of calling it "segment:offset" addressing. the fact that
|
|
there's nothing wrong with doing things like everyone else is irrelevant.
|
|
these vms machines that we're using to develop our processors are too
|
|
difficult to use! we need something easier! what? i didn't hear you.
|
|
we're innovating and fuck you and will you please buy this week's
|
|
poorly-designed piece of shit, thank you very much.
|
|
|
|
> and setbiosmode proc near uses ax, mode:byte
|
|
> mov ah, 0
|
|
> mov al, mode
|
|
> int 10h
|
|
> ret
|
|
> setbiosmode endp hence it is art! what about a nice optimized
|
|
> piece of assembler, or a really elegant routine to do something that
|
|
> no one cares about, art!
|
|
|
|
it's not art.
|
|
|
|
> tell me now that this isn't art:
|
|
|
|
it's not art.
|
|
|
|
> putchar proc near uses ax bx cx dx si di ds, char:byte,
|
|
> ; point es:di to the screen location
|
|
> mov es, virtscr
|
|
> xor di, di
|
|
> mov ax, y
|
|
> that's as beautiful as any doodleboy art i've ever seen, yes sir!
|
|
> and what about:
|
|
>
|
|
> cli
|
|
> hlt
|
|
>
|
|
> or:
|
|
>
|
|
> nop
|
|
>
|
|
> those are the three most beautiful lines of source i know of :)
|
|
|
|
very useful ones, too!
|
|
|
|
> and the most artful source of all:
|
|
>
|
|
> xchg ax, bx
|
|
> xchg cx, dx
|
|
> xchg bx, cx
|
|
> xchg ax, dx
|
|
> xchg cx, ax
|
|
> xchg dx, bx
|
|
>
|
|
> it's a brain teaser :)
|
|
|
|
no, that's straightforward. if you want a real brain teaser, try
|
|
modeling the patterns of SGI's marketing department in as few
|
|
instructions as possible. The current world's record is held by a program
|
|
two instructions long:
|
|
|
|
a: nop
|
|
jmp a
|
|
|
|
> and always remember, no matter where you go, there you are.
|
|
|
|
oops, i forgot. too much porn and slashdot.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #16
|
|
=================
|
|
|
|
"Commies"
|
|
by Mercuri
|
|
|
|
now if you were to walk up to me on the street and say...
|
|
|
|
"merc, can i ask you a question?"
|
|
|
|
then i would respond...
|
|
|
|
"yeeee-ep." (i tend to make my yep's sound like that)
|
|
|
|
then you would continue on with your question, which is...?
|
|
|
|
"what do you think of the peace keeping efforts of the united
|
|
nations?"
|
|
|
|
and i say...
|
|
|
|
"what an interesting question. this question has many views. i
|
|
think it's bullshit. oh, just a factual tidbit, did you know the united
|
|
nations was formed by communist's? uh-huh, it's true."
|
|
|
|
"i don't beleive in peace keeping, the united states doesn't want
|
|
peace. war is our economy and our nation's backbone. all through history,
|
|
nation's have signed treaty's to keep the peace. a treaty is nothing more
|
|
than a sheet of paper that makes a promise. i've broken lot's of promises.
|
|
so has germany, iran, and the u.s.. paper doesn't keep peace, peace is
|
|
something earned, not handed out, debated, and signed to. peace is
|
|
achieved by respect to another thing. therefore the only way to bring
|
|
about peace is by having the dueling nation's beat the piss out of each
|
|
other until one, or by respect to another thing. therefore the only way
|
|
to bring about peave is by having the dueling nation's beat the piss out
|
|
of each other until one, or both, can fight no longer."
|
|
|
|
"i tell you one day, the u.n. is going to turn on us when we try to
|
|
withdrawl! i told the clinton, time and time again, it was a bad idea!
|
|
and what do i get? 24 hour surveillance and time in a mental hospital!
|
|
by god if i had two legs i'd do something about this!"
|
|
|
|
please! merc! put that cane down!
|
|
|
|
"did you ever see the movie patton, my boy?"
|
|
|
|
no.
|
|
|
|
"it's one hell of a movie. it start's out like this; patton walks
|
|
up, army band play's the national anthem, and there old blood and guts is,
|
|
standing in front of a huge american flag. he starts his speech: "a lot of
|
|
you may have heard a lot of talking about america not wanting to get into
|
|
the standing in front of a huge american flag. he starts his speech: "a
|
|
lot of you may have heard a lot of talking about america not wanting to
|
|
get into the war, america not wanting to fight. well that's a lot of
|
|
horse dung. the people who say this know as much about warfare as they
|
|
do about fornicating! american's traditionally love to fight, they love
|
|
the sting of battle. the very thought of losing is despicable to
|
|
ameri... where the hell are you going? you asked the god damn question
|
|
now your going to listen to the god damn answer!"
|
|
|
|
at this point mercuri is arrested for disturbing the peace and
|
|
setting fire to russian restaurant. yelling at the top of his lungs;
|
|
"commie bastards!"
|
|
|
|
[---------]
|
|
|
|
RE-WRITE FOR REJECT #16, by Aster
|
|
=================================
|
|
|
|
here is my rewrite.
|
|
|
|
it is called "shoes"
|
|
|
|
"hi"
|
|
|
|
"hello mister shoe"
|
|
|
|
"have you any shoes?"
|
|
|
|
"you are a shoe, silly"
|
|
|
|
"oh."
|
|
|
|
"you don't need any then?"
|
|
|
|
"i do not. but have you seen my friend, his name is bob"
|
|
|
|
"i have, he is over there, in the garbage, eating rotten meat.
|
|
and next he will eat rotten fruit and beans. and paper and twisty ties."
|
|
|
|
"i will join him, see you later"
|
|
|
|
"see you never again."
|
|
|
|
the person without a name now shoots mister shoe in the back. and
|
|
he dies.
|
|
|
|
the end.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #17
|
|
=================
|
|
|
|
"The Presidential Elections"
|
|
by Unrelated
|
|
|
|
The time is almost upon us, whence we must decide who shall take
|
|
up the most powerful postition in the world. Their are a lot of issues to
|
|
which we must all balance our decisions upon. (not even one of which has
|
|
yet been discussed) Who's ideas, and visions meet your standards, do you
|
|
want an anal-retentive-conservative in office? A bud smoking hippie? A
|
|
flabby cheeseburger-eating-intern-cigar-banging democrat? Or do you want
|
|
a man of taste, and ettiquete, a man who knows what he wants. BIGGER
|
|
GUNS!
|
|
|
|
We need a man of integrity. A man of inspirational quality who
|
|
will lead this country into it's finest years yet. Some may call this man
|
|
a tyrant, some may call him a fool. Others might not even believe he even
|
|
exists. I know I do. Everyone of you, well, most of you, have run across
|
|
this man, or have been affected by him.
|
|
|
|
On your ballets this next election, do not vote by party, hell
|
|
don't even vote for the candidate with the most money. Vote for a man who
|
|
truly cares about his people and what happens to them. Vote for a man who
|
|
will never let you down. This man is not on the ticket. He is unheard of
|
|
by the government, but worthy of the title Commander and Chief, President
|
|
of the United States of America.
|
|
|
|
Do it for your country, for your family, your friends, do it for
|
|
yourself.
|
|
|
|
Vote Ziego Vuantar for President!
|
|
|
|
!VIVA REVOLUCION!
|
|
!VIVA HOE!
|
|
|
|
This has been brought to you by the ad council for Ziego Vuantar.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #17, by AIDS
|
|
================================
|
|
|
|
I knew that time was upon me when the lemurs were outside my
|
|
windows playing gim rummy and slowly dragging their knuckles along the
|
|
window panes like trains over tiers. They were messengers of Ziego, and
|
|
they weren't going to let me get out of my building. There was no way.
|
|
|
|
I owed Vuntar /big/. His little sister, Caitlin, was still
|
|
missing. Everyone knew I had something to do with it, but no one could
|
|
prove anything. I wasn't dead... yet. I still could offer Ziego
|
|
something, something he needed badly.
|
|
|
|
The election.
|
|
|
|
We knew Fat Sammy Snakeunz was going to try and rig the thing in
|
|
his own special way. He'd thrown his weight in with the Republican
|
|
candidate, Tony "Fish Lips" Gravano, a corpulent Italian business man
|
|
with a penchant for buggery. The Democrats would try something, too,
|
|
there was no doubt, but they were always so unpredictable in whom they
|
|
employed. One week it'd be "Meat Grinder" Schuessler, the most vicious
|
|
Kraut since Himmler, and the next it'd be Hassan i Sabbath. No way to
|
|
tell. No way to know. I'd have to take down Fat Sammy and keep my eyes
|
|
peeled open to figure out who was there for the Democrats. I didn't know
|
|
if I'd have to kill anyone, but in case I did, I brought along my
|
|
serpentine dagger. It was doubled bladed, which meant I could slash a
|
|
throat and bring the blade down across my stomach in a final act of
|
|
sepuku without changing my grip. I always cornered the odds.
|
|
|
|
I went outside and the lemurs started screaming. I lifted a gentle
|
|
hand to my lips. They quieted down and lead me on a relocation death
|
|
march to Vuantar's borderlands. He was sitting there on a chair made of
|
|
femur bones, smoking his cigar. His dirty filthy cigar.
|
|
|
|
"They still have not found my sister."
|
|
|
|
"She's alive, I bet. I don't think she's the type to end up dead."
|
|
|
|
"She better not, gringo. She better not."
|
|
|
|
"Ah, well, I hope not." I flashed my grin and added, "I've still
|
|
got to hit that shit from the backside. Her disappearance is as much a
|
|
disappointment to me as it is a loss to you."
|
|
|
|
That spic shitbird coughed a little. I hope'd he splatter some
|
|
spit on his zoot suit, but he didn't. He looked at me for a while and
|
|
say, "I want the election."
|
|
|
|
"It's yours."
|
|
|
|
The first order of business was finding some scum. We needed all
|
|
the panty-sniffers, drunks, dope addicts, cock hungry fags, and pushers
|
|
we could find. We'd load them into vans and bring them to the polls.
|
|
They'd vote for Zuantar or we'd kill them. It was so simple.
|
|
|
|
I don't know how many opium dens we'd raided by the time I saw
|
|
/him/, with his lips stained black laudnum. but there he was. I didn't
|
|
know his name, but there was something startling about him... as if I
|
|
recognized him but from a picture I'd seen years back. Someone I'd never
|
|
met but knew all the same.
|
|
|
|
I directed the boys to pick up everyone. "This is the last haul,
|
|
boys, we've got enough to give Ziego the election. Hell, with this many
|
|
jerks, we could probably elect him president." I personally handled him.
|
|
I tried asking him his name, but there was too much drugs in his system.
|
|
He could only drool and stare into space.
|
|
|
|
As we drove to the first polling station, his head rested on my
|
|
lap, and his faced stared up into mine. His eyes were empty like robbed
|
|
banks. I could recognize him beyond all doubt; it was true, I'd seen him
|
|
before. But where? With whom? What was his name.
|
|
|
|
We got to the first polling station and pulled all the scum in.
|
|
They all voted for Ziego under false names. We brought them back into the
|
|
vans. He was hard to manage and kept falling all over the place, but none
|
|
of the polling attendants took any notice. They've been on my payroll
|
|
since 1649, when we had to behead Charles the First.
|
|
|
|
After about the seventh or eight polling station, he started to
|
|
come around. AS we pulled up to another destination, I pulled him out of
|
|
the van, and he could almost walk by himself. I tried to ask him his
|
|
name, but he could only mouth words. No sound escaped his throat except a
|
|
dry chaffing sound.
|
|
|
|
Walking towards the station, I saw something black in the shadows.
|
|
Black and mean. I knew it had to be the Democrats' man. Fat Sammy was too
|
|
blatant to hide. He'd rape a nun in the open and pay priests to watch. I
|
|
spun around, and threw the dagger into the bushes. I heard it sink in and
|
|
strike bone. A gasp.
|
|
|
|
Ol' Joe ibn Ahtum stumbled out of the bushes, my dagger wedged
|
|
deep in his heart. I tried pulling it out but I couldn't. He died at my
|
|
feet, and I said, "Pardon, effendi."
|
|
|
|
I heard a gun shot and I looked at my opium drenched friend. There
|
|
was a single hole in his forehead, and the back of his head had been
|
|
blown off completely. Hollow point exploding. The knife wouldn't come out
|
|
of Joe ibn Ahtum. I had no protection.
|
|
|
|
The sounds of Fat Sammy Snakeunz's enormous feet were behind me,
|
|
and I said a silent prayer that it would be quick and painless. He
|
|
slapped one of his sausages down on my back and said, "Well, well, since
|
|
you ain't got no weapon I ain't gonna kill you. I'm just gonna have to
|
|
kill all the scum." Fat Sammy kicked /him/, and gasped when he saw the
|
|
face. "Jesus," he said, "I do that?"
|
|
|
|
"Sure did."
|
|
|
|
"You know who you got there?"
|
|
|
|
"Some fucking opium addict. And had. I had him here. You got him.
|
|
I had him."
|
|
|
|
"That's Edgar Poe."
|
|
|
|
"The writer?"
|
|
|
|
"The same."
|
|
|
|
"Jesus Christ!" I exclaimed and sunk to the ground. I'd killed
|
|
Poe. My favorite writer. The only man who was like me, and I'd fucking
|
|
murdered him. He looked different from the photographs I'd seen; that's
|
|
why I didn't recognize him.
|
|
|
|
"Shit," I said, "this is bad."
|
|
|
|
"It sure is," agree Sammy. "Listen, why don't we say fuck it to
|
|
both our employers? Some dumb fuck election isn't worth all the heat this
|
|
is going to bring down on us. And believe me, it'll be on /us/, not just
|
|
you... or me."
|
|
|
|
"I was thinking about a vacation... Maybe in Turkey. I know this
|
|
girl, see, and well, I've been hiding her away in this spiritualist
|
|
resort in Izmir. You're welcome to come if you want."
|
|
|
|
"Nah, I've got Mexico. I've always got Mexico."
|
|
|
|
So I said fuck you to the election and fuck you to Ziego and an
|
|
apologetic fuck you to Edgar A. Poe and I hopped the next plane to Izmir
|
|
where I had hidden Caitlin and I found her there and we ate grapes
|
|
amongst the infidel children.
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #18
|
|
=================
|
|
|
|
"Excerpts From The Diary of Manis Goodof"
|
|
'Discovered' by Gilgame (aster's brother)
|
|
|
|
Sect. 12, Subsect. 5, Article 12
|
|
-Excerpt from diary of Manis Goodof-
|
|
|
|
(Year) (Half) (Quarter)(Day)
|
|
Date:Vota 8965, Vita 2, Veta 3, Vata 14
|
|
|
|
Insane! Insane! That's what those bloody flower people are! All
|
|
they ever do is block my plans. When the sky falls, it'll teach them a
|
|
lesson. I am very angry that Bob and Suzy had to be killed. Even when
|
|
they are dead, the information still can't be extracted! I need to know
|
|
the prince and the princess. They block my path of world domination. Now
|
|
i have to beat it out of the flower people. Why can't that fricking sky
|
|
fall! Those bloody monsters and goblins still block my efforts! They are
|
|
blocking those fricking bloody flower people from being attacked by my
|
|
robots. I think I am failing...NO!!!!!!!!!!!! I AM NOT FRICKING BLOODY
|
|
FAILING!!!!!!!! I WILL DOMINATE!!!!!!!!!! RULE!!!!!!!!!!!! CONQUER!!!!!!!!
|
|
Subjugate all those bloody little flower people!!!!!!!!!!! I recieved a
|
|
signal last night! Someone is coming. I don't know who, or what, but they
|
|
will help me after the sky falls. DANGIT!!!!! WHEN WILL THE SKY FALL!!!!!
|
|
I NEED THAT SKY TO FALL!!!!!! THE I WILL BECOME THE DOMINANT RULER!!!!!!!!
|
|
EVEN THE FLOWER PEOPLE WILL FAIL!!!!!!!!!!! YES!!!!!!! YES!!!!!!!!!!
|
|
YES!!!!!!!!!!!!!! YAAAAAAAAAAAAAAAAAAHHHHHH! YEE-HAH!!!!!!!! I AM
|
|
INVINCIBLE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|
|
|
-End Excerpt-
|
|
|
|
Sect. 12, Subsect. 5, Article 13
|
|
-Excerpt from the diary of Manis Goodof-
|
|
|
|
Date:Vota 8965, Vita 2, Veta 3, Vata 15
|
|
|
|
NO! NO! NO! I've been caught by those damned Monsters and Goblins.
|
|
I'm locked up in some sort of underground cavern. I'm very tired. But the
|
|
machine is ready! My assistant has activated the robo-flowers to extract
|
|
information from the flower people. THEN I WILL RULE!!!!!!!!! YES!!!!!!!!!
|
|
THEY WILL TELL ME WHO THE ROYALTY ARE! I WILL DOMINATE!!!!!!!
|
|
|
|
-End Excerpt-
|
|
|
|
[------------------]
|
|
|
|
RE-WRITE FOR REJECT #18, by Tan Adept
|
|
=====================================
|
|
|
|
(Needs a new title, add a third discoverer.)
|
|
|
|
In the early part of the 1980s, a government research agency
|
|
stumbled upon a hallucinogenic compound which appeared to cause
|
|
permananent changes in the brain. Preliminary investigation indicated
|
|
that a dosage of this chemical administered to animal test subjects
|
|
caused significant localized alterations in brainwave activity.
|
|
|
|
Approximately one year ago, a page of the journal from one of the
|
|
scientists working with this compound had been discovered by two young
|
|
people from Seattle. More recently, the entire journals were found in a
|
|
USGS office during a remodeling.
|
|
|
|
---- From the journal of Dr. Lauren Marks ----
|
|
|
|
Date: September 7, 1981
|
|
|
|
My colleagues and I have injected 1cc of CBSO to Christina the rat.
|
|
Her ability to navigate the maze has neither been enhanced or limited.
|
|
However, after completing the maze, her behavior is consistently
|
|
different. Upon reaching the food, she returns with it through the maze
|
|
to her starting location, awaiting her return to her cage. Only when
|
|
she is back in her cage does she eat the food. The control group has
|
|
maintained their original behavior.
|
|
|
|
Date: September 11, 1981
|
|
|
|
Roberto the rat, after his dosage, does not run the maze at all.
|
|
He sits at the beginning of the maze until returned to his cage. Prior
|
|
to exposure to CBSO (see earlier entries), he performed admirably in maze
|
|
tests. My colleagues believe that we will only understand the nature of
|
|
CBSO after we are able to begin a proper test method with sufficient
|
|
sample size. Unfortunately, we're still waiting on a new batch to be
|
|
synthesized, so we're making do with what we have for now.
|
|
|
|
Date: September 16, 1981
|
|
|
|
After a long night of testing with Christina, Roberto, and Farooq, I
|
|
remain frustrated. Their behavior is consistent for early rat, but each
|
|
seems to be completely different with respect to each other. Had minor
|
|
mishap with needle to inject Alexander, so I think it's time to head
|
|
home. Still waiting on sample.
|
|
|
|
Date: September 17, 1981
|
|
|
|
With Dr. Villiers ill and Dr. Fitzgerald going off on a weekend
|
|
hiatus, it's a quiet day, and I'm hoping that the lack of distractions
|
|
help Jennine to be able to run the maze. Any noise seems to perk her up
|
|
and draw her interest from the path. Will probably take Friday off.
|
|
Perhaps I will be able to stand at the grocery store and pat children on
|
|
their heads when Frank Sinatra comes to town.
|
|
|
|
Date: September 21, 1981
|
|
|
|
Put all of remaining CBSO into Dr. Fitzgerald's water. Refilled
|
|
sample bottle with DI water. Seems he didn't notice. I hope that
|
|
ingestion vector is somewhat effective for studying results with human
|
|
test subjects. Over the weekend, there was a monkey who gave me a hang
|
|
glider so that I can get through the ocean caves. I must keep my
|
|
journal safe from my coworkers so that they don't know what I'm doing
|
|
and must do.
|
|
|
|
Date: September 23, 1981
|
|
|
|
Dr. Fitzgerald is pouring water on my computer for some strange
|
|
regard. He is talking to it, and asking if it know where Dr. Villiers
|
|
is. I think he is crazy.
|
|
|
|
Date: September 24, 1981
|
|
|
|
I let the mice go. They promised to make me a lovely gown. Dr. F
|
|
seems to be going quite nuts. Dr. Villiers called today. He said,
|
|
"Lauren, how are things going at the office." I told him, "The mice are
|
|
very good!" He reminded me that the new shipment of something would be
|
|
in soon. I told him to grow well soon. He said, "I will probably be
|
|
black next Monday."
|
|
|
|
Date: September 25, 1981
|
|
|
|
Since Dr. Fitz is so crazy, I would like to read his journal. But
|
|
all good scientists keep their journals private. Tonight, I will build
|
|
an engine for my hang glider. The monkeys in monkey-land will surely be
|
|
monkey-like and if I give them offerings of oranges and cough-drops, they
|
|
might even let me eat the royal jelly.
|
|
|
|
---- From the journal of Dr. Michael Fitzgerald ----
|
|
|
|
Date: September 22, 1981
|
|
|
|
I have developed a tic in my right upper arm. Lauren's manner
|
|
seems somewhat unusual, but I think she's been working too hard. Her
|
|
work still seems consistent, though she seems reluctant to show me her
|
|
notes. Christina and Alexander run the maze well, as do the members of
|
|
the control group. Of those exposed to CBSO, only Alexander seems to
|
|
show no behavioral change since his injection.
|
|
|
|
Date: September 23, 1981
|
|
|
|
I think Lauren is an agent of the flowers. It seems that she had
|
|
been growing one in her computer for the past several months. I have
|
|
decided to attempt to infiltrate her plans. During nonchalant
|
|
conversation,
|
|
I poured some water onto the flower, showing my support of her support of
|
|
the flower people. I am angry at the injustices that the flower people
|
|
have perpetrated upon my friends and pets. However, if I let my anger
|
|
get the better of me, I will die in my fight for freedom.
|
|
|
|
Date: Vota 8965, Vita 2, Veta 3, Vata 9
|
|
|
|
I have decided to switch over to using the proper dates. I hate
|
|
the old system, and since I'm not going to let anyone else read my notes,
|
|
who will care? I am very angry. I have spoken to the tree sprites who
|
|
live in the pretty house with me. Dr. Marks seems to think they are
|
|
"mouses", but I know that they are tree sprites and that they will help
|
|
me.
|
|
|
|
Date: Vota 8965, Vita 2, Veta 3, Vata 10
|
|
|
|
She chased the tree sprites out! Since she has now moved openly
|
|
against me, it is time for me to move openly against her. Today, I was
|
|
going to kill her for being EVIL and BAD but then she got a telephone
|
|
call! SHE HAD CALLED FOR REINFORCEMENTS! She had talked to an agent of
|
|
the flower people yesterday, and she talked to another today.
|
|
|
|
Date: Vota 8965, Vita 2, Veta 3, Vata 13
|
|
|
|
I had hoped that Dr. Villers would not be another agent of the
|
|
flower people, but he was! Apparently, Dr. Marks believed that I was on
|
|
her side, and thought it was safe to reveal thar Dr. Villiers was also an
|
|
agent of the flower people. HOW COULD HE BETRAY ME AS WELL?!?!? My
|
|
only open was to kill them both. I don't know how I'm going to do it,
|
|
but I swear that I will break the power of the flower people. If I have
|
|
to take over the entire world, I WILL DO IT!!!
|
|
|
|
Date: Vota 8965, Vita 2, Veta 3, Vata 14
|
|
|
|
Insane! Insane! That's what those bloody flower people are! All
|
|
they ever do is block my plans. When the sky falls, it'll teach them a
|
|
lesson. I am very angry that Bob and Suzy had to be killed. Even when
|
|
they are dead, the information still can't be extracted! I need to know
|
|
the prince and the princess. They block my path of world domination.
|
|
Now i have to beat it out of the flower people. Why can't that fricking
|
|
sky fall! Those bloody monsters and goblins still block my efforts!
|
|
They are blocking those fricking bloody flower people from being attacked
|
|
by my robots. I think I am failing...NO!!!!!!!!!!!! I AM NOT FRICKING
|
|
BLOODY FAILING!!!!!!!! I WILL DOMINATE!!!!!!!!!! RULE!!!!!!!!!!!!
|
|
CONQUER!!!!!!!! Subjugate all those bloody little flower people!!!!!!!!!
|
|
I recieved a signal last night! Someone is coming. I don't know who, or
|
|
what, but they will help me after the sky falls. DANGIT!!!!! WHEN WILL
|
|
THE SKY FALL!!!!! I NEED THAT SKY TO FALL!!!!!! THE I WILL BECOME THE
|
|
DOMINANT RULER!!!!!!!! EVEN THE FLOWER PEOPLE WILL FAIL!!!!!!!!!!!
|
|
YES!!!!!!! YES!!!!!!!!!! YES!!!!!!!!!!!!!! YAAAAAAAAAAAAAAAAAAHHHHHH!
|
|
YEE-HAH!!!!!!!! I AM INVINCIBLE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|
|
|
Date: Vota 8965, Vita 2, Veta 3, Vata 15
|
|
|
|
NO! NO! NO! I've been caught by those damned Monsters and Goblins.
|
|
I'm locked up in some sort of underground cavern. I'm very tired. But
|
|
the machine is ready! My assistant has activated the robo-flowers to
|
|
extract information from the flower people. THEN I WILL RULE!!!!!!!!!
|
|
YES!!!!!!!!! THEY WILL TELL ME WHO THE ROYALTY ARE! I WILL
|
|
DOMINATE!!!!!!!
|
|
|
|
[-----------------------------------------------------------------------]
|
|
|
|
REJECTED FILE #19
|
|
=================
|
|
|
|
"Your Kettle Korn Sucks!"
|
|
by Kernel Bob
|
|
|
|
I've noticed in my travels on the internet that things are not
|
|
always what they seem. I'm guessing that you'd like an example
|
|
here...ok..Well..if you to to t50, you get misleading links. Click on
|
|
the banners that have a button like thing or a slide bar, and it brings
|
|
you to a weird site. I was taken aback one day when I went to
|
|
kernelbob.com just for shits and giggles. I figured that there was not
|
|
way in hell that anyone could register MY domain....this is my story:
|
|
|
|
What I found made me wretch in disgust. This particular
|
|
domain was owned by a hick who makes 'Kettle Korn'. Wrath ensued. I
|
|
wrote this guy saying that we had the same name, and all that stuff, and
|
|
the guy writes back saying basically "Yeah, we do...How about some nice
|
|
tasty 'Kettle Korn'". I wanted his domain. Not having it left a nasty
|
|
sweetened corn-like taste in my mouth.
|
|
|
|
Needless to say, I was insulted. I was after this guy's site. I
|
|
wanted to make a difference. Kernel Bob is MY name, not some hick guy
|
|
from Maine who has a wife named Bunny and sells sweetened corn products.
|
|
|
|
As of late, I have not made that difference. That guy still has
|
|
the domain, he's still selling 'Kettle Korn', he still has a wife named
|
|
Bunny, and he's still selling sweetened popcorn. What an asshole.
|
|
|
|
[----------]
|
|
|
|
RE-WRITE FOR REJECT #17, by Nybar
|
|
=================================
|
|
|
|
ahhh, butter...how long have I been wandering this city? my
|
|
vagaries have been absurd...kettle corn; ahhh, i remember when, on the
|
|
back of a nickel, i was the winner of an extempore poetry contest...ahh,
|
|
i remember when i was a recalcitrant autodidact with delusions of
|
|
polymathdom. that was when i took the easy moral high ground...the kind
|
|
which leaves one with no one to prove. that was an easy time...ohh, when
|
|
i first began to melt and boil and fizzle and pop in this pot of
|
|
application, i was assiduous; my sedulity was uncanny...oh, how the
|
|
ostensibly abstruse melted under my intense scrutiny. my calendar was
|
|
full, and my life was empty...in short, i was on my way to the top.
|
|
let me tell you a tale, kiddies. i used to be called 'kettle
|
|
corn'...that was before they scorched the sky in 1625 PC. that was before
|
|
marty mcfly's uncle made the city into a kettle-corn controlled,
|
|
orwellian franchise...turned human emotion into butter, and babies into
|
|
cracker jacks...kettle corn. an erudite hick; possessing wisdom from the
|
|
past.
|
|
let me tell you something, kiddies. it's completely possible, in
|
|
these modern days, to envisage a man--or woman; far more likely--standing
|
|
between the gods...an egalitarian romantic hero. no contrast there. st.
|
|
augustine and buddha have dined at the same table; upon kettle corn, the
|
|
odious, molten gold of capitalism...ohh, my vagaries have taken me many
|
|
places...
|
|
when i graduated from oxford, i spent most of my time striking up
|
|
conversations with strangers on the street. i was working on a project at
|
|
the time, but t'was a Macguffin, and a chimera besides--i don't even
|
|
remember its focus. something about saccades and eidetic images...ohh, my
|
|
real profession was the talks on the street. in the post-kettle korn era,
|
|
after the sky had been scorched in the kettlekorn wars... romanticism
|
|
still did not die. like always, it pulled itself up from underground in
|
|
the post-apocalyptic era, to rule with the cockroaches, Metternich and bf
|
|
skinner.
|
|
"it must be awfully lonely, serving up coffee behind that counter
|
|
at 3 am"
|
|
"life is awfully lonely...my duty is to serve energy to others."
|
|
"oh...someday, i shall join you behind the counter. except i will
|
|
be the energy served..."
|
|
"a noble octopus"
|
|
once, the floor melted beneath me, and i found myself in an
|
|
underground temple. here, a band of associationists genuflected before
|
|
the awesome head of bF skinner, contained in a black box. some offered up
|
|
neural nets, which were trained to laugh at the stupidity of the world.
|
|
they botched their irregular verbs. and i did have a dialectic with bF
|
|
skinner, which is entirely lost to the world--entirely, except for the
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part Augustine cites in his refutation of Dontatism...
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"now, i am described as a fastidious gentle-man, and the fecundity
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of my mind is extraordinary; O, head of bF skinner, how is it that you
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blindly accept subjective, ethereal reports on mental states; _while at
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the same time_ posing as an empiricist? and how can you further
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descartes' error, which others have exposited on so eloquently--the error
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of dichotomizing the brain, yes, and speaking of descarte..."
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"shut up, d3wd. i'm elite. i've got a black box."
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"yo, fuck that, hip-hop flows through my veins, yo, damaj you then
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eat ya, so call me the 'pain killah'; fuck you, bF skinner, and fuck
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Dennis Miller"
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"yeah, fuck me? nigga, fuck you--i'll bust a neural net and that's
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exactly what i do--yo, have your tongue out while i kettle-corn your cob,
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we ain't 'dawgs', but i fuck wit your mind like PAV-LOV"
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kettle corn--and manichaenism...but, kettle corn predominates in
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North America at this time. what's _in_ a name? I used to have a name, a
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given name, too...I used to have a family. _in america_. let me tell you
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something, kid, I walked from ellis island to north carolina, only to
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find an opulent, whiskey sipping hick...ahhh, this has analogue on the
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internet. i discovered 25 years later...ahh...
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things are not always as they seem; vagaries turn into odysseys,
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lovers turn into squirrels, tears turn into mascara. all manner of things
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happen...that's why i write my rhymes in invisible ink; and y'all need
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eye liners. hold up, kids, i'm going to tell just one last story. i was
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the last of the house of KoRn, the last dynasty in the history of rock &
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roll...a strain of bacteria which the world thought would never die. and
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then they scorched the sky...i was surfing the internet, and looked for
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our ancestral domain...kettlekorn.com...(for truly, kettle was my given
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name, yes, and aragorn was my father...)
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what i found made my organs twitch in mortification and bemusement
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(but isn't such always the case?) a hick, a plovdiv forest bomber who had
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never been taught to behave, had usurped my family home. a gopher was in
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my garden; a wombat blew glass inside of my skull; i hung upon a rope of
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sand...but the end was not yet. it was not yet even in sight. i would
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keep the spirit of manowar alive..i would fight. for i knew i was born to
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conquer every shore.
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a war of the roses. yes. i fucked the hick's wife, bunny. i peed
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in his dog's mouth. i got him to talk to NYBAR, yes...and nybar came back
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and talked to me... said: "he was brought up on a trail of tears and
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sadness; BURMASHAVE, my friend. he knows not what he does. rock & roll
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|
was glorious, but it will be equally glorious in the museum, in the
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graveyard...it is hip hop's time to shine. oh, ancient god, ancient
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spirit, why do you not rest? you've been wandering the city, wandering
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the world, for such a long time...is it not time for the forest and
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|
iron-town to finally know peace? why dost thou kick against the hicks?"
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upon saying this, he stuck an ankh dagger in my neck...i was
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dispatched, but this only caused me to realize i'd been dead the whole
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time. this did not discourage me; i still wanted my name back. raekwon,
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the godfather, immobalarity...ohh, so now i gather my victuals, and i go
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to watch "badlands" again...and i continue to kick against the hicks.
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As of late, I have not made that difference. That guy still has
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the domain, he's still selling 'Kettle Korn', he still has a wife named
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Bunny, and he's still selling sweetened popcorn. What an asshole.
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[--------------------------------------------------------------------------]
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[ (c) !LA HOE REVOLUCION PRESS! HOE #931, BY VARIOUS ARTISTS - 12/05/99 ]
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