220 lines
13 KiB
Groff
220 lines
13 KiB
Groff
|
|
IF YOU WISH TO REMOVE YOURSELF FROM THIS LIST FOR ANY REASON
|
|
just send an email to listserv@netcom.com containing only the line:
|
|
|
|
unsubscribe snuffit-l
|
|
|
|
DO NOT WHINE TO THE POSTMASTER. DO NOT SEND UNSUBSCRIBE MESSAGES TO:
|
|
snuffit-l@netcom.com, listserver@netcom.com, coe@netcom.com
|
|
|
|
-------------------------------------------------------------------
|
|
|
|
November 27, 1994 Sunday e-sermon #8
|
|
|
|
Greetings, and welcome once again. Now before we get started today, I would
|
|
like to read aloud a letter we received from the Cloister of the Recluse:
|
|
|
|
>>>>
|
|
Dear Church of Euthanasia,
|
|
|
|
I saw your zine, Snuff It, on the Internet and needed to comment on some of the
|
|
material in there.
|
|
|
|
I like your slant on taking personal responsibility for the things we have done
|
|
to this planet through our sheer numbers and our anthrocentric view of the
|
|
world...where everything on this planet is meant to be exploited for the
|
|
comfort and utility of human beings. If anything, human beings represent the
|
|
least important components of the ecosystem, in a planetary sense. Human
|
|
beings simply do not, as far as I know, contribute anything to the maintenance
|
|
of planetary systems. On this account, trees are infinitely more important
|
|
than people because trees capture electromagnetic energy from the sun and
|
|
convert it into chemical energy which is the currency of this world. Tree
|
|
roots can crack rocks and help create soils. Trees fix soils with their root
|
|
systems and improve soils through shedding of leaves, which rot to become
|
|
humus. This humus retains water and helps keep soils rich, light and
|
|
nourishing. The trees, themselves, also lift water out of underground water
|
|
sources through transpiration....and this transpired water enters the
|
|
atmosphere to fall again as rain somewhere else. Trees provide food and
|
|
habitat for a wide variety of animals. Trees and forests are an infinitely
|
|
more valuable resource than a source of wood. If you want to read about the
|
|
impact of deforestation on environment and human economy since Babylonian
|
|
times, read _A Forest Journey_ by John Perlin. It shows how forests were first
|
|
a source of wealth in terms of richness of the land and wood resources for
|
|
industry....then with over-use, wood became a scarce commodity. The land,
|
|
itself, became impoverished and would no longer support the high populations of
|
|
the great cities of Mesopotamia, Greece and Rome. The book illustrates, too,
|
|
that humans learn nothing from history. One civilization after another cut
|
|
down their great forests....and they all paid the price.
|
|
|
|
Humans can never compete with plants, in terms of giving benefit to the
|
|
planetary ecosystem. Humans are consumers of some one, or some thing, else's
|
|
stored energy. This doesn't make humans bad....it just means we are useless to
|
|
the planet in anything except a stewardship capacity....which we muffed badly
|
|
due to our particular perspective.
|
|
|
|
I also agree that reduction of the human population to a more ecologically
|
|
stable level would be the best solution...but I must add that some of the
|
|
suggestions of your readers scared the hell out of me. I'm thinking of the
|
|
individual running around in Idaho, castrating people. I haven't been using
|
|
the Internet long, but it has been interesting to see how some people
|
|
think....and I've come to the conclusion that I've led a quiet, non-intrusive,
|
|
sheltered little life. I think I'll keep it that way.
|
|
|
|
You can call me, Sister [omega] the Reclusive.
|
|
<<<<
|
|
|
|
A friend of mine still lives in the town he grew up in, not far from here. He
|
|
is older than I am, with a wife, a child and a small business. His house, and
|
|
most of the houses in the town, are adjacent to a large hill, containing
|
|
perhaps 20 acres of woodland. The woods are relatively unspoiled, and a wide
|
|
variety of birds and mammals find refuge there. The woods are also well-known
|
|
to the locals, who go there to relax and party, away from the omnipresent strip
|
|
malls and the prying eyes of the police. For several years now, the individual
|
|
who owns the land has been trying to get permission to develop the land. He
|
|
wants to level the hill, subdivide it into 1/2 acre lots, and build townhouses
|
|
on the lots. The residents are united in their opposition to the developer's
|
|
plan. The mayor has privately promised that he will never approve the plan,
|
|
but his public actions suggest that he is under intense political and financial
|
|
pressure and that his resolve is weakening. Ten housing units were recently
|
|
approved by the local zoning board, supposedly against the mayor's orders.
|
|
More recently, the developer sent some of his workers into the woods to survey
|
|
the land. Instead of simply walking into the woods, they drove in with a
|
|
bulldozer. This infuriated my friend, who went in the next night, tore up over
|
|
a hundred surveying stakes, and threw them down a cliff. He tells me he'll put
|
|
sugar in the bulldozers' gas tanks before he lets them level the hill.
|
|
|
|
My friend has attended a number of public meetings on the subject, including
|
|
one where the developer, who is from out of town, was seen snickering at the
|
|
residents. Apparently these meetings get very tense, with people shouting each
|
|
other down and so forth. And who attends these meetings, I asked. Well,
|
|
almost all of the residents, the developer, the developer's attorneys, various
|
|
experts, and some town officials, including the mayor of course. On the
|
|
surface, it seemed fair enough. The officials get to lecture about zoning law
|
|
and other official things, the mayor gets to make passionate speeches, the
|
|
residents get to argue back and forth about the pros and cons of real estate
|
|
value versus the environment, even the developer gets to tell his side of the
|
|
story. Then it hit me: everyone gets to have their say, except for the ones
|
|
who will be affected the most! Who speaks for the trees and animals? Why are
|
|
they not represented at this meeting? My friend had never thought of it
|
|
exactly this way before. Are there children at these meetings, I asked him?
|
|
Yes, he said, many. Well then, at the next meeting, I told him, your son, and
|
|
all your neighbors' children, should be dressed as trees and animals. They'll
|
|
love it, it'll be just like Halloween. Let the children speak for the woods!
|
|
|
|
All of this brings me to my point, which is that in all of the debate about the
|
|
"environment" and the use of land, very rarely does anyone speak for the woods,
|
|
or for the land. This allows people to continue thinking about land as
|
|
someTHING, rather than someONE. The best example of this misunderstanding is
|
|
the famous reaction of the Shawnee chief Tecumseh who, when asked if he would
|
|
sell his people's land, replied that the land "was never divided, but belongs
|
|
to all for the use of each. That no part has a right to sell, even to each
|
|
other, much less to strangers; those who want all and will not settle for
|
|
less." He continued: "Sell a country! Why not sell the air, the clouds and
|
|
the great sea, as well as the earth? Did not the Great Spirit make them all
|
|
for the use of his children?"
|
|
|
|
A more recent and humorous example comes from the Mohawk paper, _Akwesane
|
|
Notes_:
|
|
|
|
>>>>
|
|
Every now and then I am impressed with the thinking of the non-Indian. I was
|
|
in Cleveland last year and got to talking with a non-Indian about American
|
|
history. He said that he was really sorry about what had happened to Indians,
|
|
but that there was a good reason for it. The continent had to be developed and
|
|
he felt that Indians had stood in the way, and thus had to be removed. "after
|
|
all," he remarked, "what did you do with the land when you had it?" I didn't
|
|
understand him until later when I discovered that the Cuyahoga River running
|
|
through Cleveland is inflammable. So many combustible pollutants are dumped
|
|
into the river that the inhabitants have to take special precautions during the
|
|
summer to avoid setting it on fire. After reviewing the argument of my
|
|
non-Indian friend I decided that he was probably correct. Whites had made
|
|
better use of the land. How many Indians could have thought of creating an
|
|
inflammable river?
|
|
<<<<
|
|
|
|
There's a small power struggle going within the leadership of The Church of
|
|
Euthanasia right now over whether to change the name of the church to The Order
|
|
of Useless Vermin. Though I'm out-voted so far, I personally side with the
|
|
vermin. According to the best information we have, the time of the "calling"
|
|
is almost at hand, three or four years away at the most. Those who can hear
|
|
the "calling" will leave the cities and towns for the deep wilderness and
|
|
prepare for the death of what we call the Spectacle. Those who either do not
|
|
hear the calling, or choose to ignore it, will perish. The useless vermin must
|
|
perish, so that the Earth can cleanse herself. The question, of course, is are
|
|
you vermin, and if so, why wait? I know that I am vermin, despite my role as
|
|
the Reverend of this church, and I fully intend to step off the plank before
|
|
I'm pushed off. It's merely a question of timing. Obviously I would like to
|
|
see as much as possible of this imminent and dramatic leap in human evolution,
|
|
but I have to balance that desire against the amount of pain I will experience
|
|
by overstaying my welcome.
|
|
|
|
I suspect that most if not all of you are also vermin, and that like me, you
|
|
are choosing to die with the Spectacle, because deep down inside, you prefer
|
|
death to life. Death worship is the essence of the Spectacle. The Spectacle
|
|
IS death, and death is beautiful, in the same way that Bauhaus is beautiful.
|
|
Death is an endless, glittering corridor full of mirrors, leading you faster
|
|
and faster, higher and higher, until your body finally bursts into a ball of
|
|
beautiful flame, and disintegrates, leaving only ashes. Which one of you would
|
|
truly choose life over death?
|
|
|
|
Life is messy, violent, and complex, where death is clean, painless, and
|
|
simple. Life is interconnected, full of battles and relationships and paradox,
|
|
where death is letting go, surrender, falling into the abyss of pure
|
|
rationality, where everything is known, explainable, reasonable. Only in the
|
|
death embrace of the Spectacle can we find true peace, each one of us
|
|
completely alone, isolated from the cares and worries of responsibilities and
|
|
connections, drifting through a world of fantastic dreams and whispering
|
|
voices. Every need is fulfilled, every urge is satisfied, every individual is
|
|
exalted in the Spectacle. In the final triumph of the Spectacle, we become
|
|
pure mind, and achieve eternal death.
|
|
|
|
Each one of you who chooses cyberspace chooses death. Each one of you who
|
|
stands in line to buy food wrapped in plastic, chooses death. Each day that
|
|
you choose to go to work, pay your taxes, order a pizza, buy a six-pack, turn
|
|
on the television, and wait for the weekend, you choose death. There is no
|
|
need to kill yourself. You are killing yourself by default. You are choosing
|
|
to de-evolve, to become an eyeball with fingers, and so be it. There is no
|
|
need to be ashamed. You are surrounded by other useless vermin, also choosing
|
|
death. We will all die together, in a glorious blaze of over-stimulation.
|
|
There will be no pain, only the warm, wet, pulsating dissolution you have
|
|
always secretly yearned for. You are finally coming home, returning to the
|
|
womb. You have always know this.
|
|
|
|
Let us read aloud the words of Robert Pirsig:
|
|
|
|
>>>>
|
|
If it was all bricks and concrete, pure forms of substance, clearly and openly,
|
|
he might survive. It is the little, pathetic attempts at Quality that kill.
|
|
The plaster false fireplace in the apartment, shaped and waiting to contain a
|
|
flame that can never exist. Or the hedge in front of the apartment building
|
|
with a few square meters of grass...If they just left out the hedge and grass
|
|
it would be all right. Now it serves only to draw attention to what has been
|
|
lost.
|
|
|
|
Along the streets that lead away from the apartment he can never see anything
|
|
through the concrete and brick and neon but he knows that buried within it are
|
|
grotesque, twisted souls forever trying the manners that will convince
|
|
themselves they possess Quality, learning strange poses of style and glamour
|
|
vended by dream magazines and other mass media, and paid for by the vendors of
|
|
substance. He thinks of them at night alone with their advertised glamorous
|
|
shoes and stockings and underclothes off, staring through the sooty windows at
|
|
the grotesque shells revealed beyond them, when the poses weaken and the truth
|
|
creeps in, the only truth that exists here, crying to heaven, God, there is
|
|
nothing here but dead neon and cement and brick.
|
|
<<<<
|
|
|
|
-------------------------------------------------------------------
|
|
Rev. Chris Korda The Church of Euthanasia
|
|
|
|
ftp: ftp.etext.org /pub/Zines/Snuffit
|
|
gopher: gopher.etext.org Zines/Snuffit
|
|
gopher.well.sf.ca.us Zines/On-line Zines/Snuffit
|
|
www: http://paranoia.com/other/
|
|
|
|
To receive the printed version of _Snuff It_, send $2 to:
|
|
|
|
C.O.E., Box 261, Somerville, MA 02143
|
|
|
|
SAVE THE PLANET! KILL YOUR *SELF*!
|
|
|