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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 9
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 3
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 04/07/1996
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Volume 9, Number 3 Circulation: 588
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Intentions 2 Dan Granata Yule 1015
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Shadowstone 2 Dafydd Cyhoeddwr Naia 12, 1014
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Friendships Bloody Tear 2 Mark A. Murray Yuli 1015
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.shore.net/~dargon. Back issues
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are available from ftp.etext.org in pub/Zines/DargonZine. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 9-3, ISSN 1080-9910, (C) Copyright April, 1996 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>.
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All rights reserved. All rights are reassigned to the individual
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contributors. Stories may not be reproduced or redistributed without
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the explicit permission of the author(s) involved, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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If you've visited the DargonZine Web page yet, you've experienced
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our design aesthetic firsthand. While the Web gives us the ability to
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really go nuts with our graphic presentation, we've gone with a very
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basic parchment design with sparse graphics.
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We've done this for a few reasons. One of our principles was to
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make the site both usable and appealling, even over a 14.4 Kb modem
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line. We've accomplished this by using images sparsely, using them
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repeatedly (to take advantage of local caching), and designing our
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graphics to take up minimal storage space. Another principle is
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simplicity -- our use of black text on a parchment background maximizes
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readibility, without sacrificing the medieval "feel" of the
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presentation. We'll leave the funky, hard-to-read, graphically intense
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design to others.
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Which brings me to our most important principle. The Dargon Project
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is all about text, and those of us who write for the magazine are very
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focused on its textual contents. The fact that the site is visually
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appealling is due in great part to one or two of our writers (most
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notably, Carlo Samson and myself) contributing even more of their free
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time. But although spending hours developing slick graphics for the Web
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site may be fun, it's also a distraction from our real job: writing
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stories.
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And so we're putting the word out that we need graphic artists who
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are willing to volunteer their work to be used on the Web site. Typical
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work would include illustrations for stories and the rest of the site
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(browse around to see examples of what we've done so far). If you are
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interested, or know someone who might be, please drop me email at
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<dargon@shore.net>.
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Since day one, back in late 1984, this magazine has survived and
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prospered because of the contributions of its readers. It'd be really
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great to have someone step up and help us make the magazine that much
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better than it is today.
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This issue could well be subtitled "DargonZine 9-2, Part 2", since
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all the stories are second chapters to storylines which were begun in
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our last issue. So I'd encourage you to go back and read DargonZine 9-2,
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if you haven't already. Here's a quick reminder...
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In Dan Granata's "Intentions", Balor the entertainer arrived in
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Dargon and was reunited with his childhood friend, Dalis.
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Dafydd's "Shadowstone" series brought an unexplained fateful
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mission to a thief named Chandras, leaving him trailing the victors in a
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battle between his brigand friends and an unknown group of horsemen.
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And we continue to learn more about the main characters in Mark
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Murray's series: Raphael, a jaded wanderer, and Megan, his seemingly
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catatonic charge.
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As ever, feedback is welcome, keep spreading the word, and thanks
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for your continued interest!
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========================================================================
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Intentions
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Part II
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by Dan Granata
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<dgranata@glasscity.net>
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Dargon, Yule 1015
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The sun had long since set on the strangest day of my life. Well,
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the strangest day of my life *so far*, I corrected myself. I was
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beginning to realize that things change very quickly sometimes, and this
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was one of those times. I am beginning to sound redundant even to
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myself, but these things happen when you're lying on a bed late at
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night, with nothing to do but think.
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I sat up, the rustling of the covers sounding like thunder in the
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silence. That is another one of the signs of boredom, when you notice
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meaningless occurrences. I guessed that my boredom was a direct result
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of the excitement earlier that day. I had entered Dargon, embarrassed
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myself several times, tried to steal a noble's purse and nearly got
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myself arrested, only to be reunited with a childhood friend.
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And now I am sitting on a bed in an inn that I couldn't even recall
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the name of, tossing and turning while my dear friend Dalis sleeps like
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a child. I shrugged my shoulders and set my elbows on my knees. With a
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sigh, I put my head in my hands. Trying to make sense of things only
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made my head hurt.
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Standing up, which is not an easy task for a fatigued person, I
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walked over to the window. Looking out, I couldn't keep myself from
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laughing. "An alley," I thought. Perfect scenery.
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Strength returning to my weary body, I tried to figure out what I
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wanted to do. So I stood in the middle of the room for a moment,
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weighing sleep against insomnia. Logic left and insomnia won. I shuffled
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over to the small basin of water that was in a corner of the room.
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Dipping my hands in, I splashed the lukewarm liquid onto my
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sleep-deprived face. Staring into the wall, I thought: "Balor, Balor.
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How did you get here? What went wrong?"
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I decided that I'd rearrange my things. It's a strange habit that I
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have, when I'm bored I sort my belongings.
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My pack opened easily and I laid everything I owned out onto the
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bed. As I did so, I couldn't help but wonder what had become of my
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pursuers. They had followed me closely for quite some time, then
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suddenly they were gone. Was that how the guard operated in Dargon?
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"Strange," I thought again. I shrugged off the ideas and went about my
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chore.
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What had to be several bells later, I woke. This startled me
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because I hadn't remember falling asleep. I started to pull myself up,
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and it was then that I noticed the weight on my chest. Looking down, I
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saw the source. A large, leather bound book was lying on my chest. Still
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half asleep, I was puzzled as to where the book came from. Suddenly, I
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remembered. Before I fell asleep, I had found the large book in my pack.
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I thought it strange because it hadn't been there the last time I
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checked, which was only that morning. Maybe someone slipped it in during
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my performance, I thought, or maybe it was Dalis's.
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I picked up the book and studied its cover. I tried to draw upon my
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experience with the formal texts, no matter how small. No, I'm literate;
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it's just that books are hard to come by. Thinking of that fact made me
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wonder more about how this volume just appeared in my pack. I examined
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it more closely. It appeared to be well-bound, and a title was on the
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outer cover. "Personas Remedian". I sat back, trying to remember my
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ancient texts. My memory seemed to be hazy here, although the fact that
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I had very little training in the language didn't help, either.
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"Personas", I remembered, had to do with "self or "personal". "Remedian"
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didn't stir the stew, so to speak.
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I opened the book to the first page. I sighed when I noticed it was
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completely in ancient form. Translation restricted my reading
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considerably. I began.
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"Personal worth, above all else, should be recognized by an
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individual who wishes to do well. To achieve ... "
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I had to stop. After that the words ceased to make sense. Well, I
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thought, I found the title. I wondered again who gave me the book.
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A stirring from the direction of Dalis's bed brought me out of my
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thoughts. It seemed that my friend was waking. I closed the book and
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tossed it onto the bed, next to me, giving it no more thought.
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That morning Dalis and I decided, although I should have been the
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wiser, to skip breakfast. "The guard might still be about," he had
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rationalized. My head agreed but my stomach hated him.
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To take my mind off food, we resolved to continue the conversation
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that we had begun last night, a conversation that was cut short by
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fatigue; to catch up on each others' lives. A lot can happen in ten
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years.
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"So you've been traveling all this time?" Dalis said, marveling at
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my stamina, or possibly my stupidity.
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"For all of ten years. I have to admit though, it isn't as easy as
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I thought it would be," I said shaking my head slowly, remembering.
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"You thought it would be *easy*!" Dalis exclaimed. "What were you
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thinking?"
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"I was young and stupid. You knew me then; you remember how I was.
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A fool's fool."
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Dalis just laughed. I couldn't help but see the humor in it too. I
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could recall the time when Dalis and I were fishing, and I fell in the
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Coldwell trying to leap it. I had thought *that* would be easy too. It's
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strange how things seem more impossible the older you get. I longed for
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those younger days ...
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"Dalis, let's go fishing," I said, leaping from my seat.
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"What?"
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I started over toward him. "Fishing, just like we used to. We could
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set up a camp and make a day of it. Just like we used to. What do you
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think?" I could barely contain myself.
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"I suppose we could, but not now. Now, duty calls."
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I didn't understand what he meant, and I told him. He silently
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revealed his left hand. On it was a ring.
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My first thought was that my friend had gone and got himself
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married. Duty, my right foot. But that idea was banished in seconds when
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I examined the ring more closely. On it were several symbols. A book, a
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quill pen, the words Mae Gwybodaeth Gallu, meaning "Knowledge is Power".
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I couldn't believe it.
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"You're a member of the Guild!"
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Dalis merely smiled and nodded. I couldn't contain my joy. I
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started to spout off every congratulatory phrase I could think of. But
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deep inside, I couldn't help but feel that twinge of regret and envy. I
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should be a member of the Guild, too. But then I stopped myself. No, I
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didn't have the patience, the determination to spend years in study to
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become a member of the College of Bards. I knew that when I left. The
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pauper and the merchant.
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"So what's your 'duty'?" I asked, allowing no hint of my secret
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thoughts leaking into my voice.
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"I'm here doing research on a particular ancient text that we have
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just discovered. It was found in the area and the Guild likes to know a
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history of the works it holds. I have a meeting with a local named
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Corambis Desaavu. It's been said he knows quite a bit."
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I tried to act as if I cared, out of politeness and courtesy,
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adding over-exaggerated "Is that so!" and wide-eyed stares of surprise.
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However, my patience wore thin rather quickly, and I managed, only under
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great restraint, to stifle a few yawns. Finally, with the risk of
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unconsciousness seemingly looming about, I decided to change the
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subject. "Dalis, do you ever have fun?" I asked, a twinge of sarcasm
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entering my voice.
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"Excuse me?"
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"Do you ever do anything besides research? I bet you don't. You
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didn't when we were kids, either. I had to force you to go fishing,
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although you admitted you liked it. I'll bet you're still shy, too. When
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is the last time you saw a girl? Socially, I mean."
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Dalis was silent. I knew it. Then an idea hit me. I picked up the
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book that lay next to me.
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"Here, read this," I handed the book to him. "I don't need it, and
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you seem interested enough in ancient texts. Besides, I can't read it."
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I stopped and shot him a glance. "Who knows, it may even do you some
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good."
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He read the title, looked at me, and smiled. "Maybe," he said, and
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he started to laugh.
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The rest of that day I spent sleeping, because there wasn't much to
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do. Dalis had told me that he would be back within a bell or so, so I
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thought I could make up for the rest I missed the night before.
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Dalis didn't return until well after dusk. He seemed very excited,
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and most of that evening I spent in forced anxiety, listening to him as
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he rattled off some odd facts about history. While I admit history does
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interest me somewhat, I believe Dalis passed my boundary. M'Kivar, I
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thought, I hope that book does something for his personality. I would
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better enjoy a hearthstone!
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It seemed like days had passed; finally Dalis decided to turn in
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for the night, I eagerly agreed.
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The next few days were spent similarly, I would waste the day in
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our room while Dalis would go out chasing after some bit of history. At
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first I took the opportunity to practice my act. This stopped when the
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proprietor of the inn complained, rather loudly, too.
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I really began to wonder about Dalis. How could he exist solely on
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research?
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Finally one day, Dalis was home a little before dusk. We decided
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that we would spend the evening in the tavern below, quite convinced
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that it was safe.
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"How's the research coming?" I asked after we ordered our meals.
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The moment I said it I regretted it, and steeled myself for another
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history lecture. To my surprise, Dalis wasn't even listening. He was
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staring off somewhere behind me, in the direction of the bar.
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I followed his gaze, and what I saw surprised me. It did seem that
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my good friend had an interest in one of the barmaids!
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"Talk to her," I said, trying to coax him out of his shell.
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"What?" he said, obviously not hearing me fully.
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"Talk to her."
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"I couldn't."
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"You mean you won't," I said as I threw a piece of bread at him.
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"Well," he started, staring at her with a bit of longing. I felt
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sorry for him at that moment.
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The rest of the meal lacked for conversation, as I was starved and
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Dalis was infatuated. Afterward, as we adjourned to our room, I noticed
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my friend was looking depressed, or at least ill. I asked him about it.
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"Oh, I'm fine," he said. He always was a horrible liar.
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I asked him again, and this time he confided to me that it was the
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barmaid from the tavern. I couldn't help but smile.
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"I *told* you to talk to her, but *you* wouldn't listen!"
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"I know, I know," he said, shaking his head. He looked as if he was
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going to say something, then thought better of it. He simply rolled over
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onto his side.
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I watched him for a few more moments, then I laid down as well. As
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my mind drifted, (I was drowsy from so much food), I swore I heard
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rustling pages. I smiled a bit to myself. Now, he'll get somewhere ...
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The next morning I saw quite a change in my old friend. Aside from
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the bloodshot eyes and withdrawn face that displayed a lack of sleep, I
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saw what could only be described as determination. That's what it was,
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because the first words out of his mouth were: "Balor, let's go get
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breakfast!"
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Now, don't get me wrong; Dalis wasn't in the mood for eating. His
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mind was on other things -- people, actually. I convinced him to at
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least make himself more presentable -- splash some water on his face,
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change clothes, anything so as not to embarrass himself. He reluctantly
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agreed.
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Down in the tavern I saw my old friend as I had never seen him
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before. He strode straight up to the barmaid, who's name I later found
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out was Kessia. She seemed surprised at his boldness at first, then
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relaxed. Of course, I was viewing this all from across the room at my
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table.
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Their conversation soon escalated to the point were they sat down
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at a nearby table. I was surprised at myself for not feeling even a
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twinge of jealousy -- Kessia was rather fetching. I credited it to
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elation for Dalis's newfound confidence.
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All that morning and a good part of that afternoon was spent in
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that tavern, Dalis talking to Kessia while I ate like a wharfman. It
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wasn't until about the seventh bell that the barmaid was called back to
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work and the conversation ended. A good thing, too; I was beginning to
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swell with indigestion.
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"Well," I said to Dalis as we headed back up to our room, "what
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caused this sudden burst of confidence?"
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"It was that book, Balor! I picked it up last night, in order to
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get my mind off Kessia -- that's her name, by the way -- and I started
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reading. It really made sense to me. I think you may have changed my
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life!" The last he said with a smile. I couldn't help but share his
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enthusiasm.
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"So," I said, "now that you have all this confidence, I suppose you
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wouldn't mind taking off a little research time to go fishing, would
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you?"
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"No, I wouldn't mind."
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"*Finally*," I thought. Then he added: "Not today, though, all
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right? I'm going with Kessia for dinner tonight."
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"You're seeing her again?!" I reeled. This was amazing! Dalis
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barely ever talked to his mother when I saw him last, let alone seeing a
|
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girl steadily. I stopped myself, realizing that I was a little ahead of
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things.
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"Well, of course! Go! It'll be good for you!" I remarked, smacking
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Dalis on the back.
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"Thanks again, Balor," he said, and bounded up the staircase to
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prepare for his outing, still bells away. I started to follow, but then
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I realized that Dalis would probably want to be alone.
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"Back to the tavern," I sighed, as I walked back down the stairs.
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The whole rest of the day I was trying to suppress nagging thoughts
|
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about Dalis's sudden change.
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I took up cleaning the room as a hobby to pass the time over my
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next few days of solitude. Dalis was now spending most of his time with
|
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Kessia and some new friends, whom he never wanted to introduce me to. I
|
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dismissed that thought. I had been dismissing thoughts quite a bit the
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last few days, regarding Dalis's behavior.
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You might wonder why I was still cooped up in that room. That is on
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the account of Dalis overhearing something on one of his increasingly
|
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frequent outings.
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"I swear to you, Balor, I heard the guards talking. They said 'So,
|
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we start the sweep tomorrow?' and the other one said 'Yeah, we'll find
|
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that thief.' So you see, Balor, I'm just protecting you. It's not safe."
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You might think I'm a moron for believing him, but I figure if
|
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Dalis wants me here so badly, he must have good cause, right? He's never
|
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lied to me before. And yet ...
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My thoughts were cut short by a sound in the alley below. I was
|
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moving to investigate when suddenly something flew through the window,
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the sheer surprise knocking me to the ground. The sound of my body
|
|
hitting the ground mixed with the sound of something else embedding
|
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itself elsewhere.
|
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As I lay there, I heard the scuffling in the alley, again. This
|
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time it moved away. I lay on the floor for a few moments more, trying to
|
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discern exactly what had just happened.
|
|
Thoughts secured, I picked myself up. I looked around for the
|
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projectile that had invaded my room. It didn't take me long to find the
|
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arrow that jutted out of the ceiling. I pushed a chair over, climbed on
|
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top of it, and removed the arrow, which was no little task. It only took
|
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me another moment to notice the note tied onto the shaft. I undid the
|
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note, thinking all the while who would go to all this trouble just to
|
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send me a message. Maybe, I thought, it wasn't for me. Visions of death
|
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threats, written in blood, demanding payments from Dalis entered my
|
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mind. These were dispelled when I read the note, written in the artistic
|
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hand of a scribe:
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Balor,
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I know this is a strange way to inform you, but I am pressed
|
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for time. I have a free moment, meet me down at our old spot.
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Dalis
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The note caused a cascade of pleasant memories. Sunny days spent on
|
|
the banks of the Coldwell, laughing, swimming, and skipping stones. I
|
|
couldn't help but smile. Memories of our "border wars" with other
|
|
children in the neighborhood for "rights" to the spot. It was even the
|
|
spot where I had first told Dalis that I was leaving. He tried to be
|
|
supportive, but I could see that he was upset ...
|
|
I packed up a few things and left for the spot that Dalis and I had
|
|
frequented as children. I still found myself having to disperse
|
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apprehensions about my old friend. I just couldn't help but wonder where
|
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he got the arrow.
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It seemed like no time at all had passed when I arrived at the
|
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banks of the Coldwell, although the sun was nearly down. The fact that
|
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it was an awkward time for fishing didn't enter my mind. I should have
|
|
known then. My mind was clouded when I ran over the hill and saw a sight
|
|
I hadn't seen in years, the second in nearly a week. There was Dalis,
|
|
busy putting the finalized touches to a makeshift camp, a camp exactly
|
|
like the ones we built ten years ago. I don't mind saying I was near
|
|
tears.
|
|
Dalis noticed me and waved. I waved back and ran down to meet him.
|
|
"It looks great," I said when I reached him.
|
|
"I know," he said with a smile, and we both set to work, preparing
|
|
fishing poles and bait.
|
|
|
|
We fished for what seemed like forever, but in reality was about a
|
|
bell. It was then that Dalis told me.
|
|
"Balor, I think I'm in trouble."
|
|
I asked what he meant; what kind of trouble?
|
|
Then came the shock. Dalis had been with Kessia when they got into
|
|
an argument over "nothing" so Dalis had said. The argument got worse and
|
|
Kessia threw something at Dalis "like a mad woman." Dalis had "defended
|
|
himself" when Kessia "threw herself at him" and the barmaid was injured.
|
|
"It all happened so fast," Dalis whined. "Suddenly my knife was out
|
|
and Kessia ..."
|
|
I was appalled. How could this have happened? Nothing made sense to
|
|
me, and then everything was perfectly clear. I told Dalis he had to turn
|
|
himself in.
|
|
"Are you insane? Are you *mad*?" he screamed. "Do you know what
|
|
they do to murderers?"
|
|
"Murder?!!" I screamed back. "You said she was injured!"
|
|
"Injured, dead, what's the difference? C'mon, Balor, I need your
|
|
help!"
|
|
"What's the difference? *What's the difference!?*" I screamed, "One
|
|
is hurt, the other is *dead*, Dalis! I can't help you then, *friend*.
|
|
Since when did you start carrying a knife anyway? And what threat could
|
|
that girl have posed to you that you felt you had to run her through?!"
|
|
He remained silent. M'Kivar! "Answer me!" I heard my voice echo off the
|
|
water.
|
|
"By the gods, Balor! I come here for your help, thinking you'd be a
|
|
friend. Now you've already got me put away!"
|
|
With that, he stormed off.
|
|
My mind reeled. I couldn't believe this at all. My life had been
|
|
relatively normal until I returned to Dargon, and suddenly my oldest
|
|
friend was a murderer. I couldn't help myself. I sank to the ground and
|
|
cried. Partially from exhaustion, the rest from agony and confusion.
|
|
|
|
I woke the next morning to a crackling fire and the smell of
|
|
roasting fish. I knew without having to look. Dalis was back.
|
|
I got up and went over to a corner of the camp to relieve myself.
|
|
When I went back the fish was done, so I ate some, all while keeping
|
|
silent.
|
|
"I'm turning myself in, Balor," he said simply.
|
|
I couldn't believe it. This was more like the old Dalis. I supposed
|
|
that he was still the same man inside.
|
|
"That's great. You know, when it comes time, I'll vouch for you,
|
|
Dalis," I told him sincerely. I still don't know why.
|
|
"I knew you would," he said. "Right now we have to get going. I
|
|
don't want them looking for me for longer than they have to. It will
|
|
only make me look worse. Here's what I need you to do. I'm going to go
|
|
ahead to the guardhouse and turn myself in. You clean up here and then
|
|
go collect my things from the inn. Will you do that?"
|
|
I said "of course," and began right away. Dalis left in the
|
|
direction of Dargon City.
|
|
|
|
I paced back and forth across the room, anxiety causing me to
|
|
shudder every so often. Why had Dalis told me to wait? Wouldn't he need
|
|
me there to testify on his behalf? And should things go wrong, wouldn't
|
|
he need his things? Why not beat the flood and bring them to him now?
|
|
I was so preoccupied that I barely noticed when Dalis returned. At
|
|
first I was overjoyed to see him, the curiousness of the situation not
|
|
striking me until moments later.
|
|
"Dalis," I started, "why are you here?" Reasons for his presence
|
|
began to form in my mind, and I felt anger swell up. "I thought you were
|
|
going to the guardhouse. If you are lying to me -- " I was cut short by
|
|
my friend's shaking head.
|
|
"Balor, Balor ... You have to trust me more." He smiled. It was a
|
|
very disarming smile. "I went to the guardhouse. They allowed me to come
|
|
back to collect my things. Everything's fine."
|
|
Relief washed over me. "Oh good, " I sighed, walking slowly to the
|
|
window, for a breath of fresh air. "I'm glad ... " Then it struck me
|
|
like the wrath of the gods. "Dalis, why would the guards let you return
|
|
alo -- " I stopped short as my gaze rested on an approaching contingent
|
|
of guards. I had hoped for a moment that they would pass us by, that
|
|
perhaps they were only on a night patrol. This hope buckled as the man
|
|
who appeared to be the leader pointed at the inn and started to issue
|
|
orders.
|
|
"Oh no," I thought, "Dalis, why?" I whirled around to face my
|
|
friend, who seemed remarkably calm.
|
|
"Dalis, what's going on? Why didn't you turn yourself in? You swore
|
|
to me ... M'Kivar! What are you doing?" I watched, stunned, as Dalis
|
|
Benn, my closest friend, calmly walked to a chair, and sat down.
|
|
I looked fleetingly out the window again, seeing the guardsmen
|
|
talking to the innkeeper. I slowly began to understand what was
|
|
happening. I looked to Dalis, and his face confirmed my fears.
|
|
"Dalis, I don't ... Why?
|
|
"Come now, Balor. Don't be an imbecile! You must have known that I
|
|
wouldn't really turn myself in? You *must* have!" His smiling face
|
|
seemed to turn sinister, though his expression never changed. The he
|
|
laughed. The wind rushed out of me, and I suddenly felt very sick. No,
|
|
no, no, no, my mind repeated it. This couldn't be happening. I was
|
|
verging on hysterics. It was a joke! That was it! Sweat poured over my
|
|
face, and I suddenly felt very weak.
|
|
"You didn't know! By the gods Balor, you should be glad the guard
|
|
is here for you. You never would have survived on your own, as naive as
|
|
you are!"
|
|
His words drowned out in a swirl of sound. My reality seemed to
|
|
fall apart before my eyes. And then, as it often does, everything became
|
|
painfully, horribly clear. "How could I have been so stupid," I
|
|
whispered to myself, "So blind, to see what Dalis has become; what he
|
|
*is*?" The events of the previous days made sense now. Keeping me in my
|
|
room, the unexpected outing, everything. "He *used* me!" I wanted to
|
|
scream. Anger swelled in my gut. The guards' footsteps grew louder as
|
|
they approached. I had to act. I ran toward Dalis, full force.
|
|
"Balor, what are you *doing*?!" he shrieked as he jumped to his
|
|
feet, just before my shoulder slammed into his gut. I felt him double
|
|
over onto my back. Using my momentum, I picked up Dalis and threw him
|
|
behind me. As he hit the ground, I noticed a knife clatter away from his
|
|
tumbling figure. Moving with speed that was fueled by anger, I snatched
|
|
up the knife and pounced upon Dalis, holding his now-prone body down
|
|
with my knee. "I'm going to kill you," I growled, and I saw fear --
|
|
genuine fear -- in his eyes.
|
|
"Balor!" he squeaked, "don't do it! Please! Gods Balor! Don't kill
|
|
me!" His voice gradually worked it's way up into shrieks or terror, but
|
|
I didn't care. "Good-bye, you bastard ... " I growled again as I brought
|
|
the knife slowly down toward his skull. And then, something unexpected
|
|
happened: I smelled flowers.
|
|
I later recalled that the sensation was in my head, but that was
|
|
after the fact. I knelt there, pinning Dalis's screaming and wriggling
|
|
form, recalling a decade before, when Dalis and I were boys, wrestling
|
|
in the fields outside of Dargon. I remembered how I had beat him and
|
|
pinned him down, just like now, and how he looked up at me and told me
|
|
we'd be friends forever. As I recalled all of this, I felt tears well up
|
|
in my eyes, and I looked down at Dalis. He was trying to wriggle his
|
|
hand free, toward the knife in my hand. All memories faded.
|
|
I raised the knife again, but as I did, there was a pounding
|
|
outside the door, and I knew the guard was there. I took one final look
|
|
at my "friend", then slammed fist and hilt full force into his head. A
|
|
small trickle of blood seeped out of his nose as his body went limp.
|
|
I figured that I had a few minutes before the guard found my
|
|
whereabouts and even then the doors to the room seemed sturdy enough. I
|
|
jumped up, leaving Dalis where he lie and began a hasty search of the
|
|
room. "I'm going to find it," I repeated to myself. Then, as I searched
|
|
Dalis's bed, I saw it: a large, leather bound book. Gathering the flint
|
|
and tinder that was in my bag, I moved quickly to start a fire in the
|
|
hearth. It caught quickly enough, and the good quality of the wood there
|
|
coaxed the flame even higher. I wasted no time offering my sacrifice,
|
|
and tossed the book into the heart of the fire. Smoke rose and a strange
|
|
scent filled the room. As I waved my arms to fend off the onslaught, I
|
|
heard footfalls in the hallway, and voices approaching my door. I took a
|
|
last look at the fire, and I nearly fell dead on the spot. The book had
|
|
not caught! The flames raged all around it, but the leather-bound tome
|
|
was unscathed. I frantically tried to push some of the burning embers
|
|
onto the cover, but it was no use. The embers burnt but the book would
|
|
not catch. My fear and anxiety peaked as pounding emanated from the
|
|
door. I tried to figure out what was wrong; what I could do. The banging
|
|
on the door became more intense, and it didn't take me long to realize
|
|
that the Guard were trying to force their way in. I looked at the book
|
|
once more, stuck the knife into my belt, grabbed a few of my things, and
|
|
hopped out the window, landing on the roof below just as the door
|
|
splintered and caved in with a crash.
|
|
"Nehru's blood!" a gruff voice shouted from inside, "What happened
|
|
here? DeBec, search the room; Jyphis, I want you to get the others
|
|
around the building. Tell them to stop anyone who wants to leave the
|
|
area, and to retain them. This Hardwin won't get far."
|
|
I rolled down the slanted surface of the roof pushing my arm out at
|
|
the last second I pushed my arm out to give myself lift. I performed two
|
|
complete tumbles before landing squarely on the ground, much to my
|
|
discomfort.
|
|
I looked up and down the alley I now stood in, and decided on a
|
|
direction. The alleys flew by as I made my way toward the gates of
|
|
Dargon. I wondered where I would go. I saw something on a building that
|
|
caught my eye. It was one of my signs. Barely stopping, I grabbed the
|
|
sign and stuffed it in my pack. Then I ran again, this time not stopping
|
|
until I was out of town.
|
|
It was then that I wondered what makes things happen in this world.
|
|
I thought, isn't it strange how the biggest events of our lives can
|
|
start with the most incidental of things, with no foresight or intention
|
|
from us. I still haven't gotten over that.
|
|
|
|
========================================================================
|
|
|
|
Shadowstone
|
|
Part II
|
|
by Dafydd Cyhoeddwr
|
|
<white@duvm.ocs.drexel.edu>
|
|
Naia 12, 1014
|
|
|
|
Naia 12, 1014.
|
|
Mid day.
|
|
The Hills outside of Port Andestn, Duchy Monrodya.
|
|
|
|
Kimmentari appeared high on the hillside she had been aiming for,
|
|
next to a large tree whose shadow served to disguise the blue-violet
|
|
scatter of light that normally accompanied her departure from the travel
|
|
spaces. She looked around briefly, noting the large camp in the valley
|
|
below, then closed her eyes and hummed quietly to herself to confirm her
|
|
position in space and time. She opened her eyes and nodded: she was
|
|
where she needed to be.
|
|
Her journey had been swift, but not instantaneous. She had, as was
|
|
common among her people, used the travel spaces, which her race called
|
|
the Merstaln. These were a set of dimensions, or orders of form, that
|
|
facilitated rapid travel because of the way that short distances within
|
|
the Merstaln translated into much greater distances in the normal
|
|
physical dimension, or first order of form. But the Merstaln weren't a
|
|
friendly or healthy environment, which discouraged long exposure. And
|
|
the topography (if it could be called that) of the Merstaln only
|
|
permitted certain distances to be traveled in specific directions from
|
|
any entry point. Which meant that she was not able to step into the
|
|
Merstaln in Castle Pentamorlo and step out on this hillside as one trip.
|
|
And so her trip had taken almost a full day, and many passages into and
|
|
out of the Merstaln. But it hadn't only been the physical realities of
|
|
the Merstaln that had forced her journey into stages: from within the
|
|
travel spaces, she couldn't sense the Dance well enough to follow the
|
|
threads of her Dream and she hadn't known her path would lead her to
|
|
this hillside until the raveling threads' Dance had revealed it to her.
|
|
As her path had taken her somewhat erratically away from Castle
|
|
Pentamorlo generally but not always south and a little east, the threads
|
|
guiding her had begun to make themselves clear within the larger weave
|
|
of the Dance. As yesterday had become today in the reckoning of the
|
|
humans, she had seen the first nexus point of her quest: here, on this
|
|
hillside. As she had approached that nexus in both space and time, she
|
|
had been able to see further and further beyond the nexus in the several
|
|
directions the quest could take. It had startled her to realize that the
|
|
quest wasn't primarily hers, though. Since the dream had been so vivid,
|
|
calling to her and all but forcing her out upon the quest, she had
|
|
imagined that she would have a larger part than message bearer in it.
|
|
But she reminded herself that each strand in the Weave was equally
|
|
important. And somewhat later, she had seen some of the possibilities
|
|
the Dance was taking, and she knew there could well be more for her to
|
|
do.
|
|
She looked around again. Down in the valley, the camp seemed to be
|
|
going about its daily business normally. A little way to the east,
|
|
around two bends and a high peak, she could see a small dust cloud
|
|
approaching the camp. Things were moving along as they should. She moved
|
|
a little higher up the hillside, into the shade of another tree, and
|
|
turned to the south to await the nexus.
|
|
|
|
Chandras walked easily along the faint trail, following Haroned's
|
|
verbal instructions to the letter. He paused and looked around, and
|
|
figured that the Raider camp would be just over the hill in front of
|
|
him. As he resumed his journey, he wondered if the Raiders had people on
|
|
watch around the camp, and what kind of response he would need to give
|
|
in order to convince them that he sincerely wanted to join them, and
|
|
wasn't some kind of spy.
|
|
He was just coming over the crest of the hill when he heard shouts
|
|
and the clash of arms from the other side. He hurried toward the sound
|
|
until he could see the camp laid out in the valley, and the body of
|
|
mounted people riding into the camp from one side, weapons flashing,
|
|
shouting, some splitting off the group to go after those in the camp who
|
|
were trying to run away.
|
|
Chandras gasped as he watched the Raiders' camp being attacked. His
|
|
only chance of refuge was being very efficiently destroyed, right before
|
|
his eyes. His hand went to his dagger and he thought seriously about
|
|
charging down there and getting involved -- after all, he had more in
|
|
common with the Raiders than with anyone who would attack them. But he
|
|
reconsidered as he saw each and every one of the riders wielding their
|
|
swords, maces, and axes with what seemed like deadly accuracy and ease.
|
|
Each slashing motion seemed to fell at least one of the Raiders, and
|
|
even though they fought back fiercely, not one of the riders had so much
|
|
as been pulled from their horse.
|
|
Suddenly, he detected movement under a nearby tree, and he drew his
|
|
dagger and went into a crouch as he turned his attention from the
|
|
slaughter below to the potential danger right here. He expected either a
|
|
Raider sentry, or one of the attackers patrolling the perimeter of the
|
|
camp to make sure that no one got away. What walked out of the shadow of
|
|
the tree was very definitely neither.
|
|
The woman was tall and thin and beautiful, and unhuman. Her pale
|
|
green clothing looked normal enough, but her long hair was pale blue.
|
|
And her most arresting feature was the color of her eyes: deep, ruby
|
|
red!
|
|
When she spoke, her words, while perfectly understandable, seemed
|
|
to be accompanied by music that didn't have a source yet added meanings
|
|
to her speech as if she somehow made the music just for that purpose.
|
|
She said, "My name is Kimmentari, and I have been bidden to come here to
|
|
give you a choice, Chandras."
|
|
Almost unbidden, Chandras said, "That would be a change." He was
|
|
surprised at the bitterness he heard there.
|
|
The woman had paused for his outburst, and resumed without comment,
|
|
"The choice before you is thus. You will find a horse back over the
|
|
crest of the hill. You can capture it and use it for one of two things:
|
|
either ride after those who attack the camp below, those who are called
|
|
the Minions, when they leave, and find out where the one who controls
|
|
them resides, or take yourself away from this area and forget about your
|
|
home and friends."
|
|
Chandras frowned, and stood up out of his fighting crouch. He slid
|
|
his knife back into its sheath and said, "That's it? I mean, that's not
|
|
exactly a lot of information to base a decision on, don't you think?
|
|
"The smart thing would be to leave. Obviously. Why should I follow
|
|
those people? I don't know anyone down there, Raiders or Minions. Maybe
|
|
I don't care who the Minions are, who 'controls' them, or why they're
|
|
attacking the Raiders. Why shouldn't I just leave?"
|
|
The woman had an answer ready, as if she had expected his questions
|
|
and objections. "This is a nexus point, a place where the Dance has two
|
|
basic directions it could go. The result of your taking the horse and
|
|
leaving is that the Dance turns toward its worst resolution, which is
|
|
why I say you should forget about your home and friends. While what I
|
|
can see of the Dance suggests that this worst resolution might be
|
|
ultimately prevented in either case, your leaving now will doom Port
|
|
Andestn."
|
|
Chandras was stunned by her words. On the face of it, she was
|
|
spouting nonsense: Doom, indeed! She sounded like some kind of
|
|
market-place soothsayer but without the props that tended to influence
|
|
people to believe such ravings -- no cards, no Wheel, nothing. Except
|
|
for the music.
|
|
That music penetrated into Chandras, seeming to bypass his ears and
|
|
touch his soul directly. It was almost a physical sensation, starting in
|
|
his right hand and tingling right into the center of his being. And the
|
|
music, once there, added layers and layers of meaning to her simple
|
|
words. The music built in Chandras' mind's eye a picture of the Dance
|
|
she spoke of -- a tapestry composed of threads coming together and
|
|
weaving themselves into a tale that was not just a story. He could see
|
|
the part of the Dance that was the past, what had already happened, and
|
|
he could see the strands of the future forming, getting ready to take
|
|
their place in the Dance. He saw the choice point: a place very close to
|
|
'now' in the tapestry, where two very distinct groupings of threads
|
|
waited to join the Dance. One group, one direction the Dance could flow
|
|
from the nexus, did indeed foreshadow a doom of some kind for the area
|
|
around the Port -- a darkness that suggested an ending, not just for the
|
|
Port but for far more. The music didn't clarify further for him what the
|
|
threads actually represented -- he couldn't tell which was him, which
|
|
was the unhuman woman, which was the Minions, for example -- but in
|
|
general terms it was clear. One choice was clearly worse than than the
|
|
other, if he could accept that that darkness was really some kind of
|
|
doom.
|
|
In the other direction from the nexus there was no such clear path.
|
|
He could see further branches, further choices, the webbing getting more
|
|
and more complicated the further he went from this choice. And while
|
|
there were branches from most of these future choices that led to the
|
|
same kind of doom for the Port, he also could see that making the right
|
|
choices in the future would save his home.
|
|
As he digested this non-verbal information, questions flooded him.
|
|
Were those future decisions also his? Would he have her to help him see
|
|
these choices so clearly when it came time to make them? (If he had had
|
|
this kind of laying out of his options when he decided to do what
|
|
Delebye told him to, would he have still done it?) And what form would
|
|
this doom take? Was it escapable or resistible, say, an attack like the
|
|
one going on in the valley below him? Or was it inevitable, like a
|
|
plague, a sickness that couldn't be hidden from or ridden away from? (Or
|
|
was that really necessary for him to know to make his decision?)
|
|
He shook himself, and his vision cleared, the music fading away,
|
|
taking the myriad threads of the dance with it. He opened his mouth to
|
|
ask the mysterious woman his questions (not really expecting an answer),
|
|
only to see that she was gone. A flash of violet light from under that
|
|
tree startled him, but when he went to look, there was nothing there.
|
|
While she had been standing there, the music and her words still in
|
|
his ears, he hadn't had any doubts. Now, as he looked down into the
|
|
valley and watched as the Minions rode down the last Raiders in the
|
|
camp, while their fellows tied previously downed Raiders hand and foot
|
|
and tossed them over the saddles of the Raiders' own horses, he began to
|
|
wonder again. Stories were just stories, no matter how convincingly
|
|
told. And how could Port Andestn be doomed?
|
|
He turned and walked back over the crest of the hill, and sure
|
|
enough there was a horse standing there, cropping grass. Probably one of
|
|
the Raiders' horses that got loose, he figured. The horse didn't shy
|
|
away from him as he walked up to it and stroked its neck. His eyes
|
|
unfocused, still considering, he lifted himself into the saddle and took
|
|
up the reins. Suddenly coming to a decision, he turned the horse and
|
|
rode to the top of the hill. Looking down, he noted where the main
|
|
pathway that entered the valley ran, and also traced a way for him to
|
|
join up with it from here. Then he walked his new horse down and waited
|
|
for his chance to follow the Minions.
|
|
|
|
Chandras wasn't used to tracking on a horse, or in the wilderness
|
|
-- he was much more used to city streets and rooftops, and in fact
|
|
hadn't ridden a horse since he was a child (thankfully, he hadn't
|
|
forgotten too much since then). Fortunately, the Minions were very easy
|
|
to track. In fact, they didn't take any precautions at all to avoid
|
|
detection, and that worried Chandras. He wondered how powerful they
|
|
were, that they didn't fear being tracked? At the very least, what if
|
|
some of the Raiders had survived?
|
|
But he kept with it. And after what had to be at least a two bell
|
|
ride, they arrived at their destination which turned out to be a walled
|
|
enclosure at the end of a box canyon. Chandras realized that it must be
|
|
one of the old silver mines that Port Andestn had been founded to
|
|
supply. It made a better base of operations than the Raiders' camp had,
|
|
thought Chandras. The compound had a wall, complete with fancy gatehouse
|
|
and watch towers, and was built in an angle where two cliffs came
|
|
together, which meant that they only had to guard on two sides because
|
|
the cliffs guarded the other two sides, not to mention that the box
|
|
canyon, by definition, only had one entrance. And there were buildings
|
|
inside the wall, so that the inhabitants didn't have to sleep in tents.
|
|
Chandras had left his borrowed horse in a little side canyon when
|
|
he had first sighted the compound's walls. He had then crept back to
|
|
survey the end of the box canyon more closely. And now he was hiding
|
|
behind some rocks in the broad, open area in front of the compound's
|
|
walls, and wondering what he was supposed to do now. He tried to recall
|
|
the Dance he had been shown, but as time passed, the complicated image
|
|
was fading from his memory. Was this the next nexus point in the Dance?
|
|
Had one of those branchings of threads represented the choices he
|
|
thought he had now: to go find help, to work his way inside the compound
|
|
and find out what was going on, or to sneak as close as he dared and
|
|
just watch? He basically had no idea.
|
|
He was half waiting for Kimmentari to reappear and tell him what to
|
|
do next. Or at least show him the consequences of the choices he had.
|
|
What a wonderful ability to have, to be able to see consequences like
|
|
that, so completely. It had to make choosing so much easier, he thought.
|
|
And as he found himself unable to make a choice now for worrying about
|
|
consequences he couldn't possibly see the sources of, he began to wish
|
|
that she had never appeared to him on that hill in the first place. Then
|
|
at least if he had chosen of his own accord to take that horse and ride
|
|
away, he wouldn't have known enough to feel responsible for the 'doom'
|
|
of Port Andestyn.
|
|
Finally, as the sun sank slowly behind the cliffs behind the
|
|
compound, he left the lengthening shadows of the boulder and crept
|
|
carefully up to the compound wall. He saw the glints of the last rays of
|
|
the sun on weapons on the tops of each of the gatehouse towers, but he
|
|
knew he could easily get right up to the wall through the shadows. Where
|
|
the wall met the cliff, he found easy hand and foot holds, and was soon
|
|
peeking through the crenelations on the top of the compound's wall.
|
|
Still unseen, he slipped onto the walkway atop the wall, and from there
|
|
onto the roof of a building that abutted the wall and cliff. Peeking
|
|
over the edge of the parapet that ran around the flat roof of the
|
|
building, he changed his mind about trying to infiltrate because of the
|
|
ceremony he saw going on.
|
|
The center of the compound was completely open, the buildings of
|
|
the compound having been built against the walls and the cliffs. A large
|
|
round dais had been built a little back from center with a strange,
|
|
intricate pattern painted onto its surface. Around the dais stood about
|
|
50 people, men, women and children, each carrying a torch and
|
|
illuminating the compound quite well. At the back of the dais was an
|
|
ornate chair, and sitting in it was a person who looked almost familiar.
|
|
Chandras stared hard, and found himself reminded of Kimmentari. Her
|
|
features were different -- rounder, shorter, her mouth larger than
|
|
Kimmentari's had been. He couldn't see her eyes well enough to be sure
|
|
but he didn't think they were the red of Kimmentari's, and they seemed
|
|
to be shaped differently too, rounder to Kimmentari's lozenge-shaped
|
|
eyes. And her hair seemed almost green, but maybe that was the
|
|
torchlight.
|
|
In the center of the dais was a carved wooden stand supporting a
|
|
strange object. Chandras couldn't tell if it was a gem of some kind, or
|
|
just a stone that had been irregularly faceted, maybe even broken off of
|
|
a larger piece of material. It was dark, and from what he could tell,
|
|
opaque, but he thought he could see a faint light glowing inside of it
|
|
anyway, and there was a gash in the uppermost facet of the stone that
|
|
looked as if it was a wound in flesh and that pulsed in a deeply
|
|
disturbing way.
|
|
There was purposeful movement then, and Chandras saw two people who
|
|
seemed to be dressed in ceremonial armor leading a bedraggled and
|
|
injured man from one of the buildings behind the dais. The knights
|
|
brought the man to the stone at the center of the dais and forced him
|
|
none too gently to his knees next to it, taking his hand and placing it
|
|
over the top of the stone. The woman sat up straight and said some words
|
|
not quite loud enough for Chandras to understand, but he could detect a
|
|
hint of the music behind the words, not as clear or as full of meaning
|
|
as Kimmentari's but that might have been a factor of the distance.
|
|
A third person, a woman this time, in the same kind of ceremonial
|
|
armor stepped up next to the seated woman and took a dagger from her.
|
|
She walked over to the ensemble at the center of the dais, and as the
|
|
seated woman's voice rose in volume and Chandras heard the words, "...
|
|
and join the ranks of my Shadow Army!" she plunged the knife through the
|
|
bedraggled man's hand and into the stone.
|
|
Oddly enough, the man didn't cry out at all. He didn't even seem to
|
|
notice what had been done to him. He seemed to be trying to say
|
|
something to the woman in the chair, but his words were too faint to
|
|
carry to where Chandras was lying. The rooftopper had expected there to
|
|
be blood everywhere, but he didn't see a single drop come from the
|
|
wound.
|
|
Yet, something was happening. The glow he hadn't been sure about
|
|
earlier began to grow stronger (it couldn't quite be called 'brighter'
|
|
after all), and the man's hand began to glow as well, a reddish glow
|
|
that slowly faded to the same grey as that of the stone's light. As the
|
|
glow changed shade, the man seemed to get weaker and weaker, until he
|
|
finally slumped down, head lolling to the side and he would have fallen
|
|
on his face if the first two knights weren't still holding his arms.
|
|
The female knight removed the knife, and the glow of the stone and
|
|
hand faded slowly away. The man was carried to the edge of the dais and
|
|
handed to two of the people standing there. They carried the limp form
|
|
toward an opening in the cliff face opposite the building where Chandras
|
|
hid, while the two knights went back to the building he had first seen
|
|
them come out of. He wasn't really surprised to see that when they came
|
|
out again, they had another bedraggled person between them.
|
|
Chandras watched while this person was led to the dais and wondered
|
|
if he had seen enough. He certainly didn't know exactly what was going
|
|
on, or who these people were, but he at least knew that something was
|
|
amiss. He didn't think he had quite enough details to convince any one
|
|
of the danger in the hills, but he also didn't expect to get many more
|
|
details from this roof, and he had no desire to get any closer. And
|
|
then, there was the problem of who to take these details to ...
|
|
As he mused on that difficulty, watching the second person going
|
|
through what the first had, he heard a voice behind him sneer, "So, what
|
|
have we here? A sneaking little rat, huh? Well, looks like the Mistress
|
|
will have another convert before long. You won't even have to wait,
|
|
since the ceremony is already set up for the Raiders we captured."
|
|
Chandras rolled over as the voice laughed, and he saw another
|
|
knight standing between him and the wall, holding his sword casually,
|
|
but pointed at Chandras' middle. The thief considered his chances of
|
|
darting around the knight, but knew that it would be next to impossible.
|
|
"Stand up, little rat. Good. Now walk slowly back to the wall, and
|
|
then go toward the gatehouse; that's where the stairs are. And don't try
|
|
anything -- my sword and I will be right behind you. In fact, I should
|
|
just hamstring you right now -- you only need to be alive for the
|
|
Mistress to claim you -- but I don't feel like carrying you all the way
|
|
to the platform. So, move!"
|
|
When Chandras had gained his feet and could see the knight a little
|
|
better, he was shocked to see that the man's irises were surrounded by
|
|
that same smoky grey as Malkhas' and the people chasing him had been.
|
|
Were they connected with these people? Come to think of it, that grey
|
|
was awfully close to the color that that strange stone had glowed,
|
|
wasn't it?
|
|
He followed the directions of the knight, and followed the wall
|
|
walk to the stairs that led down into the compound just before the
|
|
gatehouse tower's door. He could almost feel that sword poking into him,
|
|
so he moved steadily toward the dais, but he did keep his eyes open,
|
|
hoping for a chance to get away.
|
|
As he neared the ring of people around the dais, the knight
|
|
escorting him said, "Make way, make way! I've got another one for the
|
|
Mistress!" The people moved aside and looked at him, and Chandras saw
|
|
that every single person standing there had smoke-grey eyes. As the way
|
|
to the dais cleared, he could see that a new person, a woman this time,
|
|
was just being forced down next to the stone. All three knights on the
|
|
dais had grey eyes, but the woman in the chair didn't -- her eyes, now
|
|
that he could finally see them clearly, were actually very blue, though
|
|
as she began her speech, he thought he could see flashes of ruby red in
|
|
them.
|
|
The knight who had captured him pushed him right to the edge of the
|
|
dais, so that Chandras had a very clear view as the knife pierced the
|
|
woman's hand and slid into the stone beneath it with ease. Once again,
|
|
the victim didn't seem to feel the knife, or realize that something
|
|
strange was going on. She was babbling about how she shouldn't have been
|
|
captured with the Raiders, that she wasn't one of them and she shouldn't
|
|
be punished with them. The female knight said quietly, "My dear, you are
|
|
not being punished. The Raiders were a target, but not for retribution.
|
|
You are being inducted into the service of the Mistress: you are being
|
|
rewarded for being captured by us. You may not rejoice now, but once the
|
|
Stone has fully claimed you, you will be one of us. By this time
|
|
tomorrow, you will be able to form a shadow body, like the one each of
|
|
us wears, and you will know the reward you have received."
|
|
By that time, the Stone had done its work and the woman was
|
|
unconscious. The female knight removed the knife and the other two
|
|
knights carried the woman away. Both women on the dais turned toward him
|
|
then, and after she had returned the knife to the Mistress (or so
|
|
Chandras presumed the woman in the chair to be) the knight walked toward
|
|
them and said, "So, Ehrve, what is this you have brought us?"
|
|
Chandras' captor, Ehrve it seemed, got only as far as, "Mistress
|
|
Olmehri, he's just this sneaking rat I ..." before the sound of a large
|
|
explosion turned everyone's attention back toward the gatehouse.
|
|
Chandras turned in time to see fire engulfing the top of the left
|
|
hand gate tower, and its rear parapet falling into the compound.
|
|
Everyone around the dais reacted exactly the same way -- they all dashed
|
|
for the wall, totally forgetting about Chandras; the two knights who
|
|
were escorting the next Raider victim to the dais dropped him and
|
|
likewise ran toward the wall to defend the compound from the obviously
|
|
impending invasion.
|
|
Chandras ran in the opposite direction, toward the cliffs. Once
|
|
there, he looked around and saw that everyone's attention really was
|
|
focused outward. So, he slipped along the cliff to where the wall
|
|
connected with it, again scaled it easily, and soon found himself atop
|
|
the wall at one of its ends.
|
|
He looked out across the area in front of the compound and saw that
|
|
no one had yet left the compound. He couldn't see any signs of whomever
|
|
had caused the explosion on the tower, either. No charging hordes, no
|
|
flights of arrows, no siege equipment. He wondered if there really was
|
|
an attack in progress, but he knew that there was only one way into or
|
|
out of this box canyon and one way or another, once those Minions got
|
|
organized and came through the gates, they wouldn't have to make any
|
|
choices about which direction to search for attackers or escaped
|
|
'sneaking rats'. So he decided he needed to get as much of a lead on
|
|
them as possible.
|
|
Chandras climbed down the wall and ran cautiously along the edge of
|
|
the canyon until he reached the exit point. Checking the compound, he
|
|
could see that the gates were beginning to open, and the tower fire was
|
|
almost out. Checking the exit valley, he didn't see anyone, so he raced
|
|
away. But he had barely turned a corner out of direct sight of the
|
|
compound before a shape loomed up out of the shadows in front of him. He
|
|
tried to dart around it, tripped, and hit the ground, knocking himself
|
|
unconscious.
|
|
|
|
Twenty people gathered around the unconscious form. All were
|
|
dressed in darkened armor and their weapons had been rubbed with dirt to
|
|
cut down on stray flashes of light. One woman, tall, thin, hard, but
|
|
handsome, said quietly, "Who could this be? Why was he running away from
|
|
the camp, and what should we do with him?"
|
|
"Whoever he is, our attack is ruined," said another of the score.
|
|
"We need to get away from here. Let's take him with us, and we can
|
|
question him later. Maybe he knows something about what's going on."
|
|
"That seems reasonable," said a third. "What do you say, Thornodd?"
|
|
The first woman said, "All right. You two pick him up, and we'll
|
|
put him on your horse, Jerek, since you're the lightest. We may be the
|
|
only Raiders left, but I think we can deal with one runaway between us.
|
|
Lets go!"
|
|
|
|
========================================================================
|
|
|
|
Friendships Bloody Tear
|
|
Part II
|
|
by Mark A. Murray
|
|
<mmurray@uoknor.edu>
|
|
Dargon, Yuli 1015
|
|
|
|
The day was beautiful and Raphael had taken Megan's cape off to let
|
|
her enjoy the sun. He wasn't sure if she was aware of her surroundings,
|
|
but the episode when they had first found Anam gave him hope. They were
|
|
strolling through the woods while Anam was chasing anything that moved.
|
|
Raphael stopped and watched as the wolf pup flushed a hare. Anam gave
|
|
chase and Raphael laughed as he watched the rabbit lead the wolf. It was
|
|
a game of how fast can one go and still make sharp turns. Anam soon
|
|
realized he was outmatched in this game and decided to change the rules.
|
|
He tried to predict when the rabbit would turn and where so that he
|
|
could get there first. The rabbit started to turn to the right and when
|
|
Anam cut sharply to the right, the rabbit bolted to the left leaving
|
|
Anam behind. Anam stopped and watched the rabbit disappear from sight
|
|
before he returned to where Raphael stood. The pup gave a huff and
|
|
plopped down at Raphael's feet.
|
|
"I guess here is as good a place as any for camp, eh Anam?" Raphael
|
|
asked but the pup gave no indication that he heard. After building a
|
|
small hearth for the fire, Raphael cleared an area for the bed-roll.
|
|
Before he could unpack it, Anam was sitting by the cleared area waiting.
|
|
"I thought you were too tired to go on," Raphael said as he
|
|
unrolled the bed-roll. Anam jumped onto it before Raphael could get it
|
|
all the way undone. A struggle ensued when Raphael tried to get Anam off
|
|
of it. Rolling and playing with Anam, Raphael managed to get the
|
|
bed-roll undone but not quite the way he wanted. Working around Anam,
|
|
Raphael straightened the blankets as best he could. With that finally
|
|
done, Raphael put a pot of water on the fire and went to Megan. He led
|
|
her over to the blankets and sat her down next to Anam. Anam curled up
|
|
next to her while Raphael fixed their meal. Night came quickly and it
|
|
was late when Raphael finished washing Megan. He laid her down and told
|
|
her to sleep. Anam moved closer to her and Raphael got as comfortable as
|
|
he could with Anam between them. "If he gets much bigger," Raphael
|
|
thought, "one of us is going to have to sleep somewhere else."
|
|
|
|
Raphael and Anam watched as the sun rose over the horizon and
|
|
brought the new day with it.
|
|
"It's always beautiful, Anam. It gives me hope. No matter how dark
|
|
the night gets, the sun always rises and brightens the world. Always. It
|
|
makes me feel that no matter how long Megan and I endure this, there
|
|
will be a dawn to brighten our lives."
|
|
After a quick morning meal of bread and smoked meat, the three of
|
|
them were on their way. Raphael had no idea where he was going, except
|
|
that it was in the general direction of Magnus. He had heard that
|
|
anything could be found there as it was *the* largest town anywhere. He
|
|
was lost in thoughts of Magnus when he stumbled into an open grove in
|
|
the forest. In the center of the grove stood a wooden cabin. It was
|
|
ringed by a small stone fence, that was not completely finished. A
|
|
stream of smoke drifted upwards from the chimney and through the open
|
|
window Raphael saw a figure inside. As Raphael made his way down to the
|
|
opening in the stone fence, the figure opened the door and came out. The
|
|
figure turned out to be an old man. His face was wrinkled and weathered
|
|
from many days in the sun. His hair was grey and unkempt and he walked
|
|
with a limp.
|
|
"Come in, come in," the old man said. His voice was ragged and
|
|
hoarse. "I've been waiting for you. You're late, you know. Should've
|
|
been here hours ago," the old man said, but when he saw the wolf pup he
|
|
laughed. "So you've taken in another charge," he mumbled as he went back
|
|
inside.
|
|
"How ... " Raphael started to reply, but the old man was already
|
|
inside. "How did he know?" he wondered. "I'm not getting any answers
|
|
standing here." Raphael followed him into a one room cabin. Looking
|
|
around, he saw nothing hanging on the walls to decorate it. The inside
|
|
of the cabin looked much like the outside -- bare log walls. A small cot
|
|
was in one corner next to a table with a wash basin on it. A bucket was
|
|
sitting underneath the table. A simple cupboard stood in the middle of
|
|
one wall. In it were jars, bottles, plates, cups and pouches with
|
|
various amounts of stuff in them. Across the room from the cupboard was
|
|
a writing desk and chair. Scattered across the desk were scrolls, maps
|
|
and books.
|
|
"I've heard that you're looking for help," the old man said. "That
|
|
you're trying to remove a curse of some sort. Am I right?"
|
|
"Who told you that? Who are you?" Raphael asked defensively. "How
|
|
do you know so much about me?"
|
|
"I have friends in various places and they tell me many things. My
|
|
name is Emmet, and how I know what I know isn't really important, is it?
|
|
You have a problem with a curse and I think that I can help," Emmet
|
|
rasped.
|
|
"You can help?" Raphael asked. He didn't like to be in anyone's
|
|
debt, but he had reached a point where having Megan cured meant
|
|
everything to him. When Emmet nodded yes, warnings and hesitations
|
|
flared in his mind, but the thought of having Megan back overcame them.
|
|
"If I can help you, then you must do me one favor," Emmet added.
|
|
"Agreed," Raphael said without ever asking about the boundaries of
|
|
the favor, "if you can make her whole." Warnings were still echoing in
|
|
his mind. "This is for Megan," he thought as he stilled them. The old
|
|
man went to the cupboard and brought down a jar of dark liquid.
|
|
"Herbal tea for afterwards," he said and set the jar next to the
|
|
cot. He showed Raphael where to sit Megan and then told him to sit
|
|
opposite her. After Raphael had Megan sitting, Anam trotted over and
|
|
plopped down into her lap. Raphael took a seat opposite her just out of
|
|
arms reach. The old man shooed him back further before setting a device
|
|
between them. It was an odd looking thing made mostly out of metal wire
|
|
with a thin, flat base. It had four triangular sides which came to a
|
|
point on the top of it. The triangles only had metal wire as their
|
|
outlines, though, and one could see into the center of it. At the top,
|
|
there were two circular wires. They were balanced carefully on the top
|
|
and intersected each other to form a rough outline of a sphere. Inside
|
|
this sphere was a crystal cut with many facets. The old man lit a candle
|
|
and set it inside the device. The two circular wires slowly started to
|
|
rotate. The inner sphere reflected a myriad of colors from the candle.
|
|
"Amazing, isn't it?" Emmet asked Raphael. Done inspecting the
|
|
device, the old man drew a circle on the floor around all of them with
|
|
chalk. He inscribed different signs around the circle. Raphael
|
|
recognized a few of the runes from his earlier days. Anger and fear
|
|
coursed through him as one word overtook his mind -- Kell. He started to
|
|
rise, but his eyes focused on Megan. He would have to trust this old man
|
|
and see what happened. Yes, he would trust him but he would still be
|
|
wary.
|
|
"Now, look at the crystal in the sphere," the old man instructed.
|
|
"Let it fill your world." Raphael found himself drawn into the
|
|
glittering light. Megan was his last coherent thought for awhile.
|
|
|
|
Something snapped him back to consciousness. A movement, he
|
|
thought. Shaking his head to clear his vision, he watched as the world
|
|
began to focus. Megan was still sitting across from him with Anam in her
|
|
lap. Raphael looked to his right and saw that the old man was in some
|
|
kind of trance. Although the old man's eyes were open, Raphael noticed
|
|
that they weren't focused on anything in the room. Then he caught
|
|
movement out of the corner of his eye. Anam must be moving, he thought.
|
|
Turning his head he saw that Anam had not moved, but that Megan's hand
|
|
was on top of the pup's head. Raphael froze and waited. When Megan's
|
|
hand started to caress the pup's head, he didn't know what to do and
|
|
before he could move, Megan's body jerked and spasmed. Her head tilted
|
|
back and she drew in a large breath. With another spasm, she let the
|
|
breath out. She bent forward and her free hand closed into a tight fist.
|
|
When she sat upright again, there were tears in her eyes. Raphael
|
|
watched through her tears as her eyes changed from the dull grey to
|
|
sparkling green. She opened her mouth and only a whisper escaped, but it
|
|
was enough for him to hear. The first word she had said in years had
|
|
been his name. He found himself beside her without knowing he had moved.
|
|
She flung her arms around him and collapsed into his chest. Anam gave a
|
|
yelp and squirmed out of her lap. Megan moved back from his chest to let
|
|
the pup go. A smile crossed her lips and she looked into his eyes.
|
|
"I love you," she whispered. Raphael looked into the loveliest face
|
|
he had ever seen and echoed her words. She leaned in and started to kiss
|
|
him when a spasm racked her body. She clutched his arms and another
|
|
spasm swept through her. Her movements stopped and her body went
|
|
dormant.
|
|
"I can not give you much more," the old man coughed. Raphael turned
|
|
to the old man.
|
|
"Just a little longer. Please, I beg you," Raphael implored. The
|
|
old man just nodded. Megan jerked.
|
|
"No!" she spat. "I don't want to go back! Please, Raph. It's a
|
|
never ending nightmare. I can see everything but I can't do anything.
|
|
Help me," she pleaded. Raphael wrapped his arms around her and pulled
|
|
her closer. Megan broke the embrace and tears flowed down her face. She
|
|
reached up and caressed his cheek. "I'll always love you," she said as
|
|
she slipped away. A single tear escaped his eye and ran down his cheek
|
|
to land softly on her hand. He slumped back and spasms wracked his body
|
|
now as he fought for control of his emotions. Despair raged while anger
|
|
and fear built up. I don't want to lose you. Sadness crept in to replace
|
|
despair as he realized that he had lost her again. He was finally able
|
|
to throw his emotions into a room in his mind and bolt the door.
|
|
Opening his eyes, he caught movement from the old man. Looking
|
|
over, he saw tears of blood running down the mage's face. Raphael
|
|
watched as the old man wiped the tears away and then bent forward to
|
|
blow the candle out. Only when the old man had painfully moved to the
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|
cot did Raphael shift his focus. He turned and looked at Megan. She was
|
|
still sitting there with her hand in the air where it had lain against
|
|
his cheek.
|
|
"I am sorry," rasped the old man. "It is too great a task for me.
|
|
There is more than one hand in the curse that binds her." Raphael jerked
|
|
his head to the old man.
|
|
"More than one?" Raphael echoed.
|
|
"Yes. There is a predominant trace of someone and there is a slight
|
|
overlay of another presence, a stronger one. Then there is a presence
|
|
that is throughout the whole curse. It's as if the curse has a life of
|
|
its own," the old man explained.
|
|
"If you can't break it, do you know who can?"
|
|
"There are no sureties in life, but I think that by killing the
|
|
person with either the predominant trace or the stronger presence, you
|
|
may gain enough to break the curse. If she's strong enough, that is,"
|
|
the old man answered. "If she isn't, then your best chance would be to
|
|
kill the stronger presence. Now go, I am weary and have done all I can."
|
|
Traces of the tears of blood he had shed still lingered on his face.
|
|
Sitting on the cot, he poured some tea.
|
|
Raphael went to Megan. He took her arm and stood her up.
|
|
"What do I owe ... ," he started to ask the old man but was
|
|
interrupted.
|
|
"I said go! I did nothing for her and you owe me nothing," the old
|
|
man rasped as he lay on the cot.
|
|
Raphael led Megan out the door with the pup silently trailing
|
|
behind. The old man had given him some small glimmer of hope and Raphael
|
|
had decided to grab for it. Up until now he had feared that with the
|
|
death of Kell, Megan's fate would be sealed forever, but the old man had
|
|
shaken that fear. There were no sureties in life, he had said, but by
|
|
killing Kell, Megan could return to normal. "I can't kill Kell," he
|
|
thought in anguish. "For all that he's done, we were friends. That meant
|
|
something to both of us at one time. Oh, Kell, why?"
|
|
He had also said there was another's hand in Megan's imprisonment
|
|
besides Kell's. Someone who was stronger than Kell. Killing this person
|
|
could also free Megan, and it might be her best chance. Raphael could
|
|
only think of one person who fit the description -- Kell's mentor, Loth.
|
|
|
|
The old man watched as Raphael and Megan left. Once they were out
|
|
of sight, he sat down on the cot and sighed. He reached up and fumbled
|
|
with something at the nape of his neck. Scratching and digging at his
|
|
neck, the old man finally managed to tear his skin. He pulled the skin
|
|
around to the front of his face where it tore. Setting a mirror up, he
|
|
cleaned the rest of the false skin off of his face and neck. Next came
|
|
the wig. It came off only after pulling out some of his original hair.
|
|
Where there was once an old man, now stood a younger man in his late
|
|
twenties. The only real thing left were the stains of blood left by his
|
|
tears.
|
|
"What a mess I've made of things my old friend," Kell said to
|
|
himself. "I've cursed you and Megan for years and now I've probably
|
|
sealed my doom, but it's my only hope in being free of Loth. He'll find
|
|
me soon, I can feel it. Back I go to being slave and subject for his
|
|
experiments. I've done you many wrongs my old friend, but maybe together
|
|
we can fix one of them and free Megan. And just maybe, with your
|
|
unwitting help, I can break free of Loth." Kell settled back onto the
|
|
cot, closed his eyes and waited for his master to find him. He knew his
|
|
punishment would be great, but it was worth it. Even though his chances
|
|
of success were small, it was worth it.
|
|
Thinking of Raphael and himself when they were younger, Kell cried
|
|
himself to sleep.
|
|
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========================================================================
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