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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 8
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 4
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 12/02/1995
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Volume 8, Number 4 Circulation: 585
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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A Plague of Ghosts 1 John L. McGonigle 1015
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Beans Jim Owens Circa 1009
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In the Company of Strangers Mark A. Murray Yule 1015
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@wonky.jjm.com>.
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Back issues are available from ftp.etext.org in pub/Zines/DargonZine.
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Issues and public discussion are posted to newsgroup rec.mag.dargon.
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DargonZine 8-4, ISSN 1080-9910, (C) Copyright December, 1995 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@wonky.jjm.com>.
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All rights reserved. All rights are reassigned to the individual
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contributors. Stories may not be reproduced or redistributed without
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the explicit permission of the author(s) involved, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@wonky.jjm.com>
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Since its inception, DargonZine has lived within the dimensions of
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flat text files. Because the focus of the magazine is emphatically
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textual, we haven't found that limitation too confining. Our most
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adventuresome foray into layout consisted of adding ASA carriage control
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characters in column one so that there would be page breaks between
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stories!
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Twelve years ago, successfully sending text across the network was
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|
pretty impressive. But the rise of the World Wide Web has recently given
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electronic magazines wonderful new facilities not just for providing
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multimedia content, but also for interacting with the reader at an
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individual level.
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Back in 1984, DargonZine (then FSFnet) was a pioneer as one of the
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first electronic magazines on the Internet. Now that more advanced
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facilities for layout, graphics, and supplementary information are
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available, text-only electronic magazines are becoming less and less
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popular. In keeping with DargonZine's history of blazing the trail for
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other emags, it's time we provided our audience with something more
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sophisticated than uninterrupted text in a text editor.
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So forgive me for being overdramatic when I tell you how proud I am
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to announce that DargonZine has reassumed its leadership role among
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electronic magazines and realized a dream that I've had for a couple of
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years. After having put a great deal of effort into designing and
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creating an admirable presentation, I can finally say:
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DargonZine has gone Web.
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For those readers who prefer to receive issues via email, flat text
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will continue to be a primary delivery method, although most future
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developments will be on our Web presentation. For those readers who have
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access to the World Wide Web, we are developing what I consider to be a
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world-class Web presentation, with some really cool features that will
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make you salivate more than a guest at the Thanksgiving Day table.
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As of right now, what do we have out there on the Web? Well,
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there's the standard stuff you'd expect: a full FTP site, the Readers'
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and Writers' FAQs, an index of stories, the "Best of DargonZine" issues,
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the current issue, and links to related topics. But beyond that, there's
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some information about the authors, a subscription form, and two reader
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questionnaires. One interesting feature is that we've established a
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permanent, unchanging URL that will always point to the most recent
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issue of DargonZine. We hope people find that useful, so that they don't
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have to hunt all over the place for new issues.
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The other majorly cool thing we've done is make available an
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indexed copy of our DargonZine Glossary, which describes all the people,
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places, and things that have been written about in the magazine.
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Furthermore, we've painstakingly gone through each story, creating
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hyperlinks between key text in the story and the Glossary. So now, for
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example, whenever you see "Clifton Dargon" appear in the narrative, you
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can click on that name, and you will be taken to a description of that
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character. We think this is a huge step forward, and will be very useful
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to our subscribers, and of incredible value in helping new readers get
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up to speed on who's who in Dargon.
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To be fair, there are some things we haven't done. The author bios
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and GIFs remain pretty sketchy. At this point, we don't plan on sprucing
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up past issues, so issues earlier than 8-4 remain text-only for the time
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being.
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So I strongly urge you to check it out. I hope you'll be pleased.
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And if you can think of any ways that we might even further improve our
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presentation, please don't hesitate to let us know. Okay?
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What's the URL, Kenneth? Set your browser to point at the
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DargonZine Home Page URL: http://www.shore.net/~dargon and enjoy our new
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look!
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Now, back to more mundane topics. This issue features works by two
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more new writers -- John McGonigle and Mark Murray -- sandwiching a
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short piece by Jim Owens, whose career with us goes back to
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the early days of FSFnet, before the Dargon Project even existed!
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Please welcome John and Mark aboard, and take the time to check
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out the Web site and let us know what you think! And, as ever, keep
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spreading the word!
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========================================================================
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A Plague of Ghosts
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Part I
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by John L. McGonigle
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<jmcgonigle@ansys.com>
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Dargon City, 1015
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On Saturday August 19th my friend Dave Brady died in a
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diving accident in Erie, PA. I used to talk to Dave about
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this story and so it only seems right that it should be
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dedicated to him.
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We are the faceless, nameless shadows of this once bright city. The
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object of your pity and your scorn. We are the penance of your guilt ...
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the reminder of the fall. We are the beggars, the homeless, and the
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discarded souls of Dargon. And if the gods had chosen differently you
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could have been one of us. Like you, each of us has a name and a story.
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Like you, each of us is a mystery plagued by ghosts. My name is
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Alsandair Wacuman. I am known as Alsandair the Healer among those down
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here. We lived two streets down from where I now stand. I see a light of
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recognition in your eyes. Yes, my father was Taithleach the Healer and
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my mother was Halag The Wise. Yes, my mother was a daughter of a duke
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but he and his family abandoned her when she married my father and her
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father could not dissolve the marriage. I have discarded him and his
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name because of how he treated my mother. I do not remember a day when
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my parents were not happy with the life they made together: my father
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with his healing and my mother with her teaching. My first job was as a
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whipping boy for the children of the merchants my mother taught. I
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received a good education for the few beatings I had to take. I only
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wish my parents could have met Brangwen and Cuilean. Perhaps they have
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met, now that they have seen the face of the Almighty One. No I am not a
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particularly religious man, even though I was brought up in the Stevenic
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faith. I had a hard time acknowledging any gods and goddesses after the
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death of my wife and son. But there are times when the hand of fate
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strikes a man and he has the chance to choose a different road then the
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one he is travelling on. Come and have a drink. If you have the time, I
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will tell you my tale.
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It was seven months ago. I had returned home three months earlier
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after losing an arm saving the life of a fellow soldier. The loss was
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painful but I still had my father's skills to earn a living with and my
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beloved wife and son to come home to. All the way home my thoughts were
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on my wife and my son and how happy I would be being with them once
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again. Brangwen could always ease my burdens. I used to tease her and
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call her my soul. And if Brangwen was my soul then surely Cuilean was my
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heart. Brangwen and I wanted other children but she had such a hard time
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with his birth that we both knew that another child would mean her
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death. So all our love went to our son. I can find no words to tell you
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how I felt when I came home to find my town in ruin, my house destroyed
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and my wife and son dead. Blind Peadar sought me out when I came home
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from the war. He had been a friend of the family since I was three. He
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took me aside and told about the death of my wife and son. Cuilean was
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killed by being struck in the head with a piece of flying rock during
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one of the attacks on the city. He was killed instantly. My wife died
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three days later, supposedly from a fever, but I know it was from a
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broken heart. I felt like someone had torn out my heart and soul leaving
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nothing more than a hollow man to walk among the living. Seeing only
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darkness. Feeling only pain. Lost to the living. And waiting on death.
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In truth, friend, I sought death as a man seeks a trusted friend. I
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wanted it to end my pain and to reunite me with my beloved family. Yet
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death did not take me. No, only the darkness with its numbness took me.
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I fell into the darkness with a gratefulness that only the lost can
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truly understand. Days turned into weeks and weeks into months. It is
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strange how our instincts overrule our desires and life carries us
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onward. I became a part of the society of shadows learning to stay alive
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yet secretly hoping death would find me. I believe it would have found
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me if not for the events I am about to tell you.
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I had tried to cut myself down to as little sleep as possible
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because with sleep came the dream.
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It was the same dream over and over again. I see Brangwen and
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Cuilean standing on a hilltop. I know they are trying to tell me
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something but I cannot hear them so I start running up the hill towards
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them. I get closer and closer to them but I still cannot hear what they
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are saying. Finally, I almost reach them and I stumble. I look down and
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when I look back up they are gone. I wake up soaked with sweat and
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shaking like a tree in a storm.
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I found myself being woken by someone shaking me. I grabbed my dirk
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and was ready to send my assailant to the grave when he spoke to me. It
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was Blind Peadar. I could tell by his voice that he was upset by
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something.
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"What is it, old friend? Are you sick? Does someone need my help?"
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"No one is sick. You have to come with me."
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There was an urgency in his voice that I could not ignore. I
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followed him. Lying by the ruins of a house was a dead man. I recognized
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the face of Liosliath Meave as surely as I would recognized my own.
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Liosliath and I had served in the war together. Over the years we had
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become very good friends. I could feel the darkness open up and I wanted
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to throw myself in when I felt a grip on my shoulder. I turned to see
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who it was and my father was staring me in the face.
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"You do not have time for this son. People are depending on you to
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do the right thing. Be strong boy."
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This was not the first time I had seen my father's ghost. The first
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time was when I had lost my arm. I was laying on the battle ground
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bleeding to death when my father appeared before me. He was the one who
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told me how to stop the bleeding and what herbs to use to make a healing
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salve for my arm. Since then, fallen comrades have come to warn me of
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ambushes and my father has come to tell me about different herbs. I
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still do not know why they come; although I think it is because I came
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so close to dying and some kind of connection was made between myself
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and the dead. I have never been afraid of the ghosts that have come to
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me. I was not afraid when my father first appeared before me and I have
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not been afraid of any ghost that has appeared to me since then. If
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anything I find comfort in their company.
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With the appearance of my father's ghost the darkness faded as
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quickly as it it came. I told Blind Peadar to go get me someone to help
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me examine the body. I was sure that one of the shadow boys would be
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close by and Blind Peadar would not have trouble finding help. Meanwhile
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I started to examine the body. There was a gash on the back of his head
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where he had been struck. The locket he always wore around his neck had
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been torn off leaving a thin circle of broken skin around his neck. To
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this day I am still not sure why but that stolen locket filled me with
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such rage that I could feel it burn away any mercy I would show when I
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found the person who murdered my friend.
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Blind Peadar had brought Rhinfrew, one of the shadow boys, back
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with him. Rhinfrew helped me turn the body over. The murderer had hit
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Liosliath from behind but had stabbed him from the front. I counted
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dozens of stab wounds. I could feel the blood drain from my face. I
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would find the black-hearted fiend who had done this and I would send
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the fiend to feast with Prince Risse'er in Gil-Pazulyrken. I made myself
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this vow. I could do nothing for the family I lost but I could avenge my
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friend. I felt that only by bringing Liosliath's killer to justice could
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I redeem myself.
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I went over the body more carefully, this time looking for any clue
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that would bring me one step closer to finding my friend's killer. From
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the angle of the stab wounds I knew the killer was left-handed. The only
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other thing I got from the examination was questions. Why take the
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locket? Why stab him so brutally? What could he have done to deserve to
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die like this? I knew robbery could not be the answer. The person had
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already knocked him down so there would be no reason to stab him so
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brutally. I had a feeling that this was personal and I was determined to
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find the motive for my friend's death.
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But first I had to bury my friend. I gathered a group of men and we
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carried Liosliath's body to Potter's Field. I don't know if you have
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ever been there. No? Well, it is a desolate piece of ground outside of
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town where the poor and nameless were laid to rest in unmarked graves
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finding their only welcome in the arms of whatever deity waited at their
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journey's end. We each took a moment to say good-bye. Then we went home.
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It was a long hard journey. When I returned home, sleep came quickly
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with no hint of the dream but only a memory of a promise I had to keep.
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In the morning I went looking for Blind Peadar. Blind Peadar is a
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vayla, a professional beggar, and he made his living down on the docks.
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He was down at the docks watching the ships come in. The city was
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injured but not dead. The hustle and bustle of the docks not damaged by
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the war proved this to be true. Blind Peadar had been a sailor before he
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lost sight in his one eye. He knew most of the sailor's songs and felt
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at home here on the docks. I waited till I was sure I would not take
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business from him before I went to talk to him.
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"I want you to tell me everything you remember about last night and
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then I want to know everything you know about Liosliath."
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Blind Peadar thought about the question for a few moments, then in
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a soft baritone voice he answered me.
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"It was the scent that caught my attention. I had only smelled its
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kind once before when I worked with Giddian up on the hill during the
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festival. Like spring roses it was. Anyway the scent was strong enough
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to wake me. I heard Liosliath pleading with someone. Not pleading as if
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he was in danger but like he was asking a favor. The other voice was
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muffled. I did not recognize it. I left for a walk to visit some of the
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families. I wanted to give Liosliath a chance to do his business without
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me feeling like I was intruding on his privacy. When I came back he was
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dead."
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"How long were you gone?"
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"Only long enough for a cup of tea with the Ceara family."
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The Cearas were a young couple whose village was destroyed in the
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war. They had one girl. I knew they were as fond of Blind Peadar as he
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was of them. The time he spent with them could have been of any length.
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I asked him to tell me anything he knew about Liosliath.
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"The only thing I know for certain is that he once had a wife and
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daughter. From my understanding of the tale the wife's father used his
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influence in the Stevenic church to dissolve their marriage. Then he
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sent the wife and daughter to live with relatives in the south. The
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locket was the only reminder of what was once his."
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I thanked Blind Peadar and left him deep in thought. Liosliath had
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told me the same story. Our common experience with nobility had been one
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of the things that created a bond between us. The loss of his wife and
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daughter had marked him with a sorrow that would last a lifetime. The
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only hope he had was that one day he would be reunited with the woman he
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loved and the daughter he adored. It was that single thought that drove
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him onward. But I still did not have enough information to find his
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killer. I would have to look elsewhere for that.
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I went over to where the warehouses had burnt down behind the
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docks. This was where the rougher members of our society lived. It was
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here that I would find Flann the Red. Flann was the leader of the
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krucha. The krucha were mercenaries who stayed in one area waiting for
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the next battle. Some spent their time as part-time bodyguards. Some
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spent their time as street entertainers. Most of them spent their time
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as bandits. They had an understanding with the rest of us. We gave them
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sanctuary in return for fresh game and an understanding that they would
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not harm those that lived here. This gave many of the families food to
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eat and the krucha a place to hide. Flann had fought beside Liosliath
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and myself. He was a good friend of Liosliath. I found him sharpening
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his war axe, a habit he had in both war and peace.
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"Good day, Flann. I would like to talk to you."
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"I thought you would get around to us, Alsandair. I heard about
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Liosliath. When you find the person who did this, let me know. I know of
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at least seven men who would like to test the edge of their swords on
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the bastard."
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"I am trying to find out all I can about Liosliath. I have the
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feeling that the key to his murder may lie in his past. What can you
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tell me about him?"
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"I have known Liosliath all my life. We grew up together in a small
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village south of Tench. It was burnt to the ground by outlaws. Liosliath
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and I went to Magnus to seek our fortunes. That is where he met Galatea
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Neysa of the House of Westbrook. Although the Neysas are distant cousins
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of the Westbrooks they take their position seriously. But position and
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class did not matter to Liosliath and Galatea. They had fallen in love
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and nothing would keep them apart. They got married through the Stevenic
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church. And because Liosliath moved from skirmish to skirmish it took a
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while for Putnam Neysa to find his daughter. When he did find her things
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became very unpleasant for both Galatea and Liosliath. Putnam tried to
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have the marriage dissolved by claiming that marital law was not
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observed and so the marriage was false. I do not know if you follow the
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same law up here in the North but down around Magnus and in the southern
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regions it is considered marital law that the father transfers the right
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to have authority over his daughter and the right and duty to protect
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her in public domain to the husband. Without this transference, the
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marriage can be considered illegal. This might have worked except that
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Galatea had already given birth to Ketti. And by doing that, Galatea had
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bestowed the quality of a true marriage in the eyes of canon law. Putnam
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then turned to an old law called 'father's rights'. According to this
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law any failure to respect one's father, any rebellious behavior,
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insult, or neglect could be punished by the father or by public
|
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authorities. Putnam threatened to throw Galatea in prison if she did not
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dissolve her marriage with Liosliath. Liosliath loved her far too much
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to let that happen and so he released her from her vows. Putnam then
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claimed guardianship over Ketti. This proved to be too much for Galatea.
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She disowned her father and joined a nunnery. I think some part of both
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Galatea and Liosliath died as a result of the end of their marriage.
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After Putnam was done with Galatea he turned his attention towards
|
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Liosliath. Putnam demanded that Liosliath give back the locket that
|
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Galatea had given him as a wedding gift. Putnam claimed that the locket
|
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was a family heirloom and should stay in the family. Liosliath refused
|
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to give it to him. Putnam threatened to throw Liosliath in jail if he
|
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did not give him the locket. Liosliath told Putnam that he would be
|
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happy to settle the matter in Magnus's common law court. Putnam was
|
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livid with rage. He wanted the locket but felt that appearing in court
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would hurt his reputation. I thought Putnam would challenge Liosliath to
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a duel but once again Putnam's pride came to play. Putnam thought of
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Liosliath as scum. Putnam did not want to dirty his hands by fighting
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Liosliath but Putnam would never forgive Liosliath for not giving in to
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him."
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"Why didn't Liosliath and Galatea get together again?"
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"I know Liosliath wrote a half dozen messages to her. She answered
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the first one telling him that she was now Sister Angeline and she was
|
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in a nunnery outside the northern part of Magnus but she never answered
|
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any of the other messages. Putnam had spread the rumor that she was
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dead. I think Liosliath found that easier to believe than that they
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would never be together again. Personally I think that Putnam found out
|
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about the first message and intercepted the rest of them. It would be
|
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the type of thing he would do. I know that Liosliath lost most of the
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joy of he had had as a boy when he lost Galatea and Ketti."
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"What happened to Ketti?"
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"Putnam raised her in his image of a lady. She mimicked him in
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every way. Liosliath tried to see her when she was nine. She spat on him
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as Putnam watched and laughed. Whatever spark of joy Liosliath had died
|
|
that day leaving a haunted man who wore sorrow like it was the only
|
|
clothing he possessed. I know he talked about trying again when she got
|
|
older but he did not try again as far as I know. Liosliath never forgave
|
|
Putnam and neither have I."
|
|
I felt a rage go through me with the force of a hurricane. I knew
|
|
that the worst monsters were those who wore human skins. I had seen more
|
|
than one example of man's inhumanity to man. And each time it invoked
|
|
the same deep rage. I swore to myself that after I had found Liosliath's
|
|
killer I would seek vengeance against Putnam Neysa even if it took me a
|
|
lifetime to do it. I felt the darkness drawing me in once again but then
|
|
I felt a hand on my shoulder. I turned to be meet by a pair of brown
|
|
eyes filled with compassion. It was my mother.
|
|
"You always had a passion for justice. Just remember that there is
|
|
a fine line between justice and vengeance. Seek justice for your friend.
|
|
Leave vengeance for the Almighty One to deliver in His time."
|
|
She kissed me on the cheek and then she was gone. I stood quietly
|
|
for a moment with a tear in my eye. Flann's voice broke my
|
|
contemplation.
|
|
"Are you alright?"
|
|
"Yes ... Yes I am. I will tell you now, Flann. I will make Putnam
|
|
pay for the harm he has done."
|
|
Flann looked at me quietly as he was deep in thought then he said,
|
|
"When that time comes, find me and wherever I am, I will join you."
|
|
"I will."
|
|
"I do not know anymore about Galatea or Ketti but you might want to
|
|
ask Balamier. I know he has sources everywhere."
|
|
I gave Flann a wave as I left. I had a lot to think about before
|
|
night came and I found myself at Balamier's place.
|
|
|
|
On my way to Balamier's place I thought of how different Flann's
|
|
story was from the one Liosliath had told about his wife and daughter. I
|
|
was inclined to believe Flann's story more. I knew all too well how easy
|
|
it can be to deceive yourself, to believe so strongly in something that
|
|
it twists your view of life and of yourself. I, myself, have believed in
|
|
friends where there were none and have counted on feelings that were no
|
|
more than phantoms of my hearts. I tell you, friend, we seem to need
|
|
something to believe in even if that something only exists in our mind.
|
|
I could feel the darkness pull at me but I was a man on fire and I would
|
|
not give in to the sadness that beckoned me.
|
|
Balamier worked out of a run-down warehouse in the back of the
|
|
docks. He was well known. His dog fights and cock fights attracted all
|
|
strata of society. In any given night, you could find nobles and
|
|
peasants betting on the same animal to win. He was a remarkable
|
|
collector of gossip and information which he would give out in
|
|
abundance, if the price was right. Balamier looked more like a kindly
|
|
grandfather than the ruthless cutthroat that he was. I have only known
|
|
of one time when he had shown any feelings at all and that was over
|
|
Toby. Toby was a terrier that had lost one of his legs in a fight.
|
|
Balamier asked me to save him, which I did. It created a debt which
|
|
Balamier was eager to pay. I wanted to know why Toby meant so much to
|
|
him. Balamier promised he would tell me some day. It should prove to be
|
|
an interesting tale. Balamier was standing outside welcoming guests and
|
|
collecting money. Toby was right beside him warily watching those that
|
|
entered his master's domain. I greeted Balamier and patted Toby on the
|
|
head.
|
|
"You are not going to do your reputation any good by showing a lot
|
|
of friendliness to such a vicious beast," laughed Balamier. He was
|
|
referring to the fact that Toby only allowed Balamier and myself to
|
|
touch him. The only other person to try had lost two fingers. "I am
|
|
sorry about Liosliath. He was a good customer. I have some information
|
|
you might find interesting. Come on inside."
|
|
Although most of the place lay in shadows the fighting arena was
|
|
well lit and crowded by people shouting at two cocks who were fighting
|
|
to the death. The smaller of the two was winning and I could tell the
|
|
larger one would not last much longer. Balamier pointed out a young
|
|
couple.
|
|
"The Lady Ketti Hanriette Neysa and her betrothed, Lord Banain
|
|
Iniga."
|
|
I could see parts of Liosliath in her. She had his black hair and
|
|
high cheekbones. But there was a hardness about her that belied her
|
|
looks.
|
|
"I see that you have noticed it too. I feel sorry for Banain to be
|
|
stuck with something like that. It is bad enough that her foul temper
|
|
has already lost me one patron but the way she waves that dagger around
|
|
makes me nervous. Banain tried to talk to her and got a lecture from
|
|
Putnam Neysa about how a lady needs to protect herself. She is just like
|
|
Putnam," sneered Balamier.
|
|
"Why not ask her to leave if she causes so much trouble?"
|
|
Balamier was quiet for a moment and then he replied in a low voice.
|
|
"Putnam Neysa got me exiled from Magnus. I do not need trouble
|
|
here. That is why I am helping you, Alsandair. By helping you, I am
|
|
hurting him."
|
|
I was surprised that Balamier was not using this opportuniy to pay
|
|
off his debt. I needed all the help I could get even if that help came
|
|
from unexpected allies. I was curious to get a closer look at Ketti
|
|
Neysa. I got about an arm's length when she turned towards me. It was as
|
|
if the earth had opened to swallow me whole. She was wearing the locket.
|
|
I could feel myself being thrown head first into the darkness when she
|
|
spoke with a voice full of contempt.
|
|
"What do you want? You have no business with me. Leave or else."
|
|
I could see her hand resting on her dagger. I could not give myself
|
|
away and give her a chance to escape.
|
|
"I am sorry, my lady. I only wish to pass on my congratulations to
|
|
you and Lord Iniga on your upcoming wedding. I hope you receive what you
|
|
so richly deserve."
|
|
Lord Iniga was about to thank me when she cut him off.
|
|
"You said what you came to say. Now begone or I will cut."
|
|
I bowed towards her and Lord Iniga. Then I made my way to where
|
|
Balamier stood. He leaned over and whispered.
|
|
"Now that you have had a chance to meet the great lady I have a few
|
|
more people for you to meet."
|
|
On the way back into the warehouse where Balamier conducted his
|
|
private business Balamier said, "I knew as soon as I saw the locket.
|
|
Ketti comes here every night. I told you before that I always pay my
|
|
debts whether they are for good or bad. This pays my debt to Putnam. I
|
|
hope she hangs."
|
|
Back in Balamier's room sat three people, two men and a woman. None
|
|
of them seemed surprised to see me which meant they were expecting
|
|
Balamier to be bringing someone. Balamier made the introductions. The
|
|
older man was a jeweler. He was the first to speak. He kept looking over
|
|
at Balamier which made me think he was more nervous than he had first
|
|
appeared.
|
|
"The Lady Ketti brought in the locket for me to clean and fix the
|
|
clasp. Broke clean away it was. I had to do it twice. First time she
|
|
looked at me with those hard eyes of her and told me to fix the design
|
|
as she said to or she would gut me. I knew she meant it by the look in
|
|
her eyes. The design was a hard one but I did it."
|
|
I could hear a touch of pride in his voice over a task well done.
|
|
After he was done speaking he looked at Balamier one more time then he
|
|
looked at me. He gave me a nod and left. The couple waited till he left
|
|
the room before the woman spoke. She would look over at her husband who
|
|
just sat there nodding and holding his wife's hand.
|
|
"My name is Sophie Newhouse and this is my husband George. Master
|
|
Balamier told us you might be able to get us justice for our girl."
|
|
I looked at Balamier. He just nodded toward Sophie. She looked as
|
|
if she were gathering her thoughts before she went on. When she started
|
|
to speak her voice was quieter and sadder than before.
|
|
"Ketti and Cybele, that was my girl's name, were rivals for a son
|
|
of one of the merchants in Magnus. Ketti was used to getting her way.
|
|
You could tell that by being around her for only a short time. The boy
|
|
liked my girl. Putnam with all his money could not change the boy's
|
|
mind. My girl came home and told us that she and Hugo, that's the boy's
|
|
name, were to be married. It was the happiest I ever saw her. The next
|
|
night she was stabbed to death."
|
|
I cleared my throat. I had to ask but I really did not want to.
|
|
"How do you know it was Ketti?"
|
|
George Newhouse answered in a gruff voice tinged with anger,
|
|
sorrow, and frustration.
|
|
"I saw her do it. I was coming down the road heading home when I
|
|
saw her attack my girl. I tried to get to her in time but I was to late.
|
|
Ketti was covered with a cloak and she was wearing a hood but I got a
|
|
look at her face as she rode by. I even tried to stop her but all I got
|
|
was this scar from where she cut me."
|
|
George pulled up the sleeve of his shirt to reveal a long ugly
|
|
scar.
|
|
"What happened then?"
|
|
George looked at his wife. She had tears streaming down her face.
|
|
She nodded at her husband. George continued with his tale.
|
|
"We brought charges against Ketti. Lord Neysa came to the house and
|
|
told us plainly that if we brought charges he would challenge me to
|
|
trial by combat. He said he would kill me and make life so hard on
|
|
Sophie she would wish she was dead. I was scared of him. I am not
|
|
ashamed to say. Down Magnus way, Lord Putnam has a reputation of being a
|
|
cold-hearted killer. I know of five men he has challenged and all five
|
|
of them are dead. I will tell you the truth sir, Lord Neysa likes to
|
|
kill. You can see it in his eyes. His granddaughter, Ketti, is the same
|
|
way. I know Sophie has prayed every day that justice be done. I hope you
|
|
are the answer to her prayers. Watch out for Lord Neysa. If ever a man
|
|
was pure evil, he is it."
|
|
George stopped talking. Both he and his wife looked expectantly at
|
|
me. I did not know if I was the answer to Sophie's prayers but I did
|
|
know that I could not forgive myself if I did not try to bring Ketti to
|
|
trial for the murder of her father. I hoped the wheel of justice would
|
|
turn towards retribution, serving both myself and the Newhouses.
|
|
"I will do everything I can to see that justice is served not only
|
|
for my friend but for your girl too."
|
|
Balamier motioned for me to stay. He showed the Newhouses out. Both
|
|
of them thanked me before they left. I could feel myself becoming
|
|
hardened to the task that lay ahead of me. I would set a trap for Ketti,
|
|
one that Putnam would not be able to get her out of. Balamier came back
|
|
and gave me the name and address of the jeweler.
|
|
"Is he not afraid of Putnam Neysa?"
|
|
Balalmier laughed, "I do not think he is worried about Putnam.
|
|
After all, you will be the one Putnam is coming after. Seriously,
|
|
Alsandair, be careful of Putnam. He is a dangerous man."
|
|
"Thanks for your help, Balamier."
|
|
I had a lot to think about. After I was done with bringing Ketti to
|
|
justice then I would go after Putnam. I had enough to think about that I
|
|
did not have to worry about sleep and it would not be the dream that
|
|
kept me awake.
|
|
|
|
It took three days to set everything up. I gathered my people
|
|
together and told them to stay in the shadows until they were needed.
|
|
Flann and I moved the horses. Then we waited a short distance from
|
|
Balamier's place for the trap to be sprung. Ketti was the first one to
|
|
realize that the horses were missing but by that time Flann had the way
|
|
blocked by armed men.
|
|
"This is not a robbery, Lord Iniga. Ketti Neysa. I, Alsandair
|
|
Wacuman, accuse you of the willful and brutal murder of your father
|
|
Liosliath Meave."
|
|
She started to laugh but the look on my face must have told her I
|
|
was serious. Her face became a mask of rage and contempt. She drew her
|
|
dagger and I drew my dirk.
|
|
"Beware, girl, I am a seasoned soldier and I will not hesitate in
|
|
killing you."
|
|
This surprised her and she put her dagger down. Her eyes were
|
|
filled with hate. It did not matter to me; I would see this monster hang
|
|
if it was the last thing I ever did. My only regret was that I would not
|
|
be one of the men to hoist her from the ground.
|
|
"You have no proof that I did anything wrong. Send someone for the
|
|
guards. My grandfather will see that I am set free."
|
|
"Like he did when you murdered Cybele Newhouse?"
|
|
All the color drained from her face and she leapt at me with her
|
|
dagger drawn. I tripped her. I placed my foot on her hand and my dirk at
|
|
her throat.
|
|
"Nothing would please me more than to cut your throat and watch the
|
|
blood spill from as it spilt from your father. But I want you to hang
|
|
and I want your grandfather to see you hang. Only then will I be
|
|
satisfied that justice has been served."
|
|
I kicked the dagger away from her. She looked up at Lord Iniga. Her
|
|
voice took on a pleading sound.
|
|
"Will you not defend your lady against these false accusations?"
|
|
Lord Iniga looked at her for a minute then he shook his head.
|
|
"I never wanted to marry you but I wanted the fortune your
|
|
grandfather promised and I wanted the rich lifestyle I would have by
|
|
marrying you. So I turned a blind eye to your behaviour. I cannot turn
|
|
away any longer. I wish to hear the proof this man offers and if it is
|
|
sound then I will testify against you. I mean this, Ketti. If you have
|
|
killed someone I will testfy against you."
|
|
All pretenses were gone. Ketti showed herself for what she was. A
|
|
creature of anger and hatred. And I saw in her a mirror image of the
|
|
dark part of myself. Without the love of my parents, my wife and my son
|
|
I could have been the monster Ketti had become. I should have felt some
|
|
type of pity for her but all she invoked in me was anger. The coldness
|
|
of her voice could freeze a man's soul.
|
|
"You will regret your decision. My grandfather will ruin you. Go
|
|
ahead beggarman tell this weakling your proof. I did nothing wrong."
|
|
I motioned for Blind Peadar to step out of the shadows.
|
|
"I have a witness."
|
|
Ketti laughed. "The word of a beggar against a lady? You know who
|
|
will be believed and who will not."
|
|
"You would be right if I only had the word of a beggar but I have
|
|
many witnesses that you use your left hand. The killer was left-handed."
|
|
"I am not the only left-handed person in this city."
|
|
"That is true but you are the only left-handed person to be wearing
|
|
the locket stolen from a dead man."
|
|
"You cannot prove this locket is not mine."
|
|
"Open it. I know what is inside the locket that Liosliath wore. If
|
|
the contents of your locket are different then perhaps I will believe
|
|
you are innocent."
|
|
Ketti tried to open it. I knew that the locket opened from the
|
|
bottom not the side as many do now. You also had to press a small latch
|
|
at the bottom to get it to open. I was counting on the fact that Ketti
|
|
never saw the locket so she would not know how to open it. After several
|
|
attempts she gave up.
|
|
"Why should I have to open it?"
|
|
"Perhaps it is stuck. May I try to open it?"
|
|
Ketti knew she was trapped. If she did not allow me to try she
|
|
would show her guilt and if she did allow me to try, her guilt also
|
|
would be shown. She took off the locket and threw it to Lord Iniga. He
|
|
caught it and looked at her.
|
|
"Give it to your beggarman. I do not wish to dirty my hands."
|
|
Lord Iniga gave me the locket. I opened it and inside were two
|
|
minitures; one of Galatea and one of Liosliath. I showed them to her and
|
|
then I handed the locket to Lord Iniga. I was hoping that she would make
|
|
an attempt to get the locket back. I will be honest with you, my friend,
|
|
I was looking for an excuse to cut her down and any excuse would do. She
|
|
just stood there with eyes filled with hate, looking at my dirk and at
|
|
the locket. She knew the trap had been sprung and that she was caught.
|
|
Perhaps she thought that not only would her grandfather get his revenge
|
|
against us but recover the locket as well.
|
|
"Give it up, Ketti. Your deeds have found you out and you will hang
|
|
for them."
|
|
"I will never hang for killing anyone. Do you think that the word
|
|
of beggars or the imaginings of a weak merchant boy will stand against
|
|
my grandfather. My grandfather will destroy all you of in order to save
|
|
me."
|
|
Lord Iniga looked at her. It was a look with a strange mixture of
|
|
compassion and horror. He spoke to Ketti in a soft voice.
|
|
"Why did you kill Liosliath, Ketti?"
|
|
The look she gave him made me glad that I had taken away her
|
|
dagger. Her face was filled with such a look of hatred that it no longer
|
|
seemed human. Her voice was devoid of everything but rage.
|
|
"Why?! I will tell you why. He wanted to come to the wedding. 'I
|
|
will stay in the back. No one will know that I am there,' he said. I
|
|
would know and I did not want him there. That scum had no right to come
|
|
to my wedding or to wear my locket. I asked him to give me the locket
|
|
and he gave me such a look of pity that it turned my stomach. He told me
|
|
that to give me the locket would disgrace the woman he loved and who
|
|
gave me birth. Then he turned to walk away as if it was over. I hit him
|
|
then I stabbed him over and over again. When I was done, I took the
|
|
locket, my locket. I will never hang for killing that scum. My
|
|
grandfather will set me free. And when I tell him what you have done he
|
|
will make you pay for the trouble you have caused me. I hope he kills
|
|
you slowly so you suffer. I will enjoy that."
|
|
The rage welled up inside of me and before I could stop myself, I
|
|
had slapped her hard across the face. The mark my hand left on her skin
|
|
was like a strange birthmark.
|
|
"You will never leave this city alive. The only reason you are not
|
|
dead now is that it would make us as bad as you. I am not afraid of your
|
|
grandfather. And I will tell you right now if Putnam tries to harm any
|
|
of my people I will see him hang right beside you. If Putnam comes
|
|
looking for me I will not be hard to find."
|
|
Flann's men grabbed her, kicking and screaming curses on all of us.
|
|
They tied and gagged her then they threw her over her horse. Lord Iniga
|
|
came over and handed me the locket.
|
|
"I must go tell my family of what has happened. You have proven
|
|
yourself to be a true friend and a brave man. Be careful, my friend,
|
|
Putnam Neysa is a very dangerous man. I do not think he will stop at
|
|
anything to get his revenge."
|
|
"Godspeed to you Lord Iniga. I hope you and your family will be
|
|
safe."
|
|
He got on his horse and gave me a wave then he was gone. I turned
|
|
and spoke loud enough for everyone to hear.
|
|
"We have brought a killer to justice and laid a friend's spirit to
|
|
rest. You have done well my friends. Go in peace."
|
|
I watched as the crowd went its separate ways. I could feel a
|
|
burden being lifted off the shoulders of all of us. I saw some of the
|
|
shadow boys slipping off to follow after Ketti and her escorts. I know
|
|
that they were hoping Ketti would be able to escape. Flann came up to me
|
|
and grasped my shoulder.
|
|
"It seems that you are heading into trouble, my friend. I hope you
|
|
do not mind if I come along for the ride."
|
|
"I would be happy for the company."
|
|
"What are you going to do with the locket?"
|
|
"After this is done I was thinking of going to Magnus to deliver it
|
|
to its owner."
|
|
"Count me in, my friend."
|
|
I took the long way home enjoying the peace of the moment. I knew
|
|
that once Putnam found out about his granddaughter I would be in for
|
|
another battle. As I turned the corner I saw Liosliath. He was with
|
|
Brangwen and Cuilean. Liosliath approached me smiling.
|
|
"Thank you, my friend. I wanted to give you a piece of advice. If
|
|
you ever have to go against Putnam in a fight, watch his eyes. He is
|
|
fast. He tends to move his feet a lot to confuse his opponents but his
|
|
eyes betray where he will go."
|
|
"Thank you Liosliath."
|
|
I watched as he walked away fading into the night. My wife and son
|
|
came up to me.
|
|
"I want you to promise me that you will fight against the darkness
|
|
when it comes upon you. We love you and we will always be with you."
|
|
"I promise, my love. I love you both and when my time comes we will
|
|
be together again."
|
|
My son hugged me. I felt the soft touch of my wife's lips upon my
|
|
cheek. The tears streamed down my cheeks as I stood alone once again and
|
|
whispered goodbye.
|
|
|
|
I have not had the dream since. No, I have not heard from Putnam
|
|
Neysa yet. He is busy trying to free his granddaughter. I am sure he
|
|
will get around to me. Yes, I still have the locket. Yes, I still see
|
|
ghosts. It does make life more interesting. Let me walk you part way
|
|
home. What? Yes. Yes, we are starting to build homes once again. The
|
|
city is beginning to heal my friend and so am I ... so am I.
|
|
|
|
========================================================================
|
|
|
|
Beans
|
|
by Jim Owens
|
|
<jimo@moose.erie.net>
|
|
Circa 1009
|
|
|
|
By dawn, Pudlong and his wife, Thully, had been in the field for
|
|
over a bell already. By Pudlong's estimation, they had ten leagues of
|
|
beans to hoe before they could plod back to their mats for the evening's
|
|
sleep. Add in a break around the tenth bell for supper, and that would
|
|
be a typical day for the couple. Life as a peasant was nothing if not
|
|
predictable.
|
|
"'Ere, Thully," croaked Pudlong, cradling a few string beans in his
|
|
calloused hand. "These 'ud make a fine prize come fair time."
|
|
Thully lifted her head from her hoeing to squint at the indicated
|
|
vegetable, then nodded her lips and nodded. "Yup, that'd do it." She
|
|
immediately returned to her hoeing, her medium length brown hair hiding
|
|
her face. Pudlong had thought that hair to be her best quality when he'd
|
|
married her fifteen years before. She'd never been a true beauty, but
|
|
that was probably for the better. Life as a peasant was hard, but it was
|
|
better than life as a slave girl.
|
|
Now Pudlong followed her example, churning up the dirt with one
|
|
hand, pulling up the weeds and lining the bean rows with the other. The
|
|
uprooted weeds would choke out newer ones, and keep the water in the
|
|
soil longer. It was back-breaking work, but Pudlong and Thully knew no
|
|
other kind. Which was not to say that their lives held no pleasures --
|
|
even a peasant has his joys. There was abundant, albeit simple, food;
|
|
there were friends, in the next hut, and the next. If one was lucky
|
|
there was children, and even if there were children there was still sex.
|
|
Pudlong no longer thought her hair to be Thully's best parts. And, in
|
|
the fall, there was the fair, with all its excitement and color.
|
|
It was a change in the color of the light on the bean leaves that
|
|
first caught Pudlong's eye. He glanced up just as Thully gave a slight
|
|
gasp. Just ahead of the couple, right in the bean field, there was a
|
|
violet pillar of light. It swirled and grew, then solidified into the
|
|
figure of a young man. He stood there looking perplexed, shield on one
|
|
hand, sword in the other, while Thully and Pudlong both straightened.
|
|
" 'Ello, lord," Pudlong offered. The man was properly, if
|
|
strangely, dressed, and had epaulets of chainmail. He was little more
|
|
than a stripling in Pudlong's opinion, well- shaven and quite out of
|
|
place in a bean field. By the looks of him, Pudlong judged him to be one
|
|
of the many well-born youths with too much money and time, and not
|
|
enough responsibility.
|
|
"Straight down the road, sire, and past the village," Pudlong told
|
|
the youth.
|
|
"What?" The man was quite lost.
|
|
"The castle, sire. Straight down the road, past the village. Ya
|
|
can't miss it. Big stone thing."
|
|
"Thank you. Yes. Thank you." The man began walking toward the road,
|
|
still holding his shield and sword erect, as if they were frozen in
|
|
place by shock. After a few steps he turned back. "How did you know
|
|
that's what I wanted?" His accent placed him slightly further up the
|
|
coast.
|
|
"That's what they all want, those what just show up in my bean
|
|
field. Been three of them 'ere since last fall, there has. You're the
|
|
fourth, if you please, lord."
|
|
"I see." The man pondered a moment. "Did these others, that just
|
|
showed up, say they were ... looking for ... something?"
|
|
"I reckon they were looking for that treasure what's been hidden
|
|
here abouts by that wizard, Marcellon."
|
|
"Ah! I see. Quite." He stood a moment, then continued on his way,
|
|
calling back over his shoulder. "Thank you!"
|
|
Thully and Pudlong watched him trod through their beans, to the
|
|
road, then head up the road, still holding his sword upright. Thully
|
|
returned to hoeing, while Pudlong moved up to where the youth had
|
|
appeared. Sure enough, several plants were trodden down and broken.
|
|
"Blasted magician," Pudlong muttered, then returned to hoeing.
|
|
|
|
========================================================================
|
|
|
|
In the Company of Strangers
|
|
by Mark A. Murray
|
|
<mmurray@slis.lib.uoknor.edu>
|
|
Dargon City, Yule 1015
|
|
|
|
As evening fell on Dargon City, the merchants closed their shops
|
|
and a multitude of people made their way home. Envy crept into Lylle as
|
|
he watched them pass by. Damn Art, he thought. While he had no home to
|
|
go to, at least he wouldn't be dragged into a different inn every night.
|
|
Lylle looked over at Art and cursed again.
|
|
"What?" Art stopped and questioned. Lylle hadn't realized that he
|
|
had spoken aloud.
|
|
"Um, nothin' Art. I was just clearing my throat," Lylle quickly
|
|
said as he slipped a little more into the shadows.
|
|
"Let's go," Art ordered and started walking again. Lylle followed
|
|
and thought about his predicament. He had lived on the streets as long
|
|
as he could remember. He would just have to weather this out. One of the
|
|
rules he had learned was not to get into fights with opponents who were
|
|
larger and more powerful. Lylle broke that rule but only by being in the
|
|
wrong place at the wrong time. Lylle fell back onto the next rule. Go
|
|
along with the more powerful opponent until there is an opening. Lylle
|
|
hoped that an opening would appear before he angered Art too much and
|
|
ended up with a severe beating.
|
|
"Get out of da shadows," Art ordered. "We're almost late. If'n we
|
|
don't get more'n a couple of Rand silver this time, you're gonna get
|
|
pounded. Ya need ta tell it better. Add somethin' ta it," Art said.
|
|
"Aw, Art, you know I'm no good at this story tellin'," Lylle
|
|
whined.
|
|
"Ya gonna go through that door or am I gonna have ta boot ya in?"
|
|
Art threatened. A lump formed in Lylle's throat as he opened the door to
|
|
the inn.
|
|
Waves of laughter, shouting and music assaulted him. The inn was
|
|
crowded. Lylle stopped just inside the door, unsure of where to go when
|
|
several people noticed him and made a path to the bar. He was just a bit
|
|
uncomfortable with his newfound fame. If it wasn't for Art and the
|
|
money, Lylle wouldn't be here. He couldn't believe that just a short
|
|
time ago, he was just another shadow boy living on the streets. He knew
|
|
the strangers were not from around Dargon City, but he would never have
|
|
guessed that these two strangers would put him in the spotlight. Two
|
|
strangers and Art, he corrected himself.
|
|
"Tender, Lylle's glass's empty. Jus keep it full 'til this Rand
|
|
silver's gone," a patron yelled. "Now, Lylle, yer gonna tell us yer
|
|
story or not? I heard ya wuz at da Shattered Shfere de other nite tellin
|
|
all ya knew. People said yer story was a good'un. It'd better be or I'll
|
|
wring my shilver outta yer hide."
|
|
"If you'll quit yellin' at me, Ian, I'll tell it," Lylle said. As
|
|
Ian settled back, the bar became quiet and Lylle began.
|
|
"It was just before midday and I was starting to get hungry so I
|
|
was making my way over to the main gates to, um, lighten people's
|
|
burdens, if'n you follow me. Just as I get there, in comes two visitors.
|
|
Now we get visitors here all the time, but these two were stranger than
|
|
usual. He was dressed in worn leather and cloth with boots that looked
|
|
like they had seen many leagues. And the dust, whew! Both of 'em covered
|
|
head to toe in it. They must have rolled in it to get it that thick on
|
|
them. The dust was so bad, you really couldn't get a good look at him.
|
|
He walked oddly enough with that wooden cane, but there was something
|
|
else odd about him that you couldn't put your finger on right away. It
|
|
took me a while before I realized that it was the way he walked. The
|
|
only way I could describe it was that he walked softly. I mean his head
|
|
and body didn't bob like most people's do. It was as if he didn't even
|
|
disturb the air when he walked. With him lookin like he walked half of
|
|
'diar, I just figured that must be the way you get when you walk a long
|
|
ways. As odd as he was, though, his companion was even odder. You almost
|
|
couldn't tell if it was a he or a she from the cape and hood that
|
|
covered most of her. Yeah, it was a her. You could see the boots right
|
|
enough. From the dust they looked red, but I'd bet they were pink. Pink
|
|
boots with frilled lace around them and a bow-tied ribbon on the front.
|
|
No self-respecting man would be caught dead in them, but you never know
|
|
around here," Lylle said and winked. There was a ripple of laughter
|
|
through the crowd. Lylle sipped his beer and started his tale again.
|
|
"Every now and then the cape would open some and give you a glance
|
|
inside. Never the hood, mind you, just the cape. Looked like a real nice
|
|
blue silk blouse she was wearin'. She walked beside him with her arm in
|
|
his and her head tilted toward the ground. Her hands looked delicate and
|
|
she had long, slender fingers. She was slouched some so that you
|
|
couldn't tell how tall she was, but I would've bet that she was taller
|
|
than him when she straightened. A lot of the onlookers thought she was
|
|
blind, but they were wrong. No, she wasn't blind. It may have looked
|
|
that way to most, but the thieves and robbers could tell. They're always
|
|
looking for an easy mark. They knew. So did I. I guess I'd been on the
|
|
street too long, because I saw that she didn't stumble over anything as
|
|
she walked. Even if you can see and you aren't watching, it's easy to
|
|
stumble on that street. She just walked beside him with her head down.
|
|
"Since I was hungry and they were new, it didn't take much courage
|
|
on my part to stop them. My stomach dealt with that. I ran over to them
|
|
and asked them if they needed a guide through our city. I gave them the
|
|
usual pitch. He stopped and looked at me. I mean he really looked at me.
|
|
Scared me so bad, I almost ran then and there. Most of the new people
|
|
hardly give me a second glance and then it's just a passing one. He
|
|
seemed to be searching my soul, like I had one. It was like I was being
|
|
judged and if I failed, well, I believe he would have killed me. If I
|
|
wasn't so scared I could have told him he was wasting his time. Then he
|
|
asked me where a safe inn was. A not-so-expensive safe inn, located away
|
|
from the bad sections of town. I told him I could take him there for a
|
|
few Rand coppers. He handed me ten and motioned me forward. I led him
|
|
towards May's place. She never liked me much but the stranger had paid
|
|
and it was what he wanted. Everything would have been fine except we ran
|
|
into Art. Or rather Art ran into the stranger."
|
|
"Is that right, Art?" one of the patrons asked Art. Art was sitting
|
|
at the bar next to Lylle.
|
|
"Let Lylle tell some more and then I'll add my piece," Art said and
|
|
glanced suspiciously at Lylle.
|
|
"Yeah, shuttup and let Lylle say some more," came a voice from the
|
|
back of the group.
|
|
"Anyway," Lylle said, "Art's got a way of bullying those smaller
|
|
than him. And as you can see, that includes most people. Art comes
|
|
around the corner and sees the stranger. He puffs his chest and bumps
|
|
into the stranger, pretending he didn't do it on purpose. The man stops
|
|
and looks at Art all the while Art is telling the man he had better
|
|
apologize. And then all of a sudden the man shoves the point of his cane
|
|
into Art's gut. Art gives a whoosh and starts to bend over, but before
|
|
he gets too far the stranger reverses the cane and strikes Art right
|
|
between the eyes. Next thing I know, Art hits the ground on his rear and
|
|
has that far-away look in his eyes." Lylle sipped his beer and quickly
|
|
glanced at Art. Make something up, Art had said. Lylle could see the
|
|
hostility in Art's eyes. He hoped that this small satisfaction would
|
|
ease the pounding he would get.
|
|
"Art finally shakes his head and starts to get up. That's when the
|
|
stranger did something weird. He knelt down so that he was at Art's
|
|
level and was close to Art. No one I know gets close to Art willingly,
|
|
but this man did. To make matters worse, I could tell Art was getting
|
|
real mad. This stranger leaned a little closer, looked in Art's eyes,
|
|
and said something that only Art could hear. Art's face went white. He
|
|
looked in the stranger's eyes and then down at the cane and finally back
|
|
to the stranger's face. Art didn't look into his eyes again. I
|
|
understood why, but you'd have to be on the receiving end of one of
|
|
those looks. The stranger stands up again and takes the lady's arm in
|
|
his and walks away from Art. I didn't want to stay around and feel Art's
|
|
anger so I led them to May's place. I, um, brought Art here with me to
|
|
tell you his side of what happened, " Lylle said and looked to Art.
|
|
Art looked back and his eyes narrowed in anger. Then he stepped off
|
|
the barstool and those who had doubted his size before, now got a good
|
|
look at him. Art stood around six feet tall and had broad shoulders. He
|
|
had no beard to hide his square jaw. Cords of muscle ran down his arms
|
|
to thick wrists and large hands. His leather pants were large and baggy
|
|
to fit his muscular legs. While Art was large and imposing, most people
|
|
had never heard about fights involving him. Of course, most people took
|
|
one look at Art and didn't care to find out how good of a fighter he
|
|
was.
|
|
"It wasn't a great morning and something was itchin' my craw," Art
|
|
began. "I came around the corner and saw Lylle here leading two
|
|
scraggly, flea-bitten strangers down the road. They just looked, I dunno
|
|
what they were, but they made that itch in my craw turn sour, so's I
|
|
bump into the man. I should have known things weren't right when he
|
|
didn't fall down. I put a lot of weight behind my bumping inta him
|
|
because I had a bad morning and he was makin' it worse, but he didn't
|
|
fall down. That just gets me madder, so's I start yelling at him. I
|
|
never would have guessed the little man would fight back. Anyways, he
|
|
gets the jump on me and jabs that stick inta my gut and the next thing I
|
|
know is that I'm on my rear end in the street. When I think about it, I
|
|
never even felt that stick hit me between the eyes. So's here I am
|
|
sitting in the dirt looking up at this stranger. So's I start thinkin'
|
|
about what happened and I start gettin' real mad. This guy is in for a
|
|
pounding, I think to myself. Just when I start ta get up and give him
|
|
this pounding, he kneels down in front of me. I'm thinkin' that this guy
|
|
is crazy. He's got to be crazy gettin' that close to me, I'm thinkin',
|
|
and then he looks me in the eyes. Lylle here is right. He looks deep
|
|
inside you. It's like he's looking for something and you don't wanna be
|
|
the one who has it. So's he looks me in the eyes, and then he tells me
|
|
that he could easily have hit me in the throat, both times. And he
|
|
emphasized easily so's that I knew it didn't matter one way or the other
|
|
ta him whether I was alive or dead and that the next time would be dead
|
|
and he wouldn't even be breathin' hard when he did it. He said a lot in
|
|
that one word, or maybe it was his eyes. I don't know. I just know I
|
|
looked down at that stick and it looked a whole lot bigger. I swallowed
|
|
hard and looked back up at him, only I couldn't bring myself ta look in
|
|
his eyes again. Then he got up and walked away, leavin' me in the dirt
|
|
and there ain't been no happier place I wanted to be," Art said and
|
|
finished his beer in one gulp. "And just because there was one person in
|
|
this city," Art thundered, "who got the drop on me and kept it doesn't
|
|
mean that I can't pound any of you two bit, scrawny, raggedy excuses fer
|
|
men inta the floor." Just to emphasize his point, Art squeezed his thick
|
|
mug until it shattered in his hand.
|
|
Art had incorporated the added something as well as he could, Lylle
|
|
noticed. If anything, the crowd seemed to enjoy this version better than
|
|
last night's crowd. More enjoyment meant more money meant no pounding,
|
|
Lylle hoped.
|
|
|
|
The room was quiet for a few moments and Lylle gave them no more
|
|
than that few moments before he began his tale again and pulled the
|
|
group deeper into his story.
|
|
"If you thought the fight with Art was something, then you just
|
|
keep listening 'cause it gets a lot better. I led those two down to
|
|
May's place. We get there and the stranger looks up at the sign and
|
|
stops. He looks down at me and I thought I was dead. I looked into his
|
|
eyes like a fool and I saw my death in them. I started silently praying
|
|
to any god that would hear me, and then I started praying to them by
|
|
name. I don't know who or what saved me, but the stranger's eyes
|
|
softened some. Then he muttered something that I almost didn't catch,
|
|
but I caught part of it," Lylle said and then paused to drink his beer.
|
|
He found that his glass was empty. Before he could say anything, Art
|
|
spoke up.
|
|
"Ian told ya ta keep that glass full, bartender. If'n ya can't do
|
|
that, I'm gonna give ya a thumpin' you'll never forget. And get me one
|
|
while yer at it," Art told the bartender. The stranger may not have
|
|
feared Art, but the bartender was a different story. He set two mugs in
|
|
front of Lylle and filled them both full and then he set one of his
|
|
largest mugs full of ale in front of Art. Lylle smiled inwardly. He
|
|
would be swaggering drunk when this was through.
|
|
"Listen up then and I'll tell you true. What I heard was this, '...
|
|
he couldn't of known, not his fault. Maybe this time, the sign is a good
|
|
omen.' I didn't understand at the time what he was talking about, only
|
|
that I would live. That and I was glad I hadn't eaten in a while cause
|
|
for sure I woulda had to take a trip down to the river to clean up
|
|
afterwards," Lylle said smiling. Laughter broke out among the crowd and
|
|
continued on for a little while. A shout stopped the laughter and
|
|
brought more questions.
|
|
"What did the sign say, Lylle. What did the sign say and what did
|
|
it mean?" the man in the back asked.
|
|
"I guess I shouldn't have expected all of you to have been to
|
|
May's. Her place being upstanding and all," Lylle said and continued
|
|
before anyone had a chance to speak. "May's place is called Spirit's
|
|
Haven. As for what it means, I guess you'll just have to ask the
|
|
stranger that. Now, where was I? Oh, yeah, we were at May's and I opened
|
|
the door for them. The stranger just stands there and ushers me in, so I
|
|
go in first and just my luck, May is walking out. Caught on the cliff
|
|
between the city guard and the sea, I was. With May not liking me and
|
|
all, she starts to say something. It was the stranger who stopped her.
|
|
He tells her that it was he who brought me there and that he only wanted
|
|
a room and a meal for a few days. I thought that May was going to throw
|
|
us all out, but she didn't. Now for those of you who don't know May, she
|
|
can tell the good from the bad at a glance. May's been known to spot a
|
|
thief before he even knows he is going to steal. That's why May's place
|
|
is so nice and upstanding. It's been rumoured that some royalty has even
|
|
stayed there. When May let them stay, I thought that either May had
|
|
finally gone deep into the sea or that these two strangers were all
|
|
right. I didn't care much one way or the other as I had my money and I
|
|
wanted rid of that man. I started to leave and stopped when he said
|
|
wait. I turned around and he asked me my name. I knew that lying to him
|
|
wouldn't be good so I told him the truth. He asked me to come back the
|
|
next morning and be his guide. I should have said no and stayed clear of
|
|
him, but for some reason I couldn't. Maybe it was the extra money he
|
|
gave me or the way he treated me, but I said yes and ran out of there. I
|
|
don't know what went on after that in May's place. Something happened,
|
|
that I know, but I never could find out what. I tried everything I could
|
|
to find out. I even took one of May's lectures after I asked her what
|
|
happened ..."
|
|
"So have you walked the straight and narrow since then, Lylle?" a
|
|
member of the crowd jeered.
|
|
"Hmmph, I see I haven't been the only one to receive a lecture from
|
|
May. It'll take more than May to make me curb my ways," Lylle retorted.
|
|
"Aw, shuttup already. We want to hear about the strangers,
|
|
especially the female one. I heard some rumours about her," yelled the
|
|
man in the back. It was the same man who kept pushing Lylle to tell his
|
|
story. Strange, he thought, and then turned his attention back to the
|
|
story as murmurs of assent ran through the crowd.
|
|
"It was just after sunrise when I returned to May's. I opened the
|
|
door and peered inside. When I saw the stranger and the lady sitting at
|
|
a table having breakfast, I knew it was safe to enter. When I got to the
|
|
table, the stranger asked me to sit down. When I did, he asked if I
|
|
would like some breakfast. The funny thing about this stranger was that
|
|
for all his outward appearance and his fighting ability he spoke with a
|
|
soft voice. Not a tint of hardness to it at all.
|
|
"It was at breakfast that I finally got some glimpses of the lady's
|
|
face. Not many, mind you, but some. That damned hood covered a lot. She
|
|
was pale and fair-skinned for what I could see and not a hint of any
|
|
type of facial coverings or perfumes that I could detect. She ate in a
|
|
slow rhythmic pace. Her fingers were long and slender. She had beautiful
|
|
hands from what you could see, although her hands were pale. And she did
|
|
everything the stranger said. I noticed that more and more as I was with
|
|
them. He told her to stop eating, drink, wipe her mouth, stop, start and
|
|
a lot of other things. When he took her hand or arm, she followed where
|
|
he went. I swear he acted like she was an imbecile and blind, but she
|
|
acted like a broken slave and I never heard her say a word. She was more
|
|
mysterious than he was.
|
|
"The first thing he wanted to do after we ate, was to visit certain
|
|
temples, so we did. He had me wait outside while he went inside. I asked
|
|
around afterwards about what happened, but he always insisted on talking
|
|
to the main priests of each temple, and you know they won't say anything
|
|
about what he said. Damn tight-lipped priests. What's the good of
|
|
knowing important things if you can't sell them? After we visited the
|
|
temples, he asked about mages. Where they could be found and he didn't
|
|
want to see the fake ones. That point was made very clear, not that I
|
|
would try to give him the run-around. I wasn't that stupid. I told him
|
|
that I would need to ask around some and that would cost money. He
|
|
handed me some Rand copper and two Rand silver coins. The thought of
|
|
running with the money entered my mind and left seconds later as I
|
|
thought about it. He would find me, I don't doubt. To make it short, I
|
|
found the whereabouts of a few good mages and offered him the change
|
|
that I had. He told me to keep it. I didn't argue with him. It was the
|
|
same with the mages. I stayed outside while he went inside. It was on
|
|
our trip to a mage that we had to go into the bad part of town. That was
|
|
the trip I'll not forget. Well, one of them at least. We were walking
|
|
down an alley full of drunks and winos when four of the bums got up in
|
|
front of us. The first one grabbed me and threw me into the wall. I hit
|
|
the wall and fell to the ground. I knew better than to get up, so I
|
|
stayed down and watched. These four bums turned out not to be bums after
|
|
all, but thieves and robbers, or so I thought. This is about how it went
|
|
and I swear that these are the exact words:
|
|
"Ye be the one named Raphael," the leader asked as his companions
|
|
fanned out beside him. The alley was wide enough so that three of them
|
|
stood side by side and the fourth stood behind them in the middle. The
|
|
three in the front were armed with short and long daggers, while the one
|
|
in the back readied a crossbow. Raphael studied the three men in front
|
|
and then glanced at the fourth man in the back before he answered the
|
|
leader.
|
|
"You have his tint about you," Raphael said. I had not thought his
|
|
reach would extend this far. I offer you the same that I offer all who
|
|
have been touched by him. Leave now and you leave alive."
|
|
"We'll leave, right enough. After yer dead," the leader began. He
|
|
didn't get to complete his thought as Raphael had pushed his stick into
|
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his stomach. The leader was expecting something and grabbed the end of
|
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the stick and smiled. Raphael pushed and the leader stumbled backwards
|
|
still holding the stick. I had thought that the stick had broken because
|
|
there was a small sound like a snap or click and Raphael turned to the
|
|
right, with what looked like a part of the stick, and kicked out with
|
|
his left foot catching a thief in the gut. The leader had regained his
|
|
balance and stopped as he watched the head of the man to his left fall
|
|
to the ground. There was a sword in that stick. The click was the sound
|
|
of it coming out of the cane. It was that slight pause that cost him his
|
|
life as Raphael never stopped. Just as his sword finished the cut,
|
|
Raphael reversed his turn and thrust the sword into the leader's heart
|
|
and left it there as he dropped to the ground. The dagger just missed
|
|
him from the attack by the thief that Raphael had kicked. Raphael
|
|
punched upward into the thief's crotch. When the thief bent over,
|
|
Raphael grabbed him and sent him flying up and over into the last thief
|
|
holding the crossbow. Both thieves went down. Raphael retrieved his
|
|
sword and killed them both while they were down. The whole thing had
|
|
taken only seconds by my reckoning.
|
|
|
|
"He killed all four of them?" someone asked incredulously.
|
|
"All four of them and he made it look easy. Afterwards, he searched
|
|
their pockets and took what he wanted including their money. He gestured
|
|
onward to me and he acted like nothing out of the ordinary happened.
|
|
I've seen death and dying, but this was different. The only thing I can
|
|
remember that came close was some of the soldiers returning from war who
|
|
had gotten used to the killing. Even then, I don't remember them acting
|
|
like he did. He had no remorse or compassion for what he had done. He
|
|
acted like it was something that he had to do and so it was done. Made
|
|
me sick, it did. I threw up all over the place. After I was done and
|
|
opened my eyes, I saw that my vomit had mixed in with the blood and I
|
|
got sick all over again. Finally, I stood up and there he was, just
|
|
standing there waiting for me. He turned and took the lady's arm in his
|
|
and motioned me down the alley. I led him to the rest of the places and
|
|
when we got back to Spirit's Haven, I told him I wasn't coming back in
|
|
the morning. Come inside, eat with me and I will explain some things to
|
|
you, he said. I owe you that much, he said. I wanted to run, but the
|
|
curiosity in me took over so I went inside. He sat the lady down and
|
|
made sure she was fine before he sat down. We ordered and he told me
|
|
some things," Lylle said and paused as he drank his beer. Murmurs echoed
|
|
through the crowd with what did he say and I heard this and I heard
|
|
that.
|
|
"This story sure makes a boy hungry," Lylle hinted.
|
|
"You finish it and I'll buy you dinner and some wine," the man in
|
|
back called. It seemed to Lylle that this man must have something to do
|
|
with the stranger. He'd find out when the man bought him dinner, Lylle
|
|
thought.
|
|
"He said he owed me some explanation and what I got was some
|
|
explanation alright. What he told me was like a tale a mother would tell
|
|
her child to frighten them into obedience. He said he had a best friend
|
|
growing up. While he learned fighting, his friend learned magic, but the
|
|
magic changed him. They were slowly separating as they grew older, but
|
|
most of the friendship stayed. Then a woman walked into their life and
|
|
things went from good to worse. They both loved her, he said, and she
|
|
loved only him. Years went on and the mage's lust and rage grew along
|
|
with his power. He said that finally the mage acted. He didn't say what
|
|
happened, but it must have been horrible because for the first time, his
|
|
eyes looked different.
|
|
"He stopped talking at that point and there was a sadness in him
|
|
that overshadowed all else. Ever since then, he said, he had been chased
|
|
and hounded by men. He learned that the mage was behind all the attacks
|
|
by these men. It was always the same. The men would not stop until they
|
|
were dead. Distances didn't seem to matter to them, as they would follow
|
|
until they caught up to him. He said he didn't know how many men he
|
|
killed, but that it was many before he saw the taint left behind by the
|
|
mage on the men. It was many more before he could see it all the time.
|
|
They never left him any choice but to kill them. He was going to say
|
|
more when the three of the City Guard showed up to arrest him.
|
|
"I thought it was awful quick of them to show up. Then I heard him
|
|
whisper something that froze my blood. He said, 'The leader has the
|
|
taint.' He left his stick against his chair and moved toward them. He
|
|
was quick. He reached them before they knew what to do. Some of those
|
|
men were big, but it didn't seem to bother him. He never stopped moving
|
|
and the guards seemed to just stumble around him. Just when I thought a
|
|
guard had him, he would step aside and turn sending the guard sprawling.
|
|
He would use one guard to smash into the others. It lasted longer than
|
|
his previous fight, but he didn't kill anyone this time. Oh, there were
|
|
some broken bones and whatnot, but no deaths. He looked at me and said
|
|
it would not be wise to kill a guard here at this time. Later, he said.
|
|
He took the lady, his stick, and left out the back. I never saw him
|
|
again and I think he's left Dargon," Lylle finished. There was silence
|
|
in the crowd and Lylle thought he was in trouble. Maybe it wasn't good
|
|
enough for them, he thought, but his fears were dismissed as the crowd
|
|
slowly smiled and people thanked him for the tale. Lylle collected the
|
|
money that was given him and put it in a purse at his side.
|
|
Everyone left but one man and Art. Art stood up and grabbed Lylle's
|
|
arm.
|
|
"How much did we get?" Art asked.
|
|
"I don't know," Lylle answered.
|
|
"Don' give me that. You knew how much 'fore the coins hit the
|
|
bottom of yer purse. Now empty that purse and let me count 'em," Art
|
|
ordered. Lylle emptied the purse on the bar and Art counted the money.
|
|
Art took all the silver and left the coppers. "Not bad for talkin'," Art
|
|
said and left. The man who stayed waited until Art had gone and then
|
|
approached Lylle.
|
|
"I owe you a dinner, boy, and I aim to pay, but not here. I know a
|
|
place that has better food," the man said. Lylle knew it was the same
|
|
man that had urged him on most of the night. A dinner sounded good,
|
|
Lylle's stomach argued. Besides, Lylle thought, I may get to find out
|
|
why this man wants to know so much about the stranger. They walked out
|
|
of the inn into the night headed for their agreed upon dinner. Lylle was
|
|
thinking about how to dissolve the partnership with Art without getting
|
|
trounced and didn't notice where they were going.
|
|
"Now, boy," the man said as he grabbed Lylle, "you're going to take
|
|
me to him. If you don't know where he is, you'd better find him. You
|
|
don't find him, I'm going to kill you ... " He never finished his
|
|
sentence as a sword in the back silenced his last words. As the man
|
|
fell, Lylle saw his saviour and grimaced.
|
|
"I know, I know," Lylle said," he had the taint." For the first
|
|
time, Lylle saw the stranger smile briefly.
|
|
"You tell a fair story, but you're slipping in the survival area.
|
|
And four thieves? I don't remember more than two, and one of them seemed
|
|
to suddenly trip at the right moment. Well, maybe the fame will help
|
|
dissuade others. They never stop and they do whatever they can to find
|
|
me. Even though he is disguised, if you look closer, you will recognize
|
|
him," Raphael said. When Lylle first looked at the dead man, he did not
|
|
recognize him. Remembering what Raphael had said about the men with the
|
|
taint never stopping, Lylle looked at the dead man closer and saw that
|
|
it was the guard who had come to arrest Raphael at May's place.
|
|
"I owe you much, Lylle of Dargon. I will owe you much more, I hope,
|
|
in the coming future. I need you to be my eyes and ears here in Dargon.
|
|
I am looking for something, or more precisely, someone. I will pay very
|
|
well for this information. Without me here, the risks are small. Will
|
|
you keep my secret and help me?" Raphael asked. Lylle didn't have to
|
|
think about the answer.
|
|
"Yes," he said," but you have to help me with Art."
|
|
"Agreed," Raphael said smiling. "Let's go and I'll buy the dinner
|
|
owed you."
|
|
"Hey, where's Megan?" Lylle asked as he finally realized that Megan
|
|
was not with Raphael.
|
|
"Safe at Spirit's Haven," Raphael answered.
|
|
"May's!" Lylle whined as he started to follow Raphael into the
|
|
shadows.
|
|
|
|
========================================================================
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