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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 13
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 10
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 10/14/2000
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Volume 13, Number 10 Circulation: 744
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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Talisman Six 2 Dafydd Cyhoeddwr Firil-Naia, 1011
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Past, Present, and Presage 1 Rena Deutsch Deber 1010
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Loren Armare 3 Max Khaytsus Yuli 13-21, 1014
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondence to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.dargonzine.org/. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 13-10, ISSN 1080-9910, (C) Copyright October, 2000 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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If you've been with DargonZine for a while, you'll know that every
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so often I take a few moments to note as we pass one milestone or
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another. I had planned this Editorial with the intention of noting the
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publication of our 300th Dargon story; however, in looking up the
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numbers I was diverted by the fanciful idea of measuring DargonZine's
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output in terms of a bookshelf, rather than simple numbers. How many
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paperbacks would it take to contain all our stories? The answer
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surprised me.
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I started with DargonZine's output: our stories, not including
|
|
editorials of course, amount to a tidy 1.5 million words. Then I
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consulted the FAQ for the Usenet newsgroup misc.writing, which indicated
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that the average word count for a standard novel is about 80,000 words.
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Dividing one into the other gave me a total of 18 trade paperbacks.
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That's an awful lot of shelf space!
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It also averages out to a little more than one novel per year over
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our sixteen-year history; however, lately our output has been higher
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than that. For the past couple years we've actually been printing
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stories at twice that rate, with no signs of slowing.
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Eighteen paperbacks, and a another new novel every six months, is a
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whole lot of fiction. I can't think of any other site with such a huge
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collection of reading material; and I certainly don't know of another
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site where you can download all those novels absolutely free and
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completely ad-free.
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This issue continues some of the traditions that have made us so
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successful. We begin with the conclusion of Dafydd's two-part "Talisman
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Six", itself a part of a huge serial that has spanned every DargonZine
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issue for the past two years. Already a novel and a half in length, the
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Talisman epic illustrates one of the more ambitious possibilities of the
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serial format.
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Our other two stories both demonstrate how storylines in a shared
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anthology can overlap and intertwine. Rena Deutsch's "Past, Present, and
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Presage" links her own storyline with Mark Murray's longstanding series
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about Raphael and Megan. Also, although Max Khaytsus' "Loren Armare"
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deals with the troops of his duchy of Arvalia, his third and last part
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in the series focuses mostly on Dalton, a completely unrelated character
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who was introduced by Michael Schustereit five years ago. These kinds of
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linkages between storylines are what makes collaborative writing
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exciting.
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So enjoy these works as we celebrate publishing our 300th Dargon
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story. And be on the lookout for our next issue, DargonZine 13-11, which
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promises to be an absolute blockbuster, with five more new stories!
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========================================================================
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Talisman Six
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Part 2
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by Dafydd Cyhoeddwr
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<John.White@Drexel.Edu>
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Firil 26-Naia 12, 1011
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Part 1 of this story was printed in DargonZine 13-9
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I had seen death before, of both natural and unnatural causes.
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There is a great difference between the body of someone who dies of a
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disease, or by simply living to the end of their given days, and the
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corpse of someone murdered by man's hand.
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The ending of Shorel's life by means of two crossbow bolts in her
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back as she fled along a forested path stunned me. Shorel my fellow
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bard, my companion, my lover, was dead. She lay in the middle of the
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path, blood darkening her tunic, her sightless brown eyes staring into
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my green ones, her body twisted by her lifeless fall from the back of
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her horse.
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I looked away from her blank stare and saw the two guards who had
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killed her advancing along the forest path, their horses pacing slowly,
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their reloaded crossbows pointing at Shorel's corpse. All of their
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attention was on her; I had not yet been noticed. Shorel's horse had
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continued a short distance beyond the point where her control had left
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it before stopping as it had been trained to do. I saw that it bore no
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saddlebags: she had been fleeing in haste, then.
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The guardsmen reined in their horses near their victim and
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dismounted warily, as if Shorel were feigning death to lure them closer.
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I briefly thought to race out onto the path and single-handedly avenge
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Shorel's murder. Thankfully, I regained my senses before doing anything
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so foolish. The guards were armed, and obviously excellent shots. They
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had not scrupled to kill one bard, despite the inviolate status bards
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usually enjoy; I did not think they would quail at shooting another.
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Instead, I quietly slipped deeper into the clearing where I had
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been watering my horse Riesta. I made sure she was secure, then moved
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with as much stealth as I could muster to a position within the trees
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where I could see the road but remain reasonably concealed. Hidden
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behind a trunk and in deep shadow, I watched what followed, hoping that
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the slight breeze would not shift and carry the scent of the horses to
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each other.
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The guards advanced on Shorel's body, swords having replaced
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crossbows in their hands. All of their attention was on the corpse; not
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a single glance was spared for the surrounding trees. One drew next to
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her and nudged her with his foot. Her body moved limply. While the first
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held his sword to her neck, the other bent down and lifted an arm, then
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let it fall just as limply back down. That one looked up at the first
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and said, "Dead," or so I clearly read on his lips, for they were too
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far away to hear their voices.
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The first one shook his head and gave Shorel a rougher kick. Then
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he and his fellow guard searched her thoroughly, and next her horse.
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They didn't find whatever they were looking for, and this did not please
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them. Eventually they considered their duty done and they remounted
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their horses and rode away back the way they had come, leading Shorel's
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horse with them.
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I waited a short while longer to be sure, but they didn't double
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back. I let Riesta return to her grazing, and walked out to where they
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had left Shorel lying.
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I knelt by her body, at a loss for what to do next. I reached down
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and brushed her long brown hair away from her cheek, and then rested my
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fingertips against her skin for a moment. I remembered her smiles, her
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kisses, her voice raised in song or passion. I remembered riding with
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her along forest paths like this one, or sitting to dinner with her at
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the Bardic College. Waking up to the feel of her body next to mine five
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days in a row, or seeing her walk through a door after being apart for
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three months. My eyes misted over as I realized that all I had now of
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her were memories.
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In the midst of my reminiscences, my hands set about automatically
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straightening her limbs, and then her clothes. I wanted to turn her onto
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her back, but I didn't want to remove those quarrels. As the birds began
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chirping again and normalcy returned to that section of the forest, I
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lifted her carefully even though she didn't need care any longer, and
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carried her to the little clearing.
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I buried her with only the ceremony of my own grieving. As I stood
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over the shallow mound contemplating what I should do next, a curious
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thing happened. A great weariness came over me, as if somehow Shorel's
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death had been one too many. I felt old, older than my years, older than
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my parents', older than the Bardic College, and even the kingdom itself.
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That aching weariness and age bore me to my knees, and I thought I would
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collapse further and never be able to rise again, but just then I felt
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as if everything around me was on fire. Instead of fear, or feeling
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trapped by these encompassing flames, I felt instead peace. The
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weariness vanished, vanquished, but the flames faded more slowly, and
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seemed to leave a sense of promise with me as they went.
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As I rested momentarily on my knees, recovering from that strange
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feeling, another image came to me. It was Shorel being struck again with
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the quarrels, but this time my attention focused on the stick or staff
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that she had hurled away from herself at that same moment. That hadn't
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been a random act; I had seen how intent her face was before the pain
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swept her concentration away. I knew I had to find that object.
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The afternoon was well advanced by the time I located that one
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wooden stick among all of the others in the forest. It was a plain
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walking stick shod with metal. I had never seen Shorel with it before,
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but I understood why she'd had it as soon as I found it. Chopped into
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its side were stick-runes, a very simplified set of letters made up of
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vertical lines, each crossed by a varying number and placement of
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slashes or flanked by dots. They were easy to carve, and did not require
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great finesse to make them easily understandable.
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The story these runes told was incomplete out of necessity -- there
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wasn't room on that staff to scribe an epic. But it had enough room to
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carry the essence of Shorel's last, desperate message.
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The information concerned the coming wedding of Baron Frasilk's son
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to the daughter of Baron Jaleit. The runes told me that Baron Frasilk
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was attempting to unite the two baronies into one by the marriage,
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despite the slight impediment of Jaleit's two older sons. The two boys
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had been out of sight for most of the winter, and the baron had put it
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about that they were unwell. Shorel had discovered that the boys were
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actually prisoners in the keep's vaults. It wasn't hard to follow her to
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the conclusion that Frasilk intended to murder the boys once Jaleit's
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daughter was wed to his son.
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This information explained Shorel's murder. She had been caught
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where she didn't belong and had fled, hoping to reach safety. As a hedge
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against failure, she had carved the story into this staff. Her final
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words implored anyone finding it to save the honor of Baron Frasilk and
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the lives of the boys before momentary greed ruined the future of the
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betrothed couple.
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I resolved to do just that.
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I rode into Lesser Hallvis three days later. Lesser Hallvis was the
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largest town in the north end of Duchy Othuldane. It was situated
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between Lake Aulk and the Winink River, which drained the lake to the
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ocean. All manner of trade was drawn naturally to the town, resulting in
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growth that showed no signs of slowing. That it was situated firmly
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within the borders of the Jaleit Barony explained Frasilk's ambitions.
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I had chosen Lesser Hallvis as my destination because it was in
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Jaleit Barony, and because it was on one of the maps I had memorized. I
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had no plan yet in mind for finishing Shorel's mission. I needed more
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information and I would probably need help. I was sure I could find both
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in Lesser Hallvis.
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Four days later, I had a better grasp of the current situation. I
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had listened to the gossip each night in the taverns and inns, and
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during the day in the marketplaces. I had asked discreet questions here
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and there of those likely to hear things: stall holders, tavern owners,
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a group of people about a public well. What I had learned fleshed out
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Shorel's minimal tale completely.
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Late in the previous summer, Baron Shando Jaleit had taken suddenly
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and gravely ill. This had left that barony in danger of being without a
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leader; Shando's wife had died shortly after giving birth to their
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youngest daughter, Shindi, and his oldest child, Krandel, was only
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fourteen.
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Shando had turned to his life-long friend and neighbor, Marin
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Frasilk. After appointing Baron Frasilk regent for Krandel, Shando had
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succumbed to his illness.
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Baron Frasilk had seemed to take his duties seriously, and he had
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moved the entire household to his own keep for the winter, leaving only
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enough people at Jaleit Keep as were necessary to maintain it. Winter
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had closed in and news, whether gossip or official, ceased to travel. As
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soon as spring thaw had opened the roads again, word had issued forth
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from Baron Frasilk's keep that his son Normb was betrothed to the young
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Shindi Jaleit. Tongues had wagged at the announcement of the union; some
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had thought the difference between Normb's twenty years and Shindi's
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mere twelve would cause problems in the future; most of the rest had
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believed that it was nice that the two friendly families could be bound
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together that way.
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The mention of the ill health of the two Jaleit boys, Krandel and
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Eelis, had never been officially announced, but when gossip of it had
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passed from tongue to ear it went as fact. Every person who had traveled
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from Frasilk Keep was sure to mention the tragic illness of Shando's
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heirs, and both so young and formerly healthy. Some put it down to ill
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luck; others wondered whether Shando's sickness had been given to the
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children and when little Shindi would come down with it.
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I marveled that no one considered the coincidences involved to be
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too convenient. One night as I entertained at a tavern I played an old
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favorite that followed the situation as I knew it almost exactly; no one
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noticed the similarities. Marin Frasilk had always been friends to
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Shando and his family. If any long-standing jealousy had existed between
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them, it was not public knowledge. No one suspected any wrong-doing
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because no one had any cause to suspect Baron Frasilk of it.
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I never even considered just telling people about Shorel's
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discoveries. Even if I had been believed, and it was clear that I would
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not have been, someone would have taken news of the accusations to the
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baron and he would have been pushed into a rash act.
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No, my only recourse was to expose the baron's actions personally.
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The truth had to be told, before it became moot. But I knew that more
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than just my own eyes needed to see that truth. One witness was easy
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enough to silence, as Shorel had proved. The more who learned the truth,
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the harder it would be to silence it again. I needed accomplices, and
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more than that I needed people I could count on in the keep to go
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looking for me, should I turn up missing.
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People who travel for a living are often looked down on by the folk
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of the places they travel to. They are strangers wherever they go, and
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most distrust strangers instinctively. This is why there is almost
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always a certain section in larger towns where these strangers can go
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and be apart from the locals. A certain tavern or inn will cater
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expressly to merchants or mercenaries or wandering tinkers, treating
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them like they belong. Those who drink or lodge there can share the
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commonality of being not-local with each other, even though they are
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often strangers to each other as much as to the residents.
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Bards are usually immune to this mistrust, but we are as welcome at
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a travelers' inn as at a locals' inn. The Long Road was one of the
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former kind in Lesser Hallvis, and there I came up lucky in my search
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for aid.
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One night as I entered the inn and glanced around the bustling
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taproom, I spotted a tall, grey-haired man I recognized. It was Goerff
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Heas who, last I knew, had been the leader of a traveling puppet show.
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As I made my way over to his table, I recognized several of the seven
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who were gathered around him as also being members of the Payslee
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Puppets, Goerff's troupe.
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He saw me striding through the crowded room and rose to greet me.
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"Ho, Bard Nakaz, it's been long since our paths crossed. Do you fare
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well?"
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I gripped his offered forearm in greeting, and replied, "Ho,
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puppeteer Goerff! Well met, indeed. My farings have been well enough,
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well enough. What of your own journeys? Do your puppets still mesmerize
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young and old alike?"
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He laughed and nodded, and room was made for me at their table.
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Goerff introduced me around the table. First, he proudly presented his
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son and daughter-in-law, Teiff and Allea Heas, whom I had not met
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before. Allea had finally influenced Teiff to take up with his father,
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and now both were being groomed to take over the Payslee Puppets. Marum,
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the puppet-maker, and Womore, the costumer, I had met before. Lavisk was
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the carpenter and scenery builder, while Huyal and Demni had been hired
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as protection but who had proven to be competent puppeteers and so
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contributed to the group in that way also.
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The evening passed swiftly in their company. We traded stories back
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and forth, some more accurate than others, and we drank good ale and ate
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good food. I learned that the Payslee Puppets were not currently
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engaged, and an idea flashed into my mind at that news.
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Late that evening, I drew Goerff aside to speak to him privately. I
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trusted him on the basis of our past associations, so I told him the
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real reason I was in Jaleit. I also told him that I was going to need
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eyes and ears to help me witness the truth of what Baron Frasilk was
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hiding, as well as weapons and hands to hold them to help me uncover
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that truth. I asked him whether I could hire his troupe to be those
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eyes, ears, hands, and weapons for me, for the duke, and for the king,
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to ensure that justice was served.
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His response was immediate. "Yes," he said, "and you don't have to
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offer us Crowns to have us with you for this. It is the right thing to
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do. How are we going to accomplish it?"
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We discussed several options, but couldn't finalize any plans as
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neither of us had ever been to the baron's keep before. We needed more
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information. What we did agree on at that point was that we should not
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go as ourselves. Another bard showing up so soon after Shorel might make
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the baron nervous, and Goerff's people would be able to mingle better
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with the people of the keep than the Payslee Puppets would.
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There was one other suggestion that Goerff made that I made haste
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to carry out. I was fortunate enough to be able to track down a
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middle-aged man named Prett who had, until recently, been a retainer at
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Baron Jaleit's court. He was as easy to recruit as Goerff had been once
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he knew of Shorel's discovery, and he would be able to identify the boys
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we were looking for conclusively.
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It was the ninth of Naia when I rode into Baron Frasilk's keep with
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a merchant caravan carrying wares for the wedding and Melrin
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festivities. My fine clothes and my instruments were in safe keeping
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back in Lesser Hallvis along with the bard-marked trappings for Riesta.
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I was just one more hired hand to those in the keep, as anonymous as any
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other servant.
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Frasilk keep was of modest, though sturdy, construction. The outer
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wall was maybe two man-lengths tall, without any towers at the corners.
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There was no gatehouse, just wooden doors set into the wall. Within the
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wall were several wooden outbuildings: barracks, stables, storage and
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the like.
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The keep itself was a two-story stone structure with a flat roof
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and crenelations. It bore a single tower in one corner that rose another
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story before being capped with a conical slate roof. Inside the keep,
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most of the ground floor was occupied by the gathering hall, with the
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kitchens to one side and guest quarters on the other. The second floor
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was all apartments. It was an easy layout to memorize and keep track of,
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and I made sure to do it as soon as possible.
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Huyal, Demni, and Prett had traveled with me in the caravan. The
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first two were guards, naturally. The former retainer served as another
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hired hand. The rest of the Payslee Puppets were to arrive individually.
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Some were already present; the rest were supposed to do so within the
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next few days. I had that long to snoop around and learn what there was
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to learn first hand.
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|
Skulking and prying in secret after information is not one of the
|
|
classes taught in the Bardic College. Nevertheless, a surprising number
|
|
of us take training in the subject when and where we can. Sometimes the
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truth requires that an effort be made to lure it out, like a shy maiden,
|
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or a wild bird. I went seeking, coy and quiet, striving to be as
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scarcely noticed in my work as any hunter after game.
|
|
I learned from the guards themselves that the watch was still
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tripled on the door to the vaults beneath the keep as they grumbled over
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their boring duty in the kitchen at midday. The extra work had begun a
|
|
fortnight past, when a thief had attempted to steal a valuable treasure
|
|
that Baron Jaleit had entrusted to Baron Frasilk. That thief had been
|
|
run down and killed, and the Baron himself had rewarded the two who had
|
|
done it for their diligent service. Speculation had the well-guarded
|
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treasure being a scepter of gold, or a crown carved from amber, or a
|
|
small statue with magical powers that one guard seemed to remember that
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|
Baron Jaleit had always treasured. It was not easy to grit my teeth and
|
|
remain impassive when they called Shorel a base thief masquerading at
|
|
being a bard.
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|
I learned, again by being in the right place to overhear others
|
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speak, that Jaleit's boys had still not been seen by anyone save Baron
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|
Frasilk since Deber or perhaps earlier. The baron daily took food and
|
|
medicine up to their tower room, and a doubled watch of guards stood at
|
|
the base of those tower stairs lest some other scoundrel sneak into the
|
|
keep with a mind to harm them. The baron took his responsibility to
|
|
Krandel and Eelis very seriously, so that even the keep's physician was
|
|
not allowed to see the boys, but must dole out his tonics and poultices
|
|
by what Frasilk told him. I wondered upon hearing this how the boys were
|
|
getting food and care in their real hideaway, as no one had entered the
|
|
vaults since Shorel's fatal attempt.
|
|
What I experienced for myself in Frasilk's court, and of Frasilk
|
|
himself, surprised me. My expectations had, of course, been colored by
|
|
my private knowledge. The court that I had imagined could foster the
|
|
right conditions for such treachery as the baron perpetrated would have
|
|
been one full of intrigue, with all manner of minor nobles battling
|
|
covertly for position amongst themselves. The modest keep of Baron
|
|
Frasilk was nothing like that. Rank was barely honored, save that of the
|
|
baron himself. He had honest, simple, loyal people around him, people
|
|
who served their baron as they would their duke or their king, with
|
|
their whole selves. Cooks cooked gladly, guards guarded contentedly,
|
|
pages ran about happily, and squires trained with their knights eagerly.
|
|
And the baron seemed just the sort to foster that kind of
|
|
camaraderie. Frasilk was a large man, huge of chest and arm, a fighting
|
|
man with the rough manners of one. He never stood on ceremony, or put on
|
|
airs. He seemed to be one of his people, instead of the lord of his
|
|
people, and they treated him that way too.
|
|
Did I see a haunted look in his eyes late at the dinner table? Did
|
|
I catch him falling silent at odd times when all around him was noise
|
|
and laughter? Were his trips up the stairs more ostentatious than I felt
|
|
was needed? Did I only imagine these things because of what had happened
|
|
one afternoon a fortnight ago?
|
|
If I had not known Shorel as well as I had, I might almost have
|
|
believed that the tale carved into the walking stick was the false one.
|
|
But Shorel was no thief, nor was she a liar. I still had work to do.
|
|
Normb was a slighter copy of his father. Only twenty years old,
|
|
he'd not had the experiences that had deepened his father's chest or
|
|
broadened his shoulders. Normb strove for the same kind of openness his
|
|
father had, but it was still evident that he was apart from them, more
|
|
noble than common.
|
|
As for Shindi, I saw her seldom, and only at meals. There, she sat
|
|
quietly on the opposite side of the baron from her promised husband, and
|
|
seemed quite sad. Perhaps she missed her brothers, or even her father.
|
|
She was still quite young, and small for her age, delicate, beginning to
|
|
hint at the beauty she would be as she grew older. Standing next to
|
|
Normb, though, she looked like a doll, or a figurine, so small and
|
|
fragile, so lost.
|
|
|
|
My other recruits filtered into the keep slowly, making sure that I
|
|
knew of their presence with a slap on the shoulder as they passed me, or
|
|
a hearty greeting and a wink. My plan was formulated by the time the
|
|
last one had arrived. In a court like the one I had imagined my ploy
|
|
would never have worked; here, they were too honest to think every
|
|
possible move through to its most devious end.
|
|
I passed word to Goerff that everyone should meet at night's
|
|
seventh bell at the base of the tower stairs. Late that evening, I was
|
|
just outside the kitchen when a young page exited it carrying a tray
|
|
bearing the mid-watch meal of the tower guards. I chatted amicably with
|
|
the boy for a few moments, easily distracting him long enough to slip
|
|
the sleeping draught into the jug of ale, then let him continue on his
|
|
way.
|
|
I was first to arrive at the foot of the tower stairs two bells or
|
|
so after the middle of the night. The two guards posted there were fast
|
|
asleep; my plan was working so far.
|
|
Even so, I couldn't help but feel nervous at what I was
|
|
undertaking. I hoped that the danger was minimal, but I couldn't be
|
|
sure. And the baron had ordered Shorel killed for her discovery. I hoped
|
|
that I had foreseen all eventualities.
|
|
I attempted to distract myself while I waited by reviewing the
|
|
night's proposed activities. I had decided to check the tower room first
|
|
for two reasons. The door to the vaults under the keep had six guards
|
|
watching over it, and the chances of one of those six not drinking
|
|
enough of the drugged ale was too great to risk. Also, the door was well
|
|
secured by chains and bars, requiring three different keys to open it. I
|
|
had no reason to believe that any of the members of the Payslee Puppets
|
|
knew how to open those locks, and neither did I.
|
|
In any case, there had to be another way into the vaults. I knew
|
|
that Baron Frasilk had Shando's boys imprisoned in the vaults below the
|
|
keep, but I couldn't believe that he had simply locked them away to let
|
|
them starve. Shorel had found them alive, so the baron hadn't just
|
|
killed them out of hand. My thinking was that he needed them alive until
|
|
after the wedding, probably as insurance against anything going wrong.
|
|
Until Shindi was Normb's wife, the rightful heirs needed to be kept
|
|
alive, in case something went wrong. Only once Normb had a rightful
|
|
claim to Jaleit's daughter were the sons of Shando really expendable.
|
|
Perhaps it was a leap that only a bard with his head full of old
|
|
tales could make, but I was wagering that Frasilk's daily excursions
|
|
into his tower served two purposes: to give the impression that he was
|
|
taking care of the sick children, and to take the food he pretended to
|
|
carry to their sick room into their actual cell. If I was wrong, and
|
|
remained uncaught, we would simply have to determine a way through that
|
|
well-guarded door.
|
|
One after another, my recruits appeared. Soon there were nine
|
|
people standing around me, and it was time to begin. I quietly explained
|
|
my plan, and chose my caravan-companions to come with me. The other six
|
|
members of Goerff's troupe were instructed to wait until light and, if
|
|
we did not return, he was to take up the burden of proving Shorel's
|
|
story and, if possible, of rescuing us.
|
|
I began to climb the stairs, my picked companions following
|
|
cautiously. We went directly up about three floors and came to a small
|
|
landing with a single door. It opened easily when I lifted the latch,
|
|
and we entered a completely empty room.
|
|
There weren't even the trappings of a sick-room here: no bed, no
|
|
fire in the single hearth, and certainly no ailing boys. A cold stone
|
|
floor, bare stone walls, a peaked wooden ceiling, shuttered windows, and
|
|
the fireplace, empty of logs and even of ash. I also noted that there
|
|
was no pile of dishes or of food here. If Frasilk didn't take his trays
|
|
of food elsewhere, then what did he do with them?
|
|
The four of us tapped on walls and pushed at likely looking stones,
|
|
hoping to find the secret door I was sure existed. No one was having any
|
|
success, even after half-a-bell of searching. I stood in the middle of
|
|
the room and tried to think while the others continued looking. As they
|
|
brushed their hands across the walls and eyed cracks in the mortar for
|
|
signs of regularity, I noticed that no one was searching in the area
|
|
around the door. I had ignored it for what was likely the same reason:
|
|
there was a landing out there, and so no place for a secret passage to
|
|
exist.
|
|
I wondered, however, if that wasn't part of the secret. I opened
|
|
the door and checked the dimensions of the landing. Pacing off those
|
|
dimensions within the room left plenty of wall that hadn't been checked.
|
|
I tapped first to one side of the door and then to the other, and was
|
|
finally rewarded by a hollow echo. With only a bit of poking and
|
|
prodding, I found the catch and the hidden door opened wide.
|
|
My recruits had already gathered around me, so we lifted our
|
|
lanterns and started into the new passage. It looked as if the hidden
|
|
stairway followed the open stair exactly. It made sense to me: why build
|
|
two staircases when you can build one, and then build a wall down the
|
|
middle of it?
|
|
We descended as far as we had ascended, as quietly as frightened
|
|
rats within the walls. At the level of the main floor, the stairway
|
|
turned to the side and continued downward. At the bottom, we quickly
|
|
found the catch and another hidden door swung open onto the vaults of
|
|
Frasilk Keep.
|
|
The layout of the cellar was simple. There were two corridors set
|
|
crosswise to each other. One corridor ended in the stairs that led up to
|
|
the well-locked main door; the cross corridor had the secret door at one
|
|
end. Doors lined each corridor, the ones closest to the main stairway
|
|
pierced by small, barred windows so they could be used as cells at need.
|
|
A quick check showed that none of them were occupied.
|
|
All of the doors were locked, but a large key ring hung at the base
|
|
of the main stairs. I distributed these keys among us and we began to
|
|
search.
|
|
I took my keys and went to the door farthest from the stairs. I
|
|
tried all three keys on it, but none worked. I tried the door on the
|
|
other side of the corridor, and the last key opened it.
|
|
The room was small and uninhabited. I might have ignored the pile
|
|
of clothes in the corner if there hadn't been a wooden flute on top. I
|
|
walked over to the pile and picked up the flute. I knew it was Shorel's
|
|
-- I could tell from the wear marks, especially the one her little
|
|
finger had made where she rested it. I knelt and moved aside the
|
|
clothes, recognizing one tunic I had purchased for her, with leaves
|
|
embroidered around the neck and cuffs. Her saddlebags were here as well,
|
|
hastily stuffed with her personal items: her quilt, the portrait in wood
|
|
of her brother, the strange stone sculpture I had first seen the
|
|
previous summer, the last time we had been together.
|
|
I set my lantern down on the floor and took the stone sculpture out
|
|
of the saddlebag. I stared at it with an intensity that blocked out all
|
|
other thoughts, including the reason I was down here in the first place.
|
|
I traced the interlacing bands of gold, silver and glass. I brushed my
|
|
fingers across the two animals sculpted into the outer third of the
|
|
arced edge, lightly over the fox, but more caressingly over the stylized
|
|
cat.
|
|
I remembered that night in the Bardic College when I had first seen
|
|
it. I recalled dinner, when I had been distracted by that handsome, if
|
|
not well talented, bard named Kethseir. I remembered going up to
|
|
Shorel's room afterward, intent at first on making it up to her for my
|
|
periods of inattention at the meal. I had noticed the addition to her
|
|
possessions almost immediately. I recalled the way it had seemed to be
|
|
part of me, to belong to me, from the first moment my eyes rested on it.
|
|
I had needed to concentrate hard to make good on my promise to myself to
|
|
pay full attention to Shorel, despite the call of the sculpture.
|
|
It still called to me, and now there was nothing to keep me from
|
|
taking ownership of it.
|
|
The thought reminded me of Shorel, which reminded me of my mission.
|
|
I wondered how much time I had wasted staring at the stone. I set it
|
|
down reluctantly, and as I stood I heard the clash of arms.
|
|
Lifting my lantern from the floor, I dashed out of the room and
|
|
then stopped. In front of me, Huyal and Demni were defending themselves
|
|
against two fully-armored guardsmen. Beyond them was the baron, looking
|
|
furious. The short swords of my recruits were barely serving to protect
|
|
them against the larger weapons of the baron's men.
|
|
I strode forward, and said, "Stop! Before someone else is killed!"
|
|
with all of the authority I could muster.
|
|
My desperate gambit worked; the guards looked at me and stopped,
|
|
backing away from their prey. Baron Frasilk looked at me, and then
|
|
looked at them and said, "I didn't tell you to retreat! Do your duty!
|
|
Kill them, and him too!"
|
|
Before the guards could comply, I said, "Baron, wait! Think about
|
|
what you want to do. How many will have to die to keep your secret?"
|
|
He laughed, somewhat nervously. "What secret, thief? That the
|
|
treasures of my vaults seem to attract rogue after rogue? Eventually
|
|
there will be enough bodies to deter future knaves like you." He spoke
|
|
with bravado, but to his own men, not me. He was trying valiantly to
|
|
maintain his fiction; his words told me that these men didn't know the
|
|
truth.
|
|
I contemplated telling them myself, but I couldn't count on them
|
|
believing me no matter how authoritative I sounded. I was just another
|
|
thief, and not even one masquerading as a bard, as they believed Shorel
|
|
had. I thought about going back into that room to fetch the scrolls in
|
|
her saddlebags, thinking that might convince them of her actual status
|
|
... but no, they might just as easily believe she had stolen them from
|
|
the same person she had stolen her horse and other gear from.
|
|
I began to think that this phase of my plan was not going to
|
|
succeed. And then, as I thought about it, I realized that the other
|
|
phase was not going to work any better if this one did fail. I had left
|
|
six people behind with the knowledge of what the baron was really doing.
|
|
But they had no more proof than I did. They could tell their tale, but
|
|
who would believe such perfidy of their baron? Even if enough people
|
|
could be made to doubt, and a group was permitted into the cellars to
|
|
search, Baron Frasilk had a multitude of options. It would take time for
|
|
my six accomplices to generate enough support to force such a search;
|
|
Frasilk could spirit the boys away at any time through the hidden
|
|
doorway, and the search would find nothing. He might even be forced into
|
|
the ultimate act of killing the boys and hiding the bodies, or just
|
|
saying that they had succumbed to their illness like their father before
|
|
them. I had miscalculated, and my anchoring plan was already a failure.
|
|
I had no choice but to make my first plan work, or all was lost.
|
|
"So, baron, what happened last winter?" I asked, switching targets.
|
|
I spoke rapidly, but with assurance, and with that same authority I had
|
|
used earlier. "Your friend Shando Jaleit asked you to be regent for his
|
|
son, and suddenly there was an opportunity right in your midst. A means
|
|
to improve your son's inheritance greatly, and only two young boys to
|
|
suffer for it.
|
|
"How long did you agonize over your decision? Was it an impulsive
|
|
thing, as you sat in your gathering hall one stormy night, looking at
|
|
the sparseness of your home, and imagining the luxury that Krandel would
|
|
be going home to eventually with a coronet on his head? Or did you plot
|
|
and plan, perhaps actually poisoning Shando as a means to set up this
|
|
carefully orchestrated marriage?
|
|
"Tell me, Marin, is it really worth it? Do you think your son would
|
|
appreciate all that you are doing for him? Or your people, who love you;
|
|
would they still love you knowing the steps you are taking to increase
|
|
their prosperity? Would your guards still be loyal to you if they knew
|
|
that Shando's sons are not ill, but being held prisoner by you so that
|
|
your son will be able to inherit Jaleit's lands as well as your own?"
|
|
The two guards' heads were swiveling between me and their baron, at
|
|
first wondering what I was talking about and then wondering why Baron
|
|
Frasilk wasn't denying my accusations. Frasilk himself was too busy
|
|
turning red with fury and then white with fear to respond to my
|
|
questions. As I finished my litany, he finally said, "You ... you ...
|
|
you lie! How dare --"
|
|
At that moment, Prett stepped out of the cross corridor and was
|
|
spotted by one of the guards. He pointed and said, "'Ware, my liege,
|
|
another is behind you!"
|
|
Frasilk turned and saw Prett. His nervousness seemed to increase,
|
|
and he said, "Quickly, men, apprehend that one! The treasure ..."
|
|
He was interrupted by the appearance of that treasure. Two boys
|
|
stepped up behind Prett, two young boys who were pale but seemed to be
|
|
in good health otherwise. I could see their resemblance to their sister.
|
|
The baron wilted on the spot, and his guards let their swords, and
|
|
their jaws, fall. I walked passed them, and over to Prett, drawing my
|
|
own people with me. Soon, we were grouped around Prett and the boys
|
|
protectively, facing the stricken baron.
|
|
"Let me ask another question, Baron Frasilk," I said. "How would
|
|
you like to handle this little revelation? These guards now know the
|
|
truth. Would you have them executed for it, as you wished us executed?
|
|
Or do you think them loyal enough to you to keep your secret?"
|
|
Frasilk stammered, "I ... I ..." He looked at his guards, who were
|
|
frowning at him. "I ... I didn't mean ... I thought ..." The baron
|
|
deflated like a punctured bladder. In a voice much too small for his
|
|
frame, he said, "No. No, this is too much. Too many problems, too many
|
|
complications. I shouldn't have ever attempted ..."
|
|
He looked up at me, anguish in his eyes. "I only wanted what was
|
|
best for my people. When Shando made me regent, the possibilities were
|
|
suddenly there in front of me, like flowers in a garden, waiting to be
|
|
plucked. It was so easy ...
|
|
"If my people hadn't been so loyal to me, it would never have
|
|
worked. But they believed me. They never questioned a word I said. All I
|
|
had to do was say it, and they all believed boys were sick. Normb wasn't
|
|
happy about being betrothed to little Shindi, but he never complained to
|
|
me. He never said, 'But why, father?' He didn't even know of my plan,
|
|
yet he never objected. I don't deserve such loyalty."
|
|
Taking pity on the man, I said, "Perhaps you could arrange for
|
|
Baron Jaleit's sons to make a miraculous recovery today, leading them
|
|
down from their sick room yourself and presenting them to your court
|
|
with all manner of rejoicing that they have recovered. I'm sure that
|
|
would be an acceptable way to begin atoning for your mistake.
|
|
"There remains, of course, reparations to these boys for locking
|
|
them away from the sun for half a year. And also for tricking your
|
|
guards into killing a bard. Nor do I think that your son should be
|
|
required to bravely suffer his betrothal any longer. I'm sure we can
|
|
come to some kind of arrangement, right?"
|
|
The baron's guards had a look of determination on their faces, but
|
|
it was directed at their liege. Frasilk didn't say anything more; he
|
|
just nodded and hung his head in shame.
|
|
|
|
I rode away from Frasilk Keep with several announcement and record
|
|
scrolls in my case. The marriage between Normb Frasilk and Shindi Jaleit
|
|
was canceled. Baron Jaleit's two sons had made a complete recovery from
|
|
their two-season-long illness and were doing well. Prett, the former
|
|
retainer, was named as Krandel Jaleit's new regent, and the Jaleit
|
|
household moved back to their castle shortly after Melrin.
|
|
I also took with me Shorel's stone sculpture, leaving the rest of
|
|
her belongings behind. I told myself that it would remind me of her, but
|
|
truthfully, it never did. Taking possession of it was like reclaiming
|
|
something of mine and so thorough was that feeling that I never
|
|
associated the stone with Shorel again. I carried it with me everywhere,
|
|
taking it out to look at, to touch, to experience it often. It became
|
|
like a talisman to me, and I took great comfort from its presence in my
|
|
life.
|
|
Perhaps there had never been any need of bad omens in the first
|
|
place.
|
|
|
|
========================================================================
|
|
|
|
Past, Present, and Presage
|
|
Part 1: Simona's story
|
|
by Rena Deutsch
|
|
<Rena3@hotmail.com>
|
|
Magnus, Deber 1010
|
|
|
|
It has been seven years since I entered the Bardic College, seven
|
|
long years during which I learned how to read and write and tell stories
|
|
with the songs I sing. My teachers say I have much to learn before they
|
|
will bestow upon me the first stave of my journeyman bard rank and let
|
|
me leave the protective walls of the college. Yet my longing to see my
|
|
mother and sister leave me crying at night. Even worse, I am not
|
|
supposed to tell anyone about my sister so she will be protected and not
|
|
taken away from our mother as I was. But I have to tell someone. The
|
|
pain of keeping this secret is too intense to bear alone. You, my
|
|
friend, are sworn to secrecy and must not betray my trust.
|
|
I still remember the day I was taken as if it happened yesterday,
|
|
though it took place almost nine years ago.
|
|
|
|
"Mama! Mama! Megan got sick again," I yelled, running towards our
|
|
house. My mother stepped outside. I could see she wasn't pleased.
|
|
"Simona, not everyone needs to know your sister isn't feeling
|
|
well," she scolded me. I felt my cheeks burn and looked down at the
|
|
ground.
|
|
"I am sorry Mama, I forgot."
|
|
"Where is Megan?" she asked me, her voice soft and full of concern
|
|
for my sister.
|
|
"She's sitting under the apple tree. She said she needed to rest."
|
|
I took my mother's hand and rushed with her to Megan's side.
|
|
Even though Megan and I are twins, we do not look alike. Megan
|
|
looks a lot like our mother with her red hair, green eyes, and fair
|
|
skin. I, on the other hand, have black hair, blue eyes, and a complexion
|
|
that is a bit darker than my twin's. Mother says I look a lot like my
|
|
father. Megan and I never met our father; he died in a hunting accident
|
|
the day we were born. My grandfather told me it was because of a curse
|
|
that had been put on our family many generations before. But I will get
|
|
to that later. I knew nothing of a family curse that day, and neither
|
|
did Megan.
|
|
Megan looked very sick and mother didn't waste a moment. She picked
|
|
her up and carried her back to the house.
|
|
"Simona," my mother called me after she'd put Megan to bed. "Please
|
|
go to Rebecca's house and ask her for more herbs for your sister."
|
|
I did as I was told. It was a beautiful summer day. I took the
|
|
route through the fields to Rebecca's house, which was at the other end
|
|
of our village. My tiny feet flew over lush grass, jumped over stones
|
|
and other obstacles, and waded through the cold water of a small creek.
|
|
Out of breath, I arrived at my destination, my eyes searching for
|
|
Rebecca. I located her in her herb garden and approached her. Rebecca
|
|
knew more about herbs than anyone else and whenever anyone got sick, she
|
|
was sent for.
|
|
We got to know Rebecca well, because Megan was sick quite often.
|
|
Politely, I asked her for herbs for my sister. She invited me to follow
|
|
her inside. It always smelled like a big garden inside her house. Every
|
|
wall had plants and flowers stuck to it for drying. Curious, I watched
|
|
as Rebecca mixed the herbs for my sister and put them in a pouch. I
|
|
could not identify the plants she picked, but they smelled good. I had
|
|
learned from past experiences not to interrupt Rebecca when she mixed
|
|
herbs. The last time I had dared to bother her, she'd grabbed me by the
|
|
arm, yelled at me for interrupting, dragged me outside, and made me wait
|
|
in the rain. I'd been quite cold by the time I'd gotten home. That day
|
|
though, I sat patiently on a footstool and waited. Finally, Rebecca
|
|
handed me a pouch, patted my head, and sent me on my way with get-well
|
|
wishes for my sister.
|
|
On my way home I noticed a caravan approaching our village and got
|
|
excited. An arriving caravan meant we'd be trading again. Mother made
|
|
beautiful baskets and had several ready for selling and bartering.
|
|
Returning with the herbs for my sister, I couldn't contain my excitement
|
|
as I told mother about the merchants.
|
|
"Mama, can I go and see the peddlers?" I could barely stand still.
|
|
"Did you water the garden?"
|
|
"I did that before you sent me to Rebecca, and I fed the rabbits,
|
|
because Megan wasn't feeling well."
|
|
"Then you may go." Mother smiled at me and pulled two Bits out of
|
|
her purse. "See if you can get a handful of eggs for supper."
|
|
Mother's request made me feel proud. It didn't happen very often
|
|
that she would trust me with money. Carefully, I placed it in my little
|
|
pouch and secured it to my belt. I took my basket, made sure I had some
|
|
soft cloth in there to cushion the eggs, and went merrily on my way.
|
|
Skipping part of the way and running the other, I quickly reached the
|
|
place where the peddlers had set up their wares. Already, most of the
|
|
women were present, checking out the merchandise.
|
|
I took my time looking at the variety of items displayed. I had
|
|
little use for kettles, cloth, and other household items. One of the
|
|
peddlers, however, had something on his cart that drew my attention. It
|
|
looked liked a doll, but instead of cloth, it was made of wood. It had
|
|
strings attached to its hands, feet, and head. I stood and stared for
|
|
some time before the peddler noticed me. He took the doll on strings off
|
|
its hook and made it walk on the ground. Next the doll started dancing
|
|
to music no one could hear. Fascinated, I watched. What a tale I would
|
|
have to tell Megan when I got home. He made the doll bow and I clapped
|
|
my hands.
|
|
"Make it dance some more, please," I begged him, hopping from one
|
|
foot to the other. With a smile on his face he made the doll do another
|
|
dance and then parade in front of me.
|
|
"What kind of doll is it?" I asked the peddler, curious to find out
|
|
how he made it work.
|
|
"It is a puppet. See the strings, they pull on the hands and feet
|
|
and make it move." He demonstrated again how it worked. I reached out to
|
|
touch the puppet, but the peddler moved it out of my reach.
|
|
"Sorry, you may only look at it." Disappointed, I pulled my hand
|
|
back.
|
|
"How much for the puppet?" A voice asked from behind. I recognized
|
|
Jerel's voice and turned around. In my fascination, I hadn't noticed
|
|
that more people had been watching the peddler's demonstration.
|
|
"Four Rounds, sir," the merchant answered and my heart sank. I
|
|
would not be able to ask my mother and I knew Jerel could not spend that
|
|
much money for a toy. Jerel and his wife Zarit were not relatives, but
|
|
might as well have been. When my mother was a small child her mother
|
|
died. A friend of Jerel's traveled with mother to the village and left
|
|
her in Zarit's care because she was sick. After Jerel's friend died,
|
|
mother stayed with him and Zarit. They raised her as if she'd been their
|
|
own child.
|
|
Jerel shook his head and the peddler put the puppet back on its
|
|
hook. I just stood there and watched.
|
|
"Let's go home, Simona," Jerel said and took my hand in his.
|
|
Turning my head back to get one last look at the puppet, I followed his
|
|
lead.
|
|
"What is the basket for?" he asked me as I walked silently beside
|
|
him. His simple question reminded me of my mother's request.
|
|
"Mother asked me to buy eggs. Megan is sick again." Jerel guided me
|
|
to a woman who sold eggs and watched as I carefully placed the eggs in
|
|
my basket and paid. We left the market area and walked to the crossroads
|
|
together. Jerel's place was to the left; I had to continue on towards
|
|
the forest to reach my home.
|
|
"Tell Megan I wish her well, and let your mother know I will come
|
|
by tomorrow." Jerel said as he bid me farewell. I hugged him and walked
|
|
home, thinking about the puppet and how wonderful it would be to play
|
|
with it.
|
|
|
|
"You are just in time for supper, little one." Mother greeted me
|
|
with a smile as I handed her the basket with eggs. "Thank you for
|
|
getting the eggs."
|
|
"Mona!" Megan called weakly from her bed. I rushed to her side. She
|
|
looked pale, but seemed to feel better. "Tell me about the peddlers." I
|
|
cuddled beside her and told her what I had seen. When I told her about
|
|
the puppet, I took our rag doll and demonstrated the dance. Megan
|
|
giggled at my attempts to make it move like a puppet.
|
|
"Simona, time to eat," Mother called and I came. She put a bowl of
|
|
soup in front of me and went to feed Megan. I ate hungrily and then
|
|
joined my sister in our room. When father built the house we lived in,
|
|
he had created a room that could only be reached when walking through
|
|
the room mother slept in. I don't know why he did that, but Megan and I
|
|
loved that room. We could hide in it and no one but mother would know we
|
|
were there.
|
|
"Mona, tell me again about the puppet," Megan asked after she had
|
|
eaten.
|
|
"Simona has chores to do, then she can tell you," mother said and
|
|
sent me on my way. I knew what I had to do. I went outside to feed the
|
|
quail and made sure the goats were all in the fenced area. We had two
|
|
new kids so milking our goats was not possible for a few more sennights.
|
|
I had taken quite some time to tend to the animals. When I entered our
|
|
house I was surprised to see the peddler from this morning talking to
|
|
mother.
|
|
"... that did not seem of much concern to you before." I heard
|
|
mother say. She sounded bitter. I walked over and stood next to her.
|
|
"Simona, this is your Uncle Ezra. He is your father's brother. He
|
|
was just about to leave."
|
|
"Hello," I greeted him.
|
|
"Hello Simona," he replied and looked at my mother again. "We
|
|
already met. She was very interested in my puppets earlier."
|
|
I could see mother was not pleased to hear that. For a moment there
|
|
was an awkward silence. Uncle Ezra patted me on the head, then bid us
|
|
farewell and left. I felt mother relax the moment the door closed behind
|
|
him and she was able to lock it. Turning to me, she had a serious
|
|
expression on her face, which I had only seen once before. She pulled me
|
|
close, hugged me briefly, and then looked into my face.
|
|
"Simona, I need you to pay close attention now," she began,
|
|
sounding serious. I swallowed hard and nodded.
|
|
"Your Uncle Ezra came to take me back to your father's family. I
|
|
told him I was not going to leave here. We had a big argument just
|
|
before you came in. He knew I had a child, but he does not know that I
|
|
had twins. He knows about you, but not Megan. I do not want him to find
|
|
out that there are two of you. He will be leaving with the caravan again
|
|
in a few days. Until then, promise me to stay away from him and do not
|
|
speak of Megan."
|
|
"I promise, mother."
|
|
"That's my girl!" She hugged me again and whispered, "I love you,"
|
|
in my ear.
|
|
"Why does Uncle Ezra want you to leave here?" I asked, curious
|
|
about a family I had not heard much of before.
|
|
"Before you and Megan were born, your father and I went to see your
|
|
father's family. Your Uncle Ezra is your father's brother. We had a big
|
|
argument with your grandfather and left shortly after that. Your
|
|
grandfather said he didn't want to see me ever again, and if I would
|
|
return, he would hurt me. When your father died, his family blamed me.
|
|
Your uncle said that his father, your grandfather, had forgiven me, and
|
|
wanted to see my child and me. But do not worry, we will not be leaving
|
|
here."
|
|
"And I will not tell him about Megan."
|
|
"Straight, Simona. Do not tell him you have a sister."
|
|
"Can I sleep with you in your bed tonight?" I asked feeling the
|
|
need to be close to my mother.
|
|
"Yes, you can," she answered and stroked my cheek. Together we
|
|
looked in on Megan. She was already asleep. I tiptoed in, kissed her on
|
|
the forehead just like mother did every night, and whispered good night.
|
|
That night was the last time I saw Megan and my mother.
|
|
|
|
The next morning I got up early and went to the outhouse to relieve
|
|
myself. I was about to go back when I felt a hand clamp down on my mouth
|
|
and I was picked up and carried away. I struggled with all my might,
|
|
kicked as hard as I could, but to no avail. Before I could do much more,
|
|
I found myself bound inside a wooden box, with a piece of cloth in my
|
|
mouth. I was scared and unable to move. I do not know how much time I
|
|
spent inside the box. At some point I heard voices calling my name. I
|
|
wanted to scream, "Here I am," but the cloth prevented me from doing
|
|
that. I must have fallen asleep inside my prison. The box, which had
|
|
been rocking for a long time, suddenly lay still and then someone opened
|
|
it. I was surprised to see my Uncle Ezra. For a moment I thought he
|
|
would take me home to mother, but I was wrong.
|
|
The sun had already set when my uncle opened the box. I had soiled
|
|
myself and reeked of urine. Before he removed the cloth from my mouth,
|
|
he told me to be quiet or I would not get anything to eat or drink.
|
|
Afraid of what else might happen to me, I nodded. Yet the moment he took
|
|
the cloth out of my mouth, I screamed. My uncle's hand hit me hard in
|
|
the face; I fell backwards and banged my head. I screamed even louder
|
|
and my uncle shoved the cloth back in my mouth.
|
|
"I told you to be quiet!" he growled at me. "If you don't listen,
|
|
and keep quiet, I'll leave you tied in the forest for the catwyrm to
|
|
find and eat you!" Of course I had heard the story of the catwyrm, and
|
|
was terrified. The catwyrm is a giant cat that tricks people into
|
|
thinking a child is crying. When a person follows the cry and gets
|
|
close, the catwyrm catches and eats him.
|
|
"You will keep quiet if I take this cloth out and untie you,
|
|
straight?" Teary-eyed, I nodded.
|
|
He took the cloth out and I could breathe better. Quickly, he
|
|
untied my hands and feet. I rubbed my sore wrists and climbed out of the
|
|
box. Stripping me of my soiled garments and getting me cleaned up was
|
|
next. Soon I started to feel better. My uncle handed me clean clothing.
|
|
To my surprise they were boy's clothes. At first I refused to put them
|
|
on, but again I was threatened. Finally, I received a bowl of cold stew.
|
|
My uncle's next task was to cut off my hair. I let out a scream when I
|
|
felt the first pull on my hair and was promptly punished. I was hit hard
|
|
on the back of my head. My hair was as short as a boy's after my uncle
|
|
was done cutting. Thick tears cascaded down my cheeks, but I did not
|
|
make a sound.
|
|
"Now you listen to me Simona, this is the last time I will call you
|
|
by this name. From now on, you will pretend to be a boy. Your name is
|
|
Sarim; that was your father's name. During the day you will stay inside
|
|
this wagon. You will be quiet and behave yourself. If you do not listen
|
|
you will go back into this box. Do you understand?"
|
|
"Yes," I whispered, too scared to try and resist.
|
|
The next day, my uncle warned me again to be still inside the
|
|
wagon. I nodded, but when the wagon started moving, I climbed out the
|
|
back and ran into the forest. I didn't get far. My uncle caught up with
|
|
me quickly. He hit me hard and all went black. When I woke up, I was
|
|
back in the box, bound and gagged. I tried a few more times to escape,
|
|
but each time I was caught, I took a beating and was placed into the
|
|
box. Finally, I gave up and complied with my uncle's wishes.
|
|
It seemed we traveled forever. I spent my days sitting quietly
|
|
inside the wagon, thinking about Megan and mother, crying at times. I
|
|
missed them both very much. Finally, we seemed to have reached our
|
|
destination. Uncle Ezra introduced me to my grandparents as Anna's son
|
|
Sarim. The welcome we got was almost overwhelming. My grandparents were
|
|
seemingly happy to have a grandson and told me how much I looked like my
|
|
father. For the first time in sennights, I got to sleep in a bed again.
|
|
I was told the room had been my father's. Somehow that made me feel
|
|
safe.
|
|
The next morning, I woke up early and took a look around the room.
|
|
There was a desk and a stool underneath the window. At the foot end of
|
|
the bed was a large trunk. I tried to open it, but the lid was too
|
|
heavy. I looked up and saw a painting hanging on the wall. The sunlight
|
|
hit it so I couldn't immediately make out what it showed. I stepped
|
|
closer and drew in a deep breath. Mother! I stood and stared at the
|
|
picture until my grandfather opened the door.
|
|
"Time for breakfast," he said in a low voice. "Don't keep your
|
|
grandmother waiting!"
|
|
"Grandfather, did you put that picture of my mother here?" I asked
|
|
innocently. I don't know what I'd expected him to answer, but I
|
|
certainly wasn't prepared for his reaction. He stepped into my room as
|
|
fast as his injured leg would allow and reached for the picture on the
|
|
wall. With one stroke he pulled it from its hook and threw it on the
|
|
floor.
|
|
"Nooooo!" I screamed and rescued the painting before he could do
|
|
more damage to it. "Don't do that!"
|
|
"That is not your mother, it's one of your ancestors," he said
|
|
harshly. "Your mother has no place in this house!" I looked at him,
|
|
uncertain what to make of his words. He turned and left my room. Slowly,
|
|
I followed.
|
|
During breakfast everyone kept silent. My grandparents had already
|
|
finished their meal while I was still stirring half of it in my bowl.
|
|
"Who is the woman in the painting, grandfather?" I asked, taking
|
|
all my courage.
|
|
"Finish your breakfast and I'll tell you," he replied. His harsh
|
|
voice frightened me into eating the rest of the tasteless meal. I had
|
|
barely emptied my bowl, when my grandfather had me follow him outside.
|
|
He pointed towards a group of trees not too far away from the house,
|
|
commenting that there was one for every woman and girl in the family who
|
|
had died. I looked at him in disbelief. He told me to sit down next to
|
|
him and listen closely to what he had to tell me. What I heard that
|
|
morning was too much for my young mind to comprehend. I learned that
|
|
there was curse on the family and that my grandfather blamed my mother
|
|
for the death of my father. His words were harsh. I was choking back
|
|
tears. It hurt me to hear him speak badly of mother. I remembered the
|
|
promise I gave to mother and kept Megan's existence a secret. I hoped
|
|
that my uncle would take me back to mother, but I was wrong.
|
|
At the end of his story, my grandfather handed me a scroll. "This
|
|
scroll contains our family history. It will now be yours. You will learn
|
|
how to read and write so you can continue it."
|
|
"Yes, grandfather," I answered timidly.
|
|
"Keep it in a dry place!" he instructed me. I went to my room and
|
|
placed it on my desk.
|
|
|
|
Summer turned into autumn and I was still at my grandparents'
|
|
house. My days had fallen into a set routine. I got up early in the
|
|
morning, did my chores, and then reported to my grandfather. He
|
|
instructed me in the art of reading and writing. I was an apt student.
|
|
Soon I was able to read parts of the scroll I had been given when I
|
|
first arrived. The painting my grandfather had thrown to the floor was
|
|
back up on the wall. I had struggled for some time to put it back up and
|
|
finally had to ask my uncle to assist me. He only helped when I
|
|
threatened to tell that I wasn't really a boy. I still don't understand
|
|
why he deceived his parents, but when my grandmother found out the
|
|
following spring, he made it sound as if the whole plan had been my
|
|
mother's idea.
|
|
I had been out playing and when I returned that evening, I was
|
|
covered in mud. My grandmother poured some water in a basin and told me
|
|
to wash up and put on my nightshirt so she could clean my clothes.
|
|
Without thinking I took off my dirty clothes. My grandmother looked at
|
|
me in surprise and disbelief.
|
|
"You're a girl!" she yelled and the repeated it softer. "A girl!
|
|
You're a girl!"
|
|
My grandfather appeared, took one look at me, and left the room. I
|
|
blushed. An uneasy feeling crept up inside of me. I looked for my
|
|
nightshirt. My grandmother was still holding it. I took it from her,
|
|
pulled it over my head, and went to my room feeling I had done something
|
|
terribly wrong. I wasn't that far off.
|
|
My grandfather must have been waiting outside for Uncle Ezra,
|
|
because when he returned I could hear both of them yelling at each
|
|
other. I pressed my hands over my ears so I wouldn't have to listen to
|
|
their conversation. I was frightened: afraid of what my grandparents
|
|
would do to me and most of all what my uncle would do. The box on his
|
|
wagon was still fresh in my memory; so were the beatings I'd received
|
|
from his hands.
|
|
The next morning my uncle awakened me. He handed me the dress I'd
|
|
worn the day he'd taken me away from mother and told me to pack my
|
|
things and meet him outside. The dress was tight and made me feel
|
|
uncomfortable. I took a pouch and placed my few belongings in it. I
|
|
looked at the scroll on my desk and decided to take it as well.
|
|
Carefully, I rolled it up. I took one last look at the painting on the
|
|
wall and went outside to meet my uncle, uncertain of what to expect.
|
|
Surprisingly enough, he didn't hit me or threaten me in any way. He
|
|
gestured me to climb into the wagon, handed me some bread and a mug with
|
|
water, and told me to sit down. As soon as I was seated the wagon
|
|
started moving.
|
|
My uncle and I went traveling. While we were on the road, he taught
|
|
me to play the lyre and sing. Soon I was earning extra Bits, performing
|
|
for the people in the villages we passed. I traveled under the
|
|
assumption he would return me to my mother. The months passed and we
|
|
never came near my mother's house. I took courage and asked Uncle Ezra
|
|
when I would see her again. I believed him when he told me that we were
|
|
on our way there, but had to take a different route.
|
|
We reached Magnus not too long after I had asked about my mother.
|
|
My uncle showed me a building and explained that this was the Bardic
|
|
College. He told me that the teachers there would instruct me further in
|
|
reading and writing. We entered the building and were asked to wait. I
|
|
took my lyre and played to pass the time. Eventually, a messenger came
|
|
and spoke with my uncle. I was told to stay where I was, while my uncle
|
|
left with the messenger. I do not know what kind of arrangements my
|
|
uncle made with the teachers at the Bardic College, but I was left
|
|
behind to eventually learn the trade.
|
|
Over the years I have tried to get word out to my mother, but to no
|
|
avail. The journeyman bards returned with the message that they hadn't
|
|
been able to find her. At night I dream of my mother and Megan. It is as
|
|
if they were standing beside me, their red hair blowing in the wind. I
|
|
long to see them and count the days until the first stave of my
|
|
journeyman bard rank is bestowed upon me and I will be able to leave
|
|
these protective walls in search of my family. Until then, all I have
|
|
are my childhood memories, my dreams, and the hope that one day I shall
|
|
see them again.
|
|
|
|
========================================================================
|
|
|
|
Loren Armare
|
|
Parte 3
|
|
by Max Khaytsus
|
|
<khaytsus@cs.colorado.edu>
|
|
Yuli 13 through 21, 1014
|
|
|
|
Part 1 of this story was printed in DargonZine 13-8
|
|
|
|
On this question of principle, while actual suffering was yet afar,
|
|
the repressed raised their swords against a power, to which, for
|
|
purposes of foreign conquest and subjugation, in the height of
|
|
glory that was not to be compared, a sovereignty which dotted the
|
|
surface of the known world with her possessions and military posts,
|
|
whose only goal was the conquest of civilization, which meant
|
|
taking away land from those who at any other time we would have
|
|
been proud to call brother.
|
|
|
|
"Videre Virile" (unfinished)
|
|
Lord Bistra Scire Deriman,
|
|
College Guild of Khronica
|
|
|
|
With breakneck speed, four horses emerged from the forest, their
|
|
riders urging them to speed up as they neared their ultimate
|
|
destination.
|
|
"Clear the way!" the lead man yelled, forcing his horse to jump
|
|
over a burning campfire. The horse, a trained army mount, carelessly
|
|
smashed the spit featuring rabbit or rat -- whatever was the catch of
|
|
the day -- and continued its charge into the camp. Soldiers quickly
|
|
cleared the way for the returning patrol and somewhere in the distance a
|
|
trumpet sounded their arrival. The lead rider, a lieutenant by rank,
|
|
reined his horse at a large pavilion, waiting for his men to gather
|
|
around him.
|
|
"Josef, proceed to Gateway and alert them. Report to no one less
|
|
than a senior captain. General Vasquez or Colonel Conti should be your
|
|
goal."
|
|
"Yes, sir!" one of the riders answered and spurred his horse into
|
|
motion.
|
|
The lead rider wearily dismounted his horse, twisting his back to
|
|
let the sore muscles stretch. As he did, the flap on the pavilion opened
|
|
and two men quickly made their way towards him.
|
|
"You made quite a ruckus returning, lieutenant," the first man
|
|
said. "I hope you're quieter on your patrols."
|
|
"Yes, sir, I am," the scout saluted his captain. "And I have a
|
|
report to make."
|
|
The other soldier, also a lieutenant, impatiently folded his arms.
|
|
"Dalton, we're working our way east, following ten regiments of heavy
|
|
infantry. The only thing of interest downriver are ruins of once-great
|
|
cities."
|
|
"Stand down, Tobias," the captain ordered. "There is always time to
|
|
look over our shoulder."
|
|
Dalton impatiently pushed on his horse's side, making the animal
|
|
shift out of the way, then knelt in the midst of the gathering crowd and
|
|
began drawing with his finger in the dirt.
|
|
"Being promoted to lieutenant does not disbar you from using
|
|
parchment, Dalton," Tobias moved closer to the slowly emerging image,
|
|
stepping dangerously close to the map forming on the ground.
|
|
Dalton did not answer, knowing full well Tobias was attempting to
|
|
provoke a reaction and while on any other day, with any other opponent,
|
|
he would be willing to take the challenge, he was painfully aware that
|
|
this man was the one major obstacle in his career and that his status
|
|
assured swift and uncompromising discipline given half a reason to
|
|
exercise such power. The edge of the map was abbreviated coming to a
|
|
sharp halt at the edge of Tobias' boot.
|
|
"Gateway," Dalton made a mark at the fork in the river. "Us, at two
|
|
days' march, Captain Hansard's three regiments another two days' back,
|
|
and Port Sevlyn all the way here," he pointed at Tobias' boot. "Our
|
|
patrol took us far enough downriver that we decided to join Captain
|
|
Hansard's troops for the night, rather than making camp in the forest.
|
|
They were happy to have us and the news from Gateway. Captain Hansard
|
|
wished me to report that they were delayed with the last of the cleanup
|
|
at Port Sevlyn, but managed to put together four shiploads of supplies
|
|
to be sent to Gateway."
|
|
Dalton paused, organizing his thoughts. The next part was the bad
|
|
news and he had to deliver it right. "We left yesterday morning, just
|
|
before sunrise, because I did not want to be forced to spend the night
|
|
in the woods. Going along the shore on horseback would have gotten us
|
|
back here by nightfall, but as we left, when we were two leagues out, at
|
|
the crest of a hill, we looked back and saw Baranurian troops crossing
|
|
the Laraka, heading for Captain Hansard's camp. And worst of all, they
|
|
were cutting us off from Captain Hansard. For us to warn them would have
|
|
meant having to fight through the Baranurian army and at five hundred to
|
|
one odds, all we could do was watch."
|
|
The scout marked a circle around where the Beinison troops made
|
|
camp. "The attack came from here, here and here," he said, marking
|
|
arrows in a rough triangular shape. "Most of the force crossed the
|
|
river, but there was a regiment that hit the camp from the south. I
|
|
can't even begin to understand how a troop that large was missed by
|
|
their scouts.
|
|
"Needless to say, they were taken by total surprise before the sun
|
|
broke the horizon and although they fought a good fight and had even
|
|
odds, they were simply overwhelmed by the intensity of the attack. Had
|
|
we stayed just half a bell longer, we would have suffered the same
|
|
fate."
|
|
"You stayed to watch the engagement?" the captain asked.
|
|
"Yes, sir. We were hoping there would be something we could do, but
|
|
as it is, all I have to bring back is sad news. After the battle, they
|
|
sent out scouting parties, several heading east. They're looking for
|
|
other enemy to fight and we're the next closest force."
|
|
Tobias spoke. "Captain Benjes, I volunteer to lead an immediate
|
|
counter-attack on the enemy."
|
|
"Not yet," Benjes knelt down across from Dalton. "Here and here,"
|
|
he pointed to the two arrows that crossed the Laraka, "are northern
|
|
troops. Possibly Narragan or Arvalia. Those troops were uncommitted, but
|
|
I'm surprised they made it this far so quickly. This," he pointed to the
|
|
attack that came from the south, "has to be a northern regiment as well.
|
|
There's practically nothing left south of the Laraka to offer
|
|
resistance. I'm surprised Hansard let such a large unit circle around
|
|
him without disclosing themselves. He is generally much more cautious."
|
|
"I've dispatched a man to Gateway," Dalton said, "but a message
|
|
from you would carry more weight, sir."
|
|
"We won't need reinforcements, lieutenant," the captain answered.
|
|
"At best it's one day there, two days back. The enemy will find us
|
|
before then, unless we do to them what they intend to do to us. How big
|
|
a force are they, lieutenant?"
|
|
"Four thousand or so," Dalton said. He had been working on that
|
|
number for over a day. "Mostly light infantry."
|
|
"And that makes us even with them," Benjes declared. "Tobias, take
|
|
two regiments across the Laraka, out to here." The captain's index
|
|
finger landed squarely on the halfway point between the two armies. You
|
|
will cross the river and attack at dawn. Dalton, you will take the two
|
|
other regular regiments along the south shore and stand by until Tobias'
|
|
attack begins. Take care not to advance too far, both of you. Their
|
|
scouts are no doubt looking for us. I will take all of the Knights of
|
|
the Star and we will close the loop right here." The three points of
|
|
attack made a perfect triangle, an inverted image of the attack that had
|
|
taken place the day before.
|
|
|
|
"How can you let him treat you like that?" a deep voice sounded
|
|
behind Dalton as he stirred the dwindling contents of the fire remaining
|
|
from the midday meal. "If I were you, Tobias would be food for the
|
|
wolves."
|
|
Dalton motioned for the man to approach and continued poking at the
|
|
dying fire, sending small embers of flame into the air. "I called you to
|
|
help me plan, not give me political advice."
|
|
"If I don't, who will?"
|
|
"No one and that's just as well. I've grown tired of this job,
|
|
these tasks, the daily toil of the Empire. Why are we here, Francis?
|
|
What has Beinison lost so far north?"
|
|
The newcomer settled down next to Dalton, letting his bulk spread
|
|
comfortably against the downed tree trunk his companion sat on. "We've
|
|
turned north because we've struck desert heading south."
|
|
"You're not answering my question," Dalton responded. "Why does
|
|
Cherisk need to be one under Beinison?"
|
|
"By no means are we one," Francis protested. "We have treaties with
|
|
Comarr, Shakin and Tholer'Ram. Defined borders where troops won't
|
|
cross."
|
|
"We had one with Lashkir, too. And some would argue that we had the
|
|
same gentleman's agreement with Baranur as we do with Galicia. What
|
|
happened to those?"
|
|
"They've become inconvenient to the throne," Francis said. "Untar
|
|
saw the greatness and might of the Fretheod and wants to be like them.
|
|
He's no different from his father. Or his grandfather."
|
|
"Yes, but what does that land get them? Why are we killing in their
|
|
name?"
|
|
"You still can't forget that farmer, can you?"
|
|
Dalton paused. There had been a farmer on a homestead they had
|
|
crossed a fortnight before. An older man with a gray head of hair and
|
|
wise old eyes. Skinny and weathered, he had tried to defend his farm and
|
|
a wife and two daughters. As the regiment advanced he stood before his
|
|
home, a heavy old sword in hand and the knights, on horseback, leveled
|
|
their lances and took charge, much as they would when hunting a boar.
|
|
The first one missed. The second knight ran the old man clean through.
|
|
The shaft of the lance went through his stomach, sticking out half way
|
|
on the other side, forcing the knight to drop it. And the old man had
|
|
still been alive.
|
|
After the troops were done looting his house, the lance had been
|
|
retrieved. The old farmer gasped in agony as it was pulled out, cursing
|
|
the soldiers and swearing that his two sons, now in the Baranurian army,
|
|
would take their revenge. Then he had died, his lifeblood soaking deep
|
|
into the soft dirt before his house.
|
|
Dalton kicked at the dying embers of the fire. When would Beinison
|
|
kill the old man's sons? Was it a month ago or would it be in a month?
|
|
Would they know what had happened to their father? That their mother had
|
|
died crying over her dead husband's body? And the daughters ... he
|
|
didn't even know which regiment had walked off with them.
|
|
"I was just a squire then ..."
|
|
"Deep in your soul, you still are." Francis stood up and put his
|
|
hand on Dalton's head. "Your old master's footsteps may no longer seem
|
|
clear, but in them you must walk as he takes his final rest. Sanar's
|
|
wisdom will guide you."
|
|
"You are Sanar's wisdom, Francis. You've always given me all the
|
|
answers I looked for ... except for why we must kill."
|
|
"In some ways the paths on which we walk are predetermined. We're
|
|
ruled by giants who control our fate. Untar and Benjes are such giants.
|
|
Tobias, he's a bully."
|
|
"He thinks I'm too young, too inexperienced."
|
|
"You are, but someone had to take your master's place, to fill a
|
|
gap and to lead. You will grow into your title of knight and serve the
|
|
Empire well."
|
|
"But I won't be required to like it," Dalton answered. "Help me
|
|
plan the raid. I have little time to banter over philosophy."
|
|
|
|
It was still some time before sunrise, but Dalton's troops stood
|
|
ready to move against the Baranurian soldiers who camped in the forest
|
|
along the Laraka. They had found a fairly inconvenient location to use,
|
|
the top of a low hill, which stretched out as a lengthy plateau. That
|
|
was to force the Beinison soldiers to fight uphill. Tricky, but not
|
|
impossible, especially under the cover of darkness. Advancing overnight,
|
|
Dalton's men managed to ferret out and eliminate two scouting parties.
|
|
The scouts were good soldiers, but fell easily to the overwhelming odds
|
|
they encountered.
|
|
Now it was time to do the same with the rest of the enemy force
|
|
before the missing scouting parties would be discovered. Dalton's
|
|
standing orders were to attack at the first sign of light in the eastern
|
|
sky. It was tricky timing in this dense forest.
|
|
The sergeants had already taken their smaller groups into position,
|
|
creating a wide arc against the eastern edge of the camp. The concept of
|
|
war itself was fairly simple. It was all a matter of putting more men
|
|
into position, obtaining the greater surprise and having the provisions
|
|
available to sustain your own side. Beyond all this, the soldiers were
|
|
evenly matched when fighting one on one. Some battles Dalton had read
|
|
about had been won without a single sword being drawn; simply
|
|
eliminating the food supply was often all that was needed to force an
|
|
army to retreat. That had been a favorite tactic of the rebels in the
|
|
war with Lashkir. More often, though, it was a question of who could
|
|
deploy the most troops more rapidly. In the case of this war, the clear
|
|
winner was Beinison. The imperial troops had quite effectively crushed
|
|
all of Baranur's borders and simply marched in, much as water would flow
|
|
from an overturned vessel.
|
|
Dalton turned his back to the Baranurian camp and faced east,
|
|
hoping to see the first light of daybreak through the forest's canopy.
|
|
He knew he would not be the first one to see this happen, even though he
|
|
would be the one to give the order for his troops to attack. But he also
|
|
wanted Tobias to have a head start across the river, crossing which
|
|
would be a tremendous challenge for armored men. Having his own,
|
|
smaller, force be the diversion for the larger Baranurian force did not
|
|
strike Dalton as a terribly good idea. He could tell that his men were
|
|
glancing his way impatiently, wanting to be done with the anxiety of the
|
|
wait and cast aside their fears in the heat of the battle. Dalton felt
|
|
it, too, that ache in his gut that made him wonder if he would still be
|
|
alive at midday.
|
|
Even though the sky remained dark, there was just a hint of
|
|
brightness in the forest, as if some unseen light was just starting to
|
|
burn, casting its glow to this distant, forgotten place. Dalton turned
|
|
and looked his sergeant in the eyes, pausing before giving the order. He
|
|
wished that Josef was here instead of on his way to Gateway. They worked
|
|
well together, having known each other for many years and having squired
|
|
to the same knight. Dalton had been elevated to replace his old master
|
|
and Josef was an inheritance that came with the job.
|
|
There was commotion from the Baranurian camp and Dalton knew that
|
|
he hadn't a heartbeat to waste. Either the attack was on the way or his
|
|
people had been spotted. It was the latter option that Dalton feared
|
|
most. While they were ready for battle and would not be surprised
|
|
themselves, his side without a doubt would lose the advantage of their
|
|
planned surprise attack. That would put them on even par with the enemy,
|
|
which was something he did not want to see happen.
|
|
"Now, sergeant," Dalton nodded. "Have the men advance."
|
|
A rumble of voices flowed in either direction and a wave of
|
|
soldiers flowed up the hill, a sharp wedge in the center and two wings
|
|
following it in. Dalton followed the first wave up before the second one
|
|
had started their charge, but behind him he heard the sounds of rushing
|
|
feet and clanking metal and realized that his advance was the signal for
|
|
the second wave to begin.
|
|
The slope was moderately steep and the plateau perhaps forty or so
|
|
feet high. Wearing full armor and weapon in hand made the charge rather
|
|
challenging and as he hit the slope, he realized that the morning dew
|
|
made the advance far less stable than initially anticipated. Only now
|
|
did he notice, in the semi-murky darkness, that some of the men in the
|
|
first wave hadn't done so well in their advance. Several had slipped and
|
|
fallen and a number had to resort to using their hands to aid in their
|
|
ascent. He managed to reach the top of the hill mixed in with the bulk
|
|
of the first wave, the second closely behind them, and entered what was
|
|
already a raging battle. It was hard to tell how it had started or when,
|
|
but the sight of soggy wet soldiers was a clear indication that Tobias
|
|
brought his men in earlier than he was supposed to and they were the
|
|
ones to take the Baranurian soldiers by surprise. It was not for some
|
|
time that the horses and colors of the Knights of the Star also graced
|
|
the field of battle, having waited for the proper cues and been delayed
|
|
by the climb over wet ground.
|
|
Dalton was pleased that, when his men came onto the field of
|
|
battle, it was almost directly behind the Baranurian soldiers. With the
|
|
battle already in full swing between the Baranurian troops and Tobias'
|
|
men, the noise of the fighting covered his force's advance until their
|
|
only threat were the blades of the men they engaged. The wedge that
|
|
started at the bottom of the hill swelled and cut directly into the
|
|
enemy's rear. For a few moments there was genuine disarray in the field
|
|
as Baranurian soldiers tried to figure out who was on their side and the
|
|
directions from which the true threats originated. The formation of the
|
|
Baranurian line quickly changed as they were now fighting a multi-front
|
|
battle and while the Baranurian soldiers were clearly well trained, many
|
|
remained unprepared and unequipped for battle.
|
|
The sun, still not having broken the canopy of the forest, had
|
|
already provided sufficient light for the battle. With two forces, both
|
|
numbering into the thousands of soldiers, the battlefield had quickly
|
|
expanded beyond the original Baranurian camp. Those that spilled over
|
|
from the main battle and tried to fight on the hill's wet slope quickly
|
|
ended up at its base, fighting in the denser forest, scattering further
|
|
and further away from the Baranurian camp. It was not long before Dalton
|
|
found himself back where he started, beyond the base of the hill,
|
|
fighting a pair of men, wildly swinging his sword, trying to put
|
|
distance between their attacks and his own body. There must have been an
|
|
easy two score soldiers down there, fairly evenly split between the two
|
|
armies, and neither group gaining any ground.
|
|
The call to halt came as a surprise and when Dalton paused, he
|
|
realized that he and his two opponents were the only ones still swinging
|
|
their swords. A tall dark-haired man approached him as the other
|
|
soldiers watched.
|
|
"You're their leader," he said in an accented voice, clearly not
|
|
Baranurian. He did not wait for an answer. "I wish to challenge you,
|
|
knight to knight."
|
|
Dalton backed away from his opponents. He could see the soldiers of
|
|
the two sides reconsolidating, recasting themselves into two groups. By
|
|
the knightly code, the stranger, if truly a knight, had the right to
|
|
issue this challenge. But the stranger wore no armor and merely carried
|
|
a sword. He could have been anybody. "Who are you?"
|
|
"Hakan Magnus, House of Arvalia, Knight of the Stone." He reached
|
|
in his tunic and pulled out a chain with a small stone tear hanging off
|
|
it. Dalton had heard of Arvalia and of the Knights of the Stone and was
|
|
willing to accept this man's claim merely on his word. He introduced
|
|
himself, knight to knight, a gentleman to a gentleman.
|
|
"We have a large group here," Magnus said. "If we let them fight it
|
|
out, one of us will lose half his unit and the other all of his. Let the
|
|
two of us fight to first blood instead. The loser and his men yield to
|
|
the winner."
|
|
This was the old chivalric code that Dalton was familiar with. The
|
|
men-at-arms did not matter, the size of the army didn't matter. Just the
|
|
two leaders, man to man, victor takes all. Magnus proposed that the
|
|
lives of these men be wagered using the old knightly code and was
|
|
clearly confident in his ability to win, but Dalton was no coward. He
|
|
was a knight, a good soldier, and confident in his ability to handle a
|
|
sword. He, too, would prefer that should victory be unreachable, the men
|
|
he commanded be allowed to walk away having lost the fight, rather than
|
|
be carried away dead. There had been little doubt in his mind that the
|
|
deal was fair to the lives involved, if not to the spirit of the battle.
|
|
"Agreed," Dalton nodded.
|
|
Magnus drew his sword.
|
|
"Your armor?"
|
|
He shook his head. "A solid hit on yours would count for first
|
|
blood."
|
|
That seemed fair. Their swords clashed and Dalton realized that
|
|
Magnus was a far stronger man than it had first appeared. The force of
|
|
the impact rattled his sword and Dalton had to take a moment to adjust
|
|
his grip. He shuffled out of the way, changed his grip and parried a
|
|
blow just in time to avoid having his arm hit. Magnus corrected his
|
|
angle, taking a deep, wide swing, forcing Dalton to again risk losing
|
|
his grip as he blocked.
|
|
Dalton braced his legs and swung back, trying a different approach.
|
|
His sword came about on his left side and angled upwards, forcing Magnus
|
|
to compromise his attack in favor of parrying the blade, but at the last
|
|
moment, Dalton adjusted his swing, leaving Magnus protecting the left
|
|
and open for an attack on the right. He'd have made the blow with any
|
|
other opponent, but Magnus spun about and parried the feint with a
|
|
backswing, leaving little doubt that he was an expert swordsman.
|
|
Another swing and parry. The two men were successfully learning one
|
|
another's style, but not making any real progress in the fight.
|
|
"My compliments on your swordsmanship."
|
|
"I'll pass them to my teachers."
|
|
Dalton jumped over a low swing, blocked the high return and struck
|
|
back. Magnus caught it midair and redirected the blow, letting Dalton's
|
|
sword glance off his own and pass over his head.
|
|
"First blood may be long in coming."
|
|
"Your armor will tire you out first."
|
|
"No doubt the plan you started with."
|
|
The two swords again clashed between the two fighters, drowning out
|
|
the cheers of the soldiers.
|
|
"I've got two dozen men who think I'm the better swordsman."
|
|
"Funny. Not what my men think."
|
|
They exchanged several more blows.
|
|
"You can yield now, you must realize."
|
|
"Not yield to the man destined to lose this fight!"
|
|
Dalton's world turned upside down as he collided with Magnus. For a
|
|
moment he could only see the now blue sky above him and his only
|
|
bearings were the yells of the men watching the fight. He landed hard
|
|
and rolled out of the way, not sure how he was hit or by what. He came
|
|
to a rest, realizing that he was covered with a splatter of blood, but
|
|
in his mind felt no pain. He was only knocked off his feet. The yells he
|
|
was hearing had changed. There was once again swordplay and the sound of
|
|
hooves. Dalton forced himself to get to his feet. He had no idea where
|
|
his own sword was, but with the sight he took in, his sword no longer
|
|
mattered.
|
|
|
|
Dalton kicked in anger at the tray of food that was placed before
|
|
him. He was furious with his captivity, his allies and his countrymen.
|
|
It had been a sennight since he had been confined. People were talking
|
|
treason, but there was no source to the tale. Rumors merely merged,
|
|
plots evolved and ultimately he was on his way from the front lines, an
|
|
example of a man who betrayed his country.
|
|
He relived that moment hundreds of times, that battle where he
|
|
ultimately fell. He had wondered about Hakan Magnus from the moment that
|
|
he met him. The man was clearly not Baranurian, judging by his accent,
|
|
but he was there standing up for the soldiers of Baranur. Could he have
|
|
been Beinison? Or a country further away?
|
|
Dalton closed his eyes. He saw that last fight, felt the bond of
|
|
respect he had established with Magnus. He had not been a knight for a
|
|
very long time, but in that one moment, he grasped the full meaning of
|
|
the symbolism his title embodied; not that the title would ever be used
|
|
again.
|
|
Francis had visited him before he had been taken away.
|
|
"Is there no justice?"
|
|
"In the eyes of Sanar all things are even. He is not 'Sanar the
|
|
Just'; he's 'Sanar the Wise'. Wisdom hardly ever lent itself to justice.
|
|
"It must have been a century since a Shakin philosopher wrote that
|
|
'conscience is a coward and those faults it has not the strength to
|
|
prevent, it seldom has justice enough to accuse. Consider what you think
|
|
justice requires and decide accordingly, but never give your reasons;
|
|
for your judgement will probably be right, but your reasons will
|
|
certainly be wrong. '"
|
|
"I wish I had him with me that day," Dalton sighed.
|
|
There was little doubt that he was meant for failure and Dalton
|
|
could not help but wonder what it was that made Tobias hate him so much.
|
|
He had ascended to his title justly and fairly. His master's death could
|
|
not have been helped. His men liked him and followed him, but something
|
|
somewhere did not sit right. Tobias was bitter and spiteful. He hated
|
|
people, the only exception being Captain Benjes, who no doubt was the
|
|
most critical factor in his advancing in ranks.
|
|
Even with his eyes open, Dalton vividly recalled the beginning of
|
|
the end, that last moment of the fight when he had parried Magnus'
|
|
strike and struck back. There was a constant shadow in the back of his
|
|
mind, something that came from nowhere and ended the fight. It took a
|
|
nightmare to remember the details, the image of Tobias on his horse
|
|
flying out of the woods, sword rattling high overhead, heading for the
|
|
center of the circle of men watching the fight ...
|
|
Magnus never really knew what hit him. He must have died thinking
|
|
that he had lost in a fair fight. Tobias, as his horse charged through
|
|
the line of men, swung his sword, aided by momentum, nearly slashing
|
|
Magnus in half, throwing him forward to be impaled on Dalton's blade.
|
|
The sight of Magnus' eyes in that last moment would haunt him forever.
|
|
The men that Dalton and Magnus had tried to save died anyway,
|
|
killed almost to the last. The Baranurian troops had taken no extra
|
|
prompting to attack Tobias. He lived, though badly beaten. His horse had
|
|
died under him. The Beinison troops likewise entered the combat,
|
|
returning the conflict exactly to the moment where it had left off. As
|
|
Dalton had walked the grounds after the battle, he had recalled seeing
|
|
the standing pools of blood which the ground was too saturated to allow
|
|
to soak in. The stench of death and the cries of pain had continued to
|
|
echo in his mind night after night.
|
|
"History is written by the victor," Francis had told him once. "The
|
|
atrocities you will commit in war are rivaled only by your opponent's
|
|
and in the end, whoever wins earns the right to write them down as
|
|
imagined by their own eyes."
|
|
One night Baranur had slaughtered the sleeping soldiers of the
|
|
invading Beinison, having given them no fair chance to defend themselves
|
|
in battle. And two nights later Beinison had cut down the evil force
|
|
that caused this harm, razing them to a man, returning justice and honor
|
|
to their fallen brethren. It wasn't until the next day, when Tobias had
|
|
regained consciousness, that Dalton had been accused of treason. And
|
|
there was really no one around alive to counter the story. Justice in
|
|
Beinison could be swift.
|
|
"No good deed ever goes unpunished," Francis had reminded Dalton
|
|
before he was taken away, indicating that it would have been better to
|
|
let all the men perish rather than try to save them. They had died
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either way. So much advice from a wise old friend, things that rang so
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true. Perhaps the hardest truth of all was realizing when your closest
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friends and supporters turn their backs to you, for with all their
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|
comforting words, one thing forever remains true; they will support the
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|
sacrifice of your soul to the crown, a show of force to remind those you
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leave behind what will happen to them when they too fall out of favor.
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Note to the Reader: In their fortnight on the Laraka, the Lost
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Regiments of Arvalia hampered the Beinison ability to move supplies
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and rendered appreciable damage to the troops Beinison had
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|
committed to Gateway. Even though over three thousand Baranurian
|
|
soldiers died at the battle for Gateway ("Campaign on the Laraka
|
|
III", DargonZine v7n1 and v7n2), the delay impacting the Beinison
|
|
reinforcements allowed Gateway to withstand the most critical
|
|
assault of the war. Dalton's fate can be further followed in "A
|
|
Rogue's Gambit" (DargonZine v8n3).
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========================================================================
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