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1509 lines
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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Volume 11
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Number 1
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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DargonZine Distributed: 02/07/1998
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Volume 11, Number 1 Circulation: 685
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========================================================================
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Contents
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Editorial Ornoth D.A. Liscomb
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The Coin of Worth Jim Owens Seber 30, 1015
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Persistence of Spirit Carlo N. Samson Yuli 18, 1013
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Quadrille 4 Alan Lauderdale 8 Sy, 1012
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@shore.net> or visit us
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on the World Wide Web at http://www.shore.net/~dargon. Back issues
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are available from ftp.shore.net in members/dargon/. Issues and
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public discussions are posted to the Usenet newsgroup rec.mag.dargon.
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DargonZine 11-1, ISSN 1080-9910, (C) Copyright February, 1998 by
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the Dargon Project. Editor: Ornoth D.A. Liscomb <ornoth@shore.net>,
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Assistant Editor: Jon Evans <godling@mnsinc.com>. All rights reserved.
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All rights are reassigned to the individual contributors. Stories
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and artwork appearing herein may not be reproduced or redistributed
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without the explicit permission of their creators, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues or any portions thereof for profit is forbidden.
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========================================================================
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Editorial
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by Ornoth D.A. Liscomb
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<ornoth@shore.net>
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I never thought I'd get to the point where announcing the
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anniversary of DargonZine's first issue would become tedious. But
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fourteen years later, the novelty of such self-promotion is finally
|
|
starting to wear off (yes, it took a while). So rather than pound out
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another editorial about last year's accomplishments and next year's
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goals, let me direct your attention to a more substantive topic.
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To date, the popularization of the Internet really hasn't resulted
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in any major changes in the way we run DargonZine. Sure, we've added our
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Web site and many Web-based services, but we really haven't changed our
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basic process of collaborative writing and publishing to a general
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Internet audience. However, the breadth of the Internet and its more
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recent commercialization present some new challenges for us.
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|
DargonZine has never tried to be the most popular electronic
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magazine around. In one sense, we've considered our readers a side
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benefit of what we are really here to do: practice writing. Of course,
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we still want to grow our readership, both for our readers' enjoyment as
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well as the valuable feedback you have provided to our writers. But
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"market share" has never really been very important to us.
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Early in DargonZine's life (back in the days of FSFnet), it was
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pretty easy to grow an electronic magazine. There weren't many other
|
|
emags in existence, and getting the word out wasn't difficult. But today
|
|
there are quite literally tens of thousands of electronic magazines
|
|
competing for both readers and writers. And in order to attract new
|
|
readers and new writers, an emag needs to be able to get its message out
|
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to interested parties -- in short, to advertise.
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This is where things get begin to difficult, because advertising on
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the Internet engenders a very negative response; and in many cases, that
|
|
response is entirely justified by the saturation-bombing techniques of
|
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professional Internet marketers. We're all familiar with some of the
|
|
results of Internet mass marketing at an individual level: floods of
|
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unsolicited junk email, and a Usenet news service which has deteriorated
|
|
into uselessness. Most people make a habit of disregarding any and all
|
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Internet advertising, even if it is done conscientiously.
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This presents additional hazards for a small information publisher
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like DargonZine. Amidst a sea of worthless unsolicited messages, a
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principled, small-time operation that doesn't send unsolicited mailings
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isn't likely to be heard. If an individual comes across an advertisement
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for DargonZine, it doesn't matter how conscientious we were in placing
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the advertisement or how interesting our "product"; most users will
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disregard anything which smacks of self-promotion.
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And a user who does happen to read a well-placed ad might choose
|
|
not to differentiate between an organization which places pertinent,
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topical advertising and less scrupulous firms who resort to methods
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which are both more pervasive and more invasive. An individual who
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|
thinks we're just another marketer might feel justified in accusing us
|
|
of spamming. In fact, that happened to us recently for the first time in
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over thirteen years of publishing DargonZine on the Internet for free!
|
|
Another hazard would be for a conscientious ISP to begin filtering
|
|
incoming mail, and filter out DargonZine either intentionally or
|
|
unintentionally, sending subscribers' issues to the ever-ready bit
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bucket. We've already had one example of the reverse, where we were
|
|
automatically added to an "adult webmaster" discussion group based
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solely on the appearance of the word "fantasy" on our home page!
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So, as you can see, the growth of the Internet has presented us
|
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with a new dilemma. On one hand, we are faced with a vastly more
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competitive market, where we compete with tens of thousands of other
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electronic magazines for readers' attention and writers' submissions. In
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an era where readers can unsubscribe at the click of a mouse, it's hard
|
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to get people to sit down and read a large body of text online.
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Furthermore, although we are trying to address the problem, the volume
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of DargonZine's shared history can be a strong disincentive for new
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readers. And on top of all that, there's the question of how to publicly
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promote the zine without compromising our principles by resorting to the
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tactics of Internet mass marketers. How we respond to these challenges
|
|
will determine whether DargonZine thrives or founders in obscurity.
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Fortunately, the problem isn't serious right now, and we can
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continue to recruit new readers in our favorite fashion. Ever since
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FSFnet was founded, my editorials have stressed the fact that the best
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way for FSFnet, and now DargonZine, to grow is for our readers and
|
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writers to encourage their friends to check us out. If you know of
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someone who might be interested in what we do, point them at our Web
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site. For them, it's completely free, and for us there is no more
|
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effective or less self-serving advertising than the word of our loyal
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readers.
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Turning to this issue, I'm pleased that we begin our fourteenth
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year with stories from two of our veterans. Jim Owens has been with the
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Dargon Project since its inception (we won't mention how old that makes
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him!), and should be congratulated on his recent marriage. He opens the
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issue with "The Coin of Worth", a new Simon Salamagundi short.
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Carlo Samson, who has been here almost as long as we've been
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around, introduces a ghost story that wasn't quite ready for October's
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"Night of Souls" issue. Carlo is currently debating whether to continue
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this story or not, and I hope you'll drop him a quick note of
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encouragement, because I'd like to see the continuation of "Persistence
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of Spirit" myself!
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We close the issue with the fourth part of Alan Lauderdale's
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"Quadrille". This story incorporates many storylines and characters from
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early DargonZine works, and represents a tremendous work. If you're
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coming in at the middle, be sure to read it from Part I.
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========================================================================
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The Coin of Worth
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by Jim Owens
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<cheribou@worldnet.att.net>
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Seber 30, 1015
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The wind tugged at Simon's grizzled hair, tossing a fine spray in
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his eyes. He wrapped a scarf around his neck and closed the last of his
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stew-pots. Taking the yoke on his shoulders, he pulled his vendor's cart
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up the road that led from the wharfs to the town. Night had long since
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fallen, all the people had gone inside for the night, and there were no
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more sales to be made. It was time to retire for the evening, prepare
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for the next day, and perhaps sleep a while.
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As he passed from one faint circle of torchlight to the next he
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sensed that he was being watched. The years had dulled his sight,
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perhaps, and weakened his grip, but his ears were still perfect, and he
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could sense motion before he could even hear the footfalls behind him.
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Simon kept straight on -- his 'shadow' was not pursuing, merely
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following. After a few more strides Simon's keen hearing noted a second
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follower. Simon judged that this one had been running, by the unevenness
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of the steps. The lack of sharp sounds in their tread indicated that
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neither was shod, and the tenor of their breathing spoke of youth. Simon
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continued on, his pace unaltered. He passed the houses and storefronts,
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some showing the warmth of light, some just dark. The wheels of his cart
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made a calm, familiar clunking sound as they passed from cobblestone to
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dirt and back again. His destination was a small hut at the end of a
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short, dark alley. That was home. By the time he reached it his two
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tails had grown five more. Simon parked the cart firmly beside one wall,
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and carefully drew out his small lamp. With a practiced hand he lit it
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from the last dying coals of his portable stove. He walked over to the
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small stone stoop and sat down, then held the lamp up and aimed the
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light out.
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"Come out."
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Three pale faces gathered together out of the gloom. Sharp eyes
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darted about, and sharp noses sniffed the air. Dirt competed with
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wariness on these visages, but neither could conceal the hunger in the
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children's eyes. As they stepped into the light, Simon stood perfectly
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still, not wanting to startle either them or the four others that
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hovered on the edge of the light.
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"Good evening to you, Simon," the oldest of the boys said in a
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voice both clear and polite. How was the selling today?" None of the
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boys looked directly at Simon. They instead swarmed around his cart,
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peering in all the nooks and crannies, smelling the aroma coming from
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within, but never actually touching anything.
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"Well," replied Simon, in a deprecating tone, "you know how the
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folk are when it starts to get a chill in the air."
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"Tighter than guard's fist," agreed the smaller of the boys. Simon
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knew him to be one of the oldest ones. "Maybe we can help you. We'd like
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to buy some stew off ya."
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Simon nodded. This was a ancient transaction, one he had
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participated in for years. Simon stepped up to the cart, and the boys
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flowed like quicksilver away, slipping back into the shadows for a
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moment, to reappear shyly as he hung the lamp from a hook and opened the
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lids to expose his wares.
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"What will you want tonight?" asked Simon, taking a tough, limp
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round of bread from a basket on the side of the cart. The bread was a
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new item. For years he had wanted a way to serve the stew without the
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need for the bowls, which had to be washed later, but only recently had
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he perfected the art of making a bread able to hold the stew without
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becoming sodden.
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"Just the first one, there," the tallest said, stepping back up to
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the cart. Simon ladled a steaming blob onto the bread and handed it to
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the boy, who carefully extended two hands to take it. Resting on the
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cart was a bronze penny. Simon hadn't even seen him lay it down. The
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next child stepped up and Simon repeated the gesture, receiving the coin
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from the boy's hand.
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"I'd like the sun-sweet," announced the next boy firmly. In his
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hand lay two pennies. From the darkness stifled giggles trickled in.
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Simon took the offering, and returned him a Scrod penny for change
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before opening the smaller pot on the end. The odor of the fiery mix
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made Simon's eyes water as he slapped it on the bread and handed it to
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his diminutive patron.
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Once the first few boys had taken their food safely, the remaining
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children were emboldened to approach, offering their meager pay for
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Simon's delicacy. They retired to the edge of the darkness to eat,
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leaving a small stack of coins on the edge of Simon's cart. As the age
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and condition of the children diminished, Simon's eyes grew softer and
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more sympathetic, and the portions grew larger and larger. Finally all
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were seated on the alley's dirt floor, and Simon retired as well, taking
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a small sack of tubers and a knife over to the steps.
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Simon watched the boys as he cubed roots for the next day's stew.
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The boys ranged in age from ten to fifteen. They were all skinny as
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rails, and their clothes were a mix of colors, styles, and quality, from
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good fabric to patched rags. The older ones sported tatoos on their
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arms, one that Simon recognized as Liriss' mark. All had long, matted
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hair, and more than one was missing teeth, no doubt lost brawling in
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back alleys. Even now their conversation took the form of challenges and
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verbal jousting.
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A burst of laughter drew his attention. "What are you laughing at?"
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Simon asked.
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"It's Josey," the tall one replied. "He took a stub from a mark
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today!" This revelation brought a gale of laughter from the assembled
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group. Josey, one of the younger boys, stood up and tried to take the
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coin in question away from the older boy, who held it up out of reach
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and danced about, to the joy and delight of the other children. Simon
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got up, setting aside his bag of roots. He approached the tall boy, who
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extended a small metal disk to him. Josey stood there, frowning, arms
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folded, as Simon looked the artifact over.
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"He said it was a real coin where he was from," Josey muttered. His
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scowl was so deep it looked as if his chin were about to fall off onto
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the ground.
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"Did he?" Simon commented, turning the metal disk over in the
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light. It was some sort of steel, but silver rather than grey, and
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stamped with a fine, clear impression. The date showed the coin to be
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years old, yet it showed no signs of wear. Simon had never seen its
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like. Still, an unknown coin in Dargon was worth only what it could be
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melted down for, and no fire in Dargon would melt this coin.
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"Josey," laughed the smaller, older boy, "Josey, he, ... he can't
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see too good!" His words could barely squeeze out between his chuckles.
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"Josey likes the shiney coins better," volunteered one of the
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younger boys.
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Josey made like to say something in his defense, but the tall one
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cut him off. "Josey don' know nothin'! There ain't nothin' better than
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gold!" So saying he drew out from his shirt a leather necklace holding a
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gold coin, or so it looked. While the other boys ooohed and aaahed,
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Simon could see that it was really just a brass disk with a hole in the
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middle, burnished bright, but of little value. None of the boys had
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likely seen much gold, and probably just assumed that any metal that was
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yellow and not bronze was gold.
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"Well," Simon said, returning to his seat, turning Josey's coin
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over and over before his face, "I know that some *think* that there's
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nothing better than gold." A quiet fell over the boys. They watched in
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silence as Simon made himself comfortable on his stoop. This too was an
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ancient transaction, one even older than the first. The boys drew a
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little closer, their attention riveted now on Simon. Once he was assured
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that he had their attention, Simon continued.
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"You see, there once was a sailor I knew, who thought that there
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was nothing better than gold. Why, he *lived* for gold! There was
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nothing he wouldn't do for gold. In fact, he once said that he would
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sell his *right eye* for gold!!" There came an awed murmur from the
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seven listeners. Simon relaxed, leaning against the door, assured of his
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audience. "Well, one day, this sailor, he was a sailin' by himself, in a
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little boat, out by a tropical island ..."
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Sun is man's friend, when it shines on a verdant field of grain, or
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on a lonely stranger, sojourning across a cold winter's landscape. It is
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the friend of the soldier, who stands watch over his comrades before
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battle, and the friend of the lover, who watches for her love to come up
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the lane. But the sun is not the friend of the sailor who rows alone on
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the flat ocean, with no fresh water to drink, and no shade to cover his
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burning eyes. The sun flashes in every wavelet, blinding and
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disorienting. It dazzles the eyes, masking subtle clues that can show
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the way to a saving island, and creates illusions that fool the mind.
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Simon had been rowing all night, and it was now noon. The sun smote
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down mercilessly, uncaring. Nowhere was there relief from it -- nowhere
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Simon could look to escape it. Finally Simon drew the paddles in from
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the gunwales of his tiny coracle and rested. So dazzled was he by the
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millions of sparkling reflections that he was no longer sure which way
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he was headed. He tried to shade his eyes from the glare, but the light
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came from all around. Simon was lost.
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Or perhaps more lost was the best term for what Simon was. Never in
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his five years of sailing had Simon been out of sight of the shore, but
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today was Simon's second month without seeing the mainland. Never in his
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five years had Simon not known how far from home he was, but while Simon
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knew that home was a long way off, he didn't know just how far. The
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storm that had dragged them off course and smashed their ship on some
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tiny island had also drowned the captain, leaving the four remaining
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crew rudderless and chaotic.
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Of the four, Simon alone had wanted to try to continue on to
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Mandraka, their destination. A young man ablaze with a lust for glory
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and riches, he had heard tales of the friendly southern country, with
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easy wealth awaiting any who could make the long arduous trip. Simon
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knew with the certainty of the young that his fate rested in that exotic
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land. His fame awaited him, dormant, restless for the touch of his eager
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hand. He had hurriedly fabricated this tiny ship of thin wooden slats
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and leather so as to continue his voyage. Thus it was that Simon now
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found himself, alone, lost, a small man in a tiny, hand--made coracle, a
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brown dot amid a glittering sea of warm salt water.
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For many menes Simon just sat, despondent. He covered his eyes with
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his hands, blocking out the sun, but his imagination provided unseen
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dangers too large to ignore, and he had to look about. Nothing. He tried
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staring into the bottom of the coracle, but that made his neck stiff. He
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hung his head over the side, staring straight into the water, but even
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there the sun glimmered at him feebly. Or did it? Simon stared harder.
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There was something down there, just below the surface.
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Simon grabbed his paddle and stuck it down into the water. It
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didn't touch bottom, but Simon could now see that the bottom was only a
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few hands-breadths further down. And sitting on the bottom, gleaming in
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the sun, was gold. Not just gold, either, but a lot of gold, piles of
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gold, mounds of gold! It was a treasure trove! The sandy bottom was just
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littered with gold! Simon's heart fluttered. At last!! Here it was,
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sitting before his amazed eyes! No need to continue on to Mandraka; his
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wealth lay before him, requiring nothing more of him but that he put out
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his hand and take it.
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Simon didn't hesitate. He reached into the bottom of the coracle
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and grabbed his sea-anchor. He flung it out, rising up and diving over
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the side of his small craft even before the wood and cloth device hit
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the water. Once over the side he swam straight to the bottom, which was
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barely deeper than he was tall. He scooped up a coin, and struggled back
|
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to the surface.
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Simon flung the water from his hair and held the coin up before his
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eyes, treading water hard. It was gold alright -- its weight left no
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doubt about that. And there were hundreds of them down there, lying amid
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the rotting fragments of long-smashed caskets. Simon swam to his craft
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and tossed the coin inside. Taking a deep breath, he dove again. This
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time he took two coins in each hand. His trip to the surface was slower,
|
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but he made it, and tossed the gold inside the boat. On the next trip he
|
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tried three coins, but that was too much -- he couldn't float to the top
|
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with the extra weight. He dropped one from each hand, and hit the
|
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surface with fire in his lungs. The two joined the others in the boat
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while Simon panted, clinging carefully to his tipsy little ship.
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Once he got his breath back, Simon went back down again. Down, up,
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down, up -- a pattern quickly formed. After several trips he noted with
|
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alarm how low the coracle was in the water. He must have tipped it
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partly when he dove overboard. Leaning carefully over the side of the
|
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craft, he grabbed the leather bucket he had tied to the side and bailed
|
|
some of the water out. After a few buckets of water, the craft floated
|
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high enough that Simon felt comfortable going down for more gold. The
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trips were getting easier, as he fell into the rhythm of it. A deep
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breath, a twist and a kick, arms outstretched and hands grabbing two
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coins, then a turn and a push off the bottom, bursting into the air and
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tossing the coins in the boat. Four became eight, eight became sixteen,
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sixteen blurred into a growing cache that dampened the little boat's
|
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roll and stretched its thin skin. Soon he had to rest, but the lure of
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the riches under his dangling feet was too much to ignore for long. Back
|
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down he went, diving until his arms trembled and his lungs burned and he
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had to stop. His rest was longer this time, but even before the ache
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left his arms he returned to his labor. Diving down, Simon reached the
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bottom, grabbed four coins, turned to put his feet on the bottom, and
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found himself face to face with the dead, black eyes of a grey shark.
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Had anyone been watching, they almost would have seen a man walk on
|
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water. As it was Simon's knees came up above the waves on his return
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trip. He arched his body and for a moment was staring straight down into
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his coracle, the gleaming coins mocking him from its dark depths. Then
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he landed on it, and two things happened. With barely a plop the
|
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overloaded craft sank beneath the waves, and Simon finally realized that
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he had more important things to think about than gold.
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"So how did he get out of it?" Josey asked. "Did the sharks eat
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him?"
|
|
"In a moment," Simon replied. "They ate him, and his boat, and the
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paddles, and his anchor too. And to this day, anyone sailing across that
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sand bar can see the gold lying on the bottom, and the sharks circling
|
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about it, waiting for another bite of foolish sailor." Simon cocked an
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eye at his enthralled audience. "In fact, you can still see the very
|
|
shark that ate him." A few of the older eyebrows arched a bit. Simon
|
|
continued. "It's easy to tell, because it swims like *this*," and with
|
|
that Simon got up and hunkered down in front of the boys, his cheeks
|
|
puffed out and his arms akimbo as if cradling a great, pendulous belly.
|
|
As the boys roared with laughter Simon wiggled his behind and dashed
|
|
from boy to boy, thrusting his face in theirs and acting the part of the
|
|
gravid fish. After a long mene, when the laughter started to fade he
|
|
re-took his seat. Taking the strange coin he flipped it into the air,
|
|
watching it spin in the feeble light of the flickering lamp. Josey rose
|
|
to grab it, but Simon snatched it out of the air first, eliciting
|
|
snickers from the other boys and a grin from Josey. Simon eyed the coin.
|
|
"You know, I've never seen this sort of coin before. It might just
|
|
be worth something. How much did the stranger say it was?"
|
|
"A penny and a half," Josey replied.
|
|
Simon dug a two pennies from his coin sack and flipped them to the
|
|
child. "Here. We'll call it even."
|
|
"Right." Josey pocketed the pennies rapidly, as if afraid that
|
|
Simon would take them back. Just then his head swivelled to face the
|
|
main road, as did every other small head there. Simon looked up. Two
|
|
torches were heading their way. Guardsmen. In a moment the seven boys
|
|
were gone, back into the shadows that gave them their name. Simon shook
|
|
his head, and returned to preparing his roots. After a moment the guards
|
|
finally arrived, stomping like a couple of cows.
|
|
"Hello, Simon," the one said. "Here for the night?"
|
|
"Yes," Simon replied. "Would you like a bit of stew before I turn
|
|
in?" He made as if to rise.
|
|
"No, no," the guard assured. "We just thought we heard other
|
|
voices, that's all. You all right?"
|
|
"Fine."
|
|
"All right. Good night."
|
|
They walked off, leaving Simon alone. He set his sack and knife
|
|
down again, and drew out his coin pouch. He carefully counted each disc,
|
|
not including Josey's steel one. When he was done, he mentally compared
|
|
the take against what he had paid for flour and oil that morning. He
|
|
nodded with satisfaction. He had almost broken even. He wouldn't have to
|
|
dip into his savings for another week. Returning the pouch to its place,
|
|
Simon finished his chores. He paused a moment to examine the strange
|
|
coin again. There was a story here, but it would have to wait for
|
|
morning. Moving inside his tiny hovel, he doused the lamp, and breathed
|
|
some prayers for peace and safety. Then he lay and watched the light of
|
|
the stars through the open window until he fell asleep.
|
|
|
|
========================================================================
|
|
|
|
Persistence of Spirit
|
|
by Carlo N. Samson
|
|
<macgyver@interaccess.com>
|
|
Yuli 18, 1013
|
|
|
|
Mandi Mercallion gritted her teeth in irritation as a high,
|
|
mournful wail sounded through the common room of the Inn of the Broken
|
|
Anchor. "Stupid ghost!" she thought as she forced a smile and continued
|
|
plucking out a lively tune on her mandolin. Some of the patrons shifted
|
|
nervously in their seats or glanced uneasily at the stairs leading to
|
|
the upper floor where the wail seemed to come from, but to Mandi's
|
|
relief no one decided to leave. She finished her song and bowed to the
|
|
scattered applause, but before she could start her next one another wail
|
|
pierced the room.
|
|
"Pay no mind to that," Mandi said lightly, brushing a curl of
|
|
auburn hair from her face. "Just the neighborhood cats having a little
|
|
fun, is all."
|
|
An old man at the bar snorted. "No cat I've ever had made a keening
|
|
like that!" He cast a wary look at the stairs. "It's back, for sure it
|
|
is."
|
|
Mandi sighed and inwardly cursed her luck. The only inn in all of
|
|
Port Sevlyn that would hire her, and it turned out that the place really
|
|
*was* haunted. Still, she had to make the best of it. Turning to the
|
|
man, she said, "Well, if you mean to say that my playing can call back
|
|
the spirits, I must be better than I thought!"
|
|
A few people laughed, but the old man shook his head. He slapped a
|
|
few coins onto the counter and staggered to his feet. "What I mean to
|
|
say, girl, is that this is the only place in town where the spirits
|
|
sound last call!" He shuffled across the room and lurched out the door.
|
|
Mandi giggled and put a hand to the side of her mouth. "Oh, the
|
|
spirits are with him, all right!" More people laughed, and she resumed
|
|
her performance.
|
|
Halfway through the song, she noticed a young man sitting by
|
|
himself on a bench by the unlit fireplace. He kept his head low, as if
|
|
trying to hide his face, but she could see that he was staring directly
|
|
at her. Mandi openly stared back at him as she continued playing. After
|
|
a moment he averted his eyes, pushed himself off the bench, and slowly
|
|
made his way out of the building. She chuckled inwardly; most boys
|
|
didn't expect a girl to stare them down.
|
|
Three songs later the wailing began again, this time accompanied by
|
|
a distant rattling sound, like someone trying force open a door. The
|
|
crowd seemed less amused, and patrons began departing. A few moments
|
|
later, the only people left were a trio of youths trying to appear
|
|
unfazed by the sounds, and a couple of old men who were too drunk to
|
|
care. Mandi went over to the bar and motioned to Gauth, the barkeep.
|
|
"Where's Rasford?" she asked when he had joined her. "He's losing
|
|
customers out here!"
|
|
"He doesn't want to come out of his room," Gauth replied, twisting
|
|
a large rag.
|
|
"Well, he'd better *do* something about that ... that ghost or
|
|
spirit or whatever is making that bothersome noise! I can't keep playing
|
|
with it interrupting me all the time."
|
|
The barkeep shrugged. "I doubt he'll --" His words were cut off by
|
|
a loud shriek that echoed throughout the room. The youths abandoned
|
|
their bravado and, after tossing some coins on their table, quickly left
|
|
the inn. The old men awoke from their stupor and likewise departed. The
|
|
lone serving girl went around gathering the money into a pouch, then
|
|
came over to the bar where Gauth and Mandi stood.
|
|
"That's it for me, then," she said, dropping the pouch onto the
|
|
counter. "I quit."
|
|
"Audra, not you too!" exclaimed Mandi.
|
|
The serving girl nodded fiercely. "I've had enough of that evil
|
|
wailing, haven't you?"
|
|
"Look," Mandi said, "do you really know for sure what's making that
|
|
sound? It could just be the wind, or --"
|
|
"There's no wind tonight!" Audra broke in. "And it's not cats, or
|
|
wolves, or whores in the alley!" She fixed Mandi with a look of concern.
|
|
In a lowered voice she said, "I don't think you should be working here
|
|
anymore, either; it's not a wholesome place. My friend Sandy over at the
|
|
Lazy Madame might be able to find work for us there."
|
|
Mandi shook her head and sighed. "They don't need a musician."
|
|
"How would you know that?"
|
|
"I was there last week. They told me so!" Mandi explained that
|
|
shortly after the _Vanguard Voyager_ (the trading ship on which she was
|
|
the cabin girl) returned to Port Sevlyn, she had gone around to the inns
|
|
and taverns that usually hired her to perform on a nightly basis, but
|
|
found that all of them had either already hired a new musician or no
|
|
longer needed one.
|
|
"In truth," Mandi continued, "this was the last place I tried. If
|
|
Rasford hadn't hired me to try and attract more business, I'd probably
|
|
be out singing in the marketplace."
|
|
Gauth smiled wanly. "The last place, eh? Not because you'd heard it
|
|
was plagued by ghosts, was it?"
|
|
Mandi wrinkled her nose. "Well, I was never sure until last night."
|
|
That was when the wailing started, not long before sunset. Mandi had
|
|
immediately asked Rasford, the proprietor, about it, but he refused to
|
|
answer; instead, he had ordered her to ignore the sounds and to tell the
|
|
customers to do the same. When she questioned Gauth and Audra, they had
|
|
replied that Rasford had told them not to speak of it to anyone.
|
|
"So, are you coming with me?" Audra said, looking at Mandi
|
|
expectantly.
|
|
"If I do, will you tell me what you know about those pox-damned
|
|
noises?"
|
|
Audra started to reply, but just then the door from the back room
|
|
opened and Rasford strode through. His gray hair was unkempt, and he
|
|
walked with an air of resignation. Mandi greeted him, but he didn't seem
|
|
to notice.
|
|
The man walked past them and sank down into the nearest chair. He
|
|
looked around the empty room and murmured ruefully, "The ghost sounded
|
|
last call, did it?"
|
|
Audra moved toward him and began to speak, but he held up a hand.
|
|
"I have something to say to all of you." The serving girl frowned and
|
|
exchanged looks with Mandi and Gauth.
|
|
"Business has been bad the last few months," he said simply. "I
|
|
think you all know the reason. Now, I have only one day's supply of
|
|
drink left, and cannot afford any more. When it runs out, I will have to
|
|
close down the inn." At this, Gauth moaned and put his face in his
|
|
hands. Audra pursed her lips and folded her arms high across her chest.
|
|
Mandi felt tears welling up and fought down a rising lump in her throat;
|
|
it wasn't so much that she would soon be out of a job, but that Rasford
|
|
looked so sad at losing his livelihood. On impulse, she went over to him
|
|
and put a hand on his shoulder.
|
|
The man looked up at her, weariness evident in his eyes. "I am
|
|
sorry I have to do this." He glanced over at Audra and Gauth, then back
|
|
to Mandi. "You will all be paid tomorrow night." He stood, picked up the
|
|
money pouch from the bar, then headed toward the door. "Lock up when you
|
|
leave, Gauth."
|
|
"Um, Rasford?" Audra said softly. He stopped and turned to face
|
|
her. "I --" she paused and glanced at Mandi, who gave a small shake of
|
|
her head. "I'll be here early."
|
|
"Thank you," Rasford replied.
|
|
When he had gone, Mandi squeezed Audra's hand. "That was a nice
|
|
thing you did."
|
|
Audra bit her lip and nodded curtly. "I have to be going now." She
|
|
slipped behind the bar, gathered up a small cloak and a leather pouch,
|
|
then left the inn without another word.
|
|
|
|
Mandi helped Gauth clean and straighten up the place as they waited
|
|
to see if any more customers would come in before they closed up for the
|
|
night.
|
|
"So," the young woman said as she wiped off the bar, "now that the
|
|
place is about to close for good, you can probably tell me what Rasford
|
|
told you not to speak of, right?"
|
|
Gauth set a tray of wooden mugs down at the end of the bar and
|
|
shrugged. "Doesn't matter now, I would think." With a rag, he wiped out
|
|
one of the mugs, filled it with ale from a small bartop keg, and
|
|
motioned for Mandi to join him at a table near the window. After taking
|
|
a long pull of the ale he said, "Her name is Dervla."
|
|
"Who? You mean --"
|
|
"The ghost. Yes, it's true what you've heard ..." Gauth went on to
|
|
explain that almost one year ago, a girl named Dervla had been snatched
|
|
off the street by a drunken sailor. He took her to the Broken Anchor,
|
|
brought her up to one of the rooms, and had his way with her before
|
|
beating the terrified girl to death.
|
|
"That's so horrible!" Mandi exclaimed, wide-eyed. "Did they catch
|
|
the scrud-sucking bastard?"
|
|
"Well ... yes. He admitted his crime, but showed no regrets about
|
|
it."
|
|
"And so it's Dervla's ghost that's making all that noise? She
|
|
haunts the room where she died?"
|
|
Gauth nodded solemnly and took another sip of his ale. "Almost no
|
|
one has rented a room here for months -- since the Night of Souls, in
|
|
fact. She'd been quiet up until then, only making the odd thump or creak
|
|
now and again." He jerked his thumb at the front door. "You've noticed
|
|
that Rasford no longer lives here himself, though I think it's safe
|
|
enough. What thief in his right mind would steal from a haunted inn,
|
|
eh?"
|
|
Mandi twirled a lock of her short, curly hair. "I suppose that's
|
|
one good thing about having a ghost around. Better than a watchdog!"
|
|
Gauth looked out the window at the gathering twilight. "We might as
|
|
well go home. No sense in lighting candles when there's no one about but
|
|
the deceased."
|
|
"But wait," said Mandi. "Isn't there a way to, um, un-haunt the
|
|
room? Make the ghost go away?"
|
|
At that moment, a faint moan floated down from the floor above. The
|
|
young woman shuddered. "Sorry!" she called loudly.
|
|
Gauth snorted. "Well, on the day after the Night of Souls, Rasford
|
|
asked a Stevenic priest to come to the inn and perform a soul
|
|
banishment. The noises stopped, but started up again several weeks
|
|
later. Rasford then paid a mage to cast a spell of abjuration on the
|
|
room. It was quite expensive, but again seemed to work. We thought we'd
|
|
heard the last of Dervla, but last night she began calling attention to
|
|
herself again, as you know."
|
|
He drank down the last of the ale and stood up. "Are you ready to
|
|
leave? It's getting dark, and I can't wait to tell my wife the good
|
|
news." The bitterness was evident in his voice.
|
|
Mandi nodded absently and watched the barkeep move around the room
|
|
as he checked the latches on all the window shutters. She mused that
|
|
since the priest and the mage had failed to completely banish the ghost,
|
|
Rasford probably felt that there was nothing more that could be done and
|
|
had just given up. But surely there was *something* they hadn't tried.
|
|
Maybe it wasn't possible to get rid of the poor, persistent spirit, but
|
|
... perhaps it could be persuaded to be silent?
|
|
Gauth announced that he was going to check the back room. When he
|
|
returned, Mandi was ready.
|
|
|
|
The sky was noticeably darker when the two of them finally stepped
|
|
outside. The heat of the day had diminished, but the air was still
|
|
slightly humid.
|
|
"Hold a moment, I forgot my mandolin," Mandi said as Gauth prepared
|
|
to lock the front door. The barkeep offered to go back and get it for
|
|
her, but Mandi told him she knew where she had left it and would be back
|
|
in an instant. She brushed past him back into the common room, retrieved
|
|
the mandolin from under one of the tables, then made her way to the door
|
|
that led to the back room. She opened it slowly, slipped through, and
|
|
silently lifted the latch from the shutters on the window next to the
|
|
rear door.
|
|
Just then she heard Gauth calling for her. Damn! She returned to
|
|
the common room, hoping he wouldn't be suspicious.
|
|
"Found it!" she said, holding up the instrument. Gauth was half
|
|
inside the inn and saw her emerge from the back room. He said nothing,
|
|
however, and after he secured the front door the two of them started
|
|
walking down the street in the semi-darkness.
|
|
"Well," Mandi said brightly, "I guess Audra's going to find work at
|
|
the Lazy Madame, so she'll be okay."
|
|
Gauth shrugged and made no reply. Mandi kept up a stream of idle
|
|
chatter until they came to his house. He half-heartedly waved goodbye
|
|
and, with a heavy sigh, went inside.
|
|
Mandi continued nonchalantly down the street for a bit, then turned
|
|
around and took a different route back to the Broken Anchor. There was
|
|
scarcely any daylight left when she arrived.
|
|
She approached the rear of the building with caution, making sure
|
|
no one was about. With great care, the young woman pulled open the
|
|
shutters near the back door, wincing at each little creak. Finally they
|
|
were open wide enough; she slipped her mandolin through the window and
|
|
set it gently on the floor, then swung herself up and over the sill.
|
|
Once inside the building, a frisson of excitement -- or was it
|
|
fear? -- raced up her back as she moved away from the window and waited
|
|
for her eyes to adjust to the darkness. It was a simple idea, really,
|
|
and she wondered why no one had thought of it before. Then again, trying
|
|
to actually *talk* to a ghost would most likely be considered a very
|
|
silly notion in many people's minds. But on the other hand, why *was* it
|
|
such a silly idea? Gauth may have been right when he said that Dervla's
|
|
ghost was simply calling attention to itself. And didn't everybody need
|
|
some attention now and again? It was human nature, after all, and being
|
|
dead shouldn't change that. Or did it have something to do with the
|
|
actual date of her death? Gauth had said that the girl was killed almost
|
|
a year ago, so perhaps the anniversary was drawing near and she wanted
|
|
to remind everyone of that fact.
|
|
Mandi felt her way through the kitchen and into the common room.
|
|
She located the bar and knelt down behind it, feeling around on the
|
|
shelves. Several moments later she found the candle and flint striker
|
|
that she had placed there when Gauth had gone to check the back room.
|
|
After lighting the candle (which was already in a small brass holder)
|
|
and dropping the flint striker into a pocket of her vest, she stood up
|
|
and made her way to the stairs leading to the second floor.
|
|
Halfway up the stairway, she realized that she hadn't heard a
|
|
single moan or wail since she had returned to the inn. Was Dervla still
|
|
haunting tonight? Mandi hoped so, since she didn't want to have broken
|
|
into the inn for nothing. But if she could only talk to the girl's
|
|
spirit and convince her to stop making such a loud fuss, then Rasford
|
|
could re-open the place with the assurance that ghastly noises would no
|
|
longer interrupt people's conversations.
|
|
At the top of the stairs, there came a cold draft that snuffed out
|
|
the candle flame. Mandi cursed softly as darkness dropped around her
|
|
like a heavy cloak. She bit her lip against a rising anxiety as she
|
|
fumbled with the flint striker. Relief washed over her when she managed
|
|
to re-light the candle.
|
|
The young woman took a deep, calming breath and asked herself,
|
|
"Okay, now which door?" There were four rooms on each side of the
|
|
hallway, but she didn't feel like exploring every single one. She
|
|
thought for a moment, and reasoned that the priest who had attempted the
|
|
soul banishment might have put some kind of holy symbol on the door to
|
|
the dead girl's room. The mage, likewise, might have also inscribed a
|
|
sigil or warding sign. Pleased with her sensible thinking, Mandi stepped
|
|
over to the first door on her left and moved the candle close to it,
|
|
looking carefully for any markings.
|
|
After similarly examining the other doors, she found what she was
|
|
looking for on the third one to the right. The teardrop-and-cross symbol
|
|
of the Stevene was painted in red on the door, a handspan above her eye
|
|
level; next to it was another symbol, one she didn't recognize, painted
|
|
in black. "This must be Dervla's room," Mandi thought grimly.
|
|
The young woman touched the doorknob and immediately recoiled; it
|
|
was unexpectedly warm and sticky. Doubt began to form in her mind, and
|
|
she wondered if she had completely thought her plan through. What if the
|
|
ghost couldn't be reasoned with? How would she even begin to talk to it?
|
|
What made her think that she -- a nineteen-year-old girl who almost
|
|
never went to church, and who had as much magical ability as a piece of
|
|
cheese -- could succeed where holy men and wizards could not?
|
|
Then again, just to *meet* the ghost would be a fantastic thrill!
|
|
With a renewed sense of purpose, Mandi opened the door and stepped
|
|
over the threshold. A powerful odor of decay and mustiness assailed her,
|
|
and she held her breath for a moment. The room was warm and quiet, and
|
|
in the feeble candlelight she was barely able to make out a small bed, a
|
|
table, and a chair.
|
|
Something brushed against her foot. With a yelp she jumped back,
|
|
her heart pounding. She thrust the candle out in front of her and saw a
|
|
small dark shape scurry into the hallway. "Just a rat," she thought with
|
|
annoyance.
|
|
After taking a few moments to steady herself, she looked around and
|
|
said into the gloom, "Um, hello? Is anyone here?"
|
|
There was no immediate response. "Uh, Dervla? My name is Mandi, and
|
|
I, um, was hoping I could talk to you for a moment?"
|
|
Silence. The young woman felt a twinge of embarrasment. Here she
|
|
was, talking to herself in a dark, empty room. Well, empty except for
|
|
the rat, which she should probably mention to Rasford. Then again, he
|
|
was closing the inn tomorrow, so he probably wouldn't bother to do
|
|
anything about it. That would be a problem for the next owner, though
|
|
...
|
|
The candle flame flickered wildly, and Mandi felt a rush of cold
|
|
air coming from someplace. She moved further inside and saw that the
|
|
window was closed. The coldness quickly grew heavier, dispelling the
|
|
warmth of the room. Mandi shivered and gripped the candle holder
|
|
tightly, cupping her free hand around the flame.
|
|
"Dervla!" she said in a louder voice, "If you can hear me, please
|
|
show yourself!"
|
|
A faint cry startled her. She spun around but saw nothing. Another
|
|
cry came, sounding hollow and distant, as if coming from the other end
|
|
of a long tunnel. A moment later the cries became more distinct, and
|
|
Mandi could make out the shrill sounds of a girl pleading for someone to
|
|
stop what they were doing. Then she heard a low, rough mumble, followed
|
|
by harsh slaps. More cries for mercy, then more slaps. Finally, the
|
|
girl's cries turned to sobs, then a sharp screech.
|
|
At this point, Mandi felt a sudden jolt of unspeakable loathing.
|
|
Bile rose in her throat, and she began trembling as a sense of horrible
|
|
violation spread through her like a sick black liquid. The young woman
|
|
backed toward the door, determined not to flee, but her resolve started
|
|
to crumble as the wailing began. The fearful sound frightened her more
|
|
than anything she could ever remember, but she stood her ground,
|
|
fighting back every instinct to run from this horrid place.
|
|
The wailing washed over her like an icy wave, then began to build.
|
|
At the same time, a dim shape slowly took form over the bed. As the wail
|
|
reached a crescendo, the shape coalesced into the disembodied head of a
|
|
dark-haired young girl. Hollow, sunken eyes stared impassively from her
|
|
pale, bruised face; a trail of blood trickled from her nose, and a strip
|
|
of bloodstained cloth dangled from the corner of her mouth. Shaking now
|
|
with true fear, Mandi watched as the head started to drift forward. At
|
|
this, the floodgates of panic finally burst open in her mind. With a
|
|
strangled cry, she turned and raced down the lightless hallway, taking
|
|
no notice as the candle flame blew out from the desperate speed of her
|
|
passage.
|
|
|
|
Several menes later, the young woman stood by herself at the bar of
|
|
a nearby alehouse that stayed open after dark. With a slightly trembling
|
|
hand she lifted a mug to her lips and took a quick gulp of the warm,
|
|
bitter brew. She had nearly injured herself in her panicked flight down
|
|
the stairs to the ground floor of the inn, and her thighs ached from
|
|
bumping into furniture as she ran to the back room and out the window,
|
|
barely stopping to grab her mandolin.
|
|
The meeting with the girl's spirit had not gone at all like she had
|
|
imagined it would.
|
|
Mandi gulped another mouthful of her drink. It would be difficult
|
|
to return to that cursed inn, but she would do it for Rasford's sake.
|
|
Then she would take Audra up on her offer. Maybe the Lazy Madame didn't
|
|
need a musician, but they could always use a serving wench or kitchen
|
|
scullion.
|
|
A man approached her, and she recognized him as a regular patron of
|
|
the taverns in this part of town. He made a casual greeting and started
|
|
to signal the barkeep, but stopped when he caught Mandi's expression.
|
|
"Anything the matter, girl?" he asked. "You look as if you've just
|
|
seen a --"
|
|
"I have," Mandi snapped. She thumped the mug onto the counter, spun
|
|
on her heel, and strode frostily out of the alehouse.
|
|
|
|
========================================================================
|
|
|
|
Quadrille
|
|
Part IV
|
|
by Alan Lauderdale
|
|
<lauderd@phadm1.cpmc.columbia.edu>
|
|
8 Sy, 1012
|
|
|
|
XIV. The Houses of the Holy
|
|
|
|
The building stood at the intersection where Layman Street met the
|
|
Street of Travellers. It had a commanding view of the distant river to
|
|
the west, but more significant was the sight of Pickett's Let, the name
|
|
given to the part of Dargon that lay between that building and the
|
|
river. Pickett's Let had originally grown up around a stub of the river
|
|
named for a man who was now entirely unremembered. The inlet was now
|
|
also entirely filled in, though the foundations of the buildings in that
|
|
area were as unsteady as every other aspect of the place. Pickett's Let
|
|
was not a place that anyone wanted to go to and those who had to be
|
|
there took as much care about their safety as they could.
|
|
The building that watched over Pickett's Let was called by some a
|
|
temple, but if it still was one to any god, that fact was quite secret.
|
|
>From the architecture, it did seem as though the place had been built
|
|
for that purpose: Most of the ground floor was given over to one large
|
|
chamber, constructed of stone and structured with many pillars and
|
|
columns that obstructed vision and created many nooks and alcoves. So
|
|
the place was now used mostly as a temple to the transactions
|
|
clandestine, to the purchase or exchange of goods that the Duke of
|
|
Dargon might have said were no good. Here, items of dubious provenance
|
|
might be obtained or recovered. Here, persons skilled in unseemly arts
|
|
might be engaged. Here, substances of unwholesome power were traded.
|
|
But all that took place in the quiet, unlit alcoves of the place.
|
|
At the center of the chamber was the hiring table for the Longshoremen's
|
|
Guild, wherein merchants and captains made sure that they would have a
|
|
crew to load and unload their cargoes. And because of that table, almost
|
|
anyone coming to Temple could have a legitimate reason for being there,
|
|
if they wanted to bother with one. Why did the Longshoremen's Guild
|
|
choose to conduct their business in such a doubtful location so far from
|
|
the docks where they worked? Because the place was cheap and many
|
|
guildmembers had other private reasons for wanting to come there. The
|
|
Guild of Longshoremen was rich and tainted.
|
|
Brother Terkan had business at Temple, and a cargo to unload,
|
|
though he did the job personally. After receiving his unanticipated
|
|
house guests and sending them off to much desired bedchambers, he
|
|
removed a modest pouch from a concealed recess in his study and
|
|
undertook a long morning walk across the river to Temple. There, he
|
|
found a man named Mikl who trafficked in interesting potions and
|
|
nostrums.
|
|
Mikl was suddenly afflicted with a splitting headache.
|
|
Brother Terkan quickly hid the unconscious apothecary in a nook
|
|
that gave off the alcove he usually frequented, covering him with a
|
|
curtain that seemed intended for just that task. Then, Terkan donned a
|
|
robe that was quite similar to the one that Mikl generally wore. He
|
|
didn't borrow Mikl's both because it wouldn't have fit and because
|
|
Mikl's standards of hygiene nauseated Terkan. Then, Terkan waited.
|
|
Almost immediately, the young boy Terkan was waiting for arrived.
|
|
He frowned at Terkan and started to protest.
|
|
"I have what you want, though, Herrn," Terkan said in a soft voice.
|
|
He opened his pouch and showed the lad the reddish silver contents.
|
|
"Hanla's Tears. Highest quality. What you need as well, I fancy."
|
|
The boy glanced in the pouch, nodded, and handed over his coins.
|
|
Taking the pouch from Terkan, he lit out without stopping for any other
|
|
conversation.
|
|
"Well, there's another one that'll come to a miserable end," Terkan
|
|
told himself with satisfaction. "Hurry back to Mistress Margala, you
|
|
little piglet. Today is going to be a *good* day." He divested himself
|
|
of the robe, pocketed the money, and strolled out of the Temple to amuse
|
|
himself for the morning while he waited for his next appointment.
|
|
He remembered the fragmented story his houseguests had told just a
|
|
bell or two earlier, about a god or goddess -- or was it god and goddess
|
|
named Haargon and Iliara? He'd never heard of either name and disliked
|
|
feeling so ignorant. And from a professional standpoint, it smoked his
|
|
knuckles to have other people know of some gods he wasn't cognizant of.
|
|
He decided to call on Aardvard Factotum. There were reasons not to,
|
|
certainly: The man was crotchety and waspish to converse with. The man
|
|
was rich because he was grasping. The man had a house that was back
|
|
across the river in the Old Town. But the man also had an excellent
|
|
library of books on this sort of subject. Terkan sighed and considered
|
|
the coins he'd just collected; perhaps he'd splurge and hire a ferry.
|
|
|
|
XV. Discoveries
|
|
|
|
"You want to know about *Iliara*?" Aardvard Factotum asked, while
|
|
Terkan was still shucking his surcoat. Neither man was inclined to waste
|
|
time on social pleasantries -- especially in the presence of the other.
|
|
"And about Haargon. You've heard of them?" Terkan asked.
|
|
"Oh, no," Aardvard replied quickly. "That is, I don't think so.
|
|
Unless -- " He started back through his overheated rooms that were
|
|
crowded with bookshelves, but then whirled around again, nearly
|
|
colliding with the pursuing Terkan. "Boy!" he shouted, pushing Terkan to
|
|
one side.
|
|
"What?!" Terkan exclaimed in annoyance.
|
|
"Not you!" the older man responded with equal acid. "You!" he
|
|
continued, pointing at the boy who did dash up to the two. "Fetch that
|
|
-- that what's his name. Tell him I've found what he was looking for."
|
|
"Yes, sir." The boy ran out the front door.
|
|
"What -- ?" Terkan repeated.
|
|
"Nothing to do with you," Aardvard Factotum assured him. "You just
|
|
reminded me of something someone else asked me to look into."
|
|
"What?" Terkan asked again, beginning to feel that his conversation
|
|
had fallen into a rut.
|
|
"Cost you a Cue to find out."
|
|
"Oh, come on!"
|
|
"A Mark, then."
|
|
"Never mind," Terkan said quickly. "Let's get back to Haargon."
|
|
"And Iliara," the sage said.
|
|
"And Iliara," Terkan agreed.
|
|
The pair hunted through a number of likely tomes in Aardvard's
|
|
library, but though they spent all the morning bells on the search, they
|
|
found nothing at all about Haargon and only a single mention of Iliara.
|
|
Iliara, according to Yrtulayn's treatise, _On_False_Religions_, was the
|
|
second of the three Wise Ones who ruled over Trade. Terkan doubted that
|
|
that was germane.
|
|
At length, feeling hungry and deciding that he'd wasted enough time
|
|
on idle curiosity, Terkan offered Aardvard a half-dozen Pence for his
|
|
time and the reference on Iliara. The bookmonger stared contemptuously
|
|
at the coins, though, so Terkan pocketed them and left. The good news,
|
|
he realized, upon returning to the street, was that failure was cheap.
|
|
Odd though, that Aardvard hadn't argued with the miserly sum he'd
|
|
offered.
|
|
Aardvard turned from watching the door close and nodded to Alec.
|
|
"His name's Terkan," the sage said. "He knows even less than you do
|
|
about this Iliara," he added. "But he's definitely got someone with him
|
|
-- not right now, you understand -- who's worried about Haargon.
|
|
Actually, he himself seemed a little worried about Haargon. Two Mark."
|
|
"What?!" Alec squawked. "I'll never be able to get that much back
|
|
from Cl -- from my client. I'll give you a half of Sterling."
|
|
"All right," Aardvard nodded. "I can see that you're an
|
|
impoverished and starving young man who doesn't really *need* any
|
|
answers to life's more puzzling questions -- "
|
|
The heavy sarcasm was annoying. Alec produced the six silver coins.
|
|
"Take it or leave it," he said.
|
|
"I'll take it," Aardvard gave the man a cold smile, "if you tell me
|
|
who your client is."
|
|
"Cleo the Priest." Alec threw the coins at the scholar, then ran
|
|
out after Terkan. That was still likely to be money he'd never see from
|
|
his customer again. And, with Aardvard in possession of Cleo's name it
|
|
would likely soon be well known that he sold customer's identities
|
|
cheap. He wondered if he would ever get another client.
|
|
But at least he was in the hunt again.
|
|
|
|
XVI. Sleeping in Strange Beds
|
|
|
|
Alec trailed Terkan through the busy streets of midday Dargon. The
|
|
quarry was slight and dressed unremarkably, but was taking no special
|
|
effort to mask his trail. Indeed, he dawdled and seemed so indifferent
|
|
to his surroundings that Alec had decided to risk joining him on the
|
|
same ferry across from the Old City.
|
|
Gulping a bowl of Gundi's stew -- he preferred the medium version
|
|
-- Alec watched Terkan enjoy a more leisurely repast seated at a window
|
|
in a taproom. However, when the sixth bell rang, Terkan concluded his
|
|
meal abruptly and hurried out into the busy street again. Now Terkan
|
|
moved briskly, with a definite goal in mind. Alec was still able to stay
|
|
with him easily, though.
|
|
Terkan hurried into a part of Dargon that was quiet -- and also
|
|
much seedier than Aardvard's neighborhood was. It didn't feel dangerous,
|
|
exactly. At least, not much. It was more as though the area was a trifle
|
|
embarassed to be out in broad daylight and would prefer to have no one
|
|
take note of the fact. Alec averted his gaze and focussed on Terkan.
|
|
In the end, his destination was pitifully easy to identify. It was
|
|
a well-kept looking house just north of Ramit Street that was surrounded
|
|
by open land that appeared to be resting between practical uses. A
|
|
small, neat kitchen garden bordered on several large trash piles. With
|
|
no crowds around to mask his movements and not even any other buildings
|
|
nearby, Terkan quite obviously went into the house. The problem for Alec
|
|
was finding a concealed vantage that wasn't absurdly far away, wherein
|
|
he could wait for the man's exit.
|
|
He did the best he could with a corner of another building that
|
|
hadn't fallen down completely. There, he watched nothing happen for a
|
|
while. Occasionally, people came -- generally in pairs of opposite sex
|
|
-- and people departed at about the same rate. Alec listened to the
|
|
seventh and eighth bells sound.
|
|
This Terkan evidently proposed to stay a while, so Alec decided to
|
|
try to find out what this house had to do with Iliara. In some ways, he
|
|
was getting tired of this assignment, so he decided to take a direct
|
|
approach. He walked over to the door of the house and knocked.
|
|
The woman who answered the door was old but sharp. She sized up
|
|
Alec quickly and said "Yes?"
|
|
"I'm here about Iliara," Alec said.
|
|
"Who?"
|
|
"You know." Alec lowered his voice conspiratorially. "Iliara."
|
|
"No, I don't know," the woman replied unhelpfully. "But I think,
|
|
young man, that you're lost. Whoever -- or whatever -- directed you here
|
|
has erred. Good day." She swung the door closed.
|
|
"What about Haargon?" he asked, but the door closed anyway.
|
|
Alec shrugged. Well, he thought to himself, Terkan didn't have to
|
|
spend every waking moment concerning himself with Alec's problem, but it
|
|
would be nice if the old man could lead Alec to Ariel sometime today.
|
|
Still studying the house, since this was probably his one chance to look
|
|
at it up close without arousing any more suspicion than he already had,
|
|
he backed away toward his loitering place. Doing that on a fairly
|
|
deserted street, Alec of course ran into someone. He was just lucky that
|
|
way.
|
|
The someone was a woman, so the man she was with started shouting
|
|
at Alec for being careless even before Alec had finished falling to the
|
|
ground. And the woman was tough enough not to need the man's
|
|
solicitousness, since it was Alec, and Alec only, who fell.
|
|
The woman was wearing a silver half-mask over part of her face.
|
|
Stumbling to his feet, his ears burning with the man's insults, Alec
|
|
stared at the semi-masked woman for what seemed like a full mene before
|
|
realizing that the woman's companion was increasing the hostility of his
|
|
remarks. Quickly, Alec mumbled an apology and hurried past them, but
|
|
then he stopped and turned around. She was a Peacekeeper; Alec had
|
|
remembered that already, having seen her several times at Market Square.
|
|
But now, he remembered who had hired her: The Fifth I. Why would the
|
|
Fifth I be interested in this seedy house? Did that old woman at the
|
|
door owe them money? Were Fifth I Peacekeepers also assigned to collect
|
|
debts? Did the Fifth I own this place?
|
|
He watched, interested to see if they were going to lean on anyone
|
|
he knew, like an annoying old woman. But the man turned and stared at
|
|
him. He didn't say anything now, but it was the sort of stare that made
|
|
Alec take an inventory of everyone to whom he owed money and wonder
|
|
whether any of them was upset about the debt. The man's stare seemed to
|
|
promise that there was someone who'd appreciate Alec being persuaded
|
|
painfully to hurry up a repayment. It was, in short, not a nice stare.
|
|
Alec decided to move along back toward his vantage and the Peacekeepers
|
|
were admitted to the house without any trouble at the door.
|
|
Back at his post, Alec tried to be patient. The house had absorbed
|
|
Terkan of the Obscure Gods, a Peacekeeper employed by the Fifth I with
|
|
companion, and several pairs of other people, but it appeared
|
|
unaffected.
|
|
The Fifth I, Alec mused. They might have something to do with that
|
|
murdered bookkeeper at Camron's. The Fifth I competed with Camron. And,
|
|
Alec had heard, sometimes those merchants' competitions could get
|
|
deadly. Perhaps the Fifth I's Peacekeepers had done in the bookeeper. Or
|
|
perhaps the dead bookkeeper had been telling Camron's secrets to the
|
|
Fifth I, was caught, and now --
|
|
Alec found himself stuck for plausibility for a moment. But his
|
|
imagination soon rallied.
|
|
Suppose Ariel, who was also a secret informant for the Fifth I, was
|
|
here in this unimpressive house on a seedy street to report to Fifth I
|
|
Peacekeepers and Terkan --
|
|
Why was Terkan here?
|
|
Alec shook his head. Ariel wasn't really here. She'd sent Terkan to
|
|
represent her. Yes, that was it. She still had to hide from the Watch.
|
|
They'd seen too much the night before. She needed a quiet way of getting
|
|
away from the city and in return for her keeping quiet about the I's
|
|
involvement in the murder --
|
|
If the I was involved in the murder.
|
|
If Ariel was working for the I and the I was involved in the
|
|
murder, then that would involve Ariel pretty thickly in that auditor's
|
|
getting killed. And Alec didn't believe that Ariel was a murderess.
|
|
Didn't want to believe it, he realized. So, start with Ariel's being
|
|
innocent of murder -- but a little commercial spying? That would give
|
|
her spice.
|
|
All right, what if Ariel was an agent of the Fifth I but neither
|
|
she nor the Fifth I had had anything to do with the auditor's getting
|
|
killed. Sure, that was unlikely, but it was possible. And since Ariel
|
|
was catching the blame for the killing, it made sense that she would
|
|
turn to the Fifth I to help her get out of this mess.
|
|
Alec folded his arms and smiled grimly. Now, he understood what was
|
|
up. Terkan was meeting with agents from the I. Then, after his meeting,
|
|
he'd likely go and report back to Ariel what the Peacekeepers were
|
|
offering. So, if Alec wanted to find her, all he had to do was wait.
|
|
He could do that. Waiting was the boring part of his job, but at
|
|
least he was experienced at it. And it was quiet, contemplative work. In
|
|
moderation. Talking to that Cleo the Priest was irritating, but at least
|
|
you knew you were alive while doing it. This waiting outside buildings
|
|
was pure tedium. In spite of his logical deduction as to what action he
|
|
should take, Alec was just about ready to go back to the house and ask
|
|
if he could sit in on Terkan's meeting when a pair of riders mounted on
|
|
exhausted horses cantered up to the house.
|
|
These two were clearly in a hurry. One leapt off his horse and ran
|
|
straight to the door. The other at least made a gesture of securing her
|
|
horse's reins to a post before she hurried after the first. Also, they
|
|
didn't knock at the door or call any greeting; they just walked in. Alec
|
|
frowned and listened for a protest from within. If there was one, it was
|
|
quickly quieted. He waited to see who might come flying out of the
|
|
building next.
|
|
He wondered how these two might fit in with Terkan and the Fifth I.
|
|
They'd had a scholarly, rather than muscular frame; perhaps the Fifth I
|
|
had sent a couple of accountants or scribes? This didn't seem to Alec to
|
|
be the sort of meeting where detailed numbers would be discussed, let
|
|
alone any sort of recordkeeping. In fact, it occurred to him, it may be
|
|
that this man and woman had nothing to do with Terkan or the Fifth I
|
|
Peacekeepers at all. Perhaps they were here merely to collect rent from
|
|
the obnoxious old woman. That would explain why they didn't bother
|
|
announcing themselves at the door.
|
|
But rent collecting, Alec knew, went much easier when the collector
|
|
was physically intimidating. And it didn't look good to seem to be in a
|
|
hurry. No, that wouldn't be it. Alec rubbed his chin. He doubted that
|
|
the two lived in the house: They dressed too well and would've disposed
|
|
of their mounts more securely -- in a nearby stable, say -- if they were
|
|
residents.
|
|
Alec gnawed his lip. Those two might be associates of Terkan, he
|
|
mused. Perhaps they had some word from Ariel, or about Ariel. Maybe Cleo
|
|
had found some other way to locate her, had taken her away to his
|
|
underground, Haargonite temple, and those two were useless guardians who
|
|
now had to report that she was missing. They looked useless enough and
|
|
careless with their horses. Alec watched one of the mounts wander around
|
|
toward the side of the house, cropping grass.
|
|
He shrugged: Do a good deed, satisfy a little curiosity. Alec went
|
|
over to the wandering horse. Calmly, he introduced himself to the steed,
|
|
whose reaction was indifferent. Guiding the horse close to the side of
|
|
the house, Alec finger-combed its mane and made admiring remarks about
|
|
the animal's good behavior. As a reward, the horse allowed him to
|
|
inspect the tack and saddlebags for any indication of the identity of
|
|
his owner.
|
|
The horse was getting the best of the deal. Aside from a brand on
|
|
the saddle that Alec failed to recognize, he found no clue. He was still
|
|
looking when he heard the front door opened and some people come outside
|
|
again.
|
|
"How many horses did you bring?" he heard an oddly rasping voice
|
|
ask.
|
|
"Bother!" another voice responded. "Cherup's gone wandering again.
|
|
Quickly, Alec brought the horse around to the front again. "This
|
|
your horse, m'lord?" he asked, tugging his forelock. "Fine animal he is,
|
|
too. Given to wanderin' a bit, he is. That patch o' grass just a few
|
|
feet further away, that's the one's sure to be tastier than this stuff
|
|
underfoot, that's what he's a thinkin' -- Oh hell." Alec looked up from
|
|
his servile act at the woman in the silver half-mask, the one who worked
|
|
for the Fifth I.
|
|
"You again?" she rasped.
|
|
"Uh ..." Alec's mind raced. What should he admit and what should he
|
|
ask?
|
|
"You know him?" the man who was with her asked. Alec glanced at him
|
|
and saw with relief that it was not the intimidating starer. Rather, he
|
|
was one of the riders.
|
|
"No," the woman said, taking the reins of the other horse. "We
|
|
collided earlier. Accident. That's all."
|
|
"Really?" the man asked, taking the reins of Cherup from Alec.
|
|
"Where?"
|
|
"Just about where you're standing, maybe a pace to the right." The
|
|
woman mounted the other horse.
|
|
"Hey!" Alec finally decided to say something. "That isn't your
|
|
horse!" Immediately, he felt like an idiot. "I mean, didn't you come
|
|
here on foot?" He turned to the man. "And wasn't someone else riding
|
|
with you before?"
|
|
"I don't see that this is any of your business," the man said.
|
|
Idly, he traced a sigil in the dirt, then looked up at Alec. "I think
|
|
you should be on your way. Colliding with women you don't know is not a
|
|
socially acceptable habit, you know."
|
|
"The last man who told me that put it a lot more bluntly," Alec
|
|
replied. He glanced at the drawing in the dirt, but it meant nothing to
|
|
him. Certes, it didn't match the brand on the man's tack. He looked up
|
|
at the woman. "By the way, whatever happened to him -- ?"
|
|
"Why are you here?" the man abruptly demanded.
|
|
"I -- " Suddenly, Alec wanted to explain everything. He felt like
|
|
telling all about what he was investigating and, particularly, he wanted
|
|
to talk about Ariel. "I'm looking for a girl," he said.
|
|
The man and woman glanced at each other quickly. "What, and you
|
|
think she might be in there?" the man asked, gesturing at the house.
|
|
"I hoped so, yes. You see, I'd been following -- "
|
|
"Then if I were you, lad," the man interrupted, "I'd go in there
|
|
and get her out of there right away." He mounted his horse. "Do it now."
|
|
"But -- " Alec frowned. He'd scarcely begun explaining and he
|
|
didn't think they understood the matter aright.
|
|
"Believe me," the man insisted, "this house is a bad place to
|
|
visit. Get her out."
|
|
"But -- "
|
|
"Come on Je'en." The two cantered away.
|
|
"But ..." Alec watched them out of sight, feeling frustrated. Then
|
|
he felt confused. He'd wanted so much to tell the man all about his
|
|
mission and his concerns about the Fifth I and Camron's and the dead
|
|
auditor and all of it, but he'd barely gotten started. Now, he couldn't
|
|
understand why he'd wanted so much to explain about it all to a perfect
|
|
stranger. He shook his head. There was still this feeling he had that he
|
|
should go into the house and get Ariel out of there as quickly as he
|
|
could. And, even though he was fairly certain that Ariel wasn't inside,
|
|
Alec walked up to the door of the house and simply went in.
|
|
The room inside was dark and hot and smelled like too many things
|
|
had been burned with not enough windows left open. It also contained the
|
|
annoying old woman. She came toward him. "You again!" Her mood appeared
|
|
unimproved. "What do you want?"
|
|
"Ariel -- " Alec shook his head. He didn't know where Ariel was but
|
|
he had watched Terkan come into this house only a few bells previously.
|
|
"I mean, a man named Terkan." Alec stared around the room while his eyes
|
|
adjusted to the dimness. He noted a large glass globe on one table, a
|
|
side table crowded with half-burnt candles, and a shallow shelf upon
|
|
which were arranged a number of small ceramic bowls. The setup looked
|
|
mystical. "Seems to me you should've known that already," he added.
|
|
"I don't waste the Power on trivia," the woman snapped. "Get out."
|
|
"No Master Terkan?"
|
|
"Never heard of him."
|
|
Alec sighed. "Guess I'll have to do this the hard way," he
|
|
muttered. Then, on a whim, he asked "What did the Peacekeepers want?"
|
|
"Who?" The woman quickly changed her mind. "None of your business."
|
|
Alec shrugged. A staircase led from the occult parlor to the floor
|
|
above and there was also a doorway leading toward the back of the house.
|
|
The place was quiet, except for the voices of the woman and himself. He
|
|
started toward the stairs.
|
|
The woman blocked his way. "I told you to get out," she said.
|
|
"And I told you I wanted to see Terkan," Alec replied. He shoved
|
|
her aside. "I know he's in here. I saw him come in and he hasn't left
|
|
yet." He started up the narrow stairs. "Now, do I have to go through all
|
|
the rooms in this house or are you going to be helpful?"
|
|
"Can't be helpful if I don't know who you're looking for," the
|
|
woman grumbled. Alec kept going. "You're going irritate a lot of people,
|
|
snooping around and disturbing their quiet meditations. Including those
|
|
Peacekeepers," she added.
|
|
Alec stopped. "They left," he told her. "One of them, anyway."
|
|
"My, but you are the knowledgeable one, aren't you?" the woman
|
|
replied, advancing up the stairs toward him. "Still, if you don't want
|
|
to run into the other one all accidentally, perhaps you'd better have me
|
|
show you around up here, eh?" Alec nodded and the woman led the rest of
|
|
the way up the stairs.
|
|
At the top, the woman wasted no time on pleasantries like knocking.
|
|
Instead, she opened the nearest door and strode in, announcing "Wend,
|
|
this man is annoying me!" Then she stopped and muttered "Spit!"
|
|
Alec, who'd followed her in before realizing that she hadn't really
|
|
intended to be helpful, looked around her at the motionless figure lying
|
|
on the bed. The man was the right size and garb to be Terkan, but his
|
|
head was wrong: His face was -- gone.
|
|
Half gone, anyway. Alec stepped forward, staring at the mess that
|
|
used to be his quarry. Enough of the man's features remained that Alec
|
|
was fairly sure that this had been Terkan only a brief while ago. Now,
|
|
though, the man's face was covered by several large, leprous blotches
|
|
that appeared to be expanding even as Alec watched.
|
|
He was breathing -- gasping -- shallowly, his nose being a part of
|
|
the man's face that was already melted away. The man's expression under
|
|
his diseased flesh appeared to be anything but peaceful. Alec indulged
|
|
his revulsion for a moment, staring at Terkan, but then steeled himself
|
|
and, grasping the man firmly by his mercantile robes, tried to shake the
|
|
man awake.
|
|
No flesh fell off Terkan's body. The pudding-like patches that Alec
|
|
could see on the man's face and hands held in place. But the remaining
|
|
uncovered eye didn't open either and the pained expression didn't alter
|
|
when Alec started shouting Terkan's name.
|
|
"Hush!" the woman admonished. "You'll wake the other guests."
|
|
Alec ground his teeth. "I'm trying to waken *this* one," he
|
|
reminded her.
|
|
"And I have a business to run, which I doubt this person will be
|
|
contributing to any further." The woman folded her arms and stepped a
|
|
pace further away from the sickbed. "If you've found what you're looking
|
|
for, please take him with you and leave."
|
|
Alec stepped away from the dying man. "If you don't know him as
|
|
Terkan, do you know this man under another name?" he asked.
|
|
"Barrin," the woman admitted gracelessly.
|
|
"And do you know anything else about him? Where does he live?"
|
|
The woman smiled sourly. "This isn't the sort of establishment
|
|
where clients share personal details like that," she explained. "Most of
|
|
them'd rather that no one knew they came here. And me especially, lest I
|
|
use the Power against 'em. As if I would." She nodded at the dying man.
|
|
"He doesn't come here often and when he does, he pays poorly. I sha'n't
|
|
miss him. That's all I know. Now, will you leave?"
|
|
"Have you seen a girl -- young woman named Ariel?" Alec asked,
|
|
feeling that the question was a little desperate. "Medium height, long
|
|
straight brown hair and gray eyes. Pretty. Walks fast. Usually looks
|
|
wistful. Talks about Iliara -- "
|
|
"Ah," the woman interrupted. "Iliara again." She nodded, staring at
|
|
Alec.
|
|
"She was wearing a lavender dress and a full lightweight cloak over
|
|
that, but she went for a swim in the harbor last night, so I'm not sure
|
|
what she might be wearing today. Or how soaked she might look. She
|
|
doesn't smile often, but when she does -- "
|
|
"She's beautiful," the old woman broke in again. "All young women
|
|
are beautiful when they smile. Didn't you know that? And is she fond of
|
|
you?"
|
|
"Huh? Well -- "
|
|
"It's dangerous work, being a rescuer," the old woman observed.
|
|
"But the rewards are sometimes great. Sometimes nil," she added sadly.
|
|
"So take care; watch out for yourself." She gave Alec a cloaked, wistful
|
|
smile. "A little free advice from one with the Power. I haven't seen
|
|
your Iliara, though. You will have to look elsewhere for her."
|
|
Alec shrugged and started for the door.
|
|
"You're sure you won't take him with you?" the woman asked
|
|
hopefully.
|
|
"Where to?" Alec asked. "I know less about him than you do." He
|
|
opened the door and realized immediately that he'd found the closet
|
|
instead of the hall. He stopped to look inside for a moment.
|
|
"I've found that other Peacekeeper," he announced.
|
|
The woman came up beside Alec and looked at the fatal knife wound
|
|
the dead Peacekeeper bore. She sighed.
|
|
"Today," she prophesied, "is not going to be a good day for either
|
|
of us."
|
|
|
|
XVII. A Polite Exchange of Views
|
|
|
|
Mouse sat in front of the open book on the reading table in
|
|
Terkan's library. Having spent a good part of the previous night
|
|
flitting about the harbor area of Dargon Town, she'd spent most of the
|
|
day sleeping. Now, awake again and having gorged herself on most of a
|
|
plum that the occasionally helpful Bret had produced, she was staring at
|
|
an introductory mathematics treatise. It failed to hold her attention.
|
|
Instead, she was plotting ways to get back into Camron's warehouse
|
|
and at least recover her dress and other possessions that had been left
|
|
behind when she was kidnapped. While trying to cobble up that plan, she
|
|
was frequently sidetracked into wondering who it was who had murdered
|
|
the auditor and kidnapped her and generally made such a mess of her
|
|
visit to Dargon. While her explanations were colorful, she knew they
|
|
lacked any facts that might make them aught besides speculation. She
|
|
sighed and looked at the words in front of her, wondering if there was
|
|
any help to be found in algebra.
|
|
The door opened and Ariel drifted in, followed by Bret. Though
|
|
somewhat dryer than last night, she looked no less forlorn. Mouse spun
|
|
on the table to face her. "What do you want to do now?" she asked.
|
|
"It doesn't seem to me that there's much you can do," Bret quickly
|
|
answered, "except sit tight here. The Watch is probably still looking
|
|
for you pretty hard. And Master Terkan said he'd see what he could do
|
|
about looking into the matter -- "
|
|
"See what he could do?" Ariel repeated angrily, glaring at the
|
|
apprentice. "What *can* he do? He's never even heard of Haargon and it's
|
|
obvious that one of their agents was at Camron's last night making it
|
|
look like I was killing and robbing -- and so on. Mouse, we have to find
|
|
some way of exposing them."
|
|
Mouse nodded. "Do you have any ideas how?" she asked. "I just got
|
|
into town and I'm afraid I'm with Terkan on this one: I've never heard
|
|
of Haargon either."
|
|
"It's a secret struggle," Ariel said. "Between the forces of dirt
|
|
and darkness and the forces of light and air. Stefan said that. I just
|
|
didn't realize how secret a struggle it was. But there must be some way
|
|
to reveal it."
|
|
There was a hammering on the front door of the building.
|
|
"Perhaps it's about to get revealed sooner than we thought," Mouse
|
|
suggested.
|
|
Bret started out of the room, then stopped and turned to the two
|
|
women. "Stay here," he ordered. "I'll go see who it is." He went out,
|
|
pulling the door closed. There was the sound of fiddling with the latch
|
|
before he walked away.
|
|
Ariel looked at the door a moment before going over and trying it.
|
|
"Locked!" she exclaimed.
|
|
"I guess he really wanted us to stay here," Mouse said.
|
|
"And where did he think we were going to go?"
|
|
"Perhaps he was locking up in case that was Master Terkan," Mouse
|
|
suggested. "He said, when he was letting me in here, that Terkan doesn't
|
|
like having anyone able just to wander in and out of the library. Terkan
|
|
prefers to have this place locked up."
|
|
"But not with us in it."
|
|
"No. Not with us in it."
|
|
"Mouse," Ariel whispered, coming over to the reading table, "don't
|
|
you think he's awfully creepy?"
|
|
"Terkan or Bret?" Mouse closed the book and leaned back against it.
|
|
It slid out of the way.
|
|
"Either, I guess. But I was asking about Bret."
|
|
"I didn't think he was that bad," Mouse admitted. "But I didn't
|
|
have him sticking to me all day like a leech."
|
|
"He hates Terkan," Ariel said. "He sat next to me while feeding me
|
|
lunch and told me all about what a cold, mean, petty, ungrateful man
|
|
Terkan is. Everything a master could do wrong, I think, Bret holds
|
|
against Terkan. And he supported each charge with incident after
|
|
memorized incident. It's too bad. I think the lunch was pretty good, but
|
|
I just couldn't stay hungry."
|
|
"Try a plum," Mouse suggested.
|
|
"They're on the other side of a locked door. Why do you think Bret
|
|
stays with Terkan if he loathes him so thoroughly?"
|
|
"I suppose he's a good teacher, for all his other faults," Mouse
|
|
said.
|
|
"But Bret also complained that Terkan was always keeping things
|
|
secret from him."
|
|
"And I suppose he omits mentioning all the things that Terkan did
|
|
condescend to teach."
|
|
"I don't know that I could -- "
|
|
"Sh!" Mouse jumped up and ran to climb onto Ariel's shoulder. Ariel
|
|
now also heard the footsteps in the corridor. They stood, watching the
|
|
door, while the latch was tried. There was a brief, muted conversation
|
|
before the key was turned in the lock and the door swung open. Brother
|
|
Terkan walked into the room, followed more circumspectly by Bret.
|
|
Seeing Ariel and Mouse, he stopped and frowned. "Oh," he said.
|
|
"You're -- " He stopped again.
|
|
"I was just reading one of your mathematics texts," Mouse said
|
|
quickly, indicating the book. _On_the_Conversion_of_Economies_. Ariel
|
|
was keeping me company -- " She looked up at Brother Terkan and abruptly
|
|
stopped talking.
|
|
"Yes?" Terkan responded, in vague puzzlement.
|
|
"I'm Ariel," the sometime air-sorceress said, hoping to be helpful.
|
|
"Mouse's friend, remember?" She indicated the friend on her shoulder.
|
|
Mouse said nothing right away, so Ariel poked her lightly.
|
|
"Yes!" Mouse squeaked. She broke off her stare at Brother Terkan to
|
|
glare at Ariel. "I'm Mouse. From Rockway House. Upriver. And Brother
|
|
Caleb? He wrote to you that we were coming and we showed up on your
|
|
doorstep today before dawn, bringing greetings and strange gods. Didn't
|
|
we go through all this already? Bret, can you help us out here?"
|
|
Bret said nothing for a moment, but then Terkan finally seemed to
|
|
recover his wits. "Yes, Rockway House!" he exclaimed. "Of course. I
|
|
don't know how I could've forgotten. Mouse and Ariel. Yes. And those
|
|
gods, uh, Haargon and -- and that other one."
|
|
"Iliara," Ariel said. "Did you find anything else out? You were
|
|
going to see what you could do." She glanced at Bret, who was, as usual,
|
|
staring at her. He was even more overt than usual, she decided.
|
|
"No," Brother Terkan said. "I'm sorry. Now, if you'll excuse me,
|
|
Bret and I have some work to do. So if you could -- "
|
|
"Ce -- " Bret interrupted, then corrected himself quickly. "Master
|
|
Terkan, this is Ariel." His voice rasped peculiarly.
|
|
"Yes, I know that Bret," Terkan replied.
|
|
"Ariel from Camron's," Bret rasped again. "Remember? I told you how
|
|
everyone at the Fifth was talking about it this morning."
|
|
"The Fifth?" Mouse asked.
|
|
"Fifth I."
|
|
"What's that?"
|
|
"She's wanted for murder and robbery." Bret stepped in front of the
|
|
library door.
|
|
"I'm aware of that, *Bret*," Terkan said. "She explained about that
|
|
last night."
|
|
"She did?"
|
|
"More or less," Mouse said. "It's pretty confusing, actually. Do
|
|
you want us to go through it again?"
|
|
"But shouldn't we have the Watch arrest her -- ?" Bret started to
|
|
ask.
|
|
"That's not what we're here for," Terkan declared. "If you
|
|
remember."
|
|
"Then what are you here for?" Mouse asked. "If you're not here to
|
|
arrest us and you aren't Terkan and Bret?"
|
|
"They're not?" Ariel asked.
|
|
"No. Interesting disguise though." Mouse nodded. "Look close," she
|
|
suggested. "Really see them. Maybe it'll help if you think airy
|
|
thoughts," she suggested.
|
|
Ariel backed away from the false Terkan and Bret. "Who are you,
|
|
then. Are you from Haargon?"
|
|
"I don't think so," Mouse said. "But Bret might be from someone
|
|
with a real fondness for silver. She's wearing a mask -- "
|
|
"She?" Ariel asked. "A silver mask? Like the Peacekeeper working
|
|
for the Fifth -- ?"
|
|
"Does everyone in this town know about me?" the false Bret rasped.
|
|
"They talked about you at Camron's," Ariel explained.
|
|
"Merchant chat," Mouse suggested. "I'll bet you're well known among
|
|
all the traders. It's like how everyone in the world who cultivates
|
|
mushrooms knows Sister Anne." Everyone looked at her in puzzlement.
|
|
"Who?" the false Terkan asked.
|
|
"You're not a mushroom sage, are you?" Mouse asked.
|
|
"I *thought* I was reasonably well informed about them -- " The
|
|
false Terkan shook his head. "Look, I have work to do and I'm not
|
|
feeling very well. Could you -- "
|
|
"She *ought* to be handed over to the Watch," the false Bret
|
|
rasped.
|
|
"That would hardly be a gracious thing for her host to do," the man
|
|
who wasn't Terkan said. "After all, I -- that is, Terkan -- did agree to
|
|
give her shelter. And she says she isn't the murderess."
|
|
"Murderesses always say that."
|
|
"You know a few?" Mouse asked.
|
|
"As a matter of fact -- "
|
|
"Don't answer her," the false Terkan ordered the woman who still
|
|
looked an awful lot like Bret. "That little one's very good at steering
|
|
a conversation into fogbanks. Now, let me remind you that you no longer
|
|
have to assist the Watch in their inquiries. You're retired from
|
|
Peacekeeping."
|
|
"I haven't told Tranell yet," the false Bret rasped.
|
|
"Look," the man who wasn't Terkan sighed. "You don't need to have
|
|
them arrested. Just get them out of here. I have work to do." He stared
|
|
at Mouse. "And I need to concentrate."
|
|
Mouse stared back. "Nope," she announced. "I've never seen you
|
|
before." She glanced at Ariel. "What about you?"
|
|
"I don't know," Ariel said. Through the whole debate, she'd been
|
|
trying to concentrate on seeing the pair truly.
|
|
"All right, it appears our deception is broken for now, at least,"
|
|
the false Brother Terkan declared. "And, Mouse, it does sound as though
|
|
you can see us as who we really are. I congratulate you -- "
|
|
"Are you agents of Haargon, then?" Ariel asked again.
|
|
The man who looked remarkably similar to Brother Terkan glanced at
|
|
her. "I've never heard of Haargon," he said.
|
|
"That does seem to be the most common refrain about him," Mouse
|
|
said.
|
|
"I am Cefn an'Derin," the man said. "Perhaps you've heard of me? I
|
|
have developed no little skill in the arts arcane."
|
|
Mouse and Ariel looked at each other before returning their gaze to
|
|
Cefn. Both shook their heads.
|
|
"But neither of us has been in Dargon for long," Mouse said.
|
|
"Even people who've been here a while haven't necessarily heard of
|
|
him," the false Bret rasped.
|
|
"True," Cefn agreed. "By the way, this is Je'lanthra'en. It's
|
|
enough just to call her Je'en."
|
|
"And where's the real Bret?" Mouse asked.
|
|
"Secured in a closet downstairs," Cefn replied. "He may awaken with
|
|
a slight headache, but he's basically unharmed."
|
|
"Mmm. It isn't that we like him especially," Mouse said, glancing
|
|
at Ariel, "but we have no idea what you two are up to. What about
|
|
Brother Terkan?"
|
|
"Brother Terkan," Cefn said. "Yes. What about him. By the way, do
|
|
you mind if Je'en and I don't dispel our disguises? They're a bother to
|
|
apply and I don't think I'm finished with them."
|
|
"I don't mind," Mouse said, "if you can give us a good reason for
|
|
wearing them."
|
|
"Very well, then. I'll see what I can do." Cefn walked over to the
|
|
reading table and seated himself in a chair. The one named Je'en,
|
|
however, remained at the door. "Have you heard of Jhel?"
|
|
"No," Mouse said. Ariel also shook her head.
|
|
"Jhel is a power whose delight is in grand destruction, misery and
|
|
annihilation -- " Cefn started to explain.
|
|
"You mean like Haargon?" Ariel asked.
|
|
"Another evil god?" Mouse demanded. She glanced at Ariel. "This
|
|
town has way too much religion," she declared.
|
|
"Mouse, I don't know anything about your Haargon and you, I take
|
|
it, have never heard of Jhel," Cefn said calmly. "So it seems to me that
|
|
no one has yet been obliged to deal with too many evil gods."
|
|
"You don't think any is too many?" Mouse asked.
|
|
"Point taken," Cefn said, quickly adding "and what Je'en and I are
|
|
about is the final eradication of Jhel's worship from the face of
|
|
Makdiar."
|
|
"That sounds like a good thing," Mouse admitted, "if this Jhel is
|
|
as thoroughly evil as you say. But what's that got to do with Brother
|
|
Terkan?"
|
|
"Yes, Brother Terkan." Cefn steepled his fingers. "I trust you
|
|
didn't consider him a good friend."
|
|
"Good customer, at best," Mouse declared. "For books. I only met
|
|
him last night. What else should I know?"
|
|
"He was part of the last circle of worshippers of Jhel. A circle
|
|
holed up here in Dargon."
|
|
"Was?" Ariel asked.
|
|
"Most likely, he's dead by now," Cefn said. "If he isn't dead, he's
|
|
trapped in a fatal situation and will be soon."
|
|
"What kind of fatal situation?" Mouse asked. She jumped down from
|
|
Ariel's shoulder to sit on the reading table in front of Cefn.
|
|
"He was trying to misguide Je'en into handing her sword over to
|
|
him."
|
|
Mouse frowned. "On the face of it, making that into a fatal
|
|
situation sounds like someone was over-reacting."
|
|
"Hmmm. I guess you want the long version," Cefn said. He steepled
|
|
his fingers again. "The last circle of worshippers of Jhel believed that
|
|
Je'en's sword carried great and particular power. If they could persuade
|
|
her to hand it over to them willingly, they believed it could be used to
|
|
bring about a massive and disastrous manifestation of Jhel in the world.
|
|
The end of the world, if you like."
|
|
"I don't like. Were they right?" Mouse asked.
|
|
"I believe so -- "
|
|
"But why would they want to do that?" Ariel asked. "Why would
|
|
anyone want to destroy the world?"
|
|
"I expect they thought the world would be replaced by some new
|
|
version over which they would be placed in charge," Cefn shrugged. He
|
|
frowned and seemed to call up a reluctant memory. "Something like that,
|
|
anyway. In order to persuade Je'en to hand over the sword, Terkan
|
|
crafted an elaborate plan to attack Je'en's dreams and then bring her to
|
|
a sort of dreamland in order to alleviate the nightmares. I, however,
|
|
found out about the plan in time to intervene. The result of that
|
|
intervention was that Terkan was trapped in the dreamland, where he is
|
|
likely soon to die. And Je'en and I now know enough about the workings
|
|
of the final circle of worshippers of Jhel to destroy them and this foul
|
|
religion forever."
|
|
"Can we do anything to help?" Ariel asked.
|
|
"And have you any evidence to support that story?" Mouse added.
|
|
Cefn laughed. "And what evidence can you provide to support your
|
|
stories about Haargon, Iliara, and the mysterious kidnapper at -- where
|
|
was it?" He glanced at Je'en. "Camron's?" he asked. She nodded.
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"That's fair," Mouse admitted. "A lack of evidence all around, I
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guess. A standoff. So why did you come here to Terkan's house?"
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"I, as Brother Terkan am going to call another meeting of the
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remaining worshippers of Jhel," Cefn said. "A final meeting. One that
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will gather very soon, before word of the real Terkan's demise gets out.
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He's not known under his own name where he's dying, so we'll have a
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little time, anyway. As for me, I'm just passing through here until we
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can go to that gathering and finish my mission forever."
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"You'll be taking your assistant with you?" Mouse asked, indicating
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Je'en.
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"Partner," Cefn corrected. "And yes, she'll go with me."
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Mouse nodded. "And you'll refrain from involving yourselves in our
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problems with these agents of Haargon?"
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"Are you sure that this Haargon really exists?" Cefn asked.
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"Whether or not he exists -- " Mouse said.
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"Of course he exists," Ariel declared.
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"Cefn," Mouse ignored the comment, "are you and Je'en going to
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ignore our problem with the Watch over that murdered man in Camron's?"
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Cefn looked at Je'en, who shrugged.
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"I think we could do that," he said. "But I also think that this
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house won't remain a good place for you to hide for too much longer."
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========================================================================
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