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1318 lines
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DDDDD ZZZZZZ //
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D D AAAA RRR GGGG OOOO NN N Z I NN N EEEE ||
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D D A A R R G O O N N N Z I N N N E || Best of...
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-=========================================================+<OOOOOOOOO>|)
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D D AAAA RRR G GG O O N N N Z I N N N E || Part Two
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DDDDD A A R R GGGG OOOO N NN ZZZZZZ I N NN EEEE ||
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\\
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\
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========================================================================
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the Best of DargonZine Distributed: 03/04/1995
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Part Two: the Best of DargonZine Circulation: 631
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========================================================================
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Contents
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Dafydd's Amber Glow Dafydd/John White
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Steel Souls John Sullivan DargonZine V 1 N 1
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What are Little Girls
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Made of? Bryan Maloney DargonZine V 4 N 3
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To Be Continued Michelle Brothers DargonZine V 5 N 3
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========================================================================
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DargonZine is the publication vehicle of the Dargon Project, a
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collaborative group of aspiring fantasy writers on the Internet.
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We welcome new readers and writers interested in joining the project.
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Please address all correspondance to <dargon@wonky.jjm.com>.
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Back issues are available from ftp.etext.org in pub/Zines/DargonZine.
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Issues and public discussion are posted to newsgroup rec.mag.dargon.
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The Best of DargonZine (Part Two of Two) (C) Copyright March, 1995,
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the Dargon Project. Editor Ornoth D.A. Liscomb <ornoth@wonky.jjm.com>.
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All rights reserved. All rights are reassigned to the individual
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contributors. Stories may not be reproduced or redistributed without
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the explicit permission of the author(s) involved, except in the case
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of freely reproducing entire issues for further distribution.
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Reproduction of issues, in part or as a whole, for profit is forbidden.
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========================================================================
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Dafydd's Amber Glow
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by Dafydd Cyhoeddwr (aka John White)
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<white@duvm.ocs.drexel.edu>
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In 1988 FSFNet, the home of the Dargon Project, ceased publication.
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Its editor, Orny Liscomb, left school and the net and consequently had
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to cease putting the ground-breaking electronic magazine out. But those
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of us who were writing for the Project wanted to continue, so we had to
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figure out how.
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After some deliberation, I decided to take over publication of
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Dargon Project output. Though FSFNet published other types of fiction, I
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didn't feel I had the expertise to continue to provide that service. But
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I knew the Project, and I knew the authors, and I decided that I was
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capable of stepping into at least some of the shoes that Orny had
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vacated.
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However, I never considered myself the kind of editor that Orny was
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and is again. So, I changed things. Beyond the physical changes -
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changing the name to DargonZine, changing the banner pages, adding dates
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to the stories (which I hoped would give a better sense of how they
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interrelated) - there were some 'philosophical' changes behind the
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scenes. Because I didn't feel up to the task of being the guide to new
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writers that Orny was, I decided to turn the story review task over to
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the whole body of writers. Instead of one person's views on how a story
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should work, we had 5 to 10 people offering their opinions. As it turns
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out, this ended up being a wonderful alteration since it not only gave
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the writers a multitude of helpful (usually) criticisms about their
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writing, but it also encouraged us all to look at stories in new and
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different ways.
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After 30-something issues produced on a very irregular schedule
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(which had little to do with any lack of writer participation), a
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miracle occurred - Orny returned to the net. He rejoined the Project (as
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if we could have refused him!), and in due time (when he felt ready), I
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turned the editorship back to him. Now, maybe I'll have time to finish
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those stories I've been considering!
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So, on to the stories. The first of the three DargonZine-era
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stories selected for this Best Of set is 'Steel Souls' by John Sullivan.
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It appeared in the first issue of the new 'zine, and it is a wonderfully
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moody story by an author who didn't write nearly enough for us.
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'What are Little Girls Made Of?' is a War story by Bryan Maloney,
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who is another author recently returned to the Project. This is another
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poingant story showing some of the side-effects of war that many just
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don't consider.
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And the last is 'To Be Continued' from Michelle Brothers that sadly
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wasn't as she left the project soon after. This story has some classic
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elements and some eerie surprises.
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So I hope you enjoy this second of the Best of the Dargon Project
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issues of DargonZine. If you've been reading us from the beginning, I
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hope these bring back some memories and if you've just found us, then I
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hope these inspire you to seek out our back issues and discover what
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you've missed. Happy Reading!
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========================================================================
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Steel Souls
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by John Sullivan
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From the seawall I watch as the sun flows down to the ocean,
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bleeding red into the water. The wind from the sea is cool and vigorous.
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It blows my hair in a black cloud around my head and whips the heavy
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fabric of my clothing until it snaps like the sails on the ship that
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brought me here. I come here whenever I can, and sometimes I work my way
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down the rocks to the water's edge to dip my fingers in the sea. It is
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my friend, the sea. I am stranded on this alien soil, but I can touch
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the sea. And the sea touches Bichu.
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The wind turns colder as the evening deepens. The sun has almost
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completely set now and the dockmen slowly filter away to homes, to
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taverns, to wherever they go. Some look at me as they walk away,
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noticing my different clothes, my face. They are peasants, uneducated
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and of no status, but they belong here, and they can see that I do not.
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They look at me with distaste as they pass and I try to ignore them and
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look at the remaining spot of the sun. Sages have told me that when the
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sun sets on Dargon, it rises over Bichu. If that is true, then my father
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is waking now, and remembering that I am gone. It has been a year since
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I left Bichu in disgrace. For a year my family has been shamed, my
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father without an heir. I fled from honor, and my life becomes more
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intertwined with this place every day. So my father awakes and begins a
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second year of sorrow and shame. His shame feeds on my own and feeds it
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in turn. How can I ever go home?
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The tavern is called Grey Talka's. It is an ugly place, near the
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warehouses and the docks, noisy and full of smoke, smelling of vomit and
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cheap ale. I sit alone at a table in the corner, my swords beside me for
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the people here are not to be trusted. A maid brings me a tankard of ale
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and I examine it for a moment, then dump the contents on the floor,
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carefully clean it with my sleeve and return it to her. "Another," I
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say, "this mug." She says nothing but returns with it to the long table
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where the keeper has set up his barrels. In Bichu a hosteler so insulted
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would either seek a champion to defend his reputation or close his
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tavern. Here, so long as I pay for the slop, I may pour it wherever I
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wish.
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The barmaid returns with my ale and collects her copper, saying
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nothing. The ale is bitter and poor. I drink it in large gulps, shaking
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my head to fight it, and order another. Time passes.
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"Mo iti do itte!"
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The barmaid does not come, and the men at the other tables glance
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at me, their eyes nervous behind their dullness. I realize that I have
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spoken in Bichanese. "Bring me another!" I lean forward, resting my
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elbows on the table; my head is heavy so I rest it in my hands. I'm
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weary of this land, its coarseness and barbarism. Decent men are so rare
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here that when they discover one they murder him from a place of
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concealment with crossbows. Their honor is blood in the table linens.
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The barmaid must be frightened of me, for the keeper himself brings
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my ale. He doesn't set it down, but demands three coppers instead of
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one, hoping I will leave. Several men have gathered in a nervous group
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near the kegs, waiting. His ale isn't worth three coppers, but neither
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is it worth one, and I have no intention of being intimidated by these
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peasants. I take a Bichanese crown from my pouch and let it glitter on
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the table.
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"You'll bring me as much as I ask for and leave me alone, won't
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you?"
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He looks at the flash of gold for a moment, then snaps it up and
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sets down the tankard with a muttered "Of course, milord." He goes back
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to his kegs and argues quietly with the others.
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After that word circulates that I'm not the street character they
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took me for; I have money. A few even consider taking me. I see them
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sizing me up, trying to appear dangerous. Meeting their gaze is enough
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to send them slinking back to their tables like rats.
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Crude beasts in a land of animals! I stand on the seawall to be
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upwind of them.
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When I can stand the tavern smell no longer I flee into the
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darkness of the streets, but the streets stink as well. The entire
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filthy city stinks, like the unwashed people, their disgusting rotted
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meat, their uncivilized habits. Even the ones who attempt to be civil
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cannot overlook their delusions of superiority. "We'll teach you to
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dance in our fashion, Lord Ichiya," with the slightest nuance of mockery
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on the honorific. "I've learned your language from reading your poets,"
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he says, speaking like an addled child, disappointed when I do not fall
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at his feet in gratitude. I hate Dargon.
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I've admitted it and the hatred flows through that crack and washes
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over me like a flood. Even drunkenness here is low. Instead of freeing
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the spirit, it drags me down into the filth in the gutters. I walk
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rapidly through streets unfamiliar in the night, trying to find some
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clean place but there is none here, not in the street, or in the
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dishonor of the people. "Bastard dogs!" I shout at the dark, crumbling
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buildings in Bichanese, then "Zyatai an!" lapsing into Bichoi, the lower
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class dialect of peasants and beggars. Perhaps they will understand
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this.
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"Koshaddan! Tokodoshi esuna ko!" The hoarse cry echoes in the
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abandoned street and I laugh. I can imagine my mother hearing me,
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learning that I know such language. I can see the look on her face, as
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if I had greeted guests by pissing in their teacups.
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It has been a year since I saw my mother and thieves prowl these
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streets. I had scarcely left the ship when they began hurling themselves
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at me clumsily from the dark. With Roissart and Luthias they came and
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countless other times, as if this land itself feels my alienness and
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reacts with all the violence it spawns. But I can resist Dargon for
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there is violence within me as well.
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Around me, in the darkest corners of the alleys, furtive shapes
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move when they think I don't notice. No one moves through these reaches
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of the city unobserved at night. But these see my swords and move with
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caution. I realize that I have ceased my shouting and the fire moves in
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my blood with more than the ale. I sense their brutality, ebbing and
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flowing like the tides and I find some part of me that needs it.
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I begin to call to the inky shapes like a lover. I sing old
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Bichanese drinking songs, anything at all. I weave in my steps as the
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drunkenness crests within me. For a block they shadow me, and more. "Why
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are you waiting?" I cry in Bichoi, "I am foolish with drink and my purse
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is heavy." Come to me now, now.
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They come, two figures, weaving toward me, running from behind me,
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one at each quarter. They hold their swords reversed, their bodies
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curled around them. From that grip they will slash upward from their
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left then thrust down. I step, step, one more then one leg wavers under
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my weight and I stagger. Then, as my katana feels the fire as well and
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leaps into my hand with a metallic singing, time expands into the
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montage of battle. There is the sharp cry of the duellist and the right
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foot planted behind for the spin. The tip of a sword nicks my clothing
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as I spin away from it and I can feel my blade moving like a part of
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myself. The clatter of a parry and I continue my spin. Even drunk I can
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take these fools apart.
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I luxuriate in the force of my body's motion, the kinesthetics of
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the sword. A dark form before me as I complete the turn and my left hand
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completes its following arc and slaps against the lower menuki, fingers
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wrapping around the base of the hilt. The hand shifts the balance of the
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sword and I hold my breath, feeling the descent. And then the bite of
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the steel. The ecstasy of it! The bite, oh, the bite.
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Dim light brings the morning and the wind is chilling. I am on the
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floor of my rooms, drenched in sweat. I have committed murder. The
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watchmen who came soon after, drawn by the commotion, saw dead thieves
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and an acquaintance of Lord Dargon, and did not hold me. But I know the
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truth. There is no honor in inviting attack from an inferior fighter to
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justify a killing. There is only shame, cowardice, weakness.
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It's strange how little a moment of shame leaves of life. Once
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there was family, honor. Now there are only disjoint snippings from
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time, not unlike the way of a battle. The trunk with my belongings,
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opened less frequently every day. The remaining length of unused rice
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paper tucked under one arm, flashes of street life around me as I walk
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toward the harbor. Fishsellers, marketwomen, apprenticed boys running on
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the errands of their masters as if nothing has happened. Near the docks
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I discover a bowl of fish stew in my hand, the stewmonger expecting
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payment. I give him my purse.
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Then there is only myself, the sun rising behind me, the wind, the
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seawall and the nervous tossing of the sea. There is only one way to
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remove a stain such as this. I wonder if my parents across the ocean
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will feel the sting of the blade.
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I kneel on the seawall, the end of the ricepaper beneath my knees
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to keep it from blowing away in the wind. My katana weights the other
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end. I watch my hands wrap a length of cloth cut from my sleeve around
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the blade of the shorter wakizashi, once, twice, three and then four
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times. Then I hold the blade, one hand ginger on the cloth wrapping, the
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other butted against the hilt. When I was born my father expected only
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that I would carry the name of our family a step or two forward and not
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do it dishonor. I have done nothing else. I have fled from a challenge
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to the family name to this forsaken place, and I cannot even uphold the
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basic tenets of honor here, in a place without honor. Oh father, how I
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have shamed you, how I've shamed myself!
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There is only one way to undo the violence I have done to the
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reputation of clan Ichiya. Enough stalling, enough wallowing in the
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magnitude of my shame. A flash of courage to cleanse it. A stillness
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comes over me. Honor welcomes the intention to restore it and helps
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quiet the fear. The sounds of the town around me fade away and I breathe
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shallowly, in time with the rhythmic beat of the surf against the
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seawall. With the next wave, the surge of strength through my arms, and
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then peace. It comes. The water climbs, foaming white, the pitch of it
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rising, and then it crashes with a tremendous booming sound against the
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seawall. The muscles of my arms tense and move.
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And in the next instant I fall sideways, knocked over by some
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impact. There is pain, and grating of flesh against stone. For the
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briefest moment I am confused, like one just waking from a vivid dream.
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Then I see a body, on hands and knees over my legs, having dived into me
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from the right. Rage floods through me instantly, as if it has always
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been there. The ignorant brutes can't even keep from interfering in my
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most private moments! I kick his chest with both legs, knocking him away
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so that he rolls back until he is a pace away from me and seated in a
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clumsy sprawl. As quickly I roll forward to my knees and move after him.
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The wakizashi's wrapping begins to unwind and trail behind the blade
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like the tail of a comet as I raise it sideways, holding it over my head
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for the quick slash downward. As I loom over the man he moves forward,
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pride and ferocity in his bearing. He snaps his head back to expose the
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vital areas of the throat and barks "Ko choro an!"
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"Do what you must."
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The ritual words stop me as if paralyzed, frozen in attack posture,
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the wakizashi still held overhead. The cloth still hanging from the
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blade waves in the wind. I recognize the face of the stewmonger, eyes
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locked into my own. He is frightened, but he does not move. There is an
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instant to wonder how he comes to know our customs so well. Then he says
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the words again, softly this time and, unlike that damned fool of a
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chronicler perfectly, with no trace of accent. "Do what you must."
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He is right. I have murdered; I cannot expunge their blood with my
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own. In death there is escape, but the situation remains behind. It is
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only an escape, the apotheosis of self-pity. There is no honor in death
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to avoid responsibility. The realization is painful. Something I have
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been taught since childhood is a lie, but the stewseller is right! Honor
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requires the facing of responsibility, living with it, dealing with it.
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I will do what I must. I will go on.
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There is a clatter as the wakizashi falls from limp fingers to the
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stone. I fall forward, sobbing like a child and he draws me in and holds
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me silently. It's a hard thing; nothing has seemed to take on such scope
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before. Life had always seemed so brief a thing.
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When we rise to our feet there is blood, soaking my clothing,
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dripping into the crumpled length of rice paper. The blade of my
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wakizashi has slashed my side during the aborted thrust and my fall.
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Working quickly and efficiently the stew seller bandages it with the
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cloth from the blade. He is a man of many talents, my rescuer. I wonder
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why he contents himself selling fish stew on the docks.
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From a pocket he takes my coin pouch and returns it to me. "If my
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stew is so bad, I shouldn't charge so much for it." A light comment,
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denying the seriousness of the incident. He is telling me that the
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matter is closed. I bow deeply and he returns the bow, then turns and
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walks back toward his cart.
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I retrieve my swords and return them to their place. Suddenly
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freed, the bloody length of rice paper whips away in the wind. It is
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carried over the harbor for perhaps the length of a ship before
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fluttering down to float on the surface of the water. My blood soaks
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into the water, and the outgoing tide carries it toward distant Bichu.
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========================================================================
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What are Little Girls Made of?
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by Bryan Maloney
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<jacobus@sonata.cc.purdue.edu>
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Aimee held her breath when she heard more crashing from outside.
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Were the Be-innyson soldiers coming again? She wished that she was in
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the castle with Daddy and Grandfather. She closed her eyes and wished
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harder, so hard that she could feel her fingernails digging into her
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hands. She opened her eyes and saw she was still in Grandfather's shop.
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Wishing never worked by itself--you had to go and make it work for even
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the littlest things.
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She'd been here since yesterday, when the Be-innyson soldiers
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started throwing rocks at the city walls. She'd been taken to Old Town
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with the other children and put near the castle--but she had left
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something very important behind. When Grandfather picked her up and put
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her in the wagon to Old Town her puppy Karl had jumped out of her arms
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and run into Grandfather's home.
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Grandfather told her that he'd make sure to bring Karl if he had to
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go to Old Town too. Then she'd heard that the Be-innysons had made holes
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in the New Town wall and were coming in. She was smart enough to know
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that Grandfather would be too busy to find Karl, so she sneaked out--it
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was easy enough with so many children around--to find Karl.
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When she got to Grandfather's, Karl was there--but Grandfather
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wasn't. The puppy was upstairs in Grandfather's rooms. He had tipped
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over a jug of Grandfather's awful, bitter drink and was lapping at it.
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Aimee had to laugh at the way the puppy staggered and yelped--like
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Grandfather did during the Melrin festival. Aimee had gathered the puppy
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in her arms and was about to leave when she heard marching, clanking
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feet.
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She ran to a rope hanging over a table and pulled her feet up,
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dangling with one hand while the other held Karl. Slowly, the stairs to
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the attic came down, and Aimee climbed them. She sat on a projecting
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board she had fastened to the stairs (when Grandfather was away once)
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and pushed them closed. Then she pulled the rope up through its hole.
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She carefully made her way around the holes in the floor to the attic
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window. There she lay down to watch the street.
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Soldiers were coming from her left. They marched in straight rows,
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making a terrible noise. She could tell that they weren't Dargon's
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soldiers. They had square shields and carried an ugly banner with a big
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metal bird on top of it. They had to be Be-innysons!
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Aimee was nervous, but not really scared. She'd remembered hearing
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Grandfather tell Goodman Corambis that the attic had been made by
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smuggil-ers to hide in and see down below. (The next day she sneaked
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into the attic to see. Grandfather was right--she could see everything
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through the holes in the floor. Best of all, Grandfather couldn't see
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her. The ceiling was built very high with rough logs and painted to make
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the holes look like parts of a pattern.)
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Then she saw Thomas Redcap. He had been sleeping in a doorway.
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Thomas was always drunk and he smelled bad, so Aimee stayed away from
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him. But nobody ever did anything to him because he never hurt anyone.
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Two of the soldiers had picked him up and were shaking him awake. Thomas
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woke up and the head soldier--did Be-innysons have captains?--said
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something to him. Aimee suppressed a laugh--Be-innysons were stupid
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people! Everybody knew that Thomas couldn't say his own name just after
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he woke up.
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Thomas just stared at the soldier. When the soldier started to
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yell, Thomas tried to run. The soldier took his sword and stabbed Thomas
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in the back. Thomas kept trying to run, but the soldier kept stabbing
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him. Finally, Thomas fell down and the soldier stabbed him in the neck.
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Aimee started shaking--these were terrible men! They were demons
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like Mother Clariss the Priestess had told her about! She watched the
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|
men pick up Thomas and toss him in the gutter. Some of them actually
|
|
laughed! Then the captain shouted something Aimee didn't understand and
|
|
the men went into buildings.
|
|
Aimee froze, clutching Karl. Three of them had come into
|
|
Grandfather's place! If they would kill harmless old Thomas Redcap, what
|
|
would they do to her? She inched over to a smaller peephole and looked
|
|
into the rooms below. Karl squirmed and whimpered.
|
|
"Be quiet, Karl!" she whispered.
|
|
Karl tried to lick her face. He began to wriggle more, and Aimee
|
|
was afraid that he would start to bark. She couldn't let him go--he
|
|
might fall into one of the larger holes and start to yowl. What could
|
|
she do?
|
|
Karl then belched, softly. Aimee grimaced. he smelled just like
|
|
Daddy and Grandfather did at the Melrin festival--of course! Grandfather
|
|
kept some of his jugs up here in the winter so they would be cold when
|
|
he drank them. Maybe he'd forgot to take some down this spring. Aimee
|
|
looked around until she spied a pile of earthen jugs.
|
|
"Will you be quiet if I give you a drink?" Aimee whispered as she
|
|
crawled over to the jugs. The clay stopper was fastened with wax, and
|
|
she had to dig at it with her fingernails. Karl, smelling the beverage,
|
|
was whining in anticipation.
|
|
Aimee pulled the stopper out and poured some of the brown contents
|
|
into a depression on the floor. Karl lapped fast and furious. Aimee then
|
|
went back to the peephole.
|
|
The soldiers had come up the stairs from the public rooms and were
|
|
searching Grandfather's rooms, turning over everything that could move.
|
|
Aimee was glad that the table was heavy oak, or she would have to jump
|
|
from the bottom of the stairs when she left. Finally, one of the
|
|
soldiers found Grandfather's jugs he kept by the table. They laughed and
|
|
stuffed them into their packs. Then they left.
|
|
Aimee went back to the attic window and looked at the street. The
|
|
soldiers were gathering together. The captain yelled something and they
|
|
went back into lines and marched away. After they were out of sight,
|
|
Aimee went to the board nailed to the stairs and lowered them. Then she
|
|
scampered down and went immediately to a cupboard that had been ripped
|
|
open. She ran her fingers on the top of the bottom shelf, along the
|
|
outside rim, until she found a catch. She pulled the catch and a small
|
|
door on the opposite wall swung ajar. This was another thing made by
|
|
smuggil-ers, according to Grandfather. She ran to the secret cupboard
|
|
and looked--it was there.
|
|
Grandfather had once been a soldier, and he had kept a few
|
|
souvineers. One was a big greatsword, too heavy for Aimee to lift.
|
|
Another was a decorated crossbow that Grandfather had gotten as a gift
|
|
for helping in some battle or another. The greatsword was
|
|
gone--Grandfather took it with him probably, but the crossbow was still
|
|
there, hidden with Grandfather's other treasures. She knew that she
|
|
couldn't wield it, but she would still feel safer if she had it with
|
|
her. She grabbed the weapon and a handful of silver-inlaid bolts and ran
|
|
back into the attic, withdrawing the stairs behind her.
|
|
"I know what I'll do." She thought, "I'll wait here until I see
|
|
some Dargon soldiers march by, and then I'll come down and tell them I'm
|
|
Aimee Taishent and they'll take me to the castle because Daddy's in the
|
|
guard."
|
|
She lay down by the attic window and watched the street. After a
|
|
while, Karl staggered next to her and collapsed in a heap.
|
|
"Did you have enough?" Aimee whispered.
|
|
Karl emitted an enormous belch and went to sleep.
|
|
"Karl, you smell worse than Thomas Redcap." Then she
|
|
remembered--Thomas lay on the street, dead, holes poked into his body by
|
|
the Be-innysons. Softly, Aimee began to cry. The tears flowed smoothly
|
|
down her cheeks until they dripped on the floor. Then she began to sob,
|
|
trembling. Her throat started hurting, but still she cried. Her head
|
|
started hurting--still she cried. Aimee wept until after sundown. Then
|
|
she slept.
|
|
She woke the next morning to the sounds of battle. She looked out
|
|
the attic window to see a mob fleeing down the street. Behind them were
|
|
more Be-innysons. They were hitting people, not even chasing them. Just
|
|
running over them and killing them. Aimee suddenly felt terribly guilty.
|
|
"I'll never knock over another anthill. I promise." She whispered.
|
|
"Just please, Bright Cahleyna, don't let the soldiers come in here."
|
|
The mob passed and the soldiers followed them, not stopping to look
|
|
in any buildings. Aimee breathed a sigh of relief. How long would it be
|
|
before the Dargon soldiers came by? Would they ever? There were so many
|
|
Be-innysons, what if they won? Would they come and kill her like they
|
|
did Thomas Redcap? She started to cry again.
|
|
She stopped when she heard Karl whining. The puppy was lying on his
|
|
belly, forepaws over his ears, eyes tightly shut.
|
|
"It serves you right, Karl." Aimee whispered. "Now you'll remember
|
|
how awful that stuff is to drink." Aimee then realized how terribly
|
|
hungry and thirsty she was. She also needed to go outside--badly. But
|
|
the Be-innysons were out there! She looked around until she saw some old
|
|
junk in a corner. Maybe there was a chamber pot in the pile!
|
|
Desperately, she climbed into the castoffs and began to dig. The pile
|
|
was huge--Grandfather never threw anything out. She began to tunnel into
|
|
the heap, which nearly touched the roof.
|
|
"There's my toy cart!" Aimee stated.
|
|
Karl stood at Aimee's exclamation and dragged himself to the pile.
|
|
He whimpered at his mistress.
|
|
"Karl, I was going to pull you around in this, but a wheel fell
|
|
off. Grandfather said he would fix it, but I guess he just lost it in
|
|
this mess. I'll make him put it together when he comes back." Aimee
|
|
stopped digging. Would Grandfather come back? Would anyone? She started
|
|
to cry, but her sobbing breaths reminded her of a lower call. She
|
|
quested further into the heap. Finally, she caught at glimpse of glazed
|
|
clay. Tossing small bits of junk aside, she found a cracked chamber pot.
|
|
After she relieved herself, she had a terrible thought--"How do I
|
|
get rid of this?" she asked herself. Aimee decided that she would have
|
|
to leave it here until she could think of something.
|
|
She was still thirsty, though. Aimee grit her teeth and picked up a
|
|
jug. She pried it open and took a drink. Yak! It was even more awful
|
|
than she remembered. But it helped her throat, so she drank more. She
|
|
put the stopper on the jug and sat down next to the attic window,
|
|
watching the street for Dargon soldiers. Karl wobbled over and lay down
|
|
beside her. Aimee picked him up.
|
|
"Karl, I wish you were a great knight like the old Duke Clifton,
|
|
then you'd put me on your horse and we'd ride straight to the castle.
|
|
And if any Be-innyson soldiers tried to stop us, you'd take your sword
|
|
and kill them." Aimee thought about the Be-innysons; she thought about
|
|
Thomas Redcap; she thought about the people running away, killed like
|
|
ants; and a strange feeling started inside her. It was cold, but somehow
|
|
comforting. The more she felt it, the better she felt.
|
|
"I hate you, Be-innysons." she said, and for the first time in her
|
|
life, she knew what that meant.
|
|
Aimee watch the street until she had to relieve herself again. She
|
|
went over to the chamber pot--it stank. Aimee sighed, there was no
|
|
helping it. Grandfather would understand about the smell. She walked to
|
|
the chimney and unlatched a metal door. Grandfather had put it in
|
|
himself so he wouldn't have to hire a sweep to clean the flue and he
|
|
wouldn't have to go on the roof to clean it himself. The special bendy
|
|
brush Grandfather used was on the floor beside the chimney.
|
|
She opened the door and poured the contents of the chamber pot down
|
|
the chimney. Grandfather kept the flue closed unless he had a fire, so
|
|
she knew it wouldn't splatter in the fireplace and give her away. She
|
|
would have to remember to warn him before he opened the flue next time.
|
|
Again she relieved herself and emptied the pot. That was when she heard
|
|
the crash.
|
|
She crept to a peephole and looked down. A Be-innyson soldier had
|
|
chased an older girl into the building and up the stairs to the rooms
|
|
below. He had a terrible grin on his face. He grabbed the girl and threw
|
|
her onto the floor. Then he ripped her skirts and petticoats off and
|
|
opened his codpiece. Aimee immediately knew that the man wanted to sex
|
|
(or s-e-x, as Grandfather always said around her. She was six
|
|
already--she'd heard what grownups did! Anyway, she'd seen Karl get
|
|
born.), but the girl didn't want to--the soldier was going to hurt her!
|
|
A flame started in Aimee's heart and crept up her throat. She was
|
|
going to stop him! He was a Be-innyson, and all they ever did was hurt
|
|
people. She didn't care how big he was or what weapons he had. Aimee
|
|
Taishent was going to stop him! She scampered to the attic window--no
|
|
one was on the street. At least it was only him. The girl had started
|
|
screaming. Aimee went to a peephole and looked down. She saw the man
|
|
forcing the girl onto the floor. Desperate, Aimee caught the crossbow on
|
|
a nail jutting from a pillar and pulled back the string with both hands.
|
|
"Please, Father Ol, keep the string from breaking."
|
|
Aimee pulled, leaning away from the crossbow. The string dug into
|
|
her fingers, feeling like a knife. Finally, the catch clicked--the bow
|
|
was cocked.
|
|
Her fingers hurt too much to move--there was already a purple line
|
|
across them--but she forced herself to drop the bolt into its slot, like
|
|
she had seen the guards do in practice. Then she started running toward
|
|
the stairs.
|
|
On her way, a flash caught her eye. The soldier was right under one
|
|
of the larger holes in the floor--Grandfather called them murder holes.
|
|
It was very big, Aimee had almost caught her foot in it. She looked down
|
|
and saw the soldier's back, right below her. She carefully aimed into
|
|
the hole and and gasped as the bolt slid out of the crossbow and through
|
|
the hole below. You had to hold the bow straight! She'd heard Daddy tell
|
|
that to his men, but had forgotten. She remembered now.
|
|
Aimee heard the soldier shout and then a crash. What would he do?
|
|
He couldn't get to the stairs, she knew that, but what would he do? She
|
|
looked down through the hole. The soldier wasn't there, but the girl
|
|
was. Her head bled and she lay in a ball, quaking. Where was the
|
|
soldier?
|
|
Aimee ran to another murder hole and looked down--no soldier! Had
|
|
she scared him away? She ran to the stairs to lower them, but stopped
|
|
dead as she saw them come down by themselves. Frozen with fear, she
|
|
watched as the Be-innyson soldier came up the stairs, holding a
|
|
pole-arm with a hook upon it. He smiled at Aimee and approached her,
|
|
weapon held low.
|
|
Aimee stared at the soldier as he walked toward her. He was
|
|
talking, saying something she couldn't understand. When he had cleared
|
|
half the distance between them, Karl charged the foreigner with a
|
|
squeaking snarl. The soldier batted the pup aside with his polearm.
|
|
As soon as Karl took to the air, yelping, Aimee awoke. The soldier
|
|
wanted to hurt her! She ran around the soldier, trying to make for the
|
|
stairs, but he just turned and swung his polearm in front of her. She
|
|
tried to duck around the weapon, but the soldier just stepped and hit
|
|
her with the haft.
|
|
She fell over, bruised, and heard the soldier laugh. She looked up
|
|
and saw him heft his weapon, then he swung it. The blade descended upon
|
|
her like a foot upon a beetle. Aimee tensed herself for the blow, her
|
|
last, when she heard a thump beside her. The soldier had missed! Was he
|
|
too drunk to hit her? She looked at him and her hopes died as she heard
|
|
him start to laugh. He aimed another blow at her, missing by inches. He
|
|
was playing with her--just like boys played with rats!
|
|
Aimee scrambled backwards on all fours; the soldier advanced,
|
|
smirking. He said something in his own tongue and laughed. Aimee still
|
|
went back. The soldier stopped to watch her. Finally, Aimee hit
|
|
something--it was the junk heap. She started to climb into it and froze
|
|
as the soldier yelled and charged toward her, weapon lowered.
|
|
Desperate, she grabbed at the pile below her. Her hands came up
|
|
with a piece of wood. It was the shaft from Grandfather's old cloak
|
|
tree. She had broken it last year by swinging from it and knocking it
|
|
over. Grandfather was so mad he didn't even spank her--he just told
|
|
Daddy! She pulled up the piece of wood and held the end before her--the
|
|
top with a pointed bit. It wasn't long enough! The soldier's weapon was
|
|
easily twice as long. And she couldn't even pick it up besides, the
|
|
other end was tightly wedged in the pile.
|
|
"I'm sorry, Daddy." she whispered.
|
|
At that moment, the soldier discovered one of the murder holes. His
|
|
right foot came down exactly upon a larger one and went in. The bones of
|
|
his ankle ground against each other and cracked. Yet the momentum of his
|
|
charge was too great to be halted by this minor setback. Instead, his
|
|
body flew the last few yards through the air and landed upon Aimee. His
|
|
polearm entered the pile, headfirst, catching Aimee's skirts upon the
|
|
hook.
|
|
Aimee opened her eyes. Above her lay the soldier. Why wasn't he
|
|
doing anything? Then she noticed that her hands were warm. She looked
|
|
down to wher she had been holding up the end of the cloak tree and
|
|
gasped when she saw it go into the soldier. She looked up at the young
|
|
man. He was a youth, with a light mustache beginning to form. Aimee
|
|
noticed that his hair was reddish and looked very soft. He was
|
|
motionless, breath coming in ragged gasps. Tears poured from his eyes.
|
|
Aimee watched the final spasm shake the soldier before he stopped
|
|
breathing. Then she looked at his face. He had the same look that Thomas
|
|
Redcap did when the soldiers cut him down.
|
|
Aimee went limp on the pile, sobbing. She was as bad as the
|
|
Be-innysons! She thought that killing the soldier would make her feel
|
|
better, but it didn't. She felt awful, even worse than the time she had
|
|
been throwing stones to knock down apples and accidentally hit a
|
|
squirrel. She dragged herself out of the pile, tearing her skirt on the
|
|
hook. Sobbing, she ran down the stairs.
|
|
More than anything she had to get away--she'd killed somebody. That
|
|
was the worst thing you could do! Grandfather had taught her that Ol and
|
|
Cahleyna valued all life, and now she had killed someone. She had to
|
|
hide--go where no one could find her. She ran for the stairs to the
|
|
street level when she collided with a soft form.
|
|
"Where did you come from?" Aimee heard someone say.
|
|
Aimee looked up and saw the face of the girl. Unable to speak,
|
|
Aimee pointed up.
|
|
"You say you came from heaven?" The girl's eyes were wide. "Were
|
|
you an angel sent by Cephas Stevene to rescue me?"
|
|
"No." Aimee was finally able to say. "I came from the attic. I
|
|
tried to shoot the bolt at him and he--" Aimee burst again into tears.
|
|
"I killed him!"
|
|
The girl held Aimee tighter. "It's all right, honey. He was going
|
|
to hurt me, and you only wanted to stop him." Aimee felt a hand on her
|
|
chin, lifting her face.
|
|
"I am Marta, what's your name?"
|
|
"Aimee, Aimee Taishent." Aimee said.
|
|
"Are you related to the mage?"
|
|
"He's my grandfather!"
|
|
"No wonder you're so brave. Living around magic must be very
|
|
exciting. I bet you can even read." Marta smiled and stroked Aimee's
|
|
hair.
|
|
"It's not all that exciting." Aimee said, "Usually he just sits and
|
|
studies, except when he has a customer, but I can read."
|
|
"Where is your Grandfather?"
|
|
"He's in Old Town. He went there when the Be-innysons--when
|
|
they--when--" Aimee began crying again.
|
|
"It's all right, honey. One way or another, it will be over soon."
|
|
Aimee and Marta embraced, each comforting the other.
|
|
After a time, Aimee snuffed and said, "Go into the attic, it's not
|
|
safe to be down here."
|
|
"What about you?" Marta asked.
|
|
"I'll be right behind you." Aimee said. Yesterday she had been so
|
|
scared that she forgot Grandfather's secret stash. It was where he kept
|
|
all the wonderful things he wasn't supposed to eat at his age. She
|
|
crawled under the table and pushed a knothole--smuggil-ers had to be the
|
|
most fun people. A small trapdoor pushed up and Aimee lifted it.
|
|
Underneath were pickled sweetmeats and fish salted so heavy it
|
|
crackled. There were also some pickled plums from Bichu. Aimee liked
|
|
these, even if they burned on the way down and made her feel funny. She
|
|
put it all on the table and closed the trap door. Then she climbed on
|
|
the table and put the lot in her torn skirt. After she climbed into the
|
|
attic she sat the food on the floor and raised the stairs.
|
|
As she finished pulling up the stairs, she remembered--the soldier
|
|
was up here! She couldn't turn around, she might see him. Aimee stood,
|
|
trembling, and stared at the stairs.
|
|
"It's all right, Aimee, I covered him."
|
|
Aimee turned around. Marta had covered him with the blanket she had
|
|
taken from Grandfather's bed to cover herself up. She was trying to pull
|
|
her ruined skirts around her.
|
|
"Wait, Marta." Aimee lowered the stairs and ran down. For once she
|
|
was glad that Grandfather got cold. Sometimes she hated how he always
|
|
had two blankets--it made sleeping with him too hot. She pulled the
|
|
other blanked out from under the bed and brought it into the attic. When
|
|
she returned, Marta had already started on the sweetmeats.
|
|
"I haven't eaten since before yesterday." she said.
|
|
"Neither did I." Aimee replied. "I'll get something to drink." She
|
|
walked to the jugs and got one. The two began to feast, only pausing to
|
|
drink the over-warm beer.
|
|
When they had finished eating, Aimee went to the attic window.
|
|
"What are you looking for?" Marta asked.
|
|
"I'm waiting for Dargon soldiers."
|
|
"Oh." Marta sat, quietly.
|
|
After a time, Aimee looked back at Marta. The older girl was
|
|
sitting, rocking back and forth. Tears flowed down her cheeks and
|
|
throat. Her body shook with silent sobs. Aimee ran over to her.
|
|
"What's wrong? Are you hurt?" Aimee put her arms around Marta.
|
|
"That man--he wanted to..." Marta put her head down.
|
|
"I could see that, but I stopped him." Aimee was puzzled. He hadn't
|
|
been able to hurt Marta, but Marta still seemed hurt.
|
|
"I know you stopped him, and he didn't hurt my body, but he hurt my
|
|
heart." Marta wiped her face. "He scared me and tried to do something
|
|
terrible." Marta began sobbing.
|
|
"He broke the Third Law of your Stevene, didn't he, Marta?"
|
|
"What do you know about that, Aimee? They don't teach the Third Law
|
|
to little girls."
|
|
"I can read. Mother Clariss is a Priestess for Stevene and she used
|
|
to come around and talk to me before Grandfather chased her away. One
|
|
time I sneaked one of her books out of her pouch. I kept it up here
|
|
until Grandfather found it. He was so mad--I don't know why."
|
|
"Perhaps your Grandfather is pagan...mine was."
|
|
"I don't know about that, but he made me pray all day to Ol for
|
|
that."
|
|
Marta looked Aimee in the eyes, "Then you worship Ol?..."
|
|
"Of course I do. Grandfather tells me all about him."
|
|
Marta took Aimee on her lap. "Despise not the pagan, for they may
|
|
still be good of heart." she whispered.
|
|
"What did you say?" asked Aimee.
|
|
"Just a little prayer of thanks that you were here, Aimee--What
|
|
were you saying about the Third Law?" Marta dried her eyes.
|
|
"Well, I think it goes: 'The sexyoual act is a sacrament. It is a
|
|
holy gift of pleasure...' that means good feeling, you know."
|
|
"Yes, I know, Aimee." Marta smiled, faintly. "Go on."
|
|
"...'a holy gift of pleasure from God. He who violates this gift
|
|
shall burn, but she who is violated...' Why did Seefas Stevene say 'she'
|
|
there, anyway?"
|
|
Marta sighed, "I think he had some idea what things are like in the
|
|
real world."
|
|
"Okay, anyway: '...she who is violated is as pure as before, by My
|
|
Holy Word. Let none gainsay...' That means disagree. '...this decree."
|
|
"Thank you Aimee." Marta hugged the young girl.
|
|
"Do you want to pray, Marta?"
|
|
"I would like that."
|
|
Marta recited the Plea to Stevene and the Creed of Mercy. Aimee
|
|
listened to the alian phrases. Stevene people prayed strangely, all full
|
|
of begging and pleading. Praying to Cahleyna and Ol was much easier. You
|
|
just thanked them for the good things and asked them to help with the
|
|
bad things. When Marta was done Aimee looked into her eyes. They were
|
|
brown and dark, just like Karl's fur--Karl! Where was he? She looked
|
|
around the attic and then, to her horror heard, at the same time, Karl
|
|
barking from below and a roar, like the parade at Melrin Festival,
|
|
coming down the street.
|
|
"I've got to get Karl!" Aimee cried as she ran to the stairs.
|
|
"No, Aimee, the battle's come this way." Marta grabbed Aimee and
|
|
held her tight. "Anyway, you've already proven that the Stevene looks
|
|
after brave little girls and foolish puppies very well."
|
|
"Are you sure?"
|
|
"Yes." Marta lied.
|
|
The two sat by the attic window to watch, fearfully.
|
|
"They're coming." Marta whispered.
|
|
Around the corner came a Beinison legion, banner torn, shields
|
|
broken, ranks ragged. Behind them was a veritable mob of an army. Here a
|
|
soldier in fine armor hacked at a Beinison shield; there three street
|
|
toughs pelted a lone Beinison with cudgels. Old men threw rocks; young
|
|
men wielded spears. It was a rabble, but it drove the foreigners back.
|
|
Behind this line were ranks of ill-matched soldiery. Dargon personal
|
|
guard mixing with town militia. Noblemen marching alongside common
|
|
thugs.
|
|
The two girls watched the foreigners get pushed down the street,
|
|
almost as if the stones of the city had risen against them. Then there
|
|
was quiet.
|
|
"Do you think we should go out?" Aimee asked.
|
|
"We ought to wait for our soldiers to look for us. Things could
|
|
change."
|
|
Aimee nodded, and the two waited, breathlessly.
|
|
Hours later, after sundown, the girls heard noise from below.
|
|
"She's got to be here!" They heard a man yell, "It's the only place
|
|
she'd go!"
|
|
Aimee ran to the stairs and lowered them as fast as she could.
|
|
"Aimee, stop, it could be a trick!" Marta called.
|
|
Aimee, heedless, ran down the stairs, one word on her lips.
|
|
"Daddy!" She ran into her father's arms.
|
|
"I guess we found her, Lieutenant." a soldier in sergeant's livery
|
|
said. "Anything else you want?"
|
|
"No, thank you sergeant." Jerid Taishent replied. "You can go now."
|
|
"Right!" The sergeant saluted. "All right, you crowmeat, we've got
|
|
Beinison cowards to mop up! Move yer asses!"
|
|
The soldiers left at a trot.
|
|
Marta walked down the stairs, blanket wrapped around her. Jerid
|
|
looked up at the sound of her. The first thing he saw were her eyes.
|
|
Somehow he couldn't look away.
|
|
"Who is this, Aimee?" Taishent asked.
|
|
Marta blushed and pulled at the blanket.
|
|
"That's Marta, Daddy." Aimee said. "Some man tried to hurt her so I
|
|
killed him."
|
|
Jerid winced at his daughter's words.
|
|
"Beggin' yer pardon, sir," the Sergeant had returned, "but we'll be
|
|
needin' ye to help wi' the moppin' up."
|
|
"I'll be right there," Jerid said. He put Aimee down. "You stay
|
|
here until Grandfather or I come for you. Will you do that? Don't come
|
|
out of the attic unless you actually see one of us."
|
|
"I'll wait right here." Aimee said, seriously. "Karl!" Aimee dived
|
|
under the bed and retrieved the wriggling puppy. "You'd better stay with
|
|
me, or some Be-innyson will come along and cut you into gloves."
|
|
As Jerid left the shop, his sergeant approached him.
|
|
"Me 'n the men," he said, "would like to say that we're sore happy
|
|
that ye lost none o' yer family."
|
|
"Sergeant," Jerid replied, "Thank you--and the men--for that, but
|
|
you're wrong." Tears frosted his eyes. "My little girl died today."
|
|
|
|
========================================================================
|
|
|
|
"Can you see anything ahead?" the merchant called up to the lanky
|
|
guard in the lead. His voice fell dead amid the damp moss and still
|
|
water. "Do you see the castle? Ragan?"
|
|
"No, Burgamy, I can't see the castle yet," Ragan replied with
|
|
exaggerated patience. It wouldn't do to aggravate the man who was paying
|
|
him, no matter what he thought of the heavy-set fool. "Be careful," he
|
|
warned after a minute. "There's a fallen tree in the path. Goddam
|
|
swamp."
|
|
The sound of dull splashing in the thin veneer of water fell dead
|
|
amid the dangling vines and moss. The usual tenants of the marshy area
|
|
were silent as the intruders noisily made their way through. Ragan led
|
|
his horse around the green and brown obstacle, leather armor creaking
|
|
softly over his cursing. Behind him, rich vermillion cloak dragging in
|
|
the scummy water, paced Burgamy. He paused briefly and glanced over his
|
|
shoulder at his companions.
|
|
"Are you all right, Sister Moya?" he asked solicitiously as a
|
|
woman, clad in what surely used to be a white robe, appeared out of the
|
|
ragged mist. He offered a plump fingered hand to assist her forward.
|
|
"I am well, thank you, Burgamy," replied Moya, avoiding the
|
|
merchant's grasp. She paused to allow her mount, also white, to steady
|
|
its footing, then continued around the tree.
|
|
Burgamy made a disappointed sound deep in his throat and turned to
|
|
follow.
|
|
"She won't have you, merchant," laughed a voice from behind him. A
|
|
rakish figure in gaudy red and blue appeared beside him, a globe of
|
|
bright green trailing along like a puppy behind. "You know how those
|
|
*devout* Stevenic women are. You won't see her outside of chapel, let
|
|
alone out of her robes."
|
|
"Silence, juggler. I didn't ask your opinion."
|
|
"That's High Mage Tagir to you," admonished the mage cheerfully.
|
|
"Coming, oh great Sir Knight?" he called over his shoulder as the
|
|
merchant moved off after Moya.
|
|
"Coming, High Mage," a voice, followed by a large man clad in a
|
|
remarkably shiny breast plate and a green surcoat. He was the only
|
|
traveller not leading a horse. He paused beside Tagir. "Move it, boy."
|
|
Bringing up the rear was a fourteen or fifteen year old boy,
|
|
leading a heavy horse, a pony, and two mules. His worn tunic bore the
|
|
same crest that blazoned the shield slung over the knight's back.
|
|
"Yes, Sir Ceneham." Gindar, the squire, picked his sodden feet up a
|
|
little faster.
|
|
The motly party had been tracking around this swamp for days in
|
|
search of a lost keep that Burgamy claimed was filled with treasure. The
|
|
merchant had hired his companions for half of whatever treasure was
|
|
found, to be divided among the five as they chose. Following a few
|
|
obscure references in a an old diary he'd found, they made their way
|
|
into the marshy tracts upriver of Quiron Keep. Each had their own
|
|
reasons for coming, be they honor, adventure, or holy quest. Burgamy
|
|
didn't much care why they were there, only that they followed his orders
|
|
and abided by their half of the agreement. There hadn't been any
|
|
difficulties as yet.
|
|
"I've hit solid ground," declared Ragan out of the mist. "And the
|
|
fog clears up once you get here."
|
|
"About damned time," Burgamy muttered. "Can you see the keep?" He
|
|
laboriously climbed the little rise that elevated him a few feet above
|
|
the water line to stand beside the thin man. Behind them, the rest of
|
|
the party straggled up.
|
|
Ragan pointed to a large, shadowy lump in the growing dusk. "That
|
|
looks to be it."
|
|
Burgamy's hungry eyes devoured every curve in the indicated
|
|
direction before turning reluctantly back to his companions. "Since it
|
|
will soon be too dark to investigate, we'll camp here for the night."
|
|
The squire promptly dropped the reins of the animals he was leading
|
|
and stared pulling dry fire wood out of the oiled canvas pack on one of
|
|
the mules. Ragan's muttered "First intellegent order he's given all
|
|
week," was lost in the general bustle to set up camp before sunset.
|
|
Following traditions set from the first day of their journey, the
|
|
squire laid out the fire, and went to tend the horses. The fire was
|
|
always lit by Tagir, as the wood was too damp to respond easily to
|
|
normal flames. Ragan staked out a perimeter while Burgamy and Sir
|
|
Ceneham rested by the dancing fire. Sister Moya had taken care of
|
|
providing fresh drinking water, since their own stores ran out a few
|
|
days ago.
|
|
She carried an iron pot down to the edge of the swamp and collected
|
|
as much water as she could. Bringing it back to camp, she knelt beside
|
|
the fire, leaning over the pot.
|
|
"We have drinking water yet, Sister?" demanded Sir Ceneham a few
|
|
minutes later, coming closer and looming over the woman.
|
|
"In God's time, Sir Knight," replied Moya placidly, not stopping
|
|
her prayers.
|
|
"I just wish God would hurry," muttered the man, pacing away,
|
|
around the fire and back behind the priestess. Realizing that his
|
|
glaring was having no effect, Ceneham went over to harass his squire.
|
|
This too was a ritual, and no one bothered to take notice any more.
|
|
The boy took the berating in stoic silence. When you're finished
|
|
with this, do that. When you finish with that, polish my armor, and make
|
|
sure there's not a single speck of rust on it. Since coming into the
|
|
swamp, rust was Ceneham's biggest concern. By the time he'd finished his
|
|
list of orders, the water was already being made into soup.
|
|
|
|
The ruins were silent. A coat of dampened dust layered everything
|
|
and tainted sunlight crept down the holes in the ceiling through the
|
|
remains of the second floor. The musty scent of wet stones mingled with
|
|
the smell of rotting plants. Torchlight caused the shadows to dance
|
|
against the worn stone floor and unsteady walls.
|
|
"This way," said Sir Ceneham, voice rolling out from beneath the
|
|
heavy torch. The sound of cascading chainmail echoed slightly in the
|
|
crumbling hall. He'd decided that since there might be wild creatures
|
|
holed up in the keep's remains, that he should be better armored, so he
|
|
could better protect the party. He cut an impressive figure in the full
|
|
armor; it was the first time he was able to wear the entire suit on this
|
|
little expedition without the fear of sinking into the muck and was
|
|
enjoying preening in front of the group. No one paid him much attention.
|
|
"Are you certain, Sir Ceneham?" was the return query from behind
|
|
the light. Burgamy, with Tagir at his side, moved up next to the knight.
|
|
"Quite certain," was the sharp reply. Because his back was to the
|
|
merchant, Burgamy couldn't see the look of contempt on his face. "I've
|
|
walked through many hallways in many keeps. This one is no different."
|
|
"Unless they changed the floor plans from the last time you were
|
|
here," teased Tagir, his magelight making him look faintly sinister. "If
|
|
you get lost, call. I'll be happy to help you out."
|
|
"Thank you, magician," said Sir Ceneham through clentched teeth. He
|
|
had to force himself to be polite to the cocksure mage. Considering the
|
|
man could kill him with a single spell or two, it was well worth the
|
|
effort.
|
|
"Can we get on with this?" Burgamy demanded peevishly. "Where's the
|
|
rest of the party?"
|
|
"Listening to you argue," said Ragan bitingly. "If there's anything
|
|
around, it's sure to know where we are."
|
|
"We haven't seen a living creature since we crossed the
|
|
drawbridge," scoffed Ceneham. "And that includes the gods cursed
|
|
insects."
|
|
"Except that squirrel Gindar tossed rocks at," observed Tagir.
|
|
"Don't swear, Sir Knight," said Moya softly. She held her robe a
|
|
few inches off the keep floor out of habit, despite the fact that the
|
|
hem was nearly black with mud. "Taking the Lord's name in vain isn't
|
|
necessary."
|
|
"I'll decide what's necessary, Sister. Where's my damned squire?"
|
|
While Gindar rejoined the party from gathering more rocks, Ragan
|
|
and Tagir started investigating deeper down the corridor. They found a
|
|
door which Ragan was busily investigating when the rest of the party
|
|
joined them.
|
|
"There seems to have been a trap set on the lock," he observed
|
|
professionally, pulling a bit of metal out of his pouch. "Opening the
|
|
door sets the trigger off. Somebody was obviously paranoid about his
|
|
privacy. It's a pretty good lock to have lasted all this time."
|
|
"Just how old is it?" asked Tagir, curiously peering over his
|
|
shoulder.
|
|
"How should I know? It's not new, that much I can tell you. Now, if
|
|
someone will push the door open, this should keep the mechanism from
|
|
triggering."
|
|
"Be careful. There might be something dangerous in there,"
|
|
whimpered Gindar. Moya put a comforting hand on his shoulder.
|
|
Cautiously, torch held high, sword drawn in in his other hand,
|
|
Ceneham kicked the door open. The worn wood crashed back on its green
|
|
brass hinges. Silence rolled in after the echo and torchlight
|
|
illuminated the damp, dusty bedroom. Off in a corner a pair of bright
|
|
black eyes watched the group enter.
|
|
"Well, there's your dangerous monster," laughed Tagir, pointing.
|
|
The creature twitched its bushy tail and cocked its head to one side for
|
|
a better view.
|
|
"A gods be damned squirrel!" swore the knight angrily. He
|
|
brandished his sword in the animal's general direction. The squirrel sat
|
|
up on its hind legs and stuffed another seed into its mouth.
|
|
"Oh, allow me to deal with it," Tagir said gleefully, making a few
|
|
slight gestures. "Wouldn't want you to strain yourself on something so
|
|
deadly."
|
|
A thin jet of fire leapt out from the mage's finger towards the
|
|
squirrel. With a surprised noise, the animal jumped and bolted for the
|
|
door, past the kneeling Ragan.
|
|
The mage laughed again, and beneath his half helm Ceneham smiled
|
|
grimly. His squire giggled. Burgamy started to search the room while
|
|
Sister Moya looked on disapprovingly.
|
|
The merchant was soon joined by Ceneham and his squire in
|
|
ransacking the remains of the room. Ever helpful, Tagir lit his light
|
|
and centered himself so that he could illuminate every corner. Sister
|
|
Moya waited patiently for them to finish. It didn't take long. Four
|
|
pieces of tarnished jewelry and a pile of dead moths later they grouped
|
|
back together by the white clad woman.
|
|
"This was a bit of a disappointment," commented Tagir. "I wonder
|
|
why the former occupant wasted so much time on a trap for such paltry
|
|
remains." He glanced casually about the room as though trying to
|
|
determine something of the former occupant from the wreackage.
|
|
"Let's try and find the real treasure," Burgamy said, pocketing the
|
|
dirty bits of gold. "We'll divide this later."
|
|
"Yes, we will," growled Ceneham darkly as the merchant walked out
|
|
past the still kneeling Ragan. "Come on, man," he added, slapping the
|
|
mercenary on the shoulder as he went by.
|
|
Ragan fell flat when Ceneham touched him.
|
|
Moya stifled a surprised scream.
|
|
"Oh, yuk," added the squire.
|
|
A short, thick bolt protruded from the back of Ragan's neck.
|
|
Quickly pulling herself together, Moya stepped up to the body.
|
|
"High Mage Tagir, if you please."
|
|
Obligingly the magician allowed his light to fall over the wound,
|
|
turning the blood a sickly shade of purple. The rest of the party
|
|
grouped around the priestess as she probed around the bolt with skillful
|
|
fingers.
|
|
"There is nothing I can do for him," she pronounced finally. "I
|
|
assume that the trap he discovered was set off, as there was no
|
|
indication of someone about to shoot him. The wound was poisoned as soon
|
|
as he was hit. Even if I could have gotten to him immediately, I don't
|
|
think I could have negated the poison."
|
|
The party was silent while the nun prayed over the body, then
|
|
Burgamy shrugged. "Means a larger share of the treasure for the rest of
|
|
you. Let's go."
|
|
Moya's head snapped around at the merchant's statement, real anger
|
|
in her usually peaceful eyes. The rest of the group walked out of the
|
|
room before she could say anything. Rather than be left alone in the
|
|
darkness, she completed her prayers and rose to leave.
|
|
"Oh, Lord, this is a difficult path You have set for me to follow.
|
|
But follow it I shall, and bite my tongue about my companions, because I
|
|
need them to complete Your holy task, to Your everlasting glory. Go in
|
|
peace Ragan." Making a gesture of blessing and another of reverence, she
|
|
followed the ragged company down the hall.
|
|
|
|
Several hours later they grouped together in the crumbling main
|
|
hall. Shafts of afternoon sunlight dribbled through the ceiling that
|
|
used to be the second story floor. No sounds beyond that which the party
|
|
made themselves could be heard.
|
|
Pickings had been lean throughout the first floor. A few pieces of
|
|
old fashioned jewelry in questionable condition and a small pile of
|
|
coins were all they had found for many hours of searching. The second
|
|
floor was in ruins and the likelyhood of finding anything of value there
|
|
without a full salvage company was unlikely. Ragged bits of what might
|
|
have once been tapestries were piled on the floor and the furniture, not
|
|
particularly stable to begin with but salvageable as antiques, had been
|
|
all but dismantled by the searchers. Burgamy was not happy.
|
|
"If you're trying to find the main treasury," said Ceneham after
|
|
the merchant finished his stream of complaints, "then it's probably down
|
|
with the cellars and the dungeons.
|
|
"Underground?" squeaked the squire.
|
|
"Where else, you twit?" Ceneham cuffed the boy, sending him into a
|
|
little heap on the moss covered flagstones. "What's the matter? You
|
|
afraid of the dark?"
|
|
"No, my lord," Gindar mumbled.
|
|
Tagir helped the boy up. He'd shut off his light several hours ago,
|
|
pleading fatigue, and now carried a torch just like everyone else.
|
|
"We can give the place a cursory look at least," said Tagir.
|
|
"There's enough light for that. We can investigate further if we find
|
|
something."
|
|
"That sounds like a satisfactory course of action," said Burgamy.
|
|
"All right, Sir Knight, lead the way."
|
|
Ceneham moved off and everyone fell in behind, the squire taking up
|
|
the rear.
|
|
|
|
The passage that led down to the cellars was in better repair than
|
|
the rest of the first floor. Dust covered the stairs, where wind
|
|
couldn't reach and largish rocks were scattered around like pebbles, but
|
|
the walls were intact and the steps solid. The unsteady torchlight
|
|
caused fungi and moss to glow an eerie pink.
|
|
As they rounded the final corner into a small antechamber, a pile
|
|
of rubble taller than the mage loomed up to block their path. Apparently
|
|
part of the roof had given way years ago, choking the corridor with dust
|
|
and dropping the impressive pile in the path.
|
|
Ceneham looked a little annoyed and the squire turned pale.
|
|
"And how do you propose we get past that?" Burgamy demanded,
|
|
glaring at the knight and the mage. "This was your idea." Although
|
|
ostesibly in charge of the party, the merchant was more than willing to
|
|
let someone else make the decisions so he could pass the blame of
|
|
failures off later. Ceneham glared back.
|
|
"Allow me," said Tagir, stepping forward with a flourish of cloak.
|
|
He pushed past the knight and the merchant and made a show of rolling up
|
|
his excessively full sleeves. Muttering softly, the mage made a few
|
|
obscure gestures and started shifting the rubble aside, into smaller
|
|
bundles than the amount should have been able to fit into.
|
|
The rest of the party stepped as much aside as possible to allow
|
|
him room to work.
|
|
A pair of heavy, jagged boulders became visible as the smaller
|
|
loose debris was cleared away. Tagir ended his first spell and took a
|
|
deep breath. Moya observed him closely, out of professional curiosity.
|
|
"I'll have to shift the rock straight up to get it out of the way,"
|
|
he declared. "You'll all have to move into the hall on the other side,
|
|
so I'll have someplace to put it."
|
|
"But how will we get back out?" asked Gindar, white faced.
|
|
"There will be room enough to move around the boulders once I shift
|
|
them away from one another," said the mage smugly. "Now stand back, but
|
|
be ready to run through after I move it." He began to gesture and mutter
|
|
again. After a long pause one of the stones shuddered and began to rise.
|
|
To get it clear of the intended walkway, Tagir had to levitate the rock
|
|
over his own head, which he did with agonizing slowness.
|
|
He nodded significantly to the party as the boulder reached the
|
|
designated threshold and watched as they passed, one by one beyond him.
|
|
Turning his his attention to the place he wanted to put his rock in, he
|
|
prepared to muster more power to do it.
|
|
Then his eyes went wide as he spotted something on the stairs.
|
|
It smiled at him, winked, then flickered into something else. And
|
|
in that brief instant of Tagir's shock, he lost control of the spell.
|
|
The rock landed with heavy finality, tiny plumes of dust rising to the
|
|
ceiling. The mage's four companions stared in silent horror and shock.
|
|
Moya fell slowly to her knees and started offering the prayer for
|
|
the dead.
|
|
"What do you think went wrong?" whispered Burgamy, staring, a
|
|
little glassy eyed at the dusty stone.
|
|
"Perhaps it got too heavy," Ceneham said. "He did indicate it would
|
|
be difficult." He didn't sound very confident. Both men knew that
|
|
keeping the rock in the air was well within Tagir's powers.
|
|
"The damned squirrel is back," declared the squire abruptly.
|
|
The two men looked to where the boy pointed. Atop the boulder that
|
|
had crushed Tagir, the dark brown squirrel stared down at them. Its tail
|
|
twitched and it turned, vanishing into the shadows.
|
|
Ceneham cuffed his squire again .
|
|
"It wasn't important," he said sharply.
|
|
"I think it would be a good idea to go back up and camp for the
|
|
rest of the day," offered Burgamy hesitantly. To his surprise the knight
|
|
nodded in agreement. Ceneham touched the nun's arm with uncharateristic
|
|
gentleness to get her attention and repeated the suggestion.
|
|
Sister Moya started, looked up, then stood.
|
|
"I think open air would be a good idea," she said quietly. "And I
|
|
feel the need for purification."
|
|
Strangely, the knight made none of his usual caustic remarks. The
|
|
four made their way back up the narrow stairway and into the over-grown
|
|
courtyard. By unspoken agreement, no one wanted to shelter in the great
|
|
hall. Their horses and pack mules were still tethered by the remains of
|
|
the fire.
|
|
"If nothing else," commented Burgamy while Moya purified more water
|
|
for the evening meal and the squire polished Ceneham's armor, "you'll
|
|
get a larger share of the treasure."
|
|
Moya actually stopped in the middle of her prayers and turned to
|
|
glare at the merchant. "That is the second time that you have said
|
|
that," she said angrily. "There are two men dead and all you can think
|
|
of is gold?"
|
|
"Sister, I don't know why you came along, but the others were just
|
|
treasure hunters and adventure addicts," said Burgamy frankly, looking
|
|
steadily at Moya's face for the first time during the journey. "They
|
|
knew the risks, just like they knew the rewards, so save your
|
|
recriminations for the sinners and your pity for the masses. Ragan and
|
|
Tagir knew full well what they were getting into and don't deserve your
|
|
sympathy."
|
|
"And do you feel the same way, Sir Knight?" Moya turned to Ceneham,
|
|
trying with only moderate success to hide her horror at the merchant's
|
|
coldness.
|
|
Ceneham looked up from peering over his squire's shoulder. "I agree
|
|
with the merchant, Sister," he said calmly. "They were seasoned
|
|
professionals. They knew the potential consequences. Save your worry and
|
|
your prayers for the people who can benefit from them."
|
|
Moya stared at the two men for a minute more before turning back to
|
|
her pot of marsh water. Anger smoldered in her eyes. She hadn't been
|
|
prepared for such callousness when she undertook her holy journey and
|
|
joined with these companions. Some of Moya's faith faltered as she
|
|
listened to the camp sounds and knelt beside the pot.
|
|
It took longer then usual to get fresh water that night.
|
|
|
|
With two of their party members dead, it was necessary for
|
|
everyone, including Burgamy and Sister Moya, to take a turn on guard.
|
|
Gindar woke the merchant just after moon rise for the second watch. At
|
|
the knight's insistence, he carried the squire's short sword for
|
|
defense, and Ceneham's shield was leaned against a log so it could be
|
|
banged in case of an emergency.
|
|
Barely an hour had passed and already Burgamy was bored and sleepy.
|
|
Resolutely he started wandering around the perimeter of the camp with a
|
|
torch trying to stay awake. He allowed his mind to wander a little with
|
|
thoughts of himself, Sister Moya, a few common objects he kept around
|
|
his shop in town, and the wonderful things they could do together.
|
|
As he made another circle around the tiny camp a motion by a
|
|
boulder caught his distracted attention. Burgamy stopped in mid-fantasy
|
|
and mid-turn, gripping the short sword a little tighter in his sweaty
|
|
palm.
|
|
"Who's there?" he demanded hoarsely. As far as he had seen, none of
|
|
his companions had gotten up or even moved since the start of his watch.
|
|
There was a soft rustling of dry tipped marsh grass and a woman
|
|
stepped around the shadowed rock.
|
|
She was tall and slender, wearing nothing except the mane of
|
|
red-brown hair that spilled over her forehead and down her back. Pale
|
|
moonlight silvered her limbs from behind and the torches flickering
|
|
yellow glow caused shadows to dance on her taut stomach and breasts. Her
|
|
eyes were fathomless black in the uncertain light. She smiled at the
|
|
merchant, revealing long, even teeth in the yellow torchlight.
|
|
"How did you get here?" Burgamy asked, cautiously moving closer. He
|
|
wondered if he had dozed off during his watch after all and was having a
|
|
better dream than chaste Moya could ever provide.
|
|
The woman's smile deepened and she slipped around the rock with a
|
|
ripple of heavy hair.
|
|
"Hey! Come back here!" Abruptly more confidant, Burgamy followed
|
|
the elusive figure back into the first floor ruins.
|
|
|
|
They found Burgamy's body laying in the middle of the great hall,
|
|
stark naked, without a mark on him. His clothing was nowhere to be found
|
|
and no reason could be found for him to have come out to the great hall.
|
|
Sister Moya dropped her cloak over the body then blessed the dead
|
|
man while the squire triumphantly declared; "I told you I woke him up. I
|
|
didn't shirk my duty!"
|
|
"Silence, boy," growled Ceneham, adding another bruise to the
|
|
morning's set. Gindar accepted the cuff silently, and glared at the
|
|
knight after he turned away.
|
|
"We'll need to bury him," said Moya finally, gathering up her
|
|
skirts and standing.
|
|
"We don't have the time," Ceneham told her. "We need to find out
|
|
what killed him."
|
|
"We can't just leave him here!"
|
|
"We don't have a choice, Sister. And you didn't seem to have a
|
|
problem with leaving High Mage Tagir or Ragan, so I don't see the
|
|
trouble now." Ceneham turned away. "Now come on, if you're coming. I
|
|
want to check out that corridor where we lost the mage. The last thing
|
|
we need is something trying to kill us before we can finish our business
|
|
here." He marched off, calling for his squire to come help him with his
|
|
armor.
|
|
In the silence of the great hall, Moya again knelt and settled
|
|
herself to pray.
|
|
"Highest," she whispered softly. "I have erred. I did not do my
|
|
duty by my companions and thereby to You in their hour of need. I beg
|
|
Your forgiveness. Whatever they were in life, they are Yours now, either
|
|
cleansed or damned. Aid me then, in granting a last bit of decency to
|
|
their bodies, along with my prayers for their souls."
|
|
A soft white glow grew around Moya after a few seconds, then spread
|
|
towards the body of Burgamy. It touched it and leapt away, dividing
|
|
itself to go to the lower level and Tagir's resting place and along the
|
|
wall to where Ragan lay.
|
|
For an instant the glow became incandescent, then it faded, leaving
|
|
behind only Moya's dingy white cloak. The priestess opened her eyes and
|
|
sighed deeply with fatigue. Only rarely did she try spells of such
|
|
complexity, for just this reason. She spent a few more minutes in
|
|
contemplation and prayer before getting up to join her companions.
|
|
|
|
The dust had settled in little swirls around the rock that had
|
|
killed Tagir and the footprints from yesterday were wiped clean away.
|
|
Ceneham strode past without so much as a glance down, but Moya made a
|
|
gesture of blessing and warding and the squire went pale again.
|
|
They edged past the offset boulders and down another short flight
|
|
of stairs to a heavy door. Time, in conjunction with the damp had warped
|
|
the wood and turned the brass binding a sickly shade of green. Cobwebs
|
|
choked the corners of the frame and the ancient keyhole.
|
|
Ceneham made a quick survey of the barrier, then held his torch
|
|
back for the squire to take. With several powerful thrusts of his mailed
|
|
shoulder, the door bent back on its hinges, then fell to the cobbled
|
|
floor with a dull boom, ripping the now useless crossbow trap out of the
|
|
wall. Stale, musky air whispered up the corridor.
|
|
Gindar jumped at the quick succession of sounds, and Moya winced.
|
|
The knight took the torch back and stepped over the ruined planks into
|
|
the cellar. Pale torchfire trebled as Moya and the squire joined
|
|
Ceneham, reflecting off dank walls covered in something flourescent and
|
|
yellow. The mold gathered the light and aided in brightening the dim
|
|
chamber.
|
|
Chests were stacked along the walls, with tatterd, moldy bolts of
|
|
cloth leaning against them. Something long and wide lay in the center of
|
|
the room, covered in oiled canvas.
|
|
Gindar gasped softly.
|
|
"I'd say that we found the treasury," rumbled Ceneham, flipping
|
|
open one of the tattered lids. Leather bags, some with holes worn in
|
|
them, lay piled inside, and bits of gold and silver glinted through in
|
|
the wan light.
|
|
"I thought we were looking for what killed Burgamy," said Moya
|
|
sharply.
|
|
"You thought wrong, sister." Ceneham's voice was harsh. "He's dead,
|
|
just like the others. If what came after him comes after us, I'll kill
|
|
it. But until then, it's stupid to go looking for trouble." He turned
|
|
back to opening the chests. Gindar joined him, raising his torch high.
|
|
Furious, Moya glared at the knight's back, then turned and marched
|
|
out of the cellar. He was a lost cause, and she was worldly enough to
|
|
realize this, but she didn't have to stay in his company.
|
|
Ceneham didn't acknowledge the nun's leave-taking except to note
|
|
absently that there was a little less light to see by. He considered the
|
|
holy woman to be little more than a nuisince, useful only because with
|
|
her on the expedition they would neither starve, nor die of wounds taken
|
|
in combat. As a result of the sudden lessening of light and his slight
|
|
preoccupation, Ceneham misjudged the composition of the next thing he
|
|
picked up. The little box shattered in his hand as he grasped it like
|
|
one of the heavy leather bags.
|
|
Marsh nuts scattered over the damp floor.
|
|
"Ridiculous!" Ceneham stared at his fistful of splinters and nuts.
|
|
"Who the hell is stupid enough to keep nuts in boxes! Boy!"
|
|
"Sir?" Gindar appeared by his elbow, trying hard to conceal a
|
|
smile.
|
|
"Leave that torch and go get some more. And that lantern the mage
|
|
toted about with him. And make sure that damned nun didn't stray." The
|
|
knight dusted his hands off and his feet crunched on shells as he
|
|
wandered around the cellar searching idly.
|
|
Gindar quickly found two rusty scones to deposit the torches in,
|
|
then hurried back up the stairs and into open air. His relief was
|
|
indescribable. He didn't like the way the shadows moved in that cellar.
|
|
He'd never really liked cellars in general, but this one was worse than
|
|
any of the others he'd been in.
|
|
He trotted through the remains of the great hall and back out to
|
|
the campsite where Moya knelt in prayer. The torch she had been carrying
|
|
was stuck in the ground beside her, burning fitfully.
|
|
"Run off, indeed," sniffed the squire to himself. "She can't run
|
|
off any more than I can." In her case, she didn't have the survival
|
|
skills, in his, Ceneham would find him, no matter where he ran to and
|
|
make him wish he'd died. "Soon," Gindar thought, grabbing a handful of
|
|
unlit torches, then turning to root though the dead mage's packs. "Soon,
|
|
I'll know everything he does and I'll be able to do more than run." But
|
|
until that mythical time, he would follow and obey to the best of his
|
|
ability.
|
|
Arms filled with the lit and unlit torches and the battered metal
|
|
lantern, Gindar made his reluctant way back down to the cellar.
|
|
|
|
Moya was started out of her meditative prayer by the squire's
|
|
paniced screaming, echoing from the guts of the keep. She started up,
|
|
stood uncertainly for a second trying to place the disturbance, then ran
|
|
into the great hall.
|
|
Gindar nearly ran her down in his haste to escape the crumbling
|
|
walls. In his panic, he didn't recognize the hands that reached out to
|
|
try and halt his headlong flight. He struggled wildly as Moya pulled him
|
|
around and forced his back to a crumbling wall.
|
|
"What is it?" she demanded, giving the boy a brisk shake. "What's
|
|
happened?"
|
|
It took a sharp slap to get anything coherent out of the boy.
|
|
"C--C--Ceneham!" he stuttered out finally. "He's dead! Ripped to
|
|
pieces!"
|
|
"Lord above grant us mercy," breathed Moya. For a second she
|
|
wondered what could have been big enough to kill the knight, but silent
|
|
enough not to disturb her or the squire. Keeping a firm hand on Gindar's
|
|
skinny wrists, she pulled him back down to the cellar, repeating like a
|
|
litany that "God will protect us...God *will* protect us..."
|
|
Sir Ceneham was indeed dead, although he was not, as Gindar had
|
|
said, ripped to pieces.
|
|
His breast plate was rent open, not with the clean cuts of a sword,
|
|
but by four jagged gashes, as though some other-planer creature had
|
|
tried seeking his heart. Beneath his helm, Ceneham's face was twisted
|
|
into a mixture of fear and surprise. His heavy sword lay in a far corner
|
|
of the cellar--in two pieces.
|
|
The only other thing in the room besides Moya, the squire, the
|
|
piles of boxes, and the cloth wrapped bundle was a squirrel busily
|
|
stuffing marsh nuts into its mouth. There weren't any signs of a
|
|
struggle.
|
|
Gindar whimpered from where Moya had left him by the door, then,
|
|
with a strangled sob, bolted back up the stairs. Moya jumped after him,
|
|
clentching her will against the sickness in her stomach. The thought
|
|
uppermost in her mind was that the boy could not survive alone. And
|
|
neither could she.
|
|
"Wait!" she shouted after the squire. "If we separate were doomed!"
|
|
But Gindar, frightened and sickened beyond hearing, didn't even
|
|
slow down. Doggedly Moya followed him through the great hall and past
|
|
their camp. She hiked up her robes as he charged blindly off into the
|
|
swamp, continuing to call after him to wait.
|
|
Branches and vines tangled in her way, and the smell of rotting
|
|
leaves was kicked up more strongly for the pairs passing. Strangely, no
|
|
animals were disturbed by their charging blindly through the
|
|
undergrowth.
|
|
Moya lost the squire briefly in the growing mist, and only found
|
|
him again after he shouted in surprise. She reoriented herself in the
|
|
general direction the sound had emanated from, and ran after.
|
|
She came upon him suddenly. Moya stumbled to a halt, then scrambled
|
|
back a few steps as her worn boots began sinking into black mud.
|
|
Gindar floundered in a mud pit, his paniced thrashing only drawing
|
|
him deeper under the sticky mud. His screaming was all but incoherent
|
|
from terror. Moya cast about for something to throw the boy, calling
|
|
platitudes all the while, but by the time she turned up with a branch
|
|
long enough to reach him, Gindar's head was beneath the mud's slick
|
|
surface. A hand grasped briefly, futilely at the knobby root Moya
|
|
extended, but despite the nun's impassioned encouragement, he was never
|
|
able to catch hold.
|
|
The last of Sister Moya's companions sank out of sight, without so
|
|
much as a bubble to show where he'd gone under.
|
|
For several long minutes the nun stared at the patch of mud that
|
|
now looked no more dangerous than any other patch of cleared ground.
|
|
Then she dropped the root and went to her knees.
|
|
"How could You do this to me, oh Lord," she moaned, rocking back
|
|
and forth without even realizing it. "How could You do this to Your
|
|
faithful, on Your holy quest? How? Was I unworthy? How? Why? How did I
|
|
fail You? How?"
|
|
Moya kept repeating this, and variations until it was nearly dark.
|
|
Night sounds and something hitting the back of her head finally roused
|
|
her to partial reality.
|
|
She coughed, voice raw from her prayers and tears, then jerked as
|
|
another nut bounced off her arm and landed in the moss beside her.
|
|
Bemused, the nun stumbled to her feet. "Must get back to camp..." she
|
|
mumbled. "Complete holy service...keep vow...at the keep..." And she
|
|
tottered off, deeper into the dusky, glowing swamp.
|
|
|
|
To Be Continued
|
|
by Michelle Brothers
|
|
|
|
========================================================================
|
|
|