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CRASH Your guide to travel thru the underground May 1993
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EXPATRIATE ISSUE
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plus...
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Monoculture
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Gypsy lore
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and a trip to Nowhere in Disturbia
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"The whole object of travel is not to set foot on foreign land; it is
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at last to set foot on one's own country as a foreign land."
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-- G.K. Chesterton
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----------------
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EXPATRIATE GAMES
|
||
from the Crash Crew
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This issue is about the expatriate experience. It's possible to
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||
achieve it without ever leaving...
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Pretend you're in a new city and don't know any friends even though
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you've lived there forever. Go out and make sure no one knows where
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you went. Pretend you don't understand the language and your skin's a
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different color and your nose is shaped a little bit funny. Eat at an
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||
ethnic restaurant for a week straight; order something new each time.
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Go to the places where the lights and action are, even though you
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||
stopped hanging there long ago from boredom. Make yourself meet
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someone by telling yourself that you're new to this city and don't
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know anyone and have nothing to lose. Walk around all day one day and
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try to find a section of the city you've never seen before. Think of
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||
where you live as a temporary dwelling and consider the reasons that
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keep you there. Buy something in a touristy shop for yourself. Rent 3
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||
videos in a foreign language and watch them all in a row. Spend one
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||
day just looking at the people on the street and how they dress and
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how they walk and think about what they are doing. Go completely
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||
outside the door and turn around and look back in. Become an outsider.
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A stranger. Stop yourself and stare for a while.
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------
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DEBRIS
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Networking and information
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* BOBBY, 18-year old kid, needs warm, gentle punkers to give me a
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place to sleep. I will become homeless as of July the 1st, so send
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help soon. I can let people stay with me until then if needed. Bicycle
|
||
Power! Write Bob, P.O. Box 280, Poway, CA 92074 USA.
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* ATTENTION ATHEISTS! I am looking for material for a new zine for and
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by atheists. It has yet to be named. Please send any atheist, animal
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rights, pro-abortion, poems, fiction, anti-death penalty, etc.,
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||
material by atheists. Pen pal ads are welcome. First issue will come
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out in June '92 and will be free. Zine ads also welcome. Send
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||
everything to: Freedom, RD3 Box 665, Camden, DE 19934 USA.
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|
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* WE WANT YOUR SOUL. We're looking for sharp, witty, bawdy and smart-
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alecky essayists, columnists and fiction types as well as cartoonists
|
||
and artists who want to air their absurdist views, poke some fun, and
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||
maybe milk a few sacred cows. Send a sample of your stuff or write for
|
||
further details. All types of humor considered. Write to Chain Letter,
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P.O. Box 72671, Las Vegas, NV 89170-2671 USA.
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* FREER PLACES describes 20 areas having fewer taxes and restrictions,
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more tolerance, much cultural variety, and low-cost housing options.
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Most are in or near OR, MT, or NH (states without sales taxes), and
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have sizable cities close to sparsely-populated hills, forests, and
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brushlands with various local climates. This 1993 report (40+ pages)
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||
also gives practical tips for living freer most anywhere. $1 postpaid.
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Write to Abapa Freer, P.O. Box 759, Veneta, OR 97487 USA.
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* TRAVEL VIEW 1 is a worldwide penpal club. Our aim is to create a
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||
broader awareness of the world around us; to support understanding
|
||
between the different peoples of the world, their customs and
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cultures; to help you contact other collectors. For more info, contact
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Linda Yurkosky, 531 Edmonton Ave., Penticton, BC V2A 2H1 Canada.
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* LEARN SPANISH THROUGH TOTAL IMMERSION. Not only do you attend
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||
classes, but students are provided with friendly homestay families who
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||
make sure to initiate conversations with students, especially at
|
||
mealtimes, when the entire family eats together daily. Families
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||
participating in our homestay program provide students with a private
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room, three daily meals and hygienically-prepared food and beverages
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(vegetarian food available). Write La Casa del Nahual, 2a. Calle 14A-
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||
32 Zona 1, Quetzaltenango, Guatemala, Central America or call 011
|
||
(502) 961-2149; in the US, write La Casa del Naual, 422 Meridian St.,
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East Boston, MA 02128 USA or call 617/567-6867.
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||
|
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* THE RIDE-LINE / RIDEXCHANGE announces an automated service to search
|
||
to passengers to share the direct operating expenses with private
|
||
pilots and car drivers/owners. Ride-Line has been in operation since
|
||
1982 and covers all USA, Canada, Mexico, and other international
|
||
locations, for private cars, planes, and yachts/boats. Free to riders
|
||
and drivers and pilots or aircraft owners or aircraft owners who are
|
||
offering seats available. No screening of passengers or vehicles. Call
|
||
301/217-0543 or write The Ridex Corporation, 100 Park Avenue, Suite
|
||
260, Rockville, MD 20850-2618-00 USA.
|
||
|
||
* HOW TO GET FIRED SO YOU CAN TRAVEL: Read SABOTAGE IN THE AMERICAN
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WORKPLACE, a controversial expose of the way America works. Anecdotes
|
||
of dissatisfaction, mischief, and revenge. Write Pressure Drop Press,
|
||
P.O. Box 460754, San Francisco, CA 94146 USA.
|
||
|
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----------------------------------
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MONKEYS WITH NEW SETS OF REALITIES
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by J.B. Monkey
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For about 60 years I've been away from my "country of origin" (as they
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sometimes call it on forms the authorities make people, who are not
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from their country of origin, fill out). I suppose 60 years is
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something of an exaggeration, but after one has been away for a
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certain length of time it does seem that long. Just what that length
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||
is must be different for each person, but with a whole new set of
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realities, the old set is bound to lose its primacy in one's mind, and
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drift back into a distant place in one's consciousness.
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Being an alien -- now, isn't that a horrible, unfriendly word. It also
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has a racist smell to it, but its being the legal term of choice takes
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some of the bite out of it. Then we have "foreigner" -- this word also
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emits a racist odor at times, so I would rather not use it. How about
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"expatriate" -- another word which is something short of friendly, but
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it does put the power in the hands of the named rather than the namer.
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I have yet to come across anyone exclaiming, "Those no-good
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expatriates!" or, "Get the damn expatriates out, they are stealing our
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jobs!" So for want of something better and lack of desire to employ an
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inane acronym like "FAP" (from another place), "expatriate" will have
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to do for now.
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Obviously there are differing degrees of difficulties one encounters
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as an expatriate. For example, if one finds oneself in a land where
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homogeneity is thick, one is going to be seen more readily as an
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outsider than if one were in a land where there were many folks from
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many places living with the same borders. First, there is the
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||
immediate visual level of discrimination. It is not too pleasant to
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have children looking at you and blurting out, "Foreigner, foreigner!"
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or have adults looking at you and thinking, "Foreigner, foreigner!"
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||
Having such an influence on people, one could get to feeling like a
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monkey in a zoo. But thankfully not all minds are so simple, and there
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||
are those who understand the concept of acceptance.
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And then again, there are advantages to being a monkey (without the
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cage, of course). Ms./Mr. Monkey is not expected to conform to the
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norms of the land they are living in as closely as the "natives" (I
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||
won't even begin to go into the connotations of that word; I'll just
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use it for the sake of convenience.) If Ms./Mr. Monkey wants to walk
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around without a hat when it is socially unacceptable, Ms./Mr. Monkey
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can, because she or he is an outsider. The natives think, "Oh, that is
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what they do in Monkeyland."
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While being an expatriate (in certain places) may make one stick out
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like a sore thumb, at the same time one can also live fairly
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anonymously. There is this seeming contradiction of being conspicuous
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and inconspicuous simultaneously. The expatriate is easily noticed
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because of her or his physical appearance, speech, dress, mannerisms,
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etc., but can be an unknown, mysterious presence. Some expatriates
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seem to appreciate this anonymity, especially due to the face that
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they are in a sense hiding. There are those hiding from emotional
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ties, others from past disappointment, some from expectations they or
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others would have for them if they were in the country of their
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origin. A place where no one knows or expects anything of you may be
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very attractive for some, although there are dangers. At first one may
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have a great sense of freedom, but this sense of freedom could
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transform itself into a heavy weight of alienation with the passing of
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time.
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Then there are those expatriates who couldn't make it in films, so
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they go to other lands to become stars. They enjoy being noticed, like
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to be seen as unique, and get substantial ego nourishment by being the
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center of attention. They seek out natives (although for some, even
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||
fellow expatriates will do) who are courageous and curious enough to
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appreciate them. They love being asked questions about their amazing,
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interesting lives, because they are their own favorite subjects. For
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||
them, experiencing a new culture holds little value when compared with
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||
acquiring a solid following of natives.
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A fair amount of expatriates do end up in countries out of genuine
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interest in the culture and people of their adopted countries. This is
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||
something to be commended, so long as it is accompanied by a decent
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level of awareness. Of course, we should be able to be what we want
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wherever we are, but for one to think she or he can become a native
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just by wearing the native garb or talking the native talk is
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culturally insensitive. Without a decent level of awareness one may be
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||
rightly viewed as a pretentious Ms./Mr. Monkey.
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If one becomes an expatriate with an awareness and a sensitivity for
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their new place, their existence in that place can be both interesting
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and satisfying. If one can live without the comfort and security of
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||
familiar surroundings, and welcome the challenge of a new environment,
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||
one will find more fulfillment in their new place. Ms./Mr. Monkey
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learns to live without the bananas that were once such a pleasure and
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finds new fruit which becomes more delicious each time it is eaten.
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One may even find their ability to adapt becoming greater through the
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trails of their new environment. The bureaucratic nightmares
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||
encountered as a "resident alien" can create frustration handling
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skills of the highest grade. Customs that once seemed odd may in time
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||
be followed without a thought. A sense of humor will also make things
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easier (but doesn't it everywhere). It is better to deal with the
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||
universal situations one may encounter as an expatriate with a laugh
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||
than with an increase in stress level. A sense of adventure is also
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||
handy, but one probably wouldn't end up in another country if they
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didn't have some sort of adventurous desires.
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-- Mr. Monkey is presently residing in Kyoto, Japan.
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||
|
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---------------------
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THE BLACK EXPATRIATES:
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||
A STUDY OF AMERICAN NEGROES IN EXILE BY ERNEST DUNBAR
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||
a review (sort of) by Miles Poindexter
|
||
|
||
"There is a simple fact here that Europeans just accept: you are a
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||
different person, you are a Negro. In America, nobody wants to face
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that fact and this makes for much confusion...on both sides."
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||
-- Gloria Davy
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Who am I to write this review of a book that interviews 16 Afro-
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Americans who left the U.S. to experience a new life without the
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constant problems and set-backs inherit in a racist society.
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||
Who am I? Just a 27 year old white male son of a Protestant Dutch and
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Scottish family descent who was inspired by their exploits.
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||
This book was written in 1968. I was only 3 years old then. Many of
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the interviewees had left a segregated America in the 1950s before the
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Civil Rights movement. So why did the bittersweet success stories of
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the 16 black American expatriates in this book affect me so
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profoundly?
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Because they did what I've always dreamed of doing. They went to
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another country to live, not just visit. Several had lived for a year
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||
or more in many different countries. All had managed to find good
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work, too. One of my main fears was that I would not find a job
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||
abroad. A few of the artists had gone to Europe for school. Some were
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||
diving into entrepreneurial projects like a night club or restaurant.
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A few had married a native of their adopted country.
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Reading each interview I felt more trapped in this country. I had been
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||
too stupid to leave when I was younger. I remember when I was 21 and
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my girlfriend and I had just gotten back together and we were crazy in
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love and she looked in my eyes and said lets go to another country and
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just get lost there and get out of here (which was in New Jersey). For
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a moment I wanted so much to just do it. But then I started thinking
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about all these trivial reasons why I should stay. "I'm in a band," I
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said, "I can't leave those guys. I have a really good graphic arts
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job, blah, blah, blah." Maybe I was also scared that she and I would
|
||
break up again after our departure and I would be left alone in a
|
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strange country, as if that would be a bad thing!
|
||
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||
So later the band broke up, Kerry and I broke up, and I quit my
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"really good graphic arts job" to move to San Francisco. Now I am
|
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working at a pizza shop because the job market sucks out here. But I
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still won't move back to New Jersey because I like it here.
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||
If the slightly more liberal, open-minded attitude that I sense in
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this city makes me more at ease, imagine what these black expatriates
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felt like when they entered a country where racism is virtually non
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existent? What happened to them is what happens to everyone on some
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||
scale when they live in another place long enough to absorb the
|
||
culture. They realize they were a victim of mono-culture. This is a
|
||
powerful realization for the black American whose ancestors were
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||
whipped and beaten until they stopped remembering who they were. Even
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||
the native people of North America still have their culture, though
|
||
they live like expatriates in their native land. People from Central
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||
and South America, India, Asia and other countries who immigrate here
|
||
always retain the memory of their country of birth. This becomes the
|
||
other half of who they are. This memory of another culture helps them
|
||
analyze and compare customs here. They adopt what they like and ignore
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||
the rest. If they don't like American music, art, language,
|
||
philosophy, etc., they bring their own and retain it.
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||
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||
The Africans brought here in the slave trade were not allowed to keep
|
||
their old culture. So the modern black American has trouble critically
|
||
analyzing what's wrong in this society, until they go abroad and
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immerse themselves in another. And here's where the book started to
|
||
affect me. I realized that I've been stripped of my "other" culture
|
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too. Even though my ancestors did it voluntarily; they left everything
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||
behind, even their names, to start again in the "new land." Everything
|
||
about this country, good or bad, was accepted. And now I have as much
|
||
trouble analyzing what's wrong with this society as does the Afro-
|
||
American.
|
||
|
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It didn't matter whether these interviewees went to Africa or Europe,
|
||
which were the only sections of the world this book dealt with. What
|
||
is referred to as "the problem" or "that pressure" that black people
|
||
grow up with here was non-existent in either place. In fact, many of
|
||
them were shocked by the level of adoration they received.
|
||
|
||
In Scandinavia in the early 1960s, the 2 expatriates living there were
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||
followed around by Swedes and Fins, most of whom had only seen colored
|
||
people on TV. They thought that dark skinned people possessed a
|
||
certain primal sexual and emotional energy that white people had lost.
|
||
At first Mattiwilda Dobbs and Arthur Hardie were bothered by this
|
||
reaction everywhere they went, which was sort of an ignorant
|
||
fascination. Then they learned to appreciate it and later to ignore
|
||
it. Arthur said he thought all Afro-Americans should have the chance
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||
to experience this popularity once in their lives. He related one time
|
||
that a Swedish girl that had come home with him from a party had asked
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||
him if he would do his "tribal sex dance" before they went to bed.
|
||
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||
The French considered dark skin the most beautiful and exotic. French
|
||
men were too confident in their own sexual superiority to feel
|
||
threatened by black men, as many American males seemed to be. Gloria
|
||
Davy, Reri Grist, and many other black expatriates singing opera in
|
||
Germany were treated like royalty. Dean Dixon, a conductor who'd
|
||
emigrated to Stockholm, was being invited to country after country to
|
||
conduct major orchestras, but was still ignored in his home country of
|
||
America. Charles Nichols, a professor who had only been able to get
|
||
jobs teaching at all-black colleges here, was teaching at a major
|
||
university in Berlin. He was also given V.I.P. treatment in public
|
||
places, as were all professors in Germany where education is highly
|
||
esteemed, and had no trouble buying a house in an upper class
|
||
neighborhood which he knew would have been impossible in America. The
|
||
Italians were the most relaxed about skin color. Clebert Ford, who
|
||
lived there, and others who had passed through thought that skin color
|
||
had no bearing on their relations with Italians. The Italians seemed
|
||
to understand the best that black people really didn't want to be just
|
||
like white people. They appreciated the negro culture and accepted it
|
||
as equal to their own. Like other Europeans they also loved jazz,
|
||
Negro spirituals and blues and appreciated it as a legitimate
|
||
expression of musical and artistic brilliance. These art forms were
|
||
largely ignored by white people here where they had originated!
|
||
|
||
These black expatriates were quick to recognize that prejudice was not
|
||
absent in Europe; it was directed at other peoples. In Germany anti-
|
||
Jewish remarks were sometimes made in their presence, and in Italy,
|
||
Sicilians were treated like the negroes in America. It was strange to
|
||
have an Italian take one of his black American friends aside and talk
|
||
about "those Sicilians and their knives" because it showed the
|
||
American the other side of the racism dilemma. He finally experienced
|
||
it as an outsider.
|
||
|
||
Many of the interviewees missed things about their place of birth, but
|
||
felt they would not go back again. Whenever they went to visit, they
|
||
would take offense at the oppressive atmosphere of racism here which
|
||
they had learned to live without.
|
||
|
||
Even though I haven't felt this oppression anything like a black
|
||
person or other minority does here, I know that I am suffering from
|
||
mono-culture. And the only way I'm going to cure it is to escape it
|
||
physically, and then let it go from inside me.
|
||
|
||
It's like if your regular doctor says you're sick. And because of
|
||
this, you start to feel sick. Then you decide to get a second opinion.
|
||
And this second doctor says you're not sick at all, and within a
|
||
couple days the symptoms of illness you had start to go away. But it
|
||
takes a while before you realize that neither doctor's opinion is
|
||
important and you become truly healthy.
|
||
|
||
**********
|
||
POSTSCRIPT
|
||
|
||
We must all realize that the Europe talked about in this book was a
|
||
Europe of the late 1950s and early 1960s. There were fewer blacks
|
||
living there. Europeans saw blacks simply as darker skinned human
|
||
beings, and viewed American racism from an outside, almost innocent
|
||
point of view, and could not understand it.
|
||
|
||
With the current influx of immigrants to Europe, and partially due to
|
||
economic woes, reports of racial intolerance are rising.
|
||
I am curious how the lives of the people mentioned in this article
|
||
have been affected -- if at all -- in the 1990s.
|
||
|
||
|
||
----------------------------------
|
||
THE GYPSIES: THE ANCIENT TRAVELERS
|
||
by Miles Poindexter
|
||
|
||
"We must be careful not to think of the Gypsy as a 'homeless'
|
||
wanderer. They have a home, and it is the whole of the earth."
|
||
-- English gypsiologist
|
||
|
||
I don't claim to be an investigative journalist or nothin', but I
|
||
recently read some books on this and wanted to share some knowledge
|
||
(before I forget it).
|
||
|
||
The Romanies have fascinated historians for centuries. They are
|
||
surrounded by mystery wherever they roam. Even the name we commonly
|
||
use to refer to them is a misnomer. The word "Gypsies" is a disdainful
|
||
version of Egyptians, since they were thought to have come originally
|
||
from Egypt. Actually, the Romanies are now believed to have come from
|
||
India nearly 1,000 years ago.
|
||
|
||
There are many different tribes of this people living in most every
|
||
country. Each may appear very different from the others at first
|
||
glance, because they tend to accept superficial aspects of the culture
|
||
of their host country. They will conform in many ways to the customs
|
||
and even the religion of whatever region they are in, but only to
|
||
"fool" the local people into accepting them and to not hurt business
|
||
interaction. But deep down and unknown to anyone but their own, they
|
||
hold steadfastly to their ancient beliefs and to certain traits of
|
||
their tradition.
|
||
|
||
One belief prevalent among all tribes is that once a Romany or "Rom"
|
||
marries an outsider or "gauje'," as we are called, they are no longer
|
||
to be trusted, and can even be banished from the tribe. This harsh
|
||
practice is a result of centuries of persecution everywhere they have
|
||
gone. A Romany can only trust another Romany. Many outsiders who have
|
||
tried to learn more of their secrets have been greeted with
|
||
disinformation and a polite blank stare.
|
||
|
||
Attempts to integrate Romany groups into society are met with quiet
|
||
resistance. They don't appreciate the lifestyles of "sedentaries" and
|
||
the pressures that come with it. Taxes, property, houses,
|
||
identification cards...these things are not for a gypsy. They are
|
||
wanderers at heart, and prefer an existence of travel, singing and
|
||
relaxation. They do not use watches and have no interest in schedules.
|
||
While we would see their life as harsh and primitive, it is rare to
|
||
find an unhappy Romany.
|
||
|
||
The negative images of thieves and beggars has plagued the Romanies
|
||
throughout time, for the Roms are fond of jewelry, trinkets, and
|
||
bright clothes, and the act of secretly taking something beautiful
|
||
from a rich gauj<75> is not considered a crime to them, as long as there
|
||
was no violence. Often overlooked is the peaceful nature of the gypsy
|
||
people. They go out of their way to avoid conflict of any kind.
|
||
|
||
Begging is looked upon as an honorable tradition. In their ancient
|
||
homeland, a penniless beggar was almost holy.
|
||
|
||
When a gypsy group reaches a destination, usually a city, they set up
|
||
camp outside of city limits, where there are as few people as
|
||
possible. They usually sleep till noon. Then, after a big meal around
|
||
the campfire they head into town. The women and children make money by
|
||
fortune-telling and begging. Incidentally, many "gypsiologists" have
|
||
realized that the Rom do not believe in predicting the future. They
|
||
never tell fortunes to their own kind, only the gauje'. A Romany woman
|
||
learns to judge the character of the customer, then makes up a
|
||
suitable prediction. Women are also known for their knowledge of
|
||
herbs. The men are known for their knowledge of horses, and now-a-days
|
||
cars, bicycles and any form of transportation. They are usually expert
|
||
tinsmiths and metalworkers. Gypsies have also been adept at many forms
|
||
of entertainment since the days when they were performing for kings.
|
||
|
||
The Romanies have refused to develop a written language. When they
|
||
write, it is in the language of whatever country they are in. They
|
||
believe a legend that states they lost the right to a system of
|
||
writing due to a curse left after the ruin of an ancient Gypsy king
|
||
named Pharavono. Though the Rom have no written language, their spoken
|
||
language is very similar to Sanskrit, an ancient Indian language.
|
||
Stories, legends and laws have been passed down by word of mouth.
|
||
|
||
A few of their customs seem outdated, like their marriage custom. They
|
||
are arranged by the parents. The man's parents must present a suitable
|
||
amount of money or gifts to the woman's family before the wedding can
|
||
take place. After the ceremony, the wife goes to live with the
|
||
husband. Many times they are complete strangers since dating is not
|
||
allowed in their culture.
|
||
|
||
There are also strange traditions surrounding childbirth. The actual
|
||
birth must take place on the ground outside the wagon. The wagon, or
|
||
"vardo," is the home of a typical Romany family, though some only have
|
||
tents. If the baby is born in the wagon, everything in it becomes
|
||
"unclean" and must be either burned or sold.
|
||
|
||
If a Gypsy dies in the wagon everything is also unclean or "ma'rime"
|
||
and must be gotten rid of. When a Rom is close to death they are
|
||
brought out near the campfire and everyone sits around talking and
|
||
carrying on as if everything is normal. After death occurs the person
|
||
is buried with all personal belongings. This is to prevent jealousy
|
||
over who gets what.
|
||
|
||
As a people the Romany rely on improvisation for their existence. They
|
||
are always finding new ways to survive outside the system. No one is
|
||
more knowledgeable in the means of survival, or quicker in thinking
|
||
their way out of trouble. Many seem almost impervious to sickness of
|
||
any kind.
|
||
|
||
The Romanies are filled with a quiet pride. In their eyes the Rom are
|
||
superior to all other people, and this pride is what makes the idea of
|
||
serving a government or country loathsome. They are truly independent,
|
||
and in the midst of our highly conformist and regimented societies,
|
||
the Gypsy remains a comparatively free person.
|
||
|
||
*********************
|
||
LORDS OF THE UNIVERSE
|
||
An old Gypsy speaks of his People...
|
||
|
||
With our laws and statutes we Gypsies take care of ourselves and live
|
||
happily. We are the lords of the open country, of the crops, woods and
|
||
forests, of the wells and rivers. The forests proffer us wood free of
|
||
cost; the trees, fruit; the vineyards, grapes; the gardens,
|
||
vegetables; the wells, water; the rivers, fish; the gentry's
|
||
preserves, game. The rocks provide us with shade, the fissures with
|
||
cool air, and the caves with dwelling-places. For us the severities of
|
||
the heavens are breezes; the fall of snow is refreshment; the rain
|
||
gives us baths. Thunder is music to us, and lightning serves us as
|
||
illumination. For us the hard banks of earth are soft featherbeds. The
|
||
weather-beaten skin of our bodies acts as a coat of protecting armor.
|
||
Fetters do not hamper our lightness of foot, nor do any obstacles keep
|
||
us in jail -- the walls do not stop us. Ropes do not contort our soul,
|
||
gags used for torture do not stifle us, nor does the pillory tame us.
|
||
We are not reduced in spirit by being suspended from pulleys, hoods do
|
||
not smother us, and the rack does not overpower us. We make no
|
||
distinction between yes and no when it suits us, and we prefer to be
|
||
martyrs rather than confessors. Beasts of burden are bred for us in
|
||
the fields, and pockets are made for us to pick in the cities. No
|
||
eagle or any other bird of prey swoops with greater speed on its
|
||
promising quarry than we do on the opportunities that offer us gain...
|
||
|
||
These wretched huts and movable camps are esteemed by us above gilded
|
||
ceilings and sumptuous palaces...To conclude, we are people who live
|
||
by our wits and our cajoling tongues, and we are quite unconcerned
|
||
with the old proverb which says that he who would prosper must follow
|
||
the Church, the Sea or the Royal Household.
|
||
|
||
-- Translated by C.D., from LA GITANILLA (The Little Gypsy Girl)
|
||
by Cervantes, written in 1613
|
||
|
||
|
||
----------------------
|
||
THE ROAD FROM BUDAPEST
|
||
by Tee Bee
|
||
|
||
The riots and the dead-heads following me...I follow the flow, peach-
|
||
like butts, "life is a bitch" bumper-stickers, and "help wanted"
|
||
signs. Me, the Hungarian refugee G.A. Joe, the student in a school of
|
||
life who's trying to be the perfect loser.
|
||
|
||
So, my friend wants me to write about myself. Don't ask me why. He's
|
||
got a zine, I don't have a clue. Suddenly I realize this is a good
|
||
opportunity for an open letter to my parents. They don't know English,
|
||
America, and nothing about me.
|
||
|
||
I was born in a so-called communist country, Hungary. My childhood was
|
||
like Chinese food: sweet and sour. I was raised on hot-cocoa and
|
||
poppy-seed bread, Tom & Jerry, and the elementary school system in
|
||
Budapest. The school is traditionally middle-European copied from
|
||
Prussian turn-of-the century style. Order, Properness, Health, Fitness
|
||
was the communist ideal, perfect human specimen, or the German
|
||
Ubermensch ("overman") was the goal. My mother was a teacher at the
|
||
school where I was going to, so my situation was really emotional. I
|
||
hated all. I started to be a heavy drinker and smoker and rock &
|
||
roller. Especially the punk music hit the back of my brain. It was in
|
||
1980 when I cut my hair into a Mohican or Iroquois or Mohawk. I was
|
||
kicked out of most of the schools, ran away from the family, was
|
||
working in a beer factory and the chemical plant. In my free time I
|
||
was sniffing glue. One day I was tripping really badly. I didn't know
|
||
why but suddenly bright sparkling light came from the front door. "Oh
|
||
Shit, it's God and this is the coronation of the king of the glue." A
|
||
weird noise sounded like the doorbell. "Oh Shit, it's my mother!" I
|
||
stashed the plastic glue-bag in the refrigerator. My mother comes in
|
||
asking what is smelling like turpentine. Afterwards she found the bag,
|
||
and I ended up in a psycho-treatment center. But there is no worry. My
|
||
father had good connections so my life was back on the right track
|
||
again to the university. Back on the road to having a profession,
|
||
wife, house, and cancer at age 55.
|
||
|
||
So I took off for the west at the age of 20. As a political refugee I
|
||
could choose between 4 countries: South Africa, Canada, Australia and
|
||
the U.S.A. South Africa for die-hard fascists, Canada for families who
|
||
like the cold and the Queen, Australia for families who like the heat
|
||
and the Queen, and the U.S.A. for the left-over who like following
|
||
orders, or the flow.
|
||
|
||
The U.S. Consul asked me why I left Hungary. I said the general stuff
|
||
about life generally sucks in Hungary. They liked it. They didn't
|
||
realize it goes for the U.S. too, or any country. For me the American
|
||
experience started at the Consulet. Stars and Stripes, bright neon,
|
||
and machine-like impersonal voices. Many of us were trying to create a
|
||
sad story about suffering, and getting beaten up by the Communists.
|
||
Others said they were organizers against the system and their lives
|
||
were in danger. All were trying to get good points with the Consul
|
||
people. If all this was true the Communists wouldn't have lasted so
|
||
long. Whatever, they accepted me and I was really happy to have the
|
||
chance of living in the "Empire," having quality drugs and rock &
|
||
roll.
|
||
|
||
For some time I was living in Austria as a "refugee" which represents
|
||
"The West" to Hungarians. To me it was a bad trip of traditional hate
|
||
and high standard of living. They put us into hostels, gave food and
|
||
money which was hardly enough to buy cigarettes. The Austrian State
|
||
kept us as a vegetable until we got shipped to somewhere. The hostel
|
||
where I stayed was in the small town of St. George, not too far from
|
||
Salzburg and Brectesgarten; the town Hitler called home. This town had
|
||
a hard time dealing with refugees from the "wild" East. There were
|
||
regular fights between the locals and the eastern "homies" at the
|
||
disco. It was a really boring sanitorium in the Alps, without money or
|
||
hope so we started stealing electronics, shoes, almost everything we
|
||
could. With that booty we bought a car and explored Austria, stealing
|
||
stuff at commercial strips and supermarkets. I started to have a
|
||
pretty good time. We were doing exactly what the Austrians expected us
|
||
to do: CRIME. This was my first experience living completely outside
|
||
mainstream society. Getting beaten, smoking hashish and having fun.
|
||
The good Easterners were trying to get under-the-table jobs, waking up
|
||
at 5:00 in the morning, waiting for someone to pick them up, working
|
||
hard for one-third of the Austrian's wages.
|
||
|
||
But I had fun, fun, fun. Living a completely different lifestyle of
|
||
fast-cars and ice cream parlors. I was glad being in the West, but it
|
||
was sad to see the Austrian greed, and uptight ideas which flourish in
|
||
so many Middle European countries. The cities are grey and the people
|
||
are depressed. There was resignation in so many peoples faces and I
|
||
was overcome with a Kafka-like feeling which dragged me down. You know
|
||
the bug feeling, or the vegetable. You can see this if you just go to
|
||
a middle-European country and explore the heavy depression.
|
||
|
||
So I went to New York and became a heroin junkie. My eyes opened up
|
||
like Mickey Mouse, dancing in the streets. The skyscrapers were
|
||
shooting up like towers of Babel. Everything looked dangerous and
|
||
filthy, expensive and poor. To me it was a place that set me free.
|
||
This might be one reason I turned to drugs, I couldn't handle the
|
||
freedom. Freedom of choice was what drug would you like to take. I
|
||
started with New York weed which is grown on building roofs and
|
||
sprayed with nasty chemicals. But if you are from Europe you can
|
||
appreciate it. I was losing my mind on the bass lines and the drums.
|
||
Welcome to wonderland and the show was in full swing.
|
||
|
||
My heart was beating fast but it was soon filled only with loneliness.
|
||
I soon discovered the loneliness that comes from living in one of the
|
||
biggest, most crowded cities of the world. I needed some loving. I
|
||
also needed rent money, food, and a job. Everyday I had to think of
|
||
how I would support my most basic needs just to survive and I got
|
||
really tired and frustrated. That's what made me feel heavy even
|
||
without the gravity.
|
||
|
||
Eventually I met some friends from Budapest and we had a lot of fun.
|
||
Learning expressions like "doing time," and "making money." America is
|
||
a real challenge where things are perfectly crystallized, where
|
||
freedom means slavery, money means love, where you can see through but
|
||
there is no escape. You gotta lose your mind.
|
||
|
||
|
||
---------------
|
||
JUST PASSING BY
|
||
by Malgorzata G.
|
||
|
||
I arrived to the U.S. at 23, as a fresh college graduate. My B.A. was
|
||
in the remote discipline of Italian and French language and
|
||
literature. I soon found that my carefully planned education in
|
||
Mediterranean civilization was completely irrelevant in California.
|
||
|
||
People here were more interested in my typing skills and ability to
|
||
file alphabetically than in my real background. I had to swallow a
|
||
bitter pill: I couldn't survive on a tour guide's (I didn't even know
|
||
the area!) or interpreter's income. I also realized that having a B.A.
|
||
opens up some possibilities in the corporate world, no matter how
|
||
obsolete my other qualifications were. This bizarre practice had been
|
||
introduced, so that people with as bizarre an education as mine could
|
||
find employment. European employers were a lot more selective, but
|
||
then, they appreciate odd professions more.
|
||
|
||
I noticed that people in America are generally much more devoted to
|
||
their employers than people in Europe, or, should I say, the
|
||
percentage of over-achievers and workaholics is much higher. I've been
|
||
observing corporate politics with the detachment of a person who is
|
||
extraneous not only because of her low position in the hierarchy, but
|
||
who also comes from a different reality. In my old world, values and
|
||
priorities were very different. People cared for one another more.
|
||
Friends would drop by without calling. Here, telephone has ironically
|
||
become the main means of communication. I couldn't help noticing most
|
||
so called friends I happened to make during the first few years were
|
||
superficially polite, but frightened to get close with other human
|
||
beings, eager to retreat into shells they lived in. They were self-
|
||
sufficient, used to early independence. After all, they never had much
|
||
of a childhood and usually worked through their best teenage years.
|
||
What a wonderful preparation for demands of today's maddening world!
|
||
What about having a quiet teenagehood, deprived of such serious
|
||
responsibilities they (biologically) were not ready for anyway? I read
|
||
somewhere that, by a caprice of Mother Nature, a human being doesn't
|
||
really become ready for life until late twenties, and from the moment
|
||
of his birth until that time, he lives in a sort of a social womb,
|
||
where he learns the most important things in his life. Well, if that's
|
||
true, then this country has been producing some emotionally,
|
||
culturally and spiritually impoverished individuals that, in turn,
|
||
treat their kids in the same way, by getting rid of the responsibility
|
||
of having them at home as early as possible. Maybe I am prejudiced,
|
||
after all I come from a country with a highly developed cult of child.
|
||
Here, it seems, only rich kids can afford what every human being is
|
||
entitled to: time to grow up at a natural pace, without extra stress.
|
||
It is no wonder that nobody here takes time any more to smell the
|
||
flowers and just relax. Well, not quite. I have met here a few people
|
||
who have actually developed their spiritual and emotional lives.
|
||
|
||
I still keep wondering why education is last on the list of priorities
|
||
in this country, and why does it have to have a price tag? That is,
|
||
why do people study mostly for the grade, not the knowledge, if they
|
||
study at all? Aren't we here to fully experience, enjoy, compare and
|
||
reflect? To be happy rather than miserable?
|
||
|
||
Today's America is very disappointing. Only a small group of people is
|
||
enlightened enough to see what's actually happening. I guess it all
|
||
starts when people learn how to recognize certain values. It all
|
||
begins at home, then school. People here are not in touch with their
|
||
roots, in a universal sense, they are not in touch with their basic
|
||
selves. They surely won't find balance by implementing new computer
|
||
solutions to their reality, instead of realizing they basically don't
|
||
need that. Just like they can do without all that stuff they are made
|
||
to believe they need to survive. Who on earth needs all those cars and
|
||
microwave ovens? Who needs three layers of packaging for one little
|
||
thing? Why do people feel this urge to succeed? The tempo of living in
|
||
America and the stress is certainly beyond anything I have ever seen.
|
||
|
||
Why do I stay if I am so negative? Well, first of all, I am just
|
||
passing by. I've always believed my place was somewhere more quiet and
|
||
inspirational. Secondly, I wasn't always negative, in fact, at first,
|
||
I was fascinated. Following the rules, I went broke by buying a new
|
||
car, got myself in debt -- all this glitz, you know. Then, I started
|
||
missing my old values, so I took time to reflect. I studied art and
|
||
read a lot of wonderful stuff the minority in this country tries to
|
||
communicate to the rest. When I finally got ready to look around, I
|
||
saw things the way they really were. I still believe this world can be
|
||
changed. There are some people who care enough. And I want to
|
||
contribute. In the country where most people don't like their lives,
|
||
yet function with incredible efficiency, putting up with stress that's
|
||
killing them, some radical change is needed. What the hell do they
|
||
need the incredible structures they are locked in for? Life is
|
||
complicated as it is. there is time and place for everything in most
|
||
other places in the world, except here. Even in West Germany (the most
|
||
square headed country in the world) they take a month of vacation
|
||
every year, and their productivity level stays the same. Amazing,
|
||
isn't it?
|
||
|
||
-- Excerpted from PROCESSED WORLD #25, the magazine of BACAT,
|
||
1095 Market Street, Suite 209, San Francisco, CA 94103 USA
|
||
|
||
|
||
---------------------------------
|
||
JADED JOURNEY TO THE EMERALD CITY
|
||
by Julie Mullen
|
||
|
||
*******************
|
||
TRAVEL ARRANGEMENTS...
|
||
|
||
First of all, I would highly recommend taking the Green Tortoise up to
|
||
Seattle. You know, it's the weird hippy bus that has mattresses all
|
||
over it -- a completely comfortable, cheap way to ride. The bus stops
|
||
at Cow Creek in Oregon for a huge meal that everyone lends a hand
|
||
making. There's a sauna built nearby. Eat vegetarian and get ready to
|
||
read and relax on the bus. It's great.
|
||
|
||
I met a few interesting people on the bus, including Jason, a red-
|
||
haired tattooed self-proclaimed grafitti hip-hop artist who spends
|
||
half the year as a fisherman in Alaska. He had a really nasty cover-up
|
||
tattoo on one shoulder, which he admitted used to be a playboy bunny.
|
||
Poor guy. He seemed interested enough to offer me a place to stay in
|
||
Seattle should my crash pad not work out. But later in the trip he
|
||
distanced himself from me ... he was wrapped up in an Ecstasy deal he
|
||
was closing with another trip character, Sean. This guy had long hair
|
||
and shared his headphones with me so I could listen to Bongwater. But
|
||
he lost me when he started telling some story about a girl he was
|
||
seeing in high school and how he also fucked her mother. There were
|
||
some pretty cool SF'ers, art students, who I shared the ride up and
|
||
back with. And an older man from Uprisings Bakery in Berkeley who kept
|
||
giving everyone healthy cookies and doing pull-ups. He gave me a
|
||
little gold star for being "the most interesting person on the bus."
|
||
Well.
|
||
|
||
I tried to avoid people on the bus during the trip back to SF, but I
|
||
noticed one man kept writing things down in a little pad every so
|
||
often. He was wearing all black, carrying a paperback copy of "Star
|
||
Wars 3," sporting a very George Lucas-ish beard. As I was exiting the
|
||
bus on one occasion I couldn't help but notice he had written on his
|
||
little pad, "A note on my fellow travelers. They fall mostly into that
|
||
dead zone between 20 and 30..." This irritated me no end, and after I
|
||
told Jessica, one of the art students, about it, we spent the rest of
|
||
the return trip spitting insults about this presumptuous guy and how
|
||
sick we both are of hearing about the twenty-nothing generation.
|
||
|
||
*******
|
||
SEATTLE...
|
||
|
||
My host, Mike Payson, was in no way kidding when he told me, "the
|
||
house is a disaster." A path was shoveled through the living room,
|
||
where there was an ancient computer, a dusty stereo, my bed, and an
|
||
iguana cage.
|
||
|
||
I already knew from talking to Mike on the phone that his pet rat ran
|
||
free, somehow co-existing peacefully with his roommate's cat. The
|
||
iguana, however, was a surprise, and so was its home. Apparently
|
||
Mike's roommate had dumped a bunch of moss in the bottom of the cage,
|
||
and there were some eggs in it, so the whole thing had erupted into a
|
||
seething cauldron of larvae, crickets, and beetles all squirming
|
||
around all over each other and through the mess.
|
||
|
||
At night I would lay awake listening to them squirm and chirp and
|
||
rustle while outside in the Central District people yelled at each
|
||
other. No, it wasn't the most glamorous place to stay. But Mike was
|
||
about as generous a host as a person could hope for, and his roommate
|
||
Richard, who has had himself declared legally insane so he can collect
|
||
social security forever, offered me hash as soon as I walked through
|
||
the door. I also had fun hanging out with Kevin, who lived upstairs
|
||
and did my Tarot cards.
|
||
|
||
Also met some people who carve amazing designs into Didgeridoos, which
|
||
are musical instruments made out of pipes. They burn in the most
|
||
intricate tattoos from Native North American to Celtic designs. Really
|
||
cool. Write them for info: Rebecca Stanle or Sean Kilpatrick, 1027 N.
|
||
48th St., Seattle, WA 98103.
|
||
|
||
********
|
||
SEX WORK...
|
||
|
||
See, I went to Seattle for an audition, and I payed my way by working
|
||
at the Famous Lusty Lady Theater. So I didn't have a hell of a lot of
|
||
time to explore the "grunge scene," or hike around in the Cascade
|
||
Mountains. In fact, I spent a lot of time underneath the city showing
|
||
my butt to its inhabitants for a mere 25 cents. But you know, you can
|
||
learn a lot about a place this way. For one thing, Seattle is a much
|
||
down homier city than S.F. One dancer at the Lusty told me she'd be
|
||
dancing until she was seven months pregnant, and then she'd only do
|
||
the one on one booth. That would never happen at the Lusty in S.F. On
|
||
the plus side, all the dancers were incredibly friendly to me and even
|
||
asked me out for Seattle's version of Mardi Gras. No, I did not go,
|
||
because I was busy hanging out with a beautiful 18 year old Asian
|
||
woman with blonde dreadlocks and her group of hip-hop grafitti artist
|
||
friends. I have to say, I was feelin' a little old to be ridin' around
|
||
in a car boom boxing too loud to think. But interestingly enough, I
|
||
did run into Jason, my buddy from the Green Tortoise. This made me
|
||
wonder if the hip-hop grafitti artist scene in Seattle is entirely
|
||
contained in one apartment.
|
||
|
||
*******
|
||
SUMMARY...
|
||
|
||
1. Everyone in Seattle goes to Alaska to make quick money fast.
|
||
Whether you can fish, or strip for fishers and canners, the bucks are
|
||
good.
|
||
|
||
2. Everyone in Seattle talks about how great the coffee is there. And
|
||
really, it IS great.
|
||
|
||
3. Seattle is really "a big hick town with money," according to one
|
||
Green Tortoise rider. I thought it was about as friendly as everyone
|
||
told me it would be, and I would hear conversations on buses that
|
||
would stun me with their sheer BANALITY. People would talk about what
|
||
they were going to make for dinner and a lot of them had very positive
|
||
attitudes about life. Somehow the charm of this is lost on me, but if
|
||
that's what you like, you will get plenty of it.
|
||
|
||
4. The best place in Seattle is Capitol Hill, the "Castro St." scene
|
||
of that city. Check out the Scary Gay Mall on Broadway -- it's the
|
||
best.
|
||
|
||
|
||
-------------------------
|
||
WHAT MAKES THE DIFFERENCE
|
||
by Martina
|
||
|
||
There're good people and bad people everywhere in the world; maybe
|
||
it's easier to make friends in Czechoslovakia but it's easier to lose
|
||
them as well; the young people don't have cars so one can hitch-hike
|
||
pretty safely cause there're thousands of thumbs up on the road;
|
||
almost everybody smokes too much and drinks too much -- the pub is the
|
||
centre of all private and public affairs -- if you need to get some
|
||
pieces of information -- go to the pub and you'll know; the people
|
||
read a lot and listen to the music a lot -- it's hard to find VCR in
|
||
the households but there're to be found more than cook-books in the
|
||
bookshelves; the people aren't used to working that hard anyway and
|
||
the salary was always shitty -- they'd rather have fun and enjoy
|
||
themselves than save the money for "worse times"; the nature --
|
||
rivers, mountains, air and woods are polluted more than enough -- the
|
||
communists didn't take care of the beauty -- but the camping remains
|
||
to be the national sport number one. -- Equipped with a sleeping bag
|
||
and a tent you're welcomed everywhere; are you hungry or thirsty at
|
||
midnight? Bad luck for a simple reason -- all the shops are closed at
|
||
8 or 9 in the evening and open at 6 or 7 in the morning; unlike here
|
||
in the US, there're no flags floating above the old historical
|
||
buildings in the darkness of the Czech sky -- the people -- destroyed
|
||
by the communist idea of equality and indifference aren't proud of
|
||
their country that much -- anyway Europe is a small continent and a
|
||
big pot at the same time -- everything and everybody is mixed up with
|
||
everything and everybody; there're 4 seasons of the year -- it's nice
|
||
to smell fresh spring breeze, heavy overloaded sun; chilly foggy
|
||
mornings, snow falling down; but the moon is the same -- tender and
|
||
bright and so are the people -- the good ones or the bad ones as all
|
||
over the world.
|
||
|
||
|
||
----------------------------------------------
|
||
DISTURBIA...NIGHTMARES FROM THE SUBURBAN DREAM:
|
||
THE PLACE OF SAFETY AT THE WORLD'S END AT LAST
|
||
by Jonquil
|
||
|
||
Everyone probably grew up knowing someone whose family was always
|
||
going on a trip; a camping trip one weekend, a visit to the beach the
|
||
next. Jonquil's family was always packing their bags for a long trip.
|
||
Unfortunately, they never went anywhere...
|
||
|
||
Memories slam into me like a thousand yesterdays all at once. I feel
|
||
parts of my life invading my mind. I hold myself together. I tell
|
||
myself that I am my place of safety, and I laugh at the past.
|
||
Still...sometimes I get the urge to pack.
|
||
|
||
It was 1973. I was almost six and we were packing because the moon was
|
||
orange with bloody red ribbons around it. My mother said it was a sign
|
||
from God that it was time to flee to "the Place of Safety." I sat by
|
||
the window holding my teddy bear, watching the moon bleed and praying
|
||
that it wasn't really time to flee yet. Mother had said we couldn't
|
||
bring our dog, Misty, and I didn't want to leave her. I just knew God
|
||
would understand. He did.
|
||
|
||
I was 10 when Mr. McGowen, our minister, said that we'd be going soon,
|
||
"be packed, be prepared." So my mother gave all of our toys away.
|
||
She'd already gotten rid of Misty. We packed and waited for the call
|
||
to flee. I was ready to go then. School was hell on earth for me.
|
||
Mother kept me out most of the time but when I went I was the
|
||
Christian freak girl and kids would surround me at recess, calling me
|
||
names that still hurt too much for me to remember, throwing rocks and
|
||
laughing when I cried. I can't really blame them. At the beginning of
|
||
each year Mother would stand me in front of my class mates and have me
|
||
explain God's plan, why I wouldn't be participating in their pagan
|
||
rituals and how Satan was in control of their lives. Calling Santa
|
||
Claus a Demon inspired messenger of Satan is not the way to win
|
||
friends and achieve popularity in grade school; not in a small town in
|
||
Idaho anyway.
|
||
|
||
At this point we had packed and unpacked so many times I didn't even
|
||
bother to tell the kids at school I was leaving. Like the boy who
|
||
cried wolf, they wouldn't have believed me. So, we waited and I prayed
|
||
that the time to flee would be soon. I just knew God would understand.
|
||
He didn't.
|
||
|
||
It was three years later, 1980. My church had been declared a cult by
|
||
the government after the Jim Jones mass suicide. Mr. McGowen said we
|
||
wouldn't be leaving any time soon, "Ten or twenty years yet," and
|
||
apologized profusely for their blunder.
|
||
|
||
By this time I wasn't sure what I wanted or expected to happen with
|
||
the church or my family. I had just about given up on praying for
|
||
anything from God. I would give up entirely later, but that's another
|
||
story...
|
||
|
||
In the spring of 1987 I fled to my place of safety, San Francisco.
|
||
Here there is mana in the wilderness but I work for it and the
|
||
wildlife asks politely for crumbs. Mother thinks I'm possessed by
|
||
Satan, blames the time I spent in school and I only smile. I am my
|
||
place of safety, she's still waiting in her hell on earth.
|
||
|
||
|
||
----------------------
|
||
JOIN THE CRASH NETWORK!
|
||
|
||
Crasher: person who is traveling, guest.
|
||
Crashee: person who is allowing Crasher to sleep at residence,
|
||
host/hostess.
|
||
|
||
Joining is free! Send email to johnl@netcom.com for a questionnaire
|
||
(or send us an SASE to our mailing address, listed at the end of this
|
||
file). Filling it out and returning it gets you listed in our Crash
|
||
Directory, which is available only to members. Anytime you're planning
|
||
to travel, send $5 for an up-to-the-minute directory and follow the
|
||
guidelines below.
|
||
|
||
*************
|
||
HOW TO USE IT
|
||
|
||
You can use the Crash Directory to contact other members that you would
|
||
like to meet. Or if you have a destination or journey in mind, you can
|
||
use the directory to find potential crash sites along your planned route
|
||
(flexibility helps). Before your departure, contact your potential
|
||
crashee by mail, phone, or email and inquire about a visit. When all
|
||
your crashes are confirmed, you're ready to hit the proverbial road.
|
||
|
||
**************
|
||
THE CRASH CODE
|
||
|
||
1. Any Crashee can turn away a Crasher if they do not agree to the
|
||
Crash by prior consent.
|
||
2. No charge for stay unless agreed upon by both parties beforehand.
|
||
3. Toilet and shower facilities should be made available to Crasher
|
||
if possible.
|
||
4. Don't eat Crashee's food unless offered.
|
||
5. Don't use the Crashee's phone, stereo, TV or any other property
|
||
without their consent.
|
||
6. No stealing.
|
||
7. Don't bring friends over without the prior consent of the Crashee.
|
||
8. Treat each other with respect.
|
||
9. Help each other in every way possible during Crashes.
|
||
10. Crasher must obey rules of Crash Pad unless they contradict
|
||
above rules.
|
||
|
||
|
||
-----------------
|
||
CRASH INFORMATION
|
||
|
||
Editors: Miles Poindexter, John Labovitz.
|
||
|
||
Crash is published in January, March, May, July, September, and
|
||
November of each year.
|
||
|
||
Subscriptions are $5 for six issues. A sample issue is $1 or three
|
||
US 29c stamps. Back issues (text only) are available via anonymous FTP
|
||
at netcom.com in directory /pub/johnl/zines/crash. The printed issues
|
||
also contain illustrations and advertising; for the full Crash experience,
|
||
send for a printed sample.
|
||
|
||
Crash is happy to hear from you. Send artwork, articles, and aardvarks
|
||
to us at:
|
||
|
||
Crash
|
||
519 Castro Street #7
|
||
San Francisco, CA 94114 USA
|
||
email: johnl@netcom.com
|
||
|
||
If you are interested in advertising in the print or electronic
|
||
version of Crash, please contact us for rates and sizes.
|
||
|
||
Copyright (C) 1993 Crash. We encourage other zine editors to reprint
|
||
or excerpt parts of any articles written by us (Miles Poindexter or
|
||
John Labovitz). All we ask is that information about this magazine and
|
||
the network be included with it. If you wish to reprint something by
|
||
an outside contributor, please contact them beforehand (either by
|
||
their contact information listed after the article, or c/o Crash).
|
||
|
||
|
||
------------------
|
||
END OF CRASH MAY93
|