1637 lines
78 KiB
Plaintext
1637 lines
78 KiB
Plaintext
BTN: Birmingham Telecommunications News
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COPYRIGHT 1992 ISSN 1055-4548
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December 1992 Volume 5, Issue 11
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Table Of Contents
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-----------------
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Article Title Author
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Policy Statement and Disclaimer................Staff
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From The Editor................................Scott Hollifield
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Letters to the Editor..........................BTN Readers
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The BBS: Business or Hobby - Response & Comment...Mark Maisel
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Life on the Lines II...........................Chris Phillips
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Changes........................................Lurch Henson
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Grocking the Gestalt II........................Scott Pletcher
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The Amiga Connection...........................Jeff Vaughn
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December Music Events..........................Judy Ranelli
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Poetry Curve...................................Chris Mohney
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The Desktop Publishing Association.............Chris Phillips
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Special Interest Groups (SIGs).................Barry Bowden
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Known BBS Numbers..............................Staff
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-----------------------------------------------------------------------
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Disclaimer and Statement of Policy for BTN
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We at BTN try our best to assure the accuracy of articles and
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information in our publication. We assume no responsibility for damage
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due to errors, omissions, etc. The liability, if any for BTN, its
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editors and writers, for damages relating to any errors or omissions,
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etc., shall be limited to the cost of a one year subscription to BTN,
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even if BTN, its editors or writers have been advised of the likelihood
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of such damages occurring.
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With the conclusion of that nasty business, we can get on with our
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policy for publication and reproduction of BTN articles. We publish
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monthly with a deadline of the fifteenth of the month prior to
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publication. If you wish to submit an article, you may do so at any
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time but bear in mind the deadline if you wish for your work to appear
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in a particular issue. It is not our purpose to slander or otherwise
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harm a person or reputation and we accept no responsibility for the
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content of the articles prepared by our writers. Our writers own their
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work and it is protected by copyright. We allow reprinting of articles
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from BTN with only a few restrictions. The author may object to a
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reprint, in which case he will specify in the content of his article.
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Otherwise, please feel free to reproduce any article from BTN as long as
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the source, BTN, is specified, and as long as the author's name and the
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article's original title are retained. If you use one of our articles,
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please forward a copy of your publication to:
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Mark Maisel
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Editor, BTN
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221 Chestnut St.
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BHM, AL 35210-3219
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(205)-956-0176
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We thank you for taking the time to read our offering and we hope that
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you like it. We also reserve the right to have a good time while doing
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all of this and not get too serious about it.
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-----------------------------------------------------------------------
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F R E E B I E : G E T I T W H I L E I T S H O T !
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The following boards allow BTN to be downloaded freely, that is with no
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charge to any existing upload/download ratios.
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ADAnet One Alter-Ego Bus System
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Channel 8250 Crunchy Frog DC Info Exchange
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Darkhold BBS F/X BBS Joker's Castle
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Lemon Grove Martyrdom Again?! The MATRIX
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Milliways BBS Night Watch The Outer Limits
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Owlabama BBS Owl's Nest Playground
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Safe Harbor Teasers BBS Thy Master's Dungeon
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Weekends BBS
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(Please note that this list includes some systems which are not local to
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Birmingham and therefore not included on our BBS Numbers list.)
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If you are a sysop and you allow BTN to be downloaded freely, please let
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me know via The Matrix or Crunchy Frog so that I can post your board as
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a free BTN distributor. Thanks. SH
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-----------------------------------------------------------------------
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N E W S F L A S H
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BTN's OFFICES WILL BE CLOSED ON DEC. 25
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and indeed every other day of the month
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since BTN doesn't have any offices.
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Happy holidays!
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-----------------------------------------------------------------------
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From The Editor
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by Scott Hollifield
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Well, I've made it three whole months as editor of BTN, and come out
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not much worse for the wear.
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To paraphrase Mel Brooks, it's good to be editor. I'm running into
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perks even *I*, ambitious rascal that I am, didn't even foresee. Allow
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me to run the gamut as I see it:
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First of all, one of the drawbacks I originally thought came with
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the job was that I would be obliged to write something every month,
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rather than merely the occasional brilliant epiphany. This turned out
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not to be so bad, because whatever I write gets lumped under the title
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"From The Editor". See it up there? Adds a special sorta gleam to the
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column, doesn't it? Which saves me from having to worry about being
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"legitimate". As editor, I automatically qualify as legitmate! I've got
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it already! I'm sold out! And that helps me out even when I'm bankrupt
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of ideas, like this month, because I can write pretty much anything I
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see fit, such as this column, which the surgeon general has determined
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to be completely lacking in any kind of intellectual or social value. I
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guess I'm kind of like the tobacco lobby, then.
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Also, I get my own conference. This is not such a big deal anymore;
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even Gwendolyn Norton has her own conference, and I'm surprised they
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even let her out during the day. Just the same, there it is, on the
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Crunchy Frog - it's called BTNWA, and it's strictly for people whose
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writing appears here. Go ahead, try to access it. You can't. (If you
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can, it means that you're still in trouble, because you should be
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spending your time writing articles instead of fooling around.)
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Another thing is that I get an extra notch in my social status on
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BBS's. People are starting to recognize my name. Just yesterday, I was
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calling a new board and the sysop anxiously broke into chat with me, to
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ask "Are you the BTN guy?" I felt like I was delivering pizza, but the
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idea is there. Not only that, but I now have something to put down in
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all those awful mandatory feedback messages you have to type whenever
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you log onto a new BBS. I can pretty much say, "Hi, I'm calling on
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behalf of BTN. That means I don't HAVE to have a real reason to call!
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Hah!"
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And, of course, there are all the old routine standbys, like
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realized lust for power, authority to make people jump when I give the
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word, control over public media, etc.
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Speaking over control (mine) of the media (yours), let's run through
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this month's agenda, shall we? We have a surprisingly hefty issue,
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despite the lack of either a BTN ProFile or BBS Spotlight (so much for
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making people jump). Mark Maisel returns this month with a follow-up
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to his much-discussed article on the State of BBSing 1992. Chris
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Phillips (also known as Bernie Starchaser) and Lurch Henson turn in
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articles, both of which make reference to me, so they can't be all bad.
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(Lurch even publicly, unashamedly, calls on you, the public, for
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suggestions on what he should write about! Why didn't I ever think of
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that?) We also inject a bit of culture - right into the vein - with a
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new poetry feature by local expatriate Chris Mohney, and with an
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informative and not at all objective musical calendar by Judy Ranelli.
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Add to that the latest in Amiga news by Jeff Vaughn and two - count'em
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two - promotions for the Desktop Publishing Association, and yeah, we're
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talking big enough.
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Yes, I know - just what you wanted for Christmas, right?
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-----------------------------------------------------------------------
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Letters to the Editor
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Yes! Can you believe it? We got a letter! And it only took three
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issues!
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This month's missive is from David Moss, sysop of Weekends BBS.
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******
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Scott,
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I just finished the November Issue of BTN and feel a comment is in
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order. First let me say that I am a relative newcomer to the BBS
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world. I read the issue every month, and have been for almost a year.
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Now for the comment. Mark Maisel's article, The BBS: Business or
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Hobby, was a brief history of how the "Old-Timers" learned this hobby.
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They had it easy! I mean, just think, no choices! They were limited to
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everything! Us new rookies who start in this are faced with an ocean of
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different decisions! Modems, hardware, software, off-line readers,
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thousands of different files for downloading or (in some cases
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uploading), yes, even dozens of different boards to choose from. Back
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then everyone knew evryone else, so there was no problem with to pay a
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fee or not to pay a fee.
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Also, I'm glad the article pointed out the possibility of paying a
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fee to a board and then have that board disappear! The newcomer should
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seek advice from as many people as possible before making that decision.
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I also like the new lay-out of the BBS list. A little longer
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perhaps, but also a little easier to read.
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David Moss
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******
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If YOU have something you want to say about BTN, or indeed, about
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anything at all, leave me a message on Crunchy Frog or The Matrix.
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Those are the best and fastest ways to contact me, and the greasiest
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path to having a letter published. - Scott Hollifield
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-----------------------------------------------------------------------
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The BBS: Business or Hobby?
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Response and Comment
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by Mark Maisel
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with commentary from Rocky Rawlins and Michael Davidson
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This article is a follow-up to the one I wrote for BTN052. I got
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two responses in message form and thought I'd reply to them here. Rocky
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Rawlins, sysop of MATRIX, and Michael Davidson were kind enough to read
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what I had to say and then let me know it. The following are their
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comments mixed with my own in response. Perhaps more of you will express
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an interest and keep this dialogue going.
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RR=Rocky Rawlins MD=Michael Davidson MM=Mark Maisel
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----------
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RR "Mark, I read your article in BTN52. Pretty good. A couple of
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things though I wanted to comment on and to ask you about."
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MM Thank you.
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RR "First one of the things we have always done here to encourage the
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growth of other boards is routinely pass on the equipment we pull out of
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service to other folks for their boards. We recently gave both Jeff
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Vaughn and Roderick Horton complete systems to bring up boards. I think
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the spirit of cooperation around Birmingham is quite a bit different
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from a lot of other cities and board communities. The conscious effort
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of the Sysops around here to avoid "competition" give this are a
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different culture from many areas."
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MM I have always found that curious, from an outside point of view. I
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would argue that while not unique, your habit of sharing "the wealth" as
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we computer geeks would put it, is the exception and not the rule. It
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is fascinating to me, and it is always surprising as I recall when you
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offered Greg Roberts those XT's when we were in east Alabama. I am
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familiar with many other occasions where folks, including myself, have
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benefitted from your generosity. Of course, you now must realize that
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you are going to be deluged with requests for hardware, and yes, even
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you may be reduced to a state of no spare parts.
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RR "Second, I agree with you on the problem of volume and new users
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particularly being overwhelmed by the sheer size of some boards. Any
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ideas on how to solve that? We've been looking at it trying to figure
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out a way to make things easier for people especially novices. Maybe
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it's the structure of PCBoard or perhaps just overfamiliarity. If you
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have any ideas, concepts or have seen anything anyone else is doing that
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is a new approach let me know. One of the things we're doing is setting
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up a dedicated voice line for the board for people to call with problems
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or questions. (Yes, a Technical Support number <grin>)"
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MM I really haven't given much thought to methods for making things
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easier for users in regards to the complexity and size of bbs' these
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days. The Internet is a big monster. There are many efforts under way
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to try and make it easier but it is growing faster than the speed of
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progress on the part of those folks. I think that saturation will
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eventually be reached and that organization will come out of chaos. I
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think the same will hold true for bbs', especially whoppers like yours.
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The problem of complexity, at least on MATRIX, might be something well
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worth examining. I'm sure we'll get around to talking about it soon. PC
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Board's interface isn't a problem, as I see it. I do think that the
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future is in offline mail, for those who are interested in mail. It
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also makes things a bit easier for the user, who can read and explore at
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their leisure. The problem for the moment is that downloading huge
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amounts of mail is still a major time consumer. It will stay that way so
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long as the majority of users run at 2400 baud or less. With the advent
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of much lower prices for 9.6 and 14.4 kilobaud modems, I expect this is
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already changing, but it will be some time yet. The mail readers sport
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a variety of interfaces and I think those are going to become more
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sophisticated, versatile, and customizable in order to accommodate a
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rapidly growing and diversifying audience. The BBS interface is going
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to have to keep up, at least in so much as it can so long as ASCII and
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ANSI are the terminal standards. Beginners are probably going to
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continue to spend time logging on and doing things online till they
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decide what they want. I answered a question in my MATRIX mail packet
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today in regards to just what an offline mail reader is and what
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advantages they may have for the questioner. Innovation is going to be
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the key to the "BBS business", I think. You certainly have been making
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moves in the right direction, even though your primary alternative isn't
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necessarily to make a living from the bbs. I expect the MATRIX to be
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around for a long time and pretty much financially supported by users.
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It certainly makes it easier for you and your cohorts to service the bbs
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and its users. The voice line offering help is an interesting idea, and
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one that certainly takes a lot of courage. It will probably pay off in
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the end, but I know lots of sysops who guard their voice numbers and
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some even their true identities in order to keep users from bothering
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them with phone calls.
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RR "And on the 30 minutes issue, We've been set at 30 minutes for over
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5 years. It's not so much to attempt to get those people to subscribe as
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to try and handle the largest number of people. About 80% of the folks
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find that enough time and when we call new users and they ask about
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subscribing, as a matter of policy we make it clear to them that there
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is no cost involved. We encourage them to work with the system for a
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while before even thinking about subscribing and point out that unless
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they plan on being a heavy user that 30 minutes should be plenty of time
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for normal use."
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MM This policy, I feel certain, has brought you quite a few
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subscribers. I've been on systems where logging on was the only
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activity you could indulge prior to subscribing. There are also those
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who will never subscribe, but they can only tie up 30 minutes per day,
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and probably wouldn't subscribe if you didn't offer the 30 free minutes.
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This is an interesting approach, quite comparable to the free time
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offered to potential users on CompuServe, America Online, and other
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commercial online services.
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RR "The PRIMARY goal of the system is to provide a communications
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gateway for Birmingham. So that people don't need to be PC gurus to get
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on the Internet and out into the online world. Compuserve is too
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expensive by far and we can provide something that otherwise wouldn't
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exist on this scale. If it makes a profit, great! We can expand or add
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new services. If it makes so much money that I can live on it fine. That
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means I'll have more time to devote to it and make it better. But what
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I've said all along is still true. I make money to run the board not the
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other way around. The day I look around and realize I'm putting profit
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ahead of the purpose of the board is the day I reach over and pull the
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plug."
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MM I would suggest that you are running a hybrid system, though I
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recall a time when it wasn't. I am certain that if it ever came to it,
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you'd simply shrink the board to fit your budget or shut it down. It
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certainly is an attitude that attracts users and subscribers. No one
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feels any pressure and that is a good thing. Marketing hammers at us
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from every medium and it is nice to find an escape. The MATRIX provides
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such an escape. I think this is an exception to the trend toward
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business for bbs' and I hope it stays that way.
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MD "About the pay bbs', just letting you know that both Baudville and
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Genesis Online give you 30 min. of free time, but many people subscribe
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because of the superior chatting functions available on the Major BBS
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system. I think that bbsing should remain a hobby for the most part,
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especially for those of us who are young and cannot waste income on
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computers, especially something so trivial as this. I like having free
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time and an option of subscription, but if the bbs community were to all
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of a sudden go subscription, I must admit I'd probably give up the hobby
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completely. Sure, there is lots of information and good files available,
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but the same goes for the public library downtown, and I have free
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access there."
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MM Is the time a one time gift or perpetual on a regular basis? I'm
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familiar with some of the advantages for chat fiends that are part of
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Major BBS. I know quite a few folks who love it. It has never done much
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for me, but to each his own. As for bbs' remaining the domain of
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hobbyists, I don't know that I can agree with you. There are sometimes
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substantial costs involved in running a bbs, especially if it becomes
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popular and the sysop decides to expand it. Should he bear the entire
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cost if so many derive benefit? I've always felt that if one couldn't
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afford to pay, then one shouldn't play. I think that true for both
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users and sysops. To me, if someone wants to run a bbs as a business,
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that is great. They should run it like a business and deal with me in a
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businesslike manner. Hobbyists ought to run their bbs' as hobbies and
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not solicit (read whine) for money. I understand your sentiment in
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regards to your lack of money, but it almost sounds insulting to hear
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you talk about what you get from a bbs being wasteful. I doubt that is
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what you mean, but I can only judge what I read. I've found bbs'
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anything but wasteful. Honing your skills in public debate, learning
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about people, their diverse specialties, quirks, etc., certainly are not
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to be found in a library. If you are inclined and able, you can learn a
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great deal from libraries as well as collect files, but it certainly
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isn't a replacement for bbs' or other online services.
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MD "About offline mail. Offline mail has been a saving grace for me.
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Before I was told about it one faithful day at lunch in seventh grade, I
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never had time to read mail. My studies occupy most of my free time,
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especially this year entering high school, and I have no way to sit down
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for hours on end reading and replying to mail. Now, it takes just half
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an hour to call the half-dozen or so boards that I grab mail from and
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pull it to read at my leisure. I can now, thanks to my new modem,
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download about three megs of compressed mail in 30 minutes. That's
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enough to keep me satisfied for weeks. Also, with the dawn of offline
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readers, I can skip a whole thread of messages with the push of a
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button, or read only the ones to or from a certain person if I wish, or
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weed all of those out to or from a certain person. It is much more
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enjoyable to find a reader suitable to my reads, configure it to my
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liking, then read only the mail I choose than to go into a pre-selected
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environment and have to wade through all of the messages to find the
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ones that interest me. I think that the increase in convenience is well
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||
worth any sacrifice made in quality of messages. Besides, after a few
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weeks, one usually gets bored with entering hundreds of messages and
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||
reverts to only entering ones that count. (Just look at the change in
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Ricky's behavior on the Frog.)"
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MM My experience with offline mail mirrors your own. It makes life
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||
much easier, at least in so much as I am able to remain active on bbs'
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much more easily. The high speed modem also makes bbs usage better. I
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know exactly what you mean.
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MM As for Ricky, I don't about that. I think that many factors have
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influenced his volume. I see that he is nearly as active on other
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boards in town as he was on the Frog. Look at Bob Crawford. Now there
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||
is a man who likes to leave messages, and he doesn't mind where he
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leaves them either.
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MD "I think your article was the highlight of the issue, I know that's
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not much considering that there were only a few articles, but it was
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really though-provoking and I enjoyed it immensely."
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MM Thank you very much. I appreciate your response and am glad to see
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you gave some thought to it.
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----------
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If any of you reading this would like to add or respond to Rocky,
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Michael, or myself, please feel free to do so on MATRIX in the main
|
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message base. Do it publicly or privately. Let whichever of us know if
|
||
we may use your response as part of another article on this topic.
|
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Thanks.
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-----------------------------------------------------------------------
|
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|
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|
||
(Gentle readers, due to an INCREDIBLE administrative snafu, this
|
||
article, which was intended for the November ish, never made it in [you
|
||
noticed, huh?]. Thankfully, our editor is accurate, even if a little
|
||
slow...so here it is again for the first time.)
|
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|
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LIFE ON THE LINES - #2
|
||
|
||
by Chris Phillips
|
||
|
||
|
||
|
||
|
||
Well! Ish #51 just hit the hard-drives, and BOY am I embarrassed! I
|
||
cannot believe I wrote that! More importantly, I cannot believe Scott
|
||
accepted it! Anyhow, I am now extremely motivated to improve my future
|
||
offerings.
|
||
|
||
For the next few columns or so, I want to take a look at the things
|
||
about the BBS scene which have changed since Way Back When It All Began.
|
||
I think the best place to start is offline.
|
||
|
||
Offline? Did he just say OFFLINE???
|
||
|
||
No, actually I typed it. However, we won't quibble. Yes, offline.
|
||
As in Offline Mail Readers (Oh, God. Not again!) Those of you who read
|
||
ish #50 will remember a memorable (it must have been if you remember
|
||
it!) piece of fiction (or prediction of the apocalyptic future, take
|
||
your pick) written by our illustrious editor and BTN God, Scott
|
||
Hollifield. The piece was called "The Scene", for those who may have
|
||
skimped on their reading. In it, Scott brought up an interesting theme.
|
||
|
||
As part of his story, he likened the Mail aspects of BBS'ing to drug
|
||
use. Well, it has been said that "many a truthful word is spoken in
|
||
jest", and this seems to be one of those times. I have never been a
|
||
drug user, so my comparisons are merely conjecture, but I definitely
|
||
feel a NEED to read and reply to mail EVERY DAY. I get cranky and
|
||
irritable if I miss a day or if there's no new mail. I get a rush
|
||
whenever there's personal mail (even flames). So far, I haven't gotten
|
||
to the point where I reset pointers or leave messages to myself
|
||
(although I've seen this done on The Matrix recently by another user),
|
||
but there's enough evidence to support the comparison.
|
||
|
||
We've even got the paraphernalia. The Offline Mail Reader, of
|
||
course, is the primary tool. Naturally, there are many forms, and users
|
||
tout the advantages of one or the other. I use Speed Read, because it
|
||
allows me to archive old messages and go back and read them later (is
|
||
that like re- using hypodermics?). Integrated with this are two other
|
||
little gems.
|
||
|
||
My John Hancock tagline manager is the absolute tops! I've got files
|
||
full of stolen taglines (and a FEW originals) for most any purpose, plus
|
||
a special file set up solely for Star Trek taglines. I'm always on the
|
||
lookout for new tags to steal (they DO say that drug use can lead you
|
||
into other crime!).
|
||
|
||
Finally, there's my quoting utility, which is a little program that
|
||
activates after any message I enter, emitting a satisfying little BEEP
|
||
each time. Besides that, it also dresses up the parts of my message
|
||
which are quoted from the message I'm replying to. Much nicer than all
|
||
those colons and initials and ">"'s.
|
||
|
||
That's not enough, though. In order that, with my busy schedule and
|
||
lifestyle, I don't miss a SINGLE day's fix, I've got no less than TWO
|
||
different automated telecom systems. These are terminal programs which
|
||
have a menu-driven system allowing "scripting" BBS mail runs. For those
|
||
of you new to the scene, this means the computer can get my mail all by
|
||
itself, WHILE I SLEEP! When I get off work the next day, my fix is all
|
||
set and waiting for me.
|
||
|
||
Finished yet?
|
||
|
||
Not hardly. My next acquisition is going to be a database system
|
||
which will allow me to take ALLFILES listings and create databases
|
||
through which I can browse the file sections offline, also, and select
|
||
those files I want. After that, I need only to instruct my automated
|
||
communications package to download the file when it calls the
|
||
appropriate BBS for mail. Again, ultimate convenience (and a LOT easier
|
||
than getting a Sysop to meet me at the corner with a disk! Cheaper
|
||
too!). Just so I don't start getting the reputation of being a total
|
||
leech, the same thing operates in reverse, so that I can upload files as
|
||
well as download.
|
||
|
||
What's the point to all of this? Well, if nothing else, I can
|
||
probably make a fortune doing Markmail Rehab!
|
||
|
||
(If any reader wishes assistance in locating or figuring out
|
||
any of the software I've mentioned above, please do not
|
||
hesitate to ask. I can be reached under my nom de plume (or
|
||
is that nom de keyboard?) Bernie Starchaser on Crunchy Frog,
|
||
Byte Me!, and Datalynx. On Alter Ego, 8250, and Matrix I'm
|
||
Chris Phillips. For those out of state (I've heard BTN gets
|
||
around!) I can be reached via Internet EMail. The address is
|
||
chris.phillips@the-matrix.com.)
|
||
|
||
And, as promised, here is my closing music quote:
|
||
|
||
"And the people bowed and prayed,
|
||
To the neon god they made,
|
||
And the sign flashed it's warning
|
||
In the words that it was forming,
|
||
And the sign said, 'The words of the prophets are
|
||
written on the subway walls,
|
||
And tenement halls,
|
||
And whispered in the sounds of silence.'
|
||
|
||
Paul Simon/Art Garfunkel - "Sounds Of Silence"
|
||
:^Q - Bernie D. Starchaser
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Changes
|
||
|
||
or
|
||
|
||
Why do these things happen to me?
|
||
|
||
by
|
||
|
||
Lurch Henson
|
||
|
||
|
||
Politically hip? <<GRIN>> I haven't been "hip" since high school,
|
||
when I was an honorary "head", even though I didn't do drugs, because I
|
||
was "cool" and interesting to be around. At least now I'm still semi-
|
||
interesting. <<Smile>> (The preceeding was in reference to the
|
||
Editor's disclaimer for my article in last month's BTN. If you read it,
|
||
good for you. If you didn't, shame, shame, shame. Report to Monty for
|
||
punishment detail.)
|
||
|
||
Anyway, on to my ravings for this month..... So, what shall I rave
|
||
about this time around? Pity this isn't interactive, then YOU could
|
||
suggest something you'd like to see me rave about. Hmmmmmm...... wait a
|
||
second....you CAN do that, can't you? Enough of you have been telling
|
||
me lately how much you like reading this drivel I've been pouring out
|
||
the last few issues, you could just as easily say something like "Hey, I
|
||
think you should takl about...." and suggest something interesting....
|
||
I can't think of any subject that I won't hold an opinion on, though I
|
||
CAN think of a few that the Editor WON'T allow to be printed here.....
|
||
<<GRIN>>
|
||
|
||
Go ahead, make a few suggestions to me on the BBSs that I frequent.
|
||
I'm sure the Editor would love the added articles, I'd POSSIBLY get a
|
||
kick out of writing them (that's the only reason I do this stuff, BTW),
|
||
and who knows, you might ACTUALLY enjoy reading them. Think of it as
|
||
the computerized version of Lewis Grizzard, but with a little reader
|
||
input...... <<GRIN>> You can find me as Monster on Willie's, Teasers,
|
||
and AlaNet, as Lurch Henson on the Crunchy Frog, The MATRIX, and the
|
||
main board of FX/BBS, and very soon now, probably before this makes it
|
||
to you, as Jim Henson on Alter Ego. Anyway, enough of that, let's see
|
||
if I can entertain you a little this month.....
|
||
|
||
Some of you may have heard of my recent loss....some of you haven't.
|
||
I recently had to do something in the name of survival....something so
|
||
terrible and unthinkable that no man should ever be forced to bare (good
|
||
choice of word here) such a thing. I had to remove my beard. Now, some
|
||
of you might chuckle and say "So what?" (I know you're doing it, I can
|
||
hear you already). I'd be willing to bet that most of you holding that
|
||
opinion are women or males not yet old enough to grow a full beard.
|
||
Those males out there that DO have a beard have most likely cringed when
|
||
they read of the loss, not unlike how most males tend to cross their
|
||
legs when they see or hear of another guy being injured in a "sensitive
|
||
area" (I think we all know which one, don't we?). A recent Star Trek
|
||
episode even dealt briefly with this sensitive and painful subject.
|
||
Needless to say, beards are very important to those males that possess
|
||
them.
|
||
|
||
Now.....why? Some women say they are masks, something for men to
|
||
"hide behind". Even if you're Santa Claus, there STILL isn't enough fur
|
||
on your face to hide behind, so that's not it. Another guess is that it
|
||
is the male version of make-up. I guess this one is a little closer to
|
||
true, since most guys with beards will tell you they look better with
|
||
them than without them (and most people will agree with them if they are
|
||
used to seeing them WITH the beard), but that's not all of it either.
|
||
Why? Well, for me, simply because it's ME. I feel RIGHT in my beard.
|
||
I feel MYSELF in my beard. Without it I am adrift to some extent. I
|
||
feel like I'm pretending to be something I'm not. I also feel I would
|
||
be able to do this job alot better WITH the beard, since I am now a
|
||
security guard, and am much more intimidating with my beard.....
|
||
|
||
Do beards REALLY make a difference? Yes, they do. Even if it's
|
||
only to the extent that it gives the guy wearing it more confidence,
|
||
which reflects in the way he relates to others, and how they relate to
|
||
him. Guys, if you've never had one, why don't you give it a shot for
|
||
awhile? They are easy enough to get rid of if you decide it's not for
|
||
you, and who knows, you just might find out what it's all about.....
|
||
Women, be patient with the guys, they'll only be scratchy for a few
|
||
days, then you'll have something new to play with.... <<GRIN>> I've
|
||
been told by more than one woman that it's fun to be tickled by a beard
|
||
in some places.... <<GRIN>> Who knows, maybe if fur starts popping up
|
||
all over, my bosses will change company policy and allow their officers
|
||
to grow their sacrified beards back? What have you got to lose, guys?
|
||
Think of it! Women burned their bras to demonstrate their freedom, you
|
||
can throw out your razors for your repressed brothers that have no
|
||
choice in the matter! Show your support for those of us that CAN'T go
|
||
bearded any longer by doing it for us! Go out there and prove to the
|
||
world that beards can and DO look good! Feel Good! ARE GOOD!
|
||
|
||
(One thing you might want to think about, guys....it's winter, the
|
||
wind is getting colder and colder. A beard keeps the bite of the wind
|
||
and cold off of your face, and your Lady will like cuddling up to it
|
||
once you get it long enough not to scratch anymore.....)
|
||
|
||
9211.24
|
||
|
||
(The author of this article is recovering nicely in a "rest
|
||
facility" after suffering from the tramau of having to remove his
|
||
beard against his will. The article you have just read was part of
|
||
his therapy. Showing your support for him, and others like him
|
||
can't hurt, and who knows, it might help. (Besides, my wife likes
|
||
the way I look in my new beard. <<Smile>> Dr. Warren Neufur.)
|
||
|
||
-----------------------------------------------------------------------
|
||
Grocking the Gestalt II
|
||
by Scott Pletcher
|
||
|
||
(Author's note: Ack! This sudden burst of "on-time"-ness from
|
||
the BTN crew has taken me by surprise! October and November
|
||
elapsed as quickly as defecation from a prune-ladened bovine. Oh
|
||
well, I guess I'll try for December...)
|
||
|
||
[Editor's note: Seems like I recall October was the month I took over
|
||
as editor of BTN! Some coincidence, eh...]
|
||
|
||
|
||
<James Earl Jones narrates>:
|
||
Fall has arrived. As the sun lurches lower on the horizon,
|
||
the seemingly eternal days of summer have been replaced with the
|
||
trademarks of autumn.
|
||
|
||
<Fade into wide shot of hills>:
|
||
The lush green foliage of the Appalachian foothills is
|
||
fading into the warm glow of gold, red, and yellow.
|
||
|
||
<Shot of cotton fields>:
|
||
The cotton fields look as if they were just dusted with a
|
||
mid-winter snow as the tufts of white floss bursts forth from
|
||
their muddy brown casings.
|
||
|
||
<Wide shot of lawn with leaves about>:
|
||
The crisp dry breeze has its way with the parched leaves
|
||
writhing on the fading Bermuda grass.
|
||
|
||
<High aerial shot down upon Scott as he walks>:
|
||
He methodically plods across campus hoisting over the right
|
||
shoulder a backpack ladened with books, pens and various other
|
||
tools of the trade.
|
||
|
||
<Rapidly zoom down and behind him at a distance>
|
||
It has begun.
|
||
|
||
<Watch as he walks away>
|
||
* * * *
|
||
|
||
Well, o.k. I admit that may be a little dramatic. But who
|
||
doesn't like to fantasize about their life story being made into
|
||
a feature-length movie? Just name one... Who? Jimmy Swaggart?
|
||
Well, o.k...name another! That guy fat in speedos who always
|
||
paints his face and belly green for the N.Y. Jets games? Hmm...I
|
||
see your point. Oh...shut the hell up, smart ass!
|
||
|
||
But anyway, lemme give you a quick update on my adventures
|
||
at UAH. I moved in on Sept. 19. My roommates had already been
|
||
their for four days. Here's a quick introduction.
|
||
|
||
Tom - Tom is from Clearwater, Florida. He's a nice guy, but
|
||
his jokes sound like they come from the book, "Bazooka
|
||
Bubble Gum's Best Wrapper Jokes."
|
||
Mark- Mark is a 20 year old Canadian from Windsor (in 'I
|
||
have no idea what' province). He's getting a full
|
||
scholarship to play on the UAH hockey team. (UAH has
|
||
the southern-most team in collegate hockey.) Big.
|
||
Not to bright, though.
|
||
Wade- See Mark.
|
||
|
||
Now, before you start jumping to conclusions about
|
||
Canadians, let me put some things to rest. All Canadian DO say
|
||
"Eay" (pronounced like HEY without the H) after EVERYTHING! They
|
||
DO drink Moosehead. And, yes, Canadians feel that Bush screwed
|
||
them too.
|
||
|
||
Life's been pretty slow in the Rocket City. The bulletin
|
||
boards here suck. Keep in mind that 99% of all the boards are
|
||
run from 11pm to 7am by prepubesent teens on daddy's Tandy with
|
||
some demo BBS software they got from Marvin's Mail-Order
|
||
Shareware Emporium for $3.25 + S&H.
|
||
|
||
The social life here DOES NOT EXIST! The most excitement
|
||
we've had around here lately is when the Indian down the hall set
|
||
his microwave popcorn on fire by nuking it for 20 minutes.
|
||
|
||
They say Hell is what each person hates most. If Hell bears
|
||
any resemblance to UAH social life, then I'd better start
|
||
snapping off Rosaries an regularly swimming sprints with the Pope
|
||
in a vat of holy water. ("Pay no nevermind to him Myrtle...he's
|
||
just one of them damn Catholics. I bet'cha he's drunk right
|
||
now!")
|
||
|
||
Speaking of religion, that reminds me of something else very
|
||
interesting I've noticed lately. (What a segue, huh?!) Um...well...
|
||
I'm not sure if I can launch off in tangents. Lemme check my BTN
|
||
contract. Let's see...."Be pulled at any time".... "Dental
|
||
Plan"....."Herbicidal Products Discount." Ah, here it is:
|
||
|
||
"The author shall be allowed to launch tangents
|
||
as long as (s)he provides an adequate segue, AND
|
||
administers a peanut butter rubdown to the
|
||
editor."
|
||
Article III, Section 7, Line 12
|
||
|
||
Well good. I guess that means I can. That's funny, I don't
|
||
remember that last part being in there when I signed this thing.
|
||
Hey...wait a second...it's in pencil too! Oh well, let me get to
|
||
my point.
|
||
|
||
Is it just me, or have you all noticed the sudden increase
|
||
of religious propaganda files turning up BBS's lately? Now wait
|
||
just a moment before you rebuke me in the name of "Jesus
|
||
Chraaaaast." I know. Your having a fit with the word
|
||
"propaganda", right? By propaganda, I mean anything with the
|
||
purpose to sway an opinion--good or bad. Now go give yourselves
|
||
a group enema.
|
||
|
||
Most seem to be Christian oriented. Besides, how often do
|
||
you see files like "The True Way to Salvation With Mohammed" or
|
||
"The Seven Fallacies of Taoism." Are our BBSs becoming religious
|
||
battle grounds? A few of my friends insist that "...we (the
|
||
Christians) are constantly fighting a great war with the forces
|
||
of evil..." Of course, these are the same people who adamantly
|
||
oppose the death penalty, but wanted to nuke Iraq until even the
|
||
roaches were fungus food. Are we really this bad?
|
||
Well...ok...bad question. I've know people who thought the
|
||
Second Coming was supposed to be a Tom Jones Comeback Tour.
|
||
|
||
Maybe salvation through BBSs isn't such a bad idea after
|
||
all. Why sure...delllldelllldelllldellll <Cheap Wayne's World
|
||
Dream Sequence>
|
||
|
||
"DOOR 1: Be Saved On-Line
|
||
DOOR 2: On-Line Reconciliation
|
||
DOOR 3: Give a love gift (Visa, MasterCard Accepted)
|
||
The Pastor is currently NOT AVAILABLE for chat.
|
||
Be sure to join conference 69 for our Bible-Quoting
|
||
Marathon now in its 5th month
|
||
We are now echoing ChristNet with KosherNet coming
|
||
soon.
|
||
Check out BLT 12 for a current listing of the top ten
|
||
deadliest sins (Updated weekly)"
|
||
|
||
Now, far be it from me to start a religious skirmish, but
|
||
I've learned that whenever anyone expresses his opinion publicly,
|
||
no matter how innocent it may seem, it WILL offend someone
|
||
somewhere. I'm sure that someone right now is praying for God's
|
||
mercy on my soul, or worse yet, reciting an incantation to turn
|
||
me into a Macintosh Classic.
|
||
|
||
|
||
-----
|
||
Scott Pletcher is currently serving a life without parole
|
||
sentence for blasphemy. He also is nursing a Messiah complex and
|
||
a nasty case of Tourette's syndrome.
|
||
|
||
-----------------------------------------------------------------------
|
||
The Amiga Connection
|
||
contributed by Jeff Vaughn
|
||
|
||
Electronic Arts has announced the upcoming release of Deluxe Paint IV
|
||
AGA, the latest addition to the DeluxePaint line of innovative paint and
|
||
animation products.
|
||
|
||
DeluxePaint now offers more colors and better screen resolution to
|
||
Amiga owners using Commodore's new AGA (Advanced Graphics Architecture)
|
||
chip set. For owners of the Amiga 4000 or Amiga 1200, DeluxePaint IV AGA
|
||
now offers 256 color support and access to over 262,000 colors (HAM8) at
|
||
any resolution, including hi-res. The program also reads and coverts
|
||
24-bit IFF files, supports all Amiga screen resolutions, and includes
|
||
all the features of its predecessor, DeluxePaint 4.1.
|
||
|
||
DeluxePaint's vast range of easy-to-use paint and animation features
|
||
such as a LightTable, animation control panel, metamorphosis,
|
||
animbrushes and animpainting, color cycling, and a Move requester makes
|
||
the program accessible to the basic needs of amateur artists, while
|
||
satisfying the rigorous requirements of graphics and video
|
||
professionals.
|
||
|
||
"Commodore's new technology is designed to meet the needs of today's
|
||
creative professionals," noted Dallas Hodgson, designer of DeluxePaint
|
||
IV AGA. "Electronic Arts is excited to take advantage of the machine's
|
||
new capabilities, and offer our paint and animation program
|
||
simultaneously with Commodore's launch."
|
||
|
||
DeluxePaint IV AGA requires Workbench 2.04 or greater and at least 2MB
|
||
of memory. Electronic Arts will continue to market DeluxePaint IV 4.1
|
||
to users who do not own the new chip set, or do not meet the memory and
|
||
system requirements.
|
||
|
||
Electronic Arts is offering a $30.00 upgrade to DeluxePaint IV owners.
|
||
Details for ordering the DeluxePaint IV AGA upgrade can be obtained by
|
||
calling Electronic Arts at 800/245-4525 Monday through Friday between
|
||
8:00 A.M. and 5:00 P.M. Pacific Time.
|
||
|
||
Category: Paint/Animation Suggested Retail Price: $199.00
|
||
Platform: Amiga Availablity: December, 1992
|
||
|
||
|
||
|
||
|
||
Blue Ribbon SoundWorks, designers of Music software and hardware
|
||
projects, and Music For Life, a Los Angeles-based non-profit
|
||
organization of musicians and computer artists, have joined forces to
|
||
benefit abused, underprivileged, and seriously ill children.
|
||
|
||
Using software donated by The Blue Ribbon SoundWorks, Music For Life
|
||
volunteers its talents by offering educational computer workshops using
|
||
the Commodore Amiga. Young "artists" can participate in a hi-tech music
|
||
recording session, smear digital "paint," and even feature themselves in
|
||
computer animation.
|
||
|
||
Goals of the Music For Life program include:
|
||
|
||
o Hastening the healing process through creative and socially
|
||
rewarding activities;
|
||
|
||
o Instilling a sense of personal accomplishment and heightened
|
||
self-esteem;
|
||
|
||
o Exposure to computers, stimulation of curiosity, and motivation to
|
||
learn more; and
|
||
|
||
o Increased aesthetic values through participation in the creation
|
||
process.
|
||
|
||
"Music For Life seeks to apply the spirit of those endeavors to a
|
||
variety of worthy causes on an ongoing basis," comments Vinnie Tieto,
|
||
founder and director of Music For Life. "We feel that building a firm
|
||
foundation of self-esteem and hope for the future in underprivileged and
|
||
abused children is a top priority."
|
||
|
||
The Blue Ribbon SoundWorks, makers of leading music software and
|
||
hardware products for the Commodore Amiga computer, has announced the
|
||
upcoming upgrade release of its best-selling interactive composition
|
||
software, SuperJAM! Version 1.1, which will replace version 1.0c, and
|
||
includes the following new additions:
|
||
|
||
o Stereo TurboSounds
|
||
o Two octave chords
|
||
o Split chords with Bass on bottom, other instruments on top
|
||
o Visual volume and pan mixing
|
||
o Multiple grooves per Style
|
||
o Existing Styles enhanced to support multiple grooves
|
||
o Additional Styles
|
||
o Improved interface design, including Workbench 2.0 style front/back
|
||
buttons
|
||
o 2.0 feature support including ASL file requester, public screen and
|
||
virtual screen size
|
||
|
||
Version 1.1 will be released December 10, 1992. The price of SuperJAM!
|
||
will remain at $149.00. Upgrade information will be sent to registered
|
||
owners of SuperJAM! in late November.
|
||
|
||
|
||
The PatchMeister V1.0c
|
||
|
||
Blue Ribbon has released version 1.0c of The PatchMeister, its
|
||
universal MIDI patch librarian. This version, which replaces all
|
||
preceding versions, includes the following enhancements:
|
||
|
||
o The Stand-alone version can default to interlace mode upon start up
|
||
o The SysEx command lines in the Driver Creator window have been
|
||
expanded to contain 75 characters
|
||
o A Clock gadget has been added to the Driver Creator window
|
||
o A Sort Bank option has been added to the Bank Menu
|
||
o The Settings Menu now includes a Catalog option
|
||
o The Save Patch List and Transfer Patch List menu items have been
|
||
changed to insert a bank's patch names at a specific location in
|
||
the list
|
||
o This version can send individual Note Off commands for all 128
|
||
notes on each of the 16 MIDI channels
|
||
|
||
In addition to these changes, The PatchMeister includes these new
|
||
synthesizer drivers: Art DRI, Ensoniq Mirage, E-mu Procussion, Alesis
|
||
QuadraVerb, Yamaha SY22, Yamaha SY55, Yamaha TG33, Yamaha TG77, Tascam
|
||
644 and Tascam 688.
|
||
|
||
Registered owners of The PatchMeister can upgrade to version 1.0c
|
||
directly through Blue Ribbon for $9.50.
|
||
|
||
For more information, contact Blue Ribbon SoundWorks at Post Office Box
|
||
8689, North Highland Station, Atlanta, GA 30306, or call 404/377-1514.
|
||
|
||
-*-
|
||
|
||
Three-Sixty, Inc. has announced the immediate availability of
|
||
Megafortress: Operation Sledgehammer for the Amiga. For use with the
|
||
award-winning Megafortress game based on the nationally acclaimed
|
||
best-selling novel "Flight of the Old Dog," this first mission disk
|
||
exposes you to new territory, new threats, and new targets in the Middle
|
||
East. Along with confronting numerous threats from enemy fighters and
|
||
SAMs, the player must master the art of resource management, knowing
|
||
when, for example, to rendezvous for flight refueling.
|
||
|
||
Author and military aviator Dale Brown collaborated with Three-Sixty's
|
||
developers to produce 25 new missions with over 1000 square miles of
|
||
territory in Iran and Libya. The player will be flying a fully
|
||
renovated "super" B-52 Bomber with all the latest in weapons and
|
||
avionics high technology. New weapons features in this data disk are:
|
||
ASM-119A Penguin anti-ship missile (ASM), the CBU-95 Fuel Air Explosive
|
||
(FAE), the Iranian SA-12A and HAWK SAMs, the Libyan SA-10, MiG-25s, and
|
||
Mirage F-1s. Operation Sledgehammer's missions are portrayed in stunning
|
||
256 color VGA three-dimensional graphics.
|
||
|
||
Operation Sledgehammer is distributed exclusively in North America by
|
||
Electronic Arts Distribution under its Affiliated Label program.
|
||
Three-Sixty, Inc. is a privately held developer and publisher of
|
||
personal computer entertainment software for the IBM PC and
|
||
compatibles, the Commodore Amiga and the Macintosh.
|
||
|
||
Three-Sixty Pacific, Inc. has announced the release of the Harpoon
|
||
Challenger Pak Signature Edition and the Megafortress Mega Pak. Each
|
||
offers a value added incentive for the end user.
|
||
|
||
|
||
|
||
|
||
Harpoon Challenger Pak Signature Edition
|
||
|
||
This new Challenger Pak is autographed by Larry Bond and Tom Clancey and
|
||
includes the Harpoon Master game, BattleSets 2, 3, and 4, and the
|
||
Harpoon Scenario Editor. Conceived by Larry Bond, naval analyst and
|
||
author of "Red Phoenix" and "Vortex," the Harpoon Master game delivers
|
||
the excitement and tension of naval battle in a fact based simulation.
|
||
Harpoon's three additional BattleSets, North Atlantic Convoy, The Med
|
||
Conflict, and Indian Ocean/Persian Gulf, provide over 250 additional
|
||
platforms and 48 new scenarios. Finally, the Harpoon Scenario Editor,
|
||
the same tool used by Harpoon programmers to create new scenarios, gives
|
||
players the capability to modify existing scenarios or create new ones.
|
||
This attractively priced collection of Harpoon products can provide
|
||
unlimited hours of play and makes an excellent holiday gift.
|
||
|
||
Suggested Retail Price: $79.95
|
||
Format/Compabitilies: IBM PC 286 or better & 100% Compatibles; Required
|
||
DOS 3.3 or 5.0 Requires EGA or VGA 640 x 350 (16 color); 640K and Hard
|
||
Drive required; High Density Drive Required, Mouse Recommended. Also
|
||
available in Macintosh and Amiga formats
|
||
|
||
|
||
|
||
Megafortress Mega Pak
|
||
|
||
The Megafortress Mega Pak is a compilation product that includes the
|
||
Megafortress Master game, Mission Disk One: Operation Sledgehammer, and
|
||
the Megafortress Mission Editor. Based on the best seller "Flight of the
|
||
Old Dog" written by Dale Brown, the Megafortress Master game is an
|
||
adventure into the complex world of modern strategic air assault in the
|
||
Persian Gulf and Soviet threatres. Operation Sledgehammer, the first
|
||
mission disk, allows the player to take on a power hungry Libyan general
|
||
in 25 new missions in the Libyan and Iranian theatres. To complete the
|
||
Mega Pak, Three-Sixty has included the Megafortress Mission Editor which
|
||
enables the player to modify existing missions or create new ones. The
|
||
Mission Editor will not be sold separately. This quality Three-Sixty
|
||
product is available now and will be included in Electronic Arts' Buy 2
|
||
Get 1 Free holiday promotion.
|
||
|
||
Suggested Retail Price: $59.95
|
||
Format/Compatibilities: IBM PC 286 or better & 100% Compatibles;
|
||
Requires DOS 3.3 or newer; Requires 256 color VGA; 640K, Hard Drive,
|
||
and Mouse required, Ad Lib and Sound Blaster Sound Support.
|
||
|
||
-*-
|
||
|
||
Great Valley Products, Inc. has announced that it has developed a very
|
||
affordable, high quality, verstile genlock that will rival even the most
|
||
expensive genlocks on the market.
|
||
|
||
Called G-Lock, this feature-packed unit is completely software
|
||
controllable through its user friendly control panel software, or
|
||
through ARexx or the CLI. It can accept two composite or one Y/C inputs,
|
||
and provides composite, Y/C, RGB or YUV outputs at all times. Many
|
||
adjustable parameters affecting the incoming video are available,
|
||
including brightness, contrast, saturation, hue, sharpness, filtering,
|
||
and gain. Full audio support is provided through two audio inputs which
|
||
can be switched or mixed, and the output volume, bass and treble can
|
||
also be adjusted.
|
||
|
||
The G-Lock software also allows all of the Amiga's custom chip genlock
|
||
control features (including EGS and AGA) parameters to be utilized, and
|
||
can also load and display IFF images.
|
||
|
||
"G-Lock is the best value in genlocks for the Amiga, providing a high
|
||
quality audio/video solution and powerful control software," commented
|
||
Paul Higginbottom, GVP's Senior Director of Technical Services. "I
|
||
predict it will quickly become the most popular genlock for everyone
|
||
from the video hobbyist to the full-time professional videographier."
|
||
|
||
G-Lock is scheduled to ship at the end of September and will list for
|
||
$449. It will be available in both PAL and NTSC versions.
|
||
|
||
Great Valley Products was founded in 1988 and is today the world's
|
||
largest third-party suppier of peripherals for the Amiga. For more
|
||
information, contact GVP at 600 Clark Ave., King of Prussia, PA 19406 or
|
||
call 215/337-8770.
|
||
|
||
-*-
|
||
|
||
Reprinted by Permission from the 5-MINUTE Weekend
|
||
News Network, a *StarShip*(tm) Production on GEnie(R).
|
||
-----------------------------------------------------------------------
|
||
|
||
December Music Events Worth Seeing. Trust Me.
|
||
by Judy Ranelli
|
||
|
||
|
||
Wed. 2
|
||
SPACE CAMP at Zydeco
|
||
Don Tinsley of Primiton/Mortals fame has teamed up with Vova Nova's
|
||
rhythm section to perform his very melodic and catchy tunes.
|
||
|
||
Wed. 2
|
||
MATT KIMBRELL at Texas Taco and Chili Co.
|
||
Apparently an acoustic act, which for Matt is a new situation I
|
||
think. He is such a good songwriter that other Birmingham bands have
|
||
covered his songs. He is also appearing in the Ho Ho Men show on the
|
||
23rd.
|
||
|
||
Fri. 4
|
||
WEBB WILDER/THE URBAN SHAKEDANCERS at the Stardome
|
||
I have no idea what the Urban Shakedancers are like, but Webb Wilder
|
||
is cool and this show would be a good excuse to check out the new
|
||
Stardome. Well, it's a better excuse than "Poco".
|
||
|
||
Sat. 5
|
||
VOVA NOVA at Flamingo's
|
||
I've seen them so many times I probably won't be there, but they are
|
||
definitely worth seeing. It might be interesting to see if they are
|
||
developing any new material post-album release/being dropped from their
|
||
label. They may opt for a radical stylistic change from the
|
||
funky/rappy/jazzy stuff they've been doing.
|
||
|
||
Sun. 6
|
||
CRYPTOGENIC/SKELETAL EARTH at The Nick
|
||
I will be there, if only for a second, to confirm that this is
|
||
indeed a thrash metal show. Bring ear plugs.
|
||
|
||
Thurs. 10
|
||
FIVE EIGHT at The Nick
|
||
Great great great great band from Athens. Energetic and barefoot,
|
||
Five Eight have a new album and were so good the first time I saw them,
|
||
along with four other people in the bar, that I bought a tape from them
|
||
for gas money back home. With A Met Z opening - friends of mine making
|
||
cryptic, subconsciously disturbing music.
|
||
|
||
Tues. 15
|
||
PINKY THE STABBER at The Nick
|
||
THE BEST BAND IN BIRMINGHAM. Authentic, 1982 sorta hardcore sorta
|
||
punk rock. Not for everybody, but to me it's heaven. Those who own My
|
||
War, Zen Arcade, anything by The Dickies, flock to this.
|
||
|
||
Wed. 16
|
||
MISSISSIPPI HIPPIES/SHALLOW at The Nick
|
||
I'm listing this for Shallow, having not heard the Hippies. Shallow
|
||
is the newest version of one of my favorite new bands, Volume. Unfortu-
|
||
nately, Volume broke into pieces and this will be the first time I'll
|
||
see Shallow. Features Ann Marie Griffin, a woman I would gladly be in a
|
||
band with.
|
||
|
||
Wed. 23.
|
||
VOVA NOVA/THE HO HO MEN at The Nick
|
||
The Ho Ho Men is one of Birmingham's great triumverate of bands
|
||
from the mid-80s when we had several decent bands in Birmingham to
|
||
choose from. They are funny and obnoxious and are reuniting for this
|
||
show which will be packed with strange people like me.
|
||
|
||
Sat. 26
|
||
SUGAR LA-LA's/THE TICKS at The Nick
|
||
Yes, I'm playing this month. I chose to list this show because the
|
||
Sugar La La's, who many people think are the Best Band in Birmingham and
|
||
who seem to be the major source of debauchery in this area, will be the
|
||
headliner act and this will be a big show full of costumed, mind-altered
|
||
people. And the band will be weird too. And I will be weird, because
|
||
crowds make me weird.
|
||
|
||
Mon. 28
|
||
ITCHY WIGS at The Nick
|
||
Mark Kimbrell, visiting home from New York, is an incredible
|
||
guitarist and this is his band when he is in town. Think Belew and
|
||
Fripp.
|
||
|
||
|
||
-----
|
||
Judy Ranelli is a local musician and strange person. She and
|
||
her band, The Ticks, will be playing at The Nick on December
|
||
26, like she already told you, as well as December 3 and 25,
|
||
which she didn't tell you.
|
||
|
||
|
||
-----------------------------------------------------------------------
|
||
Poetry Curve
|
||
with Chris Mohney
|
||
|
||
This is a new feature which, I, in my finite wisdom, saw fit to implement
|
||
into this, your reason for living, BTN. Normally I'm not wild about
|
||
poetry, but the stuff that's been coming out of Tuscaloosa since our friend
|
||
Chris Mohney fled Birmingham to go to UA there has been interestingly
|
||
twisted, if you know what I mean. Longtime and detail-obsessed BTN
|
||
readers will remember Mr. Mohney as the faithful if faceless minion who
|
||
brought us our monthly user ProFile (currently being handled, or maybe
|
||
not, by The Bishop). If the spirits are willing, hopefully I'll be able
|
||
to squeeze something out of Chris for this space fairly regularly. I've
|
||
seen some of his other stuff, and in my opinion, it fits fairly snugly
|
||
into the bold, slightly askew new vision I have for BTN. (If you're
|
||
wondering about the column title, it's this: Like Poetry "Corner", but
|
||
instead.. - right, got it.) - Scott
|
||
|
||
|
||
|
||
Mob Sestina
|
||
|
||
|
||
Vittorio aimed the gun at his brother and said, "Give me the keys."
|
||
"No!" screamed Angelo, but he gave them, and was naked
|
||
when they found him in the woods tied dead to a tree,
|
||
two shots in the skull, two in the heart.
|
||
Vittorio was soldati. How could he not? Back to the grind
|
||
and midnight walks on cement that was slippery
|
||
|
||
with dirty ice and old, bad blood. Slippery
|
||
like his Uncle Juilio's fat fingers on piano keys
|
||
after cooking his famous primavera, when he'd grind
|
||
up peppers and onions after peeling them naked
|
||
for a sauce so good your heart
|
||
might skip a beat. Vittorio's family tree
|
||
|
||
has roots in the homeland, in Sicily, where a tree
|
||
might hold as many nooses as its slippery
|
||
branches could bear, for un-men who had filled the heart
|
||
of the don with spite or envy, who had the keys
|
||
to a power or thing he desired. Vittorio's son is naked
|
||
now and screaming with birth, and because Vittorio feels the grind
|
||
|
||
of guilt he names him Angelo. And soon the grind
|
||
of family and Family makes him grim and hard as a tree
|
||
stripped of its leaves and bark, naked
|
||
but unflinching and unshirking despite the slippery
|
||
slope of his newfound responsibilities, the keys
|
||
to himself locked away in his armor-plated heart.
|
||
|
||
Calendars are thrown away and soon Vittorio is the heart
|
||
of the Family, his second son Remi adapting well to the grind
|
||
and gristle of working for his older brother, selling keys
|
||
or grams of coke through the Loggers' Labor Alliance, under trees
|
||
and men who cut them. Skimming union dues is a slippery
|
||
business at best, and Vittorio feels less naked
|
||
|
||
to mishap with his sons there to be his naked
|
||
eyes and careful ears. Then Remi comes quietly with a sad heart
|
||
and worse news of his sibling's infidelity and slippery
|
||
fingers, tales of theft and lies, and Vittorio grinds
|
||
his teeth and pounds his desk carved of a tree
|
||
shipped from Greece. He gives Remi the order and the keys
|
||
|
||
to his own limousine. The grind must be personal and naked.
|
||
Vittorio feels the slippery metal of the keys
|
||
as he tells his son "two each in skull and heart, tied to a tree."
|
||
-----------------------------------------------------------------------
|
||
|
||
An Introduction to the Desktop Publishing Association
|
||
by Chris Phillips
|
||
|
||
|
||
There is no doubt that the "information age" has brought us all
|
||
closer than anything else in history. You, being of the select few who
|
||
already know about BBS systems and networks and so forth, can see this.
|
||
To log on and answer a message from a BBS user in Ontario or California,
|
||
or even Australia, is common. There is no doubt in this writer's mind
|
||
that in the world of the future the home computer will play a central
|
||
role.
|
||
|
||
That said, I'd like to introduce all of you to a gentleman I
|
||
recently "met" by way of a BBS system here in Birmingham. That man is
|
||
Mr. Ron Albright, who is the Sysop of the Disktop Publishing Association
|
||
BBS and a founding member of the Disktop Publishing Association.
|
||
|
||
Ron is a writer who has written in conventional media for about 11
|
||
years. His credits include articles in "Computer Shopper", "Computer
|
||
Monthly", five books of his own, and editing work. Somewhere in all
|
||
this, Ron began to notice something.
|
||
|
||
What he noticed, early in 1991, was there were MANY good writings
|
||
available ONLY in digital format. But these talented people worked in a
|
||
vaccuum. Each had to learn the same things on his or her own without
|
||
any contact or organized voice. Having by this time done several
|
||
electronic works of his own, Ron decided to remedy that situation.
|
||
|
||
From that effort, the Disktop Publishing Association, or DPA, was
|
||
born. It's members hail from all over, including as far away as Canada
|
||
and Denmark. And these people are beating the drums LOUDLY for their
|
||
organization and for the electronic medium. According to them, before
|
||
the year 2000 publishing on disk (or Disktop Publishing) will be MORE
|
||
prevalent than conventional paper publishing.
|
||
|
||
So just what is the DPA? The DPA is an organization for those with
|
||
interest in Electronic Publishing. Authors, publishers, and consumers
|
||
are welcome as members, and there are currently no fees involved. For
|
||
those who wish to join, the DPA can be contacted through Ron Albright
|
||
by
|
||
|
||
1. On Compuserve you may leave mail to 75166,2473. Also, mail
|
||
can be sent via an InterNet server. Ignore the TO and FROM
|
||
fields in your message and make the FIRST line of the message
|
||
|
||
"TO: 75166.2473@compuserve.com"
|
||
(The lowercase letters are neccessary if this is to work.)
|
||
|
||
2. If you are a GEnie user, you are in luck! GEnie is the
|
||
national home for the DPA. You can leave Ron mail on GEnie
|
||
by addressing it to RALBRIGHT (all caps here).
|
||
|
||
3. If you use MCI MAIL, Ron's address there is 370-7474.
|
||
|
||
4. Or simply call the Disktop Publishing Assn. BBS at 205-
|
||
854-166
|
||
|
||
The purpose of the DPA is to promote the benefits of Electronic
|
||
Publishing. The organization is a forum for discussion about publishing
|
||
and marketing. Also, it serves to bring those interested in PUBLISHING
|
||
together with AUTHORS, with sharing of resources to get the end products
|
||
to the masses.
|
||
|
||
Are there really many consumers for such products? Well, by reading
|
||
this article you have become a consumer of disktop publishing. Let me
|
||
throw a few statistics at you.
|
||
|
||
Did you know that 34% of U.S. households have either an MS-DOS
|
||
computer or an Apple Macintosh? 64 million Americans regularly use a
|
||
computer at home, work, and/or school. Of these, 4 out of 5 use MS-DOS
|
||
machines only. Five percent use a Macintosh. About 13% use BOTH.
|
||
Sounds like a market to me!
|
||
|
||
(By the way, the statistics I have quoted were provided by the DPA
|
||
and are from PC-Watch, which is produced by TechScan of Northbrook, IL.)
|
||
|
||
Electronic publishing gives more room creativity than the paper
|
||
environment. There are three formats within the medium. Which is best
|
||
depends upon the information, it's intended audience, and the whim of
|
||
the publisher.
|
||
|
||
TEXT is the most basic. The words appear on the screen in much the
|
||
same way as they would on paper. The format of BTN falls under this
|
||
category. While not allowing much visual appeal, the Text format does
|
||
have advantages. One is the simple fact that you can enjoy a text work
|
||
without the need for special equipment.
|
||
|
||
HYPERTEXT is a neat little invention. It is an ENVIRONMENT in which
|
||
the text is presented. It allows linking the text in ways other than
|
||
the linear methods applied by Text and by paper publishing. It mimics
|
||
human thought-processes, but preserves the OPTION of normal reading if
|
||
that is desired.
|
||
|
||
The hypertext book runs like software. Only graphics capability is
|
||
needed. Sometimes the entire work is encoded into a single .EXE file.
|
||
Others will have a reader and several data files. Hypertext is paving
|
||
the way for the eventual superiority of electronically-published
|
||
material.
|
||
|
||
MULTIMEDIA is a real buzzword lately. To disktop publishing,
|
||
multimedia is a gold mine! It combines hypertext with graphics and
|
||
sound. This takes the reader out of the page and into the story. At
|
||
present, only those with high- speed machines and some special equipment
|
||
can enjoy all the aspects of a multimedia work. Technology is slowly
|
||
moving towards the point where this will no longer be true. Multimedia
|
||
will propel disktop publishing into the 21st century at warp factor 9!
|
||
|
||
Some of you may still be saying, "I still want to know WHY this
|
||
'disktop publishing' is better than paper books. Why should I even
|
||
bother with it?" Well, that's easy. The first benefit of electronic
|
||
publications is INSTANT ACCESS. They can be had through local BBS
|
||
systems (how did you get this copy of BTN?), Information Networks such
|
||
as CompuServe and GEnie, or simply traded or purchased on diskette.
|
||
|
||
Production time is cut when publishing digitally. It can take a
|
||
year to produce a finished book by conventional methods. Also, there's
|
||
a roadblock. You can't GET published unless you've already BEEN
|
||
published. These are no longer concerns with disktop publishing. You
|
||
can do the work yourself, if all else fails.
|
||
|
||
UPDATES are easier to obtain and cheaper. If you have a tech manual
|
||
for a piece of software, and you buy an upgrade to that software, you've
|
||
got to buy a whole new book! With electronic publishing, it is possible
|
||
to obtain ONLY the parts that have changed, and at lower cost than the
|
||
original work.
|
||
|
||
It's far less expensive than with paper. Thus, the price of the
|
||
work can be less for the consumer, and the publisher can still make a
|
||
profit. Everybody wins!
|
||
|
||
For those who are environmentally-minded, it takes a huge amount of
|
||
trees to make paper. Electronic works can be published and sold without
|
||
using ANYTHING but electricity. So disktop publishing is good for the
|
||
planet!
|
||
|
||
So what does all this mean? Simple, join the wave of the future!
|
||
Experts say that disktop publishing will be as widespread as paper in
|
||
FIVE years. Check out your local BBSs. If they don't have electronic
|
||
publications, ask them about it. Ask your favorite bookstore if they
|
||
carry books- on-disk. If they don't, put them in contact with the DPA.
|
||
|
||
The DPA has declared November, 1992 "Disktop Publishing Awareness
|
||
Month". All month, members of the DPA will be spreading the word to as
|
||
many people as possible. Bookstores, libraries, networks, BBS's, and
|
||
anyone else. Want to help? Join the DPA today.
|
||
|
||
|
||
[Information quoted from DPA source materials by permission of Ron
|
||
Albright]
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
SIG's (Special Interest Groups), Computer Related
|
||
-------------------------------------------------
|
||
|
||
BEPCUG CCS
|
||
Birmingham East PC Users Group Commodore Club South
|
||
Jefferson Sate Jr. College Springville Road Library
|
||
Ruby Carson Hall, Rm 114 2nd & 4th Tuesday (C64/C128)
|
||
3rd Friday, 7-9 PM 3rd Monday (Amiga)
|
||
Paula Ballard 251-6058 (after 5PM) 7:30-10 PM
|
||
|
||
BCCC BIPUG
|
||
Birmingham Commodore Computer Club Birmingham IBM-PC Users Group
|
||
POB 59564 UAB Nutrition Science Blg
|
||
Birmingham, Al 35259 RM 535/541
|
||
UAB School of Education, Rm 153 1st Sunday (delayed one week
|
||
2nd and 4th Sundays, 2 PM if meeting is a holiday)
|
||
Rusty Hargett 854-5172 Marty Schulman 967-5883
|
||
|
||
BACE FAOUG
|
||
Birmingham Atari Computer First Alabama Osborne Users
|
||
Enthusiast Group
|
||
Vestavia Library, downstairs Homewood Library
|
||
2nd Monday, 7 PM 1st Saturday, 1PM
|
||
Benny Brown 822-5059 Ed Purquez 669-5200
|
||
|
||
CADUB BGS/CIG
|
||
CAD Users of Birmingham Birmingham Genealogical Society/
|
||
Homewood Library Computer Interest Group
|
||
3rd Tuesday, 6:30PM-8:30PM Birmingham Public Library
|
||
Bobby Benson 791-0426 3rd Floor Auditorium
|
||
2nd Sunday, 2:30 PM
|
||
Robert Matthews 631-9783 or
|
||
Bone Yard BBS
|
||
|
||
RAHSPCUG
|
||
Ramsay Alternative High School PC Users Group
|
||
Ramsay High School
|
||
1800 13th Avenue South
|
||
last Wednesday of each month (September-April)
|
||
from 3:02-3:35
|
||
Lee Nocella 581-5120
|
||
|
||
SIG's, Non-Computer Related
|
||
---------------------------
|
||
|
||
BBC Birmingham Astronomy Club
|
||
Blue Box Companions Subject: Astronomy
|
||
Subject: Dr. Who Red Mountain Museum Annex
|
||
Hoover Library 4th Tuesday, 7:30PM
|
||
1st Saturday, 2PM-5PM
|
||
|
||
If you belong to or know of a user group that is not listed,
|
||
please let us know by sending E-Mail to Barry Bowden on
|
||
The Matrix BBS.
|
||
|
||
-----------------------------------------------------------------------
|
||
|
||
Known BBS Numbers For The Birmingham Area
|
||
|
||
|
||
|
||
NAME NUMBER BAUD RATES MODEM BBS SOFTWARE
|
||
SUPPORTED TYPE
|
||
|
||
ADAnet One (Nodes 1-3) 854-9074 1200-2400 PCBoard 14.5
|
||
[ez, fi, ad]
|
||
ADAnet One (Node 4) 854-5863 9600-14400 USR DS PCBoard 14.5
|
||
[ez, fi, ad]
|
||
Alter-Ego BBS 925-5099 1200-9600 USR HST PCBoard 14.5
|
||
[ez, ml]
|
||
Asgard 663-9171 300-9600 V.32 WWIV 4.21a
|
||
[ez, al, te]
|
||
Baudville (Node 1) 640-4593 300-2400 Major BBS 6.02
|
||
[none]
|
||
Baudville (Node 2) 640-4639 300-2400 Major BBS 6.02
|
||
[none]
|
||
Baudville (Node 3) 640-7243 300-2400 Major BBS 6.02
|
||
[none]
|
||
Baudville (Node 4) 640-7286 300-2400 Major BBS 6.02
|
||
[none]
|
||
Baudville (Node 5) 592-4684 300-2400 Major BBS 6.02
|
||
[none]
|
||
Bert's BBS 424-2872 300-2400 WWIV 4.21
|
||
[none]
|
||
Bone Yard, The 631-6023 300-9600 USR HST PCBoard 14.5
|
||
[fi, bh]
|
||
Bus System 595-1627 300-2400 PCBoard 14.2
|
||
[none]
|
||
Byte Me! 979-BYTE! 2400-14400 USR HST WWIV 4.12
|
||
[ez, th, al]
|
||
Castle, The 841-7618 300-2400 C-Base 2.0
|
||
[none]
|
||
Castle Rock 995-9900 1200-19200 VBBS 5.52
|
||
[vi, al]
|
||
Channel 8250 (Node 1) 823-3957 300-14400 USR DS PCBoard 14.5
|
||
[ez, un]
|
||
Channel 8250 (Node 2) 823-3958 300-14400 USR DS PCBoard 14.5
|
||
[ez, un]
|
||
Christian Apologetic 808-0763 300-14400 V.32bis Wildcat! 3.55
|
||
[wi, bc]
|
||
Crunchy Frog (Node 1) 956-1755 300-14400 USR DS PCBoard 14.5
|
||
[ez, ml, lu]
|
||
Crunchy Frog (Node 2) 956-0073 300-14400 USR DS PCBoard 14.5
|
||
[ez, ml, lu]
|
||
Darkhold 681-0002 300-2400 Telegard 2.7
|
||
[none]
|
||
DataLynx 328-7688 300-2400 WWIV 4.21
|
||
[ez]
|
||
Deep Space 9 980-1089 300-14400 Wildcat! 3.51
|
||
[di, fi]
|
||
Den, The 933-8744 300-9600 USR HST ProLogon/ProDoor
|
||
[ez, ml, il]
|
||
Disktop Publishing 854-1660 300-9600 V.32 Wildcat! 3.01
|
||
[pl]
|
||
Drawing Room 951-2391 300-2400 Wildcat! 3.02
|
||
[di]
|
||
EcoBBS 933-2238 300-2400 WWIV 4.21
|
||
[al]
|
||
Elysian Fields 620-0694 300-9600 V.32bis VBBS 5.52
|
||
[al]
|
||
F/X BBS (Node 1) 823-5777 300-14400 USR DS PCBoard 14.5
|
||
[ri, cc]
|
||
F/X BBS (Node 2) 822-4570 300-14400 V.32bis PCBoard 14.5
|
||
[ri, cc]
|
||
F/X BBS (Node 3) 822-4526 300-14400 V.32bis PCBoard 14.5
|
||
[ri, cc]
|
||
Family Smorgas-Board 744-0943 300-2400 PCBoard 14.5
|
||
[ez, fi, mj, bc, fa, ic, cf, cd, np, ag, hs, ve]
|
||
Flip Side 798-3961 300-2400 Renegade 8.27
|
||
[none]
|
||
Gateway BBS 425-8772 300-2400 Image 1.2
|
||
[none]
|
||
Genesis Online (Nodes 1-4) 620-4144 300-14400 V.32bis Major BBS 5.3
|
||
[mr]
|
||
Graphics Zone (Node 1) 870-5306 300-2400 MNP4 TBBS 2.1(16)
|
||
[none]
|
||
Graphics Zone (Node 2) 870-5329 300-2400 MNP4 TBBS 2.1(16)
|
||
[none]
|
||
Hacker's Corner 674-5449 1200-2400 MNP4 PCBoard 14.5
|
||
[none]
|
||
Hardeman's BBS 640-6436 1200-14400 Wildcat! 3.51
|
||
[wi, di]
|
||
HellBound BBS 444-9043 2400-14400 VBBS 5.52
|
||
[none]
|
||
Hoots With Owls 520-9540 300-2400 TriBBS 3.0
|
||
[none]
|
||
Illuminatus BBS 871-0489 1200-9600 VBBS 5.52
|
||
[vi, al]
|
||
Infinite Probability 791-0421 2400-9600 V.32 VBBS 5.52
|
||
[vi, al]
|
||
Intruder Enterprizes 969-0870 300-9600 V.32 VBBS 5.52
|
||
[vi, al]
|
||
Island 870-4685 2400-9600 V.32 Hermes 2.0
|
||
[fi]
|
||
Joker's Castle 664-5589 300-14400 USR DS PCBoard 14.5
|
||
[ez, ml, un]
|
||
Lemon Grove 836-1184 300-12000 V.32/42bis Searchlight
|
||
[fi, sl]
|
||
Lion & The Unicorn 424-1599 1200-57600 VBBS 5.52
|
||
[none]
|
||
Magnolia BBS 854-6407 300-14400 USR HST PCBoard 14.5
|
||
[ez, ml]
|
||
MATRIX, The (Nodes 1-10) 323-2016 300-2400 PCBoard 14.5
|
||
[ez, ml, th, il, in, al, sh, sc, gl]
|
||
MATRIX, The (Nodes 11-14) 323-6016 9600-14400 USR DS PCBoard 14.5
|
||
[ez, ml, th, il, in, al, sh, sc, gl]
|
||
MATRIX, The (Node 15) 458-3449 9600-14400 V.32 PCBoard 14.5
|
||
[ez, ml, th, il, in, al, sh, sc, gl]
|
||
MetaBoard 254-3344 300-14400 USR DS Opus
|
||
[fi]
|
||
Milliways BBS 956-3177 2400-14440 V.32 VBBS 5.52
|
||
[none]
|
||
Missing Link 853-1257 300-14400 USR HST C-Net Amiga 2.31
|
||
[none]
|
||
Night Watch 841-2790 1200-14400 USR DS TriBBS 3.3
|
||
[cc, tr, di]
|
||
Nirvana 942-6702 300-2400 VBBS 5.52
|
||
[al]
|
||
Outer Limits 425-5871 1200-9600 USR HST Wildcat! 3.01
|
||
[fi]
|
||
Owlabama BBS 856-2521 300-14400 GTPower 17.00
|
||
[gt]
|
||
Owl's Nest 680-0851 300-14400 USR DS PCBoard 14.5
|
||
[ez, ml, lu]
|
||
Party Line 856-1336 300-14000 V.32bis TriBBS 2.11
|
||
[cc, tr, di]
|
||
Penny Arcade 699-4625 300-2400 Running Force! 3.75
|
||
[none]
|
||
Playground 836-4200 300-2400 TriBBS 2.11
|
||
[tr, di, cc, ez, al]
|
||
Pooh's Korner 980-8710 300-14400 USR DS Wildcat! 3.5
|
||
[none]
|
||
Posys BBS 854-5131 300-9600 V.32
|
||
[none]
|
||
Pro-Electric 980-8836 300-9600 V.32 Proline 2.065
|
||
[none]
|
||
Quiet Zone, The 833-2066 300-9600 V.32 ExpressNET
|
||
[none]
|
||
Raven's Manor 681-4096 300-9600 V.32bis VBBS
|
||
[vi]
|
||
Safe Harbor (Node 1) 665-4332 300-2400 GTPower 17.00
|
||
[gt]
|
||
Safe Harbor (Node 2) 665-4355 300-14400 USR DS GTPower 17.00
|
||
[gt]
|
||
Safety BBS 581-2866 300-2400 RBBS-PC
|
||
[none]
|
||
Sperry BBS 853-6144 300-2400 V.32 PCBoard 14.5
|
||
[none]
|
||
ST BBS 836-9311 300-2400 PCBoard 14.2
|
||
[ez]
|
||
Teasers 987-0122 300-2400 WWIV 4.20
|
||
[al]
|
||
Thy Master's Dungeon 940-2116 300-9600 V.32 TriBBS 2.11
|
||
[none]
|
||
Torch Song 328-1517 300-2400 Wildcat 3.01
|
||
[pr, se]
|
||
Trauma Room 823-9127 300-9600 VBBS 5.52
|
||
[vi, al, ww]
|
||
Viper's Pit 856-2464 300-9600 V.32 WWIV 4.21
|
||
[al]
|
||
Wanderer, The 836-0603 300-14400 V.32/42bis Wildcat! 3.00
|
||
[th, lu]
|
||
Waste Lands 991-5184 300-2400 WWIV 4.21
|
||
[ww, al]
|
||
Weekends BBS 841-8583 300-14400 USR DS Wildcat! 3.50
|
||
[none]
|
||
Willie's DYM (Node 1) 664-9902 300-2400 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 2) 664-9903 300-2400 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 3) 664-9895 300-1200 Oracomm Plus
|
||
[or]
|
||
Willie's DYM (Node 4) 664-9896 300-1200 Oracomm Plus
|
||
[or]
|
||
Word, The 833-2831 300-2400 WWIV 4.12
|
||
[al, ez]
|
||
Ziggy Unaxess 991-5696 300-1200 Unaxess
|
||
[none]
|
||
|
||
The many symbols you see prior to the names of many of the bbs' in the
|
||
list signify that they are members of one or more networks that exchange
|
||
or echo mail to each other in some organized fashion.
|
||
|
||
ad = ADAnet, an international network dedicated to the handicapped
|
||
ag = AgapeNet, a national Christian network, multi-topic
|
||
al = AlaNet, a local network, multi-topic
|
||
bc = BCBNet, a local network, religion-oriented
|
||
bh = BhamTalk, a local network, multi-topic
|
||
cc = City2City, a national network, multi-topic
|
||
cd = CDN, a national Christian network for file distribution
|
||
cf = CFN, a national Christian network, multi-topic
|
||
di = Dixie Net, a regional network, multi-topic geared toward the south
|
||
eastern United States
|
||
ez = EzNet, a local IBM compatible network
|
||
fa = FamilyNet, an international network, multi-topic
|
||
fi = FidoNet, an international network, multi-topic
|
||
gl = GlobalLink, an international network, multi-topic
|
||
gt = GTNet, an international network, multi-topic
|
||
hs = Home-School-Net, a national network for home schooling
|
||
ic = ICDM, an international Christian network, multi-topic
|
||
il = ILink, an international network, multi-topic
|
||
in = InterNet, an international network, linking businesses,
|
||
universities, and bbs', multi-topic
|
||
lu = LuciferNet, an international network, adult oriented
|
||
ma = MAXnet, a local network, connecting WWIV and VBBS systems
|
||
mj = MJCN, an international network for Messianic Jews
|
||
ml = Metrolink, an international network which echoes RIME, multi-topic
|
||
mr = MajorNet, an international network, multi-topic
|
||
np = NPN, a national network for new parents
|
||
or = OraNet, a national E-mail network
|
||
pl = PlanoNet, a national network, multi-topic
|
||
pr = PrideNet, a local homosexually oriented network
|
||
ri = RIME, an international network, multi-topic
|
||
sc = Science Factor Net, a national network, science and technology
|
||
oriented
|
||
se = SEC, a regional network, homosexually oriented geared toward the
|
||
southeastern United States
|
||
sh = Shades N Shadows Net, a national network for role-playing games
|
||
sl = SearchlightNet, a national network, multi-topic
|
||
te = TECHnet, a local network, hardware and utility oriented
|
||
th = ThrobNet, an international network, adult oriented
|
||
tr = TriBBS Net, a national network, multi-topic
|
||
un = Uni'Net, an international network, multi-topic
|
||
ve = VETLink, a national network for military veterans
|
||
vi = VirtualNet, national network, multi-topic
|
||
wi = WildNet, a national network, multi-topic
|
||
ww = WWIV-Net, an international network, multi-topic
|
||
|
||
|
||
If you have any corrections, additions, deletions, etc., please let me
|
||
know via a message on the main board of The Matrix or Crunchy Frog.
|
||
|
||
|
||
The following BBSs did not answer the last time I tried to verify their
|
||
existence. If you have any information on their status, please drop me a
|
||
line.
|
||
|
||
Bus System The Castle Hoots With Owls
|
||
Island BBS Lion & The Unicorn Owl's Nest
|
||
Viper's Pit
|
||
-----------------------------------------------------------------------
|
||
|
||
|