174 lines
5.4 KiB
Plaintext
174 lines
5.4 KiB
Plaintext
CHIAPANECA
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a "cancion" by marco capelli frucht
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(c)1999 Marc Frucht
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Release date: 21mar99
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Part I
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Am G F
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-5-555-787-58-3-333-5-7-8-7875-1-111-
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-5------------3----------------1-----
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-5------------4----------------2-----
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-7------------5----------------3-----
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-7------------5----------------3-----
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-5------------3----------------x-----
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E (v)(v)
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3-5-3-1-5-3-1-5-3--0-000-1-0-0-3-00-5-7
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-------------------0-------------------
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-------------------1-------------------
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-------------------2-------------------
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-------------------2-------------------
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-------------------0-------------------
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Part II
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C G Bb F
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-x---------3----------6----------1----
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-5(9times)-3-(9times)-6-(9times)-1(7times)
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-5---------4----------7----------2----
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-5---------5----------8----------3----
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-3---------5----------8----------3----
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-x---------3----------6----------x----
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G C G Bb A7
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-3--x---------3---------6----------5-5-5
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-3--5(9times)-3(9times)-6-(7times)-5-5-5
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-4--5---------4---------7----------6-6-6
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-5--5---------5---------8----------5-5-5
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-5--3---------5---------8----------7-7-7
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--------------3---------6----------5-5-5
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Part III
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Am Am B B D B E B
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-5-------5-----------x----------------7-
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-5-------5-----------x----------7-4-9-7-
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-5-------5-----------4-----4----7-4-9-8-
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-7-------7-----------4-----4----7-4-9-9-
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-7-------7-----------2--0--2--0-5-2-7-9-
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-5--3-0--5--3-0--3535----3------------7-
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C C* A F F *Timing is
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-8--8---5-1-------- is misleading
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-8--8---5-1---x---- here in TAB;
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-9--9---6-2---10--- you'll have to
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-10-10--7-3---10--- get a feel for
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-10-10--7-3---10--- for it.
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-8--8---5-1---8----
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[Repeat part I.] [then jump to IV.]
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part IV
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#
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-8-888-10-12-10-8-12-777-8-7---------
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-----------------------------8--10-8-
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-------------------------------------
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-------------------------------------
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-------------------------------------
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-------------------------------------
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hp *
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-----------------------------
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-686s5-65-5-6-86-------------
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---------7------s9-s9-s9-s5--
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-----------------------------
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-----------------------------
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-----------------------------
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-8-888-10-12-10-8-12-13-1313----
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----------------------------12--
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--------------------------------
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--------------------------------
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--------------------------------
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--------------------------------
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&
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-------------------------------
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-13-12-s15-1515--12--13-1313---
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---------------14--14----------
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-------------------------------
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-------------------------------
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-------------------------------
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[Repeat part III.] [Repeat I.]
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[Repeat part II.] [Hit one extra A7
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or repeat part III depending
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on crowd's "vibe." (or maybe
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that stupid Beatles ending
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chord; or scream at high G
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falsetto shaking your moptop.)]
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notes.
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1. The numbers right next to each other are
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thirty-second notes, but don't fret. Just
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"tremelo" these notes a bit and you'll
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feel for them by the second time you play
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this song, I'm sure of it.
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2. I chose to express this in TAB rather
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than standard notation (and have little
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intention of ever publishing this in
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"s.n.") for the same reason Dante chose
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the language he chose for publishing
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"Inferno." If you have no idea what I'm
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talking about please
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a) go look it up
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b) or delete this song from your
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memory and forget you ever
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knew me.
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3. I will never tell the name of the person
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I wrote this song for (and about) but a
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clue for people who know me well -- I
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bought a video-cassette from her in 1997
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4. I came up with a strange way to
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signify the repeats after I typee the
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last part. I wish to keep this easily
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played but exactly as I play it in-case
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anyone wants to catch the exact same
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vibe.
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5. Please
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a) distribute this far and wide,
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b) always keep my name with it;
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c) never make money off of it.
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6. Each of the chords in part 1 are played
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dragging the three fingernails (m,a and
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the "pinky" from the bass-most note to
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the treble high in one quick snap.
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7. (v) = vibrato. Very demonstrative. No
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other vibratos the first time through
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will make these two notes "hit home"
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best.
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8. The following words are very important
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to this song.
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a) !presente!
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b) basta
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c) nunca mas
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9. The only way I know how to describe the
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"9times" and "7times" in Part II. is
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you strum them rapidly to get a tremolo
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effect similar to what's done with a
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single note, but the chord's repeated
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those many times.
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10. h=hammer on
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11. p=pull off
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12. *=5th or 6th fret both sound good
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to me. I think I like 5 better.
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13. s=slide. (both up and down,
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you'll see right away)
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14. #=chords from part 2 if there's a
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second guitarist. Otherwise, you're
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on your own.
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15. I suggest sliding your thumb behind
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fret 12 and dropping your left elbow
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low, with the thumb almost touching
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the "horn" if you're like me and
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think cutaways are stupid.
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16. Dedications: Maiko, Ingrid, Brenda,
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Elevinio, Nana, Dad, and you.
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17. Have a nice day.
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Ya Basta,
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marco capelli
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http://pagina.de/capelli
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http://marco.franklins.net
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ati@etext.org
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