537 lines
18 KiB
Plaintext
537 lines
18 KiB
Plaintext
SOACLOSINGTHESOACLOSINGTHESOACLOSINGTHESOA
|
||
|
||
|
||
Live from The Money Store on Madison Street,
|
||
It's...
|
||
|
||
<><><><><><><><><><><><>
|
||
<> <>
|
||
<> AA TTTTTT IIIIII <>
|
||
<> A A TT II <>
|
||
<> AAAA TT II <>
|
||
<> A A TT II <>
|
||
<> A A TT IIIIII <>
|
||
<> <>
|
||
<><><><><1><9><8><><><><>
|
||
|
||
9911142300
|
||
|
||
I finally figured out who Miller Williams is/was
|
||
Remember when Clinton made him National Poet and
|
||
I asked, "What, who? Who what?" I mean I know a
|
||
couple of his poems, but where does he suddenly
|
||
get picked by a president like a pablo casals
|
||
or a picasso painting?
|
||
Well, I'm reading liner notes to a Tom T.
|
||
Hall album I'm working out on this week. "Sub-
|
||
division Blues." A hit-kicking country song that
|
||
got my attention a little while ago. "Miller
|
||
Williams teaches in the creative writing prog.
|
||
at U of Ark. He is noted as an editor, antholo-
|
||
gist, and translator, most recently in CHILE:
|
||
AN ANTHOLOGOY OF NEW WRITING. His critical works
|
||
include JOHN CROWE RANSOM, HIS POEMS and THE
|
||
ACHIEVEMENTS OF JOHN CIARDI."
|
||
"Listen," says Miller Williams. I think I will.
|
||
Well, there you go.
|
||
So welcome to ATI, Activist Trouble in India;
|
||
I'm Prime Anarchist and this is the 'Zine for
|
||
tonite. We've got some really neat things. Rather
|
||
than list it all here like most pubbers do, I'll just
|
||
say enjoy the heck out of it, ok? "Listen."
|
||
-prime-
|
||
|
||
(A)(C)(T)(I)(V)(I)(S)(T) (T)(I)(M)(E)(S)
|
||
|
||
Saturday, 1pm - I'm sitting in a fake wigwam inside
|
||
a local museum. There's concrete under my feet
|
||
made to look like well swept mud. And the seat I'm
|
||
on appears to be made of hardwoods, but it just may
|
||
be plastics. Everyone insists on plastic these days.
|
||
As if I'm Dustin Hoffman in "The Graduate."
|
||
I'll bet the people who've constructed the "thatch"
|
||
weaves above me have never slept inside a house made
|
||
entirely out of cat-tails like I have, have they?
|
||
Oh well, the stuff behind glass, the text and the
|
||
5 or 6 recorded noises I keep hearing from other parts
|
||
of this museum all go into taking most people half way
|
||
to knowlege and 1/10 of the way to experience, eh?
|
||
I won't dis that even though it's certainly not my
|
||
trip.
|
||
|
||
(A)(C)(T)(I)(V)(I)(S)(T) (T)(I)(M)(E)(S)
|
||
|
||
#'s
|
||
http://www.bobmarley.com
|
||
http://www.refugeeproject.org
|
||
http://www.empirestatebuilding.com
|
||
http://flag.blackened.net/daver/anarchism
|
||
http://flag.blackened.net/daver/anarchism/godot.html
|
||
http://www.alternativelifestyles.com/miscellaneous/personalwebsites.shtml
|
||
http://www.etext.org/Zines/ASCII/HoE/hoe-326.txt
|
||
http://www.comcat.com/~beaudk/bosstones
|
||
http://www.filk.com/filk101
|
||
http://misterridiculous.com
|
||
http://www.turnpoint.org
|
||
|
||
[cant your head to the the right; empire state? No way...]
|
||
|
||
=====
|
||
=LETTUCE=
|
||
=====
|
||
|
||
kindly direct your favorite web browsing
|
||
technology to www.scotto.org - scottoweb
|
||
version 2.3. fits in somewhat nicely with
|
||
the recent "me-zine" discussion, i would
|
||
think. your comments would be welcome
|
||
and appreciated.
|
||
-scotto (317)
|
||
|
||
----====----
|
||
|
||
to ati@etext.org
|
||
(2 messages for the price of one. =)
|
||
well folks, not sure whether or not El Primo
|
||
Anarchisto is still involved with ATI or not,
|
||
but either way I'd like to say hiya to him. He
|
||
used to call my bbs back in the 80's, the
|
||
Holiday Inn, Cambodia BBS. i now run
|
||
http://www.flag.blackened.net and just want
|
||
to say hiya and let him know i havent lost
|
||
the faith, my server hosts anarchist web sites
|
||
for free.
|
||
been years since i thought about ATI...
|
||
...trying to track down an old friend,
|
||
Anarchist Prime/Prime Anarchist/El
|
||
Primo Anarchisto, and so on.
|
||
dont even know his first name, haha!
|
||
oh well, that's how things went.
|
||
Pomegranate (209)
|
||
|
||
----====----
|
||
|
||
I hope you still feel the way I do, and I hope
|
||
my actions the other night don't make you love
|
||
me any less. You know you are the only one for
|
||
me...don't you?...well DON'T YOU!?!?!?!?!?
|
||
--- rf
|
||
|
||
----====----
|
||
|
||
Hello Marc:
|
||
Haw are you.
|
||
Felicidades por el recorrido.
|
||
Por la paz en Chiapas, canta las
|
||
canciones que puedas.
|
||
Abrazos y saludos
|
||
Onecimo
|
||
|
||
----====----
|
||
|
||
FOR IMMEDIATE RELEASE
|
||
2ND ANNUAL NAMMYS: Bill Miller; Five Time Winner
|
||
|
||
Albuquerque, NM - The Second Annual NAMMYs
|
||
held on Saturday, November 6th, 1999 was
|
||
attended by a capacity crowd. Almost 2000
|
||
people attended. The year<61>s biggest winner
|
||
was Bill Miller who received a total of five
|
||
awards: Artist of the Year, Best Male Artist,
|
||
Song of the Year, Songwriter of the Year and
|
||
Best Folk Artist.
|
||
Other multiple winners were: Joanne Shenandoah,
|
||
(2), Indigenous (3), and Robbie Robertson (2)
|
||
(Space limitations restrict ATI here. Go to
|
||
http://www.nativeamericanmusic.com for any more
|
||
info, or email marco@frucht.org)
|
||
Hosted by Branscombe Richmond, special guest
|
||
appearances included; John Densmore of the Doors,
|
||
Randy Castillo of Motley Crue, Nitty Gritty Dirt
|
||
Band, Jennifer Warnes, Rodney Grant, Rita Coolidge
|
||
and The Lynns. Over 15 dynamic live performances were
|
||
featured from all genres of music: Rio Grande Drum
|
||
Group, Robert Tree Cody & Xavier, Primeaux & Mike,
|
||
Wayquay, Natay, Chief Jim Billie, Jack Gladstone,
|
||
Jim Boyd & Rez Bound, Native Roots, Arigon Starr,
|
||
Bill Miller, The Lynns, and XIT.
|
||
This year<61>s Hall of Fame induction was held in
|
||
honor of the late Hank Williams. His grandson,
|
||
Hank Williams III paid tribute. A special Jim Thorpe
|
||
Sports Award was presented to the Iroquois Nationals
|
||
Lacrosse Team who are ranked third in the world and
|
||
whose ancestors created the game of Lacrosse.
|
||
(prime anarchist note: if you've never seen a
|
||
real hand-made lacrosse stick, go to a
|
||
museum or a live match near you.)
|
||
LIFETIME ACHIEVEMENT, Tom Bee. LIVING LEGEND,
|
||
Chief Jim Billie. BEST CHILDREN'S RECORDING,
|
||
To All Our Precious Ones; P. M. Begay. BEST
|
||
POW WOW RECORDING, Gathering of Nations;
|
||
Various Artists. BEST WORLD MUSIC RECORDING,
|
||
Destined Love Traveler; Koljademo. BEST BLUES
|
||
GROUP, Indigenous. SONG OF THE YEAR, Ghost Dance;
|
||
Bill Miller. BEST INDEPENDENT RECORDING, Meet The
|
||
Diva; Arigon Starr. BEST MUSIC VIDEO, Navigate;
|
||
Wayquay. BEST RADIO STATION, KTNN; Window Rock, AZ.
|
||
BEST CANADIAN CONTEMPORARY RECORDING, Kehlonn; Jerry
|
||
Alfred. BEST LATIN AMERICAN RECORDING, A Native American
|
||
Odyssey; Various Artists. BEST NEW AGE ALBUM, Maze;
|
||
Robert Tree Cody. BEST COMPILATION RECORDING, Smoke
|
||
Signals. BEST FEMALE ARTIST, Joanne Shenandoah. BEST MALE
|
||
ARTIST, Bill Miller. ARTIST OF THE YEAR, Bill Miller.
|
||
DEBUT ARTIST OF THE YEAR, Chief Jim Billie.
|
||
NON-PRESENTED CATEGORIES
|
||
BEST TRADITIONAL RECORDING
|
||
Orenda Joanne Shenandoah
|
||
BEST FOLK ARTIST
|
||
Bill Miller
|
||
BEST RAP/HIP HOP ARTIST
|
||
Litefoot
|
||
FLUTIST OF THE YEAR
|
||
Mary Youngblood
|
||
BEST INSTRUMENTAL RECORDING
|
||
Red Wind. Nakai, Eaton, Clipman
|
||
SONGWRITER OF THE YEAR
|
||
Bill Miller Ghost Dance
|
||
GROUP OF THE YEAR
|
||
Indigenous
|
||
RECORD OF THE YEAR
|
||
Contact From The Underworld of Redboy
|
||
Robbie Robertson
|
||
NATIVE HEART
|
||
Raymond A. Boley
|
||
BEST PRODUCER
|
||
Robbie Robertson Contact From The Underworld
|
||
of Redboy
|
||
BEST POP GROUP
|
||
Indigenous
|
||
BEST CANADIAN TRADITIONAL RECORDING
|
||
4 Life Eyabay
|
||
BEST HISTORICAL RECORDING
|
||
Canyon Vintage Collection Various Artists
|
||
|
||
----====----
|
||
Attention Wal-Mart Lawyers
|
||
|
||
This website was created by me, Richard L. Hatch.
|
||
I created this page as a direct result of the crude
|
||
and abusive treatment from your Bangor, Maine Wal-Mart.
|
||
I feel it is time someone stood up to the harassment
|
||
consumers and collectors have to put up with in the
|
||
past, present and future. I suppose its ok for
|
||
associates and managers to offend the general public,
|
||
but its not ok for the consumer to voice their opinions.
|
||
This page is here to stay. I will have my family
|
||
lawyer review this site and remove all copyright
|
||
violations. I am sure the publicity will make
|
||
Wal-Mart look like the bullies they really are.
|
||
If you think you can intimidate me into removing
|
||
this page you are mistaken.
|
||
The Bangor, Maine Manager(Brian Cabel) said to me
|
||
"I have fried bigger fish than you".
|
||
My comment "Maybe so but none nastier".
|
||
To William D. Coston,
|
||
You need to represent more honest retailers,
|
||
unlike WAL-MART. These stores ruin the little
|
||
business man. I can see the headlines now:
|
||
WAL-MART SUES HANDICAPPED UNEMPLOYED
|
||
MAN OVER FREEDOM OF SPEECH ISSUES.
|
||
http://www.walmartsucks.com/index3.html
|
||
|
||
----====----
|
||
|
||
Correction (reprinted from Gear, a phine menz mag)
|
||
The article "When presidential candidates attack"
|
||
stated that George W. Bush killed an Army recruit
|
||
during a cocaine-fueled rampage in Texas in 1974.
|
||
Apparently this is not true.
|
||
We regret the error.
|
||
|
||
----====----
|
||
|
||
Guitar Anarchy Tip # 14
|
||
New Chords for Billie Holiday's "Strange Fruit"
|
||
|
||
Em
|
||
Southern trees bear a strange fruit,
|
||
Am Em
|
||
Blood on the leaves and blood at the root,
|
||
Em
|
||
Black bodies swinging in the southern breeze,
|
||
Am (?) Em
|
||
Strange fruit hanging from the poplar trees.
|
||
|
||
|
||
Pastoral scene of the gallant south,
|
||
The bulging eyes and the twisted mouth,
|
||
Scent of magnolia, sweet and fresh,
|
||
Then the sudden smell of burning flesh.
|
||
|
||
Here is a fruit for the crow to pluck,
|
||
For the rain to gather, for the wind to suck,
|
||
For the sun to rot, for the tree to drop,
|
||
Here is a strange and bitter crop.
|
||
|
||
|
||
notes: The (?) chord I discuss is either
|
||
an Em with something under the / or an Am
|
||
with "/" I'll tab the two fingerings that
|
||
work here. I care much less about theory
|
||
and much more about expression of meaning.
|
||
Otherwise I'd spend the next week searching
|
||
for what its true anglo title is. I'll
|
||
probably hear back that it's Am11 or
|
||
Am suspended, and again thanks for that, but
|
||
the chord itself is much more important
|
||
to me than what we arbitrarily call it.
|
||
So here it is:
|
||
|
||
-0- -7-
|
||
-1- -8-
|
||
-0- -9-
|
||
-2(0) -10-
|
||
-2- -0-
|
||
-0- -0-
|
||
|
||
After each verse I overlay part of
|
||
the famous anonymous piece "Romanza"
|
||
which just about every classical guitarist
|
||
in this world has beaten to death.
|
||
Just a short bit of it. Too much of it
|
||
loses you the momentum that this song
|
||
posesses as its forte no matter what
|
||
form it takes. I don't use it as an
|
||
intro because it seemed way too hokey.
|
||
I go right into the first words of this
|
||
song over a solid Em strum.
|
||
|
||
Here's TAB for some of the melody.
|
||
|
||
-3--3-----3----3---2---0------0-
|
||
--------------------------------
|
||
-----------
|
||
-------
|
||
------------------------------------------3-2--0----0
|
||
Southern trees bear a strange fruit ...pahp-lar trees
|
||
|
||
\
|
||
\
|
||
/
|
||
/
|
||
|
||
And lastly, Guitar Anarchy Tip # 15
|
||
|
||
Who is/was Carlos Montoya?
|
||
I have one album so far. By far the best Gypsy guitar
|
||
album I've got right now. I've surrounded myself with a
|
||
lot of great guitar music this past year. Of course some
|
||
of the worst too, but I firmly believe that's 95% subjective
|
||
- based entirely on any personal whims and biases we each
|
||
carry. Baggage check is over there. [points with chin...]
|
||
For instance, who but me loves Pablo Casals AND Andres
|
||
Segovia? One supported Spain after Guernica, after WWII,
|
||
while the other denounced Spain AND Hitler right from the
|
||
get go. Why do I love both? Too complicated to tell you here.
|
||
Why do I think the famous understudy, Parkening is a
|
||
yutz and a weenie, and nothing to do with the fact that he's
|
||
Christian? See what I mean? It has to be my personal quirkie
|
||
whim, huh?
|
||
I really dig Carlos Santana even though he's only half
|
||
catholic.
|
||
Jimmy Page is a fraud. Again, nothing to do with his
|
||
immersion in Church of Satan. There's some really great
|
||
Satanist guitarists out there. Witches too. You should hear
|
||
them. You should. Page can't do anything more than Em and
|
||
Am scales. And not even THAT all the way up and down the
|
||
neck. Fraud - I worshipped the guy for 14 years. Defended
|
||
his name. Never again.
|
||
Beware false profits.
|
||
Yet another whimsaical quirk?
|
||
You'd think I really respect Jimi Hendrix wouldn't you -
|
||
he's 3 times as "native american" as Wayne Newton and Tim
|
||
McGraw put together by most accounts.
|
||
Wrong, try again.
|
||
His father is a money-grubbing greed head, tarnishing
|
||
anything Jimi could have ever struggled for. Forever. A huge
|
||
pock mark on the entire house and lineage of Hendrix.
|
||
Anyhow, I love some flamenco and can't stand some
|
||
"legitimate music," classical guitar, I write both and
|
||
score in both SN (standard notation) and TAB (tablature).
|
||
Should I keep my mouth shut in hopes of scoring $700 an
|
||
hour gigs sometime in the next decade?
|
||
You betcha. I should. I won't.
|
||
I will play for food and travel for the rest of my life,
|
||
teaching some of the cheapest "sliding-scale" guitar lessons
|
||
this world has ever known, working whatever odd jobs are necessary
|
||
to keep the myth a reality. Or the reality a myth as it were.
|
||
Why?
|
||
Because it's the only way I can live with myself.
|
||
Oh, I left out Eddie Van Halen, didn't I?
|
||
Don't get me started...
|
||
|
||
(A)(C)(T)(I)(V)(I)(S)(T) (T)(I)(M)(E)(S)
|
||
|
||
Have you considered the economic impact and importance
|
||
of coffee? The coffee industry employs over twenty million
|
||
people worldwide. The US imports over four billion dollars
|
||
worth of coffee per year. Coffee is one of the world's most
|
||
valuable commodities: only oil ranks higher in terms of
|
||
dollars traded in the international market. Coffee is
|
||
considerably more romantic than oil -- a fact of considerable
|
||
import to coffee lovers around the world.
|
||
-- Kathy Brock. Lox Stock & Babble newsletter (reprinted)
|
||
|
||
(A)(C)(T)(I)(V)(I)(S)(T) (T)(I)(M)(E)(S)
|
||
|
||
PASS IT ON: A Kerouaquian Haiku
|
||
by markus fruktus.
|
||
Let
|
||
Anarchy,
|
||
God's love
|
||
And cooler heads prevail.
|
||
|
||
May
|
||
Anarchy
|
||
God's love,
|
||
And cooler heads prevail.
|
||
|
||
Shall?
|
||
Anarchy, god's love and cooler heads...
|
||
|
||
Lets...
|
||
|
||
God's love and cooler heads prevail.
|
||
|
||
---___---___---___---___---___---___---
|
||
CLOSINGTHESOACLOSINGTHESOACLOSINGTHESOA
|
||
---___---___---___---___---___---___---
|
||
|
||
Can you guess this guitarist's name?
|
||
Unsatisfied with her home life, she became close
|
||
with several of the local Native American Indians.
|
||
She soon found herself adopted by the tribe. As
|
||
she explains it, "[They] took me out to a meadow
|
||
and said, 'Your life in the future will call for
|
||
you to speak honestly to people. You don't know
|
||
how to speak from your heart, and you need to
|
||
learn how.' I remember going on top of a mountain
|
||
and trying to say anything honest - just to the
|
||
wind. I was crying because I couldn't say anything
|
||
sincere."
|
||
According to her, she gleaned a lot of her
|
||
spirituality from the experience. "The American
|
||
Indian thing had a big influence on me," she claims.
|
||
"You adopt the Indian way. Everybody is your uncle
|
||
or aunt."
|
||
Two of her "uncles" were very wise and influential
|
||
members of the Ottawa tribe. Jewel recalls, "One said
|
||
I was going to bring heart to the people."
|
||
Very often, the simple truths of spiritual people,
|
||
like the Ottawa Indians, make more sense, and hold
|
||
more reality than any scientifically measured facts.
|
||
Somehow her Native American "uncle" must have seen
|
||
into the future and read a Billboard magazine album
|
||
chart from the 1990's, because this Jewel in the
|
||
rough, was destined to do exactly that.
|
||
|
||
[hint: she yodels well...][the last sentence was a huge
|
||
letdown for me, but I chose to leave it in to show you
|
||
what can be done in our great hurry to box someone up
|
||
and stick all their square pegs into round holes and
|
||
verse vice-a]
|
||
|
||
(A)(C)(T)(I)(V)(I)(S)(T) (T)(I)(M)(E)(S)
|
||
|
||
|
||
-30-
|
||
|
||
An Open Empty Packet
|
||
STRIVE Sport Drink
|
||
On the floor
|
||
Under the toilet pipe
|
||
In front of the plunger
|
||
In the mens room
|
||
In the Taco Bell.
|
||
|
||
----
|
||
|
||
Sam Goody
|
||
The beeper columns are set to go off
|
||
Periodically instead of
|
||
Whenever someone takes something without paying.
|
||
Freaks out people going in
|
||
And coming out
|
||
Alike.
|
||
What are they thinking?
|
||
|
||
Better deterrant than
|
||
"the real thing?"
|
||
|
||
|
||
+++++++++++++++++++++++++++++++
|
||
|
||
We end this edition of ATI with:
|
||
|
||
"Do Without"
|
||
A public domain poem/song
|
||
by Chrysalis Aristaeus 11/03/99
|
||
|
||
So we've come to year 2000, looking over the brink.
|
||
Things are pretty nasty when you stop to think.
|
||
It's been known for long time what's the root of it all.
|
||
Let go o' the purse strings, see the filthy glitter fall.
|
||
|
||
If I give to you your needs and you give to me what's mine,
|
||
we'll watch old Exxon wave bye bye, Coke Cola dry and die.
|
||
|
||
Chorus:
|
||
Money is one thing we can do without!
|
||
Money is one thing we can do without!
|
||
Join up in the chorus, scream and shout!
|
||
Money is the one thing we can do without!
|
||
|
||
Stick it to your landlord, gone on too long.
|
||
We're born here on this planet, it's here that we belong.
|
||
Doctors here among us to heal the sick
|
||
But when they charge you for their beemers
|
||
Time to give them the kick.
|
||
|
||
When flowers grow on freeways, skies aren't wrecked by jets,
|
||
Take a breath of fresh air, it's as good as it gets.
|
||
|
||
Chorus
|
||
|
||
Get to know your neighbor when you urge to roam.
|
||
Kids'll have their families when you stay at home.
|
||
Not to be a wage slave is easy to do.
|
||
Give your boss the finger, we'll take good care of you.
|
||
|
||
Learn to eat the food you grow, share it with your friends.
|
||
These are simple means I know. You'll really love the ends.
|
||
|
||
Chorus
|
||
|
||
But when they come to shoot you
|
||
Where you gonna run?
|
||
Just know you did the right thing
|
||
Saying farewell to the sun.
|
||
|
||
----====----
|
||
|
||
PAWN, Primal Arachnid Whirled Noodles is a Holey Baloney Sub City
|
||
of PAP, Prime Anarchist Productions; NOPE, NoOne in Particular
|
||
Enterprises; and ATI, Activist Times Inc. All rights remain equal
|
||
and opposite any lefts you will make, and don't forget your lunch
|
||
money is on the table under the butter dish.
|
||
|
||
Like What You See?
|
||
Tell phriendz.
|
||
http://www.thepentagon.com/primeanarchist
|
||
|
||
Don't Like?
|
||
Tell us, or:
|
||
S U B M I T S O M E T H I N G B E T T E R ! ! !
|
||
ati@etext.org
|
||
|
||
SOACLOSINGTHESOACLOSINGTHESOACLOSINGTHESOA |