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HOW TO COPYRIGHT SOFTWARE
-------------------------
(c) 1990 Locus Inc
PREFACE
This booklet is a programmer's guide to copyrighting software.
It contains step-by-step instructions from a programmer/attorney
how to apply for a Certificate of Copyright Registration. This
material is being distributed on the honor system. It is not
public domain or free, although it may be uploaded or downloaded
freely. Just like a book in a bookstore, you have a limited
right to look before you buy. If you send $12.95 to the address
below, you will receive a printed copy of the complete work,
including the official forms that could not be included because
they contains non-ASCII graphics. BBS Support (502) 561-0742.
Thank you for your support!
* * *
Locus Incorporated, 122 Peace Lane,
Pewee Valley, Louisville, KY 40056-9001
* * *
INTRODUCTION
Everyone knows how easily computer programs and manuals can
be copied. Registration with the United States Copyright Office
in Washington D.C. is an excellent way to protect your valuable
work product with a minimum of red tape and expense. Patents and
trademarks are also valuable for computer software, but are
beyond the scope of this simple work. Patent and Trademark Office
rules are not quite as "user friendly" as the Copyright Office.
Understanding software protection requires some familiarity
with the law of copyrights. Chapter 1 explains the basics of
copyright law relating to computer software. Chapter 2 takes a
nuts-and-bolts approach how to fill out the official Copyright
Form TX to apply for a Certificate of Copyright Registration.
Chapter 3 deals with the remaining details of what, when, where
and how much to send to the Copyright Office along with your
application.
* * * * *
NOTE: This file is in standard ASCII text format with a hard
carriage return at the end of each line. It contains no special
characters or printer control codes.
================================================================
TABLE OF CONTENTS
Preface
Introduction
Chapter 1 Computer Law Basics
1.1 Ideas are Free
1.2 Scope of Protection
1.3 Bundle of Rights
1.4 Infringements
1.5 Copyright Notice
Chapter 2 Application Form TX
2.1 Space 1 - Title
2.2 Space 2 - Authorship
2.2.1 Name of Author
2.2.2 Works Made For Hire
2.2.3 Nationality
2.2.4 Anonymity
2.2.5 Nature of Authorship
2.3 Space 3 - Dates
2.3.1 Creation
2.3.2 Publication
2.4 Space 4 - Claimant
2.4.1 Claimant is Author
2.4.2 Claimant is not Author
2.4.3 Claimant is Joint Author
2.4.4 Transfer Statement
2.5 Space 5 - Previous Registration
2.6 Space 6 - Derivative Works or Compilations
2.6.1 Preexisting Material
2.6.2 Material Added
2.6.3 Examples
2.7 Space 7 - (deleted)
2.8 Space 8 - Reproduction for Blind or Handicapped
2.9 Space 9 - Correspondence From Office
2.10 Space 10 - Signature and Certification
2.11 Space 11 - Return Address For Certificate
Chapter 3 Final Steps
3.1 Filing Fee
3.2 Deposit Requirements
3.2.1 Special Relief and Trade Secrets
3.2.2 Object Code and Rule of Doubt
3.2.3 Screen Displays
3.3 Mailing
3.4 Office Action
3.5 About the Author
Appendix
Index
================================================================
CHAPTER 1: COMPUTER LAW BASICS
This booklet is designed to be a practical guide for non-
lawyers. A conscious effort was made to cut out legalese and
lawyer talk. However, copyrights are deceptively simple. The
basic concepts can be stated in a few sentences, yet the law
construing them occupies volumes. By all means, consult with your
lawyer if you have questions about any part of this registration
process. Or feel free to call the support BBS listed above. Two
other good sources of online legal information are GEnie's Legacy
and Compuserve's LawSig.
1.1 IDEAS ARE FREE
Copyright does not protect ideas, only expressions of
ideas. What does that mean? Think about it. An idea is an
original thought in your brain. An expression is that same
thought reduced to something you can see or hear. Particularly
with software, if you can see it you probably have an expression.
For example, you can see source code, but not mental logic.
Therefore, source code is protected, logic is not. Thus, the first
rule for any copyright is there must be a tangible form of
expression.
The second rule is that the expression must be original.
However, a single idea can be expressed more than one way. For
example, Lotus 1-2-3 and Microsoft Excel both share the same
idea of an electronic spreadsheet, yet each expresses the idea
differently. They have different interfaces, file structures,
and source code. There is no infringement. So, copyright only
protects original expressions that are fixed in some tangible
format.
Sometimes an idea is so common or there are so few ways to
express it that the idea and the expression are said to merge.
A merger of the idea and its expression occurs when the expression
is indispensable to the treatment of the idea. As a result, the
scope of protection may be severely limited if you end up in court.
1.2 SCOPE OF PROTECTION
Copyright protection is readily available for computer
programs in all their forms, including source code, object code,
and microcode. You can also copyright written documentation and
user manuals on the same application made for software. However,
copyright protection does NOT extend to the underlying procedure,
process, system, method, concept, principle, discovery, formula or
algorithm, regardless of the format in which it is coded,
described, illustrated or embodied in the work.
A derivative work is one based upon or incorporating a
preexisting work. For example, MicroSoft Windows 3.0 derives
from Windows 2.0, thus 3.0 is a derivative work of 2.0, and so
on. Other examples of derivative works include translations (ex.
rewriting BASIC into C), abridgements (ex. releasing a Lite
version), and additions (ex. adding pulldown menus). So whenever
a work is recast, transformed, or adapted, and the changes are
significant enough, you have a derivative work.
A compilation occurs when you collect and assemble other
preexisting materials or data. The creative effort in a
compilation copyright is in how you select, coordinate, or arrange
the material. The classic example of a compilation copyright is
the telephone directory. Another example would be a sampler disk
or a collection of programs from various authors (ex. PC Magazine
Utilities Disk). Note that you must have a copyright owner's
permission before reproducing, including or changing his work.
Public domain materials do not belong to anyone. They may
be copyrights that have expired or the author has dedicated to
the public. Or perhaps the author never registered the work, or
maybe the registration was denied for lack of proper subject
matter. Whatever the reason, public domain material does not
have an owner, per se, and may be copied or included in derivative
works and compilations.
1.3 BUNDLE OF RIGHTS
A copyright owner has certain exclusive rights. Only the
owner of a copyright on a program can: (1) reproduce or authorize
copying of the program; (2) make derivative works or changes to
the program; and (3) distribute, license or sell the program.
These exclusive rights last for the life of the author, plus 50
years. Or if the work was made for hire (see Section 2.2.2), for
75 years from the date of publication, or 100 years from creation,
whichever is shorter.
Having a Certificate of Registration is prima facie evidence
of the validity of your copyright. Also, if you are registered
at the time of the infringement, the defendant can no longer
claim to be an "innocent infringer." Plus, you can recover your
attorney fees if you have to go to court to enforce your rights
(and win).
When courts must determine who has right, title and interest
in a program, judges often struggle with the idea-expression
dichotomy. However, modern courts have recognized that software
consists of four legally significant elements: (1) source and
object code; (2) structure, sequence and organization; (3)
function or purpose; and (4) user interface. Copyright treats
each element as an independent work of authorship provided it
qualifies as an expression rather than an idea.
1.4 INFRINGEMENTS
Suppose you discover that someone is making unauthorized
copies or your program or is marketing, how can we say, a
"strikingly similar workalike?" What can you do? Once your
program has been registered, you can file a copyright infringement
suit in federal court. The judge can issue an injunction against
the defendant to cease and desist the infringing activities. The
judge can even order the U.S. Marshall to seize the infringing
materials. At trial, you can win money damages based on your lost
business or the defendant's unjust profits. Or if your damages are
speculative, you can demand statutory damages of up to $100,000 per
infringement (if registered at the time of the infringement).
Note that you cannot begin a copyright infringement suit until
your program is registered. If you are not registered at the time
you learn of the infringement, you have to hurry up and do it.
Fortunately, the Copyright Office can provide expedited handling
upon special request. A "Request for Special Handling" (see
Appendix C) must contain a sworn statement explaining the urgency,
accompanied by a special fee of $200.00. If your request is
granted, the Office will try to process the application within five
days.
To constitute an infringement, two programs must be
"substantially similar." Obviously, this is a subjective standard.
Therefore, modern courts are using a two-part test to determine
whether two computer programs are substantially similar. First,
an expert programmer may scrutinize the programs and testify
whether their sequence, structure and organization have a
"comprehensive nonliteral similarity." Second, a judge or jury may
look at the programs side by side and say whether they have the
same overall "look and feel." If both tests are true, there is
an infringement.
1.5 COPYRIGHT NOTICE
The copyright notice below no longer required, however it is
still highly recommended. If the purpose of copyright is to
protect, why not use this simple device? Thus, the following words
should appear prominently in the source code, and on the bootup
screen, the user manuals, and all other documentation and
distribution media:
**********************************************************
* COPYRIGHT (C) 1990 ABC COMPANY. ALL RIGHTS RESERVED. *
**********************************************************
The three parts to the copyright notice are : (1) the word
COPYRIGHT or COPR, or the letter (C) in a circle/parentheses; (2)
the YEAR of creation or first publication; and (3) the NAME of the
copyright owner. The phrase ALL RIGHTS RESERVED is not absolutely
necessary, but warns others of your claim to ALL other rights in
the work, including patents, trademarks, and trade secrets.
================================================================
CHAPTER 2: APPLICATION FORM TX
A copyright certificate is to a program like a deed is to
land. Both are evidence of ownership and title. Actually, your
copyrights existed from the moment you wrote the program. But to
perfect your rights you must register with the U.S. Copyright
Office. The registration process usually takes about three to six
months.
The Copyright Office considers computer programs to be
"writings," therefore we use the same as is required for books and
other literary works. Form TX is short for TeXt. The following
are all that are required to apply for a copyright:
(1) One completed Form TX.
(2) One copy of the program.
(3) The filing fee.
A blank Form TX and other forms are attached in the Appendix.
You can submit you application on photocopies of these official
forms, but make sure they are on two-sided paper. The Appendix
also contains a sample of a completed Form TX on which a
Certificate of Copyright Registration was issued.
The Copyright Office has a policy of Single Registration,
that is, one application per work. Since a program is rarely one
giant piece of code, but a system of interdependent parts (such as,
overlays, drivers, help files, etc.), the question is whether one
application can cover everything? YES. All these parts, including
user manuals and documentation, are considered a single work for
registration purposes and can be handled on one application.
The TX form is only two pages long, with 11 numbered spaces
for providing information. Each space has multiple lines; some
have boxes to check. Throughout this Chapter, the Section
numbering scheme corresponds to the appropriate space on the TX
form. Examples how to complete the spaces are in ALL CAPITAL
LETTERS or "in quotes."
2.1 SPACE 1 - TITLE
The name or title of your program goes in Space 1, Line 1.
This should be the full, popular title of your program, including
version number (if any). For example: "MICROSOFT QUICKBASIC 4.5"
or "LOTUS 1-2-3, RELEASE 3.0." There is no copyright in titles,
so the program name does not have to be completely original.
Just be sure not to use someone else's trade name or trademark
without their permission.
Usually, you can skip the rest of Space 1. However, if your
program has another name, give that name in Line 2 of Space 1. Or
if your program is part of a collection (such as a sampler disk or
magazine), give the title of the magazine or sampler in Line 3, and
state the volume and issue number in Line 4. For example, "BYTE
MAGAZINE, JANUARY 1991."
2.2 SPACE 2 - AUTHORSHIP
This is the most important section. Your answers here must be
consistent with your answers in Space 4 (Claimant). Correctly
identifying authorship involves significant rights and will have a
major impact on ultimate ownership, use, and transfer of the
software. Be sure to read through all of Section 2.2 first.
2.2.1 NAME OF AUTHOR
FOR INDIVIDUALS ==> If you wrote the program, put your full
name and birthdate in Line 1 of Space 2(a). If you wrote the
software jointly with one or more people with the intention that
all contributions be merged into a whole, give each person's full
name and birthdate in Spaces 2(b), 2(c), etc. If additional
spaces are needed, use Form TX/CON in Appendix A.
FOR BUSINESSES ==> If you are operating as a business and the
programming was done by you or regular employees of your business,
then put your company's full legal name as the author in Space
2(a), Line 1. Leave the birthdate information blank. Please be
sure to read Section 2.2.2 very closely, especially if you had
any contract programming done.
2.2.2 WORK MADE-FOR-HIRE. On the left side of Line 2, Space 2,
there is a check box for a tricky question: "Was this contribution
to the work a 'work made for hire'?" This is a legal term of art.
A work is made-for-hire if it is (1) prepared by employees within
the scope of their employment; or (2) specially ordered or
commissioned and the parties agree IN WRITING that the work is
made-for-hire. The author of a work made-for-hire is generally the
employer, not the employee. Just because you paid for it doesn't
mean it yours.
Work-for-hire situations can arise several ways. For example,
a dentist hires a neighbor's kid to write a billing system, or a
bank hires temporary contract programmers to finish a big project.
Even if the programmer is given instructions every step of the
way, there must be a written agreement signed by both parties
acknowledging the work is made-for-hire. Otherwise, all or part
of the copyright belongs to the programmer.
Therefore, if any part of the program was made-for-hire,
you must check "YES" in the box provided on Line 2 of Space 2, give
the employer's name as the Author of that part of the work. Leave
the space for dates of birth and death blank.
2.2.3 NATIONALITY. In the middle of Line 2 of Space 2, you must
give the country where the author is a citizen or is domiciled.
In most cases, the author of the work will be a U.S. citizen or
business. In general, a person is domiciled in the place where he
or she has a fixed and permanent residence with an intention to
continue living at that residence for an unlimited time or to
return to it whenever absent. If the author is a foreign company,
give the country where the business is domiciled.
2.2.4 ANONYMITY. On the right of Space 2, Line 2, you can
register anonymously. Anonymous registration is NOT recommended.
You should just check "NO" to both questions here. Always check
with your attorney before checking Anonymous or Pseudonymous. But
if you insist on being Anonymous, you can put "ANONYMOUS" for the
Name of Author in Line 1, or just leave blanks for the Name. If you
insist, you can give a pseudonym for the Name of Author, provided
you qualify it with the word "PSEUDONYM" (ex. "BIG JOHN,
PSEUDONYM"), or you can give your real name plus your pseudonym
(ex. "WILLIAM GATES, WHOSE PSEUDONYM IS WILD BILL").
2.2.5 NATURE OF AUTHORSHIP. In Space 2, Line 3, the Copyright
Office wants a VERY BRIEF description of your work. Brief Means
Terse! Just put "COMPUTER PROGRAM." If you also want to register
the documentation, just put "COMPUTER PROGRAM AND DOCUMENTATION."
Get the picture? Do not give any more detail than absolutely
necessary. Particularly avoid descriptions of program functions,
screens, design, structure, and the like. The more detailed you
get, the more likely the Copyright Office will question your
application.
2.3 SPACE 3 - DATES
2.3.1 CREATION. In Space 3(a), put the year the finished program
was created. A program is created when it is fixed in some
permanent tangible form. This is not to say you cannot change it
later since each significant version constitutes a copyrightable
work. In any event, make sure the creation date is consistent with
other dates appearing on the application and in the program.
2.3.2 PUBLICATION. A program is published when it is sold,
transferred, assigned, licensed, rented, leased, or offered for
distribution to the public. If your program has never been
published, just leave the date and nation information in Space
3(b) blank. If your program has been published, then you must
give the date and nation where it was first published. The
approximate date is acceptable if you cannot recall exactly.
2.4 SPACE 4 - CLAIMANT
The claimant is the person or company who is now claiming
ownership and title in the copyright, or at least part of it.
Usually, the claimant and the author are the same. However, the
claimant may be different when there has been an assignment or some
other form of transfer from the author originally named in Space 2.
If that is case, a brief transfer statement must be made (see
Section 2.4.4). In pseudocode:
IF SPACE 4 = SPACE 2
NO TRANSFER STATEMENT REQUIRED
ELSE
TRANSFER STATEMENT REQUIRED.
2.4.1 If the claimant is the SAME as the author named in Space
2, put his or her or its name and address in Space 4, Line 1.
Obviously, you do not need a transfer statement if there has been
no transfer.
2.4.2 If the claimant is DIFFERENT from the author named in Space
2, you need to explain this discrepancy. Thus, in Space 4, Line 1
give the claimant's full name and address, and on Line 2 give a
brief statement how title was transferred (see Section 2.4.4).
2.4.3 If there were joint authors and the claimant is less than
ALL of the authors, again you will need to explain this. In Space
4, Line 1 give this claimant's full name and address, and on Line 2
give a brief transfer statement how this claimant got title to the
entire work was obtained (see Section 2.4.4).
2.4.4 TRANSFER STATEMENT. The transfer statement is a very brief
explanation how the claimant got ownership. It is NOT the document
itself. Rather, the transfer statement need only be a word or two,
such as "BY ASSIGNMENT" or "BY WRITTEN AGREEMENT." Do NOT attach
the transfer document itself. However, transfer documents can be
filed separately with the Copyright Office by sending a letter of
request and a $10.00 filing fee per document.
2.5 SPACE 5 - PREVIOUS REGISTRATION
Each version or release of a program is a different work.
If you have registered your program before, check "YES" in the TOP
box in Space 5, plus check one or more of the next 3 boxes in Space
5 to explain why another registration is being sought. Those
reasons include:
(1) The program was unpublished when you first registered, and
you now seek a second registration to cover your first published
edition. Check the SECOND box.
(2) The program was previously registered by somebody else
(perhaps a co-author), and you now seek registration in your
name. Check the THIRD box.
(3) You revised the program since the first registration, and
now seek registration on the changed version. Check the FOURTH
box AND complete Space 6.
If you checked "YES" to the TOP box, you must give the
previous registration number and the year of registration on the
bottom line of Space 5. If you made more than one registration
of this program, you need only give the latest registration
number and year.
2.6 SPACE 6 - DERIVATIVE WORKS or COMPILATIONS
You only need to complete Space 6 if your program is a
derivative work, a changed version of another work, or a
compilation of preexisting works (see Sections 1.3 and 2.5 above).
Derivative or changed works are based upon or derived from one or
more preexisting works. A compilation collects or assembles
preexisting materials from various sources, or extracts and
reassembles material or data from another source. You must
complete Spaces 6a and 6b for derivative or changed works, but
for compilations you need only complete Space 6b.
2.6.1 PREEXISTING MATERIAL. Space 6a is for derivative works or
changed versions only. Here, briefly describe the preexisting
material or program you updated, adapted or transformed. That
is, identify any preexisting works your program may be based on
or incorporate. This may include public domain or government
material (see examples in Section 2.6.3)
2.6.2 MATERIAL ADDED. Space 6b is for derivative works and
compilations. The Copyright Office wants a BRIEF statement of
any added material in which you now claim copyright. If you have
a derivative or changed work, give a short description what is
new about this changed version. Or if you have a compilation,
start your description with the word "COMPILATION," then summarize
briefly your efforts in creating this work.
2.6.3 EXAMPLES. Examples of how you might complete Spaces 6a and
6b for derivative works and/or compilations are set forth below:
(1) For a derivative work, such as WordPerfect 5.1 -
6a - "WordPerfect 5.0"
6b - "Additional features and text"
(2) For a compilation, such as the PC Mag Utilities Disk -
6a - (leave blank)
6b - "Compilation of DOS utilities and text"
(3) For a derivative work AND compilation, such as a
program incorporating public domain material -
6a - "Standard file compression routines"
6b - "Additional programming and text"
2.7 SPACE 7 - (DELETED)
In the past, Space 7 was used for manufacturing provisions,
but it is no longer required. The new TX forms have deleted this
space. If you happen to have an old TX form, just leave Space 7
blank.
2.8 SPACE 8 - REPRODUCTION FOR BLIND OR HANDICAPPED
The Library of Congress reproduces and distributes some
works for use by blind or physically handicapped individuals. If
you wish to grant the Library of Congress a limited right to copy
and distribute your work solely for the blind or handicapped,
check Box 8b and sign your name. You can always terminate this
license upon 90 days notice.
2.9 SPACE 9 - CORRESPONDENCE FROM OFFICE
Skip the first half of Space 9, DEPOSIT ACCOUNT, unless of
course you have a charge account with the Copyright Office )if
that is the case, why do you need this booklet?)
However, the second half of Space 9 is very important in case
the Copyright Examiner needs to contact you. Give your name
(or person most suited to answer questions), an address and
daytime telephone number Often a simple phone call from the
Examiner can straighten out the problem.
2.10 SPACE 10 - SIGNATURE AND CERTIFICATION
Finally, you get to sign the application in Space 10. In the
top part of Space 10, check one of the boxes indicating your
status as the: (a) author; (b) other copyright claimant; (c)
owner of exclusive rights; or (d) authorized agent of a, b or c.
On the middle line of Space 10, type or print your name and
the date you signed the application. Make sure that if you
listed the work as published in Space 3, the date signed is later
than the date published.
Put your signature on the bottom line of Space 10, where the
finger is pointing. By signing the application, you are certifying
that everything is true and accurate to the best of your knowledge.
The TX form warns that any false representation of a material fact
in an application for copyright or in any written statement filed
in connection with it SHALL be fined up to $2,500.
2.11 SPACE 11 - MAIL CERTIFICATE TO
In Space 11, give the name and full mailing address where
you want the Certificate of Copyright Registration mailed. Usually,
this is the same address you have used time after time herein. If
you need to, you can have the certificate mailed to somebody else.
================================================================
CHAPTER 3: FINAL STEPS
3.1 FILING FEE
The required filing fee for each application is $10.00 until
January 2, 1991. Beginning January 3, 1991, the filing fee is
$20.00 per work. This fee is non-refundable. You can make your
check or money order payable to the "Register of Copyrights."
3.2 DEPOSIT REQUIREMENTS
The Copyright Office requires that you deposit with the
Library of Congress a "best edition" of your work. In most
cases, the best edition of a computer program is its source code.
You do not have to deposit the entire source code listing.
The source code may be deposited in any form visually
perceptible without the aid of a machine or device, on paper or
microform, preferably showing the copyright notice. Filing on
floppy disks and magnetic media are under consideration, but are
not required at the time of this writing. The following deposit
options are regularly available:
(1) The first 25 and last 25 pages of source code.
(2) If you have multiple programs, the first 25 pages from the
first program and the last 25 pages from the last program.
(3) If you have a revised version, and no changes or additions
are contained in the first 25 and last 25 pages, you can send any
50 representative pages of the revised material.
However, if you absolutely refuse to disclose ANY of your
source code, special deposit procedures are available and explained
in the following Section.
3.2.1 SPECIAL RELIEF AND TRADE SECRETS. Since Copyright Office
records are open to the public, trade secrets could be lost if you
deposit a significant portion of your source code. Recognizing
this possibility, the Copyright Office provides for special relief
from the above deposit options. Just write a letter to the Chief
Examiner requesting special relief, and the following deposit
options are available:
(1) The first 25 and last 25 pages of source code with up to
50% blocked out. The blocked-out portions must be proportionately
less than the material remaining. Some people photocopy the source
code through a clear plastic sheet with masking tape blocking out
half the sheet.
(2) The first and last 10 pages of source code with NO blocked
out portions.
(3) The first and last 25 pages of object code, plus any 10 or
more consecutive pages of source code with NO blocked-out portions.
3.2.2 OBJECT CODE AND RULE OF DOUBT. As mentioned before, in
rare cases you may deposit object code. Deposits of object code
are subject to the Copyright Office's "Rule of Doubt." This
means that the Copyright Office has accepted the deposit material
for filing purposes without making any independent determination of
its copyrightability.
3.2.3 COMPUTER SCREEN DISPLAYS. Computer programs and screen
displays should be registered as a single work. All copyrightable
expression owned by the same claimant and embodied in a computer
program, or first published as a unit with a computer program,
including computer screen displays, is considered a single work
and should be registered on a single application form.
There is no need to refer to screen displays on the TX
application. However, once you mention screens or other audio-
visual whistles and bells, you must send copies of screens,
printouts, photographs, drawings, or VHS and the Copyright Examiner
will be forced to make a judgment call on each screen. Deposit of
screen displays is disfavored by the Copyright Office and will
drastically slow down the application process.
3.3 MAILING
Pack up your application form, the deposit material, and the
filing fee, and address the whole package to:
Register of Copyrights
Library of Congress
Washington D.C. 20559
Regular U.S. mail is fine, certified or registered delivery
is not necessary. However, it is a good idea to send include a
cover letter listing the contents of your package. It also helps
to include a self-addressed postcard for the Copyright Office
mailroom to date-stamp and return to you acknowledging receipt
(see Appendix). On the postcard, list everything sent in the
package.
3.4 OFFICE ACTION
Processing by the Copyright Office usually takes about three
to six months. If the Examiner has any questions, you will receive
a letter or phone call. Communications are quite informal, but you
do need to reply to Office actions no later than six months.
Hopefully, the only thing you will receive is a big brown U.S.
government envelope containing your Certificate of Copyright
Registration.
3.5 ABOUT THE AUTHOR
Beach A. Craigmyle is a lawyer in Louisville, Kentucky. He
is a former programmer/analyst, information systems auditor, and
consultant. He concentrates his legal practice in the areas of
computer law and intellectual property. His office address is:
2500 Brown & Williamson Tower, Louisville, Kentucky 40202, phone
(502) 584-1135, FAX (502) 561-0442. He may also be reached
through the BBS Support (502) 561-0742 (SYSOP), GEnie
(B.CRAIGMYLE), and on CompuServe (72426,2567)
================================================================
APPENDIX
The documents included in the appendixes below could not be
attached to the disk version of this booklet because they are
typeset. Basically, they look like any other government document
with lots of lines, boxes, and fine print.
================================================================
APPENDIX A
Blank Forms TX and TX/CON
================================================================
APPENDIX B
Example TX Form Completed
Certificate of Copyright Registration
================================================================
APPENDIX C
Request for Special Handling
================================================================
APPENDIX D
Correspondence with Copyright Office
1. Transmittal letter
2. Request for Special Relief
================================================================
INDEX
References are to Sections and to Appendixes.
Abridgements, 2.6
Additions, 1.2, 2.6.2
Anonymity, 2.2.4
Assignment, 2.4.4
Authorship, 2.2.5
BBS support, 3.5
Birthdate, 2.2.1
Blind or handicapped, 2.8
Business name, 2.2.1
Certificate, 1.3, 2.11, Appx B
Claimant, 2.4, 2.2
Coauthor, see Joint
Collection, 2.1
Compilations, 1.2, 2.6
Copying, 1.3, 1.4
Correspondence, 3.3
Courts, 1.3, 1.4
Creation, 1.5, 2.3.1
Damages, 1.4
Dates, 1.4, 2.3
Deposit material, 3.2
Derivative works, 1.2, 2.6
Documentation, 1.2, 3.2
Domicile, 2.2.3
Employment, 2.2.2, 2.4
Expedited handling, 1.4
Expressions, 1.1, 1.2
Fees 2.0, 1.4
Help, 3.5
Ideas 1.1, 1.2
Infringement 1.4
Injunction, 1.3
Joint authors, 2.2, 2.4.3, 2.5
Judgment, 1.4
Mailing address, 2.9, 2.11, 3.3
Merger doctrine, 1.2
Microcode, 1.2
Nationality, 2.2.3
Notice, 1.5
Object code, 1.2, 3.2.2
Patents, Intro, 1.5
Preexisting material, 2.6
Previous registration, 2.5
Pseudonym, 2.2.4
Public domain, 1.2, 2.6.3
Publication, 2.3.2, 2.5, 2.10
Rights, 1.3, 1.2
Rule of doubt, 3.2.2
Screen displays, 1.2, 3.2.3
Signature, 2.10
Similarity, 1.4
Source code, 1.2, 3.2, 3.2.1
Special handling, 1.4, Appx C
Special relief, 3.2.1, Appx D
Titles, 2.1, 2.5
Trade Secrets, 1.5, 3.2.1
Trademarks, Intro, 1.5, 2.1
Transfer statement, 2.4, 2.4.4
Translations, 1.2, 2.6
TX Form, 2.0, Appx A
User interface, 1.1, 1.3
User manual, 1.2, 3.2
Work for hire, 2.2, 2.2.2
Written agreement, 2.2.2, 2.4.4
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