1658 lines
66 KiB
Plaintext
1658 lines
66 KiB
Plaintext
From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
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Newsgroups: alt.rock-n-roll.acdc
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Subject: FAQ - or: RE: bonny
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Message-ID: <1992Dec16.170653.11073@wega.rz.uni-ulm.de>
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Date: Wed, 16 Dec 1992 17:06:53 GMT
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Organization: University of Ulm, Germany
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Lines: 1650
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This is the FAQ (Frequently Asked Questions)
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for alt.rock-n-roll.acdc
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/\ /\ ,-------, /\
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/\ \ / \ <_ ,--, \ / \
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/ I \ \ / / \_ / ____ I I \ \ / / \_ /
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I I \ I I I / / I I I I I I
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I I____I I I I / /__ I I I I I I
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I _____ I I I __ /__ / I I I I I I __
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I I I I I \/ \ I / I I / / I \/ \
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< > < > \ / I / < \_/ / \ /
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\/ \/ \ / I/ \ ___/ \ /
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This is version 1.02 from November 1992
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CONTENTS (in that order):
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* Listing of normal AC/DC-records and songs
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* Listing of AUSTRALIAN AC/DC-records and songs
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* who on earth was Dave Evans
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* When and how did the first singer, Bon Scott, die ?
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* Which Books are available?
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* Where did Chris Slade, the new drummer, come from?
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* What's the meaning of "The Jack"
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* the AC/DC-article in The Hitchhiker's Guide To The Galaxy
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* Malcolm Young
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* Angus Young
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* Bon Scott
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* When and why did Steve Young play at AC/DC?
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* What rare songs with Brian Johnson exist?
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* Fraternity/Valentines - Bon Scott BEFORE AC/DC (in 1967-1973)
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* 1991 concert - play lists
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* AC/DC Videos
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* Why "Fling Thing" is called "Bonny"
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* and AC/DC-logo as Bitmap
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It is just a collection of interesting postings. If anyone wants anything to
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add, please post to the newsgroup or reply to me.
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-------here-we-go--------
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From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
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Subject: Records listings
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The track-listings of each record differ from country to country.
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I is a well known fact that the australian Bon God pressings have
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special songs nowhere else available.
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But even the german and the american pressings differ.
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I want to find out WHAT DIFFERENT VERSIONS of AC/DC records exist worldwide.
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So here is my german listing (missing some new stuff).
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Please add you comments if your record is different.
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'74 Jailbreak (Released in 1984 in USA)
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From: <BKC100@psuvm.psu.edu>
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Jailbreak
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You Ain't Got A Hold On Me
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Soul Stripper
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Show Business
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Baby, Please Don't Go
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HIGH VOLTAGE ['76]
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It's A Long Way To The Top If You Wanna Rock'n'Roll
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Rock'n'Roll Singer
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The Jack
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Live Wire
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T.N.T.
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Can I Sit Next To You Girl
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Little Lover
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She's Got Balls
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High Voltage
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DIRTY DEEDS DONE DIRT CHEAP ['76]
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Dirty Deeds Done Dirt Cheap
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Love At First Feel
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Big Balls
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Rocker
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Problem Child
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There's Gonna Be Some Rockin'
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Ain't No Fun Waiting Round To Be A Millionaire
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Ride On
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Squealer
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LET THERE BE ROCK ['77]
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Go Down
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Dog Eat Dog
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Let There Be Rock
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Bad Boy Boogie
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Overdose
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Crabsody In Blue
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Hell Ain't A Bad Place To Be
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Whole Lotta Rosie
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POWERAGE ['78]
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Rock'n'Roll Damnation
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Gimme A Bullet
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Down Payment Blues
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Gone Shootin'
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Riff Raff
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Sin City
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Up To My Neck Into You
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What's Next To The Moon
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Cold Hearted Man
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Kicked In The Teeth
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HIGHWAY TO HELL ['79]
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Highway To Hell
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Girls Got Rythm
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Walk All Over You
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Touch Too Much
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Beating Around The Bush
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Shot Down In Flames
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Get It Hot
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If You Want Blood
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Love Hungry Man
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Night Prowler
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BACK IN BLACK ['80]
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"I thenk Bock An Block is ey vary gooood Album" [Brian Johnson]
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Hells Bells
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Shoot To Thrill
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What Do You Do For Money Honey
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Giving The Dog A Bone
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Let Me Put My Love Into You
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Back In Black
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You Shook Me All Night Long
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Have A Drink On Me
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Shake A Leg
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Rock'n'Roll Ain't Noise Pollution
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FOR THOSE ABOUT TO ROCK ['81]
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For Those About To Rock
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Put The Finger On You
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Let's Get It Up
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Inject The Venom
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Snowballed
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Evil Walks
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C.O.D
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Breaking The Rules
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Night Of The Long Knives
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Spellbound
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FLICK OF THE SWITCH ['83]
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Rising Power
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This House Is On Fire
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Flick Of The Switch
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Nervous Shakedown
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Landslide
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Guns For Hire
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Deep In The Hole
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Bedlam In Belgium
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Badlands
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Brain Shake
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FLY ON THE WALL ['85]
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Fly On The Wall
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Shake Your Foundations
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First Blood
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Danger
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Sink The Pink
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Playing With Girls
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Stand Up
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Hell Or High Water
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Back In Business
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Send For The Man
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--
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Felix Buebl | O O | --++**## Ministry Of ##**++--
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buebl@expane.medizin.uni-ulm.de | \___/ | --++**## Silly Talks ##**++--
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+---+ appended article #69 ---
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From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
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Subject: Australian Records List (Re: Love Song?)
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The australian releases of AC/DC:
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HIGH VOLTAGE ['74]
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Baby Please Don't Go
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She's Got Balls
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Little Lover
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Stick Around
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Soul Stripper
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You Ain't Got A Hold On Me
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Love Song
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Show Business
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T.N.T. ['75]
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It's A Long Way To The Top (If You Wanna Rock'n'Roll)
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Rock'n'Roll Singer
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The Jack
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Live Wire
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T.N.T.
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Rocker
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Can I Sit Next To You Girl
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High Voltage
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School Days (from Chuck Berry)
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DIRTY DEED DONE DIRT CHEAP ['76]
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Dirty Deads Done Dirt Cheap
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Aint' No Fun
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There's Gonna Be Some Rockin'
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Problem Child
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Squealer
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Big Balls
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R.I.P. (Rock In Peace)
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Ride On
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Jailbreak
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LET THERE BE ROCK ['77]
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Go Down
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Dog Eat Dog
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Let There Be Rock
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Bad Boy Boogie
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Overdose
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Crabsody In Blue
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Hell Ain't A Bad Place To Be
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Whole Lotta Rosie
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POWERAGE ['78]
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Rock'n'Roll Damnation
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Down Payment Blues
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Gimme Bullet
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Riff Raff
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Sin City
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Next To The Moon
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Gone Shootin'
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Up To My Neck In You
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Kicked In The Teeth
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HIGHWAY TO HELL ['79]
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Highway To Hell
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Girls Got Rythm
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Walk All Over You
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Touch Too Much
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Beating Around The Bush
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Shot Down In Flames
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Get It Hot
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If You Want Blood (You've Got It)
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Love Hungry Man
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Night Prowler
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Felix buebl@expane.medizin.uni-ulm.de -+*# Ministry Of Silly Talks #*+-
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+---+ appended article #15 ---
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From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
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Subject: First AC/DC singer was NOT Bon Scott
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AC/DC had in their first month an other lead-singer called "Dave Evans"
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(if I remember that correctly). There was one single recorded with Dave
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Evans ("Rockin' in Parlour" with "Can I Sit Next To You, Girl").
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But soon Bon Scott joined the band.
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Felix
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+---+ appended article #66 ---
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From: lacorte@andromeda.rutgers.edu (Robert Lacorte)
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Newsgroups: alt.rock-n-roll.acdc
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BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix) writes:
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>Bon Scott died in 1980.
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>He was found dead in his car.
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>The music-press claimed that he died on alcohol, but the band AC/DC
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>itself said in several interviews that he died on a natural cause.
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>The first album after his death was "Back In Black", which included
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>a song called "Have A Drink On Me". Many People thought that "Me" stood for
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>"Bon Scott", but the band denied this.
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>Felix buebl@expane.medizin.uni-ulm.de -+*# Ministry Of Silly Talks #*+-
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I have read this in many book, articles and the like. He was a know alcoholic,
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And the truth (as far as we'll ever know) is that he pulled a Jimmy Hendrix
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(choked on his own vomit)...
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Rob from NCAS
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Rutgers, Newark
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+---+ appended article #63 ---
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From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
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Subject: Re: Date of Bon's Death
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Bon Scott died on the 19th Februar of 1980 (he was born on the 9th Juli 1946).
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so he got 666 years old
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Felix buebl@expane.medizin.uni-ulm.de -+*# Ministry Of Silly Talks #*+-
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+---+ appended article #41 ---
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From: NETWAY::"d0mof@dtek.chalmers.se" 5-MAR-1992 20:57:07.51
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Subj: Re: Is there any AC/DC Book?
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In alt.rock-n-roll.acdc you write:
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>I have never seen a book about AC/DC - does someone know such thing?
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>If you know any written source of information, please tell it to this
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>newsgroup.
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>Felix
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Ok, the book is called AC/DC and it's written by Malcolm Dome.
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It was given out in a rock series by Proteus books London
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and New York. Published in 1982. The address to Proteus
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was like this in 1982. (Dunno if it still is the same)
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U.S
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Proteus Publishing CO.,inc.
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733 Third Avenue
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New York, N.Y 10017
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U.K
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Proteus (Publishing) Limited
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Bremar House
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Sale Place
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London, W2 1PT
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The book is easy to read and full of interesting things for
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an AC/DC afficionado. Note I don't get paid to say that :) Hope
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they still have some left.
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C ya
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Marcus
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+---+ appended article #172 ---
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From: stever@hpcvts.cv.hp.com (Steve Rhoads)
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Subject: AC/DC Books (Yep, there are a few!)
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A request was posted a while back regarding books about AC/DC. Here a few that
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I am aware of:
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1) The AC/DC Story - Paul Ezra
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2) Hell Aint No Bad Place To Be - Richard Bunton
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3) AC/DC HM Photo Book - Omnibus Press
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I have #1 and #3, but have not been able to locate #2.
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------------------------------------------------------------------------
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Steve A. Rhoads stever@hpcvts.cv.hp.com
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------------------------------------------------------------------------
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From: PETER.GORMLEY@OFFICE.WANG.COM ("Peter Gormley")
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Subject: AC/DC Books
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Here is a list of the AC/DC books I know of. I haven't read some of these in
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a while, so the descriptions are not as detailed as they could be.
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AC/DC by Malcolm Dome Proteus Books
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A history of the band up to the release of For Those About To Rock. It's
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interesting that in the last chapter, the author predicted the band would
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be slowing down their schedule after the FTATR tour, taking approximately
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two years between albums. As it turns out he was just about right. The cover
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picture is the same as the poster that was in the French LP box set. Disc-
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ography in the back.
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AC/DC-Hell Ain't No Bad Place To Be by Richard Bunton Omnibus Press
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Again, this is a history of the band through FTATR. There are some cool
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old pictures, including some with original singer Dave Evans. There are
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also some errors in picture captions, and for some reason the author
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decided to include some pictures of people only peripherally associated
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with the band (backup bands, a writer.) Discography in the back of the
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book, including bootlegs.
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AC/DC Heavy Metal Photo Book Omnibus Press
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Lots of incredible photos in BW and color. This is a must have for any
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fan of the band.
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*************The following are all music books***************
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Original Angus Young-An Annotated Guide To The Guitar Technique of Angus Young
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Arti Furnaro Amsco-Wise Publications
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This book contains musical transcriptions of 20 AC/DC songs and the solos
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Angus plays in them. There are many good BW pictures of Angus in here. This
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book is interesting because the author knew little of the band when he did
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the transcribing. His comments in the introduction and with each transcription
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provide some interesting insight as to the bands music from a musicians
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standpoint.
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AC/DC Best Of Their High Energy Hits "The Years With Bon Scott" Big3 Books
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This book has music to a bunch of songs through Highway To Hell. The
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cover has a great series of pictures of the band...looks like their playing
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an outdoor show in Hawaii. There are some nice pictures inside as well. There
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are also Angus and Bon cutout paper dolls included!!
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"Here's your very own Angus Young paper doll, to bend, fold and mutilate...
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...and your very own Bon Scott paper doll, cut him out and color him in...
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let your fantasies run wild!"
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AC/DC Back in Black Big3 Books
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Music to all the BIB songs, as well as earlier hits from the Bon era.
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Some good BW pictures, looks like they were taken at the early video shoot
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that went with the BIB album.
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AC/DC Dirty Deeds Done Dirt Cheap Big3 Books
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Music to all the DDDDC tunes (the US and Europe version of the LP.) A
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few interesting pictures, all BW, and all with the band members eyes
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covered by that blackout as used in the LP.
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AC/DC For Those About To Rock We Salute You Big3 Books
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Music to all the FTATR tunes, as well as many color pictures, most
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all of them taken from live shows.
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*********************The following is a comic book*************************
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AC/DC Rock-n-Roll Comics Jay Allen Sanford, Mike Sagara, Todd Loren
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A history of the band through release of The Razors Edge, in comic
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book form. It's decently put together, but there are some questionable
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perspectives on things. Ex: The book states that Phil Rudd left the
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band because he thought they were stale and could not keep up with him.
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Has anyone ever heard that story before? The book does include a classic
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Malcolm Young quote at the end, which originally was published in a
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Musician magazine interview with Charles M. Young (no relation.)
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"Most people, when they progress, they progress right up
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their asses...we just try to keep it exciting."
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Malcolm Young
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There is also a short cartoon at the end of the comic book about a
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drunken young man helped out of the gutter by a stranger who warns him
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that a bottle, like any drug, equals death. The stranger's identity is
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revealed at the end of the story...he is Bon Scott.
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Sometime I will post a list of all the magazine articles I have. That will
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take considerably longer to organize, however, so it won't happen soon.
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"Nobody's playin' Manilow...nobody's playin' soul!"
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Peter
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+---+ appended article #51 ---
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From: <BKC100@psuvm.psu.edu>
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Subject: Re: HELP
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In article <6MAR199210491849@ariel.lerc.nasa.gov>, aclarko@ariel.lerc.nasa.gov
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(Jeff M. Larko) says:
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>I hpoe someone out there can help answer a couple of nagging questions
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>that I have:
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>1. When, and from what band, did AC/DC acquire Chris Slade ?
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Just prior to the recording of "The Razors Edge" album... Chris Slade was
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in The Firm, along with Paul Rodgers of Free/Bad Company fame, Tony Franklin
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on bass, and Jimmy Page from a popular '70s British outfit that went by the
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name "Led Zeppelin"... :)
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>2. Which band members are married ? To whom, and for how long ?
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> Which band members have children ?
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Not sure about this one.... Angus always wears a wedding band.... I am
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almost postitive Brian is married, too.... The rest---I'm not sure...
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>3. What is AC/DC's current tour schedule (cities & dates) ?
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To my knowledge, they SHOULD be off tour now... They really got around
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on "THE RAZORS EDGE"... I saw them twice in Pittsburgh, PA on that tour
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alone...
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>I appreciate any information that anyone can provide. Thanks.
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Surely... Anytime...
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Brian K. Chopp BKC100@PSUVM.PSU.EDU
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Penn State University
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"AC/DC---High Voltage Rock-n-Roll!!!"
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+---+ appended article #65 ---
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From: lacorte@andromeda.rutgers.edu (Robert Lacorte)
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Subject: Re: meaning of "The Jack"
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oakland@ee.tamu.edu (Mark Oakland) writes:
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>Is it true that "The Jack" is Australian slang for a
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>sexually transmitted disease? The song is hilarious
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>and my vote for favorite AC/DC cut.
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Yes, you got it. They actually worte that song becuase they used to pass around
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females, and they all caught VD...This I got from reading a book that was given
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the best review in Kerrang!
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Rob from NCAS
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Rutgers, Newark
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+---+ appended article #53 ---
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Subject: Re: A AC/DC Video question
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From: tr2001@mailserver.bgsu.edu
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In article <1992Mar5.101841.25770@wega.rz.uni-ulm.de>, BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix) writes:
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>
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> I normally don't watch any music-videos, but I saw some AC/DC-video of a
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> new song recently (I think it was Thunderstruck).
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The name of the song was "Are You Ready," and it had nothing to do with
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short hair or pop music...it was just a play on conformity...turning everyone
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into AC/DC zombies...they used the same theme in "Who Made Who", with every-
|
|
body dressed like Angus and playing cardboard Gibson SG's.
|
|
|
|
Tom Root
|
|
|
|
+---+ appended article #3 ---
|
|
|
|
From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
|
|
Subject: Hitchhiker's Guide article
|
|
|
|
Hello froods!
|
|
|
|
For those of you who know "The Hitchhiker's Guide To The Galaxy" by
|
|
Douglas Adams:
|
|
The NEWS-readers around the world a writing their own GUIDE in the
|
|
newsgroup alt.galactic-guide - and I think there should be some entry
|
|
concerning AC/DC!
|
|
|
|
I began an article, but it I think it is very unfinished.
|
|
|
|
I ASK EVERYONE TO ADD SOME SILLY TEXT TO THIS ARTICLE!
|
|
|
|
(don't worry about the lines beginning with "%ykvsjnlysk" - just headers)
|
|
|
|
|
|
8<-----cut-----here---------------------------------------------------
|
|
|
|
%t AC/DC
|
|
%s Let There Be Rock
|
|
%a Felix Buebl
|
|
%d 19920113
|
|
%x xrefs
|
|
%i bon scott
|
|
%i scott bon
|
|
%i angus young
|
|
%i angus
|
|
%i malcolm young
|
|
%i young
|
|
%i malcolm
|
|
%i phil rudd
|
|
%i cliff williams
|
|
%i brian johnson
|
|
%i johnson brian
|
|
%i acdc
|
|
%i hardrock
|
|
%i rock'n'roll
|
|
%i rock
|
|
%i heavy metall
|
|
%e
|
|
In the beginning rock-music was created. This made a lot of people
|
|
very angry and has been widely regarded as a bad move. Many People
|
|
think it was created by some sort of whoops-bang-boom-frood, but
|
|
the _AC/DC_ fans of Earth think that in fact it was sneezed out
|
|
by a beeing called _The great Bon Scott_.
|
|
|
|
Bon Scott, who already had made experience with his former bands
|
|
in the late 60ties, The Valentines and The Fraternity, was the so called
|
|
"singer" of the australian band "AC/DC". "singer" is incorrect, for
|
|
Bon Scott had a voice which was more than dirty, a voice like a Fling Thing,
|
|
a job you better call "sneezer" than "singer".
|
|
|
|
He was accompanied since 1974 by Phil Rudd (dr.), Cliff Williams (bs.),
|
|
Malcolm Young (guit.) and Angus Young (lead guit.), who fell in a cauldron
|
|
filled with pangalactic gargelblaster when he was a child. Angus was
|
|
16 years old when the first record was recorded.
|
|
|
|
The last album with _The Great Bon Scott_ was Highway To Hell in 1979,
|
|
which was the first album (in australia - their origin) with the well known
|
|
|
|
/\ /\ ,-------, /\
|
|
/\ \ / \ <_ ,--, \ / \
|
|
/ I \ \ / / \_ / ____ I I \ \ / / \_ /
|
|
I I \ I I I / / I I I I I I
|
|
I I____I I I I / /__ I I I I I I
|
|
I _____ I I I __ /__ / I I I I I I __
|
|
I I I I I \/ \ I / I I / / I \/ \
|
|
< > < > \ / I / < \_/ / \ /
|
|
\/ \/ \ / I/ \ ___/ \ /
|
|
|
|
logo.
|
|
|
|
_The Great Bon Scott_ died 1980.
|
|
|
|
His succesor, Brian Johnson from the band Geordie, happend to produce
|
|
their best album, BACK IN BLACK.
|
|
%e
|
|
8<-----cut-----here---------------------------------------------------
|
|
|
|
Felix buebl@expane.medizin.uni-ulm.de
|
|
|
|
|
|
|
|
+---+ appended article #101 ---
|
|
|
|
From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
|
|
|
|
This is what I found in a Autumn '87 issue of METAL ATTACK about
|
|
Malcolm Young:
|
|
|
|
Malcolm, Angus's elder brother, has been described as the business brains
|
|
behind AC/DC. As the second guitarist, he is responsible for the broad
|
|
sweep of AC/DC's sound and he is cowriter of much of the material.
|
|
But behind the scenes his word is said to be "law" on such matters as
|
|
organising when and where the band go on tour, when to make an album
|
|
or an film soundtrack, or wether they do their least favourite task,
|
|
which is to meet the media. The general feeling within AC/DC is that
|
|
the press didn't help them in their early days when they could have
|
|
used some.
|
|
|
|
Malcolm was born on January 6. 1953 in Glasgow. Both he and Angus formed
|
|
seperate bands, when they were kids in Sidney, with Malcolm in various
|
|
boogie rock groups. But Malcolm taught his brother many guitar licks
|
|
and eventually they got together in 1973. He had to wait for Angus to
|
|
get out of school before they could start gigging together and their
|
|
first performance was at the Chequers Club in Sydney. Already Angus
|
|
had developed into a lead player while Malcolm played rhythm.
|
|
But it was Malcolm whose strong motivation turned AC/DC into a going
|
|
concern and Malcolm the "Riff Maker" was the man who pulled the group
|
|
in order to carry on after the tragic death of Bon Scott.
|
|
|
|
Felix buebl@expane.medizin.uni-ulm.de --++**## Ministry Of Silly Talks ##**++--
|
|
|
|
+---+ appended article #102 ---
|
|
|
|
This is what I found in a Autumn '87 issue of METAL ATTACK about
|
|
Angus Young:
|
|
|
|
Angus Young typifies the spirit of AC/DC on his outlook and approach to life.
|
|
He believes in honesty and not image, if the band earned a reputation as hell
|
|
raisers in their early days, they deserved it because it was all true.
|
|
Even his famous schoolboy act is only a continuation of his juvenile deliquent
|
|
past.
|
|
Says Angus: "The only image we've ever had is what we really are."
|
|
When Angus hurls himself into a tantrum on stage, it's the same sort of
|
|
explosive behaviour that he unleashed in his first groups.
|
|
Angus has always been a fighter, wether blowing up his amps or smashing
|
|
his guitar, or taking any music business people he thinks are phonies.
|
|
|
|
Angus was born on March 31. 1959 in Glasgow. His older brother Malcolm
|
|
was always getting into fights, and things didn't change much when the
|
|
family moved to australia in the early sixties. Angus was expected to
|
|
be a trouble maker too and recalls he got the cane on his first day at
|
|
school. The rest of his schooldays he describes as "Unhappy. I always
|
|
played truant. I was a bad pupil and only liked art. The school seemed
|
|
to take pride in keeping you in the dark. I was really surprised at the
|
|
way people lived outside Australia when I left it."
|
|
|
|
Angus left school at 15. It was the staid background of life in Australia
|
|
in the sixties that made the Youngs, and Angus in particular fight against
|
|
establishment values.
|
|
|
|
Angus's stage act developed out of quite practical considerations. He wore
|
|
shors because jeans in a hot climate were too sweaty and uncomfortable to
|
|
play in.
|
|
|
|
As a guitarist, he owes much to Chuck Berry. One of the few other players
|
|
he has ever acknowledged as an influence is Pete Townshend of The Who.
|
|
He liked the anger Pete generated on stage, which began the tradition
|
|
of destroying guitars and amplifiers.
|
|
|
|
Felix buebl@expane.medizin.uni-ulm.de --++**## Ministry Of Silly Talks ##**++--
|
|
|
|
+---+ appended article #103 ---
|
|
|
|
This is what I found in a Autumn '87 issue of METAL ATTACK about
|
|
Bon Scott
|
|
|
|
Bon Scott was the mad genius who gave AC/DC it's sweaty, vilent charisma
|
|
and perhaps their reason for existence. His gravely voice, and controversial
|
|
lyrics epitomised by classics like "Whole Lotta Rosie" were vital
|
|
ingredients in the band's succes. While the Young brothers provided the
|
|
wall of sound and the spectacle, Bon Scott added depth, describing himself as
|
|
"the poet" of the band. Hard drinking Bon was originally the band's roadie,
|
|
who felt he could be their singer. It was Angus who agreed with the idea and
|
|
said: "We knew Bon could sing better than he could drive".
|
|
|
|
Ronald Belford Scott was born on July 9. 1946 and emigrated to Australia
|
|
when he was five years old. He found Australia life very straitlaced, and
|
|
felt empathy with those other rebellious Scots, Angus and Malcolm.
|
|
He was called "The Old Man" by the crew as he was the oldest member of the
|
|
band, but with his short temper, intimisatting tattoos and lust for wine,
|
|
woman and song, Bon wasn't the kind of guy to pick an argument with.
|
|
In fact, he was very friendly and likeable, but he certainly got into a lot
|
|
of trouble in his youth.
|
|
|
|
He had been a singer and drummer with a lots of rock bands and even played
|
|
drums with an Autralian Scottish Pipe Band until he was 16. He worked as a
|
|
painter, was put in jail on an assault charge for two years, and emerged as
|
|
an early Aussie beatnik, walking around Melbourne with a pet boa contrictor
|
|
round his neck!
|
|
|
|
Success did not tame Bon Scott and he carried on drinking and having a
|
|
good time untils his life style caught up with him and he died at the age
|
|
of 24 in 1980 in London. He was found dead in a friend's car parked outside
|
|
a flat where he had been sleeping off a drinking session. An inquest later
|
|
pronounced he drank himseld to death. But the band denied and recalled that
|
|
even though he could drink most people under the table, he was always on
|
|
time for a gig, and put his life and soul into the band.
|
|
He was their mate, and is still greatly missed
|
|
|
|
Felix buebl@expane.medizin.uni-ulm.de --++**## Ministry Of Silly Talks ##**++--
|
|
|
|
+---+ appended article #123 ---
|
|
|
|
From: zuhars@madrone.eecs.ucdavis.edu (Gary Built For Maximum Safety Huckabay)
|
|
Subject: Re: Brian Johnson
|
|
|
|
(Kory "The Great One" Hopkins) writes:
|
|
>I heard a rumour that Bon Scott actually chose Brian Johnson
|
|
>to be his replacement in a way. Before Scott's death AC/DC
|
|
>had gone to see Johnson play on a number of occasions and Scott
|
|
>felt that Johnson was quite good. So when Bon died the rest
|
|
>of the band approached Johnson and asked him to sing in the band.
|
|
>
|
|
>Is this true?
|
|
|
|
Sorry, Kory, but nice as this sounds, it's not true. AC/DC had
|
|
basically chosen Allen Fryar, of "Heaven" (another hard rock band from
|
|
Australia) to replace Bon. Then, they got a letter and a tape from a
|
|
14-year old fan in chicago informing them of Johnson. They contacted
|
|
Johnson, who was upholstering autos at the time, auditioned him, and
|
|
hired him on the spot.
|
|
|
|
It's a nice story put out by Atlantic Records' publicity machine about
|
|
AC/DC. They have others, too, like Angus Young's birthday being in
|
|
1959. It isn't. Angus was actually born in 1954, not March 31st,
|
|
1959, as Atlantic claims.
|
|
|
|
Sorry, but there's no easter bunny, either.
|
|
|
|
|
|
|
|
--
|
|
* Gary Huckabay * "She's respected, even by the GUYS on the net?" *
|
|
* "Healing better * "Definitely. No one crosses her - but not because *
|
|
* than previously * we're afraid of her - just because she's almost *
|
|
* expected." * always right. And she probably knows our true age." *
|
|
|
|
+---+ appended article #155 ---
|
|
|
|
From: labrie@bnrmtl.bnr.ca (Dany Labrie)
|
|
Subject: Re: Steve Young On Tour?
|
|
|
|
|>On the "Blow Up Your Video" Tour of 1988, Steve Young (I believe he is one the
|
|
|>Young brothers) filled in for Malcolm on the show I saw and most of the tour,
|
|
|>I do believe...
|
|
|>
|
|
|>What was the reason for Malcolm's absence?
|
|
|
|
Malcolm stayed with his family for a while trying to get over his
|
|
alcool addiction. Whether he succeeded or not, future will tell.
|
|
|
|
bnrmtl!labrie@larry.mcrcim.mcgill.edu
|
|
|
|
"Life sucks... but so does my girlfirend :-)"
|
|
|
|
+---+ appended article #157 ---
|
|
|
|
From: BUEBL@rzmain.rz.uni-ulm.de (Buebl Felix)
|
|
Subject: "Down On The Borderline" from AC/DC
|
|
|
|
A frienf of mine bought a australian Maxi-single of "Moneytalks".
|
|
|
|
It has the song "Down On The Borderline" on the flipside (after
|
|
Mistress 4 Xmas).
|
|
|
|
This seems to be an Blow Up Your Video - Outtake. It sounds like BUYV, and
|
|
it's written by Young/Young/JOHNSON.
|
|
|
|
Now the Non-record-Brian-Johnson tracks I know are
|
|
|
|
- Snake Eye
|
|
- Borrowed Time
|
|
- Down On The Border Line
|
|
|
|
does anyone else knoe any other rare Brian-songs?
|
|
|
|
Felix buebl@expane.medizin.uni-ulm.de --++**## Ministry Of Silly Talks ##**++--
|
|
|
|
+---+ appended article #161 ---
|
|
|
|
Felix:
|
|
My keyboard went haywire, so the first post I sent you is incorrect.
|
|
Please post this instead. Thanks, Peter
|
|
|
|
- that's what I did. Felix
|
|
|
|
In <92087.090950BKC100@psuvm.psu.edu> Brian K. Chopp writes:
|
|
|
|
>On the "Blow Up Your Video" Tour of 1988, Steve Young (I believe he is one the
|
|
>Young brothers) filled in for Malcolm on the show I saw and most of the tour,
|
|
>I do believe...
|
|
>What was the reason for Malcolm's absence?
|
|
|
|
At the time there were two reasons (rumours) as to the nature of Malcolm's
|
|
absence from the tour -- both may be true. The first was that he was
|
|
tending to a sick son, the second that his drinking was getting out of
|
|
hand and he needed time to regain control of himself.
|
|
|
|
Stevie Young is a cousin of Malcolm and Angus (and George, and Alex, etc.)
|
|
who played rhythm guitar in a band of his own called Starfighters back
|
|
in the early to mid 80's. I think they were based in England, and had a
|
|
style and sound very much like AC/DC. which explains why Stevie fit in so
|
|
naturally on the tour. By the way, the Starfighters albums (there were 2
|
|
I know of) are pretty interesting. Same approach as AC/DC - I heartily
|
|
recommend the first (self titled), while the second (In Flight Movie)
|
|
is ok, but not as good as the first.
|
|
|
|
In <1992Mar27.085819.8004@hemlock.cray.com> jeffy@cray.com (Jeff Neau)
|
|
writes:
|
|
|
|
>nephews. The funny thing is, he looked like Malcolm from a distance and
|
|
>played the same Epiphone guitar... Strange.
|
|
|
|
Malcolm has played a Gretsch Rock Jet stripped of all controls but the
|
|
volume for a number of years. He used to have a larger bodied Gretsch
|
|
as well, but says that after someone "fixed" it, it lost the sound he
|
|
liked it for and he got rid of it. In the "Are You Ready" video, he is
|
|
playing an orange Gibson, supposedly he was working with them on a
|
|
new guitar, not for endorsement, but for himself since he only has one
|
|
that he likes. Is Epiphone related to Gretsch?
|
|
Peter
|
|
|
|
|
|
+---+ appended article #173 ---
|
|
|
|
From: stever@hpcvts.cv.hp.com (Steve Rhoads)
|
|
Subject: Bon Scott (Pre-AC/DC)
|
|
|
|
I posted this to the net last year, but think a few of you will find it
|
|
interesting. Liner notes from an record (yuck!) album that my wife found
|
|
for me in Vancouver B.C.
|
|
|
|
enjoy, excuse the typo's some were in the liner notes, some are the slip
|
|
of the fingers.
|
|
|
|
------------------------------------------------------------------------
|
|
|
|
Bon Scott Seasons Of Change 1968-1972
|
|
|
|
Raven Records
|
|
P.O. Box 92
|
|
Camberwell 3124
|
|
Australia
|
|
|
|
Liner notes by Glenn A. Baker
|
|
|
|
I encountered Bon Scott a number of times during the 70's and each
|
|
meeting served to increase my incredulity that performer's public image
|
|
could be so at odds with his real personality. Bon really was a sweet
|
|
man. He was warm, friendly and uncommonly funny. He did not breathe
|
|
fire, pluck wings off flies or eat children whole. And while his
|
|
daunting stage persona of lacivious leers and blood curdling howls was
|
|
by no means fraudulent, it was most certainly a professional cloak that
|
|
could be worn at convenient moments.
|
|
|
|
When Bon had replaced Dave Evans as leader of AC/DC at the end of 1974,
|
|
he was already a bona-fide Oz Rock veteran, with two stints in prominent
|
|
hit bands under his belt. In one he had been a fluffy, gossamered pop
|
|
idol, in the other a cosmic, hirsute, heavily philosophical hippie. By
|
|
the time he climbed into working class denim he must have been suffering
|
|
no small identity crisis. Yet he was never anything less than
|
|
convincing in any of his musical roles.
|
|
|
|
A rough'n'tumble Scotsman, Bon first came to prominence in Perth's
|
|
hottest 60's pop sensations, The Valentines. Like Adelaide's Twilights,
|
|
the band fronted two lead singers - Bon and Vince Lovegrove (later
|
|
manager of the Divinyls)- and was adept in the manipulation of screaming
|
|
teenies. After some rudimentary recordings for Perth's Clarion label in
|
|
1967-68, The Valentines moved base to Melbourne where they joinged the
|
|
Zoot and New Dream as frontrunners in a bubblegum pop boom.
|
|
|
|
Yet, although there was an undeniable chirping commerciality about the
|
|
Valentines Melbourne recordings, there was also a solid, rocking base
|
|
which rendered them appealing and more than credible. The band cut six
|
|
tracks for Ron Tudor's June Productions, which were leased to the
|
|
Philips label. Two of those six (which constitute side one of this
|
|
record) - Harry Vanda & George Young's "My Old Man's A Groovy Old Man"
|
|
and the original Juliette- became moderate national hits. The latter
|
|
was an early example of Bon's strong, expressive voice.
|
|
|
|
At the dawn of the 70's rock music was becoming inexorably 'heavy' and
|
|
the days of bands like the Valentines were obviously numbered. Not even
|
|
a heavily-publicised drug bust could rescue the band's limp image. By
|
|
the middle of 1970 it was all over and Bon was in Sydney putting
|
|
together a new band with remnants of Levi Smith's Clefs. Fraternity was
|
|
a quantum leap for the adaptable singer, who grew a beard, donned
|
|
leather sandals and no doubt developed a taste for brown rice.
|
|
|
|
Offered management and financial support by businessman Hamis Henry,
|
|
Fraternity moved to South Australia where, as Vince Lovegrove reported
|
|
in Go-Set magazine in June 1971, the lived "like no other band in
|
|
Australia, in a house in the hills 17 miles from Adelaide. It's
|
|
surrounded by seven acres of bushland. They're from everything but
|
|
nature. What a buzz! Once a week they come into the city to have a
|
|
meeting with their management and collect their pay. They only leave
|
|
their pad to play gigs.
|
|
|
|
"Bon Scott, vocalist, recorder and timbala player, is constantly in a
|
|
dream world of his own but he's having a ball. He says: 'The point is,
|
|
the dollar sign is not the ultimate. We want to try and help each other
|
|
develop and live. So that the thing inside of us, whether it be
|
|
creative or not, is satisfied. Something makes us tick and it's up to
|
|
people to satisfy that something. We are satisfying ourselves and
|
|
others by creating an environment."
|
|
|
|
Fraternity took their environment back to Sydney at regular intervals.
|
|
Although well received live, their cosmic recordings on the Adelaide
|
|
independent label Sweet Peach (notably the album Livestock) made little
|
|
impact. Guitarist John Robinson wrote the brooding Seasons of Change
|
|
for them but it was the version by his own band, Blackfeather, which
|
|
cracked the charts.
|
|
|
|
Even their unexpected win of the all-important Hoadley's National Battle
|
|
Of The Sounds in 1971 failed to assist their chart fortunes.
|
|
"Fraternity came on and nearly rocked themselves off stage and half the
|
|
audience nearly rocked themselves onto the stage" reported Go-Set of the
|
|
Grand Final. "Superb harmonica and superb vocals by that guy out of the
|
|
old Valentines. What's his name again?...oh you know him."
|
|
|
|
Fraternity left Sweet Peach late in 1971, cut some singles for the
|
|
independent Raven label (no relationship to this fine imprint) and then
|
|
put down a second album. The powerful Flaming Galah was a whole
|
|
different kettle of fish. The metaphysical meanderings had largely been
|
|
replaced by solid, thumping rock and Bon Scott was able to give a hint
|
|
of the sort of tempest he would command in AC/DC a couple of years
|
|
later.
|
|
|
|
During 1972, Fraternity took advantage of their Battle of the Sounds
|
|
prize and travelled to London. From there they worked in Britain and
|
|
Europe, although little is known about this time. Shortly after the
|
|
band's return to Adelaide in 1973, Bon suffered severe injuries in a
|
|
motorcycle accident. Fraternity continued on with a new formation that
|
|
happened to include John 'Swanee' Swan and his brother Jimmy Barnes, but
|
|
that's another story.
|
|
|
|
By 1974, Bon was healed and healthy, and working in Sydney as an
|
|
occasional roadie for AC/DC, an interesting new band formed by Angus and
|
|
Malcolm Young, junior siblings of Easybeat George Young, the man who had
|
|
penned three tracks recorded by The Valentines in the 60's. When the
|
|
band's vocalist went off to form Rabbit, widely experienced Bon seemed
|
|
the logical replacement.
|
|
|
|
From the first day that Bon trod the boards with AC/DC, there was not
|
|
the slightest cloud of suspicion that the outfit would not turn the
|
|
world upside down with their rib-crushing, blood curdling, brain
|
|
damaging, skin blistering, no bullshit rock'n'roll. Throughout the next
|
|
five years. AC/DC's vision of rock to fight, fuck and drink by,
|
|
survived unscathed. Single handedly they led an international
|
|
renaissance of power rock, though none of their copyists ever aspired to
|
|
even a hint of the awesome global popularity that Acca Dacca commanded
|
|
(indeed still do) among working class kids.
|
|
|
|
Bon failed to survive his own indulgent life-style. He was found dead
|
|
in a parked car, after a bout of drinking, on February 20, 1980. His
|
|
seeming indestructability was, like much of the rock lifestyle, a myth.
|
|
Nobody who ever knew him will easily forget him.
|
|
|
|
------------------------------------------------------------------------
|
|
Steve A. Rhoads stever@hpcvts.cv.hp.com
|
|
------------------------------------------------------------------------
|
|
+---+ appended article #223 ---
|
|
From: fierro@uts.amdahl.com (Doug Fierro)
|
|
Subject: more info on Bon Scott pre-AC/DC
|
|
|
|
I ran across a CD recently titled "Bon Scott- The early Years 1968-1972" and
|
|
of course I had to buy it. This is a CD, not vinyl (more info about it below).
|
|
|
|
I don't know how many of you hear stuff from The Valentines, Bon Scott's
|
|
first big band in Australia, but it sounds NOTHING like AC/DC. The music
|
|
is categorized as "bubble-gum" 60s music, which is right about on mark.
|
|
Stumbling across the music on this CD is like digging up old pictures of
|
|
your parents wearing hideous clothing when they were younger. The music
|
|
from Fraternity is better though.
|
|
|
|
The CD contains two written pieces, the second posted by Steve Rhoads
|
|
here a while ago. It also has an interview of Bon Scott by David Day from
|
|
5KA in Adelaide, Australia (any Oz natives know if that station still
|
|
exists?); Bon was pretty drunk and it wasn't a long interview anyway.
|
|
|
|
Here are the tracks:
|
|
|
|
1) To Know You Is To Love You [Spector]
|
|
2) She Said [Young] (George Young of Easybeat, older bro' of Angus & Malcolm)
|
|
3) Everyday I Have To Cry [Alexander]
|
|
4) I Can't Dance With You [Marriott-Lane]
|
|
5) Peculiar Hole In The Sky [Vanda-Young]
|
|
6) Love Makes Sweet Music [Ayers]
|
|
7) I Can Hear The Raindrops [Lovegrove-Ward]
|
|
8) Why Me? [Lovegrove-Ward]
|
|
9) Sooky Sooky [D. Covey]
|
|
10) Getting Better [Scott-Milsom]
|
|
11) Ebeneezer [Price-Taylor]
|
|
12) Hoochie Coochie Billy [Lovegrove-Ward-Milsom]
|
|
13) My Old Man's A Groovy Man [Vanda-Young]
|
|
14) Nick Nack Paddy Wack [Lovegrove-Scott-Junko-Cooksey-Beach-Milsom]
|
|
15) Julliette [Milsom-Ward-Scott]
|
|
16) Annabelle [Jurd-Bisset]
|
|
17) Welfare Boogie [Fraternity]
|
|
18) Hemming's Farm [Fraternity]
|
|
19) Sommerville R.I.P. [Howe-See]
|
|
20) Getting Off [Jurd]
|
|
21) If You Got It [Fraternity]
|
|
22) Seasons Of Change [Robinson-Johns]
|
|
23) interview with David Day of 5Ka in Adelaide
|
|
|
|
Bon Scott The Early Years 1968-1972
|
|
Tracks 1-15 The Valentines 1967-1970
|
|
Tracks 16-22 Fraternity 1970-1972
|
|
Tracks 1-9 produced by Martin Clarke
|
|
Tracks 10-22 produced by Image Records & Hamish Henry
|
|
Original Sound Recordings made by Clarion Records/Raven Records (Australia)
|
|
Copyright 1988 See-For-Miles Records LTD.
|
|
SEE CD247
|
|
(I don't know if the label is owned by Sam See, a former member of
|
|
Fraternity. I wouldn't put it past someone to cash in on their
|
|
relationship w/ Bon though)
|
|
|
|
CD insert:
|
|
|
|
Valentines 1967-1970
|
|
Bon Scott- Vocals
|
|
Vince Lovegrove- Vocals
|
|
John Cooksey- Bass
|
|
Wyn Milsom- Lead Guitar
|
|
Ted Ward- Rythym Guitar
|
|
Doug Lavery- Drums*
|
|
(* replaced by Paddy Beach, 1969)
|
|
|
|
Fraternity 1971-73
|
|
Bon Scott- Vocals
|
|
Bruce Howe- Bass
|
|
Mick Jurd- Lead Guitar
|
|
John Bisset- Keyboards
|
|
John Freeman- Drums
|
|
'Uncle' John Ayres- Harmonica
|
|
Sam See- Slide Guitar, Piano
|
|
|
|
|
|
Ask the average Australian to name some famous people who have come from
|
|
Perth and the chances are that they'll name either sports stars or business
|
|
tycoons. Yet one of Perth's adopted sons was for a while in the late '70s
|
|
every bit as much a crowd puller as those sports stars. As lead singer of
|
|
AC/DC Bon Scott would regularly perform to thousands of people each night
|
|
in the stadiums and concert halls of America and Europe. But it's a long
|
|
way to the top in the world of rock and roll and Bon Scott's road to the
|
|
top began with the Perth band the Valentines in 1966.
|
|
|
|
The Valentines got together around the middle of 1966. Their initial
|
|
linup was Bon Scott and Vince Lovegrove sharing vocal duties, Ted Ward
|
|
on rythym guitar, Bruce Abbott on bass guitar, Wyn Milson on lead guitar,
|
|
and drummer Warrick Findlay. In Scott and Lovegrove they had two dynamic
|
|
focal points and within just weeks of their live debut they had crowds
|
|
flocking to their shows at such venues as Canterbury Court and the
|
|
Swanbourne Surf Livesaving Club (affectionately known as the Swanbourne
|
|
Stomp).
|
|
|
|
It didn't take long for their popularity to come to the notice of Martin
|
|
Clarke who operated Perth's only record label in the 1960's, Clarion. The
|
|
Valentines were duly signed to Clarion in March 1967 and released their
|
|
first single a couple of months later, still less than a year since they
|
|
formed. That single comprised of Arthur Alexander's "Everyday I Have To
|
|
Cry" backed with "I Can't Dance With You", a song from one of England's
|
|
fastest rising groups of the time, the Small Faces. The record, naturally
|
|
enough, sold very well in Perth, reaching the Top 5.
|
|
|
|
Single No.2 was released in August 1967. The top side was a Stevie
|
|
Wright/George Young (Easybeats) composition entitled "She Said". Although
|
|
similar in some ways to areas that the Beatles were then exploring, the
|
|
single failed to capture the record buying public's imagination and only
|
|
made the lower end of the Perth charts.
|
|
|
|
Nevertheless the 3rd single for Clarion was released in February 1968.
|
|
"I Can Hear The Raindrops" and "Why Me?" were both Lovegrove/Ward
|
|
compositions. Promoted as a double A side release the record made number
|
|
30 on the Perth charts but once again failed to chart elsewhere.
|
|
|
|
Despite a report in April 1968 that the Valentines were to join the
|
|
Sunshine label, this move never eventuated. Their fourth and final single
|
|
for Clarion was released some three months later, and once again it was a
|
|
composition from the Easybeats camp. "Peculiar Hole In The Sky" was written
|
|
by Harry Vanda and George Young and produced on Martin Clarke's behalf by
|
|
Paul Aulton. The flip side "Love Makes Sweet Music" was origially the only
|
|
single ever released by avant-guarde British The Soft Machine. It was
|
|
brought to the Valentine's attention by Stan Rofe, the doyed of Melbourne
|
|
disk jockeys in the latter half of the 1960's.
|
|
|
|
Represented on this disc are those four singles as well as a previously
|
|
unreleased track, "Sooky, Sooky". In 1970 they broke up. After changes
|
|
in line-up Bon went on to Fraternity and later to AC/DC. Vince worked
|
|
as a writer for pop music weekly before moving on to become a contributor
|
|
to a current affairs television programme. More recently he was manager
|
|
of the Divinyls before parting company with them in 1986.
|
|
|
|
In their heyday the Valentines were dismissed as being blatantly
|
|
"Bubblegum", a label they were quick to dismiss. Listen to this album,
|
|
judge for yourselves. Hopefully the next time someone metions the word
|
|
Valentine you won't think of February 14th but you will think of some
|
|
fine music from the late 1960's [sic].
|
|
|
|
Alan Mannings
|
|
|
|
+---+ appended article #201 ---
|
|
From: Ronald.Hartwig@arbi.informatik.uni-oldenburg.de (Ronald Hartwig)
|
|
Subject: Playlist Monsters91/Razors Edge91
|
|
|
|
|
|
Hi,
|
|
in the start of Decembre I started collecting the playlists of the
|
|
1991 ACDC concerts.
|
|
Unfortunatly only two entries appeared on my ELM so I started
|
|
searching in fanzines and so on...
|
|
This is the first version.
|
|
If you want to add or change something, please mail me, and I will make
|
|
up a new list.
|
|
|
|
|
|
--------START--------------------------------------------------------------
|
|
|
|
|
|
ACDC Playlist 1991
|
|
|
|
A = ACDC Razors Edge Tour
|
|
M = Monsters of Rock
|
|
|
|
Sources: 20.04.91 Glasgow (Daily Dirt Fanzine)
|
|
25.08.91 Basel (Daily Dirt Fanzine)
|
|
18.09.91 Dortmund Westfalenhalle (Ronald Hartwig)
|
|
19.09.91 -same-
|
|
12.04.91 Oldenburg Weser-Ems-Halle (merged to April-Hannover, May-Dortmund) (Ronald Hartwig)
|
|
08.06.91 Shoreline Amphitheatre in Mountain View, CA (Robert McMullen)
|
|
? Somewhere in the UK (probably more than one concert !) (Gary Campbell)
|
|
|
|
|
|
200491 250891 180991 190991 120491 080691
|
|
Glasgow Basel Dortmund DO OL/DO Shorel UK
|
|
A M M M A A A
|
|
|
|
Thunderstruck 1 1 1 1 * 1 1
|
|
Shoot to thrill 2 2 3 3 * 2 2
|
|
Back in black 3 3 5 5 * 3 4
|
|
Dirty Deeds - 4 10 10 * 16 13
|
|
Fire your guns 4 ? 4 - * - 3
|
|
Hell ain't a bad... - * 2 2 * - -
|
|
Sin City 5 - - - * 4 5
|
|
Heatseeker 6 ? - 4 * 7 7
|
|
Touch too much - ? - - * - -
|
|
Who made who 7 ? - - * 6 6
|
|
Jailbreak 8 * 6 6 * 8 8
|
|
Rocker - ? - - * - -
|
|
The Jack 9 * 7 7 * 9 12
|
|
Razors edge 10 ? - - * 10
|
|
Are you ready - - - - * 10 -
|
|
Blow up your video - - - - - 11 -
|
|
Live Wire - - - - ? - -
|
|
Moneytalks 12 ? 8 8 * 12 14
|
|
Hells bells 13 * 12 12 * 13 9
|
|
High voltage 14 ? 9 9 * 14 15
|
|
You shook me... 15 ? * * * 15 16
|
|
Whole lotta Rosie 16 * 13 13 * 16 17
|
|
Let there be Rock 17 ? 14 14 * 17 18
|
|
Fling thing 18 - - - - - -
|
|
Highway to hell 19 * 11 11 * 18 19
|
|
TNT ? * 15 15 * 19 20
|
|
For those about... 20 * 16 16 * 20 21
|
|
|
|
Annotations: * played, but not sure when
|
|
- not played
|
|
? ?
|
|
|
|
|
|
Additional infos:
|
|
|
|
From: Gary Campbell <garyc@inmos.co.uk>
|
|
[...]
|
|
At Donington in August, they dropped Sin City, That's The Way...,
|
|
The Razors Edge and Who Made Who and added Hell Ain't a Bad Place
|
|
To Be.
|
|
On the Australian tour they played the same set as Donington but
|
|
added Sin City. They also used two bells during Hells Bells.
|
|
Therefore, in summary, AC/DC played the same set all around the world
|
|
on the first leg of the Razor tour (i.e. all gigs up to the Monsters
|
|
of Rock) except for Glasgow where they played Fling Thing and one
|
|
concert in the US where they played If You Want Blood (I'm not
|
|
sure which concert it was).
|
|
AC/DC played the same set on the second leg (i.e. Monsters of Rock)
|
|
all over Europe and made the changes listed above for the final leg
|
|
in Australia/New Zealand.
|
|
[...]
|
|
|
|
------END-------------------------------------------------------------------
|
|
|
|
|
|
Hope it was of common interest :)
|
|
Ronald
|
|
|
|
|
|
p.s.: the following was a VERY short time my personal signature,
|
|
but I received so many flames because of its overwhelming length
|
|
that I decided a new one. But for this group its OK I think :)
|
|
|
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If y
|
|
~ ~ ou t
|
|
~ ALIVE----------------------+ ~ hink
|
|
~ _____ _____ | Ronald Hartwig | ~ thi
|
|
~ / \ / _ \ | Von Behringstrasse 2 | ~ s si
|
|
~ / / \ \ / / \__\ | D-W4520 Melle-Mitte 1 | ~ gnat
|
|
~ | | | | | | | Tel: 05422-1752 (fri-mon)| ~ ure
|
|
~ | +---+ | | | +--------------------------+ ~ is t
|
|
~ | | | | ~ oo l
|
|
~ | +---+ | | | ___ STUDYING (Alibi)-----------+ ~ ong,
|
|
~ | | | | | \ / / | Haareneschstrasse 2 | ~ coun
|
|
~ / \ / \ \ \_/ / | D-W2900 Oldenburg | ~ t to
|
|
~ \__/ \__/ \_____/ | Tel: 0441-71590 (mon-fri)| ~ ten,
|
|
~ __________ _____ +--------------------------+ ~ get
|
|
~ \ \ / _ \ ~ a cu
|
|
~ | +---+ | / / \__\ E-MAILING------------------+ ~ p of
|
|
~ | | | | | | | Ronald.Hartwig@arbi.info | ~ tea
|
|
~ | | | | | | | rmatik.uni-oldenburg.de | ~ and
|
|
~ | | | | | | +--------------------------+ ~ calm
|
|
~ | | | | | | ___ ~ dow
|
|
~ | | | | | \ / / IRCing---------------------+ ~ n. I
|
|
~ | +---+ | \ \_/ / | lemmy , rhaug | ~ am o
|
|
~ /_________/ \_____/ +--------------------------+ ~ nly
|
|
~ ~ a po
|
|
~ Inhouse-----------+ Conquer-(Dreimal)-+ Conquer-(Weekly)-------+ ~ or A
|
|
~ | rhaug@faramir | | Loser | | Bierland | ~ CDC
|
|
~ | Uni - 2380 | +-----------------+ +----------------------+ ~ Fan.
|
|
~ +-----------------+ ~ Ron
|
|
~ (C) 1991 by RHaug Entertainment unLtd ~ ny
|
|
~~~~*In alc we trust*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|
--
|
|
+-------- *** If you know women, you will prefer computers ! *** ----------+
|
|
| Ronald Hartwig Address: Haareneschstr.2,W2900 Oldenburg,Tel.:0441-71590 |
|
|
| Irc:lemmy EMail: Ronald.Hartwig@arbi.informatik.uni-oldenburg.de |
|
|
+---------------\ Inhouse: rhaug@faramir /-------------------+
|
|
I am sleeping \ Conquer: Dieeydie, Spadace / Perfect people hear
|
|
my day away. DAD +-----<<< Member of WWWF >>>-------+ perfect music: AC/DC
|
|
|
|
|
|
|
|
+---+ appended article #224 ---
|
|
From: PETER.GORMLEY@OFFICE.WANG.COM ("Peter Gormley")
|
|
Subject: AC/DC - Older Videos
|
|
|
|
There are a number of AC/DC performances on video that I have seen
|
|
once, but are now unavailable. Does anyone remember, or currently own:
|
|
|
|
1) AC/DC appearing on the Midnight Special on US television in the late
|
|
70's. I believe it was during the tour for POWERAGE. This was a special
|
|
rock-n-roll version of the show, hosted by Ted Nugent. I remember Steven
|
|
Tyler making an appearance to promote the Sgt. Pepper movie remake and
|
|
Aerosmith's version of "Come Together" from the soundtrack. They showed
|
|
a video of the song. Along with da-Nuge, there was some other heavy band
|
|
of the time, and this little known Australian hard rock group called
|
|
AC/DC. Because they were ther least famous, AC/DC ended up on the smallest
|
|
stage of the studio set. The crowd was standing, and right on top of the stage.
|
|
It was an incredibly intense atmosphere, and of course they were the
|
|
highlight of the show. This was the first time I had ever seen them perform,
|
|
as I was just getting into them. They did Riff Raff, Rock-n-Roll Damnation,
|
|
and probably some other tunes. Coincidentally, I happened to find an AC/DC book
|
|
cover, with pictures from this appearance.
|
|
|
|
2) AC/DC appearing on a British concert show whose name I can't remember.
|
|
It was shown on public television here in the US. I think this was recorded
|
|
prior to Powerage's release, but after Cliff Williams replaced Mark Evans.
|
|
The show was an hour long, with each band playing for a 1/2 hour. The songs
|
|
played were from DDDDC, High Voltage, and Let There Be Rock. It was broadcast
|
|
in the Boston, MA, USA area in the mid 80's.
|
|
|
|
3) All of the older Australian videos featuring Bon. I saw clips of these
|
|
on an MTV rockumentary, but of course they weren't shown in whole. The songs
|
|
include Jailbreak(saw this in whole once), Let There Be Rock, and Riff Raff.
|
|
|
|
4) Unreleased Brian Johnson videos. The "Hells Bells" video on the US
|
|
Who Made Who video collection is from a set that also included "Shoot to
|
|
Thrill", "You Shook Me All Night Long", and maybe others that are not
|
|
commercially available. There are live videos for "Put The Finger On You",
|
|
and maybe "Lets Get It Up." A studio video for "Flick Of The Switch", which
|
|
I saw once late at night on a US tv network video show.
|
|
|
|
5) During the Flick Of The Switch tour, when MTV used to have Saturday night
|
|
concerts, they showed an hour of an AC/DC show from the midwest US. I think
|
|
Jeff or Gary may have mentioned this broadcast in the "First Exposure"
|
|
thread. I had this on tape, but the machine I taped it on was no good and
|
|
as it turned out so was the tape. This was a really rocking show, as I
|
|
remember. Strong versions of three songs from Flick -- Guns for Hire,
|
|
This House Is On Fire, and the title cut.
|
|
|
|
"Nobody's playin' Manilow...nobody's playin' soul!"
|
|
|
|
Peter
|
|
|
|
|
|
+---+ appended article #244 ---
|
|
From: jeffy@cray.com (Jeff Neau)
|
|
Subject: Re: NightProwler
|
|
|
|
In article <1992Apr23.221324.26266@cs.rose-hulman.edu> riedemjd@NeXTwork.Rose-Hulman.Edu (John D Riedeman) writes:
|
|
>At the end of the Highway To Hell album (right after Night Prowler) Bon
|
|
>Scott says Shasbot NaNo Nano. Does anyone have any idea what this is
|
|
>supposed to mean? The only other time I have heard it is when Robin
|
|
>Williams starred in Mork from Ork. As Mork, Robin would greet (or say
|
|
>goodbye,I don't remember which) people by saying this.
|
|
>
|
|
>
|
|
> John Riedeman
|
|
|
|
Gee, maybe it is just a coincidence...
|
|
|
|
Seriously, maybe he watched Mork and Mindy. It was a very popular show in
|
|
it's time...
|
|
|
|
Jeff
|
|
|
|
|
|
|
|
|
|
+---+ appended article #359 ---
|
|
Path: news.uni-ulm.de!news.belwue.de!ira.uka.de!math.fu-berlin.de!news.netmbx.de!Germany.EU.net!uniol!Ronald.Hartwig
|
|
From: Ronald.Hartwig@arbi.informatik.uni-oldenburg.de (Ronald Hartwig)
|
|
Subject: Re: rare AC/DC videos?
|
|
|
|
BUEBL@RZMAIN.RZ.UNI-ULM.DE (Buebl Felix) writes:
|
|
|
|
>I wonder if anyone knows where I can find rare&old AC/DC videos.
|
|
>I don't mean "Let There Be Rock" - this is an easy-to-get official video.
|
|
>But e.g. I've seen the not live "Jailbreak" or "Let There Be Rock" video
|
|
>on TV (without any VCR reachable), and I would be very interested in
|
|
>getting them and others in a nice quality.
|
|
|
|
I do posess an (apparently from australia) video in the PAL-Standard
|
|
which is available in the shops here in Germany:
|
|
|
|
(no name) High Voltage
|
|
Jailbreak * The Jail version
|
|
Let there be rock * Very funny church version
|
|
Riff Raff
|
|
Dog eat dog
|
|
Highway to hell
|
|
Shot down in flames
|
|
Touch too much
|
|
If you want blood * Angus being stubbed like on
|
|
the cover of "If..."
|
|
|
|
|
|
It costs about 40 DMs and for those who are interested in this (or more)
|
|
they may send me their postal address, which will be forwarded to an
|
|
postal-order-service here in Germany and maybe (its still in a test-phase)
|
|
they will receive a catalogue with many items o\f the hard-and-heavy scene.
|
|
|
|
Remember that this video is in the european TV standard and not playable
|
|
overseas !
|
|
|
|
Hope it helped
|
|
Ronald
|
|
--
|
|
+-------- *** If you know women, you will prefer computers ! *** ----------+
|
|
| Ronald Hartwig Address: Haareneschstr.2,W2900 Oldenburg,Tel.:0441-71590 |
|
|
| Irc:lemmy EMail: Ronald.Hartwig@arbi.informatik.uni-oldenburg.de |
|
|
+---------------\ Inhouse: rhaug@faramir /-------------------+
|
|
I am sleeping \ Conquer: Dieeydie, Spadace / Perfect people hear
|
|
my day away. DAD +-----<<< Member of WWWF >>>-------+ perfect music: AC/DC
|
|
|
|
|
|
|
|
+---+ appended article #364 ---
|
|
From: zuhars@madrone.eecs.ucdavis.edu (Gary Fear Of The Second Amendment Huckabay)
|
|
Subject: Re: AC/DC's albums help
|
|
Summary: Partial Discography ONLY - Does not include bootlegs.
|
|
|
|
Darrin Redick asked for a Discography:
|
|
|
|
(Using U.S. Albums as markers.)
|
|
|
|
High Voltage - 1976
|
|
Let There Be Rock - 1977
|
|
Powerage - 1978
|
|
If You Want Blood, You've Got It - 1978
|
|
Highway To Hell - 1979
|
|
Back In Black - 1980
|
|
Dirty Deeds Done Dirt Cheap - 1981 (Originally a 1976 Australian Release)
|
|
For Those About To Rock, We Salute You - 1981
|
|
Flick Of The Switch - 1983
|
|
Fly On The Wall - 1985
|
|
Who Made Who - 1986
|
|
Blow Up Your Video - 1988
|
|
The Razor's Edge - 1990
|
|
|
|
'74 Jailbreak, an EP, was released in America in 1987, and contains a few songs
|
|
from the Australian TNT and High Voltage releases, including Jailbreak, Show
|
|
Business, Baby Please Don't Go, Soul Stripper, and Stick Around.
|
|
|
|
Crabsody in Blue is available on the Australian and European Let There Be Rock
|
|
LP. Rock In Peace is available on releases 1-4 of the Australian 'Dirty Deeds'
|
|
LP. Cold Hearted Man is available on the European 'Powerage' LP.
|
|
|
|
There are several songs available on 'B' sides of AC/DC releases that are not
|
|
available on any LP. These include live versions of "TNT","Back In Black",
|
|
"Guns For Hire","Shake Your Foundations", and "Jailbreak."
|
|
|
|
I will pay good money for any copies or versions of AC/DC and King's X
|
|
performing 'Roll Over Beethoven' during their tour together in 1991. I have
|
|
not heard this, but would love a copy of my favorite band playing with my
|
|
favorite band. :-)
|
|
|
|
|
|
|
|
|
|
--
|
|
---Since four people asked for it in email, here are my favorite 100 songs---
|
|
52. Talkin' Loud And Sayin' Nothin' - Living Colour +-----------------+
|
|
51. Achilles' Last Stand - Led Zeppelin | Gary Huckabay |
|
|
50. Summerland - King's X +-----------------+
|
|
|
|
+---+ appended article #487 ---
|
|
From: dmeiklej@gssec.bt.co.uk (David Meiklejohn)
|
|
Subject: Re: bonny? boney?
|
|
|
|
|> I listened to the new live album - the 2 CD version - and was astonished to
|
|
|> hear Fling Thing live - but listed on the sleeve as "bonny" (or "boney").
|
|
|> This is most certainly the Glasgow '91 recording (I have the bootleg).
|
|
|>
|
|
|> 2 questions:
|
|
|>
|
|
|> * why is it called "bonny" ?
|
|
|
|
The song in question is Loch Lomond, which goes something like the following:
|
|
|
|
I'l take the high road
|
|
And you'll take the low road
|
|
And I'll be in Scotland afore ye
|
|
But me and my true love
|
|
Will never meet again
|
|
On the bonny, bonny banks of Loch Lomond
|
|
|
|
|> * is it a well-known-folk-song in Glasgow? the audience seems to know
|
|
|> the lyrics.
|
|
|>
|
|
|
|
It's an excellent crowd participation song. Runrig do an excellent version of it.
|
|
|
|
|
|
|
|
+---+ appended article #489 ---
|
|
|
|
From: ehrhart@rchland.vnet.ibm.com (Jeffrey Ehrhart)
|
|
Subject: AC/DC bitmap
|
|
|
|
|
|
Following are two files, a bitmap and a mask, that will give you a nice
|
|
3D AC/DC cursor. Enjoy........
|
|
|
|
<----cut bitmap here
|
|
#define acdc_width 64
|
|
#define acdc_height 64
|
|
#define acdc_x_hot 4
|
|
#define acdc_y_hot 14
|
|
static char acdc_bits[] = {
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0x0f, 0xff, 0xf8, 0xff, 0xff, 0x0f, 0xff, 0xf8,
|
|
0x07, 0x7e, 0xf0, 0xff, 0xff, 0x07, 0x7e, 0xf0, 0x03, 0x3c, 0xe0, 0xff,
|
|
0xc0, 0x03, 0x3c, 0xe0, 0x23, 0x18, 0xc2, 0xff, 0xc0, 0x23, 0x18, 0xc2,
|
|
0x63, 0x18, 0xc7, 0x7f, 0xe0, 0x63, 0x18, 0xc7, 0xe3, 0x18, 0xcf, 0x7f,
|
|
0xe0, 0xe3, 0x18, 0xcf, 0xe3, 0x18, 0xff, 0x3f, 0xf0, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x3f, 0xf0, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x1f,
|
|
0xf8, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x1f, 0xf8, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x0f, 0xfc, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x0f,
|
|
0xfc, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x07, 0xfe, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x07, 0xfe, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x03,
|
|
0x00, 0xe3, 0x18, 0xff, 0x03, 0x18, 0xff, 0x03, 0x00, 0xe3, 0x18, 0xff,
|
|
0x03, 0x18, 0xff, 0x01, 0x80, 0xe3, 0x18, 0xff, 0x03, 0x18, 0xff, 0x01,
|
|
0x80, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x00, 0xc0, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x00, 0xc0, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x7f,
|
|
0xe0, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x7f, 0xe0, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x7f, 0xf0, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x7f,
|
|
0xf0, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x3f, 0xf8, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x3f, 0xf8, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x3f,
|
|
0xfc, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x3f, 0xfc, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xff, 0x1f, 0xfe, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x1f,
|
|
0xfe, 0xe3, 0x18, 0xff, 0xe3, 0x18, 0xff, 0x1f, 0xff, 0xe3, 0x18, 0xff,
|
|
0xe3, 0x18, 0xcf, 0x1f, 0xff, 0xe3, 0x18, 0xcf, 0xe3, 0x18, 0xc7, 0x8f,
|
|
0xff, 0x63, 0x18, 0xc7, 0xe3, 0x18, 0xc2, 0x8f, 0xff, 0x23, 0x18, 0xc2,
|
|
0xe3, 0x38, 0xe0, 0xcf, 0xff, 0x03, 0x3c, 0xe0, 0xe3, 0x78, 0xf0, 0xcf,
|
|
0xff, 0x07, 0x7e, 0xf0, 0xe3, 0xf8, 0xf8, 0xe7, 0xff, 0x0f, 0xff, 0xf8,
|
|
0xff, 0xff, 0xff, 0xf7, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff,
|
|
0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff, 0xff};
|
|
|
|
<------ cut mask here
|
|
#define acdc_width 64
|
|
#define acdc_height 64
|
|
static char acdc_bits[] = {
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0xf0, 0x00, 0x07, 0x00, 0x00, 0xf0, 0x00, 0x07,
|
|
0xf8, 0x81, 0x0f, 0x00, 0x00, 0xf8, 0x81, 0x0f, 0xfc, 0xc3, 0x1f, 0x00,
|
|
0x3f, 0xfc, 0xc3, 0x1f, 0xfc, 0xe7, 0x3f, 0x00, 0x3f, 0xfc, 0xe7, 0x3f,
|
|
0xfc, 0xef, 0x7f, 0x80, 0xff, 0xfc, 0xef, 0x7f, 0x7c, 0xff, 0xf7, 0x80,
|
|
0xff, 0x7c, 0xff, 0xf7, 0x7c, 0xff, 0xe3, 0xc0, 0x7f, 0x7c, 0xff, 0xe3,
|
|
0x7c, 0xff, 0xc3, 0xc0, 0x7f, 0x7c, 0xff, 0xc3, 0x7c, 0xff, 0x03, 0xe0,
|
|
0x3f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xe0, 0x3f, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x03, 0xf0, 0x1f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xf0,
|
|
0x1f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xf8, 0x0f, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x03, 0xf8, 0x0f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xfc,
|
|
0xff, 0x7c, 0xff, 0x03, 0xfc, 0xff, 0x03, 0xfc, 0xff, 0x7c, 0xff, 0x03,
|
|
0xfc, 0xff, 0x03, 0xfe, 0xff, 0x7f, 0xff, 0x03, 0xfc, 0xff, 0x03, 0xfe,
|
|
0xff, 0x7f, 0xff, 0x03, 0xfc, 0xff, 0x03, 0xff, 0xff, 0x7d, 0xff, 0x03,
|
|
0xfc, 0xff, 0x03, 0xff, 0xff, 0x7d, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xfc,
|
|
0xff, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xfc, 0xff, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x03, 0x80, 0x7f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0x80,
|
|
0x7f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xc0, 0x3f, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x03, 0xc0, 0x3f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xc0,
|
|
0x1f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xc0, 0x1f, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x03, 0xe0, 0x0f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xe0,
|
|
0x0f, 0x7c, 0xff, 0x03, 0x7c, 0xff, 0x03, 0xe0, 0x07, 0x7c, 0xff, 0x03,
|
|
0x7c, 0xff, 0x33, 0xe0, 0x07, 0x7c, 0xff, 0x33, 0x7c, 0xff, 0x3b, 0xf0,
|
|
0x03, 0xfc, 0xff, 0x3b, 0x7c, 0xff, 0xff, 0xf0, 0x03, 0xfc, 0xff, 0xff,
|
|
0x7c, 0xdf, 0xff, 0xf0, 0x01, 0xfc, 0xdf, 0xff, 0x7c, 0x9f, 0xff, 0xf0,
|
|
0x01, 0xf8, 0x9f, 0xff, 0x7c, 0x1f, 0x7f, 0xd8, 0x00, 0xf0, 0x0f, 0x7f,
|
|
0x70, 0x1c, 0x3e, 0xc8, 0x00, 0xe0, 0x07, 0x3e, 0x70, 0x1c, 0x1c, 0x60,
|
|
0x00, 0xc0, 0x03, 0x1c, 0x00, 0x00, 0x00, 0x20, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
|
|
0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00};
|
|
|
|
|
|
--
|
|
Jeff Ehrhart
|
|
|
|
+---+ appended article #509 ---
|
|
Date: Tue, 24 Nov 1992 00:46:32 EST
|
|
From: <BKC100@psuvm.psu.edu>
|
|
Subject: Re: Easy question.
|
|
|
|
In article <1992Nov23.142725.822@skitzo.dseg.ti.com>,
|
|
frampton@skitzo.dseg.ti.com says:
|
|
|
|
> I heard an AC/DC song the other day that had a chainsaw used for
|
|
> the lead. Can you tell me which album it is from?
|
|
|
|
This is not AC/DC... But I must agree, the singer sounds much like Brian
|
|
Johnson circa-Back In Black... The name of the group is "Jackyl"... It can be
|
|
found on their first album of the same name...
|
|
|
|
The Jackyl album is quite good/interesting... I also try to collect bands
|
|
that (try to) sound like AC/DC AT TIMES... Some prime examples are:
|
|
|
|
Rhino Bucket (This band is *THE* ultimate AC/DC-inspired band--- I have
|
|
seen them in a bar--- all original material--- very good
|
|
stuff, too)
|
|
|
|
Kix (e.g. "Girl Money")
|
|
|
|
Dirty Looks (e.g. "Oh Ruby")
|
|
|
|
Krokus (e.g. "Long Stick Goes Boom")
|
|
|
|
++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|
: Brian K. Chopp BKC100@PSUVM.PSU.EDU :
|
|
: Penn $tate "Ma$$ Education At It's Fine$t" Univ. :
|
|
: "AC/DC --- High Voltage Rock-N-Roll!!!" :
|
|
++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|
|
|
|
|
|
|
From: mcssecgm@dct.ac.uk
|
|
Subject: Brian LIVE
|
|
|
|
|
|
I am wondering if any dc fans can add to the
|
|
list of Johnson "live" releases I have assembled
|
|
given below ie B sides, 12 " etc.
|
|
|
|
|
|
Back in Black/TNT (other side of Lets get it up,12",1981)
|
|
RocknRoll aint noise../Sin City/This house is on fire
|
|
(12" Nervous shakedown, 1984)
|
|
Let there be rock(other side of For Those About..12",1982)
|
|
Guns for hire(other side Who Made Who 12",1986)
|
|
|
|
also were the B songs on the single Touch too Much (1979)
|
|
Live wire & Shot down in flames? LIVE?
|
|
|
|
|
|
Cheers
|
|
|
|
CGM
|
|
Colin 'Gone shootin' Milne
|