3268 lines
185 KiB
Plaintext
3268 lines
185 KiB
Plaintext
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Welcome to COMPUTING ACROSS AMERICA!
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These are the voyages of the Winnebiko, the bizarre recumbent bicycle bedecked
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with solar panels, five computers, ham radio, data communications equipment,
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and enough assorted gizmology to start a museum of high-tech. I have pedaled
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this 8-foot, 220-pound, 36-speed monster some 12,000 miles so far, and the
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resulting adventure stories are now here on GEnie for your reading pleasure.
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============================================================================
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THE ANATOMY OF A HIGH-TECH BICYCLE
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by Steven K. Roberts (WORDY)
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last revised: March 16, 1987
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I received a number of questions about the various systems that make the
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Winnebiko what it is, and this menu choice is designed to provide a brief
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technical overview of this complex machine. For background on the trip itself,
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select the library of stories.
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Here, in no particular order, are the components of my electronic cottage on
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wheels:
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My main computer is the Hewlett-Packard Portable PLUS, an exquisite system with
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896K of memory partitioned between system RAM and electronic disk. The
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high-contrast amber LCD displays 25 lines of 80 characters, and a built-in 1200
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baud modem makes the daily GEnie check-ins easy. But what really sells the
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machine are the applications software packages baked into ROM: Microsoft WORD,
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Lotus 1-2-3, dbase II, a "card-manager" filing system, communications software,
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time manager, and a whole library of utilities. The net effect is a robust
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bicycle business system that runs on rechargeable batteries and weighs 8 pounds
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-- a system that has become so much a part of my daily reality that I'm
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incapable of imagining nomadic life without it. It rides behind me, nestled in
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foam along with a 3.5-inch disk drive, sometimes accepting charge current from
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the bike's solar panels.
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Computer number two, built into the control console, was once a Radio Shack
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Model 100 -- upgraded to 256K and made truly useful through the addition of
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Traveling Software's Ultimate ROM. But the machine is now hardly recognizable:
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its keyboard and case are gone, and the display appears on the bike's front
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panel behind a lexan window. What happened to the keyboard? It has been
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replaced by custom logic that passes converted handlebar keycodes or
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software-generated commands. This system is intended for on- the-road text
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capture (not final editing), and thus connects with the HP via a front-panel
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RS-232 connector.
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The third system is the "bicycle control processor" (BCP), based on a 32K
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Motorola 68HC11 board. This low-power machine embodies all of the bike's
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real-time control and monitoring functions, including handlebar keyboard code
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conversion, local network control (linking the other systems with each other),
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electronic compass processing, control of solar battery charging, security
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system supervision, diagnostics, status display, and so on. Assisted by about
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50 IC's, this processor essentially runs the bicycle.
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Computer number 4 is a speech synthesizer that speaks any text file transferred
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to it. The value of this on the bike is threefold: I can have the system read
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back my own text or incoming messages, and it is a handy way to reduce the
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volume of identical questions from curious bystanders. ("I am the Winnebiko,"
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it says, either at predefined intervals or under radio control, going on to
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explain the basics of this strange contraption). The speech board can also
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respond to a security alert by saying "Please do not touch me!" in a
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robotically threatening voice.
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The fifth system is known as a "terminal node controller" -- a Pac- comm
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product that handles packet data communication via radio. An unusual breed of
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computer network has quietly appeared in the last 2-3 years, a sort of digital
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anarchy of the airwaves, a computer network without corporate substrate.
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Anybody with a ham radio license and a bit of equipment can participate --
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sending mail cross-country, transferring files, conferencing, and so on. The
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network is young, but already offers coast-to-coast trunk connections,
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automatic message forwarding, dozens of linked bulletin board systems, and its
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own orbiting satellite mailbox. With packet operation possible from the
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bicycle via the handlebar keyboard and LCD display, I can communicate data from
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a campground or while pedaling. Ain't technology wonderful?
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The handlebar keyboard itself is simple: four pushbutton switches are buried
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in each foam grip, spaced about .75" apart. I type in a binary code, sort of
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an ASCII with decoded zone bits: my five strongest fingers, three on the right
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and two on the left, produce the lower-case alphabet; the right little finger
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capitalizes. The left little finger is the control key, its neighbor selects
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numeric and special keys, and those two together cause the others to take on
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system level meanings such as file operations and major edit functions. In
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practice, it's easy -- a lot like playing the flute -- with each combination
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accepted by the system when all buttons are released.
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So much for bicycle data processing. Now let's look at the other facilities...
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The mobile ham radio station (KA8OVA here) is a multimode 2-meter rig from
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Yaesu. In addition to handling data communication, it allows me to stay in
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regular voice contact with Maggie (my recumbent-borne traveling companion).
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Bicycle touring without some form of communication is frustrating, as anyone
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who as ever squinted into the mirror for minutes at a time well knows. "What
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happened to him? Is he OK back there?" With a boom microphone built into my
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helmet and a push-to-talk switch on the handlebars, Maggie is never far away
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(effective bike-to-bike simplex SSB radio range is over 2 miles). Of course,
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having 2-meter FM capability on the bike also connects me to a huge network of
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ham radio operators: I store the local repeater frequencies into the radio's
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memory as I approach an area, and periodically identify myself as an incoming
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bicycle mobile. This has led to a number of interesting encounters and places
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to stay. And -- through the repeaters -- I can make telephone calls directly
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from the bike.
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A CB radio is also on board, culturally useless by comparison, but still handy
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enough to justify its weight. I can talk to truckers, hail a passing motorhome
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for water (this saved my life in Utah), and chuckle at the residual good buddy
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subculture that still hangs on long after the death of the great CB boom.
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System security is an issue when living on a machine that looks like something
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from NASA. It's not that people try to steal it -- most are intimidated by the
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technology -- it's just that some let their curiosity extend to flipping
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switches and tinkering. To alert me to such behavior, I built in a security
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system (based on the UNGO box) with vibration and motion sensors; when armed by
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a front-panel keyswitch, any disturbance causes transmission of a tone-encoded
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signal that sets off my pocket beeper up to 2-3 miles away. Maggie's bike has
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a motion sensor also, and plugs into a front-panel jack when the two machines
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are parked side-by- side.
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Other radio-related devices include a digital shortwave receiver, a Sony
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Watchman micro-TV, a VHF weather radio, and an FM stereo. Naturally, there is
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also an audio cassette deck, for sometimes it takes more than a granny gear to
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climb a mountain...
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Speaking of gearing, the bike is equipped with some unusual mechanical
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hardware. A custom 36-speed crossover system of 3 derailleurs provides a
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16.9-inch granny gear, a 23-inch "high granny," and half-step from 33 to 144.
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With the Zzipper fairing and the recumbent's aerodynamic advantage, I can
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cruise comfortably at 15-17 mph (assuming a good breakfast and no unfriendly
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winds). Peak speed so far, flying down a mountain, was 50.1.
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Stopping power is critical with my 400-pound gross weight, of course. Moving
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that much stuff downhill at 50 miles an hour is profoundly exhilirating... but
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stopping is another matter. The Winnebiko II has three brakes: a Phil Wood
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disc actuated by my left hand and a pair of Mathauser hydraulics controlled by
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the right. The disc is nice for speed regulation without rim heating effects;
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the hydraulics will stop anything, dramatically outperforming the various
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mechanical models I have tried and discarded over the years. To control them
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with a single lever, I machined a header for the master cylinders, with a
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sliding cable stop and proportional transfer bar to permit a variable
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front-back braking force ratio.
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The frame itself was custom made by Franklin Frames of Columbus, Ohio -- after
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I did enough brazing in my basement to convince myself that framebuilding is an
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art form. The geometry is entirely custom, suited to my giraffe body and the
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special requirements of all this on-board hardware.
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Power for the electronic systems is derived from a pair of Solarex photovoltaic
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panels, producing 20 watts in full sun (roughly 1.3 amps total into the pair of
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4 amp-hour batteries). These new SX- LITE units lack the traditional glass and
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aluminum frame, and are each 12.5 X 17 inches. Since they can pump enough
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current into the Ni-Cads to overcharge them, I have built in extensive power
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monitoring and control circuitry: A digital panel meter with a thumbwheel
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switch can show instantaneous current into or out of each battery (as well as
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any system voltage), and the BCP can throttle back the charging process if its
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calculations indicate that the batteries are full (% charge values are
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displayed on the console).
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Other voltages besides the two 12-volt battery buses are needed throughout the
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system, and this is one of those areas that can cause significant overhead if
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attention isn't paid to losses. There is a small aluminum box containing
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LT1070-based switching supplies that coolly provide 3, 5, 6, 9, and -12 volts
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(all available on the front panel for external accessories). Considering the
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special requirements of a bicycle system, the extra design effort here has paid
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off well: when the two processors required for bike monitoring and text
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editing are active, total system current drain is only 130 milliamps. A sixth
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power supply, unrelated to the others, is mounted up front with a coiled cord
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to allow battery charging if I have gone too long without sunshine.
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Instrumentation on the front panel is largely geared to the major electronic
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systems already described, but there is also the obligatory Cat-Eye Solar to
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display speed, distance, cadence, and so on. This elicits interesting comments
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from fellow bikies, who stare at the machine in awe then suddenly recognize
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something familiar. In addition, there is an altimeter (useful on mountains,
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and also helpful in predicting weather conditions), an Etak electronic compass,
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time/temperature display, and assorted system status indicators.
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Mechanically, the electronics package is designed to separate from the bike
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with a minimum of effort. I open 3 toggle clamps, unplug 6 waterproof
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connectors, and take it into the tent at night, yielding a "tent control
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system" just as useful as the mobile variety. The 40-pound unit handles heavy
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downpours with no problem -- with the fairing and velcro-on waterproof covers,
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it has withstood all-day rides that quite saturated my Gore-tex. So far, the
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system has suffered shock and vibration without incident, unfolding easily for
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service but surviving heavy abuse on the road.
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Safety factors are always a major concern when you habitually press your luck
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by living fulltime alongside logging trucks, drunks, motorhomes, and the
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routine madness of the highway. I have become a firm believer in helmets,
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reflectors, orange flags, and GOOD lights. Bicycle Lighting Systems offers a
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line of industrial-grade products that quite outshine the typical bike lights;
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I went with a 7-inch yellow barricade flasher that makes me look like a roving
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hole in the road, a 2-inch red taillight, and a 4-inch sealed-beam headlight.
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In addition, I have recently added a Cycle-Ops halogen helmet light, which has
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the delightful characteristic of putting light where I'm LOOKING, not just
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where the bike happens to be pointing. (Admit it. You too have zigzagged
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drunkenly through neighborhoods at night, trying to highlight street and house
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number signs...)
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Finally, the machine is equipped with all the usual bicycle touring gear:
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stove, food, clothing, tools, candles, medical supplies, microfiche
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documentation library, flute, binoculars, camera, maps, digital test equipment,
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spare inner tubes, frisbee, coffeemaker, office supplies, butane soldering
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iron, and so on. My tent is a vast "Peak Pod 4" from Peak 1, very much in the
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porta-condo class at 108 square feet under cover. Other outdoor gear -- North
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Face down bags, Gore-tex rainsuit, Patagonia bunting, polypro underwear, and so
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on -- is undergoing constant revision as fabric technologies continue to
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improve. There... a marathon overview of the Winnebiko. If any of this seems
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insane, think about gravity and how long I would continue to drag around
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something that isn't practical (and, preferably, multifunctional). This whole
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adventure is a wild blend of serious business and fun -- a case of personal
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computers and technology carried to an exquisitely mad extreme.
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Thanks to all who helped make it possible!
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-- Steve
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============================================================================
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BICYCLE ODYSSEY OF A HIGH-TECH NOMAD
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(Computing Across America, Chapter 1)
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by
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Steven K. Roberts, HtN. (WORDY)
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Columbus, Ohio
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May 28, 1986
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Computing Across America -- what's this? A collection of articles about
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eccentrics with micros? Tales of satellite socializing? Computer industry
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forecasts written in academic third-person boring?
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Heh. Anything but. Did you ever want to break the chains that bind you to
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your desk and just take off, wandering the planet while making a living doing
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whatever it is you love the most? Seems reasonable enough... and three years
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ago I did just that. Since then, I have been living in an electronic cottage
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on human-powered wheels, and through this column I'm going to share my
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adventures with you. Yes, we'll be covering the burning issues of the day:
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Adventure, love, danger, weird people, radical extremes of network living,
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fulltime travel, high-speed flights down mountain roads mottled with
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Aspen-shade, mycological tone poems, unexpected ice caves, bizarre
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contraptions, ham radio, satellites, a 200-pound bicycle worth $100 a pound,
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real-life wizards, regional humor, outlandish microprocessor applications,
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ridiculous comments, random controversy, moments of pure anguish, and so much
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fun that something about it *must* be illegal. For starters. I am an agent of
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future shock -- a high-tech nomad, a pedal- pushing freelance writer head over
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heels in love with that sweet piece of asphalt known as The Road. My home, if
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I can be said to have one, is Dataspace; my vehicle, the Wondrous Winnebiko.
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My computer is a Hewlett-Packard Portable PLUS. Yes, I work for a living: my
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business is to have a wildly exciting life and then tell people about it.
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(It's a lousy job, but someone's gotta do it.) I'd like to introduce myself
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here on GEnie, for I intend to hang around a while. This is the first of a
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series -- a collection of tales too strange to predict and too diverse to
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summarize -- an ongoing travelogue of a romantic high-tech bicycle odyssey. As
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I move into the second 10,000 miles of this open-ended journey, I have switched
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networks and suddenly find myself in a whole new community. (Why should I
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restrict my nomadics to *physical* space? Howdy, neighbor.) So lemme settle in
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here and take an angle-bracketed <sip> of compu-booze, then tell you a story...
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*The First 10,000 Miles*
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In September of 1983, I sold my 3-bedroom ranch home in Midwestern Suburbia and
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moved to an 8-foot-long computerized recumbent bicycle bedecked with solar
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panels and enough gizmology to start a science museum. I quickly discovered
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that this was not to be just another bike tour. Using CompuServe as my link
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with the universe, I maintained a full-time freelance writing business while
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pedaling a 9,760-mile journey around the United States. I lived for the moment
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-- and it had many. During the 18-month adventure, I fell in love both on- and
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off-line, encountered a band of convicts in the Maryland woods, sailed through
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the Gulf of Mexico, tempted fate more than once, and learned more than I could
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have ever imagined. I overheated in West Texas, froze my ass in Utah,
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discovered Key West hedonism, and explored the California mystique. In Santa
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Fe, I saw firsthand the symbiosis between hawker and gawker; in Crested Butte,
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I witnessed a community so close that everybody's biological cycles are
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synchronized. I ate crawfish, oysters, and GORP -- I prowled the country
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seeking the exotic, sexy, and bizarre. The stories flowed like hot breath, and
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soon the media turned its unblinking eye on me as a high-tech curiosity, a
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peripatetic eccentric, a symbol of freedom. "Charles Kurault on a bicycle,"
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gushed one local TV station as I pedaled into a perfect cliche of sunset. And
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I came to realize, looking back into the eyes of all those people looking
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wistfully at me, that the greatest risk of all is taking no risk. I noticed
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(once I stopped trying to score new states) that if you think too much about
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where you're going you lose respect for where you are. And I dedicated myself
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to resolving the classic trade-off of freedom versus security -- a task I think
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I've finally accomplished. Ah, and the people. When you look like something
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out of a nonviolent version of "The Road Warriors," you tend to open a lot of
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doors. Even if most of them turn out to be closets, the numbers are there: I
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spent months probing the asymptotes of America and finding brilliance in the
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*oddest* of places. I found communities ranging from the vaporous to the
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ancient, and was tempted time and again by their seductive tug. And I glimpsed
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the potential of life online, a life outside the strictures of physics, beyond
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the limits imposed by image and prejudice. In the electronic pub, brain meets
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brain and conversation ranges from the baudy to the sublime. Life aboard the
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Winnebiko is a life of extremes. I am at once a being of cloud and soil,
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satellite and bicycle -- living two simultaneous lives. One is visceral,
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sweaty, attuned to every hill and headwind -- the other is ethereal,
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intellectual, an electronic interlocking of imagination and communication.
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Something about the contrast casts both aspects into sharp relief, and I
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suppose I've become something of an online proselytizer. 9,760 miles. The
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journey wound down a year ago in the frenzy of approaching book deadline --
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along with the exhaustion of some 2.5 million pedal cranks and over 200
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different beds. (Time for the commercial: the book is called *Computing
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Across America: The Bicycle Odyssey of a High-tech Nomad*. It's being
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published this fall by Learned Information.) Anyway, the bicycle sat dormant
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for a few months in a Silicon Valley attic, then found its way back to the land
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of its origins for six months on the operating table. And that brings us (far
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too quickly) to today.
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*The Next 10,000 Miles -- A Sort of Prospectus*
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It's happening again; I can feel it. Every daydream involves the Road; any new
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purchase has to be something "bikeable." The journey is obsession, addiction,
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religion, and lifestyle of choice -- by August I'll be rolling. Ahh. But
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there are differences a-plenty. The Winnebiko is again the substrate, but it's
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now layered with more exotic systems than ever. Not including dedicated
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controllers and "smart logic," there are four on-board computers -- along with
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a satellite data link, ham radio station, and navigation equipment. The
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biggest problem on the first trip involved time management, something that
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affects nomads as much as it does executives. I spent roughly half a business
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year pedaling -- 1,000 hours sitting alone on the bike. I would cruise all day
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across American vastness, composing tales in my head and itching to get my
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hands on the H-P Portable riding behind me. ("Ah, such a chapter shall this
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be!") But by evening I would be tired and hungry and surrounded by people
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clamoring for stories... and the day's ideas would drift away like the smells
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of camp cooking, gone without so much as a memory of the insights that spawned
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them. Wasted. And so the bike has become a rolling word processor. There are
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two liquid crystal displays on the console in front of me, and a keyboard built
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into the under-seat handlebars (eight buttons for text along with various other
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controls). A dedicated 68HC11 microprocessor performs key code conversion
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while attending to bicycle management tasks, decoding finger combinations based
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upon an arcane letter- frequency-based coding scheme. Whenever a valid
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character comes along, the 68HC11 passes it off to a handful of CMOS logic that
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is interfaced to the guts of a Model 100 -- making everything described so far
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look exactly like the original Radio Shack keyboard. The net effect is a full
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screen editor that I can control while pedaling. But it doesn't stop there.
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An RS-232 line allows text in the tiny 32K buffer to be transferred to the 896K
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Hewlett-Packard system -- and from there to disk via the 3.5-inch floppy drive.
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Two modems cover all combinations of pay phones and modular jacks, and a fourth
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processor (CMOS Z80) handles AX.25 protocol control for packet data
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communications through the 2-meter ham transceiver... which will soon include
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an orbiting electronic mailbox known as Packsat. Of course, all this takes
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power, and the original 5 Watt solar panel has been replaced with a pair of 10
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Watt Solarex units -- along with 8 amp-hours of Nickel-Cadmium battery to hold
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it all. Other electrical loads on the Winnebiko II include twin air horns,
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lights, flashers, Etak electronic compass, paging-type security system with
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distributed sensors, CB radio, stereo system, cassette deck for dictation and
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music, digital shortwave receiver, and the usual speed- distance-time-cadence
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instrumentation. "Are yew with NASA?" asked the Ohio farmer, slowly chawin'
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tobacco while peering at the strange apparition gleaming beside the small-town
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pay phone. "Sure," I answered, looking up from my online session on the
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burning pavement. "This here's one o' them Loony Excursion Modules."
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*And Now...*
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It will be August before everything (inluding the business structure, subject
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of my next article) is working well enough for me to abandon this tacky
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apartment complex to experience, once again, the pure exuberance of full-time
|
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travel. Once on the road, I'll publish weekly updates on GEnie; in the
|
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meantime, I'll post an occasional message to let you know how the preparations
|
||
are coming. I welcome your responses, suggestions, and invitations for the
|
||
hospitality database (another of the H-P's jobs) -- I can be reached via GEmail
|
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as WORDY. And maybe somewhere, out there, we'll meet. I'll spend my life
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prowling neighborhoods electronic and physical, pausing for months at a time to
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explore and touch the magic. I guess that's the point of all this... I
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finally figured how to get paid for being a generalist. And I couldn't
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possibly do it without computers and networks. Ain't technology wonderful?
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....Steven K. Roberts
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==============================================================================
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FREEDOM VERSUS SECURITY -- HOW TO BEAT THE TRADE-OFF
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(#2 in the second online CAA series)
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by
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|
||
Steven K. Roberts, HtN (WORDY)
|
||
Columbus, Ohio
|
||
July 4, 1986
|
||
|
||
A nation takes a day off from its countless private prisons -- its careers, its
|
||
roles, its lives of quiet desperation -- and celebrates liberty. Liberty!
|
||
Red, white, and boom! Company picnics, family gatherings, bratwurst in the
|
||
park. Fireworks. Tall ships, the Lady, and 40,000 shells bursting over New
|
||
York Harbor.
|
||
|
||
One year ago in San Carlos, California, my bike parked in a friend's
|
||
livingroom, I stood on her condo balcony and fired my flare gun skyward in a
|
||
small-scale celebration of freedom. The report echoed from dark buildings, and
|
||
we uttered the obligatory "aaahhs" as the sizzling fireball arced 45 degrees
|
||
over the parking lot and began its descent. Oh no... it crossed the street
|
||
and, so perfectly that it could have been planned, splashed sparks onto the
|
||
pristine white roof of somebody's Cadillac. Oops.
|
||
|
||
The year before that, I pedaled sweaty into Abilene, Texas after an 85-mile day
|
||
-- straight to the heart of wholesome Americana, a Fourth-of-July community
|
||
picnic. The dunking booth, the backward softball throw, the rousing speeches,
|
||
the egg toss... they were all there. Liberty. Freedom. A 3-day weekend.
|
||
|
||
Now, as I prepare once again to hit the Road, I find myself thinking about
|
||
freedom a lot -- especially as distant fireworks touch the sky outside my
|
||
apartment window with intermittent pastels and punctuate Mendelssohn with
|
||
muffled booms. In 43 days I'll turn my back on this otherwise colorless
|
||
suburbia, trading my temporary home in physical space for a life of endless
|
||
adventure in Dataspace.
|
||
|
||
I'll trade what I can't keep for something I can't lose.
|
||
|
||
Freedom Versus Security
|
||
|
||
In my first article here on GEnie, I told you the second one would be about the
|
||
business structure that keeps all this afloat. Well, I don't feel much like
|
||
talking about that right now -- it seems a bit dry next to the larger questions
|
||
of freedom, adventure, growth, learning, and life's true bottom line (FUN).
|
||
We'll get to it eventually -- soon you'll know all about the data
|
||
communications links between the Winnebiko and my base offices, methods of
|
||
handling mail and money, and how all this bicycle-borne gizmology (5 computers
|
||
now) adds up to a smooth and efficient office-on-wheels.
|
||
|
||
But before I tell you *how*, I think I should tell you *why*.
|
||
|
||
What, short of insanity, could compel a reasonably successful freelance
|
||
writer/consultant to give up the sporadic bliss of midwestern Yuppiedom and
|
||
wander endlessly on a bicycle?
|
||
|
||
A fancy getaway? That's the most obvious one -- *escape*, on every level. Is
|
||
the road the Other Woman, a sweet piece of asphalt to whom I can always run
|
||
when I need to sidestep the myriad horrors of commitment? Maybe. I always
|
||
have been fascinated by the energy associated with beginnings, and the nomadic
|
||
life assures a steady supply.
|
||
|
||
Or is the whole thing a PR gambit -- a clever marketing ploy designed to
|
||
bolster my chances in the brutally ephemeral publishing business? Possibly.
|
||
This is a scary way to make a living, you know: pushing a bunch of buttons in
|
||
what you hope is the right order in the fervent belief that some editor will be
|
||
impressed enough to send a check. A news angle helps.
|
||
|
||
Or... is the Winnebiko my non-threatening door-opener, my ego-boost, my
|
||
drawing card -- an eccentric alternative to having a hot face from the silver
|
||
screen and a pocket lined with cold cash? Hmm. It does tend to elicit the
|
||
groupie effect...
|
||
|
||
Or could it be that I'm just pedaling the planet looking for home, never quite
|
||
sure whether it's out there or inside me but convinced that I'll know it when I
|
||
see it?
|
||
|
||
Ah, how about this one: the journey is a way to get paid for playing -- a plot
|
||
to cheat the reaper and live countless lifetimes of love and delight while
|
||
everyone else plods along toward the distant golden promise of retirement.
|
||
That one doesn't sound bad at all. Why the hell should I grow up? It never
|
||
did my friends any good.
|
||
|
||
I've been accused of all of those at one time or another by cynics, parents, or
|
||
envious observers -- more often than not with some justification. But when you
|
||
look a little deeper, two unifying motives emerge:
|
||
|
||
1. I want to spend my life learning.
|
||
|
||
2. I want both freedom and security.
|
||
|
||
The first one is obvious enough. The bicycle is a learning machine; travel
|
||
opens doors. In my high-tech regalia I attract people of all descriptions,
|
||
then filter through them to find the witty, bizarre, brilliant, and aware.
|
||
Movement versus stasis, insight versus oversight, energy versus ennui,
|
||
adrenalin versus booze. Yes, learning is very much the essence of this, and I
|
||
change a little with every mile.
|
||
|
||
But the second one is a little more subtle. Freedom and security... the
|
||
contrapuntal components of the human dance. A brutal trade-off, it is: if you
|
||
want more of one, you pay dearly with the other. Wanna run around? Fine, risk
|
||
your marriage. Want a steady paycheck? Forget the flexibility of freelancing.
|
||
It's like gain-vs-bandwidth to an engineer or comfort-vs-weight to a backpacker
|
||
-- having both requires inventing new rules, new technologies. Freedom and
|
||
security. Hit control-S and think about it. What do you do when your main
|
||
objective in life is to have your cake and eat it too? For a while, as I
|
||
pedaled the first 10,000 miles, I had myself pretty well convinced that beating
|
||
the trade-off consisted of doing business on the road -- writing with a
|
||
portable computer while having enough adventures to fuel the process. Neat
|
||
stuff, my little electronic cottage on wheels... I fine-tuned it endlessly and
|
||
wrote rhapsodic articles about how things would never be the same. Then I
|
||
concocted a theory that the real key to beating the trade-off was online
|
||
society -- made possible by the fact that "place" is no longer a purely
|
||
physical notion. This is a major change in the life of Man, for suddenly one's
|
||
address is no more an issue than one's birthday or alma mater: interesting,
|
||
surely, but not in the critical path to a relationship. As the months on the
|
||
road wore on, my home became Dataspace, never more than a phone call away. I
|
||
lived online and wrote more rhapsodic articles about how things would never be
|
||
the same. But it takes more than technology to solve the problem, as sweetly
|
||
alluring as she may be. Adding new tools to our armamentarium of
|
||
information-handling devices does not in itself erase the habitual lifelong
|
||
traps that limit our options and make us drop anchor, intellectually speaking,
|
||
long before we learn to sail. It takes something else to change the rules of
|
||
the game and create new freedoms. It takes a genuine passion -- for life,
|
||
change, growth, and experience. It takes pulse-quickening excitement at
|
||
everything from a new switched-capacitor filter chip to seeing what's over the
|
||
next hill, from understanding the life cycle of that little flagellated
|
||
protozoan bastard named Giardia Lamblia to questing after the transcendance of
|
||
the well-turned phrase. Passion. A rebirth of wonder. And from this,
|
||
surprisingly enough, comes the ability to avoid the trade-off entirely: if
|
||
you're not enslaved to a single specialty, you can move freely and conjure a
|
||
home anywhere at all. You don't need to be a writer or information
|
||
professional -- just curious and ALIVE. That sounds like a pretty good
|
||
definition of having both freedom and security at once.
|
||
|
||
Intellectual Goldmines
|
||
|
||
So that's it. Roll all those motives together and you'll see why I'm doing
|
||
this. I get asked that a lot, as you can imagine -- the question is almost as
|
||
common as "what are the solar panels for?" They stand there, Americans of all
|
||
descriptions, they stand there beside the road studying my bicycle as if
|
||
somewhere in the tangle of eccentric machinery lies the answer. Their
|
||
curiosity is obsessive, for they see something of themselves -- something they
|
||
feel deep inside and struggle to recognize. Freedom, growth, learning,
|
||
adventure, hope, *joie de vivre*... But many miss the point, and ask: What
|
||
are you selling? Do you have a sponsor? Is this that bicycle race across
|
||
America? Are you trying to set a record? You testing this here new kinda rig?
|
||
Is this something medical? What are you trying to prove? Where are you going?
|
||
Are you crazy? It's hard to explain on the street, this need to wander
|
||
endlessly with body, mind, and heart. Sometimes I fumble with the real
|
||
explanation; sometimes I just smile and say, "Well, I got tired of the
|
||
3-bedroom ranch in suburbia and this is the next logical step." That's true,
|
||
but a bit abstract. No, this is really about *mines* -- intellectual
|
||
goldmines. Every professional specialty, every sophisticated technology, every
|
||
instance of superhuman dedication represents yet another mineshaft dug deep
|
||
into a great mountain of potential human knowledge, a mountain riddled with
|
||
glittering mineral veins and awesome riches. Into the mines go the
|
||
specialists, and from their pick-clinking wizardry emerges goodies of all
|
||
descriptions: microprocessors, designer genes, carbon-fiber-reinforced
|
||
polymers, geosynchronous communication satellites, flute sonatas, macro zoom
|
||
lenses, predicate calculus, sheer-when-wet bikini fabric, Tae Kwan Do,
|
||
aerodynamic derailleurs, bold new life insurance plans, supermarket psychology,
|
||
science fiction, and Post-it notes. There's a lot of magic in that mountain,
|
||
probably an infinite amount, and it is the skill and persistence of the
|
||
knowledge miners that makes it available to the rest of us. I know, for I used
|
||
to be one. I spent years conjuring custom microprocessor-based control systems
|
||
and writing the software to make them dance. It was... rewarding. But
|
||
something was always missing. One by one, I watched my passions die: every
|
||
hobby became a business, every plaything a professional tool. Computers,
|
||
lasers, precision measurement equipment, logic design, photography,
|
||
communications gear -- each one lost the glitter of "new toy" and took on that
|
||
worn, dusty look of "business equipment." Jaded, dulled, I turned to freelance
|
||
writing... a license to be a generalist, the perfect profession for one versed
|
||
in the art of BS. But it wasn't enough. I still worked in a mine -- I was
|
||
just free to visit others occasionally, sometimes taking the miners out to
|
||
lunch and quizzing them about their work. It was much more interesting than
|
||
staying in the same mine all the time, but still I was chained to a desk. I
|
||
just happened to own it. So on a hunch, I dumped the desk and moved to a
|
||
bicycle. The theory was simple enough: since this mine of mine yields words,
|
||
and words have no mass, I should be able to carry it wherever I go, right? And
|
||
if I travel far enough, slowly enough, I'll not only provide myself with an
|
||
endless source of literary stimulation, but also have a helluva good time in
|
||
the process. Right? Right. I could visit every damn mine in the country, if
|
||
I wanted to -- never again trapped in a single one, growing endlessly without
|
||
having to drop anchor and specialize. And my timing was perfect. A few years
|
||
ago, this crazy idea would have required far more discipline and dedication
|
||
than I could have mustered. Maintaining a mobile writing business before the
|
||
era of portable computers and data communication networks would have involved
|
||
heavy machines, tape transcription, mail drops, a hundred pounds of paper, huge
|
||
phone bills, and no small measure of frustration. But now... well, this
|
||
adventure IS called *Computing Across America*. Computers aren't the point of
|
||
the trip by any means, but they are at least as important as my bicycle wheels.
|
||
Yes, without this magic electronic window into the lives of friends, readers,
|
||
publishers, and business associates, my high-tech adventure never would have
|
||
made it past the trauma of departure. My office is electronic; my neighborhood
|
||
exists in Dataspace... and if I work in any mine it all it is my private one
|
||
of sweat and ecstasy, adventure and fantasy, new friends and discoveries
|
||
galore. There's the freedom and security. Is there a better way to spend a
|
||
life? And so it all fits. I'm not a bum; I'm a nomadic entrepreneur. And now
|
||
that you know where I'm coming from, neighbor, the stories to follow will make
|
||
a lot more sense.
|
||
|
||
... Steven K. Roberts
|
||
|
||
==============================================================================
|
||
|
||
WESTBOUND AT LAST
|
||
|
||
(#3 in the second online CAA series)
|
||
|
||
by
|
||
|
||
Steven K. Roberts HtN (WORDY)
|
||
Granby, Colorado
|
||
August 22, 1986
|
||
|
||
Granby, Colorado
|
||
And so it begins. I am writing from a motel room in Colorado, Columbus far
|
||
behind, the road suddenly a reality. Before I start telling stories, two bits
|
||
of additional background are necessary.
|
||
|
||
First, the general plan. We're driving a van to Vancouver (then a car to
|
||
Carson City, of course, followed by a brisk walk to Waukegan and... oh, never
|
||
mind). The Winnebiko will be on display at Expo '86 for a week, then we'll
|
||
spend a month, more or less, in Seattle -- with the intent of finishing the
|
||
wiring and software design. Then the road, at last, with the van sold or
|
||
driven back to Ohio.
|
||
|
||
Second, the reason for the word "we" in the last paragraph. During my first
|
||
Great Escape, a major theme was love -- to put it gently. "I have both freedom
|
||
and security," I was fond of saying, going on to rhapsodize about networks,
|
||
travel, friends and the surprising new twists in romance that come from living
|
||
in Dataspace.
|
||
|
||
But people have often suggested that the first word of "Computing Across
|
||
America" should be replaced with something else, and it has occasionally even
|
||
occurred to me that the variety of on-the-road encounters might have had more
|
||
to do with late-blooming adolescence than True Love. On one level, of course,
|
||
it was Everyman's dream- come-true; on another, it was a dangerous flirtation
|
||
with a dizzying variety of pathogens with transient delight as the only reward.
|
||
|
||
My only true love was the Other Woman... that sweet piece of asphalt known as
|
||
"The Road."
|
||
|
||
It's time for a new approach. Maggie and I met six months ago, eyes sparkling
|
||
across a smoky jazz bar, the awareness of Something Significant as tangible as
|
||
the articulate guitar riffs filling the air between us. Flowing black hair,
|
||
high cheekbones -- pretty, poised, and smiling as if waiting for my arrival.
|
||
We met with exuberance, celebrated the event with passion, and shared the kind
|
||
of bliss generally associated with falling in love. Even the cat couldn't
|
||
stand being in the same room with the two of us, and yes, we even quoted
|
||
Gibran.
|
||
|
||
Six months later, we're still at it, falling in love over and over. Nice
|
||
change, doing that with the same person. And yes, my sweet cyclamate is going
|
||
with me on this adventure: she glides along on her own solar-equipped
|
||
recumbent, long hair wafting in the breeze, tan legs pumping, a smile as wide
|
||
as the highway lighting her face. Yes, she's going with me, and as I tap the
|
||
keys here in the ham- operated Fronteir Motel she's out there gatherin'
|
||
provisions for the road ahead.
|
||
|
||
OK. Now the background is complete. The stories begin at last.
|
||
|
||
* * *
|
||
|
||
Phew. This was a day, a major day, a day of mountains and impressions and
|
||
exquisite desolation -- a welcome change after yesterday's 925-mile marathon
|
||
drive from Columbia Missouri to Boulder.
|
||
|
||
Boulder Canyon: echoes of that time 16 years ago when I pedaled unprepared and
|
||
silly into the beginning of alpine winter only to turn back within a week.
|
||
Different now, a new eye, a new purpose. We clambered the rocks, gazed at
|
||
nascent vastness, played hide and seek among the boulders. Boulder itself (the
|
||
town) is now expensive, gentrified and trendy, still echoing its recent hippie
|
||
heritage but too smooth somehow... we ate in the "last American Diner" under
|
||
the sounds of 50's music (Duke of Earl, Little Town Flirt) and pressed on,
|
||
forgetting our resolve to park and explore.
|
||
|
||
Nederland (a shop called "Gopher Baroque"). Ward ("Thank you for stopping
|
||
in-Ward," I joked). Sweet silence and that unforgettable Colorado character
|
||
that's so easily forgotten in suburbia. Vastness, smiles with Maggie, and the
|
||
refreshing brisk cold that chases torpor and clears the psychic pipes -- the
|
||
road a thousand miles of mental floss. Colorado, at last.
|
||
|
||
At Estes Park, preparing to head west into Rocky Mountain National Park, we saw
|
||
the crowds -- the bicycles, cleats, and Yakima racks. Cold, wearing
|
||
inappropriate shorts, we pressed through the masses and found ourselves in the
|
||
middle of the Coors Classic -- a world-class bicycle race with the likes of
|
||
Greg Lemond, sponsor logos and support teams everywhere. Sounds of French,
|
||
Italian, Aussie, German. Crowds concentrated at the starting line -- and at
|
||
every curve, breathless for action. We found a place to stand above crowd-
|
||
heads and watched the start of the 55 mile circuit; minutes later a tight line
|
||
of powerful human-machines blasted by at nearly 30 mph, raising goosebumps with
|
||
their intensity, honking wildly up the home- stretch grade in what, to them,
|
||
must seem a continuous roar of claps and cheers. But then the rain began,
|
||
slicking the track, breaking one head, and slowing the pace. We stocked up on
|
||
exotic chocolates and pressed further into the mountains, climbing, climbing,
|
||
until even the trees gave up the effort and all around us was only cloud and
|
||
rock.
|
||
|
||
Rocky Mountain National Park is a spectacle of unimaginable magnificence, Trail
|
||
Ridge Road rising into the clouds to 12,183 feet -- above treeline, into the
|
||
tundra. We stopped frequently. On one giant slope, far enough from the road
|
||
for quiet to rule at last, I stood alone on a rock outcropping and savored the
|
||
sensation of massive wind-driven fluidity. Maggie watched me a moment, and
|
||
then bubbled into a sudden exultation of irrepressible childlike exuberance,
|
||
closing the space between us in an open-armed dash and appearing warm in my
|
||
arms. Light rain ticking ripstop. Hair beaded with droplets. Warm, warm
|
||
human holding me in a place primordial, vast, humbling. A kiss.
|
||
|
||
The love of that moment pervaded the day, each stop another discovery, another
|
||
step further from the habit of mediocrity. Visibility a van-length; occasional
|
||
lines of headlights appearing bright on white and passing into our past,
|
||
sometimes a sign, sometimes a solar-powered bathroom that flushes with oil. We
|
||
stopped at that one, confirmed the relative specific gravities of oil and
|
||
water, and walked into the tundra -- trail-bound, hushed in blowing cloud,
|
||
somewhere in the skies of America. Tiny flowers, tiny beasts; an ecosystem
|
||
fragile, a place bizarre. Closer we grew.
|
||
|
||
Down the mountain, over the divide, west at last. The sky show of evening kept
|
||
our faces to the windshield, gaping out and up at a confluence of mountains,
|
||
lake, and sky that evolved from moment to moment like a concerto -- bound by a
|
||
theme, constrained by style and key, yet free to roam through variations
|
||
infinite until all scores are settled and the tonic nigh. Sunset itself was
|
||
anticlimactic: we turned the volume down and devoted ourselves to finding a
|
||
home for the night. And thus we come to be in Granby.
|
||
|
||
"KA8OVA," I told the man behind the counter, "and that's KA8ZYW out there in
|
||
the van."
|
||
|
||
"Well, hello!" came the grin. "I'm KA0SWQ, and P's in the other room."
|
||
|
||
Thus began the stay at the Frontier Motel, presided over with humor and delight
|
||
by Pat and Rich Agnew. They promised to let us take a late Jacuzzi and sent us
|
||
off to eat at the Longbranch -- an unlikely place in this frontier town. Food
|
||
exquisite, the Smothered Mexican Combination alive from item to item unlike the
|
||
homogenous sameness of most such dishes; Maggie's trout perfect. Ya never know
|
||
in a place like this -- the chef is European, sick of big cities. Maggie's
|
||
thinking of writing a compantion book, a book by my companion, a compendium of
|
||
eateries and recipes discovered through the endless wanderings of two sensory
|
||
mendicants. Maggie might not put it quite like that, but that's the way it
|
||
feels.
|
||
|
||
Tired bad, but last gasp: Hot tub room. Frolic in the bubbles. Massage,
|
||
moans lost in the wet roar, door open to the night pouring steam and admitting
|
||
more of that delicious Colorado air. When we left, I locked the room key in --
|
||
and had to play cat burglar to enter the room without waking our friendly
|
||
hosts. Brought to mind a moment about 24 hours earlier, somewhere in the
|
||
eastern Colorado plains, when I locked the keys in the van. Not like me,
|
||
really, any of this. I climbed in through the sunroof, attracting more than
|
||
one startled glance.
|
||
|
||
Just a jaunty way to hop into my van, ma'am -- I used to drive a convertible.
|
||
|
||
And now, west again. Three days to make the drive to Vancouver, a lifetime of
|
||
sights in between. I plan to appear here weekly from now on, sharing snippets
|
||
of experience and tales of adventure. Cheers!
|
||
|
||
---Steve Roberts
|
||
|
||
=============================================================================
|
||
|
||
NORTHWEST PASSAGE
|
||
|
||
#4 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Bainbridge Island, WA
|
||
|
||
September 11, 1986
|
||
|
||
Hello from Puget Sound! For a place so close to Metropolis, this wooded island
|
||
is about as calm as can be imagined: the ferry to Seattle may just as well be
|
||
transoceanic. People around here amble; they move slowly and stop to watch the
|
||
sunset. A New Age coffeeshop called Pegasus offers classical music and
|
||
interesting reading materials to go with its fresh Costa Rican. The
|
||
Streamliner Diner conjures robust spicy omelettes of fresh veggies, and days in
|
||
the fern-carpeted forest become nights, and then days again. Manana outside
|
||
the Caribbean? Haven't been this relaxed since Key West.
|
||
|
||
The setting is appropriate. This is the month of final preparations (always
|
||
more final preparations, eh?), a time of wiring and debugging, programming and
|
||
tweaking. We came to the island in our well-travelled van, ready to move once
|
||
and for all to the bikes and head south properly -- under our own power.
|
||
|
||
Much has happened in the weeks since my Granby, Colorado update. We glided
|
||
west, too smoothly, joining the throng of lumbering campers fouling the beauty
|
||
of Yellowstone and motoring on -- over mountains, deserts, farmlands,
|
||
wastelands. The scenery passed as video, stripped by our metal cocoon of its
|
||
smells and textures. By the time we rolled into Vancouver, I was so sick of
|
||
the van I was ready to dump it in the ocean.
|
||
|
||
We spent a week in that town -- doing Expo to the point of exhaustion. The
|
||
motive, of course, was not to gawk; this is not one of those dutiful
|
||
pilgrimages of what Edward Abbey calls industrial tourisim. It was a chance to
|
||
display the Winnebiko in the energetic company of over 150 other bizarre
|
||
vehicles... and, more importantly, their creators.
|
||
|
||
There are a lot of strange ways to put together wheels, pedals, and a seat.
|
||
High-speed humans zipped around town all week, grinning back at the gaggle of
|
||
confused touroids stopped in their tracks by the weirdness. Dave on his
|
||
sprightly Vacuum; the Swiss team in their flawless Trivia; the tatooed punk
|
||
smoking cigars inside a full fairing; the Humboldt County blondes laughing in
|
||
their kinetic sculpture dubbed the Bionic Taco. All shared the delight of
|
||
invention and speed -- the week was a celebration of creativity. *This* is the
|
||
essence of competition: not muscle against muscle inside the conceptual
|
||
straitjacket of traditional bicycle racing, but brain against brain, concept
|
||
against concept, human against human. Cortex and quadriceps alike were
|
||
involved here, and the atmosphere was electric.
|
||
|
||
Of course, Expo went on in the background, a mass of roiling humanity, bright
|
||
color, street music, pavilions ranging from the deeply philosophical to the
|
||
blatantly commercial, and overpriced food. Curious behavior emerges in a place
|
||
like this: in our "scoring" culture, numbers are more in demand than
|
||
experience. Tourists gripped their "passports," queing impatiently to have
|
||
them stamped at every attraction, seemingly more interested in the trophy than
|
||
the game itself. Public address systems directed the masses, food smells
|
||
tickled the nose, groups of Japanese tourists stopped randomly to photograph
|
||
each other, and the scream-punctuated whooshes of rides were ever-present in
|
||
this state-fair-turned-city. But here and there were pockets of brilliance --
|
||
the roller-skating khaen-player who travels the world to learn native
|
||
instruments, the Spirit Lodge of GM, the videography behind Discover BC, the
|
||
nonverbal message in the movie "Rainbow War," the occasional spark in an eye in
|
||
the crowd. Always from the mundane emerges magic, if you're willing to wait
|
||
long enough.
|
||
|
||
We left with relief, fleeing to the unselfconsciously picturesque town of
|
||
Victoria for a few days, wondering soon if the journey would become a
|
||
succession of painful goodbyes. New friends already, and we don't even live on
|
||
the bikes yet... but it won't be long.
|
||
|
||
A strange phenomenon is the border: any border, from county to country. If
|
||
you view the world from an incoming starship, the imaginary lines separating
|
||
kingdoms are of no interest -- there's one species down there, citizens of one
|
||
planet. It was with this attitude that I drove casually though US Customs,
|
||
mildly annoyed at the delay but thinking it no more meaningful than waiting for
|
||
a driver's license renewal. But the scowling agent squinted past me into the
|
||
van's cluttered cargo bay.
|
||
|
||
"What the hell's *that*?" "Oh, just a bicycle." "What's all that junk on it?"
|
||
"The usual. Computers and so on." "Where'd you get it?" "I built it in Ohio --
|
||
had it in Canada for Expo." "I need to see some registration." "You don't
|
||
register bicycles." "Around *here* you do." "Look, I just took it to Exp--"
|
||
|
||
"How would you like to have that thing impounded until you can come up with
|
||
some proof that it came from the US? Would you like that?"
|
||
|
||
The agent, in his grim way, was obviously enjoying this. Before I could
|
||
answer, he told me to pull around to the office. Within minutes, the chief
|
||
came out, nodding seriously at the explanation given by my tormentor.
|
||
|
||
"I built this in Ohio," I told the guy. "Yeah, yeah. Let's see the papers."
|
||
"It's a *bicycle*," I told him, feeling that quaver in my gut that comes from
|
||
total powerlessness in the face of ignorance. I handed him a flyer for the
|
||
*Computing Across America* book.
|
||
|
||
"Look," he said, jabbing a tobacco-stained finger into my electronics package.
|
||
"Half that stuff in there comes from Korea. You can't import electronic
|
||
equipment without paying duty -- with no documentation, we lock it up. Just
|
||
like that. If you really took it to Canada, you would have declared it at the
|
||
border."
|
||
|
||
This was news to me. The Canadian agent had simply smiled, asked how long I'd
|
||
be in Canada and if I was carrying fresh produce, then waved me on.
|
||
|
||
Finally, of course, we managed to convince him -- with armloads of photos and
|
||
media coverage -- that we weren't smuggling high-tech contraband over the
|
||
border. But my already negative opinion of governments dropped another notch,
|
||
and the sudden tackiness of Port Angeles did little to dispel the shadows. Why
|
||
didn't we just stay in Victoria, a garden city of bakeries, bicycles and
|
||
beaches?
|
||
|
||
But things always improve. Through that succession of chance encounters that
|
||
inevitably results from wandering around in public on computerized, solarized,
|
||
gizmologized recumbents, we ended up living in the Bainbridge Island woods atop
|
||
a fully equipped machine shop. Ya just never know. The company is called
|
||
Octo, and manufactures the Browning automatic bicycle transmission that allows
|
||
riders to shift under full power. Heh. We're engaged already in a bit of
|
||
impromptu technology transfer, a barter of intellect, an arrangement that makes
|
||
everybody happy. And, just like back in Ohio, I'm surrounded by a sea of parts
|
||
and tools and cables and papers and databooks and...
|
||
|
||
Somewhere, very close now, is the road. The "day rides" around the island
|
||
tease me -- quick winks from the Other Woman, temptations of the spirit. I'm
|
||
slipping into her arms, this time in a menage a trois: Maggie has recovered
|
||
fully from surgery and yearns, as I do, for a life of total uncertainty -- a
|
||
life whose constancy lies in change. Let's get on with it.
|
||
|
||
Mutual tire itch, it seems, is even less curable than my old solo variety. Why
|
||
stop when every new road is a beginning and home is right there by your side?
|
||
|
||
==============================================================================
|
||
|
||
MUSIC, MOSFETS, AND SUNSETS
|
||
|
||
#5 in the second online CAA series
|
||
|
||
by
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Bainbridge Island, WA
|
||
|
||
September 25, 1986
|
||
|
||
I suppose this machine really does look strange to people. I've been living
|
||
with it for so long that I usually only see a list of uncompleted projects
|
||
ranging from waterproofing to CMOS logic design. But when I ride down the
|
||
street, people gape, and the local media are having a field day. Front page
|
||
color in the Seattle Times; PM Magazine this week. Ah, this life of high-tech
|
||
nomadics...
|
||
|
||
Of course, I deliberately frolic in that strange region where the distinctions
|
||
between technology and magic blur -- where anything you say will be believed
|
||
because your looks alone overwhelm the senses. The other day I was at the
|
||
Streamliner Diner, immersed happily in a flawless omelette and watching the
|
||
crowd around the bike. A mother walked by with her 4-year-old boy.
|
||
|
||
"Hi there, sonny," I said into the handheld transceiver. Through low-power
|
||
2-meter simplex, my voice was conveyed to the Winnebiko -- where it crackled
|
||
from the console speaker. The kid froze, uncertain. He stared at the machine,
|
||
ready to cry if necessary. "So what do YOU want for Christmas?" it asked him.
|
||
|
||
His eyes widened as his mother scanned the area to find the hidden camera. "I
|
||
want a train, and a bicycle, and..."
|
||
|
||
"A bicycle like me?"
|
||
|
||
The boy's face lit up in pure wonder. "Yes."
|
||
|
||
"Well, we'll see what we can do about that." His mother began tugging him along
|
||
the sidewalk. But he resisted long enough to gaze at the machine and wave
|
||
solemnly.
|
||
|
||
"Bye-bye, Mr. Bicycle."
|
||
|
||
Of course, such play is only the beginning. Since the bottom line of this
|
||
venture is FUN, much of my development work centers upon system capabilities
|
||
that are not entirely aligned with that steely- eyed business world that
|
||
swallows up most otherwise well-intentioned computers. Today saw the 68HC11
|
||
and its custom interface logic spring to life -- not all debugged yet, of
|
||
course, but getting there. The bike can now make comments in its synthesized
|
||
voice, from "please do not touch me" when it detects vibration, to "oh no...
|
||
here he comes again," when a radioed touch-tone command lets it know that I've
|
||
finished lunch and am about to add my body to its 225-pound static load.
|
||
|
||
Hey, why not? Computers *should* be fun, shouldn't they?
|
||
|
||
Speaking of fun, life on Bainbridge Island continues to be a mingling of
|
||
obsessive design work and pure pleasure. A few days ago Maggie and I hopped on
|
||
a couple of Octo Company's resident mountain bikes -- agile machines with
|
||
automatic transmissions, quite unlike the lumbering megacycles we are about to
|
||
call home. Off into the woods we went, into deep green antiquity, whispering
|
||
through silence so deep that our clicking freewheels seemed as grating as
|
||
chainsaws. All around us were the projections of past and future: long-dead
|
||
trees sinking into the forest floor below new growth sprouting green and perky
|
||
into patches of flickering sunlight. Yeah, thanks for the reminder... we're
|
||
just passing through...
|
||
|
||
As a hint of approaching sunset pinked the sky, we emerged from the woods onto
|
||
Manzanita Bay and found a spot by the clear water. A sky show was beginning,
|
||
humbling us further, drawing us into a sweet melancholy touched with awe.
|
||
Dancing gold on the watertop, clouds gilt-edged platinum, textures from the
|
||
crystalline to the vaporous, moment-to-moment changes too subtle to notice and
|
||
too powerful to ignore. This, folks, was a world-class light show, and I
|
||
remember chuckling at the memory of those dancing lights that held me
|
||
enraptured night after night, back in the strange 70's. In this electric sky
|
||
there was beauty profound enough to tickle our lachrymal ducts and elicit soft
|
||
moans of sensual appreciation.
|
||
|
||
And there was more. We ferried to the City, upstream at rush hour, smiling our
|
||
way through a flood of grim commuter faces racing the clock as always. We
|
||
strolled to the Opera House and were suddenly surrounded by the expert musical
|
||
caress of Andreas Vollenweider and friends -- jazz harp, flutes, synthesizers
|
||
and percussion. Perfect. The group explored acoustical textures as grand and
|
||
delicate as that sunset, raising goosebumps, raising the roof, raising
|
||
awareness. At the last standing ovation, Andreas quietly spoke, "thank you."
|
||
|
||
"No, thank *you*!" someone cried out, and the applause swelled again like
|
||
another onslaught of Olympic rain. This was not ordinary music, this extended
|
||
orgasm of sound; this was exquisite proof of Beethoven's insightful observation
|
||
that "everything in music must be at once surprising and expected."
|
||
|
||
Ah, rhapsody, rhapsody. As the Road gets closer, I renew my resolve to spend
|
||
my life meeting remarkable people, seeking the pleasures of growth and
|
||
discovery, and smiling as much as possible. What an odd land this is, where a
|
||
bicycle loaded with computer systems can be a ticket to exactly that. (As a
|
||
British lady at Expo observed, while looking at my bike: "Only in America!")
|
||
|
||
See you next week. We'll be on the island a while longer, and will then pedal
|
||
frantically south as winter begins its warning chill. I suppose everything in
|
||
my life is surprising and expected, as well...
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
THE DEBUGGING MARATHON
|
||
|
||
#6 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Bainbridge Island, WA
|
||
|
||
October 3, 1986
|
||
|
||
I'm into it now. Around me people are planning send-offs, media events,
|
||
pot-luck parties. New friends, both the sorrow and delight of travel, drop by
|
||
to play music or swap stories. And this place in the woods, the last for a
|
||
long time to be so familiar that I know the light switches and shower knobs, is
|
||
taking on that patina of clutter that turns a place to crash into a home.
|
||
|
||
But I seem not to notice. Somewhere on the fringes of my awareness, life goes
|
||
on. Phone calls, GEmail, endless coffee, the daily business of my hosts.
|
||
Meals appear, then vanish; Maggie gazes at me across the table with love and
|
||
concern and asks, "how's it going?
|
||
|
||
"Well, I think the inrush to the speech board is trashing the HC11 logic when
|
||
the MOSFET turns on... I don't know, there must be too much inductance in that
|
||
wire and maybe I need to run the damn thing in its linear region. Confuses the
|
||
hell out of me -- why can't the world just be digital? I'm nested 3 or 4
|
||
levels deep again -- last thing I knew, I was trying to get that serial
|
||
crossbar network fired up and got sidetracked. But at least the 100 interface
|
||
is finally OK: I got it running on autostart and it's passing a new column of
|
||
SIMUL keys from the handlebars." Pushing back my chair and gulping coffee, I
|
||
run to the next room to dig for the tattered blue software folder, buried
|
||
within hours under piles of databooks and hardware clutter. I run back in and
|
||
lay the annotated listing on top of her spaghetti squash.
|
||
|
||
"See, it spends most of its time up here in the executive..." I begin, but her
|
||
eyes are soft and her fingers are on my arm and she's not thinking about logic
|
||
at all. I pause. "Did I show you how the lookup table works?" I begin again,
|
||
feebly, but she shakes her head and kisses me. I've been at this too long.
|
||
Some people do this for a living, you know, and never recover.
|
||
|
||
But I surface occasionally, long enough to play the flute or frolic in the
|
||
woods -- long enough to catch brief glimpses of the life of adventure that is
|
||
only days away. Days away? It seems abstract as I stare into the depths of
|
||
the system... isn't making all these computers hum smoothly (just to each
|
||
other, not to the radios) in the critical path to bicycle touring? Just ten
|
||
more days, just ten more days of going mad with frustration and muttering
|
||
arcane snippets of logic lingo to a remarkably patient Maggie.
|
||
|
||
She's obsessed too, of course. Maggie's never done this before; I have. She
|
||
sews waterproof fabric into bizarre shapes, packages foods into zip-locs,
|
||
grapples with wiring till the tears flow, and worries over the road-worthiness
|
||
of her untried machine. In a way this is still an experiment for us -- I
|
||
plucked her from stable small- town environs, helped her spend all her savings,
|
||
whisked her 3,000 miles away to a machine shop in the Washington woods, and
|
||
told her to pack everything that matters to her onto a bicycle. Tentatively,
|
||
she tries her hand at changing a tire, and I realize that we BOTH need
|
||
patience.
|
||
|
||
Ah, we'll find out soon enough. In the meantime, it's getting colder here,
|
||
snow down to 4,000 feet in the Cascades, trees in full autumn glory only 150
|
||
miles north of the border. People are telling me more and more frequently that
|
||
it's time to head south, and they're all wearing down vests. Hmm. But I still
|
||
need to calibrate the packet board, make the compass software work, fix a
|
||
charging problem, reinforce the console support, build a mixer amp, cable the
|
||
helmet, get 1200 pages of documentation microfiched, design the touch-tone
|
||
encoder, install the rear solar panel, mount the flute, improve the brakes,
|
||
etcetera, etcetera, etcetera. Worse than a damn house, worse than a damn car,
|
||
worse than a damn job. But it's more fun than any of 'em.
|
||
|
||
Short chapter this week -- aside from filming with Evening\PM Magazine and CNN,
|
||
I've done little other than work on the machine. I really wouldn't mind
|
||
telling you about it in excruciating detail, but I'd have readers whacking
|
||
BREAK keys all across the land. That wouldn't do at all.
|
||
|
||
So I'll see you next week.
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
A BLEARY 3 AM MONOLOGUE
|
||
|
||
#7 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Bainbridge Island, WA
|
||
|
||
October 10, 1986
|
||
|
||
Seventy-eight hours and counting fast. It's Friday morning, 3 A.M., and I
|
||
think I've become asynchronous with respect to the rest of the world -- working
|
||
all night and sleeping until the phone rings (as it always does, too early).
|
||
I'm tired, puzzled over a couple of design problems, and in no mood to write.
|
||
If there's any art at all to this installment, it's the art of spontaneous
|
||
invention, not that of a concentrated quest for the exquisite transcendence of
|
||
a well- turned phrase.
|
||
|
||
Yes, the exhaustion is gripping. But I'm savoring these last few hours of
|
||
stability -- of knowing where I'm going to sleep every night and having a
|
||
pretty good idea of who my local friends are. It's not like that on the road,
|
||
you know; on the road, stability is something you find in your packs. The
|
||
coffee's always right there in the outer pocket of the kitchen pannier next to
|
||
the spare candles... the logic probe and digital multimeter live just inside
|
||
the forward access panel... the micro-TV is tucked in with the HP system...
|
||
and I commute to work through the wonderfully familiar electronic window that
|
||
opens wide whenever I type HHH and a string of arcane digits. Kind of bizarre,
|
||
isn't it? I feel like a Gary Larsen cartoon, living so many contrasts and
|
||
reversals that even trimming my moustache is sometimes absurd and
|
||
thought-provoking.
|
||
|
||
Life is as it should be: there are no boundaries between sweat and wizardry,
|
||
work and play, computers and bicycle transmissions. I'm living in no-mode
|
||
land.
|
||
|
||
Actually, an interesting effect of this wandering life is the profusion of
|
||
homes that develop, metaphorical electronic ones aside. There's one here on
|
||
Bainbridge Island, this place isolated enough from the Big City to be both
|
||
efficient and relaxed. Maybe someday (like I told myself in Austin, Key West,
|
||
Santa Fe, Crested Butte, Telluride, Santa Barbara and a few other surprise
|
||
places) I'll come back to live for awhile. Yeah, I'll come back, park the
|
||
bike, find a house, start a consulting business, and dovetail socially with all
|
||
these delightful folks I've come to care about over the last month...
|
||
|
||
But home doesn't work like that when you're a nomad: I'd go crazy in less than
|
||
a year. For once you taste the energy of beginnings, middles are never quite
|
||
the same.
|
||
|
||
I went for a test ride today after finishing the new console mount (the old
|
||
one, after only 400 miles, was beginning to fracture). Sleek, waterproof, and
|
||
free of rattles I whisked along, making my first attempt at on-the-road typing
|
||
(sloppy but rather thrilling... technically speaking). I smiled at joggers,
|
||
waved at drivers, and stopped to chat with the kids. And it started to happen
|
||
-- that sweet, slow metamorphosis from deadline-driven madman to wanderer,
|
||
nomad of the spirit. I rode along, slowly keying ASCII in time with my
|
||
cadence, sweating in my Patagonia under a clear cold sky, almost managing to be
|
||
more aware of my surroundings than the subtle interplay of microprocessors
|
||
spinning in synchronous wait loops and dancing at my touch.
|
||
|
||
(The software's synthesized voice message on startup has been: "I am the
|
||
Winnebiko control system, version 7. Are you ever going to ride me, Steve?")
|
||
|
||
You bet, my little Bikeasaurus -- in 77 hours. Ticks of the clock are taking
|
||
on heavy meaning, and the bike stands over there poised, a thing of promise
|
||
laden with significance, the result of all my time and resources for over a
|
||
year. "How much did that cost?" the kids always ask. "All I had," I answer,
|
||
trying to imagine a number, seeing the insights and specialties of friends
|
||
reflected from end to end. But the task now is to lift my eyes from the
|
||
machine and see what I've set out to see -- to switch this bizarre contraption
|
||
from foreground to background, from obsession to tool. Only then will the
|
||
journey have meaning.
|
||
|
||
Ah, off to bed -- I can't even focus my eyes, much less my mind (had I ever
|
||
given this much of myself to a job, I'd have my own teak desk by now). The
|
||
next time you hear from me, it will be from somewhere... out there...
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
The First 100 Miles
|
||
|
||
#8 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
Port Townsend, WA
|
||
October 15, 1986
|
||
|
||
|
||
It has begun at last.
|
||
|
||
The bike sits quietly blinking beside the half-finished wing of a homebuilt
|
||
aircraft. Batman the Manx sits blinking in the doorway, I'm swilling Millstone
|
||
coffee from my stainless steel traveling mug, and Maggie's out there in our
|
||
hosts' kitchen, conjuring a sorbet to go with dinner. Those are the headlines.
|
||
We are on the road.
|
||
|
||
It began as it always does: poignant farewells, final tweakings, long
|
||
discussions over maps. The ferry to Seattle seemed different this time; we
|
||
hugged on the stern as Bainbridge Island faded into the fog -- Bainbridge, our
|
||
home for the last month, our home perhaps someday again. A quiet kiss, breath
|
||
clouds white in the gray mist, bikes the focus of commuter curiosity. Yes, I
|
||
can feel it... we're finally on the road.
|
||
|
||
First stop: Bothell. Seattle passed smoothly, the Burke Gilman Trail
|
||
simplifying what would otherwise have been a 33-mile ordeal of city riding.
|
||
Whispering past joggers, catching glimpses of urgent racers, swerving to miss
|
||
the occasional stray toddler, we made our way through the colors of early fall
|
||
to Traveling Software. This was to be our official send-off, an event that
|
||
would draw not only five TV crews but GEnie's own Steve Haracznak -- director
|
||
of Public Relations. When you become a living caricature of technology's
|
||
potential, apparently, the industry takes notice.
|
||
|
||
Dinner. Exuberant tale-swapping. Big plans. Debugging till 2. Fitful sleep
|
||
on the floor; awakening bleary to the humming of corporate America. "There's
|
||
somebody sleeping in there," came whispers from the hall; then we emerged,
|
||
blinking in the fluorescents, stumbling to the coffeepot and greeting the first
|
||
reporter and hour and a half early. "I am the amazing Winnebiko," said the
|
||
bike, "do you have any questions before we head south?"
|
||
|
||
Four hours of media. CNN's Roger Gadley arrived and joined the local crews
|
||
standing about with cameras perched like electronic parrots on their shoulders.
|
||
Visitors included GEnie user B.CALDWELL, who has been following these columns
|
||
and had to see if this bike was for real. Traveling Software's Mark Eppley
|
||
stood with Steve and looked on with a sort of subdued glee -- for the message
|
||
that would go out over the airwaves was that of radical new freedoms that could
|
||
be gained through portable computers and telecommunications. I rode through
|
||
the Computing Across America banner to scattered cheers, did the show and tell
|
||
countless times, and then was off -- this time for real -- northbound with
|
||
Maggie astern and the unknown ahead.
|
||
|
||
Northbound. In October. In Washington. Logical, eh? Actually, this is a
|
||
sort of shakedown, a minor loop around the Puget Sound area that will give us
|
||
one last brief chance to fix things in the Bainbridge Island shop before
|
||
scurrying south with winter's blast at our backs. But we're moving, and that's
|
||
what matters; cold wet weather can only deepen our appreciation of what lies
|
||
ahead.
|
||
|
||
We slept in Everett that night, wrestling the bikes past leg- climbing
|
||
squirrels and up right-angle steps into the apartment of a friend from
|
||
Traveling Software. Already the differences: the human kaleidoscope twisting
|
||
with our wheels and revealing lifestyles unimaginable with every layover. I
|
||
remember now, and Maggie's seeing it too: the journey's stability lies in
|
||
variety, and change is the very essence of what at first seems chaotic.
|
||
Activate all receptors; set information bandwidth to maximum. LIFE has
|
||
resumed.
|
||
|
||
Cold fog, long hill, down past the gravel pit, flashers ablaze, hands burning
|
||
numb, teeth clenched in that violent grinning grimace of exuberant pain.
|
||
Living! Mukilteo ferry purring into the soup, the twice-crashed Cathlamet
|
||
bearing its cargo of us and coffee holding gloved hands on the voyage to
|
||
Whidbey Island. The day crisp and beautiful, parking panting bodies in spicy
|
||
autumn leaves to crunch Washington apples, Maggie learning to scream her way up
|
||
the rougher grades to mask the pain. Voices tiny in each other's ears through
|
||
2- meter radio, the Osprey nest, the encounters -- everywhere the encounters.
|
||
Normal foods made robust through hunger, the finest seasoning of all. Hazy
|
||
scenery passing like wide-bandwidth video, the pumping of polypro-clad legs
|
||
driving the sweet whisper of chain and tire. And through it all the inaudible
|
||
hum of processors, snagging thoughts like passing butterflies in their delicate
|
||
electronic web as my fingers tickle the handlebars. Ah. It's really
|
||
happening.
|
||
|
||
It was on yet another ferry that we met Bob: enroute to Port Townsend,
|
||
preparing to seek the hostel at Fort Worden. "I just dropped my son off at the
|
||
airport in Vancouver," he said, "he's off to go trekking in Nepal." A moment's
|
||
hesitation, then a friendly grin. "His room's empty, if you'd like a place to
|
||
spend the night... say, that console looks like it belongs in an airplane..."
|
||
|
||
Over a day later we're still here, comfortable with our new friends as we
|
||
engage in the basic barter of this lifestyle: snippets of our lives for a
|
||
taste of theirs. We all emerge richer, each feeling that he or she has gained
|
||
the most. This is human commerce at its finest, and everybody profits except
|
||
the IRS.
|
||
|
||
By morning, we'll be southbound (after a flight over the Olympic Mountains in
|
||
Bob's Grumman). No further north this year, no more senseless flirtation with
|
||
the grim misery of those coastal rains everybody warns us about. Somewhere out
|
||
there is a warm winter sun, only a couple hundred thousand pedal cranks away...
|
||
|
||
The familiar is fading. The nomadic life -- seeming as much my essence as the
|
||
sweat that sustains it -- has begun. I smell it.
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
WINDOWS ON WASHINGTON
|
||
|
||
#9 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Centralia, WA (Mile 295)
|
||
|
||
October 24, 1986
|
||
|
||
It was dark, late: after midnight. The town -- Montesano, Washington; the
|
||
brain -- mildly giddy on local beer and the fuzzy exhaustion of a 54 mile day.
|
||
I lurked in the wet grass behind the Osterberg Motel, Maggie standing beside me
|
||
and looking more than a little worried.
|
||
|
||
I tried the bathroom window and found no handhold. My now- useless Sawmill
|
||
Athletic Club membership card was tattered from the attempt to jimmy the front
|
||
door latch, and no lockpicking tools were handy. I dug quietly into the wood
|
||
around the window with a key, trying not to make a sound, but only managed a
|
||
small pile of sawdust. This was getting us nowhere.
|
||
|
||
I dropped to my knees, shivering slightly, and groped in the clutter that lay
|
||
about the old building like the archaeological echoes of a dying culture, my
|
||
fingers finding and quickly rejecting crumbled wires, rusty bolts, bottlecaps,
|
||
and things unnamable lying there in the dank shadows. Somewhere a door slammed
|
||
and I stiffened, frozen in the haze of a distant streetlight, waiting for the
|
||
shout. But it was only a guy walking his dog, and he passed quickly out of
|
||
sight.
|
||
|
||
My hand closed around an ancient bracket -- something vaguely automotive.
|
||
"Ah," I whispered. Prying carefully, wincing at the amplified crunch of old
|
||
wood, I eased the window open. Giggling sotto voce, I stepped on an old bucket
|
||
and squirmed through the opening, finding sink and toilet more or less where
|
||
expected, both creaking under my weight as I lowered myself headfirst to the
|
||
floor. Ah, travel. I completed the entry, found my way around the bicycles
|
||
jammed into the stuffy room, and let Maggie in the front door -- number 5 --
|
||
the one with the broken lock that had resisted every attempt to use the key
|
||
given us on check-in.
|
||
|
||
It had been a day of northwest autumn images... of woodsmoke curling
|
||
white-on-white through thick morning fog. Of ducks, startled by our passage,
|
||
scrambling across the Hood canal watertop making tracks on the surface with
|
||
frantic wingtips and flapping feet. Of herons and gulls, Christmas tree farms,
|
||
dogs breathing micropuffs, giant mushrooms like pumpkin pies, tiny ones
|
||
scattered across logs like storybook colonies -- and the unnatural quiet of
|
||
off-season tourist culture. A brisk morning.
|
||
|
||
Later, on route 108, I pedaled in sadness -- bracing myself against the blasts
|
||
of logging trucks hauling the carcasses of once- beautiful trees and leaving an
|
||
ugly ravaged landscape like a botanical war zone invented in Hollywood. Now I
|
||
understood the tree-spikers, as my surroundings alternated between disaster and
|
||
grandeur, each underscoring the other. I passed from lifeless mountainsides of
|
||
blackened stumps to great rustling valleys touched with the muted ochers and
|
||
somber umbers of autumn... from harsh wreckage to quiet perfection with man
|
||
alone the mediator. Anger. But through every mini-hurricane of a 60 mph
|
||
logging truck -- at once fragrant with fresh-felled fir and rank with diesel
|
||
fumes -- I tried to remember that the man at the wheel was just doing his job.
|
||
Those aren't the villians at all... they only LOOK the part.
|
||
|
||
They're only villians when they blow me off the road.
|
||
|
||
We're southbound for real now; I'm writing from the 295-mile mark, two days
|
||
from Portland. Puget Sound is way back there somewhere -- the people who made
|
||
it feel as home now fond memories and database records. No more Paulsbo bread,
|
||
ferry horns in morning fog, midnight milling machine madness, or sunsets over
|
||
Manzanita Bay. Home is the road. I'm re-experiencing the major adjustment
|
||
that has to be made when you switch from stasis to nomadics: a redefinition of
|
||
"home" that lets a modular phone jack, bicycle, and the cluttered livingroom of
|
||
an overnight host touch all the places in your heart that were once owned by
|
||
your old hometown. Yeah, this is a qualitatively different lifestyle, and when
|
||
I look into the eyes of people here in Centralia I try to remember that I'm
|
||
even more alien than I look -- for reasons that have nothing whatsoever to do
|
||
with speech synthesizers and blinking consoles.
|
||
|
||
Anyway. The weather is holding, a record for rainlessness they tell me, and
|
||
we're slipping away from winter on back roads, so far unnoticed. Oregon
|
||
tomorrow, I think -- or at least the Columbia River -- then on down through the
|
||
land of contrasts, the state of being, the place where most trends start and
|
||
most wanderers stop. California will be like glue on our wheels, but there is
|
||
so much more beyond... wherever that may be.
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
Rain Country Hospitality
|
||
|
||
#10 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Lake Oswego, OR; 435 miles.
|
||
|
||
October 29, 1986
|
||
|
||
The warnings were true. It DOES rain in the Northwest.
|
||
|
||
The trip from Castle Rock to St. Helens was a 42-mile marathon of spray and
|
||
puddle, drizzle and bubble. Trucks blew by in a rage of wild grayness, my
|
||
microphone tube filled up with water, and I settled into a grim rhythm of
|
||
pumping water under my wheels with Gore-tex legs. Such are the rides that
|
||
DON'T fit the freewheeling fantasy -- the days when waittresses look you over
|
||
with obvious concern for your health as well as the messy cleanup job that will
|
||
follow your visit.
|
||
|
||
It has been an eventful week, with too much to cram into a column: camping in
|
||
the rain, riding lively Klein mountain bikes down the Punji Stake Trail,
|
||
passing the Trojan nuclear power plant (PREVENT TROJANOBYL says the bumper
|
||
sticker), getting tips on winter street survival from a homeless woman in
|
||
Portland, and meeting politicians who see us as potential campaigners. The
|
||
life of constant change I have written about is upon us now, and we'll just
|
||
have to settle for a few vignettes.
|
||
|
||
"This is bicycle mobile KA8OVA, listening," I said into the foam- tipped tube
|
||
at the corner of my mouth while touching a handlebar button with my left thumb.
|
||
The reset beep of a distant repeater told me that I was hitting the 147.26
|
||
machine in Longview, Washington -- on the Oregon border about 25 miles away.
|
||
|
||
"KA8OVA, this is KA7JBW. Handle here is Toby, that's tango oscar bravo yankee,
|
||
mobile in Kelso. You say you're bicycle mobile?"
|
||
|
||
I told him yes I was -- and where I was, and why. After a basic exchange
|
||
concerning radios and roads, I popped the question: "Hey, Toby, I'm about ten
|
||
miles north of Castle Rock at the moment, and don't think I can make it all the
|
||
way down to your end of the world before dark. You have any club members up
|
||
this way?"
|
||
|
||
Well, one thing led to another, as it always does, and soon there was a new
|
||
voice in my ear -- KA7QOX, otherwise known as Al. Did I need a place to stay?
|
||
Hey, no problem...
|
||
|
||
Within the hour, we were unpacking our bikes in a micro-hangar -- surrounded by
|
||
dozens of radio-controlled aircraft. A quarter-scale Cessna took up one end of
|
||
the room, its detached wing against the wall over 8 feet long. Five or six
|
||
helicopters, exquisite machines accurate in every detail, lay poised in various
|
||
attitudes -- some suspended from the ceiling, others on the floor. Walls were
|
||
hung with aircraft photos, unfinished projects were layered on cluttered
|
||
benches, and all around were the hallmarks of a passionate interest in this
|
||
intricate hobby. I felt right at home.
|
||
|
||
"Ah, play," I said to our host. "I see you have no plans to grow up either."
|
||
Al, balding and nearly old enough to be my father, grinned knowingly and
|
||
agreed. His career is industrial control system repair, but his life's work is
|
||
radio control -- and as the evening progressed we sensed the kinship that comes
|
||
from high-tech obsession: showing each other our creations, swapping tips, and
|
||
enjoying that warm glow of mutual respect. There really are a lot of
|
||
interesting people in the world...
|
||
|
||
After a morning helicopter flight and hearty breakfast we were off, my head
|
||
filled with fantasies of adding a mini-chopper to the bike and letting it roam
|
||
ahead to transmit live video of the mysteries around the next bend. Why not?
|
||
"Viva Madness!" writes RAY-ROLLS, one of my correspondents here on GEnie...
|
||
and indeed, why not? What else, besides learning and fun, should be our bottom
|
||
line?
|
||
|
||
Onward. Chats on the radio, new friends gradually fading into the static.
|
||
Coffee stops, curious stares. Heavy weather, wringing out gloves, wiggling
|
||
numb toes. The terror of the Lewis & Clark bridge, which managed to combine
|
||
all the most unpleasant cycling conditions into a single 10 minute ordeal:
|
||
rain, gusty sidewinds, slippery expansion joints, heavy two-way traffic,
|
||
logging trucks, steep grades, and no escape route. I caught up with Maggie at
|
||
the summit, touching her shoulder en passant and offering a word of
|
||
encouragement. Her whimper was lost in the roar, then I was flying downward at
|
||
37 mph, rain stinging my face, bike jolted sideways by surprise grooves and
|
||
passing 18-wheelers. Passing? At this speed? What the hell's the hurry,
|
||
guys? The little blinking green LED on my console kept saying OK, OK, OK --
|
||
but what does it know outside its artificial little world of nicely decoupled
|
||
5-volt logic?
|
||
|
||
But hey. The miles go by, experience becomes memory. The next afternoon we
|
||
were in Portland, Oregon.
|
||
|
||
Normally, finding contacts is easy. On my first trip around the country I
|
||
would roll into town, scan the faces in the crowd for that familiar spark, and
|
||
gently hint at my need for a place to stay. Rarely did I wander around a city
|
||
after dark and try to rationalize a night of credit-card camping. But two
|
||
things conspired to make Portland difficult: a pair of 8-foot high-tech
|
||
recumbents gives the misleading impression of complete self-sufficiency, and
|
||
Portland is a city with a huge street population -- hundreds of homeless people
|
||
living on the handouts and waste heat of a large but friendly town.
|
||
Conversation was easy and pleasant, but finding a place to crash nigh
|
||
impossible. After giving up, we fought our way across the city after dark to
|
||
the AYH hostel -- which, like every other hostel, was absolutely unlike every
|
||
other hostel.
|
||
|
||
Hostels have character.
|
||
|
||
This is one of a network of places that helps shape the traveling culture --
|
||
not the TOURIST culture (which provides the shallow thrills of "attractions"
|
||
while insulating people from wherever they are), but the TRAVELING culture,
|
||
which is exactly the opposite (a lifestyle instead of a diversion). At hostels
|
||
you meet people on journeys, people who throw their entire selves into the
|
||
experience of movement, change, and meeting other people. Long bicycle
|
||
odysseys are commonplace in the hosteling world, as are solo wanderers from
|
||
Australia, Swedish girls on holiday, and people of all ages seeking a bit of
|
||
work to fuel the next stage of travel. Someday I'll tell you more about the
|
||
hosteling life, but suffice it to say that we found ourselves in a sort of
|
||
haven from the confusion of the city, grateful for the chance to sit around the
|
||
big table and swap stories with new friends. A pretty 18-year old Canadian
|
||
girl named Bettina cut my hair for the next day's TV interviews, and my winsome
|
||
Lifestyle Maintenance Manager put the kitchen to good use. Ah, pasta.
|
||
|
||
Everybody we meet thinks we're intriguing, but some kinda crazy to be this far
|
||
north this late in the year. TV weather reports talk about storm systems and
|
||
Alaskan fronts, and the single word "south" is my stock answer to that constant
|
||
question: "where ya headed?" As we fled the continuous roar of Portland on the
|
||
delightful Terwilliger Trail, we could feel it: trees denuded, leaves on the
|
||
ground soft from rain, joggers puffing breath from faces locked into grimaces
|
||
of self-imposed agony. Tomorrow we'll dive back into the soup after a lakeside
|
||
day of writing and relaxation -- down to Corvallis, home of Hewlett-Packard
|
||
portable computers... a mecca of sorts. And closer to the sun.
|
||
|
||
"Back on the freeway, which is already in progress!"
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
Strangeness and Halloween
|
||
|
||
#11 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Eugene, OR; 612 miles.
|
||
|
||
November 6, 1986
|
||
|
||
It's odd sometimes, living this lifestyle sampler. In Salem -- after a brutal
|
||
55-mile day of headwinds, rain, and shoulderless darkness -- we settled in with
|
||
a delightful couple who had sent an electronic invitation via CompuServe over
|
||
two years ago. Huddling in a phone booth, I queried my database for contacts;
|
||
within the hour we were warm and dry, blinking in the light, legs quivering
|
||
from one of our hardest rides yet and bodies numb from exhaustion. (Welcome
|
||
new GEnie user D.MACMILLAN.)
|
||
|
||
Before long I was alone in the house -- as Maggie, David and Lois went out to
|
||
shop for Halloween dinner. I wrote quietly by the woodstove, jumping up every
|
||
sentence or two to hand carob-coated fruit crunchies to the costumed children
|
||
of a town I'd never seen. Unlike the mischievous rampages of my own childhood,
|
||
this night was tame, almost depressing: every group was shepherded by a bored
|
||
but watchful adult, waiting on the sidewalk with a flashlight. Some people, it
|
||
seems, have found it amusing to give poison to children. The holiday
|
||
continues, emasculated.
|
||
|
||
This is strange. EVERYTHING is strange. As I step outside of society (yet
|
||
move intimately within it), American behavior seems progressively more bizarre
|
||
until I find other humans at least as fascinating as they find me. Lift
|
||
yourself out of your normal context and think about a few things for a minute
|
||
-- as if you ware studying an alien culture...
|
||
|
||
Consider the "business crowd." They swarm the restaurants at noon -- the women
|
||
painted and garbed in restrictive clothing, the men identical in uniforms
|
||
characterized by strips of colored fabric tied about the neck. Most (even the
|
||
brilliant ones) work hard for decades to support a lifestyle whose primary
|
||
functions are stability and the consumption of expensive goods -- a lifestyle
|
||
that takes on a life of its own to the extent that many are unable to change
|
||
their course even when they finally WANT to... as many eventually do.
|
||
|
||
Giant billboards promote addiction to tobacco smoke, with sexy people ("Alive
|
||
with Pleasure!") smiling over a notice that reads: "SURGEON GENERAL'S WARNING:
|
||
Smoking Causes Lung Cancer, Heart Disease, Emphysema, And May Complicate
|
||
Pregnancy." In many parts of America, cigarette smoking is actually considered
|
||
attractive -- despite the fact that it stains teeth, releases dangerous fumes,
|
||
and threatens health.
|
||
|
||
Humans put a lot of other strange things into their bodies (even ignoring
|
||
drugs). Food, for example, is routinely laced with chemicals, antibiotics,
|
||
coloring agents, sweeteners and random impurities -- spawning a whole
|
||
subculture of people who prefer to eat products "close to the source" instead.
|
||
But these natural foods typically cost half again as much as those that have
|
||
been subjected to extensive processing. When you're a human engine consuming
|
||
5,000 calories a day, such matters take on paramount importance.
|
||
|
||
The males of this species gather across the land and earnestly discuss
|
||
"football," a ritualized proccess in which regionally- identifiable teams of
|
||
powerful men rumble hairily across large fields, slapping each other's bottoms
|
||
whenever they manage to relocate an oblong leather ball in a fashion contrary
|
||
to the intentions of their opponents. This national obsession (at least as
|
||
pervasive as religion, and in many ways comparable) provides a safe yet
|
||
controversial topic of conversation -- a sort of macho safety valve.
|
||
|
||
Across the earth's surface are invisible random boundaries that define the
|
||
geopolitical limits of human cultures. People crossing these lines are subject
|
||
to search, personal scrutiny -- sometimes even arrest or death. Some of the
|
||
larger regions have declared themselves "superpowers" and devote a major
|
||
percentage of their resources to the creation and maintenance of weaponry
|
||
capable of killing everybody else on the planet (as well as themselves) some 40
|
||
times over. Though it has been pointed out that such activity may quickly
|
||
destroy human civilization, there has been no serious attempt to reverse this
|
||
behavior.
|
||
|
||
Few humans think in terms of a planet, in fact. This is a very odd species:
|
||
nuclear waste has to be stored for a time longer than all of recorded history
|
||
before it ceases to be deadly. Pets eat better than many children -- who have
|
||
been behaviorally conditioned to crave such delicacies as Apple Jacks (a
|
||
breakfast cereal that is 54% sugar). Skin color is the basis of a caste
|
||
system, offically or otherwise. Leaders are chosen on the basis of charisma
|
||
and marketing ability, not intelligence. Success is measured by dollars, not
|
||
happiness. Some fatal diseases are too profitable to eradicate, while others
|
||
are considered blessings by a few who see them as God's way of eradicating
|
||
people who are different. The list goes on and on.
|
||
|
||
When viewed from the perspective of an incoming starship, in fact, much of
|
||
human behavior seems absurd -- even though there is no serious shortage of
|
||
intelligence, creativity, awareness, and love.
|
||
|
||
Somehow, living on a bicycle intensifies all this. My little starship -- my
|
||
Loony Excursion Module -- is connected yet unconnected, a rolling platform from
|
||
which to view the world at close range. And the closer I get, the more remote
|
||
I feel. Do you see why I keep calling this strange, even though it has become
|
||
my normal life?
|
||
|
||
* * *
|
||
|
||
In other news: The ride from Salem to Corvallis was flawless -- 42 miles of a
|
||
cool, sunny tailwind; good conversation on the radio; energetic music (Level
|
||
42) on the cassette deck; perfect. We arrived under a peach-colored sky show,
|
||
the afternoon sun setting autumn foliage ablaze over a campus still sleepy from
|
||
the aftereffects of Halloween night (college style). We meandered about until
|
||
dark, then headed for the home of our first hostess.
|
||
|
||
Waiting to cross a street, I fell over. Now, this is not my usual style, nor
|
||
it it considered healthy behavior on a machine that weighs about as much as the
|
||
average medium-sized Honda. As I struggled to wrestle it back up, the
|
||
handlebars fell off.
|
||
|
||
Red alert!
|
||
|
||
My life was suddenly immobilized -- with no repair part available anywhere in
|
||
the world. I sat by the road in the dark and stared numbly at the fractured
|
||
bearing mount, machined long ago from an inappropriate chunk of cast aluminum.
|
||
This would take a machine shop, a hunk of 6061 or 7075, and someone deft with a
|
||
mill. Lacking all three in this unfamiliar town, we parked the bikes and
|
||
strolled to dinner at Nearly Normal's -- a place that conjured 60's images
|
||
while tickling the palate and pleasing the ear with classical guitar. I needed
|
||
a break.
|
||
|
||
Oregon is an interesting place. People seem alive, involved, interested in
|
||
others. Perhaps that has something to do with the demographic filtering that
|
||
results from my bizarre appearance, but the net effect is easy connection --
|
||
and before long we were standing in Griffo Brothers Ironmonger Works, a garage
|
||
shop par excellence, watching Mark the metal wizard at the helm of his Mazak
|
||
numerically controlled milling machine. Color graphic definition of my
|
||
steering part in, finely-honed aluminum out. Ain't technology wonderful?
|
||
|
||
Rolling again, we spent two days with Hewlett-Packard, the reason Corvallis had
|
||
come to seem a sort of mecca. Media, brown-bag lunch with 200 employees, still
|
||
more new friends. And when the Portable was taken away for upgrades, the lobby
|
||
suddenly felt like a hospital waiting room: we sat in our little sea of
|
||
clutter, clad in T-shirts ans sweats, catching up on correspondence and looking
|
||
up expectantly every time someone in a tie walked through the room. "How is
|
||
she?"
|
||
|
||
We're in Eugene, now -- getting ready for the 96-mile mountainous ride (with no
|
||
services) that will land us on the coast. In the meantime... still more new
|
||
friends, still more bike tweaking, still more adventure and food and rain and
|
||
coffee and conversation. Always the same, always completely different. This
|
||
is the texture of our life, the internal decor of a Winnebiko.
|
||
|
||
And the next time you hear from me, it will be from the Pacific.
|
||
|
||
==============================================================================
|
||
|
||
Flying on the Coast
|
||
|
||
#12 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Lakeside, OR; 747 miles.
|
||
|
||
November 12, 1986
|
||
|
||
It had to happen eventually. Things have been easy too long; riding south in
|
||
the Willamette Valley, even when wet, was flat and easy. But from Eugene,
|
||
every road led skyward -- east into the Cascades, south into the Siskiyous, or
|
||
west into the Coast Range.
|
||
|
||
Naturally we opted for the Pacific coast, that 2,000-mile cycling bonanza that
|
||
attracts travelers from the world over. Good shoulders to fly on, cheap
|
||
camping, friendly hostels, bicycle-aware drivers, a mobile community of
|
||
cyclists, classic scenery -- all this and more defined the Pacific coast route
|
||
as THE way to continue south. But first... we had to get there.
|
||
|
||
"You'll be needing these," said Laura, handing us two dozen homemade chocolate
|
||
chip cookies, still warm. Outside, the drizzle was starting -- though we
|
||
managed to convince ourselves that the occasional patch of less-gray sky meant
|
||
sunshine ahead. Eugene had been a delight, yet another of those potential
|
||
homes characterized by intelligent people, surprising resources, and quick new
|
||
friendships that seemed already timeless. Laura and Jim were kindred spirits:
|
||
veterans of long-distance cycle touring, bright and playful, happily living
|
||
freelance lives asynchronous with the business world. Staring out at the rain
|
||
amidst the laughter of my new friends, I was in no mood to hurry.
|
||
|
||
But southbound we must be, for it is November and this is Oregon. We took a
|
||
last gulp of coffee and hit the road.
|
||
|
||
It took but a moment to sense the difference. This was not to be a lazy ride,
|
||
like most of the ones since Seattle. My altimeter advanced slowly as I sweated
|
||
in the polypropylene cocoon, rain pattering Gore-tex, wind whipping flags --
|
||
occasional misty vistas on the switchbacks recalling other mountain moments,
|
||
other rides, other epochs. 1200 feet: not much, really, but there would be
|
||
four such climbs in the 96 miles to the coast -- 96 miles with no services, no
|
||
water, and only primitive camping. I rationed myself a small sip and pressed
|
||
on, sharing radio reassurances with Maggie, pointing out the sights, topping
|
||
the first hill easily enough and coasting into the Coast Range -- further from
|
||
people and food and network nodes... and everything else that comforts the
|
||
wanderer.
|
||
|
||
Onward. Into the folds of hills, a labarynth of valleys, a wonderland of
|
||
woodland. We would round bends and find the devastation of a fresh clear-cut,
|
||
suffer through it for a mile or so, then cross a BLM boundary and find
|
||
ourselves once again among 5-century-old firs. Clear-cutting makes sense, they
|
||
say: the theory is to harvest a forest, replant with efficient new hybrids,
|
||
then tear it all down again in 30 years or so. "NEW FOREST PLANTED SPRING
|
||
1986," said an International Paper Company sign... neglecting to note that the
|
||
old forest, grand and humbling, was destroyed in the fall of 1985. Only the
|
||
remnants of a slash-burn, punctuated by black stumps and orange ribbons, remain
|
||
as a cynical monument to what once was a place of beauty.
|
||
|
||
But there's beauty around here too, lots of it, whole valleys shrouded in mist
|
||
and echoing with the muted calls of birds. Trees peek through clouds in
|
||
disembodied mystery, roads twist like rogue capillaries among disorienting
|
||
hills, deer flash through clearings, thick moss coats riverside trees like
|
||
green day-glo flocking, leaves drift across the rainy road and land among their
|
||
fellows in heavy silence. Fishermen stand knee-deep in rapids, hunting salmon;
|
||
odd botanical curiosities never seen in the east draw the eye with their lush
|
||
eccentricity. Delighting in all this, we failed to notice the early dusk.
|
||
|
||
Camp, primitive style. There was evidence of a previous fire, only that -- no
|
||
showers or picnic tables or campground stores. No other campers, either, nor
|
||
any nearby settlements. There was, however, plenty of waterlogged mossy
|
||
firewood... as well as rain, cold, sore throat and fever. Not good timing.
|
||
|
||
Maggie set to work on dinner, one of those "camp glopolas" that would be ho-hum
|
||
in suburbia but seems magnificent in the wilderness. I shoveled it in, seeking
|
||
warmth as well as nutrition, feeding my face with one hand and the tentative
|
||
fire with the other. Soggy sticks hissed and smoked; lexan spoons clinked
|
||
stainless pots; wet clothing steamed; the swollen river rushed in the
|
||
background. I shivered, snuffled, huddled to flames, sipped hot cider, and
|
||
tried to ignore the fever symptoms... for we were in that vague region lying
|
||
between recreational camping and survival. When I dove into the tent and clung
|
||
to my lady for warmth, I had a whole new reason to appreciate NOT traveling
|
||
alone.
|
||
|
||
And it was a long night -- 14 hours of darkness and rain, confused dreams and
|
||
pain; then came a gray dawn of biting cold and heavy condensation. This is the
|
||
true test of gear, and the deficiencies quickly became obvious. The Kelty
|
||
tent, chosen for its size and not its quality, soaked through and dripped. The
|
||
waterlogged $110 Gore-tex rainsuit never dried out (On the second day, I found
|
||
a plastic laundry bag with holes for head and arms to be more comforting). My
|
||
new $25 neoprene gloves "for all wet-weather cycling" needed to be wrung out
|
||
every few minutes, and a pair of special gaiters made for cycling not only
|
||
didn't fit, but fell apart and soaked my shoes as I rode. How is it that gear
|
||
designed for heavy weather fails under stress, while "delicate equipment" like
|
||
the HP computer and Yaesu radio press on unaffected, even when it's so humid
|
||
that they have to be wiped dry every few minutes?
|
||
|
||
Day 2. One big climb, sweating away the last of our water with 56 miles to go.
|
||
The mud puddle tasted pretty good, and the runoff down that mossy cliff was so
|
||
delicious that we filled all our bottles and pretended we'd never heard of
|
||
Giardia. We ate the last cookies while gazing out over miles of misty
|
||
wilderness, then flew, freezing, down a thousand feet and pedaled until dark
|
||
along the sinuous Smith River valley, back and forth, our view slowly
|
||
broadening until the bright sky and blazing sunset bespoke Big Water -- the
|
||
ocean -- the Pacific at last. Weak and wheezing, I managed the last few miles
|
||
into Reedsport and settled into the Western Hills Motel... surrounded by soggy
|
||
high-tech fabrics and the roar of Highway 101.
|
||
|
||
And so begins a new phase. Now, two days later, I write in the guest room of
|
||
our new hosts, new friends again. The cycle repeats with all variables
|
||
changed; the lifestyle sampler has turned up yet another treat. This time:
|
||
atypical retirees (neither snowbirds nor sedentary) building a sleek amphibious
|
||
airplane and living for the joy of flying. Howard is recovering from the brief
|
||
setback of triple bypass surgery last month (you can't tell); Barbara does the
|
||
epoxy and fiberglass work on the plane and is a lively, thoughtful hostess.
|
||
Their friend Eric whisked us around Tenmile Lake at sunset this evening,
|
||
speeding across the rippled reflections of mother-of-pearl sky colors and
|
||
autumn shoreline, the wind in our hair, broad grins frozen on faces recently
|
||
locked in groaning granny gear grimaces. I'm fantasizing about my THIRD
|
||
journey already -- in a computerized seaplane. And we're living yet another in
|
||
an infinite succession of glimpses into lifestyles ranging from the bizarre to
|
||
the sublime.
|
||
|
||
There are so many ways to live...
|
||
|
||
...and I want them all. Why commit yourself to the cherries jubilee when you
|
||
can wander freely in the kitchen?
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
Arrival in the Promised Land
|
||
|
||
#13 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Klamath, CA; 961 miles.
|
||
|
||
November 19, 1986
|
||
|
||
The anticipation began building as it always does before a state line -- but
|
||
more so, given the fact that we were approaching California. California! This
|
||
is it! Arbitrary and political or not, the state line took on grand
|
||
proportions in my imagination: I squinted into the distance for the portals of
|
||
exotica, the gateway to erotica, the entrance to the promised land. Of course,
|
||
I had learned the lesson on my first bicycle trip: approaching the land of
|
||
bikinis and hot tubs via the Mojave Desert was a sobering lesson in shattered
|
||
expectations. But this was the COAST, by golly, and the last hundred miles of
|
||
rugged Oregon seashore bespoke pure magic ahead.
|
||
|
||
The first change, however, involved not so much culture as lack of same:
|
||
California has no bottle bill. I have been spoiled by Oregon roads -- smooth,
|
||
glass-free, hardly littered at all. Highway 101 is somewhat less perfect than
|
||
the rest of the state, but still, Oregon is a clean place: not only do glass
|
||
and aluminum containers have significant cash value, but twice a year the
|
||
citizens organize a statewide clean-up. Impressive.
|
||
|
||
But after the state line, things changed abruptly. The land was still
|
||
exquisite, of course -- waves crashing against rugged sea stacks, scattered
|
||
bleached driftwood edging windswept beaches, the neck-cricking beginnings of
|
||
redwood country -- but the roadside distractions appeared with a vengeance.
|
||
Broken glass, beer cans, dirty diapers, food wrappers, cigarette butts, milk
|
||
cartons, baby shoes, tangled audio cassettes, suitcase parts, magazines,
|
||
mufflers, even a plastic-wrapped dead dog... all this and more attests to the
|
||
amazing number of people who have no respect at all for some of the most
|
||
beautiful land in the world. How can someone toss a Blitz Beer can into a
|
||
redwood grove? Is Earth their private dumpster?
|
||
|
||
Steering carefully through the glass and inventing creative punishments for
|
||
clods caught littering, we headed south -- our memories of Oregon cast into
|
||
even warmer perspective. It had been a good ride, Oregon. We had good luck
|
||
with the weather after the Smith River fever escapade, prompting many a local
|
||
to comment on unseasonal warmth. In Port Orford we stayed with a fly-fishing,
|
||
wood-carving family -- swapping tales till midnight and leaving with warm hugs
|
||
and promises. In Bandon we stayed in the eccentric hostel for two days,
|
||
pedaling off amid a chorus of Australian-accented best wishes. In Brookings we
|
||
found a flawlessly maintained state park, met another southbound cycling
|
||
couple, and drank a toast to Samuel Boardman -- the man who protected so much
|
||
of Oregon's coast from commercial exploitation. But now we were in
|
||
California...
|
||
|
||
Crescent City, to be exact. No contacts there, dusk descending, rain likely,
|
||
the local state park closed for winter. With our new pedaling friends (John
|
||
and Karen), we cruised the RV parks and settled at last on the NACO WEST
|
||
Shoreline Campground.
|
||
|
||
"Hi!" I brightly told the booth lady. "We're traveling the country by bicycle
|
||
and writing about it. How much for a tent site?"
|
||
|
||
She eyed the four of us and smiled, guarded but friendly. "How many tents?"
|
||
|
||
"Two."
|
||
|
||
"That's seven dollars apiece, or fourteen total."
|
||
|
||
"What if we all sleep in one tent and use the other for supplies?" I asked,
|
||
only half-joking.
|
||
|
||
This was not a standard question, and she had to call the manager. A long
|
||
discussion ensued, with many a furtive glance our way. "Well, he says you can
|
||
do it for seven dollars, but if anyone sleeps in the other tent it will be
|
||
another seven."
|
||
|
||
We said that would be fine with us, paid her, accepted the long list of rules
|
||
and regulations (no moving the picnic tables, no fish cleaning, no fires at the
|
||
campsite, no booze or pets in the bathroom, no nuisances of any sort, no, No,
|
||
NO!!), and entered the mostly- deserted campground -- cruising until dark in
|
||
search of the perfect site and making bed-check jokes about management's
|
||
closing threat: "We have a guard who makes regular rounds... he'll be keeping
|
||
an eye on you all night, and he BETTER not find anyone in that other tent."
|
||
|
||
It wasn't a bad evening, all things considered. Perfect driftwood fire on the
|
||
beach, Maggie's linguini with garlic clam sauce, a good bottle of wine. The
|
||
four of us poked the fire and ate smores until drowsy, then crawled giggling
|
||
into our porta-condo and got cozy -- drifting away to the incessant hooting of
|
||
an offshore foghorn with its asynchronous counterpoint of clanging and moaning
|
||
bouys. The rain didn't get serious till dawn.
|
||
|
||
Soggy gray, 50-knot wind, small craft warnings, cold salt spray. I donned
|
||
three layers and staggered off to the showers, noting the large nightgown-clad
|
||
woman in an upstairs window staring at our site through binoculars. Camp
|
||
Gestapo. There was no TV camera in the bathroom, but a crudely painted
|
||
Yosemite Sam was captioned: "Now hold on there, varmit! Didja flush it?"
|
||
|
||
Back at the tent, in heavy winds and coastal rain, Maggie and Karen told the
|
||
story. Seems the manager had driven to our site (after us menfolk went to the
|
||
showers) and accosted the women: "You slept in both those tents. You owe us
|
||
seven dollars!"
|
||
|
||
"No, that one just has gear in it--" Maggie told him, pointing.
|
||
|
||
"You owe us seven dollars!"
|
||
|
||
We packed our wet gear quickly, conscious of the binoculars, acutely aware of
|
||
being unwelcome. It was an unfamiliar feeling -- and time for the power of raw
|
||
ink. "Never piss off a writer if you have an image to protect," I always say,
|
||
so enroute to breakfast I called the Triplicate -- Crescent City's local paper.
|
||
By the time we spent a rainy day in the newspaper office catching up on work,
|
||
did an interview, and slept in the home of the managing editor, they had their
|
||
story... and they were even moved to call the Chamber of Commerce and tell
|
||
them about it. Heh.
|
||
|
||
Now, the other end of the campground spectrum. Parting company with John and
|
||
Karen, we climbed over the first 1200-foot obstacle in Redwood country and
|
||
found ourselves in Klamath -- a strangely spread- out town, at once dependent
|
||
upon passers-by and forbidding. Jack's Motel was closed for the season: "If
|
||
you gave me a thousand dollars, I couldn't give you one of those rooms." Again,
|
||
no contacts; and little chance of cruise mode yielding an invitation. We gave
|
||
up and crunched onto the gravel of the Chinook RV Resort.
|
||
|
||
Twelve bucks a night, but what the hell -- they take plastic. We added a
|
||
dollop of Kahlua and a few other essentials to the bill and eyed the darkening
|
||
sky... all the while chatting with friendly Nanette who had left her Oklahoma
|
||
travel agency to buy this campground. Could we find a place to work indoors?
|
||
Oh, there's a clubhouse? With a woodstove? Gee... could we bring the bikes
|
||
inside? Well hey, if we're doing all that, can we sleep in there too? No
|
||
problem. She smiled. We spent the evening on the Klamath River shoreline,
|
||
playing with a dog named RV and watching a sunset symphony of subtle pastels,
|
||
then moved in -- comfortable and welcome. And here I am, tapping away on the
|
||
HP by an old potbellied stove while Maggie whips up Kahlua treats and our
|
||
camping gear slowly dries. Not bad. Not bad at all.
|
||
|
||
Sometimes, life on the road is a quiet succession of unspectacular events like
|
||
this -- hardly newsworthy in themselves, but deeply revealing in concert. In
|
||
the last week we have played with 1 and 2.5-year olds, learned about the
|
||
zenlike attitudes of fly fishing, talked with a myrtlewood gatherer, fended off
|
||
the advances of a cloying airhead, overheard the urgent intrigue of small-town
|
||
newspaper operation, learned how to slice bananas with bicycle spokes, eaten
|
||
cranberry candy, gawked back at tourists, gamboled nude in the sand, played the
|
||
shining flute in C while gazing at the shining sea, and eaten dinner out of a
|
||
frisbee. Those are the headlines.
|
||
|
||
And I'll see you next week, from somewhere in Humboldt County.
|
||
|
||
* * *
|
||
|
||
NEWS FLASH: The PM MAGAZINE story about our high-tech loony adventure goes
|
||
national on November 24 -- which doesn't guarantee that it will air in your
|
||
area on that date, but it might. If you're interested in seeing the machine
|
||
through some medium other than words, call your local PM or EVENING MAGAZINE
|
||
station and ask about the air date of the computerized bicycle story.
|
||
|
||
ANOTHER NEWS FLASH: The high-tech nomads are getting hungry. Now that the
|
||
"Computing Across America" book has gone into typesetting at Learned
|
||
Information, we feel secure in accepting advance orders for autographed copies.
|
||
When the book is released (in February, they say), I will stop wherever I am,
|
||
receive a shipment, sign them, and ship copies to everyone who ordered in
|
||
advance. After that, the logistics of nomadics will prevent all but the
|
||
occasional autographing. If you'd like to order one, send $10 to:
|
||
|
||
Kelly Monroe COMPUTING ACROSS AMERICA 5448 Kenneylane Boulevard Columbus, OH
|
||
43220
|
||
|
||
This book is the tale of my first 10,000-mile journey around the US, and deals
|
||
with everything from hot online romance to ice caves. Hope to hear from you!
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
ADVENTURES IN SOUTH ECOTOPIA
|
||
|
||
#14 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Eureka, CA; 1,043 miles.
|
||
|
||
November 28, 1986
|
||
|
||
Do you ever read my stories and wonder what it REALLY feels like to be out
|
||
here, exposed to the world, unsure from one day to the next where I'll sleep,
|
||
who I'll meet, what pleasures and pains will strike with the whim of chance?
|
||
Do you ever try to see past the rhapsody, the humor and philosophy -- looking
|
||
for clues in the rhythm of my words, sensing exhaustion in torpid prose or the
|
||
giddiness of new friendship in silly sentences of puns and alliteration?
|
||
|
||
Narrow-bandwidth communication like this is frustrating. I'm living an
|
||
adventure of intense visceral sensation, and the only way I can share it with
|
||
you is through words -- and maybe a stack of photos if I ever camp in your
|
||
livingroom and swap tales over pizza. Not enough. Last Thursday I wanted to
|
||
share more: I wanted you to BE there.
|
||
|
||
It wasn't a normal day, this 18-mile explosion of violence and insanity. It
|
||
was a day of curses lost in the spray of trucks, of stinging eyes and cold
|
||
sweat. It was a test of hardware, a test of nerves, a challenge to muscle and
|
||
mind alike. Thursday was one of those days that will live on as a caricature
|
||
of the entire journey -- a day that will instantly spring to mind whenever
|
||
anyone mentions riding in the rain... or redwood trees... or the sheer
|
||
looniness of challenging truck-infested mountain roads on a bicycle in a heavy
|
||
storm.
|
||
|
||
Imagine sweat, lots of sweat, steaming inside layers of polypropylene and
|
||
Gore-tex. Its pressure builds, hot and stifling, as you strain in a headwind
|
||
up a mountain road. You think to disrobe, but the icy trickles of rain leaking
|
||
through zippers and seams warn otherwise -- better to be hot and wet than cold
|
||
and wet. Your shoes begin to squish, and you make a fist every few minutes to
|
||
squeeze water from expensive "waterproof" neoprene gloves.
|
||
|
||
Soon you accept the discomfort and pay more attention to the other problems:
|
||
packs soaking through, computers and humidity, trucks blasting by in an opaque
|
||
spray. Those can be challenging as you waver unsteadily up the grade at 3 mph,
|
||
fighting crosswinds. Sometimes they catch you broadside in a soaking explosion
|
||
of white water and roar off into the mist, trailing diesel fumes and the smells
|
||
of chopped fir, leaving you struggling for control as a motorhome passes too
|
||
closely and a knot of vegetation forces a swerve into traffic. Ah,
|
||
recreational cycling.
|
||
|
||
The water is everywhere -- inside you and around you. You need to vent the
|
||
morning's coffee, swilled so long ago in a fluorescent-lit 50's cafe, but the
|
||
grade is too steep for parking... so you press on into the rain, splashing in
|
||
brown runoff like a spawning chinook, pedaling numbly and dumbly and trying not
|
||
to think about the place you could have stayed a few miles back. Giant trees
|
||
pass slowly, shrouded in mist; the sounds are a muted cacophony of patter and
|
||
splash, drip and roar, bicycle chain and your own wheezing breath. Higher you
|
||
go.
|
||
|
||
And then the summit, understated, no sign but a warning to trucks, no place to
|
||
pull off and congratulate yourself. Without fanfare you coast the level part,
|
||
breathing easily, relaxing slightly -- then your speed picks up and the curves
|
||
fly by and the bumps are terrifying... the brakes are wet and your hands grow
|
||
numb... raindrops sting your face and you squint into the gray, peer into the
|
||
murk, scan the blurred submerged pavement for signs of potholes and glass and
|
||
ruts and bumps and -- HEY! GIMME SOME SPACE, JERK! -- anything else that
|
||
could drop you in a blink and spread you like a high-tech road kill across two
|
||
lanes of uncaring violent glorious redwood highway.
|
||
|
||
This is the kind of cycling that makes the first motel look like a sort of
|
||
paradise. You hand over a dripping Visa card then drag your bike inside,
|
||
spreading wet fabrics over every door, chair, and light fixture -- steaming up
|
||
the room while lying numb and smiling in a real bed. What a life...
|
||
|
||
And I wouldn't trade it for all the BMWs in suburbia.
|
||
|
||
* * *
|
||
|
||
So. What else is happening? We rode on to Arcata, "where the 60's meet the
|
||
sea," and immediately began finding friends. Another of those surprises:
|
||
there (and here, and here and there) prosper the values and attitudes that made
|
||
the 60's what they were -- not in a degenerate way, but in a productive and
|
||
creative one. Social consciousness lives! It's a mature and quiet force,
|
||
unlike the frenzy of days gone by that became de rigeuer for everyone under 30.
|
||
Dig it? I mean... remember how confusing it was when you started meeting
|
||
people who acted like hostile rednecks but looked just like gentle hippies?
|
||
Most disturbing, wasn't it? That's what happens when style outweighs
|
||
substance. But today's hippiedom is a thoughtful lifestyle, not just the way
|
||
to be IN style.
|
||
|
||
The emphasis now is on health, not drugs. On growth, not destruction. On
|
||
efficiency, not depravity. The famed hallmarks of the 60's -- strange music,
|
||
long hair, and dope -- are but the textural backdrops in what has become a
|
||
quiet, unaggressive community. Fashion has long since moved on (mercifully),
|
||
leaving people who care about ecology and world peace to do what they can, for
|
||
the most part so passively that the effects are but a gentle breeze in the
|
||
absurd maelstrom of current events. But it matters, and they care, and it felt
|
||
good to be in a place where people still believe in something other than
|
||
abstract entities and their personal bottom lines.
|
||
|
||
We stayed at the Humboldt State Campus Center for Appropriate Technology for a
|
||
couple of days, wandering the well-cultivated grounds through the shadows of
|
||
windmills and solar collectors. Dinners had the feel of family, and nobody
|
||
even asked how much my bike cost (one of the first questions in anyplace even
|
||
CLOSE to Yuppiedom). I began writing a Whole Earth Review article, invigorated
|
||
by an atmosphere more fitting than a xerox motel room or suburban vinyl
|
||
tabletop. Quiet music. Good company. Smells of teas and spices, composting
|
||
toilet and vegetable garden.
|
||
|
||
And then on to Eureka. "Don't go there!" said our Arcata friends. "Come on
|
||
down!" said our Eureka friends. The balance tilted, as always, in favor of
|
||
change, and we rode 8 lazy miles to the Samoan Cookhouse -- an old logging camp
|
||
tradition that serves up an all-you-can eat mega-breakfast, ideal for cyclists.
|
||
Pain and pleasure... raw gluttony... new insights into the term "lumbering."
|
||
Torpid and heavy we crossed the bridge and stumbled into yet another culture --
|
||
another unexpected treat in what has become a lifestyle sampler of infinite
|
||
scope.
|
||
|
||
Humboldt County is the mecca of kinetic sculpture. Every year, Eureka is the
|
||
scene of strange madness as 40-50 amphibious human- powered vehicles cover a
|
||
38-mile course of highway, water, and mud. Some racers are bent on sleek
|
||
efficiency; most are bent on artistic fun -- and it is with those of the latter
|
||
category that we find ourselves staying. Through an unplanned sequence of
|
||
serendipitous events, we fell immediately into a house-sitting deal... a
|
||
chance to stop for a week and attempt to hit about 50,000 keys in the right
|
||
order, ideally yielding a couple of magazine articles on the eve of deadline.
|
||
Procrastination followed by despair: nothing has changed, even as everything
|
||
changes.
|
||
|
||
So here I am, on Thanksgiving night, fresh from dinner with an exquisitely
|
||
eccentric friend in Ferndale (more on THAT intriguing character next week),
|
||
pattering away on a lashed-together desk of plywood and C-clamps as a cat
|
||
half-dozes beside me. Yes, here I am again: settled into a place I'd have
|
||
never imagined a week ago, as much at home as ever. It's not even strange
|
||
anymore. We watched ourselves on San Francisco's Evening Magazine last night
|
||
-- saw the "world's smartest bicycle" laden with computers and solar panels --
|
||
and realized with a start that it was US, that we are still a curiosity even as
|
||
we settle into the journey's routine. What's so bizarre about a couple of
|
||
high-tech nomads?
|
||
|
||
It's those around us that we find curious, not ourselves. That's probably why,
|
||
in 14 GEnie columns, I still haven't gotten around to explaining how this
|
||
machine works. With all the wonders of the planet to explore, how could I
|
||
remain obsessed with a bicycle -- even if it DOES happen to talk?
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
HUMBOLDT COUNTY PLAY
|
||
|
||
#15 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Trinidad, CA; 1,076 miles.
|
||
|
||
December 6, 1986
|
||
|
||
I have often called this journey a lifestyle sampler. If that's true, then
|
||
when does the wild experimention of the gourmet become the wretched excess of
|
||
the glutton? Can there be too much? With a mighty intellectual belch I lean
|
||
beck in this old dog-scented recliner, fight off the torpor with a sip of Jolt
|
||
Cola ("All the sugar and twice the caffeine"), and think it over.
|
||
|
||
There is a lot of energy in this adventure. For ten thousand miles I wandered
|
||
alone, driven by obsession, the darkness of my solitude illuminated at odd
|
||
intervals by flashes of romance. There were moments of magnificence, moments
|
||
of discovery, moments of pure terror... but it wasn't enough. I wanted all
|
||
that and home too. Exhausted, I began to yearn for my own bed; I wanted to
|
||
know a place well enough to find the bathroom in the dark and recognize the
|
||
nighttime creaks. The journey sputtered to a halt near San Francisco -- and I
|
||
somehow ended up back in Ohio.
|
||
|
||
But the torporate life, the midwestern dullness, the restlessness of my own
|
||
spirit -- they were all there, forming an even stronger conspiracy than before.
|
||
I had gotten a taste of the road, and could never forget it. I dreamed of it;
|
||
I ached for it; I rebuilt the bike in a frenzy and set out once again with
|
||
vastly improved systems.
|
||
|
||
There are differences this time, even ignoring all the extra technology. I
|
||
have a companion to provide stability and security, a friend who eliminates the
|
||
old urgency that once had me ignoring grand opportunities when there was even a
|
||
hint of female nearby. Maggie has dramatically changed the character of the
|
||
trip, making it warmer and somehow more domestic. But there's another
|
||
difference that has little to do with her: I have been here before.
|
||
|
||
No, not in Humboldt County, which I'll tell you more about in a moment. HERE
|
||
-- on the road. The sense of adventure that accompanied my first million pedal
|
||
strokes so long ago is now muted; I spend more time worrying about unfinished
|
||
projects than thinking hot-damn-I-
|
||
can't-believe-I'm-really-in-California-WOW-I-wonder-what-happens- NEXT??? The
|
||
trappings of adventure are all there, but the essence is something that only
|
||
surfaces when I get OFF the bike and do something I've never done before.
|
||
|
||
That's why the miles pass so slowly. I've done 33 of 'em since the last
|
||
chapter, and they were northbound -- a backtrack to Trinidad. This is not the
|
||
old spirit of Computing Across America, it's something else... something I
|
||
better identify soon. It's subtle: I didn't get a hint of it until I kept
|
||
noticing that the exuberant overview article I've been grappling with all week
|
||
wasn't quite ringing true.
|
||
|
||
William Least Heat Moon observed in BLUE HIGHWAYS that "the wanderer's danger
|
||
is to find comfort." This is true, though I've always interpreted that in a
|
||
local sense -- the difficulty of leaving is always proportional to the time
|
||
I've stayed in one place. But perhaps comfort can be interpreted on other
|
||
levels...
|
||
|
||
--> There is less urgency: my travels are no longer a succession of desperate
|
||
romantic quests which, though of dubious philandering intent, once imbued my
|
||
nomadic lifestyle with frenetic energy.
|
||
|
||
--> There is less sense of unknown: wandering around America no longer has the
|
||
character of cultural exploration. There are still surprises everywhere, but
|
||
they happen more with individuals than regions.
|
||
|
||
--> There is less thrill in being bizarre: even though my bike still mystifies
|
||
bystanders, I'm tired of explaining it to everyone I meet. More and more I
|
||
prefer to spend time -- comfortable time -- with people who already know all
|
||
that, have locked the bike in their garage, and are now more interested in
|
||
what's inside me, inside themselves.
|
||
|
||
This is starting to sound like I'm complaining about comfort. Hardly. But
|
||
there's a change happening in this journey, and failing to acknowledge it would
|
||
be more damaging to the adventure than all the logging trucks in the Great
|
||
Northwest rolled onto a single mountain road with me in the middle.
|
||
|
||
I'm slowing down.
|
||
|
||
Of course, this never was the Race Across America. Those guys go further in a
|
||
day than I do in a week. I've never been in much of a hurry, for pedaling to a
|
||
schedule reduces the road to a mere obstacle lying in the way. I have seen
|
||
skin-suited cyclists, loaded for touring but dressed for racing, blasting down
|
||
mountain roads while hunched over drop handlebars... too obsessed with speed
|
||
and mileage to be conscious of the beauty unfolding like new love around them.
|
||
That kind of travel has the flavor of a corporate acquisition: aggressive,
|
||
carefully mapped, no move possible without committee analysis of the bottom
|
||
line.
|
||
|
||
But slow touring is one thing, meandering from home to home is quite another.
|
||
I suspect THAT'S the change in the air -- a realization that movement is not
|
||
necessarily the essence of travel. Some adventures seem to happen with no
|
||
sweat at all.
|
||
|
||
* * *
|
||
|
||
I spoke last week of Humboldt County, a place that fits right into this
|
||
discussion. We've been here for a couple of weeks now, involved enough with a
|
||
new circle of friends to find ourselves with multiple social options every
|
||
night and difficult decisions concerning leaving. There could be worse
|
||
problems. (I remember grim epochs when I felt I had NO friends, no place to
|
||
go. You'll never catch me complaining about having more than I can keep track
|
||
of.)
|
||
|
||
There's an interesting group here. They consider constructive PLAY to be
|
||
inextricably entwined with constructive work -- to the point that I am unable
|
||
to discern the boundaries. Their participation in the annual Arcata to
|
||
Ferndale Kinetic Sculpture Race is serious enough to classify as a career
|
||
(requiring no small measure of dedication, since machines must be designed and
|
||
built as well as pedaled over 38 miles of land, sea, sand and mud). And our
|
||
zany friends Duane, Ken, and Stock are the architects of a promising new sport
|
||
called Trollo.
|
||
|
||
These are hard-core bikies, but not in the racing tradition. They're more
|
||
likely to spend a cycling get-together hunched over an oxy-acetylene torch than
|
||
strutting about in skinsuits comparing derailleurs -- their machines look
|
||
battered and functional, not sleek and aerodynamic.
|
||
|
||
The obsession began with kinetic sculpture, which seems as much a part of
|
||
Humboldt County as the residual 60's population and a thriving specialized
|
||
agriculture to match. This isn't just a race, it's the annual climax of a
|
||
lifestyle. Everyone involved works year-round on machines to take on Slimy
|
||
Slope, Dead-man's Drop, and an assortment of other obstacles including 12 miles
|
||
of sand, 3 miles of water, emotionally involved spectators, and an almost
|
||
exhausting sense of profound silliness. Consider the machine names: The
|
||
Bionic Taco. Fourplay. Artburn. The Green Marine Bovine Machine. And the
|
||
infamous Quagmire Queen, the 4,000-pound creation of Hobart Brown himself.
|
||
These are not the products of coldly rational minds bent on victory.
|
||
|
||
Such dedication has spinoffs. It's impossible to put hundreds of hours into
|
||
such work and not be profoundly affected. Our friends found themselves
|
||
building vehicles year round: unibikes, three- wheelers, strange unridable
|
||
experiments. But the ones that quite invaded their lives are the recumbent
|
||
Trollo trikes.
|
||
|
||
Wednesday afternoon. The artists are transformed, not the people I knew
|
||
moments before. As they growl aboard their ragged machines, I soon forget
|
||
their paintings, their sculptures, their murals, the polished works of their
|
||
Old Town studios. This is the sport of human- powered road warriors -- a sort
|
||
of wheeled rugby for three. In the parking lot under Eureka's Samoa Bridge
|
||
they go at it: nearly half a ton of roiling manflesh and steel in hot pursuit
|
||
of a crushed, taped Budweiser can -- urging it this way and that with flailing
|
||
implements of rubber and wood. Bikes tip, spokes bend, derailleurs break,
|
||
blood flows. Still the game continues, into the dark, the players obsessed,
|
||
crazed men of steel. There's no surrogate Monday night football for this
|
||
crowd... adrenalin is part of their staple diet.
|
||
|
||
The game has a future, I think -- I helped them write up some rules the other
|
||
night and they're discussing marketing. But the beauty of this is not the
|
||
business but the play, the play, the thing I keep harping on. Play. Why is it
|
||
so rare?
|
||
|
||
There seems to be a belief that true, absorbed play is the exclusive province
|
||
of children. But here and there are adults who'll never "grow up," adults who
|
||
recognize the essential nature of FUN and build a daily dose of it into their
|
||
lives. They're always different from their peers, whether a retired airplane
|
||
builder, a mill foreman who makes radio-controlled helicopters, a loony writer
|
||
who lives on a bicycle, or people who took a 50% pay cut and moved to Crested
|
||
Butte just for the mountain bike trails. This all brings back a theme from my
|
||
first trip -- the definition of "success" as the inverse ratio of all you put
|
||
out (sweat, pain, work, and stress) to all you get back (pleasure, fun, sex,
|
||
humor, happiness, insight, friendship, health, and -- oh yes -- money).
|
||
|
||
The happiest people are those who know this, and include in their "life
|
||
portfolio" some heavy investment in pure unadulterated play.
|
||
|
||
Well. This chapter certainly ran the gamut, didn't it? From anguished
|
||
introspection about the future of my travels to a rhapsodic essay on the
|
||
playfulness of new friends... that's the difference a sunset walk on the beach
|
||
can make. Underfoot sand frozen in textbook illustrations of wave motion, surf
|
||
thundering white plumes against black cliffs, everything touched with sunset
|
||
gold, Maggie's hand in mine... how could I return to the keyboard and continue
|
||
on a theme of depression?
|
||
|
||
It happens. It goes away. The beat goes on, and I'm smiling again.
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
COMPUTING ACROSS HUMBOLDT COUNTY?
|
||
|
||
#16 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Eureka, CA; 1,106 miles.
|
||
|
||
December 15, 1986
|
||
|
||
We have just spent three weeks in Humboldt County with old friends -- old
|
||
friends whom we first met three weeks ago. Such is the time distortion of the
|
||
traveling life. We're living as a family of four, and the time before our
|
||
arrival seems vague and distant. Oh yeah... I remember... aren't we on some
|
||
kinda BICYCLE trip?
|
||
|
||
But these three weeks have been a therapeutic dose of home, something that we
|
||
need now and then to temper our rootless nomadics with the illusion of
|
||
stability. Sometimes Dataspace isn't quite enough -- especially when childhood
|
||
memories of Christmas begin to season the festivities of others with little
|
||
wistful pangs.
|
||
|
||
Christmas persists in being a strange time to travel. On my first journey
|
||
(solo for 500 days or so), I endured two of them. Both were warm, yet somehow
|
||
sad -- for even with no religious interest in the holiday I have been deeply
|
||
inculturated along with everyone else. The Christmas trees of others all seem
|
||
deficient in contrast with that perfect prototype fantasy tree imprinted 30
|
||
years ago; the traditional music is somehow evocative, the non-traditional
|
||
music grating. The season is a confusion of love and tackiness, beauty and
|
||
clutter, generosity and guilt. I try not to participate, but still feel the
|
||
pull of behavioral quicksand, the well-intentioned brainwashing of a culture in
|
||
transition. Christmas is mostly a habit now, a hysterical celebration of mass
|
||
obligation... and how can a present you SHOULD buy convey anything other than
|
||
emotional self-defense?
|
||
|
||
(And besides, I don't have room on my bicycle for new toys.)
|
||
|
||
But no matter how philosophical I try to be about this yearly commercial
|
||
bonanza, I am still drawn in, still affected. I look at my friends' tree and
|
||
get wistful for the bubble lights of my childhood; I walk downtown and feel the
|
||
credit cards itch. "Oh, wouldn't Duane love this?" "Honey, do you think Ian
|
||
would like some dinosaur mugs?" What are we going to do for all of our friends
|
||
back in Ohio, out in Dataspace, and in every other place touched by my wheels
|
||
or my hands or my words or my heart?
|
||
|
||
And so we have been torn all week. Stay or go? Stay or go? Lists of pros and
|
||
cons, lists of things to do. Aw, let's wait -- they say it's gonna rain; I
|
||
have to do the Popular Science proposal and install Maggie's new drum brake...
|
||
and Duane and Micki invited us to go caroling on our bicycles. But we've been
|
||
here too long, and it really is a pretty day and I'm restless and damn it, if
|
||
we don't get our asses south we're going to be stuck up here till April. No...
|
||
until May. That's when they have the Kinetic Sculpture Race. Isn't there SOME
|
||
way to do it all?
|
||
|
||
Understanding why I stop reveals even more about why I go, doesn't it?
|
||
|
||
What's particularly intriguing about all this is that from the perspective of
|
||
movement, standing still is high adventure. The little events of daily life --
|
||
going to parties, renting movies for the VCR, cooking a fresh seafood dinner
|
||
with friends -- are all cast into sharp relief by the exquisite transience of
|
||
passing through. Savor this... it won't last long.
|
||
|
||
One such tableaux of modern Americana occurred last night. We found ourselves
|
||
at a Christmas party hosted by an atypically colorful accountant and his
|
||
flawless fashion-model bride -- in a home obsessively gardened and passionately
|
||
maintained. I kept seeing myself as if in a commercial, one of those
|
||
soft-focus testimonials to an ideal lifestyle (dependent upon a certain brand
|
||
of wine or coffee). Everything was perfect, from the thematic and
|
||
color-coordinated 10- foot tree to the roaring fire to the dizzying spread of
|
||
roasts and exotic drinks. Fortified by the latter, we poured into the night
|
||
and climbed aboard a chartered trolley car for a caroling excursion.
|
||
|
||
I hung crazily off the side, playing my flute in occasional synchrony with
|
||
Duane's guitar, as we clanged our way along Eurekan streets. 30-odd mouths
|
||
vented synchronized steam; we laughed in wholesome self-mockery; familiar
|
||
Christmas melodies, slightly raucous, echoed from Victorian buildings. Cheery
|
||
waves, jingle bells, shouting kids, heavy-laden shoppers, full-moonlight on
|
||
white lazy plumes of distant millsmoke. At a sleazy bar known locally as the
|
||
VD, we dismounted and wove our way through the pool tables, playing and singing
|
||
Jingle Bells while eyed sullenly by drunken denizens. (The kids waited outside
|
||
for this one, and we seemed to step a bit more quickly than we had back in the
|
||
Ritz.)
|
||
|
||
"Lifestyle sampler," I whispered into a fragrant Maggie-ear, and she smiled --
|
||
remembering one of the motives behind all this. We clattered on, exhausting
|
||
our repertoire of first verses, arriving again at the dream house to overdose
|
||
on hot buttered rum and increasingly incoherent conversation as jingle bells
|
||
echoed in our heads and the night grew fuzzy...
|
||
|
||
Three weeks. Like Bainbridge, Humboldt has held us, teased us, mocked our
|
||
plans to move on. To the database of potential homes I add this -- for the
|
||
friends, the ambience, the undercurrent of looniness that touches daily events
|
||
with a sense of play. Though we're broke and living a hand-to-mouth existence
|
||
based on advance book sales, life seems rich here, full of those non-financial
|
||
components in the success formula: the four F's of fun, food, friendship, and
|
||
passion.
|
||
|
||
But we're moving on; it's time. Maggie's fine-tuning her new 48- spoke wheel;
|
||
I'm poring over the maps and lists of contacts with obsessive concentration,
|
||
eschewing offers of still more parties in lieu of loose-end tying. Christmas
|
||
or not, we're getting back on the road this week -- fully prepared for the
|
||
legendary winding grades of Leggett hill and the convoluted Highway 1 to
|
||
follow.
|
||
|
||
* * *
|
||
|
||
Special Bonus Recipe Section:
|
||
|
||
As we travel, we are exposed at least once a week to something tasty. Maggie's
|
||
compiling a collection of recipes for a possible book (Eating Across America?),
|
||
complete with food-related anecdotes and quotes ("I never eat anything that
|
||
once had a face," said a vegetarian friend here.)
|
||
|
||
But this is the Christmas season, and I'd like to pass on a hot buttered rum
|
||
recipe that will have you swilling helplessly until you run out of ingredients
|
||
or consciousness. This stuff is exceptional:
|
||
|
||
Create the batter by mixing a pound of brown sugar, a half-pound of butter, and
|
||
a teaspoon each of cinnamon, cloves, and nutmeg. Add a little rum to give it a
|
||
mousse-like consistency.
|
||
|
||
To conjure a mug of hot buttered rum, start with a generous gob of batter,
|
||
adding an equally generous dollop of rum and enough boiling water to reach the
|
||
top. Drink. Make murmuring sounds of ecstasy. Repeat until discretion
|
||
dictates otherwise, and drive nothing but a bicycle till the next day.
|
||
|
||
Enjoy...
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
25 YEARS IN AN AFTERNOON
|
||
#17 in the second online CAA series
|
||
by
|
||
Steven K. Roberts, HtN (WORDY)
|
||
Eureka, CA; 1,117 miles.
|
||
December 20, 1986
|
||
NOTE: This week's column is dedicated to GEnie users T.HOOBYAR and RAY-ROLLS,
|
||
who in different ways asked the question that this answers.
|
||
|
||
"You reeka," I want to shout at the guy beside me -- a greasy specimen of
|
||
street life who has elected to spend this sunny Saturday in the library
|
||
devouring a book of "The Family Circus" cartoons instead of shuffling around
|
||
outside with palm outstretched. He's not smoking cigarettes or carrying a boom
|
||
box, but the effect is the same: by not bathing, he has created a sphere of
|
||
negative influence that defines his personal space. Unable to retaliate with
|
||
the gentle pattering of my keyboard, I move discreetly away... but not far
|
||
enough. He points at the computer and asks something in that dull voice you
|
||
associate with gaping mouths and vacant stares. I nod pleasantly and turn back
|
||
to the screen, trying to look preoccupied but feeling guilty. No matter -- he
|
||
shrugs and immerses himself again in the 2-dimensional world of Jeffy, Barfy,
|
||
and friends.
|
||
|
||
Two largish women walk behind me and I hear them pause -- I smell the onslaught
|
||
of heavy perfumes. From mission to brothel in an instant: I'm dizzy; my nose
|
||
reels. And now -- can this be? -- they are bending to breathe on my neck and
|
||
read the screen over my shoulder! They murmur their delight, the sound
|
||
mingling with the susurration of clothing and the jangling of heavy baubles.
|
||
Still more scents weave drunkenly through the redolent chemical background:
|
||
lipstick, hair spray, fabric softener, skin lotions, deodorant, a dozen
|
||
aggressive aromatic attempts at femininity. Uh-oh. That sentence did it. I
|
||
hear a startled rustle and quick steps... when I turn to watch the retreating
|
||
bra-constricted pink and green backs I catch the hissed words, "rudest goddamn
|
||
person I ever saw in my life."
|
||
|
||
Well, so it goes. I came in here to write, ladies and gentlemen, not to put on
|
||
an electronic strip-tease show. I'm off duty today, OK?
|
||
|
||
Small-town libraries do tend to be strange intellectual backwaters, don't they?
|
||
Always a few years behind the times, a bit worn, they offer faded frozen
|
||
snapshots of a dynamic world; even my own books, once the echoes of high-tech
|
||
passion, look dull and serious in their library bindings (when I'm lucky enough
|
||
to find them). Despite current periodicals on the shelves, this place has an
|
||
intellectual mustiness about it -- a cross between grandma's attic and memories
|
||
of grade school. A man wants Consumer Reports articles on typewriters and sits
|
||
to read, trying not to stare too obviously at my machine. Two guys carry
|
||
armloads of books, talking loudly enough to make it clear that they want their
|
||
quasi-erudite discussion of jazz to be overheard. A ruddy, grizzled sort
|
||
sleeps, drooling a thin saliva stalactite toward a copy of VOLCANO! pinned
|
||
helplessly under folded flannel-shirted arms. A 10-year-old browses the card
|
||
catalog for anything he can find on engineering as a profession; his sister,
|
||
competing, seeks printed dreams about becoming a world-famous veterinarian.
|
||
|
||
Card catalogs? In 1986? There's no news this week. We're still in Eureka
|
||
fighting deadlines -- so instead of inventing adventures and rhapsodizing
|
||
further about the lifestyles of new friends, I want to try something a little
|
||
different. On the assumption that some of you occasionally wonder how a
|
||
once-promising micro-techie ended up on the streets, I'm going to take you
|
||
back... back... way back...
|
||
|
||
* * *
|
||
|
||
(Change was always the answer. Over the years I have tweaked my environment,
|
||
designed new machines, rearranged furniture, started companies, found new
|
||
lovers, modified my consciousness, created new filing systems, and moved time
|
||
and again -- all for the sake of change. Knowing that, the following will make
|
||
more sense.)
|
||
|
||
* * *
|
||
|
||
Electronics was passion, obsession, raison d'etre. My identity lay in my
|
||
basement laboratory; my happiness was a function of acrid solder smoke,
|
||
blinking lights, clicking relays, and that sweet mysterious crackle of
|
||
shortwave radio. When I was 9, I had a contest with my friend Rusty, a
|
||
chemistry fanatic: we each had one week to write down all the words we knew
|
||
(or could find) in our respective fields. Pentode. Grid-leak. Crystal.
|
||
Nixie. Hollerith. Ah, those were the days: early 60's in Louisville,
|
||
Kentucky.
|
||
|
||
Actually, they were dismal days, but I didn't realize it yet. Year after year
|
||
I tolerated the time-waste of school, accepting patriotic brainwashing and
|
||
sanitized history, superficial science and anachronistic literature selections
|
||
-- living not for girls, grades, and sports but for electronics and science
|
||
fairs and dreams of future laboratories. I was a social outcast, naturally,
|
||
for my adventure was measured in volts, not milligrams of adrenalin. When
|
||
neighborhood bullies soaked me with squirt guns one day, I ran home and
|
||
attached a battery-powered 14,000-volt supply (like a cattle prod) to a pair of
|
||
squirt guns mounted side-by-side on a wooden stock... with salt water as the
|
||
conductive ammo. As long as both streams hit someone before degenerating into
|
||
droplets -- WHAM! Instant panic. My relationship with the neighbors subtly
|
||
changed.
|
||
|
||
Ah, technology.
|
||
|
||
I finally made it to the international science fair, a holy grail of sorts,
|
||
with a homemade speech synthesizer. Having failed in the purely electronic
|
||
approaches after three years of frustrating work (tape loops, LC tank circuits,
|
||
discrete transistor filters...), I built a working acoustic model of the vocal
|
||
tract based upon X-rays of my own head. It even had a voice-change problem.
|
||
|
||
Graduation, anticlimactic and vaguely embarrassing, occured in 1969 -- when I
|
||
was 16. I was academically ordinary, ranked in the middle of my class. There
|
||
was such a gulf between learning and school that I didn't really care, and
|
||
doubtless responded with less than adequate concern to my parents' repeated
|
||
accusations that I was not working up to my potential. It was an old story by
|
||
then.
|
||
|
||
But college! At last! I arrived at Rose Polytechnic Institute wide-eyed,
|
||
heavy-laden with gadgetry and school supplies, ready to plunge into every
|
||
cliche of college life I had ever seen in the movies. Philosophical bull
|
||
sessions, scientific investigations of beer and other interesting substances,
|
||
the mysteries of girls unveiled, haze-crazy fraternities, brilliant and
|
||
slightly mad profs, all-night test-cramming sessions, eccentric nerds,
|
||
emotional moments of discovery, tinkering with huge computing machines, and
|
||
through it all that magical rarified air of academia, of KNOWLEDGE. Oooh... I
|
||
got goose bumps all over my alma mater just imagining the richness and
|
||
camaraderie of college life.
|
||
|
||
But engineering school turned out to be like going to art school and learning
|
||
to paint by numbers. The infinitely interrelated universe was segmented rudely
|
||
into "subjects," taught in isolation, out of context -- despite the fact that
|
||
humans are associative systems and generalists at heart. "Remember this, and
|
||
this, and this; don't worry, Steve, it will all fit together someday."
|
||
Nonsense! But there was something more insidious still: the primary
|
||
motivation for learning was not curiosity, but fear of failure. That had the
|
||
effect of reducing the educational process to a succession of panic-stricken
|
||
study sessions -- formalized obsessive-compulsive rituals intended to ward off
|
||
the dangers of C's, D's, and those terrifying F's. Learning became secondary,
|
||
an incidental spinoff of studying.
|
||
|
||
I nursed a growing terror that the school would channel my latent creativity
|
||
into the narrow confines of a crank-turning profession: I wanted tools, not
|
||
habits. If I were to work hard enough to succeed, I knew I would change in
|
||
frightening ways.
|
||
|
||
Besides... it was 1970 and getting high was more fun than studying. It even
|
||
promoted that sweet illusion of wisdom, making it easy to feel good about
|
||
donning a headband and quitting school halfway through freshman year. Before I
|
||
knew it, I was on the road -- waving my thumb from interstate shoulders and
|
||
living out of a blue backpack emblazoned with the icon of peace.
|
||
|
||
Cynics will shout "aha!" and draw immediate parallels. But wait... the real
|
||
education was yet to begin. I was just cutting the cord (and soldering a
|
||
connector on the end just in case).
|
||
|
||
I quickly tired of penniless drifting and began sampling jobs. I grew tan and
|
||
strong as a deckhand on barges in Illinois and Minnesota; I briefly tried the
|
||
dehumanizing factory life. I worked in a department store for a month and
|
||
installed telephone central office equipment on Army bases. I finally decided
|
||
that maybe I needed a degree after all, but having cut the cord I now had to go
|
||
for it on my own. How else? I joined the Air Force, believing the inspired
|
||
fiction of a quota-oriented Georgia recruiter.
|
||
|
||
It took but a few months to discover that I was not to be in research, this was
|
||
not to be a great adventure, and there would be no free education. Stationed
|
||
in Idaho, trained rodent-like and charged with the task of swapping black boxes
|
||
in F-111's, I huddled on the frozen flightline in my parka and rankled. The
|
||
bastards! Forced by circumstances to display respect for the men who least
|
||
deserved it, confined to an intellectual straitjacket and supervised even in
|
||
the private world of my dorm room, I knew confrontation was imminent.
|
||
|
||
He was an 8-striper, a lifer, a pompous baboon with power. I was a misfit,
|
||
earning both his respect and contempt with my confusing combination of
|
||
technology and anti-war sentiments. When I heard rumors of his extended
|
||
inspection visits to my room, I built an intervalometer camera system that
|
||
would record, on film and tape, anything that went on for 15 minutes after my
|
||
door opened. Evidence mounted quickly: he was going through my files and my
|
||
mail -- commenting to his sidekick that "one way or another I'm gonna get this
|
||
#%$&!* court-martialed, even if I have to plant a few surprises in here."
|
||
|
||
I moved fast. The films impressed the commander; the sergeant lost his job and
|
||
a stripe. But victory was short-lived. Pressure mounted from all sides --
|
||
surprise inspections, harrassment, disappearance of my cat, orders to get rid
|
||
of my ham station and all the other "junk" in my room (I was building a music
|
||
synthesizer). Within 3 weeks I had orders to go to Guam in an unrelated career
|
||
field, and I quickly understood that it was a death sentence. The baboon
|
||
gloated; there were too many of 'em to fight. I saw my opening: simulating a
|
||
"schizoid personality disorder with passive- aggressive trends" yielded an
|
||
honorable return to civilian life within three months -- a year and a half
|
||
after I signed up.
|
||
|
||
Ah, technology.
|
||
|
||
Field engineer, Singer Business Machines: a year's education in how not to
|
||
design computers. In a Louisville apartment my techno- passions reached a new
|
||
peak: by mid-1974 I had designed an 8008-based computer system laughingly
|
||
called BEHEMOTH (for Badly Engineered Heap of Electrical, Mechanical, Optical,
|
||
and Thermal Hardware). I started a small moonlight company called Cybertronics
|
||
to support my habit, hustling integrated circuits and related hardware, doling
|
||
out plastic- bagged goodies imported from Silicon Valley to the growing
|
||
population of microprocessor junkies in those exciting early days of personal
|
||
computers. What the machines lacked in capability they made up in class: card
|
||
cages full of wirewrap boards, blinking front panels and massive power
|
||
supplies, teletype machines, graphics with 8-bit DACs, hand-coded monitors and
|
||
line editors...
|
||
|
||
Cybertronics became my full-time support. 1K static RAMs went down to $8.00
|
||
each, then to an unbelievable $3.50. The 8080 made a splash at $360 and I
|
||
managed to find some I could sell for $250. The excitement was tangible; I
|
||
devoured EDN and Electronics Magazine as most 22-year-olds would devour
|
||
Penthouse -- often staying up all night when some project was too exciting to
|
||
put down. Universities could take a lesson from this: learning follows from
|
||
passionate interest as surely as pregnancy from fertilization.
|
||
|
||
And so was born an engineering firm. Word got out that some guy was designing
|
||
with micros right there in Louisville, and within a few years I was building
|
||
custom industrial control systems for Corning, Seagrams, Honeywell, and
|
||
Robinson-Nugent -- working out of a local industrial park and branching out...
|
||
growing... selling the new generation of computer KITS (what's this world
|
||
coming to? any bozo can have a computer now...) and pushing chips by mail
|
||
order. All the signs bespoke imminent wealth, but something was terribly
|
||
wrong.
|
||
|
||
My all-nighters, when they happened, no longer had anything to do with passion.
|
||
They had to do with fear -- of deadlines, of customers, of disaster. One had
|
||
to do with tracking the ravages of an embezzling secretary; another with an
|
||
ultimatum from a client. I began to ache for change, for my favorite toys had
|
||
turned into business equipment. Even BEHEMOTH was tainted, plastered with tax
|
||
charts and mailing list information. Yes, it was time for major change.
|
||
|
||
I cannibalized the company, escaped the lease, and moved alone to a cavernous
|
||
Victorian house. There, through the mid-70's, I continued consulting and began
|
||
writing -- soon discovering the delightful fact that the manipulation of words
|
||
(an old hobby) could be both fun and profitable. Burned out on doing anything
|
||
with computers besides using them as tools, I withdrew further and further from
|
||
industry, covering my retreat with technical articles in trade journals and
|
||
hobby magazines. Somewhere in there my live-in girlfriend and I got pregnant,
|
||
so we unthinkingly married and moved to Columbus, Ohio -- where a high-paying
|
||
software engineering job promised to fatten my bank account at last and buy me
|
||
the space to do some REAL writing.
|
||
|
||
We signed a 30-year mortgage on a 3-bedroom ranch house in suburbia -- an acre
|
||
along the mighty Scioto River. A girl-child was born. I commuted to work in a
|
||
Honda station wagon. And in the cold, gray Ohio winter of 1980 I panicked,
|
||
recoiling violently from the mediocrity that had settled around me. My old
|
||
computers were cobweb- shrouded, host to terrible skittering denizens that made
|
||
a mockery of my most cherished dreams. Imprisoned, frightened of the scope of
|
||
the next change yet even more frightened of not making it, I quit both job and
|
||
marriage, finding myself a lone homeowner in Genericsville, USA -- paying
|
||
$2,500 a month in expenses and debt service.
|
||
|
||
I dusted off the word processor and began. For three years I wrote a book a
|
||
year, filling in the gaps with articles about artificial intelligence,
|
||
robotics, online searching, microprocessors, and anything else I could con
|
||
someone into paying me to write. My favorite book, CREATIVE DESIGN WITH
|
||
MICROCOMPUTERS (Prentice-Hall), was a complete distillation of the Cybertronics
|
||
era, carrying the exuberant message that "art without engineering is dreaming;
|
||
engineering without art is calculating."
|
||
|
||
But the energy began to fade... again. Freelance writing was a license to be
|
||
a generalist, a way to deduct every expense and charge money for key-tapping,
|
||
but still... something was wrong. I had turned another hobby into a business.
|
||
I was working my ass off to barely pay for a house I didn't like in a city I
|
||
didn't like in a state I didn't like. Every change I had made seemed only a
|
||
new trap, each prettier and more subtle than the last. What I REALLY needed
|
||
was a lifestyle that would combine all my passions: a slowly recovering
|
||
interest in computers, the endless delights of gizmology, the still-mysterious
|
||
magic of ham radio, the visceral joys of cycling, romance with all it implies,
|
||
travel and adventure, the transcendence of the well-turned phrase, meeting
|
||
wizards and other interesting people, the fun of public visibility, and most of
|
||
all CHANGE -- constant change -- weaving through my life as naturally as
|
||
breath. What to do?
|
||
|
||
Luckily, it was 1983. CompuServe was right down the street, the Radio Shack
|
||
Model 100 had just been released, and a local 65-year-old named Robby was
|
||
riding around on an Avatar recumbent bicycle. How could I miss the
|
||
implications? The idea struck the afternoon I met Robby; 12 hours later I
|
||
planted a FOR SALE sign in my front yard. For six months I lived on garage
|
||
sales while building the system and then pedaled away from Columbus: free at
|
||
last, grinning at the loud crash of assets and liabilities tangling in my wake
|
||
and settling out to roughly zero.
|
||
|
||
All I owned was either on my bicycle or connected to it via modem.
|
||
|
||
For 9,760 miles I traveled, collecting experiences ranging from the passionate
|
||
to the terrifying. The road became my equivalent of livingroom walls; the
|
||
network was my neighborhood. Another book was born -- Computing Across America
|
||
(coming in February) -- and I finally escaped the stigma of "technical writer."
|
||
I reveled in change; I celebrated it, wrote about it, encouraged it in everyone
|
||
I met. I had found my lifestyle of choice, and told people I would travel
|
||
forever.
|
||
|
||
It took a year and a half to burn out.
|
||
|
||
The visit back to Ohio was to have been only that -- a way to restructure my
|
||
base office, finish the book, and earn a little consulting money before
|
||
returning to the road. But what was the hurry? I found an almost
|
||
embarassingly high-paying job, stopped thinking about the bike, and let myself
|
||
enjoy the unfamiliar illusion of financial comfort. But Ohio winters have a
|
||
way of touching everyting with gray misery, and as I sat at my desk pondering
|
||
the implications of my newfound yuppiedom one afternoon, I knew what had to be
|
||
done. Fingering my yellow tie and squirming my toes uncomfortably in new
|
||
leather shoes, I remembered the freedom, the country roads mottled with sun and
|
||
shade, the smiling eyes of new friends, the energy of endless beginnings, the
|
||
taste of beer after 100 miles, the views from mountaintops, the sand on my
|
||
feet, the road, the road, the love of my life. I looked down at the
|
||
interactive videodisc PROLOG software I had been writing and found a rough
|
||
sketch of a recumbent bicycle, blurred by a tear in my eye.
|
||
|
||
Yup.
|
||
|
||
And so we come to the present. You know what happened: I spent 8 months
|
||
designing and building the new system, this collection of processors and
|
||
control circuitry which has turned my entire career into an exquisitely mad
|
||
self-parody. Seeking to address all the problems discovered on the first trip,
|
||
I modified everything -- to the point of finding a winsome and willing
|
||
traveling companion to warm my tent and share this next phase of my chronically
|
||
unsettled life. I moved to GEnie. And here we are, parked for a month in
|
||
Eureka to put out financial fires that never would have happened if I'd simply
|
||
been content to stay chained to that cushy Ohio desk.
|
||
|
||
We're also laughing a lot, which never would have happened either.
|
||
|
||
Merry Christmas, friends in Dataspace... -- Steve
|
||
|
||
==============================================================================
|
||
|
||
BE IT EVER SO HUMBOLDT...
|
||
|
||
#18 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Eureka, CA; 1,153 miles.
|
||
|
||
January 1, 1987
|
||
|
||
We would have pedaled down to Ferndale today if it hadn't rained.
|
||
|
||
For over a week we've been planning our New Year's Day departure from this
|
||
place that has grown TOO familiar. All through December the sun shone brightly
|
||
-- by Christmas I was so sure that it would rain on January first that I almost
|
||
called the National Weather Service to offer them a hot tip. Hitting the road
|
||
on a bicycle is a more reliable rainmaking technique than washing your car...
|
||
try it sometime.
|
||
|
||
Oh, I suppose it's just as well -- we were up until four A.M. celebrating the
|
||
end of 1986 and the resumption of our travels. Imagine the scene:
|
||
|
||
Over a thousand rubber bands turned loose in a small house, with seven
|
||
schnapps-soaked loonies firing them at every hint of exposed flesh -- raising
|
||
welts, cries, and crazy guffaws of short-lived victory. Maggie in the new
|
||
mini-dress, her pantyhose-clad cycling legs an achingly inviting target; June
|
||
sniping from behind furniture and giggling at every strike; Micki dashing into
|
||
the open for ammo only to yelp at the unexpected zinging barrage from all
|
||
sides. The Fathers of Trollo waged their own war, thundering at each other
|
||
like F-4 Phantoms as I crept about on missions of private intrigue: gathering
|
||
ammo, ambushing the unwary, and hiding rubber bands in odd places to serve as a
|
||
perpetual reminder of our visit. Yes, it was a gentle night... at the stroke
|
||
of 12 we dashed to the alley and fired salvo after salvo from Ken's homemade
|
||
oxy-acetylene cannon -- potatoes mashed against distant walls, our ears
|
||
ringing, our retinas seared with hot streaks of muzzle flash, the
|
||
scratchin'-lickin'-bitin'- snortin'-stinkin' dog trembling against June in
|
||
mortal terror. More schnapps... more nachos... more rubber bands... and
|
||
then gradual acquiescence after far too many hours of defying gravity, bodies
|
||
sinking to couches and floors, whimpers of pain and exhaustion mingling with
|
||
the surreal sounds of late-night television and the dwindling drunken traffic
|
||
of my third New Year's Eve on the road...
|
||
|
||
And there are thirteen years until the 21st century.
|
||
|
||
So. It's 1987. It is traditional for columnists to rhapsodize at length about
|
||
the past and future as viewed from the standpoint of that infinitely small
|
||
point moving between them. But the former is colored by the present and the
|
||
latter is pure conjecture, so instead of putting travel predictions in print
|
||
I'll just tell you what I WANT to do.
|
||
|
||
If you've been following these writings for a while, you have probably noticed
|
||
a certain variance of purpose. Sometimes FUN is my bottom line; sometimes I'm
|
||
seeking a resolution of the old freedom-vs- security trade-off. Sometimes I
|
||
want to travel forever; sometimes I get all misty-eyed over the sense of HOME
|
||
that appears wherever I take the time to look. I go on great technoid binges
|
||
of logic design and system integration, getting so deeply immersed in
|
||
electronics that streets with NO OUTLET signs seem vaguely primitive -- then I
|
||
turn my back on all this gizmology and refuse to discuss it. Peer over my
|
||
shoulder one day, and you'll find me celebrating my nomadic lifestyle for its
|
||
variety of contacts; do so the next and you'll hear me muttering about the
|
||
exhausting sameness of endless beginnings.
|
||
|
||
What am I really up to? Has this just become my default mode?
|
||
|
||
OK. Here's the plan, and I welcome correspondence from anyone who can help me
|
||
pull it off. As I explained back in Chapter 2, wandering the planet on a
|
||
computerized bicycle and writing about it is an ideal lifestyle for a confirmed
|
||
generalist living in fear of commitment. It sounds a lot like large-scale
|
||
Brownian motion, but my life can actually be reduced to a simple formula: I
|
||
open doors with my bizarre key, make observations about what goes on behind
|
||
them, draw inferences from related experiences, and then pass stories and
|
||
commentary along to the rest of the world in exchange for enough of a living to
|
||
keep going. It's just a form of street theatre: The Computing Across America
|
||
Traveling Circuits...
|
||
|
||
And, interestingly enough, it more or less works. Publicity happens with
|
||
little or no effort, and even though people generally recognize the Winnebiko
|
||
instead of the guy sitting on top of it, the net effects are the same: brand
|
||
recognition, invitations, publishing opportunities, free hardware or services,
|
||
and even, amazingly enough, that absurd yet flattering "groupie effect."
|
||
|
||
Now. Let's turn all it into something that doesn't depend upon momentary whims
|
||
and chance encounters.
|
||
|
||
Throughout history, writers, satirists, commentators, cartoonists and other
|
||
interpreters of the culture have been supported by the population -- whether
|
||
through salary, spare change tossed into passed hats, or the generosity of
|
||
patrons. We pay these people to expand our vision, to digest reality and
|
||
present it to us as "entertainment." What sounds at first like something
|
||
essentially playful, however, turns out to have critical importance in the
|
||
evolution of our culture: it is the job of these people to raise human
|
||
awareness, sniff out absurdity, spotlight political nastiness, recognize
|
||
trends, and define our collective self-image -- all the while inviting us to
|
||
step outside the routine of daily life and be entertained by what they have to
|
||
say. Every component of popular culture, from the Sunday funnies to 60
|
||
Minutes, is part of the ongoing education of our complex society. It is the
|
||
measure of Berke Breathed's success, to pick one of many instructive examples,
|
||
that he can convey an elusive and essential message in the middle of
|
||
thigh-slapping laughter.
|
||
|
||
Educators, take note.
|
||
|
||
So what's all this have to do with me, my compu-bike, and big plans for 1987?
|
||
This: I have become a living caricature of information technology, a wandering
|
||
commentator on the zany American scene, a generalist/journalist with a
|
||
220-pound press pass, and a rolling media event. That's almost enough to
|
||
insure success... but not quite. What's missing is marketing, that mystical
|
||
process that turns ideas into products and products into necessities.
|
||
Publicity alone doesn't pay the bills.
|
||
|
||
"Marketing" in the context of what started out as a personal getaway adventure
|
||
sounds like sacrelige. It calls to mind vendor decals and slick packaging,
|
||
product slogans and pithy superficial distillations of my life that can fit
|
||
onto a bulk-rate glossy flyer. But here, dear readers, is the reality:
|
||
|
||
Weekly online columns make valuable contacts but earn just enough to buy one
|
||
reasonably fine restaurant meal a month, assuming moderation on the bar tab.
|
||
Occasional freelance pieces sometimes pay the rent back at the Ohio office. A
|
||
book about my travels is due in two months from a publisher that has never
|
||
tried selling anything outside the exciting but small world of library and
|
||
information science. A little bit of random consulting work pays well but
|
||
draws precious energy from the adventure itself. And I depend more than I'd
|
||
like to admit on the generosity of new friends, feeding us after a long day and
|
||
sheltering us from the night.
|
||
|
||
This -- a shaky hand-to-mouth existence -- is what supports that exuberant
|
||
grinning figure you've seen on national TV, in Time Magazine, in USA Today, and
|
||
hundreds of other places. I never really understood the difference between
|
||
public relations and marketing until now: CAA is a PR bonanza and a marketing
|
||
fiasco. I have media coverage the average small company would kill for, but no
|
||
standard products other than these weekly columns and a forthcoming book about
|
||
my first 10,000 miles.
|
||
|
||
So that's the plan for 1987: adding business survival to my long-established
|
||
objective of FUN. It's not just an adventure, it's a job! But there's one
|
||
subtle problem... my essential message is FREEDOM -- that you can accomplish
|
||
anything if you want it enough, that risk is healthy, that your resources of
|
||
intelligence are probably a lot deeper than you think. We have new
|
||
technological tools to free us, new worlds to explore, and even a new
|
||
population of people who cavort freely in Dataspace unconstrained by location,
|
||
color, appearance, or education. FREEDOM. It's an exciting message, and
|
||
people easily relate to it in these days of urine testing, polygraphs, poorly
|
||
maintined credit databases, economic pressure, horrifying new social diseases,
|
||
and a resurgence of misguided puritanism. A whiff of freedom perks up the
|
||
imprisoned like that first hint of morning coffee.
|
||
|
||
But try living as a public paragon of personal freedom within the
|
||
bottom-line-oriented constraints of a marketing plan. There's the challenge:
|
||
treating this as a business without having it look like one. * * *
|
||
|
||
Let's close this week's installment on a playful note, something that every
|
||
reader can relate to. Something that touches us all deeply, evokes intense
|
||
memories, and rouses strong feelings...
|
||
|
||
I floated easily in a nitrous fog, the Walkman pumping Bob James into my head,
|
||
my wool-shrouded toes tapping in their well-worn Birkenstocks. Through
|
||
half-closed lids I saw the needle approach my mouth and prepared to wince,
|
||
flashing painfully on the closing scene of the movie "Brazil." But the nurse
|
||
tapped my arm, some kind of swabbed on local anaesthetic numbed me, and I
|
||
failed to notice the violation of my gums. So far so good.
|
||
|
||
Mega-numb -- no way for me to transcend dental medication. I was calmed by the
|
||
delightful gas but intellectually nervous, my normal dentist-chair panic
|
||
elevated to a sort of bemused abstraction but still very much in evidence. I
|
||
had never been to a painless dentist and didn't truly believe them to exist...
|
||
and he was probing a very large hole in a broken wisdom tooth, the subject of
|
||
many a horror story.
|
||
|
||
Jazz swirled through my head; I heard the drill scream. It entered, rising and
|
||
falling in pitch as it carved living tooth, raising a cloud of hot enamel-dust
|
||
that shocked my nose as would my own burning flesh. Yet the sensation was of
|
||
someone drilling into a block of wood lodged in my mouth: multiple smooth
|
||
hands, the glint of stainless steel instruments, the suction tube, the detail
|
||
of the overhead light, the smells of rubber gloves and faint perfume and
|
||
powdered tooth... but no pain. Stunned, I waited for it -- 5% of my brain
|
||
quailing at each approach of the drill while the rest soared through the pure
|
||
bliss of the Touchdown album and wanted the experience to never end.
|
||
|
||
And then the smells of solvents and sealants; the welcome poking and prodding
|
||
that bespeaks an end to destruction and the beginning of reconstruction... and
|
||
soon the vaguely depressing news that I had already been on pure oxygen for
|
||
five minutes and did I feel normal again? NO PAIN. This had to be the most
|
||
unusual Christmas present I had ever received: a gift certificate from Ken (of
|
||
Trollo and Bionic Taco fame) good for "X-Ray & anesthesia with a filling or
|
||
extraction" at the offices of Michael Holland, D.D.S. -- and then to find the
|
||
experience genuinely pleasant as well!
|
||
|
||
Ain't technology wonderful?
|
||
|
||
See you next week, from somewhere south of here. This time I really mean it.
|
||
|
||
-- Steve
|
||
|
||
==============================================================================
|
||
|
||
A WEEK OF MOVEMENT!
|
||
|
||
#19 in the second online CAA series
|
||
|
||
by
|
||
|
||
Steven K. Roberts, HtN (WORDY)
|
||
|
||
Mendocino, CA; 11,324 miles (see NOTE)
|
||
|
||
January 12, 1987
|
||
|
||
(NOTE: Mileage from now on will include my first 10,000-mile trip, of which
|
||
this is, in essence, a part. Actually, it was 9,760, but I rode another 240 in
|
||
central Ohio last summer to simplify the arithmetic.)
|
||
|
||
Rolling! Suddenly the deeply familiar texture of life on the road mingles
|
||
again with the chronic unfamiliarity of daily movement. In the week since
|
||
leaving Eureka, our range of experiences has been so diverse that only the most
|
||
abstract of themes could begin to capture the overall flavor. So... rather
|
||
than maunder on philosophically about lifestyle sampling, constant change,
|
||
strangeness and all that, I offer a collection of daily snapshots:
|
||
|
||
Day 1: Ferndale
|
||
|
||
It was with deep relief that we pedaled away from Eureka, though the sadness of
|
||
leaving our friends was tangible. Real tears, last- minute gifts, hugs, a
|
||
cannon salute, and then the familiar streets that suddenly, almost shockingly,
|
||
became passing scenery. This slow cycle -- stopping, meeting, staying, leaving
|
||
-- is the bass note in the music of my journey. I work in tenor, play in alto,
|
||
pedal in soprano...
|
||
|
||
The first stop was Ferndale, home of Hobart Brown: metal sculptor, museum
|
||
curator, kinetic race organizer, local celebrity, ex- Okie (from the town of
|
||
Hobart, naturally), accidental guru, astrologer, and self-styled "happiest man
|
||
on earth." Hobart is an epicenter of successful eccentricity, with legions of
|
||
groupies, admirers, imitators, and sycophants -- as well as a few envious
|
||
enemies who accuse him of everything from scandalous behavior to devil worship.
|
||
And his house, well...
|
||
|
||
Imagine a cavernous Victorian mansion, occupied for 20 years by a man obsessed
|
||
with playful sculpture. There are secret rooms, trapdoors, tunnels, symbolic
|
||
towering creations of copper and brass, suspended fanciful flying machines,
|
||
crazy memorabilia of a fun-filled life, posters on the ceilings, private jokes,
|
||
Things That Move By Themselves, spooky little dark places, tangled excesses of
|
||
twisted plumbing, one cat, and an ancient freezer-burnt pork chop nailed to the
|
||
wall. Through it all moves Hobart, fiftyish, arthritic, soft- spoken and
|
||
twinkling -- always happy, philosophical without being heavy-handed about it,
|
||
returning every few hours to the welding torch and his latest diorama of
|
||
castles and magic.
|
||
|
||
Not a bad place to display the bikes and spend a weekend writing about the
|
||
future of process control in the chemical industry -- and yes, Ferndale has
|
||
been added to that bulging database of places to which I must someday return.
|
||
|
||
Day 2: Ferndale to Redcrest
|
||
|
||
Into the forest -- the famed Avenue of Giants. The theme in this area is the
|
||
43,000 acres of redwood groves: tourists flock to see 'em; astute businessmen,
|
||
knowing that the naked grandeur of megatrees isn't enough for gawkers, turn
|
||
them into Attractions. There's a redwood you can drive through, one
|
||
2,000-year-old monster carved into a 42-ton house, a hollow one known as the
|
||
chimney tree, yet another dubbed "immortal." Next to each has sprouted a colony
|
||
of gift shops and accommodations -- you can buy live burls, polished slabs,
|
||
trinkets, seeds, postcards, clocks, gifts, furniture, sculpture, little
|
||
placards of folk wisdom, and all the usual touristy junk. Billboards advertise
|
||
the endless human embellishments to what's already perfect... but then, that's
|
||
the nature of the trade. At least THESE trees are protected from the logging
|
||
companies, which would happily hack 'em down in an instant if given the chance.
|
||
|
||
Nightfall found us in Redcrest -- at a motel I shall always remember for its
|
||
unwatchable television (between the immovable TV set and the immovable bed
|
||
stands a solid wood post, wide enough to fully block the screen). But the
|
||
grounds were stalked by peacocks, silky chickens, and guinea hens; when we
|
||
pedaled off in the morning a neighbor hailed us to see his collection of
|
||
Japanese Koi -- like a marriage of carp and goldfish -- in his homemade
|
||
fountains. Ya just never know.
|
||
|
||
Day 3: Redcrest to Miranda
|
||
|
||
But that could hardly have prepared us for Miranda, land of the thousand
|
||
pizzas. After a short 20-mile ride of continuing redwood drama spiced with
|
||
conversation on the Garberville repeater, we stopped at the Redwood Palace.
|
||
Finding places to stay has become strategically critical: the towns are far
|
||
apart, the days are short, and it's too cold for camping with our wimpy
|
||
lightweight sleeping bags. We sat in the parking lot and discussed our few
|
||
Garberville- area contacts (the closest 10 miles off the highway on a hilly
|
||
dirt road), when a lady burst grinning from the doorway with a shout and a
|
||
camera. "I don't believe it! You're really here!" Turns out she had spoken
|
||
with Hobart...
|
||
|
||
In short order we were installed in the guest house, plied with beer, and
|
||
presented to all who passed by as the event of the season. The bikes were on
|
||
display until closing time, and we found ourselves surrounded by the energetic
|
||
personalities of Harry and Carol (the proprietors) and their countless friends.
|
||
The local oil baron from the gas station, the science teacher, the traveling
|
||
sales rep, the high-school kids, the truckers, the marijuana growers, the
|
||
trickle of off-season tourists... all evening the swirl of south Humboldt life
|
||
drew us into its voracious vortex, hungry for adventure and entertainment and a
|
||
teasing hint of that wild wonderful world outside these cold winter redwoods...
|
||
|
||
Ah yes, the pizzas: as the lucky recipient of their 1,000th pizza, we had
|
||
dinner on the house (though we did have to go back to the kitchen and make it
|
||
ourselves). Sometimes treats have nothing to do with our bikes at all...
|
||
|
||
Day 4: Miranda to Leggett
|
||
|
||
By now you're getting the idea that daily movement becomes a blur of changing
|
||
scenes, highlighted here and there by human delights. This day was one of
|
||
exhausted pulls up long grades, the blasting passage of trucks and campers,
|
||
ongoing ham radio chitchat, and the slowly nearing town of Leggett -- the place
|
||
where we would diverge at last from busy Highway 101 to take on the highest
|
||
hill of the west coast bike route. Softened by the long Eureka layover, the
|
||
ride was taking its toll; we staggered into Leggett and rented a cabin, cuddled
|
||
under the covers, nibbled cheese and crackers, and stared at the fuzzy black
|
||
and white images from the only available TV station... Eureka. Odd effect:
|
||
news from there had the flavor of news from home. We nudged each other over
|
||
changes in the transit system, fires -- even the tide reports.
|
||
|
||
Day 5: Leggett to Fort Bragg
|
||
|
||
Oooh. This was it. We stepped out into a 36-degree morning, fixed my 13th
|
||
flat tire in 11 thousand-odd miles, and began with a short freezing descent.
|
||
Frost on the foliage. Violent shivers. The occasional incredulous driver.
|
||
And a sense that the ocean was yet far, far away.
|
||
|
||
That notion was quickly reinforced, though not in a painful way. The climb was
|
||
manageable: 3 mph for a couple of granny-gear hours, sweat-soaked shirts
|
||
clinging to skin in the brisk morning air, light courteous traffic, puffs of
|
||
breath hanging still in the mist. As the altimeter slowly climbed, the clouds
|
||
thinned... and thinned... and then dropped away completely to reveal a
|
||
blazing vista of sunlit cloud-tops puddled in the folds of low mountains like
|
||
snow in the frozen tracks of cosmic bulldozers.
|
||
|
||
We stopped at the summit to take it all in, walking from one side to the other,
|
||
west to east, east to west, pointing out the sights like a couple of
|
||
interplanetary explorers perched on the first available promontory of a new
|
||
world. Success.
|
||
|
||
And then down, the other reward, the thing that differentiates hills from
|
||
headwinds. Dozens of switchbacks, tight and smooth, the sensation of skiing
|
||
tangible in the rhythmic dance of a fast descent. On a recumbent, there's a
|
||
feeling of wild openness, the exact opposite of the tuck position of a
|
||
10-speed; when the speed climbs, the whole world, not just the road surface,
|
||
blurs into an impressionistic confusion of streaked light and color. By the
|
||
time the sparkling surf welcomed us back to the Pacific, the dreaded Leggett
|
||
Hill had become a sweet memory of concentrated beauty, physical triumph, and
|
||
pure unalloyed bliss.
|
||
|
||
A mile or so down the road, I stopped to offer assistance to an old maroon
|
||
Washington state Eldorado driven by a tubby Shriner and his nervous wife. The
|
||
right rear wheel was smoking heavily, reeking of charred brake composites.
|
||
"Want me to call for help?" I asked, gesturing at my boom microphone. The man
|
||
hesitated; the woman urged him to say yes; the man mushed crackers and washed
|
||
them down with beer; the woman fretted about these awful steep hills. Finally
|
||
he decided against calling AAA, tossed the beer can onto one of the most
|
||
beautiful coastlines in the world, and turned to go. "Expecting somebody to
|
||
pick that up for you?" I asked, but there was no response. He drove away in a
|
||
stink of automotive overkill. A mile later, I added an entry to my huge file
|
||
of Things I Should Have Said: "Here. I have room on my bicycle; let me
|
||
dispose of that properly." (This week's assignment: Give a Shriner a shiner.)
|
||
|
||
Now the narrow winding road began taking its toll. Traffic picked up as we
|
||
wound our way through the steep, abrupt turns, more than once forcing a
|
||
driveway detour to let a truck pass. Pedaling grimly, we hit the day's 48-mile
|
||
mark in the noisy mill town of Fort Bragg. It took but a moment: while I was
|
||
a mile away seeking a "big gun" ham operator I'd heard about, Maggie fell into
|
||
conversation with a quiet couple in front of the library... who promptly
|
||
invited us home for the evening. The connection? Technology, of course:
|
||
Charles, a cyclist/ham, had spotted the unmistakable 2-meter rig on her bike
|
||
and hailed her in passing.
|
||
|
||
Day 6: Fort Bragg to Mendocino
|
||
|
||
But Mendocino, not Fort Bragg, is the town we've been hearing about. A lazy
|
||
10-mile ride got us here -- to a place that has optimized its tourist-oriented
|
||
picturesque character without seriously compromising a deep counterculture
|
||
flavor that continues to attract artists, writers, musicians, and New Age
|
||
refugees of the City. Street conversation was peppered with references to
|
||
acupressure, astrology, macrobiotics, energy, brutal exploitation of the coast
|
||
for corporate gain, and so on; within hours we had a network of local contacts,
|
||
a three-hour lunch at the Sea Gull with visitors from Napa, and one
|
||
particularly interesting invitation.
|
||
|
||
It came from John, owner of the Brewery Gulch Inn -- a classically relaxed Bed
|
||
and Breakfast on two acres south of town. "I saw you two holding hands on TV a
|
||
while back," he told us as the rain began. "Being an incurable romantic, I
|
||
couldn't resist -- do you need a place to stay?"
|
||
|
||
Within the hour we were settled: my machine dripping on a sheet under the
|
||
antique dining room chandelier, Maggie's outside on a covered porch. We were
|
||
given the Garden Room -- with fireplace, huge windows, and antique furniture --
|
||
suddenly warm and comfortable in graceful surroundings thanks to one man's
|
||
recognition of the strange romance of our life. Those "soft dollars" keep
|
||
mounting up...
|
||
|
||
Day 7: To L.A. -- and Back
|
||
|
||
Ah, the unpredictable daily grind of touring. As I sat quietly tapping HP keys
|
||
on the comfortable bed that night, warmed by a roaring fire and Maggie's soft
|
||
presence, there came a knock on the door. Into the room burst exuberance
|
||
personified: Mendocino Cyclery folks who had finally managed to track us down
|
||
after a few frenzied hours of trying. Once past the initial greetings and
|
||
basic tale-swapping, they mentioned that they were leaving the next day for the
|
||
famed Long Beach bicycle show (otherwise known as the Bicycle Dealer Showcase
|
||
Expo). We moaned in envy. This is the big time -- the COMDEX of the bicycle
|
||
world. My mind reeled with visions of dazzling new gadgets, potential
|
||
sponsors, book buyers, old friends, new friends, and a warm southern California
|
||
weekend...
|
||
|
||
Why not? We left the next evening, armed with hastily produced book flyers,
|
||
our bikes locked in the B&B's garage. We crammed four bodies into a tiny
|
||
Toyota, motored over to Willits and down 101 to San Francisco, then crossed to
|
||
I-5 for that endless drive through the central valley... lasting until well
|
||
after dawn. (Now I remember why I prefer pedaling: it takes a lot longer, but
|
||
is never as numbing as the SAMENESS of auto travel.)
|
||
|
||
It was well worth it, though, for the weekend was rich with images, absurdity,
|
||
and high-tech excitement. We stopped in San Francisco for a triple espresso on
|
||
Columbus Ave, and watched a guy running furtively through side streets with a
|
||
parking meter -- post and all -- tucked under his coat. We raced on foot up
|
||
the switchbacks of Lombard Street, collapsing at the top to the consternation
|
||
of passing trolley riders. Chinatown, the stripper district, the Friday night
|
||
swirl of Big City life... it was all quite dazzling after six weeks in
|
||
Humboldt and Mendocino counties where the only noises are surf, highway,
|
||
laughter, and the chill wind in your ears.
|
||
|
||
But the show! After the sleepless all-night drive in heavy fog we arrived in
|
||
Long Beach, plunging into an international orgy of the surprisingly diverse
|
||
bicycle industry. Hydraulic brakes. Clever new recumbents, finally combining
|
||
quality and affordability. Not just shoes, but shoe SYSTEMS. Endless sleek
|
||
variations on the traditional boring diamond-frame bicycle -- and still more
|
||
innovation in its welcome spinoff, the agile mountain bike. Computers, pulse
|
||
sensors, and graphic-display training cycles that simulate mountains.
|
||
Automatic transmissions, freewheels, halogen lights, sealed bearings, composite
|
||
tubing, tools, posters, silicone seat pads, kevlar tires, disappearing locks,
|
||
streamlined helmets, energy drinks, camping gear... name anything even
|
||
remotely connected with cycling and it could be found in Long Beach in a dozen
|
||
hotly competing variations.
|
||
|
||
For two days I wandered this mecca, passing out book info, riding demo
|
||
machines, picking up 8 new equipment sponsors, and seeing even more familiar
|
||
faces than I do at computer shows. Must be some kinda change of life...
|
||
|
||
But now we're back in Mendocino, it's raining again, and I'm trying to sort out
|
||
all this new information so we can continue the long-overdue southward trek.
|
||
Since chapter 18, we've made it about halfway to the Bay Area, and our next
|
||
known stop is... oh, never mind. I should know by now not to make
|
||
predictions.
|
||
|
||
I'll just see you next week from somewhere else. Probably.
|
||
|
||
-- Steve
|
||
|
||
NOTE: Are you interested in recumbent bicycles? I get a lot of reader mail
|
||
about that, mostly asking for access to manufacturers. If you'd like to find
|
||
out more about the only comfortable way to pedal, contact the International
|
||
Human Powered Vehicle Association -- represented here on GEnie by its new
|
||
president, Marti Daily (M.DAILY).
|
||
|
||
==============================================================================
|
||
|
||
CHANGING THE WORLD IN MENDOCINO
|
||
#20 in the second online CAA series
|
||
by
|
||
Steven K. Roberts, HtN (WORDY)
|
||
Point Arena, CA; 11,363 miles.
|
||
(c) January 15, 1987
|
||
|
||
Nowhere is the infinite interconnectedness of human relationships so clear as
|
||
in a succession of small coastal towns, isolated from the rest of the world --
|
||
towns small enough to be interdependent, yet large enough to be vigorous;
|
||
places rugged enough to discourage the lazy, yet beautiful enough to attract
|
||
the intelligent. Such a zone is the western edge of Mendocino County: a sort
|
||
of meta-community spread along the cliffs of northern California. We've been
|
||
traipsing through a sparse network of linked relationships like a couple of
|
||
hundred dollar bills in Miami.
|
||
|
||
This coastal culture differs dramatically from the rest of the country. To
|
||
some extent, it can be attributed to the scenic character of the land,
|
||
something that can have sweeping effects on natives. Beauty sells, you know:
|
||
Highway 1 winds along the coast like a varicose vein, offering the seasonal
|
||
torrent of tourists an optimum view as they bring economic hemoglobin into
|
||
these areas of marginal industry. A long-established love-hate relationship is
|
||
in force here, a reluctant symbiosis between hawker and gawker.
|
||
|
||
There's something about low-bandwidth communication between non- miscible
|
||
cultures that affects everybody. I've seen it in other tourist areas: each
|
||
group, locals and visitors, begins to generalize about the other -- to lump
|
||
them together into a single stereotype. The brash tourist. The uppity local.
|
||
Those stupid RV'ers. Those weird hippies. Residents look the other way as
|
||
they draw their livelihood from the people who prompted their flight from the
|
||
city in the first place.
|
||
|
||
But there's more, though, quite a lot more. Success in these parts isn't on
|
||
the same economic scale as it is in mainstream America. Trade work abounds.
|
||
The land provides. Friends support each other. And it works well because the
|
||
economic bottom line is simply not the point; quality of life is. And the
|
||
deeper you look, the more interesting it becomes...
|
||
|
||
These little towns harbor a remarkable population of creative people -- the
|
||
kind you would normally expect to find in high-tech node cities blanketed in
|
||
stimulating vapors of silicon. Boat designers who combined the dimensions of
|
||
Noah's ark with computer analysis to yield a high-performance open-ocean kayak.
|
||
Networkers who have eschewed systems with a corporate substrate in lieu of
|
||
electronic anarchy (FIDO and packet). A guy who turns Cadillacs into bizarre
|
||
artworks. Another who builds high-performance audio cassettes.
|
||
Monkeywrenchers dedicated to the battle against despoilers of the wildernass,
|
||
practicing "ecotage" on an increasing scale. A fabricator of custom dental
|
||
equipment. A man who makes computerized biofeedback systems that sell for
|
||
nearly $50,000. And everywhere, literally everywhere, a degree of awareness
|
||
that fulfills the oft-lamented promise of the 60's. Even the bookstores, small
|
||
though they be, are dizzying.
|
||
|
||
And encounters can be funny. Phoenix introduced herself as having "seven fire
|
||
signs, and two air signs to fan the flames." A fellow named Raven B. Earlygrow
|
||
runs a travel agency. A Mendocino radio pirate got busted for his innovative
|
||
auto-answer "you're on the air" machine, bought into a public-access cable TV
|
||
channel, and now broadcasts whatever people send him. Reagan is profoundly
|
||
unpopular around here, to the point that I was recently presented with an
|
||
interpretation of ancient biblical prophesy predicting his demise on August 17,
|
||
1987. And a friend in Elk explained the lingering personal effect of the World
|
||
Instant of Cooperation: less cynicism. This is the land of rural
|
||
counterculture.
|
||
|
||
The thing that's pleasing about it all, despite frequent overdoses of HMB (hip
|
||
metaphysical bullshit), is an intellectual liveliness that has at its roots a
|
||
lot of the right motives: protection of mother earth for reasons beyond her
|
||
continuing usefulness to Man, prevention of human self-destruction over matters
|
||
of idealogical nonsense, revision of our self-poisoning habits, and the general
|
||
objective of peace on all levels. A lot of us, um, sorta forgot about those
|
||
things as we "grew up" from the Age of Enhanced Consciousness into the Epoch of
|
||
Bottom Lines -- a dubious maturation indeed.
|
||
|
||
But isn't it hard to change the world when you're eking out a small-town living
|
||
as a part-time pump repairman, part-time gatherer of sea urchin eggs, and
|
||
part-time poet of the revolution? So what if one of your poems ran in the
|
||
Mendocino Review last summer, and so what if you successfully planted a
|
||
tire-spiker in a fording spot up Elk Creek to discourage the mob of littering,
|
||
noisy off-roaders? It's a big world. How ya gonna change it from here?
|
||
|
||
Well, my wanderings have suggested an optimistic comment on that. Contrary to
|
||
popular news stories of the day, social change does not hinge on government
|
||
overthrow. Those are just the warrings of competing ideologues, not
|
||
incremental steps in the evolution of consciousness. Growth -- the recognition
|
||
and elimination of ignorance -- happens on a human level, slowly, building over
|
||
time like the gradual conversion of a successful anomaly into a whole new
|
||
species. Governments and eco-trashers simply apply selection pressure,
|
||
insuring their eventual deterioration.
|
||
|
||
The essence is communication, one of my main motives for becoming a writer in
|
||
the first place. Freelancing is actually a maddening business, as the
|
||
frustrated ramblings of Chapter 18 may have suggested -- not many people make a
|
||
full-time living at it. I barely manage. But amassing private riches is not
|
||
nearly as important as protecting public ones; a larder full of stocks and
|
||
bonds is but a hollow trophy without good food, air, water, communication,
|
||
recreation, security, and personal freedom. Whatever one person can do to
|
||
raise the awareness of another is the best social contribution of all -- one
|
||
small step at a time until we ALL realize which of our systems are healthy...
|
||
and which ones should be replaced.
|
||
|
||
This coast is an area that enforces understanding of whole systems. You can't
|
||
pick your way among the tidepools, marveling at geometric chitons and
|
||
subtly-hued anemones, bending to touch massive starfish and strange whiplike
|
||
growths 20 feet long, without sensing something of the planet's complexity and
|
||
deep interconnectedness. Everything is part of the food chain -- we've just
|
||
grown cocky because we happen to be on top.
|
||
|
||
All we need now is a few healthy predators to remind us that we're all in this
|
||
together: one species, one planet, one whole.
|
||
|
||
-- Steve
|
||
|
||
|