160 lines
8.9 KiB
Plaintext
160 lines
8.9 KiB
Plaintext
|
|
PIRATE RADIO SURVIVAL GUIDE
|
|
Note: this chapter is from the book "Pirate Radio Survival Guide" written by; Nemesis of
|
|
Radio Doomsday, and Captain Eddy of The Radio Airplane. If you like this book and would
|
|
like to support their efforts, you may send a donation of your choice to either Nemesis or
|
|
Capt. Eddy at PO Box 452, Wellsville NY 14895.
|
|
|
|
Please note that some chapters refer to illistrations or drawings, these could not be
|
|
included in this BBS version of the book. If you would like the illistrations or have
|
|
other questions you may inquire at the above adddress.
|
|
|
|
VERIFYING YOUR EFFORTS
|
|
|
|
So now you have made your first transmission, you will likely have the same question in mind
|
|
that most pirates have after a broadcast. Did anyone hear that?
|
|
|
|
There are several ways to find out how well you were heard. One way is to watch the hobby
|
|
newsletters and publications for loggings of your station, this requires patience because even the
|
|
fastest newsletters will take a few days or weeks to arrive; the magazines can be as much as three
|
|
or four months behind. Hobby publications are a great place to see what is going on and who is
|
|
doing what. I would highly recommend the ACE or Pirate Pages as a good source for keeping up
|
|
with the pirate scene. But when you have worked hard to achieve a good signal, you really need
|
|
some hard data that will tell you what you are doing wrong and right.
|
|
|
|
The best way to obtain this information is from the people who listen to you. Pirate Radio
|
|
listeners collect cards that verify that they have heard your station (QSL cards). Most listeners in
|
|
exchange for one of your cards will provide a fairly detailed report of your signal as well as
|
|
comments about the programming content. From these reports you can determine where you are
|
|
heard the strongest, how well your audio was understood, and what your listeners like to hear.
|
|
This is information that commercial radio stations pay a fortune to find out.
|
|
|
|
How you get these reports is not easy. You cannot give your home address or phone number on
|
|
the air, and using any address that is local to you will lead the wrong people to you. The most
|
|
logical option is to use a maildrop, the idea is simple. A mail drop is operated by a person who
|
|
wishes to support free radio and will act as a forwarding point for your mail.
|
|
This means that you will have to expose your identity to some one else; however the operators of
|
|
the major mail drops are extremely secure and are trusted by hundreds of pirate stations. In order
|
|
to obtain the services of a mail drop you will first need to contact the operator. They will in turn
|
|
advise you of their rules and ask you for pertinent information such as where you want your mail
|
|
forwarded to and the name of your station, etc. Most operators have a few rules that they expect
|
|
to be followed; some require that you announce that the listeners send three stamps to pay the
|
|
cost of postage to the pirates address and back. Most drop operators operate their drops for free,
|
|
your respect of his time is important, he is doing you a great service and you should do as much
|
|
as possible to make it easier for him. During your broadcasts you will announce the address of
|
|
your drop with any specific instructions such as, "send a detailed report and your comments on
|
|
the show, with three stamps". The listeners will prepare their reports and send them to your drop
|
|
operator. He in turn repackages the reports and mails them to your address. You will then
|
|
reaview the reports for accuracy , prepare whatever you want to send to the listeners and mail
|
|
them with appropriate postage to the mail drop operator. He will then mail the responses to the
|
|
listeners. This is a great way to gain listeners.
|
|
|
|
|
|
|
|
The pirate radio community is surprisingly well informed; a station that does not respond to
|
|
listeners reports will soon be known to all and notice a sharp drop in listener response. However a
|
|
station that verifies reports with reliability will be well liked by the listeners and will likely see an
|
|
increase in mail coming into their drop. The bottom line is, if you don't plan to verify listener's
|
|
reports, don't ask for them.
|
|
|
|
When you get your reception reports don't just gaze over them and throw them out, you can get a
|
|
lot of good information from them. Look at where your signal is strongest; according to the
|
|
design of your antenna does this reflect what you were trying to do? If someone says that you
|
|
sounded distorted, was this because you were over modulated? Or did you use too much echo?
|
|
Look at what type of radio the listener has; if it is a cheap low end radio you can expect his signal
|
|
to be less than the guy with the mega-buck deluxe model. Did he use a good antenna ? Or did he
|
|
hear you on the radios whip antenna? Notice the time that you were on the air; does it seem that
|
|
certain times of the night some of your listeners report a lot of static? Do certain frequency
|
|
choices get better reports?
|
|
|
|
Many pirate stations keep a detailed log of information from reception reports, some have maps
|
|
with marks or numbers on them reflecting the best reception areas, times and frequencies, some
|
|
pirates have found that they can target a certain area by choosing the frequency and time dictated
|
|
from the information they have compiled. If you are trying to entertain your listeners, use their
|
|
comments about your programming to choose the parts of your programs that seem to attract the
|
|
attention of your listeners. Although opinions vary widely, you can tell if you are getting your
|
|
point across. If you broadcasted a commentary on the" homeless" and your listeners thought you
|
|
said "homesick", you may want to review the method in which you presented this subject. Could
|
|
you be talking too fast? Is your background music too loud? Or were the band conditions just too
|
|
noisy? Some listeners will misunderstand your message no matter how clear it is made.
|
|
|
|
Verifying Reports:
|
|
Pirate radio listeners collect verifications called QSLs. This can be anything that acknowledges
|
|
that the listener did hear the show. If a listeners report contains enough details that you can be
|
|
sure that they heard your station, you can then send them a QSL. Designing your QSL card can
|
|
be as much fun as producing your show; it adds to the "image" of your station. You can be as
|
|
creative as your mind will allow. Some stations have in the past sent some very bizarre QSLs,
|
|
Radio Blandex sent out "DX Condoms", CSIC sends occasional rubber chickens, other stations
|
|
send bumper stickers, personalized pens, pennants, banners, posters, books, etc. If cost is
|
|
important, keep in mind that your QSL will have to be mailed twice (once to the drop operator
|
|
and then to the listener) large QSLs or anything that can't be placed in a normal size envelope will
|
|
cost extra postage. Other stations use the more simple approach, a card with the station name,
|
|
and a nice design and information regarding the broadcast is always a good choice.
|
|
|
|
|
|
|
|
Your QSL can be hand made or professionally printed, but don't be too worried about getting a
|
|
professional look. Some of the most creative QSLs are often hand drawn on a plain piece of
|
|
paper.
|
|
|
|
Listeners always like a little station information such as transmitter power and the type of
|
|
antenna used. Some stations include a station information sheet that gives a technical description
|
|
of their station. Samples of station QSLs are provided throughout this book.
|
|
|
|
Some listeners will add to their reception report by including a tape recording of your show so
|
|
you can hear for yourself what the signal sounded like. A good way to reward the listener for
|
|
providing you with this is to return the tape with a copy of the program recorded from your
|
|
studio master. Radio Airplane,often randomly sends tapes to listeners,this is possibly because
|
|
they just liked the report, or they just want to encourage more letters. The way you respond to
|
|
your listeners is totally up to you. Be sure to have fun with it and remember that it is important
|
|
that you just respond.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Some of the CURRENTLY ACTIVE PIRATE MAIL DROPS
|
|
|
|
P.O. Box 452, Wellsville NY 14895
|
|
|
|
|
|
P.O. Box 109, BlueRidge Summit, PA
|
|
|
|
|
|
P.O. Box 146, Stoneham, MA 02180
|
|
|
|
|
|
P.O. Box 293, Merlin, Ontario NOP 1WO
|
|
|
|
|
|
P.O. Box 605, Huntsville AL 35804
|
|
|
|
|
|
P.O. Box 17534, Atlanta GA 30616
|
|
(may not accept new stations)
|
|
|
|
P.O. Box 40554, Washington DC 20016
|
|
(not very active)
|
|
|
|
|
|
Always remember to write to the Mail drop operator and obtain permission before announcing
|
|
an address on the air. All drops listed may not be accepting new stations, you must inquire
|
|
with the operator to assure availability.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|