6679 lines
366 KiB
Plaintext
6679 lines
366 KiB
Plaintext
"I long to accomplish a great and noble task, but it is my chief
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duty to accomplish small tasks as if they were great and noble."
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--Helen Keller
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"It is amazing how much people can get done if they do not worry
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about who gets the credit."
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--Sandra Swinney
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"I don't know anything about luck. I've never banked on it, and
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I'm afraid of people who do. Luck to me is something else: hard
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work and realizing what it opportunity and what isn't."
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--Lucille Ball
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"My parents always told me that people will never know how long
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it takes you to do something. They will only know how well it is
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done."
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--Nancy Hanks
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"While I was in Ann Arbor I heard that Boston was a good place to
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play acoustic music because they still had plenty of clubs. So I
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moved to Cambridge. I roomed with a Harvard student. I got an
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apartment the first day I got to town by going to Harvard
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housing, so I could get cheaper rates, $80 a month or something.
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I even went to some Harvard classes, just to sit in, because I
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enjoyed the performance of the professors. The teachers were
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always so theatrical at Harvard, intelligent show business
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people, that could keep your attention, and that I think, is the
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great advantage of Harvard. So I used to go for the show, no
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matter what subject it was. You could just drop in to a class
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and watch, it wouldn't matter if you went to the school. No one
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even asked. The show was good and you would learn something, but
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you wouldn't get any credit for it. I didn't need the credit."
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(Negative Theatre 87)
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--Ric Ocasek
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"He who angers you enslaves you."
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"In three words, I can sum up everything I know about life: it
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goes on."
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--Robert Frost
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"Shame is the lie someone told you about yourself."
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--Ana<6E>s Nin
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"Remember, Ginger Rogers did everything that Fred Astaire did,
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but she did it backwards and in high heels."
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--Faith Whittlesey
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"Your real duty is to save your dream."
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--Mogdiliani
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"If there is no wind, row."
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"One good deed dying tongueless slaughters a thousand waiting
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upon that."
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--William Shakespeare
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"There is danger in reckless change; but greater danger in blind
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conservatism."
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--Henry George
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"Living is a form of not being sure, not knowing what next or
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how. The moment you know how, you begin to die a little. The
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artist never entirely known. We guess. We may be wrong, but we
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take leap after leap in the dark."
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--Agnes de Mille
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"The known is finite, the unknown infinite; intellectually we
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stand on an islet in the midst of an illimitable ocean of
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inexplicability. Our business in every generation is to reclaim
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a little more land."
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--T. H. Huxley
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"The fact that someone says something doesn't mean it's true.
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Doesn't mean they're lying, but it doesn't mean it's true."
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--Carl Sagan
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"I shall live badly if I do not write, and I shall write badly if
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I do not live."
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--Francoise Sagan
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"I tell you: one must have chaos in one to give birth to a
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dancing star. I tell you: you still have chaos in you."
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--Friedrich Nietzsche
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"Often the real test of courage is not to die, but to live."
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--Vittorio Alfieri
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"The right to express our thoughts means something only if we are
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able to have thoughts of our own."
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--Erich Fromm
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"The unexamined life is not worth living."
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--Socrates
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"He loved to ask his mother questions. It was the pleasantest
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thing for him to ask a question and then to hear what answer his
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mother would give. Bambi was never surprised that question after
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question should come into his mind continually and without
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effort. He found it perfectly natural, and it delighted him very
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much. It was very delightful too, to wait expectantly till the
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answer came. If it turned out the way he wanted, he was
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satisfied. Sometimes, of course, he did not understand, but that
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was pleasant also because he was kept busy picturing what he had
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not understood, in his own way. Sometimes he felt very sure that
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his mother was not giving him a complete answer, was
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intentionally not telling him all she knew. And, at first, that
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was very pleasant, too. For then there would remain in him such
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a lively curiosity, such suspicion, mysteriously and joyously
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flashing through him, such anticipation, that he would become
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anxious and happy at the same time, and grow silent." (Bambi 20-
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21)
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--Felix Salten
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"There are no words that can be spoken to shatter the darkness.
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What is left is silence, and the dawn must creep at its own pace
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as we wait. There are no words for how we feel. The silence of
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the night is the only thing that captures it, and dawn the only
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thing to set it free. So we wait..."
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--Karla Jameson
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"When he drank his coffee, that was all he did. If his com
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chimed or there was a caller at the door, he ignored it. He
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didn't read the newsfax, nor even listen to any of his favourite
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music. His one cup deserved, and got, his full attention. He'd
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once heard a story about a monastery on the top of some mountain
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in Japan or somewhere. After a long trek in the cold to get
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there, the monks would offer to sell you a cup of coffee. You
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had a choice: There was a two-dollar cup -- or a two-hundred-
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dollar cup. When pressed to explain the difference, the monks
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were reported to say, 'A hundred and ninety-eight dollars.'" (The
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Digital Effect 21-22)
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--Steve Perry
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"A great attitude does much more than turn on the lights in our
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worlds; it seems to magically connect us to all sorts of
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serendipitous opportunities that were somehow absent before the
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change."
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--Earl Nightengale
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"People are where they are because that's exactly where they
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really want to be...whether they'll admit that or not."
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--Earl Nightengale
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"We can let circumstances rule us, or we can take charge and rule
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our lives from within."
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--Earl Nightengale
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"Your world is a living expression of how you are using and have
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used your mind."
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--Earl Nightengale
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"Am I motivated by what I really want out of life - or am I mass-
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motivated?"
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--Earl Nightengale
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"All you need is the plan, the road map, and the courage to press
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on to your destination."
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--Earl Nightengale
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"Success is the progressive realization of a worthy goal or
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ideal."
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--Earl Nightengale
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"Whatever we plant in our subconscious mind and nourish with
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repetition and emotion will one day become a reality."
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--Earl Nightengale
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"Other times I think about them, though -- all this October I
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have done so, it seems, because October is the time when men
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think mostly about far places and the roads which might get them
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there. I sit on the bench in front of Bell's Market and think
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about Homer Buckland and about the beautiful girl who leaned over
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to open his door when he come down that path with the full red
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gasoline can in his right hand -- she looked like a girl of no
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more than sixteen, a girl on her learner's permit, and her beauty
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was terrible, but I believe it would no longer kill the man it
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turned itself on; for a moment her eyes lit on me, I was not
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killed, although part of me died at her feet." (Mrs. Todd's)
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--Stephen King
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"It means that no blue ribbon is forever. Someday -- if the
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world doesn't explode itself in the meantime -- someone will run
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a two-minute mile in the Olympics. It make take a hundred years
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or a thousand, but it will happen. Because there is no ultimate
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blue ribbon. There is zero, and there is eternity, and there is
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mortality, but there is no ultimate." (Mrs. Todd's Shortcut)
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--Stephen King
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"The price of success is hard work, dedication to the job at
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hand, and the determination that whether we win or lose, we have
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applied the best of ourselves to the task at hand."
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--Vince Lombardi
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"What this power is I cannot say; all I know is that it exists
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and it becomes available only when a man is in that state of mind
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in which he knows exactly what he wants and is fully determined
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not to quit until he finds it."
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--Alexander Graham Bell
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"Only a man who knows what it is like to be defeated can reach
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down to the bottom of his soul and come up with the extra ounce
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of power it takes to win when the match is even."
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--Muhammad Ali
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"This environment [New York] is heaven. I love walking down the
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street and seeing faces and drama and happiness and sadness and
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dirt and cleanliness. I could never be a country person, sitting
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around trees trying to write a song. I would rather be in the
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middle of society, whether it's growing or crumbling."
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--Ric Ocasek
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"If a life could have a theme song -- and I believe every
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worthwhile one has -- mine is a religion, an obsession, a mania
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or all of these expressed in one word -- individualism. I was
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born with that obsession, and I've never seen and do not know now
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a cause more worthy, more misunderstood, more seemingly hopeless
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and tragically needed."
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--Ayn Rand
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"Diplomacy is the art of saying 'nice doggie' until you can find
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a rock."
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--Will Rogers
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"Congress, our leaders, voted against a proposal to have a
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national seven day waiting period to buy a gun. I don't want to
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sound like a Quaker, but when you think about it, is a week a
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long time to wait? To see if a former mental patient is
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qualified to own an Uzi? Con one, will ya Congress? It takes
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three weeks to get a phone!"
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--Jimmy Tingle
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"Some people are born on third base and go through life thinking
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they hit a triple."
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--Barry Switzer
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"I used to think I was poor. Then they told me I wasn't poor, I
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was needy. Then they told me it was self-defeating to think of
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myself as needy. I was deprived. (Oh not deprived but rather
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underprivileged.) Then they told me that underprivileged was
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overused. I was disadvantaged. I still don't have a dime. But
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I have a great vocabulary."
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--Jules Feiffer
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"Faith is a cop-out. It is intellectual bankruptcy. If the only
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way you can accept an assertion is by faith, then you are
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conceding that it can't be taken on its own merits."
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--Dan Barker
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"If you think education is expensive, try ignorance."
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--Derek Bok
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"A man's ethical behaviour should be based effectually on
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sympathy, education, and social ties; no religious basis is
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necessary. Man would indeed be in a poor way if he had to be
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restrained by fear of punishment and hope of reward after death."
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--Albert Einstein
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"Every time you meet a situation, though you think at the moment
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it is an impossibility and you go through the tortures of the
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damned, once you have met it and lived through it you find that
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forever after you are freer than you were before."
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--Eleanor Roosevelt
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"I think life is really hard sometimes. It's not easy to wake up
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every day and go through what you go through. But the beautiful
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moments that you share with people that you love, or even
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experience alone, are worth all of the pain and sorrow. Those
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moments should be cherished, and I think that's what music is all
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about-to remind people of the beautiful moments that are in
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everybody's life."
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--Charlie Haden
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"Some people would say my paintings show a future world and maybe
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they do, but I paint from reality. I put several things and
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ideas together, and perhaps, when I have finished, it could show
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the future. If people want to interpret my work as warnings
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about too much overpopulation, disease and mechanization in the
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future, then that is up to them. I like to combine human beings,
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creatures and biomechanics. And I love to work with bones --
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they are elemental and function and, after all, are part of human
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beings. I have many bones in my home in Zurich, and I study them
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and use them as models. Some people say my work is often
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depressing and pessimistic, with the emphasis on death, blood,
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overcrowding, strange beings and so on, but I don't really think
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it is. There is hope and a kind of beauty in there somewhere, if
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you look for it."
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--H. R. Giger
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"It was all very well to say, 'Drink me,' but the wise little
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Alice was not going to do that in a hurry. 'No, I'll look
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first,' she said, 'and see whether it's marked 'Poison' or not.'
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For she had read several nice little stories about children who
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had got burnt and eaten up by wild beasts and other unpleasant
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things, all because they would not remember the simple rules
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their friends had taught them: that a red-hot poker will burn
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you if you hold it too long, and that if you cut your finger very
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deeply with a knife, it usually bleeds. And she had never
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forgotten that if you drink too much from a bottle marked
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'Poison,' it is almost certain to disagree with you, sooner or
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later." (Alice in Wonderland 13-14)
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--Lewis Carrol
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"One of the expressions of Western over-reliance on technology
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can be seen in the lack of patience in industrial society. When
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you deal with technology, everything happens at the touch of a
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button. This conditions you to become so impatient that when you
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have an emotional or personal crisis, you don't allow time for
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the solution to take effect. This leads to all sorts of rash
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responses, like quarrels, fights and so on."
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--the Dali Lama (Lhamo Dhondrub)
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"I agree that the fear of American cultural imperialism is shared
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by many people, and I agree with your point about the invasive
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nature of television culture. But I wouldn't draw the next
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inference: that this is negative and therefore it must be
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stopped. I feel that one should address this influence in a way
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that takes away the negative edge through a positive counter-
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response. This way, you reinforce and reaffirm your conviction
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in the inner values. You harness those beliefs and develop them
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with a greater degree of self-awareness. That's the kind of
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response people should have, instead of rejecting technology."
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--the Dali Lama (Lhamo Dhondrub)
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"In contemporary American public culture, the legacy of the
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consumer revolution of the 1960s is unmistakable. Today, there
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are few things more beloved of our masses than the figure of the
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cultural rebel, the defiant individualist resisting the mandates
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of the machine civilization. Whether he is an athlete decked out
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in a mowhawk and multiple-pierced ears, a policeman who plays by
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his own rules, an actor on a motorcycle, a soldier of fortune
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with explosive bow and arrow, or a rock star in leather jacket
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and sunglasses, the rebel has become the paramount clich<63> of our
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popular entertainment, and the pre-eminent symbol of the system
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he is supposed to be subverting. In advertising especially, he
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rules supreme." (The Conquest of Cool)
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--Thomas Frank
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"An invasion of armies can be resisted. But not an idea whose
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time has come."
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--Victor Hugo
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"Sometimes it seems like we're all living in some kind of prison,
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and the crime is how much we all hate ourselves. It's good to
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get really dressed up once in a while and admit the truth -- that
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when you really look closely, people are so strange and so
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complicated that they're actually beautiful. Possibly even me."
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--from My So-Called Life
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------------------------------------------
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"I just want them to feel inspired to live on the planet and not
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get discouraged with life, and make sure that they pursue what
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they feel they ought to. If they want to collect stamps, make
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sure they collect stamps 100 percent of the time for 25 years. I
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think the most important thing is to try to find work or
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something that you love, but it's also probably the hardest
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thing. Life in general is more generic and less artistic. It's
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a hard thing to pull your mind away from the shit and feel
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positive about where things are going. It depends on how much TV
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news you watch."
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--Ric Ocasek
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------------------------------------------
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"I believe that words can help us move or keep us paralysed, and
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that our choices of language and verbal tone have something -- a
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great deal -- to do with how we live our lives and whom we end up
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speaking with and hearing; and that we can deflect words by
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trivialization, of course, but also by ritualized respect, or we
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can let them enter our souls and mix with the juices of our
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minds." (Toward a More Feminist Criticism)
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--Adrienne Rich
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------------------------------------------
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"I can't believe I'm having this conversation... With you!
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You've probably never read a book in your life that wasn't
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written by John Grisham. You don't get it. People like you are
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so content to write-off English. English just isn't about
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analysing stories -- if it was, I wouldn't be like this.
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Stories, novels, whatever... reflect something about the
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writer... and the culture... and the society that it came from.
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It's a mirror -- a mirror to ourselves. And when we do it right,
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when we just get it, we know something about ourselves. English
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is an understanding of the self. If we can see ourselves
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clearly, we know the right decision to make. And if you don't
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know who you are and make the wrong choices, what good is it if
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you can make two-hundred and fifty thousand?" (The Open Door)
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--Tyler Powell
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------------------------------------------
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"Let me tell you something. We're all guilty of something.
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Cruelty or greed or going sixty-five in a fifty-five mile per
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hour zone. But you know what? You want to think of yourself as
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the fair haired choir boy, you go ahead. ... I'm saying you've
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got a darkness inside of you. You've got to know the darker,
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uglier sides of yourself. You've got to recognize them so
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they're not constantly sneaking up on you. You've got to love
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them because they're a part of you, because along with your
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virtues, they make you who you are. Virtue isn't virtue unless
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it slams up against vice so, consequently, your virtue is not
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real virtue until it's been tested... and tempted."
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||
--from Homicide: Life on the Street
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------------------------------------------
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"A soulmate is someone who has locks that fit our keys, and keys
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to fit our locks. When we feel safe enough to open the locks,
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our truest selves step out and we can be completely and honestly
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who we are; we can be loved for who we are and not for who we're
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pretending to be. Each unveils the best part of the other. No
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matter what else goes wrong around us, with that one person we're
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safe in our own paradise. Our soulmate is someone who shares our
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deepest longings, our sense of direction. When we're two
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balloons, and together our direction is up, chances are we've
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found the right person. Our soulmate is the one who makes life
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come to life." (Bridge 265)
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--Richard Bach
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------------------------------------------
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"What was the question? ... Oh. Where do I get my crazy ideas?
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Answer: sleep-fairy, walk-fairy, shower-fairy. Book-fairy. And
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in these last few years, from my wife. Now when I have questions
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I ask her and she tells me the answer. If you haven't already,
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I'd suggest you want to find your soulmate, soon as you can.
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Next question?" (Bridge 264)
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--Richard Bach
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------------------------------------------
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"She didn't mean to be sexy that moment, but even a winter
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nightgown couldn't hide that lovely outline. When will I outgrow
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my simple-minded fascination with the form she had happened to
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choose for her body? Never, I thought." (Bridge 249)
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--Richard Bach
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------------------------------------------
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"What a story that would make! How many men and women go through
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||
the same rivers, menaced by the same sharp clich<63>s, the same
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||
jagged dangers that have threatened us! If the idea stands up, I
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||
thought, it would be worth uncovering the typewriter! How
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||
Richard-years-ago would have wanted to know: What happens when
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we set off searching for a soulmate who doesn't exist, and find
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her?" (Bridge 209)
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--Richard Bach
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------------------------------------------
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"We're different, we're the same. You thought you'd never find a
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||
word to say to a woman who didn't fly airplanes. I couldn't
|
||
imagine myself spending time with a man who didn't love music.
|
||
Could it be it's not as important to be alike as it is to be
|
||
curious? Because we're different, we can have the fun of
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||
exchanging worlds, giving our loves and excitements to each
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||
other. You can learn music, I can learn flying. And that's only
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the beginning. I think it would go on for us as long as we
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live." (Bridge 169)
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||
--Richard Bach
|
||
------------------------------------------
|
||
"If we change in different directions, then we don't have any
|
||
future anyway, do we? I think it's possible for two people to
|
||
change together, to grow together and enrich instead of diminish
|
||
each other. The sum of one and one, if they're the right ones,
|
||
can be infinity! But so often one person drags the other down;
|
||
one person wants to go up like a balloon and the other's a dead
|
||
weight. I've always wondered what it would be like if both
|
||
people, if a woman and a man both wanted to go up like balloons!"
|
||
(Bridge 168)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"That's what learning is, after all: not whether we lose the
|
||
game, but how we lose and how we've changed because of it and
|
||
what we take away from it that we never had before, to apply to
|
||
other games. Losing, in a curious way, is winning." (Bridge 91)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Here's how the people live here, in big house-shaped boxes to
|
||
keep off 'rain' and 'snow,' holes cut in the sides so they can
|
||
see out. They move around in smaller boxes, painted different
|
||
colours, with wheels on the corners. They need this box-culture
|
||
because each person thinks of herself and himself as locked in a
|
||
box called a 'body,' arms and legs, fingers to move pencils and
|
||
tools, languages because they've forgotten how to communicate,
|
||
eyes because they've forgotten how to see. Odd little planet.
|
||
Wish you were here. Home soon." (Bridge 85-6)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Two things I do value a lot, intimacy and the capacity for joy,
|
||
didn't seem to be on anyone else's list. I felt like the
|
||
stranger in a strange land, and decided I'd better not marry the
|
||
natives." (Bridge 76)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Other people think they know what you are: glamour, sex, money,
|
||
power, love. It may be a press agent dream which has nothing to
|
||
do with you, maybe it's something you don't even like, but that's
|
||
what they think you are. People rush at you from all sides, they
|
||
think they're going to get these things if they touch you. It's
|
||
scary, so you build walls around yourself, thick glass walls
|
||
while you're trying to think, trying to catch your breath. You
|
||
know who you are inside, but people outside see something
|
||
different. You can choose to become the image, and let go of who
|
||
you are, or continue as you are and feel phony when you play the
|
||
image." (Bridge 72)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"There are no mistakes. The events we bring upon ourselves, no
|
||
matter how unpleasant, are necessary in order to learn what we
|
||
need to learn; whatever steps we take, they're necessary to reach
|
||
the places we've chosen to go." (Bridge 56)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Part of us is always the observer, and no matter what, it
|
||
observes. It watches us. It does not care if we are happy or
|
||
unhappy, if we are sick or well, if we live or die. Its only job
|
||
is to sit there on our shoulder and pass judgment on whether we
|
||
are worthwhile human beings." (The Bridge Across Forever 43)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"We fear passion and laugh at too much love and those who love
|
||
too much. And still we long to feel."
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"By the time the average person finishes college he or she will
|
||
have taken over 2,600 tests, quizzes and exams. The 'right
|
||
answer' approach becomes deeply ingrained in our thinking. This
|
||
may be fine for some mathematical problems, where there is in
|
||
fact only one right answer. The difficulty is that most of life
|
||
isn't that way. Life is ambiguous; there are many right answers -
|
||
all depending on what you are looking for. But if you think
|
||
there is only one right answer, then you'll stop looking as soon
|
||
as you find one."
|
||
--Roger von Oech
|
||
------------------------------------------
|
||
"You say I have no power? Perhaps you speak truly... but you say
|
||
that dreams have no power here? Tell me, Lucifer Morningstar...
|
||
ask yourselves, all of you... what power would hell have if those
|
||
here imprisoned were not able to dream of heaven?"
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"A friend is one before whom I may think aloud."
|
||
--Ralph Waldo Emmerson
|
||
------------------------------------------
|
||
"He who fights with monsters might take care lest he thereby
|
||
become a monster. And if you gaze for long into an abyss, the
|
||
abyss gazes also into you."
|
||
--Friedrich Nietzsche
|
||
------------------------------------------
|
||
"If we keep doing what we're doing, we're going to keep getting
|
||
what we're getting."
|
||
--Stephen Covey
|
||
------------------------------------------
|
||
"It's hard to fight an enemy who has outposts in your head."
|
||
--Sally Kempton
|
||
------------------------------------------
|
||
"We are faced with the paradoxical fact that education has become
|
||
one of the chief obstacles to intelligence and freedom of
|
||
thought."
|
||
--Bertrand Russell
|
||
------------------------------------------
|
||
"Happiness is not in our circumstance but in ourselves. It is
|
||
not something we see, like a rainbow, or feel, like the heat of a
|
||
fire. Happiness is something we are."
|
||
--John B. Sheerin
|
||
------------------------------------------
|
||
"The self is not something that one finds, it is something that
|
||
one creates."
|
||
--Thomas Szasz
|
||
------------------------------------------
|
||
"It's better to be boldly decisive and risk being wrong than to
|
||
agonize at length and be right too late."
|
||
--Marilyn Moats Kennedy
|
||
------------------------------------------
|
||
"You'll never know if you can win until you know you've tried
|
||
your best... and then it doesn't matter if you've won or not
|
||
because you will have improved, and that is winning for
|
||
yourself."
|
||
--Carolyn Meroniuk
|
||
------------------------------------------
|
||
"There are threads that help you find your way back, and there
|
||
are threads that intend to bring you back. Mind turns to pull,
|
||
it's hard to pull away. I'm always thinking of going back. When
|
||
Lot's wife looked over her shoulder, she turned into a pillar of
|
||
salt. Pillars hold things up, and salt keeps things clean, but
|
||
it's a poor exchange for losing your self. People do go back,
|
||
but they don't survive, because two realities are claiming them
|
||
at the same time. Such things are too much. You can salt your
|
||
heart, or kill your heart, or you can choose between the two
|
||
realities. There is much pain here. Some people think you can
|
||
have your cake and eat it. The cake goes mouldy and they choke
|
||
on what's left. Going back after a long time will make you mad,
|
||
because the people you left behind do not like to think of you
|
||
changed, will treat you as they always did, accuse you of being
|
||
indifferent, when you are only different."
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Of course that is not the whole story, but that is the way with
|
||
stories; we make them what we will. It's a way of explaining the
|
||
universe while leaving the universe unexplained, it's a way of
|
||
keeping it all alive, not boxing it into time. Everyone who
|
||
tells a story tells it differently, just to remind us that
|
||
everybody sees it differently. Some people say there are true
|
||
things to be found, some people say all kinds of things can be
|
||
proved. I don't believe them. The only thing for certain is how
|
||
complicated it all is, like string full of knots. It's all there
|
||
but hard to find the beginning and impossible to fathom the end.
|
||
The best you can do is admire the cat's cradle, and maybe knot it
|
||
up a bit more. History should be a hammock for swinging and a
|
||
game for playing, the way cats play. Claw it, chew it, rearrange
|
||
it and at bedtime it's still a ball of string full of knots.
|
||
Nobody should mind. Some people make a lot of money out of it.
|
||
Publishers do well, people make a lot of money out of it.
|
||
Publishers do well, children, when bright, can come top. It's an
|
||
all-purpose rainy day pursuit, this reducing of stories called
|
||
history."
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Since I was born I had assumed that the world ran on very simple
|
||
lines, like a larger version of our church. Now I was finding
|
||
that even the church was sometimes confused. This was a problem.
|
||
But not one I chose to deal with for many years more. The
|
||
problem there and then was what was going to happen to me. The
|
||
Victoria Hospital was big and frightening, and I couldn't even
|
||
sing to any effect because I couldn't hear what I was singing.
|
||
There was nothing to read except some dental notices and an
|
||
instruction leaflet for the X-ray machine. I tried to build an
|
||
igloo out of the orange peel but it kept falling down and even
|
||
when I stood up I didn't have an Eskimo to put in it, so I had to
|
||
invent a story about 'How Eskimo Got Eaten', which made me even
|
||
more miserable. It's always the same with diversions; you get
|
||
involved."
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"The truth that makes men free is for the most part the truth
|
||
which men prefer not to hear."
|
||
--Herbert Sebastian Agar
|
||
------------------------------------------
|
||
"I don't know because I don't think about it much in those terms.
|
||
I don't think about what is the greatest thing that ever happened
|
||
to me. It seems to me that things don't last long anyway. Your
|
||
high points and your low points. High points don't last that
|
||
long, it's a high and it happens. It's great at the moment but
|
||
you really can't live on it. There's gotta be something higher -
|
||
- and lower. But I have all kinds of ups and downs, highs and
|
||
lows, I'm always chasing them."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"There's only one opinion that counts. It's your opinion. It
|
||
may be wrong, but it's yours and that's the one that counts."
|
||
--Filipe Alou
|
||
------------------------------------------
|
||
"The best thing you can do for a song is to hear it on the radio
|
||
and to imagine what it could mean to you and then kinda forget
|
||
the words. Just imagine how you felt when you heard it, if it
|
||
was one of your songs. If it became one of your songs. If it
|
||
meant whatever it meant for you and as soon as you see the
|
||
visual, you get a rapid eye movement relationship with the song
|
||
instead of an imaginative one. I think that can be dangerous
|
||
because I don't think I'd want to be listening to a song on the
|
||
radio and thinking about the video. Whatever that one
|
||
interpretation was."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"Good and evil are not what our parents told us, not what our
|
||
church tells us, or our country, not what anybody else tells us!
|
||
All of us decide good and evil for ourselves, automatically, by
|
||
choosing what we want to do!" (Running)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"If we must lose wife or husband when we live to our highest
|
||
right, we lose an unhappy marriage as well, and we gain
|
||
ourselves. But if a marriage is born between two already self-
|
||
discovered, what a lovely adventure begins, hurricanes and all!"
|
||
(Running)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Life does not require us to be consistent, cruel, patient,
|
||
helpful, angry, rational, thoughtless, loving, rash, open-minded,
|
||
neurotic, careful, rigid, tolerant, wasteful, rich, downtrodden,
|
||
gentle, sick, considerate, funny, stupid, healthy, greedy,
|
||
beautiful, lazy, responsive, foolish, sharing, pressured,
|
||
intimate, hedonistic, industrious, manipulative, insightful,
|
||
capricious, wise, selfish, kind or sacrificed. Life does,
|
||
however, require us to live with the consequences of our
|
||
choices." (Running)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"For a moment, off balance, was I annoyed? Anger is always fear,
|
||
I thought, and fear is always fear of loss. Would I lose myself
|
||
if he made those choices? It took a second to settle down: I'd
|
||
lose nothing. They'd be his wishes, not mine, and he's free to
|
||
live as he wants. The loss would come if I dared force him,
|
||
tried to live for him and me as well. There'd be disaster worse
|
||
than life on a bar stool." (Running from Safety)
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Love, they say, enslaves and passion is a demon and many have
|
||
been lost for love. I know this is true, but I know too that
|
||
without love we grope the tunnels of our lives and never see the
|
||
sun. When I fell in love it was as though I looked into a mirror
|
||
for the first time and saw myself. I lifted my hand in
|
||
wonderment and felt my cheeks, my neck. This was me. And when I
|
||
had looked at myself and grown accustomed to who I was, I was not
|
||
afraid to hate parts of me because I wanted to be worthy of the
|
||
mirror bearer." (Passion)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"When I dream of a future in her arms no dark days appear, not
|
||
even a head cold, and though I know it's nonsense I really
|
||
believe we would always be happy and that our children would
|
||
change the world." (Passion)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"I was happy but happy is an adult world. You don't have to ask
|
||
a child about happy, you see it. They are or they are not.
|
||
Adults talk about being happy because largely they are not.,
|
||
Talking about it is the same as trying to catch the wind. Much
|
||
easier to let it blow all over you. This is where I disagree
|
||
with the philosophers. They talk about passionate things but
|
||
there is no passion in them. Never talk happiness with a
|
||
philosopher." (The Passion)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"They discovered that even in the face of pain that seems
|
||
unbearable, even in the face of pain that wrings the last drop
|
||
of blood out of your heart and leaves its scrimshaw tracery on
|
||
the inside of your skull, life goes on. And pain grows dull, and
|
||
begins to fade." (Lost Souls)
|
||
--Poppy Z. Brite
|
||
------------------------------------------
|
||
"I can't heal your pain but I can see it. And you don't have to
|
||
be lost. Not forever." (Lost Souls)
|
||
--Poppy Z. Brite
|
||
------------------------------------------
|
||
"It is the colour of light, the shape of sound, high in the
|
||
evergreens.
|
||
It lies suspended in hills, a blue line in a red sky.
|
||
I am looking at sound.
|
||
|
||
I am hearing the brightness of high bluffs and almond trees.
|
||
I am tasting the wilderness of lakes, rivers and streams,
|
||
caught in an angle of sound.
|
||
|
||
I am remembering water that glows in the dawn,
|
||
the motion tumbled in earth,
|
||
life hidden in mounds.
|
||
|
||
I am dancing in a bright beam of light...
|
||
I am remembering love."
|
||
--from Love Jones
|
||
------------------------------------------
|
||
"Nobody stays here by faking reality in any manner whatever."
|
||
(Atlas 735)
|
||
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"The opening and middle game are vital but a player up two pieces
|
||
might have a heart attack and have to forfeit. The end game is
|
||
what counts."
|
||
--Pablo Pedro Gomez
|
||
------------------------------------------
|
||
"The music of [his] Fifth Concerto streamed from his keyboard,
|
||
past the glass of the window, and spread through the air, over
|
||
the lights of the valley. It was a symphony of triumph. The
|
||
notes flowed up, they spoke of rising and they were the rising
|
||
itself, they were the essence and the form of upward motion, they
|
||
seemed to embody every human act and thought that had ascent as
|
||
its motive. It was a sunburst of sound, breaking out of hiding
|
||
and spreading open. It had the freedom of release and the
|
||
tension of purpose. It swept space clean and left nothing buy
|
||
the joy of an unobstructed effort. Only a faint echo within the
|
||
sounds spoke of that from which the music had escaped, bu spoke
|
||
in laughing astonishment at the discovery that there was no
|
||
ugliness or pain, and there never had had to be. It was the song
|
||
of an immense deliverance." (Atlas 1072)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Traditions exist so we can go beyond them."
|
||
--Greg Hawkes
|
||
------------------------------------------
|
||
"The most important thing to a lot of people, is to belong to
|
||
something that's hip or whatever. To be a part of something
|
||
that's not society, just a clique. And they get real sidetracked
|
||
trying to think like everyone else. They don't realize that you
|
||
have to motivate yourself to do things you want to do. Some
|
||
people just like going along for the ride. And those are the
|
||
kind of people I don't get along with too well."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"Once they're on paper, they're gone. I like to do as much with
|
||
the words, as far as image goes, so that it's really left open
|
||
for a lot of things, even though I remember a specific impression
|
||
of something I had at the time. I can't say a song is about this
|
||
or that; in fact, I wouldn't even want to. I just prefer to have
|
||
people live it anyway they want. Because it's theirs after that.
|
||
There's nothing I can do about it anymore."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"To be under pressure is inescapable. Pressure takes place
|
||
through all the world; war, siege, the worries of state. We all
|
||
know men who grumble under these pressures and complain. They
|
||
are cowards. They lack splendour. But there is another sort of
|
||
man who is under the same pressure but does not complain, for it
|
||
is the friction which polishes him. It is the pressure which
|
||
refines and makes him noble."
|
||
--St. Augustine
|
||
------------------------------------------
|
||
"It is not the critic who counts, nor the man who points out how
|
||
the strong man stumbles, or where the doer of deeds could have
|
||
done better. The credit belongs to the man who is actually in
|
||
the arena; whose face is marred by dust and sweat; who strives
|
||
valiantly; who errs and may fail again, because there is no
|
||
effort without error or shortcoming, but who does actually strive
|
||
to do the deeds; who does know the great enthusiasm, the great
|
||
devotion; who spends himself in a worthy cause; who at best,
|
||
knows in the end the triumph of high achievement, and who at
|
||
worst, if he fails, at least fails while daring greatly, so that
|
||
his place shall never be with those cold and timid souls who know
|
||
neither victory nor defeat."
|
||
--Theodore Roosevelt
|
||
------------------------------------------
|
||
"Through music I either tame my demons or unleash them and allow
|
||
them to be what they are. I don't want the music to be about
|
||
provocation, I want the music to bring you to a place where you
|
||
feel at home."
|
||
--Michael Franti
|
||
------------------------------------------
|
||
"You can't think of risks. I have nothing to lose. You either
|
||
make something that you like, or you don't, and you throw it to
|
||
the universe."
|
||
--Mike Myers
|
||
------------------------------------------
|
||
"Literature is my Utopia. Here I am not disenfranchised. No
|
||
barrier of the senses shuts me out from the sweet, gracious
|
||
discourses of my book friends. They talk to me without
|
||
embarrassment or awkwardness."
|
||
--Helen Keller
|
||
------------------------------------------
|
||
"Not the senses I have but what I do with them is my kingdom."
|
||
--Helen Keller
|
||
------------------------------------------
|
||
"Security is mostly a superstition. It does not exist in nature,
|
||
nor do the children of men as a while experience it. Avoiding
|
||
danger is no safer in the long run than outright exposure. Life
|
||
is either a daring adventure, or nothing."
|
||
--Helen Keller
|
||
------------------------------------------
|
||
"People ignore the strange and unusual... I myself am strange and
|
||
unusual."
|
||
--from Beetlejuice
|
||
------------------------------------------
|
||
"When we honestly ask ourselves which person in our lives means
|
||
the most to us, we often find that it is those who, instead of
|
||
giving much advice, solutions, or cures, have chosen rather to
|
||
share our pain and touch our wounds with a gentle and tender
|
||
hand. The friend who can be silent with us in a moment of
|
||
despair or confusion, who can stay with us in an hour of grief
|
||
and bereavement, who can tolerate not knowing, not curing, not
|
||
healing and face with us the reality of our powerlessness, that
|
||
is a friend who cares."
|
||
--Henri Nouwen
|
||
------------------------------------------
|
||
"Do I avoid looking a stranger in the eyes because I don't want
|
||
to make him uncomfortable, or do I turn my eyes so he can't look
|
||
into me? What is in there that I don't want him to see?" (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"When someone disagrees with me, I do not have to immediately
|
||
start revising what I just said. People don't want me to always
|
||
agree with them. They can sense this is phony. They can sense I
|
||
am trying to control them: I am agreeing with them to make them
|
||
like me. They feel; 'I don't want to exist to like you. I DON'T
|
||
exist to like you.'" (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"Sometimes when I generalize I am saying, 'Let's pretend I am
|
||
God,' and of course the other person argues that point endlessly.
|
||
But I notice that if the other person takes a stand for himself
|
||
and states his thoughts as his thoughts, I pay more attention to
|
||
what he is saying and look deeper in myself." (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"Within me is the potential to commit every evil act I see being
|
||
committed by other men, and unless I feel this potential I can at
|
||
any moment be controlled by these same urges. I am free from
|
||
these urges only if I recognize when I am feeling them, and while
|
||
feeling them and acknowledging them to be me, choose not to
|
||
follow them. Only in this way can I begin to regain the disowned
|
||
parts of me. And only in this way can I know what it is I am
|
||
criticizing in others." (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"I sometimes react to making a mistake as if I have betrayed
|
||
myself. My fear of making a mistake seems to be based on the
|
||
hidden assumption that I am potentially perfect and that if I can
|
||
just be very careful I will not fall from heaven. But a
|
||
'mistake' is a declaration of the way I am, a jolt to the way I
|
||
intend, a reminder I am not dealing with the facts. When I have
|
||
listened to my mistakes I have grown." (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"Perfectionism is a slow death. If everything were to just like
|
||
I would want it to, just like I would plan for it to, then I
|
||
would never experience anything new; my life would be an endless
|
||
repetition of stale successes. When I make a mistake I
|
||
experience something unexpected." (Notes)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"I can not 'make my mark' for all time -- those concepts are
|
||
mutually exclusive. 'Lasting effect' is a self-contradictory
|
||
term. Meaning does not exist in the future and neither do I.
|
||
Nothing will have meaning 'ultimately.' Nothing will even mean
|
||
tomorrow what it did today. Meaning changes with the context.
|
||
My meaningfulness is here. It is enough that I am of value to
|
||
someone today. It is enough that I make a difference now."
|
||
(Notes to Myself)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"For some reason, when we're on tour all our dressing rooms have
|
||
blackboards. So we chalk up New Laws of the Universe like, 'What
|
||
is not there, will be,' and 'All roads lead to other roads.'"
|
||
--Greg Hawkes
|
||
------------------------------------------
|
||
"Be more concerned with your character than your reputation,
|
||
because your character is what you really are, while your
|
||
reputation is merely what others think you are."
|
||
--John Wooden
|
||
------------------------------------------
|
||
"Men of genius are admired, men of wealth are envied, men of
|
||
power are feared; but only men of character are trusted."
|
||
------------------------------------------
|
||
"Dignity does not consist in possessing honours, but in deserving
|
||
them."
|
||
--Aristotle
|
||
------------------------------------------
|
||
"You're all very quiet for people running for their lives."
|
||
--from Press Gang
|
||
------------------------------------------
|
||
"I laugh, my voice spiralling into Forever
|
||
for I have found perfection
|
||
and it has always been right here
|
||
in the temple of Self"
|
||
--Miranda Padgett
|
||
------------------------------------------
|
||
"People tend to think I'm always aggressive and strong. The
|
||
truth is, I've always been wracked with self-loathing, which
|
||
leads me into terrible, self paralysing depressions. When I go
|
||
down to this place, I feel so empty and overwhelmed I can barely
|
||
move. But perversely, I find these traits in a man unacceptable
|
||
-- I can't stand someone who can out-depress me. You know that
|
||
scene in Babe where the farmer clog-dances for the pig?
|
||
Sometimes I'm the sick pig and I need a farmer to cheer me up.
|
||
And when things get bad, my boyfriend does dance for me, and it
|
||
never fails to make me laugh. He's a pretty snappy dancer."
|
||
--Shirley Manson
|
||
------------------------------------------
|
||
"Remember, beneath every cynic there lies a romantic, and
|
||
probably an injured one."
|
||
--Glenn Beck
|
||
------------------------------------------
|
||
"Every great and commanding movement in the annals of the world
|
||
is the triumph of enthusiasm. Nothing great was ever achieved
|
||
without it."
|
||
--Ralph Waldo Emerson
|
||
------------------------------------------
|
||
"If there were a mile high mountain of granite, and once every
|
||
ten-thousand years a bird flew past and brushed it with a
|
||
feather, by the time that mountain was worn away, a fraction of a
|
||
second would have passed in the context of eternity."
|
||
--Lois Duncan
|
||
------------------------------------------
|
||
"People. I knew some of them, but not now. On the moon, I
|
||
wander among the many pot holes. Their shadows make me feel
|
||
planet-stricken. Display model #1: Clusters of magnetic
|
||
liquids. I would like to uncover the mystery of the scrim. Will
|
||
I rise to the occasion when it decides to fall by? A tiny
|
||
walled-off angel lays an egg. A secret life-the ruminations of a
|
||
creature that walks without legs, eats without a mouth, breathes
|
||
without lungs, feels without nerves, then divides and conquers.
|
||
What happens when you try to squeeze a puddle of gravity in your
|
||
hand? It dissolves into hundreds of silver eggs. Me too. The
|
||
incubation period was over. Display model #2: People backed up
|
||
into a dark corner. Unearthed puzzle, the same the moon all
|
||
over. Next stage? Parachute, the final explanation arising as I
|
||
make my slow descent."
|
||
--Gillian McCain
|
||
------------------------------------------
|
||
"Some mornings, it's just not worth chewing through the leather
|
||
straps."
|
||
--Emo Phillips
|
||
------------------------------------------
|
||
"The happiest person is the person who thinks the most
|
||
interesting thoughts."
|
||
--Timothy Dwight
|
||
------------------------------------------
|
||
"Be happy. It is a way of being wise."
|
||
--Colette
|
||
------------------------------------------
|
||
"Happiness is not a state to arrive at, but a manner of
|
||
travelling."
|
||
--M. L. Runbeck
|
||
------------------------------------------
|
||
"It is better to aim at perfection and miss, than to aim at
|
||
imperfection and hit it."
|
||
--T. J. Watson, Sr.
|
||
------------------------------------------
|
||
"Knowledge comes, but wisdom lingers."
|
||
--Lord Alfred Tennyson
|
||
------------------------------------------
|
||
"You are what you do when it counts."
|
||
--The Masao
|
||
------------------------------------------
|
||
"I once complained to my father that I didn't seem to be able to
|
||
do things the same way other people did. Dad's advice? 'Margo,
|
||
don't be a sheep. People hate sheep. They eat sheep.'"
|
||
--Margo Kaufmann
|
||
------------------------------------------
|
||
"If you're never scared or embarrassed or hurt, it means you
|
||
never take any chances."
|
||
--Julia Soorel
|
||
------------------------------------------
|
||
"Success is a journey, not a destination."
|
||
--Ben Sweetland
|
||
------------------------------------------
|
||
"There is zero, and there is eternity, and there is mortality,
|
||
but there is no ultimate."
|
||
--Stephen King
|
||
------------------------------------------
|
||
"You are what you are -- and not what people think you are."
|
||
--O. W. Polen
|
||
------------------------------------------
|
||
"Don't try to be different. Just be good. To be good is
|
||
different enough."
|
||
--Arthur Freed
|
||
------------------------------------------
|
||
"If we're going to be damned, let's be damned for who we really
|
||
are!"
|
||
--from Star Trek: The Next Generation
|
||
------------------------------------------
|
||
"I must not fear. Fear is the mind-killer. Fear is the little
|
||
death that brings total obliteration. I will face my fear. I
|
||
will permit it to pass over me and through me. And when it has
|
||
gone past over me and through me. And when it has gone past I
|
||
will turn the inner eye to see its path. Where the fear has gone
|
||
there will be nothing. Only I will remain." (Dune)
|
||
--Frank Herbert
|
||
------------------------------------------
|
||
"About all you can do in life is be who you are. Some people
|
||
will love you for you. Most will love you for what you can do
|
||
for them, and some won't like you at all."
|
||
--Rita Mae Brown
|
||
------------------------------------------
|
||
"The difficulties of life are intended to make us better, not
|
||
bitter."
|
||
--Mandie Ellingson
|
||
------------------------------------------
|
||
"An ordinary man can... surround himself with two thousand
|
||
books... and thenceforward have at least one place in the world
|
||
in which it is possible to be happy."
|
||
--Augustine Birrell
|
||
------------------------------------------
|
||
"Language exists to conceal true thought."
|
||
--Tallyrand
|
||
------------------------------------------
|
||
"A teacher is one who makes himself progressively unnecessary."
|
||
--Thomas Carruthers
|
||
------------------------------------------
|
||
"People who think honestly and deeply have a hostile attitude
|
||
towards the public."
|
||
--Johann Wolfgang von Goethe
|
||
------------------------------------------
|
||
"The opposite of a correct statement is a false statement. But
|
||
the opposite of a profound truth may well be another profound
|
||
truth."
|
||
--Niels Bohr
|
||
------------------------------------------
|
||
"Truth has no special time of its own. Its hour is now --
|
||
always."
|
||
--Albert Schweitzer
|
||
------------------------------------------
|
||
"I can promise to be frank, I cannot promise to be impartial."
|
||
--Johann Wolfgang von Goethe
|
||
------------------------------------------
|
||
"If you make people think they're thinking, they'll love you; but
|
||
if you make them really think, they'll hate you."
|
||
------------------------------------------
|
||
"Two things fill my mind with ever-increasing wonder and awe:
|
||
the starry skies above me and the moral law within me."
|
||
--Immanuel Kant
|
||
------------------------------------------
|
||
"The trouble with the rat race is that even if you win you're
|
||
still a rat."
|
||
--Lilly Tomlin
|
||
------------------------------------------
|
||
"God does not play dice with the universe; He plays an ineffable
|
||
game of his own devising, which might be compared, from the
|
||
perspective of any other players, to being involved in an obscure
|
||
and complex version of poker in a pitch dark room, with blank
|
||
cards, for infinite stakes, with a dealer who won't tell you the
|
||
rules and who smiles all the time."
|
||
--Neil Gaiman and Terry Pratchett
|
||
------------------------------------------
|
||
"Okay, I'm sorry I don't write poems about sunsets and nature and
|
||
mystical experiences, I only know what I know; I could write that
|
||
the sight of a sunset lit up my mind like Light Brite and I was
|
||
enlightened, or that the sun and moon are my mother and father;
|
||
but I can't -- I can only write with any semblance of truth about
|
||
what contains my simple frame of reference."
|
||
--Gillian McCain
|
||
------------------------------------------
|
||
"All art must come from experience, or it is as fake as the soul
|
||
of the one who writes it."
|
||
--Loriel
|
||
------------------------------------------
|
||
"If you happen to meet a crocodile, don't stick your head in its
|
||
mouth. Every now and then, and who knows the reason, people
|
||
ignore this advice, which is sad because they die, but very
|
||
stupid because they were warned. They had a choice. The moral
|
||
of the story is this -- you can't afford to be stupid. There are
|
||
crocodiles..."
|
||
--from Press Gang
|
||
------------------------------------------
|
||
"The man who can drive himself further once the effort gets
|
||
painful is the man who will win."
|
||
--Roger Bannister
|
||
------------------------------------------
|
||
"Imagine a life without uncertainty... Imagine how dull life
|
||
would be if variables assessed for admission to a professional
|
||
school, graduate program, or executive training program really
|
||
did predict with great accuracy who would succeed and who would
|
||
fall. Life would be intolerable -- no hope, no challenge."
|
||
--R. M. Dawes
|
||
------------------------------------------
|
||
"Go your own way. Question everything. Accept nothing. Accept
|
||
no dogma, no can't. There are too many people walking around
|
||
thinking they're sacred cows, and they're only half right."
|
||
--Rosie Dimanno
|
||
------------------------------------------
|
||
"The man who does not read good books has no advantage over the
|
||
man who can't read them."
|
||
--Mark Twain
|
||
------------------------------------------
|
||
"Consider a man riding a bicycle. Whoever he is, we can say
|
||
three things about him. We know he got on the bicycle and
|
||
started to move. We know that at some point he will stop and get
|
||
off. Most important of all, we know that if at any point between
|
||
the beginning and the end of his journey he stops moving and does
|
||
not get off the bicycle he will fall off it. That is a metaphor
|
||
for the journey through life of any living thing, and I think of
|
||
any society of living things."
|
||
--William Golding
|
||
------------------------------------------
|
||
"Utopias are presented for our inspection as a critique of the
|
||
human state. If they are to be treated as anything but trivial
|
||
exercises of the imagination. I suggest there is a simple test
|
||
we can apply. ... We must forget the whole paraphernalia of
|
||
social description, demonstration, expostulation, approbation,
|
||
condemnation. We have to say to ourselves, 'How would I myself
|
||
live in this proposed society? How long would it be before I
|
||
went stark staring mad?'"
|
||
--William Golding
|
||
------------------------------------------
|
||
"We spent all night learning an important less. You can't judge
|
||
a sewer by its manhole cover. No sir. People can be very
|
||
different under the surface than they might seem. Quiet, mild-
|
||
mannered souls might just turn out to be roaring lions of two-
|
||
fisted cool. And roaring lions of two-fisted cool just might
|
||
have some crippling lobster problems! Listen man, it's all crazy
|
||
down there under the surface. A lost wallet could bite you in
|
||
half. A bar of soap could save your life. Egad, a disgusting
|
||
mound of muck just might have some very compelling ideas. Do you
|
||
dig my ditch?"
|
||
--from The Tick
|
||
------------------------------------------
|
||
"I think that you appreciate that there are extraordinary men and
|
||
women, and extraordinary moments when history leaps forward on
|
||
the backs of these individuals. That what can be imagined, can
|
||
be achieved. That you must dare to dream, but that there is no
|
||
substitute for perseverance and hard work, and team work, because
|
||
no one gets there alone. And that while we commemorate the
|
||
greatness of these events and the individuals who achieve them,
|
||
we cannot forget the sacrifice of those who makes these
|
||
achievements and leaps possible."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"The fact is that liberty, in any true sense, is a concept that
|
||
lies quite beyond the reach of the inferior man's mind. And no
|
||
wonder, for genuine liberty demands of its votaries a quality he
|
||
lacks completely, and that is courage. The man who loves it must
|
||
be willing to fight for it; blood, said Jefferson, is its natural
|
||
manure. Liberty means self-reliance, it means resolution, it
|
||
means the capacity for doing without... the average man doesn't
|
||
want to be free. He wants to be safe."
|
||
--H. L. Mencken
|
||
------------------------------------------
|
||
"Again, we must ask ourselves why the people that brought war,
|
||
plane crashes, political corruption, lap dancing and serial
|
||
killers to our breakfast tables and into our living rooms are
|
||
trying to sooth us with futuristic Web browsers, all buttons and
|
||
spinning logos."
|
||
--Michael Van Biesbrouck
|
||
------------------------------------------
|
||
"I wish that people would take the time to show people that they
|
||
are important in their lives, either at work, or at home. Too
|
||
many times people take others for granted, and I think that needs
|
||
to change. People are so much nicer and willing to help you if
|
||
you use those two little words that mean so much... 'Thank You!'"
|
||
--Gina Gillespie
|
||
------------------------------------------
|
||
"I would wish that people come to realize that we create our own
|
||
realities, and all our emotions and thoughts are simply choices.
|
||
If we were more accountable as human beings we would experience
|
||
far, far less suffering and indifference in the world. It is
|
||
considerably easier to place blame outside of ourselves than to
|
||
live life from an accountable position."
|
||
--Robert Brincka
|
||
------------------------------------------
|
||
"I guess some people never change. Or, they quickly change and
|
||
then quickly change back."
|
||
--from The Simpsons
|
||
------------------------------------------
|
||
"There's an element of contempt for meanings. You want to write
|
||
outside the usual framework. You want to dare readers to make a
|
||
commitment you know they can't make. That's part of [crazed
|
||
prose]. There's also the sense of drowning in information and in
|
||
the mass awareness of things. Everybody seems to know
|
||
everything. Subjects surface and are totally exhausted in a
|
||
matter of days. ... The writer is driven by his conviction that
|
||
some truths aren't arrived at so easily, that life is still full
|
||
of mystery, that it might be better for you, dear reader, if you
|
||
went back to the living section of your newspaper because this is
|
||
the dying section and you don't really want to be here. This
|
||
writer is working against the age and so he feels some
|
||
satisfaction at not being widely read. He is diminished by an
|
||
audience."
|
||
--Don DeLillo
|
||
------------------------------------------
|
||
"Because friends have to be brutally honest with each other. I'd
|
||
feel terrible if I didn't tell you what I was thinking,
|
||
especially at a time like this." (Noise)
|
||
--Don DeLillo
|
||
------------------------------------------
|
||
"We start our lives in chaos, in babble. As we surge up into the
|
||
world, we try to devise a shape, a plan. There is dignity in
|
||
this. Your whole life is a plot, a scheme, a diagram. It is a
|
||
failed scheme but that's not the point. To plot is to affirm
|
||
life, to seek shape and control. Even after death, most
|
||
particularly after death, the search continues. Burial rites are
|
||
an attempt to complete the scheme, in ritual. Picture a state
|
||
funeral. It is all precision, detail, order, design. The nation
|
||
holds its breath. The efforts of a huge and powerful government
|
||
are brought to bear on a ceremony that will shed the last trace
|
||
of chaos. If all geos well, if they bring it off, some natural
|
||
law of perfection is obeyed. The nation is delivered from
|
||
anxiety, the deceased's life is redeemed, life itself is
|
||
strengthened, reaffirmed." (Noise)
|
||
--Don DeLillo
|
||
------------------------------------------
|
||
"Just because it's on the radio doesn't mean we have to suspend
|
||
belief in the evidence of our senses." (White Noise)
|
||
--Don DeLillo
|
||
------------------------------------------
|
||
"Where are the beginnings, the endings, and most important, the
|
||
middles?"
|
||
--Julio Cort<72>zar
|
||
------------------------------------------
|
||
"He who joyfully marches to music in rank and file has already
|
||
earned my contempt. He has been given a large brain by mistake,
|
||
since for him the spinal cord would fully suffice. This disgrace
|
||
to civilization should be done away with at once. Heroism at
|
||
command, senseless brutality, deplorable love-of-country stance,
|
||
how violently I hate all this, how despicable and ignoble war is;
|
||
I would rather be torn to shreds than be part of so base an
|
||
action! It is my conviction that killing under the cloak of war
|
||
is nothing but an act of murder."
|
||
--Albert Einstein
|
||
------------------------------------------
|
||
"That is the future, and it is probably nearer than we think.
|
||
But our primary problem as universities is not engineering that
|
||
future. We must rise above the obsession with quantity of
|
||
information and speed of transmission, and recognize that the key
|
||
issue for us is our ability to organize this information once it
|
||
has been amassed -- to assimilate it, find meaning in it, and
|
||
assure its survival for use by generations to come."
|
||
--Vartan Gregorian
|
||
------------------------------------------
|
||
"The highest form of guitar soloing is saying something in 16
|
||
bars and not wasting a note. You can't aspire to anything finer
|
||
in a pop record. I've never gone for gratuitous soloing. The
|
||
most predictable thing in the world is to wank on guitar for days
|
||
on end. It's like weight lifting. I'm not impressed by it."
|
||
--Elliot Easton
|
||
------------------------------------------
|
||
"Little problems are big problems for little minds"
|
||
--Tom Zimmerman
|
||
------------------------------------------
|
||
"Such is the stuff of waking nightmares, incipient madness, the
|
||
sort of now-bewildered but soon-to-be-deranged thoughts that
|
||
cause once well-balanced people to peek under their beds at
|
||
night, suspect that their phones are tapped, and, in time, become
|
||
certain that sinister forces are monitoring their every move.
|
||
Maybe it's the government, maybe it's the Trilateral Commission,
|
||
maybe it's the saucer people. You can't trust anyone because
|
||
anyone and everyone may be one of Them or on of Their Agents.
|
||
And pretty soon you begin writing long letters to the editor of
|
||
Scientific American, or maybe you don't because the editors are
|
||
probably part of the conspiracy too. And you think about lining
|
||
your room with aluminum foil to keep the radio waves out, and at
|
||
night you roam the streets spray-painting mystic symbols on the
|
||
walls to repel strange forces, and all the while you gibber to
|
||
yourself and what you say makes sense to you if to no one else,
|
||
and in the end you put your belongings in a shopping bad, better
|
||
to be mobile, and you look for a dark place you can hide during
|
||
the daylight hours, because They are out there, and They are
|
||
searching, and They want you in their crosshairs... The
|
||
headshrinkers call it paranoia, and when it gets bad they put you
|
||
away. Because, after all, people who think everyone in the world
|
||
wants to kill them can be dangerous."
|
||
--Joseph R. Garber
|
||
------------------------------------------
|
||
"I cannot feel good about being a woman unless you feel bad about
|
||
being a moan. I cannot be proud of being black unless you are
|
||
ashamed of being white. I cannot respect myself for being gay
|
||
unless you are embarrassed that you are straight. Tolerance has
|
||
been put by the boards; it is a stale and bitter thing and we
|
||
will have none of it. Equality, likewise; is condescending at
|
||
best and in truth intended to demean. If I am to achieve the
|
||
inner harmony and self-respect that is my due, it will not
|
||
suffice for you and I to be equals. No! Nothing less than
|
||
superiority will make me happy. And to ensure that I make my
|
||
point, I shall commend your libraries to the flames, rewrite your
|
||
histories, purge your dictionaries, and arm the thought police
|
||
with power to enforce political correctness in all speech and
|
||
apprehension."
|
||
--Joseph R. Garber
|
||
------------------------------------------
|
||
"I want you to be able to say anything. Even what you don't
|
||
mean." (Notes to Myself)
|
||
--Hugh Prather
|
||
------------------------------------------
|
||
"It's a pity if someone... has to console himself for the wreck
|
||
of his days with the notion that somehow his voice, his work
|
||
embodies the deepest, most obscure, freshest, rawest oyster of
|
||
reality in the unfathomable refrigerator of the heart's ocean,
|
||
but I am such a one, and there you have it. ... It is really
|
||
amazing how famous I am to those few who truly comprehend what
|
||
I'm about. I am the Voice of Suffering and I cannot be
|
||
consoled."
|
||
--Leonard Cohen
|
||
------------------------------------------
|
||
"Lead me, follow me, or get out of my way."
|
||
--General George Patton
|
||
------------------------------------------
|
||
"Be willing to make decisions. That's the most important quality
|
||
in a good leader. Don't fall victim to what I call the Ready-
|
||
Aim-Aim-Aim Syndrome. You must be willing to fire."
|
||
--T. Boone Pickens
|
||
------------------------------------------
|
||
"Hello everyone. I suppose you think that nothing much is
|
||
happening at the moment. Well, that's what I want to talk to you
|
||
all about; endings. Now, endings normally happen at the end.
|
||
But as we all know, endings are just beginnings. You know, once
|
||
these things really get started, it's jolly hard to stop them
|
||
again. However, as we have all come this far, I think, under the
|
||
circumstances the best solution is that we all just keep going.
|
||
Let's keep this going in sight, never an ending. Let's remember
|
||
that this world wants fresh beginnings. I feel here, in this
|
||
country, and throughout the world, we are crying out for
|
||
beginnings, beginnings. We never want to hear this word
|
||
'endings'. I know we all want to sit down. I know you want to
|
||
take it easy. Of course we're looking for the good. Of course
|
||
we're looking for the fresh start."
|
||
--Mike Oldfield
|
||
------------------------------------------
|
||
"Whenever someone annoys me, I create a file with his or her name
|
||
on it and drag it to my Mac's trash icon. If I'm really angry, I
|
||
empty the trash, and whoever was bugging me disappears into the
|
||
void."
|
||
--Margo Kaufman
|
||
------------------------------------------
|
||
"'When I use a word,' Humpty Dumpty said in a rather scornful
|
||
tone, 'it means just what I choose it to mean; neither more nor
|
||
less.'" (Through the Looking-Glass 164)
|
||
--Lewis Carroll
|
||
------------------------------------------
|
||
"I am certain of nothing but the holiness of the heart's
|
||
affections, and the truth of imagination."
|
||
--John Keats
|
||
------------------------------------------
|
||
"To approach telepathy, you start with empathy and crank that up
|
||
as high as you can. You care about each other. You feel each
|
||
others's joy and pain. You make each other laugh, and help each
|
||
other cry. You work hard at trusting each other, so that it's
|
||
safe to dismantle the fortress around your ego. You forgive each
|
||
other anything that stands between you, and try to bring out each
|
||
other's best, you work very hard at hosing all the bull-shit out
|
||
of your head so that it's clean enough for guests, silencing all
|
||
the demons in your subconscious so that it's quiet enough to hear
|
||
people thinking at you, and most of all you find ways to make
|
||
that work so much fun that you keep on working. You stick
|
||
together and love each other, and keep growing."
|
||
--Spider Robinson
|
||
------------------------------------------
|
||
"You are what you do when it counts"
|
||
--John Steakley
|
||
------------------------------------------
|
||
"I once listed all the good things I did over the past year, and
|
||
then turned them into resolution form and backdated them. That
|
||
was a good feeling."
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"The quality of a person's life is in direct proportion to their
|
||
commitment to excellence, regardless of their chosen
|
||
field of endeavour."
|
||
--Vince Lombardi
|
||
------------------------------------------
|
||
"Create a vision and never let the environment, other people's
|
||
beliefs, or the limits of what has been done in the past shape
|
||
your decisions. Ignore conventional wisdom."
|
||
--Anthony Robbins
|
||
------------------------------------------
|
||
"Determine what you want, then resolve to pay the price to get
|
||
it."
|
||
--Bunker Hunt
|
||
------------------------------------------
|
||
"For a long time it had seemed to me that life was about to begin
|
||
-- real life. But there was always some obstacle in the way,
|
||
something to be got through first, some unfinished business, time
|
||
still to be served, a debt to be paid. Then life would begin.
|
||
At last it dawned on me that these obstacles were my life."
|
||
--Fr. Alfred D'Souza
|
||
------------------------------------------
|
||
"And as cliche as it may sound
|
||
I'd like to raise another round
|
||
And if you bottles empty
|
||
Help yourself to mine
|
||
Thank you for your time
|
||
And here's to life."
|
||
--The Refreshments
|
||
------------------------------------------
|
||
"And who ever said there's nothing new under the sun
|
||
Never thought much about individuals
|
||
But he's dead anyways."
|
||
--The Refreshments
|
||
------------------------------------------
|
||
"All great truths begin as blasphemies."
|
||
--George Bernard Shaw
|
||
------------------------------------------
|
||
"You see things and say, 'Why?', but I dream things and say, 'Why
|
||
not?'"
|
||
--George Bernard Shaw
|
||
------------------------------------------
|
||
"Truth is not determined by majority vote."
|
||
--Doug Gwyn
|
||
------------------------------------------
|
||
"The world is full of magical things patiently waiting for our
|
||
wits to grow sharper."
|
||
--Bertrand Russel
|
||
------------------------------------------
|
||
"It is not what they take away from you that counts. It's what
|
||
you do with what you have left."
|
||
--Hubert Humphrey
|
||
------------------------------------------
|
||
"People who fail to achieve their goals usually get stopped by
|
||
frustration. They allow frustration to keep them from taking the
|
||
necessary actions that would support them in achieving their
|
||
desire. You get through this roadblock by plowing through
|
||
frustration, taking each setback as feedback you can learn from,
|
||
and pushing ahead. I doubt you'll find many successful people who
|
||
have not experienced this. All successful people learn that
|
||
success is buried on the other side of frustration."
|
||
--Anthony Robbins
|
||
------------------------------------------
|
||
"If you can find a path with no obstacles, it probably doesn't
|
||
lead anywhere."
|
||
--Unkn
|
||
------------------------------------------
|
||
"This great misfortune -- to be incapable of solitude."
|
||
--Jean de la Bruyere
|
||
------------------------------------------
|
||
"There is no such thing as a 'self-made' man. We are made up of
|
||
thousands of others. Everyone who has ever done a kind deed for
|
||
us, or spoken one word of encouragement to us, has entered into
|
||
the make-up of our character and of our thoughts, as well as our
|
||
success."
|
||
--George Matthew Adams
|
||
------------------------------------------
|
||
"Our lives improve only when we take chances -- and the first and
|
||
most difficult risk we can take is to be honest with ourselves."
|
||
--Walter Anderson
|
||
------------------------------------------
|
||
"There are two types of people -- those who come into a room and
|
||
say, 'Well, here I am!' and those who come in and say, 'Ah, there
|
||
you are.'"
|
||
--Frederick L Collins
|
||
------------------------------------------
|
||
"I don't know the key to success, but the key to failure is to
|
||
try to please everyone."
|
||
--Bill Cosby
|
||
------------------------------------------
|
||
"There's only one corner of the universe you can be certain of
|
||
improving, and that's your own self."
|
||
--Aldous Huxley
|
||
------------------------------------------
|
||
"I take a simple view of life: keep your eyes open and get on
|
||
with it."
|
||
--Sir Laurence Olivier
|
||
------------------------------------------
|
||
"The very powerful and the very stupid have one thing in common.
|
||
Instead of altering their views to fit the facts, they alter the
|
||
facts to fit their views... which can be very uncomfortable if
|
||
you happen to be one of the facts that needs altering."
|
||
--from Doctor Who
|
||
------------------------------------------
|
||
"I'm old old enough to play baseball or football. I'm not eight
|
||
yet. My Mom told me when you start baseball, you aren't going to
|
||
be able to run that fast because you had an operation. I told
|
||
Mom I wouldn't need to run fast. When I play baseball, I'll just
|
||
hit them out of the park. Then I'll be able to walk."
|
||
--Edward J. Mcgrath Jr.
|
||
------------------------------------------
|
||
"It's possible to fight intolerance, stupidity and fanaticism
|
||
when they come separately. When you get all three together it's
|
||
probably wiser to get out, if only to preserve your sanity."
|
||
--P. D. James
|
||
------------------------------------------
|
||
"Is there a home, a home for me?
|
||
Where the people stay until eternity?
|
||
Is there a road that winds up, underneath the big green tree?
|
||
Is there a home, a home for me?"
|
||
--Stan Ridgway
|
||
------------------------------------------
|
||
"I wanna float with you on a cumulus cloud
|
||
I wanna take you far away from this maddening crowd
|
||
You can scratch up my back with your long fingernails
|
||
We'll drink some weird wine and eat psychedelic snails."
|
||
--Stan Ridgway
|
||
------------------------------------------
|
||
"My angel, my all, my very self... my thoughts go out to you, my
|
||
Immortal Beloved, now and then joyfully, then sadly, waiting to
|
||
learn whether or not fate will hear us -- I can live only wholly
|
||
with you or not at all... Be calm -- love me -- today --
|
||
yesterday -- what tearful longings for you -- you -- you -- my
|
||
life -- my all -- farewell. Oh continue to love -- never
|
||
misjudge the most faithful heart of your beloved. Ever thine.
|
||
Ever mine. Ever ours."
|
||
--Ludwig van Beethoven
|
||
------------------------------------------
|
||
"All right, they're on our left, they're on our right, they're in
|
||
front of us, they're behind us. They can't get away this time!"
|
||
--General "Chesty" Puller
|
||
------------------------------------------
|
||
"An eye for an eye will make the whole world blind."
|
||
--Mohandas Gandhi
|
||
------------------------------------------
|
||
"True morality consists, not in following the beaten track, but
|
||
in finding out the true path for ourselves and in fearlessly
|
||
following it."
|
||
--Mohandas Gandhi
|
||
------------------------------------------
|
||
"You have no warning when your life's about to change. No clap
|
||
of thunder. No sign. Maybe a premonition, a fear, but we're
|
||
scared most of the time, aren't we? So how do you know when it
|
||
means something? How do you know when you're just not being
|
||
paranoid?"
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"He was polite to his elders, who disliked him. Whatever his
|
||
elders told him to do, he did. They told him to look before he
|
||
leaped, and he always looked before he leaped. They told him
|
||
never to put off until the next day what he could do the day
|
||
before, and he never did. He was told to honour his father and
|
||
his mother, and he honoured his father and his mother. He was
|
||
told that he should not kill, and he did not kill, until he got
|
||
into the Army. Then he was told to kill, and he killed. He
|
||
turned the other cheek on every occasion and always did unto
|
||
others exactly as he would have had others do unto him. When he
|
||
gave to charity, his left hand never knew what his right hand was
|
||
doing. He never once took the name of the Lord his God in vain,
|
||
committed adultery or coveted his neighbour's ass. In fact, he
|
||
loved his neighbour and never even bore false witness against
|
||
him. [His] elders disliked him because he was such a flagrant
|
||
nonconformist." (Catch 22)
|
||
--Joseph Heller
|
||
------------------------------------------
|
||
"Well, maybe it is true, maybe a long life does have to be filled
|
||
with many unpleasant conditions if it's to seem long. But in
|
||
that event, who wants one?" (Catch 22)
|
||
--Joseph Heller
|
||
------------------------------------------
|
||
"Practice random acts of independence and senseless acts of
|
||
freedom."
|
||
--Professor Zen
|
||
------------------------------------------
|
||
"Stand up for yourself. If you don't then why should I?"
|
||
--Professor Zen
|
||
------------------------------------------
|
||
"I have a novel way to eliminate crime as we know it. Instead of
|
||
passing sentences of a certain number of years, why don't we
|
||
educate the inmates and not let them out until they have
|
||
maintained at least a C average from a grade school to a high
|
||
school curriculum. Do you know how many people we could actually
|
||
keep in prison and for how long? Think about it..."
|
||
--Professor Zen
|
||
------------------------------------------
|
||
"'You'll get over it...' It's the clich<63>s that cause the
|
||
trouble. To lose someone you love is to alter your life forever.
|
||
You don't get over it because 'it' is the person you loved. The
|
||
pain stops, there are new people, but the gap never closes. How
|
||
could it? The articularness of someone who mattered enough to
|
||
grieve over is not made anodyne by death. This hole in my heart
|
||
is in the shape of you and no one else can fit it. Why would I
|
||
want them to?" (Body)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Yes we are [friends] and I do like to pass the day with you in
|
||
serious and inconsequential chatter. I wouldn't mind washing up
|
||
beside you, dusting beside you, reading the back half of the
|
||
paper while you read the front. We are friends and I would miss
|
||
you, do miss you and think of you very often. I don't want to
|
||
lose this happy space where I have found someone who is smart and
|
||
easy and doesn't bother to check her diary when we arrange to
|
||
meet." (Body)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Poor me. There's nothing so sweet as wallowing in it is there?
|
||
Wallowing is sex for depressives." (Body)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"I was in the last spasms of an affair with a Dutch girl called
|
||
Inge. She was a committed romantic and an anarcha-feminist.
|
||
This was hard for her because it meant she couldn't blow up
|
||
beautiful buildings. She knew the Eiffel Tower was a hideous
|
||
symbol of phallic oppression but when ordered by her commander to
|
||
detonate the lift so that no-one should unthinkingly scale an
|
||
erection, her mind filled with young romantics gazing over Paris
|
||
and opening aerograms that said Je t'aime." (Body)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Make three wishes and they shall all come true. Make three
|
||
hundred and I will honour every one." (Written on the Body)
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"You will never find time for anything. If you want time you
|
||
must make it."
|
||
--Charles Buxton
|
||
------------------------------------------
|
||
"We want the facts to fit the preconceptions. When they don't,
|
||
it is easier to ignore the facts than to change the
|
||
preconceptions."
|
||
--Jessamyn West
|
||
------------------------------------------
|
||
"Telling us to obey instinct is like telling us to obey 'people.'
|
||
People say different things: so do instincts. Our instincts are
|
||
at war....Each instinct, if you listen to it, will claim to be
|
||
gratified at the expense of the rest."
|
||
--C. S. Lewis
|
||
------------------------------------------
|
||
"My riches consist not in the extent of my possessions, but in
|
||
the fewness of my wants."
|
||
--J. Brotherton
|
||
------------------------------------------
|
||
"The purpose of education is to replace an empty mind with an
|
||
open one."
|
||
--Malcom Forbes
|
||
------------------------------------------
|
||
"Our business in life is not to get ahead of others, but to get
|
||
ahead of ourselves - to break our own records, to outstrip our
|
||
yesterday by our today."
|
||
--Stewart B. Johnson
|
||
------------------------------------------
|
||
"Argue for your limitations, and sure enough, they're yours."
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"Obviously, where art has it over life is in the matter of
|
||
editing. Life can be seen to suffer from a drastic lack of
|
||
editing. It stops too quick, or else it goes on too long.
|
||
Worse, its pacing is erratic. Some chapters are little more than
|
||
a few sentences in length, while others stretch into volumes.
|
||
Life, for all its raw talent, has little sense of structure. It
|
||
creates amazing textures, but it can't be counted on for snappy
|
||
beginnings or good endings either. Indeed, in many cases no
|
||
ending is provided at all.
|
||
--Larry McMurtry
|
||
------------------------------------------
|
||
"There are two ways to slide easily through life: to believe
|
||
everything or to doubt everything; both ways save us from
|
||
thinking."
|
||
--Theodore Rubin
|
||
------------------------------------------
|
||
"We must not allow other people's limited perceptions to define
|
||
us."
|
||
--Virginia Satir
|
||
------------------------------------------
|
||
"Whether they really believe in their brave new world, however,
|
||
is ultimately beside the point. They're building it. And in the
|
||
friction-free future, jacked into paradise, we'll have the
|
||
'liberty' of living (or rather, or buying the illusion of
|
||
living), through the benevolent offices of a middleman as nearly
|
||
omnipotent as god himself. Freedom? A more perfect captivity is
|
||
difficult to imagine."
|
||
--Mark Slouka
|
||
------------------------------------------
|
||
"The future is green and low tech. We'll watch aquariums, not
|
||
TVs."
|
||
--A. Pavletich
|
||
------------------------------------------
|
||
"We all are where we are because we want to be there."
|
||
--from What Happened Was...
|
||
------------------------------------------
|
||
"The future lay sparkling ahead of us and we thought that we'd
|
||
know each other forever."
|
||
--from Sleepers
|
||
------------------------------------------
|
||
"The most important thing about a man is what he believes in the
|
||
depth of his being. This is the thing that makes him what he is,
|
||
the thing that organizes him and feeds him; the thing that keeps
|
||
him going in the face of untoward circumstances; the thing that
|
||
gives him resistance and drive."
|
||
--Hugh Stevenson Tigner
|
||
------------------------------------------
|
||
"If you don't have solid beliefs you cannot build a stable life.
|
||
Beliefs are like the foundation of a building, and they are the
|
||
foundation to build your life upon."
|
||
--Alfred A. Montapert
|
||
------------------------------------------
|
||
"What orbit of the planets has put you and me in this place, at
|
||
this moment? Where time takes a breath, and we dance on the edge
|
||
of our dreams?"
|
||
--from a Millennia commercial
|
||
------------------------------------------
|
||
"You know one of the ways that movies are still better than
|
||
playback? Because the music comes up, there's credits, and you
|
||
always know when it's over."
|
||
--from Strange Days
|
||
------------------------------------------
|
||
"There's more to light than the opposite of dark."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"There's a new and virulent cultural virus ripping through the
|
||
world... The symptoms of those infected include attacks of
|
||
optimism, strong feelings of community, lower stress levels and
|
||
outbreaks of pronoia -- the sneaking feeling that someone is
|
||
conspiring behind their backs to help them."
|
||
--Jules Marshall
|
||
------------------------------------------
|
||
"Machines will never be able to give the thinking process a model
|
||
of thought itself, since machines are not mortal. What gives
|
||
humans access to the symbolic domain of value and meaning is the
|
||
fact that we die."
|
||
--R<>gis Debray
|
||
------------------------------------------
|
||
"The task of thinking is based upon selection and weeding out;
|
||
remembering everything is weirdly similar to forgetting
|
||
everything. Most things that people do shouldn't be remembered.
|
||
Maybe forgetting is good."
|
||
--Gary Wolf
|
||
------------------------------------------
|
||
"May the best from your past be the worst of your future."
|
||
--from The Long Kiss Goodnight
|
||
------------------------------------------
|
||
"When you discard arrogance, complexity, and a few other things
|
||
that get in the way, sooner or later you will discover that
|
||
simple, childlike, and mysterious secret known to those of the
|
||
Uncarved Block: Life is Fun."
|
||
--Benjamin Hoff
|
||
------------------------------------------
|
||
"I think that the most important thing to teach children in an
|
||
environmentally conscious age is alternative views of nature.
|
||
They must be shown how our interpretation of natural systems is
|
||
often completely dependent not on what is there but on what kind
|
||
of box we draw around the data. And if they are going to be
|
||
smarter than their parents, then schoolchildren must think
|
||
subversively about accepted wisdoms concerning natural systems."
|
||
--Stephen Strauss
|
||
------------------------------------------
|
||
"Progress involves risks. You can't steal second with your foot
|
||
on first."
|
||
--Fred Wilcox
|
||
------------------------------------------
|
||
"Don't save a pitcher for tomorrow. Tomorrow it may rain."
|
||
--Leo Durocher
|
||
------------------------------------------
|
||
"It's like most anything. If you want to be a loser, there's
|
||
always a way to dwell on the negative. If you want to win,
|
||
there's always a way to think positively."
|
||
--Tony La Russa
|
||
------------------------------------------
|
||
"If you are content with yourself, you'll stop taking those
|
||
little steps forward and begin taking big steps backward."
|
||
--Greg Maddux
|
||
------------------------------------------
|
||
"Bury me above the clouds, all the way from here
|
||
Take away the things I need, take away my fear
|
||
Hide me in a hollow sound, happy ever more
|
||
Everything I had to give, gave them long before."
|
||
--Garbage
|
||
------------------------------------------
|
||
"Crashing silent, broken down, falling into night
|
||
Who gave up and who gave in, I'll go without a fight
|
||
Cut me down or cut me dead, cut me in or out
|
||
Kiss me blind time after time, take away my doubt."
|
||
--Garbage
|
||
------------------------------------------
|
||
"I bit my tongue and stood in line
|
||
With not much to believe in
|
||
I bought into what I was sold
|
||
And ended up with nothing."
|
||
--Garbage
|
||
------------------------------------------
|
||
"I only smile in the dark
|
||
My only comfort is the night gone black
|
||
I didn't accidentally tell you that
|
||
I'm only happy when it rains."
|
||
--Garbage
|
||
------------------------------------------
|
||
"A couple things about looking into a mirror: First off, you get
|
||
to see anybody sneaking up behind you, second, it's two-
|
||
dimensional and you don't get to see the whole of yourself,
|
||
third, mirrors are flat and very often cold, fourth, when things
|
||
get hot and intense, it's the mirror that steams up, not your
|
||
eyes."
|
||
--Greg Webster
|
||
------------------------------------------
|
||
"A couple months ago I noticed that I hadn't really laughed for a
|
||
long time... That's come back quite well, I'm enjoying more
|
||
things... I'd say that I've almost completely recovered from the
|
||
past few years, still cynical, but not really bitter."
|
||
--Greg Webster
|
||
------------------------------------------
|
||
"[Alan Berg's] memory haunts many people, even those who never
|
||
heard him on the radio, because his death could be read as a
|
||
message: Be cautious, be prudent, be bland, never push anybody,
|
||
never say what you really think, offer yourself as a hostage to
|
||
the weirdos even before they make the first move. These days, a
|
||
lot of people are opposed to the newfound popularity of 'trash
|
||
television,' and no doubt they are right, and the hosts of these
|
||
shows are shameless controversy-mongers. But at least they are
|
||
not intimidated. Of what use is freedom of speech to those who
|
||
fear to offend?"
|
||
--Roger Ebert
|
||
------------------------------------------
|
||
"The hottest places in hell are reserved for those, who in times
|
||
of great moral crisis, maintain their neutrality."
|
||
--Dante Alighieri
|
||
------------------------------------------
|
||
"People are usually more firmly convinced that their opinions are
|
||
precious than that they are true."
|
||
--George Santayana
|
||
------------------------------------------
|
||
"I would step in the way of a bullet if it were aimed at my
|
||
husband. It is not self-sacrifice to die protecting that which
|
||
you value: If the value is great enough, you do not care to
|
||
exist without it. This applies to any alleged sacrifice for
|
||
those one loves."
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Baseball breaks your heart. It is designed to break your heart.
|
||
The game begins in the spring when everything else begins again,
|
||
and it blossoms in the summer, filling the afternoons and
|
||
evenings, and then as soon as the chill rains come, it stops and
|
||
leaves you to face fall alone.
|
||
--A. Bartlett Giamatti
|
||
|
||
------------------------------------------
|
||
"It is always the same: once you are liberated, you are forced
|
||
to ask who you are."
|
||
--Jean Baudrillard
|
||
------------------------------------------
|
||
"Tomorrow isn't promised to any of us."
|
||
--Kirby Puckett
|
||
------------------------------------------
|
||
"Happiness isn't a static thing; it's the quest for happiness
|
||
that allows us to think we're happy, while we continue to search
|
||
for more."
|
||
--Greg Webster
|
||
------------------------------------------
|
||
"We can't all be Einstein (because we don't all play the violin).
|
||
At the very least, we need a sort of street-smart science: the
|
||
ability to recognize evidence, gather it, assess it, and act on
|
||
it."
|
||
--Judith Stone
|
||
------------------------------------------
|
||
"Over the last decade or so 'wars' have been proclaimed, in turn,
|
||
on teen pregnancy, dropping out, drugs, and most recently
|
||
violence. The trouble with such campaigns, though, is that they
|
||
come too late, after the targeted problem has reached epidemic
|
||
proportions and taken firm root in the lives of the young. They
|
||
are crisis intervention, the equivalent of solving a problem by
|
||
sending an ambulance to the rescue rather than giving an
|
||
inoculation that would ward off the disease in the first place.
|
||
Instead of more such 'wars,' what we need is to follow the logic
|
||
of prevention, offering our children the skills for facing life
|
||
that will increase their chances of avoiding any and all of these
|
||
fates."
|
||
--Daniel Goldman
|
||
------------------------------------------
|
||
"Functionless art is simply tolerated vandalism."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"That, of course, is the devil's bargain of addiction: a short-
|
||
term good feeling in exchange for the steady meltdown of one's
|
||
life."
|
||
--Daniel Goldman
|
||
------------------------------------------
|
||
"What we call human nature in actuality is human habit."
|
||
--Jewel Kilcher
|
||
------------------------------------------
|
||
"Why go to a museum and look at paintings if you can paint your
|
||
own painting. I mean, do things for yourself. I mean, do you
|
||
have somebody come in a sleep with your wife for you? Do you pay
|
||
somebody to eat your food for you? I mean, do things for
|
||
yourself. That's what life's about. There's so many people
|
||
doing things they hate, I mean you have people running the
|
||
country who all they care about is keeping their jobs not doing
|
||
their jobs. There's so little real love in any of the work that
|
||
I see."
|
||
--from What Happened Was...
|
||
------------------------------------------
|
||
"To look this way is to see.
|
||
To see is to have vision.
|
||
To have vision is to understand.
|
||
To understand is to know.
|
||
To know is to become.
|
||
To become is to live fully.
|
||
To live fully is to matter.
|
||
And to matter is to become light.
|
||
And to become light is to be loved.
|
||
And to be loved is to burn.
|
||
And to burn is to exist.
|
||
Off and on."
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"If you notice phrases, ideas, and anecdotes that closely
|
||
resemble those that appear elsewhere in my writing, it's not a
|
||
matter of sloppy editing. I'm repeating myself. I'm reshuffling
|
||
words in the hope that just once I might say something exactly
|
||
right. And I'm still wrestling with dilemmas that are not easily
|
||
resolved or easily dismissed. I run at them again and again
|
||
because I am not finished with them. Any may never be. Work-in-
|
||
progress on a life-in-progress is what my writing is about. And
|
||
some progress in the work is enough to keep it going on."
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"You yourself are in an ecstatic state to such a point that you
|
||
feel as though you almost don't exist. I've experienced this
|
||
time and again. My hand seems devoid of myself, and I have
|
||
nothing to do with what is happening. I just sit there watching
|
||
in a state of awe and wonderment. And it just flows out by
|
||
itself."
|
||
--Mihaly Csikszentmihalyi
|
||
------------------------------------------
|
||
"Change is the only thing that you can expect."
|
||
--Jaymi Wiley
|
||
------------------------------------------
|
||
"How can you worry about pleasing people [critics] and what
|
||
they're going to think? How can you do anything creative if the
|
||
whole thing is motivated by trying to please somebody else? To
|
||
me, the whole idea of what I thought art, or music, or anything
|
||
creative was about pleasing yourself and hoping that whatever
|
||
you're creating will reach someone else who'll see it on that
|
||
level. To worry about someone picking it apart and discussing it
|
||
element for element, and trying to knock you down or weaken it in
|
||
any way doesn't amount to anything but a waste of paper."
|
||
--Elliot Easton
|
||
------------------------------------------
|
||
"They're caught where there's no way out or where you can't see
|
||
out. What are you going to do about it? I don't have the
|
||
answer. If I did there would be no insane asylums. But I see a
|
||
lot of people, a lot of my friends in the same predicament. Many
|
||
times in my life, I was there myself."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"There is really nothing you must be.
|
||
And there is nothing you must do.
|
||
There is really nothing you must have.
|
||
And there is nothing that you must know.
|
||
There is really nothing you must become.
|
||
However, it helps to understand that fire burns, and when it
|
||
rains, the earth gets wet..."
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"Making a living and having a life are not the same thing.
|
||
Making a living and making a life that's worthwhile are not the
|
||
same thing. Living the good life and living a good life are not
|
||
the same thing. A job title doesn't even come close to answering
|
||
the question 'What do you do?'"
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"Even if there's no such thing as free will, we have to treat
|
||
each other as if there were free will in order to live together
|
||
in society. Because otherwise, every time somebody does
|
||
something terrible, you can't punish him, because he can't help
|
||
it, because his genes or his environment or God made him do it,
|
||
and every time somebody does something good, you can't honour him
|
||
because he was a puppet, too. If you think that everybody around
|
||
you is a puppet why bother talking to them at all? Why even try
|
||
to plan anything or create anything, since everything you plan or
|
||
create or desire or dream of is just acting out the script your
|
||
puppeteer built into you."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"The priests say that God created our souls, and that just puts
|
||
us under the control of another puppeteer. If God created our
|
||
will, then he's responsible for every choice we make. God, our
|
||
genes, our environment, or some stupid programmer keying in code
|
||
at an ancient terminal -- there's no way free will can ever exist
|
||
if we as individuals are the result of some external cause."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"Isn't it possible, he wondered, for one person to love another
|
||
without trying to own each other? Or is that buried so deep in
|
||
our genes that we can never get it out? Territoriality. My
|
||
wife. My friend. My lover. My outrageous and annoying computer
|
||
personality who's about to be shut off at the behest of a half-
|
||
crazy girl with OCD on a planet that I never heard of and how
|
||
will I live without [her] when she's gone?"
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"I have too many secrets. For all these years I've been a
|
||
speaker for the dead, uncovering secrets and helping people to
|
||
live in the light of truth. Now I no longer tell anyone half of
|
||
what I know, because if I told the whole truth there would be
|
||
fear, hatred, brutality, murder, war."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"We're poor little lambs who've lost our way,
|
||
Baa! Baa! Baa!
|
||
We're little black sheep who've gone astray,
|
||
Baa-aa-aa!
|
||
Gentlemen-rankers out on the spree,
|
||
Damned from here to Eternity,
|
||
God ha' mercy on such as we,
|
||
Baa! Yah! Bah!"
|
||
--Rudyard Kipling
|
||
------------------------------------------
|
||
"A strange thing happened then. The Speaker agreed with her that
|
||
she had made a mistake that night, and she knew when he said the
|
||
words that it was true, that his judgement was correct. And yet
|
||
she felt strangely healed, as if simply speaking her mistake were
|
||
enough to purge some of the pain of it. For the first time,
|
||
then, she caught a glimpse of what the power of speaking might
|
||
be. It wasn't a matter of confession, penance, and absolution,
|
||
like the priests offered. It was something else entirely.
|
||
Telling the story of who she was, and then realizing that she was
|
||
no longer the same person. That she had made a mistake, and the
|
||
mistake had changed her, and now she would not make the mistake
|
||
again because she had become someone else, someone less afraid,
|
||
someone more compassionate."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"How clever of me. I have found such a pathway into hell that I
|
||
can never get back out."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"But I hope that in the lives of [the characters], you will find
|
||
stories worth holding in your memory, perhaps even in your heart.
|
||
That's the transaction that counts more than best-seller lists,
|
||
royalty statements, awards, or reviews. Because in the pages of
|
||
this book, you and I will meet one-on-one, my mind and yours, and
|
||
you will enter a world of my making and dwell there, not as a
|
||
character that I control, but as a person with a mind of your
|
||
own. You will make of my story what you need it to be, if you
|
||
can. I hope my tale is true enough and flexible enough that you
|
||
can make it into a world worth living in."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"The danger that keeps me just a little frightened with every
|
||
book I write, however, is that I'll overreach myself once too
|
||
often and try to write a story that I'm just plain not talented
|
||
or skilful enough to write. That's the dilemma every storyteller
|
||
faces. It is painful to fail. But it is far sadder when a
|
||
storyteller stops wanting to try."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"Remember, you can think for yourself, or just surrender your
|
||
mind. It's your call, but don't expect me to pay your bills if
|
||
you decide to surrender."
|
||
--Professor Zen
|
||
------------------------------------------
|
||
"You can walk as carefully as you want through a mine field; it
|
||
is still a mine field. But it's also true that if you step up to
|
||
the plate worrying that you're going to strike out, the odds are
|
||
that you're going to strike out. Not doing a large ambitious
|
||
work because you're convinced that Danger Lurks Around Every
|
||
Corner, the old 'I might be dead this time next year,' is a waste
|
||
of the Inner Radiance that found you. It's like life insurance.
|
||
It's betting against yourself. It's blowing out your own flame
|
||
before someone beats you to it."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"I think the more rational explanation is that the excision of a
|
||
five-to-six-foot leech from the surface of a human body means
|
||
that that body is going to have more of its own blood in its own
|
||
veins. Unless the leech finds another body, it is going to go
|
||
hungry."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"These are ideas. I could say that they just came to me, but it
|
||
would be more accurate to say that I went to them. Ideas -- and
|
||
new connections between ideas -- lead you away from commonly held
|
||
perceptions of reality. Ideas lead you out here. Ideas lead you
|
||
into the darkness."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"Once a profound truth has been seen, it cannot be 'unseen'.
|
||
There's no 'going back' to the person you were. Even if such a
|
||
possibility did exist... why would you want to?"
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"The problem is maddening. The thing you seek is so close, you
|
||
feel you could reach out and touch it. You feel it is your
|
||
immutable destiny to do so. You have not come this far and at
|
||
such a cost merely to turn around and go back. There is a
|
||
solution. Of this you are certain. Now, no longer a game of
|
||
mass, a game of destiny, it has become, instead a contest of
|
||
wills. You focus on That Which You Seek as if your gaze alone
|
||
might bring it closer or narrow the distance between you. Just
|
||
as it feels as if your mind itself will explode from the
|
||
strain..."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"For the first time in your conscious memory; for the first time
|
||
in fact, since your were a baby; a single tear, full and warm,
|
||
rolled down your right cheek and you fell into a very deep and
|
||
entirely dreamless slumber..."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"A great deal of talent is lost to the world for want of a little
|
||
courage. Every day sends to their graves obscure men whom
|
||
timidity prevented from making a first effort."
|
||
--Sydney Smith
|
||
------------------------------------------
|
||
"All courage is a form of constancy. It is always himself that a
|
||
coward abandons first. After this all other betrayals come."
|
||
--Cormac McCarthy
|
||
------------------------------------------
|
||
"There is a theory of societal evolution that goes like this:
|
||
Barbarians invent a new culture. A middle class emerges to
|
||
manage and help perpetuate the culture. An aristocracy
|
||
eventually develops out of the middle class and devotes their
|
||
energies to making things comfortable for themselves. Finally, a
|
||
new set of barbarians smash everything apart and destroy the
|
||
status quo so that the process must start all over again."
|
||
--Alan Cross
|
||
------------------------------------------
|
||
"The secret of the world is this: the world is entirely circular
|
||
and you will go round and round endlessly, never finding what you
|
||
want, unless you have found what you really want inside yourself.
|
||
When you follow a star you know you will never reach that star;
|
||
rather it will guide you to where you want to go. It's a
|
||
reference point, not an end in itself, even though you seem to be
|
||
following it. So it is with the world. It will only ever lead
|
||
you back to yourself. The end of all your exploring will be to
|
||
cease from exploration and know the place for the first time."
|
||
--Jeanette Winterson
|
||
------------------------------------------
|
||
"Reason transformed into prejudice is the worst form of
|
||
prejudice, because reason is the only instrument for liberation
|
||
from prejudice."
|
||
--Allan Bloom
|
||
------------------------------------------
|
||
"Reason sits firm and holds the reins, and she will not let the
|
||
feelings burst away and hurry her to wild chasms. The passions
|
||
may rage furiously, like true heathens, as they are; and the
|
||
desires may imagine all sorts of vain things: but judgement shall
|
||
still have the last word in every argument, and the casting vote
|
||
in every decision."
|
||
--Charlotte Bronte
|
||
------------------------------------------
|
||
"People are governed with the head; kindness of heart is little
|
||
use in chess."
|
||
--Sebastien-Roch Nicolas De Chamfort
|
||
------------------------------------------
|
||
"I can stand brute force, but brute reason is quite unbearable.
|
||
There is something unfair about its use. It is hitting below the
|
||
intellect."
|
||
--Oscar Wilde
|
||
------------------------------------------
|
||
"And that's the real incentive, isn't it? It's not so much the
|
||
fact that you get to bask in their God's love that's the selling
|
||
point, it's that you avoid damnation. Think of it like Coke
|
||
putting out an ad that says 'Snapple causes muscle spasms, Pepsi
|
||
is infected with AIDS, and tap-water gives you cancer. So drink
|
||
Coke. Not only do we taste good, we're the only alternative to
|
||
pain and suffering.' It's actually a pretty good marketing tool.
|
||
Humanity, by nature, is an ambivalent animal, given to fits of
|
||
inertia, and we're more than likely to sit on our noncommittal
|
||
behinds unless there's a bogeyman to chase us out of our chairs."
|
||
--Greg Bulmash
|
||
------------------------------------------
|
||
"No, life may not be easy, it can be lonely. Full of people we
|
||
think we know, but barely comprehend. Yet we must always
|
||
remember: it's the challenges that define us best, and the
|
||
obstacles that illuminate what we're truly capable of. We must
|
||
welcome adversity and embrace struggle, and no matter what we get
|
||
from life, never give less than 100 percent. Of course, at the
|
||
end of every battle weary day, we fold ourselves into peaceful
|
||
darkness and find comfort in those gentle words... good night."
|
||
--from Profit
|
||
------------------------------------------
|
||
"I'm pretty good at inventing phrases -- you know, the sort of
|
||
words that suddenly make you jump, almost as though you'd sat on
|
||
a pin, they seem so new and exciting even though they're about
|
||
something hypnopaedically obvious. But that doesn't seem enough.
|
||
It's not enough for the phrases to be good; what you make with
|
||
them ought to be good too."
|
||
--Aldous Huxley
|
||
------------------------------------------
|
||
"I'm thinking of a queer feeling I sometimes get, a feeling that
|
||
I've got something important to say and the power to say it --
|
||
only I don't know what it is, and I can't make any use of the
|
||
power."
|
||
--Aldous Huxley
|
||
------------------------------------------
|
||
"[They] like to pretend they live in a universe where there are
|
||
no facts, everything is a matter of opinion, and all opinions are
|
||
equally valid. And, of course, they do live in just such a
|
||
universe. Unfortunately, it exists entirely inside their own
|
||
poorly-stocked minds."
|
||
--Dr. Rory Coker
|
||
------------------------------------------
|
||
"The notion of saving the planet has nothing to do with
|
||
intellectual honesty or science. The fact is that the planet was
|
||
here long before us and will be here long after us. The planet
|
||
is running fine. What people are talking about is saving
|
||
themselves and saving their middle-class lifestyles and saving
|
||
their cash flow."
|
||
--Lynn Margulis
|
||
------------------------------------------
|
||
"Welcome to prekindergarten! You will not die if you discover
|
||
that there are more lines out there than just your own. In fact,
|
||
you'll discover that you will have an advantage if you know more
|
||
of them!"
|
||
--Bernice Johnson Reagon
|
||
------------------------------------------
|
||
"This means that people must somehow get free of this incredible
|
||
obsession -- generated by governments and the economy and the
|
||
guilt around sex and pleasure -- that they must become
|
||
workaholics. The workaholic fascination is an illusion and a
|
||
trap that people fall into without even realizing it. What's
|
||
needed is more time for inner work, less time for television;
|
||
detachment from all the myths we're steeped in; and the discovery
|
||
of a language that will create harmony between a man and a
|
||
woman."
|
||
--Margo Anand
|
||
------------------------------------------
|
||
"Chronic remorse, as all the moralists are agreed, is a most
|
||
undesirable sentiment. If you have behaved badly, repent, make
|
||
what amends you can and address yourself to the task of behaving
|
||
better next time. On no account brood over your wrongdoing.
|
||
Rolling in the muck is not the best way of getting clean."
|
||
--Aldous Huxley
|
||
------------------------------------------
|
||
"We're like a real family. Opinionated, argumentative, holding
|
||
grudges, challenging each other. We challenge each other to be
|
||
better than we are. That kind of thing doesn't happen at
|
||
barbecues, at ball games, it happens on the job we're supposed to
|
||
do. On the case. Put down the murder. The work itself is the
|
||
most important thing. What we do is important. We speak for
|
||
those that can no longer speak for themselves. And you're not
|
||
gonna ever find anything like that anywhere. Not in vice, and
|
||
not patrolling the grounds at Disneyland."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"When I tell any truth it is not for the sake of convincing those
|
||
who do not know it, but for the sake of defending those who do."
|
||
--William Blake
|
||
------------------------------------------
|
||
"There are truths which one can only say after having won the
|
||
right to say them."
|
||
--Jean Cocteau
|
||
------------------------------------------
|
||
"Mere longevity is a good thing for those who watch life from the
|
||
sidelines. For those who play the game, an hour may be a year, a
|
||
single day's work, an achievement for eternity."
|
||
--Gabriel Heatter
|
||
------------------------------------------
|
||
"To see a world in a grain of sand
|
||
And a heaven in a wild flower,
|
||
Hold infinity in the palm of your hand
|
||
And eternity in an hour."
|
||
--William Blake
|
||
------------------------------------------
|
||
"Mock the devil, and he will flee from thee."
|
||
--Bono
|
||
------------------------------------------
|
||
"I have discovered that this world is harsh, cruel and nasty
|
||
enough without writing off entire classes of individuals on the
|
||
basis of their colour or national origin. There are enough
|
||
people in the world who can be judged on the basis of their
|
||
actions that we don't need to judge others merely on the basis of
|
||
their colour or nationality."
|
||
--Robert Chase
|
||
------------------------------------------
|
||
"What [he] is apparently objecting to is that not everyone takes
|
||
his beliefs seriously. Indeed, some don't seem to respect his
|
||
beliefs at all, and actually poke fun at them. Well, I have news
|
||
for [him]: that's the nature of a free society. Opinions don't
|
||
necessarily merit respect; they must earn respect in the
|
||
marketplace of ideas."
|
||
--Jeffrey Shallit
|
||
------------------------------------------
|
||
"[He] seems to want it both ways: the freedom to hold and
|
||
express beliefs, and immunity from criticism for those beliefs.
|
||
This is the kind of attitude that leads inexorably to
|
||
totalitarianism. It is to be decried, particularly in a
|
||
university environment where the search for truth necessitates
|
||
that no belief be treated as sacred or above scrutiny."
|
||
--Jeffrey Shallit
|
||
------------------------------------------
|
||
"I think it would be nice if you could include a greater slant to
|
||
the growing, happy side of your persona -- it wouldn't be too
|
||
hard to assume (as I erroneously did at first) that you were a
|
||
depression-racked, paranoid loony. Not so much from this issue,
|
||
but as a general pattern from earlier issues. I've learnt,
|
||
though. You're not paranoid."
|
||
--Julian Barton
|
||
------------------------------------------
|
||
"If you follow me, I may lead you straight to hell, but if you
|
||
trust me, I will lead you back out again."
|
||
--Francesco Pfauth
|
||
------------------------------------------
|
||
"We ran out of new ideas somewhere around 1978, since then we've
|
||
been repeating ourselves. Same songs, same movies, same clothes,
|
||
even the same crimes. Like this Robie guy, no imagination. He's
|
||
just part of the rhythm and the rhyme of all this repeating.
|
||
This is 1996, here comes the millennium. But people are nervous,
|
||
they're on edge, they're jumpy. This is supposed to be something
|
||
new. But we can't look that in the face, can we? So what do we
|
||
do? We grab a little something from one year in the fifties and
|
||
a little of something else from some other year, maybe late
|
||
sixties. We think we're creating something new and different,
|
||
but really, all we're doing is just repeating the same old...
|
||
nothing. We're all copycats."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"To laugh often and much; to win the respect of intelligent
|
||
people and the affection of children; to earn the appreciation of
|
||
honest critics and endure the betrayal of false friends; to
|
||
appreciate beauty; to find the best in others; to leave the world
|
||
a bit better, whether by a healthy child, a garden patch or a
|
||
redeemed social condition; to know even one life has breathed
|
||
easier because you have lived. This is to have succeeded."
|
||
--Ralph Waldo Emerson
|
||
------------------------------------------
|
||
"No one beneath you can offend you. No one your equal would."
|
||
--Jan L. Wells
|
||
------------------------------------------
|
||
"The road to truth is long, and lined the entire way with
|
||
annoying bastards."
|
||
--Alexander Jablokov
|
||
------------------------------------------
|
||
"We're here for a good time, not a long time
|
||
So have a good time, the sun can't rise everyday."
|
||
--Trooper
|
||
------------------------------------------
|
||
"Knowledge of what is possible is the beginning of happiness."
|
||
--George Santayana
|
||
------------------------------------------
|
||
"Ignorance is not bliss -- it is oblivion."
|
||
--Philip Wylie
|
||
------------------------------------------
|
||
"An intelligent hell would be better than a stupid paradise."
|
||
--Victor Hugo
|
||
------------------------------------------
|
||
"Be not afraid of life. Believe that life is worth living, and
|
||
your belief will help you create the fact."
|
||
--William James
|
||
------------------------------------------
|
||
"Maybe it was mean, but I really don't think so.
|
||
You asked for the truth and I told you."
|
||
--Sinead O'Connor
|
||
------------------------------------------
|
||
"What a wonderful day we've had. You have learned something and,
|
||
I have learned something. Too bad we didn't learn it sooner. We
|
||
could have gone to the movies instead."
|
||
--from Perfect Strangers
|
||
------------------------------------------
|
||
"Minds are for people who think."
|
||
--Madman Murdoch
|
||
------------------------------------------
|
||
"Since a rational man's ambition is unlimited, since his pursuit
|
||
and achievement of values is a lifelong process -- and the higher
|
||
the values, the harder the struggle -- he needs a moment, an hour
|
||
or some period of time in which he can experience the sense of
|
||
his completed task, the sense of living in a universe where his
|
||
values have been successfully achieved. It is like a moment of
|
||
rest, a moment to gain fuel to move farther." (Anthem)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Many words have been granted me, and some are wise and some are
|
||
false, but only three are holy: 'I will it!'" (Anthem)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I know not if this earth on which I stand is the core of the
|
||
universe or if it is but a speck of dust lost in eternity. I
|
||
know not and I care not. For I know what happiness is possible
|
||
to me on earth. And my happiness is not the means to any end.
|
||
It is the end. It is its own goal. It is its own purpose."
|
||
(Anthem)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Neither am I the means to any end others may wish to accomplish.
|
||
I am not a tool for their use. I am not a servant of their
|
||
needs. I am not a bandage for their wounds. I am not a
|
||
sacrifice on their altars." (Anthem)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I think one thing we went through was common to a lot of people:
|
||
You work your whole life to achieve something, then you achieve
|
||
it and find out that you still have good days and bad days. So
|
||
you start thinking, 'Is that all there is?' After a while you
|
||
calm down and get back to work."
|
||
--Elliot Easton
|
||
------------------------------------------
|
||
"If a man hasn't discovered something that he will die for, he
|
||
isn't fit to live."
|
||
--Martin Luther King, Jr.
|
||
------------------------------------------
|
||
"Who would fare better in this world of fitful time? Those who
|
||
have seen the future and live only one life? Or those who have
|
||
not seen the future and wait to live life? Or those who deny the
|
||
future and live two lives?"
|
||
--Alan Lightman
|
||
------------------------------------------
|
||
"Most people have learned to live in the moment. The argument
|
||
goes that if the past has uncertain effect on the present, there
|
||
is no need to dwell on the past. And if the present has little
|
||
effect on the future, present actions need not be weighed for
|
||
their consequence. Rather, each act is an island in time, to be
|
||
judged on its own. ... It is a world of impulse. It is a world
|
||
of sincerity. It is a world in which every word spoken speaks
|
||
just to that moment, every glance given has only one meaning."
|
||
--Alan Lightman
|
||
------------------------------------------
|
||
"Some make light of decisions, arguing that all possible
|
||
decisions will occur. In such a world, how could one be
|
||
responsible for his actions? Others hold that each decision must
|
||
be considered and committed to, that without commitment there is
|
||
chaos. Such people are content to live in contradictory worlds,
|
||
so long as they know the reason for each."
|
||
--Alan Lightman
|
||
------------------------------------------
|
||
"The mark of your ignorance is the depth of your belief in
|
||
injustice and tragedy."
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"The bond that links your true family is not one of blood, but of
|
||
respect and joy in each other's life. Rarely do members of one
|
||
family grow up under the same roof."
|
||
--Richard Bach
|
||
------------------------------------------
|
||
"We believed -- and I personally still believe -- that the so
|
||
called Voice of God narration, ubiquitous in documentaries
|
||
destined for PBS, is insulting to the audience. If you believe
|
||
in the intelligence of your audience, you don't need to tell them
|
||
what to think and how to process the material they're seeing."
|
||
--Jayne Loader
|
||
------------------------------------------
|
||
"I was accused of every monstrous vice by public rumour and
|
||
private rancour; my name, which had been a knightly or noble one,
|
||
was tainted. I felt that, if what was whispered, and muttered,
|
||
and murmured, was true, I was unfit for England; if false,
|
||
England was unfit for me."
|
||
--Lord Byron
|
||
------------------------------------------
|
||
"When indignation takes possession of his mind -- and it is
|
||
easily excited -- his disposition becomes malevolent. He hates
|
||
with the bitterest contempt. But as soon as he has indulged
|
||
those feelings, he regains the humanity which he had lost -- from
|
||
the immediate impulse of provocation -- and repents deeply. So
|
||
that his mind is continually making the most sudden transitions -
|
||
- from good to evil, from evil to good. A state of such
|
||
perpetual tumult must be attended with the misery of restless
|
||
inconsistency. He laments his want of tranquillity and speaks of
|
||
the power of application to composing studies, as a blessing
|
||
placed beyond his attainment, which he regrets."
|
||
--Annabella Milbanke
|
||
------------------------------------------
|
||
"You sit around watching all this stuff happen on TV... and the
|
||
TV sits and watches us do nothing! The TV must think we're all
|
||
pretty lame."
|
||
--Shannon Wheeler
|
||
------------------------------------------
|
||
"I can never get people to understand that poetry is the
|
||
expression of excited passion, and that there is no such thing as
|
||
a life of passion any more than a continuous earthquake, or and
|
||
eternal fever. Besides, who would ever shave themselves in such
|
||
a state?"
|
||
--Lord Byron
|
||
------------------------------------------
|
||
"Poetry, even that of the loftiest, and seemingly, that of the
|
||
wildest odes, [has] a logic of its own as severe as that of
|
||
science; and more difficult, because more subtle, more complex,
|
||
and dependent on more and more fugitive causes. In the truly
|
||
great poets... there is a reason assignable, not only for every
|
||
word, but for the position of every word."
|
||
--Samuel Taylor Coleridge
|
||
------------------------------------------
|
||
"[His mind] was like a volcano, full of fire and wealth,
|
||
sometimes calm, often dazzling and playful, but ever threatening.
|
||
It ran swift as the lightning from one subject to another, and
|
||
occasionally burst forth in passionate throes of intellect,
|
||
nearly allied to madness."
|
||
--Lady Blessington
|
||
------------------------------------------
|
||
"They who dream by day are cognizant of many things which escape
|
||
those who dream only by night. In their grey visions they obtain
|
||
glimpses of eternity..."
|
||
--Edgar Allan Poe
|
||
------------------------------------------
|
||
"I see at last that all the knowledge
|
||
I wrung from the darkness -- that darkness flung me --
|
||
Is worthless as ignorance: nothing comes from nothing
|
||
The darkness from the darkness. Pain comes from the darkness
|
||
And we call it wisdom. It is pain."
|
||
--Randall Jarrell
|
||
------------------------------------------
|
||
"Is getting well ever an art, or art a way to get well?"
|
||
----Robert Lowell
|
||
------------------------------------------
|
||
"Writing is a form of therapy. Sometimes I wonder how all those
|
||
who do not write, compose or paint can manage to escape the
|
||
madness, the melancholia, the panic fear which is inherent in the
|
||
human situation."
|
||
--Graham Greene
|
||
------------------------------------------
|
||
"... You don't like my 'restless' doctrines -- I should be very
|
||
sorry if you did -- but I can't stagnate nevertheless -- if I
|
||
must said let it be on the ocean no matter how stormy -- anything
|
||
but a dull cruise on a level lake without ever losing sight of
|
||
the same insipid shores by which it is surrounded."
|
||
--Lord Byron
|
||
------------------------------------------
|
||
"I had hit a critical period in my life, where I changed very
|
||
much as a person. I consider the person I used to be, dead, and
|
||
I'm glad that he is. Insecure, frightened, confused, much like a
|
||
lot of people I know today."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"I always think the same thing when I read about someone
|
||
committing suicide. I think, 'There, but for the grace of God,
|
||
go I.' I think, 'There's only a twist of Fate between me and
|
||
them.' I think, 'It could have been me.' I think, 'I hope that
|
||
I can give someone else a reason to live through today so that he
|
||
or she will give me a reason to live through tomorrow.'"
|
||
--Dahven White
|
||
------------------------------------------
|
||
"Opinion is a denial of truth. For if each man is entitled to
|
||
his own opinion then there can be nothing which is false,
|
||
consequently there can be nothing which is true."
|
||
--Andrew Juric
|
||
------------------------------------------
|
||
"Maybe we should develop a Crayola bomb as our next secret
|
||
weapon. A happiness weapon. A Beauty Bomb. And every time a
|
||
crisis developed, we would launch one. It would explode high in
|
||
the air -- explode softly -- and send thousands, millions, of
|
||
little parachutes into the air. Floating down to earth -- boxes
|
||
of Crayolas. And we wouldn't go cheap, either -- not little
|
||
boxes of eight. Boxes of sixty-four, with the sharpener built
|
||
right in. With silver and gold and copper, magenta and peach and
|
||
lime, amber and umber and all the rest. And people would smile
|
||
and get a little funny look on their faces and cover the world
|
||
with imagination."
|
||
--Robert Fulghum
|
||
------------------------------------------
|
||
"Life has no other discipline to impose, if we would but realize
|
||
it, than to accept life unquestioningly. Everything we shut our
|
||
eyes to, everything we run away from, everything we deny,
|
||
denigrate, or despise, serves to defeat us in the end. What
|
||
seems nasty, painful, evil, can become a source of beauty, joy,
|
||
and strength, if faced with an open mind. Every moment is a
|
||
golden one for him who has the vision to recognize it as such."
|
||
--Henry Miller
|
||
------------------------------------------
|
||
"The dissenter is every human being at those moments of his life
|
||
when he resigns momentarily from the herd and thinks for
|
||
himself."
|
||
--Archibald MacLeish
|
||
------------------------------------------
|
||
"It is remarkable how much mediocrity we live with, surrounding
|
||
ourselves with daily reminders that the average is acceptable.
|
||
Our world suffers from terminal normality. Take a moment to
|
||
assess all of the things around you that promote your being
|
||
'average'. These are the things that keep you powerless to go
|
||
beyond a 'limit' you arbitrarily set for yourself. The first
|
||
step to having what your really want is the removal of everything
|
||
in your environment that represents mediocrity, removing those
|
||
things that are limiting. One way is to surround yourself with
|
||
friends who ask more of you than you do."
|
||
--Stewart Emery
|
||
------------------------------------------
|
||
"I am speaking to those among you who have retained some
|
||
sovereign shred of their soul, unsold and unstamped: '-- to the
|
||
order of others'. If, in the chaos of the motives that have made
|
||
you listen to the radio tonight, there was an honest, rational
|
||
desire to learn what is wrong with the world, you are the man
|
||
whom I wished to address. By the rules and terms of my code, one
|
||
owes a rational statement to those whom it does concern and who
|
||
are making an effort to know. Those who are making an effort to
|
||
fail to understand me, are not a concern of mine." (Atlas 981)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Just as I support my life, neither by robbery nor alms, but by
|
||
my own effort, so I do not seek to derive my happiness from the
|
||
injury or the favour others of , but earn it by my own
|
||
achievement. Just as I do not consider the pleasure of others as
|
||
the goal of my life, so I do not consider my pleasure as the goal
|
||
of the lives of others. Just as there are no contradictions in
|
||
my values and no conflicts among my desires -- so there are no
|
||
victims and no conflicts of interest among rational men, men who
|
||
do not desire the unearned and do not view one another with a
|
||
cannibal's lust, men who neither make sacrifice nor accept them."
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Honesty is the recognition of the fact that the unreal is unreal
|
||
and can have no value, that neither love nor fame nor cash is a
|
||
value if obtained by fraud -- that an attempt to gain a value by
|
||
deceiving the mind of others is an act of raising your victims to
|
||
a position higher than reality, where you become a pawn of their
|
||
blindness, a slave of their non-thinking and their evasions,
|
||
while their intelligence, their rationality, their perceptiveness
|
||
become the enemies you have to dread and flee -- that you do not
|
||
care to live as a dependent, least of all a dependent on the
|
||
stupidity of others, or as a fool whose source of values is the
|
||
fools he succeeds in fooling -- that honesty is not a social
|
||
duty, not a sacrifice for the sake of others, but the most
|
||
profoundly selfish virtue man can practice: his refusal to
|
||
sacrifice the reality of his own existence to the deluded
|
||
consciousness of others." (Atlas 937)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"My morality, the morality of reason, is contained in a single
|
||
axiom: existence exists -- and in a single choice: to live.
|
||
The rest proceeds from these. To live, man must hold three
|
||
things as the supreme and ruling values of his life: Reason --
|
||
Purpose -- Self-esteem. Reason, as his only tool of knowledge --
|
||
Purpose, as his choice of the happiness which that tool must
|
||
proceed to achieve -- Self-esteem, as his inviolate certainty
|
||
that his mind is competent to think and his person is worth of
|
||
happiness, which means: is worthy of living. These three values
|
||
imply and require all of man's virtues, and all his virtues
|
||
pertain to the relation of existence and consciousness:
|
||
rationality, independence, integrity, honesty, justice,
|
||
productiveness, pride." (Atlas 936)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"You who prattle that morality is social and that man would need
|
||
no morality on a desert island -- it is on a desert island that
|
||
he would need it most. Let him try to claim, when there are no
|
||
victims to pay for it, that a rock is a house, that sand is
|
||
clothing, that food will drop into his mouth without cause or
|
||
effort, that he will collect a harvest tomorrow by devouring his
|
||
stock seed today -- and reality will wipe him out, as he
|
||
deserves; reality will show him that life is a value to be bought
|
||
and that thinking is the only coin noble enough to buy it."
|
||
(Atlas 936)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"A rational process is a moral process. You may make an error at
|
||
any step of it, with nothing to protect you but your own
|
||
severity, or you may try to cheat, to fake the evidence and evade
|
||
the effort of the quest -- but if devotion to the truth is the
|
||
hallmark of morality, then there is no greater, nobler, more
|
||
heroic form of devotion than the act of a man who assumes the
|
||
responsibility of thinking." (Atlas 935)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"No matter how vast your knowledge or how modest, it is your own
|
||
mind that has to acquire it. It is only with your own knowledge
|
||
that you can deal. It is only your own knowledge that you can
|
||
claim to possess or ask others to consider. Your mind is your
|
||
only judge of truth -- and if others dissent from your verdict,
|
||
reality is the court of final appeal. Nothing but a man's mind
|
||
can perform that complex, delicate, crucial process of
|
||
identification which is thinking. Nothing can direct the process
|
||
but his own judgement. Nothing can direct his judgement but his
|
||
moral integrity." (Atlas 935)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"But neither life nor happiness can be achieved by the pursuit of
|
||
irrational whims. Just as man is free to attempt to survive in
|
||
any random manner, but will perish unless he lives as his nature
|
||
requires, so he is free to seek his happiness in any mindless
|
||
fraud, but the torture of frustration is all he will find, unless
|
||
he seeks the happiness proper to man. The purpose of morality is
|
||
to teach you, not to suffer and die, but to enjoy yourself and
|
||
live." (Atlas 932)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"For centuries, the battle of morality was fought between those
|
||
who claimed that your life belongs to God and those who claimed
|
||
that it belongs to your neighbours -- between those who preached
|
||
that the good is self-sacrifice for the sake of ghosts in heaven
|
||
and those who preached that the good is self-sacrifice for the
|
||
sake of incompetents on earth. And no one came to say that your
|
||
life belongs to you and that the good is to live it." (Atlas
|
||
930)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"The lust that drives others to enslave an empire, had become, in
|
||
her limits, a passion for power over him. She had set out to
|
||
break him, as if, unable to equal his value, she could surpass it
|
||
by destroying it, as if the measure of his greatness would thus
|
||
become the measure of hers, as if the vandal who smashed a statue
|
||
were greater than the artist who had made it, as if the murderer
|
||
who killed a child were greater than the mother who had given it
|
||
birth."
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"It's not that I don't suffer, it's that I know the unimportance
|
||
of suffering, I know that pain is to be fought and thrown aside,
|
||
not to be accepted as part of one's soul and as a permanent scar
|
||
across one's view of existence. Don't feel sorry for me. It was
|
||
gone right then." (Atlas 883)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Yes... Yes, I feel that there's no chance for me to exist, if
|
||
they do... no chance, no room, no world I can cope with... I
|
||
don't want to feel it, I keep pushing it back, but it's coming
|
||
closer and I know I have no place to run... I can't explain what
|
||
it feels like, I can't catch hold of it -- and that's path of the
|
||
terror, that you can't catch hold of anything -- it's as if the
|
||
whole world were suddenly destroyed, but not by an explosion --
|
||
an explosion is something hard and solid -- but destroyed by ...
|
||
by some horrible kind of softening ... as if nothing were solid,
|
||
nothing held any shape at all, and you could poke your finger
|
||
through stone walls and the stone would give, like jelly, and
|
||
mountains would slither, and buildings would switch their shapes
|
||
like clouds -- and that would be the end of the world, not fire
|
||
and brimstone, but goo." (Atlas 819)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Whenever anyone accuses some person of being 'unfeeling,' he
|
||
means that that person is just. He means that that person has no
|
||
causeless emotions and will not grant him a feeling which he does
|
||
not deserve. He means that 'to feel' is to go against reason,
|
||
against moral values, against reality." (Atlas 818)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"My pride and my power of vision were all that I owned when I
|
||
started -- and whatever I achieved, was achieved by means of
|
||
them. Both are greater now. Now I have the knowledge of the
|
||
superlative value I had missed: of my right to be proud of my
|
||
vision. The rest is mine to reach." (Atlas 793)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Everything matters!"
|
||
--from S.F.W.
|
||
------------------------------------------
|
||
"You'll come back, because yours is an error of knowledge, not a
|
||
moral failure, not an act of surrender to evil, but only the last
|
||
act of being victim to your own virtue. We'll wait for you and
|
||
when you come back, you will have discovered that there need
|
||
never be any conflict among your desires, nor so tragic a clash
|
||
of values as the one you've borne so well." (Atlas 744)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"If you want to know the one reason that's taking me back, I'll
|
||
tell you: I cannot bring myself to abandon to destruction all
|
||
the greatness of the world, all that which was mine and yours,
|
||
which was made by us and is still ours by right -- because I
|
||
cannot believe that men refuse to see, that they can remain blind
|
||
and deaf to us forever, when the truth is ours and their lives
|
||
depend on accepting it. ... So long as men desire to live, I
|
||
cannot lose my battle." (Atlas 744)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Don't consider our interests or desires. You have no duty to
|
||
anyone but yourself." (Atlas 740)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Don't rely on our knowledge of what's best for your future. We
|
||
do know, but it can't be best until you know it." (Atlas 740)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Consider the reasons which make us certain that we are right,
|
||
but not the fact that we are certain. If you are not convinced,
|
||
ignore our certainty. Don't be tempted to substitute our
|
||
judgement for your own." (Atlas 740)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"If any part of your uncertainty, is a conflict between your
|
||
heart and your mind -- follow your mind." (Atlas 740)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Did it ever occur to you, that there is no conflict of interests
|
||
among men, neither in business nor in trade nor in their most
|
||
personal desires -- if they omit the irrational from their view
|
||
of the possible and destruction from their view of the practical?
|
||
There is no conflict, and no call for sacrifice, and no man is a
|
||
threat to the aims of another -- if men understand that reality
|
||
is an absolute not to be faked, that lies do not work, that the
|
||
unearned cannot be had, that the undeserved cannot be given, that
|
||
the destruction of a value which is, will not bring value to that
|
||
which isn't." (Atlas 736)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Every man builds his world in his own image. He has the power
|
||
to choose, but no power to escape the necessity of choice. If he
|
||
abdicates his power, he abdicates the status of man, and the
|
||
grinding chaos of the irrational is what he achieves as his
|
||
sphere of existence -- by his own choice." (Atlas 729)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I want you to observe, that those who cry the loudest about
|
||
their disillusionment, about the failure of virtue, the futility
|
||
of reason, the impotence of logic -- are those who have achieved
|
||
the full, exact, logical result of the ideas they preached, so
|
||
mercilessly logical that they dare not identify it. In a world
|
||
that proclaims the non-existence of the mind, the moral
|
||
righteousness of rule by brute force, the penalizing of the
|
||
competent in favour of the incompetent, the sacrifice of the best
|
||
to the worst -- in such a world, the best have to turn against
|
||
society and have to become it's deadliest enemies." (Atlas 729)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"What I want you to understand, is the full evil of those who
|
||
claim to have become convinced that this earth, by its nature, is
|
||
a realm of malevolence where the good has no chance to win. Let
|
||
them check their premises. Let them check their standards of
|
||
value. Let them check -- before they grant themselves the
|
||
unspeakable license of evil-as-necessity -- whether they know
|
||
what is the good and what are the conditions it requires."
|
||
(Atlas 729)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I sat there beside him till morning -- and as I watched his face
|
||
in the starlight, then the first ray of the sun on his untroubled
|
||
forehead and closed eyelids, what I experienced was not a prayer,
|
||
I do not pray, but that state of spirit at which a prayer is a
|
||
misguided attempt: a full, confident, affirming self-dedication
|
||
to my love of the right, to the certainty that the right would
|
||
win and that this boy would have the kind of future he deserved.
|
||
... I did not expect it to be as great as this -- or as hard."
|
||
(Atlas 727)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"She can live through it, because we do not hold the belief that
|
||
this earth is a realm of misery where man is doomed to
|
||
destruction. We do not think that tragedy is our natural fate
|
||
and we do not live in chronic dread of disaster. We do not
|
||
expect disaster until we have specific reason to expect it -- and
|
||
when we encounter it, we are free to fight it. It is not
|
||
happiness, but suffering that we consider unnatural. It is not
|
||
success, but calamity that we regard as the abnormal exception in
|
||
human life." (Atlas 700)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Why should this seem so startling? There is only one kind of
|
||
men who have never been on strike in human history. Every other
|
||
kind and class have stopped, when they so wished, and have
|
||
presented demands to the world, claiming to be indispensable --
|
||
except the men who have carried the world on their shoulders,
|
||
have kept it alive, have endured torture as sole payment, but
|
||
have never walked out on the human race. Well, their turn has
|
||
come. Let the world discover who they are, what they do and what
|
||
happens when they refuse to function. This is the strike of the
|
||
men of the mind. This is the mind on strike." (Atlas 681)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"God help us, ma'am! Do you see what we saw? We saw that we'd
|
||
been given a law to live by, a moral law, they called it, which
|
||
punished those who observed it -- for observing it. The more you
|
||
tried to live up to it, the more you suffered; the more you
|
||
cheated it, the bigger reward you got. Your honesty was like a
|
||
tool left at the mercy of the next man's dishonesty. The honest
|
||
ones paid, the dishonest collected. The honest lost, the
|
||
dishonest won. How long could men stay good under this sort of a
|
||
law of goodness?" (Atlas 613)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"A painting is never finished -- it simply stops in interesting
|
||
places."
|
||
--Paul Gardner
|
||
------------------------------------------
|
||
"I wish I could take language
|
||
And fold it like cool, moist rags.
|
||
I would lay words on your forehead.
|
||
I would wrap words on your wrists.
|
||
'There, there,' my words would say --
|
||
Or something better.
|
||
I would ask them to murmur,
|
||
'Hush' and 'Shh, shhh, it's all right.'
|
||
I would ask them to hold you all night.
|
||
I wish I could take language
|
||
And daub and soothe and cool
|
||
Where fever blisters and burns,
|
||
Where fever turns yourself against you.
|
||
I wish I could take language
|
||
And heal the words that were the wounds
|
||
You have no names for."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"Growth is a spiral process, doubling back on itself, reassessing
|
||
and regrouping."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"One does not discover new lands without consenting to lose sight
|
||
of the shore for a very long time."
|
||
--Andr<64> Gide
|
||
------------------------------------------
|
||
"The clock is ticking and you're hearing the beat. You stop by a
|
||
museum shop, sign your name on a scuba-diving sheet, and commit
|
||
yourself to Saturday mornings in the deep end. You're either
|
||
losing your mind -- or gaining your soul. Life is meant to be an
|
||
artist date. That's why we were created."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"I finally realized that it wasn't Starfleet that I was trying to
|
||
get away from. I was trying to escape the pain I felt, after my
|
||
wife's death. I thought I could take the uniform, wrap it around
|
||
the pain and toss them both away. But it doesn't work like that.
|
||
Running may help for a little while, but sooner or later the pain
|
||
catches up with you, and the only way to get rid of it is to
|
||
stand your ground."
|
||
--from Deep Space Nine
|
||
------------------------------------------
|
||
"It is said that [Robin Hood] fought against the looting rulers
|
||
and returned the loot to those who had been robbed, but that is
|
||
not the meaning of the legend which has survived. He is
|
||
remembered, not as a champion of property, but as a champion of
|
||
need, not as a defender of the robbed, but as a provider of the
|
||
poor. He is held to be the first man who assumed a halo of
|
||
virtue by practising charity with wealth which he did not own, by
|
||
giving away goods which he had not produced, by making others pay
|
||
for the luxury of his pity. He is the man who became the symbol
|
||
of the idea that need, not achievement, is the source of rights,
|
||
that we don't have to produce, only to want, that the earned does
|
||
not belong to us, but the unearned does. He became a
|
||
justification for every mediocrity who, unable to make his own
|
||
living, had demanded the power to dispose of the property of his
|
||
betters, by proclaiming his willingness to devote his life to his
|
||
inferiors at the price of robbing his superiors." (Atlas 534)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"John Galt is Prometheus who changed his mind. After centuries
|
||
of being torn by vultures in payment for having brought to men
|
||
the fire of the gods, he broke his chains and he withdrew his
|
||
fire -- until the day when men withdraw their vultures." (Atlas
|
||
480)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"[He] stood motionless, not turning to the crowd, barely hearing
|
||
the applause. He stood looking at the judges. There was no
|
||
triumph in his face, no elation, only the still intensity of
|
||
contemplating a vision with a bitter wonder that was almost fear.
|
||
He was seeing the enormity of the smallness of the enemy who was
|
||
destroying the devastation, past the ruins of great factories,
|
||
the wrecks of powerful engines, the bodies of invincible men, he
|
||
had come upon the despoiler, expecting to find a giant -- and had
|
||
found a rat eager to scurry for cover at the first sound of a
|
||
human step. If this is what has beaten us, he thought, the guilt
|
||
is ours." (Atlas 449)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I could say to you that I have done more good for my fellow man
|
||
than you can ever hope to accomplish -- but I will not say it,
|
||
because I do not seek the good of others as a sanction for my
|
||
right to exist, nor do I recognize the good of others as a
|
||
justification for their seizure of my property or their
|
||
destruction of my life. I will not say that the good of others
|
||
was the purpose of my work -- my own good was my purpose, and I
|
||
despise the man who surrenders his. I could say to you that you
|
||
do not serve the public good -- that nobody's good can be
|
||
achieved at the price of human sacrifices -- that when you
|
||
violate the rights of one man, you have violated the rights of
|
||
all, and a public of rightless creatures is doomed to
|
||
destruction. I could say that you that you will and can achieve
|
||
nothing but universal devastation -- as any looter must, when he
|
||
runs out of victims. I could say it, but I won't. It is not
|
||
your particular policy that I challenge, but your moral premise."
|
||
(Atlas 447)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I am rich and proud of every penny I own. I made my money by my
|
||
own effort, in free exchange and through the voluntary consent of
|
||
every man I dealt with -- the voluntary consent of those who
|
||
employed me when I started, the voluntary consent of those who
|
||
work for me now, the voluntary consent of those who buy my
|
||
product. I shall answer all the questions you are afraid to ask
|
||
me openly. Do I wish to pay my workers more than their services
|
||
are worth to me? I do not. Do I wish to sell my product for
|
||
less than my customers are willing to pay me? I do not. Do I
|
||
wish to sell it at a loss or give it away? I do not. If this is
|
||
evil, do whatever you please about me, according to whatever
|
||
standards you hold. These are mine. I am earning my own living,
|
||
as every honest man must. I refuse to accept as guilt the fact
|
||
of my own existence and the fact that I must work in order to
|
||
support it. I refuse to accept as guilt the fact that I am able
|
||
to do it and do it well. I refuse to accept as guilt the fact
|
||
that I am able to do it better than most people -- the fact that
|
||
my work is of greater value than the work of my neighbours and
|
||
that more men are willing to pay me. I refuse to apologize for
|
||
my ability -- I refuse to apologize for my success -- I refuse to
|
||
apologize for my money." (Atlas 446-7)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Did you ask me to name man's motive power? Man's motive power
|
||
is his moral code. Ask yourself where their code is leading you
|
||
and what it offers you as your final goal. A viler evil than to
|
||
murder a man, is to sell him suicide as an act of virtue. A
|
||
viler evil than to throw a man into a sacrificial furnace, is to
|
||
demand that he leap in, of his own will, and that he build the
|
||
furnace, besides. By their own statement, it is they who need
|
||
you and have nothing to offer you in return. By their own
|
||
statement, you must support them because they cannot survive
|
||
without you. Consider the obscenity of offering their impotence
|
||
and their need -- their need of you -- as a justification for
|
||
your torture. Are you willing to accept it? Do you care to
|
||
purchase -- at the price of your great endurance, at the price of
|
||
you agony -- the satisfaction of the needs of your own
|
||
destroyers?" (Atlas 423-4)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"All your life, you have heard yourself denounced; not for your
|
||
faults, but for your greatest virtues. You have been hated, not
|
||
for your mistakes, but for your achievements. You have been
|
||
scorned for all those qualities of character which are your
|
||
highest pride. You have been called selfish for the courage of
|
||
acting on your own judgement and bearing sole responsibility for
|
||
your own life. You have been called arrogant for your
|
||
independent mind. You have been called cruel for your unyielding
|
||
integrity. You have been called anti-social for the vision that
|
||
made you venture upon undiscovered roads. You have been called
|
||
ruthless for the strength and self-discipline of your drive to
|
||
your purpose. You have been called greedy for the magnificence
|
||
of your power to create wealth. You, who've expended an
|
||
inconceivable flow of energy, have been called a parasite. You,
|
||
who've created abundance where there had been nothing but
|
||
wastelands and helpless, starving men before you, have been
|
||
called a robber. You, who've kept them all alive, have been
|
||
called an exploiter. You, the purest and most moral man among
|
||
them, have been sneered at as a 'vulgar materialist.' Have you
|
||
stopped to ask them: by what right? -- by what code? -- by what
|
||
standard?" (Atlas 422-3)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Did you really think that we wanted those laws to be observed?
|
||
... We want them broken. You'd better get it straight that it's
|
||
not a bunch of boy scouts you're up against -- then you'll know
|
||
that this is not the age for beautiful gestures. We're after
|
||
power and we mean it. You fellows were pikers, but we know the
|
||
real trick, and you'd better get wise to it. There's no way to
|
||
rule innocent men. The only power any government has is the
|
||
power to crack down on criminals. Well, when there aren't enough
|
||
criminals, one makes them. One declares so many things to be a
|
||
crime that it becomes impossible for men to live without breaking
|
||
laws. Who wants a nation of law-abiding citizens? What's there
|
||
in that for anyone? But just pass the kind of laws that can
|
||
neither be observed nor enforced nor objectively interpreted --
|
||
and you create a nation of law-breakers -- and then you case in
|
||
on guilt. Now that's the system, that's the game, and once you
|
||
understand it, you'll be much easier to deal with." (Atlas 406)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"That woman and all those like her keep evading the thoughts
|
||
which they know to be good. You keep pushing out of your mind
|
||
the thoughts which you believe to be evil. They do it, because
|
||
they want to avoid effort. You do it, because you won't permit
|
||
yourself to consider anything that would spare you. They indulge
|
||
their emotions at any cost. You sacrifice your emotions as the
|
||
first cost of any problem. They are willing to bear nothing.
|
||
You are willing to bear anything. They keep evading
|
||
responsibility. You keep assuming it. But don't you see that
|
||
the essential error is the same? Any refusal to recognize
|
||
reality, for any reason whatever, has disastrous consequences.
|
||
There are no evil thoughts except one: the refusal to think.
|
||
Don't ignore your own desires. Don't sacrifice them. Examine
|
||
their cause. There is a limit to how much you should have to
|
||
bear." (Atlas 389)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Or did you say it's the love of money that's the root of all
|
||
evil? To love a thing is to know its nature. To love money is
|
||
to known and love the fact that money is the creation of the best
|
||
power within you, and your passkey to trade your effort for the
|
||
effort of the best among men. It's the person who would sell his
|
||
soul for a nickel, who is loudest in proclaiming his hatred of
|
||
money -- and he has good reason to hate it. The lovers of money
|
||
are willing to work for it. They know they are able to deserve
|
||
it." (Atlas 384)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Money is your means of survival. The verdict you pronounce upon
|
||
the source of your livelihood is the verdict you pronounce upon
|
||
your life. If the source is corrupt, you have damned your own
|
||
existence. Did you get your money by fraud? By pandering to
|
||
men's vices or men's stupidity? By catering to fools, in the
|
||
hope of getting more than your ability deserves? By lowering
|
||
your standards? By doing work you despise for purchasers your
|
||
scorn? If so, then your money will not give you a moment's or a
|
||
penny's worth of joy. Then all the things you buy will become,
|
||
not a tribute to you, but a reproach; not an achievement, but a
|
||
reminder of shame. Then you'll scream that money is evil. Evil,
|
||
because it would not pinch-hit for your self-respect? Evil,
|
||
because it would not let you enjoy your depravity? Is this the
|
||
root of your hatred of money?" (Atlas 384)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Only the man who does not need it, is fit to inherit wealth --
|
||
the man who would make his own fortune no matter where he
|
||
started. If an heir is equal to his money, it serves him; if
|
||
not, it destroys him. But you look on and you cry that money
|
||
corrupted him. Did it? Or did he corrupt his money? Do not
|
||
envy a worthless heir; his wealth is not yours and you would have
|
||
done no better with it. Do not think that it should have been
|
||
distributed among you; loading the world with fifty parasites
|
||
instead of one, would not bring back the dead virtue which was
|
||
the fortune. Money is a living power that dies without its root.
|
||
Money will not serve the mind that cannot match it. Is this the
|
||
reason why you call it evil?" (Atlas 384)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"But you say that money is made by the strong at the expense of
|
||
the weak? What strength do you mean? It is not the strength of
|
||
guns or muscles. Wealth is the product of man's capacity to
|
||
think. Then is money made by the mad who invents a motor at the
|
||
expense of those who did not invent it? Is money made by the
|
||
intelligent at the expense of the fools? By the able at the
|
||
expense of the incompetent? By the ambitious at the expense of
|
||
the lazy? Money is made -- before it can be looted or mooched --
|
||
made by the effort of every honest man, each to the extent of his
|
||
ability. An honest man is one who knows that he can't consume
|
||
more than he has produced." (Atlas 383)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I think it's funny. There was a time when men were afraid that
|
||
somebody would reveal some secret of theirs that was unknown to
|
||
their fellows. Nowadays, they're afraid that somebody will name
|
||
what everybody knows. Have you practical people ever though that
|
||
that's all it would take to blast your whole, big, complex
|
||
structure, with all your laws and guns -- just somebody naming
|
||
the exact nature of what you're doing?" (Atlas 379)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"No longer conscious of my movement, I discovered a new unity
|
||
with nature. I had found a new source of power and beauty, a
|
||
source I never dreamt existed."
|
||
--Roger Bannister
|
||
------------------------------------------
|
||
"What moves men of genius, or rather what inspires their work, is
|
||
not new ideas, but their obsession with the idea that what has
|
||
already been said is still not enough."
|
||
--Eug<75>ne Delacroix
|
||
------------------------------------------
|
||
"It's a funny thing about life; if you refuse to accept anything
|
||
but the best, you very often get it."
|
||
--W. Somerset Maugham
|
||
------------------------------------------
|
||
"He who knows others is wise; he who knows himself is
|
||
enlightened."
|
||
--Lao-tzu
|
||
------------------------------------------
|
||
"Only when he no longer knows what he is doing does the painter
|
||
do good things."
|
||
--Edgar Degas
|
||
------------------------------------------
|
||
"The unconscious wants truth. It ceases to speak to those who
|
||
want something else more than truth."
|
||
--Adrienne Rich
|
||
------------------------------------------
|
||
"Truly, it is in the darkness that one finds the light, so when
|
||
we are in sorrow, then this light is nearest of all to us."
|
||
--Meister Eckhart
|
||
------------------------------------------
|
||
"Sell your cleverness and buy bewilderment."
|
||
--Jalal ud-Din Rumi
|
||
------------------------------------------
|
||
"When we are really honest with ourselves we must admit our lives
|
||
are all that really belong to us. So it is how we use our lives
|
||
that determines the kind of men we are."
|
||
--Cesar Chavez
|
||
------------------------------------------
|
||
"In the middle of difficulty lies opportunity."
|
||
--Albert Einstein
|
||
------------------------------------------
|
||
"Who was it that said he needed a fulcrum? Give me an
|
||
unobstructed right-of-way and I'll show them how to move the
|
||
earth!" (Atlas 234)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"The men of the press, who despised their own profession, did not
|
||
know why they were enjoying it today. One of them, a young man
|
||
with years of notorious success behind him and a cynical look of
|
||
twice his age, said suddenly, 'I know what I'd like to be: I
|
||
wish I could be a man who covers news!'" (Atlas 223)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"She looked at the crowd and she felt, simultaneously,
|
||
astonishment that they should stare at her, when this event was
|
||
so personally her own that no communication about it was
|
||
possible, and a sense of fitness that they should be here, that
|
||
they should want to see it, because the sight of an achievement
|
||
was the greatest gift a human being could offer to others."
|
||
(Atlas 222)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"... there's nothing of any importance in life -- except how well
|
||
you do your work. Nothing. Only that. Whatever else you are,
|
||
will come from that. It's the only measure of human value. All
|
||
the codes of ethics they'll try to ram down your throat are just
|
||
so much paper money put out by swindlers to fleece people of
|
||
their virtues. The code of competence is the only system of
|
||
morality that's on a gold standard." (Atlas 98)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"[What for] was the first question he asked about any activity
|
||
proposed to him -- and nothing would make him act, if he found no
|
||
valid answer. He flew through the days of his summer month like
|
||
a rocket, but if one stopped him in midflight, he could always
|
||
name the purpose of his every random moment. Two things were
|
||
impossible to him: to stand still or to move aimlessly." (Atlas
|
||
92-3)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"Francisco could do anything he undertook, he could do it better
|
||
than anyone else, and he did it without effort. There was no
|
||
boasting in his manner and consciousness, no thought of
|
||
comparison. His attitude was not: 'I can do it better than
|
||
you,' but simply: 'I can do it.' What he meant by doing was
|
||
doing superlatively." (Atlas 92)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"If that's the price of getting together, then I'll be damned if
|
||
I want to live on the same earth with any human beings! If the
|
||
rest of them can survive only be destroying us, then why should
|
||
we wish them to survive? Nothing can make self-immolation
|
||
proper. Nothing can give them the right to turn men into
|
||
sacrificial animals. Nothing can make it moral to destroy the
|
||
best. One can't be punished for being good. One can't be
|
||
penalized for ability. If that is right, then we'd better start
|
||
slaughtering one another, because there isn't any right at all in
|
||
the world!" (Atlas 79)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"It was his Fourth Concerto, the last work he had written. The
|
||
crash of its opening chords swept the sights of the streets away
|
||
from her mind. The Concerto was a great cry of rebellion. It
|
||
was a 'NO' flung at some vast process of torture, a denial of
|
||
suffering, a denial that held the agony of the struggle to break
|
||
free. The sounds were like a voice saying: There is no
|
||
necessity for pain -- why, then, is the worst pain reserved for
|
||
those who will not accept its necessity? -- we who hold the love
|
||
and the secret of joy, to what punishment have we been sentenced
|
||
for it, and by whom? ... The sounds of torture became defiance,
|
||
the statement of agony became a hymn to a distant vision for
|
||
whose sake anything was worth enduring, even this. It was the
|
||
song of rebellion -- and of a desperate quest." (Atlas 69)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"I don't know. But I've watched them here for twenty years and
|
||
I've seen the change. They used to rush through here, and it was
|
||
wonderful to watch, it was the hurry of men who knew where they
|
||
were going and were eager to get there. Now they're hurrying
|
||
because they are afraid. It's not a purpose that drives them,
|
||
it's fear. They're not going anywhere, they're escaping. And I
|
||
don't think they know what it is that they want to escape. They
|
||
don't look at one another. They jerk when brushed against. They
|
||
smile too much, but it's an ugly kind of smiling: it's not joy,
|
||
it's pleading. I don't know what it is that's happening to the
|
||
world." (Atlas 64)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"The adversary she found herself forced to fight was not worth
|
||
matching or beating; it was not a superior ability which she
|
||
would have found honour in challenging; it was ineptitude -- a
|
||
grey spread of cotton that seemed soft and shapeless, that could
|
||
offer no resistance to anything or anybody, yet managed to be a
|
||
barrier in her way. She stood, disarmed, before the riddle of
|
||
what made this possible, she could find no answer." (Atlas 55-6)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"What did they seek from him? What were they after? He had
|
||
never asked anything of them; it was they who wished to hold him,
|
||
they who pressed a claim on him -- and the seemed to have the
|
||
form of affection, but it was a form which he found harder to
|
||
endure than any sort of hatred. He despised causeless affection,
|
||
just as he despised unearned wealth. They professed to love him
|
||
for some unknown reason and they ignored all the things for which
|
||
he could wish to be loved. He wondered what response they could
|
||
hope to obtain from him in such manner -- if his response was
|
||
what they wanted. And it was, he though; else why those constant
|
||
complaints, those unceasing accusations about his indifference?
|
||
Why that chronic air of suspicion, as if they were waiting to be
|
||
hurt? He had never had a desire to hurt them, but he had always
|
||
felt their defensive, reproachful expectation; they seemed
|
||
wounded by anything he said, it was not a matter of his words or
|
||
actions, it was almost... almost as if they were wounded by the
|
||
mere fact of his being. Don't start imagining the insane -- he
|
||
told himself severely, struggling to face the riddle with the
|
||
strictest of his ruthless sense of justice. He could not condemn
|
||
them without understanding; and he could not understand." (Atlas
|
||
42-3)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"You're not sorry. You could've been here if you made the
|
||
effort. But when did you ever make an effort for anybody but
|
||
yourself? You're not interested in any of us or in anything we
|
||
do. You think if you pay the bills, that's enough, don't you?
|
||
Money! That's all you know. And all you give us is money. Have
|
||
you even given us any time?" (Atlas Shrugged 40)
|
||
--Ayn Rand
|
||
------------------------------------------
|
||
"No trumpets sound when the important decisions of our life are
|
||
made. Destiny is made known silently."
|
||
--Agnes de Mille
|
||
------------------------------------------
|
||
"The world of reality has its limits; the world of imagination is
|
||
boundless."
|
||
--Jean-Jacques Rousseau
|
||
------------------------------------------
|
||
"To the rationally minded the mental processes of the intuitive
|
||
appear to work backwards."
|
||
--Frances Wickes
|
||
------------------------------------------
|
||
"Taking a new step, uttering a new word is what people fear
|
||
most."
|
||
--Fyodor Dostoyevski
|
||
------------------------------------------
|
||
"I've noticed that a lot of people consider 'finding yourself' to
|
||
be a really frivolous and unproductive study. I'm not sure why.
|
||
Everything important in life really seems to get down-played so
|
||
children can be encouraged to join the rat race and make as much
|
||
money as possible, instead of being told that they should be
|
||
happy first."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"The problem with keeping up with the Jones' is that it creates a
|
||
world full of Jones'."
|
||
--Julian Barton
|
||
------------------------------------------
|
||
"... whether your name is Gehrig, or Ripken, DiMaggio, or
|
||
Robinson, or that of some youngster who picks up his bat or puts
|
||
on his glove, you are challenged by the game of baseball to do
|
||
your very best, day in and day out, and that's all I've ever
|
||
tried to do."
|
||
--Cal Ripken Jr.
|
||
------------------------------------------
|
||
"Trust in yourself. Your perceptions are often far more accurate
|
||
than you are willing to believe."
|
||
--Claudia Black
|
||
------------------------------------------
|
||
"Shoot for the moon. Even if you miss it you will land among the
|
||
stars."
|
||
--Les Brown
|
||
------------------------------------------
|
||
"Living is a form of not being sure, not knowing what next or
|
||
how. The moment you know how, you begin to die a little. The
|
||
artist never entirely knows. We guess. We may be wrong, but we
|
||
take leap after leap in the dark."
|
||
--Agnes de Mille
|
||
------------------------------------------
|
||
"I feel drunk but I'm sober
|
||
I'm young and I'm underpaid
|
||
I'm tired but I'm working, yeah.
|
||
I care but I'm restless
|
||
I'm here but I'm really gone
|
||
I'm wrong and I'm sorry, baby.
|
||
What it all comes down to
|
||
Is that everything's gonna be quite alright."
|
||
--Alanis Morissette
|
||
------------------------------------------
|
||
"So let me get this straight. You want to fly on a magic carpet
|
||
to see the King of the Potato People and plead with him for your
|
||
freedom, and you're telling me you're completely sane?"
|
||
--from Red Dwarf
|
||
------------------------------------------
|
||
"Perfectionism is not a quest for the best. It is a pursuit of
|
||
the worst in ourselves, the part that tells us that nothing we do
|
||
will ever be good enough -- that we should try harder."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"When an actor is in the moment, he or she is engaged in
|
||
listening for the next right thing creatively. When a painter is
|
||
painting, he or she may begin with a plan, but that plan is soon
|
||
surrendered to the painting's own plan. This is often expressed
|
||
as 'The brush takes the next stroke.' In dance, in composition,
|
||
in sculpture, the experience is the same: we are more the
|
||
conduit than the creator of what we express."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"Happiness is based on a just discrimination of what is
|
||
necessary, what is neither necessary nor destructive, and what is
|
||
destructive. In the middle category, however -- that of the
|
||
unnecessary but undestructive, that of comfort, luxury,
|
||
exuberance, etc."
|
||
--Ursula K. LeGuin
|
||
------------------------------------------
|
||
"They did not use swords, or keep slaves. They were not
|
||
barbarians. I do not know the rules and laws of their society,
|
||
but I suspect that they were singularly few. As they did without
|
||
monarchy and slavery, so they also got on without the stock
|
||
exchange, the advertisement, the secret police, and the bomb.
|
||
Yet I repeat that these were not simple folk, not dulcet
|
||
shepherds, noble savages, bland utopians. They were not less
|
||
complex than us. The trouble is that we have a bad habit,
|
||
encouraged by pedants and sophisticates, of considering happiness
|
||
as something rather stupid. Only pain is intellectual, only evil
|
||
interesting. This is the treason of the artist: a refusal to
|
||
admit the banality of evil and the terrible boredom of pain. If
|
||
you can't lick 'em, join 'em. If it hurts, repeat it. But to
|
||
praise despair is to condemn delight, to embrace violence is to
|
||
lose hold of everything else. We have almost lost hold, we can
|
||
no longer describe a happy man, nor make any celebration of joy.
|
||
How can I tell you about the people of Omelas? They were not
|
||
naive and happy children -- though their children were, in fact
|
||
happy. They were mature, intelligent, passionate adults whose
|
||
lives were not wretched."
|
||
--Ursula K. LeGuin
|
||
------------------------------------------
|
||
"Il a mis le caf<61>
|
||
Dans la tasse
|
||
Il a mis le lait
|
||
Dans la tasse de caf<61>
|
||
Il a mis le sucre
|
||
Dans le caf<61> au lait
|
||
Avec la petite cuiller
|
||
Il a tourn<72>
|
||
Il a bu le caf<61> au lait
|
||
Et il a repos<6F> la tasse
|
||
Sans me parler."
|
||
[He put the coffee in the cup. He put the milk in the cup of
|
||
coffee. He put the sugar in the white coffee, with the tea-
|
||
spoon, he stirred. He drank the white coffee and he put the cup
|
||
down. Without speaking to me.]
|
||
--Jacques Pr<50>vert
|
||
------------------------------------------
|
||
"Leap, and the net will appear."
|
||
--Julia Cameron
|
||
------------------------------------------
|
||
"Always leave enough time in your life to do something that makes
|
||
you happy, satisfied, even joyous. That has more of an effect on
|
||
economic well-being than any other single factor."
|
||
--Paul Hawken
|
||
------------------------------------------
|
||
"Often people attempt to live their lives backwards: they try to
|
||
have more things, or more money, in order to do more of what they
|
||
want so that they will be happier. The way it actually works is
|
||
the reverse. You must first be who you really are, then, do what
|
||
you need to do, in order to have what you want."
|
||
--Margaret Young
|
||
------------------------------------------
|
||
"It is not because things are difficult that we do not dare; it
|
||
is because we do not dare that they are difficult."
|
||
--Seneca
|
||
------------------------------------------
|
||
"Eliminate something superfluous from your life. Break a habit.
|
||
Do something that makes you feel insecure."
|
||
--Piero Ferrucci
|
||
------------------------------------------
|
||
"Each painting has its own way of evolving... When the painting
|
||
is finished, the subject reveals itself."
|
||
--William Baziotes
|
||
------------------------------------------
|
||
"Take your life in your own hands and what happens? A terrible
|
||
thing: no one to blame."
|
||
--Erica Jong
|
||
------------------------------------------
|
||
"I have made my world and it is a much better world than I ever
|
||
saw outside."
|
||
--Louise Nevelson
|
||
------------------------------------------
|
||
"We will discover the nature of our particular genius when we
|
||
stop trying to conform to our own or to other people's models,
|
||
learn to be ourselves, and allow our natural channel to open."
|
||
--Shakti Gawain
|
||
------------------------------------------
|
||
"A discovery is said to be an accident meeting a prepared mind."
|
||
--Albert Szent-Gyorgyi
|
||
------------------------------------------
|
||
"The universe will reward you for taking risks on its behalf."
|
||
--Shakti Gawain
|
||
------------------------------------------
|
||
"Learn to get in touch with the silence within yourself and know
|
||
that everything in this life has a purpose."
|
||
--Elisabeth K<>bler-Ross
|
||
------------------------------------------
|
||
"All sanity depends on this: that it should be a delight to feel
|
||
heat strike the skin, a delight to stand upright, knowing the
|
||
bones are moving easily under the flesh."
|
||
--Doris Lessing
|
||
------------------------------------------
|
||
"Every blade of grass has its angel that bends over it and
|
||
whispers, 'grow, grow.'"
|
||
--The Talmud
|
||
------------------------------------------
|
||
"I am often mad, but I would hate to be nothing but mad: and I
|
||
think I would lose what little value I may have as a writer if I
|
||
were to refuse, as a matter of principle, to accept the warming
|
||
rays of the sun, and to report them, whenever, and if ever, they
|
||
happen to strike me."
|
||
--E. B. White
|
||
------------------------------------------
|
||
"I was always matching wits with authority. Pondering over my
|
||
past and present hassles, I began to wonder why my life had taken
|
||
the direction it had. What cosmic forces had led me to this
|
||
precise moment that saw me, once again, dancing on the rim of the
|
||
volcano? The answers started to come to me as my life flashed
|
||
before my eyes. I think it all started when I was arrested as a
|
||
pyromaniac."
|
||
--Bill Lee
|
||
------------------------------------------
|
||
"It's no wonder that our priorities got screwed up. Just because
|
||
a person can throw a ball harder or hit it further than most
|
||
ordinary human beings, he is placed on a pedestal at an early
|
||
age. I don't think there is anything wrong with admiring an
|
||
exceptionally skilled person, but the hero-worship we shower on
|
||
athletes goes beyond that. This is a part of the tribal
|
||
influence handed down by our ancestors. Man has always been
|
||
lionized for his physical prowess. An Indian brave did not have
|
||
to pass a math quiz in order to become a chief, he just had to
|
||
tear the ass of some bear. And the twelve labours of Hercules
|
||
did not include a Regents' exam. Society has tended to find its
|
||
heroes in the most obvious arenas, and I don't regard that as a
|
||
healthy thing. We should find our heroes in the bathroom mirror
|
||
each and every morning."
|
||
--Bill Lee
|
||
------------------------------------------
|
||
"Alcohol is like anything else. It's only as bad as the person
|
||
it's being poured into. If it's used to heighten an occasion, or
|
||
to take an edge off stress, I don't see a problem. Trouble
|
||
starts when you either lose control and let the bottle run you,
|
||
or when you believe its promises of immortality. You realize
|
||
that no matter how much you punish yourself, you always seem to
|
||
wake up the next day. Pretty soon you're convinced that you will
|
||
never die. What that happens I guess it is time to look for help
|
||
before you life becomes one long, lost weekend.
|
||
--Bill Lee
|
||
------------------------------------------
|
||
"During those moments on the pitching rubber, when you have every
|
||
pitch at your command working to its highest potential, you are
|
||
your own universe. For hours after the game, this sense of
|
||
completeness lingers. Then you sink back to what we humorously
|
||
refer to as reality. Your body aches and your muscles cry out.
|
||
You feel your mortality. That can be a difficult thing to
|
||
handle. I believe pitchers come in touch with death a lot sooner
|
||
than other players. We are more aware of the subtle changes
|
||
taking place in our body and are unable to overlook the tell-tale
|
||
hints that we are not going to last on this planet forever.
|
||
Every pitcher has to be a little bit in love with death. There's
|
||
a subconscious fatalism there."
|
||
--Bill Lee
|
||
------------------------------------------
|
||
"I stopped watching the game and sat back to watch the fans. It
|
||
was like watching a Fassbinder film, depicting mankind at its
|
||
most berserk. The experience made me wonder if we're not
|
||
breeding a society that lacks self-esteem. I don't think we pat
|
||
people on the back enough, letting them know that being able to
|
||
fix a sink is just as much skill as being able to get Rod Carew
|
||
out with the bases loaded. And more worthwhile, if you were to
|
||
ask me. People must be made to feel their value. Otherwise,
|
||
when they discover they can't find any thrills in religion or in
|
||
cults, they head out to the ballpark, seeking a vicarious sense
|
||
of fulfilment. They're tired of long-term reality; they don't
|
||
recognize what it has to offer them. All they want is one good
|
||
fantasy. Realizing that really shook me up."
|
||
--Bill Lee
|
||
------------------------------------------
|
||
"I don't get upset over things I can control, because if I can
|
||
control them there's no sense in getting upset. And I don't get
|
||
upset over things I can't control, because if I can't control
|
||
them there's no sense in getting upset."
|
||
--Mickey Rivers
|
||
------------------------------------------
|
||
"There's a saying that no man is an island, which I completely
|
||
disagree with. I believe that a man should be self-sufficient.
|
||
What I propose is almost socialistic, almost communistic: Each
|
||
person should have his own plot of land and grow their food.
|
||
They should each have a civil service job and contribute equally.
|
||
If you don't contribute then you don't eat and you die. Don't be
|
||
a burden on those people that are breaking their backs to work."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"Whether left or right, when views get that extreme then they
|
||
become warped and open to the sickness of the person holding
|
||
them."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"I know what you're going to say! 'They are men, and men should
|
||
be free.' A free man is dangerous to himself and everyone else.
|
||
Freedom should be left to those who can put it to good use..."
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"You just gotta keep going on. Get up, and do your job. Go to
|
||
work, get through each day, one day at a time, like that. And
|
||
you hope that one day, you'll get up and it'll hurt a little
|
||
less. You just gotta just get through it. You just go on. It's
|
||
that simple."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"All I want is to be back where things make sense. Where I won't
|
||
have to be afraid all the time. Only one thing stops me. A
|
||
promise I made..."
|
||
--from The Shawshank Redemption
|
||
------------------------------------------
|
||
"What do you really want to know? Am I sorry for what I did?
|
||
There's not a day goes by I don't feel regret. Not because I'm
|
||
in here, but because you think I should be. I look back on the
|
||
way I was. A young, stupid kid that committed that terrible
|
||
crime. I want to talk to him. I want to try to talk some sense
|
||
to him. Tell him the way things are. But I can't. That kid's
|
||
long gone, and this old man is all that's left."
|
||
--from The Shawshank Redemption
|
||
------------------------------------------
|
||
"I've had some long nights in the stir. Alone in the dark, with
|
||
nothing but your thoughts, time can draw out like a blade. That
|
||
was the longest night of my life."
|
||
--from The Shawshank Redemption
|
||
------------------------------------------
|
||
"It floats around, it's got to land on somebody. It was my turn,
|
||
that's all. I was in the path of the tornado. I didn't expect
|
||
the storm would last as long as it has."
|
||
--from The Shawshank Redemption
|
||
------------------------------------------
|
||
"Gone is the blinding glow in his hands -- gone, too, is the
|
||
illusion of purity and beauty! In it's place all that remains is
|
||
mind-numbing, spine-chilling reality!"
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"When I start the book, I'm The Writer. The writer bitches for a
|
||
week about how he never has any fun, he's tired of being funny
|
||
all the time, and nobody cares about him anyhow. This is
|
||
followed by a period of deep intense silence, much staring at
|
||
walls, punctuated by cheery optimism on the order of: 'That's
|
||
it! I'm Dead! I can't think of an ending!' or 'I'm just going
|
||
to have to scrap the first ten pages -- they're lousy.' Often it
|
||
is less coherent than that -- reduced to the more succinct,
|
||
'Garbage! It's all GARBAGE!'"
|
||
--Dave Sim
|
||
------------------------------------------
|
||
"Life moves pretty fast, if you don't stop and look around once
|
||
in a while, you could miss it."
|
||
--from Ferris Bueller's Day Off
|
||
------------------------------------------
|
||
"I may not agree with what you say, but I will defend to the
|
||
death, your right to say it."
|
||
--Voltaire
|
||
------------------------------------------
|
||
"All the world's a stage, and the men and women merely players.
|
||
They have their exits and their entrances, and one man in his
|
||
time plays many parts."
|
||
--William Shakespeare
|
||
------------------------------------------
|
||
"Forgive you enemies, but never forget their names."
|
||
--John F. Kennedy
|
||
------------------------------------------
|
||
"Only those who attempt the absurd can achieve the impossible."
|
||
------------------------------------------
|
||
"The truth is an anagram of an anagram."
|
||
--Umberto Eco
|
||
------------------------------------------
|
||
"Floating, falling, sweet intoxication
|
||
Touch me, trust me, savour each sensation.
|
||
Let the dream begin, let you darker side give in."
|
||
--from The Phantom of the Opera
|
||
------------------------------------------
|
||
"It may be that your sole purpose in life is simply to serve as a
|
||
warning to others."
|
||
------------------------------------------
|
||
"You know, I got a daughter, she lives in Michigan. When she was
|
||
six years old we took her to the circus, one minute she's
|
||
laughing at the clowns, you know, getting out of the Volkswagon.
|
||
The next minute she's telling me that her stomach hurts. Soon
|
||
she's crying, then she's screaming. We drove her right to the
|
||
emergency room, and she's got a fever, it's too high. The
|
||
doctors poke and prod, and still they can't find anything wrong.
|
||
Now her vital signs weaken, and they put her on an IV and they
|
||
still can't find anything wrong. Not anything. One day I walked
|
||
into her room, and the nurse was trying to put in a new IV and
|
||
she couldn't find the spot. Her little veins were weak, and
|
||
[she] starts getting afraid of the needle, and she looked up at
|
||
me and said 'Daddy, make it better.' I can't you how I felt,
|
||
when she looked up at me and said that, I couldn't make it
|
||
better. There was nothing I could do. She was my daughter and I
|
||
was so powerless. I felt so powerless."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"Have you ever noticed, detective, that there are people in this
|
||
world who can tell stories, but they're not the ones that write
|
||
them? People don't grow wealthy or powerful through virtue or
|
||
intelligence or hard work, though those things do figure in.
|
||
They grow wealthy and powerful because they know how to take
|
||
what's in front of them and shape it, and use it."
|
||
--from Under Suspicion
|
||
------------------------------------------
|
||
"Writing will be your companion through the darkest and brightest
|
||
days of your life -- if that is what you want. It exposes pain
|
||
and guilt and the greatest joy. It is your own assessment of who
|
||
you are. You should write as much as you can and as much as you
|
||
want to. It will be something to turn to."
|
||
--Sharda Tarachandra
|
||
------------------------------------------
|
||
"You can never run away from a weakness. You must sometime fight
|
||
it or perish, and if that be so, why not now, and where you
|
||
stand?"
|
||
--Robert Louis Stevenson
|
||
------------------------------------------
|
||
"At first he thought he felt bad because he was afraid of leading
|
||
an army, but it wasn't true. He knew he'd make a good commander.
|
||
He felt himself wanting to cry. He hadn't cried since the first
|
||
few days of homesickness after he got here. He tried to put a
|
||
name on the feeling that put a lump in his throat and made him
|
||
sob silently, however much he tried to hold it down. He bit down
|
||
on his hand to stop the feeling, to replace it with pain. It
|
||
didn't help."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"Ender stepped under the water and rinsed himself, took the sweat
|
||
of combat and let it run down the drain. All gone, except they
|
||
recycled it and we'll be drinking Bonzo's blood water in the
|
||
morning. All the life gone out of it, but his blood just the
|
||
same, his blood and my sweat, washed down in their stupidity or
|
||
cruelty or whatever it was that made them let it happen."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"There was no doubt now in Ender's mind. There was no help for
|
||
him. Whatever he faced, now and forever, no one would save him
|
||
from it. Peter might be scum, but he had been right, always
|
||
right; the power to cause pain is the only power that matters,
|
||
the power to kill and destroy, because if you can't kill then you
|
||
are always subject to those who can, and nothing and no one will
|
||
ever save you."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"Whether he likes it or not, [he] cannot remain incognito
|
||
forever. He has outraged too many wise men and pleased too many
|
||
fools to hide behind his too-appropriate order to assume
|
||
leadership of the forces of stupidity he has marshalled, or his
|
||
enemies will unmask him in order to better understand the disease
|
||
that has produced such a warped and twisted mind."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"Well, I'm your man. I'm the bloody bastard you wanted when you
|
||
had me spawned. I'm your tool, and what difference does it make
|
||
if I hate the part of me that you most need? What difference
|
||
does it make that when the little serpents killed me in the game,
|
||
I agreed with them, and was glad."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"I'll put it bluntly. Human beings are free except when humanity
|
||
needs them. Maybe humanity needs you. To do something. Maybe
|
||
humanity needs me -- to find out what you're good for. We might
|
||
both do despicable things, but if humankind survives, then we
|
||
were good tools."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"This is the essence of the transaction between storyteller and
|
||
audience. The 'true' story is not the one that exists in my
|
||
mind; it is certainly not the written words on the bound paper
|
||
that you hold in your hands. The story in my mind is nothing but
|
||
a hope; the text of the story is the tool I created in order to
|
||
try to make that hope a reality. The story itself, the true
|
||
story, is the one that the audience members create in their
|
||
minds, guided and shaped by my text, but then transformed,
|
||
elucidated, expanded, edited, and clarified by their own
|
||
experience, their own desires, their own hopes and fears."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"... All these readers have placed themselves inside this story,
|
||
not as spectators, but as participants, and so have looked at the
|
||
world, not with my eyes only, but also with their own."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"[It] was written and sold. I knew it was a strong story because
|
||
I cared about it and believed in it. I had no idea that it would
|
||
have the effect it had on the audience. While most people
|
||
ignored it, of course, and continue to live full and happy lives
|
||
without reading it or anything else by me, there was still a
|
||
surprisingly large group who responded to the story with some
|
||
fervency."
|
||
--Orson Scott Card
|
||
------------------------------------------
|
||
"I don't pray anymore. I used to, I used to pray for answers. A
|
||
clue, a sign of what I should do. How to find something precious
|
||
in this life. There was a time when I thought it was my work, my
|
||
job, but is it? Nothing in this world changes because of what I
|
||
do. The hurt goes on and on. God has given up on us. He
|
||
doesn't hear us anymore..."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"Singers attract fans with aspects to their own personality.
|
||
People feel I'm passionate and obsessive. They know this isn't a
|
||
profession for me, it's a vocation. It's not an egotistical
|
||
thing, but something else. I'm in a dialogue with my audience,
|
||
and that's something I need."
|
||
--Morrissey
|
||
------------------------------------------
|
||
"Passivity is the culprit. Think of yourself as the victim, you
|
||
become the victim."
|
||
--from Law & Order
|
||
------------------------------------------
|
||
"When I was very young, I went to a grade school in New York City
|
||
called Saint Bart's for Boys. We used to call it the fortress,
|
||
that's because the outside of the building looked like a medieval
|
||
fort. But in fact, it was an oasis, right in the middle of my
|
||
neighbourhood. The brothers and sisters were very strict, you
|
||
know, my butt caught the bamboo more than a few times. But I
|
||
didn't hate it. I didn't hate it. Those rules made me feel
|
||
important, they made me feel worth protecting. I felt safe. And
|
||
then I went to a Jesuit high school, Saint Ignatius. The Jesuits
|
||
taught me how to think, I haven't felt safe since."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"I don't want to hope anymore, I almost died from this in the
|
||
first place, and I don't want to get that down again."
|
||
--Lisa Neve
|
||
------------------------------------------
|
||
"And we laughed, at the world.
|
||
They can have their diamonds,
|
||
And we'll have our pearls."
|
||
--Jill Sobule
|
||
------------------------------------------
|
||
"In an insane world, it was the sanest choice."
|
||
--from Terminator 2
|
||
------------------------------------------
|
||
"It was a truly discomforting state. The world seemed distant,
|
||
as though he were looking at it through smoky glass. Sounds were
|
||
eerily muted, even those of the traffic outside and a cat in the
|
||
alley under his window. His sense of touch was obscured as well,
|
||
as if he were wearing oven mitts. He had difficulty remembering
|
||
anything clearly. It was a little bit like being really, really
|
||
drunk, with the room spinning around and a feeling like had
|
||
stepped away from the world. Except that the dimness made it
|
||
feel as if the world were trying to pull away from him.
|
||
Everything but death and loss seemed uncertain. Death and loss
|
||
were the only constants in his life."
|
||
--Don Bassingthwaite
|
||
------------------------------------------
|
||
"There was too much noise. Sirens from police cars and
|
||
ambulances. Shouts from the crowd on the street eighteen floors
|
||
below. Traffic from other streets and all of the noises of San
|
||
Francisco. Mostly, though, there were the voices. Whispering to
|
||
him. Reminding him of the dark things he had done -- all of the
|
||
little things he had forgotten, all of the big things he had
|
||
tried to forget. Mostly they reminded him of his biggest secret,
|
||
a betrayal of trust and friendship long ago. He squeezed his
|
||
eyes shut as if that could somehow keep the voices away."
|
||
--Don Bassingthwaite
|
||
------------------------------------------
|
||
"For the past weeks I'd been reacting. That was no way to win.
|
||
To win, you take the initiative. You instigate the action. You
|
||
make the opponent react to you."
|
||
--Richard Marcinko
|
||
------------------------------------------
|
||
"When you fight, you don't fight for abstract values like the
|
||
flag, or the nation, or democracy. You fight for your buddy.
|
||
You fight to keep him alive, and he fights to keep you alive, and
|
||
you go on that way, day after day, battle after battle. And when
|
||
one of your buddies dies, something inside you dies as well. But
|
||
you go on. You fight, so that his death isn't meaningless, his
|
||
sacrifice isn't for nothing."
|
||
--Richard Marcinko
|
||
------------------------------------------
|
||
"Your politics are your's. You've never thrown in. The minute
|
||
you do that, their doctrines become your's. You can be held
|
||
responsible."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"I just want to be happy, and I'm so afraid that I never will
|
||
be."
|
||
--from E.R.
|
||
------------------------------------------
|
||
"Not everything that is faced can be changed; but nothing can be
|
||
changed until it is faced."
|
||
--James Baldwin
|
||
------------------------------------------
|
||
"Never doubt that a small group of thoughtful citizens can change
|
||
the world. Indeed, it is the only thing that ever has."
|
||
--Margaret Mead
|
||
------------------------------------------
|
||
"You must be the change you wish to see in the world."
|
||
--Mohandas Gandhi
|
||
------------------------------------------
|
||
"Science is a body of truths which offers clear and certain
|
||
knowledge about the real world and is therefore superior to
|
||
tradition, philosophy, religion, dogma, and superstition which
|
||
offer shadowy knowledge about an ideal world."
|
||
--Donald DeMarco
|
||
------------------------------------------
|
||
"You ruined my life. I lost my wife, my kid, my work. I lost
|
||
everything all because of a little bad luck. You gotta pay for
|
||
that man, you gotta pay. Otherwise there's no justice in this
|
||
world, otherwise it's all meaningless. You can't just do
|
||
something, and then pretend you didn't, that it didn't happen,
|
||
that somehow you weren't involved. You were, you did. It's your
|
||
fault. And now you gotta die for it."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"He had regrets, of course, but not so many that he would lose
|
||
any sleep over them. Life surprised him now and then and he
|
||
didn't much care for surprises, unless he was passing them out.
|
||
But -- what was to be done? You had to deal with the reality, he
|
||
had learned that over the years, no matter how much you didn't
|
||
like it."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"Did that myth at the heart of all the fairy tales her mother had
|
||
told her, that part about happily ever after, ever really work
|
||
out that way? How many children around the galaxy had been given
|
||
that pretty picture, had swallowed it entire, only to grow up and
|
||
find that reality was not so simple, not so beautiful, not so
|
||
easy? The story didn't end when the brave princess killed the
|
||
wicked queen and rescued the prince. That, she was learning, was
|
||
the easy part. The hard part came when the guns were cleaned and
|
||
reholstered, the bodies of the villains cremated, and the day-to-
|
||
day business of life reared its ugly cobra's head and grinned
|
||
down at you. When your prince had doubts you couldn't answer for
|
||
him, when you had doubts he could only shrug at, that, that was
|
||
the hard part. That was the part the stories hadn't addressed."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"You know what it is that makes a leader? Sacrifice. Sacrifice
|
||
yourself and men will follow you anywhere."
|
||
--from Back in Action
|
||
------------------------------------------
|
||
"You know, everyday I get out of bed and drag myself to the next
|
||
cup of coffee. I take a sip and the caffeine kicks in. I can
|
||
focus my eyes again. My brain starts to order the day. I'm up,
|
||
I'm alive. I'm ready to rock. But the time is coming when I
|
||
wake up and decide that I'm not getting out of bed. Not for
|
||
coffee, or food, or sex. If it comes to me, fine. If it won't,
|
||
fine. No more expectations. The longer I live the less I know.
|
||
I should know more, I should know the coffee's killing me.
|
||
You're suspicious of your suspicions? I'm jealous. I'm so
|
||
jealous. You still have the heart to have doubts. Me? I'm
|
||
going to lock up a 14 year old kid for what could be the rest of
|
||
his natural life. I got to do this. This is my job. This is
|
||
the deal. This is the law. This is my day. I have no doubts or
|
||
suspicions about it. Heart has nothing to do with it anymore.
|
||
It's all in the coffee."
|
||
--from Homicide: Life on the Street
|
||
------------------------------------------
|
||
"Why did you make it so hard for me? I'd rather empty the ocean
|
||
with a sieve. I do it for you. Or count the grains of sand on
|
||
every beach. All for you. There are so many people, so many
|
||
countries. But I have time. All the time in the world.
|
||
Eternity."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"And when it's all done, when there's no one left you'll come
|
||
back for me. And tell me who I am and why I have to do what I
|
||
do. And explain 'Eternity.' You'll come back."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"Why am I in Hell? It hurts. It hurts all the time. Why am I
|
||
in Hell? I just want to go home and lie on the bed the way I
|
||
used to. Please take me home."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"Paintings may not have nearly the power to convert people that
|
||
the printed or spoken word has, but each man has his part to play
|
||
in the human and divine drama -- some persons just a few lines,
|
||
others whole pages. To refuse to play one's role at all is not
|
||
the answer. It is better to light one candle than to curse the
|
||
darkness."
|
||
--William Kurelek
|
||
------------------------------------------
|
||
"Days of my life I'd like to forget: The day the doctors told me
|
||
I was sick. The day I had to tell my friends I was ill. The day
|
||
my hair fell out. The first day after my surgery. They're also
|
||
the days I'll always remember."
|
||
--Kate Sawford
|
||
------------------------------------------
|
||
"Do not look for rest in any pleasure, because you were not
|
||
created for pleasure: you were created for Joy. And if you do
|
||
not know the difference between pleasure and joy you have not yet
|
||
begun to live."
|
||
--Thomas Merton
|
||
------------------------------------------
|
||
"More than any other time in history, humanity faces a
|
||
crossroads. One path leads to despair and utter hopelessness.
|
||
The other, to total extinction. Let us pray we have the wisdom
|
||
to choose correctly."
|
||
--Woody Allen
|
||
------------------------------------------
|
||
"Opera once was an important social instrument -- especially in
|
||
Italy. With Rossini and Verdi people were listening to opera
|
||
together and having the same catharsis with the same story, the
|
||
same moral dilemmas. They were holding hands in the darkness.
|
||
That has gone. Now perhaps they are holding hands watching
|
||
television."
|
||
--Luciano Berio
|
||
------------------------------------------
|
||
"People are brave enough to spit into an open wound, the problem
|
||
is that they're so afraid, that they'll only do it after the
|
||
beast is dead."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"Keep staring at the stars and someday they will collapse."
|
||
--James J. Montgomery
|
||
------------------------------------------
|
||
"Soaks my skin -- through to the bone
|
||
Pain is nothing that a downpour won't erase
|
||
Rain -- you can't hold on to it
|
||
A treasure you cannot frame
|
||
Rain -- somehow I'm drawn to it
|
||
I feel engaged, one and the same
|
||
When heaven's dressing beads off my face
|
||
The pain is nothing that a downpour won't erase."
|
||
--Delerium
|
||
------------------------------------------
|
||
"I was born to fight your brand of order!"
|
||
--from The Adventures of Batman & Robin
|
||
------------------------------------------
|
||
"You actually care about those creatures, you're just as crazy as
|
||
they are."
|
||
--from The Adventures of Batman & Robin
|
||
------------------------------------------
|
||
"I've seen how you treat your prisoners. Forgotten and scared
|
||
without hope or compassion."
|
||
--from The Adventures of Batman & Robin
|
||
------------------------------------------
|
||
"The morning sun rises to greet him, and in its low, warm light
|
||
he stands like some sort of pagan god, or deposed tyrant, staring
|
||
out over the city he's sworn to... stare out over. And it's
|
||
evident, just by looking at him that he's got some pretty heavy
|
||
things on his mind."
|
||
--from The Tick
|
||
------------------------------------------
|
||
"We cannot go ahead without leaving something behind."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"It is harder to live when those we love are dead."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"There is no sadder grief than that which lies at the bottom of a
|
||
life that has been wrecked through deception."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"Have a good time, make life cheerful and bright, dance if you
|
||
want to, sing if you can, play as long as you live and leave the
|
||
world with a smile."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"To correct in ourselves what we condemn in others would remove
|
||
most of the evils of life."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"History shows that there is nothing so easy to enslave and
|
||
nothing so hard to emancipate as ignorance, hence it becomes the
|
||
double enemy of civilization. By its servility it is the prey of
|
||
tyranny, and by its credulity it is the foe of enlightenment."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"The statue of liberty that will endure on this continent is not
|
||
the one made of granite or bronze, but the one made of love of
|
||
freedom."
|
||
--Lemuel K. Washburn
|
||
------------------------------------------
|
||
"I saw you with your envoy
|
||
A consenting adult
|
||
Technique in moderation
|
||
But vogue to the cult
|
||
Me I've got my strangers
|
||
To exile in the night
|
||
I guess I'm just addicted
|
||
To the pain of delight."
|
||
--Melissa Etheridge
|
||
------------------------------------------
|
||
"Go on and close your eyes, go on imagine me there
|
||
She's got similar features with longer hair
|
||
And if that's what it takes to get you through
|
||
Go on and close your eyes it shouldn't bother you."
|
||
--Melissa Etheridge
|
||
------------------------------------------
|
||
"I was about to tell him he was wrong to dwell on it, because it
|
||
really didn't matter. But he cut me off and urged me one last
|
||
time, drawing himself up to his full height and asking me if I
|
||
believed in God. I said no. He sat down indignantly. He said
|
||
it was impossible; all men believed in God, even those who turn
|
||
their backs on him. That was his belief, and if he were ever to
|
||
doubt it, his life would become meaningless. 'Do you want my life
|
||
to be meaningless?' he shouted. As far as I could see, it didn't
|
||
have anything to do with me, and I told him so. But from across
|
||
the table he had already thrust the crucifix in my face was
|
||
screaming irrationally, 'I am a Christian. I ask Him to forgive
|
||
you for sins. How can you not believe that He suffered for you?'
|
||
I was struck by how sincere he seemed, but I had had enough. It
|
||
was getting hotter and hotter. As always, whenever I want to get
|
||
rid of someone I'm not really listening to, I made it appear as
|
||
if I agreed. To my surprise, he acted triumphant. 'You see, you
|
||
see!' he said. 'You do believe, don't you, and you're going to
|
||
place your trust in Him, aren't you?' Obviously, I again said
|
||
no. He fell back in his chair"
|
||
--Albert Camus
|
||
------------------------------------------
|
||
"It's very hard to let someone in when you've caused so much
|
||
pain. To risk the emotion."
|
||
--from Forever Knight
|
||
------------------------------------------
|
||
"Just one more time to touch you
|
||
Just one more time to tell you
|
||
You're on my mind
|
||
Baby, why can't I have you
|
||
You're breaking my heart in two
|
||
You know what I'm going through
|
||
Oh baby, why can't I have you?"
|
||
--The Cars
|
||
------------------------------------------
|
||
"Who's gonna tell you when it's too late
|
||
Who's gonna tell you things aren't so great
|
||
You can't go on, thinking nothing's wrong
|
||
Who's gonna drive you home, tonight?
|
||
|
||
Who's gonna pick you up when you fall
|
||
Who's gonna hang it up when you call
|
||
Who's gonna pay attention to your dreams
|
||
Who's gonna plug their ears, when you scream?"
|
||
--The Cars
|
||
------------------------------------------
|
||
"You see with your eyes. This means you can be misled by charm,
|
||
by outward appearance. By webs of glamour, by surface pretences.
|
||
I do not see with my eyes. I see good and I see evil. Nothing
|
||
else."
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"I do not permit affection, or lack thereof, to influence my
|
||
actions. There is good, and there is evil. The good must be
|
||
protected; the evil eradicated. I have shown you the triumph of
|
||
evil, as a caution."
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"You wish to see the distant realms? Very well. But know this
|
||
first, the places you will visit, the places you will see, do not
|
||
exist. For there are only two worlds -- your world, which is the
|
||
real world, and other worlds, the fantasy. Worlds like this one,
|
||
worlds of the human imagination. Their reality, or lack of
|
||
reality is not important. What is important is that they are
|
||
there. These worlds provide an alternative. Provide an escape.
|
||
Provide a threat. Provide a dream, and power, provide refuge and
|
||
pain. They give your world meaning. They do not exist; and thus
|
||
they are all that matters. Do you understand?"
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"There aren't any good guys, and there aren't any bad guys.
|
||
There's just us. People. Doing our best to get by."
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"People kill what they fear. They burned, and drowned, and
|
||
hanged those they saw as witches, the devil's servants: the wise
|
||
women and the cunning men, the unfortunate, the lost and the
|
||
strange."
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"The red flame flickers on the wall of the cave
|
||
(smeared with ochre, berry dye, charcoal)
|
||
Making the great elk move,
|
||
Making the mastodon breath,
|
||
Making the hunters race and kill.
|
||
|
||
Watch them seeking to placate and understand the world above
|
||
This they know.
|
||
This they understand.
|
||
There is darkness, everywhere, outside.
|
||
|
||
The dark is everywhere; and though the sun comes up,
|
||
And though the fires blossom and are tamed,
|
||
The darkness is there,
|
||
The darkness is waiting.
|
||
|
||
As the things in the darkness
|
||
That whisper before they feast,
|
||
They are to be placated and persuaded,
|
||
They are to be loved and sacrificed to,
|
||
They are to be prayed to and distrusted.
|
||
|
||
And so there is magic."
|
||
--Neil Gaiman
|
||
------------------------------------------
|
||
"Living is easy with eyes closed
|
||
Misunderstand all you see
|
||
It's getting hard to be someone but it all works out
|
||
It doesn't matter much to me."
|
||
--The Beatles
|
||
------------------------------------------
|
||
"Pain. I started cuttings on myself when I was quite young. The
|
||
backs of my arms. I did it with a knife. I didn't learn it from
|
||
anyone. It was the way I knew I was alive and human. At the time
|
||
I hadn't developed enough to understand why I was doing it."
|
||
--Greta, body piercer
|
||
------------------------------------------
|
||
"There were times in my life when I couldn't feel anything any
|
||
more. Everything became too much. I felt numb all the time. I
|
||
couldn't feel happy or sad."
|
||
--Greta, body piercer
|
||
------------------------------------------
|
||
"Girls ask to suck my blood. They aren't too shy about asking
|
||
me. I can easily show you scars all over me where I've taken
|
||
razor blades and opened myself up and let them stick their
|
||
tongues into me."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"For a long time, I did not know who I was, I did not know what I
|
||
wanted. I was crushed by peer pressure, and I listened to a lot
|
||
of people because I was told by a lot of people around me that I
|
||
was a moron. And now I've realized that it's not me that's
|
||
fucked up. It is the rest of the world. I'm certainly not a
|
||
genius but I believe I've found myself."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"I think I'm a blue-collar worker from Brooklyn. This thing just
|
||
fell into my lap and it is an opportunity to escape urban blight.
|
||
I'm a social retard, and I have a hard time dealing with people.
|
||
I don't like crowds, I don't like noise, I don't like people, I
|
||
don't like being questioned. I just want to be left alone."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"Censorship is almost systematically the weapon of first resort
|
||
for governments in uncertain political situations. So not only
|
||
are the famous writers and bold journalists in danger; at every
|
||
level of public and private life, the freedoms to think, read or
|
||
write are denied.
|
||
|
||
In the absence of a free press, other human rights abuses
|
||
flourish unabated. Nothing is reported, criticized, questioned.
|
||
The example of imprisonment, torture or execution imposes a
|
||
further silence. A blindly obedient mob mentality is encouraged,
|
||
driven by extremist religious or ethnic loyalties. The citizens
|
||
do not know what is happening. Fear and ignorance permeate
|
||
discussion."
|
||
--Marian Botsford Fraser
|
||
------------------------------------------
|
||
"To start blindly with a statement is a sign of arrogance and
|
||
narrow-mindedness, and will lead to conflict. To start blindly
|
||
with a question is a sign of uncertainty and honesty, and will
|
||
lead to wisdom."
|
||
--Scott "Jesus" Watson
|
||
------------------------------------------
|
||
"You've seen [angst] (you know you have) late at night, in a
|
||
mirror. It has deep, hollow eyes -- too exhausted to close --
|
||
and looks like someone you thought you knew."
|
||
--Dirk John Fischer
|
||
------------------------------------------
|
||
"Wake when others wake. Take what others take.
|
||
Feed when others feed. Need what others need.
|
||
Share what others share. Care when others care.
|
||
Feel what others feel. Is it real?
|
||
|
||
If you love what others love. You will never rise above.
|
||
You will stay where others stay. Play games they like to play.
|
||
|
||
And when they grow tired, you will fall asleep.
|
||
Because to follow is the nature of the sheep."
|
||
--Luke Gasteiger
|
||
------------------------------------------
|
||
"Education is an admirable thing, but it is well to remember from
|
||
time to time that nothing that is worth knowing can be taught."
|
||
--Oscar Wilde
|
||
------------------------------------------
|
||
"True education makes for inequality; the inequality of
|
||
individuality, the inequality of success, the glorious inequality
|
||
of talent, of genius; for inequality, not mediocrity, individual
|
||
superiority, not standardization, is the measure of the progress
|
||
of the world."
|
||
--Felix E. Schelling
|
||
------------------------------------------
|
||
"Spoon feeding in the long run teaches us nothing but the shape
|
||
of the spoon."
|
||
--E. M. Forster
|
||
------------------------------------------
|
||
"The paradox of education is precisely this -- that as one begins
|
||
to become conscious one begins to examine the society in which he
|
||
is being educated."
|
||
--James Baldwin
|
||
------------------------------------------
|
||
"It is very nearly impossible... to become an educated person in
|
||
a country so distrustful of the independent mind."
|
||
--James Baldwin
|
||
------------------------------------------
|
||
"The real leader has no need to lead -- he is content to point
|
||
the way."
|
||
--Henry Miller
|
||
------------------------------------------
|
||
"The art of leadership... consists in consolidating the attention
|
||
of the people against a single adversary and taking care that
|
||
nothing will split up that attention... The leader of genius must
|
||
have the ability to make different opponents appear as if they
|
||
belonged to one category."
|
||
--Adolf Hitler
|
||
------------------------------------------
|
||
"I read the news today oh boy
|
||
About a lucky man who made the grade
|
||
And though the news was rather sad
|
||
Well I just had to laugh
|
||
I saw the photograph.
|
||
He blew his mind out in a car
|
||
He didn't notice that the lights had changed
|
||
A crowd of people stood and stared
|
||
They'd seen his face before
|
||
Nobody was really sure
|
||
If he was from the House of Lords."
|
||
--The Beatles
|
||
------------------------------------------
|
||
"Fear, it's the oldest tool of power. If you're distracted by
|
||
fear of those around you, it keeps you from seeing the actions of
|
||
those above."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"Reporters crowd around you house,
|
||
Going through you garbage like a pack of hounds
|
||
Speculating what they might find out,
|
||
It don't matter now, you're all washed up.
|
||
|
||
You wake up in the middle of the night
|
||
You sheets are wet and your face is white,
|
||
You tried to make a good thing last,
|
||
How could something so good, go bad, so fast."
|
||
--Crosby, Stills, Nash, and Young
|
||
------------------------------------------
|
||
"There was thunder
|
||
There was lightning
|
||
Then the stars went out
|
||
And the moon fell from the sky..."
|
||
--Tom Waits
|
||
------------------------------------------
|
||
"I'm just hoping that one day the sheep will realize that the
|
||
shepherd is really a wolf in disguise."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"Fifty or sixty shooters had already arrived and managed to look
|
||
studiously bored. I knew a few of them and nodded politely. No
|
||
one asked me to sit next to them, nor would I have accepted if
|
||
they had. It's better that way, in case you end up on opposite
|
||
sides of a fight, and a whole lot safer. Friends can betray you.
|
||
Strangers can't."
|
||
--William C. Deitz
|
||
------------------------------------------
|
||
"You thought you knew what pain was. You thought that whatever
|
||
happened, you could handle it. You thought that you were in
|
||
control. You thought wrong. Now you've lost it all. She's
|
||
gone. All that's left is the numbing pain. You have to let go
|
||
to stop the pain, but you can't. It's like a drug to you now.
|
||
You don't want to need it, but it has become a part of you, and
|
||
it won't loosen its grip on you. The control you once fought
|
||
for, is gone. You have no control. And you just don't care."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"You've bought into the 'system' your whole life, and it got you
|
||
nowhere. You were at the top of your class in high school, you
|
||
were the darling of your sorority, and people still treated you
|
||
like your success was a way to prove their 'system' was right.
|
||
No more. You get by on your own... with the help of someone who
|
||
works for you now."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"The world is his canvas, and he wants to take up sculpting."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"You are inspired. Anything you say is brilliant, especially if
|
||
it contradicts what other people normally believe. Create!
|
||
Destroy! Live!"
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"[He] does not belong; reality itself does not accept his surreal
|
||
visions. Why hold back? Why shouldn't he reshape the world into
|
||
something that will accept him? He's been shut out long enough."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"Obviously, [she] should learn a little about reality. True love
|
||
does not conquer all. How foolish she is to believe in 'young
|
||
love.' Stories like that always end in tears. Her romance
|
||
certainly did. Seeing young lovers most [her], because it
|
||
reminds her of her own pain -- the pain her Psyche and her need
|
||
for blissful passion gave her."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"The true artist must be open to anything! Expand your mind,
|
||
man; stretch it like a big red balloon! You think that's crazy!
|
||
Look at all the unhappy people, look at all the conformity, and
|
||
I'll tell you what's really crazy. Whee! Ants!"
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"One must follow what interests one, yes? Life is an exploration
|
||
of the mind, an exploration of reality. Care for some brie?"
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"They found the dog in several pieces in the trash can, occult
|
||
symbols carved into its fur and something horrible in its mouth.
|
||
They found the old man hanging from the ceiling in his study, the
|
||
plastic on the floor was arranged so that none of the blood
|
||
stained the lily white carpet. They discovered the child hunched
|
||
down in a closet covered in her own waste, the tears dried away,
|
||
the hollow eyes looking out at nothing.
|
||
|
||
They say not to go into the Fifth Street alley at night -- it's
|
||
just not safe. They say that the library is haunted -- that
|
||
sometimes you can feel the crinkle of plastic under your feet.
|
||
But you don't care what they say, 'cause you know she's in your
|
||
closet -- when you close your eyes to sleep you can still hear
|
||
her muffled screams and the little hands beating at the door..."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"This thing is a man. Look at what you are, and what awaits you.
|
||
Gaze on this image and learn what your own end will be."
|
||
--Greek epitaph
|
||
------------------------------------------
|
||
"Learn the true topography; the monstrous and wonderful
|
||
archetypes are not inside you, not inside your consciousness; you
|
||
are inside them, trapped and howling to get out."
|
||
--R. A. Lafferty
|
||
------------------------------------------
|
||
"I see the witching moon moving in swift arc, yet not driving
|
||
with her full face shining night long like torchlight luring in a
|
||
graveyard. She glows as when magicians spells torment her reins
|
||
taught. She holds course, hogging the horizon moon. Now your
|
||
fire has hues of deathly pallor. Pour waves of grim light on the
|
||
winds to frighten mankind.
|
||
|
||
On grass red with bloodstains, I offer your beasts ritually
|
||
butchered for you a fire torch snatched from a cremation burns in
|
||
the night; for you I arch and toss back my head. I sing, I loose
|
||
my hair, then bind it with sacred headband, and they do at
|
||
funerals. For you I grip this bough shrivelled with deaths dew.
|
||
For you I bare my breast, slice into my arms with holy knife,
|
||
shed my sanity and blood forever."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"Death is but a stepping over, a passage through the Shroud. The
|
||
moment of death is a rite of passage marking the end of one
|
||
journey and the beginning of another, a path available to us at
|
||
any time.
|
||
|
||
The thousands of things undone, the millions of roads not
|
||
travelled, the longings and regrets; they do not die with the
|
||
body. Instead they linger on and take a life of their own. They
|
||
become ghosts. They become shadows.
|
||
|
||
Trapped between this world and the next, wraiths are lost in the
|
||
immortal gloom of damnation. Held together out of pure misery,
|
||
they are trapped by their past, their longings and their fear.
|
||
Many are the products of sudden, violent or cruel deaths. They
|
||
are bound by a sense of crucial deeds undone, of unsaid words
|
||
breaking in their hearts, of a life cut short by Fate. Others
|
||
are consumed by a tragic longing for happiness and fulfilment
|
||
denied them in life. A few are driven by bitterness, anger or
|
||
passionate ideals."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"I can't feel you anymore
|
||
I can't even touch the books you've read
|
||
I followed you beneath the stars
|
||
Hounded by your memory
|
||
And all your raging glory
|
||
But now I'm finally free
|
||
I kiss good-bye the howling beast
|
||
That separated you from me
|
||
You'll never know the hurt I suffered
|
||
Nor the pain I rise above
|
||
And I'll never know the same about you,
|
||
But soon we'll be together
|
||
In the clasp of oblivion."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"The conquest of the fear of death is the recovery of life's joy.
|
||
One can experience an unconditional affirmation of life only when
|
||
one has accepted death, not as contrary to life, but as an aspect
|
||
of life. Life in its becoming is always shedding death, and on
|
||
the point of death. The conquest of fear yields the courage of
|
||
life. That is the cardinal initiation of every heroic adventure
|
||
-- fearlessness and achievement."
|
||
--Joseph Campbell
|
||
------------------------------------------
|
||
"With each passing day oblivion encroaches further. With every
|
||
soul that surrenders to shadow, the end draws nearer. The world
|
||
is not as we knew it, decay's sweet stench now clings to all we
|
||
once held dear. It is called the Shadowlands. In death there is
|
||
nowhere to hide, nowhere to run, from the hate and fear, the pain
|
||
and bitterness, the shadow within. Hope is fragile and few have
|
||
the courage, the passion, to face death, and say, 'I do not go
|
||
gentle into that good night.'"
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"Like you, I am broken and fragile
|
||
Like you, I am tasting my heart for the first time
|
||
Like you, I am feeding on slumber
|
||
Like you, I've left my eyes far behind me
|
||
Down for the count and still drowning..."
|
||
--Christian Death
|
||
------------------------------------------
|
||
"You may never understand
|
||
How the stranger is inspired
|
||
For he is always evil,
|
||
And he is not always wrong..."
|
||
--Billy Joel
|
||
------------------------------------------
|
||
"Come with me on wings of dream. I can take you anywhere you
|
||
want to go -- would you like to have dinner with [her]? Sip
|
||
cappuccino on the canals of Mars? Walk with me though the
|
||
Elysian Fields? I promise to have you back before you wake."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"All around you reverberate the songs of the dead. You hear them
|
||
echoing in high cathedrals, in darkened auditoriums, in your own
|
||
sleep. All around you wail the songs of the dead: dare you not
|
||
listen? Listen to what has been sung. Since their death!"
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"'Do you trust me?' I asked her. I held out my hand. 'Do you
|
||
want to see beyond the darkness?' She nodded slowly, and took my
|
||
hand..."
|
||
--from Wraith: The Oblivion
|
||
------------------------------------------
|
||
"Swift as light and as cheers was the idea that broke in upon me.
|
||
'I have found it! What terrified me will terrify others; I need
|
||
only describe the spectre which had haunted my midnight pillow.'"
|
||
--Mary Shelly
|
||
------------------------------------------
|
||
"I act the role in classic style of a martyr
|
||
Carved with a twisted smile,
|
||
To bleed the lyric for this song
|
||
To write the rites to right my wrongs
|
||
An epitaph to a broken dream
|
||
To exorcise tis silent scream
|
||
A scream that's borne from sorrow."
|
||
--Marillion
|
||
------------------------------------------
|
||
"Oh children don't you weep and moan
|
||
Children save your breath
|
||
You'll draw a pretty pension
|
||
When your daddy meets his death."
|
||
--"Hard Times" (traditional ballad)
|
||
------------------------------------------
|
||
"It was the best of times and the worst of times, and it was all
|
||
of them at once."
|
||
--Alan Moore
|
||
------------------------------------------
|
||
"Death followed by eternity... the worst of both worlds. It is a
|
||
terrible thought."
|
||
--from Rosencrantz and Guildenstern Are Dead
|
||
------------------------------------------
|
||
"There were the days when you peered into your self, into the
|
||
secret places of your heard, and what you saw there made you fair
|
||
with horror. And then, next day, you didn't know what to make of
|
||
it, you couldn't interpret the horror you had glimpsed the day
|
||
before. Yes, you know what evil costs."
|
||
--Jean-Paul Sartre
|
||
------------------------------------------
|
||
"The darkness always teemed with unexplained sound -- and yet he
|
||
sometimes shook with fear lest the noises he heard subside and
|
||
allow him to hear certain other fainter noises which he suspected
|
||
were lurking behind them."
|
||
--H.P. Lovecraft
|
||
------------------------------------------
|
||
"Darkness, darkness
|
||
Be my blanket
|
||
Cover me with the endless night
|
||
Take away the pain of knowing."
|
||
--The Youngbloods
|
||
------------------------------------------
|
||
"The night is my companion, and solitude my guide."
|
||
--Sarah McLaughlin
|
||
------------------------------------------
|
||
"He who pretends to look upon death without fear, lies."
|
||
--Jean-Jacques Rousseau
|
||
------------------------------------------
|
||
"Someone stole my heart. I haven't gotten it back, because I
|
||
haven't found anyone to steal it back for me."
|
||
--Scott "Jesus" Watson
|
||
------------------------------------------
|
||
"Justice to the left of you
|
||
Justice to the right
|
||
Speak when you are spoken to
|
||
Don't pretend you're right
|
||
This life's not for living
|
||
It's for fighting and for wars
|
||
No matter what the truth is
|
||
Hold on to what is yours."
|
||
--Yes
|
||
------------------------------------------
|
||
"Sometimes you want to run away
|
||
Sometimes you think you do
|
||
But you never had a dream like this before
|
||
And you don't want to ask for more
|
||
Sometimes you leave a mark
|
||
Before you know the score."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"The great challenge of adulthood is holding on to your idealism
|
||
after you lose your innocence."
|
||
--Bruce Springsteen
|
||
------------------------------------------
|
||
"A life is not important, except in the impact it has on other
|
||
lives."
|
||
--Jackie Robinson
|
||
------------------------------------------
|
||
"I see your face in every flame
|
||
With no answers I have only myself to blame
|
||
Of all the women I have known -- they're not you
|
||
I'd rather be alone."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"I always thought we'd be together
|
||
And that our love could not be better
|
||
Well with no warning you were gone
|
||
I still don't know what went wrong
|
||
You don't know what I've been through
|
||
Just want to put my love in you."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"So you've come to say you're very sorry
|
||
'It won't happen again -- forgive me?'
|
||
Time will not heal these wounds
|
||
And I'm bleeding because of you.
|
||
|
||
Was everything we had just a joke?
|
||
I've run out of patience, tears, and hope
|
||
Love does not conquer all
|
||
And I'm screaming because of you.
|
||
|
||
In the shadow of the light from a black sun
|
||
Frigid statue standing icy blue and numb
|
||
Where are the frost giants I've begged for protection?
|
||
I'm freezing."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"A crimson pool so warm and deep
|
||
Lulls me to an endless sleep
|
||
You hand in mine -- I will be brave
|
||
Take me from this earth
|
||
An endless night -- this, the end of life
|
||
From the dark I feel your lips
|
||
And I taste your bloody kiss."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"Not long ago but far away
|
||
A rainy winter's day
|
||
All her pain she kept inside
|
||
Could no longer hide
|
||
No cry for help
|
||
She killed herself
|
||
Both life and love could not be saved
|
||
She took them both to the grave."
|
||
--Type O Negative
|
||
------------------------------------------
|
||
"See the smile awaitin' in the kitchen
|
||
Food cookin' and the plates for two
|
||
Feel the arms that reach out to hold me
|
||
In the evening when the day is through."
|
||
--Seals & Crofts
|
||
------------------------------------------
|
||
"See the curtains hangin' in the window
|
||
In the evening on a Friday night
|
||
A little light-a-shinin' through the window
|
||
Let's me know everything's all right."
|
||
--Seals & Crofts
|
||
------------------------------------------
|
||
"It's not that I don't have a conscience, it's just that why
|
||
should I feel guilty for my present crimes, when my past ones are
|
||
so much worse?"
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"The Humanist lives as if this world were all and enough. He is
|
||
not otherworldly. He holds that the time spent on the
|
||
contemplation of a possible afterlife is time wasted. He fears
|
||
no hell and seeks no heaven, save that which he and others
|
||
created on earth. He willingly accepts the world that exists on
|
||
this side of the grave as the place for moral struggle and
|
||
creative living. He seeks the life abundant for his neighbour as
|
||
for himself. He is content to live one world at a time and let
|
||
the next life -- if such there may be -- take care of itself. He
|
||
need not deny immortality; he simply is not interested. His
|
||
interests are here."
|
||
--Edwin H. Wilson
|
||
------------------------------------------
|
||
"Gentleness and cheerfulness, these come before all morality:
|
||
they are the perfect duties. If your morals make you dreary,
|
||
depend on it they are wrong. I do not say, 'give them up,' for
|
||
they may be all you have; but conceal them like a vice, lest they
|
||
should spoil the lives of better men."
|
||
--Robert Louis Stevenson
|
||
------------------------------------------
|
||
"Reality is that which, when you stop believing in it, doesn't go
|
||
away."
|
||
--Philip K. Dick
|
||
------------------------------------------
|
||
"I'm just the shadow of the man I used to be
|
||
And it seems there's no way out of this for me
|
||
I used to bring you sunshine
|
||
Now all I do is bring you down.
|
||
How would it be if you were standing in my shoes
|
||
Can't you see that it's impossible to choose
|
||
No, there's no making sense of it
|
||
Every way I go I have to lose."
|
||
--Brian May
|
||
------------------------------------------
|
||
"I suppose people in general can be cruel to one another because
|
||
it's easier to do the wrong thing; kindness takes an effort most
|
||
are not willing to exert."
|
||
--Kersti Kahar
|
||
------------------------------------------
|
||
"I feel pain everyday of my life. When you see me perform, it's
|
||
that pain you're seeing coming out. I put all my emotions, all
|
||
my feelings, and my body on the line. People hurt me, I hurt
|
||
myself -- mentally, physically."
|
||
--Henry Rollins
|
||
------------------------------------------
|
||
"The game's not over. It's on until either I win or I die and I
|
||
don't plan on dying anytime soon."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"And they made the secret pact
|
||
His knowledge would be tapped
|
||
The link was based on a respect
|
||
On their lives they would reflect
|
||
A perfect state of non-attachment
|
||
Was striven for and claimed as fact
|
||
The younger grew and learnt his lesson well
|
||
All his ideals were intact."
|
||
--Howard Jones
|
||
------------------------------------------
|
||
"Oh the pain of life is sweet
|
||
Is it wrong to long for death?
|
||
Must I cling to the thrills of life
|
||
Ash to ash and dust to dust."
|
||
--Howard Jones
|
||
------------------------------------------
|
||
"Who wants to compare
|
||
As if this was a competition
|
||
Leave that to teachers at school
|
||
Must preserve their tradition."
|
||
--Howard Jones
|
||
------------------------------------------
|
||
"You can see the summit, but you can't reach it
|
||
It's the last piece of the puzzle, but you just can't make it
|
||
fit
|
||
Doctor says you're cured, but you still feel the pain
|
||
Aspirations in the clouds, but your hopes go down the drain.
|
||
And you want her and she wants you
|
||
We want everyone
|
||
And you want her and she wants you
|
||
No one, no one, no one ever is to blame."
|
||
--Howard Jones
|
||
------------------------------------------
|
||
"Sleep well tonight my prince of darkness, for tomorrow you will
|
||
have a big day."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"These people are so worthless it makes me want to puke blood. I
|
||
would gladly open fire on them, but if given a choice I'd rather
|
||
subject them to a slower form of death. They fear me because I'm
|
||
intelligent and creative. I have something better to do with my
|
||
time. They are insecure."
|
||
--Matt Spinks
|
||
------------------------------------------
|
||
"I am one of the people who threaten them. I am a freak, and
|
||
according to them anyone who goes against the mold must be
|
||
eliminated. They practice a kind of reverse eugenics: instead
|
||
of removing the inferior members of the population, they seek to
|
||
remove all the superior individuals so that their degraded state
|
||
becomes the norm, and they no longer feel threatened. Thus,
|
||
tormenting a freak is looked upon highly in their society."
|
||
--Matt Spinks
|
||
------------------------------------------
|
||
"It would be quite enjoyable actually, laughing at them all.
|
||
Remember this is the future of our country. Laugh boys and
|
||
girls, because if you do not laugh, you are going to have to
|
||
cry."
|
||
--Jason Farnon
|
||
------------------------------------------
|
||
"Most of all we hate collective identity: every day of your
|
||
pathetic life you are being put into a little box by society by
|
||
the way you look or the bands you listen to. Collective identity
|
||
sucks. Be an individual, don't make it easy to be dismissed in a
|
||
sentence."
|
||
--Matt Spinks
|
||
------------------------------------------
|
||
"Is that what she thinks? Not realizing that alienation and
|
||
patronization are slow torture? You find yourself listing to
|
||
NIN, or something equally cliche... but you can't help it... the
|
||
pain stays for a while (it seems like forever). You want to lash
|
||
back but how can you when you love that person. Why can't they
|
||
remember all those wonderful moments that you do? So you lock
|
||
your heart in brimstone, never to be touched again."
|
||
------------------------------------------
|
||
"Life is a terminal disease."
|
||
--Matt Biershbach
|
||
------------------------------------------
|
||
"People that think logically are a nice contrast to the real
|
||
world."
|
||
--Matt Biershbach
|
||
------------------------------------------
|
||
"When you finally make the ends meet, they move the ends."
|
||
--Matt Biershbach
|
||
------------------------------------------
|
||
"If I would have been in a different world
|
||
Like I frequently am when I see you
|
||
Oh I might have missed
|
||
All the ways you try to give
|
||
If only you knew what you do to me
|
||
Sometimes I think about eternity
|
||
If it would have been another time
|
||
I wonder what you would of had in mind."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"Telephone again, want to pick it up
|
||
Could be a friend, but I can't pick it up..."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"Never mind a world
|
||
That can't see past brutality
|
||
Answers are getting the gas
|
||
Live gestures
|
||
Have constantly been used
|
||
As weapons"
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"The world is not all rosy,
|
||
There is no universal justice.
|
||
No one ever gets what they deserve
|
||
The rich keep on getting richer
|
||
And climbing up on the bodies of the poor.
|
||
The innocent always die, unknown and forgotten
|
||
The rich, the mighty, the powerful
|
||
can't buy immortality
|
||
but at least someone notices when they die."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"I cannot live with You -
|
||
It would be Life -
|
||
And Life is over there -
|
||
Behind the Shelf."
|
||
--Emily Dickinson
|
||
------------------------------------------
|
||
"Pain - has an element of Blank -
|
||
It cannot recollect
|
||
When it begun - or if there were
|
||
A time when it was not..."
|
||
--Emily Dickinson
|
||
------------------------------------------
|
||
"Every time you get up you get kicked in the head,
|
||
Sooner or later you learn to play dead."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"It said what a terrible world this was -- with a smile on its
|
||
face."
|
||
--Jerry Dammers
|
||
------------------------------------------
|
||
"I am tired
|
||
I am weary
|
||
I could sleep for thousand years
|
||
A thousand dreams that would awake me
|
||
Different colours made of tears."
|
||
--Velvet Underground
|
||
------------------------------------------
|
||
"Severen, severen speaks so slightly
|
||
Severen down on your bended knee
|
||
Taste the whip in love not given lightly
|
||
Taste the whip now bend for me."
|
||
--Velvet Underground
|
||
------------------------------------------
|
||
"This entire opus is respectfully dedicated to all those who have
|
||
loved unconditionally only to have their hearts unanaesthetically
|
||
ripped out: base not your joy upon the deeds of others, for what
|
||
is given can be taken away. NO HOPE = NO FEAR."
|
||
--Peter Steele
|
||
------------------------------------------
|
||
"...so the system's crazier than the people that it's trying to
|
||
help?"
|
||
--from Law & Order
|
||
------------------------------------------
|
||
"If you want to talk about it, I got the time
|
||
When you're looking so enchanted, you cover my mind
|
||
If you think I'll wait forever, maybe you're right
|
||
There's no such thing as now or never, there's only twilight."
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"Don't look to me. Don't ask for help. Don't ask for anything
|
||
that you can do yourself."
|
||
--Lemmy Kilmister
|
||
------------------------------------------
|
||
"Life is but an unfair circle, intertwined among the ruins of my
|
||
salvation as a soul of this universe. My humble despair deserves
|
||
no such fate; perhaps sometime in the near distant future I may
|
||
live to say 'this really sucks!'"
|
||
--Eric Dransfeldt
|
||
------------------------------------------
|
||
"Every day, once a day, give yourself a present. Don't plan it,
|
||
don't wait for it, just let it happen. It could be a new shirt
|
||
at the men's store, a cat-nap in your office chair, or two cups
|
||
of good, hot, black coffee."
|
||
--from Twin Peaks
|
||
------------------------------------------
|
||
"Universities are of course hostile to geniuses, which, seeing
|
||
and using ways of their own, discredit the routine: as churches
|
||
and monasteries persecute youthful saints."
|
||
--Ralph Waldo Emerson
|
||
------------------------------------------
|
||
"What sane person could live in this world and not be crazy?"
|
||
--Ursula K. LeGuin
|
||
------------------------------------------
|
||
"If people are allowed to love life, then they should also be
|
||
allowed to hate it."
|
||
--Brian Fox
|
||
------------------------------------------
|
||
"The man who follows the crowd will usually get no further than
|
||
the crowd. The man who walks alone is likely to find himself in
|
||
places no one has ever been."
|
||
--Alan Ashley-Pitt
|
||
------------------------------------------
|
||
"Don't go around saying the world owes you a living. The world
|
||
owes you nothing. It was here first."
|
||
--Mark Twain
|
||
------------------------------------------
|
||
"Never appeal to a man's 'better nature,' he may not have one.
|
||
Invoking his self-interest gives you more leverage."
|
||
--Lazarus Long
|
||
------------------------------------------
|
||
"Beware of altruism. It is based on self-deception, the root of
|
||
all evil."
|
||
--Lazarus Long
|
||
------------------------------------------
|
||
"Waiting for the winds of change to sweep the clouds away.
|
||
Waiting for the rainbow's end to cast its gold your way... You
|
||
don't get something for nothing. You can't have freedom for
|
||
free."
|
||
--Neil Peart
|
||
------------------------------------------
|
||
"... and so castles made of sand slip into the sea eventually."
|
||
--Jimi Hendrix
|
||
------------------------------------------
|
||
"Speak out. You've got to speak out against the madness."
|
||
--Steven Stills
|
||
------------------------------------------
|
||
"I want your blood. And I want your soul. And I want them both
|
||
right now!"
|
||
--from Tombstone
|
||
------------------------------------------
|
||
"You tell him I'm coming! And hell's coming with me!"
|
||
--from Tombstone
|
||
------------------------------------------
|
||
"If you were happy every day of your life, you wouldn't be a
|
||
human being. You'd be a game show host."
|
||
--from Heathers
|
||
------------------------------------------
|
||
"This is not a perfect world. In a perfect world, evil loses."
|
||
--from Deep Red
|
||
------------------------------------------
|
||
"[It] was the kind of town where they spell trouble T-R-U-B-I-L,
|
||
and if you try to correct them, they kill you."
|
||
--from Dead Men Don't Wear Plaid
|
||
------------------------------------------
|
||
"Crom, I have never prayed to you before. I have no tongue for
|
||
it. No one, not even you, will remember if we were good men or
|
||
bad. Why we fought, and why we died. All that matters is that
|
||
today, two stood against many. Valour pleases you, so grant me
|
||
this one request. Grant me revenge! And if you do not listen,
|
||
the HELL with you!"
|
||
--from Conan the Barbarian
|
||
------------------------------------------
|
||
"If he'd just pay me what he's paying them to stop me robbing
|
||
him, I'd stop robbing him."
|
||
--from Butch Cassidy and the Sundance Kid
|
||
------------------------------------------
|
||
"I have vision, and the rest of the world wears bifocals."
|
||
--from Butch Cassidy and the Sundance Kid
|
||
------------------------------------------
|
||
"The light that burns twice as bright, burns half as long -- and
|
||
you have burned so very, very brightly."
|
||
--from Blade Runner
|
||
------------------------------------------
|
||
"He's got a client who shot his wife in the head six times. Six
|
||
times, can you imagine it? I mean, even twice would be overdoing
|
||
it, don't you think?"
|
||
--from The Birds
|
||
------------------------------------------
|
||
"You still don't know what you're dealing with do you? Perfect
|
||
organism. Its structural perfection is matched only by its
|
||
hostility... I admire its purity, a survivor, unclouded by
|
||
conscience, remorse or delusions of morality."
|
||
--from Aliens
|
||
------------------------------------------
|
||
"He's acting alone. He's cut off from his chain of command.
|
||
He's exhibiting symptoms of pressure-induced psychosis, and he
|
||
has a nuclear weapon. So as a personal favour to me, would you
|
||
lay off him?"
|
||
--from The Abyss
|
||
------------------------------------------
|
||
"Every life, every day, is in danger. That's just life."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"Anything worth anything has a price. When I'm standing next to
|
||
your deathbed, looking as young as I look right now, and I see
|
||
that fear in your eyes at the moment of death, then tell me the
|
||
price is too stiff."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"Look, what nobody realizes is that there is no afterlife. I
|
||
know this because when we prolong our lives by taking theirs, all
|
||
I see is such horror in their eyes. And that's because at that
|
||
moment they're face to face with death and they suddenly realize
|
||
that there's nothing else. There's no heaven, there's no soul,
|
||
there's just rot and there's just decay."
|
||
--from The X-Files
|
||
------------------------------------------
|
||
"Something was dead in each of us, and what was dead was hope."
|
||
--from In The Nursery
|
||
------------------------------------------
|
||
"This isn't hell, but you can see it from here."
|
||
--James O'Barr
|
||
------------------------------------------
|
||
"The only way to be happy is to love to suffer."
|
||
--Woody Allen
|
||
------------------------------------------
|
||
"The climate of our culture is changing. Under these new rains,
|
||
new suns, small things grow great, and what was great grows
|
||
small; whole species disappear and are replaced."
|
||
--Randall Jarrell
|
||
------------------------------------------
|
||
"Life still sucks and it always will because all existences are
|
||
pointless, worthless and superfluous to all the other existences
|
||
surrounding them. Even if you find someone special in your life
|
||
and see the significance for your own life in their existence
|
||
take one step back and you realize that the two of you are
|
||
existing as one insignificant and superfluous life."
|
||
--A.M. Gauthier
|
||
------------------------------------------
|
||
"Why does everything have to be so significant? Finding
|
||
significance in your life doesn't necessarily make you happy."
|
||
------------------------------------------
|
||
"Avoid the question 'why me?'. It saves a lot of grief."
|
||
--Wilhelmina Baird
|
||
------------------------------------------
|
||
"They're getting crazier every day, the whole world's going
|
||
crazy. And you got to take your mind out to keep your smile in
|
||
place."
|
||
--Wilhelmina Baird
|
||
------------------------------------------
|
||
"We're all racing against time. We know it. Either we get
|
||
enough together to get off this Christ-forgotten planet while
|
||
we're still young or we're going to end up under it before we've
|
||
a chance to get old."
|
||
--Wilhelmina Baird
|
||
------------------------------------------
|
||
"If you are going to deal in death, you should be willing to see
|
||
the truth of it, not some glorious lie. If I have a battle with
|
||
another sword player, it is between the two of us, our business,
|
||
our truth. But if you run a planet and you get pissed off at
|
||
somebody the next orbit over, you each might send a million
|
||
soldiers to recycling plants. A smart rocket can come from a
|
||
thousand klicks away to kill you; it doesn't care and it won't be
|
||
in the least upset that it has blasted you to atomic debris.
|
||
That's the real horror of modern war, that it is impersonal.
|
||
Being cut with a sword hurts, and if you are close enough to do
|
||
it, you can't miss the other's pain."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"If you shoot a man across a field or even a room, you don't get
|
||
the full impact of what you've done. Facing an opponent one-on-
|
||
one, hand-to-hand or with a sword, you have to accept your
|
||
personal responsibility. Killing somebody ought to be messy.
|
||
You should be sprayed with his blood, you should be able to hear
|
||
him scream, catch the death rattle, smell the faeces and urine as
|
||
the bowels and bladder let go. You should have to dispose of the
|
||
body. So you know exactly what it was you did."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"This would be a tricky operation, no doubt of that, and a
|
||
mistake would probably be fatal. So many things he had done over
|
||
the years would have been fatal, had his luck not been strongly
|
||
good. He had cheated death dozens of times, but that did not
|
||
mean he could take it as a given. A man needed only one fatal
|
||
mistake to end the game."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"When they'd been on the run, with death maybe lying in wait
|
||
around any corner, they had never been more alive. When each day
|
||
might be your last, it made a big difference. You couldn't
|
||
maintain that state forever, of course; the stress would eat you
|
||
alive, but putting yourself at risk did bring out your best--or
|
||
your worst."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"There's always a price for what you want."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"The injury that we do to a man must be such that we need not
|
||
fear his vengeance."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"I want to know God's thoughts, the rest are details."
|
||
--Albert Einstein
|
||
------------------------------------------
|
||
"Cage of freedom, that's our prison; we're the jailer and captive
|
||
combined
|
||
Cage of freedom, cast in power; all the trappings of our own
|
||
design.
|
||
Blind ambition, steals our reason; we're soon behind those
|
||
invisible bars
|
||
On the inside, looking outside; to make it safer we double the
|
||
guard."
|
||
--Jon Anderson
|
||
------------------------------------------
|
||
"There are three kinds of brains: the one understands things
|
||
unassisted, the other understands things when shown by others,
|
||
the third understands neither alone nor with the explanations of
|
||
others."
|
||
--Niccolo Machiavelli
|
||
------------------------------------------
|
||
"There are three kinds of intelligence: one kind understands
|
||
things for itself, the other appreciates what others can
|
||
understand, the third understands neither for itself nor through
|
||
others. This first kind is excellent, the second good, and the
|
||
third kind useless."
|
||
--Niccolo Machiavelli
|
||
------------------------------------------
|
||
"There is no comfort in change
|
||
But also no learning in the
|
||
Steady drone of peace.
|
||
There will be no greater sorrow
|
||
Than watching you go --
|
||
Except for watching you grow old
|
||
And tired here --
|
||
Clarity awaits
|
||
Elsewhere."
|
||
--Stephani Perry
|
||
------------------------------------------
|
||
"Anticipation --
|
||
It's a ticklish thing really,
|
||
Quivering, exciting, waiting,
|
||
Until it dies --
|
||
Killed by it's own self
|
||
Lost through virtue of being there."
|
||
--Dal Perry
|
||
------------------------------------------
|
||
"There may or may not be a God or gods; the Siblings do not
|
||
concern themselves with proving or disproving such a thing. By
|
||
definition, gods are more powerful than men, and thus quite able
|
||
to fend for themselves without help."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"Soon another test would come. He must be ready for it. So he
|
||
sat, but it was not mindless meditation but mindful scheming that
|
||
filled him. In a contest like this, there could be no second-
|
||
place winner. To be second was to be last and to be last here
|
||
was to be dead."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"Humans suffer from self-centred notions as to the nature of
|
||
life. Humans assume that alien life forms should conform to
|
||
standards that match our own, including logic and morality. Even
|
||
among humans, morality is ignored when expedient. Why should we
|
||
expect more from an alien life form than we demand from
|
||
ourselves?"
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"Time seemed to suspend itself, or cease altogether. Place faded
|
||
away. There was only her self, the centre that endured through
|
||
all times, all events, from the world, from its pain. Timeless,
|
||
eternal..."
|
||
--Lois Tilton
|
||
------------------------------------------
|
||
"No, now he didn't want to let himself get too close because he
|
||
knew it wasn't going to last. Good stuff never lasted. Change
|
||
would come and wipe it away, and what was the point? It hurt too
|
||
much every time it was ripped away and he was getting tired of
|
||
losing pieces of himself. Pretty soon there wouldn't be much
|
||
left, just scraps of gristle and bone without feeling. He didn't
|
||
need that."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"Well. There was noting to be done for it. Things had happened
|
||
as they did, time's arrow had yet to be reversed by humans, done
|
||
was done. If a man spent his life looking over his shoulder at
|
||
every possible branching of his path he could have taken, he
|
||
would never accomplish anything. One must learn from history so
|
||
as not to repeat it, but one must not waste one's energy or time
|
||
worrying about what might have been. Sorry... but people die
|
||
every day and the galaxy continues on quite well without them.
|
||
Consider yourself lucky you are one of those as yet unselected by
|
||
the Fates."
|
||
--Steve Perry
|
||
------------------------------------------
|
||
"All mystical experience is coincidence; and vice versa, of
|
||
course."
|
||
--Tom Stoppard
|
||
------------------------------------------
|
||
"The whole earth, perpetually steeped in blood, is nothing but an
|
||
immense altar on which every living thing must be sacrificed
|
||
without end, without restraint, without respite until the
|
||
consummation of the world, the extinction of evil, the death of
|
||
death."
|
||
--Joseph De Maistre
|
||
------------------------------------------
|
||
"Man is insatiable for power; he is infantile in his desires and,
|
||
always discontented with what he has, loves only what he has not.
|
||
People complain of the despotism of princes; they ought to
|
||
complain of the despotism of man."
|
||
--Joseph De Maistre
|
||
------------------------------------------
|
||
"All grandeur, all power, all subordination to authority rests on
|
||
the executioner: he is the horror and the bond of human
|
||
association. Remove this incomprehensible agent from the world
|
||
and at that very moment order gives way to chaos, thrones topple
|
||
and society disappears."
|
||
|
||
--Joseph De Maistre
|
||
------------------------------------------
|
||
"Evil is... a moral entity and not a created one, an eternal and
|
||
not a perishable entity: it existed before the world; it
|
||
constituted the monstrous, the execrable being who was also to
|
||
fashion such a hideous world. It will hence exist after the
|
||
creatures which people this world."
|
||
--Marquis De Sade
|
||
------------------------------------------
|
||
"But what is the greatest evil? If you are going to epitomize
|
||
evil, what is it? Is it the bomb? The greatest evil that one
|
||
has to fight constantly, every minute of the day until one dies,
|
||
is the worst part of oneself."
|
||
--Patrick McGoohan
|
||
------------------------------------------
|
||
"There is no explanation for evil. It must be looked upon as a
|
||
necessary part of the order of the universe. To ignore it is
|
||
childish, to bewail it senseless."
|
||
--W. Somerset Maugham
|
||
------------------------------------------
|
||
"We are tainted by modern philosophy which has taught us that all
|
||
is good, whereas evil has polluted everything and in a very real
|
||
sense all is evil, since nothing is in its proper place."
|
||
--Joseph De Maistre
|
||
------------------------------------------
|
||
"The belief in a supernatural source of evil is not necessary;
|
||
men alone are quite capable of every wickedness."
|
||
--Joseph Conrad
|
||
------------------------------------------
|
||
"L'eternit<69>.
|
||
C'est la mer m<>l<EFBFBD>e
|
||
Au soleil."
|
||
[Eternity. It is the sea mingled with the sun.]
|
||
--Arthur Rimbaud
|
||
------------------------------------------
|
||
"Death is not an event in life: we do not live to experience
|
||
death. If we take eternity to mean not infinite temporal duration
|
||
but timelessness, then eternal life belongs to those who live in
|
||
the present."
|
||
--Ludwig Wittgenstein
|
||
------------------------------------------
|
||
"It is very comforting to believe that leaders who do terrible
|
||
things are, in fact, mad. That way, all we have to do is make
|
||
sure we don't put psychotics in high places and we've got the
|
||
problem solved."
|
||
--Tom Wolfe
|
||
------------------------------------------
|
||
"Follow me if I advance! Kill me if I retreat! Revenge me if I
|
||
die!"
|
||
--Ngo Dinh Diem
|
||
------------------------------------------
|
||
"The wise man who is not heeded is counted a fool, and the fool
|
||
who proclaims the general folly first and loudest passes for a
|
||
prophet and F<>hrer, and sometimes it is luckily the other way
|
||
round as well, or else mankind would long since have perished of
|
||
stupidity."
|
||
--Carl Jung
|
||
------------------------------------------
|
||
"Power tends to corrupt, and absolute power corrupts absolutely.
|
||
Great men are almost always bad men."
|
||
--Lord Acton
|
||
------------------------------------------
|
||
"Artists use frauds to make human beings seem more wonderful than
|
||
they really are. Dancers show us human beings who move much more
|
||
gracefully than human beings really move. Films and books and
|
||
plays show us people talking much more entertainingly than people
|
||
really talk, make paltry human enterprises seem important.
|
||
Singers and musicians show us human beings making sounds far more
|
||
lovely than human beings really make. Architects give us temples
|
||
in which something marvellous is obviously going on. Actually,
|
||
practically nothing is going on."
|
||
--Kurt Vonnegut, Jr.
|
||
------------------------------------------
|
||
"We must select the illusion which appeals to our temperament and
|
||
embrace it with passion, if we want to be happy."
|
||
--Cyril Connolly
|
||
------------------------------------------
|
||
"Now blessings light on him that first invented this same sleep:
|
||
it covers a man all over, thoughts and all, like a cloak; 'tis
|
||
meat for the hungry, drink for the thirsty, heat for the cold,
|
||
and cold for the hot. 'Tis the current coin that purchases all
|
||
the pleasures of the world cheap; and the balance that sets the
|
||
king and the shepherd, the fool and the wise-man even. There is
|
||
only one thing, that I dislike in sleep; 'tis that it resembles
|
||
death; there's very little difference between a man in his first
|
||
sleep, and a man in his last sleep."
|
||
--Miguel De Cervantes
|
||
------------------------------------------
|
||
"He is mad past recovery, but yet he has lucid intervals."
|
||
--Miguel De Cervantes
|
||
------------------------------------------
|
||
"Our greatest foes, and whom we must chiefly combat, are within."
|
||
--Miguel De Cervantes
|
||
------------------------------------------
|
||
"Researchers, with science as their authority, will be able to
|
||
cut [animals] up, alive, into small pieces, drop them from a
|
||
great height to see if they are shattered by the fall, or deprive
|
||
them of sleep for sixteen days and nights continuously for the
|
||
purposes of an iniquitous monograph... 'Animal trust, undeserved
|
||
faith, when at last will you turn away from us? Shall we never
|
||
tire of deceiving, betraying, tormenting animals before they
|
||
cease to trust us?'"
|
||
--Colette
|
||
------------------------------------------
|
||
"On this narrow planet, we have only the choice between two
|
||
unknown worlds. One of them tempts us --ah! what a dream, to
|
||
live in that! --the other stifles us at the first breath."
|
||
--Colette
|
||
------------------------------------------
|
||
"Mystery has its own mysteries, and there are gods above gods.
|
||
We have ours, they have theirs. That is what's known as
|
||
infinity."
|
||
--Jean Cocteau
|
||
------------------------------------------
|
||
"Part of every misery is, so to speak, the misery's shadow or
|
||
reflection: the fact that you don't merely suffer but have to
|
||
keep on thinking about the fact that you suffer. I not only live
|
||
each endless day in grief, but live each day thinking about
|
||
living each day in grief."
|
||
--C. S. Lewis
|
||
------------------------------------------
|
||
"Melancholy is at the bottom of everything, just as at the end of
|
||
all rivers is the sea. Can it be otherwise in a world where
|
||
nothing lasts, where all that we have loved or shall love must
|
||
die? Is death, then, the secret of life? The gloom of an
|
||
eternal mourning enwraps, more or less closely, every serious and
|
||
thoughtful soul, as night enwraps the universe."
|
||
--Henri-Frederic Amiel
|
||
------------------------------------------
|
||
"A bizarre sensation pervades a relationship of pretence. No
|
||
truth seems true. A simple morning's greeting and response appear
|
||
loaded with innuendo and fraught with implications... Each
|
||
nicety becomes more sterile and each withdrawal more permanent."
|
||
--Maya Angelou
|
||
------------------------------------------
|
||
"In love, unlike most other passions, the recollection of what
|
||
you have had and lost is always better than what you can hope for
|
||
in the future."
|
||
--Stendhal
|
||
------------------------------------------
|
||
"Chaos often breeds life, when order breeds habit."
|
||
--Henry B. Adams
|
||
------------------------------------------
|
||
"The fact that logic cannot satisfy us awakens an almost
|
||
insatiable hunger for the irrational."
|
||
--A. N. Wilson
|
||
------------------------------------------
|
||
"Logic is like the sword -- those who appeal to it, shall perish
|
||
by it."
|
||
--Samuel Butler
|
||
------------------------------------------
|
||
"Kill a man one is a murderer; kill a million, a conqueror; kill
|
||
them all, a God."
|
||
--Jean Rostand
|
||
------------------------------------------
|
||
"A bestial and violent man will go so far as to kill because he
|
||
is under the influence of drink, exasperated, or driven by rage
|
||
and alcohol. He is paltry. He does not know the pleasure of
|
||
killing, the charity of bestowing death like a caress, of linking
|
||
it with the play of the noble wild beasts: every cat, every
|
||
tiger, embraces its prey and licks it even while it destroys it."
|
||
--Colette
|
||
------------------------------------------
|
||
"You must always be puzzled by mental illness. The thing I would
|
||
dread most, if I became mentally ill, would be your adopting a
|
||
common sense attitude; that you could take it for granted that I
|
||
was deluded."
|
||
--Ludwig Wittgenstein
|
||
------------------------------------------
|
||
"There is in every madman a misunderstood genius whose idea,
|
||
shining in his head, frightened people, and for whom delirium was
|
||
the only solution to the strangulation that life had prepared for
|
||
him."
|
||
--Antonin Artaud
|
||
------------------------------------------
|
||
"I don't believe in evil, I believe only in horror. In nature
|
||
there is no evil, only an abundance of horror: the plagues and
|
||
the blights and the ants and the maggots."
|
||
--Isak Dinesen
|
||
------------------------------------------
|
||
"It is an open question whether any behaviour based on fear of
|
||
eternal punishment can be regarded as ethical or should be
|
||
regarded as merely cowardly."
|
||
--Margaret Mead
|
||
------------------------------------------
|
||
"Intelligence and war are games, perhaps the only meaningful
|
||
games left. If any player becomes too proficient, the game is
|
||
threatened with termination."
|
||
--William Burroughs
|
||
------------------------------------------
|
||
"One of life's primal situations; the game of hide and seek. Oh,
|
||
the delicious thrill of hiding while the others come looking for
|
||
you, the delicious terror of being discovered, but what panic
|
||
when, after a long search, the others abandon you! You mustn't
|
||
hide too well. You mustn't be too good at the game. The player
|
||
must never be bigger than the game itself."
|
||
--Jean Baudrillard
|
||
------------------------------------------
|
||
"He is useless on top of the ground; he ought to be under it,
|
||
inspiring the cabbages."
|
||
--Mark Twain
|
||
------------------------------------------
|
||
"The timidity of the child or the savage is entirely reasonable;
|
||
they are alarmed at this world, because this world is a very
|
||
alarming place. They dislike being alone because it is verily and
|
||
indeed an awful idea to be alone. Barbarians fear the unknown
|
||
for the same reason that Agnostics worship it -- because it is a
|
||
fact."
|
||
--G. K. Chesterton
|
||
------------------------------------------
|
||
"Terror is as much a part of the concept of truth as runniness is
|
||
of the concept of jam. We wouldn't like jam if it didn't, by its
|
||
very nature, ooze. We wouldn't like truth if it wasn't sticky,
|
||
if, from time to time, it didn't ooze blood."
|
||
--Jean Baudrillard
|
||
------------------------------------------
|
||
"The mind can make
|
||
Substance, and people planets of its own
|
||
With beings brighter than have been, and give
|
||
A breath to forms which can outlive all flesh."
|
||
--Lord Byron
|
||
------------------------------------------
|
||
"I consider it useless and tedious to represent what exists,
|
||
because nothing that exists satisfies me. Nature is ugly, and I
|
||
prefer the monsters of my fancy to what is positively trivial."
|
||
--Charles Baudelaire
|
||
------------------------------------------
|
||
"Soul -- bound in my body
|
||
My eyes are broken windows
|
||
Go inside of me
|
||
Awaiting Eternity."
|
||
--Rose Chronicles
|
||
------------------------------------------
|
||
"Did you know your body's just a cavern for your soul?
|
||
Souls will drift, the aimlessly adrift dwell on shores of unrest
|
||
Where ocean rage will make its nest
|
||
I feel strange."
|
||
--Rose Chronicles
|
||
------------------------------------------
|
||
"If you believe in the light, it's because of obscurity, if you
|
||
believe in happiness it's because of unhappiness, if you believe
|
||
in God, then you have to believe in the devil."
|
||
--Father X
|
||
------------------------------------------
|
||
"The path of excess leads to the tower of wisdom."
|
||
--W. Blake
|
||
------------------------------------------
|
||
"It's cold outside, there's no kind of atmosphere...
|
||
I'm all alone, More or less.
|
||
Let me fly far away from here.
|
||
Fun fun fun in the sun sun sun.
|
||
|
||
I want to lie, shipwrecked and comatose,
|
||
Drinking fresh mango juice.
|
||
Goldfish shoals, nibbling at my toes.
|
||
Fun fun fun in the sun sun sun.
|
||
Fun fun fun in the sun sun sun."
|
||
--from Red Dwarf
|
||
------------------------------------------
|
||
"I must not fear. Fear is the mind-killer. Fear is the little
|
||
death that brings total obliteration. I will face my fear. I
|
||
will permit it to pass over me and through me. And when it has
|
||
gone past I will turn the inner eye to see its path. Where the
|
||
fear has gone there will be nothing. Only I will remain."
|
||
--Frank Herbert
|
||
------------------------------------------
|
||
"The game is never over, and the prize is never won. Broken
|
||
doors, broken dreams, it's all the same thing. A door's purpose
|
||
is to conceal the contents of a room, and dreams are the doors of
|
||
the mind."
|
||
--from Broken Doors
|
||
------------------------------------------
|
||
"The logic of a madman is a sane man's confusion."
|
||
--Joe R. Lansdale
|
||
------------------------------------------
|
||
"She used to love jokes, painful ones. She loved hurting people.
|
||
She thought it would lessen the hurt and loneliness she felt, but
|
||
it never did."
|
||
--S. Tepper
|
||
------------------------------------------
|
||
"My father always spoke that way. In the third person. He and
|
||
she, as though we were characters in a drama, playing parts that
|
||
had been written for us. Not as though we were real ourselves."
|
||
--S. Tepper
|
||
------------------------------------------
|
||
"I am afraid of death. You are young, so presumably you're more
|
||
afraid of it than I am. Obviously we shall put if off as long as
|
||
we can. But it makes very little difference. So long as human
|
||
beings stay human, death and life are the same thing."
|
||
--George Orwell
|
||
------------------------------------------
|
||
"In this game that we're playing, we can't win. Some kinds of
|
||
failure are better than other kinds, that's all."
|
||
--George Orwell
|
||
------------------------------------------
|
||
"Freedom is the freedom to say that two plus two make four. If
|
||
that is granted, all else follows."
|
||
--George Orwell
|
||
------------------------------------------
|
||
"The party told you to reject the evidence of your eyes and ears.
|
||
It was their final, most essential command. His heart sank as he
|
||
thought of the enormous power arrayed against him, the ease with
|
||
which any Party intellectual would overthrow him in debate, the
|
||
subtle arguments which he would not be able to understand, much
|
||
less answer. And yet he was in the right! They were wrong and
|
||
he was right."
|
||
--George Orwell
|
||
------------------------------------------
|
||
"Until they become conscious they will never rebel, and until
|
||
after they have rebelled they cannot become conscious."
|
||
--George Orwell
|
||
------------------------------------------
|
||
"Feeling screwed up at a screwed up time in a screwed up place
|
||
does not necessarily make you screwed up."
|
||
--from Pump Up The Volume
|
||
------------------------------------------
|
||
"Surviving [life] is the whole point. Quitting it will not make
|
||
you strong. Surviving it will!"
|
||
--from Pump Up The Volume
|
||
------------------------------------------
|
||
"You know what you have to do... Your job, your purpose is to get
|
||
accepted, get a cute girlfriend, think up something great to do
|
||
for the rest of your life. What if you're confused and can't
|
||
imagine a career? What if you're funny looking and can't get a
|
||
girlfriend? You see? No one wants to hear it. But the terrible
|
||
secret is that being young is sometimes less fun than being
|
||
dead."
|
||
--from Pump Up The Volume
|
||
------------------------------------------
|
||
"We're all worried, we're all in pain. That comes with having
|
||
eyes, having ears."
|
||
--from Pump Up The Volume
|
||
------------------------------------------
|
||
"There's nothing to do anymore. Everything decent has been done.
|
||
All the great themes have been used up, turned into theme parks.
|
||
So I don't really find it exactly cheerful to be living in the
|
||
middle of a totally exhausted decade where there's nothing to
|
||
look forward to and no one to look up to."
|
||
--from Pump Up The Volume
|
||
------------------------------------------
|
||
"Fate is the one thing that controls us all
|
||
It is our master
|
||
We live only to serve it
|
||
It taunts us
|
||
And it mocks us
|
||
It finally becomes tired with us
|
||
And leaves us as an empty shell."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"The night is too dark, to walk with your eyes closed."
|
||
--Peter Sintic
|
||
------------------------------------------
|
||
"Health is merely the slowest possible rate at which one can
|
||
die."
|
||
------------------------------------------
|
||
"If I am what I have and what I have is lost, who then am I?"
|
||
--Erich Fromm
|
||
------------------------------------------
|
||
"Our own reality may be difficult for us to face with honesty,
|
||
but it is the only reliable and reasonable place to begin."
|
||
--Donald DeMarco
|
||
------------------------------------------
|
||
"Progress is a simple thing
|
||
And all that it requires
|
||
Is a certain moral blindness
|
||
To the evil that transpires
|
||
|
||
For if we look the other way
|
||
When suffering makes its plea
|
||
And concentrate on 'life's good things'
|
||
With undivided energy."
|
||
--Donald DeMarco
|
||
------------------------------------------
|
||
"Nothing in this world can take the place of persistence. Talent
|
||
will not; nothing is more common than unsuccessful people with
|
||
talent. Genius will not; unrewarded genius is almost a proverb.
|
||
Education will not; the world is full of educated derelicts.
|
||
Persistence and determination alone are omnipotent. The slogan
|
||
'press on' has solved and always will solve the problems of the
|
||
human race."
|
||
--Calvin Coolidge
|
||
------------------------------------------
|
||
"Millions long for immortality who do not know what to do with
|
||
themselves on a rainy Sunday afternoon."
|
||
--Susan Ertz
|
||
------------------------------------------
|
||
"Of all the people in the world, the best and the worst are drawn
|
||
to a dead dog. Most turn away. Only the pure of heart can feel
|
||
its pain. And somewhere in between the rest of us struggle."
|
||
--from Twin Peaks
|
||
------------------------------------------
|
||
"Am I? Or am I so sane that you just blew your mind? ... Is it?
|
||
Or is it so possible that your head is spinning like a top? ...
|
||
Can it? Or is your entire world crumbling down all around you?"
|
||
--from Seinfeld
|
||
------------------------------------------
|
||
"Do you feel like suicide?
|
||
Is your conscience all right
|
||
Does it plague you at night
|
||
Do you feel good, feel good?"
|
||
--Queen
|
||
------------------------------------------
|
||
"Chance makes a plaything of a man's life."
|
||
--Seneca
|
||
------------------------------------------
|
||
"One man with a dream, at pleasure,
|
||
Shall go forth and conquer a crown;
|
||
And three with a new song's measure
|
||
Can trample an empire down."
|
||
--O'Shaughnessy
|
||
------------------------------------------
|
||
"People are strange.
|
||
We're all morticians.
|
||
Hey, what's on TV?"
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"The distance drew near, like a speck on a ball
|
||
Where circular imprints stepped from the light
|
||
And whispered a slogan invented by anyone.
|
||
So they all went along and yelled to the heavens
|
||
Or some place as good."
|
||
|
||
--Ric Ocasek
|
||
------------------------------------------
|
||
"I know the argument friend. It's the great theory of history.
|
||
I've heard it before. It says when things ain't good, instead of
|
||
getting down and doing something about it, instead of changing
|
||
your life, it's a hell of a lot easier to blame somebody else.
|
||
And it just don't wash in my book."
|
||
--from Talk Radio
|
||
------------------------------------------
|
||
"Who are you anyways? You audience. You're on me every night
|
||
like a pack of wolves because you can't stand facing what you are
|
||
and what you've made. Yes, the world is a terrible place. Yes,
|
||
cancer and garbage disposals will get you. Yes, a war is coming.
|
||
Yes, the world is shot to hell and you're all goners.
|
||
Everything's screwed up and you like it that way, don't you?
|
||
You're fascinated by the gory details. You're mesmerized by your
|
||
own fear. You revel in floods, car accidents, unstoppable
|
||
diseases. You're happiest when others are in pain. That's where
|
||
I come in isn't it? I'm here to lead you by the hands through
|
||
the dark forest of your own hatred and anger and humiliation.
|
||
I'm providing a public service. You're so scared. You're like a
|
||
little child under the covers, you're afraid of the bogeyman, but
|
||
you can't live without him. Your fear, your own lives have
|
||
become your entertainment. Next month millions of people are
|
||
going to be listening to this show, and you have nothing to talk
|
||
about. Marvellous technology is at our disposal, but instead of
|
||
reaching up to new heights, we going to see how far down we can
|
||
go. How deep into the muck we can immerse ourselves. What do
|
||
you want to talk about? Baseball scores, your pet, orgasms?
|
||
You're pathetic. I despise each and every one of you. You've
|
||
got nothing, absolutely nothing. No brains, no power, no future,
|
||
no hope, no god. The only thing you believe in is me. What are
|
||
you if you don't have me? I'm not afraid see. I come in here
|
||
every night, I make my case, I make my point, I say what I
|
||
believe in. I tell you what you are. I have to I have no
|
||
choice. You frighten me. I come in here every night. I tear
|
||
into you, I abuse you, I insult you. You just keep coming back
|
||
for more. What's wrong with you? Why do you keep calling? I
|
||
don't want to hear anymore. Stop talking. Go away!"
|
||
--from Talk Radio
|
||
------------------------------------------
|
||
"Colour makes a difference. Gender makes a difference.
|
||
Ethnicity makes a difference. Acting as if they don't will
|
||
create more problems than it will solve."
|
||
--James Jones
|
||
------------------------------------------
|
||
"Between normality and abnormality there is not a gulf, but a
|
||
fine and somewhat arbitrary line. Where we draw the line depends
|
||
on how atypical, disturbing, maladaptive, and unjustifiable a
|
||
person's behaviour is."
|
||
--David G. Myers
|
||
------------------------------------------
|
||
"My life had come to a sudden stop. I was able to breathe, to
|
||
eat, to drink, to sleep. I could not, indeed help doing so; but
|
||
there was no real life in me."
|
||
--Leo Tolstoy
|
||
------------------------------------------
|
||
"It is no measure of health to be well adjusted to a profoundly
|
||
sick society."
|
||
--Krishnamurti
|
||
------------------------------------------
|
||
"If a man is in a minority of one, we lock him up."
|
||
--Oliver Wendell Holmes
|
||
------------------------------------------
|
||
"We are all mad at some time or another."
|
||
--Battista Mantuanus
|
||
------------------------------------------
|
||
"If there were an invisible cat in that chair, the chair would
|
||
look empty; but the chair does look empty, therefore there is an
|
||
invisible cat in it."
|
||
--C.S. Lewis
|
||
------------------------------------------
|
||
"You rode a fifteen year old boy straight into his grave, and the
|
||
rest of us, straight to hell."
|
||
--from Young Guns 2
|
||
------------------------------------------
|
||
"I don't want to heal. I opened a wound, right here. It hurts
|
||
like hell. I don't want it to get better and I don't want to
|
||
pretend that everything's all right."
|
||
--from Star Trek: The Next Generation
|
||
------------------------------------------
|
||
"Who do you think they're praying to? You ask me if I have a God
|
||
complex? I am God!"
|
||
--from Malice
|
||
------------------------------------------
|
||
"Generations to come it may be will scarce believe that such a
|
||
one as this ever in flesh and blood walked upon this earth."
|
||
--Albert Einstein
|
||
------------------------------------------
|
||
"The flesh of man is an odd thing,
|
||
It will wish for what it can't get,
|
||
Ignorant of its luck and joy,
|
||
Sees what is not there,
|
||
Yet misses the treasures before it,
|
||
It will doubt all,
|
||
But is hopeful against all odds,
|
||
And though it may seem self-destructive,
|
||
I find a way to keep going."
|
||
--Scott "Jesus" Watson
|
||
------------------------------------------
|
||
"If life is a role-playing game, I have a bone to pick with the
|
||
Game Master."
|
||
--Scott "Jesus" Watson
|
||
------------------------------------------
|
||
"What is shape without form;
|
||
What is chaos without order;
|
||
What is life without death;
|
||
What is friendship without love;
|
||
What isn't?"
|
||
--Scott "Jesus" Watson
|
||
------------------------------------------
|
||
"Life is just a game, roll the dice, spin the wheel. Whatever
|
||
comes up is what you get, if you take the game seriously you
|
||
become obsessed by it, always trying to find a goal, but in the
|
||
game of life, there is no colourful square that says finish.
|
||
Only a select few will find it, and the rest will just wither
|
||
away when they realize that their number never came up. Do not
|
||
pass go, do not collect $200."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"I managed to take a beautiful soul, a blooming flower, and with
|
||
some terrible power that I didn't know I possessed... I withered
|
||
the blossom and have perhaps destroyed one of the most precious
|
||
things on the planet."
|
||
------------------------------------------
|
||
"There's a Mr. Hyde for every happy Jekyll face, a dark face on
|
||
the other side of the mirror. The brain behind that face never
|
||
heard of razors, prayers, or the logic of the universe. You turn
|
||
the mirror sideways and see your face reflected with a sinister
|
||
left-hand twist, half mad and half sane."
|
||
--Stephen King
|
||
------------------------------------------
|
||
"You can go through your whole life telling yourself that life is
|
||
logical, life is prosaic, life is sane. Above all sane. And I
|
||
think it is. I've had a lot of time to think about that. And
|
||
what I keep coming back to is [her] dying declaration: 'So you
|
||
understand that when we increase the number of variables, the
|
||
axioms themselves never change.'"
|
||
--Stephen King
|
||
------------------------------------------
|
||
"If we ever knew exactly where the light was coming from, getting
|
||
there would be easy."
|
||
--Brian May
|
||
------------------------------------------
|
||
"Don't fear the weapon, fear the man."
|
||
--from Rapid Fire
|
||
------------------------------------------
|
||
"Never ask for something you can't take away."
|
||
--from Rapid Fire
|
||
------------------------------------------
|
||
"Talk the simple smile
|
||
Such platonic eye
|
||
How they drown in incomplete capacity.
|
||
Strangest of them all
|
||
When the feeling calls
|
||
How we drown in stylistic audacity.
|
||
Charge the common ground.
|
||
Round and round and round
|
||
We living in gravity
|
||
Shake - we shake so hard
|
||
How we laugh so loud
|
||
When we reach
|
||
We believe in eternity"
|
||
--Yes
|
||
------------------------------------------
|
||
"I exploit you
|
||
You exploit me
|
||
I tell you one and one make three
|
||
I'm every person you need to be
|
||
I'm the cult of personality."
|
||
--Living Colour
|
||
------------------------------------------
|
||
"Contact is all it takes to change your life, to lose your place
|
||
in time.
|
||
Contact, asleep or awake,
|
||
Coming around you may wake up to find questions deep within your
|
||
eyes,
|
||
Things you never realized."
|
||
--Van Halen
|
||
------------------------------------------
|
||
"Kill a few people and you're a murderer. Kill a million and you
|
||
become a conqueror."
|
||
--from Cliffhanger
|
||
------------------------------------------
|
||
"If you pick a truth and follow it blindly. It becomes a
|
||
falsehood, and you a fanatic."
|
||
------------------------------------------
|
||
"There's nothing wrong with that girl that 50,000 volts wouldn't
|
||
fix."
|
||
--from Flying Blind
|
||
------------------------------------------
|
||
"Isn't it too bad that the great truths are all such lies?"
|
||
--Stephen King
|
||
------------------------------------------
|
||
"Just go on dancing with me like this forever, and I'll never
|
||
tire. We'll scrape our shoes on the stars and hang upside down
|
||
from the moon."
|
||
--Stephen King
|
||
------------------------------------------
|
||
"I used a lot of quotes when I was young. To make me sound
|
||
mature, to make me feel like I wasn't the second-class entity
|
||
that I'd always thought I was."
|
||
--Gerard Jones
|
||
------------------------------------------
|
||
"Each of us is a tiny being, permitted to ride on the outermost
|
||
skin of one of the smaller planets for a few dozen trips around
|
||
the local star."
|
||
--Carl Sagan/Ann Druyan
|
||
------------------------------------------
|
||
"Time doesn't heal any wounds, it just gives us more chances to
|
||
make the same mistakes"
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"Now, weary traveller,
|
||
Rest your head,
|
||
For, just like me,
|
||
You'll soon be dead."
|
||
--from Red Dwarf
|
||
------------------------------------------
|
||
"I am a romantic, but I do put up a barrier around myself, so it
|
||
is hard for people to get in and to know the real me. I fall in
|
||
love much too quickly and that results in me getting badly hurt.
|
||
The problem with love is that you lose control and that is a very
|
||
vulnerable state to be in. I would love to really have a
|
||
beautiful relationship with somebody, but it never seems to work
|
||
out. What I would like most of all is to be in a state of
|
||
blissful love."
|
||
--Freddie Mercury
|
||
------------------------------------------
|
||
"I'm very vulnerable, but only when I really let people get near
|
||
me. I build up a big defence. It happens automatically. I can
|
||
be very over-emotional and that can be a very destructive trait
|
||
in me."
|
||
--Freddie Mercury
|
||
------------------------------------------
|
||
"I've taken your little wise cracks for a few years now, you
|
||
hideous gargoyle, and if you ever open that gateway to hell you
|
||
call a mouth in my direction again, I'll snap of your extremities
|
||
like dead branches and feel them to you at gunpoint."
|
||
--from Cheers
|
||
------------------------------------------
|
||
"Winter, summer, spring and fall
|
||
It doesn't matter, death loves them all."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"A man like me should carry his burdens alone. If he doesn't
|
||
people get hurt."
|
||
--Dennis O'Neil
|
||
------------------------------------------
|
||
"Hallowe'en is just an excuse for people that pretend that they
|
||
can cope with reality to let their true chaotic nature shine
|
||
through."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"I feel not unlike a small boy, waking from a bad dream to find
|
||
reality not much of an improvement."
|
||
--John Byrne
|
||
------------------------------------------
|
||
"Too bad eternity has to last forever."
|
||
--Jessica Conner
|
||
------------------------------------------
|
||
"Life was not meant to be observed, it was meant to be stolen."
|
||
--from Covington Cross
|
||
------------------------------------------
|
||
"There are no ultimate ends. Only games and more games. The
|
||
winner this round is the loser the next round. Only the game is
|
||
eternal. And the game is always the same, if you never change
|
||
the rules."
|
||
--Gerard Jones
|
||
------------------------------------------
|
||
"...and so it was written that the pain and suffering will end.
|
||
The only problem was that we weren't allowed to see the book."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"I may not be smart, but then again, I'm not the one that blew
|
||
up."
|
||
--from Deadlock
|
||
------------------------------------------
|
||
"You non-conformists are all alike."
|
||
--from Deadlock
|
||
------------------------------------------
|
||
"So come and get me...
|
||
Let me...
|
||
Get in that sinking feeling
|
||
That says my heart is on an all time low... so...
|
||
Don't expect me...
|
||
To behave perfectly...
|
||
And wear that sunny smile.
|
||
My guess is I'm in for a cloudy and overcast.
|
||
Don't try and stop me
|
||
Because I'm heading for that stormy weather soon."
|
||
--Queen
|
||
------------------------------------------
|
||
"I've paid my dues...
|
||
Time after time...
|
||
I've done my sentence
|
||
But committed no crime...
|
||
And bad mistakes
|
||
I've made a few
|
||
I've had my share of sand kicked in my face...
|
||
But I've come through."
|
||
--Queen
|
||
------------------------------------------
|
||
"Buddy you're a boy make a big noise
|
||
Playing in the street, gonna be a big man some day
|
||
You got mud on your face
|
||
You big disgrace
|
||
Kicking your can all over the place.
|
||
|
||
Buddy you're a young man, hard man
|
||
Shouting in the street, gonna take on the world some day
|
||
You got blood on your face
|
||
You big disgrace
|
||
Waving your banner all over the place.
|
||
|
||
Buddy you're an old man, poor man
|
||
Pleading with your eyes, gonna make you some peace some day
|
||
You got mud on your face
|
||
You big disgrace
|
||
Somebody gonna put you back into your place."
|
||
--Queen
|
||
------------------------------------------
|
||
"Life would have no consequence,
|
||
If all I saw made perfect sense.
|
||
Life would not be magical,
|
||
If all I saw was logical.
|
||
So I question all I see,
|
||
To try and solve the mystery.
|
||
I've been living under delusion,
|
||
Led astray by my confusion."
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"My eyes can only see and my ears can only hear
|
||
Only my mind can conceive all that which I think I fear
|
||
Imagination charms me but often leads me astray
|
||
And like a labyrinth sometimes it's hard to see the right way."
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"Criticize, generalize everyone's strange
|
||
Yet you choose to refuse to try and change
|
||
And through your eyes you surmise what isn't there
|
||
Because your dream isn't what it seems now you don't even care.
|
||
|
||
Can't accept you reject changes around you
|
||
You persist to resist anything new
|
||
Rationalize with some lies your dated views
|
||
The state you're in you got nothing to win but everything to
|
||
lose."
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"I don't need to know your secret
|
||
I don't need to know your vices
|
||
I don't need to know your past
|
||
All I need is to be needed."
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"Monday through Friday, the world's the same
|
||
Busting their tails, and making a name
|
||
Go to work, go to school, don't play the fool
|
||
Pleasure's the payoff and the money's the tool.
|
||
Sweating all week for a dollar's gain
|
||
Living for the weekend to drown the pain.
|
||
Life is more than what it seems
|
||
Open your eyes and start to dream
|
||
I scream Sunday."
|
||
--One Bad Pig
|
||
------------------------------------------
|
||
"Preaching on a Sunday morning
|
||
All the right words are said
|
||
But does the congregation
|
||
Know what's going through your head?
|
||
Just a few distractions
|
||
Some hell you can hide
|
||
The mirror of your heart says
|
||
'You just can't let is slide.'"
|
||
--One Bad Pig
|
||
------------------------------------------
|
||
"Connect the dots are hard to play when one has no eyeballs."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Modern art sucks, and if you think it takes talent, or has a
|
||
'deep meaning' which only select few can understand then you're
|
||
an idiot."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"They're not twinkies, they're Satan cakes."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"I partially blame the modern day downfall of man and society on
|
||
twinkies."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Ah, the sweetness of youth
|
||
Grow old, yes
|
||
But age with love
|
||
And youth is yours forever."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Throughout all of the minutes, hours, days, weeks, months, and
|
||
years of your entire life, you can never get even one second
|
||
back... live life well. This life will end, and you only get one
|
||
shot at it. Keep in mind the possibility of the afterlife when
|
||
choosing your moral pathways."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Everyone, without exception, in their own special little way, is
|
||
a complete moron."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"An alternate reality might be fun to visit sometime, but I
|
||
wouldn't want a summer home there or anything."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Who's going to bake a cake for the lord?"
|
||
--Brother Bob Tilton
|
||
------------------------------------------
|
||
"Invisible transfers, long distance calls
|
||
Hollow laughter in marble halls
|
||
Steps have been taken, a silent uproar
|
||
Has unleashed the dogs of war
|
||
You can't stop what has begun
|
||
Signed, sealed, they deliver oblivion
|
||
We all have a dark side, to say the least
|
||
And dealing in death is the nature of the beast."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"Blind faith in your leaders or in anything will get you killed."
|
||
--Bruce Springsteen
|
||
------------------------------------------
|
||
"Stranger than fiction
|
||
Life is a mystery
|
||
Nothing is turning, turning out
|
||
The way that I planned it to be."
|
||
--Airplay
|
||
------------------------------------------
|
||
"Humans to ashes
|
||
People to dust
|
||
It's all because
|
||
In God we trust."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"... and crawling on the planet's face,
|
||
some insects called the human race.
|
||
Lost in time,
|
||
lost in space,
|
||
and meaning."
|
||
--from The Rocky Horror Picture Show
|
||
------------------------------------------
|
||
"Once again your mind explodes with a searing pain. A floodgate
|
||
of memories bursts wide. Yet it is her face that keeps haunting
|
||
you. Always her face. Who is she? Then things begin to
|
||
crystallize. You remember your funeral. Begging and pleading
|
||
for someone to release you from the darkness. You're not dead.
|
||
You can't be. Then your feel her presence. Warm, caring,
|
||
soothing. But somewhere deep inside she feels empty now. She
|
||
has no reason. No meaning. No soul. But your soul lives.
|
||
While her's is dying."
|
||
--Todd McFarlane
|
||
------------------------------------------
|
||
"I remember there was someone. Someone to love. Someone to
|
||
hate. And I was something. Something special. And proud of it.
|
||
For a time. Then they turned on me. He turned on me. I
|
||
remember... dying."
|
||
--Todd McFarlane
|
||
------------------------------------------
|
||
"I don't belong. Not here. Not now. I have to get back there.
|
||
The bet was rigged, he made me believe. Now there's darkness in
|
||
my soul. I want to die... again. But I choose to come back,
|
||
why?"
|
||
--Todd McFarlane
|
||
------------------------------------------
|
||
"I'm confused
|
||
I'm torn between a memory
|
||
And an image of the future.
|
||
All of the hurt I've caused
|
||
All the hurt I can still do.
|
||
I've tortured myself for years
|
||
Playing 'what if' with my mind
|
||
I can't cope with what has happened
|
||
Or what will happen.
|
||
My heart wants to go forward
|
||
But my mind insists on lingering in the past.
|
||
Life isn't fair.
|
||
I can't decide."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"There is no such thing as dusk, in the city."
|
||
--2nu
|
||
------------------------------------------
|
||
"Love is a rare opportunity and when that love is somehow parted
|
||
it's something deep down inside that wants just a reminder, a
|
||
slice of memory, a possession."
|
||
--2nu
|
||
------------------------------------------
|
||
"Slowly it seeps from my severed veins.
|
||
Its passing leaving my body a cold, darkened shell.
|
||
My essence, my being trapped within its liquid form.
|
||
Silently it expands, enveloping the gleaming tiles.
|
||
|
||
You reel from the horror, yet you are drawn closer.
|
||
Your trembling flesh touches its red warmth.
|
||
A chill quickly comes and clings to your soul.
|
||
Its life trickles over your lips... your teeth... it fills you.
|
||
And a smile overtakes you... and claims you as its own."
|
||
------------------------------------------
|
||
"Dreams are eraser dust
|
||
I blow off my page.
|
||
They fade into the emptiness,
|
||
Another dark grey day.
|
||
Dreams are only memories
|
||
Of the plans I had back then.
|
||
Dreams are eraser dust,
|
||
And now I use a pen."
|
||
--Kelli Schmidt
|
||
------------------------------------------
|
||
"The world is like an ice cream sundae,
|
||
The world is like an ice cream sundae,
|
||
The world is like an ice cream sundae,
|
||
It's all going to melt someday."
|
||
--One Bad Pig
|
||
------------------------------------------
|
||
"We have fired! They will be destroyed!"
|
||
--from Star Trek: The Next Generation
|
||
------------------------------------------
|
||
"Good morning worm your honour
|
||
The crown will plainly show
|
||
The prisoner who now stands before you
|
||
Was caught red handed showing feelings
|
||
Showing feelings of an almost human nature
|
||
Shame on him
|
||
That will not do."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"I can feel one of my turns coming on
|
||
I feel cold as a razor blade
|
||
Tight as a tourniquet
|
||
Dry as a funeral drum.
|
||
Run to the bedroom, in the suitcase on the left
|
||
You'll find my favourite axe
|
||
Don't look so frightened
|
||
This is just a passing phase
|
||
First one of my bad days."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"The flames are all long gone
|
||
But the pain lingers on
|
||
Goodbye blue sky
|
||
Goodbye blue sky
|
||
Goodbye."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"Hush now baby and don't you cry
|
||
Mama's gonna make all of your
|
||
Nightmares come true
|
||
Mama's gonna put all of her fears into you."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"When we grew up and went to school
|
||
There were certain teachers who would
|
||
Hurt the children anyway they could
|
||
By pouring their derision
|
||
Upon anything we did
|
||
And exposing every weakness
|
||
However carefully hidden by the kids
|
||
But in the town it was well known
|
||
When they got home at night, their fat and
|
||
Psychopathic wives would thrash them
|
||
Within inches of their lives."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"If you'd like to find out what's behind these cold eyes?
|
||
You'll just have to claw your way through this disguise."
|
||
--Pink Floyd
|
||
------------------------------------------
|
||
"Some times you're better off dead
|
||
There's a gun in you hand and it's pointed at your head."
|
||
--The Pet Shop Boys
|
||
------------------------------------------
|
||
"It's incredible how one insignificant human life can get in the
|
||
way of even the simplest plans."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"Oh cruel fate... why do you mock me?"
|
||
--from The Simpsons
|
||
------------------------------------------
|
||
"A lot of people saying we'd be better off dead."
|
||
--Neil Young
|
||
------------------------------------------
|
||
"It hurts! It throbs with pain, the like of which I never felt
|
||
the half! Mortal flesh would scream again... yet demon spirit
|
||
bids to laugh."
|
||
--Alan Grant
|
||
------------------------------------------
|
||
"There be one place from which none may ever return--be he King,
|
||
or Demon-Spawn, or the Lord of Hell himself. For lack of virtue
|
||
has exiled them here... and only that virtue they lack can save
|
||
them."
|
||
--Chapter XIII, The Eternity Book
|
||
------------------------------------------
|
||
"From the first blood... I have been there. Quietly nudging you
|
||
humans to seize the dark half of your so-called souls. No matter
|
||
what history taught you--you delight in my suggestions. In fact
|
||
most of you take direction rather well. Whenever there rises the
|
||
slightest hope of stopping me I can always count on the human
|
||
condition to exterminate that chance."
|
||
--Jeph Lobe
|
||
------------------------------------------
|
||
"They gave me the whip as a souvenir. Insisted I take it. And I
|
||
smiled, and said thank you, and kept telling myself that I should
|
||
understand and cherish different lifestyles. I told myself and
|
||
told myself, lying there in my cabin. All I could think of was
|
||
the death and blood and pain. I couldn't sleep, couldn't eat.
|
||
It hurt to live. I stood there in my cabin one night, with the
|
||
voices of the dead screaming at me, and I grabbed the whip. The
|
||
first place I hit was between my shoulder blades. Then my lower
|
||
back, my face, all over, again and again and again until I was
|
||
numb all over. And I haven't hurt since. Isn't that great? I
|
||
learned how to overcome it."
|
||
--Peter David
|
||
------------------------------------------
|
||
"I hear it's a good way to die, freezing to death. It's supposed
|
||
to be very comfortable. You get all numb, and then you start to
|
||
feel warm. This nice, relaxed feeling, and then you just go to
|
||
sleep and you don't wake up. Very peaceful."
|
||
--Peter David
|
||
------------------------------------------
|
||
"Opposites can attract, as in magnetism. Or explode, as in
|
||
matter and antimatter."
|
||
--Peter David
|
||
------------------------------------------
|
||
"I'll kill you. You think I won't? You think I give a damn
|
||
whether you live or die?"
|
||
--Peter David
|
||
------------------------------------------
|
||
"It was only a few centuries ago that if there was something
|
||
unknown humans would automatically deal with it in one of three
|
||
ways: kill it, pollute it, or try to make money from it. We've
|
||
progressed far beyond that, but no matter how far we come, it
|
||
only seems to indicate how much farther we have to go."
|
||
--Peter David
|
||
------------------------------------------
|
||
"After you spend a day in a society who's prevailing philosophy
|
||
is why make small problems when you can create a holocaust, then
|
||
you must navigate your way home with a society who maintains the
|
||
same philosophy in their driving."
|
||
--2nu
|
||
------------------------------------------
|
||
"If you can't afford the price
|
||
Of a fatal slip
|
||
You better learn to dance
|
||
To the master's whip."
|
||
--Gowan
|
||
------------------------------------------
|
||
"Before you hand me over
|
||
Before you read my sentence
|
||
I'd like to say a few words
|
||
Here in my own defence...
|
||
Some people struggle daily
|
||
They struggle with their conscience
|
||
Till the end
|
||
I have no guilt to haunt me
|
||
I feel no wrong intent."
|
||
--Gowan
|
||
------------------------------------------
|
||
"I've spent my life behind these steel bars
|
||
I've paid my debt in time
|
||
But being brought to justice
|
||
That was my only crime.
|
||
I don't regret a single action
|
||
I'd do the same again
|
||
These prison walls secure me
|
||
And I'm numb to pain."
|
||
--Gowan
|
||
------------------------------------------
|
||
"I stand accused before you
|
||
I have no tears to cry
|
||
And you will never break me
|
||
Until the day I die."
|
||
--Gowan
|
||
------------------------------------------
|
||
"Give it all you got until you're put out of your misery."
|
||
--Aerosmith
|
||
------------------------------------------
|
||
"And the blind will lead the blind and all
|
||
Those to scared to see
|
||
I am afraid beware the masque
|
||
And the truth it conceals."
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"How can you censor my thoughts?
|
||
What is right, what is not?
|
||
How is it you decide,
|
||
What I should feel inside?"
|
||
--Frozen Ghost
|
||
------------------------------------------
|
||
"And the things that come to those that wait may be the things
|
||
left by those that got there first."
|
||
--Steven Tyler
|
||
------------------------------------------
|
||
"You still don't get it, do you? He'll find her. That's what he
|
||
does. All he does... You can't stop him. He'll wade through
|
||
you, reach down her throat and pull her heart out."
|
||
--from The Terminator
|
||
------------------------------------------
|
||
"I don't care how long it takes just give me something squishy."
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"Fear not, dear cousin. In madness there is great power."
|
||
--from Robin Hood: Prince of Thieves
|
||
------------------------------------------
|
||
"Hunting people is exciting."
|
||
--William Branshaw
|
||
------------------------------------------
|
||
"Once in a stately passion
|
||
I cried with desperate grief,
|
||
'O Lord, my heart is black with guile,
|
||
Of sinners I am chief.'"
|
||
--James Thomson
|
||
------------------------------------------
|
||
"The poisonous molecules of benzene arrived in the bone marrow in
|
||
a crescendo. The foreign chemical surged with the blood and was
|
||
carried between the narrow spicules of supporting bone into the
|
||
farthest reaches of the delicate tissue. It was like a frenzied
|
||
horde of barbarians descending into Rome. And the result was
|
||
equally as disastrous."
|
||
--Robin Cook
|
||
------------------------------------------
|
||
"Hope I die before I get old."
|
||
--The Who
|
||
------------------------------------------
|
||
"It's a good day to die."
|
||
--from Flatliners
|
||
------------------------------------------
|
||
"I know everything you fools can do. You can't push me into
|
||
giving you the cure if I don't want to, and if you try, I'll give
|
||
you a second smile just under your chin..."
|
||
--Peter David
|
||
------------------------------------------
|
||
"I always look forward to the opportunity to chop off more heads
|
||
so that I can earn more money."
|
||
--Saeed Al Sayyaf
|
||
------------------------------------------
|
||
"Outside of the killings, we have one of the lowest crime rates
|
||
in the country."
|
||
--Marion Barry
|
||
------------------------------------------
|
||
"I'd like to see people, instead of spending so much time on the
|
||
ethical problem, get after the problems that really affect the
|
||
people of this country."
|
||
--Richard Nixon
|
||
------------------------------------------
|
||
"I never got into fights with kids about whose dad is bigger and
|
||
who can beat up who. What am I going to say? My dad can kill
|
||
your dad when he's asleep?"
|
||
--Michael Brunner, son of Charles Manson
|
||
------------------------------------------
|
||
"Modern society as we know it is doomed to a painful death."
|
||
--from WKRP in Cincinatti
|
||
------------------------------------------
|
||
"It wasn't murder... it was a civic improvement."
|
||
--from Dragnet
|
||
------------------------------------------
|
||
"We're all of us dying... from the moment we're born."
|
||
--Peter David
|
||
------------------------------------------
|
||
"Vulnerabilities, my dear priest, are exploitable weaknesses."
|
||
--from V: The Final Battle
|
||
------------------------------------------
|
||
"You're just as free as the leash you're on. You tug it too
|
||
hard, and they'll hang you by it."
|
||
--from V: The Final Battle
|
||
------------------------------------------
|
||
"Person man, person man
|
||
Hit on the head with a frying pan
|
||
Lives his life in a garbage can
|
||
Person man
|
||
Is he depressed or is he a mess?
|
||
Does he feel totally worthless?
|
||
Who ever came up with person man
|
||
Degraded man, person man"
|
||
--They Might Be Giants
|
||
------------------------------------------
|
||
"A bird spied a worm escaping into a poison apple.
|
||
The apple was in a tree.
|
||
The tree was in a forest.
|
||
The forest was in the country.
|
||
The country was in the planet.
|
||
The planet was in the sky.
|
||
If the bird ate the poison apple, the bird would die.
|
||
But the bird wished to get the worm."
|
||
--Jeph Loeb
|
||
------------------------------------------
|
||
"The struggle for life is the only struggle. If this is what you
|
||
get for livin' on borrowed time... what good is living?"
|
||
--Jeph Loeb
|
||
------------------------------------------
|
||
"After there is great trouble among mankind, a greater one is
|
||
prepared. The great mover of the universe will renew time, rain,
|
||
blood, thirst, famine, steel weapons and disease. In the
|
||
heavens, a fire seen."
|
||
--Nostradamus
|
||
------------------------------------------
|
||
"Despair kinda smells like burnt hair. Sounds great, but smells
|
||
lousy. Now fear... fear you can taste! Let's see, fear kinda
|
||
tastes like... like peaches, peaches covered with fresh bone
|
||
marrow."
|
||
--Matt Wagner
|
||
------------------------------------------
|
||
"If winning isn't important, why keep score?"
|
||
--from Star Trek: The Next Generation
|
||
------------------------------------------
|
||
"Oh freddled gruntbuggly
|
||
Thy micturations are to me
|
||
As plurdled gabbleblotchits
|
||
On a lurgid bee.
|
||
Groop I implore thee
|
||
My foonting turlingdromes
|
||
And hooptiously drangle me
|
||
With crinkly bindlewurdles.
|
||
Or I will rend thee
|
||
In the gobberwarts
|
||
With my blurglecruncheon
|
||
See if I don't!"
|
||
--Douglas Adams
|
||
------------------------------------------
|
||
"That which does not kill us makes us stronger."
|
||
--Friedrich Nietzsche
|
||
------------------------------------------
|
||
"Life is like a mop... and sometimes life gets full of dirt and
|
||
crud and bugs and hair balls and stuff and you, you, you got to
|
||
clean it out. You got to put it in here and rinse it off and
|
||
start over again, and sometimes you know, a mop... a mop is not
|
||
good enough you, you got to get down there like with a
|
||
toothbrush, you know, and you get to really scrub to get it
|
||
clean... you got to get it off, you got to really try to get it
|
||
off... and if that doesn't work, if that doesn't work you can't
|
||
give up. You got to stand right up you got to run to a window
|
||
and say 'Hey these floors are dirty as hell and I'm not going to
|
||
take it any more!'"
|
||
--from UHF
|
||
------------------------------------------
|
||
"Hey Chico... the one thing no one's ever accused me of is being
|
||
sane."
|
||
--from Marked For Death
|
||
------------------------------------------
|
||
"One thought he was invincible, the other thought he could fly.
|
||
They were both wrong."
|
||
--from Marked For Death
|
||
------------------------------------------
|
||
"I wouldn't be too surprised if the man gave into temptation,
|
||
grabbed her cash, did her in, and put her remains through the
|
||
sausage grinder in the meat department."
|
||
--from Dragnet
|
||
------------------------------------------
|
||
"It's the right thing to do and the tasty way to do it."
|
||
--from a Quaker Oats commercial
|
||
------------------------------------------
|
||
"Sometimes I lay awake at night and hear voices
|
||
Voices making me listen and obey
|
||
'I shall do as you command great spirits'
|
||
Madness is just a day away."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"I'm only laughing on the outside
|
||
My smile is only skin deep
|
||
If you could see inside I'm only crying
|
||
You might join me for a weep."
|
||
--from Batman
|
||
------------------------------------------
|
||
"You want to get nuts? Come on... let's get nuts."
|
||
--from Batman
|
||
------------------------------------------
|
||
"I can't stand it... It's driving me sane."
|
||
--Spike Jones
|
||
------------------------------------------
|
||
"Maybe in this mixed up, topsy turvy world of ours they should
|
||
take all the 'sane' people off the streets and lock them up and
|
||
let all the psychopaths out of the asylums to run the world."
|
||
--from Airplane 2
|
||
------------------------------------------
|
||
"Someone's in my fruit cellar..."
|
||
--from Evil Dead 2
|
||
------------------------------------------
|
||
"Walking, walking on the tight-rope of insanity
|
||
Walking, walking on the verge of losing your mind."
|
||
--The Box
|
||
------------------------------------------
|
||
"If gods are supposed to be immortal and all knowing, and one who
|
||
is immortal is one who never dies... how can they know it all and
|
||
still choose to live?"
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"Kind of get's you thinking, doesn't it?"
|
||
--Tony "The Real Estate Man" Hudson
|
||
------------------------------------------
|
||
"I don't know where hell is... another dimension, perhaps, or
|
||
another plane of reality. As for getting there... it's a choice
|
||
between sinning and being tricked by demons! It's a plane of
|
||
evil... despair... and magic of the foulest kind."
|
||
--Alan Grant
|
||
------------------------------------------
|
||
"Demons don't play by the rules. They lie and they cheat and
|
||
they stab in the back."
|
||
--Alan Grant
|
||
------------------------------------------
|
||
"I only want to sleep... and never wake."
|
||
--Alan Grant
|
||
------------------------------------------
|
||
"Blood is drawn! I am impressed--though my hell-spawned powers
|
||
will heal it! Besides... next to giving pain my favourite
|
||
sport's to feel it."
|
||
--Alan Grant
|
||
------------------------------------------
|
||
"All I know is that you won't come back until they're all dead.
|
||
'Eternity.' Every last one of them. Every man. Every woman.
|
||
Every child. Global massacre. I dream about that day. A planet
|
||
of corpses."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"Down through circles and trenches. Down and down into the
|
||
screaming rock and the molten flesh of hell. Down where lovers,
|
||
who have promised never to part, are fused together in a tangle
|
||
of shrieking flesh. Towering, selfless love turned into hate and
|
||
madness. Down through infinite arctic wastes where people wander
|
||
alone and naked and freezing, never reaching any destination.
|
||
Through the streets of suffering cities where the atoms of the
|
||
houses bleed and beg forgiveness. Where taps drip and fires
|
||
don't light and hearts burn endlessly. Where men and women are
|
||
made monstrously huge, bodies so big they cannot move. They can
|
||
only scream and cry out as other doomed creatures burrow and
|
||
build in their flesh. Down and down and down through the
|
||
pointless senility of hell."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"Hell changes constantly but there are certain consistent
|
||
landmarks which always stay in the same relation to one another."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"I won't tell you again! Don't look back! In hell you never
|
||
look back!"
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"I thought I could capture the stories of the city on paper. I
|
||
thought I could write about the horrors of the city. Horror
|
||
stories you see. I tell you I didn't have to look far for
|
||
material. Everywhere I looked, there were stories hidden there
|
||
in the dark corners... I wrote and still there were more... No
|
||
one would publish them. 'Too horrible,' they said. 'Sick mind,'
|
||
they said. I thought I could write about the horrors of the city
|
||
but the horror is too big and it goes on forever."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"Anyone who hates dogs and kids can't be all bad."
|
||
--W. C. Fields
|
||
------------------------------------------
|
||
"Immortality -- a fate worse than death."
|
||
--Edgar A. Shoaff
|
||
------------------------------------------
|
||
"What if everything is an illusion and nothing exists?"
|
||
--Woody Allen
|
||
------------------------------------------
|
||
"Woe unto them that call evil good, and good evil; that put
|
||
darkness for light, and light for darkness; who substitute bitter
|
||
for sweet, and sweet for bitter."
|
||
--Isaiah, 5:20
|
||
------------------------------------------
|
||
"Life is pain, anyone who tells you differently is selling
|
||
something."
|
||
--from The Princess Bride
|
||
------------------------------------------
|
||
"Relations are simply a tedious pack of people, who haven't got
|
||
the remotest knowledge of how to live, nor the smallest instinct
|
||
about when to die."
|
||
--Oscar Wilde
|
||
------------------------------------------
|
||
"Sanity is an illness and rationality a disease."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"We who are about to die salute you!"
|
||
--from Spartacus
|
||
------------------------------------------
|
||
"Existence is within a single plane. Reality on another. When
|
||
the two intersect chaos starts and the repercussions can reap
|
||
havoc on what was once a peaceful society."
|
||
--Sanjay Singh
|
||
------------------------------------------
|
||
"It doesn't go out of style! And you know why? Because it will
|
||
always irritate parents! It's a completely fool-proof
|
||
expression."
|
||
--G. B. Trudeau
|
||
------------------------------------------
|
||
"Knowing the whims and wisdoms of Fate enables one to know so
|
||
much more, but in the main, all one must do to understand mortals
|
||
is to observe them from a distance for a few millennia. They're
|
||
almost always the same, everywhere."
|
||
--Arthur Byron Cover
|
||
------------------------------------------
|
||
"The wet fish flies over the multi-mooned purple haze skies of
|
||
the cerebral vortex in every young boy's left hemispheric side of
|
||
a pig's brain. (unless of course you place a slice of processed
|
||
cheese on the wet brain of a young fish, in which case you would
|
||
end up with a rather tasty water omelette.)"
|
||
--Mark "MEB" Baldock
|
||
------------------------------------------
|
||
"If everything seems to be going well...
|
||
You obviously don't know what the hell is going on!"
|
||
------------------------------------------
|
||
"He felt the hot impact of bullets.
|
||
He heard the sound of chopping meat.
|
||
He thought 'is that me?'
|
||
...and then he opened his eyes."
|
||
--Grant Morrison
|
||
------------------------------------------
|
||
"It took hundreds of years and thousands of lives, but the
|
||
Universe finally taught me it's one and only lesson. Existence
|
||
is worthless."
|
||
--Howard Weinstein
|
||
------------------------------------------
|
||
"Death is a part of life, each individual should be permitted the
|
||
time to deal with it in his own chosen way."
|
||
--Howard Weinstein
|
||
------------------------------------------
|
||
"The American Scream is the personification of the plague of
|
||
madness sweeping the states. Only he's real."
|
||
--Peter Milligan
|
||
------------------------------------------
|
||
"Once I kept my mind occupied by hallucinating. Now I can no
|
||
longer do even this... Rain and time have washed away my
|
||
imagination. The mud is caking my soul... And I come to realize
|
||
it never existed. Have no memory. Am nothing... A blind and
|
||
mindless mouth in the mud."
|
||
--Peter Milligan
|
||
------------------------------------------
|
||
"Wizor told me I'd be sent to the area of madness, from where I'd
|
||
take over a human body."
|
||
--Peter Milligan
|
||
------------------------------------------
|
||
"There is an ancient legend which warns that, should we ever
|
||
learn our true origin, our universe will instantly be destroyed."
|
||
--Len Wein
|
||
------------------------------------------
|
||
"There is a theory which states that if ever for any reason
|
||
anyone discovers what exactly the Universe is for and why it is
|
||
here it will instantly disappear and be replaced by something
|
||
even more bizarre and inexplicable."
|
||
--Douglas Adams
|
||
------------------------------------------
|
||
"Be not afeard; the isle is full of noises,
|
||
Sounds and sweet airs that give delight and hurt not.
|
||
Sometimes a thousand twanging instruments
|
||
Will hum about mine ears..."
|
||
--Keith Sharee
|
||
------------------------------------------
|
||
"To me the Universe was all void of Life, of Purpose, of
|
||
Volition, even of Hostility; it was one huge, dead, immeasurable
|
||
Steam-engine, rolling on, in its dead indifference, to grind me
|
||
limb from limb. Oh vast gloomy, solitary Golgotha, and Mill of
|
||
Death! Why was the living banished thither companionless,
|
||
conscious? Why, if there is no Devil; nay, unless the Devil is
|
||
your God?"
|
||
--Thomas Carlyle
|
||
------------------------------------------
|
||
"When you find yourself locked onto an unpleasant train of
|
||
thought, heading for the places in your past where the screaming
|
||
is unbearable, remember there's always madness. Madness is the
|
||
emergency exit."
|
||
--Alan Moore
|
||
------------------------------------------
|
||
"I don't know why. You don't know why. Most likely God don't
|
||
know why, either. It's just Government business, that's all."
|
||
------------------------------------------
|
||
"The world is full of Kings and Queens,
|
||
Who blind your eyes and steal your dreams."
|