5312 lines
244 KiB
Groff
5312 lines
244 KiB
Groff
YES: This is the beginning!
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This file contains the Introduction and Chapters 1-5 of "Terminal
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Compromise."
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Please remember this is NOVEL-ON-THE-NET ShareWare. Fees and
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address information are in the accompanying file: TC_READ.ME
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Thank you for your consideration.
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INTER.PACT Press
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11511 Pine St.
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Seminole, FL 34642
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All contents are (C) 1991, 1992, 1993 Inter.Pact
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****************************************************************
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Note to the Readers of "Terminal Compromise:"
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In writing a book like this, it is often difficult to distinguish
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fact from fiction.
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That is because the fiction is all too probable, and the facts
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are unbelievable. Maybe it doesn't matter and they're the same
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after all. Other than a few well known names and incidents, the
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events in this book are fictional - to the best of my knowledge.
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As I wrote this tale, I was endlessly coming upon new methods,
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new tactics, new ways to wage computer warfare. I found that if
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this story was to be told, I had to accept the fact that it would
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always be unfinished. The battle of the computers is one without
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an end in sight.
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This story is an attempt to merge the facts as they are with the
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possibilities. The delineation between fact and fiction is
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clouded because the fiction of yesterday is the fact, the news,
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of today. I expect that distinction to become hazier over the
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next few years.
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It is that incongruity that spawns a conjectured extrapolation
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indistinguishable from reality.
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The construction of the model that gave birth to this tale was
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||
the culmination of many years of work, with a fictional narrative
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being the last thing in my mind. That was an accident necessi-
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tated by a need to reach the largest possible audience.
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In fact, a lot of things have surprised me since "Terminal Com-
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promise" was first published. It seemed that we were able to
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predict a number of things including Polymorphics, Clipper Chips,
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non-lethal warfare . . . and you'll recognize a few other prog-
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nostications we didn't expect to come to pass quite yet.
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The reader will soon know why.
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There were many people who have been invaluable in the prepara-
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tion of this document, but I'll only mention a few. If the
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reader doesn't want to hear about my friends, please move on to
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the next chapter.
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Mary C. Bell. Hi, Mom. Thanks for the flashlight.
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Lazarus Cuttman. The greatest editor a writer has ever had. He
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kept me honest.
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Miles Roban. That's an alias. He's the one who told me about
|
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the real NSA. I hope he doesn't get in trouble for what he said.
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I owe him a pound of M&Ms. 2 lbs. of them. (NOTE: For over two
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years, according to 'high-up' sources, the NSA has been and still
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is looking for 'Miles'. They haven't found him yet, despite an
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intensive internal NSA search. We need more people like 'Miles'
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who are willing to break down the conventional barriers of secu-
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rity on issues that affect us all.)
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Dad. God rest.
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Winn Schwartau, July, 1993
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****************************************************************
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"Terminal Compromise" is dedicated to:
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Sherra
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There is no adequate way to say thank you. You are the super-glue
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of the family. Let's continue to break the rules.
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I Love You
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Ashley
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She wrote three books before I finished the first chapter and
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then became a South-Paw.
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Adam
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Welcome, pilgrim.
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****************************************************************
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Prologue
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Friday, January 12, The Year After
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The White House, Washington D.C.
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The President was furious. In all of his professional political
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life, not even his closest aids or his wife had ever seen him so
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totally out of character. The placid Southern confidence he
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normally exuded, part well designed media image, part real, was
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completely shattered.
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"Are you telling me that we spent almost $4 trillion dollars,
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four goddamn trillion dollars on defense, and we're not prepared
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to defend our computers? You don't have a game plan? What the
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hell have we been doing for the last 12 years?" The President
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bellowed as loudly as anyone could remember. No one in the room
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answered. The President glared right through each of his senior
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aides.
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"Damage Assessment Potential?" The President said abruptly as he
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forced a fork full of scrambled eggs into his mouth.
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"The Federal Reserve and most Banking transactions come to a
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virtual standstill. Airlines grounded save for emergency opera-
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tions. Telephone communications running at 30% or less of
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capacity. No Federal payments for weeks. Do you want me to
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continue?"
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"No, I get the picture."
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The President wished to God he wouldn't be remembered as the
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President who allowed the United States of America to slip back-
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ward 50 years. He waited for the steam in his collar to subside
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before saying anything he might regret.
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* * * * *
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Monday, August 6, 1945.
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Japan
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The classroom was coming to order. Shinzo Ito, the 12th graders'
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instructor was running a few minutes late and the students were
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in a fervent discussion about the impending end to the war. And
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of course it was to be a Japanese victory over the American
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Mongrels.
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Ito-san was only 19 years old, and most of the senior class was
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only a year or two younger than he. The war had deeply affected
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all of them. The children of Japan were well acquainted with
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suffering and pain as families were wrenched apart - literally at
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the seams, and expected to hold themselves together by the honor
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that their sacrifices represented. They hardened, out of neces-
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sity, in order to survive and make it through the next day, the
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next week; and so they knew much about the war. Since so many of
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the men had gone to war, women and children ran the country. 10
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and 11 year old students from the schools worked as phone opera-
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tors. It was an honorable cause, and everyone contributed; it was
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only fitting. Their fathers and loved ones were fighting self-
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lessly and winning the war.
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Many of the children's fathers had gone to war, valiantly, and
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many had not come home. Many came home in pieces, many others,
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unrecognizable. And when some fathers had gone off to war, both
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they and their families knew that would never return. They were
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making the Supreme Sacrifice for their country, and more impor-
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tantly, a contribution to their honorable way of life.
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The sons and daughters of kamikazes were treated with near rever-
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ence. It was widely believed that their father's honor was
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handed down to their offspring as soon as word had been received
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the mission had been successful. Albeit a suicide mission.
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Taki Homosoto was one 17 year old boy so revered for his father's
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sacrifice. Taki spoke confidently about such matters, about the
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war, about American atrocities, and how Japan would soon defeat
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the round faced enemy. Taki had understood, on his 17th birthday
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that his father would leave . . .and assuredly die as was the
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goal of the kamikaze. He pretended to understand that it made
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sense to him.
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In the last 6 months since his father had left, Taki assumed, at
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his father's request, the patriarchal role in the immediate
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family. The personal anguish had been excruciating. While
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friends and family and officials praised Taki's father and fami-
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ly, inside Taki did not accept that a man could willingly leave
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his family, his children, him . . .Taki, never to return. Didn't
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his father love him? Or his sister and brother? Or his mother?
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Taki's mother got a good job at one of the defense plants that
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permeated Hiroshima, while Taki and his brother and sister con-
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tinued their schooling. But the praise, the respect didn't make
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up for not having a father to talk to, to play with and to study
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with. He loved his mother, but she wasn't a father.
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So Taki compensated and overcompensated and pretended that his
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father's sacrifice was just, and good, and for the better of
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society, and the war effort and his family. Taki spoke as a
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juvenile expert on the war and the good of Japan and the bad of
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the United States and the filthy Americans with their unholy
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practices and perverted ways of life, and how they tortured
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Japanese prisoners. Taki was an eloquent and convincing orator
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to his piers and instructors alike.
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At 8:15 A.M., the Hiroshima radio station, NHK, rang its old
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school bell. The bell was part of a warning system that an-
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nounced impending attacks from the air, but it had been so over-
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used that it was mostly ignored. The tolls from the bell were
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barely noticed by the students or the teachers in the Honkawa
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School. Taki though, looked out the window toward the Aioi
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Bridge. His ears perked and his eyes scanned the clear skies over
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downtown Hiroshima. He was sure he heard something . . .but
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no . . .
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The first sensation of motion in the steel reinforced building
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came long seconds after the blinding light. Since the rolling
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earth motions in 1923 devastated much of Tokyo, schoolchildren
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and households nationwide practiced earthquake preparedness and
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were reasonably expectant of another major tremor at any time.
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But the combination of light from 10,000 suns and the deafening
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roar gave those who survived the blast reason to wish they had-
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n't. Blindness was instant for those who saw the sky ignite.
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The classroom was collapsing around them. In the air was the
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noise of a thousand trains at once...even louder. In seconds the
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schoolhouse was in rubble.
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The United States of American had just dropped the Atomic Bomb
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on Hiroshima, Japan. This infamous event would soon be known as
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ayamachi - the Great Mistake.
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* * * * *
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Tuesday, August 7, 1945
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Taki Homosoto opened his eyes. He knew he was laying on his
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back, but all else was a clutter of confusion. He saw a dark
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ceiling, to what he didn't know and he hurt He turned his head
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and saw he was on a cot, maybe a bed, in a long corridor with
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many others around him. The room reeked of human waste and
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death.
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"Ah . . .you are awake. It has been much time." The voice came
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from behind him. He turned his head rapidly and realized he
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shouldn't have. The pain speared him from his neck to the base
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of his spine. Taki grimaced and made a feeble attempt at whim-
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pering. He said nothing as he examined the figure in the white
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coat who spoke again. "You are a very lucky young man, not many
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made it."
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What was he talking about . . .made it? Who? His brain wanted
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to speak but his mouth couldn't. A slight gurgling noise ushered
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from his throat but nothing else. And the pain . . .it was
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everywhere at once . . .all over . . .he wanted to cry for
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help . . .but was unable. The pain overtook Taki Homosoto and
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the vision of the doctor blackened until there was no more.
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Much later, Taki reawoke. He assumed it was a long time later,
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he been awake earlier . . .or had that been a dream. The
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doctor...no he was in school and the earthquake . . .yes, the
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earthquake . . .why don't I remember? I was knocked out. Of
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course. As his eyes adjusted to the room, he saw and remembered
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that it wasn't a dream. He saw the other cots, so many of them,
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stretching in every direction amidst the cries of pain and sighs
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of death.
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Taki tried to cry out to a figure walking nearby but only a low
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pitched moan ushered forth. Then he noticed something
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odd . . .and odd smell. One he didn't recognize. It was
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foul . . .the stench of burned . . .burned what? The odor made
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him sick and he tried to breathe through his mouth but the awful
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odor still penetrated his glands. Taki knew that he was very
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hurt and very sick and so were a lot of others. It took him some
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time, and a lot of energy just to clear his thoughts. Thinking
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hurt - it concentrated the aching in his head, but the effort
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took away some of his other pain, or at least it successfully
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distracted him focussing on it.
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There were cries from all around. Many were incomprehensible
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babblings, obviously in agony. Screams of "Eraiyo!", ("the pain
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is unbearable!") were constant. Others begged to be put out of
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their misery. Taki actually felt fortunate; he couldn't have
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screamed if he had wanted to, but out of guilt he no longer felt
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the need to.
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Finally, the same doctor, was it the same doctor? appeared over
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his bed again. "I hope you'll stay with us for a few minutes?"
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The doctor smiled. Taki responded as best he could. With a
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grunt and the raising and lowering his eyelids. "Let me just say
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that you are in very good condition . . .much better than the
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others," the doctor gestured across the room. "I don't mean to
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sound cruel, but, we do need your bed, for those seriously hurt."
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The doctor sounded truly distraught. What had happened?
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A terrified look crossed Taki's face that ceded into a facial
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plead. His look said, "I can't speak so answer my
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questions . . .you must know what they are. Where am I? What
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happened? Where is my class?"
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"I understand your name is Taki Homosoto?" the doctor asked.
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"Your school identification papers . . ."
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Taki blinked an affirmative as he tried to cough out a response.
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"There is no easy way to tell this. We must all be brave. Ameri-
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ca has used a terrible weapon upon the people of Japan. A spe-
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cial new bomb so terrible that Hiroshima is no longer even a
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shadow of itself. A weapon where the sky turns to fire and build-
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ings and our people melt . . .where the water sickens the living
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and those who seem well drop in their steps from an invisible
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enemy. Almost half of the people of Hiroshima are dead or dying.
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As I said, you are a lucky one."
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Taki helped over the next days at the Communications Hospital in
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what was left of downtown Hiroshima. When he wasn't tending to
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the dying, he moved the dead to the exits so the bodies could be
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cremated, the one way to insure eternal salvation. The city got
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much of its light from pyres for weeks after the blasts.
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He helped distribute the kanpan and cold rice balls to the very
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few doctors and to survivors who were able to eat. He walked the
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streets of Hiroshima looking for food, supplies, anything that
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could help. Walking through the rubble of what once was Hiroshi-
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ma fueled his hate and his loathing for Americans. They had
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wrought this suffering by using their pikadon, or flash-boom
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weapon, on civilians, women and children. He saw death, terrible,
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ugly death, everywhere; from Hijiyama Hill to the bridges a cross
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the wide Motoyas River.
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The Aioi bridge spontaneously became an impromptu symbol for
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vengeance against the Americans. Taki crossed the remnants of
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the old stone bridge, which was to be the hypocenter of the blast
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if the Enola Gay hadn't missed its target by 800 feet. A tall
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blond man in an American military uniform was tied to a stone
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post. He was an American POW, one of 23 in Hiroshima. A few
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dozen people, women in bloodstained kimonos and mompei and near
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||
naked children were hurling rocks and insults at the lifeless
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body. How appropriate thought Taki. He found himself mindlessly
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||
joining in. He threw rocks at the head, the body, the legs. He
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threw rocks and yelled. He threw rocks and yelled at the remains
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of the dead serviceman until his arms and lungs ached.
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||
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Another 50,000 Japanese died from the effects of radiation within
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days while Taki continued to heal physically. On August 17, 9
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days after the atomic bombing of Nagasaki and 2 days after Emper-
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or Hirohito's broadcast announcing Japan's surrender, a typhoon
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swamped Hiroshima and killed thousands more. Taki blamed the
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Americans for the typhoon, too.
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Taki was alone for the first time in his life. His family dead,
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even his little sister. Taki Homosoto was now a hibakusha, a
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survivor of Hiroshima, an embarrassing and dishonorable fact he
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would desperately try to conceal for the rest of his life.
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||
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||
* * * * *
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||
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Forty Years Later . . .
|
||
January, 1985, Gaithersburg, Maryland.
|
||
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||
A pristine layer of thick soft snow covered the sprawling office
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||
and laboratory filled campus where the National Bureau of Stand-
|
||
ards sets standards for the country. The NBS establishes exactly
|
||
what the time is, to the nearest millionth of a millionth of a
|
||
second. They make sure that we weigh things to the accuracy of
|
||
the weight of an individual atom. The NBS is a veritable techno-
|
||
logical benchmark to which everyone agrees, if for no other
|
||
reason than convenience.
|
||
|
||
It was the NBS's turn to host the National Computer Security
|
||
Conference where the Federal government was ostensibly supposed
|
||
to interface with academia and the business world. At this
|
||
exclusive symposium, only two years before, the Department of
|
||
Defense introduced a set of guidelines which detailed security
|
||
specifications to be used by the Federal agencies and recommended
|
||
for the private sector.
|
||
|
||
A very dry group of techno-wizards and techno-managers and tech-
|
||
no-bureaucrats assemble for several days, twice a year, to dis-
|
||
cuss the latest developments in biometric identifications tech-
|
||
niques, neural based cryptographic analysis, exponential factor-
|
||
ing in public key management, the subtleties of discretionary
|
||
access control and formalization of verification models.
|
||
|
||
The National Computer Security Center is a Department of Defense
|
||
working group substantially managed by the super secret National
|
||
Security Agency. The NCSC's charter in life is to establish
|
||
standards and procedures for securing the US Government's comput-
|
||
ers from compromise.
|
||
|
||
1985's high point was an award banquet with slightly ribald
|
||
speeches. Otherwise the conference was essentially a maze of
|
||
highly complex presentations, meaningless to anyone not well
|
||
versed in computers, security and government-speak. An attend-
|
||
ee's competence could be well gauged by his use of acronyms. "If
|
||
the IRS had DAC across its X.25 gateways, it could integrate
|
||
X9.17 management, DES, MAC and X9.9 could be used throughout.
|
||
Save the government a bunch!" "Yeah, but the DoD had an RFI for
|
||
an RFQ that became a RFP, specced by NSA and based upon TD-80-81.
|
||
It was isolated, environmentally speaking." Boring, thought
|
||
Miles Foster. Incredibly boring, but it was his job to sit,
|
||
listen and learn.
|
||
|
||
Miles Foster was a security and communications analyst with the
|
||
National Security Agency at Fort Meade, Maryland. It was part of
|
||
the regimen to attend such functions to stay on top of the latest
|
||
developments from elsewhere in the government and from university
|
||
and private research programs.
|
||
|
||
Out of the 30 or so panels that Miles Foster had to attend, pro
|
||
forma, only one held any real interest for him. It was a mathe-
|
||
matical presentation entitled, "Propagation Tendencies in Self
|
||
Replicating Software". It was the one subject title from the
|
||
conference guide about which he knew nothing. He tried to figure
|
||
out what the talk was going to be about, but the answer escaped
|
||
him until he heard what Dr. Les Brown had to say.
|
||
|
||
Miles Foster wrote an encapsulated report of Dr. Brown's presen-
|
||
tation with the 23 other synopses he was required to generate for
|
||
the NSA. Proof of Attendance.
|
||
|
||
SUBJECT:
|
||
Dr. Les Brown - Professor of Computer Science, Sheffield Univer-
|
||
sity. Dr. Brown presented an updated version of his PhD thesis.
|
||
|
||
CONTENTS:
|
||
Dr. Brown spoke about unique characteristics of certain software
|
||
that can be written to be self-replicating. He examined the
|
||
properties of software code in terms of set theory and adequately
|
||
demonstrated that software can be written with the sole purpose
|
||
of disguising its true intents, and then replicate or clone
|
||
itself throughout a computer system without the knowledge of the
|
||
computer's operators.
|
||
|
||
He further described classes of software that, if designed for
|
||
specific purposes, would have undetectable characteristics. In
|
||
the self replicating class, some would have crystalline behav-
|
||
iors, others mutating behaviors, and others random behaviors.
|
||
The set theory presentations closely paralleled biological trans-
|
||
mission characteristics and similar problems with disease detec-
|
||
tion and immunization.
|
||
|
||
It became quite clear from the Dr. Brown's talk, that surrepti-
|
||
tiously placed software with self-replicating properties could
|
||
have deleterious effects on the target computing system.
|
||
|
||
CONCLUSIONS
|
||
|
||
It appears prudent to further examine this class of software and
|
||
the ramifications of its use. Dr. Brown presented convincing
|
||
evidence that such propagative effects can bypass existing pro-
|
||
tective mechanisms in sensitive data processing environments.
|
||
There is indeed reason to believe that software of this nature
|
||
might have certain offensive military applications. Dr. Brown
|
||
used the term 'Virus' to describe such classes of software.
|
||
|
||
Signed, Miles Foster
|
||
Senior Analyst
|
||
Y-Group/SF6-143G-1
|
||
|
||
After he completed his observations of the conference as a whole,
|
||
and the seminars in particular, Miles Foster decided to eliminate
|
||
Dr. Brown's findings from the final submission to his superiors.
|
||
He wasn't sure why he left it out, it just seemed like the right
|
||
thing to do.
|
||
|
||
****************************************************************
|
||
|
||
|
||
Chapter 1
|
||
August, 4 Years Ago.
|
||
National Security Agency
|
||
Fort George S. Meade, Maryland.
|
||
|
||
Thousands of disk drives spun rapidly, at over 3600 rpm. The
|
||
massive computer room, Computer Room C-12, gently whirred and
|
||
droned with a life of its own. The sublime, light blue walls and
|
||
specially fitted blue tint light bulbs added a calming influence
|
||
to the constant urgency that drove the computer operators who
|
||
pushed buttons, changed tapes and stared at the dozens of amber
|
||
screens on the computers.
|
||
|
||
Racks upon racks of foreboding electronic equipment rung the
|
||
walls of Room C-12 with arrays of tape drives interspersed. Rats
|
||
nests of wire and cable crept along the floor and in and out of
|
||
the control centers for the hundreds of millions of dollars of
|
||
the most sophisticated computers in the world. Only five years
|
||
ago, computing power of this magnitude, now fit in a room the
|
||
size of an average house would have filled the Pentagon. All of
|
||
this, all of this power, for one man.
|
||
|
||
Miles Foster was locked in a room without windows. It contained a
|
||
table, 4 chairs, and he was sure a couple of cameras and micro-
|
||
phones. He had been held for a least six hours, maybe more; they
|
||
had taken his watch to distort his time perception.
|
||
|
||
Within 2 minutes of the time Miles Foster announced his resigna-
|
||
tions as a communications expert with the National Security
|
||
Agency, S Group, his office was sealed and guarded by an armed
|
||
marine. His computer was disconnected, and he was escorted to a
|
||
debriefing room where he had sporadically answered questions
|
||
asked by several different Internal Affairs Security Officers.
|
||
|
||
While Miles Foster was under virtual house arrest, not the pre-
|
||
ferred term, but an accurate one, the Agency went to work. From
|
||
C-12, a group of IAS officers began to accumulate information
|
||
about Miles Foster from a vast array of computer memory banks.
|
||
They could dial up any major computer system within the United
|
||
States, and most around the world. The purpose, ostensibly, of
|
||
having such power was to centralize and make more efficient
|
||
security checks on government employees, defense contractors and
|
||
others who might have an impact on the country's national securi-
|
||
ty. But, it had other purposes, too.
|
||
|
||
Computer Room C-12 is classified above Top Secret, it's very
|
||
existence denied by the NSA, the National Security Agency, and
|
||
unknown to all but a very few of the nation's top policy makers.
|
||
Congress knows nothing of it and the President was only told
|
||
after it had been completed, black funded by a non-line item
|
||
accountable budget. Computer Room C-12 is one of only two
|
||
electronic doors into the National Data Base - a digital reposi-
|
||
tory containing the sum total knowledge and working profiles of
|
||
every man, woman and child in the United States. The other
|
||
secret door that guards America's privacy is deep within the
|
||
bowels of the Pentagon.
|
||
|
||
From C-12, IAS accessed every bank record in the country in
|
||
Miles' name, social security number or in that of his immediate
|
||
family. Savings, checking, CD's. They had printouts, within
|
||
seconds, of all of their last year's credit card activity. They
|
||
pulled 3 years tax records from the IRS, medical records from the
|
||
National Medical Data Base which connects hospitals nationwide,
|
||
travel records from American carriers, customs checks, video
|
||
rental history, telephone records, stock purchases. Anything that
|
||
any computer ever knew about Miles Foster was printed and put
|
||
into eleven 6" thick files within 2 hours of the request from the
|
||
DIRNSA, Director, National Security Agency.
|
||
|
||
Internal Affairs was looking for some clue as to why a successful
|
||
and highly talented analyst like Miles Foster would so abruptly
|
||
resign a senior analyst position. While Miles was more than
|
||
willing to tell them his feelings, and the real reasons behind
|
||
his resignation, they wanted to make sure that there weren't a
|
||
few little details he wasn't telling them. Like, perhaps gam-
|
||
bling debts, women on the side, (he was single) or women on the
|
||
wrong side, overextended financial obligations, anything unusual.
|
||
Had he suddenly come into money and if he did, where did he get
|
||
it? Blackmail was considered a very real possibility when unex-
|
||
pected personnel changes occur.
|
||
|
||
The files vindicated Miles Foster of any obvious financial anoma-
|
||
lies. Not that he knew he needed vindication. He owned a Potomac
|
||
condominium in D.C., a 20 minutes against traffic commute to Fort
|
||
Meade where he had worked for years, almost his entire profes-
|
||
sional life. He traveled some, Caribbean cruises, nothing osten-
|
||
tatious but in style, had a reasonable savings account, only used
|
||
2 credit cards and he owed no one anything significant. There was
|
||
nothing unusual about his file at all, unless you think that
|
||
living within ones means is odd. Miles Foster knew how to make
|
||
the most out of a dollar. Miles Foster was clean.
|
||
|
||
The walls of his drab 12 foot square prison room were a dirty
|
||
shade of government gray. There was an old map on the wall and
|
||
Miles noticed that the gray paint behind the it was 7 shades
|
||
lighter than the surrounding paint. Two of the four fluorescent
|
||
bulbs were out, hiding some of the peeling paint on the ceiling.
|
||
Against one wall was a row of file cabinets with large iron bars
|
||
behind the drawer handles, insuring that no one, no one, was
|
||
getting into those file with permission. Also prominent on each
|
||
file cabinet was a tissue box sized padlock.
|
||
|
||
Miles was alone, again. When the IAS people questioned him, they
|
||
were hard on him. Very hard. But most of the time he was alone.
|
||
Miles paced the room during the prolonged waits. He poked here
|
||
and there, under this, over that; he found the clean paint behind
|
||
the map and smirked.
|
||
|
||
When the IAS men returned, they found Miles stretching and exer-
|
||
cising his svelte 5' 9" physique to help relieve the boredom.
|
||
|
||
He was 165 lbs. and in excellent for almost 40. Miles wasn't a
|
||
fitness nut, but he enjoyed the results of staying in shape -
|
||
women, lots of women. He had a lightly tanned Mediterranean
|
||
skin, dark, almost black wavy hair on the longish side but immac-
|
||
ulately styled. His demeanor dripped elegance, even when he wore
|
||
torn jeans, and he knew it. It was merely another personal asset
|
||
that Miles had learned how to use to his best advantage. Miles
|
||
was regularly proofed. He had a face that would permit him to
|
||
assume any age from 20 to 40, but given his borderline arrogance,
|
||
he called it aloofness, most considered him the younger. None-
|
||
theless, women, of all ages went for it.
|
||
|
||
One peculiar trait made women and girls find Miles irresistible.
|
||
He had an eerie but conscious muscular control over his dimples.
|
||
If he were angry, a frown could mean any number of things depend-
|
||
ing upon how he twitched his dimples. A frown could mean, "I'm
|
||
real angry, seriously", or "I'm just giving you shit", or "You
|
||
bore me, go away", or more to Miles' purpose, "You're gorgeous, I
|
||
wanna fuck your brains out". His dimples could pout with a
|
||
smile, grin with a sneer, emphasize a question; they could accent
|
||
and augment his mood at will.
|
||
|
||
But now. he was severely bored. Getting even more disgusted with
|
||
the entire process. The IAS wasn't going to find anything. He
|
||
had made sure of that. After all, he was the computer expert.
|
||
|
||
Miles heard the sole door to the room unlock. It was a heavy, 'I
|
||
doubt an ax could even get through this' door. The fourth IAS
|
||
man to question Miles entered the room as the door was relocked
|
||
from the other side.
|
||
|
||
"So, tell us again, why did you quit?" The IAS man abruptly
|
||
blurted out even before sitting in one of the old, World War II
|
||
vintage chairs by the wooden table.
|
||
|
||
"I've told you a hundred times and you have it on tape a hundred
|
||
times." The disgust in his voice was obvious and intended. "I
|
||
really don't want to go through it again."
|
||
|
||
"Tough shit. I want to hear it. You haven't told me yet." This
|
||
guy was tougher, Miles thought.
|
||
|
||
"What are you looking for? For God's sake, what do you want me
|
||
to say? You want a lie that you like better? Tell me what it is
|
||
and I'll give it back to you, word for word. Is that what you
|
||
want?" Miles gave away something. He showed, for the first
|
||
time, real anger. The intellect in Miles saw what the emotion
|
||
was doing, so his brain quickly secreted a complex string of
|
||
amino acids to call him down. Miles decided that he should go
|
||
back to the naive, 'what did I do?' image and stick to the plan.
|
||
|
||
He put his head in his hands and leaned forward for a second. He
|
||
gently shook and looked up sideways. He was very convincing.
|
||
The IAS man thought that Miles might be weakening.
|
||
|
||
"I want the fucking truth," the IAS man bellowed. "And I want it
|
||
now!"
|
||
|
||
Miles sighed. He was tired and wanted a cigarette so bad he
|
||
could shit, and that pleasure, too, he was being denied. But he
|
||
had prepared himself for this eventuality; serious interrogation.
|
||
|
||
"O.K., O.K." Miles feigned resignation. He paused for another
|
||
heavy sigh. "I quit 'cause I got sick of the shit. Pure and
|
||
simple. I like my work, I don't like the bureaucracy that goes
|
||
with it. That's it. After over 10 years here, I expected some
|
||
sort of recognition other than a cost of living increase like
|
||
every other G12. I want to go private where I'll be appreciated.
|
||
Maybe even make some money."
|
||
|
||
The IAS man didn't look convinced. "What single event made you
|
||
quit? Why this morning, and not yesterday or tomorrow, or the
|
||
next day, or next week. Why today?" The IAS man blew smoke at
|
||
Miles to annoy him and exaggerate the withdrawal symptoms. Miles
|
||
was exhausted and edgy.
|
||
|
||
"Like I said, I got back another 'don't call us, we'll call you'
|
||
response on my Public-Private key scheme. They said, 'Not yet
|
||
practical' and set it up for another review in 18 months. That
|
||
was it. Finis! The end, the proverbial straw that you've been
|
||
looking for. Is that what you want?" Miles tried desperately to
|
||
minimize any display of arrogance as he looked at the IAS man.
|
||
|
||
"What do you hope to do in the private sector? Most of your work
|
||
is classified." The IAS man remained cool and unflustered.
|
||
|
||
"Plenty of defense guys who do crypto and need a good comm guy. I
|
||
think the military call it the revolving door." Miles' dimpled
|
||
smugness did not sit well with IAS.
|
||
|
||
"Yeah, you'll probably go to work for your wop friends in
|
||
Sicily." The IAS man sarcastically accused.
|
||
|
||
"Hey - you already know about that!" That royally pissed off
|
||
Miles. He didn't appreciate any dispersion on his heritage.
|
||
"They're relatives, that's it. Holidays, food, turkey, ham, and
|
||
a bunch of booze. And besides," Miles paused and smiled,
|
||
"there's no such thing as the Mafia."
|
||
|
||
By early evening they let him relieve himself and then finally
|
||
leave the Fort. He was given 15 minutes to collect his personal
|
||
items, under guard, and then escorted to the front gate. All
|
||
identification was removed and his files were transferred into
|
||
the 'Monitor' section, where they would sit for at least one
|
||
year. The IAS people had finally satisfied themselves that Miles
|
||
Foster was a dissatisfied, underpaid government employee who had
|
||
had enough of the immobility and rigidity of a giant bureaucratic
|
||
machine that moves at a snails pace. Miles smiled at the end of
|
||
the interrogation. Just like I said, he thought, just like I
|
||
said.
|
||
|
||
There was no record in his psychological profiles, those from the
|
||
Agency shrinks, that suggested Miles meant anything other than
|
||
what he claimed. Let him go, they said. Let him go. Nowhere in
|
||
the records did it show how much he hated his stupid, stupid
|
||
bosses, the bungling bureaucratic behemoths who didn't have the
|
||
first idea of what he and his type did. Nowhere did Miles'
|
||
frustration and resultant build up of resentment and anger show
|
||
up in any file or on any chart or graph. His strong, almost
|
||
overbearing ego and over developed sense of worth and importance
|
||
were relegated to a personality quirk common to superbright
|
||
ambitious engineering types. It fit the profile.
|
||
|
||
Nowhere, either, was it mentioned that in years at NSA, Miles
|
||
Foster had submitted over 30 unsolicited proposals for changes in
|
||
cryptographic and communications techniques to improve the secu-
|
||
rity of the United States. Nowhere did it say, they were all
|
||
turned down, tabled, ignored.
|
||
|
||
At one point or another, Miles had to snap. The rejection of
|
||
proposal number thirty-four gave Miles the perfect reason to
|
||
quit.
|
||
|
||
* * * * *
|
||
|
||
Miles Foster looked 100% Italian despite the fact his father was
|
||
a pure Irishman. "Stupido, stupido" his grandmother would say
|
||
while slamming the palm of her hand into forehead. She was not
|
||
exactly fond of her daughter marrying outside family. But, it was
|
||
a good marriage, 3 great kids, or as good as kids get and Grand-
|
||
mama tolerated the relationship. Miles the oldest, was only 7
|
||
when his father got killed as a bystander at a supermarket rob-
|
||
bery.
|
||
|
||
Mario Dante, his homosexual uncle who worked in some undefined,
|
||
never mentioned capacity for a Vegas casino, assumed the pater-
|
||
nal role in raising Miles. With 2 sisters, a mother, an aunt and
|
||
a grandmother all living under the same roof with Miles, any
|
||
male companionship, role model if you will, was acceptable.
|
||
Mario kept the Family Honor, keeping his sexual proclivities
|
||
secret until Miles turned 18. Upon hearing, Miles commented,
|
||
"Yeah, so? Everyone knows Uncle Mario's a fag. Big deal."
|
||
|
||
Mario was a big important guy, and he did business, grownup
|
||
business. That was all Miles was supposed to know. When Miles
|
||
was 13, Mario thought it would be a good idea for him to become
|
||
a man. Only 60 miles from Las Vegas lived the country's only
|
||
legal brothels. Very convenient. Miles wasn't going to fool
|
||
around with any of that street garbage. Convention girls. Miles
|
||
should go first class the first time.
|
||
|
||
Pahrump, Nevada is home to the only legalized prostitution in the
|
||
United States. Mario drove fast, Miles figured about 130mph, in
|
||
his Red Ferrari on Highway 10, heading West from Vegas. Mario
|
||
was drinking Glen Fetitch, neat, and he steered with only one
|
||
hand, hardly looking at the road.
|
||
|
||
The inevitable occurred. Gaining on them, was a Nevada State
|
||
Trooper. The flashing lights and siren reminded Mario to slow
|
||
down and pull over. He grinned, sipped his drink and Miles
|
||
worried. Speeding was against the law. So was drinking and
|
||
driving. The police officer walked over to the driver side of the
|
||
Ferrari. Uncle Mario lowered the window to let the officer lean
|
||
into the car. As the trooper bent over to look inside the
|
||
flashy low slung import, Mario pulled out a handgun from under
|
||
the seat and stuck it into the cop's face.
|
||
|
||
Mario started yelling. "Listen asshole, I wasn't speeding. Was I?
|
||
I don't want nothing to go on my insurance. I gotta good driving
|
||
record, y'know?" Mario was crazy! Miles had several strong urges
|
||
to severely contract his sphincter muscles.
|
||
|
||
"No sir, I wanted to give you a good citizenship citation, for
|
||
your contributions to the public good." The cop laughed in Uncle
|
||
Mario's face.
|
||
|
||
"Good to see you still gotta sensa'humor." Uncle Mario laughed
|
||
and put the gun back in his shoulder holster. Miles stared,
|
||
dumbfounded, still squeezing his butt cheeks tight.
|
||
|
||
"Eh, Paysan! Where you going so fired up? You know the limit's
|
||
110?" They both guffawed.
|
||
|
||
"Here!" Mario pointed at Miles. "'Bout time the kid took a ride
|
||
around the world, y'know what I mean?" Miles wasn't sure what
|
||
he meant, but he was sure it had to do with where he was going to
|
||
lose his virginity.
|
||
|
||
"Sheeeee-it! Uptown! Hey kid, ask for Michelle and take 2 from
|
||
Column B, then do it once for me!" Even though they weren't, to
|
||
a 13 year male Italian virgin, Mario and the cop were making fun
|
||
of him. "I remember my first time. It was in a pick up truck,
|
||
out in the desert. Went for fucking ever! Know what I mean?
|
||
The cop winked at Miles who was humiliated. To Miles' relief,
|
||
Mario finally gave the cop an envelope, while being teasingly
|
||
reprimanded. "Hey, Mario, take it a little easy out here, will
|
||
yah? At least on my watch, huh?"
|
||
|
||
"Yeah, sure. No problem. Ciao."
|
||
|
||
"Ciao."
|
||
|
||
They were off again, doing over 100mph in seconds. The rest of
|
||
the evening went as planned. Miles thanked his uncle in a way
|
||
that brought tears to Mario's eyes. Miles said, "You know, Uncle
|
||
Mario. When I grow up, I want to be just like you."
|
||
|
||
* * * * *
|
||
|
||
"He's just a boy, Mario! How could you!" Miles' mother did not
|
||
react favorably to the news of her son's manhood. She was trying
|
||
to protect him from the influence of her relatives. Miles was
|
||
gauged near genius with a pronounced aptitude for mathematics and
|
||
she didn't want his life to go to waste.
|
||
|
||
His mother had married outside of the family, the organized crime
|
||
culture, the life one inherits so easily. She loved her family,
|
||
knew that they dealt in gambling, some drugs, an occasional
|
||
rough-up of an opponent, but preferred to ignore it. She mar-
|
||
ried a man she loved, not one picked for he, but had lost him 6
|
||
years before. They _could not_ have her son.
|
||
|
||
Her wishes were respected, in the memory of Miles father, and
|
||
also because it wasn't worth having a crazed Sicilian woman rant-
|
||
ing and raving all about. But Miles was delectable bait to the
|
||
Family. His mathematical wizardry could assist greatly in gaming
|
||
operations, figure the odds, new angles, keep the dollars in the
|
||
house's favor despite all advertising claims to the contrary.
|
||
|
||
But, there was respect and honor in their promise to his mother.
|
||
Hands off was the rule that came all the way from the top. He
|
||
was protected. Miles was titillated with the attention, but he
|
||
still listened to his mother. She came before all others. With
|
||
no father, she became a little of both, and despite anyone's
|
||
attempts, Miles knew about Mario.
|
||
|
||
Miles was such a subject of adoration by his mother, aunt and
|
||
grandmother, siblings aside, that Miles came to expect the same
|
||
treatment from everyone, especially women. They praised him so,
|
||
he always got top honors, the best grades, that he came to re-
|
||
quire the attention and approval.
|
||
|
||
Living with 5 women and a gay uncle for 11 years had its effect.
|
||
Miles was incredibly heterosexual. Not anti-gay at all, not at
|
||
all. But he had absolutely no interest in men. He adored women,
|
||
largely because of his mother. He put women on pedestals, and
|
||
treated them like queens. Even on a beer budget Miles could
|
||
convince his lady that they were sailing the Caribbean while
|
||
baking in the desert suburbs of Las Vegas. Women succumbed,
|
||
willingly, to Miles' slightest advance. He craved the approval,
|
||
and worked long and hard to perfect his technique. Miles Foster
|
||
was soon an expert. His mother never openly disapproved which
|
||
Miles took as approval.
|
||
|
||
By the time Miles went off to college study advanced mathematics
|
||
and get a degree, he had shattered half of the teen-age hearts
|
||
within 50 miles of Vegas. Plus, the admiration from his female
|
||
family had allowed him to convince himself that he was going to
|
||
change the world. He was the single most important person that
|
||
could have an effect on civilization. Invincible. Can do no
|
||
wrong. Miles was the end-all to be-all. If Miles said it, it
|
||
must be so, and he bought into the program. What his mother or
|
||
girl friends called self confidence others called conceit and
|
||
arrogance. Even obnoxious.
|
||
|
||
His third love, after his mother and himself, was mathematics.
|
||
He believed in mathematics as the answer to every problem. All
|
||
questions can be reduced to formulas and symbols. Then, once you
|
||
have them on a piece of paper, or in a computer . . .the answer
|
||
will appear.
|
||
|
||
His master thesis was on that very subject. It was a brilliant
|
||
soliloquy on the reducibility of any multi-dimensional condition
|
||
to a defined set of measured properties. He postulated that all
|
||
phenomenon was discrete in nature and none were continuous.
|
||
Given that arguable position, he was able to develop a set of
|
||
mathematical tools that would permit dissection of a problem into
|
||
much smaller pieces. Once in manageable sizes, the problem would
|
||
be worked out piece by piece until the pieces were reassembled as
|
||
the answer. It was a tool that had very definite uses in the
|
||
government.
|
||
|
||
He was recruited by the Government in 1976. They wanted him to
|
||
put his ingenious techniques to good use. The National Security
|
||
Agency painted an idyllic picture of the ultimate job for a
|
||
mathematician - the biggest, fastest and best computers in the
|
||
world at your fingertips. Always the newest and the best. What-
|
||
ever you need, it'll be there. And that's a promise. Super
|
||
secret important work - oh how his mother would be proud. Miles
|
||
accepted, but they never told him the complete truth. Not that
|
||
they lied, of course. However, they never bothered to tell him,
|
||
that because of his family background, guilt by association if
|
||
you wish, his career would be severely limited.
|
||
|
||
Miles made it to senior analyst, and his family was proud, but
|
||
he never told them that over 40% of the staff in his area were
|
||
senior analysts. It was a high tech desk job that required his
|
||
particular skills as a mathematician. The NSA got from Miles what
|
||
they wanted; his mathematical tools modified to work for govern-
|
||
ment security projects. For a couple of years, Miles happily
|
||
complied - then he got itchy to work on other projects. After
|
||
all, he had come up with the idea in the first place, it was time
|
||
he came up with another. Time to move on.
|
||
|
||
In typical bureaucratic manner, the only way to get something new
|
||
done is to write a proposal; enlist support and try to push it
|
||
through committee. Everyone made proposals. You not only needed
|
||
a good idea for a good project, good enough to justify the use of
|
||
8 billion dollars worth of computers, but you needed the connec-
|
||
tions and assistance of others. You scratch mine, I'll scratch
|
||
yours.
|
||
|
||
During his tenure at NSA, Miles attempted to institute various
|
||
programs, procedures, new mathematical modes that might be use-
|
||
ful. While technically his concepts were superior, his arro-
|
||
gance, his better-than-everyone, my shit doesn't stink attitude
|
||
proved to be an insurmountable political obstacle. He was unable
|
||
to ever garner much support for his proposals. Thus, not one of
|
||
them was ever taken seriously. Which compounded the problem and
|
||
reinforced Miles' increasingly sour attitude towards his employ-
|
||
er. However, with dimples in command, Miles successfully masked
|
||
his disdain. To all appearance he acceded to the demands of the
|
||
job, but off the job, Miles Foster was a completely different
|
||
person.
|
||
|
||
* * * * *
|
||
|
||
The telephone warbled on the desk of the IAS Department Chief.
|
||
The digital readout on the phone told him that it was an internal
|
||
call, not from outside the building, but he didn't recognize the
|
||
number.
|
||
|
||
"Investigations," The chief answered.
|
||
|
||
"This is Jacobs. We're checking up on Foster."
|
||
|
||
"Yessir?" DIRNSA? Calling here?
|
||
|
||
"Is he gone?"
|
||
|
||
"Yessir."
|
||
|
||
"Anything?"
|
||
|
||
"No sir."
|
||
|
||
"Good. Close the file."
|
||
|
||
"Sir?"
|
||
|
||
"Close it. Forever."
|
||
|
||
* * * * *
|
||
|
||
September, 4 Years Ago
|
||
Georgetown, Washington, D.C.
|
||
|
||
Miles Foster set up shop in Washington D.C. as a communications
|
||
security consultant. He and half of those who lived within
|
||
driving distance of the Capitol were known as Beltway Bandits, a
|
||
simultaneously endearing and self-deprecating title given to
|
||
those who make their living selling products or services to the
|
||
Federal Government. Miles was ex-NSA and that was always impres-
|
||
sive to potential clients. He let it be known that his services
|
||
would now be available to the private sector, at the going rates.
|
||
|
||
As part of the revolving door, from Government to industry,
|
||
Miles' value would decrease with time, so he needed to get a few
|
||
clients quickly. The day you leave public service all of your
|
||
knowledge is current, and therefore valuable, especially to
|
||
companies who want to sell widgets to the government. As the
|
||
days and months wear on, new policies, new people, new arrange-
|
||
ments and confederacies are in place. Washington's transient
|
||
nature is probably no more evident than through the political
|
||
circle where everyone is aware of whom is talking to whom and
|
||
about what. This Miles knew, so he stuck out his tentacles to
|
||
maximize his salability.
|
||
|
||
He restructured his dating habits. Normally Miles would date
|
||
women whom he knew he could fuck. He kept track of their men-
|
||
strual cycles to make sure they wouldn't waste his time. If he
|
||
thought a particular female had extraordinary oral sex skills, he
|
||
would make sure to seduce when she had her period. Increased the
|
||
odds of good blow job.
|
||
|
||
Now though, Miles restricted his dating, temporarily, to those
|
||
who could help start his career in the private sector. "Fuck the
|
||
secretary to get to the boss!" he bragged unabashedly.
|
||
|
||
Miles dragged himself to many of the social functions that grease
|
||
the wheels of motion in Washington. The elaborate affairs,
|
||
often at the expense of government contractors and lobbyists,
|
||
were a highly visible, yet totally legal way to shmooze and booze
|
||
with the influentia in the nation's capital. The better parties,
|
||
the ones for generals, for movers and for shakers, for digni-
|
||
taries and others of immediate importance, are graced with a
|
||
generous sprinkling of strikingly beautiful women. They are paid
|
||
for by the hosts, for the pleasure of the their guests. The
|
||
Washington culture requires that such services are discreetly
|
||
handled. Expense reports and billings of that nature therefore
|
||
cite French Caterers, C.T. Temps, Formal Rentals and countless
|
||
other harmless, inoffensive and misleading sounding company
|
||
names.
|
||
|
||
Missile Defense Systems, Inc. held one of the better parties in
|
||
an elegant old 2 story brick Georgetown home. The building was a
|
||
former embassy, which had been discarded long ago by its owners
|
||
in favor of a neo-modern structure on Reservoir Road. The house
|
||
was appointed with a strikingly southern ante-bellum flair, but
|
||
tastefully done, not overly decorated. The furniture was modern,
|
||
comfortable, meant to be and used enjoyed, yet well suited to the
|
||
classic formality.
|
||
|
||
The hot September night was punctuated with an occasional breeze.
|
||
The breaths of relief from Washington's muggy, swamp-like summer
|
||
air were welcomed by those braving the heat in the manicured
|
||
gardens outside, rather than the refreshing luxury of the air
|
||
conditioned indoors.
|
||
|
||
It was a straight cocktail party, a stand-up affair, with a
|
||
hundred or so Pentagon types attending. It began at seven, and
|
||
unless tradition was broken, it would be over by 10 as the last
|
||
of the girls finds her way into a waiting black limousine with
|
||
her partner for the night. Straight politics, Miles thought.
|
||
|
||
9:30 neared, and Miles felt he had accomplished most of what he
|
||
had set out to do - meet people, sell himself, play the game,
|
||
talk the line, do the schtick. He hadn't, though, yet figured
|
||
out how he was going to get laid tonight.
|
||
|
||
As he sipped his third Glen Fetitch on the rocks, he spotted a
|
||
woman whom he hadn't seen that evening. Maybe she had just
|
||
arrived, maybe she was leftovers. Well, it was getting late, and
|
||
he shouldn't let a woman go to waste, so let's see what she looks
|
||
like from the front. She looked aimlessly through the French
|
||
doors at the backyard flora.
|
||
|
||
Miles sauntered over to her and introduced himself. "Hi, I'm
|
||
Miles Foster." He grinned wide, dimples in force, as she turned
|
||
toward him. She was gorgeous. Stunning even. About an inch
|
||
taller than Miles, she wore her shimmering auburn hair shoulder
|
||
length. Angelic, he thought. Perfectly formed full lips and
|
||
statuesque cheek bones underscored her sweetly intense brown
|
||
eyes. Miles went to work, and by 10P.M., he and Stephanie Perkins
|
||
were on their way to Deja Vu on 22nd. and M Street for drinks and
|
||
dance. By 10:30 he had nicknamed her Perky because her breasts
|
||
stood at constant attention. By 11:30 they were on their way to
|
||
Miles' apartment.
|
||
|
||
At 2:00 AM Miles was quite satisfied with himself. So was Perky.
|
||
His technique was perfect. Never a complaint. Growing up in a
|
||
houseful without men taught Miles what women wanted. He learned
|
||
how to give it to them, just the way they liked it. The weekend
|
||
together was heaven in bed; playing, making love, giggling,
|
||
ordering in Chinese and pizza. Playing more, watching I Love Lucy
|
||
reruns, drinking champagne, and making love. Miles bounced
|
||
quarters on her taut stomach and cracked eggs on her exquisitely
|
||
tight derriere. By Sunday morning, Miles found that he actually
|
||
liked Stephanie. It wasn't that he didn't like his other women,
|
||
he did. It was just, well this one was different. He 'really'
|
||
liked her. A very strange feeling for Miles Foster.
|
||
|
||
"Miles?" Stephanie asked during another period of blissful after-
|
||
glow. She snuggled up against him closer.
|
||
|
||
"Yeah?" He responded by squeezing her buttocks. His eyes were
|
||
still closed.
|
||
|
||
"In a minute stud, yes." She looked up reassuringly at him.
|
||
"Miles, would you work for anyone?" She kissed his chest.
|
||
|
||
"What do you mean?" he asked in return. He wasn't in the mood
|
||
for shop talk.
|
||
|
||
"Like, say, a foreigner, not an American company. Would you work
|
||
for them?"
|
||
|
||
"Huh?" Miles looked down inquisitively. "Foreigner? I guess so.
|
||
Why do you ask?" He sounded a tad concerned.
|
||
|
||
"Oh, no reason." She rubbed him between his legs. "Just curious.
|
||
I thought you were a consultant, and consultants work for anyone
|
||
who can pay. That's all."
|
||
|
||
"I am, and I will, but so what?" He relaxed as Stephanie's hands
|
||
got the desired result.
|
||
|
||
"Well," she stroked him rhythmically. "I know some people that
|
||
could use you. They're not American, that's all. I didn't know
|
||
if you cared."
|
||
|
||
"No, I don't care," he sighed. "It's all the same to me. Unless
|
||
they're commies. My former employer would definitely frown on
|
||
that."
|
||
|
||
"Would you mind if I called them, and maybe you two can get
|
||
together?" She didn't miss a beat.
|
||
|
||
"No go ahead, call them, anything you want, but can we talk about
|
||
this later?" Miles begged.
|
||
|
||
* * * * *
|
||
|
||
Miles felt very much uninformed on his way to the Baltimore
|
||
Washington Airport. He knew that he was being flown to Tokyo
|
||
Japan, first class, by a mystery man who had prepaid him $10,000
|
||
for a 1 hour meeting. Not a bad start, he thought. His reputa-
|
||
tion obviously preceded him. Stephanie was hired to recruit him,
|
||
that was obvious. And that bothered Miles. He was being used.
|
||
Wasn't he? Or had he seduced her and the trip was a bonus? He
|
||
still liked Stephanie, just not as much as before. It never
|
||
occurred to Miles, not for a second, that Stephanie might not
|
||
have liked him.
|
||
|
||
At JFK in New York, Miles connected to the 20 hour flight to
|
||
Tokyo through Anchorage, Alaska. He had a brief concern that
|
||
this was the same route that KAL Flight 007 had taken in 1983
|
||
before it was shot down by the Soviets, but he was flying an
|
||
American carrier with a four digit flight number. He allowed
|
||
that thought to remove any traces of worry.
|
||
|
||
The flight was a couple of hours out of New York when one of the
|
||
flight attendants came up to him. "Mr. Foster?"
|
||
|
||
"Yes?" He looked up from the New York City Times he was reading.
|
||
|
||
"I believe you dropped this?" She handed Miles a large sealed
|
||
envelope. His name had been written across the front with a large
|
||
black marker.
|
||
|
||
"Thank you," said Miles. He took it gratefully.
|
||
|
||
When she left, he opened the strange envelope. It wasn't his.
|
||
Inside there was a single sheet of paper. Miles read it.
|
||
|
||
MR. FOSTER
|
||
WELCOME TO JAPAN.
|
||
|
||
YOU WILL BE MET AT THE NARITA AIRPORT BY MY DRIVER AND CAR. THEY
|
||
ARE AT YOUR DISPOSAL.
|
||
|
||
WE WILL MEET IN MY OFFICE AT 8:00 AM, WEDNESDAY, SEPTEMBER 23.
|
||
ALL ARRANGEMENTS HAVE BEEN MADE FOR YOUR PLEASURES.
|
||
|
||
RESPECTFULLY
|
||
|
||
TAKI HOMOSOTO
|
||
|
||
The name meant nothing to him so he forgot about it. He had more
|
||
important things to do. His membership in the Mile High Club was
|
||
in jeopardy. He had not yet made it with a female flight attend-
|
||
ant.
|
||
|
||
They landed, 18 hours and 1 day later in Tokyo. Miles was now a
|
||
member in good standing.
|
||
|
||
* * * * *
|
||
|
||
Thursday, September 3
|
||
Dallas-Fort Worth International Airport
|
||
|
||
"DFW, this is American 1137, heading 125 at 3500."
|
||
|
||
"Roger American 1137, got you loud and green. Maintain 125, full
|
||
circle 40 miles then 215 for 40."
|
||
|
||
"Traffic Dallas?"
|
||
|
||
"Heavy. Weather's been strong. On again off again. Piled up
|
||
pretty good."
|
||
|
||
"Sheers?"
|
||
|
||
"None so far. Ah, you're a '37, you carry a sheer monitor. You
|
||
got it made. Have to baby sit some 0's and '27's. May be a
|
||
while."
|
||
|
||
"Roger Dallas. 125 40, 215 40. Maintaining 12 point 5."
|
||
|
||
"Roger 1137."
|
||
|
||
The control tower at DFW airport was busier than normal. The
|
||
dozen or so large green radar screens glowed eerily and made the
|
||
air traffic controllers appear pallid under the haunting light
|
||
emitted from around the consoles. Severe weather patterns,
|
||
afternoon Texas thunderstorms had intermittently closed the
|
||
airport forcing a planes to hold in a 120 mile pattern over
|
||
Dallas and Fort Worth.
|
||
|
||
Many of the tower crew had been at their stations for 2 hours
|
||
past their normal quitting time due to street traffic delays and
|
||
highway pileups that had kept shift replacements from arriving on
|
||
time. Planes were late coming in, late departing, connections
|
||
were being missed. Tensions were high on the ground and in the
|
||
air by both the airline personnel and travelers alike. It was a
|
||
chaotic day at Dallas Fort Worth International Airport.
|
||
|
||
"Chad? Cm'ere," said Paul Gatwick, the newest and youngest, and
|
||
least burnt out of the day shift flight controllers.
|
||
|
||
Shift supervisor Chad Phillips came right over. "What you got?"
|
||
He asked looking at the radar screen.
|
||
|
||
"See these three bogies?" Paul pointed at three spots with his
|
||
finger.
|
||
|
||
"Bogies? What are those symbols?"
|
||
|
||
"They just appeared, out of nowhere. I don't think they're
|
||
there. And over here," he pointed, "that was Delta 210. It's
|
||
gone." Paul spoke calmly, in the professional manner he was
|
||
trained. He looked up at Chad, awaiting instructions.
|
||
|
||
"Mike," Chad said to the controller seated next to Paul. "Switch
|
||
and copy 14, please. Fast." Chad looked over to Mike's screen
|
||
and saw the same pattern. "Paul, run a level 2 diagnostic. What
|
||
was the Delta pattern?"
|
||
|
||
"Same as the others, circle. He's at 45 doing a 90 round."
|
||
|
||
"Tell him to hold, and verify on board transponder." Chad spoke
|
||
rapidly and his authority wasn't questioned.
|
||
|
||
"Mike, see if we can get any visuals on the bogies. They might
|
||
be a bounce."
|
||
|
||
Chad took charge and, especially in this weather, was concerned
|
||
with safety first and schedules last. In less than a minute he
|
||
had verified that Delta 210 was not on any screen, three other
|
||
ghost planes meandered through the airspace, and that their
|
||
equipment was functioning properly.
|
||
|
||
"Dallas," the calm pilot voice said, "American 1137, requesting
|
||
update. It's getting a little tight up here."
|
||
|
||
"Roger, 1137," Gatwick said nervously. "Give me a second
|
||
here . . ."
|
||
|
||
"Dallas, what's the problem?"
|
||
|
||
"Just a check . . ."
|
||
|
||
Chad immediately told the operator of the ETMS computer to notify
|
||
the FAA and Department of Transportation that a potential situa-
|
||
tion was developing. The Enhanced Traffic Management System
|
||
was designed to create a complete picture of every airplane
|
||
flying within domestic air space.
|
||
|
||
All status information, on every known flight in progress and
|
||
every commercial plane on the ground, is transmitted from the 22
|
||
ARTCC's, (Air Route Traffic Control Centers) to an FAA Technical
|
||
Center in Atlantic City and then sent by land and satellite to a
|
||
DoT Systems Center. There, an array of DEC VAX super mini com-
|
||
puters process the constant influx of raw data and send back an
|
||
updated map across the ETMS every five minutes.
|
||
|
||
Chad zoomed in on the picture of the country into the DFW ap-
|
||
proach area and confirmed that the airplanes in question were not
|
||
appearing on the National Airspace System data fields or dis-
|
||
plays. Something was drastically wrong.
|
||
|
||
"Chad, take a look here!" Another controller urgently called out.
|
||
|
||
His radar monitor had more bogies than Paul's. "I lost a Delta,
|
||
too, 1258."
|
||
|
||
"What is it?"
|
||
|
||
"37."
|
||
|
||
"Shit," said Chad. "We gotta get these guys wide, they have to
|
||
know what's happening." He called over to another controller.
|
||
"Get on the wire, divert all traffic. Call the boss. We're
|
||
closing it down." The controllers had the power to close the
|
||
airport, and direct all flight operations from the tower. Air-
|
||
port management wasn't always fond of their autonomy, but the
|
||
tower's concern was safety at all costs.
|
||
|
||
"Another one's gone," said Paul. "That's three 37's gone. Have
|
||
they had a recall lately?"
|
||
|
||
The ETMS operator asked the computer for a status on 737's else-
|
||
where. "Chad, we're not the only ones," she said. "O'Hare and
|
||
LAX have problems, too."
|
||
|
||
"OK, everybody, listen up," Chad said. "Stack 'em, pack 'em and
|
||
rack 'em. Use those outer markers, people. Tell them to believe
|
||
their eyes. Find the 37's. Let 'em know their transponders are
|
||
going. Then, bring 'em down one by one."
|
||
|
||
The emergency speaker suddenly rang out. "Shit! Dive!" The
|
||
captain of American 1137 ordered his plane to accelerate ground-
|
||
ward for 10 seconds, descending 2500 feet, to avoid hitting an
|
||
oncoming, and lost, DC-9.
|
||
|
||
"Dallas, Mayday, Mayday. What the fuck's going on down there?
|
||
This is worse than the freeway . . ."
|
||
|
||
The emergency procedure was one they had practiced over and over,
|
||
but rarely was it necessary for a full scale test. The FAA was
|
||
going to be all over DFW and a dozen other airports within hours,
|
||
and Chad wanted to be prepared. He ordered a formal notification
|
||
to Boeing that they had identified a potentially serious malfunc-
|
||
tion. Please make your emergency technical support crews avail-
|
||
able immediately.
|
||
|
||
Of the 100 plus flights under DFW control all 17 of the Boeing
|
||
737's disappeared from the radar screen, replaced by dozens of
|
||
bogies with meaningless signatures.
|
||
|
||
"Dallas, American 1137 requests emergency landing . . .we have
|
||
several injured passengers who require immediate medical assist-
|
||
ance."
|
||
|
||
"Roger, 1137," Gatwick blurted back. "Copy, EP. Radar status?"
|
||
|
||
"Nominal," said the shaken American pilot.
|
||
|
||
"Good. Runway 21B. We'll be waiting."
|
||
|
||
* * * * *
|
||
|
||
By 5:00 PM, Pacific time, Boeing was notified by airports across
|
||
the country that their 737's were having catastrophic transponder
|
||
failure. Takeoffs were ordered stopped at major airports and the
|
||
FAA directed that every 737 be immediately grounded. Chaos
|
||
reigned in the airline terminals as delays of several hours to a
|
||
day were announced for most flights. Police were needed to quell
|
||
angry crowds who were stuck thousands of miles from home and were
|
||
going to miss critical business liaisons. There is nothing we
|
||
can do, every airline explained to no avail.
|
||
|
||
Slowly, the planes were brought down, pilots relying on VFR since
|
||
they couldn't count on any help from the ground. At airports
|
||
where weather prohibited VFR landings, and the planes had enough
|
||
fuel, they were redirected to nearby airports. Nearly a dozen
|
||
emergency landings in a two hours period set new records that the
|
||
FAA preferred didn't exist. A field day for the media, and a
|
||
certain decrease in future passenger activity until the shock
|
||
wore off.
|
||
|
||
The National Transportation Safety Board had representatives
|
||
monitoring the situation within an hour of the first reports from
|
||
Dallas, San Francisco, Atlanta, and Tampa. When all 737's were
|
||
accounted for, the individual airports and the FAA lifted flight
|
||
restrictions and left it to the airlines to straighten out the
|
||
scheduling mess. One hundred thousand stranded passengers and
|
||
almost 30% of the domestic civilian air fleet was grounded.
|
||
|
||
It was a good thing their reservation computers hadn't gone down.
|
||
Damn good thing.
|
||
|
||
* * * * *
|
||
|
||
DISASTER IN AIR CREATES PANIC ON GROUND
|
||
by Scott Mason
|
||
|
||
"A national tragedy was avoided today by the quick and brave
|
||
actions of hundreds of air traffic controllers and pilots working
|
||
in harmony," a spokesperson for The Department of Transportation
|
||
said, commenting on yesterday's failure of the computerized
|
||
transponder systems in Boeing 737 airplanes.
|
||
|
||
"In the interest of safety for all concerned, 737's will not be
|
||
permitted to fly commercially until a full investigation has
|
||
taken place." the spokesperson continued. "That process should
|
||
be complete within 30 days."
|
||
|
||
In all, 114 people were sent to hospitals, 29 in serious condi-
|
||
tion, as a result of injuries sustained while pilots performed
|
||
dangerous gut wrenching maneuvers to avoid mid-air collisions.
|
||
|
||
Neither Boeing nor the Transportation Safety Board would comment
|
||
on how computer errors could suddenly affect so many airplanes at
|
||
once, but some computer experts have pointed out the possibility
|
||
of sabotage. According to Harold Greenwood, an aeronautic elec-
|
||
tronics specialist with Air Systems Design in Alpharetta, Geor-
|
||
gia, "there is a real and definite possibility that there has
|
||
been a specific attack on the airline computers. Probably by
|
||
hackers. Either that or the most devastating computer program-
|
||
ming error in history."
|
||
|
||
Government officials discounted Greenwood's theories and said
|
||
there is no place for wild speculation that could create panic in
|
||
the minds of the public. None the less, flight cancellations
|
||
busied the phones at most airlines and travel agencies, while the
|
||
gargantuan task of rescheduling thousands of flights with 30%
|
||
less planes began. Airline officials who didn't want to be
|
||
quoted estimated that it would take at least a week to bring the
|
||
system back together,
|
||
|
||
Airline fares will increase next Monday by at least 10% and as
|
||
much as 40% on some routes that will not be restored fully.
|
||
|
||
The tone of the press conference held at the DoT was one of both
|
||
bitterness and shock as was that of sampled public opinion.
|
||
|
||
"I think I'll take the train."
|
||
|
||
"Computers? They always blame the computers. Who's really at
|
||
fault?"
|
||
|
||
|
||
"They're just as bad as the oil companies. Something goes a
|
||
little wrong and they jack up the prices."
|
||
|
||
The National Transportation Safety Board said it would also
|
||
institute a series of preventative maintenance steps on other
|
||
airplanes' computer systems to insure that such a global failure
|
||
is never repeated.
|
||
|
||
Major domestic airlines announced they would try to lease addi-
|
||
tional planes from other countries, but could not guarantee prior
|
||
service performance for 3 to 6 months. Preliminary estimates
|
||
place the cost of this debacle at between $800 Million and $2
|
||
Billion if the entire 737 fleet is grounded for only 2 weeks.
|
||
|
||
The Stock Market reacted poorly to the news, and transportation
|
||
stocks dove an average of 27% in heavy trading.
|
||
|
||
The White House issued a brief statement congratulating the
|
||
airline industry for its handling of the situation and wished its
|
||
best to all inconvenienced and injured travelers.
|
||
|
||
Class action suits will be filed next week against the airlines
|
||
and Boeing as a result of the computer malfunction. This is Scott
|
||
Mason, riding the train.
|
||
|
||
* * * * *
|
||
|
||
"Doug," pleaded 39 year old veteran reporter Scott Mason. "Not
|
||
another computer virus story . . ." Scott childishly shrugged
|
||
his shoulders in mock defeat.
|
||
|
||
"Stop your whining," Doug ordered in fun. "You are the special-
|
||
ist," he chided.
|
||
|
||
When the story first came across the wire, Scott was the logical
|
||
choice. In only seven years as a reporter Scott Mason had de-
|
||
veloped quite a reputation for himself, and for the New York City
|
||
Times. Doug had had to eat his words from years earlier more
|
||
times than he cared to remember, but Scott's head had not swelled
|
||
to the size of his fan club, which was the bane of so many suc-
|
||
cessful writers. He knew he was good, just like he had told Doug
|
||
|
||
"There is nothing sexy about viruses anymore," said Scott trying
|
||
to politely ignore his boss to the point he would just leave.
|
||
|
||
"Christ Almighty," the chubby balding sixtyish editor exploded.
|
||
Doug's periodic exclamatory outbursts at Scott's nonchalance on
|
||
critical issues were legendary. "The man who puts Cold Fusion on
|
||
the front page of every paper in the country doesn't think a
|
||
virus is sexy enough for the public. Good night!"
|
||
|
||
"That's not what I'm saying." Scott had to defend this one. "I
|
||
finally got someone to go on the record about the solar payoff
|
||
scandals between Oil and Congress . . ."
|
||
|
||
"Then the virus story will give you a little break," kidded Doug.
|
||
"You've been working too hard."
|
||
|
||
"Damn it, Doug," Scott defied. "Viruses are a dime a dozen and
|
||
worse, there's no one behind it, there's nobody there. There's
|
||
no story . . ."
|
||
|
||
"Then find one. That's what we pay you for." Doug loudly mut-
|
||
tered a few choice words that his paper wouldn't be caught dead
|
||
printing. "Besides, you're the only one left." As he left he
|
||
patted Scott on the back saying, "thanks. Really."
|
||
|
||
"God, I hate this job."
|
||
|
||
Scott Mason loved his job, after all it was his invention seven
|
||
years ago when he first pitched it to Doug. Scott's original
|
||
idea had worked. Scott Mason alone, under the banner of the New
|
||
York City Times, virtually pioneered Scientific Journalism as a
|
||
media form in its own right.
|
||
|
||
Scott Mason was still its most vocal proponent, just as he was
|
||
when he connived his way into a job with the Times, and without
|
||
any journalistic experience. It was a childhood fantasy.
|
||
|
||
Doug remembered the day clearly. "That's a new one on me," Doug
|
||
had said with amusement when the mildly arrogant but very likable
|
||
Mason had gotten cornered him, somehow bypassing personnel.
|
||
Points for aggressiveness, points for creativity and points for
|
||
brass balls. "What is Scientific Journalism?"
|
||
|
||
"Scientific Journalism is stripping away all of the long techni-
|
||
cal terms that science hides behind, and bringing the facts to
|
||
the people at home."
|
||
|
||
"We have a quite adequate Science Section, a computer
|
||
column . . .and we pick up the big stories." Doug had tried to
|
||
be polite.
|
||
|
||
"That's not what I mean," Scott explained. "Everybody and his
|
||
dead brother can write about the machines and the computers and
|
||
the software. I'm talking about finding the people, the meaning,
|
||
the impact behind the technology."
|
||
|
||
"No one would be interested," objected Doug.
|
||
|
||
Doug was wrong.
|
||
|
||
Scott Mason immediately acclimated to the modus operandi of the
|
||
news business and actually locked onto the collapse of Kaypro
|
||
Computers and the odd founding family who rode serendipity until
|
||
competence was required for survival. The antics of the Kay
|
||
family earned Mason a respectable following in his articles and
|
||
contributions as well as several libel and slander suits from the
|
||
Kays. Trouble was, it's not against the law to print the truth
|
||
or a third party speculations, as long as they're not malicious.
|
||
Scott instinctively knew how to ride the fine edge between false
|
||
accusations and impersonal objectivity.
|
||
|
||
Cold Fusion, the brief prayer for immediate, cheap energy inde-
|
||
pendence made headlines, but Scott Mason dug deep and found that
|
||
some of the advocates of Cold Fusion had vested interests in
|
||
palladium and iridium mining concerns. He also discovered how
|
||
the experiments had been staged well enough to fool most experts.
|
||
Scott had located one expert who wasn't fooled and could prove
|
||
it. Scott Mason rode the crest of the Cold Fusion story for
|
||
months before it became old news and the Hubble Telescope fiasco
|
||
took its place.
|
||
|
||
The fiasco of the Hubble Telescope was nothing new to Scott
|
||
Mason's readers. He had published months before its launch that
|
||
the mirrors were defective, but the government didn't heed the
|
||
whistle blower's advice. The optical measurement computers which
|
||
grind the mirrors of the telescope had a software program that
|
||
was never tested before being used on the Hubble. The GSA had
|
||
been tricked by the contractor's test results and Scott discov-
|
||
ered the discrepencies.
|
||
|
||
When Gene-Tech covered up the accidental release of mutated
|
||
spores into the atmosphere from their genetic engineering labs,
|
||
Scott Mason was the one reporter who had established enough of a
|
||
reputation as both a fair reporter, and also one that understood
|
||
the technology. Thanks to Mason's early diagnosis and the Times'
|
||
responsible publishing, a potentially cataclysmic genetic disas-
|
||
ter was averted.
|
||
|
||
The software problems with Star Wars and Brilliant Pebbles, the
|
||
payoffs that allowed defective X-Ray lasers to be shipped to the
|
||
testing ground outside of Las Vegas - Scott Mason was there. He
|
||
traced the Libyan chemical weapons plant back to West Germany
|
||
which triggered the subsequent destruction of the plant.
|
||
|
||
Scott's outlook was simple. "It's a matter of recognizing the
|
||
possibilities and then the probabilities. Therefore, if some-
|
||
thing is possible, someone, somewhere will do it. Guaranteed.
|
||
Since someone's doing it, then it's only a matter of catching him
|
||
in the act."
|
||
|
||
"Besides," he would tell anyone who would listen, "computers and
|
||
technology and electronics represent trillions of dollars annu-
|
||
ally. To believe that there isn't interesting, human interest
|
||
and profound news to be found, is pure blindness. The fear of
|
||
the unknown, the ignorance of what happens on the other side of
|
||
the buttons we push, is an enemy wrapped in the shrouds of time,
|
||
well disguised and easily avoided."
|
||
|
||
Scott successfully opened the wounds of ignorance and technical
|
||
apathy and made he and the Times the de facto standard in Scien-
|
||
tific Journalism.
|
||
|
||
His reputation as a expert in anything technical endeared him to
|
||
fellow Times' reporters. Scott often became the technical back-
|
||
bone of articles that did not carry his name. But that was good.
|
||
The journalists' barter system. Scott Mason was not considered a
|
||
competitor to the other reporters because of his areas of inter-
|
||
est and the skills he brought with him to the paper. And, he
|
||
didn't flaunt his knowledge. To Scott's way of thinking, techni-
|
||
cal fluency should be as required as are the ABC's, so it was
|
||
with the dedication of a teacher and the experience of simplifi-
|
||
cation that Scott undertook it to openly help anyone who wanted
|
||
to learn. His efforts were deeply appreciated.
|
||
|
||
****************************************************************
|
||
|
||
Chapter 2
|
||
Friday, September 4
|
||
San Francisco, California
|
||
|
||
Mr. Henson?"
|
||
|
||
"Yes, Maggie?" Henson responded over the hands free phone on his
|
||
highly polished black marble desk. He never looked up from the
|
||
papers he was perusing.
|
||
|
||
"There's a John Fullmaster for you."
|
||
|
||
"Who?" he asked absent mindedly.
|
||
|
||
"Ah, John Fullmaster."
|
||
|
||
"I don't know a Fullman do I? Who is he?"
|
||
|
||
"That's Fullmaster, sir, and he says its personal."
|
||
|
||
Robert Henson, chairman and CEO of Perris, Miller and Stevenson
|
||
leaned back in the plush leather chair. A brief perplexed look
|
||
covered his face and then a sigh of resignation. "Very well,
|
||
tell him I'll take it in a minute."
|
||
|
||
As the young highly visible leader of one of the most successful
|
||
Wall Street investment banking firms during the merger mania of
|
||
the 1980's, he had grown accustomed to cold calls from aggressive
|
||
young brokers who wanted a chance to pitch him on sure bets.
|
||
Most often he simply ignored the calls, or referred them to his
|
||
capable and copious staff. Upon occasion, though, he would amuse
|
||
himself with such calls by putting the caller through salesmen's
|
||
hell; he would permit them to give their pitch, actually sound
|
||
interested, permit the naive to believe that their call to Robert
|
||
Henson would lead them to a pot of gold, then only to bring them
|
||
down as harshly as he could. It was the only seeming diversion
|
||
Robert Henson had from the daily grueling regimen of earning fat
|
||
fees in the most somber of Wall Street activities. He needed a
|
||
break anyway.
|
||
|
||
"Robert Henson. May I help you?" He said into the phone. It
|
||
was as much a command as a question. From the 46th. floor SW
|
||
corner office, Henson stared out over Lower New York Bay where
|
||
the Statue of Liberty reigned.
|
||
|
||
"Thank you for taking my call Mr. Henson." The caller's proper
|
||
Central London accent was engaging and conveyed assurance and
|
||
propriety. "I am calling in reference to the proposed merger you
|
||
are arranging between Second Boston Financial and Winston Ellis
|
||
Services. I don't believe that the SEC will be impressed with
|
||
the falsified figures you have generated to drive up your fees.
|
||
Don't you agree."
|
||
|
||
Henson bolted upright in his chair and glared into the phone.
|
||
"Who the hell is this?" he demanded.
|
||
|
||
"Merely a concerned citizen, sir." The cheeky caller paused. "I
|
||
asked, sir, don't you agree?"
|
||
|
||
"Listen," Henson shouted into the phone. I don't know who the
|
||
hell you are, nor what you want, but all filings made with the
|
||
SEC are public and available to anyone. Even the press whom I
|
||
assume you represent . . ."
|
||
|
||
"I am not with the press Mr. Henson," the voice calmly interrupt-
|
||
ed. "All the same, I am sure that they would be quite interest-
|
||
ed in what I have to say. Or, more precisely, what I have to
|
||
show them."
|
||
|
||
"What the hell are you talking about?" Henson screamed.
|
||
|
||
"Specifically, you inflated the earnings of Winston Ellis over
|
||
40% by burying certain write downs and deferred losses. I be-
|
||
lieve you are familiar with the numbers. Didn't you have them
|
||
altered yourself?"
|
||
|
||
Henson paled as the caller spoke to him matter of factly. His
|
||
eyes darted around his spacious and opulent office as though
|
||
someone might be listening. He shifted uneasily in his chair,
|
||
leaned into the phone and spoke quietly.
|
||
|
||
"I don't know what you're taking about."
|
||
|
||
"I think you do, Mr. Henson."
|
||
|
||
"What do you want?" Henson asked cautiously.
|
||
|
||
"Merely your acknowledgment, to me, right now, that the figures
|
||
were falsified, at your suggestion, and . . ."
|
||
|
||
"I admit nothing. Nothing." Henson hung up the phone.
|
||
|
||
Shaken, he dialed the phone, twice. In his haste he misdialed
|
||
the first time. "Get me Brocker. Now. This is Henson."
|
||
|
||
"Brocker," the other end of the phone responded nonchalantly.
|
||
|
||
"Bill, Bob here. We got troubles."
|
||
|
||
* * * * *
|
||
|
||
"Senator Rickfield? I think you better take this call." Ken
|
||
Boyers was earnest in his suggestion. The aged Senator looked up
|
||
and recognized a certain urgency. The youthful 50 year old Ken
|
||
Boyers had been with Senator Merrill Rickfield since the mid
|
||
1960's as an aide de campe, a permanent fixture in Rickfield's
|
||
national success. Ken preferred the number two spot, to be the
|
||
man in the background rather the one in the public light. He
|
||
felt he could more effectively wield power without the constant
|
||
surveillance of the press. Only when events and deals were
|
||
completely orchestrated were they made public, and then Merrill
|
||
could take the credit. The arrangement suited them both.
|
||
|
||
Rickfield indicated that his secretary and the two junior aids
|
||
should leave the room. "What is it Ken?"
|
||
|
||
"Just take the call, listen carefully, and then we'll talk."
|
||
|
||
"Who is it, Ken. I don't talk to every. . ."
|
||
|
||
"Merrill . . .pick up the phone." It was an order. They had
|
||
worked together long enough to afford Ken the luxury of ordering
|
||
a U.S. Senator around.
|
||
|
||
"This is Senator Rickfield, may I help you?" The solicitous
|
||
campaign voice, smiling and inviting, disguised the puzzled look
|
||
he gave his senior aide. Within a few seconds the puzzlement
|
||
gave way to open mouthed silent shock and then, only moments
|
||
later to overt fear. He stared with disbelief at Ken Boyers.
|
||
Aghast, he gently put the phone back in its cradle.
|
||
|
||
"Ken," Rickfield haltingly spoke. "Who the hell was that and how
|
||
in blazes did he know about the deal with Credite Suisse? Only
|
||
you, me and General Young knew." He rose slowly rose and looked
|
||
accusingly at Ken.
|
||
|
||
"C'mon Merrill, I have as much to lose as you."
|
||
|
||
"The hell you do." He was growling. "I'm a respected United
|
||
States Senator. They can string me up from the highest yardarm
|
||
just like they did Nixon and I'm not playing to lose. Besides,
|
||
I'm the one the public knows while you're invisible. It's my ass
|
||
and you know it. Now, and I mean now, tell me what the hell is
|
||
going on? There were only three of us . . ."
|
||
|
||
"And the bank," Ken quickly interjected to deflect the verbal
|
||
onslaught.
|
||
|
||
"Screw the bank. They use numbers. Numbers, Ken. That was the
|
||
plan. But this son of a bitch knew the numbers. Damn it, he
|
||
knew the numbers Ken!"
|
||
|
||
"Merrill, calm down."
|
||
|
||
"Calm down? You have some nerve to tell me to calm down. Do you
|
||
know what would happen if anyone, and I mean anyone finds out
|
||
about . . ." Rickfield looked around and thought better of
|
||
finishing the sentence.
|
||
|
||
"Yes I know. As well as you do. Jesus Christ, I helped set the
|
||
whole thing up. Remember?" He approached Merrill Rickfield and
|
||
touched the Senator's shoulder. "Maybe it's a hoax? Just some
|
||
lucky guess by some scum bag who . . ."
|
||
|
||
"Bullshit." The senator turned abruptly. "I want a tee off time
|
||
as soon as possible. Even sooner. And make damn sure that
|
||
bastard Young is there. Alone. It's a threesome."
|
||
|
||
* * * * *
|
||
|
||
John Faulkner was lazing at his estate in the eminently exclu-
|
||
sive, obscenely expensive Bell Canyon, twenty miles north of Los
|
||
Angeles. Even though it was Monday, he just wasn't up to going
|
||
into the office. As Executive Vice President of California
|
||
National Bank, with over twenty billion in assets, he could pick
|
||
and choose his hours. This Tuesday he chose to read by the pool
|
||
and enjoy the warm and clear September California morning. The
|
||
view of the San Gabriel mountains was so distracting that his
|
||
normal thirty minute scan of the Wall Street Journal took nearly
|
||
two hours.
|
||
|
||
His estate was the one place where Faulkner was guaranteed priva-
|
||
cy and anonymity. High profile Los Angeles banking required a
|
||
social presence and his face, along with his wife's, graced the
|
||
social pages every time an event of any gossip-magnitude oc-
|
||
curred. He craved his private time.
|
||
|
||
Faulkner's standing instruction with his secretary was never to
|
||
call him at home unless "the bank is nuked, or I die" which
|
||
when translated meant, "Don't call me, I'll call you." His wife
|
||
was the only other person with the private phone number he
|
||
changed every month to insure his solitude.
|
||
|
||
The phone rang. It never rang. At least not in recent memory.
|
||
He used it to dial out; but it was never used to receive calls.
|
||
The warble surprised him so, that he let it ring three times
|
||
before suspiciously picking it up. Damn it, he thought. I just
|
||
got a new number last week. I'll have to have it changed again.
|
||
|
||
"Hello?" he asked suspiciously.
|
||
|
||
"Good morning Mr. Faulkner. I just called to let you know that
|
||
your secret is safe with me." Faulkner itched to identify the
|
||
voice behind the well educated British accent, but that fleeting
|
||
thought dissipated at the import of the words being spoken.
|
||
|
||
"Who is this? What secret?"
|
||
|
||
"Oh, dear me. I am sorry, where are my manners. I am referring
|
||
to the millions you have embezzled from your own bank to cover
|
||
your gambling losses last year. Don't worry. I won't tell a
|
||
soul." The line went dead.
|
||
|
||
Sir George dialed the next number on his list after scanning the
|
||
profile. The phone was answered by a timid sounding gentleman.
|
||
Sir George began his fourth pitch of the day. "Mr. Hugh Sidneys?
|
||
I would like to talk to you about a small banking problem I think
|
||
you have . . ."
|
||
|
||
Sir George Sterling made another thirty four calls that day.
|
||
Each one alarmingly similar to the first three. Not that they
|
||
alarmed him. They merely alarmed, often severely, the recipients
|
||
of his calls. In most cases he had never heard of the persons he
|
||
was calling, and the contents of his messages were often cryptic
|
||
to him. But it didn't take him long to realize that every call
|
||
was some form of veiled, or not so veiled threat. But his in-
|
||
structions had been clear. Do not threaten. Just pass on the
|
||
contents of the messages on his list to their designees. Do not
|
||
leave any message unless he had confirmed, to the best of his
|
||
ability that he was actually speaking to the party in question.
|
||
If he received any trouble in reaching his intended targets, by
|
||
secretaries or aides, he was only to pass on a preliminary mes-
|
||
sage. These were especially cryptic, but in all cases, perhaps
|
||
with a little prod, his call was put through.
|
||
|
||
At the end of the first day of his assignment, Sir George Ster-
|
||
ling walked onto his balcony overlooking San Francisco Bay and
|
||
reflected on his good fortune. If he hadn't been stuck in Athens
|
||
last year, wondering where his next score would come from. How
|
||
strange the world works, he thought. Damn lucky he became a Sir,
|
||
and at the tender age of twenty nine at that.
|
||
|
||
His title, actually purchased from The Royal Title Assurance
|
||
Company, Ltd. in London in 1987 for a mere 5000 pounds had per-
|
||
mitted George Toft to leave the perennial industrial smog of the
|
||
eternally drizzly commonness of Manchester, England and assume a
|
||
new identity. It was one of the few ways out of the dismal
|
||
existence that generations before him had tolerated with a stiff
|
||
upper lip. As a petty thief he had done 'awright', but one
|
||
score had left him with more money than he had ever seen. That is
|
||
when he became a Sir, albeit one purchased.
|
||
|
||
He spent several months impressing mostly himself as he traveled
|
||
Europe. With the help of Eliza Doolittle, Sir George perfected
|
||
his adapted upper crust London accent. His natural speech was
|
||
that of a Liverpuddlian with a bag of marbles in his mouth -
|
||
totally unintelligible when drunk. But his royal speech was now
|
||
that of a Gentleman from the House of Lords. Slow and precise
|
||
when appropriate or a practiced articulateness when speaking
|
||
rapidly. It initially took some effort, but he could now correct
|
||
his slips instantly. No one noticed anymore. Second nature it
|
||
became for George Sterling, n<130> Toft.
|
||
|
||
Athens was the end of his tour and where he had spent the last of
|
||
his money. George, Sir George, sat sipping Metaxa in Sintigma
|
||
Square next to the Royal Gardens and the imposing Hotel Grande
|
||
Britagne styled in nineteenth century rococo elegance. As he
|
||
enjoyed the balmy spring Athens evening pondering his next move,
|
||
as either George Toft of Sir George Sterling, a well dressed
|
||
gentleman sat down at his tiny wrought iron table.
|
||
|
||
"Sir George?" The visitor offered his hand.
|
||
|
||
George extended his hand, not yet aware that his guest had no
|
||
reason whatsoever to know who he was.
|
||
|
||
"Sir George? Do I have the Sir George Sterling of Briarshire,
|
||
Essex?" The accent was trans European. Internationally cosmo-
|
||
politan. German? Dutch? It didn't matter, Sir George had been
|
||
recognized.
|
||
|
||
George rose slightly. "Yes, yes. Of course. Excuse me, I was
|
||
lost in thought, you know. Sir George Sterling. Of course.
|
||
Please do be seated."
|
||
|
||
The stranger said, "Sir George, would you be offended if I of-
|
||
fered you another drink, and perhaps took a few minutes of your
|
||
valuable time?" The man smiled genuinely and sat himself across
|
||
from George before any reply. He knew what the answer would be.
|
||
|
||
"Please be seated. Metaxa would it be for you, sir?" The man
|
||
nodded yes. "Garcon?" George waved two fingers at one of the
|
||
white-jacketed waiters who worked in the outdoor cafe. "Metaxa,
|
||
parakalo!" Greek waiters are not known for their graciousness,
|
||
so a brief grunt and nod was an acceptable response. George
|
||
returned his attention to his nocturnal visitor. "I don't believe
|
||
I've had the pleasure . . ." he said in his most formal voice.
|
||
|
||
"Sir George, please just call me Alex. Last names, are so, well,
|
||
so unnecessary among men like us. Don't you agree?"
|
||
|
||
George nodded assent. "Yes, quite. Alex then, it is. How may I
|
||
assist you?"
|
||
|
||
"Oh no, Sir George, it is I who may be able to assist you. I
|
||
understand that you would like to continue your, shall we say,
|
||
extended sabbatical. Would that be a fair appraisal?" The
|
||
Metaxas arrived and Alex excused the waiter with two 1000 Drachma
|
||
notes. The overtipping guaranteed privacy.
|
||
|
||
George looked closely at Alex. Very well dressed. A Saville was
|
||
it? Perhaps. Maybe Lubenstrasse. He didn't care. This stranger
|
||
had either keen insight into George's current plight or had heard
|
||
of his escapades across the Southern Mediterranean. Royalty on
|
||
Sabbatical was an unaccostable lie that regularly passed critical
|
||
scrutiny.
|
||
|
||
"Fair. Yes sir, quite fair. What exactly can you do for me, or
|
||
can we do for each other?"
|
||
|
||
"An even more accurate portrayal my friend, yes, do for each
|
||
other." Alex paused for effect and to sip his Metaxa. "Simply
|
||
put Sir George, I have the need for a well spoken gentleman to
|
||
represent me for a period of perhaps, three months, perhaps more
|
||
if all goes well. Would that fit into your schedule?"
|
||
|
||
"I see no reason that I mightn't be able to, take a sabbatical
|
||
from my sabbatical if . . .well now, how should I put
|
||
this . . ."
|
||
|
||
" . . .that you are adequately compensated to take time away from
|
||
your valuable projects?"
|
||
|
||
"Yes, yes quite so. Not that I am ordinarily for hire, you
|
||
understand, it's just that . . .". Alex detected a slight
|
||
stutter as Sir George spoke.
|
||
|
||
Alex held up both hands in a gesture of understanding. "No need
|
||
to continue my dear Sir George. I do thoroughly recognize the
|
||
exorbitant costs associated with your studies and would not
|
||
expect your efforts, on my behalf of course, to go unrewarded."
|
||
|
||
George Toft was negotiating with a man he had never met, for a
|
||
task as yet unstated. The only reason he didn't feel the discom-
|
||
fort that one should in such a situation is that he was in
|
||
desperate need of money. And, this stranger did seem to know who
|
||
he was, and did need his particular type of expertise, whatever
|
||
that was.
|
||
|
||
"What exactly do you require of me, Alex. That is, what form of
|
||
representation have you in mind?" He might as well find out what
|
||
he was supposed to do before naming a price.
|
||
|
||
Alex laughed. "Merely to be my voice. It is so simple, really.
|
||
In exchange for that, and some travel, first class and all ex-
|
||
penses to which you are accustomed, you will be handsomely paid."
|
||
Alex looked for Sir George's reaction to the proposed fees. He
|
||
was pleased with what he saw in George's face.
|
||
|
||
Crikey, this is too good to be true. What's the catch<D>.
|
||
As George ruminated his good fortune and the Metaxa, Alex contin-
|
||
ued.
|
||
|
||
"The job is quite simple, really, but requires a particular
|
||
delicacy with which you are well acquainted. Each day you will
|
||
receive a list of names. There will be instructions with each
|
||
name. Call them at the numbers provided. Say only what is writ-
|
||
ten. Keep notes of each call you make and I will provide you
|
||
with the means to transmit them to me in the strictest of confi-
|
||
dence. You and I will have no further personal contact, either if
|
||
you accept or do not accept my proposition. If we are able to
|
||
reach mutually agreeable terms, monies will be wired to a bank
|
||
account in your name." Alex opened his jacket and handed George
|
||
an envelop. "This is an advance if you accept. It is $25,000
|
||
American. There is a phone number to call when you arrive in San
|
||
Francisco. Follow the instructions explicitly. If you do not,
|
||
there will be no lists for you, no additional monies and I will
|
||
want this money back. Any questions Sir George?" Alex was
|
||
smiling warmly but as serious as a heart attack.
|
||
|
||
Alex scanned the contents of the envelope. America. He had
|
||
always wanted to see the States.
|
||
|
||
"Yes, Alex, I do have one question. Is this legal?" George
|
||
peered at Alex for a clue.
|
||
|
||
"Do you really care?"
|
||
|
||
"No."
|
||
|
||
"Off you go then. And good luck."
|
||
|
||
* * * * *
|
||
|
||
Sir George Sterling arrived in San Francisco airport the follow-
|
||
ing evening. He flew first class and impressed returning Ameri-
|
||
can tourists with his invented pedigree and his construed impor-
|
||
tance. What fun. After the virtually nonexistent customs check,
|
||
he called the number inside the envelop. It rang three times
|
||
before answering. Damn, it was a machine, he thought.
|
||
|
||
"Welcome to the United States, Sir George. I hope you had a good
|
||
flight." The voice was American, female, and flight attendant
|
||
friendly. "Please check into the San Francisco Airport Hilton.
|
||
You will receive a call at 11 AM tomorrow. Good night." A dial
|
||
tone replaced the lovely voice. He dialed the number again.
|
||
|
||
A mechanical voice responded instead. "The number you have called
|
||
in no longer in service. Please check the number or call the
|
||
operator for assistance. The number you have called is no longer
|
||
in service..."
|
||
|
||
George dialed the number twice more before he gave up in frustra-
|
||
tion. He had over $20,000 in cash, knew no one in America and for
|
||
the first time in years, he felt abandoned. What kind of joke
|
||
was this? Fly half way around the world and be greeted with an
|
||
out of service number. But the first voice had known his name.
|
||
The Hilton. Why not?
|
||
|
||
At precisely 11AM, the phone in Sir George Sterling's suite rang.
|
||
He was still somewhat jet lagged from his 18 hours of flying and
|
||
the span of 10 time zones. The Eggs Benedict was exquisite, but
|
||
Americans could learn something about tea. The phone rang again.
|
||
He casually picked it up.
|
||
|
||
"Good morning, Sir George. Please get a pencil and paper. You
|
||
have fifteen seconds and then I will continue." It was the same
|
||
alluring voice from yesterday. The paper and pen were right there
|
||
at the phone so he waited through 14 seconds of silence. "Very
|
||
good. Please check out of the hotel and pay cash. Proceed to the
|
||
San Francisco airport and from a pay phone, call 5-5-5-3-4-5-6 at
|
||
1 P.M. Have a note book and two pens with you. Good Bye. "
|
||
|
||
The annoying dial tone returned. What a bloody waste of time.
|
||
|
||
At 1P.M. he called the number as he was instructed. He figured
|
||
that since he was to have a notebook and pens he might need to
|
||
write for a while, so he used one of the phone booths that pro-
|
||
vides a seat and large writing surface.
|
||
|
||
"Good afternoon Sir George. In ten seconds, your instructions
|
||
will begin." Again, that same voice, but it almost appeared
|
||
condescending to him now. Isn't that the way when you can't
|
||
respond. The voice continued. "Catch the next flight to New
|
||
York City. Stay at the Grand Hyatt Hotel at Grand Central Sta-
|
||
tion on 42nd. Street and Park Avenue. Not a suite this time, Sir
|
||
George, just a regular room." Sir George was startled at Alex's
|
||
attention to detail.
|
||
|
||
"You will stay there for fourteen days. On 56th. street and
|
||
Madison avenue is a school called CTI, Computer Training Insti-
|
||
tute. You are to go to CTI and enroll in the following classes:
|
||
DOS, that's D-O-S for beginners, Intermediate DOS and Advanced
|
||
DOS. You will also take WordPerfect I and II. Lastly, and most
|
||
importantly you will take all three classes on Tele-Communica-
|
||
tions. They call it TC-I, TC-II and TC-III. These eight class-
|
||
es will take you ten days to complete. Do not forget to pay in
|
||
cash. I will now pause for ten seconds." Alex was writing furi-
|
||
ously. Computers? He was scared silly of them. Not that he had
|
||
ever had the opportunity or the need or the desire to use them,
|
||
just from lack of exposure and the corresponding ignorance. But
|
||
if this meant he could keep the $25,000 he would do it. What the
|
||
hell.
|
||
|
||
"After you enroll, go to 45 West 47th street to a store called
|
||
Discount Computer Shoppe. Buy the following equipment with cash.
|
||
One Pro-Start 486-80 computer with 8 Meg RAM. That's 8 M-E-G R-
|
||
A-M and ask for a high resolution color monitor. Also purchase,
|
||
and have them install a high speed modem, M-O-D-E-M. Do not, I
|
||
repeat, do not purchase a printer of any type. No printers Sir
|
||
George. You are never to use a printer. Ever. Lastly, you will
|
||
purchase a copy of Word Perfect and Crosstalk. If you wish any
|
||
games for your amusement, that is up to you. When you have
|
||
completed your studies you will call 212-555-6091. Do not call
|
||
that number before you have completed your studies. This is
|
||
imperative."
|
||
|
||
Sir George was just writing, not comprehending a thing. It was
|
||
all gibberish to him. Pure gibberish.
|
||
|
||
"Sir George." The female voice got serious, very serious for the
|
||
first time in their relationship. "You are to speak to no one, I
|
||
repeat, no one, of the nature of your business, the manner in
|
||
which you receive instructions, or why computers have a sudden
|
||
interest for you. Otherwise our deal is off and your advance will
|
||
be expected to be returned. Am I clear?"
|
||
|
||
George responded quickly, "Yes!" before seeing the lunacy of
|
||
answering a machine.
|
||
|
||
"Good," the voice was friendly again. "Learn your lessons well
|
||
for you will need the knowledge to perform your tasks. Until we
|
||
speak again, I thank you, Sir George Sterling." The line went
|
||
dead.
|
||
|
||
George Toft took his computer classes very seriously. He had in
|
||
fact bought a few games to amuse himself and he found himself
|
||
really enjoying the work. It was new, and exciting. His only
|
||
social distractions were the sex shops on Times Square. Red
|
||
Light Amsterdam or the Hamburg they weren't, so midnight antics
|
||
with the Mario Brothers prevailed most evenings. Besides, there
|
||
was a massive amount of homework. Bloody hell, back to school.
|
||
He excelled in his studies which pleased George a great deal. In
|
||
fact most of the students in Sir George's computer classes ex-
|
||
celled. The teachers were very pleased to have a group of stu-
|
||
dents that actually progressed more rapidly than the curriculum
|
||
called for. Pleasant change from the E Train Bimbos from Queens.
|
||
|
||
The computer teachers didn't know that a vast majority of the
|
||
class members had good reason to study hard. Most of them had
|
||
received their own $25,000 scholarships.
|
||
|
||
* * * * *
|
||
|
||
Sunday, September 6
|
||
SDSU Campus, San Diego, California.
|
||
|
||
WTFO
|
||
|
||
the computer screen displayed. That was hackerese, borrowed from
|
||
the military for What The Fuck? Over! It was a friendly greeting
|
||
that offended no one.
|
||
|
||
Back on. Summer finals are over. Everyone still there?
|
||
|
||
BOOM'S STILL AT UCLA, I JUST TALKED TO CRACKER, MAD MAX, ALPHA,
|
||
SCROLLER, MR. MAGIC . . .WE MISSED YOU. LOOKING FORWARD TO A
|
||
GOOD VACATE?
|
||
|
||
Yeah, 4 days before next term starts . . .Has anyone got the key
|
||
to the NPPS NASA node?
|
||
|
||
THEY CLOSED IT AGAIN. WE'RE STILL LOOKING. WE WERE BACK INTO
|
||
AMEX, THOUGH. CLEANED UP A FEW DEBTS FOR UNSUSPECTING CARD
|
||
MEMBERS. HAPPY LABOR DAY TO THEM. GOOD FUN.
|
||
|
||
And CHAOS? Anyone?
|
||
|
||
BEST I'VE EVER HEARD. 4 NEW VIRUSES SET TO GO OFF. HIGHLY POTENT
|
||
VARIATIONS OF JERUSALEM-B. THEN SOME RUMORS ABOUT COLUMBUS DAY,
|
||
BUT NOTHING HARD.
|
||
|
||
When you get the code send me a copy, OK?
|
||
|
||
SURE. HEY, REMEMBER SPOOK? STILL ASKING TO JOIN NEMO. SEEMS HE
|
||
BEEN UP TO A LOT OF SUCCESSFUL NO GOOD. WE'RE ABOUT READY TO LET
|
||
HIM IN. HE BROUGHT A LOT TO THE PARTY.
|
||
|
||
Careful! Remember 401
|
||
|
||
YEAH, I KNOW. HE'S CLEAN. GOOD GOVT STUFF . HE BROUGHT US THE
|
||
NEWEST IRS X.25 SIGN-ONS, 2 MILNET SUPERUSER PASSWORDS AND, DIG
|
||
THIS, VETERAN'S BENEFIT AND ADMINISTRATION, OFFICE OF POLICY AT
|
||
THE VA.
|
||
|
||
What you gonna do, boy? In them thar computers?
|
||
|
||
I FIGURE I'D GIVE A FEW EXTRA BENEFITS TO SOME NEEDY GI'S WHO'VE
|
||
BEEN ON THE SHORT END.
|
||
|
||
Excellent! Hey, Lori's on the line. gotta go.
|
||
|
||
TA
|
||
|
||
<<<<<< CONNECTION TERMINATED >>>>>>
|
||
|
||
The screen of his communications program returned to a list of
|
||
names and phone numbers. Lori said she'd be over in an hour and
|
||
Steven Billings was tempted to dial another couple of numbers
|
||
before his date with Lori. But if he found something interesting
|
||
it might force him to be late, and Lori could not tolerate play-
|
||
ing second fiddle to a computer.
|
||
|
||
Steven Billings, known as "KIRK, where no man has gone before",
|
||
by fellow hackers, had finished his midterms at San Diego State
|
||
University. The ritual labors were over and he looked forward to
|
||
some relax time. Serious relax time.
|
||
|
||
The one recreation he craved, but downplayed to Lori, was spend-
|
||
ing time with his computer. She was jealous in some respects, in
|
||
that it received as much attention from Steve as she did. Yet,
|
||
she also understood that computers were his first love, and they
|
||
were part of his life long before she was. So, they came with the
|
||
territory. Steve attended, upon occasion, classes at SDSU, La
|
||
Jolla. For a 21 year old transplant from Darien, Connecticut, he
|
||
lived in paradise.
|
||
|
||
Steve's single largest expense in life was his phone bill, and
|
||
instead of working a regular job to earn spending money, Steve
|
||
tutored other students in their computer courses. Rather than
|
||
flaunt his skills to his teachers and risk extra assignments, he
|
||
was more technically qualified than they were, he kept his mouth
|
||
shut, sailed through classes, rarely studied and became a full
|
||
time computer hacker. He translated his every wish into a com-
|
||
mand that the computer obeyed.
|
||
|
||
Steve Billings did not fill the picture of a computer nerd. He
|
||
was almost dashing with a firm golden tanned 175 pound body, and
|
||
dark blond hair that caused the girls to turn their heads. He
|
||
loved the outdoors, the hot warmth of the summer to the cooler
|
||
warmth of the winter, surfing at the Cardiff Reef and betting on
|
||
fixed jai-alai games in Tijuana. He played soccer and OTL, a San
|
||
Diego specific version of gloveless and topless co-ed beach
|
||
softball. In short, he was a guy. A regular guy.
|
||
|
||
The spotlessly groomed image of Steve Billings in white tennis
|
||
shorts and a "Save the Whales" tank-top eclectically co-existed
|
||
with the sterile surroundings of the mammoth super computer
|
||
center. The Cray Y-MP is about as big and bad a computer as
|
||
money can buy, and despite Steve's well known skills, the head of
|
||
the Super Computing Department couldn't help but cringe when
|
||
Steve leaned his surf board against the helium cooled memory
|
||
banks of the twelve million dollar computer.
|
||
|
||
He ran his shift at the computer lab so efficiently and effort-
|
||
lessly that over time he spent more and more of his hours there
|
||
perusing through other people's computers. Now there was a feel-
|
||
ing. Hacking through somebody else's computer without their
|
||
knowledge. The ultimate challenge, an infinity of possibilities,
|
||
an infinity of answers.
|
||
|
||
The San Diego Union was an awful paper, Steve thought, and the
|
||
evening paper was even worse. So he got copies of the New York
|
||
City Times when possible, either at a newsstand, borrowed from
|
||
yesterday's Times reader or from the library. Nice to get a real
|
||
perspective on the world. This Sunday he spent the $4.00 to get
|
||
his own new, uncrumpled and unread copy of his revered paper, all
|
||
thirty four pounds of it. Alone. Peace.
|
||
|
||
Reading by the condo pool an article caught his eye. Steve
|
||
remembered a story he had heard about a hacker who had invaded
|
||
and single handedly stopped INTERNET, a computer network that
|
||
connected together tens of thousands of computers around the
|
||
country.
|
||
|
||
|
||
* * * * *
|
||
|
||
Government Defense Network Halted by Hacker
|
||
by Scott Mason, New York City Times
|
||
|
||
Vaughn Chase, a 17 year old high school student Galbraith High
|
||
School in Ann Arbor, Michigan was indicted today on charges that
|
||
he infected the nationwide INTERNET network with a computer
|
||
virus. This latest attack upon INTERNET is reminiscent of a
|
||
similar incident launched by Robert Morris of Cornell University
|
||
in November, 1988.
|
||
|
||
According to the Computer Emergency Response Team, a DARPA spon-
|
||
sored group, if Mr. Chase had not left his name in the source
|
||
code of his virus, there would have been no way to track down the
|
||
culprit.
|
||
|
||
A computer virus is a small software program that is secretly put
|
||
into a computer, generally designed to cause damage. A virus
|
||
attaches itself to other computer programs secretively. At some
|
||
time after the parasite virus program is 'glued' into the comput-
|
||
er, it is reawakened on a specific date or by a particular se-
|
||
quence of events.
|
||
|
||
Chase, though, actually infected INTERNET with a Worm. A Worm is
|
||
a program that copies itself, over and over and over, either
|
||
filling the computer's memory to capacity or slowing down its
|
||
operation to a snail's pace. In either case, the results are
|
||
devastating - effectively, the computer stops working.
|
||
|
||
Chase, a math wizard according to his high school officials,
|
||
released the Worm into Internet in early August with a detonation
|
||
date of September 1, which brought thousands of computers to a
|
||
grinding halt.
|
||
|
||
INTERNET ties together tens of thousands of computers from the
|
||
Government, private industry, universities and defense contrac-
|
||
tors all over the country. Chase said he learned how to access
|
||
the unclassified computer network from passwords and keys dis-
|
||
tributed on computer Bulletin Boards.
|
||
|
||
Computer security experts worked for 3 days hours to first deter-
|
||
mine the cause of the network slowdown and then to restore the
|
||
network to normal operation. It has been estimated that almost
|
||
$100 Million in damage was caused by Mr. Chase's Worm. Mr. Chase
|
||
said the Worm was experimental, and was accidentally released
|
||
into INTERNET when a piece of software he had written malfunc-
|
||
tioned. He apologized for any inconvenience he caused.
|
||
|
||
The Attorney General of the State of Michigan is examining the
|
||
legal aspects of the case and it is expected that Mr. Chase will
|
||
be tried within in a year. Mr. Chase was released on his own
|
||
recognizance.
|
||
|
||
This is Scott Mason wondering why the Pentagon doesn't shoot
|
||
worms instead of bombs at enemy computers.
|
||
|
||
* * * * *
|
||
|
||
The next day Steve Billings signed on to the SDSU/BBS from his
|
||
small Mission Beach apartment. It was a local university Bulletin
|
||
Board Service or BBS. A BBS is like a library. There are li-
|
||
braries of software which are free, and as a user you are recip-
|
||
rocally expected to donate software into the Public Domain. Con-
|
||
ference Halls or Conversation Pits on the BBS are free-for-all
|
||
discussions where people at their keyboards can all have a 'live'
|
||
conversation. Anyone, using any computer, anywhere in the world
|
||
can call up any BBS using regular phone lines. No one cared or
|
||
knew if you were skinny, fat, pimpled, blind, a double for
|
||
Christy Brinkley or too chicken shit to talk to girls in person.
|
||
Here, everyone was equal.
|
||
|
||
Billings 234
|
||
|
||
XXXXXXXXXXXXXXXX
|
||
|
||
There was a brief pause.
|
||
|
||
WELCOME TO THE SDSU/BBS. STEVE BILLINGS, YOU ARE USER #109
|
||
|
||
Steve Chose (12) for SERVICES:
|
||
|
||
The menu changed to a list of further options. Each option would
|
||
permit the user to gain access to other networks around the
|
||
country. From one single entry point with a small computer,
|
||
anyone could 'dial up' as it's called, almost any of over
|
||
20,000,000 computers in the country tied into any of ten thousand
|
||
different networks.
|
||
|
||
SDSU/BBS WINDOW ON THE WORLD
|
||
|
||
NETWORK SERVICES MENU
|
||
|
||
Steve selected CALNET, a network at Cal Tech in Los Angeles.
|
||
Many of the Universities have permanent connections between their
|
||
computers.
|
||
|
||
LOGON: Billings014
|
||
|
||
PASSWORD: XXXXKIRKXXXX
|
||
|
||
Again, there was a pause, this time a little longer. Now, from
|
||
his room, he was talking to a computer in Los Angeles. There was
|
||
another menu of options, and a list of other widely dispersed
|
||
computer networks. He requested the SUNYNET computer, the State
|
||
University of New York Network. From there, he asked the comput-
|
||
er for a local phone line so he could dial into a very private,
|
||
very secret computer called NEMO.
|
||
|
||
It took Steve a grand total of 45 seconds to access NEMO in New
|
||
York, all at the price of a local phone call.
|
||
|
||
NEMO was a private BBS that was restricted to an elite few.
|
||
Those who qualifications and reputations allowed them entry into
|
||
the exclusive domain of hacking. NEMO was born into this world
|
||
by Steve and a few of his friends while they were in high school
|
||
in Darien. NEMO was a private club, for a few close friends who
|
||
enjoyed their new hobby, computers.
|
||
|
||
NEMO's Menu was designed for the professional hacker.
|
||
|
||
1. PASSWORDS
|
||
2. NEW NETS
|
||
3. DANGER ZONES
|
||
4. CRACKING TOOLS
|
||
5. WHO'S NEW?
|
||
6. PHREAKING
|
||
7. CRYPTO
|
||
8. WHO ELSE?
|
||
9. U.S. NETWORKS
|
||
10. INTERNATIONAL NETWORKS
|
||
11. FOR TRADE
|
||
12. FORTUNE 500 DOORKEYS
|
||
|
||
He selected (8), WHO ELSE? Steve wanted to see who else was 'on-
|
||
line' now. He wanted to talk about this Chase guy who was giving
|
||
hackers a bad name. The computer responded:
|
||
|
||
CONVERSATION PIT: LA CREME, RAMBO. DO YOU WANT TO JOIN IN?
|
||
|
||
That was great! Two of the half dozen of NEMO's founders were
|
||
there. La Creme de la Creme was KIRK's college roommate, but he
|
||
had not yet returned to San Diego for the fall term. RAMBO,
|
||
'I'll get through any door' was the same age as Kirk and Creme,
|
||
but chose to study at Columbia in New York's Harlem. Hackers
|
||
picked alter- ego monikers as CB'ers on the highways did; to
|
||
project the desired image. Steve and his cohorts picked their
|
||
aliases when they were only fifteen, and kept them ever since.
|
||
|
||
Steve typed in a 'Y' and the ENTER key.
|
||
|
||
WHO ARE YOU?
|
||
|
||
NEMO was asking for an additional password.
|
||
|
||
Kirk
|
||
|
||
Steve typed. A brief pause, and the computer screen came to
|
||
life.
|
||
|
||
WELCOME TO THE CONVERSATION PIT, KIRK. HOW HAVE YOU BEEN?
|
||
|
||
That was his invitation to interrupt any conversation in
|
||
progress. Steve typed in,
|
||
|
||
Dudes!
|
||
|
||
HOW'D EXAMS GO? <<LA CREME>>
|
||
|
||
Greased'em. Ready to come back?
|
||
|
||
FAST AS THE PLANE WILL GO. PICK ME UP? 7:20 ON AMERICAN?<LA
|
||
CREME>
|
||
|
||
Sure. Hey, what's with the Morris copy cat? Some phreak blowing
|
||
it for the rest of us.
|
||
|
||
SO YOU HEARD. CHASE IS REALLY GONNA SCREW THINGS UP. <<RAMBO>>
|
||
|
||
What the hell really happened? I read the Times. Said that he
|
||
claimed it was accident.
|
||
|
||
ACCIDENTAL ON PURPOSE MAYBE <<LA CREME>>
|
||
|
||
HOW MANY WAYS ARE THERE INFECT A NATIONAL DEFENSE NETWORK? ONE
|
||
THAT I KNOW OF. YOU PUT THE VIRUS IN THERE. THAT'S NO ACCIDENT.
|
||
<<RAMBO>>
|
||
|
||
Ten-Four. Seems like he don't wanna live by the code. Must be
|
||
some spoiled little brat getting too big for his britches . . .
|
||
|
||
BEST GUESS IS THAT HE DID IT TO IMPRESS HIS OLD MAN. HE SUPPOS-
|
||
EDLY CREATED AN ANTIDOTE, TOO. HE WANTED TO SET OFF A BIG VIRUS
|
||
SCARE AND THEN LOOK LIKE A HERO WITH A FAST FIX. THE VIRUS
|
||
WORKED ALL TOO WELL. THE ANTIDOTE, IF THERE WAS ONE, SUCKED. SO
|
||
INTERNET HAD GAS SO BAD, COMPUTING CAME TO A HALT FOR A COUPLE OF
|
||
DAYS TILL THEY CLEANED OUT THE PROVERBIAL SEWERS. <<LA CREME>>
|
||
|
||
SURE SOUNDS LIKE A PUBLICITY GAG TO ME <<RAMBO>>
|
||
|
||
Jeez. Anyone else been hit yet?
|
||
|
||
NO, BUT WE'VE BEEN EXTRA CAREFUL SINCE. A LOT OF DOORS HAVE BEEN
|
||
CLOSED SO IT'S BACK TO SQUARE ONE ON A BUNCH, BUT WE DIDN'T LOSE
|
||
EVERYTHING. THE DOORKEY DOWNLOAD WILL UPDATE YOU. <<RAMBO>>
|
||
|
||
OK, I'll be supersleuth. Any word on CHAOS? Legion of Doom, The
|
||
Crusaders?
|
||
|
||
IT'S ONE BIG DEAL IN THE E-MAIL: NEW CHAOS VIRUSES, EVERY DICK
|
||
AND JANE IS WRITING THEIR OWN VIRUSES. COMPUTING WITH AIDS.
|
||
|
||
Funny. Why don't you put a rubber on your big 640K RAM? Or your
|
||
mouse?
|
||
|
||
GOT SOMETHING AGAINST SAFE COMPUTING? IF HALF OF WHAT THEY SAY
|
||
IS TRUE, WE'RE ALL IN TROUBLE. TAKE A LOOK AT THE PUBLIC BBS'S.
|
||
QUITE A CHAT. <<LA CREME>>
|
||
|
||
Will do. Any word on the new Central Census Data Base? Every-
|
||
thing about every American stored in one computer. All of their
|
||
personal data, ripe for the picking. Sounds like the kind of
|
||
library that would do the bad guys a lot of good.
|
||
|
||
CAN'T FIND A DOOR FROM THE INTERNET GATE. THE JUSTICE LINK WAS
|
||
STILL GOOD YESTERDAY AND THE FBI STILL HASN'T CHANGED A PASSWORD,
|
||
SO THAT SHOULD BE AN EASY OPEN ONCE WE FIND THE FRONT DOOR.
|
||
GIMME A COUPLE OF DAYS AND WE SHOULD KNOW DAN QUAYLES' JOCK SIZE.
|
||
<<RAMBO>>
|
||
|
||
Zero! Ha! Keep me in mind.
|
||
|
||
* * * * *
|
||
|
||
Steve copied several pages of names, phone numbers and passwords
|
||
from NEMO's data base into his computer 3000 miles across the
|
||
country. These were the most valuable and revered types of files
|
||
in the underground world of hackerdom. They include all of the
|
||
information needed to enter and play havoc inside of hundreds of
|
||
secret and private computers.
|
||
|
||
National Institute of Health 301-555-6761
|
||
USER: Fillstein PASSWORD: Daddy1
|
||
USER: Miller9 PASSWORD: Secret
|
||
VMS 1.01
|
||
SUPERUSER: B645_DICKY
|
||
|
||
VTEK NAS, Pensacola, Fla 904-555-2113
|
||
USER: Major101 PASSWORD: Secret
|
||
USER: General22 PASSWORD: Secret1
|
||
USER: Forestall PASSWORD: PDQS
|
||
|
||
IBM, Armonk, Advanced Research 914-555-0965
|
||
USER: Port1 PASSWORD: Scientist
|
||
USER: Port2 PASSWORD: Scientist
|
||
USER: Port3 PASSWORD: Scientist
|
||
|
||
There were seventeen pages of updated and illegal access codes to
|
||
computer systems across the country. Another reason NEMO was so
|
||
secret. Didn't want just anybody climbing the walls of their
|
||
private playground. Can't trust everyone to live by the Code.
|
||
|
||
Steve finished downloading the files from NEMO's distant data
|
||
base and proceeded to print them out for a hardcopy reference. He
|
||
laughed to himself. Big business and government never wizened
|
||
up. Predictable passwords, like 'secret' were about as kinder-
|
||
garten as you could get. And everyone wonders why folks like us
|
||
parade around their computers. He had in his hand a list of
|
||
over 250 updated and verified private, government and educational
|
||
institutions who had left the keys to the front doors of their
|
||
computers wide open. And those were just the ones that NEMO knew
|
||
about today.
|
||
|
||
There is no accurate way to determine how many groups of hackers
|
||
like NEMO existed. But, even if only 1/100 of 1% of computer
|
||
users classified themselves as hackers, that's well over 100,000
|
||
people breaking into computers. Enough reason to give Big Busi-
|
||
ness cause for concern. Yet, no one did anything serious to lock
|
||
the doors.
|
||
|
||
Steve spent the next several hours walking right into computer
|
||
systems all over the country. Through the Bank of California in
|
||
San Francisco, (Steve's first long distance call) he could reach
|
||
the computers of several corresponding banks. He read through
|
||
the new loan files, saw that various developers had defaulted on
|
||
their loans and were in serious trouble. Rates were going to
|
||
start rising. Good enough for a warm up.
|
||
|
||
Steve still wanted back into the NASA launch computers. On line
|
||
launch information, results of analysis going back twenty years,
|
||
and he had had a taste of it, once. Then, one day, someone
|
||
inside of NASA got smart and properly locked the front door. He
|
||
and NEMO were ever on the search for a key back into NASA's
|
||
computers.
|
||
|
||
He figured that Livermore was still a good bet to get into NASA.
|
||
That only meant a local call, through the SDSU/BBS to Cal Tech
|
||
then into Livermore. From San Diego, to LA, to San Francisco for
|
||
a mere 25 cents.
|
||
|
||
Livermore researchers kept the front doors of their computers
|
||
almost completely open. Most of the workers, the graduate stu-
|
||
dents, preferred a free exchange of information between all
|
||
scientists, so their computer security was extraordinarily lax.
|
||
For a weapons research laboratory, funded by the Department of
|
||
Energy, it was a most incongruous situation.
|
||
|
||
Much of the information in the Livermore computers was considered
|
||
sensitive but unclassified, whatever that meant in government-
|
||
speak, but for an undergraduate engineering major cum hacker, it
|
||
was great reading. The leading thinkers from the most technical-
|
||
ly demanding areas in science today put down their thoughts for
|
||
the everyone to read. The Livermore scientists believed in
|
||
freedom of information, so nearly everyone who wanted in, got in.
|
||
To the obvious consternation and dismay of Livermore management.
|
||
And its funding agency.
|
||
|
||
Steve poked around the Livermore computers for a while and
|
||
learned that SDI funding was in more serious jeopardy than pub-
|
||
licly acknowledged. He discovered that the last 3 underground
|
||
nuclear test explosions outside of Las Vegas were underyield, and
|
||
no one knew why. Then he found some super-technical proposals
|
||
that sounded like pure science fiction:
|
||
|
||
Moving small asteroids from between Mars and Jupiter into orbit
|
||
around the Earth would make lovely weapons to drop on your ene-
|
||
mies. War mongers.
|
||
|
||
All of this fascinating information, available to anyone with a
|
||
computer and a little chutzbah.
|
||
|
||
* * * * *
|
||
|
||
Alexander Spiradon had picked Sir George and his other subjects
|
||
carefully, as he had been trained to do.
|
||
|
||
He had spent the better part of twenty years working for West
|
||
German Military Intelligence, Reichenbunnestrad Dunnernecht
|
||
Deutchelande, making less money than he required to live in the
|
||
style he desired. To supplement his income, he occasionally
|
||
performed extracurricular activities for special interest groups
|
||
throughout Europe. A little information to the IRA in Northern
|
||
Ireland, a warning to the Red Brigade about an impending raid.
|
||
Even the Hizballah, the Party of God for Lebanese terrorists had
|
||
occasion to use Alex's Services. Nothing that would compromise
|
||
his country, he rationalized, just a little help to the various
|
||
political factions that have become an annoyance to their respec-
|
||
tive governments.
|
||
|
||
Alex suddenly resigned in 1984 when he had collected enough
|
||
freelance fees to support his habits, but he was unaware that his
|
||
own agency had had him under surveillance for years, waiting for
|
||
him to slip up. He hadn't, and with predictable German Govern-
|
||
ment efficiency, upon his departure from the RDD, his file was
|
||
promptly retired and his subsequent activities ignored.
|
||
|
||
Alex began his full time free-lance career as a 'Provider of
|
||
Information'. With fees of no less than 250,000 DM, Alex didn't
|
||
need to work much. He could pick and choose his clients as he
|
||
weighed the risks and benefits of each potential assignment.
|
||
With his network of intelligence contacts from Scotland Yard, Le
|
||
Surite, and the Mossad, he had access to the kind of information
|
||
that terrorists pay for dearly .
|
||
|
||
It was a good living. No guns, no danger, just information.
|
||
|
||
His latest client guaranteed Alex three years of work for a flat
|
||
fee in the millions of Deutch Marks. It was the intelligence
|
||
assignment of a lifetime, one that insured a peaceful and pros-
|
||
perous retirement for Alex. He wasn't the perennial spy, politi-
|
||
cally or dogmatically motivated. Alex wanted the money.
|
||
|
||
After he had completed his computer classes and purchased the
|
||
equipment from the list, Sir George dialed the number he had been
|
||
given. He half expected a live person to congratulate him, but
|
||
also realized that that was a foolish wish. There was no reason
|
||
to expect anything other than the same sexy voice dictating
|
||
orders to him.
|
||
|
||
"Ah, Sir George. How good of you to call. How were your class-
|
||
es?" George nearly answered the alluring telephone personality
|
||
again, but he caught himself.
|
||
|
||
"Very good," the voice came back in anticipated response. "Please
|
||
get a pencil and paper. I have a message for you in 15 seconds."
|
||
That damned infernal patronization. Of course I have a bleeding
|
||
pen. Not a pencil. Idiot.
|
||
|
||
"Are you ready?" she asked. George made an obscene gesture at
|
||
the phone.
|
||
|
||
"Catch a flight to San Francisco tonight. Bring all of the com-
|
||
puter equipment you have purchased. Take a taxi to 14 Sutherland
|
||
Place on Knob Hill. Under the mat to Apartment 12G you will find
|
||
two keys. They will let you into your new living quarters. Make
|
||
yourself at home. It is yours, and the rent is taken care of as
|
||
is the phone bill. Your new phone number is 4-1-5-5-5-5-6-3-6-1.
|
||
When you get settled, dial the following number from your comput-
|
||
er. You should be well acquainted with how to do that by now.
|
||
The number is 4-1-5-5-5-5-0-0-1-5. Your password is A-G-O-R-A.
|
||
Under the mattress in the bedroom is a PRG, Password Response
|
||
Generator. It looks like a credit card, but has an eight digit
|
||
display. Whenever you call Alex, he will ask you for a response
|
||
to your password. Quickly enter whatever the PRG says. If you
|
||
lose the PRG, you will be terminated." The voice paused for a
|
||
few seconds to George's relief.
|
||
|
||
"You will receive full instructions at that point. Good Bye." A
|
||
dial tone replaced the voice he had come to both love and hate.
|
||
Bloody hell, he thought. I'm down to less than $5000 and now I'm
|
||
going back to San Francisco? What kind of bleedin' game is this?
|
||
|
||
Apartment 12G was a lavish 2 bedroom condominium with a drop dead
|
||
view of San Francisco and bodies of water water in 3 directions.
|
||
Furnished in high tech modern, it offered every possible amenity;
|
||
bar, jacuzzi, telephone in the bathroom and full channel cable.
|
||
Some job. But, he kept wondering to himself, when does the free
|
||
ride end? Maybe he's been strung along so far that he can't let
|
||
go. One more call, just to see how the next chapter begins.
|
||
|
||
George installed his computer in the second bedroom on a table
|
||
that fit his equipment like a glove.
|
||
|
||
C:\cd XTALK
|
||
C:\XTALK\xtalk
|
||
|
||
His hard disk whirred for a few seconds. He chose the Dial
|
||
option and entered the phone number from the keyboard and then
|
||
asked the computer to remember it for future use. He omitted the
|
||
area code. Why had he been given an area code if he was dialing
|
||
from the same one? George didn't pursue the question; if he had
|
||
he would have realized he wasn't alone.
|
||
|
||
The modem dialed the number for him. His screen went momentarily
|
||
blank and then suddenly came to life again.
|
||
|
||
<<<<<<CONNECT 2400 BAUD>>>>>>
|
||
DO YOU WANT TO SPEAK TO ALEX? (Y/N?)
|
||
|
||
George entered a "Y"
|
||
|
||
PASSWORD:
|
||
|
||
George entered AGORA. The letters did not echo to the screen.
|
||
He hoped he had typed then correctly. Apparently he did, for the
|
||
screen then prompted him for his RESPONSE.
|
||
|
||
He copied the 8 characters from the PRG into the computer. There
|
||
was a pause and then the screen filled.
|
||
|
||
SIR GEORGE,
|
||
|
||
WELCOME TO ALEX. IT IS SO GOOD TO SPEAK TO YOU AGAIN.
|
||
|
||
OVER THE NEXT SEVERAL MONTHS YOU WILL BE GIVEN NAMES AND NUMBERS
|
||
TO CALL. THERE ARE VERY SPECIFIC QUESTIONS AND STATEMENTS TO BE
|
||
MADE TO EACH PERSON YOU CALL. THERE IS TO BE NO DEVIATION WHAT-
|
||
SOEVER. I REPEAT, NO DEVIATION WHATSOEVER. IF THERE IS, YOUR
|
||
SERVICES WILL BE IMMEDIATELY TERMINATED. WE HOPE THAT WILL NOT BE
|
||
NECESSARY.
|
||
|
||
EACH MORNING YOU ARE TO DIAL ALEX AND REQUEST THE FILE CALLED
|
||
SG.DAT. DO NOT, I REPEAT, DO NOT ATTEMPT TO ACCESS OR DOWNLOAD
|
||
ANY OTHER FILES, OR YOU WILL BE TERMINATED AT ONCE.
|
||
|
||
FOLLOW THE INSTRUCTIONS IN EACH FILE, EXACTLY. KEEP AN EXACT LOG
|
||
OF THE EVENTS AS THEY TRANSPIRE ON EACH CALL.
|
||
|
||
<<PUSH SPACE BAR FOR MORE>>
|
||
|
||
George pushed the space bar. The screen was again filled.
|
||
|
||
ALEX REQUIRES PRECISE INFORMATION. WHATEVER YOU ARE TOLD BY THE
|
||
PEOPLE YOU CALL MUST BE RELAYED , TO THE LETTER.
|
||
|
||
AT THE END OF EACH DAY, YOU ARE TO UPLOAD YOUR FILE, CALLED
|
||
SG.TOD. YOUR COMPUTER WILL AUTOMATICALLY PUT A DATE AND TIME
|
||
STAMP ON IT.
|
||
|
||
THEN, USING NORTON UTILITY, ERASE THE SG.DAT FILE FROM THAT DAY.
|
||
IF YOU ARE UNABLE TO REACH ANYONE ON THE LISTS, JUST INDICATE
|
||
THAT IN YOUR DAILY REPORTS. DO NOT, REPEAT, DO NOT TRY TO CALL
|
||
THE SAME PERSON THE NEXT DAY. IS THAT CLEAR?
|
||
|
||
The screen was awaiting a response. George typed in "Y".
|
||
|
||
GOOD. THIS IS QUITE SIMPLE, IS IT NOT?
|
||
|
||
Y
|
||
|
||
DO YOU THINK YOU CAN HANDLE THE JOB?
|
||
|
||
Y
|
||
|
||
WHAT KIND OF PRINTER DO YOU HAVE?
|
||
|
||
None
|
||
|
||
ARE YOU SURE?
|
||
|
||
Y
|
||
|
||
WILL YOU BUY ONE?
|
||
|
||
N
|
||
|
||
GOOD. ARE YOU INTERESTED IN MONEY?
|
||
|
||
Finally, thought Sir George, the reason for my existence.
|
||
|
||
Y
|
||
|
||
AN ACCOUNT HAS BEEN OPENED IN YOUR NAME AT THE BANK OF AMERICA,
|
||
REDMOND BRANCH 3 BLOCKS FROM YOU. THERE IS $25,000 IN IT. EACH
|
||
MONTH OF SUCCESSFUL WORK FOR ALEX WILL BE REWARDED WITH ANOTHER
|
||
PAYMENT. U.S. TAXES ARE YOUR RESPONSIBILITY. IS THAT A PROBLEM?
|
||
|
||
N
|
||
|
||
WILL YOU DISCUSS YOUR JOB OR ITS NATURE WITH ANYONE? ANYONE AT
|
||
ALL?
|
||
|
||
N
|
||
|
||
EVEN UNDER FORCE?
|
||
|
||
Force, what the hell does that mean? I guess the answer is No,
|
||
thought George.
|
||
|
||
N
|
||
|
||
I HOPE SO, FOR YOUR SAKE. GOOD LUCK SIR GEORGE. YOU START
|
||
MONDAY.
|
||
|
||
<<<<<<CONNECTION TERMINATED>>>>>>
|
||
|
||
Sir George was a little confused, maybe a lot confused. He was
|
||
the proud owner of a remote control job, a cushy one as far as he
|
||
could tell, but the tone of the conversation he just had with the
|
||
computer was worrisome. Was he being threatened? What was the
|
||
difference between 'Services Terminated' and 'Terminated' anyway.
|
||
Maybe he shouldn't ask. Keep his mouth shut and do a good job.
|
||
|
||
Hey, he thought, dismissing the possible unpleasant consequences
|
||
of failure. This is San Francisco, and I have a three days off
|
||
in a new city. Might as well find my way around the town to-
|
||
night. According to the guide books I should start at Pier 39.
|
||
|
||
|
||
****************************************************************
|
||
|
||
Chapter 3
|
||
|
||
Tuesday, September 8,
|
||
New York City
|
||
|
||
But they told me they wouldn't tell! They promised." Hugh Sidneys
|
||
pleaded into his side of the phone. "How did you find out?" At
|
||
first, Scott thought the cartoon voice was a joke perpetrated by
|
||
one of his friends, or more probably, his ex-wife. Even she,
|
||
though, coudn't possibly think crank a phone call was a twisted
|
||
form of art. No, it had to be real.
|
||
|
||
"I'm sorry Mr. Sidneys. We can't give out our sources. That's
|
||
confidential. But are you saying that you confirm the story?
|
||
That it is true?"
|
||
|
||
"Yes, no. Well ," the pleading slid into near sobbing. "If this
|
||
gets out, I'm ruined. Ruined. Everything, my family . . .how
|
||
could you have found out? They promised!" The noise from the
|
||
busy metro room at the New York City Times made it difficult to
|
||
hear Sidneys.
|
||
|
||
"Can I quote you, sir? Are you confirming the story?" Scott
|
||
pressed on for that last requisite piece of every journalistic
|
||
puzzle confirmation of a story that stood to wreck havoc in
|
||
portions of the financial community. And Washington. It was a
|
||
story with meat, but Scott Mason needed the confirmation to
|
||
complete it.
|
||
|
||
"I don't know. . .if I tell what I know now, then maybe . . .that
|
||
would mean I was being helpful . . .maybe I should get a
|
||
lawyer . . ." The call from Scott Mason to First State Savings
|
||
and Loan on Madison Avenue had been devastating. Hugh Sidneys was
|
||
just doing what he was told to do. Following orders.
|
||
|
||
"Maybe, Hugh. Maybe." Scott softened toward Sidneys, thinking
|
||
the first name approach might work. "But, is it true, Hugh? Is
|
||
the story true?"
|
||
|
||
"It doesn't matter anymore. Do what you want." Hugh Sidneys
|
||
hung up on Mason. It was as close to a confirmation as he need-
|
||
ed. He wrote the story.
|
||
|
||
* * * * *
|
||
|
||
At 39, Scott Byron Mason was already into his second career.
|
||
Despite the objections of his overbearing father, he had avoided
|
||
the family destiny of becoming a longshoreman. "If it's good
|
||
enough for me, it's good enough for my kids." Scott was an only
|
||
child, but his father had wanted more despite his mother's ina-
|
||
bility to carry another baby to full term.
|
||
|
||
Scott caught the resentment of his father and the doting protec-
|
||
tion of his mother. Marie Elizabeth Mason wanted her son to have
|
||
more of a future than to merely live another generation in the
|
||
lower middle class doldrums of Sheepshead Bay, Brooklyn. Not
|
||
that Scott was aware of his predicament; he was a dreamer.
|
||
|
||
Her son showed aptitude. By the age of six Scott knew two words
|
||
his father never learned - how and why. His childhood curiosity
|
||
led to more than a few mishaps and spankings by the hot tempered
|
||
Louis Horace Mason. Scott took apart everything in the house in
|
||
an attempt to see what made it tick. Sometimes, not often
|
||
enough, Scott could reassemble what he broken down to its small-
|
||
est components. Despite his failings and bruised bottom Scott
|
||
wasn't satisfied with, "that's just the way it is," as an answer
|
||
to anything.
|
||
|
||
Behind his father's back, Marie had Scott take tests and be
|
||
accepted to the elite Bronx High School of Science, an hour and a
|
||
half train ride from Brooklyn. To Scott it wasn't an escape from
|
||
Brooklyn, it was a chance to learn why and how machines worked.
|
||
|
||
Horace gave Marie and Scott a three day silent treatment until
|
||
his mother finally put an end to it. "Horace Stipton Mason,"
|
||
Evelyn Mason said with maternal command. "Our son has a gift,
|
||
and you will not, I repeat, you will not interfere with his
|
||
happiness."
|
||
|
||
"Yes dear."
|
||
|
||
"The boy is thirteen and he has plenty of time to decide what
|
||
he's going to do with himself. Is that clear?"
|
||
|
||
"Yes dear."
|
||
|
||
"Good." She would say as she finished setting the table. "Dinner
|
||
is ready. Wash your hands boys." And the subject was closed.
|
||
|
||
But throughout his four years at the best damn high school in the
|
||
country, Horace found ample opportunity to pressure Scott about
|
||
how it was the right thing to follow in the family tradition, and
|
||
work at the docks, like the three generations before him.
|
||
|
||
The issue was never settled during Scott's rebellious teenage
|
||
years. The War, demonstrating on the White House lawn, getting
|
||
gassed at George Washington, writing for the New York Free Press,
|
||
Scott was even arrested once or twice or three times for peaceful
|
||
civil disobedience. Scott Mason was seeing the world in a new
|
||
way. He was rapidly growing up, as did much of the class of
|
||
1970.
|
||
|
||
Scott's grades weren't good enough for scholorships, but adequate
|
||
to be accepted at several reasonable schools.
|
||
|
||
"I already paid for his education," screamed Horace upon hearing
|
||
that Scott chose City College to keep costs down. He would live
|
||
at home. "He broke every damn thing I ever bought, radios, TV's,
|
||
washers. He can go to work like a man."
|
||
|
||
With his mother's blessing and understanding, Scott moved out of
|
||
the house and in with three roommates who also attended City
|
||
College, where all New Yorkers can get a free education. Scott
|
||
played very hard, studied very little and let his left of center
|
||
politics guide his social life. His engineering professors
|
||
remarked that he was underutilizing his God-given talents and
|
||
that he spent more time protesting and objecting that paying
|
||
attention. It was an unpredictable piece of luck that Scott
|
||
Mason would never have to make a living as an engineer. He would
|
||
be able to remain the itinerate tinkerer; designing and building
|
||
the most inane creations that regularly had little purpose beyond
|
||
satisfying technical creativity.
|
||
|
||
"Can we go with it?" Scott asked City Editor Douglas McQuire and
|
||
John Higgins, the City Times' staff attorney whose job it was to
|
||
answer just such questions. McQuire and Mason had been asked to
|
||
join Higgins and publisher Anne Manchester to review the paper's
|
||
position on running Mason's story. Scott was being lawyered, the
|
||
relatively impersonal cross examination by a so-called friendly
|
||
in-house attorney. It was the single biggest pain in the ass of
|
||
Scott's job, and since he had a knack for finding sensitive sub-
|
||
jects, he was lawyered fairly frequently. Not that it made him
|
||
feel any less like being called to the principal's office every
|
||
time.
|
||
|
||
Scott's boyish enthusiasm for his work, and his youthful appear-
|
||
ance allowed some to underestimate his ability. He looked much
|
||
younger than his years, measuring a slender 6 foot tall and shy
|
||
of 160 pounds. His longish thin sandy hair and a timeless all
|
||
about Beach Boy face made him a good catch on his better days-
|
||
he was back in circulation at almost 40. The round wire rimmed
|
||
glasses he donned for an extreme case of myopia were a visible
|
||
stylized reminder of his early rebel days, conveying a sophisti-
|
||
cated air of radicalism. Basically clean cut, he preferred shav-
|
||
ing every two or three, or occasionally four days. He blamed his
|
||
poor shaving habits on his transparent and sensitive skin 'just
|
||
like Dick Nixon's'.
|
||
|
||
The four sat in Higgins' comfortable dark paneled office. With 2
|
||
walls full of books and generous seating, the ample office resem-
|
||
bled an elegant and subdued law library. Higgins chaired the
|
||
meeting from behind his leather trimmed desk. Scott brought a
|
||
tall stack of files and put them on the glass topped coffee
|
||
table.
|
||
|
||
"We need to go over every bit, from the beginning. OK?" Higgins
|
||
made it sound more like and order than responsible journalistic
|
||
double checking. Higgins didn't interfere in the news end of the
|
||
business; he kept his opinions to himself. But it was his respon-
|
||
sibility to insure that the City Times' was kept out of the re-
|
||
ceiving end of any litigation. That meant that as long as a
|
||
story was properly researched, sourced, and confirmed, the con-
|
||
tents were immaterial to him. That was the Publisher's choice,
|
||
not his.
|
||
|
||
Mason had come to trust Higgins in his role as aggravating media-
|
||
tor between news and business. Scott might not like what he had
|
||
to say, but he respected his opinion and didn't argue too much.
|
||
Higgins was never purposefully adversarial. He merely wanted to
|
||
know that both the writers and the newspaper had all their ducks
|
||
in a row. Just in case. Libel suits can be such a pain, and
|
||
expensive.
|
||
|
||
"Why don't you tell me, again, about how you found out about the
|
||
McMillan scams." Higgins turned on a small micro-cassette re-
|
||
corder. "I hope you don't mind," he said as he tested it. "Keeps
|
||
better notes than I do," he offhandedly said. Nobody objected.
|
||
There would have been no point in objecting even if anyone cared.
|
||
It was an unspoken truism that Higgins and other good attorneys
|
||
taped many of their unofficial depositions to protect themselves
|
||
in case anything went terribly wrong. With a newspaper as your
|
||
sole client, the First Amendment was always at stake.
|
||
|
||
"OK," Scott began. His reporter's notebook sat atop files full
|
||
of computer printouts. "A few days ago, on September 4, that's
|
||
a Friday, I got an anonymous call. The guy said, 'You want some
|
||
dirt on McMillan and First State S&L?' I said sure, what do you
|
||
have and who is this?"
|
||
|
||
"So then you knew who Francis McMillan was?" Higgins looked up
|
||
surprised.
|
||
|
||
"Of course," Mason said. "He's the squeaky clean bank President
|
||
from White Plains. Says he knows how to clean up the S&L mess,
|
||
gets lots of air time. Probably making a play for Washington.
|
||
Big time political ambitions. Pretty well connected at Treasury.
|
||
I guess they listen to him."
|
||
|
||
"In a nutshell." Higgins agreed. "And . . .then?"
|
||
|
||
Mason sped through a couple of pages of scribbled notes from his
|
||
pad. "My notes start here. 'Who I am don't matter but what I
|
||
gotta say does. You interested'. Heavy Brooklyn accent, docks,
|
||
Italian, who knows. I said something like, 'I'm listening' and
|
||
he says that McMillan is the dirtiest of them all. He's been
|
||
socking more money away than the rest and he's been doing it real
|
||
smart. So I go, 'so?' and he says he can prove it and I say
|
||
'how' and he says 'read your morning mail'." Mason stopped
|
||
abruptly.
|
||
|
||
"That's it?" Higgins asked.
|
||
|
||
"He hung up. So I forgot about it till the next morning."
|
||
|
||
"And that's when you got these?" Higgins said pointing at the
|
||
stack of computer printouts in front of Mason. "How were they
|
||
delivered?"
|
||
|
||
"By messenger. No receipt, nothing. Just my name and the pa-
|
||
per's." Mason showed Higgins the envelop in which the files came.
|
||
|
||
"Then you read them?"
|
||
|
||
"Well not all of them, but enough." Scott glanced at his editor.
|
||
"That's when I let Doug know what I had."
|
||
|
||
"And what did he say?" Higgins was keeping furious notes to back
|
||
up the tape recording.
|
||
|
||
"'Holy shit', as I remember." Everyone laughed. Ice breakers,
|
||
good for the soul, thought Mason. People are too uptight.
|
||
Higgins indicated that Scott should continue.
|
||
|
||
"Then he said 'we gotta go slow on this one,' then he whistled
|
||
and Holy Shat some more." Once the giggles died down, Mason got
|
||
serious. "I borrowed a bean counter from the basement, told him
|
||
I'd put his name in the paper if anything came of it, and I
|
||
picked his brain. Ran through the numbers on the printouts, and
|
||
ran through them again. I really worked that poor guy, but
|
||
that's the price of fame. By the next morning we knew that there
|
||
were two sets of books on First State." Mason turned a couple
|
||
pages in his files.
|
||
|
||
"It appears," Scott said remembering that he was selling the
|
||
importance of the story to legal and the publisher, "that a
|
||
substantial portion of the bank's assets are located in numbered
|
||
bank accounts all over the world." Scott said with finality.
|
||
|
||
Higgins interrupted here. "So what's wrong with that?" he chal-
|
||
lenged.
|
||
|
||
"They've effectively stolen a sandbagged and inflated reserve ac-
|
||
count with over $750 Million it. Almost 10% of stated assets.
|
||
It appears from these papers," Scott waved his hand over them,
|
||
"that the total of the reserve accounts will be taken, as a loss,
|
||
in their next SEC reporting." Mason stopped and looked at Hig-
|
||
gins as though Higgins would understand everything.
|
||
|
||
Higgins snorted as he made more notes.
|
||
|
||
"That next morning," Mason politely ignored Higgins, "I got a
|
||
call again, from what sounded like the same guy."
|
||
|
||
"Why do you say that? How did you know?" Higgins inquired.
|
||
|
||
Mason sighed. "Cause he said, 'it's me remember?' and spoke like
|
||
Archie Bunker. Good enough for you?" Mason grinned wide. Mason
|
||
had the accent down to a tee. Higgins gave in to another round
|
||
of snickers.
|
||
|
||
"He said, 'you like, eh?'" Mason spoke with an exaggerated New
|
||
York accent and used the appropriate Italian hand gesture for
|
||
'eh!'. "I said, 'I like, but so what?' I still wasn't sure
|
||
what he wanted. He said, 'they never took a loss, yet. Look for
|
||
Friday. This Friday. They're gonna lose a bunch.' I said, 'how
|
||
much' and he said, 'youse already know.'" Mason's imitation of a
|
||
Brooklyn accent was good enough for a laugh.
|
||
|
||
"He then said, 'enjoy the next installment', and that was the
|
||
last time I spoke to him. At any rate, the next package con-
|
||
tained a history of financial transactions, primarily overseas;
|
||
Luxembourg, Lietchenstein, Switzerland, Austria, Hong Kong,
|
||
Sidney, Macao, Caymans and such. They show a history of bad
|
||
loans and write downs on First State revenues.
|
||
|
||
"Well, I grabbed the Beanie from the Basement and said, help me
|
||
with these now, and I got research to come up with the 10K's on
|
||
First State since 1980 when McMillan took over. And the results
|
||
were incredible." Mason held out a couple of charts and some
|
||
graphs.
|
||
|
||
"We compared both sets of books. The bottom lines on both are
|
||
the same. First State has been doing very well. McMillan has
|
||
grown the company from $1 Billion to $12 Billion in 8 years.
|
||
Quite a job, and the envy of hundreds of every other S&L knee
|
||
deep in their own shit." Higgins cringed. He thought Ms. Man-
|
||
chester should be shielded from such language. "The problem is
|
||
that, according to one set of books, First State is losing money
|
||
on some investments merely by wishing them away. They disappear
|
||
altogether from one report to the next. Not a lot of money, but
|
||
a few million here and there."
|
||
|
||
"What have you got then?" Higgins pressed.
|
||
|
||
"Nobody notices cause the losses are all within the limits of the
|
||
loss projections and reserve accounts. Sweet and neat! Million
|
||
dollar embezzlement scam with the SEC's approval."
|
||
|
||
"How much follow up did you do?" Higgins asked as his pen fly
|
||
across the legal pad.
|
||
|
||
"Due to superior reporting ability," Scott puffed up his chest in
|
||
jest, "I found that a good many account numbers listed in the
|
||
package I received are non-existent. But, with a little prod-
|
||
ding, I did get someone to admit that one of them was recently
|
||
closed and the funds moved elsewhere.
|
||
|
||
"Then, this is the clincher, as the caller promised, today, I
|
||
looked for the First State SEC reports, and damned if the numbers
|
||
didn't jive. The books with the overseas accounts are the ones
|
||
with the real losses and where they occur. The 'real' books
|
||
don't."
|
||
|
||
"The bottom line, please."
|
||
|
||
"Someone has been embezzling from First State, and when they're
|
||
through it'll be $3 Billion worth." Scott was proud of himself.
|
||
In only a few days he had penetrated a huge scam in the works.
|
||
|
||
"You can't prove it!" Higgins declared. "Where's the proof? All
|
||
you have is some unsolicited papers where someone has been play-
|
||
ing a very unusual and admittedly questionable game of 'what if'.
|
||
You have a voice on the end of a phone with no name, no nothing,
|
||
and a so-called confirmation from some mid-level accountant at
|
||
the bank who dribbles on about 'having to do it' but never saying
|
||
what 'it' is. So what does that prove?"
|
||
|
||
"It proves that McMillan is a fraud, a rip-off," Scott retorted
|
||
confidently.
|
||
|
||
"It does not!"
|
||
|
||
"But I have the papers to prove it," Scott shuffled through the
|
||
folders.
|
||
|
||
"Let me explain something, Scott." Higgins put down his pen and
|
||
adapted a friendlier tone. "There's a little legal issue called
|
||
right to privacy. Let me ask you this. If I came to you and
|
||
said that Doug here was a crook, what would you do?"
|
||
|
||
"Ask you to prove it," Scott said.
|
||
|
||
"Exactly. It's the same here."
|
||
|
||
"But I have the papers to prove it, it's in black and white."
|
||
|
||
"No Scott, you don't. What you have is some papers with accusa-
|
||
tions. They're unsubstantiated. They could have easily been
|
||
phonied. You know what computers can do better than I do. Now
|
||
here's the key point. Everybody in this country is due privacy.
|
||
You don't know where these came from, or how they were obtained,
|
||
do you?"
|
||
|
||
"No," Scott hesitantly admitted.
|
||
|
||
"So, someone's privacy has been compromised, in this case McMil-
|
||
lan's. If, and I'm saying, if, these reports are accurate, I
|
||
would take the position that they are stolen, obtained illegally.
|
||
If we publish with what we have now, the paper could be on the
|
||
receiving end of a slander and libel suit that could put us out
|
||
of business. We even could be named as a co-conspirator in a
|
||
criminal suit. I can't let that happen. It's our obligation to
|
||
guarantee responsible journalism."
|
||
|
||
"I see." Scott didn't agree.
|
||
|
||
"Scott, you're good, real good, but you have to see it from the
|
||
paper's perspective." Higgins' tone was now conciliatory. "This
|
||
is hard stuff, and there's just not enough here, not to go with
|
||
it yet. Maybe in a few days when you can get a little more to
|
||
tie it up. Not now. I'm sorry."
|
||
|
||
Case closed.
|
||
|
||
Shit, shit shit, thought Scott. Back to square one.
|
||
|
||
Hugh Sidneys was nondescript, not quite a nebbish, but close. At
|
||
five foot five with wisps of brown scattered over his balding
|
||
pate, he only lacked horn rimmed glasses to complete the image.
|
||
His bargain basement suits almost fit him, and he scurried rather
|
||
than walked down the hallways at First State Savings and Loan
|
||
where he had been employed since graduating from SUNY with a
|
||
degree in accounting twenty four years ago.
|
||
|
||
His large ears accentuated the oddish look, not entirely out of
|
||
place on the subways at New York rush hour. His loyalty to First
|
||
State was known throughout the financial departments; he was
|
||
almost a fixture. His accounting skills were extremely strong,
|
||
even remarkable if you will, but his personality and appearance,
|
||
and that preposterous cartoon voice, held him back from advancing
|
||
up the official corporate ladder.
|
||
|
||
Now, though, Hugh Sidneys was scared.
|
||
|
||
He needed to do something . . .and having never been in this kind
|
||
of predicament before . . .he thought about the
|
||
lawyer . . .hiring one like he told that reporter . . .but could
|
||
he afford that . . .and he wasn't sure what to do . . .was he in
|
||
trouble? Yes, he was . . .he knew that. That reporter . . .he
|
||
sounded like he understood . . .maybe he could help . . .he was
|
||
just asking questions . . .what was his name . . .?
|
||
|
||
"Ah, Mr. Mason?" Scott heard the timid man's Road Runner voice
|
||
spoke gently over the phone. Scott had just returned to his desk
|
||
from Higgins' office. It was after 6P.M. and time to catch a
|
||
train back home to Westchester.
|
||
|
||
"This is Scott Mason."
|
||
|
||
"Do you remember me?"
|
||
|
||
Scott recognized the voice immediately but said nothing.
|
||
|
||
"We spoke earlier about First State, and I
|
||
just . . .ah . . .wanted to . . .ah . . .apologize . . .for the
|
||
way I acted."
|
||
|
||
Scott's confirmation. Hugh Sidneys, the Pee Wee Herman sounding
|
||
beancounter from First State. What did he want?
|
||
|
||
"Yes, of course, Mr. Sidneys. How can I help you?" He opened
|
||
his notebook. He had just had his story nixed and he was ready to
|
||
go home. But Sidneys . . .maybe . . .
|
||
|
||
"It's just that, well, I'm nervous about this . . ."
|
||
|
||
"No need to apologize, Hugh." Scott smiled into the phone to
|
||
convey sincerity. "I understand, it happens all the time. What
|
||
can I do for you tonight?"
|
||
|
||
"Well, I, ah, thought that we might, maybe you could, well I
|
||
don't know about help, help, it's so much and I didn't really
|
||
know, no I shouldn't have called . . .I'm sorry . . ." The pitch
|
||
of Sidneys' voice rose as rambled on.
|
||
|
||
"Wait! Don't hang up. Mr. Sidneys. Mr. Sidneys?"
|
||
|
||
"Yes," the whisper came over the earpiece.
|
||
|
||
"Is there something wrong . . .are you all right?" The fear, the
|
||
sound of fear that every good reporter is attuned to came over
|
||
loud and clear. This man was terrified.
|
||
|
||
"Yes, I'm OK, so far."
|
||
|
||
"Good. Now, tell me, what's wrong. Slowly and calmly." He
|
||
eased Sidneys off his panic perch.
|
||
|
||
Scott heard Sidneys compose himself and gather up the nerve to
|
||
speak.
|
||
|
||
"Isn't there some sorta rule," he stuttered, "a law, that says if
|
||
I talk to you, you're a reporter, and if I say that I don't want
|
||
you to tell anybody, then you can't?" Sidneys was scared, but
|
||
wanted to talk to someone. Maybe this was the time for Scott to
|
||
back off a little. He stretched out and put his feet up on his
|
||
desk, making him feel and sound more relaxed, less pressured.
|
||
According to Scott, he generated more Alpha waves in his brain
|
||
and if wanted to convey calm on the phone, he merely had to
|
||
assume the position.
|
||
|
||
"That's called off the record, Hugh. And it's not a law." Scott
|
||
was amused at the naivete that Hugh Sidneys showed. "It's a
|
||
gentleman's agreement, a code of ethics in journalism. You can
|
||
be off the record, on the record, or for background, not for
|
||
attribution, for confirmation, there's a whole bunch of 'em."
|
||
Scott realized that Hugh knew nothing about the press so he
|
||
explained the options slowly. "Which one would you like?" Scott
|
||
wanted it to seem that Sidneys was in control and making the
|
||
rules.
|
||
|
||
"How about we just talk, and you tell me what I should
|
||
do . . .what you think . . .and . . .I don't want anything in the
|
||
paper. You have one for that?" Hugh was feeling easier on the
|
||
phone with Scott.
|
||
|
||
"Sure do. We'll just call it off the record for now. Everything
|
||
you tell me, I promise not to use it without your permission.
|
||
Will that do?" Scott smiled broadly. If you speak loudly with a
|
||
big smile on your face, people on the other end of the phone
|
||
think you're honest and that you mean what you say. That's how
|
||
game show hosts do it.
|
||
|
||
"OK." Scott heard Sidneys inhale deeply. "Those papers you say
|
||
you have? Remember?"
|
||
|
||
"Sure do. Got them right here." Scott patted them on his clut-
|
||
tered desk.
|
||
|
||
"Well, you can't have them. Or you shouldn't have them. I mean
|
||
it's impossible." Hugh was getting nervous again. His voice
|
||
nearly squeaked.
|
||
|
||
"Hugh, I do have them, and you all but confirmed that for me
|
||
yesterday. A weak confirmation, but I think you know more than
|
||
you let on . . ."
|
||
|
||
"Mr. Mason . . ."
|
||
|
||
"Please, call me Scott!"
|
||
|
||
"OK . . .Scott. What I'm trying to say is that what you say you
|
||
have, you can't have cause it never existed."
|
||
|
||
"What do you mean never existed?" Scott was confused, terribly
|
||
confused all of sudden. He raised his voice. "Listen, I have
|
||
reams of paper here that say someone at First State is a big
|
||
crook. Then you say, 'sure it's real' and now you don't. What's
|
||
your game, Mister?" Playing good-cop bad-cop alone was diffi-
|
||
cult, but a little pressure may bring this guy down to reality.
|
||
|
||
"Obviously you have them, that's not the point." Sidneys reacted
|
||
submissively to Scott's ersatz domineering personality. "The
|
||
only place that those figures ever existed was in my mind and in
|
||
my computer. I never made a printout. They were never put on
|
||
paper." Hugh said resolutely.
|
||
|
||
Scott's mind whirred. Something is wrong with this picture. He
|
||
has papers that were never printed, or so says a guy whose sta-
|
||
bility is currently in question. The contents would have far
|
||
reaching effects on the S&L issue. A highly visible tip of the
|
||
iceberg. McMillan, involved in that kind of thing? Never, not
|
||
Mr. Clean. What was Sidneys getting at?
|
||
|
||
"Mr. Sidneys . . .Hugh . . .do you have time to have a cup of
|
||
coffee somewhere. It might be easier if we sat face to face.
|
||
Get to know each other."
|
||
|
||
Rosie's Diner was one of the better Greasy Spoons near the Hudson
|
||
River docks on Manhattan's West Side. The silver interior and
|
||
exterior was not a cliche when this diner was built. Rosie, all
|
||
280 pounds of her, kept the UPS truckers coming back for over
|
||
thirty years. A lot of the staff at the paper ate here, too.
|
||
For the best tasting cholesterol in New York, saturated fats,
|
||
bacon and sausage grease flavored starches, Rosie's was the
|
||
place. Once a month at Rosie's would guarantee a reading of over
|
||
300.
|
||
|
||
Scott recognized Hugh from a distance. No one came in there
|
||
dressed. Had to be an accountant. Hugh hugged his briefcase
|
||
while nervously looking around the diner. Scott called the short
|
||
pale man over to the faded white formica and dull chrome booth.
|
||
Hugh ordered a glass of water, while Scott tried to make a light
|
||
dinner of it.
|
||
|
||
"So, Hugh, please continue with what you were telling me on the
|
||
phone." Scott tried to sound empathetic.
|
||
|
||
"It's like I said, I don't know how you got them or they found
|
||
out. It's impossible." The voice was uncannily like Pebbles
|
||
Flintstone in person.
|
||
|
||
"Who found out? Does someone else know . . .?"
|
||
|
||
"OK," Hugh sighed. "I work for First State, right? I work right
|
||
with McMillan although nobody except a few people know it. They
|
||
think I do market analysis and research. What I'm really doing
|
||
is helping shelter money in offshore investment accounts. There
|
||
are some tax benefits, I'm not a tax accountant so I don't know
|
||
the reasons, but I manage the offshore investments."
|
||
|
||
"Did you think that was illegal?"
|
||
|
||
"Only a little. Until recently that is."
|
||
|
||
"Sorry, continue." Scott nibbled from the sandwich on his plate.
|
||
|
||
"Well there was only one set of books to track the offshore
|
||
investments. They wanted them to be kept secret for various
|
||
reasons. McMillan and the others made the deals, not me. I just
|
||
moved the money for them." Again Hugh was feeling paranoid.
|
||
|
||
"Hugh, you moved some money around illegally, maybe. So what?
|
||
What's the big deal?" Scott gulped some hot black coffee to
|
||
chase the pastrami that almost went down the wrong pipe.
|
||
|
||
Sidneys continued after sipping his water and wetting his lips.
|
||
"Four days ago I got this call, from some Englishman who I'd
|
||
never spoken to before. He said he has all the same figures and
|
||
facts you said you have. He starts reading enough to me and I
|
||
know he's got what he says he got. Then he says he wants me to
|
||
cooperate or he'll go public with everything and blow it right
|
||
out of the water." Hugh was perspiring with tension. His fists
|
||
were clenched and knuckles white.
|
||
|
||
"And then, I called you and you came unglued. Right?" Scott was
|
||
trying to emotionally console Hugh, at least enough to get some-
|
||
thing more. "Do you think you were being blackmailed? Did he,
|
||
the English guy, demand anything? Money? Bribes? Sex?" Scott
|
||
grinned. Hugh obviously did not appreciate the attempt at levi-
|
||
ty.
|
||
|
||
"No, nothing. He just said that I would hear from him shortly.
|
||
That was it. Then, nothing, until you called. Then I figured I
|
||
missed his call." Hugh was working himself into another nervous
|
||
frenzy.
|
||
|
||
"Did he threaten you?"
|
||
|
||
"No. Not directly. Just said that it would be in my best inter-
|
||
est to cooperate."
|
||
|
||
"What did you say?"
|
||
|
||
"What could I say? I mumbled something about doing nothing wrong
|
||
but he said that didn't matter and I would be blamed for every-
|
||
thing and that he could prove it."
|
||
|
||
"Could he prove it?" Hugh was scribbling furiously in his note-
|
||
book.
|
||
|
||
"If he had the files in my computer I guess I would look pretty
|
||
guilty, but there's no way anyone could get in there. I'm the
|
||
only one, other than McMillan who can get at that stuff. It's
|
||
always been a big secret. We don't even make any printouts of
|
||
it. It's never on paper, just in the computer." Hugh fell back
|
||
in the thinly stuffed torn red Naugahyde bench seat and gulped
|
||
from his water glass.
|
||
|
||
Scott shook his head as he scanned the notes he had been making.
|
||
This didn't make any sense at all. Here was this little nerdy
|
||
man, with a convoluted tale of embezzlement and blackmail, off
|
||
shore money and he was scared. "Hugh," Scott began slowly. "Let
|
||
me see if I've got this right. You were part of a scheme to
|
||
shift investments overseas, falsify reports, yet the investments
|
||
always made a reasonable return in investment." Hugh nodded in
|
||
agreement silently.
|
||
|
||
"Then, after how many, eight years of this, creating a secret
|
||
little world that only you and McMillan know about . . ."
|
||
|
||
"A few others knew, I have the names, but only McMillan could get
|
||
the information from the computer. No one else could. I set it
|
||
up that way on purpose." Hugh interrupted.
|
||
|
||
"OK, then you receive a call from some Englishman who says he's
|
||
got the numbers you say are so safe and then I get a copy. And
|
||
the numbers agree with the results that First State reported. Is
|
||
that about it?" Scott asked, almost mocking the apparent absurd-
|
||
ity.
|
||
|
||
"Yeah, that's it. That's what happened." Hugh Sidneys was
|
||
such a meek man.
|
||
|
||
"That leaves me with a couple of possible conclusions. One, you
|
||
got yourself in over your head, finally decided to cut your
|
||
losses and make up this incredible story. Maybe make a deal
|
||
with the cops or the Feds and try to be hero. Maybe you're the
|
||
embezzler and want out before it's too late. Born again bean-
|
||
counter. It's a real possibility." Hugh's face grimaced; no,
|
||
that's not what happened, it's just as I told you.
|
||
"Or, two, McMillan is behind the disclosures and is now effec-
|
||
tively sabotaging his own plans. For what reasons I could hardly
|
||
venture a guess now. But, if what you are saying is true, it's
|
||
either you or McMillan." Scott liked the analysis. It was sound
|
||
and took into account all available information, omitting any
|
||
speculation.
|
||
|
||
"Then why would someone want to threaten me?
|
||
|
||
"Either you never got the call," the implication was obvious, "or
|
||
McMillan is trying, quite effectively to spook you." Scott put a
|
||
few dollars on the table next to the check.
|
||
|
||
"That's it? You won't say anything, will you? You promised!"
|
||
Hugh leaned into Scott, very close.
|
||
|
||
Scott consoled Hugh with a pat on his wrinkled suit sleeve. "Not
|
||
without speaking to you first. No, that wouldn't be cricket.
|
||
Don't worry, I'll call you in a couple of days."
|
||
|
||
His editor, Doug McGuire agreed that Scott should keep on it.
|
||
There might be a story there, somewhere. Go find it. But don't
|
||
forget about the viruses.
|
||
|
||
* * * * *
|
||
|
||
The headline of the National Expos<1B>, a weekly tabloid caught
|
||
Scott's attention on his way home that evening in Grand Central
|
||
Station.
|
||
|
||
EXCLUSIVE! S&L RIP OFF EXPOSED!
|
||
|
||
Scott's entire story, the one he wasn't permitted to print was
|
||
being read by millions of mid-American supermarket shopping
|
||
housewives. In its typically sensationalistic manner, the arti-
|
||
cle claimed that the Expose was in exclusive possession of
|
||
documents that proved McMillan was stealing 10's of millions from
|
||
First State S&L. It even printed a fuzzy picture of the same
|
||
papers that Scott had received. How the hell?
|
||
|
||
****************************************************************
|
||
|
||
Chapter 4
|
||
|
||
Thursday, September 10
|
||
Houston, Texas.
|
||
|
||
Angela Steinem dialed extension 4343, Network Administration for
|
||
MIS at the Treadline Oil Company in Houston, Texas. It rang
|
||
three times before Joan Appleby answered. Joan was the daytime
|
||
network administrator for Building 4. Hundreds of IBM personal
|
||
computers were connected together so they could share information
|
||
over a Novell local area network.
|
||
|
||
"Joan, I don't bug you much, right?" Angela said hesitantly.
|
||
|
||
"Angela, how about a good morning girl?" They were good friends
|
||
outside of work but had very little business contact.
|
||
|
||
"Sorry, mornin'. Joan, I gotta problem."
|
||
|
||
"What's troubling ya hon." Joan Texas spoke with a distinct
|
||
Texas twang.
|
||
|
||
"A little bird just ate my computer."
|
||
|
||
"Well, then I guess I'd be lookin' out for Big Bird's data dump."
|
||
Joan laughed in appreciation of the comedy.
|
||
|
||
"No really. A little bird flew all over my computer and ate up
|
||
all the letters and words on the screen. Seriously."
|
||
|
||
"Y'all are putting me on, right?" Maggie's voice lilted.
|
||
|
||
"No. No, I'm serious. It was like a simple video game, Pac-Man
|
||
or something, ate up the screen. I couldn't get it to come back
|
||
so I turned my computer off and now it won't do anything. All it
|
||
says is COMMAND.COM cannot be found. Now, what the hell does that
|
||
mean."
|
||
|
||
Joan Appleby now took Angela seriously. "It may mean that we
|
||
have some mighty sick computers. I'll be right there."
|
||
|
||
By the end of work, the Treadline Oil Company was essentially at
|
||
a standstill. Over 4,000 of their internal microcomputers,
|
||
mainly IBM and Compaq's were out of commission. The virus had
|
||
successfully struck.
|
||
|
||
Angela Steinem and her technicians shut down the more than 50
|
||
local area networks and gateways that connected the various
|
||
business units. They contacted the National Computer Virus
|
||
Association in San Mateo, California, NIST's National Computer
|
||
Center Laboratories and a dozen or so other watchdog groups who
|
||
monitor computer viruses.
|
||
|
||
This was a new virus. No one had seen it before. Sorry, they
|
||
said. If you can send us you hard disk, we may be able find out
|
||
what's going on . . .otherwise, your best bet is to dismantle the
|
||
entire computer system, all 4,000 plus of them, and start from
|
||
scratch.
|
||
|
||
Angela informed the Vice President of Information Systems that it
|
||
would be at least a week, maybe ten days before Treadline would
|
||
be fully operational again.
|
||
|
||
Mary Wallstone, secretary to Larry Gompers, Junior democratic
|
||
representative from South Carolina was stymied.
|
||
|
||
Every morning between 7:30 and 8:00 AM she opened her boss's
|
||
office and made coffee. Most mornings she brought in Dunkin'
|
||
Donuts. It was the only way she knew to insure that her weight
|
||
would never ebb below 200 pounds. Her pleasant silken skin did
|
||
not match the plumpness below. At 28 she should have known that
|
||
meeting Washington's best and brightest required a more slender
|
||
physique.
|
||
|
||
This morning she jovially sat down at her Apple Macintosh comput-
|
||
er with 3 creme filled donuts and a mug of black coffee with 4
|
||
sugars. She turned on the power switch and waited as the hour-
|
||
glass icon indicated that the computer was booting. It was going
|
||
through its self diagnostics as it did every time power was
|
||
applied.
|
||
|
||
Normally, after a few seconds, the Mac would come alive and the
|
||
screen would display a wide range of options from which she could
|
||
select. Mary would watch the procedure carefully each time - she
|
||
was an efficient secretary.
|
||
|
||
This time, however, the screen displayed a new message, one she
|
||
had not seen in the nine months she had worked as Congressman
|
||
Gompers' front line.
|
||
|
||
RAM OPTIMIZER TEST PROCEDURE....
|
||
|
||
INITIALIZING...
|
||
|
||
THIS PROGRAM IS DESIGNED TO TAKE MAXIMUM ADVANTAGE OF SYSTEM
|
||
STORAGE CAPABILITIES. THE TEST WILL ONLY TAKE A FEW SECONDS...
|
||
|
||
WAITING....
|
||
|
||
WARNING: DO NOT TURN OFF COMPUTER DURING SELF TEST!
|
||
|
||
As she was trained, she heeded her computer's instructions. She
|
||
watched and waited as the computer's hard disk whirred and
|
||
buzzed. She wasn't familiar with the message, but it sounded
|
||
quite official, and after all, the computer is always right.
|
||
|
||
And she waited. Some few seconds, she thought, as she dove into
|
||
her second donut. And she waited through the third donut and
|
||
another mug of too sweet coffee.
|
||
|
||
She waited nearly a half an hour, trying to oblige the instruc-
|
||
tions from the technocratic box on her desk. The Mac continued
|
||
to work, so she thought, but the screen didn't budge from it's
|
||
warning message.
|
||
|
||
What the hell, this has taken long enough. What harm can it
|
||
cause if . . .
|
||
|
||
She turned the power switch off and then back on. Nothing.
|
||
|
||
The computer did absolutely nothing. The power light was on, the
|
||
disk light was on, but the screen was as blank as a dead televi-
|
||
sion set.
|
||
|
||
Mary called Violet Beecham, a co worker in another office down
|
||
the hall.
|
||
|
||
"'Morning Vi. Mary."
|
||
|
||
Violet sounded agitated. "Yeah, Mare, what is it?"
|
||
|
||
"I'm being a dumb bunny and need a hand with my computer. Got a
|
||
sec?" Mary's sweetness oozed over the phone.
|
||
|
||
"You, too? You're having trouble? My computer's as dead as a
|
||
doornail. Won't do anything. I mean nothing." Violet was
|
||
frustrated as all get out and the concern communicated to Mary.
|
||
|
||
"Dead? Vi, mine is dead too. What happened to yours?"
|
||
|
||
"Damned if I know. It was doing some self check or something,
|
||
seemed to take forever and then . . .nothing. What about yours?"
|
||
|
||
"Same thing. Have you called MIS yet?"
|
||
|
||
"Not yet, but I'm getting ready to. I never did trust these
|
||
things. Give me a typewriter any day."
|
||
|
||
"Sure Vi. I'll call you right back."
|
||
|
||
Mary looked up the number for MIS Services, the technical magi-
|
||
cians in the basement who keep the 3100 Congressional computers
|
||
alive.
|
||
|
||
"Dave here, can I help you?" The voice spoke quickly and indif-
|
||
ferently.
|
||
|
||
"Mary Wallstone, in Gompers office. My computer seems to be
|
||
having a little problem . . ." Mary tried to treat the problem
|
||
lightly.
|
||
|
||
"You and half of Congress. Listen . . .is it Mary? This morning
|
||
is going to be a slow one. My best guess is that over 2500 com-
|
||
puters died a quick death. And you know what that mean."
|
||
|
||
"No, I don't..." Mary said hesitantly.
|
||
|
||
"It means a Big Mac Attack."
|
||
|
||
"A what?"
|
||
|
||
"Big Mac, it's a computer virus. We thought that Virus-Stop
|
||
software would stop it, but I guess there's a new strain out
|
||
there. Congress is going to be ordering a lot of typewriters and
|
||
legal pads for a while."
|
||
|
||
"You mean you can't fix it? This virus?"
|
||
|
||
"Listen, it's like getting the flu. Once you got it, you got it.
|
||
You can't pretend you aren't sick. Somebody took a good shot at
|
||
Congress and well . . .they won. We're gonna be down for a
|
||
while. Couple of weeks at least. Look, good luck, but I gotta
|
||
go." Dave hung up.
|
||
|
||
Mary ate the other three donuts intended for her boss as she sat
|
||
idle at her desk wondering if she would have a job now that there
|
||
were no more computers on Capitol Hill.
|
||
|
||
* * * * *
|
||
|
||
CONGRESS CATCHES FLU - LOSES FAT IN PROCESS
|
||
by Scott Mason, New York City Times
|
||
|
||
The Congressional Budget Office announced late yesterday that it
|
||
was requesting over $1 Million in emergency funding to counter a
|
||
devastating failure of Congress's computers.
|
||
|
||
Most of the computers used by both Senators and Representatives
|
||
are Apple Macintosh, but Apple Computer issued a quick statement
|
||
denying any connection between the massive failures and any
|
||
production problems in their machines.
|
||
|
||
The CBO said that until the problems were corrected, estimates to
|
||
take up to four weeks, that certain normal Congressional activi-
|
||
ties would be halted or severely curtailed. Electronic mail, E-
|
||
Mail that has saved taxpayers millions, will be unavailable for
|
||
communications until October at a minimum. Inter-office communi-
|
||
cations, those that address legislative issues, proposed bills,
|
||
and amendments have been destroyed and will require ". . .weeks
|
||
and weeks and weeks of data entry just to get back where we
|
||
started. This is a disaster."
|
||
|
||
The culprit is, of course, a computer virus. The question on
|
||
everyone's mind is, was this virus directed at Congress, or were
|
||
they merely an anonymous and unfortunate victim?
|
||
|
||
I have an IBM PC clone at home. Technically it's an AT with a
|
||
hard disk, so I'm not sure if that's an XT, and AXT, an XAT, an
|
||
ATX or . . .well whatever. I use it to write a lot of my stories
|
||
and then I can send the story to the computer at work for an
|
||
overdiligent editor to make it fit within my allotted space.
|
||
|
||
It never occurred to me that a computer could get sick.
|
||
|
||
I am, as we all are, used to our 'TV going on the Fritz', or
|
||
'Blowing a Fuse'. It seems like a lot of things blow: a gasket
|
||
blows, a light bulb blows, a tire blows or blows out, the wind
|
||
blows. I am sure that Thomas W. Crapper, the 19th century inven-
|
||
tor of the flush toilet would not be pleased that in 1988 man has
|
||
toasters and other cooking devices that 'crap out'. The Phone
|
||
Company 'screws up', the stock market 'goes to hell in a handbas-
|
||
ket' and VCR's 'work for s__t'.
|
||
|
||
It never occurred to me that a computer could get sick.
|
||
|
||
Computers are supposed to 'crash'. That means that either Aunt
|
||
Tillie can't find the ON switch or her cat knocked it on the
|
||
floor. Computers have 'fatal errors' which obviously means that
|
||
they died and deserve a proper burial.
|
||
|
||
It never occurred to me that a computer could get sick.
|
||
|
||
In the last few weeks there have been a lot of stories about
|
||
computers across the country getting ill. Sick, having the flu,
|
||
breathing difficulty, getting rashes, itching, scratching them-
|
||
selves . . .otherwise having a miserable time.
|
||
|
||
Let's look at the medical analogy to the dreaded computer virus
|
||
that indiscriminately attacks and destroys any computer with
|
||
which it comes in contact.
|
||
|
||
Somewhere in the depths of the countryside of the People's
|
||
Republic of China, a naturally mutated submicroscopic microbe has
|
||
the nerve to be aerodynamically transferred to the smoggy air of
|
||
Taiwan. Upon landing in Taipei, the microbe attaches itself to
|
||
an impoverished octogenarian who lives in an overpopulated 1 room
|
||
apartment over a fish store.
|
||
|
||
The microbe works its way into this guy's blood stream, unbek-
|
||
nownst to him, and in a few days, he's sicker than a dog. But
|
||
this microbe is smart, real smart. It has heard of antibiotics,
|
||
and in the spirit of true Darwinism, it replicates itself before
|
||
being killed off with a strengthened immunity. So, the microbe
|
||
copies itself and when Kimmy Chen shakes hands with his custom-
|
||
ers, some of them are lucky enough to receive an exact duplicate,
|
||
clone if you will, of his microbe. Then they too, get ill.
|
||
|
||
The microbe thus propagates its species until the entire East
|
||
Coast of the US has billions and trillions of identical microbes
|
||
costing our fragile economy untold millions of dollars in sick
|
||
pay.
|
||
|
||
However, the microbe is only so smart. After a while, the mi-
|
||
crobe mutates itself into a benign chemical compound that no
|
||
longer can copy itself and the influenza epidemic is over. Until
|
||
next year when Asian Flu B shows up and the process begins all
|
||
over again. (The same group of extremists who believe that the
|
||
Tri-Lateral commission runs the world and Queen Elizabeth and
|
||
Henry Kissinger are partners in the heroine trade think the AMA
|
||
is behind all modern flu epidemics. No comment.)
|
||
|
||
The point of all of this diatribe is that computers can get sick
|
||
too. With a virus.
|
||
|
||
Don't worry, mom. Your computer can't give you the flu anymore
|
||
than your fish can get feline leukemia.
|
||
|
||
It all started years ago, before Wozniak and Apple and the PC.
|
||
|
||
Before personal computers there were mainframes; huge room sized
|
||
computers to crunch on numbers. One day, years ago, Joe, (that's
|
||
not a real name, it's changed to protect him) decided it would be
|
||
great fun to play a prank on Bill, another programmer who worked
|
||
at a big university. Joe wrote a little program that he put into
|
||
Bill's big computer. Every time Bill typed the word 'ME' on his
|
||
keyboard, the computer would take over. His video screen would
|
||
fill up with the word 'YOU', repeating itself hundreds and thou-
|
||
sands of times. Bill's computer would become useless.
|
||
|
||
That was called a practical joke to computer programmers. Joe
|
||
and Bill both got a laugh out of it, and no harm was done. Then
|
||
Bill decided to get back at Joe. He put a small program into
|
||
Joe's big computer. Every day at precisely 3:00 P.M., a message
|
||
appeared: 'Do Not Pass GO!'.
|
||
|
||
It was all good fun and became a personal challenge to Joe and
|
||
Bill to see how they could annoy each other.
|
||
|
||
Word spread about the new game. Other graduate students at the
|
||
university got involved and soon computer folks at Cal Tech, MIT,
|
||
Carnegie Mellon, Stanford and elsewhere got onto the bandwagon.
|
||
Thus was born the world's first computer disease, the virus.
|
||
|
||
This is Scott Mason. Using a typewriter.
|
||
|
||
* * * * *
|
||
|
||
November, 3 Years Ago
|
||
Sunnyvale, California.
|
||
|
||
When Data Graphics Inc. went public in 1987, President and found-
|
||
er Pierre Troubleaux, a nationalized American born in Paris
|
||
momentarily forgot that he had sold his soul to achieve his
|
||
success. The company, to the financial community known as DGI,
|
||
was on the road to being in as much favor as Lotus or Microsoft.
|
||
Annual sales of $300 Million with a pre-tax bottom line of over
|
||
$55 Million were cause celebre on Wall Street. The first public
|
||
issues raised over $200 Million for less than 20% of the common
|
||
stock. With a book value in excess of $1 Billion, preparation
|
||
for a second offering began immediately after the first sold out
|
||
in 2 hours.
|
||
|
||
The offering made Pierre Troubleaux, at 29, a rich man; a very
|
||
rich man. He netted almost $20 Million in cash and another $100
|
||
Million in options over 5 years. No one objected. He had earned
|
||
it. DGI was the pearl of the computer industry in a time of
|
||
shake ups and shake outs. Raging profits, unbridled growth,
|
||
phenomenal market penetration and superb management.
|
||
|
||
Perhaps the most unique feature of DGI, other than its Presi-
|
||
dent's deal with the devil, was that it was a one product compa-
|
||
ny. DGI was somewhat like Microsoft in that they both got rich
|
||
and famous on one product. While Microsoft branched out from DOS
|
||
into other product areas, DGI elected to remain a 1 product
|
||
company and merely make flavors of its products available for
|
||
other companies which then private labeled them under their own
|
||
names.
|
||
|
||
Their software product was dubbed dGraph, a marketing abbreviated
|
||
term for data-Graphics. Simply put, dGraph let users, especially
|
||
novices, run their computers with pictures and icons instead of
|
||
complex commands that must be remembered and typed. dGraph
|
||
theoretically made IBM computers as easy to use as a Macintosh.
|
||
Or, the computer could be trained to follow instructions in plain
|
||
English. It was a significant breakthrough for the industry.
|
||
|
||
DGraph was so easy to use, and so powerful in its abilities that
|
||
it was virtually an instant success. Almost every computer
|
||
manufacturer offered dGraph as part of its standard fare. Just
|
||
as a computer needed DOS to function, it was viewed that you
|
||
needed dGraph before you even loaded the first program. Operat-
|
||
ing without dGraph was considered archaic. "You don't have
|
||
dGraph?" "How can you use your computer without dGraph?" "I
|
||
couldn't live without dGraph." "I'd be lost without dGraph."
|
||
|
||
The ubiquitous non-technical secretaries especially loved dGraph.
|
||
DGraph was taught at schools such as Katherine Gibbs and Secre-
|
||
Temps who insisted that all its girls were fluent in its ad-
|
||
vanced uses. You just can't run a office without it!
|
||
|
||
As much as anything in the computer industry is, dGraph was a
|
||
standard. Pierre Troubleaux was unfortunately under the misim-
|
||
pression that the success for DGI was his and his alone and that
|
||
he too was a standard . . .a fixture. The press and computers
|
||
experts portrayed to the public that he was the company's singu-
|
||
lar genius, with remarkable technical aptitude to see "beyond the
|
||
problem to the solution . . .".
|
||
|
||
The official DGI biography of Pierre Troubleaux, upon close
|
||
examination, reads like that of an inflated resume by a person
|
||
applying for a position totally outside his field of expertise.
|
||
Completely unsuited for the job. But the media hype had rele-
|
||
gated that minor inconsistency to old news.
|
||
|
||
In reality Troubleaux was a musician. He was an accomplished
|
||
pianist who also played another twenty instruments, very, very
|
||
well. By the age of ten he was considered something of a prodigy
|
||
and his parents decided that they would move from Paris to New
|
||
York, the United States, for proper schooling. Pierre's scholar-
|
||
ships at Julliard made the decision even easier.
|
||
|
||
Over the years Pierre excelled in performances and was critically
|
||
acclaimed as having a magnificent future where he could call the
|
||
shots. As a performer or composer. But Pierre had other ideas.
|
||
He was rapt in the study of the theory of music. How notes
|
||
related to each other. How scales related to each other. What
|
||
made certain atonalities subjectively pleasing yet others com-
|
||
pletely offensive. He explored the relationships between Eastern
|
||
polyphonic scales and the Western twelve note scale. Discord,
|
||
harmony, melody, emotional responses; these were the true loves
|
||
of Pierre Troubleaux.
|
||
|
||
Upon graduation from Julliard he announced, that contrary to
|
||
his family's belief and desire, he would not seek advanced train-
|
||
ing. Rather, he would continue his study of musical relationships
|
||
which by now had become an obsession. There was little expertise
|
||
in this specific area, so he pursued it alone. He wrote and
|
||
arranged music only to provide him with enough funds to exist in
|
||
his pallid Soho loft in downtown Manhattan.
|
||
|
||
He believed that there was an inherent underlying Natural Law
|
||
that guided music and musical appreciation. If he could find
|
||
that Law, he would have the formula for making perfect music
|
||
every time. With the Law at the crux of all music, and with
|
||
control over the Law, he ruminated, one could write a musical
|
||
piece to suit the specific goals of the writer and create the
|
||
desired effect on the listener. By formula.
|
||
|
||
In 1980 Pierre struggled to organize the unwieldy amount of data
|
||
he had accumulated. His collections of interpretive musical
|
||
analysis filled file cabinets and countless shelves. He relied
|
||
on his memory to find anything in the reams of paper, and the
|
||
situation was getting out of control. He needed a solution.
|
||
|
||
Max Jones was a casual acquaintance that Pierre had met at the
|
||
Lone Star Cafe on the corner of 13th and 5th Avenue. The Lone
|
||
Star was a New York fixture, capped with a 60 foot iguana on the
|
||
roof. They both enjoyed the live country acts that played there.
|
||
Max played the roll of an Urban Cowboy who had temporarily given
|
||
up Acid Rock in favor of shit kickin' Southern Rock. Pierre
|
||
found the musical phenomenon of Country Crossover Music intrigu-
|
||
ing, so he rationalized that drinking and partying at the Lone
|
||
Star was a worthwhile endeavor which contributed to his work.
|
||
That may have been partially true.
|
||
|
||
Max was a computer jock who worked for one of the Big Eight
|
||
accounting firms in midtown Manhattan. A complex mixture of com-
|
||
puter junkie, rock'n'roll aficionado and recreational drug user,
|
||
Max maintained the integrity of large and small computer systems
|
||
to pay the bills.
|
||
|
||
"That means they pretend to pay me and I pretend to work. I
|
||
don't really do anything productive."
|
||
|
||
Max was an "ex-hippie who put on shoes to make a living" and a
|
||
social anarchist at heart. At 27, Max had the rugged look that
|
||
John Travolta popularized in the 70's but on a rock solid trim
|
||
six foot five 240 pound frame. He dwarfed Pierre's mere five feet
|
||
ten inches.
|
||
|
||
Pierre's classic European good looks and tailored appearance,
|
||
even in jeans and a T-shirt were a strong contrast to Max's
|
||
ruddiness. Pierre's jet black hair was side parted and covered
|
||
most of his ears as it gracefully tickled his shoulders.
|
||
|
||
Piercing black eyes stared over a prominent Roman nose and thin
|
||
cheeks which tapered in an almost feminine chin. There was never
|
||
any confusion, though; no one in their right mind would ever view
|
||
Pierre as anything but a confirmed and practiced heterosexual.
|
||
His years of romantic achievements proved it. The remnants of
|
||
his French rearing created an unidentifiable formal and educated
|
||
accent; one which held incredible sex appeal to American women.
|
||
|
||
Max and Pierre sipped at their beers while Max rambled on about
|
||
how wonderful computers were. They were going to change the
|
||
world.
|
||
|
||
"In a few years every one on the planet will have his own comput-
|
||
er and it will be connected to everyone else's computer. All
|
||
information will be free and the planet will be a better place to
|
||
live and so on . . ." Max's technical sermons bordered on reli-
|
||
gious preaching. He had bought into the beliefs of Steven Jobs,
|
||
the young charismatic founder and spiritual guiding force behind
|
||
Apple Computer.
|
||
|
||
Pierre had heard it before, especially after Max had had a few.
|
||
His view of a future world with everyone sitting in front of a
|
||
picture tube playing with numbers and more numbers . . .and then
|
||
a thought hit him.
|
||
|
||
"Max . . .Max . . ." Pierre was trying to break into another one
|
||
of Max's Apple pitches.
|
||
|
||
"Yeah . . .oh yeah, sorry Amigo. What's that you say?" Max
|
||
sipped deeply on a long neck Long Star beer.
|
||
|
||
"These computers you play with . . ."
|
||
|
||
"Not play, work with. Work with!" He pointed emphatically at
|
||
nothing in particular.
|
||
|
||
"OK, work with. Can these computers play, er, work with music?"
|
||
|
||
Max looked quizzically at Pierre. "Music, sure. You just program
|
||
it in and out it comes. In fact, the Apple II is the ideal
|
||
computer to play music. You can add a synthesizer chip
|
||
and . . ."
|
||
|
||
"What if I don't know anything about computers?"
|
||
|
||
"Well, that makes it a little harder, but why doncha let me
|
||
show you what I mean." Max smiled wide. This was what he loved,
|
||
playing with computers and talking to people about them. The
|
||
subject was still a mystery to the majority of people in 1980.
|
||
|
||
Pierre winced. He realized that if he took up Max on his offer he
|
||
would be subjected to endless hours of computer war stories and
|
||
technical esoterica he couldn't care less about. That may be the
|
||
price though, he thought. I can always stop.
|
||
|
||
Over the following months they became fast friends as Pierre
|
||
tutored under Max's guiding hand. Pierre found that the Apple
|
||
had the ability to handle large amounts of data. With the new
|
||
program called Visi-Calc, he made large charts of his music and
|
||
their numbers and examined their relationships.
|
||
|
||
As Pierre learned more about applying computers to his studies in
|
||
musical theory, his questions of Max and demands of the Apple
|
||
became increasingly complex. One night after several beers and a
|
||
couple of joints Pierre asked Max what he thought was a simple
|
||
question.
|
||
|
||
"How can we program the Apple so that it knows what each piece of
|
||
data means?" he inquired innocently.
|
||
|
||
"You can't do that, man." Max snorted. "Computers, yes even
|
||
Apples are stupid. They're just a tool. A shovel doesn't know
|
||
what kind of dirt it's digging, just that it's digging." He
|
||
laughed out loud at the thought of a smart shovel.
|
||
|
||
Pierre found the analogy worth a prolonged fit of giggles through
|
||
which he managed to ask, "but what if you told the computer what
|
||
it meant and it learned from there. On its own. Can't a com-
|
||
puter learn?"
|
||
|
||
Max was seriously stoned. "Sure I guess so. Sure. In theory it
|
||
could learn to do your job or mine. I remember a story I read by
|
||
John Garth. It was called Giles Goat Boy. Yeah, Giles Goat Boy,
|
||
what a title. Essentially it's about this Goat, musta been a
|
||
real smart goat cause he talked and thunk and acted like a kid."
|
||
They both roared at the double entendre of kid. That was worth
|
||
another joint.
|
||
|
||
"At any rate," Max tried to control his spasmodic chuckles.
|
||
"At any rate, there were these two computers who competed for
|
||
control of the world and this kid, I mean," laughing too hard to
|
||
breath, "I mean this goat named Giles went on search of these
|
||
computers to tell them they weren't doing a very good job."
|
||
|
||
"So, what has that got to do with an Apple learning," Pierre said
|
||
wiping the tears from his eyes.
|
||
|
||
"Not a damn thing!" They entered another spasm of laughter. "No
|
||
really. Most people either think, or like to think that a com-
|
||
puter can think. But they can't, at least not like you and me. "
|
||
Max had calmed down.
|
||
|
||
"So?" Pierre thought there might still be a point to this conver-
|
||
sation.
|
||
|
||
"So, in theory, yeah, but probably not for a while. 10 years or
|
||
so."
|
||
|
||
"In theory, what?" Pierre asked. He was lost.
|
||
|
||
"In theory a machine could think."
|
||
|
||
"Oh." Pierre was disappointed.
|
||
|
||
"But, you might be able to emulate thinking. H'mmmm." Max re-
|
||
treated into mental oblivion as Abbey Road played in the back-
|
||
ground. Anything from Apple records was required listening by
|
||
Max.
|
||
|
||
"Emulate. Emulate? What's that? Hey, Max. What's emulate?
|
||
Hey Max, c'mon back to Earth. Emulate what?"
|
||
|
||
Max jolted back to reality. "Oh, copy. You know, act like.
|
||
Emulate. Don't they teach you emulation during sex education in
|
||
France?" They both thought that that was the funniest thing
|
||
ever said, in any language for all of written and pre-history.
|
||
|
||
The substance of the evening's conversation went downhill from
|
||
there.
|
||
|
||
A few days later Max came by Pierre's loft. "I been thinking."
|
||
|
||
"Scary thought. About what?" Pierre didn't look up from his
|
||
Apple.
|
||
|
||
"About emulating thought. You know what we were talking about
|
||
the other night."
|
||
|
||
"I can't remember this morning much less getting shit faced with
|
||
you the other night."
|
||
|
||
"You were going on and on about machines thinking. Remember?"
|
||
|
||
"Yes," Pierre lied.
|
||
|
||
"Well, I've been thinking about it." Max had a remarkable ability
|
||
to recover from an evening of illicit recreation. He could
|
||
actually grasp the germ of a stoned idea and let a straight mind
|
||
deal with it the following day. "And, I maybe got a way to do
|
||
what you want."
|
||
|
||
"What do I want?" Pierre tried to remember.
|
||
|
||
"You want to be able to label all of your music so that to all
|
||
appearances each piece of music knows about every other piece of
|
||
music. Right?"
|
||
|
||
"Kinda, yeah, but you said that was impossible . . ." Pierre
|
||
trailed off.
|
||
|
||
"In the true sense, yes. Remember emulation though? Naw, you
|
||
were too stoned. Here's the basic idea." Max ran over to the
|
||
fridge, grabbed a beer and leapt into a bean bag chair. "We
|
||
assign a value to every piece of music. For example, in music
|
||
we might assign a value to each note. Like, what note it is, the
|
||
length of the note, the attack and decay are the raw data.
|
||
That's just a number. But the groupings of the notes are what's
|
||
important. The groupings. Get it?"
|
||
|
||
Pierre was intrigued. He nodded. Maybe Max did understand after
|
||
all. Pierre leaned forward with anticipation and listened intent-
|
||
ly, unlike in one ear out the other treatment he normally gave
|
||
Max's sermons.
|
||
|
||
"So what we do is program the Apple to recognize patterns of
|
||
notes; groupings, in any size. We do it in pictures instead of
|
||
words. Maybe a bar, maybe a scale, maybe even an entire symphony
|
||
orchestra. All 80 pieces at once!" Max's enthusiasm was conta-
|
||
gious. "As the data is put in the computer, you decide what you
|
||
want to call each grouping. You name it anything you want. Then
|
||
we could have the computer look for similar groupings and label
|
||
them. They could all be put on a curve, some graphic of some
|
||
kind, and then show how they differ and by how much. Over time,
|
||
the computer could learn to recognize rock'n'roll from Opera
|
||
from radio jingles to Elevator Music. It's all in the patterns.
|
||
Isn't that what you want?" Max beamed while speaking excitedly.
|
||
He knew he had something here.
|
||
|
||
Max and Pierre worked together and decided to switch from the
|
||
Apple II computer to the new IBM PC for technical reasons beyond
|
||
Pierre's understanding. As they labored, Max realized that if he
|
||
got his "engine" to run, then it would be useful for hundreds of
|
||
other people who needed to relate data to each other but who
|
||
didn't know much about computers.
|
||
|
||
In late 1982 Max's engine came to life on its own. Pierre was
|
||
programming in pictures and in pure English. He was getting back
|
||
some incredible results. He was finding that many of the popu-
|
||
lar rock guitarists were playing lead riffs that had a genealogy
|
||
which sprang from Indian polyphonic sitar strains.
|
||
|
||
He found curious relationships between American Indian rhythms
|
||
and Baltic sea farer's music. All the while, as Pierre searched
|
||
the reaches of the musical unknown, Max convinced himself that
|
||
everyone else in the world would want his graphical engine, too.
|
||
|
||
Through a series of contacts within his Big Eight company, Max
|
||
was put in touch with Hambrecht Quist, the famed Venture Capital
|
||
firm that assisted such high tech startups as Apple, Lotus and
|
||
other shining stars in the early days of the computer industry.
|
||
Max was looking for an investor to finance the marketing of his
|
||
engine that would change the world. His didactic and circumlocu-
|
||
tous preaching didn't get him far. While everyone was polite at
|
||
his presentations, afterwards they had little idea of what he was
|
||
talking about.
|
||
|
||
"The Smart Engine permits anyone to cross-relate individual or
|
||
matrices of data with an underlying attribute structure that is
|
||
defined by the user. It's like creating a third dimension. Data
|
||
is conventionally viewed in a two dimensional viewing field, yet
|
||
is really a one dimension stream. In either source dimensional
|
||
view, the addition of a three dimensional attribute structure
|
||
yields interrelationships that are not inherently obvious. Thus
|
||
we use graphical representations to simplify the entire process."
|
||
|
||
After several weeks of pounding the high risk financial community
|
||
of the San Francisco Bay area, Max was despondent. Damn it, he
|
||
thought. Why don't they understand. I outline the entire
|
||
theory and they don't get it. Jeez, it's so easy to use. So
|
||
easy to use. Then the light bulb lit in his mind. Call Pierre.
|
||
I need Pierre. Call Pierre in New York.
|
||
|
||
"Pierre, it's Max." Max sounded quite excited.
|
||
|
||
"How's the Coast."
|
||
|
||
"Fine, Fine. You'll find out tomorrow. You're booked on American
|
||
#435 tomorrow."
|
||
|
||
"Max, I can't go to California. I have so much work to do."
|
||
|
||
"Bullshit. You owe me. Or have I forgotten to bill you for the
|
||
engine?" He was calling in a favor.
|
||
|
||
"Hey, it was my idea. You didn't even understand what I was
|
||
talking about until . . ."
|
||
|
||
"That's the whole point, Pierre. I can't explain the engine to
|
||
these Harvard MBA asswipes. It was your idea and you got me to
|
||
understand. I just need you to get some of these investors to
|
||
understand and then we can have a company and make some money
|
||
selling engines." Max's persistence was annoying, but Pierre knew
|
||
that he had to give in. He owed it to Max.
|
||
|
||
The new presentations Max and Pierre put on went so well that
|
||
they had three offers for start up financing within a week. And,
|
||
it was all due to Pierre. His genial personality and ability to
|
||
convey the subtleties of a complex piece of software using actual
|
||
demonstrations from his music were the touchy-feely the investors
|
||
wanted. It wasn't that he was technical; he really wasn't. But
|
||
Pierre had an innate ability to recognize a problem, theoretical-
|
||
ly, and reduce it to its most basic components. And the Engine
|
||
was so easy to use. All you had to do was . . .
|
||
|
||
It worked. The brainy unintelligible technical wizard and char-
|
||
ismatic front man. And the device, whatever it was, it seemed to
|
||
work.
|
||
|
||
The investors installed their own marketing person to get sales
|
||
going and Pierre was asked to be President. At first he said he
|
||
didn't want to. He didn't know how to run a company. That
|
||
doesn't matter, the investors said. You are a salable item. A
|
||
person whom the press and future investors can relate to. We
|
||
want you to be the image of the company. Elegance, suave, upper
|
||
class. All that European crap packaged for the media. Steve Jobs
|
||
all over again.
|
||
|
||
Pierre relented, as long as he could continue his music.
|
||
|
||
Max's engine was renamed dGraph by the marketing folks and the
|
||
company was popularly known as DGI. Using Byte, Personal Comput-
|
||
ing, Popular Computing and the myriad computer magazines of the
|
||
early 1980's, dGraph was made famous and used by all serious
|
||
computer users.
|
||
|
||
DGraph could interface with the data from other programs, dBase
|
||
II, 123, Wordstar and then relate it in ways never fathomed.
|
||
Automatically. Users could assign their own language of, at that
|
||
time, several hundred words, to describe the third dimension of
|
||
data. Or, they could do it in pictures. While the data on the
|
||
screen was being manipulated, the computer, unbeknownst to the
|
||
operator, was constantly forming and updating relationships
|
||
between the data. Ready to be called upon at any time.
|
||
|
||
As the ads said, "dGraph for dData."
|
||
|
||
As success reigned, the demand upon Pierre's time increased so
|
||
that he had little time for his music. By 1986 he lived a virtu-
|
||
al fantasy. He was on the road, speaking, meeting with writers,
|
||
having press conferences every time a new use for dGraph was
|
||
announced. He was adored by the media. He swam in the glory of
|
||
the attention by the women who found his fame and image an
|
||
irresistible adjunct to his now almost legendary French accent
|
||
and captivating eyes.
|
||
|
||
Pierre and Max were the hottest young entrepreneurs in Silicon
|
||
Valley; the darlings of the VC community. And the company spar-
|
||
kled too. It was being run by professionals and Max headed up
|
||
the engineering group. As new computers appeared on the market,
|
||
like the IBM AT, additional power could be effectively put into
|
||
the Engine and Voila! a new version of dGraph would hit the
|
||
market to the resounding ring of an Instant Hit on Softsel's Top
|
||
40.
|
||
|
||
Max, too, liked his position. He was making a great deal of
|
||
money, ran his own show with the casualness of his former hippie
|
||
days, yet could get on the road with Pierre any time he needed a
|
||
break. Pierre got into the act hook, line and sinker and Max
|
||
acted the role of genius behind 'The Man'. That gave Max the
|
||
freedom to avoid the microscope of the press yet take a twirl in
|
||
the fast lane whenever he felt the urge.
|
||
|
||
The third round of funding for DGI came from an unexpected
|
||
place. Normally when a company is as successful as DGI, the
|
||
original investors go along for the ride. That's how the VC's
|
||
who worked with Lotus, Compaq, Apple and other were getting
|
||
filthy stinking rich. The first two rounds went as they had
|
||
planned, the third didn't.
|
||
|
||
"Mr. Troubleaux," Martin Fisk, Chairman of Underwood Investments
|
||
said to Pierre in DGI's opulent offices. "Pierre, there is only
|
||
one way to say this. Our organization will no longer be involved
|
||
with DGI. We have sold our interest to a Japanese firm who has
|
||
been trying to get into the American computer field."
|
||
|
||
"What will that change? Anything?" Pierre was nonplused by the
|
||
announcement.
|
||
|
||
"Not as far as you're concerned. Oh, they will bring in a few of
|
||
their own people, satisfy their egos and protect their invest-
|
||
ment, that's entirely normal. But, they especially want you to
|
||
continue on as President of DGI. No, no real changes."
|
||
|
||
"What about Max?" Pierre had true concern for his friend.
|
||
|
||
"He'll remain, in his present capacity. Essentially the finan-
|
||
cial people will be reporting to new owners that's all."
|
||
|
||
"Are we still going to go public? That's the only way I'm gonna
|
||
make any real money."
|
||
|
||
Martin was flabbergasted. Pierre wasn't in the least interested
|
||
as to why the company changed hands. He only wanted to know
|
||
about the money, how much money he would make and when. Pierre
|
||
never bothered to ask, nor was it offered, that Underwood would
|
||
profit over 400 percent on their original investment. The Japa-
|
||
nese buyer was paying more than the company was worth now. They
|
||
had come in offering an amount of money way beyond what an open-
|
||
ing offer should have been. Underwood did a search on the Japa-
|
||
nese company and its American subsidiary, Data Tech. They were
|
||
real, like $30 Billion real and did were expanding into the
|
||
information processing field through acquisitions, primarily in
|
||
the United States.
|
||
|
||
Underwood sold it's 17% stake in DGI for $350 Million, more than
|
||
twice its true value. They sold quickly and quietly. Even though
|
||
Pierre and Max should have had some say in the transfer, Under-
|
||
wood controlled the board of directors and technically didn't
|
||
need the founder's consensus. Not that it overtly appeared to
|
||
mattered to Pierre. Max gave the paper transfer a cursory exami-
|
||
nation, at least asked the questions that were meaningless to the
|
||
transformed Pierre, and gave the deal his irrelevant blessings.
|
||
|
||
After the meeting with the emissaries from DGI's new owner, OSO
|
||
Industries, Pierre and Max were confident that nothing would
|
||
change for them. They would each continue in their respective
|
||
roles. The day to day interference was expected to be minimal,
|
||
but the planned public offering would be accelerated. That
|
||
suited Pierre just fine; he would make out like a bandit.
|
||
|
||
Several days before the date of issue, Pierre received a call
|
||
from Tokyo.
|
||
|
||
"Mr. Troubleaux?" The thick Japanese accent mangled his name so
|
||
badly Pierre cringed.
|
||
|
||
"Yes, this is Pierre Troubleaux," he said exaggerating his French
|
||
accent. The Japanese spoke French as well as a hair-lipped
|
||
stutterer could recite "Peter Piper picked a peck of pickled
|
||
peppers."
|
||
|
||
"I wish to inform you, sir, that the Chairman of OSO is to visit
|
||
your city tomorrow and participate in your new successes. Would
|
||
this be convenient?"
|
||
|
||
Pierre had only one possible response to the command performance
|
||
he was being 'invited' to. Since OSO had bought into DGI,
|
||
Pierre was constantly mystified by the ritualism associated with
|
||
Japanese business. They could say "Yes!" a hundred times in a
|
||
meeting, yet everyone present understood that the speakers really
|
||
meant "No Way, Jose!" There of course was the need for a quality
|
||
gift for any visitor from Japan. Johnny Walker Black was the
|
||
expected gift over which each recipient would feign total sur-
|
||
prise. Pierre had received more pearl jewelry from the Japanese
|
||
than he could use for ten wives. But the ritual was preserved.
|
||
|
||
"Of course it will. I would be most honored. If you could
|
||
provide me with details of his flight I will see to it that he
|
||
receives appropriate treatment."
|
||
|
||
"Very good Mr. Troubleaux." Pierre stifled a smirk at the mispro-
|
||
nunciation. "Your trouble will not go unrewarded."
|
||
|
||
"Mr. Homosoto, it is so good of you to visit at this time. Very
|
||
auspicious, sir." Pierre was kissing some ass.
|
||
|
||
"Troubleaux-San," Homosoto's English had a touch of Boston
|
||
snobbery in it, "you have performed admirably, and we all look to
|
||
continued successes in the future. I expect, as I am sure you
|
||
do, that the revenues raised from your public stock offering will
|
||
provide your company with the resources to grow ten fold." It
|
||
was a statement that demanded an answer. Another Japanese quirk.
|
||
|
||
"Yessir, of course. As you know, Mr. Homosoto, I am not involved
|
||
in the day to day operations and the forecasting. My function is
|
||
more to inspire the troops and carry the standard, so to speak.
|
||
I will have to rely upon the expertise of others to give you the
|
||
exact answers you seek."
|
||
|
||
"That is not necessary, I have all I need to know about your
|
||
business and its needs. Your offer is most kind."
|
||
|
||
"Why do you call DGI my business? Aren't we in this together?
|
||
Partners?" Pierre clarified the idiom for the rotund bespecta-
|
||
cled Chairman of OSO Industries.
|
||
|
||
"Hai! Of course, my friend, we are partners, and you will be
|
||
very wealthy in a few days." That statement had the air of an
|
||
accusation more than good wishes. "There is one little thing,
|
||
though. It is so small that I don't wish to mention it."
|
||
|
||
Well then don't, thought Pierre. "Nothing is so small it should-
|
||
n't be mentioned. Please, proceed Homosoto-San. How may I
|
||
help?"
|
||
|
||
"That's it exactly!" Homosoto beamed. "I do need your help. Not
|
||
today, but in the future, perhaps a small favor."
|
||
|
||
"Anytime at all, sir. Whatever I can I will." Pierre was re-
|
||
lieved. Just some more Japanese business practices that escaped
|
||
him.
|
||
|
||
Homosoto leaned in towards Pierre. His demeanor had shifted to
|
||
one of a very serious man. "Mr. Troubleaux, how can I be sure
|
||
that you won't disappoint me? How can I be sure?"
|
||
|
||
The question threw Pierre for a loop. How can he be sure? I
|
||
don't know. Maybe this was only an Oriental game of mumbley peg
|
||
or chicken. "Sir, what would I need to do to convince you of my
|
||
willingness to comply?" When in doubt, ask.
|
||
|
||
Homosoto relaxed again, leaned back in the plush office chair and
|
||
smiled. "In my country, Mr., Troubleaux, honor is everything.
|
||
You have nothing, nothing without your honor. Every child, man
|
||
and woman in Japan knows that. We are raised with the focus of
|
||
growth being honor. During the war between our countries, so
|
||
many years ago, many found honor by making the supreme sacrifice.
|
||
Kamikaze pilots are of whom I am speaking of, Mr. Troubleaux."
|
||
|
||
Pierre's face must have given away the panic that instantly
|
||
struck him. Suicide? This guy is truly nuts.
|
||
|
||
"Do not worry, Mr. Troubleaux, I can see what you are thinking.
|
||
No. I only speak of kamikaze pilots to serve as example of
|
||
honor. The kind that brought honor to Japan in the face of
|
||
defeat. That is something Americans will never understand. But
|
||
then again you're not American are you?"
|
||
|
||
"I was born a Frenchman, but I naturalized over twenty years ago,
|
||
at the same time my parents did."
|
||
|
||
"Ah yes. I remember. Then honor does mean more to you than to
|
||
most Americans. That will be quite good. Now, for the future
|
||
favor. I require nothing of you today, other than the guarantee
|
||
of you honor. Is that agreeable to you, Mr. Troubleaux?" Homoso-
|
||
to was pushing with the facade of friendliness. Pierre's concern
|
||
was not alleviated. All the same, he reluctantly nodded his
|
||
assent.
|
||
|
||
"Very good. Now for the favor." Homosoto stood up and reached
|
||
inside his size 48, ill fitting suit. Pierre was amazed at how
|
||
much money the Japanese had, yet were apparently unable to ever
|
||
wear clothes that fit properly.
|
||
|
||
Homosoto handed a 5 1/4" floppy disk to Pierre. Pierre took it
|
||
carefully from Homosoto and looked at the label. The diskette
|
||
was marked only with:
|
||
|
||
FILE1.EXE to FILE93.EXE
|
||
|
||
He looked inquisitively at Homosoto, his eyes asking, Yeah, so?
|
||
What's this got to do with anything?
|
||
|
||
"I see now you are confused. It is so simple, really. Sometime
|
||
in the future, you will be instructed to add one of the files on
|
||
this disk onto the dGraph programs you sell. That's it. So sim-
|
||
ple. So I have your word Mr. Troubleaux? Honor among men."
|
||
|
||
Pierre's mind was racing. Put a file onto a program? What does
|
||
that do? What's on it? Does it help dGraph? No that can't be
|
||
it. What is it? Why so secret. What's with the honor bit?
|
||
From the Chairman of OSO, not a technician? One floppy disk?
|
||
Pierre smelled a fox in the chicken coup.
|
||
|
||
"Mr. Homosoto, sir. I mean no disrespect. But, I hardly know
|
||
what to think. I don't even know what this disk is. You are
|
||
asking me to promise something I don't understand. What if I
|
||
don't agree. At least until I know what I'm doing? I need to
|
||
know what's going on here." he said holding the disk up promi-
|
||
nently.
|
||
|
||
"I prefer to think, Mr. Troubleaux of what occurs as long as you
|
||
do agree to maintain the honor between us. It is so much more
|
||
pleasant." Homosoto edged towards the doors of Troubleaux's
|
||
office as he spoke.
|
||
|
||
"When you agree to act honorably, perform for me this small,
|
||
insignificant favor, Mr. Troubleaux, you will get to keep the $20
|
||
Million you make this Friday and you will be permitted to contin-
|
||
ue living. Good Afternoon." Homosoto closed the door behind him.
|
||
|
||
* * * * *
|
||
|
||
Alexander Spiradon was pleased. His students were doing well.
|
||
The other students from the New York computer school had already
|
||
checked in; they didn't have as far to travel as Sir George.
|
||
Everything was in place, not quite a year to the day since he and
|
||
Taki Homosoto had set their plans in action. Alex hadn't spoken
|
||
to Homosoto in a couple of months. It was now time to report to
|
||
Homosoto in Tokyo. It was 17 hours earlier there - Homosoto
|
||
would probably be at his desk. The modem dialed a local Brookline
|
||
number. The phone in Brookline subsequently dialed a number in
|
||
Dallas, Texas, which dialed another phone in Tacoma, Washington.
|
||
The Tacoma phone had the luxury of dialing the international
|
||
number for Homosoto's private computer.
|
||
|
||
Call forwarding services offered the ultimate in protection. Any
|
||
telephone tracing would take weeks, requiring the cooperation of
|
||
courts from every state where a forwarded phone was located.
|
||
Then, the State Department would have to coordinate with the
|
||
Japanese Embassy. An almost impossible task, if anyone had the
|
||
resources. It took about 45 seconds for the call to be complet-
|
||
ed.
|
||
|
||
<<<<<<CONNECTION>>>>>>
|
||
PASSWORD:
|
||
|
||
Alex entered his password, GESUNDHEIT and his forced response
|
||
from his own PRG card. His computer terminal paused. If he was
|
||
on satellite to Japan, or to Dallas or anywhere else, his signal
|
||
could travel a hundred thousand miles or more each time he sent a
|
||
character from his keyboard.
|
||
|
||
CRYPT KEY:
|
||
|
||
Alex Spiradon chose 43. Each communication he had with Homosoto
|
||
was also protected with full encryption. If someone was able to
|
||
isolate their conversations, all they would get would be sheer
|
||
garbage, a screen full of unintelligible symbols and random
|
||
characters. By choosing 43, Alex told his computer and Homosoto's
|
||
computer to use Crypt Key 43, one of over 100 secret keys that
|
||
both computers held in their memory. This cryptographic scheme,
|
||
using the U.S.'s Data Encryption Standard, DES, and ANSI standard
|
||
X9.17 was the same one that the Treasury Department and Federal
|
||
Reserve used to protect the transmission of over $1 trillion of
|
||
funds transfers daily.
|
||
|
||
<<<<<<TRANSMISSION ENCODED>>>>>>
|
||
|
||
That was the signal for Alex to send the first words to Homosoto.
|
||
|
||
Good Morning, Homosoto-San.
|
||
|
||
AND TO YOU MY ESTEEMED PARTNER. YOU HAVE SOMETHING TO REPORT.
|
||
|
||
Yes. All is in place.
|
||
|
||
PLEASE CLARIFY . . .MY MEMORY IS NOT WHAT IT WAS.
|
||
|
||
Of course. The last of the Operators are in place. We call him
|
||
Sir George. That makes 8 altogether. San Francisco, (SF), New
|
||
York, (NY), Los Angeles, (LA), Boston, (BM), Atlanta, (AG) Chica-
|
||
go, (CI), Washington, (DC) and Dallas, (DT).
|
||
|
||
AND THEY CAN BE TRUSTED?
|
||
|
||
They are aware of the penalty. If not, we have others that will
|
||
replace them. Besides, you are rewarding them most handsomely for
|
||
their efforts.
|
||
SO I AM. I EXPECT RESULTS. AND THE OTHERS?
|
||
|
||
The Mail Men are waiting as well. Four of them in NY, DC, LA and
|
||
DT.
|
||
|
||
YOU SAY MAIL MEN. WHAT IS THAT TERM?
|
||
|
||
They will deliver our messages in writing to those who need
|
||
additional proof of our sincerity. They know nothing other than
|
||
they get paid, very well, to make sure that the addressees are in
|
||
receipt of their packages.
|
||
|
||
VERY GOOD. AND THEY TOO ARE RESPONSIBLE?
|
||
|
||
Yes. Elimination is a strong motivation. Besides, they know
|
||
nothing.
|
||
|
||
WHAT IF THEY READ THE CONTENTS?
|
||
|
||
That can only help. They do not know where the money comes from.
|
||
Most need the money more than their lives. My contacts make my
|
||
choices ideal. Death is . . .so permanent.
|
||
|
||
I AGREE. IT MAKES MEN HONORABLE, DOES IT NOT?
|
||
|
||
Most of the time, yes. There are always exceptions, and we are
|
||
prepared for that, too.
|
||
|
||
THE SEKIGUN-HA ARE AT YOUR DISPOSAL.
|
||
|
||
Thank you. The Ground Hogs, the first are in place.
|
||
|
||
HOW MANY AND WHERE.
|
||
|
||
Over 50 so far. I will keep recruiting. We have 11 in the long
|
||
distance phone companies and at AT&T, 3 at IBM, 14 in government
|
||
positions, 12 in major banks, a couple of insurance companies, 3
|
||
Hospitals are compromised . . .and a list of others. We will
|
||
keep the channels full, I promise.
|
||
|
||
HOW WILL THEY FUNCTION?
|
||
|
||
They will gain access to the information we need, and when we
|
||
call, they will perform. I will add more as we proceed. It
|
||
amazes me, these Americans. Anything for a buck.
|
||
|
||
DO NOT DISAPPOINT ME.
|
||
|
||
I will not. That is my promise. When will the information be
|
||
ready?
|
||
|
||
SOON. TOMORROW THE FIRST READER INFORMATION WILL BE SENT TO YOU.
|
||
CALLS MAY BEGIN IN DAYS. YOU ORGANIZE IT. THE GROUND HOGS ARE
|
||
NOT TO BE ACTIVATED FOR SEVERAL WEEKS. THEY ARE TO PERFORM THEIR
|
||
JOBS AS IF NOTHING IS WRONG. DO THEY UNDERSTAND?
|
||
|
||
Ground Hogs receive 2 paychecks. They understand their obliga-
|
||
tions. We pay 10 times their salary for their allegiance. The
|
||
Operators and Mail Men will start soon.
|
||
|
||
THERE IS NO SUCH THING AS ALLEGIANCE. DON'T YOU KNOW THAT YET?
|
||
|
||
Americans pay homage to the almighty dollar, and nothing else.
|
||
They will be loyal.
|
||
|
||
AS YOU ARE MOTIVATED MY FRIEND, I DO NOT FORGET THAT. BUT OTHERS
|
||
CAN OFFER MORE DOLLARS AND WE CAN BE FOUND. I CANNOT RISK THAT,
|
||
UNDER ANY CIRCUMSTANCES. DO YOU UNDERSTAND THE RISK?
|
||
|
||
Completely. I am responsible for my people.
|
||
|
||
AND THEY ARE PREPARED FOR THEIR JOBS?
|
||
|
||
Yes. That is my responsibility, to insure the security of our
|
||
task. No one must know. I know my job.
|
||
|
||
DO IT WELL. I WILL LEAVE YOU.
|
||
|
||
<<<<< CONNECTION TERMINATED>>>>>>
|
||
|
||
****************************************************************
|
||
|
||
Chapter 5
|
||
|
||
Monday, September 14
|
||
New York City
|
||
|
||
Doug! Doug!" Scott hollered across the city room. As in most
|
||
newspaper offices, the constant scurry of people bumping into
|
||
each other while reading and walking gave the impression of more
|
||
activity than there really was. Desks were not in any particular
|
||
pattern, but it wasn't totally chaotic either. Every desk had at
|
||
least one computer on it. Some two or three. Scott pushed back
|
||
into place those that he dislodged while running to McGuire's
|
||
desk.
|
||
|
||
Doug McGuire noticed the early hour, 8:39 A.M. on the one wall
|
||
clock that gave Daylight Savings Time for the East Coast. The
|
||
other dozen or so clocks spanned the time zones of the globe. It
|
||
wasn't like Scott to be his energetic youthful self before noon.
|
||
|
||
"Doug, I need you." Scott shouted from 3 desks away. "It'll just
|
||
take a minute."
|
||
|
||
Scott nearly dragged the balding, overweight, sometimes harsh 60
|
||
year old Doug McGuire across the newsroom. They abruptly halted
|
||
in front of Scott's desk. Boxes full of files everywhere; on the
|
||
floor, piled 3 or 4 high, on his desk. "Will you look at this.
|
||
Just look at this!" He stuck a single sheet of paper too close
|
||
into Doug's face. Doug pushed it away to read it out loud.
|
||
|
||
McGuire read from the page. "A Message from a Fan. Thanks." Doug
|
||
looked perplexed. He motioned at the paper hurricane on Scott's
|
||
desk. "So, what is this mess? Where did it come from?"
|
||
|
||
Scott spoke excitedly. "I got another delivery, about an hour
|
||
ago. I think it's from the same guy who sent the McMillan
|
||
stuff." He perused the boxes.
|
||
|
||
"Why do you say that?" Doug asked curiously.
|
||
|
||
"Because of what's in here. I haven't been able to go through
|
||
much of it, obviously, but I scanned through a few of the boxes.
|
||
There's dirt on almost every company in the Fortune 1000. Copies
|
||
of memoranda, false figures, confidential position statements,
|
||
the truth behind a lot of PR scandals, it goes on and on.
|
||
There's even a copy of some of the shredded Ollie North papers.
|
||
Or so they say they are. Who knows. But, God! There are notes
|
||
about behind the scene plays on mergers, who's screwing who to
|
||
get deals done . . .it's all here. A hundred years of stories
|
||
right here . . .".
|
||
|
||
"Let's see what we've got here." Doug was immediately hooked by
|
||
the treasure trove of potential in from of them coupled with
|
||
Scott's enthusiasm. The best stories come from the least likely
|
||
places. No reporter ever forgets the 3rd rate burglary at the
|
||
Watergate that brought down a President.
|
||
|
||
By late afternoon, Scott and several of the paper's researchers
|
||
had set up a preliminary filing system. They categorized the
|
||
hundred of files and documents and computer printouts by company,
|
||
alphabetically. The contents were amazing. Over 150 of the top
|
||
American corporations were represented directly, and thousands of
|
||
other by reference. In every case, there was a revelation of one
|
||
or more particularly embarrassing or illegal activities. Some
|
||
were documented accounts and histories of past events and others
|
||
that were in progress. Many of the papers were prognostications
|
||
of future events of questionable ethics or legality. It reminded
|
||
Scott of Jeanne Dixon style predictions.
|
||
|
||
From Wall Street's ivory tower deals where payoffs are called
|
||
consulting fees, and in banking circles where delaying transfers
|
||
of funds can yield millions of dollars in interest daily, from
|
||
industrial secrets stolen or purchased from such and such a
|
||
source, the laundry list was long. Plans to effect such a busi-
|
||
ness plan and how to disguise its true purposes from the ITC and
|
||
SEC. Internal, very upper level policies which never reach the
|
||
company's Employee Handbook; policies of discrimination, atti-
|
||
tude, and protective corporate culture which not only transcend
|
||
the law but in many cases, morality. The false books, the jim-
|
||
mied numbers . . .they were in the boxes too, but that was almost
|
||
accepted accounting practice as long as you didn't get caught.
|
||
But the depth of some of the figures was amazing. Like how one
|
||
computer company brought in Toshiba parts and sold them to the
|
||
government despite the ban on Toshiba components because of their
|
||
sale of precision lathes to the Soviets.
|
||
|
||
"Jesus," said Scott after a lengthy silence of intent reading.
|
||
"This nails everyone, even the Government."
|
||
|
||
There were well documented dossiers on how the EPA made unique
|
||
exclusions hundred of times over based upon the financial lobby-
|
||
ing clout of the particular offender. Or how certain elected
|
||
officials in Washington had pocketed funds from their PAC monies
|
||
or how defense contractors were advised in advance of the con-
|
||
tents of an upcoming billion dollar RFP.
|
||
|
||
The cartons of files were absolute political dynamite. And, if
|
||
released, could have massive repercussions in the world financial
|
||
community.
|
||
|
||
There was a fundamental problem, though. Scott Mason was in
|
||
possession of unsupported, but not unreasonable accusations, they
|
||
were certainly believable. All he really had was leads, a thou-
|
||
sand leads in ten thousand different directions, with no apparent
|
||
coherency or theme, received from an anonymous and dubious donor.
|
||
And there was no way of immediately gauging the veracity of their
|
||
contents. He clearly remembered what is was like to be lawyered.
|
||
That held no appeal at the moment.
|
||
|
||
The next obvious question was, who would have the ability to
|
||
gather this amount of information, most of which was obviously
|
||
meant to be kept very, very private. Papers meant not for anyone
|
||
but only for a select group of insiders.
|
||
|
||
Lastly, and just as important to the reporter; why? What would
|
||
someone gain from telling all the nasty goings on inside of
|
||
Corporate America. There have been so many stories over the
|
||
years about this company or that screwing over the little guy.
|
||
How the IRS and the government operated substantially outside of
|
||
legal channels. The kinds of things that the Secretary of the
|
||
Treasury would prefer were kept under wraps. Sometimes stories
|
||
of this type made the news, maybe a trial or two, but not exactly
|
||
noteworthy in the big picture. White collar crime wasn't as good
|
||
as the Simpsons or Roseanne, so it went largely ignored.
|
||
|
||
Scott Mason needed to figure out what to do with his powder keg.
|
||
So, as any good investigative reporter would do, he decided to
|
||
pick a few key pieces and see if the old axiom was true. Where
|
||
there's smoke, there's fire.
|
||
|
||
* * * * *
|
||
|
||
Fire. That's exactly what Franklin Dobbs didn't want that Monday
|
||
morning. He and 50 other Corporate CEO's across the country
|
||
received their own unsolicited packages by courier. Each CEO
|
||
received a dossier on his own company. A very private dossier
|
||
containing information that technically didn't, or wasn't offi-
|
||
cially supposed to exist. Each one read their personalized file
|
||
cover to cover in absolute privacy. And shock set in.
|
||
|
||
Only a few of the CEO's in the New York area had ever heard of
|
||
Scott Mason before, and little did they know that he had the
|
||
complete collection of dossiers in his possession at the New York
|
||
City Times. Regardless, boardrooms shook to their very core.
|
||
Wall Street trading was untypically low for a Monday, less than
|
||
50,000,000 shares. But CNN and other financial observers at-
|
||
tributed the anomaly to random factors unconnected to the secret
|
||
panic that was spreading through Corporate America.
|
||
|
||
By 6 P.M., CEO's and key aides from 7 major corporations head-
|
||
quartered in the metropolitan New York area had agreed to meet.
|
||
Throughout the day, CEO's routinely talk to other corporate
|
||
leaders as friends, acquaintances, for brain picking and G2,
|
||
market probing in the course of business. Today, though, the
|
||
scurry of inter-Ivory-Tower calls was beyond routine.
|
||
|
||
Through a complicated ritual dance of non-committal consent,
|
||
questions never asked and answers never given, with a good dose
|
||
of Zieglerisms, a few of the CEO's communicated to each other
|
||
during the day that they were not happy with the morning mail. A
|
||
few agreed to talk together. Unofficially of course, just for a
|
||
couple of drinks with friends, and there's nothing wrong, we
|
||
admit nothing, of course not.
|
||
|
||
These are the rules strictly obeyed for a non-encounter that
|
||
isn't happening. So they didn't meet in a very private room,
|
||
upstairs at the Executive Club, where sensitive meetings often
|
||
never took place. One's presence in that room is as good as
|
||
being on in a black hole. You just weren't there, no matter what.
|
||
Perfect.
|
||
|
||
The room that wasn't there was heavily furnished and dark. The
|
||
mustiness lent to the feeling of intrigue and incredulity the 7
|
||
CEO's felt. Massive brown leather couches and matching oversized
|
||
chairs surrounded by stout mahogany tables were dimly lit by the
|
||
assortment of low wattage lamp fixtures. There was a huge round
|
||
dining table large enough for all of Camelot, surrounded by
|
||
mammoth chairs in a large ante-room. The brocade curtains
|
||
covered long windows that stretched from the floor to ornate
|
||
corner moldings of the 16 foot ceilings.
|
||
|
||
One tired old black waiter with short cropped white hair appeared
|
||
and disappeared skillfully and invisibly. He was so accustomed
|
||
to working with such distinguished gentlemen, and knew how impor-
|
||
tant their conversations were, that he took great pride in re-
|
||
filling a drink without being noticed. With his little game, he
|
||
made sure that drinks for everyone were always full. They spoke
|
||
openly around Lambert. Lambert had worked the room since he was
|
||
16 during World War II and he saw no reason to trade occupations;
|
||
he was treated decently, and he doubled as a bookie for some
|
||
members which added to his income. There was mutual trust.
|
||
|
||
"I don't know about you gentlemen," said Porter Henry, the ener-
|
||
getic and feisty leader of Morse Technologies, defense subcon-
|
||
tractor. "I personally call this blackmail." A few nods.
|
||
|
||
"I'm not about to admit to anything, but have you been threat-
|
||
ened?" demanded Ogden Roberts, Chairman of National First Inter-
|
||
state.
|
||
|
||
"No, I don't believe any of us have, in so many words. And no,
|
||
none of us have done anything wrong. We are merely trying to
|
||
keep sensitive corporate strategies private. That's all. But, I
|
||
do take the position that we are being intimidated. I think
|
||
Porter's right. This is tantamount to blackmail. Or the precursor
|
||
at a minimum."
|
||
|
||
They discussed, in the most circumlocutous manner, possibilities.
|
||
The why, how, and who's. Who would know so much, about so many,
|
||
supposedly sacrosanct secrets. Therefore there must have been a
|
||
lot of whos, mustn't there? They figured about 50 of their
|
||
kindred CEO's had received similar packages, so that meant a lot
|
||
of whos were behind the current crisis in privacy. Or maybe just
|
||
one big who. OK, that's narrowed down real far; either a lot of
|
||
whos, one big who, or somewhere in between.
|
||
|
||
Why? They all agreed that demands would be coming, so they
|
||
looked for synergy between their firms, any sort of connections
|
||
that spanned at first the seven of those present, to predict what
|
||
kinds of demands. But it is difficult to find hard business
|
||
connections between an insurance company, a bank, 2 defense
|
||
contractors, a conglomerate of every drug store product known to
|
||
man and a fast food company. The thread wasn't there.
|
||
|
||
How? That was the hardest. They certainly hadn't come up with
|
||
any answers on the other two questions, so this was asking the
|
||
impossible. CEO's are notorious for not knowing how their compa-
|
||
nies work on a day to day basis. Thus, after 4 or 5 drinks,
|
||
spurious and arcane ideas were seriously considered. UFO's were
|
||
responsible, I once saw one . . .my secretary, I never really
|
||
trusted her at all . . .the Feds! Must be the
|
||
IRS . . .(my/his/your) competitor is doing it to all of
|
||
us . . .the Moonies, maybe the Moonies . . .
|
||
|
||
"Why don't we just go to the Feds?" asked Franklin Dobbs who did
|
||
not participate in the conjecturing stream of consciousness free
|
||
for all. Silence cut through the room instantly. Lambert looked
|
||
up from his corner to make sure they were all still alive.
|
||
|
||
"I'm serious. The FBI is perfect. We all operate interstate,
|
||
and internationally. Would you prefer the NYPD?" he said dero-
|
||
gatorally waiting any voices of dissent.
|
||
|
||
"C'mon Frank. What are we going to tell them?" Ogden Roberts
|
||
the banker asked belligerently. The liquor was having an effect.
|
||
"Certainly not the truth . . ." he cut himself short, realizing
|
||
that he came dangerously close to admitting some indefinable
|
||
wrong he had committed. "You know what I mean," he quickly
|
||
added.
|
||
|
||
"We don't go into all of the detail. An abbreviated form of the
|
||
truth, all true, but maybe not everything. I am sure we all
|
||
agree that we want to keep this, ah, situation, as quiet as
|
||
possible." Rapid assent came from all around.
|
||
|
||
"All we need to say is that we have been contacted, in a threat-
|
||
ening manner. That no demands have been made yet, but we are
|
||
willing to cooperate with the authorities. That would give us
|
||
all a little time, to re-organize our priorities, if you see what
|
||
I mean?" Dobbs added. The seven CEO's were thoughtful.
|
||
|
||
"Now this doesn't mean that we all have to agree on this,"
|
||
Franklin Dobbs said. "But as for me, I have gone over this, in
|
||
limited detail, with my attorney, and he agrees with it on a
|
||
strategic level. If someone's after you, and you can't see 'em,
|
||
get the guys with the White Hats on your side. Then do some
|
||
housekeeping. I am going to the FBI. Anybody care to join me?"
|
||
|
||
It was going to be a lonesome trip.
|
||
|
||
* * * * *
|
||
|
||
September, 4 Years Ago
|
||
Tokyo, Japan.
|
||
|
||
OSO Industries maintained its world headquarters in the OSO World
|
||
Bank Building which towered 71 stories over downtown Tokyo. From
|
||
the executive offices on the 66th floor, on a clear day, the view
|
||
reached as far as the Pacific. It was from these lofty reaches
|
||
that Taki Homosoto commanded his $30 Billion empire which spread
|
||
across 5 continents, 112 countries, and employed almost a quarter
|
||
million people.
|
||
|
||
OSO Industries had diversified since it humble beginnings as a
|
||
used tire junkstore.
|
||
|
||
The Korean conflict had been a windfall. Taki Homosoto started
|
||
a tire retreading business in 1946, during the occupation of
|
||
Japan. The Americans were so smart, he thought. Bring over all
|
||
of your men, tanks, jeeps and doctors not telling us the truth
|
||
about radiation, and you forget spare tires. Good move, Yankee.
|
||
|
||
Taki gouged the Military on pricing so badly, and the Americans
|
||
didn't seem care, that the Pentagon didn't think twice about
|
||
paying $700 for toilet seats decades later. Taki did give great
|
||
service - after all his profits were so staggeringly high he
|
||
could afford it. Keep the American's happy, feed their ego, and
|
||
they'll come back for more. No sense of pride. Suckers.
|
||
|
||
When the Americans moved in for Korea, Tokyo was both a command
|
||
post for the war effort and the first choice of R&R by service-
|
||
men. OSO Industries was in a perfect position to take advantage
|
||
of the US Government's tire needs throughout the conflict. OSO
|
||
was already in place, doing a good job; Taki had bought some
|
||
friends in the US military, and a few arrangements were made to
|
||
keep business coming his way.
|
||
|
||
Taki accumulated millions quickly. Now he needed to diversify.
|
||
|
||
Realizing that the war would come to an end some day, Homosoto
|
||
begin making plans. OSO Radio sets appeared on the market before
|
||
the end of the Korean Police Action. Then, with the application
|
||
of the transistor, the portable radio market exploded. OSO
|
||
Industries made more transistor radios than all other Japanese
|
||
electronics firms combined. Then came black and white televi-
|
||
sions. The invention of the single beam color TV tube again
|
||
brought OSO billions in revenues every year.
|
||
|
||
Now, OSO was the model of a true global corporation. OSO owned
|
||
banks and investment companies. Their semiconductor and electron-
|
||
ics products were household words. They controlled a vast network
|
||
of companies; electronic game manufacturers, microwave and appli-
|
||
ance manufacturers, and notably, acres and acres of Manhattan
|
||
Island, California and Hawaii. They owned and operated communi-
|
||
cations companies, including their own geosynchronous satellite.
|
||
OSO positioned itself as a holding company with hundreds of
|
||
subsidiaries, each with their own specialty, operating under
|
||
thousands of names. Taki Homosoto wove an incredibly complex web
|
||
of corporate influence and intrigue.
|
||
|
||
OSO was one of the 10 largest corporations in the world. Reaga-
|
||
nomics had already assisted in making OSO and Homosoto himself
|
||
politically important to both Japan and the US. Exactly how
|
||
Homosoto wanted it. American leaders, Senators, Congressmen,
|
||
appointees, lobbyists, in fact much of Washington coddled up to
|
||
Homosoto. His empire planned years in advance. The US Govern-
|
||
ment, unofficially craved his insights, and in characteristic
|
||
Washington style, wanted to be near someone important. Homosoto
|
||
relished it. Ate it up. He was a most cordial, unassuming
|
||
humble guest. He played the game magnificently.
|
||
|
||
Almost the entire 66th floor of the OSO Bank Building was dedi-
|
||
cated to Homosoto and his immediate staff. Only a handful of the
|
||
more then 200,000 people that OSO Industries employed had access
|
||
to the pinnacle of the OSO tower which graced the Tokyo skyline.
|
||
|
||
The building was designed by Pei, and received international ac-
|
||
claim as an architectural statement. The atrium in the lobby
|
||
vaulted almost 700 feet skyward precursoring American hotel
|
||
design in the next decade. Plants, trees over 100 feet tall and
|
||
waterfalls graced the atria and the overhanging skylobbies. The
|
||
first floor lobby was designed around a miniature replica of the
|
||
Ging Sha forest, fashioned with thousands of Bonzai trees. The
|
||
mini forest was built to be viewed from various heights within
|
||
the atrium to simulate a flight above the earth at distances from
|
||
2 to 150 miles.
|
||
|
||
The lobby of OSO Industries was a veritable museum. The Van Gogh
|
||
collection was not only the largest private or public assemblage
|
||
in the world, but also represented over $100 Million spent in
|
||
Sothby and Christies auctions worldwide since 1975.
|
||
|
||
To get to the elevator to the 66th floor, a security check was
|
||
performed, including a complete but unobtrusive electronic scan
|
||
of the entire person and his belongings. To all appearances, the
|
||
procedure was no more than airport security. However to the
|
||
initiate or the suspect, it was evident from the accuracy with
|
||
which the guards targeted specific contraband on a person or in
|
||
his belongings that they knew more than they were telling. The
|
||
OSO guards had the girth of Sumo wrestlers, and considering their
|
||
sheer mass, they received little hassle. Very few deemed it
|
||
prudent to cross them.
|
||
|
||
The lobby for all of its grandeur, ceilings of nearly 700 feet,
|
||
was a fairly austere experience. But, the elevator to the 66th
|
||
floor altered that image at once. It was this glass walled
|
||
elevator, the size of a small office, with appropriately comfort-
|
||
able furnishings, that Miles Foster rode. From the comfort of
|
||
the living room setting in the elevator, he enjoyed a panorama of
|
||
the atrium as it disappeared beneath him. He looked at the
|
||
forest and imagined what astronauts saw when they catapulted into
|
||
orbit. The executive elevator was much slower than the others.
|
||
Either the residents in the penthouse relished the solitude and
|
||
view or they had motion sickness. Nonetheless, it was most
|
||
impressive.
|
||
|
||
"Ah, Mister Foster! Welcome to OSO. Please to step this way."
|
||
Miles Foster was expected at the terminus of the lift which
|
||
opened into an obscenely large waiting room that contained a
|
||
variety of severe and obviously uncomfortable furniture. Aha!
|
||
Miles, thought. That's exactly what this is. Another art gal-
|
||
lery, albeit a private one for the eyes of his host and no one
|
||
else. White walls, white ceilings, polished parquet floors, track
|
||
lighting, recessed lights, indirect lights. Miles noticed that
|
||
the room as pure as the driven snow didn't have any windows. He
|
||
didn't recognize much of the art, but given his host, it must
|
||
have represented a sizable investment.
|
||
|
||
Miles was ushered across the vast floor to a set of handsomely
|
||
carved, too tall wooden doors with almost garish gold hardware.
|
||
His slight Japanese host barely tapped on the door, almost inau-
|
||
dibly. He paused and stood at attention as he blurted an obedient
|
||
"Hai!"
|
||
|
||
The aide opened both doors from the middle, and in deference to
|
||
Mr. Foster, moved to one side to let the visitor be suitably
|
||
impressed. Homosoto's office was a total contrast to his gal-
|
||
lery. Miles first reaction was astonishment. It was slightly
|
||
dizzying. The ceiling slanted to a height of over 25 feet at the
|
||
outer walls, which were floor to ceiling glass. The immense room
|
||
provided not only a spectacular view of Tokyo and 50 miles be-
|
||
yond, but lent one the feeling of being outside.
|
||
|
||
Coming from the U.S. Government, such private opulence was not
|
||
common. It was to be expected in his family's places of business,
|
||
the gaming parlors of Las Vegas, but not in normal commerce. He
|
||
had been to Trump Tower in New York, but that was a public build-
|
||
ing, a place for tourists. This office, he used the word liber-
|
||
ally, was palatial.
|
||
|
||
It was decorated in spartan fashion with cherry wood walls.
|
||
Artwork, statues, figurines, all Japanese in style, sat wherever
|
||
there was an open surface. A few gilt shelves and marble display
|
||
tables were randomly scattered around the room. Not chaoticly;
|
||
just the opposite. The scattering was exquisitely planned.
|
||
There was a dining alcove, privatized by lavish rice paper panels
|
||
for eating in <MI>suhutahksi<D>. Eating on the floor was an
|
||
honored ritual. There was a small pit under the table for curl-
|
||
ing one's legs on the floor.
|
||
|
||
A conference table with 12 elegant wooden chairs sat at the
|
||
opposite end of the cavernous office. In the center of the room,
|
||
at the corner of the building, was Homosoto's desk, or work
|
||
surface if you prefer. It was large enough for four, yet Homoso-
|
||
to, as he stood to greet Foster, appeared to dwarf his environ-
|
||
ment and desk. Not in size, but in confidence. His personage
|
||
was in total command. The desk and its equipment were on a plat-
|
||
form some 6" above the rest of the room. The intended effect was
|
||
not lost on Foster.
|
||
|
||
The sides of the glossy cherrywood desk were slightly elevated to
|
||
make room for a range of video monitors, communications facili-
|
||
ties, and computers which accessed Homosoto's empire. A vast
|
||
telephone console provided tele-conferencing to OSO offices
|
||
worldwide. Dow Jones, CNN, Nippon TV were constantly displayed,
|
||
visible only to Homosoto. This was Homosoto's Command Central as
|
||
he liked to call it.
|
||
|
||
Foster gawked at the magnificent surroundings as he stood in
|
||
front of his assigned seat. A comfortable, plush, black leather
|
||
chair. It was one of several arranged in a sunken conversation
|
||
pit.
|
||
|
||
Homosoto acknowledged Foster's presence with the briefest of nods
|
||
as he stepped down off of his aerie. Homosoto wore expensive
|
||
clothes. A dark brown suit, matching solid tie and the omnipres-
|
||
ent solid white starched shirt. It didn't fit, like most Japa-
|
||
nese business uniforms.
|
||
|
||
He was short, no more than five foot six, Miles noticed, after
|
||
Homosoto got down to the same level as the rest of the room. On
|
||
the heavy side, he walked slowly and deliberately. Eyes forward
|
||
after the obligatory nod. His large head was sparsely covered
|
||
with little wisps of hair in nature's futile attempt to clothe
|
||
the top of his freckled skull. Even at 59 Homosoto's hair was
|
||
still pitch black. Miles wasn't sure if Grecian Formula was
|
||
available in Japan. The short crop accentuated the pronounced
|
||
ears.
|
||
|
||
A rounded face was peppered with spots, dark freckles perhaps, or
|
||
maybe carcinoma. His deep set black eyes stared through the
|
||
object of his attention. Homosoto was not the friendly type,
|
||
thought Miles.
|
||
|
||
Homosoto stood in front of Miles, extended his hand and bowed the
|
||
most perfunctory of bows. Miles took his hand, expecting a
|
||
strong grip. Instead he was greeted with a wet fish handshake
|
||
which wriggled quickly from his grasp. Homosoto didn't give the
|
||
slightest indication of a smile. The crow's feet around his eyes
|
||
were caused by pudginess, not happiness. When he sat opposite
|
||
Foster in a matching chair, he began without any pleasantries.
|
||
|
||
"I hear you are the best." Homosoto stared at Foster. It was a
|
||
statement that required a response.
|
||
|
||
Foster shifted his weight a little in the chair. What a way to
|
||
start. This guy must think he's hot shit. Well, maybe he is.
|
||
First class, all expense paid trip to Tokyo, plus consultation
|
||
fees. In advance. Just for one conversation, he was told, we
|
||
just want some advice. Then, last night, and the night before,
|
||
he was honored with sampling the finest Oriental women. His hot
|
||
button. All expenses paid, of course. Miles knew he was being
|
||
buttered up, for what he didn't know, but he took advantage of it
|
||
all.
|
||
|
||
"That's what's your people tell you."
|
||
|
||
Foster took the challenge and glared, albeit with a smirk dimpled
|
||
smile, politely, right back at Homosoto. Homosoto continued his
|
||
stare. He didn't relax his intensity.
|
||
|
||
"Mr. Foster," Homosoto continued, his face still emotionless.
|
||
"Are you as good as they say?" he demanded.
|
||
|
||
Miles Foster defiantly spat out the one word response. "Better."
|
||
|
||
Homosoto's eyes squinted. "Mr. Foster, if that is true, we can
|
||
do business. But first, I must be convinced. I can assure you
|
||
we know quite a bit about you already, otherwise you wouldn't be
|
||
here." Miles noticed that Homosoto spoke excellent English,
|
||
clipped in style, but Americanized. He occasionally stretched
|
||
his vowels, to the brink of a drawl.
|
||
|
||
"Yeah, so what do you know. Pulled up a few data bases? Big
|
||
Deal." Miles cocked his head at Homosoto's desk. "I would assume
|
||
that with that equipment, you can probably get whatever you
|
||
want."
|
||
|
||
Homosoto let a shimmer of a smile appear at the corners off his
|
||
mouth. "You are most perceptive, Mr. Foster." Homosoto paused
|
||
and leaned back in the well stuffed chair. "Mr. Foster, tell me
|
||
about your family."
|
||
|
||
Miles neck reddened. "Listen! You called me, I didn't call you.
|
||
All I ever knew about OSO was that you made ghetto blasters, TV's
|
||
and vibrators. So therefore, you wanted me, not my family. If
|
||
you had wanted them you would have called them." Miles said
|
||
loudly. "So, keep my family the fuck out of it."
|
||
|
||
"I do not mean to offend," Homosoto said offensively. "I just am
|
||
most curious why you didn't go to work for your family. They
|
||
have money, power. You would have been a very important man, and
|
||
a very rich one." Homosoto said matter of factly. "So, the
|
||
prudent man must wonder why you went to work for your Government?
|
||
Aren't your family and your government, how shall I say, on
|
||
opposite sides?"
|
||
|
||
"My family's got nothing to do with this or you. Clear?" Miles
|
||
was adamant. "But, out of courtesy for getting me laid last
|
||
night, I might as well tell you. I went to the feds cause they
|
||
have the best computers, the biggest equipment and the most
|
||
interesting work. Not much money, but I have a backup when I
|
||
need it. If I went to work for my family, as you put it, I would
|
||
have been a glorified beancounter. And that's not what I do. It
|
||
would have been no challenge. Boring, boring, boring!" Miles
|
||
smiled sarcastically at Homosoto. "Happy now?"
|
||
|
||
Homosoto didn't flinch. "Does that mean you do not disapprove of
|
||
your family's activities? How they make money?"
|
||
|
||
"I don't give a fuck!" Miles yelled. "How does that grab you? I
|
||
don't give a flying fuck. They were real good to me, paid a lot
|
||
of my way. I love my mother and she's not a hit man. My uncle
|
||
does I don't know what or care. They're family, that's it. How
|
||
much clearer do you want it?" Miles continued shouting.
|
||
|
||
Homosoto grinned and held up his hands. "My apologies Mr. Foster.
|
||
I mean no disrespect. I just like to know who works for me."
|
||
|
||
"Hey, I don't work for you yet."
|
||
|
||
"Of course, a simple slip of the tongue."
|
||
|
||
"Right." Miles snapped sarcastically.
|
||
|
||
Homosoto ignored this last comment. The insincere smile left his
|
||
face, replaced with a more serious countenance. "Why did you
|
||
leave your post with the National Security Agency, Mr. Foster?"
|
||
|
||
Another inquisition, thought Miles. What a crock. Make it good
|
||
for the gook.
|
||
|
||
"'Cause I was working for a bunch of bungling idiots who insured
|
||
their longevity by creating an invincible bureaucracy." Miles
|
||
decided that a calm beginning might be more appropriate. "They
|
||
had no real idea of what was going on. Their heads were so far
|
||
up their ass they had a tan line across their chests. Whenever
|
||
we had a good idea, it was either too novel, too expensive or
|
||
needed additional study. Or, it was relegated to a committee that
|
||
might react in 2 years. What a pile of bullshit, a waste of
|
||
time. We could have achieved a lot more without all the inter-
|
||
ference."
|
||
|
||
"Mr. Foster, you say, 'we'. Who is 'we'?" Homosoto pointedly
|
||
asked Miles.
|
||
|
||
"The analysts, the people who did the real work. There were
|
||
hundreds of us on the front lines. The guys who sweated weekends
|
||
and nights to make our country safe from the Communists. The
|
||
managers just never got with the program."
|
||
|
||
"Mr. Foster, how many of the other analysts, in your opinion, are
|
||
good?"
|
||
|
||
Miles stepped back in his mind to think about this. "Oh, I guess
|
||
I knew a half dozen guys, and one girl, who were pretty good.
|
||
She was probably the best, other than me," he bragged. "Some
|
||
chicken."
|
||
|
||
"Excuse me? Chicken?"
|
||
|
||
"Oh, sorry." Miles looked up in thought. "Ah, chicks, fox, look-
|
||
er, sweet meat, gash, you know?"
|
||
|
||
"Do you mean she's very pretty?"
|
||
|
||
Miles suppressed an audible chuckle. "Yeah, that's right. Real
|
||
pretty, but real smart, too. Odd combination, isn't it?" he
|
||
smiled a wicked smile.
|
||
|
||
Homosoto ignored the crudeness. "What are your politics, Mr.
|
||
Foster?"
|
||
|
||
"Huh? My politics? What the hell has that got to do with any-
|
||
thing?" Miles demanded.
|
||
|
||
"Just answer the question, please, Mr. Foster?" Homosoto quietly
|
||
ordered.
|
||
|
||
Miles was getting incensed. "Republican, Democrat? What do you
|
||
mean? I vote who the fuck I want to vote for. Other than that,
|
||
I don't play."
|
||
|
||
"Don't play?" Homosoto briefly pondered the idiom. "Ah, so.
|
||
Don't play. Don't get involved. Is that so?"
|
||
|
||
"Right. They're all fucked. I vote for the stupidest assholes
|
||
running for office. Any office. With any luck he'll win and
|
||
really screw things up." Homosoto hit one of Miles hot buttons.
|
||
Politics. He listened attentively to Miles as he carried on.
|
||
|
||
"That's about the only way to fix anything. First fuck it up.
|
||
Real bad. Create a crisis. Since the Government ignores whoever
|
||
or whatever isn't squeaking that's the only way to get any atten-
|
||
tion. Make noise. Once you create a crisis, Jeez, just look at
|
||
Granada and Panama and Iraq to justify Star Wars, you get a lot
|
||
of people on for the ride. Just look at the national energy
|
||
debate. Great idea, 30 years and $5 trillion late. Then,
|
||
'ooooh!', they say. 'We got a big problem. We better fix it.'
|
||
Then they all want to be heroes and every podunk politico shoots
|
||
off his mouth about the latest threat to humanity. "
|
||
|
||
"That's your politics?"
|
||
|
||
"Sure. If you want to get something fixed, first fuck it up so
|
||
bad that everyone notices and then they'll be crawling up your
|
||
ass trying to help you fix it."
|
||
|
||
"Very novel, Mr. Foster. Very novel and very cynical." Homosoto
|
||
looked mildly amused.
|
||
|
||
"Not meant to be. Just true."
|
||
|
||
"It seems to me that you hold no particular allegiance. Would
|
||
that be a fair observation?" Homosoto pressed the same line of
|
||
questioning.
|
||
|
||
"To me. That's my allegiance. And not much of anything else."
|
||
Miles sounded defensive.
|
||
|
||
"Then, Mr. Foster, what does it take to make you a job offer. I
|
||
am sure money isn't everything to a man like you." Homosoto
|
||
leaned back. All 10 of his fingers met in mirror image fashion
|
||
and performed push ups on each other.
|
||
|
||
Foster returned Homosoto's dare with a devastating stare-down
|
||
that looked beyond Homosoto's face. It looked right into his
|
||
mind. Foster used the knuckles from both hands for supports as
|
||
he leaned on the table between them. He began speaking deliber-
|
||
ately and coherently.
|
||
|
||
"My greatest pleasure? A challenge. A great challenge. Yes, the
|
||
money is nice, don't get me wrong, but the thrill is the chal-
|
||
lenge. I spent years with people ignoring my advice, refusing to
|
||
listen to me. And I was right so many times when they were
|
||
wrong. Then they would start blaming everyone else and another
|
||
committee is set up to find out what went wrong. Ecch! I would
|
||
love to teach them a lesson."
|
||
|
||
"How unfortunate for them that they failed to recognize your
|
||
abilities and let your skills serve them. Yes, indeed, how
|
||
unfortunate." Homosoto said somberly.
|
||
|
||
"So," Miles said arrogantly as he retreated back to his seat,
|
||
"you seem to be asking a lot of questions, and getting a lot of
|
||
answers. It is your dime, so I owe you something. But, Mr.
|
||
Homosoto, I would like to know what you're looking for."
|
||
|
||
Homosoto stood up erect. "You, Mr. Foster. You. You are what I
|
||
have been looking for. And, if you do your job right, I am
|
||
making the assumption you will accept, you will become wealthier
|
||
than you ever hoped. Ever dreamed. Mr. Foster, your reputation
|
||
precedes you." He sincerely extended his hand to Foster. "I do
|
||
believe we can do business." Homosoto was beaming at Miles Fos-
|
||
ter.
|
||
|
||
"OK, ok, so if I accept, what do I do?" said Miles as he again
|
||
shook Homosoto's weak hand.
|
||
|
||
"You, Mr. Foster, are going to lead an invasion of the United
|
||
States of America."
|
||
|
||
****************************************************************
|
||
|
||
This is the end of Chapter 5.
|
||
|
||
Chapter 6 begins in the file TERMCOMP.2
|
||
|
||
If you are enjoying this "Terminal Compromise," please remember
|
||
to send in your NOVEL-ON-THE-NET Shareware fees.
|
||
|
||
|
||
INTER.PACT Press
|
||
11511 Pine St.
|
||
Seminole, FL 34642
|
||
|
||
All contents are (C) 1991, 1992, 1993 Inter.Pact
|
||
|
||
|
||
Thanks.
|