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Tess of the d'Urbervilles, A Pure Woman, by Thomas Hardy
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February, 1994 [Etext #110]
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*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
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Tess of the d'Urbervilles
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A Pure Woman
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Faithfully Presented
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By Thomas Hardy
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Transcribed by Steve Menyhert (phred sit.sps.mot.com)
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Proofread by Meredith Ricker <m_ricker@unhh.unh.edu> and
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and John Hamm <John_Hamm@Mindlink.bc.ca>
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Contents
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Phase the First: The Maiden, I-XI
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Phase the Second: Maiden No More, XII-XV
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Phase the Third: The Rally, XVI-XXIV
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Phase the Fourth: The Consequence, XXV-XXXIV
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Phase the Fifth: The Woman Pays, XXXV-XLIV
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Phase the Sixth: The Convert, XLV-LII
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Phase the Seventh: Fulfillment, LIII-LIX
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Phase the First: The Maiden
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I
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On an evening in the latter part of May a middle-aged
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man was walking homeward from Shaston to the village of
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Marlott, in the adjoining Vale of Blakemore or
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Blackmoor. The pair of legs that carried him were
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rickety, and there was a bias in his gait which
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inclined him somewhat to the left of a straight line.
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He occasionally gave a smart nod, as if in confirmation
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of some opinion, though he was not thinking of anything
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in particular. An empty egg-basket was slung upon his
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arm, the nap of his hat was ruffled, a patch being
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quite worn away at its brim where his thumb came in
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taking it off. Presently he was met by an elderly
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parson astride on a gray mare, who, as he rode, hummed
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a wandering tune.
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"Good night t'ee," said the man with the basket.
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"Good night, Sir John," said the parson.
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The pedestrian, after another pace or two, halted,
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and turned round.
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"Now, sir, begging your pardon; we met last market-day
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on this road about this time, and I said "Good night,"
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and you made reply 'GOOD NIGHT, SIR JOHN,' as now."
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"I did," said the parson.
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"And once before that--near a month ago."
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"I may have."
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"Then what might your meaning be in calling me
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'Sir John' these different times, when I be plain Jack
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Durbeyfield, the haggler?"
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The parson rode a step or two nearer.
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"It was only my whim," he said; and, after a moment's
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hesitation: "It was on account of a discovery I made
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some little time ago, whilst I was hunting up pedigrees
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for the new county history. I am Parson Tringham, the
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antiquary, of Stagfoot Lane. Don't you really know,
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Durbeyfield, that you are the lineal representative of
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the ancient and knightly family of the d'Urbervilles,
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who derive their descent from Sir Pagan d'Urberville,
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that renowned knight who came from Normandy with
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William the Conqueror, as appears by Battle Abbey
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Roll?"
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"Never heard it before, sir!"
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"Well it's true. Throw up your chin a moment, so that
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I may catch the profile of your face better. Yes,
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that's the d'Urberville nose and chin--a little
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debased. Your ancestor was one of the twelve knights
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who assisted the Lord of Estremavilla in Normandy in
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his conquest of Glamorganshire. Branches of your
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family held manors over all this part of England; their
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names appear in the Pipe Rolls in the time of King
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Stephen. In the reign of King John one of them was
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rich enough to give a manor to the Knights
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Hospitallers; and in Edward the Second's time your
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forefather Brian was summoned to Westminster to attend
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the great Council there. You declined a little in
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Oliver Cromwell's time, but to no serious extent, and
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in Charles the Second's reign you were made Knights of
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the Royal Oak for your loyalty. Aye, there have been
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generations of Sir Johns among you, and if knighthood
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were hereditary, like a baronetcy, as it practically
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was in old times, when men were knighted from father to
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son, you would be Sir John now."
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"Ye don't say so!"
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"In short," concluded the parson, decisively smacking
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his leg with his switch, "there's hardly such another
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family in England."
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"Daze my eyes, and isn't there?" said Durbeyfield.
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"And here have I been knocking about, year after year,
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from pillar to post, as if I was no more than the
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commonest feller in the parish....And how long hev this
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news about me been knowed, Pa'son Tringham?"
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The clergyman explained that, as far as he was aware,
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it had quite died out of knowledge, and could hardly be
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said to be known at all. His own investigations had
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begun on a day in the preceding spring when, having
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been engaged in tracing the vicissitudes of the
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d'Urberville family, he had observed Durbeyfield's name
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on his waggon, and had thereupon been led to make
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inquiries about his father and grandfather till he had
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no doubt on the subject.
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"At first I resolved not to disturb you with such a
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useless piece of information," said he. "However, our
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impulses are too strong for our judgement sometimes.
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I thought you might perhaps know something of it all the
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while."
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"Well, I have heard once or twice, 'tis true, that my
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family had seen better days afore they came to
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Blackmoor. But I took no notice o't, thinking it to
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mean that we had once kept two horses where we now keep
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only one. I've got a wold silver spoon, and a wold
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graven seal at home, too; but, Lord, what's a spoon and
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seal? ... And to think that I and these noble
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d'Urbervilles were one flesh all the time. 'Twas said
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that my gr't-granfer had secrets, and didn't care to
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talk of where he came from.... And where do we raise
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our smoke, now, parson, if I may make so bold; I mean,
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where do we d'Urbervilles live?"
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"You don't live anywhere. You are extinct--as a county
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family."
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"That's bad."
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"Yes--what the mendacious family chronicles call
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extinct in the male line--that is, gone down--gone
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under."
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"Then where do we lie?"
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"At Kingsbere-sub-Greenhill: rows and rows of you in
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your vaults, with your effigies under Purbeck-marble
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canopies."
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"And where be our family mansions and estates?"
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"You haven't any."
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"Oh? No lands neither?"
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"None; though you once had 'em in abundance, as I said,
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for you family consisted of numerous branches. In this
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county there was a seat of yours at Kingsbere, and
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another at Sherton, and another in Millpond, and
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another at Lullstead, and another at Wellbridge."
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"And shall we ever come into our own again?"
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"Ah--that I can't tell!"
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"And what had I better do about it, sir?" asked
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Durbeyfield, after a pause.
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"Oh--nothing, nothing; except chasten yourself with the
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thought of 'how are the mighty fallen.' It is a fact
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of some interest to the local historian and
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genealogist, nothing more. There are several families
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among the cottagers of this county of almost equal
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lustre. Good night."
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"But you'll turn back and have a quart of beer wi' me
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on the strength o't, Pa'son Tringham? There's a very
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pretty brew in tap at The Pure Drop--though, to be
|
|
sure, not so good as at Rolliver's."
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"No, thank you--not this evening, Durbeyfield. You've
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had enough already." Concluding thus the parson rode
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on his way, with doubts as to his discretion in
|
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retailing this curious bit of lore.
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When he was gone Durbeyfield walked a few steps in a
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profound reverie, and then sat down upon the grassy
|
|
bank by the roadside, depositing his basket before him.
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|
In a few minutes a youth appeared in the distance,
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|
walking in the same direction as that which had been
|
|
pursued by Durbeyfield. The latter, on seeing him,
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|
held up his hand, and the lad quickened his pace and
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|
came near.
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"Boy, take up that basket! I want 'ee to go on an
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errand for me."
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The lath-like stripling frowned. "Who be you, then,
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|
John Durbeyfield, to order me about and call me 'boy?'
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|
You know my name as well as I know yours!"
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|
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|
"Do you, do you? That's the secret--that's the secret!
|
|
Now obey my orders, and take the message I'm going to
|
|
charge 'ee wi'.... Well, Fred, I don't mind telling you
|
|
that the secret is that I'm one of a noble race--it has
|
|
been just found out by me this present afternoon, P.M."
|
|
And as he made the announcement, Durbeyfield, declining
|
|
from his sitting position, luxuriously stretched
|
|
himself out upon the bank among the daisies.
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The lad stood before Durbeyfield, and contemplated his
|
|
length from crown to toe.
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"Sir John d'Urberville--that's who I am," continued the
|
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prostrate man. "That is if knights were
|
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baronets--which they be. "Tis recorded in history all
|
|
about me. Dost know of such a place, lad, as
|
|
Kingsbere-sub-Greenhill?"
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|
|
"Ees, I've been there to Greenhill Fair."
|
|
|
|
"Well, under the church of that city there lie--"
|
|
|
|
"'Tisn't a city, the place I mean; leastwise 'twaddn'
|
|
when I was there--'twas a little one-eyed, blinking
|
|
sort o'place."
|
|
|
|
"Never you mind the place, boy, that's not the question
|
|
before us. Under the church of that there parish lie my
|
|
ancestors--hundreds of 'em--in coats of mail and
|
|
jewels, in gr't lead coffins weighing tons and tons.
|
|
There's not a man in the county o' South-Wessex that's
|
|
got grander and nobler skillentons in his family than
|
|
I."
|
|
|
|
"Oh?"
|
|
|
|
"Now take up that basket, and goo on to Marlott, and
|
|
when you've come to The Pure Drop Inn, tell 'em to send
|
|
a horse and carriage to me immed'ately, to carry me
|
|
hwome. And in the bottom o' the carriage they be to
|
|
put a noggin o' rum in a small bottle, and chalk it up
|
|
to my account. And when you've done that goo on to my
|
|
house with the basket, and tell my wife to put away
|
|
that washing, because she needn't finish it, and wait
|
|
till I come hwome, as I've news to tell her."
|
|
|
|
As the lad stood in a dubious attitude, Durbeyfield put
|
|
his hand in his pocket, and produced a shilling, one of
|
|
the chronically few that he possessed.
|
|
|
|
"Here's for your labour, lad."
|
|
|
|
This made a difference in the young man's estimate of
|
|
the position.
|
|
|
|
"Yes, Sir John. Thank 'ee. Anything else I can do for
|
|
'ee, Sir John?"
|
|
|
|
"Tell 'em at hwome that I should like for
|
|
supper,--well, lamb's fry if they can get it; and if
|
|
they can't, black-pot; and if they can't get that, well
|
|
chitterlings will do."
|
|
|
|
"Yes, Sir John."
|
|
|
|
The boy took up the basket, and as he set out the notes
|
|
of a brass band were heard from the direction of the
|
|
village.
|
|
|
|
"What's that?" said Durbeyfield. "Not on account o' I?"
|
|
|
|
"'Tis the women's club-walking, Sir John. Why, your
|
|
da'ter is one o' the members."
|
|
|
|
"To be sure--I'd quite forgot it in my thoughts of
|
|
greater things! Well, vamp on to Marlott, will ye, and
|
|
order that carriage, and maybe I'll drive round and
|
|
inspect the club."
|
|
|
|
The lad departed, and Durbeyfield lay waiting on the
|
|
grass and daisies in the evening sun. Not a soul passed
|
|
that way for a long while, and the faint notes of the
|
|
band were the only human sounds audible within the rim
|
|
of blue hills.
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
The village of Marlott lay amid the north-eastern
|
|
undulations of the beautiful Vale of Blakemore or
|
|
Blackmoor aforesaid, and engirdled and secluded region,
|
|
for the most part untrodden as yet by tourist or
|
|
landscape-painter, though within a four hours' journey
|
|
from London.
|
|
|
|
It is a vale whose acquaintance is best made by viewing
|
|
it from the summits of the hills that surround
|
|
it--except perhaps during the droughts of summer. An
|
|
unguided ramble into its recesses in bad weather is apt
|
|
to engender dissatisfaction with its narrow, tortuous,
|
|
and miry ways.
|
|
|
|
This fertile and sheltered tract of country, in which
|
|
the fields are never brown and the springs never dry,
|
|
is bounded on the south by the bold chalk ridge that
|
|
embraces the prominences of Hambledon Hill, Bulbarrow,
|
|
Nettlecombe-Tout, Dogbury, High Stoy, and Bubb Down.
|
|
The traveller from the coast, who, after plodding
|
|
northward for a score of miles over calcareous downs
|
|
and corn-lands, suddenly reaches the verge of one of
|
|
these escarpments, is surprised and delighted to
|
|
behold, extended like a map beneath him, a country
|
|
differing absolutely from that which he has passed
|
|
through. Behind him the hills are open, the sun blazes
|
|
down upon fields so large as to give an unenclosed
|
|
character to the landscape, the lanes are white, the
|
|
hedges low and plashed, the atmosphere colourless.
|
|
Here, in the valley, the world seems to be constructed
|
|
upon a smaller and more delicate scale; the fields are
|
|
mere paddocks, so reduced that from this height their
|
|
hedgerows appear a network of dark green threads
|
|
overspreading the paler green of the grass. The
|
|
atmosphere beneath is languorous, and is so tinged with
|
|
azure that what artists call the middle distance
|
|
partakes also of that hue, while the horizon beyond is
|
|
of the deepest ultramarine. Arable lands are few and
|
|
limited; with but slight exceptions the prospect is a
|
|
broad rich mass of grass and trees, mantling minor
|
|
hills and dales within the major. Such is the Vale of
|
|
Blackmoor.
|
|
|
|
The district is of historic, no less than of
|
|
topographical interest. The Vale was known in former
|
|
times as the Forest of White Hart, from a curious
|
|
legend of King Henry III's reign, in which the killing
|
|
by a certain Thomas de la Lynd of a beautiful white
|
|
hart which the king had run down and spared, was made
|
|
the occasion of a heavy fine. In those days, and till
|
|
comparatively recent times, the country was densely
|
|
wooded. Even now, traces of its earlier condition are
|
|
to be found in the old oak copses and irregular belts
|
|
of timber that yet survive upon its slopes, and the
|
|
hollow-trunked trees that shade so many of its
|
|
pastures.
|
|
|
|
The forests have departed, but some old customs of
|
|
their shades remain. Many, however, linger only in a
|
|
metamorphosed or disguised form. The May-Day dance,
|
|
for instance, was to be discerned on the afternoon
|
|
under notice, in the guise of the club revel, or
|
|
"club-walking," as it was there called.
|
|
|
|
It was an interesting event to the younger inhabitants
|
|
of Marlott, though its real interest was not observed
|
|
by the participators in the ceremony. Its singularity
|
|
lay less in the retention of a custom of walking in
|
|
procession and dancing on each anniversary than in the
|
|
members being solely women. In men's clubs such
|
|
celebrations were, though expiring, less uncommon; but
|
|
either the natural shyness of the softer sex, or a
|
|
sarcastic attitude on the part of male relatives, had
|
|
denuded such women's clubs as remained (if any other
|
|
did) or this their glory and consummation. The club of
|
|
Marlott alone lived to uphold the local Cerealia.
|
|
It had walked for hundreds of years, if not as
|
|
benefit-club, as votive sisterhood of some sort; and it
|
|
walked still.
|
|
|
|
The banded ones were all dressed in white gowns--a gay
|
|
survival from Old Style days, when cheerfulness and
|
|
May-time were synonyms--days before the habit of
|
|
taking long views had reduced emotions to a monotonous
|
|
average. Their first exhibition of themselves was in a
|
|
processional march of two and two round the parish.
|
|
Ideal and real clashed slightly as the sun lit up their
|
|
figures against the green hedges and creeper-laced
|
|
house-fronts; for, though the whole troop wore white
|
|
garments, no two whites were alike among them. Some
|
|
approached pure blanching; some had a bluish pallor;
|
|
some worn by the older characters (which had possibly
|
|
lain by folded for many a year) inclined to a
|
|
cadaverous tint, and to a Georgian style.
|
|
|
|
In addition to the distinction of a white frock, every
|
|
woman and girl carried in her right hand a peeled
|
|
willow wand, and in her left a bunch of white flowers.
|
|
The peeling of the former, and the selection of the
|
|
latter, had been an operation of personal care.
|
|
|
|
There were a few middle-aged and even elderly women in
|
|
the train, their silver-wiry hair and wrinkled faces,
|
|
scourged by time and trouble, having almost a
|
|
grotesque, certainly a pathetic, appearance in such a
|
|
jaunty situation. In a true view, perhaps, there was
|
|
more to be gathered and told of each anxious and
|
|
experienced one, to whom the years were drawing nigh
|
|
when she should say, "I have no pleasure in them," than
|
|
of her juvenile comrades. But let the elder be passed
|
|
over here for those under whose bodices the life
|
|
throbbed quick and warm.
|
|
|
|
The young girls formed, indeed, the majority of the
|
|
band,and their heads of luxuriant hair reflected in the
|
|
sunshine every tone of gold, and black, and brown.
|
|
Some had beautiful eyes, others a beautiful nose,
|
|
others a beautiful mouth and figure: few, if any, had
|
|
all. A difficulty of arranging their lips in this
|
|
crude exposure to public scrutiny, an inability to
|
|
balance their heads, and to dissociate
|
|
self-consciousness from their features, was apparent in
|
|
them, and showed that they were genuine country girls,
|
|
unaccustomed to many eyes.
|
|
|
|
And as each and all of them were warmed without by the
|
|
sun, so each had a private little sun for her soul to
|
|
bask in; some dream, some affection, some hobby, at
|
|
least some remote and distant hope which, though
|
|
perhaps starving to nothing, still lived on, as hopes
|
|
will. They they were all cheerful, and many of them
|
|
merry.
|
|
|
|
They came round by The Pure Drop Inn, and were turning
|
|
out of the high road to pass through a wicket-gate into
|
|
the meadows, when one of the women said--
|
|
|
|
"The Load-a-Lord! Why, Tess Durbeyfield, if there
|
|
isn't thy father riding hwome in a carriage!"
|
|
|
|
A young member of the band turned her head at the
|
|
exclamation. She was a fine and handsome girl--not
|
|
handsomer than some others, possibly--but her mobile
|
|
peony mouth and large innocent eyes added eloquence to
|
|
colour and shape. She wore a red ribbon in her hair,
|
|
and was the only one of the white company who could
|
|
boast of such a pronounced adornment. As she looked
|
|
round Durbeyfield was seen moving along the road in a
|
|
chaise belonging to the The Pure Drop, driven by a
|
|
frizzle-headed brawny damsel with her gown-sleeves
|
|
rolled above her elbows. This was the cheerful servant
|
|
of that establishment, who, in her part of factotum,
|
|
turned groom and ostler at times. Durbeyfield, leaning
|
|
back, and with his eyes closed luxuriously, was waving
|
|
his hand above his head, and singing in a slow
|
|
recitative--
|
|
|
|
"I've-got-a-gr't-family-vault-at-Kingsbere--and
|
|
knighted-forefathers-in-lead-coffins-there!"
|
|
|
|
The clubbists tittered, except the girl called Tess--
|
|
in whom a slow heat seemed to rise at the sense that her
|
|
father was making himself foolish in their eyes.
|
|
|
|
"He's tired, that's all," she said hastily, "and he has
|
|
got a lift home, because our own horse has to rest
|
|
today."
|
|
|
|
"Bless thy simplicity, Tess," said her companions.
|
|
"He's got his market-nitch. Haw-haw!"
|
|
|
|
"Look here; I won't walk another inch with you, if you
|
|
say any jokes about him!" Tess cried, and the colour
|
|
upon her cheeks spread over her face and neck. In a
|
|
moment her eyes grew moist, and her glance drooped to
|
|
the ground. Perceiving that they had really pained her
|
|
they said no more, and order again prevailed. Tess's
|
|
pride would not allow her to turn her head again, to
|
|
learn what her father's meaning was, if he had any; and
|
|
thus she moved on with the whole body to the enclosure
|
|
where there was to be dancing on the green. By the
|
|
time the spot was reached she has recovered her
|
|
equanimity, and tapped her neighbour with her wand and
|
|
talked as usual.
|
|
|
|
Tess Durbeyfield at this time of her life was a mere
|
|
vessel of emotion untinctured by experience. The
|
|
dialect was on her tongue to some extent, despite the
|
|
village school: the characteristic intonation of that
|
|
dialect for this district being the voicing
|
|
approximately rendered by the syllable UR, probably as
|
|
rich an utterance as any to be found in human speech.
|
|
The pouted-up deep red mouth to which this syllable was
|
|
native had hardly as yet settled into its definite
|
|
shape, and her lower lip had a way of thrusting the
|
|
middle of her top one upward, when they closed together
|
|
after a word.
|
|
|
|
Phases of her childhood lurked in her aspect still.
|
|
As she walked along today, for all her bouncing handsome
|
|
womanliness, you could sometimes see her twelfth year
|
|
in her cheeks, or her ninth sparkling from her eyes;
|
|
and even her fifth would flit over the curves of her
|
|
mouth now and then.
|
|
|
|
Yet few knew, and still fewer considered this. A small
|
|
minority, mainly strangers, would look long at her in
|
|
casually passing by, and grow momentarily fascinated by
|
|
her freshness, and wonder if they would ever see her
|
|
again: but to almost everybody she was a fine and
|
|
picturesque country girl, and no more.
|
|
|
|
Nothing was seen or heard further of Durbeyfield in his
|
|
triumphal chariot under the conduct of the ostleress,
|
|
and the club having entered the allotted space, dancing
|
|
began. As there were no men in the company the girls
|
|
danced at first with each other, but when the hour for
|
|
the close of labour drew on, the masculine inhabitants
|
|
of the village, together with other idlers and
|
|
pedestrians, gathered round the spot, and appeared
|
|
inclined to negotiate for a partner.
|
|
|
|
Among these on-lookers were three young men of a
|
|
superior class, carrying small knapsacks strapped to
|
|
their shoulders, and stout sticks in their hands.
|
|
Their general likeness to each other, and their
|
|
consecutive ages, would almost have suggested that they
|
|
might be, what in fact they were, brothers. The eldest
|
|
wore the white tie, high waistcoat, and thin-brimmed
|
|
hat of the regulation curate; the second was the normal
|
|
undergraduate; the appearance of the third and youngest
|
|
would hardly have been sufficient to characterize him;
|
|
there was an uncribbed, uncabined aspect in his eyes
|
|
and attire, implying that he had hardly as yet found
|
|
the entrance to his professional groove. That he was a
|
|
desultory tentative student of something and everything
|
|
might only have been predicted of him.
|
|
|
|
These three brethren told casual acquaintance that they
|
|
were spending their Whitsun holidays in a walking tour
|
|
through the Vale of Blackmoor, their course being
|
|
southwesterly from the town of Shaston on the
|
|
north-east.
|
|
dh
|
|
They leant over the gate by the highway, and inquired
|
|
as to the meaning of the dance and the white-frocked
|
|
maids. The two elder of the brothers were plainly not
|
|
intending to linger more than a moment, but the
|
|
spectacle of a bevy of girls dancing without male
|
|
partners seemed to amuse the third, and make him in no
|
|
hurry to move on. He unstrapped his knapsack, put it,
|
|
with his stick, on the hedge-bank, and opened the gate.
|
|
|
|
"What are you going to do, Angel?" asked the eldest.
|
|
|
|
"I am inclined to go and have a fling with them. Why
|
|
not all of us--just for a minute or two--it will not
|
|
detain us long?"
|
|
|
|
"No--no; nonsense!" said the first. "Dancing in public
|
|
with a troop of country hoydens--suppose we should be
|
|
seen! Come along, or it will be dark before we get to
|
|
Stourcastle, and there's no place we can sleep at
|
|
nearer than that; besides, we must get through another
|
|
chapter of A COUNTERBLAST TO AGNOSTICISM before we turn
|
|
in, now I have taken the trouble to bring the book."
|
|
|
|
"All right--I'll overtake you and Cuthbert in five
|
|
minutes; don't stop; I give my word that I will,
|
|
Felix."
|
|
|
|
The two elder reluctantly left him and walked on,
|
|
taking their brother's knapsack to relieve him in
|
|
following, and the youngest entered the field.
|
|
|
|
"This is a thousand pities," he said gallantly, to two
|
|
or three of the girls nearest him, as soon as there was
|
|
a pause in the dance. "Where are your partners, my
|
|
dears?"
|
|
|
|
"They've not left off work yet," answered one of the
|
|
boldest. "They'll be here by and by. Till then, will
|
|
you be one, sir?"
|
|
|
|
"Certainly. But what's one among so many!"
|
|
|
|
"Better than none. 'Tis melancholy work facing and
|
|
footing it to one of your own sort, and no clipsing and
|
|
colling at all. Now, pick and choose."
|
|
|
|
"'Ssh--don't be so for'ard!" said a shyer girl.
|
|
|
|
The young man, thus invited, clanged them over, and
|
|
attempted some discrimination; but, as the group were
|
|
all so new to him, he could not very well exercise it.
|
|
He took almost the first that came to hand, which was
|
|
not the speaker, as she had expected; nor did it happen
|
|
to be Tess Durbeyfield. Pedigree, ancestral skeletons,
|
|
monumental record, the d'Urberville lineaments, did not
|
|
help Tess in her life's battle as yet, even to the
|
|
extent of attracting to her a dancing-partner over the
|
|
heads of the commonest peasantry. So much for Norman
|
|
blood unaided by Victorian lucre.
|
|
|
|
The name of the eclipsing girl, whatever it was, has
|
|
not been handed down; but she was envied by all as the
|
|
first who enjoyed the luxury of a masculine partner
|
|
that evening. Yet such was the force of example that
|
|
the village young men, who had not hastened to enter
|
|
the gate while no intruder was in the way, now dropped
|
|
in quickly, and soon the couples became leavened with
|
|
rustic youth to a marked extent, till at length the
|
|
plainest woman in the club was no longer compelled to
|
|
foot it on the masculine side of the figure.
|
|
|
|
The church clock struck, when suddenly the student said
|
|
that he must leave--he had been forgetting himself--
|
|
he had to join his companions. As he fell out of the
|
|
dance his eyes lighted on Tess Durbeyfield, whose own
|
|
large orbs wore, to tell the truth, the faintest aspect
|
|
of reproach that he had not chosen her. He, too, was
|
|
sorry then that, owing to her backwardness, he had not
|
|
observed her; and with that in his mind he left the
|
|
pasture.
|
|
|
|
On account of his long delay he started in a flying-run
|
|
down the lane westward, and had soon passed the hollow
|
|
and mounted the next rise. He had not yet overtaken
|
|
his brothers, but he paused to get breath, and looked
|
|
back. He could see the white figures of the girls in
|
|
the green enclosure whirling about as they had whirled
|
|
when he was among them. They seemed to have quite
|
|
forgotten him already.
|
|
|
|
All of them, except, perhaps, one. This white shape
|
|
stood apart by the hedge alone. From her position he
|
|
knew it to be the pretty maiden with whom he had not
|
|
danced. Trifling as the matter was, he yet
|
|
instinctively felt that she was hurt by his oversight.
|
|
He wished that he had asked her; he wished that he had
|
|
inquired her name. She was so modest, so expressive,
|
|
she had looked so soft in her thin white gown that he
|
|
felt he had acted stupidly.
|
|
|
|
However, it could not be helped, and turning, and
|
|
bending himself to a rapid walk, he dismissed the
|
|
subject from his mind.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
As for Tess Durbeyfield, she did not so easily dislodge
|
|
the incident from her consideration. She had no spirit
|
|
to dance again for a long time, though she might have
|
|
had plenty of partners; but ah! they did not speak so
|
|
nicely as the strange young man had done. It was not
|
|
till the rays of the sun had absorbed the young
|
|
stranger's retreating figure on the hill that she shook
|
|
off her temporary sadness and answered her would-be
|
|
partner in the affirmative.
|
|
|
|
She remained with her comrades till dusk, and
|
|
participated with a certain zest in the dancing;
|
|
though, being heart-whole as yet, she enjoyed treading
|
|
a measure purely for its own sake; little divining when
|
|
she saw "the soft torments, the bitter sweets, the
|
|
pleasing pains, and the agreeable distresses" of those
|
|
girls who had been wooed and won, what she herself was
|
|
capable of in that kind. The struggles and wrangles of
|
|
the lads for her hand in a jig were an amusement to
|
|
her--no more; and when they became fierce she rebuked them.
|
|
|
|
She might have stayed even later, but the incident of
|
|
her father's odd appearance and manner returned upon
|
|
the girl's mind to make her anxious, and wondering what
|
|
had become of him she dropped away from the dancers and
|
|
bent her steps towards the end of the village at which
|
|
the parental cottage lay.
|
|
|
|
While yet many score yards off, other rhythmic sounds
|
|
than those she had quitted became audible to her;
|
|
sounds that she knew well--so well. They were a
|
|
regular series of thumpings from the interior of the
|
|
house, occasioned by the violent rocking of a cradle
|
|
upon a stone floor, to which movement a feminine voice
|
|
kept time by singing, in a vigorous gallopade, the
|
|
favourite ditty of "The Spotted Cow"--
|
|
|
|
I saw her lie do'--own in yon'--der green gro'--ove;
|
|
Come, love!' and I'll tell' you where!'
|
|
|
|
The cradle-rocking and the song would cease
|
|
simultaneously for a moment, and an explanation at
|
|
highest vocal pitch would take the place of the melody.
|
|
|
|
"God bless thy diment eyes! And thy waxen cheeks! And
|
|
thy cherry mouth! And thy Cubit's thighs! And every
|
|
bit o' thy blessed body!"
|
|
|
|
After this invocation the rocking and the singing would
|
|
recommence, and the "Spotted Cow" proceed as before.
|
|
So matters stood when Tess opened the door, and paused
|
|
upon the mat within it surveying the scene.
|
|
|
|
The interior, in spite of the melody, struck upon the
|
|
girl's senses with an unspeakable dreariness. From the
|
|
holiday gaieties of the field--the white gowns, the
|
|
nosegays, the willow-wands, the whirling movements on
|
|
the green, the flash of gentle sentiment towards the
|
|
stranger--to the yellow melancholy of this one-candled
|
|
spectacle, what a step! Besides the jar of contrast
|
|
there came to her a chill self-reproach that she had
|
|
not returned sooner, to help her mother in these
|
|
domesticities, instead of indulging herself
|
|
out-of-doors.
|
|
|
|
There stood her mother amid the group of children, as
|
|
Tess had left her, hanging over the Monday washing-tub,
|
|
which had now, as always, lingered on to the end of the
|
|
week. Out of that tub had come the day before--Tess
|
|
felt it with a dreadful sting of remorse--the very
|
|
white frock upon her back which she had so carelessly
|
|
greened about the skirt on the damping grass--which had
|
|
been wrung up and ironed by her mother's own hands.
|
|
|
|
As usual, Mrs Durbeyfield was balanced on one foot
|
|
beside the tub, the other being engaged in the
|
|
aforesaid business of rocking her youngest child.
|
|
The cradle-rockers had done hard duty for so many years,
|
|
under the weight of so many children, on that flagstone
|
|
floor, that they were worn nearly flat, in consequence
|
|
of which a huge jerk accompanied each swing of the cot,
|
|
flinging the baby from side to side like a weaver's
|
|
shuttle, as Mrs Durbeyfield, excited by her song, trod
|
|
the rocker with all the spring that was left in her
|
|
after a long day's seething in the suds.
|
|
|
|
Nick-knock, nick-knock, went the cradle; the
|
|
candle-flame stretched itself tall, and began jigging
|
|
up and down; the water dribbled from the matron's
|
|
elbows, and the song galloped on to the end of the
|
|
verse, Mrs Durbeyfield regarding her daughter the
|
|
while. Even now, when burdened with a young family,
|
|
Joan Durbeyfield was a passionate lover of tune. No
|
|
ditty floated into Blackmoor Vale from the outer world
|
|
but Tess's mother caught up its notation in a week.
|
|
|
|
There still faintly beamed from the woman's features
|
|
something of the freshness, and even the prettiness,
|
|
of her youth; rendering it probable that the personal
|
|
charms which Tess could boast of were in main part her
|
|
mother's gift, and therefore unknightly, unhistorical.
|
|
|
|
"I'll rock the cradle for 'ee, mother," said the
|
|
daughter gently. "Or I'll take off my best frock and
|
|
help you wring up? I thought you had finished long
|
|
ago."
|
|
|
|
Her mother bore Tess no ill-will for leaving the
|
|
housework to her single-handed efforts for so long;
|
|
indeed, Joan seldom upbraided her thereon at any time,
|
|
feeling but slightly the lack of Tess's assistance
|
|
whilst her instinctive plan for relieving herself of
|
|
her labours lay in postponing them. Tonight, however,
|
|
she was even in a blither mood than usual. There was a
|
|
dreaminess, a pre-occupation, an exaltation, in the
|
|
maternal look which the girl could not understand.
|
|
|
|
"Well, I'm glad you've come," her mother said, as soon
|
|
as the last note had passed out of her, "I want to go
|
|
and fetch your father; but what's more'n that, I want
|
|
to tell 'ee what have happened. Y'll be fess enough, my
|
|
poppet, when th'st know!" (Mrs Durbeyfield habitually
|
|
spoke the dialect; her daughter, who had passed the
|
|
Sixth Standard in the National School under a
|
|
London-trained mistress, spoke two languages: the
|
|
dialect at home, more or less; ordinary English abroad
|
|
and to persons of quality.)
|
|
|
|
"Since I've been away?" Tess asked.
|
|
|
|
"Ay!"
|
|
|
|
"Had it anything to do with father's making such a
|
|
mommet of himself in thik carriage this afternoon?
|
|
Why did 'er? I felt inclined to sink into the ground
|
|
with shame!"
|
|
|
|
"That wer all a part of the larry! We've been found to
|
|
be the greatest gentlefolk in the whole
|
|
county--reaching all back long before Oliver Grumble's
|
|
time--to the days of the Pagan Turks--with monuments,
|
|
and vaults, and crests, and "scutcheons, and the Lord
|
|
knows what all. In Saint Charles's days we was made
|
|
Knights o' the Royal Oak, our real name being
|
|
d'Urberville! ... Don't that make your bosom plim?
|
|
'Twas on this account that your father rode home in the
|
|
vlee; not because he'd been drinking, as people
|
|
supposed."
|
|
|
|
"I'm glad of that. Will it do us any good, mother?"
|
|
|
|
"O yes! 'Tis thoughted that great things may come o't.
|
|
No doubt a mampus of volk of our own rank will be down
|
|
here in their carriages as soon as 'tis known. Your
|
|
father learnt it on his way hwome from Shaston, and he
|
|
has been telling me the whole pedigree of the matter."
|
|
|
|
"Where is father now?" asked Tess suddenly.
|
|
|
|
Her mother gave irrelevant information by way of
|
|
answer: "He called to see the doctor today in Shaston.
|
|
It is not consumption at all, it seems. It is fat
|
|
round his heart, 'a says. There, it is like this."
|
|
Joan Durbeyfield, as she spoke, curved a sodden thumb
|
|
and forefinger to the shape of the letter C, and used
|
|
the other forefinger as a pointer, "'At the present
|
|
moment,' he says to your father, 'your heart is
|
|
enclosed all round there, and all round there; this
|
|
space is still open,' 'a says. 'As soon as it do meet,
|
|
so,'"--Mrs Durbeyfield closed her fingers into a circle
|
|
complete--"'off you will go like a shadder,
|
|
Mr Durbeyfield,' 'a says. 'You mid last ten years; you
|
|
mid go off in ten months, or ten days.'"
|
|
|
|
Tess looked alarmed. Her father possibly to go behind
|
|
the eternal cloud so soon, notwithstanding this sudden
|
|
greatness!
|
|
|
|
"But where IS father?" she asked again.
|
|
|
|
Her mother put on a deprecating look. "Now don't you
|
|
be bursting out angry! The poor man--he felt so rafted
|
|
after his uplifting by the pa'son's news--that he went
|
|
up to Rolliver's half an hour ago. He do want to get up
|
|
his strength for his journey tomorrow with that load of
|
|
beehives, which must be delivered, family or no. He'll
|
|
have to start shortly after twelve tonight, as the
|
|
distance is so long."
|
|
|
|
"Get up his strength!" said Tess impetuously, the tears
|
|
welling to her eyes. "O my God! Go to a public-house
|
|
to get up his strength! And you as well agreed as he, mother!"
|
|
|
|
Her rebuke and her mood seemed to fill the whole room,
|
|
and to impart a cowed look to the furniture, and
|
|
candle, and children playing about, and to her mother's
|
|
face.
|
|
|
|
"No," said the latter touchily, "I be not agreed.
|
|
I have been waiting for 'ee to bide and keep house while
|
|
I go fetch him."
|
|
|
|
"I'll go."
|
|
|
|
"O no, Tess. You see, it would be no use."
|
|
|
|
Tess did not expostulate. She knew what her mother's
|
|
objection meant. Mrs Durbeyfield's jacket and bonnet
|
|
were already hanging slily upon a chair by her side, in
|
|
readiness for this contemplated jaunt, the reason for
|
|
which the matron deplored more than its necessity.
|
|
|
|
"And take the COMPLEAT FORTUNE-TELLER to the outhouse,"
|
|
Joan continued, rapidly wiping her hands, and donning
|
|
the garments.
|
|
|
|
The COMPLEAT FORTUNE-TELLER was an old thick volume,
|
|
which lay on a table at her elbow, so worn by pocketing
|
|
that the margins had reached the edge of the type.
|
|
Tess took it up, and her mother started.
|
|
|
|
This going to hunt up her shiftless husband at the inn
|
|
was one of Mrs Durbeyfield's still extant enjoyments in
|
|
the muck and muddle of rearing children. To discover
|
|
him at Rolliver's, to sit there for an hour or two by
|
|
his side and dismiss all thought and care of the
|
|
children during the interval, made her happy. A sort
|
|
of halo, an occidental glow, came over life then.
|
|
Troubles and other realities took on themselves a
|
|
meta-physical impalpability, sinking to mere mental
|
|
phenomena for serene contemplation, and no longer stood
|
|
as pressing concretions which chafed body and soul.
|
|
The youngsters, not immediately within sight, seemed
|
|
rather bright and desirable appurtenances than
|
|
otherwise; the incidents of daily life were not without
|
|
humorousness and jollity in their aspect there. She
|
|
felt a little as she had used to feel when she sat by
|
|
her now wedded husband in the same spot during his
|
|
wooing, shutting her eyes to his defects of character,
|
|
and regarding him only in his ideal presentation as
|
|
lover.
|
|
|
|
Tess, being left alone with the younger children, went
|
|
first to the outhouse with the fortune-telling book,
|
|
and stuffed it into the thatch. A curious fetichistic
|
|
fear of this grimy volume on the part of her mother
|
|
prevented her ever allowing it to stay in the house all
|
|
night, and hither it was brought back whenever it had
|
|
been consulted. Between the mother, with her
|
|
fast-perishing lumber of superstitions, folk-lore,
|
|
dialect, and orally transmitted ballads, and the
|
|
daughter, with her trained National teachings and
|
|
Standard knowledge under an infinitely Revised Code,
|
|
there was a gap of two hundred years as ordinarily
|
|
understood. When they were together the Jacobean and
|
|
the Victorian ages were juxtaposed.
|
|
|
|
Returning along the garden path Tess mused on what the
|
|
mother could have wished to ascertain from the book on
|
|
this particular day. She guessed the recent ancestral
|
|
discovery to bear upon it, but did not divine that it
|
|
solely concerned herself. Dismissing this, however,
|
|
she busied herself with sprinkling the linen dried
|
|
during the daytime, in company with her nine-year-old
|
|
brother Abraham, and her sister Eliza-Louisa of twelve
|
|
and a half, call "'Liza-Lu," the youngest ones being
|
|
put to bed. There was an interval of four years and
|
|
more between Tess and the next of the family, the two
|
|
who had filled the gap having died in their infancy,
|
|
and this lent her a deputy-maternal attitude when she
|
|
was alone with her juniors. Next in juvenility to
|
|
Abraham came two more girls, Hope and Modesty; then a
|
|
boy of three, and then the baby, who had just completed
|
|
his first year.
|
|
|
|
All these young souls were passengers in the
|
|
Durbeyfield ship--entirely dependent on the judgement
|
|
of the two Durbeyfield adults for their pleasures,
|
|
their necessities, their health, even their existence.
|
|
If the heads of the Durbeyfield household chose to sail
|
|
into difficulty, disaster, starvation, disease,
|
|
degradation, death, thither were these half-dozen
|
|
little captives under hatches compelled to sail with
|
|
them--six helpless creatures, who had never been asked
|
|
if they wished for life on any terms, much less if they
|
|
wished for it on such hard conditions as were involved
|
|
in being of the shiftless house of Durbeyfield. Some
|
|
people would like to know whence the poet whose
|
|
philosophy is in these days deemed as profound and
|
|
trustworthy as his song is breezy and pure, gets his
|
|
authority for speaking of "Nature's holy plan."
|
|
|
|
It grew later, and neither father nor mother
|
|
reappeared. Tess looked out of the door, and took a
|
|
mental journey through Marlott. The village was
|
|
shutting its eyes. Candles and lamps were being put out
|
|
everywhere: she could inwardly behold the extinguisher
|
|
and the extended hand.
|
|
|
|
Her mother's fetching simply meant one more to fetch.
|
|
Tess began to perceive that a man in indifferent
|
|
health, who proposed to start on a journey before one
|
|
in the morning, ought not to be at an inn at this late
|
|
hour celebrating his ancient blood.
|
|
|
|
"Abraham," she said to her little brother, "do you put
|
|
on your hat--you bain't afraid?--and go up to
|
|
Rolliver's, and see what has gone wi' father and
|
|
mother."
|
|
|
|
The boy jumped promptly from his seat, and opened the
|
|
door, and the night swallowed him up. Half an hour
|
|
passed yet again; neither man, woman, nor child
|
|
returned. Abraham, like his parents, seemed to have
|
|
been limed and caught by the ensnaring inn.
|
|
|
|
"I must go myself," she said.
|
|
|
|
'Liza-Lu then went to bed, and Tess, locking them all
|
|
in, started on her way up the dark and crooked lane or
|
|
street not made for hasty progress; a street laid out
|
|
before inches of land had value, and when one-handed
|
|
clocks sufficiently subdivided the day.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
Rolliver's inn, the single alehouse at this end of the
|
|
long and broken village, could only boast of an
|
|
off-licence; hence, as nobody could legally drink on
|
|
the premises, the amount of overt accommodation for
|
|
consumers was strictly limited to a little board about
|
|
six inches wide and two yards long, fixed to the garden
|
|
palings by pieces of wire, so as to form a ledge. On
|
|
this board thirsty strangers deposited their cups as
|
|
they stood in the road and drank, and threw the dregs
|
|
on the dusty ground to the pattern of Polynesia, and
|
|
wished they could have a restful seat inside.
|
|
|
|
Thus the strangers. But there were also local
|
|
customers who felt the same wish; and where there's a
|
|
will there's a way.
|
|
|
|
In a large bedroom upstairs, the window of which was
|
|
thickly curtained with a great woollen shawl lately
|
|
discarded by the landlady Mrs Rolliver, were gathered
|
|
on this evening nearly a dozen persons, all seeking
|
|
beatitude; all old inhabitants of the nearer end of
|
|
Marlott, and frequenters of this retreat. Not only did
|
|
the distance to the The Pure Drop, the fully-licensed
|
|
tavern at the further part of the dispersed village,
|
|
render its accommodation practically unavailable for
|
|
dwellers at this end; but the far more serious
|
|
question, the quality of the liquor, confirmed the
|
|
prevalent opinion that it was better to drink with
|
|
Rolliver in a corner of the housetop than with the
|
|
other landlord in a wide house.
|
|
|
|
A gaunt four-post bedstead which stood in the room
|
|
afforded sitting-space for several persons gathered
|
|
round three of its sides; a couple more men had
|
|
elevated themselves on a chest of drawers; another
|
|
rested on the oak-carved "cwoffer"; two on the
|
|
wash-stand; another on the stool; and thus all were,
|
|
somehow, seated at their ease. The stage of mental
|
|
comfort to which they had arrived at this hour was one
|
|
wherein their souls expanded beyond their skins, and
|
|
spread their personalities warmly through the room.
|
|
In this process the chamber and its furniture grew more
|
|
and more dignified and luxurious; the shawl hanging at
|
|
the window took upon itself the richness of tapestry;
|
|
the brass handles of the chest of drawers were as
|
|
golden knockers; and the carved bedposts seemed to have
|
|
some kinship with the magnificent pillars of Solomon's
|
|
temple.
|
|
|
|
Mrs Durbeyfield, having quickly walked hitherward after
|
|
parting from Tess, opened the front door, crossed the
|
|
downstairs room, which was in deep gloom, and then
|
|
unfastened the stair-door like one whose fingers knew
|
|
the tricks of the latches well. Her ascent of the
|
|
crooked staircase was a slower process, and her face,
|
|
as it rose into the light above the last stair,
|
|
encountered the gaze of all the party assembled in the
|
|
bedroom.
|
|
|
|
"----Being a few private friends I've asked in to keep
|
|
up club-walking at my own expense," the landlady
|
|
exclaimed at the sound of footsteps, as glibly as a
|
|
child repeating the Catechism, while she peered over
|
|
the stairs. "Oh, 'tis you, Mrs Durbeyfield--Lard--how
|
|
you frightened me!--I thought it might be some gaffer
|
|
sent by Gover'ment."
|
|
|
|
Mrs Durbeyfield was welcomed with glances and nods by
|
|
the remainder of the conclave, and turned to where her
|
|
husband sat. He was humming absently to himself, in a
|
|
low tone: "I be as good as some folks here and there!
|
|
I've got a great family vault at Kingsbere-
|
|
sub-Greenhill, and finer skillentons than any man in
|
|
Wessex!"
|
|
|
|
"I've something to tell 'ee that's come into my head
|
|
about that--a grand projick!" whispered his cheerful
|
|
wife. "Here, John, don't 'ee see me?" She nudged him,
|
|
while he, looking through her as through a window-pane,
|
|
went on with his recitative.
|
|
|
|
"Hush! Don't 'ee sing so loud, my good man," said the
|
|
landlady; "in case any member of the Gover'ment should
|
|
be passing, and take away my licends."
|
|
|
|
"He's told 'ee what's happened to us, I suppose?" asked
|
|
Mrs Durbeyfield.
|
|
|
|
"Yes--in a way. D'ye think there's any money hanging by
|
|
it?"
|
|
|
|
"Ah, that's the secret," said Joan Durbeyfield sagely.
|
|
"However, 'tis well to be kin to a coach, even if you
|
|
don't ride in 'en." She dropped her public voice, and
|
|
continued in a low tone to her husband: "I've been
|
|
thinking since you brought the news that there's a
|
|
great rich lady out by Trantridge, on the edge o' The
|
|
Chase, of the name of d'Urberville."
|
|
|
|
"Hey--what's that?" said Sir John.
|
|
|
|
She repeated the information. "That lady must be our
|
|
relation," she said. "And my projick is to send Tess to
|
|
claim kin."
|
|
|
|
"There IS a lady of the name, now you mention it," said
|
|
Durbeyfield. "Pa'son Tringham didn't think of that.
|
|
But she's nothing beside we--a junior branch of us, no
|
|
doubt, hailing long since King Norman's day."
|
|
|
|
While this question was being discussed neither of the
|
|
pair noticed, in their preoccupation, that little
|
|
Abraham had crept into the room, and was awaiting an
|
|
opportunity of asking them to return.
|
|
|
|
"She is rich, and she'd be sure to take notice o' the
|
|
maid," continued Mrs Durbeyfield; "and 'twill be a very
|
|
good thing. I don't see why two branches o' one family
|
|
should not be on visiting terms."
|
|
|
|
"Yes; and we'll all claim kin!" said Abraham brightly
|
|
from under the bedstead. "And we'll all go and see her
|
|
when Tess has gone to live with her; and we'll ride in
|
|
her coach and wear black clothes!"
|
|
|
|
"How do you come here, child? What nonsense be ye
|
|
talking! Go away, and play on the stairs till father
|
|
and mother be ready! ... Well, Tess ought to go to this
|
|
other member of our family. She'd be sure to win the
|
|
lady--Tess would; and likely enough 'twould lead to
|
|
some noble gentleman marrying her. In short, I know it."
|
|
|
|
"How?"
|
|
|
|
"I tried her fate in the FORTUNE-TELLER, and it brought
|
|
out that very thing! ... You should ha' seen how pretty
|
|
she looked today; her skin is as sumple as a
|
|
duchess's."
|
|
|
|
"What says the maid herself to going?"
|
|
|
|
"I've not asked her. She don't know there is any such
|
|
lady-relation yet. But it would certainly put her in
|
|
the way of a grand marriage, and she won't say nay to
|
|
going."
|
|
|
|
"Tess is queer."
|
|
|
|
"But she's tractable at bottom. Leave her to me."
|
|
|
|
Though this conversation had been private, sufficient
|
|
of its import reached the understandings of those
|
|
around to suggest to them that the Durbeyfields had
|
|
weightier concerns to talk of now than common folks
|
|
had, and that Tess, their pretty eldest daughter, had
|
|
fine prospects in store.
|
|
|
|
"Tess is a fine figure o' fun, as I said to myself
|
|
today when I zeed her vamping round parish with the
|
|
rest," observed one of the elderly boozers in an
|
|
undertone. "But Joan Durbeyfield must mind that she
|
|
don't get green malt in floor." It was a local phrase
|
|
which had a peculiar meaning, and there was no reply.
|
|
|
|
The conversation became inclusive, and presently other
|
|
footsteps were heard crossing the room below.
|
|
|
|
"----Being a few private friends asked in tonight to
|
|
keep up club-walking at my own expense." The landlady
|
|
had rapidly re-used the formula she kept on hand for
|
|
intruders before she recognized that the newcomer was
|
|
Tess.
|
|
|
|
Even to her mother's gaze the girl's young features
|
|
looked sadly out of place amid the alcoholic vapours
|
|
which floated here as no unsuitable medium for wrinkled
|
|
middle-age; and hardly was a reproachful flash from
|
|
Tess's dark eyes needed to make her father and mother
|
|
rise from their seats, hastily finish their ale, and
|
|
descend the stairs behind her, Mrs Rolliver's caution
|
|
following their footsteps.
|
|
|
|
"No noise, please, if ye'll be so good, my dears; or I
|
|
mid lose my licends, and be summons'd, and I don't know
|
|
what all! 'Night t'ye!"
|
|
|
|
They went home together, Tess holding one arm of her
|
|
father, and Mrs Durbeyfield the other. He had, in
|
|
truth, drunk very little--not a fourth of the quantity
|
|
which a systematic tippler could carry to church on a
|
|
Sunday afternoon without a hitch in his eastings of
|
|
genuflections; but the weakness of Sir John's
|
|
constitution made mountains of his petty sins in this
|
|
kind. On reaching the fresh air he was sufficiently
|
|
unsteady to incline the row of three at one moment as
|
|
if they were marching to London, and at another as if
|
|
they were marching to Bath--which produced a comical
|
|
effect, frequent enough in families on nocturnal
|
|
homegoings; and, like most comical effects, not quite
|
|
so comic after all. The two women valiantly disguised
|
|
these forced excursions and countermarches as well as
|
|
they could from Durbeyfield their cause, and from
|
|
Abraham, and from themselves; and so they approached by
|
|
degrees their own door, the head of the family bursting
|
|
suddenly into his former refrain as he drew near, as if
|
|
to fortify his soul at sight of the smallness of his
|
|
present residence--
|
|
|
|
"I've got a fam--ily vault at Kingsbere!"
|
|
|
|
"Hush--don't be so silly, Jacky," said his wife.
|
|
"Yours is not the only family that was of 'count in
|
|
wold days. Look at the Anktells, and Horseys, and the
|
|
Tringhams themselves--gone to seed a'most as much as
|
|
you--though you was bigger folks then they, that's
|
|
true. Thank God, I was never of no family, and have
|
|
nothing to be ashamed of in that way!"
|
|
|
|
"Don't you be so sure o' that. From you nater 'tis my
|
|
belief you've disgraced yourselves more than any o' us,
|
|
and was kings and queens outright at one time."
|
|
|
|
Tess turned the subject by saying what was far more
|
|
prominent in her own mind at the moment than thoughts
|
|
of her ancestry--"I am afraid father won't be able to
|
|
take the journey with the beehives tomorrow so early."
|
|
|
|
"I? I shall be all right in an hour or two," said
|
|
Durbeyfield.
|
|
|
|
|
|
It was eleven o'clock before the family were all in
|
|
bed, and two o'clock next morning was the latest hour
|
|
for starting with the beehives if they were to be
|
|
delivered to the retailers in Casterbridge before the
|
|
Saturday market began, the way thither lying by bad
|
|
roads over a distance of between twenty and thirty
|
|
miles, and the horse and waggon being of the slowest.
|
|
At half-past one Mrs Durbeyfield came into the large
|
|
bedroom where Tess and all her little brothers and
|
|
sisters slept.
|
|
|
|
"The poor man can't go," she said to her eldest
|
|
daughter, whose great eyes had opened the moment her
|
|
mother's hand touched the door.
|
|
|
|
Tess sat up in bed, lost in a vague interspace between
|
|
a dream and this information.
|
|
|
|
"But somebody must go," she replied. "It is late for
|
|
the hives already. Swarming will soon be over for the
|
|
year; and it we put off taking 'em till next week's
|
|
market the call for 'em will be past, and they'll be
|
|
thrown on our hands."
|
|
|
|
Mrs Durbeyfield looked unequal to the emergency. "Some
|
|
young feller, perhaps, would go? One of them who were
|
|
so much after dancing with 'ee yesterday," she
|
|
presently suggested.
|
|
|
|
"O no--I wouldn't have it for the world!" declared Tess
|
|
proudly. "And letting everybody know the reason--such a
|
|
thing to be ashamed of! I think I could go if Abraham
|
|
could go with me to kip me company."
|
|
|
|
Her mother at length agreed to this arrangement.
|
|
Little Abraham was aroused from his deep sleep in a
|
|
corner of the same apartment, and made to put on his
|
|
clothes while still mentally in the other world.
|
|
Meanwhile Tess had hastily dressed herself; and the
|
|
twain, lighting a lantern, went out to the stable.
|
|
The rickety little waggon was already laden, and the girl
|
|
led out the horse Prince, only a degree less rickety
|
|
than the vehicle.
|
|
|
|
The poor creature looked wonderingly round at the
|
|
night, at the lantern, at their two figures, as if he
|
|
could not believe that at that hour, when every living
|
|
thing was intended to be in shelter and at rest, he was
|
|
called upon to go out and labour. They put a stock of
|
|
candle-ends into the lantern, hung the latter to the
|
|
off-side of the load, and directed the horse onward,
|
|
walking at his shoulder at first during the uphill
|
|
parts of the way, in order not to overload an animal of
|
|
so little vigour. To cheer themselves as well as they
|
|
could, they made an artificial morning with the
|
|
lantern, some bread and butter, and their own
|
|
conversation, the real morning being far from come.
|
|
Abraham, as he more fully awoke (for he had moved in a
|
|
sort of trance so far), began to talk of the strange
|
|
shapes assumed by the various dark objects against the
|
|
sky; of this tree that looked like a raging tiger
|
|
springing from a lair; of that which resembled a
|
|
giant's head.
|
|
|
|
When they had passed the little town of Stourcastle,
|
|
dumbly somnolent under its thick brown thatch, they
|
|
reached higher ground. Still higher, on their left, the
|
|
elevation called Bulbarrow or Bealbarrow, well-nigh the
|
|
highest in South Wessex, swelled into the sky,
|
|
engirdled by its earthen trenches. From hereabout the
|
|
long road was fairly level for some distance onward.
|
|
They mounted in front of the waggon, and Abraham grew
|
|
reflective.
|
|
|
|
"Tess!" he said in a preparatory tone, after a silence.
|
|
|
|
"Yes, Abraham."
|
|
|
|
"Bain't you glad that we've become gentlefolk?"
|
|
|
|
"Not particular glad."
|
|
|
|
"But you be glad that you 'm going to marry a
|
|
gentleman?"
|
|
|
|
"What?" said Tess, lifting her face.
|
|
|
|
"That our great relation will help 'ee to marry a
|
|
gentleman."
|
|
|
|
"I? Our great relation? We have no such relation.
|
|
What has put that into your head?"
|
|
|
|
"I heard 'em talking about it up at Rolliver's when I
|
|
went to find father. There's a rich lady of our family
|
|
out at Trantridge, and mother said that if you claimed
|
|
kin with the lady, she'd put 'ee in the way of marrying
|
|
a gentleman."
|
|
|
|
His sister became abruptly still, and lapsed into a
|
|
pondering silence. Abraham talked on, rather for the
|
|
pleasure of utterance than for audition, so that his
|
|
sister's abstraction was of no account. He leant back
|
|
against the hives, and with upturned face made
|
|
observations on the stars, whose cold pulses were
|
|
beating amid the black hollows above, in serene
|
|
dissociation from these two wisps of human life. He
|
|
asked how far away those twinklers were, and whether
|
|
God was on the other side of them. But ever and anon
|
|
his childish prattle recurred to what impressed his
|
|
imagination even more deeply than the wonders of
|
|
creation. If Tess were made rich by marrying a
|
|
gentleman, would she have money enough to buy a
|
|
spyglass so large that it would draw the stars as near
|
|
to her as Nettlecombe-Tout?
|
|
|
|
The renewed subject, which seemed to have impregnated
|
|
the whole family, filled Tess with impatience.
|
|
|
|
"Never mind that now!" she exclaimed.
|
|
|
|
"Did you say the stars were worlds, Tess?"
|
|
|
|
"Yes."
|
|
|
|
"All like ours?"
|
|
|
|
"I don't know; but I think so. They sometimes seem to
|
|
be like the apples on our stubbard-tree. Most of them
|
|
splendid and sound--a few blighted."
|
|
|
|
"Which do we live on--a splendid one or a blighted
|
|
one?"
|
|
|
|
"A blighted one."
|
|
|
|
"'Tis very unlucky that we didn't pitch on a sound one,
|
|
when there were so many more of 'em!"
|
|
|
|
"Yes."
|
|
|
|
"Is it like that REALLY, Tess?" said Abraham, turning
|
|
to her much impressed, on reconsideration of this rare
|
|
information. "How would it have been if we had pitched
|
|
on a sound one?"
|
|
|
|
"Well, father wouldn't have coughed and creeped about
|
|
as he does, and wouldn't have got too tipsy to go on
|
|
this journey; and mother wouldn't have been always
|
|
washing, and never getting finished."
|
|
|
|
"And you would have been a rich lady ready-made, and
|
|
not have had to be made rich by marrying a gentleman?"
|
|
|
|
"O Aby, don't--don't talk of that any more!"
|
|
|
|
Left to his reflections Abraham soon grew drowsy. Tess
|
|
was not skilful in the management of a horse, but she
|
|
thought that she could take upon herself the entire
|
|
conduct of the load for the present, and allow Abraham
|
|
to go to sleep if he wished to do so. She made him a
|
|
sort of nest in front of the hives, in such a manner
|
|
that he could not fall, and, taking the reins into her
|
|
own hands, jogged on as before.
|
|
|
|
Prince required but slight attention, lacking energy
|
|
for superfluous movements of any sort. With no longer
|
|
a companion to distract her, Tess fell more deeply into
|
|
reverie than ever, her back leaning against the hives.
|
|
The mute procession past her shoulders of trees and
|
|
hedges became attached to fantastic scenes outside
|
|
reality, and the occasional heave of the wind became
|
|
the sigh of some immense sad soul, conterminous with
|
|
the universe in space, and with history in time.
|
|
|
|
Then, examining the mesh of events in her own life, she
|
|
seemed to see the vanity of her father's pride; the
|
|
gentlemanly suitor awaiting herself in her mother's
|
|
fancy; to see him as a grimacing personage, laughing at
|
|
her poverty, and her shrouded knightly ancestry.
|
|
Everything grew more and more extravagant, and she no
|
|
longer knew how time passed. A sudden jerk shook her in
|
|
her seat, and Tess awoke from the sleep into which she,
|
|
too, had fallen.
|
|
|
|
They were a long way further on than when she had lost
|
|
consciousness, and the waggon had stopped. A hollow
|
|
groan, unlike anything she had ever heard in her life,
|
|
came from the front, followed by a shout of "Hoi
|
|
there!"
|
|
|
|
The lantern hanging at her waggon had gone out, but
|
|
another was shining in her face--much brighter than her
|
|
own had been. Something terrible had happened. The
|
|
harness was entangled with an object which blocked the way.
|
|
|
|
In consternation Tess jumped down, and discovered the
|
|
dreadful truth. The groan has proceeded from her
|
|
father's poor horse Prince. The morning mail-cart, with
|
|
its two noiseless wheels, speeding along these lanes
|
|
like an arrow, as it always did, had driven into her
|
|
slow and unlighted equipage. The pointed shaft of the
|
|
cart had entered the breast of the unhappy Prince like
|
|
a sword, and from the wound his life's blood was
|
|
spouting in a stream, and falling with a hiss into the
|
|
road.
|
|
|
|
In her despair Tess sprang forward and put her hand
|
|
upon the hole, with the only result that she became
|
|
splashed from face to skirt with the crimson drops.
|
|
Then she stood helplessly looking on. Prince also stood
|
|
firm and motionless as long as he could; till he
|
|
suddenly sank down in a heap.
|
|
|
|
By this time the mail-cart man had joined her, and
|
|
began dragging and unharnessing the hot form of Prince.
|
|
But he was already dead, and, seeing that nothing more
|
|
could be done immediately, the mail-cart man returned
|
|
to his own animal, which was uninjured.
|
|
|
|
"You was on the wrong side," he said. "I am bound to
|
|
go on with the mail-bags, so that the best thing for
|
|
you to do is bide here with your load. I'll send
|
|
somebody to help you as soon as I can. It is getting
|
|
daylight, and you have nothing to fear."
|
|
|
|
He mounted and sped on his way; while Tess stood and
|
|
waited. The atmosphere turned pale, the birds shook
|
|
themselves in the hedges, arose, and twittered; the
|
|
lane showed all its white features, and Tess showed
|
|
hers, still whiter. The huge pool of blood in front of
|
|
her was already assuming the iridescence of
|
|
coagulation; and when the sun rose a hundred prismatic
|
|
hues were reflected from it. Prince lay alongside still
|
|
and stark; his eyes half open, the hole in his chest
|
|
looking scarcely large enough to have let out all that
|
|
had animated him.
|
|
|
|
"'Tis all my doing--all mine!" the girl cried, gazing
|
|
at the spectacle. "No excuse for me--none. What will
|
|
mother and father live on now? Aby, Aby!" She shook
|
|
the child, who had slept soundly through the whole
|
|
disaster. "We can't go on with our load--Prince is
|
|
killed!"
|
|
|
|
When Abraham realized all, the furrows of fifty years
|
|
were extemporized on his young face.
|
|
|
|
"Why, I danced and laughed only yesterday!" she went on
|
|
to herself. "To think that I was such a fool!"
|
|
|
|
"'Tis because we be on a blighted star, and not a sound
|
|
one, isn't it, Tess?" murmured Abraham through his
|
|
tears.
|
|
|
|
In silence they waited through an interval which seemed
|
|
endless. At length a sound, and an approaching object,
|
|
proved to them that the driver of the mail-car had been
|
|
as good as his word. A farmer's man from near
|
|
Stourcastle came up, leading a strong cob. He was
|
|
harnessed to the waggon of beehives in the place of
|
|
Prince, and the load taken on towards Casterbridge.
|
|
|
|
The evening of the same day saw the empty waggon reach
|
|
again the spot of the accident. Prince had lain there
|
|
in the ditch since the morning; but the place of the
|
|
blood-pool was still visible in the middle of the road,
|
|
though scratched and scraped over by passing vehicles.
|
|
All that was left of Prince was now hoisted into the
|
|
waggon he had formerly hauled, and with his hoofs in
|
|
the air, and his shoes shining in the setting sunlight,
|
|
he retracted the eight or nine miles to Marlott.
|
|
|
|
Tess had gone back earlier. How to break the news was
|
|
more than she could think. It was a relief to her
|
|
tongue to find from the faces of her parents that they
|
|
already knew of their loss, though this did not lessen
|
|
the self-reproach which she continued to heap upon
|
|
herself for her negligence.
|
|
|
|
But the very shiftlessness of the household rendered
|
|
the misfortune a less terrifying one to them than it
|
|
would have been to a thriving family, though in the
|
|
present case it meant ruin, and in the other it would
|
|
only have meant inconvenience. In the Durbeyfield
|
|
countenances there was nothing of the red wrath that
|
|
would have burnt upon the girl from parents more
|
|
ambitious for her welfare. Nobody blamed Tess as she
|
|
blamed herself.
|
|
|
|
When it was discovered that the knacker and tanner
|
|
would give only a very few shillings for Prince's
|
|
carcase because of his decrepitude, Durbeyfield rose to
|
|
the occasion.
|
|
|
|
"No," said he stoically, "I won't sell his old body.
|
|
When we d'Urbervilles was knights in the land, we
|
|
didn't sell our chargers for cat's meat. Let 'em keep
|
|
their shillings. He've served me well in his lifetime,
|
|
and I won't part from him now."
|
|
|
|
He worked harder the next day in digging a grave for
|
|
Prince in the garden than he had worked for months to
|
|
grow a crop for his family. When the hole was ready,
|
|
Durbeyfield and his wife tied a rope round the horse
|
|
and dragged him up the path towards it, the children
|
|
following in funeral train. Abraham and 'Liza-Lu
|
|
sobbed, Hope and Modest discharged their griefs in loud
|
|
blares which echoed from the walls; and when Prince was
|
|
tumbled in they gathered round the grave. The
|
|
bread-winner had been taken away from them; what would
|
|
they do?
|
|
|
|
"Is he gone to heaven?" asked Abraham, between the
|
|
sobs.
|
|
|
|
Then Durbeyfield began to shovel in the earth, and the
|
|
children cried anew. All except Tess. Her face was
|
|
dry and pale, as though she regarded herself in the
|
|
light of a murderess.
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
The haggling business, which had mainly depended on the
|
|
horse, became disorganized forthwith. Distress, if not
|
|
penury, loomed in the distance. Durbeyfield was what
|
|
was locally called a slack-twisted fellow; he had good
|
|
strength to work at times; but the times could not be
|
|
relied on to coincide with the hours of requirement;
|
|
and, having been unaccustomed to the regular toil of
|
|
the day-labourer, he was not particularly persistent
|
|
when they did so coincide.
|
|
|
|
Tess, meanwhile, as the one who had dragged her parents
|
|
into this quagmire, was silently wondering what she
|
|
could do to help them out of it; and then her mother
|
|
broached her scheme.
|
|
|
|
"We must take the ups wi' the downs, Tess," said she;
|
|
"and never could your high blood have been found out at
|
|
a more called-for moment. You must try your friends.
|
|
Do ye know that there is a very rich Mrs d'Urberville
|
|
living on the outskirts o' The Chase, who must be our
|
|
relation? You must go to her and claim kin, and ask
|
|
for some help in our trouble."
|
|
|
|
"I shouldn't care to do that," says Tess. "If there is
|
|
such a lady, 'twould be enough for us if she were
|
|
friendly--not to expect her to give us help."
|
|
|
|
"You could win her round to do anything, my dear.
|
|
Besides, perhaps there's more in it than you know of.
|
|
I've heard what I've heard, good-now."
|
|
|
|
The oppressive sense of the harm she had done led Tess
|
|
to be more deferential than she might otherwise have
|
|
been to the maternal wish; but she could not understand
|
|
why her mother should find such satisfaction in
|
|
contemplating an enterprise of, to her, such doubtful
|
|
profit. Her mother might have made inquiries, and have
|
|
discovered that this Mrs d'Urberville was a lady of
|
|
unequalled virtues and charity. But Tess's pride made
|
|
the part of poor relation one of particular distaste to
|
|
her.
|
|
|
|
"I'd rather try to get work," she murmured.
|
|
|
|
"Durbeyfield, you can settle it," said his wife,
|
|
turning to where he sat in the background. "If you say
|
|
she ought to go, she will go."
|
|
|
|
"I don't like my children going and making themselves
|
|
beholden to strange kin," murmured he. "I'm the head
|
|
of the noblest branch o' the family, and I ought to
|
|
live up to it."
|
|
|
|
His reasons for staying away were worse to Tess than
|
|
her own objections to going. "Well, as I killed the
|
|
horse, mother," she said mournfully, "I suppose I ought
|
|
to do something. I don't mind going and seeing her, but
|
|
you must leave it to me about asking for help. And
|
|
don't go thinking about her making a match for me--it
|
|
is silly." "Very well said, Tess!" observed her father
|
|
sententiously.
|
|
|
|
"Who said I had such a thought?" asked Joan.
|
|
|
|
"I fancy it is in your mind, mother. But I'll go."
|
|
|
|
Rising early next day she walked to the hill-town
|
|
called Shaston, and there took advantage of a van which
|
|
twice in the week ran from Shaston eastward to
|
|
Chaseborough, passing near Trantridge, the parish in
|
|
which the vague and mysterious Mrs d'Urberville had her
|
|
residence.
|
|
|
|
Tess Durbeyfield's route on this memorable morning lay
|
|
amid the north-eastern undulations of the Vale in which
|
|
she had been born, and in which her life had unfolded.
|
|
The Vale of Blackmoor was to her the world, and its
|
|
inhabitants the races thereof. From the gates and
|
|
stiles of Marlott she had looked down its length in the
|
|
wondering days of infancy, and what had been mystery to
|
|
her then was not much less than mystery to her now.
|
|
She had seen daily from her chamber-window towers,
|
|
villages, faint white mansions; above all the town of
|
|
Shaston standing majestically on its height; its
|
|
windows shining like lamps in the evening sun. She had
|
|
hardly ever visited the place, only a small tract even
|
|
of the Vale and its environs being known to her by
|
|
close inspection. Much less had she been far outside
|
|
the valley. Every contour of the surrounding hills was
|
|
as personal to her as that of her relatives' faces; but
|
|
for what lay beyond her judgment was dependent on the
|
|
teaching of the village school, where she had held a
|
|
leading place at the time of her leaving, a year or two
|
|
before this date.
|
|
|
|
In those early days she had been much loved by others
|
|
of her own sex and age, and had used to be seen about
|
|
the village as one of three--all nearly of the same
|
|
year--walking home from school side by side; Tess the
|
|
middle one--in a pink print pinafore, of a finely
|
|
reticulated pattern, worn over a stuff frock that had
|
|
lost its original colour for a nondescript
|
|
tertiary--marching on upon long stalky legs, in tight
|
|
stockings which had little ladder-like holes at the
|
|
knees, torn by kneeling in the roads and banks in
|
|
search of vegetable and mineral treasures; her then
|
|
earth-coloured hair handing like pot-hooks; the arms of
|
|
the two outside girls resting round the waist of Tess;
|
|
her arms on the shoulders of the two supporters.
|
|
|
|
As Tess grew older, and began to see how matters stood,
|
|
she felt quite a Malthusian towards her mother for
|
|
thoughtlessly giving her so many little sisters and
|
|
brothers, when it was such a trouble to nurse and
|
|
provide for them. Her mother's intelligence was that
|
|
of a happy child: Joan Durbeyfield was simply an
|
|
additional one, and that not the eldest, to her own
|
|
long family of waiters on Providence. However, Tess
|
|
became humanely beneficent towards the small ones, and
|
|
to help them as much as possible she used, as soon as
|
|
she left school, to lend a hand at haymaking or
|
|
harvesting on neighbouring farms; or, by preference,
|
|
at milking or butter-making processes, which she had
|
|
learnt when her father had owned cows; and being
|
|
deft-fingered it was a kind of work in which she
|
|
excelled.
|
|
|
|
Every day seemed to throw upon her young shoulders more
|
|
of thefamily burdens, and that Tess should be the
|
|
representative of the Durbeyfields at the d'Urberville
|
|
mansion came as a thing of course. In this instance it
|
|
must be admitted that the Durbeyfields were putting
|
|
their fairest side outward.
|
|
|
|
She alighted from the van at Trantridge Cross, and
|
|
ascended on foot a hill in the direction of the
|
|
district known as The Chase, on the borders of which,
|
|
as she had been informed, Mrs d'Urberville's seat, The
|
|
Slopes, would be found. It was not a manorial home in
|
|
the ordinary sense, with fields, and pastures, and a
|
|
grumbling farmer, out of whom the owner had to squeeze
|
|
an income for himself and his family by hook or by
|
|
crook. It was more, far more; a country-house built
|
|
for enjoyment pure and simple, with not an acre of
|
|
troublesome land attached to it beyond what was
|
|
required for residential purposes, and for a little
|
|
fancy farm kept in hand by the owner, and tended by a
|
|
bailiff.
|
|
|
|
The crimson brick lodge came first in sight, up to its
|
|
eaves in dense evergreens. Tess thought this was the
|
|
mansion itself till, passing through the side wicket
|
|
with some trepidation, and onward to a point at which
|
|
the drive took a turn, the house proper stood in full
|
|
view. It was of recent erection--indeed almost
|
|
new--and of the same rich red colour that formed such a
|
|
contrast with the evergreens of the lodge. Far behind
|
|
the corner of the house--which rose like a geranium
|
|
bloom against the subdued colours around--stretched
|
|
the soft azure landscape of The Chase--a truly
|
|
venerable tract of forest land, one of the few
|
|
remaining woodlands in England of undoubted primaeval
|
|
date, wherein Druidical mistletoe was still found on
|
|
aged oaks, and where enormous yew-trees, not planted by
|
|
the hand of man grew as they had grown when they were
|
|
pollarded for bows. All this sylvan antiquity,
|
|
however, though visible from The Slopes, was outside
|
|
the immediate boundaries of the estate.
|
|
|
|
Everything on this snug property was bright, thriving,
|
|
and well kept; acres of glass-houses stretched down the
|
|
inclines to the copses at their feet. Everything
|
|
looked like money--like the last coin issued from the
|
|
Mint. The stables, partly screened by Austrian pines
|
|
and evergreen oaks, and fitted with every late
|
|
appliance, were as dignified as Chapels-of-Ease. On
|
|
the extensive lawn stood an ornamental tent, its door
|
|
being towards her.
|
|
|
|
Simple Tess Durbeyfield stood at gaze, in a
|
|
half-alarmed attitude, on the edge of the gravel sweep.
|
|
Her feet had brought her onward to this point before
|
|
she had quite realized where she was; and now all was
|
|
contrary to her expectation.
|
|
|
|
"I thought we were an old family; but this is all new!"
|
|
she said, in her artlessness. She wished that she had
|
|
not fallen in so readily with her mother's plans for
|
|
"claiming kin," and had endeavoured to gain assistance
|
|
nearer home.
|
|
|
|
|
|
The d'Urbervilles--or Stoke-d'Urbervilles, as they at
|
|
first called themselves--who owned all this, were a
|
|
somewhat unusual family to find in such an
|
|
old-fashioned part of the country. Parson Tringham had
|
|
spoken truly when he said that our shambling John
|
|
Durbeyfield was the only really lineal representative
|
|
of the old d'Urbervillefamily existing in the county,
|
|
or near it; he might have added, what he knew very
|
|
well, that the Stoke-d'Urbervilles were no more
|
|
d'Urbervilles of the true tree then he was himself.
|
|
Yet it must be admitted that this family formed a very
|
|
good stock whereon to regraft a name which sadly wanted
|
|
such renovation.
|
|
|
|
When old Mr Simon Stoke, latterly deceased, had made
|
|
his fortune as an honest merchant (some said
|
|
money-lender) in the North, he decided to settle as a
|
|
county man in the South of England, out of hail of his
|
|
business district; and in doing this he felt the
|
|
necessity of recommencing with a name that would not
|
|
too readily identify him with the smart tradesman of
|
|
the past, and that would be less commonplace than the
|
|
original bald stark words. Conning for an hour in the
|
|
British Museum the pages of works devoted to extinct,
|
|
half-extinct, obscured, and ruined families
|
|
appertaining to the quarter of England in which he
|
|
proposed to settle, he considered that D'URBERVILLE
|
|
looked and sounded as well as any of them: and
|
|
d'Urberville accordingly was annexed to his own name
|
|
for himself and his heirs eternally. Yet he was not an
|
|
extravagant-minded man in this, and in constructing his
|
|
family tree on the new basis was duly reasonable in
|
|
framing his inter-marriages and aristocratic links,
|
|
never inserting a single title above a rank of strict
|
|
moderation.
|
|
|
|
Of this work of imagination poor Tess and her parents
|
|
were naturally in ignorance--much to their
|
|
discomfiture; indeed, the very possibility of such
|
|
annexations was unknown to them; who supposed that,
|
|
though to be well-favoured might be the gift of
|
|
fortune, a family name came by nature.
|
|
|
|
Tess still stood hesitating like a bather about to make
|
|
his plunge, hardly knowing whether to retreat or to
|
|
persevere, when a figure came forth from the dark
|
|
triangular door of the tent. It was that of a tall
|
|
young man, smoking.
|
|
|
|
He had an almost swarthy complexion, with full lips,
|
|
badly moulded, though red and smooth, above which was a
|
|
well-groomed black moustache with curled points, though
|
|
his age could not be more than three-or
|
|
four-and-twenty. Despite the touches of barbarism in
|
|
his contours, there was a singular force in the
|
|
gentleman's face, and in his bold rolling eye.
|
|
|
|
"Well, my Beauty, what can I do for you?" said he,
|
|
coming forward. And perceiving that she stood quite
|
|
confounded: "Never mind me. I am Mr d'Urberville.
|
|
Have you come to see me or my mother?"
|
|
|
|
This embodiment of a d'Urberville and a namesake
|
|
differed even more from what Tess had expected than the
|
|
house and grounds had differed. She had dreamed of an
|
|
aged and dignified face, the sublimation of all the
|
|
d'Urberville lineaments, furrowed with incarnate
|
|
memories representing in hieroglyphic the centuries of
|
|
her family's and England's history. But she screwed
|
|
herself up to the work in hand, since she could not get
|
|
out of it, and answered--
|
|
|
|
"I came to see your mother, sir."
|
|
|
|
"I am afraid you cannot see her--she is an invalid,"
|
|
replied thepresent representative of the spurious
|
|
house; for this was Mr Alec, the only son of the lately
|
|
deceased gentleman. "Cannot I answer your purpose?
|
|
What is the business you wish to see her about?"
|
|
|
|
"It isn't business--it is--I can hardly say what!"
|
|
|
|
"Pleasure?"
|
|
|
|
"Oh no. Why, sir, if I tell you, it will seem---"
|
|
|
|
Tess's sense of a certain ludicrousness in her errand
|
|
was now so strong that, notwithstanding her awe of him,
|
|
and her general discomfort at being here, her rosy lips
|
|
curved towards a smile, much to the attraction of the
|
|
swarthy Alexander.
|
|
|
|
"It is so very foolish," she stammered; "I fear can't
|
|
tell you!"
|
|
|
|
"Never mind; I like foolish things. Try again, my
|
|
dear," said he kindly.
|
|
|
|
"Mother asked me to come," Tess continued; "and,
|
|
indeed, I was in the mind to do so myself likewise.
|
|
But I did not think it would be like this. I came,
|
|
sir, to tell you that we are of the same family as you."
|
|
|
|
"Ho! Poor relations?"
|
|
|
|
"Yes."
|
|
|
|
"Stokes?"
|
|
|
|
"No; d'Urbervilles."
|
|
|
|
"Ay, ay; I mean d'Urbervilles."
|
|
|
|
"Our names are worn away to Durbeyfield; but we have
|
|
several proofs that we are d'Urbervilles. Antiquarians
|
|
hold we are,--and--and we have an old seal, marked with
|
|
a ramping lion on a shield, and a castle over him. And
|
|
we have a very old silver spoon, round in the bowl like
|
|
a little ladle, and marked with the same castle. But
|
|
it is so worn that mother uses it to stir the
|
|
pea-soup."
|
|
|
|
"A castle argent is certainly my crest," said he
|
|
blandly. "And my arms a lion rampant."
|
|
|
|
"And so mother said we ought to make ourselves beknown
|
|
to you--as we've lost our horse by a bad accident, and
|
|
are the oldest branch o' the family."
|
|
|
|
"Very kind of your mother, I'm sure. And I, for one,
|
|
don't regret her step." Alec looked at Tess as he
|
|
spoke, in a way that made her blush a little. "And so,
|
|
my pretty girl, you've come on a friendly visit to us,
|
|
as relations?"
|
|
|
|
"I suppose I have," faltered Tess, looking
|
|
uncomfortable again.
|
|
|
|
"Well--there's no harm in it. Where do you live?
|
|
What are you?"
|
|
|
|
She gave him brief particulars; and responding to
|
|
further inquiries told him that she was intending to go
|
|
back by the same carrier who had brought her.
|
|
|
|
"It is a long while before he returns past Trantridge
|
|
Cross. Supposing we walk round the grounds to pass the
|
|
time, my pretty Coz?"
|
|
|
|
Tess wished to abridge her visit as much as possible;
|
|
but the young man was pressing, and she consented to
|
|
accompany him. He conducted her about the lawns, and
|
|
flower-beds, and conservatories; and thence to the
|
|
fruit-garden and greenhouses, where he asked her if she
|
|
liked strawberries.
|
|
|
|
"Yes," said Tess, "when they come."
|
|
|
|
"They are already here." D'Urberville began gathering
|
|
specimens of the fruit for her, handing them back to
|
|
her as he stooped; and, presently, selecting a
|
|
specially fine product of the "British Queen" variety,
|
|
he stood up and held it by the stem to her mouth.
|
|
|
|
"No--no!" she said quickly, putting her fingers between
|
|
his hand and her lips. "I would rather take it in my
|
|
own hand."
|
|
|
|
"Nonsense!" he insisted; and in a slight distress she
|
|
parted her lips and took it in.
|
|
|
|
They had spent some time wandering desultorily thus,
|
|
Tess eating in a half-pleased, half-reluctant state
|
|
whatever d'Urberville offered her. When she could
|
|
consume no more of the strawberries he filled her
|
|
little basket with them; and then the two passed round
|
|
to the rose trees, whence he gathered blossoms and gave
|
|
her to put in her bosom. She obeyed like one in a
|
|
dream, and when she could affix no more he himself
|
|
tucked a bud or two into her hat, and heaped her basket
|
|
with others in the prodigality of his bounty. At last,
|
|
looking at his watch, he said, "Now, by the time you
|
|
have had something to eat, it will be time for you to
|
|
leave, if you want to catch the carrier to Shaston.
|
|
Come here, and I'll see what grub I can find."
|
|
|
|
Stoke d'Urberville took her back to the lawn and into
|
|
the tent, where he left her, soon reappearing with a
|
|
basket of light luncheon, which he put before her
|
|
himself. It was evidently the gentleman's wish not to
|
|
be disturbed in this pleasant TETE-A-TETE by the
|
|
servantry.
|
|
|
|
"Do you mind my smoking?" he asked.
|
|
|
|
"Oh, not at all, sir."
|
|
|
|
He watched her pretty and unconscious munching through
|
|
the skeins of smoke that pervaded the tent, and Tess
|
|
Durbeyfield did not divine, as she innocently looked
|
|
down at the roses in her bosom, that there behind the
|
|
blue narcotic haze was potentially the "tragic
|
|
mischief" of her drama--one who stood fair to be the
|
|
blood-red ray in the spectrum of her young life. She
|
|
had an attribute which amounted to a disadvantage just
|
|
now; and it was this that caused Alec d'Urberville's
|
|
eyes to rivet themselves upon her. It was a luxuriance
|
|
of aspect, a fulness of growth, which made her appear
|
|
more of a woman than she really was. She had inherited
|
|
the feature from her mother without the quality it
|
|
denoted. It had troubled her mind occasionally, till
|
|
her companions had said that it was a fault which time
|
|
would cure.
|
|
|
|
She soon had finished her lunch. "Now I am going home,
|
|
sir," she said, rising.
|
|
|
|
"And what do they call you?" he asked, as he
|
|
accompanied her along the drive till they were out of
|
|
sight of the house.
|
|
|
|
"Tess Durbeyfield, down at Marlott."
|
|
|
|
"And you say your people have lost their horse?"
|
|
|
|
"I--killed him!" she answered, her eyes filling with
|
|
tears as she gave particulars of Prince's death. "And
|
|
I don't know what to do for father on account of it!"
|
|
|
|
"I must think if I cannot do something. My mother must
|
|
find a berth for you. But, Tess, no nonsense about
|
|
'd'Urberville';--'Durbeyfield' only, you know--quite
|
|
another name."
|
|
|
|
"I wish for no better, sir," said she with something of
|
|
dignity.
|
|
|
|
For a moment--only for a moment--when they were in the
|
|
turning of the drive, between the tall rhododendrons
|
|
and conifers, before the lodge became visible, he
|
|
inclined his face towards her as if--but, no: he
|
|
thought better of it, and let her go.
|
|
|
|
Thus the thing began. Had she perceived this meeting's
|
|
import she might have asked why she was doomed to be
|
|
seen and coveted that day by the wrong man, and not by
|
|
some other man, the right and desired one in all
|
|
respects--as nearly as humanity can supply the right
|
|
and desired; yet to him who amongst her acquaintance
|
|
might have approximated to this kind, she was but a
|
|
transient impression, half forgotten.
|
|
|
|
In the ill-judged execution of the well-judged plan of
|
|
things the call seldom produces the comer, the man to
|
|
love rarely coincides with the hour for loving. Nature
|
|
does not often say "See!" to her poor creature at a
|
|
time when seeing can lead to happy doing; or reply
|
|
"Here!" to a body's cry of "Where?" till the
|
|
hide-and-seek has become an irksome, outworn game. We
|
|
may wonder whether at the acme and summit of the human
|
|
progress these anachronisms will be corrected by a
|
|
finer intuition, a close interaction of the social
|
|
machinery than that which now jolts us round and along;
|
|
but such completeness is not to be prophesied, or even
|
|
conceived as possible. Enough that in the present
|
|
case, as in millions, it was not the two halves of a
|
|
perfect whole that confronted each other at the perfect
|
|
moment; a missing counterpart wandered independently
|
|
about the earth waiting in crass obtuseness till the
|
|
late time came. Out of which maladroit delay sprang
|
|
anxieties,disappointments, shocks, catastrophes, and
|
|
passing-strange destinies.
|
|
|
|
When d'Urberville got back to the tent he sat down
|
|
astride on a chair reflecting, with a pleased gleam in
|
|
his face. Then he broke into a loud laugh.
|
|
|
|
"Well, I'm damned! What a funny thing! Ha-ha-ha!
|
|
And what a crumby girl!"
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
Tess went down the hill to Trantridge Cross, and
|
|
inattentively waited to take her seat in the van
|
|
returning from Chaseborough to Shaston. She did not
|
|
know what the other occupants said to her as she
|
|
entered, though she answered them; and when they had
|
|
started anew she rode along with an inward and not an
|
|
outward eye.
|
|
|
|
One among her fellow-travellers addressed her more
|
|
pointedly than any had spoken before: "Why, you be
|
|
quite a posy! And such roses in early June!"
|
|
|
|
Then she became aware of the spectacle she presented to
|
|
their surprised vision: roses at her breasts; roses in
|
|
her hat; roses and strawberries in her basket to the
|
|
brim. She blushed, and said confusedly that the
|
|
flowers had been given to her. When the passengers
|
|
were not looking she stealthily removed the more
|
|
prominent blooms from her hat and placed them in
|
|
basket, where she covered them with her handkerchief.
|
|
Then she fell to reflecting again, and in looking
|
|
downwards a thorn of the rose remaining in her breast
|
|
accidentally pricked her chin. Like all the cottagers
|
|
in Blackmoor Vale, Tess was steeped in fancies and
|
|
prefigurative superstitions; she thought this an ill
|
|
omen--the first she had noticed that day.
|
|
|
|
The van travelled only so far as Shaston, and there
|
|
were several miles of pedestrian descent from that
|
|
mountain-town into the vale of Marlott. Her mother had
|
|
advised her to stay here for the night, at the house of
|
|
a cottage-woman they knew, if she should feel too tired
|
|
to come on; and this Tess did, not descending to her
|
|
home till the following afternoon.
|
|
|
|
When she entered the house she perceived in a moment
|
|
from her mother's triumphant manner that something had
|
|
occurred in the interim.
|
|
|
|
"Oh yes; I know all about it! I told 'ee it would be
|
|
all right, and now 'tis proved!"
|
|
|
|
"Since I've been away? What has?" said Tess rather
|
|
wearily.
|
|
|
|
Her mother surveyed the girl up and down with arch
|
|
approval, and went on banteringly: "So you've brought
|
|
'em round!"
|
|
|
|
"How do you know, mother?"
|
|
|
|
"I've had a letter."
|
|
|
|
Tess then remembered that there would have been time
|
|
for this.
|
|
|
|
"They say--Mrs d'Urberville says--that she wants you to
|
|
look after a little fowl-farm which is her hobby. But
|
|
this is only her artful way of getting 'ee there
|
|
without raising your hopes. She's going to own 'ee as
|
|
kin--that's the meaning o't."
|
|
|
|
"But I didn't see her."
|
|
|
|
"You zid somebody, I suppose?"
|
|
|
|
"I saw her son."
|
|
|
|
"And did he own 'ee?"
|
|
|
|
"Well--he called me Coz."
|
|
|
|
"An' I knew it! Jacky--he called her Coz!" cried Joan
|
|
to her husband. "Well, he spoke to his mother, of
|
|
course, and she do want 'ee there."
|
|
|
|
"But I don't know that I am apt at tending fowls," said
|
|
the dubious Tess.
|
|
|
|
"Then I don't know who is apt. You've be'n born in the
|
|
business, and brought up in it. They that be born in a
|
|
business always know more about it than any 'prentice.
|
|
Besides, that's only just a show of something for you
|
|
to do, that you midn't feel beholden."
|
|
|
|
"I don't altogether think I ought to go," said Tess
|
|
thoughtfully. "Who wrote the letter? Will you let me
|
|
look at it?"
|
|
|
|
"Mrs d'Urberville wrote it. Here it is."
|
|
|
|
The letter was in the third person, and briefly
|
|
informed Mrs Durbeyfield that her daughter's services
|
|
would be useful to that lady in the management of her
|
|
poultry-farm, that a comfortable room would be provided
|
|
for her if she could come, and that the wages would be
|
|
on a liberal scale if they liked her.
|
|
|
|
"Oh--that's all!" said Tess.
|
|
|
|
"You couldn't expect her to throw her arms round 'ee,
|
|
an' to kiss and to coll 'ee all at once."
|
|
|
|
Tess looked out of the window.
|
|
|
|
"I would rather stay here with father and you," she said.
|
|
|
|
"But why?"
|
|
|
|
"I'd rather not tell you why, mother; indeed, I don't
|
|
quite know why."
|
|
|
|
A week afterwards she came in one evening from an
|
|
unavailing search for some light occupation in the
|
|
immediate neighbourhood. Her idea had been to get
|
|
together sufficient money during the summer to purchase
|
|
another horse. Hardly had she crossed the threshold
|
|
before one of the children danced across the room,
|
|
saying, "The gentleman's been here!"
|
|
|
|
Her mother hastened to explain, smiles breaking from
|
|
every inch of her person. Mrs d'Urberville's son had
|
|
called on horseback, having been riding by chance in
|
|
the direction of Marlott. He had wished to know,
|
|
finally, in the name of his mother, if Tess could
|
|
really come to manage the old lady's fowl-farm or not;
|
|
the lad who had hitherto superintended the birds having
|
|
proved untrustworthy. "Mr d'Urberville says you must be
|
|
a good girl if you are at all as you appear; he knows
|
|
you must be worth your weight in gold. He is very much
|
|
interested in 'ee--truth to tell."
|
|
|
|
Tess seemed for the moment really pleased to hear that
|
|
she had won such high opinion from a stranger when, in
|
|
her own esteem, she had sunk so low.
|
|
|
|
"It is very good of him to think that," she murmured;
|
|
"and if I was quite sure how it would be living there,
|
|
I would go any-when."
|
|
|
|
"He is a mighty handsome man!"
|
|
|
|
"I don't think so," said Tess coldly.
|
|
|
|
"Well, there's your chance, whether or no; and I'm sure
|
|
he wears a beautiful diamond ring!"
|
|
|
|
"Yes," said little Abraham, brightly, from the
|
|
window-bench; "and I seed it! and it did twinkle when
|
|
he put his hand up to his mistarshers. Mother, why did
|
|
our grand relation keep on putting his hand up to his
|
|
mistarshers?"
|
|
|
|
"Hark at that child!" cried Mrs Durbeyfield, with
|
|
parenthetic admiration.
|
|
|
|
"Perhaps to show his diamond ring," murmured Sir John,
|
|
dreamily, from his chair.
|
|
|
|
"I'll think it over," said Tess, leaving the room.
|
|
|
|
"Well, she's made a conquest o' the younger branch of
|
|
us, straight off," continued the matron to her husband,
|
|
"and she's a fool if she don't follow it up."
|
|
|
|
"I don't quite like my children going away from home,"
|
|
said the haggler. "As the head of the family, the rest
|
|
ought to come to me."
|
|
|
|
"But do let her go, Jacky," coaxed his poor witless
|
|
wife. "He's struck wi' her--you can see that. He
|
|
called her Coz! He'll marry her, most likely, and make
|
|
a lady of her; and then she'll be what her forefathers
|
|
was."
|
|
|
|
John Durbeyfield had more conceit than energy or
|
|
health, and this supposition was pleasant to him.
|
|
|
|
"Well, perhaps, that's what young Mr d'Urberville
|
|
means," he admitted; "and sure enough he mid have
|
|
serious thoughts about improving his blood by linking
|
|
on to the old line. Tess, the little rogue! And have
|
|
she really paid 'em a visit to such an end as this?"
|
|
|
|
Meanwhile Tess was walking thoughtfully among the
|
|
gooseberry-bushes in the garden, and over Prince's
|
|
grave. When she came in her mother pursued her
|
|
advantage.
|
|
|
|
"Well, what be you going to do?" she asked.
|
|
|
|
"I wish I had seen Mrs d'Urberville," said Tess.
|
|
|
|
"I think you mid as well settle it. Then you'll see her
|
|
soon enough."
|
|
|
|
Her father coughed in his chair.
|
|
|
|
"I don't know what to say!" answered the girl
|
|
restlessly. "It is for you to decide. I killed the
|
|
old horse, and I suppose I ought to do something to get
|
|
ye a new one. But--but--I don't quite like Mr
|
|
d'Urberville being there!"
|
|
|
|
The children, who had made use of this idea of Tess
|
|
being taken up by their wealthy kinsfolk (which they
|
|
imagined the other family to be) as a species of
|
|
dolorifuge after the death of the horse, began to cry
|
|
at Tess's reluctance, and teased and reproached her for
|
|
hesitating.
|
|
|
|
"Tess won't go--o--o and be made a la--a--dy of!--no,
|
|
she says she wo--o--on't!" they wailed, with square
|
|
mouths. "And we shan't have a nice new horse, and lots
|
|
o' golden money to buy fairlings! And Tess won't look
|
|
pretty in her best cloze no mo--o--ore!"
|
|
|
|
Her mother chimed in to the same tune: a certain way
|
|
she had of making her labours in the house seem heavier
|
|
than they were by prolonging them indefinitely, also
|
|
weighed in the argument. Her father alone preserved an
|
|
attitude of neutrality.
|
|
|
|
"I will go," said Tess at last.
|
|
|
|
Her mother could not repress her consciousness of the
|
|
nuptial Vision conjured up by the girl's consent.
|
|
|
|
"That's right! For such a pretty maid as 'tis, this is
|
|
a fine chance!"
|
|
|
|
Tess smiled crossly.
|
|
|
|
"I hope it is a chance for earning money. It is no
|
|
other kind of chance. You had better say nothing of
|
|
that silly sort about parish." Mrs Durbeyfield did not
|
|
promise. She was not quite sure that she did not feel
|
|
proud enough, after the visitor's remarks, to say a
|
|
good deal.
|
|
|
|
Thus it was arranged; and the young girl wrote,
|
|
agreeing to be ready to set out on any day on which she
|
|
might be required. She was duly informed that Mrs
|
|
d'Urberville was glad of her decision, and that a
|
|
spring-cart should be sent to meet her and her luggage
|
|
at the top of the Vale on the day after the morrow,
|
|
when she must hold herself prepared to start. Mrs
|
|
d'Urberville's handwriting seemed rather masculine.
|
|
|
|
"A cart?" murmured Joan Durbeyfield doubtingly.
|
|
"It might have been a carriage for her own kin!"
|
|
|
|
Having at last taken her course Tess was less restless
|
|
and abstracted, going about her business with some
|
|
self-assurance in the thought of acquiring another
|
|
horse for her father by an occupation which would not
|
|
be onerous. She had hoped to be a teacher at the
|
|
school, but the fates seemed to decide otherwise. Being
|
|
mentally older than her mother she did not regard Mrs
|
|
Durbeyfield's matrimonial hopes for her in a serious
|
|
aspect for a moment. The light-minded woman had been
|
|
discovering good matches for her daughter almost from
|
|
the year of her birth.
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
On the morning appointed for her departure Tess was
|
|
awake before dawn--at the marginal minute of the dark
|
|
when the grove is still mute, save for one prophetic
|
|
bird who sings with a clear-voiced conviction that he
|
|
at least knows the correct time of day, the rest
|
|
preserving silence as if equally convinced that he is
|
|
mistaken. She remained upstairs packing till
|
|
breakfast-time, and then came down in her ordinary
|
|
week-day clothes, her Sunday apparel being carefully
|
|
folded in her box.
|
|
|
|
Her mother expostulated. "You will never set out to see
|
|
your folks without dressing up more the dand than
|
|
that?"
|
|
|
|
"But I am going to work!" said Tess.
|
|
|
|
"Well, yes," said Mrs Durbeyfield; and in a private
|
|
tone, "at first there mid be a little pretence o't....
|
|
But I think it will be wiser of 'ee to put your best
|
|
side outward," she added.
|
|
|
|
"Very well; I suppose you know best," replied Tess with
|
|
calm abandonment.
|
|
|
|
And to please her parent the girl put herself quite in
|
|
Joan's hands, saying serenely--"Do what you like with
|
|
me, mother."
|
|
|
|
Mrs Durbeyfield was only too delighted at this
|
|
tractability. First she fetched a great basin, and
|
|
washed Tess's hair with such thoroughness that when
|
|
dried and brushed it looked twice as much as at other
|
|
times. She tied it with a broader pink ribbon than
|
|
usual. Then she put upon her the white frock that Tess
|
|
had worn at the club-walking, the airy fulness of
|
|
which, supplementing her enlarged COIFFURE, imparted to
|
|
her developing figure an amplitude which belied her
|
|
age, and might cause her to be estimated as a woman
|
|
when she was not much more than a child.
|
|
|
|
"I declare there's a hole in my stocking-heel!" said
|
|
Tess.
|
|
|
|
"Never mind holes in your stockings--they don't speak!
|
|
When I was a maid, so long as I had a pretty bonnet the
|
|
devil might ha' found me in heels."
|
|
|
|
Her mother's pride in the girl's appearance led her to
|
|
step back, like a painter from his easel, and survey
|
|
her work as a whole.
|
|
|
|
"You must zee yourself!" she cried. "It is much better
|
|
than you was t'other day."
|
|
|
|
As the looking-glass was only large enough to reflect a
|
|
very small portion of Tess's person at one time, Mrs
|
|
Durbeyfield hung a black cloak outside the casement,
|
|
and so made a large reflector of the panes, as it is
|
|
the wont of bedecking cottagers to do. After this she
|
|
went downstairs to her husband, who was sitting in the
|
|
lower room.
|
|
|
|
"I'll tell 'ee what 'tis, Durbeyfield," said she
|
|
exultingly; "he'll never have the heart not to love
|
|
her. But whatever you do, don't zay too much to Tess
|
|
of his fancy for her, and this chance she has got. She
|
|
is such an odd maid that it mid zet her against him, or
|
|
against going there, even now. If all goes well, I
|
|
shall certainly be for making some return to pa'son at
|
|
Stagfoot Lane for telling us--dear, good man!"
|
|
|
|
However, as the moment for the girl's setting out drew
|
|
nigh, when the first excitement of the dressing had
|
|
passed off, a slight misgiving found place in Joan
|
|
Durbeyfield's mind. It prompted the matron to say that
|
|
she would walk a little way--as far as to the point
|
|
where the acclivity from the valley began its first
|
|
steep ascent to the outer world. At the top Tess was
|
|
going to be met with the spring-cart sent by the
|
|
Stoke-d'Urbervilles, and her box had already been
|
|
wheeled ahead towards this summit by a lad with trucks,
|
|
to be in readiness.
|
|
|
|
Seeing their mother put on her bonnet the younger
|
|
children clamoured to go with her.
|
|
|
|
"I do want to walk a little-ways wi' Sissy, now she's
|
|
going to marry our gentleman-cousin, and wear fine
|
|
cloze!"
|
|
|
|
"Now," said Tess, flushing and turning quickly, "I'll
|
|
hear no more o' that! Mother, how could you ever put
|
|
such stuff into their heads?"
|
|
|
|
"Going to work, my dears, for our rich relation, and
|
|
help get enough money for a new horse," said Mrs
|
|
Durbeyfield pacifically.
|
|
|
|
"Goodbye, father," said Tess, with a lumpy throat.
|
|
|
|
"Goodbye, my maid," said Sir John, raising his head
|
|
from his breast as he suspended his nap, induced by a
|
|
slight excess this morning in honour of the occasion.
|
|
"Well, I hope my young friend will like such a comely
|
|
sample of his own blood. And tell'n, Tess, that being
|
|
sunk, quite, from our former grandeur, I'll sell him
|
|
the title--yes, sell it--and at no onreasonable
|
|
figure."
|
|
|
|
"Not for less than a thousand pound!" cried Lady
|
|
Durbeyfield.
|
|
|
|
"Tell'n--I'll take a thousand pound. Well, I'll take
|
|
less, when I come to think o't. He'll adorn it better
|
|
than a poor lammicken feller like myself can. Tell'n
|
|
he shall hae it for a hundred. But I won't stand upon
|
|
trifles--tell'n he shall hae it for fifty--for twenty
|
|
pound! Yes, twenty pound--that's the lowest. Dammy,
|
|
family honour is family honour, and I won't take a
|
|
penny less!"
|
|
|
|
Tess's eyes were too full and her voice too choked to
|
|
utter the sentiments that were in her. She turned
|
|
quickly, and went out.
|
|
|
|
|
|
So the girls and their mother all walked together,
|
|
a child on each side of Tess, holding her hand, and
|
|
looking at her meditatively from time to time, as at
|
|
one who was about to do great things; her mother just
|
|
behind with the smallest; the group forming a picture
|
|
of honest beauty flanked by innocence, and backed by
|
|
simple-souled vanity. They followed the way till they
|
|
reached the beginning of the ascent, on the crest of
|
|
which the vehicle from Trantridge was to receive her,
|
|
this limit having been fixed to save the horse the
|
|
labour of the last slope. Far away behind the first
|
|
hills the cliff-like dwellings of Shaston broke the
|
|
line of the ridge. Nobody was visible in the elevated
|
|
road which skirted the ascent save the lad whom they
|
|
had sent on before them, sitting on the handle of the
|
|
barrow that contained all Tess's worldly possessions.
|
|
|
|
"Bide here a bit, and the cart will soon come, no
|
|
doubt," said Mrs Durbeyfield. "Yes, I see it yonder!"
|
|
|
|
It had come--appearing suddenly from behind the
|
|
forehead of the nearest upland, and stopping beside the
|
|
boy with the barrow. Her mother and the children
|
|
thereupon decided to go no farther, and bidding them a
|
|
hasty goodbye Tess bent her steps up the hill.
|
|
|
|
They saw her white shape draw near to the spring-cart,
|
|
on which her box was already placed. But before she
|
|
had quite reached it another vehicle shot out from a
|
|
clump of trees on the summit, came round the bend of
|
|
the road there, passed the luggage-cart, and halted
|
|
beside Tess, who looked up as if in great surprise.
|
|
|
|
Her mother perceived, for the first time, that the
|
|
second vehicle was not a humble conveyance like the
|
|
first, but a spick-and-span gig or dog-cart, highly
|
|
varnished and equipped. The driver was a young man of
|
|
three-or four-and-twenty, with a cigar between his
|
|
teeth; wearing a dandy cap, drab jacket, breeches of
|
|
the same hue, white neckcloth, stick-up collar, and
|
|
brown driving-gloves--in short, he was the handsome,
|
|
horsey young buck who had visited Joan a week or two
|
|
before to get her answer about Tess.
|
|
|
|
Mrs Durbeyfield clapped her hands like a child. Then
|
|
she looked down, then stared again. Could she be
|
|
deceived as to the meaning of this?
|
|
|
|
"Is dat the gentleman-kinsman who'll make Sissy a
|
|
lady?" asked the youngest child.
|
|
|
|
Meanwhile the muslined form of Tess could be seen
|
|
standing still, undecided, beside this turn-out, whose
|
|
owner was talking to her. Her seeming indecision was,
|
|
in fact, more than indecision: it was misgiving. She
|
|
would have preferred the humble cart. The young man
|
|
dismounted, and appeared to urge her to ascend. She
|
|
turned her face down the hill to her relatives, and
|
|
regarded the little group. Something seemed to quicken
|
|
her to a determination; possibly the thought that she
|
|
had killed Prince. She suddenly stepped up; he mounted
|
|
beside her, and immediately whipped on the horse. In a
|
|
moment they had passed the slow cart with the box, and
|
|
disappeared behind the shoulder of the hill.
|
|
|
|
Directly Tess was out of sight, and the interest of the
|
|
matter as a drama was at an end, the little ones' eyes
|
|
filled with tears. The youngest child said, "I wish
|
|
poor, poor Tess wasn't gone away to be a lady!" and,
|
|
lowering the corners of his lips, burst out crying.
|
|
The new point of view was infectious, and the next
|
|
child did likewise, and then the next, till the whole
|
|
three of them wailed loud.
|
|
|
|
There were tears also in Joan Durbeyfield's eyes as she
|
|
turned to go home. But by the time she had got back to
|
|
the village she was passively trusting to the favour of
|
|
accident. However, in bed that night she sighed, and
|
|
her husband asked her what was the matter.
|
|
|
|
"Oh, I don't know exactly," she said. "I was thinking
|
|
that perhaps it would ha' been better if Tess had not
|
|
gone."
|
|
|
|
"Oughtn't ye to have thought of that before?"
|
|
|
|
"Well, 'tis a chance for the maid ---- Still, if 'twere
|
|
the doing again, I wouldn't let her go till I had found
|
|
out whether the gentleman is really a good-hearted
|
|
young man and choice over her as his kinswoman."
|
|
|
|
"Yes, you ought, perhaps, to ha' done that," snored Sir
|
|
John.
|
|
|
|
Joan Durbeyfield always managed to find consolation
|
|
somewhere: "Well, as one of the genuine stock, she
|
|
ought to make her way with 'en, if she plays her trump
|
|
card aright. And if he don't marry her afore he will
|
|
after. For that he's all afire wi' love for her any
|
|
eye can see."
|
|
|
|
"What's her trump card? Her d'Urberville blood, you
|
|
mean?"
|
|
|
|
"No, stupid; her face--as 'twas mine."
|
|
|
|
|
|
|
|
VIII
|
|
|
|
|
|
Having mounted beside her, Alec d'Urberville drove
|
|
rapidly along the crest of the first hill, chatting
|
|
compliments to Tess as they went, the cart with her box
|
|
being left far behind. Rising still, an immense
|
|
landscape stretched around them on every side; behind,
|
|
the green valley of her birth, before, a gray country
|
|
of which she knew nothing except from her first brief
|
|
visit to Trantridge. Thus they reached the verge of an
|
|
incline down which the road stretched in a long
|
|
straight descent of nearly a mile.
|
|
|
|
Ever since the accident with her father's horse Tess
|
|
Durbeyfield, courageous as she naturally was, had been
|
|
exceedingly timid on wheels; the least irregularity of
|
|
motion startled her. She began to get uneasy at a
|
|
certain recklessness in her conductor's driving.
|
|
|
|
"You will go down slow, sir, I suppose?" she said with
|
|
attempted unconcern.
|
|
|
|
D'Urberville looked round upon her, nipped his cigar
|
|
with the tips of his large white centre-teeth, and
|
|
allowed his lips to smile slowly of themselves.
|
|
|
|
"Why, Tess," he answered, after another whiff or two,
|
|
"it isn't a brave bouncing girl like you who asks that?
|
|
Why, I always go down at full gallop. There's nothing
|
|
like it for raising your spirits."
|
|
|
|
"But perhaps you need not now?"
|
|
|
|
"Ah," he said, shaking his head, "there are two to be
|
|
reckoned with. It is not me alone. Tib had to be
|
|
considered, and she has a very queer temper."
|
|
|
|
"Who?"
|
|
|
|
"Why, this mare. I fancy she looked round at me in a
|
|
very grim way just then. Didn't you notice it?"
|
|
|
|
"Don't try to frighten me, sir," said Tess stiffly.
|
|
|
|
"Well, I don't. If any living man can manage this
|
|
horse I can: I won't say any living man can do it--but
|
|
if such has the power, I am he."
|
|
|
|
"Why do you have such a horse?"
|
|
|
|
"Ah, well may you ask it! It was my fate, I suppose.
|
|
Tib has killed one chap; and just after I bought her
|
|
she nearly killed me. And then, take my word for it,
|
|
I nearly killed her. But she's touchy still, very
|
|
touchy; and one's life is hardly safe behind her
|
|
sometimes."
|
|
|
|
They were just beginning to descend; and it was evident
|
|
that the horse, whether of her own will or of his (the
|
|
latter being the more likely), knew so well the
|
|
reckless performance expected of her that she hardly
|
|
required a hint from behind.
|
|
|
|
Down, down, they sped, the wheels humming like a top,
|
|
the dog-cart rocking right and left, its axis acquiring
|
|
a slightly oblique set in relation to the line of
|
|
progress; the figure of the horse rising and falling in
|
|
undulations before them. Sometimes a wheel was off the
|
|
ground, it seemed, for many yards; sometimes a stone
|
|
was sent spinning over the hedge, and flinty sparks
|
|
from the horse's hoofs outshone the daylight. The
|
|
aspect of the straight road enlarged with their
|
|
advance, the two banks dividing like a splitting stick;
|
|
one rushing past at each shoulder.
|
|
|
|
The wind blew through Tess's white muslin to her very
|
|
skin, and her washed hair flew out behind. She was
|
|
determined to show no open fear, but she clutched
|
|
d'Urberville's rein-arm.
|
|
|
|
"Don't touch my arm! We shall be thrown out if you do!
|
|
Hold on round my waist!"
|
|
|
|
She grasped his waist, and so they reached the bottom.
|
|
|
|
"Safe, thank God, in spite of your fooling!" said she,
|
|
her face on fire.
|
|
|
|
"Tess--fie! that's temper!" said d'Urberville.
|
|
|
|
"'Tis truth."
|
|
|
|
"Well, you need not let go your hold of me so
|
|
thanklessly the moment you feel yourself our of
|
|
danger."
|
|
|
|
She had not considered what she had been doing; whether
|
|
he were man or woman, stick or stone, in her
|
|
involuntary hold on him. Recovering her reserve she sat
|
|
without replying, and thus they reached the summit of
|
|
another declivity.
|
|
|
|
"Now then, again!" said d'Urberville.
|
|
|
|
"No, no!" said Tess. "Show more sense, do, please."
|
|
|
|
"But when people find themselves on one of the highest
|
|
points in the county, they must get down again," he
|
|
retorted.
|
|
|
|
He loosened rein, and away they went a second time.
|
|
D'Urberville turned his face to her as they rocked, and
|
|
said, in playful raillery: "Now then, put your arms
|
|
round my waist again, as you did before, my Beauty."
|
|
|
|
"Never!" said Tess independently, holding on as well as
|
|
she could without touching him.
|
|
|
|
"Let me put one little kiss on those holmberry lips,
|
|
Tess, or even on that warmed cheek, and I'll stop--on
|
|
my honour, I will!"
|
|
|
|
Tess, surprised beyond measure, slid farther back still
|
|
on her seat, at which he urged the horse anew, and
|
|
rocked her the more.
|
|
|
|
"Will nothing else do?" she cried at length, in
|
|
desperation, her large eyes staring at him like those
|
|
of a wild animal. This dressing her up so prettily by
|
|
her mother had apparently been to lamentable purpose.
|
|
|
|
"Nothing, dear Tess," he replied.
|
|
|
|
"Oh, I don't know--very well; I don't mind!" she panted
|
|
miserably.
|
|
|
|
He drew rein, and as they slowed he was on the point of
|
|
imprinting the desired salute, when, as if hardly yet
|
|
aware of her own modesty, she dodged aside. His arms
|
|
being occupied with the reins there was left him no
|
|
power to prevent her manoeuvre.
|
|
|
|
"Now, damn it--I'll break both our necks!" swore her
|
|
capriciously passionate companion. "So you can go from
|
|
your word like that, you young witch, can you?"
|
|
|
|
"Very well," said Tess, "I'll not more since you be so
|
|
determined! But I--thought you would be kind to me, and
|
|
protect me, as my kinsman!"
|
|
|
|
"Kinsman be hanged! Now!"
|
|
|
|
"But I don't want anybody to kiss me, sir!" she
|
|
implored, a big tear beginning to roll down her face,
|
|
and the corners of her mouth trembling in her attempts
|
|
not to cry. "And I wouldn't ha' come if I had known!"
|
|
|
|
He was inexorable, and she sat still, and d'Urberville
|
|
gave her the kiss of mastery. No sooner had he done so
|
|
than she flushed with shame, took out her handkerchief,
|
|
and wiped the spot on her cheek that had been touched
|
|
by his lips. His ardour was nettled at the sight, for
|
|
the act on her part had been unconsciously done.
|
|
|
|
"You are mighty sensitive for a cottage girl!" said the
|
|
young man.
|
|
|
|
Tess made no reply to this remark, of which, indeed,
|
|
she did not quite comprehend the drift, unheeding the
|
|
snub she had administered by her instinctive rub upon
|
|
her cheek. She had, in fact, undone the kiss, as far
|
|
as such a thing was physically possible. With a dim
|
|
sense that he was vexed she looked steadily ahead as
|
|
they trotted on near Melbury Down and Wingreen, till
|
|
she saw, to her consternation, that there was yet
|
|
another descent to be undergone.
|
|
|
|
"You shall be made sorry for that!" he resumed, his
|
|
injured tone still remaining, as he flourished the whip
|
|
anew. "Unless, that is, you agree willingly to let me
|
|
do it again, and no handkerchief."
|
|
|
|
She sighed. "Very well, sir!" she said. "Oh--let me
|
|
get my hat!"
|
|
|
|
At the moment of speaking her hat had blown off into
|
|
the road, their present speed on the upland being by no
|
|
means slow. D'Urberville pulled up, and said he would
|
|
get it for her, but Tess was down on the other side.
|
|
|
|
She turned back and picked up the article.
|
|
|
|
"You look prettier with it off, upon my soul, if that's
|
|
possible," he said, contemplating her over the back of
|
|
the vehicle. "Now then, up again! What's the matter?"
|
|
|
|
The hat was in place and tied, but Tess had not stepped
|
|
forward.
|
|
|
|
"No, sir," she said, revealing the red and ivory of her
|
|
mouth as her eye lit in defiant triumph; "not again, if
|
|
I know it!"
|
|
|
|
"What--you won't get up beside me?"
|
|
|
|
"No; I shall walk."
|
|
|
|
"'Tis five or six miles yet to Trantridge."
|
|
|
|
"I don't care if 'tis dozens. Besides, the cart is
|
|
behind."
|
|
|
|
"You artful hussy! Now, tell me--didn't you make that
|
|
hat blow off on purpose? I'll swear you did!"
|
|
|
|
Her strategic silence confirmed his suspicion.
|
|
|
|
Then d'Urberville cursed and swore at her, and called
|
|
her everything he could think of for the trick.
|
|
Turning the horse suddenly he tried to drive back upon
|
|
her, and so hem her in between the gig and the hedge.
|
|
But he could not do this short of injuring her.
|
|
|
|
"You ought to be ashamed of yourself for using such
|
|
wicked words!" cried Tess with spirit, from the top of
|
|
the hedge into which she had scrambled. "I don't like
|
|
'ee at all! I hate and detest you! I'll go back to
|
|
mother, I will!"
|
|
|
|
D'Urberville's bad temper cleared up at sight of hers;
|
|
and he laughed heartily.
|
|
|
|
"Well, I like you all the better," he said. "Come, let
|
|
there be peace. I'll never do it any more against your
|
|
will. My life upon it now!"
|
|
|
|
Still Tess could not be induced to remount. She did
|
|
not, however, object to his keeping his gig alongside
|
|
her; and in this manner, at a slow pace, they advanced
|
|
towards the village of Trantridge. From time to time
|
|
d'Urberville exhibited a sort of fierce distress at the
|
|
sight of the tramping he had driven her to undertake by
|
|
his misdemeanour. She might in truth have safely
|
|
trusted him now; but he had forfeited her confidence
|
|
for the time, and she kept on the ground progressing
|
|
thoughtfully, as if wondering whether it would be wiser
|
|
to return home. Her resolve, however, had been taken,
|
|
and it seemed vacillating even to childishness to
|
|
abandon it now, unless for graver reasons. How could
|
|
she face her parents, get back her box, and disconcert
|
|
the whole scheme for the rehabilitation of her family
|
|
on such sentimental grounds?
|
|
|
|
A few minutes later the chimneys of The Slopes appeared
|
|
in view, and in a snug nook to the right the
|
|
poultry-farm and cottage of Tess' destination.
|
|
|
|
|
|
|
|
IX
|
|
|
|
|
|
The community of fowls to which Tess had been appointed
|
|
as supervisor, purveyor, nurse, surgeon, and friend,
|
|
made its headquarters in an old thatched cottage
|
|
standing in an enclosure that had once been a garden,
|
|
but was now a trampled and sanded square. The house
|
|
was overrun with ivy, its chimney being enlarged by the
|
|
boughs of the parasite to the aspect of a ruined tower.
|
|
The lower rooms were entirely given over to the birds,
|
|
who walked about them with a proprietary air, as though
|
|
the place had been built by themselves, and not by
|
|
certain dusty copyholders who now lay east and west in
|
|
the churchyard. The descendants of these bygone owners
|
|
felt it almost as a slight to their family when the
|
|
house which had so much of their affection, had cost so
|
|
much of their forefathers' money, and had been in their
|
|
possession for several generations before the
|
|
d'Urbervilles came and built here, was indifferently
|
|
turned into a fowl-house by Mrs Stoke-d'Urberville as
|
|
soon as the property fell into hand according to law.
|
|
"'Twas good enough for Christians in grandfather's
|
|
time," they said.
|
|
|
|
The rooms wherein dozens of infants had wailed at their
|
|
nursing now resounded with the tapping of nascent
|
|
chicks. Distracted hens in coops occupied spots where
|
|
formerly stood chairs supporting sedate agriculturists.
|
|
The chimney-corner and once blazing hearth was now
|
|
filled with inverted beehives, in which the hens laid
|
|
their eggs; while out of doors the plots that each
|
|
succeeding householder had carefully shaped with his
|
|
spade were torn by the cocks in wildest fashion.
|
|
|
|
The garden in which the cottage stood was surrounded by
|
|
a wall, and could only be entered through a door.
|
|
|
|
When Tess had occupied herself about an hour the next
|
|
morning in altering and improving the arrangements,
|
|
according to her skilled ideas as the daughter of a
|
|
professed poulterer, the door in the wall opened and a
|
|
servant in white cap and apron entered. She had come
|
|
from the manor-house.
|
|
|
|
"Mrs d'Urberville wants the fowls as usual," she said;
|
|
but perceiving that Tess did not quite understand, she
|
|
explained, "Mis'ess is a old lady, and blind."
|
|
|
|
"Blind!" said Tess.
|
|
|
|
Almost before her misgiving at the news could find time
|
|
to shape itself she took, under her companion's
|
|
direction, two of the most beautiful of the Hamburghs
|
|
in her arms, and followed the maid-servant, who had
|
|
likewise taken two, to the adjacent mansion, which,
|
|
though ornate and imposing, showed traces everywhere on
|
|
this side that some occupant of its chambers could bend
|
|
to the love of dumb creatures--feathers floating within
|
|
view of the front, and hen-coops standing on the grass.
|
|
|
|
In a sitting-room on the ground-floor, ensconced in an
|
|
armchair with her back to the light, was the owner and
|
|
mistress of the estate, a white-haired woman of not
|
|
more than sixty, or even less, wearing a large cap.
|
|
She had the mobile face frequent in those whose sight
|
|
has decayed by stages, has been laboriously striven
|
|
after, and reluctantly let go, rather than the stagnant
|
|
mien apparent in persons long sightless or born blind.
|
|
Tess walked up to this lady with her feathered
|
|
charges--one sitting on each arm.
|
|
|
|
"Ah, you are the young woman come to look after my
|
|
birds?" said Mrs d'Urberville, recognizing a new
|
|
footstep. "I hope you will be kind to them. My
|
|
bailiff tells me you are quite the proper person. Well,
|
|
where are they? Ah, this is Strut! But he is hardly
|
|
so lively today, is he? He is alarmed at being handled
|
|
by a stranger, I suppose. And Phena too--yes, they are
|
|
a little frightened--aren't you, dears? But they will
|
|
soon get used to you."
|
|
|
|
While the old lady had been speaking Tess and the other
|
|
maid, in obedience to her gestures, had placed the
|
|
fowls severally in her lap, and she had felt them over
|
|
from head to tail, examining their beaks, their combs,
|
|
the manes of the cocks, their winds, and their claws.
|
|
Her touch enabled her to recognize them in a moment,
|
|
and to discover if a single feather were crippled or
|
|
draggled. She handled their crops, and knew what they
|
|
had eaten, and if too little or too much; her face
|
|
enacting a vivid pantomime of the criticisms passing in
|
|
her mind.
|
|
|
|
The birds that the two girls had brought in were duly
|
|
returned to the yard, and the process was repeated till
|
|
all the pet cocks and hens had been submitted to the
|
|
old woman--Hamburghs, Bantams, Cochins, Brahmas,
|
|
Dorkings, and such other sorts as were in fashion just
|
|
then--her perception of each visitor being seldom at
|
|
fault as she received the bird upon her knees.
|
|
|
|
It reminded Tess of a Confirmation, in which Mrs
|
|
d'Urberville was the bishop, the fowls the young people
|
|
presented, and herself and the maid-servant the parson
|
|
and curate of the parish bringing them up. At the end
|
|
of the ceremony Mrs d'Urberville abruptly asked Tess,
|
|
wrinkling and twitching her face into undulations,
|
|
"Can you whistle?"
|
|
|
|
"Whistle, Ma'am?"
|
|
|
|
"Yes, whistled tunes."
|
|
|
|
Tess could whistle like most other country girls,
|
|
though the accomplishment was one which she did not
|
|
care to profess in genteel company. However, she
|
|
blandly admitted that such was the fact.
|
|
|
|
"Then you will have to practise it every day. I had a
|
|
lad who did it very well, but he has left. I want you
|
|
to whistle to my bullfinches; as I cannot see them I
|
|
like to hear them, and we teach 'em airs that way.
|
|
Tell her where the cages are, Elizabeth. You must
|
|
begin tomorrow, or they will go back in their piping.
|
|
They have been neglected these several days."
|
|
|
|
"Mr d'Urberville whistled to 'em this morning, ma'am,"
|
|
said Elizabeth.
|
|
|
|
"He! Pooh!"
|
|
|
|
The old lady's face creased into furrows of repugnance,
|
|
and she made no further reply.
|
|
|
|
Thus the reception of Tess by her fancied kinswoman
|
|
terminated, and the birds were taken back to their
|
|
quarters. The girl's surprise at Mrs d'Urberville's
|
|
manner was not great; for since seeing the size of the
|
|
house she had expected no more. But she was far from
|
|
being aware that the old lady had never heard a word of
|
|
the so-called kinship. She gathered that no great
|
|
affection flowed between the blind woman and her son.
|
|
But in that, too, she was mistaken. Mrs d'Urberville
|
|
was not the first mother compelled to love her
|
|
offspring resentfully, and to be bitterly fond.
|
|
|
|
|
|
In spite of the unpleasant initiation of the day
|
|
before, Tess inclined to the freedom and novelty of her
|
|
new position in the morning when the sun shone, now
|
|
that she was once installed there; and she was curious
|
|
to test her powers in the unexpected direction asked of
|
|
her, so as to ascertain her chance of retaining her
|
|
post. As soon as she was alone within the walled garden
|
|
she sat herself down on a coop, and seriously screwed
|
|
up her mouth for the long-neglected practice. She
|
|
found her former ability to have generated to the
|
|
production of a hollow rush of wind through the lips,
|
|
and no clear note at all.
|
|
|
|
She remained fruitlessly blowing and blowing, wondering
|
|
how she could have so grown out of the art which had
|
|
come by nature, till she became aware of a movement
|
|
among the ivy-boughs which cloaked the garden-wall no
|
|
less then the cottage. Looking that way she beheld a
|
|
form springing from the coping to the plot. It was
|
|
Alec d'Urberville, whom she had not set eyes on since
|
|
he had conducted her the day before to the door of the
|
|
gardener's cottage where she had lodgings.
|
|
|
|
"Upon my honour!" cried he, "there was never before
|
|
such a beautiful thing in Nature or Art as you look,
|
|
'Cousin' Tess ('Cousin' had a faint ring of mockery).
|
|
I have been watching you from over the wall--sitting
|
|
like IM-patience on a monument, and pouting up that
|
|
pretty red mouth to whistling shape, and whooing and
|
|
whooing, and privately swearing, and never being able
|
|
to produce a note. Why, you are quite cross because
|
|
you can't do it."
|
|
|
|
"I may be cross, but I didn't swear."
|
|
|
|
"Ah! I understand why you are trying--those bullies!
|
|
My mother wants you to carry on their musical
|
|
education. How selfish of her! As if attending to
|
|
these curst cocks and hens here were not enough work
|
|
for any girl. I would flatly refuse, if I were you."
|
|
|
|
"But she wants me particularly to do it, and to be
|
|
ready by tomorrow morning."
|
|
|
|
"Does she? Well then--I'll give you a lesson or two."
|
|
|
|
"Oh no, you won't!" said Tess, withdrawing towards the
|
|
door.
|
|
|
|
"Nonsense; I don't want to touch you. See--I'll stand
|
|
on this side of the wire-netting, and you can keep on
|
|
the other; so you may feel quite safe. Now, look here;
|
|
you screw up your lips too harshly. There 'tis--so."
|
|
|
|
He suited the action to the word, and whistled a line
|
|
of "Take, O take those lips away." But the allusion
|
|
was lost upon Tess.
|
|
|
|
"Now try," said d'Urberville.
|
|
|
|
She attempted to look reserved; her face put on a
|
|
sculptural severity. But he persisted in his demand,
|
|
and at last, to get rid of him, she did put up her lips
|
|
as directed for producing a clear note; laughing
|
|
distressfully, however, and then blushing with vexation
|
|
that she had laughed.
|
|
|
|
He encouraged her with "Try again!"
|
|
|
|
Tess was quite serious, painfully serious by this time;
|
|
and she tried--ultimately and unexpectedly emitting a
|
|
real round sound. The momentary pleasure of success got
|
|
the better of her; her eyes enlarged, and she
|
|
involuntarily smiled in his face.
|
|
|
|
"That's it! Now I have started you--you'll go on
|
|
beautifully. There--I said I would not come near you;
|
|
and, in spite of such temptation as never before fell
|
|
to mortal man, I'll keep my word. ... Tess, do you
|
|
think my mother a queer old soul?"
|
|
|
|
"I don't know much of her yet, sir."
|
|
|
|
"You'll find her so; she must be, to make you learn to
|
|
whistle to her bullfinches. I am rather out of her
|
|
books just now, but you will be quite in favour if you
|
|
treat her live-stock well. Good morning. If you meet
|
|
with any difficulties and want help here, don't go to
|
|
the bailiff, come to me."
|
|
|
|
|
|
It was in the economy of this REGIME that Tess
|
|
Durbeyfield had undertaken to fill a place. Her first
|
|
day's experiences were fairly typical of those which
|
|
followed through many succeeding days. A familiarity
|
|
with Alec d'Urberville's presence--which that young man
|
|
carefully cultivated in her by playful dialogue, and by
|
|
jestingly calling her his cousin when they were
|
|
alone--removed much of her original shyness of him,
|
|
without, however, implanting any feeling which could
|
|
engender shyness of a new and tenderer kind. But she
|
|
was more pliable under his hands than a mere
|
|
companionship would have made her, owing to her
|
|
unavoidable dependence upon his mother, and, through
|
|
that lady's comparative helplessness, upon him.
|
|
|
|
She soon found that whistling to the bullfinches in Mrs
|
|
d'Urberville's room was no such onerous business when
|
|
she had regained the art, for she had caught from her
|
|
musical mother numerous airs that suited those
|
|
songsters admirably. A far more satisfactory time than
|
|
when she practised in the garden was this whistling by
|
|
the cages each morning. Unrestrained by the young
|
|
man's presence she threw up her mouth, put her lips
|
|
near the bars, and piped away in easeful grace to the
|
|
attentive listeners.
|
|
|
|
Mrs d'Urberville slept in a large four-post bedstead
|
|
hung with heavy damask curtains, and the bullfinches
|
|
occupied the same apartment, where they flitted about
|
|
freely at certain hours, and made little white spots on
|
|
the furniture and upholstery. Once while Tess was at
|
|
the window where the cages were ranged, giving her
|
|
lesson as usual, she thought she heard a rustling
|
|
behind the bed. The old lady was not present, and
|
|
turning round the girl had an impression that the toes
|
|
of a pair of boots were visible below the fringe of the
|
|
curtains. Thereupon her whistling became so disjointed
|
|
that the listener, if such there were, must have
|
|
discovered her suspicion of his presence. She searched
|
|
the curtains every morning after that, but never found
|
|
anybody within them. Alec d'Urberville had evidently
|
|
thought better of his freak to terrify her by an ambush
|
|
of that kind.
|
|
|
|
|
|
|
|
X
|
|
|
|
|
|
Every village has its idiosyncrasy, its constitution,
|
|
often its own code of morality. The levity of some of
|
|
the younger women in and about Trantridge was marked,
|
|
and was perhaps symptomatic of the choice spirit who
|
|
ruled The Slopes in that vicinity. The place had also
|
|
a more abiding defect; it drank hard. The staple
|
|
conversation on the farms around was on the uselessness
|
|
of saving money; and smockfrocked arithmeticians,
|
|
leaning on their ploughs or hoes, would enter into
|
|
calculations of great nicety to prove that parish
|
|
relief was a fuller provision for a man in his old age
|
|
than any which could result from savings out of their
|
|
wages during a whole lifetime.
|
|
|
|
The chief pleasure of these philosophers lay in going
|
|
every Saturday night, when work was done, to
|
|
Chaseborough, a decayed market-town two or three miles
|
|
distant; and, returning in the small hours of the next
|
|
morning, to spend Sunday in sleeping off the dyspeptic
|
|
effects of the curious compounds sold to them as beer
|
|
by the monopolizers of the once independent inns.
|
|
|
|
For a long time Tess did not join in the weekly
|
|
pilgrimages. But under pressure from matrons not much
|
|
older than herself--for a field-man's wages being as
|
|
high at twenty-one as at forty, marriage was early
|
|
here--Tess at length consented to go. Her first
|
|
experience of the journey afforded her more enjoyment
|
|
than she had expected, the hilariousness of the others
|
|
being quite contagious after her monotonous attention
|
|
to the poultry-farm all the week. She went again and
|
|
again. Being graceful and interesting, standing
|
|
moreover on the momentary threshold of womanhood, her
|
|
appearance drew down upon her some sly regards from
|
|
loungers in the streets of Chaseborough; hence, though
|
|
sometimes her journey to the town was made
|
|
independently, she always searched for her fellows at
|
|
nightfall, to have the protection of their
|
|
companionship homeward.
|
|
|
|
This had gone on for a month or two when there came a
|
|
Saturday in September, on which a fair and a market
|
|
coincided; and the pilgrims from Trantridge sought
|
|
double delights at the inns on that account. Tess's
|
|
occupations made her late in setting out, so that her
|
|
comrades reached the town long before her. It was a
|
|
fine September evening, just before sunset, when yellow
|
|
lights struggle with blue shades in hairlike lines, and
|
|
the atmosphere itself forms a prospect without aid from
|
|
more solid objects, except the innumerable winged
|
|
insects that dance in it. Through this low-lit
|
|
mistiness Tess walked leisurely along.
|
|
|
|
She did not discover the coincidence of the market with
|
|
the fair till she had reached the place, by which time
|
|
it was close upon dusk. Her limited marketing was soon
|
|
completed; and then as usual she began to look about
|
|
for some of the Trantridge cottagers.
|
|
|
|
At first she could not find them, and she was informed
|
|
that most of them had gone to what they called a
|
|
private little jig at the house of a hay-trusser and
|
|
peat-dealer who had transactions with their farm. He
|
|
lived in an out-of-the-way nook of the townlet, and in
|
|
trying to find her course thither her eyes fell upon
|
|
Mr d'Urberville standing at a street corner.
|
|
|
|
"What--my Beauty? You here so late?" he said.
|
|
|
|
She told him that she was simply waiting for company
|
|
homeward.
|
|
|
|
"I'll see you again," said he over her shoulder as she
|
|
went on down the back lane.
|
|
|
|
Approaching the hay-trussers she could hear the fiddled
|
|
notes of a reel proceeding from some building in the
|
|
rear; but no sound of dancing was audible--an
|
|
exceptional state of things for these parts, where as a
|
|
rule the stamping drowned the music. The front door
|
|
being open she could see straight through the house
|
|
into the garden at the back as far as the shades of
|
|
night would allow; and nobody appearing to her knock
|
|
she traversed the dwelling and went up the path to the
|
|
outhouse whence the sound had attracted her.
|
|
|
|
It was a windowless erection used for storage, and from
|
|
the open door there floated into the obscurity a mist
|
|
of yellow radiance, which at first Tess thought to be
|
|
illuminated smoke. But on drawing nearer she perceived
|
|
that it was a cloud of dust, lit by candles within the
|
|
outhouse, whose beams upon the haze carried forward the
|
|
outline of the doorway into the wide night of the
|
|
garden.
|
|
|
|
When she came close and looked in she beheld indistinct
|
|
forms racing up and down to the figure of the dance,
|
|
the silence of their footfalls arising from their being
|
|
overshoe in "scroff"--that is to say, the powdery
|
|
residuum from the storage of peat and other products,
|
|
the stirring of which by their turbulent feet created
|
|
the nebulosity that involved the scene. Through this
|
|
floating, fusty DEBRIS of peat and hay, mixed with the
|
|
perspirations and warmth of the dancers, and forming
|
|
together a sort of vegeto-human pollen, the muted
|
|
fiddles feebly pushed their notes, in marked contrast
|
|
to the spirit with which the measure was trodden out.
|
|
They coughed as they danced, and laughed as they
|
|
coughed. Of the rushing couples there could barely be
|
|
discerned more than the high lights--the indistinctness
|
|
shaping them to satyrs clasping nymphs--a multiplicity
|
|
of Pans whirling a multiplicity of Syrinxes; Lotis
|
|
attempting to elude Priapus, and always failing.
|
|
|
|
At intervals a couple would approach the doorway for
|
|
air, and the haze no longer veiling their features, the
|
|
demigods resolved themselves into the homely
|
|
personalities of her own next-door neighbours.
|
|
Could Trantridge in two or three short hours have
|
|
metamorphosed itself thus madly!
|
|
|
|
Some Sileni of the throng sat on benches and
|
|
hay-trusses by the wall; and one of them recognized
|
|
her.
|
|
|
|
"The maids don't think it respectable to dance at The
|
|
Flower-de-Luce," he explained. "They don't like to
|
|
let everybody see which be their fancy-men. Besides,
|
|
the house sometimes shuts up just when their jints
|
|
begin to get greased. So we come here and send out for
|
|
liquor."
|
|
|
|
"But when be any of you going home?" asked Tess with
|
|
some anxiety.
|
|
|
|
"Now--a'most directly. This is all but the last jig."
|
|
|
|
She waited. The reel drew to a close, and some of the
|
|
party were in the mind of starting. But others would
|
|
not, and another dance was formed. This surely would
|
|
end it, thought Tess. But it merged in yet another.
|
|
She became restless and uneasy; yet, having waited so
|
|
long, it was necessary to wait longer; on account of
|
|
the fair the roads were dotted with roving characters
|
|
of possibly ill intent; and, though not fearful of
|
|
measurable dangers, she feared the unknown. Had she
|
|
been near Marlott she would have had less dread.
|
|
|
|
"Don't ye be nervous, my dear good soul," expostulated,
|
|
between his coughs, a young man with a wet face, and
|
|
his straw hat so far back upon his head that the brim
|
|
encircled it like the nimbus of a saint. "What's yer
|
|
hurry? Tomorrow is Sunday, thank God, and we can sleep
|
|
it off in church-time. Now, have a turn with me?"
|
|
|
|
She did not abhor dancing, but she was not going to
|
|
dance here. The movement grew more passionate: the
|
|
fiddlers behind the luminous pillar of cloud now and
|
|
then varied the air by playing on the wrong side of the
|
|
bridge or with the back of the bow. But it did not
|
|
matter; the panting shapes spun onwards.
|
|
|
|
They did not vary their partners if their inclination
|
|
were to stick to previous ones. Changing partners
|
|
simply meant that a satisfactory choice had not as yet
|
|
been arrived at by one or other of the pair, and by
|
|
this time every couple had been suitable matched. It
|
|
was then that the ecstasy and the dream began, in which
|
|
emotion was the matter of the universe, and matter but
|
|
an adventitious intrusion likely to hinder you from
|
|
spinning where you wanted to spin.
|
|
|
|
Suddenly there was a dull thump on the ground: a couple
|
|
had fallen, and lay in a mixed heap. The next couple,
|
|
unable to check its progress, came toppling over the
|
|
obstacle. An inner cloud of dust rose around the
|
|
prostrate figures amid the general one of the room, in
|
|
which a twitching entanglement of arms and legs was
|
|
discernible.
|
|
|
|
"You shall catch it for this, my gentleman, when you
|
|
get home!" burst in female accents from the human
|
|
heap--those of the unhappy partner of the man whose
|
|
clumsiness had caused the mishap; she happened also to
|
|
be his recently married wife, in which assortment there
|
|
was nothing unusual at Trantridge as long as any
|
|
affection remained between wedded couples; and, indeed,
|
|
it was not uncustomary in their later lives, to avoid
|
|
making odd lots of the single people between whom there
|
|
might be a warm understanding.
|
|
|
|
A loud laugh from behind Tess's back, in the shade of
|
|
the garden, united with the titter within the room.
|
|
She looked round, and saw the red coal of a cigar: Alec
|
|
d'Urberville was standing there alone. He beckoned to
|
|
her, and she reluctantly retreated towards him.
|
|
|
|
"Well, my Beauty, what are you doing here?"
|
|
|
|
She was so tired after her long day and her walk that
|
|
she confided her trouble to him--that she had been
|
|
waiting ever since he saw her to have their company
|
|
home, because the road at night was strange to her.
|
|
"But it seems they will never leave off, and I really
|
|
think I will wait no longer."
|
|
|
|
"Certainly do not. I have only a saddle-horse here
|
|
today; but come to The Flower-de-Luce, and I'll hire a
|
|
trap, and drive you home with me."
|
|
|
|
Tess, though flattered, had never quite got over her
|
|
original mistrust of him, and, despite their tardiness,
|
|
she preferred to walk home with the work-folk. So she
|
|
answered that she was much obliged to him, but would
|
|
not trouble him. "I have said that I will wait for
|
|
'em, and they will expect me to now."
|
|
|
|
"Very well, Miss Independence. Please yourself....
|
|
Then I shall not hurry.... My good Lord, what a kick-up
|
|
they are having there!"
|
|
|
|
He had not put himself forward into the light, but some
|
|
of them had perceived him, and his presence led to a
|
|
slight pause and a consideration of how the time was
|
|
flying. As soon as he had re-lit a cigar and walked
|
|
away the Trantridge people began to collect themselves
|
|
from amid those who had come in from other farms, and
|
|
prepared to leave in a body. Their bundles and baskets
|
|
were gathered up, and half an hour later, when the
|
|
clock-chime sounded a quarter past eleven, they were
|
|
straggling along the lane which led up the hill towards
|
|
their homes.
|
|
|
|
|
|
It was a three-mile walk, along a dry white road, made
|
|
whiter tonight by the light of the moon.
|
|
|
|
Tess soon perceived as she walked in the flock,
|
|
sometimes with this one, sometimes with that, that the
|
|
fresh night air was producing staggerings and
|
|
serpentine courses among then men who had partaken too
|
|
freely; some of the more careless women also were
|
|
wandering in their gait--to wit, a dark virago, Car
|
|
Darch, dubbed Queen of Spades, till lately a favourite
|
|
of d'Urberville's; Nancy, her sister, nicknamed the
|
|
Queen of Diamonds; and the young married woman who had
|
|
already tumbled down. Yet however terrestrial and
|
|
lumpy their appearance just now to the mean unglamoured
|
|
eye, to themselves the case was different. They
|
|
followed the road with a sensation that they were
|
|
soaring along in a supporting medium, possessed of
|
|
original and profound thoughts, themselves and
|
|
surrounding nature forming an organism of which all the
|
|
parts harmoniously and joyously interpenetrated each
|
|
other. They were as sublime as the moon and stars
|
|
above them, and the moon and stars were as ardent as
|
|
they.
|
|
|
|
Tess, however, had undergone such painful experiences
|
|
of this kind in her father's house, that the discovery
|
|
of their condition spoilt the pleasure she was
|
|
beginning to feel in the moonlight journey. Yet she
|
|
stuck to the party, for reasons above given.
|
|
|
|
In the open highway they had progressed in scattered
|
|
order; but now their route was through a field-gate,
|
|
and the foremost finding a difficulty in opening it
|
|
they closed up together.
|
|
|
|
This leading pedestrian was Car the Queen of Spades,
|
|
who carried a wicker-basket containing her mother's
|
|
groceries, her own draperies, and other purchases for
|
|
the week. The basket being large and heavy, Car had
|
|
placed it for convenience of porterage on the top of
|
|
her head, where it rode on in jeopardized balance as
|
|
she walked with arms akimbo.
|
|
|
|
"Well--whatever is that a-creeping down thy back, Car
|
|
Darch?" said one of the group suddenly.
|
|
|
|
All looked at Car. Her gown was a light cotton print,
|
|
and from the back of her head a kind of rope could be
|
|
seen descending to some distance below her waist, like
|
|
a Chinaman's queue.
|
|
|
|
"'Tis her hair falling down," said another.
|
|
|
|
No; it was not her hair: it was a black stream of
|
|
something oozing from her basket, and it glistened like
|
|
a slimy snake in the cold still rays of the moon.
|
|
|
|
"'Tis treacle," said an observant matron.
|
|
|
|
Treacle it was. Car's poor old grandmother had a
|
|
weakness for the sweet stuff. Honey she had in plenty
|
|
out of her own hives, but treacle was what her soul
|
|
desired, and Car had been about to give her a treat of
|
|
surprise. Hastily lowering the basket the dark girl
|
|
found that the vessel containing the syrup had been
|
|
smashed within.
|
|
|
|
By this time there had arisen a shout of laughter at
|
|
the extraordinary appearance of Car's back, which
|
|
irritated the dark queen into getting rid of the
|
|
disfigurement by the first sudden means available, and
|
|
independently of the help of the scoffers. She rushed
|
|
excitedly into the field they were about to cross, and
|
|
flinging herself flat on her back upon the grass, began
|
|
to wipe her gown as well as she could by spinning
|
|
horizontally on the herbage and dragging herself over
|
|
it upon her elbows.
|
|
|
|
The laughter rang louder; they clung to the gate, to
|
|
the posts, rested on their staves, in the weakness
|
|
engendered by their convulsions at the spectacle of
|
|
Car. Our heroine, who had hitherto held her peace, at
|
|
this wild moment could not help joining in with the
|
|
rest.
|
|
|
|
It was a misfortune--in more ways than one. No sooner
|
|
did the dark queen hear the soberer richer note of Tess
|
|
among those of the other work-people than a long
|
|
smouldering sense of rivalry inflamed her to madness.
|
|
She sprang to her feet and closely faced the object of
|
|
her dislike.
|
|
|
|
"How darest th' laugh at me, hussy!" she cried.
|
|
|
|
"I couldn't really help it when t'others did,"
|
|
apologized Tess, still tittering.
|
|
|
|
"Ah, th'st think th' beest everybody, dostn't, because
|
|
th' beest first favourite with He just now! But stop a
|
|
bit, my lady, stop a bit! I'm as good as two of such!
|
|
Look here--here's at 'ee!"
|
|
|
|
To Tess's horror the dark queen began stripping off the
|
|
bodice of her gown--which for the added reason of its
|
|
ridiculed condition she was only too glad to be free
|
|
of--till she had bared her plump neck, shoulders, and
|
|
arms to the moonshine, under which they looked as
|
|
luminous and beautiful as some Praxitelean creation, in
|
|
their possession of the faultless rotundities of a
|
|
lusty country girl. She closed her fists and squared up
|
|
at Tess.
|
|
|
|
"Indeed, then, I shall not fight!" said the latter
|
|
majestically; "and if I had know you was of that sort,
|
|
I wouldn't have so let myself down as to come with such
|
|
a whorage as this is!"
|
|
|
|
The rather too inclusive speech brought down a torrent
|
|
of vituperation from other quarters upon fair Tess's
|
|
unlucky head, particularly from the Queen of Diamonds,
|
|
who having stood in the relations to d'Urberville that
|
|
Car had also been suspected of, united with the latter
|
|
against the common enemy. Several other women also
|
|
chimed in, with an animus which none of them would have
|
|
been so fatuous as to show but for the rollicking
|
|
evening they had passed. Thereupon, finding Tess
|
|
unfairly browbeaten, the husbands and lovers tried to
|
|
make peace by defending her; but the result of that
|
|
attempt was directly to increase the war.
|
|
|
|
Tess was indignant and ashamed. She no longer minded
|
|
the loneliness of the way and the lateness of the hour;
|
|
her one object was to get away from the whole crew as
|
|
soon as possible. She knew well enough that the better
|
|
among them would repent of their passion next day.
|
|
They were all now inside the field, and she was edging
|
|
back to rush off alone when a horseman emerged almost
|
|
silently from the corner of the hedge that screened the
|
|
road, and Alec d'Urberville looked round upon them.
|
|
|
|
"What the devil is all this row about, work-folk?" he
|
|
asked.
|
|
|
|
The explanation was not readily forthcoming; and, in
|
|
truth, he did not require any. Having heard their
|
|
voices while yet some way off he had ridden creepingly
|
|
forward, and learnt enough to satisfy himself.
|
|
|
|
Tess was standing apart from the rest, near the gate.
|
|
He bent over towards her. "Jump up behind me," he
|
|
whispered, "and we'll get shot of the screaming cats in
|
|
a jiffy!"
|
|
|
|
She felt almost ready to faint, so vivid was her sense
|
|
of the crisis. At almost any other moment of her life
|
|
she would have refused such proffered aid and company,
|
|
as she had refused them several times before; and now
|
|
the loneliness would not of itself have forced her to
|
|
do otherwise. But coming as the invitation did at the
|
|
particular juncture when fear and indignation at these
|
|
adversaries could be transformed by a spring of the
|
|
foot into a triumph over them, she abandoned herself to
|
|
her impulse, climbed the gate, put her toe upon his
|
|
instep, and scrambled into the saddle behind him. The
|
|
pair were speeding away into the distant gray by the
|
|
time that the contentious revellers became aware of
|
|
what had happened.
|
|
|
|
The Queen of Spades forgot the stain on her bodice, and
|
|
stood beside the Queen of Diamonds and the new-married,
|
|
staggering young woman--all with a gaze of fixity in
|
|
the direction in which the horse's tramp was
|
|
diminishing into silence on the road.
|
|
|
|
"What be ye looking at?" asked a man who had not
|
|
observed the incident.
|
|
|
|
"Ho-ho-ho!" laughed dark Car.
|
|
|
|
"Hee-hee-hee!" laughed the tippling bride, as she
|
|
steadied herself on the arm of her fond husband.
|
|
|
|
"Heu-heu-heu!" laughed dark Car's mother, stroking her
|
|
moustache as she explained laconically: "Out of the
|
|
frying-pan into the fire!"
|
|
|
|
Then these children of the open air, whom even excess
|
|
of alcohol could scarce injure permanently, betook
|
|
themselves to the field-path; and as they went there
|
|
moved onward with them, around the shadow of each one's
|
|
head, a circle of opalized light, formed by the moon's
|
|
rays upon the glistening sheet of dew. Each pedestrian
|
|
could see no halo but his or her own, which never
|
|
deserted the head-shadow, whatever its vulgar
|
|
unsteadiness might be; but adhered to it, and
|
|
persistently beautified it; till the erratic motions
|
|
seemed an inherent part of the irradiation, and the
|
|
fumes of their breathing a component of the night's
|
|
mist; and the spirit of the scene, and of the
|
|
moonlight, and of Nature, seemed harmoniously to mingle
|
|
with the spirit of wine.
|
|
|
|
|
|
|
|
XI
|
|
|
|
|
|
The twain cantered along for some time without speech,
|
|
Tess as she clung to him still panting in her triumph,
|
|
yet in other respects dubious. She had perceived that
|
|
the horse was not the spirited one he sometimes rose,
|
|
and felt no alarm on that score, though her seat was
|
|
precarious enough despite her tight hold of him. She
|
|
begged him to slow the animal to a walk which Alec
|
|
accordingly did.
|
|
|
|
"Neatly done, was it not, dear Tess?" he said by and
|
|
by.
|
|
|
|
"Yes!" said she. "I am sure I ought to be much obliged
|
|
to you."
|
|
|
|
"And are you?"
|
|
|
|
She did not reply.
|
|
|
|
"Tess, why do you always dislike my kissing you?"
|
|
|
|
"I suppose--because I don't love you."
|
|
|
|
"You are quite sure?"
|
|
|
|
"I am angry with you sometimes!"
|
|
|
|
"Ah, I half feared as much." Nevertheless, Alec did
|
|
not object to that confession. He knew that anything
|
|
was better then frigidity. "Why haven't you told me
|
|
when I have made you angry?"
|
|
|
|
"You know very well why. Because I cannot help myself
|
|
here."
|
|
|
|
"I haven't offended you often by love-making?"
|
|
|
|
"You have sometimes."
|
|
|
|
"How many times?"
|
|
|
|
"You know as well as I--too many times."
|
|
|
|
"Every time I have tried?"
|
|
|
|
She was silent, and the horse ambled along for a
|
|
considerable distance, till a faint luminous fog, which
|
|
had hung in the hollows all the evening, became general
|
|
and enveloped them. It seemed to hold the moonlight in
|
|
suspension, rendering it more pervasive than in clear
|
|
air. Whether on this account, or from
|
|
absent-mindedness, or from sleepiness, she did not
|
|
perceive that they had long ago passed the point at
|
|
which the lane to Trantridge branched from the highway,
|
|
and that her conductor had not taken the Trantridge
|
|
track.
|
|
|
|
She was inexpressibly weary. She had risen at five
|
|
o'clock every morning of that week, had been on foot
|
|
the whole of each day, and on this evening had in
|
|
addition walked the three miles to Chaseborough, waited
|
|
three hours for her neighbours without eating or
|
|
drinking, her impatience to start them preventing
|
|
either; she had then walked a mile of the way home, and
|
|
had undergone the excitement of the quarrel, till, with
|
|
the slow progress of their steed, it was now nearly one
|
|
o'clock. Only once, however, was she overcome by
|
|
actual drowsiness. In that moment of oblivion her head
|
|
sank gently against him.
|
|
|
|
D'Urberville stopped the horse, withdrew his feet from
|
|
the stirrups, turned sideways on the saddle, and
|
|
enclosed her waist with his arm to support her.
|
|
|
|
This immediately put her on the defensive, and with one
|
|
of those sudden impulses of reprisal to which she was
|
|
liable she gave him a little push from her. In his
|
|
ticklish position he nearly lost his balance and only
|
|
just avoided rolling over into the road, the horse,
|
|
though a powerful one, being fortunately the quietest
|
|
he rode.
|
|
|
|
"That is devilish unkind!" he said. "I mean no
|
|
harm--only to keep you from falling."
|
|
|
|
She pondered suspiciously; till, thinking that this
|
|
might after all be true, she relented, and said quite
|
|
humbly, "I beg your pardon, sir."
|
|
|
|
"I won't pardon you unless you show some confidence in
|
|
me. Good God!" he burst out, "what am I, to be
|
|
repulsed so by a mere chit like you? For near three
|
|
mortal months have you trifled with my feelings, eluded
|
|
me, and snubbed me; and I won't stand it!"
|
|
|
|
"I"ll leave you tomorrow, sir."
|
|
|
|
"No, you will not leave me tomorrow! Will you, I ask
|
|
once more, show your belief in me by letting me clasp
|
|
you with my arm? Come, between us two and nobody else,
|
|
now. We know each other well; and you know that I love
|
|
you, and think you the prettiest girl in the world,
|
|
which you are. Mayn't I treat you as a lover?"
|
|
|
|
She drew a quick pettish breath of objection, writhing
|
|
uneasily on her seat, looked far ahead, and murmured,
|
|
"I don't know--I wish--how can I say yes or no when--"
|
|
|
|
He settled the matter by clasping his arm round her as
|
|
he desired, and Tess expressed no further negative.
|
|
Thus they sidled slowly onward till it struck her they
|
|
had been advancing for an unconscionable time--far
|
|
longer than was usually occupied by the short journey
|
|
from Chaseborough, even at this walking pace, and that
|
|
they were no longer on hard road, but in a mere
|
|
trackway.
|
|
|
|
"Why, where be we?" she exclaimed.
|
|
|
|
"Passing by a wood."
|
|
|
|
"A wood--what wood? Surely we are quite out of the
|
|
road?"
|
|
|
|
"A bit of The Chase--the oldest wood in England. It is
|
|
a lovely night, and why should we not prolong our ride
|
|
a little?"
|
|
|
|
"How could you be so treacherous!" said Tess, between
|
|
archness and real dismay, and getting rid of his arm by
|
|
pulling open his fingers one by one, though at the risk
|
|
of slipping off herself. "Just when I've been putting
|
|
such trust in you, and obliging you to please you,
|
|
because I thought I had wronged you by that push!
|
|
Please set me down, and let me walk home."
|
|
|
|
"You cannot walk home, darling, even if the air were
|
|
clear. We are miles away from Trantridge, if I must
|
|
tell you, and in this growing fog you might wander for
|
|
hours among these trees."
|
|
|
|
"Never mind that," she coaxed. "Put me down, I beg
|
|
you. I don't mind where it is; only let me get down,
|
|
sir, please!"
|
|
|
|
"Very well, then, I will--on one condition. Having
|
|
brought you here to this out-of-the-way place, I feel
|
|
myself responsible for your safe-conduct home, whatever
|
|
you may yourself feel about it. As to your getting to
|
|
Trantridge without assistance, it is quite impossible;
|
|
for, to tell the truth, dear, owing to this fog, which
|
|
so disguises everything, I don't quite know where we
|
|
are myself. Now, if you will promise to wait beside the
|
|
horse while I walk through the bushes till I come to
|
|
some road or house, and ascertain exactly our
|
|
whereabouts, I'll deposit you here willingly. When I
|
|
come back I'll give you full directions, and if you
|
|
insist upon walking you may; or you may ride--at your
|
|
pleasure."
|
|
|
|
She accepted these terms, and slid off on the near
|
|
side, though not till he had stolen a cursory kiss.
|
|
He sprang down on the other side.
|
|
|
|
"I suppose I must hold the horse?" said she.
|
|
|
|
"Oh no; it's not necessary," replied Alec, patting the
|
|
panting creature. "He's had enough of it for tonight."
|
|
|
|
He turned the horse's head into the bushes, hitched him
|
|
on to a bough, and made a sort of couch or nest for her
|
|
in the deep mass of dead leaves.
|
|
|
|
"Now, you sit there," he said. "The leaves have not
|
|
got damp as yet. Just give an eye to the horse--it
|
|
will be quite sufficient."
|
|
|
|
He took a few steps away from her, but, returning,
|
|
said, "By the bye, Tess, your father has a new cob
|
|
today. Somebody gave it to him."
|
|
|
|
"Somebody? You!"
|
|
|
|
D'Urberville nodded.
|
|
|
|
"O how very good of you that is!" she exclaimed, with a
|
|
painful sense of the awkwardness of having to thank him
|
|
just then.
|
|
|
|
"And the children have some toys."
|
|
|
|
"I didn't know--you ever sent them anything!" she
|
|
murmured, much moved. "I almost wish you had not--yes,
|
|
I almost with it!"
|
|
|
|
"Why, dear?"
|
|
|
|
"It--hampers me so."
|
|
|
|
"Tessy--don't you love me ever so little now?"
|
|
|
|
"I'm grateful," she reluctantly admitted. "But I fear
|
|
I do not---" The sudden vision of his passion for
|
|
herself as a factor in this result so distressed her
|
|
that, beginning with one slow tear, and then following
|
|
with another, she wept outright.
|
|
|
|
"Don't cry, dear, dear one! Now sit down here, and
|
|
wait till I come." She passively sat down amid the
|
|
leaves he had heaped, and shivered slightly. "Are you
|
|
cold?" he asked.
|
|
|
|
"Not very--a little."
|
|
|
|
He touched her with his fingers, which sank into her as
|
|
into down. "You have only that puffy muslin dress
|
|
on--how's that?"
|
|
|
|
"It's my best summer one. 'Twas very warm when I
|
|
started, and I didn't know I was going to ride, and
|
|
that it would be night."
|
|
|
|
"Nights grow chilly in September. Let me see." He
|
|
pulled off a light overcoat that he had worn, and put
|
|
it round her tenderly. "That's it--now you'll feel
|
|
warmer," he continued. "Now, my pretty, rest there; I
|
|
shall soon be back again."
|
|
|
|
Having buttoned the overcoat round her shoulders he
|
|
plunged into the webs of vapour which by this time
|
|
formed veils between the trees. She could hear the
|
|
rustling of the branches as he ascended the adjoining
|
|
slope, till his movements were no louder than the
|
|
hopping of a bird, and finally died away. With the
|
|
setting of the moon the pale light lessened, and Tess
|
|
became invisible as she fell into reverie upon the
|
|
leaves where he had left her.
|
|
|
|
In the meantime Alec d'Urberville had pushed on up the
|
|
slope to clear his genuine doubt as to the quarter of
|
|
The Chase they were in. He had, in fact, ridden quite
|
|
at random for over an hour, taking any turning that
|
|
came to hand in order to prolong companionship with
|
|
her, and giving far more attention to Tess's moonlit
|
|
person than to any wayside object. A little rest for
|
|
the jaded animal being desirable, he did not hasten his
|
|
search for landmarks. A clamber over the hill into the
|
|
adjoining vale brought him to the fence of a highway
|
|
whose contours he recognized, which settled the
|
|
question of their whereabouts. D'Urberville thereupon
|
|
turned back; but by this time the moon had quite gone
|
|
down, and partly on account of the fog The Chase was
|
|
wrapped in thick darkness, although morning was not far
|
|
off. He was obliged to advance with outstretched hands
|
|
to avoid contact with the boughs, and discovered that
|
|
to hit the exact spot from which he had started was at
|
|
first entirely beyond him. Roaming up and down, round
|
|
and round, he at length heard a slight movement of the
|
|
horse close at hand; and the sleeve of his overcoat
|
|
unexpectedly caught his foot.
|
|
|
|
"Tess!" said d'Urberville.
|
|
|
|
There was no answer. The obscurity was now so great
|
|
that he could see absolutely nothing but a pale
|
|
nebulousness at his feet, which represented the white
|
|
muslin figure he had left upon the dead leaves.
|
|
Everything else was blackness alike. D'Urberville
|
|
stooped; and heard a gentle regular breathing. He
|
|
knelt and bent lower, till her breath warmed his face,
|
|
and in a moment his cheek was in contact with hers.
|
|
She was sleeping soundly, and upon her eyelashes there
|
|
lingered tears.
|
|
|
|
Darkness and silence ruled everywhere around. Above
|
|
them rose the primeval yews and oaks of The Chase, in
|
|
which there poised gentle roosting birds in their last
|
|
nap; and about them stole the hopping rabbits and
|
|
hares. But, might some say, where was Tess's guardian
|
|
angel? where was the providence of her simple faith?
|
|
Perhaps, like that other god of whom the ironical
|
|
Tishbite spoke, he was talking, or he was pursuing, or
|
|
he was in a journey, or he was sleeping and not to be
|
|
awaked.
|
|
|
|
Why it was that upon this beautiful feminine tissue,
|
|
sensitive as gossamer, and practically blank as snow as
|
|
yet, there should have been traced such a coarse
|
|
pattern as it was doomed to receive; why so often the
|
|
coarse appropriates the finer thus, the wrong man the
|
|
woman, the wrong woman the man, many thousand years of
|
|
analytical philosophy have failed to explain to our
|
|
sense of order. One may, indeed, admit the possibility
|
|
of a retribution lurking in the present catastrophe.
|
|
Doubtless some of Tess d'Urberville's mailed ancestors
|
|
rollicking home from a fray had dealt the same measure
|
|
even more ruthlessly towards peasant girls of their
|
|
time. But though to visit the sins of the fathers upon
|
|
the children may be a morality good enough for
|
|
divinities, it is scorned by average human nature; and
|
|
it therefore does not mend the matter.
|
|
|
|
As Tess's own people down in those retreats are never
|
|
tired of saying among each other in their fatalistic
|
|
way: "It was to be." There lay the pity of it. An
|
|
immeasurable social chasm was to divide our heroine's
|
|
personality thereafter from that previous self of hers
|
|
who stepped from her mother's door to try her fortune
|
|
at Trantridge poultry-farm.
|
|
|
|
|
|
END OF PHASE THE FIRST
|
|
|
|
|
|
|
|
|
|
|
|
Phase the Second: Maiden No More
|
|
|
|
|
|
|
|
XII
|
|
|
|
|
|
The basket was heavy and the bundle was large, but she
|
|
lugged them along like a person who did not find her
|
|
especial burden in material things. Occasionally she
|
|
stopped to rest in a mechanical way by some gate or
|
|
post; and then, giving the baggage another hitch upon
|
|
her full round arm, went steadily on again.
|
|
|
|
It was a Sunday morning in late October, about four
|
|
months after Tess Durbeyfield's arrival at Trantridge,
|
|
and some few weeks subsequent to the night ride in The
|
|
Chase. The time was not long past daybreak, and the
|
|
yellow luminosity upon the horizon behind her back
|
|
lighted the ridge towards which her face was set--the
|
|
barrier of the vale wherein she had of late been a
|
|
stranger--which she would have to climb over to reach
|
|
her birthplace. The ascent was gradual on this side,
|
|
and the soil and scenery differed much from those
|
|
within Blackmore Vale. Even the character and accent
|
|
of the two peoples had shades of difference, despite
|
|
the amalgamating effects of a roundabout railway; so
|
|
that, though less than twenty miles from the place of
|
|
her sojourn at Trantridge, her native village had
|
|
seemed a far-away spot. The field-folk shut in there
|
|
traded northward and westward, travelled, courted, and
|
|
married northward and westward, thought northward and
|
|
westward; those on this side mainly directed their
|
|
energies and attention to the east and south.
|
|
|
|
The incline was the same down which d'Urberville had
|
|
driven her so wildly on that day in June. Tess went up
|
|
the remainder of its length without stopping, and on
|
|
reaching the edge of the escarpment gazed over the
|
|
familiar green world beyond, now half-veiled in mist.
|
|
It was always beautiful from here; it was terribly
|
|
beautiful to Tess today, for since her eyes last fell
|
|
upon it she had learnt that the serpent hisses where
|
|
the sweet birds sing, and her views of life had been
|
|
totally changed for her by the lesson. Verily another
|
|
girl than the simple one she had been at home was she
|
|
who, bowed by thought, stood still here, and turned to
|
|
look behind her. She could not bear to look forward
|
|
into the Vale.
|
|
|
|
Ascending by the long white road that Tess herself had
|
|
just laboured up, she saw a two-wheeled vehicle, beside
|
|
which walked a man, who held up his hand to attract her
|
|
attention.
|
|
|
|
She obeyed the signal to wait for him with
|
|
unspeculative repose, and in a few minutes man and
|
|
horse stopped beside her.
|
|
|
|
"Why did you slip away by stealth like this?" said
|
|
d'Urberville, with upbraiding breathlessness; "on a
|
|
Sunday morning, too, when people were all in bed! I
|
|
only discovered it by accident, and I have been driving
|
|
like the deuce to overtake you. Just look at the mare.
|
|
Why go off like this? You know that nobody wished to
|
|
hinder your going. And how unnecessary it has been for
|
|
you to toil along on foot, and encumber yourself with
|
|
this heavy load! I have followed like a madman, simply
|
|
to drive you the rest of the distance, if you won't
|
|
come back."
|
|
|
|
"I shan't come back," said she.
|
|
|
|
"I thought you wouldn't--I said so! Well, then, put up
|
|
your basket, and let me help you on."
|
|
|
|
She listlessly placed her basket and bundle within the
|
|
dog-cart, and stepped up, and they sat side by side.
|
|
She had no fear of him now, and in the cause of her
|
|
confidence her sorrow lay.
|
|
|
|
D'Urberville mechanically lit a cigar, and the journey
|
|
was continued with broken unemotional conversation on
|
|
the commonplace objects by the wayside. He had quite
|
|
forgotten his struggle to kiss her when, in the early
|
|
summer, they had driven in the opposite direction along
|
|
the same road. But she had not, and she sat now, like
|
|
a puppet, replying to his remarks in monosyllables.
|
|
After some miles they came in view of the clump of
|
|
trees beyond which the village of Marlott stood.
|
|
It was only then that her still face showed the least
|
|
emotion, a tear or two beginning to trickle down.
|
|
|
|
"What are you crying for?" he coldly asked.
|
|
|
|
"I was only thinking that I was born over there,"
|
|
murmured Tess.
|
|
|
|
"Well--we must all be born somewhere."
|
|
|
|
"I wish I had never been born--there or anywhere else!"
|
|
|
|
"Pooh! Well, if you didn't wish to come to Trantridge
|
|
why did you come?"
|
|
|
|
She did not reply.
|
|
|
|
"You didn't come for love of me, that I'll swear."
|
|
|
|
"'Tis quite true. If I had gone for love o' you, if I
|
|
had ever sincerely loved you, if I loved you still, I
|
|
should not so loathe and hate myself for my weakness as
|
|
I do now! ... My eyes were dazed by you for a little,
|
|
and that was all."
|
|
|
|
He shrugged his shoulders. She resumed--
|
|
|
|
"I didn't understand your meaning till it was too
|
|
late."
|
|
|
|
"That"s what every woman says."
|
|
|
|
"How can you dare to use such words!" she cried,
|
|
turning impetuously upon him, her eyes flashing as the
|
|
latent spirit (of which he was to see more some day)
|
|
awoke in her. "My God! I could knock you out of the
|
|
gig! Did it never strike your mind that what every
|
|
woman says some women may feel?"
|
|
|
|
"Very well," he said, laughing; "I am sorry to wound
|
|
you. I did wrong--I admit it." He dropped into some
|
|
little bitterness as he continued: "Only you needn't be
|
|
so everlastingly flinging it in my face. I am ready to
|
|
pay to the uttermost farthing. You know you need not
|
|
work in the fields or the dairies again. You know you
|
|
may clothe yourself with the best, instead of in the
|
|
bald plain way you have lately affected, as if you
|
|
couldn't get a ribbon more than you earn."
|
|
|
|
Her lip lifted slightly, though there was little scorn,
|
|
as a rule, in her large and impulsive nature.
|
|
|
|
"I have said I will not take anything more from you,
|
|
and I will not--I cannot! I SHOULD be your creature to
|
|
go on doing that, and I won't!"
|
|
|
|
"One would think you were a princess from your manner,
|
|
in addition to a true and original d'Urberville--ha!
|
|
ha! Well, Tess, dear, I can say no more. I suppose I
|
|
am a bad fellow--a damn bad fellow. I was born bad, and
|
|
I have lived bad, and I shall die bad in all
|
|
probability. But, upon my lost soul, I won't be bad
|
|
towards you again, Tess. And if certain circumstances
|
|
should arise--you understand--in which you are in the
|
|
least need, the least difficulty, send me one line, and
|
|
you shall have by return whatever you require. I may
|
|
not be at Trantridge--I am going to London for a
|
|
time--I can't stand the old woman. But all letters
|
|
will be forwarded."
|
|
|
|
She said that she did not wish him to drive her
|
|
further, and they stopped just under the clump of
|
|
trees. D'Urberville alighted, and lifted her down
|
|
bodily in his arms, afterwards placing her articles on
|
|
the ground beside her. She bowed to him slightly, her
|
|
eye just lingering in his; and then she turned to take
|
|
the parcels for departure.
|
|
|
|
Alec d'Urberville removed his cigar, bent towards her,
|
|
and said--
|
|
|
|
"You are not going to turn away like that, dear!
|
|
Come!"
|
|
|
|
"If you wish," she answered indifferently. "See how
|
|
you've mastered me!"
|
|
|
|
She thereupon turned round and lifted her face to his,
|
|
and remained like a marble term while he imprinted a
|
|
kiss upon her cheek--half perfunctorily, half as if
|
|
zest had not yet quite died out. Her eyes vaguely
|
|
rested upon the remotest trees in the lane while the
|
|
kiss was given, as though she were nearly unconscious
|
|
of what he did.
|
|
|
|
"Now the other side, for old acquaintance' sake."
|
|
|
|
She turned her head in the same passive way, as one
|
|
might turn at the request of a sketcher or hairdresser,
|
|
and he kissed the other side, his lips touching cheeks
|
|
that were damp and smoothly chill as the skin of the
|
|
mushrooms in the fields around.
|
|
|
|
"You don't give me your mouth and kiss me back. You
|
|
never willingly do that--you'll never love me, I fear."
|
|
|
|
"I have said so, often. It is true. I have never
|
|
really and truly loved you, and I think I never can."
|
|
She added mournfully, "Perhaps, of all things, a lie on
|
|
this thing would do the most good to me now; but I have
|
|
honour enough left, little as 'tis, not to tell that
|
|
lie. If I did love you I may have the best o' causes
|
|
for letting you know it. But I don't."
|
|
|
|
He emitted a laboured breath, as if the scene were
|
|
getting rather oppressive to his heart, or to his
|
|
conscience, or to his gentility.
|
|
|
|
"Well, you are absurdly melancholy, Tess. I have no
|
|
reason for flattering you now, and I can say plainly
|
|
that you need not be so sad. You can hold your own for
|
|
beauty against any woman of these parts, gentle or
|
|
simple; I say it to you as a practical man and
|
|
well-wisher. If you are wise you will show it to the
|
|
world more than you do before it fades.... And yet,
|
|
Tess, will you come back to me! Upon my soul I don't
|
|
like to let you go like this!"
|
|
|
|
"Never, never! I made up my mind as soon as I
|
|
saw--what I ought to have seen sooner; and I won't
|
|
come."
|
|
|
|
"Then good morning, my four months' cousin--goodbye!"
|
|
|
|
He leapt up lightly, arranged the reins, and was gone
|
|
between the tall red-berried hedges.
|
|
|
|
Tess did not look after him, but slowly wound along the
|
|
crooked lane. It was still early, and though the sun's
|
|
lower limb was just free of the hill, his rays,
|
|
ungenial and peering, addressed the eye rather than the
|
|
touch as yet. There was not a human soul near. Sad
|
|
October and her sadder self seemed the only two
|
|
existences haunting that lane.
|
|
|
|
As she walked, however, some footsteps approached
|
|
behind her, the footsteps of a man; and owing to the
|
|
briskness of his advance he was close at her heels and
|
|
had said "Good morning" before she had been long aware
|
|
of his propinquity. He appeared to be an artisan of
|
|
some sort, and carried a tin pot of red paint in his
|
|
hand. He asked in a business-like manner if he should
|
|
take her basket, which she permitted him to do, walking
|
|
beside him.
|
|
|
|
"It is early to be astir this Sabbath morn!" he said
|
|
cheerfully.
|
|
|
|
"Yes," said Tess.
|
|
|
|
"When most people are at rest from their week's work."
|
|
She also assented to this.
|
|
|
|
"Though I do more real work today than all the week
|
|
besides."
|
|
|
|
"Do you?"
|
|
|
|
"All the week I work for the glory of man, and on
|
|
Sunday for the glory of God. That's more real than the
|
|
other--hey? I have a little to do here at this stile."
|
|
The man turned as he spoke to an opening at the
|
|
roadside leading into a pasture. "If you'll wait a
|
|
moment," he added, "I shall not be long."
|
|
|
|
As he had her basket she could not well do otherwise;
|
|
and she waited, observing him. He set down her basket
|
|
and the tin pot, and stirring the paint with the brush
|
|
that was in it began painting large square letters on
|
|
the middle board of the three composing the stile,
|
|
placing a comma after each word, as if to give pause
|
|
while that word was driven well home to the reader's
|
|
heart--
|
|
|
|
THY, DAMNATION, SLUMBERETH, NOT.
|
|
2 Pet. ii. 3.
|
|
|
|
Against the peaceful landscape, the pale, decaying
|
|
tints of the copses, the blue air of the horizon and
|
|
the lichened stileboards, these staring vermilion words
|
|
shone forth. They seemed to shout themselves out and
|
|
make the atmosphere ring. Some people might have cried
|
|
"Alas, poor Theology!" at the hideous defacement--the
|
|
last grotesque phase of a creed which had served
|
|
mankind well in its time. But the words entered Tess
|
|
with accusatory horror. It was as if this man had
|
|
known her recent history; yet he was a total stranger.
|
|
|
|
Having finished his text he picked up her basket, and
|
|
she mechanically resumed her walk beside him.
|
|
|
|
"Do you believe what you paint?" she asked in low
|
|
tones.
|
|
|
|
"Believe that tex? Do I believe in my own existence!"
|
|
|
|
"But," said she tremulously, "suppose your sin was not
|
|
of your own seeking?"
|
|
|
|
He shook his head.
|
|
|
|
"I cannot split hairs on that burning query," he said.
|
|
"I have walked hundreds of miles this past summer,
|
|
painting these texes on every wall, gate, and stile the
|
|
length and breadth of this district. I leave their
|
|
application to the hearts of the people who read 'em."
|
|
|
|
"I think they are horrible," said Tess. "Crushing!
|
|
killing!"
|
|
|
|
"That's what they are meant to be!" he replied in a
|
|
trade voice. "But you should read my hottest ones--them
|
|
I kips for slums and seaports. They'd make ye wriggle!
|
|
Not but what this is a very good tex for rural
|
|
districts. ... Ah--there's a nice bit of blank wall up
|
|
by that barn standing to waste. I must put one
|
|
there--one that it will be good for dangerous young
|
|
females like yerself to heed. Will ye wait, missy?"
|
|
|
|
"No," said she; and taking her basket Tess trudged on.
|
|
A little way forward she turned her head. The old gray
|
|
wall began to advertise a similar fiery lettering to
|
|
the first, with a strange and unwonted mien, as if
|
|
distressed at duties it had never before been called
|
|
upon to perform. It was with a sudden flush that she
|
|
read and realized what was to be the inscription he was
|
|
now halfway through--
|
|
|
|
THOU, SHALT, NOT, COMMIT--
|
|
|
|
Her cheerful friend saw her looking, stopped his brush,
|
|
and shouted--
|
|
|
|
"If you want to ask for edification on these things of
|
|
moment, there's a very earnest good man going to preach
|
|
a charity-sermon today in the parish you are going
|
|
to--Mr Clare of Emminster. I'm not of his persuasion
|
|
now, but he's a good man, and he'll expound as well as
|
|
any parson I know. 'Twas he began the work in me."
|
|
|
|
But Tess did not answer; she throbbingly resumed her
|
|
walk, her eyes fixed on the ground. "Pooh--I don't
|
|
believe God said such things!" she murmured
|
|
contemptuously when her flush had died away.
|
|
|
|
A plume of smoke soared up suddenly from her father's
|
|
chimney, the sight of which made her heart ache. The
|
|
aspect of the interior, when she reached it, made her
|
|
heart ache more. Her mother, who had just come down
|
|
stairs, turned to greet her from the fireplace, where
|
|
she was kindling barked-oak twigs under the breakfast
|
|
kettle. The young children were still above, as was
|
|
also her father, it being Sunday morning, when he felt
|
|
justified in lying an additional half-hour.
|
|
|
|
"Well!--my dear Tess!" exclaimed her surprised mother,
|
|
jumping up and kissing the girl. "How be ye? I didn't
|
|
see you till you was in upon me! Have you come home to
|
|
be married?"
|
|
|
|
"No, I have not come for that, mother."
|
|
|
|
"Then for a holiday?"
|
|
|
|
"Yes--for a holiday; for a long holiday," said Tess.
|
|
|
|
"What, isn't your cousin going to do the handsome
|
|
thing?"
|
|
|
|
"He's not my cousin, and he's not going to marry me."
|
|
|
|
Her mother eyed her narrowly.
|
|
|
|
"Come, you have not told me all," she said.
|
|
|
|
Then Tess went up to her mother, put her face upon
|
|
Joan's neck, and told.
|
|
|
|
"And yet th'st not got him to marry 'ee!" reiterated
|
|
her mother. "Any woman would have done it but you,
|
|
after that!"
|
|
|
|
"Perhaps any woman would except me."
|
|
|
|
"It would have been something like a story to come back
|
|
with, if you had!" continued Mrs Durbeyfield, ready to
|
|
burst into tears of vexation. "After all the talk
|
|
about you and him which has reached us here, who would
|
|
have expected it to end like this! Why didn't ye think
|
|
of doing some good for your family instead o' thinking
|
|
only of yourself? See how I've got to teave and slave,
|
|
and your poor weak father with his heart clogged like a
|
|
dripping-pan. I did hope for something to come out o'
|
|
this! To see what a pretty pair you and he made that
|
|
day when you drove away together four months ago! See
|
|
what he has given us--all, as we thought, because we
|
|
were his kin. But if he's not, it must have been done
|
|
because of his love for 'ee. And yet you've not got
|
|
him to marry!"
|
|
|
|
Get Alec d'Urberville in the mind to marry her! He
|
|
marry HER! On matrimony he had never once said a word.
|
|
And what if he had? How a convulsive snatching at
|
|
social salvation might have impelled her to answer him
|
|
she could not say. But her poor foolish mother little
|
|
knew her present feeling towards this man. Perhaps it
|
|
was unusual in the circumstances, unlucky,
|
|
unaccountable; but there it was; and this, as she had
|
|
said, was what made her detest herself. She had never
|
|
wholly cared for him, she did not at all care for him
|
|
now. She had dreaded him, winced before him, succumbed
|
|
to adroit advantages he took of her helplessness; then,
|
|
temporarily blinded by his ardent manners, had been
|
|
stirred to confused surrender awhile: had suddenly
|
|
despised and disliked him, and had run away. That was
|
|
all. Hate him she did not quite; but he was dust and
|
|
ashes to her, and even for her name's sake she scarcely
|
|
wished to marry him.
|
|
|
|
"You ought to have been more careful if you didn't mean
|
|
to get him to make you his wife!"
|
|
|
|
"O mother, my mother!" cried the agonized girl, turning
|
|
passionately upon her parent as if her poor heart would
|
|
break. "How could I be expected to know? I was a child
|
|
when I left this house four months ago. Why didn't you
|
|
tell me there was danger in men-folk? Why didn't you
|
|
warn me? Ladies know what to fend hands against,
|
|
because they read novels that tell them of these
|
|
tricks; but I never had the chance o' learning in that
|
|
way, and you did not help me!"
|
|
|
|
Her mother was subdued.
|
|
|
|
"I thought if I spoke of his fond feelings and what
|
|
they might lead to, you would be hontish wi' him and
|
|
lose your chance," she murmured, wiping her eyes with
|
|
her apron. "Well, we must make the best of it, I
|
|
suppose. 'Tis nater, after all, and what do please
|
|
God!"
|
|
|
|
|
|
|
|
XIII
|
|
|
|
|
|
The event of Tess Durbeyfield's return from the manor
|
|
of her bogus kinsfolk was rumoured abroad, if rumour be
|
|
not too large a word for a space of a square mile. In
|
|
the afternoon several young girls of Marlott, former
|
|
schoolfellows and acquaintances of Tess, called to see
|
|
her, arriving dressed in their best starched and
|
|
ironed, as became visitors to a person who had made a
|
|
transcendent conquest (as they supposed), and sat round
|
|
the room looking at her with great curiosity. For the
|
|
fact that it was this said thirty-first cousin, Mr
|
|
d'Urberville, who had fallen in love with her, a
|
|
gentleman not altogether local, whose reputation as a
|
|
reckless gallant and heartbreaker was beginning to
|
|
spread beyond the immediate boundaries of Trantridge,
|
|
lent Tess's supposed position, by its fearsomeness, a
|
|
far higher fascination that it would have exercised if
|
|
unhazardous.
|
|
|
|
Their interest was so deep that the younger ones
|
|
whispered when her back was turned--
|
|
|
|
"How pretty she is; and how that best frock do set her
|
|
off! I believe it cost an immense deal, and that it
|
|
was a gift from him."
|
|
|
|
Tess, who was reaching up to get the tea-things from
|
|
the corner-cupboard, did not hear these commentaries.
|
|
If she had heard them, she might soon have set her
|
|
friends right on the matter. But her mother heard, and
|
|
Joan's simple vanity, having been denied the hope of a
|
|
dashing marriage, fed itself as well as it could upon
|
|
the sensation of a dashing flirtation. Upon the whole
|
|
she felt gratified, even though such a limited and
|
|
evanescent triumph should involve her daughter's
|
|
reputation; it might end in marriage yet, and in the
|
|
warmth of her responsiveness to their admiration she
|
|
invited her visitors to stay to tea.
|
|
|
|
Their chatter, their laughter, their good-humoured
|
|
innuendoes, above all, their flashes and flickerings of
|
|
envy, revived Tess's spirits also; and, as the evening
|
|
wore on, she caught the infection of their excitement,
|
|
and grew almost gay. The marble hardness left her
|
|
face, she moved with something of her old bounding
|
|
step, and flushed in all her young beauty.
|
|
|
|
At moments, in spite of thought, she would reply to
|
|
their inquiries with a manner of superiority, as if
|
|
recognizing that her experiences in the field of
|
|
courtship had, indeed, been slightly enviable. But so
|
|
far was she from being, in the words of Robert South,
|
|
"in love with her own ruin," that the illusion was
|
|
transient as lightning; cold reason came back to mock
|
|
her spasmodic weakness; the ghastliness of her
|
|
momentary pride would convict her, and recall her to
|
|
reserved listlessness again.
|
|
|
|
And the despondency of the next morning's dawn, when it
|
|
was no longer Sunday, but Monday; and no best clothes;
|
|
and the laughing visitors were gone, and she awoke
|
|
alone in her old bed, the innocent younger children
|
|
breathing softly around her. In place of the
|
|
excitement of her return, and the interest it had
|
|
inspired, she saw before her a long and stony highway
|
|
which she had to tread, without aid, and with little
|
|
sympathy. Her depression was then terrible, and she
|
|
could have hidden herself in a tomb.
|
|
|
|
In the course of a few weeks Tess revived sufficiently
|
|
to show herself so far as was necessary to get to
|
|
church one Sunday morning. She liked to hear the
|
|
chanting--such as it was--and the old Psalms, and to
|
|
join in the Morning Hymn. That innate love of melody,
|
|
which she had inherited from her ballad-singing mother,
|
|
gave the simplest music a power over her which could
|
|
well-nigh drag her heart out of her bosom at times.
|
|
|
|
To be as much out of observation as possible for
|
|
reasons of her own, and to escape the gallantries of
|
|
the young men, she set out before the chiming began,
|
|
and took a back seat under the gallery, close to the
|
|
lumber, where only old men and women came, and where
|
|
the bier stood on end among the churchyard tools.
|
|
|
|
Parishioners dropped in by twos and threes, deposited
|
|
themselves in rows before her, rested three-quarters of
|
|
a minute on their foreheads as if they were praying,
|
|
though they were not; then sat up, and looked around.
|
|
When the chants came on one of her favourites happened
|
|
to be chosen among the rest--the old double chant
|
|
"Langdon"--but she did not know what it was called,
|
|
though she would much have liked to know. She thought,
|
|
without exactly wording the thought, how strange and
|
|
godlike was a composer's power, who from the grave
|
|
could lead through sequences of emotion, which he alone
|
|
had felt at first, a girl like her who had never heard
|
|
of his name, and never would have a clue to his
|
|
personality.
|
|
|
|
The people who had turned their heads turned them again
|
|
as the service proceeded; and at last observing her
|
|
they whispered to each other. She knew what their
|
|
whispers were about, grew sick at heart, and felt that
|
|
she could come to church no more.
|
|
|
|
The bedroom which she shared with some of the children
|
|
formed her retreat more continually than ever. Here,
|
|
under her few square yards of thatch, she watched
|
|
winds, and snows, and rains, gorgeous sunsets, and
|
|
successive moons at their full. So close kept she that
|
|
at length almost everybody thought she had gone away.
|
|
|
|
The only exercise that Tess took at this time was after
|
|
dark; and it was then, when out in the woods, that she
|
|
seemed least solitary. She knew how to hit to a
|
|
hair's-breadth that moment of evening when the light
|
|
and the darkness are so evenly balanced that the
|
|
constraint of day and the suspense of night neutralize
|
|
each other, leaving absolute mental liberty. It is
|
|
then that the plight of being alive becomes attenuated
|
|
to its least possible dimensions. She had no fear of
|
|
the shadows; her sole idea seemed to be to shun
|
|
mankind--or rather that cold accretion called the
|
|
world, which, so terrible in the mass, is so
|
|
unformidable, even pitiable, in its units.
|
|
|
|
On these lonely hills and dales her quiescent glide was
|
|
of a piece with the element she moved in. Her flexuous
|
|
and stealthy figure became an integral part of the
|
|
scene. At times her whimsical fancy would intensify
|
|
natural processes around her till they seemed a part of
|
|
her own story. Rather they became a part of it; for
|
|
the world is only a psychological phenomenon, and what
|
|
they seemed they were. The midnight airs and gusts,
|
|
moaning amongst the tightly-wrapped buds and bark of
|
|
the winter twigs, were formulae of bitter reproach.
|
|
A wet day was the expression of irremediable grief at her
|
|
weakness in the mind of some vague ethical being whom
|
|
she could not class definitely as the God of her
|
|
childhood, and could not comprehend as any other.
|
|
|
|
But this encompassment of her own characterization,
|
|
based on shreds of convention, peopled by phantoms and
|
|
voices antipathetic to her, was a sorry and mistaken
|
|
creation of Tess's fancy--a cloud of moral hobgoblins
|
|
by which she was terrified without reason. It was they
|
|
that were out of harmony with the actual world, not
|
|
she. Walking among the sleeping birds in the hedges,
|
|
watching the skipping rabbits on a moonlit warren, or
|
|
standing under a pheasant-laden bough, she looked upon
|
|
herself as a figure of Guilt intruding into the haunts
|
|
of Innocence. But all the while she was making a
|
|
distinction where there was no difference. Feeling
|
|
herself in antagonism she was quite in accord. She had
|
|
been made to break an accepted social law, but no law
|
|
know to the environment in which she fancied herself
|
|
such an anomaly.
|
|
|
|
|
|
|
|
XIV
|
|
|
|
|
|
It was a hazy sunrise in August. The denser nocturnal
|
|
vapours, attacked by the warm beams, were dividing and
|
|
shrinking into isolated fleeces within hollows and
|
|
coverts, where they waited till they should be dried
|
|
away to nothing.
|
|
|
|
The sun, on account of the mist, had a curious
|
|
sentient, personal look, demanding the masculine
|
|
pronoun for its adequate expression. His present
|
|
aspect, coupled with the lack of all human forms in the
|
|
scene, explained the old-time heliolatries in a moment.
|
|
One could feel that a saner religion had never
|
|
prevailed under the sky. The luminary was a
|
|
golden-haired, beaming, mild-eyed, God-like creature,
|
|
gazing down in the vigour and intentness of youth upon
|
|
an earth that was brimming with interest for him.
|
|
|
|
His light, a little later, broke though chinks of
|
|
cottage shutters, throwing stripes like red-hot pokers
|
|
upon cupboards, chests of drawers, and other furniture
|
|
within; and awakening harvesters who were not already
|
|
astir.
|
|
|
|
But of all ruddy things that morning the brightest were
|
|
two broad arms of painted wood, which rose from the
|
|
margin of yellow cornfield hard by Marlott village.
|
|
They, with two others below, formed the revolving
|
|
Maltese cross of the reaping-machine, which had been
|
|
brought to the field on the previous evening to be
|
|
ready for operations this day. The paint with which
|
|
they were smeared, intensified in hue by the sunlight,
|
|
imparted to them a look of having been dipped in liquid
|
|
fire.
|
|
|
|
The field had already been "opened"; that is to say,
|
|
a lane a few feet wide had been hand-cut through the
|
|
wheat along the whole circumference of the field for
|
|
the first passage of the horses and machine.
|
|
|
|
Two groups, one of men and lads, the other of women,
|
|
had come down the lane just at the hour when the
|
|
shadows of the eastern hedge-top struck the west hedge
|
|
midway, so that the heads of the groups were enjoying
|
|
sunrise while their feet were still in the dawn. They
|
|
disappeared from the lane between the two stone posts
|
|
which flanked the nearest field-gate.
|
|
|
|
Presently there arose from within a ticking like the
|
|
love-making of the grasshopper. The machine had begun,
|
|
and a moving concatenation of three horses and the
|
|
aforesaid long rickety machine was visible over the
|
|
gate, a driver sitting upon one of the hauling horses,
|
|
and an attendant on the seat of the implement. Along
|
|
one side of the field the whole wain went, the arms of
|
|
the mechanical reaper revolving slowly, till it passed
|
|
down the hill quite out of sight. In a minute it came
|
|
up on the other side of the field at the same equable
|
|
pace; the glistening brass star in the forehead of the
|
|
fore horse first catching the eye as it rose into view
|
|
over the stubble, then the bright arms, and then the
|
|
whole machine.
|
|
|
|
The narrow lane of stubble encompassing the field grew
|
|
wider with each circuit, and the standing corn was
|
|
reduced to smaller area as the morning wore on.
|
|
Rabbits, hares, snakes, rats, mice, retreated inwards
|
|
as into a fastness, unaware of the ephemeral nature of
|
|
their refuge, and of the doom that awaited them later
|
|
in the day when, their covert shrinking to a more and
|
|
more horrible narrowness, they were huddled together,
|
|
friends and foes, till the last few yards of upright
|
|
wheat fell also under the teeth of the unerring reaper,
|
|
and they were every one put to death by the sticks and
|
|
stones of the harvesters.
|
|
|
|
The reaping-machine left the fallen corn behind it in
|
|
little heaps, each heap being of the quantity for a
|
|
sheaf; and upon these the active binders in the rear
|
|
laid their hands--mainly women, but some of them men in
|
|
print shirts, and trousers supported round their waists
|
|
by leather straps, rendering useless the two buttons
|
|
behind, which twinkled and bristled with sunbeams at
|
|
every movement of each wearer, as if they were a pair
|
|
of eyes in the small of his back.
|
|
|
|
But those of the other sex were the most interesting of
|
|
this company of binders, by reason of the charm which
|
|
is acquired by woman when she becomes part and parcel
|
|
of outdoor nature, and is not merely an object set down
|
|
therein as at ordinary times. A field-man is a
|
|
personality afield; a field-woman is a portion of the
|
|
field; she had somehow lost her own margin, imbibed the
|
|
essence of her surrounding, and assimilated herself
|
|
with it.
|
|
|
|
The women--or rather girls, for they were mostly
|
|
young--wore drawn cotton bonnets with great flapping
|
|
curtains to keep off the sun, and gloves to prevent
|
|
their hands being wounded by the stubble. There was one
|
|
wearing a pale pink jacket, another in a cream-coloured
|
|
tight-sleeved gown, another in a petticoat as red as
|
|
the arms of the reaping-machine; and others, older, in
|
|
the brown-rough "wropper" or over-all--the
|
|
old-established and most appropriate dress of the
|
|
field-woman, which the young ones were abandoning.
|
|
This morning the eye returns involuntarily to the girl
|
|
in the pink cotton jacket, she being the most flexuous
|
|
and finely-drawn figure of them all. But her bonnet is
|
|
pulled so far over her brow that none of her face is
|
|
disclosed while she binds, though her complexion may be
|
|
guessed from a stray twine or two of dark brown hair
|
|
which extends below the curtain of her bonnet. Perhaps
|
|
one reason why she seduces casual attention is that she
|
|
never courts it, though the other women often gaze
|
|
around them.
|
|
|
|
Her binding proceeds with clock-like monotony. From
|
|
the sheaf last finished she draws a handful of ears,
|
|
patting their tips with her left palm to bring them
|
|
even. Then stooping low she moves forward, gathering
|
|
the corn with both hands against her knees, and pushing
|
|
her left gloved hand under the bundle to meet the right
|
|
on the other side, holding the corn in an embrace like
|
|
that of a lover. She brings the ends of the bond
|
|
together, and kneels on the sheaf while she ties it,
|
|
beating back her skirts now and then when lifted by the
|
|
breeze. A bit of her naked arm is visible between the
|
|
buff leather of the gauntlet and the sleeve of her
|
|
gown; and as the day wears on its feminine smoothness
|
|
becomes scarified by the stubble, and bleeds.
|
|
|
|
At intervals she stands up to rest, and to retie her
|
|
disarranged apron, or to pull her bonnet straight.
|
|
Then one can see the oval face of a handsome young
|
|
woman with deep dark eyes and long heavy clinging
|
|
tresses, which seem to clasp in a beseeching way
|
|
anything they fall against. The cheeks are paler, the
|
|
teeth more regular, the red lips thinner than is usual
|
|
in a country-bred girl.
|
|
|
|
It is Tess Durbeyfield, otherwise d'Urberville,
|
|
somewhat changed--the same, but not the same; at the
|
|
present stage of her existence living as a stranger and
|
|
an alien here, though it was no strange land that she
|
|
was in. After a long seclusion she had come to a
|
|
resolve to undertake outdoor work in her native
|
|
village, the busiest season of the year in the
|
|
agricultural world having arrived, and nothing that she
|
|
could do within the house being so remunerative for the
|
|
time as harvesting in the fields.
|
|
|
|
The movements of the other women were more or less
|
|
similar to Tess's, the whole bevy of them drawing
|
|
together like dancers in a quadrille at the completion
|
|
of a sheaf by each, every one placing her sheaf on end
|
|
against those of the rest, till a shock, or "stitch" as
|
|
it was here called, of ten or a dozen was formed.
|
|
|
|
They went to breakfast, and came again, and the work
|
|
proceeded as before. As the hour of eleven drew near a
|
|
person watching her might have noticed that every now
|
|
and then Tess's glance flitted wistfully to the brow of
|
|
the hill, though she did not pause in her sheafing. On
|
|
the verge of the hour the heads of a group of children,
|
|
of ages ranging from six to fourteen, rose over the
|
|
stubbly convexity of the hill.
|
|
|
|
The face of Tess flushed slightly, but still she did
|
|
not pause.
|
|
|
|
The eldest of the comers, a girl who wore a triangular
|
|
shawl, its corners draggling on the stubble, carried in
|
|
her arms what at first sight seemed to be a doll, but
|
|
proved to be an infant in long clothes. Another
|
|
brought some lunch. The harvesters ceased working,
|
|
took their provisions, and sat down against one of the
|
|
shocks. Here they fell to, the men plying a stone jar
|
|
freely, and passing round a cup.
|
|
|
|
Tess Durbeyfield had been one of the last to suspend
|
|
her labours. She sat down at the end of the shock, her
|
|
face turned somewhat away from her companions. When
|
|
she had deposited herself a man in a rabbit-skin cap
|
|
and with a red handkerchief tucked into his belt, held
|
|
the cup of ale over the top of the shock for her to
|
|
drink. But she did not accept his offer. As soon as
|
|
her lunch was spread she called up the big girl her
|
|
sister, and took the baby off her, who, glad to be
|
|
relieved of the burden, went away to the next shock and
|
|
joined the other children playing there. Tess, with a
|
|
curiously stealthy yet courageous movement, and with a
|
|
still rising colour, unfastened her frock and began
|
|
suckling the child.
|
|
|
|
The men who sat nearest considerately turned their
|
|
faces towards the other end of the field, some of them
|
|
beginning to smoke; one, with absent-minded fondness,
|
|
regretfully stroking the jar that would no longer yield
|
|
a stream. All the women but Tess fell into animated
|
|
talk, and adjusted the disarranged knots of their hair.
|
|
|
|
When the infant had taken its fill the young mother sat
|
|
it upright in her lap, and looking into the far
|
|
distance dandled it with a gloomy indifference that was
|
|
almost dislike; then all of a sudden she fell to
|
|
violently kissing it some dozens of times, as if she
|
|
could never leave off, the child crying at the
|
|
vehemence of an onset which strangely combined
|
|
passionateness with contempt.
|
|
|
|
"She's fond of that there child, though she mid pretend
|
|
to hate en, and say she wishes the baby and her too
|
|
were in the churchyard," observed the woman in the red
|
|
petticoat.
|
|
|
|
"She'll soon leave off saying that," replied the one in
|
|
buff. "Lord, 'tis wonderful what a body can get used to
|
|
o' that sort in time!"
|
|
|
|
"A little more than persuading had to do wi' the coming
|
|
o't, I reckon. There were they that heard a sobbing
|
|
one night last year in The Chase; and it mid ha' gone
|
|
hard wi' a certain party if folks had come along."
|
|
|
|
"Well, a little more, or a little less, 'twas a
|
|
thousand pities that it should have happened to she, of
|
|
all others. But 'tis always the comeliest! The plain
|
|
ones be as safe as churches--hey, Jenny?" The speaker
|
|
turned to one of the group who certainly was not
|
|
ill-defined as plain.
|
|
|
|
It was a thousand pities, indeed; it was impossible for
|
|
even an enemy to feel otherwise on looking at Tess as
|
|
she sat there, with her flower-like mouth and large
|
|
tender eyes, neither black nor blue nor grey nor
|
|
violet; rather all those shades together, and a hundred
|
|
others, which could be seen if one looked into their
|
|
irises--shade behind shade--tint beyond tint--around
|
|
pupils that had no bottom; an almost standard woman,
|
|
but for the slight incautiousness of character
|
|
inherited from her race.
|
|
|
|
A resolution which had surprised herself had brought
|
|
her into the fields this week for the first time during
|
|
many months. After wearing and wasting her palpitating
|
|
heart with every engine of regret that lonely
|
|
inexperience could devise, commonsense had illuminated
|
|
her. She felt that she would do well to be useful
|
|
again--to taste anew sweet independence at any price.
|
|
The past was past; whatever it had been it was no more
|
|
at hand. Whatever its consequences, time would close
|
|
over them; they would all in a few years be as if they
|
|
had never been, and she herself grassed down and
|
|
forgotten. Meanwhile the trees were just as green as
|
|
before; the birds sang and the sun shone as clearly now
|
|
as ever. The familiar surroundings had not darkened
|
|
because of her grief, nor sickened because of her pain.
|
|
|
|
She might have seen that what had bowed her head so
|
|
profoundly--the thought of the world's concern at her
|
|
situation--was founded on an illusion. She was not an
|
|
existence, an experience, a passion, a structure of
|
|
sensations, to anybody but herself. To all humankind
|
|
besides Tess was only a passing thought. Even to
|
|
friends she was no more than a frequently passing
|
|
thought. If she made herself miserable the livelong
|
|
night and day it was only this much to them--"Ah, she
|
|
makes herself unhappy." If she tried to be cheerful,
|
|
to dismiss all care, to take pleasure in the daylight,
|
|
the flowers, the baby, she could only be this idea to
|
|
them--"Ah, she bears it very well." Moreover, alone in
|
|
a desert island would she have been wretched at what
|
|
had happened to her? Not greatly. If she could have
|
|
been but just created, to discover herself as a
|
|
spouseless mother, with no experience of life except as
|
|
the parent of a nameless child, would the position have
|
|
caused her to despair? No, she would have taken it
|
|
calmly, and found pleasure therein. Most of the misery
|
|
had been generated by her conventional aspect, and not
|
|
by her innate sensations.
|
|
|
|
Whatever Tess's reasoning, some spirit had induced her
|
|
to dress herself up neatly as she had formerly done,
|
|
and come out into the fields, harvest-hands being
|
|
greatly in demand just then. This was why she had
|
|
borne herself with dignity, and had looked people
|
|
calmly in the face at times, even when holding the baby
|
|
in her arms.
|
|
|
|
The harvest-men rose from the shock of corn, and
|
|
stretched their limbs, and extinguished their pipes.
|
|
The horses, which had been unharnessed and fed, were
|
|
again attached to the scarlet machine. Tess, having
|
|
quickly eaten her own meal, beckoned to her eldest
|
|
sister to come and take away the baby, fastened her
|
|
dress, put on the buff gloves again, and stooped anew
|
|
to draw a bond from the last completed sheaf for the
|
|
tying of the next.
|
|
|
|
In the afternoon and evening the proceedings of the
|
|
morning were continued, Tess staying on till dusk with
|
|
the body of harvesters. Then they all rode home in one
|
|
of the largest wagons, in the company of a broad
|
|
tarnished moon that had risen from the ground to the
|
|
eastwards, its face resembling the outworn gold-leaf
|
|
halo of some worm-eaten Tuscan saint. Tess's female
|
|
companions sang songs, and showed themselves very
|
|
sympathetic and glad at her reappearance out of doors,
|
|
though they could not refrain from mischievously
|
|
throwing in a few verses of the ballad about the maid
|
|
who went to the merry green wood and came back a
|
|
changed state. There are counterpoises and
|
|
compensations in life; and the event which had made of
|
|
her a social warning had also for the moment made her
|
|
the most interesting personage in the village to many.
|
|
Their friendliness won her still farther away from
|
|
herself, their lively spirits were contagious, and she
|
|
became almost gay.
|
|
|
|
But now that her moral sorrows were passing away a
|
|
fresh one arose on the natural side of her which knew
|
|
no social law. When she reached home it was to learn
|
|
to her grief that the baby had been suddenly taken ill
|
|
since the afternoon. Some such collapse had been
|
|
probable, so tender and puny was its frame; but the
|
|
event came as a shock nevertheless.
|
|
|
|
The baby's offence against society in coming into the
|
|
world was forgotten by the girl-mother; her soul's
|
|
desire was to continue that offence by preserving the
|
|
life of the child. However, it soon grew clear that
|
|
the hour of emancipation for that little prisoner of
|
|
the flesh was to arrive earlier than her worst
|
|
misgiving had conjectured. And when she had discovered
|
|
this she was plunged into a misery which transcended
|
|
that of the child's simple loss. Her baby had not been
|
|
baptized.
|
|
|
|
Tess had drifted into a frame of mind which accepted
|
|
passively the consideration that if she should have to
|
|
burn for what she had done, burn she must, and there
|
|
was an end of it. Like all village girls she was well
|
|
grounded in the Holy Scriptures, and had dutifully
|
|
studied the histories of Aholah and Aholibah, and knew
|
|
the inferences to be drawn therefrom. But when the
|
|
same question arose with regard to the baby, it had a
|
|
very different colour. Her darling was about to die,
|
|
and no salvation.
|
|
|
|
It was nearly bedtime, but she rushed downstairs and
|
|
asked if she might send for the parson. The moment
|
|
happened to be one at which her father's sense of the
|
|
antique nobility of his family was highest, and his
|
|
sensitiveness to the smudge which Tess had set upon
|
|
that nobility most pronounced, for he had just returned
|
|
from his weekly booze at Rolliver's Inn. No parson
|
|
should come inside his door, he declared, prying into
|
|
his affairs, just then, when, by her shame, it had
|
|
become more necessary than ever to hide them. He locked
|
|
the door and put the key in his pocket.
|
|
|
|
The household went to bed, and, distressed beyond
|
|
measure, Tess retired also. She was continually waking
|
|
as she lay, and in the middle of the night found that
|
|
the baby was still worse. It was obviously
|
|
dying--quietly and painlessly, but none the less
|
|
surely.
|
|
|
|
In her misery she rocked herself upon the bed. The
|
|
clock struck the solemn hour of one, that hour when
|
|
fancy stalks outside reason, and malignant
|
|
possibilities stand rock-firm as facts. She thought of
|
|
the child consigned to the nethermost corner of hell,
|
|
as its double doom for lack of baptism and lack of
|
|
legitimacy; saw the arch-fiend tossing it with his
|
|
three-pronged fork, like the one they used for heating
|
|
the oven on baking days; to which picture she added
|
|
many other quaint and curious details of torment
|
|
sometimes taught the young in this Christian country.
|
|
The lurid presentment so powerfully affected her
|
|
imagination in the silence of the sleeping house that
|
|
her nightgown became damp with perspiration, and the
|
|
bedstead shook with each throb of her heart.
|
|
|
|
The infant's breathing grew more difficult, and the
|
|
mother's mental tension increased. It was useless to
|
|
devour the little thing with kisses; she could stay in
|
|
bed no longer, and walked feverishly about the room.
|
|
|
|
"O merciful God, have pity; have pity upon my poor
|
|
baby!" she cried. "Heap as much anger as you want to
|
|
upon me, and welcome; but pity the child!"
|
|
|
|
She leant against the chest of drawers, and murmured
|
|
incoherent supplications for a long while, till she
|
|
suddenly started up.
|
|
|
|
"Ah! perhaps baby can be saved! Perhaps it will be
|
|
just the same!"
|
|
|
|
She spoke so brightly that it seemed as though her face
|
|
might have shone in the gloom surrounding her. She lit
|
|
a candle, and went to a second and a third bed under
|
|
the wall, where she awoke her young sisters and
|
|
brothers, all of whom occupied the same room. Pulling
|
|
out the washing-stand so that she could get behind it,
|
|
she poured some water from a jug, and made them kneel
|
|
around, putting their hands together with fingers
|
|
exactly vertical. While the children, scarcely awake,
|
|
awe-stricken at her manner, their eyes growing larger
|
|
and larger, remained in this position, she took the
|
|
baby from her bed--a child's child--so immature as
|
|
scarce to seem a sufficient personality to endow its
|
|
producer with the maternal title. Tess then stood
|
|
erect with the infant on her arm beside the basin, the
|
|
next sister held the Prayer-Book open before her, as
|
|
the clerk at church held it before the parson; and thus
|
|
the girl set about baptizing her child.
|
|
|
|
Her figure looked singularly tall and imposing as she
|
|
stood in her long white nightgown, a thick cable of
|
|
twisted dark hair hanging straight down her back to her
|
|
waist. The kindly dimness of the weak candle
|
|
abstracted from her form and features the little
|
|
blemishes which sunlight might have revealed--the
|
|
stubble scratches upon her wrists, and the weariness of
|
|
her eyes--her high enthusiasm having a transfiguring
|
|
effect upon the face which had been her undoing,
|
|
showing it as a thing of immaculate beauty, with a
|
|
touch of dignity which was almost regal. The little
|
|
ones kneeling round, their sleepy eyes blinking and
|
|
red, awaited her preparations full of a suspended
|
|
wonder which their physical heaviness at that hour
|
|
would not allow to become active.
|
|
|
|
The most impressed of them said:
|
|
|
|
"Be you really going to christen him, Tess?"
|
|
|
|
The girl-mother replied in a grave affirmative.
|
|
|
|
"What's his name going to be?"
|
|
|
|
She had not thought of that, but a name suggested by a
|
|
phrase in the book of Genesis came into her head as she
|
|
proceeded with the baptismal service, and now she
|
|
pronounced it:
|
|
|
|
"SORROW, I baptize thee in the name of the Father, and
|
|
the Son, and the Holy Ghost."
|
|
|
|
She sprinkled the water, and there was silence.
|
|
|
|
"Say 'Amen,' children."
|
|
|
|
The tiny voices piped in obedient response "Amen!"
|
|
|
|
Tess went on:
|
|
|
|
"We receive this child"--and so forth--"and do sign him
|
|
with the sign of the Cross."
|
|
|
|
Here she dipped her hand into the basin, and fervently
|
|
drew an immense cross upon the baby with her
|
|
forefinger, continuing with the customary sentences as
|
|
to his manfully fighting against sin, the world, and
|
|
the devil, and being a faithful soldier and servant
|
|
unto his life's end. She duly went on with the Lord's
|
|
Prayer, the children lisping it after her in a thin
|
|
gnat-like wail, till, at the conclusion, raising their
|
|
voices to clerk's pitch, they again piped into silence,
|
|
"Amen!"
|
|
|
|
Then their sister, with much augmented confidence in
|
|
the efficacy of the sacrament, poured forth from the
|
|
bottom of her heart the thanksgiving that follows,
|
|
uttering it boldly and triumphantly in the
|
|
stopt-diapason note which her voice acquired when her
|
|
heart was in her speech, and which will never be
|
|
forgotten by those who knew her. The ecstasy of faith
|
|
almost apotheosized her; it set upon her face a glowing
|
|
irradiation, and brought a red spot into the middle of
|
|
each cheek; while the miniature candle-flame inverted
|
|
in her eye-pupils shone like a diamond. The children
|
|
gazed up at her with more and more reverence, and no
|
|
longer had a will for questioning. She did not look
|
|
like Sissy to them now, but as a being large, towering,
|
|
and awful--a divine personage with whom they had
|
|
nothing in common.
|
|
|
|
Poor Sorrow's campaign against sin, the world, and the
|
|
devil was doomed to be of limited brilliancy--luckily
|
|
perhaps for himself, considering his beginnings. In
|
|
the blue of the morning that fragile soldier and
|
|
servant breathed his last, and when the other children
|
|
awoke they cried bitterly, and begged Sissy to have
|
|
another pretty baby. The calmness which had possessed
|
|
Tess since the christening remained with her in the
|
|
infant's loss. In the daylight, indeed, she felt her
|
|
terrors about his soul to have been somewhat
|
|
exaggerated; whether well founded or not she had no
|
|
uneasiness now, reasoning that if Providence would not
|
|
ratify such an act of approximation she, for one, did
|
|
not value the kind of heaven lost by the
|
|
irregularity--either for herself or for her child.
|
|
|
|
So passed away Sorrow the Undesired--that intrusive
|
|
creature, that bastard gift of shameless Nature who
|
|
respects not the social law; a waif to whom eternal
|
|
Time had been a matter of days merely, who knew not
|
|
that such things as years and centuries ever were; to
|
|
whom the cottage interior was the universe, the week's
|
|
weather climate, new-born babyhood human existence, and
|
|
the instinct to suck human knowledge.
|
|
|
|
Tess, who mused on the christening a good deal,
|
|
wondered if it were doctrinally sufficient to secure a
|
|
Christian burial for the child. Nobody could tell this
|
|
but the parson of the parish, and he was a new-comer,
|
|
and did not know her. She went to his house after
|
|
dusk, and stood by the gate, but could not summon
|
|
courage to go in. The enterprise would have been
|
|
abandoned if she had not by accident met him coming
|
|
homeward as she turned away. In the gloom she did not
|
|
mind speaking freely.
|
|
|
|
"I should like to ask you something, sir."
|
|
|
|
He expressed his willingness to listen, and she told
|
|
the story of the baby's illness and the extemporized
|
|
ordinance. "And now, sir," she added earnestly, "can
|
|
you tell me this--will it be just the same for him as
|
|
if you had baptized him?"
|
|
|
|
Having the natural feelings of a tradesman at finding
|
|
that a job he should have been called in for had been
|
|
unskilfully botched by his customers among themselves,
|
|
he was disposed to say no. Yet the dignity of the
|
|
girl, the strange tenderness in her voice, combined to
|
|
affect his nobler impulses--or rather those that he had
|
|
left in him after ten years of endeavour to graft
|
|
technical belief on actual scepticism. The man and the
|
|
ecclesiastic fought within him, and the victory fell to
|
|
the man.
|
|
|
|
"My dear girl," he said, "it will be just the same."
|
|
|
|
"Then will you give him a Christian burial?" she asked
|
|
quickly.
|
|
|
|
The Vicar felt himself cornered. Hearing of the baby's
|
|
illness, he had conscientiously gone to the house after
|
|
nightfall to perform the rite, and, unaware that the
|
|
refusal to admit him had come from Tess's father and
|
|
not from Tess, he could not allow the plea of necessity
|
|
for its irregular administration.
|
|
|
|
"Ah--that's another matter," he said.
|
|
|
|
"Another matter--why?" asked Tess, rather warmly.
|
|
|
|
"Well--I would willingly do so if only we two were
|
|
concerned. But I must not--for certain reasons."
|
|
|
|
"Just for once, sir!"
|
|
|
|
"Really I must not."
|
|
|
|
"O sir!" She seized his hand as she spoke.
|
|
|
|
He withdrew it, shaking his head.
|
|
|
|
"Then I don't like you!" she burst out, "and I'll never
|
|
come to your church no more!"
|
|
|
|
"Don't talk so rashly."
|
|
|
|
"Perhaps it will be just the same to him if you don't?
|
|
... Will it be just the same? Don't for God's sake
|
|
speak as saint to sinner, but as you yourself to me
|
|
myself--poor me!"
|
|
|
|
How the Vicar reconciled his answer with the strict
|
|
notions he supposed himself to hold on these subjects
|
|
it is beyond a layman's power to tell, though not to
|
|
excuse. Somewhat moved, he said in this case also--
|
|
|
|
"It will be just the same."
|
|
|
|
So the baby was carried in a small deal box, under an
|
|
ancient woman's shawl, to the churchyard that night,
|
|
and buried by lantern-light, at the cost of a shilling
|
|
and a pint of beer to the sexton, in that shabby corner
|
|
of God's allotment where He lets the nettles grow, and
|
|
where all unbaptized infants, notorious drunkards,
|
|
suicides, and others of the conjecturally damned are
|
|
laid. In spite of the untoward surroundings, however,
|
|
Tess bravely made a little cross of two laths and a
|
|
piece of string, and having bound it with flowers, she
|
|
stuck it up at the head of the grave one evening when
|
|
she could enter the churchyard without being seen,
|
|
putting at the foot also a bunch of the same flowers in
|
|
a little jar of water to keep them alive. What matter
|
|
was it that on the outside of the jar the eye of mere
|
|
observation noted the words "Keelwell's Marmalade"?
|
|
The eye of maternal affection did not see them in its
|
|
vision of higher things.
|
|
|
|
|
|
|
|
XV
|
|
|
|
|
|
"By experience," says Roger Ascham, "we find out a
|
|
short way by a long wandering." Not seldom that long
|
|
wandering unfits us for further travel, and of what use
|
|
is our experience to us then? Tess Durbeyfield's
|
|
experience was of this incapacitating kind. At last she
|
|
had learned what to do; but who would now accept her
|
|
doing?
|
|
|
|
If before going to the d'Urbervilles' she had
|
|
vigorously moved under the guidance of sundry gnomic
|
|
texts and phrases known to her and to the world in
|
|
general, no doubt she would never have been imposed on.
|
|
But it had not been in Tess's power--nor is it in
|
|
anybody's power--to feel the whole truth of golden
|
|
opinions while it is possible to profit by them.
|
|
She--and how many more--might have ironically said to
|
|
God with Saint Augustine: "Thou hast counselled a
|
|
better course than Thou hast permitted."
|
|
|
|
She remained at her father's house during the winter
|
|
months, plucking fowls, or cramming turkeys and geese,
|
|
or making clothes for her sisters and brothers out of
|
|
some finery which d'Urberville had given her, and she
|
|
had put by with contempt. Apply to him she would not.
|
|
But she would often clasp her hands behind her head and
|
|
muse when she was supposed to be working hard.
|
|
|
|
She philosophically noted dates as they came past in
|
|
the revolution of the year; the disastrous night of her
|
|
undoing at Trantridge with its dark background of The
|
|
Chase; also the dates of the baby's birth and death;
|
|
also her own birthday; and every other day
|
|
individualized by incidents in which she had taken some
|
|
share. She suddenly thought one afternoon, when
|
|
looking in the glass at her fairness, that there was
|
|
yet another date, of greater importance to her than
|
|
those; that of her own death, when all these charms
|
|
would had disappeared; a day which lay sly and unseen
|
|
among all the other days of the year, giving no sign or
|
|
sound when she annually passed over it; but not the
|
|
less surely there. When was it? Why did she not feel
|
|
the chill of each yearly encounter with such a cold
|
|
relation? She had Jeremy Taylor's thought that some
|
|
time in the future those who had known her would say:
|
|
"It is the--th, the day that poor Tess Durbeyfield
|
|
died"; and there would be nothing singular to their
|
|
minds in the statement. Of that day, doomed to be her
|
|
terminus in time through all the ages, she did not know
|
|
the place in month, week, season or year.
|
|
|
|
Almost at a leap Tess thus changed from simple girl to
|
|
complex woman. Symbols of reflectiveness passed into
|
|
her face, and a note of tragedy at times into her
|
|
voice. Her eyes grew larger and more eloquent. She
|
|
became what would have been called a fine creature; her
|
|
aspect was fair and arresting; her soul that of a woman
|
|
whom the turbulent experiences of the last year or two
|
|
had quite failed to demoralize. But for the world's
|
|
opinion those experiences would have been simply a
|
|
liberal education.
|
|
|
|
She had held so aloof of late that her trouble, never
|
|
generally known, was nearly forgotten in Marlott. But
|
|
it became evident to her that she could never be really
|
|
comfortable again in a place which had seen the
|
|
collapse of her family's attempt to "claim kin"--
|
|
and, through her, even closer union--with the rich
|
|
d'Urbervilles. At least she could not be comfortable
|
|
there till long years should have obliterated her keen
|
|
consciousness of it. Yet even now Tess felt the pulse
|
|
of hopeful like still warm within her; she might be
|
|
happy in some nook which had no memories. To escape
|
|
the past and all that appertained thereto was to
|
|
annihilate it, and to do that she would have to get
|
|
away.
|
|
|
|
Was once lost always lost really true of chastity? she
|
|
would ask herself. She might prove it false if she
|
|
could veil bygones. The recuperative power which
|
|
pervaded organic nature was surely not denied to
|
|
maidenhood alone.
|
|
|
|
She waited a long time without finding opportunity for
|
|
a new departure. A particularly fine spring came
|
|
round, and the stir of germination was almost audible
|
|
in the buds; it moved her, as it moved the wild
|
|
animals, and made her passionate to go. At last, one
|
|
day in early May, a letter reached her from a former
|
|
friend of her mother's, to whom she had addressed
|
|
inquiries long before--a person whom she had never
|
|
seen--that a skilful milkmaid was required at a
|
|
dairy-house many miles to the southward, and that the
|
|
dairyman would be glad to have her for the summer
|
|
months.
|
|
|
|
It was not quite so far off as could have been wished;
|
|
but it was probably far enough, her radius of movement
|
|
and repute having been so small. To persons of limited
|
|
spheres, miles are as geographical degrees, parishes as
|
|
counties, counties as provinces and kingdoms. On one
|
|
point she was resolved: there should be no more
|
|
d'Urberville air-castles in the dreams and deeds of her
|
|
new life. She would be the dairymaid Tess, and nothing
|
|
more. Her mother knew Tess's feeling on this point so
|
|
well, though no words had passed between them on the
|
|
subject, that she never alluded to the knightly
|
|
ancestry now.
|
|
|
|
Yet such is human inconsistency that one of the
|
|
interests of the new place to her was the accidental
|
|
virtues of its lying near her forefathers' country (for
|
|
they were not Blakemore men, though her mother was
|
|
Blakemore to the bone). The dairy called Talbothays,
|
|
for which she was bound, stood not remotely from some
|
|
of the former estates of the d'Urbervilles, near the
|
|
great family vaults of her granddames and their
|
|
powerful husbands. She would be able to look at them,
|
|
and think not only that d'Urberville, like Babylon, had
|
|
fallen, but that the individual innocence of a humble
|
|
descendant could lapse as silently. All the while she
|
|
wondered if any strange good thing might come of her
|
|
being in her ancestral land; and some spirit within her
|
|
rose automatically as the sap in the twigs. It was
|
|
unexpected youth, surging up anew after its temporary
|
|
check, and bringing with it hope, and the invincible
|
|
instinct towards self-delight.
|
|
|
|
|
|
END OF PHASE THE SECOND
|
|
|
|
|
|
|
|
|
|
|
|
Phase the Third: The Rally
|
|
|
|
|
|
|
|
XVI
|
|
|
|
|
|
On a thyme-scented, bird-hatching morning in May,
|
|
between two and three years after the return from
|
|
Trantridge--silent reconstructive years for Tess
|
|
Durbeyfield--she left her home for the second time.
|
|
|
|
Having packed up her luggage so that it could be sent
|
|
to her later, she started in a hired trap for the
|
|
little town of Stourcastle, through which it was
|
|
necessary to pass on her journey, now in a direction
|
|
almost opposite to that of her first adventuring. On
|
|
the curve of the nearest hill she looked back
|
|
regretfully at Marlott and her father's house, although
|
|
she had been so anxious to get away.
|
|
|
|
Her kindred dwelling there would probably continue
|
|
their daily lives as heretofore, with no great
|
|
diminution of pleasure in their consciousness, although
|
|
she would be far off, and they deprived of her smile.
|
|
In a few days the children would engage in their games
|
|
as merrily as ever, without the sense of any gap left
|
|
by her departure. This leaving of the younger children
|
|
she had decided to be for the best; were she to remain
|
|
they would probably gain less good by her precepts than
|
|
harm by her example.
|
|
|
|
She went through Stourcastle without pausing, and
|
|
onward to a junction of highways, where she could await
|
|
a carrier's van that ran to the south-west; for the
|
|
railways which engirdled this interior tract of country
|
|
had never yet struck across it. While waiting,
|
|
however, there came along a farmer in his spring cart,
|
|
driving approximately in the direction that she wished
|
|
to pursue. Though he was a stranger to her she accepted
|
|
his offer of a seat beside him, ignoring that its
|
|
motive was a mere tribute to her countenance. He was
|
|
going to Weatherbury, and by accompanying him thither
|
|
she could walk the remainder of the distance instead of
|
|
travelling in the van by way of Casterbridge.
|
|
|
|
Tess did not stop at Weatherbury, after this long
|
|
drive, further than to make a slight nondescript meal
|
|
at noon at a cottage to which the farmer recommended
|
|
her. Thence she started on foot, basket in hand, to
|
|
reach the wide upland of heath dividing this district
|
|
from the low-lying meads of a further valley in which
|
|
the dairy stood that was the aim and end of her day's
|
|
pilgrimage.
|
|
|
|
Tess had never before visited this part of the country,
|
|
and yet she felt akin to the landscape. Not so very
|
|
far to the left of her she could discern a dark patch
|
|
in the scenery, which inquiry confirmed her in
|
|
supposing to be trees marking the environs of
|
|
Kingsbere--in the church of which parish the bones of
|
|
her ancestors--her useless ancestors--lay entombed.
|
|
|
|
She had no admiration for them now; she almost hated
|
|
them for the dance they had led her; not a thing of all
|
|
that had been theirs did she retain but the old seal
|
|
and spoon. "Pooh--I have as much of mother as father in
|
|
me!" she said. "All my prettiness comes from her, and
|
|
she was only a dairymaid."
|
|
|
|
The journey over the intervening uplands and lowlands
|
|
of Egdon, when she reached them, was a more troublesome
|
|
walk than she had anticipated, the distance being
|
|
actually but a few miles. It was two hours, owing to
|
|
sundry wrong turnings, ere she found herself on a
|
|
summit commanding the long-sought-for vale, the Valley
|
|
of the Great Dairies, the valley in which milk and
|
|
butter grew to rankness, and were produced more
|
|
profusely, if less delicately, than at her home--the
|
|
verdant plain so well watered by the river Var or
|
|
Froom.
|
|
|
|
It was intrinsically different from the Vale of Little
|
|
Dairies, Blackmoor Vale, which, save during her
|
|
disastrous sojourn at Trantridge, she had exclusively
|
|
known till now. The world was drawn to a larger
|
|
pattern here. The enclosures numbered fifty acres
|
|
instead of ten, the farmsteads were more extended, the
|
|
groups of cattle formed tribes hereabout; there only
|
|
families. These myriads of cows stretching under her
|
|
eyes from the far east to the far west outnumbered any
|
|
she had ever seen at one glance before. The green lea
|
|
was speckled as thickly with them as a canvas by Van
|
|
Alsloot or Sallaert with burghers. The ripe hue of the
|
|
red and dun kine absorbed the evening sunlight, which
|
|
the white-coated animals returned to the eye in rays
|
|
almost dazzling, even at the distant elevation on which
|
|
she stood.
|
|
|
|
The bird's-eye perspective before her was not so
|
|
luxuriantly beautiful, perhaps, as that other one which
|
|
she knew so well; yet it was more cheering. It lacked
|
|
the intensely blue atmosphere of the rival vale, and
|
|
its heavy soils and scents; the new air was clear,
|
|
bracing, ethereal. The river itself, which nourished
|
|
the grass and cows of these renowned dairies, flowed
|
|
not like the streams in Blackmoor. Those were slow,
|
|
silent, often turbid; flowing over beds of mud into
|
|
which the incautious wader might sink and vanish
|
|
unawares. The Froom waters were clear as the pure
|
|
River of Life shown to the Evangelist, rapid as the
|
|
shadow of a cloud, with pebbly shallows that prattled
|
|
to the sky all day long. There the water-flower was
|
|
the lily; the crowfoot here.
|
|
|
|
Either the change in the quality of the air from heavy
|
|
to light, or the sense of being amid new scenes where
|
|
there were no invidious eyes upon her, sent up her
|
|
spirits wonderfully. Her hopes mingled with the
|
|
sunshine in an ideal photosphere which surrounded her
|
|
as she bounded along against the soft south wind.
|
|
She heard a pleasant voice in every breeze, and in every
|
|
bird's note seemed to lurk a joy.
|
|
|
|
Her face had latterly changed with changing states of
|
|
mind, continually fluctuating between beauty and
|
|
ordinariness, according as the thoughts were gay or
|
|
grave. One day she was pink and flawless; another pale
|
|
and tragical. When she was pink she was feeling less
|
|
then when pale; her more perfect beauty accorded with
|
|
her less elevated mood; her more intense mood with her
|
|
less perfect beauty. It was her best face physically
|
|
that was now set against the south wind.
|
|
|
|
The irresistible, universal, automatic tendency to find
|
|
sweet pleasure somewhere, which pervades all life, from
|
|
the meanest to the highest, had at length mastered
|
|
Tess. Being even now only a young woman of twenty, one
|
|
who mentally and sentimentally had not finished
|
|
growing, it was impossible that any event should have
|
|
left upon her an impression that was not in time
|
|
capable of transmutation.
|
|
|
|
And thus her spirits, and her thankfulness, and her
|
|
hopes, rose higher and higher. She tried several
|
|
ballads, but found them inadequate; till, recollecting
|
|
the psalter that her eyes had so often wandered over of
|
|
a Sunday morning before she had eaten of the tree of
|
|
knowledge, she chanted: "O ye Sun and Moon ... O ye
|
|
Stars ... ye Green Things upon the Earth ... ye Fowls
|
|
of the Air ... Beasts and Cattle ... Children of Men
|
|
... bless ye the Lord, praise Him and magnify Him for
|
|
ever!"
|
|
|
|
She suddenly stopped and murmured: "But perhaps I don't
|
|
quite know the Lord as yet."
|
|
|
|
And probably the half-unconscious rhapsody was a
|
|
Fetichistic utterance in a Monotheistic setting; women
|
|
whose chief companions are the forms and forces of
|
|
outdoor Nature retain in their souls far more of the
|
|
Pagan fantasy of their remote forefathers than of the
|
|
systematized religion taught their race at later date.
|
|
However, Tess found at least approximate expression for
|
|
her feelings in the old BENEDICITE that she had lisped
|
|
from infancy; and it was enough. Such high contentment
|
|
with such a slight initial performance as that of
|
|
having started towards a means of independent living
|
|
was a part of the Durbeyfield temperament. Tess really
|
|
wished to walk uprightly, while her father did nothing
|
|
of the kind; but she resembled him in being content
|
|
with immediate and small achievements, and in having no
|
|
mind for laborious effort towards such petty social
|
|
advancement as could alone be effected by a family so
|
|
heavily handicapped as the once powerful d'Urbervilles
|
|
were now.
|
|
|
|
There was, it might be said, the energy of her mother's
|
|
unexpected family, as well as the natural energy of
|
|
Tess's years, rekindled after the experience which had
|
|
so overwhelmed her for the time. Let the truth be
|
|
told--women do as a rule live through such
|
|
humiliations, and regain their spirits, and again look
|
|
about them with an interested eye. While there's life
|
|
there's hope is a conviction not so entirely unknown to
|
|
the "betrayed" as some amiable theorists would have us
|
|
believe.
|
|
|
|
Tess Durbeyfield, then, in good heart, and full of zest
|
|
for life, descended the Egdon slopes lower and lower
|
|
towards the dairy of her pilgrimage.
|
|
|
|
The marked difference, in the final particular, between
|
|
the rival vales now showed itself. The secret of
|
|
Blackmoor was best discovered from the heights around;
|
|
to read aright the valley before her it was necessary
|
|
to descend into its midst. When Tess had accomplished
|
|
this feat she found herself to be standing on a
|
|
carpeted level, which stretched to the east and west as
|
|
far as the eye could reach.
|
|
|
|
The river had stolen from the higher tracts and brought
|
|
in particles to the vale all this horizontal land; and
|
|
now, exhausted, aged, and attenuated, lay serpentining
|
|
along through the midst of its former spoils.
|
|
|
|
Not quite sure of her direction Tess stood still upon
|
|
the hemmed expanse of verdant flatness, like a fly on a
|
|
billiard-table of indefinite length, and of no more
|
|
consequence to the surroundings than that fly. The
|
|
sole effect of her presence upon the placid valley so
|
|
far had been to excite the mind of a solitary heron,
|
|
which, after descending to the ground not far from her
|
|
path, stood with neck erect, looking at her.
|
|
|
|
Suddenly there arose from all parts of the lowland a
|
|
prolonged and repeated call--"Waow! waow! waow!"
|
|
|
|
From the furthest east to the furthest west the cries
|
|
spread as if by contagion, accompanied in some cases by
|
|
the barking of a dog. It was not the expression of the
|
|
valley's consciousness that beautiful Tess had arrived,
|
|
but the ordinary announcement of
|
|
milking-time--half-past four o'clock, when the dairymen
|
|
set about getting in the cows.
|
|
|
|
The red and white herd nearest at hand, which had been
|
|
phlegmatically waiting for the call, now trooped
|
|
towards the steading in the background, their great
|
|
bags of milk swinging under them as they walked.
|
|
Tess followed slowly in their rear, and entered the barton
|
|
by the open gate through which they had entered before
|
|
her. Long thatched sheds stretched round the
|
|
enclosure, their slopes encrusted with vivid green
|
|
moss, and their eaves supported by wooden posts rubbed
|
|
to a glossy smoothness by the flanks of infinite cows
|
|
and calves of bygone years, now passed to an oblivion
|
|
almost inconceivable in its profundity. Between the
|
|
post were ranged the milchers, each exhibiting herself
|
|
at the present moment to a whimsical eye in the rear as
|
|
a circle on two stalks, down the centre of which a
|
|
switch moved pendulum-wise; while the sun, lowering
|
|
itself behind this patient row, threw their shadows
|
|
accurately inwards upon the wall. Thus it threw
|
|
shadows of these obscure and homely figures every
|
|
evening with as much care over each contour as if it
|
|
had been the profile of a court beauty on a palace
|
|
wall; copied them as diligently as it had copied
|
|
Olympian shapes on marble FACADES long ago, or the
|
|
outline of Alexander, Caesar, and the Pharaohs.
|
|
|
|
They were the less restful cows that were stalled.
|
|
Those that would stand still of their own will were
|
|
milked in the middle of the yard, where many of such
|
|
better behaved ones stood waiting now--all prime
|
|
milchers, such as were seldom seen out of this valley,
|
|
and not always within it; nourished by the succulent
|
|
feed which the water-meads supplied at this prime
|
|
season of the year. Those of them that were spotted
|
|
with white reflected the sunshine in dazzling
|
|
brilliancy, and the polished brass knobs of their horns
|
|
glittered with something of military display. Their
|
|
large-veined udders hung ponderous as sandbags, the
|
|
teats sticking out like the legs of a gipsy's crock;
|
|
and as each animal lingered for her turn to arrive the
|
|
milk oozed forth and fell in drops to the ground.
|
|
|
|
|
|
|
|
XVII
|
|
|
|
|
|
The dairymaids and men had flocked down from their
|
|
cottages and out of the dairy-house with the arrival of
|
|
the cows from the meads; the maids walking in patterns,
|
|
not on account of the weather, but to keep their shoes
|
|
above the mulch of the barton. Each girl sat down on
|
|
her three-legged stool, her face sideways, her right
|
|
cheek resting against the cow; and looked musingly
|
|
along the animal's flank at Tess as she approached.
|
|
The male milkers, with hat-brims turned down, resting
|
|
flat on their foreheads and gazing on the ground, did
|
|
not observe her.
|
|
|
|
One of these was a sturdy middle-aged man--whose long
|
|
white "pinner" was somewhat finer and cleaner than the
|
|
wraps of the others, and whose jacket underneath had a
|
|
presentable marketing aspect--the master-dairyman, of
|
|
whom she was in quest, his double character as a
|
|
working milker and butter maker here during six days,
|
|
and on the seventh as a man in shining broad-cloth in
|
|
his family pew at church, being so marked as to have
|
|
inspired a rhyme-
|
|
|
|
|
|
Dairyman Dick
|
|
All the week:--
|
|
On Sundays Mister Richard Crick.
|
|
|
|
|
|
Seeing Tess standing at gaze he went across to her.
|
|
|
|
The majority of dairymen have a cross manner at milking
|
|
time, but it happened that Mr Crick was glad to get a
|
|
new hand--for the days were busy ones now--and he
|
|
received her warmly; inquiring for her mother and the
|
|
rest of the family--(though this as a matter of form
|
|
merely, for in reality he had not been aware of Mrs
|
|
Durbeyfield's existence till apprised of the fact by a
|
|
brief business-letter about Tess).
|
|
|
|
"Oh--ay, as a lad I knowed your part o' the country
|
|
very well," he said terminatively. "Though I've never
|
|
been there since. And a aged woman of ninety that use
|
|
to live nigh here, but is dead and gone long ago, told
|
|
me that a family of some such name as yours in
|
|
Blackmoor Vale came originally from these parts, and
|
|
that 'twere a old ancient race that had all but
|
|
perished off the earth--though the new generations
|
|
didn't know it. But, Lord, I took no notice of the old
|
|
woman's ramblings, not I."
|
|
|
|
"Oh no--it is nothing," said Tess.
|
|
|
|
Then the talk was of business only.
|
|
|
|
"You can milk 'em clean, my maidy? I don't want my cow
|
|
going azew at this time o' year."
|
|
|
|
She reassured him on that point, and he surveyed her up
|
|
and down. She had been staying indoors a good deal, and
|
|
her complexion had grown delicate.
|
|
|
|
"Quite sure you can stand it? 'Tis comfortable enough
|
|
here for rough folk; but we don't live in a cowcumber
|
|
frame."
|
|
|
|
She declared that she could stand it, and her zest and
|
|
willingness seemed to win him over.
|
|
|
|
"Well, I suppose you'll want a dish o' tay, or victuals
|
|
of some sort, hey? Not yet? Well, do as ye like about
|
|
it. But faith, if 'twas I, I should be as dry as a kex
|
|
wi' travelling so far."
|
|
|
|
"I'll begin milking now, to get my hand in," said Tess.
|
|
|
|
She drank a little milk as temporary refreshment--
|
|
to the surprise--indeed, slight contempt--of Dairyman
|
|
Crick, to whose mind it had apparently never occurred
|
|
that milk was good as a beverage.
|
|
|
|
"Oh, if ye can swaller that, be it so," he said
|
|
indifferently, while holding up the pail that she
|
|
sipped from. "'Tis what I hain't touched for years--
|
|
not I. Rot the stuff; it would lie in my innerds like
|
|
lead. You can try your hand upon she," he pursued,
|
|
nodding to the nearest cow. "Not but what she do milk
|
|
rather hard. We've hard ones and we've easy ones, like
|
|
other folks. However, you'll find out that soon
|
|
enough."
|
|
|
|
When Tess had changed her bonnet for a hood, and was
|
|
really on her stool under the cow, and the milk was
|
|
squirting from her fists into the pail, she appeared to
|
|
feel that she really had laid a new foundation for her
|
|
future. The conviction bred serenity, her pulse
|
|
slowed, and she was able to look about her.
|
|
|
|
The milkers formed quite a little battalion of men and
|
|
maids, the men operating on the hard-teated animals,
|
|
the maids on the kindlier natures. It was a large
|
|
dairy. There were nearly a hundred milchers under
|
|
Crick's management, all told; and of the herd the
|
|
master-dairyman milked six or eight with his own hands,
|
|
unless away from home. These were the cows that milked
|
|
hardest of all; for his journey-milkmen being more or
|
|
less casually hired, he would not entrust this
|
|
half-dozen to their treatment, lest, from indifference,
|
|
they should not milk them fully; nor to the maids, lest
|
|
they should fail in the same way for lack of
|
|
finger-grip; with the result that in course of time the
|
|
cows would "go azew"--that is, dry up. It was not the
|
|
loss for the moment that made slack milking so serious,
|
|
but that with the decline of demand there came decline,
|
|
and ultimately cessation, of supply.
|
|
|
|
After Tess had settled down to her cow there was for a
|
|
time no talk in the barton, and not a sound interfered
|
|
with the purr of the milk-jets into the numerous pails,
|
|
except a momentary exclamation to one or other of the
|
|
beast requesting her to turn round or stand still. The
|
|
only movements were those of the milkers' hands up and
|
|
down, and the swing of the cows' tails. Thus they all
|
|
worked on, encompassed by the vast flat mead which
|
|
extended to either slope of the valley--a level
|
|
landscape compounded of old landscapes long forgotten,
|
|
and, no doubt, differing in character very greatly from
|
|
the landscape they composed now.
|
|
|
|
"To my thinking," said the dairyman, rising suddenly
|
|
from a cow he had just finished off, snatching up his
|
|
three-legged stool in one hand and the pail in the
|
|
other, and moving on to the next hard-yielder in his
|
|
vicinity; "to my thinking, the cows don't gie down
|
|
their milk today as usual. Upon my life, if Winker do
|
|
begin keeping back like this, she'll not be worth going
|
|
under by midsummer."
|
|
|
|
"'Tis because there's a new hand come among us,' said
|
|
Jonathan Kail. "I've noticed such things afore."
|
|
|
|
"To be sure. It may be so. I didn't think o't."
|
|
|
|
"I've been told that it goes up into their horns at
|
|
such times," said a dairymaid.
|
|
|
|
"Well, as to going up into their horns," replied
|
|
Dairyman Crick dubiously, as though even witchcraft
|
|
might be limited by anatomical possibilities, "I
|
|
couldn't say; I certainly could not. But as nott cows
|
|
will keep it back as well as the horned ones, I don't
|
|
quite agree to it. Do ye know that riddle about the
|
|
nott cows, Jonathan? Why do nott cows give less milk in
|
|
a year than horned?"
|
|
|
|
"I don't!" interposed the milkmaid, "Why do they?"
|
|
|
|
"Because there bain't so many of 'em," said the
|
|
dairyman. "Howsomever, these gam'sters do certainly
|
|
keep back their milk today. Folks, we must lift up a
|
|
stave or two--that's the only cure for't."
|
|
|
|
Songs were often resorted to in dairies hereabout as an
|
|
enticement to the cows when they showed signs of
|
|
withholding their usual yield; and the band of milkers
|
|
at this request burst into melody--in purely
|
|
business-like tones, it is true, and with no great
|
|
spontaneity; the result, according to their own belief,
|
|
being a decided improvement during the song's
|
|
continuance. When they had gone through fourteen or
|
|
fifteen verses of a cheerful ballad about a murderer
|
|
who was afraid to go to bed in the dark because he saw
|
|
certain brimstone flames around him, one of the male
|
|
milkers said--
|
|
|
|
"I wish singing on the stoop didn't use up so much of a
|
|
man's wind! You should get your harp, sir; not but what
|
|
a fiddle is best."
|
|
|
|
Tess, who had given ear to this, thought the words were
|
|
addressed to the dairyman, but she was wrong. A reply,
|
|
in the shape of "Why?" came as it were out of the belly
|
|
of a dun cow in the stalls; it had been spoken by a
|
|
milker behind the animal, whom she had not hitherto
|
|
perceived.
|
|
|
|
"Oh yes; there's nothing like a fiddle," said the
|
|
dairyman. "Though I do think that bulls are more moved
|
|
by a tune than cows--at least that's my experience.
|
|
Once there was an old aged man over at
|
|
Mellstock--William Dewy by name--one of the family that
|
|
used to do a good deal of business as tranters over
|
|
there, Jonathan, do ye mind?--I knowed the man by sight
|
|
as well as I know my own brother, in a manner of
|
|
speaking. Well, this man was a coming home-along from
|
|
a wedding where he had been playing his fiddle, one
|
|
fine moonlight night, and for shortness' sake he took a
|
|
cut across Forty-acres, a field lying that way, where a
|
|
bull was out to grass. The bull seed William, and took
|
|
after him, horns aground, begad; and though William
|
|
runned his best, and hadn't MUCH drink in him
|
|
(considering 'twas a wedding, and the folks well off),
|
|
he found he'd never reach the fence and get over in
|
|
time to save himself. Well, as a last thought, he
|
|
pulled out his fiddle as he runned, and struck up a
|
|
jig, turning to the bull, and backing towards the
|
|
corner. The bull softened down, and stood still,
|
|
looking hard at William Dewy, who fiddled on and on;
|
|
till a sort of a smile stole over the bull's face. But
|
|
no sooner did William stop his playing and turn to get
|
|
over hedge than the bull would stop his smiling and
|
|
lower his horns towards the seat of William's breeches.
|
|
Well, William had to turn about and play on,
|
|
willy-nilly; and 'twas only three o'clock in the world,
|
|
and 'a knowed that nobody would come that way for
|
|
hours, and he so leery and tired that 'a didn't know
|
|
what to do. When he had scraped till about four
|
|
o'clock he felt that he verily would have to give over
|
|
soon, and he said to himself, 'There's only this last
|
|
tune between me and eternal welfare! Heaven save me, or
|
|
I'm a done man.' Well, then he called to mind how he'd
|
|
seen the cattle kneel o' Christmas Eves in the dead o'
|
|
night. It was not Christmas Eve then, but it came into
|
|
his head to play a trick upon the bull. So he broke
|
|
into the 'Tivity Hymm, just as at Christmas
|
|
carol-singing; when, lo and behold, down went the bull
|
|
on his bended knees, in his ignorance, just as if
|
|
'twere the true 'Tivity night and hour. As soon as his
|
|
horned friend were down, William turned, clinked off
|
|
like a long-dog, and jumped safe over hedge, before
|
|
the praying bull had got on his feet again to take
|
|
after him. William used to say that he'd seen a man
|
|
look a fool a good many times, but never such a fool as
|
|
that bull looked when he found his pious feelings had
|
|
been played upon, and 'twas not Christmas Eve. ... Yes,
|
|
William Dewy, that was the man's name; and I can tell
|
|
you to a foot where's he a-lying in Mellstock
|
|
Churchyard at this very moment--just between the second
|
|
yew-tree and the north aisle."
|
|
|
|
"It's a curious story; it carries us back to medieval
|
|
times, when faith was a living thing!"
|
|
|
|
The remark, singular for a dairy-yard, was murmured by
|
|
the voice behind the dun cow; but as nobody understood
|
|
the reference no notice was taken, except that the
|
|
narrator seemed to think it might imply scepticism as
|
|
to his tale.
|
|
|
|
"Well, 'tis quite true, sir, whether or no. I knowed
|
|
the man well."
|
|
|
|
"Oh yes; I have no doubt of it," said the person behind
|
|
the dun cow.
|
|
|
|
Tess's attention was thus attracted to the dairyman's
|
|
interlocutor, of whom she could see but the merest
|
|
patch, owing to his burying his head so persistently in
|
|
the flank of the milcher. She could not understand why
|
|
he should be addressed as "sir" even by the dairyman
|
|
himself. But no explanation was discernible; he
|
|
remained under to cow long enough to have milked three,
|
|
uttering a private ejaculation now and then, as if he
|
|
could not get on.
|
|
|
|
"Take it gentle, sir; take it gentle," said the
|
|
dairyman. "'Tis knack, not strength that does it."
|
|
|
|
"So I find," said the other, standing up at last and
|
|
stretching his arms. "I think I have finished her,
|
|
however, though she made my fingers ache."
|
|
|
|
Tess could then see him at full length. He wore the
|
|
ordinary white pinner and leather leggings of a
|
|
dairy-farmer when milking, and his boots were clogged
|
|
with the mulch of the yard; but this was all his local
|
|
livery. Beneath it was something educated, reserved,
|
|
subtle, sad, differing.
|
|
|
|
But the details of his aspect were temporarily thrust
|
|
aside by the discovery that he was one whom she had
|
|
seen before. Such vicissitudes had Tess passed through
|
|
since that time that for a moment she could not
|
|
remember where she had met him; and then it flashed
|
|
upon her that he was the pedestrian who had joined in
|
|
the club-dance at Marlott--the passing stranger who had
|
|
come she knew not whence, had danced with others but
|
|
not with her, and slightingly left her, and gone on his
|
|
way with his friends.
|
|
|
|
The flood of memories brought back by this revival of
|
|
an incident anterior to her troubles produced a
|
|
momentary dismay lest, recognizing her also, he should
|
|
by some means discover her story. But it passed away
|
|
when she found no sign of remembrance in him. She saw
|
|
by degrees that since their first and only encounter
|
|
his mobile face had grown more thoughtful, and had
|
|
acquired a young man's shapely moustache and beard--the
|
|
latter of the palest straw colour where it began upon
|
|
his cheeks, and deepening to a warm brown farther from
|
|
its root. Under his linen milking-pinner he wore a
|
|
dark velveteen jacket, cord breeches and gaiters, and a
|
|
starched white shirt. Without the milking-gear nobody
|
|
could have guessed what he was. He might with equal
|
|
probability have been an eccentric landowner or a
|
|
gentlemanly ploughman. That he was but a novice at
|
|
dairy work she had realized in a moment, from the time
|
|
he had spent upon the milking of one cow.
|
|
|
|
Meanwhile many of the milkmaids had said to one another
|
|
of the newcomer, "How pretty she is!" with something of
|
|
real generosity and admiration, though with a half hope
|
|
that the auditors would qualify the assertion--which,
|
|
strictly speaking, they might have done, prettiness
|
|
being an inexact definition of what struck the eye in
|
|
Tess. When the milking was finished for the evening
|
|
they straggled indoors, where Mrs Crick, the dairyman's
|
|
wife--who was too respectable to go out milking
|
|
herself, and wore a hot stuff gown in warm weather
|
|
because the dairymaids wore prints--was giving an eye
|
|
to the leads and things.
|
|
|
|
Only two or three of the maids, Tess learnt, slept in
|
|
the dairy-house besides herself; most of the helpers
|
|
going to their homes. She saw nothing at supper-time of
|
|
the superior milker who had commented on the story, and
|
|
asked no questions about him, the remainder of the
|
|
evening being occupied in arranging her place in the
|
|
bed-chamber. It was a large room over the milk-house,
|
|
some thirty feet long; the sleeping-cots of the other
|
|
three indoor milkmaids being in the same apartment.
|
|
They were blooming young women, and, except one, rather
|
|
older than herself. By bedtime Tess was thoroughly
|
|
tired, and fell asleep immediately.
|
|
|
|
But one of the girls who occupied an adjoining bed was
|
|
more wakeful than Tess, and would insist upon relating
|
|
to the latter various particulars of the homestead into
|
|
which she had just entered. The girl's whispered words
|
|
mingled with the shades, and, to Tess's drowsy mind,
|
|
they seemed to be generated by the darkness in which
|
|
they floated.
|
|
|
|
"Mr Angel Clare--he that is learning milking, and that
|
|
plays the harp--never says much to us. He is a pa'son's
|
|
son, and is too much taken up wi' his own thoughts to
|
|
notice girls. He is the dairyman's pupil--learning
|
|
farming in all its branches. He has learnt
|
|
sheep-farming at another place, and he's now mastering
|
|
dairy-work.... Yes, he is quite the gentleman-born. His
|
|
father is the Reverent Mr Clare at Emminster--a good
|
|
many miles from here."
|
|
|
|
"Oh--I have heard of him," said her companion, now
|
|
awake. "A very earnest clergyman, is he not?"
|
|
|
|
"Yes--that he is--the earnestest man in all Wessex,
|
|
they say--the last of the old Low Church sort, they
|
|
tell me--for all about here be what they call High.
|
|
All his sons, except our Mr Clare, be made pa'sons too."
|
|
|
|
Tess had not at this hour the curiosity to ask why the
|
|
present Mr Clare was not made a parson like his
|
|
brethren, and gradually fell asleep again, the words of
|
|
her informant coming to her along with the smell of the
|
|
cheeses in the adjoining cheeseloft, and the measured
|
|
dripping of the whey from the wrings downstairs.
|
|
|
|
|
|
|
|
XVIII
|
|
|
|
|
|
Angel Clare rises out of the past not altogether as a
|
|
distinct figure, but as an appreciative voice, a long
|
|
regard of fixed, abstracted eyes, and a mobility of
|
|
mouth somewhat too small and delicately lined for a
|
|
man's, though with an unexpectedly firm close of the
|
|
lower lip now and then; enough to do away with any
|
|
inference of indecision. Nevertheless, something
|
|
nebulous, preoccupied, vague, in his bearing and
|
|
regard, marked him as one who probably had no very
|
|
definite aim or concern about his material future.
|
|
Yet as a lad people had said of him that he was one who
|
|
might do anything if he tried.
|
|
|
|
He was the youngest son of his father, a poor parson at
|
|
the other end of the county, and had arrived at
|
|
Talbothays Dairy as a six months' pupil, after going
|
|
the round of some other farms, his object being to
|
|
acquire a practical skill in the various processes of
|
|
farming, with a view either to the Colonies, or the
|
|
tenure of a home-farm, as circumstances might decide.
|
|
|
|
His entry into the ranks of the agriculturists and
|
|
breeders was a step in the young man's career which had
|
|
been anticipated neither by himself nor by others.
|
|
|
|
Mr Clare the elder, whose first wife had died and left
|
|
him a daughter, married a second late in life. This
|
|
lady had somewhat unexpectedly brought him three sons,
|
|
so that between Angel, the youngest, and his father the
|
|
Vicar there seemed to be almost a missing generation.
|
|
Of these boys the aforesaid Angel, the child of his old
|
|
age, was the only son who had not taken a University
|
|
degree, though he was the single one of them whose
|
|
early promise might have done full justice to an
|
|
academical training.
|
|
|
|
Some two or three years before Angel's appearance at
|
|
the Marlott dance, on a day when he had left school and
|
|
was pursuing his studies at home, a parcel came to the
|
|
Vicarage from the local bookseller's, directed to the
|
|
Reverend James Clare. The Vicar having opened it and
|
|
found it to contain a book, read a few pages; whereupon
|
|
he jumped up from his seat and went straight to the
|
|
shop with the book under his arm.
|
|
|
|
"Why has this been sent to my house?" he asked
|
|
peremptorily, holding up the volume.
|
|
|
|
"It was ordered, sir."
|
|
|
|
"Not by me, or any one belonging to me, I am happy to
|
|
say."
|
|
|
|
The shopkeeper looked into his order-book.
|
|
|
|
"Oh, it has been misdirected, sir," he said. "It was
|
|
ordered by Mr Angel Clare, and should have been sent to
|
|
him."
|
|
|
|
Mr Clare winced as if he had been struck. He went home
|
|
pale and dejected, and called Angel into his study.
|
|
|
|
"Look into this book, my boy," he said. "What do you
|
|
know about it?"
|
|
|
|
"I ordered it," said Angel simply.
|
|
|
|
"What for?"
|
|
|
|
"To read." "How can you think of reading it?"
|
|
|
|
"How can I? Why--it is a system of philosophy.
|
|
There is no more moral, or even religious, work published."
|
|
|
|
"Yes--moral enough; I don't deny that. But
|
|
religious!--and for YOU, who intend to be a minister of
|
|
the Gospel!"
|
|
|
|
"Since you have alluded to the matter, father," said
|
|
the son, with anxious thought upon his face, "I should
|
|
like to say, once for all, that I should prefer not to
|
|
take Orders. I fear I could not conscientiously do so.
|
|
I love the Church as one loves a parent. I shall always
|
|
have the warmest affection for her. There is no
|
|
institution for whose history I have a deeper
|
|
admiration; but I cannot honestly be ordained her
|
|
minister, as my brothers are, while she refuses to
|
|
liberate her mind from an untenable redemptive
|
|
theolarty."
|
|
|
|
It had never occurred to the straightforward and
|
|
simple-minded Vicar that one of his own flesh and blood
|
|
could come to this! He was stultified, shocked,
|
|
paralysed. And if Angel were not going to enter the
|
|
Church, what was the use of sending him to Cambridge?
|
|
The University as a step to anything but ordination
|
|
seemed, to this man of fixed ideas, a preface without a
|
|
volume. He was a man not merely religious, but devout;
|
|
a firm believer--not as the phrase is now elusively
|
|
construed by theological thimble-riggers in the Church
|
|
and out of it, but in the old and ardent sense of the
|
|
Evangelical school: one who could
|
|
|
|
Indeed opine
|
|
That the Eternal and Divine
|
|
Did, eighteen centuries ago
|
|
In very truth...
|
|
|
|
Angel's father tried argument, persuasion, entreaty.
|
|
|
|
"No, father; I cannot underwrite Article Four (leave
|
|
alone the rest), taking it 'in the literal and
|
|
grammatical sense' as required by the Declaration; and,
|
|
therefore, I can't be a parson in the present state of
|
|
affairs," said Angel. "My whole instinct in matters of
|
|
religion is towards reconstruction; to quote your
|
|
favorite Epistle to the Hebrews, 'THE REMOVING OF THOSE
|
|
THINGS THAT ARE SHAKEN, AS OF THINGS THAT ARE MADE,
|
|
THAT THOSE THINGS WHICH CANNOT BE SHAKEN MAY REMAIN.'"
|
|
|
|
His father grieved so deeply that it made Angel quite
|
|
ill to see him.
|
|
|
|
"What is the good of your mother and me economizing and
|
|
stinting ourselves to give you a University education,
|
|
if it is not to be used for the honour and glory of
|
|
God?" his father repeated.
|
|
|
|
"Why, that it may be used for the honour and glory of
|
|
man, father."
|
|
|
|
Perhaps if Angel had persevered he might have gone to
|
|
Cambridge like his brothers. But the Vicar's view of
|
|
that seat of learning as a stepping-stone to Orders
|
|
alone was quite a family tradition; and so rooted was
|
|
the idea in his mind that perseverance began to appear
|
|
to the sensitive son akin to an intent to
|
|
misappropriate a trust, and wrong the pious heads of
|
|
the household, who had been and were, as his father had
|
|
hinted, compelled to exercise much thrift to carry out
|
|
his uniform plan of education for the three young men.
|
|
|
|
"I will do without Cambridge," said Angel at last.
|
|
"I feel that I have no right to go there in the
|
|
circumstances."
|
|
|
|
The effects of this decisive debate were not long in
|
|
showing themselves. He spent years and years in
|
|
desultory studies, undertakings, and meditations; he
|
|
began to evince considerable indifference to social
|
|
forms and observances. The material distinctions of
|
|
rank and wealth he increasingly despised. Even the
|
|
"good old family" (to use a favourite phrase of a late
|
|
local worthy) had no aroma for him unless there were
|
|
good new resolutions in its representatives. As a
|
|
balance to these austerities, when he went to live in
|
|
London to see what the world was like, and with a view
|
|
to practising a profession or business there, he was
|
|
carried off his head, and nearly entrapped by a woman
|
|
much older than himself, though luckily he escaped not
|
|
greatly the worse for the experience.
|
|
|
|
Early association with country solitudes had bred in
|
|
him an unconquerable, and almost unreasonable, aversion
|
|
to modern town life, and shut him out from such success
|
|
as he might have aspired to by following a mundane
|
|
calling in the impracticability of the spiritual one.
|
|
But something had to be done; he had wasted many
|
|
valuable years; and having an acquaintance who was
|
|
starting on a thriving life as a Colonial farmer, it
|
|
occurred to Angel that this might be a lead in the
|
|
right direction. Farming, either in the Colonies,
|
|
America, or at home--farming, at any rate, after
|
|
becoming well qualified for the business by a careful
|
|
apprenticeship--that was a vocation which would
|
|
probably afford an independence without the sacrifice
|
|
of what he valued even more than a
|
|
competency--intellectual liberty.
|
|
|
|
So we find Angel Clare at six-and-twenty here at
|
|
Talbothays as a student of kine, and, as there were no
|
|
houses near at hand in which he could get a comfortable
|
|
lodging, a boarder at the dairyman's.
|
|
|
|
His room was an immense attic which ran the whole
|
|
length of the dairy-house. It could only be reached by
|
|
a ladder from the cheese-loft, and had been closed up
|
|
for a long time till he arrived and selected it as his
|
|
retreat. Here Clare had plenty of space, and could
|
|
often be heard by the dairy-folk pacing up and down
|
|
when the household had gone to rest. A portion was
|
|
divided off at one end by a curtain, behind which was
|
|
his bed, the outer part being furnished as a homely
|
|
sitting-room.
|
|
|
|
At first he lived up above entirely, reading a good
|
|
deal, and strumming upon an old harp which he had
|
|
bought at a sale, saying when in a bitter humour that
|
|
he might have to get his living by it in the streets
|
|
some day. But he soon preferred to read human nature
|
|
by taking his meals downstairs in the general
|
|
dining-kitchen, with the dairyman and his wife, and the
|
|
maids and men, who all together formed a lively
|
|
assembly; for though but few milking hands slept in the
|
|
house, several joined the family at meals. The longer
|
|
Clare resided here the less objection had he to his
|
|
company, and the more did he like to share quarters
|
|
with them in common.
|
|
|
|
Much to his surprise he took, indeed, a real delight in
|
|
their companionship. The conventional farm-folk of his
|
|
imagination--personified in the newspaper-press by the
|
|
pitiable dummy known as Hodge--were obliterated after a
|
|
few days' residence. At close quarters no Hodge was to
|
|
be seen. At first, it is true, when Clare's
|
|
intelligence was fresh from a contrasting society,
|
|
these friends with whom he now hobnobbed seemed a
|
|
little strange. Sitting down as a level member of the
|
|
dairyman's household seemed at the outset an
|
|
undignified proceeding. The ideas, the modes, the
|
|
surroundings, appeared retrogressive and unmeaning.
|
|
But with living on there, day after day, the acute
|
|
sojourner became conscious of a new aspect in the
|
|
spectacle. Without any objective change whatever,
|
|
variety had taken the place of monotonousness. His host
|
|
and his host's household, his men and his maids, as
|
|
they became intimately known to Clare, began to
|
|
differentiate themselves as in a chemical process. The
|
|
thought of Pascal's was brought home to him: "A MESURE
|
|
QU'ON A PLUS D'ESPRIT, ON TROUVE QU'IL Y A PLUS
|
|
D'HOMMES ORIGINAUX. LES GENS DU COMMUN NE TROUVENT PAS
|
|
DE DIFFERENCE ENTRE LES HOMMES." The typical and
|
|
unvarying Hodge ceased to exist. He had been
|
|
disintegrated into a number of varied
|
|
fellow-creatures--beings of many minds, beings infinite
|
|
in difference; some happy, many serene, a few
|
|
depressed, one here and there bright even to genius,
|
|
some stupid, others wanton, others austere; some mutely
|
|
Miltonic, some potentially Cromwellian; into men who
|
|
had private views of each other, as he had of his
|
|
friends; who could applaud or condemn each other, amuse
|
|
or sadden themselves by the contemplation of each
|
|
other's foibles or vices; men every one of whom walked
|
|
in his own individual way the road to dusty death.
|
|
|
|
Unexpectedly he began to like the outdoor life for its
|
|
own sake, and for what it brought, apart from its
|
|
bearing on his own proposed career. Considering his
|
|
position he became wonderfully free from the chronic
|
|
melancholy which is taking hold of the civilized races
|
|
with the decline of belief in a beneficent Power. For
|
|
the first time of late years he could read as his
|
|
musings inclined him, without any eye to cramming for a
|
|
profession, since the few farming handbooks which he
|
|
deemed it desirable to master occupied him but little
|
|
time.
|
|
|
|
He grew away from old associations, and saw something
|
|
new in life and humanity. Secondarily, he made close
|
|
acquaintance with phenomena which he had before known
|
|
but darkly--the seasons in their moods, morning and
|
|
evening, night and noon, winds in their different
|
|
tempers, trees, waters and mists, shades and silences,
|
|
and the voices of inanimate things.
|
|
|
|
|
|
The early mornings were still sufficiently cool to
|
|
render a fire acceptable in the large room wherein they
|
|
breakfasted; and, by Mrs Crick's orders, who held that
|
|
he was too genteel to mess at their table, it was Angel
|
|
Clare's custom to sit in the yawning chimney-corner
|
|
during the meal, his cup-and-saucer and plate being
|
|
placed on a hinged flap at his elbow. The light from
|
|
the long, wide, mullioned window opposite shone in upon
|
|
his nook, and, assisted by a secondary light of cold
|
|
blue quality which shone down the chimney, enabled him
|
|
to read there easily whenever disposed to do so.
|
|
Between Clare and the window was the table at which his
|
|
companions sat, their munching profiles rising sharp
|
|
against the panes; while to the side was the milk-house
|
|
door, through which were visible the rectangular leads
|
|
in rows, full to the brim with the morning's milk. At
|
|
the further end the great churn could be seen
|
|
revolving, and its slip-slopping heard--the moving
|
|
power being discernible through the window in the form
|
|
of a spiritless horse walking in a circle and driven by
|
|
a boy.
|
|
|
|
For several days after Tess's arrival Clare, sitting
|
|
abstractedly reading from some book, periodical, or
|
|
piece of music just come by post, hardly noticed that
|
|
she was present at table. She talked so little, and
|
|
the other maids talked so much, that the babble did not
|
|
strike him as possessing a new note, and he was ever in
|
|
the habit of neglecting the particulars of an outward
|
|
scene for the general impression. One day, however,
|
|
when he had been conning one of his music-scores, and
|
|
by force of imagination was hearing the tune in his
|
|
head, he lapsed into listlessness, and the music-sheet
|
|
rolled to the hearth. He looked at the fire of logs,
|
|
with its one flame pirouetting on the top in a dying
|
|
dance after the breakfast-cooking and boiling, and it
|
|
seemed to jig to his inward tune; also at the two
|
|
chimney crooks dangling down from the cotterel or
|
|
cross-bar, plumed with soot which quivered to the same
|
|
melody; also at the half-empty kettle whining an
|
|
accompaniment. The conversation at the table mixed in
|
|
with his phantasmal orchestra till he thought: "What a
|
|
fluty voice one of those milkmaids has! I suppose it is
|
|
the new one."
|
|
|
|
Clare looked round upon her, seated with the others.
|
|
|
|
She was not looking towards him. Indeed, owing to his
|
|
long silence, his presence in the room was almost
|
|
forgotten.
|
|
|
|
"I don't know about ghosts," she was saying; "but I do
|
|
know that our souls can be made to go outside our
|
|
bodies when we are alive."
|
|
|
|
The dairyman turned to her with his mouth full, his
|
|
eyes charged with serious inquiry, and his great knife
|
|
and fork (breakfasts were breakfasts here) planted
|
|
erect on the table, like the beginning of a gallows.
|
|
|
|
"What--really now? And is it so, maidy?" he said.
|
|
|
|
"A very easy way to feel 'em go," continued Tess, "is
|
|
to lie on the grass at night and look straight up at
|
|
some big bright star; and, by fixing your mind upon it,
|
|
you will soon find that you are hundreds and hundreds
|
|
o' miles away from your body, which you don't seem to
|
|
want at all."
|
|
|
|
The dairyman removed his hard gaze from Tess, and fixed
|
|
it on his wife.
|
|
|
|
"Now that's a rum thing, Christianner--hey? To think
|
|
o' the miles I've vamped o' starlight nights these last
|
|
thirty year, courting, or trading, or for doctor, or
|
|
for nurse, and yet never had the least notion o' that
|
|
till now, or feeled my soul rise so much as an inch
|
|
above my shirt-collar."
|
|
|
|
The general attention being drawn to her, including
|
|
that of the dairyman's pupil, Tess flushed, and
|
|
remarking evasively that it was only a fancy, resumed
|
|
her breakfast.
|
|
|
|
Clare continued to observe her. She soon finished her
|
|
eating, and having a consciousness that Clare was
|
|
regarding her, began to trace imaginary patterns on the
|
|
tablecloth with her forefinger with the constraint of a
|
|
domestic animal that perceives itself to be watched.
|
|
|
|
"What a fresh and virginal daughter of Nature that
|
|
milkmaid is!" he said to himself.
|
|
|
|
And then he seemed to discern in her something that was
|
|
familiar, something which carried him back into a
|
|
joyous and unforeseeing past, before the necessity of
|
|
taking thought had made the heavens gray. He concluded
|
|
that he had beheld her before; where he could not tell.
|
|
A casual encounter during some country ramble it
|
|
certainly had been, and he was not greatly curious
|
|
about it. But the circumstance was sufficient to lead
|
|
him to select Tess in preference to the other pretty
|
|
milkmaids when he wished to contemplate contiguous
|
|
womankind.
|
|
|
|
|
|
|
|
XIX
|
|
|
|
|
|
In general the cows were milked as they presented
|
|
themselves, without fancy or choice. But certain cows
|
|
will show a fondness for a particular pair of hands,
|
|
sometimes carrying this predilection so far as to
|
|
refuse to stand at all except to their favourite, the
|
|
pail of a stranger being unceremoniously kicked over.
|
|
|
|
It was Dairyman Crick's rule to insist on breaking down
|
|
these partialities and aversions by constant
|
|
interchange, since otherwise, in the event of a milkman
|
|
or maid going away from the dairy, he was placed in a
|
|
difficulty. The maids' private aims, however, were the
|
|
reverse of the dairyman's rule, the daily selection by
|
|
each damsel of the eight or ten cows to which she had
|
|
grown accustomed rendering the operation on their
|
|
willing udders surprising easy and effortless.
|
|
|
|
Tess, like her compeers, soon discovered which of the
|
|
cows had a preference for her style of manipulation,
|
|
and her fingers having become delicate from the long
|
|
domiciliary imprisonments to which she had subjected
|
|
herself at intervals during the last two or three
|
|
years, she would have been glad to meet the milchers'
|
|
views in this respect. Out of the whole ninety-five
|
|
there were eight in particular--Dumpling, Fancy, Lofty,
|
|
Mist, Old Pretty, Young Pretty, Tidy, and Loud--who,
|
|
though the teats of one or two were as hard as carrots,
|
|
gave down to her with a readiness that made her work on
|
|
them a mere touch of the fingers. Knowing, however, the
|
|
dairyman's wish, she endeavoured conscientiously to
|
|
take the animals just as they came, expecting the very
|
|
hard yielders which she could not yet manage.
|
|
|
|
But she soon found a curious correspondence between the
|
|
ostensibly chance position of the cows and her wishes
|
|
in this matter, till she felt that their order could
|
|
not be the result of accident. The dairyman's pupil
|
|
had lent a hand in getting the cows together of late,
|
|
and at the fifth or sixth time she turned her eyes, as
|
|
she rested against the cow, full of sly inquiry upon
|
|
him.
|
|
|
|
"Mr Clare, you have ranged the cows!" she said,
|
|
blushing; and in making the accusation symptoms of a
|
|
smile gently lifted her upper lip in spite of her, so
|
|
as to show the tips of her teeth, the lower lip
|
|
remaining severely still.
|
|
|
|
"Well, it makes no difference," said he. "You will
|
|
always be here to milk them."
|
|
|
|
"Do you think so? I HOPE I shall! But I don't KNOW."
|
|
|
|
She was angry with herself afterwards, thinking that
|
|
he, unaware of her grave reasons for liking this
|
|
seclusion, might have mistaken her meaning. She had
|
|
spoken so earnestly to him, as if his presence were
|
|
somehow a factor in her wish. Her misgiving was such
|
|
that at dusk, when the milking was over, she walked in
|
|
the garden alone, to continue her regrets that she had
|
|
disclosed to him her discovery of his considerateness.
|
|
|
|
It was a typical summer evening in June, the atmosphere
|
|
being in such delicate equilibrium and so transmissive
|
|
that inanimate objects seemed endowed with two or three
|
|
senses, if not five. There was no distinction between
|
|
the near and the far, and an auditor felt close to
|
|
everything within the horizon. The soundlessness
|
|
impressed her as a positive entity rather than as the
|
|
mere negation of noise. It was broken by the strumming
|
|
of strings. Tess had heard those notes in the attic
|
|
above her head. Dim, flattened, constrained by their
|
|
confinement, they had never appealed to her as now,
|
|
when they wandered in the still air with a stark
|
|
quality like that of nudity. To speak absolutely, both
|
|
instrument and execution were poor; but the relative is
|
|
all, and as she listened Tess, like a fascinated bird,
|
|
could not leave the spot. Far from leaving she drew up
|
|
towards the performer, keeping behind the hedge that he
|
|
might not guess her presence.
|
|
|
|
The outskirt of the garden in which Tess found herself
|
|
had been left uncultivated for some years, and was now
|
|
damp and rank with juicy grass which sent up mists of
|
|
pollen at a touch; and with tall blooming weeds
|
|
emitting offensive smells--weeds whose red and yellow
|
|
and purple hues formed a polychrome as dazzling as that
|
|
of cultivated flowers. She went stealthily as a cat
|
|
through this profusion of growth, gathering
|
|
cuckoo-spittle on her skirts, cracking snails that were
|
|
underfoot, staining her hands with thistle-milk and
|
|
slug-slime, and rubbing off upon her naked arms sticky
|
|
blights which, though snow-white on the apple-tree
|
|
trunks, made madder stains on her skin; thus she drew
|
|
quite near to Clare, still unobserved of him.
|
|
|
|
Tess was conscious of neither time nor space. The
|
|
exaltation which she had described as being producible
|
|
at will by gazing at a star, came now without any
|
|
determination of hers; she undulated upon the thin
|
|
notes of the second-hand harp, and their harmonies
|
|
passed like breezes through her, bringing tears into
|
|
her eyes. The floating pollen seemed to be his notes
|
|
made visible, and the dampness of the garden the
|
|
weeping of the garden's sensibility. Though near
|
|
nightfall, the rank-smelling weed-flowers glowed as if
|
|
they would not close for intentness, and the waves of
|
|
colour mixed with the waves of sound.
|
|
|
|
The light which still shone was derived mainly from a
|
|
large hole in the western bank of cloud; it was like a
|
|
piece of day left behind by accident, dusk having
|
|
closed in elsewhere. He concluded his plaintive
|
|
melody, a very simple performance, demanding no great
|
|
skill; and she waited, thinking another might be begun.
|
|
But, tired of playing, he had desultorily come round
|
|
the fence, and was rambling up behind her. Tess, her
|
|
cheeks on fire, moved away furtively, as if hardly
|
|
moving at all.
|
|
|
|
Angel, however, saw her light summer gown, and he
|
|
spoke; his low tones reaching her, though he was some
|
|
distance off.
|
|
|
|
"What makes you draw off in that way, Tess?" said he.
|
|
"Are you afraid?"
|
|
|
|
"Oh no, sir ... not of outdoor things; especially just
|
|
now when the apple-blooth is falling, and everything is
|
|
so green."
|
|
|
|
"But you have your indoor fears--eh?"
|
|
|
|
"Well--yes, sir."
|
|
|
|
"What of?"
|
|
|
|
"I couldn't quite say."
|
|
|
|
"The milk turning sour?"
|
|
|
|
"No."
|
|
|
|
"Life in general?"
|
|
|
|
"Yes, sir."
|
|
|
|
"Ah--so have I, very often. This hobble of being alive
|
|
is rather serious, don't you think so?"
|
|
|
|
"It is--now you put it that way."
|
|
|
|
"All the same, I shouldn't have expected a young girl
|
|
like you to see it so just yet. How is it you do?"
|
|
|
|
She maintained a hesitating silence.
|
|
|
|
"Come, Tess, tell me in confidence."
|
|
|
|
She thought that he meant what were the aspects of
|
|
things to her, and replied shyly --
|
|
|
|
"The trees have inquisitive eyes, haven't they?--that
|
|
is, seem as if they had. And the river says,--'Why do
|
|
ye trouble me with your looks?' And you seem to see
|
|
numbers of tomorrows just all in a line, the first of
|
|
them the biggest and clearest, the others getting
|
|
smaller and smaller as they stand farther away; but
|
|
they all seem very fierce and cruel and as if they
|
|
said, 'I'm coming! Beware of me! Beware of me!' ...
|
|
But YOU, sir, can raise up dreams with your music, and
|
|
drive all such horrid fancies away!"
|
|
|
|
He was surprised to find this young woman--who though
|
|
but a milkmaid had just that touch of rarity about her
|
|
which might make her the envied of her
|
|
housemates--shaping such sad imaginings. She was
|
|
expressing in her own native phrases--assisted a little
|
|
by her Sixth Standard training--feelings which might
|
|
almost have been called those of the age--the ache of
|
|
modernism. The perception arrested him less when he
|
|
reflected that what are called advanced ideas are
|
|
really in great part but the latest fashion in
|
|
definition--a more accurate expression, by words in
|
|
LOGY and ISM, of sensations which men and women have
|
|
vaguely grasped for centuries.
|
|
|
|
Still, it was strange that they should have come to her
|
|
while yet so young; more than strange; it was
|
|
impressive, interesting, pathetic. Not guessing the
|
|
cause, there was nothing to remind him that experience
|
|
is as to intensity, and not as to duration. Tess's
|
|
passing corporeal blight had been her mental harvest.
|
|
|
|
Tess, on her part, could not understand why a man of
|
|
clerical family and good education, and above physical
|
|
want, should look upon it as a mishap to be alive. For
|
|
the unhappy pilgrim herself there was very good reason.
|
|
But how could this admirable and poetic man ever have
|
|
descended into the Valley of Humiliation, have felt
|
|
with the man of Uz--as she herself had felt two or
|
|
three years ago--'My soul chooseth strangling and death
|
|
rather than my life. I loathe it; I would not live
|
|
alway."
|
|
|
|
It was true that he was at present out of his class.
|
|
But she knew that was only because, like Peter the
|
|
Great in a shipwright's yard, he was studying what he
|
|
wanted to know. He did not milk cows because he was
|
|
obliged to milk cows, but because he was learning to be
|
|
a rich and prosperous dairyman, landowner,
|
|
agriculturist, and breeder of cattle. He would become
|
|
an American or Australian Abraham, commanding like a
|
|
monarch his flocks and his herds, his spotted and his
|
|
ring-straked, his men-servants and his maids. At times,
|
|
nevertheless, it did seem unaccountable to her that a
|
|
decidedly bookish, musical, thinking young man should
|
|
have chosen deliberately to be a farmer, and not a
|
|
clergyman, like his father and brothers.
|
|
|
|
Thus, neither having the clue to the other's secret,
|
|
they were respectively puzzled at what each revealed,
|
|
and awaited new knowledge of each other's character and
|
|
mood without attempting to pry into each other's
|
|
history.
|
|
|
|
|
|
Every day, every hour, brought to him one more little
|
|
stroke of her nature, and to her one more of his. Tess
|
|
was trying to lead a repressed life, but she little
|
|
divined the strength of her own vitality.
|
|
|
|
At first Tess seemed to regard Angel Clare as an
|
|
intelligence rather than as a man. As such she compared
|
|
him with herself; and at every discovery of the
|
|
abundance of his illuminations, and the unmeasurable,
|
|
Andean altitude of his, she became quite dejected,
|
|
disheartened from all further effort on her own part
|
|
whatever.
|
|
|
|
He observed her dejection one day, when he had casually
|
|
mentioned something to her about pastoral life in
|
|
ancient Greece. She was gathering the buds called
|
|
"lords and ladies" from the bank while he spoke.
|
|
|
|
"Why do you look so woebegone all of a sudden?" he
|
|
asked.
|
|
|
|
"Oh, 'tis only--about my own self," she said, with a
|
|
frail laugh of sadness, fitfully beginning to peel "a
|
|
lady" meanwhile. "Just a sense of what might have been
|
|
with me! My life looks as if it had been wasted for
|
|
want of chances! When I see what you know, what you
|
|
have read, and seen, and thought, I feel what a nothing
|
|
I am! I'm like the poor Queen of Sheba who lived in
|
|
the Bible. There is no more spirit in me."
|
|
|
|
"Bless my soul, don't go troubling about that! Why,"
|
|
he said with some enthusiasm, "I should be only too
|
|
glad, my dear Tess, to help you to anything in the way
|
|
of history, or any line of reading you would like to
|
|
take up--"
|
|
|
|
"It is a lady again," interrupted she, holding out the
|
|
bud she had peeled.
|
|
|
|
"What?"
|
|
|
|
"I meant that there are always more ladies than lords
|
|
when you come to peel them."
|
|
|
|
"Never mind about the lords and ladies. Would you like
|
|
to take up any course of study--history, for example?"
|
|
|
|
"Sometimes I feel I don't want to know anything more
|
|
about it than I know already."
|
|
|
|
"Why not?"
|
|
|
|
"Because what's the use of learning that I am one of a
|
|
long row only--finding out that there is set down in
|
|
some old book somebody just like me, and to know that I
|
|
shall only act her part; making me sad, that's all.
|
|
The best is not to remember that your nature and your
|
|
past doings have been just like thousands' and
|
|
thousands', and that your coming life and doings 'll be
|
|
like thousands's and thousands'."
|
|
|
|
"What, really, then, you don't want to learn anything?"
|
|
|
|
"I shouldn't mind learning why--why the sun do shine on
|
|
the just and the unjust alike," she answered, with a
|
|
slight quaver in her voice. "But that's what books
|
|
will not tell me." "Tess, fie for such bitterness!"
|
|
Of course he spoke with a conventional sense of duty only,
|
|
for that sort of wondering had not been unknown to
|
|
himself in bygone days. And as he looked at the
|
|
unpracticed mouth and lips, he thought that such a
|
|
daughter of the soil could only have caught up the
|
|
sentiment by rote. She went on peeling the lords and
|
|
ladies till Clare, regarding for a moment the wave-like
|
|
curl of her lashes as they dropped with her bent gaze
|
|
on her soft cheek, lingeringly went away. When he was
|
|
gone she stood awhile, thoughtfully peeling the last
|
|
bud; and then, awakening from her reverie, flung it and
|
|
all the crowd of floral nobility impatiently on the
|
|
ground, in an ebullition of displeasure with herself
|
|
for her NIAISERIES, and with a quickening warmth in her
|
|
heart of hearts.
|
|
|
|
How stupid he must think her! In an access of hunger
|
|
for his good opinion she bethought herself of what she
|
|
had latterly endeavoured to forget, so unpleasant had
|
|
been its issues--the identity of her family with that
|
|
of the knightly d'Urbervilles. Barren attribute as it
|
|
was, disastrous as its discovery had been in many ways
|
|
to her, perhaps Mr Clare, as a gentleman and a student
|
|
of history, would respect her sufficiently to forget
|
|
her childish conduct with the lords and ladies if he
|
|
knew that those Purbeck-marble and alabaster people in
|
|
Kingsbere Church really represented her own lineal
|
|
forefathers; that she was no spurious d'Urberville,
|
|
compounded of money and ambition like those at
|
|
Trantridge, but true d'Urberville to the bone.
|
|
|
|
But, before venturing to make the revelation, dubious
|
|
Tess indirectly sounded the dairyman as to its possible
|
|
effect upon Mr Clare, by asking the former if Mr Clare
|
|
had any great respect for old county families when they
|
|
had lost all their money and land.
|
|
|
|
"Mr Clare," said the dairyman emphatically, "is one of
|
|
the most rebellest rozums you ever knowed--not a bit
|
|
like the rest of his family; and if there's one thing
|
|
that he do hate more than another 'tis the notion of
|
|
what's called a' old family. He says that it stands to
|
|
reason that old families have done their spurt of work
|
|
in past days, and can't have anything left in 'em now.
|
|
There's the Billets and the Drenkhards and the Greys
|
|
and the St Quintins and the Hardys and the Goulds, who
|
|
used to own the lands for miles down this valley; you
|
|
could buy 'em all up now for an old song a'most. Why,
|
|
our little Retty Priddle here, you know, is one of the
|
|
Paridelles--the old family that used to own lots o' the
|
|
lands out by King's Hintock now owned by the Earl o'
|
|
Wessex, afore even he or his was heard of. Well, Mr
|
|
Clare found this out, and spoke quite scornful to the
|
|
poor girl for days. 'Ah!' he says to her, 'you'll never
|
|
make a good dairymaid! All your skill was used up ages
|
|
ago in Palestine, and you must lie fallow for a
|
|
thousand years to git strength for more deeds!' A boy
|
|
came here t'other day asking for a job, and said his
|
|
name was Matt, and when we asked him his surname he
|
|
said he'd never heard that 'a had any surname, and when
|
|
we asked why, he said he supposed his folks hadn't been
|
|
'stablished long enough. 'Ah! you're the very boy I
|
|
want!' says Mr Clare, jumping up and shaking hands
|
|
wi'en; 'I've great hopes of you;' and gave him
|
|
half-a-crown. O no! he can't stomach old families!'
|
|
|
|
After hearing this caricature of Clare's opinion poor
|
|
Tess was glad that she had not said a word in a weak
|
|
moment about her family--even though it was so
|
|
unusually old almost to have gone round the circle and
|
|
become a new one. Besides, another diary-girl was as
|
|
good as she, it seemed, in that respect. She held her
|
|
tongue about the d'Urberville vault, the Knight of the
|
|
Conqueror whose name she bore. The insight afforded
|
|
into Clare's character suggested to her that it was
|
|
largely owing to her supposed untraditional newness
|
|
that she had won interest in his eyes.
|
|
|
|
|
|
|
|
XX
|
|
|
|
|
|
The season developed and matured. Another year's
|
|
instalment of flowers, leaves, nightingales, thrushes,
|
|
finches, and such ephemeral creatures, took up their
|
|
positions where only a year ago others had stood in
|
|
their place when these were nothing more than germs and
|
|
inorganic particles. Rays from the sunrise drew forth
|
|
the buds and stretched them into long stalks, lifted up
|
|
sap in noiseless streams, opened petals, and sucked out
|
|
scents in invisible jets and breathings.
|
|
|
|
Dairyman Crick's household of maids and men lived on
|
|
comfortably, placidly, even merrily. Their position
|
|
was perhaps the happiest of all positions in the social
|
|
scale, being above the line at which neediness ends,
|
|
and below the line at which the CONVENANCES begin to
|
|
cramp natural feelings, and the stress of threadbare
|
|
modishness makes too little of enough.
|
|
|
|
Thus passed the leafy time when arborescence seems to
|
|
be the one thing aimed at out of doors. Tess and Clare
|
|
unconsciously studied each other, ever balanced on the
|
|
edge of a passion, yet apparently keeping out of it.
|
|
All the while they were converging, under an
|
|
irresistible law, as surely as two streams in one vale.
|
|
|
|
Tess had never in her recent life been so happy as she
|
|
was now, possibly never would be so happy again. She
|
|
was, for one thing, physically and mentally suited
|
|
among these new surroundings. The sapling which had
|
|
rooted down to a poisonous stratum on the spot of its
|
|
sowing had been transplanted to a deeper soil.
|
|
Moreover she, and Clare also, stood as yet on the
|
|
debatable land between predilection and love; where no
|
|
profundities have been reached; no reflections have set
|
|
in, awkwardly inquiring, "Whither does this new current
|
|
tend to carry me? What does it mean to my future? How
|
|
does it stand towards my past?"
|
|
|
|
Tess was the merest stray phenomenon to Angel Clare as
|
|
yet--a rosy warming apparition which had only just
|
|
acquired the attribute of persistence in his
|
|
consciousness. So he allowed his mind to be occupied
|
|
with her, deeming his preoccupation to be no more than
|
|
a philosopher's regard of an exceedingly novel, fresh,
|
|
and interesting specimen of womankind.
|
|
|
|
They met continually; they could not help it. They met
|
|
daily in that strange and solemn interval, the twilight
|
|
of the morning, in the violet or pink dawn; for it was
|
|
necessary to rise early, so very early, here. Milking
|
|
was done betimes; and before the milking came the
|
|
skimming, which began at a little past three. It
|
|
usually fell to the lot of some one or other of them to
|
|
wake the rest, the first being aroused by an
|
|
alarm-clock; and, as Tess was the latest arrival, and
|
|
they soon discovered that she could be depended upon
|
|
not to sleep though the alarm as others did, this task
|
|
was thrust most frequently upon her. No sooner had the
|
|
hour of three struck and whizzed, than she left her
|
|
room and ran to the dairyman's door; then up the ladder
|
|
to Angel's, calling him in a loud whisper; then woke
|
|
her fellow-milkmaids. By the time that Tess was
|
|
dressed Clare was downstairs and out in the humid air.
|
|
The remaining maids and the dairyman usually gave
|
|
themselves another turn on the pillow, and did not
|
|
appear till a quarter of an hour later.
|
|
|
|
The gray half-tones of daybreak are not the gray
|
|
half-tones of the day's close, though the degree of
|
|
their shade may be the same. In the twilight of the
|
|
morning light seems active, darkness passive; in the
|
|
twilight of evening it is the darkness which is active
|
|
and crescent, and the light which is the drowsy
|
|
reverse.
|
|
|
|
Being so often--possibly not always by chance--the
|
|
first two persons to get up at the dairy-house, they
|
|
seemed to themselves the first persons up of all the
|
|
world. In these early days of her residence here Tess
|
|
did not skim, but went out of doors at once after
|
|
rising, where he was generally awaiting her. The
|
|
spectral, half-compounded, aqueous light which pervaded
|
|
the open mead, impressed them with a feeling of
|
|
isolation, as if they were Adam and Eve. At this dim
|
|
inceptive stage of the day Tess seemed to Clare to
|
|
exhibit a dignified largeness both of disposition and
|
|
physique, an almost regnant power, possibly because he
|
|
knew that at that preternatural time hardly any woman
|
|
so well endowed in person as she was likely to be
|
|
walking in the open air within the boundaries of his
|
|
horizon; very few in all England. Fair women are
|
|
usually asleep at mid-summer dawns. She was close at
|
|
hand, and the rest were nowhere.
|
|
|
|
The mixed, singular, luminous gloom in which they
|
|
walked along together to the spot where the cows lay,
|
|
often made him think of the Resurrection hour. He
|
|
little thought that the Magdalen might be at his side.
|
|
Whilst all the landscape was in neutral shade his
|
|
companion's face, which was the focus of his eyes,
|
|
rising above the mist stratum, seemed to have a sort of
|
|
phosphorescence upon it. She looked ghostly, as if she
|
|
were merely a soul at large. In reality her face,
|
|
without appearing to do so, had caught the cold gleam
|
|
of day from the north-east; his own face, though he did
|
|
not think of it, wore the same aspect to her.
|
|
|
|
It was then, as has been said, that she impressed him
|
|
most deeply. She was no longer the milkmaid, but a
|
|
visionary essence of woman--a whole sex condensed into
|
|
one typical form. He called her Artemis, Demeter, and
|
|
other fanciful names half teasingly, which she did not
|
|
like because she did not understand them.
|
|
|
|
"Call me Tess," she would say askance; and he did.
|
|
|
|
Then it would grow lighter, and her features would
|
|
become simply feminine; they had changed from those of
|
|
a divinity who could confer bliss to those of a being
|
|
who craved it.
|
|
|
|
At these non-human hours they could get quite close to
|
|
the waterfowl. Herons came, with a great bold noise as
|
|
of opening doors and shutters, out of the boughs of a
|
|
plantation which they frequented at the side of the
|
|
mead; or, if already on the spot, hardily maintained
|
|
their standing in the water as the pair walked by,
|
|
watching them by moving their heads round in a slow,
|
|
horizontal, passionless wheel, like the turn of puppets
|
|
by clockwork.
|
|
|
|
They could then see the faint summer fogs in layers,
|
|
woolly, level, and apparently no thicker than
|
|
counterpanes, spread about the meadows in detached
|
|
remnants of small extent. On the gray moisture of the
|
|
grass were marks where the cows had lain through the
|
|
night--dark-green islands of dry herbage the size of
|
|
their carcasses, in the general sea of dew. From each
|
|
island proceeded a serpentine trail, by which the cow
|
|
had rambled away to feed after getting up, at the end
|
|
of which trail they found her; the snoring puff from
|
|
her nostrils, when she recognized them, making an
|
|
intenser little fog of her own amid the prevailing one.
|
|
Then they drove the animals back to the barton, or sat
|
|
down to milk them on the spot, as the case might
|
|
require.
|
|
|
|
Or perhaps the summer fog was more general, and the
|
|
meadows lay like a white sea, out of which the
|
|
scattered trees rose like dangerous rocks. Birds would
|
|
soar through it into the upper radiance, and hang on
|
|
the wing sunning themselves, or alight on the wet rails
|
|
subdividing the mead, which now shone like glass rods.
|
|
Minute diamonds of moisture from the mist hung, too,
|
|
upon Tess's eyelashes, and drops upon her hair, like
|
|
seed pearls. When the day grew quite strong and
|
|
commonplace these dried off her; moreover, Tess then
|
|
lost her strange and ethereal beauty; her teeth, lips,
|
|
and eyes scintillated in the sunbeams and she was again
|
|
the dazzlingly fair dairymaid only, who had to hold her
|
|
own against the other women of the world.
|
|
|
|
About this time they would hear Dairyman Crick's voice,
|
|
lecturing the non-resident milkers for arriving late,
|
|
and speaking sharply to old Deborah Fyander for not
|
|
washing her hands.
|
|
|
|
"For Heaven's sake, pop thy hands under the pump, Deb!
|
|
Upon my soul, if the London folk only knowed of thee
|
|
and thy slovenly ways, they'd swaller their milk and
|
|
butter more mincing than they do a'ready; and that's
|
|
saying a good deal."
|
|
|
|
The milking progressed, till towards the end Tess and
|
|
Clare, in common with the rest, could hear the heavy
|
|
breakfast table dragged out from the wall in the
|
|
kitchen by Mrs Crick, this being the invariable
|
|
preliminary to each meal; the same horrible scrape
|
|
accompanying its return journey when the table had been
|
|
cleared.
|
|
|
|
|
|
|
|
XXI
|
|
|
|
|
|
There was a great stir in the milk-house just after
|
|
breakfast. The churn revolved as usual, but the butter
|
|
would not come. Whenever this happened the dairy was
|
|
paralyzed. Squish, squash, echoed the milk in the great
|
|
cylinder, but never arose the sound they waited for.
|
|
|
|
Dairyman Crick and his wife, the milkmaids Tess,
|
|
Marian, Retty Priddle, Izz Huett, and the married ones
|
|
from the cottages; also Mr Clare, Jonathan Kail, old
|
|
Deborah, and the rest, stood gazing hopelessly at the
|
|
churn; and the boy who kept the horse going outside put
|
|
on moon-like eyes to show his sense of the situation.
|
|
Even the melancholy horse himself seemed to look in at
|
|
the window in inquiring despair at each walk round.
|
|
|
|
"'Tis years since I went to Conjuror Trendle's son in
|
|
Egdon--years!" said the dairyman bitterly. "And he was
|
|
nothing to what his father had been. I have said fifty
|
|
times, if I have said once, that I DON'T believe in en;
|
|
though 'a do cast folks' waters very true. But I shall
|
|
have to go to 'n if he's alive. O yes, I shall have to
|
|
go to 'n, if this sort of thing continnys!"
|
|
|
|
Even Mr Clare began to feel tragical at the dairyman's
|
|
desperation.
|
|
|
|
"Conjuror Fall, t'other side of Casterbridge, that they
|
|
used to call 'Wide-O', was a very good man when I was a
|
|
boy," said Jonathan Kail. "But he's rotten as
|
|
touchwood by now."
|
|
|
|
"My grandfather used to go to Conjuror Mynterne, out at
|
|
Owlscombe, and a clever man a' were, so I've heard
|
|
grandf'er say," continued Mr Crick. "But there's no
|
|
such genuine folk about nowadays!"
|
|
|
|
Mrs Crick's mind kept nearer to the matter in hand.
|
|
|
|
"Perhaps somebody in the house is in love," she said
|
|
tentatively. "I've heard tell in my younger days that
|
|
that will cause it. Why, Crick--that maid we had years
|
|
ago, do ye mind, and how the butter didn't come
|
|
then---"
|
|
|
|
"Ah yes, yes!--but that isn't the rights o't. It had
|
|
nothing to do with the love-making. I can mind all
|
|
about it--'twas the damage to the churn."
|
|
|
|
He turned to Clare.
|
|
|
|
"Jack Dollop, a 'hore's-bird of a fellow we had here as
|
|
milker at one time, sir, courted a young woman over at
|
|
Mellstock, and deceived her as he had deceived many
|
|
afore. But he had another sort o' woman to reckon wi'
|
|
this time, and it was not the girl herself. One Holy
|
|
Thursday of all days in the almanack, we was here as we
|
|
mid be now, only there was no churning in hand, when we
|
|
zid the girl's mother coming up to the door, wi' a
|
|
great brass-mounted umbrella in her hand that would ha'
|
|
felled an ox, and saying 'Do Jack Dollop work
|
|
here?--because I want him! I have a big bone to pick
|
|
with he, I can assure 'n!' And some way behind her
|
|
mother walked Jack's young woman, crying bitterly into
|
|
her handkercher. 'O Lard, here's a time!' said Jack,
|
|
looking out o' winder at 'em. 'She'll murder me! Where
|
|
shall I get--where shall I--? Don't tell her where I
|
|
be!' And with that he scrambled into the churn through
|
|
the trap-door, and shut himself inside, just as the
|
|
young woman's mother busted into the milk-house. 'The
|
|
villain--where is he?' says she, 'I'll claw his face
|
|
for'n, let me only catch him!' Well, she hunted about
|
|
everywhere, ballyragging Jack by side and by seam, Jack
|
|
lying a'most stifled inside the churn, and the poor
|
|
maid--or young woman rather--standing at the door
|
|
crying her eyes out. I shall never forget it, never!
|
|
'Twould have melted a marble stone! But she couldn't
|
|
find him nowhere at all."
|
|
|
|
The dairyman paused, and one or two words of comment
|
|
came from the listeners.
|
|
|
|
Dairyman Crick's stories often seemed to be ended when
|
|
they were not really so, and strangers were betrayed
|
|
into premature interjections of finality; though old
|
|
friends knew better. The narrator went on--
|
|
|
|
"Well, how the old woman should have had the wit to
|
|
guess it I could never tell, but she found out that he
|
|
was inside that there churn. Without saying a word she
|
|
took hold of the winch (it was turned by handpower
|
|
then), and round she swung him, and Jack began to flop
|
|
about inside. 'O Lard! stop the churn! let me out!'
|
|
says he, popping out his head, 'I shall be churned into
|
|
a pummy!' (he was a cowardly chap in his heart, as such
|
|
men mostly be). 'Not till ye make amends for ravaging
|
|
her virgin innocence!' says the old woman. 'Stop the
|
|
churn you old witch!' screams he. 'You call me old
|
|
witch, do ye, you deceiver!' says she, 'when ye ought
|
|
to ha' been calling me mother-law these last five
|
|
months!' And on went the churn, and Jack's bones
|
|
rattled round again. Well, none of us ventured to
|
|
interfere; and at last 'a promised to make it right wi'
|
|
her. 'Yes--I'll be as good as my word!' he said. And so
|
|
it ended that day."
|
|
|
|
While the listeners were smiling their comments there
|
|
was a quick movement behind their backs, and they
|
|
looked round. Tess, pale-faced, had gone to the door.
|
|
|
|
"How warm 'tis today!" she said, almost inaudibly.
|
|
|
|
It was warm, and none of them connected her withdrawal
|
|
with the reminiscences of the dairyman. He went
|
|
forward and opened the door for her, saying with tender
|
|
raillery--
|
|
|
|
"Why, maidy" (he frequently, with unconscious irony,
|
|
gave her this pet name), "the prettiest milker I've got
|
|
in my dairy; you mustn't get so fagged as this at the
|
|
first breath of summer weather, or we shall be finely
|
|
put to for want of 'ee by dog-days, shan't we, Mr Clare?"
|
|
|
|
"I was faint--and--I think I am better out o' doors,"
|
|
she said mechanically; and disappeared outside.
|
|
|
|
Fortunately for her the milk in the revolving churn at
|
|
that moment changed its squashing for a decided
|
|
flick-flack.
|
|
|
|
"'Tis coming!" cried Mrs Crick, and the attention of
|
|
all was called off from Tess.
|
|
|
|
That fair sufferer soon recovered herself externally;
|
|
but she remained much depressed all the afternoon.
|
|
When the evening milking was done she did not care to
|
|
be with the rest of them, and went out of doors
|
|
wandering along she knew not whither. She was
|
|
wretched--O so wretched--at the perception that to her
|
|
companions the dairyman's story had been rather a
|
|
humorous narration than otherwise; none of them but
|
|
herself seemed to see the sorrow of it; to a certainty,
|
|
not one knew how cruelly it touched the tender place in
|
|
her experience. The evening sun was now ugly to her,
|
|
like a great inflamed wound in the sky. Only a
|
|
solitary cracked-voice reed-sparrow greeted her from
|
|
the bushes by the river, in a sad, machine-made tone,
|
|
resembling that of a past friend whose friendship she
|
|
had outworn.
|
|
|
|
In these long June days the milkmaids, and, indeed,
|
|
most of the household, went to bed at sunset or sooner,
|
|
the morning work before milking being so early and
|
|
heavy at a time of full pairs. Tess usually
|
|
accompanied her fellows upstairs. Tonight, however,
|
|
she was the first to go to their common chamber; and
|
|
she had dozed when the other girls came in. She saw
|
|
them undressing in the orange light of the vanished
|
|
sun, which flushed their forms with its colour; she
|
|
dozed again, but she was reawakened by their voices,
|
|
and quietly turned her eyes towards them.
|
|
|
|
Neither of her three chamber-companions had got into
|
|
bed. They were standing in a group, in their
|
|
nightgowns, barefooted, at the window, the last red
|
|
rays of the west still warming their faces and necks,
|
|
and the walls around them. All were watching somebody
|
|
in the garden with deep interest, their three faces
|
|
close together: a jovial and round one, a pale one with
|
|
dark hair, and a fair one whose tresses were auburn.
|
|
|
|
"Don't push! You can see as well as I," said Retty,
|
|
the auburn-haired and youngest girl, without removing
|
|
her eyes from the window.
|
|
|
|
"'Tis no use for you to be in love with him any more
|
|
than me, Retty Priddle," said jolly-faced Marian, the
|
|
eldest, slily. "His thoughts be of other cheeks than
|
|
thine!"
|
|
|
|
Retty Priddle still looked, and the other looked again.
|
|
|
|
"There he is again!" cried Izz Huett, the pale girl
|
|
with dark damp hair and keenly cut lips.
|
|
|
|
"You needn't say anything, Izz," answered Retty.
|
|
"For I zid you kissing his shade."
|
|
|
|
"WHAT did you see her doing?" asked Marian.
|
|
|
|
"Why--he was standing over the whey-tub to let off the
|
|
whey, and the shade of his face came upon the wall
|
|
behind, close to Izz, who was standing there filling a
|
|
vat. She put her mouth against the wall and kissed the
|
|
shade of his mouth; I zid her, though he didn't."
|
|
|
|
"O Izz Huett!" said Marian.
|
|
|
|
A rosy spot came into the middle of Izz Huett's cheek.
|
|
|
|
"Well, there was no harm in it," she declared, with
|
|
attempted coolness. "And if I be in love wi'en, so is
|
|
Retty, too; and so be you, Marian, come to that."
|
|
|
|
Marian's full face could not blush past its chronic
|
|
pinkness.
|
|
|
|
"I!" she said. "What a tale! Ah, there he is again!
|
|
Dear eyes--dear face--dear Mr Clare!"
|
|
|
|
"There--you've owned it!"
|
|
|
|
"So have you--so have we all," said Marian, with the
|
|
dry frankness of complete indifference to opinion.
|
|
"It is silly to pretend otherwise amongst ourselves, though
|
|
we need not own it to other folks. I would just marry
|
|
'n to-morrow!"
|
|
|
|
"So would I--and more," murmured Izz Huett.
|
|
|
|
"And I too," whispered the more timid Retty.
|
|
|
|
The listener grew warm.
|
|
|
|
"We can't all marry him," said Izz.
|
|
|
|
"We shan't, either of us; which is worse still," said
|
|
the eldest. "There he is again!"
|
|
|
|
They all three blew him a silent kiss.
|
|
|
|
"Why?" asked Retty quickly.
|
|
|
|
"Because he likes Tess Durbeyfield best," said Marian,
|
|
lowering her voice. "I have watched him every day, and
|
|
have found it out."
|
|
|
|
There was a reflective silence.
|
|
|
|
"But she don't care anything for 'n?" at length
|
|
breathed Retty.
|
|
|
|
"Well--I sometimes think that too."
|
|
|
|
"But how silly all this is!" said Izz Huett
|
|
impatiently. "Of course he won't marry any one of us,
|
|
or Tess either--a gentleman's son, who's going to be a
|
|
great landowner and farmer abroad! More likely to ask
|
|
us to come wi'en as farm-hands at so much a year!"
|
|
|
|
One sighed, and another sighed, and Marian's plump
|
|
figure sighed biggest of all. Somebody in bed hard by
|
|
sighed too. Tears came into the eyes of Retty Priddle,
|
|
the pretty red-haired youngest--the last bud of the
|
|
Paridelles, so important in the county annals. They
|
|
watched silently a little longer, their three faces
|
|
still close together as before, and the triple hues of
|
|
their hair mingling. But the unconscious Mr Clare had
|
|
gone indoors, and they saw him no more; and, the shades
|
|
beginning to deepen, they crept into their beds. In a
|
|
few minutes they heard him ascend the ladder to his own
|
|
room. Marian was soon snoring, but Izz did not drop
|
|
into forgetfulness for a long time. Retty Priddle
|
|
cried herself to sleep.
|
|
|
|
The deeper-passioned Tess was very far from sleeping
|
|
even then. This conversation was another of the bitter
|
|
pills she had been obliged to swallow that day. Scarce
|
|
the least feeling of jealousy arose in her breast. For
|
|
that matter she knew herself to have the preference.
|
|
Being more finely formed, better educated, and, though
|
|
the youngest except Retty, more woman than either, she
|
|
perceived that only the slightest ordinary care was
|
|
necessary for holding her own in Angel Clare's heart
|
|
against these her candid friends. But the grave
|
|
question was, ought she to do this? There was, to be
|
|
sure, hardly a ghost of a chance for either of them, in
|
|
a serious sense; but there was, or had been, a chance
|
|
of one or the other inspiring him with a passing fancy
|
|
for her, and enjoying the pleasure of his attentions
|
|
while he stayed here. Such unequal attachments had led
|
|
to marriage; and she had heard from Mrs Crick that Mr
|
|
Clare had one day asked, in a laughing way, what would
|
|
be the use of his marrying a fine lady, and all the
|
|
while ten thousand acres of Colonial pasture to feed,
|
|
and cattle to rear, and corn to reap. A farm-woman
|
|
would be the only sensible kind of wife for him. But
|
|
whether Mr Clare had spoken seriously or not, why
|
|
should she, who could never conscientiously allow any
|
|
man to marry her now, and who had religiously
|
|
determined that she never would be tempted to do so,
|
|
draw off Mr Clare's attention from other women, for the
|
|
brief happiness of sunning herself in his eyes while he
|
|
remained at Talbothays?
|
|
|
|
|
|
|
|
XXII
|
|
|
|
|
|
They came downstairs yawning next morning; but skimming
|
|
and milking were proceeded with as usual, and they went
|
|
indoors to breakfast. Dairyman Crick was discovered
|
|
stamping about the house. He had received a letter, in
|
|
which a customer had complained that the butter had a
|
|
twang.
|
|
|
|
"And begad, so 't have!" said the dairyman, who held in
|
|
his left hand a wooden slice on which a lump of butter
|
|
was stuck. "Yes--taste for yourself!"
|
|
|
|
Several of them gathered round him; and Mr Clare
|
|
tasted, Tess tasted, also the other indoor milkmaids,
|
|
one or two of the milking-men, and last of all Mrs
|
|
Crick, who came out from the waiting breakfast-table.
|
|
There certainly was a twang.
|
|
|
|
The dairyman, who had thrown himself into abstraction
|
|
to better realize the taste, and so divine the
|
|
particular species of noxious weed to which it
|
|
appertained, suddenly exclaimed--
|
|
|
|
"'Tis garlic! and I thought there wasn't a blade left
|
|
in that mead!"
|
|
|
|
Then all the old hands remembered that a certain dry
|
|
mead, into which a few of the cows had been admitted of
|
|
late, had, in years gone by, spoilt the butter in the
|
|
same way. The dairyman had not recognized the taste at
|
|
that time, and thought the butter bewitched.
|
|
|
|
"We must overhaul that mead," he resumed; "this mustn't
|
|
continny!"
|
|
|
|
All having armed themselves with old pointed knives
|
|
they went out together. As the inimical plant could
|
|
only be present in very microscopic dimensions to have
|
|
escaped ordinary observation, to find it seemed rather
|
|
a hopeless attempt in the stretch of rich grass before
|
|
them. However, they formed themselves into line, all
|
|
assisting, owing to the importance of the search; the
|
|
dairyman at the upper end with Mr Clare, who had
|
|
volunteered to help; then Tess, Marian, Izz Huett, and
|
|
Retty; then Bill Lewell, Jonathan, and the married
|
|
dairywomen--Beck Knibbs, with her wooly black hair and
|
|
rolling eyes; and flaxen Frances, consumptive from the
|
|
winter damps of the water-meads--who lived in their
|
|
respective cottages.
|
|
|
|
With eyes fixed upon the ground they crept slowly
|
|
across a strip of the field, returning a little further
|
|
down in such a manner that, when they should have
|
|
finished, not a single inch of the pasture but would
|
|
have fallen under the eye of some one of them. It was
|
|
a most tedious business, not more than half a dozen
|
|
shoots of garlic being discoverable in the whole field;
|
|
yet such was the herb's pungency that probably one bite
|
|
of it by one cow had been sufficient to season the
|
|
whole dairy's produce for the day.
|
|
|
|
Differing one from another in natures and moods so
|
|
greatly as they did, they yet formed, bending, a
|
|
curiously uniform row--automatic, noiseless; and an
|
|
alien observer passing down the neighbouring lane might
|
|
well have been excused for massing them as "Hodge". As
|
|
they crept along, stooping low to discern the plant, a
|
|
soft yellow gleam was reflected from the buttercups
|
|
into their shaded faces, giving them an elfish, moonlit
|
|
aspect, though the sun was pouring upon their backs in
|
|
all the strength of noon.
|
|
|
|
Angel Clare, who communistically stuck to his rule of
|
|
taking part with the rest in everything, glanced up now
|
|
and then. It was not, of course, by accident that he
|
|
walked next to Tess.
|
|
|
|
"Well, how are you?" he murmured.
|
|
|
|
"Very well, thank you, sir," she replied demurely.
|
|
|
|
As they had been discussing a score of personal matters
|
|
only half-an-hour before, the introductory style seemed
|
|
a little superfluous. But they got no further in
|
|
speech just then. They crept and crept, the hem of her
|
|
petticoat just touching his gaiter, and his elbow
|
|
sometimes brushing hers. At last the dairyman, who
|
|
came next, could stand it no longer.
|
|
|
|
"Upon my soul and body, this here stooping do fairly
|
|
make my back open and shut!" he exclaimed,
|
|
straightening himself slowly with an excruciated look
|
|
till quite upright. "And you, maidy Tess, you wasn't
|
|
well a day or two ago--this will make your head ache
|
|
finely! Don't do any more, if you feel fainty; leave
|
|
the rest to finish it."
|
|
|
|
Dairyman Crick withdrew, and Tess dropped behind. Mr
|
|
Clare also stepped out of line, and began privateering
|
|
about for the weed. When she found him near her, her
|
|
very tension at what she had heard the night before
|
|
made her the first to speak.
|
|
|
|
"Don't they look pretty?" she said.
|
|
|
|
"Who?"
|
|
|
|
"Izzy Huett and Retty."
|
|
|
|
Tess had moodily decided that either of these maidens
|
|
would make a good farmer's wife, and that she ought to
|
|
recommend them, and obscure her own wretched charms.
|
|
|
|
"Pretty? Well, yes--they are pretty girls--fresh
|
|
looking. I have often thought so."
|
|
|
|
"Though, poor dears, prettiness won't last long!"
|
|
|
|
"O no, unfortunately."
|
|
|
|
"They are excellent dairywomen."
|
|
|
|
"Yes: though not better than you."
|
|
|
|
"They skim better than I."
|
|
|
|
"Do they?"
|
|
|
|
Clare remained observing them--not without their
|
|
observing him.
|
|
|
|
"She is colouring up," continued Tess heroically.
|
|
|
|
"Who?"
|
|
|
|
"Retty Priddle."
|
|
|
|
"Oh! Why it that?"
|
|
|
|
"Because you are looking at her."
|
|
|
|
Self-sacrificing as her mood might be Tess could not
|
|
well go further and cry, "Marry one of them, if you
|
|
really do want a dairywoman and not a lady; and don't
|
|
think of marrying me!" She followed Dairyman Crick,
|
|
and had the mournful satisfaction of seeing that Clare
|
|
remained behind.
|
|
|
|
From this day she forced herself to take pains to avoid
|
|
him--never allowing herself, as formerly, to remain
|
|
long in his company, even if their juxtaposition were
|
|
purely accidental. She gave the other three every
|
|
chance.
|
|
|
|
Tess was woman enough to realize from their avowals to
|
|
herself that Angel Clare had the honour of all the
|
|
dairymaids in his keeping, and her perception of his
|
|
care to avoid compromising the happiness of either in
|
|
the least degree bred a tender respect in Tess for what
|
|
she deemed, rightly or wrongly, the self-controlling
|
|
sense of duty shown by him, a quality which she had
|
|
never expected to find in one of the opposite sex, and
|
|
in the absence of which more than one of the simple
|
|
hearts who were his house-mates might have gone weeping
|
|
on her pilgrimage.
|
|
|
|
|
|
|
|
XXIII
|
|
|
|
|
|
The hot weather of July had crept upon them unawares,
|
|
and the atmosphere of the flat vale hung heavy as an
|
|
opiate over the dairy-folk, the cows, and the trees.
|
|
Hot steaming rains fell frequently, making the grass
|
|
where the cows fed yet more rank, and hindering the
|
|
late haymaking in the other meads.
|
|
|
|
It was Sunday morning; the milking was done; the
|
|
outdoor milkers had gone home. Tess and the other
|
|
three were dressing themselves rapidly, the whole bevy
|
|
having agreed to go together to Mellstock Church, which
|
|
lay some three or four miles distant from the
|
|
dairy-house. She had now been two months at
|
|
Talbothays, and this was her first excursion.
|
|
|
|
All the preceding afternoon and night heavy
|
|
thunderstorms had hissed down upon the meads, and
|
|
washed some of the hay into the river; but this morning
|
|
the sun shone out all the more brilliantly for the
|
|
deluge, and the air was balmy and clear.
|
|
|
|
The crooked lane leading from their own parrish to
|
|
Mellstock ran along the lowest levels in a portion of
|
|
its length, and when the girls reached the most
|
|
depressed spot they found that the result of the rain
|
|
had been to flood the lane over-shoe to a distance of
|
|
some fifty yards. This would have been no serious
|
|
hindrance on a week-day; they would have clicked
|
|
through it in their high patterns and boots quite
|
|
unconcerned; but on this day of vanity, this Sun's-day,
|
|
when flesh went forth to coquet with flesh while
|
|
hypocritically affecting business with spiritual
|
|
things; on this occasion for wearing their white
|
|
stockings and thin shoes, and their pink, white, and
|
|
lilac gowns, on which every mud spot would be visible,
|
|
the pool was an awkward impediment. They could hear
|
|
the church-bell calling--as yet nearly a mile off.
|
|
|
|
"Who would have expected such a rise in the river in
|
|
summer-time!" said Marian, from the top of the
|
|
roadside bank on which they had climbed, and were
|
|
maintaining a precarious footing in the hope of
|
|
creeping along its slope till they were past the pool.
|
|
|
|
"We can't get there anyhow, without walking right
|
|
through it, or else going round the Turnpike way; and
|
|
that would make us so very late!" said Retty, pausing
|
|
hopelessly.
|
|
|
|
"And I do colour up so hot, walking into church late,
|
|
and all the people staring round," said Marian,
|
|
"that I hardly cool down again till we get into the
|
|
That-it-may-please-Thees."
|
|
|
|
While they stood clinging to the bank they heard a
|
|
splashing round the bend of the road, and presently
|
|
appeared Angel Clare, advancing along the lane towards
|
|
them through the water.
|
|
|
|
Four hearts gave a big throb simultaneously.
|
|
|
|
His aspect was probably as un-Sabbatarian a one as a
|
|
dogmatic parson's son often presented; his attire being
|
|
his dairy clothes, long wading boots, a cabbage-leaf
|
|
inside his hat to keep his head cool, with a
|
|
thistle-spud to finish him off. "He's not going to
|
|
church," said Marian.
|
|
|
|
"No--I wish he was!" murmured Tess.
|
|
|
|
Angel, in fact, rightly or wrongly (to adopt the safe
|
|
phrase of evasive controversialists), preferred sermons
|
|
in stones to sermons in churches and chapels on fine
|
|
summer days. This morning, moreover, he had gone out
|
|
to see if the damage to the hay by the flood was
|
|
considerable or not. On his walk he observed the girls
|
|
from a long distance, though they had been so occupied
|
|
with their difficulties of passage as not to notice
|
|
him. He knew that the water had risen at that spot,
|
|
and that it would quite check their progress. So he
|
|
had hastened on, with a dim idea of how he could help
|
|
them--one of them in particular.
|
|
|
|
The rosy-cheeked, bright-eyed quartet looked so
|
|
charming in their light summer attire, clinging to the
|
|
roadside bank like pigeons on a roof-slope, that he
|
|
stopped a moment to regard them before coming close.
|
|
Their gauzy skirts had brushed up from the grass
|
|
innumerable flies and butterflies which, unable to
|
|
escape, remained caged in the transparent tissue as in
|
|
an aviary. Angel's eye at last fell upon Tess, the
|
|
hindmost of the four; she, being full of suppressed
|
|
laughter at their dilemma, could not help meeting his
|
|
glance radiantly.
|
|
|
|
He came beneath them in the water, which did not rise
|
|
over his long boots; and stood looking at the entrapped
|
|
flies and butterflies.
|
|
|
|
"Are you trying to get to church?" he said to Marian,
|
|
who was in front, including the next two in his remark,
|
|
but avoiding Tess.
|
|
|
|
"Yes, sir; and 'tis getting late; and my colour do come
|
|
up so----"
|
|
|
|
"I'll carry you through the pool--every Jill of you."
|
|
|
|
The whole four flushed as if one heart beat through
|
|
them.
|
|
|
|
"I think you can't, sir," said Marian.
|
|
|
|
"It is the only way for you to get past. Stand still.
|
|
Nonsense--you are not too heavy! I'd carry you all
|
|
four together. Now, Marian, attend," he continued, "and
|
|
put your arms round my shoulders, so. Now! Hold on.
|
|
That's well done."
|
|
|
|
Marian had lowered herself upon his arm and shoulder as
|
|
directed, and Angel strode off with her, his slim
|
|
figure, as viewed from behind, looking like the mere
|
|
stem to the great nosegay suggested by hers. They
|
|
disappeared round the curve of the road, and only his
|
|
sousing footsteps and the top ribbon of Marian's bonnet
|
|
told where they were. In a few minutes he reappeared.
|
|
Izz Huett was the next in order upon the bank.
|
|
|
|
"Here he comes," she murmured, and they could hear that
|
|
her lips were dry with emotion. "And I have to put my
|
|
arms round his neck and look into his face as Marian
|
|
did."
|
|
|
|
"There's nothing in that," said Tess quickly.
|
|
|
|
"There's a time for everything," continued Izz,
|
|
unheeding. "A time to embrace, and a time to refrain
|
|
from embracing; the first is now going to be mine."
|
|
|
|
"Fie--it is Scripture, Izz!"
|
|
|
|
"Yes," said Izz, "I've always a' ear at church for
|
|
pretty verses."
|
|
|
|
Angel Clare, to whom three-quarters of this performance
|
|
was a commonplace act of kindness, now approached Izz.
|
|
She quietly and dreamily lowered herself into his arms,
|
|
and Angel methodically marched off with her. When he
|
|
was heard returning for the third time Retty's
|
|
throbbing heart could be almost seen to shake her. He
|
|
went up to the red-haired girl, and while he was
|
|
seizing her he glanced at Tess. His lips could not
|
|
have pronounced more plainly, "It will soon be you and
|
|
I." Her comprehension appeared in her face; she could
|
|
not help it. There was an understanding between them.
|
|
|
|
Poor little Retty, though by far the lightest weight,
|
|
was the most troublesome of Clare's burdens. Marian
|
|
had been like a sack of meal, a dead weight of
|
|
plumpness under which he has literally staggered.
|
|
Izz had ridden sensibly and calmly. Retty was a bunch of
|
|
hysterics.
|
|
|
|
However, he got through with the disquieted creature,
|
|
deposited her, and returned. Tess could see over the
|
|
hedge the distant three in a group, standing as he had
|
|
placed them on the next rising ground. It was now her
|
|
turn. She was embarrassed to discover that excitement
|
|
at the proximity of Mr Clare's breath and eyes, which
|
|
she had contemned in her companions, was intensified in
|
|
herself; and as if fearful of betraying her secret she
|
|
paltered with him at the last moment.
|
|
|
|
"I may be able to clim' along the bank perhaps--I can
|
|
clim' better than they. You must be so tired, Mr Clare!"
|
|
|
|
"No, no, Tess," said he quickly. And almost before she
|
|
was aware she was seated in his arms and resting
|
|
against his shoulder.
|
|
|
|
"Three Leahs to get one Rachel," he whispered.
|
|
|
|
"They are better women than I," she replied,
|
|
magnanimously sticking to her resolve.
|
|
|
|
"Not to me," said Angel.
|
|
|
|
He saw her grow warm at this; and they went some steps
|
|
in silence.
|
|
|
|
"I hope I am not too heavy?" she said timidly.
|
|
|
|
"O no. You should lift Marian! Such a lump. You are
|
|
like an undulating billow warmed by the sun. And all
|
|
this fluff of muslin about you is the froth."
|
|
|
|
"It is very pretty--if I seem like that to you."
|
|
|
|
"Do you know that I have undergone three-quarters of
|
|
this labour entirely for the sake of the fourth
|
|
quarter?"
|
|
|
|
"No."
|
|
|
|
"I did not expect such an event today."
|
|
|
|
"Nor I.... The water came up so sudden."
|
|
|
|
That the rise in the water was what she understood him
|
|
to refer to, the state of breathing belied. Clare
|
|
stood still and inclinced his face towards hers.
|
|
|
|
"O Tessy!" he exclaimed.
|
|
|
|
The girl's cheeks burned to the breeze, and she could
|
|
not look into his eyes for her emotion. It reminded
|
|
Angel that he was somewhat unfairly taking advantage of
|
|
an accidental position; and he went no further with it.
|
|
No definite words of love had crossed their lips as
|
|
yet, and suspension at this point was desirable now.
|
|
However, he walked slowly, to make the remainder of the
|
|
distance as long as possible; but at last they came to
|
|
the bend, and the rest of their progress was in full
|
|
view of the other three. The dry land was reached, and
|
|
he set her down.
|
|
|
|
Her friends were looking with round thoughtful eyes at
|
|
her and him, and she could see that they had been
|
|
talking of her. He hastily bade them farewell, and
|
|
splashed back along the stretch of submerged road.
|
|
|
|
The four moved on together as before, till Marian broke
|
|
the silence by saying--
|
|
|
|
"No--in all truth; we have no chance against her!"
|
|
She looked joylessly at Tess.
|
|
|
|
"What do you mean?" asked the latter.
|
|
|
|
"He likes 'ee best--the very best! We could see it as
|
|
he brought 'ee. He would have kissed 'ee, if you had
|
|
encouraged him to do it, ever so little."
|
|
|
|
"No, no," said she.
|
|
|
|
The gaiety with which they had set out had somehow
|
|
vanished; and yet there was no enmity or malice between
|
|
them. They were generous young souls; they had been
|
|
reared in the lonely country nooks where fatalism is a
|
|
strong sentiment, and they did not blame her. Such
|
|
supplanting was to be.
|
|
|
|
Tess's heart ached. There was no concealing from
|
|
herself the fact that she loved Angel Clare, perhaps
|
|
all the more passionately from knowing that the others
|
|
had also lost their hearts to him. There is contagion
|
|
in this sentiment, especially among women. And yet
|
|
that same hungry nature had fought against this, but
|
|
too feebly, and the natural result had followed.
|
|
|
|
"I will never stand in your way, nor in the way of
|
|
either of you!" she declared to Retty that night in the
|
|
bedroom (her tears running down). "I can't help this,
|
|
my dear! I don't think marrying is in his mind at all;
|
|
but if he were ever to ask me I should refuse him, as I
|
|
should refuse any man."
|
|
|
|
"Oh! would you? Why?" said wondering Retty.
|
|
|
|
"It cannot be! But I will be plain. Putting myself
|
|
quite on one side. I don't think he will choose either
|
|
of you."
|
|
|
|
"I have never expected it--thought of it!" moaned
|
|
Retty. "But O! I wish I was dead!"
|
|
|
|
The poor child, torn by a feeling which she hardly
|
|
understood, turned to the other two girls who came
|
|
upstairs just then.
|
|
|
|
"We be friends with her again," she said to them.
|
|
"She thinks no more of his choosing her than we do."
|
|
|
|
So the reserve went off, and they were confiding and
|
|
warm.
|
|
|
|
"I don't seem to care what I do now," said Marian,
|
|
whose mood was turned to its lowest bass. "I was going
|
|
to marry a dairyman at Stickleford, who's asked me
|
|
twice; but--my soul--I would put an end to myself
|
|
rather'n be his wife now! Why don't ye speak, Izz?"
|
|
|
|
"To confess, then," murmured Izz, "I made sure today
|
|
that he was going to kiss me as he held me; and I lay
|
|
still against his breast, hoping and hoping, and never
|
|
moved at all. But he did not. I don't like biding
|
|
here at Talbothays any longer! I shall go hwome."
|
|
|
|
The air of the sleeping-chamber seemed to palpitate
|
|
with the hopeless passion of the girls. They writhed
|
|
feverishly under the oppressiveness of an emotion
|
|
thrust on them by cruel Nature's law--an emotion which
|
|
they had neither expected nor desired. The incident of
|
|
the day had fanned the flame that was burning the
|
|
inside of their hearts out, and the torture was almost
|
|
more than they could endure. The differences which
|
|
distinguished them as individuals were abstracted by
|
|
this passion, and each was but portion of one organism
|
|
called sex. There was so much frankness and so little
|
|
jealousy because there was no hope. Each one was a
|
|
girl of fair common sense, and she did not delude
|
|
herself with any vain conceits, or deny her love, or
|
|
give herself airs, in the idea of outshining the
|
|
others. The full recognition of the futility of their
|
|
infatuation, from a social point of view; its
|
|
purposeless beginning; its self-bounded outlook; its
|
|
lack of everything to justify its existence in the eye
|
|
of civilization (while lacking nothing in the eye of
|
|
Nature); the one fact that it did exist, ecstasizing
|
|
them to a killing joy; all this imparted to them a
|
|
resignation, a dignity, which a practical and sordid
|
|
expectation of winning him as a husband would have
|
|
destroyed.
|
|
|
|
They tossed and turned on their little beds, and the
|
|
cheese-wring dripped monotonously downstairs.
|
|
|
|
"B' you awake, Tess?" whispered one, half-an-hour
|
|
later.
|
|
|
|
It was Izz Huett's voice.
|
|
|
|
Tess replied in the affirmative, whereupon also Retty
|
|
and Marian suddenly flung the bedclothes off them, and
|
|
sighed--
|
|
|
|
"So be we!"
|
|
|
|
"I wonder what she is like--the lady they say his
|
|
family have looked out for him!"
|
|
|
|
"I wonder," said Izz.
|
|
|
|
"Some lady looked out for him?" gasped Tess, starting.
|
|
"I have never heard o' that!"
|
|
|
|
"O yes--'tis whispered; a young lady of his own rank,
|
|
chosen by his family; a Doctor of Divinity's daughter
|
|
near his father's parish of Emminster; he don't much
|
|
care for her, they say. But he is sure to marry her."
|
|
|
|
They had heard so very little of this; yet it was
|
|
enough to build up wretched dolorous dreams upon, there
|
|
in the shade of the night. They pictured all the
|
|
details of his being won round to consent, of the
|
|
wedding preparations, of the bride's happiness, of her
|
|
dress and veil, of her blissful home with him, when
|
|
oblivion would have fallen upon themselves as far as he
|
|
and their love were concerned. Thus they talked, and
|
|
ached, and wept till sleep charmed their sorrow away.
|
|
|
|
After this disclosure Tess nourished no further foolish
|
|
thought that there lurked any grave and deliberate
|
|
import in Clare's attentions to her. It was a passing
|
|
summer love of her face, for love's own temporary
|
|
sake--nothing more. And thorny crown of this sad
|
|
conception was that she whom he really did prefer in a
|
|
cursory way to the rest, she who knew herself to be
|
|
more impassioned in nature, cleverer, more beautiful
|
|
than they, was in the eyes of propriety far less worthy
|
|
of him than the homelier ones whom he ignored.
|
|
|
|
|
|
|
|
XXIV
|
|
|
|
|
|
Amid the oozing fatness and warm ferments of the Froom
|
|
Vale, at a season when the rush of juices could almost
|
|
be heard below the hiss of fertilization, it was
|
|
impossible that the most fanciful love should not grow
|
|
passionate. The ready bosoms existing there were
|
|
impregnated by their surroundings.
|
|
|
|
July passed over their heads, and the Thermidorean
|
|
weather which came in its wake seemed an effort on the
|
|
part of Nature to match the state of hearts at
|
|
Talbothays Dairy. The air of the place, so fresh in
|
|
the spring and early summer, was stagnant and
|
|
enervating now. Its heavy scents weighed upon them,
|
|
and at mid-day the landscape seemed lying in a swoon.
|
|
Ethiopic scorchings browned the upper slopes of the
|
|
pastures, but there was still bright green herbage here
|
|
where the watercourses purled. And as Clare was
|
|
oppressed by the outward heats, so was he burdened
|
|
inwardly by waxing fervour of passion for the soft and
|
|
silent Tess.
|
|
|
|
The rains having passed the uplands were dry. The
|
|
wheels of the dairyman's spring cart, as he sped home
|
|
from market, licked up the pulverized surface of the
|
|
highway, and were followed by white ribands of dust, as
|
|
if they had set a thin powertrain on fire. The cows
|
|
jumped wildly over the five-barred barton-gate,
|
|
maddened by the gad-fly; Dairyman Crick kept his
|
|
shirt-sleeves permanently rolled up from Monday to
|
|
Saturday; open windows had no effect in ventilation
|
|
without open doors, and in the dairy-garden the
|
|
blackbirds and thrushes crept about under the
|
|
currant-bushes, rather in the manner of quadrupeds than
|
|
of winged creatures. The flies in the kitchen were
|
|
lazy, teasing, and familiar, crawling about in the
|
|
unwonted places, on the floors, into drawers, and over
|
|
the backs of the milkmaids' hands. Conversations were
|
|
concerning sunstroke; while butter-making, and still
|
|
more butter-keeping, was a despair.
|
|
|
|
They milked entirely in the meads for coolness and
|
|
convenience, without driving in the cows. During the
|
|
day the animals obsequiously followed the shadow of the
|
|
smallest tree as it moved round the stem with the
|
|
diurnal roll; and when the milkers came they could
|
|
hardly stand still for the flies.
|
|
|
|
On one of these afternoons four or five unmilked cows
|
|
chanced to stand apart from the general herd, behind
|
|
the corner of a hedge, among them being Dumpling and
|
|
Old Pretty, who loved Tess's hands above those of any
|
|
other maid. When she rose from her stool under a
|
|
finished cow Angel Clare, who had been observing her
|
|
for some time, asked her if she would take the
|
|
aforesaid creatures next. She silently assented, and
|
|
with her stool at arm's length, and the pail against
|
|
her knee, went round to where they stood. Soon the
|
|
sound of Old Pretty's milk fizzing into the pail came
|
|
through the hedge, and then Angel felt inclined to go
|
|
round the corner also, to finish off a hard-yielding
|
|
milcher who had strayed there, he being now as capable
|
|
of this as the dairyman himself.
|
|
|
|
All the men, and some of the women, when milking, dug
|
|
their foreheads into the cows and gazed into the pail.
|
|
But a few--mainly the younger ones--rested their heads
|
|
sideways. This was Tess Durbeyfield's habit, her
|
|
temple pressing the milcher's flank, her eyes fixed on
|
|
the far end of the meadow with the quiet of one lost in
|
|
meditation. She was milking Old Pretty thus, and the
|
|
sun chancing to be on the milking-side it shone flat
|
|
upon her pink-gowned form and her white curtain-bonnet,
|
|
and upon her profile, rendering it keen as a cameo cut
|
|
from the dun background of the cow.
|
|
|
|
She did not know that Clare had followed her round, and
|
|
that he sat under his cow watching her. The stillness
|
|
of her head and features was remarkable: she might have
|
|
been in a trance, her eyes open, yet unseeing. Nothing
|
|
in the picture moved but Old Pretty's tail and Tess's
|
|
pink hands, the latter so gently as to be a rhythmic
|
|
pulsation only, as if they were obeying a reflex
|
|
stimulus, like a beating heart.
|
|
|
|
How very lovable her face was to him. yet there was
|
|
nothing ethereal about it; all was real vitality, real
|
|
warmth, real incarnation. And it was in her mouth that
|
|
this culminated. Eyes almost as deep and speaking he
|
|
had seen before, and cheeks perhaps as fair; brows as
|
|
arched, a chin and throat almost as shapely; her mouth
|
|
he had seen nothing to equal on the face of the earth.
|
|
To a young man with the least fire in him that little
|
|
upward lift in the middle of her red top lip was
|
|
distracting, infatuating, maddening. He had never
|
|
before seen a woman's lips and teeth which forced upon
|
|
his mind with such persistent iteration the old
|
|
Elizabethan simile of roses filled with snow. Perfect,
|
|
he, as a lover, might have called them off-hand. But
|
|
no--they were not perfect. And it was the touch of the
|
|
imperfect upon the would-be perfect that gave the
|
|
sweetness, because it was that which gave the humanity.
|
|
|
|
Clare had studied the curves of those lips so many
|
|
times that he could reproduce them mentally with ease:
|
|
and now, as they again confronted him, clothed with
|
|
colour and life, they sent an AURA over his flesh, a
|
|
breeze through his nerves, which wellnigh produced a
|
|
qualm; and actually produced, by some mysterious
|
|
physiological process, a prosaic sneeze.
|
|
|
|
She then became conscious that he was observing her;
|
|
but she would not show it by any change of position,
|
|
though the curious dream-like fixity disappeared, and a
|
|
close eye might easily have discerned that the rosiness
|
|
of her face deepened, and then faded till only a tinge
|
|
of it was left.
|
|
|
|
The influence that had passed into Clare like an
|
|
excitation from the sky did not die down. Resolutions,
|
|
reticences, prudences, fears, fell back like a defeated
|
|
battalion. He jumped up from his seat, and, leaving his
|
|
pail to be kicked over if the milcher had such a mind,
|
|
went quickly towards the desire of his eyes, and,
|
|
kneeling down beside her, clasped her in his arms.
|
|
|
|
Tess was taken completely by surprise, and she yielded
|
|
to his embrace with unreflecting inevitableness.
|
|
Having seen that it was really her lover who had
|
|
advanced, and no one else, her lips parted, and she
|
|
sank upon him in her momentary joy, with something very
|
|
like an ecstatic cry.
|
|
|
|
He had been on the point of kissing that too tempting
|
|
mouth, but he checked himself, for tender conscience'
|
|
sake.
|
|
|
|
"Forgive me, Tess dear!" he whispered. "I ought to
|
|
have asked. I--did not know what I was doing. I do
|
|
not mean it as a liberty. I am devoted to you, Tessy,
|
|
dearest, in all sincerity!"
|
|
|
|
Old Pretty by this time had looked round, puzzled; and
|
|
seeing two people crouching under her where, by
|
|
immemorial custom, there should have been only one,
|
|
lifted her hind left crossly.
|
|
|
|
"She is angry--she doesn't know what we mean--she'll
|
|
kick over the milk!" exclaimed Tess, gently striving to
|
|
free herself, her eyes concerned with the quadruped's
|
|
actions, her heart more deeply concerned with herself
|
|
and Clare.
|
|
|
|
She slipped up from her seat, and they stood together,
|
|
his arm still encircling her. Tess's eyes, fixed on
|
|
distance, began to fill.
|
|
|
|
"Why do you cry, my darling?" he said.
|
|
|
|
"O--I don't know!" she murmured.
|
|
|
|
As she saw and felt more clearly the position she was
|
|
in she became agitated and tried to withdraw.
|
|
|
|
"Well, I have betrayed my feeling, Tess, at last," said
|
|
he, with a curious sigh of desperation, signifying
|
|
unconsciously that his heart had outrun his judgement.
|
|
"That I--love you dearly and truly I need not say. But
|
|
I--it shall go no further now--it distresses you--I am
|
|
as surprised as you are. You will not think I have
|
|
presumed upon your defencelessness--been too quick and
|
|
unreflecting, will you?"
|
|
|
|
"N'--I can't tell."
|
|
|
|
He had allowed her to free herself; and in a minute or
|
|
two the milking of each was resumed. Nobody had beheld
|
|
the gravitation of the two into one; and when the
|
|
dairyman came round by that screened nook a few minutes
|
|
later there was not a sign to reveal that the markedly
|
|
sundered pair were more to each other than mere
|
|
acquaintance. Yet in the interval since Crick's last
|
|
view of them something had occurred which changed the
|
|
pivot of the universe for their two natures; something
|
|
which, had he known its quality, the dairyman would
|
|
have despised, as a practical man; yet which was based
|
|
upon a more stubborn and resistless tendency than a
|
|
whole heap of so-called practicalities. A veil had
|
|
been whisked aside; the tract of each one's outlook was
|
|
to have a new horizon thenceforward--for a short time
|
|
or for a long.
|
|
|
|
|
|
END OF PHASE THE THIRD
|
|
|
|
|
|
|
|
|
|
|
|
Phase the Fourth: The Consequence
|
|
|
|
|
|
|
|
XXV
|
|
|
|
|
|
Clare, restless, went out into the dusk when evening
|
|
drew on, she who had won him having retired to her
|
|
chamber.
|
|
|
|
The night was as sultry as the day. There was no
|
|
coolness after dark unless on the grass. Roads,
|
|
garden-paths, the house-fronts, the barton-walls were
|
|
warm as hearths, and reflected the noontime temperature
|
|
into the noctambulist's face.
|
|
|
|
He sat on the east gate of the dairy-yard, and knew not
|
|
what to think of himself. Feeling had indeed smothered
|
|
judgement that day.
|
|
|
|
Since the sudden embrace, three hours before, the twain
|
|
had kept apart. She seemed stilled, almost alarmed, at
|
|
what had occurred, while the novelty, unpremeditation,
|
|
mastery of circumstance disquieted him--palpitating,
|
|
contemplative being that he was. He could hardly
|
|
realize their true relations to each other as yet, and
|
|
what their mutual bearing should be before third
|
|
parties thenceforward.
|
|
|
|
Angel had come as pupil to this dairy in the idea that
|
|
his temporary existence here was to be the merest
|
|
episode in his life, soon passed through and early
|
|
forgotten; he had come as to a place from which as from
|
|
a screened alcove he could calmly view the absorbing
|
|
world without, and, apostrophizing it with Walt
|
|
Whitman--
|
|
|
|
Crowds of men and women attired in the usual costumes,
|
|
How curious you are to me!--
|
|
|
|
resolve upon a plan for plunging into that world anew.
|
|
But behold, the absorbing scene had been imported
|
|
hither. What had been the engrossing world had
|
|
dissolved into an uninteresting outer dumb-show; while
|
|
here, in this apparently dim and unimpassioned place,
|
|
novelty had volcanically started up, as it had never,
|
|
for him, started up elsewhere.
|
|
|
|
Every window of the house being open Clare could hear
|
|
across the yard each trivial sound of the retiring
|
|
household. The dairy-house, so humble, so
|
|
insignificant, so purely to him a place of constrained
|
|
sojourn that he had never hitherto deemed it of
|
|
sufficient importance to be reconnoitred as an object
|
|
of any quality whatever in the landscape; what was it
|
|
now? The aged and lichened brick gables breathed forth
|
|
"Stay!" The windows smiled, the door coaxed and
|
|
beckoned, the creeper blushed confederacy. A
|
|
personality within it was so far-reaching in her
|
|
influence as to spread into and make the bricks,
|
|
mortar, and whole overhanging sky throb with a burning
|
|
sensibility. Whose was this mighty personality? A
|
|
milkmaid's. It was amazing, indeed, to find how great a
|
|
matter the life of the obscure dairy had become to him.
|
|
And though new love was to be held partly responsible
|
|
for this it was not solely so. Many besides Angel have
|
|
learnt that the magnitude of lives is not as to their
|
|
external displacements, but as to their subjective
|
|
experiences. The impressionable peasant leads a
|
|
larger, fuller, more dramatic life than the
|
|
pachydermatous king. Looking at it thus he found that
|
|
life was to be seen of the same magnitude here as
|
|
elsewhere.
|
|
|
|
Despite his heterodoxy, faults, and weaknesses, Clare
|
|
was a man with a conscience. Tess was no insignificant
|
|
creature to toy with and dismiss; but a woman living
|
|
her precious life--a life which, to herself who
|
|
endured or enjoyed it, possessed as great a dimension
|
|
as the life of the mightiest to himself. Upon her
|
|
sensations the whole world depended to Tess; through
|
|
her existence all her fellow-creatures existed, to her.
|
|
The universe itself only came into being for Tess on
|
|
the particular day in the particular year in which she
|
|
was born.
|
|
|
|
This consciousness upon which he had intruded was the
|
|
single opportunity of existence ever vouchsafed to Tess
|
|
by an unsympathetic First Cause--her all; her every and
|
|
only chance. How then should he look upon her as of
|
|
less consequence than himself; as a pretty trifle to
|
|
caress and grow weary of; and not deal in the greatest
|
|
seriousness with the affection which he knew that he
|
|
had awakened in her--so fervid and so impressionable as
|
|
she was under her reserve; in order that it might not
|
|
agonize and wreck her?
|
|
|
|
To encounter her daily in the accustomed manner would
|
|
be to develop what had begun. Living in such close
|
|
relations, to meet meant to fall into endearment; flesh
|
|
and blood could not resist it; and, having arrived at
|
|
no conclusion as to the issue of such a tendency, he
|
|
decided to hold aloof for the present from occupations
|
|
in which they would be mutually engaged. As yet the
|
|
harm done was small.
|
|
|
|
But it was not easy to carry out the resolution never
|
|
to approach her. He was driven towards her by every
|
|
heave of his pulse.
|
|
|
|
He thought he would go and see his friends. It might
|
|
be possible to sound them upon this. In less than five
|
|
months his term here would have ended, and after a few
|
|
additional months spent upon other farms he would be
|
|
fully equipped in agricultural knowledge, and in a
|
|
position to start on his own account. Would not a
|
|
farmer want a wife, and should a farmer's wife be a
|
|
drawing-room wax-figure, or a woman who understood
|
|
farming? Notwithstanding the pleasing answer returned
|
|
to him by the silence he resolved to go his journey.
|
|
|
|
One morning when they sat down to breakfast at
|
|
Talbothays Dairy some maid observed that she had not
|
|
seen anything of Mr Clare that day.
|
|
|
|
"O no," said Dairyman Crick. "Mr Clare has gone hwome
|
|
to Emminster to spend a few days wi' his kinsfolk."
|
|
|
|
For four impassioned ones around that table the
|
|
sunshine of the morning went out at a stroke, and the
|
|
birds muffled their song. But neither girl by word or
|
|
gesture revealed her blankness. "He's getting on
|
|
towards the end of his time wi' me," added the
|
|
dairyman, with a phlegm which unconsciously was brutal;
|
|
"and so I suppose he is beginning to see about his
|
|
plans elsewhere."
|
|
|
|
"How much longer is he to bide here?" asked Izz Huett,
|
|
the only one of the gloom-stricken bevy who could trust
|
|
her voice with the question.
|
|
|
|
The others waited for the dairyman's answer as if their
|
|
lives hung upon it; Retty, with parted lips, gazing on
|
|
the tablecloth, Marian with heat added to her redness,
|
|
Tess throbbing and looking out at the meads.
|
|
|
|
"Well, I can't mind the exact day without looking at my
|
|
memorandum-book," replied Crick, with the same
|
|
intolerable unconcern. "And even that may be altered a
|
|
bit. He'll bide to get a little practice in the
|
|
calving out at the straw-yard, for certain. He'll
|
|
hang on till the end of the year I should say."
|
|
|
|
Four months or so of torturing ecstasy in his
|
|
society--of "pleasure girdled about with pain".
|
|
After that the blackness of unutterable night.
|
|
|
|
|
|
At this moment of the morning Angel Clare was riding
|
|
along a narrow lane ten miles distant from the
|
|
breakfasters, in the direction of his father's Vicarage
|
|
at Emminster, carrying, as well as he could, a little
|
|
basket which contained some black-puddings and a bottle
|
|
of mead, sent by Mrs Crick, with her kind respects, to
|
|
his parents. The white lane stretched before him, and
|
|
his eyes were upon it; but they were staring into next
|
|
year, and not at the lane. He loved her; ought he to
|
|
marry her? Dared he to marry her? What would his
|
|
mother and his brothers say? What would he himself say
|
|
a couple of years after the event? That would depend
|
|
upon whether the germs of staunch comradeship underlay
|
|
the temporary emotion, or whether it were a sensuous
|
|
joy in her form only, with no substratum of
|
|
everlastingness.
|
|
|
|
His father's hill-surrounded little town, the Tudor
|
|
church-tower of red stone, the clump of trees near the
|
|
Vicarage, came at last into view beneath him, and he
|
|
rode down towards the well-known gate. Casting a
|
|
glance in the direction of the church before entering
|
|
his home, he beheld standing by the vestry-door a group
|
|
of girls, of ages between twelve and sixteen,
|
|
apparently awaiting the arrival of some other one, who
|
|
in a moment became visible; a figure somewhat older
|
|
than the school-girls, wearing a broad-brimmed hat and
|
|
highly-starched cambric morning-gown, with a couple of
|
|
books in her hand.
|
|
|
|
Clare knew her well. He could not be sure that she
|
|
observed him; he hoped she did not, so as to render it
|
|
unnecessary that he should go and speak to her,
|
|
blameless creature that she was. An overpowering
|
|
reluctance to greet her made him decide that she had
|
|
not seen him. The young lady was Miss Mercy Chant, the
|
|
only daughter of his father's neighbour and friend,
|
|
whom it was his parents' quiet hope that he might wed
|
|
some day. She was great at Antinomianism and Bible-
|
|
classes, and was plainly going to hold a class now.
|
|
Clare's mind flew to the impassioned, summer-steeped
|
|
heathens in the Var Vale, their rosy faces
|
|
court-patched with cow-droppings; and to one the most
|
|
impassioned of them all. It was on the impulse of the
|
|
moment that he had resolved to trot over to Emminster,
|
|
and hence had not written to apprise his mother and
|
|
father, aiming, however, to arrive about the breakfast
|
|
hour, before they should have gone out to their parish
|
|
duties. He was a little late, and they had already sat
|
|
down to the morning meal. The group at the table
|
|
jumped up to welcome him as soon as he entered. They
|
|
were his father and mother, his brother the Reverend
|
|
Felix--curate at a town in the adjoining county, home
|
|
for the inside of a fortnight--and his other brother,
|
|
the Reverend Cuthbert, the classical scholar, and
|
|
Fellow and Dean of his College, down from Cambridge for
|
|
the long vacation. His mother appeared in a cap and
|
|
silver spectacles, and his father looked what in fact
|
|
he was--an earnest, God-fearing man, somewhat gaunt, in
|
|
years about sixty-five, his pale face lined with
|
|
thought and purpose. Over their heads hung the picture
|
|
of Angel's sister, the eldest of the family, sixteen
|
|
years his senior, who had married a missionary and gone
|
|
out to Africa.
|
|
|
|
Old Mr Clare was a clergyman of a type which, within
|
|
the last twenty years, has wellnigh dropped out of
|
|
contemporary life. A spiritual descendant in the
|
|
direct line from Wycliff, Huss, Luther, Calvin; an
|
|
Evangelical of the Evangelicals, a Conversionist, a man
|
|
of Apostolic simplicity in life and thought, he had in
|
|
his raw youth made up his mind once for all in the
|
|
deeper questions of existence, and admitted no further
|
|
reasoning on them thenceforward. He was regarded even
|
|
by those his own date and school of thinking as
|
|
extreme; while, on the other hand, those totally
|
|
opposed to him were unwillingly won to admiration for
|
|
his thoroughness, and for the remarkable power he
|
|
showed in dismissing all question as to principles in
|
|
his energy for applying them. He loved Paul of Tarsus,
|
|
liked St John, hated St James as much as he dared, and
|
|
regarded with mixed feelings Timothy, Titus, and
|
|
Philemon. The New Testament was less a Christiad then
|
|
a Pauliad to his intelligence--less an argument than an
|
|
intoxication. His creed of determinism was such that
|
|
it almost amounted to a vice, and quite amounted, on
|
|
its negative side, to a renunciative philosophy which
|
|
had cousinship with that of Schopenhauer and Leopardi.
|
|
He despised the Canons and Rubric, swore by the
|
|
Articles, and deemed himself consistent through the
|
|
whole category--which in a way he might have been. One
|
|
thing he certainly was--sincere.
|
|
|
|
To the aesthetic, sensuous, pagan pleasure in natural
|
|
life and lush womanhood which his son Angel had lately
|
|
been experiencing in Var Vale, his temper would have
|
|
been antipathetic in a high degree, had he either by
|
|
inquiry or imagination been able to apprehend it. Once
|
|
upon a time Angel had been so unlucky as to say to his
|
|
father, in a moment of irritation, that it might have
|
|
resulted far better for mankind if Greece had been the
|
|
source of the religion of modern civilization, and not
|
|
Palestine; and his father's grief was of that blank
|
|
description which could not realize that there might
|
|
lurk a thousandth part of a truth, much less a half
|
|
truth or a whole truth, in such a proposition. He had
|
|
simply preached austerely at Angel for some time after.
|
|
But the kindness of his heart was such that he never
|
|
resented anything for long, and welcomed his son today
|
|
with a smile which was as candidly sweet as a child's.
|
|
|
|
Angel sat down, and the place felt like home; yet he
|
|
did not so much as formerly feel himself one of the
|
|
family gathered there. Every time that he returned
|
|
hither he was conscious of this divergence, and since
|
|
he had last shared in the Vicarage life it had grown
|
|
even more distinctly foreign to his own than usual.
|
|
Its transcendental aspirations--still unconsciously
|
|
based on the geocentric view of things, a zenithal
|
|
paradise, a nadiral hell--were as foreign to his own as
|
|
if they had been the dreams of people on another
|
|
planet. Latterly he had seen only Life, felt only the
|
|
great passionate pulse of existence, unwarped,
|
|
uncontorted, untrammelled by those creeds which
|
|
futilely attempt to check what wisdom would be content
|
|
to regulate.
|
|
|
|
On their part they saw a great difference in him, a
|
|
growing divergence from the Angel Clare of former
|
|
times. It was chiefly a difference in his manner that
|
|
they noticed just now, particularly his brothers. He
|
|
was getting to behave like a farmer; he flung his legs
|
|
about; the muscles of his face had grown more
|
|
expressive; his eyes looked as much information as his
|
|
tongue spoke, and more. The manner of the scholar had
|
|
nearly disappeared; still more the manner of the
|
|
drawing-room young man. A prig would have said that he
|
|
had lost culture, and a prude that he had become
|
|
coarse. Such was the contagion of domiciliary
|
|
fellowship with the Talbothays nymphs and swains.
|
|
|
|
After breakfast he walked with his two brothers,
|
|
non-evangelical, well-educated, hall-marked young men,
|
|
correct to their remotest fibre, such unimpeachable
|
|
models as are turned out yearly by the lathe of a
|
|
systematic tuition. They were both somewhat
|
|
short-sighted, and when it was the custom to wear a
|
|
single eyeglass and string they wore a single eyeglass
|
|
and string; when it was the custom to wear a double
|
|
glass they wore a double glass; when it was the custom
|
|
to wear spectacles they wore spectacles straightway,
|
|
all without reference to the particular variety of
|
|
defect in their own vision. When Wordsworth was
|
|
enthroned they carried pocket copies; and when Shelley
|
|
was belittled they allowed him to grow dusty on their
|
|
shelves. When Correggio's Holy Families were admired,
|
|
they admired Correggio's Holy Families; when he was
|
|
decried in favour of Velasquez, they sedulously
|
|
followed suit without any personal objection.
|
|
|
|
If these two noticed Angel's growing social ineptness,
|
|
he noticed their growing mental limitations. Felix
|
|
seemed to him all Church; Cuthbert all College. His
|
|
Diocesan Synod and Visitations were the mainsprings of
|
|
the world to the one; Cambridge to the other. Each
|
|
brother candidly recognized that there were a few
|
|
unimportant score of millions of outsiders in civilized
|
|
society, persons who were neither University men nor
|
|
churchmen; but they were to be tolerated rather than
|
|
reckoned with and respected.
|
|
|
|
They were both dutiful and attentive sons, and were
|
|
regular in their visits to their parents. Felix, though
|
|
an offshoot from a far more recent point in the
|
|
devolution of theology than his father, was less
|
|
self-sacrificing and disinterested. More tolerant than
|
|
his father of a contradictory opinion, in its aspect as
|
|
a danger to its holder, he was less ready than his
|
|
father to pardon it as a slight to his own teaching.
|
|
Cuthbert was, upon the whole, the more liberal-minded,
|
|
though, with greater subtlety, he had not so much
|
|
heart.
|
|
|
|
As they walked along the hillside Angel's former
|
|
feeling revived in him--that whatever their advantages
|
|
by comparison with himself, neither saw or set forth
|
|
life as it really was lived. Perhaps, as with many
|
|
men, their opportunities of observation were not so
|
|
good as their opportunities of expression. Neither had
|
|
an adequate conception of the complicated forces at
|
|
work outside the smooth and gentle current in which
|
|
they and their associates floated. Neither saw the
|
|
difference between local truth and universal truth;
|
|
that what the inner world said in their clerical and
|
|
academic hearing was quite a different thing from what
|
|
the outer world was thinking.
|
|
|
|
"I suppose it is farming or nothing for you now, my
|
|
dear fellow," Felix was saying, among other things, to
|
|
his youngest brother, as he looked through his
|
|
spectacles at the distant fields with sad austerity.
|
|
"And, therefore, we must make the best of it. But I do
|
|
entreat you to endeavour to keep as much as possible in
|
|
touch with moral ideals. Farming, of course, means
|
|
roughing it externally; but high thinking may go with
|
|
plain living, nevertheless."
|
|
|
|
"Of course it may," said Angel. "Was it not proved
|
|
nineteen hundred years ago--if I may trespass upon your
|
|
domain a little? Why should you think, Felix, that I
|
|
am likely to drop my high thinking and my moral
|
|
ideals?"
|
|
|
|
"Well, I fancied, from the tone of your letters and our
|
|
conversation--it may be fancy only--that you were
|
|
somehow losing intellectual grasp. Hasn't it struck
|
|
you, Cuthbert?"
|
|
|
|
"Now, Felix," said Angel drily, "we are very good
|
|
friends, you know; each of us treading our allotted
|
|
circles; but if it comes to intellectual grasp, I think
|
|
you, as a contented dogmatist, had better leave mine
|
|
alone, and inquire what has become of yours."
|
|
|
|
They returned down the hill to dinner, which was fixed
|
|
at any time at which their father's and mother's
|
|
morning work in the parish usually concluded.
|
|
Convenience as regarded afternoon callers was the last
|
|
thing to enter into the consideration of unselfish Mr
|
|
and Mrs Clare; though the three sons were sufficiently
|
|
in unison on this matter to wish that their parents
|
|
would conform a little to modern notions.
|
|
|
|
The walk had made them hungry, Angel in particular, who
|
|
was now an outdoor man, accustomed to the profuse DAPES
|
|
INEMPTAE of the dairyman's somewhat coarsely-laden
|
|
table. But neither of the old people had arrived, and
|
|
it was not till the sons were almost tired of waiting
|
|
that their parents entered. The self-denying pair had
|
|
been occupied in coaxing the appetites of some of their
|
|
sick parishioners, whom they, somewhat inconsistently,
|
|
tried to keep imprisoned in the flesh, their own
|
|
appetites being quite forgotten.
|
|
|
|
The family sat down to table, and a frugal meal of cold
|
|
viands was deposited before them. Angel looked round
|
|
for Mrs Crick's black-puddings, which he had directed
|
|
to be nicely grilled as they did them at the dairy, and
|
|
of which he wished his father and mother to appreciate
|
|
the marvellous herbal savours as highly as he did
|
|
himself.
|
|
|
|
"Ah! you are looking for the black-puddings, my dear
|
|
boy," observed Clare's mother. "But I am sure you will
|
|
not mind doing without them as I am sure your father
|
|
and I shall not, when you know the reason. I suggested
|
|
to him that we should take Mrs Crick's kind present to
|
|
the children of the man who can earn nothing just now
|
|
because of his attacks of delirium tremens; and he
|
|
agreed that it would be a great pleasure to them; so we
|
|
did."
|
|
|
|
"Of course," said Angel cheerfully, looking round for
|
|
the mead.
|
|
|
|
"I found the mead so extremely alcoholic," continued
|
|
his mother, "that it was quite unfit for use as a
|
|
beverage, but as valuable as rum or brandy in an
|
|
emergency; so I have put it in my medicine-closet."
|
|
|
|
"We never drink spirits at this table, on principle,"
|
|
added his father.
|
|
|
|
"But what shall I tell the dairyman's wife?" said Angel.
|
|
|
|
"The truth, of course," said his father.
|
|
|
|
"I rather wanted to say we enjoyed the mead and the
|
|
black-puddings very much. She is a kind, jolly sort
|
|
of body, and is sure to ask me directly I return."
|
|
|
|
"You cannot, if we did not," Mr Clare answered lucidly.
|
|
|
|
"Ah--no; though that mead was a drop of pretty tipple."
|
|
|
|
"A what?" said Cuthbert and Felix both.
|
|
|
|
"Oh--'tis an expression they use down at Talbothays,"
|
|
replied Angel, blushing. He felt that his parents were
|
|
right in their practice if wrong in their want of
|
|
sentiment, and said no more.
|
|
|
|
|
|
|
|
XXVI
|
|
|
|
|
|
It was not till the evening, after family prayers, that
|
|
Angel found opportunity of broaching to his father one
|
|
or two subjects near his heart. He had strung himself
|
|
up to the purpose while kneeling behind his brothers on
|
|
the carpet, studying the little nails in the heels of
|
|
their walking boots. When the service was over they
|
|
went out of the room with their mother, and Mr Clare
|
|
and himself were left alone.
|
|
|
|
The young man first discussed with the elder his plans
|
|
for the attainment of his position as a farmer on an
|
|
extensive scale--either in England or in the Colonies.
|
|
His father then told him that, as he had not been put
|
|
to the expense of sending Angel up to Cambridge, he had
|
|
felt it his duty to set by a sum of money every year
|
|
towards the purchase or lease of land for him some day,
|
|
that he might not feel himself unduly slighted.
|
|
|
|
"As far as worldly wealth goes," continued his father,
|
|
"you will no doubt stand far superior to your brothers
|
|
in a few years."
|
|
|
|
This considerateness on old Mr Clare's part led Angel
|
|
onward to the other and dearer subject. He observed to
|
|
his father that he was then six-and-twenty, and that
|
|
when he should start in the farming business he would
|
|
require eyes in the back of his head to see to all
|
|
matters--some one would be necessary to superintend the
|
|
domestic labours of his establishment whilst he was
|
|
afield. Would it not be well, therefore, for him to
|
|
marry?
|
|
|
|
His father seemed to think this idea not unreasonable;
|
|
and then Angel put the question--
|
|
|
|
"What kind of wife do you think would be best for me as
|
|
a thrifty hard-working farmer?"
|
|
|
|
"A truly Christian woman, who will be a help and a
|
|
comfort to you in your goings-out and your comings-in.
|
|
Beyond that, it really matters little. Such an one can
|
|
be found; indeed, my earnest-minded friend and
|
|
neighbour, Dr Chant--"
|
|
|
|
"But ought she not primarily to be able to milk cows,
|
|
churn good butter, make immense cheeses; know how to
|
|
sit hens and turkeys and rear chickens, to direct a
|
|
field of labourers in an emergency, and estimate the
|
|
value of sheep and calves?"
|
|
|
|
"Yes; a farmer's wife; yes, certainly. It would be
|
|
desirable." Mr Clare, the elder, had plainly never
|
|
thought of these points before. "I was going to add,"
|
|
he said, "that for a pure and saintly woman you will
|
|
not find one more to your true advantage, and certainly
|
|
not more to your mother's mind and my own, than your
|
|
friend Mercy, whom you used to show a certain interest
|
|
in. It is true that my neighbour Chant's daughter had
|
|
lately caught up the fashion of the younger clergy
|
|
round about us for decorating the Communion-
|
|
table--alter, as I was shocked to hear her call it one
|
|
day--with flowers and other stuff on festival
|
|
occasions. But her father, who is quite as opposed to
|
|
such flummery as I, says that can be cured. It is a
|
|
mere girlish outbreak which, I am sure, will not be
|
|
permanent."
|
|
|
|
"Yes, yes; Mercy is good and devout, I know. But,
|
|
father, don't you think that a young woman equally pure
|
|
and virtuous as Miss Chant, but one who, in place of
|
|
that lady's ecclesiastical accomplishments, understands
|
|
the duties of farm life as well as a farmer himself,
|
|
would suit me infinitely better?"
|
|
|
|
His father persisted in his conviction that a knowledge
|
|
of a farmer's wife's duties came second to a Pauline
|
|
view of humanity; and the impulsive Angel, wishing to
|
|
honour his father's feelings and to advance the cause
|
|
of his heart at the same time, grew specious. He said
|
|
that fate or Providence had thrown in his way a woman
|
|
who possessed every qualification to be the helpmate of
|
|
an agriculturist, and was decidedly of a serious turn
|
|
of mind. He would not say whether or not she had
|
|
attached herself to the sound Low Church School of his
|
|
father; but she would probably be open to conviction on
|
|
that point; she was a regular church-goer of simple
|
|
faith; honest-hearted, receptive, intelligent, graceful
|
|
to a degree, chaste as a vestal, and, in personal
|
|
appearance, exceptionally beautiful.
|
|
|
|
"Is she of a family such as you would care to marry
|
|
into--a lady, in short?" asked his startled mother, who
|
|
had come softly into the study during the conversation.
|
|
|
|
"She is not what in common parlance is called a lady,"
|
|
said Angel, unflinchingly, "for she is a cottager's
|
|
daughter, as I am proud to say. But she IS a lady,
|
|
nevertheless--in feeling and nature."
|
|
|
|
"Mercy Chant is of a very good family."
|
|
|
|
"Pooh!--what's the advantage of that, mother?" said
|
|
Angel quickly. "How is family to avail the wife of a
|
|
man who has to rough it as I have, and shall have to
|
|
do?"
|
|
|
|
"Mercy is accomplished. And accomplishments have their
|
|
charm," returned his mother, looking at him through her
|
|
silver spectacles.
|
|
|
|
"As to external accomplishments, what will be the use
|
|
of them in the life I am going to lead?--while as to
|
|
her reading, I can take that in hand. She'll be apt
|
|
pupil enough, as you would say if you knew her. She's
|
|
brim full of poetry--actualized poetry, if I may use
|
|
the expression. She LIVES what paper-poets only
|
|
write.... And she is an unimpeachable Christian, I am
|
|
sure; perhaps of the very tribe, genus, and species you
|
|
desire to propagate."
|
|
|
|
"O Angel, you are mocking!"
|
|
|
|
"Mother, I beg pardon. But as she really does attend
|
|
Church almost every Sunday morning, and is a good
|
|
Christian girl, I am sure you will tolerate any social
|
|
shortcomings for the sake of that quality, and feel
|
|
that I may do worse than choose her." Angel waxed
|
|
quite earnest on that rather automatic orthodoxy in his
|
|
beloved Tess which (never dreaming that it might stand
|
|
him in such good stead) he had been prone to slight
|
|
when observing it practised by her and the other
|
|
milkmaids, because of its obvious unreality amid
|
|
beliefs essentially naturalistic.
|
|
|
|
In their sad doubts as to whether their son had himself
|
|
any right whatever to the title he claimed for the
|
|
unknown young woman, Mr and Mrs Clare began to feel it
|
|
as an advantage not to be overlooked that she at least
|
|
was sound in her views; especially as the conjunction
|
|
of the pair must have arisen by an act of Providence;
|
|
for Angel never would have made orthodoxy a condition
|
|
of his choice. They said finally that it was better
|
|
not to act in a hurry, but that they would not object
|
|
to see her.
|
|
|
|
Angel therefore refrained from declaring more
|
|
particulars now. He felt that, single-minded and
|
|
self-sacrificing as his parents were, there yet existed
|
|
certain latent prejudices of theirs, as middle-class
|
|
people, which it would require some tact to overcome.
|
|
For though legally at liberty to do as he chose, and
|
|
though their daughter-in-law's qualifications could
|
|
make no practical difference to their lives, in the
|
|
probability of her living far away from them, he wished
|
|
for affection's sake not to wound their sentiment in
|
|
the most important decision of his life.
|
|
|
|
He observed his own inconsistencies in dwelling upon
|
|
accidents in Tess's life as if they were vital
|
|
features. It was for herself that he loved Tess; her
|
|
soul, her heart, her substance--not for her skill in
|
|
the dairy, her aptness as his scholar, and certainly
|
|
not for her simple formal faith-professions. Her
|
|
unsophisticated open-air existence required no varnish
|
|
of conventionality to make it palatable to him. He held
|
|
that education had as yet but little affected the beats
|
|
of emotion and impulse on which domestic happiness
|
|
depends. It was probable that, in the lapse of ages,
|
|
improved systems of moral and intellectual training
|
|
would appreciably, perhaps considerably, elevate the
|
|
involuntary and even the unconscious instincts of human
|
|
nature; but up to the present day culture, as far as he
|
|
could see, might be said to have affected only the
|
|
mental epiderm of those lives which had been brought
|
|
under its influence. This belief was confirmed by his
|
|
experience of women, which, having latterly been
|
|
extended from the cultivated middle-class into the
|
|
rural community, had taught him how much less was the
|
|
intrinsic difference between the good and wise woman of
|
|
one social stratum and the good and wise woman of
|
|
another social stratum, than between the good and bad,
|
|
the wise and the foolish, of the same stratum or class.
|
|
|
|
It was the morning of his departure. His brothers had
|
|
already left the Vicarage to proceed on a walking tour
|
|
in the north, whence one was to return to his college,
|
|
and the other to his curacy. Angel might have
|
|
accompanied them, but preferred to rejoin his
|
|
sweetheart at Talbothays. He would have been an
|
|
awkward member of the party; for, though the most
|
|
appreciative humanist, the most ideal religionist, even
|
|
the best-versed Christologist of the three, there was
|
|
alienation in the standing consciousness that his
|
|
squareness would not fit the round hole that had been
|
|
prepared for him. To neither Felix nor Cuthbert had he
|
|
ventured to mention Tess.
|
|
|
|
His mother made him sandwiches, and his father
|
|
accompanied him, on his own mare, a little way along
|
|
the road. Having fairly well advanced his own affairs
|
|
Angel listened in a willing silence, as they jogged on
|
|
together through the shady lanes, to his father's
|
|
account of his parish difficulties, and the coldness of
|
|
brother clergymen whom he loved, because of his strict
|
|
interpretations of the New Testament by the light of
|
|
what they deemed a pernicious Calvinistic doctrine.
|
|
|
|
"Pernicious!" said Mr Clare, with genial scorn; and he
|
|
proceeded to recount experiences which would show the
|
|
absurdity of that idea. He told of wondrous
|
|
conversions of evil livers of which he had been the
|
|
instrument, not only amongst the poor, but amongst the
|
|
rich and well-to-do; and he also candidly admitted many
|
|
failures.
|
|
|
|
As an instance of the latter, he mentioned the case of
|
|
a young upstart squire named d'Urberville, living some
|
|
forty miles off, in the neighbourhood of Trantridge.
|
|
|
|
"Not one of the ancient d'Urbervilles of Kingsbere and
|
|
other places?" asked his son. "That curiously historic
|
|
worn-out family with its ghostly legend of the
|
|
coach-and-four?"
|
|
|
|
"O no. The original d'Urbervilles decayed and
|
|
disappeared sixty or eighty years ago--at least,
|
|
I believe so. This seems to be a new family which had
|
|
taken the name; for the credit of the former knightly
|
|
line I hope they are spurious, I'm sure. But it is odd
|
|
to hear you express interest in old families.
|
|
I thought you set less store by them even than I."
|
|
|
|
"You misapprehend me, father; you often do," said Angel
|
|
with a little impatience. "Politically I am sceptical
|
|
as to the virtue of their being old. Some of the wise
|
|
even among themselves 'exclaim against their own
|
|
succession,' as Hamlet puts it; but lyrically,
|
|
dramatically, and even historically, I am tenderly
|
|
attached to them."
|
|
|
|
This distinction, though by no means a subtle one, was
|
|
yet too subtle for Mr Clare the elder, and he went on
|
|
with the story he had been about to relate; which was
|
|
that after the death of the senior so-called
|
|
d'Urberville the young man developed the most culpable
|
|
passions, though he had a blind mother, whose condition
|
|
should have made him know better. A knowledge of his
|
|
career having come to the ears of Mr Clare, when he was
|
|
in that part of the country preaching missionary
|
|
sermons, he boldly took occasion to speak to the
|
|
delinquent on his spiritual state. Though he was a
|
|
stranger, occupying another's pulpit, he had felt this
|
|
to be his duty, and took for his text the words from St
|
|
Luke: "Thou fool, this night thy soul shall be required
|
|
of thee!" The young man much resented this directness
|
|
of attack, and in the war of words which followed when
|
|
they met he did not scruple publicly to insult Mr
|
|
Clare, without respect for his gray hairs.
|
|
|
|
Angel flushed with distress.
|
|
|
|
"Dear father," he said sadly, "I wish you would not
|
|
expose yourself to such gratuitous pain from
|
|
scoundrels!"
|
|
|
|
"Pain?" said his father, his rugged face shining in the
|
|
ardour of self-abnegation. "The only pain to me was
|
|
pain on his account, poor, foolish young man. Do you
|
|
suppose his incensed words could give me any pain, or
|
|
even his blows? 'Being reviled we bless; being
|
|
persecuted we suffer it; being defamed we entreat; we
|
|
are made as the filth of the world, and as the
|
|
offscouring of all things unto this day.' Those ancient
|
|
and noble words to the Corinthians are strictly true at
|
|
this present hour."
|
|
|
|
"Not blows, father? He did not proceed to blows?"
|
|
|
|
"No, he did not. Though I have borne blows from men in
|
|
a mad state of intoxication."
|
|
|
|
"No!" "A dozen times, my boy. What then? I have saved
|
|
them from the guilt of murdering their own flesh and
|
|
blood thereby; and they have lived to thank me, and
|
|
praise God."
|
|
|
|
"May this young man do the same!" said Angel fervently.
|
|
"But I fear otherwise, from what you say."
|
|
|
|
"We'll hope, nevertheless," said Mr Clare. "And I
|
|
continue to pray for him, though on this side of the
|
|
grave we shall probably never meet again. But, after
|
|
all, one of those poor words of mine may spring up in
|
|
his heart as a good seed some day."
|
|
|
|
Now, as always, Clare's father was sanguine as a child;
|
|
and though the younger could not accept his parent's
|
|
narrow dogma he revered his practice, and recognized
|
|
the hero under the pietist. Perhaps he revered his
|
|
father's practice even more now than ever, seeing that,
|
|
in the question of making Tessy his wife, his father
|
|
had not once thought of inquiring whether she were well
|
|
provided or penniless. The same unworldliness was what
|
|
had necessitated Angel's getting a living as a farmer,
|
|
and would probably keep his brothers in the position of
|
|
poor parsons for the term of their activities; yet
|
|
Angel admired it none the less. Indeed, despite his
|
|
own heterodoxy, Angel often felt that he was nearer to
|
|
his father on the human side than was either of his
|
|
brethren.
|
|
|
|
|
|
|
|
XXVII
|
|
|
|
|
|
An up-hill and down-hill ride of twenty-odd miles
|
|
through a garish mid-day atmosphere brought him in the
|
|
afternoon to a detached knoll a mile or two west of
|
|
Talbothays, whence he again looked into that green
|
|
trough of sappiness and humidity, the valley of the Var
|
|
or Froom. Immediately he began to descend from the
|
|
upland to the fat alluvial soil below, the atmosphere
|
|
grew heavier; the languid perfume of the summer fruits,
|
|
the mists, the hay, the flowers, formed therein a vast
|
|
pool of odour which at this hour seemed to make the
|
|
animals, the very bees and butterflies drowsy. Clare
|
|
was now so familiar with the spot that he knew the
|
|
individual cows by their names when, a long distance
|
|
off, he saw them dotted about the meads. It was with a
|
|
sense of luxury that he recognized his power of viewing
|
|
life here from its inner side, in a way that had been
|
|
quite foreign to him in his student-days; and, much as
|
|
he loved his parents, he could not help being aware
|
|
that to come here, as now, after an experience of
|
|
home-life, affected him like throwing off splints and
|
|
bandages; even the one customary curb on the humours of
|
|
English rural societies being absent in this place,
|
|
Talbothays having no resident landlord.
|
|
|
|
Not a human being was out of doors at the dairy. The
|
|
denizens were all enjoying the usual afternoon nap of
|
|
an hour or so which the exceedingly early hours kept in
|
|
summer-time rendered a necessity. At the door the
|
|
wood-hooped pails, sodden and bleached by infinite
|
|
scrubbings, hung like hats on a stand upon the forked
|
|
and peeled limb of an oak fixed there for that purpose;
|
|
all of them ready and dry for the evening milking.
|
|
Angel entered, and went through the silent passages of
|
|
the house to the back quarters, where he listened for a
|
|
moment. Sustained snores came from the cart-house,
|
|
where some of the men were lying down; the grunt and
|
|
squeal of sweltering pigs arose from the still further
|
|
distance. The large-leaved rhubarb and cabbage plants
|
|
slept too, their broad limp surfaces hanging in the sun
|
|
like half-closed umbrellas.
|
|
|
|
He unbridled and fed his horse, and as he re-entered
|
|
the house the clock struck three. Three was the
|
|
afternoon skimming-hour; and, with the stroke, Clare
|
|
heard the creaking of the floor-boards above, and then
|
|
the touch of a descending foot on the stairs. It was
|
|
Tess's, who in another moment came down before his
|
|
eyes.
|
|
|
|
She had not heard him enter, and hardly realized his
|
|
presence there. She was yawning, and he saw the red
|
|
interior of her mouth as if it had been a snake's. She
|
|
had stretched one arm so high above her coiled-up cable
|
|
of hair that he could see its satin delicacy above the
|
|
sunburn; her face was flushed with sleep, and her
|
|
eyelids hung heavy over their pupils. The brim-fulness
|
|
of her nature breathed from her. It was a moment when a
|
|
woman's soul is more incarnate than at any other time;
|
|
when the most spiritual beauty bespeaks itself flesh;
|
|
and sex takes the outside place in the presentation.
|
|
|
|
Then those eyes flashed brightly through their filmy
|
|
heaviness, before the remainder of her face was well
|
|
awake. With an oddly compounded look of gladness,
|
|
shyness, and surprise, she exclaimed--"O Mr Clare!
|
|
How you frightened me--I----"
|
|
|
|
There had not at first been time for her to think of
|
|
the changed relations which his declaration had
|
|
introduced; but the full sense of the matter rose up in
|
|
her face when she encountered Clare's tender look as he
|
|
stepped forward to the bottom stair.
|
|
|
|
"Dear, darling Tessy!" he whispered, putting his arm
|
|
round her, and his face to her flushed cheek. "Don't,
|
|
for Heaven's sake, Mister me any more. I have hastened
|
|
back so soon because of you!"
|
|
|
|
Tess's excitable heart beat against his by way of
|
|
reply; and there they stood upon the red-brick floor of
|
|
the entry, the sun slanting in by the window upon his
|
|
back, as he held her tightly to his breast; upon her
|
|
inclining face, upon the blue veins of her temple, upon
|
|
her naked arm, and her neck, and into the depths of her
|
|
hair. Having been lying down in her clothes she was
|
|
warm as a sunned cat. At first she would not look
|
|
straight up at him, but her eyes soon lifted, and his
|
|
plumbed the deepness of the ever-varying pupils, with
|
|
their radiating fibrils of blue, and black, and gray,
|
|
and violet, while she regarded him as Eve at her second
|
|
waking might have regarded Adam.
|
|
|
|
"I've got to go a-skimming," she pleaded, "and I have
|
|
on'y old Deb to help me today. Mrs Crick is gone to
|
|
market with Mr Crick, and Retty is not well, and the
|
|
others are gone out somewhere, and won't be home till
|
|
milking."
|
|
|
|
As they retreated to the milk-house Deborah Fyander
|
|
appeared on the stairs.
|
|
|
|
"I have come back, Deborah," said Mr Clare, upwards.
|
|
"So I can help Tess with the skimming; and, as you are
|
|
very tired, I am sure, you needn't come down till
|
|
milking-time."
|
|
|
|
Possibly the Talbothays milk was not very thoroughly
|
|
skimmed that afternoon. Tess was in a dream wherein
|
|
familiar objects appeared as having light and shade and
|
|
position, but no particular outline. Every time she
|
|
held the skimmer under the pump to cool it for the work
|
|
her hand trembled, the ardour of his affection being so
|
|
palpable that she seemed to flinch under it like a
|
|
plant in too burning a sun.
|
|
|
|
Then he pressed her again to his side, and when she had
|
|
done running her forefinger round the leads to cut off
|
|
the cream-edge, he cleaned it in nature's way; for the
|
|
unconstrained manners of Talbothays dairy came
|
|
convenient now.
|
|
|
|
"I may as well say it now as later, dearest," he
|
|
resumed gently. "I wish to ask you something of a very
|
|
practical nature, which I have been thinking of ever
|
|
since that day last week in the meads. I shall soon
|
|
want to marry, and, being a farmer, you see I shall
|
|
require for my wife a woman who knows all about the
|
|
management of farms. Will you be that woman, Tessy?"
|
|
|
|
He put it that way that she might not think he had
|
|
yielded to an impulse of which his head would
|
|
disapprove.
|
|
|
|
She turned quite careworn. She had bowed to the
|
|
inevitable result of proximity, the necessity of loving
|
|
him; but she had not calculated upon this sudden
|
|
corollary, which, indeed, Clare had put before her
|
|
without quite meaning himself to do it so soon. With
|
|
pain that was like the bitterness of dissolution she
|
|
murmured the words of her indispensable and sworn
|
|
answer as an honourable woman.
|
|
|
|
"O Mr Clare--I cannot be your wife--I cannot be!"
|
|
|
|
The sound of her own decision seemed to break Tess's
|
|
very heart, and she bowed her face in her grief.
|
|
|
|
"But, Tess!" he said, amazed at her reply, and holding
|
|
her still more greedily close. "Do you say no? Surely
|
|
you love me?"
|
|
|
|
"O yes, yes! And I would rather by yours than
|
|
anybody's in the world," returned the sweet and honest
|
|
voice of the distressed girl. "But I CANNOT marry you!"
|
|
|
|
"Tess," he said, holding her at arm's length, "you are
|
|
engaged to marry some one else!"
|
|
|
|
"No, no!"
|
|
|
|
"Then why do you refuse me?"
|
|
|
|
"I don't want to marry! I have not thought of doing
|
|
it. I cannot! I only want to love you."
|
|
|
|
"But why?"
|
|
|
|
Driven to subterfuge, she stammered--
|
|
|
|
"Your father is a parson, and your mother wouldn' like
|
|
you to marry such as me. She will want you to marry a
|
|
lady."
|
|
|
|
"Nonsense--I have spoken to them both. That was partly
|
|
why I went home."
|
|
|
|
"I feel I cannot--never, never!" she echoed.
|
|
|
|
"Is it too sudden to be asked thus, my Pretty?"
|
|
|
|
"Yes--I did not expect it."
|
|
|
|
"If you will let it pass, please, Tessy, I will give
|
|
you time," he said. "It was very abrupt to come home
|
|
and speak to you all at once. I'll not allude to it
|
|
again for a while."
|
|
|
|
She again took up the shining skimmer, held it beneath
|
|
the pump, and began anew. But she could not, as at
|
|
other times, hit the exact under-surface of the cream
|
|
with the delicate dexterity required, try as she might;
|
|
sometimes she was cutting down into the milk, sometimes
|
|
in the air. She could hardly see, her eyes having
|
|
filled with two blurring tears drawn forth by a grief
|
|
which, to this her best friend and dear advocate she
|
|
could never explain.
|
|
|
|
"I can't skim--I can't!" she said, turning away from
|
|
him.
|
|
|
|
Not to agitate and hinder her longer the considerate
|
|
Clare began talking in a more general way:
|
|
|
|
"You quite misapprehend my parents. They are the most
|
|
simple-mannered people alive, and quite unambitious.
|
|
They are two of the few remaining Evangelical school.
|
|
Tessy, are you an Evangelical?"
|
|
|
|
"I don't know."
|
|
|
|
"You go to church very regularly, and our parson here
|
|
is not very High, they tell me."
|
|
|
|
Tess's ideas on the views of the parish clergyman, whom
|
|
she heard every week, seemed to be rather more vague
|
|
than Clare's, who had never heard him at all.
|
|
|
|
"I wish I could fix my mind on what I hear there more
|
|
firmly than I do," she remarked as a safe generality.
|
|
"It is often a great sorrow to me."
|
|
|
|
She spoke so unaffectedly that Angel was sure in his
|
|
heart that his father could not object to her on
|
|
religious grounds, even though she did not know whether
|
|
her principles were High, Low or Broad. He himself
|
|
knew that, in reality, the confused beliefs which she
|
|
held, apparently imbibed in childhood, were, if
|
|
anything, Tractarian as to phraseology, and Pantheistic
|
|
as to essence. Confused or otherwise, to disturb them
|
|
was his last desire:
|
|
|
|
Leave thou thy sister, when she prays,
|
|
Her early Heaven, her happy views;
|
|
Nor thou with shadow'd hint confuse
|
|
A life that leads melodious days.
|
|
|
|
He had occasionally thought the counsel less honest
|
|
than musical; but he gladly conformed to it now.
|
|
|
|
He spoke further of the incidents of his visit, of his
|
|
father's mode of life, of his zeal for his principles;
|
|
she grew serener, and the undulations disappeared from
|
|
her skimming; as she finished one lead after another he
|
|
followed her, and drew the plugs for letting down the
|
|
milk.
|
|
|
|
"I fancied you looked a little downcast when you came
|
|
in," she ventured to observe, anxious to keep away from
|
|
the subject of herself.
|
|
|
|
"Yes--well, my father had been talking a good deal to
|
|
me of his troubles and difficulties, and the subject
|
|
always tends to depress me. He is so zealous that he
|
|
gets many snubs and buffetings from people of a
|
|
different way of thinking from himself, and I don't
|
|
like to hear of such humiliations to a man of his age,
|
|
the more particularly as I don't think earnestness does
|
|
any good when carried so far. He has been telling me
|
|
of a very unpleasant scene in which he took part quite
|
|
recently. He went as the deputy of some missionary
|
|
society to preach in the neighbourhood of Trantridge, a
|
|
place forty miles from here, and made it his business
|
|
to expostulate with a lax young cynic he met with
|
|
somewhere about there--son of some landowner up that
|
|
way--and who has a mother afflicted with blindness. My
|
|
father addressed himself to the gentleman point-blank,
|
|
and there was quite a disturbance. It was very foolish
|
|
of my father, I must say, to intrude his conversation
|
|
upon a stranger when the probabilities were so obvious
|
|
that it would be useless. But whatever he thinks to be
|
|
his duty, that he'll do, in season or out of season;
|
|
and, of course, he makes many enemies, not only among
|
|
the absolutely vicious, but among the easy-going, who
|
|
hate being bothered. He says he glories in what
|
|
happened, and that good may be done indirectly; but I
|
|
wish he would not wear himself out now he is getting
|
|
old, and would leave such pigs to their wallowing."
|
|
|
|
Tess's look had grown hard and worn, and her ripe mouth
|
|
tragical; but she no longer showed any tremulousness.
|
|
Clare's revived thoughts of his father prevented his
|
|
noticing her particularly; and so they went on down the
|
|
white row of liquid rectangles till they had finished
|
|
and drained them off, when the other maids returned,
|
|
and took their pails, and Deb came to scald out the
|
|
leads for the new milk. As Tess withdrew to go afield
|
|
to the cows he said to her softly--
|
|
|
|
"And my question, Tessy?"
|
|
|
|
"O no--no!" replied she with grave hopelessness, as one
|
|
who had heard anew the turmoil of her own past in the
|
|
allusion to Alec d'Urberville. "It CAN'T be!"
|
|
|
|
She went out towards the mead, joining the other
|
|
milkmaids with a bound, as if trying to make the open
|
|
air drive away her sad constraint. All the girls drew
|
|
onward to the spot where the cows were grazing in the
|
|
farther mead, the bevy advancing with the bold grace of
|
|
wild animals--the reckless unchastened motion of women
|
|
accustomed to unlimited space--in which they abandoned
|
|
themselves to the air as a swimmer to the wave. It
|
|
seemed natural enough to him now that Tess was again in
|
|
sight to choose a mate from unconstrained Nature, and
|
|
not from the abodes of Art.
|
|
|
|
|
|
|
|
XXVIII
|
|
|
|
|
|
Her refusal, though unexpected, did not permanently
|
|
daunt Clare. His experience of women was great enough
|
|
for him to be aware that the negative often meant
|
|
nothing more than the preface to the affirmative; and
|
|
it was little enough for him not to know that in the
|
|
manner of the present negative there lay a great
|
|
exception to the dallyings of coyness. That she had
|
|
already permitted him to make love to her he read as an
|
|
additional assurance, not fully trowing that in the
|
|
fields and pastures to "sigh gratis" is by no means
|
|
deemed waste; love-making being here more often
|
|
accepted inconsiderately and for its own sweet sake
|
|
than in the carking anxious homes of the ambitious,
|
|
where a girl's craving for an establishment paralyzes
|
|
her healthy thought of a passion as an end.
|
|
|
|
"Tess, why did you say 'no' in such a positive way?"
|
|
he asked her in the course of a few days.
|
|
|
|
She started.
|
|
|
|
"Don't ask me. I told you why--partly. I am not good
|
|
enough--not worthy enough."
|
|
|
|
"How? Not fine lady enough?"
|
|
|
|
"Yes--something like that," murmured she. "Your
|
|
friends would scorn me."
|
|
|
|
"Indeed, you mistake them--my father and mother.
|
|
As for my brothers, I don't care----" He clasped his
|
|
fingers behind her back to keep her from slipping away.
|
|
"Now--you did not mean it, sweet?--I am sure you did
|
|
not! You have made me so restless that I cannot read,
|
|
or play, or do anything. I am in no hurry, Tess, but I
|
|
want to know--to hear from your own warm lips--that you
|
|
will some day be mine--any time you may choose; but
|
|
some day?"
|
|
|
|
She could only shake her head and look away from him.
|
|
|
|
Clare regarded her attentively, conned the characters
|
|
of her face as if they had been hieroglyphics. The
|
|
denial seemed real.
|
|
|
|
"Then I ought not to hold you in this way--ought I?
|
|
I have no right to you--no right to seek out where you
|
|
are, or walk with you! Honestly, Tess, do you love any
|
|
other man?"
|
|
|
|
"How can you ask?" she said, with continued self-suppression.
|
|
|
|
"I almost know that you do not. But then, why do you
|
|
repulse me?"
|
|
|
|
"I don't repulse you. I like you to--tell me you love
|
|
me; and you may always tell me so as you go about with
|
|
me--and never offend me."
|
|
|
|
"But you will not accept me as a husband?"
|
|
|
|
"Ah--that's different--it is for your good, indeed, my
|
|
dearest! O, believe me, it is only for your sake!
|
|
I don't like to give myself the great happiness o'
|
|
promising to be yours in that way--because--because I
|
|
am SURE I ought not to do it."
|
|
|
|
"But you will make me happy!"
|
|
|
|
"Ah--you think so, but you don't know!"
|
|
|
|
At such times as this, apprehending the grounds of her
|
|
refusal to be her modest sense of incompetence in
|
|
matters social and polite, he would say that she was
|
|
wonderfully well-informed and versatile--which was
|
|
certainly true, her natural quickness, and her
|
|
admiration for him, having led her to pick up his
|
|
vocabulary, his accent, and fragments of his knowledge,
|
|
to a surprising extent. After these tender contests
|
|
and her victory she would go away by herself under the
|
|
remotest cow, if at milking-time, or into the sedge, or
|
|
into her room, if at a leisure interval, and mourn
|
|
silently, not a minute after an apparently phlegmatic
|
|
negative.
|
|
|
|
The struggle was so fearful; her own heart was so
|
|
strongly on the side of his--two ardent hearts against
|
|
one poor little conscience--that she tried to fortify
|
|
her resolution by every means in her power. She had
|
|
come to Talbothays with a made-up mind. On no account
|
|
could she agree to a step which might afterwards cause
|
|
bitter rueing to her husband for his blindness in
|
|
wedding her. And she held that what her conscience had
|
|
decided for her when her mind was unbiassed ought not
|
|
to be overruled now.
|
|
|
|
"Why don't somebody tell him all about me?" she said.
|
|
"It was only forty miles off--why hasn't it reached
|
|
here? Somebody must know!"
|
|
|
|
Yet nobody seemed to know; nobody told him.
|
|
|
|
For two or three days no more was said. She guessed
|
|
from the sad countenances of her chamber companions
|
|
that they regarded her not only as the favourite, but
|
|
as the chosen; but they could see for themselves that
|
|
she did not put herself in his way.
|
|
|
|
Tess had never before known a time in which the thread
|
|
of her life was so distinctly twisted of two strands,
|
|
positive pleasure and positive pain. At the next
|
|
cheese-making the pair were again left alone together.
|
|
The dairyman himself had been lending a hand; but Mr
|
|
Crick, as well as his wife, seemed latterly to have
|
|
acquired a suspicion of mutual interest between these
|
|
two; though they walked so circumspectly that suspicion
|
|
was but of the faintest. Anyhow, the dairyman left them
|
|
to themselves.
|
|
|
|
They were breaking up the masses of curd before putting
|
|
them into the vats. The operation resembled the act of
|
|
crumbling bread on a large scale; and amid the
|
|
immaculate whiteness of the curds Tess Durbeyfield's
|
|
hands showed themselves of the pinkness of the rose.
|
|
Angel, who was filling the vats with his handful,
|
|
suddenly ceased, and laid his hands flat upon hers.
|
|
Her sleeves were rolled far above the elbow, and
|
|
bending lower he kissed the inside vein of her soft arm.
|
|
|
|
Although the early September weather was sultry, her
|
|
arm, from her dabbling in the curds, was as cold and
|
|
damp to his mouth as a new-gathered mushroom, and
|
|
tasted of the whey. But she was such a sheaf of
|
|
susceptibilities that her pulse was accelerated by the
|
|
touch, her blood driven to her finder-ends, and the
|
|
cool arms flushed hot. Then, as though her heart had
|
|
said, "Is coyness longer necessary? Truth is truth
|
|
between man and woman, as between man and man," she
|
|
lifted her eyes and they beamed devotedly into his, as
|
|
her lip rose in a tender half-smile.
|
|
|
|
"Do you know why I did that, Tess?" he said.
|
|
|
|
"Because you love me very much!"
|
|
|
|
"Yes, and as a preliminary to a new entreaty."
|
|
|
|
"Not AGAIN!"
|
|
|
|
She looked a sudden fear that her resistance might
|
|
break down under her own desire.
|
|
|
|
"O, Tessy!" he went on, "I CANNOT think why you are so
|
|
tantalizing. Why do you disappoint me so? You seem
|
|
almost like a coquette, upon my life you do--a coquette
|
|
of the first urban water! They blow hot and blow cold,
|
|
just as you do, and it is the very last sort of thing
|
|
to expect to find in a retreat like Talbothays. ... And
|
|
yet, dearest," he quickly added, observing now the
|
|
remark had cut her, "I know you to be the most honest,
|
|
spotless creature that ever lived. So how can I
|
|
suppose you a flirt? Tess, why don't you like the idea
|
|
of being my wife, if you love me as you seem to do?"
|
|
|
|
"I have never said I don't like the idea, and I never
|
|
could say it; because--it isn't true!"
|
|
|
|
The stress now getting beyond endurance her lip
|
|
quivered, and she was obliged to go away. Clare was so
|
|
pained and perplexed that he ran after and caught her
|
|
in the passage.
|
|
|
|
"Tell me, tell me!" he said, passionately clasping her,
|
|
in forgetfulness of his curdy hands: "do tell me that
|
|
you won't belong to anybody but me!"
|
|
|
|
"I will, I will tell you!" she exclaimed. "And I will
|
|
give you a complete answer, if you will let me go now.
|
|
I will tell you my experiences--all about myself--all!"
|
|
|
|
"Your experiences, dear; yes, certainly; and number."
|
|
He expressed assent in loving satire, looking into her
|
|
face. "My Tess, no doubt, almost as many experiences as
|
|
that wild convolvulus out there on the garden hedge,
|
|
that opened itself this morning for the first time.
|
|
Tell me anything, but don't use that wretched
|
|
expression any more about not being worthy of me."
|
|
|
|
"I will try--not! And I'll give you my reasons
|
|
tomorrow--next week."
|
|
|
|
"Say on Sunday?"
|
|
|
|
"Yes, on Sunday."
|
|
|
|
At last she got away, and did not stop in her retreat
|
|
till she was in the thicket of pollard willows at the
|
|
lower side of the barton, where she could be quite
|
|
unseen. Here Tess flung herself down upon the rustling
|
|
undergrowth of spear-grass, as upon a bed, and
|
|
remained crouching in palpitating misery broken by
|
|
momentary shoots of joy, which her fears about the
|
|
ending could not altogether suppress.
|
|
|
|
In reality, she was drifting into acquiescence. Every
|
|
see-saw of her breath, every wave of her blood, every
|
|
pulse singing in her ears, was a voice that joined with
|
|
nature in revolt against her scrupulousness. Reckless,
|
|
inconsiderate acceptance of him; to close with him at
|
|
the altar, revealing nothing, and chancing discovery;
|
|
to snatch ripe pleasure before the iron teeth of pain
|
|
could have time to shut upon her: that was what love
|
|
counselled; and in almost a terror of ecstasy Tess
|
|
divined that, despite her many months of lonely
|
|
self-chastisement, wrestlings, communings, schemes to
|
|
lead a future of austere isolation, love's counsel
|
|
would prevail.
|
|
|
|
The afternoon advanced, and still she remained among
|
|
the willows. She heard the rattle of taking down the
|
|
pails from the forked stands; the "waow-waow!" which
|
|
accompanied the getting together of the cows. But she
|
|
did not go to the milking. They would see her
|
|
agitation; and the dairyman, thinking the cause to be
|
|
love alone, would good-naturedly tease her; and that
|
|
harassment could not be borne.
|
|
|
|
Her lover must have guessed her overwrought state, and
|
|
invented some excuse for her non-appearance, for no
|
|
inquiries were made or calls given. At half-past six
|
|
the sun settled down upon the levels, with the aspect
|
|
of a great forge in the heavens; and presently a
|
|
monstrous pumpkin-like moon arose on the other hand.
|
|
The pollard willows, tortured out of their natural
|
|
shape by incessant choppings, became spiny-haired
|
|
monsters as they stood up against it. She went in,
|
|
and upstairs without a light.
|
|
|
|
It was now Wednesday. Thursday came, and Angel looked
|
|
thoughtfully at her from a distance, but intruded in no
|
|
way upon her. The indoor milkmaids, Marian and the
|
|
rest, seemed to guess that something definite was
|
|
afoot, for they did not force any remarks upon her in
|
|
the bedchamber. Friday passed; Saturday. Tomorrow was
|
|
the day.
|
|
|
|
"I shall give way--I shall say yes--I shall let myself
|
|
marry him--I cannot help it!" she jealously panted,
|
|
with her hot face to the pillow that night, on hearing
|
|
one of the other girls sigh his name in her sleep.
|
|
"I can't bear to let anybody have him but me! Yet it is a
|
|
wrong to him, and may kill him when he knows! O my
|
|
heart--O--O--O!"
|
|
|
|
|
|
|
|
XXIX
|
|
|
|
|
|
"Now, who mid ye think I've heard news o' this
|
|
morning?" said Dairyman Crick, as he sat down to
|
|
breakfast next day, with a riddling gaze round upon the
|
|
munching men and maids. "Now, just who mid ye think?"
|
|
|
|
One guessed, and another guessed. Mrs Crick did not
|
|
guess, because she knew already.
|
|
|
|
"Well," said the dairyman, "'tis that slack-twisted
|
|
'hore's-bird of a feller, Jack Dollop. He's lately
|
|
got married to a widow-woman."
|
|
|
|
"Not Jack Dollop? A villain--to think o' that!" said a
|
|
milker.
|
|
|
|
The name entered quickly into Tess Durbeyfield's
|
|
consciousness, for it was the name of the lover who had
|
|
wronged his sweetheart, and had afterwards been so
|
|
roughly used by the young woman's mother in the
|
|
butter-churn.
|
|
|
|
"And had he married the valiant matron's daughter, as
|
|
he promised?" asked Angel Clare absently, as he turned
|
|
over the newspaper he was reading at the little table
|
|
to which he was always banished by Mrs Crick, in her
|
|
sense of his gentility.
|
|
|
|
"Not he, sir. Never meant to," replied the dairyman.
|
|
"As I say, 'tis a widow-woman, and she had money, it
|
|
seems--fifty poun' a year or so; and that was all he
|
|
was after. They were married in a great hurry; and
|
|
then she told him that by marrying she had lost her
|
|
fifty poun' a year. Just fancy the state o' my
|
|
gentleman's mind at that news! Never such a cat-
|
|
and-dog life as they've been leading ever since! Serve
|
|
him will beright. But onluckily the poor woman gets
|
|
the worst o't."
|
|
|
|
"Well, the silly body should have told en sooner that
|
|
the ghost of her first man would trouble him," said Mrs
|
|
Crick.
|
|
|
|
"Ay; ay," responded the dairyman indecisively.
|
|
"Still, you can see exactly how 'twas. She wanted a home,
|
|
and didn't like to run the risk of losing him. Don't ye
|
|
think that was something like it, maidens?"
|
|
|
|
He glanced towards the row of girls.
|
|
|
|
"She ought to ha' told him just before they went to
|
|
church, when he could hardly have backed out,"
|
|
exclaimed Marian.
|
|
|
|
"Yes, she ought," agreed Izz.
|
|
|
|
"She must have seen what he was after, and should ha'
|
|
refused him," cried Retty spasmodically.
|
|
|
|
"And what do you say, my dear?" asked the dairyman of
|
|
Tess.
|
|
|
|
"I think she ought--to have told him the true state of
|
|
things--or else refused him--I don't know," replied
|
|
Tess, the bread-and-butter choking her.
|
|
|
|
"Be cust if I'd have done either o't," said Beck
|
|
Knibbs, a married helper from one of the cottages.
|
|
"All's fair in love and war. I'd ha' married en just
|
|
as she did, and if he'd said two words to me about not
|
|
telling him beforehand anything whatsomdever about my
|
|
first chap that I hadn't chose to tell, I'd ha' knocked
|
|
him down wi' the rolling-pin--a scram little feller
|
|
like he! Any woman could do it."
|
|
|
|
The laughter which followed this sally was supplemented
|
|
only by a sorry smile, for form's sake, from Tess.
|
|
What was comedy to them was tragedy to her; and she
|
|
could hardly bear their mirth. She soon rose from
|
|
table, and, with an impression that Clare would soon
|
|
follow her, went along a little wriggling path, now
|
|
stepping to one side of the irrigating channels, and
|
|
now to the other, till she stood by the main stream of
|
|
the Var. Men had been cutting the water-weeds higher
|
|
up the river, and masses of them were floating past
|
|
her--moving islands of green crow-foot, whereon she
|
|
might almost have ridden; long locks of which weed had
|
|
lodged against the piles driven to keep the cows from
|
|
crossing.
|
|
|
|
Yes, there was the pain of it. This question of a
|
|
woman telling her story--the heaviest of crosses to
|
|
herself--seemed but amusement to others. It was as if
|
|
people should laugh at martyrdom.
|
|
|
|
"Tessy!" came from behind her, and Clare sprang across
|
|
the gully, alighting beside her feet. "My wife--soon!"
|
|
|
|
"No, no; I cannot. For your sake, O Mr Clare; for your
|
|
sake, I say no!"
|
|
|
|
"Tess!"
|
|
|
|
"Still I say no!" she repeated.
|
|
|
|
Not expecting this he had put his arm lightly round her
|
|
waist the moment after speaking, beneath her hanging
|
|
tail of hair. (The younger dairymaids, including Tess,
|
|
breakfasted with their hair loose on Sunday mornings
|
|
before building it up extra high for attending church,
|
|
a style they could not adopt when milking with their
|
|
heads against the cows.) If she had said "Yes" instead
|
|
of "No" he would have kissed her; it had evidently been
|
|
his intention; but her determined negative deterred his
|
|
scrupulous heart. Their condition of domiciliary
|
|
comradeship put her, as the woman, to such disadvantage
|
|
by its enforced intercourse, that he felt it unfair to
|
|
her to exercise any pressure of blandishment which he
|
|
might have honestly employed had she been better able
|
|
to avoid him. He release her momentarily-imprisoned
|
|
waist, and withheld the kiss.
|
|
|
|
It all turned on that release. What had given her
|
|
strength to refuse him this time was solely the tale of
|
|
the widow told by the dairyman; and that would have
|
|
been overcome in another moment. But Angel said no
|
|
more; his face was perplexed; he went away.
|
|
|
|
Day after day they met--somewhat less constantly than
|
|
before; and thus two or three weeks went by. The end
|
|
of September drew near, and she could see in his eye
|
|
that he might ask her again.
|
|
|
|
His plan of procedure was different now--as though he
|
|
had made up his mind that her negatives were, after
|
|
all, only coyness and youth startled by the novelty of
|
|
the proposal. The fitful evasiveness of her manner when
|
|
the subject was under discussion countenanced the idea.
|
|
So he played a more coaxing game; and while never going
|
|
beyond words, or attempting the renewal of caresses, he
|
|
did his utmost orally.
|
|
|
|
In this way Clare persistently wooed her in undertones
|
|
like that of the purling milk--at the cow's side, at
|
|
skimmings, at butter-makings, at cheese-makings, among
|
|
broody poultry, and among farrowing pigs--as no
|
|
milkmaid was ever wooed before by such a man.
|
|
|
|
Tess knew that she must break down. Neither a
|
|
religious sense of a certain moral validity in the
|
|
previous union nor a conscientious wish for candour
|
|
could hold out against it much longer. She loved him
|
|
so passionately, and he was so godlike in her eyes; and
|
|
being, though untrained, instinctively refined, her
|
|
nature cried for his tutelary guidance. And thus,
|
|
though Tess kept repeating to herself, "I can never be
|
|
his wife," the words were vain. A proof of her
|
|
weakness lay in the very utterance of what calm
|
|
strength would not have taken the trouble to formulate.
|
|
Every sound of his voice beginning on the old subject
|
|
stirred her with a terrifying bliss, and she coveted
|
|
the recantation she feared.
|
|
|
|
His manner was--what man's is not?--so much that of one
|
|
who would love and cherish and defend her under any
|
|
conditions, changes, charges, or revelations, that her
|
|
gloom lessened as she basked in it. The season
|
|
meanwhile was drawing onward to the equinox, and though
|
|
it was still fine, the days were much shorter. The
|
|
dairy had again worked by morning candlelight for a
|
|
long time; and a fresh renewal of Clare's pleading
|
|
occurred one morning between three and four.
|
|
|
|
She had run up in her bedgown to his door to call him
|
|
as usual; then had gone back to dress and call the
|
|
others; and in ten minutes was walking to the head of
|
|
the stairs with the candle in her hand. At the same
|
|
moment he came down his steps from above in his
|
|
shirt-sleeves and put his arm across the stairway.
|
|
|
|
"Now, Miss Flirt, before you go down," he said
|
|
peremptorily. "It is a fortnight since I spoke, and
|
|
this won't do any longer. You MUST tell me what you
|
|
mean, or I shall have to leave this house. My door was
|
|
ajar just now, and I saw you. For your own safety I
|
|
must go. You don't know. Well? Is it to be yes at
|
|
last?"
|
|
|
|
"I am only just up, Mr Clare, and it is too early to
|
|
take me to task!" she pouted. "You need not call me
|
|
Flirt. 'Tis cruel and untrue. Wait till by and by.
|
|
Please wait till by and by! I will really think
|
|
seriously about it between now and then. Let me go
|
|
downstairs!"
|
|
|
|
She looked a little like what he said she was as,
|
|
holding the candle sideways, she tried to smile away
|
|
the seriousness of her words.
|
|
|
|
"Call me Angel, then and not Mr Clare."
|
|
|
|
"Angel."
|
|
|
|
"Angel dearest--why not?"
|
|
|
|
"'Twould mean that I agree, wouldn't it?" "It would
|
|
only mean that you love me, even if you cannot marry
|
|
me; and you were so good as to own that long ago."
|
|
|
|
"Very well, then, 'Angel dearest', if I MUST," she
|
|
murmured, looking at her candle, a roguish curl coming
|
|
upon her mouth, notwithstanding her suspense.
|
|
|
|
Clare had resolved never to kiss her until he had
|
|
obtained her promise; but somehow, as Tess stood there
|
|
in her prettily tucked-up milking gown, her hair
|
|
carelessly heaped upon her head till there should be
|
|
leisure to arrange it when skimming and milking were
|
|
done, he broke his resolve, and brought his lips to her
|
|
cheek for one moment. She passed downstairs very
|
|
quickly, never looking back at him or saying another
|
|
word. The other maids were already down, and the
|
|
subject was not pursued. Except Marian, they all
|
|
looked wistfully and suspiciously at the pair, in the
|
|
sad yellow rays which the morning candles emitted in
|
|
contrast with the first cold signals of the dawn
|
|
without.
|
|
|
|
When skimming was done--which, as the milk diminished
|
|
with the approach of autumn, was a lessening process
|
|
day by day--Retty and the rest went out. The lovers
|
|
followed them.
|
|
|
|
"Our tremulous lives are so different from theirs, are
|
|
they not?" he musingly observed to her, as he regarded
|
|
the three figures tripping before him through the
|
|
frigid pallor of opening day.
|
|
|
|
"Not so very different, I think," she said.
|
|
|
|
"Why do you think that?"
|
|
|
|
"There are very few women's lives that are
|
|
not--tremulous," Tess replied, pausing over the new
|
|
word as if it impressed her. "There's more in those
|
|
three than you think."
|
|
|
|
"What is in them?"
|
|
|
|
"Almost either of 'em," she began, "would make--perhaps
|
|
would make--a properer wife than I. And perhaps they
|
|
love you as well as I--almost."
|
|
|
|
"O, Tessy!"
|
|
|
|
There were signs that it was an exquisite relief to her
|
|
to hear the impatient exclamation, though she had
|
|
resolved so intrepidly to let generosity make one bid
|
|
against herself. That was now done, and she had not the
|
|
power to attempt self-immolation a second time then.
|
|
They were joined by a milker from one of the cottages,
|
|
and no more was said on that which concerned them so
|
|
deeply. But Tess knew that this day would decide it.
|
|
|
|
In the afternoon several of the dairyman's household
|
|
and assistants went down to the meads as usual, a long
|
|
way from the dairy, where many of the cows were milked
|
|
without being driven home. The supply was getting less
|
|
as the animals advanced in calf, and the supernumerary
|
|
milkers of the lush green season had been dismissed.
|
|
|
|
The work progressed leisurely. Each pailful was poured
|
|
into tall cans that stood in a large spring-waggon
|
|
which had been brought upon the scene; and when they
|
|
were milked the cows trailed away. Dairyman Crick, who
|
|
was there with the rest, his wrapper gleaming
|
|
miraculously white against a leaden evening sky,
|
|
suddenly looked at his heavy watch.
|
|
|
|
"Why, 'tis later than I thought," he said. "Begad! We
|
|
shan't be soon enough with this milk at the station, if
|
|
we don't mind. There's no time today to take it home
|
|
and mix it with the bulk afore sending off. It must go
|
|
to station straight from here. Who'll drive it
|
|
across?"
|
|
|
|
Mr Clare volunteered to do so, though it was none of
|
|
his business, asking Tess to accompany him. The
|
|
evening, though sunless, had been warm and muggy for
|
|
the season, and Tess had come out with her milking-hood
|
|
only, naked-armed and jacketless; certainly not dressed
|
|
for a drive. She therefore replied by glancing over
|
|
her scant habiliments; but Clare gently urged her. She
|
|
assented by relinquishing her pail and stool to the
|
|
dairyman to take home; and mounted the spring-waggon
|
|
beside Clare.
|
|
|
|
|
|
|
|
XXX
|
|
|
|
|
|
In the diminishing daylight they went along the level
|
|
roadway through the meads, which stretched away into
|
|
gray miles, and were backed in the extreme edge of
|
|
distance by the swarthy and abrupt slopes of Egdon
|
|
Heath. On its summit stood clumps and stretches of
|
|
fir-trees, whose notched tips appeared like
|
|
battlemented towers crowning black-fronted castles of
|
|
enchantment.
|
|
|
|
They were so absorbed in the sense of being close to
|
|
each other that they did not begin talking for a long
|
|
while, the silence being broken only by the clucking of
|
|
the milk in the tall cans behind them. The lane they
|
|
followed was so solitary that the hazel nuts had
|
|
remained on the boughs till they slipped from their
|
|
shells, and the blackberries hung in heavy clusters.
|
|
Every now and then Angel would fling the lash of his
|
|
whip round one of these, pluck it off, and give it to
|
|
his companion.
|
|
|
|
The dull sky soon began to tell its meaning by sending
|
|
down herald-drops of rain, and the stagnant air of the
|
|
day changed into a fitful breeze which played about
|
|
their faces. The quick-silvery glaze on the rivers and
|
|
pools vanished; from broad mirrors of light they
|
|
changed to lustreless sheets of lead, with a surface
|
|
like a rasp. But that spectacle did not affect her
|
|
preoccupation. Her countenance, a natural carnation
|
|
slightly embrowned by the season, had deepened its
|
|
tinge with the beating of the rain-drops; and her hair,
|
|
which the pressure of the cows' flanks had, as usual,
|
|
caused to tumble down from its fastenings and stray
|
|
beyond the curtain of her calico bonnet, was made
|
|
clammy by the moisture, till it hardly was better than
|
|
seaweed.
|
|
|
|
"I ought not to have come, I suppose," she murmured,
|
|
looking at the sky.
|
|
|
|
"I am sorry for the rain," said he. "But how glad I am
|
|
to have you here!"
|
|
|
|
Remote Egdon disappeared by degree behind the liquid
|
|
gauze. The evening grew darker, and the roads being
|
|
crossed by gates it was not safe to drive faster than
|
|
at a walking pace. The air was rather chill.
|
|
|
|
"I am so afraid you will get cold, with nothing upon
|
|
your arms and shoulders," he said. "Creep close to me,
|
|
and perhaps the drizzle won't hurt you much. I should
|
|
be sorrier still if I did not think that the rain might
|
|
be helping me."
|
|
|
|
She imperceptibly crept closer, and he wrapped round
|
|
them both a large piece of sail-cloth, which was
|
|
sometimes used to keep the sun off the milk-cans.
|
|
Tess held it from slipping off him as well as herself,
|
|
Clare's hands being occupied.
|
|
|
|
"Now we are all right again. Ah--no we are not! It
|
|
runs down into my neck a little, and it must still more
|
|
into yours. That's better. Your arms are like wet
|
|
marble, Tess. Wipe them in the cloth. Now, if you
|
|
stay quiet, you will not get another drop. Well,
|
|
dear--about that question of mine--that long-standing
|
|
question?"
|
|
|
|
The only reply that he could hear for a little while
|
|
was the smack of the horse's hoofs on the moistening
|
|
road, and the cluck of the milk in the cans behind
|
|
them.
|
|
|
|
"Do you remember what you said?"
|
|
|
|
"I do," she replied.
|
|
|
|
"Before we get home, mind."
|
|
|
|
"I'll try."
|
|
|
|
He said no more then. As they drove on the fragment of
|
|
an old manor house of Caroline date rose against the
|
|
sky, and was in due course passed and left behind.
|
|
|
|
"That," he observed, to entertain her, "is an
|
|
interesting old place--one of the several seats which
|
|
belonged to an ancient Norman family formerly of great
|
|
influence in this county, the d'Urbervilles. I never
|
|
pass one of their residences without thinking of them.
|
|
There is something very sad in the extinction of a
|
|
family of renown, even if it was fierce, domineering,
|
|
feudal renown."
|
|
|
|
"Yes," said Tess.
|
|
|
|
They crept along towards a point in the expanse of
|
|
shade just at hand at which a feeble light was
|
|
beginning to assert its presence, a spot where, by day,
|
|
a fitful white streak of steam at intervals upon the
|
|
dark green background denoted intermittent moments of
|
|
contact between their secluded world and modern life.
|
|
Modern life stretched out its steam feeler to this
|
|
point three or four times a day, touched the native
|
|
existences, and quickly withdrew its feeler again, as
|
|
if what it touched had been uncongenial.
|
|
|
|
They reached the feeble light, which came from the
|
|
smoky lamp of a little railway station; a poor enough
|
|
terrestrial star, yet in one sense of more importance
|
|
to Talbothays Dairy and mankind than the celestial ones
|
|
to which it stood in such humiliating contrast. The
|
|
cans of new milk were unladen in the rain, Tess getting
|
|
a little shelter from a neighbouring holly tree.
|
|
|
|
Then there was the hissing of a train, which drew up
|
|
almost silently upon the wet rails, and the milk was
|
|
rapidly swung can by can into the truck. The light of
|
|
the engine flashed for a second upon Tess Durbeyfield's
|
|
figure, motionless under the great holly tree. No
|
|
object could have looked more foreign to the gleaming
|
|
cranks and wheels than this unsophisticated girl, with
|
|
the round bare arms, the rainy face and hair, the
|
|
suspended attitude of a friendly leopard at pause, the
|
|
print gown of no date or fashion, and the cotton bonnet
|
|
drooping on her brow.
|
|
|
|
She mounted again beside her lover, with a mute
|
|
obedience characteristic of impassioned natures at
|
|
times, and when they had wrapped themselves up over
|
|
head and ears in the sailcloth again, they plunged back
|
|
into the now thick night. Tess was so receptive that
|
|
the few minutes of contact with the whirl of material
|
|
progress lingered in her thought.
|
|
|
|
"Londoners will drink it at their breakfasts tomorrow,
|
|
won't they?" she asked. "Strange people that we have
|
|
never seen."
|
|
|
|
"Yes--I suppose they will. Though not as we send it.
|
|
When its strength has been lowered, so that it may not
|
|
get up into their heads."
|
|
|
|
"Noble men and noble women, ambassadors and centurions,
|
|
ladies and tradeswomen, and babies who have never seen
|
|
a cow."
|
|
|
|
"Well, yes; perhaps; particularly centurions."
|
|
|
|
"Who don't know anything of us, and where it comes
|
|
from; or think how we two drove miles across the moor
|
|
tonight in the rain that it might reach 'em in time?"
|
|
|
|
"We did not drive entirely on account of these precious
|
|
Londoners; we drove a little on our own--on account of
|
|
that anxious matter which you will, I am sure, set at
|
|
rest, dear Tess. Now, permit me to put it in this way.
|
|
You belong to me already, you know; your heart, I mean.
|
|
Does it not?"
|
|
|
|
"You know as well as I. O yes--yes!"
|
|
|
|
"Then, if your heart does, why not your hand?"
|
|
|
|
"My only reason was on account of you--on account of a
|
|
question. I have something to tell you----"
|
|
|
|
"But suppose it to be entirely for my happiness, and my
|
|
worldly convenience also?"
|
|
|
|
"O yes; if it is for your happiness and worldly
|
|
convenience. But my life before I came here--I
|
|
want----"
|
|
|
|
"Well, it is for my convenience as well as my
|
|
happiness. If I have a very large farm, either English
|
|
or colonial, you will be invaluable as a wife to me;
|
|
better than a woman out of the largest mansion in the
|
|
country. So please--please, dear Tessy, disabuse your
|
|
mind of the feeling that you will stand in my way."
|
|
|
|
"But my history. I want you to know it--you must let
|
|
me tell you--you will not like me so well!"
|
|
|
|
"Tell it if you wish to, dearest. This precious
|
|
history then. Yes, I was born at so and so, Anno
|
|
Domini----"
|
|
|
|
"I was born at Marlott," she said, catching at his
|
|
words as a help, lightly as they were spoken. "And I
|
|
grew up there. And I was in the Sixth Standard when I
|
|
left school, and they said I had great aptness, and
|
|
should make a good teacher, so it was settled that I
|
|
should be one. But there was trouble in my family;
|
|
father was not very industrious, and he drank a
|
|
little."
|
|
|
|
"Yes, yes. Poor child! Nothing new." He pressed her
|
|
more closely to his side.
|
|
|
|
"And then--there is something very unusual about
|
|
it--about me. I--I was----"
|
|
|
|
Tess's breath quickened.
|
|
|
|
"Yes, dearest. Never mind."
|
|
|
|
"I--I--am not a Durbeyfield, but a d'Urberville--a
|
|
descendant of the same family as those that owned the
|
|
old house we passed. And--we are all gone to nothing!"
|
|
"A d'Urberville!--Indeed! And is that all the trouble,
|
|
dear Tess?"
|
|
|
|
"Yes," she answered faintly.
|
|
|
|
"Well--why should I love you less after knowing this?"
|
|
|
|
"I was told by the dairyman that you hated old
|
|
families."
|
|
|
|
He laughed.
|
|
|
|
"Well, it is true, in one sense. I do hate the
|
|
aristocratic principle of blood before everything, and
|
|
do think that as reasoners the only pedigrees we ought
|
|
to respect are those spiritual ones of the wise and
|
|
virtuous, without regard to corporal paternity. But I
|
|
am extremely interested in this news--you can have no
|
|
idea how interested I am! Are you not interested
|
|
yourself in being one of that well-known line?"
|
|
|
|
"No. I have thought it sad--especially since coming
|
|
here, and knowing that many of the hills and fields I
|
|
see once belonged to my father's people. But other
|
|
hills and field belonged to Retty's people, and perhaps
|
|
others to Marian's, so that I don't value it
|
|
particularly."
|
|
|
|
"Yes--it is surprising how many of the present tillers
|
|
of the soil were once owners of it, and I sometimes
|
|
wonder that a certain school of politicians don't make
|
|
capital of the circumstance; but they don't seem to
|
|
know it.... I wonder that I did not see the resemblance
|
|
of your name of d'Urberville, and trace the manifest
|
|
corruption. And this was the carking secret!"
|
|
|
|
She had not told. At the last moment her courage had
|
|
failed her, she feared his blame for not telling him
|
|
sooner; and her instinct of self-preservation was
|
|
stronger than her candour.
|
|
|
|
"Of course," continued the unwitting Clare, "I should
|
|
have been glad to know you to be descended exclusively
|
|
from the long-suffering, dumb, unrecorded rank and file
|
|
of the English nation, and not from the self-seeking
|
|
few who made themselves powerful at the expense of the
|
|
rest. But I am corrupted away from that by my
|
|
affection for you, Tess (he laughed as he spoke), and
|
|
made selfish likewise. For your own sake I rejoice in
|
|
your descent. Society is hopelessly snobbish, and this
|
|
fact of your extraction may make an appreciable
|
|
difference to its acceptance of you as my wife, after I
|
|
have made you the well-read woman that I mean to make
|
|
you. My mother too, poor soul, will think so much
|
|
better of you on account of it. Tess, you must spell
|
|
your name correctly--d'Urberville--from this very day."
|
|
|
|
"I like the other way rather best."
|
|
|
|
"But you MUST, dearest! Good heavens, why dozens of
|
|
mushroom millionaires would jump at such a possession!
|
|
By the bye, there's one of that kidney who has taken
|
|
the name--where have I heard of him?--Up in the
|
|
neighbourhood of The Chase, I think. Why, he is the
|
|
very man who had that rumpus with my father I told you
|
|
of. What an odd coincidence!"
|
|
|
|
"Angel, I think I would rather not take the name!
|
|
It is unlucky, perhaps!"
|
|
|
|
She was agitated.
|
|
|
|
"Now then, Mistress Teresa d'Urberville, I have you.
|
|
Take my name, and so you will escape yours! The secret
|
|
is out, so why should you any longer refuse me?"
|
|
|
|
"If it is SURE to make you happy to have me as your
|
|
wife, and you feel that you do wish to marry me, VERY,
|
|
VERY much--"
|
|
|
|
"I do, dearest, of course!"
|
|
|
|
"I mean, that it is only your wanting me very much, and
|
|
being hardly able to keep alive without me, whatever my
|
|
offences, that would make me feel I ought to say I
|
|
will."
|
|
|
|
"You will--you do say it, I know! You will be mine for
|
|
ever and ever."
|
|
|
|
He clasped her close and kissed her.
|
|
|
|
"Yes!"
|
|
|
|
She had no sooner said it than she burst into a dry
|
|
hard sobbing, so violent that it seemed to rend her.
|
|
Tess was not a hysterical girl by any means, and he was
|
|
surprised.
|
|
|
|
"Why do you cry, dearest?"
|
|
|
|
"I can't tell--quite!--I am so glad to think--of being
|
|
yours, and making you happy!"
|
|
|
|
"But this does not seem very much like gladness, my
|
|
Tessy!"
|
|
|
|
"I mean--I cry because I have broken down in my vow!
|
|
I said I would die unmarried!"
|
|
|
|
"But, if you love me you would like me to be your
|
|
husband?"
|
|
|
|
"Yes, yes, yes! But O, I sometimes wish I had never
|
|
been born!"
|
|
|
|
"Now, my dear Tess, if I did not know that you are very
|
|
much excited, and very inexperienced, I should say that
|
|
remark was not very complimentary. How came you to
|
|
wish that if you care for me? Do you care for me? I
|
|
wish you would prove it in some way."
|
|
|
|
"How can I prove it more than I have done?" she cried,
|
|
in a distraction of tenderness. "Will this prove it
|
|
more?"
|
|
|
|
She clasped his neck, and for the first time Clare
|
|
learnt what an impassioned woman's kisses were like
|
|
upon the lips of one whom she loved with all her heart
|
|
and soul, as Tess loved him.
|
|
|
|
"There--now do you believe?" she asked, flushed, and
|
|
wiping her eyes.
|
|
|
|
"Yes. I never really doubted--never, never!"
|
|
|
|
So they drove on through the gloom, forming one bundle
|
|
inside the sail-cloth, the horse going as he would, and
|
|
the rain driving against them. She had consented. She
|
|
might as well have agreed at first. The "appetite for
|
|
joy" which pervades all creation, that tremendous force
|
|
which sways humanity to its purpose, as the tide sways
|
|
the helpless weed, was not to be controlled by vague
|
|
lucubrations over the social rubric.
|
|
|
|
"I must write to my mother," she said. "You don't mind
|
|
my doing that?"
|
|
|
|
"Of course not, dear child. You are a child to me,
|
|
Tess, not to know how very proper it is to write to
|
|
your mother at such a time, and how wrong it would be
|
|
in me to object. Where does she live?"
|
|
|
|
"At the same place--Marlott. On the further side of
|
|
Blackmoor Vale."
|
|
|
|
"Ah, then I HAVE seen you before this summer----"
|
|
|
|
"Yes; at that dance on the green; but you would not
|
|
dance with me. O, I hope that is of no ill-omen for us
|
|
now!"
|
|
|
|
|
|
|
|
XXXI
|
|
|
|
|
|
Tess wrote a most touching and urgent letter to her
|
|
mother the very next day, and by the end of the week a
|
|
response to her communication arrive in Joan
|
|
Durbeyfield's wandering last-century hand.
|
|
|
|
|
|
DEAR TESS,--J write these few lines Hoping they will
|
|
find you well, as they leave me at Present, thank God
|
|
for it. Dear Tess, we are all glad to Hear that you
|
|
are going really to be married soon. But with respect
|
|
to your question, Tess, J say between ourselves, quite
|
|
private but very strong, that on no account do you say
|
|
a word of your Bygone Trouble to him. J did not tell
|
|
everything to your Father, he being so Proud on account
|
|
of his Respectability, which, perhaps, your Intended is
|
|
the same. Many a woman--some of the Highest in the
|
|
Land--have had a Trouble in their time; and why should
|
|
you Trumpet yours when others don't Trumpet theirs? No
|
|
girl would be such a Fool, specially as it is so long
|
|
ago, and not your Fault at all. J shall answer the
|
|
same if you ask me fifty times. Besides, you must bear
|
|
in mind that, knowing it to be your Childish Nature to
|
|
tell all that's in your heart--so simple!--J made you
|
|
promise me never to let it out by Word or Deed, having
|
|
your Welfare in my Mind; and you most solemnly did
|
|
promise it going from this Door. J have not named
|
|
either that Question or your coming marriage to your
|
|
Father, as he would blab it everywhere, poor Simple
|
|
Man.
|
|
|
|
Dear Tess, keep up your Spirits, and we mean to send
|
|
you a Hogshead of Cyder for you Wedding, knowing there
|
|
is not much in your parts, and thin Sour Stuff what
|
|
there is. So no more at present, and with kind love to
|
|
your Young Man.---From your affectte. Mother.
|
|
|
|
J. DURBEYFIELD
|
|
|
|
|
|
"O mother, mother!" murmured Tess.
|
|
|
|
She was recognizing how light was the touch of events
|
|
the most oppressive upon Mrs Durbeyfield's elastic
|
|
spirit. Her mother did not see life as Tess saw it.
|
|
That haunting episode of bygone days was to her mother
|
|
but a passing accident. But perhaps her mother was
|
|
right as to the course to be followed, whatever she
|
|
might be in her reasons. Silence seemed, on the face of
|
|
it, best for her adored one's happiness: silence it
|
|
should be.
|
|
|
|
Thus steadied by a command from the only person in the
|
|
world who had any shadow of right to control her
|
|
action, Tess grew calmer. The responsibility was
|
|
shifted, and her heart was lighter than it had been for
|
|
weeks. The days of declining autumn which followed her
|
|
assent, beginning with the month of October, formed a
|
|
season through which she lived in spiritual altitudes
|
|
more nearly approaching ecstasy than any other period
|
|
of her life.
|
|
|
|
There was hardly a touch of earth in her love for
|
|
Clare. To her sublime trustfulness he was all that
|
|
goodness could be--knew all that a guide, philosopher,
|
|
and friend should know. She thought every line in the
|
|
contour of his person the perfection of masculine
|
|
beauty, his soul the soul of a saint, his intellect
|
|
that of a seer. The wisdom of her love for him, as
|
|
love, sustained her dignity; she seemed to be wearing a
|
|
crown. The compassion of his love for her, as she saw
|
|
it, made her lift up her heart to him in devotion. He
|
|
would sometimes catch her large, worshipful eyes, that
|
|
had no bottom to them looking at him from their depths,
|
|
as if she saw something immortal before her.
|
|
|
|
She dismissed the past--trod upon it and put it out, as
|
|
one treads on a coal that is smouldering and dangerous.
|
|
|
|
She had not known that men could be so disinterested,
|
|
chivalrous, protective, in their love for women as he.
|
|
Angel Clare was far from all that she thought him in
|
|
this respect; absurdly far, indeed; but he was, in
|
|
truth, more spiritual than animal; he had himself well
|
|
in hand, and was singularly free from grossness.
|
|
Though not cold-natured, he was rather bright than
|
|
hot--less Byronic than Shelleyan; could love
|
|
desperately, but with a love more especially inclined
|
|
to the imaginative and ethereal; it was a fastidious
|
|
emotion which could jealously guard the loved one
|
|
against his very self. This amazed and enraptured Tess,
|
|
whose slight experiences had been so infelicitous till
|
|
now; and in her reaction from indignation against the
|
|
male sex she swerved to excess of honour for Clare.
|
|
|
|
They unaffectedly sought each other's company; in her
|
|
honest faith she did not disguise her desire to be with
|
|
him. The sum of her instincts on this matter, if
|
|
clearly stated, would have been that the elusive
|
|
quality of her sex which attracts men in general might
|
|
be distasteful to so perfect a man after an avowal of
|
|
love, since it must in its very nature carry with it a
|
|
suspicion of art.
|
|
|
|
The country custom of unreserved comradeship out of
|
|
doors during betrothal was the only custom she knew,
|
|
and to her it had no strangeness; though it seemed
|
|
oddly anticipative to Clare till he saw how normal a
|
|
thing she, in common with all the other dairy-folk,
|
|
regarded it. Thus, during this October month of
|
|
wonderful afternoons they roved along the meads by
|
|
creeping paths which followed the brinks of trickling
|
|
tributary brooks, hopping across by little wooden
|
|
bridges to the other side, and back again. They were
|
|
never out of the sound of some purling weir, whose buzz
|
|
accompanied their own murmuring, while the beams of the
|
|
sun, almost as horizontal as the mead itself, formed a
|
|
pollen of radiance over the landscape. They saw tiny
|
|
blue fogs in the shadows of trees and hedges, all the
|
|
time that there was bright sunshine elsewhere. The sun
|
|
was so near the ground, and the sward so flat, that the
|
|
shadows of Clare and Tess would stretch a quarter of a
|
|
mile ahead of them, like two long fingers pointing afar
|
|
to where the green alluvial reaches abutted against the
|
|
sloping sides of the vale.
|
|
|
|
Men were at work here and there--for it was the season
|
|
for "taking up" the meadows, or digging the little
|
|
waterways clear for the winter irrigation, and mending
|
|
their banks where trodden down by the cows. The
|
|
shovelfuls of loam, black as jet, brought there by the
|
|
river when it was as wide as the whole valley, were an
|
|
essence of soils, pounded campaigns of the past,
|
|
steeped, refined, and subtilized to extraordinary
|
|
richness, out of which came all the fertility of the
|
|
mead, and of the cattle grazing there.
|
|
|
|
Clare hardily kept his arm round her waist in sight of
|
|
these watermen, with the air of a man who was
|
|
accustomed to public dalliance, though actually as shy
|
|
as she who, with lips parted and eyes askance on the
|
|
labourers, wore the look of a wary animal the while.
|
|
|
|
"You are not ashamed of owning me as yours before
|
|
them!" she said gladly.
|
|
|
|
"O no!"
|
|
|
|
"But if it should reach the ears of your friends at
|
|
Emminster that you are walking about like this with me,
|
|
a milkmaid----"
|
|
|
|
"The most bewitching milkmaid every seen."
|
|
|
|
"They might feel it a hurt to their dignity."
|
|
|
|
"My dear girl--a d'Urberville hurt the dignity of a
|
|
Clare!" It is a grand card to play--that of your
|
|
belonging to such a family, and I am reserving it for a
|
|
grand effect when we are married, and have the proofs
|
|
of your descent from Parson Tringham. Apart from that,
|
|
my future is to be totally foreign to my family--it
|
|
will not affect even the surface of their lives. We
|
|
shall leave this part of England--perhaps England
|
|
itself--and what does it matter how people regard us
|
|
here? You will like going, will you not?"
|
|
|
|
She could answer no more than a bare affirmative, so
|
|
great was the emotion aroused in her at the thought of
|
|
going through the world with him as his own familiar
|
|
friend. Her feelings almost filled her ears like a
|
|
babble of waves, and surged up to her eyes. She put
|
|
her hand in his, and thus they went on, to a place
|
|
where the reflected sun glared up from the river, under
|
|
a bridge, with a molten-metallic glow that dazzled
|
|
their eyes, though the sun itself was hidden by the
|
|
bridge. They stood still, whereupon little furred and
|
|
feathered heads popped up from the smooth surface of
|
|
the water; but, finding that the disturbing presences
|
|
had paused, and not passed by, they disappeared again.
|
|
Upon this river-brink they lingered till the fog began
|
|
to close round them--which was very early in the
|
|
evening at this time of the year--settling on the
|
|
lashes of her eyes, where it rested like crystals, and
|
|
on his brows and hair.
|
|
|
|
They walked later on Sundays, when it was quite dark.
|
|
Some of the dairy-people, who were also out of doors on
|
|
the first Sunday evening after their engagement, heard
|
|
her impulsive speeches, ecstasized to fragments, though
|
|
they were too far off to hear the words discoursed;
|
|
noted the spasmodic catch in her remarks, broken into
|
|
syllables by the leapings of her heart, as she walked
|
|
leaning on his arm; her contented pauses, the
|
|
occasional little laugh upon which her soul seemed to
|
|
ride--the laugh of a woman in company with the man she
|
|
loves and has won from all other women--unlike anything
|
|
else in nature. They marked the buoyancy of her tread,
|
|
like the skim of a bird which had not quite alighted.
|
|
|
|
Her affection for him was now the breath and life of
|
|
Tess's being; it enveloped her as a photosphere,
|
|
irradiated her into forgetfulness of her past sorrows,
|
|
keeping back the gloomy spectres that would persist in
|
|
their attempts to touch her--doubt, fear, moodiness,
|
|
care, shame. She knew that they were waiting like
|
|
wolves just outside the circumscribing light, but she
|
|
had long spells of power to keep them in hungry
|
|
subjection there.
|
|
|
|
A spiritual forgetfulness co-existed with an
|
|
intellectual remembrance. She walked in brightness,
|
|
but she knew that in the background those shapes of
|
|
darkness were always spread. They might be receding, or
|
|
they might be approaching, one or the other, a little
|
|
every day.
|
|
|
|
|
|
One evening Tess and Clare were obliged to sit indoors
|
|
keeping house, all the other occupants of the domicile
|
|
being away. As they talked she looked thoughtfully up
|
|
at him, and met his two appreciative eyes.
|
|
|
|
"I am not worthy of you--no, I am not!" she burst out,
|
|
jumping up from her low stool as though appalled at his
|
|
homage, and the fulness of her own joy thereat.
|
|
|
|
Clare, deeming the whole basis of her excitement to be
|
|
that which was only the smaller part of it, said----
|
|
|
|
"I won't have you speak like it, dear Tess!
|
|
Distinction does not consist in the facile use of a
|
|
contemptible set of conventions, but in being numbered
|
|
among those who are true, and honest, and just, and
|
|
pure, and lovely, and of good report--as you are, my
|
|
Tess."
|
|
|
|
She struggled with the sob in her throat. How often
|
|
had that string of excellences made her young heart
|
|
ache in church of late years, and how strange that he
|
|
should have cited them now.
|
|
|
|
"Why didn't you stay and love me when I--was sixteen;
|
|
living with my little sisters and brothers, and you
|
|
danced on the green? O, why didn't you, why didn't
|
|
you!" she said, impetuously clasping her hands.
|
|
|
|
Angel began to comfort and reassure her, thinking to
|
|
himself, truly enough, what a creature of moods she
|
|
was, and how careful he would have to be of her when
|
|
she depended for her happiness entirely on him.
|
|
|
|
"Ah--why didn't I stay!" he said. "That is just what I
|
|
feel. If I had only known! But you must not be so
|
|
bitter in your regret--why should you be?"
|
|
|
|
With the woman's instinct to hide she diverged
|
|
hastily---
|
|
|
|
"I should have had four years more of your heart than I
|
|
can ever have now. Then I should not have wasted my
|
|
time as I have done--I should have had so much longer
|
|
happiness!"
|
|
|
|
It was no mature woman with a long dark vista of
|
|
intrigue behind her who was tormented thus; but a girl
|
|
of simple life, not yet one-and twenty, who had been
|
|
caught during her days of immaturity like a bird in a
|
|
springe. To calm herself the more completely she rose
|
|
from her little stool and left the room, overturning
|
|
the stool with her skirts as she went.
|
|
|
|
He sat on by the cheerful firelight thrown from a
|
|
bundle of green ash-sticks laid across the dogs; the
|
|
sticks snapped pleasantly, and hissed out bubbles of
|
|
sap from their ends. When she came back she was herself
|
|
again.
|
|
|
|
"Do you not think you are just a wee bit capricious,
|
|
fitful, Tess?" he said, good-humouredly, as he spread a
|
|
cushion for her on the stool, and seated himself in the
|
|
settle beside her. "I wanted to ask you something, and
|
|
just then you ran away."
|
|
|
|
"Yes, perhaps I am capricious," she murmured. She
|
|
suddenly approached him, and put a hand upon each of
|
|
his arms. "No, Angel, I am not really so--by nature,
|
|
I mean!" The more particularly to assure him that she
|
|
was not, she placed herself close to him in the settle,
|
|
and allowed her head to find a resting-place against
|
|
Clare's shoulder. "What did you want to ask me--I am
|
|
sure I will answer it," she continued humbly.
|
|
|
|
"Well, you love me, and have agreed to marry me, and
|
|
hence there follows a thirdly, 'When shall the day
|
|
be?'"
|
|
|
|
"I like living like this."
|
|
|
|
"But I must think of starting in business on my own
|
|
hook with the new year, or a little later. And before
|
|
I get involved in the multifarious details of my new
|
|
position, I should like to have secured my partner."
|
|
|
|
"But," she timidly answered, "to talk quite
|
|
practically, wouldn't it be best not to marry till
|
|
after all that?--Though I can't bear the though o'
|
|
your going away and leaving me here!"
|
|
|
|
"Of course you cannot--and it is not best in this case.
|
|
I want you to help me in many ways in making my start.
|
|
When shall it be? Why not a fortnight from now?"
|
|
|
|
"No," she said, becoming grave: "I have so many things
|
|
to think of first."
|
|
|
|
"But----"
|
|
|
|
He drew her gently nearer to him.
|
|
|
|
The reality of marriage was startling when it loomed so
|
|
near. Before discussion of the question had proceeded
|
|
further there walked round the corner of the settle
|
|
into the full firelight of the apartment Mr Dairyman
|
|
Crick, Mrs Crick, and two of the milkmaids.
|
|
|
|
Tess sprang like an elastic ball from his side to her
|
|
feet while her face flushed and her eyes shone in the
|
|
firelight.
|
|
|
|
"I know how it would be if I sat so close to him!" she
|
|
cried, with vexation. "I said to myself, they are sure
|
|
to come and catch us! But I wasn't really sitting on
|
|
his knee, though it might ha' seemed as if I was
|
|
almost!"
|
|
|
|
"Well--if so be you hadn't told us, I am sure we
|
|
shouldn't ha' noticed that ye had been sitting anywhere
|
|
at all in this light," replied the dairyman. He
|
|
continued to his wife, with the stolid mien of a man
|
|
who understood nothing of the emotions relating to
|
|
matrimony--"Now, Christianer, that shows that folks
|
|
should never fancy other folks be supposing things when
|
|
they bain't. O no, I should never ha' thought a word
|
|
of where she was a sitting to, if she hadn't told me--
|
|
not I."
|
|
|
|
"We are going to be married soon," said Clare, with
|
|
improvised phlegm.
|
|
|
|
"Ah--and be ye! Well, I am truly glad to hear it, sir.
|
|
I've thought you mid do such a thing for some time.
|
|
She's too good for a dairymaid--I said so the very
|
|
first day I zid her--and a prize for any man; and
|
|
what's more, a wonderful woman for a gentleman-farmer's
|
|
wife; he won't be at the mercy of his baily wi' her at
|
|
his side."
|
|
|
|
Somehow Tess disappeared. She had been even more
|
|
struck with the look of the girls who followed Crick
|
|
than abashed by Crick's blunt praise.
|
|
|
|
After supper, when she reached her bedroom, they were
|
|
all present. A light was burning, and each damsel was
|
|
sitting up whitely in her bed, awaiting Tess, the whole
|
|
like a row of avenging ghosts.
|
|
|
|
But she saw in a few moments that there was no malice
|
|
in their mood. They could scarcely feel as a loss what
|
|
they had never expected to have. Their condition was
|
|
objective, contemplative.
|
|
|
|
"He's going to marry her!" murmured Retty, never taking
|
|
eyes off Tess. "How her face do show it!"
|
|
|
|
"You BE going to marry him?" asked Marian.
|
|
|
|
"Yes," said Tess.
|
|
|
|
"When?"
|
|
|
|
"Some day."
|
|
|
|
They thought that this was evasiveness only.
|
|
|
|
"YES--going to MARRY him--a gentleman!" repeated Izz
|
|
Huett.
|
|
|
|
And by a sort of fascination the three girls, one after
|
|
another, crept out of their beds, and came and stood
|
|
barefooted round Tess. Retty put her hands upon Tess's
|
|
shoulders, as if to realize her friend's corporeality
|
|
after such a miracle, and the other two laid their arms
|
|
round her waist, all looking into her face.
|
|
|
|
"How it do seem! Almost more than I can think of!"
|
|
said Izz Huett.
|
|
|
|
Marian kissed Tess. "Yes," she murmured as she
|
|
withdrew her lips.
|
|
|
|
"Was that because of love for her, or because other
|
|
lips have touched there by now?" continued Izz drily to
|
|
Marian.
|
|
|
|
"I wasn't thinking o' that," said Marian simply.
|
|
"I was on'y feeling all the strangeness o't--that she is
|
|
to be his wife, and nobody else. I don't say nay to
|
|
it, nor either of us, because we did not think of
|
|
it--only loved him. Still, nobody else is to marry'n
|
|
in the world--no fine lady, nobody in silks and satins;
|
|
but she who do live like we."
|
|
|
|
"Are you sure you don't dislike me for it?" said Tess
|
|
in a low voice.
|
|
|
|
They hung about her in their white nightgowns before
|
|
replying, as if they considered their answer might lie
|
|
in her look.
|
|
|
|
"I don't know--I don't know," murmured Retty Priddle.
|
|
"I want to hate 'ee; but I cannot!" "That's how I
|
|
feel," echoed Izz and Marian. "I can't hate her.
|
|
Somehow she hinders me!"
|
|
|
|
"He ought to marry one of you," murmured Tess.
|
|
|
|
"Why?"
|
|
|
|
"You are all better than I."
|
|
|
|
"We better than you?" said the girls in a low, slow
|
|
whisper. "No, no, dear Tess!"
|
|
|
|
"You are!" she contradicted impetuously. And suddenly
|
|
tearing away from their clinging arms she burst into a
|
|
hysterical fit of tears, bowing herself on the chest of
|
|
drawers and repeating incessantly, "O yes, yes, yes!"
|
|
|
|
Having once given way she could not stop her weeping.
|
|
|
|
"He ought to have had one of you!" she cried. "I think
|
|
I ought to make him even now! You would be better for
|
|
him than--I don't know what I'm saying! O! O!"
|
|
|
|
They went up to her and clasped her round, but still
|
|
her sobs tore her.
|
|
|
|
"Get some water," said Marian, "She's upset by us,
|
|
poor thing, poor thing!"
|
|
|
|
They gently led her back to the side of her bed, where
|
|
they kissed her warmly.
|
|
|
|
"You are best for'n," said Marian. "More ladylike, and
|
|
a better scholar than we, especially since he had
|
|
taught 'ee so much. But even you ought to be proud.
|
|
You BE proud, I'm sure!"
|
|
|
|
"Yes, I am," she said; "and I am ashamed at so breaking
|
|
down."
|
|
|
|
When they were all in bed, and the light was out,
|
|
Marian whispered across to her--
|
|
|
|
"You will think of us when you be his wife, Tess, and
|
|
of how we told 'ee that we loved him, and how we tried
|
|
not to hate you, and did not hate you, and could not
|
|
hate you, because you were his choice, and we never
|
|
hoped to be chose by him."
|
|
|
|
They were not aware that, at these words, salt,
|
|
stinging tears trickled down upon Tess's pillow anew,
|
|
and how she resolved, with a bursting heart, to tell
|
|
all her history to Angel Clare, despite her mother's
|
|
command--to let him for whom she lived and breathed
|
|
despise her if he would, and her mother regard her as a
|
|
fool, rather then preserve a silence which might be
|
|
deemed a treachery to him, and which somehow seemed a
|
|
wrong to these.
|
|
|
|
|
|
|
|
XXXII
|
|
|
|
|
|
This penitential mood kept her from naming the
|
|
wedding-day. The beginning of November found its date
|
|
still in abeyance, though he asked her at the most
|
|
tempting times. But Tess's desire seemed to be for a
|
|
perpetual betrothal in which everything should remain
|
|
as it was then.
|
|
|
|
The meads were changing now; but it was still warm
|
|
enough in early afternoons before milking to idle there
|
|
awhile, and the state of dairy-work at this time of
|
|
year allowed a spare hour for idling. Looking over the
|
|
damp sod in the direction of the sun, a glistening
|
|
ripple of gossamer webs was visible to their eyes under
|
|
the luminary, like the track of moonlight on the sea.
|
|
Gnats, knowing nothing of their brief glorification,
|
|
wandered across the shimmer of this pathway, irradiated
|
|
as if they bore fire within them, then passed out of
|
|
its line, and were quite extinct. In the presence of
|
|
these things he would remind her that the date was
|
|
still the question.
|
|
|
|
Or he would ask her at night, when he accompanied her
|
|
on some mission invented by Mrs Crick to give him the
|
|
opportunity. This was mostly a journey to the
|
|
farmhouse on the slopes above the vale, to inquire how
|
|
the advanced cows were getting on in the straw-barton
|
|
to which they were relegated. For it was a time of the
|
|
year that brought great changes to the world of kine.
|
|
Batches of the animals were sent away daily to this
|
|
lying-in hospital, where they lived on straw till their
|
|
calves were born, after which event, and as soon as the
|
|
calf could walk, mother and offspring were driven back
|
|
to the dairy. In the interval which elapsed before the
|
|
calves were sold there was, of course, little milking
|
|
to be done, but as soon as the calf had been taken away
|
|
the milkmaids would have to set to work as usual.
|
|
|
|
Returning from one of these dark walks they reached a
|
|
great gravel-cliff immediately over the levels, where
|
|
they stood still and listened. The water was now high
|
|
in the streams, squirting through the weirs, and
|
|
tinkling under culverts; the smallest gullies were all
|
|
full; there was no taking short cuts anywhere, and
|
|
foot-passengers were compelled to follow the permanent
|
|
ways. From the whole extent of the invisible vale came
|
|
a multitudinous intonation; it forced upon their fancy
|
|
that a great city lay below them, and that the murmur
|
|
was the vociferation of its populace.
|
|
|
|
"It seems like tens of thousands of them," said Tess;
|
|
"holding public-meetings in their market-places,
|
|
arguing, preaching, quarrelling, sobbing, groaning,
|
|
praying, and cursing."
|
|
|
|
Clare was not particularly heeding.
|
|
|
|
"Did Crick speak to you today, dear, about his not
|
|
wanting much assistance during the winter months?"
|
|
|
|
"No."
|
|
|
|
"The cows are going dry rapidly."
|
|
|
|
"Yes. Six of seven went to the straw-barton yesterday,
|
|
and three the day before, making nearly twenty in the
|
|
straw already. Ah--is it that the farmer don't want my
|
|
help for the calving? O, I am not wanted here any
|
|
more! And I have tried so hard to---"
|
|
|
|
"Crick didn't exactly say that he would no longer
|
|
require you. But, knowing what our relations were, he
|
|
said in the most good-natured and respectful manner
|
|
possible that he supposed on my leaving at Christmas I
|
|
should take you with me, and on my asking what he would
|
|
do without you he merely observed that, as a matter of
|
|
fact, it was a time of year when he could do with a
|
|
very little female help. I am afraid I was sinner
|
|
enough to feel rather glad that he was in this way
|
|
forcing your hand."
|
|
|
|
"I don't think you ought to have felt glad, Angel.
|
|
Because 'tis always mournful not to be wanted, even if
|
|
at the same time 'tis convenient."
|
|
|
|
"Well, it is convenient--you have admitted that."
|
|
He put his finger upon her cheek. "Ah!" he said.
|
|
|
|
"What?"
|
|
|
|
"I feel the red rising up at her having been caught!
|
|
But why should I trifle so! We will not trifle--life
|
|
is too serious."
|
|
|
|
"It is. Perhaps I saw that before you did."
|
|
|
|
She was seeing it then. To decline to marry him after
|
|
all--in obedience to her emotion of last night--and
|
|
leave the dairy, meant to go to some strange place, not
|
|
a dairy; for milkmaids were not in request now
|
|
calving-time was coming on; to go to some arable farm
|
|
where no divine being like Angel Clare was. She hated
|
|
the thought, and she hated more the thought of going
|
|
home.
|
|
|
|
"So that, seriously, dearest Tess," he continued,
|
|
"since you will probably have to leave at Christmas, it
|
|
is in every way desirable and convenient that I should
|
|
carry you off then as my property. Besides, if you
|
|
were not the most uncalculating girl in the world you
|
|
would know that we could not go on like this for ever."
|
|
|
|
"I wish we could. That it would always be summer and
|
|
autumn, and you always courting me, and always thinking
|
|
as much of me as you have done through the past
|
|
summertime!"
|
|
|
|
"I always shall."
|
|
|
|
"O, I know you will!" she cried, with a sudden fervour
|
|
of faith in him. "Angel, I will fix the day when I
|
|
will become yours for always!"
|
|
|
|
Thus at last it was arranged between them, during that
|
|
dark walk home, amid the myriads of liquid voices on
|
|
the right and left.
|
|
|
|
When they reached the dairy Mr and Mrs Crick were
|
|
promptly told--with injunctions of secrecy; for each of
|
|
the lovers was desirous that the marriage should be
|
|
kept as private as possible. The dairyman, though he
|
|
had thought of dismissing her soon, now made a great
|
|
concern about losing her. What should he do about his
|
|
skimming? Who would make the ornamental butter-pats
|
|
for the Anglebury and Sandbourne ladies? Mrs Crick
|
|
congratulated Tess on the shilly-shallying having at
|
|
last come to an end, and said that directly she set
|
|
eyes on Tess she divined that she was to be the chosen
|
|
one of somebody who was no common outdoor man; Tess had
|
|
looked so superior as she walked across the barton on
|
|
that afternoon of her arrival; that she was of a good
|
|
family she could have sworn. In point of fact Mrs
|
|
Crick did remember thinking that Tess was graceful and
|
|
good-looking as she approached; but the superiority
|
|
might have been a growth of the imagination aided by
|
|
subsequent knowledge.
|
|
|
|
Tess was now carried along upon the wings of the hours,
|
|
without the sense of a will. The word had been given;
|
|
the number of the day written down. Her naturally
|
|
bright intelligence had begun to admit the fatalistic
|
|
convictions common to field-folk and those who
|
|
associate more extensively with natural phenomena than
|
|
with their fellow-creatures; and she accordingly
|
|
drifted into that passive responsiveness to all things
|
|
her lover suggested, characteristic of the frame of
|
|
mind.
|
|
|
|
But she wrote anew to her mother, ostensibly to notify
|
|
the wedding-day; really to again implore her advice.
|
|
It was a gentleman who had chosen her, which perhaps
|
|
her mother had not sufficiently considered. A
|
|
post-nuptial explanation, which might be accepted with
|
|
a light heart by a rougher man, might not be received
|
|
with the same feeling by him. But this communication
|
|
brought no reply from Mrs Durbeyfield.
|
|
|
|
Despite Angel Clare's plausible representation to
|
|
himself and to Tess of the practical need for their
|
|
immediate marriage, there was in truth an element of
|
|
precipitancy in the step, as became apparent at a later
|
|
date. He loved her dearly, though perhaps rather
|
|
ideally and fancifully than with the impassioned
|
|
thoroughness of her feeling for him. He had
|
|
entertained no notion, when doomed as he had thought to
|
|
an unintellectual bucolic life, that such charms as he
|
|
beheld in this idyllic creature would be found behind
|
|
the scenes. Unsophistication was a thing to talk of;
|
|
but he had not known how it really struck one until he
|
|
came here. Yet he was very far from seeing his future
|
|
track clearly, and it might be a year or two before he
|
|
would be able to consider himself fairly started in
|
|
life. The secret lay in the tinge of recklessness
|
|
imparted to his career and character by the sense that
|
|
he had been made to miss his true destiny through the
|
|
prejudices of his family.
|
|
|
|
"Don't you think 'twould have been better for us to
|
|
wait till you were quite settled in your midland farm?"
|
|
she once asked timidly. (A midland farm was the idea
|
|
just then.)
|
|
|
|
"To tell the truth, my Tess, I don't like you to be
|
|
left anywhere away from my protection and sympathy."
|
|
|
|
The reason was a good one, so far as it went. His
|
|
influence over her had been so marked that she had
|
|
caught his manner and habits, his speech and phrases,
|
|
his likings and his aversions. And to leave her in
|
|
farmland would be to let her slip back again out of
|
|
accord with him. He wished to have her under his
|
|
charge for another reason. His parents had naturally
|
|
desired to see her once at least before he carried her
|
|
off to a distant settlement, English or colonial; and
|
|
as no opinion of theirs was to be allowed to change his
|
|
intention, he judged that a couple of months' life with
|
|
him in lodgings whilst seeking for an advantageous
|
|
opening would be of some social assistance to her at
|
|
what she might feel to be a trying ordeal--her
|
|
presentation to his mother at the Vicarage. Next, he
|
|
wished to see a little of the working of a flour-mill,
|
|
having an idea that he might combine the use of one
|
|
with corn-growing. The proprietor of a large old
|
|
water-mill at Wellbridge--once the mill of an
|
|
Abbey--had offered him the inspection of his
|
|
time-honoured mode of procedure, and a hand in the
|
|
operations for a few days, whenever he should choose to
|
|
come. Clare paid a visit to the place, some few miles
|
|
distant, one day at this time, to inquire particulars,
|
|
and returned to Talbothays in the evening. She found
|
|
him determined to spend a short time at the Wellbridge
|
|
flour-mills. And what had determined him? Less the
|
|
opportunity of an insight into grinding and bolting
|
|
than the casual fact that lodgings were to be obtained
|
|
in that very farmhouse which, before its mutilation,
|
|
had been the mansion of a branch of the d'Urberville
|
|
family. This was always how Clare settled practical
|
|
questions; by a sentiment which had nothing to do with
|
|
them. They decided to go immediately after the
|
|
wedding, and remain for a fortnight, instead of
|
|
journeying to towns and inns.
|
|
|
|
"Then we will start off to examine some farms on the
|
|
other side of London that I have heard of," he said,
|
|
"and by March or April we will pay a visit to my father
|
|
and mother."
|
|
|
|
Questions of procedure such as these arose and passed,
|
|
and the day, the incredible day, on which she was to
|
|
become his, loomed large in the near future. The
|
|
thirty-first of December, New Year's Eve, was the date.
|
|
His wife, she said to herself. Could it ever be?
|
|
Their two selves together, nothing to divide them,
|
|
every incident shared by them; why not? And yet why?
|
|
|
|
One Sunday morning Izz Huett returned from church,
|
|
and spoke privately to Tess.
|
|
|
|
"You was not called home this morning."
|
|
|
|
"What?"
|
|
|
|
"It should ha' been the first time of asking today,"
|
|
she answered, looking quietly at Tess. "You meant to
|
|
be married New Year's Eve, deary?"
|
|
|
|
The other returned a quick affirmative.
|
|
|
|
"And there must be three times of asking. And now
|
|
there be only two Sundays left between."
|
|
|
|
Tess felt her cheek paling; Izz was right; of course
|
|
there must be three. Perhaps he had forgotten! If so,
|
|
there must be a week's postponement, and that was
|
|
unlucky. How could she remind her lover? She who had
|
|
been so backward was suddenly fired with impatience and
|
|
alarm lest she should lose her dear prize.
|
|
|
|
A natural incident relieved her anxiety. Izz mentioned
|
|
the omission of the banns to Mrs Crick, and Mrs Crick
|
|
assumed a matron's privilege of speaking to Angel on
|
|
the point.
|
|
|
|
"Have ye forgot 'em, Mr Clare? The banns, I mean."
|
|
|
|
"No, I have not forgot 'em," says Clare.
|
|
|
|
As soon as he caught Tess alone he assured her:
|
|
|
|
"Don't let them tease you about the banns. A licence
|
|
will be quieter for us, and I have decided on a licence
|
|
without consulting you. So if you go to church on
|
|
Sunday morning you will not hear your own name, if you
|
|
wished to."
|
|
|
|
"I didn't wish to hear it, dearest," she said proudly.
|
|
|
|
But to know that things were in train was an immense
|
|
relief to Tess notwithstanding, who had well-nigh
|
|
feared that somebody would stand up and forbid the
|
|
banns on the ground of her history. How events were
|
|
favouring her!
|
|
|
|
"I don't quite feel easy," she said to herself. "All
|
|
this good fortune may be scourged out of me afterwards
|
|
by a lot of ill. That's how Heaven mostly does. I
|
|
wish I could have had common banns!"
|
|
|
|
But everything went smoothly. She wondered whether he
|
|
would like her to be married in her present best white
|
|
frock, or if she ought to buy a new one. The question
|
|
was set at rest by his forethought, disclosed by the
|
|
arrival of some large packages addressed to her.
|
|
Inside them she found a whole stock of clothing, from
|
|
bonnet to shoes, including a perfect morning costume,
|
|
such as would well suit the simple wedding they
|
|
planned. He entered the house shortly after the
|
|
arrival of the packages, and heard her upstairs undoing
|
|
them.
|
|
|
|
A minute later she came down with a flush on her face
|
|
and tears in her eyes.
|
|
|
|
"How thoughtful you've been!" she murmured, her cheek
|
|
upon his shoulder. "Even to the gloves and
|
|
handkerchief! My own love--how good, how kind!"
|
|
|
|
"No, no, Tess; just an order to a tradeswoman in
|
|
London--nothing more."
|
|
|
|
And to divert her from thinking too highly of him he
|
|
told her to go upstairs, and take her time, and see if
|
|
it all fitted; and, if not, to get the village
|
|
sempstress to make a few alterations.
|
|
|
|
She did return upstairs, and put on the gown. Alone,
|
|
she stood for a moment before the glass looking at the
|
|
effect of her silk attire; and then there came into her
|
|
head her mother's ballad of the mystic robe---
|
|
|
|
That never would become that wife
|
|
That had once done amiss,
|
|
|
|
which Mrs Durbeyfield had used to sing to her as a
|
|
child, so blithely and so archly, her foot on the
|
|
cradle, which she rocked to the tune. Suppose this
|
|
robe should betray her by changing colour, as her robe
|
|
had betrayed Queen Guenever. Since she had been at the
|
|
dairy she had not once thought of the lines till now.
|
|
|
|
|
|
|
|
XXXIII
|
|
|
|
|
|
Angel felt that he would like to spend a day with her
|
|
before the wedding, somewhere away from the dairy, as a
|
|
last jaunt in her company while there were yet mere
|
|
lover and mistress; a romantic day, in circumstances
|
|
that would never be repeated; with that other and
|
|
greater day beaming close ahead of them. During the
|
|
preceding week, therefore, he suggested making a few
|
|
purchases in the nearest town, and they started
|
|
together.
|
|
|
|
Clare's life at the dairy had been that of a recluse in
|
|
respect the world of his own class. For months he had
|
|
never gone near a town, and, requiring no vehicle, had
|
|
never kept one, hiring the dairyman's cob or gig if he
|
|
rode or drove. They went in the gig that day.
|
|
|
|
And then for the first time in their lives they shopped
|
|
as partners in one concern. It was Christmas Eve, with
|
|
its loads a holly and mistletoe, and the town was very
|
|
full of strangers who had come in from all parts of the
|
|
country on account of the day. Tess paid the penalty
|
|
of walking about with happiness superadded to beauty on
|
|
her countenance by being much stared at as she moved
|
|
amid them on his arm.
|
|
|
|
In the evening they returned to the inn at which they
|
|
had put up, and Tess waited in the entry while Angel
|
|
went to see the horse and gig brought to the door.
|
|
The general sitting-room was full of guests, who were
|
|
continually going in and out. As the door opened and
|
|
shut each time for the passage of these, the light
|
|
within the parlour fell full upon Tess's face. Two men
|
|
came out and passed by her among the rest. One of them
|
|
had stared her up and down in surprise, and she fancied
|
|
he was a Trantridge man, though that village lay so
|
|
many miles off that Trantridge folk were rarities here.
|
|
|
|
"A comely maid that," said the other.
|
|
|
|
"True, comely enough. But unless I make a great
|
|
mistake----" And negatived the remainder of the
|
|
definition forthwith.
|
|
|
|
Clare had just returned from the stable-yard, and,
|
|
confronting the man on the threshold, heard the words,
|
|
and saw the shrinking of Tess. The insult to her stung
|
|
him to the quick, and before he had considered anything
|
|
at all he struck the man on the chin with the full
|
|
force of his fist, sending him staggering backwards
|
|
into the passage.
|
|
|
|
The man recovered himself, and seemed inclined to come
|
|
on, and Clare, stepping outside the door, put himself
|
|
in a posture of defence. But his opponent began to
|
|
think better of the matter. He looked anew at Tess as
|
|
he passed her, and said to Clare---
|
|
|
|
"I beg pardon, sir; 'twas a complete mistake. I
|
|
thought she was another woman, forty miles from here."
|
|
|
|
Clare, feeling then that he had been too hasty, and
|
|
that he was, moreover, to blame for leaving her
|
|
standing in an inn-passage, did what he usually did in
|
|
such cases, gave the man five shillings to plaster the
|
|
blow; and thus they parted, bidding each other a
|
|
pacific goodnight. As soon as Clare had taken the
|
|
reins from the ostler, and the young couple had driven
|
|
off, the two men went in the other direction. "And was
|
|
it a mistake?" said the second one.
|
|
|
|
"Not a bit of it. But I didn't want to hurt the
|
|
gentleman's feelings--not I."
|
|
|
|
In the meantime the lovers were driving onward.
|
|
|
|
"Could we put off our wedding till a little later?"
|
|
Tess asked in a dry dull voice. "I mean if we wished?"
|
|
|
|
"No, my love. Calm yourself. Do you mean that the
|
|
fellow may have time to summon me for assault?" he
|
|
asked good-humouredly.
|
|
|
|
"No--I only meant--if it should have to be put off."
|
|
|
|
What she meant was not very clear, and he directed her
|
|
to dismiss such fancies from her mind, which she
|
|
obediently did as well as she could. But she was
|
|
grave, very grave, all the way home; till she thought,
|
|
"We shall go away, a very long distance, hundreds of
|
|
miles from these parts, and such as this can never
|
|
happen again, and no ghost of the past reach there."
|
|
|
|
They parted tenderly that night on the landing, and
|
|
Clare ascended to his attic. Tess sat up getting on
|
|
with some little requisites, lest the few remaining
|
|
days should not afford sufficient times. While she sat
|
|
she heard a noise in Angel's room overhead, a sound of
|
|
thumping and struggling. Everybody else in the house
|
|
was asleep, and in her anxiety lest Clare should be ill
|
|
she ran up and knocked at his door, and asked him what
|
|
was the matter.
|
|
|
|
"Oh, nothing, dear," he said from within. "I am so
|
|
sorry I disturbed you! But the reason is rather an
|
|
amusing one: I fell asleep and dreamt that I was
|
|
fighting that fellow again who insulted you and the
|
|
noise you heard was my pummelling away with my fists at
|
|
my portmanteau, which I pulled out today for packing.
|
|
I am occasionally liable to these freaks in my sleep.
|
|
Go to bed and think of it no more."
|
|
|
|
This was the last drachm required to turn the scale of
|
|
her indecision. Declare the past to him by word of
|
|
mouth she could not; but there was another way. She
|
|
sat down and wrote on the four pages of a note-sheet a
|
|
succinct narrative of those events of three or four
|
|
years ago, put it into an envelope, and directed it to
|
|
Clare. Then, lest the flesh should again be weak, she
|
|
crept upstairs without any shoes and slipped the note
|
|
under his door.
|
|
|
|
Her night was a broken one, as it well might be, and
|
|
she listened for the first faint noise overhead. It
|
|
came, as usual; he descended, as usual. She descended.
|
|
He met her at the bottom of the stairs and kissed her.
|
|
Surely it was as warmly as ever!
|
|
|
|
He looked a little disturbed and worn, she thought.
|
|
But he said not a word to her about her revelation,
|
|
even when they were alone. Could he have had it?
|
|
Unless he began the subject she felt that she could say
|
|
nothing. So the day passed, and it was evident that
|
|
whatever he thought he meant to keep to himself. Yet
|
|
he was frank and affectionate as before. Could it be
|
|
that her doubts were childish? that he forgave her;
|
|
that he loved her for what she was, just as she was,
|
|
and smiled at her disquiet as at a foolish nightmare?
|
|
Had he really received her note? She glanced into his
|
|
room, and could see nothing of it. It might be that he
|
|
forgave her. But even if he had not received it she
|
|
had a sudden enthusiastic trust that he surely would
|
|
forgive her.
|
|
|
|
Every morning and night he was the same, and thus New
|
|
Year's Eve broke--the wedding day.
|
|
|
|
The lovers did not rise at milking-time, having through
|
|
the whole of this last week of their sojourn at the
|
|
dairy been accorded something of the position of
|
|
guests, Tess being honoured with a room of her own.
|
|
When they arrived downstairs at breakfast-time they
|
|
were surprised to see what effects had been produced in
|
|
the large kitchen for their glory since they had last
|
|
beheld it. At some unnatural hour of the morning the
|
|
dairyman had caused the yawning chimney-corner to be
|
|
whitened, and the brick hearth reddened, and a blazing
|
|
yellow damask blower to be hung across the arch in
|
|
place of the old grimy blue cotton one with a black
|
|
sprig pattern which had formerly done duty there. This
|
|
renovated aspect of what was the focus indeed of the
|
|
room on a full winter morning, threw a smiling
|
|
demeanour over the whole apartment.
|
|
|
|
"I was determined to do summat in honour o't", said the
|
|
dairyman. "And as you wouldn't hear of my gieing a
|
|
rattling good randy wi' fiddles and bass-viols
|
|
complete, as we should ha' done in old times, this was
|
|
all I could think o' as a noiseless thing."
|
|
|
|
Tess's friends lived so far off that none could
|
|
conveniently have been present at the ceremony, even
|
|
had any been asked; but as a fact nobody was invited
|
|
from Marlott. As for Angel's family, he had written
|
|
and duly informed them of the time, and assured them
|
|
that he would be glad to see one at least of them there
|
|
for the day if he would like to come. His brothers had
|
|
not replied at all, seeming to be indignant with him;
|
|
while his father and mother had written a rather sad
|
|
letter, deploring his precipitancy in rushing into
|
|
marriage, but making the best of the matter by saying
|
|
that, though a dairywoman was the last daughter-in-law
|
|
they could have expected, their son had arrived at an
|
|
age which he might be supposed to be the best judge.
|
|
|
|
This coolness in his relations distressed Clare less
|
|
than it would have done had he been without the grand
|
|
card with which he meant to surprise them ere long. To
|
|
produce Tess, fresh from the dairy, as a d'Urberville
|
|
and a lady, he had felt to be temerarious and risky;
|
|
hence he had concealed her lineage till such time as,
|
|
familiarized with worldly ways by a few months' travel
|
|
and reading with him, he could take her on a visit to
|
|
his parents, and impart the knowledge while
|
|
triumphantly producing her as worthy of such an ancient
|
|
line. It was a pretty lover's dream, if no more.
|
|
Perhaps Tess's lineage had more value for himself than
|
|
for anybody in the world beside.
|
|
|
|
Her perception that Angel's bearing towards her still
|
|
remained in no whit altered by her own communication
|
|
rendered Tess guiltily doubtful if he could have
|
|
received it. She rose from breakfast before he had
|
|
finished, and hastened upstairs. It had occurred to
|
|
her to look once more into the queer gaunt room which
|
|
had been Clare's den, or rather eyrie, for so long, and
|
|
climbing the ladder she stood at the open door of the
|
|
apartment, regarding and pondering. She stooped to the
|
|
threshold of the doorway, where she had pushed in the
|
|
note two or three days earlier in such excitement. The
|
|
carpet reached close to the sill, and under the edge of
|
|
the carpet she discerned the faint white margin of the
|
|
envelope containing her letter to him, which he
|
|
obviously had never seen, owing to her having in her
|
|
haste thrust it beneath the carpet as well as beneath
|
|
the door.
|
|
|
|
With a feeling of faintness she withdrew the letter.
|
|
There it was--sealed up, just as it had left her hands.
|
|
The mountain had not yet been removed. She could not
|
|
let him read it now, the house being in full bustle of
|
|
preparation; and descending to her own room she
|
|
destroyed the letter there.
|
|
|
|
She was so pale when he saw her again that he felt
|
|
quite anxious. The incident of the misplaced letter
|
|
she had jumped at as if it prevented a confession; but
|
|
she knew in her conscience that it need not; there was
|
|
still time. Yet everything was in a stir; there was
|
|
coming and going; all had to dress, the dairyman and
|
|
Mrs Crick having been asked to accompany them as
|
|
witnesses; and reflection or deliberate talk was
|
|
well-nigh impossible. The only minute Tess could get
|
|
to be alone with Clare was when they met upon the
|
|
landing.
|
|
|
|
"I am so anxious to talk to you--I want to confess all
|
|
my faults and blunders!" she said with attempted
|
|
lightness.
|
|
|
|
"No, no--we can't have faults talked of--you must be
|
|
deemed perfect today at least, my Sweet!" he cried.
|
|
"We shall have plenty of time, hereafter, I hope, to
|
|
talk over our failings. I will confess mine at the
|
|
same time."
|
|
|
|
"But it would be better for me to do it now, I think,
|
|
so that you could not say----"
|
|
|
|
"Well, my quixotic one, you shall tell me
|
|
anything--say, as soon as we are settled in our
|
|
lodging; not now. I, too, will tell you my faults
|
|
then. But do not let us spoil the day with them; they
|
|
will be excellent matter for a dull time."
|
|
|
|
"Then you don't wish me to, dearest?"
|
|
|
|
"I do not, Tessy, really."
|
|
|
|
The hurry of dressing and starting left no time for
|
|
more than this. Those words of his seemed to reassure
|
|
her on further reflection. She was whirled onward
|
|
through the next couple of critical hours by the
|
|
mastering tide of her devotion to him, which closed up
|
|
further meditation. Her one desire, so long resisted,
|
|
to make herself his, to call him her lord, her
|
|
own--then, if necessary, to die--had at last lifted her
|
|
up from her plodding reflective pathway. In dressing,
|
|
she moved about in a mental cloud of many-coloured
|
|
idealities, which eclipsed all sinister contingencies
|
|
by its brightness.
|
|
|
|
The church was a long way off, and they were obliged to
|
|
drive, particularly as it was winter. A close carriage
|
|
was ordered from a roadside inn, a vehicle which had
|
|
been kept there ever since the old days of post-chaise
|
|
travelling. It had stout wheel-spokes, and heavy
|
|
felloes, a great curved bed, immense straps and
|
|
springs, and a pole like a battering-ram. The
|
|
postilion was a venerable "boy" of sixty--a martyr to
|
|
rheumatic gout, the result of excessive exposure in
|
|
youth, counter-acted by strong liquors--who had stood
|
|
at inn-doors doing nothing for the whole five-and-
|
|
twenty years that had elapsed since he had no longer
|
|
been required to ride professionally, as if expecting
|
|
the old times to come back again. He had a permanent
|
|
running wound on the outside of his right leg,
|
|
originated by the constant bruisings of aristocratic
|
|
carriage-poles during the many years that he had been
|
|
in regular employ at the King's Arms, Casterbridge.
|
|
|
|
Inside this cumbrous and creaking structure, and behind
|
|
this decayed conductor, the PARTIE CARREE took their
|
|
seats--the bride and bridegroom and Mr and Mrs Crick.
|
|
Angel would have liked one at least of his brothers to
|
|
be present as groomsman, but their silence after his
|
|
gentle hint to that effect by letter had signified that
|
|
they did not care to come. They disapproved of the
|
|
marriage, and could not be expected to countenance it.
|
|
Perhaps it was as well that they could not be present.
|
|
They were not worldly young fellows, but fraternizing
|
|
with dairy-folk would have struck unpleasantly upon
|
|
their biassed niceness, apart from their view of the
|
|
match.
|
|
|
|
Upheld by the momentum of the time Tess knew nothing of
|
|
this; did not see anything; did not know the road they
|
|
were taking to the church. She knew that Angel was
|
|
close to her; all the rest was a luminous mist. She
|
|
was a sort of celestial person, who owed her being to
|
|
poetry--one of those classical divinities Clare was
|
|
accustomed to talk to her about when they took their
|
|
walk together.
|
|
|
|
The marriage being by licence there were only a dozen
|
|
or so of people in the church; had there been a
|
|
thousand they would have produced no more effect upon
|
|
her. They were at stellar distances from her present
|
|
world. In the ecstatic solemnity with which she swore
|
|
her faith to him the ordinary sensibilities of sex
|
|
seemed a flippancy. At a pause in the service, while
|
|
they were kneeling together, she unconsciously inclined
|
|
herself towards him, so that her shoulder touched his
|
|
arm; she had been frightened by a passing thought, and
|
|
the movement had been automatic, to assure herself that
|
|
he was really there, and to fortify her belief that his
|
|
fidelity would be proof against all things.
|
|
|
|
Clare knew that she loved him--every curve of her form
|
|
showed that--but he did not know at that time the full
|
|
depth of her devotion, its single-mindedness, its
|
|
meekness; what long-suffering it guaranteed, what
|
|
honesty, what endurance what good faith.
|
|
|
|
As they came out of church the ringers swung the bells
|
|
off their rests, and a modest peal of three notes broke
|
|
forth--that limited amount of expression having been
|
|
deemed sufficient by the church builders for the joys
|
|
of such a small parish. Passing by the tower with her
|
|
husband on the path to the gate she could feel the
|
|
vibrant air humming round them from the louvred belfry
|
|
in the circle of sound, and it matched the
|
|
highly-charged mental atmosphere in which she was
|
|
living.
|
|
|
|
This condition of mind, wherein she felt glorified by
|
|
an irradiation not her own, like the angel whom St John
|
|
saw in the sun, lasted till the sound of the church
|
|
bells had died away, and the emotions of the
|
|
wedding-service had calmed down. Her eyes could dwell
|
|
upon details more clearly now, and Mr and Mrs Crick
|
|
having directed their own gig to be sent for them, to
|
|
leave the carriage to the young couple, she observed
|
|
the build and character of that conveyance for the
|
|
first time. Sitting in silence she regarded it long.
|
|
|
|
"I fancy you seem oppressed, Tessy," said Clare.
|
|
|
|
"Yes," she answered, putting her hand to her brow.
|
|
"I tremble at many things. It is all so serious, Angel.
|
|
Among other things I seem to have seen this carriage
|
|
before, to very well acquainted with it. It is very
|
|
odd--I must have seen it in a dream."
|
|
|
|
"Oh--you have heard the legend of the d'Urberville
|
|
Coach--that well-known superstition of this county
|
|
about your family when they were very popular here; and
|
|
this lumbering old thing reminds you of it."
|
|
|
|
"I have never heard of it to my knowledge," said she.
|
|
"What is the legend--may I know it?"
|
|
|
|
"Well--I would rather not tell it in detail just now.
|
|
A certain d'Urberville of the sixteenth or seventeenth
|
|
century committed a dreadful crime in his family coach;
|
|
and since that time members of the family see or hear
|
|
the old coach whenever----But I'll tell you another
|
|
day--it is rather gloomy. Evidently some dim knowledge
|
|
of it has been brought back to your mind by the sight
|
|
of this venerable caravan."
|
|
|
|
"I don't remember hearing it before," she murmured.
|
|
"Is it when we are going to die, Angel, that members of
|
|
my family see it, or is it when we have committed a
|
|
crime?"
|
|
|
|
"Now, Tess!"
|
|
|
|
He silenced her by a kiss.
|
|
|
|
By the time they reached home she was contrite and
|
|
spiritless. She was Mrs Angel Clare, indeed, but had
|
|
she any moral right to the name? Was she not more
|
|
truly Mrs Alexander d'Urberville? Could intensity of
|
|
love justify what might be considered in upright souls
|
|
as culpable reticence? She knew not what was expected
|
|
of women in such cases; and she had no counsellor.
|
|
|
|
However, when she found herself alone in her room for a
|
|
few minutes--the last day this on which she was ever to
|
|
enter it--she knelt down and prayed. She tried to pray
|
|
to God, but it was her husband who really had her
|
|
supplication. Her idolatry of this man was such that
|
|
she herself almost feared it to be ill-omened. She was
|
|
conscious of the notion expressed by Friar Laurence:
|
|
"These violent delights have violent ends." It might
|
|
be too desperate for human conditions--too rank, to
|
|
wild, too deadly.
|
|
|
|
"O my love, why do I love you so!" she whispered there
|
|
alone; "for she you love is not my real self, but one
|
|
in my image; the one I might have been!"
|
|
|
|
Afternoon came, and with it the hour for departure.
|
|
They had decided to fulfil the plan of going for a few
|
|
days to the lodgings in the old farmhouse near
|
|
Wellbridge Mill, at which he meant to reside during his
|
|
investigation of flour processes. At two o'clock there
|
|
was nothing left to do but to start. All the servantry
|
|
of the dairy were standing in the red-brick entry to
|
|
see them go out, the dairyman and his wife following to
|
|
the door. Tess saw her three chamber-mates in a row
|
|
against the wall, pensively inclining their heads. She
|
|
had much questioned if they would appear at the parting
|
|
moment; but there they were, stoical and staunch to the
|
|
last. She knew why the delicate Retty looked to
|
|
fragile, and Izz so tragically sorrowful and Marian so
|
|
blank; and she forgot her own dogging shadow for a
|
|
moment in contemplating theirs.
|
|
|
|
She impulsively whispered to him----
|
|
|
|
"Will you kiss 'em all, once, poor things, for the
|
|
first and last time?"
|
|
|
|
Clare had not the least objection to such a farewell
|
|
formality--which was all that it was to him--and as he
|
|
passed them he kissed them in succession where they
|
|
stood, saying "Goodbye" to each as he did so. When
|
|
they reached the door Tess femininely glanced back to
|
|
discern the effect of that kiss of charity; there was
|
|
no triumph in her glance, as there might have been.
|
|
If there had it would have disappeared when she saw how
|
|
moved the girls all were. The kiss had obviously done
|
|
harm by awakening feelings they were trying to subdue.
|
|
|
|
Of all this Clare was unconscious. Passing on to the
|
|
wicket-gate he shook hands with the dairyman and his
|
|
wife, and expressed his last thanks to them for their
|
|
attentions; after which there was a moment of silence
|
|
before they had moved off. It was interrupted by the
|
|
crowing of a cock. The white one with the rose comb
|
|
had come and settled on the palings in front of the
|
|
house, within a few yards of them, and his notes
|
|
thrilled their ears through, dwindling away like echoes
|
|
down a valley of rocks.
|
|
|
|
"Oh?" said Mrs Crick. "An afternoon crow!"
|
|
|
|
Two men were standing by the yard gate, holding it
|
|
open.
|
|
|
|
"That's bad," one murmured to the other, not thinking
|
|
that the words could be heard by the group at the
|
|
door-wicket.
|
|
|
|
The cock crew again--straight towards Clare.
|
|
|
|
"Well!" said the dairyman.
|
|
|
|
"I don't like to hear him!" said Tess to her husband.
|
|
"Tell the man to drive on. Goodbye, goodbye!"
|
|
|
|
The cock crew again.
|
|
|
|
"Hoosh! Just you be off, sir, or I'll twist your
|
|
neck!" said the dairyman with some irritation, turning
|
|
to the bird and driving him away. And to his wife as
|
|
they went indoors: "Now, to think o' that just today!
|
|
I've not heard his crow of an afternoon all the year
|
|
afore."
|
|
|
|
"It only means a change in the weather," said she;
|
|
"not what you think: 'tis impossible!"
|
|
|
|
|
|
|
|
XXXIV
|
|
|
|
|
|
They drove by the level road along the valley to a
|
|
distance of a few miles, and, reaching Wellbridge,
|
|
turned away from the village to the left, and over the
|
|
great Elizabethan bridge which gives the place half its
|
|
name. Immediately behind it stood the house wherein
|
|
they had engaged lodgings, whose exterior features are
|
|
so well known to all travellers through the Froom
|
|
Valley; once portion of a fine manorial residence, and
|
|
the property and seat of a d'Urberville, but since its
|
|
partial demolition a farmhouse.
|
|
|
|
"Welcome to one of your ancestral mansions!" said Clare
|
|
as he handed her down. But he regretted the pleasantry;
|
|
it was too near a satire.
|
|
|
|
On entering they found that, though they had only
|
|
engaged a couple of rooms, the farmer had taken
|
|
advantage of their proposed presence during the coming
|
|
days to pay a New Year's visit to some friends, leaving
|
|
a woman from a neighbouring cottage to minister to
|
|
their few wants. The absoluteness of possession
|
|
pleased them, and they realized it as the first moment
|
|
of their experience under their own exclusive
|
|
roof-tree.
|
|
|
|
But he found that the mouldy old habitation somewhat
|
|
depressed his bride. When the carriage was gone they
|
|
ascended the stairs to wash their hands, the charwoman
|
|
showing the way. On the landing Tess stopped and
|
|
started.
|
|
|
|
"What's the matter?" said he.
|
|
|
|
"Those horrid women!" she answered with a smile.
|
|
"How they frightened me."
|
|
|
|
He looked up, and perceived two life-size portraits on
|
|
panels built into the masonry. As all visitors to the
|
|
mansion are aware, these paintings represent women of
|
|
middle age, of a date some two hundred years ago, whose
|
|
lineaments once seen can never be forgotten. The long
|
|
pointed features, narrow eye, and smirk of the one, so
|
|
suggestive of merciless treachery; the bill-hook nose,
|
|
large teeth, and bold eye of the other suggesting
|
|
arrogance to the point of ferocity, haunt the beholder
|
|
afterwards in his dreams.
|
|
|
|
"Whose portraits are those?" asked Clare of the
|
|
charwoman.
|
|
|
|
"I have been told by old folk that they were ladies of
|
|
the d'Urberville family, the ancient lords of this
|
|
manor," she said, "Owing to their being builded into
|
|
the wall they can't be moved away."
|
|
|
|
The unpleasantness of the matter was that, in addition
|
|
to their effect upon Tess, her fine features were
|
|
unquestionably traceable in these exaggerated forms.
|
|
He said nothing of this, however, and, regretting that
|
|
he had gone out of his way to choose the house for
|
|
their bridal time, went on into the adjoining room.
|
|
The place having been rather hastily prepared for them
|
|
they washed their hands in one basin. Clare touched
|
|
hers under the water.
|
|
|
|
"Which are my fingers and which are yours?" he said,
|
|
looking up. "They are very much mixed."
|
|
|
|
"They are all yours," said she, very prettily, and
|
|
endeavoured to be gayer than she was. He had not been
|
|
displeased with her thoughtfulness on such an occasion;
|
|
it was what every sensible woman would show: but Tess
|
|
knew that she had been thoughtful to excess, and
|
|
struggled against it.
|
|
|
|
The sun was so low on that short last afternoon of the
|
|
year that it shone in through a small opening and
|
|
formed a golden staff which stretched across to her
|
|
skirt, where it made a spot like a paint-mark set upon
|
|
her. They went into the ancient parlour to tea, and
|
|
here they shared their first common meal alone. Such
|
|
was their childishness, or rather his, that he found it
|
|
interesting to use the same bread-and-butter plate as
|
|
herself, and to brush crumbs from her lips with his
|
|
own. He wondered a little that she did not enter into
|
|
these frivolities with his own zest.
|
|
|
|
Looking at her silently for a long time; "She is a dear
|
|
dear Tess," he thought to himself, as one deciding on
|
|
the true construction of a difficult passage. "Do I
|
|
realize solemnly enough how utterly and irretrievably
|
|
this little womanly thing is the creature of my good or
|
|
bad faith and fortune? I think not. I think I could
|
|
not, unless I were a woman myself. What I am in
|
|
worldly estate, she is. What I become, she must
|
|
become. What I cannot be, she cannot be. And shall I
|
|
ever neglect her, or hurt her, or even forget to
|
|
consider her? God forbid such a crime!"
|
|
|
|
They sat on over the tea-table waiting for their
|
|
luggage, which the dairyman had promised to send before
|
|
it grew dark. But evening began to close in, and the
|
|
luggage did not arrive, and they had brought nothing
|
|
more than they stood in. With the departure of the sun
|
|
the calm mood of the winter day changed. Out of doors
|
|
there began noises as of silk smartly rubbed; the
|
|
restful dead leaves of the preceding autumn were
|
|
stirred to irritated resurrection, and whirled about
|
|
unwillingly, and tapped against the shutters. It soon
|
|
began to rain.
|
|
|
|
"That cock knew the weather was going to change," said
|
|
Clare.
|
|
|
|
The woman who had attended upon them had gone home for
|
|
the night, but she had placed candles upon the table,
|
|
and now they lit them. Each candle-flame drew towards
|
|
the fireplace.
|
|
|
|
"These old houses are so draughty," continued Angel,
|
|
looking at the flames, and at the grease guttering down
|
|
the sides. "I wonder where that luggage is. We
|
|
haven't even a brush and comb."
|
|
|
|
"I don't know," she answered, absent-minded.
|
|
|
|
"Tess, you are not a bit cheerful this evening--not at
|
|
all as you used to be. Those harridans on the panels
|
|
upstairs have unsettled you. I am sorry I brought you
|
|
here. I wonder if you really love me, after all?" He
|
|
knew that she did, and the words had no serious intent;
|
|
but she was surcharged with emotion, and winced like a
|
|
wounded animal. Though she tried not to shed tears she
|
|
could not help showing one or two.
|
|
|
|
"I did not mean it!" said he, sorry. "You are worried
|
|
at not having your things, I know. I cannot think why
|
|
old Jonathan has not come with them. Why, it is seven
|
|
o'clock? Ah, there he is!"
|
|
|
|
A knock had come to the door, and, there being nobody
|
|
else to answer it, Clare went out. He returned to the
|
|
room with a small package in his hand.
|
|
|
|
"It is not Jonathan, after all," he said.
|
|
|
|
"How vexing!" said Tess.
|
|
|
|
The packet had been brought by a special messenger, who
|
|
had arrived at Talbothays from Emminster Vicarage
|
|
immediately after the departure of the married couple,
|
|
and had followed them hither, being under injunction to
|
|
deliver it into nobody's hands but theirs. Clare
|
|
brought it to the light. It was less than a foot long,
|
|
sewed up in canvas, sealed in red wax with his father's
|
|
seal, and directed in his father's hand to "Mrs Angel
|
|
Clare."
|
|
|
|
"It is a little wedding-present for you, Tess," said
|
|
he, handing it to her. "How thoughtful they are!"
|
|
|
|
Tess looked a little flustered as she took it.
|
|
|
|
"I think I would rather have you open it, dearest,"
|
|
said she, turning over the parcel. "I don't like to
|
|
break those great seals; they look so serious. Please
|
|
open it for me!"
|
|
|
|
He undid the parcel. Inside was a case of morocco
|
|
leather, on the top of which lay a note and a key.
|
|
|
|
The note was for Clare, in the following words:
|
|
|
|
|
|
|
|
MY DEAR SON----
|
|
|
|
Possibly you have forgotten that on the death of your
|
|
godmother, Mrs Pitney, when you were a lad, she--vain
|
|
kind woman that she was--left to me a portion of the
|
|
contents of her jewel-case in trust for your wife, if
|
|
you should ever have one, as a mark of her affection
|
|
for you and whomsoever you should choose. This trust I
|
|
have fulfilled, and the diamonds have been locked up at
|
|
my banker's ever since. Though I feel it to be a
|
|
somewhat incongruous act in the circumstances, I am, as
|
|
you will see, bound to hand over the articles to the
|
|
woman to whom the use of them for her lifetime will now
|
|
rightly belong, and they are therefore promptly sent.
|
|
They become, I believe, heirlooms, strictly speaking,
|
|
according to the terms of your godmother's will. The
|
|
precise words of the clause that refers to this matter
|
|
are enclosed.
|
|
|
|
|
|
"I do remember," said Clare; "but I had quite
|
|
forgotten."
|
|
|
|
Unlocking the case, they found it to contain a
|
|
necklace, with pendant, bracelets, and ear-rings; and
|
|
also some other small ornaments.
|
|
|
|
Tess seemed afraid to touch them at first, but her eyes
|
|
sparkled for a moment as much as the stones when Clare
|
|
spread out the set.
|
|
|
|
"Are they mine?" she asked incredulously.
|
|
|
|
"They are, certainly," said he.
|
|
|
|
He looked into the fire. He remembered how, when he
|
|
was a lad of fifteen, his godmother, the Squire's
|
|
wife--the only rich person with whom he had ever come
|
|
in contact--had pinned her faith to his success; had
|
|
prophesied a wondrous career for him. There had seemed
|
|
nothing at all out of keeping with such a conjectured
|
|
career in the storing up of these showy ornaments for
|
|
his wife and the wives of her descendants. They
|
|
gleamed somewhat ironically now. "Yet why?" he asked
|
|
himself. It was but a question of vanity throughout;
|
|
and if that were admitted into one side of the equation
|
|
it should be admitted into the other. His wife was a
|
|
d'Urberville: whom could they become better than her?
|
|
|
|
Suddenly he said with enthusiasm---
|
|
|
|
"Tess, put them on--put them on!" And he turned from
|
|
the fire to help her.
|
|
|
|
But as if by magic she had already donned them--
|
|
necklace, ear-rings, bracelets, and all.
|
|
|
|
"But the gown isn't right, Tess," said Clare. "It
|
|
ought to be a low one for a set of brilliants like
|
|
that."
|
|
|
|
"Ought it?" said Tess.
|
|
|
|
"Yes," said he.
|
|
|
|
He suggested to her how to tuck in the upper edge of
|
|
her bodice, so as to make it roughly approximate to the
|
|
cut for evening wear; and when she had done this, and
|
|
the pendant to the necklace hung isolated amid the
|
|
whiteness of her throat, as it was designed to do, he
|
|
stepped back to survey her.
|
|
|
|
"My heavens," said Clare, "how beautiful you are!"
|
|
|
|
As everybody knows, fine feathers make fine birds; a
|
|
peasant girl but very moderately prepossessing to the
|
|
casual observer in her simple condition and attire,
|
|
will bloom as an amazing beauty if clothed as a woman
|
|
of fashion with the aids that Art can render; while the
|
|
beauty of the midnight crush would often cut but a
|
|
sorry figure if placed inside the field-woman's wrapper
|
|
upon a monotonous acreage of turnips on a dull day. He
|
|
had never till now estimated the artistic excellence of
|
|
Tess's limbs and features.
|
|
|
|
"If you were only to appear in a ball-room!" he said.
|
|
"But no--no, dearest; I think I love you best in the
|
|
wing-bonnet and cotton-frock--yes, better than in this,
|
|
well as you support these dignities."
|
|
|
|
Tess's sense of her striking appearance had given her a
|
|
flush of excitement, which was yet not happiness.
|
|
|
|
"I'll take them off," she said, "in case Jonathan
|
|
should see me. They are not fit for me, are they?
|
|
They must be sold, I suppose?"
|
|
|
|
"Let them stay a few minutes longer. Sell them?
|
|
Never. It would be a breach of faith."
|
|
|
|
Influenced by a second thought she readily obeyed.
|
|
She had something to tell, and there might be help in
|
|
these. She sat down with the jewels upon her; and they
|
|
again indulged in conjectures as to where Jonathan
|
|
could possibly be with their baggage. The ale they had
|
|
poured out for his consumption when he came had gone
|
|
flat with long standing.
|
|
|
|
Shortly after this they began supper, which was already
|
|
laid on a side-table. Ere they had finished there was
|
|
a jerk in the fire-smoke, the rising skein of which
|
|
bulged out into the room, as if some giant had laid his
|
|
hand on the chimney-top for a moment. It had been
|
|
caused by the opening of the outer door. A heavy step
|
|
was now heard in the passage, and Angel went out.
|
|
|
|
"I couldn' make nobody hear at all by knocking,"
|
|
apologized Jonathan Kail, for it was he at last; "and
|
|
as't was raining out I opened the door. I've brought
|
|
the things, sir."
|
|
|
|
"I am very glad to see them. But you are very late."
|
|
|
|
"Well, yes, sir."
|
|
|
|
There was something subdued in Jonathan Kail's tone
|
|
which had not been there in the day, and lines of
|
|
concern were ploughed upon his forehead in addition to
|
|
the lines of years. He continued----
|
|
|
|
"We've all been gallied at the dairy at what might ha'
|
|
been a most terrible affliction since you and your
|
|
Mis'ess--so to name her now--left us this a'ternoon.
|
|
Perhaps you ha'nt forgot the cock's afternoon crow?"
|
|
|
|
"Dear me;---what------"
|
|
|
|
"Well, some says it do mane one thing, and some
|
|
another; but what's happened is that poor little Retty
|
|
Priddle hev tried to drown herself."
|
|
|
|
"No! Really! Why, she bade us goodbye with the
|
|
rest----"
|
|
|
|
"Yes. Well, sir, when you and your Mis'ess--so to name
|
|
what she lawful is--when you two drove away, as I say,
|
|
Retty and Marian put on their bonnets and went out; and
|
|
as there is not much doing now, being New Year's Eve,
|
|
and folks mops and brooms from what's inside 'em,
|
|
nobody took much notice. They went on to Lew-Everard,
|
|
where they had summut to drink, and then on they vamped
|
|
to Dree-armed Cross, and there they seemed to have
|
|
parted, Retty striking across the water-meads as if for
|
|
home, and Marian going on to the next village, where
|
|
there's another public-house. Nothing more was zeed or
|
|
heard o' Retty till the waterman, on his way home,
|
|
noticed something by the Great Pool; 'twas her bonnet
|
|
and shawl packed up. In the water he found her. He
|
|
and another man brought her home, thinking a' was dead;
|
|
but she fetched round by degrees."
|
|
|
|
Angel, suddenly recollecting that Tess was overhearing
|
|
this gloomy tale, went to shut the door between the
|
|
passage and the ante-room to the inner parlour where
|
|
she was; but his wife, flinging a shawl round her, had
|
|
come to the outer room and was listening to the man's
|
|
narrative, her eyes resting absently on the luggage and
|
|
the drops of rain glistening upon it.
|
|
|
|
"And, more than this, there's Marian; she's been found
|
|
dead drunk by the withy-bed--a girl who hev never been
|
|
known to touch anything before except shilling ale;
|
|
though, to be sure, 'a was always a good trencher-
|
|
woman, as her face showed. It seems as if the maids
|
|
had all gone out o' their minds!"
|
|
|
|
"And Izz?" asked Tess.
|
|
|
|
"Izz is about house as usual; but 'a do say 'a can
|
|
guess how it happened; and she seems to be very low in
|
|
mind about it, poor maid, as well she mid be. And so
|
|
you see, sir, as all this happened just when we was
|
|
packing your few traps and your Mis'ess's night-rail
|
|
and dressing things into the cart, why, it belated me."
|
|
|
|
"Yes. Well, Jonathan, will you get the trunks
|
|
upstairs, and drink a cup of ale, and hasten back as
|
|
soon as you can, in case you should be wanted?"
|
|
|
|
Tess had gone back to the inner parlour, and sat down
|
|
by the fire, looking wistfully into it. She heard
|
|
Jonathan Kail's heavy footsteps up and down the stairs
|
|
till he had done placing the luggage, and heard him
|
|
express his thanks for the ale her husband took out to
|
|
him, and for the gratuity he received. Jonathan's
|
|
footsteps then died from the door, and his cart creaked
|
|
away.
|
|
|
|
Angel slid forward the massive oak bar which secured
|
|
the door, and coming in to where she sat over the
|
|
hearth, pressed her cheeks between his hands from
|
|
behind. He expected her to jump up gaily and unpack
|
|
the toilet-gear that she had been so anxious about, but
|
|
as she did not rise he sat down with her in the
|
|
firelight, the candles on the supper-table being too
|
|
thin and glimmering to interfere with its glow.
|
|
|
|
"I am so sorry you should have heard this sad story
|
|
about the girls," he said. "Still, don't let it
|
|
depress you. Retty was naturally morbid, you know."
|
|
|
|
"Without the least cause," said Tess. "While they who
|
|
have cause to be, hide it, and pretend they are not."
|
|
|
|
This incident had turned the scale for her. They were
|
|
simple and innocent girls on whom the unhappiness of
|
|
unrequited love had fallen; they had deserved better at
|
|
the hands of Fate. She had deserved worse--yet she was
|
|
the chosen one. It was wicked of her to take all
|
|
without paying. She would pay to the uttermost
|
|
farthing; she would tell, there and then. This final
|
|
determination she came to when she looked into the
|
|
fire, he holding her hand.
|
|
|
|
A steady glare from the now flameless embers painted
|
|
the sides and back of the fireplace with its colour,
|
|
and the well-polished andirons, and the old brass tongs
|
|
that would not meet. The underside of the mantel-shelf
|
|
was flushed with the high-coloured light, and the legs
|
|
of the table nearest the fire. Tess's face and neck
|
|
reflected the same warmth, which each gem turned into
|
|
an Aldebaran or a Sirius--a constellation of white,
|
|
red, and green flashes, that interchanged their hues
|
|
with her every pulsation.
|
|
|
|
"Do you remember what we said to each other this
|
|
morning about telling our faults?" he asked abruptly,
|
|
finding that she still remained immovable. "We spoke
|
|
lightly perhaps, and you may well have done so. But
|
|
for me it was no light promise. I want to make a
|
|
confession to you, Love."
|
|
|
|
This, from him, so unexpectedly apposite, had the
|
|
effect upon her of a Providential interposition.
|
|
|
|
"You have to confess something?" she said quickly,
|
|
and even with gladness and relief.
|
|
|
|
"You did not expect it? Ah--you thought too highly of
|
|
me. Now listen. Put your head there, because I want
|
|
you to forgive me, and not to be indignant with me for
|
|
not telling you before, as perhaps I ought to have
|
|
done."
|
|
|
|
How strange it was! He seemed to be her double.
|
|
She did not speak, and Clare went on----
|
|
|
|
"I did not mention it because I was afraid of
|
|
endangering my chance of you, darling, the great prize
|
|
of my life--my Fellowship I call you. My brother's
|
|
Fellowship was won at his college, mine at Talbothays
|
|
Dairy. Well, I would not risk it. I was going to tell
|
|
you a month ago--at the time you agreed to be mine, but
|
|
I could not; I thought it might frighten you away from
|
|
me. I put it off; then I thought I would tell you
|
|
yesterday, to give you a chance at least of escaping
|
|
me. But I did not. And I did not this morning, when
|
|
you proposed our confessing our faults on the
|
|
landing--the sinner that I was! But I must, now I see
|
|
you sitting there so solemnly. I wonder if you will
|
|
forgive me?"
|
|
|
|
"O yes! I am sure that----"
|
|
|
|
"Well, I hope so. But wait a minute. You don't know.
|
|
To begin at the beginning. Though I imagine my poor
|
|
father fears that I am one of the eternally lost for my
|
|
doctrines, I am of course, a believer in good morals,
|
|
Tess, as much as you. I used to wish to be a teacher
|
|
of men, and it was a great disappointment to me when I
|
|
found I could not enter the Church. I admired
|
|
spotlessness, even though I could lay no claim to it,
|
|
and hated impurity, as I hope I do now. Whatever one
|
|
may think of plenary inspiration, one must heartily
|
|
subscribe to these words of Paul: 'Be thou an example--
|
|
in word, in conversation, in charity, in spirit, in
|
|
faith, in purity.' It is the only safeguard for us
|
|
poor human beings. 'INTEGER VITAE,' says a Roman poet,
|
|
who is strange company for St Paul----
|
|
|
|
|
|
The man of upright life, from frailties free,
|
|
Stands not in need of Moorish spear or bow
|
|
|
|
|
|
Well, a certain place is paved with good intentions,
|
|
and having felt all that so strongly, you will see what
|
|
a terrible remorse it bred in me when, in the midst of
|
|
my fine aims for other people, I myself fell."
|
|
|
|
He then told her of that time of his life to which
|
|
allusion has been made when, tossed about by doubts and
|
|
difficulties in London, like a cork on the waves, he
|
|
plunged into eight-and-forty hours' dissipation with a
|
|
stranger.
|
|
|
|
"Happily I awoke almost immediately to a sense of my
|
|
folly," he continued. "I would have no more to say to
|
|
her, and I came home. I have never repeated the
|
|
offence. But I felt I should like to treat you with
|
|
perfect frankness and honour, and I could not do so
|
|
without telling this. Do you forgive me?"
|
|
|
|
She pressed his hand tightly for an answer.
|
|
|
|
"Then we will dismiss it at once and for ever!--too
|
|
painful as it is for the occasion--and talk of
|
|
something lighter."
|
|
|
|
"O, Angel--I am almost glad--because now YOU can
|
|
forgive ME! I have not made my confession. I have a
|
|
confession, too--remember, I said so."
|
|
|
|
"Ah, to be sure! Now then for it, wicked little one."
|
|
|
|
"Perhaps, although you smile, it is as serious as
|
|
yours, or more so."
|
|
|
|
"It can hardly be more serious, dearest."
|
|
|
|
"It cannot--O no, it cannot!" She jumped up joyfully
|
|
at the hope. "No, it cannot be more serious,
|
|
certainly," she cried, "because 'tis just the same!
|
|
I will tell you now."
|
|
|
|
She sat down again.
|
|
|
|
Their hands were still joined. The ashes under the
|
|
grate were lit by the fire vertically, like a torrid
|
|
waste. Imagination might have beheld a Last Day
|
|
luridness in this red-coaled glow, which fell on his
|
|
face and hand, and on hers, peering into the loose hair
|
|
about her brow, and firing the delicate skin
|
|
underneath. A large shadow of her shape rose upon the
|
|
wall and ceiling. She bent forward, at which each
|
|
diamond on her neck gave a sinister wink like a toad's;
|
|
and pressing her forehead against his temple she
|
|
entered on her story of her acquaintance with Alec
|
|
d'Urberville and its results, murmuring the words
|
|
without flinching, and with her eyelids drooping down.
|
|
|
|
|
|
END OF PHASE THE FOURTH
|
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|
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|
|
|
|
|
|
|
Phase the Fifth: The Woman Pays
|
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|
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|
|
XXXV
|
|
|
|
|
|
Her narrative ended; even its re-assertions and
|
|
secondary explanations were done. Tess's voice
|
|
throughout had hardly risen higher than its opening
|
|
tone; there had been no exculpatory phrase of any kind,
|
|
and she had not wept.
|
|
|
|
But the complexion even of external things seemed to
|
|
suffer transmutation as her announcement progressed.
|
|
The fire in the grate looked impish--demoniacally
|
|
funny, as if it did not care in the least about her
|
|
strait. The fender grinned idly, as if it too did not
|
|
care. The light from the water-bottle was merely
|
|
engaged in a chromatic problem. All material objects
|
|
around announced their irresponsibility with terrible
|
|
iteration. And yet nothing had changed since the
|
|
moments when he had been kissing her; or rather,
|
|
nothing in the substance of things. But the essence of
|
|
things had changed.
|
|
|
|
When she ceased the auricular impressions from their
|
|
previous endearments seemed to hustle away into the
|
|
corner of their brains, repeating themselves as echoes
|
|
from a time of supremely purblind foolishness.
|
|
|
|
Clare performed the irrelevant act of stirring the
|
|
fire; the intelligence had not even yet got to the
|
|
bottom of him. After stirring the embers he rose to his
|
|
feet; all the force of her disclosure had imparted
|
|
itself now. His face had withered. In the
|
|
strenuousness of his concentration he treadled fitfully
|
|
on the floor. He could not, by any contrivance, think
|
|
closely enough; that was the meaning of his vague
|
|
movement. When he spoke it was in the most inadequate,
|
|
commonplace voice of the many varied tones she had
|
|
heard from him.
|
|
|
|
"Tess!"
|
|
|
|
"Yes, dearest."
|
|
|
|
"Am I to believe this? From your manner I am to take
|
|
it as true. O you cannot be out of your mind! You
|
|
ought to be! Yet you are not. ... My wife, my
|
|
Tess--nothing in you warrants such a supposition as
|
|
that?"
|
|
|
|
"I am not out of my mind," she said.
|
|
|
|
"And yet----" He looked vacantly at her, to resume
|
|
with dazed senses: "Why didn't you tell me before?
|
|
Ah, yes, you would have told me, in a way--but I hindered
|
|
you, I remember!"
|
|
|
|
These and other of his words were nothing but the
|
|
perfunctory babble of the surface while the depths
|
|
remained paralyzed. He turned away, and bent over a
|
|
chair. Tess followed him to the middle of the room
|
|
where he was, and stood there staring at him with eyes
|
|
that did not weep. Presently she slid down upon her
|
|
knees beside his foot, and from this position she
|
|
crouched in a heap.
|
|
|
|
"In the name of our love, forgive me!" she whispered
|
|
with a dry mouth. "I have forgiven you for the same!"
|
|
|
|
And, as he did not answer, she said again----
|
|
|
|
"Forgive me as you are forgiven! I forgive YOU,
|
|
Angel."
|
|
|
|
"You--yes, you do."
|
|
|
|
"But you do not forgive me?"
|
|
|
|
"O Tess, forgiveness does not apply to the case! You
|
|
were one person; now you are another. My God--how can
|
|
forgiveness meet such a grotesque--prestidigitation as
|
|
that!"
|
|
|
|
He paused, contemplating this definition; then suddenly
|
|
broke into horrible laughter--as unnatural and ghastly
|
|
as a laugh in hell.
|
|
|
|
"Don't--don't! It kills me quite, that!" she shrieked.
|
|
"O have mercy upon me--have mercy!"
|
|
|
|
He did not answer; and, sickly white, she jumped up.
|
|
|
|
"Angel, Angel! what do you mean by that laugh?" she
|
|
cried out. "Do you know what this is to me?"
|
|
|
|
He shook his head.
|
|
|
|
"I have been hoping, longing, praying, to make you
|
|
happy! I have thought what joy it will be to do it,
|
|
what an unworthy wife I shall be if I do not! That's
|
|
what I have felt, Angel!"
|
|
|
|
"I know that."
|
|
|
|
"I thought, Angel, that you loved me--me, my very self!
|
|
If it is I you do love, O how can it be that you look
|
|
and speak so? It frightens me! Having begun to love
|
|
you, I love you for ever--in all changes, in all
|
|
disgraces, because you are yourself. I ask no more.
|
|
Then how can you, O my own husband, stop loving me?"
|
|
|
|
"I repeat, the woman I have been loving is not you."
|
|
|
|
"But who?"
|
|
|
|
"Another woman in your shape."
|
|
|
|
She perceived in his words the realization of her own
|
|
apprehensive foreboding in former times. He looked
|
|
upon her as a species of imposter; a guilty woman in
|
|
the guise of an innocent one. Terror was upon her
|
|
white face as she saw it; her cheek was flaccid, and
|
|
her mouth had almost the aspect of a round little hole.
|
|
The horrible sense of his view of her so deadened her
|
|
that she staggered; and he stepped forward, thinking
|
|
she was going to fall.
|
|
|
|
"Sit down, sit down," he said gently. "You are ill;
|
|
and it is natural that you should be."
|
|
|
|
She did sit down, without knowing where she was, that
|
|
strained look still upon her face, and her eyes such as
|
|
to make his flesh creep.
|
|
|
|
"I don't belong to you any more, then; do I, Angel?"
|
|
she asked helplessly. "It is not me, but another woman
|
|
like me that he loved, he says."
|
|
|
|
The image raised caused her to take pity upon herself
|
|
as one who was ill-used. Her eyes filled as she
|
|
regarded her position further; she turned round and
|
|
burst into a flood of self-sympathetic tears.
|
|
|
|
Clare was relieved at this change, for the effect on
|
|
her of what had happened was beginning to be a trouble
|
|
to him only less than the woe of the disclosure itself.
|
|
He waited patiently, apathetically, till the violence
|
|
of her grief had worn itself out, and her rush of
|
|
weeping had lessened to a catching gasp at intervals.
|
|
|
|
"Angel," she said suddenly, in her natural tones, the
|
|
insane, dry voice of terror having left her now.
|
|
"Angel, am I too wicked for you and me to live
|
|
together?"
|
|
|
|
"I have not been able to think what we can do."
|
|
|
|
"I shan't ask you to let me live with you, Angel,
|
|
because I have no right to! I shall not write to
|
|
mother and sisters to say we be married, as I said I
|
|
would do; and I shan't finish the good-hussif' I cut
|
|
out and meant to make while we were in lodgings."
|
|
|
|
"Shan't you?"
|
|
|
|
"No, I shan't do anything, unless you order me to; and
|
|
if you go away from me I shall not follow 'ee; and if
|
|
you never speak to me any more I shall not ask why,
|
|
unless you tell me I may."
|
|
|
|
"And if I order you to do anything?"
|
|
|
|
"I will obey you like your wretched slave, even if it
|
|
is to lie down and die."
|
|
|
|
"You are very good. But it strikes me that there is a
|
|
want of harmony between your present mood of
|
|
self-sacrifice and your past mood of
|
|
self-preservation."
|
|
|
|
These were the first words of antagonism. To fling
|
|
elaborate sarcasms at Tess, however, was much like
|
|
flinging them at a dog or cat. The charms of their
|
|
subtlety passed by her unappreciated, and she only
|
|
received them as inimical sounds which meant that anger
|
|
ruled. She remained mute, not knowing that he was
|
|
smothering his affection for her. She hardly observed
|
|
that a tear descended slowly upon his cheek, a tear so
|
|
large that it magnified the pores of the skin over
|
|
which it rolled, like the object lens of a microscope.
|
|
Meanwhile reillumination as to the terrible and total
|
|
change that her confession had wrought in his life, in
|
|
his universe, returned to him, and he tried desperately
|
|
to advance among the new conditions in which he stood.
|
|
Some consequent action was necessary; yet what?
|
|
|
|
"Tess," he said, as gently as he could speak, "I cannot
|
|
stay--in this room--just now. I will walk out a little
|
|
way."
|
|
|
|
He quietly left the room, and the two glasses of wine
|
|
that he had poured out for their supper--one for her,
|
|
one for him--remained on the table untasted. This was
|
|
what their AGAPE had come to. At tea, two or three
|
|
hours earlier, they had, in the freakishness of
|
|
affection, drunk from one cup.
|
|
|
|
The closing of the door behind him, gently as it had
|
|
been pulled to, roused Tess from her stupor. He was
|
|
gone; she could not stay. Hastily flinging her cloak
|
|
around her she opened the door and followed, putting
|
|
out the candles as if she were never coming back. The
|
|
rain was over and the night was now clear.
|
|
|
|
She was soon close at his heels, for Clare walked
|
|
slowly and without purpose. His form beside her light
|
|
gray figure looked black, sinister, and forbidding, and
|
|
she felt as sarcasm the touch of the jewels of which
|
|
she had been momentarily so proud. Clare turned at
|
|
hearing her footsteps, but his recognition of her
|
|
presence seemed to make no difference to him, and he
|
|
went on over the five yawning arches of the great
|
|
bridge in front of the house.
|
|
|
|
The cow and horse tracks in the road were full of
|
|
water, and rain having been enough to charge them, but
|
|
not enough to wash them away. Across these minute
|
|
pools the reflected stars flitted in a quick transit as
|
|
she passed; she would not have known they were shining
|
|
overhead if she had not seen them there--the vastest
|
|
things of the universe imaged in objects so mean.
|
|
|
|
The place to which they had travelled today was in the
|
|
same valley as Talbothays, but some miles lower down
|
|
the river; and the surroundings being open she kept
|
|
easily in sight of him. Away from the house the road
|
|
wound through the meads, and along these she followed
|
|
Clare without any attempt to come up with him or to
|
|
attract him, but with dumb and vacant fidelity.
|
|
|
|
At last, however, her listless walk brought her up
|
|
alongside him, and still he said nothing. The cruelty
|
|
of fooled honesty is often great after enlightenment,
|
|
and it was mighty in Clare now. The outdoor air had
|
|
apparently taken away from him all tendency to act on
|
|
impulse; she knew that he saw her without
|
|
irradiation--in all her bareness; that Time was
|
|
chanting his satiric psalm at her then----
|
|
|
|
|
|
Behold, when thy face is made bare, he that loved thee shall
|
|
hate;
|
|
Thy face shall be no more fair at the fall of thy fate
|
|
For thy life shall fall as a leaf and be shed as the rain;
|
|
And the veil of thine head shall be grief, and the crown shall be
|
|
pain.
|
|
|
|
|
|
He was still intently thinking, and her companionship
|
|
had now insufficient power to break or divert the
|
|
strain of thought. What a weak thing her presence must
|
|
have become to him! She could not help addressing
|
|
Clare.
|
|
|
|
"What have I done--what HAVE I done! I have not told
|
|
of anything that interferes with or belies my love for
|
|
you. You don't think I planned it, do you? It is in
|
|
your own mind what you are angry at, Angel; it is not
|
|
in me. O, it is not in me, and I am not that deceitful
|
|
woman you think me!"
|
|
|
|
"H'm--well. Not deceitful, my wife; but not the same.
|
|
No, not the same. But do not make me reproach you. I
|
|
have sworn that I will not; and I will do everything to
|
|
avoid it."
|
|
|
|
But she went on pleading in her distraction; and
|
|
perhaps said things that would have been better left to
|
|
silence.
|
|
|
|
"Angel!--Angel! I was a child--a child when it
|
|
happened! I knew nothing of men."
|
|
|
|
"You were more sinned against than sinning, that I admit."
|
|
|
|
"Then will you not forgive me?"
|
|
|
|
"I do forgive you, but forgiveness is not all."
|
|
|
|
"And love me?"
|
|
|
|
To this question he did not answer.
|
|
|
|
"O Angel--my mother says that it sometimes happens
|
|
so!--she knows several cases where they were worse than
|
|
I, and the husband has not minded it much--has got over
|
|
it at least. And yet the woman had not loved him as I
|
|
do you!"
|
|
|
|
"Don't, Tess; don't argue. Different societies,
|
|
different manners. You almost make me say you are an
|
|
unapprehending peasant woman, who have never been
|
|
initiated into the proportions of social things. You
|
|
don't know what you say."
|
|
|
|
"I am only a peasant by position, not by nature!"
|
|
|
|
She spoke with an impulse to anger, but it went as it came.
|
|
|
|
"So much the worse for you. I think that parson who
|
|
unearthed your pedigree would have done better if he
|
|
had held his tongue. I cannot help associating your
|
|
decline as a family with this other fact--of your want
|
|
of firmness. Decrepit families imply decrepit wills,
|
|
decrepit conduct. Heaven, why did you give me a handle
|
|
for despising you more by informing me of your descent!
|
|
Here was I thinking you a new-sprung child of nature;
|
|
there were you, the belated seedling of an effete
|
|
aristocracy!"
|
|
|
|
"Lots of families are as bad as mine in that! Retty's
|
|
family were once large landowners, and so were Dairyman
|
|
Billett's. And the Debbyhouses, who now are carters,
|
|
were once the De Bayeux family. You find such as I
|
|
everywhere; 'tis a feature of our county, and I can't
|
|
help it."
|
|
|
|
"So much the worse for the county."
|
|
|
|
She took these reproaches in their bulk simply, not in
|
|
their particulars; he did not love her as he had loved
|
|
her hitherto, and to all else she was indifferent.
|
|
|
|
They wandered on again in silence. It was said
|
|
afterwards that a cottager of Wellbridge, who went out
|
|
late that night for a doctor, met two lovers in the
|
|
pastures, walking very slowly, without converse, one
|
|
behind the other, as in a funeral procession, and the
|
|
glimpse that he obtained of their faces seemed to
|
|
denote that they were anxious and sad. Returning later,
|
|
he passed them again in the same field, progressing
|
|
just as slowly, and as regardless of the hour and of
|
|
the cheerless night as before. It was only on account
|
|
of his preoccupation with his own affairs, and the
|
|
illness in his house, that he did not bear in mind the
|
|
curious incident, which, however, he recalled a long
|
|
while after.
|
|
|
|
During the interval of the cottager's going and coming,
|
|
she had said to her husband----
|
|
|
|
"I don't see how I can help being the cause of much
|
|
misery to you all your life. The river is down there.
|
|
I can put an end to myself in it. I am not afraid."
|
|
|
|
"I don't wish to add murder to my other follies," he
|
|
said.
|
|
|
|
"I will leave something to show that I did it
|
|
myself--on account of my shame. They will not blame
|
|
you then."
|
|
|
|
"Don't speak so absurdly--I wish not to hear it. It is
|
|
nonsense to have such thoughts in this kind of case,
|
|
which is rather one for satirical laughter than for
|
|
tragedy. You don't in the least understand the quality
|
|
of the mishap. It would be viewed in the light of a
|
|
joke by nine-tenths of the world if it were known.
|
|
Please oblige me by returning to the house, and going
|
|
to bed."
|
|
|
|
"I will," said she dutifully.
|
|
|
|
They had rambled round by a road which led to the
|
|
well-known ruins of the Cistercian abbey behind the
|
|
mill, the latter having, in centuries past, been
|
|
attached to the monastic establishment. The mill still
|
|
worked on, food being a perennial necessity; the abbey
|
|
had perished, creeds being transient. One continually
|
|
sees the ministration of the temporary outlasting the
|
|
ministration of the eternal. Their walk having been
|
|
circuitous they were still not far from the house, and
|
|
in obeying his direction she only had to reach the
|
|
large stone bridge across the main river, and follow
|
|
the road for a few yards. When she got back everything
|
|
remained as she had left it, the fire being still
|
|
burning. She did not stay downstairs for more than a
|
|
minute, but proceeded to her chamber, whither the
|
|
luggage had been taken. Here she sat down on the edge
|
|
of the bed, looking blankly around, and presently began
|
|
to undress. In removing the light towards the bedstead
|
|
its rays fell upon the tester of white dimity;
|
|
something was hanging beneath it, and she lifted the
|
|
candle to see what it was. A bough of mistletoe.
|
|
Angel had put it there; she knew that in an instant.
|
|
This was the explanation of that mysterious parcel
|
|
which it had been so difficult to pack and bring; whose
|
|
contents he would not explain to her, saying that time
|
|
would soon show her the purpose thereof. In his zest
|
|
and his gaiety he had hung it there. How foolish and
|
|
inopportune that mistletoe looked now.
|
|
|
|
Having nothing more to fear, having scarce anything to
|
|
hope, for that he would relent there seemed no promise
|
|
whatever, she lay down dully. When sorrow ceases to be
|
|
speculative sleep sees her opportunity. Among so many
|
|
happier moods which forbid repose this was a mood which
|
|
welcomed it, and in a few minutes the lonely Tess
|
|
forgot existence, surrounded by the aromatic stillness
|
|
of the chamber that had once, possibly, been the
|
|
bride-chamber of her own ancestry.
|
|
|
|
Later on that night Clare also retraced his steps to
|
|
the house. Entering softly to the sitting-room he
|
|
obtained a light, and with the manner of one who had
|
|
considered his course he spread his rugs upon the old
|
|
horse-hair sofa which stood there, and roughly shaped
|
|
it to a sleeping-couch. Before lying down he crept
|
|
shoeless upstairs, and listened at the door of her
|
|
apartment. Her measured breathing told that she was
|
|
sleeping profoundly.
|
|
|
|
"Thank God!" murmured Clare; and yet he was conscious
|
|
of a pang of bitterness at the thought--approximately
|
|
true, though not wholly so--that having shifted the
|
|
burden of her life to his shoulders she was now
|
|
reposing without care.
|
|
|
|
He turned away to descend; then, irresolute, faced
|
|
round to her door again. In the act he caught sight of
|
|
one of the d'Urberville dames, whose portrait was
|
|
immediately over the entrance to Tess's bedchamber. In
|
|
the candlelight the painting was more than unpleasant.
|
|
Sinister design lurked in the woman's features, a
|
|
concentrated purpose of revenge on the other sex--so it
|
|
seemed to him then. The Caroline bodice of the
|
|
portrait was low--precisely as Tess's had been when he
|
|
tucked it in to show the necklace; and again he
|
|
experienced the distressing sensation of a resemblance
|
|
between them.
|
|
|
|
The check was sufficient. He resumed his retreat and
|
|
descended.
|
|
|
|
His air remained calm and cold, his small compressed
|
|
mouth indexing his powers of self-control; his face
|
|
wearing still that terrible sterile expression which
|
|
had spread thereon since her disclosure. It was the
|
|
face of a man who was no longer passion's slave, yet
|
|
who found no advantage in his enfranchisement. He was
|
|
simply regarding the harrowing contingencies of human
|
|
experience, the unexpectedness of things. Nothing so
|
|
pure, so sweet, so virginal as Tess had seemed possible
|
|
all the long while that he had adored her, up to an
|
|
hour ago; but
|
|
|
|
The little less, and what worlds away!
|
|
|
|
He argued erroneously when he said to himself that her
|
|
heart was not indexed in the honest freshness of her
|
|
face; but Tess had no advocate to set him right. Could
|
|
it be possible, he continued, that eyes which as they
|
|
gazed never expressed any divergence from what the
|
|
tongue was telling, were yet ever seeing another world
|
|
behind her ostensible one, discordant and contrasting?
|
|
|
|
He reclined on his couch in the sitting-room, and
|
|
extinguished the light. The night came in, and took up
|
|
its place there, unconcerned and indifferent; the night
|
|
which had already swallowed up his happiness, and was
|
|
now digesting it listlessly; and was ready to swallow
|
|
up the happiness of a thousand other people with as
|
|
little disturbance or change of mien.
|
|
|
|
|
|
|
|
XXXVI
|
|
|
|
|
|
Clare arose in the light of a dawn that was ashy and
|
|
furtive, as though associated with crime. The
|
|
fireplace confronted him with its extinct embers; the
|
|
spread supper-table, whereon stood the two full
|
|
glasses of untasted wine, now flat and filmy; her
|
|
vacated seat and his own; the other articles of
|
|
furniture, with their eternal look of not being able to
|
|
help it, their intolerable inquiry what was to be done?
|
|
From above there was no sound; but in a few minutes
|
|
there came a knock at the door. He remembered that it
|
|
would be the neighbouring cottager's wife, who was to
|
|
minister to their wants while they remained here.
|
|
|
|
The presence of a third person in the house would be
|
|
extremely awkward just now, and, being already dressed,
|
|
he opened the window and informed her that they could
|
|
manage to shift for themselves that morning. She had a
|
|
milk-can in her hand, which he told her to leave at the
|
|
door. When the dame had gone away he searched in the
|
|
back quarters of the house for fuel, and speedily lit a
|
|
fire. There was plenty of eggs, butter, bread, and so
|
|
on in the larder, and Clare soon had breakfast laid,
|
|
his experiences at the dairy having rendered him facile
|
|
in domestic preparations. The smoke of the kindled
|
|
wood rose from the chimney without like a lotus-headed
|
|
column; local people who were passing by saw it, and
|
|
thought of the newly-married couple, and envied their
|
|
happiness.
|
|
|
|
Angel cast a final glance round, and then going to the
|
|
foot of the stairs, called in a conventional voice----
|
|
|
|
"Breakfast is ready!"
|
|
|
|
He opened the front door, and took a few steps in the
|
|
morning air. When, after a short space, he came back
|
|
she was already in the sitting-room mechanically
|
|
readjusting the breakfast things. As she was fully
|
|
attired, and the interval since his calling her had
|
|
been but two or three minutes, she must have been
|
|
dressed or nearly so before he went to summon her. Her
|
|
hair was twisted up in a large round mass at the back
|
|
of her head, and she had put on one of the new frocks--
|
|
a pale blue woollen garment with neck-frillings of
|
|
white. Her hands and face appeared to be cold, and she
|
|
had possibly been sitting dressed in the bedroom a long
|
|
time without any fire. The marked civility of Clare's
|
|
tone in calling her seemed to have inspired her, for
|
|
the moment, with a new glimmer of hope. But it soon
|
|
died when she looked at him.
|
|
|
|
The pair were, in truth, but the ashes of their former
|
|
fires. To the hot sorrow of the previous night had
|
|
succeeded heaviness; it seemed as if nothing could
|
|
kindle either of them to fervour of sensation any more.
|
|
|
|
He spoke gently to her, and she replied with a like
|
|
undemonstrativeness. At last she came up to him,
|
|
looking in his sharply-defined face as one who had no
|
|
consciousness that her own formed a visible object also.
|
|
|
|
"Angel!" she said, and paused, touching him with her
|
|
fingers lightly as a breeze, as though she could hardly
|
|
believe to be there in the flesh the man who was once
|
|
her lover. Her eyes were bright, her pale cheek still
|
|
showed its wonted roundness, though half-dried tears
|
|
had left glistening traces thereon; and the usually
|
|
ripe red mouth was almost as pale as her cheek.
|
|
Throbbingly alive as she was still, under the stress of
|
|
her mental grief the life beat so brokenly, that a
|
|
little further pull upon it would cause real illness,
|
|
dull her characteristic eyes, and make her mouth thin.
|
|
|
|
She looked absolutely pure. Nature, in her fantastic
|
|
trickery, had set such a seal of maidenhood upon Tess's
|
|
countenance that he gazed at her with a stupefied air.
|
|
|
|
"Tess! Say it is not true! No, it is not true!"
|
|
|
|
"It is true."
|
|
|
|
"Every word?"
|
|
|
|
"Every word."
|
|
|
|
He looked at her imploringly, as if he would willingly
|
|
have taken a lie from her lips, knowing it to be one,
|
|
and have made of it, by some sort of sophistry, a valid
|
|
denial. However, she only repeated----
|
|
|
|
"It is true."
|
|
|
|
"Is he living?" Angel then asked.
|
|
|
|
"The baby died."
|
|
|
|
"But the man?"
|
|
|
|
"He is alive."
|
|
|
|
A last despair passed over Clare's face.
|
|
|
|
"Is he in England?"
|
|
|
|
"Yes."
|
|
|
|
He took a few vague steps.
|
|
|
|
"My position--is this," he said abruptly. "I thought--
|
|
any man would have thought--that by giving up
|
|
all ambition to win a wife with social standing, with
|
|
fortune, with knowledge of the world, I should secure
|
|
rustic innocence as surely as I should secure pink
|
|
cheeks; but----However, I am no man to reproach you,
|
|
and I will not."
|
|
|
|
Tess felt his position so entirely that the remainder
|
|
had not been needed. Therein lay just the distress of
|
|
it; she saw that he had lost all round.
|
|
|
|
"Angel--I should not have let it go on to marriage with
|
|
you if I had not known that, after all, there was a
|
|
last way out of it for you; though I hoped you would
|
|
never----"
|
|
|
|
Her voice grew husky.
|
|
|
|
"A last way?"
|
|
|
|
"I mean, to get rid of me. You CAN get rid of me."
|
|
|
|
"How?"
|
|
|
|
"By divorcing me."
|
|
|
|
"Good heavens--how can you be so simple! How can I
|
|
divorce you?"
|
|
|
|
"Can't you--now I have told you? I thought my
|
|
confession would give you grounds for that."
|
|
|
|
"O Tess--you are too, too--childish--unformed--crude,
|
|
I suppose! I don't know what you are. You don't
|
|
understand the law--you don't understand!"
|
|
|
|
"What--you cannot?"
|
|
|
|
"Indeed I cannot."
|
|
|
|
A quick shame mixed with the misery upon his listener's
|
|
face.
|
|
|
|
"I thought--I thought," she whispered. "O, now I see
|
|
how wicked I seem to you! Believe me--believe me, on
|
|
my soul, I never thought but that you could! I hoped
|
|
you would not; yet I believed, without a doubt, that
|
|
you could cast me off if you were determined, and
|
|
didn't love me at--at--all!"
|
|
|
|
"You were mistaken," he said.
|
|
|
|
"O, then I ought to have done it, to have done it last
|
|
night! But I hadn't the courage. That's just like
|
|
me!"
|
|
|
|
"The courage to do what?"
|
|
|
|
As she did not answer he took her by the hand.
|
|
|
|
"What were you thinking of doing?" he inquired.
|
|
|
|
"Of putting an end to myself."
|
|
|
|
"When?"
|
|
|
|
She writhed under this inquisitorial manner of his.
|
|
"Last night," she answered.
|
|
|
|
"Where?"
|
|
|
|
"Under your mistletoe."
|
|
|
|
"My good----! How?" he asked sternly.
|
|
|
|
"I'll tell you, if you won't be angry with me!" she
|
|
said, shrinking. "It was with the cord of my box. But
|
|
I could not--do the last thing! I was afraid that it
|
|
might cause a scandal to your name."
|
|
|
|
The unexpected quality of this confession, wrung from
|
|
her, and not volunteered, shook him perceptibly. But
|
|
he still held her, and, letting his glance fall from
|
|
her face downwards, he said, "Now, listen to this.
|
|
You must not dare to think of such a horrible thing!
|
|
How could you! You will promise me as your husband to
|
|
attempt that no more."
|
|
|
|
"I am ready to promise. I saw how wicked it was."
|
|
|
|
"Wicked! The idea was unworthy of you beyond
|
|
description."
|
|
|
|
"But, Angel," she pleaded, enlarging her eyes in calm
|
|
unconcern upon him, "it was thought of entirely on your
|
|
account--to set you free without the scandal of the
|
|
divorce that I thought you would have to get. I should
|
|
never have dreamt of doing it on mine. However, to do
|
|
it with my own hand is too good for me, after all.
|
|
It is you, my ruined husband, who ought to strike the
|
|
blow. I think I should love you more, if that were
|
|
possible, if you could bring yourself to do it, since
|
|
there's no other way of escape for 'ee. I feel I am so
|
|
utterly worthless! So very greatly in the way!"
|
|
|
|
"Ssh!"
|
|
|
|
"Well, since you say no, I won't. I have no wish
|
|
opposed to yours."
|
|
|
|
He knew this to be true enough. Since the desperation
|
|
of the night her activities had dropped to zero, and
|
|
there was no further rashness to be feared.
|
|
|
|
Tess tried to busy herself again over the
|
|
breakfast-table with more or less success, and they sat
|
|
down both on the same side, so that their glances did
|
|
not meet. There was at first something awkward in
|
|
hearing each other eat and drink, but this could not be
|
|
escaped; moreover, the amount of eating done was small
|
|
on both sides. Breakfast over he rose, and telling her
|
|
the hour at which he might be expected to dinner, went
|
|
off to the miller's in a mechanical pursuance of the
|
|
plan of studying that business, which had been his only
|
|
practical reason for coming here.
|
|
|
|
When he was gone Tess stood at the window, and
|
|
presently saw his form crossing the great stone bridge
|
|
which conducted to the mill premises. He sank behind
|
|
it, crossed the railway beyond, and disappeared. Then,
|
|
without a sigh, she turned her attention to the room,
|
|
and began clearing the table and setting it in order.
|
|
|
|
The charwoman soon came. Her presence was at first a
|
|
strain upon Tess, but afterwards an alleviation. At
|
|
half-past twelve she left her assistant alone in the
|
|
kitchen, and, returning to the sitting-room, waited for
|
|
the reappearance of Angel's form behind the bridge.
|
|
|
|
About one he showed himself. Her face flushed,
|
|
although he was a quarter of a mile off. She ran to
|
|
the kitchen to get the dinner served by the time he
|
|
should enter. He went first to the room where they had
|
|
washed their hands together the day before, and as he
|
|
entered the sitting-room the dish-covers rose from the
|
|
dishes as if by his own motion.
|
|
|
|
"How punctual!" he said.
|
|
|
|
"Yes. I saw you coming over the bridge," said she.
|
|
|
|
The meal was passed in commonplace talk of what he had
|
|
been doing during the morning at the Abbey Mill, of the
|
|
methods of bolting and the old-fashioned machinery,
|
|
which he feared would not enlighten him greatly on
|
|
modern improved methods, some of it seeming to have
|
|
been in use ever since the days it ground for the monks
|
|
in the adjoining conventual buildings--now a heap of
|
|
ruins. He left the house again in the course of an
|
|
hour, coming home at dusk, and occupying himself
|
|
through the evening with his papers. She feared she
|
|
was in the way, and, when the old woman was gone,
|
|
retired to the kitchen, where she made herself busy as
|
|
well as she could for more than an hour.
|
|
|
|
Clare's shape appeared at the door. "You must not work
|
|
like this," he said. "You are not my servant; you are
|
|
my wife."
|
|
|
|
She raised her eyes, and brightened somewhat. "I may
|
|
think myself that--indeed?" she murmured, in piteous
|
|
raillery. "You mean in name! Well, I don't want to be
|
|
anything more."
|
|
|
|
"You MAY think so, Tess! You are. What do you mean?"
|
|
|
|
"I don't know," she said hastily, with tears in her
|
|
accents. "I thought I--because I am not respectable,
|
|
I mean. I told you I thought I was not respectable
|
|
enough long ago--and on that account I didn't want to
|
|
marry you, only--only you urged me!"
|
|
|
|
She broke into sobs, and turned her back to him. It
|
|
would almost have won round any man but Angel Clare.
|
|
Within the remote depths of his constitution, so gentle
|
|
and affectionate as he was in general, there lay hidden
|
|
a hard logical deposit, like a vein of metal in a soft
|
|
loam, which turned the edge of everything that
|
|
attempted to traverse it. It had blocked his acceptance
|
|
of the Church; it blocked his acceptance of Tess.
|
|
Moreover, his affection itself was less fire than
|
|
radiance, and, with regard to the other sex, when he
|
|
ceased to believe he ceased to follow: contrasting in
|
|
this with many impressionable natures, who remain
|
|
sensuously infatuated with what they intellectually
|
|
despise. He waited till her sobbing ceased.
|
|
|
|
"I wish half the women in England were as respectable
|
|
as you," he said, in an ebullition of bitterness
|
|
against womankind in general. "It isn't a question of
|
|
respectability, but one of principle!"
|
|
|
|
He spoke such things as these and more of a kindred
|
|
sort to her, being still swayed by the antipathetic
|
|
wave which warps direct souls with such persistence
|
|
when once their vision finds itself mocked by
|
|
appearances. There was, it is true, underneath, a back
|
|
current of sympathy through which a woman of the world
|
|
might have conquered him. But Tess did not think of
|
|
this; she took everything as her deserts, and hardly
|
|
opened her mouth. The firmness of her devotion to him
|
|
was indeed almost pitiful; quick-tempered as she
|
|
naturally was, nothing that he could say made her
|
|
unseemly; she sought not her own; was not provoked;
|
|
thought no evil of his treatment of her. She might
|
|
just now have been Apostolic Charity herself returned
|
|
to a self-seeking modern world.
|
|
|
|
This evening, night, and morning were passed precisely
|
|
as the preceding ones had been passed. On one, and
|
|
only one, occasion did she--the formerly free and
|
|
independent Tess--venture to make any advances. It
|
|
was on the third occasion of his starting after a meal
|
|
to go out to the flour-mill. As he was leaving the
|
|
table he said "Goodbye," and she replied in the same
|
|
words, at the same time inclining her mouth in the way
|
|
of his. He did not avail himself of the invitation,
|
|
saying, as he turned hastily aside----
|
|
|
|
"I shall be home punctually."
|
|
|
|
Tess shrank into herself as if she had been struck.
|
|
Often enough had he tried to reach those lips against
|
|
her consent--often had he said gaily that her mouth
|
|
and breath tasted of the butter and eggs and milk and
|
|
honey on which she mainly lived, that he drew
|
|
sustenance from them, and other follies of that sort.
|
|
But he did not care for them now. He observed her
|
|
sudden shrinking, and said gently--
|
|
|
|
"You know, I have to think of a course. It was
|
|
imperative that we should stay together a little while,
|
|
to avoid the scandal to you that would have resulted
|
|
from our immediate parting. But you must see it is
|
|
only for form's sake."
|
|
|
|
"Yes," said Tess absently.
|
|
|
|
He went out, and on his way to the mill stood still,
|
|
and wished for a moment that he had responded yet more
|
|
kindly, and kissed her once at least.
|
|
|
|
Thus they lived through this despairing day or two; in
|
|
the same house, truly; but more widely apart than
|
|
before they were lovers. It was evident to her that he
|
|
was, as he had said, living with paralyzed activities,
|
|
in his endeavour to think of a plan of procedure. She
|
|
was awe-strikin to discover such determination under
|
|
such apparent flexibility. His consistency was, indeed,
|
|
too cruel. She no longer expected forgiveness now.
|
|
More than once she thought of going away from him
|
|
during his absence at the mill; but she feared that
|
|
this, instead of benefiting him, might be the means of
|
|
hampering and humiliating him yet more if it should
|
|
become known.
|
|
|
|
Meanwhile Clare was meditating, verily. His thought
|
|
had been unsuspended; he was becoming ill with
|
|
thinking; eaten out with thinking, withered by
|
|
thinking; scourged out of all his former pulsating
|
|
flexuous domesticity. He walked about saying to
|
|
himself, "What's to be done--what's to be done?" and
|
|
by chance she overheard him. It caused her to break
|
|
the reserve about their future which had hitherto
|
|
prevailed.
|
|
|
|
"I suppose--you are not going to live with me--long,
|
|
are you, Angel?" she asked, the sunk corners of her
|
|
mouth betraying how purely mechanical were the means by
|
|
which she retained that expression of chastened calm
|
|
upon her face.
|
|
|
|
"I cannot" he said, "without despising myself, and what
|
|
is worse, perhaps, despising you. I mean, of course,
|
|
cannot live with you in the ordinary sense. At
|
|
present, whatever I feel, I do not despise you. And,
|
|
let me speak plainly, or you may not see all my
|
|
difficulties. How can we live together while that man
|
|
lives?--he being your husband in nature, and not I.
|
|
If he were dead it might be different.... Besides, that's
|
|
not all the difficulty; it lies in another
|
|
consideration--one bearing upon the future of other
|
|
people than ourselves. Think of years to come, and
|
|
children being born to us, and this past matter getting
|
|
known--for it must get known. There is not an
|
|
uttermost part of the earth but somebody comes from it
|
|
or goes to it from elsewhere. Well, think of wretches
|
|
of our flesh and blood growing up under a taunt which
|
|
they will gradually get to feel the full force of with
|
|
their expanding years. What an awakening for them!
|
|
What a prospect! Can you honestly say 'Remain' after
|
|
contemplating this contingency? Don't you think we had
|
|
better endure the ills we have than fly to others?"
|
|
|
|
Her eyelids, weighted with trouble, continued drooping
|
|
as before.
|
|
|
|
"I cannot say 'Remain,'" she answered, "I cannot; I had
|
|
not thought so far."
|
|
|
|
Tess's feminine hope--shall we confess it?--had been so
|
|
obstinately recuperative as to revive in her
|
|
surreptitious visions of a domiciliary intimacy
|
|
continued long enough to break down his coldness even
|
|
against his judgement. Though unsophisticated in the
|
|
usual sense, she was not incomplete; and it would have
|
|
denoted deficiency of womanhood if she had not
|
|
instinctively known what an argument lies in
|
|
propinquity. Nothing else would serve her, she knew,
|
|
if this failed. It was wrong to hope in what was of
|
|
the nature of strategy, she said to herself: yet that
|
|
sort of hope she could not extinguish. His last
|
|
representation had now been made, and it was, as she
|
|
said, a new view. She had truly never thought so far
|
|
as that, and his lucid picture of possible offspring
|
|
who would scorn her was one that brought deadly
|
|
convictions to an honest heart which was humanitarian
|
|
to its centre. Sheer experience had already taught her
|
|
that, in some circumstances, there was one thing better
|
|
than to lead a good life, and that was to be saved from
|
|
leading any life whatever. Like all who have been
|
|
previsioned by suffering, she could, in the words of
|
|
M. Sully-Prudhomme, hear a penal sentence in the fiat,
|
|
"You shall be born," particularly if addressed to
|
|
potential issue of hers.
|
|
|
|
Yet such is the vulpine slyness of Dame Nature, that,
|
|
till now, Tess had been hoodwinked by her love for
|
|
Clare into forgetting it might result in vitalizations
|
|
that would inflict upon others what she had bewailed as
|
|
misfortune to herself.
|
|
|
|
She therefore could not withstand his argument. But
|
|
with the self-combating proclivity of the
|
|
supersensitive, an answer thereto arose in Clare's own
|
|
mind, and he almost feared it. It was based on her
|
|
exceptional physical nature; and she might have used it
|
|
promisingly. She might have added besides: "On an
|
|
Australian upland or Texan plain, who is to know or
|
|
care about my misfortunes, or to reproach me or you?"
|
|
Yet, like the majority of women, she accepted the
|
|
momentary presentment as if it were the inevitable.
|
|
And she may have been right. The intuitive heart of
|
|
woman knoweth not only its own bitterness, but its
|
|
husband's, and even if these assumed reproaches were
|
|
not likely to be addressed to him or to his by
|
|
strangers, they might have reached his ears from his
|
|
own fastidious brain.
|
|
|
|
It was the third day of the estrangement. Some might
|
|
risk the odd paradox that with more animalism he would
|
|
have been the nobler man. We do not say it. Yet
|
|
Clare's love was doubtless ethereal to a fault,
|
|
imaginative to impracticability. With these natures,
|
|
corporal presence is something less appealing than
|
|
corporal absence; the latter creating an ideal presence
|
|
that conveniently drops the defects of the real. She
|
|
found that her personality did not plead her cause so
|
|
forcibly as she had anticipated. The figurative phrase
|
|
was true: she was another woman than the one who had
|
|
excited his desire.
|
|
|
|
"I have thought over what you say," she remarked to
|
|
him, moving her forefinger over the tablecloth, her
|
|
other hand, which bore the ring that mocked them both,
|
|
supporting her forehead. "It is quite true all of it;
|
|
it must be. You must go away from me."
|
|
|
|
"But what can you do?"'
|
|
|
|
"I can go home."
|
|
|
|
Clare had not thought of that.
|
|
|
|
"Are you sure?" he inquired.
|
|
|
|
"Quite sure. We ought to part, and we may as well get
|
|
it past and done. You once said that I was apt to win
|
|
men against their better judgement; and if I am
|
|
constantly before your eyes I may cause you to change
|
|
your plans in opposition to your reason and wish; and
|
|
afterwards your repentance and my sorrow will be
|
|
terrible."
|
|
|
|
"And you would like to go home?" he asked.
|
|
|
|
"I want to leave you, and go home."
|
|
|
|
"Then it shall be so."
|
|
|
|
Though she did not look up at him, she started. There
|
|
was a difference between the proposition and the
|
|
covenant which she had felt only too quickly.
|
|
|
|
"I feared it would come to this," she murmured, her
|
|
countenance meekly fixed. "I don't complain, Angel,
|
|
I--I think it best. What you said has quite convinced
|
|
me. Yes, though nobody else should reproach me if we
|
|
should stay together, yet somewhen, years hence, you
|
|
might get angry with me for any ordinary matter, and
|
|
knowing what you do of my bygones you yourself might be
|
|
tempted to say words, and they might be overheard,
|
|
perhaps by my own children. O, what only hurts me now
|
|
would torture and kill me then! I will go--tomorrow."
|
|
|
|
"And I shall not stay here. Though I didn't like to
|
|
initiate it, I have seen that it was advisable we
|
|
should part--at least for a while, till I can better
|
|
see the shape that things have taken, and can write to
|
|
you."
|
|
|
|
Tess stole a glance at her husband. He was pale, even
|
|
tremulous; but, as before, she was appalled by the
|
|
determination revealed in the depths of this gentle
|
|
being she had married--the will to subdue the grosser
|
|
to the subtler emotion, the substance to the
|
|
conception, the flesh to the spirit. Propensities,
|
|
tendencies, habits, were as dead leaves upon the
|
|
tyrannous wind of his imaginative ascendency.
|
|
|
|
He may have observed her look, for he explained--
|
|
|
|
"I think of people more kindly when I am away from
|
|
them"; adding cynically, "God knows; perhaps we will
|
|
shake down together some day, for weariness; thousands
|
|
have done it!"
|
|
|
|
That day he began to pack up, and she went upstairs and
|
|
began to pack also. Both knew that it was in their two
|
|
minds that they might part the next morning for ever,
|
|
despite the gloss of assuaging conjectures thrown over
|
|
their processing because they were of the sort to whom
|
|
any parting which has an air of finality is a torture.
|
|
He knew, and she knew, that, though the fascination
|
|
which each had exercised over the other--on her part
|
|
independently of accomplishments--would probably in
|
|
the first days of their separation be even more potent
|
|
than ever, time must attenuate that effect; the
|
|
practical arguments against accepting her as a
|
|
housemate might pronounce themselves more strongly in
|
|
the boreal light of a remoter view. Moreover, when two
|
|
people are once parted--have abandoned a common
|
|
domicile and a common environment--new growths
|
|
insensibly bud upward to fill each vacated place;
|
|
unforeseen accidents hinder intentions, and old plans
|
|
are forgotten.
|
|
|
|
|
|
|
|
XXXVII
|
|
|
|
|
|
Midnight came and passed silently, for there was
|
|
nothing to announce it in the Valley of the Froom.
|
|
|
|
Not long after one o'clock there was a slight creak in
|
|
the darkened farmhouse once the mansion of the
|
|
d'Urbervilles. Tess, who used the upper chamber, heard
|
|
it and awoke. It had come from the corner step of the
|
|
staircase, which, as usual, was loosely nailed. She
|
|
saw the door of her bedroom open, and the figure of her
|
|
husband crossed the stream of moonlight with a
|
|
curiously careful tread. He was in his shirt and
|
|
trousers only, and her first flush of joy died when she
|
|
perceived that his eyes were fixed in an unnatural
|
|
stare on vacancy. When he reached the middle of the
|
|
room he stood still and murmured in tones of
|
|
indescribable sadness--
|
|
|
|
"Dead! dead! dead!"
|
|
|
|
Under the influence of any strongly-disturbing force
|
|
Clare would occasionally walk in his sleep, and even
|
|
perform strange feats, such as he had done on the night
|
|
of their return from market just before their marriage,
|
|
when he re-enacted in his bedroom his combat with the
|
|
man who had insulted her. Tess saw that continued
|
|
mental distress had wrought him into that
|
|
somnambulistic state now.
|
|
|
|
Her loyal confidence in him lay so deep down in her
|
|
heart, that, awake or asleep, he inspired her with no
|
|
sort of personal fear. If he had entered with a pistol
|
|
in his hand he would scarcely have disturbed her trust
|
|
in his protectiveness.
|
|
|
|
Clare came close, and bent over her. "Dead, dead,
|
|
dead!" he murmured.
|
|
|
|
After fixedly regarding her for some moments with the
|
|
same gaze of unmeasurable woe he bent lower, enclosed
|
|
her in his arms, and rolled her in the sheet as in a
|
|
shroud. Then lifting her from the bed with as much
|
|
respect as one would show to a dead body, he carried
|
|
her across the room, murmuring----
|
|
|
|
"My poor, poor Tess--my dearest, darling Tess! So
|
|
sweet, so good, so true!"
|
|
|
|
The words of endearment, withheld so severely in his
|
|
waking hours, were inexpressibly sweet to her forlorn
|
|
and hungry heart. If it had been to save her weary
|
|
life she would not, by moving or struggling, have put
|
|
an end to the position she found herself in. Thus she
|
|
lay in absolute stillness, scarcely venturing to
|
|
breathe, and, wondering what he was going to do with
|
|
her, suffered herself to be borne out upon the landing.
|
|
|
|
"My wife--dead, dead!" he said.
|
|
|
|
He paused in his labours for a moment to lean with her
|
|
against the banister. Was he going to throw her down?
|
|
Self-solicitude was near extinction in her, and in the
|
|
knowledge that he had planned to depart on the morrow,
|
|
possibly for always, she lay in his arms in this
|
|
precarious position with a sense rather of luxury than
|
|
of terror. If they could only fall together, and both
|
|
be dashed to pieces, how fit, how desirable.
|
|
|
|
However, he did not let her fall, but took advantage of
|
|
the support of the handrail to imprint a kiss upon her
|
|
lips--lips in the daytime scorned. Then he clasped
|
|
her with a renewed firmness of hold, and descended the
|
|
staircase. The creak of the loose stair did not awaken
|
|
him, and they reached the ground-floor safely. Freeing
|
|
one of his hands from his grasp of her for a moment, he
|
|
slid back the door-bar and passed out, slightly
|
|
striking his stockinged toe against the edge of the
|
|
door. But this he seemed not to mind, and, having room
|
|
for extension in the open air, he lifted her against
|
|
his shoulder, so that he could carry her with ease, the
|
|
absence of clothes taking much from his burden. Thus
|
|
he bore her off the premises in the direction of the
|
|
river a few yards distant.
|
|
|
|
His ultimate intention, if he had any, she had not yet
|
|
divined; and she found herself conjecturing on the
|
|
matter as a third person might have done. So easefully
|
|
had she delivered her whole being up to him that it
|
|
pleased her to think he was regarding her as his
|
|
absolute possession, to dispose of as he should choose.
|
|
It was consoling, under the hovering terror of
|
|
tomorrow's separation, to feel that he really
|
|
recognized her now as his wife Tess, and did not cast
|
|
her off, even if in that recognition he went so far as
|
|
to arrogate to himself the right of harming her.
|
|
|
|
Ah! now she knew what he was dreaming of--that Sunday
|
|
morning when he had borne her along through the water
|
|
with the other dairymaids, who had loved him nearly as
|
|
much as she, if that were possible, which Tess could
|
|
hardly admit. Clare did not cross the bridge with her,
|
|
but proceeding several paces on the same side towards
|
|
the adjoining mill, at length stood still on the brink
|
|
of the river.
|
|
|
|
Its waters, in creeping down these miles of meadowland,
|
|
frequently divided, serpentining in purposeless curves,
|
|
looping themselves around little islands that had no
|
|
name, returning and re-embodying themselves as a broad
|
|
main stream further on. Opposite the spot to which he
|
|
had brought her was such a general confluence, and the
|
|
river was proportionately voluminous and deep. Across
|
|
it was a narrow foot-bridge; but now the autumn flood
|
|
had washed the handrail away, leaving the bare plank
|
|
only, which, lying a few inches above the speeding
|
|
current, formed a giddy pathway for even steady heads;
|
|
and Tess had noticed from the window of the house in
|
|
the daytime young men walking across upon it as a feat
|
|
in balancing. Her husband had possibly observed the
|
|
same performance; anyhow, he now mounted the plank,
|
|
and, sliding one foot forward, advanced along it.
|
|
|
|
Was he going to drown her? Probably he was. The spot
|
|
was lonely, the river deep and wide enough to make such
|
|
a purpose easy of accomplishment. He might drown her
|
|
if he would; it would be better than parting tomorrow
|
|
to lead severed lives.
|
|
|
|
The swift stream raced and gyrated under them, tossing,
|
|
distorting, and splitting the moon's reflected face.
|
|
Spots of froth travelled past, and intercepted weeds
|
|
waved behind the piles. If they could both fall
|
|
together into the current now, their arms would be so
|
|
tightly clasped together that they could not be saved;
|
|
they would go out of the world almost painlessly, and
|
|
there would be no more reproach to her, or to him for
|
|
marrying her. His last half-hour with her would have
|
|
been a loving one, while if they lived till he awoke
|
|
his daytime aversion would return, and this hour would
|
|
remain to be contemplated only as a transient dream.
|
|
|
|
The impulse stirred in her, yet she dared not indulge
|
|
it, to make a movement that would have precipitated
|
|
them both into the gulf. How she valued her own life
|
|
had been proved; but his--she had no right to tamper
|
|
with it. He reached the other side with her in safety.
|
|
|
|
Here they were within a plantation which formed the
|
|
Abbey grounds, and taking a new hold of her he went
|
|
onward a few steps till they reached the ruined choir
|
|
of the Abbey-church. Against the north wall was the
|
|
empty stone coffin of an abbot, in which every tourist
|
|
with a turn for grim humour was accustomed to stretch
|
|
himself. In this Clare carefully laid Tess. Having
|
|
kissed her lips a second time he breathed deeply, as if
|
|
a greatly desired end were attained. Clare then lay
|
|
down on the ground alongside, when he immediately fell
|
|
into the deep dead slumber of exhaustion, and remained
|
|
motionless as a log. The spurt of mental excitement
|
|
which had produced the effort was now over.
|
|
|
|
Tess sat up in the coffin. The night, though dry and
|
|
mild for the season, was more than sufficiently cold to
|
|
make it dangerous for him to remain here long, in his
|
|
half-clothed state. If he were left to himself he
|
|
would in all probability stay there till the morning,
|
|
and be chilled to certain death. She had heard of such
|
|
deaths after sleep-walking. But how could she dare to
|
|
awaken him, and let him know what he had been doing,
|
|
when it would mortify him to discover his folly in
|
|
respect of her? Tess, however, stepping out of her
|
|
stone confine, shook him slightly, but was unable to
|
|
arouse him without being violent. It was indispensable
|
|
to do something, for she was beginning to shiver, the
|
|
sheet being but a poor protection. Her excitement had
|
|
in a measure kept her warm during the few minutes'
|
|
adventure; but that beatific interval was over.
|
|
|
|
It suddenly occurred to her to try persuasion; and
|
|
accordingly she whispered in his ear, with as much
|
|
firmness and decision as she could summon----
|
|
|
|
"Let us walk on, darling," at the same time taking him
|
|
suggestively by the arm. To her relief, he
|
|
unresistingly acquiesced; her words had apparently
|
|
thrown him back into his dream, which thenceforward
|
|
seemed to enter on a new phase, wherein he fancied she
|
|
had risen as a spirit, and was leading him to Heaven.
|
|
Thus she conducted him by the arm to the stone bridge
|
|
in front of their residence, crossing which they stood
|
|
at the manor-house door. Tess's feet were quite bare,
|
|
and the stones hurt her, and chilled her to the bone;
|
|
but Clare was in his woollen stockings, and appeared to
|
|
feel no discomfort.
|
|
|
|
There was no further difficulty. She induced him to
|
|
lie down on his own sofa bed, and covered him up
|
|
warmly, lighting a temporary fire of wood, to dry any
|
|
dampness out of him. The noise of these attentions she
|
|
thought might awaken him, and secretly wished that they
|
|
might. But the exhaustion of his mind and body was
|
|
such that he remained undisturbed.
|
|
|
|
As soon as they met the next morning Tess divined that
|
|
Angel knew little or nothing of how far she had been
|
|
concerned in the night's excursion, though, as regarded
|
|
himself, he may have been aware that he had not lain
|
|
still. In truth, he had awakened that morning from a
|
|
sleep deep as annihilation; and during those first few
|
|
moments in which the brain, like a Samson shaking
|
|
himself, is trying its strength, he had some dim notion
|
|
of an unusual nocturnal proceeding. But the realities
|
|
of his situation soon displaced conjecture on the other
|
|
subject.
|
|
|
|
He waited in expectancy to discern some mental
|
|
pointing; he knew that if any intention of his,
|
|
concluded over-night, did not vanish in the light of
|
|
morning, it stood on a basis approximating to one of
|
|
pure reason, even if initiated by impulse of feeling;
|
|
that it was so far, therefore, to be trusted. He thus
|
|
beheld in the pale morning light the resolve to
|
|
separate from her; not as a hot and indignant instinct,
|
|
but denuded of the passionateness which had made it
|
|
scorch and burn; standing in its bones; nothing but a
|
|
skeleton, but none the less there. Clare no longer
|
|
hesitated.
|
|
|
|
|
|
At breakfast, and while they were packing the few
|
|
remaining articles, he showed his weariness from the
|
|
night's effort so unmistakeably that Tess was on the
|
|
point of revealing all that had happened; but the
|
|
reflection that it would anger him, grieve him,
|
|
stultify him, to know that he had instinctively
|
|
manifested a fondness for her of which his common-sense
|
|
did not approve; that his inclination had compromised
|
|
his dignity when reason slept, again deterred her. It
|
|
was too much like laughing at a man when sober for his
|
|
erratic deeds during intoxication.
|
|
|
|
It just crossed her mind, too, that he might have a
|
|
faint recollection of his tender vagary, and was
|
|
disinclined to allude to it from a conviction that she
|
|
would take amatory advantage of the opportunity it gave
|
|
her of appealing to him anew not to go.
|
|
|
|
He had ordered by letter a vehicle from the nearest
|
|
town, and soon after breakfast it arrived. She saw in
|
|
it the beginning of the end--the temporary end, at
|
|
least, for the revelation of his tenderness by the
|
|
incident of the night raised dreams of a possible
|
|
future with him. The luggage was put on the top, and
|
|
the man drove them off, the miller and the old
|
|
waiting-woman expressing some surprise at their
|
|
precipitate departure, which Clare attributed to his
|
|
discovery that the mill-work was not of the modern kind
|
|
which he wished to investigate, a statement that was
|
|
true so far as it went. Beyond this there was nothing
|
|
in the manner of their leaving to suggest a FIASCO, or
|
|
that they were not going together to visit friends.
|
|
|
|
Their route lay near the dairy from which they had
|
|
started with such solemn joy in each other a few days
|
|
back, and as Clare wished to wind up his business with
|
|
Mr Crick, Tess could hardly avoid paying Mrs Crick a
|
|
call at the same time, unless she would excite
|
|
suspicion of their unhappy state.
|
|
|
|
To make the call as unobtrusive as possible they left
|
|
the carriage by the wicket leading down from the high
|
|
road to the dairy-house, and descended the track on
|
|
foot, side by side. The withy-bed had been cut, and
|
|
they could see over the stumps the spot to which Clare
|
|
had followed her when he pressed her to be his wife; to
|
|
the left the enclosure in which she had been fascinated
|
|
by his harp; and far away behind the cowstalls the mead
|
|
which had been the scene of their first embrace. The
|
|
gold of the summer picture was now gray, the colours
|
|
mean, the rich soil mud, and the river cold.
|
|
|
|
Over the barton-gate the dairyman saw them, and came
|
|
forward, throwing into his face the kind of jocularity
|
|
deemed appropriate in Talbothays and its vicinity on
|
|
the re-appearance of the newly-married. Then Mrs
|
|
Crick emerged from the house, and several others of
|
|
their old acquaintance, though Marian and Retty did not
|
|
seem to be there.
|
|
|
|
Tess valiantly bore their sly attacks and friendly
|
|
humours, which affected her far otherwise than they
|
|
supposed. In the tacit agreement of husband and wife
|
|
to keep their estrangement a secret they behaved as
|
|
would have been ordinary. And then, although she would
|
|
rather there had been no word spoken on the subject,
|
|
Tess had to hear in detail the story of Marian and
|
|
Retty. The later had gone home to her father's and
|
|
Marian had left to look for employment elsewhere.
|
|
They feared she would come to no good.
|
|
|
|
To dissipate the sadness of this recital Tess went and
|
|
bade all her favourite cows goodbye, touching each of
|
|
them with her hand, and as she and Clare stood side by
|
|
side at leaving, as if united body and soul, there
|
|
would have been something peculiarly sorry in their
|
|
aspect to one who should have seen it truly; two limbs
|
|
of one life, as they outwardly were, his arm touching
|
|
hers, her skirts touching him, facing one way, as
|
|
against all the dairy facing the other, speaking in
|
|
their adieux as "we", and yet sundered like the poles.
|
|
Perhaps something unusually stiff and embarrassed in
|
|
their attitude, some awkwardness in acting up to their
|
|
profession of unity, different from the natural shyness
|
|
of young couples, may have been apparent, for when they
|
|
were gone Mrs Crick said to her husband----
|
|
|
|
"How onnatural the brightness of her eyes did seem, and
|
|
how they stood like waxen images and talked as if they
|
|
were in a dream! Didn't it strike 'ee that 'twas so?
|
|
Tess had always sommat strange in her, and she's not
|
|
now quite like the proud young bride of a well-be-doing
|
|
man."
|
|
|
|
They re-entered the vehicle, and were driven along the
|
|
roads towards Weatherbury and Stagfoot Lane, till they
|
|
reached the Lane inn, where Clare dismissed the fly and
|
|
man. They rested here a while, and entering the Vale
|
|
were next driven onward towards her home by a stranger
|
|
who did not know their relations. At a midway point,
|
|
when Nuttlebury had been passed, and where there were
|
|
cross-roads, Clare stopped the conveyance and said to
|
|
Tess that if she meant to return to her mother's house
|
|
it was here that he would leave her. As they could not
|
|
talk with freedom in the driver's presence he asked her
|
|
to accompany him for a few steps on foot along one of
|
|
the branch roads; she assented, and directing the man
|
|
to wait a few minutes they strolled away.
|
|
|
|
"Now, let us understand each other," he said gently.
|
|
"There is no anger between us, though there is that
|
|
which I cannot endure at present. I will try to bring
|
|
myself to endure it. I will let you know where I go to
|
|
as soon as I know myself. And if I can bring myself to
|
|
bear it--if it is desirable, possible--I will come to
|
|
you. But until I come to you it will be better that
|
|
you should not try to come to me."
|
|
|
|
The severity of the decree seemed deadly to Tess; she
|
|
saw his view of her clearly enough; he could regard her
|
|
in no other light than that of one who had practised
|
|
gross deceit upon him. Yet could a woman who had done
|
|
even what she had done deserve all this? But she could
|
|
contest the point with him no further. She simply
|
|
repeated after him his own words.
|
|
|
|
"Until you come to me I must not try to come to you?"
|
|
|
|
"Just so."
|
|
|
|
"May I write to you?"
|
|
|
|
"O yes--if you are ill, or want anything at all.
|
|
I hope that will not be the case; so that it may happen
|
|
that I write first to you."
|
|
|
|
"I agree to the conditions, Angel; because you know
|
|
best what my punishment ought to be; only--only--don't
|
|
make it more than I can bear!"
|
|
|
|
That was all she said on the matter. If Tess had been
|
|
artful, had she made a scene, fainted, wept
|
|
hysterically, in that lonely lane, notwithstanding the
|
|
fury of fastidiousness with which he was possessed, he
|
|
would probably not have withstood her. But her mood of
|
|
long-suffering made his way easy for him, and she
|
|
herself was his best advocate. Pride, too, entered
|
|
into her submission--which perhaps was a symptom of
|
|
that reckless acquiescence in chance too apparent in
|
|
the whole d'Urberville family--and the many effective
|
|
chords which she could have stirred by an appeal were
|
|
left untouched.
|
|
|
|
The remainder of their discourse was on practical
|
|
matters only. He now handed her a packet containing a
|
|
fairly good sum of money, which he had obtained from
|
|
his bankers for the purpose. The brilliants, the
|
|
interest in which seemed to be Tess's for her life only
|
|
(if he understood the wording of the will), he advised
|
|
her to let him send to a bank for safety; and to this
|
|
she readily agreed.
|
|
|
|
These things arranged he walked with Tess back to the
|
|
carriage, and handed her in. The coachman was paid and
|
|
told where to drive her. Taking next his own bag and
|
|
umbrella--the sole articles he had brought with him
|
|
hitherwards--he bade her goodbye; and they parted there
|
|
and then.
|
|
|
|
The fly moved creepingly up a hill, and Clare watched
|
|
it go with an unpremeditated hope that Tess would look
|
|
out of the window for one moment. But that she never
|
|
thought of doing, would not have ventured to do, lying
|
|
in a half-dead faint inside. Thus he beheld her
|
|
recede, and in the anguish of his heart quoted a line
|
|
from a poet, with peculiar emendations of his own--
|
|
|
|
God's NOT in his heaven: all's WRONG with the world!
|
|
|
|
When Tess had passed over the crest of the hill he
|
|
turned to go his own way, and hardly knew that he loved
|
|
her still.
|
|
|
|
|
|
|
|
XXXVIII
|
|
|
|
|
|
As she drove on through Blackmoor Vale, and the
|
|
landscape of her youth began to open around her, Tess
|
|
aroused herself from her stupor. Her first thought was
|
|
how would she be able to face her parents?
|
|
|
|
She reached a turnpike-gate which stood upon the
|
|
highway to the village. It was thrown open by a
|
|
stranger, not by the old man who had kept it for many
|
|
years, and to whom she had been known; he had probably
|
|
left on New Year's Day, the date when such changes were
|
|
made. Having received no intelligence lately from her
|
|
home, she asked the turnpike-keeper for news.
|
|
|
|
"Oh--nothing, miss," he answered. "Marlott is Marlott
|
|
still. Folks have died and that. John Durbeyfield,
|
|
too, hev had a daughter married this week to a
|
|
gentleman-farmer; not from John's own house, you know;
|
|
they was married elsewhere; the gentleman being of that
|
|
high standing that John's own folk was not considered
|
|
well-be-doing enough to have any part in it, the
|
|
bridegroom seeming not to know how't have been
|
|
discovered that John is a old and ancient nobleman
|
|
himself by blood, with family skillentons in their own
|
|
vaults to this day, but done out of his property in the
|
|
time o' the Romans. However, Sir John, as we call 'n
|
|
now, kept up the wedding-day as well as he could, and
|
|
stood treat to everybody in the parish; and John's wife
|
|
sung songs at The Pure Drop till past eleven o'clock."
|
|
|
|
Hearing this, Tess felt so sick at heart that she could
|
|
not decide to go home publicly in the fly with her
|
|
luggage and belongings. She asked the turnpike-keeper
|
|
if she might deposit her things at his house for a
|
|
while, and, on his offering no objection, she dismissed
|
|
her carriage, and went on to the village alone by a
|
|
back lane.
|
|
|
|
At sight of her father's chimney she asked herself how
|
|
she could possibly enter the house? Inside that
|
|
cottage her relations were calmly supposing her far
|
|
away on a wedding-tour with a comparatively rich man,
|
|
who was to conduct her to bouncing prosperity; while
|
|
here she was, friendless, creeping up to the old door
|
|
quite by herself, with no better place to go to in the
|
|
world.
|
|
|
|
She did not reach the house unobserved. Just by the
|
|
garden-hedge she was met by a girl who knew her--one
|
|
of the two or three with whom she had been intimate at
|
|
school. After making a few inquiries as to how Tess
|
|
came there, her friend, unheeding her tragic look,
|
|
interrupted with--
|
|
|
|
"But where's thy gentleman, Tess?"
|
|
|
|
Tess hastily explained that he had been called away on
|
|
business, and, leaving her interlocutor, clambered over
|
|
the garden-hedge, and thus made her way to the house.
|
|
|
|
As she went up the garden-path she heard her mother
|
|
singing by the back door, coming in sight of which she
|
|
perceived Mrs Durbeyfield on the doorstep in the act of
|
|
wringing a sheet. Having performed this without
|
|
observing Tess, she went indoors, and her daughter
|
|
followed her.
|
|
|
|
The washing-tub stood in the same old place on the same
|
|
old quarter-hogshead, and her mother, having thrown the
|
|
sheet aside, was about to plunge her arms in anew.
|
|
|
|
"Why--Tess!--my chil'--I thought you was
|
|
married!--married really and truly this time--we sent
|
|
the cider----"
|
|
|
|
"Yes, mother; so I am."
|
|
|
|
"Going to be?"
|
|
|
|
"No--I am married."
|
|
|
|
"Married! Then where's thy husband?"
|
|
|
|
"Oh, he's gone away for a time."
|
|
|
|
"Gone away! When was you married, then? The day you
|
|
said?"
|
|
|
|
"Yes, Tuesday, mother."
|
|
|
|
"And now 'tis on'y Saturday, and he gone away?"
|
|
|
|
"Yes, he's gone."
|
|
|
|
"What's the meaning o' that? 'Nation seize such
|
|
husbands as you seem to get, say I!"
|
|
|
|
"Mother!" Tess went across to Joan Durbeyfield, laid
|
|
her face upon the matron's bosom, and burst into sobs.
|
|
"I don't know how to tell 'ee, mother! You said to me,
|
|
and wrote to me, that I was not to tell him. But I did
|
|
tell him--I couldn't help it--and he went away!"
|
|
|
|
"O you little fool--you little fool!" burst out Mrs
|
|
Durbeyfield, splashing Tess and herself in her
|
|
agitation. "My good God! that ever I should ha' lived
|
|
to say it, but I say it again, you little fool!"
|
|
|
|
Tess was convulsed with weeping, the tension of so many
|
|
days having relaxed at last.
|
|
|
|
"I know it--I know--I know!" she gasped through her
|
|
sobs. "But, O my mother, I could not help it! He was
|
|
so good--and I felt the wickedness of trying to blind
|
|
him as to what had happened! If--if--it were to be
|
|
done again--I should do the same. I could not--I dared
|
|
not--so sin--against him!"
|
|
|
|
"But you sinned enough to marry him first!"
|
|
|
|
"Yes, yes; that's where my misery do lie! But I
|
|
thought he could get rid o' me by law if he were
|
|
determined not to overlook it. And O, if you knew--if
|
|
you could only half know how I loved him--how anxious I
|
|
was to have him--and how wrung I was between caring so
|
|
much for him and my wish to be fair to him!"
|
|
|
|
Tess was so shaken that she could get no further, and
|
|
sank a helpless thing into a chair.
|
|
|
|
"Well, well; what's done can't be undone! I'm sure I
|
|
don't know why children o' my bringing forth should all
|
|
be bigger simpletons than other people's--not to know
|
|
better than to blab such a thing as that, when he
|
|
couldn't ha' found it out till too late!" Here Mrs
|
|
Durbeyfield began shedding tears on her own account as
|
|
a mother to be pitied. "What your father will say I
|
|
don't know," she continued; "for he's been talking
|
|
about the wedding up at Rolliver's and The Pure Drop
|
|
every day since, and about his family getting back to
|
|
their rightful position through you--poor silly
|
|
man!--and now you've made this mess of it! The
|
|
Lord-a-Lord!"
|
|
|
|
As if to bring matters to a focus, Tess's father was
|
|
heard approaching at that moment. He did not, however,
|
|
enter immediately, and Mrs Durbeyfield said that she
|
|
would break the bad news to him herself, Tess keeping
|
|
out of sight for the present. After her first burst of
|
|
disappointment Joan began to take the mishap as she had
|
|
taken Tess's original trouble, as she would have taken
|
|
a wet holiday or failure in the potato-crop; as a thing
|
|
which had come upon them irrespective of desert or
|
|
folly; a chance external impingement to be borne with;
|
|
not a lesson.
|
|
|
|
Tess retreated upstairs and beheld casually that the
|
|
beds had been shifted, and new arrangements made. Her
|
|
old bed had been adapted for two younger children.
|
|
There was no place here for her now.
|
|
|
|
The room below being unceiled she could hear most of
|
|
what went on there. Presently her father entered,
|
|
apparently carrying in a live hen. He was a
|
|
foot-haggler now, having been obliged to sell his
|
|
second horse, and he travelled with his basket on his
|
|
arm. The hen had been carried about this morning as it
|
|
was often carried, to show people that he was in his
|
|
work, though it had lain, with its legs tied, under the
|
|
table at Rolliver's for more than an hour.
|
|
|
|
"We've just had up a story about----" Durbeyfield
|
|
began, and thereupon related in detail to his wife a
|
|
discussion which had arisen at the inn about the
|
|
clergy, originated by the fact of his daughter having
|
|
married into a clerical family. "They was formerly
|
|
styled 'sir', like my own ancestry," he said, "though
|
|
nowadays their true style, strictly speaking, is
|
|
'clerk' only." As Tess had wished that no great
|
|
publicity should be given to the event, he had
|
|
mentioned no particulars. He hoped she would remove
|
|
that prohibition soon. He proposed that the couple
|
|
should take Tess's own name, d'Urberville, as
|
|
uncorrupted. It was better than her husbands's. He
|
|
asked if any letter had come from her that day.
|
|
|
|
Then Mrs Durbeyfield informed him that no letter had
|
|
come, but Tess unfortunately had come herself.
|
|
|
|
When at length the collapse was explained to him a
|
|
sullen mortification, not usual with Durbeyfield,
|
|
overpowered the influence of the cheering glass.
|
|
Yet the intrinsic quality of the event moved his touchy
|
|
sensitiveness less than its conjectured effect upon the
|
|
minds of others.
|
|
|
|
"To think, now, that this was to be the end o't!" said
|
|
Sir John. "And I with a family vault under that there
|
|
church of Kingsbere as big as Squire Jollard's
|
|
ale-cellar, and my folk lying there in sixes and
|
|
sevens, as genuine county bones and marrow as any
|
|
recorded in history. And now to be sure what they
|
|
fellers at Rolliver's and The Pure Drop will say to me!
|
|
How they'll squint and glane, and say, 'This is yer
|
|
mighty match is it; this is yer getting back to the
|
|
true level of yer forefathers in King Norman's time!'
|
|
I feel this is too much, Joan; I shall put an end to
|
|
myself, title and all--I can bear it no longer! ... But
|
|
she can make him keep her if he's married her?"
|
|
|
|
"Why, yes. But she won't think o' doing that."
|
|
|
|
"D'ye think he really have married her?--or is it like
|
|
the first----"
|
|
|
|
Poor Tess, who had heard as far as this, could not bear
|
|
to hear more. The perception that her word could be
|
|
doubted even here, in her own parental house, set her
|
|
mind against the spot as nothing else could have done.
|
|
How unexpected were the attacks of destiny! And if her
|
|
father doubted her a little, would not neighbours and
|
|
acquaintance doubt her much? O, she could not live
|
|
long at home!
|
|
|
|
A few days, accordingly, were all that she allowed
|
|
herself here, at the end of which time she received a
|
|
short note from Clare, informing her that he had gone
|
|
to the North of England to look at a farm. In her
|
|
craving for the lustre of her true position as his
|
|
wife, and to hide from her parents the vast extent of
|
|
the division between them, she made use of this letter
|
|
as her reason for again departing, leaving them under
|
|
the impression that she was setting out to join him.
|
|
Still further to screen her husband from any imputation
|
|
on unkindness to her, she took twenty-five of the fifty
|
|
pounds Clare had given her, and handed the sum over to
|
|
her mother, as if the wife of a man like Angel Clare
|
|
could well afford it, saying that it was a slight
|
|
return for the trouble and humiliation she had brought
|
|
upon them in years past. With this assertion of her
|
|
dignity she bade them farewell; and after that there
|
|
were lively doing in the Durbeyfield household for some
|
|
time on the strength of Tess's bounty, her mother
|
|
saying, and, indeed, believing, that the rupture which
|
|
had arisen between the young husband and wife had
|
|
adjusted itself under their strong feeling that they
|
|
could not live apart from each other.
|
|
|
|
|
|
|
|
XXXIX
|
|
|
|
|
|
It was three weeks after the marriage that Clare found
|
|
himself descending the hill which led to the well-known
|
|
parsonage of his father. With his downward course the
|
|
tower of the church rose into the evening sky in a
|
|
manner of inquiry as to why he had come; and no living
|
|
person in the twilighted town seemed to notice him,
|
|
still less to expect him. He was arriving like a
|
|
ghost, and the sound of his own footsteps was almost an
|
|
encumbrance to be got rid of.
|
|
|
|
The picture of life had changed for him. Before this
|
|
time he had known it but speculatively; now he thought
|
|
he knew it as a practical man; though perhaps he did
|
|
not, even yet. Nevertheless humanity stood before him
|
|
no longer in the pensive sweetness of Italian art, but
|
|
in the staring and ghastly attitudes of a Wiertz
|
|
Museum, and with the leer of a study by Van Beers.
|
|
|
|
His conduct during these first weeks had been desultory
|
|
beyond description. After mechanically attempting to
|
|
pursue his agricultural plans as though nothing unusual
|
|
had happened, in the manner recommended by the great
|
|
and wise men of all ages, he concluded that very few of
|
|
those great and wise men had ever gone so far outside
|
|
themselves as to test the feasibility of their counsel.
|
|
"This is the chief thing: be not perturbed," said the
|
|
Pagan moralist. That was just Clare's own opinion.
|
|
But he was perturbed. "Let not your heart be troubled,
|
|
neither let it be afraid," said the Nazarene. Clare
|
|
chimed in cordially; but his heart was troubled all the
|
|
same. How he would have liked to confront those two
|
|
great thinkers, and earnestly appeal to them as
|
|
fellow-man to fellow-men, and ask them to tell him
|
|
their method!
|
|
|
|
His mood transmuted itself into a dogged indifference
|
|
till at length he fancied he was looking on his own
|
|
existence with the passive interest of an outsider.
|
|
|
|
He was embittered by the conviction that all this
|
|
desolation had been brought about by the accident of
|
|
her being a d'Urberville. When he found that Tess came
|
|
of that exhausted ancient line, and was not of the new
|
|
tribes from below, as he had fondly dreamed, why had he
|
|
not stoically abandoned her, in fidelity to his
|
|
principles? This was what he had got by apostasy, and
|
|
his punishment was deserved.
|
|
|
|
Then he became weary and anxious, and his anxiety
|
|
increased. He wondered if he had treated her unfairly.
|
|
He ate without knowing that he ate, and drank without
|
|
tasting. As the hours dropped past, as the motive of
|
|
each act in the long series of bygone days presented
|
|
itself to his view, he perceived how intimately the
|
|
notion of having Tess as a dear possession was mixed up
|
|
with all his schemes and words and ways.
|
|
|
|
In going hither and thither he observed in the
|
|
outskirts of a small town a red-and-blue placard
|
|
setting forth the great advantages of the Empire of
|
|
Brazil as a field for the emigrating agriculturist.
|
|
Land was offered there on exceptionally advantageous
|
|
terms. Brazil somewhat attracted him as a new idea.
|
|
Tess could eventually join him there, and perhaps in
|
|
that country of contrasting scenes and notions and
|
|
habits the conventions would not be so operative which
|
|
made life with her seem impracticable to him here.
|
|
In brief he was strongly inclined to try Brazil,
|
|
especially as the season for going thither was just at
|
|
hand.
|
|
|
|
With this view he was returning to Emminster to
|
|
disclose his plan to his parents, and to make the best
|
|
explanation he could make of arriving without Tess,
|
|
short of revealing what had actually separated them.
|
|
As he reached the door the new moon shone upon his
|
|
face, just as the old one had done in the small hours
|
|
of that morning when he had carried his wife in his
|
|
arms across the river to the graveyard of the monks;
|
|
but his face was thinner now.
|
|
|
|
Clare had given his parents no warning of his visit,
|
|
and his arrival stirred the atmosphere of the Vicarage
|
|
as the dive of the kingfisher stirs a quiet pool. His
|
|
father and mother were both in the drawing-room, but
|
|
neither of his brothers was now at home. Angel
|
|
entered, and closed the door quietly behind him.
|
|
|
|
"But--where's your wife, dear Angel?" cried his mother.
|
|
"How you surprise us!"
|
|
|
|
"She is at her mother's--temporarily. I have come home
|
|
rather in a hurry because I've decided to go to
|
|
Brazil."
|
|
|
|
"Brazil! Why they are all Roman Catholics there
|
|
surely!"
|
|
|
|
"Are they? I hadn't thought of that."
|
|
|
|
But even the novelty and painfulness of his going to a
|
|
Papistical land could no displace for long Mr and Mrs
|
|
Clare's natural interest in their son's marriage.
|
|
|
|
"We had your brief note three weeks ago announcing that
|
|
it had taken place," said Mrs Clare, "and your father
|
|
sent your godmother's gift to her, as you know. Of
|
|
course it was best that none of us should be present,
|
|
especially as you preferred to marry her from the
|
|
dairy, and not at her home, wherever that may be. It
|
|
would have embarrassed you, and given us no pleasure.
|
|
Your bothers felt that very strongly. Now it is done we
|
|
do not complain, particularly if she suits you for the
|
|
business you have chosen to follow instead of the
|
|
ministry of the Gospel. ... Yet I wish I could have
|
|
seen her first, Angel, or have known a little more
|
|
about her. We sent her no present of our own, not
|
|
knowing what would best give her pleasure, but you must
|
|
suppose it only delayed. Angel, there is no irritation
|
|
in my mind or your father's against you for this
|
|
marriage; but we have thought it much better to reserve
|
|
our liking for your wife till we could see her. And
|
|
now you have not brought her. It seems strange. What
|
|
had happened?"
|
|
|
|
He replied that it had been thought best by them that
|
|
she should to go her parents' home for the present,
|
|
whilst he came there.
|
|
|
|
"I don't mind telling you, dear mother," he said, "that
|
|
I always meant to keep her away from this house till I
|
|
should feel she could some with credit to you. But
|
|
this idea of Brazil is quite a recent one. If I do go
|
|
it will be unadvisable for me to take her on this my
|
|
first journey. She will remain at her mother's till I
|
|
come back."
|
|
|
|
"And I shall not see her before you start?"
|
|
|
|
He was afraid they would not. His original plan had
|
|
been, as he had said, to refrain from bringing her
|
|
there for some little while--not to wound their
|
|
prejudices--feelings--in any way; and for other reasons
|
|
he had adhered to it. He would have to visit home in
|
|
the course of a year, if he went out at once; and it
|
|
would be possible for them to see her before he started
|
|
a second time--with her.
|
|
|
|
A hastily prepared supper was brought in, and Clare
|
|
made further exposition of his plans. His mother's
|
|
disappointment at not seeing the bride still remained
|
|
with her. Clare's late enthusiasm for Tess had
|
|
infected her through her maternal sympathies, till she
|
|
had almost fancied that a good thing could come out of
|
|
Nazareth--a charming woman out of Talbothays Dairy.
|
|
She watched her son as he ate.
|
|
|
|
"Cannot you describe her? I am sure she is very
|
|
pretty, Angel."
|
|
|
|
"Of that there can be no question!" he said, with a
|
|
zest which covered its bitterness.
|
|
|
|
"And that she is pure and virtuous goes without
|
|
question?"
|
|
|
|
"Pure and virtuous, of course, she is."
|
|
|
|
"I can see her quite distinctly. You said the other
|
|
day that she was fine in figure; roundly built; had
|
|
deep red lips like Cupid's bow; dark eyelashes and
|
|
brows, an immense rope of hair like a ship's cable; and
|
|
large eyes violety-bluey-blackish."
|
|
|
|
"I did, mother."
|
|
|
|
"I quite see her. And living in such seclusion she
|
|
naturally had scarce ever seen any young man from the
|
|
world without till she saw you."
|
|
|
|
"Scarcely."
|
|
|
|
"You were her first love?"
|
|
|
|
"Of course."
|
|
|
|
"There are worse wives than these simple, rosy-mouthed,
|
|
robust girls of the farm. Certainly I could have
|
|
wished--well, since my son is to be an agriculturist,
|
|
it is perhaps but proper that his wife should have been
|
|
accustomed to an outdoor life."
|
|
|
|
His father was less inquisitive; but when the time came
|
|
for the chapter from the Bible which was always read
|
|
before evening prayers, the Vicar observed to Mrs
|
|
Clare----
|
|
|
|
"I think, since Angel has come, that it will be more
|
|
appropriate to read the thirty-first of Proverbs than
|
|
the chapter which we should have had in the usual
|
|
course of our reading?"
|
|
|
|
"Yes, certainly," said Mrs Clare. "The words of King
|
|
Lemuel" (she could cite chapter and verse as well as
|
|
her husband). "My dear son, your father has decided to
|
|
read us the chapter in Proverbs in praise of a virtuous
|
|
wife. We shall not need to be reminded to apply the
|
|
words to the absent one. May Heaven shield her in all
|
|
her ways!"
|
|
|
|
A lump rose in Clare's throat. The portable lectern
|
|
was taken out from the corner and set in the middle of
|
|
the fireplace, the two old servants came in, and
|
|
Angel's father began to read at the tenth verse of the
|
|
aforesaid chapter----
|
|
|
|
"'Who can find a virtuous woman? for her price is far
|
|
above rubies. She riseth while it is yet night, and
|
|
giveth meat to her household. She girdeth her loins
|
|
with strength and strengtheneth her arms. She
|
|
perceiveth that her merchandise is good; her candle
|
|
goeth not out by night. She looketh well to the ways
|
|
of her household, and eateth not the bread of idleness.
|
|
Her children arise up and call her blessed; her husband
|
|
also, and he praiseth her. Many daughters have done
|
|
virtuously, but thou excellest them all.'"
|
|
|
|
When prayers were over, his mother said----
|
|
|
|
"I could not help thinking how very aptly that chapter
|
|
your dear father read applied, in some of its
|
|
particulars, to the woman you have chosen. The perfect
|
|
woman, you see, was a working woman; not an idler; not
|
|
a fine lady; but one who used her hands and her head
|
|
and her heart for the good of others. 'Her children
|
|
arise up and call her blessed; her husband also, and he
|
|
praiseth her. Many daughters have done virtuously, but
|
|
she excelleth them all.' Well, I wish I could have
|
|
seen her, Angel. Since she is pure and chaste she
|
|
would have been refined enough for me."
|
|
|
|
Clare could bear this no longer. His eyes were full of
|
|
tears, which seemed like drops of molten lead. He bade
|
|
a quick goodnight to these sincere and simple souls
|
|
whom he loved so well; who knew neither the world, the
|
|
flesh, nor the devil in their own hearts; only as
|
|
something vague and external to themselves. He went to
|
|
his own chamber.
|
|
|
|
His mother followed him, and tapped at his door.
|
|
Clare opened it to discover her standing without, with
|
|
anxious eyes.
|
|
|
|
"Angel," she asked, "is there something wrong that you
|
|
do away so soon? I am quite sure you are not
|
|
yourself."
|
|
|
|
"I am not, quite, mother," said he.
|
|
|
|
"About her? Now, my son, I know it that--I know it is
|
|
about her! Have you quarrelled in these three weeks?"
|
|
|
|
"We have not exactly quarrelled," he said. "But we
|
|
have had a difference----"
|
|
|
|
"Angel--is she a young woman whose history will bear
|
|
investigation?"
|
|
|
|
With a mother's instinct Mrs Clare had put her finger
|
|
on the kind of trouble that would cause such a disquiet
|
|
as seemed to agitate her son.
|
|
|
|
"She is spotless!" he replied; and felt that if it had
|
|
sent him to eternal hell there and then he would have
|
|
told that lie.
|
|
|
|
"Then never mind the rest. After all, there are few
|
|
purer things in nature then an unsullied country maid.
|
|
Any crudeness of manner which may offend your more
|
|
educated sense at first, will, I am sure, disappear
|
|
under the influence or your companionship and tuition."
|
|
Such terrible sarcasm of blind magnanimity brought home
|
|
to Clare the secondary perception that he had utterly
|
|
wrecked his career by this marriage, which had not been
|
|
among his early thoughts after the disclosure. True,
|
|
on his own account he cared very little about his
|
|
career; but he had wished to make it at least a
|
|
respectable one on account of his parents and brothers.
|
|
And now as he looked into the candle its flame dumbly
|
|
expressed to him that it was made to shine on sensible
|
|
people, and that it abhorred lighting the face of a
|
|
dupe and a failure.
|
|
|
|
When his agitation had cooled he would be at moments
|
|
incensed with his poor wife for causing a situation in
|
|
which he was obliged to practise deception on his
|
|
parents. He almost talked to her in his anger, as if
|
|
she had been in the room. And then her cooing voice,
|
|
plaintive in expostulation, disturbed the darkness, the
|
|
velvet touch of her lips passed over his brow, and he
|
|
could distinguish in the air the warmth of her breath.
|
|
|
|
This night the woman of his belittling deprecations was
|
|
thinking how great and good her husband was. But over
|
|
them both there hung a deeper shade than the shade
|
|
which Angel Clare perceived, namely, the shade of his
|
|
own limitations. With all his attempted independence of
|
|
judgement this advanced and well-meaning young man, a
|
|
sample product of the last five-and-twenty years, was
|
|
yet the slave to custom and conventionality when
|
|
surprised back into her early teachings. No prophet
|
|
had told him, and he was not prophet enough to tell
|
|
himself, that essentially this young wife of his was as
|
|
deserving of the praise of King Lemuel as any other
|
|
woman endowed with the same dislike of evil, her moral
|
|
value having to be reckoned not by achievement but by
|
|
tendency. Moreover, the figure near at hand suffers on
|
|
such occasion, because it shows up its sorriness
|
|
without shade; while vague figures afar off are
|
|
honoured, in that their distance makes artistic virtues
|
|
of their stains. In considering what Tess was not, he
|
|
overlooked what she was, and forgot that the defective
|
|
can be more than the entire.
|
|
|
|
|
|
|
|
XL
|
|
|
|
|
|
At breakfast Brazil was the topic, and all endeavoured
|
|
to take a hopeful view of Clare's proposed experiment
|
|
with that country's soil, notwithstanding the
|
|
discouraging reports of some farm-labourers who had
|
|
emigrated thither and returned home within the twelve
|
|
months. After breakfast Clare went into the little
|
|
town to wind up such trifling matters as he was
|
|
concerned with there, and to get from the local bank
|
|
all the money he possessed. On his way back he
|
|
encountered Miss Mercy Chant by the church, from whose
|
|
walls she seemed to be a sort of emanation. She was
|
|
carrying an armful of Bibles for her class, and such
|
|
was her view of life that events which produced
|
|
heartache in others wrought beatific smiles upon
|
|
her--an enviable result, although, in the opinion of
|
|
Angel, it was obtained by a curiously unnatural
|
|
sacrifice of humanity to mysticism.
|
|
|
|
She had learnt that he was about to leave England, and
|
|
observed what an excellent and promising scheme it
|
|
seemed to be.
|
|
|
|
"Yes; it is a likely scheme enough in a commercial
|
|
sense, no doubt," he replied. "But, my dear Mercy, it
|
|
snaps the continuity of existence. Perhaps a cloister
|
|
would be preferable."
|
|
|
|
"A cloister! O, Angel Clare!"
|
|
|
|
"Well?"
|
|
|
|
"Why, you wicked man, a cloister implies a monk, and a
|
|
monk Roman Catholicism."
|
|
|
|
"And Roman Catholicism sin, and sin damnation. Thou
|
|
are in a parlous state, Angel Clare."
|
|
|
|
"I glory in my Protestantism!" she said severely.
|
|
|
|
Then Clare, thrown by sheer misery into one of the
|
|
demoniacal moods in which a man does despite to his
|
|
true principles, called her close to him, and
|
|
fiendishly whispered in her ear the most heterodox
|
|
ideas he could think of. His momentary laughter at the
|
|
horror which appeared on her fair face ceased when it
|
|
merged in pain and anxiety for his welfare.
|
|
|
|
"Dear Mercy," he said, "you must forgive me. I think I
|
|
am going crazy!"
|
|
|
|
She thought that he was; and thus the interview ended,
|
|
and Clare re-entered the Vicarage. With the local
|
|
banker he deposited the jewels till happier days should
|
|
arise. He also paid into the bank thirty pounds--to be
|
|
sent to Tess in a few months, as she might require; and
|
|
wrote to her at her parents' home in Blackmoor Vale to
|
|
inform her of what he had done. This amount, with the
|
|
sum he had already placed in her hands--about fifty
|
|
pounds--he hoped would be amply sufficient for her
|
|
wants just at present, particularly as in an emergency
|
|
she had been directed to apply to his father.
|
|
|
|
He deemed it best not to put his parents into
|
|
communication with her by informing them of her
|
|
address; and, being unaware of what had really happened
|
|
to estrange the two, neither his father nor his mother
|
|
suggested that he should do so. During the day he left
|
|
the parsonage, for what he had to complete he wished to
|
|
get done quickly.
|
|
|
|
As the last duty before leaving this part of England it
|
|
was necessary for him to call at the Wellbridge
|
|
farmhouse, in which he had spent with Tess the first
|
|
three days of their marriage, the trifle of rent having
|
|
to be paid, the key given up of the rooms they had
|
|
occupied, and two or three small articles fetched away
|
|
that they had left behind. It was under this roof that
|
|
the deepest shadow ever thrown upon his life had
|
|
stretched its gloom over him. Yet when he had unlocked
|
|
the door of the sitting-room and looked into it, the
|
|
memory which returned first upon him was that of their
|
|
happy arrival on a similar afternoon, the first fresh
|
|
sense of sharing a habitation conjointly, the first
|
|
meal together, the chatting by the fire with joined
|
|
hands.
|
|
|
|
The farmer and his wife were in the field at the moment
|
|
of his visit, and Clare was in the rooms alone for some
|
|
time. Inwardly swollen with a renewal of sentiment that
|
|
he had not quite reckoned with, he went upstairs to her
|
|
chamber, which had never been his. The bed was smooth
|
|
as she had made it with her own hands on the morning of
|
|
leaving. The mistletoe hung under the tester just as
|
|
he had placed it. Having been there three or four
|
|
weeks it was turning colour, and the leaves and berries
|
|
were wrinkled. Angel took it down and crushed it into
|
|
the grate. Standing there he for the first time
|
|
doubted whether his course in this conjecture had been
|
|
a wise, much less a generous, one. But had he not been
|
|
cruelly blinded? In the incoherent multitude of his
|
|
emotions he knelt down at the bedside wet-eyed. "O
|
|
Tess! If you had only told me sooner, I would have
|
|
forgiven you!" he mourned.
|
|
|
|
Hearing a footstep below he rose and went to the top of
|
|
the stairs. At the bottom of the flight he saw a woman
|
|
standing, and on her turning up her face recognized the
|
|
pale, dark-eyed Izz Huett.
|
|
|
|
"Mr Clare," she said, "I've called to see you and Mrs
|
|
Clare, and to inquire if ye be well. I thought you
|
|
might be back here again."
|
|
|
|
This was a girl whose secret he had guessed, but who
|
|
had not yet guessed his; an honest girl who loved
|
|
him--one who would have made as good, or nearly as
|
|
good, a practical farmer's wife as Tess.
|
|
|
|
"I am here alone," he said; "we are not living here
|
|
now." Explaining why he had come, he asked, "Which way
|
|
are you going home, Izz?"
|
|
|
|
"I have no home at Talbothays Dairy now, sir," she
|
|
said.
|
|
|
|
"Why is that?"
|
|
|
|
Izz looked down.
|
|
|
|
"It was so dismal there that I left! I am staying out
|
|
this way." She pointed in a contrary direction, the
|
|
direction in which he was journeying.
|
|
|
|
"Well--are you going there now? I can take you if you
|
|
wish for a lift." Her olive complexion grew richer in
|
|
hue.
|
|
|
|
"Thank 'ee, Mr Clare," she said.
|
|
|
|
He soon found the farmer, and settled the account for
|
|
his rent and the few other items which had to be
|
|
considered by reason of the sudden abandonment of the
|
|
lodgings. On Clare's return to his horse and gig Izz
|
|
jumped up beside him.
|
|
|
|
"I am going to leave England, Izz," he said, as they
|
|
drove on. "Going to Brazil."
|
|
|
|
"And do Mrs Clare like the notion of such a journey?"
|
|
she asked.
|
|
|
|
"She is not going at present--say for a year or so.
|
|
I am going out to reconnoitre--to see what life there
|
|
is like."
|
|
|
|
They sped along eastward for some considerable
|
|
distance, Izz making no observation.
|
|
|
|
"How are the others?" he inquired. "How is Retty?"
|
|
|
|
"She was in a sort of nervous state when I zid her
|
|
last; and so thin and hollow-cheeked that 'a do seem in
|
|
a decline. Nobody will ever fall in love wi' her any
|
|
more," said Izz absently.
|
|
|
|
"And Marian?"
|
|
|
|
Izz lowered her voice.
|
|
|
|
"Marian drinks."
|
|
|
|
"Indeed!"
|
|
|
|
"Yes. The dairyman has got rid of her."
|
|
|
|
"And you!"
|
|
|
|
"I don't drink, and I bain't in a decline. But--I am
|
|
no great things at singing afore breakfast now!"
|
|
|
|
"How is that? Do you remember how neatly you used to
|
|
turn ''Twas down in Cupid's Gardens' and 'The Tailor's
|
|
Breeches' at morning milking?"
|
|
|
|
"Ah, yes! When you first came, sir, that was. Not
|
|
when you had been there a bit."
|
|
|
|
"Why was that falling-off?"
|
|
|
|
Her black eyes flashed up to his face for one moment by
|
|
way of answer.
|
|
|
|
"Izz!--how weak of you--for such as I!" he said, and
|
|
fell into reverie. "Then--suppose I had asked YOU to
|
|
marry me?"
|
|
|
|
"If you had I should have said 'Yes', and you would
|
|
have married a woman who loved 'ee!"
|
|
|
|
"Really!"
|
|
|
|
"Down to the ground!" she whispered vehemently. "O my
|
|
God! did you never guess it till now!" By-and-by they
|
|
reached a branch road to a village.
|
|
|
|
"I must get down. I live out there," said Izz abruptly,
|
|
never having spoken since her avowal.
|
|
|
|
Clare slowed the horse. He was incensed against his
|
|
fate, bitterly disposed towards social ordinances; for
|
|
they had cooped him up in a corner, out of which there
|
|
was no legitimate pathway. Why not be revenged on
|
|
society by shaping his future domesticities loosely,
|
|
instead of kissing the pedagogic rod of convention in
|
|
this ensnaring manner?
|
|
|
|
"I am going to Brazil alone, Izz," said he. "I have
|
|
separated from my wife for personal, not voyaging,
|
|
reason. I may never live with her again. I may not be
|
|
able to love you; but--will you go with me instead of
|
|
her?"
|
|
|
|
"You truly wish me to go?"
|
|
|
|
"I do. I have been badly used enough to wish for
|
|
relief. And you at least love me disinterestedly."
|
|
|
|
"Yes--I will go," said Izz, after a pause.
|
|
|
|
"You will? You know what it means, Izz?"
|
|
|
|
"It means that I shall live with you for the time you
|
|
are over there--that's good enough for me."
|
|
|
|
"Remember, you are not to trust me in morals now. But
|
|
I ought to remind you that it will be wrong-doing in
|
|
the eyes of civilization--Western civilization, that is
|
|
to say."
|
|
|
|
"I don't mind that; no woman do when it comes to agony-
|
|
point, and there's no other way!"
|
|
|
|
"Then don't get down, but sit where you are."
|
|
|
|
He drove past the cross-roads, one mile, two miles,
|
|
without showing any signs of affection.
|
|
|
|
"You love me very, very much, Izz?" he suddenly asked.
|
|
|
|
"I do--I have said I do! I loved you all the time we
|
|
was at the dairy together!"
|
|
|
|
"More than Tess?"
|
|
|
|
She shook her head.
|
|
|
|
"No," she murmured, "not more than she."
|
|
|
|
"How's that?"
|
|
|
|
"Because nobody could love 'ee more than Tess did! ...
|
|
She would have laid down her life for 'ee. I could do
|
|
no more."
|
|
|
|
Like the prophet on the top of Peor, Izz Huett would
|
|
fain have spoken perversely at such a moment, but the
|
|
fascination exercised over her rougher nature by Tess's
|
|
character compelled her to grace.
|
|
|
|
Clare was silent; his heart had risen at these
|
|
straightforward words from such an unexpected
|
|
unimpeachable quarter. In his throat was something as
|
|
if a sob had solidified there. His ear repeated, "SHE
|
|
WOULD HAVE LAID DOWN HER LIFE FOR 'EE. I COULD DO NO
|
|
MORE!"
|
|
|
|
"Forget our idle talk, Izz," he said, turning the
|
|
horse's head suddenly. "I don't know what I've been
|
|
saying! I will now drive you back to where your lane
|
|
branches off."
|
|
|
|
"So much for honesty towards 'ee! O--how can I bear
|
|
it--how can I--how can I!"
|
|
|
|
Izz Huett burst into wild tears, and beat her forehead
|
|
as she saw what she had done.
|
|
|
|
"Do you regret that poor little act of justice to an
|
|
absent one? O, Izz, don't spoil it by regret!"
|
|
|
|
She stilled herself by degrees.
|
|
|
|
"Very well, sir. Perhaps I didn't know what I was
|
|
saying, either, wh--when I agreed to go! I wish--what
|
|
cannot be!"
|
|
|
|
"Because I have a loving wife already."
|
|
|
|
"Yes, yes! You have!"
|
|
|
|
They reached the corner of the lane which they had
|
|
passed half an hour earlier, and she hopped down.
|
|
|
|
"Izz--please, please forget my momentary levity!" he
|
|
cried. "It was so ill-considered, so ill-advised!"
|
|
|
|
"Forget it? Never, never! O, it was no levity to me!"
|
|
|
|
He felt how richly he deserved the reproach that the
|
|
wounded cry conveyed, and, in a sorrow that was
|
|
inexpressible, leapt down and took her hand.
|
|
|
|
"Well, but, Izz, we'll part friends, anyhow? You don't
|
|
know what I've had to bear!"
|
|
|
|
She was a really generous girl, and allowed no further
|
|
bitterness to mar their adieux.
|
|
|
|
"I forgive 'ee, sir!" she said.
|
|
|
|
"Now, Izz," he said, while she stood beside him there,
|
|
forcing himself to the mentor's part he was far from
|
|
feeling; "I want you to tell Marian when you see her
|
|
that she is to be a good woman, and not to give way to
|
|
folly. Promise that, and tell Retty that there are more
|
|
worthy men than I in the world, that for my sake she is
|
|
to act wisely and well--remember the words--wisely and
|
|
well--for my sake. I send this message to them as a
|
|
dying man to the dying; for I shall never see them
|
|
again. And you, Izzy, you have saved me by your honest
|
|
words about my wife from an incredible impulse towards
|
|
folly and treachery. Women may be bad, but they are
|
|
not so bad as men in these things! On that one account
|
|
I can never forget you. Be always the good and sincere
|
|
girl you have hitherto been; and think of me as a
|
|
worthless lover, but a faithful friend. Promise."
|
|
|
|
She gave the promise.
|
|
|
|
"Heaven bless and keep you, sir. Goodbye!"
|
|
|
|
He drove on; but no sooner had Izz turned into the
|
|
lane, and Clare was out of sight, than she flung
|
|
herself down on the bank in a fit of racking anguish;
|
|
and it was with a strained unnatural face that she
|
|
entered her mother's cottage late that night. Nobody
|
|
ever was told how Izz spent the dark hours that
|
|
intervened between Angel Clare's parting from her and
|
|
her arrival home.
|
|
|
|
Clare, too, after bidding the girl farewell, was
|
|
wrought to aching thoughts and quivering lips. But his
|
|
sorrow was not for Izz. That evening he was within a
|
|
feather-weight's turn of abandoning his road to the
|
|
nearest station, and driving across that elevated
|
|
dorsal line of South Wessex which divided him from his
|
|
Tess's home. It was neither a contempt for her nature,
|
|
nor the probable state of her heart, which deterred
|
|
him.
|
|
|
|
No; it was a sense that, despite her love, as
|
|
corroborated by Izz's admission, the facts had not
|
|
changed. If he was right at first, he was right now.
|
|
And the momentum of the course on which he had embarked
|
|
tended to keep him going in it, unless diverted by a
|
|
stronger, more sustained force than had played upon him
|
|
this afternoon. He could soon come back to her. He
|
|
took the train that night for London, and five days
|
|
after shook hands in farewell of his brothers at the
|
|
port of embarkation.
|
|
|
|
|
|
|
|
XLI
|
|
|
|
|
|
From the foregoing events of the winter-time let us
|
|
press on to an October day, more than eight months
|
|
subsequent to the parting of Clare and Tess. We
|
|
discover the latter in changed conditions; instead of a
|
|
bride with boxes and trunks which others bore, we see
|
|
her a lonely woman with a basket and a bundle in her
|
|
own porterage, as at an earlier time when she was no
|
|
bride; instead of the ample means that were projected
|
|
by her husband for her comfort through this
|
|
probationary period, she can produce only a flattened
|
|
purse.
|
|
|
|
After again leaving Marlott, her home, she had got
|
|
through the spring and summer without any great stress
|
|
upon her physical powers, the time being mainly spent
|
|
in rendering light irregular service at dairy-work near
|
|
Port-Bredy to the west of the Blackmoor Valley, equally
|
|
remote from her native place and from Talbothays. She
|
|
preferred this to living on his allowance. Mentally
|
|
she remained in utter stagnation, a condition which the
|
|
mechanical occupation rather fostered than checked.
|
|
Her consciousness was at that other dairy, at that
|
|
other season, in the presence of the tender lover who
|
|
had confronted her there--he who, the moment she had
|
|
grasped him to keep for her own, had disappeared like a
|
|
shape in a vision.
|
|
|
|
The dairy-work lasted only till the milk began to
|
|
lessen, for she had not met with a second regular
|
|
engagement as at Talbothays, but had done duty as a
|
|
supernumerary only. However, as harvest was now
|
|
beginning, she had simply to remove from the pasture to
|
|
the stubble to find plenty of further occupation, and
|
|
this continued till harvest was done.
|
|
|
|
Of the five-and-twenty pounds which had remained to her
|
|
of Clare's allowance, after deducting the other half of
|
|
the fifty as a contribution to her parents for the
|
|
trouble and expense to which she had put them, she had
|
|
as yet spent but little. But there now followed an
|
|
unfortunate interval of wet weather, during which she
|
|
was obliged to fall back upon her sovereigns.
|
|
|
|
She could not bear to let them go. Angel had put them
|
|
into her hand, had obtained them bright and new from
|
|
his bank for her; his touch had consecrated them to
|
|
souvenirs of himself--they appeared to have had as yet
|
|
no other history than such as was created by his and
|
|
her own experiences--and to disperse them was like
|
|
giving away relics. But she had to do it, and one by
|
|
one they left her hands.
|
|
|
|
She had been compelled to send her mother her address
|
|
from time to time, but she concealed her circumstances.
|
|
When her money had almost gone a letter from her mother
|
|
reached her. Joan stated that they were in dreadful
|
|
difficulty; the autumn rains had gone through the
|
|
thatch of the house, which required entire renewal; but
|
|
this could not be done because the previous thatching
|
|
had never been paid for. New rafters and a new ceiling
|
|
upstairs also were required, which, with the previous
|
|
bill, would amount to a sum of twenty pounds. As her
|
|
husband was a man of means, and had doubtless returned
|
|
by this time, could she not send them the money?
|
|
|
|
Tess had thirty pounds coming to her almost immediately
|
|
from Angel's bankers, and, the case being so
|
|
deplorable, as soon as the sum was received she sent
|
|
the twenty as requested. Part of the remainder she was
|
|
obliged to expend in winter clothing, leaving only a
|
|
nominal sum for the whole inclement season at hand.
|
|
When the last pound had gone, a remark of Angel's that
|
|
whenever she required further resources she was to
|
|
apply to his father, remained to be considered.
|
|
|
|
But the more Tess thought of the step the more
|
|
reluctant was she to take it. The same delicacy,
|
|
pride, false shame, whatever it may be called, on
|
|
Clare's account, which had led her to hide from her own
|
|
parents the prolongation of the estrangement, hindered
|
|
her owning to his that she was in want after the fair
|
|
allowance he had left her. They probably despised her
|
|
already; how much more they would despise her in the
|
|
character of a mendicant! The consequence was that by
|
|
no effort could the parson's daughter-in-law bring
|
|
herself to let him know her state.
|
|
|
|
Her reluctance to communicate with her husband's
|
|
parents might, she thought, lessen with the lapse of
|
|
time; but with her own the reverse obtained. On her
|
|
leaving their house after the short visit subsequent to
|
|
her marriage they were under the impression that she
|
|
was ultimately going to join her husband; and from that
|
|
time to the present she had done nothing to disturb
|
|
their belief that she was awaiting his return in
|
|
comfort, hoping against hope that his journey to Brazil
|
|
would result in a short stay only, after which he would
|
|
come to fetch her, or that he would write for her to
|
|
join him; in any case that they would soon present a
|
|
united front to their families and the world. This
|
|
hope she still fostered. To let her parents know that
|
|
she was a deserted wife, dependent, now that she had
|
|
relieved their necessities, on her own hands for a
|
|
living, after the ECLAT of a marriage which was to
|
|
nullify the collapse of the first attempt, would be too
|
|
much indeed.
|
|
|
|
The set of brilliants returned to her mind. Where
|
|
Clare had deposited them she did not know, and it
|
|
mattered little, if it were true that she could only
|
|
use and not sell them. Even were they absolutely hers
|
|
it would be passing mean to enrich herself by a legal
|
|
title to them which was not essentially hers at all.
|
|
|
|
Meanwhile her husband's days had been by no means free
|
|
from trial. At this moment he was lying ill of fever
|
|
in the clay lands near Curitiba in Brazil, having been
|
|
drenched with thunder-storms and persecuted by other
|
|
hardships, in common with all the English farmers and
|
|
farm-labourers who, just at this time, were deluded
|
|
into going thither by the promises of the Brazilian
|
|
Government, and by the baseless assumption that those
|
|
frames which, ploughing and sowing on English uplands,
|
|
had resisted all the weathers to whose moods they had
|
|
been born, could resist equally well all the weathers
|
|
by which they were surprised on Brazilian plains.
|
|
|
|
To return. Thus it happened that when the last of
|
|
Tess's sovereigns had been spent she was unprovided
|
|
with others to take their place, while on account of
|
|
the season she found it increasingly difficult to get
|
|
employment. Not being aware of the rarity of
|
|
intelligence, energy, health, and willingness in any
|
|
sphere of life, she refrained from seeking an indoor
|
|
occupation; fearing towns, large houses, people of
|
|
means and social sophistication, and of manners other
|
|
than rural. From that direction of gentility Black
|
|
Care had come. Society might be better than she
|
|
supposed from her slight experience of it. But she had
|
|
no proof of this, and her instinct in the circumstances
|
|
was to avoid its purlieus.
|
|
|
|
The small dairies to the west, beyond Port-Bredy, in
|
|
which she had served as supernumerary milkmaid during
|
|
the spring and summer required no further aid. Room
|
|
would probably have been made for her at Talbothays,
|
|
if only out of sheer compassion; but comfortable as her
|
|
life had been there she could not go back. The
|
|
anti-climax would be too intolerable; and her return
|
|
might bring reproach upon her idolized husband. She
|
|
could not have borne their pity, and their whispered
|
|
remarks to one another upon her strange situation;
|
|
though she would almost have faced a knowledge of her
|
|
circumstances by every individual there, so long as her
|
|
story had remained isolated in the mind of each. It
|
|
was the interchange of ideas about her that made her
|
|
sensitiveness wince. Tess could not account for this
|
|
distinction; she simply knew that she felt it.
|
|
|
|
She was now on her way to an upland farm in the centre
|
|
of the county, to which she had been recommended by a
|
|
wandering letter which had reached her from Marian.
|
|
Marian had somehow heard that Tess was separated from
|
|
her husband--probably through Izz Huett--and the
|
|
good-natured and now tippling girl, deeming Tess in
|
|
trouble, had hastened to notify to her former friend
|
|
that she herself had gone to this upland spot after
|
|
leaving the dairy, and would like to see her there,
|
|
where there was room for other hands, if it was really
|
|
true that she worked again as of old.
|
|
|
|
With the shortening of the days all hope of obtaining
|
|
her husband's forgiveness began to leave her; and there
|
|
was something of the habitude of the wild animal in the
|
|
unreflecting instinct with which she rambled on--
|
|
disconnecting herself by littles from her eventful past
|
|
at every step, obliterating her identity, giving no
|
|
thought to accidents or contingencies which might make
|
|
a quick discovery of her whereabouts by others of
|
|
importance to her own happiness, if not to theirs.
|
|
|
|
Among the difficulties of her lonely position not the
|
|
least was the attention she excited by her appearance,
|
|
a certain bearing of distinction, which she had caught
|
|
from Clare, being superadded to her natural
|
|
attractiveness. Whilst the clothes lasted which had
|
|
been prepared for her marriage, these casual glances of
|
|
interest caused her no inconvenience, but as soon as
|
|
she was compelled to don the wrapper of a fieldwoman,
|
|
rude words were addressed to her more than once; but
|
|
nothing occurred to cause her bodily fear till a
|
|
particular November afternoon.
|
|
|
|
She had preferred the country west of the River Brit to
|
|
the upland farm for which she was now bound, because,
|
|
for one thing, it was nearer to the home of her
|
|
husband's father; and to hover about that region
|
|
unrecognized, with the notion that she might decide to
|
|
call at the Vicarage some day, gave her pleasure. But
|
|
having once decided to try the higher and drier levels,
|
|
she pressed back eastward, marching afoot towards the
|
|
village of Chalk-Newton, where she meant to pass the
|
|
night.
|
|
|
|
The lane was long and unvaried, and, owing to the rapid
|
|
shortening of the days, dusk came upon her before she
|
|
was aware. She had reached the top of a hill down
|
|
which the lane stretched its serpentine length in
|
|
glimpses, when she heard footsteps behind her back,
|
|
and in a few moments she was overtaken by a man.
|
|
He stepped up alongside Tess and said--
|
|
|
|
"Goodnight, my pretty maid": to which she civilly
|
|
replied.
|
|
|
|
The light still remaining in the sky lit up her face,
|
|
though the landscape was nearly dark. The man turned
|
|
and stared hard at her.
|
|
|
|
"Why, surely, it is the young wench who was at
|
|
Trantridge awhile--young Squire d'Urberville's friend?
|
|
I was there at that time, though I don't live there
|
|
now."
|
|
|
|
She recognized in him the well-to-do boor whom Angel
|
|
had knocked down at the inn for addressing her
|
|
coarsely. A spasm of anguish shot through her, and she
|
|
returned him no answer.
|
|
|
|
"Be honest enough to own it, and that what I said in
|
|
the town was true, though your fancy-man was so up
|
|
about it--hey, my sly one? You ought to beg my pardon
|
|
for that blow of his, considering."
|
|
|
|
Still no answer came from Tess. There seemed only one
|
|
escape for her hunted soul. She suddenly took to her
|
|
heels with the speed of the wind, and, without looking
|
|
behind her, ran along the road till she came to a gate
|
|
which opened directly into a plantation. Into this she
|
|
plunged, and did not pause till she was deep enough in
|
|
its shade to be safe against any possibility of
|
|
discovery.
|
|
|
|
Under foot the leaves were dry, and the foliage of some
|
|
holly bushes which grew among the deciduous trees was
|
|
dense enough to keep off draughts. She scraped
|
|
together the dead leaves till she had formed them into
|
|
a large heap, making a sort of nest in the middle.
|
|
Into this Tess crept.
|
|
|
|
Such sleep as she got was naturally fitful; she fancied
|
|
she heard strange noises, but persuaded herself that
|
|
they were caused by the breeze. She thought of her
|
|
husband in some vague warm clime on the other side of
|
|
the globe, while she was here in the cold. Was there
|
|
another such a wretched being as she in the world?
|
|
Tess asked herself; and, thinking of her wasted life,
|
|
said, "All is vanity." She repeated the words
|
|
mechanically, till she reflected that this was a most
|
|
inadequate thought for modern days. Solomon had
|
|
thought as far as that more than two thousand years
|
|
ago; she herself, though not in the van of thinkers,
|
|
had got much further. If all were only vanity, who
|
|
would mind it? All was, alas, worse than
|
|
vanity--injustice, punishment, exaction, death. The
|
|
wife of Angel Clare put her hand in her brow, and felt
|
|
its curve, and the edges of her eye-sockets perceptible
|
|
under the soft skin, and thought as she did so that a
|
|
time would come when that bone would be bare. "I wish
|
|
it were now," she said.
|
|
|
|
In the midst of these whimsical fancies she heard a new
|
|
strange sound among the leaves. It might be the wind;
|
|
yet there was scarcely any wind. Sometimes it was a
|
|
palpitation, sometimes a flutter; sometimes it was a
|
|
sort of gasp or gurgle. Soon she was certain that the
|
|
noises came from wild creatures of some kind, the more
|
|
so when, originating in the boughs overhead, they were
|
|
followed by the fall of a heavy body upon the ground.
|
|
Had she been ensconced here under other and more
|
|
pleasant conditions she would have become alarmed; but,
|
|
outside humanity, she had at present no fear.
|
|
|
|
Day at length broke in the sky. When it had been day
|
|
aloft for some little while it became day in the wood.
|
|
|
|
Directly the assuring and prosaic light of the world's
|
|
active hours had grown strong she crept from under her
|
|
hillock of leaves, and looked around boldly. Then she
|
|
perceived what had been going on to disturb her. The
|
|
plantation wherein she had taken shelter ran down at
|
|
this spot into a peak, which ended it hitherward,
|
|
outside the hedge being arable ground. Under the trees
|
|
several pheasants lay about, their rich plumage dabbled
|
|
with blood; some were dead, some feebly twitching a
|
|
wing, some staring up at the sky, some pulsating
|
|
quickly, some contorted, some stretched out--all of
|
|
them writhing in agony, except the fortunate ones whose
|
|
tortures had ended during the night by the inability of
|
|
nature to bear more.
|
|
|
|
Tess guessed at once the meaning of this. The birds
|
|
had been driven down into this corner the day before by
|
|
some shooting-party; and while those that had dropped
|
|
dead under the shot, or had died before nightfall, had
|
|
been searched for and carried off, many badly wounded
|
|
birds had escaped and hidden themselves away, or risen
|
|
among the thick boughs, where they had maintained their
|
|
position till they grew weaker with loss of blood in
|
|
the night-time, when they had fallen one by one as she
|
|
had heard them.
|
|
|
|
She had occasionally caught glimpses of these men in
|
|
girlhood, looking over hedges, or peeping through
|
|
bushes, and pointing their guns, strangely accoutred,
|
|
a bloodthirsty light in their eyes. She had been told
|
|
that, rough and brutal as they seemed just then, they
|
|
were not like this all the year round, but were, in
|
|
fact, quite civil persons save during certain weeks of
|
|
autumn and winter, when, like the inhabitants of the
|
|
Malay Peninsula, they ran amuck, and made it their
|
|
purpose to destroy life--in this case harmless
|
|
feathered creatures, brought into being by artificial
|
|
means solely to gratify these propensities--at once so
|
|
unmannerly and so unchivalrous towards their weaker
|
|
fellows in Nature's teeming family.
|
|
|
|
With the impulse of a soul who could feel for kindred
|
|
sufferers as much as for herself, Tess's first thought
|
|
was to put the still living birds out of their torture,
|
|
and to this end with her own hands she broke the necks
|
|
of as many as she could find, leaving them to lie where
|
|
she had found them till the game-keepers should
|
|
come--as they probably would come--to look for them a
|
|
second time.
|
|
|
|
"Poor darlings--to suppose myself the most miserable
|
|
being on earth in the sight o' such misery as yours!"
|
|
she exclaimed, her tears running down as she killed the
|
|
birds tenderly. "And not a twinge of bodily pain about
|
|
me! I be not mangled, and I be not bleeding, and I
|
|
have two hands to feed and clothe me." She was ashamed
|
|
of herself for her gloom of the night, based on nothing
|
|
more tangible than a sense of condemnation under an
|
|
arbitrary law of society which had no foundation in
|
|
Nature.
|
|
|
|
|
|
|
|
XLII
|
|
|
|
|
|
It was now broad day, and she started again, emerging
|
|
cautiously upon the highway. But there was no need for
|
|
caution; not a soul was at hand, and Tess went onward
|
|
with fortitude, her recollection of the birds' silent
|
|
endurance of their night of agony impressing upon her
|
|
the relativity of sorrows and the tolerable nature of
|
|
her own, if she could once rise high enough to despise
|
|
opinion. But that she could not do so long as it was
|
|
held by Clare.
|
|
|
|
She reached Chalk-Newton, and breakfasted at an inn,
|
|
where several young men were troublesomely
|
|
complimentary to her good looks. Somehow she felt
|
|
hopeful, for was it not possible that her husband also
|
|
might say these same things to her even yet? She was
|
|
bound to take care of herself on the chance of it, and
|
|
keep off these casual lovers. To this end Tess
|
|
resolved to run no further risks from her appearance.
|
|
As soon as she got out of the village she entered a
|
|
thicket and took from her basket one of the oldest
|
|
field-gowns, which she had never put on even at the
|
|
dairy--never since she had worked among the stubble at
|
|
Marlott. She also, by a felicitous thought, took a
|
|
handkerchief from her bundle and tied it round her face
|
|
under her bonnet, covering her chin and half her cheeks
|
|
and temples, as if she were suffering from toothache.
|
|
Then with her little scissors, by the aid of a pocket
|
|
looking-glass, she mercilessly nipped her eyebrows off,
|
|
and thus insured against aggressive admiration she went
|
|
on her uneven way.
|
|
|
|
"What a mommet of a maid!" said the next man who met
|
|
her to a companion.
|
|
|
|
Tears came into her eyes for very pity of herself as
|
|
she heard him.
|
|
|
|
"But I don't care!" she said. "O no--I don't care!
|
|
I'll always be ugly now, because Angel is not here, and
|
|
I have nobody to take care of me. My husband that was
|
|
is gone away, and never will love me any more; but I
|
|
love him just the same, and hate all other men, and
|
|
like to make 'em think scornfully of me!"
|
|
|
|
Thus Tess walks on; a figure which is part of the
|
|
landscape; a fieldwoman pure and simple, in winter
|
|
guise; a gray serge cape, a red woollen cravat, a stuff
|
|
skirt covered by a whitey-brown rough wrapper, and
|
|
buff-leather gloves. Every thread of that old attire
|
|
has become faded and thin under the stroke of
|
|
raindrops, the burn of sunbeams, and the stress of
|
|
winds. There is no sign of young passion in her
|
|
now----
|
|
|
|
|
|
The maiden's mouth is cold
|
|
. . . . . . . .
|
|
Fold over simple fold
|
|
Binding her head.
|
|
|
|
|
|
Inside this exterior, over which the eye might have
|
|
roved as over a thing scarcely percipient, almost
|
|
inorganic, there was the record of a pulsing life which
|
|
had learnt too well, for its years, of the dust and
|
|
ashes of things, of the cruelty of lust and the
|
|
fragility of love.
|
|
|
|
Next day the weather was bad, but she trudged on, the
|
|
honesty, directness, and impartiality of elemental
|
|
enmity disconcerting her but little. Her object being
|
|
a winter's occupation and a winter's home, there was no
|
|
time to lose. Her experience of short hirings had been
|
|
such that she was determined to accept no more.
|
|
|
|
Thus she went forward from farm to farm in the
|
|
direction of the place whence Marian had written to
|
|
her, which she determined to make use of as a last
|
|
shift only, its rumoured stringencies being the reverse
|
|
of tempting. First she inquired for the lighter kinds
|
|
of employment, and, as acceptance in any variety of
|
|
these grew hopeless, applied next for the less light,
|
|
till, beginning with the dairy and poultry tendance
|
|
that she liked best, she ended with the heavy and
|
|
course pursuits which she liked least--work on arable
|
|
land: work of such roughness, indeed, as she would
|
|
never have deliberately voluteered for.
|
|
|
|
Towards the second evening she reached the irregular
|
|
chalk table-land or plateau, bosomed with semi-globular
|
|
tumuli--as if Cybele the Many-breasted were supinely
|
|
extended there--which stretched between the valley of
|
|
her birth and the valley of her love.
|
|
|
|
Here the air was dry and cold, and the long cart-roads
|
|
were blown white and dusty within a few hours after
|
|
rain. There were few trees, or none, those that would
|
|
have grown in the hedges being mercilessly plashed down
|
|
with the quickset by the tenant-farmers, the natural
|
|
enemies of tree, bush, and brake. In the middle
|
|
distance ahead of her she could see the summits of
|
|
Bulbarrow and of Nettlecombe Tout, and they seemed
|
|
friendly. They had a low and unassuming aspect from
|
|
this upland, though as approached on the other side
|
|
from Blackmoor in her childhood they were as lofty
|
|
bastions against the sky. Southerly, at many miles'
|
|
distance, and over the hills and ridges coastward, she
|
|
could discern a surface like polished steel: it was the
|
|
English Channel at a point far out towards France.
|
|
|
|
Before her, in a slight depression, were the remains of
|
|
a village. She had, in fact, reached Flintcomb-Ash,
|
|
the place of Marian's sojourn. There seemed to be no
|
|
help for it; hither she was doomed to come. The
|
|
stubborn soil around her showed plainly enough that the
|
|
kind of labour in demand here was of the roughest kind;
|
|
but it was time to rest from searching, and she
|
|
resolved to stay, particularly as it began to rain.
|
|
At the entrance to the village was a cottage whose gable
|
|
jutted into the road, and before applying for a lodging
|
|
she stood under its shelter, and watched the evening
|
|
close in.
|
|
|
|
"Who would think I was Mrs Angel Clare!" she said.
|
|
|
|
The wall felt warm to her back and shoulders, and she
|
|
found that immediately within the gable was the cottage
|
|
fireplace, the heat of which came through the bricks.
|
|
She warmed her hands upon them, and also put her
|
|
cheek--red and moist with the drizzle--against their
|
|
comforting surface. The wall seemed to be the only
|
|
friend she had. She had so little wish to leave it
|
|
that she could have stayed there all night.
|
|
|
|
Tess could hear the occupants of the cottage--gathered
|
|
together after their day's labour--talking to each
|
|
other within, and the rattle of their supper-plates was
|
|
also audible. But in the village-street she had seen
|
|
no soul as yet. The solitude was at last broken by the
|
|
approach of one feminine figure, who, though the
|
|
evening was cold, wore the print gown and the
|
|
tilt-bonnet of summer time. Tess instinctively thought
|
|
it might be Marian, and when she came near enough to be
|
|
distinguishable in the gloom surely enough it was she.
|
|
Marian was even stouter and redder in the face than
|
|
formerly, and decidedly shabbier in attire. At any
|
|
previous period of her existence Tess would hardly have
|
|
cared to renew the acquaintance in such conditions; but
|
|
her loneliness was excessive, and she responded readily
|
|
to Marian's greeting.
|
|
|
|
Marian was quite respectful in her inquiries, but
|
|
seemed much moved by the fact that Tess should still
|
|
continue in no better condition than at first; though
|
|
she had dimly heard of the separation.
|
|
|
|
"Tess--Mrs Clare--the dear wife of dear he! And is it
|
|
really so bad as this, my child? Why is your cwomely
|
|
face tied up in such a way? Anybody been beating 'ee?
|
|
Not HE?"
|
|
|
|
"No, no, no! I merely did it not to be clipsed or
|
|
colled, Marian."
|
|
|
|
She pulled off in disgust a bandage which could suggest
|
|
such wild thoughts.
|
|
|
|
"And you've got no collar on" (Tess had been accustomed
|
|
to wear a little white collar at the dairy).
|
|
|
|
"I know it, Marian."
|
|
|
|
"You've lost it travelling."
|
|
|
|
"I've not lost it. The truth is, I don't care anything
|
|
about my looks; and so I didn't put it on."
|
|
|
|
"And you don't wear your wedding-ring?"
|
|
|
|
"Yes, I do; but not in public. I wear it round my neck
|
|
on a ribbon. I don't wish people to think who I am by
|
|
marriage, or that I am married at all; it would be so
|
|
awkward while I lead my present life."
|
|
|
|
Marian paused.
|
|
|
|
"But you BE a gentleman's wife; and it seems hardly
|
|
fair that you should live like this!"
|
|
|
|
"O yes it is, quite fair; though I am very unhappy."
|
|
|
|
"Well, well. HE married you--and you can be unhappy!"
|
|
|
|
"Wives are unhappy sometimes; from no fault of their
|
|
husbands--from their own."
|
|
|
|
"You've no faults, deary; that I'm sure of. And he's
|
|
none. So it must be something outside ye both."
|
|
|
|
"Marian, dear Marian, will you do me a good turn
|
|
without asking questions? My husband has gone abroad,
|
|
and somehow I have overrun my allowance, so that I have
|
|
to fall back upon my old work for a time. Do not call
|
|
me Mrs Clare, but Tess, as before. Do they want a hand
|
|
here?"
|
|
|
|
"O yes; they'll take one always, because few care to
|
|
come. "Tis a starve-acre place. Corn and swedes are
|
|
all they grow. Though I be here myself, I feel 'tis a
|
|
pity for such as you to come."
|
|
|
|
"But you used to be as good a dairywoman as I."
|
|
|
|
"Yes; but I've got out o' that since I took to drink.
|
|
Lord, that's the only comfort I've got now! If you
|
|
engage, you'll be set swede-hacking. That's what I be
|
|
doing; but you won't like it."
|
|
|
|
"O--anything! Will you speak for me?"
|
|
|
|
"You will do better by speaking for yourself."
|
|
|
|
"Very well. Now, Marian, remember--nothing about HIM,
|
|
if I get the place. I don't wish to bring his name
|
|
down to the dirt."
|
|
|
|
Marian, who was really a trustworthy girl though of
|
|
coarser grain than Tess, promised anything she asked.
|
|
|
|
"This is pay-night," she said, "and if you were to come
|
|
with me you would know at once. I be real sorry that
|
|
you are not happy; but 'tis because he's away, I know.
|
|
You couldn't be unhappy if he were here, even if he
|
|
gie'd ye no money--even if used you like a drudge."
|
|
|
|
"That's true; I could not!"
|
|
|
|
They walked on together, and soon reached the
|
|
farmhouse, which was almost sublime in its dreariness.
|
|
There was not a tree within sight; there was not, at
|
|
this season, a green pasture--nothing but fallow and
|
|
turnips everywhere; in large fields divided by hedges
|
|
plashed to unrelieved levels.
|
|
|
|
Tess waited outside the door of the farmhouse till the
|
|
group of workfolk had received their wages, and then
|
|
Marian introduced her. The farmer himself, it
|
|
appeared, was not at home, but his wife, who
|
|
represented him this evening, made no objection to
|
|
hiring Tess, on her agreeing to remain till Old
|
|
Lady-Day. Female field-labour was seldom offered now,
|
|
and its cheapness made it profitable for tasks which
|
|
women could perform as readily as men.
|
|
|
|
Having signed the agreement, there was nothing more for
|
|
Tess to do at present than to get a lodging, and she
|
|
found one in the house at whose gable-wall she had
|
|
warmed herself. It was a poor subsistence that she had
|
|
ensured, but it would afford a shelter for the winter
|
|
at any rate.
|
|
|
|
That night she wrote to inform her parents of her new
|
|
address, in case a letter should arrive at Marlott from
|
|
her husband. But she did not tell them of the
|
|
sorriness of her situation: it might have brought
|
|
reproach upon him.
|
|
|
|
|
|
|
|
XLIII
|
|
|
|
|
|
There was no exaggeration in Marian's definition of
|
|
Flintcomb-Ash farm as a starve-acre place. The single
|
|
fat thing on the soil was Marian herself; and she was
|
|
an importation. Of the three classes of village, the
|
|
village cared for by its lord, the village cared for by
|
|
itself, and the village uncared for either by itself or
|
|
by its lord (in other words, the village of a resident
|
|
squires's tenantry, the village of free or
|
|
copy-holders, and the absentee-owner's village, farmed
|
|
with the land) this place, Flintcomb-Ash, was the
|
|
third.
|
|
|
|
But Tess set to work. Patience, that blending of moral
|
|
courage with physical timidity, was now no longer a
|
|
minor feature in Mrs Angel Clare; and it sustained her.
|
|
|
|
The swede-field in which she and her companion were set
|
|
hacking was a stretch of a hundred odd acres, in one
|
|
patch, on the highest ground of the farm, rising above
|
|
stony lanchets or lynchets--the outcrop of siliceous
|
|
veins in the chalk formation, composed of myriads of
|
|
loose white flints in bulbous, cusped, and phallic
|
|
shapes. The upper half of each turnip had been eaten
|
|
off by the live-stock, and it was the business of the
|
|
two women to grub up the lower or earthy half of the
|
|
root with a hooked fork called a hacker, that it might
|
|
be eaten also. Every leaf of the vegetable having
|
|
already been consumed, the whole field was in colour a
|
|
desolate drab; it was a complexion without features, as
|
|
if a face, from chin to brow, should be only an expanse
|
|
of skin. The sky wore, in another colour, the same
|
|
likeness; a white vacuity of countenance with the
|
|
lineaments gone. So these two upper and nether visages
|
|
confronted each other all day long, the white face
|
|
looking down on the brown face, and the brown face
|
|
looking up at the white face, without anything standing
|
|
between them but the two girls crawling over the
|
|
surface of the former like flies.
|
|
|
|
Nobody came near them, and their movements showed a
|
|
mechanical regularity; their forms standing enshrouded
|
|
in Hessian "wroppers"--sleeved brown pinafores, tied
|
|
behind to the bottom, to keep their gowns from blowing
|
|
about--scant skirts revealing boots that reached high
|
|
up the ankles, and yellow sheepskin gloves with
|
|
gauntlets. The pensive character which the curtained
|
|
hood lent to their bent heads would have reminded the
|
|
observer of some early Italian conception of the two
|
|
Marys.
|
|
|
|
They worked on hour after hour, unconscious of the
|
|
forlorn aspect they bore in the landscape, not thinking
|
|
of the justice or injustice of their lot. Even in such
|
|
a position as theirs it was possible to exist in a
|
|
dream. In the afternoon the rain came on again, and
|
|
Marian said that they need not work any more. But if
|
|
they did not work they would not be paid; so they
|
|
worked on. It was so high a situation, this field,
|
|
that the rain had no occasion to fall, but raced along
|
|
horizontally upon the yelling wind, sticking into them
|
|
like glass splinters till they were wet through. Tess
|
|
had not known till now what was really meant by that.
|
|
There are degrees of dampness, and a very little is
|
|
called being wet through in common talk. But to stand
|
|
working slowly in a field, and feel the creep of
|
|
rain-water, first in legs and shoulders, then on hips
|
|
and head, then at back, front, and sides, and yet to
|
|
work on till the leaden light diminishes and marks that
|
|
the sun is down, demands a distinct modicum of
|
|
stoicism, even of valour.
|
|
|
|
Yet they did not feel the wetness so much as might be
|
|
supposed. They were both young, and they were talking
|
|
of the time when they lived and loved together at
|
|
Talbothays Dairy, that happy green tract of land where
|
|
summer had been liberal in her gifts; in substance to
|
|
all, emotionally to these. Tess would fain not have
|
|
conversed with Marian of the man who was legally, if
|
|
not actually, her husband; but the irresistible
|
|
fascination of the subject betrayed her into
|
|
reciprocating Marian's remarks. And thus, as has been
|
|
said, though the damp curtains of their bonnets flapped
|
|
smartly into their faces, and their wrappers clung
|
|
about them to wearisomeness, they lived all this
|
|
afternoon in memories of green, sunny, romantic
|
|
Talbothays.
|
|
|
|
"You can see a gleam of a hill within a few miles o'
|
|
Froom Valley from here when 'tis fine," said Marian.
|
|
|
|
"Ah! Can you?" said Tess, awake to the new value of
|
|
this locality.
|
|
|
|
So the two forces were at work here as everywhere, the
|
|
inherent will to enjoy, and the circumstantial will
|
|
against enjoyment. Marian's will had a method of
|
|
assisting itself by taking from her pocket as the
|
|
afternoon wore on a pint bottle corked with white rag,
|
|
from which she invited Tess to drink. Tess's
|
|
unassisted power of dreaming, however, being enough for
|
|
her sublimation at present, she declined except the
|
|
merest sip, and then Marian took a pull from the
|
|
spirits.
|
|
|
|
"I've got used to it," she said, "and can't leave it
|
|
off now. 'Tis my only comfort----You see I lost him:
|
|
you didn't; and you can do without it perhaps."
|
|
|
|
Tess thought her loss as great as Marian's, but upheld
|
|
by the dignity of being Angel's wife, in the letter at
|
|
least, she accepted Marian's differentiation.
|
|
|
|
Amid this scene Tess slaved in the morning frosts and
|
|
in the afternoon rains. When it was not swede-grubbing
|
|
it was swede-trimming, in which process they sliced off
|
|
the earth and the fibres with a bill-hook before
|
|
storing the roots for future use. At this occupation
|
|
they could shelter themselves by a thatched hurdle if
|
|
it rained; but if it was frosty even their thick
|
|
leather gloves could not prevent the frozen masses they
|
|
handled from biting their fingers. Still Tess hoped.
|
|
She had a conviction that sooner or later the
|
|
magnanimity which she persisted in reckoning as a chief
|
|
ingredient of Clare's character would lead him to
|
|
rejoin her.
|
|
|
|
Marian, primed to a humorous mood, would discover the
|
|
queer-shaped flints aforesaid, and shriek with
|
|
laughter, Tess remaining severely obtuse. They often
|
|
looked across the country to where the Var or Froom was
|
|
know to stretch, even though they might not be able to
|
|
see it; and, fixing their eyes on the cloaking gray
|
|
mist, imagined the old times they had spent out there.
|
|
|
|
"Ah," said Marian, "how I should like another or two of
|
|
our old set to come here! Then we could bring up
|
|
Talbothays every day here afield, and talk of he, and
|
|
of what nice times we had there, and o' the old things
|
|
we used to know, and make it all come back a'most, in
|
|
seeming!" Marian's eyes softened, and her voice grew
|
|
vague as the visions returned. "I'll write to Izz
|
|
Huett," she said. "She's biding at home doing nothing
|
|
now, I know, and I'll tell her we be here, and ask her
|
|
to come; and perhaps Retty is well enough now."
|
|
|
|
Tess had nothing to say against the proposal, and the
|
|
next she heard of this plan for importing old
|
|
Talbothays' joys was two or three days later, when
|
|
Marian informed her that Izz had replied to her
|
|
inquiry, and had promised to come if she could.
|
|
|
|
There had not been such a winter for years. It came on
|
|
in stealthy and measured glides, like the moves of a
|
|
chess-player. One morning the few lonely trees and
|
|
the thorns of the hedgerows appeared as if they had put
|
|
off a vegetable for an animal integument. Every twig
|
|
was covered with a white nap as of fur grown from the
|
|
rind during the night, giving it four times its usual
|
|
stoutness; the whole bush or tree forming a staring
|
|
sketch in white lines on the mournful gray of the sky
|
|
and horizon. Cobwebs revealed their presence on sheds
|
|
and walls where none had ever been observed till
|
|
brought out into visibility by the crystallizing
|
|
atmosphere, hanging like loops of white worsted from
|
|
salient points of the out-houses, posts, and gates.
|
|
|
|
After this season of congealed dampness came a spell of
|
|
dry frost, when strange birds from behind the North
|
|
Pole began to arrive silently on the upland of
|
|
Flintcomb-Ash; gaunt spectral creatures with tragical
|
|
eyes--eyes which had witnessed scenes of cataclysmal
|
|
horror in inaccessible polar regions of a magnitude
|
|
such as no human being had ever conceived, in curdling
|
|
temperatures that no man could endure; which had beheld
|
|
the crash of icebergs and the slide of snow-hills by
|
|
the shooting light of the Aurora; been half blinded by
|
|
the whirl of colossal storms and terraqueous
|
|
distortions; and retained the expression of feature
|
|
that such scenes had engendered. These nameless birds
|
|
came quite near to Tess and Marian, but of all they had
|
|
seen which humanity would never see, they brought no
|
|
account. The traveller's ambition to tell was not
|
|
theirs, and, with dumb impassivity, they dismissed
|
|
experiences which they did not value for the immediate
|
|
incidents of this homely upland--the trivial movements
|
|
of the two girls in disturbing the clods with their
|
|
hackers so as to uncover something or other that these
|
|
visitants relished as food.
|
|
|
|
Then one day a peculiar quality invaded the air of this
|
|
open country. There came a moisture which was not of
|
|
rain, and a cold which was not of frost. It chilled
|
|
the eyeballs of the twain, made their brows ache,
|
|
penetrated to their skeletons, affecting the surface of
|
|
the body less than its core. They knew that it meant
|
|
snow, and in the night the snow came. Tess, who
|
|
continued to live at the cottage with the warm gable
|
|
that cheered any lonely pedestrian who paused beside
|
|
it, awoke in the night, and heard above the thatch
|
|
noises which seemed to signify that the roof had turned
|
|
itself into a gymnasium of all the winds. When she lit
|
|
her lamp to get up in the morning she found that the
|
|
snow had blown through a chink in the casement, forming
|
|
a white cone of the finest powder against the inside,
|
|
and had also come down the chimney, so that it lay
|
|
sole-deep upon the floor, on which her shoes left
|
|
tracks when she moved about. Without, the storm drove
|
|
so fast as to create a snow-mist in the kitchen; but as
|
|
yet it was too dark out-of-doors to see anything.
|
|
|
|
Tess knew that it was impossible to go on with the
|
|
swedes; and by the time she had finished breakfast
|
|
beside the solitary little lamp, Marian arrived to tell
|
|
her that they were to join the rest of the women at
|
|
reed-drawing in the barn till the weather changed.
|
|
As soon, therefore, as the uniform cloak of darkness
|
|
without began to turn to a disordered medley of grays,
|
|
they blew out the lamp, wrapped themselves up in their
|
|
thickest pinners, tied their woollen cravats round
|
|
their necks and across their chests, and started for
|
|
the barn. The snow had followed the birds from the
|
|
polar basin as a white pillar of a cloud, and
|
|
individual flakes could not be seen. The blast smelt
|
|
of icebergs, arctic seas, whales, and white bears,
|
|
carrying the snow so that it licked the land but did
|
|
not deepen on it. They trudged onwards with slanted
|
|
bodies through the flossy fields, keeping as well as
|
|
they could in the shelter of hedges, which, however,
|
|
acted as strainers rather than screens. The air,
|
|
afflicted to pallor with the hoary multitudes that
|
|
infested it, twisted and spun them eccentrically,
|
|
suggesting an achromatic chaos of things. But both the
|
|
young women were fairly cheerful; such weather on a dry
|
|
upland is not in itself dispiriting.
|
|
|
|
"Ha-ha! the cunning northern birds knew this was
|
|
coming," said Marian. "Depend upon't, they keep just
|
|
in front o't all the way from the North Star. Your
|
|
husband, my dear, is, I make no doubt, having scorching
|
|
weather all this time. Lord, if he could only see his
|
|
pretty wife now! Not that this weather hurts your
|
|
beauty at all--in fact, it rather does it good."
|
|
|
|
"You mustn't talk about him to me, Marian," said Tess
|
|
severely.
|
|
|
|
"Well, but--surely you care for'n! Do you?"
|
|
|
|
Instead of answering, Tess, with tears in her eyes,
|
|
impulsively faced in the direction in which she
|
|
imagined South America to lie, and, putting up her
|
|
lips, blew out a passionate kiss upon the snowy wind.
|
|
|
|
"Well, well, I know you do. But 'pon my body, it is a
|
|
rum life for a married couple! There--I won't say
|
|
another word! Well, as for the weather, it won't hurt
|
|
us in the wheat-barn; but reed-drawing is fearful hard
|
|
work--worse than swede-hacking. I can stand it because
|
|
I'm stout; but you be slimmer than I. I can't think
|
|
why maister should have set 'ee at it."
|
|
|
|
They reached the wheat-barn and entered it. One end of
|
|
the long structure was full of corn; the middle was
|
|
where the reed-drawing was carried on, and there had
|
|
already been placed in the reed-press the evening
|
|
before as many sheaves of wheat as would be sufficient
|
|
for the women to draw from during the day.
|
|
|
|
"Why, here's Izz!" said Marian.
|
|
|
|
Izz it was, and she came forward. She had walked all
|
|
the way from her mother's home on the previous
|
|
afternoon, and, not deeming the distance so great, had
|
|
been belated, arriving, however, just before the snow
|
|
began, and sleeping at the alehouse. The farmer had
|
|
agreed with her mother at market to take her on if she
|
|
came today, and she had been afraid to disappoint him
|
|
by delay.
|
|
|
|
In addition to Tess, Marian, and Izz, there were two
|
|
women from a neighbouring village; two Amazonian
|
|
sisters, whom Tess with a start remembered as Dark Car
|
|
the Queen of Spades and her junior the Queen of
|
|
Diamonds--those who had tried to fight with her in the
|
|
midnight quarrel at Trantridge. They showed no
|
|
recognition of her, and possibly had none, for they had
|
|
been under the influence of liquor on that occasion,
|
|
and were only temporary sojourners there as here. They
|
|
did all kinds of men's work of preference, including
|
|
well-sinking, hedging, ditching, and excavating,
|
|
without any sense of fatigue. Noted reed-drawers were
|
|
they too, and looked round upon the other three with
|
|
some superciliousness.
|
|
|
|
Putting on their gloves all set to work in a row in
|
|
front of the press, an erection formed of two posts
|
|
connected by a cross-beam, under which the sheaves to
|
|
be drawn from were laid ears outward, the beam being
|
|
pegged down by pins in the uprights, and lowered as the
|
|
sheaves diminished.
|
|
|
|
The day hardened in colour, the light coming in at the
|
|
barndoors upwards from the snow instead of downwards
|
|
from the sky. The girls pulled handful after handful
|
|
from the press; but by reason of the presence of the
|
|
strange women, who were recounting scandals, Marian and
|
|
Izz could not at first talk of old times as they wished
|
|
to do. Presently they heard the muffled tread of a
|
|
horse, and the farmer rode up to the barndoor. When he
|
|
had dismounted he came close to Tess, and remained
|
|
looking musingly at the side of her face. She had not
|
|
turned at first, but his fixed attitude led her to look
|
|
round, when she perceived that her employer was the
|
|
native of Trantridge from whom she had taken flight on
|
|
the high-road because of his allusion to her history.
|
|
|
|
He waited till she had carried the drawn bundles to the
|
|
pile outside, when he said, "So you be the young woman
|
|
who took my civility in such ill part? Be drowned if I
|
|
didn't think you might be as soon as I heard of your
|
|
being hired! Well, you thought you had got the better
|
|
of me the first time at the inn with your fancy-man,
|
|
and the second time on the road, when you bolted; but
|
|
now I think I've got the better you." He concluded
|
|
with a hard laugh.
|
|
|
|
Tess, between the Amazons and the farmer like a bird
|
|
caught in a clap-net, returned no answer, continuing to
|
|
pull the straw. She could read character sufficiently
|
|
well to know by this time that she had nothing to fear
|
|
from her employer's gallantry; it was rather the
|
|
tyranny induced by his mortification at Clare's
|
|
treatment of him. Upon the whole she preferred that
|
|
sentiment in man and felt brave enough to endure it.
|
|
|
|
"You thought I was in love with 'ee I suppose? Some
|
|
women are such fools, to take every look as serious
|
|
earnest. But there's nothing like a winter afield for
|
|
taking that nonsense out o' young wenches' heads; and
|
|
you've signed and agreed till Lady-Day. Now, are you
|
|
going to beg my pardon?"
|
|
|
|
"I think you ought to beg mine."
|
|
|
|
"Very well--as you like. But we'll see which is master
|
|
here. Be they all the sheaves you've done today?"
|
|
|
|
"Yes, sir."
|
|
|
|
"'Tis a very poor show. Just see what they've done
|
|
over there" (pointing to the two stalwart women).
|
|
"The rest, too, have done better than you."
|
|
|
|
"They've all practised it before, and I have not. And
|
|
I thought it made no difference to you as it is task
|
|
work, and we are only paid for what we do."
|
|
|
|
"Oh, but it does. I want the barn cleared."
|
|
|
|
"I am going to work all the afternoon instead of
|
|
leaving at two as the others will do."
|
|
|
|
He looked sullenly at her and went away. Tess felt
|
|
that she could not have come to a much worse place; but
|
|
anything was better than gallantry. When two o'clock
|
|
arrived the professional reed-drawers tossed off the
|
|
last half-pint in their flagon, put down their hooks,
|
|
tied their last sheaves, and went away. Marian and Izz
|
|
would have done likewise, but on hearing that Tess
|
|
meant to stay, to make up by longer hours for her lack
|
|
of skill, they would not leave her. Looking out at the
|
|
snow, which still fell, Marian exclaimed, "Now, we've
|
|
got it all to ourselves." And so at last the
|
|
conversation turned to their old experiences at the
|
|
dairy; and, of course, the incidents of their affection
|
|
for Angel Clare.
|
|
|
|
"Izz and Marian," said Mrs Angel Clare, with a dignity
|
|
which was extremely touching, seeing how very little of
|
|
a wife she was: "I can't join in talk with you now, as
|
|
I used to do, about Mr Clare; you will see that I
|
|
cannot; because, although he is gone away from me for
|
|
the present, he is my husband."
|
|
|
|
Izz was by nature the sauciest and most caustic of all
|
|
the four girls who had loved Clare. "He was a very
|
|
splendid lover, no doubt," she said; "but I don't think
|
|
he is a too fond husband to go away from you so soon."
|
|
|
|
"He had to go--he was obliged to go, to see about the
|
|
land over there!" pleaded Tess.
|
|
|
|
"He might have tided 'ee over the winter."
|
|
|
|
"Ah--that's owing to an accident--a misunderstanding;
|
|
and we won't argue it," Tess answered, with tearfulness
|
|
in her words. "Perhaps there's a good deal to be said
|
|
for him! He did not go away, like some husbands,
|
|
without telling me; and I can always find out where he
|
|
is."
|
|
|
|
After this they continued for some long time in a
|
|
reverie, as they went on seizing the ears of corn,
|
|
drawing out the straw, gathering it under their arms,
|
|
and cutting off the ears with their bill-hooks, nothing
|
|
sounding in the barn but the swish of the straw and the
|
|
crunch of the hook. Then Tess suddenly flagged, and
|
|
sank down upon the heap of wheat-ears at her feet.
|
|
|
|
"I knew you wouldn't be able to stand it!" cried
|
|
Marian. "It wants harder flesh than yours for this
|
|
work."
|
|
|
|
Just then the farmer entered. "Oh, that's how you get
|
|
on when I am away," he said to her.
|
|
|
|
"But it is my own loss," she pleaded. "Not yours."
|
|
|
|
"I want it finished," he said doggedly, as he crossed
|
|
the barn and went out at the other door.
|
|
|
|
"Don't 'ee mind him, there's a dear," said Marian.
|
|
"I've worked here before. Now you go and lie down
|
|
there, and Izz and I will make up your number."
|
|
|
|
"I don't like to let you do that. I'm taller than you,
|
|
too."
|
|
|
|
However, she was so overcome that she consented to lie
|
|
down awhile, and reclined on a heap of pull-tails--the
|
|
refuse after the straight straw had been drawn--thrown
|
|
up at the further side of the barn. Her succumbing had
|
|
been as largely owning to agitation at the re-opening
|
|
the subject of her separation from her husband as to
|
|
the hard work. She lay in a state of percipience
|
|
without volition, and the rustle of the straw and the
|
|
cutting of the ears by the others had the weight of
|
|
bodily touches.
|
|
|
|
She could hear from her corner, in addition to these
|
|
noises, the murmur of their voices. She felt certain
|
|
that they were continuing the subject already broached,
|
|
but their voices were so low that she could not catch
|
|
the words. At last Tess grew more and more anxious to
|
|
know what they were saying, and, persuading herself
|
|
that she felt better, she got up and resumed work.
|
|
|
|
Then Izz Huett broke down. She had walked more than a
|
|
dozen miles the previous evening, had gone to bed at
|
|
midnight, and had risen again at five o'clock. Marian
|
|
alone, thanks to her bottle of liquor and her stoutness
|
|
of build, stood the strain upon back and arms without
|
|
suffering. Tess urged Izz to leave off, agreeing, as
|
|
she felt better, to finish the day without her, and
|
|
make equal division of the number of sheaves.
|
|
|
|
Izz accepted the offer gratefully, and disappeared
|
|
through the great door into the snowy track to her
|
|
lodging. Marian, as was the case every afternoon at
|
|
this time on account of the bottle, began to feel in a
|
|
romantic vein.
|
|
|
|
"I should not have thought it of him--never!" she said
|
|
in a dreamy tone. "And I loved him so! I didn't mind
|
|
his having YOU. But this about Izz is too bad!"
|
|
|
|
Tess, in her start at the words, narrowly missed
|
|
cutting off a finger with the bill-hook.
|
|
|
|
"Is it about my husband?" she stammered.
|
|
|
|
"Well, yes. Izz said, 'Don't 'ee tell her'; but I am
|
|
sure I can't help it! It was what he wanted Izz to do.
|
|
He wanted her to go off to Brazil with him."
|
|
|
|
Tess's face faded as white as the scene without, and
|
|
its curves straightened. "And did Izz refuse to go?"
|
|
she asked.
|
|
|
|
"I don't know. Anyhow he changed his mind."
|
|
|
|
"Pooh--then he didn't mean it! 'Twas just a man's
|
|
jest!"
|
|
|
|
"Yes he did; for he drove her a good-ways towards the
|
|
station."
|
|
|
|
"He didn't take her!"
|
|
|
|
They pulled on in silence till Tess, without any
|
|
premonitory symptoms, burst out crying.
|
|
|
|
"There!" said Marian. "Now I wish I hadn't told 'ee!"
|
|
|
|
"No. It is a very good thing that you have done! I
|
|
have been living on in a thirtover, lackaday way, and
|
|
have not seen what it may lead to! I ought to have sent
|
|
him a letter oftener. He said I could not go to him,
|
|
but he didn't say I was not to write as often as I
|
|
liked. I won't dally like this any longer! I have
|
|
been very wrong and neglectful in leaving everything to
|
|
be done by him!"
|
|
|
|
The dim light in the barn grew dimmer, and they could
|
|
see to work no longer. When Tess had reached home that
|
|
evening, and had entered into the privacy of her little
|
|
white-washed chamber, she began impetuously writing a
|
|
letter to Clare. But falling into doubt she could not
|
|
finish it. Afterwards she took the ring from the
|
|
ribbon on which she wore it next her heart, and
|
|
retained it on her finger all night, as if to fortify
|
|
herself in the sensation that she was really the wife
|
|
of this elusive lover of hers, who could propose that
|
|
Izz should go with him abroad, so shortly after he had
|
|
left her. Knowing that, how could she write entreaties
|
|
to him, or show that she cared for him any more?
|
|
|
|
|
|
|
|
XLIV
|
|
|
|
|
|
By the disclosure in the barn her thoughts were led
|
|
anew in the direction which they had taken more than
|
|
once of late--to the distant Emminster Vicarage. It
|
|
was through her husband's parents that she had been
|
|
charged to send a letter to Clare if she desired; and
|
|
to write to them direct if in difficulty. But that
|
|
sense of her having morally no claim upon him had
|
|
always led Tess to suspend her impulse to send these
|
|
notes; and to the family at the Vicarage, therefore, as
|
|
to her own parents since her marriage, she was
|
|
virtually non-existent. This self-effacement in both
|
|
directions had been quite in consonance with her
|
|
independent character of desiring nothing by way of
|
|
favour or pity to which she was not entitled on a fair
|
|
consideration of her deserts. She had set herself to
|
|
stand or fall by her qualities, and to waive such
|
|
merely technical claims upon a strange family as had
|
|
been established for her by the flimsy fact of a member
|
|
of that family, in a season of impulse, writing his
|
|
name in a church-book beside hers.
|
|
|
|
But now that she was stung to a fever by Izz's tale
|
|
there was a limit to her powers of renunciation. Why
|
|
had her husband not written to her? He had distinctly
|
|
implied that he would at least let her know of the
|
|
locality to which he had journeyed; but he had not sent
|
|
a line to notify his address. Was he really
|
|
indifferent? But was he ill? Was it for her to make
|
|
some advance? Surely she might summon the courage of
|
|
solicitude, call at the Vicarage for intelligence, and
|
|
express her grief at his silence. If Angel's father
|
|
were the good man she had heard him represented to be,
|
|
he would be able to enter into her heart-starved
|
|
situation. Her social hardships she could conceal.
|
|
|
|
To leave the farm on a week-day was not in her power;
|
|
Sunday was the only possible opportunity.
|
|
Flintcomb-Ash being in the middle of the cretaceous
|
|
tableland over which no railway had climbed as yet, it
|
|
would be necessary to walk. And the distance being
|
|
fifteen miles each way she would have to allow herself
|
|
a long day for the undertaking by rising early.
|
|
|
|
A fortnight later, when the snow had gone, and had been
|
|
followed by a hard black frost, she took advantage of
|
|
the state of the roads to try the experiment. At four
|
|
o'clock that Sunday morning she came downstairs and
|
|
stepped out into the starlight. The weather was still
|
|
favourable, the ground ringing under her feet like an
|
|
anvil.
|
|
|
|
Marian and Izz were much interested in her excursion,
|
|
knowing that the journey concerned her husband. Their
|
|
lodgings were in a cottage a little further along the
|
|
lane, but they came and assisted Tess in her departure,
|
|
and argued that she should dress up in her very
|
|
prettiest guise to captivate the hearts of her
|
|
parents-in-law; though she, knowing of the austere and
|
|
Calvinistic tenets of old Mr Clare, was indifferent,
|
|
and even doubtful. A year had now elapsed since her
|
|
sad marriage, but she had preserved sufficient
|
|
draperies from the wreck of her then full wardrobe to
|
|
clothe her very charmingly as a simple country girl
|
|
with no pretensions to recent fashion; a soft gray
|
|
woollen gown, with white crape quilling against the
|
|
pink skin of her face and neck, and a black velvet
|
|
jacket and hat.
|
|
|
|
"'Tis a thousand pities your husband can't see 'ee
|
|
now--you do look a real beauty!" said Izz Huett,
|
|
regarding Tess as she stood on the threshold between
|
|
the steely starlight without the yellow candlelight
|
|
within. Izz spoke with a magnanimous abandonment of
|
|
herself to the situation; she could not be--no woman
|
|
with a heart bigger than a hazel-nut could
|
|
be--antagonistic to Tess in her presence, the influence
|
|
which she exercised over those of her own sex being of
|
|
a warmth and strength quite unusual, curiously
|
|
overpowering the less worthy feminine feelings of spite
|
|
and rivalry.
|
|
|
|
With a final tug and touch here, and a slight brush
|
|
there, they let her go; and she was absorbed into the
|
|
pearly air of the fore-dawn. They heard her footsteps
|
|
tap along the hard road as she stepped out to her full
|
|
pace. Even Izz hoped she would win, and, though
|
|
without any particular respect for her own virtue, felt
|
|
glad that she had been prevented wronging her friend
|
|
when momentarily tempted by Clare.
|
|
|
|
It was a year ago, all but a day, that Clare had
|
|
married Tess, and only a few days less than a year that
|
|
he had been absent from her. Still, to start on a
|
|
brisk walk, and on such an errand as hers, on a dry
|
|
clear wintry morning, through the rarefied air of these
|
|
chalky hogs'-backs, was not depressing; and there is no
|
|
doubt that her dream at starting was to win the heart
|
|
of her mother-in-law, tell her whole history to that
|
|
lady, enlist her on her side, and so gain back the
|
|
truant.
|
|
|
|
In time she reached the edge of the vast escarpment
|
|
below which stretched the loamy Vale of Blackmoor, now
|
|
lying misty and still in the dawn. Instead of the
|
|
colourless air of the uplands the atmosphere down there
|
|
was a deep blue. Instead of the great enclosures of a
|
|
hundred acres in which she was now accustomed to toil
|
|
there were little fields below her of less than
|
|
half-a-dozen acres, so numerous that they looked from
|
|
this height like the meshes of a net. Here the
|
|
landscape was whitey-brown; down there, as in Froom
|
|
Valley, it was always green. Yet is was in that vale
|
|
that her sorrow had taken shape, and she did not love
|
|
it as formerly. Beauty to her, as to all who have
|
|
felt, lay not in the thing, but in what the thing
|
|
symbolized.
|
|
|
|
Keeping the Vale on her right she steered steadily
|
|
westward; passing above the Hintocks, crossing at
|
|
right-angles the high-road from Sherton-Abbas to
|
|
Casterbridge, and skirting Dogbury Hill and High-Stoy,
|
|
with the dell between them called "The Devil's
|
|
Kitchen". Still following the elevated way she reached
|
|
Cross-in-Hand, where the stone pillar stands desolate
|
|
and silent, to mark the site of a miracle, or murder,
|
|
or both. Three miles further she cut across the
|
|
straight and deserted Roman road called Long-Ash Lane;
|
|
leaving which as soon as she reached it she dipped down
|
|
a hill by a transverse lane into the small town or
|
|
village of Evershead, being now about halfway over the
|
|
distance. She made a halt here, and breakfasted a
|
|
second time, heartily enough--not at the Sow-and-Acorn,
|
|
for she avoided inns, but at a cottage by the church.
|
|
|
|
The second half of her journey was through a more
|
|
gentle country, by way of Benvill Lane. But as the
|
|
mileage lessened between her and the spot of her
|
|
pilgrimage, so did Tess's confidence decrease, and her
|
|
enterprise loom out more formidably. She saw her
|
|
purpose in such staring lines, and the landscape so
|
|
faintly, that she was sometimes in danger of losing her
|
|
way. However, about noon she paused by a gate on the
|
|
edge of the basin in which Emminster and its Vicarage
|
|
lay.
|
|
|
|
The square tower, beneath which she knew that at that
|
|
moment the Vicar and his congregation were gathered,
|
|
had a severe look in her eyes. She wished that she had
|
|
somehow contrived to come on a week-day. Such a good
|
|
man might be prejudiced against a woman who had chosen
|
|
Sunday, never realizing the necessities of her case.
|
|
But it was incumbent upon her to go on now. She took
|
|
off the thick boots in which she had walked thus far,
|
|
put on her pretty thin ones of patent leather, and,
|
|
stuffing the former into the hedge by the gatepost
|
|
where she might readily find them again, descended the
|
|
hill; the freshness of colour she had derived from the
|
|
keen air thinning away in spite of her as she drew near
|
|
the parsonage.
|
|
|
|
Tess hoped for some accident that might favour her, but
|
|
nothing favoured her. The scrubs on the Vicarage lawn
|
|
rustled uncomfortably in the frosty breeze; she could
|
|
not feel by any stretch of imagination, dressed to her
|
|
highest as she was, that the house was the residence of
|
|
near relations; and yet nothing essential, in nature or
|
|
emotion, divided her from them: in pains, pleasures,
|
|
thoughts, birth, death, and after-death, they were the
|
|
same.
|
|
|
|
She nerved herself by an effort, entered the
|
|
swing-gate, and rang the door-bell. The thing was
|
|
done; there could be no retreat. No; the thing was not
|
|
done. Nobody answered to her ringing. The effort had
|
|
be risen to and made again. She rang a second time,
|
|
and the agitation of the act, coupled with her
|
|
weariness after the fifteen miles' walk, led her
|
|
support herself while she waited by resting her hand on
|
|
her hip, and her elbow against the wall of the porch.
|
|
The wind was so nipping that the ivy-leaves had become
|
|
wizened and gray, each tapping incessantly upon its
|
|
neighbour with a disquieting stir of her nerves. A
|
|
piece of blood-stained paper, caught up from some
|
|
meat-buyer's dust-heap, beat up and down the road
|
|
without the gate; too flimsy to rest, too heavy to fly
|
|
away; and a few straws kept it company.
|
|
|
|
The second peal had been louder, and still nobody came.
|
|
Then she walked out of the porch, opened the gate, and
|
|
passed through. And though she looked dubiously at the
|
|
house-front as if inclined to return, it was with a
|
|
breath of relied that she closed the gate. A feeling
|
|
haunted her that she might have been recognized (though
|
|
how she could not tell), and orders been given not to
|
|
admit her.
|
|
|
|
Tess went as far as the corner. She had done all she
|
|
could do; but determined not to escape present
|
|
trepidation at the expense of future distress, she
|
|
walked back again quite past the house, looking up at
|
|
all the windows.
|
|
|
|
Ah--the explanation was that they were all at church,
|
|
every one. She remembered her husband saying that his
|
|
father always insisted upon the household, servants
|
|
included, going to morning-service, and, as a
|
|
consequence, eating cold food when they came home. It
|
|
was, therefore, only necessary to wait till the service
|
|
was over. She would not make herself conspicuous by
|
|
waiting on the spot, and she started to get past the
|
|
church into the lane. But as she reached the
|
|
churchyard-gate the people began pouring out, and Tess
|
|
found herself in the midst of them.
|
|
|
|
The Emminster congregation looked at her as only a
|
|
congregation of small country-townsfolk walking home at
|
|
its leisure can look at a woman out of the common whom
|
|
it perceives to be a stranger. She quickened her pace,
|
|
and ascended the the road by which she had come, to
|
|
find a retreat between its hedges till the Vicar's
|
|
family should have lunched, and it might be convenient
|
|
for them to receive her. She soon distanced the
|
|
churchgoers, except two youngish men, who, linked
|
|
arm-in-arm, were beating up behind her at a quick step.
|
|
|
|
As they drew nearer she could hear their voices engaged
|
|
in earnest discourse, and, with the natural quickness
|
|
of a woman in her situation, did not fail to recognize
|
|
in those noises the quality of her husband's tones.
|
|
The pedestrians were his two brothers. Forgetting all
|
|
her plans, Tess's one dread was lest they should
|
|
overtake her now, in her disorganized condition, before
|
|
she was prepared to confront them; for though she felt
|
|
that they could not identify her she instinctively
|
|
dreaded their scrutiny. The more briskly they walked
|
|
the more briskly walked she. They were plainly bent
|
|
upon taking a short quick stroll before going indoors
|
|
to lunch or dinner, to restore warmth to limbs chilled
|
|
with sitting through a long service.
|
|
|
|
Only one person had preceded Tess up the hill--a
|
|
ladylike young woman, somewhat interesting, though,
|
|
perhaps, a trifle GUINDEE and prudish. Tess had nearly
|
|
overtaken her when the speed of her brothers-in-law
|
|
brought them so nearly behind her back that she could
|
|
hear every word of their conversation. They said
|
|
nothing, however, which particularly interested her
|
|
till, observing the young lady still further in front,
|
|
one of them remarked, "There is Mercy Chant. Let us
|
|
overtake her."
|
|
|
|
Tess knew the name. It was the woman who had been
|
|
destined for Angel's life-companion by his and her
|
|
parents, and whom he probably would have married but
|
|
for her intrusive self. She would have know as much
|
|
without previous information if she had waited a
|
|
moment, for one of the brothers proceeded to say:
|
|
"Ah! poor Angel, poor Angel! I never see that nice girl
|
|
without more and more regretting his precipitancy in
|
|
throwing himself away upon a dairymaid, or whatever she
|
|
may be. It is a queer business, apparently. Whether
|
|
she has joined him yet or not I don't know; but she had
|
|
not done so some months ago when I heard from him."
|
|
|
|
"I can't say. He never tells me anything nowadays.
|
|
His ill-considered marriage seems to have completed
|
|
that estrangement from me which was begun by his
|
|
extraordinary opinions."
|
|
|
|
Tess beat up the long hill still faster; but she could
|
|
not outwalk them without exciting notice. At last they
|
|
outsped her altogether, and passed her by. The young
|
|
lady still further ahead heard their footsteps and
|
|
turned. Then there was a greeting and a shaking of
|
|
hands, and the three went on together.
|
|
|
|
They soon reached the summit of the hill, and,
|
|
evidently intending this point to be the limit of their
|
|
promenade, slackened pace and turned all three aside to
|
|
the gate whereat Tess had paused an hour before that
|
|
time to reconnoitre the town before descending into it.
|
|
During their discourse one of the clerical brothers
|
|
probed the hedge carefully with his umbrella, and
|
|
dragged something to light.
|
|
|
|
"Here's a pair of old boots," he said. "Thrown away,
|
|
I suppose, by some tramp or other."
|
|
|
|
"Some imposter who wished to come into the town
|
|
barefoot, perhaps, and so excite our sympathies," said
|
|
Miss Chant. "Yes, it must have been, for they are
|
|
excellent walking-boots--by no means worn out. What a
|
|
wicked thing to do! I'll carry them home for some poor
|
|
person."
|
|
|
|
Cuthbert Clare, who had been the one to find them,
|
|
picked them up for her with the crook of his stick; and
|
|
Tess's boots were appropriated.
|
|
|
|
She, who had heard this, walked past under the screen
|
|
of her woollen veil, till, presently looking back, she
|
|
perceived that the church party had left the gate with
|
|
her boots and retreated down the hill.
|
|
|
|
Thereupon our heroine resumed her walk. Tears,
|
|
blinding tears, were running down her face. She knew
|
|
that it was all sentiment, all baseless impressibility,
|
|
which had caused her to read the scene as her own
|
|
condemnation; nevertheless she could not get over it;
|
|
she could not contravene in her own defenceless person
|
|
all those untoward omens. It was impossible to think
|
|
of returning to the Vicarage. Angel's wife felt almost
|
|
as if she had been hounded up that hill like a scorned
|
|
thing by those--to her--superfine clerics. Innocently
|
|
as the slight had been inflicted, it was somewhat
|
|
unfortunate that she had encountered the sons and not
|
|
the father, who, despite his narrowness, was far less
|
|
starched and ironed than they, and had to the full the
|
|
gift of charity. As she again though of her dusty
|
|
boots she almost pitied those habiliments for the
|
|
quizzing to which they had been subjected, and felt how
|
|
hopeless life was for their owner.
|
|
|
|
"Ah!" she said, still sighing in pity of herself, "THEY
|
|
didn't know that I wore those over the roughest part of
|
|
the road to save these pretty ones HE bought for
|
|
me--no--they did not know it! And they didn't think
|
|
that HE chose the colour o' my pretty frock--no--how
|
|
could they? If they had known perhaps they would not
|
|
have cared, for they don't care much for him, poor
|
|
thing!"
|
|
|
|
Then she grieved for the beloved man whose conventional
|
|
standard of judgement had caused her all these latter
|
|
sorrows; and she went her way without knowing that the
|
|
greatest misfortune of her life was this feminine loss
|
|
of courage at the last and critical moment through her
|
|
estimating her father-in-law by his sons. Her present
|
|
condition was precisely one which would have enlisted
|
|
the sympathies of old Mr and Mrs Clare. Their hearts
|
|
went out of them at a bound towards extreme cases, when
|
|
the subtle mental troubles of the less desperate among
|
|
mankind failed to win their interest or regard. In
|
|
jumping at Publicans and Sinners they would forget that
|
|
a word might be said for the worries of Scribes and
|
|
Pharisees; and this defect or limitation might have
|
|
recommended their own daughter-in-law to them at this
|
|
moment as a fairly choice sort of lost person for their
|
|
love.
|
|
|
|
Thereupon she began to plod back along the road by
|
|
which she had come not altogether full of hope, but
|
|
full of a conviction that a crisis in her life was
|
|
approaching. No crisis, apparently, had supervened;
|
|
and there was nothing left for her to do but to
|
|
continue upon that starve-acre farm till she could
|
|
again summon courage to face the Vicarage. She did,
|
|
indeed, take sufficient interest in herself to throw up
|
|
her veil on this return journey, as if to let the world
|
|
see that she could at least exhibit a face such as
|
|
Mercy Chant could not show. But it was done with a
|
|
sorry shake of the head. "It is nothing--it is
|
|
nothing!" she said. "Nobody loves it; nobody sees it.
|
|
Who cares about the looks of a castaway like me!"
|
|
|
|
Her journey back was rather a meander than a march.
|
|
It had no sprightliness, no purpose; only a tendency.
|
|
Along the tedious length of Benvill Lane she began to
|
|
grow tired, and she leant upon gates and paused by
|
|
milestones.
|
|
|
|
She did not enter any house till, at the seventh or
|
|
eighth mile, she descended the steep long hill below
|
|
which lay the village or townlet of Evershead, where in
|
|
the morning she had breakfasted with such contrasting
|
|
expectations. The cottage by the church, in which she
|
|
again sat down, was almost the first at that end of the
|
|
village, and while the woman fetched her some milk from
|
|
the pantry, Tess, looking down the street, perceived
|
|
that the place seemed quite deserted.
|
|
|
|
"The people are gone to afternoon service, I suppose?"
|
|
she said.
|
|
|
|
"No, my dear," said the old woman. "'Tis too soon for
|
|
that; the bells hain't strook out yet. They be all
|
|
gone to hear the preaching in yonder barn. A ranter
|
|
preaches there between the services--an excellent,
|
|
fiery, Christian man, they say. But, Lord, I don't go
|
|
to hear'n! What comes in the regular way over the
|
|
pulpit is hot enough for I."
|
|
|
|
Tess soon went onward into the village, her footsteps
|
|
echoing against the houses as though it were a place of
|
|
the dead. Nearing the central part her echoes were
|
|
intruded on by other sounds; and seeing the barn not
|
|
far off the road, she guessed these to be the
|
|
utterances of the preacher.
|
|
|
|
His voice became so distinct in the still clear air
|
|
that she could soon catch his sentences, though she was
|
|
on the closed side of the barn. The sermon, as might
|
|
be expected, was of the extremest antinomian type; on
|
|
justification by faith, as expounded in the theology of
|
|
St Paul. This fixed idea of the rhapsodist was
|
|
delivered with animated enthusiasm, in a manner
|
|
entirely declamatory, for he had plainly no skill as a
|
|
dialectician. Although Tess had not heard the
|
|
beginning of the address, she learnt what the text had
|
|
been from its constant iteration----
|
|
|
|
"O FOOLISH GALATIANS, WHO HATH BEWITCHED YOU, THAT YE
|
|
SHOULD NOT OBEY THE TRUTH, BEFORE WHOSE EYES JESUS
|
|
CHRIST HATH BEEN EVIDENTLY SET FORTH, CRUCIFIED AMONG
|
|
YOU?"
|
|
|
|
Tess was all the more interested, as she stood
|
|
listening behind, in finding that the preacher's
|
|
doctrine was a vehement form of the view of Angel's
|
|
father, and her interest intensified when the speaker
|
|
began to detail his own spiritual experiences of how he
|
|
had come by those views. He had, he said, been the
|
|
greatest of sinners. He had scoffed; he had wantonly
|
|
associated with the reckless and the lewd. But a day
|
|
of awakening had come, and, in a human sense, it had
|
|
been brought about mainly by the influence of a certain
|
|
clergyman, whom he had at first grossly insulted; but
|
|
whose parting words had sunk into his heart, and had
|
|
remained there, till by the grace of Heaven they had
|
|
worked this change in him, and made him what they saw
|
|
him.
|
|
|
|
But more startling to Tess than the doctrine had been
|
|
the voice, which, impossible as it seemed, was
|
|
precisely that of Alec d'Urberville. Her face fixed in
|
|
painful suspense, she came round to the front of the
|
|
barn, and passed before it. The low winter sun beamed
|
|
directly upon the great double-doored entrance on this
|
|
side; one of the doors being open, so that the rays
|
|
stretched far in over the threshing-floor to the
|
|
preacher and his audience, all snugly sheltered from
|
|
the northern breeze. The listeners were entirely
|
|
villagers, among them being the man whom she had seen
|
|
carrying the red paint-pot on a former memorable
|
|
occasion. But her attention was given to the central
|
|
figure, who stood upon some sacks of corn, facing the
|
|
people and the door. The three o'clock sun shone full
|
|
upon him, and the strange enervating conviction that
|
|
her seducer confronted her, which had been gaining
|
|
ground in Tess ever since she had heard his words
|
|
distinctly, was at last established as a fact indeed.
|
|
|
|
|
|
END OF PHASE THE FIFTH
|
|
|
|
|
|
|
|
|
|
|
|
Phase the Sixth: The Convert
|
|
|
|
|
|
|
|
XLV
|
|
|
|
|
|
Till this moment she had never seen or heard from
|
|
d'Urberville since her departure from Trantridge.
|
|
|
|
The rencounter came at a heavy moment, one of all
|
|
moments calculated to permit its impact with the least
|
|
emotional shock. But such was unreasoning memory that,
|
|
though he stood there openly and palpably a converted
|
|
man, who was sorrowing for his past irregularities, a
|
|
fear overcame her, paralyzing her movement so that she
|
|
neither retreated nor advanced.
|
|
|
|
To think of what emanated from that countenance when
|
|
she saw it last, and to behold it now! ... There was
|
|
the same handsome unpleasantness of mien, but now he
|
|
wore neatly trimmed, old-fashioned whiskers, the sable
|
|
moustache having disappeared; and his dress was
|
|
half-clerical, a modification which had changed his
|
|
expression sufficiently to abstract the dandyism from
|
|
his features, and to hinder for a second her belief in
|
|
his identity.
|
|
|
|
To Tess's sense there was, just at first, a ghastly
|
|
BIZARRERIE, a grim incongruity, in the march of these
|
|
solemn words of Scripture out of such a mouth. This
|
|
too familiar intonation, less than four years earlier,
|
|
had brought to her ears expressions of such divergent
|
|
purpose that her heart became quite sick at the irony
|
|
of the contrast.
|
|
|
|
It was less a reform than a transfiguration. The
|
|
former curves of sensuousness were now modulated to
|
|
lines of devotional passion. The lip-shapes that had
|
|
meant seductiveness were now made to express
|
|
supplication; the glow on the cheek that yesterday
|
|
could be translated as riotousness was evangelized
|
|
today into the splendour of pious rhetoric; animalism
|
|
had become fanaticism; Paganism Paulinism; the bold
|
|
rolling eye that had flashed upon her form in the old
|
|
time with such mastery now beamed with the rude energy
|
|
of a theolatry that was almost ferocious. Those black
|
|
angularities which his face had used to put on when his
|
|
wishes were thwarted now did duty in picturing the
|
|
incorrigible backslider who would insist upon turning
|
|
again to his wallowing in the mire.
|
|
|
|
The lineaments, as such, seemed to complain. They had
|
|
been diverted from their hereditary connotation to
|
|
signify impressions for which Nature did not intend
|
|
them. Strange that their very elevation was a
|
|
misapplication, that to raise seemed to falsify.
|
|
|
|
Yet could it be so? She would admit the ungenerous
|
|
sentiment no longer. D'Urberville was not the first
|
|
wicked man who had turned away from his wickedness to
|
|
save his soul alive, and why should she deem it
|
|
unnatural in him? It was but the usage of thought
|
|
which had been jarred in her at hearing good new words
|
|
in bad old notes. The greater the sinner the greater
|
|
the saint; it was not necessary to dive far into
|
|
Christian history to discover that.
|
|
|
|
Such impressions as these moved her vaguely, and
|
|
without strict definiteness. As soon as the nerveless
|
|
pause of her surprise would allow her to stir, her
|
|
impulse was to pass on out of his sight. He had
|
|
obviously not discerned her yet in her position against
|
|
the sun.
|
|
|
|
But the moment that she moved again he recognized her.
|
|
The effect upon her old lover was electric, far
|
|
stronger than the effect of his presence upon her.
|
|
His fire, the tumultuous ring of his eloquence, seemed to
|
|
go out of him. His lip struggled and trembled under the
|
|
words that lay upon it; but deliver them it could not
|
|
as long as she faced him. His eyes, after their first
|
|
glance upon her face, hung confusedly in every other
|
|
direction but hers, but came back in a desperate leap
|
|
every few seconds. This paralysis lasted, however, but
|
|
a short time; for Tess's energies returned with the
|
|
atrophy of his, and she walked as fast as she was able
|
|
past the barn and onward.
|
|
|
|
As soon as she could reflect it appalled her, this
|
|
change in their relative platforms. He who had wrought
|
|
her undoing was now on the side of the Spirit, while
|
|
she remained unregenerate. And, as in the legend, it
|
|
had resulted that her Cyprian image had suddenly
|
|
appeared upon his alter, whereby the fire of the priest
|
|
had been well nigh extinguished.
|
|
|
|
She went on without turning her head. Her back seemed
|
|
to be endowed with a sensitiveness to ocular
|
|
beams--even her clothing--so alive was she to a fancied
|
|
gaze which might be resting upon her from the outside
|
|
of that barn. All the way along to this point her
|
|
heart had been heavy with an inactive sorrow; now there
|
|
was a change in the quality of its trouble. That
|
|
hunger for affection too long withheld was for the time
|
|
displaced by an almost physical sense of an implacable
|
|
past which still engirdled her. It intensified her
|
|
consciousness of error to a practical despair; the
|
|
break of continuity between her earlier and present
|
|
existence, which she had hoped for, had not, after all,
|
|
taken place. Bygones would never be complete bygones
|
|
till she was a bygone herself.
|
|
|
|
Thus absorbed she recrossed the northern part of
|
|
Long-Ash Lane at right angles, and presently saw before
|
|
her the road ascending whitely to the upland along
|
|
whose margin the remainder of her journey lay. Its dry
|
|
pale surface stretched severely onward, unbroken by a
|
|
single figure, vehicle, or mark, save some occasional
|
|
brown horse-droppings which dotted its cold aridity
|
|
here and there. While slowly breasting this ascent
|
|
Tess became conscious of footsteps behind her, and
|
|
turning she saw approaching that well-known form--so
|
|
strangely accoutred as the Methodist--the one personage
|
|
in all the world she wished not to encounter alone on
|
|
this side of the grave.
|
|
|
|
There was not much time, however, for thought or
|
|
elusion, and she yielded as calmly as she could to the
|
|
necessity of letting him overtake her. She saw that he
|
|
was excited, less by the speed of his walk than by the
|
|
feelings within him.
|
|
|
|
"Tess!" he said.
|
|
|
|
She slackened speed without looking round.
|
|
|
|
"Tess!" he repeated. "It is I--Alec d'Urberville."
|
|
|
|
She then looked back at him, and he came up.
|
|
|
|
"I see it is," she answered coldly.
|
|
|
|
"Well--is that all? Yet I deserve no more! Of
|
|
course," he added, with a slight laugh, "there is
|
|
something of the ridiculous to your eyes in seeing me
|
|
like this. But--I must put up with that. ... I heard
|
|
you had gone away, nobody knew where. Tess, you wonder
|
|
why I have followed you?"
|
|
|
|
"I do, rather; and I would that you had not, with all
|
|
my heart!"
|
|
|
|
"Yes--you may well say it," he returned grimly, as they
|
|
moved onward together, she with unwilling tread. "But
|
|
don't mistake me; I beg this because you may have been
|
|
led to do so in noticing--if you did notice it--how
|
|
your sudden appearance unnerved me down there. It was
|
|
but a momentary faltering; and considering what you
|
|
have been to me, it was natural enough. But will
|
|
helped me through it--though perhaps you think me a
|
|
humbug for saying it--and immediately afterwards I felt
|
|
that of all persons in the world whom it was my duty
|
|
and desire to save from the wrath to come--sneer if you
|
|
like--the woman whom I had so grievously wronged was
|
|
that person. I have come with that sole purpose in
|
|
view--nothing more."
|
|
|
|
There was the smallest vein of scorn in her words of
|
|
rejoinder: "Have you saved yourself? Charity begins at
|
|
home, they say."
|
|
|
|
"I have done nothing!" said he indifferently.
|
|
"Heaven, as I have been telling my hearers, has done all.
|
|
No amount of contempt that you can pour upon me, Tess,
|
|
will equal what I have poured upon myself--the old Adam
|
|
of my former years! Well, it is a strange story;
|
|
believe it or not; but I can tell you the means by
|
|
which my conversion was brought about, and I hope you
|
|
will be interested enough at least to listen. Have you
|
|
ever heard the name of the parson of Emminster--you
|
|
must have done do?--old Mr Clare; one of the most
|
|
earnest of his school; one of the few intense men left
|
|
in the Church; not so intense as the extreme wind of
|
|
Christian believers with which I have thrown in my lot,
|
|
but quite an exception among the Established clergy,
|
|
the younger of whom are gradually attenuating the true
|
|
doctrines by their sophistries, till they are but the
|
|
shadow of what they were. I only differ from him on the
|
|
question of Church and State--the interpretation of
|
|
the text, 'Come out from among them and be ye separate,
|
|
saith the Lord'--that's all. He is one who, I firmly
|
|
believe, has been the humble means of saving more souls
|
|
in this country than any other man you can name. You
|
|
have heard of him?"
|
|
|
|
"I have," she said.
|
|
|
|
"He came to Trantridge two or three years ago to preach
|
|
on behalf of some missionary society; and I, wretched
|
|
fellow that I was, insulted him when, in his
|
|
disinterestedness, he tried to reason with me and show
|
|
me the way. He did not resent my conduct, he simply
|
|
said that some day I should receive the first-fruits of
|
|
the Spirit--that those who came to scoff sometimes
|
|
remained to pray. There was a strange magic in his
|
|
words. They sank into my mind. But the loss of my
|
|
mother hit me most; and by degrees I was brought to see
|
|
daylight. Since then my one desire has been to hand on
|
|
the true view to others, and that is what I was trying
|
|
to do today; though it is only lately that I have
|
|
preached hereabout. The first months of my ministry
|
|
have been spent in the North of England among
|
|
strangers, where I preferred to make my earliest clumsy
|
|
attempts, so as to acquire courage before undergoing
|
|
that severest of all tests of one's sincerity,
|
|
addressing those who have known one, and have been
|
|
one's companions in the days of darkness. If you could
|
|
only know, Tess, the pleasure of having a good slap at
|
|
yourself, I am sure----"
|
|
|
|
"Don't go on with it!" she cried passionately, as she
|
|
turned away from him to a stile by the wayside, on
|
|
which she bent herself. "I can't believe in such
|
|
sudden things! I feel indignant with you for talking
|
|
to me like this, when you know--when you know what harm
|
|
you've done me! You, and those like you, take your
|
|
fill of pleasure on earth by making the life of such as
|
|
me bitter and black with sorrow; and then it is a fine
|
|
thing, when you have had enough of that, to think of
|
|
securing your pleasure in heaven by becoming converted!
|
|
Out upon such--I don't believe in you--I hate it!"
|
|
|
|
"Tess," he insisted; "don't speak so! It came to me
|
|
like a jolly new idea! And you don't believe me? What
|
|
don't you believe?"
|
|
|
|
"Your conversion. Your scheme of religion."
|
|
|
|
"Why?"
|
|
|
|
She dropped her voice. "Because a better man than you
|
|
does not believe in such."
|
|
|
|
"What a woman's reason! Who is this better man?"
|
|
|
|
"I cannot tell you."
|
|
|
|
"Well," he declared, a resentment beneath his words
|
|
seeming ready to spring out at a moment's notice, "God
|
|
forbid that I should say I am a good man--and you know
|
|
I don't say any such thing. I am new to goodness,
|
|
truly; but newcomers see furthest sometimes."
|
|
|
|
"Yes," she replied sadly. "But I cannot believe in
|
|
your conversion to a new spirit. Such flashes as you
|
|
feel, Alec, I fear don't last!"
|
|
|
|
Thus speaking she turned from the stile over which she
|
|
had been leaning, and faced him; whereupon his eyes,
|
|
falling casually upon the familiar countenance and
|
|
form, remained contemplating her. The inferior man was
|
|
quiet in him now; but it was surely not extracted, nor
|
|
even entirely subdued.
|
|
|
|
"Don't look at me like that!" he said abruptly.
|
|
|
|
Tess, who had been quite unconscious of her action and
|
|
mien, instantly withdrew the large dark gaze of her
|
|
eyes, stammering with a flush, "I beg your pardon!"
|
|
And there was revived in her the wretched sentiment
|
|
which had often come to her before, that in inhabiting
|
|
the fleshly tabernacle with which Nature had endowed
|
|
her she was somehow doing wrong.
|
|
|
|
"No, no! Don't beg my pardon. But since you wear a
|
|
veil to hide your good looks, why don't you keep it
|
|
down?"
|
|
|
|
She pulled down the veil, saying hastily, "It was
|
|
mostly to keep off the wind."
|
|
|
|
"It may seem harsh of me to dictate like this," he went
|
|
on; "but it is better that I should not look too often
|
|
on you. It might be dangerous."
|
|
|
|
"Ssh!" said Tess.
|
|
|
|
"Well, women's faces have had too much power over me
|
|
already for me not to fear them! An evangelist has
|
|
nothing to do with such as they; and it reminds me of
|
|
the old times that I would forget!"
|
|
|
|
After this their conversation dwindled to a casual
|
|
remark now and then as they rambled onward, Tess
|
|
inwardly wondering how far he was going with her, and
|
|
not liking to send him back by positive mandate.
|
|
Frequently when they came to a gate or stile they found
|
|
painted thereon in red or blue letters some text of
|
|
Scripture, and she asked him if he knew who had been at
|
|
the pains to blazon these announcements. He told her
|
|
that the man was employed by himself and others who
|
|
were working with him in that district, to paint these
|
|
reminders that no means might be left untried which
|
|
might move the hearts of a wicked generation.
|
|
|
|
At length the road touched the spot called
|
|
"Cross-in-Hand." Of all spots on the bleached and
|
|
desolate upland this was the most forlorn. It was so
|
|
far removed from the charm which is sought in landscape
|
|
by artists and view-lovers as to reach a new kind of
|
|
beauty, a negative beauty of tragic tone. The place
|
|
took its name from a stone pillar which stood there, a
|
|
strange rude monolith, from a stratum unknown in any
|
|
local quarry, on which was roughly carved a human hand.
|
|
Differing accounts were given of its history and
|
|
purport. Some authorities stated that a devotional
|
|
cross had once formed the complete erection thereon, of
|
|
which the present relic was but the stump; others that
|
|
the stone as it stood was entire, and that it had been
|
|
fixed there to mark a boundary or place of meeting.
|
|
Anyhow, whatever the origin of the relic, there was and
|
|
is something sinister, or solemn, according to mood, in
|
|
the scene amid which it stands; something tending to
|
|
impress the most phlegmatic passer-by.
|
|
|
|
"I think I must leave you now," he remarked, as they
|
|
drew near to this spot. "I have to preach at
|
|
Abbot's-Cernel at six this evening, and my way lies
|
|
across to the right from here. And you upset me
|
|
somewhat too, Tessy--I cannot, will not, say why.
|
|
I must go away and get strength. ... How is it that you
|
|
speak so fluently now? Who has taught you such good
|
|
English?"
|
|
|
|
"I have learnt things in my troubles," she said
|
|
evasively.
|
|
|
|
"What troubles have you had?"
|
|
|
|
She told him of the first one--the only one that
|
|
related to him.
|
|
|
|
D'Urberville was struck mute. "I knew nothing of this
|
|
till now!" he next murmured. "Why didn't you write to
|
|
me when you felt your trouble coming on?"
|
|
|
|
She did not reply; and he broke the silence by adding:
|
|
"Well--you will see me again."
|
|
|
|
"No," she answered. "Do not again come near me!"
|
|
"I will think. But before we part come here."
|
|
He stepped up to the pillar. "This was once a Holy Cross.
|
|
Relics are not in my creed; but I fear you at moments--far
|
|
more than you need fear me at present; and to lessen my
|
|
fear, put your hand upon that stone hand, and swear
|
|
that you will never tempt me--by your charms or ways."
|
|
|
|
"Good God--how can you ask what is so unnecessary!
|
|
All that is furthest from my thought!"
|
|
|
|
"Yes--but swear it."
|
|
|
|
Tess, half frightened, gave way to his importunity;
|
|
placed her hand upon the stone and swore.
|
|
|
|
"I am sorry you are not a believer," he continued;
|
|
"that some unbeliever should have got hold of you and
|
|
unsettled your mind. But no more now. At home at
|
|
least I can pray for you; and I will; and who knows
|
|
what may not happen? I'm off. Goodbye!"
|
|
|
|
He turned to a hunting-gate in the hedge, and without
|
|
letting his eyes again rest upon her leapt over, and
|
|
struck out across the down in the direction of
|
|
Abbot's-Cernel. As he walked his pace showed
|
|
perturbation, and by-and-by, as if instigated by a
|
|
former thought, he drew from his pocket a small book,
|
|
between the leaves of which was folded a letter, worn
|
|
and soiled, as from much re-reading. D'Urberville
|
|
opened the letter. It was dated several months before
|
|
this time, and was signed by Parson Clare.
|
|
|
|
The letter began by expressing the writer's unfeigned
|
|
joy at d'Urberville's conversion, and thanked him for
|
|
his kindness in communicating with the parson on the
|
|
subject. It expressed Mr Clare's warm assurance of
|
|
forgiveness for d'Urberville's former conduct, and his
|
|
interest in the young man's plans for the future. He,
|
|
Mr Clare, would much have liked to see d'Urberville in
|
|
the Church to whose ministry he had devoted so many
|
|
years of his own life, and would have helped him to
|
|
enter a theological college to that end; but since his
|
|
correspondent had possibly not cared to do this on
|
|
account of the delay it would have entailed, he was not
|
|
the man to insist upon its paramount importance. Every
|
|
man must work as he could best work, and in the method
|
|
towards which he felt impelled by the Spirit.
|
|
|
|
D'Urberville read and re-read this letter, and seemed
|
|
to quiz himself cynically. He also read some passages
|
|
from memoranda as he walked till his face assumed a
|
|
calm, and apparently the image of Tess no longer
|
|
troubled his mind.
|
|
|
|
She meanwhile had kept along the edge of the hill by
|
|
which lay her nearest way home. Within the distance of
|
|
a mile she met a solitary shepherd.
|
|
|
|
"What is the meaning of that old stone I have passed?"
|
|
she asked of him. "Was it ever a Holy Cross?"
|
|
|
|
"Cross--no; 'twer not a cross! "Tis a thing of
|
|
ill-omen, Miss. It was put up in wuld times by the
|
|
relations of a malefactor who was tortured there by
|
|
nailing his hand to a post and afterwards hung. The
|
|
bones lie underneath. They say he sold his soul to the
|
|
devil, and that he walks at times."
|
|
|
|
She felt the PETIT MORT at this unexpectedly gruesome
|
|
information, and left the solitary man behind her. It
|
|
was dusk when she drew near to Flintcomb-Ash, and in
|
|
the lane at the entrance to the hamlet she approached a
|
|
girl and her lover without their observing her. They
|
|
were talking no secrets, and the clear unconcerned
|
|
voice of the young woman, in response to the warmer
|
|
accents of the man, spread into the chilly air as the
|
|
one soothing thing within the dusky horizon, full of a
|
|
stagnant obscurity upon which nothing else intruded.
|
|
For a moment the voices cheered the heart of Tess, till
|
|
she reasoned that this interview had its origin, on one
|
|
side or the other, in the same attraction which had
|
|
been the prelude to her own tribulation. When she came
|
|
close the girl turned serenely and recognized her, the
|
|
young man walking off in embarrassment. The woman was
|
|
Izz Huett, whose interest in Tess's excursion
|
|
immediately superseded her own proceedings. Tess did
|
|
not explain very clearly its results, and Izz, who was
|
|
a girl of tact, began to speak of her own little
|
|
affair, a phase of which Tess had just witnessed.
|
|
|
|
"He is Amby Seedling, the chap who used to sometimes
|
|
come and help at Talbothays," she explained
|
|
indifferently. "He actually inquired and found out
|
|
that I had come here, and has followed me. He says
|
|
he's been in love wi' me these two years. But I've
|
|
hardly answered him."
|
|
|
|
|
|
|
|
XLVI
|
|
|
|
|
|
Several days had passed since her futile journey, and
|
|
Tess was afield. The dry winter wind still blew, but a
|
|
screen of thatched hurdles erected in the eye of the
|
|
blast kept its force away from her. On the sheltered
|
|
side was a turnip-slicing machine, whose bright blue
|
|
hue of new paint seemed almost vocal in the otherwise
|
|
subdued scene. Opposite its front was a long mound or
|
|
"grave", in which the roots had been preserved since
|
|
early winter. Tess was standing at the uncovered end,
|
|
chopping off with a bill-hook the fibres and earth from
|
|
each root, and throwing it after the operation into the
|
|
slicer. A man was turning the handle of the machine,
|
|
and from its trough came the newly-cut swedes, the
|
|
fresh smell of whose yellow chips was accompanied by
|
|
the sounds of the snuffling wind, the smart swish of
|
|
the slicing-blades, and the choppings of the hook in
|
|
Tess's leather-gloved hand.
|
|
|
|
The wide acreage of blank agricultural brownness,
|
|
apparent where the swedes had been pulled, was
|
|
beginning to be striped in wales of darker brown,
|
|
gradually broadening to ribands. Along the edge of
|
|
each of these something crept upon ten legs, moving
|
|
without haste and without rest up and down the whole
|
|
length of the field; it was two horses and a man, the
|
|
plough going between them, turning up the cleared
|
|
ground for a spring sowing.
|
|
|
|
For hours nothing relieved the joyless monotony of
|
|
things. Then, far beyond the ploughing-teams, a black
|
|
speck was seen. It had come from the corner of a
|
|
fence, where there was a gap, and its tendency was up
|
|
the incline, towards the swede-cutters. From the
|
|
proportions of a mere point it advanced to the shape of
|
|
a ninepin, and was soon perceived to be a man in black,
|
|
arriving from the direction of Flintcomb-Ash. The man
|
|
at the slicer, having nothing else to do with his eyes,
|
|
continually observed the comer, but Tess, who was
|
|
occupied, did not perceived him till her companion
|
|
directed her attention to his approach.
|
|
|
|
It was not her hard taskmaster, Farmer Groby; it was
|
|
one in a semi-clerical costume, who now represented
|
|
what had once been the free-and-easy Alec d'Urberville.
|
|
Not being hot at his preaching there was less
|
|
enthusiasm about him now, and the presence of the
|
|
grinder seemed to embarrass him. A pale distress was
|
|
already on Tess's face, and she pulled her curtained
|
|
hood further over it.
|
|
|
|
D'Urberville came up and said quietly----
|
|
|
|
"I want to speak to you, Tess."
|
|
|
|
"You have refused my last request, not to come near
|
|
me!" said she.
|
|
|
|
"Yes, but I have a good reason."
|
|
|
|
"Well, tell it."
|
|
|
|
"It is more serious than you may think."
|
|
|
|
He glanced round to see if he were overheard. They
|
|
were at some distance from the man who turned the
|
|
slicer, and the movement of the machine, too,
|
|
sufficiently prevented Alec's words reaching other
|
|
ears. D'Urberville placed himself so as to screen Tess
|
|
from the labourer, turning his back to the latter.
|
|
|
|
"It is this," he continued, with capricious
|
|
compunction. "In thinking of your soul and mine when
|
|
we last met, I neglected to inquire as to your worldly
|
|
condition. You were well dressed, and I did not think
|
|
of it. But I see now that it is hard--harder than it
|
|
used to be when I--knew you--harder than you deserve.
|
|
Perhaps a good deal of it is owning to me!"
|
|
|
|
She did not answer, and he watched her inquiringly, as,
|
|
with bent head, her face completely screened by the
|
|
hood, she resumed her trimming of the swedes. By going
|
|
on with her work she felt better able to keep him
|
|
outside her emotions.
|
|
|
|
"Tess," he added, with a sigh of discontent,--"yours
|
|
was the very worst case I ever was concerned in! I had
|
|
no idea of what had resulted till you told me. Scamp
|
|
that I was to foul that innocent life! The whole blame
|
|
was mine--the whole unconventional business of our time
|
|
at Trantridge. You, too, the real blood of which I am
|
|
but the base imitation, what a blind young thing you
|
|
were as to possibilities! I say in all earnestness
|
|
that it is a shame for parents to bring up their girls
|
|
in such dangerous ignorance of the gins and nets that
|
|
the wicked may set for them, whether their motive be a
|
|
good one or the result of simple indifference."
|
|
|
|
Tess still did no more than listen, throwing down one
|
|
globular root and taking up another with automatic
|
|
regularity, the pensive contour of the mere fieldwoman
|
|
alone marking her.
|
|
|
|
"But it is not that I came to say," d'Urberville went
|
|
on. "My circumstances are these. I have lost my mother
|
|
since you were at Trantridge, and the place is my own.
|
|
But I intend to sell it, and devote myself to
|
|
missionary work in Africa. A devil of a poor hand I
|
|
shall make at the trade, no doubt. However, what I want
|
|
to ask you is, will you put it in my power to do my
|
|
duty--to make the only reparation I can make for the
|
|
trick played you: that is, will you be my wife, and go
|
|
with me? ... I have already obtained this precious
|
|
document. It was my old mother's dying wish."
|
|
|
|
He drew a piece of parchment from his pocket, with a
|
|
slight fumbling of embarrassment.
|
|
|
|
"What is it?" said she.
|
|
|
|
"A marriage licence."
|
|
|
|
"O no, sir--no!" she said quickly, starting back.
|
|
|
|
"You will not? Why is that?"
|
|
|
|
And as he asked the question a disappointment which was
|
|
not entirely the disappointment of thwarted duty
|
|
crossed d'Urberville's face. It was unmistakably a
|
|
symptom that something of his old passion for her had
|
|
been revived; duty and desire ran hand-in-hand.
|
|
|
|
"Surely," he began again, in more impetuous tones, and
|
|
then looked round at the labourer who turned the
|
|
slicer.
|
|
|
|
Tess, too, felt that the argument could not be ended
|
|
there. Informing the man that a gentleman had come to
|
|
see her, with whom she wished to walk a little way, she
|
|
moved off with d'Urberville across the zebra-striped
|
|
field. When they reached the first newly-ploughed
|
|
section he held out his hand to help her over it; but
|
|
she stepped forward on the summits of the earth-rolls
|
|
as if she did not see him.
|
|
|
|
"You will not marry me, Tess, and make me a
|
|
self-respecting man?" he repeated, as soon as they were
|
|
over the furrows.
|
|
|
|
"I cannot."
|
|
|
|
"But why?"
|
|
|
|
"You know I have no affection for you."
|
|
|
|
"But you would get to feel that in time, perhaps--as
|
|
soon as you really could forgive me?"
|
|
|
|
"Never!"
|
|
|
|
"Why so positive?"
|
|
|
|
"I love somebody else."
|
|
|
|
The words seemed to astonish him.
|
|
|
|
"You do?" he cried. "Somebody else? But has not a
|
|
sense of what is morally right and proper any weight
|
|
with you?"
|
|
|
|
"No, no, no--don't say that!"
|
|
|
|
"Anyhow, then, your love for this other man may be only
|
|
a passing feeling which you will overcome----"
|
|
|
|
"No--no."
|
|
|
|
"Yes, yes! Why not?"
|
|
|
|
"I cannot tell you."
|
|
|
|
"You must in honour!"
|
|
|
|
"Well then ... I have married him."
|
|
|
|
"Ah!" he exclaimed; and he stopped dead and gazed at
|
|
her.
|
|
|
|
"I did not wish to tell--I did not mean to!" she
|
|
pleaded. "It is a secret here, or at any rate but dimly
|
|
known. So will you, PLEASE will you, keep from
|
|
questioning me? You must remember that we are now
|
|
strangers."
|
|
|
|
"Strangers--are we? Strangers!"
|
|
|
|
For a moment a flash of his old irony marked his face;
|
|
but he determinedly chastened it down.
|
|
|
|
"Is that man your husband?" he asked mechanically,
|
|
denoting by a sign the labourer who turned the machine.
|
|
|
|
"That man!" she said proudly. "I should think not!"
|
|
|
|
"Who, then?"
|
|
|
|
"Do not ask what I do not wish to tell!" she begged,
|
|
and flashed her appeal to him from her upturned face
|
|
and lash-shadowed eyes.
|
|
|
|
D'Urberville was disturbed.
|
|
|
|
"But I only asked for your sake!" he retorted hotly.
|
|
"Angels of heaven!--God forgive me for such an
|
|
expression--I came here, I swear, as I thought for your
|
|
good. Tess--don't look at me so--I cannot stand your
|
|
looks! There never were such eyes, surely, before
|
|
Christianity or since! There--I won't lose my head;
|
|
I dare not. I own that the sight of you had waked up my
|
|
love for you, which, I believed, was extinguished with
|
|
all such feelings. But I thought that our marriage
|
|
might be a sanctification for us both. 'The
|
|
unbelieving husband is sanctified by the wife, and the
|
|
unbelieving wife is sanctified by the husband', I said
|
|
to myself. But my plan is dashed from me; and I must
|
|
bear the disappointment!"
|
|
|
|
He moodily reflected with his eyes on the ground.
|
|
|
|
"Married. Married! ... Well, that being so," he added,
|
|
quite calmly, tearing the licence slowly into halves
|
|
and putting them in his pocket; "that being prevented,
|
|
I should like to do some good to you and your husband,
|
|
whoever he may be. There are many questions that I am
|
|
tempted to ask, but I will not do so, of course, in
|
|
opposition to your wishes. Though, if I could know your
|
|
husband, I might more easily benefit him and you.
|
|
Is he on this farm?"
|
|
|
|
"No," she murmured. "He is far away."
|
|
|
|
"Far away? From YOU? What sort of husband can he be?"
|
|
|
|
"O, do not speak against him! It was through you! He
|
|
found out----"
|
|
|
|
"Ah, is it so! ... That's sad, Tess!"
|
|
|
|
"Yes."
|
|
|
|
"But to stay away from you--to leave you to work like
|
|
this!"
|
|
|
|
"He does not leave me to work!" she cried, springing to
|
|
the defence of the absent one with all her fervour.
|
|
"He don't know it! It is by my own arrangement."
|
|
|
|
"Then, does he write?"
|
|
|
|
"I--I cannot tell you. There are things which are
|
|
private to ourselves."
|
|
|
|
"Of course that means that he does not. You are a
|
|
deserted wife, my fair Tess----"
|
|
|
|
In an impulse he turned suddenly to take her hand; the
|
|
buff-glove was on it, and he seized only the rough
|
|
leather fingers which did not express the life or shape
|
|
of those within.
|
|
|
|
"You must not--you must not!" she cried fearfully,
|
|
slipping her hand from the glove as from a pocket, and
|
|
leaving it in his grasp. "O, will you go away--for the
|
|
sake of me and my husband--go, in the name of your own
|
|
Christianity!"
|
|
|
|
"Yes, yes; I will," he said abruptly, and thrusting the
|
|
glove back to her he turned to leave. Facing round,
|
|
however, he said, "Tess, as God is my judge, I meant no
|
|
humbug in taking your hand!"
|
|
|
|
A pattering of hoofs on the soil of the field, which
|
|
they had not noticed in their preoccupation, ceased
|
|
close behind them; and a voice reached her ear:
|
|
|
|
"What the devil are you doing away from your work at
|
|
this time o' day?"
|
|
|
|
Farmer Groby had espied the two figures from the
|
|
distance, and had inquisitively ridden across, to learn
|
|
what was their business in his field.
|
|
|
|
"Don't speak like that to her!" said d'Urberville, his
|
|
face blackening with something that was not
|
|
Christianity.
|
|
|
|
"Indeed, Mister! And what mid Methodist pa'sons have
|
|
to do with she?"
|
|
|
|
"Who is the fellow?" asked d'Urberville, turning to
|
|
Tess.
|
|
|
|
She went close up to him.
|
|
|
|
"Go--I do beg you!" she said.
|
|
|
|
"What! And leave you to that tyrant? I can see in his
|
|
face what a churl he is."
|
|
|
|
"He won't hurt me. HE'S not in love with me. I can
|
|
leave at Lady-Day."
|
|
|
|
"Well, I have no right but to obey, I suppose.
|
|
But--well, goodbye!"
|
|
|
|
Her defender, whom she dreaded more than her assailant,
|
|
having reluctantly disappeared, the farmer continued
|
|
his reprimand, which Tess took with the greatest
|
|
coolness, that sort of attack being independent of sex.
|
|
To have as a master this man of stone, who would have
|
|
cuffed her if he had dared, was almost a relief after
|
|
her former experiences. She silently walked back
|
|
towards the summit of the field that was the scene of
|
|
her labour, so absorbed in the interview which had just
|
|
taken place that she was hardly aware that the nose of
|
|
Groby's horse almost touched her shoulders.
|
|
|
|
"If so be you make an agreement to work for me till
|
|
Lady-Day, I'll see that you carry it out," he growled.
|
|
"'Od rot the women--now 'tis one thing, and then 'tis
|
|
another. But I'll put up with it no longer!"
|
|
|
|
Knowing very well that he did not harass the other
|
|
women of the farm as he harassed her out of spite for
|
|
the flooring he had once received, she did for one
|
|
moment picture what might have been the result if she
|
|
had been free to accept the offer just made her of
|
|
being the monied Alec's wife. It would have lifted her
|
|
completely out of subjection, not only to her present
|
|
oppressive employer, but to a whole world who seemed to
|
|
despise her. "But no, no!" she said breathlessly; "I
|
|
could not have married him now! He is so unpleasant to
|
|
me."
|
|
|
|
That very night she began an appealing letter to Clare,
|
|
concealing from him her hardships, and assuring him of
|
|
her undying affection. Any one who had been in a
|
|
position to read between the lines would have seen that
|
|
at the back of her great love was some monstrous
|
|
fear--almost a desperation--as to some secret
|
|
contingencies which were not disclosed. But again she
|
|
did not finish her effusion; he had asked Izz to go
|
|
with him, and perhaps he did not care for her at all.
|
|
She put the letter in her box, and wondered if it would
|
|
ever reach Angel's hands.
|
|
|
|
After this her daily tasks were gone through heavily
|
|
enough, and brought on the day which was of great
|
|
import to agriculturists--the day of the Candlemas
|
|
Fair. It was at this fair that new engagements were
|
|
entered into for the twelve months following the
|
|
ensuing Lady-Day, and those of the farming population
|
|
who thought of changing their places duly attended at
|
|
the county-town where the fair was held. Nearly all
|
|
the labourers on Flintcomb-Ash farm intended flight,
|
|
and early in the morning there was a general exodus in
|
|
the direction of the town, which lay at a distance of
|
|
from ten to a dozen miles over hilly country. Though
|
|
Tess also meant to leave at the quarter-day she was one
|
|
of the few who did not go to the fair, having a
|
|
vaguely-shaped hope that something would happen to
|
|
render another outdoor engagement unnecessary.
|
|
|
|
It was a peaceful February day, of wonderful softness
|
|
for the time, and one would almost have thought that
|
|
winter was over. She had hardly finished her dinner
|
|
when d'Urberville's figure darkened the window of the
|
|
cottage wherein she was a lodger, which she had all to
|
|
herself today.
|
|
|
|
Tess jumped up, but her visitor had knocked at the
|
|
door, and she could hardly in reason run away.
|
|
D'Urberville's knock, his walk up to the door, had some
|
|
indescribable quality of difference from his air when
|
|
she last saw him. They seemed to be acts of which the
|
|
doer was ashamed. She thought that she would not open
|
|
the door; but, as there was no sense in that either,
|
|
she arose, and having lifted the latch stepped back
|
|
quickly. He came in, saw her, and flung himself down
|
|
into a chair before speaking.
|
|
|
|
"Tess--I couldn't help it!" he began desperately, as he
|
|
wiped his heated face, which had also a superimposed
|
|
flush of excitement. "I felt that I must call at least
|
|
to ask how you are. I assure you I had not been
|
|
thinking of you at all till I saw you that Sunday; now
|
|
I cannot get rid of your image, try how I may! It is
|
|
hard that a good woman should do harm to a bad man; yet
|
|
so it is. If you would only pray for me, Tess!"
|
|
|
|
The suppressed discontent of his manner was almost
|
|
pitiable, and yet Tess did not pity him.
|
|
|
|
"How can I pray for you," she said, "when I am
|
|
forbidden to believe that the great Power who moves the
|
|
world would alter His plans on my account?"
|
|
|
|
"You really think that?"
|
|
|
|
"Yes. I have been cured of the presumption of thinking
|
|
otherwise."
|
|
|
|
"Cured? By whom?"
|
|
|
|
"By my husband, if I must tell."
|
|
|
|
"Ah--your husband--your husband! How strange it seems!
|
|
I remember you hinted something of the sort the other
|
|
day. What do you really believe in these matters,
|
|
Tess?" he asked. "You seem to have no
|
|
religion--perhaps owing to me."
|
|
|
|
"But I have. Though I don't believe in anything
|
|
supernatural."
|
|
|
|
D'Urberville looked at her with misgiving.
|
|
|
|
"Then do you think that the line I take is all wrong?"
|
|
|
|
"A good deal of it."
|
|
|
|
"H'm--and yet I've felt so sure about it," he said
|
|
uneasily.
|
|
|
|
"I believe in the SPIRIT of the Sermon on the Mount,
|
|
and so did my dear husband....But I don't believe-----"
|
|
|
|
Here she gave her negations.
|
|
|
|
"The fact is," said d'Urberville drily, "whatever your
|
|
dear husband believed you accept, and whatever he
|
|
rejected you reject, without the least inquiry or
|
|
reasoning on your own part. That's just like you women.
|
|
Your mind is enslaved to his."
|
|
|
|
"Ah, because he knew everything!" said she, with a
|
|
triumphant simplicity of faith in Angel Clare that the
|
|
most perfect man could hardly have deserved, much less
|
|
her husband.
|
|
|
|
"Yes, but you should not take negative opinions
|
|
wholesale from another person like that. A pretty
|
|
fellow he must be to teach you such scepticism!"
|
|
|
|
"He never forced my judgement! He would never argue on
|
|
the subject with me! But I looked at it in this way;
|
|
what he believed, after inquiring deep into doctrines,
|
|
was much more likely to be right than what I might
|
|
believe, who hadn't looked into doctrines at all."
|
|
|
|
"What used he to say? He must have said something?"
|
|
|
|
She reflected; and with her acute memory for the letter
|
|
of Angel Clare's remarks, even when she did not
|
|
comprehend their spirit, she recalled a merciless
|
|
polemical syllogism that she had heard him use when, as
|
|
it occasionally happened, he indulged in a species of
|
|
thinking aloud with her at his side. In delivering it
|
|
she gave also Clare's accent and manner with
|
|
reverential faithfulness.
|
|
|
|
"Say that again," asked d'Urberville, who had listened
|
|
with the greatest attention.
|
|
|
|
She repeated the argument, and d'Urberville
|
|
thoughtfully murmured the words after her.
|
|
|
|
"Anything else?" he presently asked.
|
|
|
|
"He said at another time something like this"; and she
|
|
gave another, which might possibly have been paralleled
|
|
in many a work of the pedigree ranging from the
|
|
DICTIONNAIRE PHILOSOPHIQUE to Huxley's ESSAYS.
|
|
|
|
"Ah--ha! How do you remember them?"
|
|
|
|
"I wanted to believe what he believed, though he didn't
|
|
wish me to; and I managed to coax him to tell me a few
|
|
of his thoughts. I can't say I quite understand that
|
|
one; but I know it is right."
|
|
|
|
"H'm. Fancy your being able to teach me what you don't
|
|
know yourself!"
|
|
|
|
He fell into thought. "And so I threw in my spiritual
|
|
lot with his," she resumed. "I didn't wish it to be
|
|
different. What's good enough for him is good enough
|
|
for me."
|
|
|
|
"Does he know that you are as big an infidel as he?"
|
|
|
|
"No--I never told him--if I am an infidel."
|
|
|
|
"Well--you are better off today that I am, Tess, after
|
|
all! You don't believe that you ought to preach my
|
|
doctrine, and, therefore, do no despite to your
|
|
conscience in abstaining. I do believe I ought to
|
|
preach it, but like the devils I believe and tremble,
|
|
for I suddenly leave off preaching it, and give way to
|
|
my passion for you."
|
|
|
|
"How?"
|
|
|
|
"Why," he said aridly; "I have come all the way here to
|
|
see you today! But I started from home to go to
|
|
Casterbridge Fair, where I have undertaken to preach
|
|
the Word from a waggon at half-past two this afternoon,
|
|
and where all the brethren are expecting me this
|
|
minute. Here's the announcement."
|
|
|
|
He drew from his breast-pocket a poster whereon was
|
|
printed the day, hour, and place of meeting, at which
|
|
he, d'Urberville, would preach the Gospel as aforesaid.
|
|
|
|
"But how can you get there?" said Tess, looking at the
|
|
clock.
|
|
|
|
"I cannot get there! I have come here."
|
|
|
|
"What, you have really arranged to preach, and----"
|
|
|
|
"I have arranged to preach, and I shall not be
|
|
there--by reason of my burning desire to see a woman
|
|
whom I once despised!--No, by my word and truth, I
|
|
never despised you; if I had I should not love you now!
|
|
Why I did not despise you was on account of your being
|
|
unsmirched in spite of all; you withdrew yourself from
|
|
me so quickly and resolutely when you saw the
|
|
situation; you did not remain at my pleasure; so there
|
|
was one petticoat in the world for whom I had no
|
|
contempt, and you are she. But you may well despise me
|
|
now! I thought I worshipped on the mountains, but I
|
|
find I still serve in the groves! Ha! ha!"
|
|
|
|
"O Alec d'Urberville! what does this mean? What have I
|
|
done!"
|
|
|
|
"Done?" he said, with a soulless sneer in the word.
|
|
"Nothing intentionally. But you have been the
|
|
means--the innocent means--of my backsliding, as they
|
|
call it. I ask myself, am I, indeed, one of those
|
|
'servants of corruption' who, 'after they have escaped
|
|
the pollutions of the world, are again entangled
|
|
therein and overcome'--whose latter end is worse than
|
|
their beginning?" He laid his hand on her shoulder.
|
|
"Tess, my girl, I was on the way to, at least, social
|
|
salvation till I saw you again!" he said freakishly
|
|
shaking her, as if she were a child. "And why then
|
|
have you tempted me? I was firm as a man could be till
|
|
I saw those eyes and that mouth again--surely there
|
|
never was such a maddening mouth since Eve's!" His
|
|
voice sank, and a hot archness shot from his own black
|
|
eyes. "You temptress, Tess; you dear damned witch of
|
|
Babylon--I could not resist you as soon as I met you
|
|
again!"
|
|
|
|
"I couldn't help your seeing me again!" said Tess,
|
|
recoiling.
|
|
|
|
"I know it--I repeat that I do not blame you. But the
|
|
fact remains. When I saw you ill-used on the farm that
|
|
day I was nearly mad to think that I had no legal right
|
|
to protect you--that I could not have it; whilst he
|
|
who has it seemed to neglect you utterly!"
|
|
|
|
"Don't speak against him--he is absent!" she cried in
|
|
much excitement. "Treat him honourably--he has never
|
|
wronged you! O leave his wife before any scandal
|
|
spreads that may do harm to his honest name!"
|
|
|
|
"I will--I will," he said, like a man awakening from a
|
|
luring dream. "I have broken my engagement to preach
|
|
to those poor drunken boobies at the fair--it is the
|
|
first time I have played such a practical joke. A
|
|
month ago I should have been horrified at such a
|
|
possibility. I'll go away--to swear--and--ah, can I!
|
|
to keep away." Then, suddenly: "One clasp, Tessy--one!
|
|
Only for old friendship-----"
|
|
|
|
"I am without defence. Alec! A good man's honour is in
|
|
my keeping--think--be ashamed!"
|
|
|
|
"Pooh! Well, yes--yes!"
|
|
|
|
He clenched his lips, mortified with himself for his
|
|
weakness. His eyes were equally barren of worldly and
|
|
religious faith. The corpses of those old fitful
|
|
passions which had lain inanimate amid the lines of his
|
|
face ever since his reformation seemed to wake and come
|
|
together as in a resurrection. He went out
|
|
indeterminately.
|
|
|
|
Though d'Urberville had declared that this breach of
|
|
his engagement today was the simple backsliding of a
|
|
believer, Tess's words, as echoed from Angel Clare, had
|
|
made a deep impression upon him, and continued to do so
|
|
after he had left her. He moved on in silence, as if
|
|
his energies were benumbed by the hitherto undreamt-of
|
|
possibility that his position was untenable. Reason
|
|
had had nothing to do with his whimsical conversion,
|
|
which was perhaps the mere freak of a careless man in
|
|
search of a new sensation, and temporarily impressed by
|
|
his mother's death.
|
|
|
|
The drops of logic Tess had let fall into the sea of
|
|
his enthusiasm served to chill its effervescence to
|
|
stagnation. He said to himself, as he pondered again
|
|
and again over the crystallized phrases that she had
|
|
handed on to him, "That clever fellow little thought
|
|
that, by telling her those things, he might be paving
|
|
my way back to her!"
|
|
|
|
|
|
|
|
XLVII
|
|
|
|
|
|
It is the threshing of the last wheat-rick at
|
|
Flintcomb-Ash farm. The dawn of the March morning is
|
|
singularly inexpressive, and there is nothing to show
|
|
where the eastern horizon lies. Against the twilight
|
|
rises the trapezoidal top of the stack, which has stood
|
|
forlornly here through the washing and bleaching of the
|
|
wintry weather.
|
|
|
|
When Izz Huett and Tess arrived at the scene of
|
|
operations only a rustling denoted that others had
|
|
preceded them; to which, as the light increased, there
|
|
were presently added the silhouettes of two men on the
|
|
summit. They were busily "unhaling" the rick, that is,
|
|
stripping off the thatch before beginning to throw down
|
|
the sheaves; and while this was in progress Izz and
|
|
Tess, with the other women-workers, in their
|
|
whitey-brown pinners, stood waiting and shivering,
|
|
Farmer Groby having insisted upon their being on the
|
|
spot thus early to get the job over if possible by the
|
|
end of the day. Close under the eaves of the stack,
|
|
and as yet barely visible, was the red tyrant that the
|
|
women had come to serve--a timber-framed construction,
|
|
with straps and wheels appertaining--the
|
|
threshing-machine which, whilst it was going, kept up a
|
|
despotic demand upon the endurance of their muscles and
|
|
nerves. A little way off there was another indistinct
|
|
figure; this one black, with a sustained hiss that
|
|
spoke of strength very much in reserve. The long
|
|
chimney running up beside an ash-tree, and the warmth
|
|
which radiated from the spot, explained without the
|
|
necessity of much daylight that here was the engine
|
|
which was to act as the PRIMUM MOBILE of this little
|
|
world. By the engine stood a dark motionless being, a
|
|
sooty and grimy embodiment of tallness, in a sort of
|
|
trance, with a heap of coals by his side: it was the
|
|
engineman. The isolation of his manner and colour lent
|
|
him the appearance of a creature from Tophet, who had
|
|
strayed into the pellucid smokelessness of this region
|
|
of yellow grain and pale soil, with which he had
|
|
nothing in common, to amaze and to discompose its
|
|
aborigines.
|
|
|
|
What he looked he felt. He was in the agricultural
|
|
world, but not of it. He served fire and smoke; these
|
|
denizens of the fields served vegetation, weather,
|
|
frost, and sun. He travelled with his engine from farm
|
|
to farm, from county to county, for as yet the steam
|
|
threshing-machine was itinerant in this part of Wessex.
|
|
He spoke in a strange northern accent; his thoughts
|
|
being turned inwards upon himself, his eye on his iron
|
|
charge, hardly perceiving the scenes around him, and
|
|
caring for them not at all: holding only strictly
|
|
necessary intercourse with the natives, as if some
|
|
ancient doom compelled him to wander here against his
|
|
will in the service of his Plutonic master. The long
|
|
strap which ran from the driving-wheel of his engine to
|
|
the red thresher under the rick was the sole tie-line
|
|
between agriculture and him.
|
|
|
|
While they uncovered the sheaves he stood apathetic
|
|
beside his portable repository of force, round whose
|
|
hot blackness the morning air quivered. He had nothing
|
|
to do with preparatory labour. His fire was waiting
|
|
incandescent, his steam was at high pressure, in a few
|
|
seconds he could make the long strap move at an
|
|
invisible velocity. Beyond its extent the environment
|
|
might be corn, straw, or chaos; it was all the same to
|
|
him. If any of the autochthonous idlers asked him what
|
|
he called himself, he replied shortly, "an engineer."
|
|
|
|
The rick was unhaled by full daylight; the men then
|
|
took their places, the women mounted, and the work
|
|
began. Farmer Groby--or, as they called him, "he"--had
|
|
arrived ere this, and by his orders Tess was placed on
|
|
the platform of the machine, close to the man who fed
|
|
it, her business being to untie every sheaf of corn
|
|
handed on to her by Izz Huett, who stood next, but on
|
|
the rick; so that the feeder could seize it and spread
|
|
it over the revolving drum, which whisked out every
|
|
grain in one moment. They were soon in full progress,
|
|
after a preparatory hitch or two, which rejoiced the
|
|
hearts of those who hated machinery. The work sped on
|
|
till breakfast time, when the thresher was stopped for
|
|
half an hour; and on starting again after the meal the
|
|
whole supplementary strength of the farm was thrown
|
|
into the labour of constructing the straw-rick, which
|
|
began to grow beside the stack of corn. A hasty lunch
|
|
was eaten as they stood, without leaving their
|
|
positions, and then another couple of hours brought
|
|
them near to dinner-time; the inexorable wheel
|
|
continuing to spin, and the penetrating hum of the
|
|
thresher to thrill to the very marrow all who were near
|
|
the revolving wire-cage.
|
|
|
|
The old men on the rising straw-rick talked of the past
|
|
days when they had been accustomed to thresh with
|
|
flails on the oaken barn-door; when everything, even
|
|
to winnowing, was effected by hand-labour, which, to
|
|
their thinking, though slow, produced better results.
|
|
Those, too, on the corn-rick talked a little; but the
|
|
perspiring ones at the machine, including Tess, could
|
|
not lighten their duties by the exchange of many words.
|
|
It was the ceaselessness of the work which tried her so
|
|
severely, and began to make her wish that she had never
|
|
some to Flintcomb-Ash. The women on the
|
|
corn-rick--Marian, who was one of them, in
|
|
particular--could stop to drink ale or cold tea from
|
|
the flagon now and then, or to exchange a few gossiping
|
|
remarks while they wiped their faces or cleared the
|
|
fragments of straw and husk from their clothing; but
|
|
for Tess there was no respite; for, as the drum never
|
|
stopped, the man who fed it could not stop, and she,
|
|
who had to supply the man with untied sheaves, could
|
|
not stop either, unless Marian changed places with her,
|
|
which she sometimes did for half an hour in spite of
|
|
Groby's objections that she was too slow-handed for a
|
|
feeder.
|
|
|
|
For some probably economical reason it was usually a
|
|
woman who was chosen for this particular duty, and
|
|
Groby gave as his motive in selecting Tess that she was
|
|
one of those who best combined strength with quickness
|
|
in untying, and both with staying power, and this may
|
|
have been true. The hum of the thresher, which
|
|
prevented speech, increased to a raving whenever the
|
|
supply of corn fell short of the regular quantity. As
|
|
Tess and the man who fed could never turn their heads
|
|
she did not know that just before the dinner-hour a
|
|
person had come silently into the field by the gate,
|
|
and had been standing under a second rick watching the
|
|
scene, and Tess in particular. He was dressed in a
|
|
tweed suit of fashionable pattern, and he twirled a gay
|
|
walking-cane.
|
|
|
|
"Who is that?" said Izz Huett to Marian. She had at
|
|
first addressed the inquiry to Tess, but the latter
|
|
could not hear it.
|
|
|
|
"Somebody's fancy-man, I s'pose," said Marian
|
|
laconically.
|
|
|
|
"I'll lay a guinea he's after Tess."
|
|
|
|
"O no. 'Tis a ranter pa'son who's been sniffing after
|
|
her lately; not a dandy like this."
|
|
|
|
"Well--this is the same man."
|
|
|
|
"The same man as the preacher? But he's quite
|
|
different!"
|
|
|
|
"He hev left off his black coat and white neckercher,
|
|
and hev cut off his whiskers; but he's the same man for
|
|
all that."
|
|
|
|
"D'ye really think so? Then I'll tell her," said
|
|
Marian.
|
|
|
|
"Don't. She'll see him soon enough, good-now."
|
|
|
|
"Well. I don't think it at all right for him to join
|
|
his preaching to courting a married woman, even though
|
|
her husband mid be abroad, and she, in a sense, a
|
|
widow."
|
|
|
|
"Oh--he can do her no harm," said Izz drily. "Her mind
|
|
can no more be heaved from that one place where it do
|
|
bide than a stooded waggon from the hole he's in. Lord
|
|
love 'ee, neither court-paying, nor preaching, nor the
|
|
seven thunders themselves, can wean a woman when
|
|
'twould be better for her that she should be weaned."
|
|
|
|
Dinner-time came, and the whirling ceased; whereupon
|
|
Tess left her post, her knees trembling so wretchedly
|
|
with the shaking of the machine that she could scarcely
|
|
walk.
|
|
|
|
"You ought to het a quart o' drink into 'ee, as I've
|
|
done," said Marian. "You wouldn't look so white then.
|
|
Why, souls above us, your face is as if you'd been
|
|
hagrode!"
|
|
|
|
It occurred to the good-natured Marian that, as Tess
|
|
was so tired, her discovery of her visitor's presence
|
|
might have the bad effect of taking away her appetite;
|
|
and Marian was thinking of inducing Tess to descend by
|
|
a ladder on the further side of the stack when the
|
|
gentleman came forward and looked up.
|
|
|
|
Tess uttered a short little "Oh!" And a moment after
|
|
she said, quickly, "I shall eat my dinner here--right
|
|
on the rick."
|
|
|
|
Sometimes, when they were so far from their cottages,
|
|
they all did this; but as there was rather a keen wind
|
|
going today, Marian and the rest descended, and sat
|
|
under the straw-stack. The newcomer was, indeed, Alec
|
|
d'Urberville, the late Evangelist, despite his changed
|
|
attire and aspect. It was obvious at a glance that the
|
|
original WELTLUST had come back; that he had restored
|
|
himself, as nearly as a man could do who had grown
|
|
three or four years older, to the old jaunty, slapdash
|
|
guise under which Tess had first known her admirer, and
|
|
cousin so-called. Having decided to remain where she
|
|
was, Tess sat down among the bundles, out of sight of
|
|
the ground, and began her meal; till, by-and-by, she
|
|
heard footsteps on the ladder, and immediately after
|
|
Alec appeared upon the stack--now an oblong and level
|
|
platform of sheaves. He strode across them, and sat
|
|
down opposite of her without a word.
|
|
|
|
Tess continued to eat her modest dinner, a slice of
|
|
thick pancake which she had brought with her. The
|
|
other workfolk were by this time all gathered under the
|
|
rick, where the loose straw formed a comfortable
|
|
retreat.
|
|
|
|
"I am here again, as you see," said d'Urberville.
|
|
|
|
"Why do you trouble me so!" she cried, reproach
|
|
flashing from her very finger-ends.
|
|
|
|
"I trouble YOU? I think I may ask, why do you trouble
|
|
me?"
|
|
|
|
"Sure, I don't trouble you any-when!"
|
|
|
|
"You say you don't? But you do! You haunt me. Those
|
|
very eyes that you turned upon my with such a bitter
|
|
flash a moment ago, they come to me just as you showed
|
|
them then, in the night and in the day! Tess, ever
|
|
since you told me of that child of ours, it is just as
|
|
if my feelings, which have been flowing in a strong
|
|
puritanical stream, had suddenly found a way open in
|
|
the direction of you, and had all at once gushed
|
|
through. The religious channel is left dry forthwith;
|
|
and it is you who have done it!"
|
|
|
|
She gazed in silence.
|
|
|
|
"What--you have given up your preaching entirely?" she
|
|
asked. She had gathered from Angel sufficient of the
|
|
incredulity of modern thought to despise flash
|
|
enthusiasm; but, as a woman, she was somewhat appalled.
|
|
|
|
In affected severity d'Urberville continued--
|
|
|
|
"Entirely. I have broken every engagement since that
|
|
afternoon I was to address the drunkards at
|
|
Casterbridge Fair. The deuce only knows what I am
|
|
thought of by the brethren. Ah-ha! The brethren! No
|
|
doubt they pray for me--weep for me; for they are kind
|
|
people in their way. But what do I care? How could I
|
|
go on with the thing when I had lost my faith in
|
|
it?--it would have been hypocrisy of the basest kind!
|
|
Among them I should have stood like Hymenaeus and
|
|
Alexander, who were delivered over to Satan that they
|
|
might learn not to blaspheme. What a grand revenge you
|
|
have taken! I saw you innocent, and I deceived you.
|
|
Four years after, you find me a Christian enthusiast;
|
|
you then work upon me, perhaps to my complete
|
|
perdition! But Tess, my coz, as I used to call you,
|
|
this is only my way of talking, and you must not look
|
|
so horribly concerned. Of course you have done nothing
|
|
except retain your pretty face and shapely figure.
|
|
I saw it on the rick before you saw me--that tight
|
|
pinafore-thing sets it off, and that wing-bonnet--you
|
|
field-girls should never wear those bonnets if you wish
|
|
to keep out of danger." He regarded her silently for a
|
|
few moments, and with a short cynical laugh resumed:
|
|
"I believe that if the bachelor-apostle, whose deputy I
|
|
thought I was, had been tempted by such a pretty face,
|
|
he would have let go the plough for her sake as I do!"
|
|
|
|
Tess attempted to expostulate, but at this juncture all
|
|
her fluency failed her, and without heeding he added:
|
|
|
|
"Well, this paradise that you supply is perhaps as good
|
|
as any other, after all. But to speak seriously.
|
|
Tess." D'Urberville rose and came nearer, reclining
|
|
sideways amid the sheaves, and resting upon his elbow.
|
|
"Since I last saw you, I have been thinking of what you
|
|
said that HE said. I have come to the conclusion that
|
|
there does seem rather a want of common-sense in these
|
|
threadbare old propositions; how I could have been so
|
|
fired by poor Parson Clare's enthusiasm, and have gone
|
|
so madly to work, transcending even him, I cannot make
|
|
out! As for what you said last time, on the strength of
|
|
your wonderful husband's intelligence--whose name you
|
|
have never told me--about having what they call an
|
|
ethical system without any dogma, I don't see my way to
|
|
that at all."
|
|
|
|
"Why, you can have the religion of loving-kindness and
|
|
purity at least, if you can't have--what do you call
|
|
it--dogma."
|
|
|
|
"O no! I'm a different sort of fellow from that! If
|
|
there's nobody to say, 'Do this, and it will be a good
|
|
thing for you after you are dead; do that, and if will
|
|
be a bad thing for you,' I can't warm up. Hang it, I
|
|
am not going to feel responsible for my deeds and
|
|
passions if there's nobody to be responsible to; and if
|
|
I were you, my dear, I wouldn't either!"
|
|
|
|
She tried to argue, and tell him that he had mixed in
|
|
his dull brain two matters, theology and morals, which
|
|
in the primitive days of mankind had been quite
|
|
distinct. But owing to Angel Clare's reticence, to her
|
|
absolute want of training, and to her being a vessel of
|
|
emotions rather than reasons, she could not get on.
|
|
"Well, never mind," he resumed. "Here I am, my love,
|
|
as in the old times!"
|
|
|
|
"Not as then--never as then--'tis different!" she
|
|
entreated. "And there was never warmth with me!
|
|
O why didn't you keep your faith, if the loss of it has
|
|
brought you to speak to me like this!"
|
|
|
|
"Because you've knocked it out of me; so the evil be
|
|
upon your sweet head! Your husband little thought how
|
|
his teaching would recoil upon him! Ha-ha--I'm awfully
|
|
glad you have made an apostate of me all the same!
|
|
Tess, I am more taken with you than ever, and I pity
|
|
you too. For all your closeness, I see you are in a
|
|
bad way--neglected by one who ought to cherish you."
|
|
|
|
She could not get her morsels of food down her throat;
|
|
her lips were dry, and she was ready to choke. The
|
|
voices and laughs of the workfolk eating and drinking
|
|
under the rick came to her as if they were a quarter of
|
|
a mile off.
|
|
|
|
"It is cruelty to me!" she said. "How--how can you
|
|
treat me to this talk, if you care ever so little for
|
|
me?"
|
|
|
|
"True, true," he said, wincing a little. "I did not
|
|
come to reproach you for my deeds. I came Tess, to say
|
|
that I don't like you to be working like this, and I
|
|
have come on purpose for you. You say you have a
|
|
husband who is not I. Well, perhaps you have; but I've
|
|
never seen him, and you've not told me his name; and
|
|
altogether he seems rather a mythological personage.
|
|
However, even if you have one, I think I am nearer to
|
|
you than he is. I, at any rate, try to help you out of
|
|
trouble, but he does not, bless his invisible face!
|
|
The words of the stern prophet Hosea that I used to
|
|
read come back to me. Don't you know them, Tess?--'And
|
|
she shall follow after her lover, but she shall not
|
|
overtake him; and she shall seek him, but shall not
|
|
find him; then shall she say, I will go and return to
|
|
my first husband; for then was it better with me than
|
|
now!' ... Tess, my trap is waiting just under the hill,
|
|
and--darling mine, not his!--you know the rest."
|
|
|
|
Her face had been rising to a dull crimson fire while
|
|
he spoke; but she did not answer.
|
|
|
|
"You have been the cause of my backsliding," he
|
|
continued, stretching his arm towards her waist; "you
|
|
should be willing to share it, and leave that mule you
|
|
call husband for ever."
|
|
|
|
One of her leather gloves, which she had taken off to
|
|
eat her skimmer-cake, lay in her lap, and without the
|
|
slightest warning she passionately swung the glove by
|
|
the gauntlet directly in his face. It was heavy and
|
|
thick as a warrior's, and it struck him flat on the
|
|
mouth. Fancy might have regarded the act as the
|
|
recrudescence of a trick in which her armed progenitors
|
|
were not unpractised. Alec fiercely started up from his
|
|
reclining position. A scarlet oozing appeared where
|
|
her blow had alighted, and in a moment the blood began
|
|
dropping from his mouth upon the straw. But he soon
|
|
controlled himself, calmly drew his handkerchief from
|
|
his pocket, and mopped his bleeding lips.
|
|
|
|
She too had sprung up, but she sank down again. "Now,
|
|
punish me!" she said, turning up her eyes to him with
|
|
the hopeless defiance of the sparrow's gaze before its
|
|
captor twists its neck. "Whip me, crush me; you need
|
|
not mind those people under the rick! I shall not cry
|
|
out. Once victim, always victim--that's the law!"
|
|
|
|
"O no, no, Tess," he said blandly. "I can make full
|
|
allowance for this. Yet you most unjustly forget one
|
|
thing, that I would have married you if you had not put
|
|
it out of my power to do so. Did I not ask you flatly
|
|
to be my wife--hey? Answer me."
|
|
|
|
"You did."
|
|
|
|
"And you cannot be. But remember one thing!" His
|
|
voice hardened as his temper got the better of him with
|
|
the recollection of his sincerity in asking her and her
|
|
present ingratitude, and he stepped across to her side
|
|
and held her by the shoulders, so that she shook under
|
|
his grasp. "Remember, my lady, I was your master once!
|
|
I will be your master again. If you are any man's wife
|
|
you are mine!"
|
|
|
|
The threshers now began to stir below.
|
|
|
|
"So much for our quarrel," he said, letting her go.
|
|
"Now I shall leave you, and shall come again for your
|
|
answer during the afternoon. You don't know me yet!
|
|
But I know you."
|
|
|
|
She had not spoken again, remaining as if stunned.
|
|
D'Urberville retreated over the sheaves, and descended
|
|
the ladder, while the workers below rose and stretched
|
|
their arms, and shook down the beer they had drunk.
|
|
Then the threshing-machine started afresh; and amid the
|
|
renewed rustle of the straw Tess resumed her position
|
|
by the buzzing drum as one in a dream, untying sheaf
|
|
after sheaf in endless succession.
|
|
|
|
|
|
|
|
XLVIII
|
|
|
|
|
|
In the afternoon the farmer made it known that the rick
|
|
was to be finished that night, since there was a moon
|
|
by which they could see to work, and the man with the
|
|
engine was engaged for another farm on the morrow.
|
|
Hence the twanging and humming and rustling proceeded
|
|
with even less intermission than usual.
|
|
|
|
It was not till "nammet"-time, about three o-clock,
|
|
that Tess raised her eyes and gave a momentary glance
|
|
round. She felt but little surprise at seeing that
|
|
Alec d'Urberville had come back, and was standing under
|
|
the hedge by the gate. He had seen her lift her eyes,
|
|
and waved his hand urbanely to her, while he blew her a
|
|
kiss. It meant that their quarrel was over. Tess
|
|
looked down again, and carefully abstained from gazing
|
|
in that direction.
|
|
|
|
Thus the afternoon dragged on. The wheat-rick shrank
|
|
lower, and the straw-rick grew higher, and the
|
|
corn-sacks were carted away. At six o'clock the
|
|
wheat-rick was about shoulder-high from the ground.
|
|
But the unthreshed sheaves remaining untouched seemed
|
|
countless still, notwithstanding the enormous numbers
|
|
that had been gulped down by the insatiable swallower,
|
|
fed by the man and Tess, through whose two young hands
|
|
the greater part of them had passed. And the immense
|
|
stack of straw where in the morning there had been
|
|
nothing, appeared as the FAECES of the same buzzing red
|
|
glutton. From the west sky a wrathful shine--all that
|
|
wild March could afford in the way of sunset--had burst
|
|
forth after the cloudy day, flooding the tired and
|
|
sticky faces of the threshers, and dyeing them with a
|
|
coppery light, as also the flapping garments of the
|
|
women, which clung to them like dull flames.
|
|
|
|
A panting ache ran through the rick. The man who fed
|
|
was weary, and Tess could see that the red nape of his
|
|
neck was encrusted with dirt and husks. She still
|
|
stood at her post, her flushed and perspiring face
|
|
coated with the corndust, and her white bonnet
|
|
embrowned by it. She was the only woman whose place
|
|
was upon the machine so as to be shaken bodily by its
|
|
spinning, and the decrease of the stack now separated
|
|
her from Marian and Izz, and prevented their changing
|
|
duties with her as they had done. The incessant
|
|
quivering, in which every fibre of her frame
|
|
participated, had thrown her into a stupefied reverie
|
|
in which her arms worked on independently of her
|
|
consciousness. She hardly knew where she was, and did
|
|
not hear Izz Huett tell her from below that her hair
|
|
was tumbling down.
|
|
|
|
By degrees the freshest among them began to grow
|
|
cadaverous and saucer-eyed. Whenever Tess lifted her
|
|
head she beheld always the great upgrown straw-stack,
|
|
with the men in shirt-sleeves upon it, against the gray
|
|
north sky; in front of it the long red elevator like a
|
|
Jacob's ladder, on which a perpetual stream of threshed
|
|
straw ascended, a yellow river running uphill, and
|
|
spouting out on the top of the rick.
|
|
|
|
She knew that Alec d'Urberville was still on the scene,
|
|
observing her from some point or other, though she
|
|
could not say where. There was an excuse for his
|
|
remaining, for when the threshed rick drew near its
|
|
final sheaves a little ratting was always done, and men
|
|
unconnected with the threshing sometimes dropped in for
|
|
that performance--sporting characters of all
|
|
descriptions, gents with terriers and facetious pipes,
|
|
roughs with sticks and stones.
|
|
|
|
But there was another hour's work before the layer of
|
|
live rats at the base of the stack would be reached;
|
|
and as the evening light in the direction of the
|
|
Giant's Hill by Abbot's-Cernel dissolved away, the
|
|
white-faced moon of the season arose from the horizon
|
|
that lay towards Middleton Abbey and Shottsford on the
|
|
other side. For the last hour or two Marian had felt
|
|
uneasy about Tess, whom she could not get near enough
|
|
to speak to, the other women having kept up their
|
|
strength by drinking ale, and Tess having done without
|
|
it through traditionary dread, owing to its results at
|
|
her home in childhood. But Tess still kept going: if
|
|
she could not fill her part she would have to leave;
|
|
and this contingency, which she would have regarded
|
|
with equanimity and even with relief a month or two
|
|
earlier, had become a terror since d'Urberville had
|
|
begun to hover round her.
|
|
|
|
The sheaf-pitchers and feeders had now worked the rick
|
|
so low that people on the ground could talk to them.
|
|
To Tess's surprise Farmer Groby came up on the machine
|
|
to her, and said that if she desired to join her friend
|
|
he did not wish her to keep on any longer, and would
|
|
send somebody else to take her place. The "friend" was
|
|
d'Urberville, she knew, and also that this concession
|
|
had been granted in obedience to the request of that
|
|
friend, or enemy. She shook her head and toiled on.
|
|
|
|
The time for the rat-catching arrived at last, and the
|
|
hunt began. The creatures had crept downwards with the
|
|
subsidence of the rick till they were all together at
|
|
the bottom, and being now uncovered from their last
|
|
refuge they ran across the open ground in all
|
|
directions, a loud shriek from the by-this-time
|
|
half-tipsy Marian informing her companions that one of
|
|
the rats had invaded her person--a terror which the
|
|
rest of the women had guarded against by various
|
|
schemes of skirt-tucking and self-elevation. The rat
|
|
was at last dislodged, and, amid the barking of dogs,
|
|
masculine shouts, feminine screams, oaths, stampings,
|
|
and confusion as of Pandemonium, Tess untied her last
|
|
sheaf; the drum slowed, the whizzing ceased, and she
|
|
stepped from the machine to the ground.
|
|
|
|
Her lover, who had only looked on at the rat-catching,
|
|
was promptly at her side.
|
|
|
|
"What--after all--my insulting slap, too!" said she in
|
|
an underbreath. She was so utterly exhausted that she
|
|
had not strength to speak louder.
|
|
|
|
"I should indeed be foolish to feel offended at
|
|
anything you say or do," he answered, in the seductive
|
|
voice of the Trantridge time. "How the little limbs
|
|
tremble! You are as weak as a bled calf, you know you
|
|
are; and yet you need have done nothing since I
|
|
arrived. How could you be so obstinate? However, I
|
|
have told the farmer that he has no right to employ
|
|
women at steam-threshing. It is not proper work for
|
|
them; and on all the better class of farms it has been
|
|
given up, as he knows very well. I will walk with you
|
|
as far as your home."
|
|
|
|
"O yes," she answered with a jaded gait. "Walk wi' me
|
|
if you will! I do bear in mind that you came to marry
|
|
me before you knew o' my state. Perhaps--perhaps you
|
|
are a little better and kinder than I have been
|
|
thinking you were. Whatever is meant by kindness I am
|
|
grateful for; whatever is meant in any other way I am
|
|
angered at. I cannot sense your meaning sometimes."
|
|
|
|
"If I cannot legitimize our former relations at least I
|
|
can assist you. And I will do it with much more regard
|
|
for your feelings than I formerly showed. My religious
|
|
mania, or whatever it was, is over. But I retain a
|
|
little good nature; I hope I do. Now, Tess, by all
|
|
that's tender and strong between man and woman, trust
|
|
me! I have enough and more than enough to put you out
|
|
of anxiety, both for yourself and your parents and
|
|
sisters. I can make them all comfortable if you will
|
|
only show confidence in me."
|
|
|
|
"Have you seen 'em lately?" she quickly inquired.
|
|
|
|
"Yes. They didn't know where you were. It was only by
|
|
chance that I found you here."
|
|
|
|
The cold moon looked aslant upon Tess's fagged face
|
|
between the twigs of the garden-hedge as she paused
|
|
outside the cottage which was her temporary home,
|
|
d'Urberville pausing beside her.
|
|
|
|
"Don't mention my little brothers and sisters--don't
|
|
make me break down quite!" she said. "If you want to
|
|
help them--God knows they need it--do it without
|
|
telling me. But no, no!" she cried. "I will take
|
|
nothing from you, either for them or for me!"
|
|
|
|
He did not accompany her further, since, as she lived
|
|
with the household, all was public indoors. No sooner
|
|
had she herself entered, laved herself in a
|
|
washing-tub, and shared supper with the family than she
|
|
fell into thought, and withdrawing to the table under
|
|
the wall, by the light of her own little lamp wrote in
|
|
a passionate mood--
|
|
|
|
MY OWN HUSBAND,--Let me call you so--I must--even if it
|
|
makes you angry to think of such an unworthy wife as I.
|
|
I must cry to you in my trouble--I have no one else! I
|
|
am so exposed to temptation, Angel. I fear to say who
|
|
it is, and I do not like to write about it at all. But
|
|
I cling to you in a way you cannot think! Can you not
|
|
come to me now, at once, before anything terrible
|
|
happens? O, I know you cannot, because you are so far
|
|
away! I think I must die if you do not come soon, or
|
|
tell me to come to you. The punishment you have
|
|
measured out to me is deserved--I do know that--well
|
|
deserved--and you are right and just to be angry with
|
|
me. But, Angel, please, please, not to be just--only a
|
|
little kind to me, even if I do not deserve it, and
|
|
come to me! If you would come, I could die in your
|
|
arms! I would be well content to do that if so be you
|
|
had forgiven me!
|
|
|
|
Angel, I live entirely for you. I love you too much to
|
|
blame you for going away, and I know it was necessary
|
|
you should find a farm. Do not think I shall say a
|
|
word of sting or bitterness. Only come back to me. I
|
|
am desolate without you, my darling, O, so desolate! I
|
|
do not mind having to work: but if you will send me one
|
|
little line, and say, "I AM COMING SOON," I will bide
|
|
on, Angel--O, so cheerfully!
|
|
|
|
It has been so much my religion ever since we were
|
|
married to be faithful to you in every thought and
|
|
look, that even when a man speaks a compliment to me
|
|
before I am aware, it seems wronging you. Have you
|
|
never felt one little bit of what you used to feel when
|
|
we were at the dairy? If you have, how can you keep
|
|
away from me? I am the same women, Angel, as you fell
|
|
in love with; yes, the very same!--not the one you
|
|
disliked but never saw. What was the past to me as soon
|
|
as I met you? It was a dead thing altogether. I
|
|
became another woman, filled full of new life from you.
|
|
How could I be the early one? Why do you not see this?
|
|
Dear, if you would only be a little more conceited, and
|
|
believe in yourself so far as to see that you were
|
|
strong enough to work this change in me, you would
|
|
perhaps be in a mind to come to me, your poor wife.
|
|
|
|
How silly I was in my happiness when I thought I could
|
|
trust you always to love me! I ought to have known
|
|
that such as that was not for poor me. But I am sick
|
|
at heart, not only for old times, but for the present.
|
|
Think--think how it do hurt my heart not to see you
|
|
ever--ever! Ah, if I could only make your dear heart
|
|
ache one little minute of each day as mine does every
|
|
day and all day long, it might lead you to show pity to
|
|
your poor lonely one.
|
|
|
|
People still say that I am rather pretty, Angel
|
|
(handsome is the word they use, since I wish to be
|
|
truthful). Perhaps I am what they say. But I do not
|
|
value my good looks; I only like to have them because
|
|
they belong to you, my dear, and that there may be at
|
|
least one thing about me worth your having. So much
|
|
have I felt this, that when I met with annoyance on
|
|
account of the same I tied up my face in a bandage as
|
|
long as people would believe in it. O Angel, I tell
|
|
you all this not from vanity--you will certainly know I
|
|
do not--but only that you may come to me!
|
|
|
|
If you really cannot come to me will you let me come to
|
|
you? I am, as I say, worried, pressed to do what I
|
|
will not do. It cannot be that I shall yield one inch,
|
|
yet I am in terror as to what an accident might lead
|
|
to, and I so defenceless on account of my first error.
|
|
I cannot say more about this--it makes me too
|
|
miserable. But if I break down by falling into some
|
|
fearful snare, my last state will be worse than my
|
|
first. O God, I cannot think of it! Let me come at
|
|
once, or at once come to me!
|
|
|
|
I would be content, ay, glad, to live with you as your
|
|
servant, if I may not as your wife; so that I could
|
|
only be near you, and get glimpses of you, and think of
|
|
you as mine.
|
|
|
|
The daylight has nothing to show me, since you are not
|
|
here, and I don't like to see the rooks and starlings
|
|
in the field, because I grieve and grieve to miss you
|
|
who used to see them with me. I long for only one
|
|
thing in heaven or earth or under the earth, to meet
|
|
you, my own dear! Come to me--come to me, and save me
|
|
from what threatens me!--Your faithful heartbroken
|
|
|
|
TESS
|
|
|
|
|
|
|
|
XLIX
|
|
|
|
|
|
The appeal duly found its way to the breakfast-table of
|
|
the quiet Vicarage to the westward, in that valley
|
|
where the air is so soft and the soil so rich that the
|
|
effort of growth requires but superficial aid by
|
|
comparison with the tillage at Flintcomb-Ash, and where
|
|
to Tess the human world seemed so different (though it
|
|
was much the same). It was purely for security that
|
|
she had been requested by Angel to send her
|
|
communications through his father, whom he kept pretty
|
|
well informed of his changing addresses in the country
|
|
he had gone to exploit for himself with a heavy heart.
|
|
|
|
"Now," said old Mr Clare to his wife, when he had read
|
|
the envelope, "if Angel proposes leaving Rio for a
|
|
visit home at the end of next month, as he told us that
|
|
he hoped to do, I think this may hasten his plans; for
|
|
I believe it to be from his wife." He breathed deeply
|
|
at the thought of her; and the letter was redirected to
|
|
be promptly sent on to Angel.
|
|
|
|
"Dear fellow, I hope he will get home safely," murmured
|
|
Mrs Clare. "To my dying day I shall feel that he had
|
|
been ill-used. You should have sent him to Cambridge in
|
|
spite of his want of faith, and given him the same
|
|
chance as the other boys had. He would have grown out
|
|
of it under proper influence, and perhaps would have
|
|
taken Orders after all. Church or no Church, it would
|
|
have been fairer to him."
|
|
|
|
This was the only wail with which Mrs Clare ever
|
|
disturbed her husband's peace in respect to their sons.
|
|
And she did not vent this often; for she was as
|
|
considerate as she was devout, and knew that his mind
|
|
too was troubled by doubts as to his justice in this
|
|
matter. Only too often had she heard him lying awake
|
|
at night, stifling sighs for Angel with prayers. But
|
|
the uncompromising Evangelical did not even now hold
|
|
that he would have been justified in giving his son, an
|
|
unbeliever, the same academic advantages that he had
|
|
given to the two others, when it was possible, if not
|
|
probable, that those very advantages might have been
|
|
used to decry the doctrines which he had made it his
|
|
life's mission and desire to propagate, and the mission
|
|
of his ordained sons likewise. To put with one hand a
|
|
pedestal under the feet of the two faithful ones, and
|
|
with the other to exalt the unfaithful by the same
|
|
artificial means, he deemed to be alike inconsistent
|
|
with his convictions, his position, and his hopes.
|
|
Nevertheless, he loved his misnamed Angel, and in
|
|
secret mourned over this treatment of him as Abraham
|
|
might have mourned over the doomed Isaac while they
|
|
went up the hill together. His silent self-generated
|
|
regrets were far bitterer than the reproaches which his
|
|
wife rendered audible.
|
|
|
|
They blamed themselves for this unlucky marriage. If
|
|
Angel had never been destined for a farmer he would
|
|
never have been thrown with agricultural girls. They
|
|
did not distinctly know what had separated him and his
|
|
wife, nor the date on which the separation had taken
|
|
place. At first they had supposed it must be something
|
|
of the nature of a serious aversion. But in his later
|
|
letters he occasionally alluded to the intention of
|
|
coming home to fetch her; from which expressions they
|
|
hoped the division might not owe its origin to anything
|
|
so hopelessly permanent as that. He had told them that
|
|
she was with her relatives, and in their doubts they
|
|
had decided not to intrude into a situation which they
|
|
knew no way of bettering.
|
|
|
|
The eyes for which Tess's letter was intended were
|
|
gazing at this time on a limitless expanse of country
|
|
from the back of a mule which was bearing him from the
|
|
interior of the South-American Continent towards the
|
|
coast. His experiences of this strange land had been
|
|
sad. The severe illness from which he had suffered
|
|
shortly after his arrival had never wholly left him,
|
|
and he had by degrees almost decided to relinquish his
|
|
hope of farming here, though, as long as the bare
|
|
possibility existed of his remaining, he kept this
|
|
change of view a secret from his parents.
|
|
|
|
The crowds of agricultural labourers who had come out
|
|
to the country in his wake, dazzled by representations
|
|
of easy independence, had suffered, died, and wasted
|
|
away. He would see mothers from English farms trudging
|
|
along with their infants in their arms, when the child
|
|
would be stricken with fever and would die; the mother
|
|
would pause to dig a hole in the loose earth with her
|
|
bare hands, would bury the babe therein with the same
|
|
natural grave-tools, shed one tear, and again trudge
|
|
on.
|
|
|
|
Angel's original intention had not been emigration to
|
|
Brazil but a northern or eastern farm in his own
|
|
country. He had come to this place in a fit of
|
|
desperation, the Brazil movement among the English
|
|
agriculturists having by chance coincided with his
|
|
desire to escape from his past existence.
|
|
|
|
During this time of absence he had mentally aged a
|
|
dozen years. What arrested him now as of value in life
|
|
was less its beauty than its pathos. Having long
|
|
discredited the old systems of mysticism, he now began
|
|
to discredit the old appraisements of morality. He
|
|
thought they wanted readjusting. Who was the moral
|
|
man? Still more pertinently, who was the moral woman?
|
|
The beauty or ugliness of a character lay not only in
|
|
its achievements, but in its aims and impulses; its
|
|
true history lay, not among things done, but among
|
|
things willed.
|
|
|
|
How, then, about Tess?
|
|
|
|
Viewing her in these lights, a regret for his hasty
|
|
judgement began to oppress him. Did he reject her
|
|
eternally, or did he not? He could no longer say that
|
|
he would always reject her, and not to say that was in
|
|
spirit to accept her now.
|
|
|
|
This growing fondness for her memory coincided in point
|
|
of time with her residence at Flintcomb-Ash, but it was
|
|
before she had felt herself at liberty to trouble him
|
|
with a word about her circumstances or her feelings.
|
|
He was greatly perplexed; and in his perplexity as to
|
|
her motives in withholding intelligence he did not
|
|
inquire. Thus her silence of docility was
|
|
misinterpreted. How much it really said if he had
|
|
understood!--that she adhered with literal exactness
|
|
to orders which he had given and forgotten; that
|
|
despite her natural fearlessness she asserted no
|
|
rights, admitted his judgement to be in every respect
|
|
the true one, and bent her head dumbly thereto.
|
|
|
|
In the before-mentioned journey by mules through the
|
|
interior of the country, another man rode beside him.
|
|
Angel's companion was also an Englishman, bent on the
|
|
same errand, though he came from another part of the
|
|
island. They were both in a state of mental
|
|
depression, and they spoke of home affairs. Confidence
|
|
begat confidence. With that curious tendency evinced
|
|
by men, more especially when in distant lands, to
|
|
entrust to strangers details of their lives which they
|
|
would on no account mention to friends, Angel admitted
|
|
to this man as they rode along the sorrowful facts of
|
|
his marriage. The stranger had sojourned in many more
|
|
lands and among many more peoples than Angel; to his
|
|
cosmopolitan mind such deviations from the social norm,
|
|
so immense to domesticity, were no more than are the
|
|
irregularities of vale and mountain-chain to the whole
|
|
terrestrial curve. He viewed the matter in quite a
|
|
different light from Angel; thought that what Tess had
|
|
been was of no importance beside what she would be, and
|
|
plainly told Clare that he was wrong in coming away
|
|
from her.
|
|
|
|
The next day they were drenched in a thunder-storm.
|
|
Angel's companion was struck down with fever, and died
|
|
by the week's end. Clare waited a few hours to bury
|
|
him, and then went on his way.
|
|
|
|
The cursory remarks of the large-minded stranger, of
|
|
whom he knew absolutely nothing beyond a commonplace
|
|
name, were sublimed by his death, and influenced Clare
|
|
more than all the reasoned ethics of the philosophers.
|
|
His own parochialism made him ashamed by its contrast.
|
|
His inconsistencies rushed upon him in a flood. He had
|
|
persistently elevated Hellenic Paganism at the expense
|
|
of Christianity; yet in that civilization an illegal
|
|
surrender was not certain disesteem. Surely then he
|
|
might have regarded that abhorrence of the un-intact
|
|
state, which he had inherited with the creed of
|
|
mysticism, as at least open to correction when the
|
|
result was due to treachery. A remorse struck into
|
|
him. The words of Izz Huett, never quite stilled in
|
|
his memory, came back to him. He had asked Izz if she
|
|
loved him, and she had replied in the affirmative. Did
|
|
she love him more than Tess did? No, she had replied;
|
|
Tess would lay down her life for him, and she herself
|
|
could do no more.
|
|
|
|
He thought of Tess as she had appeared on the day of
|
|
the wedding. How her eyes had lingered upon him; how
|
|
she had hung upon his words as if they were a god's!
|
|
And during the terrible evening over the hearth, when
|
|
her simple soul uncovered itself to his, how pitiful
|
|
her face had looked by the rays of the fire, in her
|
|
inability to realize that his love and protection could
|
|
possibly be withdrawn.
|
|
|
|
Thus from being her critic he grew to be her advocate.
|
|
Cynical things he had uttered to himself about her; but
|
|
no man can be always a cynic and live; and he withdrew
|
|
them. The mistake of expressing them had arisen from
|
|
his allowing himself to be influenced by general
|
|
principles to the disregard of the particular instance.
|
|
|
|
But the reasoning is somewhat musty; lovers and
|
|
husbands have gone over the ground before today.
|
|
Clare had been harsh towards her; there is no doubt of it.
|
|
Men are too often harsh with women they love or have
|
|
loved; women with men. And yet these harshnesses are
|
|
tenderness itself when compared with the universal
|
|
harshness out of which they grow; the harshness of the
|
|
position towards the temperament, of the means towards
|
|
the aims, of today towards yesterday, of hereafter
|
|
towards today.
|
|
|
|
The historic interest of her family--that masterful
|
|
line of d'Urbervilles--whom he had despised as a spent
|
|
force, touched his sentiments now. Why had he not
|
|
known the difference between the political value and
|
|
the imaginative value of these things? In the latter
|
|
aspect her d'Urberville descent was a fact of great
|
|
dimensions; worthless to economics, it was a most
|
|
useful ingredient to the dreamer, to the moralizer on
|
|
declines and falls. It was a fact that would soon be
|
|
forgotten--that bit of distinction in poor Tess's blood
|
|
and name, and oblivion would fall upon her hereditary
|
|
link with the marble monuments and leaded skeletons at
|
|
Kingsbere. So does Time ruthlessly destroy his own
|
|
romances. In recalling her face again and again, he
|
|
thought now that he could see therein a flash of the
|
|
dignity which must have graced her grand-dames; and the
|
|
vision sent that AURA through his veins which he had
|
|
formerly felt, and which left behind it a sense of
|
|
sickness.
|
|
|
|
Despite her not inviolate past, what still abode in
|
|
such a woman as Tess outvalued the freshness of her
|
|
fellows. Was not the gleaning of the grapes of Ephraim
|
|
better than the vintage of Abi-ezer?
|
|
|
|
So spoke love renascent, preparing the way for Tess's
|
|
devoted outpouring, which was then just being forwarded
|
|
to him by his father; though owing to his distance
|
|
inland it was to be a long time in reaching him.
|
|
|
|
Meanwhile the writer's expectation that Angel would
|
|
come in response to the entreaty was alternately great
|
|
and small. What lessened it was that the facts of her
|
|
life which had led to the parting had not
|
|
changed--could never change; and that, if her presence
|
|
had not attenuated them, her absence could not.
|
|
Nevertheless she addressed her mind to the tender
|
|
question of what she could do to please him best if he
|
|
should arrive. Sighs were expended on the wish that
|
|
she had taken more notice of the tunes he played on his
|
|
harp, that she had inquired more curiously of him which
|
|
were his favourite ballads among those the country-
|
|
girls sang. She indirectly inquired of Amby Seedling,
|
|
who had followed Izz from Talbothays, and by chance
|
|
Amby remembered that, amongst the snatches of melody in
|
|
which they had indulged at the dairyman's, to induce
|
|
the cows to let down their milk, Clare had seemed to
|
|
like "Cupid's Gardens", "I have parks, I have hounds",
|
|
and "The break o' the day"; and had seemed not to care
|
|
for "The Tailor's Breeches" and "Such a beauty I did
|
|
grow", excellent ditties as they were.
|
|
|
|
To perfect the ballads was now her whimsical desire.
|
|
She practised them privately at odd moments, especially
|
|
"The break o' the day":
|
|
|
|
Arise, arise, arise!
|
|
And pick your love a posy,
|
|
All o' the sweetest flowers
|
|
That in the garden grow.
|
|
The turtle doves and sma' birds
|
|
In every bough a-building,
|
|
So early in the May-time
|
|
At the break o' the day!
|
|
|
|
It would have melted the heart of a stone to hear her
|
|
singing these ditties, whenever she worked apart from
|
|
the rest of the girls in this cold dry time; the tears
|
|
running down her cheeks all the while at the thought
|
|
that perhaps he would not, after all, come to hear her,
|
|
and the simple silly words of the songs resounding in
|
|
painful mockery of the aching heart of the singer.
|
|
|
|
Tess was so wrapt up in this fanciful dream that she
|
|
seemed not to know how the season was advancing; that
|
|
the days had lengthened, that Lady-Day was at hand, and
|
|
would soon be followed by Old Lady-Day, the end of her
|
|
term here.
|
|
|
|
But before the quarter-day had quite come something
|
|
happened which made Tess think of far different
|
|
matters. She was at her lodging as usual one evening,
|
|
sitting in the downstairs room with the rest of the
|
|
family, when somebody knocked at the door and inquired
|
|
for Tess. Through the doorway she saw against the
|
|
declining light a figure with the height of a woman and
|
|
the breadth of a child, a tall, thin, girlish creature
|
|
whom she did not recognize in the twilight till the
|
|
girl said "Tess!"
|
|
|
|
"What--is it 'Liza-Lu?" asked Tess, in startled
|
|
accents. Her sister, whom a little over a year ago she
|
|
had left at home as a child, had sprung up by a sudden
|
|
shoot to a form of this presentation, of which as yet
|
|
Lu seemed herself scarce able to understand the
|
|
meaning. Her thin legs, visible below her once long
|
|
frock now short by her growing, and her uncomfortable
|
|
hands and arms, revealed her youth and inexperience.
|
|
|
|
"Yes, I have been traipsing about all day, Tess," said
|
|
Lu, with unemotional gravity, "a-trying to find 'ee;
|
|
and I'm very tired."
|
|
|
|
"What is the matter at home?"
|
|
|
|
"Mother is took very bad, and the doctor says she's
|
|
dying, and as father is not very well neither, and says
|
|
'tis wrong for a man of such a high family as his to
|
|
slave and drave at common labouring work, we don't know
|
|
what to do."
|
|
|
|
Tess stood in reverie a long time before she thought of
|
|
asking 'Liza-Lu to come in and sit down. When she had
|
|
done so, and 'Liza-Lu was having some tea, she came to
|
|
a decision. It was imperative that she should go home.
|
|
Her agreement did not end till Old Lady-Day, the sixth
|
|
of April, but as the interval thereto was not a long
|
|
one she resolved to run the risk of starting at once.
|
|
|
|
To go that night would be a gain of twelve-hours; but
|
|
her sister was too tired to undertake such a distance
|
|
till the morrow. Tess ran down to where Marian and Izz
|
|
lived, informed them of what had happened, and begged
|
|
them to make the best of her case to the farmer.
|
|
Returning, she got Lu a supper, and after that, having
|
|
tucked the younger into her own bed, packed up as many
|
|
of her belongings as would go into a withy basket, and
|
|
started, directing Lu to follow her next morning.
|
|
|
|
|
|
|
|
L
|
|
|
|
|
|
She plunged into the chilly equinoctial darkness as the
|
|
clock struck ten, for her fifteen miles' walk under the
|
|
steely stars. In lone districts night is a protection
|
|
rather than a danger to a noiseless pedestrian, and
|
|
knowing this Tess pursued the nearest course along
|
|
by-lanes that she would almost have feared in the
|
|
day-time; but marauders were wanting now, and spectral
|
|
fears were driven out of her mind by thoughts of her
|
|
mother. Thus she proceeded mile after mile, ascending
|
|
and descending till she came to Bulbarrow, and about
|
|
midnight looked from that height into the abyss of
|
|
chaotic shade which was all that revealed itself of the
|
|
vale on whose further side she was born. Having already
|
|
traversed about five miles on the upland she had now
|
|
some ten or eleven in the lowland before her journey
|
|
would be finished. The winding road downwards became
|
|
just visible to her under the wan starlight as she
|
|
followed it, and soon she paced a soil so contrasting
|
|
with that above it that the difference was perceptible
|
|
to the tread and to the smell. It was the heavy clay
|
|
land of Blackmoor Vale, and a part of the Vale to which
|
|
turnpike-roads had never penetrated. Superstitions
|
|
linger longest on these heavy soils. Having once been
|
|
forest, at this shadowy time it seemed to assert
|
|
something of its old character, the far and the near
|
|
being blended, and every tree and tall hedge making the
|
|
most of its presence. The harts that had been hunted
|
|
here, the witches that had been pricked and ducked, the
|
|
green-spangled fairies that "whickered" at you as you
|
|
passed;--the place teemed with beliefs in them still,
|
|
and they formed an impish multitude now.
|
|
|
|
At Nuttlebury she passed the village inn, whose sign
|
|
creaked in response to the greeting of her footsteps,
|
|
which not a human soul heard but herself. Under the
|
|
thatched roofs her mind's eye beheld relaxed tendons
|
|
and flaccid muscles, spread out in the darkness beneath
|
|
coverlets made of little purple patchwork squares, and
|
|
undergoing a bracing process at the hands of sleep for
|
|
renewed labour on the morrow, as soon as a hint of pink
|
|
nebulosity appeared on Hambledon Hill.
|
|
|
|
At three she turned the last corner of the maze of
|
|
lanes she had threaded, and entered Marlott, passing
|
|
the field in which as a club-girl, she had first seen
|
|
Angel Clare, when he had not danced with her; the sense
|
|
of disappointment remained with her yet. In the
|
|
direction of her mother's house she saw a light.
|
|
It came from the bedroom window, and a branch waved in
|
|
front of it and made it wink at her. As soon as she
|
|
could discern the outline of the house--newly thatched
|
|
with her money--it had all its old effect upon Tess's
|
|
imagination. Part of her body and life it ever seemed
|
|
to be; the slope of its dormers, the finish of its
|
|
gables, the broken courses of brick which topped the
|
|
chimney, all had something in common with her personal
|
|
character. A stupefaction had come into these
|
|
features, to her regard; it meant the illness of her
|
|
mother.
|
|
|
|
She opened the door so softly as to disturb nobody; the
|
|
lower room was vacant, but the neighbour who was
|
|
sitting up with her mother came to the top of the
|
|
stairs, and whispered that Mrs Durbeyfield was no
|
|
better, though she was sleeping just then. Tess
|
|
prepared herself a breakfast, and then took her place
|
|
as nurse in her mother's chamber.
|
|
|
|
In the morning, when she contemplated the children,
|
|
they had all a curiously elongated look; although she
|
|
had been away little more than a year their growth was
|
|
astounding; and the necessity of applying herself heart
|
|
and soul to their needs took her out of her own cares.
|
|
|
|
Her father's ill-health was the same indefinite kind,
|
|
and he sat in his chair as usual. But the day after
|
|
her arrival he was unusually bright. He had a rational
|
|
scheme for living, and Tess asked him what it was.
|
|
|
|
"I'm thinking of sending round to all the old
|
|
antiqueerians in this part of England," he said,
|
|
"asking them to subscribe to a fund to maintain me.
|
|
I'm sure they'd see it as a romantical, artistical, and
|
|
proper thing to do. They spend lots o' money in
|
|
keeping up old ruins, and finding the bones o' things,
|
|
and such like; and living remains must be more
|
|
interesting to 'em still, if they only knowed of me.
|
|
Would that somebody would go round and tell 'em what
|
|
there is living among 'em, and they thinking nothing of
|
|
him! If Pa'son Tringham, who discovered me, had lived,
|
|
he'd ha' done it, I'm sure."
|
|
|
|
Tess postponed her arguments on this high project till
|
|
she had grappled with pressing matters in hand, which
|
|
seemed little improved by her remittances. When indoor
|
|
necessities had been eased she turned her attention to
|
|
external things. It was now the season for planting
|
|
and sowing; many gardens and allotments of the
|
|
villagers had already received their spring tillage;
|
|
but the garden and the allotment of the Durbeyfields
|
|
were behindhand. She found, to her dismay, that this
|
|
was owing to their having eaten all the seed
|
|
potatoes,----that last lapse of the improvident.
|
|
At the earliest moment she obtained what others she could
|
|
procure, and in a few days her father was well enough
|
|
to see to the garden, under Tess's persuasive efforts:
|
|
while she herself undertook the allotment-plot which
|
|
they rented in a field a couple of hundred yards out of
|
|
the village.
|
|
|
|
She liked doing it after the confinement of the sick
|
|
chamber, where she was not now required by reason of
|
|
her mother's improvement. Violent motion relieved
|
|
thought. The plot of ground was in a high, dry, open
|
|
enclosure, where there were forty or fifty such pieces,
|
|
and where labour was at its briskest when the hired
|
|
labour of the day had ended. Digging began usually at
|
|
six o'clock, and extended indefinitely into the dusk or
|
|
moonlight. Just now heaps of dead weeds and refuse were
|
|
burning on many of the plots, the dry weather favouring
|
|
their combustion.
|
|
|
|
One fine day Tess and 'Liza-Lu worked on here with
|
|
their neighbours till the last rays of the sun smote
|
|
flat upon the white pegs that divided the plots. As
|
|
soon as twilight succeeded to sunset the flare of the
|
|
couch-grass and cabbage-stalk fires began to light up
|
|
the allotments fitfully, their outlines appearing and
|
|
disappearing under the dense smoke as wafted by the
|
|
wind. When a fire glowed, banks of smoke, blown level
|
|
along the ground, would themselves become illuminated
|
|
to an opaque lustre, screening the workpeople from one
|
|
another; and meaning of the "pillar of a cloud", which
|
|
was a wall by day and a light by night, could be
|
|
understood.
|
|
|
|
As evening thickened some of the gardening men and
|
|
women gave over for the night, but the greater number
|
|
remained to get their planting done, Tess being among
|
|
them, though she sent her sister home. It was on one
|
|
of the couch-burning plots that she laboured with her
|
|
fork, its four shining prongs resounding against the
|
|
stones and dry clods in little clicks. Sometimes she
|
|
was completely involved in the smoke of her fire; then
|
|
it would leave her figure free, irradiated by the
|
|
brassy glare from the heap. She was oddly dressed
|
|
tonight, and presented a somewhat staring aspect, her
|
|
attire being a gown bleached by many washings, with a
|
|
short black jacket over it, the effect of the whole
|
|
being that of a wedding and funeral guest in one. The
|
|
women further back wore white aprons, which, with their
|
|
pale faces, were all that could be seen of them in the
|
|
gloom, except when at moments they caught a flash from
|
|
the flames.
|
|
|
|
Westward, the wiry boughs of the bare thorn hedge which
|
|
formed the boundary of the field rose against the pale
|
|
opalescence of the lower sky. Above, Jupiter hung like
|
|
a full-blown jonquil, so bright as almost to throw a
|
|
shade. A few small nondescript stars were appearing
|
|
elsewhere. In the distance a dog barked, and wheels
|
|
occasionally rattled along the dry road.
|
|
|
|
Still the prongs continued to click assiduously, for it
|
|
was not late; and though the air was fresh and keen
|
|
there was a whisper of spring in it that cheered the
|
|
workers on. Something in the place, the hours, the
|
|
crackling fires, the fantastic mysteries of light and
|
|
shade, made others as well as Tess enjoy being there.
|
|
Nightfall, which in the frost of winter comes as a
|
|
fiend and in the warmth of summer as a lover, came as a
|
|
tranquillizer on this March day.
|
|
|
|
Nobody looked at his or her companions. The eyes of
|
|
all were on the soil as its turned surface was revealed
|
|
by the fires. Hence as Tess stirred the clods and sang
|
|
her foolish little songs with scarce now a hope that
|
|
Clare would ever hear them, she did not for a long time
|
|
notice the person who worked nearest to her--a man in a
|
|
long smockfrock who, she found, was forking the same
|
|
plot as herself, and whom she supposed her father had
|
|
sent there to advance the work. She became more
|
|
conscious of him when the direction of his digging
|
|
brought him closer. Sometimes the smoke divided them;
|
|
then it swerved, and the two were visible to each other
|
|
but divided from all the rest.
|
|
|
|
Tess did not speak to her fellow-worker, nor did he
|
|
speak to her. Nor did she think of him further than to
|
|
recollect that he had not been there when it was broad
|
|
daylight, and that she did not know him as any one of
|
|
the Marlott labourers, which was no wonder, her
|
|
absences having been so long and frequent of late
|
|
years. By-and-by he dug so close to her that the
|
|
fire-beams were reflected as distinctly from the steel
|
|
prongs of his fork as from her own. On going up to the
|
|
fire to throw a pitch of dead weeds upon it, she found
|
|
that he did the same on the other side. The fire flared
|
|
up, and she beheld the face of d'Urberville.
|
|
|
|
The unexpectedness of his presence, the grotesqueness
|
|
of his appearance in a gathered smockfrock, such as was
|
|
now worn only by the most old-fashioned of the
|
|
labourers, had a ghastly comicality that chilled her as
|
|
to its bearing. D'Urberville emitted a low long laugh.
|
|
|
|
"If I were inclined to joke I should say, How much this
|
|
seems like Paradise!" he remarked whimsically, looking
|
|
at her with an inclined head.
|
|
|
|
"What do you say?" she weakly asked.
|
|
|
|
"A jester might say this is just like Paradise. You
|
|
are Eve, and I am the old Other One come to tempt you
|
|
in the disguise of an inferior animal. I used to be
|
|
quite up in that scene of Milton's when I was
|
|
theological. Some of it goes----
|
|
|
|
"Empress, the way is ready, and not long,
|
|
Beyond a row of myrtles....
|
|
... If thou accept
|
|
My conduct, I can bring thee thither soon."
|
|
"Lead then," said Eve.
|
|
|
|
And so on. My dear Tess, I am only putting this to you
|
|
as a thing that you might have supposed or said quite
|
|
untruly, because you think so badly of me."
|
|
|
|
"I never said you were Satan, or thought it. I don't
|
|
think of you in that way at all. My thoughts of you
|
|
are quite cold, except when you affront me. What, did
|
|
you come digging here entirely because of me?"
|
|
|
|
"Entirely. To see you; nothing more. The smockfrock,
|
|
which I saw hanging for sale as I came along, was an
|
|
afterthought, that I mightn't be noticed. I come to
|
|
protest against your working like this."
|
|
|
|
"But I like doing it--it is for my father."
|
|
|
|
"Your engagement at the other place is ended?"
|
|
|
|
"Yes."
|
|
|
|
"Where are you going to next? To join your dear
|
|
husband?"
|
|
|
|
She could not bear the humiliating reminder.
|
|
|
|
"O--I don't know!" she said bitterly. "I have no
|
|
husband!"
|
|
|
|
"It is quite true--in the sense you mean. But you have
|
|
a friend, and I have determined that you shall be
|
|
comfortable in suite of yourself. When you get down to
|
|
your house you will see what I have sent there for
|
|
you."
|
|
|
|
"O, Alec, I wish you wouldn't give me anything at all!
|
|
I cannot take it from you! I don't like--it is not
|
|
right!"
|
|
|
|
"It IS right!" he cried lightly. "I am not going to
|
|
see a woman whom I feel so tenderly for as I do for
|
|
you, in trouble without trying to help her."
|
|
|
|
"But I am very well off! I am only in trouble
|
|
about--about--not about living at all!"
|
|
|
|
She turned, and desperately resumed her digging, tears
|
|
dripping upon the fork-handle and upon the clods.
|
|
|
|
"About the children--your brothers and sisters,"
|
|
he resumed. "I've been thinking of them."
|
|
|
|
Tess's heart quivered--he was touching her in a weak
|
|
place. He had divined her chief anxiety. Since
|
|
returning home her soul had gone out to those children
|
|
with an affection that was passionate.
|
|
|
|
"If your mother does not recover, somebody ought to do
|
|
something for them; since your father will not be able
|
|
to do much, I suppose?"
|
|
|
|
"He can with my assistance. He must!"
|
|
|
|
"And with mine."
|
|
|
|
"No, sir!" "How damned foolish this is!" burst out
|
|
d'Urberville. "Why, he thinks we are the same family;
|
|
and will be quite satisfied!"
|
|
|
|
"He don't. I've undeceived him."
|
|
|
|
"The more fool you!"
|
|
|
|
D'Urberville in anger retreated from her to the hedge,
|
|
where he pulled off the long smockfrock which had
|
|
disguised him; and rolling it up and pushing it into
|
|
the couch-fire, went away.
|
|
|
|
Tess could not get on with her digging after this; she
|
|
felt restless; she wondered if he had gone back to her
|
|
father's house; and taking the fork in her hand
|
|
proceeded homewards.
|
|
|
|
Some twenty yards from the house she was met by one of
|
|
her sisters.
|
|
|
|
"O, Tessy--what do you think! 'Liza-Lu is a-crying,
|
|
and there's a lot of folk in the house, and mother is a
|
|
good deal better, but they think father is dead!"
|
|
|
|
The child realized the grandeur of the news; but not as
|
|
yet its sadness; and stood looking at Tess with
|
|
round-eyed importance, till, beholding the effect
|
|
produced upon her, she said--
|
|
|
|
"What, Tess, shan't we talk to father never no more?"
|
|
|
|
"But father was only a little bit ill!" exclaimed Tess
|
|
distractedly.
|
|
|
|
'Liza-Lu came up.
|
|
|
|
"He dropped down just now, and the doctor who was there
|
|
for mother said there was no chance for him, because
|
|
his heart was growed in."
|
|
|
|
Yes; the Durbeyfield couple had changed places; the
|
|
dying one was out of danger, and the indisposed one was
|
|
dead. The news meant even more than it sounded. Her
|
|
father's life had a value apart from his personal
|
|
achievements, or perhaps it would not have had much.
|
|
It was the last of the three lives for whose duration
|
|
the house and premises were held under a lease; and it
|
|
had long been coveted by the tenant-farmer for his
|
|
regular labourers, who were stinted in cottage
|
|
accommodation. Moreover, "liviers" were disapproved of
|
|
in villages almost as much as little freeholders,
|
|
because of their independence of manner, and when a
|
|
lease determined it was never renewed.
|
|
|
|
Thus the Durbeyfields, once d'Urbervilles, saw
|
|
descending upon them the destiny which, no doubt, when
|
|
they were among the Olympians of the county, they had
|
|
caused to descend many a time, and severely enough,
|
|
upon the heads of such landless ones as they themselves
|
|
were not. So do flux and reflux--the rhythm of
|
|
change--alternate and persist in everything under the
|
|
sky.
|
|
|
|
|
|
|
|
LI
|
|
|
|
|
|
At length it was the eve of Old Lady-Day, and the
|
|
agricultural world was in a fever of mobility such as
|
|
only occurs at that particular date of the year. It is
|
|
a day of fulfilment; agreements for outdoor service
|
|
during the ensuing year, entered into at Candlemas, are
|
|
to be now carried out. The labourers--or "work-folk",
|
|
as they used to call themselves immemorially till the
|
|
other word was introduced from without--who wish to
|
|
remain no longer in old places are removing to the new
|
|
farms.
|
|
|
|
These annual migrations from farm to farm were on the
|
|
increase here. When Tess's mother was a child the
|
|
majority of the field-folk about Marlott had remained
|
|
all their lives on one farm, which had been the home
|
|
also of their fathers and grandfathers; but latterly
|
|
the desire for yearly removal had risen to a high
|
|
pitch. With the younger families it was a pleasant
|
|
excitement which might possibly be an advantage. The
|
|
Egypt of one family was the Land of Promise to the
|
|
family who saw it from a distance, till by residence
|
|
there it became it turn their Egypt also; and so they
|
|
changed and changed.
|
|
|
|
However, all the mutations so increasingly discernible
|
|
in village life did not originate entirely in the
|
|
agricultural unrest. A depopulation was also going on.
|
|
The village had formerly contained, side by side with
|
|
the argicultural labourers, an interesting and
|
|
better-informed class, ranking distinctly above the
|
|
former--the class to which Tess's father and mother had
|
|
belonged--and including the carpenter, the smith, the
|
|
shoemaker, the huckster, together with nondescript
|
|
workers other than farm-labourers; a set of people who
|
|
owed a certain stability of aim and conduct to the fact
|
|
of their being lifeholders like Tess's father, or
|
|
copyholders, or occasionally, small freeholders. But
|
|
as the long holdings fell in they were seldom again let
|
|
to similar tenants, and were mostly pulled down, if not
|
|
absolutely required by the farmer for his hands.
|
|
Cottagers who were not directly employed on the land
|
|
were looked upon with disfavour, and the banishment of
|
|
some starved the trade of others, who were thus obliged
|
|
to follow. These families, who had formed the backbone
|
|
of the village life in the past who were the
|
|
depositaries of the village traditions, had to seek
|
|
refuge in the large centres; the process, humorously
|
|
designated by statisticians as "the tendency of the
|
|
rural population towards the large towns", being really
|
|
the tendency of water to flow uphill when forced by
|
|
machinery.
|
|
|
|
The cottage accommodation at Marlott having been in
|
|
this manner considerably curtailed by demolitions,
|
|
every house which remained standing was required by the
|
|
agriculturist for his work-people. Ever since the
|
|
occurrence of the event which had cast such a shadow
|
|
over Tess's life, the Durbeyfield family (whose descent
|
|
was not credited) had been tacitly looked on as one
|
|
which would have to go when their lease ended, if only
|
|
in the interests of morality. It was, indeed, quite
|
|
true that the household had not been shining examples
|
|
either of temperance, soberness, or chastity. The
|
|
father, and even the mother, had got drunk at times,
|
|
the younger children seldom had gone to church, and the
|
|
eldest daughter had made queer unions. By some means
|
|
the village had to be kept pure. So on this, the first
|
|
Lady-Day on which the Durbeyfields were expellable, the
|
|
house, being roomy, was required for a carter with a
|
|
large family; and Widow Joan, her daughters Tess and
|
|
'Liza-Lu, the boy Abraham and the younger children, had
|
|
to go elsewhere.
|
|
|
|
On the evening preceding their removal it was getting
|
|
dark betimes by reason of a drizzling rain which
|
|
blurred the sky. As it was the last night they would
|
|
spend in the village which had been their home and
|
|
birthplace, Mrs Durbeyfield, 'Liza-Lu, and Abraham had
|
|
gone out to bid some friends goodbye, and Tess was
|
|
keeping house till they should return.
|
|
|
|
She was kneeling in the window-bench, her face close to
|
|
the casement, where an outer pane of rain-water was
|
|
sliding down the inner pane of glass. Her eyes rested
|
|
on the web of a spider, probably starved long ago,
|
|
which had been mistakenly placed in a corner where no
|
|
flies ever came, and shivered in the slight draught
|
|
through the casement. Tess was reflecting on the
|
|
position of the household, in which she perceived her
|
|
own evil influence. Had she not come home her mother
|
|
and the children might probably have been allowed to
|
|
stay on as weekly tenants. But she had been observed
|
|
almost immediately on her return by some people of
|
|
scrupulous character and great influence: they had seen
|
|
her idling in the churchyard, restoring as well as she
|
|
could with a little trowel a baby's obliterated grave.
|
|
By this means they had found that she was living here
|
|
again; her mother was scolded for "harbouring" her;
|
|
sharp retorts had ensued from Joan, who had
|
|
independently offered to leave at once; she had been
|
|
taken at her word; and here was the result.
|
|
|
|
"I ought never to have come home," said Tess to
|
|
herself, bitterly.
|
|
|
|
She was so intent upon these thoughts that she hardly
|
|
at first took note of a man in a white mackintosh whom
|
|
she saw riding down the street. Possibly it was owing
|
|
to her face being near to the pane that he saw her so
|
|
quickly, and directed his horse so close to the
|
|
cottage-front that his hoofs were almost upon the
|
|
narrow border for plants growing under the wall. It
|
|
was not till he touched the window with his riding-crop
|
|
that she observed him. The rain had nearly ceased, and
|
|
she opened the casement in obedience to his gesture.
|
|
|
|
"Didn't you see me?" asked d'Urberville.
|
|
|
|
"I was not attending," she said. "I heard you, I
|
|
believe, though I fancied it was a carriage and horses.
|
|
I was in a sort of dream."
|
|
|
|
"Ah! you heard the d'Urberville Coach, perhaps.
|
|
You know the legend, I suppose?"
|
|
|
|
"No. My--somebody was going to tell it me once, but
|
|
didn't."
|
|
|
|
"If you are a genuine d'Urberville I ought not to tell
|
|
you either, I suppose. As for me, I'm a sham one, so
|
|
it doesn't matter. It is rather dismal. It is that
|
|
this sound of a non-existent coach can only be heard
|
|
by one of d'Urberville blood, and it is held to be of
|
|
ill-omen to the one who hears it. It has to do with a
|
|
murder, committed by one of the family, centuries ago."
|
|
|
|
"Now you have begun it, finish it."
|
|
|
|
"Very well. One of the family is said to have abducted
|
|
some beautiful woman, who tried to escape from the
|
|
coach in which he was carrying her off, and in the
|
|
struggle he killed her--or she killed him--I forget
|
|
which. Such is one version of the tale.... I see that
|
|
your tubs and buckets are packed. Going away, aren't
|
|
you?"
|
|
|
|
"Yes, tomorrow--Old Lady Day."
|
|
|
|
"I heard you were, but could hardly believe it; it
|
|
seems so sudden. Why is it?"
|
|
|
|
"Father's was the last life on the property, and when
|
|
that dropped we had no further right to stay. Though
|
|
we might, perhaps, have stayed as weekly tenants--if it
|
|
had not been for me."
|
|
|
|
"What about you?"
|
|
|
|
"I am not a--proper woman."
|
|
|
|
D'Urberville's face flushed.
|
|
|
|
"What a blasted shame! Miserable snobs! May their
|
|
dirty souls be burnt to cinders!" he exclaimed in tones
|
|
of ironic resentment. "That's why you are going, is it?
|
|
Turned out?"
|
|
|
|
"We are not turned out exactly; but as they said we
|
|
should have to go soon, it was best to go now everybody
|
|
was moving because there are better chances."
|
|
|
|
"Where are you going to?"
|
|
|
|
"Kingsbere. We have taken rooms there. Mother is so
|
|
foolish about father's people that she will go there."
|
|
|
|
"But your mother's family are not fit for lodgings, and
|
|
in a little hole of a town like that. Now why not come
|
|
to my garden-house at Trantridge? There are hardly
|
|
any poultry now, since my mother's death; but there's
|
|
the house, as you know it, and the garden. It can be
|
|
whitewashed in a day, and your mother can live there
|
|
quite comfortably; and I will put the children to a
|
|
good school. Really I ought to do something for you!"
|
|
|
|
"But we have already taken the rooms at Kingsbere!" she
|
|
declared. "And we can wait there----"
|
|
|
|
"Wait--what for? For that nice husband, no doubt. Now
|
|
look here, Tess, I know what men are, and, bearing in
|
|
mind the GROUNDS of your separation, I am quite
|
|
positive he will never make it up with you. Now,
|
|
though I have been your enemy, I am your friend, even
|
|
if you won't believe it. Come to this cottage of mine.
|
|
We'll get up a regular colony of fowls, and your mother
|
|
can attend to them excellently; and the children can go
|
|
to school."
|
|
|
|
Tess breathed more and more quickly, and at length she
|
|
said--
|
|
|
|
"How do I know that you would do all this? Your views
|
|
may change--and then--we should be--my mother would
|
|
be--homeless again."
|
|
|
|
"O no----no. I would guarantee you against such as
|
|
that in writing, if necessary. Think it over.
|
|
|
|
Tess shook her head. But d'Urberville persisted; she
|
|
had seldom seen him so determined; he would not take a
|
|
negative.
|
|
|
|
"Please just tell your mother," he said, in emphatic
|
|
tones. "It is her business to judge--not yours. I
|
|
shall get the house swept out and whitened tomorrow
|
|
morning, and fires lit; and it will be dry by the
|
|
evening, so that you can come straight there. Now
|
|
mind, I shall expect you."
|
|
|
|
Tess again shook her head; her throat swelling with
|
|
complicated emotion. She could not look up at
|
|
d'Urberville.
|
|
|
|
"I owe you something for the past, you know," he
|
|
resumed. "And you cured me, too, of that craze; so I
|
|
am glad----"
|
|
|
|
"I would rather you had kept the craze, so that you had
|
|
kept the practice which went with it!"
|
|
|
|
"I am glad of this opportunity of repaying you a
|
|
little. Tomorrow I shall expect to hear your mother's
|
|
goods unloading.... Give me your hand on it now--dear,
|
|
beautiful Tess!"
|
|
|
|
With the last sentence he had dropped his voice to a
|
|
murmur, and put his hand in at the half-open casement.
|
|
With stormy eyes she pulled the stay-bar quickly, and,
|
|
in doing so, caught his arm between the casement and
|
|
the stone mullion.
|
|
|
|
"Damnation--you are very cruel!" he said, snatching out
|
|
his arm. "No, no!--I know you didn't do it on purpose.
|
|
Well I shall expect you, or your mother and children at
|
|
least."
|
|
|
|
"I shall not come--I have plenty of money!" she cried.
|
|
|
|
"Where?"
|
|
|
|
"At my father-in-law's, if I ask for it."
|
|
|
|
"IF you ask for it. But you won't, Tess; I know you;
|
|
you'll never ask for it--you'll starve first!"
|
|
|
|
With these words he rode off. Just at the corner of
|
|
the street he met the man with the paint-pot, who asked
|
|
him if he had deserted the brethren.
|
|
|
|
"You go to the devil!" said d'Urberville.
|
|
|
|
Tess remained where she was a long while, till a sudden
|
|
rebellious sense of injustice caused the region of her
|
|
eyes to swell with the rush of hot tears thither. Her
|
|
husband, Angel Clare himself, had, like others, dealt
|
|
out hard measure to her, surely he had! She had never
|
|
before admitted such a thought; but he had surely!
|
|
Never in her life--she could swear it from the bottom
|
|
of her soul--had she ever intended to do wrong; yet
|
|
these hard judgements had come. Whatever her sins,
|
|
they were not sins of intention, but of inadvertence,
|
|
and why should she have been punished so persistently?
|
|
|
|
She passionately seized the first piece of paper that
|
|
came to hand, and scribbled the following lines:
|
|
|
|
|
|
O why have you treated me so monstrously, Angel! I do
|
|
not deserve it. I have thought it all over carefully,
|
|
and I can never, never forgive you! You know that I
|
|
did not intend to wrong you--why have you so wronged
|
|
me? You are cruel, cruel indeed! I will try to forget
|
|
you. It is all injustice I have received at your
|
|
hands! T
|
|
|
|
|
|
She watched till the postman passed by, ran out to him
|
|
with her epistle, and then again took her listless
|
|
place inside the window-panes.
|
|
|
|
It was just as well to write like that as to write
|
|
tenderly. How could he give way to entreaty? The
|
|
facts had not changed: there was no new event to alter
|
|
his opinion.
|
|
|
|
It grew darker, the fire-light shining over the room.
|
|
The two biggest of the younger children had gone out
|
|
with their mother; the four smallest, their ages
|
|
ranging from three-and-a-half years to eleven, all in
|
|
black frocks, were gathered round the hearth babbling
|
|
their own little subjects. Tess at length joined them,
|
|
without lighting a candle.
|
|
|
|
"This is the last night that we shall sleep here,
|
|
dears, in the house where we were born," she said
|
|
quickly. "We ought to think of it, oughtn't we?"
|
|
|
|
They all became silent; with the impressibility of
|
|
their age they were ready to burst into tears at the
|
|
picture of finality she had conjured up, though all the
|
|
day hitherto they had been rejoicing in the idea of a
|
|
new place. Tess changed the subject.
|
|
|
|
"Sing to me, dears," she said.
|
|
|
|
"What shall we sing?"
|
|
|
|
"Anything you know; I don't mind."
|
|
|
|
There was a momentary pause; it was broken, first, by
|
|
one little tentative note; then a second voice
|
|
strengthened it, and a third and a fourth chimed in in
|
|
unison, with words they had learnt at the
|
|
Sunday-school----
|
|
|
|
Here we suffer grief and pain,
|
|
Here we meet to part again;
|
|
In Heaven we part no more.
|
|
|
|
The four sang on with the phlegmatic passivity of
|
|
persons who had long ago settled the question, and
|
|
there being no mistake about it, felt that further
|
|
thought was not required. With features strained hard
|
|
to enunciate the syllables they continued to regard the
|
|
centre of the flickering fire, the notes of the
|
|
youngest straying over into the pauses of the rest.
|
|
|
|
Tess turned from them, and went to the window again.
|
|
Darkness had now fallen without, but she put her face
|
|
to the pane as though to peer into the gloom. It was
|
|
really to hide her tears. If she could only believe
|
|
what the children were singing; if she were only sure,
|
|
how different all would now be; how confidently she
|
|
would leave them to Providence and their future
|
|
kingdom! But, in default of that, it behoved her to do
|
|
something; to be their Providence; for to Tess, as to
|
|
not a few millions of others, there was ghastly satire
|
|
in the poet's lines----
|
|
|
|
Not in utter nakedness
|
|
But trailing clouds of glory do we come.
|
|
|
|
To her and her like, birth itself was an ordeal of
|
|
degrading personal compulsion, whose gratuitousness
|
|
nothing in the result seemed to justify, and at best
|
|
could only palliate.
|
|
|
|
In the shades of the wet road she soon discerned her
|
|
mother with tall 'Liza-Lu and Abraham. Mrs
|
|
Durbeyfield's pattens clicked up to the door, and Tess
|
|
opened it.
|
|
|
|
"I see the tracks of a horse outside the window," said
|
|
Joan. "Hev somebody called?"
|
|
|
|
"No," said Tess.
|
|
|
|
The children by the fire looked gravely at her, and one
|
|
murmured----
|
|
|
|
"Why, Tess, the gentleman a-horseback!"
|
|
|
|
"He didn't call," said Tess. "He spoke to me in
|
|
passing."
|
|
|
|
"Who was the gentleman?" asked the mother. "Your husband?"
|
|
|
|
"No. He'll never, never come," answered Tess in stony
|
|
hopelessness.
|
|
|
|
"Then who was it?"
|
|
|
|
"Oh, you needn't ask. You've seen him before, and so
|
|
have I."
|
|
|
|
"Ah! What did he say?" said Joan curiously.
|
|
|
|
"I will tell you when we are settled in our lodging at
|
|
Kingsbere tomorrow--every word."
|
|
|
|
It was not her husband, she had said. Yet a
|
|
consciousness that in a physical sense this man alone
|
|
was her husband seemed to weigh on her more and more.
|
|
|
|
|
|
|
|
LII
|
|
|
|
|
|
During the small hours of the next morning, while it
|
|
was still dark, dwellers near the highways were
|
|
conscious of a disturbance of their night's rest by
|
|
rumbling noises, intermittently continuing till
|
|
daylight--noises as certain to recur in this particular
|
|
first week of the month as the voice of the cuckoo in
|
|
the third week of the same. They were the
|
|
preliminaries of the general removal, the passing of
|
|
the empty waggons and teams to fetch the goods of the
|
|
migrating families; for it was always by the vehicle of
|
|
the farmer who required his services that the hired man
|
|
was conveyed to his destination. That this might be
|
|
accomplished within the day was the explanation of the
|
|
reverberation occurring so soon after midnight, the aim
|
|
of the carters being to reach the door of the outgoing
|
|
households by six o'clock, when the loading of their
|
|
movables at once began.
|
|
|
|
But to Tess and her mother's household no such anxious
|
|
farmer sent his team. They were only women; they were
|
|
not regular labourers; they were not particularly
|
|
required anywhere; hence they had to hire a waggon at
|
|
their own expense, and got nothing sent gratuitously.
|
|
|
|
It was a relief to Tess, when she looked out of the
|
|
window that morning, to find that though the weather
|
|
was windy and louring, it did not rain, and that the
|
|
waggon had come. A wet Lady-Day was a spectre which
|
|
removing families never forgot; damp furniture, damp
|
|
bedding, damp clothing accompanied it, and left a train
|
|
of ills.
|
|
|
|
Her mother, 'Liza-Lu, and Abraham were also awake, but
|
|
the younger children were let sleep on. The four
|
|
breakfasted by the thin light, and the "house-ridding"
|
|
was taken in hand.
|
|
|
|
It proceeded with some cheerfulness, a friendly
|
|
neighbour or two assisting. When the large articles of
|
|
furniture had been packed in position a circular nest
|
|
was made of the beds and bedding, in which Joan
|
|
Durbeyfield and the young children were to sit through
|
|
the journey. After loading there was a long delay
|
|
before the horses were brought, these having been
|
|
unharnessed during the ridding; but at length, about
|
|
two o'clock, the whole was under way, the cooking-pot
|
|
swinging from the axle of the waggon, Mrs Durbeyfield
|
|
and family at the top, the matron having in her lap, to
|
|
prevent injury to its works, the head of the clock,
|
|
which, at any exceptional lurch of the waggon, struck
|
|
one, or one-and-a-half, in hurt tones. Tess and the
|
|
next eldest girl walked alongside till they were out of
|
|
the village.
|
|
|
|
They had called on a few neighbours that morning and
|
|
the previous evening, and some came to see them off,
|
|
all wishing them well, though, in their secret hearts,
|
|
hardly expecting welfare possible to such a family,
|
|
harmless as the Durbeyfields were to all except
|
|
themselves. Soon the equipage began to ascend to
|
|
higher ground, and the wind grew keener with the change
|
|
of level and soil.
|
|
|
|
The day being the sixth of April, the Durbeyfield
|
|
waggon met many other waggons with families on the
|
|
summit of the load, which was built on a wellnigh
|
|
unvarying principle, as peculiar, probably, to the
|
|
rural labourer as the hexagon to the bee. The
|
|
groundwork of the arrangement was the family dresser,
|
|
which, with its shining handles, and finger-marks, and
|
|
domestic evidences thick upon it, stood importantly in
|
|
front, over the tails of the shaft-horses, in its erect
|
|
and natural position, like some Ark of the Covenant
|
|
that they were bound to carry reverently.
|
|
|
|
Some of the households were lively, some mournful; some
|
|
were stopping at the doors of wayside inns; where, in
|
|
due time, the Durbeyfield menagerie also drew up to
|
|
bait horses and refresh the travellers.
|
|
|
|
During the halt Tess's eyes fell upon a three-pint blue
|
|
mug, which was ascending and descending through the air
|
|
to and from the feminine section of a household,
|
|
sitting on the summit of a load that had also drawn up
|
|
at a little distance from the same inn. She followed
|
|
one of the mug's journeys upward, and perceived it to
|
|
be clasped by hands whose owner she well knew. Tess
|
|
went towards the waggon.
|
|
|
|
"Marian and Izz!" she cried to the girls, for it was
|
|
they, sitting with the moving family at whose house
|
|
they had lodged. "Are you house-ridding today, like
|
|
everybody else?"
|
|
|
|
They were, they said. It had been too rough a life for
|
|
them at Flintcomb-Ash, and they had come away, almost
|
|
without notice, leaving Groby to prosecute them if he
|
|
chose. They told Tess their destination, and Tess told
|
|
them hers.
|
|
|
|
Marian leant over the load, and lowered her voice.
|
|
"Do you know that the gentleman who follows 'ee--you'll
|
|
guess who I mean--came to ask for 'ee at Flintcomb
|
|
after you had gone? We didn't tell'n where you was,
|
|
knowing you wouldn't wish to see him."
|
|
|
|
"Ah--but I did see him!" Tess murmured. "He found me."
|
|
|
|
"And do he know where you be going?"
|
|
|
|
"I think so."
|
|
|
|
"Husband come back?"
|
|
|
|
"No."
|
|
|
|
She bade her acquaintance goodbye--for the respective
|
|
carters had now come out from the inn--and the two
|
|
waggons resumed their journey in opposite directions;
|
|
the vehicle whereon sat Marian, Izz, and the
|
|
ploughman's family with whom they had thrown in their
|
|
lot, being brightly painted, and drawn by three
|
|
powerful horses with shining brass ornaments on their
|
|
harness; while the waggon on which Mrs Durbeyfield and
|
|
her family rode was a creaking erection that would
|
|
scarcely bear the weight of the superincumbent load;
|
|
one which had known no paint since it was made, and
|
|
drawn by two horses only. The contrast well marked the
|
|
difference between being fetched by a thriving farmer
|
|
and conveying oneself whither no hirer waited one's
|
|
coming.
|
|
|
|
The distance was great--too great for a day's
|
|
journey--and it was with the utmost difficulty that the
|
|
horses performed it. Though they had started so early
|
|
it was quite late in the afternoon when they turned the
|
|
flank of an eminence which formed part of the upland
|
|
called Greenhill. While the horses stood to stale and
|
|
breathe themselves Tess looked around. Under the hill,
|
|
and just ahead of them, was the half-dead townlet of
|
|
their pilgrimage, Kingsbere, where lay those ancestors
|
|
of whom her father had spoken and sung to painfulness:
|
|
Kingsbere, the spot of all spots in the world which
|
|
could be considered the d'Urbervilles' home, since they
|
|
had resided there for full five hundred years. A man
|
|
could be seen advancing from the outskirts towards
|
|
them, and when he beheld the nature of their
|
|
waggon-load he quickened his steps.
|
|
|
|
"You be the woman they call Mrs Durbeyfield, I reckon?"
|
|
he said to Tess's mother, who had descended to walk the
|
|
remainder of the way.
|
|
|
|
She nodded. "Though widow of the late Sir John
|
|
d'Urberville, poor nobleman, if I cared for my rights;
|
|
and returning to the domain of his forefathers."
|
|
|
|
"Oh? Well, I know nothing about that; but if you be
|
|
Mrs Durbeyfield, I am sent to tell 'ee that the rooms
|
|
you wanted be let. We didn't know that you was coming
|
|
till we got your letter this morning--when 'twas too
|
|
late. But no doubt you can get other lodgings
|
|
somewhere."
|
|
|
|
The man had noticed the face of Tess, which had become
|
|
ash-pale at his intelligence. Her mother looked
|
|
hopelessly at fault. "What shall we do now, Tess?" she
|
|
said bitterly. "Here's a welcome to your ancestors'
|
|
lands! However, let's try further."
|
|
|
|
They moved on into the town, and tried with all their
|
|
might, Tess remaining with the waggon to take care of
|
|
the children whilst her mother and 'Liza-Lu made
|
|
inquiries. At the last return of Joan to the vehicle,
|
|
an hour later, when her search for accommodation had
|
|
still been fruitless, the driver of the waggon said the
|
|
goods must be unloaded, as the horses were half-dead,
|
|
and he was bound to return part of the way at least
|
|
that night.
|
|
|
|
"Very well--unload it here," said Joan recklessly.
|
|
"I'll get shelter somewhere."
|
|
|
|
The waggon had drawn up under the churchyard wall, in a
|
|
spot screened from view, and the driver, nothing loth,
|
|
soon hauled down the poor heap of household goods.
|
|
This done she paid him, reducing herself to almost her
|
|
last shilling thereby, and he moved off and left them,
|
|
only too glad to get out of further dealings with such
|
|
a family. It was a dry night, and he guessed that they
|
|
would come to no harm.
|
|
|
|
Tess gazed desperately at the pile of furniture. The
|
|
cold sunlight of this spring evening peered invidiously
|
|
upon the crocks and kettles, upon the bunches of dried
|
|
herbs shivering in the breeze, upon the brass handles
|
|
of the dresser, upon the wicker-cradle they had all
|
|
been rocked in, and upon the well-rubbed clock-case,
|
|
all of which gave out the reproachful gleam of indoor
|
|
articles abandoned to the vicissitudes of a roofless
|
|
exposure for which they were never made. Round about
|
|
were deparked hills and slopes--now cut up into little
|
|
paddocks--and the green foundations that showed where
|
|
the d'Urberville mansion once had stood; also an
|
|
outlying stretch of Egdon Heath that had always
|
|
belonged to the estate. Hard by, the aisle of the
|
|
church called the d'Urberville Aisle looked on
|
|
imperturbably.
|
|
|
|
"Isn't your family vault your own freehold?" said
|
|
Tess's mother, as she returned from a reconnoitre of
|
|
the church and graveyard. "Why, of course 'tis, and
|
|
that's where we will camp, girls, till the place of
|
|
your ancestors finds us a roof! Now, Tess and 'Liza
|
|
and Abraham, you help me. We'll make a nest for these
|
|
children, and then we'll have another look round."
|
|
|
|
Tess listlessly lent a hand, and in a quarter of an
|
|
hour the old four-post bedstead was dissociated from
|
|
the heap of goods, and erected under the south wall of
|
|
the church, the part of the building know as the
|
|
d'Urberville Aisle, beneath which the huge vaults lay.
|
|
Over the tester of the bedstead was a beautiful
|
|
traceried window, of many lights, its date being the
|
|
fifteenth century. It was called the d'Urberville
|
|
Window, and in the upper part could be discerned
|
|
heraldic emblems like those on Durbeyfield's old seal
|
|
and spoon.
|
|
|
|
Joan drew the curtains round the bed so as to make an
|
|
excellent tent of it, and put the smaller children
|
|
inside. "If it comes to the worst we can sleep there
|
|
too, for one night," she said. "But let us try further
|
|
on, and get something for the dears to eat! O, Tess,
|
|
what's the use of your playing at marrying gentlemen,
|
|
if it leaves us like this!"
|
|
|
|
Accompanied by 'Liza-Lu and the boy she again ascended
|
|
the little lane which secluded the church from the
|
|
townlet. As soon as they got into the street they
|
|
beheld a man on horseback gazing up and down. "Ah--
|
|
I'm looking for you!" he said, riding up to them.
|
|
"This is indeed a family gathering on the historic spot!"
|
|
|
|
It was Alec d'Urberville. "Where is Tess?" he asked.
|
|
|
|
Personally Joan had no liking for Alec. She cursorily
|
|
signified the direction of the church, and went on,
|
|
d'Urberville saying that he would see them again, in
|
|
case they should be still unsuccessful in their search
|
|
for shelter, of which he had just heard. When they had
|
|
gone d'Urberville rode to the inn, and shortly after
|
|
came out on foot.
|
|
|
|
In the interim Tess, left with the children inside the
|
|
bedstead, remained talking with them awhile, till,
|
|
seeing that no more could be done to make them
|
|
comfortable just then, she walked about the churchyard,
|
|
now beginning to be embrowned by the shades of
|
|
nightfall. The door of the church was unfastened, and
|
|
she entered it for the first time in her life.
|
|
|
|
Within the window under which the bedstead stood were
|
|
the tombs of the family, covering in their dates
|
|
several centuries. They were canopied, alter-shaped,
|
|
and plain; their carvings being defaced and broken;
|
|
their brasses torn from the matrices, the rivet-holes
|
|
remaining like martin-holes in a sandcliff. Of all the
|
|
reminders that she had ever received that her people
|
|
were socially extinct there was none so forcible as
|
|
this spoliation.
|
|
|
|
She drew near to a dark stone on which was inscribed:
|
|
|
|
OSTIUM SEPULCHRI ANTIQUAE FAMILIAE D'URBERVILLE
|
|
|
|
Tess did not read Church-Latin like a Cardinal, but she
|
|
knew that this was the door of her ancestral sepulchre,
|
|
and that the tall knights of whom her father had
|
|
chanted in his cups lay inside.
|
|
|
|
She musingly turned to withdraw, passing near an
|
|
altertomb, the oldest of them all, on which was a
|
|
recumbent figure. In the dusk she had not noticed it
|
|
before, and would hardly have noticed it now but for an
|
|
odd fancy that the effigy moved. As soon as she drew
|
|
close to it she discovered all in a moment that the
|
|
figure was a living person; and the shock to her sense
|
|
of not having been alone was so violent that she was
|
|
quite overcome, and sank down nigh to fainting, not,
|
|
however, till she had recognized Alec d'Urberville in
|
|
the form.
|
|
|
|
He leapt off the slab and supported her.
|
|
|
|
"I saw you come in," he said smiling, "and got up there
|
|
not to interrupt your meditations. A family gathering,
|
|
is it not, with these old fellows under us here?
|
|
Listen."
|
|
|
|
He stamped with his heel heavily on the floor;
|
|
whereupon there arose a hollow echo from below.
|
|
|
|
"That shook them a bit, I'll warrant!" he continued.
|
|
"And you thought I was the mere stone reproduction of
|
|
one of them. But no. The old order changeth. The
|
|
little finger of the sham d'Urberville can do more for
|
|
you than the whole dynasty of the real underneath....
|
|
Now command me. What shall I do?"
|
|
|
|
"Go away!" she murmured.
|
|
|
|
"I will--I'll look for your mother," said he blandly.
|
|
But in passing her he whispered: "Mind this; you'll be
|
|
civil yet!"
|
|
|
|
When he was gone she bent down upon the entrance to the
|
|
vaults, and said--
|
|
|
|
"Why am I on the wrong side of this door!"
|
|
|
|
|
|
|
|
In the meantime Marian and Izz Huett had journeyed
|
|
onward with the chattels of the ploughman in the
|
|
direction of their land of Canaan--the Egypt of some
|
|
other family who had left it only that morning. But
|
|
the girls did not for a long time think of where they
|
|
were going. Their talk was of Angel Clare and Tess,
|
|
and Tess's persistent lover, whose connection with her
|
|
previous history they had partly heard and partly
|
|
guessed ere this.
|
|
|
|
"'Tisn't as though she had never known him afore," said
|
|
Marian. "His having won her once makes all the
|
|
difference in the world. 'Twould be a thousand pities
|
|
if he were to tole her away again. Mr Clare can never
|
|
be anything to us, Izz; and why should we grudge him to
|
|
her, and not try to mend this quarrel? If he could
|
|
on'y know what straits she's put to, and what's
|
|
hovering round, he might come to take care of his own."
|
|
|
|
"Could we let him know?"
|
|
|
|
They thought of this all the way to their destination;
|
|
but the bustle of re-establishment in their new place
|
|
took up all their attention then. But when they were
|
|
settled, a month later, they heard of Clare's
|
|
approaching return, though they had learnt nothing more
|
|
of Tess. Upon that, agitated anew by their attachment
|
|
to him, yet honourably disposed to her, Marian uncorked
|
|
the penny ink-bottle they shared, and a few lines were
|
|
concocted between the two girls.
|
|
|
|
|
|
HONOUR'D SIR--Look to your Wife if you do love her as
|
|
much as she do love you. For she is sore put to by an
|
|
Enemy in the shape of a Friend. Sir, there is one near
|
|
her who ought to be Away. A woman should not be try'd
|
|
beyond her Strength, and continual dropping will wear
|
|
away a Stone--ay, more--a Diamond.
|
|
FROM TWO WELL-WISHERS
|
|
|
|
|
|
This was addressed to Angel Clare at the only place
|
|
they had ever heard him to be connected with, Emminster
|
|
Vicarage; after which they continued in a mood of
|
|
emotional exaltation at their own generosity, which
|
|
made them sing in hysterical snatches and weep at the
|
|
same time.
|
|
|
|
|
|
END OF PHASE THE SIXTH
|
|
|
|
|
|
|
|
|
|
|
|
Phase the Seventh: Fulfilment
|
|
|
|
|
|
|
|
LIII
|
|
|
|
|
|
It was evening at Emminster Vicarage. The two
|
|
customary candles were burning under their green shades
|
|
in the Vicar's study, but he had not been sitting
|
|
there. Occasionally he came in, stirred the small fire
|
|
which sufficed for the increasing mildness of the
|
|
spring, and went out again; sometimes pausing at the
|
|
front door, going on to the drawing-room, then
|
|
returning again to the front door.
|
|
|
|
It faced westward, and though gloom prevailed inside,
|
|
there was still light enough without to see with
|
|
distinctness. Mrs Clare, who had been sitting in the
|
|
drawing-room, followed him hither.
|
|
|
|
"Plenty of time yet," said the Vicar. "He doesn't
|
|
reach Chalk-Newton till six, even if the train should
|
|
be punctual, and ten miles of country-road, five of
|
|
them in Crimmercrock Lane, are not jogged over in a
|
|
hurry by our old horse."
|
|
|
|
"But he has done it in an hour with us, my dear."
|
|
|
|
"Years ago."
|
|
|
|
Thus they passed the minutes, each well knowing that
|
|
this was only waste of breath, the one essential being
|
|
simply to wait.
|
|
|
|
At length there was a slight noise in the lane, and the
|
|
old pony-chaise appeared indeed outside the railings.
|
|
They saw alight therefrom a form which they affected to
|
|
recognize, but would actually have passed by in the
|
|
street without identifying had he not got out of their
|
|
carriage at the particular moment when a particular
|
|
person was due.
|
|
|
|
Mrs Clare rushed through the dark passage to the door,
|
|
and her husband came more slowly after her.
|
|
|
|
The new arrival, who was just about to enter, saw their
|
|
anxious faces in the doorway and the gleam of the west
|
|
in their spectacles because they confronted the last
|
|
rays of day; but they could only see his shape against
|
|
the light.
|
|
|
|
"O, my boy, my boy--home again at last!" cried Mrs
|
|
Clare, who cared no more at that moment for the stains
|
|
of heterodoxy which has caused all this separation than
|
|
for the dust upon his clothes. What woman, indeed,
|
|
among the most faithful adherents of the truth,
|
|
believes the promises and threats of the Word in the
|
|
sense in which she believes in her own children, or
|
|
would not throw her theology to the wind if weighed
|
|
against their happiness? As soon as they reached the
|
|
room where the candles were lighted she looked at his
|
|
face.
|
|
|
|
"O, it is not Angel--not my son--the Angel who went
|
|
away!" she cried in all the irony of sorrow, as she
|
|
turned herself aside.
|
|
|
|
His father, too, was shocked to see him, so reduced was
|
|
that figure from its former contours by worry and the
|
|
bad season that Clare had experienced, in the climate
|
|
to which he had so rashly hurried in his first aversion
|
|
to the mockery of events at home. You could see the
|
|
skeleton behind the man, and almost the ghost behind
|
|
the skeleton. He matched Crivelli's dead CHRISTUS.
|
|
His sunken eye-pits were of morbid hue, and the light
|
|
in his eyes had waned. The angular hollows and lines
|
|
of his aged ancestors had succeeded to their reign in
|
|
his face twenty years before their time.
|
|
|
|
"I was ill over there, you know," he said. "I am all
|
|
right now."
|
|
|
|
As if, however, to falsify this assertion, his legs
|
|
seemed to give way, and he suddenly sat down to save
|
|
himself from falling. It was only a slight attack of
|
|
faintness, resulting from the tedious day's journey,
|
|
and the excitement of arrival.
|
|
|
|
"Has any letter come for me lately?" he asked.
|
|
"I received the last you sent on by the merest chance,
|
|
and after considerable delay through being inland;
|
|
or I might have come sooner."
|
|
|
|
"It was from your wife, we supposed?"
|
|
|
|
"It was."
|
|
|
|
Only one other had recently come. They had not sent it
|
|
on to him, knowing he would start for home so soon.
|
|
|
|
He hastily opened the letter produced, and was much
|
|
disturbed to read in Tess's handwriting the sentiments
|
|
expressed in her last hurried scrawl to him.
|
|
|
|
|
|
O why have you treated me so monstrously, Angel! I do
|
|
not deserve it. I have thought it all over carefully,
|
|
and I can never, never forgive you! You know that I
|
|
did not intend to wrong you--why have you so wronged
|
|
me? You are cruel, cruel indeed! I will try to forget
|
|
you. It is all injustice I have received at your
|
|
hands. -- T
|
|
|
|
|
|
"It is quite true!" said Angel, throwing down the
|
|
letter. "Perhaps she will never be reconciled to me!"
|
|
|
|
"Don't, Angel, be so anxious about a mere child of the
|
|
soil!" said his mother.
|
|
|
|
"Child of the soil! Well, we all are children of the
|
|
soil. I wish she were so in the sense you mean; but
|
|
let me now explain to you what I have never explained
|
|
before, that her father is a descendant in the male
|
|
line of one of the oldest Norman houses, like a good
|
|
many others who lead obscure agricultural lives in our
|
|
villages, and are dubbed 'sons of the soil.'"
|
|
|
|
He soon retired to bed; and the next morning, feeling
|
|
exceedingly unwell, he remained in his room pondering.
|
|
The circumstances amid which he had left Tess were such
|
|
that though, while on the south of the Equator and just
|
|
in receipt of her loving epistle, it had seemed the
|
|
easiest thing in the world to rush back into her arms
|
|
the moment he chose to forgive her, now that he had
|
|
arrived it was not so easy as it had seemed. She was
|
|
passionate, and her present letter, showing that her
|
|
estimate of him had changed under his delay--too justly
|
|
changed, he sadly owned,--made him ask himself if it
|
|
would be wise to confront her unannounced in the
|
|
presence of her parents. Supposing that her love had
|
|
indeed turned to dislike during the last weeks of
|
|
separation, a sudden meeting might lead to bitter
|
|
words.
|
|
|
|
Clare therefore thought it would be best to prepare
|
|
Tess and her family by sending a line to Marlott
|
|
announcing his return, and his hope that she was still
|
|
living with them there, as he had arranged for her to
|
|
do when he left England. He despatched the inquiry
|
|
that very day, and before the week was out there came a
|
|
short reply from Mrs Durbeyfield which did not remove
|
|
his embarrassment, for it bore no address, though to
|
|
his surprise it was not written from Marlott.
|
|
|
|
|
|
SIR
|
|
|
|
J write these few lines to say that my Daughter is away
|
|
from me at present, and J am not sure when she will
|
|
return, but J will let you know as Soon as she do.
|
|
J do not feel at liberty to tell you Where she is
|
|
temperly biding. J should say that me and my Family
|
|
have left Marlott for some Time.----
|
|
|
|
Yours, J. DURBEYFIELD
|
|
|
|
|
|
It was such a relief to Clare to learn that Tess was at
|
|
least apparently well that her mother's stiff reticence
|
|
as to her whereabouts did not long distress him. They
|
|
were all angry with him, evidently. He would wait till
|
|
Mrs Durbeyfield could inform him of Tess's return,
|
|
which her letter implied to be soon. He deserved no
|
|
more. His had been a love "which alters when it
|
|
alteration finds". He had undergone some strange
|
|
experiences in his absence; he had seen the virtual
|
|
Faustina in the literal Cornelia, a spiritual Lucretia
|
|
in a corporeal Phryne; he had thought of the woman
|
|
taken and set in the midst as one deserving to be
|
|
stoned, and of the wife of Uriah being made a queen;
|
|
and he had asked himself why he had not judged Tess
|
|
constructively rather than biographically, by the will
|
|
rather than by the deed?
|
|
|
|
A day or two passed while he waited at his father's
|
|
house for the promised second note from Joan
|
|
Durbeyfield, and indirectly to recover a little more
|
|
strength. The strength showed signs of coming back,
|
|
but there was no sign of Joan's letter. Then he hunted
|
|
up the old letter sent on to him in Brazil, which Tess
|
|
had written from Flintcomb-Ash, and re-read it. The
|
|
sentences touched him now as much as when he had first
|
|
perused them.
|
|
|
|
|
|
I must cry to you in my trouble--I have no one else....
|
|
I think I must die if you do not come soon, or tell me
|
|
to come to you.... Please, please, not to be just--only
|
|
a little kind to me! ... If you would come, I could die
|
|
in your arms! I would be well content to do that if so
|
|
be you had forgiven me! ... If you will send me one
|
|
little line and say, "I AM COMING SOON," I will bide
|
|
on, Angel--O so cheerfully! ... Think how it do hurt my
|
|
heart not to see you ever--ever! Ah, if I could only
|
|
make your dear heart ache one little minute of each day
|
|
as mine does every day and all day long. It might lead
|
|
you to show pity to your poor lonely one....I would be
|
|
content, ay, glad, to live with you as your servant, if
|
|
I may not as your wife; so that I could only be near
|
|
you, and get glimpses of you, and think of you as mine.
|
|
... I long for only one thing in heaven or earth or
|
|
under the earth, to meet you, my own dear! Come to
|
|
me--come to me, and save me from what threatens me.
|
|
|
|
|
|
Clare determined that he would no longer believe in her
|
|
more recent and severer regard of him; but would go and
|
|
find her immediately. He asked his father if she had
|
|
applied for any money during his absence. His father
|
|
returned a negative, and then for the first time it
|
|
occurred to Angel that her pride had stood in her way,
|
|
and that she had suffered privation. From his remarks
|
|
his parents now gathered the real reason of the
|
|
separation; and their Christianity was such that,
|
|
reprobates being their especial care, the tenderness
|
|
towards Tess which her blood, her simplicity, even her
|
|
poverty, had not engendered, was instantly excited by
|
|
her sin.
|
|
|
|
Whilst he was hastily packing together a few articles
|
|
for his journey he glanced over a poor plain missive
|
|
also lately come to hand--the one from Marian and Izz
|
|
Huett, beginning----
|
|
|
|
"HONOUR'D SIR----Look to your Wife if you do love her
|
|
as much as she do love you," and signed, "FROM TWO
|
|
WELL-WISHERS."
|
|
|
|
|
|
|
|
LIV
|
|
|
|
|
|
In a quarter of an hour Clare was leaving the house,
|
|
whence his mother watched his thin figure as it
|
|
disappeared into the street. He had declined to borrow
|
|
his father's old mare, well knowing of its necessity to
|
|
the household. He went to the inn, where he hired a
|
|
trap, and could hardly wait during the harnessing. In
|
|
a very few minutes after he was driving up the hill out
|
|
of the town which, three or four months earlier in the
|
|
year, Tess had descended with such hopes and ascended
|
|
with such shattered purposes.
|
|
|
|
Benvill Lane soon stretched before him, its hedges and
|
|
trees purple with buds; but he was looking at other
|
|
things, and only recalled himself to the scene
|
|
sufficiently to enable him to keep the way. In
|
|
something less than an hour-and-a-half he had skirted
|
|
the south of the King's Hintock estates and ascended to
|
|
the untoward solitude of Cross-in-Hand, the unholy
|
|
stone whereon Tess had been compelled by Alec
|
|
d'Urberville, in his whim of reformation, to swear the
|
|
strange oath that she would never wilfully tempt him
|
|
again. The pale and blasted nettle-stems of the
|
|
preceding year even now lingered nakedly in the banks,
|
|
young green nettles of the present spring growing from
|
|
their roots.
|
|
|
|
Thence he went along the verge of the upland
|
|
overhanging the other Hintocks, and, turning to the
|
|
right, plunged into the bracing calcareous region of
|
|
Flintcomb-Ash, the address from which she had written
|
|
to him in one of the letters, and which he supposed to
|
|
be the place of sojourn referred to by her mother.
|
|
Here, of course, he did not find her; and what added to
|
|
his depression was the discovery that no "Mrs Clare"
|
|
had ever been heard of by the cottagers or by the
|
|
farmer himself, though Tess was remembered well enough
|
|
by her Christian name. His name she had obviously
|
|
never used during their separation, and her dignified
|
|
sense of their total severance was shown not much less
|
|
by this abstention than by the hardships she had chosen
|
|
to undergo (of which he now learnt for the first time)
|
|
rather than apply to his father for more funds.
|
|
|
|
From this place they told him Tess Durbeyfield had
|
|
gone, without due notice, to the home of her parents on
|
|
the other side of Blackmoor, and it therefore became
|
|
necessary to find Mrs Durbeyfield. She had told him
|
|
she was not now at Marlott, but had been curiously
|
|
reticent as to her actual address, and the only course
|
|
was to go to Marlott and inquire for it. The farmer
|
|
who had been so churlish with Tess was quite
|
|
smooth-tongued to Clare, and lent him a horse and man
|
|
to drive him towards Marlott, the gig he had arrived in
|
|
being sent back to Emminster; for the limit of a day's
|
|
journey with that horse was reached.
|
|
|
|
Clare would not accept the loan of the farmer's vehicle
|
|
for a further distance than to the outskirts of the
|
|
Vale, and, sending it back with the man who had driven
|
|
him, he put up at an inn, and next day entered on foot
|
|
the region wherein was the spot of his dear Tess's
|
|
birth. It was as yet too early in the year for much
|
|
colour to appear in the gardens and foliage; the
|
|
so-called spring was but winter overlaid with a thin
|
|
coat of greenness, and it was of a parcel with his
|
|
expectations.
|
|
|
|
The house in which Tess had passed the years of her
|
|
childhood was now inhabited by another family who had
|
|
never known her. The new residents were in the garden,
|
|
taking as much interest in their own doings as if the
|
|
homestead had never passed its primal time in
|
|
conjunction with the histories of others, beside which
|
|
the histories of these were but as a tale told by an
|
|
idiot. They walked about the garden paths with
|
|
thoughts of their own concerns entirely uppermost,
|
|
bringing their actions at every moment in jarring
|
|
collision with the dim ghosts behind them, talking as
|
|
though the time when Tess lived there were not one whit
|
|
intenser in story than now. Even the spring birds sang
|
|
over their heads as if they thought there was nobody
|
|
missing in particular.
|
|
|
|
On inquiry of these precious innocents, to whom even
|
|
the name of their predecessors was a failing memory,
|
|
Clare learned that John Durbeyfield was dead; that his
|
|
widow and children had left Marlott, declaring that
|
|
they were going to live at Kingsbere, but instead of
|
|
doing so had gone on to another place they mentioned.
|
|
By this time Clare abhorred the house for ceasing to
|
|
contain Tess, and hastened away from its hated presence
|
|
without once looking back.
|
|
|
|
His way was by the field in which he had first beheld
|
|
her at the dance. It was as bad as the house--even
|
|
worse. He passed on through the churchyard, where,
|
|
amongst the new headstones, he saw one of a somewhat
|
|
superior design to the rest. The inscription ran thus:
|
|
|
|
|
|
In memory of John Durbeyfield, rightly d'Urberville, of
|
|
the once powerful family of that Name, and Direct
|
|
Descendant through an illustrious Line from Sir Pagan
|
|
d'Urberville, one of the Knights of the Conqueror. Died
|
|
March 10th, 18--
|
|
HOW ARE THE MIGHTY FALLEN.
|
|
|
|
|
|
Some man, apparently the sexton, had observed Clare
|
|
standing there, and drew nigh. "Ah, sir, now that's a
|
|
man who didn't want to lie here, but wished to be
|
|
carried to Kingsbere, where his ancestors be."
|
|
|
|
"And why didn't they respect his wish?"
|
|
|
|
"Oh--no money. Bless your soul, sir, why--there,
|
|
I wouldn't wish to say it everywhere, but--even this
|
|
headstone, for all the flourish wrote upon en, is not
|
|
paid for."
|
|
|
|
"Ah, who put it up?"
|
|
|
|
The man told the name of a mason in the village, and,
|
|
on leaving the churchyard, Clare called at the mason's
|
|
house. He found that the statement was true, and paid
|
|
the bill. This done he turned in the direction of the
|
|
migrants.
|
|
|
|
The distance was too long for a walk, but Clare felt
|
|
such a strong desire for isolation that at first he
|
|
would neither hire a conveyance nor go to a circuitous
|
|
line of railway by which he might eventually reach the
|
|
place. At Shaston, however, he found he must hire; but
|
|
the way was such that he did not enter Joan's place
|
|
till about seven o'clock in the evening, having
|
|
traversed a distance of over twenty miles since leaving
|
|
Marlott. The village being small he had little
|
|
difficulty in finding Mrs Durbeyfield's tenement, which
|
|
was a house in a walled garden, remote from the main
|
|
road, where she had stowed away her clumsy old
|
|
furniture as best she could. It was plain that for
|
|
some reason or other she had not wished him to visit
|
|
her, and he felt his call to be somewhat of an
|
|
intrusion. She came to the door herself, and the light
|
|
from the evening sky fell upon her face.
|
|
|
|
This was the first time that Clare had ever met her,
|
|
but he was too preoccupied to observe more than that
|
|
she was still a handsome woman, in the garb of a
|
|
respectable widow. He was obliged to explain that he
|
|
was Tess's husband, and his object in coming there, and
|
|
he did it awkwardly enough. "I want to see her at
|
|
once," he added. "You said you would write to me
|
|
again, but you have not done so."
|
|
|
|
"Because she've not come home," said Joan.
|
|
|
|
"Do you know if she is well?"
|
|
|
|
"I don't. But you ought to, sir," said she.
|
|
|
|
"I admit it. Where is she staying?"
|
|
|
|
From the beginning of the interview Joan had disclosed
|
|
her embarrassment by keeping her hand to the side of
|
|
her cheek.
|
|
|
|
"I--don't know exactly where she is staying," she
|
|
answered. "She was--but----"
|
|
|
|
"Where was she?"
|
|
|
|
"Well, she is not there now."
|
|
|
|
In her evasiveness she paused again, and the younger
|
|
children had by this time crept to the door, where,
|
|
pulling at his mother's skirts, the youngest
|
|
murmured----
|
|
|
|
"Is this the gentleman who is going to marry Tess?"
|
|
|
|
"He has married her," Joan whispered. "Go inside."
|
|
|
|
Clare saw her efforts for reticence, and asked----
|
|
|
|
"Do you think Tess would wish me to try and find her?
|
|
If not, of course----"
|
|
|
|
"I don't think she would."
|
|
|
|
"Are you sure?"
|
|
|
|
"I am sure she wouldn't."
|
|
|
|
He was turning away; and then he thought of Tess's
|
|
tender letter.
|
|
|
|
"I am sure she would!" he retorted passionately.
|
|
"I know her better than you do."
|
|
|
|
"That's very likely, sir; for I have never really known
|
|
her."
|
|
|
|
"Please tell me her address, Mrs Durbeyfield, in
|
|
kindness to a lonely wretched man!" Tess's mother again
|
|
restlessly swept her cheek with her vertical hand, and
|
|
seeing that he suffered, she at last said, is a low
|
|
voice----
|
|
|
|
"She is at Sandbourne."
|
|
|
|
"Ah--where there? Sandbourne has become a large place,
|
|
they say."
|
|
|
|
"I don't know more particularly than I have said--
|
|
Sandbourne. For myself, I was never there."
|
|
|
|
It was apparent that Joan spoke the truth in this, and
|
|
he pressed her no further.
|
|
|
|
"Are you in want of anything?" he said gently.
|
|
|
|
"No, sir," she replied. "We are fairly well provided
|
|
for."
|
|
|
|
Without entering the house Clare turned away. There
|
|
was a station three miles ahead, and paying off his
|
|
coachman, he walked thither. The last train to
|
|
Sandbourne left shortly after, and it bore Clare on its
|
|
wheels.
|
|
|
|
|
|
|
|
LV
|
|
|
|
|
|
At eleven o'clock that night, having secured a bed at
|
|
one of the hotels and telegraphed his address to his
|
|
father immediately on his arrival, he walked out into
|
|
the streets of Sandbourne. It was too late to call on
|
|
or inquire for any one, and he reluctantly postponed
|
|
his purpose till the morning. But he could not retire
|
|
to rest just yet.
|
|
|
|
This fashionable watering-place, with its eastern and
|
|
its western stations, its piers, its groves of pines,
|
|
its promenades, and its covered gardens, was, to Angel
|
|
Clare, like a fairy place suddenly created by the
|
|
stroke of a wand, and allowed to get a little dusty.
|
|
An outlying eastern tract of the enormous Egdon Waste
|
|
was close at hand, yet on the very verge of that tawny
|
|
piece of antiquity such a glittering novelty as this
|
|
pleasure city had chosen to spring up. Within the
|
|
space of a mile from its outskirts every irregularity
|
|
of the soil was prehistoric, every channel an
|
|
undisturbed British trackway; not a sod having been
|
|
turned there since the days of the Caesars. Yet the
|
|
exotic had grown here, suddenly as the prophet's gourd;
|
|
and had drawn hither Tess.
|
|
|
|
By the midnight lamps he went up and down the winding
|
|
way of this new world in an old one, and could discern
|
|
between the trees and against the stars the lofty
|
|
roofs, chimneys, gazebos, and towers of the numerous
|
|
fanciful residences of which the place was composed.
|
|
It was a city of detached mansions; a Mediterranean
|
|
lounging-place on the English Channel; and as seen now
|
|
by night it seemed even more imposing than it was.
|
|
|
|
The sea was near at hand, but not intrusive; it
|
|
murmured, and he thought it was the pines; the pines
|
|
murmured in precisely the same tones, and he thought
|
|
they were the sea.
|
|
|
|
Where could Tess possibly be, a cottage-girl, his young
|
|
wife, amidst all this wealth and fashion? The more he
|
|
pondered the more was he puzzled. Were there any cows
|
|
to milk here? There certainly were no fields to till.
|
|
She was most probably engaged to do something in one of
|
|
these large houses; and he sauntered along, looking at
|
|
the chamber-windows and their lights going out one by
|
|
one; and wondered which of them might be hers.
|
|
|
|
Conjecture was useless, and just after twelve o'clock
|
|
he entered and went to bed. Before putting out his
|
|
light he re-read Tess's impassioned letter. Sleep,
|
|
however, he could not--so near her, yet so far from
|
|
her--and he continually lifted the window-blind and
|
|
regarded the backs of the opposite houses, and wondered
|
|
behind which of the sashes she reposed at that moment.
|
|
|
|
He might almost as well have sat up all night. In the
|
|
morning he arose at seven, and shortly after went out,
|
|
taking the direction of the chief post-office. At the
|
|
door he met an intelligent postman coming out with
|
|
letters for the morning delivery.
|
|
|
|
"Do you know the address of a Mrs Clare?" asked Angel.
|
|
The postman shook his head.
|
|
|
|
Then, remembering that she would have been likely to
|
|
continue the use of her maiden name, Clare said----
|
|
|
|
"Of a Miss Durbeyfield?"
|
|
|
|
"Durbeyfield?"
|
|
|
|
This also was strange to the postman addressed.
|
|
|
|
"There's visitors coming and going every day, as you
|
|
know, sir," he said; "and without the name of the house
|
|
'tis impossible to find 'em."
|
|
|
|
One of his comrades hastening out at that moment, the
|
|
name was repeated to him.
|
|
|
|
"I know no name of Durbeyfield; but there is the name
|
|
of d'Urberville at The Herons," said the second.
|
|
|
|
"That's it!" cried Clare, pleased to think that she has
|
|
reverted to the real pronunciation. "What place is The
|
|
Herons?"
|
|
|
|
"A stylish lodging-house. 'Tis all lodging-houses
|
|
here, bless 'ee."
|
|
|
|
Clare received directions how to find the house, and
|
|
hastened thither, arriving with the milkman. The
|
|
Herons, though an ordinary villa, stood in its own
|
|
grounds, and was certainly the last place in which one
|
|
would have expected to find lodgings, so private was
|
|
its appearance. If poor Tess was a servant here, as he
|
|
feared, she would go to the back-door to that milkman,
|
|
and he was inclined to go thither also. However, in
|
|
his doubts he turned to the front, and rang.
|
|
|
|
The hour being early the landlady herself opened the
|
|
door. Clare inquired for Teresa d'Urberville or
|
|
Durbeyfield.
|
|
|
|
"Mrs d'Urberville?"
|
|
|
|
"Yes."
|
|
|
|
Tess, then, passed as a married woman, and he felt
|
|
glad, even though she had not adopted his name.
|
|
|
|
"Will you kindly tell her that a relative is anxious to
|
|
see her?"
|
|
|
|
"It is rather early. What name shall I give, sir?"
|
|
|
|
"Angel."
|
|
|
|
"Mr Angel?"
|
|
|
|
"No; Angel. It is my Christian name. She'll
|
|
understand."
|
|
|
|
"I'll see if she is awake."
|
|
|
|
He was shown into the front room--the dining-room--and
|
|
looked out through the spring curtains at the little
|
|
lawn, and the rhododendrons and other shrubs upon it.
|
|
Obviously her position was by no means so bad as he had
|
|
feared, and it crossed his mind that she must somehow
|
|
have claimed and sold the jewels to attain it. He did
|
|
not blame her for one moment. Soon his sharpened ear
|
|
detected footsteps upon the stairs, at which his heart
|
|
thumped so painfully that he could hardly stand firm.
|
|
"Dear me! what will she think of me, so altered as I
|
|
am!" he said to himself; and the door opened.
|
|
|
|
Tess appeared on the threshold--not at all as he had
|
|
expected to see her--bewilderingly otherwise, indeed.
|
|
Her great natural beauty was, if not heightened,
|
|
rendered more obvious by her attire. She was loosely
|
|
wrapped in a cashmere dressing-gown of gray-white,
|
|
embroidered in half-mourning tints, and she wore
|
|
slippers of the same hue. Her neck rose out of a frill
|
|
of down, and her well-remembered cable of dark-brown
|
|
hair was partially coiled up in a mass at the back of
|
|
her head and partly hanging on her shoulder--the
|
|
evident result of haste.
|
|
|
|
He had held out his arms, but they had fallen again to
|
|
his side; for she had not come forward, remaining still
|
|
in the opening of the doorway. Mere yellow skeleton
|
|
that he was now he felt the contrast between them, and
|
|
thought his appearance distasteful to her.
|
|
|
|
"Tess!" he said huskily, "can you forgive me for going
|
|
away? Can't you--come to me? How do you get to
|
|
be--like this?"
|
|
|
|
"It is too late," said she, her voice sounding hard
|
|
through the room, her eyes shining unnaturally.
|
|
|
|
"I did not think rightly of you--I did not see you as
|
|
you were!" he continued to plead. "I have learnt to
|
|
since, dearest Tessy mine!"
|
|
|
|
"Too late, too late!" she said, waving her hand in the
|
|
impatience of a person whose tortures cause every
|
|
instant to seem an hour. "Don't come close to me,
|
|
Angel! No--you must not. Keep away."
|
|
|
|
"But don't you love me, my dear wife, because I have
|
|
been so pulled down by illness? You are not so
|
|
fickle--I am come on purpose for you--my mother and
|
|
father will welcome you now!"
|
|
|
|
"Yes--O, yes, yes! But I say, I say it is too late."
|
|
|
|
She seemed to feel like a fugitive in a dream, who
|
|
tries to move away, but cannot. "Don't you know
|
|
all--don't you know it? Yet how do you come here if
|
|
you do not know?"
|
|
|
|
"I inquired here and there, and I found the way."
|
|
|
|
"I waited and waited for you," she went on, her tones
|
|
suddenly resuming their old fluty pathos. "But you did
|
|
not come! And I wrote to you, and you did not come!
|
|
He kept on saying you would never come any more, and
|
|
that I was a foolish woman. He was very kind to me,
|
|
and to mother, and to all of us after father's death.
|
|
He----"
|
|
|
|
"I don't understand."
|
|
|
|
"He has won me back to him."
|
|
|
|
Clare looked at her keenly, then, gathering her
|
|
meaning, flagged like one plague-stricken, and his
|
|
glance sank; it fell on her hands, which, once rosy,
|
|
were now white and more delicate.
|
|
|
|
She continued----
|
|
|
|
"He is upstairs. I hate him now, because he told me a
|
|
lie--that you would not come again; and you HAVE come!
|
|
These clothes are what he's put upon me: I didn't care
|
|
what he did wi' me! But--will you go away, Angel,
|
|
please, and never come any more?"
|
|
|
|
They stood fixed, their baffled hearts looking out of
|
|
their eyes with a joylessness pitiful to see. Both
|
|
seemed to implore something to shelter them from
|
|
reality.
|
|
|
|
"Ah--it is my fault!" said Clare.
|
|
|
|
But he could not get on. Speech was as inexpressive as
|
|
silence. But he had a vague consciousness of one
|
|
thing, though it was not clear to him till later; that
|
|
his original Tess had spiritually ceased to recognize
|
|
the body before him as hers--allowing it to drift, like
|
|
a corpse upon the current, in a direction dissociated
|
|
from its living will.
|
|
|
|
A few instants passed, and he found that Tess was gone.
|
|
His face grew colder and more shrunken as he stood
|
|
concentrated on the moment, and a minute or two after
|
|
he found himself in the street, walking along he did
|
|
not know whither.
|
|
|
|
|
|
|
|
LVI
|
|
|
|
|
|
Mrs Brooks, the lady who was the householder at The
|
|
Herons, and owner of all the handsome furniture, was
|
|
not a person of an unusually curious turn of mind.
|
|
She was too deeply materialized, poor woman, by her long
|
|
and enforced bondage to that arithmetical demon
|
|
Profit-and-Loss, to retain much curiousity for its own
|
|
sake, and apart from possible lodgers' pockets.
|
|
Nevertheless, the visit of Angel Clare to her
|
|
well-paying tenants, Mr and Mrs d'Urberville, as she
|
|
deemed them, was sufficiently exceptional in point of
|
|
time and manner to reinvigorate the feminine proclivity
|
|
which had been stifled down as useless save in its
|
|
bearings to the letting trade.
|
|
|
|
Tess had spoken to her husband from the doorway,
|
|
without entering the dining-room, and Mrs Brooks, who
|
|
stood within the partly-closed door of her own
|
|
sitting-room at the back of the passage, could hear
|
|
fragments of the conversation--if conversation it could
|
|
be called--between those two wretched souls. She heard
|
|
Tess re-ascend the stairs to the first floor, and the
|
|
departure of Clare, and the closing of the front door
|
|
behind him. Then the door of the room above was shut,
|
|
and Mrs Brooks knew that Tess had re-entered her
|
|
apartment. As the young lady was not fully dressed,
|
|
Mrs Brooks knew that she would not emerge again for
|
|
some time.
|
|
|
|
She accordingly ascended the stairs softly, and stood
|
|
at the door of the front room--a drawing-room,
|
|
connected with the room immediately behind it (which
|
|
was a bedroom) by folding-doors in the common manner.
|
|
This first floor, containing Mrs Brooks's best
|
|
apartments, had been taken by the week by the
|
|
d'Urbervilles. The back room was now in silence; but
|
|
from the drawing-room there came sounds.
|
|
|
|
All that she could at first distinguish of them was one
|
|
syllable, continually repeated in a low note of
|
|
moaning, as if it came from a soul bound to some
|
|
Ixionian wheel----
|
|
|
|
"O--O--O!"
|
|
|
|
Then a silence, then a heavy sigh, and again----
|
|
|
|
"O--O--O!"
|
|
|
|
The landlady looked through the keyhole. Only a small
|
|
space of the room inside was visible, but within that
|
|
space came a corner of the breakfast table, which was
|
|
already spread for the meal, and also a chair beside.
|
|
Over the seat of the chair Tess's face was bowed, her
|
|
posture being a kneeling one in front of it; her hands
|
|
were clasped over her head, the skirts of her
|
|
dressing-gown and the embroidery of her night-gown
|
|
flowed upon the floor behind her, and her stockingless
|
|
feet, from which the slippers had fallen, protruded
|
|
upon the carpet. It was from her lips that came the
|
|
murmur of unspeakable despair.
|
|
|
|
Then a man's voice from the adjoining bedroom----
|
|
|
|
"What's a matter?"
|
|
|
|
She did not answer, but went on, in a tone which was a
|
|
soliloquy rather than an exclamation, and a dirge
|
|
rather than a soliloquy. Mrs Brooks could only catch a
|
|
portion:
|
|
|
|
"And then my dear, dear husband came home to me ...
|
|
and I did not know it! ... And you had used your cruel
|
|
persuasion upon me ... you did not stop using
|
|
it--no--you did not stop! My little sisters and
|
|
brothers and my mother's needs--they were the things
|
|
you moved me by ... and you said my husband would never
|
|
come back--never; and you taunted me, and said what a
|
|
simpleton I was to expect him! ... And at last I
|
|
believed you and gave way! ... And then he came back!
|
|
Now he is gone. Gone a second time, and I have lost
|
|
him now for ever ... and he will not love me the
|
|
littlest bit ever any more--only hate me! ... O yes,
|
|
I have lost him now--again because of--you!" In writhing,
|
|
with her head on the chair, she turned her face towards
|
|
the door, and Mrs Brooks could see the pain upon it;
|
|
and that her lips were bleeding from the clench of her
|
|
teeth upon them, and that the long lashes of her closed
|
|
eyes stuck in wet tags to her cheeks. She continued:
|
|
"And he is dying--he looks as if he is dying! ... And
|
|
my sin will kill him and not kill me! ... O, you have
|
|
torn my life all to pieces ... made me be what I prayed
|
|
you in pity not to make me be again! ... My own true
|
|
husband will never, never--O God--I can't bear this!--
|
|
I cannot!"
|
|
|
|
There were more and sharper words from the man; then a
|
|
sudden rustle; she had sprung to her feet. Mrs Brooks,
|
|
thinking that the speaker was coming to rush out of the
|
|
door, hastily retreated down the stairs.
|
|
|
|
She need not have done so, however, for the door of the
|
|
sitting-room was not opened. But Mrs Brooks felt it
|
|
unsafe to watch on the landing again, and entered her
|
|
own parlour below.
|
|
|
|
She could hear nothing through the floor, although she
|
|
listened intently, and thereupon went to the kitchen to
|
|
finish her interrupted breakfast. Coming up presently
|
|
to the front room on the ground floor she took up some
|
|
sewing, waiting for her lodgers to ring that she might
|
|
take away the breakfast, which she meant to do herself,
|
|
to discover what was the matter if possible. Overhead,
|
|
as she sat, she could now hear the floorboards slightly
|
|
creak, as if some one were walking about, and presently
|
|
the movement was explained by the rustle of garments
|
|
against the banisters, the opening and the closing of
|
|
the front door, and the form of Tess passing to the
|
|
gate on her way into the street. She was fully dressed
|
|
now in the walking costume of a well-to-do young lady
|
|
in which she had arrived, with the sole addition that
|
|
over her hat and black feathers a veil was drawn.
|
|
|
|
Mrs Brooks had not been able to catch any word of
|
|
farewell, temporary or otherwise, between her tenants
|
|
at the door above. They might have quarrelled, or Mr
|
|
d'Urberville might still be asleep, for he was not an
|
|
early riser.
|
|
|
|
She went into the back room which was more especially
|
|
her own apartment, and continued her sewing there. The
|
|
lady lodger did not return, nor did the gentleman ring
|
|
his bell. Mrs Brooks pondered on the delay, and on what
|
|
probable relation the visitor who had called so early
|
|
bore to the couple upstairs. In reflecting she leant
|
|
back in her chair.
|
|
|
|
As she did so her eyes glanced casually over the
|
|
ceiling till they were arrested by a spot in the middle
|
|
of its white surface which she had never noticed there
|
|
before. It was about the size of a wafer when she
|
|
first observed it, but it speedily grew as large as the
|
|
palm of her hand, and then she could perceive that it
|
|
was red. The oblong white ceiling, with this scarlet
|
|
blot in the midst, had the appearance of a gigantic ace
|
|
of hearts.
|
|
|
|
Mrs Brooks had strange qualms of misgiving. She got
|
|
upon the table, and touched the spot in the ceiling
|
|
with her fingers. It was damp, and she fancied that it
|
|
was a blood stain.
|
|
|
|
Descending from the table, she left the parlour, and
|
|
went upstairs, intending to enter the room overhead,
|
|
which was the bedchamber at the back of the
|
|
drawing-room. But, nerveless woman as she had now
|
|
become, she could not bring herself to attempt the
|
|
handle. She listened. The dead silence within was
|
|
broken only by a regular beat.
|
|
|
|
Drip, drip, drip.
|
|
|
|
Mrs Brooks hastened downstairs, opened the front door,
|
|
and ran into the street. A man she knew, one of the
|
|
workmen employed at an adjoining villa, was passing by,
|
|
and she begged him to come in and go upstairs with her;
|
|
she feared something had happened to one of her
|
|
lodgers. The workman assented, and followed her to the
|
|
landing.
|
|
|
|
She opened the door of the drawing-room, and stood back
|
|
for him to pass in, entering herself behind him. The
|
|
room was empty; the breakfast--a substantial repast of
|
|
coffee, eggs, and a cold ham--lay spread upon the table
|
|
untouched, as when she had taken it up, excepting that
|
|
the carving-knife was missing. She asked the man to go
|
|
through the folding-doors into the adjoining room.
|
|
|
|
He opened the doors, entered a step or two, and came
|
|
back almost instantly with a rigid face. "My good God,
|
|
the gentleman in bed is dead! I think he has been hurt
|
|
with a knife--a lot of blood had run down upon the
|
|
floor!"
|
|
|
|
The alarm was soon given, and the house which had
|
|
lately been so quiet resounded with the tramp of many
|
|
footsteps, a surgeon among the rest. The wound was
|
|
small, but the point of the blade had touched the heart
|
|
of the victim, who lay on his back, pale, fixed, dead,
|
|
as if he had scarcely moved after the infliction of the
|
|
blow. In a quarter of an hour the news that a
|
|
gentleman who was a temporary visitor to the town had
|
|
been stabbed in his bed, spread through every street
|
|
and villa of the popular watering-place.
|
|
|
|
|
|
|
|
LVII
|
|
|
|
|
|
Meanwhile Angel Clare had walked automatically along
|
|
the way by which he had come, and, entering his hotel,
|
|
sat down over the breakfast, staring at nothingness.
|
|
He went on eating and drinking unconsciously till on a
|
|
sudden he demanded his bill; having paid which he took
|
|
his dressing-bag in his hand, the only luggage he had
|
|
brought with him, and went out.
|
|
|
|
At the moment of his departure a telegram was handed to
|
|
him--a few words from his mother, stating that they
|
|
were glad to know his address, and informing him that
|
|
his brother Cuthbert had proposed to and been accepted
|
|
by Mercy Chant.
|
|
|
|
Clare crumpled up the paper, and followed the route to
|
|
the station; reaching it, he found that there would be
|
|
no train leaving for an hour and more. He sat down to
|
|
wait, and having waited a quarter of an hour felt that
|
|
he could wait there no longer. Broken in heart and
|
|
numbed, he had nothing to hurry for; but he wished to
|
|
get out of a town which had been the scene of such an
|
|
experience, and turned to walk to the first station
|
|
onward, and let the train pick him up there.
|
|
|
|
The highway that he followed was open, and at a little
|
|
distance dipped into a valley, across which it could be
|
|
seen running from edge to edge. He had traversed the
|
|
greater part of this depression, and was climbing the
|
|
western acclivity, when, pausing for breath, he
|
|
unconsciously looked back. Why he did so he could not
|
|
say, but something seemed to impel him to the act. The
|
|
tape-like surface of the road diminished in his rear as
|
|
far as he could see, and as he gazed a moving spot
|
|
intruded on the white vacuity of its perspective.
|
|
|
|
It was a human figure running. Clare waited, with a
|
|
dim sense that somebody was trying to overtake him.
|
|
|
|
The form descending the incline was a woman's, yet so
|
|
entirely was his mind blinded to the idea of his wife's
|
|
following him that even when she came nearer he did not
|
|
recognize her under the totally changed attire in which
|
|
he now beheld her. It was not till she was quite close
|
|
that he could believe her to be Tess.
|
|
|
|
"I saw you--turn away from the station--just before I
|
|
got there--and I have been following you all this way!"
|
|
|
|
She was so pale, so breathless, so quivering in every
|
|
muscle, that he did not ask her a single question, but
|
|
seizing her hand, and pulling it within his arm, he led
|
|
her along. To avoid meeting any possible wayfarers he
|
|
left the high road, and took a footpath under some
|
|
fir-trees. When they were deep among the moaning
|
|
boughs he stopped and looked at her inquiringly.
|
|
|
|
"Angel," she said, as if waiting for this, "do you know
|
|
what I have been running after you for? To tell you
|
|
that I have killed him!" A pitiful white smile lit her
|
|
face as she spoke.
|
|
|
|
"What!" said he, thinking from the strangeness of her
|
|
manner that she was in some delirium.
|
|
|
|
"I have done it--I don't know how," she continued.
|
|
"Still, I owed it to you, and to myself, Angel. I
|
|
feared long ago, when I struck him on the mouth with my
|
|
glove, that I might do it some day for the trap he set
|
|
for me in my simple youth, and his wrong to you through
|
|
me. He has come between us and ruined us, and now he
|
|
can never do it any more. I never loved him at all,
|
|
Angel, as I loved you. You know it, don't you? You
|
|
believe it? You didn't come back to me, and I was
|
|
obliged to go back to him. Why did you go away--why
|
|
did you--when I loved you so? I can't think why you
|
|
did it. But I don't blame you; only, Angel, will you
|
|
forgive me my sin against you, now I have killed him?
|
|
I thought as I ran along that you would be sure to
|
|
forgive me now I have done that. It came to me as a
|
|
shining light that I should get you back that way. I
|
|
could not bear the loss of you any longer--you don't
|
|
know how entirely I was unable to bear your not loving
|
|
me! Say you do now, dear, dear husband; say you do,
|
|
now I have killed him!"
|
|
|
|
"I do love you, Tess--O, I do--it is all come back!"
|
|
he said, tightening his arms round her with fervid
|
|
pressure. "But how do you mean--you have killed him?"
|
|
|
|
"I mean that I have," she murmured in a reverie.
|
|
|
|
"What, bodily? Is he dead?"
|
|
|
|
"Yes. He heard me crying about you, and he bitterly
|
|
taunted me; and called you by a foul name; and then I
|
|
did it. My heart could not bear it. He had nagged me
|
|
about you before. And then I dressed myself and came
|
|
away to find you."
|
|
|
|
By degrees he was inclined to believe that she had
|
|
faintly attempted, at least, what she said she had
|
|
done; and his horror at her impulse was mixed with
|
|
amazement at the strength of her affection for himself,
|
|
and at the strangeness of its quality, which had
|
|
apparently extinguished her moral sense altogether.
|
|
Unable to realize the gravity of her conduct she seemed
|
|
at last content; and he looked at her as she lay upon
|
|
his shoulder, weeping with happiness, and wondered what
|
|
obscure strain in the d'Urberville blood had led to
|
|
this aberration--if it were an aberration. There
|
|
momentarily flashed through his mind that the family
|
|
tradition of the coach and murder might have arisen
|
|
because the d'Urbervilles had been known to do these
|
|
things. As well as his confused and excited ideas
|
|
could reason, he supposed that in the moment of mad
|
|
grief of which she spoke her mind had lost its balance,
|
|
and plunged her into this abyss.
|
|
|
|
It was very terrible if true; if a temporary
|
|
hallucination, sad. But, anyhow, here was this
|
|
deserted wife of his, this passionately-fond woman,
|
|
clinging to him without a suspicion that he would be
|
|
anything to her but a protector. He saw that for him
|
|
to be otherwise was not, in her mind, within the region
|
|
of the possible. Tenderness was absolutely dominant in
|
|
Clare at last. He kissed her endlessly with his white
|
|
lips, and held her hand, and said--
|
|
|
|
"I will not desert you! I will protect you by every
|
|
means in my power, dearest love, whatever you may have
|
|
done or not have done!"
|
|
|
|
They then walked on under the trees, Tess turning her
|
|
head every now and then to look at him. Worn and
|
|
unhandsome as he had become, it was plain that she did
|
|
not discern the least fault in his appearance. To her
|
|
he was, as of old, all that was perfection, personally
|
|
and mentally. He was still her Antinous, her Apollo
|
|
even; his sickly face was beautiful as the morning to
|
|
her affectionate regard on this day no less than when
|
|
she first beheld him; for was it not the face of the
|
|
one man on earth who had loved her purely, and who had
|
|
believed in her as pure!
|
|
|
|
With an instinct as to possibilities he did not now, as
|
|
he had intended, make for the first station beyond the
|
|
town, but plunged still farther under the firs, which
|
|
here abounded for miles. Each clasping the other round
|
|
the waist they promenaded over the dry bed of
|
|
fir-needles, thrown into a vague intoxicating
|
|
atmosphere at the consciousness of being together at
|
|
last, with no living soul between them; ignoring that
|
|
there was a corpse. Thus they proceeded for several
|
|
miles till Tess, arousing herself, looked about her,
|
|
and said, timidly----
|
|
|
|
"Are we going anywhere in particular?"
|
|
|
|
"I don't know, dearest. Why?"
|
|
|
|
"I don't know."
|
|
|
|
"Well, we might walk a few miles further, and when it
|
|
is evening find lodgings somewhere or other--in a
|
|
lonely cottage, perhaps. Can you walk well, Tessy?"
|
|
|
|
"O yes! I could walk for ever and ever with your arm
|
|
round me!"
|
|
|
|
Upon the whole it seemed a good thing to do. Thereupon
|
|
they quickened their pace, avoiding high roads, and
|
|
following obscure paths tending more or less northward.
|
|
But there was an unpractical vagueness in their
|
|
movements throughout the day; neither one of them
|
|
seemed to consider any question of effectual escape,
|
|
disguise, or long concealment. Their every idea was
|
|
temporary and unforefending, like the plans of two
|
|
children.
|
|
|
|
At mid-day they drew near to a roadside inn, and Tess
|
|
would have entered it with him to get something to eat,
|
|
but he persuaded her to remain among the trees and
|
|
bushes of this half-woodland, half-moorland part of the
|
|
country, till he should come back. Her clothes were of
|
|
recent fashion; even the ivory-handled parasol that she
|
|
carried was of a shape unknown in the retired spot to
|
|
which they had now wandered; and the cut of such
|
|
articles would have attracted attention in the settle
|
|
of a tavern. He soon returned, with food enough for
|
|
half-a-dozen people and two bottles of wine--enough to
|
|
last them for a day or more, should any emergency
|
|
arise.
|
|
|
|
They sat down upon some dead boughs and shared their
|
|
meal. Between one and two o'clock they packed up the
|
|
remainder and went on again.
|
|
|
|
"I feel strong enough to walk any distance," said she.
|
|
|
|
"I think we may as well steer in a general way towards
|
|
the interior of the country, where we can hide for a
|
|
time, and are less likely to be looked for than
|
|
anywhere near the coast," Clare remarked. "Later on,
|
|
when they have forgotten us, we can make for some
|
|
port."
|
|
|
|
She made no reply to this beyond that of grasping him
|
|
more tightly, and straight inland they went. Though
|
|
the season was an English May the weather was serenely
|
|
bright, and during the afternoon it was quite warm.
|
|
Through the latter miles of their walk their footpath
|
|
had taken them into the depths of the New Forest, and
|
|
towards evening, turning the corner of a lane, they
|
|
perceived behind a brook and bridge a large board on
|
|
which was painted in white letters, "This desirable
|
|
Mansion to be Let Furnished"; particulars following,
|
|
with directions to apply to some London agents. Passing
|
|
through the gate they could see the house, an old brick
|
|
building of regular design and large accommodation.
|
|
|
|
"I know it," said Clare. "It is Bramshurst Court. You
|
|
can see that it is shut up, and grass is growing on the
|
|
drive."
|
|
|
|
"Some of the windows are open," said Tess.
|
|
|
|
"Just to air the rooms, I suppose."
|
|
|
|
"All these rooms empty, and we without a roof to our
|
|
heads!"
|
|
|
|
"You are getting tired, my Tess!" he said. "We'll stop
|
|
soon." And kissing her sad mouth he again led her
|
|
onwards.
|
|
|
|
He was growing weary likewise, for they had wandered a
|
|
dozen or fifteen miles, and it became necessary to
|
|
consider what they should do for rest. They looked
|
|
from afar at isolated cottages and little inns, and
|
|
were inclined to approach one of the latter, when their
|
|
hearts failed them, and they sheered off. At length
|
|
their gait dragged, and they stood still.
|
|
|
|
"Could we sleep under the trees?" she asked.
|
|
|
|
He thought the season insufficiently advanced.
|
|
|
|
"I have been thinking of that empty mansion we passed,"
|
|
he said. "Let us go back towards it again."
|
|
|
|
They retraced their steps, but it was half an hour
|
|
before they stood without the entrance-gate as earlier.
|
|
He then requested her to stay where she was, whilst he
|
|
went to see who was within.
|
|
|
|
She sat down among the bushes within the gate, and
|
|
Clare crept towards the house. His absence lasted some
|
|
considerable time, and when he returned Tess was wildly
|
|
anxious, not for herself, but for him. He had found
|
|
out from a boy that there was only an old woman in
|
|
charge as caretaker, and she only came there on fine
|
|
days, from the hamlet near, to open and shut the
|
|
windows. She would come to shut them at sunset.
|
|
"Now, we can get in through one of the lower windows,
|
|
and rest there," said he.
|
|
|
|
Under his escort she went tardily forward to the main
|
|
front, whose shuttered windows, like sightless
|
|
eyeballs, excluded the possibility of watchers. The
|
|
door was reached a few steps further, and one of the
|
|
windows beside it was open. Clare clambered in, and
|
|
pulled Tess in after him.
|
|
|
|
Except the hall the rooms were all in darkness, and
|
|
they ascended the staircase. Up here also the shutters
|
|
were tightly closed, the ventilation being
|
|
perfunctorily done, for this day at least, by opening
|
|
the hall-window in front and an upper window behind.
|
|
Clare unlatched the door of a large chamber, felt his
|
|
way across it, and parted the shutters to the width of
|
|
two or three inches. A shaft of dazzling sunlight
|
|
glanced into the room, revealing heavy, old-fashioned
|
|
furniture, crimson damask hangings, and an enormous
|
|
four-post bedstead, along the head of which were carved
|
|
running figures, apparently Atalanta's race.
|
|
|
|
"Rest at last!" said he, setting down his bag and the
|
|
parcel of viands.
|
|
|
|
They remained in great quietness till the caretaker
|
|
should have come to shut the windows: as a precaution,
|
|
putting themselves in total darkness by barring the
|
|
shutters as before, lest the woman should open the door
|
|
of their chamber for any casual reason. Between six
|
|
and seven o'clock she came, but did not approach the
|
|
wing they were in. They heard her close the windows,
|
|
fasten them, lock the door, and go away. Then Clare
|
|
again stole a chink of light from the window, and they
|
|
shared another meal, till by-and-by they were enveloped
|
|
in the shades of night which they had no candle to
|
|
disperse.
|
|
|
|
|
|
|
|
LVIII
|
|
|
|
|
|
The night was strangely solemn and still. In the small
|
|
hours she whispered to him the whole story of how he
|
|
had walked in his sleep with her in his arms across the
|
|
Froom stream, at the imminent risk of both their lives,
|
|
and laid her down in the stone coffin at the ruined
|
|
abbey. He had never known of that till now.
|
|
|
|
"Why didn't you tell me next day?" he said. "It might
|
|
have prevented much misunderstanding and woe."
|
|
|
|
"Don't think of what's past!" said she. "I am not
|
|
going to think outside of now. Why should we! Who
|
|
knows what tomorrow has in store?"
|
|
|
|
But it apparently had no sorrow. The morning was wet
|
|
and foggy, and Clare, rightly informed that the
|
|
caretaker only opened the windows on fine days,
|
|
ventured to creep out of their chamber, and explore the
|
|
house, leaving Tess asleep. There was no food on the
|
|
premises, but there was water, and he took advantage of
|
|
the fog to emerge from the mansion, and fetch tea,
|
|
bread, and butter from a shop in a little place two
|
|
miles beyond, as also a small tin kettle and spirit-lamp,
|
|
that they might get fire without smoke. His re-entry
|
|
awoke her; and they breakfasted on what he had brought.
|
|
|
|
They were indisposed to stir abroad, and the day
|
|
passed, and the night following, and the next, and
|
|
next; till, almost without their being aware, five days
|
|
had slipped by in absolute seclusion, not a sight or
|
|
sound of a human being disturbing their peacefulness,
|
|
such as it was. The changes of the weather were their
|
|
only events, the birds of the New Forest their only
|
|
company. By tacit consent they hardly once spoke of
|
|
any incident of the past subsequent to their
|
|
wedding-day. The gloomy intervening time seemed to
|
|
sink into chaos, over which the present and prior times
|
|
closed as if it never had been. Whenever he suggested
|
|
that they should leave their shelter, and go forwards
|
|
towards Southampton or London, she showed a strange
|
|
unwillingness to move.
|
|
|
|
"Why should we put an end to all that's sweet and
|
|
lovely!" she deprecated. "What must come will come."
|
|
And, looking through the shutter-chink: "All is trouble
|
|
outside there; inside here content."
|
|
|
|
He peeped out also. It was quite true; within was
|
|
affection, union, error forgiven: outside was the
|
|
inexorable.
|
|
|
|
"And--and," she said, pressing her cheek against his,
|
|
"I fear that what you think of me now may not last.
|
|
I do not wish to outlive your present feeling for me.
|
|
I would rather not. I would rather be dead and buried
|
|
when the time comes for you to despise me, so that it
|
|
may never be known to me that you despised me."
|
|
|
|
"I cannot ever despise you."
|
|
|
|
"I also hope that. But considering what my life had
|
|
been I cannot see why any man should, sooner or later,
|
|
be able to help despising me.... How wickedly mad I
|
|
was! Yet formerly I never could bear to hurt a fly or
|
|
a worm, and the sight of a bird in a cage used often to
|
|
make me cry."
|
|
|
|
They remained yet another day. In the night the dull
|
|
sky cleared, and the result was that the old caretaker
|
|
at the cottage awoke early. The brilliant sunrise made
|
|
her unusually brisk; she decided to open the contiguous
|
|
mansion immediately, and to air it thoroughly on such a
|
|
day. Thus it occurred that, having arrived and opened
|
|
the lower rooms before six o'clock, she ascended to the
|
|
bedchambers, and was about to turn the handle of the
|
|
one wherein they lay. At that moment she fancied she
|
|
could hear the breathing of persons within. Her
|
|
slippers and her antiquity had rendered her progress a
|
|
noiseless one so far, and she made for instant retreat;
|
|
then, deeming that her hearing might have deceived her,
|
|
she turned anew to the door and softly tried the
|
|
handle. The lock was out of order, but a piece of
|
|
furniture had been moved forward on the inside, which
|
|
prevented her opening the door more than an inch or
|
|
two. A stream of morning light through the
|
|
shutter-chink fell upon the faces of the pair, wrapped
|
|
in profound slumber, Tess's lips being parted like a
|
|
half-opened flower near his cheek. The caretaker was so
|
|
struck with their innocent appearance, and with the
|
|
elegance of Tess's gown hanging across a chair, her
|
|
silk stockings beside it, the pretty parasol, and the
|
|
other habits in which she had arrived because she had
|
|
none else, that her first indignation at the effrontery
|
|
of tramps and vagabonds gave way to a momentary
|
|
sentimentality over this genteel elopement, as it
|
|
seemed. She closed the door, and withdrew as softly as
|
|
she had come, to go and consult with her neighbours on
|
|
the odd discovery.
|
|
|
|
Not more than a minute had elapsed after her withdrawal
|
|
when Tess woke, and then Clare. Both had a sense that
|
|
something had disturbed them, though they could not say
|
|
what; and the uneasy feeling which it engendered grew
|
|
stronger. As soon as he was dressed he narrowly
|
|
scanned the lawn through the two or three inches of
|
|
shutter-chink.
|
|
|
|
"I think we will leave at once," said he. "It is a
|
|
fine day. And I cannot help fancying somebody is about
|
|
the house. At any rate, the woman will be sure to come
|
|
today."
|
|
|
|
She passively assented, and putting the room in order
|
|
they took up the few articles that belonged to them,
|
|
and departed noiselessly. When they had got into the
|
|
Forest she turned to take a last look at the house.
|
|
|
|
"Ah, happy house--goodbye!" she said. "My life can
|
|
only be a question of a few weeks. Why should we not
|
|
have stayed there?"
|
|
|
|
"Don't say it, Tess! We shall soon get out of this
|
|
district altogether. We'll continue our course as
|
|
we've begun it, and keep straight north. Nobody will
|
|
think of looking for us there. We shall be looked for
|
|
at the Wessex ports if we are sought at all. When we
|
|
are in the north we will get to a port and away."
|
|
|
|
Having thus persuaded her the plan was pursued, and
|
|
they kept a bee-line northward. Their long repose at
|
|
the manor-house lent them walking power now; and
|
|
towards mid-day they found that they were approaching
|
|
the steepled city of Melchester, which lay directly in
|
|
their way. He decided to rest her in a clump of trees
|
|
during the afternoon, and push onward under cover of
|
|
darkness. At dusk Clare purchased food as usual, and
|
|
their night march began, the boundary between Upper and
|
|
Mid-Wessex being crossed about eight o'clock.
|
|
|
|
To walk across country without much regard to roads was
|
|
not new to Tess, and she showed her old agility in the
|
|
performance. The intercepting city, ancient
|
|
Melchester, they were obliged to pass through in order
|
|
to take advantage of the town bridge for crossing a
|
|
large river that obstructed them. It was about
|
|
midnight when they went along the deserted streets,
|
|
lighted fitfully by the few lamps, keeping off the
|
|
pavement that it might not echo their footsteps. The
|
|
graceful pile of cathedral architecture rose dimly on
|
|
their left hand, but it was lost upon them now. Once
|
|
out of the town they followed the turnpike-road, which
|
|
after a few miles plunged across an open plain.
|
|
|
|
Though the sky was dense with cloud a diffused light
|
|
from some fragment of a moon had hitherto helped them a
|
|
little. But the moon had now sunk, the clouds seemed to
|
|
settle almost on their heads, and the night grew as
|
|
dark as a cave. However, they found their way along,
|
|
keeping as much on the turf as possible that their
|
|
tread might not resound, which it was easy to do, there
|
|
being no hedge or fence of any kind. All around was
|
|
open loneliness and black solitude, over which a stiff
|
|
breeze blew.
|
|
|
|
They had proceeded thus gropingly two or three miles
|
|
further when on a sudden Clare became conscious of some
|
|
vast erection close in his front, rising sheer from the
|
|
grass. They had almost struck themselves against it.
|
|
|
|
"What monstrous place is this?" said Angel.
|
|
|
|
"It hums," said she. "Hearken!"
|
|
|
|
He listened. The wind, playing upon the edifice,
|
|
produced a booming tune, like the note of some gigantic
|
|
one-stringed harp. No other sound came from it, and
|
|
lifting his hand and advancing a step or two, Clare
|
|
felt the vertical surface of the structure. It seemed
|
|
to be of solid stone, without joint or moulding.
|
|
Carrying his fingers onward he found that what he had
|
|
come in contact with was a colossal rectangular pillar;
|
|
by stretching out his left hand he could feel a similar
|
|
one adjoining. At an indefinite height overhead
|
|
something made the black sky blacker, which had the
|
|
semblance of a vast architrave uniting the pillars
|
|
horizontally. They carefully entered beneath and
|
|
between; the surfaces echoed their soft rustle; but
|
|
they seemed to be still out of doors. The place was
|
|
roofless. Tess drew her breath fearfully, and Angel,
|
|
perplexed, said----
|
|
|
|
"What can it be?"
|
|
|
|
Feeling sideways they encountered another tower-like
|
|
pillar, square and uncompromising as the first; beyond
|
|
it another and another. The place was all doors and
|
|
pillars, some connected above by continuous
|
|
architraves.
|
|
|
|
"A very Temple of the Winds," he said.
|
|
|
|
The next pillar was isolated; others composed a
|
|
trilithon; others were prostrate, their flanks forming
|
|
a causeway wide enough for a carriage and it was soon
|
|
obvious that they made up a forest of monoliths grouped
|
|
upon the grassy expanse of the plain. The couple
|
|
advanced further into this pavilion of the night till
|
|
they stood in its midst.
|
|
|
|
"It is Stonehenge!" said Clare.
|
|
|
|
"The heathen temple, you mean?"
|
|
|
|
"Yes. Older than the centuries; older than the
|
|
d'Urbervilles! Well, what shall we do, darling?
|
|
We may find shelter further on."
|
|
|
|
But Tess, really tired by this time, flung herself upon
|
|
an oblong slab that lay close at hand, and was
|
|
sheltered from the wind by a pillar. Owing to the
|
|
action of the sun during the preceding day the stone
|
|
was warm and dry, in comforting contrast to the rough
|
|
and chill grass around, which had damped her skirts and
|
|
shoes.
|
|
|
|
"I don't want to go any further, Angel," she said,
|
|
stretching out her hand for his. "Can't we bide here?"
|
|
|
|
"I fear not. This spot is visible for miles by day,
|
|
although it does not seem so now."
|
|
|
|
"One of my mother's people was a shepherd hereabouts,
|
|
now I think of it. And you used to say at Talbothays
|
|
that I was a heathen. So now I am at home."
|
|
|
|
He knelt down beside her outstretched form, and put his
|
|
lips upon hers.
|
|
|
|
"Sleepy are you, dear? I think you are lying on an
|
|
altar."
|
|
|
|
"I like very much to be here," she murmured. "It is so
|
|
solemn and lonely--after my great happiness--with
|
|
nothing but the sky above my face. it seems as if
|
|
there were no folk in the world but we two; and I wish
|
|
there were not--except 'Liza-Lu."
|
|
|
|
Clare though she might as well rest here till it should
|
|
get a little lighter, and he flung his overcoat upon
|
|
her, and sat down by her side.
|
|
|
|
"Angel, if anything happens to me, will you watch over
|
|
'Liza-Lu for my sake?" she asked, when they had
|
|
listened a long time to the wind among the pillars.
|
|
|
|
"I will."
|
|
|
|
"She is so good and simple and pure. O, Angel--I wish
|
|
you would marry her if you lose me, as you will do
|
|
shortly. O, if you would!"
|
|
|
|
"If I lose you I lose all! And she is my
|
|
sister-in-law."
|
|
|
|
"That's nothing, dearest. People marry sister-laws
|
|
continually about Marlott; and 'Liza-Lu is so gentle
|
|
and sweet, and she is growing so beautiful. O, I could
|
|
share you with her willingly when we are spirits! If
|
|
you would train her and teach her, Angel, and bring her
|
|
up for your own self! ... She had all the best of me
|
|
without the bad of me; and if she were to become yours
|
|
it would almost seem as if death had not divided us....
|
|
Well, I have said it. I won't mention it again."
|
|
|
|
She ceased, and he fell into thought. In the far
|
|
north-east sky he could see between the pillars a level
|
|
streak of light. The uniform concavity of black cloud
|
|
was lifting bodily like the lid of a pot, letting in at
|
|
the earth's edge the coming day, against which the
|
|
towering monoliths and trilithons began to be blackly
|
|
defined.
|
|
|
|
"Did they sacrifice to God here?" asked she.
|
|
|
|
"No," said he.
|
|
|
|
"Who to?"
|
|
|
|
"I believe to the sun. That lofty stone set away by
|
|
itself is in the direction of the sun, which will
|
|
presently rise behind it."
|
|
|
|
"This reminds me, dear," she said. "You remember you
|
|
never would interfere with any belief of mine before we
|
|
were married? But I knew your mind all the same, and I
|
|
thought as you thought--not from any reasons of my own,
|
|
but because you thought so. Tell me now, Angel, do you
|
|
think we shall meet again after we are dead? I want to
|
|
know."
|
|
|
|
He kissed her to avoid a reply at such a time.
|
|
|
|
"O, Angel--I fear that means no!" said she, with a
|
|
suppressed sob. "And I wanted so to see you again--
|
|
so much, so much! What--not even you and I, Angel,
|
|
who love each other so well?"
|
|
|
|
Like a greater than himself, to the critical question
|
|
at the critical time he did not answer; and they were
|
|
again silent. In a minute or two her breathing became
|
|
more regular, her clasp of his hand relaxed, and she
|
|
fell asleep. The band of silver paleness along the
|
|
east horizon made even the distant parts of the Great
|
|
Plain appear dark and near; and the whole enormous
|
|
landscape bore that impress of reserve, taciturnity,
|
|
and hesitation which is usual just before day. The
|
|
eastward pillars and their architraves stood up blackly
|
|
against the light, and the great flame-shaped Sun-stone
|
|
beyond them; and the Stone of Sacrifice midway.
|
|
Presently the night wind died out, and the quivering
|
|
little pools in the cup-like hollows of the stones lay
|
|
still. At the same time something seemed to move on
|
|
the verge of the dip eastward--a mere dot. It was the
|
|
head of a man approaching them from the hollow beyond
|
|
the Sun-stone. Clare wished they had gone onward, but
|
|
in the circumstances decided to remain quiet. The
|
|
figure came straight towards the circle of pillars in
|
|
which they were.
|
|
|
|
He heard something behind him, the brush of feet.
|
|
Turning, he saw over the prostrate columns another
|
|
figure; then before he was aware, another was at hand
|
|
on the right, under a trilithon, and another on the
|
|
left. The dawn shone full on the front of the man
|
|
westward, and Clare could discern from this that he was
|
|
tall, and walked as if trained. They all closed in
|
|
with evident purpose. Her story then was true!
|
|
Springing to his feet, he looked around for a weapon,
|
|
loose stone, means of escape, anything. By this time
|
|
the nearest man was upon him.
|
|
|
|
"It is no use, sir," he said. "There are sixteen of us
|
|
on the Plain, and the whole country is reared."
|
|
|
|
"Let her finish her sleep!" he implored in a whisper of
|
|
the men as they gathered round.
|
|
|
|
When they saw where she lay, which they had not done
|
|
till then, they showed no objection, and stood watching
|
|
her, as still as the pillars around. He went to the
|
|
stone and bent over her, holding one poor little hand;
|
|
her breathing now was quick and small, like that of a
|
|
lesser creature than a woman. All waited in the
|
|
growing light, their faces and hands as if they were
|
|
silvered, the remainder of their figures dark, the
|
|
stones glistening green-gray, the Plain still a mass of
|
|
shade. Soon the light was strong, and a ray shone upon
|
|
her unconscious form, peering under her eyelids and
|
|
waking her.
|
|
|
|
"What is it, Angel?" she said, starting up. "Have they
|
|
come for me?"
|
|
|
|
"Yes, dearest," he said. "They have come."
|
|
|
|
"It is as it should be," she murmured. "Angel, I am
|
|
almost glad--yes, glad! This happiness could not have
|
|
lasted. It was too much. I have had enough; and now I
|
|
shall not live for you to despise me!"
|
|
|
|
She stood up, shook herself, and went forward, neither
|
|
of the men having moved.
|
|
|
|
"I am ready," she said quietly.
|
|
|
|
|
|
|
|
LIX
|
|
|
|
|
|
The city of Wintoncester, that fine old city, aforetime
|
|
capital of Wessex, lay amidst its convex and concave
|
|
downlands in all the brightness and warmth of a July
|
|
morning. The gabled brick, tile, and freestone houses
|
|
had almost dried off for the season their integument of
|
|
lichen, the streams in the meadows were low, and in the
|
|
sloping High Street, from the West Gateway to the
|
|
mediaeval cross, and from the mediaeval cross to the
|
|
bridge, that leisurely dusting and sweeping was in
|
|
progress which usually ushers in an old-fashioned
|
|
market-day.
|
|
|
|
From the western gate aforesaid the highway, as every
|
|
Wintoncestrian knows, ascends a long and regular
|
|
incline of the exact length of a measured mile, leaving
|
|
the houses gradually behind. Up this road from the
|
|
precincts of the city two persons were walking rapidly,
|
|
as if unconscious of the trying ascent--unconscious
|
|
through preoccupation and not through buoyancy. They
|
|
had emerged upon this road through a narrow barred
|
|
wicket in a high wall a little lower down. They seemed
|
|
anxious to get out of the sight of the houses and of
|
|
their kind, and this road appeared to offer the
|
|
quickest means of doing so. Though they were young
|
|
they walked with bowed heads, which gait of grief the
|
|
sun's rays smiled on pitilessly.
|
|
|
|
One of the pair was Angel Clare, the other a tall
|
|
budding creature--half girl, half woman--a
|
|
spiritualized image of Tess, slighter than she, but
|
|
with the same beautiful eyes--Clare's sister-in-law,
|
|
'Liza-Lu. Their pale faces seemed to have shrunk to
|
|
half their natural size. They moved on hand in hand,
|
|
and never spoke a word, the drooping of their heads
|
|
being that of Giotto's "Two Apostles".
|
|
|
|
When they had nearly reached the top of the great West
|
|
Hill the clocks in the town struck eight. Each gave a
|
|
start at the notes, and, walking onward yet a few
|
|
steps, they reached the first milestone, standing
|
|
whitely on the green margin of the grass, and backed by
|
|
the down, which here was open to the road. They
|
|
entered upon the turf, and, impelled by a force that
|
|
seemed to overrule their will, suddenly stood still,
|
|
turned, and waited in paralyzed suspense beside the
|
|
stone.
|
|
|
|
The prospect from this summit was almost unlimited.
|
|
In the valley beneath lay the city they had just left,
|
|
its more prominent buildings showing as in an isometric
|
|
drawing--among them the broad cathedral tower, with
|
|
its Norman windows and immense length of aisle and
|
|
nave, the spires of St Thomas's, the pinnacled tower of
|
|
the College, and, more to the right, the tower and
|
|
gables of the ancient hospice, where to this day the
|
|
pilgrim may receive his dole of bread and ale. Behind
|
|
the city swept the rotund upland of St Catherine's
|
|
Hill; further off, landscape beyond landscape, till the
|
|
horizon was lost in the radiance of the sun hanging
|
|
above it.
|
|
|
|
Against these far stretches of country rose, in front
|
|
of the other city edifices, a large red-brick building,
|
|
with level gray roofs, and rows of short barred windows
|
|
bespeaking captivity, the whole contrasting greatly by
|
|
its formalism with the quaint irregularities of the
|
|
Gothic erections. It was somewhat disguised from the
|
|
road in passing it by yews and evergreen oaks, but it
|
|
was visible enough up here. The wicket from which the
|
|
pair had lately emerged was in the wall of this
|
|
structure. From the middle of the building an ugly
|
|
flat-topped octagonal tower ascended against the east
|
|
horizon, and viewed from this spot, on its shady side
|
|
and against the light, it seemed the one blot on the
|
|
city's beauty. Yet it was with this blot, and not with
|
|
the beauty, that the two gazers were concerned.
|
|
|
|
Upon the cornice of the tower a tall staff was fixed.
|
|
Their eyes were riveted on it. A few minutes after the
|
|
hour had struck something moved slowly up the staff,
|
|
and extended itself upon the breeze. It was a black flag.
|
|
|
|
"Justice" was done, and the President of the Immortals,
|
|
in Aeschylean phrase, had ended his sport with Tess.
|
|
And the d'Urberville knights and dames slept on in
|
|
their tombs unknowing. The two speechless gazers bent
|
|
themselves down to the earth, as if in prayer, and
|
|
remained thus a long time, absolutely motionless: the
|
|
flag continued to wave silently. As soon as they had
|
|
strength they arose, joined hands again, and went on.
|
|
|
|
|
|
End of the Project Gutenberg edition of Tess of the d'Urbervilles
|
|
|