15817 lines
637 KiB
Plaintext
15817 lines
637 KiB
Plaintext
[pg/etext94/limbr10.txt]
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A Girl Of The Limberlost, by Gene Stratton Porter
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April, 1994 [Etext #125]
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This etext was created by Judith Boss, Omaha, Nebraska.
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The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet
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IIc flatbed scanner; and a copy of Calera Recognition Systems'
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M/600 Series Professional OCR software and RISC accelerator board
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donated by:
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Calera Recognition Systems
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475 Potrero
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Sunnyvale, CA 94086
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1-408-720-8300
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mikel@calera.com Mike Lynch
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This text is in the PUBLIC DOMAIN.
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A Girl of The Limberlost
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By Gene Stratton Porter
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TO ALL GIRLS OF THE LIMBERLOST IN GENERAL
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AND ONE JEANETTE HELEN PORTER IN PARTICULAR
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CHARACTERS
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ELNORA, who collects moths to pay for her education,
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and lives the Golden Rule.
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PHILIP AMMON, who assists in moth hunting,
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and gains a new conception of love.
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MRS. COMSTOCK, who lost a delusion and found a treasure.
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WESLEY SINTON, who always did his best.
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MARGARET SINTON, who "mothers" Elnora.
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BILLY, a boy from real life.
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EDITH CARR, who discovers herself.
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HART HENDERSON, to whom love means all things.
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POLLY AMMON, who pays an old score.
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TOM LEVERING, engaged to Polly.
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TERENCE O'MORE, Freckles grown tall.
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MRS. O'MORE, who remained the Angel.
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TERENCE, ALICE and LITTLE BROTHER, the O'MORE children.
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A GIRL OF THE LIMBERLOST
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CHAPTER I
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WHEREIN ELNORA GOES TO HIGH SCHOOL
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AND LEARNS MANY LESSONS NOT FOUND IN HER BOOKS
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Elnora Comstock, have you lost your senses?"
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demanded the angry voice of Katharine Comstock
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while she glared at her daughter.
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"Why mother!" faltered the girl.
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"Don't you `why mother' me!" cried Mrs. Comstock.
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"You know very well what I mean. You've given me
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no peace until you've had your way about this going to
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school business; I've fixed you good enough, and you're
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ready to start. But no child of mine walks the streets
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of Onabasha looking like a play-actress woman. You wet
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your hair and comb it down modest and decent and then
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be off, or you'll have no time to find where you belong."
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Elnora gave one despairing glance at the white face,
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framed in a most becoming riot of reddish-brown hair,
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which she saw in the little kitchen mirror. Then she
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untied the narrow black ribbon, wet the comb and plastered
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the waving curls close to her head, bound them fast, pinned
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on the skimpy black hat and opened the back door.
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"You've gone so plumb daffy you are forgetting your
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dinner," jeered her mother.
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"I don't want anything to eat," replied Elnora.
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"You'll take your dinner or you'll not go one step.
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Are you crazy? Walk almost three miles and no food
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from six in the morning until six at night. A pretty
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figure you'd cut if you had your way! And after I've
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gone and bought you this nice new pail and filled it
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especial to start on!"
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Elnora came back with a face still whiter and picked
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up the lunch. "Thank you, mother! Good-bye!" she
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said. Mrs. Comstock did not reply. She watched the
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girl follow the long walk to the gate and go from sight
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on the road, in the bright sunshine of the first Monday
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of September.
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"I bet a dollar she gets enough of it by night!"
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commented Mrs. Comstock.
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Elnora walked by instinct, for her eyes were blinded
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with tears. She left the road where it turned south, at
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the corner of the Limberlost, climbed a snake fence and
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entered a path worn by her own feet. Dodging under
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willow and scrub oak branches she came at last to the
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faint outline of an old trail made in the days when the
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precious timber of the swamp was guarded by armed
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men. This path she followed until she reached a thick
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clump of bushes. From the debris in the end of a hollow
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log she took a key that unlocked the padlock of a large
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weatherbeaten old box, inside of which lay several books,
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a butterfly apparatus, and a small cracked mirror. The walls
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were lined thickly with gaudy butterflies, dragonflies,
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and moths. She set up the mirror and once more
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pulling the ribbon from her hair, she shook the bright
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mass over her shoulders, tossing it dry in the sunshine.
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Then she straightened it, bound it loosely, and replaced
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her hat. She tugged vainly at the low brown calico
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collar and gazed despairingly at the generous length of
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the narrow skirt. She lifted it as she would have cut
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it if possible. That disclosed the heavy high leather
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shoes, at sight of which she seemed positively ill, and
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hastily dropped the skirt. She opened the pail, removed
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the lunch, wrapped it in the napkin, and placed it in a
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small pasteboard box. Locking the case again she hid
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the key and hurried down the trail.
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She followed it around the north end of the swamp
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and then entered a footpath crossing a farm leading in
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the direction of the spires of the city to the northeast.
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Again she climbed a fence and was on the open road. For
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an instant she leaned against the fence staring before
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her, then turned and looked back. Behind her lay the
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land on which she had been born to drudgery and a
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mother who made no pretence of loving her; before her
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lay the city through whose schools she hoped to find
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means of escape and the way to reach the things for
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which she cared. When she thought of how she appeared
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she leaned more heavily against the fence and groaned;
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when she thought of turning back and wearing such
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clothing in ignorance all the days of her life she set her
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teeth firmly and went hastily toward Onabasha.
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On the bridge crossing a deep culvert at the suburbs
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she glanced around, and then kneeling she thrust the
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lunch box between the foundation and the flooring.
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This left her empty-handed as she approached the big stone
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high school building. She entered bravely and inquired
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her way to the office of the superintendent. There she
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learned that she should have come the previous week
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and arranged about her classes. There were many things
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incident to the opening of school, and one man unable to
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cope with all of them.
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"Where have you been attending school?" he asked,
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while he advised the teacher of Domestic Science not to
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telephone for groceries until she knew how many she
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would have in her classes; wrote an order for chemicals
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for the students of science; and advised the leader of
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the orchestra to hire a professional to take the place of
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the bass violist, reported suddenly ill.
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"I finished last spring at Brushwood school, district
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number nine," said Elnora. "I have been studying all summer.
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I am quite sure I can do the first year work, if I have
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a few days to get started."
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"Of course, of course," assented the superintendent.
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"Almost invariably country pupils do good work. You may
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enter first year, and if it is too difficult, we will find
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it out speedily. Your teachers will tell you the list of
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books you must have, and if you will come with me I will
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show you the way to the auditorium. It is now time
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for opening exercises. Take any seat you find vacant."
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Elnora stood before the entrance and stared into the
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largest room she ever had seen. The floor sloped to a
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yawning stage on which a band of musicians, grouped
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around a grand piano, were tuning their instruments.
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She had two fleeting impressions. That it was all a
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mistake; this was no school, but a grand display of
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enormous ribbon bows; and the second, that she was sinking,
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and had forgotten how to walk. Then a burst from the
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orchestra nerved her while a bevy of daintily clad, sweet-
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smelling things that might have been birds, or flowers,
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or possibly gaily dressed, happy young girls, pushed
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her forward. She found herself plodding across the back of
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the auditorium, praying for guidance, to an empty seat.
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As the girls passed her, vacancies seemed to open to
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meet them. Their friends were moving over, beckoning
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and whispering invitations. Every one else was seated,
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but no one paid any attention to the white-faced girl
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stumbling half-blindly down the aisle next the farthest wall.
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So she went on to the very end facing the stage.
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No one moved, and she could not summon courage to
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crowd past others to several empty seats she saw.
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At the end of the aisle she paused in desperation, while
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she stared back at the whole forest of faces most of which
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were now turned upon her.
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In a flash came the full realization of her scanty dress,
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her pitiful little hat and ribbon, her big, heavy shoes,
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her ignorance of where to go or what to do; and from a
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sickening wave which crept over her, she felt she was
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going to become very ill. Then out of the mass she saw
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a pair of big, brown boy eyes, three seats from her, and
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there was a message in them. Without moving his body
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he reached forward and with a pencil touched the back of
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the seat before him. Instantly Elnora took another step
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which brought her to a row of vacant front seats.
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She heard laughter behind her; the knowledge that
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she wore the only hat in the room burned her; every
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matter of moment, and some of none at all, cut and stung.
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She had no books. Where should she go when this
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was over? What would she give to be on the trail
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going home! She was shaking with a nervous chill when
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the music ceased, and the superintendent arose, and
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coming down to the front of the flower-decked platform,
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opened a Bible and began to read. Elnora did not know
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what he was reading, and she felt that she did not care.
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Wildly she was racking her brain to decide whether she
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should sit still when the others left the room or follow,
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and ask some one where the Freshmen went first.
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In the midst of the struggle one sentence fell on her ear.
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"Hide me under the shadow of Thy wings."
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Elnora began to pray frantically. "Hide me, O God,
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hide me, under the shadow of Thy wings."
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Again and again she implored that prayer, and before
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she realized what was coming, every one had arisen and
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the room was emptying rapidly. Elnora hurried after the
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nearest girl and in the press at the door touched her
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sleeve timidly.
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"Will you please tell me where the Freshmen go?" she
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asked huskily.
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The girl gave her one surprised glance, and drew away.
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"Same place as the fresh women," she answered, and
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those nearest her laughed.
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Elnora stopped praying suddenly and the colour crept
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into her face. "I'll wager you are the first person I meet
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when I find it," she said and stopped short. "Not that!
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Oh, I must not do that!" she thought in dismay. "Make an
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enemy the first thing I do. Oh, not that!"
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She followed with her eyes as the young people separated
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in the hall, some climbing stairs, some disappearing
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down side halls, some entering adjoining doors. She saw
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the girl overtake the brown-eyed boy and speak to him.
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He glanced back at Elnora with a scowl on his face.
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Then she stood alone in the hall.
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Presently a door opened and a young woman came out
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and entered another room. Elnora waited until she
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returned, and hurried to her. "Would you tell me where
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the Freshmen are?" she panted.
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"Straight down the hall, three doors to your left,"
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was the answer, as the girl passed.
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"One minute please, oh please," begged Elnora:
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"Should I knock or just open the door?"
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"Go in and take a seat," replied the teacher.
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"What if there aren't any seats?" gasped Elnora.
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"Classrooms are never half-filled, there will be plenty,"
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was the answer.
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Elnora removed her hat. There was no place to put
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it, so she carried it in her hand. She looked infinitely
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better without it. After several efforts she at last opened
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the door and stepping inside faced a smaller and more
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concentrated battery of eyes.
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"The superintendent sent me. He thinks I belong
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here," she said to the professor in charge of the class,
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but she never before heard the voice with which she spoke.
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As she stood waiting, the girl of the hall passed
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on her way to the blackboard, and suppressed laughter
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told Elnora that her thrust had been repeated.
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"Be seated," said the professor, and then because he
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saw Elnora was desperately embarrassed he proceeded
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to lend her a book and to ask her if she had studied algebra.
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She said she had a little, but not the same book they were using.
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He asked her if she felt that she could do the work they were
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beginning, and she said she did.
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That was how it happened, that three minutes after
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entering the room she was told to take her place beside the
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girl who had gone last to the board, and whose flushed face
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and angry eyes avoided meeting Elnora's. Being compelled
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to concentrate on her proposition she forgot herself.
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When the professor asked that all pupils sign their work
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she firmly wrote "Elnora Comstock" under her demonstration.
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Then she took her seat and waited with white lips and
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trembling limbs, as one after another professor called
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the names on the board, while their owners arose and
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explained their propositions, or "flunked" if they had
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not found a correct solution. She was so eager to catch
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their forms of expression and prepare herself for her
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recitation, that she never looked from the work on the
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board, until clearly and distinctly, "Elnora Comstock,"
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called the professor.
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The dazed girl stared at the board. One tiny curl
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added to the top of the first curve of the m in her name,
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had transformed it from a good old English patronymic
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that any girl might bear proudly, to Cornstock.
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Elnora sat speechless. When and how did it happen?
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She could feel the wave of smothered laughter in the air
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around her. A rush of anger turned her face scarlet and
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her soul sick. The voice of the professor addressed her directly.
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"This proposition seems to be beautifully demonstrated,
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Miss Cornstalk," he said. "Surely, you can tell us how
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you did it."
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That word of praise saved her. She could do good work.
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They might wear their pretty clothes, have their friends
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and make life a greater misery than it ever before
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had been for her, but not one of them should do better
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work or be more womanly. That lay with her. She was
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tall, straight, and handsome as she arose.
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"Of course I can explain my work," she said in natural tones.
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"What I can't explain is how I happened to be so stupid
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as to make a mistake in writing my own name. I must
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have been a little nervous. Please excuse me."
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She went to the board, swept off the signature with one
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stroke,then rewrote it plainly. "My name is Comstock,"
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she said distinctly. She returned to her seat and following the
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formula used by the others made her first high school recitation.
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As Elnora resumed her seat Professor Henley looked at
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her steadily. "It puzzles me," he said deliberately,
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how you can write as beautiful a demonstration, and explain
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it as clearly as ever has been done in any of my classes and
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still be so disturbed as to make a mistake in your own name.
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Are you very sure you did that yourself, Miss Comstock?"
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"It is impossible that any one else should have done it,"
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answered Elnora.
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"I am very glad you think so," said the professor.
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"Being Freshmen, all of you are strangers to me.
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I should dislike to begin the year with you feeling there
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was one among you small enough to do a trick like that.
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The next proposition, please."
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When the hour had gone the class filed back to the study
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room and Elnora followed in desperation, because she did
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not know where else to go. She could not study as she had
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no books, and when the class again left the room to go to
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another professor for the next recitation, she went also.
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At least they could put her out if she did not belong there.
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Noon came at last, and she kept with the others until they
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dispersed on the sidewalk. She was so abnormally self-
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conscious she fancied all the hundreds of that laughing,
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throng saw and jested at her. When she passed the
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brown-eyed boy walking with the girl of her encounter,
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she knew, for she heard him say: "Did you really let that
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gawky piece of calico get ahead of you?" The answer
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was indistinct.
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Elnora hurried from the city. She intended to get her
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lunch, eat it in the shade of the first tree, and then decide
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whether she would go back or go home. She knelt on the
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bridge and reached for her box, but it was so very light that
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she was prepared for the fact that it was empty, before
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opening it. There was one thing for which to be thankful.
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The boy or tramp who had seen her hide it, had left the napkin.
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She would not have to face her mother and account for
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its loss. She put it in her pocket, and threw the box
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into the ditch. Then she sat on the bridge and tried
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to think, but her brain was confused.
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"Perhaps the worst is over," she said at last. "I will
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go back. What would mother say to me if I came home now?"
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So she returned to the high school, followed some other
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pupils to the coat room, hung her hat, and found her way
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to the study where she had been in the morning. Twice
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that afternoon, with aching head and empty stomach, she
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faced strange professors, in different branches. Once she
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escaped notice; the second time the worst happened. She was
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asked a question she could not answer.
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"Have you not decided on your course, and secured your books?"
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inquired the professor.
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"I have decided on my course," replied Elnora, "I
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do not know where to ask for my books."
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"Ask?" the professor was bewildered.
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"I understood the books were furnished," faltered Elnora.
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"Only to those bringing an order from the township
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trustee," replied the Professor.
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"No! Oh no!" cried Elnora. "I will have them to-
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morrow," and gripped her desk for support for she knew
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that was not true. Four books, ranging perhaps at a
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dollar and a half apiece; would her mother buy them?
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Of course she would not--could not.
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Did not Elnora know the story of old. There was
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enough land, but no one to do clearing and farm. Tax on
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all those acres, recently the new gravel road tax added,
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the expense of living and only the work of two women to
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meet all of it. She was insane to think she could come to
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the city to school. Her mother had been right. The girl
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decided that if only she lived to reach home, she would
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stay there and lead any sort of life to avoid more of
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this torture. Bad as what she wished to escape had been,
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it was nothing like this. She never could live down the
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movement that went through the class when she inadvertently
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revealed the fact that she had expected books to
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be furnished. Her mother would not secure them; that
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settled the question.
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But the end of misery is never in a hurry to come; before
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the day was over the superintendent entered the room and
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explained that pupils from the country were charged a
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tuition of twenty dollars a year. That really was the end.
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Previously Elnora had canvassed a dozen methods for
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securing the money for books, ranging all the way from
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offering to wash the superintendent's dishes to breaking
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into the bank. This additional expense made her plans
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so wildly impossible, there was nothing to do but hold up
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her head until she was from sight.
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Down the long corridor alone among hundreds, down the
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long street alone among thousands, out into the country
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she came at last. Across the fence and field, along the old
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trail once trodden by a boy's bitter agony, now stumbled a
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white-faced girl, sick at heart. She sat on a log and began
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to sob in spite of her efforts at self-control. At first it
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wasphysical breakdown, later, thought came crowding.
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Oh the shame, the mortification! Why had she not
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known of the tuition? How did she happen to think that
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in the city books were furnished? Perhaps it was because
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she had read they were in several states. But why did she
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not know? Why did not her mother go with her? Other mothers--
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but when had her mother ever been or done anything at all
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like other mothers? Because she never had been it was
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useless to blame her now. Elnora realized she should have
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gone to town the week before, called on some one and
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learned all these things herself. She should have remembered
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how her clothing would look, before she wore it in
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public places. Now she knew, and her dreams were over.
|
|
She must go home to feed chickens, calves, and pigs,
|
|
wear calico and coarse shoes, and with averted head,
|
|
pass a library all her life. She sobbed again.
|
|
|
|
"For pity's sake, honey, what's the matter?" asked the
|
|
voice of the nearest neighbour, Wesley Sinton, as he
|
|
seated himself beside Elnora. "There, there," he continued,
|
|
smearing tears all over her face in an effort to dry them.
|
|
"Was it as bad as that, now? Maggie has been just wild
|
|
over you all day. She's got nervouser every minute.
|
|
She said we were foolish to let you go. She said your
|
|
clothes were not right, you ought not to carry that tin
|
|
pail, and that they would laugh at you. By gum, I see
|
|
they did!"
|
|
|
|
"Oh, Uncle Wesley," sobbed the girl, "why didn't she
|
|
tell me? "
|
|
|
|
"Well, you see, Elnora, she didn't like to. You got
|
|
such a way of holding up your head, and going through
|
|
with things. She thought some way that you'd make it,
|
|
till you got started, and then she begun to see a hundred
|
|
things we should have done. I reckon you hadn't reached
|
|
that building before she remembered that your skirt
|
|
should have been pleated instead of gathered, your shoes
|
|
been low, and lighter for hot September weather, and a
|
|
new hat. Were your clothes right, Elnora?"
|
|
|
|
The girl broke into hysterical laughter. "Right!" she cried.
|
|
"Right! Uncle Wesley, you should have seen me among them!
|
|
I was a picture! They'll never forget me. No, they won't
|
|
get the chance, for they'll see me again to-morrow!
|
|
|
|
"Now that is what I call spunk, Elnora! Downright grit,"
|
|
said Wesley Sinton. "Don't you let them laugh you out.
|
|
You've helped Margaret and me for years at harvest and
|
|
busy times, what you've earned must amount to quite a sum.
|
|
You can get yourself a good many clothes with it."
|
|
|
|
"Don't mention clothes, Uncle Wesley," sobbed Elnora,
|
|
"I don't care now how I look. If I don't go back all of them
|
|
will know it's because I am so poor I can't buy my books."
|
|
|
|
"Oh, I don't know as you are so dratted poor," said
|
|
Sinton meditatively. "There are three hundred acres
|
|
of good land, with fine timber as ever grew on it."
|
|
|
|
"It takes all we can earn to pay the tax, and mother
|
|
wouldn't cut a tree for her life."
|
|
|
|
"Well then, maybe, I'll be compelled to cut one for her,"
|
|
suggested Sinton. "Anyway, stop tearing yourself to
|
|
pieces and tell me. If it isn't clothes, what is it?"
|
|
|
|
"It's books and tuition. Over twenty dollars in all."
|
|
|
|
"Humph! First time I ever knew you to be stumped by
|
|
twenty dollars, Elnora," said Sinton, patting her hand.
|
|
|
|
"It's the first time you ever knew me to want money,"
|
|
answered Elnora. "This is different from anything that ever
|
|
happened to me. Oh, how can I get it, Uncle Wesley?"
|
|
|
|
"Drive to town with me in the morning and I'll draw it
|
|
from the bank for you. I owe you every cent of it."
|
|
|
|
"You know you don't owe me a penny, and I wouldn't
|
|
touch one from you, unless I really could earn it.
|
|
For anything that's past I owe you and Aunt Margaret for
|
|
all the home life and love I've ever known. I know how
|
|
you work, and I'll not take your money."
|
|
|
|
"Just a loan, Elnora, just a loan for a little while
|
|
until you can earn it. You can be proud with all the
|
|
rest of the world, but there are no secrets between us,
|
|
are there, Elnora?"
|
|
|
|
"No," said Elnora, "there are none. You and Aunt
|
|
Margaret have given me all the love there has been
|
|
in my life. That is the one reason above all others why
|
|
you shall not give me charity. Hand me money because
|
|
you find me crying for it! This isn't the first time this
|
|
old trail has known tears and heartache. All of us know
|
|
that story. Freckles stuck to what he undertook and
|
|
won out. I stick, too. When Duncan moved away he
|
|
gave me all Freckles left in the swamp, and as I have
|
|
inherited his property maybe his luck will come with it.
|
|
I won't touch your money, but I'll win some way. First, I'm
|
|
going home and try mother. It's just possible I could
|
|
find second-hand books, and perhaps all the tuition need
|
|
not be paid at once. Maybe they would accept it quarterly.
|
|
But oh, Uncle Wesley, you and Aunt Margaret keep on loving me!
|
|
I'm so lonely, and no one else cares!"
|
|
|
|
Wesley Sinton's jaws met with a click. He swallowed
|
|
hard on bitter words and changed what he would have
|
|
liked to say three times before it became articulate.
|
|
|
|
"Elnora," he said at last, "if it hadn't been for one
|
|
thing I'd have tried to take legal steps to make you
|
|
ours when you were three years old. Maggie said then
|
|
it wasn't any use, but I've always held on. You see,
|
|
I was the first man there, honey, and there are things
|
|
you see, that you can't ever make anybody else understand.
|
|
She loved him Elnora, she just made an idol of him.
|
|
There was that oozy green hole, with the thick
|
|
scum broke, and two or three big bubbles slowly rising
|
|
that were the breath of his body. There she was in
|
|
spasms of agony, and beside her the great heavy log she'd
|
|
tried to throw him. I can't ever forgive her for turning
|
|
against you, and spoiling your childhood as she has,
|
|
but I couldn't forgive anybody else for abusing her.
|
|
Maggie has got no mercy on her, but Maggie didn't see what
|
|
I did, and I've never tried to make it very clear to her.
|
|
It's been a little too plain for me ever since. Whenever I
|
|
look at your mother's face, I see what she saw, so
|
|
I hold my tongue and say, in my heart, `Give her a mite
|
|
more time.' Some day it will come. She does love you,
|
|
Elnora. Everybody does, honey. It's just that she's
|
|
feeling so much, she can't express herself. You be a
|
|
patient girl and wait a little longer. After all, she's
|
|
your mother, and you're all she's got, but a memory, and
|
|
it might do her good to let her know that she was fooled
|
|
in that."
|
|
|
|
"It would kill her!" cried the girl swiftly. "Uncle Wesley,
|
|
it would kill her! What do you mean?"
|
|
|
|
"Nothing," said Wesley Sinton soothingly. "Nothing, honey.
|
|
That was just one of them fool things a man says,
|
|
when he is trying his best to be wise. You see,
|
|
she loved him mightily, and they'd been married only
|
|
a year, and what she was loving was what she thought
|
|
he was. She hadn't really got acquainted with the man yet.
|
|
If it had been even one more year, she could have
|
|
borne it, and you'd have got justice. Having been
|
|
a teacher she was better educated and smarter than
|
|
the rest of us, and so she was more sensitive like.
|
|
She can't understand she was loving a dream. So I say
|
|
it might do her good if somebody that knew, could tell
|
|
her, but I swear to gracious, I never could. I've heard
|
|
her out at the edge of that quagmire calling in them
|
|
wild spells of hers off and on for the last sixteen years,
|
|
and imploring the swamp to give him back to her, and
|
|
I've got out of bed when I was pretty tired, and come
|
|
down to see she didn't go in herself, or harm you. What
|
|
she feels is too deep for me. I've got to respectin' her
|
|
grief, and I can't get over it. Go home and tell your
|
|
ma, honey, and ask her nice and kind to help you. If she
|
|
won't, then you got to swallow that little lump of
|
|
pride in your neck, and come to Aunt Maggie, like you
|
|
been a-coming all your life."
|
|
|
|
"I'll ask mother, but I can't take your money, Uncle
|
|
Wesley, indeed I can't. I'll wait a year, and earn some,
|
|
and enter next year."
|
|
|
|
"There's one thing you don't consider, Elnora," said
|
|
the man earnestly. "And that's what you are to Maggie.
|
|
She's a little like your ma. She hasn't given up to it,
|
|
and she's struggling on brave, but when we buried our
|
|
second little girl the light went out of Maggie's eyes, and
|
|
it's not come back. The only time I ever see a hint of
|
|
it is when she thinks she's done something that makes you
|
|
happy, Elnora. Now, you go easy about refusing her
|
|
anything she wants to do for you. There's times in this
|
|
world when it's our bounden duty to forget ourselves, and
|
|
think what will help other people. Young woman, you
|
|
owe me and Maggie all the comfort we can get out of you.
|
|
There's the two of our own we can't ever do anything for.
|
|
Don't you get the idea into your head that a fool thing
|
|
you call pride is going to cut us out of all the pleasure
|
|
we have in life beside ourselves."
|
|
|
|
"Uncle Wesley, you are a dear," said Elnora. "Just a dear!
|
|
If I can't possibly get that money any way else on earth,
|
|
I'll come and borrow it of you, and then I'll pay it
|
|
back if I must dig ferns from the swamp and sell them
|
|
from door to door in the city. I'll even plant them,
|
|
so that they will be sure to come up in the spring. I have
|
|
been sort of panic stricken all day and couldn't think.
|
|
I can gather nuts and sell them. Freckles sold moths
|
|
and butterflies, and I've a lot collected. Of course,
|
|
I am going back to-morrow! I can find a way to get the books.
|
|
Don't you worry about me. I am all right!
|
|
|
|
"Now, what do you think of that?" inquired Wesley
|
|
Sinton of the swamp in general. "Here's our Elnora
|
|
come back to stay. Head high and right as a trivet!
|
|
You've named three ways in three minutes that you
|
|
could earn ten dollars, which I figure would be enough,
|
|
to start you. Let's go to supper and stop worrying!"
|
|
|
|
Elnora unlocked the case, took out the pail, put the
|
|
napkin in it, pulled the ribbon from her hair, binding it
|
|
down tightly again and followed to the road. From afar
|
|
she could see her mother in the doorway. She blinked
|
|
her eyes, and tried to smile as she answered Wesley
|
|
Sinton, and indeed she did feel better. She knew now
|
|
what she had to expect, where to go, and what to do.
|
|
Get the books she must; when she had them, she would show
|
|
those city girls and boys how to prepare and recite lessons,
|
|
how to walk with a brave heart; and they could show her
|
|
how to wear pretty clothes and have good times.
|
|
|
|
As she neared the door her mother reached for the pail.
|
|
"I forgot to tell you to bring home your scraps for
|
|
the chickens," she said.
|
|
|
|
Elnora entered. "There weren't any scraps, and I'm
|
|
hungry again as I ever was in my life."
|
|
|
|
"I thought likely you would be," said Mrs. Comstock,
|
|
"and so I got supper ready. We can eat first, and do the
|
|
work afterward. What kept you so? I expected you an
|
|
hour ago."
|
|
|
|
Elnora looked into her mother's face and smiled. It was
|
|
a queer sort of a little smile, and would have reached
|
|
the depths with any normal mother.
|
|
|
|
"I see you've been bawling," said Mrs. Comstock.
|
|
"I thought you'd get your fill in a hurry. That's why
|
|
I wouldn't go to any expense. If we keep out of the poor-
|
|
house we have to cut the corners close. It's likely this
|
|
Brushwood road tax will eat up all we've saved in years.
|
|
Where the land tax is to come from I don't know. It gets
|
|
bigger every year. If they are going to dredge the swamp
|
|
ditch again they'll just have to take the land to pay for it.
|
|
I can't, that's all! We'll get up early in the morning and
|
|
gather and hull the beans for winter, and put in the rest
|
|
of the day hoeing the turnips."
|
|
|
|
Elnora again smiled that pitiful smile.
|
|
|
|
"Do you think I didn't know that I was funny and
|
|
would be laughed at?" she asked.
|
|
|
|
"Funny?" cried Mrs. Comstock hotly.
|
|
|
|
"Yes, funny! A regular caricature," answered Elnora.
|
|
"No one else wore calico, not even one other. No one
|
|
else wore high heavy shoes, not even one. No one
|
|
else had such a funny little old hat; my hair was not
|
|
right, my ribbon invisible compared with the others,
|
|
I did not know where to go, or what to do, and I had
|
|
no books. What a spectacle I made for them!"
|
|
Elnora laughed nervously at her own picture. "But there
|
|
are always two sides! The professor said in the algebra
|
|
class that he never had a better solution and explanation
|
|
than mine of the proposition he gave me, which scored
|
|
one for me in spite of my clothes."
|
|
|
|
"Well, I wouldn't brag on myself!"
|
|
|
|
"That was poor taste," admitted Elnora. "But, you see,
|
|
it is a case of whistling to keep up my courage.
|
|
I honestly could see that I would have looked just as
|
|
well as the rest of them if I had been dressed as
|
|
they were. We can't afford that, so I have to find
|
|
something else to brace me. It was rather bad, mother!"
|
|
|
|
"Well, I'm glad you got enough of it!"
|
|
|
|
"Oh, but I haven't" hurried in Elnora. "I just got
|
|
a start. The hardest is over. To-morrow they won't
|
|
be surprised. They will know what to expect. I am
|
|
sorry to hear about the dredge. Is it really going through?"
|
|
|
|
"Yes. I got my notification today. The tax will
|
|
be something enormous. I don't know as I can spare
|
|
you, even if you are willing to be a laughing-stock for
|
|
the town."
|
|
|
|
With every bite Elnora's courage returned, for she was
|
|
a healthy young thing.
|
|
|
|
"You've heard about doing evil that good might come
|
|
from it," she said. "Well, mother mine, it's something
|
|
like that with me. I'm willing to bear the hard part
|
|
to pay for what I'll learn. Already I have selected the
|
|
ward building in which I shall teach in about four years.
|
|
I am going to ask for a room with a south exposure so
|
|
that the flowers and moths I take in from the swamp
|
|
to show the children will do well."
|
|
|
|
"You little idiot!" said Mrs. Comstock. "How are
|
|
you going to pay your expenses?"
|
|
|
|
"Now that is just what I was going to ask you!" said Elnora.
|
|
"You see, I have had two startling pieces of news to-day.
|
|
I did not know I would need any money. I thought the city
|
|
furnished the books, and there is an out-of-town tuition, also.
|
|
I need ten dollars in the morning. Will you please let me have it?"
|
|
|
|
"Ten dollars!" cried Mrs. Comstock. "Ten dollars!
|
|
Why don't you say a hundred and be done with it! I could
|
|
get one as easy as the other. I told you! I told you
|
|
I couldn't raise a cent. Every year expenses grow bigger
|
|
and bigger. I told you not to ask for money!"
|
|
|
|
"I never meant to," replied Elnora. "I thought
|
|
clothes were all I needed and I could bear them.
|
|
I never knew about buying books and tuition."
|
|
|
|
"Well, I did!" said Mrs. Comstock. "I knew what
|
|
you would run into! But you are so bull-dog stubborn,
|
|
and so set in your way, I thought I would just let you
|
|
try the world a little and see how you liked it!"
|
|
|
|
Elnora pushed back her chair and looked at her mother.
|
|
|
|
"Do you mean to say," she demanded, "that you knew,
|
|
when you let me go into a city classroom and reveal the
|
|
fact before all of them that I expected to have my books
|
|
handed out to me; do you mean to say that you knew I had
|
|
to pay for them?"
|
|
|
|
Mrs. Comstock evaded the direct question.
|
|
|
|
"Anybody but an idiot mooning over a book or wasting
|
|
time prowling the woods would have known you had
|
|
to pay. Everybody has to pay for everything. Life is
|
|
made up of pay, pay, pay! It's always and forever pay!
|
|
If you don't pay one way you do another! Of course,
|
|
I knew you had to pay. Of course, I knew you would come
|
|
home blubbering! But you don't get a penny! I haven't
|
|
one cent, and can't get one! Have your way if you are
|
|
determined, but I think you will find the road somewhat rocky."
|
|
|
|
"Swampy, you mean, mother," corrected Elnora. She arose
|
|
white and trembling. "Perhaps some day God will teach
|
|
me how to understand you. He knows I do not now.
|
|
You can't possibly realize just what you let me go
|
|
through to-day, or how you let me go, but I'll tell you this:
|
|
You understand enough that if you had the money, and
|
|
would offer it to me, I wouldn't touch it now. And I'll
|
|
tell you this much more. I'll get it myself. I'll raise it,
|
|
and do it some honest way. I am going back to-morrow,
|
|
the next day, and the next. You need not come out, I'll do
|
|
the night work, and hoe the turnips."
|
|
|
|
It was ten o'clock when the chickens, pigs, and cattle
|
|
were fed, the turnips hoed, and a heap of bean vines was
|
|
stacked beside the back door.
|
|
|
|
CHAPTER II
|
|
|
|
WHEREIN WESLEY AND MARGARET GO SHOPPING,
|
|
AND ELNORA'S WARDROBE IS REPLENISHED
|
|
|
|
Wesley Sinton walked down the road half a
|
|
mile and turned at the lane leading to his home.
|
|
His heart was hot and filled with indignation.
|
|
He had told Elnora he did not blame her mother,
|
|
but he did. His wife met him at the door.
|
|
|
|
"Did you see anything of Elnora?" she questioned.
|
|
|
|
"Most too much, Maggie," he answered. "What do
|
|
you say to going to town? There's a few things has
|
|
to be got right away."
|
|
|
|
"Where did you see her, Wesley?"
|
|
|
|
"Along the old Limberlost trail, my girl, torn to
|
|
pieces sobbing. Her courage always has been fine, but the
|
|
thing she met to-day was too much for her. We ought to have
|
|
known better than to let her go that way. It wasn't only
|
|
clothes; there were books, and entrance fees for out-of-
|
|
town people, that she didn't know about; while there must
|
|
have been jeers, whispers, and laughing. Maggie, I feel
|
|
as if I'd been a traitor to those girls of ours. I ought to
|
|
have gone in and seen about this school business.
|
|
Don't cry, Maggie. Get me some supper, and I'll hitch up
|
|
and see what we can do now."
|
|
|
|
"What can we do, Wesley?
|
|
|
|
"I don't just know. But we've got to do something.
|
|
Kate Comstock will be a handful, while Elnora will be
|
|
two, but between us we must see that the girl is not too
|
|
hard pressed about money, and that she is dressed so she
|
|
is not ridiculous. She's saved us the wages of a woman
|
|
many a day, can't you make her some decent dresses?"
|
|
|
|
"Well, I'm not just what you call expert, but I could
|
|
beat Kate Comstock all to pieces. I know that skirts
|
|
should be pleated to the band instead of gathered, and full
|
|
enough to sit in, and short enough to walk in. I could try.
|
|
There are patterns for sale. Let's go right away, Wesley."
|
|
|
|
"Set me a bit of supper, while I hitch up."
|
|
|
|
Margaret built a fire, made coffee, and fried ham and eggs.
|
|
She set out pie and cake and had enough for a hungry
|
|
man by the time the carriage was at the door, but she
|
|
had no appetite. She dressed while Wesley ate, put away
|
|
the food while he dressed, and then they drove toward
|
|
the city through the beautiful September evening,
|
|
and as they went they planned for Elnora. The trouble
|
|
was, not whether they were generous enough to buy what
|
|
she needed, but whether she would accept their purchases,
|
|
and what her mother would say.
|
|
|
|
They went to a drygoods store and when a clerk asked
|
|
what they wanted to see neither of them knew, so they
|
|
stepped aside and held a whispered consultation.
|
|
|
|
"What had we better get, Wesley?"
|
|
|
|
"Dresses," said Wesley promptly,
|
|
|
|
"But how many dresses, and what kind?"
|
|
|
|
"Blest if I know!" exclaimed Wesley. "I thought you
|
|
would manage that. I know about some things I'm going
|
|
to get."
|
|
|
|
At that instant several high school girls came into the
|
|
store and approached them.
|
|
|
|
"There!" exclaimed Wesley breathlessly. "There, Maggie!
|
|
Like them! That's what she needs! Buy like they have!"
|
|
|
|
Margaret stared. What did they wear? They were
|
|
rapidly passing; they seemed to have so much, and she
|
|
could not decide so quickly. Before she knew it she was
|
|
among them.
|
|
|
|
"I beg your pardon, but won't you wait one minute?"
|
|
she asked.
|
|
|
|
The girls stopped with wondering faces.
|
|
|
|
"It's your clothes," explained Mrs. Sinton. "You look
|
|
just beautiful to me. You look exactly as I should have
|
|
wanted to see my girls. They both died of diphtheria
|
|
when they were little, but they had yellow hair, dark eyes
|
|
and pink cheeks, and everybody thought they were lovely.
|
|
If they had lived, they'd been near your age now, and I'd
|
|
want them to look like you."
|
|
|
|
There was sympathy on every girl face.
|
|
|
|
"Why thank you!" said one of them. "We are very
|
|
sorry for you."
|
|
|
|
"Of course you are," said Margaret. "Everybody always
|
|
has been. And because I can't ever have the joy of
|
|
a mother in thinking for my girls and buying pretty things
|
|
for them, there is nothing left for me, but to do what I can
|
|
for some one who has no mother to care for her. I know
|
|
a girl, who would be just as pretty as any of you, if she had
|
|
the clothes, but her mother does not think about her, so I
|
|
mother her some myself."
|
|
|
|
"She must be a lucky girl," said another.
|
|
|
|
"Oh, she loves me," said Margaret, "and I love her.
|
|
I want her to look just like you do. Please tell me
|
|
about your clothes. Are these the dresses and hats you
|
|
wear to school? What kind of goods are they, and where
|
|
do you buy them?"
|
|
|
|
The girls began to laugh and cluster around Margaret.
|
|
Wesley strode down the store with his head high through
|
|
pride in her, but his heart was sore over the memory of two
|
|
little faces under Brushwood sod. He inquired his way to
|
|
the shoe department.
|
|
|
|
"Why, every one of us have on gingham or linen
|
|
dresses," they said, "and they are our school clothes."
|
|
|
|
For a few moments there was a babel of laughing voices
|
|
explaining to the delighted Margaret that school dresses
|
|
should be bright and pretty, but simple and plain, and
|
|
until cold weather they should wash.
|
|
|
|
"I'll tell you," said Ellen Brownlee, "my father owns
|
|
this store, I know all the clerks. I'll take you to Miss
|
|
Hartley. You tell her just how much you want to spend,
|
|
and what you want to buy, and she will know how to get
|
|
the most for your money. I've heard papa say she was
|
|
the best clerk in the store for people who didn't know
|
|
precisely what they wanted."
|
|
|
|
"That's the very thing," agreed Margaret. "But before
|
|
you go, tell me about your hair. Elnora's hair is
|
|
bright and wavy, but yours is silky as hackled flax.
|
|
How do you do it?"
|
|
|
|
"Elnora?" asked four girls in concert.
|
|
|
|
"Yes, Elnora is the name of the girl I want these things for."
|
|
|
|
"Did she come to the high school to-day?" questioned
|
|
one of them.
|
|
|
|
"Was she in your classes?" demanded Margaret without reply.
|
|
|
|
Four girls stood silent and thought fast. Had there
|
|
been a strange girl among them, and had she been overlooked
|
|
and passed by with indifference, because she was so
|
|
very shabby? If she had appeared as much better than
|
|
they, as she had looked worse, would her reception have
|
|
been the same?
|
|
|
|
"There was a strange girl from the country in the Freshman
|
|
class to-day," said Ellen Brownlee, "and her name was Elnora."
|
|
|
|
"That was the girl," said Margaret.
|
|
|
|
"Are her people so very poor?" questioned Ellen.
|
|
|
|
"No, not poor at all, come to think of it," answered Margaret.
|
|
"It's a peculiar case. Mrs. Comstock had a great trouble
|
|
and she let it change her whole life and make a different
|
|
woman of her. She used to be lovely; now she is forever
|
|
saving and scared to death for fear they will go to the
|
|
poorhouse; but there is a big farm, covered with lots
|
|
of good timber. The taxes are high for women who can't
|
|
manage to clear and work the land. There ought to be
|
|
enough to keep two of them in good shape all their lives,
|
|
if they only knew how to do it. But no one ever told
|
|
Kate Comstock anything, and never will, for she won't listen.
|
|
All she does is droop all day, and walk the edge of the
|
|
swamp half the night, and neglect Elnora. If you girls
|
|
would make life just a little easier for her it would
|
|
be the finest thing you ever did."
|
|
|
|
All of them promised they would.
|
|
|
|
"Now tell me about your hair," persisted Margaret Sinton.
|
|
|
|
So they took her to a toilet counter, and she bought the
|
|
proper hair soap, also a nail file, and cold cream, for use
|
|
after windy days. Then they left her with the experienced
|
|
clerk, and when at last Wesley found her she was loaded with
|
|
bundles and the light of other days was in her beautiful eyes.
|
|
Wesley also carried some packages.
|
|
|
|
"Did you get any stockings?" he whispered.
|
|
|
|
"No, I didn't," she said. "I was so interested in dresses
|
|
and hair ribbons and a--a hat----" she hesitated and
|
|
glanced at Wesley. "Of course, a hat!" prompted
|
|
Wesley. "That I forgot all about those horrible shoes.
|
|
She's got to have decent shoes, Wesley."
|
|
|
|
"Sure!" said Wesley. "She's got decent shoes. But
|
|
the man said some brown stockings ought to go with them.
|
|
Take a peep, will you!"
|
|
|
|
Wesley opened a box and displayed a pair of thick-
|
|
soled, beautifully shaped brown walking shoes of low
|
|
cut. Margaret cried out with pleasure.
|
|
|
|
"But do you suppose they are the right size, Wesley?
|
|
What did you get?"
|
|
|
|
"I just said for a girl of sixteen with a slender foot."
|
|
|
|
"Well, that's about as near as I could come. If they
|
|
don't fit when she tries them, we will drive straight in
|
|
and change them. Come on now, let's get home."
|
|
|
|
All the way they discussed how they should give Elnora
|
|
their purchases and what Mrs. Comstock would say.
|
|
|
|
"I am afraid she will be awful mad," said Margaret.
|
|
|
|
"She'll just rip!" replied Wesley graphically. "But if
|
|
she wants to leave the raising of her girl to the neighbours,
|
|
she needn't get fractious if they take some pride in doing
|
|
a good job. From now on I calculate Elnora shall go
|
|
to school; and she shall have all the clothes and books
|
|
she needs, if I go around on the back of Kate Comstock's
|
|
land and cut a tree, or drive off a calf to pay for them.
|
|
Why I know one tree she owns that would put Elnora in
|
|
heaven for a year. Just think of it, Margaret! It's not
|
|
fair. One-third of what is there belongs to Elnora by
|
|
law, and if Kate Comstock raises a row I'll tell her so,
|
|
and see that the girl gets it. You go to see Kate in the
|
|
morning, and I'll go with you. Tell her you want Elnora's
|
|
pattern, that you are going to make her a dress, for
|
|
helping us. And sort of hint at a few more things.
|
|
If Kate balks, I'll take a hand and settle her. I'll go
|
|
to law for Elnora's share of that land and sell enough to
|
|
educate her."
|
|
|
|
"Why, Wesley Sinton, you're perfectly wild."
|
|
|
|
"I'm not! Did you ever stop to think that such cases are
|
|
so frequent there have been laws made to provide for them?
|
|
I can bring it up in court and force Kate to educate
|
|
Elnora, and board and clothe her till she's of age,
|
|
and then she can take her share."
|
|
|
|
"Wesley, Kate would go crazy!"
|
|
|
|
"She's crazy now. The idea of any mother living with as
|
|
sweet a girl as Elnora. and letting her suffer till I find
|
|
her crying like a funeral. It makes me fighting mad.
|
|
All uncalled for. Not a grain of sense in it. I've offered
|
|
and offered to oversee clearing her land and working
|
|
her fields. Let her sell a good tree, or a few acres.
|
|
Something is going to be done, right now. Elnora's been
|
|
fairly happy up to this, but to spoil the school life she's
|
|
planned, is to ruin all her life. I won't have it! If Elnora
|
|
won't take these things, so help me, I'll tell her
|
|
what she is worth, and loan her the money and she can
|
|
pay me back when she comes of age. I am going to have
|
|
it out with Kate Comstock in the morning. Here we are!
|
|
You open up what you got while I put away the horses,
|
|
and then I'll show you."
|
|
|
|
When Wesley came from the barn Margaret had four
|
|
pieces of crisp gingham, a pale blue, a pink, a gray with
|
|
green stripes and a rich brown and blue plaid. On each
|
|
of them lay a yard and a half of wide ribbon to match.
|
|
There were handkerchiefs and a brown leather belt. In her
|
|
hands she held a wide-brimmed tan straw hat, having a
|
|
high crown banded with velvet strips each of which fastened
|
|
with a tiny gold buckle.
|
|
|
|
"It looks kind of bare now," she explained. "It had
|
|
three quills on it here."
|
|
|
|
"Did you have them taken off?" asked Wesley.
|
|
|
|
"Yes, I did. The price was two and a half for the
|
|
hat, and those things were a dollar and a half apiece.
|
|
I couldn't pay that."
|
|
|
|
"It does seem considerable," admitted Wesley, "but
|
|
will it look right without them?"
|
|
|
|
"No, it won't!" said Margaret. "It's going to have
|
|
quills on it. Do you remember those beautiful peacock
|
|
wing feathers that Phoebe Simms gave me? Three of
|
|
them go on just where those came off, and nobody will
|
|
ever know the difference. They match the hat to a
|
|
moral, and they are just a little longer and richer than
|
|
the ones that I had taken off. I was wondering whether
|
|
I better sew them on to-night while I remember how they
|
|
set, or wait till morning."
|
|
|
|
"Don't risk it!" exclaimed Wesley anxiously. "Don't you
|
|
risk it! Sew them on right now!"
|
|
|
|
"Open your bundles, while I get the thread," said Margaret.
|
|
|
|
Wesley unwrapped the shoes. Margaret took them up
|
|
and pinched the leather and stroked them.
|
|
|
|
"My, but they are fine!" she cried.
|
|
|
|
Wesley picked up one and slowly turned it in his big hands.
|
|
He glanced at his foot and back to the shoe.
|
|
|
|
"It's a little bit of a thing, Margaret," he said softly.
|
|
"Like as not I'll have to take it back. It seems as if it
|
|
couldn't fit."
|
|
|
|
"It seems as if it didn't dare do anything else," said Margaret.
|
|
"That's a happy little shoe to get the chance to carry as
|
|
fine a girl as Elnora to high school. Now what's in the
|
|
other box?"
|
|
|
|
Wesley looked at Margaret doubtfully.
|
|
|
|
"Why," he said, "you know there's going to be rainy
|
|
days, and those things she has now ain't fit for anything
|
|
but to drive up the cows----"
|
|
|
|
"Wesley, did you get high shoes, too?"
|
|
|
|
"Well, she ought to have them! The man said he
|
|
would make them cheaper if I took both pairs at once."
|
|
|
|
Margaret laughed aloud. "Those will do her past
|
|
Christmas," she exulted. "What else did you buy?"
|
|
|
|
"Well sir," said Wesley, "I saw something to-day.
|
|
You told me about Kate getting that tin pail for Elnora
|
|
to carry to high school and you said you told her it was
|
|
a shame. I guess Elnora was ashamed all right, for
|
|
to-night she stopped at the old case Duncan gave her,
|
|
and took out that pail, where it had been all day, and
|
|
put a napkin inside it. Coming home she confessed
|
|
she was half starved because she hid her dinner under
|
|
a culvert, and a tramp took it. She hadn't had a bite
|
|
to eat the whole day. But she never complained at all,
|
|
she was pleased that she hadn't lost the napkin. So I
|
|
just inquired around till I found this, and I think it's
|
|
about the ticket."
|
|
|
|
Wesley opened the package and laid a brown leather
|
|
lunch box on the table. "Might be a couple of books,
|
|
or drawing tools or most anything that's neat and genteel.
|
|
You see, it opens this way."
|
|
|
|
It did open, and inside was a space for sandwiches,
|
|
a little porcelain box for cold meat or fried chicken,
|
|
another for salad, a glass with a lid which screwed on, held
|
|
by a ring in a corner, for custard or jelly, a flask for tea or
|
|
milk, a beautiful little knife, fork, and spoon fastened in
|
|
holders, and a place for a napkin.
|
|
|
|
Margaret was almost crying over it.
|
|
|
|
"How I'd love to fill it!" she exclaimed.
|
|
|
|
"Do it the first time, just to show Kate Comstock
|
|
what love is!" said Wesley. "Get up early in the morning
|
|
and make one of those dresses to-morrow. Can't you
|
|
make a plain gingham dress in a day? I'll pick a chicken,
|
|
and you fry it and fix a little custard for the cup,
|
|
and do it up brown. Go on, Maggie, you do it!"
|
|
|
|
"I never can," said Margaret. "I am slow as the
|
|
itch about sewing, and these are not going to be plain
|
|
dresses when it comes to making them. There are going
|
|
to be edgings of plain green, pink, and brown to the bias
|
|
strips, and tucks and pleats around the hips, fancy belts
|
|
and collars, and all of it takes time."
|
|
|
|
"Then Kate Comstock's got to help," said Wesley. "Can the
|
|
two of you make one, and get that lunch to-morrow?"
|
|
|
|
"Easy, but she'll never do it!"
|
|
|
|
"You see if she doesn't!" said Wesley. "You get
|
|
up and cut it out, and soon as Elnora is gone I'll go after
|
|
Kate myself. She'll take what I'll say better alone.
|
|
But she'll come, and she'll help make the dress. These other
|
|
things are our Christmas gifts to Elnora. She'll no doubt
|
|
need them more now than she will then, and we can give
|
|
them just as well. That's yours, and this is mine, or
|
|
whichever way you choose."
|
|
|
|
Wesley untied a good brown umbrella and shook out
|
|
the folds of a long, brown raincoat. Margaret dropped
|
|
the hat, arose and took the coat. She tried it on, felt it,
|
|
cooed over it and matched it with the umbrella.
|
|
|
|
"Did it look anything like rain to-night?" she inquired
|
|
so anxiously that Wesley laughed.
|
|
|
|
"And this last bundle?" she said, dropping back in her
|
|
chair, the coat still over her shoulders.
|
|
|
|
"I couldn't buy this much stuff for any other woman
|
|
and nothing for my own," said Wesley. "It's Christmas
|
|
for you, too, Margaret!" He shook out fold after fold
|
|
of soft gray satiny goods that would look lovely against
|
|
Margaret's pink cheeks and whitening hair.
|
|
|
|
"Oh, you old darling!" she exclaimed, and fled sobbing
|
|
into his arms.
|
|
|
|
But she soon dried her eyes, raked together the coals
|
|
in the cooking stove and boiled one of the dress patterns
|
|
in salt water for half an hour. Wesley held the lamp
|
|
while she hung the goods on the line to dry. Then she
|
|
set the irons on the stove so they would be hot the first
|
|
thing in the morning.
|
|
|
|
CHAPTER III
|
|
|
|
WHEREIN ELNORA VISITS THE BIRD WOMAN,
|
|
AND OPENS A BANK ACCOUNT
|
|
|
|
Four o'clock the following morning Elnora
|
|
was shelling beans. At six she fed the chickens
|
|
and pigs, swept two of the rooms of the cabin,
|
|
built a fire, and put on the kettle for breakfast. Then she
|
|
climbed the narrow stairs to the attic she had occupied since
|
|
a very small child, and dressed in the hated shoes and
|
|
brown calico, plastered down her crisp curls, ate what
|
|
breakfast she could, and pinning on her hat started for town.
|
|
|
|
"There is no sense in your going for an hour yet,"
|
|
said her mother.
|
|
|
|
"I must try to discover some way to earn those books,"
|
|
replied Elnora. "I am perfectly positive I shall not
|
|
find them lying beside the road wrapped in tissue paper,
|
|
and tagged with my name."
|
|
|
|
She went toward the city as on yesterday. Her perplexity
|
|
as to where tuition and books were to come from was
|
|
worse but she did not feel quite so badly. She never
|
|
again would have to face all of it for the first time.
|
|
There had been times yesterday when she had prayed to
|
|
be hidden, or to drop dead, and neither had happened.
|
|
"I believe the best way to get an answer to prayer is
|
|
to work for it," muttered Elnora grimly.
|
|
|
|
Again she followed the trail to the swamp, rearranged
|
|
her hair and left the tin pail. This time she folded a couple
|
|
of sandwiches in the napkin, and tied them in a neat light
|
|
paper parcel which she carried in her hand. Then she
|
|
hurried along the road to Onabasha and found a book-store.
|
|
There she asked the prices of the list of books that
|
|
she needed, and learned that six dollars would not quite
|
|
supply them. She anxiously inquired for second-hand
|
|
books, but was told that the only way to secure them was
|
|
from the last year's Freshmen. Just then Elnora felt that
|
|
she positively could not approach any of those she supposed
|
|
to be Sophomores and ask to buy their old books.
|
|
The only balm the girl could see for the humiliation of
|
|
yesterday was to appear that day with a set of new books.
|
|
|
|
"Do you wish these?" asked the clerk hurriedly, for the
|
|
store was rapidly filling with school children wanting
|
|
anything from a dictionary to a pen.
|
|
|
|
"Yes," gasped Elnora, "Oh, yes! But I cannot pay for
|
|
them just now. Please let me take them, and I will pay
|
|
for them on Friday, or return them as perfect as they are.
|
|
Please trust me for them a few days."
|
|
|
|
"I'll ask the proprietor," he said. When he came back
|
|
Elnora knew the answer before he spoke.
|
|
|
|
"I'm sorry," he said, "but Mr. Hann doesn't recognize
|
|
your name. You are not a customer of ours, and he feels
|
|
that he can't take the risk."
|
|
|
|
Elnora clumped out of the store, the thump of her heavy,
|
|
shoes beating as a hammer on her brain. She tried two
|
|
other dealers with the same result, and then in sick despair
|
|
came into the street. What could she do? She was too
|
|
frightened to think. Should she stay from school that
|
|
day and canvass the homes appearing to belong to the
|
|
wealthy, and try to sell beds of wild ferns, as she had
|
|
suggested to Wesley Sinton? What would she dare ask for
|
|
bringing in and planting a clump of ferns? How could she
|
|
carry them? Would people buy them? She slowly moved
|
|
past the hotel and then glanced around to see if there
|
|
were a clock anywhere, for she felt sure the young people
|
|
passing her constantly were on their way to school.
|
|
|
|
There it stood in a bank window in big black letters
|
|
staring straight at her:
|
|
|
|
WANTED: CATERPILLARS, COCOONS, CHRYSALIDES,
|
|
PUPAE CASES, BUTTERFLIES, MOTHS, INDIAN RELICS
|
|
OF ALL KINDS. HIGHEST SCALE OF PRICES PAID IN CASH
|
|
|
|
Elnora caught the wicket at the cashier's desk with both
|
|
hands to brace herself against disappointment.
|
|
|
|
"Who is it wants to buy cocoons, butterflies, and
|
|
moths?" she panted.
|
|
|
|
"The Bird Woman," answered the cashier. "Have you
|
|
some for sale?"
|
|
|
|
"I have some, I do not know if they are what she would want."
|
|
|
|
"Well, you had better see her," said the cashier. "Do you
|
|
know where she lives?"
|
|
|
|
"Yes," said Elnora. "Would you tell me the time?"
|
|
|
|
"Twenty-one after eight," was the answer.
|
|
|
|
She had nine minutes to reach the auditorium or be late.
|
|
Should she go to school, or to the Bird Woman? Several girls
|
|
passed her walking swiftly and she remembered their faces.
|
|
They were hurrying to school. Elnora caught the infection.
|
|
She would see the Bird Woman at noon. Algebra came first,
|
|
and that professor was kind. Perhaps she could slip to the
|
|
superintendent and ask him for a book for the next lesson,
|
|
and at noon--"Oh, dear Lord make it come true," prayed Elnora,
|
|
at noon possibly she could sell some of those wonderful
|
|
shining-winged things she had been collecting all her life
|
|
around the outskirts of the Limberlost.
|
|
|
|
As she went down the long hall she noticed the professor
|
|
of mathematics standing in the door of his recitation room.
|
|
When she passed him he smiled and spoke to her.
|
|
|
|
"I have been watching for you," he said, and Elnora
|
|
stopped bewildered.
|
|
|
|
"For me?" she questioned.
|
|
|
|
"Yes," said Professor Henley. "Step inside."
|
|
|
|
Elnora followed him into the room and closed the door
|
|
behind them.
|
|
|
|
"At teachers' meeting last evening, one of the professors
|
|
mentioned that a pupil had betrayed in class that she had
|
|
expected her books to be furnished by the city. I thought
|
|
possibly it was you. Was it?"
|
|
|
|
"Yes," breathed Elnora.
|
|
|
|
"That being the case," said Professor Henley, "it just
|
|
occurred to me as you had expected that, you might require
|
|
a little time to secure them, and you are too fine a
|
|
mathematician to fall behind for want of supplies. So I
|
|
telephoned one of our Sophomores to bring her last year's
|
|
books this morning. I am sorry to say they are somewhat
|
|
abused, but the text is all here. You can have them for
|
|
two dollars, and pay when you are ready. Would you
|
|
care to take them?"
|
|
|
|
Elnora sat suddenly, because she could not stand another instant.
|
|
She reached both hands for the books, and said never a word.
|
|
The professor was silent also. At last Eleanor arose,
|
|
hugging those books to her heart as a mother clasps a baby.
|
|
|
|
"One thing more," said the professor. "You may pay
|
|
your tuition quarterly. You need not bother about the
|
|
first instalment this month. Any time in October will do."
|
|
|
|
It seemed as if Elnora's gasp of relief must have reached
|
|
the soles of her brogans.
|
|
|
|
"Did any one ever tell you how beautiful you are!" she cried.
|
|
|
|
As the professor was lank, tow-haired and so near-
|
|
sighted, that he peered at his pupils through spectacles,
|
|
no one ever had.
|
|
|
|
"No," said Professor Henley, "I've waited some time
|
|
for that; for which reason I shall appreciate it all the more.
|
|
Come now, or we shall be late for opening exercises."
|
|
|
|
So Elnora entered the auditorium a second time. Her face was
|
|
like the brightest dawn that ever broke over the Limberlost.
|
|
No matter about the lumbering shoes and skimpy dress.
|
|
No matter about anything, she had the books. She could
|
|
take them home. In her garret she could commit them to
|
|
memory, if need be. She could prove that clothes were
|
|
not all. If the Bird Woman did not want any of the many
|
|
different kinds of specimens she had collected, she was
|
|
quite sure now she could sell ferns, nuts, and a great
|
|
many things. Then, too, a girl made a place for her
|
|
that morning, and several smiled and bowed. Elnora forgot
|
|
everything save her books, and that she was where she
|
|
could use them intelligently--everything except one
|
|
little thing away back in her head. Her mother had
|
|
known about the books and the tuition, and had not told
|
|
her when she agreed to her coming.
|
|
|
|
At noon Elnora took her little parcel of lunch and started
|
|
to the home of the Bird Woman. She must know about
|
|
the specimens first and then she would walk to the suburbs
|
|
somewhere and eat a few bites. She dropped the heavy
|
|
iron knocker on the door of a big red log cabin, and
|
|
her heart thumped at the resounding stroke.
|
|
|
|
"Is the Bird Woman at home?" she asked of the maid.
|
|
|
|
"She is at lunch," was the answer.
|
|
|
|
"Please ask her if she will see a girl from the Limberlost
|
|
about some moths?" inquired Elnora.
|
|
|
|
"I never need ask, if it's moths," laughed the girl.
|
|
"Orders are to bring any one with specimens right in.
|
|
Come this way."
|
|
|
|
Elnora followed down the hall and entered a long room with
|
|
high panelled wainscoting, old English fireplace with an
|
|
overmantel and closets of peculiar china filling the corners.
|
|
At a bare table of oak, yellow as gold, sat a woman Elnora
|
|
often had watched and followed covertly around the Limberlost.
|
|
The Bird Woman was holding out a hand of welcome.
|
|
|
|
I heard!" she laughed. "A little pasteboard box, or
|
|
just the mere word `specimen,' passes you at my door.
|
|
If it is moths I hope you have hundreds. I've been very
|
|
busy all summer and unable to collect, and I need so many.
|
|
Sit down and lunch with me, while we talk it over.
|
|
From the Limberlost, did you say?"
|
|
|
|
"I live near the swamp," replied Elnora. "Since it's
|
|
so cleared I dare go around the edge in daytime, though
|
|
we are all afraid at night."
|
|
|
|
"What have you collected?" asked the Bird Woman,
|
|
as she helped Elnora to sandwiches unlike any she ever
|
|
before had tasted, salad that seemed to be made of many
|
|
familiar things, and a cup of hot chocolate that would have
|
|
delighted any hungry schoolgirl.
|
|
|
|
"I am afraid I am bothering you for nothing, and imposing
|
|
on you," she said. "That 'collected' frightens me.
|
|
I've only gathered. I always loved everything outdoors,
|
|
so I made friends and playmates of them. When I learned
|
|
that the moths die so soon, I saved them especially,
|
|
because there seemed no wickedness in it."
|
|
|
|
"I have thought the same thing," said the Bird
|
|
Woman encouragingly. Then because the girl could
|
|
not eat until she learned about the moths, the Bird
|
|
Woman asked Elnora if she knew what kinds she had.
|
|
|
|
"Not all of them," answered Elnora. "Before Mr.
|
|
Duncan moved away he often saw me near the edge of
|
|
the swamp and he showed me the box he had fixed for
|
|
Freckles, and gave me the key. There were some books
|
|
and things, so from that time on I studied and tried to
|
|
take moths right, but I am afraid they are not what you want."
|
|
|
|
"Are they the big ones that fly mostly in June nights?"
|
|
asked the Bird Woman.
|
|
|
|
"Yes," said Elnora. "Big gray ones with reddish
|
|
markings, pale blue-green, yellow with lavender, and red
|
|
and yellow."
|
|
|
|
"What do you mean by `red and yellow?'" asked the
|
|
Bird Woman so quickly that the girl almost jumped
|
|
|
|
"Not exactly red," explained Elnora, with tremulous voice.
|
|
"A reddish, yellowish brown, with canary-coloured spots
|
|
and gray lines on their wings."
|
|
|
|
"How many of them?" It was the same quick question.
|
|
|
|
"I had over two hundred eggs," said Elnora, "but
|
|
some of them didn't hatch, and some of the caterpillars
|
|
died, but there must be at least a hundred perfect ones."
|
|
|
|
"Perfect! How perfect?" cried the Bird Woman.
|
|
|
|
"I mean whole wings, no down gone, and all their legs
|
|
and antennae," faltered Elnora.
|
|
|
|
"Young woman, that's the rarest moth in America,"
|
|
said the Bird Woman solemnly. "If you have a hundred
|
|
of them, they are worth a hundred dollars according to
|
|
my list. I can use all that are not damaged."
|
|
|
|
"What if they are not pinned right," quavered Elnora.
|
|
|
|
"If they are perfect, that does not make the
|
|
slightest difference. I know how to soften them so
|
|
that I can put them into any shape I choose.
|
|
Where are they? When may I see them?"
|
|
|
|
"They are in Freckles's old case in the Limberlost,"
|
|
said Elnora. "I couldn't carry many for fear of breaking
|
|
them, but I could bring a few after school."
|
|
|
|
"You come here at four," said the Bird Woman, "and
|
|
we will drive out with some specimen boxes, and a price
|
|
list, and see what you have to sell. Are they your very own?
|
|
Are you free to part with them?"
|
|
|
|
"They are mine," said Elnora. "No one but God
|
|
knows I have them. Mr. Duncan gave me the books
|
|
and the box. He told Freckles about me, and Freckles
|
|
told him to give me all he left. He said for me to stick
|
|
to the swamp and be brave, and my hour would come, and
|
|
it has! I know most of them are all right, and oh, I
|
|
do need the money!"
|
|
|
|
"Could you tell me?" asked the Bird Woman softly.
|
|
|
|
"You see the swamp and all the fields around it are so
|
|
full," explained Elnora. "Every day I felt smaller and
|
|
smaller, and I wanted to know more and more, and pretty
|
|
soon I grew desperate, just as Freckles did. But I am
|
|
better off than he was, for I have his books, and I have a
|
|
mother; even if she doesn't care for me as other girls'
|
|
mothers do for them, it's better than no one."
|
|
|
|
The Bird Woman's glance fell, for the girl was not
|
|
conscious of how much she was revealing. Her eyes
|
|
were fixed on a black pitcher filled with goldenrod in
|
|
the centre of the table and she was saying what she thought.
|
|
|
|
"As long as I could go to the Brushwood school I was
|
|
happy, but I couldn't go further just when things were
|
|
the most interesting, so I was determined I'd come to
|
|
high school and mother wouldn't consent. You see
|
|
there's plenty of land, but father was drowned when I
|
|
was a baby, and mother and I can't make money as men do.
|
|
The taxes are higher every year, and she said it was
|
|
too expensive. I wouldn't give her any rest, until at
|
|
last she bought me this dress, and these shoes and I came.
|
|
It was awful!"
|
|
|
|
"Do you live in that beautiful cabin at the northwest
|
|
end of the swamp?" asked the Bird Woman.
|
|
|
|
"Yes," said Elnora.
|
|
|
|
"I remember the place and a story about it, now.
|
|
You entered the high school yesterday?"
|
|
|
|
"Yes."
|
|
|
|
"It was rather bad?"
|
|
|
|
"Rather bad!" echoed Elnora.
|
|
|
|
The Bird Woman laughed.
|
|
|
|
"You can't tell me anything about that," she said.
|
|
"I once entered a city school straight from the country.
|
|
My dress was brown calico, and my shoes were heavy."
|
|
|
|
The tears began to roll down Elnora's cheeks.
|
|
|
|
"Did they----?" she faltered.
|
|
|
|
"They did!" said the Bird Woman. "All of it. I am
|
|
sure they did not miss one least little thing."
|
|
|
|
Then she wiped away some tears that began coursing
|
|
her cheeks, and laughed at the same time.
|
|
|
|
"Where are they now?" asked Elnora suddenly.
|
|
|
|
"They are widely scattered, but none of them have
|
|
attained heights out of range. Some of the rich are
|
|
poor, and some of the poor are rich. Some of the brightest
|
|
died insane, and some of the dullest worked out high
|
|
positions; some of the very worst to bear have gone out,
|
|
and I frequently hear from others. Now I am here,
|
|
able to remember it, and mingle laughter with what
|
|
used to be all tears; for every day I have my beautiful
|
|
work, and almost every day God sends some one like you
|
|
to help me. What is your name, my girl?"
|
|
|
|
"Elnora Comstock," answered Elnora. "Yesterday on the
|
|
board it changed to Cornstock, and for a minute I
|
|
thought I'd die, but I can laugh over that already."
|
|
|
|
The Bird Woman arose and kissed her. "Finish your
|
|
lunch," she said, "and I will bring my price lists, and
|
|
make a memorandum of what you think you have, so I
|
|
will know how many boxes to prepare. And remember this:
|
|
What you are lies with you. If you are lazy, and
|
|
accept your lot, you may live in it. If you are willing
|
|
to work, you can write your name anywhere you choose,
|
|
among the only ones who live beyond the grave in this
|
|
world, the people who write books that help, make exquisite
|
|
music, carve statues, paint pictures, and work for others.
|
|
Never mind the calico dress, and the coarse shoes.
|
|
Work at your books, and before long you will hear
|
|
yesterday's tormentors boasting that they were once
|
|
classmates of yours. `I could a tale unfold'----!"
|
|
|
|
She laughingly left the room and Elnora sat thinking,
|
|
until she remembered how hungry she was, so she ate the
|
|
food, drank the hot chocolate and began to feel better.
|
|
|
|
Then the Bird Woman came back and showed Elnora a
|
|
long printed slip giving a list of graduated prices for
|
|
moths, butterflies, and dragonflies.
|
|
|
|
"Oh, do you want them!" exulted Elnora. "I have
|
|
a few and I can get more by the thousand, with every
|
|
colour in the world on their wings."
|
|
|
|
"Yes," said the Bird Woman, "I will buy them, also the
|
|
big moth caterpillars that are creeping everywhere now,
|
|
and the cocoons that they will spin just about this time.
|
|
I have a sneaking impression that the mystery, wonder,
|
|
and the urge of their pure beauty, are going to force me
|
|
to picture and paint our moths and put them into a book
|
|
for all the world to see and know. We Limberlost people
|
|
must not be selfish with the wonders God has given to us.
|
|
We must share with those poor cooped-up city people the
|
|
best we can. To send them a beautiful book, that is the
|
|
way, is it not, little new friend of mine?"
|
|
|
|
"Yes, oh yes!" cried Elnora. "And please God they
|
|
find a way to earn the money to buy the books, as I have
|
|
those I need so badly."
|
|
|
|
"I will pay good prices for all the moths you can find,"
|
|
said the Bird Woman, "because you see I exchange them
|
|
with foreign collectors. I want a complete series of the
|
|
moths of America to trade with a German scientist,
|
|
another with a man in India, and another in Brazil.
|
|
Others I can exchange with home collectors for those of
|
|
California and Canada, so you see I can use all you can
|
|
raise, or find. The banker will buy stone axes, arrow
|
|
points, and Indian pipes. There was a teacher from the
|
|
city grade schools here to-day for specimens. There is
|
|
a fund to supply the ward buildings. I'll help you get
|
|
in touch with that. They want leaves of different trees,
|
|
flowers, grasses, moths, insects, birds' nests and anything
|
|
about birds."
|
|
|
|
Elnora's eyes were blazing. "Had I better go back to
|
|
school or open a bank account and begin being a millionaire?
|
|
Uncle Wesley and I have a bushel of arrow points gathered,
|
|
a stack of axes, pipes, skin-dressing tools, tubes and mortars.
|
|
I don't know how I ever shall wait three hours."
|
|
|
|
"You must go, or you will be late," said the Bird Woman.
|
|
"I will be ready at four."
|
|
|
|
After school closed Elnora, seated beside the Bird
|
|
Woman, drove to Freckles's room in the Limberlost. One at
|
|
a time the beautiful big moths were taken from the
|
|
interior of the old black case. Not a fourth of them could
|
|
be moved that night and it was almost dark when the last
|
|
box was closed, the list figured, and into Elnora's trembling
|
|
fingers were paid fifty-nine dollars and sixteen cents.
|
|
Elnora clasped the money closely.
|
|
|
|
"Oh you beautiful stuff!" she cried. "You are going to
|
|
buy the books, pay the tuition, and take me to high school."
|
|
|
|
Then because she was a woman, she sat on a log and
|
|
looked at her shoes. Long after the Bird Woman drove
|
|
away Elnora remained. She had her problem, and it was
|
|
a big one. If she told her mother, would she take the
|
|
money to pay the taxes? If she did not tell her, how could
|
|
she account for the books, and things for which she would
|
|
spend it. At last she counted out what she needed for
|
|
the next day, placed the remainder in the farthest corner
|
|
of the case, and locked the door. She then filled the front
|
|
of her skirt from a heap of arrow points beneath the case
|
|
and started home.
|
|
|
|
CHAPTER IV
|
|
|
|
WHEREIN THE SINTONS ARE DISAPPOINTED,
|
|
AND MRS. COMSTOCK LEARNS THAT SHE CAN LAUGH
|
|
|
|
With the first streak of red above the Limberlost
|
|
Margaret Sinton was busy with the gingham and the
|
|
intricate paper pattern she had purchased.
|
|
Wesley cooked the breakfast and worked until he thought
|
|
Elnora would be gone, then he started to bring her mother.
|
|
|
|
"Now you be mighty careful," cautioned Margaret.
|
|
"I don't know how she will take it."
|
|
|
|
"I don't either," said Wesley philosophically, "but
|
|
she's got to take it some way. That dress has to be
|
|
finished by school time in the morning."
|
|
|
|
Wesley had not slept well that night. He had been so
|
|
busy framing diplomatic speeches to make to Mrs. Comstock
|
|
that sleep had little chance with him. Every step nearer
|
|
to her he approached his position seemed less enviable.
|
|
By the time he reached the front gate and started down
|
|
the walk between the rows of asters and lady slippers
|
|
he was perspiring, and every plausible and convincing
|
|
speech had fled his brain. Mrs. Comstock helped him.
|
|
She met him at the door.
|
|
|
|
"Good morning," she said. "Did Margaret send you
|
|
for something?"
|
|
|
|
"Yes," said Wesley. "She's got a job that's too big
|
|
for her, and she wants you to help."
|
|
|
|
"Of course I will," said Mrs. Comstock. It was no
|
|
one's affair how lonely the previous day had been, or
|
|
how the endless hours of the present would drag.
|
|
"What is she doing in such a rush?"
|
|
|
|
Now was his chance.
|
|
|
|
"She's making a dress for Elnora," answered, Wesley.
|
|
He saw Mrs. Comstock's form straighten, and her face
|
|
harden, so he continued hastily. "You see Elnora has
|
|
been helping us at harvest time, butchering, and with
|
|
unexpected visitors for years. We've made out that
|
|
she's saved us a considerable sum, and as she wouldn't
|
|
ever touch any pay for anything, we just went to town
|
|
and got a few clothes we thought would fix her up a little
|
|
for the high school. We want to get a dress done to-day
|
|
mighty bad, but Margaret is slow about sewing, and she
|
|
never can finish alone, so I came after you."
|
|
|
|
"And it's such a simple little matter, so dead easy;
|
|
and all so between old friends like, that you can't look
|
|
above your boots while you explain it," sneered Mrs. Comstock.
|
|
"Wesley Sinton, what put the idea into your head that
|
|
Elnora would take things bought with money, when she
|
|
wouldn't take the money?
|
|
|
|
Then Sinton's eyes came up straightly.
|
|
|
|
"Finding her on the trail last night sobbing as hard as
|
|
I ever saw any one at a funeral. She wasn't complaining
|
|
at all, but she's come to me all her life with her little hurts,
|
|
and she couldn't hide how she'd been laughed at, twitted,
|
|
and run face to face against the fact that there were books
|
|
and tuition, unexpected, and nothing will ever make me
|
|
believe you didn't know that, Kate Comstock."
|
|
|
|
"If any doubts are troubling you on that subject, sure
|
|
I knew it! She was so anxious to try the world, I thought
|
|
I'd just let her take a few knocks and see how she liked them."
|
|
|
|
"As if she'd ever taken anything but knocks all her life!"
|
|
cried Wesley Sinton. "Kate Comstock, you are a heartless,
|
|
selfish woman. You've never shown Elnora any real love in
|
|
her life. If ever she finds out that thing you'll lose her,
|
|
and it will serve you right."
|
|
|
|
"She knows it now," said Mrs. Comstock icily, "and
|
|
she'll be home to-night just as usual."
|
|
|
|
"Well, you are a brave woman if you dared put a girl of
|
|
Elnora's make through what she suffered yesterday, and will
|
|
suffer again to-day, and let her know you did it on purpose.
|
|
I admire your nerve. But I've watched this since Elnora
|
|
was born, and I got enough. Things have come to a pass
|
|
where they go better for her, or I interfere."
|
|
|
|
"As if you'd ever done anything but interfere all her life!
|
|
Think I haven't watched you? Think I, with my heart raw
|
|
in my breast, and too numb to resent it openly,
|
|
haven't seen you and Mag Sinton trying to turn Elnora
|
|
against me day after day? When did you ever tell her
|
|
what her father meant to me? When did you ever try to
|
|
make her see the wreck of my life, and what I've suffered?
|
|
No indeed! Always it's been poor little abused Elnora,
|
|
and cakes, kissing, extra clothes, and encouraging her
|
|
to run to you with a pitiful mouth every time I tried to
|
|
make a woman of her."
|
|
|
|
"Kate Comstock, that's unjust," cried Sinton. "Only last
|
|
night I tried to show her the picture I saw the day she
|
|
was born. I begged her to come to you and tell you
|
|
pleasant what she needed, and ask you for what I happen
|
|
to know you can well afford to give her."
|
|
|
|
"I can't!" cried Mrs. Comstock. "You know I can't!"
|
|
|
|
"Then get so you can!" said Wesley Sinton. "Any day
|
|
you say the word you can sell six thousand worth of
|
|
rare timber off this place easy. I'll see to clearing and
|
|
working the fields cheap as dirt, for Elnora's sake.
|
|
I'll buy you more cattle to fatten. All you've got to do
|
|
is sign a lease, to pull thousands from the ground in oil,
|
|
as the rest of us are doing all around you!"
|
|
|
|
"Cut down Robert's trees!" shrieked Mrs. Comstock.
|
|
"Tear up his land! Cover everything with horrid,
|
|
greasy oil! I'll die first."
|
|
|
|
"You mean you'll let Elnora go like a beggar, and hurt
|
|
and mortify her past bearing. I've got to the place where
|
|
I tell you plain what I am going to do. Maggie and I
|
|
went to town last night, and we bought what things Elnora
|
|
needs most urgent to make her look a little like the rest of
|
|
the high school girls. Now here it is in plain English.
|
|
You can help get these things ready, and let us give them to
|
|
her as we want----"
|
|
|
|
"She won't touch them!" cried Mrs. Comstock.
|
|
|
|
"Then you can pay us, and she can take them as her right----"
|
|
|
|
"I won't!"
|
|
|
|
"Then I will tell Elnora just what you are worth, what
|
|
you can afford, and how much of this she owns. I'll loan
|
|
her the money to buy books and decent clothes, and
|
|
when she is of age she can sell her share and pay me."
|
|
|
|
Mrs. Comstock gripped a chair-back and opened her
|
|
lips, but no words came.
|
|
|
|
"And," Sinton continued, "if she is so much like you
|
|
that she won't do that, I'll go to the county seat and lay
|
|
complaint against you as her guardian before the judge.
|
|
I'll swear to what you are worth, and how you are raising
|
|
her, and have you discharged, or have the judge appoint
|
|
some man who will see that she is comfortable, educated,
|
|
and decent looking!"
|
|
|
|
"You--you wouldn't!" gasped Kate Comstock.
|
|
|
|
"I won't need to, Kate!" said Sinton, his heart softening
|
|
the instant the hard words were said. "You won't
|
|
show it, but you do love Elnora! You can't help it!
|
|
You must see how she needs things; come help us fix them,
|
|
and be friends. Maggie and I couldn't live without her,
|
|
and you couldn't either. You've got to love such a fine
|
|
girl as she is; let it show a little!"
|
|
|
|
"You can hardly expect me to love her," said Mrs.
|
|
Comstock coldly. "But for her a man would stand back
|
|
of me now, who would beat the breath out of your sneaking
|
|
body for the cowardly thing with which you threaten me.
|
|
After all I've suffered you'd drag me to court and
|
|
compel me to tear up Robert's property. If I ever go they
|
|
carry me. If they touch one tree, or put down one greasy
|
|
old oil well, it will be over all I can shoot, before they
|
|
begin. Now, see how quick you can clear out of here!"
|
|
|
|
"You won't come and help Maggie with the dress?"
|
|
|
|
For answer Mrs. Comstock looked around swiftly for
|
|
some object on which to lay her hands. Knowing her
|
|
temper, Wesley Sinton left with all the haste consistent
|
|
with dignity. But he did not go home. He crossed a
|
|
field, and in an hour brought another neighbour who was
|
|
skilful with her needle. With sinking heart Margaret saw
|
|
them coming.
|
|
|
|
"Kate is too busy to help to-day, she can't sew before
|
|
to-morrow," said Wesley cheerfully as they entered.
|
|
|
|
That quieted Margaret's apprehension a little, though
|
|
she had some doubts. Wesley prepared the lunch, and
|
|
by four o'clock the dress was finished as far as it possibly
|
|
could be until it was fitted on Elnora. If that did not
|
|
entail too much work, it could be completed in two hours.
|
|
|
|
Then Margaret packed their purchases into the big
|
|
market basket. Wesley took the hat, umbrella, and raincoat,
|
|
and they went to Mrs. Comstock's. As they reached
|
|
the step, Margaret spoke pleasantly to Mrs. Comstock,
|
|
who sat reading just inside the door, but she did not
|
|
answer and deliberately turned a leaf without looking up.
|
|
|
|
Wesley Sinton opened the door and went in followed by Margaret.
|
|
|
|
"Kate," he said, "you needn't take out your mad over
|
|
our little racket on Maggie. I ain't told her a word I said
|
|
to you, or you said to me. She's not so very strong, and
|
|
she's sewed since four o'clock this morning to get this dress
|
|
ready for to-morrow. It's done and we came down to try
|
|
it on Elnora."
|
|
|
|
"Is that the truth, Mag Sinton?" demanded Mrs. Comstock.
|
|
|
|
"You heard Wesley say so," proudly affirmed Mrs. Sinton.
|
|
|
|
"I want to make you a proposition," said Wesley.
|
|
"Wait till Elnora comes. Then we'll show her the things
|
|
and see what she says."
|
|
|
|
"How would it do to see what she says without bribing
|
|
her," sneered Mrs. Comstock.
|
|
|
|
"If she can stand what she did yesterday, and will to-
|
|
day, she can bear 'most anything," said Wesley. "Put away
|
|
the clothes if you want to, till we tell her."
|
|
|
|
"Well, you don't take this waist I'm working on,"
|
|
said Margaret, "for I have to baste in the sleeves and set
|
|
the collar. Put the rest out of sight if you like."
|
|
|
|
Mrs. Comstock picked up the basket and bundles,
|
|
placed them inside her room and closed the door.
|
|
|
|
Margaret threaded her needle and began to sew.
|
|
Mrs. Comstock returned to her book, while Wesley fidgeted
|
|
and raged inwardly. He could see that Margaret was
|
|
nervous and almost in tears, but the lines in Mrs.
|
|
Comstock's impassive face were set and cold. So they
|
|
sat while the clock ticked off the time--one hour, two,
|
|
dusk, and no Elnora. Just when Margaret and Wesley were
|
|
discussing whether he had not better go to town to meet
|
|
Elnora, they heard her coming up the walk. Wesley dropped
|
|
his tilted chair and squared himself. Margaret gripped
|
|
her sewing, and turned pleading eyes toward the door.
|
|
Mrs. Comstock closed her book and grimly smiled.
|
|
|
|
"Mother, please open the door," called Elnora.
|
|
|
|
Mrs. Comstock arose, and swung back the screen.
|
|
Elnora stepped in beside her, bent half double, the whole
|
|
front of her dress gathered into a sort of bag filled with a
|
|
heavy load, and one arm stacked high with books. In the
|
|
dim light she did not see the Sintons.
|
|
|
|
"Please hand me the empty bucket in the kitchen,
|
|
mother," she said. "I just had to bring these arrow
|
|
points home, but I'm scared for fear I've spoiled my dress
|
|
and will have to wash it. I'm to clean them, and take
|
|
them to the banker in the morning, and oh, mother, I've
|
|
sold enough stuff to pay for my books, my tuition, and
|
|
maybe a dress and some lighter shoes besides. Oh, mother
|
|
I'm so happy! Take the books and bring the bucket!"
|
|
|
|
Then she saw Margaret and Wesley. "Oh, glory!"
|
|
she exulted. "I was just wondering how I'd ever wait to
|
|
tell you, and here you are! It's too perfectly splendid to
|
|
be true!"
|
|
|
|
"Tell us, Elnora," said Sinton.
|
|
|
|
"Well sir," said Elnora, doubling down on the floor and
|
|
spreading out her skirt, "set the bucket here, mother.
|
|
These points are brittle, and should be put in one at a time.
|
|
If they are chipped I can't sell them. Well sir! I've had
|
|
a time! You know I just had to have books. I tried three
|
|
stores, and they wouldn't trust me, not even three days,
|
|
I didn't know what in this world I could do quickly enough.
|
|
Just when I was almost frantic I saw a sign in a bank window
|
|
asking for caterpillars, cocoons, butterflies, arrow points,
|
|
and everything. I went in, and it was this Bird Woman who
|
|
wants the insects, and the banker wants the stones. I had
|
|
to go to school then, but, if you'll believe it"--Elnora
|
|
beamed on all of them in turn as she talked and slipped
|
|
the arrow points from her dress to the pail--"if you'll
|
|
believe it--but you won't, hardly, until you look at the
|
|
books--there was the mathematics teacher, waiting at his
|
|
door, and he had a set of books for me that he had
|
|
telephoned a Sophomore to bring."
|
|
|
|
"How did he happen to do that, Elnora?" interrupted Sinton.
|
|
|
|
Elnora blushed.
|
|
|
|
"It was a fool mistake I made yesterday in thinking
|
|
books were just handed out to one. There was a teachers'
|
|
meeting last night and the history teacher told about that.
|
|
Professor Henley thought of me. You know I told you what
|
|
he said about my algebra, mother. Ain't I glad I studied
|
|
out some of it myself this summer! So he telephoned and
|
|
a girl brought the books. Because they are marked and
|
|
abused some I get the whole outfit for two dollars.
|
|
I can erase most of the marks, paste down the covers,
|
|
and fix them so they look better. But I must hurry to
|
|
the joy part. I didn't stop to eat, at noon, I just
|
|
ran to the Bird Woman's, and I had lunch with her. It was
|
|
salad, hot chocolate, and lovely things, and she wants
|
|
to buy most every old scrap I ever gathered. She wants
|
|
dragonflies, moths, butterflies, and he--the banker, I
|
|
mean--wants everything Indian. This very night she
|
|
came to the swamp with me and took away enough stuff to
|
|
pay for the books and tuition, and to-morrow she is going
|
|
to buy some more."
|
|
|
|
Elnora laid the last arrow point in the pail and arose,
|
|
shaking leaves and bits of baked earth from her dress.
|
|
She reached into her pocket, produced her money and
|
|
waved it before their wondering eyes.
|
|
|
|
"And that's the joy part!" she exulted. "Put it up in
|
|
the clock till morning, mother. That pays for the books
|
|
and tuition and--" Elnora hesitated, for she saw the
|
|
nervous grasp with which her mother's fingers closed on
|
|
the bills. Then she continued, but more slowly and
|
|
thinking before she spoke.
|
|
|
|
"What I get to-morrow pays for more books and tuition,
|
|
and maybe a few, just a few, things to wear. These shoes
|
|
are so dreadfully heavy and hot, and they make such a
|
|
noise on the floor. There isn't another calico dress in
|
|
the whole building, not among hundreds of us. Why, what
|
|
is that? Aunt Margaret, what are you hiding in your lap?"
|
|
|
|
She snatched the waist and shook it out, and her face
|
|
was beaming. "Have you taken to waists all fancy and
|
|
buttoned in the back? I bet you this is mine!"
|
|
|
|
"I bet you so too," said Margaret Sinton. "You undress
|
|
right away and try it on, and if it fits, it will be
|
|
done for morning. There are some low shoes, too!"
|
|
|
|
Elnora began to dance. "Oh, you dear people!"
|
|
she cried. "I can pay for them to-morrow night!
|
|
Isn't it too splendid! I was just thinking on the
|
|
way home that I certainly would be compelled to
|
|
have cooler shoes until later, and I was wondering
|
|
what I'd do when the fall rains begin."
|
|
|
|
"I meant to get you some heavy dress skirts and a
|
|
coat then," said Mrs. Comstock.
|
|
|
|
"I know you said so!" cried Elnora. "But you needn't, now!
|
|
I can buy every single stitch I need myself. Next summer
|
|
I can gather up a lot more stuff, and all winter on the
|
|
way to school. I am sure I can sell ferns, I know
|
|
I can nuts, and the Bird Woman says the grade rooms
|
|
want leaves, grasses, birds' nests, and cocoons. Oh, isn't
|
|
this world lovely! I'll be helping with the tax, next, mother!"
|
|
|
|
Elnora waved the waist and started for the bedroom.
|
|
When she opened the door she gave a little cry.
|
|
|
|
"What have you people been doing?" she demanded.
|
|
"I never saw so many interesting bundles in all my life.
|
|
I'm `skeered' to death for fear I can't pay for them, and
|
|
will have to give up something."
|
|
|
|
"Wouldn't you take them, if you could not pay for
|
|
them, Elnora?" asked her mother instantly.
|
|
|
|
"Why, not unless you did," answered Elnora. "People have
|
|
no right to wear things they can't afford, have they?"
|
|
|
|
"But from such old friends as Maggie and Wesley!"
|
|
Mrs. Comstock's voice was oily with triumph.
|
|
|
|
"From them least of all," cried Elnora stoutly. "From a
|
|
stranger sooner than from them, to whom I owe so much more
|
|
than I ever can pay now."
|
|
|
|
"Well, you don't have to," said Mrs. Comstock.
|
|
"Maggie just selected these things, because she is more
|
|
in touch with the world, and has got such good taste.
|
|
You can pay as long as your money holds out, and if
|
|
there's more necessary, maybe I can sell the butcher a
|
|
calf, or if things are too costly for us, of course,
|
|
they can take them back. Put on the waist now, and then
|
|
you can look over the rest and see if they are suitable,
|
|
and what you want."
|
|
|
|
Elnora stepped into the adjoining room and closed the door.
|
|
Mrs. Comstock picked up the bucket and started for the well
|
|
with it. At the bedroom she paused.
|
|
|
|
"Elnora, were you going to wash these arrow points?"
|
|
|
|
"Yes. The Bird Woman says they sell better if they are clean,
|
|
so it can be seen that there are no defects in them."
|
|
|
|
"Of course," said Mrs. Comstock. "Some of them
|
|
seem quite baked. Shall I put them to soak? Do you
|
|
want to take them in the morning?"
|
|
|
|
"Yes, I do," answered Elnora. "If you would just
|
|
fill the pail with water."
|
|
|
|
Mrs. Comstock left the room. Wesley Sinton sat
|
|
with his back to the window in the west end of the cabin
|
|
which overlooked the well. A suppressed sound behind
|
|
him caused him to turn quickly. Then he arose and
|
|
leaned over Margaret.
|
|
|
|
"She's out there laughing like a blamed monkey!"
|
|
he whispered indignantly.
|
|
|
|
"Well, she can't help it!" exclaimed Margaret.
|
|
|
|
"I'm going home!" said Wesley.
|
|
|
|
"Oh no, you are not!" retorted Margaret. "You are
|
|
missing the point. The point is not how you look,
|
|
or feel. It is to get these things in Elnora's possession
|
|
past dispute. You go now, and to-morrow Elnora will
|
|
wear calico, and Kate Comstock will return these goods.
|
|
Right here I stay until everything we bought is Elnora's."
|
|
|
|
"What are you going to do?" asked Wesley.
|
|
|
|
"I don't know yet, myself," said Margaret.
|
|
|
|
Then she arose and peered from the window. At the
|
|
well curb stood Katharine Comstock. The strain
|
|
of the day was finding reaction. Her chin was in the
|
|
air, she was heaving, shaking and strangling to suppress
|
|
any sound. The word that slipped between Margaret
|
|
Sinton's lips shocked Wesley until he dropped on his
|
|
chair, and recalled her to her senses. She was fairly
|
|
composed as she turned to Elnora, and began the fitting.
|
|
When she had pinched, pulled, and patted she called,
|
|
"Come see if you think this fits, Kate."
|
|
|
|
Mrs. Comstock had gone around to the back door and
|
|
answered from the kitchen. "You know more about
|
|
it than I do. Go ahead! I'm getting supper.
|
|
Don't forget to allow for what it will shrink in washing!"
|
|
|
|
"I set the colours and washed the goods last night;
|
|
it can be made to fit right now," answered Margaret.
|
|
|
|
When she could find nothing more to alter she told
|
|
Elnora to heat some water. After she had done that the
|
|
girl began opening packages.
|
|
|
|
The hat came first.
|
|
|
|
"Mother!" cried Elnora. "Mother, of course, you
|
|
have seen this, but you haven't seen it on me. I must
|
|
try it on."
|
|
|
|
"Don't you dare put that on your head until your hair
|
|
is washed and properly combed," said Margaret.
|
|
|
|
"Oh!" cried Elnora. "Is that water to wash my hair?
|
|
I thought it was to set the colour in another dress."
|
|
|
|
"Well, you thought wrong," said Margaret simply.
|
|
"Your hair is going to be washed and brushed until
|
|
it shines like copper. While it dries you can eat your
|
|
supper, and this dress will be finished. Then you can
|
|
put on your new ribbon, and your hat. You can try
|
|
your shoes now, and if they don't fit, you and Wesley
|
|
can drive to town and change them. That little round
|
|
bundle on the top of the basket is your stockings."
|
|
|
|
Margaret sat down and began sewing swiftly, and a little
|
|
later opened the machine, and ran several long seams.
|
|
|
|
Elnora returned in a few minutes holding up her skirts
|
|
and stepping daintily in the new shoes.
|
|
|
|
"Don't soil them, honey, else you're sure they fit,"
|
|
cautioned Wesley.
|
|
|
|
"They seem just a trifle large, maybe," said Elnora
|
|
dubiously, and Wesley knelt to feel. He and Margaret
|
|
thought them a fit, and then Elnora appealed to
|
|
her mother. Mrs. Comstock appeared wiping her hands
|
|
on her apron. She examined the shoes critically.
|
|
|
|
"They seem to fit," she said, "but they are away too
|
|
fine to walk country roads."
|
|
|
|
"I think so, too," said Elnora instantly. "We had
|
|
better take these back and get a cheaper pair."
|
|
|
|
"Oh, let them go for this time," said Mrs. Comstock.
|
|
"They are so pretty, I hate to part with them. You can
|
|
get cheaper ones after this."
|
|
|
|
Wesley and Margaret scarcely breathed for a long time.
|
|
|
|
When Wesley went to do the feeding. Elnora set
|
|
the table. When the water was hot, Margaret pinned a
|
|
big towel around Elnora's shoulders and washed and
|
|
dried the lovely hair according to the instructions she
|
|
had been given the previous night. As the hair began
|
|
to dry it billowed out in a sparkling sheen that caught the
|
|
light and gleamed and flashed.
|
|
|
|
"Now, the idea is to let it stand naturally, just as the
|
|
curl will make it. Don't you do any of that nasty, untidy
|
|
snarling, Elnora," cautioned Margaret. "Wash it this
|
|
way every two weeks while you are in school, shake it
|
|
out, and dry it. Then part it in the middle and turn a
|
|
front quarter on each side from your face. You tie the
|
|
back at your neck with a string--so, and the ribbon goes
|
|
in a big, loose bow. I'll show you." One after another
|
|
Margaret Sinton tied the ribbons, creasing each of them
|
|
so they could not be returned, as she explained that she
|
|
was trying to find the colour most becoming. Then she
|
|
produced the raincoat which carried Elnora into transports.
|
|
|
|
Mrs. Comstock objected. "That won't be warm enough for
|
|
cold weather, and you can't afford it and a coat, too."
|
|
|
|
"I'll tell you what I thought," said Elnora. "I was
|
|
planning on the way home. These coats are fine because
|
|
they keep you dry. I thought I would get one, and a
|
|
warm sweater to wear under it cold days. Then I always
|
|
would be dry, and warm. The sweater only costs three
|
|
dollars, so I could get it and the raincoat both for half
|
|
the price of a heavy cloth coat."
|
|
|
|
"You are right about that," said Mrs. Comstock.
|
|
"You can change more with the weather, too. Keep the
|
|
raincoat, Elnora."
|
|
|
|
"Wear it until you try the hat," said Margaret. "It will
|
|
have to do until the dress is finished."
|
|
|
|
Elnora picked up the hat dubiously. "Mother, may
|
|
I wear my hair as it is now?" she asked.
|
|
|
|
"Let me take a good look," said Katharine Comstock.
|
|
|
|
Heaven only knows what she saw. To Wesley and
|
|
to Margaret the bright young face of Elnora, with its
|
|
pink tints, its heavy dark brows, its bright blue-gray
|
|
eyes, and its frame of curling reddish-brown hair was
|
|
the sweetest sight on earth, and at that instant Elnora
|
|
was radiant.
|
|
|
|
"So long as it's your own hair, and combed back as plain
|
|
as it will go, I don't suppose it cuts much ice whether
|
|
it's tied a little tighter or looser," conceded Mrs. Comstock.
|
|
"If you stop right there, you may let it go at that."
|
|
|
|
Elnora set the hat on her head. It was only a wide
|
|
tan straw with three exquisite peacock quills at one side.
|
|
Margaret Sinton cried out, Wesley slapped his knee and
|
|
sighed deeply while Mrs. Comstock stood speechless
|
|
for a second.
|
|
|
|
"I wish you had asked the price before you put that
|
|
on," she said impatiently. "We never can afford it."
|
|
|
|
"It's not so much as you think," said Margaret.
|
|
"Don't you see what I did? I had them take off the
|
|
quills, and put on some of those Phoebe Simms gave me
|
|
from her peacocks. The hat will only cost you a dollar
|
|
and a half."
|
|
|
|
She avoided Wesley's eyes, and looked straight at
|
|
Mrs. Comstock. Elnora removed the hat to examine it.
|
|
|
|
"Why, they are those reddish-tan quills of yours!"
|
|
she cried. "Mother, look how beautifully they are
|
|
set on! I'd much rather have them than those from
|
|
the store."
|
|
|
|
"So would I," said Mrs. Comstock. "If Margaret
|
|
wants to spare them, that will make you a beautiful
|
|
hat; dirt cheap, too! You must go past Mrs. Simms
|
|
and show her. She would be pleased to see them."
|
|
|
|
Elnora sank into a chair and contemplated her toe.
|
|
"Landy, ain't I a queen?" she murmured. "What else
|
|
have I got?"
|
|
|
|
"Just a belt, some handkerchiefs, and a pair of top
|
|
shoes for rainy days and colder weather," said Margaret.
|
|
|
|
"About those high shoes, that was my idea," said Wesley.
|
|
"Soon as it rains, low shoes won't do, and by taking
|
|
two pairs at once I could get them some cheaper. The low
|
|
ones are two and the high ones two fifty, together three
|
|
seventy-five. Ain't that cheap?"
|
|
|
|
"That's a real bargain," said Mrs. Comstock, "if they
|
|
are good shoes, and they look it."
|
|
|
|
"This" said Wesley, producing the last package, "is
|
|
your Christmas present from your Aunt Maggie. I got
|
|
mine, too, but it's at the house. I'll bring it up in
|
|
the morning."
|
|
|
|
He handed Margaret the umbrella, and she passed it
|
|
over to Elnora who opened it and sat laughing under
|
|
its shelter. Then she kissed both of them. She brought a
|
|
pencil and a slip of paper to set down the prices they gave
|
|
her of everything they had brought except the umbrella,
|
|
added the sum, and said laughingly: "Will you please wait
|
|
till to-morrow for the money? I will have it then, sure."
|
|
|
|
"Elnora," said Wesley Sinton. "Wouldn't you----"
|
|
|
|
"Elnora, hustle here a minute!" called Mrs. Comstock
|
|
from the kitchen. "I need you!"
|
|
|
|
"One second, mother," answered Elnora, throwing off
|
|
the coat and hat, and closing the umbrella as she ran.
|
|
There were several errands to do in a hurry, and then supper.
|
|
Elnora chattered incessantly, Wesley and Margaret talked
|
|
all they could, while Mrs. Comstock said a word now and then,
|
|
which was all she ever did. But Wesley Sinton was watching
|
|
her, and time and again he saw a peculiar little twist
|
|
around her mouth. He knew that for the first time in
|
|
sixteen years she really was laughing over something.
|
|
She had all she could do to preserve her usually sober face.
|
|
Wesley knew what she was thinking.
|
|
|
|
After supper the dress was finished, the pattern for
|
|
the next one discussed, and then the Sintons went home.
|
|
Elnora gathered her treasures. When she started upstairs
|
|
she stopped. "May I kiss you good-night, mother?"
|
|
she asked lightly.
|
|
|
|
"Never mind any slobbering," said Mrs. Comstock.
|
|
"I should think you'd lived with me long enough to know
|
|
that I don't care for it."
|
|
|
|
"Well, I'd love to show you in some way how happy I
|
|
am, and how I thank you."
|
|
|
|
"I wonder what for?" said Mrs. Comstock. "Mag Sinton
|
|
chose that stuff and brought it here and you pay for it."
|
|
|
|
"Yes, but you seemed willing for me to have it, and
|
|
you said you would help me if I couldn't pay all."
|
|
|
|
"Maybe I did," said Mrs. Comstock. "Maybe I did.
|
|
I meant to get you some heavy dress skirts about
|
|
Thanksgiving, and I still can get them. Go to bed,
|
|
and for any sake don't begin mooning before a mirror,
|
|
and make a dunce of yourself."
|
|
|
|
Mrs. Comstock picked up several papers and blew out
|
|
the kitchen light. She stood in the middle of the sitting-
|
|
room floor for a time and then went into her room and
|
|
closed the door. Sitting on the edge of the bed she thought
|
|
for a few minutes and then suddenly buried her face in the
|
|
pillow and again heaved with laughter.
|
|
|
|
Down the road plodded Margaret and Wesley Sinton.
|
|
Neither of them had words to utter their united thought.
|
|
|
|
"Done!" hissed Wesley at last. "Done brown! Did you
|
|
ever feel like a bloomin', confounded donkey? How did
|
|
the woman do it?"
|
|
|
|
"She didn't do it!" gulped Margaret through her tears.
|
|
"She didn't do anything. She trusted to Elnora's great
|
|
big soul to bring her out right, and really she was right,
|
|
and so it had to bring her. She's a darling, Wesley!
|
|
But she's got a time before her. Did you see Kate Comstock
|
|
grab that money? Before six months she'll be out combing
|
|
the Limberlost for bugs and arrow points to help pay the tax.
|
|
I know her."
|
|
|
|
"Well, I don't!" exclaimed Sinton, "she's too many for me.
|
|
But there is a laugh left in her yet! I didn't s'pose
|
|
there was. Bet you a dollar, if we could see her this
|
|
minute, she'd be chuckling over the way we got left."
|
|
|
|
Both of them stopped in the road and looked back.
|
|
|
|
"There's Elnora's light in her room," said Margaret.
|
|
"The poor child will feel those clothes, and pore over
|
|
her books till morning, but she'll look decent to go to
|
|
school, anyway. Nothing is too big a price to pay for that."
|
|
|
|
"Yes, if Kate lets her wear them. Ten to one, she
|
|
makes her finish the week with that old stuff!"
|
|
|
|
"No, she won't," said Margaret. "She'll hardly dare.
|
|
Kate made some concessions, all right; big ones for her--
|
|
if she did get her way in the main. She bent some, and
|
|
if Elnora proves that she can walk out barehanded in the
|
|
morning and come back with that much money in her
|
|
pocket, an armful of books, and buy a turnout like that,
|
|
she proves that she is of some consideration, and Kate's
|
|
smart enough. She'll think twice before she'll do that.
|
|
Elnora won't wear a calico dress to high school again.
|
|
You watch and see if she does. She may have the best
|
|
clothes she'll get for a time, for the least money, but she
|
|
won't know it until she tries to buy goods herself at the
|
|
same rates. Wesley, what about those prices? Didn't they
|
|
shrink considerable?"
|
|
|
|
"You began it," said Wesley. "Those prices were all right.
|
|
We didn't say what the goods cost us, we said what they
|
|
would cost her. Surely, she's mistaken about being able
|
|
to pay all that. Can she pick up stuff of that value
|
|
around the Limberlost? Didn't the Bird Woman see her
|
|
trouble, and just give her the money?"
|
|
|
|
"I don't think so," said Margaret. "Seems to me
|
|
I've heard of her paying, or offering to pay those who
|
|
would take the money, for bugs and butterflies, and I've
|
|
known people who sold that banker Indian stuff. Once I
|
|
heard that his pipe collection beat that of the Government
|
|
at the Philadelphia Centennial. Those things have come
|
|
to have a value."
|
|
|
|
"Well, there's about a bushel of that kind of valuables
|
|
piled up in the woodshed, that belongs to Elnora. At least,
|
|
I picked them up because she said she wanted them.
|
|
Ain't it queer that she'd take to stones, bugs, and
|
|
butterflies, and save them. Now they are going to bring her
|
|
the very thing she wants the worst. Lord, but this is a funny
|
|
world when you get to studying! Looks like things didn't
|
|
all come by accident. Looks as if there was a plan back
|
|
of it, and somebody driving that knows the road, and how
|
|
to handle the lines. Anyhow, Elnora's in the wagon, and
|
|
when I get out in the night and the dark closes around me,
|
|
and I see the stars, I don't feel so cheap. Maggie, how the
|
|
nation did Kate Comstock do that?"
|
|
|
|
"You will keep on harping, Wesley. I told you she
|
|
didn't do it. Elnora did it! She walked in and took
|
|
things right out of our hands. All Kate had to do was to
|
|
enjoy having it go her way, and she was cute enough to
|
|
put in a few questions that sort of guided Elnora. But I
|
|
don't know, Wesley. This thing makes me think, too.
|
|
S'pose we'd taken Elnora when she was a baby, and we'd
|
|
heaped on her all the love we can't on our own, and we'd
|
|
coddled, petted, and shielded her, would she have made
|
|
the woman that living alone, learning to think for herself,
|
|
and taking all the knocks Kate Comstock could give, have
|
|
made of her?"
|
|
|
|
"You bet your life!" cried Wesley, warmly. "Loving anybody
|
|
don't hurt them. We wouldn't have done anything but love her.
|
|
You can't hurt a child loving it. She'd have learned to work,
|
|
to study, and grown into a woman with us, without suffering
|
|
like a poor homeless dog."
|
|
|
|
"But you don't see the point, Wesley. She would have
|
|
grown into a fine woman with us; but as we would have
|
|
raised her, would her heart ever have known the world as it
|
|
does now? Where's the anguish, Wesley, that child can't
|
|
comprehend? Seeing what she's seen of her mother hasn't
|
|
hardened her. She can understand any mother's sorrow.
|
|
Living life from the rough side has only broadened her.
|
|
Where's the girl or boy burning with shame, or struggling
|
|
to find a way, that will cross Elnora's path and not get
|
|
a lift from her? She's had the knocks, but there'll never
|
|
be any of the thing you call `false pride' in her. I guess
|
|
we better keep out. Maybe Kate Comstock knows what she's doing.
|
|
Sure as you live, Elnora has grown bigger on knocks than she
|
|
would on love."
|
|
|
|
"I don't s'pose there ever was a very fine point to
|
|
anything but I missed it," said Wesley, "because I am
|
|
blunt, rough, and have no book learning to speak of.
|
|
Since you put it into words I see what you mean, but it's
|
|
dinged hard on Elnora, just the same. And I don't keep out.
|
|
I keep watching closer than ever. I got my slap in the
|
|
face, but if I don't miss my guess, Kate Comstock learned
|
|
her lesson, same as I did. She learned that I was in
|
|
earnest, that I would haul her to court if she didn't
|
|
loosen up a bit, and she'll loosen. You see if she doesn't.
|
|
It may come hard, and the hinges creak, but she'll fix
|
|
Elnora decent after this, if Elnora doesn't prove that she
|
|
can fix herself. As for me, I found out that what I was
|
|
doing was as much for myself as for Elnora. I wanted her
|
|
to take those things from us, and love us for giving them.
|
|
It didn't work, and but for you, I'd messed the whole
|
|
thing and stuck like a pig in crossing a bridge. But you
|
|
helped me out; Elnora's got the clothes, and by morning,
|
|
maybe I won't grudge Kate the only laugh she's had in
|
|
sixteen years. You been showing me the way quite a
|
|
spell now, ain't you, Maggie?"
|
|
|
|
In her attic Elnora lighted two candles, set them on her
|
|
little table, stacked the books, and put away the
|
|
precious clothes. How lovingly she hung the hat and umbrella,
|
|
folded the raincoat, and spread the new dress over a chair.
|
|
She fingered the ribbons, and tried to smooth the creases
|
|
from them. She put away the hose neatly folded, touched
|
|
the handkerchiefs, and tried the belt. Then she slipped
|
|
into her white nightdress, shook down her hair that it
|
|
might become thoroughly dry, set a chair before the table,
|
|
and reverently opened one of the books. A stiff draught
|
|
swept the attic, for it stretched the length of the cabin,
|
|
and had a window in each end. Elnora arose and going to the
|
|
east window closed it. She stood for a minute looking at
|
|
the stars, the sky, and the dark outline of the straggling
|
|
trees of the rapidly dismantling Limberlost. In the region
|
|
of her case a tiny point of light flashed and disappeared.
|
|
Elnora straightened and wondered. Was it wise to leave
|
|
her precious money there? The light flashed once more,
|
|
wavered a few seconds, and died out. The girl waited.
|
|
She did not see it again, so she turned to her books.
|
|
|
|
In the Limberlost the hulking figure of a man sneaked
|
|
down the trail.
|
|
|
|
"The Bird Woman was at Freckles's room this evening,"
|
|
he muttered. "Wonder what for?"
|
|
|
|
He left the trail, entered the enclosure still distinctly
|
|
outlined, and approached the case. The first point of light
|
|
flashed from the tiny electric lamp on his vest. He took
|
|
a duplicate key from his pocket, felt for the padlock and
|
|
opened it. The door swung wide. The light flashed the
|
|
second time. Swiftly his glance swept the interior.
|
|
|
|
"'Bout a fourth of her moths gone. Elnora must
|
|
have been with the Bird Woman and given them to her."
|
|
Then he stood tense. His keen eyes discovered the
|
|
roll of bills hastily thrust back in the bottom of the case.
|
|
He snatched them up, shut off the light, relocked the
|
|
case by touch, and swiftly went down the trail. Every few
|
|
seconds he paused and listened intently. Just as he
|
|
reached the road, a second figure approached him.
|
|
|
|
"Is it you, Pete?" came the whispered question.
|
|
|
|
"Yes," said the first man.
|
|
|
|
"I was coming down to take a peep, when I saw your
|
|
flash," he said. "I heard the Bird Woman had been at
|
|
the case to-day. Anything doing?"
|
|
|
|
"Not a thing," said Pete. "She just took away about
|
|
a fourth of the moths. Probably had the Comstock girl
|
|
getting them for her. Heard they were together.
|
|
Likely she'll get the rest to-morrow. Ain't picking
|
|
gettin' bare these days?"
|
|
|
|
"Well, I should say so," said the second man, turning
|
|
back in disgust. "Coming home, now?"
|
|
|
|
"No, I am going down this way," answered Pete,
|
|
for his eyes caught the gleam from the window of the
|
|
Comstock cabin, and he had a desire to learn why Elnora's
|
|
attic was lighted at that hour.
|
|
|
|
He slouched down the road, occasionally feeling the
|
|
size of the roll he had not taken time to count.
|
|
|
|
The attic was too long, the light too near the other
|
|
end, and the cabin stood much too far back from the road.
|
|
He could see nothing although he climbed the fence
|
|
and walked back opposite the window. He knew
|
|
Mrs. Comstock was probably awake, and that she
|
|
sometimes went to the swamp behind her home at night.
|
|
At times a cry went up from that locality that paralyzed
|
|
any one near, or sent them fleeing as if for life. He did
|
|
not care to cross behind the cabin. He returned to the
|
|
road, passed, and again climbed the fence. Opposite the
|
|
west window he could see Elnora. She sat before
|
|
a small table reading from a book between two candles.
|
|
Her hair fell in a bright sheen around her, and with one
|
|
hand she lightly shook, and tossed it as she studied.
|
|
The man stood out in the night and watched.
|
|
|
|
For a long time a leaf turned at intervals and the
|
|
hair-drying went on. The man drew nearer. The picture
|
|
grew more beautiful as he approached. He could not
|
|
see so well as he desired, for the screen was of white
|
|
mosquito netting, and it angered him. He cautiously
|
|
crept closer. The elevation shut off his view. Then he
|
|
remembered the large willow tree shading the well and
|
|
branching across the window fit the west end of the cabin.
|
|
From childhood Elnora had stepped from the sill to a limb
|
|
and slid down the slanting trunk of the tree. He reached
|
|
it and noiselessly swung himself up. Three steps out
|
|
on the big limb the man shuddered. He was within a
|
|
few feet of the girl.
|
|
|
|
He could see the throb of her breast under its thin
|
|
covering and smell the fragrance of the tossing hair.
|
|
He could see the narrow bed with its pieced calico cover,
|
|
the whitewashed walls with gay lithographs, and every
|
|
crevice stuck full of twigs with dangling cocoons.
|
|
There were pegs for the few clothes, the old chest,
|
|
the little table, the two chairs, the uneven floor covered
|
|
with rag rugs and braided corn husk. But nothing was worth
|
|
a glance except the perfect face and form within reach by
|
|
one spring through the rotten mosquito bar. He gripped
|
|
the limb above that on which he stood, licked his lips,
|
|
and breathed through his throat to be sure he was making
|
|
no sound. Elnora closed the book and laid it aside.
|
|
She picked up a towel, and turning the gathered ends of
|
|
her hair rubbed them across it, and dropping the towel on
|
|
her lap, tossed the hair again. Then she sat in deep thought.
|
|
By and by words began to come softly. Near as he was
|
|
the man could not hear at first. He bent closer and
|
|
listened intently.
|
|
|
|
"--ever could be so happy," murmured the soft voice.
|
|
"The dress is so pretty, such shoes, the coat, and everything.
|
|
I won't have to be ashamed again, not ever again,
|
|
for the Limberlost is full of precious moths, and
|
|
I always can collect them. The Bird Woman will buy
|
|
more to-morrow, and the next day, and the next. When they
|
|
are all gone, I can spend every minute gathering
|
|
cocoons, and hunting other things I can sell. Oh, thank
|
|
God, for my precious, precious money. Why, I didn't
|
|
pray in vain after all! I thought when I asked the Lord
|
|
to hide me, there in that big hall, that He wasn't doing
|
|
it, because I wasn't covered from sight that instant.
|
|
But I'm hidden now, I feel that." Elnora lifted her eyes
|
|
to the beams above her. "I don't know much about praying
|
|
properly," she muttered, "but I do thank you, Lord, for
|
|
hiding me in your own time and way."
|
|
|
|
Her face was so bright that it shone with a white radiance.
|
|
Two big tears welled from her eyes, and rolled down her
|
|
smiling cheeks. "Oh, I do feel that you have hidden me,"
|
|
she breathed. Then she blew out the lights, and the little
|
|
wooden bed creaked under her weight.
|
|
|
|
Pete Corson dropped from the limb and found his way
|
|
to the road. He stood still a long time, then started back
|
|
to the Limberlost. A tiny point of light flashed in the
|
|
region of the case. He stopped with an oath.
|
|
|
|
"Another hound trying to steal from a girl," he exclaimed.
|
|
"But it's likely he thinks if he gets anything it will be
|
|
from a woman who can afford it, as I did."
|
|
|
|
He went on, but beside the fences, and very cautiously.
|
|
|
|
"Swamp seems to be alive to-night," he muttered.
|
|
"That's three of us out."
|
|
|
|
He entered a deep place at the northwest corner, sat
|
|
on the ground and taking a pencil from his pocket, he
|
|
tore a leaf from a little notebook, and laboriously wrote
|
|
a few lines by the light he carried. Then he went back
|
|
to the region of the case and waited. Before his eyes
|
|
swept the vision of the slender white creature with
|
|
tossing hair. He smiled, and worshipped it, until a
|
|
distant rooster faintly announced dawn.
|
|
|
|
Then he unlocked the case again, and replaced the
|
|
money, laid the note upon it, and went back to
|
|
concealment, where he remained until Elnora came down the
|
|
trail in the morning, appearing very lovely in her new
|
|
dress and hat.
|
|
|
|
CHAPTER V
|
|
|
|
WHEREIN ELNORA RECEIVES A WARNING,
|
|
AND BILLY APPEARS ON THE SCENE
|
|
|
|
It would be difficult to describe how happy Elnora
|
|
was that morning as she hurried through her work,
|
|
bathed and put on the neat, dainty gingham dress,
|
|
and the tan shoes. She had a struggle with her hair.
|
|
It crinkled, billowed, and shone, and she could
|
|
not avoid seeing the becoming frame it made around
|
|
her face. But in deference to her mother's feelings the
|
|
girl set her teeth, and bound her hair closely to her head
|
|
with a shoe-string. "Not to be changed at the case,"
|
|
she told herself.
|
|
|
|
That her mother was watching she was unaware. Just as
|
|
she picked up the beautiful brown ribbon Mrs. Comstock spoke.
|
|
|
|
"You had better let me tie that. You can't reach
|
|
behind yourself and do it right."
|
|
|
|
Elnora gave a little gasp. Her mother never before
|
|
had proposed to do anything for the girl that by any
|
|
possibility she could do herself. Her heart quaked at
|
|
the thought of how her mother would arrange that bow,
|
|
but Elnora dared not refuse. The offer was too precious.
|
|
It might never be made again.
|
|
|
|
"Oh thank you!" said the girl, and sitting down she
|
|
held out the ribbon.
|
|
|
|
Her mother stood back and looked at her critically.
|
|
|
|
"You haven't got that like Mag Sinton had it last
|
|
night," she announced. "You little idiot! You've tried
|
|
to plaster it down to suit me, and you missed it. I liked
|
|
it away better as Mag fixed it, after I saw it. You didn't
|
|
look so peeled."
|
|
|
|
"Oh mother, mother!" laughed Elnora, with a half
|
|
sob in her voice.
|
|
|
|
"Hold still, will you?" cried Mrs. Comstock. "You'll be
|
|
late, and I haven't packed your dinner yet."
|
|
|
|
She untied the string and shook out the hair. It rose
|
|
with electricity and clung to her fingers and hands. Mrs.
|
|
Comstock jumped back as if bitten. She knew that touch.
|
|
Her face grew white, and her eyes angry.
|
|
|
|
"Tie it yourself," she said shortly, "and then I'll put
|
|
on the ribbon. But roll it back loose like Mag did.
|
|
It looked so pretty that way."
|
|
|
|
Almost fainting Elnora stood before the glass, divided
|
|
off the front parts of her hair, and rolled them as Mrs.
|
|
Sinton had done; tied it at the nape of her neck, then sat
|
|
while her mother arranged the ribbon.
|
|
|
|
"If I pull it down till it comes tight in these creases
|
|
where she had it, it will be just right, won't it?" queried
|
|
Mrs. Comstock, and the amazed Elnora stammered
|
|
|
|
"Yes."
|
|
|
|
When she looked in the glass the bow was perfectly
|
|
tied, and how the gold tone of the brown did match the
|
|
lustre of the shining hair! "That's pretty," commented
|
|
Mrs. Comstock's soul, but her stiff lips had said all that
|
|
could be forced from them for once. Just then Wesley
|
|
Sinton came to the door.
|
|
|
|
"Good morning," he cried heartily. "Elnora, you
|
|
look a picture! My, but you're sweet! If any of the
|
|
city boys get sassy you tell your Uncle Wesley, and
|
|
he'll horsewhip them. Here's your Christmas present
|
|
from me." He handed Elnora the leather lunch box, with
|
|
her name carved across the strap in artistic lettering.
|
|
|
|
"Oh Uncle Wesley!" was all Elnora could say.
|
|
|
|
"Your Aunt Maggie filled it for me for a starter," he said.
|
|
"Now, if you are ready, I'm going to drive past your way
|
|
and you can ride almost to Onabasha with me, and save
|
|
the new shoes that much."
|
|
|
|
Elnora was staring at the box. "Oh I hope it isn't
|
|
impolite to open it before you," she said. "I just feel
|
|
as if I must see inside."
|
|
|
|
"Don't you stand on formality with the neighbours,"
|
|
laughed Sinton. "Look in your box if you want to!"
|
|
|
|
Elnora slipped the strap and turned back the lid.
|
|
|
|
This disclosed the knife, fork, napkin, and spoon, the
|
|
milk flask, and the interior packed with dainty sandwiches
|
|
wrapped in tissue paper, and the little compartments for
|
|
meat, salad, and the custard cup.
|
|
|
|
"Oh mother!" cried Elnora. "Oh mother, isn't it fine?
|
|
What made you think of it, Uncle Wesley? How will I ever
|
|
thank you? No one will have a finer lunch box than I.
|
|
Oh I do thank you! That's the nicest gift I ever had.
|
|
How I love Christmas in September!"
|
|
|
|
"It's a mighty handy thing," assented Mrs. Comstock,
|
|
taking in every detail with sharp eyes. "I guess you are
|
|
glad now you went and helped Mag and Wesley when you
|
|
could, Elnora?"
|
|
|
|
"Deedy, yes," laughed Elnora, "and I'm going again first
|
|
time they have a big day if I stay from school to do it."
|
|
|
|
"You'll do no such thing!" said the delighted Sinton.
|
|
"Come now, if you're going!"
|
|
|
|
"If I ride, can you spare me time to run into the swamp
|
|
to my box a minute?" asked Elnora.
|
|
|
|
The light she had seen the previous night troubled her.
|
|
|
|
"Sure," said Wesley largely. So they drove away and
|
|
left a white-faced woman watching them from the door,
|
|
her heart a little sorer than usual.
|
|
|
|
"I'd give a pretty to hear what he'll say to her!" she
|
|
commented bitterly. "Always sticking in, always doing
|
|
things I can't ever afford. Where on earth did he get that
|
|
thing and what did it cost?"
|
|
|
|
Then she entered the cabin and began the day's work,
|
|
but mingled with the brooding bitterness of her soul was
|
|
the vision of a sweet young face, glad with a gladness
|
|
never before seen on it, and over and over she repeated:
|
|
"I wonder what he'll say to her!"
|
|
|
|
What he said was that she looked as fresh and sweet as a
|
|
posy, and to be careful not to step in the mud or scratch
|
|
her shoes when she went to the case.
|
|
|
|
Elnora found her key and opened the door. Not where
|
|
she had placed it, but conspicuously in front lay her little
|
|
heap of bills, and a crude scrawl of writing beside it.
|
|
Elnora picked up the note in astonishment.
|
|
|
|
DERE ELNORY,
|
|
|
|
the lord amighty is hiding you all right done you ever dout it this
|
|
money of yourn was took for some time las nite but it is returned with
|
|
intres for god sake done ever come to the swamp at nite or late evnin
|
|
or mornin or far in any time sompin worse an you know could git you
|
|
|
|
A FREND.
|
|
|
|
Elnora began to tremble. She hastily glanced around.
|
|
The damp earth before the case had been trodden by
|
|
large, roughly shod feet. She caught up the money and
|
|
the note, thrust them into her guimpe, locked the case,
|
|
and ran to the road.
|
|
|
|
She was so breathless and her face so white Sinton noticed it.
|
|
|
|
"What in the world's the matter, Elnora?" he asked.
|
|
|
|
"I am half afraid!" she panted.
|
|
|
|
"Tut, tut, child!" said Wesley Sinton. "Nothing in
|
|
the world to be afraid of. What happened?"
|
|
|
|
"Uncle Wesley," said Elnora, "I had more money than I
|
|
brought home last night, and I put it in my case. Some one
|
|
has been there. The ground is all trampled, and they
|
|
left this note."
|
|
|
|
"And took your money, I'll wager," said Sinton angrily.
|
|
|
|
"No," answered Elnora. "Read the note, and oh
|
|
Uncle Wesley, tell me what it means!"
|
|
|
|
Sinton's face was a study. "I don't know what it
|
|
means," he said. "Only one thing is clear. It means
|
|
some beast who doesn't really want to harm you has got
|
|
his eye on you, and he is telling you plain as he can, not
|
|
to give him a chance. You got to keep along the roads,
|
|
in the open, and not let the biggest moth that ever flew
|
|
toll you out of hearing of us, or your mother. It means
|
|
that, plain and distinct."
|
|
|
|
"Just when I can sell them! Just when everything is so
|
|
lovely on account of them! I can't! I can't stay away
|
|
from the swamp. The Limberlost is going to buy the books,
|
|
the clothes, pay the tuition, and even start a college fund.
|
|
I just can't!"
|
|
|
|
"You've got to," said Sinton. "This is plain enough.
|
|
You go far in the swamp at your own risk, even in daytime."
|
|
|
|
"Uncle Wesley," said the girl, "last night before I went
|
|
to bed, I was so happy I tried to pray, and I thanked God
|
|
for hiding me `under the shadow of His wing.' But how
|
|
in the world could any one know it?"
|
|
|
|
Wesley Sinton's heart leaped in his breast. His face
|
|
was whiter than the girl's now.
|
|
|
|
"Were you praying out loud, honey?" he almost whispered.
|
|
|
|
"I might have said words," answered Elnora. "I know
|
|
I do sometimes. I've never had any one to talk with,
|
|
and I've played with and talked to myself all my life.
|
|
You've caught me at it often, but it always makes mother
|
|
angry when she does. She says it's silly. I forget
|
|
and do it, when I'm alone. But Uncle Wesley, if I said
|
|
anything last night, you know it was the merest whisper,
|
|
because I'd have been so afraid of waking mother.
|
|
Don't you see? I sat up late, and studied two lessons."
|
|
|
|
Sinton was steadying himself "I'll stop and examine
|
|
the case as I come back," he said. "Maybe I can find
|
|
some clue. That other--that was just accidental. It's a
|
|
common expression. All the preachers use it. If I tried
|
|
to pray, that would be the very first thing I'd say."
|
|
|
|
The colour returned to Elnora's face.
|
|
|
|
"Did you tell your mother about this money, Elnora?"
|
|
he asked.
|
|
|
|
"No, I didn't," said Elnora. "It's dreadful not to, but
|
|
I was afraid. You see they are clearing the swamp so fast.
|
|
Every year it grows more difficult to find things, and
|
|
Indian stuff becomes scarcer. I want to graduate, and
|
|
that's four years unless I can double on the course.
|
|
That means twenty dollars tuition each year, and new books,
|
|
and clothes. There won't ever be so much at one time
|
|
again, that I know. I just got to hang to my money. I was
|
|
afraid to tell her, for fear she would want it for taxes,
|
|
and she really must sell a tree or some cattle for that,
|
|
mustn't she, Uncle Wesley?"
|
|
|
|
"On your life, she must!" said Wesley. "You put your
|
|
little wad in the bank all safe, and never mention it
|
|
to a living soul. It doesn't seem right, but your case
|
|
is peculiar. Every word you say is a true word. Each year
|
|
you will find less in the swamp, and things everywhere will
|
|
be scarcer. If you ever get a few dollars ahead, that can start
|
|
your college fund. You know you are going to college, Elnora!"
|
|
|
|
"Of course I am," said Elnora. "I settled that as soon
|
|
as I knew what a college was. I will put all my money in
|
|
the bank, except what I owe you. I'll pay that now."
|
|
|
|
"If your arrows are heavy," said Wesley, "I'll drive on
|
|
to Onabasha with you."
|
|
|
|
"But they are not. Half of them were nicked, and this
|
|
little box held all the good ones. It's so surprising how
|
|
many are spoiled when you wash them."
|
|
|
|
"What does he pay?"
|
|
|
|
"Ten cents for any common perfect one, fifty for revolvers,
|
|
a dollar for obsidian, and whatever is right for enormous
|
|
big ones."
|
|
|
|
"Well, that sounds fair," said Sinton. "You can come
|
|
down Saturday and wash the stuff at our house, and I'll
|
|
take it in when we go marketing in the afternoon."
|
|
|
|
Elnora jumped from the carriage. She soon found that
|
|
with her books, her lunch box, and the points she had a
|
|
heavy load. She had almost reached the bridge crossing
|
|
the culvert when she heard distressed screams of a child.
|
|
Across an orchard of the suburbs came a small boy, after
|
|
him a big dog, urged by a man in the background.
|
|
Elnora's heart was with the small fleeing figure in any
|
|
event whatever. She dropped her load on the bridge,
|
|
and with practised hand flung a stone at the dog.
|
|
The beast curled double with a howl. The boy reached
|
|
the fence, and Elnora was there to help him over. As he
|
|
touched the top she swung him to the ground, but he clung
|
|
to her, clasping her tightly, sobbing with fear.
|
|
Elnora helped him to the bridge, and sat with him in her arms.
|
|
For a time his replies to her questions were indistinct, but
|
|
at last he became quieter and she could understand.
|
|
|
|
He was a mite of a boy, nothing but skin-covered bones,
|
|
his burned, freckled face in a mortar of tears and dust, his
|
|
clothing unspeakably dirty, one great toe in a festering
|
|
mass from a broken nail, and sores all over the visible
|
|
portions of the small body.
|
|
|
|
"You won't let the mean old thing make his dog get me!" he wailed.
|
|
|
|
"Indeed no," said Elnora, holding him closely.
|
|
|
|
"You wouldn't set a dog on a boy for just taking a few
|
|
old apples when you fed 'em to pigs with a shovel every
|
|
day, would you?"
|
|
|
|
"No, I would not," said Elnora hotly.
|
|
|
|
"You'd give a boy all the apples he wanted, if he hadn't
|
|
any breakfast, and was so hungry he was all twisty inside,
|
|
wouldn't you?"
|
|
|
|
"Yes, I would," said Elnora.
|
|
|
|
"If you had anything to eat you would give me something
|
|
right now, wouldn't you?"
|
|
|
|
"Yes," said Elnora. "There's nothing but just stones in
|
|
the package. But my dinner is in that case. I'll gladly divide."
|
|
|
|
She opened the box. The famished child gave a little
|
|
cry and reached both hands. Elnora caught them back.
|
|
|
|
"Did you have any supper?"
|
|
|
|
"No."
|
|
|
|
"Any dinner yesterday?"
|
|
|
|
"An apple and some grapes I stole."
|
|
|
|
"Whose boy are you?"
|
|
|
|
"Old Tom Billings's."
|
|
|
|
"Why doesn't your father get you something to eat?"
|
|
|
|
"He does most days, but he's drunk now."
|
|
|
|
"Hush, you must not!" said Elnora. "He's your father!"
|
|
|
|
"He's spent all the money to get drunk, too," said the
|
|
boy, "and Jimmy and Belle are both crying for breakfast.
|
|
I'd a got out all right with an apple for myself, but I tried
|
|
to get some for them and the dog got too close. Say, you
|
|
can throw, can't you?"
|
|
|
|
"Yes," admitted Elnora. She poured half the milk
|
|
into the cup. "Drink this," she said, holding it to him.
|
|
|
|
The boy gulped the milk and swore joyously, gripping
|
|
the cup with shaking fingers.
|
|
|
|
"Hush!" cried Elnora. "That's dreadful!"
|
|
|
|
"What's dreadful?"
|
|
|
|
"To say such awful words."
|
|
|
|
"Huh! pa says worser 'an that every breath he draws."
|
|
|
|
Elnora saw that the child was older than she had thought.
|
|
He might have been forty judging by his hard, unchildish expression.
|
|
|
|
"Do you want to be like your father?"
|
|
|
|
"No, I want to be like you. Couldn't a angel be
|
|
prettier 'an you. Can I have more milk?"
|
|
|
|
Elnora emptied the flask. The boy drained the cup.
|
|
He drew a breath of satisfaction as he gazed into her face.
|
|
|
|
"You wouldn't go off and leave your little boy, would
|
|
you?" he asked.
|
|
|
|
"Did some one go away and leave you?"
|
|
|
|
"Yes, my mother went off and left me, and left Jimmy
|
|
and Belle, too," said the boy. "You wouldn't leave
|
|
your little boy, would you?"
|
|
|
|
"No."
|
|
|
|
The boy looked eagerly at the box. Elnora lifted a
|
|
sandwich and uncovered the fried chicken. The boy
|
|
gasped with delight.
|
|
|
|
"Say, I could eat the stuff in the glass and the other
|
|
box and carry the bread and the chicken to Jimmy and
|
|
Belle," he offered.
|
|
|
|
Elnora silently uncovered the custard with preserved
|
|
cherries on top and handed it and the spoon to the child.
|
|
Never did food disappear faster. The salad went next,
|
|
and a sandwich and half a chicken breast followed.
|
|
|
|
"I better leave the rest for Jimmy and Belle," he
|
|
said, "they're 'ist fightin' hungry."
|
|
|
|
Elnora gave him the remainder of the carefully prepared lunch.
|
|
The boy clutched it and ran with a sidewise hop like a
|
|
wild thing. She covered the dishes and cup, polished the
|
|
spoon, replaced it, and closed the case. She caught her
|
|
breath in a tremulous laugh.
|
|
|
|
"If Aunt Margaret knew that, she'd never forgive me,"
|
|
she said. "It seems as if secrecy is literally forced upon
|
|
me, and I hate it. What shall I do for lunch? I'll have to
|
|
sell my arrows and keep enough money for a restaurant sandwich."
|
|
|
|
So she walked hurriedly into town, sold her points at a
|
|
good price, deposited her funds, and went away with a
|
|
neat little bank book and the note from the Limberlost
|
|
carefully folded inside. Elnora passed down the hall that
|
|
morning, and no one paid the slightest attention to her.
|
|
The truth was she looked so like every one else that she
|
|
was perfectly inconspicuous. But in the coat room there
|
|
were members of her class. Surely no one intended it,
|
|
but the whisper was too loud.
|
|
|
|
"Look at the girl from the Limberlost in the clothes that
|
|
woman gave her!"
|
|
|
|
Elnora turned on them. "I beg your pardon," she said
|
|
unsteadily, "I couldn't help hearing that! No one gave
|
|
me these clothes. I paid for them myself."
|
|
|
|
Some one muttered, "Pardon me," but incredulous faces
|
|
greeted her.
|
|
|
|
Elnora felt driven. "Aunt Margaret selected them, and she
|
|
meant to give them to me," she explained, "but I wouldn't
|
|
take them. I paid for them myself." There was silence.
|
|
|
|
"Don't you believe me?" panted Elnora.
|
|
|
|
"Really, it is none of our affair," said another girl.
|
|
"Come on, let's go."
|
|
|
|
Elnora stepped before the girl who had spoken. "You have
|
|
made this your affair," she said, "because you told a
|
|
thing which was not true. No one gave me what I am wearing.
|
|
I paid for my clothes myself with money I earned selling
|
|
moths to the Bird Woman. I just came from the bank where
|
|
I deposited what I did not use. Here is my credit."
|
|
Elnora drew out and offered the little red book.
|
|
"Surely you will believe that," she said.
|
|
|
|
"Why of course," said the girl who first had spoken.
|
|
"We met such a lovely woman in Brownlee's store, and she
|
|
said she wanted our help to buy some things for a girl,
|
|
and that's how we came to know."
|
|
|
|
"Dear Aunt Margaret," said Elnora, "it was like her to
|
|
ask you. Isn't she splendid?"
|
|
|
|
"She is indeed," chorused the girls. Elnora set down her
|
|
lunch box and books, unpinned her hat, hanging it beside
|
|
the others, and taking up the books she reached to set the
|
|
box in its place and dropped it. With a little cry she
|
|
snatched at it and caught the strap on top. That pulled
|
|
from the fastening, the cover unrolled, the box fell away
|
|
as far as it could, two porcelain lids rattled on the floor,
|
|
and the one sandwich rolled like a cartwheel across the room.
|
|
Elnora lifted a ghastly face. For once no one laughed.
|
|
She stood an instant staring.
|
|
|
|
"It seems to be my luck to be crucified at every point of
|
|
the compass," she said at last. "First two days you
|
|
thought I was a pauper, now you will think I'm a fraud.
|
|
All of you will believe I bought an expensive box, and then
|
|
was too poor to put anything but a restaurant sandwich in it.
|
|
You must stop till I prove to you that I'm not."
|
|
|
|
Elnora gathered up the lids, and kicked the sandwich
|
|
into a corner.
|
|
|
|
"I had milk in that bottle, see! And custard in the cup.
|
|
There was salad in the little box, fried chicken in the large
|
|
one, and nut sandwiches in the tray. You can see the
|
|
crumbs of all of them. A man set a dog on a child who was
|
|
so starved he was stealing apples. I talked with him, and
|
|
I thought I could bear hunger better, he was such a little boy,
|
|
so I gave him my lunch, and got the sandwich at the restaurant."
|
|
|
|
Elnora held out the box. The girls were laughing by
|
|
that time. "You goose," said one, "why didn't you give
|
|
him the money, and save your lunch?"
|
|
|
|
"He was such a little fellow, and he really was hungry,"
|
|
said Elnora. "I often go without anything to eat at noon
|
|
in the fields and woods, and never think of it."
|
|
|
|
She closed the box and set it beside the lunches of other
|
|
country pupils. While her back was turned, into the
|
|
room came the girl of her encounter on the first day,
|
|
walked to the rack, and with an exclamation of approval
|
|
took down Elnora's hat.
|
|
|
|
"Just the thing I have been wanting!" she said. "I never
|
|
saw such beautiful quills in all my life. They match
|
|
my new broadcloth to perfection. I've got to have that
|
|
kind of quills for my hat. I never saw the like! Whose is
|
|
it, and where did it come from?"
|
|
|
|
No one said a word, for Elnora's question, the reply, and
|
|
her answer, had been repeated. Every one knew that the
|
|
Limberlost girl had come out ahead and Sadie Reed had
|
|
not been amiable, when the little flourish had been added
|
|
to Elnora's name in the algebra class. Elnora's swift
|
|
glance was pathetic, but no one helped her. Sadie Reed
|
|
glanced from the hat to the faces around her and wondered.
|
|
|
|
"Why, this is the Freshman section, whose hat is it?"
|
|
she asked again, this time impatiently.
|
|
|
|
"That's the tassel of the cornstock," said Elnora with a
|
|
forced laugh.
|
|
|
|
The response was genuine. Every one shouted. Sadie Reed
|
|
blushed, but she laughed also.
|
|
|
|
"Well, it's beautiful," she said, "especially the quills.
|
|
They are exactly what I want. I know I don't deserve
|
|
any kindness from you, but I do wish you would tell me
|
|
at whose store you found those quills."
|
|
|
|
"Gladly!" said Elnora. You can't buy quills like those
|
|
at a store. They are from a living bird. Phoebe Simms
|
|
gathers them in her orchard as her peacocks shed them.
|
|
They are wing quills from the males."
|
|
|
|
Then there was perfect silence. How was Elnora to
|
|
know that not a girl there would have told that?
|
|
|
|
"I haven't a doubt but I can get you some," she offered.
|
|
"She gave Aunt Margaret a large bunch, and those are part
|
|
of them. I am quite sure she has more, and would spare some."
|
|
|
|
Sadie Reed laughed shortly. "You needn't trouble,"
|
|
she said, "I was fooled. I thought they were expensive quills.
|
|
I wanted them for a twenty-dollar velvet toque to match my
|
|
new suit. If they are gathered from the ground, really,
|
|
I couldn't use them."
|
|
|
|
"Only in spots!" said Elnora. "They don't just cover
|
|
the earth. Phoebe Simms's peacocks are the only ones
|
|
within miles of Onabasha, and they moult but once a year.
|
|
If your hat cost only twenty dollars, it's scarcely good
|
|
enough for those quills. You see, the Almighty made and
|
|
coloured those Himself; and He puts the same kind on
|
|
Phoebe Simms's peacocks that He put on the head of the
|
|
family in the forests of Ceylon, away back in the beginning.
|
|
Any old manufactured quill from New York or Chicago
|
|
will do for your little twenty-dollar hat. You should have
|
|
something infinitely better than that to be worthy of quills
|
|
that are made by the Creator."
|
|
|
|
How those girls did laugh! One of them walked with
|
|
Elnora to the auditorium, sat beside her during exercises,
|
|
and tried to talk whenever she dared, to keep Elnora
|
|
from seeing the curious and admiring looks bent upon her.
|
|
|
|
For the brown-eyed boy whistled, and there was pantomime
|
|
of all sorts going on behind Elnora's back that day.
|
|
Happy with her books, no one knew how much she saw,
|
|
and from her absorption in her studies it was evident she
|
|
cared too little to notice.
|
|
|
|
After school she went again to the home of the Bird
|
|
Woman, and together they visited the swamp and carried
|
|
away more specimens. This time Elnora asked the Bird
|
|
Woman to keep the money until noon of the next day,
|
|
when she would call for it and have it added to her
|
|
bank account. She slowly walked home, for the visit to
|
|
the swamp had brought back full force the experience of
|
|
the morning. Again and again she examined the crude little
|
|
note, for she did not know what it meant, yet it bred
|
|
vague fear. The only thing of which Elnora knew herself
|
|
afraid was her mother; when with wild eyes and ears deaf to
|
|
childish pleading, she sometimes lost control of herself in
|
|
the night and visited the pool where her husband had sunk
|
|
before her, calling his name in unearthly tones and begging
|
|
of the swamp to give back its dead.
|
|
|
|
CHAPTER VI
|
|
|
|
WHEREIN MRS. COMSTOCK INDULGES IN "FRILLS,"
|
|
AND BILLY REAPPEARS
|
|
|
|
It was Wesley Sinton who really wrestled with
|
|
Elnora's problem while he drove about his business.
|
|
He was not forced to ask himself what it meant; he knew.
|
|
The old Corson gang was still holding together.
|
|
Elder members who had escaped the law had been joined by
|
|
a younger brother of Jack's, and they met in the thickest
|
|
of the few remaining fast places of the swamp to drink,
|
|
gamble, and loaf. Then suddenly, there would be a
|
|
robbery in some country house where a farmer that day had
|
|
sold his wheat or corn and not paid a visit to the bank;
|
|
or in some neighbouring village.
|
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|
|
The home of Mrs. Comstock and Elnora adjoined the swamp.
|
|
Sinton's land lay next, and not another residence or man
|
|
easy to reach in case of trouble. Whoever wrote that
|
|
note had some human kindness in his breast, but the fact
|
|
stood revealed that he feared his strength if Elnora were
|
|
delivered into his hands. Where had he been the previous
|
|
night when he heard that prayer? Was that the first time
|
|
he had been in such proximity? Sinton drove fast,
|
|
for he wished to reach the swamp before Elnora and the
|
|
Bird Woman would go there.
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|
|
|
At almost four he came to the case, and dropping on his
|
|
knees studied the ground, every sense alert. He found
|
|
two or three little heel prints. Those were made by
|
|
Elnora or the Bird Woman. What Sinton wanted to learn
|
|
was whether all the remainder were the footprints of
|
|
one man. It was easily seen, they were not. There were
|
|
deep, even tracks made by fairly new shoes, and others
|
|
where a well-worn heel cut deeper on the inside of
|
|
the print than at the outer edge. Undoubtedly some of
|
|
Corson's old gang were watching the case, and the visits
|
|
of the women to it. There was no danger that any one
|
|
would attack the Bird Woman. She never went to the
|
|
swamp at night, and on her trips in the daytime, every one
|
|
knew that she carried a revolver, understood how to use it,
|
|
and pursued her work in a fearless manner.
|
|
|
|
Elnora, prowling around the swamp and lured into the
|
|
interior by the flight of moths and butterflies; Elnora,
|
|
without father, money, or friends save himself, to defend
|
|
her--Elnora was a different proposition. For this to
|
|
happen just when the Limberlost was bringing the very
|
|
desire of her heart to the girl, it was too bad.
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|
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Sinton was afraid for her, yet he did not want to add
|
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the burden of fear to Katharine Comstock's trouble, or to
|
|
disturb the joy of Elnora in her work. He stopped at the
|
|
cabin and slowly went up the walk. Mrs. Comstock was
|
|
sitting on the front steps with some sewing. The work
|
|
seemed to Sinton as if she might be engaged in putting a
|
|
tuck in a petticoat. He thought of how Margaret had
|
|
shortened Elnora's dress to the accepted length for girls of
|
|
her age, and made a mental note of Mrs. Comstock's occupation.
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|
|
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She dropped her work on her lap, laid her hands on it
|
|
and looked into his face with a sneer.
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|
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"You didn't let any grass grow under your feet," she said.
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|
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Sinton saw her white, drawn face and comprehended.
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|
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"I went to pay a debt and see about this opening of the
|
|
ditch, Kate."
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|
|
"You said you were going to prosecute me."
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|
"Good gracious, Kate!" cried Sinton. "Is that what
|
|
you have been thinking all day? I told you before I left
|
|
yesterday that I would not need do that. And I won't!
|
|
We can't afford to quarrel over Elnora. She's all we've got.
|
|
Now that she has proved that if you don't do just
|
|
what I think you ought by way of clothes and schooling,
|
|
she can take care of herself, I put that out of my head.
|
|
What I came to see you about is a kind of scare I've
|
|
had to-day. I want to ask you if you ever see anything
|
|
about the swamp that makes you think the old Corson gang
|
|
is still at work?"
|
|
|
|
"Can't say that I do," said Mrs. Comstock. "There's kind
|
|
of dancing lights there sometimes, but I supposed it
|
|
was just people passing along the road with lanterns.
|
|
Folks hereabout are none too fond of the swamp. I hate
|
|
it like death. I've never stayed here a night in my
|
|
life without Robert's revolver, clean and loaded, under
|
|
my pillow, and the shotgun, same condition, by the bed.
|
|
I can't say that I'm afraid here at home. I'm not. I can
|
|
take care of myself. But none of the swamp for me!"
|
|
|
|
"Well, I'm glad you are not afraid, Kate, because I
|
|
must tell you something. Elnora stopped at the case
|
|
this morning, and somebody had been into it in the night."
|
|
|
|
"Broke the lock?"
|
|
|
|
"No. Used a duplicate key. To-day I heard there was
|
|
a man here last night. I want to nose around a little."
|
|
|
|
Sinton went to the east end of the cabin and looked
|
|
up at the window. There was no way any one could
|
|
have reached it without a ladder, for the logs were hewed
|
|
and mortar filled the cracks even. Then he went to the
|
|
west end, the willow faced him as he turned the corner.
|
|
He examined the trunk carefully. There was no mistake
|
|
about small particles of black swamp muck adhering to
|
|
the sides of the tree. He reached the low branches and
|
|
climbed the willow. There was earth on the large limb
|
|
crossing Elnora's window. He stood on it, holding the
|
|
branch as had been done the night before, and looked into
|
|
the room. He could see very little, but he knew that if
|
|
it had been dark outside and sufficiently light for Elnora
|
|
to study inside he could have seen vividly. He brought
|
|
his face close to the netting, and he could see the bed with
|
|
its head to the east, at its foot the table with the candles
|
|
and the chair before it, and then he knew where the man
|
|
had been who had heard Elnora's prayer.
|
|
|
|
Mrs. Comstock had followed around the corner and stood
|
|
watching him. "Do you think some slinking hulk was up
|
|
there peekin' in at Elnora?" she demanded indignantly.
|
|
|
|
"There is muck on the trunk, and plenty on the limb,"
|
|
said Sinton. "Hadn't you better get a saw and let me
|
|
take this branch off?"
|
|
|
|
"No, I hadn't," said Mrs. Comstock. "First place,
|
|
Elnora's climbed from that window on that limb all her
|
|
life, and it's hers. Second place, no one gets ahead of me
|
|
after I've had warning. Any crow that perches on that
|
|
roost again will get its feathers somewhat scattered.
|
|
Look along the fence, there, and see if you can find
|
|
where he came in."
|
|
|
|
The place was easy to find as was a trail leading for
|
|
some distance west of the cabin.
|
|
|
|
"You just go home, and don't fret yourself," said
|
|
Mrs. Comstock. "I'll take care of this. If you should
|
|
hear the dinner bell at any time in the night you come down.
|
|
But I wouldn't say anything to Elnora. She better
|
|
keep her mind on her studies, if she's going to school."
|
|
|
|
When the work was finished that night Elnora took
|
|
her books and went to her room to prepare some lessons,
|
|
but every few minutes she looked toward the swamp to
|
|
see if there were lights near the case. Mrs. Comstock
|
|
raked together the coals in the cooking stove, got out
|
|
the lunch box, and sitting down she studied it grimly.
|
|
At last she arose.
|
|
|
|
"Wonder how it would do to show Mag Sinton a frill
|
|
or two," she murmured.
|
|
|
|
She went to her room, knelt before a big black-walnut
|
|
chest and hunted through its contents until she found
|
|
an old-fashioned cook book. She tended the fire as she
|
|
read and presently was in action. She first sawed an
|
|
end from a fragrant, juicy, sugar-cured ham and put
|
|
it to cook. Then she set a couple of eggs boiling, and
|
|
after long hesitation began creaming butter and sugar
|
|
in a crock. An hour later the odour of the ham, mingled
|
|
with some of the richest spices of "happy Araby," in a
|
|
combination that could mean nothing save spice cake,
|
|
crept up to Elnora so strongly that she lifted her head
|
|
and sniffed amazedly. She would have given all her
|
|
precious money to have gone down and thrown her arms
|
|
around her mother's neck, but she did not dare move.
|
|
|
|
Mrs. Comstock was up early, and without a word
|
|
handed Elnora the case as she left the next morning.
|
|
|
|
"Thank you, mother," said Elnora, and went on her way.
|
|
|
|
She walked down the road looking straight ahead until
|
|
she came to the corner, where she usually entered
|
|
the swamp. She paused, glanced that way and smiled.
|
|
Then she turned and looked back. There was no one
|
|
coming in any direction. She followed the road until
|
|
well around the corner, then she stopped and sat on a
|
|
grassy spot, laid her books beside her and opened the
|
|
lunch box. Last night's odours had in a measure prepared
|
|
her for what she would see, but not quite. She scarcely
|
|
could believe her senses. Half the bread compartment
|
|
was filled with dainty sandwiches of bread and butter
|
|
sprinkled with the yolk of egg and the remainder with three
|
|
large slices of the most fragrant spice cake imaginable.
|
|
The meat dish contained shaved cold ham, of which she
|
|
knew the quality, the salad was tomatoes and celery,
|
|
and the cup held preserved pear, clear as amber.
|
|
There was milk in the bottle, two tissue-wrapped cucumber
|
|
pickles in the folding drinking-cup, and a fresh napkin in
|
|
the ring. No lunch was ever daintier or more palatable;
|
|
of that Elnora was perfectly sure. And her mother had
|
|
prepared it for her! "She does love me!" cried the happy girl.
|
|
"Sure as you're born she loves me; only she hasn't found
|
|
it out yet!"
|
|
|
|
She touched the papers daintily, and smiled at the
|
|
box as if it were a living thing. As she began closing
|
|
it a breath of air swept by, lifting the covering of
|
|
the cake. It was like an invitation, and breakfast was
|
|
several hours away. Elnora picked up a piece and ate it.
|
|
That cake tasted even better than it looked. Then she
|
|
tried a sandwich. How did her mother come to think of
|
|
making them that way. They never had any at home.
|
|
She slipped out the fork, sampled the salad, and one-quarter
|
|
of pear. Then she closed the box and started down the
|
|
road nibbling one of the pickles and trying to decide
|
|
exactly how happy she was, but she could find no standard
|
|
high enough for a measure.
|
|
|
|
She was to go to the Bird Woman's after school for
|
|
the last load from the case. Saturday she would take
|
|
the arrow points and specimens to the bank. That would
|
|
exhaust her present supplies and give her enough money
|
|
ahead to pay for books, tuition, and clothes for at
|
|
least two years. She would work early and late
|
|
gathering nuts. In October she would sell all the ferns
|
|
she could find. She must collect specimens of all tree
|
|
leaves before they fell, gather nests and cocoons later,
|
|
and keep her eyes wide open for anything the grades could use.
|
|
She would see the superintendent that night about selling
|
|
specimens to the ward buildings. She must be ahead of
|
|
any one else if she wanted to furnish these things. So she
|
|
approached the bridge.
|
|
|
|
That it was occupied could be seen from a distance.
|
|
As she came up she found the small boy of yesterday
|
|
awaiting her with a confident smile.
|
|
|
|
"We brought you something!" he announced without greeting.
|
|
"This is Jimmy and Belle--and we brought you a present."
|
|
|
|
He offered a parcel wrapped in brown paper.
|
|
|
|
"Why, how lovely of you!" said Elnora. "I supposed
|
|
you had forgotten me when you ran away so fast yesterday."
|
|
|
|
"Naw, I didn't forget you," said the boy. "I wouldn't
|
|
forget you, not ever! Why, I was ist a-hurrying to take
|
|
them things to Jimmy and Belle. My they was glad!"
|
|
|
|
Elnora glanced at the children. They sat on the edge
|
|
of the bridge, obviously clad in a garment each, very dirty
|
|
and unkept, a little boy and a girl of about seven and nine.
|
|
Elnora's heart began to ache.
|
|
|
|
"Say," said the boy. "Ain't you going to look what
|
|
we have gave you?"
|
|
|
|
"I thought it wasn't polite to look before people,"
|
|
answered Elnora. "Of course, I will, if you would like
|
|
to have me."
|
|
|
|
Elnora opened the package. She had been presented
|
|
with a quarter of a stale loaf of baker's bread, and a
|
|
big piece of ancient bologna.
|
|
|
|
"But don't you want this yourselves?" she asked in surprise.
|
|
|
|
"Gosh, no! I mean ist no," said the boy. "We always
|
|
have it. We got stacks this morning. Pa's come out
|
|
of it now, and he's so sorry he got more 'an ever we
|
|
can eat. Have you had any before?"
|
|
|
|
"No," said Elnora, "I never did!"
|
|
|
|
The boy's eyes brightened and the girl moved restlessly.
|
|
|
|
"We thought maybe you hadn't," said the boy. "First you
|
|
ever have, you like it real well; but when you don't
|
|
have anything else for a long time, years an' years, you
|
|
git so tired." He hitched at the string which held his
|
|
trousers and watched Elnora speculatively.
|
|
|
|
"I don't s'pose you'd trade what you got in that box
|
|
for ist old bread and bologna now, would you? Mebby you'd
|
|
like it! And I know, I ist know, what you got would
|
|
taste like heaven to Jimmy and Belle. They never had
|
|
nothing like that! Not even Belle, and she's most ten!
|
|
No, sir-ee, they never tasted things like you got!"
|
|
|
|
It was in Elnora's heart to be thankful for even a taste
|
|
in time, as she knelt on the bridge, opened the box and
|
|
divided her lunch into three equal parts, the smaller boy
|
|
getting most of the milk. Then she told them it was
|
|
school time and she must go.
|
|
|
|
"Why don't you put your bread and bologna in the nice box?"
|
|
asked the boy.
|
|
|
|
"Of course," said Elnora. "I didn't think."
|
|
|
|
When the box was arranged to the children's satisfaction
|
|
all of them accompanied Elnora to the corner where she
|
|
turned toward the high school.
|
|
|
|
"Billy," said Elnora, "I would like you much better if
|
|
you were cleaner. Surely, you have water! Can't you
|
|
children get some soap and wash yourselves? Gentlemen are
|
|
never dirty. You want to be a gentleman, don't you?"
|
|
|
|
"Is being clean all you have to do to be a gentleman?"
|
|
|
|
"No," said Elnora. "You must not say bad words, and
|
|
you must be kind and polite to your sister."
|
|
|
|
"Must Belle be kind and polite to me, else she ain't a lady?"
|
|
|
|
"Yes."
|
|
|
|
"Then Belle's no lady!" said Billy succinctly.
|
|
|
|
Elnora could say nothing more just then, and she bade
|
|
them good-bye and started them home.
|
|
|
|
"The poor little souls!" she mused. "I think the Almighty
|
|
put them in my way to show me real trouble. I won't be
|
|
likely to spend much time pitying myself while I can
|
|
see them." She glanced at the lunchbox. "What on
|
|
earth do I carry this for? I never had anything that was
|
|
so strictly ornamental! One sure thing! I can't take
|
|
this stuff to the high school. You never seem to know
|
|
exactly what is going to happen to you while you are there."
|
|
|
|
As if to provide a way out of her difficulty a big dog
|
|
arose from a lawn, and came toward the gate wagging his tail.
|
|
"If those children ate the stuff, it can't possibly kill him!"
|
|
thought Elnora, so she offered the bologna. The dog
|
|
accepted it graciously, and being a beast of pedigree
|
|
he trotted around to a side porch and laid the bologna
|
|
before his mistress. The woman snatched it, screaming:
|
|
"Come, quick! Some one is trying to poison Pedro!"
|
|
Her daughter came running from the house. "Go see
|
|
who is on the street. Hurry!" cried the excited mother.
|
|
|
|
Ellen Brownlee ran and looked. Elnora was half a
|
|
block away, and no one nearer. Ellen called loudly, and
|
|
Elnora stopped. Ellen came running toward her.
|
|
|
|
"Did you see any one give our dog something?" she
|
|
cried as she approached.
|
|
|
|
Elnora saw no escape.
|
|
|
|
"I gave it a piece of bologna myself," she said. "It was
|
|
fit to eat. It wouldn't hurt the dog."
|
|
|
|
Ellen stood and looked at her. "Of course, I didn't
|
|
know it was your dog," explained Elnora. "I had something
|
|
I wanted to throw to some dog, and that one looked big
|
|
enough to manage it."
|
|
|
|
Ellen had arrived at her conclusions. "Pass over that
|
|
lunch box," she demanded.
|
|
|
|
"I will not!" said Elnora.
|
|
|
|
"Then I will have you arrested for trying to poison our
|
|
dog," laughed the girl as she took the box.
|
|
|
|
"One chunk of stale bread, one half mile of antique
|
|
bologna contributed for dog feed; the remains of cake, salad
|
|
and preserves in an otherwise empty lunch box. One ham
|
|
sandwich yesterday. I think it's lovely you have the box.
|
|
Who ate your lunch to-day?"
|
|
|
|
"Same," confessed Elnora, "but there were three of
|
|
them this time."
|
|
|
|
"Wait, until I run back and tell mother about the dog,
|
|
and get my books."
|
|
|
|
Elnora waited. That morning she walked down the
|
|
hall and into the auditorium beside one of the very nicest
|
|
girls in Onabasha, and it was the fourth day. But the
|
|
surprise came at noon when Ellen insisted upon Elnora
|
|
lunching at the Brownlee home, and convulsed her parents
|
|
and family, and overwhelmed Elnora with a greatly magnified,
|
|
but moderately accurate history of her lunch box.
|
|
|
|
"Gee! but it's a box, daddy!" cried the laughing girl.
|
|
"It's carved leather and fastens with a strap that has her
|
|
name on it. Inside are trays for things all complete, and
|
|
it bears evidence of having enclosed delicious food, but
|
|
Elnora never gets any. She's carried it two days now, and
|
|
both times it has been empty before she reached school.
|
|
Isn't that killing?"
|
|
|
|
"It is, Ellen, in more ways than one. No girl is going
|
|
to eat breakfast at six o'clock, walk three miles, and do
|
|
good work without her lunch. You can't tell me anything
|
|
about that box. I sold it last Monday night to Wesley
|
|
Sinton, one of my good country customers. He told me it
|
|
was a present for a girl who was worthy of it, and I see he
|
|
was right."
|
|
|
|
"He's so good to me," said Elnora. "Sometimes I look
|
|
at him and wonder if a neighbour can be so kind to one,
|
|
what a real father would be like. I envy a girl with a
|
|
father unspeakably."
|
|
|
|
"You have cause," said Ellen Brownlee. "A father is
|
|
the very dearest person in the whole round world, except a
|
|
mother, who is just a dear." The girl, starting to pay
|
|
tribute to her father, saw that she must include her mother,
|
|
and said the thing before she remembered what Mrs. Sinton
|
|
had told the girls in the store. She stopped in dismay.
|
|
Elnora's face paled a trifle, but she smiled bravely.
|
|
|
|
"Then I'm fortunate in having a mother," she said.
|
|
|
|
Mr. Brownlee lingered at the table after the girls had
|
|
excused themselves and returned to school.
|
|
|
|
"There's a girl Ellen can't see too much of, in my
|
|
opinion," he said. "She is every inch a lady, and not a
|
|
foolish notion or action about her. I can't understand
|
|
just what combination of circumstances produced her in
|
|
this day."
|
|
|
|
"It has been an unusual case of repression, for one thing.
|
|
She waits on her elders and thinks before she speaks,"
|
|
said Mrs. Brownlee.
|
|
|
|
"She's mighty pretty. She looks so sound and wholesome,
|
|
and she's neatly dressed."
|
|
|
|
"Ellen says she was a fright the first two days. Long brown
|
|
calico dress almost touching the floor, and big,
|
|
lumbering shoes. Those Sinton people bought her clothes.
|
|
Ellen was in the store, and the woman stopped her crowd
|
|
and asked them about their dresses. She said the girl
|
|
was not poor, but her mother was selfish and didn't
|
|
care for her. But Elnora showed a bank book the next
|
|
day, and declared that she paid for the things herself,
|
|
so the Sinton people must just have selected them.
|
|
There's something peculiar about it, but nothing wrong
|
|
I am sure. I'll encourage Ellen to ask her again."
|
|
|
|
"I should say so, especially if she is going to keep on
|
|
giving away her lunch."
|
|
|
|
"She lunched with the Bird Woman one day this week."
|
|
|
|
"She did!"
|
|
|
|
"Yes, she lives out by the Limberlost. You know the
|
|
Bird Woman works there a great deal, and probably
|
|
knows her that way. I think the girl gathers specimens
|
|
for her. Ellen says she knows more than the teachers
|
|
about any nature question that comes up, and she is going
|
|
to lead all of them in mathematics, and make them work
|
|
in any branch."
|
|
|
|
When Elnora entered the coat room after having had
|
|
luncheon with Ellen Brownlee there was such a difference
|
|
in the atmosphere that she could feel it.
|
|
|
|
"I am almost sorry I have these clothes," she said to Ellen.
|
|
|
|
"In the name of sense, why?" cried the astonished girl.
|
|
|
|
"Every one is so nice to me in them, it sets me to
|
|
wondering if in time I could have made them be equally
|
|
friendly in the others."
|
|
|
|
Ellen looked at her introspectively. "I believe you
|
|
could," she announced at last. "But it would have taken
|
|
time and heartache, and your mind would have been less
|
|
free to work on your studies. No one is happy without
|
|
friends, and I just simply can't study when I am unhappy."
|
|
|
|
That night the Bird Woman made the last trip to the swamp.
|
|
Every specimen she possibly could use had been purchased
|
|
at a fair price, and three additions had been made to the
|
|
bank book, carrying the total a little past two hundred dollars.
|
|
There remained the Indian relics to sell on Saturday,
|
|
and Elnora had secured the order to furnish material for
|
|
nature work for the grades. Life suddenly grew very full.
|
|
There was the most excitingly interesting work for every hour,
|
|
and that work was to pay high school expenses and start the
|
|
college fund. There was one little rift in her joy.
|
|
All of it would have been so much better if she could have
|
|
told her mother, and given the money into her keeping;
|
|
but the struggle to get a start had been so terrible,
|
|
Elnora was afraid to take the risk. When she reached home,
|
|
she only told her mother that the last of the things had
|
|
been sold that evening.
|
|
|
|
"I think," said Mrs. Comstock, "that we will ask Wesley
|
|
to move that box over here back of the garden for you.
|
|
There you are apt to get tolled farther into the swamp
|
|
than you intend to go, and you might mire or something.
|
|
There ought to be just the same things in our woods,
|
|
and along our swampy places, as there are in the Limberlost.
|
|
Can't you hunt your stuff here?"
|
|
|
|
"I can try," said Elnora. "I don't know what I can
|
|
find until I do. Our woods are undisturbed, and there
|
|
is a possibility they might be even better hunting than
|
|
the swamp. But I wouldn't have Freckles's case moved for
|
|
the world. He might come back some day, and not like it.
|
|
I've tried to keep his room the best I could, and taking out
|
|
the box would make a big hole in one side of it. Store boxes
|
|
don't cost much. I will have Uncle Wesley buy me one,
|
|
and set it up wherever hunting looks the best, early in
|
|
the spring. I would feel safer at home."
|
|
|
|
"Shall we do the work or have supper first?"
|
|
|
|
"Let's do the work," said Elnora. "I can't say that
|
|
I'm hungry now. Doesn't seem as if I ever could be
|
|
hungry again with such a lunch. I am quite sure no one
|
|
carried more delicious things to eat than I."
|
|
|
|
Mrs. Comstock was pleased. "I put in a pretty good
|
|
hunk of cake. Did you divide it with any one?"
|
|
|
|
"Why, yes, I did," admitted Elnora.
|
|
|
|
"Who?"
|
|
|
|
This was becoming uncomfortable. "I ate the biggest
|
|
piece myself," said Elnora, "and gave the rest to a couple
|
|
of boys named Jimmy and Billy and a girl named Belle.
|
|
They said it was the very best cake they ever tasted in all
|
|
their lives."
|
|
|
|
Mrs. Comstock sat straight. "I used to be a master
|
|
hand at spice cake," she boasted. "But I'm a little out
|
|
of practice. I must get to work again. With the very
|
|
weeds growing higher than our heads, we should raise
|
|
plenty of good stuff to eat on this land, if we can't afford
|
|
anything else but taxes."
|
|
|
|
Elnora laughed and hurried up stairs to change her dress.
|
|
Margaret Sinton came that night bringing a beautiful blue
|
|
one in its place, and carried away the other to launder.
|
|
|
|
"Do you mean to say those dresses are to be washed
|
|
every two days?" questioned Mrs. Comstock.
|
|
|
|
"They have to be, to look fresh," replied Margaret.
|
|
"We want our girl sweet as a rose."
|
|
|
|
"Well, of all things!" cried Mrs. Comstock. "Every two days!
|
|
Any girl who can't keep a dress clean longer than that is a
|
|
dirty girl. You'll wear the goods out and fade the colours
|
|
with so much washing."
|
|
|
|
"We'll have a clean girl, anyway."
|
|
|
|
"Well, if you like the job you can have it," said Mrs. Comstock.
|
|
"I don't mind the washing, but I'm so inconvenient with an iron."
|
|
|
|
Elnora sat late that night working over her lessons.
|
|
The next morning she put on her blue dress and ribbon
|
|
and in those she was a picture. Mrs. Comstock caught
|
|
her breath with a queer stirring around her heart, and
|
|
looked twice to be sure of what she saw. As Elnora
|
|
gathered her books her mother silently gave her the lunch box.
|
|
|
|
"Feels heavy," said Elnora gaily. "And smelly! Like as not
|
|
I'll be called upon to divide again."
|
|
|
|
"Then you divide!" said Mrs. Comstock. "Eating is
|
|
the one thing we don't have to economize on, Elnora.
|
|
Spite of all I can do food goes to waste in this soil
|
|
every day. If you can give some of those city children
|
|
a taste of the real thing, why, don't be selfish."
|
|
|
|
Elnora went down the road thinking of the city children
|
|
with whom she probably would divide. Of course,
|
|
the bridge would be occupied again. So she stopped and
|
|
opened the box.
|
|
|
|
"I don't want to be selfish," murmured Elnora, "but
|
|
it really seems as if I can't give away this lunch.
|
|
If mother did not put love into it, she's substituted
|
|
something that's likely to fool me."
|
|
|
|
She almost felt her steps lagging as she approached
|
|
the bridge. A very hungry dog had been added to the trio
|
|
of children. Elnora loved all dogs, and as usual, this one
|
|
came to her in friendliness. The children said "Good morning!"
|
|
with alacrity, and another paper parcel layconspicuous.
|
|
|
|
"How are you this morning?" inquired Elnora.
|
|
|
|
"All right!" cried the three, while the dog sniffed ravenously
|
|
at the lunch box, and beat a perfect tattoo with his tail.
|
|
|
|
"How did you like the bologna?" questioned Billy eagerly.
|
|
|
|
"One of the girls took me to lunch at her home yesterday,"
|
|
answered Elnora.
|
|
|
|
Dawn broke beautifully over Billy's streaked face.
|
|
He caught the package and thrust it toward Elnora.
|
|
|
|
"Then maybe you'd like to try the bologna to-day!"
|
|
|
|
The dog leaped in glad apprehension of something, and
|
|
Belle scrambled to her feet and took a step forward.
|
|
The look of famished greed in her eyes was more than Elnora
|
|
could endure. It was not that she cared for the food
|
|
so much. Good things to eat had been in abundance all
|
|
her life. She wanted with this lunch to try to absorb
|
|
what she felt must be an expression of some sort from her
|
|
mother, and if it were not a manifestation of love, she
|
|
did not know what to think it. But it was her mother
|
|
who had said "be generous." She knelt on the bridge.
|
|
"Keep back the dog!" she warned the elder boy.
|
|
|
|
She opened the box and divided the milk between Billy
|
|
and the girl. She gave each a piece of cake leaving
|
|
one and a sandwich. Billy pressed forward eagerly, bitter
|
|
disappointment on his face, and the elder boy forgot his charge.
|
|
|
|
"Aw, I thought they'd be meat!" lamented Billy.
|
|
|
|
Elnora could not endure that.
|
|
|
|
"There is!" she said gladly. "There is a little pigeon bird.
|
|
I want a teeny piece of the breast, for a sort of keepsake,
|
|
just one bite, and you can have the rest among you".
|
|
|
|
Elnora drew the knife from its holder and cut off
|
|
the wishbone. Then she held the bird toward the girl.
|
|
|
|
"You can divide it," she said. The dog made a bound
|
|
and seizing the squab sprang from the bridge and ran
|
|
for life. The girl and boy hurried after him. With awful
|
|
eyes Billy stared and swore tempestuously. Elnora caught
|
|
him and clapped her hand over the little mouth.
|
|
A delivery wagon came tearing down the street, the horse
|
|
running full speed, passed the fleeing dog with the girl
|
|
and boy in pursuit, and stopped at the bridge. High school
|
|
girls began to roll from all sides of it.
|
|
|
|
"A rescue! A rescue!" they shouted.
|
|
|
|
It was Ellen Brownlee and her crowd, and every girl
|
|
of them carried a big parcel. They took in the scene
|
|
as they approached. The fleeing dog with something
|
|
in its mouth, the half-naked girl and boy chasing it told
|
|
the story. Those girls screamed with laughter as they
|
|
watched the pursuit.
|
|
|
|
"Thank goodness, I saved the wishbone!" said Elnora.
|
|
"As usual, I can prove that there was a bird."
|
|
She turned toward the box. Billy had improved the time.
|
|
He had the last piece of cake in one hand, and the last
|
|
bite of salad disappeared in one great gulp. Then the
|
|
girls shouted again.
|
|
|
|
"Let's have a sample ourselves," suggested one. She caught
|
|
up the box and handed out the remaining sandwich. Another girl
|
|
divided it into bites each little over an inch square, and
|
|
then she lifted the cup lid and deposited a preserved
|
|
strawberry on each bite. "One, two, three, altogether now!"
|
|
she cried.
|
|
|
|
"You old mean things!" screamed Billy.
|
|
|
|
In an instant he was down in the road and handfuls of dust
|
|
began to fly among them. The girls scattered before him.
|
|
|
|
"Billy!" cried Elnora. "Billy! I'll never give you
|
|
another bite, if you throw dust on any one!"
|
|
|
|
Then Billy dropped the dust, bored both fists into his
|
|
eyes, and fled sobbing into Elnora's new blue skirt.
|
|
She stooped to meet him and consolation began. Those girls
|
|
laughed on. They screamed and shouted until the little
|
|
bridge shook.
|
|
|
|
"To-morrow might as well be a clear day," said Ellen,
|
|
passing around and feeding the remaining berries to the
|
|
girls as they could compose themselves enough to take them.
|
|
"Billy, I admire your taste more than your temper."
|
|
|
|
Elnora looked up. "The little soul is nothing but skin
|
|
and bones," she said. "I never was really hungry myself;
|
|
were any of you?"
|
|
|
|
"Well, I should say so," cried a plump, rosy girl.
|
|
"I'm famished right now. Let's have breakfast immediate!"
|
|
|
|
"We got to refill this box first!" said Ellen Brownlee.
|
|
"Who's got the butter?" A girl advanced with a wooden tray.
|
|
|
|
"Put it in the preserve cup, a little strawberry flavour
|
|
won't hurt it. Next!" called Ellen.
|
|
|
|
A loaf of bread was produced and Ellen cut off a piece
|
|
which filled the sandwich box.
|
|
|
|
"Next!" A bottle of olives was unwrapped. The grocer's
|
|
boy who was waiting opened that, and Ellen filled the
|
|
salad dish.
|
|
|
|
"Next!"
|
|
|
|
A bag of macaroons was produced and the cake compartment filled.
|
|
|
|
"Next!"
|
|
|
|
"I don't suppose this will make quite as good dog feed
|
|
as a bird," laughed a girl holding open a bag of sliced
|
|
ham while Ellen filled the meat dish.
|
|
|
|
"Next!"
|
|
|
|
A box of candy was handed her and she stuffed every
|
|
corner of the lunch box with chocolates and nougat.
|
|
Then it was closed and formally presented to Elnora.
|
|
The girls each helped themselves to candy and olives,
|
|
and gave Billy the remainder of the food. Billy took
|
|
one bite of ham, and approved. Belle and Jimmy had
|
|
given up chasing the dog, and angry and ashamed, stood
|
|
waiting half a block away.
|
|
|
|
"Come back!" cried Billy. "You great big dunces,
|
|
come back! They's a new kind of meat, and cake and candy."
|
|
|
|
The boy delayed, but the girl joined Billy. Ellen wiped
|
|
her fingers, stepped to the cement abutment and began
|
|
reciting "Horatio at the Bridge!" substituting Elnora
|
|
wherever the hero appeared in the lines.
|
|
|
|
Elnora gathered up the sacks, and gave them to Belle,
|
|
telling her to take the food home, cut and spread the
|
|
bread, set things on the table, and eat nicely.
|
|
|
|
Then Elnora was taken into the wagon with the girls,
|
|
and driven on the run to the high school. They sang a
|
|
song beginning--
|
|
|
|
"Elnora, please give me a sandwich.
|
|
I'm ashamed to ask for cake"
|
|
|
|
as they went. Elnora did not know it, but that was
|
|
her initiation. She belonged to "the crowd." She only
|
|
knew that she was happy, and vaguely wondered what
|
|
her mother and Aunt Margaret would have said about
|
|
the proceedings.
|
|
|
|
CHAPTER VII
|
|
|
|
WHEREIN MRS. COMSTOCK MANIPULATES MARGARET
|
|
AND BILLY ACQUIRES A RESIDENCE
|
|
|
|
Saturday morning Elnora helped her mother with the work.
|
|
When she had finished Mrs. Comstock told her to go to
|
|
Sintons' and wash her Indian relics, so that she would
|
|
be ready to accompany Wesley to town in the afternoon.
|
|
Elnora hurried down the road and was soon at the cistern
|
|
with a tub busily washing arrow points, stone axes, tubes,
|
|
pipes, and skin-cleaning implements.
|
|
|
|
Then she went home, dressed and was waiting when the
|
|
carriage reached the gate. She stopped at the bank with
|
|
the box, and Sinton went to do his marketing and some
|
|
shopping for his wife.
|
|
|
|
At the dry goods store Mr. Brownlee called to him,
|
|
"Hello, Sinton! How do you like the fate of your lunch
|
|
box?" Then he began to laugh--
|
|
|
|
"I always hate to see a man laughing alone," said Sinton.
|
|
It looks so selfish! Tell me the fun, and let me
|
|
help you."
|
|
|
|
Mr. Brownlee wiped his eyes.
|
|
|
|
"I supposed you knew, but I see she hasn't told."
|
|
|
|
Then the three days' history of the lunch box was
|
|
repeated with particulars which included the dog.
|
|
|
|
"Now laugh!" concluded Mr. Brownlee.
|
|
|
|
"Blest if I see anything funny!" replied Wesley Sinton.
|
|
"And if you had bought that box and furnished one of
|
|
those lunches yourself, you wouldn't either. I call such
|
|
a work a shame! I'll have it stopped."
|
|
|
|
"Some one must see to that, all right. They are
|
|
little leeches. Their father earns enough to support them,
|
|
but they have no mother, and they run wild. I suppose
|
|
they are crazy for cooked food. But it is funny, and
|
|
when you think it over you will see it, if you don't now."
|
|
|
|
"About where would a body find that father?" inquired
|
|
Wesley Sinton grimly. Mr. Brownlee told him and he
|
|
started, locating the house with little difficulty.
|
|
House was the proper word, for of home there was no sign.
|
|
Just a small empty house with three unkept little children
|
|
racing through and around it. The girl and the elder
|
|
boy hung back, but dirty little Billy greeted Sinton with:
|
|
"What you want here?"
|
|
|
|
"I want to see your father," said Sinton.)
|
|
|
|
"Well, he's asleep," said Billy.
|
|
|
|
"Where?" asked Sinton.
|
|
|
|
"In the house," answered Billy, "and you can't wake him."
|
|
|
|
"Well, I'll try," said Wesley.
|
|
|
|
Billy led the way. "There he is!" he said. "He is
|
|
drunk again."
|
|
|
|
On a dirty mattress in a corner lay a man who appeared
|
|
to be strong and well. Billy was right. You could not
|
|
awake him. He had gone the limit, and a little beyond.
|
|
|
|
He was now facing eternity. Sinton went out and closed
|
|
the door.
|
|
|
|
"Your father is sick and needs help," he said.
|
|
"You stay here, and I will send a man to see him."
|
|
|
|
"If you just let him 'lone, he'll sleep it off,"
|
|
volunteered Billy. "He's that way all the time,
|
|
but he wakes up and gets us something to eat after awhile.
|
|
Only waitin' twists you up inside pretty bad."
|
|
|
|
The boy wore no air of complaint. He was merely
|
|
stating facts.
|
|
|
|
Wesley Sinton looked intently at Billy. "Are you
|
|
twisted up inside now?" he asked.
|
|
|
|
Billy laid a grimy hand on the region of his stomach and
|
|
the filthy little waist sank close to the backbone.
|
|
"Bet yer life, boss," he said cheerfully.
|
|
|
|
"How long have you been twisted?" asked Sinton.
|
|
|
|
Billy appealed to the others. "When was it we had the
|
|
stuff on the bridge?"
|
|
|
|
"Yesterday morning," said the girl.
|
|
|
|
"Is that all gone?" asked Sinton.
|
|
|
|
"She went and told us to take it home," said Billy ruefully,
|
|
"and 'cos she said to, we took it. Pa had come back,
|
|
he was drinking some more, and he ate a lot of it--
|
|
almost the whole thing, and it made him sick as a dog, and
|
|
he went and wasted all of it. Then he got drunk some
|
|
more, and now he's asleep again. We didn't get hardly none."
|
|
|
|
"You children sit on the steps until the man comes,"
|
|
said Sinton. "I'll send you some things to eat with him.
|
|
What's your name, sonny?"
|
|
|
|
"Billy," said the boy.
|
|
|
|
"Well, Billy, I guess you better come with me. I'll take
|
|
care of him," Sinton promised the others. He reached a
|
|
hand to Billy.
|
|
|
|
"I ain't no baby, I'm a boy!" said Billy, as he shuffled
|
|
along beside Sinton, taking a kick at every movable object
|
|
without regard to his battered toes.
|
|
|
|
Once they passed a Great Dane dog lolling after its master,
|
|
and Billy ascended Sinton as if he were a tree, and
|
|
clung to him with trembling hot hands.
|
|
|
|
"I ain't afraid of that dog," scoffed Billy, as he was
|
|
again placed on the walk, "but onc't he took me for a rat
|
|
or somepin' and his teeth cut into my back. If I'd a done
|
|
right, I'd a took the law on him."
|
|
|
|
Sinton looked down into the indignant little face. The child
|
|
was bright enough, he had a good head, but oh, such a body!
|
|
|
|
"I 'bout got enough of dogs," said Billy. "I used to
|
|
like 'em, but I'm getting pretty tired. You ought to seen
|
|
the lickin' Jimmy and Belle and me give our dog when we
|
|
caught him, for taking a little bird she gave us. We waited
|
|
'till he was asleep 'nen laid a board on him and all of us
|
|
jumped on it to onc't. You could a heard him yell a mile.
|
|
Belle said mebbe we could squeeze the bird out of him.
|
|
But, squeeze nothing! He was holler as us, and that bird
|
|
was lost long 'fore it got to his stummick. It was ist a
|
|
little one, anyway. Belle said it wouldn't 'a' made a bite
|
|
apiece for three of us nohow, and the dog got one good swaller.
|
|
We didn't get much of the meat, either. Pa took most
|
|
of that. Seems like pas and dogs gets everything."
|
|
|
|
Billy laughed dolefully. Involuntarily Wesley Sinton
|
|
reached his hand. They were coming into the business part
|
|
of Onabasha and the streets were crowded. Billy understood
|
|
it to mean that he might lose his companion and took a grip.
|
|
That little hot hand clinging tight to his, the sore feet
|
|
recklessly scouring the walk, the hungry child panting for
|
|
breath as he tried to keep even, the brave soul jesting in
|
|
the face of hard luck, caught Sinton in a tender, empty spot.
|
|
|
|
"Say, son," he said. "How would you like to be
|
|
washed clean, and have all the supper your skin could
|
|
hold, and sleep in a good bed?"
|
|
|
|
"Aw, gee!" said Billy. "I ain't dead yet! Them things
|
|
is in heaven! Poor folks can't have them. Pa said so."
|
|
|
|
"Well, you can have them if you want to go with me and
|
|
get them," promised Sinton.
|
|
|
|
"Honest?"
|
|
|
|
"Yes, honest."
|
|
|
|
"Crost yer heart?"
|
|
|
|
"Yes," said Sinton.
|
|
|
|
"Kin I take some to Jimmy and Belle?"
|
|
|
|
"If you'll come with me and be my boy, I'll see that they
|
|
have plenty."
|
|
|
|
"What will pa say?"
|
|
|
|
"Your pa is in that kind of sleep now where he won't
|
|
wake up, Billy," said Sinton. "I am pretty sure the law
|
|
will give you to me, if you want to come."
|
|
|
|
"When people don't ever wake up they're dead,"
|
|
announced Billy. "Is my pa dead?"
|
|
|
|
"Yes, he is," answered Sinton.
|
|
|
|
"And you'll take care of Jimmy and Belle, too?"
|
|
|
|
"I can't adopt all three of you," said Sinton. "I'll take
|
|
you, and see that they are well provided for. Will you come?"
|
|
|
|
"Yep, I'll come," said Billy. "Let's eat, first thing we do."
|
|
|
|
"All right," agreed Sinton. "Come into this restaurant."
|
|
He lifted Billy to the lunch counter and ordered the clerk
|
|
to give him as many glasses of milk as he wanted, and a biscuit.
|
|
"I think there's going to be fried chicken when we get home,
|
|
Billy," he said, "so you just take the edge off now, and fill
|
|
up later."
|
|
|
|
While Billy lunched Sinton called up the different departments
|
|
and notified the proper authorities ending with the Women's
|
|
Relief Association. He sent a basket of food to Belle and Jimmy,
|
|
bought Billy a pair of trousers, and a shirt, and went to
|
|
bring Elnora.
|
|
|
|
"Why, Uncle Wesley!" cried the girl. "Where did you
|
|
find Billy?"
|
|
|
|
"I've adopted him for the time being, if not longer,"
|
|
replied Wesley Sinton.
|
|
|
|
"Where did you get him?"
|
|
|
|
"Well, young woman," said Wesley Sinton, "Mr. Brownlee
|
|
told me the history of your lunch box. It didn't
|
|
seem so funny to me as it does to the rest of them; so I
|
|
went to look up the father of Billy's family, and make him
|
|
take care of them, or allow the law to do it for him.
|
|
It will have to be the law."
|
|
|
|
"He's deader than anything!" broke in Billy. "He can't
|
|
ever take all the meat any more."
|
|
|
|
"Billy!" gasped Elnora.
|
|
|
|
"Never you mind!" said Sinton. "A child doesn't say
|
|
such things about a father who loved and raised him right.
|
|
When it happens, the father alone is to blame. You won't
|
|
hear Billy talk like that about me when I cross over."
|
|
|
|
"You don't mean you are going to take him to keep!"
|
|
|
|
"I'll soon need help," said Wesley. "Billy will come
|
|
in just about right ten years from now, and if I raise him
|
|
I'll have him the way I want him."
|
|
|
|
"But Aunt Margaret doesn't like boys," objected Elnora.
|
|
|
|
"Well, she likes me, and I used to be a boy. Anyway, as
|
|
I remember she has had her way about everything at our
|
|
house ever since we were married. I am going to please
|
|
myself about Billy. Hasn't she always done just as she
|
|
chose so far as you know? Honest, Elnora!"
|
|
|
|
"Honest!" replied Elnora. "You are beautiful to all of
|
|
us, Uncle Wesley; but Aunt Margaret won't like Billy.
|
|
She won't want him in her home."
|
|
|
|
"In our home," corrected Wesley.
|
|
|
|
"What makes you want him?" marvelled Elnora.
|
|
|
|
"God only knows," said Sinton. "Billy ain't so beautiful,
|
|
and he ain't so smart, I guess it's because he's so human.
|
|
My heart goes out to him."
|
|
|
|
"So did mine," said Elnora. "I love him. I'd rather
|
|
see him eat my lunch than have it myself any time."
|
|
|
|
"What makes you like him?" asked Wesley.
|
|
|
|
"Why, I don't know," pondered Elnora. "He's so little,
|
|
he needs so much, he's got such splendid grit, and
|
|
he's perfectly unselfish with his brother and sister.
|
|
But we must wash him before Aunt Margaret sees him.
|
|
I wonder if mother----"
|
|
|
|
"You needn't bother. I'm going to take him home the
|
|
way he is," said Sinton. "I want Maggie to see the
|
|
worst of it."
|
|
|
|
"I'm afraid----" began Elnora.
|
|
|
|
"So am I," said Wesley, "but I won't give him up.
|
|
He's taken a sort of grip on my heart. I've always
|
|
been crazy for a boy. Don't let him hear us."
|
|
|
|
"Don't let him be killed!" cried Elnora. During their
|
|
talk Billy had wandered to the edge of the walk and
|
|
barely escaped the wheels of a passing automobile in an
|
|
effort to catch a stray kitten that seemed in danger.
|
|
|
|
Wesley drew Billy back to the walk, and held his hand closely.
|
|
"Are you ready, Elnora?"
|
|
|
|
"Yes; you were gone a long time," she said.
|
|
|
|
Wesley glanced at a package she carried. "Have to
|
|
have another book?" he asked.
|
|
|
|
"No, I bought this for mother. I've had such splendid
|
|
luck selling my specimens, I didn't feel right about keeping
|
|
all the money for myself, so I saved enough from the
|
|
Indian relics to get a few things I wanted. I would have
|
|
liked to have gotten her a dress, but I didn't dare, so I
|
|
compromised on a book."
|
|
|
|
"What did you select, Elnora?" asked Wesley wonderingly.
|
|
|
|
"Well," said she, "I have noticed mother always seemed
|
|
interested in anything Mark Twain wrote in the newspapers,
|
|
and I thought it would cheer her up a little, so I just
|
|
got his `Innocents Abroad.' I haven't read it myself,
|
|
but I've seen mention made of it all my life, and the
|
|
critics say it's genuine fun."
|
|
|
|
"Good!" cried Sinton. "Good! You've made a
|
|
splendid choice. It will take her mind off herself
|
|
a lot. But she will scold you."
|
|
|
|
"Of course," assented Elnora. "But, possibly she will
|
|
read it, and feel better. I'm going to serve her a trick.
|
|
I am going to hide it until Monday, and set it on her little
|
|
shelf of books the last thing before I go away. She must
|
|
have all of them by heart. When, she sees a new one she
|
|
can't help being glad, for she loves to read, and if she has
|
|
all day to become interested, maybe she'll like it so she
|
|
won't scold so much."
|
|
|
|
"We are both in for it, but I guess we are prepared.
|
|
I don't know what Margaret will say, but I'm going to take
|
|
Billy home and see. Maybe he can win with her, as he
|
|
did with us."
|
|
|
|
Elnora had doubts, but she did not say anything more.
|
|
When they started home Billy sat on the front seat.
|
|
He drove with the hitching strap tied to the railing of
|
|
the dash-board, flourished the whip, and yelled
|
|
with delight. At first Sinton laughed with him, but
|
|
by the time he left Elnora with several packages at her
|
|
gate, he was looking serious enough.
|
|
|
|
Margaret was at the door as they drove up the lane.
|
|
Wesley left Billy in the carriage, hitched the horses and
|
|
went to explain to her. He had not reached her before she
|
|
cried, "Look, Wesley, that child! You'll have a runaway!"
|
|
|
|
Wesley looked and ran. Billy was standing in the
|
|
carriage slashing the mettlesome horses with the whip.
|
|
|
|
"See me make 'em go!" he shouted as the whip fell a
|
|
second time.
|
|
|
|
He did make them go. They took the hitching post
|
|
and a few fence palings, which scraped the paint from
|
|
a wheel. Sinton missed the lines at the first effort,
|
|
but the dragging post impeded the horses, and he soon
|
|
caught them. He led them to the barn, and ordered Billy
|
|
to remain in the carriage while he unhitched. Then leading
|
|
Billy and carrying his packages he entered the yard.
|
|
|
|
"You run play a few minutes, Billy," he said. "I want
|
|
to talk to the nice lady."
|
|
|
|
The nice lady was looking rather stupefied as Wesley
|
|
approached her.
|
|
|
|
"Where in the name of sense did you get that awful
|
|
child?" she demanded.
|
|
|
|
"He is a young gentleman who has been stopping Elnora
|
|
and eating her lunch every day, part of the time
|
|
with the assistance of his brother and sister, while our
|
|
girl went hungry. Brownlee told me about it at the store.
|
|
It's happened three days running. The first time she
|
|
went without anything, the second time Brownlee's girl
|
|
took her to lunch, and the third a crowd of high school
|
|
girls bought a lot of stuff and met them at the bridge.
|
|
The youngsters seemed to think they could rob her every
|
|
day, so I went to see their father about having it stopped."
|
|
|
|
"Well, I should think so!" cried Margaret.
|
|
|
|
"There were three of them, Margaret," said Wesley,
|
|
"that little fellow----"
|
|
|
|
"Hyena, you mean," interpolated Margaret.
|
|
|
|
"Hyena," corrected Wesley gravely, "and another
|
|
boy and a girl, all equally dirty and hungry. The man
|
|
was dead. They thought he was in a drunken sleep,
|
|
but he was stone dead. I brought the little boy with
|
|
me, and sent the officers and other help to the house.
|
|
He's half starved. I want to wash him, and put clean
|
|
clothes on him, and give him some supper."
|
|
|
|
"Have you got anything to put on him?"
|
|
|
|
"Yes."
|
|
|
|
"Where did you get it?"
|
|
|
|
"Bought it. It ain't much. All I got didn't cost a dollar."
|
|
|
|
"A dollar is a good deal when you work and save for
|
|
it the way we do."
|
|
|
|
"Well, I don't know a better place to put it. Have you
|
|
got any hot water? I'll use this tub at the cistern.
|
|
Please give me some soap and towels."
|
|
|
|
Instead Margaret pushed by him with a shriek. Billy had
|
|
played by producing a cord from his pocket, and having
|
|
tied the tails of Margaret's white kittens together, he had
|
|
climbed on a box and hung them across the clothes line.
|
|
Wild with fright the kittens were clawing each other
|
|
to death, and the air was white with fur. The string
|
|
had twisted and the frightened creatures could not
|
|
recognize friends. Margaret stepped back with bleeding hands.
|
|
Sinton cut the cord with his knife and the poor little cats
|
|
raced under the house bleeding and disfigured.
|
|
Margaret white with wrath faced Wesley.
|
|
|
|
"If you don't hitch up and take that animal back to
|
|
town," she said, "I will."
|
|
|
|
Billy threw himself on the grass and began to scream.
|
|
|
|
"You said I could have fried chicken for supper,"
|
|
he wailed. "You said she was a nice lady!"
|
|
|
|
Wesley lifted him and something in his manner of
|
|
handling the child infuriated Margaret. His touch was
|
|
so gentle. She reached for Billy and gripped his shirt
|
|
collar in the back. Wesley's hand closed over hers.
|
|
|
|
"Gently, girl!" he said. "This little body is covered
|
|
with sores."
|
|
|
|
"Sores!" she ejaculated. "Sores? What kind of sores?"
|
|
|
|
"Oh, they might be from bruises made by fists or boot
|
|
toes, or they might be bad blood, from wrong eating,
|
|
or they might be pure filth. Will you hand me some towels?"
|
|
|
|
"No, I won't!" said Margaret.
|
|
|
|
"Well, give me some rags, then."
|
|
|
|
Margaret compromised on pieces of old tablecloth.
|
|
Wesley led Billy to the cistern, pumped cold water into
|
|
the tub, poured in a kettle of hot, and beginning at the
|
|
head scoured him. The boy shut his little teeth, and
|
|
said never a word though he twisted occasionally when
|
|
the soap struck a raw spot. Margaret watched the process
|
|
from the window in amazed and ever-increasing anger.
|
|
Where did Wesley learn it? How could his big hands be
|
|
so gentle? He came to the door.
|
|
|
|
"Have you got any peroxide?" he asked.
|
|
|
|
"A little," she answered stiffly.
|
|
|
|
"Well, I need about a pint, but I'll begin on what you have."
|
|
|
|
Margaret handed him the bottle. Wesley took a cup,
|
|
weakened the drug and said to Billy: "Man, these sores
|
|
on you must be healed. Then you must eat the kind of
|
|
food that's fit for little men. I am going to put some
|
|
medicine on you, and it is going to sting like fire. If it
|
|
just runs off, I won't use any more. If it boils, there is
|
|
poison in these places, and they must be tied up, dosed
|
|
every day, and you must be washed, and kept mighty clean.
|
|
Now, hold still, because I am going to put it on."
|
|
|
|
"I think the one on my leg is the worst," said the undaunted
|
|
Billy, holding out a raw place. Sinton poured on the drug.
|
|
Billy's body twisted and writhed, but he did not run.
|
|
|
|
"Gee, look at it boil!" he cried. "I guess they's poison.
|
|
You'll have to do it to all of them."
|
|
|
|
Wesley's teeth were set, as he watched the boy's face.
|
|
He poured the drug, strong enough to do effective work,
|
|
on a dozen places over that little body and bandaged all
|
|
he could. Billy's lips quivered at times, and his chin
|
|
jumped, but he did not shed a tear or utter a sound other
|
|
than to take a deep interest in the boiling. As Wesley
|
|
put the small shirt on the boy, and fastened the trousers,
|
|
he was ready to reset the hitching post and mend the fence
|
|
without a word.
|
|
|
|
"Now am I clean?" asked Billy.
|
|
|
|
"Yes, you are clean outside," said Wesley. "There is
|
|
some dirty blood in your body, and some bad words in
|
|
your mouth, that we have to get out, but that takes time.
|
|
If we put right things to eat into your stomach
|
|
that will do away with the sores, and if you know that
|
|
I don't like bad words you won't say them any oftener
|
|
than you can help, will you Billy?"
|
|
|
|
Billy leaned against Wesley in apparent indifference.
|
|
|
|
"I want to see me!" he demanded.
|
|
|
|
Wesley led the boy into the house, and lifted him to a mirror.
|
|
|
|
"My, I'm purty good-looking, ain't I?" bragged Billy.
|
|
Then as Wesley stooped to set him on the floor Billy's
|
|
lips passed close to the big man's ear and hastily
|
|
whispered a vehement "No!" as he ran for the door.
|
|
|
|
"How long until supper, Margaret?" asked Wesley
|
|
as he followed.
|
|
|
|
"You are going to keep him for supper?" she asked
|
|
|
|
"Sure!" said Wesley. "That's what I brought him for.
|
|
It's likely he never had a good square meal of decent
|
|
food in his life. He's starved to the bone."
|
|
|
|
Margaret arose deliberately, removed the white cloth
|
|
from the supper table and substituted an old red one
|
|
she used to wrap the bread. She put away the pretty
|
|
dishes they commonly used and set the table with old
|
|
plates for pies and kitchen utensils. But she fried the
|
|
chicken, and was generous with milk and honey, snowy
|
|
bread, gravy, potatoes, and fruit.
|
|
|
|
Wesley repainted the scratched wheel. He mended the
|
|
fence, with Billy holding the nails and handing the pickets.
|
|
Then he filled the old hole, digged a new one and set the
|
|
hitching post.
|
|
|
|
Billy hopped on one foot at his task of holding the post
|
|
steady as the earth was packed around it. There was
|
|
not the shadow of a trouble on his little freckled face.
|
|
|
|
Sinton threw in stones and pounded the earth solid around
|
|
the post. The sound of a gulping sob attracted him to Billy.
|
|
The tears were rolling down his cheeks. "If I'd a knowed
|
|
you'd have to get down in a hole, and work so hard I
|
|
wouldn't 'a' hit the horses," he said.
|
|
|
|
"Never you mind, Billy," said Wesley. "You will
|
|
know next time, so you can think over it, and make up
|
|
your mind whether you really want to before you strike."
|
|
|
|
Wesley went to the barn to put away the tools. He
|
|
thought Billy was at his heels, but the boy lagged on
|
|
the way. A big snowy turkey gobbler resented the small
|
|
intruder in his especial preserves, and with spread tail
|
|
and dragging wings came toward him threateningly. If that
|
|
turkey gobbler had known the sort of things with which
|
|
Billy was accustomed to holding his own, he never would
|
|
have issued the challenge. Billy accepted instantly.
|
|
He danced around with stiff arms at his sides and imitated
|
|
the gobbler. Then came his opportunity, and he jumped
|
|
on the big turkey's back. Wesley heard Margaret's scream
|
|
in time to see the flying leap and admire its dexterity.
|
|
The turkey tucked its tail and scampered. Billy slid from
|
|
its back and as he fell he clutched wildly, caught the
|
|
folded tail, and instinctively clung to it. The turkey
|
|
gave one scream and relaxed its muscles. Then it fled
|
|
in disfigured defeat to the haystack. Billy scrambled
|
|
to his feet holding the tail, while his eyes were bulging.
|
|
|
|
"Why, the blasted old thing came off!" he said to
|
|
Wesley, holding out the tail in amazed wonder.
|
|
|
|
The man, caught suddenly, forgot everything and roared.
|
|
Seeing which, Billy thought a turkey tail of no
|
|
account and flung that one high above him shouting in
|
|
wild childish laughter, when the feathers scattered and fell.
|
|
|
|
Margaret, watching, began to cry. Wesley had gone mad.
|
|
For the first time in her married life she wanted
|
|
to tell her mother. When Wesley had waited until he
|
|
was so hungry he could wait no longer he invaded the
|
|
kitchen to find a cooked supper baking on the back of the
|
|
stove, while Margaret with red eyes nursed a pair of
|
|
demoralized white kittens.
|
|
|
|
"Is supper ready?" he asked.
|
|
|
|
"It has been for an hour," answered Margaret.
|
|
|
|
"Why didn't you call us?"
|
|
|
|
That "us" had too much comradeship in it. It irritated Margaret.
|
|
|
|
"I supposed it would take you even longer than this to
|
|
fix things decent again. As for my turkey, and my poor
|
|
little kittens, they don't matter."
|
|
|
|
"I am mighty sorry about them, Margaret, you know that.
|
|
Billy is very bright, and he will soon learn----"
|
|
|
|
"Soon learn!" cried Margaret. "Wesley Sinton, you
|
|
don't mean to say that you think of keeping that creature
|
|
here for some time?"
|
|
|
|
"No, I think of keeping a well-behaved little boy."
|
|
|
|
Margaret set the supper on the table. Seeing the old
|
|
red cloth Wesley stared in amazement. Then he understood.
|
|
Billy capered around in delight.
|
|
|
|
"Ain't that pretty?" he exulted. "I wish Jimmy and
|
|
Belle could see. We, why we ist eat out of our hands or
|
|
off a old dry goods box, and when we fix up a lot, we
|
|
have newspaper. We ain't ever had a nice red cloth like this."
|
|
|
|
Wesley looked straight at Margaret, so intently that she
|
|
turned away, her face flushing. He stacked the dictionary
|
|
and the geography of the world on a chair, and lifted Billy
|
|
beside him. He heaped a plate generously, cut the food,
|
|
put a fork into Billy's little fist, and made him eat slowly
|
|
and properly. Billy did his best. Occasionally greed
|
|
overcame him, and he used his left hand to pop a bite into
|
|
his mouth with his fingers. These lapses Wesley patiently
|
|
overlooked, and went on with his general instructions.
|
|
Luckily Billy did not spill anything on his clothing or
|
|
the cloth. After supper Wesley took him to the barn while
|
|
he finished the night work. Then he went and sat beside
|
|
Margaret on the front porch. Billy appropriated the
|
|
hammock, and swung by pulling a rope tied around a tree.
|
|
The very energy with which he went at the work of
|
|
swinging himself appealed to Wesley.
|
|
|
|
"Mercy, but he's an active little body," he said.
|
|
"There isn't a lazy bone in him. See how he works
|
|
to pay for his fun."
|
|
|
|
"There goes his foot through it!" cried Margaret.
|
|
"Wesley, he shall not ruin my hammock."
|
|
|
|
"Of course he shan't!" said Wesley. "Wait, Billy, let
|
|
me show you."
|
|
|
|
Thereupon he explained to Billy that ladies wearing
|
|
beautiful white dresses sat in hammocks, so little boys
|
|
must not put their dusty feet in them. Billy immediately
|
|
sat, and allowed his feet to swing.
|
|
|
|
"Margaret," said Wesley after a long silence on the
|
|
porch, "isn't it true that if Billy had been a half-starved
|
|
sore cat, dog, or animal of any sort, that you would have
|
|
pitied, and helped care for it, and been glad to see me get
|
|
any pleasure out of it I could?"
|
|
|
|
"Yes," said Margaret coldly.
|
|
|
|
"But because I brought a child with an immortal soul,
|
|
there is no welcome."
|
|
|
|
"That isn't a child, it's an animal."
|
|
|
|
"You just said you would have welcomed an animal."
|
|
|
|
"Not a wild one. I meant a tame beast."
|
|
|
|
"Billy is not a beast!" said Wesley hotly. "He is a
|
|
very dear little boy. Margaret, you've always done the
|
|
church-going and Bible reading for this family. How do
|
|
you reconcile that `Suffer little children to come unto Me'
|
|
with the way you are treating Billy?"
|
|
|
|
Margaret arose. "I haven't treated that child. I have
|
|
only let him alone. I can barely hold myself. He needs
|
|
the hide tanned about off him!"
|
|
|
|
"If you'd cared to look at his body, you'd know that you
|
|
couldn't find a place to strike without cutting into a raw
|
|
spot," said Wesley. "Besides, Billy has not done a
|
|
thing for which a child should be punished. He is only
|
|
full of life, no training, and with a boy's love of mischief.
|
|
He did abuse your kittens, but an hour before I saw him
|
|
risk his life to save one from being run over. He minds
|
|
what you tell him, and doesn't do anything he is told not to.
|
|
He thinks of his brother and sister right away when
|
|
anything pleases him. He took that stinging medicine
|
|
with the grit of a bulldog. He is just a bully little chap,
|
|
and I love him."
|
|
|
|
"Oh good heavens!" cried Margaret, going into the
|
|
house as she spoke.
|
|
|
|
Sinton sat still. At last Billy tired of the swing, came
|
|
to him and leaned his slight body against the big knee.
|
|
|
|
"Am I going to sleep here?" he asked.
|
|
|
|
"Sure you are!" said Sinton.
|
|
|
|
Billy swung his feet as he laid across Wesley's knee.
|
|
"Come on," said Wesley, "I must clean you up for bed."
|
|
|
|
"You have to be just awful clean here," announced Billy.
|
|
"I like to be clean, you feel so good, after the hurt is over."
|
|
|
|
Sinton registered that remark, and worked with especial
|
|
tenderness as he redressed the ailing places and
|
|
washed the dust from Billy's feet and hands.
|
|
|
|
"Where can he sleep?" he asked Margaret.
|
|
|
|
"I'm sure I don't know," she answered.
|
|
|
|
"Oh, I can sleep ist any place," said Billy. "On the
|
|
floor or anywhere. Home, I sleep on pa's coat on a store-
|
|
box, and Jimmy and Belle they sleep on the storebox, too.
|
|
"I sleep between them, so's I don't roll off and crack
|
|
my head. Ain't you got a storebox and a old coat?"
|
|
|
|
Wesley arose and opened a folding lounge. Then he
|
|
brought an armload of clean horse blankets from a closet.
|
|
|
|
"These don't look like the nice white bed a little boy
|
|
should have, Billy," he said, "but we'll make them do.
|
|
This will beat a storebox all hollow."
|
|
|
|
Billy took a long leap for the lounge. When he found
|
|
it bounced, he proceeded to bounce, until he was tired.
|
|
By that time the blankets had to be refolded. Wesley had
|
|
Billy take one end and help, while both of them seemed to
|
|
enjoy the job. Then Billy lay down and curled up in his
|
|
clothes like a small dog. But sleep would not come.
|
|
|
|
Finally he sat up. He stared around restlessly. Then he
|
|
arose, went to Wesley, and leaned against his knee. He picked
|
|
up the boy and folded his arms around him. Billy sighed
|
|
in rapturous content.
|
|
|
|
"That bed feels so lost like," he said. "Jimmy always
|
|
jabbed me on one side, and Belle on the other, and so I
|
|
knew I was there. Do you know where they are?"
|
|
|
|
"They are with kind people who gave them a fine supper,
|
|
a clean bed, and will always take good care of them."
|
|
|
|
"I wisht I was--" Billy hesitated and looked earnestly
|
|
at Wesley. "I mean I wish they was here."
|
|
|
|
"You are about all I can manage, Billy," said Wesley.
|
|
|
|
Billy sat up. "Can't she manage anything?" he asked,
|
|
waving toward Margaret.
|
|
|
|
"Indeed, yes," said Wesley. "She has managed me
|
|
for twenty years."
|
|
|
|
"My, but she made you nice!" said Billy. "I just love you.
|
|
I wisht she'd take Jimmy and Belle and make them nice as you."
|
|
|
|
"She isn't strong enough to do that, Billy. They will
|
|
grow into a good boy and girl where they are."
|
|
|
|
Billy slid from Wesley's arms and walked toward
|
|
Margaret until he reached the middle of the room. Then he
|
|
stopped, and at last sat on the floor. Finally he lay
|
|
down and closed his eyes. "This feels more like my bed;
|
|
if only Jimmy and Belle was here to crowd up a little, so it
|
|
wasn't so alone like."
|
|
|
|
"Won't I do, Billy?" asked Wesley in a husky voice.
|
|
|
|
Billy moved restlessly. "Seems like--seems like
|
|
toward night as if a body got kind o' lonesome for a
|
|
woman person--like her."
|
|
|
|
Billy indicated Margaret and then closed his eyes so
|
|
tight his small face wrinkled.
|
|
|
|
Soon he was up again. "Wisht I had Snap," he said.
|
|
"Oh, I ist wisht I had Snap!"
|
|
|
|
"I thought you laid a board on Snap and jumped on
|
|
it," said Wesley.
|
|
|
|
"We did!" cried Billy--"oh, you ought to heard him
|
|
squeal!" Billy laughed loudly, then his face clouded.
|
|
|
|
"But I want Snap to lay beside me so bad now--that if he
|
|
was here I'd give him a piece of my chicken, 'for, I ate any.
|
|
Do you like dogs?"
|
|
|
|
"Yes, I do," said Wesley.
|
|
|
|
Billy was up instantly. "Would you like Snap?"
|
|
|
|
"I am sure I would," said Wesley.
|
|
|
|
"Would she?" Billy indicated Margaret. And then
|
|
he answered his own question. "But of course, she
|
|
wouldn't, cos she likes cats, and dogs chases cats.
|
|
Oh, dear, I thought for a minute maybe Snap could
|
|
come here." Billy lay down and closed his eyes resolutely.
|
|
|
|
Suddenly they flew open. "Does it hurt to be dead?"
|
|
he demanded.
|
|
|
|
"Nothing hurts you after you are dead, Billy," said Wesley.
|
|
|
|
"Yes, but I mean does it hurt getting to be dead?"
|
|
|
|
"Sometimes it does. It did not hurt your father, Billy.
|
|
It came softly while he was asleep."
|
|
|
|
"It ist came softly?"
|
|
|
|
"Yes."
|
|
|
|
"I kind o' wisht he wasn't dead!" said Billy. "'Course I
|
|
like to stay with you, and the fried chicken, and the nice
|
|
soft bed, and--and everything, and I like to be clean, but
|
|
he took us to the show, and he got us gum, and he never
|
|
hurt us when he wasn't drunk."
|
|
|
|
Billy drew a deep breath, and tightly closed his eyes.
|
|
But very soon they opened. Then he sat up. He looked
|
|
at Wesley pitifully, and then he glanced at Margaret.
|
|
"You don't like boys, do you?" he questioned.
|
|
|
|
"I like good boys," said Margaret.
|
|
|
|
Billy was at her knee instantly. "Well say, I'm a good
|
|
boy!" he announced joyously.
|
|
|
|
"I do not think boys who hurt helpless kittens and pull
|
|
out turkeys' tails are good boys."
|
|
|
|
"Yes, but I didn't hurt the kittens," explained Billy.
|
|
"They got mad 'bout ist a little fun and scratched each other.
|
|
I didn't s'pose they'd act like that. And I didn't pull
|
|
the turkey's tail. I ist held on to the first thing I
|
|
grabbed, and the turkey pulled. Honest, it was the
|
|
turkey pulled." He turned to Wesley. "You tell her!
|
|
Didn't the turkey pull? I didn't know its tail was loose,
|
|
did I?"
|
|
|
|
"I don't think you did, Billy," said Wesley.
|
|
|
|
Billy stared into Margaret's cold face. "Sometimes at night,
|
|
Belle sits on the floor, and I lay my head in her lap.
|
|
I could pull up a chair and lay my head in your lap.
|
|
Like this, I mean." Billy pulled up a chair, climbed
|
|
on it and laid his head on Margaret's lap. Then he shut
|
|
his eyes again. Margaret could have looked little more
|
|
repulsed if he had been a snake. Billy was soon up.
|
|
|
|
"My, but your lap is hard," he said. "And you are
|
|
a good deal fatter 'an Belle, too!" He slid from the
|
|
chair and came back to the middle of the room.
|
|
|
|
"Oh but I wisht he wasn't dead!" he cried. The flood
|
|
broke and Billy screamed in desperation.
|
|
|
|
Out of the night a soft, warm young figure flashed
|
|
through the door and with a swoop caught him in her arms.
|
|
She dropped into a chair, nestled him closely, drooped
|
|
her fragrant brown head over his little bullet-eyed
|
|
red one, and rocked softly while she crooned over him--
|
|
|
|
"Billy, boy, where have you been?
|
|
Oh, I have been to seek a wife,
|
|
She's the joy of my life,
|
|
But then she's a young thing and she can't leave her mammy!"
|
|
|
|
Billy clung to her frantically. Elnora wiped his eyes,
|
|
kissed his face, swayed and sang.
|
|
|
|
"Why aren't you asleep?" she asked at last.
|
|
|
|
"I don't know," said Billy. "I tried. I tried awful
|
|
hard cos I thought he wanted me to, but it ist wouldn't come.
|
|
Please tell her I tried." He appealed to Margaret.
|
|
|
|
"He did try to go to sleep," admitted Margaret.
|
|
|
|
"Maybe he can't sleep in his clothes," suggested Elnora.
|
|
"Haven't you an old dressing sacque? I could roll
|
|
the sleeves."
|
|
|
|
Margaret got an old sacque, and Elnora put it on Billy.
|
|
Then she brought a basin of water and bathed his face
|
|
and head. She gathered him up and began to rock again.
|
|
|
|
"Have you got a pa?" asked Billy.
|
|
|
|
"No," said Elnora.
|
|
|
|
"Is he dead like mine?"
|
|
|
|
"Yes."
|
|
|
|
"Did it hurt him to die?"
|
|
|
|
"I don't know."
|
|
|
|
Billy was wide awake again. "It didn't hurt my pa,"
|
|
he boasted; "he ist died while he was asleep. He didn't
|
|
even know it was coming."
|
|
|
|
"I am glad of that," said Elnora, pressing the small
|
|
head against her breast again.
|
|
|
|
Billy escaped her hand and sat up. "I guess I won't go
|
|
to sleep," he said. "It might `come softly' and get me."
|
|
|
|
"It won't get you, Billy," said Elnora, rocking and
|
|
singing between sentences. "It doesn't get little boys.
|
|
It just takes big people who are sick."
|
|
|
|
"Was my pa sick?"
|
|
|
|
"Yes," said Elnora. "He had a dreadful sickness
|
|
inside him that burned, and made him drink things.
|
|
That was why he would forget his little boys and girl.
|
|
If he had been well, he would have gotten you good things
|
|
to eat, clean clothes, and had the most fun with you."
|
|
|
|
Billy leaned against her and closed his eyes, and Elnora
|
|
rocked hopefully.
|
|
|
|
"If I was dead would you cry?" he was up again.
|
|
|
|
"Yes, I would," said Elnora, gripping him closer until
|
|
Billy almost squealed with the embrace.
|
|
|
|
"Do you love me tight as that?" he questioned blissfully.
|
|
|
|
"Yes, bushels and bushels," said Elnora. "Better than
|
|
any little boy in the whole world."
|
|
|
|
Billy looked at Margaret. "She don't!" he said.
|
|
"She'd be glad if it would get me `softly,' right now.
|
|
She don't want me here 't all."
|
|
|
|
Elnora smothered his face against her breast and rocked.
|
|
|
|
"You love me, don't you?"
|
|
|
|
"I will, if you will go to sleep."
|
|
|
|
"Every single day you will give me your dinner for
|
|
the bologna, won't you," said Billy.
|
|
|
|
"Yes, I will," replied Elnora. "But you will have as
|
|
good lunch as I do after this. You will have milk, eggs,
|
|
chicken, all kinds of good things, little pies, and cakes, maybe."
|
|
|
|
Billy shook his head. "I am going back home soon as
|
|
it is light," he said, "she don't want me. She thinks
|
|
I'm a bad boy. She's going to whip me--if he lets her.
|
|
She said so. I heard her. Oh, I wish he hadn't died!
|
|
I want to go home." Billy shrieked again.
|
|
|
|
Mrs. Comstock had started to walk slowly to meet Elnora.
|
|
The girl had been so late that her mother reached the
|
|
Sinton gate and followed the path until the picture inside
|
|
became visible. Elnora had told her about Wesley
|
|
taking Billy home. Mrs. Comstock had some curiosity
|
|
to see how Margaret bore the unexpected addition to
|
|
her family. Billy's voice, raised with excitement, was
|
|
plainly audible. She could see Elnora holding him, and
|
|
hear his excited wail. Wesley's face was drawn and haggard,
|
|
and Margaret's set and defiant. A very imp of perversity
|
|
entered the breast of Mrs. Comstock.
|
|
|
|
"Hoity, toity!" she said as she suddenly appeared
|
|
in the door. "Blest if I ever heard a man making sounds
|
|
like that before!"
|
|
|
|
Billy ceased suddenly. Mrs. Comstock was tall, angular,
|
|
and her hair was prematurely white. She was only
|
|
thirty-six, although she appeared fifty. But there
|
|
was an expression on her usually cold face that was
|
|
attractive just then, and Billy was in search of attractions.
|
|
|
|
"Have I stayed too late, mother?" asked Elnora anxiously.
|
|
"I truly intended to come straight back, but I thought
|
|
I could rock Billy to sleep first. Everything is strange,
|
|
and he's so nervous."
|
|
|
|
"Is that your ma?" demanded Billy.
|
|
|
|
"Yes."
|
|
|
|
"Does she love you?"
|
|
|
|
"Of course!"
|
|
|
|
"My mother didn't love me," said Billy. "She went
|
|
away and left me, and never came back. She don't care
|
|
what happens to me. You wouldn't go away and leave
|
|
your little girl, would you?" questioned Billy.
|
|
|
|
"No," said Katharine Comstock, "and I wouldn't
|
|
leave a little boy, either."
|
|
|
|
Billy began sliding from Elnora's knees.
|
|
|
|
"Do you like boys?" he questioned.
|
|
|
|
"If there is anything I love it is a boy," said Mrs.
|
|
Comstock assuringly. Billy was on the floor.
|
|
|
|
"Do you like dogs?"
|
|
|
|
"Yes. Almost as well as boys. I am going to buy a
|
|
dog as soon as I can find a good one."
|
|
|
|
Billy swept toward her with a whoop.
|
|
|
|
"Do you want a boy?" he shouted.
|
|
|
|
Katharine Comstock stretched out her arms, and
|
|
gathered him in.
|
|
|
|
"Of course, I want a boy!" she rejoiced.
|
|
|
|
"Maybe you'd like to have me?" offered Billy.
|
|
|
|
"Sure I would," triumphed Mrs. Comstock. "Any one
|
|
would like to have you. You are just a real boy, Billy."
|
|
|
|
"Will you take Snap?"
|
|
|
|
"I'd like to have Snap almost as well as you."
|
|
|
|
"Mother!" breathed Elnora imploringly. "Don't! Oh, don't!
|
|
He thinks you mean it!"
|
|
|
|
"And so I do mean it," said Mrs. Comstock. "I'll take
|
|
him in a jiffy. I throw away enough to feed a little
|
|
tyke like him every day. His chatter would be great
|
|
company while you are gone. Blood soon can be purified
|
|
with right food and baths, and as for Snap, I meant to
|
|
buy a bulldog, but possibly Snap will serve just as well.
|
|
All I ask of a dog is to bark at the right time. I'll do
|
|
the rest. Would you like to come and be my boy, Billy?"
|
|
|
|
Billy leaned against Mrs. Comstock, reached his arms
|
|
around her neck and gripped her with all his puny might.
|
|
"You can whip me all you want to," he said. "I won't
|
|
make a sound."
|
|
|
|
Mrs. Comstock held him closely and her hard face was
|
|
softening; of that there could be no doubt.
|
|
|
|
"Now, why would any one whip a nice little boy like
|
|
you?" she asked wonderingly.
|
|
|
|
"She"--Billy from his refuge waved toward Margaret
|
|
--"she was going to whip me 'cause her cats fought,
|
|
when I tied their tails together and hung them over the
|
|
line to dry. How did I know her old cats would fight?"
|
|
|
|
Mrs. Comstock began to laugh suddenly, and try as
|
|
she would she could not stop so soon as she desired.
|
|
Billy studied her.
|
|
|
|
"Have you got turkeys?" he demanded.
|
|
|
|
"Yes, flocks of them," said Mrs. Comstock, vainly
|
|
struggling to suppress her mirth, and settle her face in
|
|
its accustomed lines.
|
|
|
|
"Are their tails fast?" demanded Billy.
|
|
|
|
"Why, I think so," marvelled Mrs. Comstock.
|
|
|
|
"Hers ain't!" said Billy with the wave toward Margaret
|
|
that was becoming familiar. "Her turkey pulled,
|
|
and its tail comed right off. She's going to whip me if he
|
|
lets her. I didn't know the turkey would pull. I didn't
|
|
know its tail would come off. I won't ever touch one
|
|
again, will I?"
|
|
|
|
"Of course, you won't," said Mrs. Comstock. "And what's
|
|
more, I don't care if you do! I'd rather have a fine
|
|
little man like you than all the turkeys in the country.
|
|
Let them lose their old tails if they want to, and let
|
|
the cats fight. Cats and turkeys don't compare with boys,
|
|
who are going to be fine big men some of these days."
|
|
|
|
Then Billy and Mrs. Comstock hugged each other
|
|
rapturously, while their audience stared in silent amazement.
|
|
|
|
"You like boys!" exulted Billy, and his head dropped
|
|
against Mrs. Comstock in unspeakable content.
|
|
|
|
"Yes, and if I don't have to carry you the whole way
|
|
home, we must start right now," said Mrs. Comstock.
|
|
"You are going to be asleep before you know it."
|
|
|
|
Billy opened his eyes and braced himself. "I can
|
|
walk," he said proudly.
|
|
|
|
"All right, we must start. Come, Elnora! Good-night, folks!"
|
|
Mrs. Comstock set Billy on the floor, and arose gripping
|
|
his hand. "You take the other side, Elnora, and we will
|
|
help him as much as we can," she said.
|
|
|
|
Elnora stared piteously at Margaret, then at Wesley,
|
|
and arose in white-faced bewilderment.
|
|
|
|
"Billy, are you going to leave without even saying good-
|
|
bye to me?" asked Wesley, with a gulp.
|
|
|
|
Billy held tight to Mrs. Comstock and Elnora.
|
|
|
|
"Good-bye!" he said casually. "I'll come and see you
|
|
some time."
|
|
|
|
Wesley Sinton gave a smothered sob, and strode from
|
|
the room.
|
|
|
|
Mrs. Comstock started toward the door, dragging at
|
|
Billy while Elnora pulled back, but Mrs. Sinton was before
|
|
them, her eyes flashing.
|
|
|
|
"Kate Comstock, you think you are mighty smart,
|
|
don't you?" she cried.
|
|
|
|
"I ain't in the lunatic asylum, where you belong,
|
|
anyway,"said Mrs. Comstock. "I am smart enough to tell
|
|
a dandy boy when I see him, and I'm good and glad to
|
|
get him. I'll love to have him!"
|
|
|
|
"Well, you won't have him!" exclaimed Margaret Sinton.
|
|
"That boy is Wesley's! He found him, and brought him here.
|
|
You can't come in and take him like that! Let go of him!"
|
|
|
|
"Not much, I won't!" cried Mrs. Comstock. "Leave the
|
|
poor sick little soul here for you to beat, because he
|
|
didn't know just how to handle things! Of course, he'll
|
|
make mistakes. He must have a lot of teaching, but not
|
|
the kind he'll get from you! Clear out of my way!"
|
|
|
|
"You let go of our boy," ordered Margaret.
|
|
|
|
"Why? Do you want to whip him, before he can go
|
|
to sleep?" jeered Mrs. Comstock.
|
|
|
|
"No, I don't!" said Margaret. "He's Wesley's, and
|
|
nobody shall touch him. Wesley!"
|
|
|
|
Wesley Sinton appeared behind Margaret in the doorway,
|
|
and she turned to him. "Make Kate Comstock let go of
|
|
our boy!" she demanded.
|
|
|
|
"Billy, she wants you now," said Wesley Sinton. "She won't
|
|
whip you, and she won't let any one else. You can have
|
|
stacks of good things to eat, ride in the carriage, and have
|
|
a great time. Won't you stay with us?"
|
|
|
|
Billy drew away from Mrs. Comstock and Elnora.
|
|
|
|
He faced Margaret, his eyes shrewd with unchildish wisdom.
|
|
Necessity had taught him to strike the hot iron, to
|
|
drive the hard bargain.
|
|
|
|
"Can I have Snap to live here always?" he demanded.
|
|
|
|
"Yes, you can have all the dogs you want," said Margaret Sinton.
|
|
|
|
"Can I sleep close enough so's I can touch you?"
|
|
|
|
"Yes, you can move your lounge up so that you can
|
|
hold my hand," said Margaret.
|
|
|
|
"Do you love me now?" questioned Billy.
|
|
|
|
"I'll try to love you, if you are a good boy," said Margaret.
|
|
|
|
"Then I guess I'll stay," said Billy, walking over to her.
|
|
|
|
Out in the night Elnora and her mother went down the
|
|
road in the moonlight; every few rods Mrs. Comstock
|
|
laughed aloud.
|
|
|
|
"Mother, I don't understand you," sobbed Elnora.
|
|
|
|
"Well, maybe when you have gone to high school longer
|
|
you will," said Mrs. Comstock. "Anyway, you saw me
|
|
bring Mag Sinton to her senses, didn't you?"
|
|
|
|
"Yes, I did," answered Elnora, "but I thought you
|
|
were in earnest. So did Billy, and Uncle Wesley, and
|
|
Aunt Margaret."
|
|
|
|
"Well, wasn't I?" inquired Mrs. Comstock.
|
|
|
|
"But you just said you brought Aunt Margaret to!"
|
|
|
|
"Well, didn't I?"
|
|
|
|
"I don't understand you."
|
|
|
|
"That's the reason I am recommending more schooling!"
|
|
|
|
Elnora took her candle and went to bed. Mrs. Comstock
|
|
was feeling too good to sleep. Twice of late she
|
|
really had enjoyed herself for the first in sixteen years,
|
|
and greediness for more of the same feeling crept into her
|
|
blood like intoxication. As she sat brooding alone she
|
|
knew the truth. She would have loved to have taken Billy.
|
|
She would not have minded his mischief, his chatter, or his dog.
|
|
He would have meant a distraction from herself that she
|
|
greatly needed; she was even sincere about the dog.
|
|
She had intended to tell Wesley to buy her one at the very
|
|
first opportunity. Her last thought was of Billy.
|
|
She chuckled softly, for she was not saintly, and now she
|
|
knew how she could even a long score with Margaret and Wesley
|
|
in a manner that would fill her soul with grim satisfaction.
|
|
|
|
CHAPTER VIII
|
|
|
|
WHEREIN THE LIMBERLOST TEMPTS ELNORA, AND BILLY
|
|
BURIES HIS FATHER
|
|
|
|
Immediately after dinner on Sunday Wesley Sinton
|
|
stopped at the Comstock gate to ask if Elnora wanted
|
|
to go to town with them. Billy sat beside him and he
|
|
did not appear as if he were on his way to a funeral.
|
|
Elnora said she had to study and could not go, but she
|
|
suggested that her mother take her place. Mrs. Comstock
|
|
put on her hat and went at once, which surprised Elnora.
|
|
She did not know that her mother was anxious for an
|
|
opportunity to speak with Sinton alone. Elnora knew
|
|
why she was repeatedly cautioned not to leave their land,
|
|
if she went specimen hunting.
|
|
|
|
She studied two hours and was several lessons ahead of
|
|
her classes. There was no use to go further. She would
|
|
take a walk and see if she could gather any caterpillars or
|
|
find any freshly spun cocoons. She searched the bushes
|
|
and low trees behind the garden and all around the edge of
|
|
the woods on their land, and having little success, at
|
|
last came to the road. Almost the first thorn bush she
|
|
examined yielded a Polyphemus cocoon. Elnora lifted
|
|
her head with the instinct of a hunter on the chase, and
|
|
began work. She reached the swamp before she knew it,
|
|
carrying five fine cocoons of different species as her reward.
|
|
She pushed back her hair and gazed around longingly. A few
|
|
rods inside she thought she saw cocoons on a bush, to
|
|
which she went, and found several. Sense of caution was
|
|
rapidly vanishing; she was in a fair way to forget everything
|
|
and plunge into the swamp when she thought she heard
|
|
footsteps coming down the trail. She went back, and came
|
|
out almost facing Pete Corson.
|
|
|
|
That ended her difficulty. She had known him since childhood.
|
|
When she sat on the front bench of the Brushwood schoolhouse,
|
|
Pete had been one of the big boys at the back of the room.
|
|
He had been rough and wild, but she never had been afraid of
|
|
him, and often he had given her pretty things from the swamp.
|
|
|
|
"What luck!" she cried. "I promised mother I would
|
|
not go inside the swamp alone, and will you look at the
|
|
cocoons I've found! There are more just screaming for
|
|
me to come get them, because the leaves will fall with the
|
|
first frost, and then the jays and crows will begin to tear
|
|
them open. I haven't much time, since I'm going to school.
|
|
You will go with me, Pete! Please say yes! Just a little way!"
|
|
|
|
"What are those things?" asked the man, his keen
|
|
black eyes staring at her.
|
|
|
|
"They are the cases these big caterpillars spin for
|
|
winter, and in the spring they come out great night moths,
|
|
and I can sell them. Oh, Pete, I can sell them for enough
|
|
to take me through high school and dress me so like the
|
|
others that I don't look different, and if I have very good
|
|
luck I can save some for college. Pete, please go with me?"
|
|
|
|
"Why don't you go like you always have?"
|
|
|
|
"Well, the truth is, I had a little scare," said Elnora.
|
|
"I never did mean to go alone; sometimes I sort of wandered
|
|
inside farther than I intended, chasing things. You know
|
|
Duncan gave me Freckles's books, and I have been gathering
|
|
moths like he did. Lately I found I could sell them.
|
|
If I can make a complete collection, I can get three
|
|
hundred dollars for it. Three such collections would
|
|
take me almost through college, and I've four years in the
|
|
high school yet. That's a long time. I might collect them."
|
|
|
|
"Can every kind there is be found here?"
|
|
|
|
"No, not all of them, but when I get more than I need
|
|
of one kind, I can trade them with collectors farther north
|
|
and west, so I can complete sets. It's the only way I see
|
|
to earn the money. Look what I have already. Big gray
|
|
Cecropias come from this kind; brown Polyphemus from that,
|
|
and green Lunas from these. You aren't working on Sunday.
|
|
Go with me only an hour, Pete!"
|
|
|
|
The man looked at her narrowly. She was young,
|
|
wholesome, and beautiful. She was innocent, intensely in
|
|
earnest, and she needed the money, he knew that.
|
|
|
|
"You didn't tell me what scared you," he said.
|
|
|
|
"Oh, I thought I did! Why you know I had Freckles's
|
|
box packed full of moths and specimens, and one evening
|
|
I sold some to the Bird Woman. Next morning I found
|
|
a note telling me it wasn't safe to go inside the swamp.
|
|
That sort of scared me. I think I'll go alone, rather than
|
|
miss the chance, but I'd be so happy if you would take
|
|
care of me. Then I could go anywhere I chose, because if
|
|
I mired you could pull me out. You will take care of me, Pete?"
|
|
|
|
"Yes, I'll take care of you," promised Pete Corson.
|
|
|
|
"Goody!" said Elnora. "Let's start quick! And Pete,
|
|
you look at these closely, and when you are hunting or
|
|
going along the road, if one dangles under your nose, you
|
|
cut off the little twig and save it for me, will you?"
|
|
|
|
"Yes, I'll save you all I see," promised Pete. He pushed
|
|
back his hat and followed Elnora. She plunged fearlessly
|
|
among bushes, over underbrush, and across dead logs.
|
|
One minute she was crying wildly, that here was a
|
|
big one, the next she was reaching for a limb above her
|
|
head or on her knees overturning dead leaves under a
|
|
hickory or oak tree, or working aside black muck with her
|
|
bare hands as she searched for buried pupae cases. For the
|
|
first hour Pete bent back bushes and followed, carrying
|
|
what Elnora discovered. Then he found one.
|
|
|
|
"Is this the kind of thing you are looking for?" he asked
|
|
bashfully, as he presented a wild cherry twig.
|
|
|
|
"Oh Pete, that's a Promethea! I didn't even hope to
|
|
find one."
|
|
|
|
"What's the bird like?" asked Pete.
|
|
|
|
"Almost black wings," said Elnora, "with clay-coloured
|
|
edges, and the most wonderful wine-coloured flush over the
|
|
under side if it's a male, and stronger wine above and below
|
|
if it's a female. Oh, aren't I happy!"
|
|
|
|
"How would it do to make what you have into a bunch
|
|
that we could leave here, and come back for them?"
|
|
|
|
"That would be all right."
|
|
|
|
Relieved of his load Pete began work. First, he narrowly
|
|
examined the cocoons Elnora had found. He questioned
|
|
her as to what other kinds would be like. He began to
|
|
use the eyes of a trained woodman and hunter in her behalf.
|
|
He saw several so easily, and moved through the forest
|
|
so softly, that Elnora forgot the moths in watching him.
|
|
Presently she was carrying the specimens, and he was
|
|
making the trips of investigation to see which was a
|
|
cocoon and which a curled leaf, or he was on his knees
|
|
digging around stumps. As he worked he kept asking questions.
|
|
What kind of logs were best to look beside, what trees were
|
|
pupae cases most likely to be under; on what bushes did
|
|
caterpillars spin most frequently? Time passed, as it
|
|
always does when one's occupation is absorbing.
|
|
|
|
When the Sintons took Mrs. Comstock home, they stopped
|
|
to see Elnora. She was not there. Mrs. Comstock called
|
|
at the edge of her woods and received no reply.
|
|
Then Wesley turned and drove back to the Limberlost.
|
|
He left Margaret and Mrs. Comstock holding the team and
|
|
entertaining Billy, while he entered the swamp.
|
|
|
|
Elnora and Pete had made a wide trail behind them.
|
|
Before Sinton had thought of calling, he heard voices
|
|
and approached with some caution. Soon he saw Elnora,
|
|
her flushed face beaming as she bent with an armload of
|
|
twigs and branches and talked to a kneeling man.
|
|
|
|
"Now go cautiously!" she was saying. "I am just sure
|
|
we will find an Imperialis here. It's their very kind of
|
|
a place. There! What did I tell you! Isn't that splendid?
|
|
Oh, I am so glad you came with me!"
|
|
|
|
Wesley stood staring in speechless astonishment, for
|
|
the man had arisen, brushed the dirt from his hands, and
|
|
held out to Elnora a small shining dark pupa case.
|
|
As his face came into view Sinton almost cried out, for he
|
|
was the one man of all others Wesley knew with whom he
|
|
most feared for Elnora's safety. She had him on his
|
|
knees digging pupae cases for her from the swamp.
|
|
|
|
"Elnora!" called Sinton. "Elnora!"
|
|
|
|
"Oh, Uncle Wesley!" cried the girl. "See what luck
|
|
we've had! I know we have a dozen and a half cocoons
|
|
and we have three pupae cases. It's much harder to get
|
|
the cases because you have to dig for them, and you can't
|
|
see where to look. But Pete is fine at it! He's found
|
|
three, and he says he will keep watch beside the roads,
|
|
and through the woods while he hunts. Isn't that splendid
|
|
of him? Uncle Wesley, there is a college over there
|
|
on the western edge of the swamp. Look closely, and
|
|
you can see the great dome up among the clouds."
|
|
|
|
"I should say you have had luck," said Wesley, striving
|
|
to make his voice natural. "But I thought you were not
|
|
coming to the swamp?"
|
|
|
|
"Well, I wasn't," said Elnora, "but I couldn't find
|
|
many anywhere else, honest, I couldn't, and just as soon
|
|
as I came to the edge I began to see them here. I kept
|
|
my promise. I didn't come in alone. Pete came with me.
|
|
He's so strong, he isn't afraid of anything, and
|
|
he's perfectly splendid to locate cocoons! He's found
|
|
half of these. Come on, Pete, it's getting dark now, and
|
|
we must go."
|
|
|
|
They started toward the trail, Pete carrying the cocoons.
|
|
He left them at the case, while Elnora and Wesley went
|
|
on to the carriage together.
|
|
|
|
"Elnora Comstock, what does this mean?" demanded
|
|
her mother.
|
|
|
|
"It's all right, one of the neighbours was with her, and
|
|
she got several dollars' worth of stuff," interposed Wesley.
|
|
|
|
"You oughter seen my pa," shouted Billy. "He was ist
|
|
all whited out, and he laid as still as anything.
|
|
They put him away deep in the ground."
|
|
|
|
"Billy!" breathed Margaret in a prolonged groan.
|
|
|
|
"Jimmy and Belle are going to be together in a nice place.
|
|
They are coming to see me, and Snap is right down here
|
|
by the wheel. Here, Snap! My, but he'll be tickled
|
|
to get something to eat! He's 'most twisted as me.
|
|
They get new clothes, and all they want to eat, too,
|
|
but they'll miss me. They couldn't have got along
|
|
without me. I took care of them. I had a lot of things
|
|
give to me 'cause I was the littlest, and I always divided
|
|
with them. But they won't need me now."
|
|
|
|
When she left the carriage Mrs. Comstock gravely
|
|
shook hands with Billy. "Remember," she said to him,
|
|
"I love boys, and I love dogs. Whenever you don't
|
|
have a good time up there, take your dog and come right
|
|
down and be my little boy. We will just have loads of fun.
|
|
You should hear the whistles I can make. If you
|
|
aren't treated right you come straight to me."
|
|
|
|
Billy wagged his head sagely. "You ist bet I will!"
|
|
he said.
|
|
|
|
"Mother, how could you?" asked Elnora as they walked
|
|
up the path.
|
|
|
|
"How could I, missy? You better ask how couldn't I?
|
|
I just couldn't! Not for enough to pay, my road tax!
|
|
Not for enough to pay the road tax, and the dredge tax, too!"
|
|
|
|
"Aunt Margaret always has been lovely to me, and I
|
|
don't think it's fair to worry her."
|
|
|
|
"I choose to be lovely to Billy, and let her sweat out
|
|
her own worries just as she has me, these sixteen years.
|
|
There is nothing in all this world so good for people as
|
|
taking a dose of their own medicine. The difference is
|
|
that I am honest. I just say in plain English, `if they
|
|
don't treat you right, come to me.' They have only
|
|
said it in actions and inferences. I want to teach Mag
|
|
Sinton how her own doses taste, but she begins to sputter
|
|
before I fairly get the spoon to her lips. Just you wait!"
|
|
|
|
"When I think what I owe her----" began Elnora.
|
|
|
|
"Well, thank goodness, I don't owe her anything, and
|
|
so I'm perfectly free to do what I choose. Come on,
|
|
and help me get supper. I'm hungry as Billy!"
|
|
|
|
Margaret Sinton rocked slowly back and forth in her chair.
|
|
On her breast lay Billy's red head, one hand clutched her
|
|
dress front with spasmodic grip, even after he was unconscious.
|
|
|
|
"You mustn't begin that, Margaret," said Sinton.
|
|
"He's too heavy. And it's bad for him. He's better
|
|
off to lie down and go to sleep alone."
|
|
|
|
"He's very light, Wesley. He jumps and quivers so.
|
|
He has to be stronger than he is now, before he will
|
|
sleep soundly."
|
|
|
|
CHAPTER IX
|
|
|
|
WHEREIN ELNORA DISCOVERS A VIOLIN,
|
|
AND BILLY DISCIPLINES MARGARET
|
|
|
|
Elnora missed the little figure at the bridge the
|
|
following morning. She slowly walked up the
|
|
street and turned in at the wide entrance to the
|
|
school grounds. She scarcely could comprehend that
|
|
only a week ago she had gone there friendless, alone, and
|
|
so sick at heart that she was physically ill. To-day she
|
|
had decent clothing, books, friends, and her mind was at
|
|
ease to work on her studies.
|
|
|
|
As she approached home that night the girl paused
|
|
in amazement. Her mother had company, and she was laughing.
|
|
Elnora entered the kitchen softly and peeped into the
|
|
sitting-room. Mrs. Comstock sat in her chair holding
|
|
a book and every few seconds a soft chuckle broke into
|
|
a real laugh. Mark Twain was doing his work; while
|
|
Mrs. Comstock was not lacking in a sense of humour.
|
|
Elnora entered the room before her mother saw her.
|
|
Mrs. Comstock looked up with flushed face.
|
|
|
|
"Where did you get this?" she demanded.
|
|
|
|
"I bought it," said Elnora.
|
|
|
|
"Bought it! With all the taxes due!"
|
|
|
|
"I paid for it out of my Indian money, mother," said Elnora.
|
|
"I couldn't bear to spend so much on myself and nothing
|
|
at all on you. I was afraid to buy the dress I should
|
|
have liked to, and I thought the book would be company,
|
|
while I was gone. I haven't read it, but I do hope it's good."
|
|
|
|
"Good! It's the biggest piece of foolishness I have
|
|
read in all my life. I've laughed all day, ever since I
|
|
found it. I had a notion to go out and read some of it
|
|
to the cows and see if they wouldn't laugh."
|
|
|
|
"If it made you laugh, it's a wise book," said Elnora.
|
|
|
|
"Wise!" cried Mrs. Comstock. "You can stake your life
|
|
it's a wise book. It takes the smartest man there is
|
|
to do this kind of fooling," and she began laughing again.
|
|
|
|
Elnora, highly satisfied with her purchase, went to her
|
|
room and put on her working clothes. Thereafter she
|
|
made a point of bringing a book that she thought would
|
|
interest her mother, from the library every week, and
|
|
leaving it on the sitting-room table. Each night she
|
|
carried home at least two school books and studied until
|
|
she had mastered the points of her lessons. She did
|
|
her share of the work faithfully, and every available
|
|
minute she was in the fields searching for cocoons, for
|
|
the moths promised to become her largest source of income.
|
|
|
|
She gathered baskets of nests, flowers, mosses, insects,
|
|
and all sorts of natural history specimens and sold them
|
|
to the grade teachers. At first she tried to tell these
|
|
instructors what to teach their pupils about the specimens;
|
|
but recognizing how much more she knew than they, one after
|
|
another begged her to study at home, and use her spare hours
|
|
in school to exhibit and explain nature subjects to
|
|
their pupils. Elnora loved the work, and she needed the
|
|
money, for every few days some matter of expense arose
|
|
that she had not expected.
|
|
|
|
From the first week she had been received and invited
|
|
with the crowd of girls in her class, and it was their
|
|
custom in passing through the business part of the city
|
|
to stop at the confectioners' and take turns in treating
|
|
to expensive candies, ice cream sodas, hot chocolate, or
|
|
whatever they fancied. When first Elnora was asked she
|
|
accepted without understanding. The second time she
|
|
went because she seldom had tasted these things, and
|
|
they were so delicious she could not resist. After that
|
|
she went because she knew all about it, and had decided
|
|
to go.
|
|
|
|
She had spent half an hour on the log beside the trail
|
|
in deep thought and had arrived at her conclusions.
|
|
She worked harder than usual for the next week, but she
|
|
seemed to thrive on work. It was October and the red
|
|
leaves were falling when her first time came to treat.
|
|
As the crowd flocked down the broad walk that night
|
|
Elnora called, "Girls, it's my treat to-night! Come on!"
|
|
|
|
She led the way through the city to the grocery they
|
|
patronized when they had a small spread, and entering
|
|
came out with a basket, which she carried to the bridge
|
|
on her home road. There she arranged the girls in two
|
|
rows on the cement abutments and opening her basket
|
|
she gravely offered each girl an exquisite little basket of
|
|
bark, lined with red leaves, in one end of which nestled a
|
|
juicy big red apple and in the other a spicy doughnut not
|
|
an hour from Margaret Sinton's frying basket.
|
|
|
|
Another time she offered big balls of popped corn stuck
|
|
together with maple sugar, and liberally sprinkled with
|
|
beechnut kernels. Again it was hickory-nut kernels
|
|
glazed with sugar, another time maple candy, and once
|
|
a basket of warm pumpkin pies. She never made any
|
|
apology, or offered any excuse. She simply gave what
|
|
she could afford, and the change was as welcome to those
|
|
city girls accustomed to sodas and French candy, as were
|
|
these same things to Elnora surfeited on popcorn and pie.
|
|
In her room was a little slip containing a record of the
|
|
number of weeks in the school year, the times it would be
|
|
her turn to treat and the dates on which such occasions
|
|
would fall, with a number of suggestions beside each.
|
|
Once the girls almost fought over a basket lined with
|
|
yellow leaves, and filled with fat, very ripe red haws.
|
|
In late October there was a riot over one which was lined
|
|
with red leaves and contained big fragrant pawpaws
|
|
frost-bitten to a perfect degree. Then hazel nuts were
|
|
ripe, and once they served. One day Elnora at her wits'
|
|
end, explained to her mother that the girls had given her
|
|
things and she wanted to treat them. Mrs. Comstock,
|
|
with characteristic stubbornness, had said she would leave
|
|
a basket at the grocery for her, but firmly declined to say
|
|
what would be in it. All day Elnora struggled to keep
|
|
her mind on her books. For hours she wavered in tense
|
|
uncertainty. What would her mother do? Should she
|
|
take the girls to the confectioner's that night or risk
|
|
the basket? Mrs. Comstock could make delicious things to
|
|
eat, but would she?
|
|
|
|
As they left the building Elnora made a final rapid
|
|
mental calculation. She could not see her way clear to
|
|
a decent treat for ten people for less than two dollars and
|
|
if the basket proved to be nice, then the money would
|
|
be wasted. She decided to risk it. As they went to the
|
|
bridge the girls were betting on what the treat would be,
|
|
and crowding near Elnora like spoiled small children.
|
|
Elnora set down the basket.
|
|
|
|
"Girls," she said, "I don't know what this is myself, so
|
|
all of us are going to be surprised. Here goes!"
|
|
|
|
She lifted the cover and perfumes from the land of spices
|
|
rolled up. In one end of the basket lay ten enormous
|
|
sugar cakes the tops of which had been liberally dotted
|
|
with circles cut from stick candy. The candy had melted
|
|
in baking and made small transparent wells of waxy sweetness
|
|
and in the centre of each cake was a fat turtle made from
|
|
a raisin with cloves for head and feet. The remainder
|
|
of the basket was filled with big spiced pears that could
|
|
be held by their stems while they were eaten. The girls
|
|
shrieked and attacked the cookies, and of all the treats
|
|
Elnora offered perhaps none was quite so long remembered
|
|
as that.
|
|
|
|
When Elnora took her basket, placed her books in it,
|
|
and started home, all the girls went with her as far as the
|
|
fence where she crossed the field to the swamp. At parting
|
|
they kissed her good-bye. Elnora was a happy girl as she
|
|
hurried home to thank her mother. She was happy over her
|
|
books that night, and happy all the way to school the
|
|
following morning.
|
|
|
|
When the music swelled from the orchestra her heart
|
|
almost broke with throbbing joy. For music always had
|
|
affected her strangely, and since she had been comfortable
|
|
enough in her surroundings to notice things, she had
|
|
listened to every note to find what it was that literally hurt
|
|
her heart, and at last she knew. It was the talking of
|
|
the violins. They were human voices, and they spoke a
|
|
language Elnora understood. It seemed to her that she
|
|
must climb up on the stage, take the instruments from the
|
|
fingers of the players and make them speak what was in
|
|
her heart.
|
|
|
|
That night she said to her mother, "I am perfectly crazy
|
|
for a violin. I am sure I could play one, sure as I live.
|
|
Did any one----" Elnora never completed that sentence.
|
|
|
|
"Hush!" thundered Mrs. Comstock. "Be quiet!
|
|
Never mention those things before me again--never as
|
|
long as you live! I loathe them! They are a snare of the
|
|
very devil himself! They were made to lure men and
|
|
women from their homes and their honour. If ever I see
|
|
you with one in your fingers I will smash it in pieces."
|
|
|
|
Naturally Elnora hushed, but she thought of nothing else
|
|
after she had finished her lessons. At last there came
|
|
a day when for some reason the leader of the orchestra
|
|
left his violin on the grand piano. That morning Elnora
|
|
made her first mistake in algebra. At noon, as soon as the
|
|
building was empty, she slipped into the auditorium, found
|
|
the side door which led to the stage, and going through the
|
|
musicians' entrance she took the violin. She carried it back
|
|
into the little side room where the orchestra assembled, closed
|
|
all the doors, opened the case and lifted out the instrument.
|
|
|
|
She laid it on her breast, dropped her chin on it and
|
|
drew the bow softly across the strings. One after another
|
|
she tested the open notes. Gradually her stroke ceased to
|
|
tremble and she drew the bow firmly. Then her fingers
|
|
began to fall and softly, slowly she searched up and down
|
|
those strings for sounds she knew. Standing in the middle
|
|
of the floor, she tried over and over. It seemed scarcely a
|
|
minute before the hall was filled with the sound of hurrying
|
|
feet, and she was forced to put away the violin and go
|
|
to her classes. The next day she prayed that the violin
|
|
would be left again, but her petition was not answered.
|
|
That night when she returned from the school she made an
|
|
excuse to go down to see Billy. He was engaged in hulling
|
|
walnuts by driving them through holes in a board. His
|
|
hands were protected by a pair of Margaret's old gloves,
|
|
but he had speckled his face generously. He appeared
|
|
well, and greeted Elnora hilariously.
|
|
|
|
"Me an' the squirrels are laying up our winter stores,"
|
|
he shouted. "Cos the cold is coming, an' the snow an'
|
|
if we have any nuts we have to fix 'em now. But I'm
|
|
ahead, cos Uncle Wesley made me this board, and I can
|
|
hull a big pile while the old squirrel does only ist one
|
|
with his teeth."
|
|
|
|
Elnora picked him up and kissed him. "Billy, are you
|
|
happy?" she asked.
|
|
|
|
"Yes, and so's Snap," answered Billy. "You ought to
|
|
see him make the dirt fly when he gets after a chipmunk.
|
|
I bet you he could dig up pa, if anybody wanted him to."
|
|
|
|
"Billy!" gasped Margaret as she came out to them.
|
|
|
|
"Well, me and Snap don't want him up, and I bet you
|
|
Jimmy and Belle don't, either. I ain't been twisty
|
|
inside once since I been here, and I don't want to go away,
|
|
and Snap don't, either. He told me so."
|
|
|
|
"Billy! That is not true. Dogs can't talk,"
|
|
cautioned Margaret.
|
|
|
|
"Then what makes you open the door when he asks you to?"
|
|
demanded Billy.
|
|
|
|
"Scratching and whining isn't talking."
|
|
|
|
"Anyway, it's the best Snap can talk, and you get up
|
|
and do things he wants done. Chipmunks can talk too.
|
|
You ought to hear them damn things holler when Snap
|
|
gets them!"
|
|
|
|
"Billy! When you want a cooky for supper and I don't
|
|
give it to you it is because you said a wrong word."
|
|
|
|
"Well, for----" Billy clapped his hand over his mouth
|
|
and stained his face in swipes. "Well, for--anything!
|
|
Did I go an' forget again! The cookies will get all
|
|
hard, won't they? I bet you ten dollars I don't say that
|
|
any more."
|
|
|
|
He espied Wesley and ran to show him a walnut too big
|
|
to go through the holes, and Elnora and Margaret entered
|
|
the house.
|
|
|
|
They talked of many things for a time and then Elnora
|
|
said suddenly: "Aunt Margaret, I like music."
|
|
|
|
"I've noticed that in you all your life," answered Margaret.
|
|
|
|
"If dogs can't talk, I can make a violin talk," announced
|
|
Elnora, and then in amazement watched the face of
|
|
Margaret Sinton grow pale.
|
|
|
|
"A violin!" she wavered. "Where did you get a violin?"
|
|
|
|
"They fairly seemed to speak to me in the orchestra.
|
|
One day the conductor left his in the auditorium, and I
|
|
took it, and Aunt Margaret, I can make it do the wind in
|
|
the swamp, the birds, and the animals. I can make any
|
|
sound I ever heard on it. If I had a chance to practise
|
|
a little, I could make it do the orchestra music, too.
|
|
I don't know how I know, but I do."
|
|
|
|
"Did--did you ever mention it to your mother?"
|
|
faltered Margaret.
|
|
|
|
"Yes, and she seems prejudiced against them. But oh,
|
|
Aunt Margaret, I never felt so about anything, not even
|
|
going to school. I just feel as if I'd die if I didn't
|
|
have one. I could keep it at school, and practise at noon
|
|
a whole hour. Soon they'd ask me to play in the orchestra.
|
|
I could keep it in the case and practise in the woods
|
|
in summer. You'd let me play over here Sunday.
|
|
Oh, Aunt Margaret, what does one cost? Would it be wicked
|
|
for me to take of my money, and buy a very cheap one?
|
|
I could play on the least expensive one made."
|
|
|
|
"Oh, no you couldn't! A cheap machine makes cheap music.
|
|
You got to have a fine fiddle to make it sing. But there's
|
|
no sense in your buying one. There isn't a decent reason
|
|
on earth why you shouldn't have your fa----"
|
|
|
|
"My father's!" cried Elnora. She caught Margaret
|
|
Sinton by the arm. "My father had a violin! He played it.
|
|
That's why I can! Where is it! Is it in our house?
|
|
Is it in mother's room?"
|
|
|
|
"Elnora!" panted Margaret. "Your mother will kill me!
|
|
She always hated it."
|
|
|
|
"Mother dearly loves music," said Elnora.
|
|
|
|
"Not when it took the man she loved away from her to
|
|
make it!"
|
|
|
|
"Where is my father's violin?"
|
|
|
|
"Elnora!"
|
|
|
|
"I've never seen a picture of my father. I've never
|
|
heard his name mentioned. I've never had a scrap that
|
|
belonged to him. Was he my father, or am I a charity
|
|
child like Billy, and so she hates me?"
|
|
|
|
"She has good pictures of him. Seems she just can't bear
|
|
to hear him talked about. Of course, he was your father.
|
|
They lived right there when you were born. She doesn't
|
|
dislike you; she merely tries to make herself think
|
|
she does. There's no sense in the world in you not
|
|
having his violin. I've a great notion----"
|
|
|
|
"Has mother got it?"
|
|
|
|
"No. I've never heard her mention it. It was not at
|
|
home when he--when he died."
|
|
|
|
"Do you know where it is?"
|
|
|
|
"Yes. I'm the only person on earth who does, except
|
|
the one who has it."
|
|
|
|
"Who is that?"
|
|
|
|
"I can't tell you, but I will see if they have it yet, and get
|
|
it if I can. But if your mother finds it out she will never
|
|
forgive me."
|
|
|
|
"I can't help it," said Elnora. I want that violin."
|
|
|
|
"I'll go to-morrow, and see if it has been destroyed."
|
|
|
|
"Destroyed! Oh, Aunt Margaret! Would any one dare?"
|
|
|
|
"I hardly think so. It was a good instrument. He played
|
|
it like a master."
|
|
|
|
"Tell me!" breathed Elnora.
|
|
|
|
"His hair was red and curled more than yours, and his
|
|
eyes were blue. He was tall, slim, and the very imp
|
|
of mischief. He joked and teased all day until he picked
|
|
up that violin. Then his head bent over it, and his eyes
|
|
got big and earnest. He seemed to listen as if he first
|
|
heard the notes, and then copied them. Sometimes he
|
|
drew the bow trembly, like he wasn't sure it was right, and
|
|
he might have to try again. He could almost drive you
|
|
crazy when he wanted to, and no man that ever lived could
|
|
make you dance as he could. He made it all up as he went.
|
|
He seemed to listen for his dancing music, too. It appeared
|
|
to come to him; he'd begin to play and you had to keep time.
|
|
You couldn't be still; he loved to sweep a crowd around with
|
|
that bow of his. I think it was the thing you call inspiration.
|
|
I can see him now, his handsome head bent, his cheeks red,
|
|
his eyes snapping, and that bow going across the strings,
|
|
and driving us like sheep. He always kept his body swinging,
|
|
and he loved to play. He often slighted his work shamefully,
|
|
and sometimes her a little; that is why she hated it--Elnora,
|
|
what are you making me do?"
|
|
|
|
The tears were rolling down Elnora's cheeks. "Oh, Aunt
|
|
Margaret," she sobbed. "Why haven't you told me about
|
|
him sooner? I feel as if you had given my father to me
|
|
living, so that I could touch him. I can see him, too!
|
|
Why didn't you ever tell me before? Go on! Go on!"
|
|
|
|
"I can't, Elnora! I'm scared silly. I never meant to
|
|
say anything. If I hadn't promised her not to talk of
|
|
him to you she wouldn't have let you come here.
|
|
She made me swear it."
|
|
|
|
"But why? Why? Was he a shame? Was he disgraced?"
|
|
|
|
"Maybe it was that unjust feeling that took possession
|
|
of her when she couldn't help him from the swamp. She had
|
|
to blame some one, or go crazy, so she took it out on you.
|
|
At times, those first ten years, if I had talked to you,
|
|
and you had repeated anything to her, she might have
|
|
struck you too hard. She was not master of herself.
|
|
You must be patient with her, Elnora. God only knows
|
|
what she has gone through, but I think she is a little
|
|
better, lately."
|
|
|
|
"So do I," said Elnora. "She seems more interested in
|
|
my clothes, and she fixes me such delicious lunches that the
|
|
girls bring fine candies and cake and beg to trade. I gave
|
|
half my lunch for a box of candy one day, brought it
|
|
home to her, and told her. Since, she has wanted me to
|
|
carry a market basket and treat the crowd every day, she
|
|
was so pleased. Life has been too monotonous for her.
|
|
I think she enjoys even the little change made by my going
|
|
and coming. She sits up half the night to read the library
|
|
books I bring, but she is so stubborn she won't even admit
|
|
that she touches them. Tell me more about my father."
|
|
|
|
"Wait until I see if I can find the violin."
|
|
|
|
So Elnora went home in suspense, and that night she
|
|
added to her prayers: "Dear Lord, be merciful to my
|
|
father, and oh, do help Aunt Margaret to get his violin."
|
|
|
|
Wesley and Billy came in to supper tired and hungry.
|
|
Billy ate heartily, but his eyes often rested on a plate of
|
|
tempting cookies, and when Wesley offered them to the
|
|
boy he reached for one. Margaret was compelled to explain
|
|
that cookies were forbidden that night.
|
|
|
|
"What!" said Wesley. "Wrong words been coming again.
|
|
Oh Billy, I do wish you could remember! I can't sit
|
|
and eat cookies before a little boy who has none.
|
|
I'll have to put mine back, too." Billy's face twisted
|
|
in despair.
|
|
|
|
"Aw go on!" he said gruffly, but his chin was jumping,
|
|
for Wesley was his idol.
|
|
|
|
"Can't do it," said Wesley. "It would choke me."
|
|
|
|
Billy turned to Margaret. "You make him," he appealed.
|
|
|
|
"He can't, Billy," said Margaret. "I know how he feels.
|
|
You see, I can't myself."
|
|
|
|
Then Billy slid from his chair, ran to the couch, buried his
|
|
face in the pillow and cried heart-brokenly. Wesley hurried
|
|
to the barn, and Margaret to the kitchen. When the dishes
|
|
were washed Billy slipped from the back door.
|
|
|
|
Wesley piling hay into the mangers heard a sound behind him
|
|
and inquired, "That you, Billy?"
|
|
|
|
"Yes," answered Billy, "and it's all so dark you can't
|
|
see me now, isn't it?"
|
|
|
|
"Well, mighty near," answered Wesley.
|
|
|
|
"Then you stoop down and open your mouth."
|
|
|
|
Sinton had shared bites of apple and nuts for weeks, for
|
|
Billy had not learned how to eat anything without dividing
|
|
with Jimmy and Belle. Since he had been separated
|
|
from them, he shared with Wesley and Margaret. So he
|
|
bent over the boy and received an instalment of cooky
|
|
that almost choked him.
|
|
|
|
"Now you can eat it!" shouted Billy in delight.
|
|
"It's all dark! I can't see what you're doing at all!"
|
|
|
|
Wesley picked up the small figure and set the boy on the
|
|
back of a horse to bring his face level so that they could
|
|
talk as men. He never towered from his height above
|
|
Billy, but always lifted the little soul when important
|
|
matters were to be discussed.
|
|
|
|
"Now what a dandy scheme," he commented. "Did you
|
|
and Aunt Margaret fix it up?"
|
|
|
|
"No. She ain't had hers yet. But I got one for her.
|
|
Ist as soon as you eat yours, I am going to take hers, and
|
|
feed her first time I find her in the dark."
|
|
|
|
"But Billy, where did you get the cookies? You know
|
|
Aunt Margaret said you were not to have any."
|
|
|
|
"I ist took them," said Billy, "I didn't take them for me.
|
|
I ist took them for you and her."
|
|
|
|
Wesley thought fast. In the warm darkness of the barn
|
|
the horses crunched their corn, a rat gnawed at a corner of
|
|
the granary, and among the rafters the white pigeon cooed
|
|
a soft sleepy note to his dusky mate.
|
|
|
|
"Did--did--I steal?" wavered Billy.
|
|
|
|
Wesley's big hands closed until he almost hurt the boy.
|
|
|
|
"No!" he said vehemently. "That is too big a word.
|
|
You made a mistake. You were trying to be a fine
|
|
little man, but you went at it the wrong way. You only
|
|
made a mistake. All of us do that, Billy. The world
|
|
grows that way. When we make mistakes we can see them;
|
|
that teaches us to be more careful the next time, and
|
|
so we learn."
|
|
|
|
"How wouldn't it be a mistake?"
|
|
|
|
"If you had told Aunt Margaret what you wanted to do, and
|
|
asked her for the cookies she would have given them to you."
|
|
|
|
"But I was 'fraid she wouldn't, and you ist had to have it."
|
|
|
|
"Not if it was wrong for me to have it, Billy. I don't
|
|
want it that much."
|
|
|
|
"Must I take it back?"
|
|
|
|
"You think hard, and decide yourself."
|
|
|
|
"Lift me down," said Billy, after a silence, "I got
|
|
to put this in the jar, and tell her."
|
|
|
|
Wesley set the boy on the floor, but as he did so he
|
|
paused one second and strained him close to his breast.
|
|
|
|
Margaret sat in her chair sewing; Billy slipped in and
|
|
crept beside her. The little face was lined with tragedy.
|
|
|
|
"Why Billy, whatever is the matter?" she cried as she
|
|
dropped her sewing and held out her arms. Billy stood back.
|
|
He gripped his little fists tight and squared his shoulders.
|
|
"I got to be shut up in the closet," he said.
|
|
|
|
"Oh Billy! What an unlucky day! What have you
|
|
done now?"
|
|
|
|
"I stold!" gulped Billy. "He said it was ist a mistake,
|
|
but it was worser 'an that. I took something you told
|
|
me I wasn't to have."
|
|
|
|
"Stole!" Margaret was in despair. "What, Billy?"
|
|
|
|
"Cookies!" answered Billy in equal trouble.
|
|
|
|
"Billy!" wailed Margaret. "How could you?"
|
|
|
|
"It was for him and you," sobbed Billy. "He said
|
|
he couldn't eat it 'fore me, but out in the barn it's all
|
|
dark and I couldn't see. I thought maybe he could there.
|
|
Then we might put out the light and you could have yours.
|
|
He said I only made it worse, cos I mustn't take things,
|
|
so I got to go in the closet. Will you hold me tight a
|
|
little bit first? He did."
|
|
|
|
Margaret opened her arms and Billy rushed in and clung
|
|
to her a few seconds, with all the force of his being,
|
|
then he slipped to the floor and marched to the closet.
|
|
Margaret opened the door. Billy gave one glance at
|
|
the light, clinched his fists and, walking inside, climbed
|
|
on a box. Margaret closed the door.
|
|
|
|
Then she sat and listened. Was the air pure enough?
|
|
Possibly he might smother. She had read something once.
|
|
Was it very dark? What if there should be a mouse in
|
|
the closet and it should run across his foot and
|
|
frighten him into spasms. Somewhere she had heard--
|
|
Margaret leaned forward with tense face and listened.
|
|
Something dreadful might happen. She could bear it
|
|
no longer. She arose hurriedly and opened the door.
|
|
Billy was drawn up on the box in a little heap, and he
|
|
lifted a disapproving face to her.
|
|
|
|
"Shut that door!" he said. "I ain't been in here near
|
|
long enough yet!"
|
|
|
|
CHAPTER X
|
|
|
|
WHEREIN ELNORA HAS MORE FINANCIAL TROUBLES,
|
|
AND MRS. COMSTOCK AGAIN HEARS THE SONG OF THE LIMBERLOST
|
|
|
|
The following night Elnora hurried to Sintons'.
|
|
She threw open the back door and with anxious
|
|
eyes searched Margaret's face.
|
|
|
|
"You got it!" panted Elnora. "You got it! I can
|
|
see by your face that you did. Oh, give it to me!"
|
|
|
|
"Yes, I got it, honey, I got it all right, but don't be
|
|
so fast. It had been kept in such a damp place it needed
|
|
glueing, it had to have strings, and a key was gone.
|
|
I knew how much you wanted it, so I sent Wesley right
|
|
to town with it. They said they could fix it good as
|
|
new, but it should be varnished, and that it would take
|
|
several days for the glue to set. You can have it Saturday."
|
|
|
|
"You found it where you thought it was? You know
|
|
it's his?"
|
|
|
|
"Yes, it was just where I thought, and it's the same
|
|
violin I've seen him play hundreds of times. It's all
|
|
right, only laying so long it needs fixing."
|
|
|
|
"Oh Aunt Margaret! Can I ever wait?"
|
|
|
|
"It does seem a long time, but how could I help it?
|
|
You couldn't do anything with it as it was. You see,
|
|
it had been hidden away in a garret, and it needed cleaning
|
|
and drying to make it fit to play again. You can
|
|
have it Saturday sure. But Elnora, you've got to promise
|
|
me that you will leave it here, or in town, and not let
|
|
your mother get a hint of it. I don't know what she'd do."
|
|
|
|
"Uncle Wesley can bring it here until Monday. Then I will
|
|
take it to school so that I can practise at noon. Oh, I
|
|
don't know how to thank you. And there's more than the
|
|
violin for which to be thankful. You've given me my father.
|
|
Last night I saw him plainly as life."
|
|
|
|
"Elnora you were dreaming!"
|
|
|
|
"I know I was dreaming, but I saw him. I saw him so
|
|
closely that a tiny white scar at the corner of his
|
|
eyebrow showed. I was just reaching out to touch him
|
|
when he disappeared."
|
|
|
|
"Who told you there was a scar on his forehead?"
|
|
|
|
"No one ever did in all my life. I saw it last night
|
|
as he went down. And oh, Aunt Margaret! I saw what
|
|
she did, and I heard his cries! No matter what she does,
|
|
I don't believe I ever can be angry with her again. Her heart
|
|
is broken, and she can't help it. Oh, it was terrible,
|
|
but I am glad I saw it. Now, I will always understand."
|
|
|
|
"I don't know what to make of that," said Margaret.
|
|
I don't believe in such stuff at all, but you couldn't make
|
|
it up, for you didn't know."
|
|
|
|
"I only know that I played the violin last night, as
|
|
he played it, and while I played he came through the
|
|
woods from the direction of Carneys'. It was summer
|
|
and all the flowers were in bloom. He wore gray
|
|
trousers and a blue shirt, his head was bare, and his
|
|
face was beautiful. I could almost touch him when he sank."
|
|
|
|
Margaret stood perplexed. "I don't know what to
|
|
think of that!" she ejaculated. "I was next to the last
|
|
person who saw him before he was drowned. It was late
|
|
on a June afternoon, and he was dressed as you describe.
|
|
He was bareheaded because he had found a quail's nest
|
|
before the bird began to brood, and he gathered the eggs
|
|
in his hat and left it in a fence corner to get on his way
|
|
home; they found it afterward."
|
|
|
|
"Was he coming from Carneys'?"
|
|
|
|
"He was on that side of the quagmire. Why he ever skirted
|
|
it so close as to get caught is a mystery you will have to
|
|
dream out. I never could understand it."
|
|
|
|
"Was he doing something he didn't want my mother to know?"
|
|
|
|
"Why?"
|
|
|
|
"Because if he had been, he might have cut close the
|
|
swamp so he couldn't be seen from the garden. You know,
|
|
the whole path straight to the pool where he sank can be
|
|
seen from our back door. It's firm on our side.
|
|
The danger is on the north and east. If he didn't want
|
|
mother to know, he might have tried to pass on either of
|
|
those sides and gone too close. Was he in a hurry?"
|
|
|
|
"Yes, he was," said Margaret. "He had been away
|
|
longer than he expected, and he almost ran when he
|
|
started home."
|
|
|
|
"And he'd left his violin somewhere that you knew, and
|
|
you went and got it. I'll wager he was going to play,
|
|
and didn't want mother to find it out!"
|
|
|
|
"It wouldn't make any difference to you if you knew
|
|
every little thing, so quit thinking about it, and just be
|
|
glad you are to have what he loved best of anything."
|
|
"That's true. Now I must hurry home. I am dreadfully late."
|
|
|
|
Elnora sprang up and ran down the road, but when
|
|
she approached the cabin she climbed the fence, crossed
|
|
the open woods pasture diagonally and entered at the
|
|
back garden gate. As she often came that way when she
|
|
had been looking for cocoons her mother asked no questions.
|
|
|
|
Elnora lived by the minute until Saturday, when,
|
|
contrary to his usual custom, Wesley went to town in
|
|
the forenoon, taking her along to buy some groceries.
|
|
Wesley drove straight to the music store, and asked for
|
|
the violin he had left to be mended.
|
|
|
|
In its new coat of varnish, with new keys and strings,
|
|
it seemed much like any other violin to Sinton, but to
|
|
Elnora it was the most beautiful instrument ever made,
|
|
and a priceless treasure. She held it in her arms, touched
|
|
the strings softly and then she drew the bow across them
|
|
in whispering measure. She had no time to think what
|
|
a remarkably good bow it was for sixteen years' disuse.
|
|
The tan leather case might have impressed her as being
|
|
in fine condition also, had she been in a state to
|
|
question anything. She did remember to ask for the bill
|
|
and she was gravely presented with a slip calling for
|
|
four strings, one key, and a coat of varnish, total, one
|
|
dollar fifty. It seemed to Elnora she never could put the
|
|
precious instrument in the case and start home. Wesley left
|
|
her in the music store where the proprietor showed her all
|
|
he could about tuning, and gave her several beginners'
|
|
sheets of notes and scales. She carried the violin in her
|
|
arms as far as the crossroads at the corner of their land,
|
|
then reluctantly put it under the carriage seat.
|
|
|
|
As soon as her work was done she ran down to Sintons'
|
|
and began to play, and on Monday the violin went to
|
|
school with her. She made arrangements with the superintendent
|
|
to leave it in his office and scarcely took time for her food
|
|
at noon, she was so eager to practise. Often one of the
|
|
girls asked her to stay in town all night for some lecture
|
|
or entertainment. She could take the violin with her,
|
|
practise, and secure help. Her skill was so great that
|
|
the leader of the orchestra offered to give her lessons
|
|
if she would play to pay for them, so her progress was
|
|
rapid in technical work. But from the first day the
|
|
instrument became hers, with perfect faith that she could
|
|
play as her father did, she spent half her practice time in
|
|
imitating the sounds of all outdoors and improvising the
|
|
songs her happy heart sang in those days.
|
|
|
|
So the first year went, and the second and third were
|
|
a repetition; but the fourth was different, for that was the
|
|
close of the course, ending with graduation and all its
|
|
attendant ceremonies and expenses. To Elnora these
|
|
appeared mountain high. She had hoarded every cent,
|
|
thinking twice before she parted with a penny, but teaching
|
|
natural history in the grades had taken time from her studies
|
|
in school which must be made up outside. She was a
|
|
conscientious student, ranking first in most of her classes,
|
|
and standing high in all branches. Her interest in
|
|
her violin had grown with the years. She went to school
|
|
early and practised half an hour in the little room adjoining
|
|
the stage, while the orchestra gathered. She put in a
|
|
full hour at noon, and remained another half hour at night.
|
|
She carried the violin to Sintons' on Saturday and practised
|
|
all the time she could there, while Margaret watched the
|
|
road to see that Mrs. Comstock was not coming. She had
|
|
become so skilful that it was a delight to hear her play
|
|
music of any composer, but when she played her own, that
|
|
was joy inexpressible, for then the wind blew, the water
|
|
rippled, the Limberlost sang her songs of sunshine, shadow,
|
|
black storm, and white night.
|
|
|
|
Since her dream Elnora had regarded her mother with
|
|
peculiar tenderness. The girl realized, in a measure, what
|
|
had happened. She avoided anything that possibly could
|
|
stir bitter memories or draw deeper a line on the hard,
|
|
white face. This cost many sacrifices, much work, and
|
|
sometimes delayed progress, but the horror of that awful
|
|
dream remained with Elnora. She worked her way cheerfully,
|
|
doing all she could to interest her mother in things
|
|
that happened in school, in the city, and by carrying books
|
|
that were entertaining from the public library.
|
|
|
|
Three years had changed Elnora from the girl of sixteen
|
|
to the very verge of womanhood. She had grown tall,
|
|
round, and her face had the loveliness of perfect
|
|
complexion, beautiful eyes and hair and an added touch
|
|
from within that might have been called comprehension.
|
|
It was a compound of self-reliance, hard knocks, heart
|
|
hunger, unceasing work, and generosity. There was no
|
|
form of suffering with which the girl could not sympathize,
|
|
no work she was afraid to attempt, no subject she had
|
|
investigated she did not understand. These things combined
|
|
to produce a breadth and depth of character altogether unusual.
|
|
She was so absorbed in her classes and her music that she
|
|
had not been able to gather many specimens. When she
|
|
realized this and hunted assiduously, she soon found
|
|
that changing natural conditions had affected such work.
|
|
Men all around were clearing available land. The trees
|
|
fell wherever corn would grow. The swamp was broken by
|
|
several gravel roads, dotted in places around the edge
|
|
with little frame houses, and the machinery of oil wells;
|
|
one especially low place around the region of Freckles's
|
|
room was nearly all that remained of the original.
|
|
Wherever the trees fell the moisture dried, the creeks
|
|
ceased to flow, the river ran low, and at times the
|
|
bed was dry. With unbroken sweep the winds of the
|
|
west came, gathering force with every mile and howled and
|
|
raved; threatening to tear the shingles from the roof,
|
|
blowing the surface from the soil in clouds of fine dust and
|
|
rapidly changing everything. From coming in with two or
|
|
three dozen rare moths in a day, in three years' time Elnora
|
|
had grown to be delighted with finding two or three.
|
|
Big pursy caterpillars could not be picked from their favourite
|
|
bushes, when there were no bushes. Dragonflies would
|
|
not hover over dry places, and butterflies became scarce
|
|
in proportion to the flowers, while no land yields over three
|
|
crops of Indian relics.
|
|
|
|
All the time the expense of books, clothing and
|
|
incidentals had continued. Elnora added to her bank
|
|
account whenever she could, and drew out when she was
|
|
compelled, but she omitted the important feature of calling
|
|
for a balance. So, one early spring morning in the last
|
|
quarter of the fourth year, she almost fainted when she
|
|
learned that her funds were gone. Commencement with its
|
|
extra expense was coming, she had no money, and very few
|
|
cocoons to open in June, which would be too late. She had
|
|
one collection for the Bird Woman complete to a pair of
|
|
Imperialis moths, and that was her only asset. On the
|
|
day she added these big Yellow Emperors she had been
|
|
promised a check for three hundred dollars, but she would
|
|
not get it until these specimens were secured.
|
|
She remembered that she never had found an Emperor
|
|
before June.
|
|
|
|
Moreover, that sum was for her first year in college.
|
|
Then she would be of age, and she meant to sell enough of
|
|
her share of her father's land to finish. She knew her
|
|
mother would oppose her bitterly in that, for Mrs.
|
|
Comstock had clung to every acre and tree that belonged to
|
|
her husband. Her land was almost complete forest where her
|
|
neighbours owned cleared farms, dotted with wells that
|
|
every hour sucked oil from beneath her holdings, but she
|
|
was too absorbed in the grief she nursed to know or care.
|
|
The Brushwood road and the redredging of the big Limberlost
|
|
ditch had been more than she could pay from her income,
|
|
and she had trembled before the wicket as she asked
|
|
the banker if she had funds to pay it, and wondered why he
|
|
laughed when he assured her she had. For Mrs. Comstock
|
|
had spent no time on compounding interest, and
|
|
never added the sums she had been depositing through
|
|
nearly twenty years. Now she thought her funds were
|
|
almost gone, and every day she worried over expenses.
|
|
She could see no reason in going through the forms of
|
|
graduation when pupils had all in their heads that was
|
|
required to graduate. Elnora knew she had to have her
|
|
diploma in order to enter the college she wanted to attend,
|
|
but she did not dare utter the word, until high school
|
|
was finished, for, instead of softening as she hoped her
|
|
mother had begun to do, she seemed to remain very
|
|
much the same.
|
|
|
|
When the girl reached the swamp she sat on a log and
|
|
thought over the expense she was compelled to meet.
|
|
Every member of her particular set was having a large
|
|
photograph taken to exchange with the others. Elnora loved
|
|
these girls and boys, and to say she could not have
|
|
their pictures to keep was more than she could endure.
|
|
Each one would give to all the others a handsome
|
|
graduation present. She knew they would prepare gifts for
|
|
her whether she could make a present in return or not.
|
|
Then it was the custom for each graduating class to give a
|
|
great entertainment and use the funds to present the school
|
|
with a statue for the entrance hall. Elnora had been cast
|
|
for and was practising a part in that performance. She was
|
|
expected to furnish her dress and personal necessities.
|
|
She had been told that she must have a green gauze dress,
|
|
and where was it to come from?
|
|
|
|
Every girl of the class would have three beautiful new
|
|
frocks for Commencement: one for the baccalaureate
|
|
sermon, another, which could be plain, for graduation
|
|
exercises, and a handsome one for the banquet and ball.
|
|
Elnora faced the past three years and wondered how she
|
|
could have spent so much money and not kept account of it.
|
|
She did not realize where it had gone. She did not
|
|
know what she could do now. She thought over the
|
|
photographs, and at last settled that question to
|
|
her satisfaction. She studied longer over the gifts,
|
|
ten handsome ones there must be, and at last decided she
|
|
could arrange for them. The green dress came first.
|
|
The lights would be dim in the scene, and the setting
|
|
deep woods. She could manage that. She simply could not
|
|
have three dresses. She would have to get a very simple one
|
|
for the sermon and do the best she could for graduation.
|
|
Whatever she got for that must be made with a guimpe that
|
|
could be taken out to make it a little more festive for
|
|
the ball. But where could she get even two pretty dresses?
|
|
|
|
The only hope she could see was to break into the collection
|
|
of the man from India, sell some moths, and try to replace
|
|
them in June. But in her soul she knew that never
|
|
would do. No June ever brought just the things she
|
|
hoped it would. If she spent the college money she knew
|
|
she could not replace it. If she did not, the only way was
|
|
to secure a room in the grades and teach a year. Her work
|
|
there had been so appreciated that Elnora felt with
|
|
the recommendation she knew she could get from the
|
|
superintendent and teachers she could secure a position.
|
|
She was sure she could pass the examinations easily.
|
|
She had once gone on Saturday, taken them and secured a
|
|
license for a year before she left the Brushwood school.
|
|
|
|
She wanted to start to college when the other girls were going.
|
|
If she could make the first year alone, she could manage
|
|
the remainder. But make that first year herself, she must.
|
|
Instead of selling any of her collection, she must hunt
|
|
as she never before had hunted and find a Yellow Emperor.
|
|
She had to have it, that was all. Also, she had to have
|
|
those dresses. She thought of Wesley and dismissed it.
|
|
She thought of the Bird Woman, and knew she could not
|
|
tell her. She thought of every way in which she ever had
|
|
hoped to earn money and realized that with the play,
|
|
committee meetings, practising, and final examinations
|
|
she scarcely had time to live, much less to do more than
|
|
the work required for her pictures and gifts. Again Elnora
|
|
was in trouble, and this time it seemed the worst of all.
|
|
|
|
It was dark when she arose and went home.
|
|
|
|
"Mother," she said, "I have a piece of news that is
|
|
decidedly not cheerful."
|
|
|
|
"Then keep it to yourself!" said Mrs. Comstock. "I think
|
|
I have enough to bear without a great girl like you
|
|
piling trouble on me."
|
|
|
|
"My money is all gone!" said Elnora.
|
|
|
|
"Well, did you think it would last forever? It's been
|
|
a marvel to me that it's held out as well as it has, the way
|
|
you've dressed and gone."
|
|
|
|
"I don't think I've spent any that I was not compelled
|
|
to," said Elnora. "I've dressed on just as little as I
|
|
possibly could to keep going. I am heartsick. I thought
|
|
I had over fifty dollars to put me through Commencement,
|
|
but they tell me it is all gone."
|
|
|
|
"Fifty dollars! To put you through Commencement!
|
|
What on earth are you proposing to do?"
|
|
|
|
"The same as the rest of them, in the very cheapest
|
|
way possible."
|
|
|
|
"And what might that be?"
|
|
|
|
Elnora omitted the photographs, the gifts and the play.
|
|
She told only of the sermon, graduation exercises, and the ball.
|
|
|
|
"Well, I wouldn't trouble myself over that," sniffed
|
|
Mrs. Comstock. "If you want to go to a sermon, put on
|
|
the dress you always use for meeting. If you need white
|
|
for the exercises wear the new dress you got last spring.
|
|
As for the ball, the best thing for you to do is to stay a
|
|
mile away from such folly. In my opinion you'd best
|
|
bring home your books, and quit right now. You can't
|
|
be fixed like the rest of them, don't be so foolish
|
|
as to run into it. Just stay here and let these last few
|
|
days go. You can't learn enough more to be of any account."
|
|
|
|
"But, mother," gasped Elnora. "You don't understand!"
|
|
|
|
"Oh, yes, I do!" said Mrs. Comstock. "I understand perfectly.
|
|
So long as the money lasted, you held up your head,
|
|
and went sailing without even explaining how you got it
|
|
from the stuff you gathered. Goodness knows I couldn't see.
|
|
But now it's gone, you come whining to me. What have I got?
|
|
Have you forgot that the ditch and the road completely
|
|
strapped me? I haven't any money. There's nothing for you
|
|
to do but get out of it."
|
|
|
|
"I can't!" said Elnora desperately. "I've gone on too long.
|
|
It would make a break in everything. They wouldn't let me
|
|
have my diploma!"
|
|
|
|
"What's the difference? You've got the stuff in your head.
|
|
I wouldn't give a rap for a scrap of paper. That don't
|
|
mean anything!"
|
|
|
|
"But I've worked four years for it, and I can't enter--
|
|
I ought to have it to help me get a school, when I want
|
|
to teach. If I don't have my grades to show, people
|
|
will think I quit because I couldn't pass my examinations.
|
|
I must have my diploma!"
|
|
|
|
"Then get it!" said Mrs. Comstock.
|
|
|
|
"The only way is to graduate with the others."
|
|
|
|
"Well, graduate if you are bound to!"
|
|
|
|
"But I can't, unless I have things enough like the
|
|
class, that I don't look as I did that first day."
|
|
|
|
"Well, please remember I didn't get you into this,
|
|
and I can't get you out. You are set on having your
|
|
own way. Go on, and have it, and see how you like it!"
|
|
|
|
Elnora went upstairs and did not come down again
|
|
that night, which her mother called pouting.
|
|
|
|
"I've thought all night," said the girl at breakfast,
|
|
"and I can't see any way but to borrow the money of
|
|
Uncle Wesley and pay it back from some that the Bird
|
|
Woman will owe me, when I get one more specimen.
|
|
But that means that I can't go to--that I will have to
|
|
teach this winter, if I can get a city grade or a
|
|
country school."
|
|
|
|
"Just you dare go dinging after Wesley Sinton for money,"
|
|
cried Mrs. Comstock. "You won't do any such a thing!"
|
|
|
|
"I can't see any other way. I've got to have the money!"
|
|
|
|
"Quit, I tell you!"
|
|
|
|
"I can't quit!--I've gone too far!"
|
|
|
|
"Well then, let me get your clothes, and you can pay
|
|
me back."
|
|
|
|
"But you said you had no money!"
|
|
|
|
"Maybe I can borrow some at the bank. Then you
|
|
can return it when the Bird Woman pays you."
|
|
|
|
"All right," said Elnora. "I don't need expensive things.
|
|
Just some kind of a pretty cheap white dress for the sermon,
|
|
and a white one a little better than I had last summer,
|
|
for Commencement and the ball. I can use the white
|
|
gloves and shoes I got myself for last year, and you can
|
|
get my dress made at the same place you did that one.
|
|
They have my measurements, and do perfect work.
|
|
Don't get expensive things. It will be warm so I can
|
|
go bareheaded."
|
|
|
|
Then she started to school, but was so tired and
|
|
discouraged she scarcely could walk. Four years' plans
|
|
going in one day! For she felt that if she did not start
|
|
to college that fall she never would. Instead of feeling
|
|
relieved at her mother's offer, she was almost too ill to
|
|
go on. For the thousandth time she groaned: "Oh, why
|
|
didn't I keep account of my money?"
|
|
|
|
After that the days passed so swiftly she scarcely had
|
|
time to think, but several trips her mother made to town,
|
|
and the assurance that everything was all right,
|
|
satisfied Elnora. She worked very hard to pass good
|
|
final examinations and perfect herself for the play.
|
|
For two days she had remained in town with the Bird Woman
|
|
in order to spend more time practising and at her work.
|
|
|
|
Often Margaret had asked about her dresses for graduation,
|
|
and Elnora had replied that they were with a woman in the
|
|
city who had made her a white dress for last year's
|
|
Commencement when she was a junior usher, and they would
|
|
be all right. So Margaret, Wesley, and Billy concerned
|
|
themselves over what they would give her for a present.
|
|
Margaret suggested a beautiful dress. Wesley said that
|
|
would look to every one as if she needed dresses.
|
|
The thing was to get a handsome gift like all the others
|
|
would have. Billy wanted to present her a five-dollar gold
|
|
piece to buy music for her violin. He was positive Elnora
|
|
would like that best of anything.
|
|
|
|
It was toward the close of the term when they drove to
|
|
town one evening to try to settle this important question.
|
|
They knew Mrs. Comstock had been alone several days,
|
|
so they asked her to accompany them. She had
|
|
been more lonely than she would admit, filled with unusual
|
|
unrest besides, and so she was glad to go. But before
|
|
they had driven a mile Billy had told that they were going
|
|
to buy Elnora a graduation present, and Mrs. Comstock
|
|
devoutly wished that she had remained at home. She was
|
|
prepared when Billy asked: "Aunt Kate, what are you going
|
|
to give Elnora when she graduates?"
|
|
|
|
"Plenty to eat, a good bed to sleep in, and do all
|
|
the work while she trollops," answered Mrs. Comstock dryly.
|
|
|
|
Billy reflected. "I guess all of them have that," he said.
|
|
"I mean a present you buy at the store, like Christmas?"
|
|
|
|
"It is only rich folks who buy presents at stores,"
|
|
replied Mrs.Comstock. "I can't afford it."
|
|
|
|
"Well, we ain't rich," he said, "but we are going to buy
|
|
Elnora something as fine as the rest of them have if we sell
|
|
a corner of the farm. Uncle Wesley said so."
|
|
|
|
"A fool and his land are soon parted," said Mrs.
|
|
Comstock tersely. Wesley and Billy laughed, but
|
|
Margaret did not enjoy the remark.
|
|
|
|
While they were searching the stores for something on
|
|
which all of them could decide, and Margaret was holding
|
|
Billy to keep him from saying anything before Mrs. Comstock
|
|
about the music on which he was determined, Mr. Brownlee
|
|
met Wesley and stopped to shake hands.
|
|
|
|
"I see your boy came out finely," he said.
|
|
|
|
"I don't allow any boy anywhere to be finer than Billy,"
|
|
said Wesley.
|
|
|
|
"I guess you don't allow any girl to surpass Elnora,"
|
|
said Mr. Brownlee. "She comes home with Ellen often,
|
|
and my wife and I love her. Ellen says she is great in her
|
|
part to-night. Best thing in the whole play! Of course,
|
|
you are in to see it! If you haven't reserved seats, you'd
|
|
better start pretty soon, for the high school auditorium
|
|
only seats a thousand. It's always jammed at these home-
|
|
talent plays. All of us want to see how our children perform."
|
|
|
|
"Why yes, of course," said the bewildered Wesley.
|
|
Then he hurried to Margaret. "Say," he said, "there is
|
|
going to be a play at the high school to-night; and Elnora
|
|
is in it. Why hasn't she told us?"
|
|
|
|
"I don't know," said Margaret, "but I'm going."
|
|
|
|
"So am I," said Billy.
|
|
|
|
"Me too!" said Wesley, "unless you think for some
|
|
reason she doesn't want us. Looks like she would have
|
|
told us if she had. I'm going to ask her mother."
|
|
|
|
"Yes, that's what's she's been staying in town for," said
|
|
Mrs. Comstock. "It's some sort of a swindle to raise
|
|
money for her class to buy some silly thing to stick up in
|
|
the school house hall to remember them by. I don't know
|
|
whether it's now or next week, but there's something of the
|
|
kind to be done."
|
|
|
|
"Well, it's to-night," said Wesley, "and we are going.
|
|
It's my treat, and we've got to hurry or we won't get in.
|
|
There are reserved seats, and we have none, so it's the
|
|
gallery for us, but I don't care so I get to take one good
|
|
peep at Elnora."
|
|
|
|
"S'pose she plays?" whispered Margaret in his ear.
|
|
|
|
"Aw, tush! She couldn't!" said Wesley.
|
|
|
|
"Well, she's been doing it three years in the orchestra,
|
|
and working like a slave at it."
|
|
|
|
"Oh, well that's different. She's in the play to-night.
|
|
Brownlee told me so. Come on, quick! We'll drive and
|
|
hitch closest place we can find to the building."
|
|
|
|
Margaret went in the excitement of the moment, but
|
|
she was troubled.
|
|
|
|
When they reached the building Wesley tied the team
|
|
to a railing and Billy sprang out to help Margaret.
|
|
Mrs. Comstock sat still.
|
|
|
|
"Come on, Kate," said Wesley, reaching his hand.
|
|
|
|
"I'm not going anywhere," said Mrs. Comstock,
|
|
settling comfortably back against the cushions.
|
|
|
|
All of them begged and pleaded, but it was no use. Not an
|
|
inch would Mrs. Comstock budge. The night was warm and
|
|
the carriage comfortable, the horses were securely hitched.
|
|
She did not care to see what idiotic thing a pack of school
|
|
children were doing, she would wait until the Sintons returned.
|
|
Wesley told her it might be two hours, and she said she did
|
|
not care if it were four, so they left her.
|
|
|
|
"Did you ever see such----?"
|
|
|
|
"Cookies!" cried Billy.
|
|
|
|
"Such blamed stubbornness in all your life?" demanded Wesley.
|
|
"Won't come to see as fine a girl as Elnora in a
|
|
stage performance. Why, I wouldn't miss it for fifty dollars!
|
|
|
|
"I think it's a blessing she didn't," said Margaret placidly.
|
|
"I begged unusually hard so she wouldn't. I'm scared of my
|
|
life for fear Elnora will play."
|
|
|
|
They found seats near the door where they could see
|
|
fairly well. Billy stood at the back of the hall and had a
|
|
good view. By and by, a great volume of sound welled
|
|
from the orchestra, but Elnora was not playing.
|
|
|
|
"Told you so!" said Sinton. "Got a notion to go out
|
|
and see if Kate won't come now. She can take my seat,
|
|
and I'll stand with Billy."
|
|
|
|
"You sit still!" said Margaret emphatically. "This is
|
|
not over yet."
|
|
|
|
So Wesley remained in his seat. The play opened and
|
|
progressed very much as all high school plays have gone
|
|
for the past fifty years. But Elnora did not appear in any
|
|
of the scenes.
|
|
|
|
Out in the warm summer night a sour, grim woman
|
|
nursed an aching heart and tried to justify herself.
|
|
The effort irritated her intensely. She felt that she
|
|
could not afford the things that were being done.
|
|
The old fear of losing the land that she and Robert
|
|
Comstock had purchased and started clearing was strong
|
|
upon her. She was thinking of him, how she needed him,
|
|
when the orchestra music poured from the open windows
|
|
near her. Mrs. Comstock endured it as long as she
|
|
could, and then slipped from the carriage and fled down
|
|
the street.
|
|
|
|
She did not know how far she went or how long she stayed,
|
|
but everything was still, save an occasional raised
|
|
voice when she wandered back. She stood looking at
|
|
the building. Slowly she entered the wide gates and
|
|
followed up the walk. Elnora had been coming here for
|
|
almost four years. When Mrs. Comstock reached the door she
|
|
looked inside. The wide hall was lighted with electricity,
|
|
and the statuary and the decorations of the walls did not
|
|
seem like pieces of foolishness. The marble appeared
|
|
pure, white, and the big pictures most interesting.
|
|
She walked the length of the hall and slowly read the titles
|
|
of the statues and the names of the pupils who had donated them.
|
|
She speculated on where the piece Elnora's class would buy
|
|
could be placed to advantage.
|
|
|
|
Then she wondered if they were having a large enough
|
|
audience to buy marble. She liked it better than the
|
|
bronze, but it looked as if it cost more. How white the
|
|
broad stairway was! Elnora had been climbing those
|
|
stairs for years and never told her they were marble.
|
|
Of course, she thought they were wood. Probably the upper
|
|
hall was even grander than this. She went over to the
|
|
fountain, took a drink, climbed to the first landing and
|
|
looked around her, and then without thought to the second.
|
|
There she came opposite the wide-open doors and the
|
|
entrance to the auditorium packed with people and a
|
|
crowd standing outside. When they noticed a tall
|
|
woman with white face and hair and black dress, one by
|
|
one they stepped a little aside, so that Mrs. Comstock
|
|
could see the stage. It was covered with curtains, and no
|
|
one was doing anything. Just as she turned to go a sound
|
|
so faint that every one leaned forward and listened,
|
|
drifted down the auditorium. It was difficult to tell just
|
|
what it was; after one instant half the audience looked
|
|
toward the windows, for it seemed only a breath of wind
|
|
rustling freshly opened leaves; merely a hint of stirring air.
|
|
|
|
Then the curtains were swept aside swiftly. The stage
|
|
had been transformed into a lovely little corner of creation,
|
|
where trees and flowers grew and moss carpeted the earth.
|
|
A soft wind blew and it was the gray of dawn. Suddenly a
|
|
robin began to sing, then a song sparrow joined him, and
|
|
then several orioles began talking at once. The light grew
|
|
stronger, the dew drops trembled, flower perfume began
|
|
to creep out to the audience; the air moved the branches
|
|
gently and a rooster crowed. Then all the scene was
|
|
shaken with a babel of bird notes in which you could hear
|
|
a cardinal whistling, and a blue finch piping. Back somewhere
|
|
among the high branches a dove cooed and then a horse
|
|
neighed shrilly. That set a blackbird crying, "T'check,"
|
|
and a whole flock answered it. The crows began to caw and
|
|
a lamb bleated. Then the grosbeaks, chats, and vireos
|
|
had something to say, and the sun rose higher, the light
|
|
grew stronger and the breeze rustled the treetops
|
|
loudly; a cow bawled and the whole barnyard answered.
|
|
The guineas were clucking, the turkey gobbler strutting,
|
|
the hens calling, the chickens cheeping, the light streamed
|
|
down straight overhead and the bees began to hum. The air
|
|
stirred strongly, and away in an unseen field a reaper
|
|
clacked and rattled through ripening wheat while the
|
|
driver whistled. An uneasy mare whickered to her colt,
|
|
the colt answered, and the light began to decline.
|
|
Miles away a rooster crowed for twilight, and dusk was
|
|
coming down. Then a catbird and a brown thrush sang
|
|
against a grosbeak and a hermit thrush. The air was
|
|
tremulous with heavenly notes, the lights went out in the
|
|
hall, dusk swept across the stage, a cricket sang and a
|
|
katydid answered, and a wood pewee wrung the heart with
|
|
its lonesome cry. Then a night hawk screamed, a whip-
|
|
poor-will complained, a belated killdeer swept the sky,
|
|
and the night wind sang a louder song. A little screech owl
|
|
tuned up in the distance, a barn owl replied, and a great
|
|
horned owl drowned both their voices. The moon shone and the
|
|
scene was warm with mellow light. The bird voices died
|
|
and soft exquisite melody began to swell and roll. In the
|
|
centre of the stage, piece by piece the grasses, mosses and
|
|
leaves dropped from an embankment, the foliage softly
|
|
blew away, while plainer and plainer came the outlines of a
|
|
lovely girl figure draped in soft clinging green. In her
|
|
shower of bright hair a few green leaves and white blossoms
|
|
clung, and they fell over her robe down to her feet. Her white
|
|
throat and arms were bare, she leaned forward a little and
|
|
swayed with the melody, her eyes fast on the clouds above her,
|
|
her lips parted, a pink tinge of exercise in her cheeks as
|
|
she drew her bow. She played as only a peculiar chain of
|
|
circumstances puts it in the power of a very few to play.
|
|
All nature had grown still, the violin sobbed, sang,
|
|
danced and quavered on alone, no voice in particular;
|
|
the soul of the melody of all nature combined in one
|
|
great outpouring.
|
|
|
|
At the doorway, a white-faced woman endured it as long
|
|
as she could and then fell senseless. The men nearest
|
|
carried her down the hall to the fountain, revived her, and
|
|
then placed her in the carriage to which she directed them.
|
|
The girl played on and never knew. When she finished,
|
|
the uproar of applause sounded a block down the street, but
|
|
the half-senseless woman scarcely realized what it meant.
|
|
Then the girl came to the front of the stage, bowed, and
|
|
lifting the violin she played her conception of an invitation
|
|
to dance. Every living soul within sound of her notes
|
|
strained their nerves to sit still and let only their hearts
|
|
dance with her. When that began the woman ran toward
|
|
the country. She never stopped until the carriage overtook
|
|
her half-way to her cabin. She said she had grown
|
|
tired of sitting, and walked on ahead. That night she
|
|
asked Billy to remain with her and sleep on Elnora's bed.
|
|
Then she pitched headlong upon her own, and suffered
|
|
agony of soul such as she never before had known.
|
|
The swamp had sent back the soul of her loved dead and
|
|
put it into the body of the daughter she resented,
|
|
and it was almost more than she could endure and live.
|
|
|
|
CHAPTER XI
|
|
|
|
WHEREIN ELNORA GRADUATES,
|
|
AND FRECKLES AND THE ANGEL SEND GIFTS
|
|
|
|
That was Friday night. Elnora came home Saturday morning
|
|
and began work. Mrs. Comstock asked no questions, and
|
|
the girl only told her that the audience had been large
|
|
enough to more than pay for the piece of statuary the class
|
|
had selected for the hall. Then she inquired about her
|
|
dresses and was told they would be ready for her. She had
|
|
been invited to go to the Bird Woman's to prepare for both
|
|
the sermon and Commencement exercises. Since there was so
|
|
much practising to do, it had been arranged that she should
|
|
remain there from the night of the sermon until after she
|
|
was graduated. If Mrs. Comstock decided to attend she was
|
|
to drive in with the Sintons. When Elnora begged her to
|
|
come she said she cared nothing about such silliness.
|
|
|
|
It was almost time for Wesley to come to take Elnora to
|
|
the city, when fresh from her bath, and dressed to her outer
|
|
garment, she stood with expectant face before her mother
|
|
and cried: "Now my dress, mother!"
|
|
|
|
Mrs. Comstock was pale as she replied: "It's on my bed.
|
|
Help yourself."
|
|
|
|
Elnora opened the door and stepped into her mother's
|
|
room with never a misgiving. Since the night Margaret
|
|
and Wesley had brought her clothing, when she first started
|
|
to school, her mother had selected all of her dresses, with
|
|
Mrs. Sinton's help made most of them, and Elnora had
|
|
paid the bills. The white dress of the previous spring was
|
|
the first made at a dressmaker's. She had worn that as
|
|
junior usher at Commencement; but her mother had selected
|
|
the material, had it made, and it had fitted perfectly and
|
|
had been suitable in every way. So with her heart at rest on
|
|
that point, Elnora hurried to the bed to find only her last
|
|
summer's white dress, freshly washed and ironed. For an
|
|
instant she stared at it, then she picked up the garment,
|
|
looked at the bed beneath it, and her gaze slowly swept the room.
|
|
|
|
It was unfamiliar. Perhaps this was the third time she
|
|
had been in it since she was a very small child. Her eyes
|
|
ranged over the beautiful walnut dresser, the tall bureau,
|
|
the big chest, inside which she never had seen, and the row
|
|
of masculine attire hanging above it. Somewhere a
|
|
dainty lawn or mull dress simply must be hanging: but it
|
|
was not. Elnora dropped on the chest because she felt too
|
|
weak to stand. In less than two hours she must be in
|
|
the church, at Onabasha. She could not wear a last
|
|
year's washed dress. She had nothing else. She leaned
|
|
against the wall and her father's overcoat brushed her face.
|
|
She caught the folds and clung to it with all her might.
|
|
|
|
"Oh father! Father!" she moaned. "I need you! I don't
|
|
believe you would have done this!" At last she
|
|
opened the door.
|
|
|
|
"I can't find my dress," she said.
|
|
|
|
"Well, as it's the only one there I shouldn't think it
|
|
would be much trouble."
|
|
|
|
"You mean for me to wear an old washed dress to-night?"
|
|
|
|
"It's a good dress. There isn't a hole in it! There's no
|
|
reason on earth why you shouldn't wear it."
|
|
|
|
"Except that I will not," said Elnora. "Didn't you
|
|
provide any dress for Commencement, either?"
|
|
|
|
"If you soil that to-night, I've plenty of time to wash
|
|
it again."
|
|
|
|
Wesley's voice called from the gate.
|
|
|
|
"In a minute," answered Elnora.
|
|
|
|
She ran upstairs and in an incredibly short time came
|
|
down wearing one of her gingham school dresses. Her face
|
|
cold and hard, she passed her mother and went into
|
|
the night. Half an hour later Margaret and Billy stopped
|
|
for Mrs. Comstock with the carriage. She had determined
|
|
fully that she would not go before they called. With the
|
|
sound of their voices a sort of horror of being left seized her,
|
|
so she put on her hat, locked the door and went out to them.
|
|
|
|
"How did Elnora look?" inquired Margaret anxiously.
|
|
|
|
"Like she always does," answered Mrs. Comstock curtly.
|
|
|
|
"I do hope her dresses are as pretty as the others,"
|
|
said Margaret. "None of them will have prettier faces or
|
|
nicer ways."
|
|
|
|
Wesley was waiting before the big church to take care of
|
|
the team. As they stood watching the people enter the
|
|
building, Mrs. Comstock felt herself growing ill. When they
|
|
went inside among the lights, saw the flower-decked stage,
|
|
and the masses of finely dressed people, she grew no better.
|
|
She could hear Margaret and Billy softly commenting on what
|
|
was being done.
|
|
|
|
"That first chair in the very front row is Elnora's,"
|
|
exulted Billy, "cos she's got the highest grades, and so she
|
|
gets to lead the procession to the platform."
|
|
|
|
"The first chair!" "Lead the procession!" Mrs. Comstock
|
|
was dumbfounded. The notes of the pipe organ began to fill
|
|
the building in a slow rolling march. Would Elnora lead
|
|
the procession in a gingham dress? Or would she be absent
|
|
and her chair vacant on this great occasion? For now, Mrs.
|
|
Comstock could see that it was a great occasion. Every one
|
|
would remember how Elnora had played a few nights before,
|
|
and they would miss her and pity her. Pity? Because she had
|
|
no one to care for her. Because she was worse off than if she
|
|
had no mother. For the first time in her life, Mrs. Comstock
|
|
began to study herself as she would appear to others.
|
|
Every time a junior girl came fluttering down the aisle,
|
|
leading some one to a seat, and Mrs. Comstock saw a beautiful
|
|
white dress pass, a wave of positive illness swept over her.
|
|
What had she done? What would become of Elnora?
|
|
|
|
As Elnora rode to the city, she answered Wesley's
|
|
questions in monosyllables so that he thought she was
|
|
nervous or rehearsing her speech and did not care to talk.
|
|
Several times the girl tried to tell him and realized that if
|
|
she said the first word it would bring uncontrollable tears.
|
|
The Bird Woman opened the screen and stared unbelievingly.
|
|
|
|
"Why, I thought you would be ready; you are so late!"
|
|
|
|
she said. "If you have waited to dress here, we must hurry."
|
|
|
|
"I have nothing to put on," said Elnora.
|
|
|
|
In bewilderment the Bird Woman drew her inside.
|
|
|
|
"Did--did--" she faltered. "Did you think you would wear that?"
|
|
|
|
"No. I thought I would telephone Ellen that there had
|
|
been an accident and I could not come. I don't know yet
|
|
how to explain. I'm too sick to think. Oh, do you suppose
|
|
I can get something made by Tuesday, so that I can graduate?"
|
|
|
|
"Yes; and you'll get something on you to-night, so that
|
|
you can lead your class, as you have done for four years.
|
|
Go to my room and take off that gingham, quickly. Anna, drop
|
|
everything, and come help me."
|
|
|
|
The Bird Woman ran to the telephone and called Ellen Brownlee.
|
|
|
|
"Elnora has had an accident. She will be a little late,"
|
|
she said. "You have got to make them wait. Have them
|
|
play extra music before the march."
|
|
|
|
Then she turned to the maid. "Tell Benson to have the
|
|
carriage at the gate, just as soon as he can get it there.
|
|
Then come to my room. Bring the thread box from the
|
|
sewing-room, that roll of wide white ribbon on the cutting
|
|
table, and gather all the white pins from every dresser in
|
|
the house. But first come with me a minute."
|
|
|
|
"I want that trunk with the Swamp Angel's stuff in it,
|
|
from the cedar closet," she panted as they reached the top
|
|
of the stairs.
|
|
|
|
They hurried down the hall together and dragged the
|
|
big trunk to the Bird Woman's room. She opened it and
|
|
began tossing out white stuff.
|
|
|
|
"How lucky that she left these things!" she cried.
|
|
"Here are white shoes, gloves, stockings, fans, everything!"
|
|
|
|
"I am all ready but a dress," said Elnora.
|
|
|
|
The Bird Woman began opening closets and pulling out
|
|
drawers and boxes.
|
|
|
|
"I think I can make it this way," she said.
|
|
|
|
She snatched up a creamy lace yoke with long sleeves
|
|
that recently had been made for her and held it out.
|
|
Elnora slipped into it, and the Bird Woman began smoothing
|
|
out wrinkles and sewing in pins. It fitted very well
|
|
with a little lapping in the back. Next, from among the
|
|
Angel's clothing she caught up a white silk waist with low
|
|
neck and elbow sleeves, and Elnora put it on. It was
|
|
large enough, but distressingly short in the waist, for the
|
|
Angel had worn it at a party when she was sixteen. The Bird
|
|
Woman loosened the sleeves and pushed them to a puff on
|
|
the shoulders, catching them in places with pins.
|
|
She began on the wide draping of the yoke, fastening it
|
|
front, back and at each shoulder. She pulled down the
|
|
waist and pinned it. Next came a soft white dress skirt
|
|
of her own. By pinning her waist band quite four inches
|
|
above Elnora's, the Bird Woman could secure a perfect
|
|
Empire sweep, with the clinging silk. Then she began
|
|
with the wide white ribbon that was to trim a new frock for
|
|
herself, bound it three times around the high waist effect
|
|
she had managed, tied the ends in a knot and let them fall
|
|
to the floor in a beautiful sash.
|
|
|
|
"I want four white roses, each with two or three
|
|
leaves," she cried.
|
|
|
|
Anna ran to bring them, while the Bird Woman added pins.
|
|
|
|
"Elnora," she said, "forgive me, but tell me truly. Is your
|
|
mother so poor as to make this necessary?"
|
|
|
|
"No," answered Elnora. "Next year I am heir to my share
|
|
of over three hundred acres of land covered with almost
|
|
as valuable timber as was in the Limberlost. We adjoin it.
|
|
There could be thirty oil wells drilled that would yield
|
|
to us the thousands our neighbours are draining from under
|
|
us, and the bare land is worth over one hundred dollars an
|
|
acre for farming. She is not poor, she is--I don't know
|
|
what she is. A great trouble soured and warped her.
|
|
It made her peculiar. She does not in the least understand,
|
|
but it is because she doesn't care to, instead of ignorance.
|
|
She does not----"
|
|
|
|
Elnora stopped.
|
|
|
|
"She is--is different," finished the girl.
|
|
|
|
Anna came with the roses. The Bird Woman set one
|
|
on the front of the draped yoke, one on each shoulder and
|
|
the last among the bright masses of brown hair. Then she
|
|
turned the girl facing the tall mirror.
|
|
|
|
"Oh!" panted Elnora. "You are a genius! Why, I
|
|
will look as well as any of them."
|
|
|
|
"Thank goodness for that!" cried the Bird Woman.
|
|
"If it wouldn't do, I should have been ill. You are lovely;
|
|
altogether lovely! Ordinarily I shouldn't say that; but
|
|
when I think of how you are carpentered, I'm admiring
|
|
the result."
|
|
|
|
The organ began rolling out the march as they came in sight.
|
|
Elnora took her place at the head of the procession,
|
|
while every one wondered. Secretly they had hoped that
|
|
she would be dressed well enough, that she would not
|
|
appear poor and neglected. What this radiant young
|
|
creature, gowned in the most recent style, her smooth skin
|
|
flushed with excitement, and a rose-set coronet of red gold
|
|
on her head, had to do with the girl they knew was difficult
|
|
to decide. The signal was given and Elnora began the
|
|
slow march across the vestry and down the aisle. The music
|
|
welled softly, and Margaret began to sob without knowing why.
|
|
|
|
Mrs. Comstock gripped her hands together and shut
|
|
her eyes. It seemed an eternity to the suffering woman
|
|
before Margaret caught her arm and whispered, "Oh, Kate!
|
|
For any sake look at her! Here! The aisle across!"
|
|
|
|
Mrs. Comstock opened her eyes and directing them
|
|
where she was told, gazed intently, and slid down in
|
|
her seat close to collapse. She was saved by Margaret's
|
|
tense clasp and her command: "Here! Idiot! Stop that!"
|
|
|
|
In the blaze of light Elnora climbed the steps to the
|
|
palm-embowered platform, crossed it and took her place.
|
|
Sixty young men and women, each of them dressed the
|
|
best possible, followed her. There were manly, fine-
|
|
looking men in that class which Elnora led. There were
|
|
girls of beauty and grace, but not one of them was handsomer
|
|
or clothed in better taste than she.
|
|
|
|
Billy thought the time never would come when Elnora
|
|
would see him, but at last she met his eye, then Margaret
|
|
and Wesley had faint signs of recognition in turn,
|
|
but there was no softening of the girl's face and no hint
|
|
of a smile when she saw her mother.
|
|
|
|
Heartsick, Katharine Comstock tried to prove to herself
|
|
that she was justified in what she had done, but she
|
|
could not. She tried to blame Elnora for not saying that
|
|
she was to lead a procession and sit on a platform in the
|
|
sight of hundreds of people; but that was impossible, for
|
|
she realized that she would have scoffed and not understood
|
|
if she had been told. Her heart pained until she suffered
|
|
with every breath.
|
|
|
|
When at last the exercises were over she climbed into
|
|
the carriage and rode home without a word. She did
|
|
not hear what Margaret and Billy were saying. She scarcely
|
|
heard Wesley, who drove behind, when he told her that
|
|
Elnora would not be home until Wednesday. Early the next
|
|
morning Mrs. Comstock was on her way to Onabasha.
|
|
She was waiting when the Brownlee store opened.
|
|
She examined ready-made white dresses, but they had
|
|
only one of the right size, and it was marked forty dollars.
|
|
Mrs. Comstock did not hesitate over the price, but whether
|
|
the dress would be suitable. She would have to ask Elnora.
|
|
She inquired her way to the home of the Bird Woman and knocked.
|
|
|
|
"Is Elnora Comstock here?" she asked the maid.
|
|
|
|
"Yes, but she is still in bed. I was told to let her
|
|
sleep as long as she would."
|
|
|
|
"Maybe I could sit here and wait," said Mrs. Comstock.
|
|
"I want to see about getting her a dress for to-morrow.
|
|
I am her mother."
|
|
|
|
"Then you don't need wait or worry," said the girl cheerfully.
|
|
"There are two women up in the sewing-room at work on a
|
|
dress for her right now. It will be done in time, and it will
|
|
be a beauty."
|
|
|
|
Mrs. Comstock turned and trudged back to the Limberlost.
|
|
The bitterness in her soul became a physical actuality,
|
|
which water would not wash from her lips. She was
|
|
too late! She was not needed. Another woman was
|
|
mothering her girl. Another woman would prepare a
|
|
beautiful dress such as Elnora had worn the previous night.
|
|
The girl's love and gratitude would go to her. Mrs. Comstock
|
|
tried the old process of blaming some one else, but she felt
|
|
no better. She nursed her grief as closely as ever in
|
|
the long days of the girl's absence. She brooded
|
|
over Elnora's possession of the forbidden violin and her
|
|
ability to play it until the performance could not have
|
|
been told from her father's. She tried every refuge her
|
|
mind could conjure, to quiet her heart and remove the fear
|
|
that the girl never would come home again, but it persisted.
|
|
Mrs. Comstock could neither eat nor sleep. She wandered
|
|
around the cabin and garden. She kept far from the pool
|
|
where Robert Comstock had sunk from sight for she felt
|
|
that it would entomb her also if Elnora did not come home
|
|
Wednesday morning. The mother told herself that she would
|
|
wait, but the waiting was as bitter as anything she ever had known.
|
|
|
|
When Elnora awoke Monday another dress was in the hands
|
|
of a seamstress and was soon fitted. It had belonged
|
|
to the Angel, and was a soft white thing that with a
|
|
little alteration would serve admirably for Commencement
|
|
and the ball. All that day Elnora worked, helping prepare
|
|
the auditorium for the exercises, rehearsing the march
|
|
and the speech she was to make in behalf of the class.
|
|
The following day was even busier. But her mind was at
|
|
rest, for the dress was a soft delicate lace easy to
|
|
change, and the marks of alteration impossible to detect.
|
|
|
|
The Bird Woman had telephoned to Grand Rapids, explained
|
|
the situation and asked the Angel if she might use it.
|
|
The reply had been to give the girl the contents of the chest.
|
|
When the Bird Woman told Elnora, tears filled her eyes.
|
|
|
|
"I will write at once and thank her," she said. "With all
|
|
her beautiful gowns she does not need them, and I do.
|
|
They will serve for me often, and be much finer than anything
|
|
I could afford. It is lovely of her to give me the dress
|
|
and of you to have it altered for me, as I never could."
|
|
|
|
The Bird Woman laughed. "I feel religious to-day,"
|
|
she said. "You know the first and greatest rock of my
|
|
salvation is `Do unto others.' I'm only doing to you
|
|
what there was no one to do for me when I was a girl
|
|
very like you. Anna tells me your mother was here early
|
|
this morning and that she came to see about getting you
|
|
a dress."
|
|
|
|
"She is too late!" said Elnora coldly. "She had over
|
|
a month to prepare my dresses, and I was to pay for them,
|
|
so there is no excuse."
|
|
|
|
"Nevertheless, she is your mother," said the Bird
|
|
Woman, softly. "I think almost any kind of a mother
|
|
must be better than none at all, and you say she has had
|
|
great trouble."
|
|
|
|
"She loved my father and he died," said Elnora. "The same
|
|
thing, in quite as tragic a manner, has happened to
|
|
thousands of other women, and they have gone on with
|
|
calm faces and found happiness in life by loving others.
|
|
There was something else I am afraid I never shall forget;
|
|
this I know I shall not, but talking does not help. I must
|
|
deliver my presents and photographs to the crowd. I have
|
|
a picture and I made a present for you, too, if you would
|
|
care for them."
|
|
|
|
"I shall love anything you give me," said the Bird Woman.
|
|
"I know you well enough to know that whatever you do will
|
|
be beautiful."
|
|
|
|
Elnora was pleased over that, and as she tried on her
|
|
dress for the last fitting she was really happy. She was
|
|
lovely in the dainty gown: it would serve finely for the ball
|
|
and many other like occasions, and it was her very own.
|
|
|
|
The Bird Woman's driver took Elnora in the carriage and
|
|
she called on all the girls with whom she was especially
|
|
intimate, and left her picture and the package containing
|
|
her gift to them. By the time she returned parcels for
|
|
her were arriving. Friends seemed to spring from everywhere.
|
|
Almost every one she knew had some gift for her, while
|
|
because they so loved her the members of her crowd had
|
|
made her beautiful presents. There were books, vases,
|
|
silver pieces, handkerchiefs, fans, boxes of flowers
|
|
and candy. One big package settled the trouble at Sinton's,
|
|
for it contained a dainty dress from Margaret,
|
|
a five-dollar gold piece, conspicuously labelled,
|
|
"I earned this myself," from Billy, with which to buy
|
|
music; and a gorgeous cut-glass perfume bottle, it would
|
|
have cost five dollars to fill with even a moderate-
|
|
priced scent, from Wesley.
|
|
|
|
In an expressed crate was a fine curly-maple dressing
|
|
table, sent by Freckles. The drawers were filled with
|
|
wonderful toilet articles from the Angel. The Bird
|
|
Woman added an embroidered linen cover and a small
|
|
silver vase for a few flowers, so no girl of the class had
|
|
finer gifts. Elnora laid her head on the table sobbing
|
|
happily, and the Bird Woman was almost crying herself.
|
|
Professor Henley sent a butterfly book, the grade rooms in
|
|
which Elnora had taught gave her a set of volumes covering
|
|
every phase of life afield, in the woods, and water.
|
|
Elnora had no time to read so she carried one of these
|
|
books around with her hugging it as she went. After she
|
|
had gone to dress a queer-looking package was brought
|
|
by a small boy who hopped on one foot as he handed it
|
|
in and said: "Tell Elnora that is from her ma."
|
|
|
|
"Who are you?" asked the Bird Woman as she took
|
|
the bundle.
|
|
|
|
"I'm Billy!" announced the boy. "I gave her the five dollars.
|
|
I earned it myself dropping corn, sticking onions, and
|
|
pulling weeds. My, but you got to drop, and stick, and
|
|
pull a lot before it's five dollars' worth."
|
|
|
|
"Would you like to come in and see Elnora's gifts?"
|
|
|
|
"Yes, ma'am!" said Billy, trying to stand quietly.
|
|
|
|
"Gee-mentley!" he gasped. "Does Elnora get all this?"
|
|
|
|
"Yes."
|
|
|
|
"I bet you a thousand dollars I be first in my class
|
|
when I graduate. Say, have the others got a lot more
|
|
than Elnora?"
|
|
|
|
"I think not."
|
|
|
|
"Well, Uncle Wesley said to find out if I could, and if
|
|
she didn't have as much as the rest, he'd buy till she did,
|
|
if it took a hundred dollars. Say, you ought to know him!
|
|
He's just scrumptious! There ain't anybody any where finer
|
|
'an he is. My, he's grand!"
|
|
|
|
"I'm very sure of it!" said the Bird Woman. "I've often
|
|
heard Elnora say so."
|
|
|
|
"I bet you nobody can beat this!" he boasted. Then he
|
|
stopped, thinking deeply. "I don't know, though,"
|
|
he began reflectively. "Some of them are awful rich;
|
|
they got big families to give them things and wagon loads
|
|
of friends, and I haven't seen what they have. Now, maybe
|
|
Elnora is getting left, after all!"
|
|
|
|
"Don't worry, Billy," she said. "I will watch, and
|
|
if I find Elnora is `getting left' I'll buy her some more
|
|
things myself. But I'm sure she is not. She has more
|
|
beautiful gifts now than she will know what to do with, and
|
|
others will come. Tell your Uncle Wesley his girl is
|
|
bountifully remembered, very happy, and she sends her
|
|
dearest love to all of you. Now you must go, so I can
|
|
help her dress. You will be there to-night of course?"
|
|
|
|
"Yes, sir-ee! She got me a seat, third row from the
|
|
front, middle section, so I can see, and she's going to
|
|
wink at me, after she gets her speech off her mind.
|
|
She kissed me, too! She's a perfect lady, Elnora is.
|
|
I'm going to marry her when I am big enough."
|
|
|
|
"Why isn't that splendid!" laughed the Bird Woman
|
|
as she hurried upstairs.
|
|
|
|
"Dear!" she called. "Here is another gift for you."
|
|
|
|
Elnora was half disrobed as she took the package and,
|
|
sitting on a couch, opened it. The Bird Woman bent over
|
|
her and tested the fabric with her fingers.
|
|
|
|
"Why, bless my soul!" she cried. "Hand-woven, hand-
|
|
embroidered linen, fine as silk. It's priceless' I haven't
|
|
seen such things in years. My mother had garments like
|
|
those when I was a child, but my sisters had them cut up
|
|
for collars, belts, and fancy waists while I was small.
|
|
Look at the exquisite work!"
|
|
|
|
"Where could it have come from?" cried Elnora.
|
|
|
|
She shook out a petticoat, with a hand-wrought ruffle
|
|
a foot deep, then an old-fashioned chemise the neck and
|
|
sleeve work of which was elaborate and perfectly wrought.
|
|
On the breast was pinned a note that she hastily opened.
|
|
|
|
"I was married in these," it read, "and I had intended
|
|
to be buried in them, but perhaps it would be more sensible
|
|
for you to graduate and get married in them yourself, if
|
|
you like. Your mother."
|
|
|
|
"From my mother!" Wide-eyed, Elnora looked at
|
|
the Bird Woman. "I never in my life saw the like.
|
|
Mother does things I think I never can forgive, and when
|
|
I feel hardest, she turns around and does something that
|
|
makes me think she just must love me a little bit, after all.
|
|
Any of the girls would give almost anything to graduate
|
|
in hand-embroidered linen like that. Money can't buy
|
|
such things. And they came when I was thinking she
|
|
didn't care what became of me. Do you suppose she can
|
|
be insane?"
|
|
|
|
"Yes," said the Bird Woman. "Wildly insane, if she
|
|
does not love you and care what becomes of you."
|
|
|
|
Elnora arose and held the petticoat to her. "Will you
|
|
look at it?" she cried. "Only imagine her not getting my
|
|
dress ready, and then sending me such a petticoat as this!
|
|
Ellen would pay fifty dollars for it and never blink.
|
|
I suppose mother has had it all my life, and I never saw
|
|
it before."
|
|
|
|
"Go take your bath and put on those things," said the
|
|
Bird Woman. "Forget everything and be happy. She is
|
|
not insane. She is embittered. She did not understand
|
|
how things would be. When she saw, she came at once to
|
|
provide you a dress. This is her way of saying she is
|
|
sorry she did not get the other. You notice she has not
|
|
spent any money, so perhaps she is quite honest in saying
|
|
she has none."
|
|
|
|
"Oh, she is honest!" said Elnora. "She wouldn't care
|
|
enough to tell an untruth. She'd say just how things were,
|
|
no matter what happened."
|
|
|
|
Soon Elnora was ready for her dress. She never had
|
|
looked so well as when she again headed the processional
|
|
across the flower and palm decked stage of the high
|
|
school auditorium. As she sat there she could have
|
|
reached over and dropped a rose she carried into the
|
|
seat she had occupied that September morning when she
|
|
entered the high school. She spoke the few words she
|
|
had to say in behalf of the class beautifully, had the
|
|
tiny wink ready for Billy, and the smile and nod of
|
|
recognition for Wesley and Margaret. When at last she
|
|
looked into the eyes of a white-faced woman next them,
|
|
she slipped a hand to her side and raised her skirt the
|
|
fraction of an inch, just enough to let the embroidered
|
|
edge of a petticoat show a trifle. When she saw the look
|
|
of relief which flooded her mother's face, Elnora knew
|
|
that forgiveness was in her heart, and that she would
|
|
go home in the morning.
|
|
|
|
It was late afternoon before she arrived, and a dray
|
|
followed with a load of packages. Mrs. Comstock was
|
|
overwhelmed. She sat half dazed and made Elnora show
|
|
her each costly and beautiful or simple and useful gift,
|
|
tell her carefully what it was and from where it came.
|
|
She studied the faces of Elnora's particular friends.
|
|
The gifts from them had to be set in a group. Several times
|
|
she started to speak and then stopped. At last, between
|
|
her dry lips, came a harsh whisper.
|
|
|
|
"Elnora, what did you give back for these things?"
|
|
|
|
"I'll show you," said Elnora cheerfully. "I made the
|
|
same gifts for the Bird Woman, Aunt Margaret and you
|
|
if you care for it. But I have to run upstairs to get it."
|
|
|
|
When she returned she handed her mother an oblong frame,
|
|
hand carved, enclosing Elnora's picture, taken by a
|
|
schoolmate's camera. She wore her storm-coat and carried
|
|
a dripping umbrella. From under it looked her bright face;
|
|
her books and lunchbox were on her arm, and across the
|
|
bottom of the frame was carved, "Your Country Classmate."
|
|
|
|
Then she offered another frame.
|
|
|
|
"I am strong on frames," she said. "They seemed to
|
|
be the best I could do without money. I located the
|
|
maple and the black walnut myself, in a little corner that
|
|
had been overlooked between the river and the ditch.
|
|
They didn't seem to belong to any one so I just took them.
|
|
Uncle Wesley said it was all right, and he cut and hauled
|
|
them for me. I gave the mill half of each tree for sawing
|
|
and curing the remainder. Then I gave the wood-carver
|
|
half of that for making my frames. A photographer gave
|
|
me a lot of spoiled plates, and I boiled off the emulsion, and
|
|
took the specimens I framed from my stuff. The man
|
|
said the white frames were worth three and a half, and the
|
|
black ones five. I exchanged those little framed pictures
|
|
for the photographs of the others. For presents, I gave
|
|
each one of my crowd one like this, only a different moth.
|
|
The Bird Woman gave me the birch bark. She got it up
|
|
north last summer."
|
|
|
|
Elnora handed her mother a handsome black-walnut
|
|
frame a foot and a half wide by two long. It finished a
|
|
small, shallow glass-covered box of birch bark, to the
|
|
bottom of which clung a big night moth with delicate pale
|
|
green wings and long exquisite trailers.
|
|
|
|
"So you see I did not have to be ashamed of my gifts,"
|
|
said Elnora. "I made them myself and raised and
|
|
mounted the moths."
|
|
|
|
"Moth, you call it," said Mrs. Comstock. "I've seen a
|
|
few of the things before."
|
|
|
|
"They are numerous around us every June night, or at
|
|
least they used to be," said Elnora. "I've sold hundreds
|
|
of them, with butterflies, dragonflies, and other specimens.
|
|
Now, I must put away these and get to work, for it is
|
|
almost June and there are a few more I want dreadfully.
|
|
If I find them I will be paid some money for which I have
|
|
been working."
|
|
|
|
She was afraid to say college at that time. She thought it
|
|
would be better to wait a few days and see if an opportunity
|
|
would not come when it would work in more naturally.
|
|
Besides, unless she could secure the Yellow Emperor she
|
|
needed to complete her collection, she could not talk
|
|
college until she was of age, for she would have no money.
|
|
|
|
CHAPTER XII
|
|
|
|
WHEREIN MARGARET SINTON REVEALS A SECRET,
|
|
AND MRS. COMSTOCK POSSESSES THE LIMBERLOST
|
|
|
|
Elnora, bring me the towel, quick!" cried Mrs Comstock.
|
|
|
|
"In a minute, mother," mumbled Elnora.
|
|
|
|
She was standing before the kitchen mirror, tying the
|
|
back part of her hair, while the front turned over her face.
|
|
|
|
"Hurry! There's a varmint of some kind!"
|
|
|
|
Elnora ran into the sitting-room and thrust the heavy
|
|
kitchen towel into her mother's hand. Mrs. Comstock
|
|
swung open the screen door and struck at some object,
|
|
Elnora tossed the hair from her face so that she could see
|
|
past her mother. The girl screamed wildly.
|
|
|
|
"Don't! Mother, don't!"
|
|
|
|
Mrs. Comstock struck again. Elnora caught her arm.
|
|
"It's the one I want! It's worth a lot of money!
|
|
Don't! Oh, you shall not!"
|
|
|
|
"Shan't, missy?" blazed Mrs. Comstock. "When did
|
|
you get to bossing me?"
|
|
|
|
The hand that held the screen swept a half-circle and
|
|
stopped at Elnora's cheek. She staggered with the blow,
|
|
and across her face, paled with excitement, a red mark
|
|
arose rapidly. The screen slammed shut, throwing the
|
|
creature on the floor before them. Instantly Mrs.
|
|
Comstock crushed it with her foot. Elnora stepped back.
|
|
Excepting the red mark, her face was very white.
|
|
|
|
"That was the last moth I needed," she said, "to complete
|
|
a collection worth three hundred dollars. You've ruined
|
|
it before my eyes!"
|
|
|
|
"Moth!" cried Mrs. Comstock. "You say that because
|
|
you are mad. Moths have big wings. I know a moth!"
|
|
|
|
"I've kept things from you," said Elnora, "because I
|
|
didn't dare confide in you. You had no sympathy with me.
|
|
But you know I never told you untruths in all my life."
|
|
|
|
"It's no moth!" reiterated Mrs. Comstock.
|
|
|
|
"It is!" cried Elnora. "It's from a case in the ground.
|
|
Its wings take two or three hours to expand and harden."
|
|
|
|
"If I had known it was a moth----" Mrs. Comstock wavered.
|
|
|
|
"You did know! I told you! I begged you to stop!
|
|
It meant just three hundred dollars to me."
|
|
|
|
"Bah! Three hundred fiddlesticks!"
|
|
|
|
"They are what have paid for books, tuition, and clothes
|
|
for the past four years. They are what I could have
|
|
started on to college. You've ruined the very one I needed.
|
|
You never made any pretence of loving me. At last I'll
|
|
be equally frank with you. I hate you! You are a selfish,
|
|
wicked woman! I hate you!"
|
|
|
|
Elnora turned, went through the kitchen and from the
|
|
back door. She followed the garden path to the gate and
|
|
walked toward the swamp a short distance when reaction
|
|
overtook her. She dropped on the ground and leaned
|
|
against a big log. When a little child, desperate as now,
|
|
she had tried to die by holding her breath. She had
|
|
thought in that way to make her mother sorry, but she had
|
|
learned that life was a thing thrust upon her and she could
|
|
not leave it at her wish.
|
|
|
|
She was so stunned over the loss of that moth, which
|
|
she had childishly named the Yellow Emperor, that she
|
|
scarcely remembered the blow. She had thought no luck
|
|
in all the world would be so rare as to complete her
|
|
collection; now she had been forced to see a splendid
|
|
Imperialis destroyed before her. There was a possibility
|
|
that she could find another, but she was facing the
|
|
certainty that the one she might have had and with which she
|
|
undoubtedly could have attracted others, was spoiled by
|
|
her mother. How long she sat there Elnora did not know
|
|
or care. She simply suffered in dumb, abject misery, an
|
|
occasional dry sob shaking her. Aunt Margaret was right.
|
|
Elnora felt that morning that her mother never would be
|
|
any different. The girl had reached the place where she
|
|
realized that she could endure it no longer.
|
|
|
|
As Elnora left the room, Mrs. Comstock took one step
|
|
after her.
|
|
|
|
"You little huzzy!" she gasped.
|
|
|
|
But Elnora was gone. Her mother stood staring.
|
|
|
|
"She never did lie to me," she muttered. "I guess
|
|
it was a moth. And the only one she needed to get three
|
|
hundred dollars, she said. I wish I hadn't been so fast!
|
|
I never saw anything like it. I thought it was some
|
|
deadly, stinging, biting thing. A body does have to be
|
|
mighty careful here. But likely I've spilt the milk now.
|
|
Pshaw! She can find another! There's no use to be foolish.
|
|
Maybe moths are like snakes, where there's one, there are two."
|
|
|
|
Mrs. Comstock took the broom and swept the moth out
|
|
of the door. Then she got down on her knees and
|
|
carefully examined the steps, logs and the earth of the
|
|
flower beds at each side. She found the place where
|
|
the creature had emerged from the ground, and the hard,
|
|
dark-brown case which had enclosed it, still wet inside.
|
|
Then she knew Elnora had been right. It was a moth.
|
|
Its wings had been damp and not expanded. Mrs. Comstock
|
|
never before had seen one in that state, and she
|
|
did not know how they originated. She had thought all
|
|
of them came from cases spun on trees or against walls
|
|
or boards. She had seen only enough to know that there
|
|
were such things; as a flash of white told her that an ermine
|
|
was on her premises, or a sharp "buzzzzz" warned her
|
|
of a rattler.
|
|
|
|
So it was from creatures like that Elnora had secured
|
|
her school money. In one sickening sweep there rushed
|
|
into the heart of the woman a full realization of the
|
|
width of the gulf that separated her from her child.
|
|
Lately many things had pointed toward it, none more plainly
|
|
than when Elnora, like a reincarnation of her father, had
|
|
stood fearlessly before a large city audience and played
|
|
with even greater skill than he, on what Mrs. Comstock
|
|
felt very certain was his violin. But that little crawling
|
|
creature of earth, crushed by her before its splendid yellow
|
|
and lavender wings could spread and carry it into the
|
|
mystery of night, had performed a miracle.
|
|
|
|
"We are nearer strangers to each other than we are with
|
|
any of the neighbours," she muttered.
|
|
|
|
So one of the Almighty's most delicate and beautiful
|
|
creations was sacrificed without fulfilling the law, yet
|
|
none of its species ever served so glorious a cause, for
|
|
at last Mrs. Comstock's inner vision had cleared. She went
|
|
through the cabin mechanically. Every few minutes
|
|
she glanced toward the back walk to see if Elnora
|
|
were coming. She knew arrangements had been made with
|
|
Margaret to go to the city some time that day, so she
|
|
grew more nervous and uneasy every moment. She was
|
|
haunted by the fear that the blow might discolour
|
|
Elnora's cheek; that she would tell Margaret. She went
|
|
down the back walk, looking intently in all directions,
|
|
left the garden and followed the swamp path. Her step
|
|
was noiseless on the soft, black earth, and soon she
|
|
came close enough to see Elnora. Mrs. Comstock stood
|
|
looking at the girl in troubled uncertainty. Not knowing
|
|
what to say, at last she turned and went back to the cabin.
|
|
|
|
Noon came and she prepared dinner, calling, as she
|
|
always did, when Elnora was in the garden, but she got
|
|
no response, and the girl did not come. A little after
|
|
one o'clock Margaret stopped at the gate.
|
|
|
|
"Elnora has changed her mind. She is not going,"
|
|
called Mrs. Comstock.
|
|
|
|
She felt that she hated Margaret as she hitched her
|
|
horse and came up the walk instead of driving on.
|
|
|
|
"You must be mistaken," said Margaret. "I was
|
|
going on purpose for her. She asked me to take her.
|
|
I had no errand. Where is she?"
|
|
|
|
"I will call her," said Mrs. Comstock.
|
|
|
|
She followed the path again, and this time found Elnora
|
|
sitting on the log. Her face was swollen and discoloured,
|
|
and her eyes red with crying. She paid no attention
|
|
to her mother.
|
|
|
|
"Mag Sinton is here," said Mrs. Comstock harshly.
|
|
"I told her you had changed your mind, but she said
|
|
you asked her to go with you, and she had nothing to
|
|
go for herself."
|
|
|
|
Elnora arose, recklessly waded through the deep swamp
|
|
grasses and so reached the path ahead of her mother.
|
|
Mrs. Comstock followed as far as the garden, but she
|
|
could not enter the cabin. She busied herself among
|
|
the vegetables, barely looking up when the back-door
|
|
screen slammed noisily. Margaret Sinton approached
|
|
colourless, her eyes so angry that Mrs. Comstock shrank back.
|
|
|
|
"What's the matter with Elnora's face?" demanded Margaret.
|
|
|
|
Mrs. Comstock made no reply.
|
|
|
|
"You struck her, did you?"
|
|
|
|
"I thought you wasn't blind!"
|
|
|
|
"I have been, for twenty long years now, Kate Comstock,"
|
|
said Margaret Sinton, "but my eyes are open at last.
|
|
What I see is that I've done you no good and Elnora a
|
|
big wrong. I had an idea that it would kill you to know,
|
|
but I guess you are tough enough to stand anything.
|
|
Kill or cure, you get it now!"
|
|
|
|
"What are you frothing about?" coolly asked Mrs. Comstock.
|
|
|
|
"You!" cried Margaret. "You! The woman who doesn't
|
|
pretend to love her only child. Who lets her grow to
|
|
a woman, as you have let Elnora, and can't be satisfied
|
|
with every sort of neglect, but must add abuse yet;
|
|
and all for a fool idea about a man who wasn't worth
|
|
his salt!"
|
|
|
|
Mrs. Comstock picked up a hoe.
|
|
|
|
"Go right on!" she said. "Empty yourself. It's the
|
|
last thing you'll ever do!"
|
|
|
|
"Then I'll make a tidy job of it," said Margaret.
|
|
"You'll not touch me. You'll stand there and hear
|
|
the truth at last, and because I dare face you and tell
|
|
it, you will know in your soul it is truth. When Robert
|
|
Comstock shaved that quagmire out there so close he
|
|
went in, he wanted to keep you from knowing where he
|
|
was coming from. He'd been to see Elvira Carney.
|
|
They had plans to go to a dance that night----"
|
|
|
|
"Close your lips!" said Mrs. Comstock in a voice of
|
|
deadly quiet.
|
|
|
|
"You know I wouldn't dare open them if I wasn't
|
|
telling you the truth. I can prove what I say. I was
|
|
coming from Reeds. It was hot in the woods and I
|
|
stopped at Carney's as I passed for a drink.
|
|
Elvira's bedridden old mother heard me, and she was so
|
|
crazy for some one to talk with, I stepped in a minute.
|
|
I saw Robert come down the path. Elvira saw him, too, so
|
|
she ran out of the house to head him off. It looked funny,
|
|
and I just deliberately moved where I could see and hear.
|
|
He brought her his violin, and told her to get ready and
|
|
meet him in the woods with it that night, and they would
|
|
go to a dance. She took it and hid it in the loft to the
|
|
well-house and promised she'd go."
|
|
|
|
"Are you done?" demanded Mrs. Comstock.
|
|
|
|
"No. I am going to tell you the whole story. You don't
|
|
spare Elnora anything. I shan't spare you. I hadn't
|
|
been here that day, but I can tell you just how he was
|
|
dressed, which way he went and every word they said,
|
|
though they thought I was busy with her mother
|
|
and wouldn't notice them. Put down your hoe, Kate.
|
|
I went to Elvira, told her what I knew and made her give
|
|
me Comstock's violin for Elnora over three years ago.
|
|
She's been playing it ever since. I won't see her
|
|
slighted and abused another day on account of a man
|
|
who would have broken your heart if he had lived.
|
|
Six months more would have showed you what everybody
|
|
else knew. He was one of those men who couldn't trust
|
|
himself, and so no woman was safe with him. Now, will
|
|
you drop grieving over him, and do Elnora justice?"
|
|
|
|
Mrs. Comstock grasped the hoe tighter and turning she
|
|
went down the walk, and started across the woods to the
|
|
home of Elvira Carney. With averted head she passed
|
|
the pool, steadily pursuing her way. Elvira Carney,
|
|
hanging towels across the back fence, saw her coming
|
|
and went toward the gate to meet her. Twenty years
|
|
she had dreaded that visit. Since Margaret Sinton
|
|
had compelled her to produce the violin she had hidden
|
|
so long, because she was afraid to destroy it, she had
|
|
come closer expectation than dread. The wages of sin
|
|
are the hardest debts on earth to pay, and they are always
|
|
collected at inconvenient times and unexpected places.
|
|
Mrs. Comstock's face and hair were so white, that her
|
|
dark eyes seemed burned into their setting. Silently she
|
|
stared at the woman before her a long time.
|
|
|
|
"I might have saved myself the trouble of coming,"
|
|
she said at last, "I see you are guilty as sin!"
|
|
|
|
"What has Mag Sinton been telling you?" panted the
|
|
miserable woman, gripping the fence.
|
|
|
|
"The truth!" answered Mrs. Comstock succinctly.
|
|
"Guilt is in every line of your face, in your eyes, all over
|
|
your wretched body. If I'd taken a good look at you
|
|
any time in all these past years, no doubt I could have
|
|
seen it just as plain as I can now. No woman or man
|
|
can do what you've done, and not get a mark set on them
|
|
for every one to read."
|
|
|
|
"Mercy!" gasped weak little Elvira Carney. "Have mercy!"
|
|
|
|
"Mercy?" scoffed Mrs. Comstock. "Mercy! That's a
|
|
nice word from you! How much mercy did you have
|
|
on me? Where's the mercy that sent Comstock to the
|
|
slime of the bottomless quagmire, and left me to see it,
|
|
and then struggle on in agony all these years?
|
|
How about the mercy of letting me neglect my baby all
|
|
the days of her life? Mercy! Do you really dare use
|
|
the word to me?"
|
|
|
|
"If you knew what I've suffered!"
|
|
|
|
"Suffered?" jeered Mrs. Comstock. "That's interesting.
|
|
And pray, what have you suffered?"
|
|
|
|
"All the neighbours have suspected and been down
|
|
on me. I ain't had a friend. I've always felt guilty
|
|
of his death! I've seen him go down a thousand times,
|
|
plain as ever you did. Many's the night I've stood on the
|
|
other bank of that pool and listened to you, and I tried
|
|
to throw myself in to keep from hearing you, but I
|
|
didn't dare. I knew God would send me to burn forever,
|
|
but I'd better done it; for now, He has set the burning
|
|
on my body, and every hour it is slowly eating the life
|
|
out of me. The doctor says it's a cancer----"
|
|
|
|
Mrs. Comstock exhaled a long breath. Her grip on the
|
|
hoe relaxed and her stature lifted to towering height.
|
|
|
|
"I didn't know, or care, when I came here, just what I
|
|
did," she said. "But my way is beginning to clear. If the
|
|
guilt of your soul has come to a head, in a cancer on
|
|
your body, it looks as if the Almighty didn't need any of
|
|
my help in meting out His punishments. I really couldn't
|
|
fix up anything to come anywhere near that. If you are
|
|
going to burn until your life goes out with that sort of fire,
|
|
you don't owe me anything!"
|
|
|
|
"Oh, Katharine Comstock!" groaned Elvira Carney,
|
|
clinging to the fence for support.
|
|
|
|
"Looks as if the Bible is right when it says, `The wages
|
|
of sin is death,' doesn't it?" asked Mrs. Comstock.
|
|
"Instead of doing a woman's work in life, you chose the
|
|
smile of invitation, and the dress of unearned cloth.
|
|
Now you tell me you are marked to burn to death with the
|
|
unquenchable fire. And him! It was shorter with him, but
|
|
let me tell you he got his share! He left me with an
|
|
untruth on his lips, for he told me he was going to take
|
|
his violin to Onabasha for a new key, when he carried it
|
|
to you. Every vow of love and constancy he ever made me
|
|
was a lie, after he touched your lips, so when he tried
|
|
the wrong side of the quagmire, to hide from me the
|
|
direction in which he was coming, it reached out for him,
|
|
and it got him. It didn't hurry, either! It sucked him
|
|
down, slow and deliberate."
|
|
|
|
"Mercy!" groaned Elvira Carney. "Mercy!"
|
|
|
|
"I don't know the word," said Mrs. Comstock. "You took
|
|
all that out of me long ago. The past twenty years
|
|
haven't been of the sort that taught mercy. I've never
|
|
had any on myself and none on my child. Why in the
|
|
name of justice, should I have mercy on you, or on him?
|
|
You were both older than I, both strong, sane people, you
|
|
deliberately chose your course when you lured him, and he,
|
|
when he was unfaithful to me. When a Loose Man and a
|
|
Light Woman face the end the Almighty ordained for
|
|
them, why should they shout at me for mercy? What did
|
|
I have to do with it?"
|
|
|
|
Elvira Carney sobbed in panting gasps.
|
|
|
|
"You've got tears, have you?" marvelled Mrs. Comstock.
|
|
"Mine all dried long ago. I've none left to shed
|
|
over my wasted life, my disfigured face and hair, my years
|
|
of struggle with a man's work, my wreck of land among the
|
|
tilled fields of my neighbours, or the final knowledge that
|
|
the man I so gladly would have died to save, wasn't worth
|
|
the sacrifice of a rattlesnake. If anything yet could wring
|
|
a tear from me, it would be the thought of the awful
|
|
injustice I always have done my girl. If I'd lay hand on
|
|
you for anything, it would be for that."
|
|
|
|
"Kill me if you want to," sobbed Elvira Carney. "I know
|
|
that I deserve it, and I don't care."
|
|
|
|
"You are getting your killing fast enough to suit me,"
|
|
said Mrs. Comstock. "I wouldn't touch you, any more
|
|
than I would him, if I could. Once is all any man or
|
|
woman deceives me about the holiest things of life.
|
|
I wouldn't touch you any more than I would the
|
|
black plague. I am going back to my girl."
|
|
|
|
Mrs. Comstock turned and started swiftly through the woods,
|
|
but she had gone only a few rods when she stopped, and
|
|
leaning on the hoe, she stood thinking deeply. Then she
|
|
turned back. Elvira still clung to the fence, sobbing bitterly.
|
|
|
|
"I don't know," said Mrs. Comstock, "but I left a
|
|
wrong impression with you. I don't want you to think
|
|
that I believe the Almighty set a cancer to burning you as
|
|
a punishment for your sins. I don't! I think a lot
|
|
more of the Almighty. With a whole sky-full of worlds on
|
|
His hands to manage, I'm not believing that He has time
|
|
to look down on ours, and pick you out of all the millions
|
|
of us sinners, and set a special kind of torture to eating you.
|
|
It wouldn't be a gentlemanly thing to do, and first
|
|
of all, the Almighty is bound to be a gentleman. I think
|
|
likely a bruise and bad blood is what caused your trouble.
|
|
Anyway, I've got to tell you that the cleanest housekeeper
|
|
I ever knew, and one of the noblest Christian women, was
|
|
slowly eaten up by a cancer. She got hers from the careless
|
|
work of a poor doctor. The Almighty is to forgive sin
|
|
and heal disease, not to invent and spread it."
|
|
|
|
She had gone only a few steps when she again turned back.
|
|
|
|
"If you will gather a lot of red clover bloom, make a tea
|
|
strong as lye of it, and drink quarts, I think likely it will
|
|
help you, if you are not too far gone. Anyway, it will cool
|
|
your blood and make the burning easier to bear."
|
|
|
|
Then she swiftly went home. Enter the lonely cabin
|
|
she could not, neither could she sit outside and think.
|
|
She attacked a bed of beets and hoed until the perspiration
|
|
ran from her face and body, then she began on the potatoes.
|
|
When she was too tired to take another stroke she
|
|
bathed and put on dry clothing. In securing her dress she
|
|
noticed her husband's carefully preserved clothing lining
|
|
one wall. She gathered it in an armload and carried it to
|
|
the swamp. Piece by piece she pitched into the green
|
|
maw of the quagmire all those articles she had dusted
|
|
carefully and fought moths from for years, and stood
|
|
watching as it slowly sucked them down. She went back
|
|
to her room and gathered every scrap that had in any way
|
|
belonged to Robert Comstock, excepting his gun and revolver,
|
|
and threw it into the swamp. Then for the first time she
|
|
set her door wide open.
|
|
|
|
She was too weary now to do more, but an urging unrest
|
|
drove her. She wanted Elnora. It seemed to her she
|
|
never could wait until the girl came and delivered
|
|
her judgment. At last in an effort to get nearer to
|
|
her, Mrs. Comstock climbed the stairs and stood looking
|
|
around Elnora's room. It was very unfamiliar. The pictures
|
|
were strange to her. Commencement had filled it with
|
|
packages and bundles. The walls were covered with
|
|
cocoons; moths and dragonflies were pinned everywhere.
|
|
Under the bed she could see half a dozen large white boxes.
|
|
She pulled out one and lifted the lid. The bottom was
|
|
covered with a sheet of thin cork, and on long pins sticking
|
|
in it were large, velvet-winged moths. Each one was
|
|
labelled, always there were two of a kind, in many cases
|
|
four, showing under and upper wings of both male and female.
|
|
They were of every colour and shape.
|
|
|
|
Mrs. Comstock caught her breath sharply. When and
|
|
where had Elnora found them? They were the most
|
|
exquisite sight the woman ever had seen, so she opened all
|
|
the boxes to feast on their beautiful contents. As she did
|
|
so there came more fully a sense of the distance between
|
|
her and her child. She could not understand how Elnora
|
|
had gone to school, and performed so much work secretly.
|
|
When it was finished, to the last moth, she, the mother
|
|
who should have been the first confidant and helper, had
|
|
been the one to bring disappointment. Small wonder Elnora
|
|
had come to hate her.
|
|
|
|
Mrs. Comstock carefully closed and replaced the boxes;
|
|
and again stood looking around the room. This time her
|
|
eyes rested on some books she did not remember having
|
|
seen before, so she picked up one and found that it was a
|
|
moth book. She glanced over the first pages and was soon
|
|
eagerly reading. When the text reached the classification
|
|
of species, she laid it down, took up another and read the
|
|
introductory chapters. By that time her brain was in a
|
|
confused jumble of ideas about capturing moths with
|
|
differing baits and bright lights.
|
|
|
|
She went down stairs thinking deeply. Being unable to
|
|
sit still and having nothing else to do she glanced at the
|
|
clock and began preparing supper. The work dragged.
|
|
A chicken was snatched up and dressed hurriedly. A spice
|
|
cake sprang into being. Strawberries that had been
|
|
intended for preserves went into shortcake. Delicious odours
|
|
crept from the cabin. She put many extra touches
|
|
on the table and then commenced watching the road.
|
|
Everything was ready, but Elnora did not come. Then began
|
|
the anxious process of trying to keep cooked food warm
|
|
and not spoil it. The birds went to bed and dusk came.
|
|
Mrs. Comstock gave up the fire and set the supper
|
|
on the table. Then she went out and sat on the front-door
|
|
step watching night creep around her. She started eagerly
|
|
as the gate creaked, but it was only Wesley Sinton coming.
|
|
|
|
"Katharine, Margaret and Elnora passed where I was
|
|
working this afternoon, and Margaret got out of the
|
|
carriage and called me to the fence. She told me what she
|
|
had done. I've come to say to you that I am sorry. She has
|
|
heard me threaten to do it a good many times, but I
|
|
never would have got it done. I'd give a good deal if I
|
|
could undo it, but I can't, so I've come to tell you how
|
|
sorry I am."
|
|
|
|
"You've got something to be sorry for," said Mrs. Comstock,
|
|
"but likely we ain't thinking of the same thing. It hurts
|
|
me less to know the truth, than to live in ignorance.
|
|
If Mag had the sense of a pewee, she'd told me long ago.
|
|
That's what hurts me, to think that both of you knew
|
|
Robert was not worth an hour of honest grief, yet you'd let
|
|
me mourn him all these years and neglect Elnora while I
|
|
did it. If I have anything to forgive you, that is what it is."
|
|
|
|
Wesley removed his hat and sat on a bench.
|
|
|
|
"Katharine," he said solemnly, "nobody ever knows how
|
|
to take you."
|
|
|
|
"Would it be asking too much to take me for having a few
|
|
grains of plain common sense?" she inquired. "You've known
|
|
all this time that Comstock got what he deserved,
|
|
when he undertook to sneak in an unused way across a
|
|
swamp, with which he was none too familiar. Now I
|
|
should have thought that you'd figure that knowing the
|
|
same thing would be the best method to cure me of pining
|
|
for him, and slighting my child."
|
|
|
|
"Heaven only knows we have thought of that, and
|
|
talked of it often, but we were both too big cowards.
|
|
We didn't dare tell you."
|
|
|
|
"So you have gone on year after year, watching me
|
|
show indifference to Elnora, and yet a little horse-sense
|
|
would have pointed out to you that she was my salvation.
|
|
Why look at it! Not married quite a year. All his vows
|
|
of love and fidelity made to me before the Almighty
|
|
forgotten in a few months, and a dance and a Light Woman so
|
|
alluring he had to lie and sneak for them. What kind of a
|
|
prospect is that for a life? I know men and women.
|
|
An honourable man is an honourable man, and a liar is a liar;
|
|
both are born and not made. One cannot change to the
|
|
other any more than that same old leopard can change
|
|
its spots. After a man tells a woman the first untruth
|
|
of that sort, the others come piling thick, fast, and
|
|
mountain high. The desolation they bring in their wake
|
|
overshadows anything I have suffered completely. If he
|
|
had lived six months more I should have known him for what
|
|
he was born to be. It was in the blood of him. His father
|
|
and grandfather before him were fiddling, dancing people; but
|
|
I was certain of him. I thought we could leave Ohio and
|
|
come out here alone, and I could so love him and interest
|
|
him in his work, that he would be a man. Of all the fool,
|
|
fruitless jobs, making anything of a creature that begins
|
|
by deceiving her, is the foolest a sane woman ever undertook.
|
|
I am more than sorry you and Margaret didn't see your way
|
|
clear to tell me long ago. I'd have found it out in a
|
|
few more months if he had lived, and I wouldn't have
|
|
borne it a day. The man who breaks his vows to me once,
|
|
doesn't get the second chance. I give truth and honour.
|
|
I have a right to ask it in return. I am glad I understand
|
|
at last. Now, if Elnora will forgive me, we will take a new
|
|
start and see what we can make out of what is left of life.
|
|
If she won't, then it will be my time to learn what suffering
|
|
really means."
|
|
|
|
"But she will," said Wesley. "She must! She can't
|
|
help it when things are explained."
|
|
|
|
"I notice she isn't hurrying any about coming home.
|
|
Do you know where she is or what she is doing?"
|
|
|
|
"I do not. But likely she will be along soon. I must
|
|
go help Billy with the night work. Good-bye, Katharine.
|
|
Thank the Lord you have come to yourself at last!"
|
|
|
|
They shook hands and Wesley went down the road while
|
|
Mrs. Comstock entered the cabin. She could not swallow food.
|
|
She stood in the back door watching the sky for moths,
|
|
but they did not seem to be very numerous. Her spirits
|
|
sank and she breathed unevenly. Then she heard the
|
|
front screen. She reached the middle door as Elnora
|
|
touched the foot of the stairs.
|
|
|
|
"Hurry, and get ready, Elnora," she said. "Your supper
|
|
is almost spoiled now."
|
|
|
|
Elnora closed the stair door behind her, and for the first
|
|
time in her life, threw the heavy lever which barred out
|
|
anyone from down stairs. Mrs. Comstock heard the thud,
|
|
and knew what it meant. She reeled slightly and caught
|
|
the doorpost for support. For a few minutes she clung
|
|
there, then sank to the nearest chair. After a long time
|
|
she arose and stumbling half blindly, she put the food in
|
|
the cupboard and covered the table. She took the lamp
|
|
in one hand, the butter in the other, and started to the
|
|
spring house. Something brushed close by her face, and she
|
|
looked just in time to see a winged creature rise above the
|
|
cabin and sail away.
|
|
|
|
"That was a night bird," she muttered. As she stopped
|
|
to set the butter in the water, came another thought.
|
|
"Perhaps it was a moth!" Mrs. Comstock dropped the
|
|
butter and hurried out with the lamp; she held it high
|
|
above her head and waited until her arms ached.
|
|
Small insects of night gathered, and at last a little
|
|
dusty miller, but nothing came of any size.
|
|
|
|
"I must go where they are, if I get them," muttered
|
|
Mrs. Comstock.
|
|
|
|
She went to the barn after the stout pair of high boots
|
|
she used in feeding stock in deep snow. Throwing these
|
|
beside the back door she climbed to the loft over the spring
|
|
house, and hunted an old lard oil lantern and one of first
|
|
manufacture for oil. Both these she cleaned and filled.
|
|
She listened until everything up stairs had been still for
|
|
over half an hour. By that time it was past eleven o'clock.
|
|
Then she took the lantern from the kitchen, the two old
|
|
ones, a handful of matches, a ball of twine, and went from
|
|
the cabin, softly closing the door.
|
|
|
|
Sitting on the back steps, she put on the boots, and then
|
|
stood gazing into the perfumed June night, first in the
|
|
direction of the woods on her land, then toward the Limberlost.
|
|
Its outline was so dark and forbidding she shuddered
|
|
and went down the garden, following the path toward the
|
|
woods, but as she neared the pool her knees wavered and
|
|
her courage fled. The knowledge that in her soul she was
|
|
now glad Robert Comstock was at the bottom of it made a
|
|
coward of her, who fearlessly had mourned him there,
|
|
nights untold. She could not go on. She skirted the
|
|
back of the garden, crossed a field, and came out on
|
|
the road. Soon she reached the Limberlost. She hunted
|
|
until she found the old trail, then followed it stumbling
|
|
over logs and through clinging vines and grasses.
|
|
The heavy boots clumped on her feet, overhanging branches
|
|
whipped her face and pulled her hair. But her eyes were
|
|
on the sky as she went straining into the night, hoping to
|
|
find signs of a living creature on wing.
|
|
|
|
By and by she began to see the wavering flight of something
|
|
she thought near the right size. She had no idea
|
|
where she was, but she stopped, lighted a lantern and
|
|
hung it as high as she could reach. A little distance away
|
|
she placed the second and then the third. The objects
|
|
came nearer and sick with disappointment she saw that
|
|
they were bats. Crouching in the damp swamp grasses,
|
|
without a thought of snakes or venomous insects, she
|
|
waited, her eyes roving from lantern to lantern. Once she
|
|
thought a creature of high flight dropped near the lard oil
|
|
light, so she arose breathlessly waiting, but either it
|
|
passed or it was an illusion. She glanced at the old lantern,
|
|
then at the new, and was on her feet in an instant creeping close.
|
|
Something large as a small bird was fluttering around.
|
|
Mrs. Comstock began to perspire, while her hand shook wildly.
|
|
Closer she crept and just as she reached for it, something
|
|
similar swept past and both flew away together.
|
|
|
|
Mrs. Comstock set her teeth and stood shivering. For a
|
|
long time the locusts rasped, the whip-poor-wills cried and
|
|
a steady hum of night life throbbed in her ears. Away in
|
|
the sky she saw something coming when it was no larger
|
|
than a falling leaf. Straight toward the light it flew.
|
|
Mrs. Comstock began to pray aloud.
|
|
|
|
"This way, O Lord! Make it come this way! Please!
|
|
O Lord, send it lower!"
|
|
|
|
The moth hesitated at the first light, then slowly,
|
|
easily it came toward the second, as if following a path
|
|
of air. It touched a leaf near the lantern and settled.
|
|
As Mrs. Comstock reached for it a thin yellow spray wet
|
|
her hand and the surrounding leaves. When its wings
|
|
raised above its back, her fingers came together.
|
|
She held the moth to the light. It was nearer brown than
|
|
yellow, and she remembered having seen some like it in
|
|
the boxes that afternoon. It was not the one needed to
|
|
complete the collection, but Elnora might want it, so
|
|
Mrs. Comstock held on. Then the Almighty was kind,
|
|
or nature was sufficient, as you look at it, for following
|
|
the law of its being when disturbed, the moth again threw
|
|
the spray by which some suppose it attracts its kind,
|
|
and liberally sprinkled Mrs. Comstock's dress front
|
|
and arms. From that instant, she became the best moth
|
|
bait ever invented. Every Polyphemus in range hastened
|
|
to her, and other fluttering creatures of night followed.
|
|
The influx came her way. She snatched wildly here and
|
|
there until she had one in each hand and no place to
|
|
put them. She could see more coming, and her aching
|
|
heart, swollen with the strain of long excitement,
|
|
hurt pitifully. She prayed in broken exclamations that
|
|
did not always sound reverent, but never was human soul
|
|
in more intense earnest.
|
|
|
|
Moths were coming. She had one in each hand.
|
|
They were not yellow, and she did not know what to do.
|
|
She glanced around to try to discover some way to keep
|
|
what she had, and her throbbing heart stopped and
|
|
every muscle stiffened. There was the dim outline of
|
|
a crouching figure not two yards away, and a pair of
|
|
eyes their owner thought hidden, caught the light in a
|
|
cold stream. Her first impulse was to scream and fly
|
|
for life. Before her lips could open a big moth alighted
|
|
on her breast while she felt another walking over her hair.
|
|
All sense of caution deserted her. She did not care to
|
|
live if she could not replace the yellow moth she had killed.
|
|
She turned her eyes to those among the leaves.
|
|
|
|
"Here, you!" she cried hoarsely. "I need you! Get yourself
|
|
out here, and help me. These critters are going to get away
|
|
from me. Hustle!"
|
|
|
|
Pete Corson parted the bushes and stepped into the light.
|
|
|
|
"Oh, it's you!" said Mrs. Comstock. "I might have known!
|
|
But you gave me a start. Here, hold these until I make some
|
|
sort of bag for them. Go easy! If you break them I don't
|
|
guarantee what will happen to you!"
|
|
|
|
"Pretty fierce, ain't you!" laughed Pete, but he advanced
|
|
and held out his hands. "For Elnora, I s'pose?"
|
|
|
|
"Yes," said Mrs. Comstock. "In a mad fit, I trampled
|
|
one this morning, and by the luck of the old boy himself
|
|
it was the last moth she needed to complete a collection.
|
|
I got to get another one or die."
|
|
|
|
"Then I guess it's your funeral," said Pete. "There ain't
|
|
a chance in a dozen the right one will come. What colour
|
|
was it?"
|
|
|
|
"Yellow, and big as a bird."
|
|
|
|
"The Emperor, likely," said Pete. "You dig for
|
|
that kind, and they are not numerous, so's 'at you can
|
|
smash 'em for fun."
|
|
|
|
"Well, I can try to get one, anyway," said Mrs. Comstock.
|
|
"I forgot all about bringing anything to put them in.
|
|
You take a pinch on their wings until I make a poke."
|
|
|
|
Mrs. Comstock removed her apron, tearing off the strings.
|
|
She unfastened and stepped from the skirt of her
|
|
calico dress. With one apron string she tied shut the
|
|
band and placket. She pulled a wire pin from her hair,
|
|
stuck it through the other string, and using it as a bodkin
|
|
ran it around the hem of her skirt, so shortly she had a
|
|
large bag. She put several branches inside to which the
|
|
moths could cling, closed the mouth partially and held
|
|
it toward Pete.
|
|
|
|
"Put your hand well down and let the things go!" she ordered.
|
|
"But be careful, man! Don't run into the twigs! Easy!
|
|
That's one. Now the other. Is the one on my head gone?
|
|
There was one on my dress, but I guess it flew. Here comes
|
|
a kind of a gray-looking one."
|
|
|
|
Pete slipped several more moths into the bag.
|
|
|
|
"Now, that's five, Mrs. Comstock," he said. "I'm sorry,
|
|
but you'll have to make that do. You must get out of
|
|
here lively. Your lights will be taken for hurry
|
|
calls, and inside the next hour a couple of men will ride
|
|
here like fury. They won't be nice Sunday-school men,
|
|
and they won't hold bags and catch moths for you.
|
|
You must go quick!"
|
|
|
|
Mrs. Comstock laid down the bag and pulled one of
|
|
the lanterns lower.
|
|
|
|
"I won't budge a step," she said. "This land doesn't
|
|
belong to you. You have no right to order me off it.
|
|
Here I stay until I get a Yellow Emperor, and no little
|
|
petering thieves of this neighbourhood can scare me away."
|
|
|
|
"You don't understand," said Pete. "I'm willing to
|
|
help Elnora, and I'd take care of you, if I could, but
|
|
there will be too many for me, and they will be mad at
|
|
being called out for nothing."
|
|
|
|
"Well, who's calling them out?" demanded Mrs. Comstock.
|
|
"I'm catching moths. If a lot of good-for-nothings get
|
|
fooled into losing some sleep, why let them, they can't
|
|
hurt me, or stop my work."
|
|
|
|
"They can, and they'll do both."
|
|
|
|
"Well, I'll see them do it!" said Mrs. Comstock. "I've got
|
|
Robert's revolver in my dress, and I can shoot as straight
|
|
as any man, if I'm mad enough. Any one who interferes
|
|
with me to-night will find me mad a-plenty. There goes another!"
|
|
|
|
She stepped into the light and waited until a big brown
|
|
moth settled on her and was easily taken. Then in light,
|
|
airy flight came a delicate pale green thing, and Mrs.
|
|
Comstock started in pursuit. But the scent was not right.
|
|
The moth fluttered high, then dropped lower, still lower,
|
|
and sailed away. With outstretched hands Mrs. Comstock
|
|
pursued it. She hurried one way and another, then ran
|
|
over an object which tripped her and she fell.
|
|
She regained her feet in an instant, but she had lost sight
|
|
of the moth. With livid face she turned to the crouching man.
|
|
|
|
"You nasty, sneaking son of Satan!" she cried. "Why are
|
|
you hiding there? You made me lose the one I wanted
|
|
most of any I've had a chance at yet. Get out of here!
|
|
Go this minute, or I'll fill your worthless carcass so full
|
|
of holes you'll do to sift cornmeal. Go, I say! I'm using
|
|
the Limberlost to-night, and I won't be stopped by the
|
|
devil himself! Cut like fury, and tell the rest of them
|
|
they can just go home. Pete is going to help me, and
|
|
he is all of you I need. Now go!"
|
|
|
|
The man turned and went. Pete leaned against a tree,
|
|
held his mouth shut and shook inwardly. Mrs. Comstock
|
|
came back panting.
|
|
|
|
"The old scoundrel made me lose that!" she said. "If any
|
|
one else comes snooping around here I'll just blow them
|
|
up to start with. I haven't time to talk. Suppose that
|
|
had been yellow! I'd have killed that man, sure!
|
|
|
|
The Limberlost isn't safe to-night, and the sooner those
|
|
whelps find it out, the better it will be for them."
|
|
|
|
Pete stopped laughing to look at her. He saw that
|
|
she was speaking the truth. She was quite past reason,
|
|
sense, or fear. The soft night air stirred the wet hair
|
|
around her temples, the flickering lanterns made her face
|
|
a ghastly green. She would stop at nothing, that was evident.
|
|
Pete suddenly began catching moths with exemplary industry.
|
|
In putting one into the bag, another escaped.
|
|
|
|
"We must not try that again," said Mrs. Comstock.
|
|
"Now, what will we do?"
|
|
|
|
"We are close to the old case," said Pete. "I think
|
|
I can get into it. Maybe we could slip the rest in there."
|
|
|
|
"That's a fine idea!" said Mrs. Comstock. "They'll have
|
|
so much room there they won't be likely to hurt
|
|
themselves, and the books say they don't fly in daytime
|
|
unless they are disturbed, so they will settle when it's
|
|
light, and I can come with Elnora to get them."
|
|
|
|
They captured two more, and then Pete carried them
|
|
to the case.
|
|
|
|
"Here comes a big one!" he cried as he returned.
|
|
|
|
Mrs. Comstock looked up and stepped out with a prayer
|
|
on her lips. She could not tell the colour at that
|
|
distance, but the moth appeared different from the others.
|
|
On it came, dropping lower and darting from light to light.
|
|
As it swept near her, "O Heavenly Father!" exulted Mrs.
|
|
Comstock, "it's yellow! Careful Pete! Your hat, maybe!"
|
|
|
|
Pete made a long sweep. The moth wavered above
|
|
the hat and sailed away. Mrs. Comstock leaned against
|
|
a tree and covered her face with her shaking hands.
|
|
|
|
"That is my punishment!" she cried. "Oh, Lord, if
|
|
you will give a moth like that into my possession, I'll
|
|
always be a better woman!"
|
|
|
|
The Emperor again came in sight. Pete stood tense
|
|
and ready. Mrs. Comstock stepped into the light and
|
|
watched the moth's course. Then a second appeared
|
|
in pursuit of the first. The larger one wavered into
|
|
the radius of light once more. The perspiration rolled
|
|
down the man's face. He half lifted the hat.
|
|
|
|
"Pray, woman! Pray now!" he panted.
|
|
|
|
"I guess I best get over by that lard oil light and go
|
|
to work," breathed Mrs. Comstock. "The Lord knows
|
|
this is all in prayer, but it's no time for words just now.
|
|
Ready, Pete! You are going to get a chance first!"
|
|
|
|
Pete made another long, steady sweep, but the moth
|
|
darted beneath the hat. In its flight it came straight
|
|
toward Mrs. Comstock. She snatched off the remnant
|
|
of apron she had tucked into her petticoat band and
|
|
held the calico before her. The moth struck full against
|
|
it and clung to the goods. Pete crept up stealthily.
|
|
The second moth followed the first, and the spray
|
|
showered the apron.
|
|
|
|
"Wait!" gasped Mrs. Comstock. "I think they have settled.
|
|
The books say they won't leave now."
|
|
|
|
The big pale yellow creature clung firmly, lowering
|
|
and raising its wings. The other came nearer. Mrs.
|
|
Comstock held the cloth with rigid hands, while Pete
|
|
could hear her breathing in short gusts.
|
|
|
|
"Shall I try now?" he implored.
|
|
|
|
"Wait!" whispered the woman. "Something seems to
|
|
say wait!"
|
|
|
|
The night breeze stiffened and gently waved the apron.
|
|
Locusts rasped, mosquitoes hummed and frogs sang uninterruptedly.
|
|
A musky odour slowly filled the air.
|
|
|
|
"Now shall I?" questioned Pete.
|
|
|
|
"No. Leave them alone. They are safe now. They are mine.
|
|
They are my salvation. God and the Limberlost gave them
|
|
to me! They won't move for hours. The books all say so.
|
|
O Heavenly Father, I am thankful to You, and you, too,
|
|
Pete Corson! You are a good man to help me. Now, I can
|
|
go home and face my girl."
|
|
|
|
Instead, Mrs. Comstock dropped suddenly. She spread
|
|
the apron across her knees. The moths remained undisturbed.
|
|
Then her tired white head dropped, the tears she had thought
|
|
forever dried gushed forth, and she sobbed for pure joy.
|
|
|
|
"Oh, I wouldn't do that now, you know!" comforted Pete.
|
|
"Think of getting two! That's more than you ever could
|
|
have expected. A body would think you would cry, if you
|
|
hadn't got any. Come on, now. It's almost morning.
|
|
Let me help you home."
|
|
|
|
Pete took the bag and the two old lanterns. Mrs. Comstock
|
|
carried her moths and the best lantern and went ahead to
|
|
light the way.
|
|
|
|
Elnora had sat beside her window far into the night.
|
|
At last she undressed and went to bed, but sleep would
|
|
not come. She had gone to the city to talk with members of
|
|
the School Board about a room in the grades. There was
|
|
a possibility that she might secure the moth, and so be able
|
|
to start to college that fall, but if she did not, then she
|
|
wanted the school. She had been given some encouragement,
|
|
but she was so unhappy that nothing mattered. She could
|
|
not see the way open to anything in life, save a long
|
|
series of disappointments, while she remained with
|
|
her mother. Yet Margaret Sinton had advised her to go
|
|
home and try once more. Margaret had seemed so sure
|
|
there would be a change for the better, that Elnora had
|
|
consented, although she had no hope herself. So strong is
|
|
the bond of blood, she could not make up her mind to seek
|
|
a home elsewhere, even after the day that had passed.
|
|
Unable to sleep she arose at last, and the room being warm,
|
|
she sat on the floor close the window. The lights in the
|
|
swamp caught her eye. She was very uneasy, for quite a
|
|
hundred of her best moths were in the case. However, there
|
|
was no money, and no one ever had touched a book or any
|
|
of her apparatus. Watching the lights set her thinking,
|
|
and before she realized it, she was in a panic of fear.
|
|
|
|
She hurried down the stairway softly calling her mother.
|
|
There was no answer. She lightly stepped across the
|
|
sitting-room and looked in at the open door. There was
|
|
no one, and the bed had not been used. Her first thought
|
|
was that her mother had gone to the pool; and the Limberlost
|
|
was alive with signals. Pity and fear mingled in the
|
|
heart of the girl. She opened the kitchen door, crossed the
|
|
garden and ran back to the swamp. As she neared it she
|
|
listened, but she could hear only the usual voices of night.
|
|
|
|
"Mother!" she called softly. Then louder, "Mother!"
|
|
|
|
There was not a sound. Chilled with fright she hurried
|
|
back to the cabin. She did not know what to do.
|
|
She understood what the lights in the Limberlost meant.
|
|
Where was her mother? She was afraid to enter, while
|
|
she was growing very cold and still more fearful about
|
|
remaining outside. At last she went to her mother's room,
|
|
picked up the gun, carried it into the kitchen, and crowding
|
|
in a little corner behind the stove, she waited in trembling
|
|
anxiety. The time was dreadfully long before she heard
|
|
her mother's voice. Then she decided some one had been
|
|
ill and sent for her, so she took courage, and stepping
|
|
swiftly across the kitchen she unbarred the door and drew
|
|
back from sight beside the table.
|
|
|
|
Mrs. Comstock entered dragging her heavy feet. Her dress
|
|
skirt was gone, her petticoat wet and drabbled, and
|
|
the waist of her dress was almost torn from her body.
|
|
Her hair hung in damp strings; her eyes were red with crying.
|
|
In one hand she held the lantern, and in the other stiffly
|
|
extended before her, on a wad of calico reposed a
|
|
magnificent pair of Yellow Emperors. Elnora stared, her
|
|
lips parted.
|
|
|
|
"Shall I put these others in the kitchen?" inquired a
|
|
man's voice.
|
|
|
|
The girl shrank back to the shadows.
|
|
|
|
"Yes, anywhere inside the door," replied Mrs. Comstock
|
|
as she moved a few steps to make way for him.
|
|
Pete's head appeared. He set down the moths and was gone.
|
|
|
|
"Thank you, Pete, more than ever woman thanked you before!"
|
|
said Mrs. Comstock.
|
|
|
|
She placed the lantern on the table and barred the door.
|
|
As she turned Elnora came into view. Mrs. Comstock
|
|
leaned toward her, and held out the moths. In a voice
|
|
vibrant with tones never before heard she said: "Elnora,
|
|
my girl, mother's found you another moth!"
|
|
|
|
CHAPTER XIII
|
|
|
|
WHEREIN MOTHER LOVE IS BESTOWED ON ELNORA,
|
|
AND SHE FINDS AN ASSISTANT IN MOTH HUNTING
|
|
|
|
Elnora awoke at dawn and lay gazing around the
|
|
unfamiliar room. She noticed that every vestige
|
|
of masculine attire and belongings was gone, and
|
|
knew, without any explanation, what that meant.
|
|
For some reason every tangible evidence of her father
|
|
was banished, and she was at last to be allowed to
|
|
take his place. She turned to look at her mother.
|
|
Mrs. Comstock's face was white and haggard, but on it
|
|
rested an expression of profound peace Elnora never
|
|
before had seen. As she studied the features on the
|
|
pillow beside her, the heart of the girl throbbed in tenderness.
|
|
She realized as fully as any one else could what her mother
|
|
had suffered. Thoughts of the night brought shuddering fear.
|
|
She softly slipped from the bed, went to her room, dressed and
|
|
entered the kitchen to attend the Emperors and prepare breakfast.
|
|
The pair had been left clinging to the piece of calico.
|
|
The calico was there and a few pieces of beautiful wing.
|
|
A mouse had eaten the moths!
|
|
|
|
"Well, of all the horrible luck!" gasped Elnora.
|
|
|
|
With the first thought of her mother, she caught up the
|
|
remnants of the moths, burying them in the ashes of the stove.
|
|
She took the bag to her room, hurriedly releasing its
|
|
contents, but there was not another yellow one. Her mother
|
|
had said some had been confined in the case in the Limberlost.
|
|
There was still a hope that an Emperor might be among them.
|
|
She peeped at her mother, who still slept soundly.
|
|
|
|
Elnora took a large piece of mosquito netting, and ran
|
|
to the swamp. Throwing it over the top of the case, she
|
|
unlocked the door. She reeled, faint with distress.
|
|
The living moths that had been confined there in their
|
|
fluttering to escape to night and the mates they sought
|
|
not only had wrecked the other specimens of the case,
|
|
but torn themselves to fringes on the pins. A third of the
|
|
rarest moths of the collection for the man of India were
|
|
antennaless, legless, wingless, and often headless.
|
|
Elnora sobbed aloud.
|
|
|
|
"This is overwhelming," she said at last. "It is making
|
|
a fatalist of me. I am beginning to think things
|
|
happen as they are ordained from the beginning, this
|
|
plainly indicating that there is to be no college, at least,
|
|
this year, for me. My life is all mountain-top or canon.
|
|
I wish some one would lead me into a few days of `green pastures.'
|
|
Last night I went to sleep on mother's arm, the moths all
|
|
secured, love and college, certainties. This morning I wake
|
|
to find all my hopes wrecked. I simply don't dare let mother
|
|
know that instead of helping me, she has ruined my collection.
|
|
Everything is gone--unless the love lasts. That actually
|
|
seemed true. I believe I will go see."
|
|
|
|
The love remained. Indeed, in the overflow of the long-
|
|
hardened, pent-up heart, the girl was almost suffocated
|
|
with tempestuous caresses and generous offerings. Before the
|
|
day was over, Elnora realized that she never had known
|
|
her mother. The woman who now busily went through the
|
|
cabin, her eyes bright, eager, alert, constantly planning,
|
|
was a stranger. Her very face was different, while it did
|
|
not seem possible that during one night the acid of twenty
|
|
years could disappear from a voice and leave it sweet and pleasant.
|
|
|
|
For the next few days Elnora worked at mounting the
|
|
moths her mother had taken. She had to go to the Bird
|
|
Woman and tell about the disaster, but Mrs. Comstock
|
|
was allowed to think that Elnora delivered the moths
|
|
when she made the trip. If she had told her what actually
|
|
happened, the chances were that Mrs. Comstock again
|
|
would have taken possession of the Limberlost, hunting
|
|
there until she replaced all the moths that had been destroyed.
|
|
But Elnora knew from experience what it meant to collect
|
|
such a list in pairs. It would require steady work for at
|
|
least two summers to replace the lost moths. When she left
|
|
the Bird Woman she went to the president of the Onabasha
|
|
schools and asked him to do all in his power to secure her
|
|
a room in one of the ward buildings.
|
|
|
|
The next morning the last moth was mounted, and the
|
|
housework finished. Elnora said to her mother, "If you
|
|
don't mind, I believe I will go into the woods pasture
|
|
beside Sleepy Snake Creek and see if I can catch some
|
|
dragonflies or moths."
|
|
|
|
"Wait until I get a knife and a pail and I will go along,"
|
|
answered Mrs. Comstock. "The dandelions are plenty
|
|
tender for greens among the deep grasses, and I might just
|
|
happen to see something myself. My eyes are pretty sharp."
|
|
|
|
"I wish you could realize how young you are," said Elnora.
|
|
"I know women in Onabasha who are ten years older than you,
|
|
yet they look twenty years younger. So could you, if you
|
|
would dress your hair becomingly, and wear appropriate clothes."
|
|
|
|
"I think my hair puts me in the old woman class permanently,"
|
|
said Mrs. Comstock.
|
|
|
|
"Well, it doesn't!" cried Elnora. "There is a woman
|
|
of twenty-eight who has hair as white as yours from sick
|
|
headaches, but her face is young and beautiful. If your
|
|
face would grow a little fuller and those lines would go
|
|
away, you'd be lovely!"
|
|
|
|
"You little pig!" laughed Mrs. Comstock. "Any one
|
|
would think you would be satisfied with having a splinter
|
|
new mother, without setting up a kick on her looks,
|
|
first thing. Greedy!"
|
|
|
|
"That is a good word," said Elnora. "I admit the charge.
|
|
I am greedy over every wasted year. I want you young,
|
|
lovely, suitably dressed and enjoying life like the
|
|
other girls' mothers."
|
|
|
|
Mrs. Comstock laughed softly as she pushed back her
|
|
sunbonnet so that shrubs and bushes beside the way could
|
|
be scanned closely. Elnora walked ahead with a case over
|
|
her shoulder, a net in her hand. Her head was bare, the
|
|
rolling collar of her lavender gingham dress was cut in a V
|
|
at the throat, the sleeves only reached the elbows. Every few
|
|
steps she paused and examined the shrubbery carefully,
|
|
while Mrs. Comstock was watching until her eyes ached,
|
|
but there were no dandelions in the pail she carried.
|
|
|
|
Early June was rioting in fresh grasses, bright flowers,
|
|
bird songs, and gay-winged creatures of air. Down the
|
|
footpath the two went through the perfect morning, the
|
|
love of God and all nature in their hearts. At last they
|
|
reached the creek, following it toward the bridge. Here Mrs.
|
|
Comstock found a large bed of tender dandelions and stopped
|
|
to fill her pail. Then she sat on the bank, picking over the
|
|
greens, while she listened to the creek softly singing its June song.
|
|
|
|
Elnora remained within calling distance, and was having
|
|
good success. At last she crossed the creek, following
|
|
it up to a bridge. There she began a careful examination
|
|
of the under sides of the sleepers and flooring for cocoons.
|
|
Mrs. Comstock could see her and the creek for several
|
|
rods above. The mother sat beating the long green leaves
|
|
across her hand, carefully picking out the white buds,
|
|
because Elnora liked them, when a splash up the creek
|
|
attracted her attention.
|
|
|
|
Around the bend came a man. He was bareheaded,
|
|
dressed in a white sweater, and waders which reached
|
|
his waist. He walked on the bank, only entering the
|
|
water when forced. He had a queer basket strapped on
|
|
his hip, and with a small rod he sent a long line spinning
|
|
before him down the creek, deftly manipulating with
|
|
it a little floating object. He was closer Elnora than
|
|
her mother, but Mrs. Comstock thought possibly by
|
|
hurrying she could remain unseen and yet warn the girl
|
|
that a stranger was coming. As she approached the
|
|
bridge, she caught a sapling and leaned over the water to
|
|
call Elnora. With her lips parted to speak she hesitated
|
|
a second to watch a sort of insect that flashed past on the
|
|
water, when a splash from the man attracted the girl.
|
|
|
|
She was under the bridge, one knee planted in the
|
|
embankment and a foot braced to support her. Her hair
|
|
was tousled by wind and bushes, her face flushed,
|
|
and she lifted her arms above her head, working to loosen
|
|
a cocoon she had found. The call Mrs. Comstock had
|
|
intended to utter never found voice, for as Elnora looked
|
|
down at the sound, "Possibly I could get that for you,"
|
|
suggested the man.
|
|
|
|
Mrs. Comstock drew back. He was a young man with a
|
|
wonderfully attractive face, although it was too
|
|
white for robust health, broad shoulders, and slender,
|
|
upright frame.
|
|
|
|
"Oh, I do hope you can!" answered Elnora. "It's quite
|
|
a find! It's one of those lovely pale red cocoons
|
|
described in the books. I suspect it comes from having
|
|
been in a dark place and screened from the weather."
|
|
|
|
"Is that so?" cried the man. "Wait a minute. I've never
|
|
seen one. I suppose it's a Cecropia, from the location."
|
|
|
|
"Of course," said Elnora. "It's so cool here the moth
|
|
hasn't emerged. The cocoon is a big, baggy one, and it
|
|
is as red as fox tail."
|
|
|
|
"What luck!" he cried. "Are you making a collection?"
|
|
|
|
He reeled in his line, laid his rod across a bush and
|
|
climbed the embankment to Elnora's side, produced a
|
|
knife and began the work of whittling a deep groove
|
|
around the cocoon.
|
|
|
|
"Yes. I paid my way through the high school in
|
|
Onabasha with them. Now I am starting a collection
|
|
which means college."
|
|
|
|
"Onabasha!" said the man. "That is where I am visiting.
|
|
Possibly you know my people--Dr. Ammon's? The doctor is
|
|
my uncle. My home is in Chicago. I've been having typhoid
|
|
fever, something fierce. In the hospital six weeks.
|
|
Didn't gain strength right, so Uncle Doc sent for me.
|
|
I am to live out of doors all summer, and exercise until
|
|
I get in condition again. Do you know my uncle?"
|
|
|
|
"Yes. He is Aunt Margaret's doctor, and he would
|
|
be ours, only we are never ill."
|
|
|
|
"Well, you look it!" said the man, appraising Elnora
|
|
at a glance.
|
|
|
|
"Strangers always mention it," sighed Elnora. "I wonder
|
|
how it would seem to be a pale, languid lady and ride
|
|
in a carriage."
|
|
|
|
"Ask me!" laughed the man. "It feels like the--dickens!
|
|
I'm so proud of my feet. It's quite a trick to stand
|
|
on them now. I have to keep out of the water all I can
|
|
and stop to baby every half-mile. But with interesting
|
|
outdoor work I'll be myself in a week."
|
|
|
|
"Do you call that work?" Elnora indicated the creek.
|
|
|
|
"I do, indeed! Nearly three miles, banks too soft to brag
|
|
on and never a strike. Wouldn't you call that hard labour?"
|
|
|
|
"Yes," laughed Elnora. "Work at which you might
|
|
kill yourself and never get a fish. Did any one tell you
|
|
there were trout in Sleepy Snake Creek?"
|
|
|
|
"Uncle said I could try."
|
|
|
|
"Oh, you can," said Elnora. "You can try no end,
|
|
but you'll never get a trout. This is too far south and
|
|
too warm for them. If you sit on the bank and use
|
|
worms you might catch some perch or catfish."
|
|
|
|
"But that isn't exercise."
|
|
|
|
"Well, if you only want exercise, go right on fishing.
|
|
You will have a creel full of invisible results every night."
|
|
|
|
"I object," said the man emphatically. He stopped
|
|
work again and studied Elnora. Even the watching
|
|
mother could not blame him. In the shade of the bridge
|
|
Elnora's bright head and her lavender dress made a
|
|
picture worthy of much contemplation.
|
|
|
|
"I object!" repeated the man. "When I work I want
|
|
to see results. I'd rather exercise sawing wood, making
|
|
one pile grow little and the other big than to cast all day
|
|
and catch nothing because there is not a fish to take.
|
|
Work for work's sake doesn't appeal to me."
|
|
|
|
He digged the groove around the cocoon with skilled hand.
|
|
"Now there is some fun in this!" he said. It's going to
|
|
be a fair job to cut it out, but when it comes, it is
|
|
not only beautiful, but worth a price; it will help you on
|
|
your way. I think I'll put up my rod and hunt moths.
|
|
That would be something like! Don't you want help?"
|
|
|
|
Elnora parried the question. "Have you ever hunted
|
|
moths, Mr. Ammon?
|
|
|
|
"Enough to know the ropes in taking them and to
|
|
distinguish the commonest ones. I go wild on Catocalae.
|
|
There's too many of them, all too much alike for Philip,
|
|
but I know all these fellows. One flew into my room when
|
|
I was about ten years old, and we thought it a miracle.
|
|
None of us ever had seen one so we took it over to the
|
|
museum to Dr. Dorsey. He said they were common enough,
|
|
but we didn't see them because they flew at night.
|
|
He showed me the museum collection, and I was so
|
|
interested I took mine back home and started to hunt them.
|
|
Every year after that we went to our cottage a month
|
|
earlier, so I could find them, and all my family helped.
|
|
I stuck to it until I went to college. Then, keeping
|
|
the little moths out of the big ones was too much for the
|
|
mater, so father advised that I donate mine to the museum.
|
|
He bought a fine case for them with my name on it,
|
|
which constitutes my sole contribution to science. I know
|
|
enough to help you all right."
|
|
|
|
"Aren't you going north this year?"
|
|
|
|
"All depends on how this fever leaves me. Uncle says
|
|
the nights are too cold and the days too hot there
|
|
for me. He thinks I had better stay in an even
|
|
temperature until I am strong again. I am going to stick
|
|
pretty close to him until I know I am. I wouldn't admit
|
|
it to any one at home, but I was almost gone. I don't
|
|
believe anything can eat up nerve much faster than the
|
|
burning of a slow fever. No, thanks, I have enough.
|
|
I stay with Uncle Doc, so if I feel it coming again he can
|
|
do something quickly."
|
|
|
|
"I don't blame you," said Elnora. "I never have been
|
|
sick, but it must be dreadful. I am afraid you are tiring
|
|
yourself over that. Let me take the knife awhile."
|
|
|
|
"Oh, it isn't so bad as that! I wouldn't be wading
|
|
creeks if it were. I only need a few more days to get
|
|
steady on my feet again. I'll soon have this out."
|
|
|
|
"It is kind of you to get it," said Elnora. "I should
|
|
have had to peel it, which would spoil the cocoon for a'
|
|
specimen and ruin the moth."
|
|
|
|
"You haven't said yet whether I may help you while
|
|
I am here."
|
|
|
|
Elnora hesitated.
|
|
|
|
"You better say `yes,'" he persisted. "It would be a
|
|
real kindness. It would keep me outdoors all day and
|
|
give an incentive to work. I'm good at it. I'll show you
|
|
if I am not in a week or so. I can `sugar,' manipulate
|
|
lights, and mirrors, and all the expert methods. I'll wager,
|
|
moths are numerous in the old swamp over there."
|
|
|
|
"They are," said Elnora. "Most I have I took there.
|
|
A few nights ago my mother caught a number, but we
|
|
don't dare go alone."
|
|
|
|
"All the more reason why you need me. Where do
|
|
you live? I can't get an answer from you, I'll go tell
|
|
your mother who I am and ask her if I may help you.
|
|
I warn you, young lady, I have a very effective way
|
|
with mothers. They almost never turn me down."
|
|
|
|
"Then it's probable you will have a new experience
|
|
when you meet mine," said Elnora. "She never was
|
|
known to do what any one expected she surely would."
|
|
|
|
The cocoon came loose. Philip Ammon stepped down
|
|
the embankment turning to offer his hand to Elnora.
|
|
She ran down as she would have done alone, and taking
|
|
the cocoon turned it end for end to learn if the imago it
|
|
contained were alive. Then Ammon took back the cocoon
|
|
to smooth the edges. Mrs. Comstock gave them one
|
|
long look as they stood there, and returned to
|
|
her dandelions. While she worked she paused occasionally,
|
|
listening intently. Presently they came down the creek,
|
|
the man carrying the cocoon as if it were a jewel, while
|
|
Elnora made her way along the bank, taking a lesson in casting.
|
|
Her face was flushed with excitement, her eyes shining,
|
|
the bushes taking liberties with her hair. For a picture
|
|
of perfect loveliness she scarcely could have been surpassed,
|
|
and the eyes of Philip Ammon seemed to be in working order.
|
|
|
|
"Moth-er!" called Elnora.
|
|
|
|
There was an undulant, caressing sweetness in the girl's
|
|
voice, as she sung out the call in perfect confidence
|
|
that it would bring a loving answer, that struck deep in
|
|
Mrs. Comstock's heart. She never had heard that word
|
|
so pronounced before and a lump arose in her throat.
|
|
|
|
"Here!" she answered, still cleaning dandelions.
|
|
|
|
"Mother, this is Mr. Philip Ammon, of Chicago,"
|
|
said Elnora. "He has been ill and he is staying with
|
|
Dr. Ammon in Onabasha. He came down the creek
|
|
fishing and cut this cocoon from under the bridge for me.
|
|
He feels that it would be better to hunt moths than to
|
|
fish, until he is well. What do you think about it?"
|
|
|
|
Philip Ammon extended his hand. "I am glad to
|
|
know you," he said.
|
|
|
|
"You may take the hand-shaking for granted," replied
|
|
Mrs. Comstock. "Dandelions have a way of making
|
|
fingers sticky, and I like to know a man before I
|
|
take his hand, anyway. That introduction seems mighty
|
|
comprehensive on your part, but it still leaves
|
|
me unclassified. My name is Comstock."
|
|
|
|
Philip Ammon bowed.
|
|
|
|
"I am sorry to hear you have been sick," said Mrs. Comstock.
|
|
"But if people will live where they have such vile water as
|
|
they do in Chicago, I don't see what else they are to expect."
|
|
|
|
Philip studied her intently.
|
|
|
|
"I am sure I didn't have a fever on purpose," he said.
|
|
|
|
"You do seem a little wobbly on your legs," she observed.
|
|
"Maybe you had better sit and rest while I finish
|
|
these greens. It's late for the genuine article, but
|
|
in the shade, among long grass they are still tender."
|
|
|
|
"May I have a leaf?" he asked, reaching for one as he sat
|
|
on the bank, looking from the little creek at his feet, away
|
|
through the dim cool spaces of the June forest on the
|
|
opposite side. He drew a deep breath. "Glory, but this
|
|
is good after almost two months inside hospital walls!"
|
|
|
|
He stretched on the grass and lay gazing up at the
|
|
leaves, occasionally asking the interpretation of a bird note
|
|
or the origin of an unfamiliar forest voice. Elnora began
|
|
helping with the dandelions.
|
|
|
|
"Another, please," said the young man, holding out his hand.
|
|
|
|
"Do you suppose this is the kind of grass Nebuchadnezzar
|
|
ate?" Elnora asked, giving the leaf.
|
|
|
|
"He knew a good thing if it is."
|
|
|
|
"Oh, you should taste dandelions boiled with bacon and
|
|
served with mother's cornbread."
|
|
|
|
"Don't! My appetite is twice my size now. While it
|
|
is--how far is it to Onabasha, shortest cut?"
|
|
|
|
"Three miles."
|
|
|
|
The man lay in perfect content, nibbling leaves.
|
|
|
|
"This surely is a treat," he said. "No wonder you find
|
|
good hunting here. There seems to be foliage for almost
|
|
every kind of caterpillar. But I suppose you have to
|
|
exchange for northern species and Pacific Coast kinds?"
|
|
|
|
"Yes. And every one wants Regalis in trade. I never
|
|
saw the like. They consider a Cecropia or a Polyphemus
|
|
an insult, and a Luna is barely acceptable."
|
|
|
|
"What authorities have you?"
|
|
|
|
Elnora began to name text-books which started a discussion.
|
|
Mrs. Comstock listened. She cleaned dandelions with greater
|
|
deliberation than they ever before were examined.
|
|
In reality she was taking stock of the young man's long,
|
|
well-proportioned frame, his strong hands, his smooth,
|
|
fine-textured skin, his thick shock of dark hair,
|
|
and making mental notes of his simple manly speech and
|
|
the fact that he evidently did know much about moths.
|
|
It pleased her to think that if he had been a neighbour boy
|
|
who had lain beside her every day of his life while she
|
|
worked, he could have been no more at home. She liked
|
|
the things he said, but she was proud that Elnora had a
|
|
ready answer which always seemed appropriate.
|
|
|
|
At last Mrs. Comstock finished the greens.
|
|
|
|
"You are three miles from the city and less than a mile
|
|
from where we live," she said. "If you will tell me what
|
|
you dare eat, I suspect you had best go home with us and
|
|
rest until the cool of the day before you start back.
|
|
Probably some one that you can ride in with will be passing
|
|
before evening."
|
|
|
|
"That is mighty kind of you," said Philip. "I think I will.
|
|
It doesn't matter so much what I eat, the point is that
|
|
I must be moderate. I am hungry all the time."
|
|
|
|
"Then we will go," said Mrs. Comstock, "and we will
|
|
not allow you to make yourself sick with us."
|
|
|
|
Philip Ammon arose: picking up the pail of greens and
|
|
his fishing rod, he stood waiting. Elnora led the way.
|
|
Mrs. Comstock motioned Philip to follow and she walked
|
|
in the rear. The girl carried the cocoon and the box of
|
|
moths she had taken, searching every step for more.
|
|
The young man frequently set down his load to join in
|
|
the pursuit of a dragonfly or moth, while Mrs. Comstock watched
|
|
the proceedings with sharp eyes. Every time Philip picked
|
|
up the pail of greens she struggled to suppress a smile.
|
|
|
|
Elnora proceeded slowly, chattering about everything
|
|
beside the trail. Philip was interested in all the objects
|
|
she pointed out, noticing several things which escaped her.
|
|
He carried the greens as casually when they took a short
|
|
cut down the roadway as on the trail. When Elnora
|
|
turned toward the gate of her home Philip Ammon
|
|
stopped, took a long look at the big hewed log cabin, the
|
|
vines which clambered over it, the flower garden ablaze
|
|
with beds of bright bloom interspersed with strawberries
|
|
and tomatoes, the trees of the forest rising north and west
|
|
like a green wall and exclaimed: "How beautiful!"
|
|
|
|
Mrs. Comstock was pleased. "If you think that," she
|
|
said, "perhaps you will understand how, in all this present-
|
|
day rush to be modern, I have preferred to remain as I began.
|
|
My husband and I took up this land, and enough
|
|
trees to build the cabin, stable, and outbuildings are
|
|
nearly all we ever cut. Of course, if he had lived,
|
|
I suppose we should have kept up with our neighbours. I hear
|
|
considerable about the value of the land, the trees which
|
|
are on it, and the oil which is supposed to be under it,
|
|
but as yet I haven't brought myself to change anything.
|
|
So we stand for one of the few remaining homes of first
|
|
settlers in this region. Come in. You are very welcome
|
|
to what we have."
|
|
|
|
Mrs. Comstock stepped forward and took the lead.
|
|
She had a bowl of soft water and a pair of boots to offer
|
|
for the heavy waders, for outer comfort, a glass of cold
|
|
buttermilk and a bench on which to rest, in the circular
|
|
arbour until dinner was ready. Philip Ammon splashed
|
|
in the water. He followed to the stable and exchanged
|
|
boots there. He was ravenous for the buttermilk, and
|
|
when he stretched on the bench in the arbour the
|
|
flickering patches of sunlight so tantalized his tired eyes,
|
|
while the bees made such splendid music, he was soon
|
|
sound asleep. When Elnora and her mother came out with a
|
|
table they stood a short time looking at him. It is probable
|
|
Mrs. Comstock voiced a united thought when she said: "What a
|
|
refined, decent looking young man! How proud his mother must
|
|
be of him! We must be careful what we let him eat."
|
|
|
|
Then they returned to the kitchen where Mrs. Comstock
|
|
proceeded to be careful. She broiled ham of her own
|
|
sugar-curing, creamed potatoes, served asparagus on
|
|
toast, and made a delicious strawberry shortcake. As she
|
|
cooked dandelions with bacon, she feared to serve them to
|
|
him, so she made an excuse that it took too long to prepare
|
|
them, blanched some and made a salad. When everything
|
|
was ready she touched Philip's sleeve.
|
|
|
|
"Best have something to eat, lad, before you get too
|
|
hungry," she said.
|
|
|
|
"Please hurry!" he begged laughingly as he held a plate
|
|
toward her to be filled. "I thought I had enough self-
|
|
restraint to start out alone, but I see I was mistaken.
|
|
If you would allow me, just now, I am afraid I should start
|
|
a fever again. I never did smell food so good as this.
|
|
It's mighty kind of you to take me in. I hope I will be man
|
|
enough in a few days to do something worth while in return."
|
|
|
|
Spots of sunshine fell on the white cloth and blue china,
|
|
the bees and an occasional stray butterfly came searching
|
|
for food. A rose-breasted grosbeak, released from a three
|
|
hours' siege of brooding, while his independent mate took
|
|
her bath and recreation, mounted the top branch of a
|
|
maple in the west woods from which he serenaded the
|
|
dinner party with a joyful chorus in celebration of his freedom.
|
|
Philip's eyes strayed to the beautiful cabin, to the
|
|
mixture of flowers and vegetables stretching down to the
|
|
road, and to the singing bird with his red-splotched breast
|
|
of white and he said: "I can't realize now that I ever lay in
|
|
ice packs in a hospital. How I wish all the sick folks could
|
|
come here to grow strong!"
|
|
|
|
The grosbeak sang on, a big Turnus butterfly sailed
|
|
through the arbour and poised over the table. Elnora held
|
|
up a lump of sugar and the butterfly, clinging to her
|
|
fingers, tasted daintily. With eager eyes and parted
|
|
lips, the girl held steadily. When at last it wavered
|
|
away, "That made a picture!" said Philip. "Ask me some
|
|
other time how I lost my illusions concerning butterflies.
|
|
I always thought of them in connection with sunshine,
|
|
flower pollen, and fruit nectar, until one sad day."
|
|
|
|
"I know!" laughed Elnora. "I've seen that, too, but
|
|
it didn't destroy any illusion for me. I think quite as
|
|
much of the butterflies as ever."
|
|
|
|
Then they talked of flowers, moths, dragonflies, Indian
|
|
relics, and all the natural wonders the swamp afforded,
|
|
straying from those subjects to books and school work.
|
|
When they cleared the table Philip assisted, carrying
|
|
several tray loads to the kitchen. He and Elnora mounted
|
|
specimens while Mrs Comstock washed the dishes. Then she
|
|
came out with a ruffle she was embroidering.
|
|
|
|
"I wonder if I did not see a picture of you in Onabasha
|
|
last night," Philip said to Elnora. "Aunt Anna took me
|
|
to call on Miss Brownlee. She was showing me her
|
|
crowd--of course, it was you! But it didn't half do you
|
|
justice, although it was the nearest human of any of them.
|
|
Miss Brownlee is very fond of you. She said the finest things."
|
|
|
|
Then they talked of Commencement, and at last Philip said
|
|
he must go or his friends would become anxious about him.
|
|
|
|
Mrs. Comstock brought him a blue bowl of creamy milk
|
|
and a plate of bread. She stopped a passing team and
|
|
secured a ride to the city for him, as his exercise of the
|
|
morning had been too violent, and he was forced to admit
|
|
he was tired.
|
|
|
|
"May I come to-morrow afternoon and hunt moths awhile?"
|
|
he asked Mrs. Comstock as he arose. "We will `sugar' a
|
|
tree and put a light beside it, if I can get stuff to
|
|
make the preparation. Possibly we can take some that way.
|
|
I always enjoy moth hunting, I'd like to help Miss Elnora,
|
|
and it would be a charity to me. I've got to remain
|
|
outdoors some place, and I'm quite sure I'd get well
|
|
faster here than anywhere else. Please say I may come."
|
|
|
|
"I have no objections, if Elnora really would like help,"
|
|
said Mrs. Comstock.
|
|
|
|
In her heart she wished he would not come. She wanted
|
|
her newly found treasure all to herself, for a time,
|
|
at least. But Elnora's were eager, shining eyes.
|
|
She thought it would be splendid to have help, and
|
|
great fun to try book methods for taking moths, so it
|
|
was arranged. As Philip rode away, Mrs. Comstock's eyes
|
|
followed him. "What a nice young man!" she said.
|
|
|
|
"He seems fine," agreed Elnora.
|
|
|
|
"He comes of a good family, too. I've often heard of
|
|
his father. He is a great lawyer."
|
|
|
|
"I am glad he likes it here. I need help. Possibly----"
|
|
|
|
"Possibly what?"
|
|
|
|
"We can find many moths."
|
|
|
|
"What did he mean about the butterflies?"
|
|
|
|
"That he always had connected them with sunshine,
|
|
flowers, and fruits, and thought of them as the most
|
|
exquisite of creations; then one day he found some
|
|
clustering thickly over carrion."
|
|
|
|
"Come to think of it, I have seen butterflies----"
|
|
|
|
"So had he," laughed Elnora. "And that is what he meant."
|
|
|
|
CHAPTER XIV
|
|
|
|
WHEREIN A NEW POSITION IS TENDERED ELNORA,
|
|
AND PHILIP AMMON IS SHOWN LIMBERLOST VIOLETS
|
|
|
|
The next morning Mrs. Comstock called to Elnora,
|
|
"The mail carrier stopped at our box."
|
|
|
|
Elnora ran down the walk and came back carrying an
|
|
official letter. She tore it open and read:
|
|
|
|
MY DEAR MISS COMSTOCK:
|
|
|
|
At the weekly meeting of the Onabasha School Board last night, it
|
|
was decided to add the position of Lecturer on Natural History to
|
|
our corps of city teachers. It will be the duty of this person to
|
|
spend two hours a week in each of the grade schools exhibiting and
|
|
explaining specimens of the most prominent objects in nature:
|
|
animals, birds, insects, flowers, vines, shrubs, bushes, and trees.
|
|
These specimens and lectures should be appropriate to the seasons
|
|
and the comprehension of the grades. This position was unanimously
|
|
voted to you. I think you will find the work delightful and much
|
|
easier than the routine grind of the other teachers. It is my advice
|
|
that you accept and begin to prepare yourself at once. Your salary
|
|
will be $750 a year, and you will be allowed $200 for expenses in
|
|
procuring specimens and books. Let us know at once if you want the
|
|
position, as it is going to be difficult to fill satisfactorily if
|
|
you do not.
|
|
|
|
Very truly yours,
|
|
|
|
DAVID THOMPSON, President, Onabasha Schools.
|
|
|
|
"I hardly understand," marvelled Mrs. Comstock.
|
|
|
|
"It is a new position. They never have had anything
|
|
like it before. I suspect it arose from the help I've been
|
|
giving the grade teachers in their nature work. They are
|
|
trying to teach the children something, and half the
|
|
instructors don't know a blue jay from a king-fisher, a
|
|
beech leaf from an elm, or a wasp from a hornet."
|
|
|
|
"Well, do you?" anxiously inquired Mrs. Comstock.
|
|
|
|
"Indeed, I do!" laughed Elnora, "and several other
|
|
things beside. When Freckles bequeathed me the
|
|
swamp, he gave me a bigger inheritance than he knew.
|
|
While you have thought I was wandering aimlessly, I
|
|
have been following a definite plan, studying hard, and
|
|
storing up the stuff that will earn these seven hundred
|
|
and fifty dollars. Mother dear, I am going to accept
|
|
this, of course. The work will be a delight. I'd love
|
|
it most of anything in teaching. You must help me.
|
|
We must find nests, eggs, leaves, queer formations in
|
|
plants and rare flowers. I must have flower boxes made
|
|
for each of the rooms and filled with wild things.
|
|
I should begin to gather specimens this very day."
|
|
|
|
Elnora's face was flushed and her eyes bright.
|
|
|
|
"Oh, what great work that will be!" she cried. "You must
|
|
go with me so you can see the little faces when I tell
|
|
them how the goldfinch builds its nest, and how the
|
|
bees make honey."
|
|
|
|
So Elnora and her mother went into the woods behind
|
|
the cabin to study nature.
|
|
|
|
"I think," said Elnora, "the idea is to begin with fall
|
|
things in the fall, keeping to the seasons throughout the year."
|
|
|
|
"What are fall things?" inquired Mrs. Comstock.
|
|
|
|
"Oh, fringed gentians, asters, ironwort, every fall
|
|
flower, leaves from every tree and vine, what makes them
|
|
change colour, abandoned bird nests, winter quarters
|
|
of caterpillars and insects, what becomes of the
|
|
butterflies and grasshoppers--myriads of stuff. I shall
|
|
have to be very wise to select the things it will be most
|
|
beneficial for the children to learn."
|
|
|
|
"Can I really help you?" Mrs. Comstock's strong face
|
|
was pathetic.
|
|
|
|
"Indeed, yes!" cried Elnora. "I never can get through
|
|
it alone. There will be an immense amount of work
|
|
connected with securing and preparing specimens."
|
|
|
|
Mrs. Comstock lifted her head proudly and began
|
|
doing business at once. Her sharp eyes ranged from
|
|
earth to heaven. She investigated everything, asking
|
|
innumerable questions. At noon Mrs. Comstock took
|
|
the specimens they had collected, and went to prepare
|
|
dinner, while Elnora followed the woods down to the
|
|
Sintons' to show her letter.
|
|
|
|
She had to explain what became of her moths, and why
|
|
college would have to be abandoned for that year, but
|
|
Margaret and Wesley vowed not to tell. Wesley waved
|
|
the letter excitedly, explaining it to Margaret as if it
|
|
were a personal possession. Margaret was deeply impressed,
|
|
while Billy volunteered first aid in gathering material.
|
|
|
|
"Now anything you want in the ground, Snap can dig
|
|
it out," he said. "Uncle Wesley and I found a hole
|
|
three times as big as Snap, that he dug at the roots of
|
|
a tree."
|
|
|
|
"We will train him to hunt pupae cases," said Elnora.
|
|
|
|
"Are you going to the woods this afternoon?" asked Billy.
|
|
|
|
"Yes," answered Elnora. "Dr. Ammon's nephew
|
|
from Chicago is visiting in Onabasha. He is going to
|
|
show me how men put some sort of compound on a tree,
|
|
hang a light beside it, and take moths that way. It will
|
|
be interesting to watch and learn."
|
|
|
|
"May I come?" asked Billy.
|
|
|
|
"Of course you may come!" answered Elnora.
|
|
|
|
"Is this nephew of Dr. Ammon a young man?" inquired Margaret.
|
|
|
|
"About twenty-six, I should think," said Elnora.
|
|
"He said he had been out of college and at work in his
|
|
father's law office three years."
|
|
|
|
"Does he seem nice?" asked Margaret, and Wesley smiled.
|
|
|
|
"Finest kind of a person," said Elnora. "He can
|
|
teach me so much. It is very interesting to hear
|
|
him talk. He knows considerable about moths that will
|
|
be a help to me. He had a fever and he has to stay
|
|
outdoors until he grows strong again."
|
|
|
|
"Billy, I guess you better help me this afternoon,"
|
|
said Margaret. "Maybe Elnora had rather not bother
|
|
with you."
|
|
|
|
"There's no reason on earth why Billy should not
|
|
come!" cried Elnora, and Wesley smiled again.
|
|
|
|
"I must hurry home or I won't be ready," she added.
|
|
|
|
Hastening down the road she entered the cabin, her
|
|
face glowing.
|
|
|
|
"I thought you never would come," said Mrs. Comstock.
|
|
"If you don't hurry Mr. Ammon will be here before you
|
|
are dressed."
|
|
|
|
"I forgot about him until just now," said Elnora.
|
|
"I am not going to dress. He's not coming to visit.
|
|
We are only going to the woods for more specimens.
|
|
I can't wear anything that requires care. The limbs
|
|
take the most dreadful liberties with hair and clothing."
|
|
|
|
Mrs. Comstock opened her lips, looked at Elnora and
|
|
closed them. In her heart she was pleased that the
|
|
girl was so interested in her work that she had forgotten
|
|
Philip Ammon's coming. But it did seem to her that
|
|
such a pleasant young man should have been greeted
|
|
by a girl in a fresh dress. "If she isn't disposed to primp
|
|
at the coming of a man, heaven forbid that I should be
|
|
the one to start her," thought Mrs. Comstock.
|
|
|
|
Philip came whistling down the walk between the
|
|
cinnamon pinks, pansies, and strawberries. He carried
|
|
several packages, while his face flushed with more colour
|
|
than on the previous day.
|
|
|
|
"Only see what has happened to me!" cried Elnora,
|
|
offering her letter.
|
|
|
|
"I'll wager I know!" answered Philip. "Isn't it great!
|
|
Every one in Onabasha is talking about it. At last there
|
|
is something new under the sun. All of them are pleased.
|
|
They think you'll make a big success. This will give an
|
|
incentive to work. In a few days more I'll be myself
|
|
again, and we'll overturn the fields and woods around here."
|
|
|
|
He went on to congratulate Mrs. Comstock.
|
|
|
|
"Aren't you proud of her, though?" he asked. "You should
|
|
hear what folks are saying! They say she created the
|
|
necessity for the position, and every one seems to feel
|
|
that it is a necessity. Now, if she succeeds, and she will,
|
|
all of the other city schools will have such departments,
|
|
and first thing you know she will have made the whole
|
|
world a little better. Let me rest a few seconds; my feet
|
|
are acting up again. Then we will cook the moth compound
|
|
and put it to cool."
|
|
|
|
He laughed as he sat breathing shortly.
|
|
|
|
"It doesn't seem possible that a fellow could lose his
|
|
strength like this. My knees are actually trembling,
|
|
but I'll be all right in a minute. Uncle Doc said I
|
|
could come. I told him how you took care of me, and he
|
|
said I would be safe here."
|
|
|
|
Then he began unwrapping packages and explaining
|
|
to Mrs. Comstock how to cook the compound to attract
|
|
the moths. He followed her into the kitchen, kindled
|
|
the fire, and stirred the preparation as he talked.
|
|
While the mixture cooled, he and Elnora walked through
|
|
the vegetable garden behind the cabin and strayed from
|
|
there into the woods.
|
|
|
|
"What about college?" he asked. "Miss Brownlee said
|
|
you were going."
|
|
|
|
"I had hoped to," replied Elnora, "but I had a streak
|
|
of dreadful luck, so I'll have to wait until next year.
|
|
If you won't speak of it, I'll tell you."
|
|
|
|
Philip promised, so Elnora recited the history of the
|
|
Yellow Emperor. She was so interested in doing the
|
|
Emperor justice she did not notice how many personalities
|
|
went into the story. A few pertinent questions
|
|
told him the remainder. He looked at the girl in wonder.
|
|
In face and form she was as lovely as any one of her age
|
|
and type he ever had seen. Her school work far surpassed
|
|
that of most girls of her age he knew. She differed in
|
|
other ways. This vast store of learning she had gathered
|
|
from field and forest was a wealth of attraction no other
|
|
girl possessed. Her frank, matter-of-fact manner was an
|
|
inheritance from her mother, but there was something more.
|
|
Once, as they talked he thought "sympathy" was the word
|
|
to describe it and again "comprehension." She seemed to
|
|
possess a large sense of brotherhood for all human and
|
|
animate creatures. She spoke to him as if she had known
|
|
him all her life. She talked to the grosbeak in exactly
|
|
the same manner, as she laid strawberries and potato bugs
|
|
on the fence for his family. She did not swerve an inch
|
|
from her way when a snake slid past her, while the squirrels
|
|
came down from the trees and took corn from her fingers.
|
|
She might as well have been a boy, so lacking was she in
|
|
any touch of feminine coquetry toward him. He studied
|
|
her wonderingly. As they went along the path they reached
|
|
a large slime-covered pool surrounded by decaying stumps
|
|
and logs thickly covered with water hyacinths and blue flags.
|
|
Philip stopped.
|
|
|
|
"Is that the place?" he asked.
|
|
|
|
Elnora assented. "The doctor told you?"
|
|
|
|
"Yes. It was tragic. Is that pool really bottomless?"
|
|
|
|
"So far as we ever have been able to discover."
|
|
|
|
Philip stood looking at the water, while the long, sweet
|
|
grasses, thickly sprinkled with blue flag bloom, over which
|
|
wild bees clambered, swayed around his feet. Then he
|
|
turned to the girl. She had worked hard. The same
|
|
lavender dress she had worn the previous day clung to her
|
|
in limp condition. But she was as evenly coloured and of
|
|
as fine grain as a wild rose petal, her hair was really brown,
|
|
but never was such hair touched with a redder glory, while
|
|
her heavy arching brows added a look of strength to her
|
|
big gray-blue eyes.
|
|
|
|
"And you were born here?"
|
|
|
|
He had not intended to voice that thought.
|
|
|
|
"Yes," she said, looking into his eyes. "Just in time
|
|
to prevent my mother from saving the life of my father.
|
|
She came near never forgiving me."
|
|
|
|
"Ah, cruel!" cried Philip.
|
|
|
|
"I find much in life that is cruel, from our standpoints,"
|
|
said Elnora. "It takes the large wisdom of the Unfathomable,
|
|
the philosophy of the Almighty, to endure some of it.
|
|
But there is always right somewhere, and at last it seems
|
|
to come."
|
|
|
|
"Will it come to you?" asked Philip, who found himself
|
|
deeply affected.
|
|
|
|
"It has come," said the girl serenely. "It came a week ago.
|
|
It came in fullest measure when my mother ceased to regret
|
|
that I had been born. Now, work that I love has come--that
|
|
should constitute happiness. A little farther along is my
|
|
violet bed. I want you to see it."
|
|
|
|
As Philip Ammon followed he definitely settled upon the
|
|
name of the unusual feature of Elnora's face. It should be
|
|
called "experience." She had known bitter experiences
|
|
early in life. Suffering had been her familiar more than joy.
|
|
He watched her earnestly, his heart deeply moved. She led
|
|
him into a swampy half-open space in the woods, stopped
|
|
and stepped aside. He uttered a cry of surprised delight.
|
|
|
|
A few decaying logs were scattered around, the grass
|
|
grew in tufts long and fine. Blue flags waved, clusters of
|
|
cowslips nodded gold heads, but the whole earth was purple
|
|
with a thick blanket of violets nodding from stems a foot
|
|
in length. Elnora knelt and slipping her fingers between
|
|
the leaves and grasses to the roots, gathered a few violets
|
|
and gave them to Philip.
|
|
|
|
"Can your city greenhouses surpass them?" she asked.
|
|
|
|
He sat on a log to examine the blooms.
|
|
|
|
"They are superb!" he said. "I never saw such
|
|
length of stem or such rank leaves, while the flowers are
|
|
the deepest blue, the truest violet I ever saw growing wild.
|
|
They are coloured exactly like the eyes of the girl I am
|
|
going to marry."
|
|
|
|
Elnora handed him several others to add to those he held.
|
|
"She must have wonderful eyes," she commented.
|
|
|
|
"No other blue eyes are quite so beautiful," he said.
|
|
"In fact, she is altogether lovely."
|
|
|
|
"Is it customary for a man to think the girl he is going
|
|
to marry lovely? I wonder if I should find her so."
|
|
|
|
"You would," said Philip. "No one ever fails to. She is
|
|
tall as you, very slender, but perfectly rounded; you
|
|
know about her eyes; her hair is black and wavy--while
|
|
her complexion is clear and flushed with red."
|
|
|
|
"Why, she must be the most beautiful girl in the whole
|
|
world!" she cried.
|
|
|
|
"No, indeed!" he said. "She is not a particle better
|
|
looking in her way than you are in yours. She is a type
|
|
of dark beauty, but you are equally as perfect. She is
|
|
unusual in her combination of black hair and violet eyes,
|
|
although every one thinks them black at a little distance.
|
|
You are quite as unusual with your fair face, black brows,
|
|
and brown hair; indeed, I know many people who would
|
|
prefer your bright head to her dark one. It's all a question
|
|
of taste--and being engaged to the girl," he added.
|
|
|
|
"That would be likely to prejudice one," laughed Elnora.
|
|
|
|
"Edith has a birthday soon; if these last will you let me
|
|
have a box of them to send her?"
|
|
|
|
"I will help gather and pack them for you, so they will
|
|
carry nicely. Does she hunt moths with you?"
|
|
|
|
Back went Philip Ammon's head in a gale of laughter.
|
|
|
|
"No!" he cried. "She says they are `creepy.' She would
|
|
go into a spasm if she were compelled to touch those
|
|
caterpillars I saw you handling yesterday."
|
|
|
|
"Why would she?" marvelled Elnora. "Haven't you
|
|
told her that they are perfectly clean, helpless,
|
|
and harmless as so much animate velvet?"
|
|
|
|
"No, I have not told her. She wouldn't care enough
|
|
about caterpillars to listen."
|
|
|
|
"In what is she interested?"
|
|
|
|
"What interests Edith Carr? Let me think! First, I
|
|
believe she takes pride in being a little handsomer and
|
|
better dressed than any girl of her set. She is interested
|
|
in having a beautiful home, fine appointments, in being
|
|
petted, praised, and the acknowledged leader of society.
|
|
|
|
"She likes to find new things which amuse her, and to always
|
|
and in all circumstances have her own way about everything."
|
|
|
|
"Good gracious!" cried Elnora, staring at him. "But what
|
|
does she do? How does she spend her time?"
|
|
|
|
"Spend her time!" repeated Philip. "Well, she would call
|
|
that a joke. Her days are never long enough. There is
|
|
endless shopping, to find the pretty things; regular visits
|
|
to the dressmakers, calls, parties, theatres, entertainments.
|
|
She is always rushed. I never am able to be with her half as
|
|
much as I would like."
|
|
|
|
"But I mean work," persisted Elnora. "In what is she
|
|
interested that is useful to the world?"
|
|
|
|
"Me!" cried Philip promptly.
|
|
|
|
"I can understand that," laughed Elnora. "What I
|
|
can't understand is how you can be in----" She stopped in
|
|
confusion, but she saw that he had finished the sentence as
|
|
she had intended. "I beg your pardon!" she cried. "I didn't
|
|
intend to say that. But I cannot understand these people
|
|
I hear about who live only for their own amusement.
|
|
Perhaps it is very great; I'll never have a chance to know.
|
|
To me, it seems the only pleasure in this world worth
|
|
having is the joy we derive from living for those we love,
|
|
and those we can help. I hope you are not angry with me."
|
|
|
|
Philip sat silently looking far away, with deep thought
|
|
in his eyes.
|
|
|
|
"You are angry," faltered Elnora.
|
|
|
|
His look came back to her as she knelt before him among
|
|
the flowers and he gazed at her steadily.
|
|
|
|
"No doubt I should be," he said, "but the fact is I
|
|
am not. I cannot understand a life purely for personal
|
|
pleasure myself. But she is only a girl, and this is
|
|
her playtime. When she is a woman in her own home, then
|
|
she will be different, will she not?"
|
|
|
|
Elnora never resembled her mother so closely as when
|
|
she answered that question.
|
|
|
|
"I would have to be well acquainted with her to know,
|
|
but I should hope so. To make a real home for a tired
|
|
business man is a very different kind of work from that
|
|
required to be a leader of society. It demands different
|
|
talent and education. Of course, she means to change, or
|
|
she would not have promised to make a home for you. I suspect
|
|
our dope is cool now, let's go try for some butterflies."
|
|
|
|
As they went along the path together Elnora talked of
|
|
many things but Philip answered absently. Evidently he
|
|
was thinking of something else. But the moth bait
|
|
recalled him and he was ready for work as they made their
|
|
way back to the woods. He wanted to try the Limberlost,
|
|
but Elnora was firm about remaining on home ground.
|
|
She did not tell him that lights hung in the swamp would
|
|
be a signal to call up a band of men whose presence
|
|
she dreaded. So they started, Ammon carrying the dope,
|
|
Elnora the net, Billy and Mrs. Comstock following with
|
|
cyanide boxes and lanterns.
|
|
|
|
First they tried for butterflies and captured several fine
|
|
ones without trouble. They also called swarms of ants,
|
|
bees, beetles, and flies. When it grew dusk, Mrs. Comstock
|
|
and Philip went to prepare supper. Elnora and Billy
|
|
remained until the butterflies disappeared. Then they
|
|
lighted the lanterns, repainted the trees and followed
|
|
the home trail.
|
|
|
|
"Do you 'spec you'll get just a lot of moths?" asked
|
|
Billy, as he walked beside Elnora.
|
|
|
|
"I am sure I hardly know," said the girl. "This is a
|
|
new way for me. Perhaps they will come to the lights, but
|
|
few moths eat; and I have some doubt about those which
|
|
the lights attract settling on the right trees. Maybe the
|
|
smell of that dope will draw them. Between us, Billy, I
|
|
think I like my old way best. If I can find a hidden moth,
|
|
slip up and catch it unawares, or take it in full flight,
|
|
it's my captive, and I can keep it until it dies naturally.
|
|
But this way you seem to get it under false pretences, it has no
|
|
chance, and it will probably ruin its wings struggling for
|
|
freedom before morning."
|
|
|
|
"Well, any moth ought to be proud to be taken anyway,
|
|
by you," said Billy. "Just look what you do! You can
|
|
make everybody love them. People even quit hating
|
|
caterpillars when they see you handle them and hear you
|
|
tell all about them. You must have some to show people
|
|
how they are. It's not like killing things to see if you
|
|
can, or because you want to eat them, the way most men
|
|
kill birds. I think it is right for you to take enough for
|
|
collections, to show city people, and to illustrate the
|
|
Bird Woman's books. You go on and take them! The moths
|
|
don't care. They're glad to have you. They like it!"
|
|
|
|
"Billy, I see your future," said Elnora. "We will
|
|
educate you and send you up to Mr. Ammon to make a
|
|
great lawyer. You'd beat the world as a special pleader.
|
|
|
|
You actually make me feel that I am doing the moths a
|
|
kindness to take them."
|
|
|
|
"And so you are!" cried Billy. "Why, just from what
|
|
you have taught them Uncle Wesley and Aunt Margaret
|
|
never think of killing a caterpillar until they look whether
|
|
it's the beautiful June moth kind, or the horrid tent ones.
|
|
That's what you can do. You go straight ahead!"
|
|
|
|
"Billy, you are a jewel!" cried Elnora, throwing her arm
|
|
across his shoulders as they came down the path.
|
|
|
|
"My, I was scared!" said Billy with a deep breath.
|
|
|
|
"Scared?" questioned Elnora.
|
|
|
|
"Yes sir-ee! Aunt Margaret scared me. May I ask
|
|
you a question?"
|
|
|
|
"Of course, you may!"
|
|
|
|
"Is that man going to be your beau?"
|
|
|
|
"Billy! No! What made you think such a thing?"
|
|
|
|
"Aunt Margaret said likely he would fall in love with
|
|
you, and you wouldn't want me around any more. Oh, but
|
|
I was scared! It isn't so, is it?"
|
|
|
|
"Indeed, no!"
|
|
|
|
"I am your beau, ain't I?"
|
|
|
|
"Surely you are!" said Elnora, tightening her arm.
|
|
|
|
"I do hope Aunt Kate has ginger cookies," said Billy
|
|
with a little skip of delight.
|
|
|
|
CHAPTER XV
|
|
|
|
WHEREIN MRS. COMSTOCK FACES THE ALMIGHTY,
|
|
AND PHILIP AMMON WRITES A LETTER
|
|
|
|
Mrs. Comstock and Elnora were finishing breakfast
|
|
the following morning when they heard a cheery whistle
|
|
down the road. Elnora with surprised eyes looked at
|
|
her mother.
|
|
|
|
"Could that be Mr. Ammon?" she questioned.
|
|
|
|
"I did not expect him so soon," commented Mrs. Comstock.
|
|
|
|
It was sunrise, but the musician was Philip Ammon.
|
|
He appeared stronger than on yesterday.
|
|
|
|
"I hope I am not too early," he said. "I am consumed
|
|
with anxiety to learn if we have made a catch. If we
|
|
have, we should beat the birds to it. I promised Uncle
|
|
Doc to put on my waders and keep dry for a few days yet,
|
|
when I go to the woods. Let's hurry! I am afraid of crows.
|
|
There might be a rare moth."
|
|
|
|
The sun was topping the Limberlost when they started.
|
|
As they neared the place Philip stopped.
|
|
|
|
"Now we must use great caution," he said. "The lights
|
|
and the odours always attract numbers that don't settle
|
|
on the baited trees. Every bush, shrub, and limb may
|
|
hide a specimen we want."
|
|
|
|
So they approached with much care.
|
|
|
|
"There is something, anyway!" cried Philip.
|
|
|
|
"There are moths! I can see them!" exulted Elnora.
|
|
|
|
"Those you see are fast enough. It's the ones for
|
|
which you must search that will escape. The grasses
|
|
are dripping, and I have boots, so you look beside the
|
|
path while I take the outside," suggested Ammon.
|
|
|
|
Mrs. Comstock wanted to hunt moths, but she was
|
|
timid about making a wrong movement, so she wisely
|
|
sat on a log and watched Philip and Elnora to learn how
|
|
they proceeded. Back in the deep woods a hermit thrush
|
|
was singing his chant to the rising sun. Orioles were
|
|
sowing the pure, sweet air with notes of gold, poured out
|
|
while on wing. The robins were only chirping now, for
|
|
their morning songs had awakened all the other birds an
|
|
hour ago. Scolding red-wings tilted on half the bushes.
|
|
Excepting late species of haws, tree bloom was almost
|
|
gone, but wild flowers made the path border and all the
|
|
wood floor a riot of colour. Elnora, born among such
|
|
scenes, worked eagerly, but to the city man, recently from
|
|
a hospital, they seemed too good to miss. He frequently
|
|
stooped to examine a flower face, paused to listen
|
|
intently to the thrush or lifted his head to see the
|
|
gold flash which accompanied the oriole's trailing notes.
|
|
So Elnora uttered the first cry, as she softly lifted
|
|
branches and peered among the grasses.
|
|
|
|
"My find!" she called. "Bring the box, mother!"
|
|
|
|
Philip came hurrying also. When they reached her
|
|
she stood on the path holding a pair of moths. Her eyes
|
|
were wide with excitement, her cheeks pink, her red
|
|
lips parted, and on the hand she held out to them
|
|
clung a pair of delicate blue-green moths, with white
|
|
bodies, and touches of lavender and straw colour.
|
|
All around her lay flower-brocaded grasses, behind the
|
|
deep green background of the forest, while the sun slowly
|
|
sifted gold from heaven to burnish her hair. Mrs. Comstock
|
|
heard a sharp breath behind her.
|
|
|
|
"Oh, what a picture!" exulted Philip at her shoulder.
|
|
"She is absolutely and altogether lovely! I'd give a
|
|
small fortune for that faithfully set on canvas!"
|
|
|
|
He picked the box from Mrs. Comstock's fingers and
|
|
slowly advanced with it. Elnora held down her hand
|
|
and transferred the moths. Philip closed the box
|
|
carefully, but the watching mother saw that his eyes were
|
|
following the girl's face. He was not making the slightest
|
|
attempt to conceal his admiration.
|
|
|
|
"I wonder if a woman ever did anything lovelier than
|
|
to find a pair of Luna moths on a forest path, early on
|
|
a perfect June morning," he said to Mrs. Comstock,
|
|
when he returned the box.
|
|
|
|
She glanced at Elnora who was intently searching the bushes.
|
|
|
|
"Look here, young man," said Mrs. Comstock. "You seem
|
|
to find that girl of mine about right."
|
|
|
|
"I could suggest no improvement," said Philip. "I never
|
|
saw a more attractive girl anywhere. She seems absolutely
|
|
perfect to me."
|
|
|
|
"Then suppose you don't start any scheme calculated
|
|
to spoil her!" proposed Mrs. Comstock dryly. "I don't
|
|
think you can, or that any man could, but I'm not taking
|
|
any risks. You asked to come here to help in this work.
|
|
We are both glad to have you, if you confine yourself to work;
|
|
but it's the least you can do to leave us as you find us."
|
|
|
|
"I beg your pardon!" said Philip. "I intended no offence.
|
|
I admire her as I admire any perfect creation."
|
|
|
|
"And nothing in all this world spoils the average girl
|
|
so quickly and so surely," said Mrs. Comstock. She raised
|
|
her voice. "Elnora, fasten up that tag of hair over your
|
|
left ear. These bushes muss you so you remind me of a
|
|
sheep poking its nose through a hedge fence."
|
|
|
|
Mrs. Comstock started down the path toward the log
|
|
again, when she reached it she called sharply: "Elnora,
|
|
come here! I believe I have found something myself."
|
|
|
|
The "something" was a Citheronia Regalis which had
|
|
emerged from its case on the soft earth under the log.
|
|
It climbed up the wood, its stout legs dragging a big
|
|
pursy body, while it wildly flapped tiny wings the size
|
|
of a man's thumb-nail. Elnora gave one look and a cry
|
|
which brought Philip.
|
|
|
|
"That's the rarest moth in America!" he announced.
|
|
"Mrs. Comstock, you've gone up head. You can put
|
|
that in a box with a screen cover to-night, and attract
|
|
half a dozen, possibly."
|
|
|
|
"Is it rare, Elnora?" inquired Mrs. Comstock, as if no
|
|
one else knew.
|
|
|
|
"It surely is," answered Elnora. "If we can find
|
|
it a mate to-night, it will lay from two hundred and fifty
|
|
to three hundred eggs to-morrow. With any luck at
|
|
all I can raise two hundred caterpillars from them.
|
|
I did once before. And they are worth a dollar apiece."
|
|
|
|
"Was the one I killed like that?"
|
|
|
|
"No. That was a different moth, but its life processes
|
|
were the same as this. The Bird Woman calls this the
|
|
King of the Poets."
|
|
|
|
"Why does she?"
|
|
|
|
"Because it is named for Citheron who was a poet, and
|
|
regalis refers to a king. You mustn't touch it or you
|
|
may stunt wing development. You watch and don't let
|
|
that moth out of sight, or anything touch it. When the
|
|
wings are expanded and hardened we will put it in a box."
|
|
|
|
"I am afraid it will race itself to death," objected
|
|
Mrs. Comstock.
|
|
|
|
"That's a part of the game," said Philip. "It is starting
|
|
circulation now. When the right moment comes, it will
|
|
stop and expand its wings. If you watch closely you can
|
|
see them expand."
|
|
|
|
Presently the moth found a rough projection of bark
|
|
and clung with its feet, back down, its wings hanging.
|
|
The body was an unusual orange red, the tiny wings were
|
|
gray, striped with the red and splotched here and there
|
|
with markings of canary yellow. Mrs. Comstock watched
|
|
breathlessly. Presently she slipped from the log and
|
|
knelt to secure a better view.
|
|
|
|
"Are its wings developing?" called Elnora.
|
|
|
|
"They are growing larger and the markings coming
|
|
stronger every minute."
|
|
|
|
"Let's watch, too," said Elnora to Philip.
|
|
|
|
They came and looked over Mrs. Comstock's shoulder.
|
|
Lower drooped the gay wings, wider they spread, brighter
|
|
grew the markings as if laid off in geometrical patterns.
|
|
They could hear Mrs. Comstock's tense breath and see
|
|
her absorbed expression.
|
|
|
|
"Young people," she said solemnly, "if your studying
|
|
science and the elements has ever led you to feel that
|
|
things just happen, kind of evolve by chance, as it were,
|
|
this sight will be good for you. Maybe earth and air
|
|
accumulate, but it takes the wisdom of the Almighty God
|
|
to devise the wing of a moth. If there ever was a miracle,
|
|
this whole process is one. Now, as I understand it, this
|
|
creature is going to keep on spreading those wings, until
|
|
they grow to size and harden to strength sufficient to
|
|
bear its body. Then it flies away, mates with its kind,
|
|
lays its eggs on the leaves of a certain tree, and the eggs
|
|
hatch tiny caterpillars which eat just that kind of leaves,
|
|
and the worms grow and grow, and take on different
|
|
forms and colours until at last they are big caterpillars
|
|
six inches long, with large horns. Then they burrow into
|
|
the earth, build a water-proof house around themselves
|
|
from material which is inside them, and lie through rain
|
|
and freezing cold for months. A year from egg laying they
|
|
come out like this, and begin the process all over again.
|
|
They don't eat, they don't see distinctly, they live but
|
|
a few days, and fly only at night; then they drop off easy,
|
|
but the process goes on."
|
|
|
|
A shivering movement went over the moth. The wings
|
|
drooped and spread wider. Mrs. Comstock sank into
|
|
soft awed tones.
|
|
|
|
"There never was a moment in my life," she said,
|
|
"when I felt so in the Presence, as I do now. I feel as
|
|
if the Almighty were so real, and so near, that I could
|
|
reach out and touch Him, as I could this wonderful work
|
|
of His, if I dared. I feel like saying to Him: `To the
|
|
extent of my brain power I realize Your presence, and all
|
|
it is in me to comprehend of Your power. Help me to learn,
|
|
even this late, the lessons of Your wonderful creations.
|
|
Help me to unshackle and expand my soul to the fullest
|
|
realization of Your wonders. Almighty God, make me bigger,
|
|
make me broader!'"
|
|
|
|
The moth climbed to the end of the projection, up it
|
|
a little way, then suddenly reversed its wings, turned
|
|
the hidden sides out and dropped them beside its abdomen,
|
|
like a large fly. The upper side of the wings, thus
|
|
exposed, was far richer colour, more exquisite texture than
|
|
the under, and they slowly half lifted and drooped again.
|
|
Mrs. Comstock turned her face to Philip.
|
|
|
|
"Am I an old fool, or do you feel it, too?" she half whispered.
|
|
|
|
"You are wiser than you ever have been before,"
|
|
answered he. "I feel it, also."
|
|
|
|
"And I," breathed Elnora.
|
|
|
|
The moth spread its wings, shivered them tremulously,
|
|
opening and closing them rapidly. Philip handed the box
|
|
to Elnora.
|
|
|
|
She shook her head.
|
|
|
|
"I can't take that one," she said. "Give her freedom."
|
|
|
|
"But, Elnora," protested Mrs. Comstock, "I don't want to
|
|
let her go. She's mine. She's the first one I ever found
|
|
this way. Can't you put her in a big box, and let her live,
|
|
without hurting her? I can't bear to let her go. I want
|
|
to learn all about her."
|
|
|
|
"Then watch while we gather these on the trees," said Elnora.
|
|
"We will take her home until night and then decide what to do.
|
|
She won't fly for a long time yet."
|
|
|
|
Mrs. Comstock settled on the ground, gazing at the moth.
|
|
Elnora and Philip went to the baited trees, placing
|
|
several large moths and a number of smaller ones in the
|
|
cyanide jar, and searching the bushes beyond where they
|
|
found several paired specimens of differing families.
|
|
When they returned Elnora showed her mother how to
|
|
hold her hand before the moth so that it would climb upon
|
|
her fingers. Then they started back to the cabin, Elnora
|
|
and Philip leading the way; Mrs. Comstock followed
|
|
slowly, stepping with great care lest she stumble and
|
|
injure the moth. Her face wore a look of comprehension,
|
|
in her eyes was an exalted light. On she came to the blue-
|
|
bordered pool lying beside her path.
|
|
|
|
A turtle scrambled from a log and splashed into the
|
|
water, while a red-wing shouted, "O-ka-lee!" to her.
|
|
Mrs. Comstock paused and looked intently at the slime-
|
|
covered quagmire, framed in a flower riot and homed over
|
|
by sweet-voiced birds. Then she gazed at the thing of
|
|
incomparable beauty clinging to her fingers and said softly:
|
|
"If you had known about wonders like these in the days of
|
|
your youth, Robert Comstock, could you ever have done what
|
|
you did?"
|
|
|
|
Elnora missed her mother, and turning to look for her,
|
|
saw her standing beside the pool. Would the old
|
|
fascination return? A panic of fear seized the girl.
|
|
She went back swiftly.
|
|
|
|
"Are you afraid she is going?" Elnora asked. "If you are,
|
|
cup your other hand over her for shelter. Carrying her
|
|
through this air and in the hot sunshine will dry her wings
|
|
and make them ready for flight very quickly. You can't trust
|
|
her in such air and light as you can in the cool dark woods."
|
|
|
|
While she talked she took hold of her mother's sleeve,
|
|
anxiously smiling a pitiful little smile that Mrs.
|
|
Comstock understood. Philip set his load at the back door,
|
|
returning to hold open the garden gate for Elnora and
|
|
Mrs. Comstock. He reached it in time to see them standing
|
|
together beside the pool. The mother bent swiftly and
|
|
kissed the girl on the lips. Philip turned and was busily
|
|
hunting moths on the raspberry bushes when they reached
|
|
the gate. And so excellent are the rewards of attending
|
|
your own business, that he found a Promethea on a lilac
|
|
in a corner; a moth of such rare wine-coloured, velvety
|
|
shades that it almost sent Mrs. Comstock to her knees again.
|
|
But this one was fully developed, able to fly, and had to
|
|
be taken into the cabin hurriedly. Mrs. Comstock stood in
|
|
the middle of the room holding up her Regalis.
|
|
|
|
"Now what must I do?" she asked.
|
|
|
|
Elnora glanced at Philip Ammon. Their eyes met and
|
|
both of them smiled; he with amusement at the tall, spare
|
|
figure, with dark eyes and white crown, asking the childish
|
|
question so confidingly; and Elnora with pride. She was
|
|
beginning to appreciate the character of her mother.
|
|
|
|
"How would you like to sit and see her finish development?
|
|
I'll get dinner," proposed the girl.
|
|
|
|
After they had dined, Philip and Elnora carried the dishes
|
|
to the kitchen, brought out boxes, sheets of cork, pins,
|
|
ink, paper slips and everything necessary for mounting and
|
|
classifying the moths they had taken. When the housework
|
|
was finished Mrs. Comstock with her ruffle sat near,
|
|
watching and listening. She remembered all they said
|
|
that she understood, and when uncertain she asked questions.
|
|
Occasionally she laid down her work to straighten some
|
|
flower which needed attention or to search the garden for
|
|
a bug for the grosbeak. In one of these absences Elnora
|
|
said to Philip: "These replace quite a number of the moths I
|
|
lost for the man of India. With a week of such luck,
|
|
I could almost begin to talk college again."
|
|
|
|
"There is no reason why you should not have the week
|
|
and the luck," said he. "I have taken moths until the
|
|
middle of August, though I suspect one is more likely to
|
|
find late ones in the north where it is colder than here.
|
|
The next week is hay-time, but we can count on a few
|
|
double-brooders and strays, and by working the exchange method
|
|
for all it is worth, I think we can complete the collection again."
|
|
|
|
"You almost make me hope," said Elnora, "but I must
|
|
not allow myself. I don't truly think I can replace all I
|
|
lost, not even with your help. If I could, I scarcely see my
|
|
way clear to leave mother this winter. I have found her
|
|
so recently, and she is so precious, I can't risk losing
|
|
her again. I am going to take the nature position in the
|
|
Onabasha schools, and I shall be most happy doing the work.
|
|
Only, these are a temptation."
|
|
|
|
"I wish you might go to college this fall with the other
|
|
girls," said Philip. "I feel that if you don't you never will.
|
|
Isn't there some way?"
|
|
|
|
"I can't see it if there is, and I really don't want to
|
|
leave mother."
|
|
|
|
"Well, mother is mighty glad to hear it," said Mrs.
|
|
Comstock, entering the arbour.
|
|
|
|
Philip noticed that her face was pale, her lips quivering,
|
|
her voice cold.
|
|
|
|
"I was telling your daughter that she should go to
|
|
college this winter," he explained, "but she says she
|
|
doesn't want to leave you."
|
|
|
|
"If she wants to go, I wish she could," said Mrs. Comstock,
|
|
a look of relief spreading over her face.
|
|
|
|
"Oh, all girls want to go to college," said Philip. "It's the
|
|
only proper place to learn bridge and embroidery; not to
|
|
mention midnight lunches of mixed pickles and fruit cake,
|
|
and all the delights of the sororities."
|
|
|
|
"I have thought for years of going to college," said
|
|
Elnora, "but I never thought of any of those things."
|
|
|
|
"That is because your education in fudge and bridge has
|
|
been sadly neglected," said Philip. "You should hear my
|
|
sister Polly! This was her final year! Lunches and
|
|
sororities were all I heard her mention, until Tom Levering
|
|
came on deck; now he is the leading subject. I can't
|
|
see from her daily conversation that she knows half as
|
|
much really worth knowing as you do, but she's ahead of
|
|
you miles on fun."
|
|
|
|
"Oh, we had some good times in the high school," said Elnora.
|
|
"Life hasn't been all work and study. Is Edith Carr a
|
|
college girl?"
|
|
|
|
"No. She is the very selectest kind of a private boarding-
|
|
school girl."
|
|
|
|
"Who is she?" asked Mrs. Comstock.
|
|
|
|
Philip opened his lips.
|
|
|
|
"She is a girl in Chicago, that Mr. Ammon knows very
|
|
well," said Elnora. "She is beautiful and rich, and a
|
|
friend of his sister's. Or, didn't you say that?"
|
|
|
|
"I don't remember, but she is," said Philip. "This moth
|
|
needs an alcohol bath to remove the dope."
|
|
|
|
"Won't the down come, too?" asked Elnora anxiously.
|
|
|
|
"No. You watch and you will see it come out, as
|
|
Polly would say, `a perfectly good' moth."
|
|
|
|
"Is your sister younger than you?" inquired Elnora.
|
|
|
|
"Yes," said Philip, "but she is three years older than you.
|
|
She is the dearest sister in all the world. I'd love
|
|
to see her now."
|
|
|
|
"Why don't you send for her," suggested Elnora.
|
|
"Perhaps she'd like to help us catch moths."
|
|
|
|
"Yes, I think Polly in a Virot hat, Picot embroidered
|
|
frock and three-inch heels would take more moths than
|
|
any one who ever tried the Limberlost," laughed Philip.
|
|
|
|
"Well, you find many of them, and you are her brother."
|
|
|
|
"Yes, but that is different. Father was reared in
|
|
Onabasha, and he loved the country. He trained me his
|
|
way and mother took charge of Polly. I don't quite
|
|
understand it. Mother is a great home body herself,
|
|
but she did succeed in making Polly strictly ornamental."
|
|
|
|
"Does Tom Levering need a `strictly ornamental' girl?"
|
|
|
|
"You are too matter of fact! Too `strictly' material.
|
|
He needs a darling girl who will love him plenty, and Polly
|
|
is that."
|
|
|
|
"Well, then, does the Limberlost need a `strictly ornamental' girl?"
|
|
|
|
"No!" cried Philip. "You are ornament enough for
|
|
the Limberlost. I have changed my mind. I don't want
|
|
Polly here. She would not enjoy catching moths, or anything
|
|
we do."
|
|
|
|
"She might," persisted Elnora. "You are her brother,
|
|
and surely you care for these things."
|
|
|
|
"The argument does not hold," said Philip. "Polly and
|
|
I do not like the same things when we are at home, but we
|
|
are very fond of each other. The member of my family
|
|
who would go crazy about this is my father. I wish he
|
|
could come, if only for a week. I'd send for him, but he is
|
|
tied up in preparing some papers for a great corporation
|
|
case this summer. He likes the country. It was his vote
|
|
that brought me here."
|
|
|
|
Philip leaned back against the arbour, watching the
|
|
grosbeak as it hunted food between a tomato vine and a
|
|
day lily. Elnora set him to making labels, and when he
|
|
finished them he asked permission to write a letter.
|
|
He took no pains to conceal his page, and from where she
|
|
sat opposite him, Elnora could not look his way without
|
|
reading: "My dearest Edith." He wrote busily for a time
|
|
and then sat staring across the garden.
|
|
|
|
"Have you run out of material so quickly?" asked Elnora.
|
|
|
|
"That's about it," said Philip. "I have said that I am
|
|
getting well as rapidly as possible, that the air is fine, the
|
|
folks at Uncle Doc's all well, and entirely too good to me;
|
|
that I am spending most of my time in the country helping
|
|
catch moths for a collection, which is splendid exercise;
|
|
now I can't think of another thing that will be interesting."
|
|
|
|
There was a burst of exquisite notes in the maple.
|
|
|
|
"Put in the grosbeak," suggested Elnora. "Tell her
|
|
you are so friendly with him you feed him potato bugs."
|
|
|
|
Philip lowered the pen to the sheet, bent forward,
|
|
then hesitated.
|
|
|
|
"Blest if I do!" he cried. "She'd think a grosbeak was
|
|
a depraved person with a large nose. She'd never dream
|
|
that it was a black-robed lover, with a breast of snow and
|
|
a crimson heart. She doesn't care for hungry babies and
|
|
potato bugs. I shall write that to father. He will find
|
|
it delightful."
|
|
|
|
Elnora deftly picked up a moth, pinned it and placed its wings.
|
|
She straightened the antennae, drew each leg into position
|
|
and set it in perfectly lifelike manner. As she lifted her
|
|
work to see if she had it right, she glanced at Philip.
|
|
He was still frowning and hesitating over the paper.
|
|
|
|
"I dare you to let me dictate a couple of paragraphs."
|
|
|
|
"Done!" cried Philip. "Go slowly enough that I can write it."
|
|
|
|
Elnora laughed gleefully.
|
|
|
|
"I am writing this," she began, "in an old grape arbour
|
|
in the country, near a log cabin where I had my dinner.
|
|
From where I sit I can see directly into the home of the
|
|
next-door neighbour on the west. His name is R. B. Grosbeak.
|
|
From all I have seen of him, he is a gentleman of the old
|
|
school; the oldest school there is, no doubt. He always
|
|
wears a black suit and cap and a white vest, decorated with
|
|
one large red heart, which I think must be the emblem of
|
|
some ancient order. I have been here a number of times,
|
|
and I never have seen him wear anything else, or his wife
|
|
appear in other than a brown dress with touches of white.
|
|
|
|
"It has appealed to me at times that she was a shade
|
|
neglectful of her home duties, but he does not seem to
|
|
feel that way. He cheerfully stays in the sitting-room,
|
|
while she is away having a good time, and sings while
|
|
he cares for the four small children. I must tell you about
|
|
his music. I am sure he never saw inside a conservatory.
|
|
I think he merely picked up what he knows by ear and without
|
|
vocal training, but there is a tenderness in his tones,
|
|
a depth of pure melody, that I never have heard surpassed.
|
|
It may be that I think more of his music than that of some
|
|
other good vocalists hereabout, because I see more of him
|
|
and appreciate his devotion to his home life.
|
|
|
|
"I just had an encounter with him at the west fence,
|
|
and induced him to carry a small gift to his children.
|
|
When I see the perfect harmony in which he lives, and
|
|
the depth of content he and the brown lady find in life,
|
|
I am almost persuaded to-- Now this is going to be
|
|
poetry," said Elnora. "Move your pen over here and
|
|
begin with a quote and a cap."
|
|
|
|
Philip's face had been an interesting study while he
|
|
wrote her sentences. Now he gravely set the pen where
|
|
she indicated, and Elnora dictated--
|
|
|
|
"Buy a nice little home in the country,
|
|
And settle down there for life."
|
|
|
|
"That's the truth!" cried Philip. "It's as big a temptation as
|
|
I ever had. Go on!"
|
|
|
|
"That's all," said Elnora. "You can finish. The moths
|
|
are done. I am going hunting for whatever I can find for
|
|
the grades."
|
|
|
|
"Wait a minute," begged Philip. "I am going, too."
|
|
|
|
"No. You stay with mother and finish your letter."
|
|
|
|
"It is done. I couldn't add anything to that."
|
|
|
|
"Very well! Sign your name and come on. But I
|
|
forgot to tell you all the bargain. Maybe you won't send
|
|
the letter when you hear that. The remainder is that
|
|
you show me the reply to my part of it."
|
|
|
|
"Oh, that's easy! I wouldn't have the slightest objection
|
|
to showing you the whole letter."
|
|
|
|
He signed his name, folded the sheets and slipped them
|
|
into his pocket.
|
|
|
|
"Where are we going and what do we take?"
|
|
|
|
"Will you go, mother?" asked Elnora.
|
|
|
|
"I have a little work that should be done," said
|
|
Mrs. Comstock. "Could you spare me? Where do you want
|
|
to go?"
|
|
|
|
"We will go down to Aunt Margaret's and see her a
|
|
few minutes and get Billy. We will be back in time
|
|
for supper."
|
|
|
|
Mrs. Comstock smiled as she watched them down the road.
|
|
What a splendid-looking pair of young creatures they were!
|
|
How finely proportioned, how full of vitality! Then her
|
|
face grew troubled as she saw them in earnest conversation.
|
|
Just as she was wishing she had not trusted her precious
|
|
girl with so much of a stranger, she saw Elnora stoop to
|
|
lift a branch and peer under. The mother grew content.
|
|
Elnora was thinking only of her work. She was to be
|
|
trusted utterly.
|
|
|
|
CHAPTER XVI
|
|
|
|
WHEREIN THE LIMBERLOST SINGS FOR PHILIP,
|
|
AND THE TALKING TREES TELL GREAT SECRETS
|
|
|
|
A few days later Philip handed Elnora a sheet
|
|
of paper and she read: "In your condition I
|
|
should think the moth hunting and life at that
|
|
cabin would be very good for you, but for any sake keep
|
|
away from that Grosbeak person, and don't come home
|
|
with your head full of granger ideas. No doubt he has a
|
|
remarkable voice, but I can't bear untrained singers, and
|
|
don't you get the idea that a June song is perennial.
|
|
You are not hearing the music he will make when the
|
|
four babies have the scarlet fever and the measles, and
|
|
the gadding wife leaves him at home to care for them then.
|
|
Poor soul, I pity her! How she exists where rampant
|
|
cows bellow at you, frogs croak, mosquitoes consume
|
|
you, the butter goes to oil in summer and bricks in winter,
|
|
while the pump freezes every day, and there is no
|
|
earthly amusement, and no society! Poor things!
|
|
Can't you influence him to move? No wonder she gads when
|
|
she has a chance! I should die. If you are thinking
|
|
of settling in the country, think also of a woman who
|
|
is satisfied with white and brown to accompany you!
|
|
Brown! Of all deadly colours! I should go mad in brown."
|
|
|
|
Elnora laughed while she read. Her face was dimpling,
|
|
as she returned the sheet. "Who's ahead?" she asked.
|
|
|
|
"Who do you think?" he parried.
|
|
|
|
"She is," said Elnora. "Are you going to tell her
|
|
in your next that R. B. Grosbeak is a bird, and that he
|
|
probably will spend the winter in a wild plum thicket
|
|
in Tennessee?"
|
|
|
|
"No," said Philip. "I shall tell her that I understand her
|
|
ideas of life perfectly, and, of course, I never
|
|
shall ask her to deal with oily butter and frozen pumps--"
|
|
|
|
"--and measley babies," interpolated Elnora.
|
|
|
|
"Exactly!" said Philip. "At the same time I find so
|
|
much to counterbalance those things, that I should not
|
|
object to bearing them myself, in view of the recompense.
|
|
Where do we go and what do we do to-day?"
|
|
|
|
"We will have to hunt beside the roads and around the
|
|
edge of the Limberlost to-day," said Elnora. "Mother is
|
|
making strawberry preserves, and she can't come until
|
|
she finishes. Suppose we go down to the swamp and
|
|
I'll show you what is left of the flower-room that
|
|
Terence O'More, the big lumber man of Great Rapids,
|
|
made when he was a homeless boy here. Of course,
|
|
you have heard the story?"
|
|
|
|
"Yes, and I've met the O'Mores who are frequently
|
|
in Chicago society. They have friends there. I think
|
|
them one ideal couple."
|
|
|
|
"That sounds as if they might be the only one," said
|
|
Elnora, "and, indeed, they are not. I know dozens.
|
|
Aunt Margaret and Uncle Wesley are another, the Brownlees
|
|
another, and my mathematics professor and his wife.
|
|
|
|
The world is full of happy people, but no one ever hears
|
|
of them. You must fight and make a scandal to get into
|
|
the papers. No one knows about all the happy people.
|
|
I am happy myself, and look how perfectly inconspicuous
|
|
I am."
|
|
|
|
"You only need go where you will be seen," began
|
|
Philip, when he remembered and finished. "What do
|
|
we take to-day?"
|
|
|
|
"Ourselves," said Elnora. "I have a vagabond streak in
|
|
my blood and it's in evidence. I am going to show you
|
|
where real flowers grow, real birds sing, and if I feel quite
|
|
right about it, perhaps I shall raise a note or two myself."
|
|
|
|
"Oh, do you sing?" asked Philip politely.
|
|
|
|
"At times," answered Elnora. "`As do the birds;
|
|
because I must,' but don't be scared. The mood does
|
|
not possess me often. Perhaps I shan't raise a note."
|
|
|
|
They went down the road to the swamp, climbed the
|
|
snake fence, followed the path to the old trail and then
|
|
turned south upon it. Elnora indicated to Philip the
|
|
trail with remnants of sagging barbed wire.
|
|
|
|
"It was ten years ago," she said. "I was a little school
|
|
girl, but I wandered widely even then, and no one cared.
|
|
I saw him often. He had been in a city institution all his
|
|
life, when he took the job of keeping timber thieves out of
|
|
this swamp, before many trees had been cut. It was a
|
|
strong man's work, and he was a frail boy, but he grew
|
|
hardier as he lived out of doors. This trail we are on is
|
|
the path his feet first wore, in those days when he was
|
|
insane with fear and eaten up with loneliness, but he stuck
|
|
to his work and won out. I used to come down to the road
|
|
and creep among the bushes as far as I dared, to watch
|
|
him pass. He walked mostly, at times he rode a wheel.
|
|
|
|
"Some days his face was dreadfully sad, others it was
|
|
so determined a little child could see the force in it, and
|
|
once he was radiant. That day the Swamp Angel was
|
|
with him. I can't tell you what she was like. I never
|
|
saw any one who resembled her. He stopped close here
|
|
to show her a bird's nest. Then they went on to a sort of
|
|
flower-room he had made, and he sang for her. By the
|
|
time he left, I had gotten bold enough to come out on
|
|
the trail, and I met the big Scotchman Freckles lived with.
|
|
He saw me catching moths and butterflies, so he took me
|
|
to the flower-room and gave me everything there.
|
|
I don't dare come alone often, so I can't keep it up as
|
|
he did, but you can see something of how it was."
|
|
|
|
Elnora led the way and Philip followed. The outlines
|
|
of the room were not distinct, because many of the
|
|
trees were gone, but Elnora showed how it had been as
|
|
nearly as she could.
|
|
|
|
"The swamp is almost ruined now," she said. "The maples,
|
|
walnuts, and cherries are all gone. The talking trees
|
|
are the only things left worth while."
|
|
|
|
"The `talking trees!' I don't understand," commented Philip.
|
|
|
|
"No wonder!" laughed Elnora. "They are my discovery.
|
|
You know all trees whisper and talk during the summer,
|
|
but there are two that have so much to say they keep on
|
|
the whole winter, when the others are silent. The beeches
|
|
and oaks so love to talk, they cling to their dead,
|
|
dry leaves. In the winter the winds are stiffest
|
|
and blow most, so these trees whisper, chatter, sob,
|
|
laugh, and at times roar until the sound is deafening.
|
|
They never cease until new leaves come out in the spring
|
|
to push off the old ones. I love to stand beneath them
|
|
with my ear to the trunks, interpreting what they say
|
|
to fit my moods. The beeches branch low, and their
|
|
leaves are small so they only know common earthly things;
|
|
but the oaks run straight above almost all other trees
|
|
before they branch, their arms are mighty, their leaves large.
|
|
They meet the winds that travel around the globe, and from
|
|
them learn the big things."
|
|
|
|
Philip studied the girls face. "What do the beeches
|
|
tell you, Elnora?" he asked gently.
|
|
|
|
"To be patient, to be unselfish, to do unto others as
|
|
I would have them do to me."
|
|
|
|
"And the oaks?"
|
|
|
|
"They say `be true,' `live a clean life,' `send your soul
|
|
up here and the winds of the world will teach it what
|
|
honour achieves.'"
|
|
|
|
"Wonderful secrets, those!" marvelled Philip. "Are they
|
|
telling them now? Could I hear?"
|
|
|
|
"No. They are only gossiping now. This is play-time.
|
|
They tell the big secrets to a white world, when the
|
|
music inspires them."
|
|
|
|
"The music?"
|
|
|
|
"All other trees are harps in the winter. Their trunks are
|
|
the frames, their branches the strings, the winds the musicians.
|
|
When the air is cold and clear, the world very white, and
|
|
the harp music swelling, then the talking trees tell the
|
|
strengthening, uplifting things."
|
|
|
|
"You wonderful girl!" cried Philip. "What a woman
|
|
you will be!"
|
|
|
|
"If I am a woman at all worth while, it will be because
|
|
I have had such wonderful opportunities," said Elnora.
|
|
"Not every girl is driven to the forest to learn what God
|
|
has to say there. Here are the remains of Freckles's room.
|
|
The time the Angel came here he sang to her, and I listened.
|
|
I never heard music like that. No wonder she loved him.
|
|
Every one who knew him did, and they do yet. Try that
|
|
log, it makes a fairly good seat. This old store box
|
|
was his treasure house, just as it's now mine. I will
|
|
show you my dearest possession. I do not dare take
|
|
it home because mother can't overcome her dislike for it.
|
|
It was my father's, and in some ways I am like him.
|
|
This is the strongest."
|
|
|
|
Elnora lifted the violin and began to play. She wore
|
|
a school dress of green gingham, with the sleeves rolled to
|
|
the elbows. She seemed a part of the setting all around her.
|
|
Her head shone like a small dark sun, and her face never
|
|
had seemed so rose-flushed and fair. From the instant
|
|
she drew the bow, her lips parted and her eyes turned
|
|
toward something far away in the swamp, and never did
|
|
she give more of that impression of feeling for her notes
|
|
and repeating something audible only to her. Philip was
|
|
too close to get the best effect. He arose and stepped back
|
|
several yards, leaning against a large tree, looking and
|
|
listening intently.
|
|
|
|
As he changed positions he saw that Mrs. Comstock had
|
|
followed them, and was standing on the trail, where she
|
|
could not have helped hearing everything Elnora had said.
|
|
|
|
So to Philip before her and the mother watching on the
|
|
trail, Elnora played the Song of the Limberlost. It seemed
|
|
as if the swamp hushed all its other voices and spoke
|
|
only through her dancing bow. The mother out on the
|
|
trail had heard it all, once before from the girl, many
|
|
times from her father. To the man it was a revelation.
|
|
He stood so stunned he forgot Mrs. Comstock. He tried
|
|
to realize what a city audience would say to that music,
|
|
from such a player, with a similar background, and he
|
|
could not imagine.
|
|
|
|
He was wondering what he dared say, how much he might
|
|
express, when the last note fell and the girl laid the
|
|
violin in the case, closed the door, locked it and hid the
|
|
key in the rotting wood at the end of a log. Then she came
|
|
to him. Philip stood looking at her curiously.
|
|
|
|
"I wonder," he said, "what people would say to that?"
|
|
|
|
"I played that in public once," said Elnora. "I think
|
|
they liked it, fairly well. I had a note yesterday offering
|
|
me the leadership of the high school orchestra in Onabasha.
|
|
I can take it as well as not. None of my talks to the
|
|
grades come the first thing in the morning. I can play
|
|
a few minutes in the orchestra and reach the rooms in
|
|
plenty of time. It will be more work that I love, and like
|
|
finding the money. I would gladly play for nothing,
|
|
merely to be able to express myself."
|
|
|
|
"With some people it makes a regular battlefield of the
|
|
human heart--this struggle for self-expression," said Philip.
|
|
"You are going to do beautiful work in the world, and do
|
|
it well. When I realize that your violin belonged to your
|
|
father, that he played it before you were born, and
|
|
it no doubt affected your mother strongly, and then couple
|
|
with that the years you have roamed these fields and
|
|
swamps finding in nature all you had to lavish your heart
|
|
upon, I can see how you evolved. I understand what you
|
|
mean by self-expression. I know something of what you
|
|
have to express. The world never so wanted your message
|
|
as it does now. It is hungry for the things you know.
|
|
I can see easily how your position came to you. What you
|
|
have to give is taught in no college, and I am not sure but
|
|
you would spoil yourself if you tried to run your mind
|
|
through a set groove with hundreds of others. I never
|
|
thought I should say such a thing to any one, but I do say
|
|
to you, and I honestly believe it; give up the college idea.
|
|
Your mind does not need that sort of development. Stick close
|
|
to your work in the woods. You are becoming so infinitely
|
|
greater on it, than the best college girl I ever knew,
|
|
that there is no comparison. When you have money to
|
|
spend, take that violin and go to one of the world's great
|
|
masters and let the Limberlost sing to him; if he thinks he
|
|
can improve it, very well. I have my doubts."
|
|
|
|
"Do you really mean that you would give up all idea of
|
|
going to college, in my place?"
|
|
|
|
"I really mean it," said Philip. "If I now held the
|
|
money in my hands to send you, and could give it to you
|
|
in some way you would accept I would not. I do not
|
|
know why it is the fate of the world always to want
|
|
something different from what life gives them. If you
|
|
only could realize it, my girl, you are in college, and
|
|
have been always. You are in the school of experience,
|
|
and it has taught you to think, and given you a heart.
|
|
God knows I envy the man who wins it! You have been in
|
|
the college of the Limberlost all your life, and I never
|
|
met a graduate from any other institution who could begin
|
|
to compare with you in sanity, clarity, and interesting knowledge.
|
|
I wouldn't even advise you to read too many books on your lines.
|
|
You acquire your material first hand, and you know that
|
|
you are right. What you should do is to begin early
|
|
to practise self-expression. Don't wait too long to tell us
|
|
about the woods as you know them."
|
|
|
|
"Follow the course of the Bird Woman, you mean?"
|
|
asked Elnora.
|
|
|
|
"In your own way; with your own light. She won't
|
|
live forever. You are younger, and you will be ready
|
|
to begin where she ends. The swamp has given you all
|
|
you need so far; now you give it to the world in payment.
|
|
College be confounded! Go to work and show people
|
|
what there is in you!"
|
|
|
|
Not until then did he remember Mrs. Comstock.
|
|
|
|
"Should we go out to the trail and see if your mother is
|
|
coming?" he asked.
|
|
|
|
"Here she is now," said Elnora. "Gracious, it's a mercy
|
|
I got that violin put away in time! I didn't expect her
|
|
so soon," whispered the girl as she turned and went
|
|
toward her mother. Mrs. Comstock's expression was peculiar
|
|
as she looked at Elnora.
|
|
|
|
"I forgot that you were making sun-preserves and they
|
|
didn't require much cooking," she said. "We should have
|
|
waited for you."
|
|
|
|
"Not at all!" answered Mrs. Comstock. "Have you
|
|
found anything yet?"
|
|
|
|
"Nothing that I can show you," said Elnora. "I am
|
|
almost sure I have found an idea that will revolutionize
|
|
the whole course of my work, thought, and ambitions."
|
|
|
|
"`Ambitions!' My, what a hefty word!" laughed Mrs. Comstock.
|
|
"Now who would suspect a little red-haired country girl
|
|
of harbouring such a deadly germ in her body? Can you tell
|
|
mother about it?"
|
|
|
|
"Not if you talk to me that way, I can't," said Elnora.
|
|
|
|
"Well, I guess we better let ambition lie. I've always
|
|
heard it was safest asleep. If you ever get a bona fide
|
|
attack, it will be time to attend it. Let's hunt specimens.
|
|
It is June. Philip and I are in the grades. You have an
|
|
hour to put an idea into our heads that will stick for a lifetime,
|
|
and grow for good. That's the way I look at your job. Now, what
|
|
are you going to give us? We don't want any old silly stuff
|
|
that has been hashed over and over, we want a big new idea
|
|
to plant in our hearts. Come on, Miss Teacher, what is the
|
|
boiled-down, double-distilled essence of June? Give it to
|
|
us strong. We are large enough to furnish it developing ground.
|
|
Hurry up! Time is short and we are waiting. What is the
|
|
miracle of June? What one thing epitomizes the whole month,
|
|
and makes it just a little different from any other?"
|
|
|
|
"The birth of these big night moths," said Elnora promptly.
|
|
|
|
Philip clapped his hands. The tears started to Mrs.
|
|
Comstock's eyes. She took Elnora in her arms, and kissed
|
|
her forehead.
|
|
|
|
"You'll do!" she said. "June is June, not because it
|
|
has bloom, bird, fruit, or flower, exclusive to it alone.
|
|
|
|
It's half May and half July in all of them. But to me,
|
|
it's just June, when it comes to these great, velvet-winged
|
|
night moths which sweep its moonlit skies, consummating
|
|
their scheme of creation, and dropping like a bloomed-
|
|
out flower. Give them moths for June. Then make that
|
|
the basis of your year's work. Find the distinctive feature
|
|
of each month, the one thing which marks it a time apart,
|
|
and hit them squarely between the eyes with it. Even the
|
|
babies of the lowest grades can comprehend moths when
|
|
they see a few emerge, and learn their history, as it can be
|
|
lived before them. You should show your specimens in
|
|
pairs, then their eggs, the growing caterpillars, and then
|
|
the cocoons. You want to dig out the red heart of every
|
|
month in the year, and hold it pulsing before them.
|
|
|
|
"I can't name all of them off-hand, but I think of one
|
|
more right now. February belongs to our winter birds.
|
|
It is then the great horned owl of the swamp courts his
|
|
mate, the big hawks pair, and even the crows begin to
|
|
take notice. These are truly our birds. Like the poor
|
|
we have them always with us. You should hear the musicians
|
|
of this swamp in February, Philip, on a mellow night.
|
|
Oh, but they are in earnest! For twenty-one years I've
|
|
listened by night to the great owls, all the smaller sizes,
|
|
the foxes, coons, and every resident left in these woods,
|
|
and by day to the hawks, yellow-hammers, sap-suckers,
|
|
titmice, crows, and other winter birds. Only just now it's
|
|
come to me that the distinctive feature of February is not
|
|
linen bleaching, nor sugar making; it's the love month of our
|
|
very own birds. Give them hawks and owls for February, Elnora."
|
|
|
|
With flashing eyes the girl looked at Philip. "How's that?"
|
|
she said. "Don't you think I will succeed, with such help?
|
|
You should hear the concert she is talking about! It is
|
|
simply indescribable when the ground is covered with snow,
|
|
and the moonlight white."
|
|
|
|
"It's about the best music we have," said Mrs. Comstock.
|
|
"I wonder if you couldn't copy that and make a strong,
|
|
original piece out of it for your violin, Elnora?"
|
|
|
|
There was one tense breath, then---- "I could try," said
|
|
Elnora simply.
|
|
|
|
Philip rushed to the rescue. "We must go to work," he
|
|
said, and began examining a walnut branch for Luna moth eggs.
|
|
Elnora joined him while Mrs. Comstock drew her embroidery
|
|
from her pocket and sat on a log. She said she was tired,
|
|
they could come for her when they were ready to go.
|
|
She could hear their voices around her until she called
|
|
them at supper time. When they came to her she stood
|
|
waiting on the trail, the sewing in one hand, the
|
|
violin in the other. Elnora became very white, but
|
|
followed the trail without a word. Philip, unable to see
|
|
a woman carry a heavier load than he, reached for
|
|
the instrument. Mrs. Comstock shook her head. She carried
|
|
the violin home, took it into her room and closed the door.
|
|
Elnora turned to Philip.
|
|
|
|
"If she destroys that, I shall die!" cried the girl.
|
|
|
|
"She won't!" said Philip. "You misunderstand her.
|
|
She wouldn't have said what she did about the owls, if
|
|
she had meant to. She is your mother. No one loves
|
|
you as she does. Trust her! Myself--I think she's
|
|
simply great!"
|
|
|
|
Mrs. Comstock returned with serene face, and all of
|
|
them helped with the supper. When it was over Philip
|
|
and Elnora sorted and classified the afternoon's specimens,
|
|
and made a trip to the woods to paint and light several
|
|
trees for moths. When they came back Mrs. Comstock
|
|
sat in the arbour, and they joined her. The moonlight
|
|
was so intense, print could have been read by it.
|
|
The damp night air held odours near to earth, making
|
|
flower and tree perfume strong. A thousand insects were
|
|
serenading, and in the maple the grosbeak occasionally
|
|
said a reassuring word to his wife, while she answered
|
|
that all was well. A whip-poor-will wailed in the swamp and
|
|
beside the blue-bordered pool a chat complained disconsolately.
|
|
Mrs. Comstock went into the cabin, but she returned immediately,
|
|
laying the violin and bow across Elnora's lap. "I wish you
|
|
would give us a little music," she said.
|
|
|
|
CHAPTER XVII
|
|
|
|
WHEREIN MRS. COMSTOCK DANCES IN THE MOONLIGHT,
|
|
AND ELNORA MAKES A CONFESSION
|
|
|
|
Billy was swinging in the hammock, at peace with himself
|
|
and all the world, when he thought he heard something.
|
|
He sat bolt upright, his eyes staring. Once he opened
|
|
his lips, then thought again and closed them.
|
|
The sound persisted. Billy vaulted the fence,
|
|
and ran down the road with his queer sidewise hop.
|
|
When he neared the Comstock cabin, he left the
|
|
warm dust of the highway and stepped softly at slower
|
|
pace over the rank grasses of the roadside. He had
|
|
heard aright. The violin was in the grape arbour,
|
|
singing a perfect jumble of everything, poured out in
|
|
an exultant tumult. The strings were voicing the joy of
|
|
a happy girl heart.
|
|
|
|
Billy climbed the fence enclosing the west woods and
|
|
crept toward the arbour. He was not a spy and not a sneak.
|
|
He merely wanted to satisfy his child-heart as to
|
|
whether Mrs. Comstock was at home, and Elnora at last
|
|
playing her loved violin with her mother's consent.
|
|
One peep sufficed. Mrs. Comstock sat in the moonlight,
|
|
her head leaning against the arbour; on her face was a
|
|
look of perfect peace and contentment. As he stared at
|
|
her the bow hesitated a second and Mrs. Comstock spoke:
|
|
|
|
"That's all very melodious and sweet," she said, "but I
|
|
do wish you could play Money Musk and some of the
|
|
tunes I danced as a girl."
|
|
|
|
Elnora had been carefully avoiding every note that
|
|
might be reminiscent of her father. At the words she
|
|
laughed softly and began "Turkey in the Straw."
|
|
An instant later Mrs. Comstock was dancing in the
|
|
moon light. Ammon sprang to her side, caught her in
|
|
his arms, while to Elnora's laughter and the violin's
|
|
impetus they danced until they dropped panting on the
|
|
arbour bench.
|
|
|
|
Billy scarcely knew when he reached the road. His light
|
|
feet barely touched the soft way, so swiftly he flew.
|
|
He vaulted the fence and burst into the house.
|
|
|
|
"Aunt Margaret! Uncle Wesley!" he screamed. "Listen!
|
|
Listen! She's playing it! Elnora's playing her violin
|
|
at home! And Aunt Kate is dancing like anything
|
|
before the arbour! I saw her in the moonlight! I ran down!
|
|
Oh, Aunt Margaret!"
|
|
|
|
Billy fled sobbing to Margaret's breast.
|
|
|
|
"Why Billy!" she chided. "Don't cry, you little dunce!
|
|
That's what we've all prayed for these many years; but
|
|
you must be mistaken about Kate. I can't believe it."
|
|
|
|
Billy lifted his head. "Well, you just have to!" he said.
|
|
"When I say I saw anything, Uncle Wesley knows I did.
|
|
The city man was dancing with her. They danced together
|
|
and Elnora laughed. But it didn't look funny to me;
|
|
I was scared."
|
|
|
|
"Who was it said `wonders never cease,'" asked Wesley.
|
|
"You mark my word, once you get Kate Comstock started,
|
|
you can't stop her. There's a wagon load of penned-up
|
|
force in her. Dancing in the moonlight! Well, I'll
|
|
be hanged!"
|
|
|
|
Billy was at his side instantly. "Whoever does it will
|
|
have to hang me, too," he cried.
|
|
|
|
Sinton threw his arm around Billy and drew him closely.
|
|
"Tell us all about it, son," he said. Billy told. "And when
|
|
Elnora just stopped a breath, `Can't you play some
|
|
of the old things I knew when I was a girl?' said her ma.
|
|
Then Elnora began to do a thing that made you want to
|
|
whirl round and round, and quicker 'an scat there was her
|
|
ma a-whirling. The city man, he ups and grabs her and
|
|
whirls, too, and back in the woods I was going just like
|
|
they did. Elnora begins to laugh, and I ran to tell you,
|
|
cos I knew you'd like to know. Now, all the world is
|
|
right, ain't it?" ended Billy in supreme satisfaction.
|
|
|
|
"You just bet it is!" said Wesley.
|
|
|
|
Billy looked steadily at Margaret. "Is it, Aunt Margaret?"
|
|
|
|
Margaret Sinton smiled at him bravely.
|
|
|
|
An hour later when Billy was ready to climb the stairs
|
|
to his room, he went to Margaret to say good night.
|
|
He leaned against her an instant, then brought his lips
|
|
to her ear. "Wish I could get your little girls back
|
|
for you!" he whispered and dashed toward the stairs.
|
|
|
|
Down at the Comstock cabin the violin played on until
|
|
Elnora was so tired she scarcely could lift the bow.
|
|
Then Philip went home. The women walked to the gate
|
|
with him, and stood watching him from sight.
|
|
|
|
"That's what I call one decent young man!" said
|
|
Mrs. Comstock. "To see him fit in with us, you'd think
|
|
he'd been brought up in a cabin; but it's likely he's
|
|
always had the very cream o' the pot."
|
|
|
|
"Yes, I think so," laughed Elnora, "but it hasn't
|
|
hurt him. I've never seen anything I could criticise.
|
|
He's teaching me so much, unconsciously. You know
|
|
he graduated from Harvard, and has several degrees in law.
|
|
He's coming in the morning, and we are going to put in a
|
|
big day on Catocalae."
|
|
|
|
"Which is----?"
|
|
|
|
"Those gray moths with wings that fold back like big
|
|
flies, and they appear as if they had been carved from
|
|
old wood. Then, when they fly, the lower wings flash
|
|
out and they are red and black, or gold and black, or
|
|
pink and black, or dozens of bright, beautiful colours
|
|
combined with black. No one ever has classified all
|
|
of them and written their complete history, unless the
|
|
Bird Woman is doing it now. She wants everything
|
|
she can get about them."
|
|
|
|
"I remember," said Mrs. Comstock. "They are mighty
|
|
pretty things. I've started up slews of them from the
|
|
vines covering the logs, all my life. I must be cautious
|
|
and catch them after this, but they seem powerful spry.
|
|
I might get hold of something rare." She thought
|
|
intently and added, "And wouldn't know it if I did.
|
|
It would just be my luck. I've had the rarest thing on
|
|
earth in reach this many a day and only had the wit to
|
|
cinch it just as it was going. I'll bet I don't let
|
|
anything else escape me."
|
|
|
|
Next morning Philip came early, and he and Elnora
|
|
went at once to the fields and woods. Mrs. Comstock
|
|
had come to believe so implicitly in him that she now
|
|
stayed at home to complete the work before she joined
|
|
them, and when she did she often sat sewing, leaving
|
|
them wandering hours at a time. It was noon before
|
|
she finished, and then she packed a basket of lunch.
|
|
She found Elnora and Philip near the violet patch, which
|
|
was still in its prime. They all lunched together in the
|
|
shade of a wild crab thicket, with flowers spread at their
|
|
feet, and the gold orioles streaking the air with flashes
|
|
of light and trailing ecstasy behind them, while the red-
|
|
wings, as always, asked the most impertinent questions.
|
|
Then Mrs. Comstock carried the basket back to the cabin,
|
|
and Philip and Elnora sat on a log, resting a few minutes.
|
|
They had unexpected luck, and both were eager to continue
|
|
the search.
|
|
|
|
"Do you remember your promise about these violets?"
|
|
asked he. "To-morrow is Edith's birthday, and if I'd
|
|
put them special delivery on the morning train, she'd
|
|
get them in the late afternoon. They ought to keep
|
|
that long. She leaves for the North next day."
|
|
|
|
"Of course, you may have them," said Elnora. "We will
|
|
quit long enough before supper to gather a large bunch.
|
|
They can be packed so they will carry all right.
|
|
They should be perfectly fresh, especially if we gather
|
|
them this evening and let them drink all night."
|
|
|
|
Then they went back to hunt Catocalae. It was a
|
|
long and a happy search. It led them into new,
|
|
unexplored nooks of the woods, past a red-poll nest,
|
|
and where goldfinches prospected for thistledown for
|
|
the cradles they would line a little later. It led
|
|
them into real forest, where deep, dark pools lay,
|
|
where the hermit thrush and the wood robin extracted
|
|
the essence from all other bird melody, and poured it
|
|
out in their pure bell-tone notes. It seemed as if
|
|
every old gray tree-trunk, slab of loose bark, and
|
|
prostrate log yielded the flashing gray treasures;
|
|
while of all others they seemed to take alarm most
|
|
easily, and be most difficult to capture.
|
|
|
|
Philip came to Elnora at dusk, daintily holding one
|
|
by the body, its dark wings showing and its long slender
|
|
legs trying to clasp his fingers and creep from his hold.
|
|
|
|
"Oh for mercy's sake!" cried Elnora, staring at him.
|
|
|
|
"I half believe it!" exulted Ammon.
|
|
|
|
"Did you ever see one?"
|
|
|
|
"Only in collections, and very seldom there."
|
|
|
|
Elnora studied the black wings intently. "I surely
|
|
believe that's Sappho," she marvelled. "The Bird Woman
|
|
will be overjoyed."
|
|
|
|
"We must get the cyanide jar quickly," said Philip.
|
|
|
|
"I wouldn't lose her for anything. Such a chase as she
|
|
led me!"
|
|
|
|
Elnora brought the jar and began gathering up paraphernalia.
|
|
|
|
"When you make a find like that," she said, "it's the
|
|
right time to quit and feel glorious all the rest of
|
|
that day. I tell you I'm proud! We will go now. We have
|
|
barely time to carry out our plans before supper.
|
|
Won't mother be pleased to see that we have a rare one?"
|
|
|
|
"I'd like to see any one more pleased than I am!" said
|
|
Philip Ammon. "I feel as if I'd earned my supper to-night.
|
|
Let's go."
|
|
|
|
He took the greater part of the load and stepped aside
|
|
for Elnora to precede him. She followed the path, broken
|
|
by the grazing cattle, toward the cabin and nearest the
|
|
violet patch she stopped, laid down her net, and the things
|
|
she carried. Philip passed her and hurried straight
|
|
toward the back gate.
|
|
|
|
"Aren't you going to----?" began Elnora.
|
|
|
|
"I'm going to get this moth home in a hurry," he said.
|
|
"This cyanide has lost its strength, and it's not
|
|
working well. We need some fresh in the jar."
|
|
|
|
He had forgotten the violets! Elnora stood looking
|
|
after him, a curious expression on her face. One second
|
|
so--then she picked up the net and followed. At the
|
|
blue-bordered pool she paused and half turned back, then
|
|
she closed her lips firmly and went on. It was nine o'clock
|
|
when Philip said good-bye, and started to town. His gay
|
|
whistle floated to them from the farthest corner of
|
|
the Limberlost. Elnora complained of being tired, so she
|
|
went to her room and to bed. But sleep would not come.
|
|
Thought was racing in her brain and the longer she lay
|
|
the wider awake she grew. At last she softly slipped from
|
|
bed, lighted her lamp and began opening boxes. Then she
|
|
went to work. Two hours later a beautiful birch bark
|
|
basket, strongly and artistically made, stood on her table.
|
|
She set a tiny alarm clock at three, returned to bed and
|
|
fell asleep instantly with a smile on her lips.
|
|
|
|
She was on the floor with the first tinkle of the alarm,
|
|
and hastily dressing, she picked up the basket and a box
|
|
to fit it, crept down the stairs, and out to the violet patch.
|
|
She was unafraid as it was growing light, and lining the
|
|
basket with damp mosses she swiftly began picking, with
|
|
practised hands, the best of the flowers. She scarcely
|
|
could tell which were freshest at times, but day soon came
|
|
creeping over the Limberlost and peeped at her. The robins
|
|
awoke all their neighbours, and a babel of bird notes
|
|
filled the air. The dew was dripping, while the first strong
|
|
rays of light fell on a world in which Elnora worshipped.
|
|
When the basket was filled to overflowing, she set it in the
|
|
stout pasteboard box, packed it solid with mosses, tied it
|
|
firmly and slipped under the cord a note she had written
|
|
the previous night.
|
|
|
|
Then she took a short cut across the woods and walked
|
|
swiftly to Onabasha. It was after six o'clock, but all of
|
|
the city she wished to avoid were asleep. She had no
|
|
trouble in finding a small boy out, and she stood at a
|
|
distance waiting while he rang Dr. Ammon's bell and
|
|
delivered the package for Philip to a maid, with the note
|
|
which was to be given him at once.
|
|
|
|
On the way home through the woods passing some baited
|
|
trees she collected the captive moths. She entered
|
|
the kitchen with them so naturally that Mrs. Comstock
|
|
made no comment. After breakfast Elnora went to her
|
|
room, cleared away all trace of the night's work and was
|
|
out in the arbour mounting moths when Philip came down
|
|
the road. "I am tired sitting," she said to her mother.
|
|
"I think I will walk a few rods and meet him."
|
|
|
|
"Who's a trump?" he called from afar.
|
|
|
|
"Not you!" retorted Elnora. "Confess that you forgot!"
|
|
|
|
"Completely!" said Philip. "But luckily it would not
|
|
have been fatal. I wrote Polly last week to send Edith
|
|
something appropriate to-day, with my card. But that
|
|
touch from the woods will be very effective. Thank you
|
|
more than I can say. Aunt Anna and I unpacked it to
|
|
see the basket, and it was a beauty. She says you are
|
|
always doing such things."
|
|
|
|
"Well, I hope not!" laughed Elnora. "If you'd seen
|
|
me sneaking out before dawn, not to awaken mother and
|
|
coming in with moths to make her think I'd been to the
|
|
trees, you'd know it was a most especial occasion."
|
|
|
|
"Then Philip understood two things: Elnora's mother
|
|
did not know of the early morning trip to the city, and
|
|
the girl had come to meet him to tell him so.
|
|
|
|
"You were a brick to do it!" he whispered as he closed
|
|
the gate behind them. "I'll never forget you for it.
|
|
Thank you ever so much."
|
|
|
|
"I did not do that for you," said Elnora tersely. "I did
|
|
it mostly to preserve my own self-respect. I saw you
|
|
were forgetting. If I did it for anything besides that,
|
|
I did it for her."
|
|
|
|
"Just look what I've brought!" said Philip, entering
|
|
the arbour and greeting Mrs. Comstock. "Borrowed it
|
|
of the Bird Woman. And it isn't hers. A rare edition
|
|
of Catocalae with coloured plates. I told her the best I
|
|
could, and she said to try for Sappho here. I suspect the
|
|
Bird Woman will be out presently. She was all excitement."
|
|
|
|
Then they bent over the book together and with the
|
|
mounted moth before them determined her family. The Bird
|
|
Woman did come later, and carried the moth away, to put
|
|
into a book and Elnora and Philip were freshly filled
|
|
with enthusiasm.
|
|
|
|
So these days were the beginning of the weeks that followed.
|
|
Six of them flying on Time's wings, each filled
|
|
to the brim with interest. After June, the moth hunts
|
|
grew less frequent; the fields and woods were searched
|
|
for material for Elnora's grade work. The most absorbing
|
|
occupation they found was in carrying out Mrs. Comstock's
|
|
suggestion to learn the vital thing for which each
|
|
month was distinctive, and make that the key to the
|
|
nature work. They wrote out a list of the months,
|
|
opposite each the things all of them could suggest which seemed
|
|
to pertain to that month alone, and then tried to sift until
|
|
they found something typical. Mrs. Comstock was a
|
|
great help. Her mother had been Dutch and had brought
|
|
from Holland numerous quaint sayings and superstitions
|
|
easily traceable to Pliny's Natural History; and in Mrs.
|
|
Comstock's early years in Ohio she had heard much Indian
|
|
talk among her elders, so she knew the signs of each season,
|
|
and sometimes they helped. Always her practical
|
|
thought and sterling common sense were useful. When they
|
|
were afield until exhausted they came back to the
|
|
cabin for food, to prepare specimens and classify them,
|
|
and to talk over the day. Sometimes Philip brought
|
|
books and read while Elnora and her mother worked,
|
|
and every night Mrs. Comstock asked for the violin.
|
|
Her perfect hunger for music was sufficient evidence of how
|
|
she had suffered without it. So the days crept by, golden,
|
|
filled with useful work and pure pleasure.
|
|
|
|
The grosbeak had led the family in the maple abroad
|
|
and a second brood, in a wild grape vine clambering over
|
|
the well, was almost ready for flight. The dust lay thick
|
|
on the country roads, the days grew warmer; summer
|
|
was just poising to slip into fall, and Philip remained,
|
|
coming each day as if he had belonged there always.
|
|
|
|
One warm August afternoon Mrs. Comstock looked
|
|
up from the ruffle on which she was engaged to see
|
|
a blue-coated messenger enter the gate.
|
|
|
|
"Is Philip Ammon here?" asked the boy.
|
|
|
|
"He is," said Mrs. Comstock.
|
|
|
|
"I have a message for him."
|
|
|
|
"He is in the woods back of the cabin. I will ring the bell.
|
|
Do you know if it is important?"
|
|
|
|
"Urgent," said the boy; "I rode hard."
|
|
|
|
Mrs. Comstock stepped to the back door and clanged
|
|
the dinner bell sharply, paused a second, and rang again.
|
|
In a short time Philip and Elnora ran down the path.
|
|
|
|
"Are you ill, mother?" cried Elnora.
|
|
|
|
Mrs. Comstock indicated the boy. "There is an important
|
|
message for Philip," she said.
|
|
|
|
He muttered an excuse and tore open the telegram.
|
|
His colour faded slightly. "I have to take the first train,"
|
|
he said. "My father is ill and I am needed."
|
|
|
|
He handed the sheet to Elnora. "I have about two
|
|
hours, as I remember the trains north, but my things are
|
|
all over Uncle Doc's house, so I must go at once."
|
|
|
|
"Certainly," said Elnora, giving back the message.
|
|
"Is there anything I can do to help? Mother, bring
|
|
Philip a glass of buttermilk to start on. I will gather
|
|
what you have here."
|
|
|
|
"Never mind. There is nothing of importance. I don't
|
|
want to be hampered. I'll send for it if I miss anything
|
|
I need."
|
|
|
|
Philip drank the milk, said good-bye to Mrs. Comstock;
|
|
thanked her for all her kindness, and turned to Elnora.
|
|
|
|
"Will you walk to the edge of the Limberlost with me?"
|
|
he asked. Elnora assented. Mrs. Comstock followed
|
|
to the gate, urged him to come again soon, and repeated
|
|
her good-bye. Then she went back to the arbour to
|
|
await Elnora's return. As she watched down the road
|
|
she smiled softly.
|
|
|
|
"I had an idea he would speak to me first," she thought,
|
|
"but this may change things some. He hasn't time.
|
|
Elnora will come back a happy girl, and she has
|
|
good reason. He is a model young man. Her lot will
|
|
be very different from mine."
|
|
|
|
She picked up her embroidery and began setting dainty
|
|
precise little stitches, possible only to certain women.
|
|
|
|
On the road Elnora spoke first. "I do hope it is
|
|
nothing serious," she said. "Is he usually strong?"
|
|
|
|
"Quite strong," said Philip. "I am not at all alarmed
|
|
but I am very much ashamed. I have been well enough
|
|
for the past month to have gone home and helped him
|
|
with some critical cases that were keeping him at work
|
|
in this heat. I was enjoying myself so I wouldn't offer
|
|
to go, and he would not ask me to come, so long as he could
|
|
help it. I have allowed him to overtax himself until he
|
|
is down, and mother and Polly are north at our cottage.
|
|
He's never been sick before, and it's probable I am to
|
|
blame that he is now."
|
|
|
|
"He intended you to stay this long when you came,"
|
|
urged Elnora.
|
|
|
|
"Yes, but it's hot in Chicago. I should have
|
|
remembered him. He is always thinking of me. Possibly he
|
|
has needed me for days. I am ashamed to go to him in
|
|
splendid condition and admit that I was having such a
|
|
fine time I forgot to come home."
|
|
|
|
"You have had a fine time, then?" asked Elnora.
|
|
|
|
They had reached the fence. Philip vaulted over to
|
|
take a short cut across the fields. He turned and looked
|
|
at her.
|
|
|
|
"The best, the sweetest, and most wholesome time
|
|
any man ever had in this world," he said. "Elnora, if
|
|
I talked hours I couldn't make you understand what a
|
|
girl I think you are. I never in all my life hated anything
|
|
as I hate leaving you. It seems to me that I have not
|
|
strength to do it."
|
|
|
|
"If you have learned anything worth while from me,"
|
|
said Elnora, "that should be it. Just to have strength to
|
|
go to your duty, and to go quickly."
|
|
|
|
He caught the hand she held out to him in both his.
|
|
"Elnora, these days we have had together, have they
|
|
been sweet to you?"
|
|
|
|
"Beautiful days!" said Elnora. "Each like a perfect
|
|
dream to be thought over and over all my life. Oh, they
|
|
have been the only really happy days I've ever known;
|
|
these days rich with mother's love, and doing useful work
|
|
with your help. Good-bye! You must hurry!"
|
|
|
|
Philip gazed at her. He tried to drop her hand, only
|
|
clutched it closer. Suddenly he drew her toward him.
|
|
"Elnora," he whispered, "will you kiss me good-bye?"
|
|
|
|
Elnora drew back and stared at him with wide eyes.
|
|
"I'd strike you sooner!" she said. "Have I ever said or
|
|
done anything in your presence that made you feel free to
|
|
ask that, Philip Ammon?"
|
|
|
|
"No!" panted Philip. "No! I think so much of you
|
|
I wanted to touch your lips once before I left you.
|
|
You know, Elnora----"
|
|
|
|
"Don't distress yourself," said Elnora calmly. "I am
|
|
broad enough to judge you sanely. I know what you mean.
|
|
It would be no harm to you. It would not matter to me,
|
|
but here we will think of some one else. Edith Carr
|
|
would not want your lips to-morrow if she knew they
|
|
had touched mine to-day. I was wise to say: `Go quickly!'"
|
|
|
|
Philip still clung to her. "Will you write me?" he begged.
|
|
|
|
"No," said Elnora. "There is nothing to say, save good-bye.
|
|
We can do that now."
|
|
|
|
He held on. "Promise that you will write me only one
|
|
letter," he urged. "I want just one message from you to
|
|
lock in my desk, and keep always. Promise you will
|
|
write once, Elnora."
|
|
|
|
She looked into his eyes, and smiled serenely. "If the
|
|
talking trees tell me this winter, the secret of how a man
|
|
may grow perfect, I will write you what it is, Philip.
|
|
In all the time I have known you, I never have liked you
|
|
so little. Good-bye."
|
|
|
|
She drew away her hand and swiftly turned back to the road.
|
|
Philip Ammon, wordless, started toward Onabasha on a run.
|
|
|
|
Elnora crossed the road, climbed the fence and sought
|
|
the shelter of their own woods. She chose a diagonal
|
|
course and followed it until she came to the path leading
|
|
past the violet patch. She went down this hurriedly.
|
|
Her hands were clenched at her side, her eyes dry and
|
|
bright, her cheeks red-flushed, and her breath coming fast.
|
|
When she reached the patch she turned into it and stood
|
|
looking around her.
|
|
|
|
The mosses were dry, the flowers gone, weeds a foot
|
|
high covered it. She turned away and went on down the
|
|
path until she was almost in sight of the cabin.
|
|
|
|
Mrs. Comstock smiled and waited in the arbour until
|
|
it occurred to her that Elnora was a long time coming, so
|
|
she went to the gate. The road stretched away toward
|
|
the Limberlost empty and lonely. Then she knew that
|
|
Elnora had gone into their own woods and would come in
|
|
the back way. She could not understand why the girl did
|
|
not hurry to her with what she would have to tell.
|
|
She went out and wandered around the garden. Then she
|
|
stepped into the path and started along the way leading to
|
|
the woods, past the pool now framed in a thick setting of
|
|
yellow lilies. Then she saw, and stopped, gasping for breath.
|
|
Her hands flew up and her lined face grew ghastly.
|
|
She stared at the sky and then at the prostrate girl figure.
|
|
Over and over she tried to speak, but only a dry breath came.
|
|
She turned and fled back to the garden.
|
|
|
|
In the familiar enclosure she gazed around her like a
|
|
caged animal seeking escape. The sun beat down on her
|
|
bare head mercilessly, and mechanically she moved to the
|
|
shade of a half-grown hickory tree that voluntarily had
|
|
sprouted beside the milk house. At her feet lay an axe
|
|
with which she made kindlings for fires. She stooped and
|
|
picked it up. The memory of that prone figure sobbing in
|
|
the grass caught her with a renewed spasm. She shut her
|
|
eyes as if to close it out. That made hearing so acute she
|
|
felt certain she heard Elnora moaning beside the path.
|
|
The eyes flew open. They looked straight at a few
|
|
spindling tomato plants set too near the tree and stunted
|
|
by its shade. Mrs. Comstock whirled on the hickory and
|
|
swung the axe. Her hair shook down, her clothing became
|
|
disarranged, in the heat the perspiration streamed, but
|
|
stroke fell on stroke until the tree crashed over, grazing
|
|
a corner of the milk house and smashing the garden fence
|
|
on the east.
|
|
|
|
At the sound Elnora sprang to her feet and came running
|
|
down the garden walk. "Mother!" she cried. "Mother!
|
|
What in the world are you doing?"
|
|
|
|
Mrs. Comstock wiped her ghastly face on her apron.
|
|
"I've laid out to cut that tree for years," she said.
|
|
"It shades the beets in the morning, and the tomatoes
|
|
in the afternoon!"
|
|
|
|
Elnora uttered one wild little cry and fled into her
|
|
mother's arms. "Oh mother!" she sobbed. "Will you
|
|
ever forgive me?"
|
|
|
|
Mrs. Comstock's arms swept together in a tight grip
|
|
around Elnora.
|
|
|
|
"There isn't a thing on God's footstool from a to izzard
|
|
I won't forgive you, my precious girl!" she said. "Tell mother
|
|
what it is!"
|
|
|
|
Elnora lifted her wet face. "He told me," she panted,
|
|
"just as soon as he decently could--that second day he
|
|
told me. Almost all his life he's been engaged to a girl
|
|
at home. He never cared anything about me. He was only
|
|
interested in the moths and growing strong."
|
|
|
|
Mrs. Comstock's arms tightened. With a shaking hand
|
|
she stroked the bright hair.
|
|
|
|
"Tell me, honey," she said. "Is he to blame for a
|
|
single one of these tears?"
|
|
|
|
"Not one!" sobbed Elnora. "Oh mother, I won't forgive you
|
|
if you don't believe that. Not one! He never said,
|
|
or looked, or did anything all the world might not
|
|
have known. He likes me very much as a friend.
|
|
He hated to go dreadfully!"
|
|
|
|
"Elnora!" the mother's head bent until the white hair
|
|
mingled with the brown. "Elnora, why didn't you tell me
|
|
at first?"
|
|
|
|
Elnora caught her breath in a sharp snatch. "I know
|
|
I should!" she sobbed. "I will bear any punishment for
|
|
not, but I didn't feel as if I possibly could. I was afraid."
|
|
|
|
"Afraid of what?" the shaking hand was on the hair again.
|
|
|
|
"Afraid you wouldn't let him come!" panted Elnora.
|
|
"And oh, mother, I wanted him so!"
|
|
|
|
CHAPTER XVIII
|
|
|
|
WHEREIN MRS. COMSTOCK EXPERIMENTS WITH REJUVENATION,
|
|
AND ELNORA TEACHES NATURAL HISTORY
|
|
|
|
For the following week Mrs. Comstock and Elnora
|
|
worked so hard there was no time to talk, and they
|
|
were compelled to sleep from physical exhaustion.
|
|
Neither of them made any pretence of eating, for they
|
|
could not swallow without an effort, so they drank milk
|
|
and worked. Elnora kept on setting bait for Catacolae
|
|
and Sphinginae, which, unlike the big moths of June, live
|
|
several months. She took all the dragonflies and
|
|
butterflies she could, and when she went over the list
|
|
for the man of India, she found, to her amazement,
|
|
that with Philip's help she once more had it complete
|
|
save a pair of Yellow Emperors.
|
|
|
|
This circumstance was so surprising she had a fleeting
|
|
thought of writing Philip and asking him to see if he could
|
|
not secure her a pair. She did tell the Bird Woman, who
|
|
from every source at her command tried to complete the
|
|
series with these moths, but could not find any for sale.
|
|
|
|
"I think the mills of the Gods are grinding this grist,"
|
|
said Elnora, "and we might as well wait patiently until
|
|
they choose to send a Yellow Emperor."
|
|
|
|
Mrs. Comstock invented work. When she had nothing more
|
|
to do, she hoed in the garden although the earth was hard
|
|
and dry and there were no plants that really needed attention.
|
|
Then came a notification that Elnora would be compelled
|
|
to attend a week's session of the Teachers' Institute
|
|
held at the county seat twenty miles north of Onabasha
|
|
the following week. That gave them something of which
|
|
to think and real work to do. Elnora was requested to bring
|
|
her violin. As she was on the programme of one of the most
|
|
important sessions for a talk on nature work in grade schools,
|
|
she was driven to prepare her speech, also to select and
|
|
practise some music. Her mother turned her attention to clothing.
|
|
|
|
They went to Onabasha together and purchased a simple
|
|
and appropriate fall suit and hat, goods for a dainty little
|
|
coloured frock, and a dress skirt and several fancy waists.
|
|
Margaret Sinton came down and the sewing began. When everything
|
|
was finished and packed, Elnora kissed her mother good-bye
|
|
at the depot, and entered the train. Mrs. Comstock went into
|
|
the waiting-room and dropped into a seat to rest. Her heart
|
|
was so sore her whole left side felt tender. She was half
|
|
starved for the food she had no appetite to take. She had
|
|
worked in dogged determination until she was exhausted.
|
|
For a time she simply sat and rested. Then she began to think.
|
|
She was glad Elnora had gone where she would be compelled to
|
|
fix her mind on other matters for a few days. She remembered
|
|
the girl had said she wanted to go.
|
|
|
|
School would begin the following week. She thought
|
|
over what Elnora would have to do to accomplish her
|
|
work successfully. She would be compelled to arise at
|
|
six o'clock, walk three miles through varying weather, lead
|
|
the high school orchestra, and then put in the remainder of
|
|
the day travelling from building to building over the city,
|
|
teaching a specified length of time every week in each room.
|
|
She must have her object lessons ready, and she must do a
|
|
certain amount of practising with the orchestra. Then a
|
|
cold lunch at noon, and a three-mile walk at night.
|
|
|
|
"Humph!" said Mrs. Comstock, "to get through that
|
|
the girl would have to be made of cast-iron. I wonder
|
|
how I can help her best?"
|
|
|
|
She thought deeply.
|
|
|
|
"The less she sees of what she's been having all summer,
|
|
the sooner she'll feel better about it," she muttered.
|
|
|
|
She arose, went to the bank and inquired for the cashier.
|
|
|
|
"I want to know just how I am fixed here," she said.
|
|
|
|
The cashier laughed. "You haven't been in a hurry,"
|
|
he replied. "We have been ready for you any time these
|
|
twenty years, but you didn't seem to pay much attention.
|
|
Your account is rather flourishing. Interest, when it gets
|
|
to compounding, is quite a money breeder. Come back
|
|
here to a table and I will show you your balances."
|
|
|
|
Mrs. Comstock sank into a chair and waited while
|
|
the cashier read a jumble of figures to her. It meant
|
|
that her deposits had exceeded her expenses from one
|
|
to three hundred dollars a year, according to the cattle,
|
|
sheep, hogs, poultry, butter, and eggs she had sold.
|
|
The aggregate of these sums had been compounding interest
|
|
throughout the years. Mrs. Comstock stared at the
|
|
total with dazed and unbelieving eyes. Through her
|
|
sick heart rushed the realization, that if she merely had
|
|
stood before that wicket and asked one question, she
|
|
would have known that all those bitter years of skimping
|
|
for Elnora and herself had been unnecessary. She arose
|
|
and went back to the depot.
|
|
|
|
"I want to send a message," she said. She picked
|
|
up the pencil, and with rash extravagance, wrote, "Found
|
|
money at bank didn't know about. If you want to go
|
|
to college, come on first train and get ready."
|
|
She hesitated a second and then she said to herself grimly,
|
|
"Yes, I'll pay for that, too," and recklessly added, "With
|
|
love, Mother." Then she sat waiting for the answer. It came
|
|
in less than an hour. "Will teach this winter. With dearest
|
|
love, Elnora."
|
|
|
|
Mrs. Comstock held the message a long time. When she
|
|
arose she was ravenously hungry, but the pain in her
|
|
heart was a little easier. She went to a restaurant
|
|
and ate some food, then to a dressmaker where she ordered
|
|
four dresses: two very plain every-day ones, a serviceable
|
|
dark gray cloth suit, and a soft light gray silk with
|
|
touches of lavender and lace. She made a heavy list
|
|
of purchases at Brownlee's, and the remainder of the day
|
|
she did business in her direct and spirited way. At night
|
|
she was so tired she scarcely could walk home, but she
|
|
built a fire and cooked and ate a hearty meal.
|
|
|
|
Later she went out beside the west fence and gathered
|
|
an armful of tansy which she boiled to a thick green tea.
|
|
Then she stirred in oatmeal until it was a stiff paste.
|
|
She spread a sheet over her bed and began tearing strips
|
|
of old muslin. She bandaged each hand and arm with the
|
|
mixture and plastered the soggy, evil-smelling stuff in a
|
|
thick poultice over her face and neck. She was so tired
|
|
she went to sleep, and when she awoke she was half skinned.
|
|
She bathed her face and hands, did the work and went back
|
|
to town, coming home at night to go through the same process.
|
|
|
|
By the third morning she was a raw even red, the fourth
|
|
she had faded to a brilliant pink under the soothing
|
|
influence of a cream recommended. That day came a
|
|
letter from Elnora saying that she would remain where
|
|
she was until Saturday morning, and then come to Ellen
|
|
Brownlee's at Onabasha and stay for the Saturday's
|
|
session of teachers to arrange their year's work.
|
|
Sunday was Ellen's last day at home, and she wanted Elnora
|
|
very much. She had to call together the orchestra and
|
|
practise them Sunday; and could not come home until
|
|
after school Monday night. Mrs. Comstock at once
|
|
answered the letter saying those arrangements suited her.
|
|
|
|
The following day she was a pale pink, later a delicate
|
|
porcelain white. Then she went to a hairdresser and
|
|
had the rope of snowy hair which covered her scalp washed,
|
|
dressed, and fastened with such pins and combs as were
|
|
decided to be most becoming. She took samples of her
|
|
dresses, went to a milliner, and bought a street hat to
|
|
match her suit, and a gray satin with lavender orchids to
|
|
wear with the silk dress. Her last investment was a loose
|
|
coat of soft gray broadcloth with white lining, and touches
|
|
of lavender on the embroidered collar, and gray gloves to match.
|
|
|
|
Then she went home, rested and worked by turns
|
|
until Monday. When school closed on that evening,
|
|
Elnora, so tired she almost trembled, came down the
|
|
long walk after a late session of teachers' meeting,
|
|
to be stopped by a messenger boy.
|
|
|
|
"There's a lady wants to see you most important.
|
|
I am to take you to the place," he said.
|
|
|
|
Elnora groaned. She could not imagine who wanted
|
|
her, but there was nothing to do but find out; tired and
|
|
anxious to see her mother as she was.
|
|
|
|
"This is the place," said the boy, and went his way whistling.
|
|
Elnora was three blocks from the high school building on the
|
|
same street. She was before a quaint old house, fresh with
|
|
paint and covered with vines. There was a long wide lot,
|
|
grass-covered, closely set with trees, and a barn and chicken
|
|
park at the back that seemed to be occupied. Elnora stepped
|
|
on the veranda which was furnished with straw rugs, bent-
|
|
hickory chairs, hanging baskets, and a table with a work-
|
|
box and magazines, and knocked at the screen door.
|
|
|
|
Inside she could see polished floors, walls freshly papered
|
|
in low-toned harmonious colours, straw rugs and madras curtains.
|
|
It seemed to be a restful, homelike place to which she had come.
|
|
A second later down an open stairway came a tall, dark-eyed
|
|
woman with cheeks faintly pink and a crown of fluffy snow-
|
|
white hair. She wore a lavender gingham dress with white
|
|
collar and cuffs, and she called as she advanced: "That screen
|
|
isn't latched! Open it and come see your brand-new mother,
|
|
my girl."
|
|
|
|
Elnora stepped inside the door. "Mother!" she cried.
|
|
"You my mother! I don't believe it!"
|
|
|
|
"Well, you better!" said Mrs. Comstock, "because
|
|
it's true! You said you wished I were like the other
|
|
girls' mothers, and I've shot as close the mark as I could
|
|
without any practice. I thought that walk would be
|
|
too much for you this winter, so I just rented this house
|
|
and moved in, to be near you, and help more in case I'm needed.
|
|
I've only lived here a day, but I like it so well I've a
|
|
mortal big notion to buy the place."
|
|
|
|
"But mother!" protested Elnora, clinging to her wonderingly.
|
|
"You are perfectly beautiful, and this house is a little
|
|
paradise, but how will we ever pay for it? We can't afford it!"
|
|
|
|
"Humph! Have you forgotten I telegraphed you I'd
|
|
found some money I didn't know about? All I've done
|
|
is paid for, and plenty more to settle for all I
|
|
propose to do."
|
|
|
|
Mrs. Comstock glanced around with satisfaction.
|
|
|
|
"I may get homesick as a pup before spring," she said,
|
|
"but if I do I can go back. If I don't, I'll sell some
|
|
timber and put a few oil wells where they don't show much.
|
|
I can have land enough cleared for a few fields and put
|
|
a tenant on our farm, and we will buy this and settle here.
|
|
It's for sale."
|
|
|
|
"You don't look it, but you've surely gone mad!"
|
|
|
|
"Just the reverse, my girl," said Mrs. Comstock,
|
|
"I've gone sane. If you are going to undertake this
|
|
work, you must be convenient to it. And your mother
|
|
should be where she can see that you are properly dressed,
|
|
fed, and cared for. This is our--let me think--reception-room.
|
|
How do you like it? This door leads to your workroom and study.
|
|
I didn't do much there because I wasn't sure of my way.
|
|
But I knew you would want a rug, curtains, table, shelves
|
|
for books, and a case for your specimens, so I had a
|
|
carpenter shelve and enclose that end of it. Looks pretty
|
|
neat to me. The dining-room and kitchen are back, one
|
|
of the cows in the barn, and some chickens in the coop.
|
|
I understand that none of the other girls' mothers milk a
|
|
cow, so a neighbour boy will tend to ours for a third of
|
|
the milk. There are three bedrooms, and a bath upstairs.
|
|
Go take one, put on some fresh clothes, and come to supper.
|
|
You can find your room because your things are in it."
|
|
|
|
Elnora kissed her mother over and over, and hurried upstairs.
|
|
She identified her room by the dressing-case. There were
|
|
a pretty rug, and curtains, white iron bed, plain and
|
|
rocking chairs to match her case, a shirtwaist chest,
|
|
and the big closet was filled with her old clothing and
|
|
several new dresses. She found the bathroom, bathed,
|
|
dressed in fresh linen and went down to a supper that
|
|
was an evidence of Mrs. Comstock's highest art in cooking.
|
|
Elnora was so hungry she ate her first real meal in two weeks.
|
|
But the bites went down slowly because she forgot about them
|
|
in watching her mother.
|
|
|
|
"How on earth did you do it?" she asked at last. "I always
|
|
thought you were naturally brown as a nut."
|
|
|
|
"Oh, that was tan and sunburn!" explained Mrs. Comstock.
|
|
"I always knew I was white underneath it. I hated to
|
|
shade my face because I hadn't anything but a sunbonnet,
|
|
and I couldn't stand for it to touch my ears, so I went
|
|
bareheaded and took all the colour I accumulated.
|
|
But when I began to think of moving you in to your work,
|
|
I saw I must put up an appearance that wouldn't disgrace
|
|
you, so I thought I'd best remove the crust. It took
|
|
some time, and I hope I may die before I ever endure
|
|
the feel and the smell of the stuff I used again, but it
|
|
skinned me nicely. What you now see is my own with a
|
|
little dust of rice powder, for protection. I'm sort of
|
|
tender yet."
|
|
|
|
"And your lovely, lovely hair?" breathed Elnora.
|
|
|
|
"Hairdresser did that!" said Mrs. Comstock. "It cost
|
|
like smoke. But I watched her, and with a little
|
|
help from you I can wash it alone next time, though it
|
|
will be hard work. I let her monkey with it until she
|
|
said she had found `my style.' Then I tore it down and
|
|
had her show me how to build it up again three times.
|
|
I thought my arms would drop. When I paid the bill for
|
|
her work, the time I'd taken, the pins, and combs she'd
|
|
used, I nearly had heart failure, but I didn't turn a hair
|
|
before her. I just smiled at her sweetly and said, `How
|
|
reasonable you are!' Come to think of it, she was! She might
|
|
have charged me ten dollars for what she did quite as well
|
|
as nine seventy-five. I couldn't have helped myself.
|
|
I had made no bargain to begin on."
|
|
|
|
Then Elnora leaned back in her chair and shouted, in a
|
|
gust of hearty laughter, so a little of the ache ceased
|
|
in her breast. There was no time to think, the remainder
|
|
of that evening, she was so tired she had to sleep, while
|
|
her mother did not awaken her until she barely had time
|
|
to dress, breakfast and reach school. There was nothing
|
|
in the new life to remind her of the old. It seemed as
|
|
if there never came a minute for retrospection, but her
|
|
mother appeared on the scene with more work, or some
|
|
entertaining thing to do.
|
|
|
|
Mrs. Comstock invited Elnora's friends to visit her,
|
|
and proved herself a bright and interesting hostess.
|
|
She digested a subject before she spoke; and when she
|
|
advanced a view, her point was sure to be original and
|
|
tersely expressed. Before three months people waited
|
|
to hear what she had to say. She kept her appearance so
|
|
in mind that she made a handsome and a distinguished figure.
|
|
|
|
Elnora never mentioned Philip Ammon, neither did
|
|
Mrs. Comstock. Early in December came a note and a
|
|
big box from him. It contained several books on nature
|
|
subjects which would be of much help in school work,
|
|
a number of conveniences Elnora could not afford, and a
|
|
pair of glass-covered plaster casts, for each large moth
|
|
she had. In these the upper and underwings of male and
|
|
female showed. He explained that she would break her
|
|
specimens easily, carrying them around in boxes. He had
|
|
seen these and thought they would be of use. Elnora was
|
|
delighted with them, and at once began the tedious process
|
|
of softening the mounted moths and fitting them to the
|
|
casts moulded to receive them. Her time was so taken in
|
|
school, she progressed slowly, so her mother undertook
|
|
this work. After trying one or two very common ones she
|
|
learned to handle the most delicate with ease. She took
|
|
keen pride in relaxing the tense moths, fitting them to the
|
|
cases, polishing the glass covers to the last degree and
|
|
sealing them. The results were beautiful to behold.
|
|
|
|
Soon after Elnora wrote to Philip:
|
|
|
|
DEAR FRIEND:
|
|
|
|
I am writing to thank you for the books, and the box of conveniences
|
|
sent me for my work. I can use everything with fine results.
|
|
Hope I am giving good satisfaction in my position. You will be
|
|
interested to learn that when the summer's work was classified and
|
|
pinned, I again had my complete collection for the man of India,
|
|
save a Yellow Emperor. I have tried everywhere I know, so has the
|
|
Bird Woman. We cannot find a pair for sale. Fate is against me,
|
|
at least this season. I shall have to wait until next year and try again.
|
|
|
|
Thank you very much for helping me with my collection and for the
|
|
books and cases.
|
|
|
|
Sincerely yours,
|
|
|
|
ELNORA COMSTOCK.
|
|
|
|
Philip was disappointed over that note and instead of
|
|
keeping it he tore it into bits and dropped them into the
|
|
waste basket.
|
|
|
|
That was precisely what Elnora had intended he should do.
|
|
Christmas brought beautiful cards of greeting to
|
|
Mrs. Comstock and Elnora, Easter others, and the year
|
|
ran rapidly toward spring. Elnora's position had been
|
|
intensely absorbing, while she had worked with all her power.
|
|
She had made a wonderful success and won new friends.
|
|
Mrs. Comstock had helped in every way she could, so she was
|
|
very popular also.
|
|
|
|
Throughout the winter they had enjoyed the city thoroughly,
|
|
and the change of life it afforded, but signs of spring
|
|
did wonderful things to the hearts of the country-bred women.
|
|
A restlessness began on bright February days, calmed during
|
|
March storms and attacked full force in April. When neither
|
|
could bear it any longer they were forced to discuss the matter
|
|
and admit they were growing ill with pure homesickness.
|
|
They decided to keep the city house during the summer,
|
|
but to return to the farm to live as soon as school closed.
|
|
|
|
So Mrs. Comstock would prepare breakfast and lunch
|
|
and then slip away to the farm to make up beds in her
|
|
ploughed garden, plant seeds, trim and tend her flowers,
|
|
and prepare the cabin for occupancy. Then she would go
|
|
home and make the evening as cheerful as possible for
|
|
Elnora; in these days she lived only for the girl.
|
|
|
|
Both of them were glad when the last of May came and the
|
|
schools closed. They packed the books and clothing they
|
|
wished to take into a wagon and walked across the fields
|
|
to the old cabin. As they approached it, Mrs. Comstock
|
|
said to Elnora: "You are sure you won't be lonely here?"
|
|
|
|
Elnora knew what she really meant.
|
|
|
|
"Quite sure," she said. "For a time last fall I was
|
|
glad to be away, but that all wore out with the winter.
|
|
Spring made me homesick as I could be. I can scarcely wait
|
|
until we get back again."
|
|
|
|
So they began that summer as they had begun all others
|
|
--with work. But both of them took a new joy in everything,
|
|
and the violin sang by the hour in the twilight.
|
|
|
|
CHAPTER XIX
|
|
|
|
WHEREIN PHILIP AMMON GIVES A BALL IN HONOUR OF EDITH CARR,
|
|
AND HART HENDERSON APPEARS ON THE SCENE
|
|
|
|
Edith Carr stood in a vine-enclosed side veranda
|
|
of the Lake Shore Club House waiting while Philip
|
|
Ammon gave some important orders. In a few days
|
|
she would sail for Paris to select a wonderful trousseau
|
|
she had planned for her marriage in October. To-night
|
|
Philip was giving a club dance in her honour. He had
|
|
spent days in devising new and exquisite effects in
|
|
decorations, entertainment, and supper. Weeks before the
|
|
favoured guests had been notified. Days before they had
|
|
received the invitations asking them to participate in this
|
|
entertainment by Philip Ammon in honour of Miss Carr.
|
|
They spoke of it as "Phil's dance for Edith!"
|
|
|
|
She could hear the rumble of carriages and the panting
|
|
of automobiles as in a steady stream they rolled to the
|
|
front entrance. She could catch glimpses of floating
|
|
draperies of gauze and lace, the flash of jewels, and the
|
|
passing of exquisite colour. Every one was newly arrayed
|
|
in her honour in the loveliest clothing, and the most
|
|
expensive jewels they could command. As she thought of it
|
|
she lifted her head a trifle higher and her eyes flashed proudly.
|
|
|
|
She was robed in a French creation suggested and designed
|
|
by Philip. He had said to her: "I know a competent
|
|
judge who says the distinctive feature of June is her
|
|
exquisite big night moths. I want you to be the very
|
|
essence of June that night, as you will be the embodiment
|
|
of love. Be a moth. The most beautiful of them is either
|
|
the pale-green Luna or the Yellow Imperialis. Be my
|
|
moon lady, or my gold Empress."
|
|
|
|
He took her to the museum and showed her the moths.
|
|
She instantly decided on the yellow. Because she knew
|
|
the shades would make her more startlingly beautiful than
|
|
any other colour. To him she said: "A moon lady seems
|
|
so far away and cold. I would be of earth and very near
|
|
on that night. I choose the Empress."
|
|
|
|
So she matched the colours exactly, wrote out the idea
|
|
and forwarded the order to Paquin. To-night when
|
|
Philip Ammon came for her, he stood speechless a minute
|
|
and then silently kissed her hands.
|
|
|
|
For she stood tall, lithe, of grace inborn, her dark waving
|
|
hair high piled and crossed by gold bands studded with
|
|
amethyst and at one side an enamelled lavender orchid
|
|
rimmed with diamonds, which flashed and sparkled. The soft
|
|
yellow robe of lightest weight velvet fitted her form
|
|
perfectly, while from each shoulder fell a great velvet wing
|
|
lined with lavender, and flecked with embroidery of that
|
|
colour in imitation of the moth. Around her throat was a
|
|
wonderful necklace and on her arms were bracelets of gold
|
|
set with amethyst and rimmed with diamonds. Philip had said
|
|
that her gloves, fan, and slippers must be lavender, because
|
|
the feet of the moth were that colour. These accessories
|
|
had been made to order and embroidered with gold. It had
|
|
been arranged that her mother, Philip's, and a few best
|
|
friends should receive his guests. She was to appear when
|
|
she led the grand march with Philip Ammon. Miss Carr was
|
|
positive that she would be the most beautiful, and most
|
|
exquisitely gowned woman present. In her heart she thought
|
|
of herself as "Imperialis Regalis," as the Yellow Empress.
|
|
In a few moments she would stun her world into feeling it as
|
|
Philip Ammon had done, for she had taken pains that the
|
|
history of her costume should be whispered to a few who
|
|
would give it circulation. She lifted her head proudly and
|
|
waited, for was not Philip planning something unusual and
|
|
unsurpassed in her honour? Then she smiled.
|
|
|
|
But of all the fragmentary thoughts crossing her brain the
|
|
one that never came was that of Philip Ammon as the Emperor.
|
|
Philip the king of her heart; at least her equal in all things.
|
|
She was the Empress--yes, Philip was but a mere man, to
|
|
devise entertainments, to provide luxuries, to humour whims,
|
|
to kiss hands!
|
|
|
|
"Ah, my luck!" cried a voice behind her.
|
|
|
|
Edith Carr turned and smiled.
|
|
|
|
"I thought you were on the ocean," she said.
|
|
|
|
"I only reached the dock," replied the man, "when I had
|
|
a letter that recalled me by the first limited."
|
|
|
|
"Oh! Important business?"
|
|
|
|
"The only business of any importance in all the world
|
|
to me. I'm triumphant that I came. Edith, you are the
|
|
most superb woman in every respect that I have ever seen.
|
|
One glimpse is worth the whole journey."
|
|
|
|
"You like my dress?" She moved toward him and turned,
|
|
lifting her arms. "Do you know what it is intended
|
|
to represent?"
|
|
|
|
"Yes, Polly Ammon told me. I knew when I heard
|
|
about it how you would look, so I started a sleuth hunt,
|
|
to get the first peep. Edith, I can become intoxicated
|
|
merely with looking at you to-night."
|
|
|
|
He half-closed his eyes and smilingly stared straight at her.
|
|
He was taller than she, a lean man, with close-cropped light
|
|
hair, steel-gray eyes, a square chin and "man of the world"
|
|
written all over him.
|
|
|
|
Edith Carr flushed. "I thought you realized when you
|
|
went away that you were to stop that, Hart Henderson,"
|
|
she cried.
|
|
|
|
"I did, but this letter of which I tell you called me back
|
|
to start it all over again."
|
|
|
|
She came a step closer. "Who wrote that letter, and
|
|
what did it contain concerning me?" she demanded.
|
|
|
|
"One of your most intimate chums wrote it. It contained
|
|
the hazard that possibly I had given up too soon. It said
|
|
that in a fit of petulance you had broken your engagement
|
|
with Ammon twice this winter, and he had come back because
|
|
he knew you did not really mean it. I thought deeply there
|
|
on the dock when I read that, and my boat sailed without me.
|
|
I argued that anything so weak as an engagement twice broken
|
|
and patched up again was a mighty frail affair indeed, and
|
|
likely to smash completely at any time, so I came on the run.
|
|
I said once I would not see you marry any other man.
|
|
Because I could not bear it, I planned to go into exile of
|
|
any sort to escape that. I have changed my mind. I have
|
|
come back to haunt you until the ceremony is over. Then I go,
|
|
not before. I was insane!"
|
|
|
|
The girl laughed merrily. "Not half so insane as you
|
|
are now, Hart!" she cried gaily. "You know that Philip
|
|
Ammon has been devoted to me all my life. Now I'll tell
|
|
you something else, because this looks serious for you.
|
|
I love him with all my heart. Not while he lives shall he
|
|
know it, and I will laugh at him if you tell him, but the
|
|
fact remains: I intend to marry him, but no doubt I shall
|
|
tease him constantly. It's good for a man to be uncertain.
|
|
If you could see Philip's face at the quarterly return of his
|
|
ring, you would understand the fun of it. You had better
|
|
have taken your boat."
|
|
|
|
"Possibly," said Henderson calmly. "But you are the
|
|
only woman in the world for me, and while you are free, as
|
|
I now see my light, I remain near you. You know the old adage."
|
|
|
|
"But I'm not `free!'" cried Edith Carr. "I'm telling
|
|
you I am not. This night is my public acknowledgment
|
|
that Phil and I are promised, as our world has surmised
|
|
since we were children. That promise is an actual fact,
|
|
because of what I just have told you. My little fits of
|
|
temper don't count with Phil. He's been reared on them.
|
|
In fact, I often invent one in a perfect calm to see him
|
|
perform. He is the most amusing spectacle. But, please,
|
|
please, do understand that I love him, and always shall,
|
|
and that we shall be married."
|
|
|
|
"Just the same, I'll wait and see it an accomplished
|
|
fact," said Henderson. "And Edith, because I love you,
|
|
with the sort of love it is worth a woman's while to
|
|
inspire, I want your happiness before my own. So I
|
|
am going to say this to you, for I never dreamed you
|
|
were capable of the feeling you have displayed for Phil.
|
|
If you do love him, and have loved him always, a
|
|
disappointment would cut you deeper than you know.
|
|
Go careful from now on! Don't strain that patched
|
|
engagement of yours any further. I've known Philip all
|
|
my life. I've known him through boyhood, in college,
|
|
and since. All men respect him. Where the rest of us
|
|
confess our sins, he stands clean. You can go to his arms
|
|
with nothing to forgive. Mark this thing! I have heard
|
|
him say, `Edith is my slogan,' and I have seen him march
|
|
home strong in the strength of his love for you, in the face
|
|
of temptations before which every other man of us fell.
|
|
Before the gods! that ought to be worth something to a
|
|
girl, if she really is the delicate, sensitive, refined
|
|
thing she would have man believe. It would take a woman
|
|
with the organism of an ostrich to endure some of the
|
|
men here to-night, if she knew them as I do; but Phil
|
|
is sound to the core. So this is what I would say
|
|
to you: first, your instincts are right in loving him,
|
|
why not let him feel it in the ways a woman knows?
|
|
Second, don't break your engagement again. As men
|
|
know the man, any of us would be afraid to the soul.
|
|
He loves you, yes! He is long-suffering for you, yes!
|
|
But men know he has a limit. When the limit is
|
|
reached, he will stand fast, and all the powers can't
|
|
move him. You don't seem to think it, but you can go
|
|
too far!"
|
|
|
|
"Is that all?" laughed Edith Carr sarcastically.
|
|
|
|
"No, there is one thing more," said Henderson. "Here or
|
|
here-after, now and so long as I breathe, I am your slave.
|
|
You can do anything you choose and know that I will
|
|
kneel before you again. So carry this in the depths of
|
|
your heart; now or at any time, in any place or condition,
|
|
merely lift your hand, and I will come. Anything you
|
|
want of me, that thing will I do. I am going to wait; if
|
|
you need me, it is not necessary to speak; only give me
|
|
the faintest sign. All your life I will be somewhere near
|
|
you waiting for it."
|
|
|
|
"Idjit! You rave!" laughed Edith Carr. "How you
|
|
would frighten me! What a bugbear you would raise!
|
|
Be sensible and go find what keeps Phil. I was waiting
|
|
patiently, but my patience is going. I won't look nearly
|
|
so well as I do now when it is gone."
|
|
|
|
At that instant Philip Ammon entered. He was in
|
|
full evening dress and exceptionally handsome.
|
|
"Everything is ready," he said; "they are waiting for
|
|
us to lead the march. It is formed."
|
|
|
|
Edith Carr smiled entrancingly. "Do you think I am ready?"
|
|
|
|
Philip looked what he thought, and offered his arm.
|
|
Edith Carr nodded carelessly to Hart Henderson, and
|
|
moved away. Attendants parted the curtains and the
|
|
Yellow Empress bowing right and left, swept the length
|
|
of the ballroom and took her place at the head of the
|
|
formed procession. The large open dancing pavilion was
|
|
draped with yellow silk caught up with lilac flowers.
|
|
Every corner was filled with bloom of those colours.
|
|
The music was played by harpers dressed in yellow and
|
|
violet, so the ball opened.
|
|
|
|
The midnight supper was served with the same colours
|
|
and the last half of the programme was being danced.
|
|
Never had girl been more complimented and petted in
|
|
the same length of time than Edith Carr. Every minute
|
|
she seemed to grow more worthy of praise. A partners'
|
|
dance was called and the floor was filled with couples
|
|
waiting for the music. Philip stood whispering delightful
|
|
things to Edith facing him. From out of the night,
|
|
in at the wide front entrance to the pavilion, there
|
|
swept in slow wavering flight a large yellow moth and
|
|
fluttered toward the centre cluster of glaring electric lights.
|
|
Philip Ammon and Edith Carr saw it at the same instant.
|
|
|
|
"Why, isn't that----?" she began excitedly.
|
|
|
|
"It's a Yellow Emperor! This is fate!" cried Philip.
|
|
"The last one Elnora needs for her collection. I must
|
|
have it! Excuse me!"
|
|
|
|
He ran toward the light. "Hats! Handkerchiefs! Fans!
|
|
Anything!" he panted. "Every one hold up something and
|
|
stop that! It's a moth; I've got to catch it!"
|
|
|
|
"It's yellow! He wants it for Edith!" ran in a murmur
|
|
around the hall. The girl's face flushed, while she bit her
|
|
lips in vexation.
|
|
|
|
Instantly every one began holding up something to
|
|
keep the moth from flying back into the night. One fan
|
|
held straight before it served, and the moth gently settled
|
|
on it.
|
|
|
|
"Hold steady!" cried Philip. "Don't move for your life!"
|
|
He rushed toward the moth, made a quick sweep and held it
|
|
up between his fingers. "All right!" he called. "Thanks,
|
|
every one! Excuse me a minute."
|
|
|
|
He ran to the office.
|
|
|
|
"An ounce of gasolene, quick!" he ordered. "A cigar
|
|
box, a cork, and the glue bottle."
|
|
|
|
He poured some glue into the bottom of the box, set the
|
|
cork in it firmly, dashed the gasolene over the moth
|
|
repeatedly, pinned it to the cork, poured the remainder
|
|
of the liquid over it, closed the box, and fastened it.
|
|
Then he laid a bill on the counter.
|
|
|
|
"Pack that box with cork around it, in one twice its
|
|
size, tie securely and express to this address at once."
|
|
|
|
He scribbled on a sheet of paper and shoved it over.
|
|
|
|
"On your honour, will you do that faithfully as I say?"
|
|
he asked the clerk.
|
|
|
|
"Certainly," was the reply.
|
|
|
|
"Then keep the change," called Philip as he ran back
|
|
to the pavilion.
|
|
|
|
Edith Carr stood where he left her, thinking rapidly.
|
|
She heard the murmur that arose when Philip started
|
|
to capture the exquisite golden creature she
|
|
was impersonating. She saw the flash of surprise that
|
|
went over unrestrained faces when he ran from the room,
|
|
without even showing it to her. "The last one Elnora
|
|
needs," rang in her ears. He had told her that he
|
|
helped collect moths the previous summer, but she had
|
|
understood that the Bird Woman, with whose work Miss
|
|
Carr was familiar, wanted them to put in a book.
|
|
|
|
He had spoken of a country girl he had met who played
|
|
the violin wonderfully, and at times, he had shown a
|
|
disposition to exalt her as a standard of womanhood.
|
|
Miss Carr had ignored what he said, and talked of
|
|
something else. But that girl's name had been Elnora.
|
|
It was she who was collecting moths! No doubt she was
|
|
the competent judge who was responsible for the yellow
|
|
costume Philip had devised. Had Edith Carr been in
|
|
her room, she would have torn off the dress at the thought.
|
|
|
|
Being in a circle of her best friends, which to her meant
|
|
her keenest rivals and harshest critics, she grew rigid
|
|
with anger. Her breath hurt her paining chest. No one
|
|
thought to speak to the musicians, and seeing the floor
|
|
filled, they began the waltz. Only part of the guests
|
|
could see what had happened, and at once the others
|
|
formed and commenced to dance. Gay couples came
|
|
whirling past her.
|
|
|
|
Edith Carr grew very white as she stood alone. Her lips
|
|
turned pale, while her dark eyes flamed with anger.
|
|
She stood perfectly still where Philip had left her, and
|
|
the approaching men guided their partners around her,
|
|
while the girls, looking back, could be seen making
|
|
exclamations of surprise.
|
|
|
|
The idolized only daughter of the Carr family hoped that
|
|
she would drop dead from mortification, but nothing happened.
|
|
She was too perverse to step aside and say that she was
|
|
waiting for Philip. Then came Tom Levering dancing with
|
|
Polly Ammon. Being in the scales with the Ammon family,
|
|
Tom scented trouble from afar, so he whispered to Polly:
|
|
"Edith is standing in the middle of the floor, and she's
|
|
awful mad about something."
|
|
|
|
"That won't hurt her," laughed Polly. "It's an old
|
|
pose of hers. She knows she looks superb when she is
|
|
angry, so she keeps herself furious half the time on purpose."
|
|
|
|
"She looks like the mischief!" answered Tom. "Hadn't we
|
|
better steer over and wait with her? She's the ugliest
|
|
sight I ever saw!"
|
|
|
|
"Why, Tom!" cried Polly. "Stop, quickly!"
|
|
|
|
They hurried to Edith.
|
|
|
|
"Come dear," said Polly. "We are going to wait
|
|
with you until Phil returns. Let's go after a drink.
|
|
I am so thirsty!"
|
|
|
|
"Yes, do!" begged Tom, offering his arm. "Let's get
|
|
out of here until Phil comes."
|
|
|
|
There was the opportunity to laugh and walk away, but
|
|
Edith Carr would not accept it.
|
|
|
|
"My betrothed left me here," she said. "Here I shall
|
|
remain until he returns for me, and then--he will be my
|
|
betrothed no longer!"
|
|
|
|
Polly grasped Edith's arm.
|
|
|
|
"Oh, Edith!" she implored. "Don't make a scene here,
|
|
and to-night. Edith, this has been the loveliest
|
|
dance ever given at the club house. Every one is saying so.
|
|
Edith! Darling, do come! Phil will be back in a second.
|
|
He can explain! It's only a breath since I saw him go out.
|
|
I thought he had returned."
|
|
|
|
As Polly panted these disjointed ejaculations, Tom
|
|
Levering began to grow angry on her account.
|
|
|
|
"He has been gone just long enough to show every
|
|
one of his guests that he will leave me standing alone,
|
|
like a neglected fool, for any passing whim of his.
|
|
Explain! His explanation would sound well! Do you know
|
|
for whom he caught that moth? It is being sent to a girl
|
|
he flirted with all last summer. It has just occurred to me
|
|
that the dress I am wearing is her suggestion. Let him
|
|
try to explain!"
|
|
|
|
Speech unloosed the fountain. She stripped off her
|
|
gloves to free her hands. At that instant the dancers
|
|
parted to admit Philip. Instinctively they stopped as
|
|
they approached and with wondering faces walled in
|
|
Edith and Philip, Polly and Tom.
|
|
|
|
"Mighty good of you to wait!" cried Philip, his face
|
|
showing his delight over his success in capturing the
|
|
Yellow Emperor. "I thought when I heard the music
|
|
you were going on."
|
|
|
|
"How did you think I was going on?" demanded Edith
|
|
Carr in frigid tones.
|
|
|
|
"I thought you would step aside and wait a few seconds
|
|
for me, or dance with Henderson. It was most important
|
|
to have that moth. It completes a valuable collection for
|
|
a person who needs the money. Come!"
|
|
|
|
He held out his arms.
|
|
|
|
"I `step aside' for no one!" stormed Edith Carr.
|
|
"I await no other girl's pleasure! You may `complete
|
|
the collection' with that!"
|
|
|
|
She drew her engagement ring from her finger and
|
|
reached to place it on one of Philip's outstretched hands.
|
|
He saw and drew back. Instantly Edith dropped the ring.
|
|
As it fell, almost instinctively Philip caught it in air.
|
|
With amazed face he looked closely at Edith Carr.
|
|
Her distorted features were scarcely recognizable.
|
|
He held the ring toward her.
|
|
|
|
"Edith, for the love of mercy, wait until I can explain,"
|
|
he begged. "Put on your ring and let me tell you how it is."
|
|
|
|
"I know perfectly `how it is,'" she answered. "I never
|
|
shall wear that ring again."
|
|
|
|
"You won't even hear what I have to say? You won't
|
|
take back your ring?" he cried.
|
|
|
|
"Never! Your conduct is infamous!"
|
|
|
|
"Come to think of it," said Philip deliberately, "it is
|
|
`infamous' to cut a girl, who has danced all her life, out of
|
|
a few measures of a waltz. As for asking forgiveness for so
|
|
black a sin as picking up a moth, and starting it to a friend
|
|
who lives by collecting them, I don't see how I could!
|
|
I have not been gone three minutes by the clock, Edith.
|
|
Put on your ring and finish the dance like a dear girl."
|
|
|
|
He thrust the glittering ruby into her fingers and again
|
|
held out his arms. She dropped the ring, and it rolled some
|
|
distance from them. Hart Henderson followed its shining
|
|
course, and caught it before it was lost.
|
|
|
|
"You really mean it?" demanded Philip in a voice as
|
|
cold as hers ever had been.
|
|
|
|
"You know I mean it!" cried Edith Carr.
|
|
|
|
"I accept your decision in the presence of these
|
|
witnesses," said Philip Ammon. "Where is my father?"
|
|
The elder Ammon with a distressed face hurried to him.
|
|
"Father, take my place," said Philip. "Excuse me to
|
|
my guests. Ask all my friends to forgive me. I am
|
|
going away for awhile."
|
|
|
|
He turned and walked from the pavilion. As he went
|
|
Hart Henderson rushed to Edith Carr and forced the ring
|
|
into her fingers. "Edith, quick. Come, quick!" he implored.
|
|
"There's just time to catch him. If you let him go that way,
|
|
he never will return in this world. Remember what I told you."
|
|
|
|
"Great prophet! aren't you, Hart?" she sneered.
|
|
"Who wants him to return? If that ring is thrust upon
|
|
me again I shall fling it into the lake. Signal the
|
|
musicians to begin, and dance with me."
|
|
|
|
Henderson put the ring into his pocket, and began the dance.
|
|
He could feel the muscular spasms of the girl in his arms,
|
|
her face was cold and hard, but her breath burned with
|
|
the scorch of fever. She finished the dance and all
|
|
others, taking Phil's numbers with Henderson, who had
|
|
arrived too late to arrange a programme. She left with
|
|
the others, merely inclining her head as she passed
|
|
Ammon's father taking his place, and entered the big touring
|
|
car for which Henderson had telephoned. She sank limply
|
|
into a seat and moaned softly.
|
|
|
|
"Shall I drive awhile in the night air?" asked Henderson.
|
|
|
|
She nodded. He instructed the chauffeur.
|
|
|
|
She raised her head in a few seconds. "Hart, I'm going
|
|
to pieces," she said. "Won't you put your arm around me
|
|
a little while?"
|
|
|
|
Henderson gathered her into his arms and her head fell
|
|
on his shoulder. "Closer!" she cried.
|
|
|
|
Henderson held her until his arms were numb, but he
|
|
did not know it. The tricks of fate are cruel enough, but
|
|
there scarcely could have been a worse one than that:
|
|
To care for a woman as he loved Edith Carr and have her
|
|
given into his arms because she was so numb with misery
|
|
over her trouble with another man that she did not know or
|
|
care what she did. Dawn was streaking the east when he
|
|
spoke to her.
|
|
|
|
"Edith, it is growing light."
|
|
|
|
"Take me home," she said.
|
|
|
|
Henderson helped her up the steps and rang the bell.
|
|
|
|
"Miss Carr is ill," he said to the footman. "Arouse her
|
|
maid instantly, and have her prepare something hot as
|
|
quickly as possible."
|
|
|
|
"Edith," he cried, "just a word. I have been thinking.
|
|
It isn't too late yet. Take your ring and put it on.
|
|
I will go find Phil at once and tell him you have, that
|
|
you are expecting him, and he will come."
|
|
|
|
"Think what he said!" she cried. "He accepted my decision
|
|
as final, `in the presence of witnesses,' as if it were court.
|
|
He can return it to me, if I ever wear it again."
|
|
|
|
"You think that now, but in a few days you will find
|
|
that you feel very differently. Living a life of heartache
|
|
is no joke, and no job for a woman. Put on your ring and
|
|
send me to tell him to come."
|
|
|
|
"No."
|
|
|
|
"Edith, there was not a soul who saw that, but sympathized
|
|
with Phil. It was ridiculous for you to get so angry over
|
|
a thing which was never intended for the slightest offence,
|
|
and by no logical reasoning could have been so considered."
|
|
|
|
"Do you think that?" she demanded.
|
|
|
|
"I do!" said Henderson. "If you had laughed and stepped
|
|
aside an instant, or laughed and stayed where you were,
|
|
Phil would have been back; or, if he needed punishment
|
|
in your eyes, to have found me having one of his dances
|
|
would have been enough. I was waiting. You could have
|
|
called me with one look. But to publicly do and say
|
|
what you did, my lady--I know Phil, and I know you
|
|
went too far. Put on that ring, and send him word
|
|
you are sorry, before it is too late."
|
|
|
|
"I will not! He shall come to me."
|
|
|
|
"Then God help you!" said Henderson, "for you are
|
|
plunging into misery whose depth you do not dream.
|
|
Edith, I beg of you----"
|
|
|
|
She swayed where she stood. Her maid opened the door
|
|
and caught her. Henderson went down the hall and out
|
|
to his car.
|
|
|
|
CHAPTER XX
|
|
|
|
WHEREIN THE ELDER AMMON OFFERS ADVICE,
|
|
AND EDITH CARR EXPERIENCES REGRETS
|
|
|
|
Philip Ammon walked from among his friends a
|
|
humiliated and a wounded man. Never before had
|
|
Edith Carr appeared quite so beautiful. All evening
|
|
she had treated him with unusual consideration.
|
|
Never had he loved her so deeply. Then in a few seconds
|
|
everything was different. Seeing the change in her face,
|
|
and hearing her meaningless accusations, killed something
|
|
in his heart. Warmth went out and a cold weight took
|
|
its place. But even after that, he had offered the ring
|
|
to her again, and asked her before others to reconsider.
|
|
The answer had been further insult.
|
|
|
|
He walked, paying no heed to where he went. He had
|
|
traversed many miles when he became aware that his feet
|
|
had chosen familiar streets. He was passing his home.
|
|
Dawn was near, but the first floor was lighted.
|
|
He staggered up the steps and was instantly admitted.
|
|
The library door stood open, while his father sat with
|
|
a book pretending to read. At Philip's entrance the
|
|
father scarcely glanced up.
|
|
|
|
"Come on!" he called. "I have just told Banks to bring
|
|
me a cup of coffee before I turn in. Have one with me!"
|
|
|
|
Philip sat beside the table and leaned his head on his
|
|
hands, but he drank a cup of steaming coffee and felt better.
|
|
|
|
"Father," he said, "father, may I talk with you a little while?"
|
|
|
|
"Of course," answered Mr. Ammon. "I am not at
|
|
all tired. I think I must have been waiting in the
|
|
hope that you would come. I want no one's version
|
|
of this but yours. Tell me the straight of the
|
|
thing, Phil."
|
|
|
|
Philip told all he knew, while his father sat in deep thought.
|
|
|
|
"On my life I can't see any occasion for such a display of
|
|
temper, Phil. It passed all bounds of reason and breeding.
|
|
Can't you think of anything more?"
|
|
|
|
"I cannot!"
|
|
|
|
"Polly says every one expected you to carry the moth
|
|
you caught to Edith. Why didn't you?"
|
|
|
|
"She screams if a thing of that kind comes near her.
|
|
She never has taken the slightest interest in them. I was
|
|
in a big hurry. I didn't want to miss one minute of my
|
|
dance with her. The moth was not so uncommon, but by
|
|
a combination of bad luck it had become the rarest in
|
|
America for a friend of mine, who is making a collection to
|
|
pay college expenses. For an instant last June the series
|
|
was completed; when a woman's uncontrolled temper ruined
|
|
this specimen and the search for it began over. A few
|
|
days later a pair was secured, and again the money was
|
|
in sight for several hours. Then an accident wrecked
|
|
one-fourth of the collection. I helped replace those
|
|
last June, all but this Yellow Emperor which we could
|
|
not secure, and we haven't been able to find, buy or
|
|
trade for one since. So my friend was compelled to teach
|
|
this past winter instead of going to college. When that
|
|
moth came flying in there to-night, it seemed to me like fate.
|
|
All I thought of was, that to secure it would complete the
|
|
collection and secure the money. So I caught the Emperor and
|
|
started it to Elnora. I declare to you that I was not out of
|
|
the pavilion over three minutes at a liberal estimate. If I
|
|
only had thought to speak to the orchestra! I was sure I
|
|
would be back before enough couples gathered and formed
|
|
for the dance."
|
|
|
|
The eyes of the father were very bright.
|
|
|
|
"The friend for whom you wanted the moth is a girl?"
|
|
he asked indifferently, as he ran the book leaves through
|
|
his fingers.
|
|
|
|
"The girl of whom I wrote you last summer, and told
|
|
you about in the fall. I helped her all the time I was away."
|
|
|
|
"Did Edith know of her?"
|
|
|
|
"I tried many times to tell her, to interest her, but she
|
|
was so indifferent that it was insulting. She would not
|
|
hear me."
|
|
|
|
"We are neither one in any condition to sleep. Why don't
|
|
you begin at the first and tell me about this girl?
|
|
To think of other matters for a time may clear our vision
|
|
for a sane solution of this. Who is she, just what is she
|
|
doing, and what is she like? You know I was reared among
|
|
those Limberlost people, I can understand readily.
|
|
What is her name and where does she live?"
|
|
|
|
Philip gave a man's version of the previous summer,
|
|
while his father played with the book industriously.
|
|
|
|
"You are very sure as to her refinement and education?"
|
|
|
|
"In almost two months' daily association, could a man
|
|
be mistaken? She can far and away surpass Polly, Edith,
|
|
or any girl of our set on any common, high school, or
|
|
supplementary branch, and you know high schools have
|
|
French, German, and physics now. Besides, she is a
|
|
graduate of two other institutions. All her life she has
|
|
been in the school of Hard Knocks. She has the biggest,
|
|
tenderest, most human heart I ever knew in a girl. She has
|
|
known life in its most cruel phases, and instead of
|
|
hardening her, it has set her trying to save other
|
|
people suffering. Then this nature position of which
|
|
I told you; she graduated in the School of the Woods,
|
|
before she secured that. The Bird Woman, whose work you
|
|
know, helped her there. Elnora knows more interesting
|
|
things in a minute than any other girl I ever met knew in
|
|
an hour, provided you are a person who cares to understand
|
|
plant and animal life."
|
|
|
|
The book leaves slid rapidly through his fingers as
|
|
the father drawled: "What sort of looking girl is she?"
|
|
|
|
"Tall as Edith, a little heavier, pink, even complexion,
|
|
wide open blue-gray eyes with heavy black brows, and
|
|
lashes so long they touch her cheeks. She has a rope
|
|
of waving, shining hair that makes a real crown on her
|
|
head, and it appears almost red in the light. She is as
|
|
handsome as any fair woman I ever saw, but she doesn't
|
|
know it. Every time any one pays her a compliment,
|
|
her mother, who is a caution, discovers that, for some
|
|
reason, the girl is a fright, so she has no appreciation of
|
|
her looks."
|
|
|
|
"And you were in daily association two months with
|
|
a girl like that! How about it, Phil?"
|
|
|
|
"If you mean, did I trifle with her, no!" cried Philip hotly.
|
|
"I told her the second time I met her all about Edith.
|
|
Almost every day I wrote to Edith in her presence.
|
|
Elnora gathered violets and made a fancy basket to put
|
|
them in for Edith's birthday. I started to err in
|
|
too open admiration for Elnora, but her mother brought
|
|
me up with a whirl I never forgot. Fifty times a day
|
|
in the swamps and forests Elnora made a perfect picture,
|
|
but I neither looked nor said anything. I never met
|
|
any girl so downright noble in bearing and actions.
|
|
I never hated anything as I hated leaving her, for we were
|
|
dear friends, like two wholly congenial men. Her mother
|
|
was almost always with us. She knew how much I admired
|
|
Elnora, but so long as I concealed it from the girl,
|
|
the mother did not care."
|
|
|
|
"Yet you left such a girl and came back whole-hearted
|
|
to Edith Carr!"
|
|
|
|
"Surely! You know how it has been with me about
|
|
Edith all my life."
|
|
|
|
"Yet the girl you picture is far her superior to an
|
|
unprejudiced person, when thinking what a man would
|
|
require in a wife to be happy."
|
|
|
|
"I never have thought what I would `require' to be happy!
|
|
I only thought whether I could make Edith happy. I have
|
|
been an idiot! What I've borne you'll never know!
|
|
To-night is only one of many outbursts like that,
|
|
in varying and lesser degrees."
|
|
|
|
"Phil, I love you, when you say you have thought
|
|
only of Edith! I happen to know that it is true.
|
|
You are my only son, and I have had a right to watch
|
|
you closely. I believe you utterly. Any one who cares
|
|
for you as I do, and has had my years of experience in
|
|
this world over yours, knows that in some ways, to-night
|
|
would be a blessed release, if you could take it; but
|
|
you cannot! Go to bed now, and rest. To-morrow, go back
|
|
to her and fix it up."
|
|
|
|
"You heard what I said when I left her! I said it because
|
|
something in my heart died a minute before that, and
|
|
I realized that it was my love for Edith Carr. Never again
|
|
will I voluntarily face such a scene. If she can act
|
|
like that at a ball, before hundreds, over a thing of which
|
|
I thought nothing at all, she would go into actual physical
|
|
fits and spasms, over some of the household crises I've
|
|
seen the mater meet with a smile. Sir, it is truth that
|
|
I have thought only of her up to the present. Now, I
|
|
will admit I am thinking about myself. Father, did you
|
|
see her? Life is too short, and it can be too sweet, to
|
|
throw it away in a battle with an unrestrained woman.
|
|
I am no fighter--where a girl is concerned, anyway.
|
|
I respect and love her or I do nothing. Never again is
|
|
either respect or love possible between me and Edith Carr.
|
|
Whenever I think of her in the future, I will see her as
|
|
she was to-night. But I can't face the crowd just yet.
|
|
Could you spare me a few days?"
|
|
|
|
"It is only ten days until you were to go north for the
|
|
summer, go now."
|
|
|
|
"I don't want to go north. I don't want to meet people
|
|
I know. There, the story would precede me. I do not
|
|
need pitying glances or rough condolences. I wonder if
|
|
I could not hide at Uncle Ed's in Wisconsin for awhile?"
|
|
|
|
The book closed suddenly. The father leaned across
|
|
the table and looked into the son's eyes.
|
|
|
|
"Phil, are you sure of what you just have said?"
|
|
|
|
"Perfectly sure!"
|
|
|
|
"Do you think you are in any condition to decide to-night?"
|
|
|
|
"Death cannot return to life, father. My love for
|
|
Edith Carr is dead. I hope never to see her again."
|
|
|
|
"If I thought you could be certain so soon! But, come
|
|
to think of it, you are very like me in many ways. I am
|
|
with you in this. Public scenes and disgraces I would
|
|
not endure. It would be over with me, were I in your
|
|
position, that I know."
|
|
|
|
"It is done for all time," said Philip Ammon. "Let us
|
|
not speak of it further."
|
|
|
|
"Then, Phil," the father leaned closer and looked at the
|
|
son tenderly, "Phil, why don't you go to the Limberlost?"
|
|
|
|
"Father!"
|
|
|
|
"Why not? No one can comfort a hurt heart like a
|
|
tender woman; and, Phil, have you ever stopped to think
|
|
that you may have a duty in the Limberlost, if you
|
|
are free? I don't know! I only suggest it. But, for a
|
|
country schoolgirl, unaccustomed to men, two months
|
|
with a man like you might well awaken feelings of which
|
|
you do not think. Because you were safe-guarded is no
|
|
sign the girl was. She might care to see you. You can
|
|
soon tell. With you, she comes next to Edith, and you
|
|
have made it clear to me that you appreciate her in many
|
|
ways above. So I repeat it, why not go to the Limberlost?"
|
|
|
|
A long time Philip Ammon sat in deep thought. At last
|
|
he raised his head.
|
|
|
|
"Well, why not!" he said. "Years could make me
|
|
no surer than I am now, and life is short. Please ask
|
|
Banks to get me some coffee and toast, and I will bathe
|
|
and dress so I can take the early train."
|
|
|
|
"Go to your bath. I will attend to your packing
|
|
and everything. And Phil, if I were you, I would
|
|
leave no addresses."
|
|
|
|
"Not an address!" said Philip. "Not even Polly."
|
|
|
|
When the train pulled out, the elder Ammon went home
|
|
to find Hart Henderson waiting.
|
|
|
|
"Where is Phil?" he demanded.
|
|
|
|
"He did not feel like facing his friends at present, and
|
|
I am just back from driving him to the station. He said
|
|
he might go to Siam, or Patagonia. He would leave no address."
|
|
|
|
Henderson almost staggered. "He's not gone? And left
|
|
no address? You don't mean it! He'll never forgive her!"
|
|
|
|
"Never is a long time, Hart," said Mr. Ammon. "And it
|
|
seems even longer to those of us who are well acquainted
|
|
with Phil. Last night was not the last straw. It was
|
|
the whole straw-stack. It crushed Phil so far as she
|
|
is concerned. He will not see her again voluntarily, and
|
|
he will not forget if he does. You can take it from him,
|
|
and from me, we have accepted the lady's decision. Will you
|
|
have a cup of coffee?"
|
|
|
|
Twice Henderson opened his lips to speak of Edith
|
|
Carr's despair. Twice he looked into the stern, inflexible
|
|
face of Mr. Ammon and could not betray her. He held
|
|
out the ring.
|
|
|
|
"I have no instructions as to that," said the elder
|
|
Ammon, drawing back. "Possibly Miss Carr would have
|
|
it as a keepsake."
|
|
|
|
"I am sure not," said Henderson curtly.
|
|
|
|
"Then suppose you return it to Peacock. I will phone him.
|
|
He will give you the price of it, and you might add
|
|
it to the children's Fresh Air Fund. We would be obliged
|
|
if you would do that. No one here cares to handle the object."
|
|
|
|
"As you choose," said Henderson. "Good morning!"
|
|
|
|
Then he went to his home, but he could not think of sleep.
|
|
He ordered breakfast, but he could not eat. He paced the
|
|
library for a time, but it was too small. Going on the
|
|
streets he walked until exhausted, then he called
|
|
a hansom and was driven to his club. He had thought
|
|
himself familiar with every depth of suffering; that night
|
|
had taught him that what he felt for himself was not to be
|
|
compared with the anguish which wrung his heart over
|
|
the agony of Edith Carr. He tried to blame Philip Ammon,
|
|
but being an honest man, Henderson knew that was unjust.
|
|
The fault lay wholly with her, but that only made it
|
|
harder for him, as he realized it would in time for her.
|
|
|
|
As he sauntered into the room an attendant hurried to him.
|
|
|
|
"You are wanted most urgently at the 'phone, Mr.
|
|
Henderson," he said. "You have had three calls from
|
|
Main 5770."
|
|
|
|
Henderson shivered as he picked down the receiver and
|
|
gave the call.
|
|
|
|
"Is that you, Hart?" came Edith's voice.
|
|
|
|
"Yes."
|
|
|
|
"Did you find Phil?"
|
|
|
|
"No."
|
|
|
|
"Did you try?"
|
|
|
|
"Yes. As soon as I left you I went straight there."
|
|
|
|
"Wasn't he home yet?"
|
|
|
|
"He has been home and gone again."
|
|
|
|
"Gone!"
|
|
|
|
The cry tore Henderson's heart.
|
|
|
|
"Shall I come and tell you, Edith?"
|
|
|
|
"No! Tell me now."
|
|
|
|
"When I reached the house Banks said Mr. Ammon
|
|
and Phil were out in the motor, so I waited. Mr. Ammon
|
|
came back soon. Edith, are you alone?"
|
|
|
|
"Yes. Go on!"
|
|
|
|
"Call your maid. I can't tell you until some one is
|
|
with you."
|
|
|
|
"Tell me instantly!"
|
|
|
|
"Edith, he said he had been to the station. He said
|
|
Phil had started to Siam or Patagonia, he didn't know
|
|
which, and left no address. He said----"
|
|
|
|
Distinctly Henderson heard her fall. He set the buzzer
|
|
ringing, and in a few seconds heard voices, so he knew she
|
|
had been found. Then he crept into a private den and
|
|
shook with a hard, nervous chill.
|
|
|
|
The next day Edith Carr started on her trip to Europe.
|
|
Henderson felt certain she hoped to meet Philip there.
|
|
He was sure she would be disappointed, though he had no
|
|
idea where Ammon could have gone. But after much
|
|
thought he decided he would see Edith soonest by
|
|
remaining at home, so he spent the summer in Chicago.
|
|
|
|
CHAPTER XXI
|
|
|
|
WHEREIN PHILIP AMMON RETURNS TO THE LIMBERLOST,
|
|
AND ELNORA STUDIES THE SITUATION
|
|
|
|
We must be thinking about supper, mother," said Elnora,
|
|
while she set the wings of a Cecropia with much care.
|
|
"It seems as if I can't get enough to eat, or enough
|
|
of being at home. I enjoyed that city house. I don't
|
|
believe I could have done my work if I had been
|
|
compelled to walk back and forth. I thought at first
|
|
I never wanted to come here again. Now, I feel as if
|
|
I could not live anywhere else."
|
|
|
|
"Elnora," said Mrs. Comstock, "there's some one
|
|
coming down the road."
|
|
|
|
"Coming here, do you think?"
|
|
|
|
"Yes, coming here, I suspect."
|
|
|
|
Elnora glanced quickly at her mother and then turned
|
|
to the road as Philip Ammon reached the gate.
|
|
|
|
"Careful, mother!" the girl instantly warned. "If you
|
|
change your treatment of him a hair's breadth, he
|
|
will suspect. Come with me to meet him."
|
|
|
|
She dropped her work and sprang up.
|
|
|
|
"Well, of all the delightful surprises!" she cried.
|
|
|
|
She was a trifle thinner than during the previous summer.
|
|
On her face there was a more mature, patient look, but
|
|
the sun struck her bare head with the same ray of red gold.
|
|
She wore one of the old blue gingham dresses, open
|
|
at the throat and rolled to the elbows. Mrs. Comstock
|
|
did not appear at all the same woman, but Philip saw only
|
|
Elnora; heard only her greeting. He caught both hands
|
|
where she offered but one.
|
|
|
|
"Elnora," he cried, "if you were engaged to me, and we
|
|
were at a ball, among hundreds, where I offended you very
|
|
much, and didn't even know I had done anything, and if I
|
|
asked you before all of them to allow me to explain,
|
|
to forgive me, to wait, would your face grow distorted
|
|
and unfamiliar with anger? Would you drop my ring on the
|
|
floor and insult me repeatedly? Oh Elnora, would you?"
|
|
|
|
Elnora's big eyes seemed to leap, while her face grew
|
|
very white. She drew away her hands.
|
|
|
|
"Hush, Phil! Hush!" she protested. "That fever has
|
|
you again! You are dreadfully ill. You don't know
|
|
what you are saying."
|
|
|
|
"I am sleepless and exhausted; I'm heartsick; but I am
|
|
well as I ever was. Answer me, Elnora, would you?"
|
|
|
|
"Answer nothing!" cried Mrs. Comstock. "Answer nothing!
|
|
Hang your coat there on your nail, Phil, and come split
|
|
some kindling. Elnora, clean away that stuff, and set
|
|
the table. Can't you see the boy is starved and tired?
|
|
He's come home to rest and eat a decent meal. Come on, Phil!"
|
|
|
|
Mrs. Comstock marched away, and Philip hung his coat
|
|
in its old place and followed. Out of sight and hearing
|
|
she turned on him.
|
|
|
|
"Do you call yourself a man or a hound?" she flared.
|
|
|
|
"I beg your pardon----" stammered Philip Ammon.
|
|
|
|
"I should think you would!" she ejaculated. "I'll admit
|
|
you did the square thing and was a man last summer,
|
|
though I'd liked it better if you'd faced up and told
|
|
me you were promised; but to come back here babying,
|
|
and take hold of Elnora like that, and talk that way
|
|
because you have had a fuss with your girl, I don't tolerate.
|
|
Split that kindling and I'll get your supper, and then you
|
|
better go. I won't have you working on Elnora's big
|
|
heart, because you have quarrelled with some one else.
|
|
You'll have it patched up in a week and be gone again, so
|
|
you can go right away."
|
|
|
|
"Mrs. Comstock, I came to ask Elnora to marry me."
|
|
|
|
"The more fool you, then!" cried Mrs. Comstock.
|
|
"This time yesterday you were engaged to another woman,
|
|
no doubt. Now, for some little flare-up you come racing
|
|
here to use Elnora as a tool to spite the other girl.
|
|
A week of sane living, and you will be sorry and ready to
|
|
go back to Chicago, or, if you really are man enough to be
|
|
sure of yourself, she will come to claim you. She has
|
|
her rights. An engagement of years is a serious matter, and
|
|
not broken for a whim. If you don't go, she'll come.
|
|
Then, when you patch up your affairs and go sailing away
|
|
together, where does my girl come in?"
|
|
|
|
"I am a lawyer, Mrs. Comstock," said Philip. "It appeals
|
|
to me as beneath your ordinary sense of justice to decide
|
|
a case without hearing the evidence. It is due me that
|
|
you hear me first."
|
|
|
|
"Hear your side!" flashed Mrs. Comstock. "I'd a
|
|
heap sight rather hear the girl!"
|
|
|
|
"I wish to my soul that you had heard and seen her last
|
|
night, Mrs. Comstock," said Ammon. "Then, my way
|
|
would be clear. I never even thought of coming
|
|
here to-day. I'll admit I would have come in time,
|
|
but not for many months. My father sent me."
|
|
|
|
"Your father sent you! Why?"
|
|
|
|
"Father, mother, and Polly were present last night.
|
|
They, and all my friends, saw me insulted and disgraced
|
|
in the worst exhibition of uncontrolled temper any of us
|
|
ever witnessed. All of them knew it was the end.
|
|
Father liked what I had told him of Elnora, and he
|
|
advised me to come here, so I came. If she does not
|
|
want me, I can leave instantly, but, oh I hoped she
|
|
would understand!"
|
|
|
|
"You people are not splitting wood," called Elnora.
|
|
|
|
"Oh yes we are!" answered Mrs. Comstock. "You set
|
|
out the things for biscuit, and lay the table." She turned
|
|
again to Philip. "I know considerable about your father,"
|
|
she said. "I have met your Uncle's family frequently
|
|
this winter. I've heard your Aunt Anna say that she
|
|
didn't at all like Miss Carr, and that she and all your
|
|
family secretly hoped that something would happen to
|
|
prevent your marrying her. That chimes right in with
|
|
your saying that your father sent you here. I guess you
|
|
better speak your piece."
|
|
|
|
Philip gave his version of the previous night.
|
|
|
|
"Do you believe me?" he finished.
|
|
|
|
"Yes," said Mrs. Comstock.
|
|
|
|
"May I stay?"
|
|
|
|
"Oh, it looks all right for you, but what about her?"
|
|
|
|
"Nothing, so far as I am concerned. Her plans were all
|
|
made to start to Europe to-day. I suspect she is on the
|
|
way by this time. Elnora is very sensible, Mrs. Comstock.
|
|
Hadn't you better let her decide this?"
|
|
|
|
"The final decision rests with her, of course," admitted
|
|
Mrs. Comstock. "But look you one thing! She's all I have.
|
|
As Solomon says, `she is the one child, the only child
|
|
of her mother.' I've suffered enough in this world
|
|
that I fight against any suffering which threatens her.
|
|
So far as I know you've always been a man, and you
|
|
may stay. But if you bring tears and heartache to her,
|
|
don't have the assurance to think I'll bear it tamely.
|
|
I'll get right up and fight like a catamount, if things
|
|
go wrong for Elnora!"
|
|
|
|
"I have no doubt but you will," replied Philip, "and I
|
|
don't blame you in the least if you do. I have the utmost
|
|
devotion to offer Elnora, a good home, fair social position,
|
|
and my family will love her dearly. Think it over. I know
|
|
it is sudden, but my father advised it."
|
|
|
|
"Yes, I reckon he did!" said Mrs. Comstock dryly. "I guess
|
|
instead of me being the catamount, you had the genuine
|
|
article up in Chicago, masquerading in peacock feathers,
|
|
and posing as a fine lady, until her time came to scratch.
|
|
Human nature seems to be the same the world over. But I'd
|
|
give a pretty to know that secret thing you say you don't,
|
|
that set her raving over your just catching a moth for Elnora.
|
|
You might get that crock of strawberries in the spring house."
|
|
|
|
They prepared and ate supper. Afterward they sat in
|
|
the arbour and talked, or Elnora played until time for
|
|
Philip to go.
|
|
|
|
"Will you walk to the gate with me?" he asked Elnora
|
|
as he arose.
|
|
|
|
"Not to-night," she answered lightly. "Come early in
|
|
the morning if you like, and we will go over to Sleepy
|
|
Snake Creek and hunt moths and gather dandelions for dinner."
|
|
|
|
Philip leaned toward her. "May I tell you to-morrow
|
|
why I came?" he asked.
|
|
|
|
"I think not," replied Elnora. "The fact is, I don't
|
|
care why you came. It is enough for me that we are your
|
|
very good friends, and that in trouble, you have found us
|
|
a refuge. I fancy we had better live a week or two before
|
|
you say anything. There is a possibility that what you
|
|
have to say may change in that length of time.
|
|
|
|
"It will not change one iota!" cried Philip.
|
|
|
|
"Then it will have the grace of that much age to give it
|
|
some small touch of flavour," said the girl. "Come early
|
|
in the morning."
|
|
|
|
She lifted the violin and began to play.
|
|
|
|
"Well bless my soul!" ejaculated the astounded Mrs. Comstock.
|
|
"To think I was worrying for fear you couldn't take care
|
|
of yourself!"
|
|
|
|
Elnora laughed while she played.
|
|
|
|
"Shall I tell you what he said?"
|
|
|
|
"Nope! I don't want to hear it!" said Elnora. "He is
|
|
only six hours from Chicago. I'll give her a week to
|
|
find him and fix it up, if he stays that long. If she doesn't
|
|
put in an appearance then, he can tell me what he wants
|
|
to say, and I'll take my time to think it over. Time in
|
|
plenty, too! There are three of us in this, and one must
|
|
be left with a sore heart for life. If the decision rests
|
|
with me I propose to be very sure that it is the one who
|
|
deserves such hard luck."
|
|
|
|
The next morning Philip came early, dressed in the outing
|
|
clothing he had worn the previous summer, and aside
|
|
from a slight paleness seemed very much the same as when
|
|
he left. Elnora met him on the old footing, and for a
|
|
week life went on exactly as it had the previous summer.
|
|
Mrs. Comstock made mental notes and watched in silence.
|
|
She could see that Elnora was on a strain, though she
|
|
hoped Philip would not. The girl grew restless as the
|
|
week drew to a close. Once when the gate clicked she
|
|
suddenly lost colour and moved nervously. Billy came down
|
|
the walk.
|
|
|
|
Philip leaned toward Mrs. Comstock and said: "I am
|
|
expressly forbidden to speak to Elnora as I would like.
|
|
Would you mind telling her for me that I had a letter from
|
|
my father this morning saying that Miss Carr is on her way
|
|
to Europe for the summer?"
|
|
|
|
"Elnora," said Mrs. Comstock promptly, "I have just
|
|
heard that Carr woman is on her way to Europe, and I
|
|
wish to my gracious stars she'd stay there!"
|
|
|
|
Philip Ammon shouted, but Elnora arose hastily and
|
|
went to meet Billy. They came into the arbour together
|
|
and after speaking to Mrs. Comstock and Philip, Billy
|
|
said: "Uncle Wesley and I found something funny, and
|
|
we thought you'd like to see."
|
|
|
|
"I don't know what I should do without you and Uncle
|
|
Wesley to help me," said Elnora. "What have you found now?"
|
|
|
|
"Something I couldn't bring. You have to come to it.
|
|
I tried to get one and I killed it. They are a kind of
|
|
insecty things, and they got a long tail that is three
|
|
fine hairs. They stick those hairs right into the hard
|
|
bark of trees, and if you pull, the hairs stay fast and
|
|
it kills the bug."
|
|
|
|
"We will come at once," laughed Elnora. "I know
|
|
what they are, and I can use some in my work."
|
|
|
|
"Billy, have you been crying?" inquired Mrs. Comstock.
|
|
|
|
Billy lifted a chastened face. "Yes, ma'am," he replied.
|
|
"This has been the worst day."
|
|
|
|
"What's the matter with the day?"
|
|
|
|
"The day is all right," admitted Billy. "I mean every
|
|
single thing has gone wrong with me."
|
|
|
|
"Now that is too bad!" sympathized Mrs. Comstock.
|
|
|
|
"Began early this morning," said Billy. "All Snap's
|
|
fault, too."
|
|
|
|
"What has poor Snap been doing?" demanded Mrs.
|
|
Comstock, her eyes beginning to twinkle.
|
|
|
|
"Digging for woodchucks, like he always does. He gets
|
|
up at two o'clock to dig for them. He was coming
|
|
in from the woods all tired and covered thick with dirt.
|
|
I was going to the barn with the pail of water for Uncle
|
|
Wesley to use in milking. I had to set down the pail to
|
|
shut the gate so the chickens wouldn't get into the flower
|
|
beds, and old Snap stuck his dirty nose into the water
|
|
and began to lap it down. I knew Uncle Wesley wouldn't
|
|
use that, so I had to go 'way back to the cistern for more,
|
|
and it pumps awful hard. Made me mad, so I threw the
|
|
water on Snap."
|
|
|
|
"Well, what of it?"
|
|
|
|
"Nothing, if he'd stood still. But it scared him awful,
|
|
and when he's afraid he goes a-humping for Aunt Margaret.
|
|
When he got right up against her he stiffened
|
|
out and gave a big shake. You oughter seen the nice
|
|
blue dress she had put on to go to Onabasha!"
|
|
|
|
Mrs. Comstock and Philip laughed, but Elnora put
|
|
her arms around the boy. "Oh Billy!" she cried.
|
|
"That was too bad!"
|
|
|
|
"She got up early and ironed that dress to wear because
|
|
it was cool. Then, when it was all dirty, she
|
|
wouldn't go, and she wanted to real bad." Billy wiped
|
|
his eyes. "That ain't all, either," he added.
|
|
|
|
"We'd like to know about it, Billy," suggested Mrs.
|
|
Comstock, struggling with her face.
|
|
|
|
"Cos she couldn't go to the city, she's most worked
|
|
herself to death. She's done all the dirty, hard jobs she
|
|
could find. She's fixing her grape juice now."
|
|
|
|
"Sure!" cried Mrs. Comstock. "When a woman is
|
|
disappointed she always works like a dog to gain sympathy!"
|
|
|
|
"Well, Uncle Wesley and I are sympathizing all we
|
|
know how, without her working so. I've squeezed until
|
|
I almost busted to get the juice out from the seeds
|
|
and skins. That's the hard part. Now, she has to strain
|
|
it through white flannel and seal it in bottles, and it's
|
|
good for sick folks. Most wish I'd get sick myself, so
|
|
I could have a glass. It's so good!"
|
|
|
|
Elnora glanced swiftly at her mother.
|
|
|
|
"I worked so hard," continued Billy, "that she said if
|
|
I would throw the leavings in the woods, then I could come
|
|
after you to see about the bugs. Do you want to go?"
|
|
|
|
"We will all go," said Mrs. Comstock. "I am mightily
|
|
interested in those bugs myself."
|
|
|
|
From afar commotion could be seen at the Sinton home.
|
|
Wesley and Margaret were running around wildly and
|
|
peculiar sounds filled the air.
|
|
|
|
"What's the trouble?" asked Philip, hurrying to Wesley.
|
|
|
|
"Cholera!" groaned Sinton. "My hogs are dying like flies."
|
|
|
|
Margaret was softly crying. "Wesley, can't I fix
|
|
something hot? Can't we do anything? It means several
|
|
hundred dollars and our winter meat."
|
|
|
|
"I never saw stock taken so suddenly and so hard,"
|
|
said Wesley. "I have 'phoned for the veterinary to come
|
|
as soon as he can get here."
|
|
|
|
All of them hurried to the feeding pen into which the
|
|
pigs seemed to be gathering from the woods. Among the
|
|
common stock were big white beasts of pedigree which
|
|
were Wesley's pride at county fairs. Several of these
|
|
rolled on their backs, pawing the air feebly and emitting
|
|
little squeaks. A huge Berkshire sat on his haunches,
|
|
slowly shaking his head, the water dropping from his
|
|
eyes, until he, too, rolled over with faint grunts. A pair
|
|
crossing the yard on wavering legs collided, and attacked
|
|
each other in anger, only to fall, so weak they scarcely
|
|
could squeal. A fine snowy Plymouth Rock rooster, after
|
|
several attempts, flew to the fence, balanced with great
|
|
effort, wildly flapped his wings and started a guttural crow,
|
|
but fell sprawling among the pigs, too helpless to stand.
|
|
|
|
"Did you ever see such a dreadful sight?" sobbed Margaret.
|
|
|
|
Billy climbed on the fence, took one long look and
|
|
turned an astounded face to Wesley.
|
|
|
|
"Why them pigs is drunk!" he cried. "They act just
|
|
like my pa!"
|
|
|
|
Wesley turned to Margaret.
|
|
|
|
"Where did you put the leavings from that grape juice?"
|
|
he demanded.
|
|
|
|
"I sent Billy to throw it in the woods."
|
|
|
|
"Billy----" began Wesley.
|
|
|
|
"Threw it just where she told me to," cried Billy.
|
|
But some of the pigs came by there coming into the
|
|
pen, and some were close in the fence corners."
|
|
|
|
"Did they eat it?" demanded Wesley.
|
|
|
|
"They just chanked into it," replied Billy graphically.
|
|
"They pushed, and squealed, and fought over it.
|
|
You couldn't blame 'em! It was the best stuff I ever tasted!"
|
|
|
|
"Margaret," said Wesley, "run 'phone that doctor he
|
|
won't be needed. Billy, take Elnora and Mr. Ammon to
|
|
see the bugs. Katharine, suppose you help me a minute."
|
|
|
|
Wesley took the clothes basket from the back porch and
|
|
started in the direction of the cellar. Margaret returned
|
|
from the telephone.
|
|
|
|
"I just caught him," she said. "There's that much saved.
|
|
Why Wesley, what are you going to do?"
|
|
|
|
"You go sit on the front porch a little while," said Wesley.
|
|
"You will feel better if you don't see this."
|
|
|
|
"Wesley," cried Margaret aghast. "Some of that wine
|
|
is ten years old. There are days and days of hard work
|
|
in it, and I couldn't say how much sugar. Dr. Ammon
|
|
keeps people alive with it when nothing else will stay on
|
|
their stomachs."
|
|
|
|
"Let 'em die, then!" said Wesley. "You heard the boy,
|
|
didn't you?"
|
|
|
|
"It's a cold process. There's not a particle of fermentation
|
|
about it."
|
|
|
|
"Not a particle of fermentation! Great day, Margaret! Look at
|
|
those pigs!"
|
|
|
|
Margaret took a long look. "Leave me a few bottles
|
|
for mince-meat," she wavered.
|
|
|
|
"Not a smell for any use on this earth! You heard
|
|
the boy! He shan't say, when he grows to manhood, that
|
|
he learned to like it here!"
|
|
|
|
Wesley threw away the wine, Mrs. Comstock cheerfully assisting.
|
|
Then they walked to the woods to see and learn about the
|
|
wonderful insects. The day ended with a big supper at
|
|
Sintons', and then they went to the Comstock cabin for
|
|
a concert. Elnora played beautifully that night. When the
|
|
Sintons left she kissed Billy with particular tenderness.
|
|
She was so moved that she was kinder to Philip than she had
|
|
intended to be, and Elnora as an antidote to a disappointed
|
|
lover was a decided success in any mood.
|
|
|
|
However strong the attractions of Edith Carr had
|
|
been, once the bond was finally broken, Philip Ammon
|
|
could not help realizing that Elnora was the superior
|
|
woman, and that he was fortunate to have escaped, when
|
|
he regarded his ties strongest. Every day, while working
|
|
with Elnora, he saw more to admire. He grew very
|
|
thankful that he was free to try to win her, and impatient
|
|
to justify himself to her.
|
|
|
|
Elnora did not evince the slightest haste to hear what
|
|
he had to say, but waited the week she had set, in spite
|
|
of Philip's hourly manifest impatience. When she did
|
|
consent to listen, Philip felt before he had talked five
|
|
minutes, that she was putting herself in Edith Carr's
|
|
place, and judging him from what the other girl's
|
|
standpoint would be. That was so disconcerting, he did
|
|
not plead his cause nearly so well as he had hoped, for
|
|
when he ceased Elnora sat in silence.
|
|
|
|
"You are my judge," he said at last. "What is your verdict?"
|
|
|
|
"If I could hear her speak from her heart as I just have
|
|
heard you, then I could decide," answered Elnora.
|
|
|
|
"She is on the ocean," said Philip. "She went because
|
|
she knew she was wholly in the wrong. She had nothing
|
|
to say, or she would have remained."
|
|
|
|
"That sounds plausible," reasoned Elnora, "but it is
|
|
pretty difficult to find a woman in an affair that involves
|
|
her heart with nothing at all to say. I fancy if I could
|
|
meet her, she would say several things. I should love to
|
|
hear them. If I could talk with her three minutes, I
|
|
could tell what answer to make you."
|
|
|
|
"Don't you believe me, Elnora?"
|
|
|
|
"Unquestioningly," answered Elnora. "But I would
|
|
believe her also. If only I could meet her I soon
|
|
would know."
|
|
|
|
"I don't see how that is to be accomplished," said
|
|
Philip, "but I am perfectly willing. There is no reason
|
|
why you should not meet her, except that she probably
|
|
would lose her temper and insult you."
|
|
|
|
"Not to any extent," said Elnora calmly. "I have
|
|
a tongue of my own, while I am not without some small
|
|
sense of personal values."
|
|
|
|
Philip glanced at her and began to laugh. Very different
|
|
of facial formation and colouring, Elnora at times closely
|
|
resembled her mother. She joined in his laugh ruefully.
|
|
|
|
"The point is this," she said. "Some one is going to
|
|
be hurt, most dreadfully. If the decision as to whom it
|
|
shall be rests with me, I must know it is the right one.
|
|
Of course, no one ever hinted it to you, but you are a
|
|
very attractive man, Philip. You are mighty good to
|
|
look at, and you have a trained, refined mind, that makes
|
|
you most interesting. For years Edith Carr has felt that
|
|
you were hers. Now, how is she going to change? I have
|
|
been thinking--thinking deep and long, Phil. If I were
|
|
in her place, I simply could not give you up, unless
|
|
you had made yourself unworthy of love. Undoubtedly, you
|
|
never seemed so desirable to her as just now, when she is
|
|
told she can't have you. What I think is that she will
|
|
come to claim you yet."
|
|
|
|
"You overlook the fact that it is not in a woman's power
|
|
to throw away a man and pick him up at pleasure," said
|
|
Philip with some warmth. "She publicly and repeatedly
|
|
cast me off. I accepted her decision as publicly as
|
|
it was made. You have done all your thinking from
|
|
a wrong viewpoint. You seem to have an idea that it
|
|
lies with you to decide what I shall do, that if you say the
|
|
word, I shall return to Edith. Put that thought out of
|
|
your head! Now, and for all time to come, she is a matter
|
|
of indifference to me. She killed all feeling in my heart
|
|
for her so completely that I do not even dread meeting her.
|
|
|
|
"If I hated her, or was angry with her, I could not be
|
|
sure the feeling would not die. As it is, she has deadened
|
|
me into a creature of indifference. So you just revise
|
|
your viewpoint a little, Elnora. Cease thinking it is for
|
|
you to decide what I shall do, and that I will obey you.
|
|
I make my own decisions in reference to any woman, save you.
|
|
The question you are to decide is whether I may remain here,
|
|
associating with you as I did last summer; but with the
|
|
difference that it is understood that I am free; that it
|
|
is my intention to care for you all I please, to make you
|
|
return my feeling for you if I can. There is just one
|
|
question for you to decide, and it is not triangular.
|
|
It is between us. May I remain? May I love you?
|
|
Will you give me the chance to prove what I think of you?"
|
|
|
|
"You speak very plainly," said Elnora.
|
|
|
|
"This is the time to speak plainly," said Philip Ammon.
|
|
"There is no use in allowing you to go on threshing out
|
|
a problem which does not exist. If you do not want
|
|
me here, say so and I will go. Of course, I warn you
|
|
before I start, that I will come back. I won't yield
|
|
without the stiffest fight it is in me to make. But drop
|
|
thinking it lies in your power to send me back to Edith Carr.
|
|
If she were the last woman in the world, and I the last man,
|
|
I'd jump off the planet before I would give her further
|
|
opportunity to exercise her temper on me. Narrow this to
|
|
us, Elnora. Will you take the place she vacated?
|
|
Will you take the heart she threw away? I'd give my
|
|
right hand and not flinch, if I could offer you my
|
|
life, free from any contact with hers, but that is
|
|
not possible. I can't undo things which are done.
|
|
I can only profit by experience and build better in
|
|
the future."
|
|
|
|
"I don't see how you can be sure of yourself," said Elnora.
|
|
"I don't see how I could be sure of you. You loved her first,
|
|
you never can care for me anything like that. Always I'd
|
|
have to be afraid you were thinking of her and regretting."
|
|
|
|
"Folly!" cried Philip. "Regretting what? That I
|
|
was not married to a woman who was liable to rave at
|
|
me any time or place, without my being conscious of
|
|
having given offence? A man does relish that! I am
|
|
likely to pine for more!"
|
|
|
|
"You'd be thinking she'd learned a lesson. You would
|
|
think it wouldn't happen again."
|
|
|
|
"No, I wouldn't be `thinking,'" said, Philip. "I'd be
|
|
everlastingly sure! I wouldn't risk what I went
|
|
through that night again, not to save my life! Just you
|
|
and me, Elnora. Decide for us."
|
|
|
|
"I can't!" cried Elnora. "I am afraid!"
|
|
|
|
"Very well," said Philip. "We will wait until you feel
|
|
that you can. Wait until fear vanishes. Just decide
|
|
now whether you would rather have me go for a few
|
|
months, or remain with you. Which shall it be, Elnora?"
|
|
|
|
"You can never love me as you did her," wailed Elnora.
|
|
|
|
"I am happy to say I cannot," replied he. "I've cut
|
|
my matrimonial teeth. I'm cured of wanting to swell
|
|
in society. I'm over being proud of a woman for her
|
|
looks alone. I have no further use for lavishing myself on
|
|
a beautiful, elegantly dressed creature, who thinks only
|
|
of self. I have learned that I am a common man. I admire
|
|
beauty and beautiful clothing quite as much as I ever
|
|
did; but, first, I want an understanding, deep as the lowest
|
|
recess of my soul, with the woman I marry. I want to work
|
|
for you, to plan for you, to build you a home with every
|
|
comfort, to give you all good things I can, to shield
|
|
you from every evil. I want to interpose my body between
|
|
yours and fire, flood, or famine. I want to give
|
|
you everything; but I hate the idea of getting nothing at
|
|
all on which I can depend in return. Edith Carr had
|
|
only good looks to offer, and when anger overtook her,
|
|
beauty went out like a snuffed candle.
|
|
|
|
"I want you to love me. I want some consideration.
|
|
I even crave respect. I've kept myself clean. So far
|
|
as I know how to be, I am honest and scrupulous.
|
|
It wouldn't hurt me to feel that you took some interest
|
|
in these things. Rather fierce temptations strike a man,
|
|
every few days, in this world. I can keep decent, for a
|
|
woman who cares for decency, but when I do, I'd like
|
|
to have the fact recognized, by just enough of a show of
|
|
appreciation that I could see it. I am tired of this one-
|
|
sided business. After this, I want to get a little in return
|
|
for what I give. Elnora, you have love, tenderness,
|
|
and honest appreciation of the finest in life. Take what
|
|
I offer, and give what I ask."
|
|
|
|
"You do not ask much," said Elnora.
|
|
|
|
"As for not loving you as I did Edith," continued
|
|
Philip, "as I said before, I hope not! I have a newer
|
|
and a better idea of loving. The feeling I offer you was
|
|
inspired by you. It is a Limberlost product. It is as
|
|
much bigger, cleaner, and more wholesome than any feeling
|
|
I ever had for Edith Carr, as you are bigger than she,
|
|
when you stand before your classes and in calm dignity
|
|
explain the marvels of the Almighty, while she stands
|
|
on a ballroom floor, and gives way to uncontrolled temper.
|
|
Ye gods, Elnora, if you could look into my soul, you
|
|
would see it leap and rejoice over my escape! Perhaps it
|
|
isn't decent, but it's human; and I'm only a common
|
|
human being. I'm the gladdest man alive that I'm free!
|
|
I would turn somersaults and yell if I dared. What an escape!
|
|
Stop straining after Edith Carr's viewpoint and take a look
|
|
from mine. Put yourself in my place and try to study out
|
|
how I feel.
|
|
|
|
"I am so happy I grow religious over it. Fifty times
|
|
a day I catch myself whispering, `My soul is escaped!'
|
|
As for you, take all the time you want. If you prefer to
|
|
be alone, I'll take the next train and stay away as long as
|
|
I can bear it, but I'll come back. You can be most sure
|
|
of that. Straight as your pigeons to their loft, I'll come
|
|
back to you, Elnora. Shall I go?"
|
|
|
|
"Oh, what's the use to be extravagant?" murmured Elnora.
|
|
|
|
CHAPTER XXII
|
|
|
|
WHEREIN PHILIP AMMON KNEELS TO ELNORA,
|
|
AND STRANGERS COME TO THE LIMBERLOST
|
|
|
|
The month which followed was a reproduction of
|
|
the previous June. There were long moth hunts,
|
|
days of specimen gathering, wonderful hours with
|
|
great books, big dinners all of them helped to prepare,
|
|
and perfect nights filled with music. Everything was as
|
|
it had been, with the difference that Philip was now an
|
|
avowed suitor. He missed no opportunity to advance
|
|
himself in Elnora's graces. At the end of the month
|
|
he was no nearer any sort of understanding with her
|
|
than he had been at the beginning. He revelled in the
|
|
privilege of loving her, but he got no response.
|
|
Elnora believed in his love, yet she hesitated to
|
|
accept him, because she could not forget Edith Carr.
|
|
|
|
One afternoon early in July, Philip came across the
|
|
fields, through the Comstock woods, and entered the garden.
|
|
He inquired for Elnora at the back door and was told that
|
|
she was reading under the willow. He went around the
|
|
west end of the cabin to her. She sat on a rustic
|
|
bench they had made and placed beneath a drooping branch.
|
|
He had not seen her before in the dress she was wearing.
|
|
It was clinging mull of pale green, trimmed with narrow
|
|
ruffles and touched with knots of black velvet; a simple
|
|
dress, but vastly becoming. Every tint of her bright hair,
|
|
her luminous eyes, her red lips, and her rose-flushed
|
|
face, neck, and arms grew a little more vivid with the
|
|
delicate green setting.
|
|
|
|
He stopped short. She was so near, so temptingly
|
|
sweet, he lost control. He went to her with a half-
|
|
smothered cry after that first long look, dropped on one
|
|
knee beside her and reached an arm behind her to the bench
|
|
back, so that he was very near. He caught her hands.
|
|
|
|
"Elnora!" he cried tensely, "end it now! Say this
|
|
strain is over. I pledge you that you will be happy.
|
|
You don't know! If you only would say the word, you
|
|
would awake to new life and great joy! Won't you promise
|
|
me now, Elnora?"
|
|
|
|
The girl sat staring into the west woods, while strong
|
|
in her eyes was her father's look of seeing something
|
|
invisible to others. Philip's arm slipped from the bench
|
|
around her. His fingers closed firmly over hers.
|
|
Elnora," he pleaded, "you know me well enough.
|
|
You have had time in plenty. End it now. Say you will
|
|
be mine!" He gathered her closer, pressing his face against
|
|
hers, his breath on her cheek. "Can't you quite promise
|
|
yet, my girl of the Limberlost?"
|
|
|
|
Elnora shook her head. Instantly he released her.
|
|
|
|
"Forgive me," he begged. "I had no intention of thrusting
|
|
myself upon you, but, Elnora, you are the veriest Queen
|
|
of Love this afternoon. From the tips of your toes to
|
|
your shining crown, I worship you. I want no woman save you.
|
|
You are so wonderful this afternoon, I couldn't help urging.
|
|
Forgive me. Perhaps it was something that came this
|
|
morning for you. I wrote Polly to send it. May we try
|
|
if it fits? Will you tell me if you like it?"
|
|
|
|
He drew a little white velvet box from his pocket and
|
|
showed her a splendid emerald ring.
|
|
|
|
"It may not be right," he said. "The inside of a glove
|
|
finger is not very accurate for a measure, but it was the
|
|
best I could do. I wrote Polly to get it, because she and
|
|
mother are home from the East this week, but next they
|
|
will go on to our cottage in the north, and no one knows
|
|
what is right quite so well as Polly." He laid the ring
|
|
in Elnora's hand. "Dearest," he said, "don't slip that
|
|
on your finger; put your arms around my neck and promise me,
|
|
all at once and abruptly, or I'll keel over and die of sheer joy."
|
|
|
|
Elnora smiled.
|
|
|
|
"I won't! Not all those venturesome things at once;
|
|
but, Phil, I'm ashamed to confess that ring simply
|
|
fascinates me. It is the most beautiful one I ever saw,
|
|
and do you know that I never owned a ring of any kind
|
|
in my life? Would you think me unwomanly if I slip
|
|
it on for a second, before I can say for sure? Phil, you
|
|
know I care! I care very much! You know I will tell
|
|
you the instant I feel right about it."
|
|
|
|
"Certainly you will," agreed Philip promptly. "It is
|
|
your right to take all the time you choose. I can't
|
|
put that ring on you until it means a bond between us.
|
|
I'll shut my eyes and you try it on, so we can see if
|
|
it fits." Philip turned his face toward the west woods
|
|
and tightly closed his eyes. It was a boyish thing to do,
|
|
and it caught the hesitating girl in the depths of her
|
|
heart as the boy element in a man ever appeals to a
|
|
motherly woman. Before she quite realized what she
|
|
was doing, the ring slid on her finger. With both arms
|
|
she caught Philip and drew him to her breast, holding
|
|
him closely. Her head drooped over his, her lips were
|
|
on his hair. So an instant, then her arms dropped.
|
|
He lifted a convulsed, white face.
|
|
|
|
"Dear Lord!" he whispered. "You--you didn't mean that,
|
|
Elnora! You---- What made you do it?"
|
|
|
|
"You--you looked so boyish!" panted Elnora. "I didn't
|
|
mean it! I--I forgot that you were older than Billy.
|
|
Look--look at the ring!"
|
|
|
|
"`The Queen can do no wrong,'" quoted Philip between his
|
|
set teeth. "But don't you do that again, Elnora, unless
|
|
you do mean it. Kings are not so good as queens, and
|
|
there is a limit with all men. As you say, we will
|
|
look at your ring. It seems very lovely to me. Suppose you
|
|
leave it on until time for me to go. Please do! I have
|
|
heard of mute appeals; perhaps it will plead for me.
|
|
I am wild for your lips this afternoon. I am going to
|
|
take your hands."
|
|
|
|
He caught both of them and covered them with kisses.
|
|
|
|
"Elnora," he said, "Will you be my wife?"
|
|
|
|
"I must have a little more time," she whispered. "I must
|
|
be absolutely certain, for when I say yes, and give
|
|
myself to you, only death shall part us. I would not
|
|
give you up. So I want a little more time--but, I think
|
|
I will."
|
|
|
|
"Thank you," said Philip. "If at any time you feel that
|
|
you have reached a decision, will you tell me? Will you
|
|
promise me to tell me instantly, or shall I keep asking
|
|
you until the time comes?"
|
|
|
|
"You make it difficult," said Elnora. "But I will
|
|
promise you that. Whenever the last doubt vanishes, I
|
|
will let you know instantly--if I can."
|
|
|
|
"Would it be difficult for you?" whispered Ammon.
|
|
|
|
"I--I don't know," faltered Elnora.
|
|
|
|
"It seems as if I can't be man enough to put this
|
|
thought aside and give up this afternoon," said Philip.
|
|
"I am ashamed of myself, but I can't help it. I am going
|
|
to ask God to make that last doubt vanish before I go
|
|
this night. I am going to believe that ring will plead
|
|
for me. I am going to hope that doubt will disappear suddenly.
|
|
I will be watching. Every second I will be watching.
|
|
If it happens and you can't speak, give me your hand.
|
|
Just the least movement toward me, I will understand.
|
|
Would it help you to talk this over with your mother?
|
|
Shall I call her? Shall I----?"
|
|
|
|
Honk! Honk! Honk! Hart Henderson set the horn
|
|
of the big automobile going as it shot from behind the
|
|
trees lining the Brushwood road. The picture of a vine-
|
|
covered cabin, a large drooping tree, a green-clad girl
|
|
and a man bending over her very closely flashed into view.
|
|
Edith Carr caught her breath with a snap. Polly Ammon
|
|
gave Tom Levering a quick touch and wickedly winked
|
|
at him.
|
|
|
|
Several days before, Edith had returned from Europe suddenly.
|
|
She and Henderson had called at the Ammon residence saying
|
|
that they were going to motor down to the Limberlost to see
|
|
Philip a few hours, and urged that Polly and Tom accompany them.
|
|
Mrs. Ammon knew that her husband would disapprove of the trip,
|
|
but it was easy to see that Edith Carr had determined on going.
|
|
So the mother thought it better to have Polly along to support
|
|
Philip than to allow him to confront Edith unexpectedly and alone.
|
|
Polly was full of spirit. She did not relish the thought of
|
|
Edith as a sister. Always they had been in the same set,
|
|
always Edith, because of greater beauty and wealth,
|
|
had patronized Polly. Although it had rankled, she had borne
|
|
it sweetly. But two days before, her father had extracted
|
|
a promise of secrecy, given her Philip's address and told her
|
|
to send him the finest emerald ring she could select.
|
|
Polly knew how that ring would be used. What she did not know
|
|
was that the girl who accompanied her went back to the store
|
|
afterward, made an excuse to the clerk that she had been sent
|
|
to be absolutely sure that the address was right, and so secured
|
|
it for Edith Carr.
|
|
|
|
Two days later Edith had induced Hart Henderson to take
|
|
her to Onabasha. By the aid of maps they located the
|
|
Comstock land and passed it, merely to see the place.
|
|
Henderson hated that trip, and implored Edith not to take
|
|
it, but she made no effort to conceal from him what she
|
|
suffered, and it was more than he could endure. He pointed
|
|
out that Philip had gone away without leaving an address,
|
|
because he did not wish to see her, or any of them.
|
|
But Edith was so sure of her power, she felt certain Philip
|
|
needed only to see her to succumb to her beauty as he always
|
|
had done, while now she was ready to plead for forgiveness.
|
|
So they came down the Brushwood road, and Henderson had just
|
|
said to Edith beside him: "This should be the Comstock land
|
|
on our left."
|
|
|
|
A minute later the wood ended, while the sunlight,
|
|
as always pitiless, etched with distinctness the scene at
|
|
the west end of the cabin. Instinctively, to save Edith,
|
|
Henderson set the horn blowing. He had thought to drive to
|
|
the city, but Polly Ammon arose crying: "Phil! Phil!"
|
|
Tom Levering was on his feet shouting and waving, while
|
|
Edith in her most imperial manner ordered him to turn
|
|
into the lane leading through the woods beside the cabin.
|
|
|
|
"Find some way for me to have a minute alone with her,"
|
|
she commanded as he stopped the car.
|
|
|
|
"That is my sister Polly, her fiance Tom Levering, a
|
|
friend of mine named Henderson, and----" began Philip,
|
|
|
|
"--and Edith Carr," volunteered Elnora.
|
|
|
|
"And Edith Carr," repeated Philip Ammon. "Elnora, be
|
|
brave, for my sake. Their coming can make no difference
|
|
in any way. I won't let them stay but a few minutes.
|
|
Come with me!"
|
|
|
|
"Do I seem scared?" inquired Elnora serenely. "This is
|
|
why you haven't had your answer. I have been waiting
|
|
just six weeks for that motor. You may bring them to me
|
|
at the arbour."
|
|
|
|
Philip glanced at her and broke into a laugh. She had
|
|
not lost colour. Her self-possession was perfect.
|
|
She deliberately turned and walked toward the grape arbour,
|
|
while he sprang over the west fence and ran to the car.
|
|
|
|
Elnora standing in the arbour entrance made a perfect
|
|
picture, framed in green leaves and tendrils. No matter
|
|
how her heart ached, it was good to her, for it pumped
|
|
steadily, and kept her cheeks and lips suffused with colour.
|
|
She saw Philip reach the car and gather his sister into
|
|
his arms. Past her he reached a hand to Levering,
|
|
then to Edith Carr and Henderson. He lifted his sister
|
|
to the ground, and assisted Edith to alight. Instantly, she
|
|
stepped beside him, and Elnora's heart played its first trick.
|
|
|
|
She could see that Miss Carr was splendidly beautiful,
|
|
while she moved with the hauteur and grace supposed to
|
|
be the prerogatives of royalty. And she had instantly
|
|
taken possession of Philip. But he also had a brain which
|
|
was working with rapidity. He knew Elnora was watching,
|
|
so he turned to the others.
|
|
|
|
"Give her up, Tom!" he cried. "I didn't know I wanted
|
|
to see the little nuisance so badly, but I do. How are
|
|
father and mother? Polly, didn't the mater send me something?"
|
|
|
|
"She did!" said Polly Ammon, stopping on the path and
|
|
lifting her chin as a little child, while she drew away
|
|
her veil.
|
|
|
|
Philip caught her in his arms and stooped for his
|
|
mother's kiss.
|
|
|
|
"Be good to Elnora!" he whispered.
|
|
|
|
"Umhu!" assented Polly. And aloud--"Look at that ripping
|
|
green and gold symphony! I never saw such a beauty!
|
|
Thomas Asquith Levering, you come straight here and take
|
|
my hand!"
|
|
|
|
Edith's move to compel Philip to approach Elnora beside her
|
|
had been easy to see; also its failure. Henderson stepped
|
|
into Philip's place as he turned to his sister. Instead of
|
|
taking Polly's hand Levering ran to open the gate.
|
|
Edith passed through first, but Polly darted in front
|
|
of her on the run, with Phil holding her arm, and swept up
|
|
to Elnora. Polly looked for the ring and saw it. That settled
|
|
matters with her.
|
|
|
|
"You lovely, lovely, darling girl!" she cried, throwing
|
|
her arms around Elnora and kissing her. With her lips close
|
|
Elnora's ear, Polly whispered, "Sister! Dear, dear sister!"
|
|
|
|
Elnora drew back, staring at Polly in confused amazement.
|
|
She was a beautiful girl, her eyes were sparkling and
|
|
dancing, and as she turned to make way for the others,
|
|
she kept one of Elnora's hands in hers. Polly would have
|
|
dropped dead in that instant if Edith Carr could have
|
|
killed with a look, for not until then did she realize that
|
|
Polly would even many a slight, and that it had been a
|
|
great mistake to bring her.
|
|
|
|
Edith bowed low, muttered something and touched
|
|
Elnora's fingers. Tom took his cue from Polly.
|
|
|
|
"I always follow a good example," he said, and before
|
|
any one could divine his intention he kissed Elnora as he
|
|
gripped her hand and cried: "Mighty glad to meet you!
|
|
Like to meet you a dozen times a day, you know!"
|
|
|
|
Elnora laughed and her heart pumped smoothly. They had
|
|
accomplished their purpose. They had let her know they
|
|
were there through compulsion, but on her side. In that
|
|
instant only pity was in Elnora's breast for the flashing
|
|
dark beauty, standing with smiling face while her heart
|
|
must have been filled with exceeding bitterness.
|
|
Elnora stepped back from the entrance.
|
|
|
|
"Come into the shade," she urged. "You must have
|
|
found it warm on these country roads. Won't you lay
|
|
aside your dust-coats and have a cool drink? Philip, would
|
|
you ask mother to come, and bring that pitcher from the
|
|
spring house?"
|
|
|
|
They entered the arbour exclaiming at the dim, green coolness.
|
|
There was plenty of room and wide seats around the sides,
|
|
a table in the centre, on which lay a piece of embroidery,
|
|
magazines, books, the moth apparatus, and the cyanide jar
|
|
containing several specimens. Polly rejoiced in the
|
|
cooling shade, slipped off her duster, removed her hat,
|
|
rumpled her pretty hair and seated herself to indulge in
|
|
the delightful occupation of paying off old scores.
|
|
Tom Levering followed her example. Edith took a seat
|
|
but refused to remove her hat and coat, while Henderson
|
|
stood in the entrance.
|
|
|
|
"There goes something with wings! Should you have
|
|
that?" cried Levering.
|
|
|
|
He seized a net from the table and raced across the garden
|
|
after a butterfly. He caught it and came back mightily
|
|
pleased with himself. As the creature struggled in the net,
|
|
Elnora noted a repulsed look on Edith Carr's face.
|
|
Levering helped the situation beautifully.
|
|
|
|
"Now what have I got?" he demanded. "Is it just a
|
|
common one that every one knows and you don't keep, or
|
|
is it the rarest bird off the perch?"
|
|
|
|
"You must have had practice, you took that so perfectly,"
|
|
said Elnora. "I am sorry, but it is quite common and not
|
|
of a kind I keep. Suppose all of you see how beautiful
|
|
it is and then it may go nectar hunting again."
|
|
|
|
She held the butterfly where all of them could see,
|
|
showed its upper and under wing colours, answered Polly's
|
|
questions as to what it ate, how long it lived, and how
|
|
it died. Then she put it into Polly's hand saying: "Stand
|
|
there in the light and loosen your hold slowly and easily."
|
|
|
|
Elnora caught a brush from the table and began softly
|
|
stroking the creature's sides and wings. Delighted with
|
|
the sensation the butterfly opened and closed its wings,
|
|
clinging to Polly's soft little fingers, while every one cried
|
|
out in surprise. Elnora laid aside the brush, and the
|
|
butterfly sailed away.
|
|
|
|
"Why, you are a wizard! You charm them!" marvelled Levering.
|
|
|
|
"I learned that from the Bird Woman," said Elnora.
|
|
"She takes soft brushes and coaxes butterflies and moths
|
|
into the positions she wants for the illustrations of a book
|
|
she is writing. I have helped her often. Most of the rare
|
|
ones I find go to her."
|
|
|
|
"Then you don't keep all you take?" questioned Levering.
|
|
|
|
"Oh, dear, no!" cried Elnora. "Not a tenth! For myself,
|
|
a pair of each kind to use in illustrating the lectures I
|
|
give in the city schools in the winter, and one pair for each
|
|
collection I make. One might as well keep the big night
|
|
moths of June, for they only live four or five days anyway.
|
|
For the Bird Woman, I only save rare ones she has not yet secured.
|
|
Sometimes I think it is cruel to take such creatures from
|
|
freedom, even for an hour, but it is the only way to teach
|
|
the masses of people how to distinguish the pests they
|
|
should destroy, from the harmless ones of great beauty.
|
|
Here comes mother with something cool to drink."
|
|
|
|
Mrs. Comstock came deliberately, talking to Philip as
|
|
she approached. Elnora gave her one searching look, but
|
|
could discover only an extreme brightness of eye to denote
|
|
any unusual feeling. She wore one of her lavender dresses,
|
|
while her snowy hair was high piled. She had taken care
|
|
of her complexion, and her face had grown fuller during
|
|
the winter. She might have been any one's mother with
|
|
pride, and she was perfectly at ease.
|
|
|
|
Polly instantly went to her and held up her face to be kissed.
|
|
Mrs. Comstock's eyes twinkled and she made the greeting hearty.
|
|
|
|
The drink was compounded of the juices of oranges and
|
|
berries from the garden. It was cool enough to frost
|
|
glasses and pitcher and delicious to dusty tired travellers.
|
|
Soon the pitcher was empty, and Elnora picked it up and
|
|
went to refill it. While she was gone Henderson asked
|
|
Philip about some trouble he was having with his car.
|
|
They went to the woods and began a minute examination
|
|
to find a defect which did not exist. Polly and Levering
|
|
were having an animated conversation with Mrs. Comstock.
|
|
Henderson saw Edith arise, follow the garden path
|
|
next the woods and stand waiting under the willow which
|
|
Elnora would pass on her return. It was for that meeting
|
|
he had made the trip. He got down on the ground, tore
|
|
up the car, worked, asked for help, and kept Philip busy
|
|
screwing bolts and applying the oil can. All the time
|
|
Henderson kept an eye on Edith and Elnora under the willow.
|
|
But he took pains to lay the work he asked Philip to do
|
|
where that scene would be out of his sight. When Elnora
|
|
came around the corner with the pitcher, she found herself
|
|
facing Edith Carr.
|
|
|
|
"I want a minute with you," said Miss Carr.
|
|
|
|
"Very well," replied Elnora, walking on.
|
|
|
|
"Set the pitcher on the bench there," commanded Edith
|
|
Carr, as if speaking to a servant.
|
|
|
|
"I prefer not to offer my visitors a warm drink," said Elnora.
|
|
"I'll come back if you really wish to speak with me."
|
|
|
|
"I came solely for that," said Edith Carr.
|
|
|
|
"It would be a pity to travel so far in this dust and heat
|
|
for nothing. I'll only be gone a second."
|
|
|
|
Elnora placed the pitcher before her mother. "Please serve
|
|
this," she said. "Miss Carr wishes to speak with me."
|
|
|
|
"Don't you pay the least attention to anything she
|
|
says," cried Polly. "Tom and I didn't come here because
|
|
we wanted to. We only came to checkmate her. I hoped
|
|
I'd get the opportunity to say a word to you, and now she
|
|
has given it to me. I just want to tell you that she threw
|
|
Phil over in perfectly horrid way. She hasn't any right
|
|
to lay the ghost of a claim to him, has she, Tom?"
|
|
|
|
"Nary a claim," said Tom Levering earnestly. "Why, even
|
|
you, Polly, couldn't serve me as she did Phil, and
|
|
ever get me back again. If I were you, Miss Comstock,
|
|
I'd send my mother to talk with her and I'd stay here."
|
|
|
|
Tom had gauged Mrs. Comstock rightly. Polly put her
|
|
arms around Elnora. "Let me go with you, dear," she begged.
|
|
|
|
"I promised I would speak with her alone," said Elnora,
|
|
"and she must be considered. But thank you, very much."
|
|
|
|
"How I shall love you!" exulted Polly, giving Elnora
|
|
a parting hug.
|
|
|
|
The girl slowly and gravely walked back to the willow.
|
|
She could not imagine what was coming, but she was promising
|
|
herself that she would be very patient and control her temper.
|
|
|
|
"Will you be seated?" she asked politely.
|
|
|
|
Edith Carr glanced at the bench, while a shudder shook her.
|
|
|
|
"No. I prefer to stand," she said. "Did Mr. Ammon
|
|
give you the ring you are wearing, and do you consider
|
|
yourself engaged to him?"
|
|
|
|
"By what right do you ask such personal questions as
|
|
those?" inquired Elnora.
|
|
|
|
"By the right of a betrothed wife. I have been promised
|
|
to Philip Ammon ever since I wore short skirts. All our
|
|
lives we have expected to marry. An agreement of years
|
|
cannot be broken in one insane moment. Always he has
|
|
loved me devotedly. Give me ten minutes with him and he
|
|
will be mine for all time."
|
|
|
|
"I seriously doubt that," said Elnora. "But I am
|
|
willing that you should make the test. I will call him."
|
|
|
|
"Stop!" commanded Edith Carr. "I told you that it was
|
|
you I came to see."
|
|
|
|
"I remember," said Elnora.
|
|
|
|
"Mr. Ammon is my betrothed," continued Edith Carr.
|
|
"I expect to take him back to Chicago with me."
|
|
|
|
"You expect considerable," murmured Elnora. "I will
|
|
raise no objection to your taking him, if you can--but, I
|
|
tell you frankly, I don't think it possible."
|
|
|
|
"You are so sure of yourself as that," scoffed Edith Carr.
|
|
"One hour in my presence will bring back the old spell,
|
|
full force. We belong to each other. I will not give him up."
|
|
|
|
"Then it is untrue that you twice rejected his ring,
|
|
repeatedly insulted him, and publicly renounced him?"
|
|
|
|
"That was through you!" cried Edith Carr. "Phil and
|
|
I never had been so near and so happy as we were on
|
|
that night. It was your clinging to him for things that
|
|
caused him to desert me among his guests, while he tried
|
|
to make me await your pleasure. I realize the spell of
|
|
this place, for a summer season. I understand what you
|
|
and your mother have done to inveigle him. I know that
|
|
your hold on him is quite real. I can see just how you
|
|
have worked to ensnare him!"
|
|
|
|
"Men would call that lying," said Elnora calmly.
|
|
"The second time I met Philip Ammon he told me of
|
|
his engagement to you, and I respected it. I did by you
|
|
as I would want you to do by me. He was here parts
|
|
of each day, almost daily last summer. The Almighty
|
|
is my witness that never once, by word or look, did I ever
|
|
make the slightest attempt to interest him in my person
|
|
or personality. He wrote you frequently in my presence.
|
|
He forgot the violets for which he asked to send you.
|
|
I gathered them and carried them to him. I sent him back
|
|
to you in unswerving devotion, and the Almighty is also
|
|
my witness that I could have changed his heart last summer,
|
|
if I had tried. I wisely left that work for you. All my
|
|
life I shall be glad that I lived and worked on the square.
|
|
That he ever would come back to me free, by your act,
|
|
I never dreamed. When he left me I did not hope or expect
|
|
to see him again," Elnora's voice fell soft and low,"
|
|
and, behold! You sent him--and free!"
|
|
|
|
"You exult in that!" cried Edith Carr. "Let me tell
|
|
you he is not free! We have belonged for years.
|
|
We always shall. If you cling to him, and hold him to rash
|
|
things he has said and done, because he thought me still
|
|
angry and unforgiving with him, you will ruin all our lives.
|
|
If he married you, before a month you would read heart-hunger
|
|
for me in his eyes. He could not love me as he has done,
|
|
and give me up for a little scene like that!"
|
|
|
|
"There is a great poem," said Elnora, "one line of which
|
|
reads, `For each man kills the thing he loves.' Let me
|
|
tell you that a woman can do that also. He did love you
|
|
--that I concede. But you killed his love everlastingly,
|
|
when you disgraced him in public. Killed it so completely
|
|
he does not even feel resentment toward you. To-day,
|
|
he would do you a favour, if he could; but love you, no!
|
|
That is over!"
|
|
|
|
Edith Carr stood truly regal and filled with scorn.
|
|
"You are mistaken! Nothing on earth could kill that!"
|
|
she cried, and Elnora saw that the girl really believed
|
|
what she said.
|
|
|
|
"You are very sure of yourself!" said Elnora.
|
|
|
|
"I have reason to be sure," answered Edith Carr.
|
|
|
|
"We have lived and loved too long. I have had years
|
|
with him to match against your days. He is mine!
|
|
His work, his ambitions, his friends, his place in
|
|
society are with me. You may have a summer charm for a
|
|
sick man in the country; if he tried placing you in
|
|
society, he soon would see you as others will. It takes
|
|
birth to position, schooling, and endless practice to meet
|
|
social demands gracefully. You would put him to shame in
|
|
a week."
|
|
|
|
"I scarcely think I should follow your example so far,"
|
|
said Elnora dryly. "I have a feeling for Philip that
|
|
would prevent my hurting him purposely, either in public
|
|
or private. As for managing a social career for him he
|
|
never mentioned that he desired such a thing. What he
|
|
asked of me was that I should be his wife. I understood
|
|
that to mean that he desired me to keep him a clean house,
|
|
serve him digestible food, mother his children, and give
|
|
him loving sympathy and tenderness."
|
|
|
|
"Shameless!" cried Edith Carr.
|
|
|
|
"To which of us do you intend that adjective to apply?"
|
|
inquired Elnora. "I never was less ashamed in all my life.
|
|
Please remember I am in my own home, and your presence here
|
|
is not on my invitation."
|
|
|
|
Miss Carr lifted her head and struggled with her veil.
|
|
She was very pale and trembling violently, while Elnora
|
|
stood serene, a faint smile on her lips.
|
|
|
|
"Such vulgarity!" panted Edith Carr. "How can a
|
|
man like Philip endure it?"
|
|
|
|
"Why don't you ask him?" inquired Elnora. "I can
|
|
call him with one breath; but, if he judged us as we stand,
|
|
I should not be the one to tremble at his decision.
|
|
Miss Carr, you have been quite plain. You have told me
|
|
in carefully selected words what you think of me.
|
|
You insult my birth, education, appearance, and home.
|
|
I assure you I am legitimate. I will pass a test examination
|
|
with you on any high school or supplementary branch,
|
|
or French or German. I will take a physical examination
|
|
beside you. I will face any social emergency you can
|
|
mention with you. I am acquainted with a whole world
|
|
in which Philip Ammon is keenly interested, that you
|
|
scarcely know exists. I am not afraid to face any
|
|
audience you can get together anywhere with my violin.
|
|
I am not repulsive to look at, and I have a wholesome regard
|
|
for the proprieties and civilities of life. Philip Ammon
|
|
never asked anything more of me, why should you?"
|
|
|
|
"It is plain to see," cried Edith Carr, "that you took
|
|
him when he was hurt and angry and kept his wound wide open.
|
|
Oh, what have you not done against me?"
|
|
|
|
"I did not promise to marry him when an hour ago he
|
|
asked me, and offered me this ring, because there was so
|
|
much feeling in my heart for you, that I knew I never
|
|
could be happy, if I felt that in any way I had failed in
|
|
doing justice to your interests. I did slip on this ring,
|
|
which he had just brought, because I never owned one,
|
|
and it is very beautiful, but I made him no promise, nor
|
|
shall I make any, until I am quite, quite sure, that you
|
|
fully realize he never would marry you if I sent him away
|
|
this hour."
|
|
|
|
"You know perfectly that if your puny hold on him
|
|
were broken, if he were back in his home, among his
|
|
friends, and where he was meeting me, in one short week
|
|
he would be mine again, as he always has been. In your
|
|
heart you don't believe what you say. You don't dare
|
|
trust him in my presence. You are afraid to allow him
|
|
out of your sight, because you know what the results
|
|
would be. Right or wrong, you have made up your mind
|
|
to ruin him and me, and you are going to be selfish enough
|
|
to do it. But----"
|
|
|
|
"That will do!" said Elnora. "Spare me the enumeration
|
|
of how I will regret it. I shall regret nothing.
|
|
I shall not act until I know there will be nothing to regret.
|
|
I have decided on my course. You may return to your friends."
|
|
|
|
"What do you mean?" demanded Edith Carr.
|
|
|
|
"That is my affair," replied Elnora. "Only this!
|
|
When your opportunity comes, seize it! Any time you
|
|
are in Philip Ammon's presence, exert the charms of which
|
|
you boast, and take him. I grant you are justified in
|
|
doing it if you can. I want nothing more than I want to
|
|
see you marry Philip if he wants you. He is just across
|
|
the fence under that automobile. Go spread your meshes
|
|
and exert your wiles. I won't stir to stop you. Take him
|
|
to Onabasha, and to Chicago with you. Use every art you possess.
|
|
If the old charm can be revived I will be the first to wish
|
|
both of you well. Now, I must return to my visitors.
|
|
Kindly excuse me."
|
|
|
|
Elnora turned and went back to the arbour. Edith Carr
|
|
followed the fence and passed through the gate into
|
|
the west woods where she asked Henderson about the car.
|
|
As she stood near him she whispered: "Take Phil back
|
|
to Onabasha with us."
|
|
|
|
"I say, Ammon, can't you go to the city with us and
|
|
help me find a shop where I can get this pinion fixed?"
|
|
asked Henderson. "We want to lunch and start back by five.
|
|
That will get us home about midnight. Why don't you
|
|
bring your automobile here?"
|
|
|
|
"I am a working man," said Philip. "I have no time to
|
|
be out motoring. I can't see anything the matter with
|
|
your car, myself; but, of course you don't want to break
|
|
down in the night, on strange roads, with women on your hands.
|
|
I'll see."
|
|
|
|
Philip went into the arbour, where Polly took possession of
|
|
his lap, fingered his hair, and kissed his forehead and lips.
|
|
|
|
"When are you coming to the cottage, Phil?" she asked.
|
|
"Come soon, and bring Miss Comstock for a visit. All of
|
|
us will be so glad to have her."
|
|
|
|
Philip beamed on Polly. "I'll see about that," he said.
|
|
"Sounds pretty good. Elnora, Henderson is in trouble
|
|
with his automobile. He wants me to go to Onabasha
|
|
with him to show him where the doctor lives, and make
|
|
repairs so he can start back this evening. It will take
|
|
about two hours. May I go?"
|
|
|
|
"Of course, you must go," she said, laughing lightly.
|
|
"You can't leave your sister. Why don't you return to
|
|
Chicago with them? There is plenty of room, and you
|
|
could have a fine visit."
|
|
|
|
"I'll be back in just two hours," said Philip. "While I
|
|
am gone, you be thinking over what we were talking of
|
|
when the folks came."
|
|
|
|
"Miss Comstock can go with us as well as not," said Polly.
|
|
"That back seat was made for three, and I can sit on your lap."
|
|
|
|
"Come on! Do come!" urged Philip instantly, and
|
|
Tom Levering joined him, but Henderson and Edith
|
|
silently waited at the gate.
|
|
|
|
"No, thank you," laughed Elnora. "That would crowd you,
|
|
and it's warm and dusty. We will say good-bye here."
|
|
|
|
She offered her hand to all of them, and when she came
|
|
to Philip she gave him one long steady look in the eyes,
|
|
then shook hands with him also.
|
|
|
|
CHAPTER XXIII
|
|
|
|
WHEREIN ELNORA REACHES A DECISION,
|
|
AND FRECKLES AND THE ANGEL APPEAR
|
|
|
|
Well, she came, didn't she?" remarked Mrs. Comstock
|
|
to Elnora as they watched the automobile speed down
|
|
the road. As it turned the Limberlost corner, Philip
|
|
arose and waved to them.
|
|
|
|
"She hasn't got him yet, anyway," said Mrs. Comstock,
|
|
taking heart. "What's that on your finger, and what did
|
|
she say to you?"
|
|
|
|
Elnora explained about the ring as she drew it off.
|
|
|
|
"I have several letters to write, then I am going to
|
|
change my dress and walk down toward Aunt Margaret's
|
|
for a little exercise. I may meet some of them, and I don't
|
|
want them to see this ring. You keep it until Philip
|
|
comes," said Elnora. "As for what Miss Carr said to me,
|
|
many things, two of importance: one, that I lacked every
|
|
social requirement necessary for the happiness of Philip
|
|
Ammon, and that if I married him I would see inside a
|
|
month that he was ashamed of me----"
|
|
|
|
"Aw, shockins!" scorned Mrs. Comstock. "Go on!"
|
|
|
|
"The other was that she has been engaged to him for
|
|
years, that he belongs to her, and she refuses to give
|
|
him up. She said that if he were in her presence one hour,
|
|
she would have him under a mysterious thing she calls `her
|
|
spell' again; if he were where she could see him for one
|
|
week, everything would be made up. It is her opinion
|
|
that he is suffering from wounded pride, and that the
|
|
slightest concession on her part will bring him to his knees
|
|
before her."
|
|
|
|
Mrs. Comstock giggled. "I do hope the boy isn't weak-kneed,"
|
|
she said. "I just happened to be passing the west window
|
|
this afternoon----"
|
|
|
|
Elnora laughed. "Nothing save actual knowledge ever
|
|
would have made me believe there was a girl in all this
|
|
world so infatuated with herself. She speaks casually of
|
|
her power over men, and boasts of `bringing a man to his
|
|
knees' as complacently as I would pick up a net and say:
|
|
`I am going to take a butterfly.' She honestly believes
|
|
that if Philip were with her a short time she could rekindle
|
|
his love for her and awaken in him every particle of
|
|
the old devotion. Mother, the girl is honest! She is
|
|
absolutely sincere! She so believes in herself and the
|
|
strength of Phil's love for her, that all her life she will
|
|
believe in and brood over that thought, unless she is
|
|
taught differently. So long as she thinks that, she will
|
|
nurse wrong ideas and pine over her blighted life. She must
|
|
be taught that Phil is absolutely free, and yet he will not go
|
|
to her."
|
|
|
|
"But how on earth are you proposing to teach her that?"
|
|
|
|
"The way will open."
|
|
|
|
"Lookey here, Elnora!" cried Mrs. Comstock. "That Carr
|
|
girl is the handsomest dark woman I ever saw. She's got
|
|
to the place where she won't stop at anything. Her coming
|
|
here proves that. I don't believe there was a thing
|
|
the matter with that automobile. I think that was a
|
|
scheme she fixed up to get Phil where she could see him
|
|
alone, as she worked to see you. If you are going
|
|
deliberately to put Philip under her influence again, you've
|
|
got to brace yourself for the possibility that she may win.
|
|
A man is a weak mortal, where a lovely woman is concerned,
|
|
and he never denied that he loved her once. You may make
|
|
yourself downright miserable."
|
|
|
|
"But mother, if she won, it wouldn't make me half so
|
|
miserable as to marry Phil myself, and then read hunger
|
|
for her in his eyes! Some one has got to suffer over this.
|
|
If it proves to be me, I'll bear it, and you'll never hear a
|
|
whisper of complaint from me. I know the real Philip
|
|
Ammon better in our months of work in the fields than she
|
|
knows him in all her years of society engagements.
|
|
So she shall have the hour she asked, many, many of them,
|
|
enough to make her acknowledge that she is wrong.
|
|
Now I am going to write my letters and take my walk."
|
|
|
|
Elnora threw her arms around her mother and kissed
|
|
her repeatedly. "Don't you worry about me," she said.
|
|
"I will get along all right, and whatever happens, I always
|
|
will be your girl and you my darling mother."
|
|
|
|
She left two sealed notes on her desk. Then she
|
|
changed her dress, packed a small bundle which she
|
|
dropped with her hat from the window beside the willow,
|
|
and softly went down stairs. Mrs. Comstock was in
|
|
the garden. Elnora picked up the hat and bundle, hurried
|
|
down the road a few rods, then climbed the fence and
|
|
entered the woods. She took a diagonal course, and after
|
|
a long walk reached a road two miles west and one south.
|
|
There she straightened her clothing, put on her hat and a
|
|
thin dark veil and waited the passing of the next trolley.
|
|
She left it at the first town and took a train for Fort Wayne.
|
|
She made that point just in time to climb on the evening
|
|
train north, as it pulled from the station. It was after
|
|
midnight when she left the car at Grand Rapids, and went
|
|
into the depot to await the coming of day.
|
|
|
|
Tired out, she laid her head on her bundle and fell asleep
|
|
on a seat in the women's waiting-room. Long after light
|
|
she was awakened by the roar and rattle of trains. She washed,
|
|
re-arranged her hair and clothing, and went into the general
|
|
waiting-room to find her way to the street. She saw him as
|
|
he entered the door. There was no mistaking the tall,
|
|
lithe figure, the bright hair, the lean, brown-splotched face,
|
|
the steady gray eyes. He was dressed for travelling, and
|
|
carried a light overcoat and a bag. Straight to him Elnora
|
|
went speeding.
|
|
|
|
"Oh, I was just starting to find you!" she cried.
|
|
|
|
"Thank you!" he said.
|
|
|
|
"You are going away?" she panted.
|
|
|
|
"Not if I am needed. I have a few minutes. Can you
|
|
be telling me briefly?"
|
|
|
|
"I am the Limberlost girl to whom your wife gave the
|
|
dress for Commencement last spring, and both of you sent
|
|
lovely gifts. There is a reason, a very good reason, why I
|
|
must be hidden for a time, and I came straight to you--as
|
|
if I had a right."
|
|
|
|
"You have!" answered Freckles. "Any boy or girl who
|
|
ever suffered one pang in the Limberlost has a claim
|
|
to the best drop of blood in my heart. You needn't be
|
|
telling me anything more. The Angel is at our cottage
|
|
on Mackinac. You shall tell her and play with the babies
|
|
while you want shelter. This way!"
|
|
|
|
They breakfasted in a luxurious car, talked over the
|
|
swamp, the work of the Bird Woman; Elnora told of her
|
|
nature lectures in the schools, and soon they were
|
|
good friends. In the evening they left the train at
|
|
Mackinaw City and crossed the Straits by boat. Sheets of
|
|
white moonlight flooded the water and paved a molten path
|
|
across the breast of it straight to the face of the moon.
|
|
|
|
The island lay a dark spot on the silver surface, its tall
|
|
trees sharply outlined on the summit, and a million lights
|
|
blinked around the shore. The night guns boomed from
|
|
the white fort and a dark sentinel paced the ramparts
|
|
above the little city tucked down close to the water.
|
|
A great tenor summering in the north came out on the upper
|
|
deck of the big boat, and baring his head, faced the moon
|
|
and sang: "Oh, the moon shines bright on my old
|
|
Kentucky home!" Elnora thought of the Limberlost, of
|
|
Philip, and her mother, and almost choked with the sobs
|
|
that would arise in her throat. On the dock a woman of
|
|
exquisite beauty swept into the arms of Terence O'More.
|
|
|
|
"Oh, Freckles!" she cried. "You've been gone a month!"
|
|
|
|
"Four days, Angel, only four days by the clock,"
|
|
remonstrated Freckles. "Where are the children?"
|
|
|
|
"Asleep! Thank goodness! I'm worn to a thread. I never
|
|
saw such inventive, active children. I can't keep track of them!"
|
|
|
|
"I have brought you help," said Freckles. "Here is the
|
|
Limberlost girl in whom the Bird Woman is interested.
|
|
Miss Comstock needs a rest before beginning her school
|
|
work for next year, so she came to us."
|
|
|
|
"You dear thing! How good of you!" cried the Angel.
|
|
"We shall be so happy to have you!"
|
|
|
|
In her room that night, in a beautiful cottage furnished
|
|
with every luxury, Elnora lifted a tired face to the Angel.
|
|
|
|
"Of course, you understand there is something back of
|
|
this?" she said. "I must tell you."
|
|
|
|
"Yes," agreed the Angel. "Tell me! If you get it out
|
|
of your system, you will stand a better chance of sleeping."
|
|
|
|
Elnora stood brushing the copper-bright masses of her
|
|
hair as she talked. When she finished the Angel was
|
|
almost hysterical.
|
|
|
|
"You insane creature!" she cried. "How crazy of you
|
|
to leave him to her! I know both of them. I have met
|
|
them often. She may be able to make good her boast.
|
|
But it is perfectly splendid of you! And, after all, really
|
|
it is the only way. I can see that. I think it is what I
|
|
should have done myself, or tried to do. I don't know
|
|
that I could have done it! When I think of walking away
|
|
and leaving Freckles with a woman he once loved, to let
|
|
her see if she can make him love her again, oh, it gives me
|
|
a graveyard heart. No, I never could have done it! You are
|
|
bigger than I ever was. I should have turned coward, sure."
|
|
|
|
"I am a coward," admitted Elnora. "I am soul-sick!
|
|
I am afraid I shall lose my senses before this is over.
|
|
I didn't want to come! I wanted to stay, to go straight
|
|
into his arms, to bind myself with his ring, to love him
|
|
with all my heart. It wasn't my fault that I came.
|
|
There was something inside that just pushed me. She is
|
|
beautiful----"
|
|
|
|
"I quite agree with you!"
|
|
|
|
"You can imagine how fascinating she can be. She used
|
|
no arts on me. Her purpose was to cower me. She found
|
|
she could not do that, but she did a thing which helped
|
|
her more: she proved that she was honest, perfectly
|
|
sincere in what she thought. She believes that if she
|
|
merely beckons to Philip, he will go to her. So I am giving
|
|
her the opportunity to learn from him what he will do.
|
|
She never will believe it from any one else. When she is
|
|
satisfied, I shall be also."
|
|
|
|
"But, child! Suppose she wins him back!"
|
|
|
|
"That is the supposition with which I shall eat and sleep
|
|
for the coming few weeks. Would one dare ask for a peep
|
|
at the babies before going to bed?"
|
|
|
|
"Now, you are perfect!" announced the Angel. "I never
|
|
should have liked you all I can, if you had been content
|
|
to go to sleep in this house without asking to see
|
|
the babies. Come this way. We named the first boy
|
|
for his father, of course, and the girl for Aunt Alice.
|
|
The next boy is named for my father, and the baby for
|
|
the Bird Woman. After this we are going to branch out."
|
|
|
|
Elnora began to laugh.
|
|
|
|
"Oh, I suspect there will be quite a number of them,"
|
|
said the Angel serenely. "I am told the more there are
|
|
the less trouble they make. The big ones take care of the
|
|
little ones. We want a large family. This is our start."
|
|
|
|
She entered a dark room and held aloft a candle. She went
|
|
to the side of a small white iron bed in which lay a
|
|
boy of eight and another of three. They were perfectly
|
|
formed, rosy children, the elder a replica of his mother,
|
|
the other very like. Then they came to a cradle where a
|
|
baby girl of almost two slept soundly, and made a picture.
|
|
|
|
"But just see here!" said the Angel. She threw the light
|
|
on a sleeping girl of six. A mass of red curls swept
|
|
the pillow. Line and feature the face was that of Freckles.
|
|
Without asking, Elnora knew the colour and expression
|
|
of the closed eyes. The Angel handed Elnora the candle,
|
|
and stooping, straightened the child's body. She ran
|
|
her fingers through the bright curls, and lightly touched
|
|
the aristocratic little nose.
|
|
|
|
"The supply of freckles holds out in my family, you see!"
|
|
she said. "Both of the girls will have them, and the
|
|
second boy a few."
|
|
|
|
She stood an instant longer, then bending, ran her hand
|
|
caressingly down a rosy bare leg, while she kissed the
|
|
babyish red mouth. There had been some reason for
|
|
touching all of them, the kiss fell on the lips which were
|
|
like Freckles's.
|
|
|
|
To Elnora she said a tender good-night, whispering
|
|
brave words of encouragement and making plans to fill
|
|
the days to come. Then she went away. An hour later
|
|
there was a light tap on the girl's door.
|
|
|
|
"Come!" she called as she lay staring into the dark.
|
|
|
|
The Angel felt her way to the bedside, sat down and
|
|
took Elnora's hands.
|
|
|
|
"I just had to come back to you," she said. "I have
|
|
been telling Freckles, and he is almost hurting himself
|
|
with laughing. I didn't think it was funny, but he does.
|
|
He thinks it's the funniest thing that ever happened.
|
|
He says that to run away from Mr. Ammon, when you
|
|
had made him no promise at all, when he wasn't sure of
|
|
you, won't send him home to her; it will set him hunting you!
|
|
He says if you had combined the wisdom of Solomon,
|
|
Socrates, and all the remainder of the wise men, you
|
|
couldn't have chosen any course that would have sealed
|
|
him to you so surely. He feels that now Mr. Ammon will
|
|
perfectly hate her for coming down there and driving
|
|
you away. And you went to give her the chance she wanted.
|
|
Oh, Elnora! It is becoming funny! I see it, too!"
|
|
|
|
The Angel rocked on the bedside. Elnora faced the
|
|
dark in silence.
|
|
|
|
"Forgive me," gulped the Angel. "I didn't mean to laugh.
|
|
I didn't think it was funny, until all at once it
|
|
came to me. Oh, dear! Elnora, it <i is> funny! I've got
|
|
to laugh!"
|
|
|
|
"Maybe it is," admitted Elnora "to others; but it
|
|
isn't very funny to me. And it won't be to Philip, or
|
|
to mother."
|
|
|
|
That was very true. Mrs. Comstock had been slightly
|
|
prepared for stringent action of some kind, by what Elnora
|
|
had said. The mother instantly had guessed where the
|
|
girl would go, but nothing was said to Philip. That would
|
|
have been to invalidate Elnora's test in the beginning, and
|
|
Mrs. Comstock knew her child well enough to know that
|
|
she never would marry Philip unless she felt it right that
|
|
she should. The only way was to find out, and Elnora
|
|
had gone to seek the information. There was nothing to
|
|
do but wait until she came back, and her mother was not
|
|
in the least uneasy but that the girl would return brave and
|
|
self-reliant, as always.
|
|
|
|
Philip Ammon hurried back to the Limberlost, strong
|
|
in the hope that now he might take Elnora into his arms
|
|
and receive her promise to become his wife. His first
|
|
shock of disappointment came when he found her gone.
|
|
In talking with Mrs. Comstock he learned that Edith Carr
|
|
had made an opportunity to speak with Elnora alone.
|
|
He hastened down the road to meet her, coming back alone,
|
|
an agitated man. Then search revealed the notes. His read:
|
|
|
|
DEAR PHILIP:
|
|
|
|
I find that I am never going to be able to answer your question of
|
|
this afternoon fairly to all of us, when you are with me. So I am going
|
|
away a few weeks to think over matters alone. I shall not tell you,
|
|
or even mother, where I am going, but I shall be safe, well cared for,
|
|
and happy. Please go back home and live among your friends, just
|
|
as you always have done, and on or before the first of September, I
|
|
will write you where I am, and what I have decided. Please do not
|
|
blame Edith Carr for this, and do not avoid her. I hope you will call
|
|
on her and be friends. I think she is very sorry, and covets your
|
|
friendship at least. Until September, then, as ever,
|
|
|
|
ELNORA.
|
|
|
|
Mrs. Comstock's note was much the same. Philip was
|
|
ill with disappointment. In the arbour he laid his head on
|
|
the table, among the implements of Elnora's loved work, and
|
|
gulped down dry sobs he could not restrain. Mrs. Comstock
|
|
never had liked him so well. Her hand involuntarily crept
|
|
toward his dark head, then she drew back. Elnora would not
|
|
want her to do anything whatever to influence him.
|
|
|
|
"What am I going to do to convince Edith Carr that I
|
|
do not love her, and Elnora that I am hers?" he demanded.
|
|
|
|
"I guess you have to figure that out yourself," said
|
|
Mrs. Comstock. "I'd be glad to help you if I could,
|
|
but it seems to be up to you."
|
|
|
|
Philip sat a long time in silence. "Well, I have decided!"
|
|
he said abruptly. "Are you perfectly sure Elnora had
|
|
plenty of money and a safe place to go?"
|
|
|
|
"Absolutely!" answered Mrs. Comstock. "She has
|
|
been taking care of herself ever since she was born, and she
|
|
always has come out all right, so far; I'll stake all I'm
|
|
worth on it, that she always will. I don't know where she
|
|
is, but I'm not going to worry about her safety."
|
|
|
|
"I can't help worrying!" cried Philip. "I can think of
|
|
fifty things that may happen to her when she thinks she
|
|
is safe. This is distracting! First, I am going to run
|
|
up to see my father. Then, I'll let you know what we
|
|
have decided. Is there anything I can do for you?"
|
|
|
|
"Nothing!" said Mrs. Comstock.
|
|
|
|
But the desire to do something for him was so strong
|
|
with her she scarcely could keep her lips closed or her
|
|
hands quiet. She longed to tell him what Edith Carr had
|
|
said, how it had affected Elnora, and to comfort him as she
|
|
felt she could. But loyalty to the girl held her. If Elnora
|
|
truly felt that she could not decide until Edith Carr was
|
|
convinced, then Edith Carr would have to yield or triumph.
|
|
It rested with Philip. So Mrs. Comstock kept silent, while
|
|
Philip took the night limited, a bitterly disappointed man.
|
|
|
|
By noon the next day he was in his father's offices. They had
|
|
a long conference, but did not arrive at much until the elder
|
|
Ammon suggested sending for Polly. Anything that might have
|
|
happened could be explained after Polly had told of the
|
|
private conference between Edith and Elnora.
|
|
|
|
"Talk about lovely woman!" cried Philip Ammon. "One would
|
|
think that after such a dose as Edith gave me, she would
|
|
be satisfied to let me go my way, but no! Not caring for
|
|
me enough herself to save me from public disgrace, she must
|
|
now pursue me to keep any other woman from loving me.
|
|
I call that too much! I am going to see her, and I want
|
|
you to go with me, father."
|
|
|
|
"Very well," said Mr. Ammon, "I will go."
|
|
|
|
When Edith Carr came into her reception-room that
|
|
afternoon, gowned for conquest, she expected only Philip,
|
|
and him penitent. She came hurrying toward him, smiling,
|
|
radiant, ready to use every allurement she possessed, and
|
|
paused in dismay when she saw his cold face and his father.
|
|
"Why, Phil!" she cried. "When did you come home?"
|
|
|
|
"I am not at home," answered Philip. "I merely ran up
|
|
to see my father on business, and to inquire of you what
|
|
it was you said to Miss Comstock yesterday that caused
|
|
her to disappear before I could return to the Limberlost."
|
|
|
|
"Miss Comstock disappear! Impossible!" cried Edith Carr.
|
|
"Where could she go?"
|
|
|
|
"I thought perhaps you could answer that, since it was
|
|
through you that she went."
|
|
|
|
"Phil, I haven't the faintest idea where she is," said the
|
|
girl gently.
|
|
|
|
"But you know perfectly why she went! Kindly tell me that."
|
|
|
|
"Let me see you alone, and I will."
|
|
|
|
"Here and now, or not at all."
|
|
|
|
"Phil!"
|
|
|
|
"What did you say to the girl I love?"
|
|
|
|
Then Edith Carr stretched out her arms.
|
|
|
|
"Phil, I am the girl you love!" she cried. "All your
|
|
life you have loved me. Surely it cannot be all gone in
|
|
a few weeks of misunderstanding. I was jealous of her!
|
|
I did not want you to leave me an instant that night for any
|
|
other girl living. That was the moth I was representing.
|
|
Every one knew it! I wanted you to bring it to me.
|
|
When you did not, I knew instantly it had been for her
|
|
that you worked last summer, she who suggested my
|
|
dress, she who had power to take you from me, when I
|
|
wanted you most. The thought drove me mad, and I said
|
|
and did those insane things. Phil, I beg your pardon!
|
|
I ask your forgiveness. Yesterday she said that you had
|
|
told her of me at once. She vowed both of you had been
|
|
true to me and Phil, I couldn't look into her eyes and not
|
|
see that it was the truth. Oh, Phil, if you understood how
|
|
I have suffered you would forgive me. Phil, I never knew
|
|
how much I cared for you! I will do anything--anything!"
|
|
|
|
"Then tell me what you said to Elnora yesterday that
|
|
drove her, alone and friendless, into the night, heaven
|
|
knows where!"
|
|
|
|
"You have no thought for any one save her?"
|
|
|
|
"Yes," said Philip. "I have. Because I once loved you,
|
|
and believed in you, my heart aches for you. I will gladly
|
|
forgive anything you ask. I will do anything you want,
|
|
except to resume our former relations. That is impossible.
|
|
It is hopeless and useless to ask it."
|
|
|
|
"You truly mean that!"
|
|
|
|
"Yes."
|
|
|
|
"Then find out from her what I said!"
|
|
|
|
"Come, father," said Philip, rising.
|
|
|
|
"You were going to show Miss Comstock's letter to
|
|
Edith!" suggested Mr. Ammon.
|
|
|
|
"I have not the slightest interest in Miss Comstock's
|
|
letter," said Edith Carr.
|
|
|
|
"You are not even interested in the fact that she says
|
|
you are not responsible for her going, and that I am to call
|
|
on you and be friends with you?"
|
|
|
|
"That is interesting, indeed!" sneered Miss Carr.
|
|
|
|
She took the letter, read and returned it.
|
|
|
|
"She has done what she could for my cause, it seems,"
|
|
she said coldly. "How very generous of her! Do you
|
|
propose calling out Pinkertons and instituting a
|
|
general search?"
|
|
|
|
"No," replied Philip. "I simply propose to go back to
|
|
the Limberlost and live with her mother, until Elnora
|
|
becomes convinced that I am not courting you, and never
|
|
shall be. Then, perhaps, she will come home to us.
|
|
Good-bye. Good luck to you always!"
|
|
|
|
CHAPTER XXIV
|
|
|
|
WHEREIN EDITH CARR WAGES A BATTLE,
|
|
AND HART HENDERSON STANDS GUARD
|
|
|
|
Many people looked, a few followed, when Edith Carr
|
|
slowly came down the main street of Mackinac, pausing
|
|
here and there to note the glow of colour in one small
|
|
booth after another, overflowing with gay curios.
|
|
That street of packed white sand, winding with the
|
|
curves of the shore, outlined with brilliant shops,
|
|
and thronged with laughing, bare-headed people in outing
|
|
costumes was a picturesque and fascinating sight.
|
|
Thousands annually made long journeys and paid exorbitant
|
|
prices to take part in that pageant.
|
|
|
|
As Edith Carr passed, she was the most distinguished
|
|
figure of the old street. Her clinging black gown was
|
|
sufficiently elaborate for a dinner dress. On her head was
|
|
a large, wide, drooping-brimmed black hat, with immense
|
|
floating black plumes, while on the brim, and among the
|
|
laces on her breast glowed velvety, deep red roses.
|
|
Some way these made up for the lack of colour in her cheeks
|
|
and lips, and while her eyes seemed unnaturally bright,
|
|
to a close observer they appeared weary. Despite the
|
|
effort she made to move lightly she was very tired,
|
|
and dragged her heavy feet with an effort.
|
|
|
|
She turned at the little street leading to the dock, and
|
|
went to meet the big lake steamer ploughing up the Straits
|
|
from Chicago. Past the landing place, on to the very end
|
|
of the pier she went, then sat down, leaned against a dock
|
|
support and closed her tired eyes. When the steamer
|
|
came very close she languidly watched the people lining
|
|
the railing. Instantly she marked one lean anxious face
|
|
turned toward hers, and with a throb of pity she lifted a
|
|
hand and waved to Hart Henderson. He was the first
|
|
man to leave the boat, coming to her instantly. She spread
|
|
her trailing skirts and motioned him to sit beside her.
|
|
Silently they looked across the softly lapping water.
|
|
At last she forced herself to speak to him.
|
|
|
|
"Did you have a successful trip?"
|
|
|
|
"I accomplished my purpose."
|
|
|
|
"You didn't lose any time getting back."
|
|
|
|
"I never do when I am coming to you."
|
|
|
|
"Do you want to go to the cottage for anything?"
|
|
|
|
"No."
|
|
|
|
"Then let us sit here and wait until the Petoskey
|
|
steamer comes in. I like to watch the boats.
|
|
Sometimes I study the faces, if I am not too tired."
|
|
|
|
"Have you seen any new types to-day?"
|
|
|
|
She shook her head. "This has not been an easy day, Hart."
|
|
|
|
"And it's going to be worse," said Henderson bitterly.
|
|
"There's no use putting it off. Edith, I saw some one to-day."
|
|
|
|
"You should have seen thousands," she said lightly.
|
|
|
|
"I did. But of them all, only one will be of interest to you."
|
|
|
|
"Man or woman?"
|
|
|
|
"Man."
|
|
|
|
"Where?"
|
|
|
|
"Lake Shore private hospital."
|
|
|
|
"An accident?"
|
|
|
|
"No. Nervous and physical breakdown."
|
|
|
|
"Phil said he was going back to the Limberlost."
|
|
|
|
"He went. He was there three weeks, but the strain
|
|
broke him. He has an old letter in his hands that he has
|
|
handled until it is ragged. He held it up to me and said:
|
|
"You can see for yourself that she says she will be well and
|
|
happy, but we can't know until we see her again, and that
|
|
may never be. She may have gone too near that place her
|
|
father went down, some of that Limberlost gang may have
|
|
found her in the forest, she may lie dead in some city
|
|
morgue this instant, waiting for me to find her body."
|
|
|
|
"Hart! For pity sake stop!"
|
|
|
|
"I can't," cried Henderson desperately. "I am forced
|
|
to tell you. They are fighting brain fever. He did go
|
|
back to the swamp and he prowled it night and day.
|
|
The days down there are hot now, and the nights wet with
|
|
dew and cold. He paid no attention and forgot his food.
|
|
A fever started and his uncle brought him home.
|
|
They've never had a word from her, or found a trace
|
|
of her. Mrs. Comstock thought she had gone to O'Mores' at
|
|
Great Rapids, so when Phil broke down she telegraphed there.
|
|
They had been gone all summer, so her mother is as anxious as Phil."
|
|
|
|
"The O'Mores are here," said Edith. "I haven't seen
|
|
any of them, because I haven't gone out much in the
|
|
few days since we came, but this is their summer home."
|
|
|
|
"Edith, they say at the hospital that it will take careful
|
|
nursing to save Phil. He is surrounded by stacks of
|
|
maps and railroad guides. He is trying to frame up a plan
|
|
to set the entire detective agency of the country to work.
|
|
He says he will stay there just two days longer. The doctors
|
|
say he will kill himself when he goes. He is a sick
|
|
man, Edith. His hands are burning and shaky and his
|
|
breath was hot against my face."
|
|
|
|
"Why are you telling me?" It was a cry of acute anguish.
|
|
|
|
"He thinks you know where she is."
|
|
|
|
"I do not! I haven't an idea! I never dreamed she
|
|
would go away when she had him in her hand! I should
|
|
not have done it!"
|
|
|
|
"He said it was something you said to her that made her go."
|
|
|
|
"That may be, but it doesn't prove that I know where
|
|
she went."
|
|
|
|
Henderson looked across the water and suffered keenly. At last
|
|
he turned to Edith and laid a firm, strong hand over hers.
|
|
|
|
"Edith," he said, "do you realize how serious this is?"
|
|
|
|
"I suppose I do."
|
|
|
|
"Do you want as fine a fellow as Philip driven any further?
|
|
If he leaves that hospital now, and goes out to the
|
|
exposure and anxiety of a search for her, there will be a
|
|
tragedy that no after regrets can avert. Edith, what did
|
|
you say to Miss Comstock that made her run away from Phil?"
|
|
|
|
The girl turned her face from him and sat still, but the
|
|
man gripping her hands and waiting in agony could see that
|
|
she was shaken by the jolting of the heart in her breast.
|
|
|
|
"Edith, what did you say?"
|
|
|
|
"What difference can it make?"
|
|
|
|
"It might furnish some clue to her action."
|
|
|
|
"It could not possibly."
|
|
|
|
"Phil thinks so. He has thought so until his brain is
|
|
worn enough to give way. Tell me, Edith!"
|
|
|
|
"I told her Phil was mine! That if he were away from
|
|
her an hour and back in my presence, he would be to me as
|
|
he always has been."
|
|
|
|
"Edith, did you believe that?"
|
|
|
|
"I would have staked my life, my soul on it!"
|
|
|
|
"Do you believe it now?"
|
|
|
|
There was no answer. Henderson took her other hand and
|
|
holding both of them firmly he said softly: "Don't mind
|
|
me, dear. I don't count! I'm just old Hart! You can
|
|
tell me anything. Do you still believe that?"
|
|
|
|
The beautiful head barely moved in negation.
|
|
Henderson gathered both her hands in one of his and stretched
|
|
an arm across her shoulders to the post to support her.
|
|
She dragged her hands from him and twisted them together.
|
|
|
|
"Oh, Hart!" she cried. "It isn't fair! There is
|
|
a limit! I have suffered my share. Can't you see?
|
|
Can't you understand?"
|
|
|
|
"Yes," he panted. "Yes, my girl! Tell me just this
|
|
one thing yet, and I'll cheerfully kill any one who annoys
|
|
you further. Tell me, Edith!"
|
|
|
|
Then she lifted her big, dull, pain-filled eyes to his and
|
|
cried: "No! I do not believe it now! I know it is not true!
|
|
I killed his love for me. It is dead and gone forever.
|
|
Nothing will revive it! Nothing in all this world.
|
|
And that is not all. I did not know how to touch the
|
|
depths of his nature. I never developed in him those
|
|
things he was made to enjoy. He admired me. He was
|
|
proud to be with me. He thought, and I thought, that he
|
|
worshipped me; but I know now that he never did care for
|
|
me as he cares for her. Never! I can see it! I planned to
|
|
lead society, to make his home a place sought for my
|
|
beauty and popularity. She plans to advance his political
|
|
ambitions, to make him comfortable physically, to stimulate
|
|
his intellect, to bear him a brood of red-faced children.
|
|
He likes her and her plans as he never did me and mine.
|
|
Oh, my soul! Now, are you satisfied?"
|
|
|
|
She dropped back against his arm exhausted.
|
|
Henderson held her and learned what suffering
|
|
truly means. He fanned her with his hat, rubbed
|
|
her cold hands and murmured broken, incoherent things.
|
|
By and by slow tears slipped from under her closed lids,
|
|
but when she opened them her eyes were dull and hard.
|
|
|
|
"What a rag one is when the last secret of the soul is
|
|
torn out and laid bare!" she cried.
|
|
|
|
Henderson thrust his handkerchief into her fingers and
|
|
whispered, "Edith, the boat has been creeping up.
|
|
It's very close. Maybe some of our crowd are on it.
|
|
Hadn't we better slip away from here before it lands?"
|
|
|
|
"If I can walk," she said. "Oh, I am so dead tired, Hart!
|
|
|
|
"Yes, dear," said Henderson soothingly. "Just try to
|
|
pass the landing before the boat anchors. If I only dared
|
|
carry you!"
|
|
|
|
They struggled through the waiting masses, but directly
|
|
opposite the landing there was a backward movement in
|
|
the happy, laughing crowd, the gang-plank came down
|
|
with a slam, and people began hurrying from the boat.
|
|
Crowded against the fish house on the dock, Henderson
|
|
could only advance a few steps at a time. He was straining
|
|
every nerve to protect and assist Edith. He saw no
|
|
one he recognized near them, so he slipped his arm across
|
|
her back to help support her. He felt her stiffen against
|
|
him and catch her breath. At the same instant, the
|
|
clearest, sweetest male voice he ever had heard called:
|
|
"Be careful there, little men!"
|
|
|
|
Henderson sent a swift glance toward the boat. Terence O'More
|
|
had stepped from the gang-plank, leading a little daughter,
|
|
so like him, it was comical. There followed a picture not
|
|
easy to describe. The Angel in the full flower of her
|
|
beauty, richly dressed, a laugh on her cameo face, the
|
|
setting sun glinting on her gold hair, escorted by her
|
|
eldest son, who held her hand tightly and carefully watched
|
|
her steps. Next came Elnora, dressed with equal richness,
|
|
a trifle taller and slenderer, almost the same type of
|
|
colouring, but with different eyes and hair, facial lines
|
|
and expression. She was led by the second O'More boy
|
|
who convulsed the crowd by saying: "Tareful, Elnora!
|
|
Don't 'oo be 'teppin' in de water!"
|
|
|
|
People surged around them, purposely closing them in.
|
|
|
|
"What lovely women! Who are they? It's the O'Mores.
|
|
The lightest one is his wife. Is that her sister?
|
|
No, it is his! They say he has a title in England."
|
|
|
|
Whispers ran fast and audible. As the crowd pressed
|
|
around the party an opening was left beside the fish sheds.
|
|
Edith ran down the dock. Henderson sprang after her,
|
|
catching her arm and assisting her to the street.
|
|
|
|
"Up the shore! This way!" she panted. "Every one
|
|
will go to dinner the first thing they do."
|
|
|
|
They left the street and started around the beach, but
|
|
Edith was breathless from running, while the yielding sand
|
|
made difficult walking.
|
|
|
|
"Help me!" she cried, clinging to Henderson. He put
|
|
his arm around her, almost carrying her from sight into a
|
|
little cove walled by high rocks at the back, while there
|
|
was a clean floor of white sand, and logs washed from the
|
|
lake for seats. He found one of these with a back rest,
|
|
and hurrying down to the water he soaked his handkerchief
|
|
and carried it to her. She passed it across her lips,
|
|
over her eyes, and then pressed the palms of her hands
|
|
upon it. Henderson removed the heavy hat, fanned her
|
|
with his, and wet the handkerchief again.
|
|
|
|
"Hart, what makes you?" she said wearily. "My mother
|
|
doesn't care. She says this is good for me. Do you
|
|
think this is good for me, Hart?"
|
|
|
|
"Edith, you know I would give my life if I could save
|
|
you this," he said, and could not speak further.
|
|
|
|
She leaned against him, closed her eyes and lay silent so
|
|
long the man fell into panic.
|
|
|
|
"Edith, you are not unconscious?" he whispered, touching her.
|
|
|
|
"No. just resting. Please don't leave me."
|
|
|
|
He held her carefully, gently fanning her. She was
|
|
suffering almost more than either of them could endure.
|
|
|
|
"I wish you had your boat," she said at last. "I want
|
|
to sail with the wind in my face."
|
|
|
|
"There is no wind. I can bring my motor around in a
|
|
few minutes."
|
|
|
|
"Then get it."
|
|
|
|
"Lie on the sand. I can 'phone from the first booth.
|
|
It won't take but a little while."
|
|
|
|
Edith lay on the white sand, and Henderson covered her
|
|
face with her hat. Then he ran to the nearest booth and
|
|
talked imperatively. Presently he was back bringing a
|
|
hot drink that was stimulating. Shortly the motor ran
|
|
close to the beach and stopped. Henderson's servant
|
|
brought a row-boat ashore and took them to the launch.
|
|
It was filled with cushions and wraps. Henderson made a
|
|
couch and soon, warmly covered, Edith sped out over the
|
|
water in search of peace.
|
|
|
|
Hour after hour the boat ran up and down the shore.
|
|
The moon arose and the night air grew very chilly.
|
|
Henderson put on an overcoat and piled more covers on Edith.
|
|
|
|
"You must take me home," she said at last. "The folks
|
|
will be uneasy."
|
|
|
|
He was compelled to take her to the cottage with the
|
|
battle still raging. He went back early the next morning,
|
|
but already she had wandered out over the island.
|
|
Instinctively Henderson felt that the shore would attract her.
|
|
There was something in the tumult of rough little Huron's
|
|
waves that called to him. It was there he found her,
|
|
crouching so close the water the foam was dampening her skirts.
|
|
|
|
"May I stay?" he asked.
|
|
|
|
"I have been hoping you would come," she answered.
|
|
"It's bad enough when you are here, but it is a little easier
|
|
than bearing it alone."
|
|
|
|
"Thank God for that!" said Henderson sitting beside
|
|
her. "Shall I talk to you?"
|
|
|
|
She shook her head. So they sat by the hour. At last
|
|
she spoke: "Of course, you know there is something I
|
|
have got to do, Hart!"
|
|
|
|
"You have not!" cried Henderson, violently.
|
|
"That's all nonsense! Give me just one word
|
|
of permission. That is all that is required of you."
|
|
|
|
"`Required?' You grant, then, that there is something `required?'"
|
|
|
|
"One word. Nothing more."
|
|
|
|
"Did you ever know one word could be so big, so black,
|
|
so desperately bitter? Oh, Hart!"
|
|
|
|
"No."
|
|
|
|
"But you know it now, Hart!"
|
|
|
|
"Yes."
|
|
|
|
"And still you say that it is `required?'"
|
|
|
|
Henderson suffered unspeakably. At last he said: "If you
|
|
had seen and heard him, Edith, you, too, would feel that
|
|
it is `required.' Remember----"
|
|
|
|
"No! No! No!" she cried. "Don't ask me to remember even
|
|
the least of my pride and folly. Let me forget!"
|
|
|
|
She sat silent for a long time.
|
|
|
|
"Will you go with me?" she whispered.
|
|
|
|
"Of course."
|
|
|
|
At last she arose.
|
|
|
|
"I might as well give up and have it over," she faltered.
|
|
|
|
That was the first time in her life that Edith Carr ever
|
|
had proposed to give up anything she wanted.
|
|
|
|
"Help me, Hart!"
|
|
|
|
Henderson started around the beach assisting her all he could.
|
|
Finally he stopped.
|
|
|
|
"Edith, there is no sense in this! You are too tired to go.
|
|
You know you can trust me. You wait in any of these lovely
|
|
places and send me. You will be safe, and I'll run.
|
|
One word is all that is necessary."
|
|
|
|
"But I've got to say that word myself, Hart!"
|
|
|
|
"Then write it, and let me carry it. The message is not
|
|
going to prove who went to the office and sent it."
|
|
|
|
"That is quite true," she said, dropping wearily, but she
|
|
made no movement to take the pen and paper he offered.
|
|
|
|
"Hart, you write it," she said at last.
|
|
|
|
Henderson turned away his face. He gripped the pen,
|
|
while his breath sucked between his dry teeth.
|
|
|
|
"Certainly!" he said when he could speak. "Mackinac,
|
|
August 27, 1908. Philip Ammon, Lake Shore Hospital, Chicago."
|
|
He paused with suspended pen and glanced at Edith. Her white
|
|
lips were working, but no sound came. "Miss Comstock is with
|
|
the Terence O'Mores, on Mackinac Island," prompted Henderson.
|
|
|
|
Edith nodded.
|
|
|
|
"Signed, Henderson," continued the big man.
|
|
|
|
Edith shook her head.
|
|
|
|
"Say, `She is well and happy,' and sign, Edith Carr!"
|
|
she panted.
|
|
|
|
"Not on your life!" flashed Henderson.
|
|
|
|
"For the love of mercy, Hart, don't make this any harder!
|
|
It is the least I can do, and it takes every ounce of
|
|
strength in me to do it."
|
|
|
|
"Will you wait for me here?" he asked.
|
|
|
|
She nodded, and, pulling his hat lower over his eyes,
|
|
Henderson ran around the shore. In less than an hour he
|
|
was back. He helped her a little farther to where the
|
|
Devil's Kitchen lay cut into the rocks; it furnished places
|
|
to rest, and cool water. Before long his man came with
|
|
the boat. From it they spread blankets on the sand for
|
|
her, and made chafing-dish tea. She tried to refuse it,
|
|
but the fragrance overcame her for she drank ravenously.
|
|
Then Henderson cooked several dishes and spread an
|
|
appetizing lunch. She was young, strong, and almost
|
|
famished for food. She was forced to eat. That made
|
|
her feel much better. Then Henderson helped her into the
|
|
boat and ran it through shady coves of the shore, where
|
|
there were refreshing breezes. When she fell asleep the
|
|
girl did not know, but the man did. Sadly in need of rest
|
|
himself, he ran that boat for five hours through quiet bays,
|
|
away from noisy parties, and where the shade was cool
|
|
and deep. When she awoke he took her home, and as they
|
|
went she knew that she had been mistaken. She would
|
|
not die. Her heart was not even broken. She had suffered
|
|
horribly; she would suffer more; but eventually the pain
|
|
must wear out. Into her head crept a few lines of an
|
|
old opera:
|
|
|
|
"Hearts do not break, they sting and ache,
|
|
For old love's sake, but do not die,
|
|
As witnesseth the living I."
|
|
|
|
That evening they were sailing down the Straits before
|
|
a stiff breeze and Henderson was busy with the tiller when
|
|
she said to him: "Hart, I want you to do something more
|
|
for me."
|
|
|
|
"You have only to tell me," he said.
|
|
|
|
"Have I only to tell you, Hart?" she asked softly.
|
|
|
|
"Haven't you learned that yet, Edith?"
|
|
|
|
"I want you to go away."
|
|
|
|
"Very well," he said quietly, but his face whitened visibly.
|
|
|
|
"You say that as if you had been expecting it."
|
|
|
|
"I have. I knew from the beginning that when this
|
|
was over you would dislike me for having seen you suffer.
|
|
I have grown my Gethsemane in a full realization of what
|
|
was coming, but I could not leave you, Edith, so long as it
|
|
seemed to me that I was serving you. Does it make any
|
|
difference to you where I go?"
|
|
|
|
"I want you where you will be loved, and good care
|
|
taken of you."
|
|
|
|
"Thank you!" said Henderson, smiling grimly. "Have you
|
|
any idea where such a spot might be found?"
|
|
|
|
"It should be with your sister at Los Angeles. She always
|
|
has seemed very fond of you."
|
|
|
|
"That is quite true," said Henderson, his eyes brightening
|
|
a little. "I will go to her. When shall I start?"
|
|
|
|
"At once."
|
|
|
|
Henderson began to tack for the landing, but his hands
|
|
shook until he scarcely could manage the boat. Edith Carr
|
|
sat watching him indifferently, but her heart was
|
|
throbbing painfully. "Why is there so much suffering in
|
|
the world?" she kept whispering to herself. Inside her
|
|
door Henderson took her by the shoulders almost roughly.
|
|
|
|
"For how long is this, Edith, and how are you going to
|
|
say good-bye to me?"
|
|
|
|
She raised tired, pain-filled eyes to his.
|
|
|
|
"I don't know for how long it is," she said. "It seems
|
|
now as if it had been a slow eternity. I wish to my soul
|
|
that God would be merciful to me and make something
|
|
`snap' in my heart, as there did in Phil's, that would give
|
|
me rest. I don't know for how long, but I'm perfectly
|
|
shameless with you, Hart. If peace ever comes and I want
|
|
you, I won't wait for you to find it out yourself, I'll cable,
|
|
Marconigraph, anything. As for how I say good-bye; any
|
|
way you please, I don't care in the least what happens to me."
|
|
|
|
Henderson studied her intently.
|
|
|
|
"In that case, we will shake hands," he said. "Good-bye, Edith.
|
|
Don't forget that every hour I am thinking of you and hoping
|
|
all good things will come to you soon."
|
|
|
|
CHAPTER XXV
|
|
|
|
WHEREIN PHILIP FINDS ELNORA,
|
|
AND EDITH CARR OFFERS A YELLOW EMPEROR
|
|
|
|
Oh, I need my own violin," cried Elnora. "This one
|
|
may be a thousand times more expensive, and much older
|
|
than mine; but it wasn't inspired and taught to sing
|
|
by a man who knew how. It doesn't know `beans,' as
|
|
mother would say, about the Limberlost."
|
|
|
|
The guests in the O'More music-room laughed appreciatively.
|
|
|
|
"Why don't you write your mother to come for a visit
|
|
and bring yours?" suggested Freckles.
|
|
|
|
"I did that three days ago," acknowledged Elnora.
|
|
"I am half expecting her on the noon boat. That is
|
|
one reason why this violin grows worse every minute.
|
|
There is nothing at all the matter with me."
|
|
|
|
"Splendid!" cried the Angel. "I've begged and begged
|
|
her to do it. I know how anxious these mothers become.
|
|
When did you send? What made you? Why didn't you
|
|
tell me?"
|
|
|
|
"`When?' Three days ago. `What made me?' You. `Why didn't
|
|
I tell you?' Because I can't be sure in the least that she
|
|
will come. Mother is the most individual person. She never
|
|
does what every one expects she will.
|
|
|
|
She may not come, and I didn't want you to be disappointed."
|
|
|
|
"How did I make you?" asked the Angel.
|
|
|
|
"Loving Alice. It made me realize that if you cared for
|
|
your girl like that, with Mr. O'More and three other
|
|
children, possibly my mother, with no one, might like to
|
|
see me. I know I want to see her, and you had told me to
|
|
so often, I just sent for her. Oh, I do hope she comes!
|
|
I want her to see this lovely place."
|
|
|
|
"I have been wondering what you thought of Mackinac,"
|
|
said Freckles.
|
|
|
|
"Oh, it is a perfect picture, all of it! I should like to
|
|
hang it on the wall, so I could see it whenever I wanted to;
|
|
but it isn't real, of course; it's nothing but a picture."
|
|
|
|
"These people won't agree with you," smiled Freckles.
|
|
|
|
"That isn't necessary," retorted Elnora. "They know
|
|
this, and they love it; but you and I are acquainted with
|
|
something different. The Limberlost is life. Here it is
|
|
a carefully kept park. You motor, sail, and golf, all so
|
|
secure and fine. But what I like is the excitement of
|
|
choosing a path carefully, in the fear that the quagmire
|
|
may reach out and suck me down; to go into the swamp
|
|
naked-handed and wrest from it treasures that bring me
|
|
books and clothing, and I like enough of a fight for things
|
|
that I always remember how I got them. I even enjoy
|
|
seeing a canny old vulture eyeing me as if it were saying:
|
|
`Ware the sting of the rattler, lest I pick your bones as I
|
|
did old Limber's.' I like sufficient danger to put an edge
|
|
on life. This is so tame. I should have loved it when all
|
|
the homes were cabins, and watchers for the stealthy
|
|
Indian canoes patrolled the shores. You wait until
|
|
mother comes, and if my violin isn't angry with me for
|
|
leaving it, to-night we shall sing you the Song of
|
|
the Limberlost. You shall hear the big gold bees over the
|
|
red, yellow, and purple flowers, bird song, wind talk, and
|
|
the whispers of Sleepy Snake Creek, as it goes past you.
|
|
You will know!" Elnora turned to Freckles.
|
|
|
|
He nodded. "Who better?" he asked. "This is secure
|
|
while the children are so small, but when they grow larger,
|
|
we are going farther north, into real forest, where they can
|
|
learn self-reliance and develop backbone."
|
|
|
|
Elnora laid away the violin. "Come along, children,"
|
|
she said. "We must get at that backbone business at once.
|
|
Let's race to the playhouse."
|
|
|
|
With the brood at her heels Elnora ran, and for an hour
|
|
lively sounds stole from the remaining spot of forest on the
|
|
Island, which lay beside the O'More cottage. Then Terry
|
|
went to the playroom to bring Alice her doll. He came
|
|
racing back, dragging it by one leg, and crying:
|
|
"There's company! Someone has come that mamma and papa
|
|
are just tearing down the house over. I saw through
|
|
the window."
|
|
|
|
"It could not be my mother, yet," mused Elnora. "Her boat
|
|
is not due until twelve. Terry, give Alice that doll----"
|
|
|
|
"It's a man-person, and I don't know him, but my
|
|
father is shaking his hand right straight along, and my
|
|
mother is running for a hot drink and a cushion. It's a
|
|
kind of a sick person, but they are going to make him well
|
|
right away, any one can see that. This is the best place.
|
|
|
|
I'll go tell him to come lie on the pine needles in the sun
|
|
and watch the sails go by. That will fix him!"
|
|
|
|
"Watch sails go by," chanted Little Brother. "'A fix him!
|
|
Elnora fix him, won't you?"
|
|
|
|
"I don't know about that," answered Elnora. "What sort
|
|
of person is he, Terry?"
|
|
|
|
"A beautiful white person; but my father is going to
|
|
`colour him up,' I heard him say so. He's just out of the
|
|
hospital, and he is a bad person, 'cause he ran away from
|
|
the doctors and made them awful angry. But father
|
|
and mother are going to doctor him better. I didn't know
|
|
they could make sick people well."
|
|
|
|
"'Ey do anyfing!" boasted Little Brother.
|
|
|
|
Before Elnora missed her, Alice, who had gone to
|
|
investigate, came flying across the shadows and through the
|
|
sunshine waving a paper. She thurst it into Elnora's hand.
|
|
|
|
"There is a man-person--a stranger-person!" she shouted.
|
|
"But he knows you! He sent you that! You are to be
|
|
the doctor! He said so! Oh, do hurry! I like him heaps!"
|
|
|
|
Elnora read Edith Carr's telegram to Philip Ammon
|
|
and understood that he had been ill, that she had been
|
|
located by Edith who had notified him. In so doing
|
|
she had acknowledged defeat. At last Philip was free.
|
|
Elnora looked up with a radiant face.
|
|
|
|
"I like him `heaps' myself!" she cried. "Come on
|
|
children, we will go tell him so."
|
|
|
|
Terry and Alice ran, but Elnora had to suit her steps
|
|
to Little Brother, who was her loyal esquire, and would
|
|
have been heartbroken over desertion and insulted at
|
|
being carried. He was rather dragged, but he was
|
|
arriving, and the emergency was great, he could see that.
|
|
|
|
"She's coming!" shouted Alice.
|
|
|
|
"She's going to be the doctor!" cried Terry.
|
|
|
|
"She looked just like she'd seen angels when she read
|
|
the letter," explained Alice.
|
|
|
|
"She likes you `heaps!' She said so!" danced Terry.
|
|
"Be waiting! Here she is!"
|
|
|
|
Elnora helped Little Brother up the steps, then deserted
|
|
him and came at a rush. The stranger-person stood
|
|
holding out trembling arms.
|
|
|
|
"Are you sure, at last, runaway?" asked Philip Ammon.
|
|
|
|
"Perfectly sure!" cried Elnora.
|
|
|
|
"Will you marry me now?"
|
|
|
|
"This instant! That is, any time after the noon boat
|
|
comes in."
|
|
|
|
"Why such unnecessary delay?" demanded Ammon.
|
|
|
|
"It is almost September," explained Elnora. "I sent
|
|
for mother three days ago. We must wait until she comes,
|
|
and we either have to send for Uncle Wesley and Aunt
|
|
Margaret, or go to them. I couldn't possibly be married
|
|
properly without those dear people."
|
|
|
|
"We will send," decided Ammon. "The trip will be
|
|
a treat for them. O'More, would you get off a message
|
|
at once?"
|
|
|
|
Every one met the noon boat. They went in the motor
|
|
because Philip was too weak to walk so far. As soon as
|
|
people could be distinguished at all Elnora and Philip
|
|
sighted an erect figure, with a head like a snowdrift.
|
|
When the gang-plank fell the first person across it was
|
|
a lean, red-haired boy of eleven, carrying a violin in
|
|
one hand and an enormous bouquet of yellow marigolds and
|
|
purple asters in the other. He was beaming with broad
|
|
smiles until he saw Philip. Then his expression changed.
|
|
|
|
"Aw, say!" he exclaimed reproachfully. "I bet you
|
|
Aunt Margaret is right. He is going to be your beau!"
|
|
|
|
Elnora stooped to kiss Billy as she caught her mother.
|
|
|
|
"There, there!" cried Mrs. Comstock. "Don't knock
|
|
my headgear into my eye. I'm not sure I've got either
|
|
hat or hair. The wind blew like bizzem coming up the river."
|
|
|
|
She shook out her skirts, straightened her hat, and
|
|
came forward to meet Philip, who took her into his arms
|
|
and kissed her repeatedly. Then he passed her along to
|
|
Freckles and the Angel to whom her greetings were mingled
|
|
with scolding and laughter over her wind-blown hair.
|
|
|
|
"No doubt I'm a precious spectacle!" she said to the Angel.
|
|
"I saw your pa a little before I started, and he sent you
|
|
a note. It's in my satchel. He said he was coming up
|
|
next week. What a lot of people there are in this world!
|
|
And what on earth are all of them laughing about?
|
|
Did none of them ever hear of sickness, or sorrow,
|
|
or death? Billy, don't you go to playing Indian or
|
|
chasing woodchucks until you get out of those clothes.
|
|
I promised Margaret I'd bring back that suit good as new."
|
|
|
|
Then the O'More children came crowding to meet Elnora's mother.
|
|
|
|
"Merry Christmas!" cried Mrs. Comstock, gathering
|
|
them in. "Got everything right here but the tree, and
|
|
there seems to be plenty of them a little higher up.
|
|
If this wind would stiffen just enough more to blow away
|
|
the people, so one could see this place, I believe it would
|
|
be right decent looking."
|
|
|
|
"See here," whispered Elnora to Philip. "You must
|
|
fix this with Billy. I can't have his trip spoiled."
|
|
|
|
"Now, here is where I dust the rest of 'em!" complacently
|
|
remarked Mrs. Comstock, as she climbed into the motor car
|
|
for her first ride, in company with Philip and Little Brother.
|
|
"I have been the one to trudge the roads and hop out of the
|
|
way of these things for quite a spell."
|
|
|
|
She sat very erect as the car rolled into the broad main
|
|
avenue, where only stray couples were walking. Her eyes
|
|
began to twinkle and gleam. Suddenly she leaned forward
|
|
and touched the driver on the shoulder.
|
|
|
|
"Young man," she said, "just you toot that horn suddenly
|
|
and shave close enough a few of those people, so that I
|
|
can see how I look when I leap for ragweed and snake fences."
|
|
|
|
The amazed chauffeur glanced questioningly at Philip
|
|
who slightly nodded. A second later there was a quick
|
|
"honk!" and a swerve at a corner. A man engrossed
|
|
in conversation grabbed the woman to whom he was talking
|
|
and dashed for the safety of a lawn. The woman
|
|
tripped in her skirts, and as she fell the man caught and
|
|
dragged her. Both of them turned red faces to the car
|
|
and berated the driver. Mrs. Comstock laughed in
|
|
unrestrained enjoyment. Then she touched the chauffeur again.
|
|
|
|
"That's enough," she said. "It seems a mite risky."
|
|
A minute later she added to Philip, "If only they had
|
|
been carrying six pounds of butter and ten dozen eggs
|
|
apiece, wouldn't that have been just perfect?"
|
|
|
|
Billy had wavered between Elnora and the motor, but
|
|
his loyal little soul had been true to her, so the walk to
|
|
the cottage began with him at her side. Long before
|
|
they arrived the little O'Mores had crowded around and
|
|
captured Billy, and he was giving them an expurgated
|
|
version of Mrs. Comstock's tales of Big Foot and Adam
|
|
Poe, boasting that Uncle Wesley had been in the camps
|
|
of Me-shin-go-me-sia and knew Wa-ca-co-nah before
|
|
he got religion and dressed like white men; while the
|
|
mighty prowess of Snap as a woodchuck hunter was done
|
|
full justice. When they reached the cottage Philip took
|
|
Billy aside, showed him the emerald ring and gravely
|
|
asked his permission to marry Elnora. Billy struggled
|
|
to be just, but it was going hard with him, when Alice,
|
|
who kept close enough to hear, intervened.
|
|
|
|
"Why don't you let them get married?" she asked.
|
|
"You are much too small for her. You wait for me!"
|
|
|
|
Billy studied her intently. At last he turned to Ammon.
|
|
"Aw, well! Go on, then!" he said gruffly. "I'll marry Alice!"
|
|
|
|
Alice reached her hand. "If you got that settled
|
|
let's put on our Indian clothes, call the boys, and go to
|
|
the playhouse."
|
|
|
|
"I haven't got any Indian clothes," said Billy ruefully.
|
|
|
|
"Yes, you have," explained Alice. "Father bought
|
|
you some coming from the dock. You can put them on in
|
|
the playhouse. The boys do."
|
|
|
|
Billy examined the playhouse with gleaming eyes.
|
|
|
|
Never had he encountered such possibilities. He could
|
|
see a hundred amusing things to try, and he could not
|
|
decide which to do first. The most immediate attraction
|
|
seemed to be a dead pine, held perpendicularly by its
|
|
fellows, while its bark had decayed and fallen, leaving
|
|
a bare, smooth trunk.
|
|
|
|
"If we just had some grease that would make the dandiest
|
|
pole to play Fourth of July with!" he shouted.
|
|
|
|
The children remembered the Fourth. It had been
|
|
great fun.
|
|
|
|
"Butter is grease. There is plenty in the 'frigerator,"
|
|
suggested Alice, speeding away.
|
|
|
|
Billy caught the cold roll and began to rub it against
|
|
the tree excitedly.
|
|
|
|
"How are you going to get it greased to the top?" inquired Terry.
|
|
|
|
Billy's face lengthened. "That's so!" he said. "The thing
|
|
is to begin at the top and grease down. I'll show you!"
|
|
|
|
Billy put the butter in his handkerchief and took the
|
|
corners between his teeth. He climbed the pole, greasing
|
|
it as he slid down.
|
|
|
|
"Now, I got to try first," he said, "because I'm the
|
|
biggest and so I have the best chance; only the one that
|
|
goes first hasn't hardly any chance at all, because he has
|
|
to wipe off the grease on himself, so the others can get up
|
|
at last. See?"
|
|
|
|
"All right!" said Terry. "You go first and then I will
|
|
and then Alice. Phew! It's slick. He'll never get up."
|
|
|
|
Billy wrestled manfully, and when he was exhausted
|
|
he boosted Terry, and then both of them helped Alice,
|
|
to whom they awarded a prize of her own doll. As they
|
|
rested Billy remembered.
|
|
|
|
"Do your folks keep cows?" he asked.
|
|
|
|
"No, we buy milk," said Terry.
|
|
|
|
"Gee! Then what about the butter? Maybe your
|
|
ma needs it for dinner!"
|
|
|
|
"No, she doesn't!" cried Alice. "There's stacks of it!
|
|
I can have all the butter I want."
|
|
|
|
"Well, I'm mighty glad of it!" said Billy. "I didn't
|
|
just think. I'm afraid we've greased our clothes, too."
|
|
|
|
"That's no difference," said Terry. "We can play
|
|
what we please in these things."
|
|
|
|
"Well, we ought to be all dirty, and bloody, and have
|
|
feathers on us to be real Indians," said Billy.
|
|
|
|
Alice tried a handful of dirt on her sleeve and it
|
|
streaked beautifully. Instantly all of them began
|
|
smearing themselves.
|
|
|
|
"If we only had feathers," lamented Billy.
|
|
|
|
Terry disappeared and shortly returned from the garage
|
|
with a feather duster. Billy fell on it with a shriek.
|
|
Around each one's head he firmly tied a twisted handkerchief,
|
|
and stuck inside it a row of stiffly upstanding feathers.
|
|
|
|
"Now, if we just only had some pokeberries to paint us
|
|
red, we'd be real, for sure enough Indians, and we could go
|
|
on the warpath and fight all the other tribes and burn a
|
|
lot of them at the stake."
|
|
|
|
Alice sidled up to him. "Would huckleberries do?"
|
|
she asked softly.
|
|
|
|
"Yes!" shouted Terry, wild with excitement. "Anything that's
|
|
a colour."
|
|
|
|
Alice made another trip to the refrigerator. Billy crushed
|
|
the berries in his hands and smeared and streaked all their
|
|
faces liberally.
|
|
|
|
"Now are we ready?" asked Alice.
|
|
|
|
Billy collapsed. "I forgot the ponies! You got to ride
|
|
ponies to go on the warpath!"
|
|
|
|
"You ain't neither!" contradicted Terry. "It's the
|
|
very latest style to go on the warpath in a motor.
|
|
Everybody does! They go everywhere in them. They are
|
|
much faster and better than any old ponies."
|
|
|
|
Billy gave one genuine whoop. "Can we take your motor?"
|
|
|
|
Terry hesitated.
|
|
|
|
"I suppose you are too little to run it?" said Billy.
|
|
|
|
"I am not!" flashed Terry. "I know how to start and
|
|
stop it, and I drive lots for Stephens. It is hard to turn
|
|
over the engine when you start."
|
|
|
|
"I'll turn it," volunteered Billy. "I'm strong as anything."
|
|
|
|
"Maybe it will start without. If Stephens has just
|
|
been running it, sometimes it will. Come on, let's try."
|
|
|
|
Billy straightened up, lifted his chin and cried: "Houpe!
|
|
Houpe! Houpe!"
|
|
|
|
The little O'Mores stared in amazement.
|
|
|
|
"Why don't you come on and whoop?" demanded Billy.
|
|
"Don't you know how? You are great Indians!
|
|
You got to whoop before you go on the warpath.
|
|
You ought to kill a bat, too, and see if the wind
|
|
is right. But maybe the engine won't run if we wait
|
|
to do that. You can whoop, anyway. All together now!"
|
|
|
|
They did whoop, and after several efforts the cry satisfied
|
|
Billy, so he led the way to the big motor, and took
|
|
the front seat with Terry. Alice and Little Brother
|
|
climbed into the back.
|
|
|
|
"Will it go?" asked Billy, "or do we have to turn it?"
|
|
|
|
"It will go," said Terry as the machine gently slid out
|
|
into the avenue and started under his guidance.
|
|
|
|
"This is no warpath!" scoffed Billy. "We got to go a
|
|
lot faster than this, and we got to whoop. Alice, why
|
|
don't you whoop?
|
|
|
|
Alice arose, took hold of the seat in front and whooped.
|
|
|
|
"If I open the throttle, I can't squeeze the bulb to scare
|
|
people out of our way," said Terry. "I can't steer and
|
|
squeeze, too."
|
|
|
|
"We'll whoop enough to get them out of the way. Go faster!"
|
|
urged Billy.
|
|
|
|
Billy also stood, lifted his chin and whooped like the
|
|
wildest little savage that ever came out of the West.
|
|
Alice and Little Brother added their voices, and when he
|
|
was not absorbed with the steering gear, Terry joined in.
|
|
|
|
"Faster!" shouted Billy.
|
|
|
|
Intoxicated with the speed and excitement, Terry
|
|
threw the throttle wider and the big car leaped forward
|
|
and sped down the avenue. In it four black, feather-
|
|
bedecked children whooped in wild glee until suddenly
|
|
Terry's war cry changed to a scream of panic.
|
|
|
|
"The lake is coming!"
|
|
|
|
"Stop!" cried Billy. "Stop! Why don't you stop?"
|
|
|
|
Paralyzed with fear Terry clung to the steering gear and
|
|
the car sped onward.
|
|
|
|
"You little fool! Why don't you stop?" screamed
|
|
Billy, catching Terry's arm. "Tell me how to stop!"
|
|
|
|
A bicycle shot beside them and Freckles standing on
|
|
the pedals shouted: "Pull out the pin in that little
|
|
circle at your feet!"
|
|
|
|
Billy fell on his knees and tugged and the pin yielded
|
|
at last. Just as the wheels struck the white sand the bicycle
|
|
sheered close, Freckles caught the lever and with one strong
|
|
shove set the brake. The water flew as the car struck Huron,
|
|
but luckily it was shallow and the beach smooth. Hub deep
|
|
the big motor stood quivering as Freckles climbed in and
|
|
backed it to dry sand.
|
|
|
|
Then he drew a deep breath and stared at his brood.
|
|
|
|
"Terence, would you kindly be explaining?" he said at last.
|
|
|
|
Billy looked at the panting little figure of Terry.
|
|
|
|
"I guess I better," he said. "We were playing Indians
|
|
on the warpath, and we hadn't any ponies, and Terry
|
|
said it was all the style to go in automobiles now,
|
|
so we----"
|
|
|
|
Freckles's head went back, and be did some whooping himself.
|
|
|
|
"I wonder if you realize how nearly you came to being
|
|
four drowned children?" he said gravely, after a time.
|
|
|
|
"Oh, I think I could swim enough to get most of us out,"
|
|
said Billy. "Anyway, we need washing."
|
|
|
|
"You do indeed," said Freckles. "I will head this
|
|
procession to the garage, and there we will remove the
|
|
first coat." For the remainder of Billy's visit the nurse,
|
|
chauffeur, and every servant of the O'More household had
|
|
something of importance on their minds, and Billy's every
|
|
step was shadowed.
|
|
|
|
"I have Billy's consent," said Philip to Elnora, "and all
|
|
the other consent you have stipulated. Before you think
|
|
of something more, give me your left hand, please."
|
|
|
|
Elnora gave it gladly, and the emerald slipped on her finger.
|
|
Then they went together into the forest to tell each other
|
|
all about it, and talk it over.
|
|
|
|
"Have you seen Edith?" asked Philip.
|
|
|
|
"No," answered Elnora. "But she must be here, or she
|
|
may have seen me when we went to Petoskey a few days ago.
|
|
Her people have a cottage over on the bluff, but the
|
|
Angel never told me until to-day. I didn't want to make
|
|
that trip, but the folks were so anxious to entertain me,
|
|
and it was only a few days until I intended to let you know
|
|
myself where I was."
|
|
|
|
"And I was going to wait just that long, and if I didn't
|
|
hear then I was getting ready to turn over the country.
|
|
I can scarcely realize yet that Edith sent me that telegram."
|
|
|
|
"No wonder! It's a difficult thing to believe. I can't
|
|
express how I feel for her."
|
|
|
|
"Let us never speak of it again," said Philip. "I came
|
|
nearer feeling sorry for her last night than I have yet.
|
|
I couldn't sleep on that boat coming over, and I couldn't
|
|
put away the thought of what sending that message cost her.
|
|
I never would have believed it possible that she would do it.
|
|
But it is done. We will forget it."
|
|
|
|
"I scarcely think I shall," said Elnora. "It is something
|
|
I like to remember. How suffering must have changed her!
|
|
I would give anything to bring her peace."
|
|
|
|
"Henderson came to see me at the hospital a few days ago.
|
|
He's gone a rather wild pace, but if he had been held
|
|
from youth by the love of a good woman he might have
|
|
lived differently. There are things about him one cannot
|
|
help admiring."
|
|
|
|
"I think he loves her," said Elnora softly.
|
|
|
|
"He does! He always has! He never made any secret
|
|
of it. He will cut in now and do his level best,
|
|
but he told me that he thought she would send him away.
|
|
He understands her thoroughly."
|
|
|
|
Edith Carr did not understand herself. She went to
|
|
her room after her good-bye to Henderson, lay on her
|
|
bed and tried to think why she was suffering as she was.
|
|
|
|
"It is all my selfishness, my unrestrained temper, my
|
|
pride in my looks, my ambition to be first," she said.
|
|
"That is what has caused this trouble."
|
|
|
|
Then she went deeper.
|
|
|
|
"How does it happen that I am so selfish, that I never
|
|
controlled my temper, that I thought beauty and social
|
|
position the vital things of life?" she muttered. "I think
|
|
that goes a little past me. I think a mother who allows a
|
|
child to grow up as I did, who educates it only for the
|
|
frivolities of life, has a share in that child's ending.
|
|
I think my mother has some responsibility in this," Edith
|
|
Carr whispered to the night. "But she will recognize none.
|
|
She would laugh at me if I tried to tell her what I have
|
|
suffered and the bitter, bitter lesson I have learned.
|
|
No one really cares, but Hart. I've sent him away, so
|
|
there is no one! No one!"
|
|
|
|
Edith pressed her fingers across her burning eyes and
|
|
lay still.
|
|
|
|
"He is gone!" she whispered at last. "He would go at once.
|
|
He would not see me again. I should think he never would
|
|
want to see me any more. But I will want to see him!
|
|
My soul! I want him now! I want him every minute!
|
|
He is all I have. And I've sent him away. Oh, these
|
|
dreadful days to come, alone! I can't bear it. Hart!
|
|
Hart!" she cried aloud. "I want you! No one cares but you.
|
|
No one understands but you. Oh, I want you!"
|
|
|
|
She sprang from her bed and felt her way to her desk.
|
|
|
|
"Get me some one at the Henderson cottage," she said
|
|
to Central, and waited shivering.
|
|
|
|
"They don't answer."
|
|
|
|
"They are there! You must get them. Turn on the buzzer."
|
|
|
|
After a time the sleepy voice of Mrs. Henderson answered.
|
|
|
|
"Has Hart gone?" panted Edith Carr.
|
|
|
|
"No! He came in late and began to talk about starting
|
|
to California. He hasn't slept in weeks to amount
|
|
to anything. I put him to bed. There is time enough to
|
|
start to California when he awakens. Edith, what are you
|
|
planning to do next with that boy of mine?"
|
|
|
|
"Will you tell him I want to see him before he goes?"
|
|
|
|
"Yes, but I won't wake him."
|
|
|
|
"I don't want you to. Just tell him in the morning."
|
|
|
|
"Very well."
|
|
|
|
"You will be sure?"
|
|
|
|
"Sure!"
|
|
|
|
Hart was not gone. Edith fell asleep. She arose at
|
|
noon the next day, took a cold bath, ate her breakfast,
|
|
dressed carefully, and leaving word that she had gone to
|
|
the forest, she walked slowly across the leaves. It was
|
|
cool and quiet there, so she sat where she could see him
|
|
coming, and waited. She was thinking deep and fast.
|
|
|
|
Henderson came swiftly down the path. A long sleep,
|
|
food, and Edith's message had done him good. He had
|
|
dressed in new light flannels that were becoming.
|
|
Edith arose and went to meet him.
|
|
|
|
"Let us walk in the forest," she said.
|
|
|
|
They passed the old Catholic graveyard, and entered
|
|
the deepest wood of the Island, where all shadows were
|
|
green, all voices of humanity ceased, and there was no
|
|
sound save the whispering of the trees, a few bird notes and
|
|
squirrel rustle. There Edith seated herself on a mossy old
|
|
log, and Henderson studied her. He could detect a change.
|
|
She was still pale and her eyes tired, but the dull, strained
|
|
look was gone. He wanted to hope, but he did not dare.
|
|
Any other man would have forced her to speak. The mighty
|
|
tenderness in Henderson's heart shielded her in every way.
|
|
|
|
"What have you thought of that you wanted yet, Edith?"
|
|
he asked lightly as he stretched himself at her feet.
|
|
|
|
"You!"
|
|
|
|
Henderson lay tense and very still.
|
|
|
|
"Well, I am here!"
|
|
|
|
"Thank Heaven for that!"
|
|
|
|
Henderson sat up suddenly, leaning toward her with
|
|
questioning eyes. Not knowing what he dared say,
|
|
afraid of the hope which found birth in his heart, he tried
|
|
to shield her and at the same time to feel his way.
|
|
|
|
"I am more thankful than I can express that you feel
|
|
so," he said. "I would be of use, of comfort, to you if I
|
|
knew how, Edith."
|
|
|
|
"You are my only comfort," she said. "I tried to send
|
|
you away. I thought I didn't want you. I thought I
|
|
couldn't bear the sight of you, because of what you have
|
|
seen me suffer. But I went to the root of this thing last
|
|
night, Hart, and with self in mind, as usual, I found that
|
|
I could not live without you."
|
|
|
|
Henderson began breathing lightly. He was afraid to
|
|
speak or move.
|
|
|
|
"I faced the fact that all this is my own fault,"
|
|
continued Edith, "and came through my own selfishness.
|
|
Then I went farther back and realized that I am as I
|
|
was reared. I don't want to blame my parents, but I
|
|
was carefully trained into what I am. If Elnora Comstock had
|
|
been like me, Phil would have come back to me. I can see
|
|
how selfish I seem to him, and how I appear to you, if you
|
|
would admit it."
|
|
|
|
"Edith," said Henderson desperately, "there is no use
|
|
to try to deceive you. You have known from the first
|
|
that I found you wrong in this. But it's the first time in
|
|
your life I ever thought you wrong about anything--and
|
|
it's the only time I ever shall. Understand, I think you
|
|
the bravest, most beautiful woman on earth, the one most
|
|
worth loving."
|
|
|
|
"I'm not to be considered in the same class with her."
|
|
|
|
"I don't grant that, but if I did, you, must remember
|
|
how I compare with Phil. He's my superior at every point.
|
|
There's no use in discussing that. You wanted to see me, Edith.
|
|
What did you want?"
|
|
|
|
"I wanted you to not go away."
|
|
|
|
"Not at all?"
|
|
|
|
"Not at all! Not ever! Not unless you take me with
|
|
you, Hart."
|
|
|
|
She slightly extended one hand to him. Henderson took
|
|
that hand, kissing it again and again.
|
|
|
|
"Anything you want, Edith," he said brokenly. "Just as
|
|
you wish it. Do you want me to stay here, and go on as
|
|
we have been?"
|
|
|
|
"Yes, only with a difference."
|
|
|
|
"Can you tell me, Edith?"
|
|
|
|
"First, I want you to know that you are the dearest
|
|
thing on earth to me, right now. I would give up
|
|
everything else, before I would you. I can't honestly say
|
|
that I love you with the love you deserve. My heart is
|
|
too sore. It's too soon to know. But I love you some way.
|
|
You are necessary to me. You are my comfort, my shield.
|
|
If you want me, as you know me to be, Hart, you may consider
|
|
me yours. I give you my word of honour I will try to be
|
|
as you would have me, just as soon as I can."
|
|
|
|
Henderson kissed her hand passionately. "Don't, Edith,"
|
|
he begged. "Don't say those things. I can't bear it.
|
|
I understand. Everything will come right in time.
|
|
Love like mine must bring a reward. You will love me
|
|
some day. I can wait. I am the most patient fellow."
|
|
|
|
"But I must say it," cried Edith. "I--I think, Hart,
|
|
that I have been on the wrong road to find happiness.
|
|
I planned to finish life as I started it with Phil; and you
|
|
see how glad he was to change. He wanted the other sort of
|
|
girl far more than he ever wanted me. And you, Hart,
|
|
honest, now--I'll know if you don't tell me the truth!
|
|
Would you rather have a wife as I planned to live life with
|
|
Phil, or would you rather have her as Elnora Comstock intends
|
|
to live with him?"
|
|
|
|
"Edith!" cried the man, "Edith!"
|
|
|
|
"Of course, you can't say it in plain English," said the girl.
|
|
"You are far too chivalrous for that. You needn't
|
|
say anything. I am answered. If you could have your
|
|
choice you wouldn't have a society wife, either. In your
|
|
heart you'd like the smaller home of comfort, the furtherance
|
|
of your ambitions, the palatable meals regularly served,
|
|
and little children around you. I am sick of all we
|
|
have grown up to, Hart. When your hour of trouble
|
|
comes, there is no comfort for you. I am tired to death.
|
|
You find out what you want to do, and be, that is a man's
|
|
work in the world, and I will plan our home, with no
|
|
thought save your comfort. I'll be the other kind of a girl,
|
|
as fast as I can learn. I can't correct all my faults in one
|
|
day, but I'll change as rapidly as I can."
|
|
|
|
"God knows, I will be different, too, Edith. You shall
|
|
not be the only generous one. I will make all the rest of
|
|
life worthy of you. I will change, too!"
|
|
|
|
"Don't you dare!" said Edith Carr, taking his head between
|
|
her hands and holding it against her knees, while the
|
|
tears slid down her cheeks. "Don't you dare change, you
|
|
big-hearted, splendid lover! I am little and selfish.
|
|
You are the very finest, just as you are!"
|
|
|
|
Henderson was not talking then, so they sat through a
|
|
long silence. At last he heard Edith draw a quick
|
|
breath, and lifting his head he looked where she pointed.
|
|
Up a fern stalk climbed a curious looking object.
|
|
They watched breathlessly. By lavender feet clung a big,
|
|
pursy, lavender-splotched, yellow body. Yellow and lavender
|
|
wings began to expand and take on colour. Every instant
|
|
great beauty became more apparent. It was one of those
|
|
double-brooded freaks, which do occur on rare occasions,
|
|
or merely an Eacles Imperialis moth that in the cool damp
|
|
northern forest had failed to emerge in June. Edith Carr
|
|
drew back with a long, shivering breath. Henderson caught
|
|
her hands and gripped them firmly. Steadily she
|
|
looked the thought of her heart into his eyes.
|
|
|
|
"By all the powers, you shall not!" swore the man.
|
|
"You have done enough. I will smash that thing!"
|
|
|
|
"Oh no you won't!" cried the girl, clinging to his hands.
|
|
"I am not big enough yet, Hart, but before I leave this
|
|
forest I shall have grown to breadth and strength to carry
|
|
that to her. She needs two of each kind. Phil only sent
|
|
her one!"
|
|
|
|
"Edith I can't bear it! That's not demanded! Let me
|
|
take it!"
|
|
|
|
"You may go with me. I know where the O'More cottage is.
|
|
I have been there often."
|
|
|
|
"I'll say you sent it!"
|
|
|
|
"You may watch me deliver it!"
|
|
|
|
"Phil may be there by now."
|
|
|
|
"I hope he is! I should like him to see me do one decent
|
|
thing by which to remember me."
|
|
|
|
"I tell you that is not necessary!"
|
|
|
|
"`Not necessary!'" cried the girl, her big eyes shining.
|
|
"Not necessary? Then what on earth is the thing doing
|
|
here? I just have boasted that I would change, that I
|
|
would be like her, that I would grow bigger and broader.
|
|
As the words are spoken God gives me the opportunity to
|
|
prove whether I am sincere. This is my test, Hart! Don't
|
|
you see it? If I am big enough to carry that to her, you
|
|
will believe that there is some good in me. You will not
|
|
be loving me in vain. This is an especial Providence, man!
|
|
Be my strength! Help me, as you always have done!"
|
|
|
|
Henderson arose and shook the leaves from his clothing.
|
|
He drew Edith Carr to her feet and carefully picked the
|
|
mosses from her skirts. He went to the water and
|
|
moistened his handkerchief to bathe her face.
|
|
|
|
"Now a dust of powder," he said when the tears were
|
|
washed away.
|
|
|
|
From a tiny book Edith tore leaves that she passed over
|
|
her face.
|
|
|
|
"All gone!" cried Henderson, critically studying her.
|
|
"You look almost half as lovely as you really are!"
|
|
|
|
Edith Carr drew a wavering breath. She stretched one
|
|
hand to him.
|
|
|
|
"Hold tight, Hart!" she said. "I know they handle
|
|
these things, but I would quite as soon touch a snake."
|
|
|
|
Henderson clenched his teeth and held steadily. The moth
|
|
had emerged too recently to be troublesome. It climbed
|
|
on her fingers quietly and obligingly clung there
|
|
without moving. So hand in hand they went down the
|
|
dark forest path. When they came to the avenue, the first
|
|
person they met paused with an ejaculation of wonder.
|
|
The next stopped also, and every one following. They could
|
|
make little progress on account of marvelling,
|
|
interested people. A strange excitement took possession
|
|
of Edith. She began to feel proud of the moth.
|
|
|
|
"Do you know," she said to Henderson," this is growing
|
|
easier every step. Its clinging is not disagreeable as I
|
|
thought it would be. I feel as if I were saving it,
|
|
protecting it. I am proud that we are taking it to be put
|
|
into a collection or a book. It seems like doing a thing
|
|
worth while. Oh, Hart, I wish we could work together at
|
|
something for which people would care as they seem to
|
|
for this. Hear what they say! See them lift their
|
|
little children to look at it!"
|
|
|
|
"Edith, if you don't stop," said Henderson, "I will take
|
|
you in my arms here on the avenue. You are adorable!"
|
|
|
|
"Don't you dare!" laughed Edith Carr. The colour
|
|
rushed to her cheeks and a new light leaped in her eyes
|
|
|
|
"Oh, Hart!" she cried. "Let's work! Let's do something!
|
|
That's the way she makes people love her so. There's the
|
|
place, and thank goodness, there is a crowd."
|
|
|
|
"You darling!" whispered Henderson as they passed up
|
|
the walk. Her face was rose-flushed with excitement and
|
|
her eyes shone.
|
|
|
|
"Hello, every, one!" she cried as she came on the wide veranda.
|
|
"Only see what we found up in the forest! We thought you
|
|
might like to have it for some of your collections."
|
|
|
|
She held out the moth as she walked straight to Elnora,
|
|
who arose to meet her, crying: "How perfectly splendid!
|
|
I don't even know how to begin to thank you."
|
|
|
|
Elnora took the moth. Edith shook hands with all of
|
|
them and asked Philip if he were improving. She said a few
|
|
polite words to Freckles and the Angel, declined to remain
|
|
on account of an engagement, and went away, gracefully.
|
|
|
|
"Well bully for her!" said Mrs. Comstock. "She's a
|
|
little thoroughbred after all!"
|
|
|
|
"That was a mighty big thing for her to be doing,"
|
|
said Freckles in a hushed voice.
|
|
|
|
"If you knew her as well as I do," said Philip Ammon,
|
|
"you would have a better conception of what that cost."
|
|
|
|
"It was a terror!" cried the Angel. "I never could have done it."
|
|
|
|
"`Never could have done it!'" echoed Freckles. "Why, Angel,
|
|
dear, that is the one thing of all the world you would have done!"
|
|
|
|
"I have to take care of this," faltered Elnora, hurrying
|
|
toward the door to hide the tears which were rolling down
|
|
her cheeks.
|
|
|
|
"I must help," said Philip, disappearing also. "Elnora,"
|
|
he called, catching up with her, "take me where I may cry, too.
|
|
Wasn't she great?"
|
|
|
|
"Superb!" exclaimed Elnora. "I have no words. I feel so humbled!"
|
|
|
|
"So do I," said Philip. "I think a brave deed like that
|
|
always makes one feel so. Now are you happy?"
|
|
|
|
"Unspeakably happy!" answered Elnora.
|
|
|
|
[End.]
|
|
.
|